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Speaker 1: Springtime tips and fun facts from Paul Kristen and Dexter

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Speaker 1: at Total Wine and More. Garnishing your hand with pineapple

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Speaker 1: parent with a delicious Chardonnay to make their taste bud swirl.

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Speaker 1: Deviled eggs are even better when paired with a light,

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Speaker 1: dry wine like a bubbly Prosecco or a Pinot Grizzy.

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Speaker 1: For me, nothing beats recommending a great wine, and with

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Speaker 1: such an extensive selection, I can help you find the

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Speaker 1: perfect one in your budget, whether you're hosting or just bring.

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Speaker 1: The wine we love to share are always low prices

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Speaker 1: and ridiculous selection this spring at Total Wine and More. Cheers.

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Speaker 1: He's a legendary queen's rapper, Hang segues Your Boy, and

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Speaker 1: he's a Miami hip hop pioneer d J e f

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Speaker 1: f N. Together they drink it up with some of

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Speaker 1: the biggest players in music and sports, I mean the

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Speaker 1: most professional, unprofessional podcast. This is Drinks Chap Ready to War.

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Speaker 1: Every day is New Year's e would it could be?

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Speaker 1: Hopefully is what She'll be? This is Your Boy and

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Speaker 1: Oh what U is? D J e f N And

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Speaker 1: it's the motherfucker drink Chants and right now when people

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Speaker 1: ask me what type of music I like. You know,

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Speaker 1: I like to turn up music. I like uh club music,

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Speaker 1: I like balance music. But I come from and what

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Speaker 1: I originate from, it's pure laricism, pure lyrics, and right

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Speaker 1: now I couldn't be blessed with any other These guys

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Speaker 1: are pure lyricists. They don't dance, they don't have dancers,

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Speaker 1: they don't have guys with dreads standing behind them just wiggling.

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Speaker 1: These guys are on stage by theirself and they do

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Speaker 1: what they gotta do. And they've been around for years

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Speaker 1: and they certified legends. Right now, I got to the

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Speaker 1: right of me, one of the he's about to become

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Speaker 1: one of the newest legends because he's been around, he's

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Speaker 1: had deals with Shaquille O'Neill. Ship is real. Right now,

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Speaker 1: I'm introducing Corey gunz Is in the building, and then

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Speaker 1: I'm going to a legend from my era, not only

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Speaker 1: for my error, from my borough, not only for my

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Speaker 1: borrow from from This guy has been maintaining. He's been

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Speaker 1: touring overseas and Melborne in Australia. I see him everywhere

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Speaker 1: he's and he's always been the same exact guy. He's

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Speaker 1: never folded consistency. He's always stayed around, He's always been

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Speaker 1: here and he's always been making money. My god, Core

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Speaker 1: Mega makes some right now. This is for the hip

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Speaker 1: hop or the hip Hoppist or the hippie hopp that

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Speaker 1: he believe the Hoppist and both of them on my

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Speaker 1: album's out right now another time, another time, and let's

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Speaker 1: also big up. Let's get this out the way real fast.

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Speaker 1: Let people from Best Bottling the liquor. We're gonna try

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Speaker 1: to get Core Megan to drink. That is my whole purpose,

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Speaker 1: try to get him. I remember used to drink champagne

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Speaker 1: back in the days. Demi said, correct, Demi said, right yeah,

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Speaker 1: because it feaks the like please, we need you your

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Speaker 1: fans a yo. So Mecca, let me let me just

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Speaker 1: ask you. You have what I like to call a

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Speaker 1: cult following. With me, it was what it means no

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Speaker 1: matter where you go, there's always fans. There's always people

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Speaker 1: who come out, die hard fans, like, how did you

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Speaker 1: build that? I don't even have an answer for. It's

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Speaker 1: a blessing. That's not something that that I had a

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Speaker 1: plan for. Like I said, I'm just gonna have cold

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Speaker 1: following and people just fucking with my music veryway. But

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Speaker 1: that ship is a blessing, Like I could have had

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Speaker 1: no fans like you already know you like men, you

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Speaker 1: know each other very long time. There's been times when

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Speaker 1: when the world was against like the industry was against me,

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Speaker 1: and and doors is closed on me, and people was whispering,

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Speaker 1: don't funk with Mecca. So it was like I didn't

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Speaker 1: know what I had fans. And then I just made music.

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Speaker 1: I just I just tested myself, like men A, I

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Speaker 1: put out I put out the first rap mixtape member

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Speaker 1: before dudes doing mixtape. I did that when I was

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Speaker 1: gonna violate on the show because I needed to see

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Speaker 1: how people felt about me. It was like a test.

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Speaker 1: So I put out the Montana Way and then um,

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Speaker 1: it's so mad Units. And then when I went on

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Speaker 1: tour with DMX, places like he just lost on us.

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Speaker 1: Make some noise for him. Going on tour with DMX

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Speaker 1: needs you to finish. I need you to finish. But

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Speaker 1: I also need to ask you how many dates did

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Speaker 1: DMX show up to? He showed up to every day

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Speaker 1: every day. Make some noise where DMX wasn't crazy. I

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Speaker 1: did a tour with DMX. We did thirt or two

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Speaker 1: days he showed up for fourteen. But let's send the

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Speaker 1: story was saying, so you went on to with DMX. Yeah,

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Speaker 1: I went on tour with dm X, and um, we

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Speaker 1: went to places like Chicago, Detroit, etcetera, et cetera, and uh,

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Speaker 1: when I was there, I didn't know people was gonna

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Speaker 1: know my music, so I didn't even want to perform it.

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Speaker 1: But when I did perform, I got as loud as

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Speaker 1: ovation as anybody, so it was like wow. So that's

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Speaker 1: when I knew that the mixtape apute. So I just

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Speaker 1: what I do is I careter to my audience. So

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Speaker 1: I guess that's why I have a loyal following, because

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Speaker 1: I don't change up on them, like you know what

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Speaker 1: you're gonna get when you get a mega album, right,

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Speaker 1: and you never really tried to like make a radio record,

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Speaker 1: Is that true or no? I never Well when I, um,

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Speaker 1: I didn't make a dream of Call Thomas before okay

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Speaker 1: remember that, and um that was like that was a

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Speaker 1: crystalty move. Recipes and Christmas benefited both of us. So

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Speaker 1: I made a joint. I wasn't comfortable with it, but

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Speaker 1: I didn't hate it. But it's like if I would

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Speaker 1: have been on deaf gym. There's certain kind of music

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Speaker 1: that I would have been having to make that I

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Speaker 1: wasn't comfortable with. And when I started doing my own music,

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Speaker 1: just with answering that nobody, I was able to do

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Speaker 1: what I want. So I like that. You know what

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Speaker 1: I'm saying. I don't want to I don't want to

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Speaker 1: have excuses for my music, right, So, so um the course,

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Speaker 1: So let's say if you had a choice independent of Major,

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Speaker 1: and you had a chance to do it all over,

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Speaker 1: what with that choice? And I already had a choice

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Speaker 1: that Major hoping at me after the run it like nah?

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Speaker 1: And you you you like the independent. I like the independent.

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Speaker 1: Let's make some noise for him being the hustle that freedom.

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Speaker 1: So Correy guns, right, sir. One of the first times

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Speaker 1: I heard of you was Saquille O'Neill was talking about you.

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Speaker 1: Was that your first deal? Yeah? Actually you had like

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Speaker 1: seventeen deals, getting many Yeah still cash money, didn't cash money? Yeah? Yeah,

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Speaker 1: what was that your first deal? Um? Yeah? Actually, my

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Speaker 1: mom pops was sound she killed why or your pops

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Speaker 1: were signed to kill when she killed Twisom? And that's

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Speaker 1: my guy, Pops tool like yeah. Yeah, he baptized golf

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Speaker 1: fathers of nick name one Man from Old Sam long Man.

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Speaker 1: I just think you don't leave them, man, God damn

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Speaker 1: it man, you your goldfathers Shaquille oil Man that god

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Speaker 1: damn sure. Yeah I could. If was my godfather, I could.

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Speaker 1: He couldn't. I could have his number because I'll be

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Speaker 1: asking him for for dumb ship like yo, listen, I

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Speaker 1: heard you in friends. Let me help me. But um so, yeah,

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Speaker 1: so he's your godfather and then he's how does this

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Speaker 1: he hears you rhyme? Yeah, I would be around him

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Speaker 1: in the studio, around my pops and around she killing

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Speaker 1: the studio a lot, and I'd be wanting to, like

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Speaker 1: doro my freestyles. I'll be writing while they're working on music.

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Speaker 1: I'll be writing my own stuff. And after a while

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Speaker 1: they started like like God, like, let him, let's see

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Speaker 1: what he do. After a while, they just she just

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Speaker 1: started rolling. He started laughing. Serious hip hop Yeah yeah,

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Speaker 1: serious track asked me to do a record. I asked

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Speaker 1: him to write to rhyme. He was like no. I

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Speaker 1: was like, oh ship, because I heard was writing his ribs.

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Speaker 1: I was like, oh ship, Like he had his own ship.

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Speaker 1: He was really hip hop, that's what's up. Let's makes

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Speaker 1: the noise shack me here. So now I want to

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Speaker 1: ask both of y'all this question because I watched that

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Speaker 1: go on stage and you said something that was very

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Speaker 1: ill to me. You said, I'm not a rapper, I'm

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Speaker 1: a lyricist. Now it's there. It's there two different versions

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Speaker 1: of hip hop or is it three? Is it hip

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Speaker 1: hop lyricism and then wrap or is this just hip

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Speaker 1: lyricism falls under the zone of hip hop? Come on camera, guy,

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Speaker 1: come on and you've got a surfboard, so on too.

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Speaker 1: Hip hop going on? But does lyricists fall onto the

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Speaker 1: version of hip hop? So it's two different hip hop

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Speaker 1: and rap. Wrap the son you do hip hop son

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Speaker 1: you live, that's fact, and lyricism falls under the what

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Speaker 1: you do. It's like, um, that's interesting. So there's no

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Speaker 1: beat right now. It's our words that carry us. It's

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Speaker 1: our words that that that will differentiate us or separate

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Speaker 1: us from rappers. You know what I'm saying. And it's like, um,

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Speaker 1: a rapper, you don't. You will never re rhyme. Remember

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Speaker 1: when needs to be cossette And we hear something that

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Speaker 1: just blew our mind. We used to rewind the ship.

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Speaker 1: You won't rewind the rapper. You only be wrong lyricist.

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Speaker 1: You you want to catch what he's saying. You know

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Speaker 1: what I'm saying. You were wrong, Big Daddy can't cool

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Speaker 1: you wrapped? You know what I'm saying. You're one ever queens,

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Speaker 1: You're one dope m C. But the rapper, you're just

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Speaker 1: enjoying it. Most rappers get carried by their beat or

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Speaker 1: by their marketing O. Lyricists get carried by his words.

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Speaker 1: That's why every time you notice I'll do a show,

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Speaker 1: I could drop the music. I don't need a music

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Speaker 1: and I never used hypening, but the crowd are still

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Speaker 1: into it. That's a difference. That was So how you

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Speaker 1: feel about agree? Yea? I definitely do? Now now all

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Speaker 1: right with all this going on? Right you? You've been

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Speaker 1: on death Jam, You've been on multiple different labels. Have

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Speaker 1: anybody ever approached you and said, you know what um

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Speaker 1: Mega or Corey? You know what you guys are doing

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Speaker 1: is cool? But why not why? I think you said

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Speaker 1: Chris Lady earlier. But was that the only time or

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Speaker 1: there was other times where people try to get you

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Speaker 1: to change your stop. I remember when I made the

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Speaker 1: song Testament. But I made the song Testament. It made

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Speaker 1: crazy noise in the industry. You probably remember. I remember

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Speaker 1: clauke Ken used to come up to Depth like, Yo,

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Speaker 1: this is the one like Streets. Everybody loved it, and

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Speaker 1: I'll never forget Julie Greenwall. I'll never forget you records

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Speaker 1: right now. She said this is cool, but you need

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Speaker 1: something hot. And when she said that, it made my

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Speaker 1: stomach sick because I knew that that was a record.

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Speaker 1: I went hard on that record lyrically. The production was

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Speaker 1: crazy and I got respect, you know, as an m C.

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Speaker 1: I was a rapper. You know, we give we give

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Speaker 1: salent praise to each other sometimes to be like, you

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Speaker 1: know you're doing this thing, they might not say it

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Speaker 1: to you. So when I did that, that's one of

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Speaker 1: the first song with rappers. Was coming up to me like, Yo,

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Speaker 1: that joint is. So I knew it was strong, and

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Speaker 1: I knew that from me not having a song but

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Speaker 1: being on tour with DMX. That's the song I closed with,

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Speaker 1: So I knew it was a strong Street record. But

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Speaker 1: she's telling me something else, and that's where I knew

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Speaker 1: there was a conflict. You know what I'm saying so

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Speaker 1: that's when I was just when the beef started with

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Speaker 1: depth jam. No, you know the beef, the beef goes deeper. Okay,

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Speaker 1: let's get into us noble bottle got damn. I feel

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Speaker 1: like you want to. Yeah, I don't got a dream.

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Speaker 1: I don't need you know the purpose of drinking champ

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Speaker 1: you know, you get people nice that they go but no,

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Speaker 1: but I've always been an open boat that I know that.

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Speaker 1: But we're gonna tell that to the fans. We're gonna

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Speaker 1: act like, let us take our propersdam do year because

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Speaker 1: because here here we go, right, here's this guy right um,

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Speaker 1: and I want to get into the the one love

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Speaker 1: shout out. But we're gonna, we're gonna, we're gonna take

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Speaker 1: it from there. You was like the next thing, the

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Speaker 1: next biggest thing to come from Depth Jam. You had

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Speaker 1: to Foxy Brown. You had the nas and then we're

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Speaker 1: hearing it was Termorial a little bit with Steve Stouton

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Speaker 1: name was in there, and then I kind of know

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Speaker 1: the story a little bit, but the fans don't. We're

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Speaker 1: gonna do its past seven years, make no noise. What's

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Speaker 1: the timeline? The real is that song on the real

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Speaker 1: what's the timeline from what you're talking about. That that

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Speaker 1: was soon as I came home on the real sous.

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Speaker 1: You came home, okay, But now this death jam problems

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Speaker 1: we heard, like what was the issue? First thing? I mean,

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Speaker 1: basically you already said the person's name, you know, um Basically,

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Speaker 1: I don't. I don't. I don't like talking about I'm

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Speaker 1: I'm past that that stage. But he had he got

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Speaker 1: a lot of power, you know what I'm saying, and

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Speaker 1: him last week and we think he's coming for us,

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Speaker 1: but don't work. We weren't here. It's okay, Steve stops squad.

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Speaker 1: So once once, you know once certain people. Basically it

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Speaker 1: was like this. When I first came home, you already

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Speaker 1: know a lot of stuff that was going on behind

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Speaker 1: the scenes. I was off the production deal and I

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Speaker 1: didn't I didn't jump right on it. I've always been

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Speaker 1: a businessman, Like I'm not saying I'm Steve jobs and ship,

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Speaker 1: but I was on a point with certain things, like

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Speaker 1: one of the first books I bought was all you

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Speaker 1: need to know about the industry like that. I always

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Speaker 1: had all my publishing, even when I was on Depth Jam.

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Speaker 1: I own all my masters right now. I never said

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Speaker 1: the Realness is a classic or true man, and the

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Speaker 1: fans said it. So there's independent albums that artists that

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Speaker 1: own these stuff, but it's your music doesn't matter. Like

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Speaker 1: I own certified classics, I own the Realness mass, I

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Speaker 1: own a testament mans, I own born and raised masters.

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Speaker 1: So my kids, I could die right now. My kids

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Speaker 1: is great, you know what saying. So it's like, um,

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Speaker 1: I was on talking about business, so I wasn't gonna

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Speaker 1: rush into sign in the production deal. But Steve has

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Speaker 1: like he had like you know how it is. He

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Speaker 1: has a certain way about himself. All of them got it.

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Speaker 1: Chris got it. Yeah, Yea got it. Mark got it.

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Speaker 1: As a man, see, I was considering doing it, but

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Speaker 1: it's just certains a drink right there too. That's a

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Speaker 1: little bit of rose. Just some kids, you know what.

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Speaker 1: Let's think about it. Let's think about it. Finish his

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Speaker 1: story though. So as a man, there's certain things you

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Speaker 1: don't say to a man. You know what I'm saying, Like,

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Speaker 1: I'm a man at the end of the day, I'm

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Speaker 1: not a sucker that's trying to get on because, to

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Speaker 1: be honest with you, those days I have more money

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Speaker 1: when I wasn't rapping when I was doing other things.

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Speaker 1: So it's like he Steve is the type of person,

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Speaker 1: like he once said to me, like you think you

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Speaker 1: would even have a deal if it wasn't for us,

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Speaker 1: or like like he says things like that that makes

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Speaker 1: you question yourself. So if I was signed that, I

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Speaker 1: wouldn't respect it myself. So it was like certain things

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Speaker 1: and then you already know what happened with the song

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Speaker 1: A lot of familiar, but we don't know. I'm talking

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Speaker 1: to each other. You don't know what you want to know.

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Speaker 1: He told my man Benz Mega doesn't sign the production deal,

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Speaker 1: that remix that other song will be the last that

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Speaker 1: you hear from him with the firm. So I was like,

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Speaker 1: in my mind, I was like, he's bugging because I'm

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Speaker 1: on alt familiar, So what is he talking about. I'm

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Speaker 1: thinking like that thing with a lot of familia came out,

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Speaker 1: I wasn't on it. They took me up and putting

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Speaker 1: nature on it, so I thought it was a firmtive action.

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Speaker 1: Now I'm on a front of action, front of acted

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Speaker 1: the first front soon. But at the end of the day,

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Speaker 1: it is at the end of the day, it's like

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Speaker 1: this Steve is a marketing genius. You know what I'm

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Speaker 1: saying straight up, It's just that money ain't everything. Some

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Speaker 1: people are morally bankrupt financially rich. Like a few years

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Speaker 1: ago he did an let that shirt that was ill.

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Speaker 1: That was ill, Mega police continue. My thing is this,

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Speaker 1: if I got money like him, I'm not thinking about

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Speaker 1: a Coremega. I'm not gonna be sending like like in

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Speaker 1: the last I don't know how many years ago it

295
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Speaker 1: was recent years. He did an interview and then he

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Speaker 1: was and he said something about me that wasn't too

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Speaker 1: that it wasn't disrespect, but I wasn't feeling it. He

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Speaker 1: was trying to name people on the firm and he

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Speaker 1: was like they was talented, and he said I was.

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Speaker 1: He said, Mega wasn't even in the firm. It's like

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Speaker 1: you're trying to raise the history like like come on dogs,

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Speaker 1: like I was on the front of action, Like so,

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Speaker 1: so what was that that moment that it was the

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Speaker 1: firm was over like um when you stepped away? Um

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Speaker 1: you know, nor no, But I mean we don't know,

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Speaker 1: Like I mean, I mean we're like, like you know

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Speaker 1: what it is you have history is so rich and

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Speaker 1: you don't really. Um, you know, you don't do a

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Speaker 1: bunch of interviews. You go, you do what you gotta do.

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Speaker 1: But this is something that the fans gotta know and um,

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Speaker 1: and for those who do know, be refreshed about you

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Speaker 1: know what I'm saying, because this is a hip hop

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Speaker 1: form right here. This ain't no corny ship hip hop form.

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Speaker 1: Let's speak to the fans for real. You know what

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Speaker 1: I'm saying. Corn you want to drink too, come on,

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Speaker 1: let's do it. Fifteen years on, let's stop it right now.

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Speaker 1: Fifteen years. What's your on that you're flying from the

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Speaker 1: horn business? Fifteen years? Come on, they're gonna drink right there?

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Speaker 1: A little bit you got you got to burn the joint,

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Speaker 1: all right? Cool? Cool? Let me know if you don't

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Speaker 1: drink that cop, I'll knock it down. So so, what

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Speaker 1: was the exact moment where it was like the firm

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Speaker 1: is no longer now that further still longer than I mean,

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Speaker 1: like like the original the original? Yeah, Um, I don't

325
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Speaker 1: know when I when I didn't signed a production deal

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Speaker 1: and after I got a raised off the song, I

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Speaker 1: knew that was a rap, you know what I'm saying,

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Speaker 1: But it was it was for him telling you to

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Speaker 1: sign the production deal. I mean he wanted me to

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Speaker 1: sign it. It was a lot of it was a

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Speaker 1: lot of bullcrap going on. Put it like that, and

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Speaker 1: there was a lot of it was a lot of

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Speaker 1: you know, you know, it was a lot of funny

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Speaker 1: business going on, and there was a lot of um.

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Speaker 1: You know the situation when nature, um, me and Nature

336
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Speaker 1: didn't have no major beef like people thought. You know,

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00:17:33,640 --> 00:17:36,480
Speaker 1: now did that start because yeah, let's let's break that

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Speaker 1: down for me. Well, that was just that was just

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Speaker 1: um because nates just just kid from burning. Now, Natures

340
00:17:45,000 --> 00:17:52,880
Speaker 1: from testry when they were from burning. Okay, so basically

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Speaker 1: when Nature basically this is what happened. This is what

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Speaker 1: I got from Nature one day they was in the

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Speaker 1: studio and it was in the entire co Omega environment

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Speaker 1: and Nigga's gas Nature to say something about me on

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Speaker 1: the song on that free Style actually used on it too.

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Speaker 1: I was on it from wasn't it wasn't the Couci

347
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Speaker 1: rap ship. I don't know. I got to do my research.

348
00:18:15,600 --> 00:18:19,600
Speaker 1: I might be another one. But cool So Mary J

349
00:18:19,800 --> 00:18:22,800
Speaker 1: was on the joint that's this yeah, yeah, so I

350
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Speaker 1: never thought even that you I know he went that,

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Speaker 1: okay ahead, So so then when I heard that, so

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Speaker 1: I at the time when he went at me like

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Speaker 1: you know me, when you were Nature cool before that,

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Speaker 1: we was all right, we don't have no druma on that,

355
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Speaker 1: but you know me, like you get wrapped and look

356
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Speaker 1: at my circle, Mega buss is gone. That's a fact,

357
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Speaker 1: No guy, we might we might have a drunk stackterial

358
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Speaker 1: that that dream brought up. Remember when we did the

359
00:18:49,960 --> 00:18:52,080
Speaker 1: show when pone came home. We didn't hear in Miami.

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Speaker 1: I think that they squashed the beef on stage. Nature

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Speaker 1: on stage at that show been cool. But I'm saying

362
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Speaker 1: all showed face for the first time like that, Me

363
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Speaker 1: and Nature been Me and Nature been cool because they

364
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Speaker 1: definitely a lot of What year was that when poone

365
00:19:09,119 --> 00:19:11,520
Speaker 1: came home and poone came home that's two thousand and one. Yeah,

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00:19:11,600 --> 00:19:13,159
Speaker 1: so you might be a little off with that. It

367
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Speaker 1: might have been on stage together, but they've been and

368
00:19:15,280 --> 00:19:16,879
Speaker 1: they just did a lot of But you gotta remember

369
00:19:17,119 --> 00:19:23,080
Speaker 1: the internet wasn't popping back. They ain't know on Miami.

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00:19:23,200 --> 00:19:25,160
Speaker 1: So that's the first that's all you never hear about.

371
00:19:25,560 --> 00:19:28,080
Speaker 1: You never heard the media or the fans speculating about

372
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Speaker 1: me and naate anymore because I made I made sure

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Speaker 1: people know what we're cool. Even on my last album,

374
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Speaker 1: I put nature on my hand. But how did how

375
00:19:35,880 --> 00:19:38,920
Speaker 1: did it actually start? So it was no term murray

376
00:19:39,000 --> 00:19:41,280
Speaker 1: before he said something before that free stuff. Now it

377
00:19:41,440 --> 00:19:44,159
Speaker 1: was like it was like regular project. I mean regular,

378
00:19:44,320 --> 00:19:46,159
Speaker 1: it was just regular. So where was you at when

379
00:19:46,160 --> 00:19:47,760
Speaker 1: you hear that? I was at the crib and I

380
00:19:47,840 --> 00:19:50,399
Speaker 1: got a call like, yo, nature went at you and

381
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Speaker 1: this is a cree when you lived in Brooklyn or

382
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Speaker 1: you lived on Union Turnpike. That's when I had to Yeah,

383
00:19:56,200 --> 00:20:03,359
Speaker 1: you have to come to the little kick, you know you?

384
00:20:04,359 --> 00:20:08,560
Speaker 1: So so when when that happened, I got the quarters

385
00:20:08,560 --> 00:20:10,600
Speaker 1: like your nature went at you? And I was like,

386
00:20:11,280 --> 00:20:18,840
Speaker 1: you're joking? Did you went at me? Um? I blame

387
00:20:18,920 --> 00:20:22,320
Speaker 1: both because it's like this, if somebody, if somebody put

388
00:20:22,359 --> 00:20:24,879
Speaker 1: a hit on you, somebody, if a boys put a

389
00:20:24,920 --> 00:20:26,679
Speaker 1: hit on you, I'm not going for the soldier. I'm

390
00:20:26,680 --> 00:20:28,760
Speaker 1: going for the soldier and the boys. That's how you

391
00:20:28,800 --> 00:20:30,399
Speaker 1: looked at it. That's exactly how I looked at it.

392
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Speaker 1: But but that I didn't believe that he dissed me.

393
00:20:33,800 --> 00:20:35,760
Speaker 1: I guess because there was a point like I'm a

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Speaker 1: different person than what I used to be, Like back

395
00:20:38,640 --> 00:20:42,200
Speaker 1: then I was fresh out and I was like, I

396
00:20:42,359 --> 00:20:46,240
Speaker 1: was just wow, and like my circle was so for

397
00:20:46,359 --> 00:20:48,879
Speaker 1: him to diss me, I was like this, I'm like,

398
00:20:48,960 --> 00:20:53,679
Speaker 1: you're joking, like seriously, like you're joking, like like somebody

399
00:20:53,800 --> 00:20:56,000
Speaker 1: found me hard in the basketball game in the center

400
00:20:56,040 --> 00:20:58,000
Speaker 1: before and dudes knocked him out, like you know how

401
00:20:58,040 --> 00:21:01,600
Speaker 1: protective my people is so and he lives in that circle.

402
00:21:01,720 --> 00:21:04,480
Speaker 1: It's like you're being It's like you're fish in the

403
00:21:04,560 --> 00:21:07,000
Speaker 1: water a bunch of sharks and you violate one of

404
00:21:07,040 --> 00:21:09,320
Speaker 1: the sharks. It's like serious. So when that happened, I

405
00:21:09,640 --> 00:21:11,320
Speaker 1: thought him, I thought it was a joke. And then

406
00:21:11,359 --> 00:21:13,560
Speaker 1: somebody else like yo, So then I've seen him and

407
00:21:14,040 --> 00:21:19,440
Speaker 1: stuffing on the hell let's talking about that. He already said,

408
00:21:19,680 --> 00:21:24,760
Speaker 1: already said said all right, well cool, he's a cool niggers.

409
00:21:24,800 --> 00:21:28,679
Speaker 1: My brother Jermain back stuff. So that's what we call

410
00:21:29,800 --> 00:21:34,040
Speaker 1: let's fast forward that. So that incident happened, and then um,

411
00:21:34,160 --> 00:21:38,240
Speaker 1: right after that, I was so mad, you know what

412
00:21:38,280 --> 00:21:41,159
Speaker 1: I'm saying that I went to the studio and then

413
00:21:41,480 --> 00:21:43,480
Speaker 1: and that's when I that's how and that's how the

414
00:21:44,040 --> 00:21:47,240
Speaker 1: that's how the dishes started. So when and that's the

415
00:21:47,280 --> 00:21:51,000
Speaker 1: thing I don't like when you when you're a likable artists,

416
00:21:52,080 --> 00:21:54,879
Speaker 1: like they're flipping like you're the good guy or like

417
00:21:55,160 --> 00:21:56,879
Speaker 1: it's a lot of it's a lot of politics. So

418
00:21:57,000 --> 00:22:01,480
Speaker 1: then it started becoming oh megadsk nature and etcetera. And

419
00:22:01,560 --> 00:22:03,040
Speaker 1: it takes away the fact that he went at you

420
00:22:03,119 --> 00:22:05,880
Speaker 1: first exactly, so you're not saying, oh, he just Mega

421
00:22:06,000 --> 00:22:08,200
Speaker 1: and then Mega responded y'all just making it like, oh,

422
00:22:08,640 --> 00:22:11,359
Speaker 1: Megan just woke up angry one day and wanted to

423
00:22:11,480 --> 00:22:13,840
Speaker 1: did somebody and that wasn't the truth or like you

424
00:22:13,880 --> 00:22:15,280
Speaker 1: know what I'm saying, Like you said, Nori been in

425
00:22:15,359 --> 00:22:16,880
Speaker 1: my career when I had a career with the door

426
00:22:16,960 --> 00:22:20,520
Speaker 1: man and cameras and in the ceiling high like this

427
00:22:21,240 --> 00:22:22,920
Speaker 1: person they got seen with the door man, I was like,

428
00:22:23,160 --> 00:22:29,360
Speaker 1: I need this and this is no yo Yo who

429
00:22:29,440 --> 00:22:31,880
Speaker 1: had the sick think about this for a second, who

430
00:22:31,920 --> 00:22:35,240
Speaker 1: had the sickest party ever been too? Forgot about that

431
00:22:36,359 --> 00:22:39,040
Speaker 1: house party with no did with no album out, no

432
00:22:39,200 --> 00:22:43,160
Speaker 1: record at DJ absolute DJ in the house, Nori Cave,

433
00:22:43,920 --> 00:22:47,959
Speaker 1: other rappers was there. We had Champagne tolling, it hit

434
00:22:48,000 --> 00:22:52,160
Speaker 1: that champagne. Let's this man, Come on, take a sip,

435
00:22:52,240 --> 00:22:54,200
Speaker 1: Take a sip. Come on, man, come on, you got

436
00:22:54,240 --> 00:22:55,879
Speaker 1: you can't be the only guest that didn't drink. You

437
00:22:55,960 --> 00:22:57,680
Speaker 1: gotta you gotta do it, You gotta do it. Just

438
00:22:57,760 --> 00:23:03,680
Speaker 1: is sip. This is I think about fifteen. Pick it

439
00:23:03,760 --> 00:23:10,720
Speaker 1: up though, pick up? So all right, so how do

440
00:23:10,800 --> 00:23:12,960
Speaker 1: you nature work out to be? For now? Now? It's

441
00:23:13,000 --> 00:23:16,960
Speaker 1: all because I felt like and I don't mean no dispect,

442
00:23:17,000 --> 00:23:19,200
Speaker 1: but in a certain way, it was almost like it

443
00:23:19,320 --> 00:23:21,880
Speaker 1: was like a pond and it was a bigger scheme today.

444
00:23:21,920 --> 00:23:24,119
Speaker 1: But definitely what Nature telling me? That one thing? You know,

445
00:23:24,400 --> 00:23:25,920
Speaker 1: I was about to ask you, let me tell you something.

446
00:23:26,080 --> 00:23:28,640
Speaker 1: Let me tell some street knowledge. You want to find out.

447
00:23:29,520 --> 00:23:31,239
Speaker 1: You want to find out who your real friends are,

448
00:23:32,440 --> 00:23:38,840
Speaker 1: actual enemy? Whoever your enemy is not uncomfortable around, ain't

449
00:23:38,880 --> 00:23:43,600
Speaker 1: your friend? So when when after the situation of me

450
00:23:43,680 --> 00:23:46,399
Speaker 1: and nature happened? First of all, he's dropping carerest on

451
00:23:46,520 --> 00:23:55,520
Speaker 1: jewels so to stop drinking good. So after after situation

452
00:23:55,560 --> 00:23:58,119
Speaker 1: had with me and nature, we spoke and I was like, yo,

453
00:23:58,240 --> 00:24:00,159
Speaker 1: what made you do that? Because the thing by this

454
00:24:00,359 --> 00:24:04,240
Speaker 1: every day? Who am I with? I'm with? Shirm like

455
00:24:04,880 --> 00:24:10,439
Speaker 1: you know, like my crew is crazy phrase like uh

456
00:24:11,440 --> 00:24:16,080
Speaker 1: karate so and you know, like you got like these

457
00:24:16,119 --> 00:24:17,720
Speaker 1: are dudes you gotta see every day because I'm not

458
00:24:17,760 --> 00:24:19,919
Speaker 1: out there all the time. You gotta see them every day.

459
00:24:19,960 --> 00:24:21,960
Speaker 1: So why did you do that? So so then he said,

460
00:24:22,000 --> 00:24:25,520
Speaker 1: you ain't gonna front. He said he was in the studio.

461
00:24:26,200 --> 00:24:27,919
Speaker 1: It was an anti mega environment. So I guess they

462
00:24:27,960 --> 00:24:31,399
Speaker 1: were talking my MoMA back you know, y'alla y'all to

463
00:24:32,119 --> 00:24:35,560
Speaker 1: then somebody inspired him. He went in the booth. He said,

464
00:24:35,560 --> 00:24:38,359
Speaker 1: the track masses recorded him, but he thought it was

465
00:24:38,440 --> 00:24:42,000
Speaker 1: just like, you know, they're just joking and fucking around,

466
00:24:42,240 --> 00:24:45,280
Speaker 1: So he went home. When he went home, they mixed

467
00:24:45,320 --> 00:24:47,320
Speaker 1: it and put his verse on on the drunk and

468
00:24:47,440 --> 00:24:52,399
Speaker 1: put it out so so um so then when he

469
00:24:52,480 --> 00:24:54,719
Speaker 1: came out and then that's how that's how everything started.

470
00:24:55,160 --> 00:24:57,000
Speaker 1: But at the end of the day, I hate talking

471
00:24:57,040 --> 00:25:01,119
Speaker 1: about that. No, it's it's okay. And Nature is a

472
00:25:01,200 --> 00:25:03,760
Speaker 1: great guy. Um and it's just history, you know what

473
00:25:03,760 --> 00:25:06,800
Speaker 1: I'm saying. So um uh So you do you say,

474
00:25:06,840 --> 00:25:09,680
Speaker 1: how did you fix it? You sat down with spoke, Yeah,

475
00:25:09,760 --> 00:25:12,959
Speaker 1: we've been right, and then our court we like everybody

476
00:25:13,040 --> 00:25:16,320
Speaker 1: want to know, like you've been on Hi Hitus, Like, um,

477
00:25:16,680 --> 00:25:19,880
Speaker 1: you're one of the favorites. Everybody's you know, next up

478
00:25:19,960 --> 00:25:22,920
Speaker 1: to pick to be the next guy, and it's like,

479
00:25:23,480 --> 00:25:25,200
Speaker 1: you know, if you've got the case, we understand that.

480
00:25:25,600 --> 00:25:29,640
Speaker 1: But what's happening is the Baby and Wayne situation kind

481
00:25:29,680 --> 00:25:33,800
Speaker 1: of pulling you away or um not necessarily. That's something

482
00:25:33,880 --> 00:25:36,320
Speaker 1: that I wish would be would be fixed really really

483
00:25:36,400 --> 00:25:41,280
Speaker 1: really really soon. Does it look fixed? Um, I'm still

484
00:25:41,320 --> 00:25:43,440
Speaker 1: I'm gonna be honest, I'm still on the outside looking

485
00:25:43,480 --> 00:25:45,680
Speaker 1: in on the situation, so I don't really I don't

486
00:25:45,680 --> 00:25:48,399
Speaker 1: really know the details of it, but I'm hoping that

487
00:25:48,480 --> 00:25:51,680
Speaker 1: it gets fixed resolved really really soon. I've been working though.

488
00:25:52,119 --> 00:25:53,680
Speaker 1: I gotta do a lot of music and I just

489
00:25:53,800 --> 00:25:56,240
Speaker 1: hold it. I gotta have it holding my music, and

490
00:25:56,320 --> 00:25:59,040
Speaker 1: I've been I've been working on the project called Criminal Minded.

491
00:26:00,000 --> 00:26:03,920
Speaker 1: Have to release that in like October because three New York.

492
00:26:04,320 --> 00:26:06,520
Speaker 1: It feels like we're coming back. Um, you know how

493
00:26:06,520 --> 00:26:08,840
Speaker 1: I like right now, young m A. You know I'm

494
00:26:08,840 --> 00:26:12,240
Speaker 1: talking about getting made the girl. Yeah, yeah, she's she's

495
00:26:12,240 --> 00:26:16,960
Speaker 1: like Moby smurderdank to make some noise for that. That's

496
00:26:17,440 --> 00:26:21,200
Speaker 1: the first that's the first day rapper. I am co sign.

497
00:26:21,320 --> 00:26:23,359
Speaker 1: I don't like young m A. And it's crazy because

498
00:26:23,400 --> 00:26:26,119
Speaker 1: component will never come outside. I was seeking compone at

499
00:26:26,119 --> 00:26:27,760
Speaker 1: her shoulder other day. I had to call that Nick.

500
00:26:27,800 --> 00:26:31,840
Speaker 1: I said, I'm proud of you coming. That's my day.

501
00:26:31,840 --> 00:26:35,000
Speaker 1: I'm sorry you laugh. It's okay, UM, but New York

502
00:26:35,119 --> 00:26:37,720
Speaker 1: is coming back. We got younger may, we got designer.

503
00:26:38,680 --> 00:26:41,960
Speaker 1: You think your flow fixing with the young uns or

504
00:26:42,119 --> 00:26:44,680
Speaker 1: you more of an o G now. I think I

505
00:26:44,800 --> 00:26:48,480
Speaker 1: grew up in UM. To answer that question, I came

506
00:26:48,560 --> 00:26:50,919
Speaker 1: up in the I'm gonna be honest, I came up

507
00:26:51,000 --> 00:26:56,920
Speaker 1: listening to y'all. I came up listening to you, like

508
00:26:57,040 --> 00:26:59,840
Speaker 1: I feel like I was. I grew up in between generations.

509
00:27:00,480 --> 00:27:02,520
Speaker 1: So it's like I got the kind of like the UM,

510
00:27:03,800 --> 00:27:06,800
Speaker 1: certain respect for the history and a certain respect for

511
00:27:06,880 --> 00:27:10,159
Speaker 1: the craft that a lot of people don't know that

512
00:27:10,280 --> 00:27:12,639
Speaker 1: I have knowledge yell. A lot of people will probably think, oh,

513
00:27:12,720 --> 00:27:14,320
Speaker 1: he too young, or he too this or two that

514
00:27:14,480 --> 00:27:17,840
Speaker 1: you don't know about this. So it's like I was,

515
00:27:18,240 --> 00:27:22,200
Speaker 1: really I think I having that knowledge and having being

516
00:27:22,280 --> 00:27:25,119
Speaker 1: grown up listening to the lyricists and just listening to

517
00:27:25,280 --> 00:27:29,160
Speaker 1: people with different different flows styles, shout out the pun

518
00:27:30,280 --> 00:27:34,200
Speaker 1: just different people. You know what I'm saying. Um, I

519
00:27:34,320 --> 00:27:37,320
Speaker 1: think I don't ever think my flow be. I think

520
00:27:37,359 --> 00:27:40,080
Speaker 1: I don't never think my flow be do. I think

521
00:27:40,119 --> 00:27:45,680
Speaker 1: it's timeless and I don't think should be. Like I

522
00:27:45,720 --> 00:27:48,240
Speaker 1: want to get into a whole lyrics lyricist thing. But

523
00:27:48,400 --> 00:27:50,800
Speaker 1: what I'm trying to say to you is being on

524
00:27:50,920 --> 00:27:53,680
Speaker 1: young money. Yeah, let's say this ship works out tomorrow.

525
00:27:56,040 --> 00:27:58,240
Speaker 1: As much as a lyricist you are, you gotta play

526
00:27:58,320 --> 00:28:00,399
Speaker 1: with that. Would you be willing to play with that

527
00:28:00,480 --> 00:28:06,280
Speaker 1: other world because that's your money? Yeah, the word is young. Yeah,

528
00:28:06,480 --> 00:28:08,440
Speaker 1: you gotta have fun with it. You gotta have fun

529
00:28:08,560 --> 00:28:10,159
Speaker 1: at the same time. That's what it's about at the

530
00:28:10,240 --> 00:28:12,200
Speaker 1: end of the day, loving what you do and when

531
00:28:12,200 --> 00:28:14,159
Speaker 1: you love what you're doing and in the y'all, and

532
00:28:14,280 --> 00:28:17,320
Speaker 1: it works. So that's what That's what's mainly been keeping

533
00:28:17,359 --> 00:28:19,040
Speaker 1: me motivated at the end of the day. Like I

534
00:28:19,640 --> 00:28:22,520
Speaker 1: just balancing it, like knowing the balance, like having a

535
00:28:22,640 --> 00:28:25,639
Speaker 1: knowledge and still knowing the balance. My Christmas gifts when

536
00:28:25,640 --> 00:28:28,320
Speaker 1: I was a little with albums, I wanted albums and

537
00:28:28,480 --> 00:28:31,240
Speaker 1: radios and stuff like that. Wayne album Block Is Hot

538
00:28:31,359 --> 00:28:34,560
Speaker 1: was on my Christmas list. Like to be honest, I

539
00:28:35,000 --> 00:28:38,840
Speaker 1: even met him. So I grew up just just in

540
00:28:38,920 --> 00:28:42,320
Speaker 1: a in an environment and just want to do want

541
00:28:42,400 --> 00:28:44,800
Speaker 1: to be an artist first, but at the same time

542
00:28:44,880 --> 00:28:47,320
Speaker 1: knowing that you gotta have fun my pops to be.

