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Speaker 1: Andrea Barber, Hello, Joe, I've missed you.

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Speaker 2: I've missed you too. I feel like it's been a

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Speaker 2: while since we've uh, since we've potted together.

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Speaker 1: Well yeah, I mean last week, but it still feels

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Speaker 1: like it feels like it doesn't matter.

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Speaker 2: I know it was last week. It feels like it's

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Speaker 2: been seven I don't know what like it does. It

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Speaker 2: feels like it's a.

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Speaker 1: Whole Yeah, like in dog years, it's years.

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Speaker 2: It's been forever, right, And I get to see you

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Speaker 2: in person next weekend. Now, of course not when this

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Speaker 2: air is it will be it will be later. But

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Speaker 2: but next weekend we're going to Nice.

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Speaker 1: Yes, I'm happy we're traveling together.

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Speaker 2: And I feel like we're gonna have to document some

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Speaker 2: of this of our travels along.

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Speaker 1: The way for sure, because you never know what's going

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Speaker 1: to happen when we're traveling.

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Speaker 2: I mean, last time, you wore the you know, the

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Speaker 2: Bob sweatshirt.

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Speaker 1: That's right, that's right, and we found another yeah.

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Speaker 2: And then I was like, hey, maybe, and then you

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Speaker 2: were like, oh yeah, maybe next time I get.

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Speaker 1: To the airport, I won't do that. Yeah, yeah, that's right.

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Speaker 2: We met our we met the we met the fan

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Speaker 2: who who was like, oh my god, I had that

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Speaker 2: same sweatshirt.

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Speaker 1: You couldn't write that stuff.

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Speaker 2: That was hilarious.

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Speaker 1: Well, okay, so I've been dying to talk to you

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Speaker 1: about this. Last time we recorded an episode, we were

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Speaker 1: in Canada and I was getting ready to do my colonoscopy. Right,

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Speaker 1: how did I survived? I survived my colonoscopy medically, it

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Speaker 1: was perfect, like textbook, got the all clear.

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Speaker 2: But it's not a fun experience from what I hear.

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Speaker 1: Well, no, and I thought it was fine, like all

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Speaker 1: the prep and everything was fine. But what I didn't

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Speaker 1: what I didn't think about, was getting recognized in a

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Speaker 1: colonoscopy center and then on the colonoscopy table.

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Speaker 2: Oh yeah that yeah, I like that. That's always fun

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Speaker 2: I had.

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Speaker 1: I mean, I'd never mind being recognized out in public,

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Speaker 1: but then.

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Speaker 2: Like when someone's about to, you know, performing camera up

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Speaker 2: your butt. Yeah, there's times when you're like, maybe let's

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Speaker 2: just pretend like you don't know me.

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Speaker 1: Like everyone's like, I want to I want to go

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Speaker 1: to Hollywood and be famous, and I'm like, no, you don't, Like,

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Speaker 1: you know, it sounds fun and it sounds amazing, but

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Speaker 1: you don't think about when you're lying on a colonoscopy

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Speaker 1: table with your bare ass hanging out of the gown

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Speaker 1: right and the antithes y'allo is just is like, don't

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Speaker 1: I know you from full House? And I was like, uh, uh,

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Speaker 1: you know, how do you handle those moments?

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Speaker 2: You know? I had that. Do you remember when we

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Speaker 2: were doing Fuller and I was really sick and they

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Speaker 2: had to drive me over to Urgent Care to get

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Speaker 2: a shot in my butt, to get like one of

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Speaker 2: those whatever vitamin shots that they give you to basically

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Speaker 2: just make you be able to get through the day

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Speaker 2: because I was losing my voice and everything. The same

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Speaker 2: thing happened. I was like in the room and I

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Speaker 2: was like, okay, you know one sheek so I like pulling.

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Speaker 2: He's like, my wife's never gonna believe who I you

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Speaker 2: know that I would. I'm thinking, I'm I'm.

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Speaker 1: Pretty sure it's a hip of violation.

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Speaker 2: You're telling your wife that I can't but whatever. But yeah,

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Speaker 2: it's those are the things, yeah, that you don't think

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Speaker 2: about and uh and that apparently other people don't think

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Speaker 2: about either, And whether or not if the situation were reversed,

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Speaker 2: would you want someone well?

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Speaker 1: And I felt bad because well, I got recognized three

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Speaker 1: times that day, a record. So first it was by

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Speaker 1: another patient in the waiting room and he asked for

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Speaker 1: a selfie and I was like, okay, well, no, right,

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Speaker 1: And I don't want to be like the mean person.

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Speaker 1: I don't want to be like, oh, that Andrea Barber,

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Speaker 1: she's so stuck up. But no, and that's why I

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Speaker 1: told him. I'm like, I'm just not comfortable.

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Speaker 2: Boundaries are okay, It's okay to have boundaries. It's okay, Like.

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Speaker 1: I'm trying to I'm trying to balance my boundaries with

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Speaker 1: not wanting to disappoint what is probably the only time

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Speaker 1: I'm going to meet this fan, so.

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Speaker 2: Though, you know, like come on, like again, it's and

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Speaker 2: I get people. We are so excited and happy to

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Speaker 2: meet people, but not when not on an operating table

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Speaker 2: with this you know what I mean, with your butt

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Speaker 2: hanging out, It's not That's not how I want to

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Speaker 2: meet anyone. Yeah, I know, I know.

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Speaker 1: It's it's yes, boundaries, It's it's good to set boundaries.

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Speaker 1: And I guess as long as you're nice. I was

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Speaker 1: nice about it, and I was just like, I'm just

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Speaker 1: not comfortable doing it here, right, because what is this

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Speaker 1: guy gonna if you want, what is he going to

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Speaker 1: tell his friends that he needs to start with Andrea

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Speaker 1: Barber right before she got a probe stuck up her butt? No, like, no,

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Speaker 1: I don't that's the story.

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Speaker 2: That's the story.

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Speaker 1: It's going to be the story story. I mean no, no,

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Speaker 1: But then you know when the Annison, you just think.

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Speaker 2: Here's the thing. He's still going to tell that story.

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Speaker 2: He's just not going to have visual proof of it.

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Speaker 2: So so this is no that like.

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Speaker 1: That doesn't make me feel any better. That doesn't make

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Speaker 1: me feel like you can't prove it.

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Speaker 2: People can be like you're a liar, and he'd be like, no, no,

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Speaker 2: you don't have photo evidence. So guess what it doesn't

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Speaker 2: you don't know?

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Speaker 1: Right? Well, that's true.

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Speaker 2: No, but he's still going to tell that story.

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Speaker 1: If you told him you.

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Speaker 2: Ran into someone your colonoscopy, wouldn't you be like, dude,

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Speaker 2: you'll never believe what.

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Speaker 1: I saw today. That's it's like the start of a

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Speaker 1: bad joke.

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Speaker 2: Or a good one. I don't know how it ends. Yeah,

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Speaker 2: well I just.

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Speaker 1: Have to trust that the doctors, you know, or they're

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Speaker 1: going to keep it private. And like the doctor who like, do.

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Speaker 2: You think they're post your colonoscopy video online and be like,

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Speaker 2: this is Andrew.

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Speaker 1: But what if they take it? What if they take

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Speaker 1: it home to their spouse? Like You'll never guess who's

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Speaker 1: ass I put a camera up to days Kimmy Gibbler

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Speaker 1: from Full Home.

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Speaker 2: I'm sure they will. I'm sure they will. This is

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Speaker 2: that's human, that's human name Like that makes.

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Speaker 1: Me create like that makes me feel weird because I'm

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Speaker 1: so grateful to people who are willing to do these

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Speaker 1: jobs that are saving lives. But at the same time,

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Speaker 1: I'm like, just I don't I just don't need to

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Speaker 1: know that you're a fan of the show in this circumstance,

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Speaker 1: right maybe after it?

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Speaker 2: Yeah, maybe when I come back for like a follow up,

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Speaker 2: you know, where I'm not doing this or something.

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Speaker 1: Yeah, when I'm clothed properly, I guess.

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Speaker 2: Yeah, yeah, yeah, I you know again, I think it's

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Speaker 2: just sometimes in excitement, people don't often think like, Hey,

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Speaker 2: if I were on the other side of this, would

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Speaker 2: this be something I'd want someone to do.

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Speaker 1: Yeah, yeah, I get it. I totally get it. I

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Speaker 1: get it.

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Speaker 2: But I and I still think we haven't quite come out.

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Speaker 1: Of our lack of social skills after COVID.

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Speaker 2: I think that just really we really damaged ourselves as

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Speaker 2: a as people, and we just don't know how to

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Speaker 2: be anymore. Yeah, people don't know how people in a

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Speaker 2: in a train.

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Speaker 1: Yeah, in social grade, there's no such thing or social

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Speaker 1: grain together though, because we're all yeah, we all are.

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Speaker 2: Losing our minds. Yeah yeah, doctor Seuss poem.

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Speaker 1: Wow.

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Speaker 2: Well, okay, so I'm glad you survived your colonoscopy without

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Speaker 2: having to sign any autographs taking.

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Speaker 1: Pictures on my colon. At least you didn't ask me

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Speaker 1: to autograph those. That would have been really awkward. I

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Speaker 1: would have drawn the line there.

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Speaker 2: You would have been like, I'm sorry, Yeah, I'm sorry.

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Speaker 2: But again you'd be like, that's not my colon obviously,

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Speaker 2: you know, And how are they gonna know that you're

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Speaker 2: telling the truth that they are you know, you're not.

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Speaker 2: It's all it's all good.

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Speaker 1: You're here, Yeah, I'm I'm here, and now I can

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Speaker 1: handle embarrassing situations, no problems of experience.

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Speaker 2: Yeah, and then you can come and talk about them

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Speaker 2: on your podcast.

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Speaker 1: True.

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Speaker 2: Oh yeah, okay, yeah, see, other people are going to

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Speaker 2: hear this conversation too, So you are actually the one

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Speaker 2: telling the story. So it's you. You're the problem. You

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Speaker 2: actually are the ruiner of your own life. That's I'm

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Speaker 2: sorry to twists. It's your fault.

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Speaker 1: I'm the problem.

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Speaker 2: It's me. It's me.

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Speaker 1: Hi.

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Speaker 2: Yeah.

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Speaker 1: Basically, oh dear, let's segue. Let's segue out of this.

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Speaker 1: Let please, yeah please?

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Speaker 2: Links go from kolonoscopies to middle age crazy. Also weirdly connected, but.

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Speaker 1: Yeah, middle aged something.

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Speaker 2: Middle age something, middle aged crazy. Yeah that's me.

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Speaker 1: Okay. Oh well, I am very excited to discuss this

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Speaker 1: episode with you.

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Speaker 2: I loved this episode. It's it is, it's it's a favorite.

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Speaker 1: Oh, definitely not. It's a fan favorite. I assume it's

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Speaker 1: a favorite of yours.

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Speaker 2: Yeah, favorite of min and I remember this one just

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Speaker 2: because you know, it was so Stephanie centric, but it was.

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Speaker 1: Yeah. Oh well, let's get into it. Let's welcome back

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Speaker 1: to how Rude tan Rito's I'm Andrea Barber and I

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Speaker 1: am Jodi Sweeten, and today we are discussing season two,

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Speaker 1: episode ten, titled middle Age Crazy. It originally aired on

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Speaker 1: January sixth, nineteen eighty nine, New New Year for us, uh,

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Speaker 1: and it goes a little something like this, Stephanie gets

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Speaker 1: a crazy feeling of being middle aged as her two

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Speaker 1: sisters run with all the attention. A garden wedding with

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Speaker 1: Harry as groom and Jimmy as minister takes some of

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Speaker 1: the heat. This is a classic. This is a classic.

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Speaker 1: It was directed by Peter Baldwin. It was written by

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Speaker 1: Lawrence Hartstein and Richard Rossner. And we have a couple

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Speaker 1: of guest stars this week, returning as Harry Takeyama is

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Speaker 1: Nathan Nishi Gucci yy Harry, love this, Love Harry. This

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Speaker 1: is his second to last episode, so yeah, gotta.

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Speaker 2: Just savor Harry.

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Speaker 1: And then we have Zachary Bostrom, who is the officiant

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Speaker 1: Jimmy of your weddings.

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Speaker 2: And Zachary and I actually were friends, like out, we

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Speaker 2: kind of became friends outside of the show from him

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Speaker 2: doing this.

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Speaker 1: He was a sweet look kid. Oh that's awesome. I

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Speaker 1: was looking up his stats and I was like, oh

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Speaker 1: my gosh, he's still acting. Isn't that so cool? And

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Speaker 1: I'm like, wait, that's us, Like we're still acting too.

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Speaker 1: I'm like why am I so?

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Speaker 2: Why are you so with someone doing the same thing

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Speaker 2: as right right the well? Because it's cool when somebody

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Speaker 2: else does it, but when it's you doing it, you're like,

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Speaker 2: I'm just trying to pay my pills. Like you're like, oh,

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Speaker 2: look at them, they're still and you're like, look, I'm

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Speaker 2: just this is just what I do. I don't know,

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Speaker 2: I don't know why how I'm here yet.

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Speaker 1: So Zachary was known for Harry and the Hendersons, which

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Speaker 1: is so great. Uh, And he did appearances on Jag

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Speaker 1: and Will and Grace And this is the first of

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Speaker 1: two episodes he's in. He comes back in season three,

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Speaker 1: so I'm excited to see that one too. Okay, all right,

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Speaker 1: let's get into it. We open in Michelle's room, where Joey, Danny,

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Speaker 1: and Jesse are blowing bubbles with Michelle all competing for

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Speaker 1: her attention. The boys are having a blast and don't

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Speaker 1: notice when Michelle quietly walks out of the room.

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Speaker 2: I mean, I've had that app before. You get so

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Speaker 2: like into your kid toy that you're like, oh, yeah,

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Speaker 2: I should give this back to.

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Speaker 1: The kid, especially like Legos. I'm sure for you, it's

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Speaker 1: like you just take over the Lego set.

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Speaker 2: And not just buy my own Lego set. Don't want

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Speaker 2: to share with anybody. I'm an only child at the

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Speaker 2: end of the day. I don't share this so true,

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Speaker 2: but I did. I was looking at them blowing all

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Speaker 2: of these bubbles indoors, and I was thinking, you are

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Speaker 2: just getting soap all over that carpet. Oh yeah, how

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Speaker 2: did Danny allow this? You know, maybe it was gonna hard.

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Speaker 2: Maybe he was going to like shampoo the carpet. So

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Speaker 2: he's like, let's just blow bubbles all over it and

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Speaker 2: we'll just you know, vacuum it.

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Speaker 1: O Oh, there you go. That's multitasking at it's finest. Okay.

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Speaker 1: So dj walks in with a smirk on her face.

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Speaker 1: She's wearing a repeat shirt.

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Speaker 2: That that's the weird one that you were like, is

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Speaker 2: he farmer chaps?

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Speaker 1: Yeah? Yeah, I don't know what's going on in this sweatshirt,

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Speaker 1: but yes, it's here a chaps one to beg more questions.

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Speaker 1: Still don't know what that is. So she watches the

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Speaker 1: guy's playing with bubbles, and then she raises her finger. Now, boys,

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Speaker 1: I don't mind you playing, but I sure hope you

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Speaker 1: finished your homework. Danny assures her, we finished our homework,

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Speaker 1: and they all go right back to their bubble blowing.

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Speaker 1: Michelle's nowhere to be.

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Speaker 2: Michelle's right, where'd she go? She's wandered off. I mean

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Speaker 2: at least you see the baby gate at the stairs now,

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Speaker 2: so you're like, Okay, she's not tumbling down the stairs

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Speaker 2: on her own. She's probably in Stepf's room.

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Speaker 1: Yeah, yes, thank goodness, the baby gate is in evidence. Yes. Yeah.

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Speaker 1: So next we're in the Tanner's kitchen. Danny walks into

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Speaker 1: the kitchen holding Michelle and his massive camcorder.

