WEBVTT - Alan Cumming on his new book and ‘normalizing hotmessness’

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<v Speaker 1>Hi everyone, I'm Katie CURRTT and this is next question.

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<v Speaker 1>What's your Alan coming touchdown? Did you first fall for

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<v Speaker 1>the wayfish Scot in Romeo Michelle's high school reunion? Since

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<v Speaker 1>this is the last night of school and all, would

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<v Speaker 1>you care to dance with me once? Now? Or was

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<v Speaker 1>it his romantic hijinks and Emma that hooked you? Who

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<v Speaker 1>can think of Miss Smith when Miss Woodhouse is na

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<v Speaker 1>Maybe you're more of a golden eyed bond boy fan.

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<v Speaker 1>I am invincible spy kids get the cunning and intelligence

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<v Speaker 1>of the world's greatest espionage agents. Oh, rolled into tiny

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<v Speaker 1>packages I calls the good wife. Can I say son

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<v Speaker 1>of a bitch? Or is that too salty? Oh? It's

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<v Speaker 1>got to be cabaret. There are almost too many to count.

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<v Speaker 1>Alan Cumming is a renaissance man of his own making,

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<v Speaker 1>from theater to TV and film. He's a chameleon who

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<v Speaker 1>melts into every role he takes on. But he doesn't

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<v Speaker 1>stop there. He owns a club in New York, club

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<v Speaker 1>Coming I Went There Once. He also started his own

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<v Speaker 1>perfume line, Coming the Fragrance. He's an outspoken advocate for

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<v Speaker 1>lgbt Q rights. He's also the author of a book

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<v Speaker 1>of fiction, one memoir, and now a second memoir called Baggage.

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<v Speaker 1>I just constantly talk about myself from a moment I

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<v Speaker 1>wake up to moment to go to bed. Alan and

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<v Speaker 1>I spoke right before his book came out, And no

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<v Speaker 1>offense to everyone else I've interviewed. But he's just about

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<v Speaker 1>the most charming human on the planet who really knows

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<v Speaker 1>how to tell a good story. I did have another

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<v Speaker 1>tattoo that was on my body, but I removed by

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<v Speaker 1>Lazer that has had a young gentleman's name on it. Yeah,

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<v Speaker 1>but I've done that, Katy never done that. Never got

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<v Speaker 1>met someone a two weeks later, had their name tattooed

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<v Speaker 1>on your body. Wanted to know were you? Were you

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<v Speaker 1>intoxicated at the time in a way because I when

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<v Speaker 1>I write about this in the book, I could. I

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<v Speaker 1>called him Adonis and I was. I think it's just

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<v Speaker 1>this man I had a short lived relationship with. I

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<v Speaker 1>feel like I was the victim of a chemical attack,

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<v Speaker 1>you know, like that sort of chemistry that you have

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<v Speaker 1>with someone in the sort of you know that the

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<v Speaker 1>in doorphins or whatever is released and you'r you find

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<v Speaker 1>yourself doing things you're completely out of control with desire

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<v Speaker 1>or lust or whatever it is. And after two weeks

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<v Speaker 1>of knowing each other, we decided we'd get our names

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<v Speaker 1>tattooed on each other's groins. And I thought that was

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<v Speaker 1>the most sensible thing I've ever done. I really did.

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<v Speaker 1>I thought it was completely sensible. And then four months

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<v Speaker 1>after that we split up. When I was left with

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<v Speaker 1>the with the with the name Raven on my on

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<v Speaker 1>my groin, and I got what's hilarious is that I got?

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<v Speaker 1>I got it. I went. I was in l am

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<v Speaker 1>in a film and there was a there was a

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<v Speaker 1>special you know, tattoo removable place at Cedar Sinai Hospital.

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<v Speaker 1>So I went, and I have to go several times.

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<v Speaker 1>It's really so they laser it off and you can

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<v Speaker 1>hear this and it's the it's the sound of the

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<v Speaker 1>ink exploding in your body. Is it more painful getting

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<v Speaker 1>it removed than to actually get a tattoo? Yeah, because

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<v Speaker 1>then also you keep You've got to keep going back,

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<v Speaker 1>you know, it's not just once. You do it several

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<v Speaker 1>times and it is more painful. And then also because

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<v Speaker 1>it goes all scabby and yucky and that as well.

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<v Speaker 1>And so, but the thing was when I went. When

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<v Speaker 1>I eventually saw him afterwards, so you got a year afterwards.

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<v Speaker 1>He said you still love your tattoo and said no,

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<v Speaker 1>i'd mind wrenched from my body by laser. And he said,

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<v Speaker 1>I said, you used to love yours? He said kind of,

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<v Speaker 1>and he he pulled down his pants and where it

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<v Speaker 1>used to see Alan, it now says balance. That's very clever. Yeah,

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<v Speaker 1>it's that good. I was going to say, what could

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<v Speaker 1>you have done with his name? Ravenous? Craven? I've taken

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<v Speaker 1>a wee bit of the end often been raver. It

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<v Speaker 1>was all my friends are delighted and telling me the

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<v Speaker 1>things that I could do, and you know it was yes,

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<v Speaker 1>done done. Oh my friend David wanted to done Raven.

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<v Speaker 1>That's what he was like, do you end at the

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<v Speaker 1>beginning of I was like, all right, I feel polish enough,

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<v Speaker 1>you don't need to do. But instead you got it removed. Well,

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<v Speaker 1>let's let's talk about your memoir because it's so exciting,

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<v Speaker 1>and I know you're tired of talking about it, but

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<v Speaker 1>I don't know. Let's give it. Let's give a dry

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<v Speaker 1>So it's called baggage. And I feel like, Alan, you've

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<v Speaker 1>spent a lot of time in your adult life unloading

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<v Speaker 1>yours because this is your second memoir, of course, and

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<v Speaker 1>and the first was really powerful about your dysfunctional relationship

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<v Speaker 1>with your father, who was who was terrible, and I

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<v Speaker 1>thought it was incredible that it had such an impact,

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<v Speaker 1>and you from so many people who were able to

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<v Speaker 1>to deal with or or metabolize their own dysfunctional relationships

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<v Speaker 1>with with a parent. So so that was really the

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<v Speaker 1>focal point of your first memoir. And you wanted to

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<v Speaker 1>do another one because well, mostly because a couple of reasons,

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<v Speaker 1>of course, but mostly because I as a reaction to

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<v Speaker 1>the reaction to my first one, because I think the

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<v Speaker 1>first one it was, you know, I had this very

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<v Speaker 1>violent and abusive father, and I felt the way that

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<v Speaker 1>it was. I mean, look, I was so excited ultimately

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<v Speaker 1>by the way that it helped so many people and

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<v Speaker 1>people keep writing me and I'd be able to talk

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<v Speaker 1>to my abuse or I've talked all that stuff you

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<v Speaker 1>just mentioned. But also there was a retric which sort

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<v Speaker 1>of said Alan has triumphed, Alan has overcome Alan has

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<v Speaker 1>you know, Alan has conquered this terrible, dark past. And

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<v Speaker 1>I feel like that's a very American things sort of

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<v Speaker 1>try and tie up things and make it all like

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<v Speaker 1>it's done, that we've done this, instead of just thinking

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<v Speaker 1>I have you know, I am happy and I have

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<v Speaker 1>a life that I but I've not overcoming. It's still

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<v Speaker 1>a part of me. It's always going to be a

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<v Speaker 1>part of me. And they but all like that. Oh,

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<v Speaker 1>we all have baggage or trauma shipped in our lives

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<v Speaker 1>and we don't the moment you ignore it and say,

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<v Speaker 1>oh I don't and deny it, then it's just going

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<v Speaker 1>to fester and come back to bite you in the bomb.

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<v Speaker 1>And actually it's you just have to be open about

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<v Speaker 1>and honest and you know, like then in the pandemic.

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<v Speaker 1>I think it's been really interesting how we've all understood

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<v Speaker 1>the value of discussing our mental health and checking in

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<v Speaker 1>on each other's mental health. It's it's something we don't

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<v Speaker 1>haven't done as a culture before. And so actually, I

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<v Speaker 1>think that's all that I'm asking people to do, is

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<v Speaker 1>to not think of me as someone who has absolutely

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<v Speaker 1>triumphed over something and killed it. I'm actually living with

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<v Speaker 1>something and I've managed it. I've managed to make my life,

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<v Speaker 1>and I think I just want to normalize the trauma

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<v Speaker 1>and that damage that we've all got we all and

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<v Speaker 1>not to Let's just not pretend that we can get

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<v Speaker 1>over something and just you just get better at dealing

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<v Speaker 1>with it. How do you think, I mean, obviously there's

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<v Speaker 1>a multitude of ways, but when you think about how

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<v Speaker 1>your abusive father, how how that relationship continues to manifest itself,

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<v Speaker 1>and the demons that you have to continue to fight, well,

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<v Speaker 1>I I get very triggered by angry men. I I

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<v Speaker 1>used to try and fix people who are angry. I

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<v Speaker 1>used to have a obsession with trying to fix I've

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<v Speaker 1>had several relationships. What I was just basically trying to

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<v Speaker 1>fix angry people. I thought it was my fault. I

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<v Speaker 1>thought there must be something I've done. I thought there

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<v Speaker 1>was something I could do to stop them being angry.

