WEBVTT - S2E11 - Mea Maxima Culpa

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<v Speaker 1>Hey, Shadow fam, this is Katherine McNamara. We love being

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<v Speaker 1>your host for Return to the Shadows, relieving old memories

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<v Speaker 1>and going back to the good old days of Shadow Hunters.

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<v Speaker 1>So we're excited to share a very special announcement. We

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<v Speaker 1>are teaming up with Moment for an exciting live episode

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<v Speaker 1>of the podcast. It will have all of your favorite things, BTS, stories,

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<v Speaker 1>place lore, and of course domin me. Nothing mundane, we promise,

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<v Speaker 1>And the best part is there will be a live

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<v Speaker 1>chat for some Q and a, some games and more

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<v Speaker 1>by the Angel We can't wait. Tickets are on sale

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<v Speaker 1>now at moment dot co slash. Return to the Shadows

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<v Speaker 1>See you March twenty second, and once again, it's been

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<v Speaker 1>ever so long, ever so long, twenty four hours. Not

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<v Speaker 1>even what am I looking for? Oh shadow? You know

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<v Speaker 1>it's a show about a girl and a bunch of

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<v Speaker 1>other shadow hunters. And no it wasn't. When I watched

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<v Speaker 1>it. It It was about really love this young shadow. On

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<v Speaker 1>two is life destroyed by this irritating redhead? Came out?

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<v Speaker 1>Oh yeah, well that happens sometimes. It happens maya Maximum Coppa,

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<v Speaker 1>which happens to be the name of this episode. Very good,

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<v Speaker 1>so here we are at the second half of This

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<v Speaker 1>is our our mid season premiere of season two, Season

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<v Speaker 1>two episode eleven, Maya Maximum copa air date originally June

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<v Speaker 1>Fish Fish Fish. I didn't even know that was a thing.

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<v Speaker 1>Oh yeah, I didn't know. June fifth, twenty seventeen. Written

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<v Speaker 1>by Michael Yay, director Matthew Hastings. Also Yea starring Katain McNamara,

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<v Speaker 1>Dominic Show, What, Albert Rosetti, math Aarabia Isamastafa and Harry

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<v Speaker 1>Sham Junior guest starring Alan Ben Sprang, Alexandra Ordolus, Alicia Wainwright,

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<v Speaker 1>Brett Donahue, David Castro, Mimi Cusic, I think, Will Tutor,

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<v Speaker 1>Noah Dalton, Danby, Ryan Graham, Chris George, and Jacob Skiba.

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<v Speaker 1>Oh my goodness, we are getting into the nitty gritty.

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<v Speaker 1>Oh a favorite people ever on the show. Yeah. This

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<v Speaker 1>is a new a whole new phase, the whole new world.

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<v Speaker 1>This is Alex's first episode. Yes, it's Alex's first episode.

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<v Speaker 1>It's Will's first episode's first episode. No, it's maybe second. Yeah, yeah, no,

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<v Speaker 1>we met me she could when she tried Isabelle. Yeah, um,

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<v Speaker 1>and we it's also who is Bretnis episode. No it

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<v Speaker 1>was Noah's first episode. I think yea, it was Noah's

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<v Speaker 1>first episode. Maybe. Well, let me tell you what we're

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<v Speaker 1>in for shadow Hunts and down World is a picking

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<v Speaker 1>up the pieces off of Valentine's attack on the Institute.

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<v Speaker 1>Down World and numbers are down, and the different packs

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<v Speaker 1>and clans debate on what they must do to survive.

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<v Speaker 1>With Valentine and Custody the Institute on high alert, but

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<v Speaker 1>Jas carries the heaviest burden of all due to his

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<v Speaker 1>part in igniting the Soul Sword and the secrets he

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<v Speaker 1>is keeping from Clary but Jason, the shadow Hunters don't

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<v Speaker 1>have much time to mourn as the Greater Demon is

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<v Speaker 1>loose in Manhattan. Meanwhile, Izzie struggles on the road to

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<v Speaker 1>recovery when she encounters Sebastian, a mysterious yet very handsome stranger.

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<v Speaker 1>As Simon tries to understand his new daylight to status Wow,

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<v Speaker 1>lots to unpack, lots to unpack, dive on in this

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<v Speaker 1>was This episode starts with one of my favorite five

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<v Speaker 1>scenes we ever did. I was just about to say

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<v Speaker 1>that I loved this fight scene with you and Matt.

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<v Speaker 1>It was one of my favorite plan and Matt's such

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<v Speaker 1>a like athlete. Although so we did introduce the twin

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<v Speaker 1>hatchets in this episode, which was very good fun. Guy,

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<v Speaker 1>I got to spread my wings with some different some

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<v Speaker 1>different martial arts with these in potution. But they have these.

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<v Speaker 1>So there's the blade on this side, like on the

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<v Speaker 1>front side, the semicircle, the half moon blade, and then

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<v Speaker 1>there's a pointed section on the back of it, and

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<v Speaker 1>there's one cross block in this an overhead. So he

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<v Speaker 1>comes overhead and I crossed the two axes behind each

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<v Speaker 1>other and block the thing coming in. And every time

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<v Speaker 1>the little back blades would just jab into my knuckles

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<v Speaker 1>and just break the skin, which we didn't really think of,

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<v Speaker 1>but we very rarely did that block again, I can

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<v Speaker 1>tell you that much. Was there ever a fecting where

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<v Speaker 1>you didn't get hurt on the show? Done? No? Not many. No.

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<v Speaker 1>Look at the sort, did you see There's a tight shot,

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<v Speaker 1>a tight profile of your face where the blade is

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<v Speaker 1>in as well, and you can see how beat up

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<v Speaker 1>the blade of the sort is hard. Oh yeah, and

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<v Speaker 1>then see it once again another fight where you drop

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<v Speaker 1>the blades and then you just start going at it.

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<v Speaker 1>Get to go hand to hand which is good fun. Again,

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<v Speaker 1>this was another level of martial arts the Matt and

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<v Speaker 1>I weren't particularly familiar with. But this was really good fun.

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<v Speaker 1>It was a fun thing to to play around with.

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<v Speaker 1>You actually see the backs of my knuckles at one point,

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<v Speaker 1>like like the penultimate move, you can see the backs

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<v Speaker 1>of my knuckles are still bleeding. But this is an

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<v Speaker 1>interesting one where there's a motion where my right leg

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<v Speaker 1>is behind his head and I slam his face into

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<v Speaker 1>the ground. Yeah, and there's some real trust that has

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<v Speaker 1>to go into that one. We talk about trust all

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<v Speaker 1>the time, but that's a concrete floor, Like you get

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<v Speaker 1>it wrong and you're gonna you're gonna split something open.

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<v Speaker 1>So to time that correctly. So there's enough pressure that

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<v Speaker 1>looks like it's he's being forced to the ground, but

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<v Speaker 1>also for him to restrain himself and do it. M Yeah, man,

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<v Speaker 1>I worked well together. This was good fun. Yeah. It's

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<v Speaker 1>another one of those things where I remember how dark

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<v Speaker 1>alexcited Darren was about this fight too, and just the

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<v Speaker 1>way that he was building. You know, as the scene

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<v Speaker 1>built and as the sort of debate progressed between the

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<v Speaker 1>two of you, so did the fight. And it's about

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<v Speaker 1>that you know, constant getting getting a fist above the other,

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<v Speaker 1>very brotherly. Yeah, it's great, it's great fun. And then

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<v Speaker 1>we progressed to this. So this was another scene that

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<v Speaker 1>we did on our three sixty blue screen. Well, this

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<v Speaker 1>was the I guess two hundred and seventy degree one

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<v Speaker 1>or not. It wasn't quite Yeah, it wasn't quite. It

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<v Speaker 1>was it was a little little what do you call that,

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<v Speaker 1>like a promenade stage. Yeah, sure, I don't called that.

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<v Speaker 1>I don't know, but lovely little park in Brooklyn. This

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<v Speaker 1>was one of the only there are very few scenes

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<v Speaker 1>in this show where we get to have Oh, it's

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<v Speaker 1>just just a nice, normal date. It's just a nice,

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<v Speaker 1>normal afternoon. And they always felt so odd because it

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<v Speaker 1>felt like a different show almost, because some people just

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<v Speaker 1>on a park bench having a conversation. There's a hot

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<v Speaker 1>dog vendor, and it's just it just feels like, you know,

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<v Speaker 1>normal mundane life. There's a kid in the back with

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<v Speaker 1>balloons like he's having a good time. Everyone's good. Yeah,

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<v Speaker 1>and as always, you know, when a relationship is in

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<v Speaker 1>a good place, we are going to go south. It

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<v Speaker 1>is nice, though, to see Simon and Clary just be

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<v Speaker 1>able to enjoy a moment of peace. We haven't seen

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<v Speaker 1>that since the pilot. Really Yeah, and not even all

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<v Speaker 1>the way through the pilot, just like bits of the pilot,

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<v Speaker 1>this hug we finally got in. This was fun. We

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<v Speaker 1>were toying with this idea for like ages, Alberta and

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<v Speaker 1>I and I think we tried to get this hug

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<v Speaker 1>in like ten different times, and they finally let us

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<v Speaker 1>do the fake hug thing, which was really good. It

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<v Speaker 1>was a really cute, cute moment. Yeah. Again, it's one

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<v Speaker 1>of those things where you find those little moments of

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<v Speaker 1>physicality that that only happened after working together for years. Oh,

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<v Speaker 1>this is the first time we get to see the

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<v Speaker 1>catacombs jail cell mhmm. Yeah. They built this for this

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<v Speaker 1>for this scene, and then we kept them for quite

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<v Speaker 1>some time. Yeah, this is a cool scene watching Mimi

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<v Speaker 1>and Alan like Canadian like acting royalty go off for

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<v Speaker 1>each other's like a master class of ability. Like these

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<v Speaker 1>guys are so good with each other. It's unreal when

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<v Speaker 1>I'm such huge bands of both of them, you know,

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<v Speaker 1>pre the show, just from watching their passwork and it's

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<v Speaker 1>it was always my favorite thing to get to just

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<v Speaker 1>sit on set and watch them do their thing. Another

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<v Speaker 1>fun fact about this set that viewers may or may

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<v Speaker 1>not know is that all of the tombs and all

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<v Speaker 1>of the names on the catacombs are our crew. So

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<v Speaker 1>the big ones on the floor are our directors of

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<v Speaker 1>photography and our producers and things like this, and then

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<v Speaker 1>all of the catacombs is the hair and nake up department,

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<v Speaker 1>in the grips, in our ad department, and our you know,

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<v Speaker 1>our entire crew all got their names somewhere in the catacombs.

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<v Speaker 1>If you look closely, might fail to catch it. In fact,

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<v Speaker 1>there were a couple of cool little set pieces here,

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<v Speaker 1>So one an interesting thing. Someone decided at some point

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<v Speaker 1>down the line that the floors not in this episode

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<v Speaker 1>because the floors are dry, but in the at some

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<v Speaker 1>point during using this they decided that the floors looked

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<v Speaker 1>better wet than they did dry. Yeah, which was a nightmare.

