1 00:00:00,160 --> 00:00:03,079 Speaker 1: Hello the Internet, and welcome to this episode of trend 2 00:00:03,160 --> 00:00:06,760 Speaker 1: Gary Trend Ross, what is it? Coffees for Closers, and 3 00:00:07,040 --> 00:00:10,760 Speaker 1: ABC Always be closing, Um, always be Trending. I am 4 00:00:10,840 --> 00:00:13,200 Speaker 1: Jack and I'm thrilled to be joined by super producer 5 00:00:13,280 --> 00:00:17,360 Speaker 1: Justin Connor. Hio. I don't know why I turned into 6 00:00:17,400 --> 00:00:19,360 Speaker 1: like a morning zooga. I guess that's the vibe. I 7 00:00:19,360 --> 00:00:22,040 Speaker 1: don't know. I've never seen Hio in my life. You 8 00:00:22,120 --> 00:00:26,920 Speaker 1: always say Hio, don't Yeah, Hio. That's what we all 9 00:00:26,920 --> 00:00:30,240 Speaker 1: say in Chicago in the season Hio, you say, Hio, 10 00:00:30,480 --> 00:00:33,760 Speaker 1: you got the Jay Man. That's usually how you greet people. 11 00:00:34,120 --> 00:00:37,159 Speaker 1: I don't know why you're pretending otherwise. It's Jay, It's 12 00:00:37,240 --> 00:00:41,760 Speaker 1: Jay Rock. It's it's the Jay Rock. It's the Jay Rock. 13 00:00:42,280 --> 00:00:46,480 Speaker 1: That's right. How are you doing doing? All right? I'm 14 00:00:46,520 --> 00:00:51,360 Speaker 1: actually enjoying this rainy la weather. It makes me feel 15 00:00:51,400 --> 00:00:54,319 Speaker 1: like we have seasons for a few hours. So that's 16 00:00:54,360 --> 00:00:57,840 Speaker 1: always nice. As you were saying before we start recording, 17 00:00:58,480 --> 00:01:00,800 Speaker 1: Jay Rock loves to get wet. Because what you were 18 00:01:00,800 --> 00:01:07,720 Speaker 1: saying as you were passing, you were passing me that, yeah, 19 00:01:07,760 --> 00:01:11,720 Speaker 1: I know you'd like to give wet Jay right, Um, 20 00:01:12,360 --> 00:01:14,160 Speaker 1: all right, well, these are some of the things that 21 00:01:14,200 --> 00:01:18,679 Speaker 1: are trending. Um. People do come here for our trenchant 22 00:01:19,319 --> 00:01:23,840 Speaker 1: market analysis and who do we have it for you today? 23 00:01:23,959 --> 00:01:28,760 Speaker 1: Because Silicon Valley Bank just cratered or got had to 24 00:01:28,800 --> 00:01:31,520 Speaker 1: be taken over by the regulators. We know that's never 25 00:01:31,560 --> 00:01:34,959 Speaker 1: good because regulators are the devil. But the FDIC took 26 00:01:35,000 --> 00:01:40,000 Speaker 1: them over because of major problems that they're having. You 27 00:01:40,000 --> 00:01:43,440 Speaker 1: know what, I would just realize, Jack, a music business 28 00:01:43,560 --> 00:01:46,160 Speaker 1: degree really prepares you to talk about this kind of thing. 29 00:01:46,480 --> 00:01:49,200 Speaker 1: You know what I mean? I am I'm fully immersed 30 00:01:49,200 --> 00:01:51,000 Speaker 1: in that. I'm kidding. I don't know what the fuck 31 00:01:51,120 --> 00:01:57,640 Speaker 1: is going on. I guess this is bad. And you're 32 00:01:57,680 --> 00:02:01,000 Speaker 1: gonna need to explain this to me because I don't know. 33 00:02:01,240 --> 00:02:03,120 Speaker 1: I'm not a bank. Well that makes two of us. 34 00:02:03,880 --> 00:02:06,280 Speaker 1: We're gonna need me to explain this to them. Uh 35 00:02:06,480 --> 00:02:08,720 Speaker 1: some things. I know. It's one of the biggest bank 36 00:02:08,800 --> 00:02:13,160 Speaker 1: collapses of all time. UM. I can understand that US history, 37 00:02:13,280 --> 00:02:17,320 Speaker 1: so that it seems not good. UM. Jim Kramer, I'm 38 00:02:17,360 --> 00:02:24,560 Speaker 1: like worried for his yes because he, like we saw 39 00:02:24,639 --> 00:02:28,119 Speaker 1: how hard he took it when Facebook was like kradering 40 00:02:28,480 --> 00:02:31,240 Speaker 1: and he had just told everybody to buy Facebook stock, 41 00:02:31,280 --> 00:02:34,600 Speaker 1: and like he started crying on air. Well, unfortunately for 42 00:02:34,680 --> 00:02:39,240 Speaker 1: Jim Kramer, Um, he is in an industry where