1 00:00:22,680 --> 00:00:24,480 Speaker 1: I lost the family I was born into when I 2 00:00:24,480 --> 00:00:26,680 Speaker 1: was just a kid. But I was lucky enough to 3 00:00:26,680 --> 00:00:28,400 Speaker 1: find a new family in a life. 4 00:00:29,400 --> 00:00:30,159 Speaker 2: Can't catch me. 5 00:00:30,240 --> 00:00:39,159 Speaker 3: Now, go on to bet Bro, I Win and his 6 00:00:39,280 --> 00:00:41,159 Speaker 3: little brother. I'm gonna tell you. 7 00:00:42,960 --> 00:00:47,480 Speaker 4: Whatever, those gangly ass selects of yours are an unfair advantage. 8 00:00:47,920 --> 00:00:50,120 Speaker 5: Why don't you gonna see if mom needs her getting dinner? 9 00:00:50,880 --> 00:00:52,720 Speaker 6: Why can't you go home and help? 10 00:00:53,240 --> 00:00:59,960 Speaker 4: I've got other ways of pitching it, mad He's got 11 00:01:00,080 --> 00:01:02,840 Speaker 4: to pointy, lie, he does always end up with dinner duty. 12 00:01:03,120 --> 00:01:04,920 Speaker 4: We're gonna need a head chef when we open up 13 00:01:04,959 --> 00:01:07,119 Speaker 4: our restaurant, right, I'm just. 14 00:01:07,080 --> 00:01:09,480 Speaker 5: Playing the long game. We got it all planned out. 15 00:01:10,080 --> 00:01:12,120 Speaker 5: You don't manage the place since you already know the 16 00:01:12,120 --> 00:01:16,640 Speaker 5: business and everything, and you'll be doing what curating the vibe? 17 00:01:17,280 --> 00:01:17,520 Speaker 2: Right? 18 00:01:18,160 --> 00:01:19,320 Speaker 5: Why don't you sound stoked? 19 00:01:19,959 --> 00:01:21,040 Speaker 2: You're not backing out on me? 20 00:01:21,080 --> 00:01:21,320 Speaker 3: All right? 21 00:01:22,120 --> 00:01:23,959 Speaker 6: I just don't know if I can do the restaurant thing. 22 00:01:24,200 --> 00:01:25,959 Speaker 5: I know it won't be the same as taking over 23 00:01:26,000 --> 00:01:28,600 Speaker 5: your family's joint, but it could still be sick Bro. 24 00:01:28,880 --> 00:01:32,280 Speaker 4: Maybe you and Maddie can be business partners. Probably be better 25 00:01:32,200 --> 00:01:35,600 Speaker 4: off without me, Now, that's just stupid. Whatever we end 26 00:01:35,680 --> 00:01:37,120 Speaker 4: up doing We're doing it together. 27 00:01:37,560 --> 00:01:38,080 Speaker 7: You feel me? 28 00:01:38,720 --> 00:01:43,480 Speaker 6: Yeah, I feel you? Thanks man, any time. 29 00:01:45,600 --> 00:01:46,200 Speaker 3: There you are. 30 00:01:46,680 --> 00:01:48,640 Speaker 6: Hey, Dahlia's good. 31 00:01:49,600 --> 00:01:51,440 Speaker 4: My parents are going to be out until late. 32 00:01:52,120 --> 00:01:52,920 Speaker 5: You want to come over? 33 00:01:53,360 --> 00:01:55,800 Speaker 6: Sorry, I have plans with the Lias. 34 00:01:55,960 --> 00:01:58,600 Speaker 5: Seriously, you know what they say, bros. 35 00:01:58,760 --> 00:02:01,160 Speaker 4: I would have finished that cents if I were you. 36 00:02:01,680 --> 00:02:05,920 Speaker 6: Let's do something tomorrow. Just hear me. All right, Fine, 37 00:02:07,440 --> 00:02:12,680 Speaker 6: you're lucky, you're so cute. So what are these plans 38 00:02:12,680 --> 00:02:16,880 Speaker 6: of ours? Sorry, I just needed a cover story. Oh shit, don't. 39 00:02:16,680 --> 00:02:18,720 Speaker 5: Tell me you got another girl on the side. 40 00:02:18,919 --> 00:02:21,000 Speaker 4: Look, I'm just trying to take things slow with Dahlia. 41 00:02:21,760 --> 00:02:25,120 Speaker 4: I don't want anything happening to her. You know that 42 00:02:25,120 --> 00:02:26,800 Speaker 4: should always happen to the people I care about. 43 00:02:27,120 --> 00:02:31,919 Speaker 5: You don't really believe that, Niko, what happened to your 44 00:02:31,960 --> 00:02:33,400 Speaker 5: folks was an accident. 45 00:02:34,440 --> 00:02:36,280 Speaker 6: You love me like blood, don't you? 46 00:02:37,360 --> 00:02:37,440 Speaker 4: So? 47 00:02:37,520 --> 00:02:39,720 Speaker 6: If you were a cursed I'd be a honor. 48 00:02:41,000 --> 00:02:43,320 Speaker 3: Seriously, I guess you. 49 00:02:43,280 --> 00:02:45,480 Speaker 5: Down to hit ups some tourists later. Mom got her 50 00:02:45,520 --> 00:02:47,680 Speaker 5: hours cut, and I'm sure she could use some extra cash. 51 00:02:47,880 --> 00:02:50,400 Speaker 6: Sure, Hey, you know I've always got you. 52 00:02:51,840 --> 00:02:52,600 Speaker 3: As a family. 53 00:02:52,840 --> 00:02:55,560 Speaker 1: We had to find ways to make hands met, even 54 00:02:55,600 --> 00:02:57,000 Speaker 1: if it meant getting a little creative. 55 00:02:57,040 --> 00:03:01,800 Speaker 3: Sometimes. We never mugged. We didn't need to. 56 00:03:02,480 --> 00:03:10,960 Speaker 1: There were plenty of other ways to get to their money. 57 00:03:11,960 --> 00:03:15,800 Speaker 4: Those two, sure, yeah, they're obviously lost. 58 00:03:16,160 --> 00:03:17,919 Speaker 3: And look at those designer suitcases. 59 00:03:18,360 --> 00:03:19,960 Speaker 4: I'm sure they'd be happy to throw some money at 60 00:03:20,000 --> 00:03:21,160 Speaker 4: us to get them wherever they're going. 61 00:03:21,360 --> 00:03:23,079 Speaker 3: Okay, I trust you. 62 00:03:24,240 --> 00:03:24,880 Speaker 6: What are we doing. 