543
00:28:47,520 --> 00:28:49,200
Speaker 1: To be real with you, my Pops didn't want me

544
00:28:49,240 --> 00:28:52,880
Speaker 1: to wrap like he was like people want different people

545
00:28:52,920 --> 00:28:55,040
Speaker 1: on the block would tell them about me when I

546
00:28:55,120 --> 00:28:57,560
Speaker 1: first started writing my all stuff say one time that

547
00:28:58,040 --> 00:29:01,320
Speaker 1: he didn't want you to wrap, but he seece you

548
00:29:01,400 --> 00:29:03,480
Speaker 1: spend bars and realize you were better than him. And

549
00:29:03,560 --> 00:29:06,160
Speaker 1: that's funny that I seemed to interview you know what

550
00:29:06,200 --> 00:29:08,400
Speaker 1: I mean. That's ill, but I mean that's your pop,

551
00:29:08,520 --> 00:29:11,800
Speaker 1: so it's it's no disrespect to him. Yeah, he definitely

552
00:29:11,920 --> 00:29:13,960
Speaker 1: my biggest inspiration. How do you feel about him on

553
00:29:14,000 --> 00:29:16,360
Speaker 1: Love and Hip Hop? You agree or it's like, fuck it,

554
00:29:17,080 --> 00:29:20,160
Speaker 1: I'm gonna be honest. When I first heard about it,

555
00:29:20,280 --> 00:29:22,880
Speaker 1: I was more worried about what other people think. But

556
00:29:23,120 --> 00:29:25,120
Speaker 1: it's like, as long as my Pops is good and

557
00:29:25,200 --> 00:29:26,959
Speaker 1: at the end of the day, that's my father. I'm

558
00:29:27,120 --> 00:29:28,800
Speaker 1: riding with him whether you're wrong or right. Oh and

559
00:29:28,840 --> 00:29:30,920
Speaker 1: he's shot it too. He glowing. Man, I see that

560
00:29:31,200 --> 00:29:32,960
Speaker 1: the other day, I said, were you looking like money?

561
00:29:36,600 --> 00:29:39,040
Speaker 1: You know? What's so dope? Man for people to be

562
00:29:39,160 --> 00:29:42,000
Speaker 1: in this music But because there's so many bitter people,

563
00:29:42,360 --> 00:29:44,440
Speaker 1: you know what I'm saying that being in this music business,

564
00:29:44,600 --> 00:29:46,920
Speaker 1: they don't because if you don't get what you get

565
00:29:47,000 --> 00:29:48,960
Speaker 1: in this music business, a lot of the times, ninety

566
00:29:48,960 --> 00:29:51,640
Speaker 1: percent of the blame is on you. You understand what

567
00:29:51,640 --> 00:29:55,400
Speaker 1: I'm saying, Because there's so many different ways to be independent,

568
00:29:55,520 --> 00:30:00,320
Speaker 1: especially nowadays, especially nowadays, being independent the Spotify ship just dreams.

569
00:30:00,360 --> 00:30:02,040
Speaker 1: I'm gonna be honest, A lot of people don't know,

570
00:30:02,760 --> 00:30:06,080
Speaker 1: and jay Z is not paying me, so I'm gonna

571
00:30:06,120 --> 00:30:08,040
Speaker 1: just throw this out there. But that other about all

572
00:30:08,120 --> 00:30:13,520
Speaker 1: roles in there. Um title has one of the illest

573
00:30:13,640 --> 00:30:17,200
Speaker 1: formats ever for artists like Mega. You ever did something

574
00:30:17,560 --> 00:30:20,320
Speaker 1: through it out and said, damn, I wish I could

575
00:30:20,320 --> 00:30:23,200
Speaker 1: actually go back in there and we record that title

576
00:30:23,280 --> 00:30:27,360
Speaker 1: with the streams, you can go back in there and

577
00:30:27,800 --> 00:30:31,000
Speaker 1: Kanye is doing it's the most brilliant thing. So I

578
00:30:31,080 --> 00:30:32,920
Speaker 1: sit back and say, if an artist is not going

579
00:30:33,000 --> 00:30:35,120
Speaker 1: out there and getting it, he just really don't want

580
00:30:35,160 --> 00:30:37,880
Speaker 1: it sometimes. But so I'm just saying, there's so many

581
00:30:37,920 --> 00:30:43,920
Speaker 1: opportunities but lyricism questions question to uh you Mega you

582
00:30:44,040 --> 00:30:49,000
Speaker 1: listen to all this thing? Can lyricism sism live in

583
00:30:50,720 --> 00:30:56,200
Speaker 1: on a mainstream scale? Yeah it could. Ken Drake Kendrick

584
00:30:56,960 --> 00:31:00,720
Speaker 1: brought that Kendric quarterback J Cole. I. I think Corey

585
00:31:01,240 --> 00:31:04,160
Speaker 1: overy time I see Corey, I'll tell him whether every

586
00:31:04,160 --> 00:31:06,160
Speaker 1: time I see us, be like, Yo, what's the music at?

587
00:31:06,280 --> 00:31:09,360
Speaker 1: Or you know, I always, ever since I've been seeing them,

588
00:31:09,760 --> 00:31:11,960
Speaker 1: always try to push him into courage him because I

589
00:31:12,280 --> 00:31:15,360
Speaker 1: like the directions going in. But lyricism could always live

590
00:31:15,400 --> 00:31:19,120
Speaker 1: because especially now in these times, because there's so much

591
00:31:19,760 --> 00:31:23,280
Speaker 1: see the then between rapping and and and and hip

592
00:31:23,320 --> 00:31:28,120
Speaker 1: hop also and lyricism is because lyricism you paint pictures.

593
00:31:28,400 --> 00:31:30,960
Speaker 1: There's so much happening in the world right now with

594
00:31:31,240 --> 00:31:33,840
Speaker 1: us as people because if you got Black lives matter,

595
00:31:33,920 --> 00:31:37,560
Speaker 1: you got the politics so much to talk about. That

596
00:31:37,800 --> 00:31:41,360
Speaker 1: is is captivating when you when when people hold onto

597
00:31:41,440 --> 00:31:44,560
Speaker 1: your words. Now now now you invoke an emotions or

598
00:31:44,600 --> 00:31:47,720
Speaker 1: you're having a connection with people, and that's why you

599
00:31:47,800 --> 00:31:50,960
Speaker 1: know that's important, and that's why when the more the

600
00:31:51,080 --> 00:31:54,080
Speaker 1: more new artists do it, it helps because everybody wants

601
00:31:54,120 --> 00:31:57,040
Speaker 1: to do what those new artists doing. I think I think, um,

602
00:31:57,600 --> 00:31:59,880
Speaker 1: one rapper that's out of the newer generation that that

603
00:32:00,120 --> 00:32:03,360
Speaker 1: I really have learned to appreciate. It's Drake. I'm just

604
00:32:03,480 --> 00:32:07,520
Speaker 1: gonna say, young Thug. Bro. I haven't heard young I

605
00:32:07,520 --> 00:32:10,400
Speaker 1: haven't heard much of young Thug, but I've already I've

606
00:32:10,400 --> 00:32:13,600
Speaker 1: heard these all right, Yeah, yeah, I'm not I'm not judgmental.

607
00:32:14,000 --> 00:32:16,080
Speaker 1: Like the problem with a lot of rappers that have

608
00:32:16,160 --> 00:32:19,280
Speaker 1: been out old school or veterans or legends some of

609
00:32:19,360 --> 00:32:23,200
Speaker 1: them is they're too they're too closed minded that you

610
00:32:23,280 --> 00:32:25,360
Speaker 1: can't just say, well, they don't do like how we

611
00:32:25,520 --> 00:32:27,560
Speaker 1: did it. Of course they don't because that's a different time,

612
00:32:28,160 --> 00:32:30,440
Speaker 1: just like we don't travel like George Washington and them

613
00:32:30,560 --> 00:32:33,800
Speaker 1: used to, you know what saying. So it's like if anything, um,

614
00:32:34,680 --> 00:32:38,160
Speaker 1: Like some fans are like, um, they don't want to

615
00:32:38,240 --> 00:32:40,840
Speaker 1: leave the nineties. Like I respect that, but I know

616
00:32:41,040 --> 00:32:44,200
Speaker 1: that when I paid my bills to say no doubt,

617
00:32:44,280 --> 00:32:47,000
Speaker 1: like I love the nineties, Like I understand I understand

618
00:32:47,040 --> 00:32:50,800
Speaker 1: where they're coming from the nineties, like skill, what's your

619
00:32:50,840 --> 00:32:53,719
Speaker 1: bad badge on it? People put their heart more in it. Now.

620
00:32:54,320 --> 00:32:56,040
Speaker 1: Let me tell you something I was watching sending on

621
00:32:56,120 --> 00:32:58,440
Speaker 1: TV the other day. It was like it was Jamie Fox.

622
00:32:58,640 --> 00:33:00,600
Speaker 1: I think it was like a comedy and the dude

623
00:33:00,680 --> 00:33:03,800
Speaker 1: was rapping joking right like you remember when dude that

624
00:33:03,840 --> 00:33:05,600
Speaker 1: couldn't wrap used to wrap and it was funny or

625
00:33:05,680 --> 00:33:09,560
Speaker 1: crackhead wrappers. But now I was like, yo, he could

626
00:33:09,560 --> 00:33:12,440
Speaker 1: do that right now on the album. And it's sad

627
00:33:13,080 --> 00:33:15,720
Speaker 1: because it's technology. Like, look, the phones that we have

628
00:33:15,920 --> 00:33:18,160
Speaker 1: now is better than the phones ten years ago. The

629
00:33:18,240 --> 00:33:20,880
Speaker 1: TVs we have now is better than the cars we

630
00:33:20,960 --> 00:33:22,920
Speaker 1: have now is better, But the rungs we have now

631
00:33:23,200 --> 00:33:25,960
Speaker 1: aren't better than ten years ago. Even R and B

632
00:33:26,160 --> 00:33:29,080
Speaker 1: is regressing, Like if you listen to a real RB song,

633
00:33:29,320 --> 00:33:32,080
Speaker 1: RV songs was the song people made babies or the

634
00:33:32,160 --> 00:33:34,640
Speaker 1: songs that that made women and men fall in love.

635
00:33:35,520 --> 00:33:38,560
Speaker 1: Now you can now, Dad, you heard. You can take

636
00:33:38,560 --> 00:33:43,680
Speaker 1: an R and B song if you want. But but

637
00:33:44,880 --> 00:33:47,920
Speaker 1: every every song don't have to be about straight fucking

638
00:33:48,440 --> 00:33:53,440
Speaker 1: like you trying to the radio, Like, um, Rihanna got

639
00:33:53,480 --> 00:33:59,400
Speaker 1: a song talking about no, not that one, sex with me,

640
00:33:59,560 --> 00:34:02,160
Speaker 1: sex with something. She got a song something about I

641
00:34:02,280 --> 00:34:04,160
Speaker 1: love I love Rihanna. I think she got the best

642
00:34:04,240 --> 00:34:06,640
Speaker 1: album out right now, but I don't want to I

643
00:34:06,680 --> 00:34:08,239
Speaker 1: don't want to hear that song at three o'clock in

644
00:34:08,239 --> 00:34:10,200
Speaker 1: the afternoon when I got my daughter in the car,

645
00:34:10,560 --> 00:34:13,400
Speaker 1: It's like, whoa. Because kids are smart, they catch on.

646
00:34:13,920 --> 00:34:17,120
Speaker 1: So I want to hear Rihanna in my space, not

647
00:34:17,320 --> 00:34:19,520
Speaker 1: in kids space, you know what I'm saying. So it's

648
00:34:19,520 --> 00:34:22,759
Speaker 1: like certain it's radio's fault because radio needs to have

649
00:34:24,080 --> 00:34:28,799
Speaker 1: guidelines to safeguards to protect kids because kids, kids are

650
00:34:28,840 --> 00:34:31,759
Speaker 1: smart and they and they observe it. So our kids

651
00:34:31,760 --> 00:34:33,600
Speaker 1: don't need to be learning about sex. So all this,

652
00:34:34,120 --> 00:34:35,759
Speaker 1: this is three o'clock in the afternoon. This was on

653
00:34:36,120 --> 00:34:38,520
Speaker 1: Don't Get It Twisted. I love Rihanna's album is dope,

654
00:34:39,239 --> 00:34:41,480
Speaker 1: but I don't want my daughter listen to that right now.

655
00:34:41,760 --> 00:34:43,080
Speaker 1: She could listen to it in a few more years.

656
00:34:43,120 --> 00:34:46,480
Speaker 1: I think the hip hops had its best when there's balance, yeah, exactly,

657
00:34:46,520 --> 00:34:49,800
Speaker 1: because you need both sides, all sides of the spectrum, exactly.

658
00:34:50,000 --> 00:34:53,719
Speaker 1: That's when I think it's at its best. With Liver

659
00:34:53,840 --> 00:34:56,440
Speaker 1: System definitely came back, though, It's just that there's a

660
00:34:56,520 --> 00:34:59,920
Speaker 1: lot of other stuff that's competing with it. And who

661
00:35:00,000 --> 00:35:04,480
Speaker 1: who do you approve of lyricism? Um? Who do I like? Yeah? Um?

662
00:35:06,000 --> 00:35:08,400
Speaker 1: You know who? I really like right now who I

663
00:35:08,480 --> 00:35:12,120
Speaker 1: think doesn't get enough credit. But he's incredible. Push your

664
00:35:12,160 --> 00:35:14,920
Speaker 1: t Yeah yeah, but he ain't. He ain't like new

665
00:35:15,120 --> 00:35:18,960
Speaker 1: like he Damn it was in the class after us.

666
00:35:19,160 --> 00:35:21,839
Speaker 1: You know what I'm saying, Um, new guys, let me see. Um,

667
00:35:23,560 --> 00:35:25,440
Speaker 1: I got two questions for you, A new guy and

668
00:35:25,520 --> 00:35:30,799
Speaker 1: then somebody that nobody would never think mega would like. Yeah,

669
00:35:31,000 --> 00:35:36,520
Speaker 1: the new guy like the most is Um that's a

670
00:35:36,600 --> 00:35:39,720
Speaker 1: deep question. I don't know. I respect. I respect Kendrick.

671
00:35:39,800 --> 00:35:42,400
Speaker 1: What Kendrick does a lot like he brought the passion

672
00:35:42,480 --> 00:35:46,759
Speaker 1: back into it and the whole TV to the whole movie. Yeah, yeah, yeah,

673
00:35:47,000 --> 00:35:52,920
Speaker 1: so I respect that. Um. I respect the ASAP movement too,

674
00:35:53,200 --> 00:35:56,680
Speaker 1: like they they are a bunch of hungry younger artists.

675
00:35:56,800 --> 00:35:59,719
Speaker 1: Um So, I don't know. I guess that. I guess them.

676
00:35:59,840 --> 00:36:01,440
Speaker 1: But there's a lot of artist that she's gonna say,

677
00:36:01,520 --> 00:36:05,520
Speaker 1: Joey Badass. I don't know, Joey Badasses. Nice, Joe Badass.

678
00:36:05,560 --> 00:36:07,759
Speaker 1: I told him, you remind me of like Black Moon

679
00:36:07,840 --> 00:36:10,879
Speaker 1: when they first come. His show looks like show you think, Yeah,

680
00:36:10,920 --> 00:36:14,880
Speaker 1: you keep watching like black Moon, And there's a lot

681
00:36:14,920 --> 00:36:18,320
Speaker 1: of now what's something called baga like that nobody like

682
00:36:18,480 --> 00:36:20,920
Speaker 1: niggas right now. Everybody like get the funk out of

683
00:36:21,000 --> 00:36:24,120
Speaker 1: here stuff. That was like, um, like, I fu with

684
00:36:24,160 --> 00:36:27,120
Speaker 1: Plink Floyd. I ain't scared of it, tell straight up,

685
00:36:27,640 --> 00:36:30,879
Speaker 1: but you gotta say Pink Floyd wrong because I'm drunk. People,

686
00:36:30,960 --> 00:36:35,279
Speaker 1: let me get away. I like jazz. I've been listening

687
00:36:35,320 --> 00:36:40,280
Speaker 1: to a lot of jazz lately. Um, I like jazz.

688
00:36:40,840 --> 00:36:45,480
Speaker 1: Fox with Guns and Roses. They had a concert recently. Yeah,

689
00:36:45,480 --> 00:36:48,520
Speaker 1: they're back together. I think the Beatles song Imagined It

690
00:36:48,600 --> 00:36:52,520
Speaker 1: is incredible. I love Rey Gay. My favorite Rey Gay

691
00:36:52,560 --> 00:36:55,680
Speaker 1: is like these roots and culture, not forget nineties eight.

692
00:36:58,760 --> 00:37:02,200
Speaker 1: I love that said the Nancy's my favorite female reggae artist.

693
00:37:02,320 --> 00:37:06,560
Speaker 1: I got a new song with says, look that's crazy.

694
00:37:07,239 --> 00:37:11,600
Speaker 1: I got Sissle on my album you Ain't got to sing?

695
00:37:12,200 --> 00:37:14,879
Speaker 1: I got a lot and no reason on the record

696
00:37:14,920 --> 00:37:22,040
Speaker 1: with his action. Yeah, definitely, I'm forgetting that. Nobody think

697
00:37:22,040 --> 00:37:23,600
Speaker 1: it would be like yo, what to get the funk

698
00:37:23,640 --> 00:37:27,239
Speaker 1: out of here? Corey, guys don't do that un with that.

699
00:37:27,800 --> 00:37:33,880
Speaker 1: I listened. I listened to a lot of like classic stuff.

700
00:37:33,880 --> 00:37:38,080
Speaker 1: When I say classic, like James Brown listen to Prince

701
00:37:39,160 --> 00:37:43,320
Speaker 1: grew up listening to Michael Prince and Michael Jackson, Nirvana,

702
00:37:44,360 --> 00:37:47,800
Speaker 1: Guns and Roses. Nirvana is one of my favorite bands

703
00:37:47,840 --> 00:37:50,600
Speaker 1: of all time. Like, but I listened. I grew up

704
00:37:50,640 --> 00:37:53,920
Speaker 1: listening to a lot of Prince and Michael my household.

705
00:37:54,680 --> 00:37:56,680
Speaker 1: How about you here, man, let's stirring it on you

706
00:37:56,840 --> 00:37:59,480
Speaker 1: everything they just said. I actually I liked a lot

707
00:37:59,520 --> 00:38:01,759
Speaker 1: of Rocks. I was back in the days Iron made

708
00:38:01,800 --> 00:38:03,839
Speaker 1: in Mega Death, like I was on some crazy ship.

709
00:38:04,280 --> 00:38:06,719
Speaker 1: But then I transferred into like from that point one.

710
00:38:06,880 --> 00:38:08,400
Speaker 1: Now you can hear. I had a mixtape when I

711
00:38:08,440 --> 00:38:12,240
Speaker 1: was y would have Mega Death, Beastie Boys, l L Iron,

712
00:38:12,320 --> 00:38:19,800
Speaker 1: Hayden and the Beatles, And they just want to ask me.

713
00:38:20,840 --> 00:38:23,480
Speaker 1: You just told us it was Pinky Floyd that was

714
00:38:24,680 --> 00:38:26,239
Speaker 1: That was one, you know, with another one that I

715
00:38:26,520 --> 00:38:29,719
Speaker 1: really really liked it. And this this this is like

716
00:38:30,000 --> 00:38:32,000
Speaker 1: she had a question. I asked that Mega the new

717
00:38:32,320 --> 00:38:36,400
Speaker 1: and then's something it's actually both. Um. I couldn't because

718
00:38:36,400 --> 00:38:38,920
Speaker 1: I'm such a big Wayne fans, just a big Wayane supporter.

719
00:38:39,000 --> 00:38:41,640
Speaker 1: He's my brother. But I listened to the what was

720
00:38:41,680 --> 00:38:44,040
Speaker 1: it the bar to six the Young Thugs ship, and

721
00:38:44,120 --> 00:38:46,799
Speaker 1: I really enjoyed that. I did. I did. I can't

722
00:38:46,840 --> 00:38:48,800
Speaker 1: even front on young dog. I can't even front on it.

723
00:38:49,120 --> 00:38:50,560
Speaker 1: That was kind of hard, you know what I'm saying.

724
00:38:50,600 --> 00:38:52,640
Speaker 1: But Wayne is my brother. But they squashed it. They

725
00:38:52,680 --> 00:38:55,160
Speaker 1: do on shows now and everything, so um, but that

726
00:38:55,320 --> 00:38:57,400
Speaker 1: was mine, Like um, Like, I want to be the

727
00:38:57,480 --> 00:39:00,600
Speaker 1: guy to embrace the new gender ration, you know what

728
00:39:00,600 --> 00:39:02,520
Speaker 1: I'm saying. I don't want to be the person that

729
00:39:02,640 --> 00:39:05,239
Speaker 1: comes around and be like yo in my days, yo

730
00:39:05,400 --> 00:39:07,319
Speaker 1: yo with my dad. You don't have to abandon your

731
00:39:07,320 --> 00:39:09,560
Speaker 1: old principles. No, I don't want That's what some people do.

732
00:39:09,960 --> 00:39:12,760
Speaker 1: I hate what older dudes try to act young. Okay,

733
00:39:12,800 --> 00:39:15,319
Speaker 1: so like they abandoned their principles because to me, that's

734
00:39:15,360 --> 00:39:18,080
Speaker 1: what old g's are for, to leave the youth, like

735
00:39:18,160 --> 00:39:20,239
Speaker 1: similar to what Fat Joe was doing. Like if I

736
00:39:20,360 --> 00:39:23,080
Speaker 1: think Fat Joe was keeping the hip hop intecrity at

737
00:39:23,160 --> 00:39:25,840
Speaker 1: the same time all the way up? Does cater to

738
00:39:25,960 --> 00:39:30,000
Speaker 1: the new generation the way up, hard nose, all the

739
00:39:30,040 --> 00:39:35,680
Speaker 1: way up, that motherfucker go platinum, man, I got something

740
00:39:35,719 --> 00:39:38,400
Speaker 1: to do with that. Continue I'm sorry, what is that? Like?

741
00:39:38,600 --> 00:39:40,600
Speaker 1: Do you understand what I'm saying? Like, but it means

742
00:39:40,600 --> 00:39:42,960
Speaker 1: it's not a departure, perfect facto. It's not too much

743
00:39:42,960 --> 00:39:45,200
Speaker 1: of a departure from who he is and what he's

744
00:39:45,239 --> 00:39:48,240
Speaker 1: been doing. Right, Like, it's not it's not too crazy,

745
00:39:48,360 --> 00:39:50,480
Speaker 1: like you can see the progression and what Fat Joe

746
00:39:50,560 --> 00:39:53,719
Speaker 1: is doing. He's not regressing and trying to act in

747
00:39:53,760 --> 00:39:55,680
Speaker 1: the club and wild. No, But it caters to the

748
00:39:55,800 --> 00:39:58,959
Speaker 1: young audience. What I'm saying is, you know, old dudes

749
00:39:59,000 --> 00:40:00,920
Speaker 1: would say yo more over up after they see the

750
00:40:01,000 --> 00:40:03,000
Speaker 1: young guns and the and and the chicks on there.

751
00:40:03,239 --> 00:40:05,360
Speaker 1: But that's not the first thing a person in his

752
00:40:05,480 --> 00:40:07,719
Speaker 1: thirties and his forties is gonna think of. But that's

753
00:40:07,760 --> 00:40:09,799
Speaker 1: a young person thing. But what I'm saying is it's

754
00:40:09,880 --> 00:40:12,319
Speaker 1: kind of balanced because it is cater into the young

755
00:40:12,360 --> 00:40:19,960
Speaker 1: audience without uh this uh you know, disproving hip hop.

756
00:40:20,120 --> 00:40:22,319
Speaker 1: Like I could see Caress One, I could see Cool

757
00:40:22,400 --> 00:40:24,400
Speaker 1: Hirk saying they funking all the way up. You know

758
00:40:24,440 --> 00:40:26,040
Speaker 1: what I'm saying. I can't see them saying that about

759
00:40:26,040 --> 00:40:28,680
Speaker 1: other music that exists, you know what I mean? Yeah, yeah,

760
00:40:29,200 --> 00:40:32,040
Speaker 1: you think that's you think you think you know what

761
00:40:32,080 --> 00:40:34,120
Speaker 1: I mean? For us being from New York, my man

762
00:40:34,239 --> 00:40:37,440
Speaker 1: being from um, you know, Miami, And this is a

763
00:40:37,560 --> 00:40:39,319
Speaker 1: discussion I just wanted to have, like a straight up

764
00:40:39,440 --> 00:40:41,719
Speaker 1: hip hop discussion, Like you know what I'm saying, and

765
00:40:41,960 --> 00:40:44,640
Speaker 1: I want to get back into you guys, but like,

766
00:40:45,000 --> 00:40:47,719
Speaker 1: what do you think the forefathers think of this generation? Now?

767
00:40:48,320 --> 00:40:53,680
Speaker 1: You think they disapprove or or doesn't matter. I think

768
00:40:53,680 --> 00:40:56,000
Speaker 1: that's a conversation that you should have. I think I

769
00:40:56,040 --> 00:40:57,520
Speaker 1: think you should have some of them on your show.

770
00:40:57,760 --> 00:41:01,560
Speaker 1: Yeah we need you, but how do how do you

771
00:41:01,640 --> 00:41:05,279
Speaker 1: feel because of Mega you're a legend? Right? I hate

772
00:41:05,280 --> 00:41:08,480
Speaker 1: to be called a legend, to be honest. Why Because

773
00:41:09,120 --> 00:41:11,080
Speaker 1: when I see when I think of people who a legends,

774
00:41:11,120 --> 00:41:12,960
Speaker 1: I don't think that I match up out of haven't

775
00:41:12,960 --> 00:41:15,319
Speaker 1: done what they've done? Like if every being Rock came

776
00:41:15,360 --> 00:41:18,080
Speaker 1: of legends, then how am I legend or off? Like

777
00:41:18,600 --> 00:41:21,799
Speaker 1: like certain people icons, I consider myself a vet. Maybe

778
00:41:21,840 --> 00:41:24,279
Speaker 1: in a few years, if I keep putting out, then

779
00:41:24,320 --> 00:41:28,080
Speaker 1: I considered I'll be comfortable with legend. But if if everyb's,

780
00:41:28,440 --> 00:41:31,680
Speaker 1: if every being Rock came as legends and public enemies legends,

781
00:41:32,360 --> 00:41:34,840
Speaker 1: Like how the funking my legend? I haven't done with

782
00:41:35,000 --> 00:41:38,640
Speaker 1: Dave done. They've transcended the whole genre. I'm just trying

783
00:41:38,680 --> 00:41:41,080
Speaker 1: to do. I'm just trying to make them proud. Um

784
00:41:41,600 --> 00:41:44,080
Speaker 1: I gotta agree with you and disagree with you because

785
00:41:44,120 --> 00:41:49,680
Speaker 1: you know why us, as quote unquote legends, we like Yo,

786
00:41:49,800 --> 00:41:52,719
Speaker 1: b I just seen you pack a house in the

787
00:41:52,840 --> 00:41:56,200
Speaker 1: middle of mid midtown Miami. Mother fuker's don't come over here.

788
00:41:57,640 --> 00:42:01,040
Speaker 1: They get killed, they get robbed out here. You probably

789
00:42:01,080 --> 00:42:03,239
Speaker 1: don't know. You know, I'm sure you know. But what

790
00:42:03,320 --> 00:42:06,480
Speaker 1: I'm saying is I just see people come. I watched man.

791
00:42:06,560 --> 00:42:08,279
Speaker 1: Only time I left, I had to piss. I'm sorry.

792
00:42:08,280 --> 00:42:10,160
Speaker 1: I never leave a person show, but I had to people.

793
00:42:10,200 --> 00:42:12,040
Speaker 1: I gotta people right now, but I'm holding it. But

794
00:42:12,840 --> 00:42:14,719
Speaker 1: I was out there, and I don't only watch you

795
00:42:14,880 --> 00:42:17,239
Speaker 1: because you're a nigga from my hood, and I'd be

796
00:42:17,320 --> 00:42:20,040
Speaker 1: so proud to see another nigga from my hood maintaining

797
00:42:20,080 --> 00:42:24,120
Speaker 1: and surviving and doing it. But I had one point moved.

798
00:42:24,239 --> 00:42:26,399
Speaker 1: I was looking directly at you, and at one point

799
00:42:26,480 --> 00:42:28,480
Speaker 1: moved because I don't wanted to see the crowd. And

800
00:42:28,520 --> 00:42:33,280
Speaker 1: these motherfucker's knew every fucking word. They knew every word.

801
00:42:33,520 --> 00:42:35,239
Speaker 1: And you know what it is. You ain't had a

802
00:42:35,280 --> 00:42:37,040
Speaker 1: record on the radio in the past. I don't know

803
00:42:37,080 --> 00:42:39,680
Speaker 1: how many years. Me neither, So you know what I'm saying.

804
00:42:40,000 --> 00:42:42,880
Speaker 1: And when you could do that, that is the definition

805
00:42:43,360 --> 00:42:51,880
Speaker 1: of legendary. My brother and artist subjective. So if a

806
00:42:52,000 --> 00:42:55,920
Speaker 1: fancy thinks you're a legend, you're definitely a legendary. I

807
00:42:56,000 --> 00:42:59,239
Speaker 1: know what he means. But see, legendary status doesn't mean

808
00:42:59,320 --> 00:43:01,640
Speaker 1: comparing yourself up to another legend, because in that case,

809
00:43:02,000 --> 00:43:04,200
Speaker 1: I would I could never be careless one carress One

810
00:43:04,280 --> 00:43:05,680
Speaker 1: is and I'm from Queens and I told him that

811
00:43:05,840 --> 00:43:08,800
Speaker 1: I could never match up the carvress One. But I

812
00:43:08,920 --> 00:43:13,279
Speaker 1: know kids who look at me like harrest one. I

813
00:43:13,400 --> 00:43:17,439
Speaker 1: know kids who look at me like anas. There's people

814
00:43:17,480 --> 00:43:20,440
Speaker 1: who look at me like a jay. I don't and

815
00:43:20,520 --> 00:43:22,560
Speaker 1: I and if they say, oh man, you're the next na,

816
00:43:23,040 --> 00:43:25,480
Speaker 1: I wouldn't say. I'm like, what the funk? But at

817
00:43:25,520 --> 00:43:26,920
Speaker 1: the end of the day, I don't know what I

818
00:43:27,000 --> 00:43:29,040
Speaker 1: did for these kids, Like I got people who tell me,

819
00:43:29,040 --> 00:43:31,120
Speaker 1: you know, I used to have your posters and and

820
00:43:31,200 --> 00:43:33,080
Speaker 1: I look at them and I'm like, all right, cool,

821
00:43:33,120 --> 00:43:35,040
Speaker 1: we are you my nigga now? And they could never

822
00:43:35,120 --> 00:43:37,680
Speaker 1: really be my nigga because that's how they look at me.

823
00:43:38,160 --> 00:43:39,840
Speaker 1: They look at me, at this person who raised them

824
00:43:39,880 --> 00:43:43,280
Speaker 1: in high school. And trust me, I knew that already,

825
00:43:43,320 --> 00:43:45,520
Speaker 1: but me seeing that again, they just reensured me. You

826
00:43:45,560 --> 00:43:47,399
Speaker 1: know what I'm saying. All these people that came out

827
00:43:47,400 --> 00:43:49,160
Speaker 1: as big up to eight and nine clothing we were

828
00:43:49,280 --> 00:43:52,680
Speaker 1: at they packed the motherfucking what does this ship called

829
00:43:52,760 --> 00:43:54,719
Speaker 1: the parking lot? Man? This is real hip hop what

830
00:43:54,800 --> 00:43:57,080
Speaker 1: you did today? These niggers performed in the parking lot

831
00:43:57,120 --> 00:43:58,680
Speaker 1: and they made a stage. Got damn it makes a noise.

832
00:43:58,719 --> 00:44:03,400
Speaker 1: Got that. I'm gonna shout out Rich for bringing the

833
00:44:03,440 --> 00:44:07,440
Speaker 1: liquor as well. We don't we don't recommend you go

834
00:44:07,520 --> 00:44:13,680
Speaker 1: to jail, but if exit bails, shout out to my

835
00:44:13,719 --> 00:44:22,799
Speaker 1: homie Miss back to Bom. Welcome to play, a new

836
00:44:22,960 --> 00:44:28,480
Speaker 1: podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

837
00:44:28,600 --> 00:44:33,040
Speaker 1: and more. Play it at play dot it. We're back

838
00:44:33,160 --> 00:44:37,319
Speaker 1: to Drink Champs Radio with Rapper and R and d Jes.

839
00:44:37,360 --> 00:44:46,000
Speaker 1: Then now Mega, I Gotta, I Gotta, I Gotta awful.

840
00:44:46,840 --> 00:44:51,080
Speaker 1: You had the biggest buzz in the industry from jail.

841
00:44:53,320 --> 00:44:57,239
Speaker 1: Is this correct? Like like it was crazy? Like I'm

842
00:44:57,239 --> 00:45:00,720
Speaker 1: gonna I remember all right, four you went to jail.

843
00:45:01,360 --> 00:45:04,800
Speaker 1: I've seen you one time. Lake hung out, was shot me,

844
00:45:05,880 --> 00:45:09,239
Speaker 1: shot me and Lake bring me to a place called

845
00:45:09,320 --> 00:45:12,960
Speaker 1: the Terror Doll. You remember that, you know, Damn, I'm

846
00:45:13,000 --> 00:45:15,080
Speaker 1: going back. I'm going to be some old niggas. That

847
00:45:15,400 --> 00:45:17,920
Speaker 1: was like last year. All right. We went to your

848
00:45:17,960 --> 00:45:20,680
Speaker 1: place called the Terror Doll and then I met you

849
00:45:20,800 --> 00:45:22,160
Speaker 1: like it. It was a little nigger. I was. I

850
00:45:22,239 --> 00:45:25,320
Speaker 1: must have been eleven years old. You went away, you

851
00:45:25,920 --> 00:45:28,800
Speaker 1: came back. Before you came back, it was like you

852
00:45:28,960 --> 00:45:33,000
Speaker 1: had million dollar deals. Like over this from the rumor.

853
00:45:33,080 --> 00:45:35,080
Speaker 1: I don't know if this is true, but there was

854
00:45:35,360 --> 00:45:40,360
Speaker 1: everybody wanted this person named called Mac. How was that like?

855
00:45:40,400 --> 00:45:43,759
Speaker 1: Because that was crazy? So you came home and you

856
00:45:43,920 --> 00:45:47,560
Speaker 1: did you know that? Because it was? NA said, uh,

857
00:45:47,920 --> 00:45:50,640
Speaker 1: what called Mega? And then it was? And then at

858
00:45:50,680 --> 00:45:52,800
Speaker 1: that time he was in in jail. But I believe

859
00:45:52,840 --> 00:45:56,359
Speaker 1: Hot Days started releasing like some of your music. Yeah,

860
00:45:56,880 --> 00:45:59,959
Speaker 1: uh before I went to If I didn't go to jail,

861
00:46:00,239 --> 00:46:02,839
Speaker 1: I would have an album out like around that time.

862
00:46:02,880 --> 00:46:05,000
Speaker 1: I was. I was working on the album with Molly

863
00:46:05,080 --> 00:46:09,440
Speaker 1: mar Before I was working on the album with Molly

864
00:46:09,440 --> 00:46:13,800
Speaker 1: Mark still got those tracks and they need to release that,

865
00:46:14,080 --> 00:46:17,320
Speaker 1: and so I was working on that and then I

866
00:46:17,400 --> 00:46:20,920
Speaker 1: blew travel. So I went to jail. So if you

867
00:46:21,080 --> 00:46:24,080
Speaker 1: listen to um every rapper from Queens Rite that was

868
00:46:24,160 --> 00:46:25,759
Speaker 1: coming out, they was. They was giving me shout out

869
00:46:26,480 --> 00:46:28,640
Speaker 1: like Poet was like rappers and lucky that my man

870
00:46:28,719 --> 00:46:30,719
Speaker 1: called Megan's up North for his single. So it's like

871
00:46:31,239 --> 00:46:32,719
Speaker 1: and I was humble about that. LP know if I

872
00:46:32,800 --> 00:46:35,000
Speaker 1: was like wow, but I was proud of everybody at

873
00:46:35,040 --> 00:46:37,600
Speaker 1: the same time. Then marm d blew up. It's like wow.

874
00:46:37,760 --> 00:46:39,920
Speaker 1: So that's what made me like But when I came before,

875
00:46:39,920 --> 00:46:41,799
Speaker 1: I came home and I had the buzz from from

876
00:46:42,239 --> 00:46:45,400
Speaker 1: my old music floating around like sex, drugs, bitches and

877
00:46:45,440 --> 00:46:47,560
Speaker 1: money and all that other stuff, and then um other

878
00:46:47,640 --> 00:46:51,000
Speaker 1: songs I had was circulating and then with the shoutouts,

879
00:46:51,040 --> 00:46:54,839
Speaker 1: that just took it to another level. So then when

880
00:46:54,880 --> 00:46:57,640
Speaker 1: I came home and then I started jumping on I

881
00:46:57,680 --> 00:46:59,480
Speaker 1: saw the jumping on a lot of mixtapes that like,

882
00:47:00,000 --> 00:47:02,360
Speaker 1: remember Puffy used to do mixtape bad with mixtapes. So

883
00:47:02,400 --> 00:47:04,080
Speaker 1: I was on the one which stretched on Strong that

884
00:47:04,200 --> 00:47:07,480
Speaker 1: was a big deal, hit me too, come on, And

885
00:47:07,520 --> 00:47:09,440
Speaker 1: I was getting Who's doing all the promo because I

886
00:47:09,600 --> 00:47:11,359
Speaker 1: was I'm a mixtape DJ from so I was getting

887
00:47:11,360 --> 00:47:13,120
Speaker 1: all the dats they were sending me, all the leaks

888
00:47:13,160 --> 00:47:16,320
Speaker 1: on that who was doing that that was probably violated.

889
00:47:16,360 --> 00:47:18,040
Speaker 1: That's what I was gon violated because I didn't know

890
00:47:18,040 --> 00:47:20,960
Speaker 1: about That's proud of that. So I had the crazy

891
00:47:21,080 --> 00:47:24,680
Speaker 1: buzz and I had like no, no, no, you're being humble. Listen.

892
00:47:25,840 --> 00:47:28,120
Speaker 1: You had the illest buzz and the whole and like

893
00:47:28,239 --> 00:47:31,240
Speaker 1: you know, I I compare it to like shines Buzz.

894
00:47:31,320 --> 00:47:34,000
Speaker 1: Like Shines Buzz was like that, but a lot of

895
00:47:34,040 --> 00:47:36,640
Speaker 1: people don't know that. That was like it was like

896
00:47:36,719 --> 00:47:39,360
Speaker 1: the first like bidding wall I ever heard of in

897
00:47:39,440 --> 00:47:42,040
Speaker 1: the industry, like most like you know, I mean me

898
00:47:42,239 --> 00:47:45,040
Speaker 1: be personally like I'm looking like, damn, this nicker, this

899
00:47:45,160 --> 00:47:49,120
Speaker 1: nick came home. He came home. And let's say I

900
00:47:49,239 --> 00:47:51,160
Speaker 1: heard it over you a million dollars didn't even hear

901
00:47:51,160 --> 00:47:53,719
Speaker 1: a record yet? Is that true? No? They never no

902
00:47:53,800 --> 00:47:56,200
Speaker 1: million your deal without hearing a record. Keep it with

903
00:47:56,360 --> 00:47:58,480
Speaker 1: a lot of people from your man's off me day

904
00:47:58,480 --> 00:48:02,120
Speaker 1: a penalty, let's make some noise with it. Was that

905
00:48:04,200 --> 00:48:06,239
Speaker 1: they were supposed to use. He was he was They

906
00:48:06,239 --> 00:48:13,640
Speaker 1: didn't have enough for me. I was packing, yeah, but

907
00:48:13,719 --> 00:48:15,520
Speaker 1: I was stupid because at the end of the day,

908
00:48:15,840 --> 00:48:18,760
Speaker 1: and and I hope there's young artists listening. It's always

909
00:48:18,800 --> 00:48:22,080
Speaker 1: it's not about the most money that they're gonna give you,

910
00:48:22,320 --> 00:48:24,400
Speaker 1: it's about the most effort that they're gonna give you.

