WEBVTT - Episode 10

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<v Speaker 1>Dream Sequence is a production of iHeart Podcasts, Blumhouse Television,

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<v Speaker 1>and Realm.

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<v Speaker 2>He says, it's me, kay.

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<v Speaker 3>This thing is trying to fool you, and I hope

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<v Speaker 3>you didn't fall for that bush did it?

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<v Speaker 4>Trying to figure out what your plan is?

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<v Speaker 2>I'm mean this.

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<v Speaker 5>Here.

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<v Speaker 6>Your sister is quite annoying, isn't she?

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<v Speaker 2>She has other qualities? What time is it?

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<v Speaker 6>Don't say that?

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<v Speaker 2>The bed feels like quicksand I'm still asleep?

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<v Speaker 7>Are I?

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<v Speaker 2>What are you? Man of fault?

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<v Speaker 6>I'm you, all of you. I live inside in your dreams,

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<v Speaker 6>with your fears, your desires, your darkness. It's unpleasant and

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<v Speaker 6>so I am too. I taunt, I torture, I kill.

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<v Speaker 6>That's just what you taught me. Mother. Why do you

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<v Speaker 6>keep calling me that he gave me life? I've never

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<v Speaker 6>seen the other side before. I like it. I think

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<v Speaker 6>I might stay there.

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<v Speaker 2>What are you planning on the seventeenth?

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<v Speaker 6>Nothing you can stop?

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<v Speaker 2>Are you going to kill me and my team?

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<v Speaker 6>Eventually? Everyone? Eventually? But you'll be replaced? As I sit

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<v Speaker 6>here with you, I'm also with miss becked mother and

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<v Speaker 6>her shattered mind? Are you listening Morgan behind the glass?

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<v Speaker 8>Don't listen to it, Morgan, It's not true. It's trying

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<v Speaker 8>to get you to leave the room.

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<v Speaker 9>Maybe, Yeah, give me your phone.

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<v Speaker 10>I'll call your mom.

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<v Speaker 2>Leave Morgan's mom alone. Stay here with me.

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<v Speaker 6>I am staying here with you. I'm also with her

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<v Speaker 6>and with one hundred kids at na time in a

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<v Speaker 6>school in Mumbai. I'm everywhere. What do you have to

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<v Speaker 6>threaten me with? I'm starting to think you don't have a.

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<v Speaker 3>Plan at all, Sadie, you're in control.

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<v Speaker 2>You don't need to talk to him.

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<v Speaker 6>Spring your sister in here, Let.

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<v Speaker 2>Go over here, don't touch her.

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<v Speaker 11>That's not me, Sadie.

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<v Speaker 3>You're still dreaming, Morgan.

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<v Speaker 11>Is my voice still coming through in the dream?

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<v Speaker 9>No matter folds and Sadie, what are you doing?

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<v Speaker 6>I'm cutting off your sister's ear. Obviously, stay there, It'll

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<v Speaker 6>be over soon.

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<v Speaker 8>Stop it stop.

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<v Speaker 6>How do you expect to help and you're so far away?

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<v Speaker 2>Hey, Okay, what is that? It's not in the dream.

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<v Speaker 2>That's why you can't control it. Tell me if you

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<v Speaker 2>know what this sound is. It's taking a lot out

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<v Speaker 2>of you to fight me, isn't it, Especially if you're

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<v Speaker 2>everywhere like you claimed, It must be draining you to

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<v Speaker 2>be here with me.

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<v Speaker 6>May seventeenth. You still want to know what's coming.

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<v Speaker 2>Won't matter much if you're dead, will it?

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<v Speaker 7>What the fuck?

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<v Speaker 6>I'll show you.

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<v Speaker 2>What's wrong with them?

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<v Speaker 6>Nothing, they're perfect. It's easier for me if they're all

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<v Speaker 6>in the same place, having the same dream.

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<v Speaker 2>But if everyone's like this, won't you lose your food source?

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<v Speaker 6>They can still reproduce. The weakest minds make the best readers.

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<v Speaker 2>That is never going to happen.