he's 43 00:02:39,280 --> 00:02:43,720 Speaker 1: just like it's a pre meteorologist time and he's just 44 00:02:43,800 --> 00:02:47,400 Speaker 1: predicting the weather very confidently and at the top of 45 00:02:47,440 --> 00:02:50,959 Speaker 1: his lungs on TV, like he just there. It's complete 46 00:02:51,040 --> 00:02:53,000 Speaker 1: randomness and he goes on there and it's like, you 47 00:02:53,120 --> 00:02:56,880 Speaker 1: gotta buy this stuff. So apparently a month ago, Kramer 48 00:02:57,000 --> 00:03:01,799 Speaker 1: urged viewers to buy Silicon Valley Bank stock and yeah, 49 00:03:02,080 --> 00:03:04,720 Speaker 1: this is all nonsense, that's all a fiction that has 50 00:03:04,760 --> 00:03:08,519 Speaker 1: been concocted too. Didn't you go all in on crypto too? 51 00:03:08,560 --> 00:03:10,520 Speaker 1: Like he was a super against it and then he 52 00:03:10,600 --> 00:03:14,519 Speaker 1: was like really into it. Yeah, this isn't the first 53 00:03:14,800 --> 00:03:18,320 Speaker 1: l that this guy has taken. Why does he Oh no, 54 00:03:18,560 --> 00:03:21,760 Speaker 1: why why? Why is he revered in the financial world 55 00:03:21,840 --> 00:03:24,079 Speaker 1: or is? I don't think he is. Okay, I think 56 00:03:24,120 --> 00:03:28,320 Speaker 1: he's just like he's the stephen A. Smith of the 57 00:03:28,360 --> 00:03:30,919 Speaker 1: financial world. He just like kind of screams a lot 58 00:03:31,080 --> 00:03:37,160 Speaker 1: and takes really strong opinions. Failed comedian essentially, and he's 59 00:03:37,200 --> 00:03:41,520 Speaker 1: just out here yelling opinions at people. Observations. Okay, cool, 60 00:03:41,720 --> 00:03:44,360 Speaker 1: I compete with that. He actually went to Carnegie Mellen 61 00:03:44,480 --> 00:03:49,560 Speaker 1: for drama acting. Um, that's very rare. I like that. No, 62 00:03:49,760 --> 00:03:53,840 Speaker 1: that's the yeah that the financial world. Yeah, anyways, regulators 63 00:03:53,840 --> 00:03:56,840 Speaker 1: had to shut down Silicon Valley Bank in the biggest 64 00:03:56,840 --> 00:04:00,320 Speaker 1: collapse since two thousand and eight financial crisis. The tire 65 00:04:00,360 --> 00:04:05,040 Speaker 1: stock market has not completely crashed yet, so that's good news. 66 00:04:05,120 --> 00:04:11,160 Speaker 1: But I do think we're just generally seeing the US 67 00:04:11,160 --> 00:04:14,360 Speaker 1: economy and the myth that like the market fixes everything, 68 00:04:14,400 --> 00:04:17,680 Speaker 1: and the market like possesses some wisdom and it's all 69 00:04:17,720 --> 00:04:21,880 Speaker 1: just a fiction to distract us from the reality that 70 00:04:21,960 --> 00:04:25,920 Speaker 1: it is randomness and also like predatory and just is 71 00:04:26,240 --> 00:04:30,200 Speaker 1: trying to make money off of people in any way possible. 72 00:04:30,320 --> 00:04:33,600 Speaker 1: There's no real logic to it. But if you're if 73 00:04:33,680 --> 00:04:38,080 Speaker 1: you turn it into this kind of weather system that 74 00:04:38,920 --> 00:04:42,240 Speaker 1: you you think you can predict, like a meteorologist, then 75 00:04:43,240 --> 00:04:47,800 Speaker 1: people feel at least safer. But nobody knows anything, especially 76 00:04:47,839 --> 00:04:52,760 Speaker 1: in this world. Um. Yeah, so it seems like yeah, uh, 77 00:04:53,200 --> 00:04:57,320 Speaker 1: Jenu Ortega might star and beetle just beetle just is 78 00:04:57,320 --> 00:05:01,320 Speaker 1: that how it's pronounced. You got it? Beetle juice too, 79 00:05:01,560 --> 00:05:06,080 Speaker 1: which is still happening. Apparently, um okay, they so. Last 80 00:05:06,160 --> 00:05:08,640 Speaker 1: year it was reported that Brad Pitt's production company was 81 00:05:08,680 --> 00:05:11,400 Speaker 1: working on a Beetle Juice too, And now there are 82 00:05:11,480 --> 00:05:14,160 Speaker 1: rumors that Jenna Ortega will start in the movie as 83 00:05:14,200 --> 00:05:18,320 Speaker 1: Oneona Ryder's daughter, which would make