911
00:48:24,640 --> 00:48:26,040
Speaker 1: So the labels gonna give you a whole bunch of

912
00:48:26,080 --> 00:48:31,279
Speaker 1: money but not put effort into you. That's a bad investment. Yeah,

913
00:48:31,480 --> 00:48:33,600
Speaker 1: But if this is a label that's gonna make your priority,

914
00:48:34,280 --> 00:48:37,600
Speaker 1: you know what I'm saying, then that's gonna significantly boost

915
00:48:37,640 --> 00:48:41,520
Speaker 1: your career. Now, with me, there's a lot of when

916
00:48:41,640 --> 00:48:44,440
Speaker 1: keeping it real goes wrong situations, you know what I'm

917
00:48:44,440 --> 00:48:46,920
Speaker 1: saying with my career. Because Puff wanted to sign me,

918
00:48:47,440 --> 00:48:50,239
Speaker 1: but somebody that me and you both know, said, now,

919
00:48:50,280 --> 00:48:53,160
Speaker 1: I don't do that because it might affect the firm.

920
00:48:53,719 --> 00:48:56,480
Speaker 1: So I didn't do that, so I kept it real.

921
00:48:57,040 --> 00:48:59,640
Speaker 1: Then there was another situation when lad wanted to sign me.

922
00:49:00,040 --> 00:49:02,680
Speaker 1: They was like, Yo, we want to message I would

923
00:49:02,719 --> 00:49:09,839
Speaker 1: have been perfect. That was like Loud wanted to sign me. Um,

924
00:49:10,080 --> 00:49:12,759
Speaker 1: Steve Friskin's brother. I was talking to him at how

925
00:49:12,800 --> 00:49:16,160
Speaker 1: can I be down? Um? They said, we want to

926
00:49:16,200 --> 00:49:20,080
Speaker 1: sign Mega, but we don't like his men. Um. That

927
00:49:20,239 --> 00:49:22,160
Speaker 1: was the guy that was managing me, because they said,

928
00:49:22,160 --> 00:49:24,000
Speaker 1: because he screwed us on the no ideal, you know

929
00:49:24,040 --> 00:49:28,200
Speaker 1: what I'm saying, So you know it's you know, loyalty

930
00:49:28,600 --> 00:49:30,320
Speaker 1: will backfire on you if you do it to the

931
00:49:30,360 --> 00:49:32,400
Speaker 1: wrong if you give it to the wrong people. So

932
00:49:32,520 --> 00:49:34,239
Speaker 1: it's like, you know what I'm saying, and it's not

933
00:49:34,440 --> 00:49:36,960
Speaker 1: you know that I could have had a few situations,

934
00:49:37,000 --> 00:49:39,320
Speaker 1: but I didn't do it on the strength of other people.

935
00:49:39,760 --> 00:49:44,400
Speaker 1: So deaf Jams violator. The reason I sounded violator because

936
00:49:44,600 --> 00:49:48,000
Speaker 1: they offered me not just not only the most money,

937
00:49:48,480 --> 00:49:51,520
Speaker 1: but all of my publishing. You know what I'm saying,

938
00:49:51,560 --> 00:49:53,680
Speaker 1: Like Chris, like that was a violate yo. I asked

939
00:49:53,680 --> 00:49:55,200
Speaker 1: some may people want to sign me. I had different

940
00:49:55,239 --> 00:49:57,080
Speaker 1: parts of death Jam want to sign me because it

941
00:49:57,200 --> 00:50:00,160
Speaker 1: was like there was like no doubt death James violated Death.

942
00:50:00,520 --> 00:50:03,120
Speaker 1: It was different. So I had different lab like managup

943
00:50:03,120 --> 00:50:04,960
Speaker 1: for labors. I ended up with doing the thing with

944
00:50:05,040 --> 00:50:07,360
Speaker 1: CRIZ because for one, I respect how how he moved.

945
00:50:07,600 --> 00:50:09,920
Speaker 1: For two, he gave me all of my publishing, which

946
00:50:10,000 --> 00:50:12,239
Speaker 1: is unheard of in those times. So so people can

947
00:50:12,960 --> 00:50:14,680
Speaker 1: hold because a lot of people thought you was on

948
00:50:14,840 --> 00:50:22,800
Speaker 1: violator management record exactly exactly, and that's why and that's

949
00:50:22,840 --> 00:50:27,759
Speaker 1: why you know, I think violator management was better than

950
00:50:28,040 --> 00:50:31,680
Speaker 1: violate the records, violate the records? Was dope when they

951
00:50:31,719 --> 00:50:35,080
Speaker 1: when they let Dave first Artists. Now I wasn't warring

952
00:50:35,400 --> 00:50:39,640
Speaker 1: was you know when Fox he might have been violated

953
00:50:39,680 --> 00:50:41,360
Speaker 1: for a little while too. But then death Jams just

954
00:50:41,520 --> 00:50:43,960
Speaker 1: took just too go because she was a superstar. But

955
00:50:44,719 --> 00:50:46,920
Speaker 1: when Dave Blodi was running violator, they should have just

956
00:50:47,040 --> 00:50:49,279
Speaker 1: let Dave Blody keep running it because Dave, you know,

957
00:50:49,480 --> 00:50:52,480
Speaker 1: Dave was. Dave texted me the other day, Dave put

958
00:50:52,480 --> 00:50:55,000
Speaker 1: a lot of effortence into Wow. Dave Dy would love

959
00:50:55,040 --> 00:50:57,239
Speaker 1: to hear that. So yeah, yeah, I keep it real man,

960
00:50:57,719 --> 00:51:00,120
Speaker 1: you know what I'm saying. Just like even people, I'm

961
00:51:00,160 --> 00:51:01,600
Speaker 1: the type of dude, even if I had a different

962
00:51:01,800 --> 00:51:06,279
Speaker 1: with people, I give credit, words due and um. There's

963
00:51:06,280 --> 00:51:07,680
Speaker 1: a lot of people in the industry that I've done.

964
00:51:07,719 --> 00:51:09,920
Speaker 1: I always tell having that I'm grateful for what he

965
00:51:09,960 --> 00:51:12,480
Speaker 1: has done in my career. And even with you, I'll

966
00:51:12,480 --> 00:51:15,239
Speaker 1: be like yo, I said, Nori, like you might not

967
00:51:15,480 --> 00:51:17,839
Speaker 1: remember this, I'll tell you to things that you did.

968
00:51:17,920 --> 00:51:21,000
Speaker 1: I was crazy real one All Star Weekend one year

969
00:51:21,600 --> 00:51:23,920
Speaker 1: you was doing the show. I was just chilling. You

970
00:51:24,040 --> 00:51:26,440
Speaker 1: pulled me on the stage and let me perform right.

971
00:51:26,520 --> 00:51:27,800
Speaker 1: That was one thing that's real because you know a

972
00:51:27,880 --> 00:51:30,200
Speaker 1: lot of artists don't do that. And another thing you

973
00:51:30,280 --> 00:51:34,239
Speaker 1: did one time we was chilling and the first time,

974
00:51:34,520 --> 00:51:36,120
Speaker 1: the first and only time I ever been on DJ

975
00:51:36,280 --> 00:51:38,400
Speaker 1: Clues radio show was with me and you took me

976
00:51:38,520 --> 00:51:40,319
Speaker 1: up there. Let's plake some noise to me, keeping it real.

977
00:51:44,120 --> 00:51:46,359
Speaker 1: Now I can vouch for mega man. I never had

978
00:51:46,520 --> 00:51:48,960
Speaker 1: like a phony moment around you at all. Like there's

979
00:51:48,960 --> 00:51:51,200
Speaker 1: so many people that I could if I would have

980
00:51:51,280 --> 00:51:53,880
Speaker 1: to count on my toes and fingernails. I've never had

981
00:51:53,880 --> 00:51:56,319
Speaker 1: a phone phony moment with you. Like We've always been

982
00:51:56,400 --> 00:51:59,520
Speaker 1: stand up dude. You always had the ellest reputation in

983
00:51:59,600 --> 00:52:01,680
Speaker 1: the hood. You know, Queen's Bridge is like my second home.

984
00:52:02,080 --> 00:52:04,840
Speaker 1: You know what I'm saying. And um so I just

985
00:52:05,040 --> 00:52:08,080
Speaker 1: I know this is this is past, but um like,

986
00:52:08,200 --> 00:52:11,600
Speaker 1: how did how did we spoke about the nature incident?

987
00:52:11,920 --> 00:52:15,000
Speaker 1: But what was the like the first time you spoke

988
00:52:15,080 --> 00:52:17,960
Speaker 1: to nas and you felt like the energy isn't right,

989
00:52:18,200 --> 00:52:22,920
Speaker 1: so you wanted to do your own thing. Um the

990
00:52:23,200 --> 00:52:29,120
Speaker 1: term you might remember this, there was a magazine called

991
00:52:29,160 --> 00:52:32,239
Speaker 1: Wires b y s b okay. So there was a

992
00:52:32,280 --> 00:52:35,439
Speaker 1: photo shoot one day and Steve Stout called my man Biz.

993
00:52:35,719 --> 00:52:37,960
Speaker 1: He's like, yeo, we're having a firm photo shoot. Tell

994
00:52:38,000 --> 00:52:40,920
Speaker 1: Omega to come through. I went all the way uptown,

995
00:52:41,000 --> 00:52:44,560
Speaker 1: got a haircut, and then after that I went to

996
00:52:44,840 --> 00:52:48,560
Speaker 1: um Uptown Records. I went to Uptown Records because I

997
00:52:48,600 --> 00:52:51,000
Speaker 1: had to pick up a check from doing a song

998
00:52:51,080 --> 00:52:53,719
Speaker 1: with it with the R and B group. Right while

999
00:52:53,760 --> 00:52:56,440
Speaker 1: I'm at Uptown, I see Deal who happens to be

1000
00:52:56,560 --> 00:52:59,719
Speaker 1: A Z's manager. Okay, okay. So the reason I went

1001
00:52:59,800 --> 00:53:02,200
Speaker 1: up to Uptown Records instead of going to the firm

1002
00:53:02,239 --> 00:53:04,840
Speaker 1: photo shoot because Steve stal Court and said, oh the

1003
00:53:04,880 --> 00:53:08,640
Speaker 1: photo shooters canceled, don't come right. So I was like cool,

1004
00:53:08,719 --> 00:53:11,040
Speaker 1: So I went uptown up staying Rex to get the chat.

1005
00:53:11,560 --> 00:53:15,520
Speaker 1: So when I see Dio, he's like he's a he's manager.

1006
00:53:16,239 --> 00:53:19,040
Speaker 1: He's like, why aren't you at the photo shoot. You're

1007
00:53:19,080 --> 00:53:21,480
Speaker 1: doing the photo shoot right now? And I was like,

1008
00:53:21,560 --> 00:53:24,239
Speaker 1: you show it was like photo shoot now. He wasn't

1009
00:53:24,280 --> 00:53:28,200
Speaker 1: at that. He was like, he's like, I'm positive, so

1010
00:53:28,960 --> 00:53:31,840
Speaker 1: right in and there. My pride wouldn't let me go.

1011
00:53:32,360 --> 00:53:35,280
Speaker 1: I could have went without it. Feel like the elephant

1012
00:53:35,320 --> 00:53:37,520
Speaker 1: in the room, like if I was wanted to be here,

1013
00:53:37,719 --> 00:53:40,080
Speaker 1: I would have been there, so I didn't go. And

1014
00:53:40,120 --> 00:53:43,520
Speaker 1: then when I've seen something, I said, listen, if we're

1015
00:53:43,520 --> 00:53:48,640
Speaker 1: gonna let music come between us, then that's like savage.

1016
00:53:49,160 --> 00:53:50,880
Speaker 1: I was like, yo, I said, for I said, you

1017
00:53:50,960 --> 00:53:53,360
Speaker 1: might as well just what y'all, I see what's happening.

1018
00:53:53,400 --> 00:53:55,520
Speaker 1: I said, why don't you just let nature take my place?

1019
00:53:56,080 --> 00:53:58,319
Speaker 1: Because that's what you know what I'm saying, because that's

1020
00:53:58,360 --> 00:54:02,640
Speaker 1: obviously what happened. Because I underestimated the power of Steve

1021
00:54:02,760 --> 00:54:05,160
Speaker 1: back then, because I'm thinking, this is my man. So

1022
00:54:05,520 --> 00:54:07,319
Speaker 1: just what Steve saying is that you're saying my man

1023
00:54:07,600 --> 00:54:11,640
Speaker 1: about Steve n So yeah, so I'm like Steve, the

1024
00:54:11,640 --> 00:54:14,640
Speaker 1: stuff Steve saying it ain't gonna and is irrelevant because

1025
00:54:14,680 --> 00:54:16,640
Speaker 1: now exactly it's not gonna Happenuse not my man, not

1026
00:54:16,680 --> 00:54:18,879
Speaker 1: gonna let that happen. But I underestimated him. I was wrong.

1027
00:54:19,239 --> 00:54:20,799
Speaker 1: So I basically told him, like, yo, man, you might

1028
00:54:20,800 --> 00:54:23,160
Speaker 1: as well letting nature replace me because that's what's gonna happen.

1029
00:54:23,400 --> 00:54:25,960
Speaker 1: He's like, Nah, that had never happened that that, but

1030
00:54:26,080 --> 00:54:27,799
Speaker 1: it did happen, so right then, and I was like, Yo,

1031
00:54:27,840 --> 00:54:30,080
Speaker 1: if we're gonna let money come between us. Then we

1032
00:54:30,440 --> 00:54:32,400
Speaker 1: it's like savages, you know what I'm saying. So that's

1033
00:54:32,440 --> 00:54:35,520
Speaker 1: when I knew ship was was was wet, you know

1034
00:54:35,520 --> 00:54:40,120
Speaker 1: what I'm saying. And um, it's just changed after that,

1035
00:54:40,160 --> 00:54:43,800
Speaker 1: you know what I'm saying. So um, And now like

1036
00:54:45,239 --> 00:54:47,840
Speaker 1: because he shot at you out on one love correct

1037
00:54:47,840 --> 00:54:49,960
Speaker 1: and it was like the biggest record of the year

1038
00:54:50,640 --> 00:54:52,520
Speaker 1: and I wasn't home, so I wouldn't know, but I

1039
00:54:52,600 --> 00:54:56,759
Speaker 1: know I was proud. Yeah, So, um, what was your

1040
00:54:56,800 --> 00:54:59,400
Speaker 1: relationship like before? He was mad? Cool? I got mad

1041
00:54:59,480 --> 00:55:02,719
Speaker 1: letters from he? Right, I got one love letters at

1042
00:55:02,760 --> 00:55:04,200
Speaker 1: my house now that it broke me when I was

1043
00:55:04,280 --> 00:55:08,239
Speaker 1: in jail, like yo one time, because the rumor was,

1044
00:55:08,320 --> 00:55:09,680
Speaker 1: and I don't want to cut you up. You gotta

1045
00:55:09,719 --> 00:55:11,680
Speaker 1: finish the stories. These people gonna kill me. But the

1046
00:55:11,800 --> 00:55:16,239
Speaker 1: rumor was that's who in the beginning, that's who. Now

1047
00:55:16,320 --> 00:55:18,960
Speaker 1: he's got the style from core Maga. You have to

1048
00:55:19,000 --> 00:55:20,680
Speaker 1: talk to him about that. No, I'm just saying the

1049
00:55:20,800 --> 00:55:22,719
Speaker 1: rum one. I'm not talking about him. I'm saying that

1050
00:55:22,840 --> 00:55:24,440
Speaker 1: was the rumor. It was like he said that. It

1051
00:55:24,560 --> 00:55:27,239
Speaker 1: was like the rumor was, I mean, that's that that

1052
00:55:27,440 --> 00:55:29,520
Speaker 1: that was what it was like. You know, queens is

1053
00:55:29,719 --> 00:55:33,759
Speaker 1: it's a whole section. I'll say this, I can't take

1054
00:55:33,800 --> 00:55:36,920
Speaker 1: any credit for that man's success. Like at the end

1055
00:55:36,960 --> 00:55:44,440
Speaker 1: of the day, that man has become one of the

1056
00:55:44,480 --> 00:55:47,799
Speaker 1: greatest lyricists ever of all time, you know what I'm saying.

1057
00:55:48,520 --> 00:55:50,920
Speaker 1: So it's like I can't take credit for that. Like

1058
00:55:51,040 --> 00:55:53,319
Speaker 1: you know what I'm saying, I can't take any credit

1059
00:55:53,360 --> 00:55:55,120
Speaker 1: for that that he did it. He did, He did

1060
00:55:55,200 --> 00:55:56,919
Speaker 1: him and he's where he's at, you know what I'm saying.

1061
00:55:57,760 --> 00:56:02,080
Speaker 1: But before all that, I did stuff for him back

1062
00:56:02,080 --> 00:56:03,640
Speaker 1: in the day that he did stuff for me, Like

1063
00:56:03,760 --> 00:56:06,000
Speaker 1: the first time he ever performed at Brooklyn Queen's Day,

1064
00:56:06,080 --> 00:56:08,239
Speaker 1: you know, Broken Queen Day was a big difference. I

1065
00:56:08,280 --> 00:56:10,680
Speaker 1: remember Brooken Queen's Day a cannelly um as the first

1066
00:56:10,719 --> 00:56:13,080
Speaker 1: time I've seen um live at the barbecue. But when

1067
00:56:13,080 --> 00:56:14,879
Speaker 1: you asked now the first time he performed a Broken

1068
00:56:14,960 --> 00:56:17,120
Speaker 1: Queen's Day, he will tell you it was me. We

1069
00:56:17,200 --> 00:56:20,160
Speaker 1: went to We went there Mad Deep and Trash was

1070
00:56:20,239 --> 00:56:25,520
Speaker 1: performing and then that's when my man Yami God Bless

1071
00:56:25,600 --> 00:56:28,360
Speaker 1: there was like, yo, let Mega perform. You know what

1072
00:56:28,360 --> 00:56:32,080
Speaker 1: I'm saying. He was like, let Mega bron So Yeahmi

1073
00:56:32,160 --> 00:56:35,640
Speaker 1: jumped on the stage like they basically made him make

1074
00:56:35,719 --> 00:56:37,759
Speaker 1: me rhyme, like you know what I'm saying, because I

1075
00:56:37,840 --> 00:56:41,320
Speaker 1: was the boys in the street. So I got on

1076
00:56:41,400 --> 00:56:43,080
Speaker 1: the stage and I run. When I got on stage,

1077
00:56:43,080 --> 00:56:45,600
Speaker 1: I was like, Nas, come on, I brought Nays up,

1078
00:56:45,680 --> 00:56:47,239
Speaker 1: like he'll tell you that. So it's like, no, not

1079
00:56:47,440 --> 00:56:50,239
Speaker 1: that was in Queens You were supposed to be the

1080
00:56:50,400 --> 00:56:53,160
Speaker 1: next guy and then you got locked up. And then

1081
00:56:53,800 --> 00:56:55,799
Speaker 1: that's a fact, you know what I'm saying, Like, that's

1082
00:56:55,880 --> 00:56:58,080
Speaker 1: that's at the end of the day. I always say

1083
00:56:58,160 --> 00:57:01,440
Speaker 1: this about Nas and Martep when people try to not

1084
00:57:01,600 --> 00:57:04,879
Speaker 1: giving their credit. I'll say this, Nas and Mark Deep

1085
00:57:04,920 --> 00:57:08,880
Speaker 1: deserve their success because I'll tell you this, when I

1086
00:57:09,040 --> 00:57:12,360
Speaker 1: was on the block hustling and getting into trouble and

1087
00:57:12,440 --> 00:57:15,440
Speaker 1: doing all that they was in the studio, they worked

1088
00:57:15,480 --> 00:57:17,520
Speaker 1: harder for it. They earned it, you know what I'm saying.

1089
00:57:17,560 --> 00:57:20,680
Speaker 1: So that's their success wasn't given to them. And there's

1090
00:57:20,680 --> 00:57:23,520
Speaker 1: a lot of artists. Queen Bridge has a story of history,

1091
00:57:23,720 --> 00:57:25,520
Speaker 1: but there came a point where some people just use

1092
00:57:25,640 --> 00:57:28,000
Speaker 1: queen Bridge as like a credit card. Like think they

1093
00:57:28,040 --> 00:57:29,720
Speaker 1: could just say queen Bridge and get it deal, or

1094
00:57:29,760 --> 00:57:31,720
Speaker 1: just say Queens Bridge and you're supposed to get respect,

1095
00:57:31,920 --> 00:57:34,479
Speaker 1: you have to work for that, you know what I'm saying.

1096
00:57:34,520 --> 00:57:37,680
Speaker 1: So so like y'all at one point, it is what

1097
00:57:37,800 --> 00:57:41,760
Speaker 1: it is with that so Mega, there's been a rumor

1098
00:57:41,800 --> 00:57:51,400
Speaker 1: floating around dad uh CNN mob deep Nas supposed to

1099
00:57:51,400 --> 00:57:55,680
Speaker 1: be a queen's tall called Mega. I didn't hear my name.

1100
00:57:56,960 --> 00:57:59,440
Speaker 1: That's why you hear, baby, this is what we do.

1101
00:58:00,000 --> 00:58:01,800
Speaker 1: You trying to say me to check up to the table. Yeah,

1102
00:58:01,800 --> 00:58:04,000
Speaker 1: I mean, y'o listen, man, is this something that you

1103
00:58:04,080 --> 00:58:06,320
Speaker 1: think it happened? Because listen, you know what you know

1104
00:58:06,360 --> 00:58:09,600
Speaker 1: what people um me and some some dudes talking, and

1105
00:58:09,680 --> 00:58:11,400
Speaker 1: he was like, you know, queens is like comthing, y'a'll

1106
00:58:11,400 --> 00:58:13,960
Speaker 1: get along with nobody. I always told people that I'd

1107
00:58:13,960 --> 00:58:16,600
Speaker 1: be like Queen's is the most I'd be like, queens

1108
00:58:16,640 --> 00:58:20,320
Speaker 1: just don't get along even like you know, back in

1109
00:58:20,320 --> 00:58:22,800
Speaker 1: the day people us to trying to tease queens queens.

1110
00:58:23,040 --> 00:58:27,240
Speaker 1: But yeah, quiet queens queens is wow as fu. And

1111
00:58:27,320 --> 00:58:29,040
Speaker 1: when you think about the most rappers that got killed,

1112
00:58:29,080 --> 00:58:32,200
Speaker 1: the most rappers got killed in queens and the most

1113
00:58:32,320 --> 00:58:35,800
Speaker 1: rapp differences from queens. So it was like, you think

1114
00:58:35,840 --> 00:58:37,800
Speaker 1: it's because barrel big or just because we found me.

1115
00:58:37,880 --> 00:58:39,480
Speaker 1: I think he's I don't know. I think it's I

1116
00:58:39,560 --> 00:58:41,320
Speaker 1: think it's egos. Sometimes I don't know what it is.

1117
00:58:41,400 --> 00:58:44,400
Speaker 1: But with Queen's Bridge, with our small circle, you know

1118
00:58:44,480 --> 00:58:46,880
Speaker 1: what it is to Queen been just so fucking big.

1119
00:58:47,480 --> 00:58:50,560
Speaker 1: It's like six blocks. Break it down for people. There's

1120
00:58:50,680 --> 00:58:54,439
Speaker 1: fortieship side of Tall Street, then it's forty first side

1121
00:58:54,480 --> 00:58:56,960
Speaker 1: of Trust Street. Then it's forty side of Time Street,

1122
00:58:57,040 --> 00:59:00,760
Speaker 1: and forty first side. There's no stocking south side, so

1123
00:59:00,840 --> 00:59:03,439
Speaker 1: it's six blocks. You come down and each thing, which

1124
00:59:03,840 --> 00:59:05,919
Speaker 1: block is big enough to be his own project, Each

1125
00:59:06,040 --> 00:59:08,680
Speaker 1: block is big enough to be left frack. That's a fact.

1126
00:59:08,960 --> 00:59:11,280
Speaker 1: One blocks there's a lot of frackers. Only one block

1127
00:59:11,320 --> 00:59:14,960
Speaker 1: there's a lot of rappers. That differences ain't even really

1128
00:59:15,000 --> 00:59:17,200
Speaker 1: from the rapper. It be from the people that hang

1129
00:59:17,320 --> 00:59:22,120
Speaker 1: with the rapper. Like nature and me Ben would have

1130
00:59:22,200 --> 00:59:24,200
Speaker 1: been working. But if people in the circle that was like, no,

1131
00:59:24,280 --> 00:59:25,600
Speaker 1: I don't do it because it's gonna look like you're

1132
00:59:25,640 --> 00:59:28,520
Speaker 1: kissing his ass when that's stupid because the quicker that

1133
00:59:28,640 --> 00:59:31,200
Speaker 1: you numbify it, the quicker the beef is gone. So

1134
00:59:31,320 --> 00:59:33,240
Speaker 1: it's like some people don't think strategic. I liked it

1135
00:59:33,320 --> 00:59:38,200
Speaker 1: that word you use, Nigga said Mellified. Another five, Mellified,

1136
00:59:38,360 --> 00:59:49,000
Speaker 1: no text, we are now another five. We don't baseball funnels. Look,

1137
00:59:49,640 --> 00:59:55,360
Speaker 1: we don't know what that ship. Oh wait, I'm not No,

1138
00:59:55,400 --> 00:59:57,880
Speaker 1: I'm not pleasing brother. This is your format, brother, do

1139
00:59:57,920 --> 01:00:01,520
Speaker 1: you know what I'm saying? So man, yea, so good yo.

1140
01:00:01,640 --> 01:00:04,040
Speaker 1: But I'm proud of you for him. I'm about to

1141
01:00:04,120 --> 01:00:13,280
Speaker 1: hit um um when seen year next year. I heard

1142
01:00:13,320 --> 01:00:15,920
Speaker 1: about the tour, but I didn't hear nothing about core Mega. No,

1143
01:00:16,000 --> 01:00:18,320
Speaker 1: that's what we're doing that. We didn't ask for decent names.

1144
01:00:18,400 --> 01:00:27,760
Speaker 1: We came here. That's you're basically me and you really

1145
01:00:27,840 --> 01:00:32,360
Speaker 1: know can is it? Is it even possible? Or at

1146
01:00:32,400 --> 01:00:34,920
Speaker 1: my you know, queen a queen because it was a

1147
01:00:35,000 --> 01:00:36,480
Speaker 1: room when I just spread in the room, I'm helping

1148
01:00:36,520 --> 01:00:39,280
Speaker 1: spread the ROOMA do you think it's even possible? I

1149
01:00:39,440 --> 01:00:42,640
Speaker 1: think anything is possible if people want it to happen.

1150
01:00:43,560 --> 01:00:45,760
Speaker 1: You know what I'm saying. So my thing is this.

1151
01:00:49,600 --> 01:00:52,040
Speaker 1: On one of my albums, I said, I'm no longer

1152
01:00:52,120 --> 01:00:56,640
Speaker 1: seeking acceptance of people who ain't feeling me, or squeezing

1153
01:00:56,680 --> 01:01:00,640
Speaker 1: my weapon for people who ain't realism me. So forget

1154
01:01:00,720 --> 01:01:03,680
Speaker 1: the weapon part. I'm trying to trying to make peace

1155
01:01:03,760 --> 01:01:07,080
Speaker 1: with people. I'm not extending my hand to a clinched fist.

1156
01:01:08,760 --> 01:01:15,280
Speaker 1: So I squashed all my differences with every rapper. I

1157
01:01:15,320 --> 01:01:17,440
Speaker 1: don't got people, no rapper right now, you know what

1158
01:01:17,480 --> 01:01:21,120
Speaker 1: I'm saying. The only the difference that that I had

1159
01:01:21,240 --> 01:01:23,440
Speaker 1: in recent years. It was a small thing that hurt

1160
01:01:23,520 --> 01:01:25,960
Speaker 1: me because I got I got history with Freddie Fox

1161
01:01:26,200 --> 01:01:28,320
Speaker 1: because that's my big bro. Wait what happened? And I

1162
01:01:28,440 --> 01:01:30,680
Speaker 1: wasn't nothing I said. It was a little misunderstanding pretty

1163
01:01:30,760 --> 01:01:33,040
Speaker 1: much like that. But we fixed that and I love him.

1164
01:01:33,080 --> 01:01:36,960
Speaker 1: That's my biggest so and I'm about to do with

1165
01:01:37,080 --> 01:01:40,880
Speaker 1: him too, and y'all, y'all, y'all known. So me and

1166
01:01:41,000 --> 01:01:45,600
Speaker 1: him about to do some solid fun. Man, I'm about

1167
01:01:46,640 --> 01:01:48,600
Speaker 1: me and him about to do some music too. But

1168
01:01:48,720 --> 01:01:54,360
Speaker 1: Freddy Fox, yeah so UMU. As far as as far

1169
01:01:54,440 --> 01:01:56,720
Speaker 1: as a queen's tour, I think that would be great,

1170
01:01:57,440 --> 01:02:02,480
Speaker 1: and I think it is possible. But some people rather

1171
01:02:02,600 --> 01:02:06,720
Speaker 1: hold grudges than summit. So so because I think I'm hearing,

1172
01:02:08,160 --> 01:02:11,760
Speaker 1: but I'm not. But you and nos are on great terms, right,

1173
01:02:12,040 --> 01:02:14,600
Speaker 1: I don't know what I don't know. I don't know

1174
01:02:15,160 --> 01:02:17,280
Speaker 1: what's going on? And I try and I don't care

1175
01:02:17,560 --> 01:02:20,840
Speaker 1: like I did my part, Like there was a you

1176
01:02:21,240 --> 01:02:24,320
Speaker 1: might when you're talking about the squashing on beef on stage,

1177
01:02:24,320 --> 01:02:25,640
Speaker 1: you might have been talking about when me and Nas

1178
01:02:25,680 --> 01:02:29,600
Speaker 1: came out together. No, no, no, this is definitely was

1179
01:02:30,200 --> 01:02:32,280
Speaker 1: squash might be for him in two thousand and six.

1180
01:02:32,800 --> 01:02:34,320
Speaker 1: So if he has a problem, I don't know. I

1181
01:02:34,320 --> 01:02:36,240
Speaker 1: don't got no be for him. There hasn't been no

1182
01:02:36,400 --> 01:02:40,480
Speaker 1: mega disc records, no Mega side talk, no nothing. So

1183
01:02:40,760 --> 01:02:42,400
Speaker 1: if he still got an issue with me, that's something

1184
01:02:42,480 --> 01:02:44,720
Speaker 1: he got to take up with himself, because I don't

1185
01:02:44,760 --> 01:02:46,440
Speaker 1: got no way for him. I don't got no be

1186
01:02:46,600 --> 01:02:49,160
Speaker 1: for no rapper from Queensbridge. You know what I'm saying

1187
01:02:49,520 --> 01:02:54,080
Speaker 1: on UM none the only rapper that that that um

1188
01:02:54,680 --> 01:02:59,480
Speaker 1: that I'm wondering if I should even I gotta have

1189
01:02:59,640 --> 01:03:03,280
Speaker 1: question walks about going from a From an integrity standpoint,

1190
01:03:04,240 --> 01:03:10,320
Speaker 1: it is p because for one, I didn't read his book.

1191
01:03:10,360 --> 01:03:12,640
Speaker 1: I don't care about the book, but the way that

1192
01:03:12,720 --> 01:03:17,120
Speaker 1: he disrespected Lake and sharm Like, even though I haven't

1193
01:03:17,120 --> 01:03:19,920
Speaker 1: spoken to the Lake and Sherman in a minute, they

1194
01:03:20,000 --> 01:03:23,040
Speaker 1: have been so loyal to me in life and they

1195
01:03:23,080 --> 01:03:25,960
Speaker 1: have did so much for me in life that I

1196
01:03:26,120 --> 01:03:30,800
Speaker 1: just feel uncomfortable rocking with him at this you know

1197
01:03:30,840 --> 01:03:33,680
Speaker 1: what I'm saying, because it's not beneficial to me. You

1198
01:03:33,720 --> 01:03:35,640
Speaker 1: know what I'm saying That it's not like it's not

1199
01:03:35,800 --> 01:03:39,400
Speaker 1: like he extends itself, So it's like I feel it's

1200
01:03:39,400 --> 01:03:42,040
Speaker 1: not worth it, Like if he still has differences with them,

1201
01:03:42,600 --> 01:03:44,760
Speaker 1: I'd rather play the back and not. I don't got

1202
01:03:44,840 --> 01:03:47,320
Speaker 1: no beef with him, but I feel uncomfortable dealing with

1203
01:03:47,400 --> 01:03:53,160
Speaker 1: you if if you add with them, because sharm like

1204
01:03:53,320 --> 01:03:55,920
Speaker 1: these dudes, I haven't spoken to him in a long time,

1205
01:03:55,920 --> 01:04:00,640
Speaker 1: but they are mad loyal dudes, so pick up sheron them,

1206
01:04:01,000 --> 01:04:02,760
Speaker 1: you know what I'm saying. And Late, I haven't spoken.

1207
01:04:04,120 --> 01:04:05,640
Speaker 1: Late did the album, but I want you to finish.

1208
01:04:06,080 --> 01:04:08,760
Speaker 1: So it's like, if he still got differences with them,

1209
01:04:10,400 --> 01:04:13,000
Speaker 1: I don't think it's worth I'd rather just kick back

1210
01:04:13,120 --> 01:04:14,840
Speaker 1: because it's not like me and him speak all the time,

1211
01:04:15,800 --> 01:04:17,920
Speaker 1: or you know what I'm saying. So it's like I

1212
01:04:17,960 --> 01:04:20,760
Speaker 1: don't have to be for him, but that needs to

1213
01:04:20,840 --> 01:04:22,640
Speaker 1: be fixed, you know what saying. Because at the end

1214
01:04:22,640 --> 01:04:25,080
Speaker 1: of the day, Sharon put in work for me and

1215
01:04:25,240 --> 01:04:27,520
Speaker 1: Lake was like me, and Lake was like in separable,

1216
01:04:28,200 --> 01:04:30,120
Speaker 1: Like you know what I'm saying, you could, like late

1217
01:04:30,240 --> 01:04:32,040
Speaker 1: is the type of dude if you said something bad

1218
01:04:32,080 --> 01:04:35,240
Speaker 1: about me, he would have did something to you. So

1219
01:04:35,360 --> 01:04:37,320
Speaker 1: it's like, you know, saying, I can't front on that.

1220
01:04:37,520 --> 01:04:38,880
Speaker 1: You know what I'm saying, I can't front on that.

1221
01:04:39,320 --> 01:04:41,680
Speaker 1: Like so even though I haven't spoken them a minute,

1222
01:04:41,720 --> 01:04:44,640
Speaker 1: we won't. Everybody's doing their own thing, but I can't

1223
01:04:44,760 --> 01:04:48,320
Speaker 1: front on them, Sharon. Sharon told me, Sherman is the

1224
01:04:48,400 --> 01:04:53,320
Speaker 1: reason why I chilled out, Like Shermon's like, yo, Mega,

1225
01:04:54,160 --> 01:04:56,440
Speaker 1: chill you don't have to do nothing like I'm here,

1226
01:04:56,600 --> 01:04:58,919
Speaker 1: like like they had me. You know what I'm saying,

1227
01:04:59,120 --> 01:05:02,280
Speaker 1: So how can I How can I not? Let's aspect that.

1228
01:05:03,160 --> 01:05:06,960
Speaker 1: So it's like I try to be sometimes new truth

1229
01:05:07,000 --> 01:05:08,960
Speaker 1: doesn't work. I try to be neutral with certain things,

1230
01:05:09,000 --> 01:05:10,520
Speaker 1: you know what, saying even with other people that me

1231
01:05:10,600 --> 01:05:12,720
Speaker 1: and you is cool with that, you know, I try

1232
01:05:12,760 --> 01:05:14,600
Speaker 1: to be neutral, but sometimes it didn't work. So as

1233
01:05:14,600 --> 01:05:19,560
Speaker 1: far as the Queen's Bridge toy or Queen's tour, that

1234
01:05:19,640 --> 01:05:24,640
Speaker 1: would be dope. But people have to figure out what

1235
01:05:24,840 --> 01:05:27,400
Speaker 1: the issue is, you know what I'm saying, Like your

1236
01:05:27,440 --> 01:05:29,160
Speaker 1: man have to figure out what his issue is with

1237
01:05:29,320 --> 01:05:31,240
Speaker 1: me because I don't got an issue with him, right,

1238
01:05:31,400 --> 01:05:34,800
Speaker 1: But what if it is just simply like you know

1239
01:05:35,040 --> 01:05:37,320
Speaker 1: sometimes like for me for instance, I can't speak for

1240
01:05:37,360 --> 01:05:41,200
Speaker 1: anybody else not um. But I'm the type of dude

1241
01:05:41,480 --> 01:05:44,160
Speaker 1: that if I don't stay in contact with anybody, it's

1242
01:05:44,160 --> 01:05:46,360
Speaker 1: not on purpose. It's not on purpose. It's just I'm

1243
01:05:46,400 --> 01:05:50,760
Speaker 1: doing me mean, But my love doesn't change no matter

1244
01:05:50,880 --> 01:05:52,560
Speaker 1: where I see you, like you don't gonna tell me

1245
01:05:52,600 --> 01:05:54,360
Speaker 1: you in Miami, you look in the crowd. I think

1246
01:05:54,400 --> 01:05:55,720
Speaker 1: this thing is really in the crowd. To keep it

1247
01:05:55,840 --> 01:05:58,520
Speaker 1: real last time you performed out here, because you know,

1248
01:05:58,640 --> 01:06:00,040
Speaker 1: it's just who I am. Let me tell you, and

1249
01:06:00,280 --> 01:06:02,600
Speaker 1: I always respect. Let me tell you something, not say this.

1250
01:06:02,800 --> 01:06:06,160
Speaker 1: Nobody ever even knows this. The only reason that me

1251
01:06:06,240 --> 01:06:08,640
Speaker 1: and you wasn't even even more cooler than we was

1252
01:06:09,160 --> 01:06:12,800
Speaker 1: was because certain people would have been mad. Let's keep

1253
01:06:12,800 --> 01:06:16,080
Speaker 1: it right, So so you know what I'm saying. It's

1254
01:06:16,280 --> 01:06:18,920
Speaker 1: it's like that in the game is funny. I remember

1255
01:06:19,360 --> 01:06:21,200
Speaker 1: being in your yo. Let me tell you how much

1256
01:06:21,240 --> 01:06:24,240
Speaker 1: love you showed me. You had that song What What What?

1257
01:06:24,400 --> 01:06:26,919
Speaker 1: That's one of the biggest songs out and you gave

1258
01:06:27,000 --> 01:06:32,400
Speaker 1: me a big part in the video you said you

1259
01:06:32,440 --> 01:06:39,160
Speaker 1: said about Nary Stands. Yeah, I forgot you know, smoke weed.

1260
01:06:39,240 --> 01:06:47,400
Speaker 1: Just think Rememory. Check this out. Oh he's here, DC.

1261
01:06:47,640 --> 01:06:50,280
Speaker 1: Check this out. Do you remember this? This is the

1262
01:06:50,440 --> 01:06:53,840
Speaker 1: craziest thing. Damn. I was in that video and this

1263
01:06:53,920 --> 01:06:55,280
Speaker 1: is why I stopped. This is why I fell back

1264
01:06:55,320 --> 01:06:58,080
Speaker 1: from you. It wasn't beef, but I was like, wow,

1265
01:06:58,200 --> 01:07:00,000
Speaker 1: niggers just don't want me to have anything. I can't

1266
01:07:00,080 --> 01:07:02,640
Speaker 1: have friends, no nothing I thought was in your video.

1267
01:07:03,120 --> 01:07:08,840
Speaker 1: Somebody called you. Why I was megan your video? Deep? Right,

1268
01:07:10,640 --> 01:07:14,280
Speaker 1: we can't good? Who's something to be? Said that? It

1269
01:07:14,400 --> 01:07:20,160
Speaker 1: was something? So who's still listen? You got something I've

1270
01:07:20,240 --> 01:07:22,920
Speaker 1: never been. I don't even know what word. This is

1271
01:07:23,080 --> 01:07:28,760
Speaker 1: what he got me there? Deep? That was that's from me?

