WEBVTT - INTERVIEW: Ferg Talks ‘DAROLD,’ Therapy, Writing ‘Pool,’ KDot, Yams, Young Thug, Denzel Curry + More

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<v Speaker 1>Wake that ass up in the morning.

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<v Speaker 2>Breakfast Club, Morning, everybody in stej en Vy, Jesse, Hilarrys Charlamage,

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<v Speaker 2>the guy. We all the breakfast club. We got a

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<v Speaker 2>special gainst in the building. Babies and gentleman firs.

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<v Speaker 1>Off feeling So no more a safer Uh, it's still

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<v Speaker 1>a SAPs on my chest. Okay, Sappers forever. I'm always

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<v Speaker 1>striving and prospering. But Ferg is like, you know, did

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<v Speaker 1>he change his name? It's a funny name. It's a

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<v Speaker 1>funny title to bring up Diddy, right, It's like, but

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<v Speaker 1>you know it happened. Yeah, did he changed his name

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<v Speaker 1>a few times? And it represented different eras of his career.

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<v Speaker 1>And That's where I'm at with it.

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<v Speaker 3>Just your baby oil Era.

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<v Speaker 1>Did listen, I'm I'm Diddy is my family and I

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<v Speaker 1>love his family. I don't know all of what's going

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<v Speaker 1>on with this case and everything like that. And it's

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<v Speaker 1>a bunch of hare to say. Really, it's like a

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<v Speaker 1>thousand bottles of baby or what that has to do

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<v Speaker 1>anything with him being a bad man. So yeah, he

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<v Speaker 1>just a rich man with a bunch of baby.

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<v Speaker 2>So you didn't say this is a new I guess

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<v Speaker 2>new energy in your life right now to take the

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<v Speaker 2>A SAP off. So what what is the difference? Is

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<v Speaker 2>it a crew? Was it more individual?

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<v Speaker 3>Is it? Well?

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<v Speaker 1>I feel like a SAP puts me in group think.

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<v Speaker 1>You know what I'm saying. You think about the era,

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<v Speaker 1>the which is a golden era, you know what I'm saying.

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<v Speaker 1>Like we changed the game, and it's just like for

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<v Speaker 1>me to change the game a whole other way and

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<v Speaker 1>in an individual way now, Like I was known for

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<v Speaker 1>being Ferg my whole life, Like I met Rocky as Ferg,

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<v Speaker 1>I met yams Is Ferg. And then like when we

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<v Speaker 1>came together as a group effort, we all changed our

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<v Speaker 1>name to a SAP for like how bone thus god,

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<v Speaker 1>you know, a lazy bone, crazy bone, flesh and bone.

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<v Speaker 1>We just basically took our last names and put them

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<v Speaker 1>last and put a SAP as our first. So it's

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<v Speaker 1>just a new era.

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<v Speaker 4>So earlier this year with people from the A Sad

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<v Speaker 4>Mob saying that you were no longer a part of

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<v Speaker 4>A Sad.

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<v Speaker 1>Mom, Yeah, ils L said that and he took that

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<v Speaker 1>that quote back, like we talked about it and hashed

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<v Speaker 1>it and all of that stuff. But yeah it was

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<v Speaker 1>and Bari they said that, But my whole thing is like, uh,

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<v Speaker 1>you know, when you're doing great, that's what it comes with.

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<v Speaker 1>You know, people you feel some type of way. And

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<v Speaker 1>I didn't do anything to anybody.

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<v Speaker 3>So yeah, is the mob so close as they used

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<v Speaker 3>to be?

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<v Speaker 1>Uh close as they used to be? I would say

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<v Speaker 1>that me and Rocky we talked every now and then

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<v Speaker 1>and I always check on as well being. But we're

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<v Speaker 1>so busy just doing our own thing. He got two

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<v Speaker 1>kids and he's making music and got his career. This

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<v Speaker 1>is exactly going the way we wanted it to go. Like,

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<v Speaker 1>you know, I got my land over here, you got

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<v Speaker 1>your island over here. We big pillars, and then when

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<v Speaker 1>we come together, it's just like it just gets crazy.

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<v Speaker 1>So as far as like as close as we used

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<v Speaker 1>to be, no, because we used to basically live with

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<v Speaker 1>each other because we used to be on tour together.

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<v Speaker 1>But as far as love, like I love my brother

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<v Speaker 1>to death like I would. I always want to see

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<v Speaker 1>my brother do great, and I love what he's doing.

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<v Speaker 1>And yeah, all my brothers, you know, even Ils and Bari.

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<v Speaker 1>Like with the whole thing, it just I always say

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<v Speaker 1>that people handle fame differently like Yams he handled it

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<v Speaker 1>the way he handled it and it cost him his life.

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<v Speaker 1>And it's a lot of access, and you know, it

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<v Speaker 1>makes people act different. We don't know, Like I don't

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<v Speaker 1>I know these people and these guys from a point

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<v Speaker 1>like when I met them, they was already like teenagers

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<v Speaker 1>or like young adults. I don't know what happened to

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<v Speaker 1>them in their life before that. So what shapes and

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<v Speaker 1>molds these people and they they uh younger years or

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<v Speaker 1>as young men, don't I don't know what it was

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<v Speaker 1>like in their household or whatever. So when we get

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<v Speaker 1>the fame and the fortune and all of that, everybody's

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<v Speaker 1>gonna react different.

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<v Speaker 5>Yeah, where you've been at though you've been a little

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<v Speaker 5>quiet last I've been cooking.

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<v Speaker 1>Yeah, cooking. Yeah, Like you know, we in a game

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<v Speaker 1>where it's like everything is so quick, so quick. I

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<v Speaker 1>never believed in like rushing my process for money, Like

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<v Speaker 1>I feel like I've done that. I've like hustled. I

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<v Speaker 1>feel like after I dropped Traplo on my album, like

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<v Speaker 1>the time and effort it took me to create that album,

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<v Speaker 1>which it took my whole life to create that album,

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<v Speaker 1>because up until that point, I was just living it

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<v Speaker 1>and I created an album so I had mad life

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<v Speaker 1>to talk about on that one album. After that, it's

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<v Speaker 1>just like chasing a hit. But now you're listening to

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<v Speaker 1>the label YO, put out this, put out that because Yo,

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<v Speaker 1>this works for radio boom, and then it's like, I mean,

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<v Speaker 1>I got mad hit records, not saying that that's enough,

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<v Speaker 1>but for me, it wasn't enough. Like I wanted to

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<v Speaker 1>like really figure out what I wanted to say, because

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<v Speaker 1>you know, when you realize you got a voice, you

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<v Speaker 1>can really make a lot of movement and you want to,

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<v Speaker 1>you know, as a thirty six year old man, you

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<v Speaker 1>want to create purpose and have purpose driven moves. So

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<v Speaker 1>that's what I wanted to figure out, Like, all right,

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<v Speaker 1>you know I did that. That shit was fun, But

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<v Speaker 1>where am I going now? Like how am I going

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<v Speaker 1>to lead to people or what am I saying to

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<v Speaker 1>the kids? So that's what I had to figure out,

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<v Speaker 1>Like I wanted to grow as a person so the

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<v Speaker 1>music could evolve.

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<v Speaker 2>Yeah, the name of the album is Darryl. Yeah, No,

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<v Speaker 2>why Daryl Because it seems like it's almost like you're

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<v Speaker 2>going back to the origin of yourself.

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<v Speaker 1>I feel like I was running. I was running for

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<v Speaker 1>myself for a long time. Like my father was such

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<v Speaker 1>a great man. Like I'm not sure if you.

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<v Speaker 3>Heard the legend.

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<v Speaker 1>Yeah, you know Dferg Deferg family, Like it's a whole

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<v Speaker 1>family of us. T Ferg. They know him. That's my uncle,

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<v Speaker 1>that's always with me. Deferg, my dad. You got Kim Ferg,

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<v Speaker 1>Mama Ferg. Kim Ferg used to dance with Teddy Riley

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<v Speaker 1>and you know she used to be with this crew

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<v Speaker 1>called the Gucci Girls with Dapadan. They're like all of

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<v Speaker 1>their outfits and stuff. So I come from a whole

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<v Speaker 1>lineage of Fergs. And then now it's just going back

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<v Speaker 1>to the basics and going back to my roots because

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<v Speaker 1>I feel like I never gave the world at I

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<v Speaker 1>only gave y'all, mobbin. I never gave y'all an individual.

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<v Speaker 4>You know, on a live you said, let me go

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<v Speaker 4>to therapy and I'll be right back. So have you

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<v Speaker 4>really been going to therapy?

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<v Speaker 1>Yeah? I went to therapy for three years, Like after

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<v Speaker 1>the It's a song I got called Pool where I

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<v Speaker 1>talk about my hiatus, and I went to therapy after

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<v Speaker 1>you know, during the mad Man to it that's like

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<v Speaker 1>playing Jane is going crazy. I'm doing one hundred and

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<v Speaker 1>fifty people meeting greet. I'm changing my outfits twice twice

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<v Speaker 1>a show. I'm like just really trying to like I'm

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<v Speaker 1>trying to take it there, and I'm taking it there.

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<v Speaker 1>Like at that time, I'm the face of Tiffany's first

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<v Speaker 1>black person and artist rapper to be the face of Tiffany's. Also,

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<v Speaker 1>I had a Hennessy deal, I did a deal Revlon deal,

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<v Speaker 1>Like it's going crazy. And I think that, like with

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<v Speaker 1>all of these things that I was doing, it really

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<v Speaker 1>just bodied me, cause it like it it bodied me

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<v Speaker 1>in a good way. Though it broke me into a

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<v Speaker 1>new me because I was like, damn, what am I

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<v Speaker 1>actually trying to reach? And then when I would like

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<v Speaker 1>look at artists that like just keep trying to go,

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<v Speaker 1>go go, go, go, go go, and I'm like, what

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<v Speaker 1>are they trying to reach? Because like escape or trying

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<v Speaker 1>to escape, And then I had to ask myself that question,

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<v Speaker 1>like what am I trying to reach? Like when is

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<v Speaker 1>it enough? And also I want to experience peace, Like

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<v Speaker 1>I don't want to have to keep being addicted to working,

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<v Speaker 1>you know what I'm saying. So and I didn't know

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<v Speaker 1>if I was addicted to working, but I just I was.