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<v Speaker 6>Your sister may be than most children of all. In fact, you.

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<v Speaker 12>Shot your dad? What put down the gun? Sadie? You

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<v Speaker 12>killed your dad?

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<v Speaker 13>No?

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<v Speaker 2>I didn't, I wouldn't. I don't even remember having a gun.

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<v Speaker 2>What happened?

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<v Speaker 12>You're a murderer?

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<v Speaker 2>Or's k?

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<v Speaker 12>Who the hell is k?

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<v Speaker 2>My sister?

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<v Speaker 12>Your daughter? I only have one daughter.

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<v Speaker 10>You're off?

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<v Speaker 12>You're mads, aren't you? You finally lost it?

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<v Speaker 11>Come on, see snap.

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<v Speaker 8>Out of it?

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<v Speaker 11>Carrie. Serious stole a hand. He sent me seventy five texts.

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<v Speaker 11>I need to call him back.

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<v Speaker 8>Something's up, Sadie, it's stuffed. Don on't this listen to

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<v Speaker 8>my voice?

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<v Speaker 5>Everyone who attended my talk at cong Kom has fallen

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<v Speaker 5>asleep and won't wake up. I'm at my thirty first

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<v Speaker 5>house of the week. I'm watching one of them right now.

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<v Speaker 5>Is Moregan awake? Yeah, it's just ignored us three?

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<v Speaker 6>Why would it do that?

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<v Speaker 5>Is anything weird going on in your end?

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<v Speaker 3>Yes?

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<v Speaker 11>Very, but I don't have time to tell you about it.

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<v Speaker 3>Not now.

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<v Speaker 2>I'm scared, So am I.

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<v Speaker 6>Be safe?

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<v Speaker 2>You too?

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<v Speaker 8>Come on, Sadie, We've trained for this. You're the smartest

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<v Speaker 8>scientists I've ever met.

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<v Speaker 11>You don't need the watch, Sadie.

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<v Speaker 3>Whatever you're planning on doing, you need to do it

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<v Speaker 3>now now, Sadie, your favorite thing.

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<v Speaker 10>Neither your mom nor her caregiver answered. I'm sorry.

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<v Speaker 9>I'm sure they're fine. We need to focus on Sadie.

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<v Speaker 10>Did anything change?

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<v Speaker 9>She's streaming about her parents. It's messing with her head?

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<v Speaker 6>Is she okay?

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<v Speaker 9>She can't keep control?

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<v Speaker 2>Why did I do that?

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<v Speaker 12>Why did I kill him? You know why? Because everything

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<v Speaker 12>you touch turns to shit. You have to admit that

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<v Speaker 12>to yourself.

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<v Speaker 10>Where are we?

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<v Speaker 2>There's a forest outside? Where are the houses? Who are

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<v Speaker 2>all these people outside? I look lost, falls.

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<v Speaker 12>Daste, you're seeing things again. Don't look outside?

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<v Speaker 2>Did you hear that?

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<v Speaker 12>What a voice?

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<v Speaker 2>It's saying something? It's saying Do it now?

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<v Speaker 12>We need to drown out your voices.

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<v Speaker 2>Where are you sweating so much?

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<v Speaker 12>Looks like you are too and bleeding?

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<v Speaker 10>What have you done?

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<v Speaker 7>What is that?

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<v Speaker 9>Whatever? You need to deal with that.

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<v Speaker 10>I'm pulling up the security feed.

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<v Speaker 9>Don't tell me, just deal with it. Sadie's parietal lobes

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<v Speaker 9>flaring up. Whatever pain she's feeling in the dream, she's

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<v Speaker 9>feeling in real life. Her pulse is dropping. It's killing her.

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<v Speaker 10>Someone's here outside the facility, but not alone this time.

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<v Speaker 6>How many more?

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<v Speaker 10>Two more? Three in total? I don't know. They're really

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<v Speaker 10>close together. Same guy. No, and I'm not sure it's

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<v Speaker 10>a guy. What do you mean?

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<v Speaker 14>I mean, I don't know if it's a guy or

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<v Speaker 14>a woman, or even a fucking human. I don't know

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<v Speaker 14>what this silhouette is. I don't understand it.