1272
01:07:28,800 --> 01:07:31,000
Speaker 1: And you stopped. We want to have no beef nothing.

1273
01:07:31,080 --> 01:07:32,760
Speaker 1: I was like, you know what, I don't want to

1274
01:07:32,920 --> 01:07:34,600
Speaker 1: have to say. I don't want to mess up no reason.

1275
01:07:35,200 --> 01:07:37,760
Speaker 1: I don't want to get people getting mad. It's like

1276
01:07:37,920 --> 01:07:40,439
Speaker 1: it's like little kids. Oh, if you play with Billy,

1277
01:07:40,600 --> 01:07:42,960
Speaker 1: you can't be my friend no more. And so it

1278
01:07:43,040 --> 01:07:46,440
Speaker 1: was like about the Cooper, no, nor show me and

1279
01:07:46,520 --> 01:07:49,160
Speaker 1: nor with your and Norry was always cool. Then we

1280
01:07:49,240 --> 01:07:52,680
Speaker 1: start again cooler, and then somebody said, yo, why I

1281
01:07:52,800 --> 01:07:55,840
Speaker 1: was Megan your video? And then I was like wow,

1282
01:07:56,120 --> 01:07:58,120
Speaker 1: so I stopped. I just that's for me, and he's

1283
01:07:58,520 --> 01:08:00,920
Speaker 1: he's absolutely right. You're not gonna tell us what somebody no.

1284
01:08:01,040 --> 01:08:09,960
Speaker 1: I mean, it's it's it's you know, it's a long

1285
01:08:10,040 --> 01:08:12,560
Speaker 1: story here, it's a little it's complicated, but it's not

1286
01:08:12,680 --> 01:08:15,960
Speaker 1: that serious. But next the end of the day, at

1287
01:08:16,000 --> 01:08:17,760
Speaker 1: the end of the day, let me tell you this.

1288
01:08:19,160 --> 01:08:23,720
Speaker 1: I'm I don't hold grudges. And if you look at

1289
01:08:23,800 --> 01:08:26,400
Speaker 1: Queen's Bridge, I'm not even the biggest artist, but I

1290
01:08:26,520 --> 01:08:28,920
Speaker 1: probably work with more artists fro Queen with than any artist.

1291
01:08:29,439 --> 01:08:31,479
Speaker 1: Now you want me break it down to you, look

1292
01:08:31,520 --> 01:08:34,559
Speaker 1: at this. You got pH D. I was on that album.

1293
01:08:34,760 --> 01:08:37,080
Speaker 1: I was on Screwball album. I was on Poets album.

1294
01:08:37,200 --> 01:08:38,760
Speaker 1: I was on a Craigy album. I was on a

1295
01:08:38,840 --> 01:08:40,920
Speaker 1: NAS album. I was on the marb Deep album. I

1296
01:08:40,960 --> 01:08:43,200
Speaker 1: was on a p album, I was on the Lake album.

1297
01:08:43,360 --> 01:08:46,400
Speaker 1: I'm not even thinking hard, so you can't. So you

1298
01:08:46,520 --> 01:08:49,840
Speaker 1: can't say I don't get along with people. Run off

1299
01:08:49,880 --> 01:08:52,240
Speaker 1: texts on DVD said Megan's the heart of the Bridge.

1300
01:08:52,280 --> 01:08:53,880
Speaker 1: I didn't pay him to say that. I didn't even

1301
01:08:53,920 --> 01:08:56,680
Speaker 1: know he's gonna say that. Like, I get along with everybody,

1302
01:08:57,160 --> 01:09:01,160
Speaker 1: so I don't hold grudgets. If we squashed something, once

1303
01:09:01,240 --> 01:09:04,000
Speaker 1: we have peace, we have peace, and I'm thinking this peace.

1304
01:09:04,600 --> 01:09:07,320
Speaker 1: So as far as the Queen's tour, I don't you know,

1305
01:09:07,400 --> 01:09:09,680
Speaker 1: I don't mind touring. I don't mind making money. I

1306
01:09:09,720 --> 01:09:12,200
Speaker 1: don't mind working with my people, you know what I'm saying.

1307
01:09:12,360 --> 01:09:15,120
Speaker 1: But I don't want to be like I don't got time.

1308
01:09:15,120 --> 01:09:16,880
Speaker 1: I'm we grown man. I don't got time to be

1309
01:09:16,920 --> 01:09:19,120
Speaker 1: figuring out damn why this dude don't like me. I didn't.

1310
01:09:19,240 --> 01:09:21,280
Speaker 1: I don't got time to be thinking about what did

1311
01:09:21,360 --> 01:09:22,920
Speaker 1: I do this time? You know what I'm saying. I

1312
01:09:22,960 --> 01:09:26,640
Speaker 1: don't got time for that. And in meantime, I'm independent

1313
01:09:26,840 --> 01:09:29,880
Speaker 1: and I'm kind of sort of somebody in that in

1314
01:09:30,040 --> 01:09:32,280
Speaker 1: the world. So I'm good. You know what I'm saying.

1315
01:09:32,280 --> 01:09:34,920
Speaker 1: I don't like and I forget your dude did a

1316
01:09:35,000 --> 01:09:37,800
Speaker 1: lot yo the industry trying to paint a picture of

1317
01:09:37,920 --> 01:09:40,840
Speaker 1: me that wasn't even accurate, Like I never said I had.

1318
01:09:41,120 --> 01:09:43,040
Speaker 1: I didn't like Norrie brought up the fact I had

1319
01:09:43,080 --> 01:09:45,439
Speaker 1: a crib on um Q Gardens and all of that.

1320
01:09:45,960 --> 01:09:47,320
Speaker 1: A lot of people in the industry thought I was

1321
01:09:47,520 --> 01:09:50,120
Speaker 1: living at queen Bridge. Oh Megan still in the Queens

1322
01:09:51,080 --> 01:09:53,080
Speaker 1: nigga said, Yo, dogs I had I had a crib

1323
01:09:53,120 --> 01:09:54,320
Speaker 1: with the door man when you thought I was a

1324
01:09:54,400 --> 01:09:58,800
Speaker 1: Queens bro nigga balcony nigga, I was out there like that. Well,

1325
01:09:58,800 --> 01:10:03,679
Speaker 1: I can't smoke y like that. I beg the cars

1326
01:10:03,760 --> 01:10:06,320
Speaker 1: I had. I had crazy cars. I been had Julie

1327
01:10:06,360 --> 01:10:08,400
Speaker 1: before rap I can shuts off. Let's just tell you

1328
01:10:08,479 --> 01:10:10,519
Speaker 1: what que Guardens is. That's where the courthouse is. That's

1329
01:10:10,520 --> 01:10:13,360
Speaker 1: where the lawyers and the judges live. Niggas don't live there.

1330
01:10:13,439 --> 01:10:19,800
Speaker 1: Let's make some noise for mega. Let's bigger freeze to man.

1331
01:10:19,840 --> 01:10:22,160
Speaker 1: You know what I mean, definitely, but a heck maga. Um,

1332
01:10:23,240 --> 01:10:26,920
Speaker 1: So I heard you on stage say you was blackballed

1333
01:10:27,439 --> 01:10:30,600
Speaker 1: or what is what is the words you use? Blacklisted?

1334
01:10:30,760 --> 01:10:34,040
Speaker 1: Black listed? What does what does? What does? What does

1335
01:10:34,080 --> 01:10:36,800
Speaker 1: that exactly mean? Because I hear artists say that, and um,

1336
01:10:37,320 --> 01:10:39,880
Speaker 1: when I hear other artists say that, I don't want

1337
01:10:39,920 --> 01:10:41,760
Speaker 1: to hear it when I seen that, because because like

1338
01:10:42,120 --> 01:10:44,839
Speaker 1: and you're when when you know I was black listens

1339
01:10:45,080 --> 01:10:47,799
Speaker 1: with me. But I never had the power to actually

1340
01:10:48,360 --> 01:10:52,160
Speaker 1: listen if if that was ever the case with your situation. Bo.

1341
01:10:52,160 --> 01:10:55,640
Speaker 1: When I hear other artists up and coming and they

1342
01:10:55,760 --> 01:10:58,120
Speaker 1: cast beef for somebody and they say I'm blacklisted, I

1343
01:10:58,240 --> 01:11:00,400
Speaker 1: be like that, nigga, ain't really that power. What's you're

1344
01:11:00,400 --> 01:11:04,800
Speaker 1: talking about? This blacklist? You know? Tell us Elliot Wilson

1345
01:11:04,840 --> 01:11:07,680
Speaker 1: trains coming. I don't know if listen bright raid. I

1346
01:11:07,720 --> 01:11:13,720
Speaker 1: don't know if you heard of him negga about you're

1347
01:11:13,720 --> 01:11:19,120
Speaker 1: telling me, I act some real good looking at the man,

1348
01:11:19,200 --> 01:11:21,400
Speaker 1: He's gonna let y'all know. So what was I saying?

1349
01:11:23,040 --> 01:11:26,840
Speaker 1: As I say, what was I saying? I was into

1350
01:11:26,920 --> 01:11:29,800
Speaker 1: that about the blacklist ship? I was really blacklisted. I

1351
01:11:29,960 --> 01:11:32,640
Speaker 1: was definitely really yo. You know how how does it?

1352
01:11:34,680 --> 01:11:36,479
Speaker 1: I didn't even know I was on the shelf. I

1353
01:11:36,520 --> 01:11:38,559
Speaker 1: found out was on the shelf from rappers, from people

1354
01:11:38,600 --> 01:11:40,200
Speaker 1: in the industry that liked me, Like, yo, man, I

1355
01:11:40,280 --> 01:11:42,760
Speaker 1: feel bad for you. Man, you're on the shelf. And

1356
01:11:42,840 --> 01:11:45,280
Speaker 1: I'm like, word, like I found stuff about me from

1357
01:11:45,320 --> 01:11:47,680
Speaker 1: other people or you know what I'm saying. It's like

1358
01:11:48,080 --> 01:11:50,439
Speaker 1: blacklisted is when they're trying to stop every move you

1359
01:11:50,600 --> 01:11:52,600
Speaker 1: got like a door opens and over some of the

1360
01:11:52,680 --> 01:11:56,559
Speaker 1: door closes. Like I've had situations with even my publicist

1361
01:11:56,600 --> 01:11:59,400
Speaker 1: people quote are like, yo, he's he's dangerous, don't mess

1362
01:11:59,439 --> 01:12:02,000
Speaker 1: with him. Um, there's a dude I wanted to manage

1363
01:12:02,040 --> 01:12:04,759
Speaker 1: me before people call him like yo, his crew is crazy.

1364
01:12:04,800 --> 01:12:07,080
Speaker 1: They kill people because they beat up Steve Stout as

1365
01:12:07,160 --> 01:12:08,600
Speaker 1: that was. I don't I don't think. I don't know

1366
01:12:08,600 --> 01:12:11,800
Speaker 1: if that had anything to do with that, but because

1367
01:12:11,800 --> 01:12:15,519
Speaker 1: I remember that as well. Yeah, that was all for

1368
01:12:15,600 --> 01:12:17,720
Speaker 1: the culture. It was for the coaching, for the coach

1369
01:12:17,840 --> 01:12:20,679
Speaker 1: at that time, that time, for the culture, for the culture,

1370
01:12:20,760 --> 01:12:23,280
Speaker 1: coaching music. Let me tell you our gangster kept Steve

1371
01:12:23,320 --> 01:12:25,720
Speaker 1: Stout just just so he could feel just so let

1372
01:12:25,760 --> 01:12:30,080
Speaker 1: me tell you our gangster I kept it. He called

1373
01:12:30,160 --> 01:12:34,080
Speaker 1: Christies office one day and I said, Yo, you want,

1374
01:12:34,479 --> 01:12:36,240
Speaker 1: I'll let you point me in my face just so

1375
01:12:36,320 --> 01:12:37,880
Speaker 1: you could get just could leave, you know what, saying

1376
01:12:37,960 --> 01:12:39,640
Speaker 1: after the incident hap to him he could punch me

1377
01:12:39,680 --> 01:12:41,840
Speaker 1: in mynd his system because I just can't jump him.

1378
01:12:41,840 --> 01:12:43,640
Speaker 1: It's like one on one her slim beat him up

1379
01:12:43,960 --> 01:12:46,160
Speaker 1: freeze right, that's the fact. It's no nigger. He wants

1380
01:12:46,240 --> 01:12:49,280
Speaker 1: a shot out on the show. He called me, he

1381
01:12:49,360 --> 01:12:53,360
Speaker 1: knows me doing this, les O, No, he's plenty do

1382
01:12:53,560 --> 01:12:56,320
Speaker 1: just move, Steve gonna try to buy drink Champs. Let's

1383
01:12:56,680 --> 01:13:03,640
Speaker 1: kick you off the steps, man and man, I just

1384
01:13:03,680 --> 01:13:05,920
Speaker 1: playing Steve Stock. We know it's all jokes. You rich

1385
01:13:05,960 --> 01:13:10,680
Speaker 1: as a motherfucker, which people gotta laugh. But um no, no,

1386
01:13:11,000 --> 01:13:13,080
Speaker 1: I'm talking about blacklist just came from everywhere. It wasn't

1387
01:13:13,120 --> 01:13:16,120
Speaker 1: blackless because you know what, people paying a picture of

1388
01:13:16,200 --> 01:13:19,080
Speaker 1: you that's inaccurate, and they tried. And when people paying

1389
01:13:19,080 --> 01:13:23,439
Speaker 1: a certain picture of you which would deter other people

1390
01:13:23,479 --> 01:13:26,479
Speaker 1: from doing business with you, it's like that's blacklisting, Like

1391
01:13:26,600 --> 01:13:29,599
Speaker 1: people have done that ball that's the same thing. It's cocklock.

1392
01:13:29,720 --> 01:13:32,240
Speaker 1: It's the same. But you know what, so you're telling

1393
01:13:32,320 --> 01:13:35,240
Speaker 1: me you went like and met with somebody. I got

1394
01:13:35,280 --> 01:13:38,120
Speaker 1: a numbers of people. People even called my publicist, my

1395
01:13:38,160 --> 01:13:40,760
Speaker 1: public is Jackie O. They was like, don't mess with him,

1396
01:13:40,840 --> 01:13:43,439
Speaker 1: and then she still yeah. So people have people have

1397
01:13:43,560 --> 01:13:46,320
Speaker 1: taken their own chance with me. And then you know

1398
01:13:46,400 --> 01:13:52,280
Speaker 1: how I killed all of that though performance exceeds reputation.

1399
01:13:53,840 --> 01:13:56,120
Speaker 1: So for everything you said bad about me, I just

1400
01:13:56,479 --> 01:13:59,760
Speaker 1: I'm never late to meetings. I've never missed a deadline,

1401
01:14:00,360 --> 01:14:03,920
Speaker 1: and like I told, I told Kevin loves this. When

1402
01:14:03,960 --> 01:14:05,560
Speaker 1: I when I when I when I. You know, I

1403
01:14:05,600 --> 01:14:07,320
Speaker 1: got off Jef. I went up to Jeff j with

1404
01:14:07,439 --> 01:14:11,200
Speaker 1: Lake in spec and I told keV. I said, YO, listen,

1405
01:14:11,720 --> 01:14:15,320
Speaker 1: I said, because he knows. They know how I was.

1406
01:14:15,960 --> 01:14:21,160
Speaker 1: I said, Yo, my street influence and reputation has never

1407
01:14:22,120 --> 01:14:26,439
Speaker 1: interfere with my professionalism as an artist. You sit here

1408
01:14:26,439 --> 01:14:28,519
Speaker 1: in your office every day, you drive home and your

1409
01:14:28,520 --> 01:14:32,360
Speaker 1: big lexus to your house in Long Island. But I'm

1410
01:14:32,400 --> 01:14:34,800
Speaker 1: sitting on the shelf, which is not a label. Never

1411
01:14:34,960 --> 01:14:37,759
Speaker 1: lend me to do what I have to do for myself.

1412
01:14:38,479 --> 01:14:40,439
Speaker 1: You here doing able to do what you have to

1413
01:14:40,479 --> 01:14:42,640
Speaker 1: do for yourself, but you're not a neighbor to me

1414
01:14:42,840 --> 01:14:44,519
Speaker 1: to do what I have to do for myself. So

1415
01:14:44,600 --> 01:14:47,680
Speaker 1: I say, I'm not asking you. I'm telling you. Yet

1416
01:14:47,720 --> 01:14:52,599
Speaker 1: I'm asking you. I want to continue to not let

1417
01:14:52,720 --> 01:14:58,280
Speaker 1: my influence affect my professionalism as an artist. I want

1418
01:14:58,280 --> 01:15:01,280
Speaker 1: to be able to live and take my families. I

1419
01:15:01,320 --> 01:15:02,960
Speaker 1: got That's how I got off. Did you put out

1420
01:15:03,000 --> 01:15:05,640
Speaker 1: the gun? There's no guns, none of that. Let's make

1421
01:15:05,720 --> 01:15:11,640
Speaker 1: some loyals for no guns. I have that horrible. Now

1422
01:15:11,920 --> 01:15:14,360
Speaker 1: do you feel like you're in limbo? Is there a move?

1423
01:15:14,640 --> 01:15:16,960
Speaker 1: Like if you have a choice right now, you was like, y'all,

1424
01:15:17,040 --> 01:15:19,439
Speaker 1: let me just bust a move and be independent, because

1425
01:15:19,640 --> 01:15:22,320
Speaker 1: you wouldn't you know your big brother You know what

1426
01:15:22,360 --> 01:15:25,200
Speaker 1: I'm saying, that they beef and would that something you'd

1427
01:15:25,200 --> 01:15:29,000
Speaker 1: be interested in? You're going independent? Um right now because

1428
01:15:29,080 --> 01:15:31,600
Speaker 1: right now to New York, your fans, a lot of

1429
01:15:31,640 --> 01:15:35,160
Speaker 1: people just need to hear you man, like, Um, I'm

1430
01:15:35,200 --> 01:15:38,880
Speaker 1: not gonna lie, And I don't want to sound funny

1431
01:15:38,960 --> 01:15:41,800
Speaker 1: saying this because Mega said it earlier, like where your

1432
01:15:41,880 --> 01:15:44,599
Speaker 1: loyalty and get you? Sometimes being loyal to the wrong

1433
01:15:44,720 --> 01:15:48,280
Speaker 1: people or holding your loyalty could put you in a

1434
01:15:48,560 --> 01:15:50,920
Speaker 1: in a in a difficult space. You know what I'm

1435
01:15:50,960 --> 01:15:52,600
Speaker 1: saying that it can mess you up later in the

1436
01:15:52,680 --> 01:15:55,479
Speaker 1: long run. But I would never see myself departing from

1437
01:15:55,560 --> 01:15:59,320
Speaker 1: Wayne ever since I ever since I met him. He

1438
01:15:59,439 --> 01:16:01,519
Speaker 1: kept in a it with me from day one. So

1439
01:16:01,640 --> 01:16:03,960
Speaker 1: what happens if you drop ted mix tapes right now

1440
01:16:04,439 --> 01:16:07,519
Speaker 1: and like out of these tedd like you're good four

1441
01:16:07,640 --> 01:16:13,080
Speaker 1: records that go on fire, like would it would technically

1442
01:16:13,200 --> 01:16:16,200
Speaker 1: be still tied to baby as well? Um to my

1443
01:16:16,360 --> 01:16:19,360
Speaker 1: knowledge yet, But by then. I think at the end

1444
01:16:19,360 --> 01:16:22,880
Speaker 1: of the day, business is business. So once once, if

1445
01:16:23,080 --> 01:16:25,320
Speaker 1: if some product is out and it's on fire and

1446
01:16:25,360 --> 01:16:29,400
Speaker 1: it's undeniable, things, I think things are working work theirselves

1447
01:16:29,439 --> 01:16:32,400
Speaker 1: out that way, Like if it's buzzing and it's undeniable

1448
01:16:32,479 --> 01:16:36,040
Speaker 1: and people, I think some business has gone some business

1449
01:16:36,080 --> 01:16:38,080
Speaker 1: to be taken care of on that on that end,

1450
01:16:38,400 --> 01:16:40,639
Speaker 1: So that's what I'm That's what I'm really I'm banking

1451
01:16:40,720 --> 01:16:42,840
Speaker 1: on that. I'm hoping for that. That's so I ain't

1452
01:16:42,880 --> 01:16:46,160
Speaker 1: letting nothing to stop me from working. I got hundreds

1453
01:16:46,200 --> 01:16:49,120
Speaker 1: of songs, literally, like, I got so much music right

1454
01:16:49,160 --> 01:16:51,519
Speaker 1: now it's like, well, I'm putting projects together and just

1455
01:16:51,600 --> 01:16:55,160
Speaker 1: about to just throw them out. That would you yourself ever?

1456
01:16:55,280 --> 01:16:59,320
Speaker 1: Do love hip hop? I don't think Nah. Shout out

1457
01:16:59,360 --> 01:17:02,000
Speaker 1: to um, shout to Nick Cannon man I had I had.

1458
01:17:02,640 --> 01:17:06,640
Speaker 1: I did the reality show Son of a Gun. It

1459
01:17:06,800 --> 01:17:10,080
Speaker 1: was kind of UM. I know how it goals. I

1460
01:17:10,200 --> 01:17:13,800
Speaker 1: know the ropes to these reality shows, and sometimes they

1461
01:17:13,880 --> 01:17:16,120
Speaker 1: put you in situations that you don't want to be in.

1462
01:17:16,720 --> 01:17:21,080
Speaker 1: But I also know that it's entertainment and at the

1463
01:17:21,240 --> 01:17:24,000
Speaker 1: end of the day, it's ratings. And besides that, I'm

1464
01:17:24,040 --> 01:17:26,200
Speaker 1: not saying this fake or not, but it's just something

1465
01:17:26,280 --> 01:17:30,360
Speaker 1: that I'm not comfortable with. Yeah, I'm I'm, I'm really

1466
01:17:30,479 --> 01:17:33,320
Speaker 1: I'm kind of introverted. Like I like I still, I

1467
01:17:33,439 --> 01:17:36,680
Speaker 1: still like my privacy. It's it's certain things that I

1468
01:17:36,760 --> 01:17:38,720
Speaker 1: don't want the public. You know what I'm saying. I

1469
01:17:38,760 --> 01:17:40,519
Speaker 1: don't want a public eye on I like to be

1470
01:17:40,720 --> 01:17:42,680
Speaker 1: I like to be private about certain things in my

1471
01:17:42,800 --> 01:17:45,479
Speaker 1: life still, so I don't think that's the lane that

1472
01:17:45,520 --> 01:17:48,960
Speaker 1: I will ever go back into on my own. But

1473
01:17:49,320 --> 01:17:52,680
Speaker 1: as far as that, like, I don't everybody else doing it,

1474
01:17:52,880 --> 01:17:55,320
Speaker 1: like shout out to them. You know what I'm saying

1475
01:17:55,600 --> 01:17:59,800
Speaker 1: to jerk off too much? Are you gonna do? Because

1476
01:17:59,840 --> 01:18:03,080
Speaker 1: if you ever wanted? But how about Jim Magga, we

1477
01:18:03,320 --> 01:18:05,320
Speaker 1: ever see you on Love and Hip Hop? I don't

1478
01:18:05,360 --> 01:18:07,519
Speaker 1: think so. I don't got the patience for it. How

1479
01:18:07,560 --> 01:18:10,120
Speaker 1: about reality period? Like if the check is right and

1480
01:18:10,160 --> 01:18:12,480
Speaker 1: it's it's not, it's something that's not going to sacrifice

1481
01:18:12,520 --> 01:18:17,360
Speaker 1: my chegity. Real reality in your opinion. When I got

1482
01:18:17,479 --> 01:18:20,360
Speaker 1: over to do one of the joints, but I had

1483
01:18:20,400 --> 01:18:22,800
Speaker 1: to give it some thought. Somebody wanted me to do.

1484
01:18:23,040 --> 01:18:28,479
Speaker 1: Um what's that thing? Um? The name of Um, it's

1485
01:18:28,520 --> 01:18:32,160
Speaker 1: the thing the relationship one A couple of therapy. Yeah yeah, yeah,

1486
01:18:32,320 --> 01:18:34,000
Speaker 1: they offered me that too bad, But I didn't have No,

1487
01:18:34,120 --> 01:18:37,519
Speaker 1: I didn't like the girl wasn't my girl. It wasn't

1488
01:18:37,520 --> 01:18:40,000
Speaker 1: it would have been real, I don't. It wouldn't have

1489
01:18:40,000 --> 01:18:42,280
Speaker 1: been real for it like that, Oh the girl wasn't

1490
01:18:42,320 --> 01:18:45,560
Speaker 1: really a girl. No no, no, no, that's completely so.

1491
01:18:47,080 --> 01:18:49,679
Speaker 1: But you know, you know why, I'm not completely against

1492
01:18:49,760 --> 01:18:58,120
Speaker 1: reality or as it actually we finishes people sometimes, you know, um,

1493
01:18:59,520 --> 01:19:02,080
Speaker 1: it gets you from zero to a hundred. You know

1494
01:19:02,080 --> 01:19:04,599
Speaker 1: what I'm saying. Like, know what I'm saying. And it's

1495
01:19:04,640 --> 01:19:08,000
Speaker 1: like like to me, if you ask people who I've

1496
01:19:08,000 --> 01:19:11,320
Speaker 1: seen who just did it? Did an excellent jobs, Pap

1497
01:19:11,400 --> 01:19:19,719
Speaker 1: Poose excellent jaw. But the show Black Love. That's a fact,

1498
01:19:19,880 --> 01:19:22,920
Speaker 1: you know, that's the trade off for that fame. All Right.

1499
01:19:23,160 --> 01:19:25,439
Speaker 1: I don't know if it's worth it. I mean something.

1500
01:19:25,479 --> 01:19:27,320
Speaker 1: I mean it's not just saying just loving hip hop.

1501
01:19:27,360 --> 01:19:30,080
Speaker 1: I'm saying TV period, Like you know what I'm saying.

1502
01:19:30,200 --> 01:19:34,240
Speaker 1: Like it's like look at iced tea man, Yeah Scott

1503
01:19:34,280 --> 01:19:36,720
Speaker 1: had a cop killer. Now he's a cop on a

1504
01:19:36,800 --> 01:19:42,639
Speaker 1: TV show? Yea every fucking day, Like he plays a cop.

1505
01:19:42,760 --> 01:19:47,240
Speaker 1: He had a shong called cop Killer. So all I'm

1506
01:19:47,280 --> 01:19:50,400
Speaker 1: saying is he's you can still keep who you are

1507
01:19:51,000 --> 01:19:54,320
Speaker 1: and adventure into this other world. I'm saying, like, long

1508
01:19:54,439 --> 01:19:56,480
Speaker 1: is it like megas as long is it on compromise

1509
01:19:56,479 --> 01:19:59,160
Speaker 1: the integrity and nothing like that, Like I'm not turned

1510
01:19:59,160 --> 01:20:01,800
Speaker 1: out when we roll, like I'm not morally bankrupt man.

1511
01:20:01,880 --> 01:20:06,439
Speaker 1: And that was a strong But what did you say?

1512
01:20:06,600 --> 01:20:08,679
Speaker 1: Can you say that again? He said some niggas bank

1513
01:20:08,720 --> 01:20:11,000
Speaker 1: bolt is strong? What do you say? I don't remember

1514
01:20:11,000 --> 01:20:13,559
Speaker 1: what I said that. That's just what we're gonna sample.

1515
01:20:15,280 --> 01:20:20,639
Speaker 1: Trust they're gonna quote that I got That is crazy.

1516
01:20:20,760 --> 01:20:22,439
Speaker 1: So I got you for days. So so so what's

1517
01:20:22,520 --> 01:20:24,439
Speaker 1: what's So? What's what's the next for Core? You guys? Man?

1518
01:20:24,560 --> 01:20:27,880
Speaker 1: Come on? Criminal minded? Criminal? Is you're paying homage to

1519
01:20:27,960 --> 01:20:32,040
Speaker 1: a caress with that? Yeah? Yeah, I am. I'm gonna

1520
01:20:32,080 --> 01:20:34,120
Speaker 1: have him more there it's a bronze state on there

1521
01:20:34,680 --> 01:20:39,080
Speaker 1: and then um, that's family shout out to caress. It's um,

1522
01:20:39,840 --> 01:20:42,200
Speaker 1: it's paying homage. But at the same time, I'm not.

1523
01:20:42,240 --> 01:20:44,519
Speaker 1: I don't want people to confuse it and think that

1524
01:20:44,600 --> 01:20:47,880
Speaker 1: I'm trying to redo what he did, because that's not

1525
01:20:48,720 --> 01:20:51,320
Speaker 1: that's not possible. You know what I'm saying. He to me,

1526
01:20:52,439 --> 01:20:55,400
Speaker 1: He he held the torch and he started, he started,

1527
01:20:55,600 --> 01:20:58,439
Speaker 1: he wrapped, he put the bronx on. So that's not

1528
01:20:58,560 --> 01:21:00,439
Speaker 1: really what I'm trying to do. What I'm trying to

1529
01:21:00,560 --> 01:21:05,360
Speaker 1: do is just give a revamp it and just give

1530
01:21:05,400 --> 01:21:09,040
Speaker 1: a new direction, like to to what it did at

1531
01:21:09,080 --> 01:21:12,960
Speaker 1: the time it came out, but is a reference back

1532
01:21:13,040 --> 01:21:15,719
Speaker 1: to the cars some of it, because I think sometimes

1533
01:21:15,800 --> 01:21:19,400
Speaker 1: it's dope is when when younger cats do something paint homage,

1534
01:21:19,640 --> 01:21:24,519
Speaker 1: and then you they go back, It's okay, that should

1535
01:21:24,800 --> 01:21:27,160
Speaker 1: it's heavenly inspired by him. I'm not I'm not gonna lie.

1536
01:21:27,200 --> 01:21:30,640
Speaker 1: I'm not doing nothing like I'm not gonna be it's

1537
01:21:30,680 --> 01:21:33,160
Speaker 1: not gonna be cliche with him, like running over a

1538
01:21:33,240 --> 01:21:35,200
Speaker 1: lot of his music or a lot of his stuff

1539
01:21:35,240 --> 01:21:38,559
Speaker 1: like that, like it's soul original music. But you're gonna

1540
01:21:38,600 --> 01:21:42,080
Speaker 1: hear elements from from him and different things like that,

1541
01:21:42,920 --> 01:21:45,719
Speaker 1: especially from that album. You're going here see the visuals

1542
01:21:45,760 --> 01:21:50,720
Speaker 1: and hear different elements of how it inspired the projects. Yeah, right,

1543
01:21:52,040 --> 01:21:55,240
Speaker 1: that's great. I don't jump sitting here back and I'm

1544
01:21:55,280 --> 01:21:56,760
Speaker 1: not trying to cut nobody or if you see me,

1545
01:21:56,800 --> 01:22:00,040
Speaker 1: I'm you know what I mean, you don't drink of

1546
01:22:00,120 --> 01:22:07,200
Speaker 1: the like I'm trying to be quiet and ship how realized,

1547
01:22:07,240 --> 01:22:09,840
Speaker 1: Like that's why sometimes cause I've been zoned in the

1548
01:22:09,960 --> 01:22:11,640
Speaker 1: stories like they started linking, you know what I mean,

1549
01:22:11,720 --> 01:22:16,160
Speaker 1: Like this ship is crazy so mega. In the early days,

1550
01:22:16,640 --> 01:22:18,640
Speaker 1: one of the first DJs, the first DJ to ever

1551
01:22:18,800 --> 01:22:22,920
Speaker 1: recored my demo, my first demo I ever made, was

1552
01:22:23,000 --> 01:22:28,200
Speaker 1: a DJ named DJ hot Day. How DJ hot Day

1553
01:22:28,240 --> 01:22:30,920
Speaker 1: was one of the hottest DJs in Queen's Bridge hands

1554
01:22:31,000 --> 01:22:35,000
Speaker 1: down and in the world. How important was DJ hot

1555
01:22:35,120 --> 01:22:42,439
Speaker 1: Day during the beginning of your career, Like prior to

1556
01:22:42,560 --> 01:22:48,559
Speaker 1: you getting locked up? Proud of me get locked up.

1557
01:22:48,680 --> 01:22:52,080
Speaker 1: He gave me my start, But as far as importance

1558
01:22:55,560 --> 01:22:57,560
Speaker 1: after that, he didn't do nothing, Like he worked on

1559
01:22:57,640 --> 01:23:00,680
Speaker 1: everybody else's album, Like he was working a poet and

1560
01:23:00,920 --> 01:23:06,080
Speaker 1: and and other artists. So during that time, that's how

1561
01:23:06,160 --> 01:23:08,439
Speaker 1: Molly came in the picture. Because during that time, I'm

1562
01:23:08,479 --> 01:23:11,920
Speaker 1: running around good Fellas week. I was like, that's that's

1563
01:23:11,960 --> 01:23:17,639
Speaker 1: a gang, wasn't Yeah, it was was hanging together friends.

1564
01:23:19,240 --> 01:23:21,920
Speaker 1: So we're running around the street good Fellas in the

1565
01:23:21,960 --> 01:23:25,040
Speaker 1: forty buses, right, Yeah, there's a few cruise, burning posse

1566
01:23:26,120 --> 01:23:27,400
Speaker 1: a few, it's a lot of you know what I mean.

1567
01:23:27,520 --> 01:23:32,719
Speaker 1: So basically he gave me. He did give me my start,

1568
01:23:32,840 --> 01:23:37,720
Speaker 1: but he didn't put any effort into me. So that's

1569
01:23:37,720 --> 01:23:40,519
Speaker 1: how you know. I waited. I waited and I was patient,

1570
01:23:41,240 --> 01:23:46,760
Speaker 1: but it didn't happen. So um at that it got

1571
01:23:46,800 --> 01:23:50,280
Speaker 1: to a point where I was so nice. Drug dealers

1572
01:23:50,720 --> 01:23:52,160
Speaker 1: was like, Yo, We're gonna pay for you to go

1573
01:23:52,200 --> 01:23:54,040
Speaker 1: to the studio. Like the biggest drug dealer in the

1574
01:23:54,080 --> 01:23:56,679
Speaker 1: hood was like, I'm paying for your studio. Like both

1575
01:23:56,720 --> 01:24:00,479
Speaker 1: of them, both, like the strongest cruise were money wanted.

1576
01:24:00,640 --> 01:24:02,200
Speaker 1: My man Lloyd was like, yeah, I'm gonna pay for

1577
01:24:02,240 --> 01:24:03,800
Speaker 1: you to go to the studio. Lord just locked that

1578
01:24:03,880 --> 01:24:06,160
Speaker 1: right now, my lord. And then work doesn't do theme

1579
01:24:06,240 --> 01:24:08,800
Speaker 1: word from Quaidbridge. He was the man. He's like, I'm

1580
01:24:08,800 --> 01:24:10,320
Speaker 1: gonna put you in the student like everybody wanted to

1581
01:24:10,360 --> 01:24:12,320
Speaker 1: put me in the studio because I wasn't in the studio.

1582
01:24:13,000 --> 01:24:20,280
Speaker 1: So um, how I got my real break was from

1583
01:24:20,360 --> 01:24:24,479
Speaker 1: hand Carter. I know that name, Who's hand Carter. He

1584
01:24:24,560 --> 01:24:26,800
Speaker 1: had the um the Gold Barter Foundation, he had the

1585
01:24:27,439 --> 01:24:29,920
Speaker 1: Roosevelt Island, he had a whole hospital name that though

1586
01:24:30,000 --> 01:24:33,479
Speaker 1: I keep thinking, like thinking of a basketball coach. I'm

1587
01:24:33,479 --> 01:24:39,920
Speaker 1: bugging right. He's affiliated with the wheel check son happened

1588
01:24:39,920 --> 01:24:43,960
Speaker 1: with his with his son and and some people in

1589
01:24:44,040 --> 01:24:48,559
Speaker 1: my crew, and I wasn't there, so m I didn't

1590
01:24:48,600 --> 01:24:51,360
Speaker 1: know what happened. So when Hank came the father, he

1591
01:24:51,560 --> 01:24:53,479
Speaker 1: was oh, he was turned up. He's like, he's like

1592
01:24:54,080 --> 01:24:56,240
Speaker 1: you like he's ready to fight me. And I was like,

1593
01:24:56,280 --> 01:24:57,360
Speaker 1: what are you talking. I don't even know what the

1594
01:24:57,400 --> 01:25:00,599
Speaker 1: hell is going on. So then he's a good person.

1595
01:25:00,680 --> 01:25:02,640
Speaker 1: He felt bad that he came at me like that

1596
01:25:02,680 --> 01:25:06,280
Speaker 1: because people in something like yeah, Cord wasn't there, so

1597
01:25:06,640 --> 01:25:10,759
Speaker 1: he felt bad about that. So people another late, another

1598
01:25:10,800 --> 01:25:13,120
Speaker 1: person I have to give pre credit to is Mary Stevens.

1599
01:25:14,200 --> 01:25:16,560
Speaker 1: So she worked in the community center and then she

1600
01:25:17,320 --> 01:25:19,720
Speaker 1: and somebody else told hand called like this guy could

1601
01:25:19,800 --> 01:25:25,760
Speaker 1: rap very good. And then Hack called Molly Mall and

1602
01:25:25,880 --> 01:25:30,120
Speaker 1: Hank said, because Molly, like this is after Juice cool,

1603
01:25:30,160 --> 01:25:32,519
Speaker 1: Molly Mall. This is Molly was the king of the world.

1604
01:25:33,240 --> 01:25:35,519
Speaker 1: This is like Molly, this is right after Mama said

1605
01:25:35,600 --> 01:25:38,559
Speaker 1: knock you out and all of that. Molly Molly wasn't

1606
01:25:38,600 --> 01:25:41,720
Speaker 1: even rocking with too many people, so he was like, yeah,

1607
01:25:41,720 --> 01:25:43,880
Speaker 1: I want you to hear this guy. So Molly hurt

1608
01:25:43,960 --> 01:25:47,560
Speaker 1: from my joints. Next thing you know, me and Ellis

1609
01:25:48,080 --> 01:25:52,559
Speaker 1: is going to Molly's house knocking out songs like Ellie

1610
01:25:52,760 --> 01:25:54,880
Speaker 1: Us to Be was gonna be my DJ, and he

1611
01:25:55,000 --> 01:25:57,040
Speaker 1: was making some of my he was helping me my album.

1612
01:25:58,000 --> 01:26:02,720
Speaker 1: Unfortunately I blew trial. So when I blew trial, do

1613
01:26:02,800 --> 01:26:04,280
Speaker 1: you want to say what you was on trial for?

1614
01:26:04,520 --> 01:26:06,760
Speaker 1: So the listeners know not to do this. I didn't

1615
01:26:06,760 --> 01:26:09,200
Speaker 1: even do what I want yo, I didn't do nothing.

1616
01:26:09,280 --> 01:26:10,880
Speaker 1: I mean no, let me, let me, let me not

1617
01:26:10,960 --> 01:26:13,000
Speaker 1: paint the pictures like I'm gonna say. I went to

1618
01:26:13,120 --> 01:26:15,439
Speaker 1: jail because that's that was God's plan for me, because

1619
01:26:15,479 --> 01:26:17,400
Speaker 1: if I got coot for stuff that I really did,

1620
01:26:17,800 --> 01:26:19,800
Speaker 1: I would have did more terms. But the thing that

1621
01:26:19,840 --> 01:26:22,479
Speaker 1: I went to jail four I didn't even do. They

1622
01:26:22,479 --> 01:26:25,280
Speaker 1: said I robbed somebody in theergy tram. Why would I

1623
01:26:25,439 --> 01:26:30,479
Speaker 1: for a gun? Uh a police officer at that like

1624
01:26:31,520 --> 01:26:34,160
Speaker 1: off duty correction officer up. So it's like that was

1625
01:26:34,800 --> 01:26:37,559
Speaker 1: basically a cop set me up. Because there's this cop

1626
01:26:37,640 --> 01:26:40,000
Speaker 1: that hated me and he set me up. His name

1627
01:26:40,080 --> 01:26:44,960
Speaker 1: was Connor Lee, and he just set me up. The

1628
01:26:45,000 --> 01:26:51,360
Speaker 1: opposite of make noise for him basically. So basically I

1629
01:26:51,439 --> 01:26:52,920
Speaker 1: had I had a case that I was going to

1630
01:26:53,000 --> 01:26:56,240
Speaker 1: court for and I beat it. So as I'm walking

1631
01:26:56,280 --> 01:27:01,560
Speaker 1: out the courtroom, they said, oh, you fit the identification

1632
01:27:01,600 --> 01:27:04,320
Speaker 1: of somebody. So I was like, this is a joke, right,

1633
01:27:04,439 --> 01:27:06,400
Speaker 1: So I went with the cops. They put me in

1634
01:27:06,400 --> 01:27:08,439
Speaker 1: the line up and next you know, her man, jail.

