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Speaker 1: Dude, how is that Beastie I'm great, what's that Beastie

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Speaker 1: Boys song? It's like Intergalactic now. Someone told yeah, and

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Speaker 1: someone told me that if you listen closely, you can

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Speaker 1: hear Intergalactic, Kill the children, Kill the children, and Turgalactic.

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Speaker 1: I'm telling you, once you hear that, you will forever

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Speaker 1: hear it. When you listen to that song, I want

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Speaker 1: you listeners, I don't this podcast.

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Speaker 2: You will hear when young children.

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Speaker 1: You know, when someone points something out to you, and

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Speaker 1: then you can never not hear it that way.

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Speaker 2: Yes, it's like it's like listening to that song. Sir

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Speaker 2: shut dicy sat so shut.

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Speaker 3: They put on the interweb on like memes and stuff.

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Speaker 3: They give you fake lyrics, and it really sounds like

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Speaker 3: these people are saying that.

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Speaker 1: Bill Bill Lawrence arrived in the zoom call everybody Intergalactic,

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Speaker 1: kill the children, Kill the children.

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Speaker 2: I don't like that.

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Speaker 4: I don't like it either, But the Beastie Boys did.

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Speaker 2: It Donald, They did not do that.

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Speaker 4: I'm not one of the Beastie Boys.

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Speaker 3: But I'm a huge fan of the Beastie Boys, and

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Speaker 3: I refuse to believe that they killed children or that

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Speaker 3: they want you to kill children in an intergalactic planetary way.

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Speaker 1: Intergalactic kill the children, kill the children, and here's Lawrence.

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Speaker 5: Everybody, you guys watch the Beastie Boys documentary.

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Speaker 2: Not yet.

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Speaker 3: I really want to watch it, though it's on my

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Speaker 3: to do list. I'm stuck on the right now.

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Speaker 5: I'm watching you know who really likes The Beastie Boys

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Speaker 5: a lot? The Beastie Boys.

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Speaker 6: Documentary.

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Speaker 5: And then we did this great thing.

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Speaker 6: Bill.

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Speaker 1: I imagine you as a sports fan. You're watching the

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Speaker 1: the the that's the one.

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Speaker 2: I'm stuck on.

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Speaker 4: The Bulls.

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Speaker 3: Yes, oh my gosh. This but Bill, doesn't this remind

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Speaker 3: you of why you love Michael Jordan so much when

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Speaker 3: you were younger? Like, this makes me realize why he

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Speaker 3: was one of my idols growing up.

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Speaker 4: Even I had the poster.

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Speaker 1: Guys, I want you to know that I had a

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Speaker 1: poster of him in my room because I wanted to

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Speaker 1: be cool too. Every kid that age, our age at

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Speaker 1: that time had the Michael Jordan poster, And even though

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Speaker 1: I didn't watch any of it, I was like, well,

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Speaker 1: I'm gonna need one of those.

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Speaker 5: There is nothing funnier than you with a Michael Jordan poster.

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Speaker 1: It was right next to a Phantom of the opera

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Speaker 1: Beach Towel. My father bought me a Phantom of the

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Speaker 1: opera beach Towel, and you were supposed.

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Speaker 4: To use it at the beach. And I was like,

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Speaker 4: this is art. I will hang this on my wall.

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Speaker 1: And I took thumbtacks and hung it like a tapestry,

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Speaker 1: like like a really precious, rare tapestry. It was a

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Speaker 1: fan of the opera beach towel. And right next to

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Speaker 1: that was Michael Jordan dunking with his tongue out. So

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Speaker 1: there you go. I was in.

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Speaker 5: Should I start this voice memo?

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Speaker 2: Now?

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Speaker 5: Guys?

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Speaker 1: All right, well you should have.

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Speaker 5: Yeah, Zach forgot the the other day.

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Speaker 1: Oh I fucked up. I hear that.

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Speaker 5: I was the only one I haven't heard. I haven't

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Speaker 5: heard Judy Is yet because I fell asleep last night.

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Speaker 1: It's so good. Judy was a man.

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Speaker 2: She was great.

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Speaker 1: Wait, we forgot to sing, We forgot to sing Bill

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Speaker 1: save five, six, seven, eight.

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Speaker 5: Oh, I've always wanted to do this. Wait, is is

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Speaker 5: it going to be at the end or oh?

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Speaker 4: Yes, the audience wait in Bill.

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Speaker 1: Thousands of people did an online Twitter poll and decided

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Speaker 1: that the mm HM stays.

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Speaker 5: All right, well I'm gonna do oh yeah, because that's

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Speaker 5: what it is in my head five six, seven, eight.

