WEBVTT - Episode 24 w/ Cormega and Cory Gunz

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<v Speaker 1>Springtime tips and fun facts from Paul Kristen and Dexter

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<v Speaker 1>at Total Wine and More. Garnishing your hand with pineapple

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<v Speaker 1>parent with a delicious Chardonnay to make their taste bud swirl.

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<v Speaker 1>Deviled eggs are even better when paired with a light,

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<v Speaker 1>dry wine like a bubbly Prosecco or a Pinot Grizzy.

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<v Speaker 1>For me, nothing beats recommending a great wine, and with

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<v Speaker 1>such an extensive selection, I can help you find the

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<v Speaker 1>perfect one in your budget, whether you're hosting or just bring.

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<v Speaker 1>The wine we love to share are always low prices

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<v Speaker 1>and ridiculous selection this spring at Total Wine and More. Cheers.

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<v Speaker 1>He's a legendary queen's rapper, Hang segues Your Boy, and

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<v Speaker 1>he's a Miami hip hop pioneer d J e f

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<v Speaker 1>f N. Together they drink it up with some of

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<v Speaker 1>the biggest players in music and sports, I mean the

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<v Speaker 1>most professional, unprofessional podcast. This is Drinks Chap Ready to War.

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<v Speaker 1>Every day is New Year's e would it could be?

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<v Speaker 1>Hopefully is what She'll be? This is Your Boy and

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<v Speaker 1>Oh what U is? D J e f N And

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<v Speaker 1>it's the motherfucker drink Chants and right now when people

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<v Speaker 1>ask me what type of music I like. You know,

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<v Speaker 1>I like to turn up music. I like uh club music,

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<v Speaker 1>I like balance music. But I come from and what

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<v Speaker 1>I originate from, it's pure laricism, pure lyrics, and right

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<v Speaker 1>now I couldn't be blessed with any other These guys

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<v Speaker 1>are pure lyricists. They don't dance, they don't have dancers,

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<v Speaker 1>they don't have guys with dreads standing behind them just wiggling.

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<v Speaker 1>These guys are on stage by theirself and they do

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<v Speaker 1>what they gotta do. And they've been around for years

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<v Speaker 1>and they certified legends. Right now, I got to the

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<v Speaker 1>right of me, one of the he's about to become

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<v Speaker 1>one of the newest legends because he's been around, he's

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<v Speaker 1>had deals with Shaquille O'Neill. Ship is real. Right now,

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<v Speaker 1>I'm introducing Corey gunz Is in the building, and then

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<v Speaker 1>I'm going to a legend from my era, not only

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<v Speaker 1>for my error, from my borough, not only for my

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<v Speaker 1>borrow from from This guy has been maintaining. He's been

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<v Speaker 1>touring overseas and Melborne in Australia. I see him everywhere

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<v Speaker 1>he's and he's always been the same exact guy. He's

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<v Speaker 1>never folded consistency. He's always stayed around, He's always been

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<v Speaker 1>here and he's always been making money. My god, Core

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<v Speaker 1>Mega makes some right now. This is for the hip

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<v Speaker 1>hop or the hip Hoppist or the hippie hopp that

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<v Speaker 1>he believe the Hoppist and both of them on my

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<v Speaker 1>album's out right now another time, another time, and let's

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<v Speaker 1>also big up. Let's get this out the way real fast.

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<v Speaker 1>Let people from Best Bottling the liquor. We're gonna try

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<v Speaker 1>to get Core Megan to drink. That is my whole purpose,

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<v Speaker 1>try to get him. I remember used to drink champagne

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<v Speaker 1>back in the days. Demi said, correct, Demi said, right yeah,

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<v Speaker 1>because it feaks the like please, we need you your

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<v Speaker 1>fans a yo. So Mecca, let me let me just

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<v Speaker 1>ask you. You have what I like to call a

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<v Speaker 1>cult following. With me, it was what it means no

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<v Speaker 1>matter where you go, there's always fans. There's always people

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<v Speaker 1>who come out, die hard fans, like, how did you

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<v Speaker 1>build that? I don't even have an answer for. It's

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<v Speaker 1>a blessing. That's not something that that I had a

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<v Speaker 1>plan for. Like I said, I'm just gonna have cold

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<v Speaker 1>following and people just fucking with my music veryway. But

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<v Speaker 1>that ship is a blessing, Like I could have had

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<v Speaker 1>no fans like you already know you like men, you

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<v Speaker 1>know each other very long time. There's been times when

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<v Speaker 1>when the world was against like the industry was against me,

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<v Speaker 1>and and doors is closed on me, and people was whispering,

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<v Speaker 1>don't funk with Mecca. So it was like I didn't

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<v Speaker 1>know what I had fans. And then I just made music.

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<v Speaker 1>I just I just tested myself, like men A, I

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<v Speaker 1>put out I put out the first rap mixtape member

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<v Speaker 1>before dudes doing mixtape. I did that when I was

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<v Speaker 1>gonna violate on the show because I needed to see

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<v Speaker 1>how people felt about me. It was like a test.

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<v Speaker 1>So I put out the Montana Way and then um,

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<v Speaker 1>it's so mad Units. And then when I went on

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<v Speaker 1>tour with DMX, places like he just lost on us.

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<v Speaker 1>Make some noise for him. Going on tour with DMX

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<v Speaker 1>needs you to finish. I need you to finish. But

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<v Speaker 1>I also need to ask you how many dates did

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<v Speaker 1>DMX show up to? He showed up to every day

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<v Speaker 1>every day. Make some noise where DMX wasn't crazy. I

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<v Speaker 1>did a tour with DMX. We did thirt or two

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<v Speaker 1>days he showed up for fourteen. But let's send the

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<v Speaker 1>story was saying, so you went on to with DMX. Yeah,

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<v Speaker 1>I went on tour with dm X, and um, we

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<v Speaker 1>went to places like Chicago, Detroit, etcetera, et cetera, and uh,

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<v Speaker 1>when I was there, I didn't know people was gonna

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<v Speaker 1>know my music, so I didn't even want to perform it.

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<v Speaker 1>But when I did perform, I got as loud as

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<v Speaker 1>ovation as anybody, so it was like wow. So that's

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<v Speaker 1>when I knew that the mixtape apute. So I just

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<v Speaker 1>what I do is I careter to my audience. So

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<v Speaker 1>I guess that's why I have a loyal following, because

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<v Speaker 1>I don't change up on them, like you know what

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<v Speaker 1>you're gonna get when you get a mega album, right,

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<v Speaker 1>and you never really tried to like make a radio record,

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<v Speaker 1>Is that true or no? I never Well when I, um,

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<v Speaker 1>I didn't make a dream of Call Thomas before okay

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<v Speaker 1>remember that, and um that was like that was a

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<v Speaker 1>crystalty move. Recipes and Christmas benefited both of us. So

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<v Speaker 1>I made a joint. I wasn't comfortable with it, but

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<v Speaker 1>I didn't hate it. But it's like if I would

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<v Speaker 1>have been on deaf gym. There's certain kind of music

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<v Speaker 1>that I would have been having to make that I

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<v Speaker 1>wasn't comfortable with. And when I started doing my own music,

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<v Speaker 1>just with answering that nobody, I was able to do

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<v Speaker 1>what I want. So I like that. You know what

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<v Speaker 1>I'm saying. I don't want to I don't want to

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<v Speaker 1>have excuses for my music, right, So, so um the course,

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<v Speaker 1>So let's say if you had a choice independent of Major,

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<v Speaker 1>and you had a chance to do it all over,

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<v Speaker 1>what with that choice? And I already had a choice

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<v Speaker 1>that Major hoping at me after the run it like nah?

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<v Speaker 1>And you you you like the independent. I like the independent.

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<v Speaker 1>Let's make some noise for him being the hustle that freedom.

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<v Speaker 1>So Correy guns, right, sir. One of the first times

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<v Speaker 1>I heard of you was Saquille O'Neill was talking about you.

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<v Speaker 1>Was that your first deal? Yeah? Actually you had like

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<v Speaker 1>seventeen deals, getting many Yeah still cash money, didn't cash money? Yeah? Yeah,

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<v Speaker 1>what was that your first deal? Um? Yeah? Actually, my

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<v Speaker 1>mom pops was sound she killed why or your pops

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<v Speaker 1>were signed to kill when she killed Twisom? And that's

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<v Speaker 1>my guy, Pops tool like yeah. Yeah, he baptized golf

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<v Speaker 1>fathers of nick name one Man from Old Sam long Man.

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<v Speaker 1>I just think you don't leave them, man, God damn

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<v Speaker 1>it man, you your goldfathers Shaquille oil Man that god

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<v Speaker 1>damn sure. Yeah I could. If was my godfather, I could.

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<v Speaker 1>He couldn't. I could have his number because I'll be

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<v Speaker 1>asking him for for dumb ship like yo, listen, I

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<v Speaker 1>heard you in friends. Let me help me. But um so, yeah,

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<v Speaker 1>so he's your godfather and then he's how does this

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<v Speaker 1>he hears you rhyme? Yeah, I would be around him

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<v Speaker 1>in the studio, around my pops and around she killing

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<v Speaker 1>the studio a lot, and I'd be wanting to, like

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<v Speaker 1>doro my freestyles. I'll be writing while they're working on music.

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<v Speaker 1>I'll be writing my own stuff. And after a while

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<v Speaker 1>they started like like God, like, let him, let's see

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<v Speaker 1>what he do. After a while, they just she just

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<v Speaker 1>started rolling. He started laughing. Serious hip hop Yeah yeah,

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<v Speaker 1>serious track asked me to do a record. I asked

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<v Speaker 1>him to write to rhyme. He was like no. I

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<v Speaker 1>was like, oh ship, because I heard was writing his ribs.

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<v Speaker 1>I was like, oh ship, Like he had his own ship.

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<v Speaker 1>He was really hip hop, that's what's up. Let's makes

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<v Speaker 1>the noise shack me here. So now I want to

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<v Speaker 1>ask both of y'all this question because I watched that

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<v Speaker 1>go on stage and you said something that was very

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<v Speaker 1>ill to me. You said, I'm not a rapper, I'm

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<v Speaker 1>a lyricist. Now it's there. It's there two different versions

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<v Speaker 1>of hip hop or is it three? Is it hip

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<v Speaker 1>hop lyricism and then wrap or is this just hip

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<v Speaker 1>lyricism falls under the zone of hip hop? Come on camera, guy,

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<v Speaker 1>come on and you've got a surfboard, so on too.

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<v Speaker 1>Hip hop going on? But does lyricists fall onto the

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<v Speaker 1>version of hip hop? So it's two different hip hop

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<v Speaker 1>and rap. Wrap the son you do hip hop son

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<v Speaker 1>you live, that's fact, and lyricism falls under the what

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<v Speaker 1>you do. It's like, um, that's interesting. So there's no

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<v Speaker 1>beat right now. It's our words that carry us. It's

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<v Speaker 1>our words that that that will differentiate us or separate

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<v Speaker 1>us from rappers. You know what I'm saying. And it's like, um,

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<v Speaker 1>a rapper, you don't. You will never re rhyme. Remember

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<v Speaker 1>when needs to be cossette And we hear something that

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<v Speaker 1>just blew our mind. We used to rewind the ship.

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<v Speaker 1>You won't rewind the rapper. You only be wrong lyricist.

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<v Speaker 1>You you want to catch what he's saying. You know

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<v Speaker 1>what I'm saying. You were wrong, Big Daddy can't cool

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<v Speaker 1>you wrapped? You know what I'm saying. You're one ever queens,

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<v Speaker 1>You're one dope m C. But the rapper, you're just

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<v Speaker 1>enjoying it. Most rappers get carried by their beat or

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<v Speaker 1>by their marketing O. Lyricists get carried by his words.

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<v Speaker 1>That's why every time you notice I'll do a show,

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<v Speaker 1>I could drop the music. I don't need a music

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<v Speaker 1>and I never used hypening, but the crowd are still

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<v Speaker 1>into it. That's a difference. That was So how you

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<v Speaker 1>feel about agree? Yea? I definitely do? Now now all

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<v Speaker 1>right with all this going on? Right you? You've been

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<v Speaker 1>on death Jam, You've been on multiple different labels. Have

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<v Speaker 1>anybody ever approached you and said, you know what um

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<v Speaker 1>Mega or Corey? You know what you guys are doing

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<v Speaker 1>is cool? But why not why? I think you said

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<v Speaker 1>Chris Lady earlier. But was that the only time or

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<v Speaker 1>there was other times where people try to get you

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<v Speaker 1>to change your stop. I remember when I made the

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<v Speaker 1>song Testament. But I made the song Testament. It made

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<v Speaker 1>crazy noise in the industry. You probably remember. I remember

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<v Speaker 1>clauke Ken used to come up to Depth like, Yo,

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<v Speaker 1>this is the one like Streets. Everybody loved it, and

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<v Speaker 1>I'll never forget Julie Greenwall. I'll never forget you records

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<v Speaker 1>right now. She said this is cool, but you need

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<v Speaker 1>something hot. And when she said that, it made my

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<v Speaker 1>stomach sick because I knew that that was a record.

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<v Speaker 1>I went hard on that record lyrically. The production was

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<v Speaker 1>crazy and I got respect, you know, as an m C.

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<v Speaker 1>I was a rapper. You know, we give we give

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<v Speaker 1>salent praise to each other sometimes to be like, you

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<v Speaker 1>know you're doing this thing, they might not say it

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<v Speaker 1>to you. So when I did that, that's one of

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<v Speaker 1>the first song with rappers. Was coming up to me like, Yo,

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<v Speaker 1>that joint is. So I knew it was strong, and

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<v Speaker 1>I knew that from me not having a song but

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<v Speaker 1>being on tour with DMX. That's the song I closed with,

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<v Speaker 1>So I knew it was a strong Street record. But

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<v Speaker 1>she's telling me something else, and that's where I knew

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<v Speaker 1>there was a conflict. You know what I'm saying so

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<v Speaker 1>that's when I was just when the beef started with

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<v Speaker 1>depth jam. No, you know the beef, the beef goes deeper. Okay,

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<v Speaker 1>let's get into us noble bottle got damn. I feel

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<v Speaker 1>like you want to. Yeah, I don't got a dream.

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<v Speaker 1>I don't need you know the purpose of drinking champ

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<v Speaker 1>you know, you get people nice that they go but no,

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<v Speaker 1>but I've always been an open boat that I know that.

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<v Speaker 1>But we're gonna tell that to the fans. We're gonna

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<v Speaker 1>act like, let us take our propersdam do year because

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<v Speaker 1>because here here we go, right, here's this guy right um,

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<v Speaker 1>and I want to get into the the one love

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<v Speaker 1>shout out. But we're gonna, we're gonna, we're gonna take

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<v Speaker 1>it from there. You was like the next thing, the

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<v Speaker 1>next biggest thing to come from Depth Jam. You had

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<v Speaker 1>to Foxy Brown. You had the nas and then we're

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<v Speaker 1>hearing it was Termorial a little bit with Steve Stouton

0:11:47.559 --> 0:11:50.439
<v Speaker 1>name was in there, and then I kind of know

0:11:50.640 --> 0:11:52.520
<v Speaker 1>the story a little bit, but the fans don't. We're

0:11:52.559 --> 0:11:56.760
<v Speaker 1>gonna do its past seven years, make no noise. What's

0:11:56.800 --> 0:11:59.200
<v Speaker 1>the timeline? The real is that song on the real

0:11:59.280 --> 0:12:03.559
<v Speaker 1>what's the timeline from what you're talking about. That that

0:12:03.640 --> 0:12:05.560
<v Speaker 1>was soon as I came home on the real sous.

0:12:05.600 --> 0:12:08.480
<v Speaker 1>You came home, okay, But now this death jam problems

0:12:08.559 --> 0:12:11.719
<v Speaker 1>we heard, like what was the issue? First thing? I mean,

0:12:11.840 --> 0:12:16.600
<v Speaker 1>basically you already said the person's name, you know, um Basically,

0:12:19.960 --> 0:12:23.520
<v Speaker 1>I don't. I don't. I don't like talking about I'm

0:12:23.720 --> 0:12:26.480
<v Speaker 1>I'm past that that stage. But he had he got

0:12:26.520 --> 0:12:28.439
<v Speaker 1>a lot of power, you know what I'm saying, and

0:12:29.160 --> 0:12:31.400
<v Speaker 1>him last week and we think he's coming for us,

0:12:31.640 --> 0:12:38.120
<v Speaker 1>but don't work. We weren't here. It's okay, Steve stops squad.

0:12:38.600 --> 0:12:44.000
<v Speaker 1>So once once, you know once certain people. Basically it

0:12:44.120 --> 0:12:48.560
<v Speaker 1>was like this. When I first came home, you already

0:12:48.600 --> 0:12:50.200
<v Speaker 1>know a lot of stuff that was going on behind

0:12:50.200 --> 0:12:53.480
<v Speaker 1>the scenes. I was off the production deal and I

0:12:53.640 --> 0:12:56.080
<v Speaker 1>didn't I didn't jump right on it. I've always been

0:12:56.080 --> 0:13:00.240
<v Speaker 1>a businessman, Like I'm not saying I'm Steve jobs and ship,

0:13:00.320 --> 0:13:01.839
<v Speaker 1>but I was on a point with certain things, like

0:13:01.920 --> 0:13:03.880
<v Speaker 1>one of the first books I bought was all you

0:13:03.960 --> 0:13:06.760
<v Speaker 1>need to know about the industry like that. I always

0:13:06.800 --> 0:13:08.840
<v Speaker 1>had all my publishing, even when I was on Depth Jam.

0:13:09.600 --> 0:13:12.320
<v Speaker 1>I own all my masters right now. I never said

0:13:12.360 --> 0:13:14.000
<v Speaker 1>the Realness is a classic or true man, and the

0:13:14.080 --> 0:13:17.839
<v Speaker 1>fans said it. So there's independent albums that artists that

0:13:17.920 --> 0:13:21.880
<v Speaker 1>own these stuff, but it's your music doesn't matter. Like

0:13:22.040 --> 0:13:25.040
<v Speaker 1>I own certified classics, I own the Realness mass, I

0:13:25.080 --> 0:13:27.240
<v Speaker 1>own a testament mans, I own born and raised masters.

0:13:27.480 --> 0:13:29.760
<v Speaker 1>So my kids, I could die right now. My kids

0:13:29.840 --> 0:13:32.839
<v Speaker 1>is great, you know what saying. So it's like, um,

0:13:33.480 --> 0:13:35.160
<v Speaker 1>I was on talking about business, so I wasn't gonna

0:13:35.200 --> 0:13:39.560
<v Speaker 1>rush into sign in the production deal. But Steve has

0:13:39.679 --> 0:13:42.280
<v Speaker 1>like he had like you know how it is. He

0:13:42.320 --> 0:13:44.400
<v Speaker 1>has a certain way about himself. All of them got it.

0:13:44.440 --> 0:13:46.880
<v Speaker 1>Chris got it. Yeah, Yea got it. Mark got it.

0:13:47.160 --> 0:13:49.800
<v Speaker 1>As a man, see, I was considering doing it, but

0:13:49.880 --> 0:13:51.439
<v Speaker 1>it's just certains a drink right there too. That's a

0:13:51.480 --> 0:13:52.880
<v Speaker 1>little bit of rose. Just some kids, you know what.

0:13:55.280 --> 0:13:57.280
<v Speaker 1>Let's think about it. Let's think about it. Finish his

0:13:57.320 --> 0:13:59.599
<v Speaker 1>story though. So as a man, there's certain things you

0:13:59.640 --> 0:14:02.079
<v Speaker 1>don't say to a man. You know what I'm saying, Like,

0:14:02.240 --> 0:14:04.280
<v Speaker 1>I'm a man at the end of the day, I'm

0:14:04.320 --> 0:14:07.280
<v Speaker 1>not a sucker that's trying to get on because, to

0:14:07.400 --> 0:14:09.280
<v Speaker 1>be honest with you, those days I have more money

0:14:09.720 --> 0:14:11.600
<v Speaker 1>when I wasn't rapping when I was doing other things.

0:14:12.000 --> 0:14:15.560
<v Speaker 1>So it's like he Steve is the type of person,

0:14:15.720 --> 0:14:18.199
<v Speaker 1>like he once said to me, like you think you

0:14:18.200 --> 0:14:19.960
<v Speaker 1>would even have a deal if it wasn't for us,

0:14:20.120 --> 0:14:22.720
<v Speaker 1>or like like he says things like that that makes

0:14:22.720 --> 0:14:25.160
<v Speaker 1>you question yourself. So if I was signed that, I

0:14:25.200 --> 0:14:28.240
<v Speaker 1>wouldn't respect it myself. So it was like certain things

0:14:28.400 --> 0:14:30.320
<v Speaker 1>and then you already know what happened with the song

0:14:30.320 --> 0:14:34.120
<v Speaker 1>A lot of familiar, but we don't know. I'm talking

0:14:34.120 --> 0:14:35.640
<v Speaker 1>to each other. You don't know what you want to know.

0:14:36.320 --> 0:14:39.880
<v Speaker 1>He told my man Benz Mega doesn't sign the production deal,

0:14:40.680 --> 0:14:43.040
<v Speaker 1>that remix that other song will be the last that

0:14:43.120 --> 0:14:45.280
<v Speaker 1>you hear from him with the firm. So I was like,

0:14:45.760 --> 0:14:48.120
<v Speaker 1>in my mind, I was like, he's bugging because I'm

0:14:48.120 --> 0:14:50.120
<v Speaker 1>on alt familiar, So what is he talking about. I'm

0:14:50.160 --> 0:14:52.440
<v Speaker 1>thinking like that thing with a lot of familia came out,

0:14:52.520 --> 0:14:54.920
<v Speaker 1>I wasn't on it. They took me up and putting

0:14:54.960 --> 0:14:58.360
<v Speaker 1>nature on it, so I thought it was a firmtive action.

0:14:58.440 --> 0:15:00.560
<v Speaker 1>Now I'm on a front of action, front of acted

0:15:00.600 --> 0:15:02.960
<v Speaker 1>the first front soon. But at the end of the day,

0:15:03.000 --> 0:15:04.480
<v Speaker 1>it is at the end of the day, it's like

0:15:04.560 --> 0:15:07.720
<v Speaker 1>this Steve is a marketing genius. You know what I'm

0:15:07.720 --> 0:15:11.960
<v Speaker 1>saying straight up, It's just that money ain't everything. Some

0:15:12.120 --> 0:15:17.320
<v Speaker 1>people are morally bankrupt financially rich. Like a few years

0:15:17.360 --> 0:15:25.800
<v Speaker 1>ago he did an let that shirt that was ill.

0:15:25.920 --> 0:15:28.760
<v Speaker 1>That was ill, Mega police continue. My thing is this,

0:15:29.600 --> 0:15:32.240
<v Speaker 1>if I got money like him, I'm not thinking about

0:15:32.280 --> 0:15:35.120
<v Speaker 1>a Coremega. I'm not gonna be sending like like in

0:15:35.160 --> 0:15:37.040
<v Speaker 1>the last I don't know how many years ago it

0:15:37.120 --> 0:15:39.360
<v Speaker 1>was recent years. He did an interview and then he

0:15:39.520 --> 0:15:41.880
<v Speaker 1>was and he said something about me that wasn't too

0:15:42.040 --> 0:15:44.640
<v Speaker 1>that it wasn't disrespect, but I wasn't feeling it. He

0:15:44.720 --> 0:15:46.160
<v Speaker 1>was trying to name people on the firm and he

0:15:46.240 --> 0:15:48.120
<v Speaker 1>was like they was talented, and he said I was.

0:15:48.240 --> 0:15:50.320
<v Speaker 1>He said, Mega wasn't even in the firm. It's like

0:15:50.400 --> 0:15:53.480
<v Speaker 1>you're trying to raise the history like like come on dogs,

0:15:53.520 --> 0:15:55.120
<v Speaker 1>like I was on the front of action, Like so,

0:15:55.280 --> 0:15:58.640
<v Speaker 1>so what was that that moment that it was the

0:15:58.840 --> 0:16:02.640
<v Speaker 1>firm was over like um when you stepped away? Um

0:16:04.720 --> 0:16:07.080
<v Speaker 1>you know, nor no, But I mean we don't know,

0:16:07.480 --> 0:16:09.240
<v Speaker 1>Like I mean, I mean we're like, like you know

0:16:09.360 --> 0:16:11.320
<v Speaker 1>what it is you have history is so rich and

0:16:11.400 --> 0:16:14.840
<v Speaker 1>you don't really. Um, you know, you don't do a

0:16:14.960 --> 0:16:17.280
<v Speaker 1>bunch of interviews. You go, you do what you gotta do.

0:16:17.400 --> 0:16:19.640
<v Speaker 1>But this is something that the fans gotta know and um,

0:16:20.080 --> 0:16:22.360
<v Speaker 1>and for those who do know, be refreshed about you

0:16:22.400 --> 0:16:23.640
<v Speaker 1>know what I'm saying, because this is a hip hop

0:16:23.720 --> 0:16:26.880
<v Speaker 1>form right here. This ain't no corny ship hip hop form.

0:16:27.000 --> 0:16:28.360
<v Speaker 1>Let's speak to the fans for real. You know what

0:16:28.360 --> 0:16:30.600
<v Speaker 1>I'm saying. Corn you want to drink too, come on,

0:16:30.720 --> 0:16:34.320
<v Speaker 1>let's do it. Fifteen years on, let's stop it right now.

0:16:34.720 --> 0:16:43.840
<v Speaker 1>Fifteen years. What's your on that you're flying from the

0:16:43.880 --> 0:16:47.440
<v Speaker 1>horn business? Fifteen years? Come on, they're gonna drink right there?

0:16:47.440 --> 0:16:49.880
<v Speaker 1>A little bit you got you got to burn the joint,

0:16:49.880 --> 0:16:52.120
<v Speaker 1>all right? Cool? Cool? Let me know if you don't

0:16:52.200 --> 0:16:56.480
<v Speaker 1>drink that cop, I'll knock it down. So so, what

0:16:56.680 --> 0:16:58.920
<v Speaker 1>was the exact moment where it was like the firm

0:16:59.040 --> 0:17:02.440
<v Speaker 1>is no longer now that further still longer than I mean,

0:17:02.800 --> 0:17:05.840
<v Speaker 1>like like the original the original? Yeah, Um, I don't

0:17:05.880 --> 0:17:07.480
<v Speaker 1>know when I when I didn't signed a production deal

0:17:07.560 --> 0:17:08.920
<v Speaker 1>and after I got a raised off the song, I

0:17:09.040 --> 0:17:10.680
<v Speaker 1>knew that was a rap, you know what I'm saying,

0:17:11.160 --> 0:17:13.119
<v Speaker 1>But it was it was for him telling you to

0:17:13.160 --> 0:17:15.639
<v Speaker 1>sign the production deal. I mean he wanted me to

0:17:15.720 --> 0:17:16.879
<v Speaker 1>sign it. It was a lot of it was a

0:17:16.960 --> 0:17:19.040
<v Speaker 1>lot of bullcrap going on. Put it like that, and

0:17:19.080 --> 0:17:20.720
<v Speaker 1>there was a lot of it was a lot of

0:17:21.240 --> 0:17:22.680
<v Speaker 1>you know, you know, it was a lot of funny

0:17:22.720 --> 0:17:25.040
<v Speaker 1>business going on, and there was a lot of um.

0:17:26.680 --> 0:17:31.480
<v Speaker 1>You know the situation when nature, um, me and Nature

0:17:31.480 --> 0:17:33.480
<v Speaker 1>didn't have no major beef like people thought. You know,

0:17:33.640 --> 0:17:36.480
<v Speaker 1>now did that start because yeah, let's let's break that

0:17:36.560 --> 0:17:38.960
<v Speaker 1>down for me. Well, that was just that was just

0:17:39.280 --> 0:17:45.000
<v Speaker 1>um because nates just just kid from burning. Now, Natures

0:17:45.000 --> 0:17:52.880
<v Speaker 1>from testry when they were from burning. Okay, so basically

0:17:52.920 --> 0:17:56.119
<v Speaker 1>when Nature basically this is what happened. This is what

0:17:56.200 --> 0:17:58.399
<v Speaker 1>I got from Nature one day they was in the

0:17:58.480 --> 0:18:01.440
<v Speaker 1>studio and it was in the entire co Omega environment

0:18:01.960 --> 0:18:04.680
<v Speaker 1>and Nigga's gas Nature to say something about me on

0:18:04.720 --> 0:18:07.600
<v Speaker 1>the song on that free Style actually used on it too.

0:18:07.840 --> 0:18:12.679
<v Speaker 1>I was on it from wasn't it wasn't the Couci

0:18:12.840 --> 0:18:15.439
<v Speaker 1>rap ship. I don't know. I got to do my research.

0:18:15.600 --> 0:18:19.600
<v Speaker 1>I might be another one. But cool So Mary J

0:18:19.800 --> 0:18:22.800
<v Speaker 1>was on the joint that's this yeah, yeah, so I

0:18:22.960 --> 0:18:25.040
<v Speaker 1>never thought even that you I know he went that,

0:18:25.359 --> 0:18:29.800
<v Speaker 1>okay ahead, So so then when I heard that, so

0:18:30.200 --> 0:18:33.320
<v Speaker 1>I at the time when he went at me like

0:18:33.480 --> 0:18:35.600
<v Speaker 1>you know me, when you were Nature cool before that,

0:18:35.720 --> 0:18:37.359
<v Speaker 1>we was all right, we don't have no druma on that,

0:18:37.800 --> 0:18:39.920
<v Speaker 1>but you know me, like you get wrapped and look

0:18:39.960 --> 0:18:41.760
<v Speaker 1>at my circle, Mega buss is gone. That's a fact,

0:18:42.119 --> 0:18:47.719
<v Speaker 1>No guy, we might we might have a drunk stackterial

0:18:48.200 --> 0:18:49.920
<v Speaker 1>that that dream brought up. Remember when we did the

0:18:49.960 --> 0:18:52.080
<v Speaker 1>show when pone came home. We didn't hear in Miami.

0:18:52.920 --> 0:18:55.800
<v Speaker 1>I think that they squashed the beef on stage. Nature

0:18:55.960 --> 0:18:59.840
<v Speaker 1>on stage at that show been cool. But I'm saying

0:19:00.000 --> 0:19:03.680
<v Speaker 1>all showed face for the first time like that, Me

0:19:03.760 --> 0:19:05.879
<v Speaker 1>and Nature been Me and Nature been cool because they

0:19:05.960 --> 0:19:09.080
<v Speaker 1>definitely a lot of What year was that when poone

0:19:09.119 --> 0:19:11.520
<v Speaker 1>came home and poone came home that's two thousand and one. Yeah,

0:19:11.600 --> 0:19:13.159
<v Speaker 1>so you might be a little off with that. It

0:19:13.280 --> 0:19:15.240
<v Speaker 1>might have been on stage together, but they've been and

0:19:15.280 --> 0:19:16.879
<v Speaker 1>they just did a lot of But you gotta remember

0:19:17.119 --> 0:19:23.080
<v Speaker 1>the internet wasn't popping back. They ain't know on Miami.

0:19:23.200 --> 0:19:25.160
<v Speaker 1>So that's the first that's all you never hear about.

0:19:25.560 --> 0:19:28.080
<v Speaker 1>You never heard the media or the fans speculating about

0:19:28.080 --> 0:19:30.760
<v Speaker 1>me and naate anymore because I made I made sure

0:19:30.840 --> 0:19:33.000
<v Speaker 1>people know what we're cool. Even on my last album,

0:19:33.440 --> 0:19:35.840
<v Speaker 1>I put nature on my hand. But how did how

0:19:35.880 --> 0:19:38.920
<v Speaker 1>did it actually start? So it was no term murray

0:19:39.000 --> 0:19:41.280
<v Speaker 1>before he said something before that free stuff. Now it

0:19:41.440 --> 0:19:44.159
<v Speaker 1>was like it was like regular project. I mean regular,

0:19:44.320 --> 0:19:46.159
<v Speaker 1>it was just regular. So where was you at when

0:19:46.160 --> 0:19:47.760
<v Speaker 1>you hear that? I was at the crib and I

0:19:47.840 --> 0:19:50.399
<v Speaker 1>got a call like, yo, nature went at you and

0:19:51.240 --> 0:19:52.680
<v Speaker 1>this is a cree when you lived in Brooklyn or

0:19:52.720 --> 0:19:56.160
<v Speaker 1>you lived on Union Turnpike. That's when I had to Yeah,

0:19:56.200 --> 0:20:03.359
<v Speaker 1>you have to come to the little kick, you know you?

0:20:04.359 --> 0:20:08.560
<v Speaker 1>So so when when that happened, I got the quarters

0:20:08.560 --> 0:20:10.600
<v Speaker 1>like your nature went at you? And I was like,

0:20:11.280 --> 0:20:18.840
<v Speaker 1>you're joking? Did you went at me? Um? I blame

0:20:18.920 --> 0:20:22.320
<v Speaker 1>both because it's like this, if somebody, if somebody put

0:20:22.359 --> 0:20:24.879
<v Speaker 1>a hit on you, somebody, if a boys put a

0:20:24.920 --> 0:20:26.679
<v Speaker 1>hit on you, I'm not going for the soldier. I'm

0:20:26.680 --> 0:20:28.760
<v Speaker 1>going for the soldier and the boys. That's how you

0:20:28.800 --> 0:20:30.399
<v Speaker 1>looked at it. That's exactly how I looked at it.

0:20:30.800 --> 0:20:33.639
<v Speaker 1>But but that I didn't believe that he dissed me.

0:20:33.800 --> 0:20:35.760
<v Speaker 1>I guess because there was a point like I'm a

0:20:35.800 --> 0:20:38.520
<v Speaker 1>different person than what I used to be, Like back

0:20:38.640 --> 0:20:42.200
<v Speaker 1>then I was fresh out and I was like, I

0:20:42.359 --> 0:20:46.240
<v Speaker 1>was just wow, and like my circle was so for

0:20:46.359 --> 0:20:48.879
<v Speaker 1>him to diss me, I was like this, I'm like,

0:20:48.960 --> 0:20:53.679
<v Speaker 1>you're joking, like seriously, like you're joking, like like somebody

0:20:53.800 --> 0:20:56.000
<v Speaker 1>found me hard in the basketball game in the center

0:20:56.040 --> 0:20:58.000
<v Speaker 1>before and dudes knocked him out, like you know how

0:20:58.040 --> 0:21:01.600
<v Speaker 1>protective my people is so and he lives in that circle.

0:21:01.720 --> 0:21:04.480
<v Speaker 1>It's like you're being It's like you're fish in the

0:21:04.560 --> 0:21:07.000
<v Speaker 1>water a bunch of sharks and you violate one of

0:21:07.040 --> 0:21:09.320
<v Speaker 1>the sharks. It's like serious. So when that happened, I

0:21:09.640 --> 0:21:11.320
<v Speaker 1>thought him, I thought it was a joke. And then

0:21:11.359 --> 0:21:13.560
<v Speaker 1>somebody else like yo, So then I've seen him and

0:21:14.040 --> 0:21:19.440
<v Speaker 1>stuffing on the hell let's talking about that. He already said,

0:21:19.680 --> 0:21:24.760
<v Speaker 1>already said said all right, well cool, he's a cool niggers.

0:21:24.800 --> 0:21:28.679
<v Speaker 1>My brother Jermain back stuff. So that's what we call

0:21:29.800 --> 0:21:34.040
<v Speaker 1>let's fast forward that. So that incident happened, and then um,

0:21:34.160 --> 0:21:38.240
<v Speaker 1>right after that, I was so mad, you know what

0:21:38.280 --> 0:21:41.159
<v Speaker 1>I'm saying that I went to the studio and then

0:21:41.480 --> 0:21:43.480
<v Speaker 1>and that's when I that's how and that's how the

0:21:44.040 --> 0:21:47.240
<v Speaker 1>that's how the dishes started. So when and that's the

0:21:47.280 --> 0:21:51.000
<v Speaker 1>thing I don't like when you when you're a likable artists,

0:21:52.080 --> 0:21:54.879
<v Speaker 1>like they're flipping like you're the good guy or like

0:21:55.160 --> 0:21:56.879
<v Speaker 1>it's a lot of it's a lot of politics. So

0:21:57.000 --> 0:22:01.480
<v Speaker 1>then it started becoming oh megadsk nature and etcetera. And

0:22:01.560 --> 0:22:03.040
<v Speaker 1>it takes away the fact that he went at you

0:22:03.119 --> 0:22:05.880
<v Speaker 1>first exactly, so you're not saying, oh, he just Mega

0:22:06.000 --> 0:22:08.200
<v Speaker 1>and then Mega responded y'all just making it like, oh,

0:22:08.640 --> 0:22:11.359
<v Speaker 1>Megan just woke up angry one day and wanted to

0:22:11.480 --> 0:22:13.840
<v Speaker 1>did somebody and that wasn't the truth or like you

0:22:13.880 --> 0:22:15.280
<v Speaker 1>know what I'm saying, Like you said, Nori been in

0:22:15.359 --> 0:22:16.880
<v Speaker 1>my career when I had a career with the door

0:22:16.960 --> 0:22:20.520
<v Speaker 1>man and cameras and in the ceiling high like this

0:22:21.240 --> 0:22:22.920
<v Speaker 1>person they got seen with the door man, I was like,

0:22:23.160 --> 0:22:29.360
<v Speaker 1>I need this and this is no yo Yo who

0:22:29.440 --> 0:22:31.880
<v Speaker 1>had the sick think about this for a second, who

0:22:31.920 --> 0:22:35.240
<v Speaker 1>had the sickest party ever been too? Forgot about that

0:22:36.359 --> 0:22:39.040
<v Speaker 1>house party with no did with no album out, no

0:22:39.200 --> 0:22:43.160
<v Speaker 1>record at DJ absolute DJ in the house, Nori Cave,

0:22:43.920 --> 0:22:47.959
<v Speaker 1>other rappers was there. We had Champagne tolling, it hit

0:22:48.000 --> 0:22:52.160
<v Speaker 1>that champagne. Let's this man, Come on, take a sip,

0:22:52.240 --> 0:22:54.200
<v Speaker 1>Take a sip. Come on, man, come on, you got

0:22:54.240 --> 0:22:55.879
<v Speaker 1>you can't be the only guest that didn't drink. You

0:22:55.960 --> 0:22:57.680
<v Speaker 1>gotta you gotta do it, You gotta do it. Just

0:22:57.760 --> 0:23:03.680
<v Speaker 1>is sip. This is I think about fifteen. Pick it

0:23:03.760 --> 0:23:10.720
<v Speaker 1>up though, pick up? So all right, so how do

0:23:10.800 --> 0:23:12.960
<v Speaker 1>you nature work out to be? For now? Now? It's

0:23:13.000 --> 0:23:16.960
<v Speaker 1>all because I felt like and I don't mean no dispect,

0:23:17.000 --> 0:23:19.200
<v Speaker 1>but in a certain way, it was almost like it

0:23:19.320 --> 0:23:21.880
<v Speaker 1>was like a pond and it was a bigger scheme today.

0:23:21.920 --> 0:23:24.119
<v Speaker 1>But definitely what Nature telling me? That one thing? You know,

0:23:24.400 --> 0:23:25.920
<v Speaker 1>I was about to ask you, let me tell you something.

0:23:26.080 --> 0:23:28.640
<v Speaker 1>Let me tell some street knowledge. You want to find out.

0:23:29.520 --> 0:23:31.239
<v Speaker 1>You want to find out who your real friends are,

0:23:32.440 --> 0:23:38.840
<v Speaker 1>actual enemy? Whoever your enemy is not uncomfortable around, ain't

0:23:38.880 --> 0:23:43.600
<v Speaker 1>your friend? So when when after the situation of me

0:23:43.680 --> 0:23:46.399
<v Speaker 1>and nature happened? First of all, he's dropping carerest on

0:23:46.520 --> 0:23:55.520
<v Speaker 1>jewels so to stop drinking good. So after after situation

0:23:55.560 --> 0:23:58.119
<v Speaker 1>had with me and nature, we spoke and I was like, yo,

0:23:58.240 --> 0:24:00.159
<v Speaker 1>what made you do that? Because the thing by this

0:24:00.359 --> 0:24:04.240
<v Speaker 1>every day? Who am I with? I'm with? Shirm like

0:24:04.880 --> 0:24:10.439
<v Speaker 1>you know, like my crew is crazy phrase like uh

0:24:11.440 --> 0:24:16.080
<v Speaker 1>karate so and you know, like you got like these

0:24:16.119 --> 0:24:17.720
<v Speaker 1>are dudes you gotta see every day because I'm not

0:24:17.760 --> 0:24:19.919
<v Speaker 1>out there all the time. You gotta see them every day.

0:24:19.960 --> 0:24:21.960
<v Speaker 1>So why did you do that? So so then he said,

0:24:22.000 --> 0:24:25.520
<v Speaker 1>you ain't gonna front. He said he was in the studio.