1635
01:27:09,720 --> 01:27:12,080
Speaker 1: How long did you have to do? I was. I

1636
01:27:12,080 --> 01:27:13,960
Speaker 1: would have been I would have been in jail obviously

1637
01:27:14,000 --> 01:27:15,880
Speaker 1: for like up to two years until trial, but my

1638
01:27:15,960 --> 01:27:19,360
Speaker 1: crew bailed me out. So and then I hired David Cohen,

1639
01:27:19,400 --> 01:27:22,880
Speaker 1: who was fat cast lawyer as my lawyer. Some real

1640
01:27:23,000 --> 01:27:28,320
Speaker 1: queenship right now, queens. So basically you tell it. First

1641
01:27:28,360 --> 01:27:32,000
Speaker 1: of all, I probably had had had the had the

1642
01:27:32,080 --> 01:27:34,800
Speaker 1: crazy like we had the craziest guns in the hood.

1643
01:27:35,400 --> 01:27:42,120
Speaker 1: So it's insult. And so you told me nigga, yeah,

1644
01:27:42,200 --> 01:27:44,800
Speaker 1: a thirty eight at that that's you know, like I

1645
01:27:44,920 --> 01:27:49,479
Speaker 1: give those it's just popping now. So it's like at

1646
01:27:49,560 --> 01:27:51,599
Speaker 1: that time, it was an insult. So I went to jail,

1647
01:27:51,680 --> 01:27:54,640
Speaker 1: something I didn't even do. So that's how I came home.

1648
01:27:54,680 --> 01:27:57,240
Speaker 1: I came home on a pill and you know, getting

1649
01:27:57,240 --> 01:28:00,479
Speaker 1: the pills like winning a lotto. So basically, children wasn't

1650
01:28:00,479 --> 01:28:02,240
Speaker 1: the first nigga came home on the pill. I didn't

1651
01:28:02,240 --> 01:28:04,680
Speaker 1: even know what I mean, Tupac it was. It was

1652
01:28:04,760 --> 01:28:10,679
Speaker 1: called Mecca, you know, that's what the pill. I didn't

1653
01:28:10,680 --> 01:28:13,200
Speaker 1: even know that. So basically, yeah, that's what I went

1654
01:28:13,280 --> 01:28:16,120
Speaker 1: to jail for for that. So basically the reason I

1655
01:28:16,200 --> 01:28:19,360
Speaker 1: came home because when I went to jail, I was

1656
01:28:19,439 --> 01:28:22,799
Speaker 1: too I can't even call it stubborn. I was driven

1657
01:28:22,920 --> 01:28:25,080
Speaker 1: to not accept that because I didn't do that. I

1658
01:28:25,200 --> 01:28:28,200
Speaker 1: wasn't going out like that because as soon as you

1659
01:28:28,240 --> 01:28:32,479
Speaker 1: go to jail, they got all the exercise facilities and

1660
01:28:32,479 --> 01:28:35,240
Speaker 1: all of that recreation facilities for you, so that that's

1661
01:28:35,240 --> 01:28:38,040
Speaker 1: a distraction. I didn't do that. I went to Lord

1662
01:28:38,120 --> 01:28:40,800
Speaker 1: Library every day because it was mad inconsistencies in my case.

1663
01:28:41,439 --> 01:28:44,519
Speaker 1: So I started doing my own emotions, sent it to

1664
01:28:44,600 --> 01:28:47,800
Speaker 1: a lawyer. We started working back and forth. Next you know,

1665
01:28:47,920 --> 01:28:51,920
Speaker 1: my pill. I got my pill. Like so um, I

1666
01:28:52,000 --> 01:28:53,360
Speaker 1: think it was a bless me going to jails, a

1667
01:28:53,400 --> 01:28:55,639
Speaker 1: blessing in the sky. Because I went to jail, everybody

1668
01:28:55,720 --> 01:28:57,880
Speaker 1: is to be with got more time than me, and

1669
01:28:57,920 --> 01:28:59,840
Speaker 1: I had a decent amount of time. So it was

1670
01:29:00,560 --> 01:29:02,439
Speaker 1: whole All the good fellas pretty much went to jails

1671
01:29:02,479 --> 01:29:04,479
Speaker 1: have a couple. So if I'd have been home, I

1672
01:29:04,479 --> 01:29:06,720
Speaker 1: would have got caught up with that definitely. But while

1673
01:29:06,760 --> 01:29:09,080
Speaker 1: I went to jail, I got my g D two

1674
01:29:09,240 --> 01:29:10,800
Speaker 1: years off of that. Now I did more than two

1675
01:29:10,880 --> 01:29:13,679
Speaker 1: years just over that. Because you said you came holding

1676
01:29:13,760 --> 01:29:15,840
Speaker 1: a pill. I came home after like three and change.

1677
01:29:15,880 --> 01:29:17,920
Speaker 1: I wanted four years. I got a lot of time,

1678
01:29:18,040 --> 01:29:23,320
Speaker 1: bro So so um, I went to jail. I went

1679
01:29:23,360 --> 01:29:27,400
Speaker 1: to the box. While it's in the box, it's a

1680
01:29:27,479 --> 01:29:30,280
Speaker 1: small little rooms, just a bed in the saying. You know,

1681
01:29:30,479 --> 01:29:33,160
Speaker 1: you know the runnings. There's a little slit in the door.

1682
01:29:34,280 --> 01:29:36,040
Speaker 1: That's how that's where they give you your food. And

1683
01:29:36,160 --> 01:29:40,720
Speaker 1: one day they passed. They came out with a book

1684
01:29:40,760 --> 01:29:42,920
Speaker 1: with a book trade. They were dripping about the you know,

1685
01:29:43,000 --> 01:29:46,200
Speaker 1: walking out of the book card. I got a book,

1686
01:29:47,000 --> 01:29:49,559
Speaker 1: The Order Biography of Malcolm Max. That's the first book

1687
01:29:49,560 --> 01:29:52,160
Speaker 1: I had in jailed, as well, Change My Life by

1688
01:29:52,200 --> 01:29:55,800
Speaker 1: Alex Helley. Correct. That's I think every street kid in

1689
01:29:55,880 --> 01:29:59,120
Speaker 1: the world should read that. I read that book and

1690
01:29:59,200 --> 01:30:02,840
Speaker 1: it's like, wow, we because we're conditioned to believe that

1691
01:30:03,320 --> 01:30:06,840
Speaker 1: we're funk ups and there is no promised land for us,

1692
01:30:07,040 --> 01:30:08,800
Speaker 1: and like, once you go to jail, it's like your

1693
01:30:08,840 --> 01:30:11,040
Speaker 1: life is over. Your convict, you can't do anything. So

1694
01:30:11,200 --> 01:30:14,600
Speaker 1: we're misled to believe that. So now I'm reading this

1695
01:30:14,760 --> 01:30:17,320
Speaker 1: book and I could relate to him, this dude that's

1696
01:30:17,320 --> 01:30:20,840
Speaker 1: in jail, and he said he was, you know, he

1697
01:30:20,880 --> 01:30:23,680
Speaker 1: couldn't really read and all that that good. Then he

1698
01:30:23,720 --> 01:30:26,240
Speaker 1: started studying more. He became very articularly, became one of

1699
01:30:26,280 --> 01:30:31,439
Speaker 1: the most articulated speakers of his generation. So I said

1700
01:30:31,479 --> 01:30:33,000
Speaker 1: to myself, he could do it, why I can't do it.

1701
01:30:33,240 --> 01:30:34,560
Speaker 1: I might not could do it like he did it,

1702
01:30:34,640 --> 01:30:38,000
Speaker 1: But I'm gonna improve myself while I'm here in this circumstance.

1703
01:30:38,360 --> 01:30:42,320
Speaker 1: Why should I just beat another number statistic that the

1704
01:30:42,439 --> 01:30:45,760
Speaker 1: first two books already was that already um marcol X

1705
01:30:45,800 --> 01:30:48,400
Speaker 1: and hard Son by Donald Ganes. I didn't read that yet.

1706
01:30:48,439 --> 01:30:50,439
Speaker 1: He didn't read the first books I read. And there

1707
01:30:50,520 --> 01:30:55,680
Speaker 1: was the Bible and what is matter? What what what?

1708
01:30:55,760 --> 01:31:01,479
Speaker 1: What we're religion coaches is called magna. I'm Muslim. That's why,

1709
01:31:02,000 --> 01:31:04,479
Speaker 1: that's why, that's why you didn't see me drink alcohol,

1710
01:31:04,560 --> 01:31:07,479
Speaker 1: Because first of all, you got the number one podcast.

1711
01:31:07,640 --> 01:31:13,920
Speaker 1: That's why make yers for that mega no one so nice.

1712
01:31:14,720 --> 01:31:18,720
Speaker 1: In this day and age, Islam get such a bad

1713
01:31:18,840 --> 01:31:21,639
Speaker 1: stigma attached to it. Falsely, you're gonna be the negative.

1714
01:31:21,720 --> 01:31:28,519
Speaker 1: Come here, it's called showing a dad. So showing a

1715
01:31:28,680 --> 01:31:36,240
Speaker 1: dad like a Muslim window, say no, not that put

1716
01:31:36,360 --> 01:31:41,680
Speaker 1: like this almost almost prominent, positive and beautiful voice has

1717
01:31:41,760 --> 01:31:43,760
Speaker 1: been silenced. And that was and that was a brother

1718
01:31:43,840 --> 01:31:46,280
Speaker 1: by the name of Muhammad Ali who just recently passed.

1719
01:31:46,760 --> 01:31:49,720
Speaker 1: So it's like we need more positive role models for

1720
01:31:50,040 --> 01:31:52,839
Speaker 1: for Muslims. Like so when they say what is your religion?

1721
01:31:52,920 --> 01:31:57,479
Speaker 1: I really don't. I don't think God said about to

1722
01:31:58,040 --> 01:32:02,960
Speaker 1: have a religion. It's to be Muslim. Is is pretty

1723
01:32:03,040 --> 01:32:05,560
Speaker 1: much the same thing as Christianity. We all believe in

1724
01:32:05,760 --> 01:32:08,160
Speaker 1: in one guard, you know what I'm saying. It's just

1725
01:32:10,160 --> 01:32:11,760
Speaker 1: I think a lot of more, a lot more people

1726
01:32:11,800 --> 01:32:15,560
Speaker 1: would would would would turn to Islam. But Islam is

1727
01:32:16,120 --> 01:32:19,280
Speaker 1: to discipline. Is too much discipline for certain people, Like

1728
01:32:19,400 --> 01:32:22,120
Speaker 1: you don't you can't eat pork, you can't do certain things.

1729
01:32:22,400 --> 01:32:25,320
Speaker 1: You gotta pray five times a day. There's a lot

1730
01:32:25,360 --> 01:32:27,280
Speaker 1: of you pray five times a day, not all the time.

1731
01:32:27,520 --> 01:32:29,439
Speaker 1: Because I'm not gonna say him live. That's cool. There's

1732
01:32:29,439 --> 01:32:31,120
Speaker 1: things I need to see you. In the hood, it

1733
01:32:31,240 --> 01:32:34,400
Speaker 1: was like three o'clock in the morning, it's mad, wild

1734
01:32:34,479 --> 01:32:37,840
Speaker 1: goons out and you had the crown One chill with

1735
01:32:37,920 --> 01:32:41,719
Speaker 1: you the whole night. I'm like, God like the crown

1736
01:32:41,880 --> 01:32:44,280
Speaker 1: on and you know it. You know the hood is

1737
01:32:44,320 --> 01:32:47,080
Speaker 1: better though, Now do you think so? I don't. I don't.

1738
01:32:47,120 --> 01:32:48,680
Speaker 1: I'm I'm gonna keeping her. I don't even be in

1739
01:32:48,720 --> 01:32:51,360
Speaker 1: the hood all the time, neither. But I'm saying, like

1740
01:32:51,720 --> 01:32:54,320
Speaker 1: what it changed from where the ever we grew up

1741
01:32:54,360 --> 01:32:56,120
Speaker 1: in There was time there was times when I used

1742
01:32:56,120 --> 01:33:02,280
Speaker 1: to come in the in the crib like I dig

1743
01:33:02,320 --> 01:33:04,200
Speaker 1: in this pocket, I get the cheated open the door,

1744
01:33:04,680 --> 01:33:07,479
Speaker 1: but I got my hand on my gun in case

1745
01:33:07,520 --> 01:33:09,559
Speaker 1: somebody trying to get at me, you know what I'm saying.

1746
01:33:09,560 --> 01:33:12,439
Speaker 1: So it's like there's still that, but it's not that

1747
01:33:12,600 --> 01:33:16,000
Speaker 1: element of it's not that element of aggressive like goon

1748
01:33:16,120 --> 01:33:18,320
Speaker 1: aggression like it was when we was coming up. You

1749
01:33:18,360 --> 01:33:21,120
Speaker 1: know what I'm saying, Like, now you was originally from Brooklyn?

1750
01:33:21,280 --> 01:33:26,160
Speaker 1: Is that correct? I was born in bed Style? Bed Style?

1751
01:33:27,040 --> 01:33:30,880
Speaker 1: And then what year did you go to the bridge? Um,

1752
01:33:32,800 --> 01:33:34,519
Speaker 1: I don't want to have to look in my book

1753
01:33:34,560 --> 01:33:36,280
Speaker 1: of life. I don't mean when you have moved to Bridge.

1754
01:33:36,320 --> 01:33:39,160
Speaker 1: I moved to the Bridge when I was young, and um,

1755
01:33:39,280 --> 01:33:42,680
Speaker 1: I lived a few places because but the bridge is

1756
01:33:42,760 --> 01:33:45,680
Speaker 1: your home. No, my home is my house is my

1757
01:33:45,760 --> 01:33:51,160
Speaker 1: home now the Bridge the bridge where I came up at.

1758
01:33:51,960 --> 01:33:54,400
Speaker 1: But there's certain there's different places in my there's different

1759
01:33:54,400 --> 01:33:57,960
Speaker 1: places that that played, um a central part of me.

1760
01:33:58,800 --> 01:34:00,720
Speaker 1: You know what I think. You know what a lot

1761
01:34:00,760 --> 01:34:02,880
Speaker 1: of people say about me, They say you're different from

1762
01:34:03,600 --> 01:34:06,719
Speaker 1: a lot of rappers from the Bridge. I got different

1763
01:34:06,760 --> 01:34:09,200
Speaker 1: coaches in me from different places. Like I was talking

1764
01:34:09,240 --> 01:34:10,519
Speaker 1: to somebody the other day, I was like, you know,

1765
01:34:10,640 --> 01:34:13,280
Speaker 1: I used to live I'm talking about men overhead a

1766
01:34:13,280 --> 01:34:15,639
Speaker 1: matter of fact fixed and we're talking about Corp City

1767
01:34:15,680 --> 01:34:18,680
Speaker 1: in the Bronx. I used to living Corp City. A

1768
01:34:18,720 --> 01:34:20,680
Speaker 1: lot of people don't know that. I always identified the

1769
01:34:20,800 --> 01:34:23,720
Speaker 1: Corps because they got terrorism and left practice exactly. So

1770
01:34:24,080 --> 01:34:26,679
Speaker 1: I had Bronx culture in me. I got Brooklyn coach

1771
01:34:26,760 --> 01:34:29,040
Speaker 1: at me, I got Queens coach at me, and I

1772
01:34:29,120 --> 01:34:30,600
Speaker 1: adapted all of that. And I used to be in

1773
01:34:30,960 --> 01:34:32,760
Speaker 1: hall m a lot. The reason I used to be

1774
01:34:32,880 --> 01:34:35,400
Speaker 1: so many places who got a beetle the fund is

1775
01:34:35,439 --> 01:34:43,160
Speaker 1: that that's the camera here. That sounds like a beetlegger.

1776
01:34:43,240 --> 01:34:48,880
Speaker 1: I was like, yeah, that's great, but held on, that's

1777
01:34:48,920 --> 01:34:58,439
Speaker 1: exactly let's see right there. No, I want to make

1778
01:34:58,479 --> 01:35:04,800
Speaker 1: sure he's still filming though, got camera right there. Yeah,

1779
01:35:04,880 --> 01:35:07,640
Speaker 1: I just switched. Listen. Yeah, well, I just want to

1780
01:35:07,680 --> 01:35:10,880
Speaker 1: make sure we got both fingers. But get had keep going.

1781
01:35:11,240 --> 01:35:17,040
Speaker 1: Is it working all right? Cool? Cool, Yeah, it's just

1782
01:35:17,120 --> 01:35:22,280
Speaker 1: a little batter me. Just cool, cool, cool. It's gonna

1783
01:35:22,280 --> 01:35:28,599
Speaker 1: be rich what you're doing rich a bandon sniffing coke

1784
01:35:30,880 --> 01:35:36,200
Speaker 1: like a coke breaking Get down in Miami, man, I'm

1785
01:35:36,280 --> 01:35:39,759
Speaker 1: fucking with you. Bad, be good, good, all right, cool,

1786
01:35:40,439 --> 01:35:48,960
Speaker 1: looking at your doughs though, come on over back yo, listen,

1787
01:35:49,479 --> 01:35:52,120
Speaker 1: back up. I'm sorry. All right. So, like I said,

1788
01:35:52,920 --> 01:35:55,560
Speaker 1: I absorbed a lot of absorbed. I'm like, I'm like,

1789
01:35:56,080 --> 01:35:58,120
Speaker 1: I'm the epitome of New York. I lived in mad

1790
01:35:58,200 --> 01:36:01,040
Speaker 1: different places or frequent in the a lot of different places.

1791
01:36:01,479 --> 01:36:04,120
Speaker 1: But the Bridge was my base. The business. The Bridge

1792
01:36:04,200 --> 01:36:09,360
Speaker 1: is responsible for my for my passion with hip hop.

1793
01:36:09,560 --> 01:36:12,840
Speaker 1: When people's careers took off, I'm talking about back in

1794
01:36:12,920 --> 01:36:15,479
Speaker 1: the days I was dead. I was there when bis

1795
01:36:15,560 --> 01:36:18,400
Speaker 1: Markey first performed in the park. You know, I was dead.

1796
01:36:19,120 --> 01:36:22,519
Speaker 1: I was there for Smitty the Number Man when Smithy

1797
01:36:22,600 --> 01:36:24,639
Speaker 1: was the number one number. When I was there missing

1798
01:36:24,680 --> 01:36:27,439
Speaker 1: everything was that I was there when Craig had shout out,

1799
01:36:28,120 --> 01:36:30,920
Speaker 1: you know, stuff like that. So I absorbed all that.

1800
01:36:31,120 --> 01:36:34,519
Speaker 1: But um, I think it's different places that I've been

1801
01:36:34,560 --> 01:36:38,479
Speaker 1: in my life that that I cultivated All that together

1802
01:36:38,680 --> 01:36:41,680
Speaker 1: that made me like, like far Rockaway was like my

1803
01:36:41,760 --> 01:36:46,160
Speaker 1: gladiated school Rockaway. Edge Man is like edge Man is

1804
01:36:46,240 --> 01:36:49,240
Speaker 1: like the king of edge Man is the king of hoods,

1805
01:36:49,479 --> 01:36:53,320
Speaker 1: the king of grimy hoods like Far Rockaway. People don't

1806
01:36:53,400 --> 01:36:55,800
Speaker 1: understand that's that's a lot of people got beat up

1807
01:36:55,840 --> 01:36:58,240
Speaker 1: in far Rockway because they thought queens were sold. So

1808
01:36:58,240 --> 01:36:59,519
Speaker 1: a lot of people used to just think they could

1809
01:36:59,520 --> 01:37:01,720
Speaker 1: come to the queen and didn't left fractic people think.

1810
01:37:02,200 --> 01:37:04,160
Speaker 1: You know what the funniest thing about far Rocker keeping

1811
01:37:04,160 --> 01:37:07,640
Speaker 1: a hunting um is I went there one night and

1812
01:37:07,720 --> 01:37:11,000
Speaker 1: they got the chicken spot in the lobby. That was

1813
01:37:11,600 --> 01:37:15,599
Speaker 1: like the first projects I ever seen that they got

1814
01:37:15,720 --> 01:37:20,120
Speaker 1: a chicken spot in the lobby, Like you gotta walk

1815
01:37:20,200 --> 01:37:24,040
Speaker 1: through Tarra to get a piece of chicken. If you

1816
01:37:24,120 --> 01:37:27,240
Speaker 1: got respected got far. If you got respected for Rocky real,

1817
01:37:27,479 --> 01:37:30,439
Speaker 1: you're a gun your gun bucker. That's a fact. That's

1818
01:37:30,439 --> 01:37:35,880
Speaker 1: a fact. Shout out everybody, Far Root, everybody, shout out

1819
01:37:35,920 --> 01:37:40,879
Speaker 1: my man. Knowledge from from handles changed drugs and stacks

1820
01:37:41,280 --> 01:37:45,479
Speaker 1: recipes and JB. I know a lot of far rock away.

1821
01:37:45,880 --> 01:37:49,680
Speaker 1: But anyway, the Bridge, the Bridge. I owe so much

1822
01:37:49,800 --> 01:37:51,559
Speaker 1: to the Bridge, you know what. I love the Bridge.

1823
01:37:52,520 --> 01:37:54,920
Speaker 1: UM A lot of memories there, a lot of history there,

1824
01:37:55,080 --> 01:37:59,000
Speaker 1: put in a lot of work, a lot of friends there, family.

1825
01:38:00,160 --> 01:38:05,720
Speaker 1: So the bridges, the bridges to Quintas sent you. The

1826
01:38:05,840 --> 01:38:09,400
Speaker 1: Bridge might be the most important placed in hip hop

1827
01:38:09,520 --> 01:38:11,479
Speaker 1: history if you think about it. And I'm not saying

1828
01:38:11,520 --> 01:38:14,920
Speaker 1: this from a bias perspective, Like when you think of rap.

1829
01:38:16,280 --> 01:38:19,960
Speaker 1: Seant ushered in a whole new era for street rap

1830
01:38:20,040 --> 01:38:23,280
Speaker 1: and for women. She's for queens. With Molly, mar changed

1831
01:38:23,680 --> 01:38:26,200
Speaker 1: the whole production game. Like you talk to the top

1832
01:38:26,240 --> 01:38:29,680
Speaker 1: ten producers, They're all attributed some of their success to

1833
01:38:29,840 --> 01:38:33,519
Speaker 1: what Molly's done. Mc shan does not get the credit

1834
01:38:33,560 --> 01:38:35,760
Speaker 1: he deserved. He's one of the best m season if

1835
01:38:35,760 --> 01:38:38,360
Speaker 1: you listen to his other mc shan had the first

1836
01:38:38,520 --> 01:38:41,800
Speaker 1: UM concept record ever. He had that song talking about

1837
01:38:41,960 --> 01:38:45,000
Speaker 1: hip hop, like he had a song talking about cocaine,

1838
01:38:45,080 --> 01:38:48,400
Speaker 1: like it's a girl, Like like how comments Sense had

1839
01:38:48,439 --> 01:38:51,519
Speaker 1: that song about hipop had a song called cocaine. Listen

1840
01:38:51,600 --> 01:38:55,160
Speaker 1: to that like so Queen and then you think about

1841
01:38:57,040 --> 01:39:02,040
Speaker 1: like every major beef in hip hop, like the major

1842
01:39:02,080 --> 01:39:06,439
Speaker 1: beef in the hip hop Queen Beach somehow or another

1843
01:39:06,479 --> 01:39:10,040
Speaker 1: guy attached to it. Even if you like any beef

1844
01:39:10,120 --> 01:39:12,840
Speaker 1: you can think about, like Queen Bench is so powerful

1845
01:39:12,920 --> 01:39:16,080
Speaker 1: with hip hop. It's just like being there was like

1846
01:39:16,439 --> 01:39:20,120
Speaker 1: being if you're a rapper and you're really into wrap,

1847
01:39:20,439 --> 01:39:22,240
Speaker 1: growing up around Queen Beriach is like being in a

1848
01:39:22,360 --> 01:39:28,280
Speaker 1: dream about to spend of that. We're back. It's like

1849
01:39:28,360 --> 01:39:31,280
Speaker 1: being a dream. It's like being in a dream. Any block.

1850
01:39:31,400 --> 01:39:34,040
Speaker 1: You could just the man. You're just walking walking to

1851
01:39:34,120 --> 01:39:35,960
Speaker 1: the store, and then you bump into the one of

1852
01:39:36,000 --> 01:39:37,640
Speaker 1: the dopest rappers in the world. And then you go

1853
01:39:37,800 --> 01:39:39,639
Speaker 1: to laundry Matt, you see one of the dopest rappers

1854
01:39:39,680 --> 01:39:44,680
Speaker 1: in the world, and you know or producers so l e.

1855
01:39:45,000 --> 01:39:54,439
Speaker 1: S Schoolball, Black Cow called Mega Morb d Tragedy. You

1856
01:39:55,479 --> 01:39:58,760
Speaker 1: have a show and what happened when you had a show,

1857
01:39:59,040 --> 01:40:02,200
Speaker 1: and it's some ship. I don't know. I don't even

1858
01:40:02,240 --> 01:40:05,240
Speaker 1: want to talk about trash. Damn word. You don't with

1859
01:40:05,280 --> 01:40:07,680
Speaker 1: each other like that for real? I mean, put me

1860
01:40:07,760 --> 01:40:11,120
Speaker 1: on we don't know traged trash would be glad I

1861
01:40:11,200 --> 01:40:14,200
Speaker 1: called me No, Mmm, we don't know what you're talking about.

1862
01:40:17,280 --> 01:40:23,080
Speaker 1: Shout out mano, what'll happened with you? A trash? I

1863
01:40:23,080 --> 01:40:24,960
Speaker 1: don't got no be for trash, tragic trash. We need

1864
01:40:25,000 --> 01:40:27,120
Speaker 1: to get his life together on some real That's what

1865
01:40:27,200 --> 01:40:28,680
Speaker 1: I'm saying. I don't got no beet for him. But

1866
01:40:28,760 --> 01:40:30,960
Speaker 1: he's been doing this since Small six with called Mega.

1867
01:40:31,360 --> 01:40:33,880
Speaker 1: I don't know what's wrong with tragic grumpy, you know

1868
01:40:33,920 --> 01:40:40,280
Speaker 1: what I'm saying. And like tragic, like trag is a

1869
01:40:40,320 --> 01:40:44,280
Speaker 1: type of person, like don't play games in other words,

1870
01:40:44,360 --> 01:40:49,320
Speaker 1: like because you see me on some peaceful humbles humbles ship,

1871
01:40:49,880 --> 01:40:52,120
Speaker 1: like don't do something that you wouldn't have did when

1872
01:40:52,160 --> 01:40:54,840
Speaker 1: I was when I was that other Mega. Because at

1873
01:40:54,880 --> 01:41:02,400
Speaker 1: the same time, I'm at walk myself every day because

1874
01:41:02,439 --> 01:41:04,000
Speaker 1: there's time, Like at the same time, I could be

1875
01:41:04,000 --> 01:41:05,479
Speaker 1: the most homeble person, but it's not for me to

1876
01:41:05,520 --> 01:41:09,000
Speaker 1: pick up that phone. And if I do that, then

1877
01:41:09,080 --> 01:41:11,600
Speaker 1: what But at the same time, I don't got to

1878
01:41:11,680 --> 01:41:14,000
Speaker 1: be for nobody. It's just that, you know, I don't

1879
01:41:14,000 --> 01:41:16,280
Speaker 1: have been that night. I don't because I got mixed

1880
01:41:16,280 --> 01:41:19,200
Speaker 1: stories like it was promotional, people telling me your call.

1881
01:41:19,240 --> 01:41:21,680
Speaker 1: Omega got on stage, says something in trash, got on

1882
01:41:21,800 --> 01:41:24,200
Speaker 1: stage with what was exactly it was? It was I

1883
01:41:24,240 --> 01:41:27,400
Speaker 1: don't even want to talk about it's not or I

1884
01:41:27,479 --> 01:41:33,880
Speaker 1: know it was. All I know is dish. He shouldn't have.

1885
01:41:34,560 --> 01:41:38,960
Speaker 1: He was on he was on somebody's show, a podcast.

1886
01:41:40,080 --> 01:41:45,000
Speaker 1: Oh I was okay, and they said whatever with Mega

1887
01:41:45,080 --> 01:41:47,720
Speaker 1: there was they they were doing name association. So they

1888
01:41:47,840 --> 01:41:50,640
Speaker 1: so they named certain people like they named Having, and

1889
01:41:50,720 --> 01:41:56,479
Speaker 1: he said something that was disrespectful. Yeah, so's they mentioned

1890
01:41:56,520 --> 01:41:59,320
Speaker 1: having name then he died Having. I thought that was whack.

1891
01:42:00,360 --> 01:42:03,600
Speaker 1: So they said they mentioned Mega and he's like, I

1892
01:42:03,680 --> 01:42:07,439
Speaker 1: don't know. So my old thing was part of me

1893
01:42:07,600 --> 01:42:11,040
Speaker 1: was like I just fought it. I fought myself because

1894
01:42:11,080 --> 01:42:12,960
Speaker 1: I was like, I ain't even that serious. He ain't

1895
01:42:12,960 --> 01:42:14,760
Speaker 1: even worth it. And and and the reason I really

1896
01:42:14,840 --> 01:42:18,880
Speaker 1: didn't say nothing because somebody said, he's just trying to

1897
01:42:18,920 --> 01:42:20,479
Speaker 1: get it. He got an album out, that's why you're

1898
01:42:20,479 --> 01:42:21,920
Speaker 1: trying to do that. So I said, you know what

1899
01:42:22,080 --> 01:42:23,800
Speaker 1: I wait till his album comes out and does what

1900
01:42:23,920 --> 01:42:27,120
Speaker 1: it does, and then maybe I'll speak to him about it.

1901
01:42:27,200 --> 01:42:29,840
Speaker 1: But he wanted attention and I wasn't gonna I wasn't

1902
01:42:29,840 --> 01:42:31,479
Speaker 1: gonna help him getting no extra sells, you know what

1903
01:42:31,479 --> 01:42:33,400
Speaker 1: I'm saying. Like, you know what I'm saying. I was

1904
01:42:33,400 --> 01:42:34,680
Speaker 1: just gonna pray for him and hope we get his

1905
01:42:34,760 --> 01:42:36,400
Speaker 1: life together, you know what I'm saying. But I was

1906
01:42:36,439 --> 01:42:38,080
Speaker 1: told you I was cool, so when I heard I

1907
01:42:38,120 --> 01:42:40,160
Speaker 1: thought it was cool too. But you know, some people,

1908
01:42:41,439 --> 01:42:45,040
Speaker 1: some people be having that in some people got resentment

1909
01:42:45,160 --> 01:42:48,439
Speaker 1: in them, resentment issues because they feel like they should

1910
01:42:48,479 --> 01:42:55,120
Speaker 1: be you know, like he's not consistent. Put it like this,

1911
01:42:55,680 --> 01:42:58,880
Speaker 1: Like one time, I give a perfect example, somebody was

1912
01:42:58,920 --> 01:43:02,040
Speaker 1: talking my prodigies, but and then travels like, but he

1913
01:43:02,200 --> 01:43:04,920
Speaker 1: wasn't lying, though, But why would you say that you

1914
01:43:04,920 --> 01:43:06,920
Speaker 1: should have said nothing? You think you know what I'm saying.

1915
01:43:07,120 --> 01:43:09,880
Speaker 1: He had a documentary out before and he was sending

1916
01:43:09,920 --> 01:43:12,080
Speaker 1: it for nas. You know what I'm saying. You know

1917
01:43:12,200 --> 01:43:14,400
Speaker 1: we probably seen It's like, so, why why do you

1918
01:43:14,479 --> 01:43:16,280
Speaker 1: have an issue with everybody? Because that one time I

1919
01:43:16,360 --> 01:43:18,360
Speaker 1: did think it was cool. But at the same time,

1920
01:43:18,920 --> 01:43:22,879
Speaker 1: it's like I don't want to be cool with you anymore.

1921
01:43:23,000 --> 01:43:24,960
Speaker 1: I don't gonna beef with you, but I don't want

1922
01:43:24,960 --> 01:43:28,240
Speaker 1: to be cool with you because you got some kind

1923
01:43:28,280 --> 01:43:29,640
Speaker 1: of issues with me, and I don't need it. I

1924
01:43:29,640 --> 01:43:31,280
Speaker 1: don't even I don't need to try to figure out

1925
01:43:31,320 --> 01:43:34,880
Speaker 1: what those issues are. Now we can handle this, Like

1926
01:43:35,439 --> 01:43:37,280
Speaker 1: I don't I'm I'm I'm I'm trying to be a

1927
01:43:37,360 --> 01:43:40,519
Speaker 1: different person. But he know, like he promotes himself as

1928
01:43:40,520 --> 01:43:42,240
Speaker 1: a thug. I don't gotta promote myself as a dug.

1929
01:43:42,600 --> 01:43:44,640
Speaker 1: Like like if I wake up with an attitude and

1930
01:43:44,760 --> 01:43:48,240
Speaker 1: just be like yo, it's a problem, like don't play,

1931
01:43:48,360 --> 01:43:51,240
Speaker 1: don't play with it. So it's like I don't know

1932
01:43:51,439 --> 01:43:53,560
Speaker 1: some other I'm trying to be a peaceful man. But

1933
01:43:53,600 --> 01:43:57,280
Speaker 1: at the same time, like just because I'm I'm calm,

1934
01:43:57,400 --> 01:44:01,000
Speaker 1: or because UM relate just or I believe you know,

1935
01:44:02,479 --> 01:44:04,960
Speaker 1: I never said I'm soft, and I never said I'm

1936
01:44:04,960 --> 01:44:07,880
Speaker 1: a pacifist. Respective don't get you know what I'm saying,

1937
01:44:07,960 --> 01:44:10,439
Speaker 1: So like, don't step on my toes. You know, I say,

1938
01:44:10,560 --> 01:44:12,840
Speaker 1: just stay in your lane and and and just leave

1939
01:44:12,840 --> 01:44:15,200
Speaker 1: me alone. I don't know you that, So that's that

1940
01:44:15,360 --> 01:44:17,439
Speaker 1: I'm not gonna dish him. I'm not gonna say nothing.

1941
01:44:17,560 --> 01:44:21,680
Speaker 1: I'm not gonna do it. Don't matter even when we

1942
01:44:21,800 --> 01:44:23,759
Speaker 1: was dead. If it wasn't for me, he'd got handled.

1943
01:44:24,160 --> 01:44:26,479
Speaker 1: Oh man, what's that though? I don't know? He said,

1944
01:44:26,520 --> 01:44:29,200
Speaker 1: I've been doing this since small six with call Mega

1945
01:44:29,320 --> 01:44:31,680
Speaker 1: on till and why man, get the hip hop guy.

1946
01:44:38,320 --> 01:44:39,840
Speaker 1: You know what I mean? I always thought you I

1947
01:44:39,920 --> 01:44:41,720
Speaker 1: was cool, but I just got to be for him

1948
01:44:42,160 --> 01:44:44,560
Speaker 1: and just Sunday just be doing some weird stuff. And

1949
01:44:44,680 --> 01:44:47,320
Speaker 1: you know that because you did business with him, So

1950
01:44:47,439 --> 01:44:48,880
Speaker 1: you know what I'm saying. And Yo, let me tell

1951
01:44:48,880 --> 01:44:51,599
Speaker 1: you something, man, he just got it. He got too many.

1952
01:44:51,760 --> 01:44:53,680
Speaker 1: Ye let me tell you something. When he first came

1953
01:44:53,720 --> 01:44:55,800
Speaker 1: on from jail. You know, he one of the first things.

1954
01:44:55,880 --> 01:44:58,800
Speaker 1: First one he came from jail, I bought him clothes

1955
01:44:58,840 --> 01:45:02,040
Speaker 1: and everything, game clothes. Then I sent him to my

1956
01:45:02,120 --> 01:45:04,120
Speaker 1: man's store because I deal with a lot of boutiques

1957
01:45:04,160 --> 01:45:07,320
Speaker 1: and stuff like that, you know, doing my little collaboration stuff.

1958
01:45:07,439 --> 01:45:09,080
Speaker 1: I sent to my man store. They plugged them with

1959
01:45:09,160 --> 01:45:12,000
Speaker 1: clothes and stuff. Right, showed him love. He's like, Yo,

1960
01:45:13,040 --> 01:45:14,560
Speaker 1: why you went to see he was? He told me

1961
01:45:14,640 --> 01:45:16,080
Speaker 1: he was mad because I want to see property and

1962
01:45:16,120 --> 01:45:18,720
Speaker 1: I ain't gonna see him. That's the problem. That's a

1963
01:45:18,840 --> 01:45:21,200
Speaker 1: problem in itself. Why are you worried about what two

1964
01:45:21,320 --> 01:45:25,120
Speaker 1: other men do? That's for one and for two dogs.

1965
01:45:25,680 --> 01:45:27,519
Speaker 1: I went up state. I went up state before two.

1966
01:45:27,520 --> 01:45:30,120
Speaker 1: You didn't come see me at all. It's like, so,

1967
01:45:30,479 --> 01:45:31,840
Speaker 1: you know what I'm saying. So, but I didn't have

1968
01:45:31,960 --> 01:45:33,960
Speaker 1: no beef for him. Then I just looked at him

1969
01:45:34,000 --> 01:45:36,000
Speaker 1: like like I won't even know if he had come

1970
01:45:36,000 --> 01:45:37,320
Speaker 1: to see me, you know what saying. So it's like,

1971
01:45:38,160 --> 01:45:39,680
Speaker 1: I'm not on that, you know I'm saying, like, Yo,

1972
01:45:39,760 --> 01:45:41,640
Speaker 1: I'm cool with everybody. You know what I'm saying. He

1973
01:45:42,560 --> 01:45:44,640
Speaker 1: that was a test for me because you know what

1974
01:45:44,720 --> 01:45:47,000
Speaker 1: the old Mega would it did. And at the same time,

1975
01:45:47,280 --> 01:45:48,840
Speaker 1: I don't know what the hell is wrong with him,

1976
01:45:48,840 --> 01:45:50,280
Speaker 1: and I'm not trying to figure it out. He's on

1977
01:45:50,360 --> 01:45:53,320
Speaker 1: a destructive pass. So I don't even have to think

1978
01:45:53,320 --> 01:45:55,880
Speaker 1: about what month is this July. I don't even got

1979
01:45:55,960 --> 01:45:58,479
Speaker 1: to think about him, like like, let him just last

1980
01:45:58,520 --> 01:46:01,200
Speaker 1: a year, Like you know what I'm saying, God bless.

1981
01:46:01,360 --> 01:46:03,160
Speaker 1: I believe he's locked up, you know what I mean?

1982
01:46:03,360 --> 01:46:05,519
Speaker 1: See what I mean? Yeah, I believe he's locked up.

1983
01:46:05,520 --> 01:46:07,880
Speaker 1: You know trash. You know we love you out there.

1984
01:46:07,960 --> 01:46:11,840
Speaker 1: You know, um it is what it is? Man, So Mega,

1985
01:46:12,600 --> 01:46:15,040
Speaker 1: what is you? You came out here? You are Corey.

1986
01:46:15,160 --> 01:46:17,640
Speaker 1: Both have eight and nine. Let's pick up eight and

1987
01:46:17,760 --> 01:46:32,719
Speaker 1: nine one more time. Welcome to play a new podcast

1988
01:46:32,800 --> 01:46:37,760
Speaker 1: network featuring radio and TV personalities, talking business, sports, tech, entertainment,

1989
01:46:37,840 --> 01:46:42,240
Speaker 1: and more. Play it at play dot It. We're back

1990
01:46:42,360 --> 01:46:46,519
Speaker 1: to drink Champs Radio with rapper n R and d J. Yes,

1991
01:46:46,600 --> 01:46:52,800
Speaker 1: then you're fully happy with your independency? What is what

1992
01:46:53,000 --> 01:46:56,080
Speaker 1: is the next next move? What are you gonna dive

1993
01:46:56,160 --> 01:46:59,920
Speaker 1: into next? Like? My next moves is this. I got

1994
01:47:00,040 --> 01:47:04,320
Speaker 1: some books coming out, not all books, not not not

1995
01:47:05,000 --> 01:47:08,880
Speaker 1: throw nobody into the bus or disrespect nobody books, totally different.