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Speaker 2: I'm surprised he could hold both. Amazing.

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Speaker 1: This camcorder keeps making a this is a recurring character

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Speaker 1: at this point.

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Speaker 2: And then I started going, is this was this why

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Speaker 2: Bob became sort of the natural choice of America's funniest

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Speaker 2: home videos because Danny Tanner was always like videoing the kids,

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Speaker 2: and it just sort of like people associated him with that.

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Speaker 2: I don't know, maybe that's something that I'm like piecing

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Speaker 2: together after but I don't know.

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Speaker 1: No, I like that, I'll go with that.

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Speaker 2: Like we have seen Danny a lot with the at least.

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Speaker 1: Three times, maybe four times. He brought it to the

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Speaker 1: to the Christmas episode, he brought it on the plane

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Speaker 1: like he was annoying.

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Speaker 2: I mean, that thing needed its own seat on that plane.

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Speaker 1: Yeah, it does workut, No, it exceeds the diameter. Ye.

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Speaker 1: So Danny sets down Michelle and instructs her to show

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Speaker 1: all of the viewers of Wake Up San Francisco how

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Speaker 1: she eats like a big girl.

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Speaker 2: He was like an og parenting influencer.

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Speaker 1: Oh yes, content, I need content. Let me use my

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Speaker 1: kid to do adorable things. Right. Michelle smiles and says alrighty,

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Speaker 1: and Danny says okay, now go to the table and action.

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Speaker 1: Michelle goes straight for her rocking horse instead. Danny attempts

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Speaker 1: to direct her to the table while still recording, but

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Speaker 1: Michelle won't budge. Danny gives in, okay, fine, we'll make

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Speaker 1: it a Western. This is this really riveting content. I mean, Danny,

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Speaker 1: do the Wake Up San Francisco viewers really want to

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Speaker 1: see a toddler crossing to a table. I mean, I

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Speaker 1: know the irony of saying this is that that's what

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Speaker 1: full House was built on for the next half you

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Speaker 1: seasons scene the internet.

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Speaker 2: Yes, but I'm saying, like a talk show, but this

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Speaker 2: is just a precursor. It's you know, look for nineteen

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Speaker 2: eight shows top morning talk shows, but they got three

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Speaker 2: four hours to fill today's shows on and and a

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Speaker 2: week from now. It's I mean, you gotta have a

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Speaker 2: lot of stuff to fill in there. So they're looking

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Speaker 2: for any cute, littoking, any money content.

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Speaker 1: Okay, even Michelle eating like a big girl. Yeah, okay,

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Speaker 1: all right, then go for it, Danny. He plops her

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Speaker 1: on the horse, prompting can you say Yippi? I okaya,

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Speaker 1: and Michelle responds no. Just then Stephanie joyously walks into

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Speaker 1: the kitchen with Harry. I love this.

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Speaker 2: It's sarin he Everyone needs a hype man like Harry.

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Speaker 2: He is just always there to pump stuff up. And

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Speaker 2: I love like Nathan did such a great He just

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Speaker 2: had this smirk on his face all the time like

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Speaker 2: he was just great, Like.

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Speaker 1: Just so, he's so easygoing and such a cheerleader for Stephanie.

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Speaker 2: Yeah, such a cheerleader. And steph was like, I know

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Speaker 2: who's running this show, and he was like cool, great, awesome,

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Speaker 2: yep you are.

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Speaker 1: He was the perfect partner for Stephanie.

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Speaker 2: Really was really really was. Yeah.

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Speaker 1: So Stephanie's carrying a hula hoop and she announces that

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Speaker 1: she did one hundred and three hula hoops at school today,

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Speaker 1: breaking the record, all right, Harry admires her and says

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Speaker 1: it was awesome. Stephanie starts to hula hoop for her dad,

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Speaker 1: but he is not paying attention. He says he's very

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Speaker 1: happy for her, but he's busy making a movie about

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Speaker 1: Steph's very adorable little sister.

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Speaker 2: I was like, Danny, that hurt.

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Speaker 1: Yeah, that was just yeah. I was like, come on, Danny,

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Speaker 1: like you have more than one child, you know, right?

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Speaker 2: Yeah, yeah, that's you know, but I guess in order

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Speaker 2: we're playing up why Stephanie is just feeling so lack

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Speaker 2: doubt and middle aged, middle aged but.

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Speaker 1: Well middle child child syndrome.

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Speaker 2: Yeah.

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Speaker 1: So Stephanie responds, Daddy, I can be adorable too, and

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Speaker 1: she starts to hula hoop again, with a huge smile

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Speaker 1: and even more enthusiast.

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Speaker 2: I don't know why I said it, like a like

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Speaker 2: a lounge lizard singer or something like. I guess my

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Speaker 2: enthusiasm is that was a choice.

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Speaker 1: Yeah, just hamming it up, Jody, Oh, yeah, hamming it up.

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Speaker 1: So Danny apologizing, apologizes, emphasizing that this tape is only

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Speaker 1: about Michelle, so he'll have to watch her later. Steph

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Speaker 1: is visibly hurt, by Danny's dismissal. Yeah, ouch, Danny.

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Speaker 2: Danny, this you know, how rude?

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Speaker 1: How that deserves a how rude?

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Speaker 2: You know?

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Speaker 1: Next week, cut to Joey's room, Jesse is on the

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Speaker 1: phone with mister Dryer, promising him he'll have the Sweat

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Speaker 1: World Health Club jingle first thing tomorrow morning. Jesse tells

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Speaker 1: me a barrel of good ideas as he holds up

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Speaker 1: a trash can full of crumpled up notes. Joey starts

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Speaker 1: to throw the crumpled balls of paper at Jesse, prompting

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Speaker 1: him to say, oh, another great idea, just hit me.

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Speaker 1: Jesse hangs out the phone and immediately starts to throw

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Speaker 1: handfuls of the crumpled paper back at Joey. Joey apologizes,

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Speaker 1: admitting he's just frustrated because they have to get this jingle.

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Speaker 2: Do they always have to do jingles in like a day?

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Speaker 2: Is that I mean? I feel like they're always or

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Speaker 2: is it just that they can't ever come up with

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Speaker 2: something and they only work well at the last minute.

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Speaker 1: I feel like they're procrastinators, like they've waited till the

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Speaker 1: last minute, because you'd think they get more.

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Speaker 2: Not one to talk, because that's how I work best

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Speaker 2: as well. I just wondered if this was if that

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Speaker 2: was like a thing that happens in the world of

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Speaker 2: jingle writing that you get four hours emergency jingle that

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Speaker 2: I need now, stat Yeah, where's the pre planning? You know?

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Speaker 1: Like, come on, guys, I mean.

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Speaker 2: They just started writing jingles. The fact that they're selling

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Speaker 2: any is pretty remarkable. So true, give I'm sure?

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Speaker 1: So Jolly ponders, Okay, what is the problem. I'm a

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Speaker 1: funny guy. It must be you. Jesse insists, this isn't

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Speaker 1: the time to start turning on each other. He acknowledges

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Speaker 1: how this particular jingle is taking a little extra time

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Speaker 1: because they are holding out for quality. He concludes, Now

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Speaker 1: check the trash again. Joey uncrumples a rap jingle they

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Speaker 1: did three days ago. They hated it before, but they

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Speaker 1: decided to give it another chance. The boys begin beat

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Speaker 1: boxing and I begin cringing.

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Speaker 2: Well, yes, yes it was. But here's what I will say.

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Speaker 2: When they started, I was like.

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Speaker 1: Oh, don't don't.

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Speaker 2: It was better than I thought it was going to

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Speaker 2: turn out. Okay, and that's all I happened. That's it.

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Speaker 2: It wasn't white as uncomfortable as I thought it would be,

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Speaker 2: but it was. I was expecting a like a like

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Speaker 2: a full body experience, and that wasn't quite that cringeworthy.

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Speaker 1: It was just like, well, it didn't get worse as

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Speaker 1: it went.

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Speaker 2: Like they did it. It was great. We did it

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Speaker 2: and it It could have been a lot they could

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Speaker 2: have It could have been a lot more.

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Speaker 1: Could have been worse. Well, I will give John and

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Speaker 1: Dave credit. Like they sold it like they sold it.

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Speaker 1: They didn't.

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Speaker 2: That's what I'm saying. They sold it they it was.

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Speaker 2: It was supposed to be terrible, So that was okay,

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Speaker 2: Like it was supposed to be cringeworthy, you know what

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Speaker 2: I mean.

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Speaker 1: Okay, So the actors did the act right, They did

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Speaker 1: their job.

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Speaker 2: They did it cringeworthy, but without it being like oh

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Speaker 2: my god.

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Speaker 1: Yeah, without people turning the channel.

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Speaker 2: Just the right amount of cream. Yeah.

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Speaker 1: So they end the jingle with great energy. The audience

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Speaker 1: roars and applause, and Jesse admits that stinks, with Joey

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Speaker 1: completely agree. Stephanie hops down the stairs with her hula hoop,

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Speaker 1: announcing that she broke the first grade record. She begins

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Speaker 1: her journey to one hundred and three hula hoops and

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Speaker 1: again Jesse and Joey are uninterested. Jesse gets up and

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Speaker 1: grabs the hula hoop, forcing her to stop. Joey says

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Speaker 1: they'll watch her do it later. Stephanie sighs. Later, I'm

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Speaker 1: beginning to hate that word, Jesse apologizes, explaining that he

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Speaker 1: and Joey are under tremendous pressure, which.

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Speaker 2: They had probably created themselves.

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Speaker 1: But yes, yes, but at least work is a better

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Speaker 1: excuse than Dan. I mean, I know Danny was working too.

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Speaker 2: But not being as adorable as your younger sister.

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Speaker 1: Yeah, I think that was, you know, maybe a better excuse.

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Speaker 1: They could have been a little less dismissive of you, though.

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Speaker 1: Just then DJ walks in and asks the guys for

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Speaker 1: help with her science homework.

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Speaker 2: Also, I just have to say, everyone in this episode

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Speaker 2: is wearing bang in sweaters. Just late eighties.

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Speaker 1: Peewitch your metric. We got three D sweat.

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Speaker 2: I have a dog butt on the back of my sweatshirt.

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Speaker 2: There's like the dog on the front and then it's

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Speaker 2: just the dog tail and back legs on the back

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Speaker 2: of me.

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Speaker 1: It looks like Clifford the Red Dog is who it looks.

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Speaker 2: It does look a little bit like that. Yeah, it's

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Speaker 2: a Scottie. Ah, it's a red Scottie dog.

436
00:21:19,119 --> 00:21:21,600
Speaker 1: Scotty Scottie dogs. Why would they so popular?

437
00:21:23,280 --> 00:21:25,199
Speaker 2: Back to the Scottie dogs. This is yeah the thing.

438
00:21:25,720 --> 00:21:29,200
Speaker 2: But but yeah, everyone was wearing really epic sweaters.

439
00:21:29,480 --> 00:21:32,040
Speaker 1: Oh yeah, and is this the one DJ's wearing. I

440
00:21:32,040 --> 00:21:35,840
Speaker 1: don't know what's I couldn't identify who was on her sweater?

441
00:21:36,080 --> 00:21:37,000
Speaker 1: Was it a bell hop?

442
00:21:37,240 --> 00:21:37,920
Speaker 2: Yeah, it's like a bell.

443
00:21:38,119 --> 00:21:40,840
Speaker 1: Yeah, it was like a bell bell. That's such a

444
00:21:40,920 --> 00:21:44,440
Speaker 1: random character to have on a sweater. But okay it

445
00:21:44,480 --> 00:21:47,879
Speaker 1: was it was Ladies nine who cared?

446
00:21:48,000 --> 00:21:48,520
Speaker 2: You know what I mean.

447
00:21:50,320 --> 00:21:51,240
Speaker 1: It's definitely unique.

448
00:21:51,280 --> 00:21:53,120
Speaker 2: You could put anything on a sweater and someone would

449
00:21:53,160 --> 00:21:54,280
Speaker 2: wear it in the late ladies.

450
00:21:55,040 --> 00:21:59,680
Speaker 1: Yes, So Stephanie tells DJ, sorry, you're gonna have to

451
00:21:59,680 --> 00:22:03,360
Speaker 1: wait till later. Uncle Jesse and Joey are under tremendous pressure,

452
00:22:03,920 --> 00:22:06,840
Speaker 1: but DJ begs she has to build some kind of

453
00:22:06,920 --> 00:22:09,800
Speaker 1: homemade thingy so she's able to drop an egg from

454
00:22:09,880 --> 00:22:13,240
Speaker 1: two stories without breaking it, and it's due tomorrow.

455
00:22:13,520 --> 00:22:14,640
Speaker 2: I remember doing this with Zoe.

456
00:22:15,440 --> 00:22:17,440
Speaker 1: Oh my kids having to build the egg drop.

457
00:22:17,240 --> 00:22:19,160
Speaker 2: Thing, and it was much like this, where it was like, hey,

458
00:22:19,240 --> 00:22:22,000
Speaker 2: it's due when you know, like tomorrow.

459
00:22:22,400 --> 00:22:23,359
Speaker 1: Why do kids do this?

460
00:22:23,800 --> 00:22:24,040
Speaker 2: Cool?

461
00:22:24,040 --> 00:22:26,680
Speaker 1: This is universal. They all wait till the last minute,

462
00:22:27,040 --> 00:22:28,480
Speaker 1: and then you're like, ah, and you got to go

463
00:22:28,520 --> 00:22:31,640
Speaker 1: to the store and the thing because.

464
00:22:31,400 --> 00:22:34,240
Speaker 2: Everybody else is there panic buying something yet yeah.

465
00:22:34,119 --> 00:22:37,840
Speaker 1: Yeah, yep, all in the same boat. So this gets

466
00:22:37,920 --> 00:22:40,920
Speaker 1: Jesse's attention, and he asks why her teacher only gave

467
00:22:40,960 --> 00:22:43,879
Speaker 1: her one day to do it. DJ explains how she

468
00:22:43,960 --> 00:22:45,879
Speaker 1: was given a little more than a day, maybe a

469
00:22:45,960 --> 00:22:50,960
Speaker 1: day or two or twenty mm hmm. Jesse asks why

470
00:22:51,000 --> 00:22:54,560
Speaker 1: she waited until the last minute, and DJ corrects him, Technically,

471
00:22:54,600 --> 00:22:57,520
Speaker 1: the last minute isn't until eight fifty nine tomorrow morning.

472
00:22:57,720 --> 00:23:00,239
Speaker 2: This is like having an argument with my kids. This

473
00:23:00,280 --> 00:23:02,520
Speaker 2: is so relatable, and I've literally said the same thing,

474
00:23:02,520 --> 00:23:06,000
Speaker 2: like you should think about law school. You're great, You're

475
00:23:06,040 --> 00:23:07,920
Speaker 2: just great at coming up with rebuttals.

476
00:23:08,480 --> 00:23:13,000
Speaker 1: Yep, it's very good argumentatives. Oh yeah, I think I

477
00:23:13,080 --> 00:23:16,120
Speaker 1: said the law school thing too. So DJ tells them

478
00:23:16,160 --> 00:23:18,720
Speaker 1: that if she fails this science project, she won't get

479
00:23:18,720 --> 00:23:21,359
Speaker 1: out of the sixth grade. She runs over to Joey,

480
00:23:21,440 --> 00:23:23,840
Speaker 1: leaning her head on his shoulder and begs for help.

481
00:23:24,440 --> 00:23:27,200
Speaker 1: Joey gives in and Jesse mocks, oh, sure, go right

482
00:23:27,240 --> 00:23:31,760
Speaker 1: to mister softy. Jesse insists he needs Joey's concentration to

483
00:23:31,800 --> 00:23:33,639
Speaker 1: help write a good jingle, and they need to do

484
00:23:33,680 --> 00:23:38,040
Speaker 1: it right now. After very minimal thinking, Jesse caves, let's

485
00:23:38,080 --> 00:23:38,680
Speaker 1: help the kid.

