WEBVTT - 3 | The Dance

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<v Speaker 1>I lost the family I was born into when I

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<v Speaker 1>was just a kid. But I was lucky enough to

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<v Speaker 1>find a new family in a life.

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<v Speaker 2>Can't catch me.

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<v Speaker 3>Now, go on to bet Bro, I Win and his

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<v Speaker 3>little brother. I'm gonna tell you.

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<v Speaker 4>Whatever, those gangly ass selects of yours are an unfair advantage.

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<v Speaker 5>Why don't you gonna see if mom needs her getting dinner?

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<v Speaker 6>Why can't you go home and help?

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<v Speaker 4>I've got other ways of pitching it, mad He's got

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<v Speaker 4>to pointy, lie, he does always end up with dinner duty.

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<v Speaker 4>We're gonna need a head chef when we open up

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<v Speaker 4>our restaurant, right, I'm just.

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<v Speaker 5>Playing the long game. We got it all planned out.

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<v Speaker 5>You don't manage the place since you already know the

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<v Speaker 5>business and everything, and you'll be doing what curating the vibe?

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<v Speaker 2>Right?

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<v Speaker 5>Why don't you sound stoked?

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<v Speaker 2>You're not backing out on me?

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<v Speaker 3>All right?

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<v Speaker 6>I just don't know if I can do the restaurant thing.

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<v Speaker 5>I know it won't be the same as taking over

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<v Speaker 5>your family's joint, but it could still be sick Bro.

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<v Speaker 4>Maybe you and Maddie can be business partners. Probably be better

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<v Speaker 4>off without me, Now, that's just stupid. Whatever we end

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<v Speaker 4>up doing We're doing it together.

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<v Speaker 7>You feel me?

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<v Speaker 6>Yeah, I feel you? Thanks man, any time.

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<v Speaker 3>There you are.

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<v Speaker 6>Hey, Dahlia's good.

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<v Speaker 4>My parents are going to be out until late.

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<v Speaker 5>You want to come over?

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<v Speaker 6>Sorry, I have plans with the Lias.

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<v Speaker 5>Seriously, you know what they say, bros.

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<v Speaker 4>I would have finished that cents if I were you.

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<v Speaker 6>Let's do something tomorrow. Just hear me. All right, Fine,

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<v Speaker 6>you're lucky, you're so cute. So what are these plans

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<v Speaker 6>of ours? Sorry, I just needed a cover story. Oh shit, don't.

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<v Speaker 5>Tell me you got another girl on the side.

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<v Speaker 4>Look, I'm just trying to take things slow with Dahlia.

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<v Speaker 4>I don't want anything happening to her. You know that

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<v Speaker 4>should always happen to the people I care about.

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<v Speaker 5>You don't really believe that, Niko, what happened to your

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<v Speaker 5>folks was an accident.

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<v Speaker 6>You love me like blood, don't you?

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<v Speaker 4>So?

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<v Speaker 6>If you were a cursed I'd be a honor.

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<v Speaker 3>Seriously, I guess you.

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<v Speaker 5>Down to hit ups some tourists later. Mom got her

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<v Speaker 5>hours cut, and I'm sure she could use some extra cash.

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<v Speaker 6>Sure, Hey, you know I've always got you.

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<v Speaker 3>As a family.

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<v Speaker 1>We had to find ways to make hands met, even

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<v Speaker 1>if it meant getting a little creative.

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<v Speaker 3>Sometimes. We never mugged. We didn't need to.

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<v Speaker 1>There were plenty of other ways to get to their money.

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<v Speaker 4>Those two, sure, yeah, they're obviously lost.

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<v Speaker 3>And look at those designer suitcases.

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<v Speaker 4>I'm sure they'd be happy to throw some money at

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<v Speaker 4>us to get them wherever they're going.

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<v Speaker 3>Okay, I trust you.

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<v Speaker 6>What are we doing.

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<v Speaker 5>We're gonna hit those tours off for some cash.

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<v Speaker 8>You were going home?

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<v Speaker 4>Come on, you never let me out.

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<v Speaker 6>Just let them tag along.

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<v Speaker 4>Maybe we can kilt them into some extra money if

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<v Speaker 4>we have to run like handled those Hey, fine, just let.

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<v Speaker 3>Us do the talking.

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<v Speaker 9>God, I'm kidding me, honey. Why don't we just find

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<v Speaker 9>a cab?

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<v Speaker 2>You see any cabs around here.

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<v Speaker 4>You're the one who wanted to come to this ramshack

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<v Speaker 4>a little rock.

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<v Speaker 9>I would have preferred the buddy.

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<v Speaker 6>Excuse me, y'all to need some help.

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<v Speaker 2>We're fine, are you sure?

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<v Speaker 5>Because you see them kind of lost?

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<v Speaker 6>Just keep walking, very be nice. They might be able

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<v Speaker 6>to point us in the right direction.

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<v Speaker 4>It's easy to get turned around on these side streets,

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<v Speaker 4>but we can help you.

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<v Speaker 3>You don't come any closer, all right, It's cool. I'm

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<v Speaker 3>just trying to help.

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<v Speaker 2>Yeah, trying to get close enough to pick my pockets.