63 00:03:25,480 --> 00:03:27,760 Speaker 5: We're gonna hit those tours off for some cash. 64 00:03:28,400 --> 00:03:29,440 Speaker 8: You were going home? 65 00:03:29,760 --> 00:03:32,040 Speaker 4: Come on, you never let me out. 66 00:03:32,240 --> 00:03:33,240 Speaker 6: Just let them tag along. 67 00:03:33,680 --> 00:03:36,120 Speaker 4: Maybe we can kilt them into some extra money if 68 00:03:36,120 --> 00:03:40,120 Speaker 4: we have to run like handled those Hey, fine, just let. 69 00:03:40,160 --> 00:03:40,880 Speaker 3: Us do the talking. 70 00:03:45,960 --> 00:03:48,240 Speaker 9: God, I'm kidding me, honey. Why don't we just find 71 00:03:48,240 --> 00:03:48,560 Speaker 9: a cab? 72 00:03:48,720 --> 00:03:50,200 Speaker 2: You see any cabs around here. 73 00:03:50,320 --> 00:03:52,119 Speaker 4: You're the one who wanted to come to this ramshack 74 00:03:52,160 --> 00:03:52,720 Speaker 4: a little rock. 75 00:03:52,760 --> 00:03:53,800 Speaker 9: I would have preferred the buddy. 76 00:03:54,160 --> 00:03:56,560 Speaker 6: Excuse me, y'all to need some help. 77 00:03:56,960 --> 00:03:58,320 Speaker 2: We're fine, are you sure? 78 00:03:58,640 --> 00:03:59,920 Speaker 5: Because you see them kind of lost? 79 00:04:00,360 --> 00:04:03,680 Speaker 6: Just keep walking, very be nice. They might be able 80 00:04:03,680 --> 00:04:04,800 Speaker 6: to point us in the right direction. 81 00:04:05,160 --> 00:04:07,720 Speaker 4: It's easy to get turned around on these side streets, 82 00:04:08,200 --> 00:04:08,920 Speaker 4: but we can help you. 83 00:04:09,000 --> 00:04:12,520 Speaker 3: You don't come any closer, all right, It's cool. I'm 84 00:04:12,560 --> 00:04:13,200 Speaker 3: just trying to help. 85 00:04:13,360 --> 00:04:15,720 Speaker 2: Yeah, trying to get close enough to pick my pockets. 86 00:04:15,760 --> 00:04:16,640 Speaker 2: You think I'm an idiot. 87 00:04:16,760 --> 00:04:17,760 Speaker 3: Please don't make a scene. 88 00:04:17,800 --> 00:04:19,720 Speaker 4: We were just gonna offer to help you to get 89 00:04:19,760 --> 00:04:21,560 Speaker 4: to your hotel or whatever. 90 00:04:21,600 --> 00:04:22,520 Speaker 2: For a small fee. 91 00:04:22,600 --> 00:04:23,119 Speaker 3: I'm sure. 92 00:04:24,120 --> 00:04:26,560 Speaker 5: I mean, I wouldn't say no to a tim. 93 00:04:26,760 --> 00:04:28,719 Speaker 4: Let me help you get your suitcase, ma'am? 94 00:04:29,279 --> 00:04:32,719 Speaker 3: What the hell you? I told you to stay back, put. 95 00:04:32,560 --> 00:04:33,160 Speaker 4: The gun away? 96 00:04:33,200 --> 00:04:35,600 Speaker 10: Hey, you crazy bro, It's not that serious. 97 00:04:35,680 --> 00:04:36,200 Speaker 7: I'm sorry. 98 00:04:36,240 --> 00:04:39,040 Speaker 5: Hey, man, don't point that at my brother or what you. 99 00:04:38,960 --> 00:04:41,920 Speaker 11: Think anyone's gonna miss a few little punks like you too. 100 00:04:42,120 --> 00:04:43,799 Speaker 12: Get behind me, right, stupid. 101 00:04:43,920 --> 00:04:44,960 Speaker 4: You don't even know how to do with. 102 00:04:53,800 --> 00:04:54,400 Speaker 6: Elias. 103 00:04:54,880 --> 00:04:57,480 Speaker 3: What did you do? I don't know. It just went off. 104 00:04:57,480 --> 00:04:58,279 Speaker 7: But are you all right? 105 00:05:01,080 --> 00:05:02,040 Speaker 2: You motherfucker? 106 00:05:02,680 --> 00:05:06,000 Speaker 1: Stay back or I'll shoot. 107 00:05:06,040 --> 00:05:08,760 Speaker 3: Get off me. That's so tough, now, are you wait? 108 00:05:08,960 --> 00:05:11,440 Speaker 8: I'm sorry, Get off of me. 109 00:05:11,839 --> 00:05:12,880 Speaker 9: Stop it. 110 00:05:15,560 --> 00:05:17,760 Speaker 3: You're done, kid, I'm. 111 00:05:17,560 --> 00:05:22,880 Speaker 7: Not a kid. Stop it. You're gonna kill it. I'm 112 00:05:22,880 --> 00:05:23,360 Speaker 7: gonna call it. 113 00:05:27,120 --> 00:05:31,239 Speaker 4: It's okay, it's okay, You're gonna be fine. 114 00:05:31,800 --> 00:05:33,000 Speaker 9: You have to do something. 115 00:05:33,240 --> 00:05:35,360 Speaker 3: Eco get out of here. 116 00:05:36,240 --> 00:05:38,719 Speaker 6: I'm not just gonna leave you. 117 00:05:38,720 --> 00:05:41,320 Speaker 5: You know they're gonna find a way to blame you. 118 00:05:41,400 --> 00:05:42,279 Speaker 6: Well, this should it? 119 00:05:42,279 --> 00:05:51,400 Speaker 4: It's all my fault, Eli, Eli, Okay, just just apply 120 00:05:51,520 --> 00:05:53,440 Speaker 4: some pressure, Maty. I'm gonna go fight some help. 121 00:05:54,920 --> 00:05:57,839 Speaker 1: It was my idea to approach those asshole tours, my 122 00:05:57,920 --> 00:05:59,479 Speaker 1: idea to let my taale tag along. 123 00:06:00,560 --> 00:06:04,000 Speaker 3: They trusted me, and I betrayed them both. 124 00:06:05,440 --> 00:06:07,160 Speaker 2: Hey, what's going on over here? 125 00:06:12,920 --> 00:06:15,920 Speaker 7: Meg? Live me? 126 00:06:16,600 --> 00:06:19,000 Speaker 1: It wasn't the panic that sent me running away that night. 127 00:06:20,160 --> 00:06:22,040 Speaker 1: I wanted to put as much distance between me and 128 00:06:22,120 --> 00:06:23,520 Speaker 1: Mateo as I could. 