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<v Speaker 1>I was in you know, when you're coming out the hood,

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<v Speaker 1>and I'm pretty sure you guys came from, you know,

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<v Speaker 1>a place where like you had to kind of fight

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<v Speaker 1>to get out of there, and then it has to

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<v Speaker 1>become a time where it's like you realize you're not

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<v Speaker 1>in that fight anymore. And that's what happened. I realized

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<v Speaker 1>that I'm not like in Harlem, no more like fighting

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<v Speaker 1>to get out of this place. So I had to

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<v Speaker 1>like change my perspective. I had to get around other

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<v Speaker 1>people that had things to realize, like, all right, I'm

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<v Speaker 1>not the only one going through this. You know.

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<v Speaker 4>It's interesting reason I asked you that is because you know,

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<v Speaker 4>a lot of times when you first start going to therapy,

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<v Speaker 4>it's not about what you're learning about yourself, is what

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<v Speaker 4>you're unlearning, And in a lot of ways, that really

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<v Speaker 4>does impact your creativity because you're like, well, who the

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<v Speaker 4>hell am I I'm trying to figure you got to

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<v Speaker 4>try to figure yourself out all over again. Was that

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<v Speaker 4>one of the reasons for the hiatus with the music too?

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<v Speaker 1>Uh? I think it's just growing. I think it's growing.

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<v Speaker 1>We call it a hiatus, but it's like that was

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<v Speaker 1>normal back in the time where like Biggie and Tupac,

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<v Speaker 1>Biggie had like four years like he dropped ready to

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<v Speaker 1>Die and then he came with Life After Death and

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<v Speaker 1>that's all we got from him after that. Like Lauren

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<v Speaker 1>Hill dropped one album and then dropped like a joint

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<v Speaker 1>with the fujis. These is real writers. Kendrick took five

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<v Speaker 1>years off to like, you know, write his album. So

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<v Speaker 1>when you putting purpose into music, it is not just

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<v Speaker 1>about making the world go like this, Like like I

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<v Speaker 1>could do that all day, but like, all right, How'm

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<v Speaker 1>gonna make the world go like this to the bpm?

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<v Speaker 1>But also when a motherfucker come off the high or

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<v Speaker 1>the liquor and they're driving back home and they sobered up,

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<v Speaker 1>how can you make it hit they soul still? So

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<v Speaker 1>that's me. I've always been a person that wanted to

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<v Speaker 1>put the medicine into music because I do believe that

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<v Speaker 1>music is a spiritual thing. You know, music we used

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<v Speaker 1>to sing songs to, like you know, uh and slavery.

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<v Speaker 1>We used to sing song to like tell you how

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<v Speaker 1>to get out of there, like yo, you gotta go

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<v Speaker 1>to the river and then you gotta get on the

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<v Speaker 1>boat and then because Master not picking up on the

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<v Speaker 1>slang and a swag and all of that. So you

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<v Speaker 1>know that that is That's what I do as an artist.

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<v Speaker 1>I figure out how to communicate to my culture what

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<v Speaker 1>we're doing next.

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<v Speaker 2>Now, you were very vulnerable on this album. Yes, knowing

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<v Speaker 2>you for a long time, you've been pretty quiet, like

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<v Speaker 2>you know, you don't really put your business out there.

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<v Speaker 2>So how were you able to be so vulnerable and

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<v Speaker 2>how difficult was it for you? I thought it was

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<v Speaker 2>like cool to be vulnerable. I thought it was cool

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<v Speaker 2>to be.

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<v Speaker 1>I talked to the ancestors came through. Nah, I thought

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<v Speaker 1>it was cool to be vulnerable because we're in the

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<v Speaker 1>town where being vulnerable, if you can be vulnerable is

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<v Speaker 1>cool because the kids they put everything out there. And

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<v Speaker 1>at first I thought that was kind of like crazy,

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<v Speaker 1>But then when I like really got hip to like

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<v Speaker 1>what's happening, it's a shift in culture where it's like

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<v Speaker 1>it's a lot of information being put out to us.

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<v Speaker 1>We got Hulu, we got Netflix, we got YouTube, we

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<v Speaker 1>got all of these outlets, and you have to stand

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<v Speaker 1>out some type of way. We in a town where

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<v Speaker 1>it's like we're battling for attention span so it's like

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<v Speaker 1>the realist, like Real TV changed that, you know, real TV,

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<v Speaker 1>and then you have love and hip hop and now

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<v Speaker 1>you have straight up Instagram stories and reels and shit

0:11:41.080 --> 0:11:44.880
<v Speaker 1>like that. So in your music you have to be

0:11:45.120 --> 0:11:48.040
<v Speaker 1>honest because it's like, if you're not saying some honest shit,

0:11:48.280 --> 0:11:51.200
<v Speaker 1>I'm just gonna look at this dude's story and like

0:11:51.480 --> 0:11:53.640
<v Speaker 1>he's not even rapping, but this is more interesting.

0:11:54.679 --> 0:11:57.520
<v Speaker 5>Did you were you at all worried about how vulnerable

0:11:57.600 --> 0:12:01.480
<v Speaker 5>you were gonna be pretty tragic things like that happened

0:12:01.559 --> 0:12:02.360
<v Speaker 5>to you as a kid.

0:12:02.800 --> 0:12:07.360
<v Speaker 1>Yeah, So, I mean it took me eight years to

0:12:07.360 --> 0:12:12.360
<v Speaker 1>write Pool, Like, it was three songs that I had

0:12:12.480 --> 0:12:16.240
<v Speaker 1>wrote to get to that point. So I wrote a

0:12:16.240 --> 0:12:18.960
<v Speaker 1>song called We Don't Judge and Chance the rappers on it.

0:12:19.080 --> 0:12:22.600
<v Speaker 1>I'm still put that out with Stacey Barth. And then

0:12:22.640 --> 0:12:27.320
<v Speaker 1>I wrote another song called Innocent Child, which was like

0:12:27.400 --> 0:12:31.079
<v Speaker 1>three different stories about three different I mean yeah, three

0:12:31.080 --> 0:12:34.000
<v Speaker 1>different stories about three different people. The last story was Mines,

0:12:34.600 --> 0:12:36.960
<v Speaker 1>and then I was just trying to refine, like and

0:12:36.960 --> 0:12:40.600
<v Speaker 1>then I linked up with my boy Kirby, who he designed.

0:12:40.640 --> 0:12:43.120
<v Speaker 1>He's the designer and owner Pierre Moss. I just love

0:12:43.200 --> 0:12:46.600
<v Speaker 1>his storytelling through his clothes and how he speaks to

0:12:46.640 --> 0:12:49.720
<v Speaker 1>the world. He kind of grabs the bull by the

0:12:49.760 --> 0:12:52.600
<v Speaker 1>horns and we got in the studio and he's just like, yo, bro,

0:12:52.760 --> 0:12:57.160
<v Speaker 1>like you itching towards it and you're scratching the surface

0:12:57.559 --> 0:13:01.160
<v Speaker 1>in this song, innocent child when you need to like

0:13:01.360 --> 0:13:03.480
<v Speaker 1>really just dive in and just go crazy.

0:13:03.600 --> 0:13:04.559
<v Speaker 3>That you called it pool.

0:13:05.120 --> 0:13:07.880
<v Speaker 1>I called it pool because of so I got dr

0:13:08.080 --> 0:13:11.559
<v Speaker 1>I got Basically I went to, I don't want to

0:13:11.600 --> 0:13:14.839
<v Speaker 1>tell us the whole thing, yeah, but yeah, I want

0:13:14.840 --> 0:13:16.480
<v Speaker 1>you to go to listen to it because that's where

0:13:16.480 --> 0:13:20.960
<v Speaker 1>you'll get like the really finite detail of the song.

0:13:21.040 --> 0:13:24.440
<v Speaker 1>But basically, it was an incident that happened in the

0:13:24.480 --> 0:13:28.880
<v Speaker 1>pool when I was a young kid, and it's everybody's

0:13:28.920 --> 0:13:31.760
<v Speaker 1>around and everything like that, and you know, for me,

0:13:31.840 --> 0:13:34.880
<v Speaker 1>it was like weird. And then I was like and

0:13:34.920 --> 0:13:38.600
<v Speaker 1>it was like one second, but I'm like why, And

0:13:38.840 --> 0:13:41.760
<v Speaker 1>it just made me ask why. And I wanted to

0:13:42.120 --> 0:13:47.560
<v Speaker 1>basically create a piece of art that my kid could find,

0:13:48.120 --> 0:13:51.839
<v Speaker 1>all like kids could find and listen to it and

0:13:52.440 --> 0:13:55.240
<v Speaker 1>I'm still jiggy, I'm still this person or whatever, and

0:13:55.320 --> 0:13:58.880
<v Speaker 1>your and and let them know that like the things

0:13:58.920 --> 0:14:02.600
<v Speaker 1>that happened to you really happened for you. But the

0:14:02.640 --> 0:14:07.320
<v Speaker 1>things that happen to you can it's it's it doesn't

0:14:07.360 --> 0:14:10.800
<v Speaker 1>make it doesn't define us define exactly. So I was

0:14:10.840 --> 0:14:13.559
<v Speaker 1>like and then also I was thinking, like all these

0:14:14.000 --> 0:14:17.079
<v Speaker 1>rappers and people just be like, yo, we're on demon toime,

0:14:17.120 --> 0:14:19.440
<v Speaker 1>we on demon Time, And I'm like, when when has

0:14:19.480 --> 0:14:22.120
<v Speaker 1>that ever been cool? To be on demon times? Really?