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<v Speaker 1>I was seeking the familiar, and I think that that

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<v Speaker 1>I've got I've got over that, thank goodness. But I

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<v Speaker 1>do get very triggered by by angry angry men, and

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<v Speaker 1>I just you know, it's something I just got to

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<v Speaker 1>be vigilant about. Some people. People have a right to

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<v Speaker 1>be angry and bit out of control. The rational anger

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<v Speaker 1>I find difficult, and people I find it when people

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<v Speaker 1>are sort of trying to bring me down. I feel

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<v Speaker 1>quite confident about myself, but but I'm aware that people

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<v Speaker 1>are sometimes, you know, I'm sure you know, there's if

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<v Speaker 1>when you're well known and sort of seen as being accomplished,

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<v Speaker 1>sometimes you go into scenarios and environments where people want

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<v Speaker 1>to bring you down a peg or two and it's

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<v Speaker 1>sort of just their way of making themselves feel better

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<v Speaker 1>about themselves. And I find that that's very triggering for

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<v Speaker 1>me because I want to allow them to do that

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<v Speaker 1>and I but also I know it's not fair and

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<v Speaker 1>I want to so I have to. I really try

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<v Speaker 1>hard to let people do their ship, but not me,

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<v Speaker 1>not be affected by it, not to make me sort

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<v Speaker 1>of bring them down with me. So that are things

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<v Speaker 1>like that. And then also, you know, another thing that

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<v Speaker 1>I feel um talk about it, but it is the

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<v Speaker 1>fact that I've never had children. I feel that I

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<v Speaker 1>I did have a spell when I you know, I

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<v Speaker 1>started the book by talking about trying to have a

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<v Speaker 1>child with my ex wife and now, in a way,

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<v Speaker 1>how grateful I am that that wasn't possible or didn't

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<v Speaker 1>happen because we split up and everything and that and

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<v Speaker 1>me me, me thinking about being a father is what

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<v Speaker 1>precipitated me remembering a whole lot of stuff from my

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<v Speaker 1>childhood that I had repressed and then having an ever

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<v Speaker 1>speake down. And so now I did try. I did

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<v Speaker 1>think about any kids with a couple of people at

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<v Speaker 1>other partners, and you know, and some people you know

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<v Speaker 1>wanted my sperm and all that stuff. I was going

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<v Speaker 1>to do that with the next and all that stuff.

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<v Speaker 1>But now I'm fifty six, I'm not going to have kids,

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<v Speaker 1>and I I don't I don't want to. But in

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<v Speaker 1>the writing of this book and thinking about it and

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<v Speaker 1>talking about myself endlessly, I sort of think, well, I

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<v Speaker 1>write this thing, I say, you know, I have lots

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<v Speaker 1>of young friends, people who are could be my children.

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<v Speaker 1>And I have friends holleges. But I actually love having

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<v Speaker 1>young friends. I think it's really great to sort of find,

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<v Speaker 1>you know, to keep in touch with what's happening and

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<v Speaker 1>my assistants twenty six. I think it's great to sort

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<v Speaker 1>of think, what's your life like now? And you know,

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<v Speaker 1>and and and it is like having you know, obviously

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<v Speaker 1>it's a big grown up but I am old enough

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<v Speaker 1>to be dad and stuff like that. And I but

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<v Speaker 1>and so in a way I have become the father

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<v Speaker 1>I wish i'd had, But it's no accident that he

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<v Speaker 1>is childless. Are you Are you sorry Alan that? Yeah?

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<v Speaker 1>I don't. I mean, I'm not sorry. I really love

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<v Speaker 1>my life. I don't want, oh God, the idea of

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<v Speaker 1>having a kid now, ben no, but that you didn't

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<v Speaker 1>ever I think I'm I wonder if part of the

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<v Speaker 1>reason are not part of I wonder if the reason

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<v Speaker 1>i'm I wonder if the reason I didn't was that

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<v Speaker 1>I was it I would become my father. And so

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<v Speaker 1>you know, that's how far has reached, still still comes

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<v Speaker 1>and I I don't like that. I don't like the

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<v Speaker 1>fact that I have avoided something in my life that

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<v Speaker 1>I didn't avoid. I tried, it just didn't happen. Um,

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<v Speaker 1>But I ultimately stayed away from it because I I

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<v Speaker 1>have It's triggering for me and it's weird. And you know,

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<v Speaker 1>if if when I was trying to eight and I

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<v Speaker 1>was trying to get pregnant with my wife, that's what

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<v Speaker 1>passivity is of me having a huge my mind completely

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<v Speaker 1>brought all these images back. And you know it did

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<v Speaker 1>that for a reason. It did that too, because I

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<v Speaker 1>had never been able to deal with them before. I

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<v Speaker 1>had not. I wasn't I was too little and too

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<v Speaker 1>young to process what was happening to me. So it

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<v Speaker 1>waited until I was going to go into that same

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<v Speaker 1>sort of arena again. Father. Uh, the patriarchy, I suppose,

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<v Speaker 1>And I feel that in my mind this is powerful

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<v Speaker 1>to do that and then too, you know, make me

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<v Speaker 1>have all those images and all those feelings and then

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<v Speaker 1>to kind of break down. Then I think it is

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<v Speaker 1>as equally as powerful to perhaps make persuade me not

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<v Speaker 1>to do something, just in case I wasn't frety. You know.

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<v Speaker 1>It's just it's that transparence of the intergenerational transparence of

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<v Speaker 1>trauma is a is a thing, you know, it's a

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<v Speaker 1>powerful thing. You can your DNA can be changed. It's

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<v Speaker 1>been tested. Your DNA can be changed by the trauma

0:12:36.920 --> 0:12:40.280
<v Speaker 1>that your parents have endured. Do you feel like, and

0:12:40.280 --> 0:12:43.120
<v Speaker 1>then I want to talk about this new memoir, but

0:12:43.160 --> 0:12:45.679
<v Speaker 1>do you feel, having written about your dad in the

0:12:45.720 --> 0:12:50.280
<v Speaker 1>first one, that you understand it. Maybe you don't forgive him,

0:12:50.440 --> 0:12:54.640
<v Speaker 1>but that you understand what were the forces that shaped

0:12:54.760 --> 0:12:58.679
<v Speaker 1>him to be the monster he sounds like he was.

0:12:59.360 --> 0:13:02.400
<v Speaker 1>I mean, I sort of I think, actually I do

0:13:02.559 --> 0:13:05.880
<v Speaker 1>forgive him, and I'm not sure. I do understand it

0:13:05.920 --> 0:13:07.840
<v Speaker 1>all the sports, I mean there's some I'm not I'm

0:13:07.880 --> 0:13:10.240
<v Speaker 1>not sure, and I'll never be sure and never be

0:13:10.280 --> 0:13:14.199
<v Speaker 1>able to be sure. I think he had many personality disorders,

0:13:14.200 --> 0:13:17.200
<v Speaker 1>and I think he was mentally ill. Absolutely. I think

0:13:17.240 --> 0:13:20.840
<v Speaker 1>he was abused by his father, yes, and he didn't

0:13:20.840 --> 0:13:23.400
<v Speaker 1>break that psycle of course. That's also what terrifies me,

0:13:23.760 --> 0:13:26.080
<v Speaker 1>or terrified me that I would not be able to

0:13:26.080 --> 0:13:28.000
<v Speaker 1>stop that too. I mean, I feel like pretty much

0:13:28.120 --> 0:13:30.920
<v Speaker 1>done everything you should do or candy to break a cycle,

0:13:31.000 --> 0:13:35.680
<v Speaker 1>like talking about I dink there, but who knows, um.

0:13:35.760 --> 0:13:40.920
<v Speaker 1>But in terms of the actual other stuff that kind

0:13:40.920 --> 0:13:44.200
<v Speaker 1>of you know, I've talked to doctors and therapists and

0:13:44.280 --> 0:13:48.240
<v Speaker 1>I think I have got a handle on some of

0:13:48.280 --> 0:13:51.280
<v Speaker 1>this sort of as I say, personality disorders that he had,

0:13:51.320 --> 0:13:53.600
<v Speaker 1>but who knows, I don't, I don't know. It's he

0:13:53.679 --> 0:13:57.240
<v Speaker 1>wasn't an evil person. He was just a very damaged

0:13:57.840 --> 0:14:03.320
<v Speaker 1>and m m scan and scared person. And actually you know,

0:14:03.360 --> 0:14:05.160
<v Speaker 1>as much he was this big match a guy, and

0:14:05.160 --> 0:14:08.520
<v Speaker 1>he kind of he was very charismatic and ber sexy

0:14:08.559 --> 0:14:10.840
<v Speaker 1>and all that stuff as well. But he was I

0:14:10.840 --> 0:14:12.720
<v Speaker 1>think he was scared, and I think he was a coward,

0:14:13.760 --> 0:14:16.960
<v Speaker 1>and I think that's I'm not a coward, and I

0:14:17.000 --> 0:14:19.840
<v Speaker 1>feel i'd really I stood up to him, and I,

0:14:21.320 --> 0:14:24.520
<v Speaker 1>you know, did things he would never do in terms

0:14:24.520 --> 0:14:29.000
<v Speaker 1>of facing demons and facing stuff. So I I did,

0:14:29.080 --> 0:14:31.440
<v Speaker 1>like in the it's just talking earlier actually that you know,

0:14:31.480 --> 0:14:33.320
<v Speaker 1>when you read the audiobook of your book, it's kind

0:14:33.320 --> 0:14:36.960
<v Speaker 1>of funny because you sometimes at reading aloud things you've

0:14:37.000 --> 0:14:40.880
<v Speaker 1>only ever written down and acknowledgements bits, I like, you

0:14:40.920 --> 0:14:42.760
<v Speaker 1>don't really you just do that at the end and

0:14:42.800 --> 0:14:45.200
<v Speaker 1>you don't, sort of. And in the acknowledgements to to

0:14:45.360 --> 0:14:47.400
<v Speaker 1>my Last Memoir, Not my Father's Son, I said in

0:14:47.440 --> 0:14:50.240
<v Speaker 1>the acknowledgment that I forgave my father. But I didn't

0:14:50.720 --> 0:14:52.600
<v Speaker 1>ever read that aloud until I was in the studio

0:14:52.640 --> 0:14:54.920
<v Speaker 1>recording the body of it and I just lost it,

0:14:55.120 --> 0:14:58.520
<v Speaker 1>you know, completely was weeping. So I did forgive him

0:14:58.560 --> 0:15:01.600
<v Speaker 1>because I think I don't want to carry around this ship.