0:24:26.200 --> 0:24:27.919
<v Speaker 1>It was an anti mega environment. So I guess they

0:24:27.960 --> 0:24:31.399
<v Speaker 1>were talking my MoMA back you know, y'alla y'all to

0:24:32.119 --> 0:24:35.560
<v Speaker 1>then somebody inspired him. He went in the booth. He said,

0:24:35.560 --> 0:24:38.359
<v Speaker 1>the track masses recorded him, but he thought it was

0:24:38.440 --> 0:24:42.000
<v Speaker 1>just like, you know, they're just joking and fucking around,

0:24:42.240 --> 0:24:45.280
<v Speaker 1>So he went home. When he went home, they mixed

0:24:45.320 --> 0:24:47.320
<v Speaker 1>it and put his verse on on the drunk and

0:24:47.440 --> 0:24:52.399
<v Speaker 1>put it out so so um so then when he

0:24:52.480 --> 0:24:54.719
<v Speaker 1>came out and then that's how that's how everything started.

0:24:55.160 --> 0:24:57.000
<v Speaker 1>But at the end of the day, I hate talking

0:24:57.040 --> 0:25:01.119
<v Speaker 1>about that. No, it's it's okay. And Nature is a

0:25:01.200 --> 0:25:03.760
<v Speaker 1>great guy. Um and it's just history, you know what

0:25:03.760 --> 0:25:06.800
<v Speaker 1>I'm saying. So um uh So you do you say,

0:25:06.840 --> 0:25:09.680
<v Speaker 1>how did you fix it? You sat down with spoke, Yeah,

0:25:09.760 --> 0:25:12.959
<v Speaker 1>we've been right, and then our court we like everybody

0:25:13.040 --> 0:25:16.320
<v Speaker 1>want to know, like you've been on Hi Hitus, Like, um,

0:25:16.680 --> 0:25:19.880
<v Speaker 1>you're one of the favorites. Everybody's you know, next up

0:25:19.960 --> 0:25:22.920
<v Speaker 1>to pick to be the next guy, and it's like,

0:25:23.480 --> 0:25:25.200
<v Speaker 1>you know, if you've got the case, we understand that.

0:25:25.600 --> 0:25:29.640
<v Speaker 1>But what's happening is the Baby and Wayne situation kind

0:25:29.680 --> 0:25:33.800
<v Speaker 1>of pulling you away or um not necessarily. That's something

0:25:33.880 --> 0:25:36.320
<v Speaker 1>that I wish would be would be fixed really really

0:25:36.400 --> 0:25:41.280
<v Speaker 1>really really soon. Does it look fixed? Um, I'm still

0:25:41.320 --> 0:25:43.440
<v Speaker 1>I'm gonna be honest, I'm still on the outside looking

0:25:43.480 --> 0:25:45.680
<v Speaker 1>in on the situation, so I don't really I don't

0:25:45.680 --> 0:25:48.399
<v Speaker 1>really know the details of it, but I'm hoping that

0:25:48.480 --> 0:25:51.680
<v Speaker 1>it gets fixed resolved really really soon. I've been working though.

0:25:52.119 --> 0:25:53.680
<v Speaker 1>I gotta do a lot of music and I just

0:25:53.800 --> 0:25:56.240
<v Speaker 1>hold it. I gotta have it holding my music, and

0:25:56.320 --> 0:25:59.040
<v Speaker 1>I've been I've been working on the project called Criminal Minded.

0:26:00.000 --> 0:26:03.920
<v Speaker 1>Have to release that in like October because three New York.

0:26:04.320 --> 0:26:06.520
<v Speaker 1>It feels like we're coming back. Um, you know how

0:26:06.520 --> 0:26:08.840
<v Speaker 1>I like right now, young m A. You know I'm

0:26:08.840 --> 0:26:12.240
<v Speaker 1>talking about getting made the girl. Yeah, yeah, she's she's

0:26:12.240 --> 0:26:16.960
<v Speaker 1>like Moby smurderdank to make some noise for that. That's

0:26:17.440 --> 0:26:21.200
<v Speaker 1>the first that's the first day rapper. I am co sign.

0:26:21.320 --> 0:26:23.359
<v Speaker 1>I don't like young m A. And it's crazy because

0:26:23.400 --> 0:26:26.119
<v Speaker 1>component will never come outside. I was seeking compone at

0:26:26.119 --> 0:26:27.760
<v Speaker 1>her shoulder other day. I had to call that Nick.

0:26:27.800 --> 0:26:31.840
<v Speaker 1>I said, I'm proud of you coming. That's my day.

0:26:31.840 --> 0:26:35.000
<v Speaker 1>I'm sorry you laugh. It's okay, UM, but New York

0:26:35.119 --> 0:26:37.720
<v Speaker 1>is coming back. We got younger may, we got designer.

0:26:38.680 --> 0:26:41.960
<v Speaker 1>You think your flow fixing with the young uns or

0:26:42.119 --> 0:26:44.680
<v Speaker 1>you more of an o G now. I think I

0:26:44.800 --> 0:26:48.480
<v Speaker 1>grew up in UM. To answer that question, I came

0:26:48.560 --> 0:26:50.919
<v Speaker 1>up in the I'm gonna be honest, I came up

0:26:51.000 --> 0:26:56.920
<v Speaker 1>listening to y'all. I came up listening to you, like

0:26:57.040 --> 0:26:59.840
<v Speaker 1>I feel like I was. I grew up in between generations.

0:27:00.480 --> 0:27:02.520
<v Speaker 1>So it's like I got the kind of like the UM,

0:27:03.800 --> 0:27:06.800
<v Speaker 1>certain respect for the history and a certain respect for

0:27:06.880 --> 0:27:10.159
<v Speaker 1>the craft that a lot of people don't know that

0:27:10.280 --> 0:27:12.639
<v Speaker 1>I have knowledge yell. A lot of people will probably think, oh,

0:27:12.720 --> 0:27:14.320
<v Speaker 1>he too young, or he too this or two that

0:27:14.480 --> 0:27:17.840
<v Speaker 1>you don't know about this. So it's like I was,

0:27:18.240 --> 0:27:22.200
<v Speaker 1>really I think I having that knowledge and having being

0:27:22.280 --> 0:27:25.119
<v Speaker 1>grown up listening to the lyricists and just listening to

0:27:25.280 --> 0:27:29.160
<v Speaker 1>people with different different flows styles, shout out the pun

0:27:30.280 --> 0:27:34.200
<v Speaker 1>just different people. You know what I'm saying. Um, I

0:27:34.320 --> 0:27:37.320
<v Speaker 1>think I don't ever think my flow be. I think

0:27:37.359 --> 0:27:40.080
<v Speaker 1>I don't never think my flow be do. I think

0:27:40.119 --> 0:27:45.680
<v Speaker 1>it's timeless and I don't think should be. Like I

0:27:45.720 --> 0:27:48.240
<v Speaker 1>want to get into a whole lyrics lyricist thing. But

0:27:48.400 --> 0:27:50.800
<v Speaker 1>what I'm trying to say to you is being on

0:27:50.920 --> 0:27:53.680
<v Speaker 1>young money. Yeah, let's say this ship works out tomorrow.

0:27:56.040 --> 0:27:58.240
<v Speaker 1>As much as a lyricist you are, you gotta play

0:27:58.320 --> 0:28:00.399
<v Speaker 1>with that. Would you be willing to play with that

0:28:00.480 --> 0:28:06.280
<v Speaker 1>other world because that's your money? Yeah, the word is young. Yeah,

0:28:06.480 --> 0:28:08.440
<v Speaker 1>you gotta have fun with it. You gotta have fun

0:28:08.560 --> 0:28:10.159
<v Speaker 1>at the same time. That's what it's about at the

0:28:10.240 --> 0:28:12.200
<v Speaker 1>end of the day, loving what you do and when

0:28:12.200 --> 0:28:14.159
<v Speaker 1>you love what you're doing and in the y'all, and

0:28:14.280 --> 0:28:17.320
<v Speaker 1>it works. So that's what That's what's mainly been keeping

0:28:17.359 --> 0:28:19.040
<v Speaker 1>me motivated at the end of the day. Like I

0:28:19.640 --> 0:28:22.520
<v Speaker 1>just balancing it, like knowing the balance, like having a

0:28:22.640 --> 0:28:25.639
<v Speaker 1>knowledge and still knowing the balance. My Christmas gifts when

0:28:25.640 --> 0:28:28.320
<v Speaker 1>I was a little with albums, I wanted albums and

0:28:28.480 --> 0:28:31.240
<v Speaker 1>radios and stuff like that. Wayne album Block Is Hot

0:28:31.359 --> 0:28:34.560
<v Speaker 1>was on my Christmas list. Like to be honest, I

0:28:35.000 --> 0:28:38.840
<v Speaker 1>even met him. So I grew up just just in

0:28:38.920 --> 0:28:42.320
<v Speaker 1>a in an environment and just want to do want

0:28:42.400 --> 0:28:44.800
<v Speaker 1>to be an artist first, but at the same time

0:28:44.880 --> 0:28:47.320
<v Speaker 1>knowing that you gotta have fun my pops to be.

0:28:47.520 --> 0:28:49.200
<v Speaker 1>To be real with you, my Pops didn't want me

0:28:49.240 --> 0:28:52.880
<v Speaker 1>to wrap like he was like people want different people

0:28:52.920 --> 0:28:55.040
<v Speaker 1>on the block would tell them about me when I

0:28:55.120 --> 0:28:57.560
<v Speaker 1>first started writing my all stuff say one time that

0:28:58.040 --> 0:29:01.320
<v Speaker 1>he didn't want you to wrap, but he seece you

0:29:01.400 --> 0:29:03.480
<v Speaker 1>spend bars and realize you were better than him. And

0:29:03.560 --> 0:29:06.160
<v Speaker 1>that's funny that I seemed to interview you know what

0:29:06.200 --> 0:29:08.400
<v Speaker 1>I mean. That's ill, but I mean that's your pop,

0:29:08.520 --> 0:29:11.800
<v Speaker 1>so it's it's no disrespect to him. Yeah, he definitely

0:29:11.920 --> 0:29:13.960
<v Speaker 1>my biggest inspiration. How do you feel about him on

0:29:14.000 --> 0:29:16.360
<v Speaker 1>Love and Hip Hop? You agree or it's like, fuck it,

0:29:17.080 --> 0:29:20.160
<v Speaker 1>I'm gonna be honest. When I first heard about it,

0:29:20.280 --> 0:29:22.880
<v Speaker 1>I was more worried about what other people think. But

0:29:23.120 --> 0:29:25.120
<v Speaker 1>it's like, as long as my Pops is good and

0:29:25.200 --> 0:29:26.959
<v Speaker 1>at the end of the day, that's my father. I'm

0:29:27.120 --> 0:29:28.800
<v Speaker 1>riding with him whether you're wrong or right. Oh and

0:29:28.840 --> 0:29:30.920
<v Speaker 1>he's shot it too. He glowing. Man, I see that

0:29:31.200 --> 0:29:32.960
<v Speaker 1>the other day, I said, were you looking like money?

0:29:36.600 --> 0:29:39.040
<v Speaker 1>You know? What's so dope? Man for people to be

0:29:39.160 --> 0:29:42.000
<v Speaker 1>in this music But because there's so many bitter people,

0:29:42.360 --> 0:29:44.440
<v Speaker 1>you know what I'm saying that being in this music business,

0:29:44.600 --> 0:29:46.920
<v Speaker 1>they don't because if you don't get what you get

0:29:47.000 --> 0:29:48.960
<v Speaker 1>in this music business, a lot of the times, ninety

0:29:48.960 --> 0:29:51.640
<v Speaker 1>percent of the blame is on you. You understand what

0:29:51.640 --> 0:29:55.400
<v Speaker 1>I'm saying, Because there's so many different ways to be independent,

0:29:55.520 --> 0:30:00.320
<v Speaker 1>especially nowadays, especially nowadays, being independent the Spotify ship just dreams.

0:30:00.360 --> 0:30:02.040
<v Speaker 1>I'm gonna be honest, A lot of people don't know,

0:30:02.760 --> 0:30:06.080
<v Speaker 1>and jay Z is not paying me, so I'm gonna

0:30:06.120 --> 0:30:08.040
<v Speaker 1>just throw this out there. But that other about all

0:30:08.120 --> 0:30:13.520
<v Speaker 1>roles in there. Um title has one of the illest

0:30:13.640 --> 0:30:17.200
<v Speaker 1>formats ever for artists like Mega. You ever did something

0:30:17.560 --> 0:30:20.320
<v Speaker 1>through it out and said, damn, I wish I could

0:30:20.320 --> 0:30:23.200
<v Speaker 1>actually go back in there and we record that title

0:30:23.280 --> 0:30:27.360
<v Speaker 1>with the streams, you can go back in there and

0:30:27.800 --> 0:30:31.000
<v Speaker 1>Kanye is doing it's the most brilliant thing. So I

0:30:31.080 --> 0:30:32.920
<v Speaker 1>sit back and say, if an artist is not going

0:30:33.000 --> 0:30:35.120
<v Speaker 1>out there and getting it, he just really don't want

0:30:35.160 --> 0:30:37.880
<v Speaker 1>it sometimes. But so I'm just saying, there's so many

0:30:37.920 --> 0:30:43.920
<v Speaker 1>opportunities but lyricism questions question to uh you Mega you

0:30:44.040 --> 0:30:49.000
<v Speaker 1>listen to all this thing? Can lyricism sism live in

0:30:50.720 --> 0:30:56.200
<v Speaker 1>on a mainstream scale? Yeah it could. Ken Drake Kendrick

0:30:56.960 --> 0:31:00.720
<v Speaker 1>brought that Kendric quarterback J Cole. I. I think Corey

0:31:01.240 --> 0:31:04.160
<v Speaker 1>overy time I see Corey, I'll tell him whether every

0:31:04.160 --> 0:31:06.160
<v Speaker 1>time I see us, be like, Yo, what's the music at?

0:31:06.280 --> 0:31:09.360
<v Speaker 1>Or you know, I always, ever since I've been seeing them,

0:31:09.760 --> 0:31:11.960
<v Speaker 1>always try to push him into courage him because I

0:31:12.280 --> 0:31:15.360
<v Speaker 1>like the directions going in. But lyricism could always live

0:31:15.400 --> 0:31:19.120
<v Speaker 1>because especially now in these times, because there's so much

0:31:19.760 --> 0:31:23.280
<v Speaker 1>see the then between rapping and and and and hip

0:31:23.320 --> 0:31:28.120
<v Speaker 1>hop also and lyricism is because lyricism you paint pictures.

0:31:28.400 --> 0:31:30.960
<v Speaker 1>There's so much happening in the world right now with

0:31:31.240 --> 0:31:33.840
<v Speaker 1>us as people because if you got Black lives matter,

0:31:33.920 --> 0:31:37.560
<v Speaker 1>you got the politics so much to talk about. That

0:31:37.800 --> 0:31:41.360
<v Speaker 1>is is captivating when you when when people hold onto

0:31:41.440 --> 0:31:44.560
<v Speaker 1>your words. Now now now you invoke an emotions or

0:31:44.600 --> 0:31:47.720
<v Speaker 1>you're having a connection with people, and that's why you

0:31:47.800 --> 0:31:50.960
<v Speaker 1>know that's important, and that's why when the more the

0:31:51.080 --> 0:31:54.080
<v Speaker 1>more new artists do it, it helps because everybody wants

0:31:54.120 --> 0:31:57.040
<v Speaker 1>to do what those new artists doing. I think I think, um,

0:31:57.600 --> 0:31:59.880
<v Speaker 1>one rapper that's out of the newer generation that that

0:32:00.120 --> 0:32:03.360
<v Speaker 1>I really have learned to appreciate. It's Drake. I'm just

0:32:03.480 --> 0:32:07.520
<v Speaker 1>gonna say, young Thug. Bro. I haven't heard young I

0:32:07.520 --> 0:32:10.400
<v Speaker 1>haven't heard much of young Thug, but I've already I've

0:32:10.400 --> 0:32:13.600
<v Speaker 1>heard these all right, Yeah, yeah, I'm not I'm not judgmental.

0:32:14.000 --> 0:32:16.080
<v Speaker 1>Like the problem with a lot of rappers that have

0:32:16.160 --> 0:32:19.280
<v Speaker 1>been out old school or veterans or legends some of

0:32:19.360 --> 0:32:23.200
<v Speaker 1>them is they're too they're too closed minded that you

0:32:23.280 --> 0:32:25.360
<v Speaker 1>can't just say, well, they don't do like how we

0:32:25.520 --> 0:32:27.560
<v Speaker 1>did it. Of course they don't because that's a different time,

0:32:28.160 --> 0:32:30.440
<v Speaker 1>just like we don't travel like George Washington and them

0:32:30.560 --> 0:32:33.800
<v Speaker 1>used to, you know what saying. So it's like if anything, um,

0:32:34.680 --> 0:32:38.160
<v Speaker 1>Like some fans are like, um, they don't want to

0:32:38.240 --> 0:32:40.840
<v Speaker 1>leave the nineties. Like I respect that, but I know

0:32:41.040 --> 0:32:44.200
<v Speaker 1>that when I paid my bills to say no doubt,

0:32:44.280 --> 0:32:47.000
<v Speaker 1>like I love the nineties, Like I understand I understand

0:32:47.040 --> 0:32:50.800
<v Speaker 1>where they're coming from the nineties, like skill, what's your

0:32:50.840 --> 0:32:53.719
<v Speaker 1>bad badge on it? People put their heart more in it. Now.

0:32:54.320 --> 0:32:56.040
<v Speaker 1>Let me tell you something I was watching sending on

0:32:56.120 --> 0:32:58.440
<v Speaker 1>TV the other day. It was like it was Jamie Fox.

0:32:58.640 --> 0:33:00.600
<v Speaker 1>I think it was like a comedy and the dude

0:33:00.680 --> 0:33:03.800
<v Speaker 1>was rapping joking right like you remember when dude that

0:33:03.840 --> 0:33:05.600
<v Speaker 1>couldn't wrap used to wrap and it was funny or

0:33:05.680 --> 0:33:09.560
<v Speaker 1>crackhead wrappers. But now I was like, yo, he could

0:33:09.560 --> 0:33:12.440
<v Speaker 1>do that right now on the album. And it's sad

0:33:13.080 --> 0:33:15.720
<v Speaker 1>because it's technology. Like, look, the phones that we have

0:33:15.920 --> 0:33:18.160
<v Speaker 1>now is better than the phones ten years ago. The

0:33:18.240 --> 0:33:20.880
<v Speaker 1>TVs we have now is better than the cars we

0:33:20.960 --> 0:33:22.920
<v Speaker 1>have now is better, But the rungs we have now

0:33:23.200 --> 0:33:25.960
<v Speaker 1>aren't better than ten years ago. Even R and B

0:33:26.160 --> 0:33:29.080
<v Speaker 1>is regressing, Like if you listen to a real RB song,

0:33:29.320 --> 0:33:32.080
<v Speaker 1>RV songs was the song people made babies or the

0:33:32.160 --> 0:33:34.640
<v Speaker 1>songs that that made women and men fall in love.

0:33:35.520 --> 0:33:38.560
<v Speaker 1>Now you can now, Dad, you heard. You can take

0:33:38.560 --> 0:33:43.680
<v Speaker 1>an R and B song if you want. But but

0:33:44.880 --> 0:33:47.920
<v Speaker 1>every every song don't have to be about straight fucking

0:33:48.440 --> 0:33:53.440
<v Speaker 1>like you trying to the radio, Like, um, Rihanna got

0:33:53.480 --> 0:33:59.400
<v Speaker 1>a song talking about no, not that one, sex with me,

0:33:59.560 --> 0:34:02.160
<v Speaker 1>sex with something. She got a song something about I

0:34:02.280 --> 0:34:04.160
<v Speaker 1>love I love Rihanna. I think she got the best

0:34:04.240 --> 0:34:06.640
<v Speaker 1>album out right now, but I don't want to I

0:34:06.680 --> 0:34:08.239
<v Speaker 1>don't want to hear that song at three o'clock in

0:34:08.239 --> 0:34:10.200
<v Speaker 1>the afternoon when I got my daughter in the car,

0:34:10.560 --> 0:34:13.400
<v Speaker 1>It's like, whoa. Because kids are smart, they catch on.

0:34:13.920 --> 0:34:17.120
<v Speaker 1>So I want to hear Rihanna in my space, not

0:34:17.320 --> 0:34:19.520
<v Speaker 1>in kids space, you know what I'm saying. So it's

0:34:19.520 --> 0:34:22.759
<v Speaker 1>like certain it's radio's fault because radio needs to have

0:34:24.080 --> 0:34:28.799
<v Speaker 1>guidelines to safeguards to protect kids because kids, kids are

0:34:28.840 --> 0:34:31.759
<v Speaker 1>smart and they and they observe it. So our kids

0:34:31.760 --> 0:34:33.600
<v Speaker 1>don't need to be learning about sex. So all this,

0:34:34.120 --> 0:34:35.759
<v Speaker 1>this is three o'clock in the afternoon. This was on

0:34:36.120 --> 0:34:38.520
<v Speaker 1>Don't Get It Twisted. I love Rihanna's album is dope,

0:34:39.239 --> 0:34:41.480
<v Speaker 1>but I don't want my daughter listen to that right now.

0:34:41.760 --> 0:34:43.080
<v Speaker 1>She could listen to it in a few more years.

0:34:43.120 --> 0:34:46.480
<v Speaker 1>I think the hip hops had its best when there's balance, yeah, exactly,

0:34:46.520 --> 0:34:49.800
<v Speaker 1>because you need both sides, all sides of the spectrum, exactly.

0:34:50.000 --> 0:34:53.719
<v Speaker 1>That's when I think it's at its best. With Liver

0:34:53.840 --> 0:34:56.440
<v Speaker 1>System definitely came back, though, It's just that there's a

0:34:56.520 --> 0:34:59.920
<v Speaker 1>lot of other stuff that's competing with it. And who

0:35:00.000 --> 0:35:04.480
<v Speaker 1>who do you approve of lyricism? Um? Who do I like? Yeah? Um?

0:35:06.000 --> 0:35:08.400
<v Speaker 1>You know who? I really like right now who I

0:35:08.480 --> 0:35:12.120
<v Speaker 1>think doesn't get enough credit. But he's incredible. Push your

0:35:12.160 --> 0:35:14.920
<v Speaker 1>t Yeah yeah, but he ain't. He ain't like new

0:35:15.120 --> 0:35:18.960
<v Speaker 1>like he Damn it was in the class after us.

0:35:19.160 --> 0:35:21.839
<v Speaker 1>You know what I'm saying, Um, new guys, let me see. Um,

0:35:23.560 --> 0:35:25.440
<v Speaker 1>I got two questions for you, A new guy and

0:35:25.520 --> 0:35:30.799
<v Speaker 1>then somebody that nobody would never think mega would like. Yeah,

0:35:31.000 --> 0:35:36.520
<v Speaker 1>the new guy like the most is Um that's a

0:35:36.600 --> 0:35:39.720
<v Speaker 1>deep question. I don't know. I respect. I respect Kendrick.

0:35:39.800 --> 0:35:42.400
<v Speaker 1>What Kendrick does a lot like he brought the passion

0:35:42.480 --> 0:35:46.759
<v Speaker 1>back into it and the whole TV to the whole movie. Yeah, yeah, yeah,

0:35:47.000 --> 0:35:52.920
<v Speaker 1>so I respect that. Um. I respect the ASAP movement too,

0:35:53.200 --> 0:35:56.680
<v Speaker 1>like they they are a bunch of hungry younger artists.

0:35:56.800 --> 0:35:59.719
<v Speaker 1>Um So, I don't know. I guess that. I guess them.

0:35:59.840 --> 0:36:01.440
<v Speaker 1>But there's a lot of artist that she's gonna say,

0:36:01.520 --> 0:36:05.520
<v Speaker 1>Joey Badass. I don't know, Joey Badasses. Nice, Joe Badass.

0:36:05.560 --> 0:36:07.759
<v Speaker 1>I told him, you remind me of like Black Moon

0:36:07.840 --> 0:36:10.879
<v Speaker 1>when they first come. His show looks like show you think, Yeah,

0:36:10.920 --> 0:36:14.880
<v Speaker 1>you keep watching like black Moon, And there's a lot

0:36:14.920 --> 0:36:18.320
<v Speaker 1>of now what's something called baga like that nobody like

0:36:18.480 --> 0:36:20.920
<v Speaker 1>niggas right now. Everybody like get the funk out of

0:36:21.000 --> 0:36:24.120
<v Speaker 1>here stuff. That was like, um, like, I fu with

0:36:24.160 --> 0:36:27.120
<v Speaker 1>Plink Floyd. I ain't scared of it, tell straight up,

0:36:27.640 --> 0:36:30.879
<v Speaker 1>but you gotta say Pink Floyd wrong because I'm drunk. People,

0:36:30.960 --> 0:36:35.279
<v Speaker 1>let me get away. I like jazz. I've been listening

0:36:35.320 --> 0:36:40.280
<v Speaker 1>to a lot of jazz lately. Um, I like jazz.

0:36:40.840 --> 0:36:45.480
<v Speaker 1>Fox with Guns and Roses. They had a concert recently. Yeah,

0:36:45.480 --> 0:36:48.520
<v Speaker 1>they're back together. I think the Beatles song Imagined It

0:36:48.600 --> 0:36:52.520
<v Speaker 1>is incredible. I love Rey Gay. My favorite Rey Gay

0:36:52.560 --> 0:36:55.680
<v Speaker 1>is like these roots and culture, not forget nineties eight.

0:36:58.760 --> 0:37:02.200
<v Speaker 1>I love that said the Nancy's my favorite female reggae artist.

0:37:02.320 --> 0:37:06.560
<v Speaker 1>I got a new song with says, look that's crazy.

0:37:07.239 --> 0:37:11.600
<v Speaker 1>I got Sissle on my album you Ain't got to sing?

0:37:12.200 --> 0:37:14.879
<v Speaker 1>I got a lot and no reason on the record

0:37:14.920 --> 0:37:22.040
<v Speaker 1>with his action. Yeah, definitely, I'm forgetting that. Nobody think

0:37:22.040 --> 0:37:23.600
<v Speaker 1>it would be like yo, what to get the funk

0:37:23.640 --> 0:37:27.239
<v Speaker 1>out of here? Corey, guys don't do that un with that.

0:37:27.800 --> 0:37:33.880
<v Speaker 1>I listened. I listened to a lot of like classic stuff.

0:37:33.880 --> 0:37:38.080
<v Speaker 1>When I say classic, like James Brown listen to Prince

0:37:39.160 --> 0:37:43.320
<v Speaker 1>grew up listening to Michael Prince and Michael Jackson, Nirvana,

0:37:44.360 --> 0:37:47.800
<v Speaker 1>Guns and Roses. Nirvana is one of my favorite bands

0:37:47.840 --> 0:37:50.600
<v Speaker 1>of all time. Like, but I listened. I grew up

0:37:50.640 --> 0:37:53.920
<v Speaker 1>listening to a lot of Prince and Michael my household.

0:37:54.680 --> 0:37:56.680
<v Speaker 1>How about you here, man, let's stirring it on you

0:37:56.840 --> 0:37:59.480
<v Speaker 1>everything they just said. I actually I liked a lot

0:37:59.520 --> 0:38:01.759
<v Speaker 1>of Rocks. I was back in the days Iron made

0:38:01.800 --> 0:38:03.839
<v Speaker 1>in Mega Death, like I was on some crazy ship.

0:38:04.280 --> 0:38:06.719
<v Speaker 1>But then I transferred into like from that point one.

0:38:06.880 --> 0:38:08.400
<v Speaker 1>Now you can hear. I had a mixtape when I

0:38:08.440 --> 0:38:12.240
<v Speaker 1>was y would have Mega Death, Beastie Boys, l L Iron,

0:38:12.320 --> 0:38:19.800
<v Speaker 1>Hayden and the Beatles, And they just want to ask me.

0:38:20.840 --> 0:38:23.480
<v Speaker 1>You just told us it was Pinky Floyd that was

0:38:24.680 --> 0:38:26.239
<v Speaker 1>That was one, you know, with another one that I

0:38:26.520 --> 0:38:29.719
<v Speaker 1>really really liked it. And this this this is like

0:38:30.000 --> 0:38:32.000
<v Speaker 1>she had a question. I asked that Mega the new

0:38:32.320 --> 0:38:36.400
<v Speaker 1>and then's something it's actually both. Um. I couldn't because

0:38:36.400 --> 0:38:38.920
<v Speaker 1>I'm such a big Wayne fans, just a big Wayane supporter.

0:38:39.000 --> 0:38:41.640
<v Speaker 1>He's my brother. But I listened to the what was

0:38:41.680 --> 0:38:44.040
<v Speaker 1>it the bar to six the Young Thugs ship, and

0:38:44.120 --> 0:38:46.799
<v Speaker 1>I really enjoyed that. I did. I did. I can't

0:38:46.840 --> 0:38:48.800
<v Speaker 1>even front on young dog. I can't even front on it.

0:38:49.120 --> 0:38:50.560
<v Speaker 1>That was kind of hard, you know what I'm saying.

0:38:50.600 --> 0:38:52.640
<v Speaker 1>But Wayne is my brother. But they squashed it. They

0:38:52.680 --> 0:38:55.160
<v Speaker 1>do on shows now and everything, so um, but that

0:38:55.320 --> 0:38:57.400
<v Speaker 1>was mine, Like um, Like, I want to be the

0:38:57.480 --> 0:39:00.600
<v Speaker 1>guy to embrace the new gender ration, you know what

0:39:00.600 --> 0:39:02.520
<v Speaker 1>I'm saying. I don't want to be the person that

0:39:02.640 --> 0:39:05.239
<v Speaker 1>comes around and be like yo in my days, yo

0:39:05.400 --> 0:39:07.319
<v Speaker 1>yo with my dad. You don't have to abandon your

0:39:07.320 --> 0:39:09.560
<v Speaker 1>old principles. No, I don't want That's what some people do.

0:39:09.960 --> 0:39:12.760
<v Speaker 1>I hate what older dudes try to act young. Okay,

0:39:12.800 --> 0:39:15.319
<v Speaker 1>so like they abandoned their principles because to me, that's

0:39:15.360 --> 0:39:18.080
<v Speaker 1>what old g's are for, to leave the youth, like

0:39:18.160 --> 0:39:20.239
<v Speaker 1>similar to what Fat Joe was doing. Like if I

0:39:20.360 --> 0:39:23.080
<v Speaker 1>think Fat Joe was keeping the hip hop intecrity at

0:39:23.160 --> 0:39:25.840
<v Speaker 1>the same time all the way up? Does cater to

0:39:25.960 --> 0:39:30.000
<v Speaker 1>the new generation the way up, hard nose, all the

0:39:30.040 --> 0:39:35.680
<v Speaker 1>way up, that motherfucker go platinum, man, I got something

0:39:35.719 --> 0:39:38.400
<v Speaker 1>to do with that. Continue I'm sorry, what is that? Like?

0:39:38.600 --> 0:39:40.600
<v Speaker 1>Do you understand what I'm saying? Like, but it means

0:39:40.600 --> 0:39:42.960
<v Speaker 1>it's not a departure, perfect facto. It's not too much

0:39:42.960 --> 0:39:45.200
<v Speaker 1>of a departure from who he is and what he's

0:39:45.239 --> 0:39:48.240
<v Speaker 1>been doing. Right, Like, it's not it's not too crazy,

0:39:48.360 --> 0:39:50.480
<v Speaker 1>like you can see the progression and what Fat Joe

0:39:50.560 --> 0:39:53.719
<v Speaker 1>is doing. He's not regressing and trying to act in

0:39:53.760 --> 0:39:55.680
<v Speaker 1>the club and wild. No, But it caters to the

0:39:55.800 --> 0:39:58.959
<v Speaker 1>young audience. What I'm saying is, you know, old dudes

0:39:59.000 --> 0:40:00.920
<v Speaker 1>would say yo more over up after they see the

0:40:01.000 --> 0:40:03.000
<v Speaker 1>young guns and the and and the chicks on there.

0:40:03.239 --> 0:40:05.360
<v Speaker 1>But that's not the first thing a person in his

0:40:05.480 --> 0:40:07.719
<v Speaker 1>thirties and his forties is gonna think of. But that's

0:40:07.760 --> 0:40:09.799
<v Speaker 1>a young person thing. But what I'm saying is it's

0:40:09.880 --> 0:40:12.319
<v Speaker 1>kind of balanced because it is cater into the young

0:40:12.360 --> 0:40:19.960
<v Speaker 1>audience without uh this uh you know, disproving hip hop.

0:40:20.120 --> 0:40:22.319
<v Speaker 1>Like I could see Caress One, I could see Cool

0:40:22.400 --> 0:40:24.400
<v Speaker 1>Hirk saying they funking all the way up. You know

0:40:24.440 --> 0:40:26.040
<v Speaker 1>what I'm saying. I can't see them saying that about

0:40:26.040 --> 0:40:28.680
<v Speaker 1>other music that exists, you know what I mean? Yeah, yeah,

0:40:29.200 --> 0:40:32.040
<v Speaker 1>you think that's you think you think you know what

0:40:32.080 --> 0:40:34.120
<v Speaker 1>I mean? For us being from New York, my man

0:40:34.239 --> 0:40:37.440
<v Speaker 1>being from um, you know, Miami, And this is a

0:40:37.560 --> 0:40:39.319
<v Speaker 1>discussion I just wanted to have, like a straight up

0:40:39.440 --> 0:40:41.719
<v Speaker 1>hip hop discussion, Like you know what I'm saying, and

0:40:41.960 --> 0:40:44.640
<v Speaker 1>I want to get back into you guys, but like,

0:40:45.000 --> 0:40:47.719
<v Speaker 1>what do you think the forefathers think of this generation? Now?

0:40:48.320 --> 0:40:53.680
<v Speaker 1>You think they disapprove or or doesn't matter. I think

0:40:53.680 --> 0:40:56.000
<v Speaker 1>that's a conversation that you should have. I think I

0:40:56.040 --> 0:40:57.520
<v Speaker 1>think you should have some of them on your show.

0:40:57.760 --> 0:41:01.560
<v Speaker 1>Yeah we need you, but how do how do you

0:41:01.640 --> 0:41:05.279
<v Speaker 1>feel because of Mega you're a legend? Right? I hate

0:41:05.280 --> 0:41:08.480
<v Speaker 1>to be called a legend, to be honest. Why Because

0:41:09.120 --> 0:41:11.080
<v Speaker 1>when I see when I think of people who a legends,

0:41:11.120 --> 0:41:12.960
<v Speaker 1>I don't think that I match up out of haven't

0:41:12.960 --> 0:41:15.319
<v Speaker 1>done what they've done? Like if every being Rock came

0:41:15.360 --> 0:41:18.080
<v Speaker 1>of legends, then how am I legend or off? Like

0:41:18.600 --> 0:41:21.799
<v Speaker 1>like certain people icons, I consider myself a vet. Maybe

0:41:21.840 --> 0:41:24.279
<v Speaker 1>in a few years, if I keep putting out, then

0:41:24.320 --> 0:41:28.080
<v Speaker 1>I considered I'll be comfortable with legend. But if if everyb's,

0:41:28.440 --> 0:41:31.680
<v Speaker 1>if every being Rock came as legends and public enemies legends,

0:41:32.360 --> 0:41:34.840
<v Speaker 1>Like how the funking my legend? I haven't done with

0:41:35.000 --> 0:41:38.640
<v Speaker 1>Dave done. They've transcended the whole genre. I'm just trying

0:41:38.680 --> 0:41:41.080
<v Speaker 1>to do. I'm just trying to make them proud. Um

0:41:41.600 --> 0:41:44.080
<v Speaker 1>I gotta agree with you and disagree with you because

0:41:44.120 --> 0:41:49.680
<v Speaker 1>you know why us, as quote unquote legends, we like Yo,

0:41:49.800 --> 0:41:52.719
<v Speaker 1>b I just seen you pack a house in the

0:41:52.840 --> 0:41:56.200
<v Speaker 1>middle of mid midtown Miami. Mother fuker's don't come over here.

0:41:57.640 --> 0:42:01.040
<v Speaker 1>They get killed, they get robbed out here. You probably

0:42:01.080 --> 0:42:03.239
<v Speaker 1>don't know. You know, I'm sure you know. But what

0:42:03.320 --> 0:42:06.480
<v Speaker 1>I'm saying is I just see people come. I watched man.

0:42:06.560 --> 0:42:08.279
<v Speaker 1>Only time I left, I had to piss. I'm sorry.

0:42:08.280 --> 0:42:10.160
<v Speaker 1>I never leave a person show, but I had to people.

0:42:10.200 --> 0:42:12.040
<v Speaker 1>I gotta people right now, but I'm holding it. But

0:42:12.840 --> 0:42:14.719
<v Speaker 1>I was out there, and I don't only watch you

0:42:14.880 --> 0:42:17.239
<v Speaker 1>because you're a nigga from my hood, and I'd be

0:42:17.320 --> 0:42:20.040
<v Speaker 1>so proud to see another nigga from my hood maintaining

0:42:20.080 --> 0:42:24.120
<v Speaker 1>and surviving and doing it. But I had one point moved.

0:42:24.239 --> 0:42:26.399
<v Speaker 1>I was looking directly at you, and at one point

0:42:26.480 --> 0:42:28.480
<v Speaker 1>moved because I don't wanted to see the crowd. And

0:42:28.520 --> 0:42:33.280
<v Speaker 1>these motherfucker's knew every fucking word. They knew every word.

0:42:33.520 --> 0:42:35.239
<v Speaker 1>And you know what it is. You ain't had a

0:42:35.280 --> 0:42:37.040
<v Speaker 1>record on the radio in the past. I don't know

0:42:37.080 --> 0:42:39.680
<v Speaker 1>how many years. Me neither, So you know what I'm saying.

0:42:40.000 --> 0:42:42.880
<v Speaker 1>And when you could do that, that is the definition

0:42:43.360 --> 0:42:51.880
<v Speaker 1>of legendary. My brother and artist subjective. So if a

0:42:52.000 --> 0:42:55.920
<v Speaker 1>fancy thinks you're a legend, you're definitely a legendary. I

0:42:56.000 --> 0:42:59.239
<v Speaker 1>know what he means. But see, legendary status doesn't mean

0:42:59.320 --> 0:43:01.640
<v Speaker 1>comparing yourself up to another legend, because in that case,

0:43:02.000 --> 0:43:04.200
<v Speaker 1>I would I could never be careless one carress One

0:43:04.280 --> 0:43:05.680
<v Speaker 1>is and I'm from Queens and I told him that

0:43:05.840 --> 0:43:08.800
<v Speaker 1>I could never match up the carvress One. But I

0:43:08.920 --> 0:43:13.279
<v Speaker 1>know kids who look at me like harrest one. I

0:43:13.400 --> 0:43:17.439
<v Speaker 1>know kids who look at me like anas. There's people

0:43:17.480 --> 0:43:20.440
<v Speaker 1>who look at me like a jay. I don't and

0:43:20.520 --> 0:43:22.560
<v Speaker 1>I and if they say, oh man, you're the next na,

0:43:23.040 --> 0:43:25.480
<v Speaker 1>I wouldn't say. I'm like, what the funk? But at

0:43:25.520 --> 0:43:26.920
<v Speaker 1>the end of the day, I don't know what I

0:43:27.000 --> 0:43:29.040
<v Speaker 1>did for these kids, Like I got people who tell me,

0:43:29.040 --> 0:43:31.120
<v Speaker 1>you know, I used to have your posters and and

0:43:31.200 --> 0:43:33.080
<v Speaker 1>I look at them and I'm like, all right, cool,

0:43:33.120 --> 0:43:35.040
<v Speaker 1>we are you my nigga now? And they could never

0:43:35.120 --> 0:43:37.680
<v Speaker 1>really be my nigga because that's how they look at me.

0:43:38.160 --> 0:43:39.840
<v Speaker 1>They look at me, at this person who raised them

0:43:39.880 --> 0:43:43.280
<v Speaker 1>in high school. And trust me, I knew that already,

0:43:43.320 --> 0:43:45.520
<v Speaker 1>but me seeing that again, they just reensured me. You

0:43:45.560 --> 0:43:47.399
<v Speaker 1>know what I'm saying. All these people that came out

0:43:47.400 --> 0:43:49.160
<v Speaker 1>as big up to eight and nine clothing we were

0:43:49.280 --> 0:43:52.680
<v Speaker 1>at they packed the motherfucking what does this ship called

0:43:52.760 --> 0:43:54.719
<v Speaker 1>the parking lot? Man? This is real hip hop what

0:43:54.800 --> 0:43:57.080
<v Speaker 1>you did today? These niggers performed in the parking lot

0:43:57.120 --> 0:43:58.680
<v Speaker 1>and they made a stage. Got damn it makes a noise.

0:43:58.719 --> 0:44:03.400
<v Speaker 1>Got that. I'm gonna shout out Rich for bringing the

0:44:03.440 --> 0:44:07.440
<v Speaker 1>liquor as well. We don't we don't recommend you go

0:44:07.520 --> 0:44:13.680
<v Speaker 1>to jail, but if exit bails, shout out to my

0:44:13.719 --> 0:44:22.799
<v Speaker 1>homie Miss back to Bom. Welcome to play, a new

0:44:22.960 --> 0:44:28.480
<v Speaker 1>podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

0:44:28.600 --> 0:44:33.040
<v Speaker 1>and more. Play it at play dot it. We're back

0:44:33.160 --> 0:44:37.319
<v Speaker 1>to Drink Champs Radio with Rapper and R and d Jes.