129 00:06:25,200 --> 00:06:28,640 Speaker 3: It was the only way to keep him safe. So 130 00:06:28,760 --> 00:06:29,400 Speaker 3: I thought. 131 00:06:30,680 --> 00:06:32,760 Speaker 1: Mateo had every right to hate me for getting the 132 00:06:32,839 --> 00:06:38,040 Speaker 1: lives killed. Should I hated myself too, But I never 133 00:06:38,080 --> 00:06:39,640 Speaker 1: thought I'd had to face his anger again. 134 00:06:52,560 --> 00:06:57,000 Speaker 9: Underwater, Episode three, The. 135 00:06:57,160 --> 00:07:15,040 Speaker 2: Dance Long Time, No see Damn. 136 00:07:16,000 --> 00:07:17,720 Speaker 3: Some welcome committee you put together for me? 137 00:07:19,200 --> 00:07:20,240 Speaker 2: How you liking Thistino? 138 00:07:20,800 --> 00:07:21,920 Speaker 3: I knew you had eyes on me. 139 00:07:22,480 --> 00:07:26,440 Speaker 13: It's a small island, people talk. What are you doing 140 00:07:26,480 --> 00:07:29,080 Speaker 13: back here? I just enjoying the ambiance and find that 141 00:07:29,120 --> 00:07:31,600 Speaker 13: hard to believe. I'm here on business, Mateo? 142 00:07:31,960 --> 00:07:32,840 Speaker 2: What kind of business? 143 00:07:32,960 --> 00:07:33,840 Speaker 3: I can't get into it? 144 00:07:34,280 --> 00:07:36,280 Speaker 9: Hurry up, Mateo, I don't want to hang around this 145 00:07:36,320 --> 00:07:36,880 Speaker 9: guy too long. 146 00:07:37,160 --> 00:07:38,120 Speaker 3: Just let me handle this. 147 00:07:39,520 --> 00:07:41,640 Speaker 13: You know, I've had a lot of time to think 148 00:07:41,680 --> 00:07:43,440 Speaker 13: about what I do if I ever laid eyes on 149 00:07:43,520 --> 00:07:43,920 Speaker 13: you again. 150 00:07:44,200 --> 00:07:46,600 Speaker 1: Listen, you don't want me here, and I don't want 151 00:07:46,600 --> 00:07:48,320 Speaker 1: to be here. Just give me a few days to 152 00:07:48,320 --> 00:07:50,760 Speaker 1: wrap this job and you'll never have to see me again. 153 00:07:51,040 --> 00:07:53,960 Speaker 13: I don't remember you being especially good about keeping your word, Nico. 154 00:07:54,160 --> 00:07:55,600 Speaker 3: I'm a different man now, MATEO. 155 00:07:56,160 --> 00:07:58,080 Speaker 2: Yeah, yeah, sure. 156 00:07:59,200 --> 00:08:00,160 Speaker 7: Look who I found you? 157 00:08:00,320 --> 00:08:00,680 Speaker 9: When do you go? 158 00:08:01,160 --> 00:08:06,200 Speaker 3: Hey? Hey, babe, babe, I just go with it. 159 00:08:06,400 --> 00:08:09,880 Speaker 1: Please excuse me, boys, but I promise this a lovely 160 00:08:09,920 --> 00:08:10,960 Speaker 1: woman a dance? 161 00:08:11,520 --> 00:08:11,880 Speaker 3: Shall we? 162 00:08:12,960 --> 00:08:14,560 Speaker 9: Yeah, honey, let's go. 163 00:08:15,080 --> 00:08:18,160 Speaker 6: Can't avoid me forever, Nico, Uh, you do have fun. 164 00:08:19,880 --> 00:08:22,400 Speaker 10: I'm I'm just gonna go and find Elena. 165 00:08:22,920 --> 00:08:25,800 Speaker 6: Yeah. How are those guys? 166 00:08:26,080 --> 00:08:26,800 Speaker 3: Some old friends? 167 00:08:27,160 --> 00:08:28,440 Speaker 9: They didn't seem too friendly. 168 00:08:28,560 --> 00:08:31,720 Speaker 3: I'll explain everything, like I promise, But right now, I 169 00:08:31,840 --> 00:08:33,320 Speaker 3: just need to dance with me, all right? 170 00:08:33,559 --> 00:08:33,840 Speaker 7: All right? 171 00:08:33,880 --> 00:08:34,760 Speaker 9: What you're waiting for them? 172 00:08:35,640 --> 00:08:37,679 Speaker 3: It's pretty crowded out here. We might have to get 173 00:08:37,679 --> 00:08:38,400 Speaker 3: a little closer. 174 00:08:38,880 --> 00:08:49,079 Speaker 9: How close? Exactly like this? This is pretty much the 175 00:08:49,080 --> 00:08:50,600 Speaker 9: opposite of you giving space. 176 00:08:50,679 --> 00:08:54,679 Speaker 1: You know, I'm sorry, but you you're helping me out 177 00:08:54,679 --> 00:08:55,680 Speaker 1: in a tough spot here. 178 00:08:56,400 --> 00:08:57,520 Speaker 9: I can give you one song. 179 00:08:57,760 --> 00:09:02,000 Speaker 3: I appreciate that. How are you? I'll come here? 180 00:09:09,760 --> 00:09:11,320 Speaker 7: Let me love. 181 00:09:26,760 --> 00:09:29,679 Speaker 9: Since I've got you here, there's something I wanted to 182 00:09:29,720 --> 00:09:36,120 Speaker 9: tell you that I know why you're here, Nico. Yeah, 183 00:09:36,640 --> 00:09:38,760 Speaker 9: you just couldn't wait another day to shoot your shot 184 00:09:38,800 --> 00:09:40,120 Speaker 9: with me again. I get it. 185 00:09:40,240 --> 00:09:40,559 Speaker 10: I know. 186 00:09:41,760 --> 00:09:42,520 Speaker 3: Can't you blame me? 187 00:09:42,920 --> 00:09:45,600 Speaker 9: I mean, look at you, You clean up good yourself. 188 00:09:46,240 --> 00:09:47,480 Speaker 3: I'm just glad I got your attention? 189 00:09:48,000 --> 00:09:50,840 Speaker 9: Is that all you want from me tonight? Nico? My attention? 