0:14:22.920 --> 0:14:25.920
<v Speaker 1>Like that's like not cool, like to be on demon town,

0:14:26.080 --> 0:14:29.560
<v Speaker 1>Like we on Demon Time. People don't even know where

0:14:29.560 --> 0:14:32.320
<v Speaker 1>that energy comes from, Like you just took him by yo,

0:14:32.320 --> 0:14:35.320
<v Speaker 1>we on demon time. Yo. This is just is what

0:14:35.400 --> 0:14:37.840
<v Speaker 1>it is. And I understand because like I got homies

0:14:37.880 --> 0:14:41.040
<v Speaker 1>that's in it, Like so sometimes you forced to be

0:14:41.360 --> 0:14:43.360
<v Speaker 1>in it, But if you're not forced to be in it,

0:14:43.760 --> 0:14:45.800
<v Speaker 1>then it's like why you want to be on demon time?

0:14:45.880 --> 0:14:47.680
<v Speaker 1>Like we should be like wanting to help each other.

0:14:48.080 --> 0:14:51.440
<v Speaker 1>So yeah, that was just what I was creating that

0:14:51.560 --> 0:14:53.600
<v Speaker 1>song for. And you know a lot of people say

0:14:53.600 --> 0:14:55.880
<v Speaker 1>we do on Demon time, and they don't talk about

0:14:55.880 --> 0:14:59.480
<v Speaker 1>the demons, Like let's open this up, like let's let's

0:14:59.560 --> 0:15:02.000
<v Speaker 1>let's let's uh dissect what the demon is is, Like

0:15:02.440 --> 0:15:05.160
<v Speaker 1>let's sit at a table that's what hip hop is.

0:15:06.080 --> 0:15:10.360
<v Speaker 1>Hip hop is religion. Hip hop is our spirituality. Like

0:15:10.520 --> 0:15:13.480
<v Speaker 1>hip hop is this like if when this mic, when

0:15:13.840 --> 0:15:17.080
<v Speaker 1>the cameras is off and you know, we're going we're

0:15:17.080 --> 0:15:19.080
<v Speaker 1>giving each other file and shit like that, we're gonna

0:15:19.080 --> 0:15:21.600
<v Speaker 1>talk about this conversation like that's some real shit. Like

0:15:22.280 --> 0:15:24.440
<v Speaker 1>but while we can't talk about the real shit on

0:15:24.680 --> 0:15:28.840
<v Speaker 1>camera and have these discussions. Hip hop is a thing

0:15:28.920 --> 0:15:32.720
<v Speaker 1>that unites religions and kids. You know, there's Muslims and

0:15:32.800 --> 0:15:34.920
<v Speaker 1>Jewish people that's war on with each other. I went

0:15:34.960 --> 0:15:37.400
<v Speaker 1>to Jerusalem how to show I seen all of them

0:15:37.480 --> 0:15:40.960
<v Speaker 1>turning up together. I got back home like they letting

0:15:41.000 --> 0:15:43.000
<v Speaker 1>me have it on, Like this is how I knew

0:15:43.040 --> 0:15:44.920
<v Speaker 1>it was a problem because I'm not knowing like I'm

0:15:45.040 --> 0:15:48.040
<v Speaker 1>making music but like I'm not knowing that I did

0:15:48.080 --> 0:15:51.640
<v Speaker 1>something like powerful. But like when I get back home,

0:15:52.320 --> 0:15:54.080
<v Speaker 1>I check on my DM, They're like, yo, how you

0:15:54.200 --> 0:15:56.000
<v Speaker 1>gonna perform for the Muslims? How are you gonna perform

0:15:56.000 --> 0:15:58.760
<v Speaker 1>for the Jews? Da da da da da? And I'm like, yo,

0:15:58.800 --> 0:16:01.240
<v Speaker 1>the kids don't want to fight. The kids want to

0:16:01.280 --> 0:16:04.600
<v Speaker 1>like unite. The kids want to see the light.

0:16:04.880 --> 0:16:06.640
<v Speaker 4>The kids are caught up in something bigger than them,

0:16:06.920 --> 0:16:08.560
<v Speaker 4>something that's been going on longer than.

0:16:08.440 --> 0:16:12.000
<v Speaker 1>Them exactly, but like who's really having that conversation? Like

0:16:12.040 --> 0:16:16.240
<v Speaker 1>why are we not having that conversation? Like I don't know.

0:16:16.520 --> 0:16:19.320
<v Speaker 3>Was it difficult depend the right the words for pool?

0:16:19.360 --> 0:16:21.560
<v Speaker 4>Is that why it took eight years because just being

0:16:21.960 --> 0:16:25.200
<v Speaker 4>just publicly addressing you know, what happened to you. You know,

0:16:25.360 --> 0:16:27.640
<v Speaker 4>it's hard to address moleftation period, but also with his

0:16:27.720 --> 0:16:29.640
<v Speaker 4>molestation from the same sex.

0:16:29.480 --> 0:16:32.040
<v Speaker 1>With First of all, I just had the I was

0:16:32.080 --> 0:16:35.560
<v Speaker 1>looking at the the news that you put out the

0:16:35.600 --> 0:16:37.960
<v Speaker 1>other day, and then I had to like research molestation

0:16:38.680 --> 0:16:42.800
<v Speaker 1>and like malestation sounds so crazy to me, Like it's like, oh,

0:16:42.960 --> 0:16:48.720
<v Speaker 1>like you know, it could vary, like what molestation is

0:16:48.760 --> 0:16:51.480
<v Speaker 1>regardless of what it is, it can like how old

0:16:51.480 --> 0:16:53.400
<v Speaker 1>were you? I was nine years old? How old was

0:16:53.480 --> 0:16:56.600
<v Speaker 1>the person? The person was way older than me because.

0:16:56.320 --> 0:16:57.920
<v Speaker 4>He was I used to think this I got b

0:16:57.960 --> 0:17:01.240
<v Speaker 4>left by I read I seen you look at it

0:17:01.240 --> 0:17:01.960
<v Speaker 4>the same way.

0:17:01.800 --> 0:17:06.080
<v Speaker 2>Like did you think it the worse when you think.

0:17:06.840 --> 0:17:10.840
<v Speaker 1>Yeah, it's like you got different levels, like you know

0:17:10.960 --> 0:17:14.119
<v Speaker 1>I was touched. Like to be clear, like you know,

0:17:14.200 --> 0:17:18.360
<v Speaker 1>it doesn't make it no different because you know everything affects.

0:17:19.000 --> 0:17:23.000
<v Speaker 1>I was like groped basically, and I just found it

0:17:23.000 --> 0:17:24.520
<v Speaker 1>weird because it's another dude.

0:17:24.280 --> 0:17:27.800
<v Speaker 5>Like absolutely, like what there scared?

0:17:28.119 --> 0:17:30.320
<v Speaker 1>That weird? Like you, yeah, were you.

0:17:30.320 --> 0:17:32.760
<v Speaker 2>Scared to tell your family because your family comes from

0:17:32.800 --> 0:17:34.840
<v Speaker 2>the street. I know you said you told your cousin

0:17:34.800 --> 0:17:36.800
<v Speaker 2>when you're scared because you knew that if your family

0:17:36.840 --> 0:17:37.320
<v Speaker 2>found out.

0:17:38.280 --> 0:17:40.919
<v Speaker 1>I told my cousin because he was my age and

0:17:41.040 --> 0:17:43.119
<v Speaker 1>I didn't want to I didn't want to feel weird,

0:17:43.240 --> 0:17:45.520
<v Speaker 1>like I'm holding this thing to myself, so I had

0:17:45.560 --> 0:17:48.000
<v Speaker 1>to tell somebody. And then years later I told my

0:17:48.080 --> 0:17:51.320
<v Speaker 1>mom after seeing a precious movie and then people was

0:17:51.359 --> 0:17:53.520
<v Speaker 1>like standing up. We went to I don't know we've

0:17:53.520 --> 0:17:56.439
<v Speaker 1>seen like a you went to like a premiere of

0:17:56.480 --> 0:17:58.800
<v Speaker 1>the precious movie and people was like standing up and

0:17:58.840 --> 0:18:01.600
<v Speaker 1>telling these stories after that thing. And then I told

0:18:01.640 --> 0:18:03.600
<v Speaker 1>her like on the train, and she was just like

0:18:03.720 --> 0:18:07.600
<v Speaker 1>what for real? When I'm sorry? Like she just felt

0:18:07.600 --> 0:18:10.040
<v Speaker 1>like a bad mom. But like you know, we in

0:18:10.080 --> 0:18:12.480
<v Speaker 1>the hood, we going to the pool, we're going to

0:18:12.520 --> 0:18:16.440
<v Speaker 1>the park. You just never know, like wirdows could just

0:18:16.720 --> 0:18:20.399
<v Speaker 1>creep up in the mix and you can't hold your

0:18:20.480 --> 0:18:23.119
<v Speaker 1>kid by you twenty four seven, like, so that's a

0:18:24.680 --> 0:18:27.199
<v Speaker 1>and then the hood, I mean, and then not just

0:18:27.200 --> 0:18:30.119
<v Speaker 1>in the hood, everywhere. I feel like this shit is

0:18:30.160 --> 0:18:33.240
<v Speaker 1>going on and people not gonna talk about it, and

0:18:33.280 --> 0:18:34.879
<v Speaker 1>I'm like, yo, what am I talking about? Like I

0:18:34.920 --> 0:18:37.120
<v Speaker 1>didn't make that happen to me, like like that shit

0:18:37.160 --> 0:18:40.560
<v Speaker 1>ain't mine to like be trying to hold inside, like.

0:18:41.480 --> 0:18:43.760
<v Speaker 3>And it's powerful that you're sharing it. There's a lot

0:18:43.760 --> 0:18:44.160
<v Speaker 3>of brothers.

0:18:44.320 --> 0:18:45.800
<v Speaker 4>I think the only other person that you've heard talk

0:18:45.840 --> 0:18:48.679
<v Speaker 4>about that in rap was Common No Common, and then

0:18:48.720 --> 0:18:50.520
<v Speaker 4>Jel Curry over there.

0:18:50.760 --> 0:18:53.119
<v Speaker 1>People say that Kendrick said something about it, but I

0:18:53.119 --> 0:18:55.760
<v Speaker 1>think that was about his mom.

0:18:55.840 --> 0:18:56.560
<v Speaker 3>I don't remember.

0:18:56.920 --> 0:19:02.040
<v Speaker 1>Yeah, he has a song on his album, The Big Steppers.