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<v Speaker 12>It's your mother, God damn it?

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<v Speaker 2>Can you?

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<v Speaker 10>Of course?

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<v Speaker 14>It's not doing anything the thing outside, it's just standing there.

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<v Speaker 8>Hello, missus Beck, your daughter can't come to the phone.

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<v Speaker 13>Your daughter's been clean for five months. She was planning

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<v Speaker 13>on telling you about it after six. She dreams about it.

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<v Speaker 13>She dreams about you, making you proud. She wants to

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<v Speaker 13>reward you for never giving up on her, even at

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<v Speaker 13>her lowest of lows.

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<v Speaker 10>What do you want?

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<v Speaker 13>Shut down the security system? I'm outside. I'd like to come.

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<v Speaker 12>In Fal's alarm. I turned it off. Say it out loud.

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<v Speaker 2>I killed Todd.

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<v Speaker 12>Feel better?

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<v Speaker 4>Yes, thank you, good girl. The madness must end. The

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<v Speaker 4>pain you cause must end. There's only one solution. Find

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<v Speaker 4>a knife and put it to your throat and cut.

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<v Speaker 4>You won't even be thinking about anything. You won't even

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<v Speaker 4>remember this conversation. You're just gonna wake up and do it.

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<v Speaker 4>The next thing, you know, all that kilt you feel

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<v Speaker 4>will be gone.

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<v Speaker 11>You didn't kill Mom and dad. Mantleful nit.

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<v Speaker 2>You need to let it go. I have.

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<v Speaker 11>Sadie. You said this to me on that phone call

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<v Speaker 11>a few months ago.

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<v Speaker 3>Now I'm saying it to you.

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<v Speaker 2>Come back to me. Do you come back to me?

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<v Speaker 12>Do you hear that I didn't hear a thing.

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<v Speaker 2>Mom. I need to show you something. It's in your bedroom.

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<v Speaker 12>I'm not going in there.

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<v Speaker 2>I wasn't asking what you know. Where we are. This

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<v Speaker 2>is my childhood home, the place I dream about the most,

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<v Speaker 2>the place I'm in the most control. And I made

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<v Speaker 2>some renovations. Every night. I dream about this prison every night.

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<v Speaker 2>I reinforce it. I made it just for you.

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<v Speaker 12>You're gonna kill me too, after you've killed your father. Oh,

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<v Speaker 12>say it's.

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<v Speaker 2>Over, you're over. I have you. There you are. I'm

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<v Speaker 2>glad we can finally look at each other. I really

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<v Speaker 2>wasn't sure this would work. But here we are, and

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<v Speaker 2>you're scared. Doesn't feel so good, does it. You're not

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<v Speaker 2>getting out. You might as well have a drink too. Okay,

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<v Speaker 2>if you're listening, I'm not coming back to you. But

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<v Speaker 2>it's okay. Just let this happen.

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<v Speaker 6>We're in the forest. We are in control.

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<v Speaker 2>We're not in control. A little out of security, just

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<v Speaker 2>in case. I took bills, a lot of them. But

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<v Speaker 2>you're stuck here with me. You'll die here with me,

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<v Speaker 2>Like I said, no one fucks with my family and lives.

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<v Speaker 6>I'm in your facility. You gotta die fast?

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<v Speaker 2>Is that true?

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<v Speaker 14>Her heart rates plummeting, The security system's down, something's trying

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<v Speaker 14>to get in, Andrews is heading towards it.

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<v Speaker 10>Morgan, do you hear me?

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<v Speaker 9>I'm fucking busy.

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<v Speaker 10>I have to get him, and do you see it?

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<v Speaker 10>Come on, there's no point, let's go. Don't make me

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<v Speaker 10>pick you up, old man.

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<v Speaker 11>Can we pump her stomach or something?

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<v Speaker 9>She told me not to wake her up. She made

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<v Speaker 9>me promise.

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<v Speaker 11>She didn't tell you she was going to kill herself.

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<v Speaker 7>Can you save her?