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<v Speaker 2>You think I'm an idiot.

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<v Speaker 3>Please don't make a scene.

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<v Speaker 4>We were just gonna offer to help you to get

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<v Speaker 4>to your hotel or whatever.

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<v Speaker 2>For a small fee.

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<v Speaker 3>I'm sure.

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<v Speaker 5>I mean, I wouldn't say no to a tim.

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<v Speaker 4>Let me help you get your suitcase, ma'am?

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<v Speaker 3>What the hell you? I told you to stay back, put.

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<v Speaker 4>The gun away?

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<v Speaker 10>Hey, you crazy bro, It's not that serious.

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<v Speaker 7>I'm sorry.

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<v Speaker 5>Hey, man, don't point that at my brother or what you.

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<v Speaker 11>Think anyone's gonna miss a few little punks like you too.

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<v Speaker 12>Get behind me, right, stupid.

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<v Speaker 4>You don't even know how to do with.

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<v Speaker 6>Elias.

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<v Speaker 3>What did you do? I don't know. It just went off.

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<v Speaker 7>But are you all right?

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<v Speaker 2>You motherfucker?

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<v Speaker 1>Stay back or I'll shoot.

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<v Speaker 3>Get off me. That's so tough, now, are you wait?

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<v Speaker 8>I'm sorry, Get off of me.

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<v Speaker 9>Stop it.

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<v Speaker 3>You're done, kid, I'm.

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<v Speaker 7>Not a kid. Stop it. You're gonna kill it. I'm

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<v Speaker 7>gonna call it.

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<v Speaker 4>It's okay, it's okay, You're gonna be fine.

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<v Speaker 9>You have to do something.

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<v Speaker 3>Eco get out of here.

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<v Speaker 6>I'm not just gonna leave you.

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<v Speaker 5>You know they're gonna find a way to blame you.

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<v Speaker 6>Well, this should it?

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<v Speaker 4>It's all my fault, Eli, Eli, Okay, just just apply

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<v Speaker 4>some pressure, Maty. I'm gonna go fight some help.

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<v Speaker 1>It was my idea to approach those asshole tours, my

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<v Speaker 1>idea to let my taale tag along.

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<v Speaker 3>They trusted me, and I betrayed them both.

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<v Speaker 2>Hey, what's going on over here?

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<v Speaker 7>Meg? Live me?

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<v Speaker 1>It wasn't the panic that sent me running away that night.

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<v Speaker 1>I wanted to put as much distance between me and

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<v Speaker 1>Mateo as I could.

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<v Speaker 3>It was the only way to keep him safe. So

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<v Speaker 3>I thought.

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<v Speaker 1>Mateo had every right to hate me for getting the

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<v Speaker 1>lives killed. Should I hated myself too, But I never

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<v Speaker 1>thought I'd had to face his anger again.

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<v Speaker 9>Underwater, Episode three, The.

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<v Speaker 2>Dance Long Time, No see Damn.

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<v Speaker 3>Some welcome committee you put together for me?

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<v Speaker 2>How you liking Thistino?

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<v Speaker 3>I knew you had eyes on me.

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<v Speaker 13>It's a small island, people talk. What are you doing

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<v Speaker 13>back here? I just enjoying the ambiance and find that

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<v Speaker 13>hard to believe. I'm here on business, Mateo?

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<v Speaker 2>What kind of business?

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<v Speaker 3>I can't get into it?

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<v Speaker 9>Hurry up, Mateo, I don't want to hang around this

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<v Speaker 9>guy too long.

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<v Speaker 3>Just let me handle this.

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<v Speaker 13>You know, I've had a lot of time to think

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<v Speaker 13>about what I do if I ever laid eyes on

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<v Speaker 13>you again.

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<v Speaker 1>Listen, you don't want me here, and I don't want

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<v Speaker 1>to be here. Just give me a few days to

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<v Speaker 1>wrap this job and you'll never have to see me again.

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<v Speaker 13>I don't remember you being especially good about keeping your word, Nico.

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<v Speaker 3>I'm a different man now, MATEO.

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<v Speaker 2>Yeah, yeah, sure.

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<v Speaker 7>Look who I found you?

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<v Speaker 9>When do you go?

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<v Speaker 3>Hey? Hey, babe, babe, I just go with it.

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<v Speaker 1>Please excuse me, boys, but I promise this a lovely

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<v Speaker 1>woman a dance?

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<v Speaker 3>Shall we?

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<v Speaker 9>Yeah, honey, let's go.

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<v Speaker 6>Can't avoid me forever, Nico, Uh, you do have fun.

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<v Speaker 10>I'm I'm just gonna go and find Elena.

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<v Speaker 6>Yeah. How are those guys?

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<v Speaker 3>Some old friends?

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<v Speaker 9>They didn't seem too friendly.

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<v Speaker 3>I'll explain everything, like I promise, But right now, I

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<v Speaker 3>just need to dance with me, all right?

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<v Speaker 7>All right?

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<v Speaker 9>What you're waiting for them?

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<v Speaker 3>It's pretty crowded out here. We might have to get

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<v Speaker 3>a little closer.

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<v Speaker 9>How close? Exactly like this? This is pretty much the

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<v Speaker 9>opposite of you giving space.