0:19:02.560 --> 0:19:06.639
<v Speaker 1>Is it called the Big Steppers? Yeah? Yeah? Yeah?

0:19:06.800 --> 0:19:10.160
<v Speaker 3>Did you and have those conversations when y'all recording demas?

0:19:10.600 --> 0:19:13.440
<v Speaker 1>Nah? I didn't even tell him what to write about.

0:19:13.640 --> 0:19:16.280
<v Speaker 1>I actually that was the last song because that was

0:19:16.320 --> 0:19:19.239
<v Speaker 1>just me by myself at first, and then I was like,

0:19:19.320 --> 0:19:22.360
<v Speaker 1>how can I turn this up? But he heard the context,

0:19:22.520 --> 0:19:27.040
<v Speaker 1>like me and him have like a telepathy that like

0:19:27.160 --> 0:19:29.320
<v Speaker 1>we don't have to talk to each other to know

0:19:29.480 --> 0:19:32.760
<v Speaker 1>what it is. So he got it and he understood

0:19:32.760 --> 0:19:33.320
<v Speaker 1>the assignment.

0:19:33.960 --> 0:19:35.720
<v Speaker 5>How did y'all end up piecing up? I know y'all

0:19:35.720 --> 0:19:37.320
<v Speaker 5>had like a little beef.

0:19:37.480 --> 0:19:39.800
<v Speaker 1>I never had beef for him. I'm like, I'm not

0:19:39.960 --> 0:19:43.480
<v Speaker 1>the beef type person, like I'd rather like I'm not.

0:19:43.600 --> 0:19:46.040
<v Speaker 1>I just don't have to talk to you. What we

0:19:46.119 --> 0:19:46.640
<v Speaker 1>beef before?

0:19:48.280 --> 0:19:50.120
<v Speaker 5>How did y'all connect with that? After that? Though?

0:19:50.880 --> 0:19:54.040
<v Speaker 1>I took Denzel on tour on mad Man Tour. Was

0:19:54.640 --> 0:19:58.000
<v Speaker 1>it was on the first wing. It was Playboy CARTI

0:19:58.160 --> 0:20:01.400
<v Speaker 1>and somebody else. Oh, I think it was I DK

0:20:03.160 --> 0:20:05.960
<v Speaker 1>and I had like I had came off tour during

0:20:05.960 --> 0:20:08.920
<v Speaker 1>that time because I was just mentally and physically drank,

0:20:09.480 --> 0:20:11.280
<v Speaker 1>and then I came back on and then I think

0:20:11.320 --> 0:20:13.720
<v Speaker 1>he came on for the second wing. But me and

0:20:13.760 --> 0:20:17.679
<v Speaker 1>Denzel always been cool, like super cool. We were the

0:20:17.720 --> 0:20:19.800
<v Speaker 1>type of dudes talking like I don't know what they're doing,

0:20:19.920 --> 0:20:24.239
<v Speaker 1>like they're tripping. But yeah, that's my buddy, Like I

0:20:24.280 --> 0:20:25.800
<v Speaker 1>loved this, He's my favorite rapper.

0:20:25.960 --> 0:20:30.080
<v Speaker 3>Yeah, you said, is it hard to have these conversations? Could?

0:20:30.080 --> 0:20:32.399
<v Speaker 4>I could always think about, you know, when you're sharing

0:20:32.440 --> 0:20:34.400
<v Speaker 4>so much of yourself and you're being so vulnerable about

0:20:34.400 --> 0:20:35.760
<v Speaker 4>certain things, but then you do got to go out

0:20:35.760 --> 0:20:37.159
<v Speaker 4>here and do interviews and stuff like that.

0:20:37.880 --> 0:20:39.560
<v Speaker 3>Is it hard to have those conversations.

0:20:39.920 --> 0:20:43.480
<v Speaker 1>No, I just think that it's it could be challenging

0:20:43.880 --> 0:20:49.120
<v Speaker 1>on how to uh because you know, you get ridiculed

0:20:49.119 --> 0:20:51.400
<v Speaker 1>and all of that stuff, and people love to take

0:20:51.440 --> 0:20:53.320
<v Speaker 1>sound bites and take it out of term and I

0:20:53.359 --> 0:20:56.760
<v Speaker 1>have to be cool with that. But I think that's

0:20:56.960 --> 0:21:01.760
<v Speaker 1>really on how I convey it, Like that's what I

0:21:01.800 --> 0:21:05.280
<v Speaker 1>focused on. Like I thought about this interview like months

0:21:05.480 --> 0:21:08.760
<v Speaker 1>before I got here. Yeah, I'm like, cause I'm gonna

0:21:08.920 --> 0:21:10.800
<v Speaker 1>I knew I was gonna have to talk about this stuff.

0:21:10.960 --> 0:21:13.400
<v Speaker 1>So it's just like, how do I talk about it?

0:21:14.000 --> 0:21:16.920
<v Speaker 1>And you know, this is not, first of all easy,

0:21:17.000 --> 0:21:19.760
<v Speaker 1>you don't hear this is like the first type shit,

0:21:19.880 --> 0:21:23.880
<v Speaker 1>like like somebody talk about this this open you get

0:21:23.920 --> 0:21:28.159
<v Speaker 1>what I'm saying. I'm like leading the pack for a

0:21:28.280 --> 0:21:34.480
<v Speaker 1>new way right now, like and it's not easy. So yeah,

0:21:34.480 --> 0:21:36.240
<v Speaker 1>it's like it's gonna come out the way and come out.

0:21:36.240 --> 0:21:37.960
<v Speaker 1>But I just try to figure out, like, all right,

0:21:37.960 --> 0:21:41.880
<v Speaker 1>how can I best you know, paint the picture exactly

0:21:41.920 --> 0:21:43.560
<v Speaker 1>the way it is in my mind?

0:21:43.840 --> 0:21:46.040
<v Speaker 4>And then coming from Harlem, which is the pause capital

0:21:46.800 --> 0:21:49.440
<v Speaker 4>you even have that conversation without somebody.

0:21:49.760 --> 0:21:54.440
<v Speaker 1>I'm grown like, yeah, like that's that's neither here nor there,

0:21:54.520 --> 0:21:59.159
<v Speaker 1>like you know, and yeah, pause, like it's still paused.

0:22:00.240 --> 0:22:02.240
<v Speaker 1>Like my gay friends say paused.

0:22:03.760 --> 0:22:06.000
<v Speaker 5>They gotta be fami. I feel like the only gay

0:22:06.040 --> 0:22:06.960
<v Speaker 5>niggas that say paused.

0:22:07.119 --> 0:22:10.080
<v Speaker 2>Yeah, I was gonna ask you said that you feel

0:22:10.080 --> 0:22:11.920
<v Speaker 2>like you should be in the conversations when it comes

0:22:11.960 --> 0:22:15.400
<v Speaker 2>to Kendrick Lamar, J Cole and Drake. Then somebody would say,

0:22:15.400 --> 0:22:17.000
<v Speaker 2>but it takes you too damn long.

0:22:16.960 --> 0:22:23.680
<v Speaker 1>To put out a project. That's what we do.

0:22:25.359 --> 0:22:28.440
<v Speaker 5>What was your mindset behind I thought I was dead.

0:22:29.400 --> 0:22:31.600
<v Speaker 1>They thought I was dead. I never thought I was dead.

0:22:31.680 --> 0:22:34.320
<v Speaker 5>Okay, well tell me that the mindset behind.

0:22:33.960 --> 0:22:38.960
<v Speaker 1>That, The mindset behind that was the l's comment. You

0:22:39.000 --> 0:22:41.720
<v Speaker 1>know what I'm saying. He said I was a you know,

0:22:41.720 --> 0:22:43.760
<v Speaker 1>I was burnt out, trapped, little can't get it right.

0:22:43.920 --> 0:22:46.520
<v Speaker 1>I remember that. I remember that so vivid.

0:22:46.880 --> 0:22:51.239
<v Speaker 4>You there, You're the most active from.

0:22:48.320 --> 0:22:56.199
<v Speaker 1>It for me, musmusically, musically, Yeah. And he said that

0:22:56.240 --> 0:22:58.440
<v Speaker 1>when I had like a song on a billboard with

0:22:58.560 --> 0:23:04.280
<v Speaker 1>Nas Spicy and a song with Nicki Minaj. But I

0:23:04.320 --> 0:23:07.119
<v Speaker 1>love Els, you know, I love him even when he

0:23:07.200 --> 0:23:09.639
<v Speaker 1>don't know I do or if he don't think I do.

0:23:09.760 --> 0:23:12.879
<v Speaker 1>But yeah, that that fueled me and I was just like,

0:23:12.920 --> 0:23:15.480
<v Speaker 1>you know what, this is great because for so long

0:23:15.560 --> 0:23:19.439
<v Speaker 1>I felt like nobody was trying to fuck with me,

0:23:19.600 --> 0:23:21.960
<v Speaker 1>Like I needed somebody to like poke me, like poke

0:23:22.000 --> 0:23:24.840
<v Speaker 1>the beer so I could get better. Like so I

0:23:25.240 --> 0:23:29.080
<v Speaker 1>just used a fuel to just create. And yeah, and

0:23:29.320 --> 0:23:33.399
<v Speaker 1>also I was looking at Dion Sander's team. They just

0:23:33.480 --> 0:23:35.720
<v Speaker 1>kept losing, so I'm gonna create an anthem for them

0:23:36.040 --> 0:23:37.879
<v Speaker 1>and just for any But then it turned into for

0:23:37.960 --> 0:23:41.359
<v Speaker 1>anybody who was doubted. I wanted to create this anthem

0:23:41.400 --> 0:23:42.160
<v Speaker 1>for I feel.

0:23:41.920 --> 0:23:43.280
<v Speaker 2>Like the album is kind of like that, Like you

0:23:43.280 --> 0:23:44.919
<v Speaker 2>feel like a lot of people doubted you in this

0:23:44.960 --> 0:23:46.440
<v Speaker 2>album and it's like, this is my way of giving

0:23:46.480 --> 0:23:47.880
<v Speaker 2>y'all a middle finger, telling y'all I'm back.