0:15:02.120 --> 0:15:05.240
<v Speaker 1>You know, I forgive then from me, you know, I

0:15:05.320 --> 0:15:08.160
<v Speaker 1>forgive you. You did it. It happened like I'm moving on,

0:15:08.400 --> 0:15:11.160
<v Speaker 1>I'm not gonna. I feel like not forgiving means you're

0:15:11.280 --> 0:15:15.040
<v Speaker 1>keeping the trauma with you. So I feel it's it's

0:15:15.080 --> 0:15:19.960
<v Speaker 1>mine to give away forgiveness. So I did talk about

0:15:20.040 --> 0:15:23.800
<v Speaker 1>how this this memoir, because it is a really interesting mix.

0:15:23.880 --> 0:15:29.640
<v Speaker 1>You have hilarious anecdotes about everyone from Faye Dunaway, Liza Manelli,

0:15:29.840 --> 0:15:33.880
<v Speaker 1>Gore Vidal, and yet it also interweaves sort of more

0:15:34.000 --> 0:15:36.760
<v Speaker 1>serious topics. How did you How did you approach this

0:15:36.880 --> 0:15:39.080
<v Speaker 1>memoir when you thought, I'm going to write a second

0:15:39.120 --> 0:15:42.200
<v Speaker 1>memoir and this, this is my goal, this is what

0:15:42.240 --> 0:15:45.400
<v Speaker 1>I want to do. Well, it took me a long

0:15:45.440 --> 0:15:48.040
<v Speaker 1>time because I wasn't quite sure what I wanted to do. Actually,

0:15:48.040 --> 0:15:50.280
<v Speaker 1>when I started it, I thought it was maybe going

0:15:50.320 --> 0:15:52.120
<v Speaker 1>to be about me coming to America and having this

0:15:52.200 --> 0:15:54.800
<v Speaker 1>new life age thirty. You know, been to America at

0:15:54.800 --> 0:15:57.440
<v Speaker 1>all until I was thirty, and so I had a

0:15:57.440 --> 0:16:01.440
<v Speaker 1>whole other perspective. Um, But I think I sort of

0:16:01.720 --> 0:16:05.880
<v Speaker 1>over the years. It took I. You know, I think

0:16:05.920 --> 0:16:08.240
<v Speaker 1>it takes you a while unless you're writing a story

0:16:08.280 --> 0:16:10.200
<v Speaker 1>and the story has an ending and you know what

0:16:10.240 --> 0:16:11.840
<v Speaker 1>and you plot it out. You know, in a fiction,

0:16:12.600 --> 0:16:14.960
<v Speaker 1>my story is not ended, and so I wanted I

0:16:15.000 --> 0:16:17.400
<v Speaker 1>had to find out where what the plot was, what

0:16:17.440 --> 0:16:19.360
<v Speaker 1>the and I've done it, you know, between two marriages,

0:16:19.400 --> 0:16:21.160
<v Speaker 1>between the end of my first marriage in the beginning

0:16:21.160 --> 0:16:23.280
<v Speaker 1>of my second, and I wanted to sort of say

0:16:23.320 --> 0:16:25.200
<v Speaker 1>I mean, basically, I wanted to say that thing about

0:16:25.520 --> 0:16:29.800
<v Speaker 1>I don't think I'm oh finished and complete and conquered.

0:16:30.120 --> 0:16:32.920
<v Speaker 1>Here's me being a bit of a hot mess a

0:16:32.960 --> 0:16:35.600
<v Speaker 1>lot of the time in my life, having a great time,

0:16:35.640 --> 0:16:37.680
<v Speaker 1>having a laugh, having you know, doing all that, but

0:16:37.840 --> 0:16:41.720
<v Speaker 1>concurrently with all that also suffering and being a bit

0:16:41.720 --> 0:16:44.800
<v Speaker 1>of making some bad decisions. And I think that's what

0:16:44.800 --> 0:16:48.680
<v Speaker 1>I want to I want to kind of normalize being

0:16:48.680 --> 0:16:52.520
<v Speaker 1>a hot mess, you know. I think I think it's

0:16:52.720 --> 0:16:54.920
<v Speaker 1>entirely possible to have a great, successful life and also

0:16:55.040 --> 0:16:59.360
<v Speaker 1>be have moments when you're just hot mess. So that's

0:16:59.360 --> 0:17:04.560
<v Speaker 1>my ambition is to normalize halt massness. We'll be right back.

0:17:17.040 --> 0:17:19.600
<v Speaker 1>I know that you didn't really talk at all about

0:17:21.000 --> 0:17:23.959
<v Speaker 1>your your sexuality, and I know you know, and and

0:17:24.000 --> 0:17:26.959
<v Speaker 1>that was quite intentional. It seems to me even you

0:17:27.000 --> 0:17:30.800
<v Speaker 1>have reached queer icon status. Um you well, you don't

0:17:30.840 --> 0:17:34.639
<v Speaker 1>don't really talk about dealing with I should rephrase that

0:17:34.680 --> 0:17:37.679
<v Speaker 1>you don't talk about dealing with coming out or or

0:17:38.160 --> 0:17:41.000
<v Speaker 1>you know, I know that you you talk about the

0:17:41.040 --> 0:17:45.040
<v Speaker 1>fluidity of partnerships. You talk about flings with men and women,

0:17:45.160 --> 0:17:48.720
<v Speaker 1>and I know that that you feel that that whole

0:17:48.720 --> 0:17:52.960
<v Speaker 1>conversation really needs to be reframed in the culture. I think,

0:17:53.000 --> 0:17:54.760
<v Speaker 1>I really do. I mean I didn't. I left all

0:17:54.800 --> 0:17:58.119
<v Speaker 1>the out and purpose. I even felt in my last memoir,

0:17:58.720 --> 0:18:01.160
<v Speaker 1>you know, they want did me to do a sort

0:18:01.200 --> 0:18:03.960
<v Speaker 1>of it? When did you know? All that sort of stuff?

0:18:03.960 --> 0:18:07.280
<v Speaker 1>And I said, um, and also about you know a

0:18:07.280 --> 0:18:11.240
<v Speaker 1>bit a thing about grabbed my husband and stuff like that,

0:18:11.240 --> 0:18:12.560
<v Speaker 1>And I said, you wouldn't ask me to do this

0:18:12.600 --> 0:18:14.119
<v Speaker 1>if I was straight. You wouldn't say when did I

0:18:14.160 --> 0:18:16.760
<v Speaker 1>know I was straight? You know, nobody asked it's asked that.

0:18:17.880 --> 0:18:19.960
<v Speaker 1>And you don't even ask someone who's writing a memoir

0:18:20.040 --> 0:18:24.200
<v Speaker 1>to talk about about about your partner in the way

0:18:24.200 --> 0:18:27.240
<v Speaker 1>that I'm You're wanting me to do that, And it

0:18:27.320 --> 0:18:32.600
<v Speaker 1>didn't feel organic or authentic to me, so I said no.

0:18:32.760 --> 0:18:36.440
<v Speaker 1>And I feel like with this I talked about, yes,

0:18:36.520 --> 0:18:39.360
<v Speaker 1>I'm with a woman and now I'm with a man,

0:18:39.600 --> 0:18:42.080
<v Speaker 1>but that because that's just how it was. And then

0:18:42.119 --> 0:18:43.639
<v Speaker 1>I was back with the women as well. You know,

0:18:43.960 --> 0:18:45.639
<v Speaker 1>I just talked about my life as it was. I

0:18:45.680 --> 0:18:49.359
<v Speaker 1>don't I just feel I'm so bored. I mean, I

0:18:49.720 --> 0:18:51.879
<v Speaker 1>said this the other day, like straight people don't know

0:18:51.920 --> 0:18:54.280
<v Speaker 1>how lucky they are not to be constantly probed about

0:18:54.280 --> 0:18:58.720
<v Speaker 1>their sexuality and you never, you don't never get asked

0:18:58.720 --> 0:19:01.320
<v Speaker 1>about you know, do you find it a problem being

0:19:01.359 --> 0:19:05.840
<v Speaker 1>straight or do you know do you um uh, when

0:19:05.880 --> 0:19:07.680
<v Speaker 1>did you know you were straight? And you know, has

0:19:07.720 --> 0:19:10.119
<v Speaker 1>your straightness of you know, do you think being straight

0:19:10.119 --> 0:19:14.040
<v Speaker 1>in Hollywood is all that? It would be so funny, Um,

0:19:15.160 --> 0:19:19.000
<v Speaker 1>that would be a good snl skit Wait, yes, And

0:19:19.080 --> 0:19:23.679
<v Speaker 1>I so that to me is really boring. And also

0:19:23.800 --> 0:19:25.600
<v Speaker 1>I think, you know what, I think it's really interesting

0:19:25.600 --> 0:19:27.040
<v Speaker 1>about the time we live in right now, at this

0:19:27.080 --> 0:19:30.399
<v Speaker 1>sort of time of non binary nous and fluidity and

0:19:30.560 --> 0:19:33.440
<v Speaker 1>I and the notion that I think is coming into

0:19:33.440 --> 0:19:35.720
<v Speaker 1>our culture much more that you don't have to be

0:19:35.760 --> 0:19:37.240
<v Speaker 1>one of the other. You can go you can go

0:19:37.280 --> 0:19:42.120
<v Speaker 1>back and forward between gender and sexuality and everything. That's

0:19:42.160 --> 0:19:44.880
<v Speaker 1>kind of something I've always sort of felt. I've always

0:19:45.320 --> 0:19:48.120
<v Speaker 1>felt that I was I would always define myself as bisexual.