1996
01:47:09,479 --> 01:47:12,760
Speaker 1: I'm it's gonna surprise everybody. I got that coming out.

1997
01:47:12,920 --> 01:47:16,160
Speaker 1: I'm trying to do as much close collaborations as possible.

1998
01:47:16,760 --> 01:47:19,439
Speaker 1: I'm I'm gonna try to sneak into some like movie stuff,

1999
01:47:20,280 --> 01:47:24,120
Speaker 1: and I'm gonna start really um, when you say movie stuff,

2000
01:47:24,160 --> 01:47:30,040
Speaker 1: you're saying your own movies or both yea. And most

2001
01:47:30,320 --> 01:47:32,680
Speaker 1: most most importantly, I'm gonna start putting some of my

2002
01:47:32,800 --> 01:47:35,920
Speaker 1: effort and energy into other artists because there's a lot

2003
01:47:36,000 --> 01:47:37,720
Speaker 1: of young artists that come to me for advice. There's

2004
01:47:37,760 --> 01:47:39,280
Speaker 1: a lot of older artists that come to me for advice.

2005
01:47:39,479 --> 01:47:42,080
Speaker 1: But I'm gonna start really like making the business because

2006
01:47:42,120 --> 01:47:44,280
Speaker 1: there's things that I give people for free that other

2007
01:47:44,320 --> 01:47:47,720
Speaker 1: people charge for. As far as advice, I do a

2008
01:47:47,800 --> 01:47:50,679
Speaker 1: lot of consulting. I do. I put people in situations

2009
01:47:50,720 --> 01:47:53,120
Speaker 1: where they get deals. Like I've done it, but I

2010
01:47:53,240 --> 01:47:54,960
Speaker 1: do it. I do it because I like to see

2011
01:47:54,960 --> 01:47:58,080
Speaker 1: my people eat too. But at the same time, there's

2012
01:47:58,120 --> 01:47:59,519
Speaker 1: people that I could do that. There's a lot of

2013
01:47:59,600 --> 01:48:04,080
Speaker 1: value exactly exactly looking for artists, this is an excellent question.

2014
01:48:04,800 --> 01:48:07,800
Speaker 1: If you're looking for artists, you're looking at what I'm saying.

2015
01:48:07,920 --> 01:48:11,040
Speaker 1: If you are you looking for the sound that you

2016
01:48:11,200 --> 01:48:16,800
Speaker 1: came from or like again, like today, all the new

2017
01:48:16,920 --> 01:48:19,800
Speaker 1: artists that perform I forgot the girl name. I think,

2018
01:48:20,240 --> 01:48:25,639
Speaker 1: oh she right there. That was a Dutch fatacist. I think,

2019
01:48:26,000 --> 01:48:27,519
Speaker 1: like all the new artists, like you know what the

2020
01:48:27,600 --> 01:48:31,400
Speaker 1: people you know last of your lections. But when she

2021
01:48:31,600 --> 01:48:34,000
Speaker 1: came on, that was the sound that I was looking for.

2022
01:48:34,200 --> 01:48:36,040
Speaker 1: Like I just sat back, I was like, that's hard,

2023
01:48:36,880 --> 01:48:39,160
Speaker 1: you know what I'm saying, Like, but it's not. It's

2024
01:48:39,160 --> 01:48:42,720
Speaker 1: not the sound that I came up to. Are when

2025
01:48:42,760 --> 01:48:44,759
Speaker 1: you look for artists, are you're looking for the new sound,

2026
01:48:45,040 --> 01:48:47,680
Speaker 1: you're looking for the old sound, or you're looking for

2027
01:48:47,760 --> 01:48:52,800
Speaker 1: just what's hot. First of all, hot people that look

2028
01:48:52,880 --> 01:48:55,560
Speaker 1: for how I always fail. Right for every label that

2029
01:48:55,640 --> 01:48:58,960
Speaker 1: signed a hot artists, show me ten labels that signed

2030
01:48:59,040 --> 01:49:02,200
Speaker 1: how artists. I would show you ten labels that's probably

2031
01:49:02,280 --> 01:49:04,719
Speaker 1: funked up those artists careers or failed with those artists.

2032
01:49:05,000 --> 01:49:10,040
Speaker 1: Because in life, anything that is hot cools off. So

2033
01:49:11,200 --> 01:49:13,000
Speaker 1: when I when I when I when I see an

2034
01:49:13,080 --> 01:49:16,280
Speaker 1: artist or somebody that catches my attention, it's not even

2035
01:49:16,439 --> 01:49:21,080
Speaker 1: just skill because I'm looking for skill if it's for

2036
01:49:21,160 --> 01:49:23,760
Speaker 1: my personal appreciation, like if I want to listen to something,

2037
01:49:24,000 --> 01:49:26,040
Speaker 1: But as an artist, it has to be a total

2038
01:49:26,120 --> 01:49:31,200
Speaker 1: package because peak skill can be boring at times. You

2039
01:49:31,240 --> 01:49:33,160
Speaker 1: could be you could say some of the doper ship ever,

2040
01:49:33,240 --> 01:49:36,960
Speaker 1: but be boring. So as an artist, you have to

2041
01:49:37,080 --> 01:49:39,880
Speaker 1: have a package. You have to have a pill. As

2042
01:49:39,920 --> 01:49:43,040
Speaker 1: a person, you have to have character, you have to

2043
01:49:43,120 --> 01:49:46,360
Speaker 1: have skill, and then you have to have marketability. How

2044
01:49:46,520 --> 01:49:49,200
Speaker 1: marketable is this person. That's because at the end of

2045
01:49:49,240 --> 01:49:51,920
Speaker 1: the day, we don't sign people for glory. We signed

2046
01:49:51,960 --> 01:49:54,560
Speaker 1: up for a business, so I'm gonna invest in you.

2047
01:49:55,160 --> 01:49:58,280
Speaker 1: So I have to get my investment back. So the

2048
01:49:58,360 --> 01:50:00,840
Speaker 1: first artist I ever saw was Nya. I had had

2049
01:50:00,840 --> 01:50:03,760
Speaker 1: a Puerto Rican rapper named Danya. She was on my

2050
01:50:03,880 --> 01:50:08,120
Speaker 1: Leagals album. But I had a buzzing crazy she she's

2051
01:50:08,120 --> 01:50:10,880
Speaker 1: about to come back. I'm s had a buzzing so crazy,

2052
01:50:11,479 --> 01:50:14,760
Speaker 1: like big Big Labels was calling me about her. But

2053
01:50:15,840 --> 01:50:19,640
Speaker 1: um then, um, she had a couple of babies and

2054
01:50:19,680 --> 01:50:21,080
Speaker 1: she you know, she started doing her own thing. So

2055
01:50:21,080 --> 01:50:23,040
Speaker 1: I let her do her own thing. But when you know,

2056
01:50:23,120 --> 01:50:25,400
Speaker 1: I'm the type person when you're ready, will work. But

2057
01:50:25,920 --> 01:50:29,400
Speaker 1: I know I know how to market artists. And when

2058
01:50:29,439 --> 01:50:32,880
Speaker 1: I when you work with an artist, when you're a rapper,

2059
01:50:33,640 --> 01:50:36,599
Speaker 1: you can't wear both hats. Sometimes you have to take off.

2060
01:50:36,960 --> 01:50:38,840
Speaker 1: You take off your rapper hat when you're dealing with

2061
01:50:38,960 --> 01:50:41,759
Speaker 1: your artists, Like you want your artists to be bigger

2062
01:50:41,800 --> 01:50:44,320
Speaker 1: than you, unless you just wanted, unless you want to

2063
01:50:44,360 --> 01:50:47,160
Speaker 1: stagnate yourself, like I told her, you're gonna be bigger

2064
01:50:47,200 --> 01:50:49,680
Speaker 1: than me. Y'allda YadA yalla. So when I when I

2065
01:50:49,720 --> 01:50:52,000
Speaker 1: see an artist, if the artists don't, I don't care

2066
01:50:52,040 --> 01:50:54,679
Speaker 1: how dope they are, but I want the whole package,

2067
01:50:54,760 --> 01:50:57,840
Speaker 1: Like how how how much of impacting this artists have

2068
01:50:57,960 --> 01:51:00,800
Speaker 1: or how marketable is this artist? Like if you marketable

2069
01:51:01,160 --> 01:51:03,639
Speaker 1: and you dope, and that's an investment, but if you're

2070
01:51:03,680 --> 01:51:06,080
Speaker 1: just dope, that might just be a that's just good

2071
01:51:06,120 --> 01:51:08,320
Speaker 1: just for the neighborhood. I'm trying to do the world.

2072
01:51:09,000 --> 01:51:12,439
Speaker 1: But um, it feels like the Aposta in Corey, I

2073
01:51:12,520 --> 01:51:14,360
Speaker 1: want you in on this because it feels like the

2074
01:51:14,400 --> 01:51:18,240
Speaker 1: atmosphere has changed right now. All the latest artists they

2075
01:51:18,280 --> 01:51:23,200
Speaker 1: have different color hair, ships changed a lot they have

2076
01:51:23,520 --> 01:51:29,000
Speaker 1: like you know, yeah, it's it's type persons like vers

2077
01:51:30,479 --> 01:51:34,000
Speaker 1: Is that's something you either y'all ever get out Corey,

2078
01:51:34,160 --> 01:51:35,559
Speaker 1: Like you know, you've been in the game so long

2079
01:51:35,600 --> 01:51:37,120
Speaker 1: you can have an artist, you know what I'm saying.

2080
01:51:37,600 --> 01:51:40,640
Speaker 1: So is that something like because at the end of

2081
01:51:40,680 --> 01:51:42,840
Speaker 1: the day, I don't care how you look, I don't

2082
01:51:42,880 --> 01:51:46,639
Speaker 1: care what your whatever, your preferences. If you make dope music,

2083
01:51:47,040 --> 01:51:50,560
Speaker 1: I'm in dope music. And that's what this generation is

2084
01:51:50,640 --> 01:51:53,920
Speaker 1: leaning towards. Is that anything you would ever get with, like,

2085
01:51:54,000 --> 01:51:58,880
Speaker 1: you know, just person with different color hair and you know,

2086
01:51:59,000 --> 01:52:02,360
Speaker 1: just different people, Like it's not about a girl. You're

2087
01:52:02,360 --> 01:52:06,000
Speaker 1: talking about girl if it's a girl with different color here, yeah,

2088
01:52:09,680 --> 01:52:13,280
Speaker 1: right now. The hot people that's dudes have like this

2089
01:52:13,400 --> 01:52:16,320
Speaker 1: ship Yeah yeah, this is like a couple of them.

2090
01:52:16,520 --> 01:52:18,640
Speaker 1: Let me tell you what hot doesn't mean nothing A

2091
01:52:18,800 --> 01:52:23,160
Speaker 1: right look at me, for I'm a perfect example. If

2092
01:52:23,200 --> 01:52:24,920
Speaker 1: you look at old artists that was hot while I

2093
01:52:25,000 --> 01:52:27,040
Speaker 1: was on the shelf, and you know what I'm saying,

2094
01:52:27,080 --> 01:52:28,720
Speaker 1: they was doing their numbers and I was felling, like

2095
01:52:29,120 --> 01:52:31,120
Speaker 1: my life, I'm out just go bump again. You know

2096
01:52:31,240 --> 01:52:34,320
Speaker 1: the hustle again. Way they are right there where I'm

2097
01:52:34,320 --> 01:52:37,720
Speaker 1: at right now. They can't even get a show. I

2098
01:52:37,840 --> 01:52:39,559
Speaker 1: know all that that was hot that can't even get

2099
01:52:39,560 --> 01:52:44,120
Speaker 1: an indie deal. So it's like hot hot doesn't pay

2100
01:52:44,160 --> 01:52:48,920
Speaker 1: the rent yo, consistency and you have to you have

2101
01:52:49,040 --> 01:52:51,400
Speaker 1: to know what your market is. It's like yo, like

2102
01:52:51,520 --> 01:52:53,599
Speaker 1: back in the day to do that self. We ain't

2103
01:52:53,600 --> 01:52:56,760
Speaker 1: gonna go to a crack house. So it's like you

2104
01:52:56,880 --> 01:52:59,760
Speaker 1: gotta know who you're selling your material to. You have

2105
01:52:59,880 --> 01:53:03,120
Speaker 1: to go between a career and a moment. Exactly. A

2106
01:53:03,200 --> 01:53:06,800
Speaker 1: lot of dudes have moments. I don't, but a moment,

2107
01:53:06,960 --> 01:53:09,040
Speaker 1: it's only a moment. A moment is not going to

2108
01:53:09,160 --> 01:53:11,679
Speaker 1: carry you. So you know what I'm saying, certain audiences,

2109
01:53:11,800 --> 01:53:15,040
Speaker 1: we talk about career exactly. Career career, you over, that's

2110
01:53:15,040 --> 01:53:16,840
Speaker 1: what makes you a llegen. When you over ten years,

2111
01:53:17,320 --> 01:53:19,200
Speaker 1: you're getting money. Like I tell rappers a lot of

2112
01:53:19,479 --> 01:53:21,599
Speaker 1: no no. Case Slate tell rappers a lot of time.

2113
01:53:21,680 --> 01:53:23,760
Speaker 1: I'll listen to Case Slate show and he'd be like,

2114
01:53:24,080 --> 01:53:26,840
Speaker 1: if you ain't paying your bills to your ship, then

2115
01:53:26,960 --> 01:53:31,080
Speaker 1: it's not a fucking jrawball career. That's real. That's true.

2116
01:53:31,240 --> 01:53:35,960
Speaker 1: Case Slave is an unstung hero because Kase Slave is

2117
01:53:36,000 --> 01:53:38,920
Speaker 1: one of the dudes that give the voiceless a voice,

2118
01:53:39,280 --> 01:53:40,920
Speaker 1: because there's a lot of people that can't get on

2119
01:53:40,960 --> 01:53:43,639
Speaker 1: the radio at all. Or you know what I'm saying,

2120
01:53:44,000 --> 01:53:49,040
Speaker 1: Big Oka Slave speak to Case Slaying two months and

2121
01:53:49,080 --> 01:53:51,360
Speaker 1: he still plays my record. I'll be even calling him

2122
01:53:51,560 --> 01:53:53,880
Speaker 1: and saying, you're playing man, thank you, Calay. I might

2123
01:53:53,960 --> 01:53:56,559
Speaker 1: to call you and say, yo, think I've been so busy.

2124
01:53:56,960 --> 01:54:00,160
Speaker 1: He's last too much. But whatever record we blast out,

2125
01:54:00,200 --> 01:54:03,840
Speaker 1: he immediately plays it. Kase Slate, thank you so much.

2126
01:54:03,920 --> 01:54:06,320
Speaker 1: Man was in wild style, Man, come on, he was.

2127
01:54:07,320 --> 01:54:11,840
Speaker 1: Kay Slave still got the same glasses, right glass, Let

2128
01:54:11,880 --> 01:54:14,200
Speaker 1: me say something about Kate. Ain't go front as her.

2129
01:54:14,280 --> 01:54:15,960
Speaker 1: Let me say something about Kate slave while nicks need

2130
01:54:16,000 --> 01:54:18,439
Speaker 1: to fall back and give him, give him props, especially

2131
01:54:18,479 --> 01:54:22,680
Speaker 1: if you love the culture, because I've seen it's a

2132
01:54:22,720 --> 01:54:24,720
Speaker 1: competitive game. You might have DJs wanting to be better

2133
01:54:24,800 --> 01:54:30,880
Speaker 1: or out out. Listen to this. Kase Slate is a legend.

2134
01:54:31,760 --> 01:54:38,480
Speaker 1: It didn't pass your surrey. Okay, slates are let's want

2135
01:54:38,480 --> 01:54:44,560
Speaker 1: to smoke with me. Just that's why you gotta drinking

2136
01:54:44,680 --> 01:54:47,360
Speaker 1: my ties. You don't have one drink for the realness

2137
01:54:47,440 --> 01:54:49,440
Speaker 1: one drinkers looks mad. We put some ice in it

2138
01:54:49,520 --> 01:54:51,920
Speaker 1: for you. It was like for the realness the Dolly

2139
01:54:52,000 --> 01:54:55,800
Speaker 1: Lama drinking. You show me f into the Dolly Lama

2140
01:54:55,880 --> 01:55:02,920
Speaker 1: drinking with you. I'll drink slay not. Can I say

2141
01:55:05,400 --> 01:55:11,160
Speaker 1: that guy's coped Tyler drink right live his gangster on

2142
01:55:11,200 --> 01:55:14,080
Speaker 1: the low. Yeah, yeah, I wanted to want you to

2143
01:55:14,200 --> 01:55:16,880
Speaker 1: twinish story. Guys want to say this, it's not even

2144
01:55:16,920 --> 01:55:19,240
Speaker 1: a story. This is the snapoo fact. We're gonna slave,

2145
01:55:19,240 --> 01:55:24,720
Speaker 1: We're gonna case slay, big up case. My nigger is

2146
01:55:24,760 --> 01:55:30,480
Speaker 1: a legend and two different johns of our culture. He's

2147
01:55:30,480 --> 01:55:36,520
Speaker 1: a graffiti legend. Day his graffiti or his legendary legendar,

2148
01:55:36,920 --> 01:55:38,680
Speaker 1: so he could have just been a legend off of that,

2149
01:55:39,680 --> 01:55:42,560
Speaker 1: and he's a legend in this so he's he's the

2150
01:55:42,600 --> 01:55:44,600
Speaker 1: only person I know that's a legend in two fields,

2151
01:55:44,880 --> 01:55:47,680
Speaker 1: our whole culture. So people need to just get that

2152
01:55:47,760 --> 01:55:54,960
Speaker 1: man way more respects. The case slag can slay my

2153
01:55:55,120 --> 01:55:58,000
Speaker 1: nigger calling you to keep playing my right, I only

2154
01:55:58,240 --> 01:56:00,320
Speaker 1: because usually I call it DJ black Yo, this is

2155
01:56:00,360 --> 01:56:02,720
Speaker 1: not okay. I don't got to call him. He just

2156
01:56:02,760 --> 01:56:04,920
Speaker 1: gets the blast. I love you for that case label

2157
01:56:04,960 --> 01:56:09,320
Speaker 1: for where, but maga listen. I've read somewhere, Oh boy,

2158
01:56:10,160 --> 01:56:15,920
Speaker 1: they called you a conscious rap all right, and then

2159
01:56:15,960 --> 01:56:19,600
Speaker 1: I read somewhere they called you a gangster rapper. Do

2160
01:56:19,720 --> 01:56:23,440
Speaker 1: you can see yourself a conscious gangster? That's a dope.

2161
01:56:23,880 --> 01:56:27,880
Speaker 1: That might be an album title. I like that. That's

2162
01:56:27,880 --> 01:56:33,720
Speaker 1: a great question. You're getting better at this ship. Let

2163
01:56:33,760 --> 01:56:36,240
Speaker 1: me say something about no, no, you know what, I'm

2164
01:56:36,280 --> 01:56:39,240
Speaker 1: gonna stay me, Okay, forget me, because if I cut

2165
01:56:39,320 --> 01:56:42,720
Speaker 1: you off, that's I was gonna say all your people

2166
01:56:42,760 --> 01:56:45,840
Speaker 1: that's criticized in nor about cutting the auders off. I

2167
01:56:45,960 --> 01:56:48,320
Speaker 1: want you to do this for a second. Understand this

2168
01:56:50,040 --> 01:56:55,560
Speaker 1: this man built a platform off of audiology. A year ago,

2169
01:56:55,680 --> 01:56:58,280
Speaker 1: there was no Drink Chaps, and you should be glad

2170
01:56:58,320 --> 01:57:01,640
Speaker 1: that it's a fucking drink Drink Chap. As he progresses,

2171
01:57:01,960 --> 01:57:04,960
Speaker 1: he will improve. He's learning on the job. But at

2172
01:57:05,000 --> 01:57:07,080
Speaker 1: the same time he's giving you the number one fucking

2173
01:57:07,120 --> 01:57:14,120
Speaker 1: podcast and I ain't gonna in my mind, I was

2174
01:57:14,280 --> 01:57:17,240
Speaker 1: Olden money because that was like I paid him back, like,

2175
01:57:17,680 --> 01:57:20,240
Speaker 1: oh no, he held me money because that was that's

2176
01:57:20,240 --> 01:57:23,280
Speaker 1: feature is so crazy, man, Thank you so much. I'm proud.

2177
01:57:23,960 --> 01:57:27,280
Speaker 1: I'm I'm proud of you, my brother, because you know

2178
01:57:27,400 --> 01:57:29,160
Speaker 1: why a lot of people don't know your history and

2179
01:57:29,240 --> 01:57:31,960
Speaker 1: I would never get into it. Like one of the

2180
01:57:32,040 --> 01:57:36,360
Speaker 1: first gangsters I was introduced to was late and Cormega

2181
01:57:36,640 --> 01:57:40,640
Speaker 1: and Queen's Bridge and they said he rapped, but he

2182
01:57:40,760 --> 01:57:43,040
Speaker 1: was a gangster, and I was like eleven years old,

2183
01:57:43,160 --> 01:57:44,440
Speaker 1: like you know what I'm saying. So I was like,

2184
01:57:45,000 --> 01:57:47,040
Speaker 1: you know what I mean to just see you because

2185
01:57:47,040 --> 01:57:50,800
Speaker 1: the thing about this life is life. I am about

2186
01:57:50,840 --> 01:57:54,960
Speaker 1: to say rap or music, but life is a marathon,

2187
01:57:55,240 --> 01:57:58,800
Speaker 1: no doubt, so it doesn't matter how hard you catch on.

2188
01:57:59,160 --> 01:58:01,760
Speaker 1: She's the one thing I love about DJ Envy is

2189
01:58:01,800 --> 01:58:04,520
Speaker 1: when he until he kept saying, you're you charge me Nori,

2190
01:58:05,000 --> 01:58:07,640
Speaker 1: and then but you gotta realize what he said after that,

2191
01:58:08,240 --> 01:58:10,000
Speaker 1: as I said, I don't know how long I would

2192
01:58:10,000 --> 01:58:14,040
Speaker 1: be hot, and every hustle I ever had, I was

2193
01:58:14,120 --> 01:58:16,440
Speaker 1: hot for a second if I move on, So I'm

2194
01:58:16,440 --> 01:58:19,800
Speaker 1: always scared. So I do something and then I move

2195
01:58:19,880 --> 01:58:23,240
Speaker 1: on and I move on. So that's why I got

2196
01:58:23,320 --> 01:58:25,640
Speaker 1: like seven lives and this ship. People don't realize that

2197
01:58:25,680 --> 01:58:31,040
Speaker 1: I was Spanish on these niggas as well. Turn Spanish like,

2198
01:58:31,560 --> 01:58:33,920
Speaker 1: I'll do what I gotta do, do what I gotta do.

2199
01:58:34,920 --> 01:58:37,480
Speaker 1: Because I've never borrowed money. I don't know what that

2200
01:58:37,520 --> 01:58:40,040
Speaker 1: feels like to, you know, but but I gotta say something.

2201
01:58:40,120 --> 01:58:42,320
Speaker 1: Has half of the drink Champs as well, Yes, because

2202
01:58:42,400 --> 01:58:44,680
Speaker 1: because I feel like and listen, I always knew no,

2203
01:58:44,800 --> 01:58:47,120
Speaker 1: it was great for this. That's why we pushed for

2204
01:58:47,160 --> 01:58:51,880
Speaker 1: this to happen. But I represent the DJ that that's

2205
01:58:52,040 --> 01:58:54,880
Speaker 1: always been in the background, that's always worked up wrapper

2206
01:58:54,960 --> 01:58:57,880
Speaker 1: in the DJA new Ever being around here, I always

2207
01:58:57,920 --> 01:59:00,200
Speaker 1: sat right d like for first, you know, there's a

2208
01:59:00,240 --> 01:59:03,160
Speaker 1: lot of celebrity DJs out there, but there's thousands of

2209
01:59:03,240 --> 01:59:06,000
Speaker 1: DJs across the country and across the world that have

2210
01:59:06,120 --> 01:59:10,000
Speaker 1: helped build careers for artists. You know, I'm a mixtape DJ.

2211
01:59:10,160 --> 01:59:12,480
Speaker 1: There's mix show DJs and and we didn't have voices.

2212
01:59:12,520 --> 01:59:15,000
Speaker 1: You know, we weren't celebrity djun Harold did. Yeah, we

2213
01:59:15,080 --> 01:59:17,000
Speaker 1: did our work and then that's what I feel my

2214
01:59:17,200 --> 01:59:19,200
Speaker 1: role in this is, you know, we built this together.

2215
01:59:19,320 --> 01:59:21,640
Speaker 1: But I always knew that he had the talent for this,

2216
01:59:21,920 --> 01:59:24,120
Speaker 1: like this is this is this is natural for no

2217
01:59:24,720 --> 01:59:27,280
Speaker 1: But I said that to somebody about Norio so I

2218
01:59:27,400 --> 01:59:31,080
Speaker 1: said recently, I said, um, because you know what sun

2219
01:59:31,200 --> 01:59:34,600
Speaker 1: happens in our genre, everybody copies. I was like, this

2220
01:59:34,800 --> 01:59:37,280
Speaker 1: is one thing people better not try to copy because

2221
01:59:37,560 --> 01:59:41,360
Speaker 1: already but they're gonna fail. And you know why he's

2222
01:59:41,400 --> 01:59:43,920
Speaker 1: even beating out some of the other podcasts. You gotta

2223
01:59:43,920 --> 01:59:47,760
Speaker 1: they gotta understand one. Two things. For one, he's a rapper,

2224
01:59:48,440 --> 01:59:50,840
Speaker 1: so he got a different kind of relationships in history

2225
01:59:50,920 --> 01:59:56,680
Speaker 1: with people. Right, he's very small to one of the

2226
01:59:56,760 --> 02:00:00,560
Speaker 1: things that Nory has always had about him that carried

2227
02:00:00,680 --> 02:00:06,080
Speaker 1: him even more than than skill, he got personality. Hum So,

2228
02:00:06,360 --> 02:00:10,800
Speaker 1: as we said earlier, skill isn't always it. He has personality.

2229
02:00:11,400 --> 02:00:15,000
Speaker 1: There's not no blocker that has his personality. So some

2230
02:00:15,160 --> 02:00:17,560
Speaker 1: of them is doing this. Some some people want to

2231
02:00:17,600 --> 02:00:20,600
Speaker 1: be stars. They're doing this to be stars. He's already

2232
02:00:20,640 --> 02:00:24,000
Speaker 1: a star, so he has a personality and he's likable.

2233
02:00:24,360 --> 02:00:26,800
Speaker 1: You can't match that absolute. I'm gonna just try. He

2234
02:00:26,920 --> 02:00:28,839
Speaker 1: never take it, but I'm gonna try. I'm just passing

2235
02:00:28,880 --> 02:00:30,880
Speaker 1: the blood. Just tell me you did har arily. It

2236
02:00:30,920 --> 02:00:34,000
Speaker 1: makes me feel It makes me feel better. It makes

2237
02:00:34,080 --> 02:00:38,840
Speaker 1: me feel better. But you know the thing about what

2238
02:00:39,000 --> 02:00:41,000
Speaker 1: I what I want to explain to people when when

2239
02:00:41,040 --> 02:00:44,440
Speaker 1: people break down the journalist, like although I did take

2240
02:00:44,880 --> 02:00:47,400
Speaker 1: journalists classes, but I never want to be a journalist.

2241
02:00:47,680 --> 02:00:49,960
Speaker 1: You know why journalist? That's a secret? Did take it?

2242
02:00:50,040 --> 02:00:52,200
Speaker 1: It wasn't. It'sn't jail. I'm sorry. I don't want to

2243
02:00:52,200 --> 02:00:54,360
Speaker 1: go there. I want to go there, but I just

2244
02:00:54,400 --> 02:00:56,440
Speaker 1: want to tell you, like when you when you did

2245
02:00:56,480 --> 02:00:59,840
Speaker 1: with a journalist, a journalist will never funk with you,

2246
02:01:00,920 --> 02:01:03,320
Speaker 1: because what I mean is they'll that when they do

2247
02:01:03,400 --> 02:01:07,680
Speaker 1: the interview with you, they'll get you. They'll they'll promote

2248
02:01:07,720 --> 02:01:12,080
Speaker 1: you that week, they'll be retweeting everything you're doing. They're

2249
02:01:12,120 --> 02:01:14,680
Speaker 1: doing that, but then guess what after that week is

2250
02:01:14,760 --> 02:01:20,040
Speaker 1: over your number and their number is a rat because

2251
02:01:20,080 --> 02:01:24,160
Speaker 1: the journalists could never be friends with an artist because

2252
02:01:24,440 --> 02:01:27,600
Speaker 1: when it comes time to shoot on you, they can't

2253
02:01:27,640 --> 02:01:31,760
Speaker 1: be close to you. You understand what I'm saying. So

2254
02:01:31,920 --> 02:01:34,480
Speaker 1: that's the reason why I mean and I'm I'm this

2255
02:01:34,640 --> 02:01:37,400
Speaker 1: is a science. I'm breaking out. I believe in science,

2256
02:01:39,000 --> 02:01:43,760
Speaker 1: and in science, no journalist, like there's very few journalists

2257
02:01:43,920 --> 02:01:46,800
Speaker 1: that you can be close to, Like a Rob Marksman.

2258
02:01:47,560 --> 02:01:49,600
Speaker 1: That's a guy we need to step back and sir

2259
02:01:49,760 --> 02:01:53,720
Speaker 1: lope because that guy is about real hip hop and

2260
02:01:53,800 --> 02:01:59,240
Speaker 1: if people report something that is, he's gonna stand by Payne.

2261
02:02:02,920 --> 02:02:06,960
Speaker 1: There's a lot of real journalists out there, journalistic integrity,

2262
02:02:07,680 --> 02:02:10,120
Speaker 1: but we know we don't have to. That's not my man.

2263
02:02:10,320 --> 02:02:19,080
Speaker 1: Doggy Diamonds, Doggie Diamonds the Street, but that's and he

2264
02:02:19,160 --> 02:02:21,880
Speaker 1: got a great podcast out there called No Filter. Pick

2265
02:02:22,000 --> 02:02:25,000
Speaker 1: that up. But besides that, some people don't know what

2266
02:02:25,120 --> 02:02:27,200
Speaker 1: they do to say, Like Doggie Diamonds, I sit on

2267
02:02:27,320 --> 02:02:29,920
Speaker 1: this phone with this nigga, I speak hip hop for

2268
02:02:30,040 --> 02:02:32,440
Speaker 1: two hours and I realized, Yo, I gotta get off.

2269
02:02:32,720 --> 02:02:34,640
Speaker 1: I gotta eat, Like you know what I'm saying, Like,

2270
02:02:35,000 --> 02:02:39,120
Speaker 1: there's many spear hip hop. These people don't care about

2271
02:02:40,240 --> 02:02:43,160
Speaker 1: that journalist. Oh, let me get hot and get some clicks.

2272
02:02:43,440 --> 02:02:46,400
Speaker 1: Those are the people I respect, right there, those people,

2273
02:02:46,520 --> 02:02:49,640
Speaker 1: the rob marks and the doggy diamonds. Is because it's

2274
02:02:49,680 --> 02:02:53,440
Speaker 1: about their integrity as opposed and just just just think

2275
02:02:53,480 --> 02:02:56,560
Speaker 1: about it. I've been, I've been in this game. I'll

2276
02:02:56,600 --> 02:03:02,920
Speaker 1: be twenty years at uh two was seventeen, okay, right?

2277
02:03:04,200 --> 02:03:06,920
Speaker 1: A journalist ain't never really trying to be your friend.

2278
02:03:07,400 --> 02:03:10,480
Speaker 1: And they make it clear they'll give you their email.

2279
02:03:10,560 --> 02:03:14,560
Speaker 1: They don't give you their phone number because phone numbers personal.

2280
02:03:15,400 --> 02:03:17,440
Speaker 1: So if you gotta do this phone number, still, watch

2281
02:03:17,520 --> 02:03:21,320
Speaker 1: out because there's twenty and sixteen. It's very different. They're

2282
02:03:21,360 --> 02:03:22,960
Speaker 1: just trying to get you to come and because they're

2283
02:03:22,960 --> 02:03:25,520
Speaker 1: trying to get ratings. But after that week it is over,

2284
02:03:25,680 --> 02:03:28,400
Speaker 1: after that day is over, they go right back because

2285
02:03:28,440 --> 02:03:30,520
Speaker 1: you know why, they might have to shoot on you.

2286
02:03:30,640 --> 02:03:35,080
Speaker 1: If your baby mother falls a lawsuit against you, they

2287
02:03:35,200 --> 02:03:38,720
Speaker 1: might have to. You know, this is what it is.

2288
02:03:38,880 --> 02:03:43,320
Speaker 1: We're here, We're not journalists, we're motherfucking your friends. And

2289
02:03:43,400 --> 02:03:46,240
Speaker 1: this is why when people say I'm cutting some guests off,

2290
02:03:46,360 --> 02:03:49,160
Speaker 1: some guests don't, I mean, some people don't understand that

2291
02:03:49,440 --> 02:03:52,200
Speaker 1: I know these fuckers. And when they're about to say

2292
02:03:52,400 --> 02:03:54,440
Speaker 1: they're about to shoot on one of my other friends.

2293
02:03:54,480 --> 02:03:59,240
Speaker 1: I'm saying, hey, well, because that's not what this is for.

2294
02:03:59,400 --> 02:04:00,800
Speaker 1: I don't want to they gonna come on here and

2295
02:04:00,840 --> 02:04:03,880
Speaker 1: shoot on nobody. Like when I asked you questions about NASA,

2296
02:04:04,000 --> 02:04:06,120
Speaker 1: the Firm, or even Steve Style, I didn't want to

2297
02:04:06,200 --> 02:04:08,360
Speaker 1: diss them. I didn't want to put them out there

2298
02:04:08,560 --> 02:04:10,600
Speaker 1: because it was NASA is my nigga. I got love

2299
02:04:10,680 --> 02:04:12,600
Speaker 1: of Steve Style. I haven't seen him in a long time.

2300
02:04:12,680 --> 02:04:15,120
Speaker 1: But what I'm saying is people don't need to understand

2301
02:04:15,160 --> 02:04:18,160
Speaker 1: these stories because these stories are history. This is not

2302
02:04:18,280 --> 02:04:21,640
Speaker 1: something that we're making up. This is something that should

2303
02:04:21,680 --> 02:04:24,360
Speaker 1: be enforced, not because we're trying to put people out there,

2304
02:04:24,440 --> 02:04:28,280
Speaker 1: because other people can avoid these steps in their career.

2305
02:04:29,360 --> 02:04:32,040
Speaker 1: A guy came out to me earlier. We're sitting out there,

2306
02:04:32,080 --> 02:04:34,320
Speaker 1: I'm about to watch you perform. I told him immediately.

2307
02:04:34,720 --> 02:04:37,080
Speaker 1: He said to me, I said, my man, I got

2308
02:04:37,160 --> 02:04:41,000
Speaker 1: to watch my nigga perform. Elliott Wilson trained again, but

2309
02:04:41,160 --> 02:04:42,880
Speaker 1: he said to me, I said, I gotta watch my

2310
02:04:43,000 --> 02:04:48,480
Speaker 1: man performing in And he said to me, are you

2311
02:04:48,600 --> 02:04:53,840
Speaker 1: accepting are you accepting new artists on your platform, and

2312
02:04:53,960 --> 02:04:57,480
Speaker 1: I said no, not because I was trying to be disrespectful.

2313
02:04:57,880 --> 02:05:00,960
Speaker 1: But you got these other places. You got the hot

2314
02:05:01,080 --> 02:05:04,120
Speaker 1: nineties sevens, you got the Power one oh five, you

2315
02:05:04,240 --> 02:05:07,760
Speaker 1: got the fucking you know what I'm saying. I don't

2316
02:05:07,800 --> 02:05:10,840
Speaker 1: know these other people. You got these, But I want

2317
02:05:10,880 --> 02:05:14,040
Speaker 1: to I want to cater to the fucking legends. I

2318
02:05:14,120 --> 02:05:16,560
Speaker 1: want to care to niggas I know about. I want

2319
02:05:16,600 --> 02:05:18,880
Speaker 1: to care to questions I know. I don't google shit.

2320
02:05:20,400 --> 02:05:24,560
Speaker 1: I want to respect people that I respect. There's a difference,

2321
02:05:25,040 --> 02:05:29,080
Speaker 1: don't There's a difference a Q and A. You know

2322
02:05:29,280 --> 02:05:30,880
Speaker 1: that you want to press run and you go and

2323
02:05:30,920 --> 02:05:33,440
Speaker 1: you do your Q and A. We don't to promote

2324
02:05:33,480 --> 02:05:36,720
Speaker 1: your ship. What we're trying to build here is conversations

2325
02:05:36,720 --> 02:05:41,840
Speaker 1: amongst colleagues, and that's and you know, authenticity amongst that,

2326
02:05:42,040 --> 02:05:44,000
Speaker 1: Like colleagues are just talking with each other, and the

2327
02:05:44,120 --> 02:05:46,200
Speaker 1: fan and the listener is a fly on the wall

2328
02:05:46,200 --> 02:05:48,480
Speaker 1: and they're hearing something that they obviously they wouldn't have

2329
02:05:48,560 --> 02:05:51,040
Speaker 1: heard otherwise. And that's what we're trying to build here.

2330
02:05:51,640 --> 02:05:56,520
Speaker 1: Definitely doing some different for the game and and and yeah,

2331
02:05:56,600 --> 02:06:00,440
Speaker 1: definitely yeah, changing it and turning it up. Like I said,

2332
02:06:00,480 --> 02:06:03,440
Speaker 1: I was. I've been a fan first, Like before I

2333
02:06:03,560 --> 02:06:06,960
Speaker 1: even we we got our own personal relationships. I grew

2334
02:06:07,040 --> 02:06:09,280
Speaker 1: up listening to Noor. You know what I'm saying. We

2335
02:06:09,360 --> 02:06:12,480
Speaker 1: got our own personal relationships outside of that. But I

2336
02:06:12,600 --> 02:06:15,960
Speaker 1: watch all of your interviews man, like that's why I'm

2337
02:06:16,000 --> 02:06:19,880
Speaker 1: like down and chopping up with y'all. Thank you for

2338
02:06:20,280 --> 02:06:23,400
Speaker 1: I appreciate it, man, y'all definitely both y'all, thank you

2339
02:06:23,520 --> 02:06:25,320
Speaker 1: very And the thing they're doing, you know, how to

2340
02:06:25,400 --> 02:06:27,760
Speaker 1: drink Champs on me is so crazy because they've been

2341
02:06:27,840 --> 02:06:30,640
Speaker 1: hitting us for a week because because you've been promoting

2342
02:06:30,720 --> 02:06:33,760
Speaker 1: it that you've been out here. Yeah, they've been. They've

2343
02:06:33,760 --> 02:06:36,040
Speaker 1: been telling y'all like, yo, you know, they lyned y'all up,

2344
02:06:36,120 --> 02:06:37,920
Speaker 1: Like I'm gonna let y'all know the drink Champs. I'm

2345
02:06:37,960 --> 02:06:40,240
Speaker 1: not lying, y'all up, but in the foul way. But

2346
02:06:40,920 --> 02:06:43,280
Speaker 1: as soon as y'all start promoting this show, like these

2347
02:06:43,320 --> 02:06:46,600
Speaker 1: people requested that y'all guys come on here, I've seen

2348
02:06:46,640 --> 02:06:49,600
Speaker 1: it all instance No, not listen, Mega, y'all listen shout

2349
02:06:49,600 --> 02:06:54,000
Speaker 1: out to the only man serious. But Mega, like, um,

2350
02:06:55,080 --> 02:06:58,320
Speaker 1: I can't leave here without truly acknowledging that you're a

2351
02:06:58,440 --> 02:07:01,080
Speaker 1: legend man, Because if you want to be humble and

2352
02:07:01,120 --> 02:07:03,040
Speaker 1: you don't want to say you're a legend, let me

2353
02:07:03,120 --> 02:07:09,360
Speaker 1: say it for you. I'll say ahead. I'm way more

2354
02:07:09,480 --> 02:07:13,880
Speaker 1: thankful and appreciative to my fans than I've ever been. Um,

2355
02:07:14,120 --> 02:07:16,880
Speaker 1: it's seven like you grew up. Like before we get

2356
02:07:16,960 --> 02:07:18,800
Speaker 1: up out of here. That night, I met you in

2357
02:07:18,920 --> 02:07:21,400
Speaker 1: Queen's Bridge. I've seen you in Queen's Bridge. We were

2358
02:07:21,440 --> 02:07:24,720
Speaker 1: out there. Wow, my nights in the morning. I've never

2359
02:07:24,800 --> 02:07:27,200
Speaker 1: seen you more at peace at that time, Like, yeah,

2360
02:07:27,240 --> 02:07:29,720
Speaker 1: we broke down, yeah, but it seemed like nothing like

2361
02:07:29,840 --> 02:07:32,720
Speaker 1: I remember something said like it was like a little drama,

2362
02:07:32,800 --> 02:07:34,480
Speaker 1: Like not not drama, you know what I mean, but

2363
02:07:34,760 --> 02:07:36,680
Speaker 1: like something that came up and then you were just

2364
02:07:36,840 --> 02:07:39,520
Speaker 1: so at peace. I've never seen you that much at peace.