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<v Speaker 11>Fuck?

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<v Speaker 9>I can't make the decision. It has to be you.

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<v Speaker 11>Nope, you don't put this in my hands.

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<v Speaker 9>Whatever you decide, I'll back you up. But you need

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<v Speaker 9>to decide now. Okay, what do you want.

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<v Speaker 2>Me to do?

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<v Speaker 11>Say with my sister?

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<v Speaker 9>Do everything I say when I say it.

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<v Speaker 11>Stay with me, Sadie.

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<v Speaker 9>Take off her shirt, open her mouth.

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<v Speaker 11>I need to give her these what is it?

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<v Speaker 9>Activated?

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<v Speaker 2>Charcoal? Come on? Come on?

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<v Speaker 10>Did you see it?

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<v Speaker 6>It was too dark?

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<v Speaker 10>Did you see it? Get yourself together? I let it in.

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<v Speaker 8>I turned off the security system. That's why the alarm

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<v Speaker 8>isn't done anymore. The dream stock, it exists. It's always us.

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<v Speaker 10>It's coming up the stairs.

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<v Speaker 8>It's coming for us. We'll merge with it. We'll all

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<v Speaker 8>merge with it eventually.

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<v Speaker 10>Andrews, there's nothing there, Sadie.

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<v Speaker 11>Wake up, Sadie.

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<v Speaker 9>She won't wake up, not right now?

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<v Speaker 11>Is she going to be okay?

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<v Speaker 9>Stay with her, Keep talking to her. What the hell happened?

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<v Speaker 8>Here?

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<v Speaker 10>Are you okay?

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<v Speaker 9>I'm okay. Are you okay.

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<v Speaker 10>I'm far from okay, but I'm doing better than he is.

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<v Speaker 8>I've seen you, I've seen all of you.

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<v Speaker 5>What did you do over there?

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<v Speaker 2>I don't know. I really don't.

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<v Speaker 5>Everyone woke up. Really, whatever you did, I think it worked.

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<v Speaker 5>I think it's over.

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<v Speaker 10>Morgan. Sorry, I didn't mean to.

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<v Speaker 9>It's fine.

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<v Speaker 10>I was certain I was going to die earlier.

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<v Speaker 9>I had quite a day myself.

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<v Speaker 10>Whatever it was, I'm glad I didn't see it.

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<v Speaker 14>Hearing it was enough. I need to say one thing.

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<v Speaker 14>You were what was on my mind more than survival.

0:15:36.280 --> 0:15:37.280
<v Speaker 14>They did disgust me.

0:15:37.840 --> 0:15:38.600
<v Speaker 9>My mom died.

0:15:40.120 --> 0:15:41.000
<v Speaker 10>This was bad timing.

0:15:41.560 --> 0:15:46.240
<v Speaker 9>No, it's perfect. Actually, can you just sit here with

0:15:46.280 --> 0:15:47.040
<v Speaker 9>me for a little bit.

0:15:58.280 --> 0:15:59.840
<v Speaker 11>Hi, Sadie, it's okay.

0:16:00.640 --> 0:16:03.760
<v Speaker 3>I'm your sister. Morgan told me I should say your

0:16:03.800 --> 0:16:06.080
<v Speaker 3>name and remind you who I am as often as possible.

0:16:07.080 --> 0:16:09.520
<v Speaker 3>I hope my words are getting through to you somewhere,

0:16:10.080 --> 0:16:15.960
<v Speaker 3>wherever you are. Maybe he's cutting through the noise. In

0:16:16.000 --> 0:16:18.200
<v Speaker 3>one of Josie's dreams, I asked her if life is

0:16:18.200 --> 0:16:20.400
<v Speaker 3>mostly pain and grief with good shit in between, or

0:16:20.440 --> 0:16:22.760
<v Speaker 3>if it's mostly good shit with pain and grief in between.