486
00:23:39,160 --> 00:23:41,720
Speaker 2: Yeah, and the procrastinators. I was gonna say, they don't

487
00:23:41,720 --> 00:23:43,320
Speaker 2: want to do their thing either, So it's just a

488
00:23:43,440 --> 00:23:44,520
Speaker 2: chain of procrastination.

489
00:23:45,560 --> 00:23:52,160
Speaker 1: Yes, procrastinators helping procrastinators. Yeah, later though later yes.

490
00:23:53,000 --> 00:23:58,399
Speaker 2: Sure, sure.

491
00:24:00,760 --> 00:24:04,160
Speaker 1: So a few months later, we're in the kitchen. Stephanie

492
00:24:04,200 --> 00:24:06,879
Speaker 1: is hula hooping in the kitchen and is almost to

493
00:24:06,960 --> 00:24:10,720
Speaker 1: her record when DJ bumps into her on her one

494
00:24:10,800 --> 00:24:15,240
Speaker 1: hundred and second spin. That was like such an older sibling,

495
00:24:15,359 --> 00:24:16,720
Speaker 1: things would have.

496
00:24:16,600 --> 00:24:19,879
Speaker 2: Been thrown were it not full house, you know what

497
00:24:19,920 --> 00:24:23,920
Speaker 2: I mean, that would have been that would have been reason.

498
00:24:23,720 --> 00:24:26,159
Speaker 1: For the kids to attack each other. I'm sure, so petty,

499
00:24:26,520 --> 00:24:27,919
Speaker 1: so petty. So do you think DJ did it on

500
00:24:27,960 --> 00:24:29,480
Speaker 1: purpose or you think it was an accident?

501
00:24:29,680 --> 00:24:32,399
Speaker 2: It seemed sort of like an accident. But I also

502
00:24:32,520 --> 00:24:36,200
Speaker 2: feel like, having seen how sibling dynamics played out, there

503
00:24:36,200 --> 00:24:38,960
Speaker 2: are a lot of accidents that happened in my house

504
00:24:39,440 --> 00:24:44,080
Speaker 2: where you're like, I've watched you trip them. No, my foot.

505
00:24:44,119 --> 00:24:45,560
Speaker 2: I just I don't know it happened.

506
00:24:45,640 --> 00:24:49,360
Speaker 1: You're like, oh, yeah, god's a lot of rewriting.

507
00:24:49,640 --> 00:24:51,399
Speaker 2: Yeah, going on all the time. We were like that

508
00:24:51,440 --> 00:24:52,520
Speaker 2: was intentional? No was it?

509
00:24:53,160 --> 00:24:53,240
Speaker 1: No?

510
00:24:53,440 --> 00:24:54,760
Speaker 2: Was And you're like, I can't prove it, but I

511
00:24:54,800 --> 00:24:55,080
Speaker 2: know it.

512
00:24:55,600 --> 00:24:56,159
Speaker 1: I just know it.

513
00:24:56,440 --> 00:24:58,080
Speaker 2: So I think I think that's one of those can't

514
00:24:58,119 --> 00:24:58,680
Speaker 2: prove it, but I know.

515
00:24:58,880 --> 00:25:02,440
Speaker 1: DJ apologizes, sorry, Steph, but you happen to be hooping

516
00:25:02,600 --> 00:25:06,880
Speaker 1: in my laboratory. Joey and Jesse begin gathering supplies around

517
00:25:06,920 --> 00:25:11,800
Speaker 1: the kitchen for DJ's egg drop. Jesse suggests a suitcase

518
00:25:11,800 --> 00:25:15,800
Speaker 1: full of cotton. DJ reads out loud, rule number twenty six,

519
00:25:16,040 --> 00:25:20,480
Speaker 1: no suitcases full of cotton. Stephanie emphasizes to Jesse that

520
00:25:20,560 --> 00:25:22,840
Speaker 1: they told her they were too busy to play, but

521
00:25:22,960 --> 00:25:26,120
Speaker 1: now they're playing with DJ, so unfair.

522
00:25:26,359 --> 00:25:26,719
Speaker 2: Yeah.

523
00:25:27,080 --> 00:25:30,359
Speaker 1: Jesse explains that they aren't playing. It's for school, and

524
00:25:30,480 --> 00:25:33,920
Speaker 1: DJ chimes in this happens to be a sixth grade

525
00:25:33,960 --> 00:25:40,119
Speaker 1: science project. Stephanie looks at DJ and sarcastically comments, well,

526
00:25:40,200 --> 00:25:44,399
Speaker 1: pina rows on your nose, there we go. It's the

527
00:25:44,440 --> 00:25:45,240
Speaker 1: first one, right.

528
00:25:45,280 --> 00:25:46,639
Speaker 2: At the first pin row. I think that is the

529
00:25:46,640 --> 00:25:47,360
Speaker 2: first pinaros.

530
00:25:47,359 --> 00:25:48,920
Speaker 1: That's the first prose on your nose.

531
00:25:49,400 --> 00:25:51,000
Speaker 2: That was Steph's kind.

532
00:25:50,800 --> 00:25:56,439
Speaker 1: Of alt yeah uh cat catchphrase nose yeah yeah, and

533
00:25:56,480 --> 00:25:59,520
Speaker 1: you delivered it so great. It was so funny. How

534
00:26:00,520 --> 00:26:01,920
Speaker 1: and I see you start to break a little bit,

535
00:26:01,920 --> 00:26:04,320
Speaker 1: like you know you're funny, You knew just how funny

536
00:26:04,320 --> 00:26:04,560
Speaker 1: you were.

537
00:26:04,640 --> 00:26:06,560
Speaker 2: Well, I thought it was so hard, not like jokes

538
00:26:06,600 --> 00:26:08,399
Speaker 2: were funny. They made me laugh, And it was like,

539
00:26:08,720 --> 00:26:10,919
Speaker 2: and you know, being the brain that I have, it

540
00:26:11,000 --> 00:26:12,480
Speaker 2: was like there was part of me that was doing

541
00:26:12,480 --> 00:26:14,280
Speaker 2: the thing, and then the other part was like watching,

542
00:26:14,400 --> 00:26:16,320
Speaker 2: and then you're like, no, no, no, don't I have

543
00:26:16,359 --> 00:26:18,159
Speaker 2: to be all in, all inside.

544
00:26:18,280 --> 00:26:19,440
Speaker 1: Yes, stay in the moment.

545
00:26:19,280 --> 00:26:21,439
Speaker 2: Stay in the moment, stay in the moment. Yeah, but no,

546
00:26:21,480 --> 00:26:23,200
Speaker 2: it was you know, when you get a huge laugh

547
00:26:23,240 --> 00:26:27,840
Speaker 2: from an audience at five years old, Oh better, there's

548
00:26:27,840 --> 00:26:30,720
Speaker 2: nothing better like it. Actually, I'm always impressed when kids

549
00:26:30,720 --> 00:26:33,320
Speaker 2: don't break because think about a kid in a classroom

550
00:26:33,359 --> 00:26:35,600
Speaker 2: cracking jokes that you know, that's what they want. They

551
00:26:35,640 --> 00:26:38,119
Speaker 2: love it, it makes them laugh. But like you gotta

552
00:26:38,200 --> 00:26:39,960
Speaker 2: just say the joke and keep going.

553
00:26:40,000 --> 00:26:42,199
Speaker 1: Keep going. It's a skill. It's definitely a skill that

554
00:26:42,240 --> 00:26:44,440
Speaker 1: you have to practice. Yeah, be good.

555
00:26:44,440 --> 00:26:46,440
Speaker 2: I still laugh at my own jokes. It's not I

556
00:26:46,920 --> 00:26:48,160
Speaker 2: haven't learned that skill yet.

557
00:26:50,480 --> 00:26:53,920
Speaker 1: So DJ remarks with some attitude, you're just too young

558
00:26:54,000 --> 00:26:57,600
Speaker 1: to understand, and Steph sadly walks away.

559
00:26:58,920 --> 00:27:01,200
Speaker 2: And with her bad perm. Steph and her bad perm.

560
00:27:01,280 --> 00:27:02,840
Speaker 1: Yeah, that was you're a little frizzy, you're a.

561
00:27:02,800 --> 00:27:05,520
Speaker 2: Little you know what happened? That was when I had

562
00:27:05,560 --> 00:27:08,960
Speaker 2: permed my hair and we it got left in too long.

563
00:27:09,480 --> 00:27:13,399
Speaker 2: Oh no, and it like legit fried my hair and

564
00:27:13,440 --> 00:27:15,479
Speaker 2: I don't think my hair ever quite recovered after that.

565
00:27:15,680 --> 00:27:18,440
Speaker 1: Really, it was particularly long, and it.

566
00:27:18,400 --> 00:27:20,840
Speaker 2: Was particularly like, Yeah, I think that was one of

567
00:27:20,840 --> 00:27:24,359
Speaker 2: the it was a like a oh no, oh, you

568
00:27:24,400 --> 00:27:26,520
Speaker 2: know when you leave that perm stuff on your head. Yeah.

569
00:27:26,520 --> 00:27:29,040
Speaker 2: I think it was like an extra fifteen minutes or something.

570
00:27:29,720 --> 00:27:33,040
Speaker 2: Oh no, yeah, yes, that was the last of my perms.

571
00:27:33,200 --> 00:27:33,720
Speaker 1: It's a good thing.

572
00:27:33,720 --> 00:27:34,880
Speaker 2: You were cute and my hair.

573
00:27:36,480 --> 00:27:37,400
Speaker 1: Rip Jody's hair.

574
00:27:37,720 --> 00:27:37,920
Speaker 2: Yeah.

575
00:27:38,440 --> 00:27:40,480
Speaker 1: So Joey Waltz is over to the table with a

576
00:27:40,520 --> 00:27:43,880
Speaker 1: great idea for the science project. We put the egg

577
00:27:44,000 --> 00:27:48,159
Speaker 1: inside Nature's perfect shock absorber, a twinkie.

578
00:27:47,680 --> 00:27:50,800
Speaker 2: Made by nature, made by nature, made by nature. Yeah,

579
00:27:50,880 --> 00:27:54,600
Speaker 2: nothing unnatural about a twinkie, that's for sure. No, nothing, nothing.

580
00:27:54,400 --> 00:27:55,720
Speaker 1: Hard but you know what, though they tasted better in

581
00:27:55,760 --> 00:27:56,320
Speaker 1: the eighties.

582
00:27:56,080 --> 00:27:59,280
Speaker 2: I'll give them that. Honkeys were delicious in the eighties. Now, yeah,

583
00:27:59,280 --> 00:27:59,960
Speaker 2: it tastes like glass.

584
00:28:00,440 --> 00:28:02,200
Speaker 1: Oh. I haven't had a Twinkie in so long.

585
00:28:03,000 --> 00:28:05,320
Speaker 2: I had one. Remember with the Great Debacle when the

586
00:28:05,359 --> 00:28:07,200
Speaker 2: Twinkies they went away and they were like, oh my god,

587
00:28:07,200 --> 00:28:09,359
Speaker 2: there's no more Twinkies, and right, so I was like,

588
00:28:09,400 --> 00:28:11,120
Speaker 2: I haven't had a Twinkie in year. So I when

589
00:28:11,160 --> 00:28:13,120
Speaker 2: they came back, I bought one, and I was like.

590
00:28:13,080 --> 00:28:14,639
Speaker 1: Oh, okay, this tastes like crap.

591
00:28:15,000 --> 00:28:19,080
Speaker 2: It tastes it was not it is not the Twinkie

592
00:28:19,080 --> 00:28:19,560
Speaker 2: of my youth.

593
00:28:20,400 --> 00:28:22,560
Speaker 1: Say that that's disappointing. I mean I'm sure it was.

594
00:28:22,680 --> 00:28:25,320
Speaker 1: I mean like two percent healthier without any of the like.

595
00:28:25,200 --> 00:28:28,360
Speaker 2: No, two percent less healthy. I'm sure it was like

596
00:28:28,520 --> 00:28:31,200
Speaker 2: it was they just made it with like corn syrup

597
00:28:31,240 --> 00:28:33,119
Speaker 2: instead of actual sugar or something.

598
00:28:34,160 --> 00:28:38,480
Speaker 1: Yeah, it's well, that's a bummer tweets, you know, not that.

599
00:28:38,920 --> 00:28:42,320
Speaker 2: No, if Twinkies wants to sponsor this podcast, nothing against you, guys.

600
00:28:42,360 --> 00:28:47,240
Speaker 1: I was just saying, yeah, true, Twinkies were a critical

601
00:28:47,280 --> 00:28:50,960
Speaker 1: part of your childhood in the eighties, no doubt. So

602
00:28:51,040 --> 00:28:53,120
Speaker 1: Joey takes a bite of the Twinkie, puts the egg

603
00:28:53,160 --> 00:28:57,040
Speaker 1: inside and let's her rip. The egg splatters all over

604
00:28:57,080 --> 00:29:01,000
Speaker 1: the table. Stephanie turns around and questions, and I'm too

605
00:29:01,040 --> 00:29:04,120
Speaker 1: young for this, she sh and she.

606
00:29:04,200 --> 00:29:09,120
Speaker 2: Leaves great delivery with my lisp and my like crossbite.

607
00:29:09,600 --> 00:29:11,640
Speaker 2: So much of that the way that I spoke was

608
00:29:11,640 --> 00:29:14,440
Speaker 2: because my I had the crossbite with my jaw, so

609
00:29:14,640 --> 00:29:17,240
Speaker 2: my jaw just naturally goes over to the side to

610
00:29:17,280 --> 00:29:19,680
Speaker 2: say my essays. It still does that a little bit.

611
00:29:19,760 --> 00:29:23,480
Speaker 1: Yeah, yeah, well, hey, that's it added. It added a

612
00:29:23,520 --> 00:29:25,120
Speaker 1: lot of spice to your delivery.

613
00:29:25,240 --> 00:29:28,000
Speaker 2: It's a speech therapy, yeah, she sh it was like

614
00:29:28,120 --> 00:29:31,120
Speaker 2: out of the side of my mouth. Yeah.

615
00:29:31,160 --> 00:29:34,200
Speaker 1: So in the living room, Michelle has headphones and a

616
00:29:34,240 --> 00:29:38,200
Speaker 1: cassette player strapped to her waist as she dances and

617
00:29:38,240 --> 00:29:39,800
Speaker 1: sings la la la, la la.

618
00:29:39,840 --> 00:29:43,000
Speaker 2: What song is she singing? What are you listening? Whatever

619
00:29:43,040 --> 00:29:46,200
Speaker 2: Adria could get her to just there was probably nothing.

620
00:29:46,240 --> 00:29:48,080
Speaker 2: It was probably she was like, put this on your

621
00:29:48,080 --> 00:29:48,640
Speaker 2: head and say.

622
00:29:48,600 --> 00:29:50,680
Speaker 1: La la la la la. Yeah, put that little walkman,

623
00:29:50,760 --> 00:29:51,760
Speaker 1: the cassette player.

624
00:29:51,840 --> 00:29:54,920
Speaker 2: I was like that with a cord and then the

625
00:29:55,040 --> 00:29:57,560
Speaker 2: crappy little foam headlones.

626
00:29:57,520 --> 00:30:00,320
Speaker 1: Crappy, foam things where you can hear everything except song

627
00:30:00,360 --> 00:30:02,200
Speaker 1: that you're trying to listen to. Oh man, I miss

628
00:30:02,240 --> 00:30:02,680
Speaker 1: those things.

629
00:30:03,000 --> 00:30:04,520
Speaker 2: Those we're not noise canceling.

630
00:30:05,360 --> 00:30:10,440
Speaker 1: No. Danny sits on the entryway steps filming her, and

631
00:30:10,480 --> 00:30:14,080
Speaker 1: steph walks right in front of the camera and interrupts, Okay, daddy,

632
00:30:14,120 --> 00:30:14,640
Speaker 1: it's later.