sense since she starred 84 00:05:18,360 --> 00:05:22,359 Speaker 1: in Wednesday, which was partly directed by Tim Burton but 85 00:05:22,440 --> 00:05:24,800 Speaker 1: apparently wasn't good. I don't know. I didn't watch it, 86 00:05:24,880 --> 00:05:27,800 Speaker 1: but I think there's aspects of it I didn't, you know, 87 00:05:27,839 --> 00:05:30,800 Speaker 1: I wasn't I didn't consume the full thing, but they 88 00:05:30,880 --> 00:05:33,680 Speaker 1: were like aspects of it that went viral that people 89 00:05:33,680 --> 00:05:36,840 Speaker 1: were really into. I think the school dance was one 90 00:05:36,880 --> 00:05:41,080 Speaker 1: of them. Um, you know. And I'm all for letting 91 00:05:41,160 --> 00:05:44,479 Speaker 1: things breathe a little bit sometimes, you know, the first 92 00:05:44,480 --> 00:05:46,919 Speaker 1: season of a thing might be a little bit rocky. 93 00:05:47,480 --> 00:05:52,840 Speaker 1: I need some time for things to flesh out a 94 00:05:52,920 --> 00:05:55,080 Speaker 1: little bit. So I'm here for this. This seems to 95 00:05:55,120 --> 00:05:58,279 Speaker 1: be a lane Jenna wants to occupy. I say, go 96 00:05:58,400 --> 00:06:01,240 Speaker 1: for it. I want to see what this looks like. 97 00:06:01,279 --> 00:06:03,279 Speaker 1: And I'm I don't know. I know there's a lot 98 00:06:03,320 --> 00:06:04,800 Speaker 1: of people out there who are like, oh, there's too 99 00:06:04,839 --> 00:06:09,160 Speaker 1: many sequels, and there's you know, all this original you know, 100 00:06:09,440 --> 00:06:11,840 Speaker 1: or there's no more original ip. They're just you know, 101 00:06:12,360 --> 00:06:14,720 Speaker 1: going back in the past and redoing stuff. It can 102 00:06:14,760 --> 00:06:17,000 Speaker 1: be done. Well, I'm not a full hater of it, 103 00:06:17,040 --> 00:06:19,279 Speaker 1: and that's it's bad. I haven't seen it yet though, 104 00:06:19,320 --> 00:06:23,680 Speaker 1: so we'll see. Yeah. She has said, particularly that she 105 00:06:24,240 --> 00:06:29,200 Speaker 1: had consistent dreams about Beetlejuice growing up. Okay, so, uh 106 00:06:29,320 --> 00:06:33,560 Speaker 1: sounds like a real Burton head. Um. My main concern 107 00:06:33,600 --> 00:06:36,000 Speaker 1: would be that it doesn't like it doesn't seem like 108 00:06:36,000 --> 00:06:41,040 Speaker 1: Burton movies have been that good of late. Yeah, but 109 00:06:41,800 --> 00:06:44,520 Speaker 1: especially not once he produces like from before, because he 110 00:06:44,560 --> 00:06:46,880 Speaker 1: doesn't have really like a as He's not writing or 111 00:06:46,920 --> 00:06:50,080 Speaker 1: directing or anything with this. It's just uh yeah, I'm 112 00:06:50,120 --> 00:06:54,880 Speaker 1: not sure, but okay. Also, there are rumors that Johnny 113 00:06:54,920 --> 00:07:00,760 Speaker 1: Depp will be involved too. Well, then I'm not. One 114 00:07:00,760 --> 00:07:03,120 Speaker 1: of the great things about the original Beetlejuice was that 115 00:07:03,160 --> 00:07:07,159 Speaker 1: it was made before Timberton met Johnny Depp and put 116 00:07:07,240 --> 00:07:09,760 Speaker 1: him in everything. They ruined each other. That is the 117 00:07:09,800 --> 00:07:13,520 Speaker 1: perfect example of a toxic relationship right there. Like, Yeah, 118 00:07:13,640 --> 00:07:18,800 Speaker 1: the Oscars are this weekend. This year's show. They were 119 00:07:19,040 --> 00:07:23,240 Speaker 1: apparently really like thrown off by last year's show and 120 00:07:23,360 --> 00:07:26,360 Speaker 1: the slap. So this year's show has been in the 121 00:07:26,360 --> 00:07:30,600 Speaker 1: work since last June. Usually they would start planning in November, 122 00:07:30,640 --> 00:07:33,640 Speaker 1: but this time they were like, let's spend even more 123 00:07:33,760 --> 00:07:40,200 Speaker 1: time over determining this weird industry awards event. They need 124 00:07:40,240 --> 00:07:43,000 Speaker 1: time to build all the false walls and ship they 125 00:07:43,000 --> 00:07:45,560 Speaker 1: can hide the SWAT teams. In my god, they're gonna 126 00:07:45,600 --> 00:07:51,240 Speaker 1: they're gonna overreact so hard. If anyone twitches, like God forbid, 127 00:07:51,240 --> 00:07:55,040 Speaker 1: they be black. Oh my god. Right, we'll see what happens. 