2365
02:07:40,560 --> 02:07:42,160
Speaker 1: That because of the religion, because you did have the

2366
02:07:42,240 --> 02:07:43,600
Speaker 1: crown on. So in my mind I was like, this

2367
02:07:43,680 --> 02:07:45,960
Speaker 1: thing is a Muslim for it. It might be because

2368
02:07:46,040 --> 02:07:48,240
Speaker 1: of that. It might be because of that, but it's

2369
02:07:48,280 --> 02:07:53,880
Speaker 1: also because it's like, um, I think the older you get,

2370
02:07:53,920 --> 02:07:55,480
Speaker 1: you're supposed to get wise and if you don't get

2371
02:07:55,520 --> 02:07:58,920
Speaker 1: wise up as you get older than you're just aging.

2372
02:07:59,280 --> 02:08:06,320
Speaker 1: But so also um where power comes responsibility. So it's

2373
02:08:06,360 --> 02:08:09,040
Speaker 1: like this is not like, let's just have beef right now.

2374
02:08:09,320 --> 02:08:11,640
Speaker 1: The old like, if let's say we need the hood

2375
02:08:11,640 --> 02:08:13,800
Speaker 1: and I got beat, the old me would be like, yo,

2376
02:08:14,200 --> 02:08:17,360
Speaker 1: get that the new me if I really got beef

2377
02:08:17,400 --> 02:08:19,720
Speaker 1: with somebody. First of all, the average person that's in

2378
02:08:19,760 --> 02:08:23,880
Speaker 1: the street that's not a thinker. It is predictable. So

2379
02:08:24,360 --> 02:08:26,720
Speaker 1: I know, all I gotta do is know your habits

2380
02:08:27,240 --> 02:08:29,000
Speaker 1: and I'll get you. I could get you a year

2381
02:08:29,080 --> 02:08:30,880
Speaker 1: later because you're gonna stand in the same place. You

2382
02:08:30,960 --> 02:08:32,960
Speaker 1: don't gonna drink at the same place, You're gonna hang

2383
02:08:33,040 --> 02:08:35,080
Speaker 1: in the same circles. So I could wait a year

2384
02:08:35,160 --> 02:08:37,480
Speaker 1: or two and get you as opposed to just I'm

2385
02:08:37,480 --> 02:08:40,360
Speaker 1: getting them right now. So I'm wise up. So the

2386
02:08:40,480 --> 02:08:42,520
Speaker 1: wiser you get, the moment you get, but the more

2387
02:08:42,600 --> 02:08:44,960
Speaker 1: dangerous you get too. At the same time, but the

2388
02:08:45,040 --> 02:08:49,880
Speaker 1: reason I'm at pieces also, like I said, before I

2389
02:08:50,000 --> 02:08:55,600
Speaker 1: started win my life in my situations, like a lot

2390
02:08:55,640 --> 02:08:57,280
Speaker 1: of the beasts I got to on the street wasn't

2391
02:08:57,280 --> 02:08:59,600
Speaker 1: even my beef. I was like, damn, I had people

2392
02:08:59,680 --> 02:09:02,200
Speaker 1: this dude because I popped off for my for this dude,

2393
02:09:02,240 --> 02:09:04,560
Speaker 1: that's my man. And I had be with this dude.

2394
02:09:05,000 --> 02:09:07,600
Speaker 1: Because this dude happy for them, it's never really me.

2395
02:09:08,080 --> 02:09:11,560
Speaker 1: So now I started mounding my business like if somebody

2396
02:09:11,760 --> 02:09:14,320
Speaker 1: that that's cool with me, So I was like cool

2397
02:09:14,400 --> 02:09:18,000
Speaker 1: with me. I separated cool from my man just because

2398
02:09:18,000 --> 02:09:20,320
Speaker 1: you're cool to me and you're my man, you know

2399
02:09:20,360 --> 02:09:23,040
Speaker 1: what I'm saying. So it's like if you're I'm not

2400
02:09:23,200 --> 02:09:25,520
Speaker 1: jumping into everybody's beach. Because at the end of the day,

2401
02:09:25,840 --> 02:09:28,840
Speaker 1: when I was up North, like some of my rhyms

2402
02:09:28,840 --> 02:09:32,320
Speaker 1: ain't even rhymes, it's just testimony, I said on the

2403
02:09:32,360 --> 02:09:34,880
Speaker 1: Realness interest, I said when I was up north gaining

2404
02:09:35,000 --> 02:09:38,400
Speaker 1: weight but lacking friends, you know saying, I said, niggas

2405
02:09:38,400 --> 02:09:40,200
Speaker 1: act like they were sending me packages when I was

2406
02:09:40,320 --> 02:09:45,600
Speaker 1: up north gaining weight and lacking friends. Yo, don't take

2407
02:09:45,680 --> 02:09:49,080
Speaker 1: my word and ask any rap as Capone. Everybody would

2408
02:09:49,080 --> 02:09:52,080
Speaker 1: take this. Jay Rock said it in my documentary Mega

2409
02:09:52,160 --> 02:09:54,720
Speaker 1: brought the Flying Nte to the hood, Like I used

2410
02:09:54,720 --> 02:09:58,440
Speaker 1: to dress like an uptown nigga slash Brooklyn nigga. Like

2411
02:09:58,840 --> 02:10:02,480
Speaker 1: I had guccy sneakers when I was seventeen sixteen, sneakers plural,

2412
02:10:02,640 --> 02:10:04,800
Speaker 1: not prepare, Like you know what I'm saying, so it's

2413
02:10:04,840 --> 02:10:08,880
Speaker 1: like like, um, so it's like I'm a fly dude.

2414
02:10:08,920 --> 02:10:10,680
Speaker 1: Everybody knows that people that hate me will be like

2415
02:10:10,760 --> 02:10:14,560
Speaker 1: megas fly. You know this. But I'm up North Wind

2416
02:10:14,640 --> 02:10:17,360
Speaker 1: care Craft State boots and the dude that that I

2417
02:10:17,480 --> 02:10:20,520
Speaker 1: know from Queenbride that's a crackhead. It's fly to me

2418
02:10:20,600 --> 02:10:23,960
Speaker 1: in jail right, No, no, no, no, no no. I

2419
02:10:24,000 --> 02:10:26,560
Speaker 1: would never I would never call bathroom ba bas Mos.

2420
02:10:27,080 --> 02:10:30,040
Speaker 1: I love bathroom. I wouldn't niggers out flat on the

2421
02:10:30,240 --> 02:10:33,280
Speaker 1: told was my big brother I love. When Basimo died,

2422
02:10:33,720 --> 02:10:36,800
Speaker 1: it took me years. There's people in bass family that

2423
02:10:36,920 --> 02:10:40,800
Speaker 1: I haven't seen in years because I couldn't look at

2424
02:10:40,880 --> 02:10:43,600
Speaker 1: them after he died because it would hurt me so much.

2425
02:10:44,400 --> 02:10:47,720
Speaker 1: So like his sister, Loretta is my heart. I love her,

2426
02:10:48,320 --> 02:10:50,520
Speaker 1: so I couldn't even go see I didn't see her

2427
02:10:50,560 --> 02:10:52,680
Speaker 1: in years. I'm gonna go see it soon, but I

2428
02:10:52,720 --> 02:10:54,640
Speaker 1: couldn't go then because I love her so much, and

2429
02:10:54,680 --> 02:10:56,600
Speaker 1: I love her so much that when she if I

2430
02:10:56,640 --> 02:10:59,560
Speaker 1: see her, it's gonna crush me. So I'm just now

2431
02:10:59,720 --> 02:11:03,000
Speaker 1: able to so not definitely not bad. But what I'm

2432
02:11:03,040 --> 02:11:06,440
Speaker 1: saying is they've been time when I've done things for

2433
02:11:06,560 --> 02:11:09,640
Speaker 1: people and they haven't done it for me. And you

2434
02:11:09,760 --> 02:11:11,920
Speaker 1: gotta wait that in your life, you're risking your free

2435
02:11:12,040 --> 02:11:14,200
Speaker 1: Like sometimes a dude might say, y'all done for you.

2436
02:11:15,000 --> 02:11:17,800
Speaker 1: They really full of ship, but but they really will

2437
02:11:17,960 --> 02:11:20,120
Speaker 1: die for you because they could just be standing next

2438
02:11:20,120 --> 02:11:22,400
Speaker 1: to you and catch a straight So it's like, why

2439
02:11:22,400 --> 02:11:24,840
Speaker 1: should I put myself on the line for duke Listen,

2440
02:11:27,840 --> 02:11:29,840
Speaker 1: don't jump in the river for somebody that won't step

2441
02:11:29,880 --> 02:11:35,400
Speaker 1: in the puddle for you dropping jewels right now? So

2442
02:11:35,480 --> 02:11:37,400
Speaker 1: it's like, that's why I'm Matt Peace. It's making a

2443
02:11:37,480 --> 02:11:45,120
Speaker 1: new caress one conscious gangster. Yeah, let's go back to that.

2444
02:11:45,360 --> 02:11:48,160
Speaker 1: So I mind my business more. That's why Matt Peach. So, oh,

2445
02:11:48,240 --> 02:11:50,240
Speaker 1: you know such and such got beef. I don't. I don't.

2446
02:11:50,320 --> 02:11:52,480
Speaker 1: I don't mean there's mad rumors and stuff going on

2447
02:11:52,600 --> 02:11:54,880
Speaker 1: that I don't even know about. I don't care about it.

2448
02:11:54,960 --> 02:11:57,920
Speaker 1: I don't care about Chikanda's Carrey got raided. You know

2449
02:11:57,920 --> 02:12:00,480
Speaker 1: what I'm saying. I don't care about that. I stay

2450
02:12:00,480 --> 02:12:02,880
Speaker 1: out of stuff, And that's how I stay out of beef.

2451
02:12:03,000 --> 02:12:05,240
Speaker 1: That's how I stay out of sweeps and indictments. Because

2452
02:12:05,240 --> 02:12:09,600
Speaker 1: there was points in like recent years when I used

2453
02:12:09,640 --> 02:12:11,360
Speaker 1: to be out there the time when niggas used to

2454
02:12:11,360 --> 02:12:13,200
Speaker 1: be like, oh, I know what Megan's doing. There's been

2455
02:12:13,240 --> 02:12:15,760
Speaker 1: time when people got caught for big crimes and it

2456
02:12:15,880 --> 02:12:19,120
Speaker 1: cops asking about me, like your mega using this wrap

2457
02:12:19,200 --> 02:12:21,480
Speaker 1: money to fund you guy to supply Like so I

2458
02:12:21,560 --> 02:12:23,680
Speaker 1: was like, I can't do that because niggas ain't putting

2459
02:12:23,680 --> 02:12:26,120
Speaker 1: any life on the line like that. For me. I

2460
02:12:26,240 --> 02:12:27,960
Speaker 1: met one person that looked me in my eyes and

2461
02:12:28,000 --> 02:12:31,000
Speaker 1: said I'll die for you, And it was a girl.

2462
02:12:32,080 --> 02:12:34,840
Speaker 1: I believe her more than I believe some dudes. But

2463
02:12:34,920 --> 02:12:37,280
Speaker 1: at the same time, you know what I'm saying, I'm loyal,

2464
02:12:38,360 --> 02:12:40,720
Speaker 1: but I'm not gonna be loyal to the point where

2465
02:12:40,840 --> 02:12:45,280
Speaker 1: it backfires on me. Did you ever think that like

2466
02:12:47,280 --> 02:12:52,800
Speaker 1: you were like too too real? Yeah, a lot of

2467
02:12:52,880 --> 02:12:57,240
Speaker 1: times like uh, and it's things that you could have

2468
02:12:57,320 --> 02:13:01,440
Speaker 1: did that polity would have from to a different light.

2469
02:13:01,520 --> 02:13:06,760
Speaker 1: You think that example, like certain things like doing the

2470
02:13:06,840 --> 02:13:09,720
Speaker 1: rad kids and meeting with people, because it was always

2471
02:13:10,080 --> 02:13:12,280
Speaker 1: kind of came off like MAGA was kind of like

2472
02:13:12,360 --> 02:13:16,680
Speaker 1: anti social, especially within the industry. I am kind of

2473
02:13:16,680 --> 02:13:19,480
Speaker 1: anti social. Door I'm not gonna one thing about me

2474
02:13:19,560 --> 02:13:21,320
Speaker 1: if you say something about me that I feel is true,

2475
02:13:21,560 --> 02:13:24,480
Speaker 1: I'm gonna say, yeah. The thing that a lot of

2476
02:13:24,520 --> 02:13:29,120
Speaker 1: people don't understand about me is this. First of all,

2477
02:13:29,120 --> 02:13:30,360
Speaker 1: a lot of people in the industry was scared me

2478
02:13:30,360 --> 02:13:38,040
Speaker 1: because my represation, and like, the lions don't hang with

2479
02:13:38,120 --> 02:13:42,680
Speaker 1: the diss. So it's like if they go to Brownsville,

2480
02:13:42,680 --> 02:13:44,160
Speaker 1: they go to Fork Green, they go to far Rock,

2481
02:13:44,200 --> 02:13:46,360
Speaker 1: and they go somewhere where where I used to be

2482
02:13:46,480 --> 02:13:48,520
Speaker 1: at and they see me with the goons, they're not

2483
02:13:48,520 --> 02:13:49,920
Speaker 1: gonna come over there and try to stand with me.

2484
02:13:50,240 --> 02:13:52,480
Speaker 1: So if I if I see you in the industry

2485
02:13:52,680 --> 02:13:55,760
Speaker 1: and I feel like you're not the same, we're not similar,

2486
02:13:56,080 --> 02:13:58,200
Speaker 1: I don't want to be your friend because, first of all,

2487
02:13:58,200 --> 02:14:01,360
Speaker 1: a lot of people entry your phony and and they

2488
02:14:01,360 --> 02:14:03,720
Speaker 1: don't share the same vision as our ship. So while

2489
02:14:03,720 --> 02:14:05,880
Speaker 1: I'm not out going, you know what I'm saying, But

2490
02:14:06,200 --> 02:14:09,080
Speaker 1: when I've seen Corey said he might showed him last,

2491
02:14:09,520 --> 02:14:11,520
Speaker 1: you know what I'm saying. Or ever since when I

2492
02:14:11,640 --> 02:14:16,240
Speaker 1: first met you, I remember, I remember niggas try to

2493
02:14:16,320 --> 02:14:18,600
Speaker 1: jump you, and I came, and I came and I

2494
02:14:18,680 --> 02:14:21,760
Speaker 1: jumped and iked Me and Ice were the first niggas

2495
02:14:21,800 --> 02:14:23,520
Speaker 1: over there. You know, I was the first nigg over there,

2496
02:14:23,600 --> 02:14:29,640
Speaker 1: and then what happened after that. No, forget what you say, nigga,

2497
02:14:30,520 --> 02:14:34,720
Speaker 1: niggas didn't. Niggas didn't do you dirty, So all that's

2498
02:14:34,880 --> 02:14:38,000
Speaker 1: relevant exactly. But I'm just saying like I was dead

2499
02:14:38,600 --> 02:14:40,840
Speaker 1: exactly and you wasn't even from our hut, right, So

2500
02:14:40,960 --> 02:14:43,680
Speaker 1: that just showed you how really you know what I'm saying,

2501
02:14:44,240 --> 02:14:47,440
Speaker 1: right So, No, No, that's real ship right there. That's

2502
02:14:47,440 --> 02:14:49,200
Speaker 1: spell ship right there. But just in case of people

2503
02:14:49,240 --> 02:14:55,920
Speaker 1: didn't know, niggas got shot right after that, that was

2504
02:14:56,000 --> 02:14:59,800
Speaker 1: Maga's nigga. You're listen, man, you gave us all I'm Maga.

2505
02:15:00,840 --> 02:15:02,960
Speaker 1: Oh man, it's just so great man. You know why,

2506
02:15:03,600 --> 02:15:07,480
Speaker 1: because this is for real hip hop ship. And what

2507
02:15:07,600 --> 02:15:09,080
Speaker 1: I mean by that, We've been getting a lot of

2508
02:15:09,160 --> 02:15:12,120
Speaker 1: big guests. We've been getting a lot of big guests, requests,

2509
02:15:12,920 --> 02:15:16,760
Speaker 1: and I always want to keep but me and he offended. No,

2510
02:15:17,760 --> 02:15:19,680
Speaker 1: he is what you said to me. You said, I

2511
02:15:19,720 --> 02:15:24,720
Speaker 1: always want to keep the essence of him, and this

2512
02:15:24,920 --> 02:15:27,560
Speaker 1: is the This is the essence of it right here

2513
02:15:28,280 --> 02:15:32,040
Speaker 1: is real m c S, real hood, niggas real like

2514
02:15:32,160 --> 02:15:34,520
Speaker 1: you know what I'm saying. Uh, it doesn't matter where

2515
02:15:34,520 --> 02:15:37,200
Speaker 1: you're from, because I think hip hop is is universal,

2516
02:15:37,680 --> 02:15:39,400
Speaker 1: so it doesn't matter that and this is the real

2517
02:15:39,440 --> 02:15:42,120
Speaker 1: life is I usually say that's a fact, Joe, like

2518
02:15:42,280 --> 02:15:44,720
Speaker 1: this is the real qub Queens and the Bronx. You

2519
02:15:44,760 --> 02:15:46,520
Speaker 1: know what I'm saying, because a lot of people don't

2520
02:15:46,520 --> 02:15:48,920
Speaker 1: know queens nigas get along with Bronx niggers, you know

2521
02:15:48,960 --> 02:15:53,320
Speaker 1: I'm saying. And Brooklyn niggers too as well. But um yeah,

2522
02:15:53,440 --> 02:15:56,640
Speaker 1: you know what I'm saying. So I actually, I actually

2523
02:15:56,640 --> 02:16:01,320
Speaker 1: I what's next to the accident? What's next? But I

2524
02:16:01,360 --> 02:16:03,640
Speaker 1: don't know. I don't want you to leave. I got

2525
02:16:03,760 --> 02:16:10,120
Speaker 1: I got you gotta go. You gotta ask one question though,

2526
02:16:10,160 --> 02:16:12,280
Speaker 1: before we go. I want to know the backstory on

2527
02:16:12,400 --> 02:16:16,840
Speaker 1: the reel because to me, that was no story, just

2528
02:16:16,920 --> 02:16:18,720
Speaker 1: the making of that record, like that was such a

2529
02:16:18,760 --> 02:16:21,440
Speaker 1: big record in the mixtape world. But I don't know.

2530
02:16:21,520 --> 02:16:23,640
Speaker 1: I can't even give you the backstory for that because, um,

2531
02:16:24,560 --> 02:16:27,400
Speaker 1: I think it's more history to that record than then

2532
02:16:27,440 --> 02:16:31,680
Speaker 1: I even know about. Because that was originally Karma Kaze's record,

2533
02:16:31,680 --> 02:16:37,200
Speaker 1: I believe, Yeah, that was Karma kazis recorded. And when

2534
02:16:37,240 --> 02:16:38,880
Speaker 1: I came home, I was just but Mally was like

2535
02:16:38,879 --> 02:16:40,840
Speaker 1: I can't put meg on there. Somehow another I ended

2536
02:16:40,920 --> 02:16:42,880
Speaker 1: up on there and they put it out, you know

2537
02:16:42,920 --> 02:16:44,800
Speaker 1: what I'm saying. But um, I don't know the full

2538
02:16:44,920 --> 02:16:46,480
Speaker 1: history behind I know it was I know it was

2539
02:16:46,520 --> 02:16:50,000
Speaker 1: a great look, and I know I wasn't used to

2540
02:16:50,040 --> 02:16:52,920
Speaker 1: being in the studio, Like just wrapping and rapping on

2541
02:16:52,959 --> 02:16:54,879
Speaker 1: the mike is two different things. Like I was used

2542
02:16:54,879 --> 02:16:56,720
Speaker 1: to wrapping in the yard because I was up north

2543
02:16:56,760 --> 02:16:59,280
Speaker 1: wrapping the yard like battling and all that. So I

2544
02:16:59,440 --> 02:17:01,320
Speaker 1: wasn't coming to in the studio when we did that

2545
02:17:01,680 --> 02:17:04,400
Speaker 1: at that time. So I remember that. But did you

2546
02:17:04,480 --> 02:17:09,240
Speaker 1: feel that that record changed? Like maybe your trajectory, your career,

2547
02:17:09,480 --> 02:17:12,120
Speaker 1: You're the way because I feel like, I mean, you

2548
02:17:12,120 --> 02:17:14,880
Speaker 1: shouldn't reach Miami, like I'm here getting these white labels

2549
02:17:15,560 --> 02:17:19,120
Speaker 1: from Beat Street Records and ship. I don't know, I

2550
02:17:19,200 --> 02:17:21,400
Speaker 1: don't everything. That's how I was introduced everything I did,

2551
02:17:21,520 --> 02:17:23,760
Speaker 1: what it was getting white label back then, So I

2552
02:17:23,840 --> 02:17:27,600
Speaker 1: don't know, like dead Man Walking was everything I did.

2553
02:17:28,080 --> 02:17:30,680
Speaker 1: Everything I did got You know, the Testament album was

2554
02:17:30,720 --> 02:17:35,960
Speaker 1: out on blooleg before it was even released, So that's

2555
02:17:35,959 --> 02:17:37,720
Speaker 1: how That's how else I knew that I had a

2556
02:17:37,800 --> 02:17:39,720
Speaker 1: market because I went to England before to do a

2557
02:17:39,800 --> 02:17:42,720
Speaker 1: show and they knew the word to song from Testament

2558
02:17:42,840 --> 02:17:44,280
Speaker 1: and that ship wasn't even out and I was like,

2559
02:17:44,440 --> 02:17:46,560
Speaker 1: this is weird, and I'm like, how do you get

2560
02:17:46,560 --> 02:17:49,240
Speaker 1: that ship? So it was like bootleg label was on

2561
02:17:49,400 --> 02:17:54,879
Speaker 1: the one Nah, I was on um deaempt. Yeah, that's

2562
02:17:55,320 --> 02:17:57,680
Speaker 1: another thing. He's had a lot of success overseas and

2563
02:17:57,879 --> 02:18:01,040
Speaker 1: independent like you've done, Like, what are the countries that

2564
02:18:01,120 --> 02:18:07,560
Speaker 1: you feel you have the strongest audience? Um, I just

2565
02:18:07,680 --> 02:18:11,000
Speaker 1: can't from They loved me in London. London is so

2566
02:18:11,280 --> 02:18:14,199
Speaker 1: dope to coach out there to dream you're from London

2567
02:18:14,959 --> 02:18:19,880
Speaker 1: and they've been begging for Drink Champs to come. Yeah,

2568
02:18:20,160 --> 02:18:22,920
Speaker 1: we're doing I want to go now I were you

2569
02:18:23,080 --> 02:18:24,840
Speaker 1: were supposed to. You supposed to give me the I

2570
02:18:25,040 --> 02:18:27,520
Speaker 1: wink st London and let's do that. We just blew

2571
02:18:27,560 --> 02:18:29,959
Speaker 1: it up. Yeah we're gonna go in because yeah, bigg

2572
02:18:30,080 --> 02:18:32,920
Speaker 1: to London, that's the mincro request. And then in Philadelphia,

2573
02:18:32,920 --> 02:18:34,360
Speaker 1: I can't even frond it's not even New York. I

2574
02:18:34,400 --> 02:18:37,800
Speaker 1: went from Thailand. By the way, you're probably the only

2575
02:18:37,920 --> 02:18:40,720
Speaker 1: nigger that's seen that requestion time because he just wanted

2576
02:18:40,760 --> 02:18:45,120
Speaker 1: go to Thailand. He seems like Japan is big on him. Yeah,

2577
02:18:46,720 --> 02:18:50,039
Speaker 1: j Honda Japan, bring up Tolandy seven. They just let

2578
02:18:50,120 --> 02:18:52,120
Speaker 1: me fill in and how do they seven me and

2579
02:18:52,200 --> 02:18:55,360
Speaker 1: j but Rock, Um, you might get the job up there.

2580
02:18:55,800 --> 02:18:59,320
Speaker 1: Yeah listen, man, I listen because you know why Corey

2581
02:19:00,760 --> 02:19:02,959
Speaker 1: and over. Your name is Corey, My name is Victor.

2582
02:19:03,080 --> 02:19:04,320
Speaker 1: If you want to call me, just down. I'm not

2583
02:19:04,360 --> 02:19:06,560
Speaker 1: trying to come out nobody. But you know what the

2584
02:19:06,840 --> 02:19:10,680
Speaker 1: crazy ship is. Um, they got Charles Barkley. Charles Walkley

2585
02:19:10,720 --> 02:19:12,560
Speaker 1: is a guy who used to play the NBA. They

2586
02:19:12,600 --> 02:19:14,680
Speaker 1: got Kenney Smith Kenny Spences from Left Frack Cities, the

2587
02:19:14,680 --> 02:19:17,080
Speaker 1: guy used to play in the NBA and now corresponds.

2588
02:19:17,120 --> 02:19:19,560
Speaker 1: They got a shot Shaquille O'Neil. Shaquille O'Neil's a guy

2589
02:19:19,600 --> 02:19:21,439
Speaker 1: he used to play in the NBA and now correspond

2590
02:19:21,720 --> 02:19:24,440
Speaker 1: there's never been like a rap guy on the radio

2591
02:19:24,800 --> 02:19:26,360
Speaker 1: that you know, you know what I'm saying that that

2592
02:19:26,640 --> 02:19:29,879
Speaker 1: on the radio or but and if it has been,

2593
02:19:30,040 --> 02:19:32,000
Speaker 1: it's been like a person who probably didn't have a

2594
02:19:32,120 --> 02:19:37,600
Speaker 1: great life got great successes. Okay, everything's over right. Wasn't

2595
02:19:37,640 --> 02:19:38,840
Speaker 1: she on the radio for a little bit? Yeah? But

2596
02:19:38,920 --> 02:19:41,680
Speaker 1: MC like that's a girl. You know, that's a different century.

2597
02:19:42,240 --> 02:19:44,840
Speaker 1: Some about the nineties, like the nineties, like if like if,

2598
02:19:45,200 --> 02:19:47,480
Speaker 1: if you're not there's no in between, kind of like

2599
02:19:47,560 --> 02:19:50,320
Speaker 1: it it's either you up or you're down. Like you

2600
02:19:50,360 --> 02:19:52,879
Speaker 1: don't have no you don't have no medium niggas and condoles.

2601
02:19:53,320 --> 02:19:54,560
Speaker 1: You know what I'm saying. You don't have a ship

2602
02:19:54,640 --> 02:19:56,320
Speaker 1: like that, you know what I mean? Like, and what

2603
02:19:56,480 --> 02:19:59,440
Speaker 1: we're doing is we're trying to tell the game from

2604
02:19:59,520 --> 02:20:02,400
Speaker 1: inside the game. This is a DJ, this is a rapper.

2605
02:20:02,600 --> 02:20:04,320
Speaker 1: It was a new Eric B and Rock Kimp. They

2606
02:20:04,360 --> 02:20:05,760
Speaker 1: just told us that. They just told us to with

2607
02:20:05,920 --> 02:20:08,240
Speaker 1: a new source magazine just told us that. They just

2608
02:20:08,320 --> 02:20:10,560
Speaker 1: told us that is what we do it live. Niggas

2609
02:20:10,600 --> 02:20:12,440
Speaker 1: told us that. And you know what then, were you

2610
02:20:12,520 --> 02:20:15,560
Speaker 1: talking about? Niggas told you that God never makes something

2611
02:20:15,640 --> 02:20:21,240
Speaker 1: that I ain't gonna go get piss too. But I'm

2612
02:20:21,240 --> 02:20:23,080
Speaker 1: gonna drink this rose. I'm gonna drink I'm gonna rink

2613
02:20:23,080 --> 02:20:24,880
Speaker 1: your rose. You're not gonna drink your rose right and

2614
02:20:25,280 --> 02:20:28,640
Speaker 1: for you, it's my gift to you. And you just

2615
02:20:28,800 --> 02:20:31,640
Speaker 1: you just did Ramadan? Did you do Ramadan? No? I

2616
02:20:31,680 --> 02:20:33,720
Speaker 1: didn't do it. You didn't I didn't do the whole

2617
02:20:33,760 --> 02:20:37,000
Speaker 1: Ramadan I was. I was overseas. Okay. So when you're

2618
02:20:37,040 --> 02:20:39,040
Speaker 1: traveling and you've got to pass. Yeah, when you travel,

2619
02:20:39,080 --> 02:20:40,959
Speaker 1: got to pack, but you should make it up. Okay.

2620
02:20:41,080 --> 02:20:43,240
Speaker 1: So I wanna do a lot of charity. How about

2621
02:20:43,280 --> 02:20:45,360
Speaker 1: your corpy guns? What religion on you? The sun? Up?

2622
02:20:45,360 --> 02:20:51,000
Speaker 1: A guy? I believe. I believe in God. M Christian?

2623
02:20:51,160 --> 02:20:54,720
Speaker 1: That was hard, okay, Christian God? You know what? What

2624
02:20:54,800 --> 02:20:57,800
Speaker 1: do you respect religions? Though? Respect all religious what do

2625
02:20:57,840 --> 02:21:00,440
Speaker 1: you believe it? I don't believe it. I don't like

2626
02:21:00,600 --> 02:21:04,360
Speaker 1: organized religion is in terms of the bill more I respect.

2627
02:21:04,440 --> 02:21:07,400
Speaker 1: I respect all religions. Know I respect all religions. But

2628
02:21:07,440 --> 02:21:10,360
Speaker 1: I believe religion also facilitates a lot of even I

2629
02:21:11,160 --> 02:21:13,080
Speaker 1: got a lot of people that go to church more

2630
02:21:13,160 --> 02:21:14,840
Speaker 1: than I do that I got. I got a lot

2631
02:21:14,920 --> 02:21:17,240
Speaker 1: of friends and family. I haven't been the church. You

2632
02:21:17,280 --> 02:21:19,440
Speaker 1: know what I'm saying, Like, I'm not I'm not heavy

2633
02:21:19,480 --> 02:21:23,120
Speaker 1: and that you know like that, But I believe in God,

2634
02:21:24,080 --> 02:21:27,920
Speaker 1: Like why can't mothers just be good? Getting like where

2635
02:21:27,920 --> 02:21:32,760
Speaker 1: it's going? Keep it going? What are your what's your religion? Pettiness?

2636
02:21:33,959 --> 02:21:36,680
Speaker 1: I want to know my religion. I am every religion

2637
02:21:37,200 --> 02:21:40,160
Speaker 1: because you know what, I believe. I believe every religion

2638
02:21:40,280 --> 02:21:43,680
Speaker 1: saw the same God. But I believe I believe and

2639
02:21:43,800 --> 02:21:48,200
Speaker 1: it might sound it's drunk facts, it's if you if

2640
02:21:48,240 --> 02:21:51,040
Speaker 1: you listen, if you read every religions, like you know,

2641
02:21:51,520 --> 02:21:56,240
Speaker 1: there there their thing. They always describe the same person,

2642
02:21:56,640 --> 02:21:58,920
Speaker 1: but they describe them more in a different day. It's like,

2643
02:21:59,080 --> 02:22:01,920
Speaker 1: if you see Pop on Monday, Park might tell you,

2644
02:22:02,640 --> 02:22:05,840
Speaker 1: brend this's got a baby. Do you see Park on

2645
02:22:05,959 --> 02:22:09,879
Speaker 1: the next day? He said, you wonder why they call

2646
02:22:09,920 --> 02:22:16,680
Speaker 1: you bitch? And I believe every kid was talking about

2647
02:22:16,760 --> 02:22:19,720
Speaker 1: the same person, but they've seen them on a different day.

2648
02:22:20,480 --> 02:22:22,400
Speaker 1: That's what I believe. I'm sorry, So I believe in

2649
02:22:22,800 --> 02:22:27,440
Speaker 1: every religion. Like me, I'm every religion. I could relate

2650
02:22:27,520 --> 02:22:32,680
Speaker 1: to everybody. Whatever they say, I say, mmm, I remember that,

2651
02:22:34,040 --> 02:22:36,760
Speaker 1: but that's me. I'm gonna culture. Like if I was

2652
02:22:36,800 --> 02:22:39,119
Speaker 1: a tattoo guy, I would have a tattoo of every day,

2653
02:22:40,320 --> 02:22:43,240
Speaker 1: but I'm not. So is God God is God? God

2654
02:22:43,360 --> 02:22:46,440
Speaker 1: is God? God is God. Sometimes men men corrupt things,

2655
02:22:46,520 --> 02:22:48,120
Speaker 1: you know what I'm saying. And at the end of

2656
02:22:48,160 --> 02:22:52,520
Speaker 1: the day, Um, there's a high power and we all

2657
02:22:52,720 --> 02:22:56,760
Speaker 1: notedge that, you know, so you know that's right. So

2658
02:22:56,840 --> 02:22:58,680
Speaker 1: we're gonna say eight men O, We're gonna say make

2659
02:22:58,760 --> 02:23:03,760
Speaker 1: some noise. I don't know hip hop flat all right,

2660
02:23:05,400 --> 02:23:13,800
Speaker 1: hippop flat, Let's get up ut it. Welcome to play,

2661
02:23:14,080 --> 02:23:20,039
Speaker 1: a new podcast network featuring radio and TV personalities talking business, sports, tech, entertainment,

2662
02:23:20,160 --> 02:23:24,560
Speaker 1: and more. Play it at play dot It. We're back

2663
02:23:24,680 --> 02:23:28,000
Speaker 1: to Drink Champs Radio with Rapper and R and d

2664
02:23:28,160 --> 02:23:36,200
Speaker 1: j E. Then all right, mega cord guns. What I've

2665
02:23:36,200 --> 02:23:40,440
Speaker 1: been saying is and I've never ever compared hip hop

2666
02:23:41,280 --> 02:23:45,400
Speaker 1: plight our struggle compared to to gay people at all right,

2667
02:23:46,000 --> 02:23:49,920
Speaker 1: but I respect gay people like I got made whatever.

2668
02:23:50,160 --> 02:23:52,320
Speaker 1: I don't know where this is going, but look what

2669
02:23:52,440 --> 02:23:55,160
Speaker 1: I'm saying is my favorite hotel in the Hawaii world

2670
02:23:55,760 --> 02:23:58,440
Speaker 1: is a W hotel. No matter what W hotel I

2671
02:23:58,600 --> 02:24:01,480
Speaker 1: go to, is a game. I got there cool, no

2672
02:24:01,640 --> 02:24:05,039
Speaker 1: problem has no doesn't offend me. Like I said, I'd

2673
02:24:05,040 --> 02:24:07,720
Speaker 1: be down there taking shots with them like all good,

2674
02:24:07,840 --> 02:24:12,920
Speaker 1: Like my family doesn't matter. But in my mind, and

2675
02:24:12,959 --> 02:24:17,199
Speaker 1: I'm not comparing hip hops plight towards but in my mind,

2676
02:24:18,000 --> 02:24:20,000
Speaker 1: I thought that was a dope idead. But when I

2677
02:24:20,040 --> 02:24:22,000
Speaker 1: think it's a dope idea. I think it's a dope idead.

2678
02:24:22,080 --> 02:24:24,280
Speaker 1: When I go to a restaurant or I go to

2679
02:24:24,800 --> 02:24:31,280
Speaker 1: something hotel, or or playing soccer or you know, I

2680
02:24:31,320 --> 02:24:34,360
Speaker 1: said soccer, what I meant bowling bowling, Like when I

2681
02:24:34,440 --> 02:24:36,600
Speaker 1: go bowling. Let's what happens if it's a hip hop

2682
02:24:36,720 --> 02:24:39,600
Speaker 1: flag there, so they know because I've been to a

2683
02:24:39,680 --> 02:24:42,560
Speaker 1: restaurant before when I jumped out the car, I didn't

2684
02:24:42,560 --> 02:24:46,360
Speaker 1: smoke weed at the restaurant and they told me you

2685
02:24:46,520 --> 02:24:50,120
Speaker 1: smelled it too bad and they told me to go.

2686
02:24:50,520 --> 02:24:52,560
Speaker 1: One time I was in the airport, I swear to God,

2687
02:24:52,600 --> 02:24:55,280
Speaker 1: you could ask six this message. I mean this, this

2688
02:24:55,480 --> 02:24:58,760
Speaker 1: this ship we walked to the airport. Who was who

2689
02:24:58,840 --> 02:25:01,400
Speaker 1: was born to play? Ain't the nigga said you can't

2690
02:25:01,480 --> 02:25:05,160
Speaker 1: smoke here? I said, what the fuck? You know? I

2691
02:25:05,240 --> 02:25:09,080
Speaker 1: didn't like I look like I smoked like like maybe

2692
02:25:09,120 --> 02:25:11,600
Speaker 1: I do. But that's at the point that was prejudice.

2693
02:25:11,840 --> 02:25:16,080
Speaker 1: So what I'm saying is if there was a stereotypes

2694
02:25:16,120 --> 02:25:20,640
Speaker 1: something that says you're welcome flag like life, and I'm

2695
02:25:20,680 --> 02:25:23,560
Speaker 1: not comparing all because you know, I'm not comparing hip

2696
02:25:23,600 --> 02:25:26,480
Speaker 1: hop to the gay struggle because you know, respect to

2697
02:25:26,680 --> 02:25:29,240
Speaker 1: respect to both sides. But what I'm saying is that

2698
02:25:29,440 --> 02:25:32,040
Speaker 1: was a great way to me. Like when I've seen that,

2699
02:25:32,160 --> 02:25:35,520
Speaker 1: it was like, you know, like you're welcome here. So

2700
02:25:35,680 --> 02:25:39,800
Speaker 1: let's suppose I go to I want to go bowling.

2701
02:25:40,280 --> 02:25:43,360
Speaker 1: I'm never bold in my life. I really want to

2702
02:25:43,360 --> 02:25:45,520
Speaker 1: go bowling. Now I want to go bolden. I want

2703
02:25:45,520 --> 02:25:50,040
Speaker 1: to put the funny shoes on. Right now, I go bowling.

2704
02:25:51,120 --> 02:25:53,480
Speaker 1: I'll walk in there and smelling like I dount su kush.

2705
02:25:54,560 --> 02:25:57,040
Speaker 1: They tell me you get my exit. I have to

2706
02:25:57,160 --> 02:26:00,040
Speaker 1: respect the establishment. Like when Twin went in that's a

2707
02:26:00,360 --> 02:26:05,119
Speaker 1: spot ye, Twin, one of the taco spotts kicked out

2708
02:26:05,240 --> 02:26:11,440
Speaker 1: immediately because this girl that because I want to high

2709
02:26:11,480 --> 02:26:13,360
Speaker 1: school with him and he see me with Noriegos with

2710
02:26:14,440 --> 02:26:15,800
Speaker 1: I don't know how this guy blamed on me. I'm

2711
02:26:15,840 --> 02:26:19,560
Speaker 1: much change something again. Bring it right back overhead. But

2712
02:26:19,760 --> 02:26:21,640
Speaker 1: you don't think you don't read with that mega. So

2713
02:26:21,760 --> 02:26:24,160
Speaker 1: I'm about wherever you're at in the world. Let's suppose

2714
02:26:24,200 --> 02:26:27,800
Speaker 1: you in Dozudorf, Germany. Suppose you're a Moscow and you

2715
02:26:27,959 --> 02:26:30,160
Speaker 1: look like this is this is the main street, right,

2716
02:26:30,240 --> 02:26:32,760
Speaker 1: this is the main street of whatever market or whatever

2717
02:26:32,840 --> 02:26:35,720
Speaker 1: place you go to, and you look and the promoters like, yeah,

2718
02:26:35,720 --> 02:26:37,840
Speaker 1: that's the best restaurant, and you would be like, all right,

2719
02:26:37,920 --> 02:26:40,440
Speaker 1: that's the best restaurant. But the hip hop flag is

2720
02:26:40,560 --> 02:26:43,800
Speaker 1: right here. I can go there and do some lie.