0:19:48.240 --> 0:19:50.879
<v Speaker 1>People comming gate. I don't mind queer. I totally I

0:19:50.920 --> 0:19:52.720
<v Speaker 1>like queer. Actually think it's a good thing sort of

0:19:53.000 --> 0:19:55.760
<v Speaker 1>it's an umbrella that's not just about sex, you know,

0:19:55.800 --> 0:19:58.639
<v Speaker 1>it's much more sort of about sensibility as well. But

0:19:58.760 --> 0:20:04.000
<v Speaker 1>also I think I I think that I have this thing.

0:20:04.080 --> 0:20:05.399
<v Speaker 1>I say, it's kind of a joke, but I think

0:20:05.400 --> 0:20:07.240
<v Speaker 1>it's true. Is that, you know, sexuality to me is

0:20:07.280 --> 0:20:10.520
<v Speaker 1>like it's great. It's not black and white as sexuality

0:20:10.560 --> 0:20:13.199
<v Speaker 1>is like like a vacation. You don't always want to

0:20:13.200 --> 0:20:16.560
<v Speaker 1>go to the same place twice. And I think that's

0:20:16.640 --> 0:20:19.800
<v Speaker 1>something that people are more able to understand now. And

0:20:19.840 --> 0:20:23.240
<v Speaker 1>I don't you know what am I supposed to say, like, oh, well,

0:20:23.320 --> 0:20:25.879
<v Speaker 1>at school, I you know, I had sex with this

0:20:26.600 --> 0:20:28.400
<v Speaker 1>boy and then I had sex with this girl. I mean,

0:20:28.880 --> 0:20:30.680
<v Speaker 1>I don't That's not what my books about. That's not

0:20:30.720 --> 0:20:34.000
<v Speaker 1>what I want to talk about. Uh. I don't feel

0:20:34.000 --> 0:20:38.000
<v Speaker 1>that that's what that's what you know. I feel I

0:20:38.000 --> 0:20:40.960
<v Speaker 1>have talked so much about my sexuality and being so

0:20:41.040 --> 0:20:44.120
<v Speaker 1>open about it. That's my what I have to say,

0:20:44.400 --> 0:20:46.359
<v Speaker 1>That's what I have to I I am open and

0:20:46.400 --> 0:20:50.240
<v Speaker 1>I have no shame about sexuality. I think that's the

0:20:50.280 --> 0:20:53.120
<v Speaker 1>biggest thing I can give to society. I just I'm

0:20:53.160 --> 0:20:57.040
<v Speaker 1>not interested in you know, when did you know and

0:20:57.560 --> 0:20:59.800
<v Speaker 1>what affects is that as all that stuff. I do

0:21:00.000 --> 0:21:03.320
<v Speaker 1>think it's so interesting Alan, how how you can look

0:21:03.359 --> 0:21:05.280
<v Speaker 1>back on the last forty years. You know, when I

0:21:05.320 --> 0:21:09.199
<v Speaker 1>wrote my book, I was talking about sort of some

0:21:09.280 --> 0:21:12.760
<v Speaker 1>of the cluelessness I had early on in my career.

0:21:12.800 --> 0:21:16.760
<v Speaker 1>I remember interviewing Matthew Shepherd's parents, Judy and Dennis, who

0:21:16.800 --> 0:21:21.560
<v Speaker 1>I became very friendly with, and they're so nice and

0:21:21.600 --> 0:21:25.440
<v Speaker 1>I know they've honored you and at their foundation, and

0:21:25.920 --> 0:21:28.280
<v Speaker 1>you know, I remember I write in my book about

0:21:28.320 --> 0:21:32.800
<v Speaker 1>asking the Shepherds if they were disappointed when Matthew told

0:21:32.840 --> 0:21:36.360
<v Speaker 1>them they were gay, he was gay, and were they

0:21:36.440 --> 0:21:40.439
<v Speaker 1>disappointed that they weren't, you know, possibly going to have

0:21:40.480 --> 0:21:44.439
<v Speaker 1>any grandchildren or I think Dennis volunteered that it sounds

0:21:44.480 --> 0:21:51.639
<v Speaker 1>so dated now and so just like what that's the

0:21:51.680 --> 0:21:53.800
<v Speaker 1>thing that we've grown, We have changed, Our culture has

0:21:53.880 --> 0:21:57.600
<v Speaker 1>changed about sort of. I mean, it's actually although it's

0:21:57.840 --> 0:22:01.639
<v Speaker 1>su precatious and I feel so scared about America actually

0:22:01.640 --> 0:22:04.200
<v Speaker 1>about how there was so much awful stuff bubbling under

0:22:04.200 --> 0:22:06.200
<v Speaker 1>the surface, you know that we saw during the time

0:22:06.240 --> 0:22:08.840
<v Speaker 1>of Trump and could easily come back again and could

0:22:08.840 --> 0:22:12.960
<v Speaker 1>be more. You know, I don't take my rights and

0:22:13.160 --> 0:22:15.280
<v Speaker 1>my life in this country. For granted, I think I

0:22:15.320 --> 0:22:20.400
<v Speaker 1>could easily be persecuted if things went slightly the other way.

0:22:20.400 --> 0:22:23.320
<v Speaker 1>But I think was so much actually has changed, and

0:22:23.359 --> 0:22:25.439
<v Speaker 1>since you know, and and and then of course Matthew

0:22:25.440 --> 0:22:27.359
<v Speaker 1>Shepard was a huge turning point, I think. And that

0:22:27.440 --> 0:22:29.800
<v Speaker 1>was actually right when I first came to New York.

0:22:30.960 --> 0:22:35.439
<v Speaker 1>That's when I was doing cabaret, remember it. And but

0:22:35.520 --> 0:22:38.000
<v Speaker 1>I think those things, those it's like it's like, you know,

0:22:38.040 --> 0:22:41.879
<v Speaker 1>stuff pre me too. Stuff. It sounds now so like

0:22:41.960 --> 0:22:43.840
<v Speaker 1>how insane could we have put up with all that?

0:22:44.320 --> 0:22:46.200
<v Speaker 1>But actually what you're talking about when you said that

0:22:46.280 --> 0:22:47.960
<v Speaker 1>to him, that is very much how people thought in

0:22:48.000 --> 0:22:50.119
<v Speaker 1>those days. It it's it does it is dated, but

0:22:50.280 --> 0:22:54.720
<v Speaker 1>it's it's not it's not offensive. It wasn't offensive. I meant,

0:22:54.720 --> 0:22:57.119
<v Speaker 1>from any peace of offense. It's just really interesting how

0:22:57.200 --> 0:23:01.640
<v Speaker 1>things in certain areas sometimes changed so far. It's emblematic,

0:23:01.720 --> 0:23:04.520
<v Speaker 1>I think when when you look back, you know, I'm

0:23:04.600 --> 0:23:07.720
<v Speaker 1>eight years older than you are, and you know, when

0:23:07.760 --> 0:23:12.119
<v Speaker 1>I was growing up, we sort of vaguely probably knew

0:23:12.240 --> 0:23:14.879
<v Speaker 1>a gym teacher was gay, or somebody was gay. My

0:23:15.000 --> 0:23:19.200
<v Speaker 1>French teacher, Mr. Holt, who I loved, was gay. I suspected,

0:23:19.800 --> 0:23:25.280
<v Speaker 1>but it was just so not spoken about, or maybe

0:23:25.320 --> 0:23:28.119
<v Speaker 1>a wink wink here and there. And then I fast

0:23:28.160 --> 0:23:30.520
<v Speaker 1>forward it to two thousand and fifteen when I interviewed

0:23:30.560 --> 0:23:33.000
<v Speaker 1>jim O Burghafell, who was the plaintiff in the same

0:23:33.000 --> 0:23:36.679
<v Speaker 1>sex marriage case in the Screen Court. And you know,

0:23:36.840 --> 0:23:40.080
<v Speaker 1>that was only six years ago, and that almost feels

0:23:40.119 --> 0:23:43.640
<v Speaker 1>like a lifetime ago. So to me, I think all

0:23:43.720 --> 0:23:46.800
<v Speaker 1>these issues that you talk about are the things that

0:23:46.920 --> 0:23:50.639
<v Speaker 1>I wanted to talk about. And the the really seismic

0:23:50.920 --> 0:23:55.520
<v Speaker 1>shift we've seen in the culture. You know, yes it's precarious,

0:23:55.560 --> 0:24:00.720
<v Speaker 1>I agree, but thank god, thank god that's that that

0:24:00.720 --> 0:24:05.240
<v Speaker 1>that we're having these these reckonings, and thank God that

0:24:05.280 --> 0:24:09.640
<v Speaker 1>we have got a generation of young people who are

0:24:09.640 --> 0:24:13.080
<v Speaker 1>coming up who don't I think in the same way