0:23:49.600 --> 0:23:51.679
<v Speaker 1>Nah, it wasn't really, It's a few. It wasn't a

0:23:51.680 --> 0:23:54.399
<v Speaker 1>lot of people, like because I know I'm lit, like

0:23:54.480 --> 0:23:57.479
<v Speaker 1>I that's not a question in my mind. It's just

0:23:57.520 --> 0:24:00.479
<v Speaker 1>I'm talking to a few people. Yeah, and you can

0:24:00.600 --> 0:24:04.680
<v Speaker 1>hear it, like, you know, I say some names, I'm

0:24:04.720 --> 0:24:07.960
<v Speaker 1>sly with some things, but you get a I'm very

0:24:08.040 --> 0:24:09.600
<v Speaker 1>transparent on this album.

0:24:09.920 --> 0:24:13.320
<v Speaker 5>Now you said that you corrected me. You never thought

0:24:13.359 --> 0:24:15.879
<v Speaker 5>you was dead. But you have a song called alive

0:24:15.960 --> 0:24:17.920
<v Speaker 5>with a sad face next to it.

0:24:17.680 --> 0:24:21.520
<v Speaker 1>Alive Unhappy. It's called I just thought that'd be cool

0:24:21.520 --> 0:24:24.119
<v Speaker 1>to like use a emoji. That's a part of the title.

0:24:24.440 --> 0:24:26.520
<v Speaker 1>Another thing with the title, and I'm gonna get back

0:24:26.560 --> 0:24:30.000
<v Speaker 1>to what you was asking. The title reads, it's basically

0:24:30.000 --> 0:24:33.240
<v Speaker 1>a summary when you read it down of what the

0:24:33.320 --> 0:24:34.119
<v Speaker 1>album is about.

0:24:34.240 --> 0:24:35.720
<v Speaker 3>So you got work, thought I was dead?

0:24:35.760 --> 0:24:38.720
<v Speaker 4>Alive, the Lord demons, messy French tips, that homies captain

0:24:38.760 --> 0:24:40.880
<v Speaker 4>spelled fool chosen doubt exactly.

0:24:42.560 --> 0:24:47.200
<v Speaker 1>So what you asked again, unhappy? All right, So basically

0:24:47.359 --> 0:24:51.280
<v Speaker 1>now that leads us here, Uh, light work, because I'm

0:24:51.280 --> 0:24:53.479
<v Speaker 1>a light worker. Like I sat down with these mediums

0:24:53.480 --> 0:24:54.920
<v Speaker 1>and they told me I was a light worker. I

0:24:55.040 --> 0:24:57.440
<v Speaker 1>come to shed light in a place of dark.

0:24:58.359 --> 0:24:58.560
<v Speaker 3>Work.

0:24:59.200 --> 0:25:05.720
<v Speaker 1>Yeah, I'm not playing, We're here to fix things. So

0:25:05.920 --> 0:25:08.800
<v Speaker 1>light work. I come to shed dark I mean light

0:25:08.880 --> 0:25:12.040
<v Speaker 1>in a land of dark. So but in Harlem we

0:25:12.160 --> 0:25:13.480
<v Speaker 1>be like, oh, that shit is light work, that shit

0:25:13.560 --> 0:25:18.520
<v Speaker 1>is easy. So I'm like thinking, like, yo, this is

0:25:18.600 --> 0:25:20.600
<v Speaker 1>light work. And then I have my little cousin do

0:25:20.720 --> 0:25:22.920
<v Speaker 1>that on a song. This is light work. So light

0:25:22.960 --> 0:25:25.880
<v Speaker 1>work goes until they thought I was dead. They thought

0:25:25.880 --> 0:25:27.680
<v Speaker 1>I was dead because I've been going for four years.

0:25:28.880 --> 0:25:31.720
<v Speaker 1>And then you go to Alive Unhappy, which that but

0:25:31.760 --> 0:25:35.200
<v Speaker 1>then is speaking on the intro and then Alive Unhappy

0:25:35.280 --> 0:25:38.120
<v Speaker 1>is basically just saying like, nah, I'm not dead, I'm alive,

0:25:38.600 --> 0:25:42.760
<v Speaker 1>but I'm unhappy and that is the why I've been gone.

0:25:43.359 --> 0:25:46.480
<v Speaker 1>So alive unhappy, And then it goes into why the

0:25:46.600 --> 0:25:50.440
<v Speaker 1>allure with me in future, the allay of the game,

0:25:51.760 --> 0:25:57.280
<v Speaker 1>the money, the fame, the drugs, the booze, the everything.

0:25:57.520 --> 0:25:59.760
<v Speaker 1>You know, we have five people die out of a sap,

0:26:00.720 --> 0:26:07.960
<v Speaker 1>Yams China, Jay, Scott, Pressy and Josh. Yeah, I won't

0:26:08.000 --> 0:26:10.720
<v Speaker 1>be surprised if it's like somebody are missing. But yeah,

0:26:10.760 --> 0:26:14.960
<v Speaker 1>so alive unhappy. Uh. And then you go into a law,

0:26:15.119 --> 0:26:17.879
<v Speaker 1>and then a law with the a law of the

0:26:17.960 --> 0:26:22.160
<v Speaker 1>game comes to demons. Now we're talking about the demons. Now,

0:26:22.560 --> 0:26:24.960
<v Speaker 1>what I said, rappers want to talk about demons out

0:26:24.960 --> 0:26:27.320
<v Speaker 1>there on Demon Time, but they don't open it up.

0:26:28.160 --> 0:26:30.040
<v Speaker 1>And I'm not coming at no rappers. This is just

0:26:30.600 --> 0:26:35.600
<v Speaker 1>a pamphlet on or a blueprint on what we need

0:26:35.640 --> 0:26:38.440
<v Speaker 1>to do. Open those demons up and let's talk about it.

0:26:39.119 --> 0:26:43.800
<v Speaker 1>So I start talking about the demons. I see demons everywhere,

0:26:43.840 --> 0:26:46.320
<v Speaker 1>Demons from the pain, Demons in my cup, demons in

0:26:46.359 --> 0:26:48.639
<v Speaker 1>my brain, Demons in the food, Demons with the fame,

0:26:48.960 --> 0:26:51.359
<v Speaker 1>Demons in the sun, demons in the rain. She on

0:26:51.480 --> 0:26:53.400
<v Speaker 1>demon times. She don't need the vibe. No, I got

0:26:53.400 --> 0:26:55.399
<v Speaker 1>a girl. She don't even mind. I don't got a condom.

0:26:55.480 --> 0:26:57.160
<v Speaker 1>I don't need to find demon in my mind telling

0:26:57.200 --> 0:27:00.840
<v Speaker 1>me it's fine. So we going to demons, and then

0:27:00.880 --> 0:27:06.440
<v Speaker 1>we go in to messy, because with demons, shit get messy,

0:27:07.119 --> 0:27:10.439
<v Speaker 1>and then messy it goes into French tips, you know,

0:27:10.480 --> 0:27:12.720
<v Speaker 1>getting messy with my girl and fucking up all of

0:27:12.720 --> 0:27:16.600
<v Speaker 1>that ship. But like I'm also showing gratitude towards my

0:27:16.760 --> 0:27:20.280
<v Speaker 1>lady and that song. And then we going to casting

0:27:20.320 --> 0:27:24.000
<v Speaker 1>spells on that homie. Sorry, that's another that's demons too,

0:27:24.160 --> 0:27:26.879
<v Speaker 1>Like all my niggas is dying, all of that. I

0:27:26.880 --> 0:27:29.560
<v Speaker 1>gotta deal with that. And then we go in to

0:27:30.080 --> 0:27:34.240
<v Speaker 1>casting spells, which is like more about like manifestation where

0:27:34.240 --> 0:27:38.919
<v Speaker 1>we're talking about power words. Uh, that's why they call

0:27:38.960 --> 0:27:41.600
<v Speaker 1>it spelling. It's like casting spells every time you talk.

0:27:41.680 --> 0:27:47.600
<v Speaker 1>So you know, young Thug was locked up at the time,

0:27:47.960 --> 0:27:51.880
<v Speaker 1>and he was locked up behind bars for his bars.

0:27:52.880 --> 0:27:55.680
<v Speaker 1>So I did a painting. I painted all of my

0:27:55.680 --> 0:27:58.359
<v Speaker 1>my cover art too, So I did a painting called

0:27:58.880 --> 0:28:02.560
<v Speaker 1>Young Thug, and then it has like bars like jail bars,

0:28:02.600 --> 0:28:05.760
<v Speaker 1>and then it has rico and blood behind bars. So

0:28:05.800 --> 0:28:08.280
<v Speaker 1>I was like, put put the rico behind bars because

0:28:08.280 --> 0:28:11.480
<v Speaker 1>we're getting locked up for our bars. So yeah, so

0:28:11.600 --> 0:28:14.600
<v Speaker 1>we got cast and spells. Then we go into pool.

0:28:14.680 --> 0:28:18.159
<v Speaker 1>This is when it like start getting real and in

0:28:18.240 --> 0:28:22.360
<v Speaker 1>the skin, into the spirit of what this album is about.

0:28:22.680 --> 0:28:26.119
<v Speaker 1>And then we go into uh Chosen because that is

0:28:26.160 --> 0:28:29.480
<v Speaker 1>an affirmation to myself, I'm the chosen one. And then

0:28:29.480 --> 0:28:34.200
<v Speaker 1>we go into Darryl. I arrived to myself for myself.

0:28:35.480 --> 0:28:38.600
<v Speaker 4>You talk on on the live you talk about how

0:28:38.640 --> 0:28:40.720
<v Speaker 4>you only got one more album with Sony.

0:28:40.840 --> 0:28:42.240
<v Speaker 1>Now that's thought I was dead.

0:28:42.360 --> 0:28:43.800
<v Speaker 3>I thought I was dead. I'm sorry, I done thought

0:28:43.800 --> 0:28:44.200
<v Speaker 3>I was dead.

0:28:44.280 --> 0:28:46.400
<v Speaker 4>What's important to you at this stage of your your

0:28:46.440 --> 0:28:49.080
<v Speaker 4>career when it comes to like just renegotiating if.