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<v Speaker 1>I think Will has a fight scene, like a pretty

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<v Speaker 1>intense fight scene the Darren doubled him for in this,

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<v Speaker 1>and the floors are wet like it's a nightmare, and

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<v Speaker 1>it's a slick floor anyway, I definitely had a couple

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<v Speaker 1>where I had to run on it. And you guys

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<v Speaker 1>are in heels the whole time like it was. It

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<v Speaker 1>was actually really hard work. And then the glass, the

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<v Speaker 1>glass window to the jail cell was actually three or

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<v Speaker 1>four pieces of glass that sat into each other and

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<v Speaker 1>they would angle it depending on where the shot needed

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<v Speaker 1>to avoid the season one fiasco of the reflections feelings,

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<v Speaker 1>so they would they would tilt them, but we were

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<v Speaker 1>forbade from touching it so to leave fingerprints, to avoid

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<v Speaker 1>leaving fingerprints on the glass, because there was constantly someone

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<v Speaker 1>there with windex and a rag, just like making sure

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<v Speaker 1>they were spotless. Yeah, because every time somebody would walk

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<v Speaker 1>by or Lenardo don't have to step out of the

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<v Speaker 1>way that those fingerprints show up so much, or anytime

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<v Speaker 1>it would get angled just the slightest dish, they'd have

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<v Speaker 1>to come in and completely reset the whole thing. But

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<v Speaker 1>on the note of the floors, I am. You know

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<v Speaker 1>they when you're walking through a set, shoes are allowed,

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<v Speaker 1>and sets are often not. The floors are kind of

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<v Speaker 1>hollow because they're built up, so you make a lot

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<v Speaker 1>of noise when you walk sometimes, so they'll put foam

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<v Speaker 1>on the bottom of your shoes to dampen the sound

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<v Speaker 1>a bit for so you don't have to readr the

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<v Speaker 1>entire scene of dialogue. So often I would have old

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<v Speaker 1>patches of foam on the bottoms of my boots, and

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<v Speaker 1>then when I would come into this set that had

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<v Speaker 1>the wet floor, it would just become ice skates. It's like, yeah,

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<v Speaker 1>and number of times I fell down just trying to

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<v Speaker 1>walk across the floor. It was absolutely insane. But let's

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<v Speaker 1>see what these folks are. These kind folks are talking

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<v Speaker 1>about as we we just I love that we just

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<v Speaker 1>stroll in in the middle of an interrogation. Yeah, you know,

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<v Speaker 1>he's mid getting tortured and we're like, hey, how's it going? Like,

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<v Speaker 1>oh hey, dad, what's up? How's it going? I do

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<v Speaker 1>love how much they use the reflections though, and when

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<v Speaker 1>they do when they have this set just using our

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<v Speaker 1>reflections there with me, me and Allen. It's just this

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<v Speaker 1>is torture scene, so I guess it's like a torture run.

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<v Speaker 1>But it's showing him, like it's called is he causing

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<v Speaker 1>him a lot of physical pain, But it's also showing

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<v Speaker 1>him a past, like a past that he's that hurts him. Yeah.

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<v Speaker 1>The assumption here, of course, being that it's me. It's

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<v Speaker 1>a younger version of me, although no, we know that

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<v Speaker 1>that's not the case. Now, so who is this kid

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<v Speaker 1>supposed to be? No, he did still raise me, Yeah

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<v Speaker 1>he didn't. It's not his son. So fucking making sense now.

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<v Speaker 1>When she does the ruin, he has flashes to a

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<v Speaker 1>little blond kid. No, that's not you, that's not me.

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<v Speaker 1>That one's not you, because that is what that is

0:11:31.440 --> 0:11:34.760
<v Speaker 1>is that's him sending Jonathan to eat him. No. I

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<v Speaker 1>know that the audience doesn't know that now, but I

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<v Speaker 1>think it's supposed to be portrayed that that is potentially

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<v Speaker 1>me because we haven't been introduced to the person who

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<v Speaker 1>that is, right, Yes, potentially you in this moment, in

0:11:49.320 --> 0:11:54.240
<v Speaker 1>this moment, yes, And then Mimi's pissed. Yeah, it's like, no, sorry,

0:11:54.240 --> 0:11:56.559
<v Speaker 1>we're not doing you how to do your job. Just sorry.

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<v Speaker 1>I lost the sword. I didn't know what did it

0:11:58.760 --> 0:12:00.559
<v Speaker 1>do to it. It damaged it, but we don't know

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<v Speaker 1>what it did. It just deactivated it. You know, I

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<v Speaker 1>have a feeling it just it's sort of breaking it

0:12:07.960 --> 0:12:10.880
<v Speaker 1>enough not to destroy it, but enough to so it

0:12:10.920 --> 0:12:13.360
<v Speaker 1>doesn't work. You know, it disconnected the second maybe as

0:12:13.400 --> 0:12:15.679
<v Speaker 1>it were, I'm putting some kind of buffer on the

0:12:15.760 --> 0:12:21.679
<v Speaker 1>magic as Reel. Is that as Reel? Yeah, Asaizel, that's it.

0:12:21.960 --> 0:12:24.200
<v Speaker 1>So something funny about this that I don't know if

0:12:24.200 --> 0:12:27.640
<v Speaker 1>you remember Asazel wasn't his original name in the script. No,

0:12:27.920 --> 0:12:31.679
<v Speaker 1>originally his name was Originally it was Reman. And there

0:12:31.720 --> 0:12:33.840
<v Speaker 1>came a point during the beginning of this episode where

0:12:33.840 --> 0:12:36.200
<v Speaker 1>I went, does anyone realize that we have that we've

0:12:36.400 --> 0:12:39.320
<v Speaker 1>set up this guy as rem and the Demon from Edom? Yeah?

0:12:39.920 --> 0:12:41.880
<v Speaker 1>Is that on purpose? So do we want to change that?

0:12:42.960 --> 0:12:45.880
<v Speaker 1>Because I knew at some point during the episode, I'm like,

0:12:45.920 --> 0:12:47.600
<v Speaker 1>somebody's going to have to say rem and the Demon

0:12:47.640 --> 0:12:48.959
<v Speaker 1>from Edom, and then that's going to be what the

0:12:49.000 --> 0:12:53.880
<v Speaker 1>episode's about is. Yeah, it's it's less badass for sure. Yeah,

0:12:54.920 --> 0:12:59.040
<v Speaker 1>this wonderful like stillness to the way he was so brutal,

0:12:59.160 --> 0:13:03.360
<v Speaker 1>which I think is fantastic. Yeah. Again, there's so many

0:13:03.480 --> 0:13:06.800
<v Speaker 1>incredible actors in Toronto that we got to use. They

0:13:06.840 --> 0:13:10.520
<v Speaker 1>just brought them in and they just completely owned the

0:13:10.840 --> 0:13:14.040
<v Speaker 1>moments that they had and just fully committed to what

0:13:14.120 --> 0:13:17.360
<v Speaker 1>it is that they were doing while drinking a whiskey. Man,

0:13:17.559 --> 0:13:20.200
<v Speaker 1>while drinking a whiskey, I don't think we ever went

0:13:20.280 --> 0:13:23.559
<v Speaker 1>to this bar like as people like, why didn't we

0:13:23.640 --> 0:13:26.640
<v Speaker 1>ever go to this bar? I did once with them,

0:13:27.000 --> 0:13:29.839
<v Speaker 1>with Isaiah and some folks. Yeah, during the when he

0:13:29.920 --> 0:13:31.920
<v Speaker 1>was shooting it. We went there with a bunch of

0:13:31.960 --> 0:13:33.600
<v Speaker 1>folks and I think you guys met us for ping

0:13:33.640 --> 0:13:36.719
<v Speaker 1>pong after Got It, Got It, Got It? Yeah, Oh,

0:13:36.920 --> 0:13:41.360
<v Speaker 1>dear is he's in withdrawals? Yeah, this is the episode

0:13:41.400 --> 0:13:43.680
<v Speaker 1>where they put the camera on her or no, they

0:13:43.760 --> 0:13:46.280
<v Speaker 1>give her the rega. I can't remember. She does such

0:13:46.320 --> 0:13:47.920
<v Speaker 1>a good job. Oh yeah, she's in it right now.

0:13:48.320 --> 0:13:50.960
<v Speaker 1>She just sat up into it. Can Shadow Hunters get

0:13:51.000 --> 0:13:53.880
<v Speaker 1>the flu? Though? Because Alec, you know, Alec covered for

0:13:53.960 --> 0:13:56.439
<v Speaker 1>her by saying that she has the flu. Yeah, I

0:13:56.520 --> 0:13:58.720
<v Speaker 1>mean you would think that the Nurazi would probably take

0:13:58.760 --> 0:14:01.520
<v Speaker 1>care of it, although I'm sure there's sort of down

0:14:01.640 --> 0:14:05.280
<v Speaker 1>world disease that's equally terrible. That's true. I mean, you know,

0:14:05.960 --> 0:14:08.320
<v Speaker 1>with anything that we've seen in the last three years,

0:14:09.080 --> 0:14:14.200
<v Speaker 1>diseases tall the time. Yeah, yeah, that was clever. There's

0:14:14.760 --> 0:14:16.160
<v Speaker 1>we should have talked to John about this. That was

0:14:16.160 --> 0:14:18.839
<v Speaker 1>a clever transition through the doors of the Jade Wolf

0:14:19.320 --> 0:14:22.920
<v Speaker 1>because that is set on the inside, which actually is

0:14:22.920 --> 0:14:26.400
<v Speaker 1>almost directly behind that door that the camera panned into.

0:14:26.960 --> 0:14:29.760
<v Speaker 1>But the jade wolf set was oriented this way and

0:14:29.920 --> 0:14:32.360
<v Speaker 1>the door was oriented this way, so there's no way

0:14:32.480 --> 0:14:34.240
<v Speaker 1>you could have done that. So they matched the two

0:14:34.280 --> 0:14:36.280
<v Speaker 1>shots together so it looked like you went through the door,

0:14:36.320 --> 0:14:38.360
<v Speaker 1>which was very clever. But they were they were oriented,

0:14:38.600 --> 0:14:40.600
<v Speaker 1>they were perpendicular to each other, so you couldn't have

0:14:40.640 --> 0:14:44.360
<v Speaker 1>done it any other way. Tricks of the trade. M M.

0:14:44.640 --> 0:14:47.400
<v Speaker 1>I feel like the kitchens knew as well. We've had

0:14:47.440 --> 0:14:49.840
<v Speaker 1>the kitchen a couple of times because I had a

0:14:49.840 --> 0:14:53.640
<v Speaker 1>conversation in there about clear Fusum a few episodes ago.

