1 00:00:00,320 --> 00:00:04,439 Speaker 1: Dream Sequence is a production of iHeart Podcasts, Blumhouse Television, 2 00:00:04,559 --> 00:00:14,919 Speaker 1: and Realm. 3 00:00:15,000 --> 00:00:16,680 Speaker 2: He says, it's me, kay. 4 00:00:17,800 --> 00:00:19,439 Speaker 3: This thing is trying to fool you, and I hope 5 00:00:19,480 --> 00:00:21,960 Speaker 3: you didn't fall for that bush did it? 6 00:00:22,600 --> 00:00:24,079 Speaker 4: Trying to figure out what your plan is? 7 00:00:25,000 --> 00:00:25,920 Speaker 2: I'm mean this. 8 00:00:27,400 --> 00:00:27,560 Speaker 5: Here. 9 00:00:28,960 --> 00:00:30,720 Speaker 6: Your sister is quite annoying, isn't she? 10 00:00:32,159 --> 00:00:35,600 Speaker 2: She has other qualities? What time is it? 11 00:00:35,760 --> 00:00:36,440 Speaker 6: Don't say that? 12 00:00:39,760 --> 00:00:43,640 Speaker 2: The bed feels like quicksand I'm still asleep? 13 00:00:43,680 --> 00:00:45,480 Speaker 7: Are I? 14 00:00:49,520 --> 00:00:50,840 Speaker 2: What are you? Man of fault? 15 00:00:55,000 --> 00:01:03,440 Speaker 6: I'm you, all of you. I live inside in your dreams, 16 00:01:04,840 --> 00:01:15,399 Speaker 6: with your fears, your desires, your darkness. It's unpleasant and 17 00:01:15,480 --> 00:01:19,959 Speaker 6: so I am too. I taunt, I torture, I kill. 18 00:01:23,120 --> 00:01:27,160 Speaker 6: That's just what you taught me. Mother. Why do you 19 00:01:27,240 --> 00:01:32,720 Speaker 6: keep calling me that he gave me life? I've never 20 00:01:32,760 --> 00:01:37,759 Speaker 6: seen the other side before. I like it. I think 21 00:01:37,800 --> 00:01:38,600 Speaker 6: I might stay there. 22 00:01:40,880 --> 00:01:42,560 Speaker 2: What are you planning on the seventeenth? 23 00:01:43,319 --> 00:01:44,640 Speaker 6: Nothing you can stop? 24 00:01:46,440 --> 00:01:48,040 Speaker 2: Are you going to kill me and my team? 25 00:01:49,040 --> 00:01:57,360 Speaker 6: Eventually? Everyone? Eventually? But you'll be replaced? As I sit 26 00:01:57,480 --> 00:01:59,880 Speaker 6: here with you, I'm also with miss becked mother and 27 00:02:00,040 --> 00:02:06,400 Speaker 6: her shattered mind? Are you listening Morgan behind the glass? 28 00:02:07,640 --> 00:02:14,960 Speaker 8: Don't listen to it, Morgan, It's not true. It's trying 29 00:02:14,960 --> 00:02:16,839 Speaker 8: to get you to leave the room. 30 00:02:16,840 --> 00:02:19,680 Speaker 9: Maybe, Yeah, give me your phone. 31 00:02:20,000 --> 00:02:21,280 Speaker 10: I'll call your mom. 32 00:02:21,720 --> 00:02:23,920 Speaker 2: Leave Morgan's mom alone. Stay here with me. 33 00:02:24,360 --> 00:02:28,359 Speaker 6: I am staying here with you. I'm also with her 34 00:02:29,720 --> 00:02:31,480 Speaker 6: and with one hundred kids at na time in a 35 00:02:31,480 --> 00:02:39,760 Speaker 6: school in Mumbai. I'm everywhere. What do you have to 36 00:02:39,800 --> 00:02:44,160 Speaker 6: threaten me with? I'm starting to think you don't have a. 37 00:02:44,080 --> 00:02:46,320 Speaker 3: Plan at all, Sadie, you're in control. 38 00:02:46,639 --> 00:02:47,760 Speaker 2: You don't need to talk to him. 39 00:02:47,919 --> 00:02:50,200 Speaker 6: Spring your sister in here, Let. 40 00:02:50,160 --> 00:02:51,959 Speaker 2: Go over here, don't touch her. 41 00:02:53,040 --> 00:02:54,160 Speaker 11: That's not me, Sadie. 42 00:02:54,520 --> 00:02:56,840 Speaker 3: You're still dreaming, Morgan. 