633
00:30:15,720 --> 00:30:15,960
Speaker 2: Yeah.

634
00:30:16,480 --> 00:30:19,640
Speaker 1: Danny tells her that Michelle was just singing the cutest

635
00:30:19,640 --> 00:30:22,640
Speaker 1: little song, and Stephanie says, I learned a new song

636
00:30:22,680 --> 00:30:25,480
Speaker 1: in school today, and she starts to sing. I write

637
00:30:25,480 --> 00:30:26,560
Speaker 1: the songs.

638
00:30:26,560 --> 00:30:29,400
Speaker 2: By the great, wonderful Barry Manilow, Barry Manilo, who I've

639
00:30:29,480 --> 00:30:30,280
Speaker 2: seen in concert.

640
00:30:30,360 --> 00:30:31,840
Speaker 1: I will tell you you have.

641
00:30:32,200 --> 00:30:35,480
Speaker 2: Did he sing I write this not necessarily my Yes,

642
00:30:35,480 --> 00:30:38,080
Speaker 2: he did actually, and I was like, oh yeah, like

643
00:30:38,240 --> 00:30:40,600
Speaker 2: I say, isn't necessarily my choice to go see Barry Manilo,

644
00:30:41,200 --> 00:30:44,600
Speaker 2: But I don't regret it. He was pretty pretty impressive.

645
00:30:45,000 --> 00:30:47,120
Speaker 2: That's just not a Verry Manilow fan. Oh.

646
00:30:47,240 --> 00:30:49,320
Speaker 1: I mean he went against your will, but you appreciate it.

647
00:30:49,280 --> 00:30:51,239
Speaker 2: But I appreciate Yeah, he was great. I mean this

648
00:30:51,280 --> 00:30:54,320
Speaker 2: is fifteen years ago, but anyway, Okay, Yeah, I write

649
00:30:54,320 --> 00:30:56,080
Speaker 2: the songs that make the whole.

650
00:30:57,280 --> 00:30:58,959
Speaker 1: You were very good at this, very good at this.

651
00:30:59,280 --> 00:31:02,240
Speaker 2: Why are they teaching that song in first grade? Though?

652
00:31:03,120 --> 00:31:05,880
Speaker 1: I don't know, that's a really odd choice. It's because

653
00:31:05,920 --> 00:31:06,240
Speaker 1: our writer.

654
00:31:06,280 --> 00:31:09,400
Speaker 2: I think that's because they were, like, no, make it

655
00:31:09,520 --> 00:31:11,600
Speaker 2: the weirdest thing possible. Why wouldn't a first heard her

656
00:31:11,640 --> 00:31:14,160
Speaker 2: be singing Barry manelo. Hey, it's full house logic, right,

657
00:31:14,160 --> 00:31:15,680
Speaker 2: And even Danny has a good joke about it.

658
00:31:15,960 --> 00:31:18,000
Speaker 1: Yeah, he says, as happy as I am to hear

659
00:31:18,040 --> 00:31:21,160
Speaker 1: that the public schools are keeping that song alive. I

660
00:31:21,200 --> 00:31:23,040
Speaker 1: really have to get some footage of Michelle singing her

661
00:31:23,080 --> 00:31:26,760
Speaker 1: little song. Steph looks at Michelle and sighs, you think

662
00:31:26,800 --> 00:31:31,280
Speaker 1: you're so cute. Michelle responds, don't worry, be happy.

663
00:31:31,960 --> 00:31:33,200
Speaker 2: Maybe that's what she was listening to.

664
00:31:33,720 --> 00:31:37,240
Speaker 1: Yeah, maybe, yeah, the Bobby McFerrin l L LA.

665
00:31:37,440 --> 00:31:40,320
Speaker 2: Don't worry, that's what you're singing. Yeah, be happy. That's

666
00:31:40,320 --> 00:31:41,120
Speaker 2: what I'm gonna go with.

667
00:31:41,240 --> 00:31:45,080
Speaker 1: Okay, that works. That works, and Stephanie admits, oh, no,

668
00:31:45,320 --> 00:31:50,600
Speaker 1: you are so cute and she walks away sadly. So

669
00:31:50,760 --> 00:31:53,840
Speaker 1: up in DJ and Stephanie's room, Steph is standing in

670
00:31:53,880 --> 00:31:57,120
Speaker 1: her room singing, I write the songs in her toy.

671
00:31:56,960 --> 00:32:03,280
Speaker 2: Microphone Carrie hookey for one, like, which is a very

672
00:32:03,400 --> 00:32:06,560
Speaker 2: Japanese way to do it, very okly for one. But yeah,

673
00:32:07,560 --> 00:32:12,720
Speaker 2: yeah it's really a sad child. Yeah, I really My

674
00:32:12,760 --> 00:32:13,400
Speaker 2: heart broke for her.

675
00:32:13,640 --> 00:32:16,600
Speaker 1: Yeah, you were just ignored by every single person in

676
00:32:16,640 --> 00:32:19,520
Speaker 1: the house. Yeah, I felt for her too. So she

677
00:32:19,680 --> 00:32:22,760
Speaker 1: sighs and says, sorry, mister Bear, my heart is just

678
00:32:22,920 --> 00:32:26,200
Speaker 1: not in it. She gets into bed and hugs him,

679
00:32:26,240 --> 00:32:29,960
Speaker 1: mentioning he's probably more interested in DJ and Michelle just

680
00:32:30,120 --> 00:32:34,760
Speaker 1: like everyone else. Stephanie realizes that nobody cares what she does.

681
00:32:36,080 --> 00:32:38,160
Speaker 1: We see a dissolve and we hear a musical cue

682
00:32:38,160 --> 00:32:40,880
Speaker 1: that signals it's going into a dream sequence.

683
00:32:43,080 --> 00:32:44,760
Speaker 2: Right, several dream sequence is coming.

684
00:32:45,080 --> 00:32:48,560
Speaker 1: Oh I love this. Nothing like a full house dream sequence. Yeah,

685
00:32:48,600 --> 00:32:49,600
Speaker 1: to just get this.

686
00:32:49,720 --> 00:32:54,600
Speaker 2: And Steph had several dream sequences throughout the UH, throughout

687
00:32:54,600 --> 00:32:57,680
Speaker 2: the years. There was this one, there's the big dancing episode.

688
00:32:57,880 --> 00:33:01,680
Speaker 2: There's a there's another one too somewhere that's like Steph's

689
00:33:01,760 --> 00:33:06,480
Speaker 2: dream sequence. Yeah. Oh, Steph has very vivid, very vivid imagination.

690
00:33:06,600 --> 00:33:09,440
Speaker 1: Yeah, you got stunts, you got costume, like, you got

691
00:33:09,440 --> 00:33:13,600
Speaker 1: everything in these dreams. Yeah. So in this dream sequence,

692
00:33:13,680 --> 00:33:17,280
Speaker 1: we see Danny, Joey and Jesse hovering over Michelle telling

693
00:33:17,320 --> 00:33:21,840
Speaker 1: her how great she is. When Stephanie walks in wearing

694
00:33:22,160 --> 00:33:26,920
Speaker 1: a pink astronaut suit, I was wear that.

695
00:33:27,360 --> 00:33:31,120
Speaker 2: Now, I want a pink astronaut. Can you I would

696
00:33:31,400 --> 00:33:34,840
Speaker 2: totally rock a pink astronaut onesie like that. You would?

697
00:33:34,920 --> 00:33:40,120
Speaker 2: You really absolutely would wear that. Would wear a I

698
00:33:40,120 --> 00:33:43,120
Speaker 2: mean minus the helmet maybe, although with my proclivity for

699
00:33:43,160 --> 00:33:46,480
Speaker 2: falling down it could be helpful, but like I would

700
00:33:46,760 --> 00:33:49,440
Speaker 2: so wear that. And I remember going for the fittings

701
00:33:49,440 --> 00:33:49,680
Speaker 2: for that.

702
00:33:50,160 --> 00:33:51,920
Speaker 1: Yeah, tell me, tell me my God was like.

703
00:33:53,600 --> 00:33:55,840
Speaker 2: Like I just remember, like I didn't like having the

704
00:33:55,880 --> 00:33:59,240
Speaker 2: helmet on my head. Helmets make me kind of weirdly claustrophobic,

705
00:33:59,480 --> 00:34:01,080
Speaker 2: Yeah I can, but it was like big enough that

706
00:34:01,160 --> 00:34:03,080
Speaker 2: it was okay, and it was just like a regular

707
00:34:03,520 --> 00:34:05,720
Speaker 2: like white helmet that they then put like the pink

708
00:34:05,920 --> 00:34:07,600
Speaker 2: like the padding and all the stuff around it and

709
00:34:07,640 --> 00:34:12,640
Speaker 2: my little antenna yeah, the antennas. Yeah, and uh but yeah,

710
00:34:12,680 --> 00:34:15,000
Speaker 2: I remember going for the fitting because they basically like

711
00:34:15,880 --> 00:34:18,960
Speaker 2: made a little flight suit for they had to construct

712
00:34:19,320 --> 00:34:21,600
Speaker 2: construct me in a flight suit, and then it was

713
00:34:21,640 --> 00:34:24,480
Speaker 2: like I think there were like uh snow boots, like

714
00:34:24,520 --> 00:34:28,000
Speaker 2: pink snow boots basically was what these were. Okay, yeah,

715
00:34:28,080 --> 00:34:31,080
Speaker 2: and it was. And the gloves were like I think

716
00:34:31,080 --> 00:34:33,799
Speaker 2: they were like hockey gloves or something. They just spray

717
00:34:33,880 --> 00:34:37,160
Speaker 2: painted pink and it was so hot. It was so

718
00:34:37,200 --> 00:34:38,280
Speaker 2: hot that costume.

719
00:34:38,400 --> 00:34:40,440
Speaker 1: Yeah, yeah, and you got to wear it for this

720
00:34:40,520 --> 00:34:41,280
Speaker 1: whole dream.

721
00:34:41,080 --> 00:34:43,520
Speaker 2: Seat right, for the whole dream sequents. And and then

722
00:34:43,560 --> 00:34:46,160
Speaker 2: of course they had to do a special fitting because

723
00:34:46,200 --> 00:34:49,000
Speaker 2: it had a harness that I had to wear underneath

724
00:34:49,200 --> 00:34:52,200
Speaker 2: the suit, which was, like we've talked about it before,

725
00:34:52,239 --> 00:34:54,640
Speaker 2: the weird harness sort of thing is like a like

726
00:34:54,680 --> 00:34:56,800
Speaker 2: one of those plastic swing things that you see for babies.

727
00:34:56,840 --> 00:34:58,440
Speaker 2: You kind of step into that, but then it's you know,

728
00:34:58,440 --> 00:35:00,400
Speaker 2: you got to run the cords through the thing to

729
00:35:00,480 --> 00:35:02,719
Speaker 2: your back and all this stuff. So yeah, it was

730
00:35:02,800 --> 00:35:06,520
Speaker 2: quite a contraption to have to wear it underneath. And

731
00:35:06,560 --> 00:35:10,520
Speaker 2: then with the with the full spacesuit on.

732
00:35:11,040 --> 00:35:14,160
Speaker 1: They just they loved putting you in harnesses and like

733
00:35:14,280 --> 00:35:15,600
Speaker 1: flying you across the rooms.

734
00:35:15,680 --> 00:35:18,799
Speaker 2: Yeah, and you have fly just flinger around the room. Yeah,

735
00:35:18,960 --> 00:35:22,520
Speaker 2: it's how many times I've flown through that set that time.

736
00:35:22,640 --> 00:35:24,960
Speaker 2: Then in Fuller and they didn't use it. Yeah, yeah,

737
00:35:25,000 --> 00:35:30,359
Speaker 2: they didn't use it. I don't use yeah, yeah, but

738
00:35:30,400 --> 00:35:32,279
Speaker 2: I loved it. I was like, this is great, I

739
00:35:32,320 --> 00:35:33,920
Speaker 2: got to do something. I was so excited.

740
00:35:34,320 --> 00:35:36,319
Speaker 1: Yeah, you got to do a stunt like you could

741
00:35:36,360 --> 00:35:38,080
Speaker 1: have earned your stunt card after.

742
00:35:37,920 --> 00:35:39,959
Speaker 2: That, because they certainly won't let you do it now.

743
00:35:40,160 --> 00:35:43,920
Speaker 2: But I mean maybe if you're like, you know, an adult.

744
00:35:43,719 --> 00:35:46,360
Speaker 1: They will. But yeah, but they would not put child.

745
00:35:46,239 --> 00:35:49,200
Speaker 2: Left drown on on a hovering children of eight feet

746
00:35:49,200 --> 00:35:49,799
Speaker 2: above the ground.

747
00:35:49,960 --> 00:35:53,760
Speaker 1: These days, the standards and practices have changed. Yeah, nineteen

748
00:35:53,800 --> 00:35:54,319
Speaker 1: eighty nine.

749
00:35:54,680 --> 00:35:56,399
Speaker 2: But I'm so glad I got to do it because

750
00:35:56,400 --> 00:35:56,879
Speaker 2: it was fun.

751
00:35:57,360 --> 00:35:59,920
Speaker 1: It was this is just this, this whole scene is

752
00:36:00,160 --> 00:36:05,040
Speaker 1: so freaking amazing. I loved it. So Stephanie announces that

753
00:36:05,080 --> 00:36:08,080
Speaker 1: she has just returned from Mars, where she was the

754
00:36:08,160 --> 00:36:09,400
Speaker 1: first kid in space.

755
00:36:10,360 --> 00:36:11,200
Speaker 2: I went first.

756
00:36:13,520 --> 00:36:18,920
Speaker 1: This is so impressive. Mars Baby, Mars baby, and without looking,

757
00:36:19,080 --> 00:36:24,160
Speaker 1: Danny halfheartedly says, oh that's nice, honey, wipe your feet. Danny, Joey,

758
00:36:24,200 --> 00:36:28,000
Speaker 1: and Jesse focus their attention back on Michelle, all pulling

759
00:36:28,040 --> 00:36:33,240
Speaker 1: out massive camcorders to tape her rights. Just an army

760
00:36:33,239 --> 00:36:38,200
Speaker 1: of camcorders is aggressive, Yeah, Danny exclaims, she did it.

761
00:36:38,560 --> 00:36:43,839
Speaker 1: She blinked, and they all gush in unison, she's so cute, like.

762
00:36:43,840 --> 00:36:45,960
Speaker 2: This is so annoying that, which really is what it

763
00:36:46,040 --> 00:36:47,880
Speaker 2: takes to an older sibling when you're like, oh my,

764
00:36:48,080 --> 00:36:49,960
Speaker 2: you just breathed and everything's cute.

765
00:36:50,640 --> 00:36:54,239
Speaker 1: Everyone's falling all over themselves for right, the easiest thing

766
00:36:54,360 --> 00:36:59,279
Speaker 1: to accomplish. Yep, it's so funny. So Stephanie walks over

767
00:36:59,320 --> 00:37:02,760
Speaker 1: and asks if anyone heard her say she went to Mars.

768
00:37:03,640 --> 00:37:08,080
Speaker 1: Jesse dismissively waves his hand at her, saying later. He

769
00:37:08,120 --> 00:37:10,880
Speaker 1: then asks Joey to tell Michelle what she's won for

770
00:37:11,000 --> 00:37:14,799
Speaker 1: being so cute and adorable. Joey uses his announcer voice

771
00:37:14,880 --> 00:37:18,799
Speaker 1: to say, well, Jess cute, adorable, blinking, Michelle has one

772
00:37:19,320 --> 00:37:25,520
Speaker 1: Stephanie's bike, and Jesse pulls out Steph's pink bike from

773
00:37:25,560 --> 00:37:28,760
Speaker 1: around the couch. This is so this like my bike,

774
00:37:29,239 --> 00:37:32,040
Speaker 1: your bike that you worked so hard you sold all

775
00:37:32,080 --> 00:37:32,399
Speaker 1: of those?