0:28:48.920 --> 0:28:53.760
<v Speaker 1>You even want to renegotiate, Uh, just more freedom, uh

0:28:54.120 --> 0:28:58.680
<v Speaker 1>more money. I got signed. I had three partners basically

0:28:58.680 --> 0:29:03.520
<v Speaker 1>in my pocket and easy and breezy. I never talk

0:29:03.560 --> 0:29:06.760
<v Speaker 1>about business. I never talk about family business. I might

0:29:06.800 --> 0:29:10.120
<v Speaker 1>talk a little bit about family business and songs get trouble,

0:29:10.520 --> 0:29:15.280
<v Speaker 1>get in trouble for it sometimes. But yeah, I had,

0:29:15.520 --> 0:29:17.920
<v Speaker 1>you know, three partners, and I had to work through

0:29:17.960 --> 0:29:21.240
<v Speaker 1>that for ten years. So everything that you see I have,

0:29:21.400 --> 0:29:24.120
<v Speaker 1>I had to work like ten times harder to get it.

0:29:25.000 --> 0:29:28.920
<v Speaker 1>So now you know, I have one more album. I'm

0:29:28.920 --> 0:29:31.040
<v Speaker 1>gonna make some more money. You know what I'm saying,

0:29:31.360 --> 0:29:33.920
<v Speaker 1>point blank period. I got things I need to do.

0:29:34.880 --> 0:29:36.920
<v Speaker 2>And I noticed on the Law of people were talking

0:29:36.920 --> 0:29:40.800
<v Speaker 2>about futures verse people were assuming that he was talking

0:29:40.800 --> 0:29:43.120
<v Speaker 2>about Gunna. Of course, when people send you verses, do

0:29:43.160 --> 0:29:44.920
<v Speaker 2>you listen or do you not care? That's their own

0:29:45.000 --> 0:29:46.240
<v Speaker 2>artistic way of feeling.

0:29:46.920 --> 0:29:49.280
<v Speaker 1>Oh, I definitely listen. I'm listening, and I know what

0:29:49.320 --> 0:29:54.160
<v Speaker 1>people was talking about. But yeah, artistic freedom. I'm not

0:29:54.320 --> 0:29:58.800
<v Speaker 1>allowing nobody to like it's words. At the end of

0:29:58.840 --> 0:30:01.080
<v Speaker 1>the day, you know what I'm saying, and his words

0:30:01.120 --> 0:30:05.320
<v Speaker 1>like we see I think Future and Drake just got

0:30:05.600 --> 0:30:12.800
<v Speaker 1>linked back up and they cool again. And Okay, well,

0:30:13.480 --> 0:30:16.120
<v Speaker 1>you know I met Gunner through Thug, so I'm lawyer

0:30:16.200 --> 0:30:20.240
<v Speaker 1>to Thug. Whatever Thug say, is good. It's good, you

0:30:20.280 --> 0:30:24.680
<v Speaker 1>know I love I love Thug and I've grown a

0:30:24.720 --> 0:30:27.320
<v Speaker 1>love for Gunner and when I see him, it's love.

0:30:27.800 --> 0:30:30.240
<v Speaker 1>But at the same time, it's like, whatever Thug say.

0:30:31.080 --> 0:30:31.920
<v Speaker 3>Have you spoken to Dougs?

0:30:32.800 --> 0:30:34.720
<v Speaker 1>I haven't spoke to Thug when he was home, but

0:30:35.400 --> 0:30:37.640
<v Speaker 1>I went to his girl's show and we had spoke

0:30:37.720 --> 0:30:38.200
<v Speaker 1>on the phone.

0:30:39.520 --> 0:30:41.239
<v Speaker 5>How was the work of withmrgie Bline? You got her

0:30:41.280 --> 0:30:42.040
<v Speaker 5>on two tracks?

0:30:42.240 --> 0:30:46.760
<v Speaker 1>Mary is the Queen. Mary is literally the best in

0:30:46.800 --> 0:30:51.280
<v Speaker 1>the world, Like we are the same spirit, like uptown energy,

0:30:53.160 --> 0:31:00.160
<v Speaker 1>her remixing like Royeers songs. I love Royeers. Yeah, it's

0:31:00.240 --> 0:31:02.440
<v Speaker 1>like it was a dream for me to work with her.

0:31:02.680 --> 0:31:05.280
<v Speaker 1>She actually chose four songs to like jump on. She

0:31:05.280 --> 0:31:08.520
<v Speaker 1>wound up getting on too, But yeah, I do a

0:31:08.560 --> 0:31:10.440
<v Speaker 1>whole album with her. She's amazing.

0:31:11.240 --> 0:31:15.240
<v Speaker 3>How therapy kept you grounded, more poised.

0:31:15.400 --> 0:31:19.719
<v Speaker 1>It gave me tools to work through thoughts. It's like

0:31:20.040 --> 0:31:22.360
<v Speaker 1>I look at my therapists like a life manager, Like

0:31:22.400 --> 0:31:26.440
<v Speaker 1>we got managers for our money, we got managers for

0:31:26.640 --> 0:31:31.640
<v Speaker 1>our work, and like we need managers for our mind.

0:31:32.400 --> 0:31:35.440
<v Speaker 1>And you might need a spiritual spiritual god too, to

0:31:35.600 --> 0:31:39.720
<v Speaker 1>like guide you through the unseen. So it's like that's

0:31:39.720 --> 0:31:42.280
<v Speaker 1>how I look at therapy. It's just like a life manager.

0:31:43.600 --> 0:31:46.680
<v Speaker 1>It helps me put things into perspective, like you said,

0:31:46.800 --> 0:31:53.480
<v Speaker 1>unwinding things and breaking conditions and like understanding where things

0:31:53.560 --> 0:31:56.640
<v Speaker 1>is rooted, so you could kind of look at it

0:31:56.720 --> 0:32:00.239
<v Speaker 1>and just be like, oh, that's popping back up, let

0:32:00.280 --> 0:32:03.280
<v Speaker 1>me dive in. And then also like meditation. I've been

0:32:03.320 --> 0:32:08.520
<v Speaker 1>meditating for about five years now, like religiously. When I

0:32:08.560 --> 0:32:12.000
<v Speaker 1>had like heavy anxiety, I was meditating for thirty minutes

0:32:12.000 --> 0:32:15.160
<v Speaker 1>in a day as soon as I wake up, and

0:32:15.160 --> 0:32:17.320
<v Speaker 1>then thirty minutes before I go to sleep. And then

0:32:17.400 --> 0:32:20.840
<v Speaker 1>that shit literally that in the therapy. Like I used

0:32:20.840 --> 0:32:23.600
<v Speaker 1>to go into the therapy office and my leg was

0:32:23.640 --> 0:32:25.240
<v Speaker 1>moving like this. I used to watch my father do

0:32:25.320 --> 0:32:30.520
<v Speaker 1>that all the time. And when I first walked in there,

0:32:31.080 --> 0:32:34.479
<v Speaker 1>he said, you see your leg moving like that? And

0:32:34.520 --> 0:32:37.920
<v Speaker 1>I was like, and then I just stopped. He was like, yeah,

0:32:37.920 --> 0:32:42.240
<v Speaker 1>that's anxiety. And anxiety also don't only have to be

0:32:42.320 --> 0:32:46.000
<v Speaker 1>from trauma or whatever. It can be you're happy, you're excited.

0:32:45.640 --> 0:32:48.480
<v Speaker 3>Yeah, yeah, you want to see what it's gonna do.

0:32:49.600 --> 0:32:54.360
<v Speaker 1>It Like when I walked Kendrick through harlem My anxiety

0:32:54.440 --> 0:32:58.360
<v Speaker 1>was through the roof because I'm like, Kendrick one of

0:32:58.360 --> 0:33:02.760
<v Speaker 1>my favorite rappids, So it's like that right there was like, uh,

0:33:04.800 --> 0:33:07.280
<v Speaker 1>that was that was cool. That was some cool ship.

0:33:07.360 --> 0:33:10.080
<v Speaker 1>Niggas can't do that, you know what I'm saying. And

0:33:10.200 --> 0:33:14.320
<v Speaker 1>he was protected. Nothing happened on my watch. He was

0:33:14.320 --> 0:33:16.240
<v Speaker 1>more nervous about like me, sure, I wasn't even thinking

0:33:16.240 --> 0:33:18.480
<v Speaker 1>about that. Te Ferd really thought about that because I

0:33:18.520 --> 0:33:23.120
<v Speaker 1>just don't think shit gonna happen to me at all. Yeah,

0:33:23.120 --> 0:33:26.280
<v Speaker 1>but like, yeah about that you walking walking him through

0:33:26.360 --> 0:33:31.800
<v Speaker 1>a Harlem. So I had one to his show and

0:33:31.840 --> 0:33:34.440
<v Speaker 1>he was like, yo, I got a day off tomorrow.

0:33:34.440 --> 0:33:37.640
<v Speaker 1>I'm like, are you trying to go to Harlem? Hm?

0:33:37.960 --> 0:33:42.080
<v Speaker 1>He was like yeah, I'm down. And then Dave Free

0:33:42.080 --> 0:33:43.960
<v Speaker 1>called me. He was like, Yo, this nigga really trying

0:33:44.000 --> 0:33:45.480
<v Speaker 1>to pull up the halem. So I had to like

0:33:45.600 --> 0:33:49.080
<v Speaker 1>put a whole itinerary together and randomly wound up being

0:33:49.120 --> 0:33:53.000
<v Speaker 1>Dapper Dan's birthday that day. He didn't even know I

0:33:53.040 --> 0:33:55.400
<v Speaker 1>was coming to see him, And I brought Kendrick to

0:33:55.440 --> 0:33:57.880
<v Speaker 1>Melbourns and then we went to Dapper Then I brought

0:33:57.920 --> 0:34:02.040
<v Speaker 1>him to my hood showed them like the stupid that

0:34:02.400 --> 0:34:05.560
<v Speaker 1>you know I used to hang out on and it

0:34:05.600 --> 0:34:08.240
<v Speaker 1>was like he's like, you know, they don't got hydrants

0:34:08.280 --> 0:34:13.040
<v Speaker 1>open in La, so he's like touching the water act

0:34:13.120 --> 0:34:16.319
<v Speaker 1>like that whole water. Yeah. I just thought it was

0:34:16.360 --> 0:34:19.200
<v Speaker 1>cool and it kind of like I seen the kid

0:34:19.239 --> 0:34:22.480
<v Speaker 1>in them. Like we walked through two fifth, like from

0:34:22.520 --> 0:34:26.200
<v Speaker 1>like seventh to eighth, and you know, like we walked

0:34:26.239 --> 0:34:29.080
<v Speaker 1>past the Apollo. He looking at the DVDs that they

0:34:29.080 --> 0:34:32.000
<v Speaker 1>got on the table, and it was early, so all

0:34:32.000 --> 0:34:35.680
<v Speaker 1>the kids is in school, so it wasn't like crazy mayhem.