0:44:37.360 --> 0:44:46.000
<v Speaker 1>Then now Mega, I Gotta, I Gotta, I Gotta awful.

0:44:46.840 --> 0:44:51.080
<v Speaker 1>You had the biggest buzz in the industry from jail.

0:44:53.320 --> 0:44:57.239
<v Speaker 1>Is this correct? Like like it was crazy? Like I'm

0:44:57.239 --> 0:45:00.720
<v Speaker 1>gonna I remember all right, four you went to jail.

0:45:01.360 --> 0:45:04.800
<v Speaker 1>I've seen you one time. Lake hung out, was shot me,

0:45:05.880 --> 0:45:09.239
<v Speaker 1>shot me and Lake bring me to a place called

0:45:09.320 --> 0:45:12.960
<v Speaker 1>the Terror Doll. You remember that, you know, Damn, I'm

0:45:13.000 --> 0:45:15.080
<v Speaker 1>going back. I'm going to be some old niggas. That

0:45:15.400 --> 0:45:17.920
<v Speaker 1>was like last year. All right. We went to your

0:45:17.960 --> 0:45:20.680
<v Speaker 1>place called the Terror Doll and then I met you

0:45:20.800 --> 0:45:22.160
<v Speaker 1>like it. It was a little nigger. I was. I

0:45:22.239 --> 0:45:25.320
<v Speaker 1>must have been eleven years old. You went away, you

0:45:25.920 --> 0:45:28.800
<v Speaker 1>came back. Before you came back, it was like you

0:45:28.960 --> 0:45:33.000
<v Speaker 1>had million dollar deals. Like over this from the rumor.

0:45:33.080 --> 0:45:35.080
<v Speaker 1>I don't know if this is true, but there was

0:45:35.360 --> 0:45:40.360
<v Speaker 1>everybody wanted this person named called Mac. How was that like?

0:45:40.400 --> 0:45:43.759
<v Speaker 1>Because that was crazy? So you came home and you

0:45:43.920 --> 0:45:47.560
<v Speaker 1>did you know that? Because it was? NA said, uh,

0:45:47.920 --> 0:45:50.640
<v Speaker 1>what called Mega? And then it was? And then at

0:45:50.680 --> 0:45:52.800
<v Speaker 1>that time he was in in jail. But I believe

0:45:52.840 --> 0:45:56.359
<v Speaker 1>Hot Days started releasing like some of your music. Yeah,

0:45:56.880 --> 0:45:59.959
<v Speaker 1>uh before I went to If I didn't go to jail,

0:46:00.239 --> 0:46:02.839
<v Speaker 1>I would have an album out like around that time.

0:46:02.880 --> 0:46:05.000
<v Speaker 1>I was. I was working on the album with Molly

0:46:05.080 --> 0:46:09.440
<v Speaker 1>mar Before I was working on the album with Molly

0:46:09.440 --> 0:46:13.800
<v Speaker 1>Mark still got those tracks and they need to release that,

0:46:14.080 --> 0:46:17.320
<v Speaker 1>and so I was working on that and then I

0:46:17.400 --> 0:46:20.920
<v Speaker 1>blew travel. So I went to jail. So if you

0:46:21.080 --> 0:46:24.080
<v Speaker 1>listen to um every rapper from Queens Rite that was

0:46:24.160 --> 0:46:25.759
<v Speaker 1>coming out, they was. They was giving me shout out

0:46:26.480 --> 0:46:28.640
<v Speaker 1>like Poet was like rappers and lucky that my man

0:46:28.719 --> 0:46:30.719
<v Speaker 1>called Megan's up North for his single. So it's like

0:46:31.239 --> 0:46:32.719
<v Speaker 1>and I was humble about that. LP know if I

0:46:32.800 --> 0:46:35.000
<v Speaker 1>was like wow, but I was proud of everybody at

0:46:35.040 --> 0:46:37.600
<v Speaker 1>the same time. Then marm d blew up. It's like wow.

0:46:37.760 --> 0:46:39.920
<v Speaker 1>So that's what made me like But when I came before,

0:46:39.920 --> 0:46:41.799
<v Speaker 1>I came home and I had the buzz from from

0:46:42.239 --> 0:46:45.400
<v Speaker 1>my old music floating around like sex, drugs, bitches and

0:46:45.440 --> 0:46:47.560
<v Speaker 1>money and all that other stuff, and then um other

0:46:47.640 --> 0:46:51.000
<v Speaker 1>songs I had was circulating and then with the shoutouts,

0:46:51.040 --> 0:46:54.839
<v Speaker 1>that just took it to another level. So then when

0:46:54.880 --> 0:46:57.640
<v Speaker 1>I came home and then I started jumping on I

0:46:57.680 --> 0:46:59.480
<v Speaker 1>saw the jumping on a lot of mixtapes that like,

0:47:00.000 --> 0:47:02.360
<v Speaker 1>remember Puffy used to do mixtape bad with mixtapes. So

0:47:02.400 --> 0:47:04.080
<v Speaker 1>I was on the one which stretched on Strong that

0:47:04.200 --> 0:47:07.480
<v Speaker 1>was a big deal, hit me too, come on, And

0:47:07.520 --> 0:47:09.440
<v Speaker 1>I was getting Who's doing all the promo because I

0:47:09.600 --> 0:47:11.359
<v Speaker 1>was I'm a mixtape DJ from so I was getting

0:47:11.360 --> 0:47:13.120
<v Speaker 1>all the dats they were sending me, all the leaks

0:47:13.160 --> 0:47:16.320
<v Speaker 1>on that who was doing that that was probably violated.

0:47:16.360 --> 0:47:18.040
<v Speaker 1>That's what I was gon violated because I didn't know

0:47:18.040 --> 0:47:20.960
<v Speaker 1>about That's proud of that. So I had the crazy

0:47:21.080 --> 0:47:24.680
<v Speaker 1>buzz and I had like no, no, no, you're being humble. Listen.

0:47:25.840 --> 0:47:28.120
<v Speaker 1>You had the illest buzz and the whole and like

0:47:28.239 --> 0:47:31.240
<v Speaker 1>you know, I I compare it to like shines Buzz.

0:47:31.320 --> 0:47:34.000
<v Speaker 1>Like Shines Buzz was like that, but a lot of

0:47:34.040 --> 0:47:36.640
<v Speaker 1>people don't know that. That was like it was like

0:47:36.719 --> 0:47:39.360
<v Speaker 1>the first like bidding wall I ever heard of in

0:47:39.440 --> 0:47:42.040
<v Speaker 1>the industry, like most like you know, I mean me

0:47:42.239 --> 0:47:45.040
<v Speaker 1>be personally like I'm looking like, damn, this nicker, this

0:47:45.160 --> 0:47:49.120
<v Speaker 1>nick came home. He came home. And let's say I

0:47:49.239 --> 0:47:51.160
<v Speaker 1>heard it over you a million dollars didn't even hear

0:47:51.160 --> 0:47:53.719
<v Speaker 1>a record yet? Is that true? No? They never no

0:47:53.800 --> 0:47:56.200
<v Speaker 1>million your deal without hearing a record. Keep it with

0:47:56.360 --> 0:47:58.480
<v Speaker 1>a lot of people from your man's off me day

0:47:58.480 --> 0:48:02.120
<v Speaker 1>a penalty, let's make some noise with it. Was that

0:48:04.200 --> 0:48:06.239
<v Speaker 1>they were supposed to use. He was he was They

0:48:06.239 --> 0:48:13.640
<v Speaker 1>didn't have enough for me. I was packing, yeah, but

0:48:13.719 --> 0:48:15.520
<v Speaker 1>I was stupid because at the end of the day,

0:48:15.840 --> 0:48:18.760
<v Speaker 1>and and I hope there's young artists listening. It's always

0:48:18.800 --> 0:48:22.080
<v Speaker 1>it's not about the most money that they're gonna give you,

0:48:22.320 --> 0:48:24.400
<v Speaker 1>it's about the most effort that they're gonna give you.

0:48:24.640 --> 0:48:26.040
<v Speaker 1>So the labels gonna give you a whole bunch of

0:48:26.080 --> 0:48:31.279
<v Speaker 1>money but not put effort into you. That's a bad investment. Yeah,

0:48:31.480 --> 0:48:33.600
<v Speaker 1>But if this is a label that's gonna make your priority,

0:48:34.280 --> 0:48:37.600
<v Speaker 1>you know what I'm saying, then that's gonna significantly boost

0:48:37.640 --> 0:48:41.520
<v Speaker 1>your career. Now, with me, there's a lot of when

0:48:41.640 --> 0:48:44.440
<v Speaker 1>keeping it real goes wrong situations, you know what I'm

0:48:44.440 --> 0:48:46.920
<v Speaker 1>saying with my career. Because Puff wanted to sign me,

0:48:47.440 --> 0:48:50.239
<v Speaker 1>but somebody that me and you both know, said, now,

0:48:50.280 --> 0:48:53.160
<v Speaker 1>I don't do that because it might affect the firm.

0:48:53.719 --> 0:48:56.480
<v Speaker 1>So I didn't do that, so I kept it real.

0:48:57.040 --> 0:48:59.640
<v Speaker 1>Then there was another situation when lad wanted to sign me.

0:49:00.040 --> 0:49:02.680
<v Speaker 1>They was like, Yo, we want to message I would

0:49:02.719 --> 0:49:09.839
<v Speaker 1>have been perfect. That was like Loud wanted to sign me. Um,

0:49:10.080 --> 0:49:12.759
<v Speaker 1>Steve Friskin's brother. I was talking to him at how

0:49:12.800 --> 0:49:16.160
<v Speaker 1>can I be down? Um? They said, we want to

0:49:16.200 --> 0:49:20.080
<v Speaker 1>sign Mega, but we don't like his men. Um. That

0:49:20.239 --> 0:49:22.160
<v Speaker 1>was the guy that was managing me, because they said,

0:49:22.160 --> 0:49:24.000
<v Speaker 1>because he screwed us on the no ideal, you know

0:49:24.040 --> 0:49:28.200
<v Speaker 1>what I'm saying, So you know it's you know, loyalty

0:49:28.600 --> 0:49:30.320
<v Speaker 1>will backfire on you if you do it to the

0:49:30.360 --> 0:49:32.400
<v Speaker 1>wrong if you give it to the wrong people. So

0:49:32.520 --> 0:49:34.239
<v Speaker 1>it's like, you know what I'm saying, and it's not

0:49:34.440 --> 0:49:36.960
<v Speaker 1>you know that I could have had a few situations,

0:49:37.000 --> 0:49:39.320
<v Speaker 1>but I didn't do it on the strength of other people.

0:49:39.760 --> 0:49:44.400
<v Speaker 1>So deaf Jams violator. The reason I sounded violator because

0:49:44.600 --> 0:49:48.000
<v Speaker 1>they offered me not just not only the most money,

0:49:48.480 --> 0:49:51.520
<v Speaker 1>but all of my publishing. You know what I'm saying,

0:49:51.560 --> 0:49:53.680
<v Speaker 1>Like Chris, like that was a violate yo. I asked

0:49:53.680 --> 0:49:55.200
<v Speaker 1>some may people want to sign me. I had different

0:49:55.239 --> 0:49:57.080
<v Speaker 1>parts of death Jam want to sign me because it

0:49:57.200 --> 0:50:00.160
<v Speaker 1>was like there was like no doubt death James violated Death.

0:50:00.520 --> 0:50:03.120
<v Speaker 1>It was different. So I had different lab like managup

0:50:03.120 --> 0:50:04.960
<v Speaker 1>for labors. I ended up with doing the thing with

0:50:05.040 --> 0:50:07.360
<v Speaker 1>CRIZ because for one, I respect how how he moved.

0:50:07.600 --> 0:50:09.920
<v Speaker 1>For two, he gave me all of my publishing, which

0:50:10.000 --> 0:50:12.239
<v Speaker 1>is unheard of in those times. So so people can

0:50:12.960 --> 0:50:14.680
<v Speaker 1>hold because a lot of people thought you was on

0:50:14.840 --> 0:50:22.800
<v Speaker 1>violator management record exactly exactly, and that's why and that's

0:50:22.840 --> 0:50:27.759
<v Speaker 1>why you know, I think violator management was better than

0:50:28.040 --> 0:50:31.680
<v Speaker 1>violate the records, violate the records? Was dope when they

0:50:31.719 --> 0:50:35.080
<v Speaker 1>when they let Dave first Artists. Now I wasn't warring

0:50:35.400 --> 0:50:39.640
<v Speaker 1>was you know when Fox he might have been violated

0:50:39.680 --> 0:50:41.360
<v Speaker 1>for a little while too. But then death Jams just

0:50:41.520 --> 0:50:43.960
<v Speaker 1>took just too go because she was a superstar. But

0:50:44.719 --> 0:50:46.920
<v Speaker 1>when Dave Blodi was running violator, they should have just

0:50:47.040 --> 0:50:49.279
<v Speaker 1>let Dave Blody keep running it because Dave, you know,

0:50:49.480 --> 0:50:52.480
<v Speaker 1>Dave was. Dave texted me the other day, Dave put

0:50:52.480 --> 0:50:55.000
<v Speaker 1>a lot of effortence into Wow. Dave Dy would love

0:50:55.040 --> 0:50:57.239
<v Speaker 1>to hear that. So yeah, yeah, I keep it real man,

0:50:57.719 --> 0:51:00.120
<v Speaker 1>you know what I'm saying. Just like even people, I'm

0:51:00.160 --> 0:51:01.600
<v Speaker 1>the type of dude, even if I had a different

0:51:01.800 --> 0:51:06.279
<v Speaker 1>with people, I give credit, words due and um. There's

0:51:06.280 --> 0:51:07.680
<v Speaker 1>a lot of people in the industry that I've done.

0:51:07.719 --> 0:51:09.920
<v Speaker 1>I always tell having that I'm grateful for what he

0:51:09.960 --> 0:51:12.480
<v Speaker 1>has done in my career. And even with you, I'll

0:51:12.480 --> 0:51:15.239
<v Speaker 1>be like yo, I said, Nori, like you might not

0:51:15.480 --> 0:51:17.839
<v Speaker 1>remember this, I'll tell you to things that you did.

0:51:17.920 --> 0:51:21.000
<v Speaker 1>I was crazy real one All Star Weekend one year

0:51:21.600 --> 0:51:23.920
<v Speaker 1>you was doing the show. I was just chilling. You

0:51:24.040 --> 0:51:26.440
<v Speaker 1>pulled me on the stage and let me perform right.

0:51:26.520 --> 0:51:27.800
<v Speaker 1>That was one thing that's real because you know a

0:51:27.880 --> 0:51:30.200
<v Speaker 1>lot of artists don't do that. And another thing you

0:51:30.280 --> 0:51:34.239
<v Speaker 1>did one time we was chilling and the first time,

0:51:34.520 --> 0:51:36.120
<v Speaker 1>the first and only time I ever been on DJ

0:51:36.280 --> 0:51:38.400
<v Speaker 1>Clues radio show was with me and you took me

0:51:38.520 --> 0:51:40.319
<v Speaker 1>up there. Let's plake some noise to me, keeping it real.

0:51:44.120 --> 0:51:46.359
<v Speaker 1>Now I can vouch for mega man. I never had

0:51:46.520 --> 0:51:48.960
<v Speaker 1>like a phony moment around you at all. Like there's

0:51:48.960 --> 0:51:51.200
<v Speaker 1>so many people that I could if I would have

0:51:51.280 --> 0:51:53.880
<v Speaker 1>to count on my toes and fingernails. I've never had

0:51:53.880 --> 0:51:56.319
<v Speaker 1>a phone phony moment with you. Like We've always been

0:51:56.400 --> 0:51:59.520
<v Speaker 1>stand up dude. You always had the ellest reputation in

0:51:59.600 --> 0:52:01.680
<v Speaker 1>the hood. You know, Queen's Bridge is like my second home.

0:52:02.080 --> 0:52:04.840
<v Speaker 1>You know what I'm saying. And um so I just

0:52:05.040 --> 0:52:08.080
<v Speaker 1>I know this is this is past, but um like,

0:52:08.200 --> 0:52:11.600
<v Speaker 1>how did how did we spoke about the nature incident?

0:52:11.920 --> 0:52:15.000
<v Speaker 1>But what was the like the first time you spoke

0:52:15.080 --> 0:52:17.960
<v Speaker 1>to nas and you felt like the energy isn't right,

0:52:18.200 --> 0:52:22.920
<v Speaker 1>so you wanted to do your own thing. Um the

0:52:23.200 --> 0:52:29.120
<v Speaker 1>term you might remember this, there was a magazine called

0:52:29.160 --> 0:52:32.239
<v Speaker 1>Wires b y s b okay. So there was a

0:52:32.280 --> 0:52:35.439
<v Speaker 1>photo shoot one day and Steve Stout called my man Biz.

0:52:35.719 --> 0:52:37.960
<v Speaker 1>He's like, yeo, we're having a firm photo shoot. Tell

0:52:38.000 --> 0:52:40.920
<v Speaker 1>Omega to come through. I went all the way uptown,

0:52:41.000 --> 0:52:44.560
<v Speaker 1>got a haircut, and then after that I went to

0:52:44.840 --> 0:52:48.560
<v Speaker 1>um Uptown Records. I went to Uptown Records because I

0:52:48.600 --> 0:52:51.000
<v Speaker 1>had to pick up a check from doing a song

0:52:51.080 --> 0:52:53.719
<v Speaker 1>with it with the R and B group. Right while

0:52:53.760 --> 0:52:56.440
<v Speaker 1>I'm at Uptown, I see Deal who happens to be

0:52:56.560 --> 0:52:59.719
<v Speaker 1>A Z's manager. Okay, okay. So the reason I went

0:52:59.800 --> 0:53:02.200
<v Speaker 1>up to Uptown Records instead of going to the firm

0:53:02.239 --> 0:53:04.840
<v Speaker 1>photo shoot because Steve stal Court and said, oh the

0:53:04.880 --> 0:53:08.640
<v Speaker 1>photo shooters canceled, don't come right. So I was like cool,

0:53:08.719 --> 0:53:11.040
<v Speaker 1>So I went uptown up staying Rex to get the chat.

0:53:11.560 --> 0:53:15.520
<v Speaker 1>So when I see Dio, he's like he's a he's manager.

0:53:16.239 --> 0:53:19.040
<v Speaker 1>He's like, why aren't you at the photo shoot. You're

0:53:19.080 --> 0:53:21.480
<v Speaker 1>doing the photo shoot right now? And I was like,

0:53:21.560 --> 0:53:24.239
<v Speaker 1>you show it was like photo shoot now. He wasn't

0:53:24.280 --> 0:53:28.200
<v Speaker 1>at that. He was like, he's like, I'm positive, so

0:53:28.960 --> 0:53:31.840
<v Speaker 1>right in and there. My pride wouldn't let me go.

0:53:32.360 --> 0:53:35.280
<v Speaker 1>I could have went without it. Feel like the elephant

0:53:35.320 --> 0:53:37.520
<v Speaker 1>in the room, like if I was wanted to be here,

0:53:37.719 --> 0:53:40.080
<v Speaker 1>I would have been there, so I didn't go. And

0:53:40.120 --> 0:53:43.520
<v Speaker 1>then when I've seen something, I said, listen, if we're

0:53:43.520 --> 0:53:48.640
<v Speaker 1>gonna let music come between us, then that's like savage.

0:53:49.160 --> 0:53:50.880
<v Speaker 1>I was like, yo, I said, for I said, you

0:53:50.960 --> 0:53:53.360
<v Speaker 1>might as well just what y'all, I see what's happening.

0:53:53.400 --> 0:53:55.520
<v Speaker 1>I said, why don't you just let nature take my place?

0:53:56.080 --> 0:53:58.319
<v Speaker 1>Because that's what you know what I'm saying, because that's

0:53:58.360 --> 0:54:02.640
<v Speaker 1>obviously what happened. Because I underestimated the power of Steve

0:54:02.760 --> 0:54:05.160
<v Speaker 1>back then, because I'm thinking, this is my man. So

0:54:05.520 --> 0:54:07.319
<v Speaker 1>just what Steve saying is that you're saying my man

0:54:07.600 --> 0:54:11.640
<v Speaker 1>about Steve n So yeah, so I'm like Steve, the

0:54:11.640 --> 0:54:14.640
<v Speaker 1>stuff Steve saying it ain't gonna and is irrelevant because

0:54:14.680 --> 0:54:16.640
<v Speaker 1>now exactly it's not gonna Happenuse not my man, not

0:54:16.680 --> 0:54:18.879
<v Speaker 1>gonna let that happen. But I underestimated him. I was wrong.

0:54:19.239 --> 0:54:20.799
<v Speaker 1>So I basically told him, like, yo, man, you might

0:54:20.800 --> 0:54:23.160
<v Speaker 1>as well letting nature replace me because that's what's gonna happen.

0:54:23.400 --> 0:54:25.960
<v Speaker 1>He's like, Nah, that had never happened that that, but

0:54:26.080 --> 0:54:27.799
<v Speaker 1>it did happen, so right then, and I was like, Yo,

0:54:27.840 --> 0:54:30.080
<v Speaker 1>if we're gonna let money come between us. Then we

0:54:30.440 --> 0:54:32.400
<v Speaker 1>it's like savages, you know what I'm saying. So that's

0:54:32.440 --> 0:54:35.520
<v Speaker 1>when I knew ship was was was wet, you know

0:54:35.520 --> 0:54:40.120
<v Speaker 1>what I'm saying. And um, it's just changed after that,

0:54:40.160 --> 0:54:43.800
<v Speaker 1>you know what I'm saying. So um, And now like

0:54:45.239 --> 0:54:47.840
<v Speaker 1>because he shot at you out on one love correct

0:54:47.840 --> 0:54:49.960
<v Speaker 1>and it was like the biggest record of the year

0:54:50.640 --> 0:54:52.520
<v Speaker 1>and I wasn't home, so I wouldn't know, but I

0:54:52.600 --> 0:54:56.759
<v Speaker 1>know I was proud. Yeah, So, um, what was your

0:54:56.800 --> 0:54:59.400
<v Speaker 1>relationship like before? He was mad? Cool? I got mad

0:54:59.480 --> 0:55:02.719
<v Speaker 1>letters from he? Right, I got one love letters at

0:55:02.760 --> 0:55:04.200
<v Speaker 1>my house now that it broke me when I was

0:55:04.280 --> 0:55:08.239
<v Speaker 1>in jail, like yo one time, because the rumor was,

0:55:08.320 --> 0:55:09.680
<v Speaker 1>and I don't want to cut you up. You gotta

0:55:09.719 --> 0:55:11.680
<v Speaker 1>finish the stories. These people gonna kill me. But the

0:55:11.800 --> 0:55:16.239
<v Speaker 1>rumor was that's who in the beginning, that's who. Now

0:55:16.320 --> 0:55:18.960
<v Speaker 1>he's got the style from core Maga. You have to

0:55:19.000 --> 0:55:20.680
<v Speaker 1>talk to him about that. No, I'm just saying the

0:55:20.800 --> 0:55:22.719
<v Speaker 1>rum one. I'm not talking about him. I'm saying that

0:55:22.840 --> 0:55:24.440
<v Speaker 1>was the rumor. It was like he said that. It

0:55:24.560 --> 0:55:27.239
<v Speaker 1>was like the rumor was, I mean, that's that that

0:55:27.440 --> 0:55:29.520
<v Speaker 1>that was what it was like. You know, queens is

0:55:29.719 --> 0:55:33.759
<v Speaker 1>it's a whole section. I'll say this, I can't take

0:55:33.800 --> 0:55:36.920
<v Speaker 1>any credit for that man's success. Like at the end

0:55:36.960 --> 0:55:44.440
<v Speaker 1>of the day, that man has become one of the

0:55:44.480 --> 0:55:47.799
<v Speaker 1>greatest lyricists ever of all time, you know what I'm saying.

0:55:48.520 --> 0:55:50.920
<v Speaker 1>So it's like I can't take credit for that. Like

0:55:51.040 --> 0:55:53.319
<v Speaker 1>you know what I'm saying, I can't take any credit

0:55:53.360 --> 0:55:55.120
<v Speaker 1>for that that he did it. He did, He did

0:55:55.200 --> 0:55:56.919
<v Speaker 1>him and he's where he's at, you know what I'm saying.

0:55:57.760 --> 0:56:02.080
<v Speaker 1>But before all that, I did stuff for him back

0:56:02.080 --> 0:56:03.640
<v Speaker 1>in the day that he did stuff for me, Like

0:56:03.760 --> 0:56:06.000
<v Speaker 1>the first time he ever performed at Brooklyn Queen's Day,

0:56:06.080 --> 0:56:08.239
<v Speaker 1>you know, Broken Queen Day was a big difference. I

0:56:08.280 --> 0:56:10.680
<v Speaker 1>remember Brooken Queen's Day a cannelly um as the first

0:56:10.719 --> 0:56:13.080
<v Speaker 1>time I've seen um live at the barbecue. But when

0:56:13.080 --> 0:56:14.879
<v Speaker 1>you asked now the first time he performed a Broken

0:56:14.960 --> 0:56:17.120
<v Speaker 1>Queen's Day, he will tell you it was me. We

0:56:17.200 --> 0:56:20.160
<v Speaker 1>went to We went there Mad Deep and Trash was

0:56:20.239 --> 0:56:25.520
<v Speaker 1>performing and then that's when my man Yami God Bless

0:56:25.600 --> 0:56:28.360
<v Speaker 1>there was like, yo, let Mega perform. You know what

0:56:28.360 --> 0:56:32.080
<v Speaker 1>I'm saying. He was like, let Mega bron So Yeahmi

0:56:32.160 --> 0:56:35.640
<v Speaker 1>jumped on the stage like they basically made him make

0:56:35.719 --> 0:56:37.759
<v Speaker 1>me rhyme, like you know what I'm saying, because I

0:56:37.840 --> 0:56:41.320
<v Speaker 1>was the boys in the street. So I got on

0:56:41.400 --> 0:56:43.080
<v Speaker 1>the stage and I run. When I got on stage,

0:56:43.080 --> 0:56:45.600
<v Speaker 1>I was like, Nas, come on, I brought Nays up,

0:56:45.680 --> 0:56:47.239
<v Speaker 1>like he'll tell you that. So it's like, no, not

0:56:47.440 --> 0:56:50.239
<v Speaker 1>that was in Queens You were supposed to be the

0:56:50.400 --> 0:56:53.160
<v Speaker 1>next guy and then you got locked up. And then

0:56:53.800 --> 0:56:55.799
<v Speaker 1>that's a fact, you know what I'm saying, Like, that's

0:56:55.880 --> 0:56:58.080
<v Speaker 1>that's at the end of the day. I always say

0:56:58.160 --> 0:57:01.440
<v Speaker 1>this about Nas and Martep when people try to not

0:57:01.600 --> 0:57:04.879
<v Speaker 1>giving their credit. I'll say this, Nas and Mark Deep

0:57:04.920 --> 0:57:08.880
<v Speaker 1>deserve their success because I'll tell you this, when I

0:57:09.040 --> 0:57:12.360
<v Speaker 1>was on the block hustling and getting into trouble and

0:57:12.440 --> 0:57:15.440
<v Speaker 1>doing all that they was in the studio, they worked

0:57:15.480 --> 0:57:17.520
<v Speaker 1>harder for it. They earned it, you know what I'm saying.

0:57:17.560 --> 0:57:20.680
<v Speaker 1>So that's their success wasn't given to them. And there's

0:57:20.680 --> 0:57:23.520
<v Speaker 1>a lot of artists. Queen Bridge has a story of history,

0:57:23.720 --> 0:57:25.520
<v Speaker 1>but there came a point where some people just use

0:57:25.640 --> 0:57:28.000
<v Speaker 1>queen Bridge as like a credit card. Like think they

0:57:28.040 --> 0:57:29.720
<v Speaker 1>could just say queen Bridge and get it deal, or

0:57:29.760 --> 0:57:31.720
<v Speaker 1>just say Queens Bridge and you're supposed to get respect,

0:57:31.920 --> 0:57:34.479
<v Speaker 1>you have to work for that, you know what I'm saying.

0:57:34.520 --> 0:57:37.680
<v Speaker 1>So so like y'all at one point, it is what

0:57:37.800 --> 0:57:41.760
<v Speaker 1>it is with that so Mega, there's been a rumor

0:57:41.800 --> 0:57:51.400
<v Speaker 1>floating around dad uh CNN mob deep Nas supposed to

0:57:51.400 --> 0:57:55.680
<v Speaker 1>be a queen's tall called Mega. I didn't hear my name.

0:57:56.960 --> 0:57:59.440
<v Speaker 1>That's why you hear, baby, this is what we do.

0:58:00.000 --> 0:58:01.800
<v Speaker 1>You trying to say me to check up to the table. Yeah,

0:58:01.800 --> 0:58:04.000
<v Speaker 1>I mean, y'o listen, man, is this something that you

0:58:04.080 --> 0:58:06.320
<v Speaker 1>think it happened? Because listen, you know what you know

0:58:06.360 --> 0:58:09.600
<v Speaker 1>what people um me and some some dudes talking, and

0:58:09.680 --> 0:58:11.400
<v Speaker 1>he was like, you know, queens is like comthing, y'a'll

0:58:11.400 --> 0:58:13.960
<v Speaker 1>get along with nobody. I always told people that I'd

0:58:13.960 --> 0:58:16.600
<v Speaker 1>be like Queen's is the most I'd be like, queens

0:58:16.640 --> 0:58:20.320
<v Speaker 1>just don't get along even like you know, back in

0:58:20.320 --> 0:58:22.800
<v Speaker 1>the day people us to trying to tease queens queens.

0:58:23.040 --> 0:58:27.240
<v Speaker 1>But yeah, quiet queens queens is wow as fu. And

0:58:27.320 --> 0:58:29.040
<v Speaker 1>when you think about the most rappers that got killed,

0:58:29.080 --> 0:58:32.200
<v Speaker 1>the most rappers got killed in queens and the most

0:58:32.320 --> 0:58:35.800
<v Speaker 1>rapp differences from queens. So it was like, you think

0:58:35.840 --> 0:58:37.800
<v Speaker 1>it's because barrel big or just because we found me.

0:58:37.880 --> 0:58:39.480
<v Speaker 1>I think he's I don't know. I think it's I

0:58:39.560 --> 0:58:41.320
<v Speaker 1>think it's egos. Sometimes I don't know what it is.

0:58:41.400 --> 0:58:44.400
<v Speaker 1>But with Queen's Bridge, with our small circle, you know

0:58:44.480 --> 0:58:46.880
<v Speaker 1>what it is to Queen been just so fucking big.

0:58:47.480 --> 0:58:50.560
<v Speaker 1>It's like six blocks. Break it down for people. There's

0:58:50.680 --> 0:58:54.439
<v Speaker 1>fortieship side of Tall Street, then it's forty first side

0:58:54.480 --> 0:58:56.960
<v Speaker 1>of Trust Street. Then it's forty side of Time Street,

0:58:57.040 --> 0:59:00.760
<v Speaker 1>and forty first side. There's no stocking south side, so

0:59:00.840 --> 0:59:03.439
<v Speaker 1>it's six blocks. You come down and each thing, which

0:59:03.840 --> 0:59:05.919
<v Speaker 1>block is big enough to be his own project, Each

0:59:06.040 --> 0:59:08.680
<v Speaker 1>block is big enough to be left frack. That's a fact.

0:59:08.960 --> 0:59:11.280
<v Speaker 1>One blocks there's a lot of frackers. Only one block

0:59:11.320 --> 0:59:14.960
<v Speaker 1>there's a lot of rappers. That differences ain't even really

0:59:15.000 --> 0:59:17.200
<v Speaker 1>from the rapper. It be from the people that hang

0:59:17.320 --> 0:59:22.120
<v Speaker 1>with the rapper. Like nature and me Ben would have

0:59:22.200 --> 0:59:24.200
<v Speaker 1>been working. But if people in the circle that was like, no,

0:59:24.280 --> 0:59:25.600
<v Speaker 1>I don't do it because it's gonna look like you're

0:59:25.640 --> 0:59:28.520
<v Speaker 1>kissing his ass when that's stupid because the quicker that

0:59:28.640 --> 0:59:31.200
<v Speaker 1>you numbify it, the quicker the beef is gone. So

0:59:31.320 --> 0:59:33.240
<v Speaker 1>it's like some people don't think strategic. I liked it

0:59:33.320 --> 0:59:38.200
<v Speaker 1>that word you use, Nigga said Mellified. Another five, Mellified,

0:59:38.360 --> 0:59:49.000
<v Speaker 1>no text, we are now another five. We don't baseball funnels. Look,

0:59:49.640 --> 0:59:55.360
<v Speaker 1>we don't know what that ship. Oh wait, I'm not No,

0:59:55.400 --> 0:59:57.880
<v Speaker 1>I'm not pleasing brother. This is your format, brother, do

0:59:57.920 --> 1:00:01.520
<v Speaker 1>you know what I'm saying? So man, yea, so good yo.

1:00:01.640 --> 1:00:04.040
<v Speaker 1>But I'm proud of you for him. I'm about to

1:00:04.120 --> 1:00:13.280
<v Speaker 1>hit um um when seen year next year. I heard

1:00:13.320 --> 1:00:15.920
<v Speaker 1>about the tour, but I didn't hear nothing about core Mega. No,

1:00:16.000 --> 1:00:18.320
<v Speaker 1>that's what we're doing that. We didn't ask for decent names.

1:00:18.400 --> 1:00:27.760
<v Speaker 1>We came here. That's you're basically me and you really

1:00:27.840 --> 1:00:32.360
<v Speaker 1>know can is it? Is it even possible? Or at

1:00:32.400 --> 1:00:34.920
<v Speaker 1>my you know, queen a queen because it was a

1:00:35.000 --> 1:00:36.480
<v Speaker 1>room when I just spread in the room, I'm helping

1:00:36.520 --> 1:00:39.280
<v Speaker 1>spread the ROOMA do you think it's even possible? I

1:00:39.440 --> 1:00:42.640
<v Speaker 1>think anything is possible if people want it to happen.

1:00:43.560 --> 1:00:45.760
<v Speaker 1>You know what I'm saying. So my thing is this.

1:00:49.600 --> 1:00:52.040
<v Speaker 1>On one of my albums, I said, I'm no longer

1:00:52.120 --> 1:00:56.640
<v Speaker 1>seeking acceptance of people who ain't feeling me, or squeezing

1:00:56.680 --> 1:01:00.640
<v Speaker 1>my weapon for people who ain't realism me. So forget

1:01:00.720 --> 1:01:03.680
<v Speaker 1>the weapon part. I'm trying to trying to make peace

1:01:03.760 --> 1:01:07.080
<v Speaker 1>with people. I'm not extending my hand to a clinched fist.

1:01:08.760 --> 1:01:15.280
<v Speaker 1>So I squashed all my differences with every rapper. I

1:01:15.320 --> 1:01:17.440
<v Speaker 1>don't got people, no rapper right now, you know what

1:01:17.480 --> 1:01:21.120
<v Speaker 1>I'm saying. The only the difference that that I had

1:01:21.240 --> 1:01:23.440
<v Speaker 1>in recent years. It was a small thing that hurt

1:01:23.520 --> 1:01:25.960
<v Speaker 1>me because I got I got history with Freddie Fox

1:01:26.200 --> 1:01:28.320
<v Speaker 1>because that's my big bro. Wait what happened? And I

1:01:28.440 --> 1:01:30.680
<v Speaker 1>wasn't nothing I said. It was a little misunderstanding pretty

1:01:30.760 --> 1:01:33.040
<v Speaker 1>much like that. But we fixed that and I love him.

1:01:33.080 --> 1:01:36.960
<v Speaker 1>That's my biggest so and I'm about to do with

1:01:37.080 --> 1:01:40.880
<v Speaker 1>him too, and y'all, y'all, y'all known. So me and

1:01:41.000 --> 1:01:45.600
<v Speaker 1>him about to do some solid fun. Man, I'm about

1:01:46.640 --> 1:01:48.600
<v Speaker 1>me and him about to do some music too. But

1:01:48.720 --> 1:01:54.360
<v Speaker 1>Freddy Fox, yeah so UMU. As far as as far

1:01:54.440 --> 1:01:56.720
<v Speaker 1>as a queen's tour, I think that would be great,

1:01:57.440 --> 1:02:02.480
<v Speaker 1>and I think it is possible. But some people rather

1:02:02.600 --> 1:02:06.720
<v Speaker 1>hold grudges than summit. So so because I think I'm hearing,

1:02:08.160 --> 1:02:11.760
<v Speaker 1>but I'm not. But you and nos are on great terms, right,

1:02:12.040 --> 1:02:14.600
<v Speaker 1>I don't know what I don't know. I don't know

1:02:15.160 --> 1:02:17.280
<v Speaker 1>what's going on? And I try and I don't care

1:02:17.560 --> 1:02:20.840
<v Speaker 1>like I did my part, Like there was a you

1:02:21.240 --> 1:02:24.320
<v Speaker 1>might when you're talking about the squashing on beef on stage,

1:02:24.320 --> 1:02:25.640
<v Speaker 1>you might have been talking about when me and Nas

1:02:25.680 --> 1:02:29.600
<v Speaker 1>came out together. No, no, no, this is definitely was

1:02:30.200 --> 1:02:32.280
<v Speaker 1>squash might be for him in two thousand and six.

1:02:32.800 --> 1:02:34.320
<v Speaker 1>So if he has a problem, I don't know. I

1:02:34.320 --> 1:02:36.240
<v Speaker 1>don't got no be for him. There hasn't been no

1:02:36.400 --> 1:02:40.480
<v Speaker 1>mega disc records, no Mega side talk, no nothing. So

1:02:40.760 --> 1:02:42.400
<v Speaker 1>if he still got an issue with me, that's something

1:02:42.480 --> 1:02:44.720
<v Speaker 1>he got to take up with himself, because I don't

1:02:44.760 --> 1:02:46.440
<v Speaker 1>got no way for him. I don't got no be

1:02:46.600 --> 1:02:49.160
<v Speaker 1>for no rapper from Queensbridge. You know what I'm saying

1:02:49.520 --> 1:02:54.080
<v Speaker 1>on UM none the only rapper that that that um

1:02:54.680 --> 1:02:59.480
<v Speaker 1>that I'm wondering if I should even I gotta have

1:02:59.640 --> 1:03:03.280
<v Speaker 1>question walks about going from a From an integrity standpoint,

1:03:04.240 --> 1:03:10.320
<v Speaker 1>it is p because for one, I didn't read his book.

1:03:10.360 --> 1:03:12.640
<v Speaker 1>I don't care about the book, but the way that

1:03:12.720 --> 1:03:17.120
<v Speaker 1>he disrespected Lake and sharm Like, even though I haven't

1:03:17.120 --> 1:03:19.920
<v Speaker 1>spoken to the Lake and Sherman in a minute, they

1:03:20.000 --> 1:03:23.040
<v Speaker 1>have been so loyal to me in life and they

1:03:23.080 --> 1:03:25.960
<v Speaker 1>have did so much for me in life that I

1:03:26.120 --> 1:03:30.800
<v Speaker 1>just feel uncomfortable rocking with him at this you know

1:03:30.840 --> 1:03:33.680
<v Speaker 1>what I'm saying, because it's not beneficial to me. You

1:03:33.720 --> 1:03:35.640
<v Speaker 1>know what I'm saying That it's not like it's not

1:03:35.800 --> 1:03:39.400
<v Speaker 1>like he extends itself, So it's like I feel it's

1:03:39.400 --> 1:03:42.040
<v Speaker 1>not worth it, Like if he still has differences with them,

1:03:42.600 --> 1:03:44.760
<v Speaker 1>I'd rather play the back and not. I don't got

1:03:44.840 --> 1:03:47.320
<v Speaker 1>no beef with him, but I feel uncomfortable dealing with

1:03:47.400 --> 1:03:53.160
<v Speaker 1>you if if you add with them, because sharm like

1:03:53.320 --> 1:03:55.920
<v Speaker 1>these dudes, I haven't spoken to him in a long time,

1:03:55.920 --> 1:04:00.640
<v Speaker 1>but they are mad loyal dudes, so pick up sheron them,

1:04:01.000 --> 1:04:02.760
<v Speaker 1>you know what I'm saying. And Late, I haven't spoken.

1:04:04.120 --> 1:04:05.640
<v Speaker 1>Late did the album, but I want you to finish.