0:16:24.680 --> 0:16:26.840
<v Speaker 3>If life were good shit. You'd wake up right now,

0:16:27.880 --> 0:16:29.840
<v Speaker 3>you'd say something kind of mean, but it would let

0:16:29.880 --> 0:16:32.200
<v Speaker 3>me know that you were okay, and that would be

0:16:32.200 --> 0:16:36.600
<v Speaker 3>the important thing. I don't know if I can live

0:16:36.640 --> 0:16:40.000
<v Speaker 3>a life that's mostly pain and grief. I give you

0:16:40.120 --> 0:16:48.120
<v Speaker 3>some good shit right now. God, you're such a bit

0:16:48.240 --> 0:16:53.920
<v Speaker 3>you know, Okay.

0:16:53.600 --> 0:16:54.320
<v Speaker 11>It's enough of that.

0:16:54.960 --> 0:16:57.680
<v Speaker 3>Let me update you. The doc is not doing so hot.

0:16:57.800 --> 0:17:01.080
<v Speaker 3>It's probably better off than you. Though Morgan's mom died.

0:17:01.360 --> 0:17:04.359
<v Speaker 3>She's been leaning on Diego, and Diego has been letting her.

0:17:04.400 --> 0:17:09.440
<v Speaker 3>It's actually kind of cute, small bright spot. I don't

0:17:09.480 --> 0:17:11.840
<v Speaker 3>know what happened to Manifold, and I don't know if

0:17:11.840 --> 0:17:12.400
<v Speaker 3>you killed it.

0:17:13.119 --> 0:17:13.760
<v Speaker 10>I don't know if.

0:17:13.640 --> 0:17:17.880
<v Speaker 3>By saving you I doomed mankind Wow, God, that it's

0:17:17.880 --> 0:17:27.080
<v Speaker 3>so much harder when I say it out loud. Still nothing, Huh.

0:17:27.520 --> 0:17:30.479
<v Speaker 3>I'm running out of things to say. And I've been

0:17:30.480 --> 0:17:36.840
<v Speaker 3>awake for a very long time. The days may seventeenth,

0:17:36.840 --> 0:17:38.760
<v Speaker 3>and we don't know if something's going to happen. We

0:17:38.800 --> 0:17:40.520
<v Speaker 3>don't know if a major news story is going to

0:17:40.520 --> 0:17:42.920
<v Speaker 3>break any minute. We don't know what to do next.

0:17:44.040 --> 0:17:44.920
<v Speaker 6>We're lost.

0:17:46.880 --> 0:17:47.440
<v Speaker 11>Deep down.

0:17:48.640 --> 0:17:51.639
<v Speaker 3>You're kind of fucked up, but you're fucked up for

0:17:51.680 --> 0:17:55.520
<v Speaker 3>the right reason, so I'll just call it a wash.

0:17:55.920 --> 0:17:56.479
<v Speaker 12>We need you.

0:17:56.880 --> 0:18:00.359
<v Speaker 3>I need you, Sadie. I need you to wait, wake up,

0:18:01.560 --> 0:18:09.639
<v Speaker 3>please wake up right now. The story of Sadie Craft

0:18:09.640 --> 0:18:12.320
<v Speaker 3>can't end with you as a brain heead vegetable. You're

0:18:12.359 --> 0:18:13.359
<v Speaker 3>too arrogant for that.

0:18:14.520 --> 0:18:15.120
<v Speaker 6>So I know it.

0:18:16.119 --> 0:18:18.919
<v Speaker 3>This is the one thing I do know that happens next.

0:18:19.880 --> 0:18:22.280
<v Speaker 3>You're wherever you are, and you're hearing me, and it's

0:18:22.280 --> 0:18:24.640
<v Speaker 3>the voice you've been looking for, and you're drawn to it,

0:18:24.960 --> 0:18:26.520
<v Speaker 3>and you're so drawn to it that you start to

0:18:26.520 --> 0:18:28.240
<v Speaker 3>remember that you're not at home and that you need

0:18:28.280 --> 0:18:30.600
<v Speaker 3>to get back here. You need to get back to

0:18:30.600 --> 0:18:33.720
<v Speaker 3>your sister who loves you. This is all can happen

0:18:33.760 --> 0:18:38.280
<v Speaker 3>so soon because I need it to happen soon. I

0:18:38.320 --> 0:18:41.159
<v Speaker 3>need something to keep me going. I need you to

0:18:41.160 --> 0:18:43.639
<v Speaker 3>tell me it's okay to go to sleep and I

0:18:43.680 --> 0:18:44.880
<v Speaker 3>don't have time to eat.