0:34:35.719 --> 0:34:37.600
<v Speaker 1>We was like lo. We was like damn, like where

0:34:37.600 --> 0:34:41.080
<v Speaker 1>everybody at? And then I crossed the street we went

0:34:41.120 --> 0:34:43.959
<v Speaker 1>and we got like some mangos from the Mexican lady.

0:34:44.080 --> 0:34:45.560
<v Speaker 1>So it was cool. And that's what is that the

0:34:45.640 --> 0:34:48.680
<v Speaker 1>video where he did the pull ups? Yeah he beat

0:34:48.680 --> 0:34:51.719
<v Speaker 1>t Ferg and the pull ups. Yeah, they got it.

0:34:51.719 --> 0:34:53.239
<v Speaker 1>They gotta do a rematch. We said, we gotta go

0:34:53.280 --> 0:34:55.239
<v Speaker 1>to Compton and they gotta do the rematch because we

0:34:55.280 --> 0:34:56.080
<v Speaker 1>can't go out like that.

0:34:56.280 --> 0:34:59.080
<v Speaker 3>East Coast another thing people were talking about earlier this year.

0:34:59.080 --> 0:35:00.480
<v Speaker 4>I don't know if you spoke about this anywhere, but

0:35:00.680 --> 0:35:02.960
<v Speaker 4>when they was looking for Rocky to be on Romelo.

0:35:04.000 --> 0:35:04.680
<v Speaker 1>Yeah, put it out.

0:35:04.680 --> 0:35:05.439
<v Speaker 3>He wasn't doing there.

0:35:05.840 --> 0:35:10.760
<v Speaker 1>I think Rocky low Ki used that verse for another song. Yeah, yeah,

0:35:10.760 --> 0:35:12.680
<v Speaker 1>so that's what happened. But he ain't telling me that,

0:35:13.000 --> 0:35:14.960
<v Speaker 1>so you had to take him off. I didn't take

0:35:15.000 --> 0:35:17.560
<v Speaker 1>him off that. The version still exists. We can still

0:35:17.560 --> 0:35:22.000
<v Speaker 1>put it out, yo, everybody, all the fans go hond

0:35:22.160 --> 0:35:25.120
<v Speaker 1>Rocky to drop his version of Romelo, because whatever other

0:35:25.239 --> 0:35:28.640
<v Speaker 1>song he dropped, we don't remember that. Go drop the

0:35:28.760 --> 0:35:31.600
<v Speaker 1>Romelo verse. We need that. That back and forth is

0:35:31.640 --> 0:35:35.920
<v Speaker 1>crazy on some Jada and styles, going back and forth crazy.

0:35:36.000 --> 0:35:37.719
<v Speaker 4>And you know, people always talk about your face when

0:35:37.800 --> 0:35:40.960
<v Speaker 4>they when they did the they showed that video of

0:35:41.120 --> 0:35:42.960
<v Speaker 4>Rocky talking about fighting in jail.

0:35:44.400 --> 0:35:46.600
<v Speaker 3>Classic for whatever reason, that goes.

0:35:46.440 --> 0:35:49.040
<v Speaker 4>Super viral on TikTok all the time, and they always

0:35:49.080 --> 0:35:49.839
<v Speaker 4>doing it on your face.

0:35:49.920 --> 0:35:53.320
<v Speaker 1>What were you thinking of that moment. I was just listening.

0:35:53.400 --> 0:35:55.880
<v Speaker 1>I wasn't even thinking, and I didn't even realize I

0:35:55.960 --> 0:36:00.840
<v Speaker 1>was doing all of that with my face until I like,

0:36:00.920 --> 0:36:03.080
<v Speaker 1>I was like, yo, I seen a mic drop like this,

0:36:03.520 --> 0:36:07.520
<v Speaker 1>and then I'm like, I'm like and I'm like, because

0:36:07.560 --> 0:36:09.320
<v Speaker 1>this is news to me, Like I never first of

0:36:09.360 --> 0:36:12.080
<v Speaker 1>all casting Ova. When he first came home, he told

0:36:12.120 --> 0:36:13.800
<v Speaker 1>me he was locked up with Flocker, and I didn't

0:36:13.800 --> 0:36:16.640
<v Speaker 1>know that Rocky was locked up, so that was news.

0:36:16.960 --> 0:36:20.600
<v Speaker 1>And then when I think I brought it up or

0:36:20.680 --> 0:36:23.080
<v Speaker 1>he brought it up during that interview, and then he

0:36:23.160 --> 0:36:26.279
<v Speaker 1>started going to the details. This was all news to me.

0:36:26.400 --> 0:36:29.480
<v Speaker 1>So I'm just reacting to the news and I didn't

0:36:29.520 --> 0:36:30.600
<v Speaker 1>know I was looking like that.

0:36:31.000 --> 0:36:32.280
<v Speaker 3>Did you talk about its?

0:36:32.320 --> 0:36:35.000
<v Speaker 1>Like, yeah, we laughed about it. You Rocky likes shit

0:36:35.120 --> 0:36:38.279
<v Speaker 1>like that. He's silly like he Rocky is. Yeah, he

0:36:38.680 --> 0:36:40.960
<v Speaker 1>he Rocky a different type of dude, Like he ain't

0:36:41.000 --> 0:36:43.560
<v Speaker 1>tripping about none of that shit, at least to me.

0:36:44.560 --> 0:36:47.720
<v Speaker 3>Do you miss that having the whole gang around?

0:36:49.480 --> 0:36:54.880
<v Speaker 1>Uh No, I don't because it was a time. It

0:36:55.000 --> 0:37:00.239
<v Speaker 1>was a time when we was kids. A lot of

0:37:00.239 --> 0:37:04.200
<v Speaker 1>it was fun, but a lot of it I was

0:37:04.239 --> 0:37:05.719
<v Speaker 1>just like, man, I can't wait till I have my

0:37:05.760 --> 0:37:09.760
<v Speaker 1>own bus. I can't wait till like it's my time

0:37:09.800 --> 0:37:12.839
<v Speaker 1>to like pick out people who I want to roll

0:37:12.880 --> 0:37:15.640
<v Speaker 1>with me and do my thing. Cause I don't smoke weed,

0:37:16.960 --> 0:37:19.800
<v Speaker 1>I don't. I don't do a lot of the things

0:37:19.880 --> 0:37:22.800
<v Speaker 1>like I mean, the girls. Yeah, we was doing a

0:37:22.840 --> 0:37:25.560
<v Speaker 1>lot of the teens, but we you know, it was

0:37:25.600 --> 0:37:27.480
<v Speaker 1>some fun moments in that and I like to leave

0:37:27.520 --> 0:37:30.640
<v Speaker 1>it like that, like it's legendary, Like I wouldn't want to,

0:37:30.719 --> 0:37:33.080
<v Speaker 1>you know, if it's a thing where like any of

0:37:33.080 --> 0:37:35.360
<v Speaker 1>my brothers need anything, like I could put up on

0:37:35.400 --> 0:37:39.040
<v Speaker 1>twelve V work through stuff or you know. But yo,

0:37:39.200 --> 0:37:44.000
<v Speaker 1>that's eleven years in front of y'all. But like you

0:37:44.080 --> 0:37:46.560
<v Speaker 1>know what I'm saying. But before that, we like in

0:37:46.640 --> 0:37:49.080
<v Speaker 1>Harlem doing the same thing, but not in front of

0:37:49.080 --> 0:37:52.520
<v Speaker 1>the world. So you know, all together, it's probably like

0:37:54.120 --> 0:37:58.920
<v Speaker 1>seventeen years of just us. I'm ready for new new things,

0:37:59.000 --> 0:38:01.600
<v Speaker 1>Like you know what I'm saying, And like I said,

0:38:01.800 --> 0:38:06.200
<v Speaker 1>if any of them need anything, I'm here. I do

0:38:06.440 --> 0:38:08.640
<v Speaker 1>sorry to cut your wisdom, but I do feel like

0:38:10.160 --> 0:38:12.560
<v Speaker 1>we gotta get this asap movie together, and we gotta

0:38:12.600 --> 0:38:15.560
<v Speaker 1>get the Yams stuff together and tell a story because

0:38:15.640 --> 0:38:19.280
<v Speaker 1>we are getting of age and it's that.

0:38:19.160 --> 0:38:22.600
<v Speaker 4>Time y'all going after you think Yams being Yams, he

0:38:22.680 --> 0:38:24.520
<v Speaker 4>felt like the heart and soul of everything. You think

0:38:24.520 --> 0:38:27.960
<v Speaker 4>when he passed, that like changed everything, the whole dynamics

0:38:28.000 --> 0:38:29.520
<v Speaker 4>of the group or the crew.

0:38:30.120 --> 0:38:33.200
<v Speaker 1>When he passed, for sure, because Jams was fighting. Like

0:38:33.560 --> 0:38:37.120
<v Speaker 1>I watched Jams catching siege at Coachella. He went to

0:38:37.160 --> 0:38:40.040
<v Speaker 1>the hospital when he came back and he he's still

0:38:40.080 --> 0:38:42.880
<v Speaker 1>trying to fight to everybody and talk like, well, he

0:38:42.960 --> 0:38:45.719
<v Speaker 1>wasn't fighting, but he was like fighting through that having

0:38:45.760 --> 0:38:49.279
<v Speaker 1>another seizure, you know, while talking and trying to get

0:38:49.280 --> 0:38:52.799
<v Speaker 1>everybody together because you got different textures and you know,

0:38:53.560 --> 0:38:56.400
<v Speaker 1>I might be like silk, and like Rocky might be

0:38:56.520 --> 0:39:00.399
<v Speaker 1>like hemp, and like uh Nas might be like leather.