128 00:07:55,440 --> 00:07:58,600 Speaker 1: So the things that they're changing, in addition to presumably 129 00:07:58,720 --> 00:08:03,280 Speaker 1: like hoping that nobody slaps anybody on camera this year, 130 00:08:04,240 --> 00:08:07,080 Speaker 1: is they are no longer giving out those awards during 131 00:08:07,120 --> 00:08:10,320 Speaker 1: the commercial breaks that they did last year. They've scrapped that, 132 00:08:10,440 --> 00:08:14,080 Speaker 1: and now they've added QR codes to direct people to 133 00:08:14,200 --> 00:08:18,640 Speaker 1: behind the scenes videos, which feels like something nobody is 134 00:08:18,680 --> 00:08:20,960 Speaker 1: going to do. Where are you making me do extra work? 135 00:08:21,120 --> 00:08:24,320 Speaker 1: What the fuck? Yeah? But I don't know. I like. 136 00:08:24,480 --> 00:08:27,000 Speaker 1: One of the things I like about the oscars is 137 00:08:27,040 --> 00:08:30,320 Speaker 1: when they like these are the behind the scenes videos 138 00:08:30,320 --> 00:08:33,000 Speaker 1: that like tell you more about the art of costume 139 00:08:33,080 --> 00:08:36,600 Speaker 1: design or you know, like actually are like many documentaries 140 00:08:36,640 --> 00:08:39,760 Speaker 1: about like how they did the work that is being nominated, 141 00:08:39,880 --> 00:08:44,160 Speaker 1: and those are my favorite things about the Academy Awards. 142 00:08:44,160 --> 00:08:45,480 Speaker 1: But I think I'm weird. Like a lot of people 143 00:08:45,520 --> 00:08:49,320 Speaker 1: seem to really enjoy the speeches, which I don't care about. 144 00:08:49,640 --> 00:08:53,680 Speaker 1: Yeah that's me. I always said, like, I'm just I'm 145 00:08:53,760 --> 00:08:56,360 Speaker 1: not one for ceremony though either like I did not 146 00:08:57,200 --> 00:08:59,480 Speaker 1: you know, I had the option to walk at my 147 00:08:59,559 --> 00:09:02,440 Speaker 1: college aduation, I chose not to. I don't know, I'm 148 00:09:02,440 --> 00:09:05,760 Speaker 1: just not really big into like ceremony and the idea 149 00:09:06,040 --> 00:09:10,679 Speaker 1: of a bunch of millionaires handing each other golden statues. 150 00:09:10,720 --> 00:09:12,559 Speaker 1: And then the first thing they say is I'm so 151 00:09:12,679 --> 00:09:15,600 Speaker 1: humbled by this experience. It's like the least humbling thing. 152 00:09:15,800 --> 00:09:20,000 Speaker 1: So I think that, uh, yeah, I don't know, I'm 153 00:09:20,000 --> 00:09:22,640 Speaker 1: not really for this. I like, I do like to 154 00:09:22,640 --> 00:09:25,520 Speaker 1: see the groundwork of the people putting on the production. 155 00:09:25,640 --> 00:09:27,960 Speaker 1: I guess I'm also a weirdo, though I can fully 156 00:09:28,000 --> 00:09:32,040 Speaker 1: admit to that. Like I like seeing how hard this 157 00:09:32,880 --> 00:09:35,880 Speaker 1: tremendous effort is and then and then, um, I like 158 00:09:35,920 --> 00:09:38,000 Speaker 1: the stories too, of like you know, back when I 159 00:09:38,040 --> 00:09:40,560 Speaker 1: watched the Olympics, which I don't anymore, but like seeing 160 00:09:40,559 --> 00:09:44,400 Speaker 1: the little like uh vinyest, the little like documentaries between 161 00:09:44,440 --> 00:09:46,640 Speaker 1: the stuff of like their lives, in between the sporting 162 00:09:46,679 --> 00:09:50,160 Speaker 1: events that total shit. Yeah Yeah. Instead, it feels like 163 00:09:50,160 --> 00:09:52,640 Speaker 1: there there's more of a focus on like they've hired 164 00:09:52,679 --> 00:09:57,120 Speaker 1: the some of the met Gala creative team, which I 165 00:09:57,120 --> 00:10:00,840 Speaker 1: mean the met Gala is a monster social media event, 166 