0:14:53.720 --> 0:14:58.640
<v Speaker 1>But I do love that they've just hired a kitchen staff. Yeah,

0:14:58.680 --> 0:15:01.360
<v Speaker 1>just it's not a function restaurant, but it's a kitchen

0:15:01.400 --> 0:15:04.120
<v Speaker 1>staff that just like just feed the food for the

0:15:04.200 --> 0:15:07.440
<v Speaker 1>wear wolves all day. I wonder if they know that

0:15:07.560 --> 0:15:09.960
<v Speaker 1>they were wolves? Yeah, do you think they know? They

0:15:10.040 --> 0:15:15.200
<v Speaker 1>might be like like um werewolf wannabes, like like familiars

0:15:15.240 --> 0:15:17.320
<v Speaker 1>for vampires, you know what I mean. Maybe if they

0:15:17.400 --> 0:15:21.680
<v Speaker 1>make good duck pancakes they get turned into a werewolf.

0:15:23.080 --> 0:15:27.440
<v Speaker 1>They're just wearwolf grouppies. Yeah yeah, yeah, yeah. Oh the man.

0:15:27.520 --> 0:15:30.680
<v Speaker 1>There's an uprising within the down world. So Russell, played

0:15:30.720 --> 0:15:33.480
<v Speaker 1>by the lovely Noah. This is this always got me.

0:15:33.600 --> 0:15:39.480
<v Speaker 1>Noah was the sweetest, most just such a zen softly dude,

0:15:39.960 --> 0:15:44.520
<v Speaker 1>and he plays this absolutely aggro. But no, he's just

0:15:44.760 --> 0:15:48.040
<v Speaker 1>he's like a big teddy bear. No, he's big old softy. Yeah.

0:16:07.120 --> 0:16:11.680
<v Speaker 1>This crime scene is fun because another little like in

0:16:11.800 --> 0:16:14.240
<v Speaker 1>the behind the scenes thing. I don't know if it's

0:16:14.280 --> 0:16:17.480
<v Speaker 1>in the episode or not. When Ali comes in, I

0:16:17.560 --> 0:16:19.840
<v Speaker 1>think it's Matt and I together step out of her

0:16:19.920 --> 0:16:23.880
<v Speaker 1>way because she technically can't see us. Yeah, so if

0:16:23.920 --> 0:16:25.800
<v Speaker 1>she physically hit us, then that would look weird. So

0:16:25.960 --> 0:16:29.120
<v Speaker 1>we we just take a step back like it's nothing,

0:16:29.320 --> 0:16:30.920
<v Speaker 1>keep doing our job. But it was. It was a

0:16:31.000 --> 0:16:34.640
<v Speaker 1>fun like addition to be able to sort of flourish

0:16:35.240 --> 0:16:38.360
<v Speaker 1>these parts of the world that makes sense to us,

0:16:38.440 --> 0:16:41.080
<v Speaker 1>you know. Yeah, well, and yeah, you guys just move

0:16:41.160 --> 0:16:44.040
<v Speaker 1>around her. I feel like there was no body there either,

0:16:44.200 --> 0:16:47.320
<v Speaker 1>because the body was blamored as well, not on the floor,

0:16:47.720 --> 0:16:49.600
<v Speaker 1>but the rest of them would have been there because

0:16:49.600 --> 0:16:52.400
<v Speaker 1>there's only two shadow Hunters obviously the rest of them

0:16:52.440 --> 0:16:54.840
<v Speaker 1>are all gone as there's a lot of dead people there.

0:16:54.880 --> 0:16:58.360
<v Speaker 1>It is. Yeah, both just kind of do a little lean.

0:16:58.920 --> 0:17:01.920
<v Speaker 1>There's the little lean. Yeah, because otherwise the air would

0:17:01.960 --> 0:17:04.159
<v Speaker 1>be disturbed as well, so you know she would feel

0:17:04.240 --> 0:17:08.280
<v Speaker 1>something you feel, somebody moved by you. Oh, here we go,

0:17:08.720 --> 0:17:11.040
<v Speaker 1>as well as trying to put herself together. You can

0:17:11.080 --> 0:17:13.000
<v Speaker 1>do a baby girl. Where does she go? Where is she?

0:17:13.160 --> 0:17:15.199
<v Speaker 1>She's in her to see Raphael? Yeah, she's in her

0:17:15.280 --> 0:17:19.440
<v Speaker 1>room right, hiding out and then she goes to see Raphael. Yeah,

0:17:19.720 --> 0:17:23.400
<v Speaker 1>trying to get another six. Girl, you were almost you're

0:17:23.520 --> 0:17:27.879
<v Speaker 1>going through withdrawals. Just just push through, man, Yeah, she

0:17:28.040 --> 0:17:30.760
<v Speaker 1>needs to push through. But then the reality is like

0:17:30.880 --> 0:17:33.480
<v Speaker 1>the door should have been locked or something like. It's

0:17:33.520 --> 0:17:35.159
<v Speaker 1>not a nice way of doing it, but like you

0:17:35.240 --> 0:17:37.400
<v Speaker 1>do have to I think sweat it out, like based

0:17:37.440 --> 0:17:40.679
<v Speaker 1>on my very brief medical knowledge of how this works,

0:17:42.040 --> 0:17:45.159
<v Speaker 1>she does. Ah, she's so like entrancing in this. Like

0:17:46.880 --> 0:17:49.640
<v Speaker 1>I think it's always so interesting to see the powerful

0:17:49.720 --> 0:17:53.000
<v Speaker 1>characters fall from Grace, or not even from Grace, just

0:17:53.080 --> 0:17:57.840
<v Speaker 1>to see them like fallen broken. Yeah, And Isabelle is

0:17:57.920 --> 0:18:00.359
<v Speaker 1>arguably like our strongest character from the beginning. She's so

0:18:00.440 --> 0:18:02.400
<v Speaker 1>strong willed and she knows what she wants and who

0:18:02.440 --> 0:18:04.159
<v Speaker 1>she is and what she's going after. And see her

0:18:04.200 --> 0:18:07.680
<v Speaker 1>in this state is really something special. And I said

0:18:07.680 --> 0:18:09.399
<v Speaker 1>it a thousand times before. But she does such a

0:18:09.440 --> 0:18:12.440
<v Speaker 1>good job. Yeah, Isabelle so unflappable. And then to see

0:18:12.920 --> 0:18:16.720
<v Speaker 1>just the lengths to which she goes and she's the

0:18:16.720 --> 0:18:19.000
<v Speaker 1>one who always carries herself and has this kind of mask,

0:18:19.080 --> 0:18:22.119
<v Speaker 1>and to see that fall, it's really interesting. Oh, I

0:18:22.200 --> 0:18:25.280
<v Speaker 1>forgot she tried to stab In. She tries to. Oh yeah,

0:18:25.359 --> 0:18:28.160
<v Speaker 1>look at that. She wouldn't do it. She's too much

0:18:28.200 --> 0:18:30.760
<v Speaker 1>of a good guy. She can't do it. She can't

0:18:30.760 --> 0:18:34.760
<v Speaker 1>do it. She loves him, she loves him. Tragic gas leak,

0:18:35.000 --> 0:18:38.040
<v Speaker 1>you know, happens in New York. It makes people's brain explode.

0:18:38.359 --> 0:18:40.200
<v Speaker 1>Can you imagine if that in New York would be

0:18:40.280 --> 0:18:45.880
<v Speaker 1>like the biggest the biggest city disaster, like internally within

0:18:45.960 --> 0:18:50.600
<v Speaker 1>the city since like the blackouts exactly? Oh man, See,

0:18:50.720 --> 0:18:54.040
<v Speaker 1>we so rarely get to see this um the projections

0:18:54.400 --> 0:18:58.600
<v Speaker 1>up out of the table, Yeah, big war table. You

0:18:58.680 --> 0:19:01.840
<v Speaker 1>never get to see any of these other greater demons. Nope,

0:19:02.400 --> 0:19:04.800
<v Speaker 1>just a great job by the art department. Someone drew

0:19:04.880 --> 0:19:07.960
<v Speaker 1>these awesome greater demons and that's all we see of them,

0:19:08.320 --> 0:19:10.640
<v Speaker 1>although one of them I think was like the worm

0:19:10.760 --> 0:19:13.120
<v Speaker 1>thing that we see in season three. Oh, that's true.

0:19:13.160 --> 0:19:16.760
<v Speaker 1>You're right, I would really love to. I've already lost count.

0:19:16.800 --> 0:19:19.320
<v Speaker 1>But the number of times that somebody references me as

0:19:19.359 --> 0:19:21.119
<v Speaker 1>your sister in front of you and you don't say

0:19:21.160 --> 0:19:24.040
<v Speaker 1>anything in this episode because we're just having a conversation.

0:19:24.080 --> 0:19:26.640
<v Speaker 1>I'm like, hey, listen, let's talk. I know something's off.

0:19:26.640 --> 0:19:29.440
<v Speaker 1>I'm your sister, and you're like, hm, I go by,

0:19:32.480 --> 0:19:34.760
<v Speaker 1>I'm gonna go talk to these guys over here? Is

0:19:34.800 --> 0:19:38.880
<v Speaker 1>this is Azel again? This is isabel No, it's Isabelle

0:19:38.920 --> 0:19:45.919
<v Speaker 1>and Sebastian of the water. Only will Tutor here we go? Oh, Izzie,

0:19:46.320 --> 0:19:51.240
<v Speaker 1>shouldn't it be the Cadillac in the stem she's outside

0:19:51.680 --> 0:19:55.800
<v Speaker 1>like a grutty vampire. Then okay, hey, Azazel, she's not.

0:19:56.160 --> 0:19:58.560
<v Speaker 1>She's not the shadow hunter you want. This poor cyclist

0:19:58.680 --> 0:20:00.680
<v Speaker 1>is about to not do very well. The cyclist and

0:20:00.840 --> 0:20:03.959
<v Speaker 1>the chef, the well meaning cyclist and the chef who

0:20:04.000 --> 0:20:06.520
<v Speaker 1>are popping out just to save the day. Nah, and

0:20:06.720 --> 0:20:09.880
<v Speaker 1>a pedestrian behind the cyclist. Oh man, all three of them.

0:20:10.480 --> 0:20:14.560
<v Speaker 1>But here he comes to save the fricking day. Don't don't, don't, don't,

0:20:14.560 --> 0:20:20.439
<v Speaker 1>don't don't nice? What does he turn into? Is that moths? Uh?

0:20:20.840 --> 0:20:22.800
<v Speaker 1>I think it was meant to be like maggots or

0:20:22.920 --> 0:20:27.080
<v Speaker 1>moths or you know, some kind of way to go.

0:20:28.200 --> 0:20:30.720
<v Speaker 1>Who are you? Yeah it is Sebastian had a boy.

0:20:30.880 --> 0:20:34.359
<v Speaker 1>My name is Sebastian. Yeah, I had a boy. Yeah.