0:24:13.119 --> 0:24:14.720
<v Speaker 1>that we who weren't brought up in the same way

0:24:14.760 --> 0:24:18.280
<v Speaker 1>that we are, who have grown up with the possibility

0:24:18.280 --> 0:24:21.400
<v Speaker 1>of otherness all around them, an example, because of the Internet,

0:24:21.480 --> 0:24:24.879
<v Speaker 1>like they see so many different things. They have people

0:24:24.880 --> 0:24:29.520
<v Speaker 1>in their classes who are transitioning, or have two dads

0:24:29.600 --> 0:24:31.560
<v Speaker 1>or too much. You know, it's just we live in

0:24:31.600 --> 0:24:35.080
<v Speaker 1>a world that has changed so much, and for young people,

0:24:35.480 --> 0:24:39.240
<v Speaker 1>they've always grown up with the Internet, and I think

0:24:39.280 --> 0:24:43.040
<v Speaker 1>that's completely changed people. If you've never not known the internet,

0:24:43.119 --> 0:24:46.160
<v Speaker 1>not known that you have access to anything in the world,

0:24:46.280 --> 0:24:51.040
<v Speaker 1>a couple of cliques, that is that completely changes, must

0:24:51.119 --> 0:24:54.600
<v Speaker 1>change hugely how you see the world. I mean also,

0:24:54.960 --> 0:24:59.119
<v Speaker 1>I think it's certainly gives you different concentration skills, but

0:24:59.320 --> 0:25:03.400
<v Speaker 1>it also it puts you in a way that into

0:25:03.440 --> 0:25:05.920
<v Speaker 1>a thing of you've had so many options, you've had

0:25:05.960 --> 0:25:09.320
<v Speaker 1>so much Obviously there's room for misinformation here, but I

0:25:09.400 --> 0:25:13.280
<v Speaker 1>just I am so kind of heartened by by the

0:25:13.359 --> 0:25:17.120
<v Speaker 1>young right now. I agree, and I agree with you.

0:25:17.160 --> 0:25:21.240
<v Speaker 1>It's a double edged sword because for every thing it's

0:25:21.280 --> 0:25:26.919
<v Speaker 1>exposed and normalized, it's also created a platform for the

0:25:27.040 --> 0:25:29.639
<v Speaker 1>kinds of things we don't want. But you know, I

0:25:29.680 --> 0:25:31.800
<v Speaker 1>was thinking as we talked about the arc of history,

0:25:31.840 --> 0:25:35.439
<v Speaker 1>Cabaret was a huge moment, not only for you personally.

0:25:35.680 --> 0:25:38.520
<v Speaker 1>You know, you won the whole Broadway production when a

0:25:38.560 --> 0:25:41.359
<v Speaker 1>slew of awards people were obsessed with the show and

0:25:41.520 --> 0:25:46.520
<v Speaker 1>with you, and you have an interesting analysis about why

0:25:46.640 --> 0:25:49.080
<v Speaker 1>and why that show was so embraced, which I think

0:25:49.200 --> 0:25:51.720
<v Speaker 1>is a little bit about what we're talking about. Yes

0:25:51.800 --> 0:25:55.119
<v Speaker 1>it is, Yes, it is it's because you know, in

0:25:55.160 --> 0:25:59.480
<v Speaker 1>writing this book, I that time for me was so incredible.

0:26:00.440 --> 0:26:03.320
<v Speaker 1>Coming to New York, my first job in New York,

0:26:03.320 --> 0:26:06.119
<v Speaker 1>I'm starting at Blood of the School. It comes to sensation.

0:26:06.320 --> 0:26:09.000
<v Speaker 1>I went all these awards, I'm just fetted everywhere. It

0:26:09.080 --> 0:26:12.440
<v Speaker 1>was overwhelmed by this wave of love. The city kind

0:26:12.440 --> 0:26:15.760
<v Speaker 1>of opens its arms to me. I have no kind

0:26:15.800 --> 0:26:18.480
<v Speaker 1>of touched on. I have nothing to compare it to.

0:26:18.760 --> 0:26:22.200
<v Speaker 1>It's it's very difficult, and it was a lot happening,

0:26:22.760 --> 0:26:25.320
<v Speaker 1>and I suddenly I was thirty three, and I was

0:26:25.359 --> 0:26:29.600
<v Speaker 1>suddenly becoming a certain you know, sexually objectified in a

0:26:29.640 --> 0:26:33.760
<v Speaker 1>way that I've never been before. Um my body was

0:26:33.840 --> 0:26:37.800
<v Speaker 1>discussed in a way that was fascinating to me but

0:26:37.800 --> 0:26:40.399
<v Speaker 1>also really weird. I just had no and it was

0:26:40.400 --> 0:26:44.159
<v Speaker 1>out of nowhere. But what I you know, when I

0:26:44.200 --> 0:26:47.720
<v Speaker 1>was writing this book, and also because I'm actually really

0:26:48.320 --> 0:26:50.880
<v Speaker 1>very close friends with Monica Lewinsky, and I because when

0:26:50.920 --> 0:26:53.719
<v Speaker 1>I first came to when I remember being in rehearsals

0:26:53.760 --> 0:26:56.399
<v Speaker 1>for Cobalt in my little flats in the West Village

0:26:56.880 --> 0:26:59.680
<v Speaker 1>and turning on, turning on the TV and all this

0:27:00.080 --> 0:27:03.320
<v Speaker 1>blings about something big happening in Washington and that the

0:27:04.000 --> 0:27:07.400
<v Speaker 1>president was having an affair, and I remember just thinking,

0:27:07.480 --> 0:27:09.560
<v Speaker 1>what's what the hell's wrong with these people? That why

0:27:09.680 --> 0:27:11.560
<v Speaker 1>was this such big news and what's going on? And

0:27:11.760 --> 0:27:14.119
<v Speaker 1>you know, so over that time, when I was doing

0:27:14.119 --> 0:27:19.520
<v Speaker 1>cabaret and becoming this sort of saucy, sexy, sensational thing,

0:27:21.040 --> 0:27:25.320
<v Speaker 1>the kind of real life of America was about looking

0:27:25.400 --> 0:27:31.760
<v Speaker 1>at this um sort of forbidden relationship to an older

0:27:31.760 --> 0:27:34.520
<v Speaker 1>man and younger woman and getting gratuitous details of their

0:27:34.520 --> 0:27:39.360
<v Speaker 1>sex and being putting shame and scorn on it. And

0:27:39.400 --> 0:27:41.560
<v Speaker 1>you know, like we all know that Monica had this

0:27:42.920 --> 0:27:44.399
<v Speaker 1>the first person in the world to be sort of

0:27:44.640 --> 0:27:47.200
<v Speaker 1>shamed by the Internet on a global scale. And I

0:27:47.320 --> 0:27:49.280
<v Speaker 1>just think it's really interesting that in that year she

0:27:49.320 --> 0:27:52.480
<v Speaker 1>had all that a woman, a young woman, was so

0:27:52.520 --> 0:27:56.840
<v Speaker 1>ashamed about her sexuality. And I and me in this

0:27:57.000 --> 0:28:02.119
<v Speaker 1>role being like a know, almost like a sexual deviant

0:28:02.240 --> 0:28:05.560
<v Speaker 1>was what how I was described being absolutely lauded and

0:28:07.359 --> 0:28:09.960
<v Speaker 1>praised and just everyone thought it was just great. And

0:28:10.000 --> 0:28:11.840
<v Speaker 1>I think in a funny sort of way, it's because

0:28:11.920 --> 0:28:15.320
<v Speaker 1>people were we were escapism, and we were it was

0:28:15.359 --> 0:28:18.520
<v Speaker 1>all this shame and stuff heaped onto sexuality and people

0:28:18.520 --> 0:28:21.439
<v Speaker 1>having to tell their kids what a blow job was

0:28:21.480 --> 0:28:24.560
<v Speaker 1>and all this stuff people being furious about that, and

0:28:24.600 --> 0:28:27.000
<v Speaker 1>then actually here in other way, as oh, look, we

0:28:27.000 --> 0:28:30.119
<v Speaker 1>can just we can pretend it's all not happening, and

0:28:30.240 --> 0:28:34.640
<v Speaker 1>look at this young, skinny European boy plastered across buses

0:28:35.280 --> 0:28:37.960
<v Speaker 1>and being all naughty. As I do think there was

0:28:38.000 --> 0:28:40.480
<v Speaker 1>a connection. But that's why, in a way the production

0:28:40.520 --> 0:28:44.680
<v Speaker 1>was so successful at that time. You I'm fascinated by

0:28:44.720 --> 0:28:48.320
<v Speaker 1>your friendship with Monica. You know, I knew her dad, Bernie,

0:28:48.520 --> 0:28:52.920
<v Speaker 1>who's her radiologist. Yeah, because during that whole thing, we

0:28:52.960 --> 0:28:55.160
<v Speaker 1>needed to get to know some of the people who

0:28:55.160 --> 0:28:59.080
<v Speaker 1>were involved in that story. I wasn't I wasn't super

0:28:59.360 --> 0:29:02.640
<v Speaker 1>in mesh did it because this was right around the

0:29:02.680 --> 0:29:05.680
<v Speaker 1>time my husband died and I was sort of kind

0:29:05.680 --> 0:29:09.640
<v Speaker 1>of just holding on for dear life. But but it's

0:29:09.720 --> 0:29:14.160
<v Speaker 1>so interesting to me, so important and still so challenging

0:29:14.320 --> 0:29:20.360
<v Speaker 1>for people to re conceive that that even as a word,

0:29:21.320 --> 0:29:25.280
<v Speaker 1>what Monica Lewinsky was and how she was treated in

0:29:25.320 --> 0:29:29.280
<v Speaker 1>the culture. And I was just reading an article in

0:29:29.480 --> 0:29:33.720
<v Speaker 1>Slate about how Moreen Dowd, who you know and friendly with,

0:29:34.200 --> 0:29:40.920
<v Speaker 1>but how she vile, vile and brutal and having Yeah,

0:29:40.960 --> 0:29:45.960
<v Speaker 1>and we're we're really I think coming to terms or

0:29:46.120 --> 0:29:49.480
<v Speaker 1>you know, many people are coming to terms with how

0:29:49.520 --> 0:29:54.920
<v Speaker 1>she was vilified and portrayed and you know how feminists

0:29:54.920 --> 0:29:58.680
<v Speaker 1>turned their backs on her, and um, and I'm curious.