43 00:02:57,000 --> 00:02:58,440 Speaker 11: Is my voice still coming through in the dream? 44 00:02:58,800 --> 00:03:04,920 Speaker 9: No matter folds and Sadie, what are you doing? 45 00:03:05,120 --> 00:03:09,120 Speaker 6: I'm cutting off your sister's ear. Obviously, stay there, It'll 46 00:03:09,120 --> 00:03:09,720 Speaker 6: be over soon. 47 00:03:09,919 --> 00:03:12,640 Speaker 8: Stop it stop. 48 00:03:13,800 --> 00:03:17,880 Speaker 6: How do you expect to help and you're so far away? 49 00:03:18,400 --> 00:03:31,800 Speaker 2: Hey, Okay, what is that? It's not in the dream. 50 00:03:32,120 --> 00:03:35,920 Speaker 2: That's why you can't control it. Tell me if you 51 00:03:36,040 --> 00:03:42,800 Speaker 2: know what this sound is. It's taking a lot out 52 00:03:42,840 --> 00:03:45,240 Speaker 2: of you to fight me, isn't it, Especially if you're 53 00:03:45,280 --> 00:03:48,640 Speaker 2: everywhere like you claimed, It must be draining you to 54 00:03:48,720 --> 00:03:49,400 Speaker 2: be here with me. 55 00:03:52,080 --> 00:03:55,200 Speaker 6: May seventeenth. You still want to know what's coming. 56 00:03:55,600 --> 00:03:57,080 Speaker 2: Won't matter much if you're dead, will it? 57 00:03:59,080 --> 00:03:59,680 Speaker 7: What the fuck? 58 00:04:00,960 --> 00:04:01,800 Speaker 6: I'll show you. 59 00:04:31,400 --> 00:04:34,120 Speaker 2: What's wrong with them? 60 00:04:34,160 --> 00:04:40,400 Speaker 6: Nothing, they're perfect. It's easier for me if they're all 61 00:04:40,440 --> 00:04:44,159 Speaker 6: in the same place, having the same dream. 62 00:04:44,440 --> 00:04:48,160 Speaker 2: But if everyone's like this, won't you lose your food source? 63 00:04:48,720 --> 00:04:53,479 Speaker 6: They can still reproduce. The weakest minds make the best readers. 64 00:04:54,520 --> 00:04:55,640 Speaker 2: That is never going to happen. 65 00:04:56,400 --> 00:05:09,360 Speaker 6: Your sister may be than most children of all. In fact, you. 66 00:05:09,360 --> 00:05:17,039 Speaker 12: Shot your dad? What put down the gun? Sadie? You 67 00:05:17,160 --> 00:05:17,919 Speaker 12: killed your dad? 68 00:05:18,200 --> 00:05:18,240 Speaker 13: No? 69 00:05:18,360 --> 00:05:20,880 Speaker 2: I didn't, I wouldn't. I don't even remember having a gun. 70 00:05:21,600 --> 00:05:22,240 Speaker 2: What happened? 71 00:05:22,800 --> 00:05:23,560 Speaker 12: You're a murderer? 72 00:05:25,760 --> 00:05:26,120 Speaker 2: Or's k? 73 00:05:26,680 --> 00:05:27,520 Speaker 12: Who the hell is k? 74 00:05:28,920 --> 00:05:29,480 Speaker 2: My sister? 75 00:05:29,600 --> 00:05:32,919 Speaker 12: Your daughter? I only have one daughter. 76 00:05:35,320 --> 00:05:35,680 Speaker 10: You're off? 77 00:05:35,720 --> 00:05:38,600 Speaker 12: You're mads, aren't you? You finally lost it? 78 00:05:39,240 --> 00:05:41,280 Speaker 11: Come on, see snap. 79 00:05:41,000 --> 00:05:41,479 Speaker 8: Out of it? 80 00:05:42,360 --> 00:05:45,799 Speaker 11: Carrie. Serious stole a hand. He sent me seventy five texts. 81 00:05:45,800 --> 00:05:46,560 Speaker 11: I need to call him back. 82 00:05:46,600 --> 00:05:50,440 Speaker 8: Something's up, Sadie, it's stuffed. Don on't this listen to 83 00:05:50,480 --> 00:05:51,880 Speaker 8: my voice? 