0:20:35.280 --> 0:20:38.960
<v Speaker 1>Who does Maureen come back into the show? She just

0:20:39.040 --> 0:20:43.080
<v Speaker 1>got referenced. Yeah. I don't think she ever comes back. Honestly,

0:20:43.119 --> 0:20:46.080
<v Speaker 1>she was on another job, so she was. But in

0:20:46.200 --> 0:20:49.560
<v Speaker 1>the books, Maureen actually comes back, and it's a version

0:20:49.800 --> 0:20:53.800
<v Speaker 1>of the Heidi character because she she tries to find Simon,

0:20:53.920 --> 0:20:56.440
<v Speaker 1>gets obsessed, gets turned into a vampire, and becomes this

0:20:57.080 --> 0:21:01.359
<v Speaker 1>like creepy vampire child kind of um towards the end

0:21:01.359 --> 0:21:04.639
<v Speaker 1>of the books. Who kidnapped Simon and such? Later on?

0:21:05.359 --> 0:21:07.040
<v Speaker 1>But I don't think we ever get to see her again.

0:21:07.520 --> 0:21:10.760
<v Speaker 1>He almost slips up here. Simon. Come on, pal, you've

0:21:10.760 --> 0:21:12.119
<v Speaker 1>got to be better than this. You can't just go

0:21:12.200 --> 0:21:14.159
<v Speaker 1>to the pub in the daylight when you're trying to

0:21:14.240 --> 0:21:19.440
<v Speaker 1>keep this a secret. Come on, man. Oh, he does

0:21:19.600 --> 0:21:22.040
<v Speaker 1>just give away the fum. He just didn't say it

0:21:22.200 --> 0:21:26.359
<v Speaker 1>was Jason. I'll bless his heart. He kept Jase's secret. See,

0:21:27.040 --> 0:21:29.640
<v Speaker 1>good guy. Jason knows he's a good guy deep down,

0:21:30.200 --> 0:21:33.440
<v Speaker 1>deep deep, deep down. Oh yeah, and see it's it's

0:21:33.840 --> 0:21:36.440
<v Speaker 1>Maya that goes hey more to the from one down

0:21:36.520 --> 0:21:40.159
<v Speaker 1>world or to another. Probably don't yeh. Don't let the

0:21:40.200 --> 0:21:43.000
<v Speaker 1>world know that you've got the golden ticket, literally, because

0:21:43.040 --> 0:21:46.639
<v Speaker 1>then everyone's gonna, you know, start drinking shadow hundred blood.

0:21:46.920 --> 0:21:49.080
<v Speaker 1>M that would be if you think about it, if

0:21:49.080 --> 0:21:51.240
<v Speaker 1>all the vampires found out that if you drink a

0:21:51.280 --> 0:21:53.240
<v Speaker 1>certain kind of shadow hundred blood you can walk in

0:21:53.320 --> 0:21:57.280
<v Speaker 1>the daylight, that then it would just be all at war. Yeah,

0:21:58.400 --> 0:22:01.399
<v Speaker 1>seen the vampire there's nothing that would stopped them. Yeah, no,

0:22:01.760 --> 0:22:05.440
<v Speaker 1>to find that one shadow hunter. Yeah, m and then

0:22:05.480 --> 0:22:08.320
<v Speaker 1>they just keep me alive with my blood flying for

0:22:08.359 --> 0:22:14.679
<v Speaker 1>as long as possible. Oh that sounds dreadful. Yeah, oh okay,

0:22:15.160 --> 0:22:18.200
<v Speaker 1>So this it's the moths turned into the sand. And

0:22:18.359 --> 0:22:21.560
<v Speaker 1>then so it's that sand is from a specific realm

0:22:21.720 --> 0:22:30.160
<v Speaker 1>of Edom that's dud Waddle. That Yeah, it's um because

0:22:30.160 --> 0:22:32.080
<v Speaker 1>I remember we went from him and the Deanamon from

0:22:32.240 --> 0:22:37.960
<v Speaker 1>Edom to Azazel from Dudowaddle, Asaizel from Doodwaddle. I love it.

0:22:39.720 --> 0:22:41.960
<v Speaker 1>It's the worst dimension of how been shackled? Do we

0:22:42.040 --> 0:22:44.960
<v Speaker 1>ever figure out how he got out? I believe it

0:22:45.040 --> 0:22:50.240
<v Speaker 1>had something to do with when Sebastian couple snuck out

0:22:50.280 --> 0:22:55.680
<v Speaker 1>with Sebastian. Mm hmm interesting interesting, Well, spoilers for later

0:22:56.560 --> 0:23:01.359
<v Speaker 1>Sebastian might not be baby they kyears. Oh, come on, Alec,

0:23:01.440 --> 0:23:05.080
<v Speaker 1>Rafael is trying to help, don't be better. Raphael has

0:23:05.160 --> 0:23:07.880
<v Speaker 1>kind of a tough time as well. Like I say,

0:23:08.000 --> 0:23:10.120
<v Speaker 1>every time, it's he's trying to be a hero. He's

0:23:10.119 --> 0:23:12.119
<v Speaker 1>trying to do the right thing, but he just is

0:23:12.160 --> 0:23:14.520
<v Speaker 1>always in the wrong place the wrong time. Yeah, not

0:23:14.640 --> 0:23:18.040
<v Speaker 1>always often, Yeah, but like even the first time we

0:23:18.160 --> 0:23:20.040
<v Speaker 1>meet him, he's trying to sort of help in his

0:23:20.160 --> 0:23:23.040
<v Speaker 1>own way. Well that's not true, not right when we

0:23:23.160 --> 0:23:25.480
<v Speaker 1>meet him, but then he does kind of the first time.

0:23:26.160 --> 0:23:29.960
<v Speaker 1>The first time, he's kind of a dick. Magnus pain p. Yeah,

0:23:30.040 --> 0:23:32.200
<v Speaker 1>you don't do it. Yeah, you see him with his

0:23:32.359 --> 0:23:36.120
<v Speaker 1>like outdoor closed. We don't see Magnus outdoors as often

0:23:36.200 --> 0:23:38.200
<v Speaker 1>as I would like, No, But he's got like a

0:23:38.280 --> 0:23:41.840
<v Speaker 1>Sherlocky trench coat on it. I into it. Yeah, Clary

0:23:42.040 --> 0:23:43.920
<v Speaker 1>I thought, as he was had the flu, why would

0:23:43.920 --> 0:23:48.760
<v Speaker 1>she leave? What's going on? I don't understand, Oh, Clary, Clary,

0:23:49.400 --> 0:23:52.480
<v Speaker 1>we had big board table and mini war table. Yeah,

0:23:52.640 --> 0:23:54.800
<v Speaker 1>we did have We had, Yeah, we had hollow table

0:23:54.840 --> 0:23:56.880
<v Speaker 1>and war table. Oh no, we used yeah, we used

0:23:56.920 --> 0:24:00.480
<v Speaker 1>both as the war table. You're right, yeah, Okay, I

0:24:00.560 --> 0:24:03.160
<v Speaker 1>remember this scene in particular. You two could not stop

0:24:03.280 --> 0:24:06.679
<v Speaker 1>laughing at each other. Yeah, this happened. This is one

0:24:06.680 --> 0:24:08.959
<v Speaker 1>of those days. It was. I think we'd spent all

0:24:09.080 --> 0:24:10.639
<v Speaker 1>day in that room and it was just one of

0:24:10.680 --> 0:24:13.000
<v Speaker 1>those moments where we're like, just put us somewhere else. Okay,

0:24:13.080 --> 0:24:16.879
<v Speaker 1>this this is one of my favorite scenes. Maybe that

0:24:16.960 --> 0:24:20.639
<v Speaker 1>turns out. Yeah, I didn't realize it came out this

0:24:21.280 --> 0:24:24.359
<v Speaker 1>quickly after me finding out a few episodes of it,

0:24:24.440 --> 0:24:27.840
<v Speaker 1>but it felt longer because there was the mid season break,

0:24:28.840 --> 0:24:32.520
<v Speaker 1>you know, so there's a long time between airing. Um

0:24:33.359 --> 0:24:37.200
<v Speaker 1>let's just the kiddo's face and off against Valentine. Anytime,

0:24:37.240 --> 0:24:38.959
<v Speaker 1>getting to work with Alan and doing one of these

0:24:39.040 --> 0:24:42.080
<v Speaker 1>cat and mouse scenes, it's just the most fun. Oh,

0:24:42.160 --> 0:24:47.520
<v Speaker 1>because Valentine still has the mortal cut somewhere somewhere, and

0:24:47.680 --> 0:24:51.600
<v Speaker 1>Asaizel won't give Izzy back until or so we think

0:24:51.880 --> 0:24:55.480
<v Speaker 1>we think Asaizel has Iszebelle. Yeah. I just love that

0:24:55.600 --> 0:24:58.640
<v Speaker 1>Valentine goes yeah, you know, being in in the custody

0:24:58.720 --> 0:25:01.840
<v Speaker 1>of a demon of hell would be better than Yeah,

0:25:01.960 --> 0:25:05.160
<v Speaker 1>right now, that's got to tell you what shadow Hunter

0:25:05.240 --> 0:25:08.720
<v Speaker 1>torture is. Like, Chase is your son? You hurt him plenty.

0:25:09.119 --> 0:25:13.160
<v Speaker 1>Oh shit, here comes the question mark and the smile. Alan, Oh,

0:25:13.920 --> 0:25:18.600
<v Speaker 1>be still my beating heart. That's not my father. What

0:25:19.840 --> 0:25:22.760
<v Speaker 1>a punch was really something as well, Like having someone

0:25:22.840 --> 0:25:25.400
<v Speaker 1>get that close to your face with a fist while

0:25:25.480 --> 0:25:29.359
<v Speaker 1>you're shackled is terrifying. Like it's a really horrifying experience.

0:25:29.840 --> 0:25:32.520
<v Speaker 1>You could just tell a girl, Oh, it's happening. Now.

0:25:33.200 --> 0:25:35.280
<v Speaker 1>We'd started using slow motion a lot more of the

0:25:35.359 --> 0:25:37.320
<v Speaker 1>high speed cameras. We used those a lot more in

0:25:37.400 --> 0:25:40.520
<v Speaker 1>this season. I think Matt Hastings had some new toys

0:25:40.560 --> 0:25:45.199
<v Speaker 1>and was having fun. It's the same, It's it's always.

0:25:46.080 --> 0:25:48.320
<v Speaker 1>This is something we talked about a lot in season one,

0:25:48.359 --> 0:25:50.480
<v Speaker 1>and it comes back into play this season with the

0:25:50.560 --> 0:25:53.399
<v Speaker 1>Morgan Sterns versus the light Woods and kind of the

0:25:53.480 --> 0:25:55.520
<v Speaker 1>different ways in which they were raised and the different

0:25:55.520 --> 0:26:00.480
<v Speaker 1>ways in which their powers can be utilize, specifically emotions

0:26:00.520 --> 0:26:05.240
<v Speaker 1>clouding judgment versus emotions fueling your powers and serving a purpose.