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<v Speaker 1>You know, I'm sorry, but you you're helping me out

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<v Speaker 1>in a tough spot here.

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<v Speaker 9>I can give you one song.

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<v Speaker 3>I appreciate that. How are you? I'll come here?

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<v Speaker 7>Let me love.

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<v Speaker 9>Since I've got you here, there's something I wanted to

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<v Speaker 9>tell you that I know why you're here, Nico. Yeah,

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<v Speaker 9>you just couldn't wait another day to shoot your shot

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<v Speaker 9>with me again. I get it.

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<v Speaker 10>I know.

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<v Speaker 3>Can't you blame me?

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<v Speaker 9>I mean, look at you, You clean up good yourself.

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<v Speaker 3>I'm just glad I got your attention?

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<v Speaker 9>Is that all you want from me tonight? Nico? My attention?

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<v Speaker 3>Why don't you give me another chance and you can

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<v Speaker 3>find out.

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<v Speaker 9>Listen, there's something you should know about me, Nico?

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<v Speaker 3>What's that?

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<v Speaker 9>I don't do second chances? Hey enjoyed the party? Yeah?

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<v Speaker 3>Where you? You can't be doing this? Ana?

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<v Speaker 9>Man, that was brutal.

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<v Speaker 3>Thanks for the pep talk.

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<v Speaker 9>You want a pep talk? No, no, no, I've gotten

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<v Speaker 9>to know Anna pretty well these past couple of weeks,

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<v Speaker 9>and I can tell you one thing. Game alone is

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<v Speaker 9>not gonna work with this one. If you want it

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<v Speaker 9>to open up, you gotta go first.

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<v Speaker 3>What do you mean?

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<v Speaker 7>Ah? Come on?

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<v Speaker 9>I can tell you've got a big bleeding heart underneath

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<v Speaker 9>all that armor and those rock hard pecks. Just let

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<v Speaker 9>it shine through and loosen the fuck up. Man, This

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<v Speaker 9>is not a matter of life or death. It feels

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<v Speaker 9>like you might be now, if you'll excuse me, I'm

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<v Speaker 9>gonna go find myself a dance partner, your ex girlfriend, maybe.

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<v Speaker 3>Be my guest, do your thing, always do.

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<v Speaker 1>I don't know where drove on all the way that night,

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<v Speaker 1>but I'd be lying if I said I wasn't messed up.

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<v Speaker 3>Too, and not just because of my tale. And it's guys.

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<v Speaker 1>When Anna and I were dancing, I lost track of

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<v Speaker 1>where the act ended and my actual feelings for her began.

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<v Speaker 3>It threw me. I couldn't let that happen again.

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<v Speaker 13>I had a lot of time to think about what

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<v Speaker 13>I do if I ever laid eyes on you.

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<v Speaker 4>You love you.

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<v Speaker 6>I don't remember you being especially good about keeping you

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<v Speaker 6>work pick.

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<v Speaker 7>Up mm hmmm.

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<v Speaker 13>Mm hmm.

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<v Speaker 3>Morning boss, did you just wake up? Yeah? Last night

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<v Speaker 3>was a late one, so you're on track?

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<v Speaker 12>Then?

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<v Speaker 3>Yeah?

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<v Speaker 1>Yeah? On and and I spend a little time together.

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<v Speaker 1>I don't think I'll have any issues meeting the deadline,

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<v Speaker 1>but I do think I can maneuver the situation a

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<v Speaker 1>little better if I knew exactly who she was to you.

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<v Speaker 8>That's above your big grade. Anything else to report?

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<v Speaker 1>I did run into Mateo, and and as you can imagine,

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<v Speaker 1>he wasn't happy.

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<v Speaker 12>To see me, All the more reason to hurry up.

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<v Speaker 1>I don't know what Matteo's capable of what he might

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<v Speaker 1>try to pull while I'm here. The entire island knows

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<v Speaker 1>what I did to him when we were kids. Don't

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<v Speaker 1>you think I need some backup?

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<v Speaker 8>Let's get one thing straight. You don't tell me what

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<v Speaker 8>you need. You need to do what I tell you.

0:12:43.559 --> 0:12:45.679
<v Speaker 3>I understand, but I don't think it's not.

0:12:46.200 --> 0:12:49.800
<v Speaker 8>If you're still fucking talking back to me, you should

0:12:49.840 --> 0:12:52.600
<v Speaker 8>be grateful that I gave you this assignment at all.

0:12:53.200 --> 0:12:55.160
<v Speaker 12>After the shit you pulled in Chicago.

0:12:55.440 --> 0:12:58.800
<v Speaker 3>Come on, boss, those were extraordinary circumstances.

0:12:59.000 --> 0:13:02.480
<v Speaker 8>I'll fucking I sent you to collect a simple payment.

0:13:02.520 --> 0:13:04.840
<v Speaker 8>You sent five guys at the hospital and one to

0:13:04.920 --> 0:13:05.400
<v Speaker 8>the morgue.

0:13:05.600 --> 0:13:07.480
<v Speaker 3>Yeah, well it fucked me up just as much as

0:13:07.520 --> 0:13:08.200
<v Speaker 3>I fucked them up.