190 00:09:51,320 --> 00:09:53,480 Speaker 3: Why don't you give me another chance and you can 191 00:09:53,480 --> 00:09:53,960 Speaker 3: find out. 192 00:09:54,480 --> 00:09:57,600 Speaker 9: Listen, there's something you should know about me, Nico? 193 00:09:58,240 --> 00:09:58,559 Speaker 3: What's that? 194 00:09:59,360 --> 00:10:03,199 Speaker 9: I don't do second chances? Hey enjoyed the party? Yeah? 195 00:10:03,559 --> 00:10:06,600 Speaker 3: Where you? You can't be doing this? Ana? 196 00:10:07,840 --> 00:10:09,240 Speaker 9: Man, that was brutal. 197 00:10:09,679 --> 00:10:10,560 Speaker 3: Thanks for the pep talk. 198 00:10:11,320 --> 00:10:15,120 Speaker 9: You want a pep talk? No, no, no, I've gotten 199 00:10:15,120 --> 00:10:17,079 Speaker 9: to know Anna pretty well these past couple of weeks, 200 00:10:17,120 --> 00:10:20,679 Speaker 9: and I can tell you one thing. Game alone is 201 00:10:20,800 --> 00:10:23,760 Speaker 9: not gonna work with this one. If you want it 202 00:10:23,840 --> 00:10:25,480 Speaker 9: to open up, you gotta go first. 203 00:10:26,200 --> 00:10:26,760 Speaker 3: What do you mean? 204 00:10:26,880 --> 00:10:27,880 Speaker 7: Ah? Come on? 205 00:10:28,679 --> 00:10:31,000 Speaker 9: I can tell you've got a big bleeding heart underneath 206 00:10:31,000 --> 00:10:35,679 Speaker 9: all that armor and those rock hard pecks. Just let 207 00:10:35,720 --> 00:10:39,720 Speaker 9: it shine through and loosen the fuck up. Man, This 208 00:10:39,840 --> 00:10:42,280 Speaker 9: is not a matter of life or death. It feels 209 00:10:42,320 --> 00:10:45,640 Speaker 9: like you might be now, if you'll excuse me, I'm 210 00:10:45,679 --> 00:10:49,640 Speaker 9: gonna go find myself a dance partner, your ex girlfriend, maybe. 211 00:10:49,480 --> 00:10:51,880 Speaker 3: Be my guest, do your thing, always do. 212 00:10:55,400 --> 00:10:57,040 Speaker 1: I don't know where drove on all the way that night, 213 00:10:58,000 --> 00:11:00,080 Speaker 1: but I'd be lying if I said I wasn't messed up. 214 00:11:00,040 --> 00:11:03,120 Speaker 3: Too, and not just because of my tale. And it's guys. 215 00:11:04,440 --> 00:11:07,480 Speaker 1: When Anna and I were dancing, I lost track of 216 00:11:07,520 --> 00:11:10,960 Speaker 1: where the act ended and my actual feelings for her began. 217 00:11:12,280 --> 00:11:15,400 Speaker 3: It threw me. I couldn't let that happen again. 218 00:11:17,080 --> 00:11:18,640 Speaker 13: I had a lot of time to think about what 219 00:11:18,679 --> 00:11:21,080 Speaker 13: I do if I ever laid eyes on you. 220 00:11:20,600 --> 00:11:22,480 Speaker 4: You love you. 221 00:11:23,320 --> 00:11:25,520 Speaker 6: I don't remember you being especially good about keeping you 222 00:11:25,600 --> 00:11:26,880 Speaker 6: work pick. 223 00:11:26,800 --> 00:11:40,599 Speaker 7: Up mm hmmm. 224 00:11:43,360 --> 00:11:43,959 Speaker 13: Mm hmm. 225 00:11:50,200 --> 00:11:54,400 Speaker 3: Morning boss, did you just wake up? Yeah? Last night 226 00:11:54,480 --> 00:11:57,920 Speaker 3: was a late one, so you're on track? 227 00:11:57,960 --> 00:11:58,160 Speaker 12: Then? 228 00:11:58,800 --> 00:11:59,040 Speaker 3: Yeah? 229 00:11:59,120 --> 00:12:02,560 Speaker 1: Yeah? On and and I spend a little time together. 230 00:12:02,880 --> 00:12:05,440 Speaker 1: I don't think I'll have any issues meeting the deadline, 231 00:12:06,120 --> 00:12:07,880 Speaker 1: but I do think I can maneuver the situation a 232 00:12:07,920 --> 00:12:10,880 Speaker 1: little better if I knew exactly who she was to you. 233 00:12:11,400 --> 00:12:17,000 Speaker 8: That's above your big grade. Anything else to report? 234 00:12:17,640 --> 00:12:22,720 Speaker 1: I did run into Mateo, and and as you can imagine, 235 00:12:22,720 --> 00:12:23,599 Speaker 1: he wasn't happy. 236 00:12:23,320 --> 00:12:25,760 Speaker 12: To see me, All the more reason to hurry up. 237 00:12:26,280 --> 00:12:28,839 Speaker 1: I don't know what Matteo's capable of what he might 238 00:12:28,840 --> 00:12:31,360 Speaker 1: try to pull while I'm here. The entire island knows 239 00:12:31,400 --> 00:12:33,880 Speaker 1: what I did to him when we were kids. Don't 240 00:12:33,880 --> 00:12:34,959 Speaker 1: you think I need some backup? 241 00:12:35,640 --> 00:12:39,040 Speaker 8: Let's get one thing straight. You don't tell me what 242 00:12:39,160 --> 00:12:43,240 Speaker 8: you need. You need to do what I tell you. 243 00:12:43,559 --> 00:12:45,679 Speaker 3: I understand, but I don't think it's not. 244 00:12:46,200 --> 00:12:49,800 Speaker 8: If you're still fucking talking back to me, you should 245 00:12:49,840 --> 00:12:52,600 Speaker 8: be grateful that I gave you this assignment at all. 246 00:12:53,200 --> 00:12:55,160 Speaker 12: After the shit you pulled in Chicago. 247 00:12:55,440 --> 00:12:58,800 Speaker 3: Come on, boss, those were extraordinary circumstances. 248 00:12:59,000 --> 00:13:02,480 Speaker 8: I'll fucking I sent you to collect a simple payment. 249 00:13:02,520 --> 00:13:04,840 Speaker 8: You sent five guys at the hospital and one to 250 00:13:04,920 --> 00:13:05,400 Speaker 8: the morgue. 