0:26:05.320 --> 0:26:08.080
<v Speaker 1>And it's this constant thing that Jason Clary are at

0:26:08.160 --> 0:26:10.920
<v Speaker 1>odds about and we haven't we haven't seen that in

0:26:10.960 --> 0:26:16.760
<v Speaker 1>a while. Ah, yes, Sebastian Vlac and his swanky apartment,

0:26:17.440 --> 0:26:21.440
<v Speaker 1>another beautiful New York apartment. Yeah, must becauseing them God

0:26:21.480 --> 0:26:24.320
<v Speaker 1>damn fortune. It was so awesome having Will just come,

0:26:25.320 --> 0:26:27.360
<v Speaker 1>you know, he did this so beautifully, and he came

0:26:27.400 --> 0:26:30.119
<v Speaker 1>to Toronto and dove right in with the story with

0:26:30.880 --> 0:26:32.440
<v Speaker 1>He was so excited because he gets to do so

0:26:32.640 --> 0:26:34.600
<v Speaker 1>much in this episode, as we get to see in

0:26:34.600 --> 0:26:37.359
<v Speaker 1>a few minutes, but in diving in with you guys

0:26:37.400 --> 0:26:39.840
<v Speaker 1>and figuring out the whole what it meant to be

0:26:39.960 --> 0:26:43.119
<v Speaker 1>raised by Valentine and that physicality and everything, and then

0:26:43.280 --> 0:26:46.200
<v Speaker 1>and diving into the mythology of the story and the

0:26:46.280 --> 0:26:49.440
<v Speaker 1>whole world. It was great. Well. I also, i'd known

0:26:49.520 --> 0:26:52.680
<v Speaker 1>Will for like ten something years at this point. Yeah, no,

0:26:52.840 --> 0:26:55.320
<v Speaker 1>probably not quite when he joined the show, like six

0:26:55.480 --> 0:26:57.320
<v Speaker 1>or seven years. I've known well, Will and I work

0:26:57.400 --> 0:27:01.480
<v Speaker 1>together in London those many years ago, so I think, yeah,

0:27:01.640 --> 0:27:04.760
<v Speaker 1>I mean, I know from personal experience, having a semi

0:27:04.840 --> 0:27:08.920
<v Speaker 1>friendly face on sets it's very useful when you're joining

0:27:09.040 --> 0:27:11.960
<v Speaker 1>something new, you know, it's so fortunate to have a

0:27:12.080 --> 0:27:15.760
<v Speaker 1>mysterious stranger just whisk you away to his lovely apartment

0:27:15.840 --> 0:27:19.320
<v Speaker 1>and give you the cure to your addiction and also

0:27:19.440 --> 0:27:22.800
<v Speaker 1>be addicted to the same thing. It's almost like it's

0:27:22.840 --> 0:27:25.600
<v Speaker 1>too good to be true. Make you a lovely meal.

0:27:25.680 --> 0:27:27.959
<v Speaker 1>I know what. Look at that face. I'd trust him

0:27:28.000 --> 0:27:32.040
<v Speaker 1>to see. That's the thing with Well is is that's

0:27:32.400 --> 0:27:34.720
<v Speaker 1>why this worked so well, I think. And with Luke too,

0:27:35.480 --> 0:27:39.200
<v Speaker 1>it's um got a trusting face. Do you think Luke

0:27:39.280 --> 0:27:41.560
<v Speaker 1>has a trusting face? Oh? Maybe it's just because I

0:27:41.600 --> 0:27:44.680
<v Speaker 1>know Luke. I don't know. Yeah, there's no way, no way.

0:27:45.000 --> 0:27:46.720
<v Speaker 1>Him and I have spoken about this so many times.

0:27:46.760 --> 0:27:48.919
<v Speaker 1>There's no fucking way, Like, and he'll say this when

0:27:48.960 --> 0:27:51.480
<v Speaker 1>he comes on like this, zero chance I would trust

0:27:51.600 --> 0:27:54.320
<v Speaker 1>him from a distance. No way. We'll have to reach

0:27:54.359 --> 0:27:55.920
<v Speaker 1>out so Well and Luke and get them on the

0:27:55.960 --> 0:27:58.640
<v Speaker 1>show soon. Definitely we should get them on together. I'd

0:27:58.640 --> 0:27:59.960
<v Speaker 1>love it. I'd love to do each of them separate.

0:28:00.000 --> 0:28:03.639
<v Speaker 1>Believe then, I think Morgan stern Sibling Roundtable would be

0:28:03.680 --> 0:28:06.879
<v Speaker 1>a fun bonus up play like family feud games. And

0:28:07.200 --> 0:28:09.919
<v Speaker 1>here we have let's get to know the new uh,

0:28:10.600 --> 0:28:13.680
<v Speaker 1>the new sidekick. The new sidekick. She's one of those

0:28:13.720 --> 0:28:16.760
<v Speaker 1>characters that you see just getting on Luke's nerves just enough,

0:28:17.560 --> 0:28:20.280
<v Speaker 1>being just slightly charming enough to just get under his game.

0:28:20.560 --> 0:28:23.000
<v Speaker 1>Is she's and Alex was very charming as well, like

0:28:23.320 --> 0:28:26.040
<v Speaker 1>she was such a wonderful woman to work with, but

0:28:26.200 --> 0:28:29.119
<v Speaker 1>she died Like she she actually is very much like

0:28:29.280 --> 0:28:34.800
<v Speaker 1>this character. She's very very likable. I just love how

0:28:34.840 --> 0:28:37.800
<v Speaker 1>she immediately thinks that Maya is Luke's girlfriend, and Maya

0:28:37.880 --> 0:28:41.800
<v Speaker 1>this is going what it's It serves similar to when

0:28:42.080 --> 0:28:46.160
<v Speaker 1>Irish thought Alec and Clary were dating it. Yeah, m

0:28:47.240 --> 0:28:52.960
<v Speaker 1>m no, definitely not. So what's happening here is because

0:28:53.160 --> 0:28:57.640
<v Speaker 1>of Luke's actions during the Soul sort of it all.

0:28:58.000 --> 0:29:00.640
<v Speaker 1>There's a little unrest in the werewolves and Russell is

0:29:00.640 --> 0:29:02.360
<v Speaker 1>trying to form his own pack and they've asked my

0:29:02.400 --> 0:29:04.680
<v Speaker 1>eye again and she, you know, it's it's a tough

0:29:04.720 --> 0:29:07.600
<v Speaker 1>spot to be in because you want to have the

0:29:07.640 --> 0:29:11.000
<v Speaker 1>security and the safety being in a pack because that's

0:29:11.080 --> 0:29:12.880
<v Speaker 1>you know, by nature of what they do as wolves.

0:29:12.960 --> 0:29:17.120
<v Speaker 1>But it's um, it's her dad kind of you know.

0:29:17.840 --> 0:29:21.480
<v Speaker 1>Oh see there's this balcony again. Yeah, so this was

0:29:21.520 --> 0:29:23.280
<v Speaker 1>that So maybe the last time we saw it when

0:29:23.280 --> 0:29:25.480
<v Speaker 1>they were disabling the power source was the first time

0:29:25.480 --> 0:29:27.160
<v Speaker 1>we'd seen it, and then they expanded it to this

0:29:27.440 --> 0:29:30.960
<v Speaker 1>for the scene. I think that's what it was. Oh,

0:29:33.920 --> 0:29:36.440
<v Speaker 1>were fun scenes as well, like this is such a

0:29:36.560 --> 0:29:40.040
<v Speaker 1>Matt thing, like he Matt's very good at sensing when

0:29:40.080 --> 0:29:42.800
<v Speaker 1>you're down, and he's very good at comforting you by

0:29:42.840 --> 0:29:46.280
<v Speaker 1>doing very little. Yea, and this I think the original

0:29:46.400 --> 0:29:48.200
<v Speaker 1>version of this scene had a lot of had quite

0:29:48.200 --> 0:29:50.400
<v Speaker 1>a bit of dialogue back and forth, and it all

0:29:50.480 --> 0:29:53.920
<v Speaker 1>just got scrapped and became just this silent moment between

0:29:53.960 --> 0:29:55.640
<v Speaker 1>the two of them, like they both know what's going on.

0:29:56.000 --> 0:29:58.760
<v Speaker 1>With or without their bond, they would know what's going on. Yeah,

0:29:59.280 --> 0:30:01.480
<v Speaker 1>it was so smart to do that because it's you

0:30:01.560 --> 0:30:03.800
<v Speaker 1>know it really we haven't seen these two just have

0:30:03.960 --> 0:30:06.560
<v Speaker 1>a moment and so long and it's such an important

0:30:06.600 --> 0:30:09.200
<v Speaker 1>relationship and just giving again, seeing these characters that are

0:30:09.200 --> 0:30:11.640
<v Speaker 1>so strong have these moments of vulnerability and these moments

0:30:11.680 --> 0:30:15.400
<v Speaker 1>of humanity. That's what makes the show have such resonance

0:30:15.480 --> 0:30:18.400
<v Speaker 1>for people. I think. And he can cook. He can

0:30:18.480 --> 0:30:22.600
<v Speaker 1>cook too, I mean, my goodness, Sebastian, marry me, stop it.

0:30:22.840 --> 0:30:26.240
<v Speaker 1>What's not to love? What's not to love? And again,

0:30:26.280 --> 0:30:28.720
<v Speaker 1>there's just these little moments where watching it you know,

0:30:28.960 --> 0:30:31.040
<v Speaker 1>having seen it and knowing what happens watching it again,

0:30:31.080 --> 0:30:33.480
<v Speaker 1>there's little moments where you go it is that I

0:30:33.560 --> 0:30:36.920
<v Speaker 1>don't know, it's just a flash behind the eyes. It's

0:30:37.000 --> 0:30:40.920
<v Speaker 1>so well yeah, so well chosen. And again it is

0:30:41.000 --> 0:30:43.160
<v Speaker 1>nice to just as the first scene with you know,

0:30:43.600 --> 0:30:46.160
<v Speaker 1>Simon and Clary on the park bench, it's nice to

0:30:46.200 --> 0:30:49.160
<v Speaker 1>see Isabelle just with her guard down for a moment.

0:30:49.280 --> 0:30:51.280
<v Speaker 1>She's been going through so much and had so much

0:30:51.320 --> 0:30:53.720
<v Speaker 1>to deal with in battle and handle. She just gets

0:30:53.760 --> 0:30:56.760
<v Speaker 1>to be a person. Yeah, she gets to chill out.

0:30:56.920 --> 0:30:59.360
<v Speaker 1>And she shouldn't be She should have a god all

0:30:59.400 --> 0:31:01.360
<v Speaker 1>the way the fuck up. But well we don't know

0:31:01.520 --> 0:31:04.840
<v Speaker 1>that yet. But we don't know that yet exactly. Oh

0:31:04.960 --> 0:31:07.560
<v Speaker 1>finds out that Um, does he say he's an orphan

0:31:07.720 --> 0:31:10.680
<v Speaker 1>or does he say that? Yeah, he just says she's

0:31:10.720 --> 0:31:14.480
<v Speaker 1>gone now, so he knows says anything about his father? Mmm?