1:04:06.080 --> 1:04:08.760
<v Speaker 1>So it's like, if he still got differences with them,

1:04:10.400 --> 1:04:13.000
<v Speaker 1>I don't think it's worth I'd rather just kick back

1:04:13.120 --> 1:04:14.840
<v Speaker 1>because it's not like me and him speak all the time,

1:04:15.800 --> 1:04:17.920
<v Speaker 1>or you know what I'm saying. So it's like I

1:04:17.960 --> 1:04:20.760
<v Speaker 1>don't have to be for him, but that needs to

1:04:20.840 --> 1:04:22.640
<v Speaker 1>be fixed, you know what saying. Because at the end

1:04:22.640 --> 1:04:25.080
<v Speaker 1>of the day, Sharon put in work for me and

1:04:25.240 --> 1:04:27.520
<v Speaker 1>Lake was like me, and Lake was like in separable,

1:04:28.200 --> 1:04:30.120
<v Speaker 1>Like you know what I'm saying, you could, like late

1:04:30.240 --> 1:04:32.040
<v Speaker 1>is the type of dude if you said something bad

1:04:32.080 --> 1:04:35.240
<v Speaker 1>about me, he would have did something to you. So

1:04:35.360 --> 1:04:37.320
<v Speaker 1>it's like, you know, saying, I can't front on that.

1:04:37.520 --> 1:04:38.880
<v Speaker 1>You know what I'm saying, I can't front on that.

1:04:39.320 --> 1:04:41.680
<v Speaker 1>Like so even though I haven't spoken them a minute,

1:04:41.720 --> 1:04:44.640
<v Speaker 1>we won't. Everybody's doing their own thing, but I can't

1:04:44.760 --> 1:04:48.320
<v Speaker 1>front on them, Sharon. Sharon told me, Sherman is the

1:04:48.400 --> 1:04:53.320
<v Speaker 1>reason why I chilled out, Like Shermon's like, yo, Mega,

1:04:54.160 --> 1:04:56.440
<v Speaker 1>chill you don't have to do nothing like I'm here,

1:04:56.600 --> 1:04:58.919
<v Speaker 1>like like they had me. You know what I'm saying,

1:04:59.120 --> 1:05:02.280
<v Speaker 1>So how can I How can I not? Let's aspect that.

1:05:03.160 --> 1:05:06.960
<v Speaker 1>So it's like I try to be sometimes new truth

1:05:07.000 --> 1:05:08.960
<v Speaker 1>doesn't work. I try to be neutral with certain things,

1:05:09.000 --> 1:05:10.520
<v Speaker 1>you know what, saying even with other people that me

1:05:10.600 --> 1:05:12.720
<v Speaker 1>and you is cool with that, you know, I try

1:05:12.760 --> 1:05:14.600
<v Speaker 1>to be neutral, but sometimes it didn't work. So as

1:05:14.600 --> 1:05:19.560
<v Speaker 1>far as the Queen's Bridge toy or Queen's tour, that

1:05:19.640 --> 1:05:24.640
<v Speaker 1>would be dope. But people have to figure out what

1:05:24.840 --> 1:05:27.400
<v Speaker 1>the issue is, you know what I'm saying, Like your

1:05:27.440 --> 1:05:29.160
<v Speaker 1>man have to figure out what his issue is with

1:05:29.320 --> 1:05:31.240
<v Speaker 1>me because I don't got an issue with him, right,

1:05:31.400 --> 1:05:34.800
<v Speaker 1>But what if it is just simply like you know

1:05:35.040 --> 1:05:37.320
<v Speaker 1>sometimes like for me for instance, I can't speak for

1:05:37.360 --> 1:05:41.200
<v Speaker 1>anybody else not um. But I'm the type of dude

1:05:41.480 --> 1:05:44.160
<v Speaker 1>that if I don't stay in contact with anybody, it's

1:05:44.160 --> 1:05:46.360
<v Speaker 1>not on purpose. It's not on purpose. It's just I'm

1:05:46.400 --> 1:05:50.760
<v Speaker 1>doing me mean, But my love doesn't change no matter

1:05:50.880 --> 1:05:52.560
<v Speaker 1>where I see you, like you don't gonna tell me

1:05:52.600 --> 1:05:54.360
<v Speaker 1>you in Miami, you look in the crowd. I think

1:05:54.400 --> 1:05:55.720
<v Speaker 1>this thing is really in the crowd. To keep it

1:05:55.840 --> 1:05:58.520
<v Speaker 1>real last time you performed out here, because you know,

1:05:58.640 --> 1:06:00.040
<v Speaker 1>it's just who I am. Let me tell you, and

1:06:00.280 --> 1:06:02.600
<v Speaker 1>I always respect. Let me tell you something, not say this.

1:06:02.800 --> 1:06:06.160
<v Speaker 1>Nobody ever even knows this. The only reason that me

1:06:06.240 --> 1:06:08.640
<v Speaker 1>and you wasn't even even more cooler than we was

1:06:09.160 --> 1:06:12.800
<v Speaker 1>was because certain people would have been mad. Let's keep

1:06:12.800 --> 1:06:16.080
<v Speaker 1>it right, So so you know what I'm saying. It's

1:06:16.280 --> 1:06:18.920
<v Speaker 1>it's like that in the game is funny. I remember

1:06:19.360 --> 1:06:21.200
<v Speaker 1>being in your yo. Let me tell you how much

1:06:21.240 --> 1:06:24.240
<v Speaker 1>love you showed me. You had that song What What What?

1:06:24.400 --> 1:06:26.919
<v Speaker 1>That's one of the biggest songs out and you gave

1:06:27.000 --> 1:06:32.400
<v Speaker 1>me a big part in the video you said you

1:06:32.440 --> 1:06:39.160
<v Speaker 1>said about Nary Stands. Yeah, I forgot you know, smoke weed.

1:06:39.240 --> 1:06:47.400
<v Speaker 1>Just think Rememory. Check this out. Oh he's here, DC.

1:06:47.640 --> 1:06:50.280
<v Speaker 1>Check this out. Do you remember this? This is the

1:06:50.440 --> 1:06:53.840
<v Speaker 1>craziest thing. Damn. I was in that video and this

1:06:53.920 --> 1:06:55.280
<v Speaker 1>is why I stopped. This is why I fell back

1:06:55.320 --> 1:06:58.080
<v Speaker 1>from you. It wasn't beef, but I was like, wow,

1:06:58.200 --> 1:07:00.000
<v Speaker 1>niggers just don't want me to have anything. I can't

1:07:00.080 --> 1:07:02.640
<v Speaker 1>have friends, no nothing I thought was in your video.

1:07:03.120 --> 1:07:08.840
<v Speaker 1>Somebody called you. Why I was megan your video? Deep? Right,

1:07:10.640 --> 1:07:14.280
<v Speaker 1>we can't good? Who's something to be? Said that? It

1:07:14.400 --> 1:07:20.160
<v Speaker 1>was something? So who's still listen? You got something I've

1:07:20.240 --> 1:07:22.920
<v Speaker 1>never been. I don't even know what word. This is

1:07:23.080 --> 1:07:28.760
<v Speaker 1>what he got me there? Deep? That was that's from me?

1:07:28.800 --> 1:07:31.000
<v Speaker 1>And you stopped. We want to have no beef nothing.

1:07:31.080 --> 1:07:32.760
<v Speaker 1>I was like, you know what, I don't want to

1:07:32.920 --> 1:07:34.600
<v Speaker 1>have to say. I don't want to mess up no reason.

1:07:35.200 --> 1:07:37.760
<v Speaker 1>I don't want to get people getting mad. It's like

1:07:37.920 --> 1:07:40.439
<v Speaker 1>it's like little kids. Oh, if you play with Billy,

1:07:40.600 --> 1:07:42.960
<v Speaker 1>you can't be my friend no more. And so it

1:07:43.040 --> 1:07:46.440
<v Speaker 1>was like about the Cooper, no, nor show me and

1:07:46.520 --> 1:07:49.160
<v Speaker 1>nor with your and Norry was always cool. Then we

1:07:49.240 --> 1:07:52.680
<v Speaker 1>start again cooler, and then somebody said, yo, why I

1:07:52.800 --> 1:07:55.840
<v Speaker 1>was Megan your video? And then I was like wow,

1:07:56.120 --> 1:07:58.120
<v Speaker 1>so I stopped. I just that's for me, and he's

1:07:58.520 --> 1:08:00.920
<v Speaker 1>he's absolutely right. You're not gonna tell us what somebody no.

1:08:01.040 --> 1:08:09.960
<v Speaker 1>I mean, it's it's it's you know, it's a long

1:08:10.040 --> 1:08:12.560
<v Speaker 1>story here, it's a little it's complicated, but it's not

1:08:12.680 --> 1:08:15.960
<v Speaker 1>that serious. But next the end of the day, at

1:08:16.000 --> 1:08:17.760
<v Speaker 1>the end of the day, let me tell you this.

1:08:19.160 --> 1:08:23.720
<v Speaker 1>I'm I don't hold grudges. And if you look at

1:08:23.800 --> 1:08:26.400
<v Speaker 1>Queen's Bridge, I'm not even the biggest artist, but I

1:08:26.520 --> 1:08:28.920
<v Speaker 1>probably work with more artists fro Queen with than any artist.

1:08:29.439 --> 1:08:31.479
<v Speaker 1>Now you want me break it down to you, look

1:08:31.520 --> 1:08:34.559
<v Speaker 1>at this. You got pH D. I was on that album.

1:08:34.760 --> 1:08:37.080
<v Speaker 1>I was on Screwball album. I was on Poets album.

1:08:37.200 --> 1:08:38.760
<v Speaker 1>I was on a Craigy album. I was on a

1:08:38.840 --> 1:08:40.920
<v Speaker 1>NAS album. I was on the marb Deep album. I

1:08:40.960 --> 1:08:43.200
<v Speaker 1>was on a p album, I was on the Lake album.

1:08:43.360 --> 1:08:46.400
<v Speaker 1>I'm not even thinking hard, so you can't. So you

1:08:46.520 --> 1:08:49.840
<v Speaker 1>can't say I don't get along with people. Run off

1:08:49.880 --> 1:08:52.240
<v Speaker 1>texts on DVD said Megan's the heart of the Bridge.

1:08:52.280 --> 1:08:53.880
<v Speaker 1>I didn't pay him to say that. I didn't even

1:08:53.920 --> 1:08:56.680
<v Speaker 1>know he's gonna say that. Like, I get along with everybody,

1:08:57.160 --> 1:09:01.160
<v Speaker 1>so I don't hold grudgets. If we squashed something, once

1:09:01.240 --> 1:09:04.000
<v Speaker 1>we have peace, we have peace, and I'm thinking this peace.

1:09:04.600 --> 1:09:07.320
<v Speaker 1>So as far as the Queen's tour, I don't you know,

1:09:07.400 --> 1:09:09.680
<v Speaker 1>I don't mind touring. I don't mind making money. I

1:09:09.720 --> 1:09:12.200
<v Speaker 1>don't mind working with my people, you know what I'm saying.

1:09:12.360 --> 1:09:15.120
<v Speaker 1>But I don't want to be like I don't got time.

1:09:15.120 --> 1:09:16.880
<v Speaker 1>I'm we grown man. I don't got time to be

1:09:16.920 --> 1:09:19.120
<v Speaker 1>figuring out damn why this dude don't like me. I didn't.

1:09:19.240 --> 1:09:21.280
<v Speaker 1>I don't got time to be thinking about what did

1:09:21.360 --> 1:09:22.920
<v Speaker 1>I do this time? You know what I'm saying. I

1:09:22.960 --> 1:09:26.640
<v Speaker 1>don't got time for that. And in meantime, I'm independent

1:09:26.840 --> 1:09:29.880
<v Speaker 1>and I'm kind of sort of somebody in that in

1:09:30.040 --> 1:09:32.280
<v Speaker 1>the world. So I'm good. You know what I'm saying.

1:09:32.280 --> 1:09:34.920
<v Speaker 1>I don't like and I forget your dude did a

1:09:35.000 --> 1:09:37.800
<v Speaker 1>lot yo the industry trying to paint a picture of

1:09:37.920 --> 1:09:40.840
<v Speaker 1>me that wasn't even accurate, Like I never said I had.

1:09:41.120 --> 1:09:43.040
<v Speaker 1>I didn't like Norrie brought up the fact I had

1:09:43.080 --> 1:09:45.439
<v Speaker 1>a crib on um Q Gardens and all of that.

1:09:45.960 --> 1:09:47.320
<v Speaker 1>A lot of people in the industry thought I was

1:09:47.520 --> 1:09:50.120
<v Speaker 1>living at queen Bridge. Oh Megan still in the Queens

1:09:51.080 --> 1:09:53.080
<v Speaker 1>nigga said, Yo, dogs I had I had a crib

1:09:53.120 --> 1:09:54.320
<v Speaker 1>with the door man when you thought I was a

1:09:54.400 --> 1:09:58.800
<v Speaker 1>Queens bro nigga balcony nigga, I was out there like that. Well,

1:09:58.800 --> 1:10:03.679
<v Speaker 1>I can't smoke y like that. I beg the cars

1:10:03.760 --> 1:10:06.320
<v Speaker 1>I had. I had crazy cars. I been had Julie

1:10:06.360 --> 1:10:08.400
<v Speaker 1>before rap I can shuts off. Let's just tell you

1:10:08.479 --> 1:10:10.519
<v Speaker 1>what que Guardens is. That's where the courthouse is. That's

1:10:10.520 --> 1:10:13.360
<v Speaker 1>where the lawyers and the judges live. Niggas don't live there.

1:10:13.439 --> 1:10:19.800
<v Speaker 1>Let's make some noise for mega. Let's bigger freeze to man.

1:10:19.840 --> 1:10:22.160
<v Speaker 1>You know what I mean, definitely, but a heck maga. Um,

1:10:23.240 --> 1:10:26.920
<v Speaker 1>So I heard you on stage say you was blackballed

1:10:27.439 --> 1:10:30.600
<v Speaker 1>or what is what is the words you use? Blacklisted?

1:10:30.760 --> 1:10:34.040
<v Speaker 1>Black listed? What does what does? What does? What does

1:10:34.080 --> 1:10:36.800
<v Speaker 1>that exactly mean? Because I hear artists say that, and um,

1:10:37.320 --> 1:10:39.880
<v Speaker 1>when I hear other artists say that, I don't want

1:10:39.920 --> 1:10:41.760
<v Speaker 1>to hear it when I seen that, because because like

1:10:42.120 --> 1:10:44.839
<v Speaker 1>and you're when when you know I was black listens

1:10:45.080 --> 1:10:47.799
<v Speaker 1>with me. But I never had the power to actually

1:10:48.360 --> 1:10:52.160
<v Speaker 1>listen if if that was ever the case with your situation. Bo.

1:10:52.160 --> 1:10:55.640
<v Speaker 1>When I hear other artists up and coming and they

1:10:55.760 --> 1:10:58.120
<v Speaker 1>cast beef for somebody and they say I'm blacklisted, I

1:10:58.240 --> 1:11:00.400
<v Speaker 1>be like that, nigga, ain't really that power. What's you're

1:11:00.400 --> 1:11:04.800
<v Speaker 1>talking about? This blacklist? You know? Tell us Elliot Wilson

1:11:04.840 --> 1:11:07.680
<v Speaker 1>trains coming. I don't know if listen bright raid. I

1:11:07.720 --> 1:11:13.720
<v Speaker 1>don't know if you heard of him negga about you're

1:11:13.720 --> 1:11:19.120
<v Speaker 1>telling me, I act some real good looking at the man,

1:11:19.200 --> 1:11:21.400
<v Speaker 1>He's gonna let y'all know. So what was I saying?

1:11:23.040 --> 1:11:26.840
<v Speaker 1>As I say, what was I saying? I was into

1:11:26.920 --> 1:11:29.800
<v Speaker 1>that about the blacklist ship? I was really blacklisted. I

1:11:29.960 --> 1:11:32.640
<v Speaker 1>was definitely really yo. You know how how does it?

1:11:34.680 --> 1:11:36.479
<v Speaker 1>I didn't even know I was on the shelf. I

1:11:36.520 --> 1:11:38.559
<v Speaker 1>found out was on the shelf from rappers, from people

1:11:38.600 --> 1:11:40.200
<v Speaker 1>in the industry that liked me, Like, yo, man, I

1:11:40.280 --> 1:11:42.760
<v Speaker 1>feel bad for you. Man, you're on the shelf. And

1:11:42.840 --> 1:11:45.280
<v Speaker 1>I'm like, word, like I found stuff about me from

1:11:45.320 --> 1:11:47.680
<v Speaker 1>other people or you know what I'm saying. It's like

1:11:48.080 --> 1:11:50.439
<v Speaker 1>blacklisted is when they're trying to stop every move you

1:11:50.600 --> 1:11:52.600
<v Speaker 1>got like a door opens and over some of the

1:11:52.680 --> 1:11:56.559
<v Speaker 1>door closes. Like I've had situations with even my publicist

1:11:56.600 --> 1:11:59.400
<v Speaker 1>people quote are like, yo, he's he's dangerous, don't mess

1:11:59.439 --> 1:12:02.000
<v Speaker 1>with him. Um, there's a dude I wanted to manage

1:12:02.040 --> 1:12:04.759
<v Speaker 1>me before people call him like yo, his crew is crazy.

1:12:04.800 --> 1:12:07.080
<v Speaker 1>They kill people because they beat up Steve Stout as

1:12:07.160 --> 1:12:08.600
<v Speaker 1>that was. I don't I don't think. I don't know

1:12:08.600 --> 1:12:11.800
<v Speaker 1>if that had anything to do with that, but because

1:12:11.800 --> 1:12:15.519
<v Speaker 1>I remember that as well. Yeah, that was all for

1:12:15.600 --> 1:12:17.720
<v Speaker 1>the culture. It was for the coaching, for the coach

1:12:17.840 --> 1:12:20.679
<v Speaker 1>at that time, that time, for the culture, for the culture,

1:12:20.760 --> 1:12:23.280
<v Speaker 1>coaching music. Let me tell you our gangster kept Steve

1:12:23.320 --> 1:12:25.720
<v Speaker 1>Stout just just so he could feel just so let

1:12:25.760 --> 1:12:30.080
<v Speaker 1>me tell you our gangster I kept it. He called

1:12:30.160 --> 1:12:34.080
<v Speaker 1>Christies office one day and I said, Yo, you want,

1:12:34.479 --> 1:12:36.240
<v Speaker 1>I'll let you point me in my face just so

1:12:36.320 --> 1:12:37.880
<v Speaker 1>you could get just could leave, you know what, saying

1:12:37.960 --> 1:12:39.640
<v Speaker 1>after the incident hap to him he could punch me

1:12:39.680 --> 1:12:41.840
<v Speaker 1>in mynd his system because I just can't jump him.

1:12:41.840 --> 1:12:43.640
<v Speaker 1>It's like one on one her slim beat him up

1:12:43.960 --> 1:12:46.160
<v Speaker 1>freeze right, that's the fact. It's no nigger. He wants

1:12:46.240 --> 1:12:49.280
<v Speaker 1>a shot out on the show. He called me, he

1:12:49.360 --> 1:12:53.360
<v Speaker 1>knows me doing this, les O, No, he's plenty do

1:12:53.560 --> 1:12:56.320
<v Speaker 1>just move, Steve gonna try to buy drink Champs. Let's

1:12:56.680 --> 1:13:03.640
<v Speaker 1>kick you off the steps, man and man, I just

1:13:03.680 --> 1:13:05.920
<v Speaker 1>playing Steve Stock. We know it's all jokes. You rich

1:13:05.960 --> 1:13:10.680
<v Speaker 1>as a motherfucker, which people gotta laugh. But um no, no,

1:13:11.000 --> 1:13:13.080
<v Speaker 1>I'm talking about blacklist just came from everywhere. It wasn't

1:13:13.120 --> 1:13:16.120
<v Speaker 1>blackless because you know what, people paying a picture of

1:13:16.200 --> 1:13:19.080
<v Speaker 1>you that's inaccurate, and they tried. And when people paying

1:13:19.080 --> 1:13:23.439
<v Speaker 1>a certain picture of you which would deter other people

1:13:23.479 --> 1:13:26.479
<v Speaker 1>from doing business with you, it's like that's blacklisting, Like

1:13:26.600 --> 1:13:29.599
<v Speaker 1>people have done that ball that's the same thing. It's cocklock.

1:13:29.720 --> 1:13:32.240
<v Speaker 1>It's the same. But you know what, so you're telling

1:13:32.320 --> 1:13:35.240
<v Speaker 1>me you went like and met with somebody. I got

1:13:35.280 --> 1:13:38.120
<v Speaker 1>a numbers of people. People even called my publicist, my

1:13:38.160 --> 1:13:40.760
<v Speaker 1>public is Jackie O. They was like, don't mess with him,

1:13:40.840 --> 1:13:43.439
<v Speaker 1>and then she still yeah. So people have people have

1:13:43.560 --> 1:13:46.320
<v Speaker 1>taken their own chance with me. And then you know

1:13:46.400 --> 1:13:52.280
<v Speaker 1>how I killed all of that though performance exceeds reputation.

1:13:53.840 --> 1:13:56.120
<v Speaker 1>So for everything you said bad about me, I just

1:13:56.479 --> 1:13:59.760
<v Speaker 1>I'm never late to meetings. I've never missed a deadline,

1:14:00.360 --> 1:14:03.920
<v Speaker 1>and like I told, I told Kevin loves this. When

1:14:03.960 --> 1:14:05.560
<v Speaker 1>I when I when I when I. You know, I

1:14:05.600 --> 1:14:07.320
<v Speaker 1>got off Jef. I went up to Jeff j with

1:14:07.439 --> 1:14:11.200
<v Speaker 1>Lake in spec and I told keV. I said, YO, listen,

1:14:11.720 --> 1:14:15.320
<v Speaker 1>I said, because he knows. They know how I was.

1:14:15.960 --> 1:14:21.160
<v Speaker 1>I said, Yo, my street influence and reputation has never

1:14:22.120 --> 1:14:26.439
<v Speaker 1>interfere with my professionalism as an artist. You sit here

1:14:26.439 --> 1:14:28.519
<v Speaker 1>in your office every day, you drive home and your

1:14:28.520 --> 1:14:32.360
<v Speaker 1>big lexus to your house in Long Island. But I'm

1:14:32.400 --> 1:14:34.800
<v Speaker 1>sitting on the shelf, which is not a label. Never

1:14:34.960 --> 1:14:37.759
<v Speaker 1>lend me to do what I have to do for myself.

1:14:38.479 --> 1:14:40.439
<v Speaker 1>You here doing able to do what you have to

1:14:40.479 --> 1:14:42.640
<v Speaker 1>do for yourself, but you're not a neighbor to me

1:14:42.840 --> 1:14:44.519
<v Speaker 1>to do what I have to do for myself. So

1:14:44.600 --> 1:14:47.680
<v Speaker 1>I say, I'm not asking you. I'm telling you. Yet

1:14:47.720 --> 1:14:52.599
<v Speaker 1>I'm asking you. I want to continue to not let

1:14:52.720 --> 1:14:58.280
<v Speaker 1>my influence affect my professionalism as an artist. I want

1:14:58.280 --> 1:15:01.280
<v Speaker 1>to be able to live and take my families. I

1:15:01.320 --> 1:15:02.960
<v Speaker 1>got That's how I got off. Did you put out

1:15:03.000 --> 1:15:05.640
<v Speaker 1>the gun? There's no guns, none of that. Let's make

1:15:05.720 --> 1:15:11.640
<v Speaker 1>some loyals for no guns. I have that horrible. Now

1:15:11.920 --> 1:15:14.360
<v Speaker 1>do you feel like you're in limbo? Is there a move?

1:15:14.640 --> 1:15:16.960
<v Speaker 1>Like if you have a choice right now, you was like, y'all,

1:15:17.040 --> 1:15:19.439
<v Speaker 1>let me just bust a move and be independent, because

1:15:19.640 --> 1:15:22.320
<v Speaker 1>you wouldn't you know your big brother You know what

1:15:22.360 --> 1:15:25.200
<v Speaker 1>I'm saying, that they beef and would that something you'd

1:15:25.200 --> 1:15:29.000
<v Speaker 1>be interested in? You're going independent? Um right now because

1:15:29.080 --> 1:15:31.600
<v Speaker 1>right now to New York, your fans, a lot of

1:15:31.640 --> 1:15:35.160
<v Speaker 1>people just need to hear you man, like, Um, I'm

1:15:35.200 --> 1:15:38.880
<v Speaker 1>not gonna lie, And I don't want to sound funny

1:15:38.960 --> 1:15:41.800
<v Speaker 1>saying this because Mega said it earlier, like where your

1:15:41.880 --> 1:15:44.599
<v Speaker 1>loyalty and get you? Sometimes being loyal to the wrong

1:15:44.720 --> 1:15:48.280
<v Speaker 1>people or holding your loyalty could put you in a

1:15:48.560 --> 1:15:50.920
<v Speaker 1>in a in a difficult space. You know what I'm

1:15:50.960 --> 1:15:52.600
<v Speaker 1>saying that it can mess you up later in the

1:15:52.680 --> 1:15:55.479
<v Speaker 1>long run. But I would never see myself departing from

1:15:55.560 --> 1:15:59.320
<v Speaker 1>Wayne ever since I ever since I met him. He

1:15:59.439 --> 1:16:01.519
<v Speaker 1>kept in a it with me from day one. So

1:16:01.640 --> 1:16:03.960
<v Speaker 1>what happens if you drop ted mix tapes right now

1:16:04.439 --> 1:16:07.519
<v Speaker 1>and like out of these tedd like you're good four

1:16:07.640 --> 1:16:13.080
<v Speaker 1>records that go on fire, like would it would technically

1:16:13.200 --> 1:16:16.200
<v Speaker 1>be still tied to baby as well? Um to my

1:16:16.360 --> 1:16:19.360
<v Speaker 1>knowledge yet, But by then. I think at the end

1:16:19.360 --> 1:16:22.880
<v Speaker 1>of the day, business is business. So once once, if

1:16:23.080 --> 1:16:25.320
<v Speaker 1>if some product is out and it's on fire and

1:16:25.360 --> 1:16:29.400
<v Speaker 1>it's undeniable, things, I think things are working work theirselves

1:16:29.439 --> 1:16:32.400
<v Speaker 1>out that way, Like if it's buzzing and it's undeniable

1:16:32.479 --> 1:16:36.040
<v Speaker 1>and people, I think some business has gone some business

1:16:36.080 --> 1:16:38.080
<v Speaker 1>to be taken care of on that on that end,

1:16:38.400 --> 1:16:40.639
<v Speaker 1>So that's what I'm That's what I'm really I'm banking

1:16:40.720 --> 1:16:42.840
<v Speaker 1>on that. I'm hoping for that. That's so I ain't

1:16:42.880 --> 1:16:46.160
<v Speaker 1>letting nothing to stop me from working. I got hundreds

1:16:46.200 --> 1:16:49.120
<v Speaker 1>of songs, literally, like, I got so much music right

1:16:49.160 --> 1:16:51.519
<v Speaker 1>now it's like, well, I'm putting projects together and just

1:16:51.600 --> 1:16:55.160
<v Speaker 1>about to just throw them out. That would you yourself ever?

1:16:55.280 --> 1:16:59.320
<v Speaker 1>Do love hip hop? I don't think Nah. Shout out

1:16:59.360 --> 1:17:02.000
<v Speaker 1>to um, shout to Nick Cannon man I had I had.

1:17:02.640 --> 1:17:06.640
<v Speaker 1>I did the reality show Son of a Gun. It

1:17:06.800 --> 1:17:10.080
<v Speaker 1>was kind of UM. I know how it goals. I

1:17:10.200 --> 1:17:13.800
<v Speaker 1>know the ropes to these reality shows, and sometimes they

1:17:13.880 --> 1:17:16.120
<v Speaker 1>put you in situations that you don't want to be in.

1:17:16.720 --> 1:17:21.080
<v Speaker 1>But I also know that it's entertainment and at the

1:17:21.240 --> 1:17:24.000
<v Speaker 1>end of the day, it's ratings. And besides that, I'm

1:17:24.040 --> 1:17:26.200
<v Speaker 1>not saying this fake or not, but it's just something

1:17:26.280 --> 1:17:30.360
<v Speaker 1>that I'm not comfortable with. Yeah, I'm I'm, I'm really

1:17:30.479 --> 1:17:33.320
<v Speaker 1>I'm kind of introverted. Like I like I still, I

1:17:33.439 --> 1:17:36.680
<v Speaker 1>still like my privacy. It's it's certain things that I

1:17:36.760 --> 1:17:38.720
<v Speaker 1>don't want the public. You know what I'm saying. I

1:17:38.760 --> 1:17:40.519
<v Speaker 1>don't want a public eye on I like to be

1:17:40.720 --> 1:17:42.680
<v Speaker 1>I like to be private about certain things in my

1:17:42.800 --> 1:17:45.479
<v Speaker 1>life still, so I don't think that's the lane that

1:17:45.520 --> 1:17:48.960
<v Speaker 1>I will ever go back into on my own. But

1:17:49.320 --> 1:17:52.680
<v Speaker 1>as far as that, like, I don't everybody else doing it,

1:17:52.880 --> 1:17:55.320
<v Speaker 1>like shout out to them. You know what I'm saying

1:17:55.600 --> 1:17:59.800
<v Speaker 1>to jerk off too much? Are you gonna do? Because

1:17:59.840 --> 1:18:03.080
<v Speaker 1>if you ever wanted? But how about Jim Magga, we

1:18:03.320 --> 1:18:05.320
<v Speaker 1>ever see you on Love and Hip Hop? I don't

1:18:05.360 --> 1:18:07.519
<v Speaker 1>think so. I don't got the patience for it. How

1:18:07.560 --> 1:18:10.120
<v Speaker 1>about reality period? Like if the check is right and

1:18:10.160 --> 1:18:12.480
<v Speaker 1>it's it's not, it's something that's not going to sacrifice

1:18:12.520 --> 1:18:17.360
<v Speaker 1>my chegity. Real reality in your opinion. When I got

1:18:17.479 --> 1:18:20.360
<v Speaker 1>over to do one of the joints, but I had

1:18:20.400 --> 1:18:22.800
<v Speaker 1>to give it some thought. Somebody wanted me to do.

1:18:23.040 --> 1:18:28.479
<v Speaker 1>Um what's that thing? Um? The name of Um, it's

1:18:28.520 --> 1:18:32.160
<v Speaker 1>the thing the relationship one A couple of therapy. Yeah yeah, yeah,

1:18:32.320 --> 1:18:34.000
<v Speaker 1>they offered me that too bad, But I didn't have No,

1:18:34.120 --> 1:18:37.519
<v Speaker 1>I didn't like the girl wasn't my girl. It wasn't

1:18:37.520 --> 1:18:40.000
<v Speaker 1>it would have been real, I don't. It wouldn't have

1:18:40.000 --> 1:18:42.280
<v Speaker 1>been real for it like that, Oh the girl wasn't

1:18:42.320 --> 1:18:45.560
<v Speaker 1>really a girl. No no, no, no, that's completely so.

1:18:47.080 --> 1:18:49.679
<v Speaker 1>But you know, you know why, I'm not completely against

1:18:49.760 --> 1:18:58.120
<v Speaker 1>reality or as it actually we finishes people sometimes, you know, um,

1:18:59.520 --> 1:19:02.080
<v Speaker 1>it gets you from zero to a hundred. You know

1:19:02.080 --> 1:19:04.599
<v Speaker 1>what I'm saying. Like, know what I'm saying. And it's

1:19:04.640 --> 1:19:08.000
<v Speaker 1>like like to me, if you ask people who I've

1:19:08.000 --> 1:19:11.320
<v Speaker 1>seen who just did it? Did an excellent jobs, Pap

1:19:11.400 --> 1:19:19.719
<v Speaker 1>Poose excellent jaw. But the show Black Love. That's a fact,

1:19:19.880 --> 1:19:22.920
<v Speaker 1>you know, that's the trade off for that fame. All Right.

1:19:23.160 --> 1:19:25.439
<v Speaker 1>I don't know if it's worth it. I mean something.

1:19:25.479 --> 1:19:27.320
<v Speaker 1>I mean it's not just saying just loving hip hop.

1:19:27.360 --> 1:19:30.080
<v Speaker 1>I'm saying TV period, Like you know what I'm saying.

1:19:30.200 --> 1:19:34.240
<v Speaker 1>Like it's like look at iced tea man, Yeah Scott

1:19:34.280 --> 1:19:36.720
<v Speaker 1>had a cop killer. Now he's a cop on a

1:19:36.800 --> 1:19:42.639
<v Speaker 1>TV show? Yea every fucking day, Like he plays a cop.

1:19:42.760 --> 1:19:47.240
<v Speaker 1>He had a shong called cop Killer. So all I'm

1:19:47.280 --> 1:19:50.400
<v Speaker 1>saying is he's you can still keep who you are

1:19:51.000 --> 1:19:54.320
<v Speaker 1>and adventure into this other world. I'm saying, like, long

1:19:54.439 --> 1:19:56.480
<v Speaker 1>is it like megas as long is it on compromise

1:19:56.479 --> 1:19:59.160
<v Speaker 1>the integrity and nothing like that, Like I'm not turned

1:19:59.160 --> 1:20:01.800
<v Speaker 1>out when we roll, like I'm not morally bankrupt man.

1:20:01.880 --> 1:20:06.439
<v Speaker 1>And that was a strong But what did you say?

1:20:06.600 --> 1:20:08.679
<v Speaker 1>Can you say that again? He said some niggas bank

1:20:08.720 --> 1:20:11.000
<v Speaker 1>bolt is strong? What do you say? I don't remember

1:20:11.000 --> 1:20:13.559
<v Speaker 1>what I said that. That's just what we're gonna sample.

1:20:15.280 --> 1:20:20.639
<v Speaker 1>Trust they're gonna quote that I got That is crazy.

1:20:20.760 --> 1:20:22.439
<v Speaker 1>So I got you for days. So so so what's

1:20:22.520 --> 1:20:24.439
<v Speaker 1>what's So? What's what's the next for Core? You guys? Man?

1:20:24.560 --> 1:20:27.880
<v Speaker 1>Come on? Criminal minded? Criminal? Is you're paying homage to

1:20:27.960 --> 1:20:32.040
<v Speaker 1>a caress with that? Yeah? Yeah, I am. I'm gonna

1:20:32.080 --> 1:20:34.120
<v Speaker 1>have him more there it's a bronze state on there

1:20:34.680 --> 1:20:39.080
<v Speaker 1>and then um, that's family shout out to caress. It's um,

1:20:39.840 --> 1:20:42.200
<v Speaker 1>it's paying homage. But at the same time, I'm not.

1:20:42.240 --> 1:20:44.519
<v Speaker 1>I don't want people to confuse it and think that

1:20:44.600 --> 1:20:47.880
<v Speaker 1>I'm trying to redo what he did, because that's not

1:20:48.720 --> 1:20:51.320
<v Speaker 1>that's not possible. You know what I'm saying. He to me,

1:20:52.439 --> 1:20:55.400
<v Speaker 1>He he held the torch and he started, he started,

1:20:55.600 --> 1:20:58.439
<v Speaker 1>he wrapped, he put the bronx on. So that's not

1:20:58.560 --> 1:21:00.439
<v Speaker 1>really what I'm trying to do. What I'm trying to

1:21:00.560 --> 1:21:05.360
<v Speaker 1>do is just give a revamp it and just give

1:21:05.400 --> 1:21:09.040
<v Speaker 1>a new direction, like to to what it did at

1:21:09.080 --> 1:21:12.960
<v Speaker 1>the time it came out, but is a reference back

1:21:13.040 --> 1:21:15.719
<v Speaker 1>to the cars some of it, because I think sometimes

1:21:15.800 --> 1:21:19.400
<v Speaker 1>it's dope is when when younger cats do something paint homage,

1:21:19.640 --> 1:21:24.519
<v Speaker 1>and then you they go back, It's okay, that should

1:21:24.800 --> 1:21:27.160
<v Speaker 1>it's heavenly inspired by him. I'm not I'm not gonna lie.

1:21:27.200 --> 1:21:30.640
<v Speaker 1>I'm not doing nothing like I'm not gonna be it's

1:21:30.680 --> 1:21:33.160
<v Speaker 1>not gonna be cliche with him, like running over a

1:21:33.240 --> 1:21:35.200
<v Speaker 1>lot of his music or a lot of his stuff

1:21:35.240 --> 1:21:38.559
<v Speaker 1>like that, like it's soul original music. But you're gonna

1:21:38.600 --> 1:21:42.080
<v Speaker 1>hear elements from from him and different things like that,

1:21:42.920 --> 1:21:45.719
<v Speaker 1>especially from that album. You're going here see the visuals

1:21:45.760 --> 1:21:50.720
<v Speaker 1>and hear different elements of how it inspired the projects. Yeah, right,

1:21:52.040 --> 1:21:55.240
<v Speaker 1>that's great. I don't jump sitting here back and I'm

1:21:55.280 --> 1:21:56.760
<v Speaker 1>not trying to cut nobody or if you see me,

1:21:56.800 --> 1:22:00.040
<v Speaker 1>I'm you know what I mean, you don't drink of

1:22:00.120 --> 1:22:07.200
<v Speaker 1>the like I'm trying to be quiet and ship how realized,

1:22:07.240 --> 1:22:09.840
<v Speaker 1>Like that's why sometimes cause I've been zoned in the

1:22:09.960 --> 1:22:11.640
<v Speaker 1>stories like they started linking, you know what I mean,

1:22:11.720 --> 1:22:16.160
<v Speaker 1>Like this ship is crazy so mega. In the early days,

1:22:16.640 --> 1:22:18.640
<v Speaker 1>one of the first DJs, the first DJ to ever

1:22:18.800 --> 1:22:22.920
<v Speaker 1>recored my demo, my first demo I ever made, was

1:22:23.000 --> 1:22:28.200
<v Speaker 1>a DJ named DJ hot Day. How DJ hot Day

1:22:28.240 --> 1:22:30.920
<v Speaker 1>was one of the hottest DJs in Queen's Bridge hands

1:22:31.000 --> 1:22:35.000
<v Speaker 1>down and in the world. How important was DJ hot

1:22:35.120 --> 1:22:42.439
<v Speaker 1>Day during the beginning of your career, Like prior to

1:22:42.560 --> 1:22:48.559
<v Speaker 1>you getting locked up? Proud of me get locked up.

1:22:48.680 --> 1:22:52.080
<v Speaker 1>He gave me my start, But as far as importance

1:22:55.560 --> 1:22:57.560
<v Speaker 1>after that, he didn't do nothing, Like he worked on

1:22:57.640 --> 1:23:00.680
<v Speaker 1>everybody else's album, Like he was working a poet and

1:23:00.920 --> 1:23:06.080
<v Speaker 1>and and other artists. So during that time, that's how

1:23:06.160 --> 1:23:08.439
<v Speaker 1>Molly came in the picture. Because during that time, I'm

1:23:08.479 --> 1:23:11.920
<v Speaker 1>running around good Fellas week. I was like, that's that's

1:23:11.960 --> 1:23:17.639
<v Speaker 1>a gang, wasn't Yeah, it was was hanging together friends.

1:23:19.240 --> 1:23:21.920
<v Speaker 1>So we're running around the street good Fellas in the

1:23:21.960 --> 1:23:25.040
<v Speaker 1>forty buses, right, Yeah, there's a few cruise, burning posse

1:23:26.120 --> 1:23:27.400
<v Speaker 1>a few, it's a lot of you know what I mean.

1:23:27.520 --> 1:23:32.719
<v Speaker 1>So basically he gave me. He did give me my start,

1:23:32.840 --> 1:23:37.720
<v Speaker 1>but he didn't put any effort into me. So that's

1:23:37.720 --> 1:23:40.519
<v Speaker 1>how you know. I waited. I waited and I was patient,

1:23:41.240 --> 1:23:46.760
<v Speaker 1>but it didn't happen. So um at that it got

1:23:46.800 --> 1:23:50.280
<v Speaker 1>to a point where I was so nice. Drug dealers

1:23:50.720 --> 1:23:52.160
<v Speaker 1>was like, Yo, We're gonna pay for you to go

1:23:52.200 --> 1:23:54.040
<v Speaker 1>to the studio. Like the biggest drug dealer in the

1:23:54.080 --> 1:23:56.679
<v Speaker 1>hood was like, I'm paying for your studio. Like both

1:23:56.720 --> 1:24:00.479
<v Speaker 1>of them, both, like the strongest cruise were money wanted.

1:24:00.640 --> 1:24:02.200
<v Speaker 1>My man Lloyd was like, yeah, I'm gonna pay for

1:24:02.240 --> 1:24:03.800
<v Speaker 1>you to go to the studio. Lord just locked that

1:24:03.880 --> 1:24:06.160
<v Speaker 1>right now, my lord. And then work doesn't do theme

1:24:06.240 --> 1:24:08.800
<v Speaker 1>word from Quaidbridge. He was the man. He's like, I'm

1:24:08.800 --> 1:24:10.320
<v Speaker 1>gonna put you in the student like everybody wanted to

1:24:10.360 --> 1:24:12.320
<v Speaker 1>put me in the studio because I wasn't in the studio.