00:10:01,120 --> 00:10:06,040 Speaker 1: and so they're trying to Met Gala eyes the Oscars 167 00:10:06,120 --> 00:10:11,760 Speaker 1: red carpet and presumably make it even more gaudily alienating. Yeah. 168 00:10:12,040 --> 00:10:14,560 Speaker 1: I think people just poke fun at the met Gala 169 00:10:14,640 --> 00:10:17,400 Speaker 1: at this point. And some people show up and show 170 00:10:17,440 --> 00:10:19,120 Speaker 1: out and you're like, oh, okay, wow, you're one of 171 00:10:19,160 --> 00:10:22,079 Speaker 1: the few people who understood the assignment, but most people 172 00:10:22,080 --> 00:10:25,040 Speaker 1: are just being laughed at. I think, yeah, the bit 173 00:10:25,120 --> 00:10:27,160 Speaker 1: one thing that they're talking about in this article is 174 00:10:27,200 --> 00:10:32,120 Speaker 1: that expect much more star power, specialized lighting to make 175 00:10:32,160 --> 00:10:35,120 Speaker 1: a process that happens in daylight seemed more like evening. 176 00:10:35,440 --> 00:10:41,280 Speaker 1: And better integration with the theater's entrance. I've been I've 177 00:10:41,280 --> 00:10:44,360 Speaker 1: been demanding better integration with the theater's entrance for my 178 00:10:44,400 --> 00:10:48,680 Speaker 1: red carpet coverage, and I'm glad they're finally listening. It 179 00:10:48,840 --> 00:10:51,760 Speaker 1: is always weird when I think it's just because in 180 00:10:51,840 --> 00:10:54,559 Speaker 1: most of the country it's nighttime by the time it starts, 181 00:10:54,640 --> 00:10:58,400 Speaker 1: but when the Red Carpet starts, it's obviously still daylight 182 00:10:58,559 --> 00:11:02,240 Speaker 1: in Los Angeles, and so it always feels weird that 183 00:11:02,280 --> 00:11:05,600 Speaker 1: everybody's showing up during the day. But it also doesn't 184 00:11:05,679 --> 00:11:08,520 Speaker 1: like feel like that is a material change that people 185 00:11:08,559 --> 00:11:11,560 Speaker 1: were like, this bothers me and I won't watch it anymore, 186 00:11:11,880 --> 00:11:14,320 Speaker 1: not once have I heard. I don't know. I don't 187 00:11:14,320 --> 00:11:17,680 Speaker 1: even know who watches the Oscars anymore at this point, 188 00:11:17,760 --> 00:11:20,680 Speaker 1: But I don't know. Man, it's not my thing. But hey, 189 00:11:20,720 --> 00:11:23,040 Speaker 1: if they're gonna try something, I feel like they should 190 00:11:23,040 --> 00:11:25,840 Speaker 1: swing for the fences and just go crazy with it. 191 00:11:26,000 --> 00:11:28,240 Speaker 1: Right now, they're doing all these boring little changes that 192 00:11:28,280 --> 00:11:30,520 Speaker 1: I don't think anyone's going to care about. Well, if 193 00:11:30,520 --> 00:11:32,720 Speaker 1: you want to get a sense of like the brain 194 00:11:32,720 --> 00:11:36,040 Speaker 1: trust behind the Oscars, So they started doing a marketing 195 00:11:36,080 --> 00:11:39,680 Speaker 1: campaign on letterboxed like, which is a you know, movie 196 00:11:39,679 --> 00:11:44,480 Speaker 1: fan website social media platform, and the people who work 197 00:11:44,520 --> 00:11:47,880 Speaker 1: for the Academy like openly complained. They were like, we 198 00:11:47,920 --> 00:11:51,800 Speaker 1: didn't have to do shit like this before, like we 199 00:11:51,920 --> 00:11:55,280 Speaker 1: used to Janet Young, the Academy's president said in an 200 00:11:55,280 --> 00:11:59,120 Speaker 1: interview at the organization's Beverly Hills office. We didn't have 201 00:11:59,200 --> 00:12:01,760 Speaker 1: to before. We could rest on our laurels and just 202 00:12:01,880 --> 00:12:05,319 Speaker 1: let it carry itself. Like, so they're like doing these 203 00:12:05,480 --> 00:12:08,880 Speaker 1: moves to update it, like very like being dragged, kicking 204 00:12:08,880 --> 00:12:11,440 Speaker 1: and screaming, which is just funny to me that they're 205 00:12:11,480 --> 00:12:15,640 Speaker 1: just like they take themselves seriously enough that they'll be 206 00:12:15,800 --> 00:12:20,040 Speaker 1: quoted at like on a marketing decision being like, uh, yeah, 207 00:12:20,160 --> 00:12:23,120 Speaker 1: now we have to stoop to this level, like this 208 00:12:23,200 --> 00:12:26,959 Speaker 1: is what you call work, Like you put on a 209 00:12:27,000 --> 00:12:31,360 Speaker 1: TV show once a year. Yeah, you relax. They also 210 00:12:31,400 --> 00:12:34,160 Speaker 1: are going up against the Last of Us, like the 211 00:12:34,640 --> 00:12:39,160 Speaker 1: Last of Us finale m at the same time. Yeah, 212 00:12:39,200 --> 00:12:42,160 Speaker 1: and that's oh, I like the confidence of the because 213 00:12:42,160 --> 00:12:44,720 Speaker 1: the Last of Us I think moved for the Super Bowl. 214 00:12:44,840 --> 00:12:47,640 Speaker 1: But they're like the Oscars. We we sun them, bro, 215 00:12:47,720 --> 00:12:49,280 Speaker 1: we don't give a fuck about it. We have we 216 00:12:49,320 --> 00:12:52,520 Speaker 1: have no respect for them, and they shouldn't because they're 217 00:12:52,559 --> 00:12:54,680 Speaker 1: one of the few shows, especially in this modern era, 218 00:12:54,800 --> 00:12:59,880 Speaker 1: that has drastically increased their their viewership from the first 219 00:13:00,160 --> 00:13:03,480 Speaker 1: episode to the eighth episode by a lot. I mean 220 00:13:03,679 --> 00:13:08,200 Speaker 1: that's impressive. I think it's just the oscars being there. 221 00:13:08,320 --> 00:13:11,480 Speaker 1: The Oscars were probably they were like, should we move it? 222 00:13:11,559 --> 00:13:14,160 Speaker 1: And they were like, we actually won't even take a 223 00:13:14,240 --> 00:13:18,160 Speaker 1: meeting with you, HBO. So I don't know that that's 224 00:13:18,160 --> 00:13:20,679 Speaker 1: the impression I'm getting from. We didn't used to have 225 00:13:20,800 --> 00:13:24,640 Speaker 1: to do this stuff like talk directly to film fan. Um, 226 00:13:25,040 --> 00:13:27,680 Speaker 1: all right, let's take a quick break. We'll be right back, 227 00:13:37,760 --> 00:13:42,520 Speaker 1: and we're back. And a couple of BBC stories, a 228 00:13:42,520 --> 00:13:46,960 Speaker 1: couple of ways the BBC is behaving like one of 229 00:13:47,000 --> 00:13:49,880 Speaker 1: the like the New York Times, a little bit like 230 00:13:50,679 --> 00:13:56,720 Speaker 1: a name brand that people associate with m at least liberalism. Yeah, 231 00:13:56,840 --> 00:13:58,640 Speaker 1: that was the first thing I thought of, was the 232 00:13:58,960 --> 00:14:03,880 Speaker 1: European New York Times. Yeah, so they had a hell 233 00:14:03,920 --> 00:14:07,840 Speaker 1: of a two for one. They published a very misleading 234 00:14:07,840 --> 00:14:13,199 Speaker 1: headline about pandemic related mental health crises. Mental health crisis 235 00:14:13,240 --> 00:14:17,360 Speaker 1: from COVID pandemic was minimal dash study And I don't 236 00:14:17,400 --> 00:14:21,560 Speaker 1: know they like, it's just misleading because the studies used 237 00:14:21,600 --> 00:14:25,600 Speaker 1: for this review, we're all from high income European and 238 00:14:25,680 --> 00:14:30,680 Speaker 1: Asian countries, didn't examine lower income countries or children and 239 00:14:30,720 --> 00:14:35,040 Speaker 1: people with existing conditions, aka the groups of people who 240 00:14:35,120 --> 00:14:38,920 Speaker 1: are most likely affected according to experts, which seems like 241 00:14:39,040 --> 00:14:42,120 Speaker 1: kind of a big oversight, and even the study said 242 00:14:42,120 --> 00:14:45,560 Speaker 1: there were data biases in this study, but like that 243 00:14:45,640 --> 00:14:49,280 Speaker 1: fact was buried in the BBC's article and yeah, just 244 00:14:49,400 --> 00:14:55,600 Speaker 1: experts really ripped it apart. And then same day there's 245 00:14:55,840 --> 00:15:00,080 Speaker 1: a new story about how they're censoring David Attenborough for 246 00:15:00,160 --> 00:15:03,040 Speaker 1: being two woke, and but it's not even this was 247 