0:31:16.480 --> 0:31:20.640
<v Speaker 1>Does he know from the beginning? Does he know? He knows? Yeah,

0:31:21.160 --> 0:31:24.200
<v Speaker 1>he knows because he's he's the only one of the

0:31:24.320 --> 0:31:26.480
<v Speaker 1>Morgan Stern kids, or the children that were raised by

0:31:26.560 --> 0:31:29.840
<v Speaker 1>Valentine that knows everything right, right right, because he's the

0:31:29.920 --> 0:31:32.720
<v Speaker 1>eldest and he's the one who was put through it

0:31:32.840 --> 0:31:37.080
<v Speaker 1>first and basically had to sit in eat him for

0:31:37.240 --> 0:31:40.680
<v Speaker 1>ten years, right right right, you know, and knowing that

0:31:40.800 --> 0:31:43.200
<v Speaker 1>his father sent him there because he couldn't control his

0:31:43.400 --> 0:32:09.120
<v Speaker 1>demonic abilities. Got it. Boat basin, boat basin, Little Simon

0:32:09.240 --> 0:32:11.760
<v Speaker 1>Raphael action, which is fun. I like that this season

0:32:11.840 --> 0:32:13.920
<v Speaker 1>we got to see more of his musician side. This

0:32:14.080 --> 0:32:18.080
<v Speaker 1>is fun. It just gets me every time Raphael just

0:32:18.200 --> 0:32:22.080
<v Speaker 1>shows up in everywhere because he's such a stealthy vampire.

0:32:22.320 --> 0:32:24.960
<v Speaker 1>It's still scared Simon, even though he has vampiering. And

0:32:25.120 --> 0:32:30.320
<v Speaker 1>it's such a characterful choice that Alberto mode, because I

0:32:30.360 --> 0:32:31.880
<v Speaker 1>think that was an Alberto thing. I don't think that

0:32:31.920 --> 0:32:35.040
<v Speaker 1>was a scripted thing. Yeah, but I wasn't at Hunter's moon.

0:32:35.360 --> 0:32:39.120
<v Speaker 1>I don't. I don't know. It's somebody's smoking something, somebody's

0:32:39.160 --> 0:32:41.880
<v Speaker 1>on the infant. Yeah, come on, buddy, you've got to

0:32:41.880 --> 0:32:44.720
<v Speaker 1>be better than that. He's you've been a vampire for

0:32:44.880 --> 0:32:46.960
<v Speaker 1>two weeks. That's what he just says. You've been a

0:32:47.080 --> 0:32:50.000
<v Speaker 1>vampire for two weeks. The current stage of our story,

0:32:50.160 --> 0:32:53.440
<v Speaker 1>how far we've got so twenty three episodes, twenty four

0:32:53.560 --> 0:32:56.240
<v Speaker 1>after this one of TV has been over two weeks

0:32:56.480 --> 0:33:00.520
<v Speaker 1>a two weeks ban people. That's what's happened, and just

0:33:00.680 --> 0:33:02.680
<v Speaker 1>let's just think about that for a moment. You find

0:33:02.720 --> 0:33:05.960
<v Speaker 1>out you're the supernatural being. You find out that your

0:33:06.000 --> 0:33:10.960
<v Speaker 1>father is evil, your mother disappears, you're you meet this guy,

0:33:11.280 --> 0:33:13.680
<v Speaker 1>your best friend becomes of dies, becomes a vampire. You

0:33:13.720 --> 0:33:16.240
<v Speaker 1>find out your dad's awareable, your other dad's awareable of

0:33:17.600 --> 0:33:21.920
<v Speaker 1>think about everyone else's story. Like Alberto Alberto Simon literally

0:33:22.000 --> 0:33:25.200
<v Speaker 1>did die, comes back as a supernatural being the need

0:33:25.280 --> 0:33:27.720
<v Speaker 1>for blood. Then it, within two weeks has become a

0:33:28.280 --> 0:33:33.960
<v Speaker 1>limited version, seemingly extinct version of this being. Alec discovered

0:33:34.120 --> 0:33:38.040
<v Speaker 1>that he was gay, fell in love, got engaged, tore

0:33:38.120 --> 0:33:40.680
<v Speaker 1>apart his wedding, got engaged, and was about to get married.

0:33:40.760 --> 0:33:43.120
<v Speaker 1>Even that is far fetched enough. That you planned a

0:33:43.160 --> 0:33:46.440
<v Speaker 1>wedding in less than two weeks is fucking nuts. So

0:33:46.680 --> 0:33:49.040
<v Speaker 1>the whole thing apart, fell in love with the love

0:33:49.080 --> 0:33:52.000
<v Speaker 1>of his life, Thank goodness, But a lot fucking happened

0:33:52.040 --> 0:33:55.520
<v Speaker 1>in these two weeks. Jason finds this person, saves her

0:33:55.600 --> 0:33:58.040
<v Speaker 1>life a couple of times, falls in love, finds out

0:33:58.080 --> 0:34:01.720
<v Speaker 1>he's her sister. Jason weeks are really rough. If I

0:34:01.840 --> 0:34:05.480
<v Speaker 1>remember correctly, I feel like his next two weeks get worse. Yeah,

0:34:05.520 --> 0:34:08.480
<v Speaker 1>I think so. I think you're it this mask man. Okay,

0:34:08.640 --> 0:34:12.439
<v Speaker 1>can we talk this whole fucking scene. We talk about

0:34:13.960 --> 0:34:18.279
<v Speaker 1>the fucking pussy willows man. So we we this First

0:34:18.320 --> 0:34:20.280
<v Speaker 1>of all, this scene is about to get very intense.

0:34:20.360 --> 0:34:24.560
<v Speaker 1>We've just summoned as as A and tension is high

0:34:24.800 --> 0:34:26.920
<v Speaker 1>as is you know, it's a big mission. We know

0:34:27.000 --> 0:34:28.400
<v Speaker 1>where this is going to go, and it ends with

0:34:28.480 --> 0:34:30.879
<v Speaker 1>a lot of screaming. We all sort of get semi

0:34:30.920 --> 0:34:32.760
<v Speaker 1>torchre and it ends with a lot of screaming. Screaming

0:34:32.840 --> 0:34:36.160
<v Speaker 1>is hard work in general. You hyperventilate, it's bad for

0:34:36.200 --> 0:34:39.040
<v Speaker 1>your throat, it you get torn up, you know whatever.

0:34:41.040 --> 0:34:44.320
<v Speaker 1>Probably five six hours, no kidding, like, we screamed for

0:34:44.360 --> 0:34:46.480
<v Speaker 1>five or six hours, and each of those takes was

0:34:46.560 --> 0:34:49.080
<v Speaker 1>at like thirty or forty seconds long because they had

0:34:49.120 --> 0:34:51.520
<v Speaker 1>to do all of the action behind. So we're screaming, screaming,

0:34:51.520 --> 0:34:53.040
<v Speaker 1>screaming at the top of our lungs. You know, we

0:34:53.160 --> 0:34:57.200
<v Speaker 1>ask very often the question is what level of pain

0:34:57.280 --> 0:35:00.719
<v Speaker 1>are we at? And and doctors actually hopefully you haven't

0:35:00.760 --> 0:35:02.840
<v Speaker 1>been unfortunate enough to ever see this scale, but they

0:35:02.840 --> 0:35:05.040
<v Speaker 1>actually have a scale head a doctor's office that says

0:35:05.080 --> 0:35:07.600
<v Speaker 1>one through ten, and they have pictures of your face,

0:35:08.040 --> 0:35:10.520
<v Speaker 1>so like this is a one and your face is

0:35:10.560 --> 0:35:12.080
<v Speaker 1>sort of semi normal, and then a ten is like

0:35:12.320 --> 0:35:15.840
<v Speaker 1>screaming and crying whatever. And everyone was told in this

0:35:15.920 --> 0:35:18.440
<v Speaker 1>senior at ten, this is this is the most pain

0:35:18.520 --> 0:35:20.200
<v Speaker 1>that you're going to go through. Them We're like, okay, great,

0:35:20.520 --> 0:35:24.279
<v Speaker 1>And then they filled the room with these little it's

0:35:24.480 --> 0:35:26.560
<v Speaker 1>for those who don't know the best way to describe them,

0:35:26.600 --> 0:35:30.520
<v Speaker 1>they're called pussy willows, and they're like like a dandelion,

0:35:30.880 --> 0:35:33.560
<v Speaker 1>like that you blow a dandelion. It's like those little things.

0:35:33.600 --> 0:35:37.480
<v Speaker 1>But they filled the rod with like bags and bags,

0:35:37.719 --> 0:35:40.080
<v Speaker 1>like trash bags, giant trash bags of this stuff, and

0:35:40.080 --> 0:35:41.520
<v Speaker 1>then turn the fans on so they were all up

0:35:41.560 --> 0:35:43.479
<v Speaker 1>in the air and it looked, you know, it looks great.

0:35:44.400 --> 0:35:46.959
<v Speaker 1>We were coughing them up, no kidding, because we breathed

0:35:46.960 --> 0:35:48.560
<v Speaker 1>so many of them in. I was coughing them up

0:35:48.560 --> 0:35:50.120
<v Speaker 1>for about a week. I was coughing them up and

0:35:50.120 --> 0:35:52.279
<v Speaker 1>they were in the back of my sinus. You can't see.

0:35:52.400 --> 0:35:54.120
<v Speaker 1>Every time you open your eyes, they go in your eyes.

0:35:54.440 --> 0:35:56.960
<v Speaker 1>It was a fucking nightmare. And I left this scene

0:35:57.000 --> 0:35:58.759
<v Speaker 1>like I don't ever want to see one of these

0:35:58.960 --> 0:36:00.640
<v Speaker 1>ever again. I don't want to see one in real life.

0:36:00.800 --> 0:36:02.719
<v Speaker 1>I don't want to see one on set. This was

0:36:03.280 --> 0:36:04.959
<v Speaker 1>hands down. I don't know why we don't talk about

0:36:04.960 --> 0:36:07.279
<v Speaker 1>this much when people ask what was the hardest scene

0:36:07.280 --> 0:36:09.719
<v Speaker 1>for you to do? Because this is up there. This

0:36:09.920 --> 0:36:12.239
<v Speaker 1>was really hard team to do well. And do you

0:36:12.320 --> 0:36:14.480
<v Speaker 1>also remember that we had to reshoot part of it.