1:24:13.000 --> 1:24:20.280
<v Speaker 1>So um, how I got my real break was from

1:24:20.360 --> 1:24:24.479
<v Speaker 1>hand Carter. I know that name, Who's hand Carter. He

1:24:24.560 --> 1:24:26.800
<v Speaker 1>had the um the Gold Barter Foundation, he had the

1:24:27.439 --> 1:24:29.920
<v Speaker 1>Roosevelt Island, he had a whole hospital name that though

1:24:30.000 --> 1:24:33.479
<v Speaker 1>I keep thinking, like thinking of a basketball coach. I'm

1:24:33.479 --> 1:24:39.920
<v Speaker 1>bugging right. He's affiliated with the wheel check son happened

1:24:39.920 --> 1:24:43.960
<v Speaker 1>with his with his son and and some people in

1:24:44.040 --> 1:24:48.559
<v Speaker 1>my crew, and I wasn't there, so m I didn't

1:24:48.600 --> 1:24:51.360
<v Speaker 1>know what happened. So when Hank came the father, he

1:24:51.560 --> 1:24:53.479
<v Speaker 1>was oh, he was turned up. He's like, he's like

1:24:54.080 --> 1:24:56.240
<v Speaker 1>you like he's ready to fight me. And I was like,

1:24:56.280 --> 1:24:57.360
<v Speaker 1>what are you talking. I don't even know what the

1:24:57.400 --> 1:25:00.599
<v Speaker 1>hell is going on. So then he's a good person.

1:25:00.680 --> 1:25:02.640
<v Speaker 1>He felt bad that he came at me like that

1:25:02.680 --> 1:25:06.280
<v Speaker 1>because people in something like yeah, Cord wasn't there, so

1:25:06.640 --> 1:25:10.759
<v Speaker 1>he felt bad about that. So people another late, another

1:25:10.800 --> 1:25:13.120
<v Speaker 1>person I have to give pre credit to is Mary Stevens.

1:25:14.200 --> 1:25:16.560
<v Speaker 1>So she worked in the community center and then she

1:25:17.320 --> 1:25:19.720
<v Speaker 1>and somebody else told hand called like this guy could

1:25:19.800 --> 1:25:25.760
<v Speaker 1>rap very good. And then Hack called Molly Mall and

1:25:25.880 --> 1:25:30.120
<v Speaker 1>Hank said, because Molly, like this is after Juice cool,

1:25:30.160 --> 1:25:32.519
<v Speaker 1>Molly Mall. This is Molly was the king of the world.

1:25:33.240 --> 1:25:35.519
<v Speaker 1>This is like Molly, this is right after Mama said

1:25:35.600 --> 1:25:38.559
<v Speaker 1>knock you out and all of that. Molly Molly wasn't

1:25:38.600 --> 1:25:41.720
<v Speaker 1>even rocking with too many people, so he was like, yeah,

1:25:41.720 --> 1:25:43.880
<v Speaker 1>I want you to hear this guy. So Molly hurt

1:25:43.960 --> 1:25:47.560
<v Speaker 1>from my joints. Next thing you know, me and Ellis

1:25:48.080 --> 1:25:52.559
<v Speaker 1>is going to Molly's house knocking out songs like Ellie

1:25:52.760 --> 1:25:54.880
<v Speaker 1>Us to Be was gonna be my DJ, and he

1:25:55.000 --> 1:25:57.040
<v Speaker 1>was making some of my he was helping me my album.

1:25:58.000 --> 1:26:02.720
<v Speaker 1>Unfortunately I blew trial. So when I blew trial, do

1:26:02.800 --> 1:26:04.280
<v Speaker 1>you want to say what you was on trial for?

1:26:04.520 --> 1:26:06.760
<v Speaker 1>So the listeners know not to do this. I didn't

1:26:06.760 --> 1:26:09.200
<v Speaker 1>even do what I want yo, I didn't do nothing.

1:26:09.280 --> 1:26:10.880
<v Speaker 1>I mean no, let me, let me, let me not

1:26:10.960 --> 1:26:13.000
<v Speaker 1>paint the pictures like I'm gonna say. I went to

1:26:13.120 --> 1:26:15.439
<v Speaker 1>jail because that's that was God's plan for me, because

1:26:15.479 --> 1:26:17.400
<v Speaker 1>if I got coot for stuff that I really did,

1:26:17.800 --> 1:26:19.800
<v Speaker 1>I would have did more terms. But the thing that

1:26:19.840 --> 1:26:22.479
<v Speaker 1>I went to jail four I didn't even do. They

1:26:22.479 --> 1:26:25.280
<v Speaker 1>said I robbed somebody in theergy tram. Why would I

1:26:25.439 --> 1:26:30.479
<v Speaker 1>for a gun? Uh a police officer at that like

1:26:31.520 --> 1:26:34.160
<v Speaker 1>off duty correction officer up. So it's like that was

1:26:34.800 --> 1:26:37.559
<v Speaker 1>basically a cop set me up. Because there's this cop

1:26:37.640 --> 1:26:40.000
<v Speaker 1>that hated me and he set me up. His name

1:26:40.080 --> 1:26:44.960
<v Speaker 1>was Connor Lee, and he just set me up. The

1:26:45.000 --> 1:26:51.360
<v Speaker 1>opposite of make noise for him basically. So basically I

1:26:51.439 --> 1:26:52.920
<v Speaker 1>had I had a case that I was going to

1:26:53.000 --> 1:26:56.240
<v Speaker 1>court for and I beat it. So as I'm walking

1:26:56.280 --> 1:27:01.560
<v Speaker 1>out the courtroom, they said, oh, you fit the identification

1:27:01.600 --> 1:27:04.320
<v Speaker 1>of somebody. So I was like, this is a joke, right,

1:27:04.439 --> 1:27:06.400
<v Speaker 1>So I went with the cops. They put me in

1:27:06.400 --> 1:27:08.439
<v Speaker 1>the line up and next you know, her man, jail.

1:27:09.720 --> 1:27:12.080
<v Speaker 1>How long did you have to do? I was. I

1:27:12.080 --> 1:27:13.960
<v Speaker 1>would have been I would have been in jail obviously

1:27:14.000 --> 1:27:15.880
<v Speaker 1>for like up to two years until trial, but my

1:27:15.960 --> 1:27:19.360
<v Speaker 1>crew bailed me out. So and then I hired David Cohen,

1:27:19.400 --> 1:27:22.880
<v Speaker 1>who was fat cast lawyer as my lawyer. Some real

1:27:23.000 --> 1:27:28.320
<v Speaker 1>queenship right now, queens. So basically you tell it. First

1:27:28.360 --> 1:27:32.000
<v Speaker 1>of all, I probably had had had the had the

1:27:32.080 --> 1:27:34.800
<v Speaker 1>crazy like we had the craziest guns in the hood.

1:27:35.400 --> 1:27:42.120
<v Speaker 1>So it's insult. And so you told me nigga, yeah,

1:27:42.200 --> 1:27:44.800
<v Speaker 1>a thirty eight at that that's you know, like I

1:27:44.920 --> 1:27:49.479
<v Speaker 1>give those it's just popping now. So it's like at

1:27:49.560 --> 1:27:51.599
<v Speaker 1>that time, it was an insult. So I went to jail,

1:27:51.680 --> 1:27:54.640
<v Speaker 1>something I didn't even do. So that's how I came home.

1:27:54.680 --> 1:27:57.240
<v Speaker 1>I came home on a pill and you know, getting

1:27:57.240 --> 1:28:00.479
<v Speaker 1>the pills like winning a lotto. So basically, children wasn't

1:28:00.479 --> 1:28:02.240
<v Speaker 1>the first nigga came home on the pill. I didn't

1:28:02.240 --> 1:28:04.680
<v Speaker 1>even know what I mean, Tupac it was. It was

1:28:04.760 --> 1:28:10.679
<v Speaker 1>called Mecca, you know, that's what the pill. I didn't

1:28:10.680 --> 1:28:13.200
<v Speaker 1>even know that. So basically, yeah, that's what I went

1:28:13.280 --> 1:28:16.120
<v Speaker 1>to jail for for that. So basically the reason I

1:28:16.200 --> 1:28:19.360
<v Speaker 1>came home because when I went to jail, I was

1:28:19.439 --> 1:28:22.799
<v Speaker 1>too I can't even call it stubborn. I was driven

1:28:22.920 --> 1:28:25.080
<v Speaker 1>to not accept that because I didn't do that. I

1:28:25.200 --> 1:28:28.200
<v Speaker 1>wasn't going out like that because as soon as you

1:28:28.240 --> 1:28:32.479
<v Speaker 1>go to jail, they got all the exercise facilities and

1:28:32.479 --> 1:28:35.240
<v Speaker 1>all of that recreation facilities for you, so that that's

1:28:35.240 --> 1:28:38.040
<v Speaker 1>a distraction. I didn't do that. I went to Lord

1:28:38.120 --> 1:28:40.800
<v Speaker 1>Library every day because it was mad inconsistencies in my case.

1:28:41.439 --> 1:28:44.519
<v Speaker 1>So I started doing my own emotions, sent it to

1:28:44.600 --> 1:28:47.800
<v Speaker 1>a lawyer. We started working back and forth. Next you know,

1:28:47.920 --> 1:28:51.920
<v Speaker 1>my pill. I got my pill. Like so um, I

1:28:52.000 --> 1:28:53.360
<v Speaker 1>think it was a bless me going to jails, a

1:28:53.400 --> 1:28:55.639
<v Speaker 1>blessing in the sky. Because I went to jail, everybody

1:28:55.720 --> 1:28:57.880
<v Speaker 1>is to be with got more time than me, and

1:28:57.920 --> 1:28:59.840
<v Speaker 1>I had a decent amount of time. So it was

1:29:00.560 --> 1:29:02.439
<v Speaker 1>whole All the good fellas pretty much went to jails

1:29:02.479 --> 1:29:04.479
<v Speaker 1>have a couple. So if I'd have been home, I

1:29:04.479 --> 1:29:06.720
<v Speaker 1>would have got caught up with that definitely. But while

1:29:06.760 --> 1:29:09.080
<v Speaker 1>I went to jail, I got my g D two

1:29:09.240 --> 1:29:10.800
<v Speaker 1>years off of that. Now I did more than two

1:29:10.880 --> 1:29:13.679
<v Speaker 1>years just over that. Because you said you came holding

1:29:13.760 --> 1:29:15.840
<v Speaker 1>a pill. I came home after like three and change.

1:29:15.880 --> 1:29:17.920
<v Speaker 1>I wanted four years. I got a lot of time,

1:29:18.040 --> 1:29:23.320
<v Speaker 1>bro So so um, I went to jail. I went

1:29:23.360 --> 1:29:27.400
<v Speaker 1>to the box. While it's in the box, it's a

1:29:27.479 --> 1:29:30.280
<v Speaker 1>small little rooms, just a bed in the saying. You know,

1:29:30.479 --> 1:29:33.160
<v Speaker 1>you know the runnings. There's a little slit in the door.

1:29:34.280 --> 1:29:36.040
<v Speaker 1>That's how that's where they give you your food. And

1:29:36.160 --> 1:29:40.720
<v Speaker 1>one day they passed. They came out with a book

1:29:40.760 --> 1:29:42.920
<v Speaker 1>with a book trade. They were dripping about the you know,

1:29:43.000 --> 1:29:46.200
<v Speaker 1>walking out of the book card. I got a book,

1:29:47.000 --> 1:29:49.559
<v Speaker 1>The Order Biography of Malcolm Max. That's the first book

1:29:49.560 --> 1:29:52.160
<v Speaker 1>I had in jailed, as well, Change My Life by

1:29:52.200 --> 1:29:55.800
<v Speaker 1>Alex Helley. Correct. That's I think every street kid in

1:29:55.880 --> 1:29:59.120
<v Speaker 1>the world should read that. I read that book and

1:29:59.200 --> 1:30:02.840
<v Speaker 1>it's like, wow, we because we're conditioned to believe that

1:30:03.320 --> 1:30:06.840
<v Speaker 1>we're funk ups and there is no promised land for us,

1:30:07.040 --> 1:30:08.800
<v Speaker 1>and like, once you go to jail, it's like your

1:30:08.840 --> 1:30:11.040
<v Speaker 1>life is over. Your convict, you can't do anything. So

1:30:11.200 --> 1:30:14.600
<v Speaker 1>we're misled to believe that. So now I'm reading this

1:30:14.760 --> 1:30:17.320
<v Speaker 1>book and I could relate to him, this dude that's

1:30:17.320 --> 1:30:20.840
<v Speaker 1>in jail, and he said he was, you know, he

1:30:20.880 --> 1:30:23.680
<v Speaker 1>couldn't really read and all that that good. Then he

1:30:23.720 --> 1:30:26.240
<v Speaker 1>started studying more. He became very articularly, became one of

1:30:26.280 --> 1:30:31.439
<v Speaker 1>the most articulated speakers of his generation. So I said

1:30:31.479 --> 1:30:33.000
<v Speaker 1>to myself, he could do it, why I can't do it.

1:30:33.240 --> 1:30:34.560
<v Speaker 1>I might not could do it like he did it,

1:30:34.640 --> 1:30:38.000
<v Speaker 1>But I'm gonna improve myself while I'm here in this circumstance.

1:30:38.360 --> 1:30:42.320
<v Speaker 1>Why should I just beat another number statistic that the

1:30:42.439 --> 1:30:45.760
<v Speaker 1>first two books already was that already um marcol X

1:30:45.800 --> 1:30:48.400
<v Speaker 1>and hard Son by Donald Ganes. I didn't read that yet.

1:30:48.439 --> 1:30:50.439
<v Speaker 1>He didn't read the first books I read. And there

1:30:50.520 --> 1:30:55.680
<v Speaker 1>was the Bible and what is matter? What what what?

1:30:55.760 --> 1:31:01.479
<v Speaker 1>What we're religion coaches is called magna. I'm Muslim. That's why,

1:31:02.000 --> 1:31:04.479
<v Speaker 1>that's why, that's why you didn't see me drink alcohol,

1:31:04.560 --> 1:31:07.479
<v Speaker 1>Because first of all, you got the number one podcast.

1:31:07.640 --> 1:31:13.920
<v Speaker 1>That's why make yers for that mega no one so nice.

1:31:14.720 --> 1:31:18.720
<v Speaker 1>In this day and age, Islam get such a bad

1:31:18.840 --> 1:31:21.639
<v Speaker 1>stigma attached to it. Falsely, you're gonna be the negative.

1:31:21.720 --> 1:31:28.519
<v Speaker 1>Come here, it's called showing a dad. So showing a

1:31:28.680 --> 1:31:36.240
<v Speaker 1>dad like a Muslim window, say no, not that put

1:31:36.360 --> 1:31:41.680
<v Speaker 1>like this almost almost prominent, positive and beautiful voice has

1:31:41.760 --> 1:31:43.760
<v Speaker 1>been silenced. And that was and that was a brother

1:31:43.840 --> 1:31:46.280
<v Speaker 1>by the name of Muhammad Ali who just recently passed.

1:31:46.760 --> 1:31:49.720
<v Speaker 1>So it's like we need more positive role models for

1:31:50.040 --> 1:31:52.839
<v Speaker 1>for Muslims. Like so when they say what is your religion?

1:31:52.920 --> 1:31:57.479
<v Speaker 1>I really don't. I don't think God said about to

1:31:58.040 --> 1:32:02.960
<v Speaker 1>have a religion. It's to be Muslim. Is is pretty

1:32:03.040 --> 1:32:05.560
<v Speaker 1>much the same thing as Christianity. We all believe in

1:32:05.760 --> 1:32:08.160
<v Speaker 1>in one guard, you know what I'm saying. It's just

1:32:10.160 --> 1:32:11.760
<v Speaker 1>I think a lot of more, a lot more people

1:32:11.800 --> 1:32:15.560
<v Speaker 1>would would would would turn to Islam. But Islam is

1:32:16.120 --> 1:32:19.280
<v Speaker 1>to discipline. Is too much discipline for certain people, Like

1:32:19.400 --> 1:32:22.120
<v Speaker 1>you don't you can't eat pork, you can't do certain things.

1:32:22.400 --> 1:32:25.320
<v Speaker 1>You gotta pray five times a day. There's a lot

1:32:25.360 --> 1:32:27.280
<v Speaker 1>of you pray five times a day, not all the time.

1:32:27.520 --> 1:32:29.439
<v Speaker 1>Because I'm not gonna say him live. That's cool. There's

1:32:29.439 --> 1:32:31.120
<v Speaker 1>things I need to see you. In the hood, it

1:32:31.240 --> 1:32:34.400
<v Speaker 1>was like three o'clock in the morning, it's mad, wild

1:32:34.479 --> 1:32:37.840
<v Speaker 1>goons out and you had the crown One chill with

1:32:37.920 --> 1:32:41.719
<v Speaker 1>you the whole night. I'm like, God like the crown

1:32:41.880 --> 1:32:44.280
<v Speaker 1>on and you know it. You know the hood is

1:32:44.320 --> 1:32:47.080
<v Speaker 1>better though, Now do you think so? I don't. I don't.

1:32:47.120 --> 1:32:48.680
<v Speaker 1>I'm I'm gonna keeping her. I don't even be in

1:32:48.720 --> 1:32:51.360
<v Speaker 1>the hood all the time, neither. But I'm saying, like

1:32:51.720 --> 1:32:54.320
<v Speaker 1>what it changed from where the ever we grew up

1:32:54.360 --> 1:32:56.120
<v Speaker 1>in There was time there was times when I used

1:32:56.120 --> 1:33:02.280
<v Speaker 1>to come in the in the crib like I dig

1:33:02.320 --> 1:33:04.200
<v Speaker 1>in this pocket, I get the cheated open the door,

1:33:04.680 --> 1:33:07.479
<v Speaker 1>but I got my hand on my gun in case

1:33:07.520 --> 1:33:09.559
<v Speaker 1>somebody trying to get at me, you know what I'm saying.

1:33:09.560 --> 1:33:12.439
<v Speaker 1>So it's like there's still that, but it's not that

1:33:12.600 --> 1:33:16.000
<v Speaker 1>element of it's not that element of aggressive like goon

1:33:16.120 --> 1:33:18.320
<v Speaker 1>aggression like it was when we was coming up. You

1:33:18.360 --> 1:33:21.120
<v Speaker 1>know what I'm saying, Like, now you was originally from Brooklyn?

1:33:21.280 --> 1:33:26.160
<v Speaker 1>Is that correct? I was born in bed Style? Bed Style?

1:33:27.040 --> 1:33:30.880
<v Speaker 1>And then what year did you go to the bridge? Um,

1:33:32.800 --> 1:33:34.519
<v Speaker 1>I don't want to have to look in my book

1:33:34.560 --> 1:33:36.280
<v Speaker 1>of life. I don't mean when you have moved to Bridge.

1:33:36.320 --> 1:33:39.160
<v Speaker 1>I moved to the Bridge when I was young, and um,

1:33:39.280 --> 1:33:42.680
<v Speaker 1>I lived a few places because but the bridge is

1:33:42.760 --> 1:33:45.680
<v Speaker 1>your home. No, my home is my house is my

1:33:45.760 --> 1:33:51.160
<v Speaker 1>home now the Bridge the bridge where I came up at.

1:33:51.960 --> 1:33:54.400
<v Speaker 1>But there's certain there's different places in my there's different

1:33:54.400 --> 1:33:57.960
<v Speaker 1>places that that played, um a central part of me.

1:33:58.800 --> 1:34:00.720
<v Speaker 1>You know what I think. You know what a lot

1:34:00.760 --> 1:34:02.880
<v Speaker 1>of people say about me, They say you're different from

1:34:03.600 --> 1:34:06.719
<v Speaker 1>a lot of rappers from the Bridge. I got different

1:34:06.760 --> 1:34:09.200
<v Speaker 1>coaches in me from different places. Like I was talking

1:34:09.240 --> 1:34:10.519
<v Speaker 1>to somebody the other day, I was like, you know,

1:34:10.640 --> 1:34:13.280
<v Speaker 1>I used to live I'm talking about men overhead a

1:34:13.280 --> 1:34:15.639
<v Speaker 1>matter of fact fixed and we're talking about Corp City

1:34:15.680 --> 1:34:18.680
<v Speaker 1>in the Bronx. I used to living Corp City. A

1:34:18.720 --> 1:34:20.680
<v Speaker 1>lot of people don't know that. I always identified the

1:34:20.800 --> 1:34:23.720
<v Speaker 1>Corps because they got terrorism and left practice exactly. So

1:34:24.080 --> 1:34:26.679
<v Speaker 1>I had Bronx culture in me. I got Brooklyn coach

1:34:26.760 --> 1:34:29.040
<v Speaker 1>at me, I got Queens coach at me, and I

1:34:29.120 --> 1:34:30.600
<v Speaker 1>adapted all of that. And I used to be in

1:34:30.960 --> 1:34:32.760
<v Speaker 1>hall m a lot. The reason I used to be

1:34:32.880 --> 1:34:35.400
<v Speaker 1>so many places who got a beetle the fund is

1:34:35.439 --> 1:34:43.160
<v Speaker 1>that that's the camera here. That sounds like a beetlegger.

1:34:43.240 --> 1:34:48.880
<v Speaker 1>I was like, yeah, that's great, but held on, that's

1:34:48.920 --> 1:34:58.439
<v Speaker 1>exactly let's see right there. No, I want to make

1:34:58.479 --> 1:35:04.800
<v Speaker 1>sure he's still filming though, got camera right there. Yeah,

1:35:04.880 --> 1:35:07.640
<v Speaker 1>I just switched. Listen. Yeah, well, I just want to

1:35:07.680 --> 1:35:10.880
<v Speaker 1>make sure we got both fingers. But get had keep going.

1:35:11.240 --> 1:35:17.040
<v Speaker 1>Is it working all right? Cool? Cool, Yeah, it's just

1:35:17.120 --> 1:35:22.280
<v Speaker 1>a little batter me. Just cool, cool, cool. It's gonna

1:35:22.280 --> 1:35:28.599
<v Speaker 1>be rich what you're doing rich a bandon sniffing coke

1:35:30.880 --> 1:35:36.200
<v Speaker 1>like a coke breaking Get down in Miami, man, I'm

1:35:36.280 --> 1:35:39.759
<v Speaker 1>fucking with you. Bad, be good, good, all right, cool,

1:35:40.439 --> 1:35:48.960
<v Speaker 1>looking at your doughs though, come on over back yo, listen,

1:35:49.479 --> 1:35:52.120
<v Speaker 1>back up. I'm sorry. All right. So, like I said,

1:35:52.920 --> 1:35:55.560
<v Speaker 1>I absorbed a lot of absorbed. I'm like, I'm like,

1:35:56.080 --> 1:35:58.120
<v Speaker 1>I'm the epitome of New York. I lived in mad

1:35:58.200 --> 1:36:01.040
<v Speaker 1>different places or frequent in the a lot of different places.

1:36:01.479 --> 1:36:04.120
<v Speaker 1>But the Bridge was my base. The business. The Bridge

1:36:04.200 --> 1:36:09.360
<v Speaker 1>is responsible for my for my passion with hip hop.

1:36:09.560 --> 1:36:12.840
<v Speaker 1>When people's careers took off, I'm talking about back in

1:36:12.920 --> 1:36:15.479
<v Speaker 1>the days I was dead. I was there when bis

1:36:15.560 --> 1:36:18.400
<v Speaker 1>Markey first performed in the park. You know, I was dead.

1:36:19.120 --> 1:36:22.519
<v Speaker 1>I was there for Smitty the Number Man when Smithy

1:36:22.600 --> 1:36:24.639
<v Speaker 1>was the number one number. When I was there missing

1:36:24.680 --> 1:36:27.439
<v Speaker 1>everything was that I was there when Craig had shout out,

1:36:28.120 --> 1:36:30.920
<v Speaker 1>you know, stuff like that. So I absorbed all that.

1:36:31.120 --> 1:36:34.519
<v Speaker 1>But um, I think it's different places that I've been

1:36:34.560 --> 1:36:38.479
<v Speaker 1>in my life that that I cultivated All that together

1:36:38.680 --> 1:36:41.680
<v Speaker 1>that made me like, like far Rockaway was like my

1:36:41.760 --> 1:36:46.160
<v Speaker 1>gladiated school Rockaway. Edge Man is like edge Man is

1:36:46.240 --> 1:36:49.240
<v Speaker 1>like the king of edge Man is the king of hoods,

1:36:49.479 --> 1:36:53.320
<v Speaker 1>the king of grimy hoods like Far Rockaway. People don't

1:36:53.400 --> 1:36:55.800
<v Speaker 1>understand that's that's a lot of people got beat up

1:36:55.840 --> 1:36:58.240
<v Speaker 1>in far Rockway because they thought queens were sold. So

1:36:58.240 --> 1:36:59.519
<v Speaker 1>a lot of people used to just think they could

1:36:59.520 --> 1:37:01.720
<v Speaker 1>come to the queen and didn't left fractic people think.

1:37:02.200 --> 1:37:04.160
<v Speaker 1>You know what the funniest thing about far Rocker keeping

1:37:04.160 --> 1:37:07.640
<v Speaker 1>a hunting um is I went there one night and

1:37:07.720 --> 1:37:11.000
<v Speaker 1>they got the chicken spot in the lobby. That was

1:37:11.600 --> 1:37:15.599
<v Speaker 1>like the first projects I ever seen that they got

1:37:15.720 --> 1:37:20.120
<v Speaker 1>a chicken spot in the lobby, Like you gotta walk

1:37:20.200 --> 1:37:24.040
<v Speaker 1>through Tarra to get a piece of chicken. If you

1:37:24.120 --> 1:37:27.240
<v Speaker 1>got respected got far. If you got respected for Rocky real,

1:37:27.479 --> 1:37:30.439
<v Speaker 1>you're a gun your gun bucker. That's a fact. That's

1:37:30.439 --> 1:37:35.880
<v Speaker 1>a fact. Shout out everybody, Far Root, everybody, shout out

1:37:35.920 --> 1:37:40.879
<v Speaker 1>my man. Knowledge from from handles changed drugs and stacks

1:37:41.280 --> 1:37:45.479
<v Speaker 1>recipes and JB. I know a lot of far rock away.

1:37:45.880 --> 1:37:49.680
<v Speaker 1>But anyway, the Bridge, the Bridge. I owe so much

1:37:49.800 --> 1:37:51.559
<v Speaker 1>to the Bridge, you know what. I love the Bridge.

1:37:52.520 --> 1:37:54.920
<v Speaker 1>UM A lot of memories there, a lot of history there,

1:37:55.080 --> 1:37:59.000
<v Speaker 1>put in a lot of work, a lot of friends there, family.

1:38:00.160 --> 1:38:05.720
<v Speaker 1>So the bridges, the bridges to Quintas sent you. The

1:38:05.840 --> 1:38:09.400
<v Speaker 1>Bridge might be the most important placed in hip hop

1:38:09.520 --> 1:38:11.479
<v Speaker 1>history if you think about it. And I'm not saying

1:38:11.520 --> 1:38:14.920
<v Speaker 1>this from a bias perspective, Like when you think of rap.

1:38:16.280 --> 1:38:19.960
<v Speaker 1>Seant ushered in a whole new era for street rap

1:38:20.040 --> 1:38:23.280
<v Speaker 1>and for women. She's for queens. With Molly, mar changed

1:38:23.680 --> 1:38:26.200
<v Speaker 1>the whole production game. Like you talk to the top

1:38:26.240 --> 1:38:29.680
<v Speaker 1>ten producers, They're all attributed some of their success to

1:38:29.840 --> 1:38:33.519
<v Speaker 1>what Molly's done. Mc shan does not get the credit

1:38:33.560 --> 1:38:35.760
<v Speaker 1>he deserved. He's one of the best m season if

1:38:35.760 --> 1:38:38.360
<v Speaker 1>you listen to his other mc shan had the first

1:38:38.520 --> 1:38:41.800
<v Speaker 1>UM concept record ever. He had that song talking about

1:38:41.960 --> 1:38:45.000
<v Speaker 1>hip hop, like he had a song talking about cocaine,

1:38:45.080 --> 1:38:48.400
<v Speaker 1>like it's a girl, Like like how comments Sense had

1:38:48.439 --> 1:38:51.519
<v Speaker 1>that song about hipop had a song called cocaine. Listen

1:38:51.600 --> 1:38:55.160
<v Speaker 1>to that like so Queen and then you think about

1:38:57.040 --> 1:39:02.040
<v Speaker 1>like every major beef in hip hop, like the major

1:39:02.080 --> 1:39:06.439
<v Speaker 1>beef in the hip hop Queen Beach somehow or another

1:39:06.479 --> 1:39:10.040
<v Speaker 1>guy attached to it. Even if you like any beef

1:39:10.120 --> 1:39:12.840
<v Speaker 1>you can think about, like Queen Bench is so powerful

1:39:12.920 --> 1:39:16.080
<v Speaker 1>with hip hop. It's just like being there was like

1:39:16.439 --> 1:39:20.120
<v Speaker 1>being if you're a rapper and you're really into wrap,

1:39:20.439 --> 1:39:22.240
<v Speaker 1>growing up around Queen Beriach is like being in a

1:39:22.360 --> 1:39:28.280
<v Speaker 1>dream about to spend of that. We're back. It's like

1:39:28.360 --> 1:39:31.280
<v Speaker 1>being a dream. It's like being in a dream. Any block.

1:39:31.400 --> 1:39:34.040
<v Speaker 1>You could just the man. You're just walking walking to

1:39:34.120 --> 1:39:35.960
<v Speaker 1>the store, and then you bump into the one of

1:39:36.000 --> 1:39:37.640
<v Speaker 1>the dopest rappers in the world. And then you go

1:39:37.800 --> 1:39:39.639
<v Speaker 1>to laundry Matt, you see one of the dopest rappers

1:39:39.680 --> 1:39:44.680
<v Speaker 1>in the world, and you know or producers so l e.

1:39:45.000 --> 1:39:54.439
<v Speaker 1>S Schoolball, Black Cow called Mega Morb d Tragedy. You

1:39:55.479 --> 1:39:58.760
<v Speaker 1>have a show and what happened when you had a show,

1:39:59.040 --> 1:40:02.200
<v Speaker 1>and it's some ship. I don't know. I don't even

1:40:02.240 --> 1:40:05.240
<v Speaker 1>want to talk about trash. Damn word. You don't with

1:40:05.280 --> 1:40:07.680
<v Speaker 1>each other like that for real? I mean, put me

1:40:07.760 --> 1:40:11.120
<v Speaker 1>on we don't know traged trash would be glad I

1:40:11.200 --> 1:40:14.200
<v Speaker 1>called me No, Mmm, we don't know what you're talking about.

1:40:17.280 --> 1:40:23.080
<v Speaker 1>Shout out mano, what'll happened with you? A trash? I

1:40:23.080 --> 1:40:24.960
<v Speaker 1>don't got no be for trash, tragic trash. We need

1:40:25.000 --> 1:40:27.120
<v Speaker 1>to get his life together on some real That's what

1:40:27.200 --> 1:40:28.680
<v Speaker 1>I'm saying. I don't got no beet for him. But

1:40:28.760 --> 1:40:30.960
<v Speaker 1>he's been doing this since Small six with called Mega.

1:40:31.360 --> 1:40:33.880
<v Speaker 1>I don't know what's wrong with tragic grumpy, you know

1:40:33.920 --> 1:40:40.280
<v Speaker 1>what I'm saying. And like tragic, like trag is a

1:40:40.320 --> 1:40:44.280
<v Speaker 1>type of person, like don't play games in other words,

1:40:44.360 --> 1:40:49.320
<v Speaker 1>like because you see me on some peaceful humbles humbles ship,

1:40:49.880 --> 1:40:52.120
<v Speaker 1>like don't do something that you wouldn't have did when

1:40:52.160 --> 1:40:54.840
<v Speaker 1>I was when I was that other Mega. Because at

1:40:54.880 --> 1:41:02.400
<v Speaker 1>the same time, I'm at walk myself every day because

1:41:02.439 --> 1:41:04.000
<v Speaker 1>there's time, Like at the same time, I could be

1:41:04.000 --> 1:41:05.479
<v Speaker 1>the most homeble person, but it's not for me to

1:41:05.520 --> 1:41:09.000
<v Speaker 1>pick up that phone. And if I do that, then

1:41:09.080 --> 1:41:11.600
<v Speaker 1>what But at the same time, I don't got to

1:41:11.680 --> 1:41:14.000
<v Speaker 1>be for nobody. It's just that, you know, I don't

1:41:14.000 --> 1:41:16.280
<v Speaker 1>have been that night. I don't because I got mixed

1:41:16.280 --> 1:41:19.200
<v Speaker 1>stories like it was promotional, people telling me your call.

1:41:19.240 --> 1:41:21.680
<v Speaker 1>Omega got on stage, says something in trash, got on

1:41:21.800 --> 1:41:24.200
<v Speaker 1>stage with what was exactly it was? It was I

1:41:24.240 --> 1:41:27.400
<v Speaker 1>don't even want to talk about it's not or I

1:41:27.479 --> 1:41:33.880
<v Speaker 1>know it was. All I know is dish. He shouldn't have.

1:41:34.560 --> 1:41:38.960
<v Speaker 1>He was on he was on somebody's show, a podcast.

1:41:40.080 --> 1:41:45.000
<v Speaker 1>Oh I was okay, and they said whatever with Mega

1:41:45.080 --> 1:41:47.720
<v Speaker 1>there was they they were doing name association. So they

1:41:47.840 --> 1:41:50.640
<v Speaker 1>so they named certain people like they named Having, and

1:41:50.720 --> 1:41:56.479
<v Speaker 1>he said something that was disrespectful. Yeah, so's they mentioned

1:41:56.520 --> 1:41:59.320
<v Speaker 1>having name then he died Having. I thought that was whack.

1:42:00.360 --> 1:42:03.600
<v Speaker 1>So they said they mentioned Mega and he's like, I

1:42:03.680 --> 1:42:07.439
<v Speaker 1>don't know. So my old thing was part of me

1:42:07.600 --> 1:42:11.040
<v Speaker 1>was like I just fought it. I fought myself because

1:42:11.080 --> 1:42:12.960
<v Speaker 1>I was like, I ain't even that serious. He ain't

1:42:12.960 --> 1:42:14.760
<v Speaker 1>even worth it. And and and the reason I really

1:42:14.840 --> 1:42:18.880
<v Speaker 1>didn't say nothing because somebody said, he's just trying to

1:42:18.920 --> 1:42:20.479
<v Speaker 1>get it. He got an album out, that's why you're

1:42:20.479 --> 1:42:21.920
<v Speaker 1>trying to do that. So I said, you know what

1:42:22.080 --> 1:42:23.800
<v Speaker 1>I wait till his album comes out and does what

1:42:23.920 --> 1:42:27.120
<v Speaker 1>it does, and then maybe I'll speak to him about it.

1:42:27.200 --> 1:42:29.840
<v Speaker 1>But he wanted attention and I wasn't gonna I wasn't

1:42:29.840 --> 1:42:31.479
<v Speaker 1>gonna help him getting no extra sells, you know what

1:42:31.479 --> 1:42:33.400
<v Speaker 1>I'm saying. Like, you know what I'm saying. I was

1:42:33.400 --> 1:42:34.680
<v Speaker 1>just gonna pray for him and hope we get his

1:42:34.760 --> 1:42:36.400
<v Speaker 1>life together, you know what I'm saying. But I was

1:42:36.439 --> 1:42:38.080
<v Speaker 1>told you I was cool, so when I heard I

1:42:38.120 --> 1:42:40.160
<v Speaker 1>thought it was cool too. But you know, some people,

1:42:41.439 --> 1:42:45.040
<v Speaker 1>some people be having that in some people got resentment

1:42:45.160 --> 1:42:48.439
<v Speaker 1>in them, resentment issues because they feel like they should

1:42:48.479 --> 1:42:55.120
<v Speaker 1>be you know, like he's not consistent. Put it like this,

1:42:55.680 --> 1:42:58.880
<v Speaker 1>Like one time, I give a perfect example, somebody was

1:42:58.920 --> 1:43:02.040
<v Speaker 1>talking my prodigies, but and then travels like, but he

1:43:02.200 --> 1:43:04.920
<v Speaker 1>wasn't lying, though, But why would you say that you

1:43:04.920 --> 1:43:06.920
<v Speaker 1>should have said nothing? You think you know what I'm saying.

1:43:07.120 --> 1:43:09.880
<v Speaker 1>He had a documentary out before and he was sending

1:43:09.920 --> 1:43:12.080
<v Speaker 1>it for nas. You know what I'm saying. You know

1:43:12.200 --> 1:43:14.400
<v Speaker 1>we probably seen It's like, so, why why do you

1:43:14.479 --> 1:43:16.280
<v Speaker 1>have an issue with everybody? Because that one time I

1:43:16.360 --> 1:43:18.360
<v Speaker 1>did think it was cool. But at the same time,

1:43:18.920 --> 1:43:22.879
<v Speaker 1>it's like I don't want to be cool with you anymore.

1:43:23.000 --> 1:43:24.960
<v Speaker 1>I don't gonna beef with you, but I don't want

1:43:24.960 --> 1:43:28.240
<v Speaker 1>to be cool with you because you got some kind

1:43:28.280 --> 1:43:29.640
<v Speaker 1>of issues with me, and I don't need it. I

1:43:29.640 --> 1:43:31.280
<v Speaker 1>don't even I don't need to try to figure out

1:43:31.320 --> 1:43:34.880
<v Speaker 1>what those issues are. Now we can handle this, Like

1:43:35.439 --> 1:43:37.280
<v Speaker 1>I don't I'm I'm I'm I'm trying to be a

1:43:37.360 --> 1:43:40.519
<v Speaker 1>different person. But he know, like he promotes himself as

1:43:40.520 --> 1:43:42.240
<v Speaker 1>a thug. I don't gotta promote myself as a dug.

1:43:42.600 --> 1:43:44.640
<v Speaker 1>Like like if I wake up with an attitude and

1:43:44.760 --> 1:43:48.240
<v Speaker 1>just be like yo, it's a problem, like don't play,

1:43:48.360 --> 1:43:51.240
<v Speaker 1>don't play with it. So it's like I don't know

1:43:51.439 --> 1:43:53.560
<v Speaker 1>some other I'm trying to be a peaceful man. But

1:43:53.600 --> 1:43:57.280
<v Speaker 1>at the same time, like just because I'm I'm calm,

1:43:57.400 --> 1:44:01.000
<v Speaker 1>or because UM relate just or I believe you know,

1:44:02.479 --> 1:44:04.960
<v Speaker 1>I never said I'm soft, and I never said I'm

1:44:04.960 --> 1:44:07.880
<v Speaker 1>a pacifist. Respective don't get you know what I'm saying,

1:44:07.960 --> 1:44:10.439
<v Speaker 1>So like, don't step on my toes. You know, I say,

1:44:10.560 --> 1:44:12.840
<v Speaker 1>just stay in your lane and and and just leave

1:44:12.840 --> 1:44:15.200
<v Speaker 1>me alone. I don't know you that, So that's that

1:44:15.360 --> 1:44:17.439
<v Speaker 1>I'm not gonna dish him. I'm not gonna say nothing.

1:44:17.560 --> 1:44:21.680
<v Speaker 1>I'm not gonna do it. Don't matter even when we

1:44:21.800 --> 1:44:23.759
<v Speaker 1>was dead. If it wasn't for me, he'd got handled.

1:44:24.160 --> 1:44:26.479
<v Speaker 1>Oh man, what's that though? I don't know? He said,

1:44:26.520 --> 1:44:29.200
<v Speaker 1>I've been doing this since small six with call Mega

1:44:29.320 --> 1:44:31.680
<v Speaker 1>on till and why man, get the hip hop guy.

1:44:38.320 --> 1:44:39.840
<v Speaker 1>You know what I mean? I always thought you I

1:44:39.920 --> 1:44:41.720
<v Speaker 1>was cool, but I just got to be for him

1:44:42.160 --> 1:44:44.560
<v Speaker 1>and just Sunday just be doing some weird stuff. And

1:44:44.680 --> 1:44:47.320
<v Speaker 1>you know that because you did business with him, So

1:44:47.439 --> 1:44:48.880
<v Speaker 1>you know what I'm saying. And Yo, let me tell

1:44:48.880 --> 1:44:51.599
<v Speaker 1>you something, man, he just got it. He got too many.

1:44:51.760 --> 1:44:53.680
<v Speaker 1>Ye let me tell you something. When he first came

1:44:53.720 --> 1:44:55.800
<v Speaker 1>on from jail. You know, he one of the first things.

1:44:55.880 --> 1:44:58.800
<v Speaker 1>First one he came from jail, I bought him clothes

1:44:58.840 --> 1:45:02.040
<v Speaker 1>and everything, game clothes. Then I sent him to my

1:45:02.120 --> 1:45:04.120
<v Speaker 1>man's store because I deal with a lot of boutiques

1:45:04.160 --> 1:45:07.320
<v Speaker 1>and stuff like that, you know, doing my little collaboration stuff.

1:45:07.439 --> 1:45:09.080
<v Speaker 1>I sent to my man store. They plugged them with

1:45:09.160 --> 1:45:12.000
<v Speaker 1>clothes and stuff. Right, showed him love. He's like, Yo,

1:45:13.040 --> 1:45:14.560
<v Speaker 1>why you went to see he was? He told me

1:45:14.640 --> 1:45:16.080
<v Speaker 1>he was mad because I want to see property and

1:45:16.120 --> 1:45:18.720
<v Speaker 1>I ain't gonna see him. That's the problem. That's a

1:45:18.840 --> 1:45:21.200
<v Speaker 1>problem in itself. Why are you worried about what two

1:45:21.320 --> 1:45:25.120
<v Speaker 1>other men do? That's for one and for two dogs.