84 00:05:53,320 --> 00:05:55,400 Speaker 5: Everyone who attended my talk at cong Kom has fallen 85 00:05:55,440 --> 00:05:58,000 Speaker 5: asleep and won't wake up. I'm at my thirty first 86 00:05:58,000 --> 00:05:59,640 Speaker 5: house of the week. I'm watching one of them right now. 87 00:06:00,279 --> 00:06:03,440 Speaker 5: Is Moregan awake? Yeah, it's just ignored us three? 88 00:06:04,160 --> 00:06:04,839 Speaker 6: Why would it do that? 89 00:06:04,960 --> 00:06:06,320 Speaker 5: Is anything weird going on in your end? 90 00:06:06,440 --> 00:06:06,760 Speaker 3: Yes? 91 00:06:07,080 --> 00:06:08,800 Speaker 11: Very, but I don't have time to tell you about it. 92 00:06:08,839 --> 00:06:09,240 Speaker 3: Not now. 93 00:06:10,240 --> 00:06:12,080 Speaker 2: I'm scared, So am I. 94 00:06:13,640 --> 00:06:14,119 Speaker 6: Be safe? 95 00:06:15,240 --> 00:06:17,120 Speaker 2: You too? 96 00:06:18,240 --> 00:06:21,800 Speaker 8: Come on, Sadie, We've trained for this. You're the smartest 97 00:06:21,839 --> 00:06:23,000 Speaker 8: scientists I've ever met. 98 00:06:23,200 --> 00:06:25,160 Speaker 11: You don't need the watch, Sadie. 99 00:06:25,160 --> 00:06:26,800 Speaker 3: Whatever you're planning on doing, you need to do it 100 00:06:26,839 --> 00:06:29,480 Speaker 3: now now, Sadie, your favorite thing. 101 00:06:30,440 --> 00:06:33,760 Speaker 10: Neither your mom nor her caregiver answered. I'm sorry. 102 00:06:34,880 --> 00:06:37,520 Speaker 9: I'm sure they're fine. We need to focus on Sadie. 103 00:06:37,640 --> 00:06:38,479 Speaker 10: Did anything change? 104 00:06:38,520 --> 00:06:40,880 Speaker 9: She's streaming about her parents. It's messing with her head? 105 00:06:41,200 --> 00:06:41,760 Speaker 6: Is she okay? 106 00:06:42,240 --> 00:06:43,159 Speaker 9: She can't keep control? 107 00:06:44,000 --> 00:06:45,040 Speaker 2: Why did I do that? 108 00:06:46,640 --> 00:06:50,040 Speaker 12: Why did I kill him? You know why? Because everything 109 00:06:50,040 --> 00:06:53,359 Speaker 12: you touch turns to shit. You have to admit that 110 00:06:53,400 --> 00:06:54,000 Speaker 12: to yourself. 111 00:06:57,520 --> 00:06:58,000 Speaker 10: Where are we? 112 00:06:59,080 --> 00:07:04,120 Speaker 2: There's a forest outside? Where are the houses? Who are 113 00:07:04,160 --> 00:07:08,920 Speaker 2: all these people outside? I look lost, falls. 114 00:07:08,880 --> 00:07:12,880 Speaker 12: Daste, you're seeing things again. Don't look outside? 115 00:07:14,960 --> 00:07:15,600 Speaker 2: Did you hear that? 116 00:07:16,240 --> 00:07:17,840 Speaker 12: What a voice? 117 00:07:17,880 --> 00:07:23,560 Speaker 2: It's saying something? It's saying Do it now? 118 00:07:24,920 --> 00:07:26,480 Speaker 12: We need to drown out your voices. 119 00:07:30,160 --> 00:07:31,760 Speaker 2: Where are you sweating so much? 120 00:07:32,720 --> 00:07:36,600 Speaker 12: Looks like you are too and bleeding? 121 00:07:38,640 --> 00:07:39,640 Speaker 10: What have you done? 122 00:07:42,400 --> 00:07:42,840 Speaker 7: What is that? 123 00:07:44,000 --> 00:07:45,040 Speaker 9: Whatever? You need to deal with that. 124 00:07:45,280 --> 00:07:46,480 Speaker 10: I'm pulling up the security feed. 125 00:07:46,600 --> 00:07:49,280 Speaker 9: Don't tell me, just deal with it. Sadie's parietal lobes 126 00:07:49,320 --> 00:07:51,680 Speaker 9: flaring up. Whatever pain she's feeling in the dream, she's 127 00:07:51,720 --> 00:07:55,360 Speaker 9: feeling in real life. Her pulse is dropping. It's killing her. 128 00:07:55,880 --> 00:07:59,320 Speaker 10: Someone's