251 00:13:05,600 --> 00:13:07,480 Speaker 3: Yeah, well it fucked me up just as much as 252 00:13:07,520 --> 00:13:08,200 Speaker 3: I fucked them up. 253 00:13:08,520 --> 00:13:11,320 Speaker 12: What did I say about back talk? 254 00:13:12,960 --> 00:13:16,720 Speaker 3: I need you to be sharp, I am Marcus. 255 00:13:16,760 --> 00:13:17,720 Speaker 12: Then act like it. 256 00:13:19,360 --> 00:13:22,319 Speaker 8: No more whining, no more excuses. 257 00:13:23,200 --> 00:13:25,720 Speaker 12: Just do your fucking job. You hear me? 258 00:13:26,320 --> 00:13:26,839 Speaker 3: Yes, sir? 259 00:13:27,600 --> 00:13:34,040 Speaker 12: Good? Now forget about your old palsd story focus on 260 00:13:34,080 --> 00:13:34,800 Speaker 12: getting on or. 261 00:13:34,800 --> 00:13:35,439 Speaker 7: Back here. 262 00:13:37,360 --> 00:13:40,079 Speaker 3: And Nicholas, yeah. 263 00:13:39,720 --> 00:14:05,840 Speaker 12: Don't let her get away. 264 00:14:08,400 --> 00:14:13,959 Speaker 10: Hey, hey, hey man, gosh, wow, you don't look it's 265 00:14:14,000 --> 00:14:14,400 Speaker 10: so hot. 266 00:14:14,600 --> 00:14:16,320 Speaker 3: There you go. What the hell did I tell you 267 00:14:16,320 --> 00:14:17,280 Speaker 3: about sneaking up on me? 268 00:14:17,600 --> 00:14:20,280 Speaker 10: I didn't realize knocking on your door counted as sneaking 269 00:14:20,360 --> 00:14:20,920 Speaker 10: up on you. 270 00:14:21,120 --> 00:14:24,080 Speaker 3: I'm sorry, I'm just a little on ash. 271 00:14:24,120 --> 00:14:25,920 Speaker 6: You know, we have massages and shit here, right. 272 00:14:26,320 --> 00:14:28,120 Speaker 3: You should look into that? Is that what you came 273 00:14:28,120 --> 00:14:31,320 Speaker 3: here for? You give me spa recommendations, just seeing if 274 00:14:31,360 --> 00:14:32,160 Speaker 3: you needed anything. 275 00:14:32,840 --> 00:14:35,760 Speaker 10: But just so you know, I spotted our mystery women 276 00:14:35,840 --> 00:14:37,640 Speaker 10: heading down to the lounge on my way over here. 277 00:14:38,240 --> 00:14:39,800 Speaker 10: You know, in case you want to patch things up. 278 00:14:40,640 --> 00:14:42,680 Speaker 10: I know you got your lines crossed at the party 279 00:14:42,760 --> 00:14:46,200 Speaker 10: last night, but the course of true love never did 280 00:14:46,280 --> 00:14:47,040 Speaker 10: run smooth. 281 00:14:47,480 --> 00:14:49,640 Speaker 1: I'm gonna need everybody to cool down with the love talk. 282 00:14:50,240 --> 00:14:52,240 Speaker 1: It isn't like that. It can't be. 283 00:14:52,400 --> 00:14:56,400 Speaker 10: All right, all right, But methinks the Laddy doth protest 284 00:14:56,480 --> 00:14:56,920 Speaker 10: too much? 285 00:14:57,640 --> 00:15:02,680 Speaker 3: You feel me? No, thanks for the lead. It's my pleasure. 286 00:15:04,480 --> 00:15:05,400 Speaker 3: I love love. 287 00:15:07,680 --> 00:15:08,440 Speaker 7: Mm hmmm. 288 00:15:10,720 --> 00:15:11,520 Speaker 11: Mm hmmm. 289 00:15:13,760 --> 00:15:14,280 Speaker 2: Mm hmm. 290 00:15:16,880 --> 00:15:18,800 Speaker 9: Good morning, mister Alexander. 291 00:15:18,880 --> 00:15:21,080 Speaker 3: Anything I can help you with. I'm a good Sebastian. 292 00:15:21,520 --> 00:15:23,040 Speaker 3: I'm just gonna check out the lodge for a bit. 293 00:15:23,440 --> 00:15:26,320 Speaker 8: Oh well, I'm afraid we don't start serving lunch till noon. 294 00:15:26,440 --> 00:15:29,120 Speaker 3: But you guess not what I'm here for. 295 00:15:29,800 --> 00:15:46,840 Speaker 14: Oh you helloa. 296 00:15:49,480 --> 00:15:55,600 Speaker 7: Again the world save this na for me. 297 00:15:57,960 --> 00:16:06,080 Speaker 3: Your heart gets broken to me from mysel last for nis. 298 00:16:06,920 --> 00:16:08,400 Speaker 7: Knowing the money. 299 00:16:09,520 --> 00:16:10,480 Speaker 3: You know where? 300 00:16:10,720 --> 00:16:12,760 Speaker 7: Well the last. 301 00:16:27,080 --> 00:16:28,680 Speaker 9: I didn't realize I had an audience. 302 00:16:28,880 --> 00:16:30,920 Speaker 3: Didn't realize you were a professional musician. 303 00:16:32,120 --> 00:16:36,800 Speaker 9: I'm not, really, I just play for myself. My mom's 304 00:16:36,800 --> 00:16:37,440 Speaker 9: the real talent. 305 00:16:38,080 --> 00:16:39,360 Speaker 3: Well, she must be pretty amazing. 306 00:16:39,440 --> 00:16:42,840 Speaker 9: Then she's the greatest. Not a brag or anything, but 307 00:16:42,920 --> 00:16:46,800 Speaker 9: she's actually kind of famous, Well Island famous anyway. 308 00:16:47,040 --> 00:16:52,760 Speaker 3: What's her name, Jay Thompson? Jay Thompson is your mother? 309 00:16:53,120 --> 00:16:53,880 Speaker 9: You've heard of her then? 310 00:16:54,400 --> 00:16:56,880 Speaker 3: Of course. I mean she was like a Whitney growing 311 00:16:56,960 --> 00:16:57,320 Speaker 3: up here. 312 00:16:58,000 --> 00:17:00,200 Speaker 1: I think maybe you could pull a couple of strings 313 00:17:00,200 --> 00:17:03,080 Speaker 1: and get your boyd in autograph. 