1:45:25.680 --> 1:45:27.519
<v Speaker 1>I went up state. I went up state before two.

1:45:27.520 --> 1:45:30.120
<v Speaker 1>You didn't come see me at all. It's like, so,

1:45:30.479 --> 1:45:31.840
<v Speaker 1>you know what I'm saying. So, but I didn't have

1:45:31.960 --> 1:45:33.960
<v Speaker 1>no beef for him. Then I just looked at him

1:45:34.000 --> 1:45:36.000
<v Speaker 1>like like I won't even know if he had come

1:45:36.000 --> 1:45:37.320
<v Speaker 1>to see me, you know what saying. So it's like,

1:45:38.160 --> 1:45:39.680
<v Speaker 1>I'm not on that, you know I'm saying, like, Yo,

1:45:39.760 --> 1:45:41.640
<v Speaker 1>I'm cool with everybody. You know what I'm saying. He

1:45:42.560 --> 1:45:44.640
<v Speaker 1>that was a test for me because you know what

1:45:44.720 --> 1:45:47.000
<v Speaker 1>the old Mega would it did. And at the same time,

1:45:47.280 --> 1:45:48.840
<v Speaker 1>I don't know what the hell is wrong with him,

1:45:48.840 --> 1:45:50.280
<v Speaker 1>and I'm not trying to figure it out. He's on

1:45:50.360 --> 1:45:53.320
<v Speaker 1>a destructive pass. So I don't even have to think

1:45:53.320 --> 1:45:55.880
<v Speaker 1>about what month is this July. I don't even got

1:45:55.960 --> 1:45:58.479
<v Speaker 1>to think about him, like like, let him just last

1:45:58.520 --> 1:46:01.200
<v Speaker 1>a year, Like you know what I'm saying, God bless.

1:46:01.360 --> 1:46:03.160
<v Speaker 1>I believe he's locked up, you know what I mean?

1:46:03.360 --> 1:46:05.519
<v Speaker 1>See what I mean? Yeah, I believe he's locked up.

1:46:05.520 --> 1:46:07.880
<v Speaker 1>You know trash. You know we love you out there.

1:46:07.960 --> 1:46:11.840
<v Speaker 1>You know, um it is what it is? Man, So Mega,

1:46:12.600 --> 1:46:15.040
<v Speaker 1>what is you? You came out here? You are Corey.

1:46:15.160 --> 1:46:17.640
<v Speaker 1>Both have eight and nine. Let's pick up eight and

1:46:17.760 --> 1:46:32.719
<v Speaker 1>nine one more time. Welcome to play a new podcast

1:46:32.800 --> 1:46:37.760
<v Speaker 1>network featuring radio and TV personalities, talking business, sports, tech, entertainment,

1:46:37.840 --> 1:46:42.240
<v Speaker 1>and more. Play it at play dot It. We're back

1:46:42.360 --> 1:46:46.519
<v Speaker 1>to drink Champs Radio with rapper n R and d J. Yes,

1:46:46.600 --> 1:46:52.800
<v Speaker 1>then you're fully happy with your independency? What is what

1:46:53.000 --> 1:46:56.080
<v Speaker 1>is the next next move? What are you gonna dive

1:46:56.160 --> 1:46:59.920
<v Speaker 1>into next? Like? My next moves is this. I got

1:47:00.040 --> 1:47:04.320
<v Speaker 1>some books coming out, not all books, not not not

1:47:05.000 --> 1:47:08.880
<v Speaker 1>throw nobody into the bus or disrespect nobody books, totally different.

1:47:09.479 --> 1:47:12.760
<v Speaker 1>I'm it's gonna surprise everybody. I got that coming out.

1:47:12.920 --> 1:47:16.160
<v Speaker 1>I'm trying to do as much close collaborations as possible.

1:47:16.760 --> 1:47:19.439
<v Speaker 1>I'm I'm gonna try to sneak into some like movie stuff,

1:47:20.280 --> 1:47:24.120
<v Speaker 1>and I'm gonna start really um, when you say movie stuff,

1:47:24.160 --> 1:47:30.040
<v Speaker 1>you're saying your own movies or both yea. And most

1:47:30.320 --> 1:47:32.680
<v Speaker 1>most most importantly, I'm gonna start putting some of my

1:47:32.800 --> 1:47:35.920
<v Speaker 1>effort and energy into other artists because there's a lot

1:47:36.000 --> 1:47:37.720
<v Speaker 1>of young artists that come to me for advice. There's

1:47:37.760 --> 1:47:39.280
<v Speaker 1>a lot of older artists that come to me for advice.

1:47:39.479 --> 1:47:42.080
<v Speaker 1>But I'm gonna start really like making the business because

1:47:42.120 --> 1:47:44.280
<v Speaker 1>there's things that I give people for free that other

1:47:44.320 --> 1:47:47.720
<v Speaker 1>people charge for. As far as advice, I do a

1:47:47.800 --> 1:47:50.679
<v Speaker 1>lot of consulting. I do. I put people in situations

1:47:50.720 --> 1:47:53.120
<v Speaker 1>where they get deals. Like I've done it, but I

1:47:53.240 --> 1:47:54.960
<v Speaker 1>do it. I do it because I like to see

1:47:54.960 --> 1:47:58.080
<v Speaker 1>my people eat too. But at the same time, there's

1:47:58.120 --> 1:47:59.519
<v Speaker 1>people that I could do that. There's a lot of

1:47:59.600 --> 1:48:04.080
<v Speaker 1>value exactly exactly looking for artists, this is an excellent question.

1:48:04.800 --> 1:48:07.800
<v Speaker 1>If you're looking for artists, you're looking at what I'm saying.

1:48:07.920 --> 1:48:11.040
<v Speaker 1>If you are you looking for the sound that you

1:48:11.200 --> 1:48:16.800
<v Speaker 1>came from or like again, like today, all the new

1:48:16.920 --> 1:48:19.800
<v Speaker 1>artists that perform I forgot the girl name. I think,

1:48:20.240 --> 1:48:25.639
<v Speaker 1>oh she right there. That was a Dutch fatacist. I think,

1:48:26.000 --> 1:48:27.519
<v Speaker 1>like all the new artists, like you know what the

1:48:27.600 --> 1:48:31.400
<v Speaker 1>people you know last of your lections. But when she

1:48:31.600 --> 1:48:34.000
<v Speaker 1>came on, that was the sound that I was looking for.

1:48:34.200 --> 1:48:36.040
<v Speaker 1>Like I just sat back, I was like, that's hard,

1:48:36.880 --> 1:48:39.160
<v Speaker 1>you know what I'm saying, Like, but it's not. It's

1:48:39.160 --> 1:48:42.720
<v Speaker 1>not the sound that I came up to. Are when

1:48:42.760 --> 1:48:44.759
<v Speaker 1>you look for artists, are you're looking for the new sound,

1:48:45.040 --> 1:48:47.680
<v Speaker 1>you're looking for the old sound, or you're looking for

1:48:47.760 --> 1:48:52.800
<v Speaker 1>just what's hot. First of all, hot people that look

1:48:52.880 --> 1:48:55.560
<v Speaker 1>for how I always fail. Right for every label that

1:48:55.640 --> 1:48:58.960
<v Speaker 1>signed a hot artists, show me ten labels that signed

1:48:59.040 --> 1:49:02.200
<v Speaker 1>how artists. I would show you ten labels that's probably

1:49:02.280 --> 1:49:04.719
<v Speaker 1>funked up those artists careers or failed with those artists.

1:49:05.000 --> 1:49:10.040
<v Speaker 1>Because in life, anything that is hot cools off. So

1:49:11.200 --> 1:49:13.000
<v Speaker 1>when I when I when I when I see an

1:49:13.080 --> 1:49:16.280
<v Speaker 1>artist or somebody that catches my attention, it's not even

1:49:16.439 --> 1:49:21.080
<v Speaker 1>just skill because I'm looking for skill if it's for

1:49:21.160 --> 1:49:23.760
<v Speaker 1>my personal appreciation, like if I want to listen to something,

1:49:24.000 --> 1:49:26.040
<v Speaker 1>But as an artist, it has to be a total

1:49:26.120 --> 1:49:31.200
<v Speaker 1>package because peak skill can be boring at times. You

1:49:31.240 --> 1:49:33.160
<v Speaker 1>could be you could say some of the doper ship ever,

1:49:33.240 --> 1:49:36.960
<v Speaker 1>but be boring. So as an artist, you have to

1:49:37.080 --> 1:49:39.880
<v Speaker 1>have a package. You have to have a pill. As

1:49:39.920 --> 1:49:43.040
<v Speaker 1>a person, you have to have character, you have to

1:49:43.120 --> 1:49:46.360
<v Speaker 1>have skill, and then you have to have marketability. How

1:49:46.520 --> 1:49:49.200
<v Speaker 1>marketable is this person. That's because at the end of

1:49:49.240 --> 1:49:51.920
<v Speaker 1>the day, we don't sign people for glory. We signed

1:49:51.960 --> 1:49:54.560
<v Speaker 1>up for a business, so I'm gonna invest in you.

1:49:55.160 --> 1:49:58.280
<v Speaker 1>So I have to get my investment back. So the

1:49:58.360 --> 1:50:00.840
<v Speaker 1>first artist I ever saw was Nya. I had had

1:50:00.840 --> 1:50:03.760
<v Speaker 1>a Puerto Rican rapper named Danya. She was on my

1:50:03.880 --> 1:50:08.120
<v Speaker 1>Leagals album. But I had a buzzing crazy she she's

1:50:08.120 --> 1:50:10.880
<v Speaker 1>about to come back. I'm s had a buzzing so crazy,

1:50:11.479 --> 1:50:14.760
<v Speaker 1>like big Big Labels was calling me about her. But

1:50:15.840 --> 1:50:19.640
<v Speaker 1>um then, um, she had a couple of babies and

1:50:19.680 --> 1:50:21.080
<v Speaker 1>she you know, she started doing her own thing. So

1:50:21.080 --> 1:50:23.040
<v Speaker 1>I let her do her own thing. But when you know,

1:50:23.120 --> 1:50:25.400
<v Speaker 1>I'm the type person when you're ready, will work. But

1:50:25.920 --> 1:50:29.400
<v Speaker 1>I know I know how to market artists. And when

1:50:29.439 --> 1:50:32.880
<v Speaker 1>I when you work with an artist, when you're a rapper,

1:50:33.640 --> 1:50:36.599
<v Speaker 1>you can't wear both hats. Sometimes you have to take off.

1:50:36.960 --> 1:50:38.840
<v Speaker 1>You take off your rapper hat when you're dealing with

1:50:38.960 --> 1:50:41.759
<v Speaker 1>your artists, Like you want your artists to be bigger

1:50:41.800 --> 1:50:44.320
<v Speaker 1>than you, unless you just wanted, unless you want to

1:50:44.360 --> 1:50:47.160
<v Speaker 1>stagnate yourself, like I told her, you're gonna be bigger

1:50:47.200 --> 1:50:49.680
<v Speaker 1>than me. Y'allda YadA yalla. So when I when I

1:50:49.720 --> 1:50:52.000
<v Speaker 1>see an artist, if the artists don't, I don't care

1:50:52.040 --> 1:50:54.679
<v Speaker 1>how dope they are, but I want the whole package,

1:50:54.760 --> 1:50:57.840
<v Speaker 1>Like how how how much of impacting this artists have

1:50:57.960 --> 1:51:00.800
<v Speaker 1>or how marketable is this artist? Like if you marketable

1:51:01.160 --> 1:51:03.639
<v Speaker 1>and you dope, and that's an investment, but if you're

1:51:03.680 --> 1:51:06.080
<v Speaker 1>just dope, that might just be a that's just good

1:51:06.120 --> 1:51:08.320
<v Speaker 1>just for the neighborhood. I'm trying to do the world.

1:51:09.000 --> 1:51:12.439
<v Speaker 1>But um, it feels like the Aposta in Corey, I

1:51:12.520 --> 1:51:14.360
<v Speaker 1>want you in on this because it feels like the

1:51:14.400 --> 1:51:18.240
<v Speaker 1>atmosphere has changed right now. All the latest artists they

1:51:18.280 --> 1:51:23.200
<v Speaker 1>have different color hair, ships changed a lot they have

1:51:23.520 --> 1:51:29.000
<v Speaker 1>like you know, yeah, it's it's type persons like vers

1:51:30.479 --> 1:51:34.000
<v Speaker 1>Is that's something you either y'all ever get out Corey,

1:51:34.160 --> 1:51:35.559
<v Speaker 1>Like you know, you've been in the game so long

1:51:35.600 --> 1:51:37.120
<v Speaker 1>you can have an artist, you know what I'm saying.

1:51:37.600 --> 1:51:40.640
<v Speaker 1>So is that something like because at the end of

1:51:40.680 --> 1:51:42.840
<v Speaker 1>the day, I don't care how you look, I don't

1:51:42.880 --> 1:51:46.639
<v Speaker 1>care what your whatever, your preferences. If you make dope music,

1:51:47.040 --> 1:51:50.560
<v Speaker 1>I'm in dope music. And that's what this generation is

1:51:50.640 --> 1:51:53.920
<v Speaker 1>leaning towards. Is that anything you would ever get with, like,

1:51:54.000 --> 1:51:58.880
<v Speaker 1>you know, just person with different color hair and you know,

1:51:59.000 --> 1:52:02.360
<v Speaker 1>just different people, Like it's not about a girl. You're

1:52:02.360 --> 1:52:06.000
<v Speaker 1>talking about girl if it's a girl with different color here, yeah,

1:52:09.680 --> 1:52:13.280
<v Speaker 1>right now. The hot people that's dudes have like this

1:52:13.400 --> 1:52:16.320
<v Speaker 1>ship Yeah yeah, this is like a couple of them.

1:52:16.520 --> 1:52:18.640
<v Speaker 1>Let me tell you what hot doesn't mean nothing A

1:52:18.800 --> 1:52:23.160
<v Speaker 1>right look at me, for I'm a perfect example. If

1:52:23.200 --> 1:52:24.920
<v Speaker 1>you look at old artists that was hot while I

1:52:25.000 --> 1:52:27.040
<v Speaker 1>was on the shelf, and you know what I'm saying,

1:52:27.080 --> 1:52:28.720
<v Speaker 1>they was doing their numbers and I was felling, like

1:52:29.120 --> 1:52:31.120
<v Speaker 1>my life, I'm out just go bump again. You know

1:52:31.240 --> 1:52:34.320
<v Speaker 1>the hustle again. Way they are right there where I'm

1:52:34.320 --> 1:52:37.720
<v Speaker 1>at right now. They can't even get a show. I

1:52:37.840 --> 1:52:39.559
<v Speaker 1>know all that that was hot that can't even get

1:52:39.560 --> 1:52:44.120
<v Speaker 1>an indie deal. So it's like hot hot doesn't pay

1:52:44.160 --> 1:52:48.920
<v Speaker 1>the rent yo, consistency and you have to you have

1:52:49.040 --> 1:52:51.400
<v Speaker 1>to know what your market is. It's like yo, like

1:52:51.520 --> 1:52:53.599
<v Speaker 1>back in the day to do that self. We ain't

1:52:53.600 --> 1:52:56.760
<v Speaker 1>gonna go to a crack house. So it's like you

1:52:56.880 --> 1:52:59.760
<v Speaker 1>gotta know who you're selling your material to. You have

1:52:59.880 --> 1:53:03.120
<v Speaker 1>to go between a career and a moment. Exactly. A

1:53:03.200 --> 1:53:06.800
<v Speaker 1>lot of dudes have moments. I don't, but a moment,

1:53:06.960 --> 1:53:09.040
<v Speaker 1>it's only a moment. A moment is not going to

1:53:09.160 --> 1:53:11.679
<v Speaker 1>carry you. So you know what I'm saying, certain audiences,

1:53:11.800 --> 1:53:15.040
<v Speaker 1>we talk about career exactly. Career career, you over, that's

1:53:15.040 --> 1:53:16.840
<v Speaker 1>what makes you a llegen. When you over ten years,

1:53:17.320 --> 1:53:19.200
<v Speaker 1>you're getting money. Like I tell rappers a lot of

1:53:19.479 --> 1:53:21.599
<v Speaker 1>no no. Case Slate tell rappers a lot of time.

1:53:21.680 --> 1:53:23.760
<v Speaker 1>I'll listen to Case Slate show and he'd be like,

1:53:24.080 --> 1:53:26.840
<v Speaker 1>if you ain't paying your bills to your ship, then

1:53:26.960 --> 1:53:31.080
<v Speaker 1>it's not a fucking jrawball career. That's real. That's true.

1:53:31.240 --> 1:53:35.960
<v Speaker 1>Case Slave is an unstung hero because Kase Slave is

1:53:36.000 --> 1:53:38.920
<v Speaker 1>one of the dudes that give the voiceless a voice,

1:53:39.280 --> 1:53:40.920
<v Speaker 1>because there's a lot of people that can't get on

1:53:40.960 --> 1:53:43.639
<v Speaker 1>the radio at all. Or you know what I'm saying,

1:53:44.000 --> 1:53:49.040
<v Speaker 1>Big Oka Slave speak to Case Slaying two months and

1:53:49.080 --> 1:53:51.360
<v Speaker 1>he still plays my record. I'll be even calling him

1:53:51.560 --> 1:53:53.880
<v Speaker 1>and saying, you're playing man, thank you, Calay. I might

1:53:53.960 --> 1:53:56.559
<v Speaker 1>to call you and say, yo, think I've been so busy.

1:53:56.960 --> 1:54:00.160
<v Speaker 1>He's last too much. But whatever record we blast out,

1:54:00.200 --> 1:54:03.840
<v Speaker 1>he immediately plays it. Kase Slate, thank you so much.

1:54:03.920 --> 1:54:06.320
<v Speaker 1>Man was in wild style, Man, come on, he was.

1:54:07.320 --> 1:54:11.840
<v Speaker 1>Kay Slave still got the same glasses, right glass, Let

1:54:11.880 --> 1:54:14.200
<v Speaker 1>me say something about Kate. Ain't go front as her.

1:54:14.280 --> 1:54:15.960
<v Speaker 1>Let me say something about Kate slave while nicks need

1:54:16.000 --> 1:54:18.439
<v Speaker 1>to fall back and give him, give him props, especially

1:54:18.479 --> 1:54:22.680
<v Speaker 1>if you love the culture, because I've seen it's a

1:54:22.720 --> 1:54:24.720
<v Speaker 1>competitive game. You might have DJs wanting to be better

1:54:24.800 --> 1:54:30.880
<v Speaker 1>or out out. Listen to this. Kase Slate is a legend.

1:54:31.760 --> 1:54:38.480
<v Speaker 1>It didn't pass your surrey. Okay, slates are let's want

1:54:38.480 --> 1:54:44.560
<v Speaker 1>to smoke with me. Just that's why you gotta drinking

1:54:44.680 --> 1:54:47.360
<v Speaker 1>my ties. You don't have one drink for the realness

1:54:47.440 --> 1:54:49.440
<v Speaker 1>one drinkers looks mad. We put some ice in it

1:54:49.520 --> 1:54:51.920
<v Speaker 1>for you. It was like for the realness the Dolly

1:54:52.000 --> 1:54:55.800
<v Speaker 1>Lama drinking. You show me f into the Dolly Lama

1:54:55.880 --> 1:55:02.920
<v Speaker 1>drinking with you. I'll drink slay not. Can I say

1:55:05.400 --> 1:55:11.160
<v Speaker 1>that guy's coped Tyler drink right live his gangster on

1:55:11.200 --> 1:55:14.080
<v Speaker 1>the low. Yeah, yeah, I wanted to want you to

1:55:14.200 --> 1:55:16.880
<v Speaker 1>twinish story. Guys want to say this, it's not even

1:55:16.920 --> 1:55:19.240
<v Speaker 1>a story. This is the snapoo fact. We're gonna slave,

1:55:19.240 --> 1:55:24.720
<v Speaker 1>We're gonna case slay, big up case. My nigger is

1:55:24.760 --> 1:55:30.480
<v Speaker 1>a legend and two different johns of our culture. He's

1:55:30.480 --> 1:55:36.520
<v Speaker 1>a graffiti legend. Day his graffiti or his legendary legendar,

1:55:36.920 --> 1:55:38.680
<v Speaker 1>so he could have just been a legend off of that,

1:55:39.680 --> 1:55:42.560
<v Speaker 1>and he's a legend in this so he's he's the

1:55:42.600 --> 1:55:44.600
<v Speaker 1>only person I know that's a legend in two fields,

1:55:44.880 --> 1:55:47.680
<v Speaker 1>our whole culture. So people need to just get that

1:55:47.760 --> 1:55:54.960
<v Speaker 1>man way more respects. The case slag can slay my

1:55:55.120 --> 1:55:58.000
<v Speaker 1>nigger calling you to keep playing my right, I only

1:55:58.240 --> 1:56:00.320
<v Speaker 1>because usually I call it DJ black Yo, this is

1:56:00.360 --> 1:56:02.720
<v Speaker 1>not okay. I don't got to call him. He just

1:56:02.760 --> 1:56:04.920
<v Speaker 1>gets the blast. I love you for that case label

1:56:04.960 --> 1:56:09.320
<v Speaker 1>for where, but maga listen. I've read somewhere, Oh boy,

1:56:10.160 --> 1:56:15.920
<v Speaker 1>they called you a conscious rap all right, and then

1:56:15.960 --> 1:56:19.600
<v Speaker 1>I read somewhere they called you a gangster rapper. Do

1:56:19.720 --> 1:56:23.440
<v Speaker 1>you can see yourself a conscious gangster? That's a dope.

1:56:23.880 --> 1:56:27.880
<v Speaker 1>That might be an album title. I like that. That's

1:56:27.880 --> 1:56:33.720
<v Speaker 1>a great question. You're getting better at this ship. Let

1:56:33.760 --> 1:56:36.240
<v Speaker 1>me say something about no, no, you know what, I'm

1:56:36.280 --> 1:56:39.240
<v Speaker 1>gonna stay me, Okay, forget me, because if I cut

1:56:39.320 --> 1:56:42.720
<v Speaker 1>you off, that's I was gonna say all your people

1:56:42.760 --> 1:56:45.840
<v Speaker 1>that's criticized in nor about cutting the auders off. I

1:56:45.960 --> 1:56:48.320
<v Speaker 1>want you to do this for a second. Understand this

1:56:50.040 --> 1:56:55.560
<v Speaker 1>this man built a platform off of audiology. A year ago,

1:56:55.680 --> 1:56:58.280
<v Speaker 1>there was no Drink Chaps, and you should be glad

1:56:58.320 --> 1:57:01.640
<v Speaker 1>that it's a fucking drink Drink Chap. As he progresses,

1:57:01.960 --> 1:57:04.960
<v Speaker 1>he will improve. He's learning on the job. But at

1:57:05.000 --> 1:57:07.080
<v Speaker 1>the same time he's giving you the number one fucking

1:57:07.120 --> 1:57:14.120
<v Speaker 1>podcast and I ain't gonna in my mind, I was

1:57:14.280 --> 1:57:17.240
<v Speaker 1>Olden money because that was like I paid him back, like,

1:57:17.680 --> 1:57:20.240
<v Speaker 1>oh no, he held me money because that was that's

1:57:20.240 --> 1:57:23.280
<v Speaker 1>feature is so crazy, man, Thank you so much. I'm proud.

1:57:23.960 --> 1:57:27.280
<v Speaker 1>I'm I'm proud of you, my brother, because you know

1:57:27.400 --> 1:57:29.160
<v Speaker 1>why a lot of people don't know your history and

1:57:29.240 --> 1:57:31.960
<v Speaker 1>I would never get into it. Like one of the

1:57:32.040 --> 1:57:36.360
<v Speaker 1>first gangsters I was introduced to was late and Cormega

1:57:36.640 --> 1:57:40.640
<v Speaker 1>and Queen's Bridge and they said he rapped, but he

1:57:40.760 --> 1:57:43.040
<v Speaker 1>was a gangster, and I was like eleven years old,

1:57:43.160 --> 1:57:44.440
<v Speaker 1>like you know what I'm saying. So I was like,

1:57:45.000 --> 1:57:47.040
<v Speaker 1>you know what I mean to just see you because

1:57:47.040 --> 1:57:50.800
<v Speaker 1>the thing about this life is life. I am about

1:57:50.840 --> 1:57:54.960
<v Speaker 1>to say rap or music, but life is a marathon,

1:57:55.240 --> 1:57:58.800
<v Speaker 1>no doubt, so it doesn't matter how hard you catch on.

1:57:59.160 --> 1:58:01.760
<v Speaker 1>She's the one thing I love about DJ Envy is

1:58:01.800 --> 1:58:04.520
<v Speaker 1>when he until he kept saying, you're you charge me Nori,

1:58:05.000 --> 1:58:07.640
<v Speaker 1>and then but you gotta realize what he said after that,

1:58:08.240 --> 1:58:10.000
<v Speaker 1>as I said, I don't know how long I would

1:58:10.000 --> 1:58:14.040
<v Speaker 1>be hot, and every hustle I ever had, I was

1:58:14.120 --> 1:58:16.440
<v Speaker 1>hot for a second if I move on, So I'm

1:58:16.440 --> 1:58:19.800
<v Speaker 1>always scared. So I do something and then I move

1:58:19.880 --> 1:58:23.240
<v Speaker 1>on and I move on. So that's why I got

1:58:23.320 --> 1:58:25.640
<v Speaker 1>like seven lives and this ship. People don't realize that

1:58:25.680 --> 1:58:31.040
<v Speaker 1>I was Spanish on these niggas as well. Turn Spanish like,

1:58:31.560 --> 1:58:33.920
<v Speaker 1>I'll do what I gotta do, do what I gotta do.

1:58:34.920 --> 1:58:37.480
<v Speaker 1>Because I've never borrowed money. I don't know what that

1:58:37.520 --> 1:58:40.040
<v Speaker 1>feels like to, you know, but but I gotta say something.

1:58:40.120 --> 1:58:42.320
<v Speaker 1>Has half of the drink Champs as well, Yes, because

1:58:42.400 --> 1:58:44.680
<v Speaker 1>because I feel like and listen, I always knew no,

1:58:44.800 --> 1:58:47.120
<v Speaker 1>it was great for this. That's why we pushed for

1:58:47.160 --> 1:58:51.880
<v Speaker 1>this to happen. But I represent the DJ that that's

1:58:52.040 --> 1:58:54.880
<v Speaker 1>always been in the background, that's always worked up wrapper

1:58:54.960 --> 1:58:57.880
<v Speaker 1>in the DJA new Ever being around here, I always

1:58:57.920 --> 1:59:00.200
<v Speaker 1>sat right d like for first, you know, there's a

1:59:00.240 --> 1:59:03.160
<v Speaker 1>lot of celebrity DJs out there, but there's thousands of

1:59:03.240 --> 1:59:06.000
<v Speaker 1>DJs across the country and across the world that have

1:59:06.120 --> 1:59:10.000
<v Speaker 1>helped build careers for artists. You know, I'm a mixtape DJ.

1:59:10.160 --> 1:59:12.480
<v Speaker 1>There's mix show DJs and and we didn't have voices.

1:59:12.520 --> 1:59:15.000
<v Speaker 1>You know, we weren't celebrity djun Harold did. Yeah, we

1:59:15.080 --> 1:59:17.000
<v Speaker 1>did our work and then that's what I feel my

1:59:17.200 --> 1:59:19.200
<v Speaker 1>role in this is, you know, we built this together.

1:59:19.320 --> 1:59:21.640
<v Speaker 1>But I always knew that he had the talent for this,

1:59:21.920 --> 1:59:24.120
<v Speaker 1>like this is this is this is natural for no

1:59:24.720 --> 1:59:27.280
<v Speaker 1>But I said that to somebody about Norio so I

1:59:27.400 --> 1:59:31.080
<v Speaker 1>said recently, I said, um, because you know what sun

1:59:31.200 --> 1:59:34.600
<v Speaker 1>happens in our genre, everybody copies. I was like, this

1:59:34.800 --> 1:59:37.280
<v Speaker 1>is one thing people better not try to copy because

1:59:37.560 --> 1:59:41.360
<v Speaker 1>already but they're gonna fail. And you know why he's

1:59:41.400 --> 1:59:43.920
<v Speaker 1>even beating out some of the other podcasts. You gotta

1:59:43.920 --> 1:59:47.760
<v Speaker 1>they gotta understand one. Two things. For one, he's a rapper,

1:59:48.440 --> 1:59:50.840
<v Speaker 1>so he got a different kind of relationships in history

1:59:50.920 --> 1:59:56.680
<v Speaker 1>with people. Right, he's very small to one of the

1:59:56.760 --> 2:00:00.560
<v Speaker 1>things that Nory has always had about him that carried

2:00:00.680 --> 2:00:06.080
<v Speaker 1>him even more than than skill, he got personality. Hum So,

2:00:06.360 --> 2:00:10.800
<v Speaker 1>as we said earlier, skill isn't always it. He has personality.

2:00:11.400 --> 2:00:15.000
<v Speaker 1>There's not no blocker that has his personality. So some

2:00:15.160 --> 2:00:17.560
<v Speaker 1>of them is doing this. Some some people want to

2:00:17.600 --> 2:00:20.600
<v Speaker 1>be stars. They're doing this to be stars. He's already

2:00:20.640 --> 2:00:24.000
<v Speaker 1>a star, so he has a personality and he's likable.

2:00:24.360 --> 2:00:26.800
<v Speaker 1>You can't match that absolute. I'm gonna just try. He

2:00:26.920 --> 2:00:28.839
<v Speaker 1>never take it, but I'm gonna try. I'm just passing

2:00:28.880 --> 2:00:30.880
<v Speaker 1>the blood. Just tell me you did har arily. It

2:00:30.920 --> 2:00:34.000
<v Speaker 1>makes me feel It makes me feel better. It makes

2:00:34.080 --> 2:00:38.840
<v Speaker 1>me feel better. But you know the thing about what

2:00:39.000 --> 2:00:41.000
<v Speaker 1>I what I want to explain to people when when

2:00:41.040 --> 2:00:44.440
<v Speaker 1>people break down the journalist, like although I did take

2:00:44.880 --> 2:00:47.400
<v Speaker 1>journalists classes, but I never want to be a journalist.

2:00:47.680 --> 2:00:49.960
<v Speaker 1>You know why journalist? That's a secret? Did take it?

2:00:50.040 --> 2:00:52.200
<v Speaker 1>It wasn't. It'sn't jail. I'm sorry. I don't want to

2:00:52.200 --> 2:00:54.360
<v Speaker 1>go there. I want to go there, but I just

2:00:54.400 --> 2:00:56.440
<v Speaker 1>want to tell you, like when you when you did

2:00:56.480 --> 2:00:59.840
<v Speaker 1>with a journalist, a journalist will never funk with you,

2:01:00.920 --> 2:01:03.320
<v Speaker 1>because what I mean is they'll that when they do

2:01:03.400 --> 2:01:07.680
<v Speaker 1>the interview with you, they'll get you. They'll they'll promote

2:01:07.720 --> 2:01:12.080
<v Speaker 1>you that week, they'll be retweeting everything you're doing. They're

2:01:12.120 --> 2:01:14.680
<v Speaker 1>doing that, but then guess what after that week is

2:01:14.760 --> 2:01:20.040
<v Speaker 1>over your number and their number is a rat because

2:01:20.080 --> 2:01:24.160
<v Speaker 1>the journalists could never be friends with an artist because

2:01:24.440 --> 2:01:27.600
<v Speaker 1>when it comes time to shoot on you, they can't

2:01:27.640 --> 2:01:31.760
<v Speaker 1>be close to you. You understand what I'm saying. So

2:01:31.920 --> 2:01:34.480
<v Speaker 1>that's the reason why I mean and I'm I'm this

2:01:34.640 --> 2:01:37.400
<v Speaker 1>is a science. I'm breaking out. I believe in science,

2:01:39.000 --> 2:01:43.760
<v Speaker 1>and in science, no journalist, like there's very few journalists

2:01:43.920 --> 2:01:46.800
<v Speaker 1>that you can be close to, Like a Rob Marksman.

2:01:47.560 --> 2:01:49.600
<v Speaker 1>That's a guy we need to step back and sir

2:01:49.760 --> 2:01:53.720
<v Speaker 1>lope because that guy is about real hip hop and

2:01:53.800 --> 2:01:59.240
<v Speaker 1>if people report something that is, he's gonna stand by Payne.

2:02:02.920 --> 2:02:06.960
<v Speaker 1>There's a lot of real journalists out there, journalistic integrity,

2:02:07.680 --> 2:02:10.120
<v Speaker 1>but we know we don't have to. That's not my man.

2:02:10.320 --> 2:02:19.080
<v Speaker 1>Doggy Diamonds, Doggie Diamonds the Street, but that's and he

2:02:19.160 --> 2:02:21.880
<v Speaker 1>got a great podcast out there called No Filter. Pick

2:02:22.000 --> 2:02:25.000
<v Speaker 1>that up. But besides that, some people don't know what

2:02:25.120 --> 2:02:27.200
<v Speaker 1>they do to say, Like Doggie Diamonds, I sit on

2:02:27.320 --> 2:02:29.920
<v Speaker 1>this phone with this nigga, I speak hip hop for

2:02:30.040 --> 2:02:32.440
<v Speaker 1>two hours and I realized, Yo, I gotta get off.

2:02:32.720 --> 2:02:34.640
<v Speaker 1>I gotta eat, Like you know what I'm saying, Like,

2:02:35.000 --> 2:02:39.120
<v Speaker 1>there's many spear hip hop. These people don't care about

2:02:40.240 --> 2:02:43.160
<v Speaker 1>that journalist. Oh, let me get hot and get some clicks.

2:02:43.440 --> 2:02:46.400
<v Speaker 1>Those are the people I respect, right there, those people,

2:02:46.520 --> 2:02:49.640
<v Speaker 1>the rob marks and the doggy diamonds. Is because it's

2:02:49.680 --> 2:02:53.440
<v Speaker 1>about their integrity as opposed and just just just think

2:02:53.480 --> 2:02:56.560
<v Speaker 1>about it. I've been, I've been in this game. I'll

2:02:56.600 --> 2:03:02.920
<v Speaker 1>be twenty years at uh two was seventeen, okay, right?

2:03:04.200 --> 2:03:06.920
<v Speaker 1>A journalist ain't never really trying to be your friend.

2:03:07.400 --> 2:03:10.480
<v Speaker 1>And they make it clear they'll give you their email.

2:03:10.560 --> 2:03:14.560
<v Speaker 1>They don't give you their phone number because phone numbers personal.

2:03:15.400 --> 2:03:17.440
<v Speaker 1>So if you gotta do this phone number, still, watch

2:03:17.520 --> 2:03:21.320
<v Speaker 1>out because there's twenty and sixteen. It's very different. They're

2:03:21.360 --> 2:03:22.960
<v Speaker 1>just trying to get you to come and because they're

2:03:22.960 --> 2:03:25.520
<v Speaker 1>trying to get ratings. But after that week it is over,

2:03:25.680 --> 2:03:28.400
<v Speaker 1>after that day is over, they go right back because

2:03:28.440 --> 2:03:30.520
<v Speaker 1>you know why, they might have to shoot on you.

2:03:30.640 --> 2:03:35.080
<v Speaker 1>If your baby mother falls a lawsuit against you, they

2:03:35.200 --> 2:03:38.720
<v Speaker 1>might have to. You know, this is what it is.

2:03:38.880 --> 2:03:43.320
<v Speaker 1>We're here, We're not journalists, we're motherfucking your friends. And

2:03:43.400 --> 2:03:46.240
<v Speaker 1>this is why when people say I'm cutting some guests off,

2:03:46.360 --> 2:03:49.160
<v Speaker 1>some guests don't, I mean, some people don't understand that

2:03:49.440 --> 2:03:52.200
<v Speaker 1>I know these fuckers. And when they're about to say

2:03:52.400 --> 2:03:54.440
<v Speaker 1>they're about to shoot on one of my other friends.

2:03:54.480 --> 2:03:59.240
<v Speaker 1>I'm saying, hey, well, because that's not what this is for.

2:03:59.400 --> 2:04:00.800
<v Speaker 1>I don't want to they gonna come on here and

2:04:00.840 --> 2:04:03.880
<v Speaker 1>shoot on nobody. Like when I asked you questions about NASA,

2:04:04.000 --> 2:04:06.120
<v Speaker 1>the Firm, or even Steve Style, I didn't want to

2:04:06.200 --> 2:04:08.360
<v Speaker 1>diss them. I didn't want to put them out there

2:04:08.560 --> 2:04:10.600
<v Speaker 1>because it was NASA is my nigga. I got love

2:04:10.680 --> 2:04:12.600
<v Speaker 1>of Steve Style. I haven't seen him in a long time.

2:04:12.680 --> 2:04:15.120
<v Speaker 1>But what I'm saying is people don't need to understand

2:04:15.160 --> 2:04:18.160
<v Speaker 1>these stories because these stories are history. This is not

2:04:18.280 --> 2:04:21.640
<v Speaker 1>something that we're making up. This is something that should

2:04:21.680 --> 2:04:24.360
<v Speaker 1>be enforced, not because we're trying to put people out there,

2:04:24.440 --> 2:04:28.280
<v Speaker 1>because other people can avoid these steps in their career.

2:04:29.360 --> 2:04:32.040
<v Speaker 1>A guy came out to me earlier. We're sitting out there,

2:04:32.080 --> 2:04:34.320
<v Speaker 1>I'm about to watch you perform. I told him immediately.

2:04:34.720 --> 2:04:37.080
<v Speaker 1>He said to me, I said, my man, I got

2:04:37.160 --> 2:04:41.000
<v Speaker 1>to watch my nigga perform. Elliott Wilson trained again, but

2:04:41.160 --> 2:04:42.880
<v Speaker 1>he said to me, I said, I gotta watch my

2:04:43.000 --> 2:04:48.480
<v Speaker 1>man performing in And he said to me, are you

2:04:48.600 --> 2:04:53.840
<v Speaker 1>accepting are you accepting new artists on your platform, and

2:04:53.960 --> 2:04:57.480
<v Speaker 1>I said no, not because I was trying to be disrespectful.

2:04:57.880 --> 2:05:00.960
<v Speaker 1>But you got these other places. You got the hot

2:05:01.080 --> 2:05:04.120
<v Speaker 1>nineties sevens, you got the Power one oh five, you

2:05:04.240 --> 2:05:07.760
<v Speaker 1>got the fucking you know what I'm saying. I don't

2:05:07.800 --> 2:05:10.840
<v Speaker 1>know these other people. You got these, But I want

2:05:10.880 --> 2:05:14.040
<v Speaker 1>to I want to cater to the fucking legends. I

2:05:14.120 --> 2:05:16.560
<v Speaker 1>want to care to niggas I know about. I want

2:05:16.600 --> 2:05:18.880
<v Speaker 1>to care to questions I know. I don't google shit.

2:05:20.400 --> 2:05:24.560
<v Speaker 1>I want to respect people that I respect. There's a difference,

2:05:25.040 --> 2:05:29.080
<v Speaker 1>don't There's a difference a Q and A. You know

2:05:29.280 --> 2:05:30.880
<v Speaker 1>that you want to press run and you go and

2:05:30.920 --> 2:05:33.440
<v Speaker 1>you do your Q and A. We don't to promote

2:05:33.480 --> 2:05:36.720
<v Speaker 1>your ship. What we're trying to build here is conversations

2:05:36.720 --> 2:05:41.840
<v Speaker 1>amongst colleagues, and that's and you know, authenticity amongst that,

2:05:42.040 --> 2:05:44.000
<v Speaker 1>Like colleagues are just talking with each other, and the

2:05:44.120 --> 2:05:46.200
<v Speaker 1>fan and the listener is a fly on the wall

2:05:46.200 --> 2:05:48.480
<v Speaker 1>and they're hearing something that they obviously they wouldn't have

2:05:48.560 --> 2:05:51.040
<v Speaker 1>heard otherwise. And that's what we're trying to build here.