here outside the facility, but not alone this time. 129 00:07:59,440 --> 00:07:59,920 Speaker 6: How many more? 130 00:08:00,920 --> 00:08:03,400 Speaker 10: Two more? Three in total? I don't know. They're really 131 00:08:03,400 --> 00:08:07,040 Speaker 10: close together. Same guy. No, and I'm not sure it's 132 00:08:07,080 --> 00:08:08,680 Speaker 10: a guy. What do you mean? 133 00:08:08,880 --> 00:08:10,280 Speaker 14: I mean, I don't know if it's a guy or 134 00:08:10,320 --> 00:08:12,200 Speaker 14: a woman, or even a fucking human. I don't know 135 00:08:12,200 --> 00:08:15,840 Speaker 14: what this silhouette is. I don't understand it. 136 00:08:15,840 --> 00:08:17,360 Speaker 12: It's your mother, God damn it? 137 00:08:17,800 --> 00:08:18,200 Speaker 2: Can you? 138 00:08:18,240 --> 00:08:18,680 Speaker 10: Of course? 139 00:08:19,960 --> 00:08:23,920 Speaker 14: It's not doing anything the thing outside, it's just standing there. 140 00:08:25,680 --> 00:08:28,600 Speaker 8: Hello, missus Beck, your daughter can't come to the phone. 141 00:08:28,680 --> 00:08:32,480 Speaker 13: Your daughter's been clean for five months. She was planning 142 00:08:32,480 --> 00:08:37,600 Speaker 13: on telling you about it after six. She dreams about it. 143 00:08:39,120 --> 00:08:45,360 Speaker 13: She dreams about you, making you proud. She wants to 144 00:08:45,400 --> 00:08:49,559 Speaker 13: reward you for never giving up on her, even at 145 00:08:49,600 --> 00:08:53,319 Speaker 13: her lowest of lows. 146 00:08:55,800 --> 00:08:56,480 Speaker 10: What do you want? 147 00:08:58,720 --> 00:09:04,959 Speaker 13: Shut down the security system? I'm outside. I'd like to come. 148 00:09:04,720 --> 00:09:11,120 Speaker 12: In Fal's alarm. I turned it off. Say it out loud. 149 00:09:12,600 --> 00:09:13,280 Speaker 2: I killed Todd. 150 00:09:14,320 --> 00:09:14,840 Speaker 12: Feel better? 151 00:09:16,160 --> 00:09:23,640 Speaker 4: Yes, thank you, good girl. The madness must end. The 152 00:09:23,679 --> 00:09:28,920 Speaker 4: pain you cause must end. There's only one solution. Find 153 00:09:28,960 --> 00:09:30,840 Speaker 4: a knife and put it to your throat and cut. 154 00:09:32,400 --> 00:09:35,320 Speaker 4: You won't even be thinking about anything. You won't even 155 00:09:35,320 --> 00:09:39,120 Speaker 4: remember this conversation. You're just gonna wake up and do it. 156 00:09:40,800 --> 00:09:44,480 Speaker 4: The next thing, you know, all that kilt you feel 157 00:09:44,520 --> 00:09:46,920 Speaker 4: will be gone. 158 00:09:47,200 --> 00:09:50,080 Speaker 11: You didn't kill Mom and dad. Mantleful nit. 159 00:09:50,800 --> 00:09:53,240 Speaker 2: You need to let it go. I have. 160 00:09:55,040 --> 00:09:57,320 Speaker 11: Sadie. You said this to me on that phone call 161 00:09:57,360 --> 00:09:58,080 Speaker 11: a few months ago. 162 00:09:58,880 --> 00:10:01,559 Speaker 3: Now I'm saying it to you. 163 00:10:01,679 --> 00:10:07,080 Speaker 2: Come back to me. Do you come back to me? 164 00:10:08,559 --> 00:10:10,680 Speaker 12: Do you hear that I didn't hear a thing. 165 00:10:14,600 --> 00:10:18,280 Speaker 2: Mom. I need to show you something. It's in your bedroom. 166 00:10:19,240 --> 00:10:20,360 Speaker 12: I'm not going in there. 