0:29:58.840 --> 0:30:00.600
<v Speaker 1>I would love to know if you feel like it's

0:30:00.640 --> 0:30:05.560
<v Speaker 1>not betraying any confidence sort of how you got to

0:30:05.600 --> 0:30:09.360
<v Speaker 1>know Monica and what you've what you've learned from her,

0:30:09.440 --> 0:30:12.800
<v Speaker 1>and and what your impressions are, because I know you're

0:30:12.880 --> 0:30:15.480
<v Speaker 1>very good friends, are very good friends. Yeah, I love her.

0:30:16.000 --> 0:30:19.239
<v Speaker 1>We met at a party in two thousands. I had

0:30:19.240 --> 0:30:23.080
<v Speaker 1>written an article for Marie Clair magazine and Glenda Bailey

0:30:23.160 --> 0:30:26.400
<v Speaker 1>was the editor then and she had a party for

0:30:26.520 --> 0:30:29.200
<v Speaker 1>me and and and she invited Monica because Monica had

0:30:29.240 --> 0:30:31.080
<v Speaker 1>done something about Monica in the previous issue or something.

0:30:31.080 --> 0:30:33.280
<v Speaker 1>So that's how we met. And we went to this

0:30:33.480 --> 0:30:38.440
<v Speaker 1>dinner afterwards, and I have I have a picture of

0:30:38.640 --> 0:30:40.680
<v Speaker 1>that night actually, of the of us meeting, you know,

0:30:40.720 --> 0:30:43.600
<v Speaker 1>because there was Papa there. And then we went to

0:30:43.600 --> 0:30:46.400
<v Speaker 1>dinner and it was just incredible. There was people leaning

0:30:46.440 --> 0:30:49.080
<v Speaker 1>over the bunquette trying to touch Monica's hair, and it

0:30:49.160 --> 0:30:51.760
<v Speaker 1>was it was just incredible. And I was just sitting

0:30:51.880 --> 0:30:55.840
<v Speaker 1>getting to know this really lovely girl, incredible, incredible, like weird,

0:30:56.160 --> 0:31:00.920
<v Speaker 1>super weird, super weird stuff going on leaving the restaurant.

0:31:00.920 --> 0:31:03.160
<v Speaker 1>I spoke to her recently about this, and she said,

0:31:03.200 --> 0:31:05.360
<v Speaker 1>I just don't remember that, and because I've blocked out

0:31:05.400 --> 0:31:07.000
<v Speaker 1>so much, you know, and I understand up from being

0:31:07.040 --> 0:31:10.360
<v Speaker 1>you know, having repatro pressed memories with my dad. I

0:31:10.520 --> 0:31:12.320
<v Speaker 1>was leaving the restaurant with her. It was like a

0:31:12.480 --> 0:31:17.400
<v Speaker 1>mob scene, and I was just I immediately felt so

0:31:17.480 --> 0:31:23.280
<v Speaker 1>protective of her, and I, yeah, I really feel it

0:31:23.280 --> 0:31:25.240
<v Speaker 1>came from I. Just as we got we hit it

0:31:25.240 --> 0:31:27.960
<v Speaker 1>off with it, really had nice chats, and then I

0:31:28.040 --> 0:31:31.080
<v Speaker 1>just helped her get home and I just was like, wow,

0:31:31.360 --> 0:31:33.800
<v Speaker 1>she's got And then I read Then I read the book,

0:31:35.840 --> 0:31:37.840
<v Speaker 1>the book that what's his name wrote the man who

0:31:37.840 --> 0:31:41.840
<v Speaker 1>wrote the down a book as well, you know that one. Yes,

0:31:42.040 --> 0:31:44.760
<v Speaker 1>I read that book and I was just, you know,

0:31:44.800 --> 0:31:48.080
<v Speaker 1>I obviously known what what the sort of headlines, weren't

0:31:48.080 --> 0:31:50.440
<v Speaker 1>watching things on television, but hearing it from her point

0:31:50.440 --> 0:31:53.080
<v Speaker 1>of view, I was like, what the hell? And so

0:31:53.280 --> 0:31:57.000
<v Speaker 1>then then we just stayed friends and I went you know,

0:31:57.000 --> 0:32:00.920
<v Speaker 1>it went to various stages of when she the first

0:32:00.920 --> 0:32:02.840
<v Speaker 1>couple of years your friends, she kind of would come

0:32:02.920 --> 0:32:06.440
<v Speaker 1>out to things, and then she kind of hid, hid away.

0:32:06.480 --> 0:32:09.840
<v Speaker 1>Then she went to London and did her course in psychology,

0:32:10.040 --> 0:32:11.960
<v Speaker 1>and then she then she then she kind of hid

0:32:12.000 --> 0:32:14.280
<v Speaker 1>and kept her head down and tried to figure out

0:32:14.280 --> 0:32:15.560
<v Speaker 1>what to do with her life. And she knew that,

0:32:15.560 --> 0:32:18.280
<v Speaker 1>you know, it was she was on that hiding to nothing.

0:32:18.280 --> 0:32:20.080
<v Speaker 1>Whatever she did, it was always going to come back

0:32:20.120 --> 0:32:23.040
<v Speaker 1>to that. And oh she should she know. If she

0:32:23.120 --> 0:32:25.520
<v Speaker 1>tried to do anything with her life, then it was like, oh,

0:32:25.560 --> 0:32:28.320
<v Speaker 1>she was using all that as a stepping stone and

0:32:28.320 --> 0:32:30.960
<v Speaker 1>it was just a mess. And then she I think

0:32:31.000 --> 0:32:33.280
<v Speaker 1>she just waited and got better. And also she was

0:32:33.280 --> 0:32:35.040
<v Speaker 1>going through a lot of stuff herself. She was trying

0:32:35.040 --> 0:32:37.880
<v Speaker 1>to deal with the fact that she had been shamed

0:32:37.920 --> 0:32:44.320
<v Speaker 1>and abused, violated in this incredible unlike anyone else in

0:32:44.440 --> 0:32:48.480
<v Speaker 1>history actually, And so that's why I want to think

0:32:48.520 --> 0:32:52.480
<v Speaker 1>about her. I think she is a remarkable person. To

0:32:52.560 --> 0:32:56.960
<v Speaker 1>have gone through everything she's gone through and to come

0:32:57.000 --> 0:33:01.600
<v Speaker 1>out of it so kind and well balanced. It's a miracle,

0:33:01.680 --> 0:33:03.760
<v Speaker 1>you know, she is. It shows what an incredible person

0:33:03.760 --> 0:33:05.720
<v Speaker 1>and the sort of strength of her character and our

0:33:05.960 --> 0:33:11.680
<v Speaker 1>upbringing and our values because she you know, it's it's

0:33:11.680 --> 0:33:16.560
<v Speaker 1>inconceivable too to think what it just it's in you

0:33:16.600 --> 0:33:18.720
<v Speaker 1>know that some of the things I've experienced with her

0:33:18.800 --> 0:33:21.520
<v Speaker 1>early on, the way people reacted to her, and so

0:33:21.600 --> 0:33:23.840
<v Speaker 1>for that to be your life every single day, and

0:33:23.880 --> 0:33:26.040
<v Speaker 1>then to be so wronged in such a public way,

0:33:26.040 --> 0:33:31.160
<v Speaker 1>and also to see the person who betrayed you denied you.