0:13:08.520 --> 0:13:11.320
<v Speaker 12>What did I say about back talk?

0:13:12.960 --> 0:13:16.720
<v Speaker 3>I need you to be sharp, I am Marcus.

0:13:16.760 --> 0:13:17.720
<v Speaker 12>Then act like it.

0:13:19.360 --> 0:13:22.319
<v Speaker 8>No more whining, no more excuses.

0:13:23.200 --> 0:13:25.720
<v Speaker 12>Just do your fucking job. You hear me?

0:13:26.320 --> 0:13:26.839
<v Speaker 3>Yes, sir?

0:13:27.600 --> 0:13:34.040
<v Speaker 12>Good? Now forget about your old palsd story focus on

0:13:34.080 --> 0:13:34.800
<v Speaker 12>getting on or.

0:13:34.800 --> 0:13:35.439
<v Speaker 7>Back here.

0:13:37.360 --> 0:13:40.079
<v Speaker 3>And Nicholas, yeah.

0:13:39.720 --> 0:14:05.840
<v Speaker 12>Don't let her get away.

0:14:08.400 --> 0:14:13.959
<v Speaker 10>Hey, hey, hey man, gosh, wow, you don't look it's

0:14:14.000 --> 0:14:14.400
<v Speaker 10>so hot.

0:14:14.600 --> 0:14:16.320
<v Speaker 3>There you go. What the hell did I tell you

0:14:16.320 --> 0:14:17.280
<v Speaker 3>about sneaking up on me?

0:14:17.600 --> 0:14:20.280
<v Speaker 10>I didn't realize knocking on your door counted as sneaking

0:14:20.360 --> 0:14:20.920
<v Speaker 10>up on you.

0:14:21.120 --> 0:14:24.080
<v Speaker 3>I'm sorry, I'm just a little on ash.

0:14:24.120 --> 0:14:25.920
<v Speaker 6>You know, we have massages and shit here, right.

0:14:26.320 --> 0:14:28.120
<v Speaker 3>You should look into that? Is that what you came

0:14:28.120 --> 0:14:31.320
<v Speaker 3>here for? You give me spa recommendations, just seeing if

0:14:31.360 --> 0:14:32.160
<v Speaker 3>you needed anything.

0:14:32.840 --> 0:14:35.760
<v Speaker 10>But just so you know, I spotted our mystery women

0:14:35.840 --> 0:14:37.640
<v Speaker 10>heading down to the lounge on my way over here.

0:14:38.240 --> 0:14:39.800
<v Speaker 10>You know, in case you want to patch things up.

0:14:40.640 --> 0:14:42.680
<v Speaker 10>I know you got your lines crossed at the party

0:14:42.760 --> 0:14:46.200
<v Speaker 10>last night, but the course of true love never did

0:14:46.280 --> 0:14:47.040
<v Speaker 10>run smooth.

0:14:47.480 --> 0:14:49.640
<v Speaker 1>I'm gonna need everybody to cool down with the love talk.

0:14:50.240 --> 0:14:52.240
<v Speaker 1>It isn't like that. It can't be.

0:14:52.400 --> 0:14:56.400
<v Speaker 10>All right, all right, But methinks the Laddy doth protest

0:14:56.480 --> 0:14:56.920
<v Speaker 10>too much?

0:14:57.640 --> 0:15:02.680
<v Speaker 3>You feel me? No, thanks for the lead. It's my pleasure.

0:15:04.480 --> 0:15:05.400
<v Speaker 3>I love love.

0:15:07.680 --> 0:15:08.440
<v Speaker 7>Mm hmmm.

0:15:10.720 --> 0:15:11.520
<v Speaker 11>Mm hmmm.

0:15:13.760 --> 0:15:14.280
<v Speaker 2>Mm hmm.

0:15:16.880 --> 0:15:18.800
<v Speaker 9>Good morning, mister Alexander.

0:15:18.880 --> 0:15:21.080
<v Speaker 3>Anything I can help you with. I'm a good Sebastian.

0:15:21.520 --> 0:15:23.040
<v Speaker 3>I'm just gonna check out the lodge for a bit.

0:15:23.440 --> 0:15:26.320
<v Speaker 8>Oh well, I'm afraid we don't start serving lunch till noon.

0:15:26.440 --> 0:15:29.120
<v Speaker 3>But you guess not what I'm here for.

0:15:29.800 --> 0:15:46.840
<v Speaker 14>Oh you helloa.

0:15:49.480 --> 0:15:55.600
<v Speaker 7>Again the world save this na for me.

0:15:57.960 --> 0:16:06.080
<v Speaker 3>Your heart gets broken to me from mysel last for nis.

0:16:06.920 --> 0:16:08.400
<v Speaker 7>Knowing the money.

0:16:09.520 --> 0:16:10.480
<v Speaker 3>You know where?

0:16:10.720 --> 0:16:12.760
<v Speaker 7>Well the last.

0:16:27.080 --> 0:16:28.680
<v Speaker 9>I didn't realize I had an audience.

0:16:28.880 --> 0:16:30.920
<v Speaker 3>Didn't realize you were a professional musician.