167 00:10:20,920 --> 00:10:26,520 Speaker 2: I wasn't asking what you know. Where we are. This 168 00:10:26,679 --> 00:10:31,080 Speaker 2: is my childhood home, the place I dream about the most, 169 00:10:31,920 --> 00:10:36,440 Speaker 2: the place I'm in the most control. And I made 170 00:10:36,480 --> 00:10:43,120 Speaker 2: some renovations. Every night. I dream about this prison every night. 171 00:10:43,160 --> 00:10:47,360 Speaker 2: I reinforce it. I made it just for you. 172 00:10:47,360 --> 00:10:50,880 Speaker 12: You're gonna kill me too, after you've killed your father. Oh, 173 00:10:51,040 --> 00:10:51,840 Speaker 12: say it's. 174 00:10:51,640 --> 00:11:02,920 Speaker 2: Over, you're over. I have you. There you are. I'm 175 00:11:02,920 --> 00:11:07,440 Speaker 2: glad we can finally look at each other. I really 176 00:11:07,520 --> 00:11:11,080 Speaker 2: wasn't sure this would work. But here we are, and 177 00:11:11,240 --> 00:11:17,520 Speaker 2: you're scared. Doesn't feel so good, does it. You're not 178 00:11:17,559 --> 00:11:23,560 Speaker 2: getting out. You might as well have a drink too. Okay, 179 00:11:24,720 --> 00:11:28,880 Speaker 2: if you're listening, I'm not coming back to you. But 180 00:11:29,080 --> 00:11:32,160 Speaker 2: it's okay. Just let this happen. 181 00:11:32,640 --> 00:11:36,400 Speaker 6: We're in the forest. We are in control. 182 00:11:36,440 --> 00:11:40,800 Speaker 2: We're not in control. A little out of security, just 183 00:11:40,840 --> 00:11:47,960 Speaker 2: in case. I took bills, a lot of them. But 184 00:11:48,080 --> 00:11:51,560 Speaker 2: you're stuck here with me. You'll die here with me, 185 00:11:53,480 --> 00:11:56,920 Speaker 2: Like I said, no one fucks with my family and lives. 186 00:11:58,480 --> 00:12:03,200 Speaker 6: I'm in your facility. You gotta die fast? 187 00:12:04,480 --> 00:12:05,079 Speaker 2: Is that true? 188 00:12:05,640 --> 00:12:09,040 Speaker 14: Her heart rates plummeting, The security system's down, something's trying 189 00:12:09,040 --> 00:12:12,160 Speaker 14: to get in, Andrews is heading towards it. 190 00:12:12,240 --> 00:12:13,480 Speaker 10: Morgan, do you hear me? 191 00:12:13,559 --> 00:12:14,440 Speaker 9: I'm fucking busy. 192 00:12:15,440 --> 00:12:27,000 Speaker 10: I have to get him, and do you see it? 193 00:12:27,679 --> 00:12:39,720 Speaker 10: Come on, there's no point, let's go. Don't make me 194 00:12:39,760 --> 00:12:40,640 Speaker 10: pick you up, old man. 195 00:12:45,480 --> 00:12:47,079 Speaker 11: Can we pump her stomach or something? 196 00:12:47,480 --> 00:12:49,320 Speaker 9: She told me not to wake her up. She made 197 00:12:49,360 --> 00:12:49,960 Speaker 9: me promise. 198 00:12:50,120 --> 00:12:52,280 Speaker 11: She didn't tell you she was going to kill herself. 199 00:12:54,440 --> 00:12:56,280 Speaker 7: Can you save her? 200 00:12:57,120 --> 00:12:57,400 Speaker 11: Fuck? 201 00:12:57,600 --> 00:12:59,600 Speaker 9: I can't make the decision. It has to be you. 202 00:12:59,640 --> 00:13:01,200 Speaker 11: Nope, you don't put this in my hands. 203 00:13:01,240 --> 00:13:04,160 Speaker 9: Whatever you decide, I'll back you up. But you need 204 00:13:04,200 --> 00:13:08,320 Speaker 9: to decide now. Okay, what do you want. 205 00:13:08,160 --> 00:13:08,400 Speaker 2: Me to do? 206 00:13:08,440 --> 00:13:09,200 Speaker 11: Say with my sister? 207 00:13:09,760 --> 00:13:11,480 Speaker 9: Do everything I say when I say it. 208 00:13:11,600 --> 00:13:12,600 Speaker 11: Stay with me, Sadie. 