0:33:31.240 --> 0:33:34.440
<v Speaker 1>I mean, I guess it was Lindership who ultimately betrayer,

0:33:34.520 --> 0:33:36.800
<v Speaker 1>but for the President to say on television that she

0:33:36.880 --> 0:33:41.320
<v Speaker 1>was lying, to see him kind of be you know,

0:33:41.400 --> 0:33:43.959
<v Speaker 1>for his reputation to be restored, and to be like, oh,

0:33:44.000 --> 0:33:48.240
<v Speaker 1>what a great guy very quickly, really very quickly, to

0:33:48.280 --> 0:33:51.280
<v Speaker 1>if that will happen, I think that must have been

0:33:51.840 --> 0:33:55.520
<v Speaker 1>such a you know, a total mind funck, and that

0:33:55.640 --> 0:33:59.600
<v Speaker 1>that's must be I And also to have been in

0:33:59.640 --> 0:34:02.720
<v Speaker 1>a lot of you have been in love. She's young,

0:34:02.760 --> 0:34:06.960
<v Speaker 1>you're in early twenties. You love and you get you

0:34:07.000 --> 0:34:09.120
<v Speaker 1>get that happens to you. How what does that do

0:34:09.239 --> 0:34:11.560
<v Speaker 1>to how you think about relationships and your possibility of

0:34:11.600 --> 0:34:13.719
<v Speaker 1>that you. I mean, it's just so to have for

0:34:13.880 --> 0:34:16.080
<v Speaker 1>her to have been so eloquent and elegant in the

0:34:16.080 --> 0:34:19.640
<v Speaker 1>way that she's come back and talked about it given

0:34:19.680 --> 0:34:23.000
<v Speaker 1>her blessing to this TV show, talk about to use

0:34:23.040 --> 0:34:28.360
<v Speaker 1>her platform for other people who are Internet shamed and

0:34:28.360 --> 0:34:30.960
<v Speaker 1>and you know, bullied online and everything. It's just I

0:34:31.040 --> 0:34:34.560
<v Speaker 1>just I think she's an incredible person and also you know,

0:34:34.640 --> 0:34:39.520
<v Speaker 1>also hilarious, one of the funniest people you know, and

0:34:39.680 --> 0:34:42.279
<v Speaker 1>just unkind and love and she's you know, my she

0:34:42.400 --> 0:34:45.279
<v Speaker 1>was at my wedday. She knows my mom, you know,

0:34:45.560 --> 0:34:49.040
<v Speaker 1>my family or lover. She my mom had this friend

0:34:49.040 --> 0:34:51.480
<v Speaker 1>called Jack who was a sort of partner and he

0:34:52.120 --> 0:34:55.560
<v Speaker 1>died sadly but he he once said, and Monica loves that.

0:34:56.120 --> 0:34:58.640
<v Speaker 1>As I said, he said, you know, you should tell

0:34:59.040 --> 0:35:01.080
<v Speaker 1>of all the famous people I've met with you Alan,

0:35:01.360 --> 0:35:04.640
<v Speaker 1>not Tina Turner. It's Monica, who is my favorite one

0:35:04.800 --> 0:35:10.799
<v Speaker 1>like that. I love Tina Turner gets Puss to the cab. Well,

0:35:10.840 --> 0:35:13.200
<v Speaker 1>I just you know, I I would you know, you

0:35:13.239 --> 0:35:18.239
<v Speaker 1>cannot only imagine the trauma that she went through. And

0:35:18.280 --> 0:35:20.480
<v Speaker 1>also I think you know this TV shots on right now,

0:35:20.520 --> 0:35:23.239
<v Speaker 1>the impeachment, and it's very interesting because it tells it

0:35:23.239 --> 0:35:24.720
<v Speaker 1>from the point of view of the world. It's mostly

0:35:24.719 --> 0:35:26.880
<v Speaker 1>about you know, obviously because a big, huge character in it.

0:35:26.920 --> 0:35:31.600
<v Speaker 1>But it's mostly about Linda trip Uh and about it.

0:35:32.040 --> 0:35:34.000
<v Speaker 1>I think what's really interesting. You see how all these

0:35:34.040 --> 0:35:37.239
<v Speaker 1>women are manipulated into behaving the way they did and

0:35:37.280 --> 0:35:41.960
<v Speaker 1>tricked and you know, and it's so sad. What nothing

0:35:43.120 --> 0:35:48.720
<v Speaker 1>it's wrong? Is he not able to bring you back?

0:35:50.560 --> 0:35:57.360
<v Speaker 1>It's not happening, Oh Monica, to wait this long and

0:35:57.400 --> 0:36:00.680
<v Speaker 1>it doesn't have the power to bring you back? What's

0:36:00.719 --> 0:36:08.640
<v Speaker 1>the problem? An affair? It's over? I think right now.

0:36:08.719 --> 0:36:11.280
<v Speaker 1>It's a very triggering time for one actually, of course, yes,

0:36:11.520 --> 0:36:15.239
<v Speaker 1>of course, reliving the most traumatic time of her life

0:36:15.239 --> 0:36:17.400
<v Speaker 1>and having the rest of the world see it as

0:36:17.440 --> 0:36:19.640
<v Speaker 1>being worrying. The last time they saw it, they judged

0:36:19.680 --> 0:36:21.560
<v Speaker 1>her in a very different way. It's a it's you know,

0:36:21.640 --> 0:36:24.399
<v Speaker 1>she's I think it's still a tough time right now,

0:36:24.840 --> 0:36:27.000
<v Speaker 1>just because of all that. But I keep saying to her,

0:36:28.560 --> 0:36:31.799
<v Speaker 1>you must understand that it's it's such a positive thing

0:36:31.880 --> 0:36:35.919
<v Speaker 1>for you, the way that we everyone is so sort

0:36:35.960 --> 0:36:40.040
<v Speaker 1>of both ashamed at how they brought into the whole

0:36:40.080 --> 0:36:43.920
<v Speaker 1>thing twenty years ago and also so proud of you

0:36:44.000 --> 0:36:46.960
<v Speaker 1>for coming back and dealing with that, and Ted doing

0:36:46.960 --> 0:36:50.800
<v Speaker 1>it face on and making sure that other people benefit

0:36:50.960 --> 0:36:53.839
<v Speaker 1>from the retelling of what happened to you? She I mean,

0:36:53.840 --> 0:36:57.960
<v Speaker 1>it's it's amazing. She's you know, she's in the process

0:36:58.040 --> 0:37:01.719
<v Speaker 1>of reclaiming her narrative, but she's still she's coming out

0:37:01.840 --> 0:37:05.239
<v Speaker 1>the other side. And that's an uncomfortable place. But it

0:37:05.280 --> 0:37:17.960
<v Speaker 1>isn't difficult. It's so difficult. We'll be right back. Do

0:37:18.040 --> 0:37:22.399
<v Speaker 1>you find writing obviously you like to write, Um, it's

0:37:22.440 --> 0:37:24.960
<v Speaker 1>fun for you. Have you always sort of been drawn

0:37:25.040 --> 0:37:28.239
<v Speaker 1>to the written word that way? And or is this

0:37:28.360 --> 0:37:31.759
<v Speaker 1>kind of something that happened later in life? Well, I

0:37:31.840 --> 0:37:34.800
<v Speaker 1>used to write, Um, you know. I started off. I

0:37:34.880 --> 0:37:36.880
<v Speaker 1>did a stand up thing with a friend at college

0:37:37.040 --> 0:37:38.759
<v Speaker 1>and we wrote all our own material and we wrote

0:37:38.760 --> 0:37:41.520
<v Speaker 1>sort of lots of stuff actually were we went from

0:37:41.600 --> 0:37:45.000
<v Speaker 1>being sort of like, you know, drunk students making things

0:37:45.080 --> 0:37:47.880
<v Speaker 1>up at college into sort of national treasures in Scotland

0:37:47.880 --> 0:37:49.320
<v Speaker 1>and we had to own TV show. It's nothing. We

0:37:49.360 --> 0:37:52.839
<v Speaker 1>wrote all that, and then I wrote more. I wrote

0:37:52.840 --> 0:37:55.440
<v Speaker 1>more performative things. I want a sitcom and Britain and

0:37:55.480 --> 0:37:58.319
<v Speaker 1>stuff like that. And then and then you know, it's

0:37:58.320 --> 0:38:00.560
<v Speaker 1>so in terms of the right thing I do now,

0:38:00.560 --> 0:38:03.560
<v Speaker 1>which is much more bookie. That's I wrote a novel

0:38:03.600 --> 0:38:06.960
<v Speaker 1>that came out two thousand and two, and I think

0:38:07.000 --> 0:38:08.640
<v Speaker 1>I want to get back to that. Actually, I think

0:38:08.640 --> 0:38:12.400
<v Speaker 1>the next thing I want. I actually really enjoyed finishing

0:38:12.400 --> 0:38:15.080
<v Speaker 1>off this book during the pandemic. I've been working on

0:38:15.120 --> 0:38:17.640
<v Speaker 1>it for a few years, but getting the chance to

0:38:17.719 --> 0:38:20.160
<v Speaker 1>actually really sit down and do it every day and

0:38:20.200 --> 0:38:22.600
<v Speaker 1>think about it and work out what you know, you

0:38:22.719 --> 0:38:26.279
<v Speaker 1>have too many distractions for exactly exactly not fit it

0:38:26.320 --> 0:38:29.600
<v Speaker 1>into fifteen other things in a day. So I I

0:38:29.719 --> 0:38:32.640
<v Speaker 1>really I sort of think now i'd like to go

0:38:33.800 --> 0:38:36.719
<v Speaker 1>try and you know, if I do a book, if

0:38:36.760 --> 0:38:38.200
<v Speaker 1>I read the next book, I think i'd like it

0:38:38.239 --> 0:38:39.360
<v Speaker 1>to be a novel, and I think I'd like to

0:38:39.400 --> 0:38:41.120
<v Speaker 1>try and really take the time off to do it

0:38:41.160 --> 0:38:43.840
<v Speaker 1>and not just try and fit it into between films.