0:36:15.640 --> 0:36:17.760
<v Speaker 1>We did this on Yeah, we did this on a Friday,

0:36:17.880 --> 0:36:19.480
<v Speaker 1>and then on the Monday we had to come back

0:36:19.520 --> 0:36:22.800
<v Speaker 1>and finish it because we ran out a time, and

0:36:22.880 --> 0:36:26.160
<v Speaker 1>I just remember, all, can we can we just go

0:36:26.360 --> 0:36:28.759
<v Speaker 1>another hour or something and just finish it so we

0:36:28.800 --> 0:36:30.799
<v Speaker 1>don't have to do this again. Yeah, I don't want

0:36:30.800 --> 0:36:33.600
<v Speaker 1>to do it ever again. But on the one silly

0:36:34.000 --> 0:36:36.160
<v Speaker 1>it really was. But the one silly bit that um,

0:36:36.520 --> 0:36:38.640
<v Speaker 1>I try and find a silver lining and things, and

0:36:38.760 --> 0:36:40.840
<v Speaker 1>I try and make things fun even when they're not.

0:36:41.280 --> 0:36:43.319
<v Speaker 1>So when we came back to do this scene, Matt

0:36:43.360 --> 0:36:44.919
<v Speaker 1>and I just kind of because our clothes were clean.

0:36:45.000 --> 0:36:47.160
<v Speaker 1>Obviously it had been a few days since we've done it,

0:36:47.200 --> 0:36:48.960
<v Speaker 1>so they'd washed our clothes and all the dirt and

0:36:49.080 --> 0:36:51.759
<v Speaker 1>dust and fluff was all off of them. So Matt

0:36:51.800 --> 0:36:52.880
<v Speaker 1>and I just kind of looked at each other and

0:36:52.960 --> 0:36:55.399
<v Speaker 1>went all right and just rolled around in the dust

0:36:55.480 --> 0:36:59.600
<v Speaker 1>that they'd left on the floor. Just sometimes you got

0:36:59.719 --> 0:37:02.200
<v Speaker 1>to do it. Yeah, that fits, and this mask. At

0:37:02.239 --> 0:37:06.560
<v Speaker 1>least Alan had the mask. Yeah, yeah, you know, maybe

0:37:06.600 --> 0:37:09.560
<v Speaker 1>it wasn't as bad for him. There they are, here

0:37:09.640 --> 0:37:12.879
<v Speaker 1>come the pussy willows. See them all over Harry's face

0:37:13.480 --> 0:37:15.680
<v Speaker 1>and they like, yeah, they broke down so they didn't

0:37:15.719 --> 0:37:19.040
<v Speaker 1>stay in like chunks. It looks like it does look

0:37:19.120 --> 0:37:22.799
<v Speaker 1>fantastic on camera, but fuck, this was awful. Okay. Can

0:37:22.840 --> 0:37:25.799
<v Speaker 1>we talk just for a second about the when Harry

0:37:25.880 --> 0:37:29.400
<v Speaker 1>does this magic and he starts the summoning, there's a

0:37:29.480 --> 0:37:32.960
<v Speaker 1>bit of a kind of jerky camera situation, and if

0:37:33.000 --> 0:37:35.880
<v Speaker 1>I remember correctly, this is something that was new for

0:37:36.080 --> 0:37:39.319
<v Speaker 1>this season for the show. It was they had, wasn't

0:37:39.320 --> 0:37:41.680
<v Speaker 1>it the film camera that they would go forwards and

0:37:41.719 --> 0:37:44.160
<v Speaker 1>backwards and forwards, So they would roll the film forward

0:37:44.239 --> 0:37:47.520
<v Speaker 1>and backwards manually a bunch of times to kind of

0:37:47.640 --> 0:37:49.839
<v Speaker 1>layer it over each other, and then when they play

0:37:49.880 --> 0:37:52.320
<v Speaker 1>it back in this moment, it looks it's sort of

0:37:52.440 --> 0:37:56.200
<v Speaker 1>is that stop motion kind of magic where Magnus is

0:37:56.200 --> 0:37:59.000
<v Speaker 1>in six places at once, which I think it's so characterful.

0:37:59.120 --> 0:38:01.520
<v Speaker 1>I was either Glen or rus idea. I'm pretty sure.

0:38:01.800 --> 0:38:03.360
<v Speaker 1>I think you're right. We'll have to ask Tru about it.

0:38:03.560 --> 0:38:07.319
<v Speaker 1>There's also, I don't know if it's this, there's something

0:38:07.360 --> 0:38:09.600
<v Speaker 1>about this season on to the end of the show.

0:38:09.719 --> 0:38:12.279
<v Speaker 1>There's a weight to the lighting of the show, and

0:38:12.360 --> 0:38:16.160
<v Speaker 1>there's a darkness to it that it's everything is richer

0:38:16.560 --> 0:38:19.560
<v Speaker 1>but darker somehow, and it's Yeah. I remember that was

0:38:19.640 --> 0:38:22.800
<v Speaker 1>our like two fucking buzzwords for all of the press

0:38:22.840 --> 0:38:25.960
<v Speaker 1>for season two and three. It's darker and something else.

0:38:26.040 --> 0:38:28.000
<v Speaker 1>There were two words that we kept repeating, and I

0:38:28.080 --> 0:38:31.560
<v Speaker 1>was like, oh yeah, convention like four I was like,

0:38:31.640 --> 0:38:33.560
<v Speaker 1>we got to think some fucking synonyms for the ship.

0:38:33.880 --> 0:38:36.480
<v Speaker 1>I can't do another four hour convention where I tell

0:38:36.560 --> 0:38:39.520
<v Speaker 1>people like it's darker and more sinister again and again

0:38:39.680 --> 0:38:42.719
<v Speaker 1>and again. But I think too it's It was a

0:38:42.880 --> 0:38:44.759
<v Speaker 1>great choice because it spoke to kind of the weight

0:38:45.000 --> 0:38:48.520
<v Speaker 1>of the world and the impending darkness that was happening

0:38:48.600 --> 0:38:51.880
<v Speaker 1>around us. And here comes Clary again, storming through the

0:38:51.960 --> 0:38:56.080
<v Speaker 1>doors of the Institute to do something. This is sa funny.

0:38:56.280 --> 0:38:59.400
<v Speaker 1>It's such an interesting like this happens to us A

0:38:59.440 --> 0:39:01.040
<v Speaker 1>bunch of time where you're like, oh, yeah, you can

0:39:01.080 --> 0:39:03.160
<v Speaker 1>just use this run power that I've had for fucking

0:39:03.239 --> 0:39:05.520
<v Speaker 1>seven hours. Let me just yeah, I'll just figure this

0:39:05.600 --> 0:39:07.600
<v Speaker 1>thing out. Like I'm sure that this thing is going

0:39:07.640 --> 0:39:10.120
<v Speaker 1>to work. No, it doesn't. You know why because you've

0:39:10.239 --> 0:39:12.960
<v Speaker 1>used it three times. You've used it three fucking times.

0:39:13.000 --> 0:39:14.600
<v Speaker 1>You have no clue if any of this ship is

0:39:14.600 --> 0:39:16.720
<v Speaker 1>going to work, Like so that you broke the sword

0:39:17.400 --> 0:39:20.239
<v Speaker 1>you this time. It doesn't work later on in I

0:39:20.360 --> 0:39:24.600
<v Speaker 1>think two B or three A, you portal us underwater.

0:39:25.480 --> 0:39:29.799
<v Speaker 1>It's fucking nuts. Yeah, while she's learning, you know she's learning,

0:39:29.880 --> 0:39:32.320
<v Speaker 1>but maybe you spend some time practicing in like we

0:39:32.440 --> 0:39:36.800
<v Speaker 1>have like a super high tech training facility. You didn't

0:39:36.800 --> 0:39:38.359
<v Speaker 1>at any point be like, let me try this thing out.

0:39:38.719 --> 0:39:41.799
<v Speaker 1>Let's see if this is gonna work. I'm just watching us,

0:39:41.800 --> 0:39:45.200
<v Speaker 1>all of us writhe and pain, Yeah, lots and lots

0:39:45.239 --> 0:39:47.359
<v Speaker 1>of pain. Is this where we get to see your

0:39:47.360 --> 0:39:48.759
<v Speaker 1>eyes for the first time? This is where we get

0:39:48.760 --> 0:39:51.200
<v Speaker 1>to see the gold eyes for the first time. So

0:39:52.239 --> 0:39:56.040
<v Speaker 1>this was I think we've mentioned it once before again.

0:39:56.120 --> 0:39:58.400
<v Speaker 1>The guys from folks Weavex did an amazing job with

0:39:58.640 --> 0:40:03.839
<v Speaker 1>both the ruins and this um, but this we were

0:40:03.960 --> 0:40:07.560
<v Speaker 1>leaving a viewing. We were leaving like a watching a

0:40:07.719 --> 0:40:10.799
<v Speaker 1>free form and Matt Hastings was there and I said, oh,

0:40:10.840 --> 0:40:13.360
<v Speaker 1>you got to see just the briefest of flashes of

0:40:13.440 --> 0:40:15.640
<v Speaker 1>my underwear there. I think I'm wearing bright red underwear.

0:40:15.719 --> 0:40:20.160
<v Speaker 1>Does not look correct for the yet to seeing my boxes? Yeah,

0:40:20.200 --> 0:40:23.680
<v Speaker 1>there they are there? You go? You never noticed that?

0:40:24.560 --> 0:40:26.920
<v Speaker 1>What can you do? Um? And we were I was

0:40:26.960 --> 0:40:29.160
<v Speaker 1>talking about Hastings and I said, hey man, we're literally

0:40:29.239 --> 0:40:30.880
<v Speaker 1>on our way out in the corridor, and hey man,

0:40:30.920 --> 0:40:34.839
<v Speaker 1>just a quick thought. When these rooms activate we read

0:40:34.880 --> 0:40:36.680
<v Speaker 1>the script, maybe maybe we can do a thing with

0:40:36.760 --> 0:40:38.359
<v Speaker 1>my eyes where they flashed gold as a little sort

0:40:38.360 --> 0:40:40.160
<v Speaker 1>of nod to the to the book fans, because Jase

0:40:40.200 --> 0:40:42.719
<v Speaker 1>has gold eyes in the books. And he was like

0:40:43.360 --> 0:40:47.160
<v Speaker 1>literally just went great, love it, we're putting it in. Yeah.

0:40:47.600 --> 0:40:49.719
<v Speaker 1>They were like okay, gold. And then it was the

0:40:49.760 --> 0:40:51.839
<v Speaker 1>story point throughout which I was glad that we got

0:40:51.880 --> 0:40:53.480
<v Speaker 1>to do. I was, I'm glad when we get to

0:40:53.520 --> 0:40:56.319
<v Speaker 1>give these a little sort of small book references in there.

0:40:56.719 --> 0:41:00.239
<v Speaker 1>Well that's still alive. Are we just leaving him there? Oh? Yeah, okay,

0:41:00.600 --> 0:41:02.320
<v Speaker 1>he can just stay there. Yeah. I just thought we

0:41:02.400 --> 0:41:07.360
<v Speaker 1>were just walking away. Oh oh, do you remember what

0:41:07.480 --> 0:41:11.640
<v Speaker 1>happens there? Do you remember what zaisil does? Hm? He's

0:41:11.760 --> 0:41:14.719
<v Speaker 1>because did you see Valentine's help me, help me? I

0:41:14.840 --> 0:41:18.920
<v Speaker 1>do remember, I do remember. Valentine is no longer Valentine. Valentine. Well,

0:41:19.000 --> 0:41:23.319
<v Speaker 1>Valentine is Valentine. It doesn't look like Valentine. Yeah. Well okay,

0:41:23.400 --> 0:41:25.320
<v Speaker 1>just look at the way Harry's walking down this hallway.