2:05:51.640 --> 2:05:56.520
<v Speaker 1>Definitely doing some different for the game and and and yeah,

2:05:56.600 --> 2:06:00.440
<v Speaker 1>definitely yeah, changing it and turning it up. Like I said,

2:06:00.480 --> 2:06:03.440
<v Speaker 1>I was. I've been a fan first, Like before I

2:06:03.560 --> 2:06:06.960
<v Speaker 1>even we we got our own personal relationships. I grew

2:06:07.040 --> 2:06:09.280
<v Speaker 1>up listening to Noor. You know what I'm saying. We

2:06:09.360 --> 2:06:12.480
<v Speaker 1>got our own personal relationships outside of that. But I

2:06:12.600 --> 2:06:15.960
<v Speaker 1>watch all of your interviews man, like that's why I'm

2:06:16.000 --> 2:06:19.880
<v Speaker 1>like down and chopping up with y'all. Thank you for

2:06:20.280 --> 2:06:23.400
<v Speaker 1>I appreciate it, man, y'all definitely both y'all, thank you

2:06:23.520 --> 2:06:25.320
<v Speaker 1>very And the thing they're doing, you know, how to

2:06:25.400 --> 2:06:27.760
<v Speaker 1>drink Champs on me is so crazy because they've been

2:06:27.840 --> 2:06:30.640
<v Speaker 1>hitting us for a week because because you've been promoting

2:06:30.720 --> 2:06:33.760
<v Speaker 1>it that you've been out here. Yeah, they've been. They've

2:06:33.760 --> 2:06:36.040
<v Speaker 1>been telling y'all like, yo, you know, they lyned y'all up,

2:06:36.120 --> 2:06:37.920
<v Speaker 1>Like I'm gonna let y'all know the drink Champs. I'm

2:06:37.960 --> 2:06:40.240
<v Speaker 1>not lying, y'all up, but in the foul way. But

2:06:40.920 --> 2:06:43.280
<v Speaker 1>as soon as y'all start promoting this show, like these

2:06:43.320 --> 2:06:46.600
<v Speaker 1>people requested that y'all guys come on here, I've seen

2:06:46.640 --> 2:06:49.600
<v Speaker 1>it all instance No, not listen, Mega, y'all listen shout

2:06:49.600 --> 2:06:54.000
<v Speaker 1>out to the only man serious. But Mega, like, um,

2:06:55.080 --> 2:06:58.320
<v Speaker 1>I can't leave here without truly acknowledging that you're a

2:06:58.440 --> 2:07:01.080
<v Speaker 1>legend man, Because if you want to be humble and

2:07:01.120 --> 2:07:03.040
<v Speaker 1>you don't want to say you're a legend, let me

2:07:03.120 --> 2:07:09.360
<v Speaker 1>say it for you. I'll say ahead. I'm way more

2:07:09.480 --> 2:07:13.880
<v Speaker 1>thankful and appreciative to my fans than I've ever been. Um,

2:07:14.120 --> 2:07:16.880
<v Speaker 1>it's seven like you grew up. Like before we get

2:07:16.960 --> 2:07:18.800
<v Speaker 1>up out of here. That night, I met you in

2:07:18.920 --> 2:07:21.400
<v Speaker 1>Queen's Bridge. I've seen you in Queen's Bridge. We were

2:07:21.440 --> 2:07:24.720
<v Speaker 1>out there. Wow, my nights in the morning. I've never

2:07:24.800 --> 2:07:27.200
<v Speaker 1>seen you more at peace at that time, Like, yeah,

2:07:27.240 --> 2:07:29.720
<v Speaker 1>we broke down, yeah, but it seemed like nothing like

2:07:29.840 --> 2:07:32.720
<v Speaker 1>I remember something said like it was like a little drama,

2:07:32.800 --> 2:07:34.480
<v Speaker 1>Like not not drama, you know what I mean, but

2:07:34.760 --> 2:07:36.680
<v Speaker 1>like something that came up and then you were just

2:07:36.840 --> 2:07:39.520
<v Speaker 1>so at peace. I've never seen you that much at peace.

2:07:40.560 --> 2:07:42.160
<v Speaker 1>That because of the religion, because you did have the

2:07:42.240 --> 2:07:43.600
<v Speaker 1>crown on. So in my mind I was like, this

2:07:43.680 --> 2:07:45.960
<v Speaker 1>thing is a Muslim for it. It might be because

2:07:46.040 --> 2:07:48.240
<v Speaker 1>of that. It might be because of that, but it's

2:07:48.280 --> 2:07:53.880
<v Speaker 1>also because it's like, um, I think the older you get,

2:07:53.920 --> 2:07:55.480
<v Speaker 1>you're supposed to get wise and if you don't get

2:07:55.520 --> 2:07:58.920
<v Speaker 1>wise up as you get older than you're just aging.

2:07:59.280 --> 2:08:06.320
<v Speaker 1>But so also um where power comes responsibility. So it's

2:08:06.360 --> 2:08:09.040
<v Speaker 1>like this is not like, let's just have beef right now.

2:08:09.320 --> 2:08:11.640
<v Speaker 1>The old like, if let's say we need the hood

2:08:11.640 --> 2:08:13.800
<v Speaker 1>and I got beat, the old me would be like, yo,

2:08:14.200 --> 2:08:17.360
<v Speaker 1>get that the new me if I really got beef

2:08:17.400 --> 2:08:19.720
<v Speaker 1>with somebody. First of all, the average person that's in

2:08:19.760 --> 2:08:23.880
<v Speaker 1>the street that's not a thinker. It is predictable. So

2:08:24.360 --> 2:08:26.720
<v Speaker 1>I know, all I gotta do is know your habits

2:08:27.240 --> 2:08:29.000
<v Speaker 1>and I'll get you. I could get you a year

2:08:29.080 --> 2:08:30.880
<v Speaker 1>later because you're gonna stand in the same place. You

2:08:30.960 --> 2:08:32.960
<v Speaker 1>don't gonna drink at the same place, You're gonna hang

2:08:33.040 --> 2:08:35.080
<v Speaker 1>in the same circles. So I could wait a year

2:08:35.160 --> 2:08:37.480
<v Speaker 1>or two and get you as opposed to just I'm

2:08:37.480 --> 2:08:40.360
<v Speaker 1>getting them right now. So I'm wise up. So the

2:08:40.480 --> 2:08:42.520
<v Speaker 1>wiser you get, the moment you get, but the more

2:08:42.600 --> 2:08:44.960
<v Speaker 1>dangerous you get too. At the same time, but the

2:08:45.040 --> 2:08:49.880
<v Speaker 1>reason I'm at pieces also, like I said, before I

2:08:50.000 --> 2:08:55.600
<v Speaker 1>started win my life in my situations, like a lot

2:08:55.640 --> 2:08:57.280
<v Speaker 1>of the beasts I got to on the street wasn't

2:08:57.280 --> 2:08:59.600
<v Speaker 1>even my beef. I was like, damn, I had people

2:08:59.680 --> 2:09:02.200
<v Speaker 1>this dude because I popped off for my for this dude,

2:09:02.240 --> 2:09:04.560
<v Speaker 1>that's my man. And I had be with this dude.

2:09:05.000 --> 2:09:07.600
<v Speaker 1>Because this dude happy for them, it's never really me.

2:09:08.080 --> 2:09:11.560
<v Speaker 1>So now I started mounding my business like if somebody

2:09:11.760 --> 2:09:14.320
<v Speaker 1>that that's cool with me, So I was like cool

2:09:14.400 --> 2:09:18.000
<v Speaker 1>with me. I separated cool from my man just because

2:09:18.000 --> 2:09:20.320
<v Speaker 1>you're cool to me and you're my man, you know

2:09:20.360 --> 2:09:23.040
<v Speaker 1>what I'm saying. So it's like if you're I'm not

2:09:23.200 --> 2:09:25.520
<v Speaker 1>jumping into everybody's beach. Because at the end of the day,

2:09:25.840 --> 2:09:28.840
<v Speaker 1>when I was up North, like some of my rhyms

2:09:28.840 --> 2:09:32.320
<v Speaker 1>ain't even rhymes, it's just testimony, I said on the

2:09:32.360 --> 2:09:34.880
<v Speaker 1>Realness interest, I said when I was up north gaining

2:09:35.000 --> 2:09:38.400
<v Speaker 1>weight but lacking friends, you know saying, I said, niggas

2:09:38.400 --> 2:09:40.200
<v Speaker 1>act like they were sending me packages when I was

2:09:40.320 --> 2:09:45.600
<v Speaker 1>up north gaining weight and lacking friends. Yo, don't take

2:09:45.680 --> 2:09:49.080
<v Speaker 1>my word and ask any rap as Capone. Everybody would

2:09:49.080 --> 2:09:52.080
<v Speaker 1>take this. Jay Rock said it in my documentary Mega

2:09:52.160 --> 2:09:54.720
<v Speaker 1>brought the Flying Nte to the hood, Like I used

2:09:54.720 --> 2:09:58.440
<v Speaker 1>to dress like an uptown nigga slash Brooklyn nigga. Like

2:09:58.840 --> 2:10:02.480
<v Speaker 1>I had guccy sneakers when I was seventeen sixteen, sneakers plural,

2:10:02.640 --> 2:10:04.800
<v Speaker 1>not prepare, Like you know what I'm saying, so it's

2:10:04.840 --> 2:10:08.880
<v Speaker 1>like like, um, so it's like I'm a fly dude.

2:10:08.920 --> 2:10:10.680
<v Speaker 1>Everybody knows that people that hate me will be like

2:10:10.760 --> 2:10:14.560
<v Speaker 1>megas fly. You know this. But I'm up North Wind

2:10:14.640 --> 2:10:17.360
<v Speaker 1>care Craft State boots and the dude that that I

2:10:17.480 --> 2:10:20.520
<v Speaker 1>know from Queenbride that's a crackhead. It's fly to me

2:10:20.600 --> 2:10:23.960
<v Speaker 1>in jail right, No, no, no, no, no no. I

2:10:24.000 --> 2:10:26.560
<v Speaker 1>would never I would never call bathroom ba bas Mos.

2:10:27.080 --> 2:10:30.040
<v Speaker 1>I love bathroom. I wouldn't niggers out flat on the

2:10:30.240 --> 2:10:33.280
<v Speaker 1>told was my big brother I love. When Basimo died,

2:10:33.720 --> 2:10:36.800
<v Speaker 1>it took me years. There's people in bass family that

2:10:36.920 --> 2:10:40.800
<v Speaker 1>I haven't seen in years because I couldn't look at

2:10:40.880 --> 2:10:43.600
<v Speaker 1>them after he died because it would hurt me so much.

2:10:44.400 --> 2:10:47.720
<v Speaker 1>So like his sister, Loretta is my heart. I love her,

2:10:48.320 --> 2:10:50.520
<v Speaker 1>so I couldn't even go see I didn't see her

2:10:50.560 --> 2:10:52.680
<v Speaker 1>in years. I'm gonna go see it soon, but I

2:10:52.720 --> 2:10:54.640
<v Speaker 1>couldn't go then because I love her so much, and

2:10:54.680 --> 2:10:56.600
<v Speaker 1>I love her so much that when she if I

2:10:56.640 --> 2:10:59.560
<v Speaker 1>see her, it's gonna crush me. So I'm just now

2:10:59.720 --> 2:11:03.000
<v Speaker 1>able to so not definitely not bad. But what I'm

2:11:03.040 --> 2:11:06.440
<v Speaker 1>saying is they've been time when I've done things for

2:11:06.560 --> 2:11:09.640
<v Speaker 1>people and they haven't done it for me. And you

2:11:09.760 --> 2:11:11.920
<v Speaker 1>gotta wait that in your life, you're risking your free

2:11:12.040 --> 2:11:14.200
<v Speaker 1>Like sometimes a dude might say, y'all done for you.

2:11:15.000 --> 2:11:17.800
<v Speaker 1>They really full of ship, but but they really will

2:11:17.960 --> 2:11:20.120
<v Speaker 1>die for you because they could just be standing next

2:11:20.120 --> 2:11:22.400
<v Speaker 1>to you and catch a straight So it's like, why

2:11:22.400 --> 2:11:24.840
<v Speaker 1>should I put myself on the line for duke Listen,

2:11:27.840 --> 2:11:29.840
<v Speaker 1>don't jump in the river for somebody that won't step

2:11:29.880 --> 2:11:35.400
<v Speaker 1>in the puddle for you dropping jewels right now? So

2:11:35.480 --> 2:11:37.400
<v Speaker 1>it's like, that's why I'm Matt Peace. It's making a

2:11:37.480 --> 2:11:45.120
<v Speaker 1>new caress one conscious gangster. Yeah, let's go back to that.

2:11:45.360 --> 2:11:48.160
<v Speaker 1>So I mind my business more. That's why Matt Peach. So, oh,

2:11:48.240 --> 2:11:50.240
<v Speaker 1>you know such and such got beef. I don't. I don't.

2:11:50.320 --> 2:11:52.480
<v Speaker 1>I don't mean there's mad rumors and stuff going on

2:11:52.600 --> 2:11:54.880
<v Speaker 1>that I don't even know about. I don't care about it.

2:11:54.960 --> 2:11:57.920
<v Speaker 1>I don't care about Chikanda's Carrey got raided. You know

2:11:57.920 --> 2:12:00.480
<v Speaker 1>what I'm saying. I don't care about that. I stay

2:12:00.480 --> 2:12:02.880
<v Speaker 1>out of stuff, And that's how I stay out of beef.

2:12:03.000 --> 2:12:05.240
<v Speaker 1>That's how I stay out of sweeps and indictments. Because

2:12:05.240 --> 2:12:09.600
<v Speaker 1>there was points in like recent years when I used

2:12:09.640 --> 2:12:11.360
<v Speaker 1>to be out there the time when niggas used to

2:12:11.360 --> 2:12:13.200
<v Speaker 1>be like, oh, I know what Megan's doing. There's been

2:12:13.240 --> 2:12:15.760
<v Speaker 1>time when people got caught for big crimes and it

2:12:15.880 --> 2:12:19.120
<v Speaker 1>cops asking about me, like your mega using this wrap

2:12:19.200 --> 2:12:21.480
<v Speaker 1>money to fund you guy to supply Like so I

2:12:21.560 --> 2:12:23.680
<v Speaker 1>was like, I can't do that because niggas ain't putting

2:12:23.680 --> 2:12:26.120
<v Speaker 1>any life on the line like that. For me. I

2:12:26.240 --> 2:12:27.960
<v Speaker 1>met one person that looked me in my eyes and

2:12:28.000 --> 2:12:31.000
<v Speaker 1>said I'll die for you, And it was a girl.

2:12:32.080 --> 2:12:34.840
<v Speaker 1>I believe her more than I believe some dudes. But

2:12:34.920 --> 2:12:37.280
<v Speaker 1>at the same time, you know what I'm saying, I'm loyal,

2:12:38.360 --> 2:12:40.720
<v Speaker 1>but I'm not gonna be loyal to the point where

2:12:40.840 --> 2:12:45.280
<v Speaker 1>it backfires on me. Did you ever think that like

2:12:47.280 --> 2:12:52.800
<v Speaker 1>you were like too too real? Yeah, a lot of

2:12:52.880 --> 2:12:57.240
<v Speaker 1>times like uh, and it's things that you could have

2:12:57.320 --> 2:13:01.440
<v Speaker 1>did that polity would have from to a different light.

2:13:01.520 --> 2:13:06.760
<v Speaker 1>You think that example, like certain things like doing the

2:13:06.840 --> 2:13:09.720
<v Speaker 1>rad kids and meeting with people, because it was always

2:13:10.080 --> 2:13:12.280
<v Speaker 1>kind of came off like MAGA was kind of like

2:13:12.360 --> 2:13:16.680
<v Speaker 1>anti social, especially within the industry. I am kind of

2:13:16.680 --> 2:13:19.480
<v Speaker 1>anti social. Door I'm not gonna one thing about me

2:13:19.560 --> 2:13:21.320
<v Speaker 1>if you say something about me that I feel is true,

2:13:21.560 --> 2:13:24.480
<v Speaker 1>I'm gonna say, yeah. The thing that a lot of

2:13:24.520 --> 2:13:29.120
<v Speaker 1>people don't understand about me is this. First of all,

2:13:29.120 --> 2:13:30.360
<v Speaker 1>a lot of people in the industry was scared me

2:13:30.360 --> 2:13:38.040
<v Speaker 1>because my represation, and like, the lions don't hang with

2:13:38.120 --> 2:13:42.680
<v Speaker 1>the diss. So it's like if they go to Brownsville,

2:13:42.680 --> 2:13:44.160
<v Speaker 1>they go to Fork Green, they go to far Rock,

2:13:44.200 --> 2:13:46.360
<v Speaker 1>and they go somewhere where where I used to be

2:13:46.480 --> 2:13:48.520
<v Speaker 1>at and they see me with the goons, they're not

2:13:48.520 --> 2:13:49.920
<v Speaker 1>gonna come over there and try to stand with me.

2:13:50.240 --> 2:13:52.480
<v Speaker 1>So if I if I see you in the industry

2:13:52.680 --> 2:13:55.760
<v Speaker 1>and I feel like you're not the same, we're not similar,

2:13:56.080 --> 2:13:58.200
<v Speaker 1>I don't want to be your friend because, first of all,

2:13:58.200 --> 2:14:01.360
<v Speaker 1>a lot of people entry your phony and and they

2:14:01.360 --> 2:14:03.720
<v Speaker 1>don't share the same vision as our ship. So while

2:14:03.720 --> 2:14:05.880
<v Speaker 1>I'm not out going, you know what I'm saying, But

2:14:06.200 --> 2:14:09.080
<v Speaker 1>when I've seen Corey said he might showed him last,

2:14:09.520 --> 2:14:11.520
<v Speaker 1>you know what I'm saying. Or ever since when I

2:14:11.640 --> 2:14:16.240
<v Speaker 1>first met you, I remember, I remember niggas try to

2:14:16.320 --> 2:14:18.600
<v Speaker 1>jump you, and I came, and I came and I

2:14:18.680 --> 2:14:21.760
<v Speaker 1>jumped and iked Me and Ice were the first niggas

2:14:21.800 --> 2:14:23.520
<v Speaker 1>over there. You know, I was the first nigg over there,

2:14:23.600 --> 2:14:29.640
<v Speaker 1>and then what happened after that. No, forget what you say, nigga,

2:14:30.520 --> 2:14:34.720
<v Speaker 1>niggas didn't. Niggas didn't do you dirty, So all that's

2:14:34.880 --> 2:14:38.000
<v Speaker 1>relevant exactly. But I'm just saying like I was dead

2:14:38.600 --> 2:14:40.840
<v Speaker 1>exactly and you wasn't even from our hut, right, So

2:14:40.960 --> 2:14:43.680
<v Speaker 1>that just showed you how really you know what I'm saying,

2:14:44.240 --> 2:14:47.440
<v Speaker 1>right So, No, No, that's real ship right there. That's

2:14:47.440 --> 2:14:49.200
<v Speaker 1>spell ship right there. But just in case of people

2:14:49.240 --> 2:14:55.920
<v Speaker 1>didn't know, niggas got shot right after that, that was

2:14:56.000 --> 2:14:59.800
<v Speaker 1>Maga's nigga. You're listen, man, you gave us all I'm Maga.

2:15:00.840 --> 2:15:02.960
<v Speaker 1>Oh man, it's just so great man. You know why,

2:15:03.600 --> 2:15:07.480
<v Speaker 1>because this is for real hip hop ship. And what

2:15:07.600 --> 2:15:09.080
<v Speaker 1>I mean by that, We've been getting a lot of

2:15:09.160 --> 2:15:12.120
<v Speaker 1>big guests. We've been getting a lot of big guests, requests,

2:15:12.920 --> 2:15:16.760
<v Speaker 1>and I always want to keep but me and he offended. No,

2:15:17.760 --> 2:15:19.680
<v Speaker 1>he is what you said to me. You said, I

2:15:19.720 --> 2:15:24.720
<v Speaker 1>always want to keep the essence of him, and this

2:15:24.920 --> 2:15:27.560
<v Speaker 1>is the This is the essence of it right here

2:15:28.280 --> 2:15:32.040
<v Speaker 1>is real m c S, real hood, niggas real like

2:15:32.160 --> 2:15:34.520
<v Speaker 1>you know what I'm saying. Uh, it doesn't matter where

2:15:34.520 --> 2:15:37.200
<v Speaker 1>you're from, because I think hip hop is is universal,

2:15:37.680 --> 2:15:39.400
<v Speaker 1>so it doesn't matter that and this is the real

2:15:39.440 --> 2:15:42.120
<v Speaker 1>life is I usually say that's a fact, Joe, like

2:15:42.280 --> 2:15:44.720
<v Speaker 1>this is the real qub Queens and the Bronx. You

2:15:44.760 --> 2:15:46.520
<v Speaker 1>know what I'm saying, because a lot of people don't

2:15:46.520 --> 2:15:48.920
<v Speaker 1>know queens nigas get along with Bronx niggers, you know

2:15:48.960 --> 2:15:53.320
<v Speaker 1>I'm saying. And Brooklyn niggers too as well. But um yeah,

2:15:53.440 --> 2:15:56.640
<v Speaker 1>you know what I'm saying. So I actually, I actually

2:15:56.640 --> 2:16:01.320
<v Speaker 1>I what's next to the accident? What's next? But I

2:16:01.360 --> 2:16:03.640
<v Speaker 1>don't know. I don't want you to leave. I got

2:16:03.760 --> 2:16:10.120
<v Speaker 1>I got you gotta go. You gotta ask one question though,

2:16:10.160 --> 2:16:12.280
<v Speaker 1>before we go. I want to know the backstory on

2:16:12.400 --> 2:16:16.840
<v Speaker 1>the reel because to me, that was no story, just

2:16:16.920 --> 2:16:18.720
<v Speaker 1>the making of that record, like that was such a

2:16:18.760 --> 2:16:21.440
<v Speaker 1>big record in the mixtape world. But I don't know.

2:16:21.520 --> 2:16:23.640
<v Speaker 1>I can't even give you the backstory for that because, um,

2:16:24.560 --> 2:16:27.400
<v Speaker 1>I think it's more history to that record than then

2:16:27.440 --> 2:16:31.680
<v Speaker 1>I even know about. Because that was originally Karma Kaze's record,

2:16:31.680 --> 2:16:37.200
<v Speaker 1>I believe, Yeah, that was Karma kazis recorded. And when

2:16:37.240 --> 2:16:38.880
<v Speaker 1>I came home, I was just but Mally was like

2:16:38.879 --> 2:16:40.840
<v Speaker 1>I can't put meg on there. Somehow another I ended

2:16:40.920 --> 2:16:42.880
<v Speaker 1>up on there and they put it out, you know

2:16:42.920 --> 2:16:44.800
<v Speaker 1>what I'm saying. But um, I don't know the full

2:16:44.920 --> 2:16:46.480
<v Speaker 1>history behind I know it was I know it was

2:16:46.520 --> 2:16:50.000
<v Speaker 1>a great look, and I know I wasn't used to

2:16:50.040 --> 2:16:52.920
<v Speaker 1>being in the studio, Like just wrapping and rapping on

2:16:52.959 --> 2:16:54.879
<v Speaker 1>the mike is two different things. Like I was used

2:16:54.879 --> 2:16:56.720
<v Speaker 1>to wrapping in the yard because I was up north

2:16:56.760 --> 2:16:59.280
<v Speaker 1>wrapping the yard like battling and all that. So I

2:16:59.440 --> 2:17:01.320
<v Speaker 1>wasn't coming to in the studio when we did that

2:17:01.680 --> 2:17:04.400
<v Speaker 1>at that time. So I remember that. But did you

2:17:04.480 --> 2:17:09.240
<v Speaker 1>feel that that record changed? Like maybe your trajectory, your career,

2:17:09.480 --> 2:17:12.120
<v Speaker 1>You're the way because I feel like, I mean, you

2:17:12.120 --> 2:17:14.880
<v Speaker 1>shouldn't reach Miami, like I'm here getting these white labels

2:17:15.560 --> 2:17:19.120
<v Speaker 1>from Beat Street Records and ship. I don't know, I

2:17:19.200 --> 2:17:21.400
<v Speaker 1>don't everything. That's how I was introduced everything I did,

2:17:21.520 --> 2:17:23.760
<v Speaker 1>what it was getting white label back then, So I

2:17:23.840 --> 2:17:27.600
<v Speaker 1>don't know, like dead Man Walking was everything I did.

2:17:28.080 --> 2:17:30.680
<v Speaker 1>Everything I did got You know, the Testament album was

2:17:30.720 --> 2:17:35.960
<v Speaker 1>out on blooleg before it was even released, So that's

2:17:35.959 --> 2:17:37.720
<v Speaker 1>how That's how else I knew that I had a

2:17:37.800 --> 2:17:39.720
<v Speaker 1>market because I went to England before to do a

2:17:39.800 --> 2:17:42.720
<v Speaker 1>show and they knew the word to song from Testament

2:17:42.840 --> 2:17:44.280
<v Speaker 1>and that ship wasn't even out and I was like,

2:17:44.440 --> 2:17:46.560
<v Speaker 1>this is weird, and I'm like, how do you get

2:17:46.560 --> 2:17:49.240
<v Speaker 1>that ship? So it was like bootleg label was on

2:17:49.400 --> 2:17:54.879
<v Speaker 1>the one Nah, I was on um deaempt. Yeah, that's

2:17:55.320 --> 2:17:57.680
<v Speaker 1>another thing. He's had a lot of success overseas and

2:17:57.879 --> 2:18:01.040
<v Speaker 1>independent like you've done, Like, what are the countries that

2:18:01.120 --> 2:18:07.560
<v Speaker 1>you feel you have the strongest audience? Um, I just

2:18:07.680 --> 2:18:11.000
<v Speaker 1>can't from They loved me in London. London is so

2:18:11.280 --> 2:18:14.199
<v Speaker 1>dope to coach out there to dream you're from London

2:18:14.959 --> 2:18:19.880
<v Speaker 1>and they've been begging for Drink Champs to come. Yeah,

2:18:20.160 --> 2:18:22.920
<v Speaker 1>we're doing I want to go now I were you

2:18:23.080 --> 2:18:24.840
<v Speaker 1>were supposed to. You supposed to give me the I

2:18:25.040 --> 2:18:27.520
<v Speaker 1>wink st London and let's do that. We just blew

2:18:27.560 --> 2:18:29.959
<v Speaker 1>it up. Yeah we're gonna go in because yeah, bigg

2:18:30.080 --> 2:18:32.920
<v Speaker 1>to London, that's the mincro request. And then in Philadelphia,

2:18:32.920 --> 2:18:34.360
<v Speaker 1>I can't even frond it's not even New York. I

2:18:34.400 --> 2:18:37.800
<v Speaker 1>went from Thailand. By the way, you're probably the only

2:18:37.920 --> 2:18:40.720
<v Speaker 1>nigger that's seen that requestion time because he just wanted

2:18:40.760 --> 2:18:45.120
<v Speaker 1>go to Thailand. He seems like Japan is big on him. Yeah,

2:18:46.720 --> 2:18:50.039
<v Speaker 1>j Honda Japan, bring up Tolandy seven. They just let

2:18:50.120 --> 2:18:52.120
<v Speaker 1>me fill in and how do they seven me and

2:18:52.200 --> 2:18:55.360
<v Speaker 1>j but Rock, Um, you might get the job up there.

2:18:55.800 --> 2:18:59.320
<v Speaker 1>Yeah listen, man, I listen because you know why Corey

2:19:00.760 --> 2:19:02.959
<v Speaker 1>and over. Your name is Corey, My name is Victor.

2:19:03.080 --> 2:19:04.320
<v Speaker 1>If you want to call me, just down. I'm not

2:19:04.360 --> 2:19:06.560
<v Speaker 1>trying to come out nobody. But you know what the

2:19:06.840 --> 2:19:10.680
<v Speaker 1>crazy ship is. Um, they got Charles Barkley. Charles Walkley

2:19:10.720 --> 2:19:12.560
<v Speaker 1>is a guy who used to play the NBA. They

2:19:12.600 --> 2:19:14.680
<v Speaker 1>got Kenney Smith Kenny Spences from Left Frack Cities, the

2:19:14.680 --> 2:19:17.080
<v Speaker 1>guy used to play in the NBA and now corresponds.

2:19:17.120 --> 2:19:19.560
<v Speaker 1>They got a shot Shaquille O'Neil. Shaquille O'Neil's a guy

2:19:19.600 --> 2:19:21.439
<v Speaker 1>he used to play in the NBA and now correspond

2:19:21.720 --> 2:19:24.440
<v Speaker 1>there's never been like a rap guy on the radio

2:19:24.800 --> 2:19:26.360
<v Speaker 1>that you know, you know what I'm saying that that

2:19:26.640 --> 2:19:29.879
<v Speaker 1>on the radio or but and if it has been,

2:19:30.040 --> 2:19:32.000
<v Speaker 1>it's been like a person who probably didn't have a

2:19:32.120 --> 2:19:37.600
<v Speaker 1>great life got great successes. Okay, everything's over right. Wasn't

2:19:37.640 --> 2:19:38.840
<v Speaker 1>she on the radio for a little bit? Yeah? But

2:19:38.920 --> 2:19:41.680
<v Speaker 1>MC like that's a girl. You know, that's a different century.

2:19:42.240 --> 2:19:44.840
<v Speaker 1>Some about the nineties, like the nineties, like if like if,

2:19:45.200 --> 2:19:47.480
<v Speaker 1>if you're not there's no in between, kind of like

2:19:47.560 --> 2:19:50.320
<v Speaker 1>it it's either you up or you're down. Like you

2:19:50.360 --> 2:19:52.879
<v Speaker 1>don't have no you don't have no medium niggas and condoles.

2:19:53.320 --> 2:19:54.560
<v Speaker 1>You know what I'm saying. You don't have a ship

2:19:54.640 --> 2:19:56.320
<v Speaker 1>like that, you know what I mean? Like, and what

2:19:56.480 --> 2:19:59.440
<v Speaker 1>we're doing is we're trying to tell the game from

2:19:59.520 --> 2:20:02.400
<v Speaker 1>inside the game. This is a DJ, this is a rapper.

2:20:02.600 --> 2:20:04.320
<v Speaker 1>It was a new Eric B and Rock Kimp. They

2:20:04.360 --> 2:20:05.760
<v Speaker 1>just told us that. They just told us to with

2:20:05.920 --> 2:20:08.240
<v Speaker 1>a new source magazine just told us that. They just

2:20:08.320 --> 2:20:10.560
<v Speaker 1>told us that is what we do it live. Niggas

2:20:10.600 --> 2:20:12.440
<v Speaker 1>told us that. And you know what then, were you

2:20:12.520 --> 2:20:15.560
<v Speaker 1>talking about? Niggas told you that God never makes something

2:20:15.640 --> 2:20:21.240
<v Speaker 1>that I ain't gonna go get piss too. But I'm

2:20:21.240 --> 2:20:23.080
<v Speaker 1>gonna drink this rose. I'm gonna drink I'm gonna rink

2:20:23.080 --> 2:20:24.880
<v Speaker 1>your rose. You're not gonna drink your rose right and

2:20:25.280 --> 2:20:28.640
<v Speaker 1>for you, it's my gift to you. And you just

2:20:28.800 --> 2:20:31.640
<v Speaker 1>you just did Ramadan? Did you do Ramadan? No? I

2:20:31.680 --> 2:20:33.720
<v Speaker 1>didn't do it. You didn't I didn't do the whole

2:20:33.760 --> 2:20:37.000
<v Speaker 1>Ramadan I was. I was overseas. Okay. So when you're

2:20:37.040 --> 2:20:39.040
<v Speaker 1>traveling and you've got to pass. Yeah, when you travel,

2:20:39.080 --> 2:20:40.959
<v Speaker 1>got to pack, but you should make it up. Okay.

2:20:41.080 --> 2:20:43.240
<v Speaker 1>So I wanna do a lot of charity. How about

2:20:43.280 --> 2:20:45.360
<v Speaker 1>your corpy guns? What religion on you? The sun? Up?

2:20:45.360 --> 2:20:51.000
<v Speaker 1>A guy? I believe. I believe in God. M Christian?

2:20:51.160 --> 2:20:54.720
<v Speaker 1>That was hard, okay, Christian God? You know what? What

2:20:54.800 --> 2:20:57.800
<v Speaker 1>do you respect religions? Though? Respect all religious what do

2:20:57.840 --> 2:21:00.440
<v Speaker 1>you believe it? I don't believe it. I don't like

2:21:00.600 --> 2:21:04.360
<v Speaker 1>organized religion is in terms of the bill more I respect.

2:21:04.440 --> 2:21:07.400
<v Speaker 1>I respect all religions. Know I respect all religions. But

2:21:07.440 --> 2:21:10.360
<v Speaker 1>I believe religion also facilitates a lot of even I

2:21:11.160 --> 2:21:13.080
<v Speaker 1>got a lot of people that go to church more

2:21:13.160 --> 2:21:14.840
<v Speaker 1>than I do that I got. I got a lot

2:21:14.920 --> 2:21:17.240
<v Speaker 1>of friends and family. I haven't been the church. You

2:21:17.280 --> 2:21:19.440
<v Speaker 1>know what I'm saying, Like, I'm not I'm not heavy

2:21:19.480 --> 2:21:23.120
<v Speaker 1>and that you know like that, But I believe in God,

2:21:24.080 --> 2:21:27.920
<v Speaker 1>Like why can't mothers just be good? Getting like where

2:21:27.920 --> 2:21:32.760
<v Speaker 1>it's going? Keep it going? What are your what's your religion? Pettiness?

2:21:33.959 --> 2:21:36.680
<v Speaker 1>I want to know my religion. I am every religion

2:21:37.200 --> 2:21:40.160
<v Speaker 1>because you know what, I believe. I believe every religion

2:21:40.280 --> 2:21:43.680
<v Speaker 1>saw the same God. But I believe I believe and

2:21:43.800 --> 2:21:48.200
<v Speaker 1>it might sound it's drunk facts, it's if you if

2:21:48.240 --> 2:21:51.040
<v Speaker 1>you listen, if you read every religions, like you know,

2:21:51.520 --> 2:21:56.240
<v Speaker 1>there there their thing. They always describe the same person,

2:21:56.640 --> 2:21:58.920
<v Speaker 1>but they describe them more in a different day. It's like,

2:21:59.080 --> 2:22:01.920
<v Speaker 1>if you see Pop on Monday, Park might tell you,

2:22:02.640 --> 2:22:05.840
<v Speaker 1>brend this's got a baby. Do you see Park on

2:22:05.959 --> 2:22:09.879
<v Speaker 1>the next day? He said, you wonder why they call

2:22:09.920 --> 2:22:16.680
<v Speaker 1>you bitch? And I believe every kid was talking about

2:22:16.760 --> 2:22:19.720
<v Speaker 1>the same person, but they've seen them on a different day.

2:22:20.480 --> 2:22:22.400
<v Speaker 1>That's what I believe. I'm sorry, So I believe in

2:22:22.800 --> 2:22:27.440
<v Speaker 1>every religion. Like me, I'm every religion. I could relate

2:22:27.520 --> 2:22:32.680
<v Speaker 1>to everybody. Whatever they say, I say, mmm, I remember that,

2:22:34.040 --> 2:22:36.760
<v Speaker 1>but that's me. I'm gonna culture. Like if I was

2:22:36.800 --> 2:22:39.119
<v Speaker 1>a tattoo guy, I would have a tattoo of every day,

2:22:40.320 --> 2:22:43.240
<v Speaker 1>but I'm not. So is God God is God? God

2:22:43.360 --> 2:22:46.440
<v Speaker 1>is God? God is God. Sometimes men men corrupt things,

2:22:46.520 --> 2:22:48.120
<v Speaker 1>you know what I'm saying. And at the end of

2:22:48.160 --> 2:22:52.520
<v Speaker 1>the day, Um, there's a high power and we all

2:22:52.720 --> 2:22:56.760
<v Speaker 1>notedge that, you know, so you know that's right. So

2:22:56.840 --> 2:22:58.680
<v Speaker 1>we're gonna say eight men O, We're gonna say make

2:22:58.760 --> 2:23:03.760
<v Speaker 1>some noise. I don't know hip hop flat all right,

2:23:05.400 --> 2:23:13.800
<v Speaker 1>hippop flat, Let's get up ut it. Welcome to play,

2:23:14.080 --> 2:23:20.039
<v Speaker 1>a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

2:23:20.160 --> 2:23:24.560
<v Speaker 1>and more. Play it at play dot It. We're back

2:23:24.680 --> 2:23:28.000
<v Speaker 1>to Drink Champs Radio with Rapper and R and d

2:23:28.160 --> 2:23:36.200
<v Speaker 1>j E. Then all right, mega cord guns. What I've

2:23:36.200 --> 2:23:40.440
<v Speaker 1>been saying is and I've never ever compared hip hop

2:23:41.280 --> 2:23:45.400
<v Speaker 1>plight our struggle compared to to gay people at all right,

2:23:46.000 --> 2:23:49.920
<v Speaker 1>but I respect gay people like I got made whatever.

2:23:50.160 --> 2:23:52.320
<v Speaker 1>I don't know where this is going, but look what

2:23:52.440 --> 2:23:55.160
<v Speaker 1>I'm saying is my favorite hotel in the Hawaii world

2:23:55.760 --> 2:23:58.440
<v Speaker 1>is a W hotel. No matter what W hotel I

2:23:58.600 --> 2:24:01.480
<v Speaker 1>go to, is a game. I got there cool, no

2:24:01.640 --> 2:24:05.039
<v Speaker 1>problem has no doesn't offend me. Like I said, I'd

2:24:05.040 --> 2:24:07.720
<v Speaker 1>be down there taking shots with them like all good,

2:24:07.840 --> 2:24:12.920
<v Speaker 1>Like my family doesn't matter. But in my mind, and

2:24:12.959 --> 2:24:17.199
<v Speaker 1>I'm not comparing hip hops plight towards but in my mind,

2:24:18.000 --> 2:24:20.000
<v Speaker 1>I thought that was a dope idead. But when I

2:24:20.040 --> 2:24:22.000
<v Speaker 1>think it's a dope idea. I think it's a dope idead.

2:24:22.080 --> 2:24:24.280
<v Speaker 1>When I go to a restaurant or I go to

2:24:24.800 --> 2:24:31.280
<v Speaker 1>something hotel, or or playing soccer or you know, I

2:24:31.320 --> 2:24:34.360
<v Speaker 1>said soccer, what I meant bowling bowling, Like when I

2:24:34.440 --> 2:24:36.600
<v Speaker 1>go bowling. Let's what happens if it's a hip hop

2:24:36.720 --> 2:24:39.600
<v Speaker 1>flag there, so they know because I've been to a

2:24:39.680 --> 2:24:42.560
<v Speaker 1>restaurant before when I jumped out the car, I didn't

2:24:42.560 --> 2:24:46.360
<v Speaker 1>smoke weed at the restaurant and they told me you

2:24:46.520 --> 2:24:50.120
<v Speaker 1>smelled it too bad and they told me to go.

2:24:50.520 --> 2:24:52.560
<v Speaker 1>One time I was in the airport, I swear to God,

2:24:52.600 --> 2:24:55.280
<v Speaker 1>you could ask six this message. I mean this, this

2:24:55.480 --> 2:24:58.760
<v Speaker 1>this ship we walked to the airport. Who was who

2:24:58.840 --> 2:25:01.400
<v Speaker 1>was born to play? Ain't the nigga said you can't

2:25:01.480 --> 2:25:05.160
<v Speaker 1>smoke here? I said, what the fuck? You know? I

2:25:05.240 --> 2:25:09.080
<v Speaker 1>didn't like I look like I smoked like like maybe

2:25:09.120 --> 2:25:11.600
<v Speaker 1>I do. But that's at the point that was prejudice.

2:25:11.840 --> 2:25:16.080
<v Speaker 1>So what I'm saying is if there was a stereotypes

2:25:16.120 --> 2:25:20.640
<v Speaker 1>something that says you're welcome flag like life, and I'm

2:25:20.680 --> 2:25:23.560
<v Speaker 1>not comparing all because you know, I'm not comparing hip

2:25:23.600 --> 2:25:26.480
<v Speaker 1>hop to the gay struggle because you know, respect to

2:25:26.680 --> 2:25:29.240
<v Speaker 1>respect to both sides. But what I'm saying is that

2:25:29.440 --> 2:25:32.040
<v Speaker 1>was a great way to me. Like when I've seen that,

2:25:32.160 --> 2:25:35.520
<v Speaker 1>it was like, you know, like you're welcome here. So

2:25:35.680 --> 2:25:39.800
<v Speaker 1>let's suppose I go to I want to go bowling.

2:25:40.280 --> 2:25:43.360
<v Speaker 1>I'm never bold in my life. I really want to

2:25:43.360 --> 2:25:45.520
<v Speaker 1>go bowling. Now I want to go bolden. I want

2:25:45.520 --> 2:25:50.040
<v Speaker 1>to put the funny shoes on. Right now, I go bowling.

2:25:51.120 --> 2:25:53.480
<v Speaker 1>I'll walk in there and smelling like I dount su kush.