0:39:00.520 --> 0:39:03.520
<v Speaker 1>So you're trying to mesh all of these different fabrics

0:39:03.520 --> 0:39:08.160
<v Speaker 1>together and that's a tough thing to do, especially coming

0:39:08.160 --> 0:39:13.600
<v Speaker 1>from Harlem like and Yams like Yams Yams. Every time

0:39:13.640 --> 0:39:16.360
<v Speaker 1>he talked, it's just like he was getting electrocuted. He

0:39:16.360 --> 0:39:19.279
<v Speaker 1>he just catch another It's not funny, but like at

0:39:19.280 --> 0:39:21.640
<v Speaker 1>that moment, I'm like, yo, bro, you're gonna die, Like

0:39:21.760 --> 0:39:26.040
<v Speaker 1>you gotta stop you You're stressing yourself out way too much.

0:39:26.120 --> 0:39:28.919
<v Speaker 1>Like and that's I don't miss that. I don't miss

0:39:28.920 --> 0:39:34.080
<v Speaker 1>that energy and I don't miss but it was it

0:39:34.120 --> 0:39:35.839
<v Speaker 1>made me into who I am, and I know that

0:39:35.840 --> 0:39:37.959
<v Speaker 1>that's a very real thing. And that's why I also

0:39:38.000 --> 0:39:40.680
<v Speaker 1>feel like this album is important.

0:39:40.960 --> 0:39:43.680
<v Speaker 5>You speak about therapy like in past, and you know

0:39:43.719 --> 0:39:45.000
<v Speaker 5>you're not in therapy anymore.

0:39:45.160 --> 0:39:48.920
<v Speaker 1>Oh no, No, this is my therapy now, you know,

0:39:49.040 --> 0:39:51.960
<v Speaker 1>talking to y'all. So whenever I need to like talk

0:39:52.000 --> 0:39:56.120
<v Speaker 1>to somebody, I'm gonna come here. Nice.

0:39:56.840 --> 0:39:59.560
<v Speaker 4>You definitely go to your therapy, like you said, it's

0:39:59.600 --> 0:40:01.720
<v Speaker 4>something that you keep, like it's like a doctor.

0:40:01.719 --> 0:40:04.920
<v Speaker 1>If I need it, like I will go. But it

0:40:04.960 --> 0:40:07.600
<v Speaker 1>was times where like I'll just go and be like, Yo,

0:40:07.680 --> 0:40:10.359
<v Speaker 1>how's the family, and then like, yeah, the family is good?

0:40:10.440 --> 0:40:13.360
<v Speaker 1>Like yeah, so I was like, how was Thanksgiving? And

0:40:14.320 --> 0:40:16.440
<v Speaker 1>we ain't got nothing to talk because I got the

0:40:16.440 --> 0:40:17.839
<v Speaker 1>tools I get you.

0:40:17.920 --> 0:40:22.160
<v Speaker 5>Yeah, yeah, talk to us about Ferg apparel. You're relaunching.

0:40:23.600 --> 0:40:26.319
<v Speaker 5>Oh yeah, just show it. Okay, that's what's uping. That

0:40:26.400 --> 0:40:29.040
<v Speaker 5>was your pops line, right, yeah, and you're relaunching it.

0:40:29.040 --> 0:40:32.800
<v Speaker 1>It was it's a family brand from the furg Empire.

0:40:33.360 --> 0:40:36.760
<v Speaker 1>My father started in nineteen ninety four, had a store

0:40:36.920 --> 0:40:43.160
<v Speaker 1>in one forty fifth between seventh and eighth, And yeah,

0:40:43.160 --> 0:40:45.399
<v Speaker 1>I just thought it was time, like with like this

0:40:45.520 --> 0:40:49.839
<v Speaker 1>whole me going back to the roots, I just thought

0:40:49.880 --> 0:40:52.560
<v Speaker 1>it was only right. I never really put the energy

0:40:52.680 --> 0:40:55.279
<v Speaker 1>into like relaunching the brand. I always used the logo,

0:40:55.560 --> 0:40:58.800
<v Speaker 1>but I wanted to relaunch the brand, and I felt

0:40:58.880 --> 0:41:03.080
<v Speaker 1>like it was a whole demographic that wasn't getting fed.

0:41:03.680 --> 0:41:07.040
<v Speaker 1>And that's like the uptown energy, Like we don't got that.

0:41:07.120 --> 0:41:09.680
<v Speaker 1>We don't got that. In fashion, we don't got the stories.

0:41:10.120 --> 0:41:14.200
<v Speaker 1>And nowadays kids love going shopping advantage stores and stuff

0:41:14.239 --> 0:41:17.600
<v Speaker 1>like that because those close hold stories in it, and

0:41:17.640 --> 0:41:19.000
<v Speaker 1>they want to be in those stories.

0:41:19.040 --> 0:41:19.160
<v Speaker 3>Now.

0:41:19.200 --> 0:41:21.719
<v Speaker 1>They they spend like one thousand dollars on like a

0:41:21.760 --> 0:41:26.680
<v Speaker 1>Selena shirt or like you know, Tina Turner. So I

0:41:26.840 --> 0:41:30.760
<v Speaker 1>just wanted to like provide the stories to them because

0:41:31.320 --> 0:41:34.719
<v Speaker 1>that's important. They were like my friend's son, we was

0:41:34.760 --> 0:41:37.759
<v Speaker 1>all working out, well, my uncle's son, he was we

0:41:37.800 --> 0:41:40.879
<v Speaker 1>was working out yesterday and his son is fourteen years

0:41:40.920 --> 0:41:43.799
<v Speaker 1>well seventeen years old, and he's just like asking me,

0:41:43.880 --> 0:41:46.120
<v Speaker 1>like yo, when you were seventeen, like how you was

0:41:46.160 --> 0:41:50.640
<v Speaker 1>doing it? So they need the information. They need the information,

0:41:50.800 --> 0:41:51.920
<v Speaker 1>so I want to give it to him.

0:41:52.800 --> 0:41:55.520
<v Speaker 4>I was watching a hand in gene Views. I saw

0:41:55.560 --> 0:41:58.120
<v Speaker 4>you on their on effective immediately, Yeah, you said you

0:41:58.320 --> 0:41:59.560
<v Speaker 4>got a job at rock Nation.

0:42:00.320 --> 0:42:01.680
<v Speaker 1>I don't have a job at rock Nation.

0:42:01.960 --> 0:42:02.840
<v Speaker 5>So J. J.

0:42:03.040 --> 0:42:07.440
<v Speaker 1>Brown is my manager and along with Kaylee and I

0:42:07.480 --> 0:42:12.839
<v Speaker 1>brought in my uncle Dion, but I had an internship

0:42:12.880 --> 0:42:16.000
<v Speaker 1>at Rockefeller back in the day, well not Rockefeller, but

0:42:16.160 --> 0:42:20.080
<v Speaker 1>Rock a War and yeah, so we we working together,

0:42:20.280 --> 0:42:22.880
<v Speaker 1>like and it's nice.

0:42:23.040 --> 0:42:24.080
<v Speaker 3>You got you, got, you got you.

0:42:24.680 --> 0:42:27.600
<v Speaker 4>My last question, man, I saw a quote, Well you

0:42:27.600 --> 0:42:29.120
<v Speaker 4>said it's okay to grow up, and that's what I

0:42:29.160 --> 0:42:31.520
<v Speaker 4>want to show my community on this album. So it

0:42:31.560 --> 0:42:33.560
<v Speaker 4>just made me wonder, why do you think our community

0:42:33.640 --> 0:42:36.280
<v Speaker 4>is the one that judges people for something as simple

0:42:36.280 --> 0:42:38.240
<v Speaker 4>as wanting to grow up or wanting to better yourself.

0:42:40.960 --> 0:42:46.200
<v Speaker 1>We watched all of the great people do it. Jay Z, Kendrick,

0:42:47.840 --> 0:42:51.439
<v Speaker 1>J Cole. I love Snoop. Snoop is my favorite rap

0:42:51.480 --> 0:42:54.120
<v Speaker 1>of in the world. We got the same birthday, October twentie.

0:42:54.680 --> 0:42:58.000
<v Speaker 1>Snoop is my favorite rapper because he was the first

0:42:58.000 --> 0:43:01.920
<v Speaker 1>to show his kids like, yo, this is my family,

0:43:01.960 --> 0:43:04.440
<v Speaker 1>this is my kids, and be like a gangster rapper.

0:43:04.480 --> 0:43:06.480
<v Speaker 1>Like I thought that was super dope and he could

0:43:06.520 --> 0:43:08.880
<v Speaker 1>be gangster but also still be gangster and do a

0:43:08.920 --> 0:43:12.360
<v Speaker 1>Martha Steward show and not look like he compromising himself.

0:43:12.760 --> 0:43:14.759
<v Speaker 1>So I don't know if that's some libra shit, but

0:43:16.160 --> 0:43:16.840
<v Speaker 1>I rock with that.

0:43:18.080 --> 0:43:19.600
<v Speaker 2>Let's get into a joint off the album what you

0:43:19.600 --> 0:43:24.160
<v Speaker 2>want to Hear Chosen? Yeah, all right, well we'll get

0:43:24.160 --> 0:43:24.799
<v Speaker 2>into that now.

0:43:25.120 --> 0:43:27.680
<v Speaker 3>The album Darryl is out right now and we appreciate

0:43:27.680 --> 0:43:28.279
<v Speaker 3>you for joining us.

0:43:28.320 --> 0:43:30.360
<v Speaker 1>Brother. Yes, it's Berg.

0:43:30.800 --> 0:43:31.719
<v Speaker 3>It's the Breakfast Club.

0:43:31.719 --> 0:43:34.759
<v Speaker 1>Good morning, wake that ass up in the morning. The

0:43:34.880 --> 0:43:35.760
<v Speaker 1>Breakfast Club