0:41:25.880 --> 0:41:28.560
<v Speaker 1>So good, so good. I get to have scenes with

0:41:28.680 --> 0:41:31.320
<v Speaker 1>him whilst he's in this in this position. I remember

0:41:31.360 --> 0:41:33.400
<v Speaker 1>it being like even his vocal quality change and I

0:41:33.520 --> 0:41:36.080
<v Speaker 1>was like, fuck, this is good. Oh man, this is

0:41:36.200 --> 0:41:38.640
<v Speaker 1>so good. I remember hearing it at the table road

0:41:38.719 --> 0:41:42.400
<v Speaker 1>for the first time and I lost my mind, just

0:41:42.440 --> 0:41:44.960
<v Speaker 1>because both of them had clearly done their homework and

0:41:45.080 --> 0:41:47.480
<v Speaker 1>put so much effort into the fun that they were

0:41:47.520 --> 0:41:51.680
<v Speaker 1>going to have spoilers. So good for another day. Yeah, yeah, yeah,

0:41:52.680 --> 0:41:58.360
<v Speaker 1>Oh I love it when Alex smiles. Yeah, finally getting

0:41:58.360 --> 0:42:00.960
<v Speaker 1>on the phone with Izzie. The softy is what he is.

0:42:01.040 --> 0:42:02.680
<v Speaker 1>He pretends not to be, but he's a big old

0:42:02.760 --> 0:42:07.719
<v Speaker 1>softy matto. He's cooking. He's not eavesdropping on your conversation.

0:42:07.880 --> 0:42:10.239
<v Speaker 1>Don't worry about Yeah, he's definitely not listening to this.

0:42:10.960 --> 0:42:12.799
<v Speaker 1>Just quite a great dam and you're like, oh shit,

0:42:13.440 --> 0:42:17.120
<v Speaker 1>selling the farm. Come on, is that why they had

0:42:17.200 --> 0:42:20.280
<v Speaker 1>to break the necklace because it would have been flashing

0:42:20.360 --> 0:42:23.359
<v Speaker 1>if it would have been flashing around him? Right? Yeah, yeah,

0:42:24.080 --> 0:42:26.040
<v Speaker 1>when you send the first time, this is the first

0:42:26.040 --> 0:42:30.120
<v Speaker 1>time we get to see Sebastian's propensity for pain, pain,

0:42:30.520 --> 0:42:34.840
<v Speaker 1>and the sort of enjoyment slash self punishment thereof. You know,

0:42:34.920 --> 0:42:36.879
<v Speaker 1>he's it seems like he's cooking or cleaning the kitchen

0:42:36.960 --> 0:42:38.879
<v Speaker 1>and he turns around and he's just roasting his own

0:42:38.920 --> 0:42:43.200
<v Speaker 1>hand roast in his hand. Oh this is interesting, So well,

0:42:43.239 --> 0:42:45.239
<v Speaker 1>we'll talk about that a minute. I really, I was

0:42:46.320 --> 0:42:48.200
<v Speaker 1>this is one of my favorite scenes in this episode.

0:42:48.239 --> 0:42:49.800
<v Speaker 1>I remember when I read it the first time. I

0:42:49.920 --> 0:42:52.560
<v Speaker 1>was so happy that it's one of those rare times

0:42:52.600 --> 0:42:55.520
<v Speaker 1>where Jason Clary have an honest conversation and are actually

0:42:55.520 --> 0:42:59.359
<v Speaker 1>able to set all the drama and all the world

0:42:59.480 --> 0:43:02.440
<v Speaker 1>ending events side and go, hey, listen, let's just get

0:43:02.480 --> 0:43:05.319
<v Speaker 1>on the same page here. And it's yeah, nice moment

0:43:05.960 --> 0:43:07.320
<v Speaker 1>and the only time I ever got to wear that

0:43:07.400 --> 0:43:11.279
<v Speaker 1>jacket hotly. Yeah, I was noticing there's a lot of

0:43:11.360 --> 0:43:14.320
<v Speaker 1>frilling on this jacket. I don't know how useful it

0:43:14.360 --> 0:43:16.440
<v Speaker 1>would be to an actual shadow Hunter, you know what

0:43:16.480 --> 0:43:17.880
<v Speaker 1>I mean. I feel like there's a lot of stuff

0:43:17.880 --> 0:43:20.440
<v Speaker 1>that would be in the way. Yeah. What's one of

0:43:20.480 --> 0:43:23.279
<v Speaker 1>those things that Shelley, our costume designer, did, was could

0:43:23.480 --> 0:43:26.520
<v Speaker 1>ride that line between the artists from Brooklyn and the

0:43:26.560 --> 0:43:29.360
<v Speaker 1>shadow Hunter. And there were moments, particularly when she was

0:43:29.480 --> 0:43:32.520
<v Speaker 1>dating Signon, that it sort of started to steer back

0:43:32.680 --> 0:43:37.080
<v Speaker 1>toward the old Clary that we saw Choker see there

0:43:37.120 --> 0:43:42.480
<v Speaker 1>you go. And also sidebar, what are these angelic abilities

0:43:42.520 --> 0:43:45.160
<v Speaker 1>that we have and how do they work? Why don't

0:43:45.200 --> 0:43:51.160
<v Speaker 1>they always work? I don't think I ever figure it out. Nope,

0:43:51.360 --> 0:43:54.000
<v Speaker 1>because nobody knows that this is like a thing that exists.

0:43:54.040 --> 0:43:57.839
<v Speaker 1>Nobody's had pure angel blood since like the first angel. Yeah,

0:43:57.920 --> 0:44:00.920
<v Speaker 1>it's never happened before. Oh man, well there you go.

0:44:01.520 --> 0:44:04.320
<v Speaker 1>I was really disappointed though, because this so the beginning

0:44:04.360 --> 0:44:10.560
<v Speaker 1>of the next episode starts with a certain moment that

0:44:10.640 --> 0:44:14.640
<v Speaker 1>we'll see later. But there was a scene that kind

0:44:14.680 --> 0:44:16.880
<v Speaker 1>of transitioned it. And there was a lovely scene at

0:44:16.920 --> 0:44:19.680
<v Speaker 1>the end of this episode that they actually released images for,

0:44:20.000 --> 0:44:22.240
<v Speaker 1>like production stills for, but then they cut the scene

0:44:22.680 --> 0:44:25.200
<v Speaker 1>where Clary went to go see Signon and he had

0:44:25.560 --> 0:44:28.640
<v Speaker 1>organized this beautiful date and I think, if I'm correct,

0:44:28.719 --> 0:44:30.919
<v Speaker 1>it's something they pulled from the books, because he'd gotten

0:44:30.960 --> 0:44:35.200
<v Speaker 1>Clary's favorite pizza and had just blood for him and

0:44:35.360 --> 0:44:37.439
<v Speaker 1>had done the whole thing, like set up the whole date,

0:44:37.520 --> 0:44:40.319
<v Speaker 1>and it was just a nice moment again to one

0:44:40.440 --> 0:44:43.560
<v Speaker 1>more time have this their relationship as a whole. But

0:44:43.640 --> 0:44:46.440
<v Speaker 1>then to kind of see Clary Clary fully making the choice,

0:44:46.960 --> 0:44:49.320
<v Speaker 1>knowing that Jas was her brother, knowing all of this

0:44:49.440 --> 0:44:51.880
<v Speaker 1>information to go, No, this is where I'm at, and

0:44:51.960 --> 0:44:53.560
<v Speaker 1>this is where my feelings are at this point, and

0:44:53.600 --> 0:44:58.600
<v Speaker 1>I'm committed to this relationship. God, Harry is so brilliant.

0:44:59.080 --> 0:45:02.560
<v Speaker 1>He is brilliant. Where's it going to go? Who knows?

0:45:02.600 --> 0:45:06.040
<v Speaker 1>You're gonna have to tune in next week or however

0:45:06.880 --> 0:45:11.279
<v Speaker 1>frequent we air these, I don't know, next rewatch to

0:45:11.400 --> 0:45:13.920
<v Speaker 1>find out what's going on man the world. As soon

0:45:13.920 --> 0:45:15.239
<v Speaker 1>as we think we know what's going on in the

0:45:15.280 --> 0:45:19.520
<v Speaker 1>Shadow World, everything changes, yea. But always always seen a

0:45:19.600 --> 0:45:27.359
<v Speaker 1>lot of new mysterious changers and new mysterious friendships. Perhaps, Yeah,

0:45:27.440 --> 0:45:30.239
<v Speaker 1>like the next episode is there's a lot goes on.

0:45:31.600 --> 0:45:35.000
<v Speaker 1>I also, I like I messed up with the lamest

0:45:35.040 --> 0:45:37.160
<v Speaker 1>of stunts. It was It's like a little why. It

0:45:37.280 --> 0:45:39.280
<v Speaker 1>wasn't even a wire pool. It was a self propelled

0:45:39.560 --> 0:45:42.480
<v Speaker 1>and I have these big, heavy like handcuff chains on

0:45:42.680 --> 0:45:45.600
<v Speaker 1>and as I landed, I was fine when I landed,

0:45:45.680 --> 0:45:48.320
<v Speaker 1>and then I released the tension in my shoulders and

0:45:48.440 --> 0:45:51.719
<v Speaker 1>dropped the heavy handcuffs and just knocked all the wind

0:45:51.760 --> 0:45:54.160
<v Speaker 1>out of me. And Darren and Dean were like you okay,

0:45:54.200 --> 0:45:58.600
<v Speaker 1>and I was like yeah when when we get to

0:45:58.680 --> 0:46:01.239
<v Speaker 1>it as always thank you everyone for listening and tuning in.

0:46:01.320 --> 0:46:03.319
<v Speaker 1>It's always a pleasure to talk to you and hope

0:46:03.320 --> 0:46:05.520
<v Speaker 1>you're having a good week. I love you, See you

0:46:05.600 --> 0:46:12.920
<v Speaker 1>next time. Return to the Shadows is hosted and an

0:46:12.960 --> 0:46:16.560
<v Speaker 1>executive produced by Me, Katherine McNamara, and Dominic Sherwood. Our

0:46:16.600 --> 0:46:20.040
<v Speaker 1>executive producer is Lingley. Our senior producers are Liz Hayes

0:46:20.080 --> 0:46:23.760
<v Speaker 1>and Diego Tapia. Our producers are Hannah Harris and Kristin Vermillia,

0:46:23.880 --> 0:46:27.040
<v Speaker 1>and our intern is Sam Kat's. Original music by Alex

0:46:27.120 --> 0:46:29.880
<v Speaker 1>Kinsey and performed by Alex Kinsey and Katherine McNamara