0:16:32.120 --> 0:16:36.800
<v Speaker 9>I'm not, really, I just play for myself. My mom's

0:16:36.800 --> 0:16:37.440
<v Speaker 9>the real talent.

0:16:38.080 --> 0:16:39.360
<v Speaker 3>Well, she must be pretty amazing.

0:16:39.440 --> 0:16:42.840
<v Speaker 9>Then she's the greatest. Not a brag or anything, but

0:16:42.920 --> 0:16:46.800
<v Speaker 9>she's actually kind of famous, Well Island famous anyway.

0:16:47.040 --> 0:16:52.760
<v Speaker 3>What's her name, Jay Thompson? Jay Thompson is your mother?

0:16:53.120 --> 0:16:53.880
<v Speaker 9>You've heard of her then?

0:16:54.400 --> 0:16:56.880
<v Speaker 3>Of course. I mean she was like a Whitney growing

0:16:56.960 --> 0:16:57.320
<v Speaker 3>up here.

0:16:58.000 --> 0:17:00.200
<v Speaker 1>I think maybe you could pull a couple of strings

0:17:00.200 --> 0:17:03.080
<v Speaker 1>and get your boyd in autograph.

0:17:03.320 --> 0:17:06.640
<v Speaker 9>Afraid not. She passed away a few months back.

0:17:06.960 --> 0:17:09.600
<v Speaker 3>Oh shit, I'm so sorry. I had no idea.

0:17:10.160 --> 0:17:12.520
<v Speaker 9>Yeah, no, it's okay. It didn't make the news in

0:17:12.560 --> 0:17:15.399
<v Speaker 9>the States. She never broke through there the way she

0:17:15.440 --> 0:17:15.800
<v Speaker 9>hoped to.

0:17:16.720 --> 0:17:20.480
<v Speaker 3>Well, that's a shame. She had something real special, kind

0:17:20.480 --> 0:17:21.560
<v Speaker 3>of like you.

0:17:21.640 --> 0:17:24.359
<v Speaker 9>Usually i'd say you were full of shit, But I

0:17:24.359 --> 0:17:27.399
<v Speaker 9>could use a little encouragement at the moment. There's going

0:17:27.440 --> 0:17:29.480
<v Speaker 9>to be a memorial concert in her honor in a

0:17:29.560 --> 0:17:32.720
<v Speaker 9>couple of days. The organizers asked me to perform.

0:17:32.840 --> 0:17:34.080
<v Speaker 3>But is that why you came here?

0:17:34.480 --> 0:17:35.479
<v Speaker 9>Now you know my secret?

0:17:35.960 --> 0:17:39.400
<v Speaker 1>Well, something tells me that there's still plenty more secretus

0:17:39.400 --> 0:17:40.400
<v Speaker 1>where I came from.

0:17:40.640 --> 0:17:41.400
<v Speaker 9>Kill her instincts?

0:17:41.440 --> 0:17:44.760
<v Speaker 1>You got there, So tell me, do I still got

0:17:44.760 --> 0:17:45.960
<v Speaker 1>a shot getting to know you better?

0:17:46.080 --> 0:17:48.440
<v Speaker 3>Or have I used up all my chances.

0:17:49.000 --> 0:17:54.200
<v Speaker 9>I I just got out of a complicated situation. I'm

0:17:54.240 --> 0:17:56.680
<v Speaker 9>really not trying to get into another one right now.

0:17:57.400 --> 0:17:59.680
<v Speaker 1>Well, I don't see why things have to be complicated.

0:18:00.160 --> 0:18:03.880
<v Speaker 1>That's My feelings for you are about as straightforward as

0:18:03.920 --> 0:18:04.280
<v Speaker 1>they come.

0:18:05.119 --> 0:18:06.359
<v Speaker 9>And what might those feelings be?

0:18:07.240 --> 0:18:09.400
<v Speaker 3>Come on, you're really trying to tell me you don't

0:18:09.400 --> 0:18:10.120
<v Speaker 3>feel the same.

0:18:09.960 --> 0:18:12.920
<v Speaker 9>Way, Niko. We don't even know each other.

0:18:13.040 --> 0:18:13.520
<v Speaker 7>Not yet.

0:18:14.160 --> 0:18:15.080
<v Speaker 3>But spend the day with me.

0:18:16.040 --> 0:18:19.479
<v Speaker 1>We can get to know each other and I can

0:18:19.520 --> 0:18:21.879
<v Speaker 1>show you exactly how uncomplicated things could be.

0:18:22.280 --> 0:18:29.600
<v Speaker 9>That is pretty tempting, but actually Honor, Honor. Hey, right on,

0:18:29.760 --> 0:18:33.320
<v Speaker 9>que Sorry Nico, my afternoon.

0:18:32.920 --> 0:18:37.880
<v Speaker 3>Spoken for the guy from the bar. Really, I thought

0:18:37.920 --> 0:18:38.880
<v Speaker 3>you turned buddy down?

0:18:39.080 --> 0:18:41.240
<v Speaker 9>What can I say? Are we considered?

0:18:42.000 --> 0:18:43.399
<v Speaker 3>What about no second chances?

0:18:43.800 --> 0:18:45.280
<v Speaker 9>That's my call, not yours.