209 00:13:12,800 --> 00:13:16,000 Speaker 9: Take off her shirt, open her mouth. 210 00:13:16,120 --> 00:13:17,920 Speaker 11: I need to give her these what is it? 211 00:13:18,040 --> 00:13:18,520 Speaker 9: Activated? 212 00:13:18,559 --> 00:13:21,320 Speaker 2: Charcoal? Come on? Come on? 213 00:13:23,960 --> 00:13:25,439 Speaker 10: Did you see it? 214 00:13:25,440 --> 00:13:26,200 Speaker 6: It was too dark? 215 00:13:26,760 --> 00:13:31,440 Speaker 10: Did you see it? Get yourself together? I let it in. 216 00:13:33,360 --> 00:13:36,440 Speaker 8: I turned off the security system. That's why the alarm 217 00:13:36,520 --> 00:13:44,080 Speaker 8: isn't done anymore. The dream stock, it exists. It's always us. 218 00:13:46,760 --> 00:13:47,800 Speaker 10: It's coming up the stairs. 219 00:13:48,880 --> 00:13:53,320 Speaker 8: It's coming for us. We'll merge with it. We'll all 220 00:13:53,400 --> 00:13:54,800 Speaker 8: merge with it eventually. 221 00:14:08,480 --> 00:14:19,040 Speaker 10: Andrews, there's nothing there, Sadie. 222 00:14:20,040 --> 00:14:20,960 Speaker 11: Wake up, Sadie. 223 00:14:21,680 --> 00:14:23,680 Speaker 9: She won't wake up, not right now? 224 00:14:24,120 --> 00:14:25,200 Speaker 11: Is she going to be okay? 225 00:14:27,640 --> 00:14:34,760 Speaker 9: Stay with her, Keep talking to her. What the hell happened? 226 00:14:34,760 --> 00:14:34,920 Speaker 8: Here? 227 00:14:35,520 --> 00:14:36,120 Speaker 10: Are you okay? 228 00:14:37,360 --> 00:14:39,680 Speaker 9: I'm okay. Are you okay. 229 00:14:40,560 --> 00:14:43,400 Speaker 10: I'm far from okay, but I'm doing better than he is. 230 00:14:44,680 --> 00:14:48,000 Speaker 8: I've seen you, I've seen all of you. 231 00:14:55,920 --> 00:14:56,960 Speaker 5: What did you do over there? 232 00:14:57,680 --> 00:14:59,480 Speaker 2: I don't know. I really don't. 233 00:15:00,080 --> 00:15:05,400 Speaker 5: Everyone woke up. Really, whatever you did, I think it worked. 234 00:15:05,920 --> 00:15:06,640 Speaker 5: I think it's over. 235 00:15:09,720 --> 00:15:13,160 Speaker 10: Morgan. Sorry, I didn't mean to. 236 00:15:13,440 --> 00:15:15,920 Speaker 9: It's fine. 237 00:15:16,440 --> 00:15:17,920 Speaker 10: I was certain I was going to die earlier. 238 00:15:19,000 --> 00:15:20,360 Speaker 9: I had quite a day myself. 239 00:15:21,760 --> 00:15:24,640 Speaker 10: Whatever it was, I'm glad I didn't see it. 240 00:15:25,080 --> 00:15:29,440 Speaker 14: Hearing it was enough. I need to say one thing. 241 00:15:31,120 --> 00:15:34,760 Speaker 14: You were what was on my mind more than survival. 242 00:15:36,280 --> 00:15:37,280 Speaker 14: They did disgust me. 243 00:15:37,840 --> 00:15:38,600 Speaker 9: My mom died. 244 00:15:40,120 --> 00:15:41,000 Speaker 10: This was bad timing. 245 00:15:41,560 --> 00:15:46,240 Speaker 9: No, it's perfect. Actually, can you just sit here with 246 00:15:46,280 --> 00:15:47,040 Speaker 9: me for a little bit. 247 00:15:58,280 --> 00:15:59,840 Speaker 11: Hi, Sadie, it's okay. 248 00:16:00,640 --> 00:16:03,760 Speaker 3: I'm your sister. Morgan told me I should say your 249 00:16:03,800 --> 00:16:06,080 Speaker 3: name and remind you who I am as often as possible. 