776
00:37:32,480 --> 00:37:35,520
Speaker 2: Is this the Is this the one that? I?

777
00:37:35,520 --> 00:37:37,440
Speaker 1: I think? So, I don't know, Yeah, let's.

778
00:37:37,280 --> 00:37:37,960
Speaker 2: Go with that thing.

779
00:37:38,400 --> 00:37:39,239
Speaker 1: Yeah you worked hard?

780
00:37:39,320 --> 00:37:41,239
Speaker 2: Well, No, that was that was the earlier bike. Then,

781
00:37:41,239 --> 00:37:43,680
Speaker 2: I think, wasn't there another bike? I think we've had several.

782
00:37:43,400 --> 00:37:45,279
Speaker 1: Bikes any ridden you've ridden a bike.

783
00:37:45,960 --> 00:37:48,759
Speaker 2: The bike in it was very important to Steph and

784
00:37:48,880 --> 00:37:52,160
Speaker 2: Michelle is not big enough to even ride it. So no, no,

785
00:37:52,640 --> 00:37:55,359
Speaker 2: she's still riding those plastic that's the that's the point, right.

786
00:37:55,520 --> 00:37:58,319
Speaker 2: So that's how Steph is seeing. Everything is like everyone

787
00:37:58,440 --> 00:38:00,960
Speaker 2: hates me. Everyone everyone is it's everyone is.

788
00:38:00,960 --> 00:38:06,040
Speaker 1: Such an exaggerated scene, it's so funny. So Stephanie shouts

789
00:38:06,239 --> 00:38:11,799
Speaker 1: my bike, and Michelle declares my bike. Stephanie reiterates how

790
00:38:11,800 --> 00:38:15,280
Speaker 1: she just got back from Mars, asking what do I get?

791
00:38:15,400 --> 00:38:18,240
Speaker 1: The doorbell rings and the guys respond get the door.

792
00:38:19,520 --> 00:38:21,920
Speaker 1: Steph opens the front door and a red carpet rolls

793
00:38:21,960 --> 00:38:25,120
Speaker 1: out while a trumpet plays. She thinks it's all for

794
00:38:25,160 --> 00:38:28,799
Speaker 1: her and then gets a rude awakening when DJ struts in.

795
00:38:29,800 --> 00:38:33,240
Speaker 1: DJ shoes her aside, get off my rug NERD Bomber,

796
00:38:34,520 --> 00:38:37,840
Speaker 1: and the guys all shout in unison, DJ jumping up

797
00:38:37,880 --> 00:38:40,400
Speaker 1: to greet her with a crown, a cape and a

798
00:38:40,440 --> 00:38:44,680
Speaker 1: wand Stephanie asks what she did to deserve the praise,

799
00:38:44,800 --> 00:38:48,200
Speaker 1: and DJ proudly announces I went to the mailbox and

800
00:38:48,239 --> 00:38:53,200
Speaker 1: got the mail. Wow. Wow. Stephanie tries to gain some

801
00:38:53,280 --> 00:38:57,360
Speaker 1: attention showing everyone how she learned to float after traveling

802
00:38:57,440 --> 00:39:01,200
Speaker 1: to Mars. Yeah, and she floats to the top of

803
00:39:01,239 --> 00:39:01,960
Speaker 1: the sets.

804
00:39:02,680 --> 00:39:05,920
Speaker 2: I sapped my little wings, flat your flings, and then

805
00:39:05,920 --> 00:39:06,839
Speaker 2: I flew. Yeah.

806
00:39:07,080 --> 00:39:09,040
Speaker 1: I just I love that you They weren't even trying

807
00:39:09,040 --> 00:39:11,359
Speaker 1: to hide the wires like you can see them, though

808
00:39:11,400 --> 00:39:12,680
Speaker 1: they were, But that's.

809
00:39:12,480 --> 00:39:14,960
Speaker 2: Just as that was. I mean, what were you gonna do?

810
00:39:15,160 --> 00:39:17,040
Speaker 2: They were trying to hide the wires, but at some

811
00:39:17,120 --> 00:39:20,080
Speaker 2: point you just go like ew, yeah, that's probably why

812
00:39:20,080 --> 00:39:23,840
Speaker 2: there were those two little antenna there. Oh just sort

813
00:39:23,880 --> 00:39:25,960
Speaker 2: of look maybe cover I don't know.

814
00:39:26,040 --> 00:39:30,280
Speaker 1: To kind of cover up the wires there. Yeah, yeah, okay,

815
00:39:30,320 --> 00:39:32,520
Speaker 1: I'll take that. But it was just this is so

816
00:39:33,120 --> 00:39:36,480
Speaker 1: this is peak eighties, peak eighties sitcom stuff right here.

817
00:39:36,719 --> 00:39:36,959
Speaker 2: Yeah.

818
00:39:37,520 --> 00:39:40,560
Speaker 1: So distracted by DJ, the men all guide DJ to

819
00:39:40,640 --> 00:39:43,520
Speaker 1: the couch and ask her about her trip to the mailbox.

820
00:39:44,160 --> 00:39:48,000
Speaker 1: Jesse compliments talk about guts. DJ nods her head and

821
00:39:48,040 --> 00:39:52,560
Speaker 1: says it was scary, guys, there were cracks in the sidewalk.

822
00:39:53,560 --> 00:39:57,160
Speaker 1: Stephanie is meanwhile flapping her arms, flying above her family,

823
00:39:57,320 --> 00:40:02,759
Speaker 1: shouting you who appear and it's flying and nobody looks up,

824
00:40:02,880 --> 00:40:06,040
Speaker 1: nobody cares. Nobody cares.

825
00:40:06,320 --> 00:40:06,719
Speaker 2: At all.

826
00:40:07,719 --> 00:40:10,480
Speaker 1: Jesse tells DJ it's time to get her party started.

827
00:40:10,760 --> 00:40:14,040
Speaker 1: Patrick Swayzee is in there and he wants the first dance.

828
00:40:15,120 --> 00:40:18,719
Speaker 1: DJ happily states I love being the firstborn, and they

829
00:40:18,800 --> 00:40:21,799
Speaker 1: all head for the kitchen while Steph remains floating in

830
00:40:21,880 --> 00:40:27,560
Speaker 1: the air. It so rude. Oh, this is just the greatest.

831
00:40:29,239 --> 00:40:32,920
Speaker 2: Just hanging around, just hanging around, hanging around.

832
00:40:33,600 --> 00:40:36,839
Speaker 1: So Danny finally acknowledges Steph, asking, oh hey, while you're

833
00:40:36,920 --> 00:40:38,960
Speaker 1: up there, could you dust the top of the mantle.

834
00:40:39,360 --> 00:40:41,760
Speaker 1: He throws her a rag and disappears into the kitchen.

835
00:40:42,600 --> 00:40:46,160
Speaker 1: Stephanie sways back and forth in the air and sadly responds,

836
00:40:46,280 --> 00:40:50,640
Speaker 1: how rude. It's you know, they called for a how rude?

837
00:40:50,640 --> 00:40:54,000
Speaker 2: That definitely no. That was such a funny scene though,

838
00:40:54,040 --> 00:40:57,759
Speaker 2: and like the everybody just hit the tone perfect with

839
00:40:57,920 --> 00:41:01,560
Speaker 2: the guys and DJ and Mischie Shell all playing this

840
00:41:01,680 --> 00:41:04,399
Speaker 2: sort of over exaggerated version of like what Stephanie sees

841
00:41:04,440 --> 00:41:04,759
Speaker 2: in her head.

842
00:41:04,800 --> 00:41:07,840
Speaker 1: It was really funny, it was. It was so creative,

843
00:41:07,960 --> 00:41:10,120
Speaker 1: It was well written and well acted. You're right, ye

844
00:41:10,160 --> 00:41:12,359
Speaker 1: had you had to make it just sarcastic and just

845
00:41:12,520 --> 00:41:15,560
Speaker 1: over exaggerated enough, right so that you know, it's this

846
00:41:15,640 --> 00:41:18,560
Speaker 1: isn't real. It's a dream sequence exactly in case you

847
00:41:18,680 --> 00:41:24,879
Speaker 1: mean right the music. So we dissolved back to present

848
00:41:24,960 --> 00:41:28,880
Speaker 1: day Stephanie laying on her bed with mister Bear. How

849
00:41:29,120 --> 00:41:33,680
Speaker 1: very rude, she says as she shakes her head. Harry

850
00:41:33,760 --> 00:41:36,600
Speaker 1: knocks on the door and walks in cheerfully with his camera.

851
00:41:37,120 --> 00:41:39,319
Speaker 1: He greets her high chief. I want to get a

852
00:41:39,320 --> 00:41:41,480
Speaker 1: picture of you and your hoop for my scrap book.

853
00:41:42,719 --> 00:41:45,239
Speaker 1: Like Harry, I just love this guy, like he's making

854
00:41:45,280 --> 00:41:48,480
Speaker 1: the only one giving you attention. Wants a picture of

855
00:41:48,520 --> 00:41:50,200
Speaker 1: you for his scrap book.

856
00:41:50,520 --> 00:41:53,960
Speaker 2: Yeah, because I beat the record, Thanks Harry.

857
00:41:53,440 --> 00:41:56,120
Speaker 1: He's the only proud of you. And oh, I just

858
00:41:56,200 --> 00:41:59,000
Speaker 1: everyone needs a Harry. You know, when Harry finds someone

859
00:41:59,040 --> 00:42:01,360
Speaker 1: who looks at you the way Harry he looks at Stephanie. True,

860
00:42:02,160 --> 00:42:04,440
Speaker 1: So Stephanie gives him like a half of a smile

861
00:42:04,680 --> 00:42:07,839
Speaker 1: and he snaps the picture. Steph tells him he's the

862
00:42:07,840 --> 00:42:10,880
Speaker 1: only one who cares about her. He reassures her that

863
00:42:11,000 --> 00:42:15,520
Speaker 1: her family cares, but Stephanie disagrees. DJ is the oldest

864
00:42:15,800 --> 00:42:20,080
Speaker 1: and Michelle is the cutest, and I'm nothing. Steph's sighs,

865
00:42:20,239 --> 00:42:22,879
Speaker 1: wishing she could move out, but she says she's stuck

866
00:42:22,920 --> 00:42:27,200
Speaker 1: there until she gets married. Harry admits tough break, and

867
00:42:27,239 --> 00:42:32,960
Speaker 1: then Stephanie gets a realization. Unless you marry me, Harry

868
00:42:33,040 --> 00:42:36,440
Speaker 1: gets a big smile on his face. Marry you. I'm

869
00:42:36,480 --> 00:42:40,000
Speaker 1: not even allowed to cross a street. It's so sweet.

870
00:42:41,280 --> 00:42:45,760
Speaker 1: Steph responds, married people are allowed, and this gets Harry's attention.

871
00:42:46,160 --> 00:42:48,160
Speaker 1: He shrugs, Okay, I'll marry you.

872
00:42:48,600 --> 00:42:52,160
Speaker 2: Hey for crossing the street privileges. Basically, I mean it's

873
00:42:52,200 --> 00:42:55,239
Speaker 2: almost like a green card to a child, you know, Yes,

874
00:42:55,560 --> 00:42:57,760
Speaker 2: like I need a green card to live in this country.

875
00:42:57,800 --> 00:42:59,319
Speaker 2: I need to be married so I can cross the street.

876
00:42:59,400 --> 00:43:03,200
Speaker 1: It's right, that makes perfect sense. Yes, that is. That's

877
00:43:03,239 --> 00:43:05,880
Speaker 1: the incentive for Harry, is he just wants across the street.

878
00:43:06,160 --> 00:43:07,720
Speaker 2: I just want across the street by myself.

879
00:43:09,080 --> 00:43:11,920
Speaker 1: So Stephanie tells him he has to propose, because a

880
00:43:11,960 --> 00:43:15,680
Speaker 1: girl waits her whole life for this moment. She throws

881
00:43:15,680 --> 00:43:17,359
Speaker 1: a pillow on the ground and tells him to get

882
00:43:17,400 --> 00:43:21,120
Speaker 1: down on one knee. He applied. He obliges, okay, chief,

883
00:43:21,800 --> 00:43:24,080
Speaker 1: and once he's down, he tells her, I can see

884
00:43:24,160 --> 00:43:29,920
Speaker 1: up your nose. Such a kid thing to say, Stephanie

885
00:43:29,960 --> 00:43:34,200
Speaker 1: says Harry, this is supposed to be romantic. He apologizes,

886
00:43:34,239 --> 00:43:37,600
Speaker 1: and then he corrects himself. I can see up your nose, darling.

887
00:43:39,640 --> 00:43:42,839
Speaker 1: Steph insists that they get married today. She'll call their

888
00:43:42,880 --> 00:43:44,640
Speaker 1: friends and they'll get a house so they won't have

889
00:43:44,680 --> 00:43:46,400
Speaker 1: to put up with DJ and Michelle anymore.

890
00:43:46,600 --> 00:43:48,560
Speaker 2: Great, I'm solved.

891
00:43:49,560 --> 00:43:52,480
Speaker 1: Stephanie is a problem solver and and I appreciate that

892
00:43:52,480 --> 00:43:57,080
Speaker 1: about her. She announces, I'll be Stephanie Takeyama and Harry

893
00:43:57,120 --> 00:44:01,000
Speaker 1: grins and I'll be Harry Tanner and they shake on it.

894
00:44:01,320 --> 00:44:02,640
Speaker 1: What a progressive relationship.

895
00:44:02,640 --> 00:44:06,719
Speaker 2: And I like that. Incredibly progressive. They stare. Harry and

896
00:44:06,719 --> 00:44:10,840
Speaker 2: Staff really set the tone for what for like, relationship goals.

897
00:44:11,160 --> 00:44:13,080
Speaker 1: Yeah, they are, they are goals.

898
00:44:13,080 --> 00:44:17,320
Speaker 2: Supportive. He lets her live her dream. She's like, here's

899
00:44:17,400 --> 00:44:20,359
Speaker 2: how we're doing it. He's like, all right, whatever you need. Chief, Like,

900
00:44:20,440 --> 00:44:21,239
Speaker 2: it's just they haven't.

901
00:44:21,520 --> 00:44:25,280
Speaker 1: He takes her last name like a great, it's perfect,

902
00:44:25,600 --> 00:44:29,239
Speaker 1: it's such it were prostype man. Yeah, it's so so

903
00:44:29,360 --> 00:44:31,120
Speaker 1: good relationship goals, like you said.

904
00:44:31,360 --> 00:44:39,800
Speaker 2: Yeah.

905
00:44:40,080 --> 00:44:43,800
Speaker 1: So next we cut to the living room, where DJ,

906
00:44:43,960 --> 00:44:45,799
Speaker 1: Jesse and Joey are at the top of the living

907
00:44:45,880 --> 00:44:49,160
Speaker 1: room stairs with her big prototype. This is the first

908
00:44:49,160 --> 00:44:51,799
Speaker 1: time we've shot a scene like up there in that

909
00:44:51,880 --> 00:44:52,560
Speaker 1: little I.

910
00:44:52,480 --> 00:44:55,040
Speaker 2: Think there's maybe been like like a shot up there,

911
00:44:55,040 --> 00:44:57,279
Speaker 2: but it's not it's not a great angle, so it's

912
00:44:57,320 --> 00:45:01,840
Speaker 2: not something that you like to shoot often, and you

913
00:45:01,920 --> 00:45:04,719
Speaker 2: probably as a director, you'd have to push your cameras

914
00:45:04,719 --> 00:45:07,080
Speaker 2: into the stage, so then you'd have to reset and

915
00:45:07,080 --> 00:45:08,280
Speaker 2: do all that stuff to Cuney.