2:25:54.560 --> 2:25:57.040
<v Speaker 1>They tell me you get my exit. I have to

2:25:57.160 --> 2:26:00.040
<v Speaker 1>respect the establishment. Like when Twin went in that's a

2:26:00.360 --> 2:26:05.119
<v Speaker 1>spot ye, Twin, one of the taco spotts kicked out

2:26:05.240 --> 2:26:11.440
<v Speaker 1>immediately because this girl that because I want to high

2:26:11.480 --> 2:26:13.360
<v Speaker 1>school with him and he see me with Noriegos with

2:26:14.440 --> 2:26:15.800
<v Speaker 1>I don't know how this guy blamed on me. I'm

2:26:15.840 --> 2:26:19.560
<v Speaker 1>much change something again. Bring it right back overhead. But

2:26:19.760 --> 2:26:21.640
<v Speaker 1>you don't think you don't read with that mega. So

2:26:21.760 --> 2:26:24.160
<v Speaker 1>I'm about wherever you're at in the world. Let's suppose

2:26:24.200 --> 2:26:27.800
<v Speaker 1>you in Dozudorf, Germany. Suppose you're a Moscow and you

2:26:27.959 --> 2:26:30.160
<v Speaker 1>look like this is this is the main street, right,

2:26:30.240 --> 2:26:32.760
<v Speaker 1>this is the main street of whatever market or whatever

2:26:32.840 --> 2:26:35.720
<v Speaker 1>place you go to, and you look and the promoters like, yeah,

2:26:35.720 --> 2:26:37.840
<v Speaker 1>that's the best restaurant, and you would be like, all right,

2:26:37.920 --> 2:26:40.440
<v Speaker 1>that's the best restaurant. But the hip hop flag is

2:26:40.560 --> 2:26:43.800
<v Speaker 1>right here. I can go there and do some lie.

2:26:44.080 --> 2:26:46.280
<v Speaker 1>I don't think we'll ever get that flag, all right,

2:26:46.560 --> 2:26:51.760
<v Speaker 1>because my dream has been crushed. The police hurt my

2:26:51.840 --> 2:26:54.360
<v Speaker 1>feeling this place because I don't hurt. You know what,

2:26:55.640 --> 2:26:57.920
<v Speaker 1>why don't you make one? No, no, I got one.

2:26:58.000 --> 2:27:00.840
<v Speaker 1>I forgot where I saved it. Do send me? I

2:27:00.959 --> 2:27:04.200
<v Speaker 1>was like, I love it most we posted the one

2:27:04.280 --> 2:27:07.480
<v Speaker 1>I love I saved it, and you lost it. I

2:27:07.520 --> 2:27:09.840
<v Speaker 1>don't know where I put it. It's somewhere, It's in

2:27:09.959 --> 2:27:12.040
<v Speaker 1>my phone somewhere. I mean, it's gotta be more than

2:27:12.080 --> 2:27:14.920
<v Speaker 1>just it's just. It's got to be an organization. But

2:27:16.040 --> 2:27:17.800
<v Speaker 1>you know what, it's deeper than hip hop though, because

2:27:17.840 --> 2:27:19.200
<v Speaker 1>at the end of the day, let me tell you

2:27:19.320 --> 2:27:23.400
<v Speaker 1>something that I've learned from the world. Everywhere in the world,

2:27:27.360 --> 2:27:30.680
<v Speaker 1>people are biased towards people of color, and hip hop

2:27:30.760 --> 2:27:34.200
<v Speaker 1>is just wanted to identifiers of our culture. That's something

2:27:34.240 --> 2:27:37.440
<v Speaker 1>that they identified or relating us with. They always assume

2:27:37.560 --> 2:27:40.720
<v Speaker 1>we smoke weed. They always assume that we're up to something,

2:27:41.080 --> 2:27:44.840
<v Speaker 1>and they always look at a suspicious uh. You have

2:27:44.959 --> 2:27:48.960
<v Speaker 1>to learn, especially certain European places. There's been places where

2:27:50.360 --> 2:27:53.240
<v Speaker 1>like you might even experience this from like that bumper two.

2:27:53.240 --> 2:27:56.200
<v Speaker 1>You won't even say excuse me. So it's like I'm

2:27:56.240 --> 2:27:59.879
<v Speaker 1>trying to figure none of that. So that the part

2:27:59.920 --> 2:28:03.480
<v Speaker 1>of niggas that don't in the Europe they found niggeras

2:28:03.640 --> 2:28:07.920
<v Speaker 1>respect of niggas, you know that Mega be out there

2:28:07.959 --> 2:28:10.920
<v Speaker 1>all the top. So listen, Mega, thank you so much, man.

2:28:10.959 --> 2:28:14.080
<v Speaker 1>I can't thank you enough. Man, it's your fifteen year anniversary.

2:28:14.440 --> 2:28:17.320
<v Speaker 1>Corey Guns. You know your motherfucker's sooner be legend and

2:28:17.440 --> 2:28:19.760
<v Speaker 1>you're a legend right now. Anyway, your family is worried

2:28:19.800 --> 2:28:21.760
<v Speaker 1>to your father. You know what I'm saying. We can't

2:28:21.800 --> 2:28:23.920
<v Speaker 1>thank you all enough. Man. We got so many more

2:28:24.040 --> 2:28:27.280
<v Speaker 1>questions that can flow. But you know we're gonna. I'm

2:28:27.480 --> 2:28:29.840
<v Speaker 1>still gonna get Mega to drink that last time. You know,

2:28:29.959 --> 2:28:32.080
<v Speaker 1>you know how the drinking you all for beat the case.

2:28:32.760 --> 2:28:35.240
<v Speaker 1>I'll do that. Don't put good looking at I got you,

2:28:35.360 --> 2:28:37.080
<v Speaker 1>I got check at you. So that's how I do

2:28:37.160 --> 2:28:39.240
<v Speaker 1>a little bit you do. This is how alcohol is doing.

2:28:40.320 --> 2:28:42.800
<v Speaker 1>Do it this way for the Drink Championship and still

2:28:42.800 --> 2:28:45.080
<v Speaker 1>shout you know what's that? So you're mega man. Thank

2:28:45.120 --> 2:28:48.240
<v Speaker 1>you so much, Ma, congratulations on your fifteen years. Corey

2:28:48.360 --> 2:28:51.680
<v Speaker 1>guns Man, thank you for participating in the Drink Chance.

2:28:51.720 --> 2:28:53.960
<v Speaker 1>We're gonna drop this bright now early on Monday morning.

2:28:54.240 --> 2:28:57.600
<v Speaker 1>This is a surprised episode for our people. You know,

2:28:57.720 --> 2:29:00.960
<v Speaker 1>some of these people are snapchatt whatever. But you know,

2:29:01.120 --> 2:29:03.360
<v Speaker 1>we can't we can't beat it. But this is what

2:29:03.480 --> 2:29:06.400
<v Speaker 1>we're doing. Man. We thank you' all because we interview legends,

2:29:06.440 --> 2:29:09.120
<v Speaker 1>we interviewed lyricists, We interview because we want to keep

2:29:09.200 --> 2:29:11.880
<v Speaker 1>bringing our culture to the culture. Now that now that

2:29:12.400 --> 2:29:14.040
<v Speaker 1>we want people to know that we ain't changed, not

2:29:14.160 --> 2:29:16.520
<v Speaker 1>a bit, now that we've got number one, and you know,

2:29:16.640 --> 2:29:19.800
<v Speaker 1>god all we we we are still a part of

2:29:19.959 --> 2:29:22.840
<v Speaker 1>the fucking coach and put you in the Kasha forward.

2:29:23.280 --> 2:29:26.080
<v Speaker 1>We are hip hop regardless of what this is a

2:29:26.560 --> 2:29:29.520
<v Speaker 1>this is a m C and the fucking DJ. I

2:29:29.560 --> 2:29:32.240
<v Speaker 1>don't know if y'all motherfucker's ever realized that. I don't

2:29:32.240 --> 2:29:34.480
<v Speaker 1>know if you knew generation that tuned in to the

2:29:34.600 --> 2:29:37.840
<v Speaker 1>Drink Champions realized that hip hop started with the artists

2:29:37.879 --> 2:29:40.280
<v Speaker 1>and the DJ and we're doing it and now but

2:29:40.440 --> 2:29:43.120
<v Speaker 1>we're just doing it bigger because we got hazardous sounds.

2:29:43.360 --> 2:29:46.360
<v Speaker 1>They're making our sound right. We got Rich Bloco making

2:29:46.400 --> 2:29:49.720
<v Speaker 1>our visions right. We got drained making sure are still

2:29:49.879 --> 2:29:53.000
<v Speaker 1>still it's right. We got Diego bringing that good good.

2:29:53.240 --> 2:29:56.240
<v Speaker 1>We got Mike uptown bringing that good good. We got

2:29:56.320 --> 2:29:59.160
<v Speaker 1>Sunny d BT. You know where the funk's at, We

2:29:59.240 --> 2:30:04.320
<v Speaker 1>don't even know. We got rich motherfucking uh the bell bossman.

2:30:04.520 --> 2:30:06.520
<v Speaker 1>We ain't telling y'all to get in trouble, but if

2:30:06.560 --> 2:30:09.000
<v Speaker 1>you want to, motherfucker, get in trouble and say balls,

2:30:09.120 --> 2:30:11.720
<v Speaker 1>come get you out. We got Best Bob motherfucking Liquors

2:30:11.920 --> 2:30:15.240
<v Speaker 1>holding us fucking down. We got niggas with beards working

2:30:15.320 --> 2:30:17.560
<v Speaker 1>the camera that's got your name, So that's what you

2:30:17.600 --> 2:30:19.959
<v Speaker 1>don't have to take for right now. We got motherfucking

2:30:20.520 --> 2:30:23.240
<v Speaker 1>Mr Leaf from Star Rock holding you know what I'm saying.

2:30:23.360 --> 2:30:25.040
<v Speaker 1>And you've got DMX out here. We should have broken

2:30:25.080 --> 2:30:30.440
<v Speaker 1>DMX man. Yeah. Yeah. We got motherfucking Boris from the Yeah. Yeah,

2:30:30.480 --> 2:30:33.600
<v Speaker 1>he's a wrestler. He's the wrestling people in Peru with

2:30:34.160 --> 2:30:36.640
<v Speaker 1>baby or yall. Yeah, you know what I'm saying. We

2:30:36.720 --> 2:30:39.560
<v Speaker 1>got everybody and your little your little home girl. He

2:30:39.720 --> 2:30:42.920
<v Speaker 1>was my favorite performance. But besides the established artists, he's

2:30:43.000 --> 2:30:47.160
<v Speaker 1>my favorite performance tonight. Dutch Masters, I think you should

2:30:47.240 --> 2:30:49.920
<v Speaker 1>change that name because it's very like generic. But other

2:30:50.000 --> 2:30:52.480
<v Speaker 1>than that, I got nothing but love for you, and

2:30:52.560 --> 2:30:56.080
<v Speaker 1>I'm telling you you can be a star. Come overhead

2:30:56.080 --> 2:30:58.680
<v Speaker 1>and shout out your people. Come over here, Carol, like

2:30:59.879 --> 2:31:02.240
<v Speaker 1>I mean, I mean that you know to do artists.

2:31:02.440 --> 2:31:06.879
<v Speaker 1>It was hard, yeah, man, it's Dutch Master's Dutch Smoke Entertainment.

2:31:07.120 --> 2:31:13.640
<v Speaker 1>I'm here with profit profit productions, Core guns and we're

2:31:13.640 --> 2:31:16.560
<v Speaker 1>in here. Man. I'm always from Maryland. Man, I appreciate you. Man.

2:31:16.720 --> 2:31:21.080
<v Speaker 1>You heard a young man? Yeah, yeah, Yeah, she's hard. Yeah, yeah, yeah,

2:31:21.120 --> 2:31:25.440
<v Speaker 1>she's doing turn. It's y'all turn. Listen. The gay girls

2:31:25.520 --> 2:31:30.920
<v Speaker 1>are taking over. Makes a noise to that guy. Goddamn,

2:31:30.959 --> 2:31:34.520
<v Speaker 1>I'm calling sign. They got popping my mom more and

2:31:34.560 --> 2:31:38.320
<v Speaker 1>your girl. All right, listen, man, that it is hard.

2:31:38.400 --> 2:31:43.240
<v Speaker 1>You gotta hear hut ship? What did you? Oh? Go on?

2:31:43.640 --> 2:31:45.120
<v Speaker 1>What's her name? That? Come on? Come on? Come on

2:31:45.440 --> 2:31:49.400
<v Speaker 1>you too? Shot? You ain't shot on Maryland? Yeah, man,

2:31:49.920 --> 2:31:53.400
<v Speaker 1>that song was lost man. You can find it on SoundCloud. No,

2:31:53.640 --> 2:31:57.959
<v Speaker 1>wasn't you just how the corpus check up that's a loss.

2:31:58.200 --> 2:32:02.080
<v Speaker 1>I get it back. That's a loss. I get it back.

2:32:02.680 --> 2:32:05.560
<v Speaker 1>A man, all right, leave it alone. This is me

2:32:07.920 --> 2:32:10.680
<v Speaker 1>listen to the podcast. Yo co Megan once again. Man,

2:32:10.959 --> 2:32:13.320
<v Speaker 1>I can't thank you so much your Koree guns Man.

2:32:13.400 --> 2:32:15.920
<v Speaker 1>We're gonna keep this hip hop going whenever you guys

2:32:16.000 --> 2:32:18.039
<v Speaker 1>want to come back. You want to bring your artists,

2:32:18.200 --> 2:32:20.360
<v Speaker 1>you want to bring your girl when you marry up,

2:32:20.520 --> 2:32:22.440
<v Speaker 1>you want to bring when you remarry your new girl.

2:32:22.480 --> 2:32:24.880
<v Speaker 1>I'm sorry, I'm not saying anybody like that. What I'm

2:32:24.920 --> 2:32:26.920
<v Speaker 1>saying is, whatever you guys want to do, this is

2:32:27.000 --> 2:32:29.959
<v Speaker 1>your motherfucking home. This is your motherfucking audience that we're

2:32:29.959 --> 2:32:32.520
<v Speaker 1>speaking to. This is your motherfucking house. You do what

2:32:32.600 --> 2:32:35.200
<v Speaker 1>the funk you want. We appreciate you being here, We

2:32:35.400 --> 2:32:37.760
<v Speaker 1>love that you're being here, and your motherfucking come back

2:32:37.800 --> 2:32:40.480
<v Speaker 1>whenever the funk you want, because hip hop is running.

2:32:40.520 --> 2:32:42.880
<v Speaker 1>What the fuckers is? What is that? Eight and nine?

2:32:43.040 --> 2:32:45.680
<v Speaker 1>Goddamn it, motherfucking right, we had eight and nine. You

2:32:45.760 --> 2:32:48.000
<v Speaker 1>have the fucking the Illness Festival. I want to to

2:32:48.120 --> 2:32:51.520
<v Speaker 1>It's a festival barbecue. You guys killed it. Thank you

2:32:51.600 --> 2:32:53.440
<v Speaker 1>guys for being a partner of the drink Champ just

2:32:53.560 --> 2:32:56.640
<v Speaker 1>coming out a sad hazard. It sounds Richard Blanco, okay,

2:32:56.680 --> 2:32:58.840
<v Speaker 1>and that's in the building. I forgot to shout you all. Sorry.

2:32:59.080 --> 2:33:03.320
<v Speaker 1>Motherfucker's Steve all Paul before we get out of here.

2:33:03.560 --> 2:33:07.560
<v Speaker 1>Your sports prediction was fucked up, you said, you said,

2:33:07.680 --> 2:33:11.920
<v Speaker 1>Karen Duran, what's coming to the fucking heat? Yeah, they

2:33:12.000 --> 2:33:20.000
<v Speaker 1>got the wrong number? What info your voodoo lady. You

2:33:20.040 --> 2:33:22.400
<v Speaker 1>said Karen Duran was going to the eat where they

2:33:22.480 --> 2:33:24.600
<v Speaker 1>at right now? See you about thirty six months? But

2:33:24.680 --> 2:33:28.040
<v Speaker 1>what no, no, thirty six months. But Karen Duran that

2:33:28.200 --> 2:33:29.640
<v Speaker 1>right now, he adin't going to stick. He didn't go

2:33:29.680 --> 2:33:33.040
<v Speaker 1>to State's pulling the bay sports guy. He sucked you

2:33:33.080 --> 2:33:35.720
<v Speaker 1>all last episode, I mean a couple of episodes back.

2:33:36.040 --> 2:33:39.279
<v Speaker 1>So look, I just I just thanked them eat drink Champs.

2:33:39.360 --> 2:33:45.280
<v Speaker 1>You know what I mean. Make some motherfucking noise, man. Yeah,

2:33:45.400 --> 2:33:48.040
<v Speaker 1>out here, we want you to give you all the

2:33:48.160 --> 2:33:50.400
<v Speaker 1>last words, man, give you whatever you want to say

2:33:50.400 --> 2:33:52.680
<v Speaker 1>to your fans. Man, I've seen him come out tonight.

2:33:52.840 --> 2:33:55.520
<v Speaker 1>You gotta colt following. Man, I'm telling you watch out

2:33:55.600 --> 2:33:59.960
<v Speaker 1>in your backyard. They'd be watching and give your souls

2:34:00.040 --> 2:34:04.480
<v Speaker 1>using your web your website. Yeah, the platform. Please go ahead,

2:34:04.520 --> 2:34:07.600
<v Speaker 1>Corey shut it over, um, Corey Guns one seven four

2:34:07.959 --> 2:34:11.440
<v Speaker 1>that Stan Instagram. I ain't too sadly the Snapchat yet

2:34:11.520 --> 2:34:14.240
<v Speaker 1>like that, but I'm on Graham c O R Y

2:34:14.360 --> 2:34:17.400
<v Speaker 1>g and Z one seven four and criminal Mind that

2:34:17.440 --> 2:34:22.120
<v Speaker 1>it's coming soon, Criminal minded. Shout the Prophet, shout the door.

2:34:22.920 --> 2:34:26.680
<v Speaker 1>Shout to core Mega, shout the ready. Eight nine, shout

2:34:26.720 --> 2:34:29.960
<v Speaker 1>out to y'all. Shout the red Man, shout to drink

2:34:30.080 --> 2:34:33.080
<v Speaker 1>Chimp song, Thank y'all, Thank you man. We need them. Shoutouts, baby,

2:34:33.480 --> 2:34:38.200
<v Speaker 1>we need to we're hurting overhead Mega. Alright, shout out

2:34:38.240 --> 2:34:40.360
<v Speaker 1>to eight now. First of all, shout to eight now.

2:34:40.720 --> 2:34:43.640
<v Speaker 1>I've been I've been coming here before. I know these

2:34:43.720 --> 2:34:47.200
<v Speaker 1>dudes for years. Goddamn it make some noise for a nine.

2:34:53.040 --> 2:34:56.720
<v Speaker 1>I've actually done like three collaborations with them. The hat

2:34:56.959 --> 2:34:59.080
<v Speaker 1>that did the Bucket had with them. I didn't Mega

2:35:00.080 --> 2:35:03.400
<v Speaker 1>snap Back and I did Omega Real Father shirt, so

2:35:03.480 --> 2:35:05.080
<v Speaker 1>I have years of relationship with him. So it's a

2:35:05.120 --> 2:35:09.360
<v Speaker 1>coincidence that we all. So that's that. Shout out to

2:35:09.400 --> 2:35:13.840
<v Speaker 1>eight nine for nine Instagram. Oh my, it's my Instagram

2:35:13.920 --> 2:35:16.199
<v Speaker 1>and all that social ship is I am Cormerica because

2:35:16.240 --> 2:35:19.840
<v Speaker 1>there's a fake Cormega, real comica. So if you followed,

2:35:20.320 --> 2:35:23.400
<v Speaker 1>it's tricky because he caught us something real Cormega. So

2:35:23.560 --> 2:35:30.040
<v Speaker 1>you real Omega unfollowed him? Please, Oh my god, only

2:35:30.400 --> 2:35:33.000
<v Speaker 1>you called me. You probably caught a lot of people

2:35:33.040 --> 2:35:35.360
<v Speaker 1>because I'm following you on Twitter. You know that for

2:35:35.400 --> 2:35:37.800
<v Speaker 1>a fact. So you follow me too. Now I am

2:35:37.879 --> 2:35:43.680
<v Speaker 1>co Omega. I am Cormega now following you. I was

2:35:43.760 --> 2:35:47.000
<v Speaker 1>following the Comega okay, so shout out that. And I

2:35:47.080 --> 2:35:49.480
<v Speaker 1>just want anybody know I'm about the bus Niggers asked

2:35:49.520 --> 2:35:52.320
<v Speaker 1>that this new music I'm working with Harry Freud right now,

2:35:52.959 --> 2:35:55.320
<v Speaker 1>and I'm working with Harry for that sound crazy. And

2:35:55.320 --> 2:35:57.120
<v Speaker 1>I got someone sizzling about to come out, and I

2:35:57.160 --> 2:35:59.320
<v Speaker 1>got someone having about to come off. I gotta unreleased

2:35:59.400 --> 2:36:02.880
<v Speaker 1>join with this dude named Noriega too. I sent you

2:36:02.959 --> 2:36:05.760
<v Speaker 1>event here so you know, thanks you for coming out,

2:36:05.760 --> 2:36:07.120
<v Speaker 1>and thank you all for the love. Thank you for

2:36:07.560 --> 2:36:11.640
<v Speaker 1>coming out tonight. Man, you don't have me feel love alright.

2:36:12.240 --> 2:36:20.720
<v Speaker 1>You want Corey crowd man gonna take pictures and the

2:36:20.800 --> 2:36:23.160
<v Speaker 1>drop yo has Hold up a second before we get

2:36:23.200 --> 2:36:25.040
<v Speaker 1>out of here. I want to play two joints off

2:36:25.120 --> 2:36:28.080
<v Speaker 1>my album Another Time, one featuring Corn Mega, the other

2:36:28.120 --> 2:36:30.959
<v Speaker 1>one featuring Corey Guns, both the joints we talked about

2:36:31.000 --> 2:36:33.600
<v Speaker 1>today on the podcast. One is produced by Big Drain

2:36:33.720 --> 2:36:35.800
<v Speaker 1>and the other one produced by Hazardous Sounds. Again off

2:36:35.879 --> 2:36:38.680
<v Speaker 1>my album Another Time that's out now. The album features

2:36:38.720 --> 2:36:43.879
<v Speaker 1>the likes of Red Man, Bumby, Denzel Curry, Gunplay, Nori,

2:36:45.000 --> 2:36:49.240
<v Speaker 1>David Banner, John Connor, Inspected, Deck, m O P made

2:36:49.320 --> 2:36:51.480
<v Speaker 1>a I Mean it got sixty six artists, so there's

2:36:51.520 --> 2:36:55.199
<v Speaker 1>something for everybody on there. The albums available now on iTunes, Title,

2:36:55.320 --> 2:36:58.560
<v Speaker 1>Google Play, Spotify, or if you even want physicals, go

2:36:58.680 --> 2:37:01.480
<v Speaker 1>to crazyhood dot com. Also make sure to follow us

2:37:01.800 --> 2:37:04.400
<v Speaker 1>on our social media's Minus at d j e f

2:37:04.520 --> 2:37:07.880
<v Speaker 1>and on Twitter at Who's Crazy on Instagram, Noria's at

2:37:07.959 --> 2:37:11.160
<v Speaker 1>Noriega on Twitter and at the Real Noriega on Instagram.

2:37:11.440 --> 2:37:15.800
<v Speaker 1>Follow the team at Hazardous Sounds, at Rich Underscore, Blanco

2:37:16.400 --> 2:37:18.960
<v Speaker 1>at Big Drain, and also our homie that does all

2:37:18.959 --> 2:37:22.160
<v Speaker 1>our graphics shout out to him at a kazee six

2:37:22.240 --> 2:37:26.400
<v Speaker 1>That's a k a z i E. And also make

2:37:26.440 --> 2:37:28.800
<v Speaker 1>sure you follow all the Drink Champs socials that's at

2:37:28.840 --> 2:37:32.520
<v Speaker 1>Drink Champs across the board, Facebook, Twitter, Instagram, all that

2:37:33.120 --> 2:37:35.840
<v Speaker 1>pick up our merch at drink Champs dot com or

2:37:35.879 --> 2:37:38.080
<v Speaker 1>go to eight to nine dot com. So we out

2:37:38.120 --> 2:37:42.040
<v Speaker 1>of here? Man looking out drink Champs. Motherfucker's yeah, I

2:37:42.080 --> 2:37:47.600
<v Speaker 1>have to pop in my che crime don looking at

2:37:47.640 --> 2:37:53.320
<v Speaker 1>the track and the rap game like track game. Let

2:37:53.400 --> 2:37:56.520
<v Speaker 1>me be kids the d J e f V if

2:37:56.560 --> 2:38:00.800
<v Speaker 1>he's crazy? Hood, Who's crazy? Got FM me in Miami?

2:38:00.959 --> 2:38:05.000
<v Speaker 1>Harry Kane Win, it's Los Angeles Kings, your local prayer

2:38:05.480 --> 2:38:09.400
<v Speaker 1>west really though, she no hippie flow, run hard, hit

2:38:09.520 --> 2:38:12.879
<v Speaker 1>the whole, no tippy toe rock with me though, fun

2:38:13.040 --> 2:38:16.160
<v Speaker 1>with your brow? Bro, wouldn't recordsile since the days of

2:38:16.240 --> 2:38:19.320
<v Speaker 1>the records store show. Yeah, I'm good, good, I got

2:38:19.440 --> 2:38:22.039
<v Speaker 1>many more. I'm heavy in the hood. I'm a Chevy

2:38:22.120 --> 2:38:26.800
<v Speaker 1>folk fifty four. These niggas ain't good, these niggas Week three,

2:38:26.920 --> 2:38:31.240
<v Speaker 1>sixty five, fifty two weeks. Who's your favorite? Now gone

2:38:31.320 --> 2:38:34.320
<v Speaker 1>debate it? Now, that's the far Ride, that's brother Love,

2:38:34.480 --> 2:38:38.119
<v Speaker 1>Winter Calf, that's the far Ride. That's brother Love. Westbound

2:38:38.240 --> 2:38:40.800
<v Speaker 1>feeling some kind of way you're sticking out your chest.

2:38:40.959 --> 2:38:43.960
<v Speaker 1>Now that's all right, though, that's the love for you.

2:38:44.640 --> 2:38:47.040
<v Speaker 1>You inspired me to do what the funk I do.

2:38:47.560 --> 2:38:50.080
<v Speaker 1>And if it wasn't you and you and him too,

2:38:50.640 --> 2:38:54.920
<v Speaker 1>then my motivation basically would be through this for you

2:38:55.440 --> 2:38:57.960
<v Speaker 1>and you and you and him to Ye. This for you,

2:38:58.680 --> 2:39:02.920
<v Speaker 1>you Hey, This for you and you when you hurt till,

2:39:03.480 --> 2:39:08.320
<v Speaker 1>This for you, This for you, you and you and

2:39:08.480 --> 2:39:16.119
<v Speaker 1>him Tom, This for you you hurt, you and your

2:39:17.400 --> 2:39:20.160
<v Speaker 1>motivation is a better way to live for my family.

2:39:20.480 --> 2:39:24.039
<v Speaker 1>Loyalty is royalty, This is magistrate flood sweat and tears

2:39:24.080 --> 2:39:28.520
<v Speaker 1>through the years. Actually how to prepare me triumph forward tragedy.

2:39:28.800 --> 2:39:33.080
<v Speaker 1>I graduated from Gladiator Academy at the top of my class,

2:39:33.120 --> 2:39:37.600
<v Speaker 1>so I convey reality wrapped so emphatically, grammatically saying new

2:39:37.680 --> 2:39:40.080
<v Speaker 1>stand that's actually rappers who used to front or in

2:39:40.200 --> 2:39:42.840
<v Speaker 1>back of me. I'm moving forward, but soon go to

2:39:42.920 --> 2:39:45.640
<v Speaker 1>when you're losing focus, live in a lot, dying a

2:39:45.800 --> 2:39:49.160
<v Speaker 1>side at truth approaches you're supposed to salute, not the

2:39:49.280 --> 2:39:53.320
<v Speaker 1>frute devotion to tradition, skilling, realism, my music growing out

2:39:54.800 --> 2:39:57.880
<v Speaker 1>This for you for you when you're him to just

2:39:58.040 --> 2:40:02.920
<v Speaker 1>for you, you, Hey, for you, you, you and hurt

2:40:03.040 --> 2:40:08.440
<v Speaker 1>till Hot, This for you, This for you and you,

2:40:09.840 --> 2:40:16.800
<v Speaker 1>This for you, this for you, you and hurt. Ye,

2:40:17.680 --> 2:40:20.360
<v Speaker 1>I'm only here to aspire to gi Yeah, I feel

2:40:20.360 --> 2:40:22.600
<v Speaker 1>like scar face if I tell her liars the truth.

2:40:22.920 --> 2:40:25.880
<v Speaker 1>She's been writing coachs that don't require the roof. But

2:40:25.920 --> 2:40:28.080
<v Speaker 1>I'm saying this street Nigga is always quick to forget.

2:40:28.160 --> 2:40:32.160
<v Speaker 1>They cool the men of respect. Nigga's better money manners.

2:40:32.600 --> 2:40:35.840
<v Speaker 1>Michael Villa is hungry, can't wait to pilly bananas with snow.

2:40:35.920 --> 2:40:38.800
<v Speaker 1>Cable box Mama, just heading your tanner now. I'm at

2:40:38.840 --> 2:40:41.760
<v Speaker 1>the light trying to pick cash for the pennacea. Hear

2:40:41.840 --> 2:40:46.080
<v Speaker 1>my preminisia, feel my intu wish fast forward to the future.

2:40:46.120 --> 2:40:49.000
<v Speaker 1>I'm just reminiscing what I'm about to do to the game.

2:40:49.120 --> 2:40:52.360
<v Speaker 1>Gonna be monumental. Want my Nigga's global. We're hustling into

2:40:52.480 --> 2:40:55.760
<v Speaker 1>countinance where your boss Nigga. Fuck the monkey in the

2:40:55.879 --> 2:40:58.720
<v Speaker 1>middle though so strong. I'm sending all the junkies to

2:40:58.800 --> 2:41:02.199
<v Speaker 1>the spinning League. Got a coma, chose half, got an overdose,

2:41:02.280 --> 2:41:04.440
<v Speaker 1>and she was looking good. Now she's skinny it in

2:41:04.560 --> 2:41:07.440
<v Speaker 1>both the ocean's my old school. Got pretty paint with

2:41:07.600 --> 2:41:11.680
<v Speaker 1>no rosen, cold blood and hustle with no most name.

2:41:12.080 --> 2:41:13.920
<v Speaker 1>You know, I gotta keep my ship on the way

2:41:14.000 --> 2:41:17.160
<v Speaker 1>buttered bread, these niggers half way thugging them alla with gout.

2:41:19.240 --> 2:41:21.680
<v Speaker 1>Just for you, for you when you and him too,

2:41:22.280 --> 2:41:26.480
<v Speaker 1>Just for you, hear hey, just for you and you

2:41:26.600 --> 2:41:30.720
<v Speaker 1>when you and her too hot. This for you, hey hey,

2:41:31.320 --> 2:41:34.320
<v Speaker 1>this for you, you and you and him to this

2:41:34.560 --> 2:41:39.480
<v Speaker 1>for you, This for you, you when you and hurt

2:41:39.560 --> 2:41:48.200
<v Speaker 1>to you and your h too. I st we used

2:41:48.240 --> 2:41:55.520
<v Speaker 1>to have their han um crazy hood. Just another sunny

2:41:55.640 --> 2:42:00.240
<v Speaker 1>j in l A, another sunny day in Miami. You

2:42:00.320 --> 2:42:06.920
<v Speaker 1>know how we get it. Oh, it's a good day

2:42:06.959 --> 2:42:11.200
<v Speaker 1>to be a b boy, you know. Um yo yo,

2:42:12.040 --> 2:42:14.760
<v Speaker 1>I'm shut up as a Puerto Ricans. Line up the bitch.

2:42:14.800 --> 2:42:17.800
<v Speaker 1>Just come say focus, get your grind up. How refuse

2:42:17.840 --> 2:42:20.040
<v Speaker 1>of them it damn get your mind up for what

2:42:20.200 --> 2:42:23.800
<v Speaker 1>you hurt like it's have vaginas guti do cakes all

2:42:23.879 --> 2:42:27.879
<v Speaker 1>shined up round, nasty of the homeless people. Fucking if

2:42:27.959 --> 2:42:31.360
<v Speaker 1>it production catch me on polace with a kivana tanka.

2:42:31.440 --> 2:42:34.680
<v Speaker 1>Stop It's like it's nothing kid to day, it was

2:42:34.760 --> 2:42:37.360
<v Speaker 1>a good day. More nique is in the pronk in

2:42:37.440 --> 2:42:40.800
<v Speaker 1>a hunt day. Can I get the told mois like good? Yeah,

2:42:41.160 --> 2:42:45.480
<v Speaker 1>I'm musing. Bit Just push play soo, hey, this has tangyar.

2:42:45.640 --> 2:42:49.840
<v Speaker 1>Why go funk yourself? Each shouldn't die. Call it lebron

2:42:49.959 --> 2:42:52.640
<v Speaker 1>for reason, I should have steamer on a chest and

2:42:52.760 --> 2:43:00.560
<v Speaker 1>I'm leaving for Cleveland. Oh every think we got in

2:43:00.640 --> 2:43:03.400
<v Speaker 1>this world, nigga, we earned it. Never follow your rules,

2:43:03.440 --> 2:43:06.360
<v Speaker 1>took a line and learned it. Underground nine were right

2:43:06.440 --> 2:43:08.880
<v Speaker 1>here on the surface. A rap sheet is perfect. We

2:43:09.000 --> 2:43:12.040
<v Speaker 1>wrapped for a purpose. Everything we got this world, nigga,

2:43:12.080 --> 2:43:14.640
<v Speaker 1>we earned it. Let the follow the rules a line

2:43:14.720 --> 2:43:17.960
<v Speaker 1>and burnt it. Underground nine were right here on this purpose.

2:43:18.120 --> 2:43:20.440
<v Speaker 1>A rap sheet is perfect. We rapped for a birth.

2:43:20.520 --> 2:43:23.200
<v Speaker 1>It is the slow flow never so so the ritten's

2:43:23.240 --> 2:43:25.960
<v Speaker 1>one take care to break like in the missions and

2:43:26.200 --> 2:43:28.720
<v Speaker 1>a minute water mat by the mother man used to

2:43:29.120 --> 2:43:31.640
<v Speaker 1>do what taking that mage enough the system with it

2:43:31.840 --> 2:43:34.960
<v Speaker 1>for the flashing like to be flashing my way like

2:43:35.360 --> 2:43:38.840
<v Speaker 1>fos down. The highway had to be high to be

2:43:39.040 --> 2:43:40.800
<v Speaker 1>at ease for most of the ease, and they could

2:43:40.840 --> 2:43:44.960
<v Speaker 1>freeze tournam memory. But my nick like hell no, I

2:43:45.000 --> 2:43:47.200
<v Speaker 1>don't even know how to fail. The world failed, not

2:43:47.560 --> 2:43:50.920
<v Speaker 1>even enough bold cap were on the ground from sundown

2:43:51.000 --> 2:43:54.640
<v Speaker 1>the sunshine, the whole nine that was old times at

2:43:54.680 --> 2:43:57.800
<v Speaker 1>the time Old Times didn't under the standing was playing

2:43:57.879 --> 2:44:00.520
<v Speaker 1>up to speak of playing music rumbling. The tweet is

2:44:00.560 --> 2:44:03.200
<v Speaker 1>making ay the certain believers and ladies that couldn't leave us,

2:44:03.640 --> 2:44:07.039
<v Speaker 1>you know out the back old Maybe take the black

2:44:07.120 --> 2:44:11.080
<v Speaker 1>foote this appear in that gone didn't mean to stay long,

2:44:11.320 --> 2:44:20.080
<v Speaker 1>just checking if my mic song yo were everything we

2:44:20.200 --> 2:44:22.800
<v Speaker 1>got in this world. Nigga, we earned it. Never follow

2:44:22.840 --> 2:44:25.760
<v Speaker 1>your rules to a line and earned it. Underground nine

2:44:25.840 --> 2:44:28.600
<v Speaker 1>were right here on the surface. A rap sheet is perfect.

2:44:28.720 --> 2:44:31.920
<v Speaker 1>We wrapped for a purpose. Everything we dine it's world, nigga,

2:44:32.000 --> 2:44:35.240
<v Speaker 1>we earned it, never following your rules Calina and burned it.

2:44:35.560 --> 2:44:38.400
<v Speaker 1>Underground nine. We're right here on this purface. A rap

2:44:38.480 --> 2:44:41.680
<v Speaker 1>sheet is perfect. We wrapped for a purpose. I'm ready

2:44:41.720 --> 2:44:44.560
<v Speaker 1>for work like Monday, catch me in l a y'all

2:44:44.760 --> 2:44:48.480
<v Speaker 1>sucking free Sunday from porch like smoking in shoo all Friday.

2:44:48.640 --> 2:44:50.720
<v Speaker 1>It's the work week and he suck is just work

2:44:50.800 --> 2:44:54.480
<v Speaker 1>weekus like the condom pop spermly they can't touch me

2:44:54.840 --> 2:44:57.680
<v Speaker 1>like I'm sick and the jury free sanitize the mouth

2:44:57.800 --> 2:45:00.280
<v Speaker 1>for the dirty spitting out. I remove them like spot

2:45:00.400 --> 2:45:03.039
<v Speaker 1>in my big shout out. All I do was thinking

2:45:03.040 --> 2:45:05.200
<v Speaker 1>of the dudes that got murdered from the set. It

2:45:05.240 --> 2:45:07.240
<v Speaker 1>from the site from Inger is the freestyle is and

2:45:07.360 --> 2:45:09.960
<v Speaker 1>the palm trees and green weed growing the sunny Collie show.

2:45:10.120 --> 2:45:12.720
<v Speaker 1>Catch me in a ate with Smooth Brown. I'm from

2:45:12.760 --> 2:45:15.240
<v Speaker 1>Cali to the season out needing no trigger, don rock

2:45:15.320 --> 2:45:18.080
<v Speaker 1>you Rea long change because that's for other niggas. After

2:45:18.160 --> 2:45:20.760
<v Speaker 1>wolf stay hungry. So we finally hit the buffet. You

2:45:20.879 --> 2:45:22.959
<v Speaker 1>worked for that meal like a sign from a bus

2:45:24.200 --> 2:45:27.640
<v Speaker 1>backhand battle for Spain's red compatible. Better watch you calling

2:45:27.800 --> 2:45:29.840
<v Speaker 1>your friends like line you work for the fire and

2:45:29.920 --> 2:45:32.840
<v Speaker 1>spawl after the odds in the city. Your Emeralds only

2:45:32.920 --> 2:45:35.680
<v Speaker 1>checking was odds odds on the proxy. Watch is a

2:45:35.760 --> 2:45:39.560
<v Speaker 1>small Jacob still divide these models. It's all asis everyway,

2:45:39.600 --> 2:45:42.360
<v Speaker 1>playing your cars right, But we come from a crazy hood,

2:45:42.440 --> 2:45:45.199
<v Speaker 1>so your shot look crazy like Bill cart Right. Everything

2:45:45.280 --> 2:45:47.640
<v Speaker 1>we got in this world, nigga, we earned it, never

2:45:47.760 --> 2:45:50.680
<v Speaker 1>followed your rules, took a line and earned it underground

2:45:50.800 --> 2:45:53.280
<v Speaker 1>now we're right here on the surface. A rap sheet

2:45:53.360 --> 2:45:56.200
<v Speaker 1>is perfect. He rapped for a purpose. Everything we got

2:45:56.280 --> 2:45:59.200
<v Speaker 1>in this world, nigga, we earned it, never followed your rules,

2:45:59.280 --> 2:46:02.360
<v Speaker 1>took a line and hunted underground. Now we're right here

2:46:02.440 --> 2:46:06.240
<v Speaker 1>on this purpose. A round sheet is perfect purpose. I

2:46:06.280 --> 2:46:08.720
<v Speaker 1>ain't with none of that. I ain't never been back

2:46:08.760 --> 2:46:11.880
<v Speaker 1>away all the front and that Malicia to Gang CNB

2:46:12.040 --> 2:46:15.240
<v Speaker 1>in the press. Somebody pray for me because it's donner time.

2:46:15.600 --> 2:46:17.520
<v Speaker 1>How'd your wife and and kicks? You pick your home

2:46:17.600 --> 2:46:19.920
<v Speaker 1>wrecker or your test to get the best for the

2:46:20.000 --> 2:46:22.880
<v Speaker 1>clone checker. Yes, some little red man on his own

2:46:23.000 --> 2:46:26.039
<v Speaker 1>letos nigga sucking y'all. Like when you don't neck us

2:46:26.320 --> 2:46:29.080
<v Speaker 1>anywhere I go out, I'll be moved Fi dobe by

2:46:29.200 --> 2:46:31.240
<v Speaker 1>my lonely in your hood asks about me, they know me.

2:46:31.400 --> 2:46:34.560
<v Speaker 1>Respect is giving the left deliving respects taking the boy.

2:46:34.680 --> 2:46:38.280
<v Speaker 1>Jopson drops to Nigga's record breaking tell a direct, faked nigga,

2:46:38.360 --> 2:46:41.000
<v Speaker 1>name a place, time and I'm gonna take seconds. Niggas

2:46:41.000 --> 2:46:44.199
<v Speaker 1>ain't gonna waste time left. How the nigga's doing tink

2:46:44.320 --> 2:47:18.200
<v Speaker 1>time fucking wraps, howls, rats, snick spine. Find all your

2:47:18.240 --> 2:47:21.080
<v Speaker 1>favorite movies and shows factor with Excinity. Just speak into

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