250 00:16:07,080 --> 00:16:09,520 Speaker 3: I hope my words are getting through to you somewhere, 251 00:16:10,080 --> 00:16:15,960 Speaker 3: wherever you are. Maybe he's cutting through the noise. In 252 00:16:16,000 --> 00:16:18,200 Speaker 3: one of Josie's dreams, I asked her if life is 253 00:16:18,200 --> 00:16:20,400 Speaker 3: mostly pain and grief with good shit in between, or 254 00:16:20,440 --> 00:16:22,760 Speaker 3: if it's mostly good shit with pain and grief in between. 255 00:16:24,680 --> 00:16:26,840 Speaker 3: If life were good shit. You'd wake up right now, 256 00:16:27,880 --> 00:16:29,840 Speaker 3: you'd say something kind of mean, but it would let 257 00:16:29,880 --> 00:16:32,200 Speaker 3: me know that you were okay, and that would be 258 00:16:32,200 --> 00:16:36,600 Speaker 3: the important thing. I don't know if I can live 259 00:16:36,640 --> 00:16:40,000 Speaker 3: a life that's mostly pain and grief. I give you 260 00:16:40,120 --> 00:16:48,120 Speaker 3: some good shit right now. God, you're such a bit 261 00:16:48,240 --> 00:16:53,920 Speaker 3: you know, Okay. 262 00:16:53,600 --> 00:16:54,320 Speaker 11: It's enough of that. 263 00:16:54,960 --> 00:16:57,680 Speaker 3: Let me update you. The doc is not doing so hot. 264 00:16:57,800 --> 00:17:01,080 Speaker 3: It's probably better off than you. Though Morgan's mom died. 265 00:17:01,360 --> 00:17:04,359 Speaker 3: She's been leaning on Diego, and Diego has been letting her. 266 00:17:04,400 --> 00:17:09,440 Speaker 3: It's actually kind of cute, small bright spot. I don't 267 00:17:09,480 --> 00:17:11,840 Speaker 3: know what happened to Manifold, and I don't know if 268 00:17:11,840 --> 00:17:12,400 Speaker 3: you killed it. 269 00:17:13,119 --> 00:17:13,760 Speaker 10: I don't know if. 270 00:17:13,640 --> 00:17:17,880 Speaker 3: By saving you I doomed mankind Wow, God, that it's 271 00:17:17,880 --> 00:17:27,080 Speaker 3: so much harder when I say it out loud. Still nothing, Huh. 272 00:17:27,520 --> 00:17:30,479 Speaker 3: I'm running out of things to say. And I've been 273 00:17:30,480 --> 00:17:36,840 Speaker 3: awake for a very long time. The days may seventeenth, 274 00:17:36,840 --> 00:17:38,760 Speaker 3: and we don't know if something's going to happen. We 275 00:17:38,800 --> 00:17:40,520 Speaker 3: don't know if a major news story is going to 276 00:17:40,520 --> 00:17:42,920 Speaker 3: break any minute. We don't know what to do next. 277 00:17:44,040 --> 00:17:44,920 Speaker 6: We're lost. 278 00:17:46,880 --> 00:17:47,440 Speaker 11: Deep down. 279 00:17:48,640 --> 00:17:51,639 Speaker 3: You're kind of fucked up, but you're fucked up for 280 00:17:51,680 --> 00:17:55,520 Speaker 3: the right reason, so I'll just call it a wash. 281 00:17:55,920 --> 00:17:56,479 Speaker 12: We need you. 282 00:17:56,880 --> 00:18:00,359 Speaker 3: I need you, Sadie. I need you to wait, wake up, 283 00:18:01,560 --> 00:18:09,639 Speaker 3: please wake up right now. The story of Sadie Craft 284 00:18:09,640 --> 00:18:12,320 Speaker 3: can't end with you as a brain heead vegetable. You're 285 00:18:12,359 --> 00:18:13,359 Speaker 3: too arrogant for that. 286 00:18:14,520 --> 00:18:15,120 Speaker 6: So I know it. 287 00:18:16,119 --> 00:18:18,919 Speaker 3: This is the one thing I do know that happens next. 288 00:18:19,880 --> 00:18:22,280 Speaker 3: You're wherever you are, and you're hearing me, and it's 289 00:18:22,280 --> 00:18:24,640 Speaker 3: the voice you've been looking for, and you're drawn to it, 290 00:18:24,960 --> 00:18:26,520 Speaker 3: and you're so drawn to it that you start to 291 00:18:26,520 --> 00:18:28,240 