2721
02:26:44,080 --> 02:26:46,280
Speaker 1: I don't think we'll ever get that flag, all right,

2722
02:26:46,560 --> 02:26:51,760
Speaker 1: because my dream has been crushed. The police hurt my

2723
02:26:51,840 --> 02:26:54,360
Speaker 1: feeling this place because I don't hurt. You know what,

2724
02:26:55,640 --> 02:26:57,920
Speaker 1: why don't you make one? No, no, I got one.

2725
02:26:58,000 --> 02:27:00,840
Speaker 1: I forgot where I saved it. Do send me? I

2726
02:27:00,959 --> 02:27:04,200
Speaker 1: was like, I love it most we posted the one

2727
02:27:04,280 --> 02:27:07,480
Speaker 1: I love I saved it, and you lost it. I

2728
02:27:07,520 --> 02:27:09,840
Speaker 1: don't know where I put it. It's somewhere, It's in

2729
02:27:09,959 --> 02:27:12,040
Speaker 1: my phone somewhere. I mean, it's gotta be more than

2730
02:27:12,080 --> 02:27:14,920
Speaker 1: just it's just. It's got to be an organization. But

2731
02:27:16,040 --> 02:27:17,800
Speaker 1: you know what, it's deeper than hip hop though, because

2732
02:27:17,840 --> 02:27:19,200
Speaker 1: at the end of the day, let me tell you

2733
02:27:19,320 --> 02:27:23,400
Speaker 1: something that I've learned from the world. Everywhere in the world,

2734
02:27:27,360 --> 02:27:30,680
Speaker 1: people are biased towards people of color, and hip hop

2735
02:27:30,760 --> 02:27:34,200
Speaker 1: is just wanted to identifiers of our culture. That's something

2736
02:27:34,240 --> 02:27:37,440
Speaker 1: that they identified or relating us with. They always assume

2737
02:27:37,560 --> 02:27:40,720
Speaker 1: we smoke weed. They always assume that we're up to something,

2738
02:27:41,080 --> 02:27:44,840
Speaker 1: and they always look at a suspicious uh. You have

2739
02:27:44,959 --> 02:27:48,960
Speaker 1: to learn, especially certain European places. There's been places where

2740
02:27:50,360 --> 02:27:53,240
Speaker 1: like you might even experience this from like that bumper two.

2741
02:27:53,240 --> 02:27:56,200
Speaker 1: You won't even say excuse me. So it's like I'm

2742
02:27:56,240 --> 02:27:59,879
Speaker 1: trying to figure none of that. So that the part

2743
02:27:59,920 --> 02:28:03,480
Speaker 1: of niggas that don't in the Europe they found niggeras

2744
02:28:03,640 --> 02:28:07,920
Speaker 1: respect of niggas, you know that Mega be out there

2745
02:28:07,959 --> 02:28:10,920
Speaker 1: all the top. So listen, Mega, thank you so much, man.

2746
02:28:10,959 --> 02:28:14,080
Speaker 1: I can't thank you enough. Man, it's your fifteen year anniversary.

2747
02:28:14,440 --> 02:28:17,320
Speaker 1: Corey Guns. You know your motherfucker's sooner be legend and

2748
02:28:17,440 --> 02:28:19,760
Speaker 1: you're a legend right now. Anyway, your family is worried

2749
02:28:19,800 --> 02:28:21,760
Speaker 1: to your father. You know what I'm saying. We can't

2750
02:28:21,800 --> 02:28:23,920
Speaker 1: thank you all enough. Man. We got so many more

2751
02:28:24,040 --> 02:28:27,280
Speaker 1: questions that can flow. But you know we're gonna. I'm

2752
02:28:27,480 --> 02:28:29,840
Speaker 1: still gonna get Mega to drink that last time. You know,

2753
02:28:29,959 --> 02:28:32,080
Speaker 1: you know how the drinking you all for beat the case.

2754
02:28:32,760 --> 02:28:35,240
Speaker 1: I'll do that. Don't put good looking at I got you,

2755
02:28:35,360 --> 02:28:37,080
Speaker 1: I got check at you. So that's how I do

2756
02:28:37,160 --> 02:28:39,240
Speaker 1: a little bit you do. This is how alcohol is doing.

2757
02:28:40,320 --> 02:28:42,800
Speaker 1: Do it this way for the Drink Championship and still

2758
02:28:42,800 --> 02:28:45,080
Speaker 1: shout you know what's that? So you're mega man. Thank

2759
02:28:45,120 --> 02:28:48,240
Speaker 1: you so much, Ma, congratulations on your fifteen years. Corey

2760
02:28:48,360 --> 02:28:51,680
Speaker 1: guns Man, thank you for participating in the Drink Chance.

2761
02:28:51,720 --> 02:28:53,960
Speaker 1: We're gonna drop this bright now early on Monday morning.

2762
02:28:54,240 --> 02:28:57,600
Speaker 1: This is a surprised episode for our people. You know,

2763
02:28:57,720 --> 02:29:00,960
Speaker 1: some of these people are snapchatt whatever. But you know,

2764
02:29:01,120 --> 02:29:03,360
Speaker 1: we can't we can't beat it. But this is what

2765
02:29:03,480 --> 02:29:06,400
Speaker 1: we're doing. Man. We thank you' all because we interview legends,

2766
02:29:06,440 --> 02:29:09,120
Speaker 1: we interviewed lyricists, We interview because we want to keep

2767
02:29:09,200 --> 02:29:11,880
Speaker 1: bringing our culture to the culture. Now that now that

2768
02:29:12,400 --> 02:29:14,040
Speaker 1: we want people to know that we ain't changed, not

2769
02:29:14,160 --> 02:29:16,520
Speaker 1: a bit, now that we've got number one, and you know,

2770
02:29:16,640 --> 02:29:19,800
Speaker 1: god all we we we are still a part of

2771
02:29:19,959 --> 02:29:22,840
Speaker 1: the fucking coach and put you in the Kasha forward.

2772
02:29:23,280 --> 02:29:26,080
Speaker 1: We are hip hop regardless of what this is a

2773
02:29:26,560 --> 02:29:29,520
Speaker 1: this is a m C and the fucking DJ. I

2774
02:29:29,560 --> 02:29:32,240
Speaker 1: don't know if y'all motherfucker's ever realized that. I don't

2775
02:29:32,240 --> 02:29:34,480
Speaker 1: know if you knew generation that tuned in to the

2776
02:29:34,600 --> 02:29:37,840
Speaker 1: Drink Champions realized that hip hop started with the artists

2777
02:29:37,879 --> 02:29:40,280
Speaker 1: and the DJ and we're doing it and now but

2778
02:29:40,440 --> 02:29:43,120
Speaker 1: we're just doing it bigger because we got hazardous sounds.

2779
02:29:43,360 --> 02:29:46,360
Speaker 1: They're making our sound right. We got Rich Bloco making

2780
02:29:46,400 --> 02:29:49,720
Speaker 1: our visions right. We got drained making sure are still

2781
02:29:49,879 --> 02:29:53,000
Speaker 1: still it's right. We got Diego bringing that good good.

2782
02:29:53,240 --> 02:29:56,240
Speaker 1: We got Mike uptown bringing that good good. We got

2783
02:29:56,320 --> 02:29:59,160
Speaker 1: Sunny d BT. You know where the funk's at, We

2784
02:29:59,240 --> 02:30:04,320
Speaker 1: don't even know. We got rich motherfucking uh the bell bossman.

2785
02:30:04,520 --> 02:30:06,520
Speaker 1: We ain't telling y'all to get in trouble, but if

2786
02:30:06,560 --> 02:30:09,000
Speaker 1: you want to, motherfucker, get in trouble and say balls,

2787
02:30:09,120 --> 02:30:11,720
Speaker 1: come get you out. We got Best Bob motherfucking Liquors

2788
02:30:11,920 --> 02:30:15,240
Speaker 1: holding us fucking down. We got niggas with beards working

2789
02:30:15,320 --> 02:30:17,560
Speaker 1: the camera that's got your name, So that's what you

2790
02:30:17,600 --> 02:30:19,959
Speaker 1: don't have to take for right now. We got motherfucking

2791
02:30:20,520 --> 02:30:23,240
Speaker 1: Mr Leaf from Star Rock holding you know what I'm saying.

2792
02:30:23,360 --> 02:30:25,040
Speaker 1: And you've got DMX out here. We should have broken

2793
02:30:25,080 --> 02:30:30,440
Speaker 1: DMX man. Yeah. Yeah. We got motherfucking Boris from the Yeah. Yeah,

2794
02:30:30,480 --> 02:30:33,600
Speaker 1: he's a wrestler. He's the wrestling people in Peru with

2795
02:30:34,160 --> 02:30:36,640
Speaker 1: baby or yall. Yeah, you know what I'm saying. We

2796
02:30:36,720 --> 02:30:39,560
Speaker 1: got everybody and your little your little home girl. He

2797
02:30:39,720 --> 02:30:42,920
Speaker 1: was my favorite performance. But besides the established artists, he's

2798
02:30:43,000 --> 02:30:47,160
Speaker 1: my favorite performance tonight. Dutch Masters, I think you should

2799
02:30:47,240 --> 02:30:49,920
Speaker 1: change that name because it's very like generic. But other

2800
02:30:50,000 --> 02:30:52,480
Speaker 1: than that, I got nothing but love for you, and

2801
02:30:52,560 --> 02:30:56,080
Speaker 1: I'm telling you you can be a star. Come overhead

2802
02:30:56,080 --> 02:30:58,680
Speaker 1: and shout out your people. Come over here, Carol, like

2803
02:30:59,879 --> 02:31:02,240
Speaker 1: I mean, I mean that you know to do artists.

2804
02:31:02,440 --> 02:31:06,879
Speaker 1: It was hard, yeah, man, it's Dutch Master's Dutch Smoke Entertainment.

2805
02:31:07,120 --> 02:31:13,640
Speaker 1: I'm here with profit profit productions, Core guns and we're

2806
02:31:13,640 --> 02:31:16,560
Speaker 1: in here. Man. I'm always from Maryland. Man, I appreciate you. Man.

2807
02:31:16,720 --> 02:31:21,080
Speaker 1: You heard a young man? Yeah, yeah, Yeah, she's hard. Yeah, yeah, yeah,

2808
02:31:21,120 --> 02:31:25,440
Speaker 1: she's doing turn. It's y'all turn. Listen. The gay girls

2809
02:31:25,520 --> 02:31:30,920
Speaker 1: are taking over. Makes a noise to that guy. Goddamn,

2810
02:31:30,959 --> 02:31:34,520
Speaker 1: I'm calling sign. They got popping my mom more and

2811
02:31:34,560 --> 02:31:38,320
Speaker 1: your girl. All right, listen, man, that it is hard.

2812
02:31:38,400 --> 02:31:43,240
Speaker 1: You gotta hear hut ship? What did you? Oh? Go on?

2813
02:31:43,640 --> 02:31:45,120
Speaker 1: What's her name? That? Come on? Come on? Come on

2814
02:31:45,440 --> 02:31:49,400
Speaker 1: you too? Shot? You ain't shot on Maryland? Yeah, man,

2815
02:31:49,920 --> 02:31:53,400
Speaker 1: that song was lost man. You can find it on SoundCloud. No,

2816
02:31:53,640 --> 02:31:57,959
Speaker 1: wasn't you just how the corpus check up that's a loss.

2817
02:31:58,200 --> 02:32:02,080
Speaker 1: I get it back. That's a loss. I get it back.

2818
02:32:02,680 --> 02:32:05,560
Speaker 1: A man, all right, leave it alone. This is me

2819
02:32:07,920 --> 02:32:10,680
Speaker 1: listen to the podcast. Yo co Megan once again. Man,

2820
02:32:10,959 --> 02:32:13,320
Speaker 1: I can't thank you so much your Koree guns Man.

2821
02:32:13,400 --> 02:32:15,920
Speaker 1: We're gonna keep this hip hop going whenever you guys

2822
02:32:16,000 --> 02:32:18,039
Speaker 1: want to come back. You want to bring your artists,

2823
02:32:18,200 --> 02:32:20,360
Speaker 1: you want to bring your girl when you marry up,

2824
02:32:20,520 --> 02:32:22,440
Speaker 1: you want to bring when you remarry your new girl.

2825
02:32:22,480 --> 02:32:24,880
Speaker 1: I'm sorry, I'm not saying anybody like that. What I'm

2826
02:32:24,920 --> 02:32:26,920
Speaker 1: saying is, whatever you guys want to do, this is

2827
02:32:27,000 --> 02:32:29,959
Speaker 1: your motherfucking home. This is your motherfucking audience that we're

2828
02:32:29,959 --> 02:32:32,520
Speaker 1: speaking to. This is your motherfucking house. You do what

2829
02:32:32,600 --> 02:32:35,200
Speaker 1: the funk you want. We appreciate you being here, We

2830
02:32:35,400 --> 02:32:37,760
Speaker 1: love that you're being here, and your motherfucking come back

2831
02:32:37,800 --> 02:32:40,480
Speaker 1: whenever the funk you want, because hip hop is running.

2832
02:32:40,520 --> 02:32:42,880
Speaker 1: What the fuckers is? What is that? Eight and nine?

2833
02:32:43,040 --> 02:32:45,680
Speaker 1: Goddamn it, motherfucking right, we had eight and nine. You

2834
02:32:45,760 --> 02:32:48,000
Speaker 1: have the fucking the Illness Festival. I want to to

2835
02:32:48,120 --> 02:32:51,520
Speaker 1: It's a festival barbecue. You guys killed it. Thank you

2836
02:32:51,600 --> 02:32:53,440
Speaker 1: guys for being a partner of the drink Champ just

2837
02:32:53,560 --> 02:32:56,640
Speaker 1: coming out a sad hazard. It sounds Richard Blanco, okay,

2838
02:32:56,680 --> 02:32:58,840
Speaker 1: and that's in the building. I forgot to shout you all. Sorry.

2839
02:32:59,080 --> 02:33:03,320
Speaker 1: Motherfucker's Steve all Paul before we get out of here.

2840
02:33:03,560 --> 02:33:07,560
Speaker 1: Your sports prediction was fucked up, you said, you said,

2841
02:33:07,680 --> 02:33:11,920
Speaker 1: Karen Duran, what's coming to the fucking heat? Yeah, they

2842
02:33:12,000 --> 02:33:20,000
Speaker 1: got the wrong number? What info your voodoo lady. You

2843
02:33:20,040 --> 02:33:22,400
Speaker 1: said Karen Duran was going to the eat where they

2844
02:33:22,480 --> 02:33:24,600
Speaker 1: at right now? See you about thirty six months? But

2845
02:33:24,680 --> 02:33:28,040
Speaker 1: what no, no, thirty six months. But Karen Duran that

2846
02:33:28,200 --> 02:33:29,640
Speaker 1: right now, he adin't going to stick. He didn't go

2847
02:33:29,680 --> 02:33:33,040
Speaker 1: to State's pulling the bay sports guy. He sucked you

2848
02:33:33,080 --> 02:33:35,720
Speaker 1: all last episode, I mean a couple of episodes back.

2849
02:33:36,040 --> 02:33:39,279
Speaker 1: So look, I just I just thanked them eat drink Champs.

2850
02:33:39,360 --> 02:33:45,280
Speaker 1: You know what I mean. Make some motherfucking noise, man. Yeah,

2851
02:33:45,400 --> 02:33:48,040
Speaker 1: out here, we want you to give you all the

2852
02:33:48,160 --> 02:33:50,400
Speaker 1: last words, man, give you whatever you want to say

2853
02:33:50,400 --> 02:33:52,680
Speaker 1: to your fans. Man, I've seen him come out tonight.

2854
02:33:52,840 --> 02:33:55,520
Speaker 1: You gotta colt following. Man, I'm telling you watch out

2855
02:33:55,600 --> 02:33:59,960
Speaker 1: in your backyard. They'd be watching and give your souls

2856
02:34:00,040 --> 02:34:04,480
Speaker 1: using your web your website. Yeah, the platform. Please go ahead,

2857
02:34:04,520 --> 02:34:07,600
Speaker 1: Corey shut it over, um, Corey Guns one seven four

2858
02:34:07,959 --> 02:34:11,440
Speaker 1: that Stan Instagram. I ain't too sadly the Snapchat yet

2859
02:34:11,520 --> 02:34:14,240
Speaker 1: like that, but I'm on Graham c O R Y

2860
02:34:14,360 --> 02:34:17,400
Speaker 1: g and Z one seven four and criminal Mind that

2861
02:34:17,440 --> 02:34:22,120
Speaker 1: it's coming soon, Criminal minded. Shout the Prophet, shout the door.

2862
02:34:22,920 --> 02:34:26,680
Speaker 1: Shout to core Mega, shout the ready. Eight nine, shout

2863
02:34:26,720 --> 02:34:29,960
Speaker 1: out to y'all. Shout the red Man, shout to drink

2864
02:34:30,080 --> 02:34:33,080
Speaker 1: Chimp song, Thank y'all, Thank you man. We need them. Shoutouts, baby,

2865
02:34:33,480 --> 02:34:38,200
Speaker 1: we need to we're hurting overhead Mega. Alright, shout out

2866
02:34:38,240 --> 02:34:40,360
Speaker 1: to eight now. First of all, shout to eight now.

2867
02:34:40,720 --> 02:34:43,640
Speaker 1: I've been I've been coming here before. I know these

2868
02:34:43,720 --> 02:34:47,200
Speaker 1: dudes for years. Goddamn it make some noise for a nine.

2869
02:34:53,040 --> 02:34:56,720
Speaker 1: I've actually done like three collaborations with them. The hat

2870
02:34:56,959 --> 02:34:59,080
Speaker 1: that did the Bucket had with them. I didn't Mega

2871
02:35:00,080 --> 02:35:03,400
Speaker 1: snap Back and I did Omega Real Father shirt, so

2872
02:35:03,480 --> 02:35:05,080
Speaker 1: I have years of relationship with him. So it's a

2873
02:35:05,120 --> 02:35:09,360
Speaker 1: coincidence that we all. So that's that. Shout out to

2874
02:35:09,400 --> 02:35:13,840
Speaker 1: eight nine for nine Instagram. Oh my, it's my Instagram

2875
02:35:13,920 --> 02:35:16,199
Speaker 1: and all that social ship is I am Cormerica because

2876
02:35:16,240 --> 02:35:19,840
Speaker 1: there's a fake Cormega, real comica. So if you followed,

2877
02:35:20,320 --> 02:35:23,400
Speaker 1: it's tricky because he caught us something real Cormega. So

2878
02:35:23,560 --> 02:35:30,040
Speaker 1: you real Omega unfollowed him? Please, Oh my god, only

2879
02:35:30,400 --> 02:35:33,000
Speaker 1: you called me. You probably caught a lot of people

2880
02:35:33,040 --> 02:35:35,360
Speaker 1: because I'm following you on Twitter. You know that for

2881
02:35:35,400 --> 02:35:37,800
Speaker 1: a fact. So you follow me too. Now I am

2882
02:35:37,879 --> 02:35:43,680
Speaker 1: co Omega. I am Cormega now following you. I was

2883
02:35:43,760 --> 02:35:47,000
Speaker 1: following the Comega okay, so shout out that. And I

2884
02:35:47,080 --> 02:35:49,480
Speaker 1: just want anybody know I'm about the bus Niggers asked

2885
02:35:49,520 --> 02:35:52,320
Speaker 1: that this new music I'm working with Harry Freud right now,

2886
02:35:52,959 --> 02:35:55,320
Speaker 1: and I'm working with Harry for that sound crazy. And

2887
02:35:55,320 --> 02:35:57,120
Speaker 1: I got someone sizzling about to come out, and I

2888
02:35:57,160 --> 02:35:59,320
Speaker 1: got someone having about to come off. I gotta unreleased

2889
02:35:59,400 --> 02:36:02,880
Speaker 1: join with this dude named Noriega too. I sent you

2890
02:36:02,959 --> 02:36:05,760
Speaker 1: event here so you know, thanks you for coming out,

2891
02:36:05,760 --> 02:36:07,120
Speaker 1: and thank you all for the love. Thank you for

2892
02:36:07,560 --> 02:36:11,640
Speaker 1: coming out tonight. Man, you don't have me feel love alright.

2893
02:36:12,240 --> 02:36:20,720
Speaker 1: You want Corey crowd man gonna take pictures and the

2894
02:36:20,800 --> 02:36:23,160
Speaker 1: drop yo has Hold up a second before we get

2895
02:36:23,200 --> 02:36:25,040
Speaker 1: out of here. I want to play two joints off

2896
02:36:25,120 --> 02:36:28,080
Speaker 1: my album Another Time, one featuring Corn Mega, the other

2897
02:36:28,120 --> 02:36:30,959
Speaker 1: one featuring Corey Guns, both the joints we talked about

2898
02:36:31,000 --> 02:36:33,600
Speaker 1: today on the podcast. One is produced by Big Drain

2899
02:36:33,720 --> 02:36:35,800
Speaker 1: and the other one produced by Hazardous Sounds. Again off

2900
02:36:35,879 --> 02:36:38,680
Speaker 1: my album Another Time that's out now. The album features

2901
02:36:38,720 --> 02:36:43,879
Speaker 1: the likes of Red Man, Bumby, Denzel Curry, Gunplay, Nori,

2902
02:36:45,000 --> 02:36:49,240
Speaker 1: David Banner, John Connor, Inspected, Deck, m O P made

2903
02:36:49,320 --> 02:36:51,480
Speaker 1: a I Mean it got sixty six artists, so there's

2904
02:36:51,520 --> 02:36:55,199
Speaker 1: something for everybody on there. The albums available now on iTunes, Title,

2905
02:36:55,320 --> 02:36:58,560
Speaker 1: Google Play, Spotify, or if you even want physicals, go

2906
02:36:58,680 --> 02:37:01,480
Speaker 1: to crazyhood dot com. Also make sure to follow us

2907
02:37:01,800 --> 02:37:04,400
Speaker 1: on our social media's Minus at d j e f

2908
02:37:04,520 --> 02:37:07,880
Speaker 1: and on Twitter at Who's Crazy on Instagram, Noria's at

2909
02:37:07,959 --> 02:37:11,160
Speaker 1: Noriega on Twitter and at the Real Noriega on Instagram.

2910
02:37:11,440 --> 02:37:15,800
Speaker 1: Follow the team at Hazardous Sounds, at Rich Underscore, Blanco

2911
02:37:16,400 --> 02:37:18,960
Speaker 1: at Big Drain, and also our homie that does all

2912
02:37:18,959 --> 02:37:22,160
Speaker 1: our graphics shout out to him at a kazee six

2913
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Speaker 1: That's a k a z i E. And also make

2914
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Speaker 1: sure you follow all the Drink Champs socials that's at

2915
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Speaker 1: Drink Champs across the board, Facebook, Twitter, Instagram, all that

2916
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Speaker 1: pick up our merch at drink Champs dot com or

2917
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Speaker 1: go to eight to nine dot com. So we out

2918
02:37:38,120 --> 02:37:42,040
Speaker 1: of here? Man looking out drink Champs. Motherfucker's yeah, I

2919
02:37:42,080 --> 02:37:47,600
Speaker 1: have to pop in my che crime don looking at

2920
02:37:47,640 --> 02:37:53,320
Speaker 1: the track and the rap game like track game. Let

2921
02:37:53,400 --> 02:37:56,520
Speaker 1: me be kids the d J e f V if

2922
02:37:56,560 --> 02:38:00,800
Speaker 1: he's crazy? Hood, Who's crazy? Got FM me in Miami?

2923
02:38:00,959 --> 02:38:05,000
Speaker 1: Harry Kane Win, it's Los Angeles Kings, your local prayer

2924
02:38:05,480 --> 02:38:09,400
Speaker 1: west really though, she no hippie flow, run hard, hit

2925
02:38:09,520 --> 02:38:12,879
Speaker 1: the whole, no tippy toe rock with me though, fun

2926
02:38:13,040 --> 02:38:16,160
Speaker 1: with your brow? Bro, wouldn't recordsile since the days of

2927
02:38:16,240 --> 02:38:19,320
Speaker 1: the records store show. Yeah, I'm good, good, I got

2928
02:38:19,440 --> 02:38:22,039
Speaker 1: many more. I'm heavy in the hood. I'm a Chevy

2929
02:38:22,120 --> 02:38:26,800
Speaker 1: folk fifty four. These niggas ain't good, these niggas Week three,

2930
02:38:26,920 --> 02:38:31,240
Speaker 1: sixty five, fifty two weeks. Who's your favorite? Now gone

2931
02:38:31,320 --> 02:38:34,320
Speaker 1: debate it? Now, that's the far Ride, that's brother Love,

2932
02:38:34,480 --> 02:38:38,119
Speaker 1: Winter Calf, that's the far Ride. That's brother Love. Westbound

2933
02:38:38,240 --> 02:38:40,800
Speaker 1: feeling some kind of way you're sticking out your chest.

2934
02:38:40,959 --> 02:38:43,960
Speaker 1: Now that's all right, though, that's the love for you.

2935
02:38:44,640 --> 02:38:47,040
Speaker 1: You inspired me to do what the funk I do.

2936
02:38:47,560 --> 02:38:50,080
Speaker 1: And if it wasn't you and you and him too,

2937
02:38:50,640 --> 02:38:54,920
Speaker 1: then my motivation basically would be through this for you

2938
02:38:55,440 --> 02:38:57,960
Speaker 1: and you and you and him to Ye. This for you,

2939
02:38:58,680 --> 02:39:02,920
Speaker 1: you Hey, This for you and you when you hurt till,

2940
02:39:03,480 --> 02:39:08,320
Speaker 1: This for you, This for you, you and you and

2941
02:39:08,480 --> 02:39:16,119
Speaker 1: him Tom, This for you you hurt, you and your

2942
02:39:17,400 --> 02:39:20,160
Speaker 1: motivation is a better way to live for my family.

2943
02:39:20,480 --> 02:39:24,039
Speaker 1: Loyalty is royalty, This is magistrate flood sweat and tears

2944
02:39:24,080 --> 02:39:28,520
Speaker 1: through the years. Actually how to prepare me triumph forward tragedy.

2945
02:39:28,800 --> 02:39:33,080
Speaker 1: I graduated from Gladiator Academy at the top of my class,

2946
02:39:33,120 --> 02:39:37,600
Speaker 1: so I convey reality wrapped so emphatically, grammatically saying new

2947
02:39:37,680 --> 02:39:40,080
Speaker 1: stand that's actually rappers who used to front or in

2948
02:39:40,200 --> 02:39:42,840
Speaker 1: back of me. I'm moving forward, but soon go to

2949
02:39:42,920 --> 02:39:45,640
Speaker 1: when you're losing focus, live in a lot, dying a

2950
02:39:45,800 --> 02:39:49,160
Speaker 1: side at truth approaches you're supposed to salute, not the

2951
02:39:49,280 --> 02:39:53,320
Speaker 1: frute devotion to tradition, skilling, realism, my music growing out

2952
02:39:54,800 --> 02:39:57,880
Speaker 1: This for you for you when you're him to just

2953
02:39:58,040 --> 02:40:02,920
Speaker 1: for you, you, Hey, for you, you, you and hurt

2954
02:40:03,040 --> 02:40:08,440
Speaker 1: till Hot, This for you, This for you and you,

2955
02:40:09,840 --> 02:40:16,800
Speaker 1: This for you, this for you, you and hurt. Ye,

2956
02:40:17,680 --> 02:40:20,360
Speaker 1: I'm only here to aspire to gi Yeah, I feel

2957
02:40:20,360 --> 02:40:22,600
Speaker 1: like scar face if I tell her liars the truth.

2958
02:40:22,920 --> 02:40:25,880
Speaker 1: She's been writing coachs that don't require the roof. But

2959
02:40:25,920 --> 02:40:28,080
Speaker 1: I'm saying this street Nigga is always quick to forget.

2960
02:40:28,160 --> 02:40:32,160
Speaker 1: They cool the men of respect. Nigga's better money manners.

2961
02:40:32,600 --> 02:40:35,840
Speaker 1: Michael Villa is hungry, can't wait to pilly bananas with snow.

2962
02:40:35,920 --> 02:40:38,800
Speaker 1: Cable box Mama, just heading your tanner now. I'm at

2963
02:40:38,840 --> 02:40:41,760
Speaker 1: the light trying to pick cash for the pennacea. Hear

2964
02:40:41,840 --> 02:40:46,080
Speaker 1: my preminisia, feel my intu wish fast forward to the future.

2965
02:40:46,120 --> 02:40:49,000
Speaker 1: I'm just reminiscing what I'm about to do to the game.

2966
02:40:49,120 --> 02:40:52,360
Speaker 1: Gonna be monumental. Want my Nigga's global. We're hustling into

2967
02:40:52,480 --> 02:40:55,760
Speaker 1: countinance where your boss Nigga. Fuck the monkey in the

2968
02:40:55,879 --> 02:40:58,720
Speaker 1: middle though so strong. I'm sending all the junkies to

2969
02:40:58,800 --> 02:41:02,199
Speaker 1: the spinning League. Got a coma, chose half, got an overdose,

2970
02:41:02,280 --> 02:41:04,440
Speaker 1: and she was looking good. Now she's skinny it in

2971
02:41:04,560 --> 02:41:07,440
Speaker 1: both the ocean's my old school. Got pretty paint with

2972
02:41:07,600 --> 02:41:11,680
Speaker 1: no rosen, cold blood and hustle with no most name.

2973
02:41:12,080 --> 02:41:13,920
Speaker 1: You know, I gotta keep my ship on the way

2974
02:41:14,000 --> 02:41:17,160
Speaker 1: buttered bread, these niggers half way thugging them alla with gout.

2975
02:41:19,240 --> 02:41:21,680
Speaker 1: Just for you, for you when you and him too,

2976
02:41:22,280 --> 02:41:26,480
Speaker 1: Just for you, hear hey, just for you and you

2977
02:41:26,600 --> 02:41:30,720
Speaker 1: when you and her too hot. This for you, hey hey,

2978
02:41:31,320 --> 02:41:34,320
Speaker 1: this for you, you and you and him to this

2979
02:41:34,560 --> 02:41:39,480
Speaker 1: for you, This for you, you when you and hurt

2980
02:41:39,560 --> 02:41:48,200
Speaker 1: to you and your h too. I st we used

2981
02:41:48,240 --> 02:41:55,520
Speaker 1: to have their han um crazy hood. Just another sunny

2982
02:41:55,640 --> 02:42:00,240
Speaker 1: j in l A, another sunny day in Miami. You

2983
02:42:00,320 --> 02:42:06,920
Speaker 1: know how we get it. Oh, it's a good day

2984
02:42:06,959 --> 02:42:11,200
Speaker 1: to be a b boy, you know. Um yo yo,

2985
02:42:12,040 --> 02:42:14,760
Speaker 1: I'm shut up as a Puerto Ricans. Line up the bitch.

2986
02:42:14,800 --> 02:42:17,800
Speaker 1: Just come say focus, get your grind up. How refuse

2987
02:42:17,840 --> 02:42:20,040
Speaker 1: of them it damn get your mind up for what

2988
02:42:20,200 --> 02:42:23,800
Speaker 1: you hurt like it's have vaginas guti do cakes all

2989
02:42:23,879 --> 02:42:27,879
Speaker 1: shined up round, nasty of the homeless people. Fucking if

2990
02:42:27,959 --> 02:42:31,360
Speaker 1: it production catch me on polace with a kivana tanka.

2991
02:42:31,440 --> 02:42:34,680
Speaker 1: Stop It's like it's nothing kid to day, it was

2992
02:42:34,760 --> 02:42:37,360
Speaker 1: a good day. More nique is in the pronk in

2993
02:42:37,440 --> 02:42:40,800
Speaker 1: a hunt day. Can I get the told mois like good? Yeah,

2994
02:42:41,160 --> 02:42:45,480
Speaker 1: I'm musing. Bit Just push play soo, hey, this has tangyar.

2995
02:42:45,640 --> 02:42:49,840
Speaker 1: Why go funk yourself? Each shouldn't die. Call it lebron

2996
02:42:49,959 --> 02:42:52,640
Speaker 1: for reason, I should have steamer on a chest and

2997
02:42:52,760 --> 02:43:00,560
Speaker 1: I'm leaving for Cleveland. Oh every think we got in

2998
02:43:00,640 --> 02:43:03,400
Speaker 1: this world, nigga, we earned it. Never follow your rules,

2999
02:43:03,440 --> 02:43:06,360
Speaker 1: took a line and learned it. Underground nine were right

3000
02:43:06,440 --> 02:43:08,880
Speaker 1: here on the surface. A rap sheet is perfect. We

3001
02:43:09,000 --> 02:43:12,040
Speaker 1: wrapped for a purpose. Everything we got this world, nigga,

3002
02:43:12,080 --> 02:43:14,640
Speaker 1: we earned it. Let the follow the rules a line

3003
02:43:14,720 --> 02:43:17,960
Speaker 1: and burnt it. Underground nine were right here on this purpose.

3004
02:43:18,120 --> 02:43:20,440
Speaker 1: A rap sheet is perfect. We rapped for a birth.

3005
02:43:20,520 --> 02:43:23,200
Speaker 1: It is the slow flow never so so the ritten's

3006
02:43:23,240 --> 02:43:25,960
Speaker 1: one take care to break like in the missions and

3007
02:43:26,200 --> 02:43:28,720
Speaker 1: a minute water mat by the mother man used to

3008
02:43:29,120 --> 02:43:31,640
Speaker 1: do what taking that mage enough the system with it

3009
02:43:31,840 --> 02:43:34,960
Speaker 1: for the flashing like to be flashing my way like

3010
02:43:35,360 --> 02:43:38,840
Speaker 1: fos down. The highway had to be high to be

3011
02:43:39,040 --> 02:43:40,800
Speaker 1: at ease for most of the ease, and they could

3012
02:43:40,840 --> 02:43:44,960
Speaker 1: freeze tournam memory. But my nick like hell no, I

3013
02:43:45,000 --> 02:43:47,200
Speaker 1: don't even know how to fail. The world failed, not

3014
02:43:47,560 --> 02:43:50,920
Speaker 1: even enough bold cap were on the ground from sundown

3015
02:43:51,000 --> 02:43:54,640
Speaker 1: the sunshine, the whole nine that was old times at

3016
02:43:54,680 --> 02:43:57,800
Speaker 1: the time Old Times didn't under the standing was playing

3017
02:43:57,879 --> 02:44:00,520
Speaker 1: up to speak of playing music rumbling. The tweet is

3018
02:44:00,560 --> 02:44:03,200
Speaker 1: making ay the certain believers and ladies that couldn't leave us,

3019
02:44:03,640 --> 02:44:07,039
Speaker 1: you know out the back old Maybe take the black

3020
02:44:07,120 --> 02:44:11,080
Speaker 1: foote this appear in that gone didn't mean to stay long,

3021
02:44:11,320 --> 02:44:20,080
Speaker 1: just checking if my mic song yo were everything we

3022
02:44:20,200 --> 02:44:22,800
Speaker 1: got in this world. Nigga, we earned it. Never follow

3023
02:44:22,840 --> 02:44:25,760
Speaker 1: your rules to a line and earned it. Underground nine

3024
02:44:25,840 --> 02:44:28,600
Speaker 1: were right here on the surface. A rap sheet is perfect.

3025
02:44:28,720 --> 02:44:31,920
Speaker 1: We wrapped for a purpose. Everything we dine it's world, nigga,

3026
02:44:32,000 --> 02:44:35,240
Speaker 1: we earned it, never following your rules Calina and burned it.

3027
02:44:35,560 --> 02:44:38,400
Speaker 1: Underground nine. We're right here on this purface. A rap

3028
02:44:38,480 --> 02:44:41,680
Speaker 1: sheet is perfect. We wrapped for a purpose. I'm ready

3029
02:44:41,720 --> 02:44:44,560
Speaker 1: for work like Monday, catch me in l a y'all

3030
02:44:44,760 --> 02:44:48,480
Speaker 1: sucking free Sunday from porch like smoking in shoo all Friday.

3031
02:44:48,640 --> 02:44:50,720
Speaker 1: It's the work week and he suck is just work

3032
02:44:50,800 --> 02:44:54,480
Speaker 1: weekus like the condom pop spermly they can't touch me

3033
02:44:54,840 --> 02:44:57,680
Speaker 1: like I'm sick and the jury free sanitize the mouth

3034
02:44:57,800 --> 02:45:00,280
Speaker 1: for the dirty spitting out. I remove them like spot

3035
02:45:00,400 --> 02:45:03,039
Speaker 1: in my big shout out. All I do was thinking

3036
02:45:03,040 --> 02:45:05,200
Speaker 1: of the dudes that got murdered from the set. It

3037
02:45:05,240 --> 02:45:07,240
Speaker 1: from the site from Inger is the freestyle is and

3038
02:45:07,360 --> 02:45:09,960
Speaker 1: the palm trees and green weed growing the sunny Collie show.

3039
02:45:10,120 --> 02:45:12,720
Speaker 1: Catch me in a ate with Smooth Brown. I'm from

3040
02:45:12,760 --> 02:45:15,240
Speaker 1: Cali to the season out needing no trigger, don rock

3041
02:45:15,320 --> 02:45:18,080
Speaker 1: you Rea long change because that's for other niggas. After

3042
02:45:18,160 --> 02:45:20,760
Speaker 1: wolf stay hungry. So we finally hit the buffet. You

3043
02:45:20,879 --> 02:45:22,959
Speaker 1: worked for that meal like a sign from a bus

3044
02:45:24,200 --> 02:45:27,640
Speaker 1: backhand battle for Spain's red compatible. Better watch you calling

3045
02:45:27,800 --> 02:45:29,840
Speaker 1: your friends like line you work for the fire and

3046
02:45:29,920 --> 02:45:32,840
Speaker 1: spawl after the odds in the city. Your Emeralds only

3047
02:45:32,920 --> 02:45:35,680
Speaker 1: checking was odds odds on the proxy. Watch is a

3048
02:45:35,760 --> 02:45:39,560
Speaker 1: small Jacob still divide these models. It's all asis everyway,

3049
02:45:39,600 --> 02:45:42,360
Speaker 1: playing your cars right, But we come from a crazy hood,

3050
02:45:42,440 --> 02:45:45,199
Speaker 1: so your shot look crazy like Bill cart Right. Everything

3051
02:45:45,280 --> 02:45:47,640
Speaker 1: we got in this world, nigga, we earned it, never

3052
02:45:47,760 --> 02:45:50,680
Speaker 1: followed your rules, took a line and earned it underground

3053
02:45:50,800 --> 02:45:53,280
Speaker 1: now we're right here on the surface. A rap sheet

3054
02:45:53,360 --> 02:45:56,200
Speaker 1: is perfect. He rapped for a purpose. Everything we got

3055
02:45:56,280 --> 02:45:59,200
Speaker 1: in this world, nigga, we earned it, never followed your rules,

3056
02:45:59,280 --> 02:46:02,360
Speaker 1: took a line and hunted underground. Now we're right here

3057
02:46:02,440 --> 02:46:06,240
Speaker 1: on this purpose. A round sheet is perfect purpose. I

3058
02:46:06,280 --> 02:46:08,720
Speaker 1: ain't with none of that. I ain't never been back

3059
02:46:08,760 --> 02:46:11,880
Speaker 1: away all the front and that Malicia to Gang CNB

3060
02:46:12,040 --> 02:46:15,240
Speaker 1: in the press. Somebody pray for me because it's donner time.

3061
02:46:15,600 --> 02:46:17,520
Speaker 1: How'd your wife and and kicks? You pick your home

3062
02:46:17,600 --> 02:46:19,920
Speaker 1: wrecker or your test to get the best for the

3063
02:46:20,000 --> 02:46:22,880
Speaker 1: clone checker. Yes, some little red man on his own

3064
02:46:23,000 --> 02:46:26,039
Speaker 1: letos nigga sucking y'all. Like when you don't neck us

3065
02:46:26,320 --> 02:46:29,080
Speaker 1: anywhere I go out, I'll be moved Fi dobe by

3066
02:46:29,200 --> 02:46:31,240
Speaker 1: my lonely in your hood asks about me, they know me.

3067
02:46:31,400 --> 02:46:34,560
Speaker 1: Respect is giving the left deliving respects taking the boy.

3068
02:46:34,680 --> 02:46:38,280
Speaker 1: Jopson drops to Nigga's record breaking tell a direct, faked nigga,

3069
02:46:38,360 --> 02:46:41,000
Speaker 1: name a place, time and I'm gonna take seconds. Niggas

3070
02:46:41,000 --> 02:46:44,199
Speaker 1: ain't gonna waste time left. How the nigga's doing tink

3071
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