0:18:45.720 --> 0:18:47.000
<v Speaker 2>Hey, you ready to go?

0:18:47.600 --> 0:18:53.680
<v Speaker 15>I booked this a historical walking tour, so sounds awesome. Hey,

0:18:53.720 --> 0:18:56.320
<v Speaker 15>I'm not sure I caught your name last time we

0:18:56.400 --> 0:18:57.240
<v Speaker 15>ran into each other.

0:18:57.680 --> 0:19:01.040
<v Speaker 3>It's Nico, and you are about.

0:19:00.720 --> 0:19:02.960
<v Speaker 9>To spend the day in the company of this lovely lady.

0:19:05.480 --> 0:19:06.640
<v Speaker 2>But my name is Gabriel.

0:19:06.960 --> 0:19:10.200
<v Speaker 9>Well, if we've concluded the pissing contest portion of this morning,

0:19:10.720 --> 0:19:13.919
<v Speaker 9>I'm ready to head out. Fantastic, See you later, Nico,

0:19:14.560 --> 0:19:15.320
<v Speaker 9>nice to meet you.

0:19:15.960 --> 0:19:21.480
<v Speaker 3>Yeah, likewise, Gabriel, my fucking name is that?

0:19:37.000 --> 0:19:37.399
<v Speaker 11>Do you go?

0:19:38.040 --> 0:19:40.640
<v Speaker 3>Hey, come me on my lunch break. You mind if

0:19:40.640 --> 0:19:43.560
<v Speaker 3>I join you for a second? By all means won

0:19:43.640 --> 0:19:45.080
<v Speaker 3>a chip? I'm good?

0:19:45.160 --> 0:19:48.639
<v Speaker 10>Thank you don't seem that good? Yeah, well, I'm just

0:19:48.680 --> 0:19:50.960
<v Speaker 10>a little worked up about Honor. You didn't patch things

0:19:51.040 --> 0:19:51.400
<v Speaker 10>up yet.

0:19:51.440 --> 0:19:53.600
<v Speaker 1>Well I thought we're getting somewhere for a minute until

0:19:53.600 --> 0:19:55.639
<v Speaker 1>that pretentious son of a bitch Gabriel showed up to.

0:19:55.640 --> 0:19:56.120
<v Speaker 3>Take her out.

0:19:56.280 --> 0:19:56.320
<v Speaker 4>No.

0:19:57.200 --> 0:20:01.000
<v Speaker 10>Yeah, look, I've driven that guy before. He's nothing but

0:20:01.080 --> 0:20:03.520
<v Speaker 10>a yuppie loser. Should be done with it, stuck up

0:20:03.520 --> 0:20:04.919
<v Speaker 10>ass by the end of the week stops.

0:20:05.400 --> 0:20:09.400
<v Speaker 3>Yeah, I had no doubt. The problem is I don't

0:20:09.440 --> 0:20:10.000
<v Speaker 3>got that long.

0:20:10.280 --> 0:20:12.880
<v Speaker 1>What do you mean, Well, you know how I told

0:20:12.920 --> 0:20:14.840
<v Speaker 1>you I was here on the island because of a job.

0:20:15.000 --> 0:20:21.080
<v Speaker 3>Yeah, the truth is honor is the job. Oh shit,

0:20:21.560 --> 0:20:24.200
<v Speaker 3>and I'm gonna need your help with the next phase

0:20:24.240 --> 0:20:24.520
<v Speaker 3>of it.

0:20:26.080 --> 0:20:30.359
<v Speaker 10>You got me absolutely all right? Cool, So let's go

0:20:30.400 --> 0:20:32.800
<v Speaker 10>for a drive. I got a lot to catch you

0:20:32.880 --> 0:20:33.600
<v Speaker 10>up on, my friend.

0:20:34.000 --> 0:20:34.240
<v Speaker 3>Yeah.

0:20:34.320 --> 0:20:36.840
<v Speaker 10>Sure, you know, people tell me the best stories when

0:20:36.840 --> 0:20:39.680
<v Speaker 10>we're driving, and I can already tell that this one's

0:20:39.720 --> 0:20:41.160
<v Speaker 10>gonna be a real doozee.

0:20:59.320 --> 0:21:00.720
<v Speaker 9>How you holding up over there?

0:21:03.920 --> 0:21:05.640
<v Speaker 15>I should have worn different shoes.

0:21:06.080 --> 0:21:08.080
<v Speaker 9>Oxford might not have been the best choice for a

0:21:08.119 --> 0:21:15.800
<v Speaker 9>walking tour. Oh my god, that's sounds amazing. I thought so.

0:21:16.760 --> 0:21:18.280
<v Speaker 9>My mom used to make these when I.

0:21:18.200 --> 0:21:18.680
<v Speaker 12>Was a kid.

0:21:19.280 --> 0:21:21.000
<v Speaker 9>That's the first recipe she ever taught me.

0:21:21.320 --> 0:21:23.240
<v Speaker 15>Oh yeah, what are they?

0:21:23.560 --> 0:21:28.679
<v Speaker 9>Hand pies? Yeah, and they're delicious. Oh, let's grab a

0:21:28.680 --> 0:21:30.440
<v Speaker 9>few and eat them down by the water. I could

0:21:30.520 --> 0:21:32.800
<v Speaker 9>use a bite.