916
00:45:08,800 --> 00:45:11,640
Speaker 1: Yeah, I remember them moving the furniture out of the

917
00:45:11,640 --> 00:45:13,879
Speaker 1: way so they could push the cameras inside the set,

918
00:45:13,920 --> 00:45:16,319
Speaker 1: and yeah, that's just tedious, So I can see why

919
00:45:16,360 --> 00:45:18,840
Speaker 1: they didn't shoot up there all the time. So the

920
00:45:18,840 --> 00:45:22,560
Speaker 1: egg is resting in between a tinker toy frame nestled

921
00:45:22,560 --> 00:45:26,520
Speaker 1: in one of Michelle's booties. Joey begins the countdown, starting

922
00:45:26,560 --> 00:45:30,280
Speaker 1: at one hundred, but Jesse begs him to stop. Huh,

923
00:45:30,320 --> 00:45:33,520
Speaker 1: and Joey restarts at five. Just as the egg is

924
00:45:33,560 --> 00:45:37,000
Speaker 1: being dropped, the doorbell rings. Danny shouts he'll get it,

925
00:45:37,120 --> 00:45:40,120
Speaker 1: and right on time, dj drops the tinker toy frame.

926
00:45:40,400 --> 00:45:42,799
Speaker 1: It hits the floor and bounces the egg in the air,

927
00:45:43,040 --> 00:45:47,239
Speaker 1: which Danny catches and breaks with his hands. How many

928
00:45:47,320 --> 00:45:49,160
Speaker 1: times did they have to do this like? That?

929
00:45:49,320 --> 00:45:51,640
Speaker 2: Is right? I was looking at I was like, how

930
00:45:51,640 --> 00:45:54,239
Speaker 2: did they shoot? Like, there's it's definitely broken up into

931
00:45:54,280 --> 00:45:56,680
Speaker 2: a couple of shots. But him catching the egg and

932
00:45:56,719 --> 00:45:59,080
Speaker 2: squeezing it was yeah, that was that was good. I

933
00:45:59,080 --> 00:46:02,080
Speaker 2: bet someone was laying on the ground and like throwing

934
00:46:02,120 --> 00:46:03,920
Speaker 2: the egg up so that he could catch it.

935
00:46:04,000 --> 00:46:07,120
Speaker 1: And yeah, yeah, because eggs don't bounce in that even

936
00:46:07,160 --> 00:46:08,880
Speaker 1: with that tinker toy situation.

937
00:46:09,040 --> 00:46:11,120
Speaker 2: Yeah, yeah, because it was not you can't rely on that.

938
00:46:11,280 --> 00:46:13,600
Speaker 1: Yeah, yeah, I bet someone was laying down there, yeah,

939
00:46:13,680 --> 00:46:14,439
Speaker 1: throwing him the egg.

940
00:46:14,600 --> 00:46:15,080
Speaker 2: Oh yeah.

941
00:46:15,719 --> 00:46:18,800
Speaker 1: So DJ opens the front door and we see Stephanie's friends.

942
00:46:18,880 --> 00:46:21,759
Speaker 1: They're here for the wedding. DJ directs them to the

943
00:46:21,760 --> 00:46:24,839
Speaker 1: backyard and Joey and Jesse watch as a whole line

944
00:46:24,840 --> 00:46:27,920
Speaker 1: of kids walk past them. Joey asks who they are,

945
00:46:28,320 --> 00:46:32,560
Speaker 1: and Jesse jokes that's dopey, sneezy, blanky, et cetera, et cetera.

946
00:46:33,239 --> 00:46:36,959
Speaker 2: Where how okay, again with just how did they get here?

947
00:46:37,200 --> 00:46:38,080
Speaker 2: They all take a bus.

948
00:46:38,120 --> 00:46:41,319
Speaker 1: Oh yeah, the parents who drove them.

949
00:46:41,800 --> 00:46:44,160
Speaker 2: They came across the street. But they can all drive here.

950
00:46:45,400 --> 00:46:48,640
Speaker 2: And yeah, it feels like it's been pretty quick, you man.

951
00:46:48,840 --> 00:46:51,440
Speaker 2: Steph just rallied up twenty kids like, hey, I need

952
00:46:51,480 --> 00:46:55,200
Speaker 2: you in my backyard now, and they are on it. Yeah, dressed,

953
00:46:55,520 --> 00:46:59,360
Speaker 2: ready to go, and there in my Miami vice outfit.

954
00:46:59,400 --> 00:47:02,919
Speaker 2: Hold on please, I mean, and the one kid's got

955
00:47:03,600 --> 00:47:05,840
Speaker 2: a caller. Well, he says his dad's a minister, so

956
00:47:05,840 --> 00:47:06,640
Speaker 2: he probably borrowed up.

957
00:47:06,680 --> 00:47:09,480
Speaker 1: But yeah, so he dressed the part. Yeah, but they

958
00:47:10,040 --> 00:47:11,879
Speaker 1: I didn't think, how do the kids get there? How

959
00:47:11,880 --> 00:47:13,440
Speaker 1: did the kids get there at all? Coordinated?

960
00:47:13,600 --> 00:47:16,080
Speaker 2: I will say one thing that the Tanners know how

961
00:47:16,080 --> 00:47:19,960
Speaker 2: to do well is throw an impromptu backyard wedding.

962
00:47:20,440 --> 00:47:21,759
Speaker 1: Yes, they do better.

963
00:47:21,800 --> 00:47:25,479
Speaker 2: We're like, oh easy, cake, twenty people and an entire

964
00:47:25,520 --> 00:47:26,880
Speaker 2: party in the backyard. Done.

965
00:47:27,120 --> 00:47:30,200
Speaker 1: Yeah, yeah, it's like no problem, no problem, no no

966
00:47:30,320 --> 00:47:33,880
Speaker 1: lead time necessary, just instant, just an instant party in

967
00:47:33,880 --> 00:47:34,439
Speaker 1: the back yard.

968
00:47:34,800 --> 00:47:38,879
Speaker 2: Yeah, I really was. I was surprised that all these

969
00:47:38,920 --> 00:47:39,560
Speaker 2: kids showed up.

970
00:47:39,680 --> 00:47:42,120
Speaker 1: Hey, Steph is a mover and a shaker, and I

971
00:47:42,160 --> 00:47:45,600
Speaker 1: love that about her. So dj tells the guys that

972
00:47:45,600 --> 00:47:47,400
Speaker 1: they have to go back to the drawing board for

973
00:47:47,480 --> 00:47:49,799
Speaker 1: her experiment, but Jesse tells her they got to work

974
00:47:49,840 --> 00:47:53,240
Speaker 1: on the jingle. Joey suggests they try slowing it down,

975
00:47:53,440 --> 00:47:56,520
Speaker 1: and Jesse assumes he's talking about the jingle. Joey puts

976
00:47:56,560 --> 00:47:58,640
Speaker 1: his hand over Jesse's mouth when he tries to sing

977
00:47:58,680 --> 00:48:03,040
Speaker 1: a Sinatra type ballad, telling him to stop. Joey explains

978
00:48:03,080 --> 00:48:06,200
Speaker 1: that he thinks a handkerchief will work as a parachute

979
00:48:06,280 --> 00:48:09,239
Speaker 1: for the egg. He follows DJ upstairs to try it,

980
00:48:09,560 --> 00:48:13,160
Speaker 1: and this leaves Jesse by himself announcing, well, our careers

981
00:48:13,160 --> 00:48:15,480
Speaker 1: are over, but we're going to pass sixth grade science.

982
00:48:15,960 --> 00:48:17,839
Speaker 1: Wait up, the prastinators are.

983
00:48:17,719 --> 00:48:21,799
Speaker 2: Still Science is hard, you know, it's it is.

984
00:48:22,160 --> 00:48:22,680
Speaker 1: Yeah, I know.

985
00:48:23,200 --> 00:48:25,359
Speaker 2: All these things seemed easy until you give it twenty

986
00:48:25,400 --> 00:48:26,600
Speaker 2: five years and then you go back and try to

987
00:48:26,600 --> 00:48:27,000
Speaker 2: do it again.

988
00:48:27,400 --> 00:48:30,600
Speaker 1: Yeah, not so easy. So now we are in the

989
00:48:30,640 --> 00:48:35,640
Speaker 1: backyard this infamous wedding scene. Oh man, when I say,

990
00:48:35,680 --> 00:48:38,640
Speaker 1: I was excited to watch this. All the kids are

991
00:48:38,640 --> 00:48:40,360
Speaker 1: outside mingling before the wedding.

992
00:48:40,640 --> 00:48:41,520
Speaker 2: Cocktail hour one.

993
00:48:41,800 --> 00:48:45,000
Speaker 1: It's right, it's the cocktail hour. There's no past or dervs,

994
00:48:45,000 --> 00:48:48,200
Speaker 1: but that's right. One of the friends is going to

995
00:48:48,200 --> 00:48:51,600
Speaker 1: be the officiant because his dad is a minister, and

996
00:48:51,719 --> 00:48:55,520
Speaker 1: he addresses the group of kids music. The kids all

997
00:48:55,560 --> 00:48:57,080
Speaker 1: start to play their kazoos.

998
00:48:57,320 --> 00:48:59,880
Speaker 2: Where did they get to kazoos? Did they all have kazoos.

999
00:49:00,400 --> 00:49:03,560
Speaker 2: Who's handing out the kazoos? A thirty zoos in the

1000
00:49:03,640 --> 00:49:04,360
Speaker 2: Tanner household.

1001
00:49:05,320 --> 00:49:08,240
Speaker 1: Yeah, well, I just assume Steph like has a wedding planner,

1002
00:49:08,320 --> 00:49:11,680
Speaker 1: who had, you know, arranged for for twenty kazoos to

1003
00:49:11,719 --> 00:49:14,319
Speaker 1: be cast out? You know, that's it's you.

1004
00:49:14,239 --> 00:49:16,320
Speaker 2: Know what, you know, you know who got those kazoos?

1005
00:49:16,920 --> 00:49:17,800
Speaker 1: Harry.

1006
00:49:18,040 --> 00:49:20,160
Speaker 2: Harry got those cazozos because Steph said she wanted it.

1007
00:49:20,160 --> 00:49:22,080
Speaker 2: And he was like, don't worry, Chief, I got you.

1008
00:49:22,440 --> 00:49:25,040
Speaker 1: And so he just kept walking, not crossing streets, but

1009
00:49:25,120 --> 00:49:27,120
Speaker 1: just kept walking like in a circle to find.

1010
00:49:27,000 --> 00:49:29,480
Speaker 2: Just Ken's walking right, if you just kept making a

1011
00:49:29,520 --> 00:49:33,600
Speaker 2: big enough right, he kind of could make progress looping around.

1012
00:49:33,760 --> 00:49:37,960
Speaker 1: Yeah, he is the best partner. Oh man, So Stephanie

1013
00:49:38,000 --> 00:49:41,440
Speaker 1: walks down the aisle dressed in a poofy white dress

1014
00:49:41,640 --> 00:49:45,640
Speaker 1: carrying red roses. You are so adorable in your tights,

1015
00:49:45,880 --> 00:49:46,160
Speaker 1: hit and.

1016
00:49:46,160 --> 00:49:48,680
Speaker 2: You're thank you, And I think those were Actually they're

1017
00:49:48,719 --> 00:49:53,879
Speaker 2: not roses. They are they're pogonias, and they're pulled out

1018
00:49:53,920 --> 00:49:56,759
Speaker 2: of one of the they're like supposed to look like

1019
00:49:56,800 --> 00:49:58,800
Speaker 2: they're out of one of the pots in the backyard.

1020
00:49:58,920 --> 00:50:01,640
Speaker 1: Oh okay, that's great, that's hysterical.

1021
00:50:02,280 --> 00:50:04,840
Speaker 2: They're just kind of leafy like yeah.

1022
00:50:04,480 --> 00:50:07,400
Speaker 1: Oh yeah, okay, they're not yeahs structured as a bouquet.

1023
00:50:08,040 --> 00:50:10,280
Speaker 2: I mean, we didn't have the budget nor the time

1024
00:50:10,320 --> 00:50:11,560
Speaker 2: to get to the florist.

1025
00:50:11,280 --> 00:50:14,440
Speaker 1: So had to make do. I had to make do.

1026
00:50:14,880 --> 00:50:16,840
Speaker 1: And I love that. Your train is a roll of

1027
00:50:16,960 --> 00:50:20,160
Speaker 1: parchment paper like this is this is genius. This is

1028
00:50:20,200 --> 00:50:20,680
Speaker 1: so crazy.

1029
00:50:20,719 --> 00:50:22,839
Speaker 2: Steph is like she's on it. She's like, I need

1030
00:50:22,880 --> 00:50:25,359
Speaker 2: a train. I know where I can get one.

1031
00:50:25,640 --> 00:50:28,439
Speaker 1: Yeah, Steph has been picturing this wedding for her whole life.

1032
00:50:28,800 --> 00:50:33,160
Speaker 2: And the girl holding the train is Alison Richmond.

1033
00:50:33,239 --> 00:50:36,480
Speaker 1: Keith r, a D's daughter, So you know, yes, oh

1034
00:50:36,560 --> 00:50:40,680
Speaker 1: that's so great. I love that, you know, just Builton friends.

1035
00:50:40,280 --> 00:50:46,000
Speaker 2: Yeah. I didn't notice if Jamie and or Hillary were

1036
00:50:46,000 --> 00:50:47,879
Speaker 2: in there. I don't think they were because I wasn't

1037
00:50:47,880 --> 00:50:51,320
Speaker 2: directing them. Joelden direct this episode, so probably not, but probably.

1038
00:50:51,080 --> 00:50:54,760
Speaker 1: Not, but Allison was. That's great. So the officiant begins

1039
00:50:54,760 --> 00:50:58,320
Speaker 1: the ceremony. We are gathered here today to join Stephanie

1040
00:50:58,360 --> 00:51:03,359
Speaker 1: and Harry in Holy Match Triss Money. That is the best.

1041
00:51:03,560 --> 00:51:05,719
Speaker 1: These little kiddims are so great.

1042
00:51:05,760 --> 00:51:09,360
Speaker 2: There's so great. Yeah, Holy Mattress Money that makes sense.

1043
00:51:09,840 --> 00:51:13,640
Speaker 1: Harry references this very line in thirty years later in

1044
00:51:13,680 --> 00:51:17,120
Speaker 1: Fuller House, when you guys have that scene, he references

1045
00:51:17,160 --> 00:51:23,520
Speaker 1: Holy Mattress money. Yeah, h full circle. It's so amazing, Harry.

1046
00:51:23,560 --> 00:51:27,000
Speaker 1: Do you take Stephanie and Harry shrugs, I'll take her anywhere,

1047
00:51:27,080 --> 00:51:29,120
Speaker 1: because after we're married, we can cross the street.

1048
00:51:30,160 --> 00:51:32,960
Speaker 2: Yeah. They we can hang a left wherever we want.

1049
00:51:34,800 --> 00:51:36,040
Speaker 1: They're going to travel the world.

1050
00:51:36,120 --> 00:51:38,839
Speaker 2: Yeah, crossing a cross street, crossing all the streets.

1051
00:51:40,280 --> 00:51:43,560
Speaker 1: Then it's time for the wedding bows. Not the bows,

1052
00:51:43,640 --> 00:51:49,560
Speaker 1: but bows. I was like, yes, Harry turns to steph bowing,

1053
00:51:50,080 --> 00:51:52,480
Speaker 1: and then Stephanie gives him a little curtsy.

1054
00:51:53,400 --> 00:51:56,040
Speaker 2: So great, very respectful. I'm pretty sure that that was

1055
00:51:56,080 --> 00:51:57,680
Speaker 2: something they did in like medieval times you had to

1056
00:51:57,680 --> 00:52:00,600
Speaker 2: bow at. Yeah. It was taking about.

1057
00:52:00,360 --> 00:52:05,680
Speaker 1: Custom and very custom, the deep traditions right back when

1058
00:52:05,719 --> 00:52:08,080
Speaker 1: you like, there was no like you had not kissed

1059
00:52:08,239 --> 00:52:10,800
Speaker 1: the groom before your wedding day, Like there.