314 00:17:03,320 --> 00:17:06,640 Speaker 9: Afraid not. She passed away a few months back. 315 00:17:06,960 --> 00:17:09,600 Speaker 3: Oh shit, I'm so sorry. I had no idea. 316 00:17:10,160 --> 00:17:12,520 Speaker 9: Yeah, no, it's okay. It didn't make the news in 317 00:17:12,560 --> 00:17:15,399 Speaker 9: the States. She never broke through there the way she 318 00:17:15,440 --> 00:17:15,800 Speaker 9: hoped to. 319 00:17:16,720 --> 00:17:20,480 Speaker 3: Well, that's a shame. She had something real special, kind 320 00:17:20,480 --> 00:17:21,560 Speaker 3: of like you. 321 00:17:21,640 --> 00:17:24,359 Speaker 9: Usually i'd say you were full of shit, But I 322 00:17:24,359 --> 00:17:27,399 Speaker 9: could use a little encouragement at the moment. There's going 323 00:17:27,440 --> 00:17:29,480 Speaker 9: to be a memorial concert in her honor in a 324 00:17:29,560 --> 00:17:32,720 Speaker 9: couple of days. The organizers asked me to perform. 325 00:17:32,840 --> 00:17:34,080 Speaker 3: But is that why you came here? 326 00:17:34,480 --> 00:17:35,479 Speaker 9: Now you know my secret? 327 00:17:35,960 --> 00:17:39,400 Speaker 1: Well, something tells me that there's still plenty more secretus 328 00:17:39,400 --> 00:17:40,400 Speaker 1: where I came from. 329 00:17:40,640 --> 00:17:41,400 Speaker 9: Kill her instincts? 330 00:17:41,440 --> 00:17:44,760 Speaker 1: You got there, So tell me, do I still got 331 00:17:44,760 --> 00:17:45,960 Speaker 1: a shot getting to know you better? 332 00:17:46,080 --> 00:17:48,440 Speaker 3: Or have I used up all my chances. 333 00:17:49,000 --> 00:17:54,200 Speaker 9: I I just got out of a complicated situation. I'm 334 00:17:54,240 --> 00:17:56,680 Speaker 9: really not trying to get into another one right now. 335 00:17:57,400 --> 00:17:59,680 Speaker 1: Well, I don't see why things have to be complicated. 336 00:18:00,160 --> 00:18:03,880 Speaker 1: That's My feelings for you are about as straightforward as 337 00:18:03,920 --> 00:18:04,280 Speaker 1: they come. 338 00:18:05,119 --> 00:18:06,359 Speaker 9: And what might those feelings be? 339 00:18:07,240 --> 00:18:09,400 Speaker 3: Come on, you're really trying to tell me you don't 340 00:18:09,400 --> 00:18:10,120 Speaker 3: feel the same. 341 00:18:09,960 --> 00:18:12,920 Speaker 9: Way, Niko. We don't even know each other. 342 00:18:13,040 --> 00:18:13,520 Speaker 7: Not yet. 343 00:18:14,160 --> 00:18:15,080 Speaker 3: But spend the day with me. 344 00:18:16,040 --> 00:18:19,479 Speaker 1: We can get to know each other and I can 345 00:18:19,520 --> 00:18:21,879 Speaker 1: show you exactly how uncomplicated things could be. 346 00:18:22,280 --> 00:18:29,600 Speaker 9: That is pretty tempting, but actually Honor, Honor. Hey, right on, 347 00:18:29,760 --> 00:18:33,320 Speaker 9: que Sorry Nico, my afternoon. 348 00:18:32,920 --> 00:18:37,880 Speaker 3: Spoken for the guy from the bar. Really, I thought 349 00:18:37,920 --> 00:18:38,880 Speaker 3: you turned buddy down? 350 00:18:39,080 --> 00:18:41,240 Speaker 9: What can I say? Are we considered? 351 00:18:42,000 --> 00:18:43,399 Speaker 3: What about no second chances? 352 00:18:43,800 --> 00:18:45,280 Speaker 9: That's my call, not yours. 353 00:18:45,720 --> 00:18:47,000 Speaker 2: Hey, you ready to go? 354 00:18:47,600 --> 00:18:53,680 Speaker 15: I booked this a historical walking tour, so sounds awesome. Hey, 355 00:18:53,720 --> 00:18:56,320 Speaker 15: I'm not sure I caught your name last time we 356 00:18:56,400 --> 00:18:57,240 Speaker 15: ran into each other. 357 00:18:57,680 --> 00:19:01,040 Speaker 3: It's Nico, and you are about. 358 00:19:00,720 --> 00:19:02,960 Speaker 9: To spend the day in the company of this lovely lady. 359 00:19:05,480 --> 00:19:06,640 Speaker 2: But my name is Gabriel. 360 00:19:06,960 --> 00:19:10,200 Speaker 9: Well, if we've concluded the pissing contest portion of this morning, 361 00:19:10,720 --> 00:19:13,919 Speaker 9: I'm ready to head out. Fantastic, See you later, Nico, 362 00:19:14,560 --> 00:19:15,320 Speaker 9: nice to meet you. 363 00:19:15,960 --> 00:19:21,480 Speaker 3: Yeah, likewise, Gabriel, my fucking name is that? 364 00:19:37,000 --> 00:19:37,399 Speaker 11: Do you go? 365 00:19:38,040 --> 00:19:40,640 Speaker 3: Hey, come me on my lunch break. You mind if 366 00:19:40,640 --> 00:19:43,560 Speaker 3: I join you for a second? By all means won 367 00:19:43,640 --> 00:19:45,080 Speaker 3: a chip? I'm good? 368 00:19:45,160 --> 00:19:48,639 Speaker 10: Thank you don't seem that good? Yeah, well, I'm just 369 00:19:48,680 --> 00:19:50,960 Speaker 10: a little worked up about Honor. You didn't patch things 370 00:19:51,040 --> 00:19:51,400 Speaker 10: up yet. 371 00:19:51,440 --> 00:19:53,600 Speaker 1: Well I thought we're getting somewhere for a minute until 372 00:19:53,600 --> 00:19:55,639 Speaker 1: that pretentious son of a bitch Gabriel showed up to. 373 00:19:55,640 --> 00:19:56,120 Speaker 3: Take her out. 374 00:19:56,280 --> 00:19:56,320 Speaker 4: No. 375 00:19:57,200 --> 00:20:01,000 Speaker 10: Yeah, look, I've driven that guy before. He's nothing but 376 00:20:01,080 --> 00:20:03,520 Speaker 10: a yuppie loser. Should be done with it, stuck up 377 00:20:03,520 --> 00:20:04,919 Speaker 10: ass by the end of the week stops. 