Speaker 3: remember that you're not at home and that you need 292 00:18:28,280 --> 00:18:30,600 Speaker 3: to get back here. You need to get back to 293 00:18:30,600 --> 00:18:33,720 Speaker 3: your sister who loves you. This is all can happen 294 00:18:33,760 --> 00:18:38,280 Speaker 3: so soon because I need it to happen soon. I 295 00:18:38,320 --> 00:18:41,159 Speaker 3: need something to keep me going. I need you to 296 00:18:41,160 --> 00:18:43,639 Speaker 3: tell me it's okay to go to sleep and I 297 00:18:43,680 --> 00:18:44,880 Speaker 3: don't have time to eat. 298 00:18:46,560 --> 00:18:51,240 Speaker 7: You're going to do it now, right now, Sadie. Wake up, 299 00:18:52,800 --> 00:18:58,280 Speaker 7: Wake up, wake up, Wake up. 300 00:19:00,240 --> 00:19:27,200 Speaker 2: Hy I've missed you, says I saw a lot of 301 00:19:27,240 --> 00:19:27,679 Speaker 2: work to do. 302 00:19:53,880 --> 00:19:57,320 Speaker 1: You're listening to dream Sequence written and created by Andrew 303 00:19:57,359 --> 00:20:02,480 Speaker 1: Martin Robinson, directed by Dave b and John Brooks. Executive 304 00:20:02,520 --> 00:20:06,320 Speaker 1: producers are Molly Barton, John Brooks, Dave Beastley and Marcy 305 00:20:06,359 --> 00:20:10,680 Speaker 1: Wiseman for Realm, Alex Williams, Matt Frederick and Trevor Young 306 00:20:10,720 --> 00:20:14,960 Speaker 1: for iHeart Podcasts, Chris Dicky and Noah Feinberg for Blumhouse Television, 307 00:20:15,560 --> 00:20:19,840 Speaker 1: starring Jesse Case and Alice Kremelberg, with performances by Shalinie, 308 00:20:19,840 --> 00:20:25,840 Speaker 1: Bethina Einer, Gunn, Nick Osborne, Winifred, Anne Kincannon, Tara Brown, 309 00:20:26,280 --> 00:20:33,919 Speaker 1: Emily Barry, Linnelle Scott, Shannon McClung, Dave Huber, Hugo Armstrong, Cooper, Tomilson, 310 00:20:34,320 --> 00:20:40,360 Speaker 1: Joel Haberley, Simaj Miller, Dean Simone, and Brian Finney. Additional 311 00:20:40,400 --> 00:20:45,080 Speaker 1: voices by Patrick Higney, Fred Greenholg, John Brooks, Christina Teleska 312 00:20:45,200 --> 00:20:49,640 Speaker 1: and Kaylan West. Casting by Sunday Bowling, Kennedy CSA. 313 00:20:49,400 --> 00:20:50,880 Speaker 12: And Meg Mormon CSA. 314 00:20:51,359 --> 00:20:55,320 Speaker 1: Producers for Realm are Fred Greenholge, Marcus Thorne, Magala and 315 00:20:55,440 --> 00:21:01,320 Speaker 1: Rhoda bay Essa. Associate producer Michael Colter, production manager Devin Shepherd, 316 00:21:01,760 --> 00:21:06,560 Speaker 1: Production coordinator Angela Yee. Dialogue editing by Corey Barton, Sound 317 00:21:06,600 --> 00:21:10,959 Speaker 1: design by roy O'sha Dan Powell and Kaylan West. Final 318 00:21:11,000 --> 00:21:14,760 Speaker 1: mixed by Kaylan West. Original score composed by Marcus Thorne 319 00:21:14,760 --> 00:21:18,720 Speaker 1: Pagala Songs for Josie by Kaylan West. Recorded at Real 320 00:21:18,800 --> 00:21:22,560 Speaker 1: Voice Los Angeles and Citybox, New York City. This podcast 321 00:21:22,640 --> 00:21:26,520 Speaker 1: was recorded under a SAG after collective bargaining agreement. Dream 322 00:21:26,560 --> 00:21:30,480 Speaker 1: Sequence is a production of iHeart Podcasts, Blumhouse Television, and Realm. 323 00:21:30,880 --> 00:21:35,280 Speaker 1: Find more great podcasts by visiting the iHeartRadio app, Apple Podcasts, 324 00:21:35,400 --> 00:21:37,320 Speaker 1: or wherever you listen to your favorite show.