1060
00:52:10,719 --> 00:52:15,439
Speaker 2: Was no they hadn't hadn't even seen me, the veil,

1061
00:52:15,840 --> 00:52:17,360
Speaker 2: didn't even know, never met me.

1062
00:52:17,520 --> 00:52:22,120
Speaker 1: Yeah, I'm telling you this is a progressive relationship. Yep.

1063
00:52:23,560 --> 00:52:26,040
Speaker 1: As for the ring, Harry pulls out a stick on

1064
00:52:26,200 --> 00:52:29,520
Speaker 1: tattoo of Scooby Doo and he puts it on STEP's hand.

1065
00:52:29,880 --> 00:52:34,680
Speaker 2: That's I mean, that's really as official as anything that.

1066
00:52:34,760 --> 00:52:37,640
Speaker 1: If that doesn't scream love, I don't know what does

1067
00:52:37,760 --> 00:52:38,040
Speaker 1: I mean.

1068
00:52:38,280 --> 00:52:40,719
Speaker 2: If you're like, this is this is the thing that

1069
00:52:40,800 --> 00:52:45,200
Speaker 2: I'm absolutely one hundred percent is my commitment, then Scooby

1070
00:52:45,239 --> 00:52:46,080
Speaker 2: Doo tattoo it you know.

1071
00:52:46,719 --> 00:52:49,000
Speaker 1: Yeah, that threw me. I thought he was pulling out

1072
00:52:49,000 --> 00:52:51,200
Speaker 1: a box of cracker Jacks out of his pocket.

1073
00:52:51,280 --> 00:52:54,080
Speaker 2: It was, but there wasn't a ring in it. It

1074
00:52:54,120 --> 00:52:56,279
Speaker 2: was That was sort of the joke was did you

1075
00:52:56,320 --> 00:52:59,320
Speaker 2: get a ring? I was like, well, no, the tattoo

1076
00:52:59,320 --> 00:53:02,799
Speaker 2: tattoo instead. It would have been it would have been

1077
00:53:02,840 --> 00:53:04,680
Speaker 2: too perfect if there would have been a plastic ring.

1078
00:53:05,280 --> 00:53:11,600
Speaker 1: Yeah, yeah, tattoo is perfect. Perfect. Yeah, Steph loves her tattoo,

1079
00:53:11,800 --> 00:53:14,480
Speaker 1: showing the group of friends as they all to.

1080
00:53:17,200 --> 00:53:18,280
Speaker 2: Steph's first tattoo.

1081
00:53:19,200 --> 00:53:21,080
Speaker 1: Oh dear right, this is where it all began.

1082
00:53:21,280 --> 00:53:25,560
Speaker 2: This is where yeah, well, so many things, yeah.

1083
00:53:24,560 --> 00:53:27,000
Speaker 1: Weddings, tattoos, yeah, all of it.

1084
00:53:27,120 --> 00:53:28,520
Speaker 2: Backyard. Yeah.

1085
00:53:28,640 --> 00:53:31,799
Speaker 1: The officiant pronounces them man and wife and says you

1086
00:53:31,880 --> 00:53:35,040
Speaker 1: may kiss the bride. Stephan Harry look at each other

1087
00:53:35,200 --> 00:53:39,880
Speaker 1: saying ew. The boy tells them if you don't kiss,

1088
00:53:40,000 --> 00:53:43,640
Speaker 1: you're not really married. Steph sticks out her hand and

1089
00:53:43,719 --> 00:53:47,080
Speaker 1: shields her eyes. Harry gives her a peck on the hand,

1090
00:53:47,239 --> 00:53:49,800
Speaker 1: and Steph admits he's not a bad kisser.

1091
00:53:50,680 --> 00:53:53,080
Speaker 2: I think I remember being really embarrassed to have to

1092
00:53:53,120 --> 00:53:55,360
Speaker 2: say that line because it was very much in the

1093
00:53:55,600 --> 00:53:58,640
Speaker 2: like you ick, So saying like he's not.

1094
00:53:58,600 --> 00:54:02,600
Speaker 1: A bad kiss her was like embarrassing and embarrassing. Yeah,

1095
00:54:02,640 --> 00:54:06,640
Speaker 1: oh man, that's that's it was. It came off so

1096
00:54:07,040 --> 00:54:08,680
Speaker 1: adorable this whole scene.

1097
00:54:08,880 --> 00:54:13,000
Speaker 2: This you've gotten married in the backyard twice. I didn't

1098
00:54:13,040 --> 00:54:14,200
Speaker 2: even think about that.

1099
00:54:14,560 --> 00:54:16,719
Speaker 1: You've been married twice in the backyard. Neither time did

1100
00:54:16,800 --> 00:54:18,120
Speaker 1: Danny walk you down the aisle.

1101
00:54:18,239 --> 00:54:21,120
Speaker 2: Well, it's because of this episode, because obviously Danny doesn't

1102
00:54:21,160 --> 00:54:23,839
Speaker 2: like me, obviously because I'm noticing, right, So that's what

1103
00:54:23,880 --> 00:54:26,000
Speaker 2: it is. This is just a through Yeah, yeah, a

1104
00:54:26,080 --> 00:54:29,000
Speaker 2: through line, really long storyline all the way through.

1105
00:54:30,360 --> 00:54:32,880
Speaker 1: So true. And I got to say, I wish you

1106
00:54:32,920 --> 00:54:34,880
Speaker 1: had stayed with Harry. He's a much better fit for

1107
00:54:34,920 --> 00:54:37,680
Speaker 1: you than Jimmy Gibbler. And I say that as Jimmy Gibbler's.

1108
00:54:37,280 --> 00:54:40,200
Speaker 2: Sister said that I know, I know Harry was a

1109
00:54:40,200 --> 00:54:42,240
Speaker 2: better fit. Yeah.

1110
00:54:42,280 --> 00:54:44,759
Speaker 1: So we go back to the living room. At the

1111
00:54:44,800 --> 00:54:48,080
Speaker 1: top of the stairs, DJ is there with her egg

1112
00:54:48,320 --> 00:54:53,560
Speaker 1: safely in a parachute. She drops it and it works. Jesse, Joey,

1113
00:54:53,600 --> 00:54:57,000
Speaker 1: and DJ all cheer in excitement. DJ thanks them, saying

1114
00:54:57,040 --> 00:55:01,520
Speaker 1: they're geniuses. Joey responds, quoting Edison, and genius is one

1115
00:55:01,560 --> 00:55:07,160
Speaker 1: percent inspiration and ninety nine percent perspiration. DJ doesn't quite

1116
00:55:07,200 --> 00:55:10,319
Speaker 1: follow this, and Jesse simplifies it. If you don't sweat it,

1117
00:55:10,680 --> 00:55:17,800
Speaker 1: you don't get it, and suddenly they have their jingle. Yay. Finally,

1118
00:55:18,560 --> 00:55:20,759
Speaker 1: the procrastination seemed to be.

1119
00:55:20,800 --> 00:55:23,160
Speaker 2: Very Just throw an egg off a balcony and suddenly

1120
00:55:23,320 --> 00:55:24,160
Speaker 2: ideas come to you.

1121
00:55:24,320 --> 00:55:28,040
Speaker 1: It comes to you. Danny walks into the living room

1122
00:55:28,080 --> 00:55:31,320
Speaker 1: backwards as he continues to film Michelle on her plastic

1123
00:55:31,440 --> 00:55:35,520
Speaker 1: wheeling pony. Stephanie walks in with Harry around her arm

1124
00:55:35,560 --> 00:55:39,840
Speaker 1: and announces I was married this afternoon. Harry looks at

1125
00:55:39,920 --> 00:55:44,840
Speaker 1: Danny and smiles, Hi, Dad, I laughed so hard at

1126
00:55:44,920 --> 00:55:45,400
Speaker 1: that line.

1127
00:55:45,640 --> 00:55:47,440
Speaker 2: The way he delivered it was perfect.

1128
00:55:47,840 --> 00:55:49,680
Speaker 1: It was so innocent.

1129
00:55:49,880 --> 00:55:50,120
Speaker 2: You know.

1130
00:55:50,239 --> 00:55:53,080
Speaker 1: He's so thrilled that Danny is now his father in law.

1131
00:55:53,080 --> 00:55:58,120
Speaker 1: He's been waiting for this moment. Stephanie says goodbye to

1132
00:55:58,160 --> 00:56:01,160
Speaker 1: her family, adding that it's been a rate six years.

1133
00:56:01,680 --> 00:56:04,520
Speaker 1: She turns to her husband and decides it's time to

1134
00:56:04,520 --> 00:56:07,200
Speaker 1: go house hunting. Yeah, but Harry says no because he

1135
00:56:07,200 --> 00:56:10,400
Speaker 1: has to go home. What I know, Steph Chase is

1136
00:56:10,440 --> 00:56:12,239
Speaker 1: after him, but he says he has to go home

1137
00:56:12,280 --> 00:56:17,360
Speaker 1: because it's meat loaf night. How rude, right, leaving you

1138
00:56:17,480 --> 00:56:18,320
Speaker 1: a bride alone?

1139
00:56:18,480 --> 00:56:21,480
Speaker 2: Kick her while she's down? You know, it's just you.

1140
00:56:21,440 --> 00:56:25,200
Speaker 1: Can't even get Harry to stay on your wedding night. Yeah. Wow,

1141
00:56:25,320 --> 00:56:27,400
Speaker 1: of course, Stephanie.

1142
00:56:26,880 --> 00:56:28,480
Speaker 2: Be pretty damn delicious.

1143
00:56:28,680 --> 00:56:32,000
Speaker 1: Yes, yes, hey, I wouldn't miss meat loaf night either.

1144
00:56:33,360 --> 00:56:38,240
Speaker 1: Stephanie turns around and complains that nobody wants her. Danny

1145
00:56:38,280 --> 00:56:42,080
Speaker 1: reassures her that the family does want her. Steph tells

1146
00:56:42,160 --> 00:56:44,440
Speaker 1: him that no one cared when she broke the hula

1147
00:56:44,480 --> 00:56:49,120
Speaker 1: hoop record or when she went to Mars. Everyone begins

1148
00:56:49,120 --> 00:56:52,600
Speaker 1: to apologize to steph but she refuses to accept, as

1149
00:56:52,600 --> 00:56:56,480
Speaker 1: she will always be stuck in the middle. Danny and

1150
00:56:56,560 --> 00:56:58,920
Speaker 1: Jesse help her realize that, hey, the middle isn't so

1151
00:56:59,000 --> 00:57:02,800
Speaker 1: bad like ay sandwich or the center of an Oreo.

1152
00:57:03,160 --> 00:57:05,160
Speaker 2: I would have given I would have given peeb and

1153
00:57:05,239 --> 00:57:08,520
Speaker 2: j as the sandwich, not baloney. Maybe it's just because

1154
00:57:08,560 --> 00:57:09,680
Speaker 2: I'm not a fan of bolooney.

1155
00:57:09,960 --> 00:57:12,520
Speaker 1: Yeah, No, bolooney is the weirdest of all the processes.

1156
00:57:12,520 --> 00:57:14,719
Speaker 2: I feel like being compared to a slice of bolooney

1157
00:57:15,440 --> 00:57:18,320
Speaker 2: is not it's kind of it's not the well, it's

1158
00:57:18,320 --> 00:57:20,080
Speaker 2: not the it's not the hype up.

1159
00:57:20,840 --> 00:57:22,919
Speaker 1: Yeah, it's not as classic as Peebe and Joy.

1160
00:57:22,920 --> 00:57:25,400
Speaker 2: I've been roasted turkey breast in the middle of two,

1161
00:57:25,440 --> 00:57:25,960
Speaker 2: you know what I mean.

1162
00:57:26,120 --> 00:57:27,080
Speaker 1: That would be Yeah.

1163
00:57:27,160 --> 00:57:29,800
Speaker 2: Yeah, Blooney kind of feels like mah.

1164
00:57:29,240 --> 00:57:32,480
Speaker 1: Blooney feels very eighties, late eighties though, you know, it's like,

1165
00:57:32,640 --> 00:57:34,480
Speaker 1: well it was very I don't know what's in it. Yeah,

1166
00:57:34,840 --> 00:57:37,280
Speaker 1: you know that these were the times. Yeah, got a

1167
00:57:37,280 --> 00:57:41,320
Speaker 1: blooney sandwich. So they also mentioned that Steph is the

1168
00:57:41,360 --> 00:57:43,920
Speaker 1: only one in the family who has a big sister

1169
00:57:44,360 --> 00:57:48,080
Speaker 1: and a little sister. DJ chimes in that she's getting

1170
00:57:48,120 --> 00:57:50,520
Speaker 1: depressed now so far, I'm the soggy part of the

1171
00:57:50,520 --> 00:57:53,000
Speaker 1: sandwich and the throwaway part of the cookie.

1172
00:57:53,680 --> 00:57:54,880
Speaker 2: At least she's not bolooney.

1173
00:57:55,440 --> 00:57:59,240
Speaker 1: Yeah, that's true, a good point. Danny pulls Steph aside

1174
00:57:59,400 --> 00:58:01,680
Speaker 1: to make sure she comes to him the next time

1175
00:58:01,800 --> 00:58:05,560
Speaker 1: she feels left out. Steph doesn't know about this husband

1176
00:58:05,640 --> 00:58:09,280
Speaker 1: thing either, admitting one whiff of their mom's meat loaf

1177
00:58:09,320 --> 00:58:10,480
Speaker 1: and they're gone.

1178
00:58:10,600 --> 00:58:13,040
Speaker 2: Oh, Steph, do I got some things to tell you?

1179
00:58:15,280 --> 00:58:17,160
Speaker 1: If those are her standards at age?

1180
00:58:17,680 --> 00:58:19,800
Speaker 2: Yeah?

1181
00:58:20,600 --> 00:58:24,600
Speaker 1: Uh. Steph gives hugs all around, and Danny pulls out

1182
00:58:24,640 --> 00:58:27,520
Speaker 1: his video recorder to film Steph singing I write the

1183
00:58:27,560 --> 00:58:31,560
Speaker 1: songs while hula hooping, and Michelle covers her ears, which

1184
00:58:31,800 --> 00:58:32,160
Speaker 1: which I.

1185
00:58:32,080 --> 00:58:34,120
Speaker 2: Don't know if she meant to do that or if, like,

1186
00:58:34,120 --> 00:58:35,720
Speaker 2: if that was in the script. It probably was just

1187
00:58:36,000 --> 00:58:38,680
Speaker 2: a toddler thing where you start singing and they're like stop.

1188
00:58:38,880 --> 00:58:42,360
Speaker 2: They're like it's like a Pavlovian response, right, They're like, oh,

1189
00:58:42,400 --> 00:58:44,280
Speaker 2: I just stop doing that because they've learned no.

1190
00:58:44,600 --> 00:58:44,760
Speaker 1: Yeah.

1191
00:58:44,800 --> 00:58:45,800
Speaker 2: It was very funny, though.

1192
00:58:45,760 --> 00:58:49,960
Speaker 1: It was like Michelle's perfectly timed. Yeah, Michelle's just fed

1193
00:58:50,040 --> 00:58:50,920
Speaker 1: up with the Tanners.

1194
00:58:50,960 --> 00:58:53,280
Speaker 2: It was just a very crazy, like toddler thing to do.

1195
00:58:53,360 --> 00:58:55,360
Speaker 2: Like all the family's doing something and you know, two

1196
00:58:55,480 --> 00:58:56,480
Speaker 2: three year old is just like.

1197
00:58:56,520 --> 00:59:00,320
Speaker 1: No, I'm not doing this. She's not she's not here

1198
00:59:00,360 --> 00:59:00,600
Speaker 1: for that.

1199
00:59:00,840 --> 00:59:03,000
Speaker 2: I will say this this episode, maybe one of hula

1200
00:59:03,000 --> 00:59:03,439
Speaker 2: hoop again?

1201
00:59:04,040 --> 00:59:04,400
Speaker 1: Did it?

1202
00:59:04,520 --> 00:59:05,240
Speaker 2: Okay? Now?