378 00:20:05,400 --> 00:20:09,400 Speaker 3: Yeah, I had no doubt. The problem is I don't 379 00:20:09,440 --> 00:20:10,000 Speaker 3: got that long. 380 00:20:10,280 --> 00:20:12,880 Speaker 1: What do you mean, Well, you know how I told 381 00:20:12,920 --> 00:20:14,840 Speaker 1: you I was here on the island because of a job. 382 00:20:15,000 --> 00:20:21,080 Speaker 3: Yeah, the truth is honor is the job. Oh shit, 383 00:20:21,560 --> 00:20:24,200 Speaker 3: and I'm gonna need your help with the next phase 384 00:20:24,240 --> 00:20:24,520 Speaker 3: of it. 385 00:20:26,080 --> 00:20:30,359 Speaker 10: You got me absolutely all right? Cool, So let's go 386 00:20:30,400 --> 00:20:32,800 Speaker 10: for a drive. I got a lot to catch you 387 00:20:32,880 --> 00:20:33,600 Speaker 10: up on, my friend. 388 00:20:34,000 --> 00:20:34,240 Speaker 3: Yeah. 389 00:20:34,320 --> 00:20:36,840 Speaker 10: Sure, you know, people tell me the best stories when 390 00:20:36,840 --> 00:20:39,680 Speaker 10: we're driving, and I can already tell that this one's 391 00:20:39,720 --> 00:20:41,160 Speaker 10: gonna be a real doozee. 392 00:20:59,320 --> 00:21:00,720 Speaker 9: How you holding up over there? 393 00:21:03,920 --> 00:21:05,640 Speaker 15: I should have worn different shoes. 394 00:21:06,080 --> 00:21:08,080 Speaker 9: Oxford might not have been the best choice for a 395 00:21:08,119 --> 00:21:15,800 Speaker 9: walking tour. Oh my god, that's sounds amazing. I thought so. 396 00:21:16,760 --> 00:21:18,280 Speaker 9: My mom used to make these when I. 397 00:21:18,200 --> 00:21:18,680 Speaker 12: Was a kid. 398 00:21:19,280 --> 00:21:21,000 Speaker 9: That's the first recipe she ever taught me. 399 00:21:21,320 --> 00:21:23,240 Speaker 15: Oh yeah, what are they? 400 00:21:23,560 --> 00:21:28,679 Speaker 9: Hand pies? Yeah, and they're delicious. Oh, let's grab a 401 00:21:28,680 --> 00:21:30,440 Speaker 9: few and eat them down by the water. I could 402 00:21:30,520 --> 00:21:32,800 Speaker 9: use a bite. 403 00:21:33,320 --> 00:21:35,800 Speaker 15: Yeah, I'm gonna eat back at the resort. Not really 404 00:21:35,840 --> 00:21:37,880 Speaker 15: a street food person. 405 00:21:38,240 --> 00:21:46,640 Speaker 9: Hmmm, suit yourself. Hey, I'll take two. Thank you. 406 00:21:47,280 --> 00:21:48,600 Speaker 6: Enjoy miss. 407 00:21:50,640 --> 00:21:53,360 Speaker 15: So you were you were pretty close with your mom 408 00:21:53,800 --> 00:21:55,280 Speaker 15: before she passed away. 409 00:21:55,840 --> 00:21:59,080 Speaker 9: Yeah, it was always just the two of us against 410 00:21:59,080 --> 00:21:59,480 Speaker 9: the world. 411 00:22:00,760 --> 00:22:03,280 Speaker 6: What about your your dad? 412 00:22:04,400 --> 00:22:09,720 Speaker 9: He wasn't come get your handmade jewelry ear rings, bracelets, rings, 413 00:22:10,640 --> 00:22:11,800 Speaker 9: Let's go see what he has. 414 00:22:12,280 --> 00:22:13,919 Speaker 2: Keep an eye on your purse. 415 00:22:17,240 --> 00:22:18,919 Speaker 9: Wow, did you make all of this? 416 00:22:19,560 --> 00:22:19,840 Speaker 7: Yep? 417 00:22:20,119 --> 00:22:22,400 Speaker 9: My mom taught me how to beat. These ear rings 418 00:22:22,440 --> 00:22:26,880 Speaker 9: are just gorgeous. I'll take two pairs. You got it. Hey, 419 00:22:26,960 --> 00:22:29,760 Speaker 9: keep up the good work. I've got a real gift 420 00:22:29,760 --> 00:22:31,479 Speaker 9: for this. Thanks. 421 00:22:34,080 --> 00:22:35,560 Speaker 3: That was kind of you. 422 00:22:36,280 --> 00:22:39,199 Speaker 15: But if you got the funds to stay at Dastino indefinitely, 423 00:22:39,240 --> 00:22:40,960 Speaker 15: I guess you can afford to be generous. 424 00:22:42,280 --> 00:22:45,840 Speaker 9: Look at that we managed to cover death and taxes 425 00:22:45,880 --> 00:22:48,480 Speaker 9: all in one date. M Yeah, I like to get 426 00:22:48,520 --> 00:23:03,760 Speaker 9: right to the point. Well, thanks for taking the time 427 00:23:03,800 --> 00:23:06,920 Speaker 9: to plan this. Oh, I don't start saying goodbye yet. 428 00:23:07,840 --> 00:23:09,480 Speaker 3: Come on, the night is still young. 429 00:23:09,880 --> 00:23:13,200 Speaker 9: Actually, I'm pretty tired. I'm gonna turn in once we're. 430 00:23:13,040 --> 00:23:14,760 Speaker 3: Back, so sure thing. 431 00:23:16,520 --> 00:23:19,600 Speaker 15: Yeah, it's just just not before we've gotten to know 432 00:23:19,760 --> 00:23:21,560 Speaker 15: each other a little better right. 433 00:23:22,080 --> 00:23:24,600 Speaker 9: You know, I think I'll finish my snack here and 434 00:23:24,640 --> 00:23:29,320 Speaker 9: take a cab back. Gabriel, let me out. 435 00:23:29,160 --> 00:23:29,600 Speaker 6: Of the car. 436 00:23:30,040 --> 00:23:33,040 Speaker 3: I'm afraid I can't do that. Why not because I'm 437 00:23:33,040 --> 00:24:02,440 Speaker 3: not done with you yet. Let me hit it so motion, 438 00:24:03,080 --> 00:24:07,160 Speaker 3: did you keep it up? Burdamarana Trojian, Let's save out. 439 00:24:07,200 --> 00:24:07,920 Speaker 7: I'm home, man. 440 00:24:08,800 --> 00:24:12,680 Speaker 1: I know you couldn't wait to buzz a while on Paso. 441 00:24:12,880 --> 00:24:18,720 Speaker 3: That simple, da lucky, This simple as the commis. 