0:21:33.320 --> 0:21:35.800
<v Speaker 15>Yeah, I'm gonna eat back at the resort. Not really

0:21:35.840 --> 0:21:37.880
<v Speaker 15>a street food person.

0:21:38.240 --> 0:21:46.640
<v Speaker 9>Hmmm, suit yourself. Hey, I'll take two. Thank you.

0:21:47.280 --> 0:21:48.600
<v Speaker 6>Enjoy miss.

0:21:50.640 --> 0:21:53.360
<v Speaker 15>So you were you were pretty close with your mom

0:21:53.800 --> 0:21:55.280
<v Speaker 15>before she passed away.

0:21:55.840 --> 0:21:59.080
<v Speaker 9>Yeah, it was always just the two of us against

0:21:59.080 --> 0:21:59.480
<v Speaker 9>the world.

0:22:00.760 --> 0:22:03.280
<v Speaker 6>What about your your dad?

0:22:04.400 --> 0:22:09.720
<v Speaker 9>He wasn't come get your handmade jewelry ear rings, bracelets, rings,

0:22:10.640 --> 0:22:11.800
<v Speaker 9>Let's go see what he has.

0:22:12.280 --> 0:22:13.919
<v Speaker 2>Keep an eye on your purse.

0:22:17.240 --> 0:22:18.919
<v Speaker 9>Wow, did you make all of this?

0:22:19.560 --> 0:22:19.840
<v Speaker 7>Yep?

0:22:20.119 --> 0:22:22.400
<v Speaker 9>My mom taught me how to beat. These ear rings

0:22:22.440 --> 0:22:26.880
<v Speaker 9>are just gorgeous. I'll take two pairs. You got it. Hey,

0:22:26.960 --> 0:22:29.760
<v Speaker 9>keep up the good work. I've got a real gift

0:22:29.760 --> 0:22:31.479
<v Speaker 9>for this. Thanks.

0:22:34.080 --> 0:22:35.560
<v Speaker 3>That was kind of you.

0:22:36.280 --> 0:22:39.199
<v Speaker 15>But if you got the funds to stay at Dastino indefinitely,

0:22:39.240 --> 0:22:40.960
<v Speaker 15>I guess you can afford to be generous.

0:22:42.280 --> 0:22:45.840
<v Speaker 9>Look at that we managed to cover death and taxes

0:22:45.880 --> 0:22:48.480
<v Speaker 9>all in one date. M Yeah, I like to get

0:22:48.520 --> 0:23:03.760
<v Speaker 9>right to the point. Well, thanks for taking the time

0:23:03.800 --> 0:23:06.920
<v Speaker 9>to plan this. Oh, I don't start saying goodbye yet.

0:23:07.840 --> 0:23:09.480
<v Speaker 3>Come on, the night is still young.

0:23:09.880 --> 0:23:13.200
<v Speaker 9>Actually, I'm pretty tired. I'm gonna turn in once we're.

0:23:13.040 --> 0:23:14.760
<v Speaker 3>Back, so sure thing.

0:23:16.520 --> 0:23:19.600
<v Speaker 15>Yeah, it's just just not before we've gotten to know

0:23:19.760 --> 0:23:21.560
<v Speaker 15>each other a little better right.

0:23:22.080 --> 0:23:24.600
<v Speaker 9>You know, I think I'll finish my snack here and

0:23:24.640 --> 0:23:29.320
<v Speaker 9>take a cab back. Gabriel, let me out.

0:23:29.160 --> 0:23:29.600
<v Speaker 6>Of the car.

0:23:30.040 --> 0:23:33.040
<v Speaker 3>I'm afraid I can't do that. Why not because I'm

0:23:33.040 --> 0:24:02.440
<v Speaker 3>not done with you yet. Let me hit it so motion,

0:24:03.080 --> 0:24:07.160
<v Speaker 3>did you keep it up? Burdamarana Trojian, Let's save out.

0:24:07.200 --> 0:24:07.920
<v Speaker 7>I'm home, man.

0:24:08.800 --> 0:24:12.680
<v Speaker 1>I know you couldn't wait to buzz a while on Paso.

0:24:12.880 --> 0:24:18.720
<v Speaker 3>That simple, da lucky, This simple as the commis.

0:24:18.359 --> 0:24:19.120
<v Speaker 7>You just well.

0:24:19.359 --> 0:24:22.520
<v Speaker 11>Underwater is an Interval Presents original production with Temple Hill

0:24:22.640 --> 0:24:27.560
<v Speaker 11>Entertainment and Clamor, starring Jason Derulo and Alexandra Shipp. Written

0:24:27.560 --> 0:24:30.720
<v Speaker 11>by Katrina Day, directed by Pat Kelly and Chris Kelly.

0:24:31.400 --> 0:24:36.160
<v Speaker 11>Executive producer Jason Derulo executive producers from Interval Presents, Alan

0:24:36.240 --> 0:24:39.960
<v Speaker 11>Coy and Jay Kleinberg executive producers from Temple Hill Entertainment,

0:24:40.359 --> 0:24:44.720
<v Speaker 11>Marty bowen, Wick Godfrey and Alex Addison executive producers from Klamor.