1203
00:59:05,520 --> 00:59:08,080
Speaker 1: Is that a skill you had to learn for this episode?

1204
00:59:08,280 --> 00:59:12,240
Speaker 2: Or was I was? I was adept at hula hooping.

1205
00:59:12,240 --> 00:59:15,280
Speaker 2: I could do you know, multi multiple huloop excuse me

1206
00:59:15,280 --> 00:59:17,200
Speaker 2: a hiccup. I could do multiple hula hoops.

1207
00:59:18,160 --> 00:59:19,640
Speaker 1: Nice. Oh wow, okay, so you.

1208
00:59:19,560 --> 00:59:22,600
Speaker 2: Were I mean I was not like one of those

1209
00:59:22,720 --> 00:59:25,600
Speaker 2: you know disolay people with like five hundred that's like

1210
00:59:25,640 --> 00:59:27,280
Speaker 2: doing the whole thing on my body now. But I

1211
00:59:27,280 --> 00:59:29,240
Speaker 2: could do like four or five of them and keep

1212
00:59:29,240 --> 00:59:32,520
Speaker 2: them going for a little bit, you know, few revelations.

1213
00:59:32,880 --> 00:59:34,840
Speaker 2: I don't know how it would be now. My friend

1214
00:59:35,880 --> 00:59:37,680
Speaker 2: uh had a hula hoop, but it was like one

1215
00:59:37,680 --> 00:59:42,280
Speaker 2: of the big weighted ones and there were there. It's

1216
00:59:42,320 --> 00:59:47,560
Speaker 2: a lot, but man, my abs were great. Yeah, that's

1217
00:59:47,560 --> 00:59:49,880
Speaker 2: a good workout. When you're five, you know, six, you

1218
00:59:49,880 --> 00:59:53,080
Speaker 2: don't appreciate just how easy it is to hula hoop. Yeah,

1219
00:59:53,120 --> 01:00:00,240
Speaker 2: and then realized successful and you get older, right right yeah?

1220
01:00:00,320 --> 01:00:02,200
Speaker 1: Yeah, my back hurts, My back urts.

1221
01:00:02,400 --> 01:00:07,080
Speaker 2: Yeah. And such a cute episode, Such a cute episode.

1222
01:00:07,200 --> 01:00:10,840
Speaker 1: I loved the storyline for you and the stunts you

1223
01:00:10,880 --> 01:00:11,360
Speaker 1: got to do.

1224
01:00:11,560 --> 01:00:14,080
Speaker 2: It was just this was a really fun episode for Steph.

1225
01:00:14,240 --> 01:00:16,720
Speaker 2: I enjoyed this one. I enjoyed filming it when I

1226
01:00:16,760 --> 01:00:20,720
Speaker 2: was a kid because you know, again it was costumes

1227
01:00:20,760 --> 01:00:25,120
Speaker 2: and stunts and hula hooping and you know, all kinds

1228
01:00:25,160 --> 01:00:28,320
Speaker 2: of wild and crazy things and that I loved doing that.

1229
01:00:28,360 --> 01:00:31,439
Speaker 2: It was exciting and fun and something different all the time.

1230
01:00:31,480 --> 01:00:36,080
Speaker 2: But yeah, it was I definitely remember being in that

1231
01:00:36,120 --> 01:00:37,680
Speaker 2: harness and there were a couple times where I was like,

1232
01:00:37,720 --> 01:00:40,640
Speaker 2: this is really uncomfortable, Like it like not did not

1233
01:00:40,800 --> 01:00:45,200
Speaker 2: feel great to be hanging in uh.

1234
01:00:44,280 --> 01:00:47,280
Speaker 1: Because all your weight goes against the harness, so it kind.

1235
01:00:47,160 --> 01:00:49,680
Speaker 2: Of probably the little crease in your legs there. It

1236
01:00:49,880 --> 01:00:55,080
Speaker 2: just like, yeah, not not particularly fun, but again glad

1237
01:00:55,080 --> 01:00:55,960
Speaker 2: I was able to do it.

1238
01:00:56,440 --> 01:00:58,040
Speaker 1: Do you know how long they kept you in that

1239
01:00:58,080 --> 01:01:00,360
Speaker 1: harness or there were there like rules again of how

1240
01:01:00,400 --> 01:01:04,160
Speaker 1: long kids could be in harvestiness, right, I mean, and

1241
01:01:04,160 --> 01:01:05,120
Speaker 1: then they got to pull you down.

1242
01:01:05,160 --> 01:01:07,240
Speaker 2: I don't mean, I don't know. I don't know what

1243
01:01:07,560 --> 01:01:12,480
Speaker 2: the rules are for suspending children in the air and

1244
01:01:12,520 --> 01:01:14,400
Speaker 2: how long you're allowed to do that.

1245
01:01:15,080 --> 01:01:17,000
Speaker 1: There's there wasn't a handbook for that.

1246
01:01:17,080 --> 01:01:19,959
Speaker 2: There wasn't. I'm sure there was back then, but now

1247
01:01:20,000 --> 01:01:22,720
Speaker 2: it's just a big no, right, but don't.

1248
01:01:22,760 --> 01:01:24,000
Speaker 1: Then it was like sure, I.

1249
01:01:23,960 --> 01:01:26,640
Speaker 2: Mean, just don't fling them around too hard, and you know,

1250
01:01:26,880 --> 01:01:29,120
Speaker 2: after twenty minutes take them out.

1251
01:01:29,040 --> 01:01:31,120
Speaker 1: And make sure they're still briefing.

1252
01:01:31,240 --> 01:01:34,080
Speaker 2: Yeah, exactly, but no, it was very fun.

1253
01:01:34,120 --> 01:01:36,560
Speaker 1: I love to do it, so I loved it. Did

1254
01:01:36,560 --> 01:01:37,960
Speaker 1: you have any everywhere you looks?

1255
01:01:38,200 --> 01:01:41,600
Speaker 2: This episode did have an everywhere you look go for it?

1256
01:01:41,600 --> 01:01:44,760
Speaker 2: Tell me, so, my everywhere you look this episode it's

1257
01:01:44,840 --> 01:01:48,560
Speaker 2: it's kind of it's small, but it's something I noticed.

1258
01:01:48,680 --> 01:01:54,160
Speaker 2: So in the scene where they're in Joey's room and

1259
01:01:54,160 --> 01:01:57,240
Speaker 2: they're in the basement, if you look at the shelf

1260
01:01:57,440 --> 01:02:03,200
Speaker 2: behind Joey's bed, there's like a Laurel and Hardy statue

1261
01:02:03,280 --> 01:02:05,840
Speaker 2: and there's like pink panther or whatever. Well there's a bear.

1262
01:02:06,760 --> 01:02:11,360
Speaker 2: It's a blue bear in an aviator outfit. And I

1263
01:02:11,440 --> 01:02:14,960
Speaker 2: think it was supposed to be like like Howard Hughes

1264
01:02:15,400 --> 01:02:17,240
Speaker 2: bear like that was. It had the navy beard of

1265
01:02:17,240 --> 01:02:21,120
Speaker 2: glasses and the leather jacket and the whole thing. But

1266
01:02:21,240 --> 01:02:24,240
Speaker 2: that bear is from the same company, and if you

1267
01:02:24,320 --> 01:02:28,200
Speaker 2: actually look at him, it's the same shape, head and

1268
01:02:28,280 --> 01:02:31,640
Speaker 2: bear and everything as mister Bear. It was the American

1269
01:02:31,680 --> 01:02:35,760
Speaker 2: Bear Company very popular, and that was I think the

1270
01:02:35,800 --> 01:02:38,200
Speaker 2: Howard Hughes they did, you know again the bears of

1271
01:02:38,200 --> 01:02:40,320
Speaker 2: like fame. There was like a maryln momro bear and

1272
01:02:40,360 --> 01:02:43,000
Speaker 2: a you know, Humphrey Bear gart and which.

1273
01:02:42,800 --> 01:02:46,200
Speaker 1: Was, Yeah, there's an Eronstein Bear a site. There's an

1274
01:02:46,240 --> 01:02:48,800
Speaker 1: eronstite with the hair. But I wondered if it was

1275
01:02:48,800 --> 01:02:50,120
Speaker 1: the same because I'm like, that looks kind of like

1276
01:02:50,160 --> 01:02:51,560
Speaker 1: mister Bear, but it's not mister Bear.

1277
01:02:51,640 --> 01:02:55,919
Speaker 2: So that the same company. Apparently we had a lot

1278
01:02:56,000 --> 01:02:56,920
Speaker 2: of those bears.

1279
01:02:57,520 --> 01:02:59,960
Speaker 1: That's great. I wonder if they're still made today or.

1280
01:03:00,080 --> 01:03:03,200
Speaker 2: Probably American Bear Company. I don't know, they might be.

1281
01:03:03,440 --> 01:03:05,960
Speaker 2: I had a few I've had, like the whole Little

1282
01:03:06,000 --> 01:03:08,640
Speaker 2: Muffy collection. They were like these little small bears that yeah,

1283
01:03:08,760 --> 01:03:10,920
Speaker 2: oh yeah, yeah, Oh.

1284
01:03:10,760 --> 01:03:11,320
Speaker 1: That's a good one.

1285
01:03:11,360 --> 01:03:14,000
Speaker 2: But that was where you look was the was the

1286
01:03:14,000 --> 01:03:16,680
Speaker 2: the distant cousin of mister Bear is in Joey's room.

1287
01:03:16,840 --> 01:03:20,160
Speaker 1: His cousins. His cousins are all cousins downstairs in Joey's room.

1288
01:03:20,280 --> 01:03:23,840
Speaker 1: Oh that's so sweet. Yeah, I do have one. I

1289
01:03:24,400 --> 01:03:27,000
Speaker 1: noticed the bears that was one of them. And then

1290
01:03:27,000 --> 01:03:29,400
Speaker 1: my other one is just I can't get past these parrots,

1291
01:03:29,440 --> 01:03:32,919
Speaker 1: Like Joey's room has three parrots in it, Like there's

1292
01:03:32,960 --> 01:03:35,880
Speaker 1: still the one upstairs in the alcove, but in Joey's room,

1293
01:03:35,880 --> 01:03:38,960
Speaker 1: you got the framed picture of a parrot in the bathroom.

1294
01:03:38,800 --> 01:03:41,520
Speaker 2: The in the mirror by the way, and one shot

1295
01:03:41,560 --> 01:03:43,320
Speaker 2: I see it right over his shoulder.

1296
01:03:43,840 --> 01:03:46,680
Speaker 1: Yes, yes, so it looks like even more than one

1297
01:03:46,720 --> 01:03:49,640
Speaker 1: parrot in the bathroom, the parrot that hangs over his bed.

1298
01:03:50,200 --> 01:03:53,800
Speaker 1: And then there's a plush parrot over on the bookshelf.

1299
01:03:53,880 --> 01:03:55,520
Speaker 1: It might be a two can it was a two kilt.

1300
01:03:55,640 --> 01:04:00,920
Speaker 2: Yeah, it's two baby. Maybe Joe he was just a

1301
01:04:00,960 --> 01:04:02,880
Speaker 2: really big fan of the Tiki room at Disneyland.

1302
01:04:04,000 --> 01:04:06,160
Speaker 1: That must be it. There we go. You know he

1303
01:04:07,080 --> 01:04:10,080
Speaker 1: liked those doll whips, those doll Yeah, grab a dole

1304
01:04:10,120 --> 01:04:11,360
Speaker 1: whip go in the Tiki room.

1305
01:04:11,640 --> 01:04:13,240
Speaker 2: Yeah, maybe that was it.

1306
01:04:13,640 --> 01:04:16,200
Speaker 1: That must have been it, because he'd yeah, they're definitely.

1307
01:04:16,240 --> 01:04:18,200
Speaker 1: We asked Jeff for like, what's with all the parrots,

1308
01:04:18,400 --> 01:04:19,640
Speaker 1: and Jeff's like, I don't know. That's a limb.

1309
01:04:20,160 --> 01:04:25,040
Speaker 2: It's a it's probably bright colorful, looks good in amongst

1310
01:04:25,120 --> 01:04:26,400
Speaker 2: things in the background.

1311
01:04:27,000 --> 01:04:28,960
Speaker 1: It's a good contrast to all the blue.

1312
01:04:29,440 --> 01:04:32,640
Speaker 2: And It's also incredibly random to have parrot things in

1313
01:04:32,640 --> 01:04:36,560
Speaker 2: your house, and Joey Gladstone is nothing if not random,

1314
01:04:37,040 --> 01:04:38,960
Speaker 2: so I feel like it was kind of picking up.

1315
01:04:39,680 --> 01:04:42,200
Speaker 1: They're like, just.

1316
01:04:42,200 --> 01:04:43,960
Speaker 2: Give him something weird a parrot?

1317
01:04:44,000 --> 01:04:44,160
Speaker 1: Sure?

1318
01:04:44,200 --> 01:04:46,480
Speaker 2: Why not throw a two can on the shelf? Sure,

1319
01:04:46,600 --> 01:04:47,160
Speaker 2: you know what I mean?

1320
01:04:47,200 --> 01:04:52,520
Speaker 1: Like, yeah, and Howard Hughes, Bear and Einstein, just all

1321
01:04:52,560 --> 01:04:55,280
Speaker 1: of it, all of it. It's gotta love Joey's room.

1322
01:04:55,680 --> 01:04:57,760
Speaker 1: His room was always ripe with everywhere you look, oh

1323
01:04:58,080 --> 01:04:59,400
Speaker 1: for suressed for sure, and I.

1324
01:04:59,400 --> 01:05:02,800
Speaker 2: Feel like it changed every week. Well, thank you so

1325
01:05:02,920 --> 01:05:05,800
Speaker 2: much everybody for joining us for another fun episode of

1326
01:05:06,000 --> 01:05:08,560
Speaker 2: how Rude. Tanner Rito's this was This was one of

1327
01:05:08,600 --> 01:05:10,760
Speaker 2: my favorite episodes. I'm very excited to get to it

1328
01:05:10,800 --> 01:05:12,680
Speaker 2: because I had a lot of fun memories doing it,

1329
01:05:13,680 --> 01:05:15,960
Speaker 2: so so hope you enjoyed the episode. We had a

1330
01:05:15,960 --> 01:05:19,240
Speaker 2: great time. Make sure that you are following us on

1331
01:05:19,320 --> 01:05:23,080
Speaker 2: Instagram at how Rude Podcast. Make sure you're also liking

1332
01:05:23,120 --> 01:05:25,360
Speaker 2: and subscribing to the podcast wherever you're listening so that

1333
01:05:25,400 --> 01:05:26,800
Speaker 2: you can make sure and get all of the newest

1334
01:05:26,840 --> 01:05:30,320
Speaker 2: episodes as soon as they drop. Uh And we are

1335
01:05:30,360 --> 01:05:33,360
Speaker 2: excited to come back next week for another fun episode.

1336
01:05:33,520 --> 01:05:37,840
Speaker 2: We hope you guys will too, And remember everybody, wait,

1337
01:05:37,880 --> 01:05:40,080
Speaker 2: you can email us too, Remember that you can't email

1338
01:05:40,120 --> 01:05:44,120
Speaker 2: us at Howard podcast at gmail dot com. But most importantly,

1339
01:05:45,760 --> 01:05:47,080
Speaker 2: the world is small.

1340
01:05:47,400 --> 01:05:48,400
Speaker 1: But the house is full.

1341
01:05:49,400 --> 01:05:52,040
Speaker 2: Nailed it, nailed it. And the world's especially small if

1342
01:05:52,040 --> 01:05:53,560
Speaker 2: you have to make right turns because you can't cross

1343
01:05:53,560 --> 01:05:53,880
Speaker 2: the street.

1344
01:05:54,280 --> 01:05:56,320
Speaker 1: Yeah, their world was very very small.

1345
01:05:56,480 --> 01:06:03,560
Speaker 2: Their world was a block, so just one now anyway,