00:15:03,080 --> 00:15:07,720 Speaker 1: his whole thing before woke was even in the zeitgeist, 248 00:15:07,760 --> 00:15:11,040 Speaker 1: Like this is this is maddening to me because BBC 249 00:15:11,200 --> 00:15:14,080 Speaker 1: also wants to gaslight everybody and say that this like 250 00:15:14,120 --> 00:15:18,600 Speaker 1: they're not censoring dude, when this is the sixth episode 251 00:15:19,000 --> 00:15:23,480 Speaker 1: and they're calling it a five part series. So it's 252 00:15:23,680 --> 00:15:28,200 Speaker 1: what I actually didn't know this story before. So basically, 253 00:15:28,400 --> 00:15:32,480 Speaker 1: you know David Attenborough's thing as he does docuseries about 254 00:15:32,760 --> 00:15:35,400 Speaker 1: the beauty of things and then on the flip side 255 00:15:35,400 --> 00:15:39,280 Speaker 1: will show you how that beauty might be in jeopardy. 256 00:15:39,320 --> 00:15:41,080 Speaker 1: And then he tries to end it on a positive 257 00:15:41,120 --> 00:15:43,440 Speaker 1: note of like, but here's how all hope is not 258 00:15:43,560 --> 00:15:46,680 Speaker 1: lost and how we can help save this little creatures 259 00:15:46,760 --> 00:15:49,360 Speaker 1: environment that you saw or whatever, and that's his whole 260 00:15:49,400 --> 00:15:52,600 Speaker 1: general vibe for the many, many years he's been doing this, 261 00:15:52,880 --> 00:15:59,360 Speaker 1: and for whatever reason, the BBC when other people in 262 00:15:59,400 --> 00:16:02,720 Speaker 1: the press of asked them about this peculiar setup they 263 00:16:02,720 --> 00:16:05,320 Speaker 1: have where there's this docu series that's coming out that 264 00:16:05,360 --> 00:16:07,800 Speaker 1: he's doing, just like all the other ones he's been doing, 265 00:16:08,240 --> 00:16:13,560 Speaker 1: but there's one that has I guess, some rumors, some 266 00:16:13,640 --> 00:16:17,040 Speaker 1: speculation that BBC has put on their like obscure streaming 267 00:16:17,080 --> 00:16:20,320 Speaker 1: platform called i Player instead of airing it on their 268 00:16:21,280 --> 00:16:26,240 Speaker 1: their network is because it leans too heavily into environmentalism. 269 00:16:26,280 --> 00:16:30,880 Speaker 1: And even though that aspect is in the other five episodes, 270 00:16:31,320 --> 00:16:37,240 Speaker 1: they are relegating this to a place, yeah, to streaming, 271 00:16:37,280 --> 00:16:40,480 Speaker 1: and and they're like, pretty much their excuse is that 272 00:16:40,520 --> 00:16:44,360 Speaker 1: this was funded. This particular part is like a separate 273 00:16:44,400 --> 00:16:47,920 Speaker 1: movie and it was funded by you know, wildlife organizations 274 00:16:47,920 --> 00:16:52,400 Speaker 1: and whatnot. And as if that's a satisfactory excuse, It's like, 275 00:16:54,040 --> 00:16:56,240 Speaker 1: why does that make it different? Why does that make 276 00:16:56,280 --> 00:16:58,720 Speaker 1: it in a place where no one should be able 277 00:16:58,720 --> 00:17:01,720 Speaker 1: to see it, you know, And it just doesn't make 278 00:17:01,760 --> 00:17:04,560 Speaker 1: sense to me. And it's this kind of I guess 279 00:17:04,560 --> 00:17:08,879 Speaker 1: the censorship aspect right now. And there's a difference between 280 00:17:08,880 --> 00:17:11,000 Speaker 1: like liberals being like, oh, this thing is being censored 281 00:17:11,200 --> 00:17:15,320 Speaker 1: because the right has co opted canceled and things being canceled, 282 00:17:15,800 --> 00:17:20,240 Speaker 1: and there's this culture war happening about censorship and things 283 00:17:20,280 --> 00:17:23,320 Speaker 1: that are being canceled. That's very interesting to talk about, 284 00:17:23,359 --> 00:17:26,320 Speaker 1: but it doesn't seem like anyone has the right tools 285 00:17:26,400 --> 00:17:30,159 Speaker 1: to really have an intellectual conversation about it. They're just 286 00:17:30,480 --> 00:17:33,280 Speaker 1: either doing the thing where they're like cow towing to 287 00:17:33,320 --> 00:17:37,639 Speaker 1: a certain group, or they are just outright accusing or 288 00:17:37,680 --> 00:17:42,200 Speaker 1: blaming or whitewashing or whatever, and it's just it's maddening. 