0:24:45.160 --> 0:24:50.240
<v Speaker 11>Rich Statter, Aaron Hilliard, Adam Reynolds and Alison Chano Executive

0:24:50.240 --> 0:24:54.280
<v Speaker 11>produced by Katrina Day, executive producer from Future History Frank

0:24:54.320 --> 0:24:59.359
<v Speaker 11>Harris Special thanks to Henri De Sources Marketing Lead Samara Still,

0:25:00.080 --> 0:25:05.120
<v Speaker 11>Business development lead Cheffy Ellen Sweg Meggie and Operations leading Serao.

0:25:05.520 --> 0:25:09.119
<v Speaker 11>Post production audio services by Kelly and Kelly. Sound design

0:25:09.119 --> 0:25:13.280
<v Speaker 11>and mixed by Paul Teteskini. Dialogue edited by Max Collins.

0:25:13.840 --> 0:25:17.359
<v Speaker 11>Original music by Genevieve Vincent. Songs arranged by Genevieve Vincent.

0:25:17.960 --> 0:25:21.280
<v Speaker 11>The cast includes Jason Derulo as an Eco, Alexander Ship

0:25:21.280 --> 0:25:24.600
<v Speaker 11>as Anna Kerry, Alexander as bank teller and additional voices,

0:25:24.920 --> 0:25:27.760
<v Speaker 11>Beat Bridgeland as Jordan, Michael Darry as credit reader and

0:25:27.760 --> 0:25:32.280
<v Speaker 11>additional voices, Anisia Dubois Dahlia and Young Dahlia, Andrew Frankel

0:25:32.400 --> 0:25:35.560
<v Speaker 11>as stranger in additional voices, Walter Gray the Fourth as

0:25:35.640 --> 0:25:39.760
<v Speaker 11>male tourist and additional voices, Melissa Greenspan as female tourist

0:25:39.840 --> 0:25:45.000
<v Speaker 11>and additional voices, Ellis Hunter as Elena, Jeremy Jordan as Gabriel,

0:25:45.359 --> 0:25:49.280
<v Speaker 11>Josh Keaton as Matteo, Tara Langella as female guest and

0:25:49.280 --> 0:25:53.960
<v Speaker 11>additional voices, Jonathan Leon as Young Matteo, Donnis Leonard Junior

0:25:54.160 --> 0:25:58.359
<v Speaker 11>as Elias Parker, James Logi as young Boy, Emily Martinez

0:25:58.400 --> 0:26:02.919
<v Speaker 11>as Carman, Michael McLoone as Marcus Carla Renata as Bartender,

0:26:03.240 --> 0:26:07.200
<v Speaker 11>John Carlos Sabagal as Diego, David Shatraw as male guest

0:26:07.200 --> 0:26:11.600
<v Speaker 11>and additional voices Andre Sigluzzo as Sebastian, Cameron Jay Wright

0:26:11.800 --> 0:26:15.600
<v Speaker 11>as Young Nico, and Hannah Zamora as Mia. Produced by

0:26:15.840 --> 0:26:19.680
<v Speaker 11>Lillian Holman, post produced by Justin Scho and Lauren Berkovic.

0:26:20.000 --> 0:26:24.399
<v Speaker 11>Associate producer Erica Lowie. Music supervision by Melanie Mitchell. Music

0:26:24.400 --> 0:26:29.360
<v Speaker 11>clearances by Deborah Manis Gardner DMG Clearances Incorporated. Audio engineered

0:26:29.480 --> 0:26:32.960
<v Speaker 11>by Ian Folgerty and Ed mcinti at Goldvigger's Brett Tuban

0:26:33.000 --> 0:26:35.720
<v Speaker 11>at the Relic Room and Jordan Sweet at Challie Recording

0:26:35.760 --> 0:26:41.719
<v Speaker 11>Studio Assistant engineered by Derek mcgrone and Amperorzerti. Vocal coaching

0:26:41.880 --> 0:26:45.920
<v Speaker 11>by Bianca Blush Atterbury. Casting by Marlice Gussenhauer, Sibby Kersch

0:26:46.080 --> 0:26:50.440
<v Speaker 11>and Brentagata. Additional casting by Melissa Berger, Brennan, Salem Everett

0:26:50.480 --> 0:26:54.760
<v Speaker 11>and Scott Forbes at CESD Town. Script supervisor Tamara Black,

0:26:55.280 --> 0:27:00.600
<v Speaker 11>Production supervisor Lizzie sam Production coordinators Ethan Aronson and Sean Green.

0:27:01.480 --> 0:27:06.240
<v Speaker 11>Production assistants Chelsea Perry and Samara Malik additional special thanks

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<v Speaker 11>to Riley Fulsom and Maxim Carlic. Underwater was recorded at

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<v Speaker 11>Gold Diggers in Los Angeles, California, Challis Recording Studio in

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<v Speaker 11>Los Angeles, California, and The Relic Room in New York,

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<v Speaker 11>New York. Make sure to follow Underwater and listen on

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<v Speaker 11>Apple Podcasts, Spotify, Amazon Music, Sirius XM, or wherever you

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<v Speaker 11>get your podcasts