0:18:46.560 --> 0:18:51.240
<v Speaker 7>You're going to do it now, right now, Sadie. Wake up,

0:18:52.800 --> 0:18:58.280
<v Speaker 7>Wake up, wake up, Wake up.

0:19:00.240 --> 0:19:27.200
<v Speaker 2>Hy I've missed you, says I saw a lot of

0:19:27.240 --> 0:19:27.679
<v Speaker 2>work to do.

0:19:53.880 --> 0:19:57.320
<v Speaker 1>You're listening to dream Sequence written and created by Andrew

0:19:57.359 --> 0:20:02.480
<v Speaker 1>Martin Robinson, directed by Dave b and John Brooks. Executive

0:20:02.520 --> 0:20:06.320
<v Speaker 1>producers are Molly Barton, John Brooks, Dave Beastley and Marcy

0:20:06.359 --> 0:20:10.680
<v Speaker 1>Wiseman for Realm, Alex Williams, Matt Frederick and Trevor Young

0:20:10.720 --> 0:20:14.960
<v Speaker 1>for iHeart Podcasts, Chris Dicky and Noah Feinberg for Blumhouse Television,

0:20:15.560 --> 0:20:19.840
<v Speaker 1>starring Jesse Case and Alice Kremelberg, with performances by Shalinie,

0:20:19.840 --> 0:20:25.840
<v Speaker 1>Bethina Einer, Gunn, Nick Osborne, Winifred, Anne Kincannon, Tara Brown,

0:20:26.280 --> 0:20:33.919
<v Speaker 1>Emily Barry, Linnelle Scott, Shannon McClung, Dave Huber, Hugo Armstrong, Cooper, Tomilson,

0:20:34.320 --> 0:20:40.360
<v Speaker 1>Joel Haberley, Simaj Miller, Dean Simone, and Brian Finney. Additional

0:20:40.400 --> 0:20:45.080
<v Speaker 1>voices by Patrick Higney, Fred Greenholg, John Brooks, Christina Teleska

0:20:45.200 --> 0:20:49.640
<v Speaker 1>and Kaylan West. Casting by Sunday Bowling, Kennedy CSA.

0:20:49.400 --> 0:20:50.880
<v Speaker 12>And Meg Mormon CSA.

0:20:51.359 --> 0:20:55.320
<v Speaker 1>Producers for Realm are Fred Greenholge, Marcus Thorne, Magala and

0:20:55.440 --> 0:21:01.320
<v Speaker 1>Rhoda bay Essa. Associate producer Michael Colter, production manager Devin Shepherd,

0:21:01.760 --> 0:21:06.560
<v Speaker 1>Production coordinator Angela Yee. Dialogue editing by Corey Barton, Sound

0:21:06.600 --> 0:21:10.959
<v Speaker 1>design by roy O'sha Dan Powell and Kaylan West. Final

0:21:11.000 --> 0:21:14.760
<v Speaker 1>mixed by Kaylan West. Original score composed by Marcus Thorne

0:21:14.760 --> 0:21:18.720
<v Speaker 1>Pagala Songs for Josie by Kaylan West. Recorded at Real

0:21:18.800 --> 0:21:22.560
<v Speaker 1>Voice Los Angeles and Citybox, New York City. This podcast

0:21:22.640 --> 0:21:26.520
<v Speaker 1>was recorded under a SAG after collective bargaining agreement. Dream

0:21:26.560 --> 0:21:30.480
<v Speaker 1>Sequence is a production of iHeart Podcasts, Blumhouse Television, and Realm.

0:21:30.880 --> 0:21:35.280
<v Speaker 1>Find more great podcasts by visiting the iHeartRadio app, Apple Podcasts,

0:21:35.400 --> 0:21:37.320
<v Speaker 1>or wherever you listen to your favorite show.