0:38:43.840 --> 0:38:48.160
<v Speaker 1>Although next year is looking a bit busy, which is good. Yes,

0:38:48.440 --> 0:38:51.560
<v Speaker 1>yes it's good, Yes it's good. But it's also I'm

0:38:51.600 --> 0:38:55.200
<v Speaker 1>doing a thing that's completely nuts I'm in which just

0:38:55.280 --> 0:38:57.560
<v Speaker 1>takes me out for like four months. Next year, I'm

0:38:57.560 --> 0:39:03.400
<v Speaker 1>going to do a solo dance piece and and it

0:39:03.440 --> 0:39:05.279
<v Speaker 1>starts off at the end festival and then you know,

0:39:05.560 --> 0:39:07.120
<v Speaker 1>the tour and then comes to the Joyce Theater in

0:39:07.120 --> 0:39:10.520
<v Speaker 1>New York and I'm I mean, I love it because

0:39:10.520 --> 0:39:12.920
<v Speaker 1>it's sort of the fact my my stage, you know,

0:39:12.960 --> 0:39:14.960
<v Speaker 1>cabaret show I'm doing right now. One of them is

0:39:14.960 --> 0:39:17.359
<v Speaker 1>called Alan Coming is not acting as age, and that's

0:39:17.360 --> 0:39:19.880
<v Speaker 1>totally what I'm doing in this thing. But it's and

0:39:19.880 --> 0:39:22.080
<v Speaker 1>it's I love the fact that I'm I'll be fifty

0:39:22.120 --> 0:39:23.799
<v Speaker 1>seven and I'll be I've been doing a dance but

0:39:23.840 --> 0:39:25.439
<v Speaker 1>I'm not a dancer. But I just you know, I'm

0:39:25.480 --> 0:39:27.799
<v Speaker 1>just I'm able to, I'm allowed to. I'm working with

0:39:27.840 --> 0:39:30.880
<v Speaker 1>great people. I'm going to give it my best shot.

0:39:31.400 --> 0:39:36.720
<v Speaker 1>I think that thing of sometimes you know, dating yourself,

0:39:36.760 --> 0:39:39.640
<v Speaker 1>to challenging yourself to do something you might fail at,

0:39:40.400 --> 0:39:43.759
<v Speaker 1>is actually for me a really important part of how

0:39:43.840 --> 0:39:46.040
<v Speaker 1>I live. I every now and every few years I

0:39:46.080 --> 0:39:48.320
<v Speaker 1>see a pat and I do something like that I

0:39:48.440 --> 0:39:52.919
<v Speaker 1>think scares me, like up the wire zoo, like even

0:39:52.960 --> 0:39:55.000
<v Speaker 1>like right, you know, physically I might not be able

0:39:55.000 --> 0:39:59.799
<v Speaker 1>to do this. I'm nearly sixty and that I'm going

0:39:59.800 --> 0:40:02.719
<v Speaker 1>to do a dance piece, a solo dance piece. It's

0:40:02.719 --> 0:40:04.719
<v Speaker 1>not even other people aren't they can sort of people,

0:40:05.400 --> 0:40:08.080
<v Speaker 1>they can do a bit. Whilst I clutch my play,

0:40:08.520 --> 0:40:10.719
<v Speaker 1>We're gonna have video and things anyway that I think

0:40:10.840 --> 0:40:13.000
<v Speaker 1>is really exciting. I'm really excited by that, but it

0:40:13.040 --> 0:40:16.239
<v Speaker 1>takes me away for many months, and I it's sort

0:40:16.239 --> 0:40:19.799
<v Speaker 1>of I'm missing I'm missing the idea of being in

0:40:19.880 --> 0:40:22.480
<v Speaker 1>my place in the Catskills and you know it's going

0:40:22.520 --> 0:40:25.520
<v Speaker 1>downstairs in my pajamas and writing. It would be great?

0:40:25.600 --> 0:40:28.640
<v Speaker 1>Have you ever thought, you know, as I've read more memoirs,

0:40:28.960 --> 0:40:34.040
<v Speaker 1>I've thought about like Billy Crystal's uh one man show

0:40:34.600 --> 0:40:38.080
<v Speaker 1>that he did kind of tracing his his life on

0:40:38.719 --> 0:40:42.960
<v Speaker 1>Sunday is something someday? Yes, Yes, that was great and

0:40:42.960 --> 0:40:45.760
<v Speaker 1>and it seems to me, Alan, your life would really

0:40:46.719 --> 0:40:52.720
<v Speaker 1>lend itself two something like that. Would that ever interest you? Well?

0:40:53.080 --> 0:40:54.720
<v Speaker 1>I mean I start to feel that's what my cabalt

0:40:54.760 --> 0:40:57.440
<v Speaker 1>Is shows are like the one like I did these shows,

0:40:57.480 --> 0:41:00.840
<v Speaker 1>I mean I sing songs, I tell Stuart these, and

0:41:00.880 --> 0:41:02.600
<v Speaker 1>they're going there. They've got a theme. Like the last

0:41:02.600 --> 0:41:04.640
<v Speaker 1>one was called Legal Immigrant. It was about me being,

0:41:05.400 --> 0:41:08.359
<v Speaker 1>you know, becoming a citizen of America. This one's called

0:41:08.400 --> 0:41:10.800
<v Speaker 1>Alan Coming is Not Acting as Age. That's about aging

0:41:10.840 --> 0:41:12.719
<v Speaker 1>and stuff. And the one before that was called Alan

0:41:12.760 --> 0:41:16.479
<v Speaker 1>Coming sings sappy songs And I talked a bit about

0:41:16.480 --> 0:41:18.000
<v Speaker 1>my dad and stuff and that, so I kind of

0:41:18.040 --> 0:41:20.920
<v Speaker 1>think I do that, and I really like that. It

0:41:21.040 --> 0:41:23.080
<v Speaker 1>was I really like that sort of connection you get

0:41:23.120 --> 0:41:26.400
<v Speaker 1>with an audience when it's you, not a character. You know,

0:41:26.480 --> 0:41:28.880
<v Speaker 1>you're it's really you talking and I sing as myself

0:41:28.920 --> 0:41:31.239
<v Speaker 1>and I sing in my own Scottish accent as well,

0:41:31.239 --> 0:41:35.120
<v Speaker 1>and I really enjoyed that. But I I don't know,

0:41:35.360 --> 0:41:39.200
<v Speaker 1>you know, something, after It's Not my Brother's Son came out,

0:41:39.239 --> 0:41:42.360
<v Speaker 1>people said, okay, we're my agents. At the time, We're like, okay,

0:41:42.360 --> 0:41:43.719
<v Speaker 1>what about the film? Right? So I was like, what

0:41:43.760 --> 0:41:45.840
<v Speaker 1>do you mean, because well, we've got I said, what,

0:41:45.960 --> 0:41:48.200
<v Speaker 1>We're not going to sell the film rights of my

0:41:49.000 --> 0:41:54.480
<v Speaker 1>traumatic childhood. I don't think writing the books fight. I think,

0:41:54.520 --> 0:41:58.360
<v Speaker 1>you know, choose your medium. Well. I love talking to

0:41:58.400 --> 0:42:00.880
<v Speaker 1>you and I could just talk to you all day

0:42:01.000 --> 0:42:05.440
<v Speaker 1>because I love your accent and I just love it.

0:42:05.920 --> 0:42:08.560
<v Speaker 1>I love what you're saying. But your new book is

0:42:08.600 --> 0:42:11.000
<v Speaker 1>called Baggage. I think people are going to love it,

0:42:11.160 --> 0:42:14.800
<v Speaker 1>and they already love you. Well most people. You can't

0:42:14.880 --> 0:42:17.440
<v Speaker 1>you listen, Allen, you can't bad a thousand. I mean,

0:42:17.480 --> 0:42:20.719
<v Speaker 1>we live in this crazy world, and I think I

0:42:20.719 --> 0:42:24.080
<v Speaker 1>don't like everybody to expect everyone to like me. I

0:42:24.120 --> 0:42:27.560
<v Speaker 1>expect me though, Yeah, I saw that on Instagram. Why

0:42:27.600 --> 0:42:31.799
<v Speaker 1>should everyone like you when you don't like everyone? Yeah enough,

0:42:31.880 --> 0:42:35.120
<v Speaker 1>you know. But on the other hand, like like, let's

0:42:35.160 --> 0:42:38.920
<v Speaker 1>not shoot on people. You may not like people, but

0:42:39.000 --> 0:42:42.239
<v Speaker 1>you don't have to be so aggressive. It's like, is like,

0:42:42.320 --> 0:42:44.600
<v Speaker 1>you know, I'm not asking for just whatever, but just

0:42:44.640 --> 0:42:47.759
<v Speaker 1>take your boot off my neck. Yeah. I love that

0:42:47.800 --> 0:42:53.440
<v Speaker 1>exactly exactly. Anyway, thank you a great to see you.

0:42:53.560 --> 0:42:56.000
<v Speaker 1>Thank you. Good luck with yours, but not as much

0:42:56.080 --> 0:43:02.680
<v Speaker 1>luck as mine. Bless you for that magnanimous finish. I

0:43:02.800 --> 0:43:06.400
<v Speaker 1>just love him, don't you. By the way, Alan Cummings memoir.

0:43:06.760 --> 0:43:11.440
<v Speaker 1>His second is called Baggage Tales from a Fully Packed Life.

0:43:11.960 --> 0:43:18.440
<v Speaker 1>Nice title, right, Go check it out everyone. Next Question

0:43:18.480 --> 0:43:20.840
<v Speaker 1>with Katie Kurik is a production of I Heart Media

0:43:20.920 --> 0:43:25.000
<v Speaker 1>and Katie Kurik Media. The executive producers Army Katie Curic

0:43:25.120 --> 0:43:29.759
<v Speaker 1>and Courtney Litz. The supervising producer is Lauren Hansen. Associate

0:43:29.800 --> 0:43:34.840
<v Speaker 1>producers Derek Clements, Adrianna Fasio, and Emily Pinto. The show

0:43:34.960 --> 0:43:38.640
<v Speaker 1>is edited and mixed by Derrick Clements. For more information

0:43:38.680 --> 0:43:41.880
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0:43:41.920 --> 0:43:44.799
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0:43:44.840 --> 0:43:47.480
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