289 00:17:42,600 --> 00:17:45,040 Speaker 1: So the BBC statement came out, I was like, this 290 00:17:45,119 --> 00:17:48,080 Speaker 1: is totally inaccurate. There is no sixth episode. Wild Aisles 291 00:17:48,200 --> 00:17:50,440 Speaker 1: is and always was a five part series and does 292 00:17:50,480 --> 00:17:54,760 Speaker 1: not shy away from environmental content. We've acquired a separate 293 00:17:54,800 --> 00:18:01,000 Speaker 1: film for eye Player. Anyways, it feels like there, you know, 294 00:18:01,480 --> 00:18:04,040 Speaker 1: just being like, we don't know what you're talking about. 295 00:18:04,119 --> 00:18:08,080 Speaker 1: But like The Guardian has an exclusive where they're like, 296 00:18:08,280 --> 00:18:12,800 Speaker 1: they specifically made this decision because they were worried about 297 00:18:12,960 --> 00:18:15,520 Speaker 1: getting right wing backlash. And forgive me if I'm wrong. 298 00:18:15,600 --> 00:18:18,919 Speaker 1: Don't you order a certain number of because there's a 299 00:18:18,920 --> 00:18:22,320 Speaker 1: certain amount of resources allocated per episode to a thing 300 00:18:22,560 --> 00:18:26,680 Speaker 1: and so why would they order six parts and then 301 00:18:26,720 --> 00:18:30,040 Speaker 1: air five. It just seems like there this is not 302 00:18:30,320 --> 00:18:33,760 Speaker 1: a you know, the satisfactory answer. But they're like, yep, 303 00:18:33,880 --> 00:18:35,800 Speaker 1: that's it, dumb Fox. There you go, That's why we 304 00:18:35,840 --> 00:18:38,480 Speaker 1: did it right. And we are just seeing a lot 305 00:18:38,520 --> 00:18:44,800 Speaker 1: of quote unquote centrist adjusting of their position or what 306 00:18:44,840 --> 00:18:48,919 Speaker 1: they do in response to like right wing outrage and 307 00:18:49,080 --> 00:18:52,720 Speaker 1: just the idea has been planted in their brain like 308 00:18:52,880 --> 00:18:55,679 Speaker 1: inception style that they can't get rid of. That is 309 00:18:55,720 --> 00:18:58,720 Speaker 1: like you have to be in between the right and left, 310 00:18:58,840 --> 00:19:03,280 Speaker 1: and they will not let go of that, even as 311 00:19:03,320 --> 00:19:07,440 Speaker 1: the right becomes like outright Nazis. But the right it's 312 00:19:07,520 --> 00:19:10,119 Speaker 1: not watching you. They're not your friend. You think people 313 00:19:10,160 --> 00:19:12,720 Speaker 1: on the right are turning on the BBC like are 314 00:19:12,760 --> 00:19:15,959 Speaker 1: you serious? Like it just does you want to appeal 315 00:19:16,000 --> 00:19:18,560 Speaker 1: to everyone, so so you appeal to no one. I 316 00:19:18,560 --> 00:19:20,520 Speaker 1: don't know how that strategy is supposed to work for you, 317 00:19:20,560 --> 00:19:24,000 Speaker 1: but I guess do what you want? All right. Well, 318 00:19:24,000 --> 00:19:26,200 Speaker 1: those are some of the things that are trending on 319 00:19:26,200 --> 00:19:30,080 Speaker 1: this Friday, March tenth. We are back on Monday with 320 00:19:30,160 --> 00:19:32,840 Speaker 1: the whole last episode of the show justin where can 321 00:19:32,880 --> 00:19:35,439 Speaker 1: people Will find You? Follow you all that stuff. You 322 00:19:35,440 --> 00:19:39,439 Speaker 1: can find me on Instagram at j con The Smith 323 00:19:39,680 --> 00:19:42,359 Speaker 1: J C O N t H E. S. M I 324 00:19:42,480 --> 00:19:46,320 Speaker 1: T H. And yeah, all right, we'll talk to you 325 00:19:46,320 --> 00:19:48,480 Speaker 1: guys on Monday. Until then, be kind to each other, 326 00:19:48,680 --> 00:19:51,480 Speaker 1: be kind to yourself, get the vaccine, don't do nothing 327 00:19:51,480 --> 00:19:54,520 Speaker 1: about white supremacy, and we will talk to y'all on Monday. 328 00:19:54,560 --> 00:20:00,040 Speaker 1: Bye bye