442 00:24:18,359 --> 00:24:19,120 Speaker 7: You just well. 443 00:24:19,359 --> 00:24:22,520 Speaker 11: Underwater is an Interval Presents original production with Temple Hill 444 00:24:22,640 --> 00:24:27,560 Speaker 11: Entertainment and Clamor, starring Jason Derulo and Alexandra Shipp. Written 445 00:24:27,560 --> 00:24:30,720 Speaker 11: by Katrina Day, directed by Pat Kelly and Chris Kelly. 446 00:24:31,400 --> 00:24:36,160 Speaker 11: Executive producer Jason Derulo executive producers from Interval Presents, Alan 447 00:24:36,240 --> 00:24:39,960 Speaker 11: Coy and Jay Kleinberg executive producers from Temple Hill Entertainment, 448 00:24:40,359 --> 00:24:44,720 Speaker 11: Marty bowen, Wick Godfrey and Alex Addison executive producers from Klamor. 449 00:24:45,160 --> 00:24:50,240 Speaker 11: Rich Statter, Aaron Hilliard, Adam Reynolds and Alison Chano Executive 450 00:24:50,240 --> 00:24:54,280 Speaker 11: produced by Katrina Day, executive producer from Future History Frank 451 00:24:54,320 --> 00:24:59,359 Speaker 11: Harris Special thanks to Henri De Sources Marketing Lead Samara Still, 452 00:25:00,080 --> 00:25:05,120 Speaker 11: Business development lead Cheffy Ellen Sweg Meggie and Operations leading Serao. 453 00:25:05,520 --> 00:25:09,119 Speaker 11: Post production audio services by Kelly and Kelly. Sound design 454 00:25:09,119 --> 00:25:13,280 Speaker 11: and mixed by Paul Teteskini. Dialogue edited by Max Collins. 455 00:25:13,840 --> 00:25:17,359 Speaker 11: Original music by Genevieve Vincent. Songs arranged by Genevieve Vincent. 456 00:25:17,960 --> 00:25:21,280 Speaker 11: The cast includes Jason Derulo as an Eco, Alexander Ship 457 00:25:21,280 --> 00:25:24,600 Speaker 11: as Anna Kerry, Alexander as bank teller and additional voices, 458 00:25:24,920 --> 00:25:27,760 Speaker 11: Beat Bridgeland as Jordan, Michael Darry as credit reader and 459 00:25:27,760 --> 00:25:32,280 Speaker 11: additional voices, Anisia Dubois Dahlia and Young Dahlia, Andrew Frankel 460 00:25:32,400 --> 00:25:35,560 Speaker 11: as stranger in additional voices, Walter Gray the Fourth as 461 00:25:35,640 --> 00:25:39,760 Speaker 11: male tourist and additional voices, Melissa Greenspan as female tourist 462 00:25:39,840 --> 00:25:45,000 Speaker 11: and additional voices, Ellis Hunter as Elena, Jeremy Jordan as Gabriel, 463 00:25:45,359 --> 00:25:49,280 Speaker 11: Josh Keaton as Matteo, Tara Langella as female guest and 464 00:25:49,280 --> 00:25:53,960 Speaker 11: additional voices, Jonathan Leon as Young Matteo, Donnis Leonard Junior 465 00:25:54,160 --> 00:25:58,359 Speaker 11: as Elias Parker, James Logi as young Boy, Emily Martinez 466 00:25:58,400 --> 00:26:02,919 Speaker 11: as Carman, Michael McLoone as Marcus Carla Renata as Bartender, 467 00:26:03,240 --> 00:26:07,200 Speaker 11: John Carlos Sabagal as Diego, David Shatraw as male guest 468 00:26:07,200 --> 00:26:11,600 Speaker 11: and additional voices Andre Sigluzzo as Sebastian, Cameron Jay Wright 469 00:26:11,800 --> 00:26:15,600 Speaker 11: as Young Nico, and Hannah Zamora as Mia. Produced by 470 00:26:15,840 --> 00:26:19,680 Speaker 11: Lillian Holman, post produced by Justin Scho and Lauren Berkovic. 471 00:26:20,000 --> 00:26:24,399 Speaker 11: Associate producer Erica Lowie. Music supervision by Melanie Mitchell. Music 472 00:26:24,400 --> 00:26:29,360 Speaker 11: clearances by Deborah Manis Gardner DMG Clearances Incorporated. Audio engineered 473 00:26:29,480 --> 00:26:32,960 Speaker 11: by Ian Folgerty and Ed mcinti at Goldvigger's Brett Tuban 474 00:26:33,000 --> 00:26:35,720 Speaker 11: at the Relic Room and Jordan Sweet at Challie Recording 475 00:26:35,760 --> 00:26:41,719 Speaker 11: Studio Assistant engineered by Derek mcgrone and Amperorzerti. Vocal coaching 476 00:26:41,880 --> 00:26:45,920 Speaker 11: by Bianca Blush Atterbury. Casting by Marlice Gussenhauer, Sibby Kersch 477 00:26:46,080 --> 00:26:50,440 Speaker 11: and Brentagata. Additional casting by Melissa Berger, Brennan, Salem Everett 478 00:26:50,480 --> 00:26:54,760 Speaker 11: and Scott Forbes at CESD Town. Script supervisor Tamara Black, 479 00:26:55,280 --> 00:27:00,600 Speaker 11: Production supervisor Lizzie sam Production coordinators Ethan Aronson and Sean Green. 480 00:27:01,480 --> 00:27:06,240 Speaker 11: Production assistants Chelsea Perry and Samara Malik additional special thanks 481 00:27:06,280 --> 00:27:10,600 Speaker 11: to Riley Fulsom and Maxim Carlic. Underwater was recorded at 482 00:27:10,600 --> 00:27:14,199 Speaker 11: Gold Diggers in Los Angeles, California, Challis Recording Studio in 483 00:27:14,200 --> 00:27:17,480 Speaker 11: Los Angeles, California, and The Relic Room in New York, 484 00:27:17,480 --> 00:27:21,199 Speaker 11: New York. Make sure to follow Underwater and listen on 485 00:27:21,240 --> 00:27:26,320 Speaker 11: Apple Podcasts, Spotify, Amazon Music, Sirius XM, or wherever you 486 00:27:26,359 --> 00:27:29,280 Speaker 11: get your podcasts