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Speaker 3: Stories about show we made about a bunch of dogs

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Speaker 3: and nurses.

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Speaker 2: He said, he's the stories natural. So gada ra here,

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Speaker 2: YadA ra here.

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Speaker 1: Oh yeah, Bill, you're the very first for the obvious reasons,

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Speaker 1: you're the very first asked we've invited back.

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Speaker 2: He's our recurring.

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Speaker 4: Yes, you're recurring, Bill.

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Speaker 1: Just just how you had the power to make characters

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Speaker 1: on Scrubs re reccurring. We bon Donald and I have

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Speaker 1: have the power to make you the creator of the

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Speaker 1: show recurring, and we've chosen you.

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Speaker 5: Oh I like that. It makes it makes me feel

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Speaker 5: like it's tenuous, like I could lose this at any second.

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Speaker 4: Yeah, but you can fuck up and be cut anytime,

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Speaker 4: you know what.

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Speaker 3: Speaking of reoccurring, Uh, it's it has a lot to

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Speaker 3: do with the episode.

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Speaker 2: But Yo, how where did you? Where did you find Rob?

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Speaker 2: How did that happen?

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Speaker 4: What's the Rob story?

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Speaker 1: Bill? Because we've had versions of this.

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Speaker 2: How did you find Rob? Who plays the Todd Everyone?

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Speaker 1: All my laugh out loud moments in this episode were Rob.

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Speaker 1: And I'm embarrassed to say that because they're the dumbest

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Speaker 1: fucking sex jokes. But every time I always write down

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Speaker 1: lo ol, just so I can mark when I actually

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Speaker 1: laughed out loud.

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Speaker 4: And they were all Robs.

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Speaker 5: Rob was an actor that got cast in a play

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Speaker 5: that I wrote, and so I got to know him,

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Speaker 5: and he was a stand up comic and his performance

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Speaker 5: was always better than his material because he was just,

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Speaker 5: you know, had crazy amounts of confidence and I just

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Speaker 5: got to be buddies with him, playing basketball and hanging out.

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Speaker 5: And my wife always says that I ruined his life

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Speaker 5: because Rob went to Columbia and I think he was

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Speaker 5: thinking about doing other things besides acting, And right then

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Speaker 5: I said, I'm doing the Scrubs pilot. You want to

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Speaker 5: be the jockey surgeon. He might have a line here

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Speaker 5: and there. I think the line had Rob had one

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Speaker 5: line in every episode for nine years.

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Speaker 1: And then.

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Speaker 5: You know, and after that, I think, you know, he

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Speaker 5: was a guy that had been doing it so long

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Speaker 5: it was too late to reinvent himself and to start

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Speaker 5: over as anything other than an actor. But this says

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Speaker 5: a very good ending because he's a hugely he's still

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Speaker 5: the Todd and he has a hugely successful real estate

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Speaker 5: business in Venice, California, and is killing it out there.

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Speaker 5: And he's still occasionally though, dyes his hair black, puts

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Speaker 5: the fake tattoo on, and goes to like European comic

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Speaker 5: cons as the Todd And he's got to pay people

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Speaker 5: pay him for high fives.

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Speaker 1: And he's got his cameo business, which you can get

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Speaker 1: him to cameo all your friends if you go.

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Speaker 3: And if I were hiring Rob to do a Todd appearance,

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Speaker 3: he'd have to be in the banana hammock like I'd be,

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Speaker 3: and you have.

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Speaker 4: To probably costs extra.

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Speaker 1: Donald. That probably costs extra.

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Speaker 5: I would probably cost ever extra.

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Speaker 7: And now he probably needs about a six month lead

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Speaker 7: time on.

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Speaker 5: That to start starving himself.

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Speaker 1: By the way, if you need a real estate, if

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Speaker 1: you need a real estate broker in southern California, especially

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Speaker 1: down at the beach, hire Rob Mashio, because I'm sure

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Speaker 1: he'd be willing to give you a high five while

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Speaker 1: he shows you places. In Venice.

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Speaker 5: There is, without a doubt way to buy a house

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Speaker 5: from me high five out there for someone.

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Speaker 1: You could buy a house and get a high five

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Speaker 1: from Robin, surell throw it in with the yeah, I.

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Speaker 5: Don't even think you have to pay extra for that.

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Speaker 5: But he couldn't be. It couldn't be a nicer guy.

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Speaker 5: Loved the show. I used to love how passionate he

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Speaker 5: was about it. And you guys made the joke because

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Speaker 5: he would have one line and he would be running

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Speaker 5: it over and over. And it's still one of my

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Speaker 5: favorite jokes. Rob's over there running line.

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Speaker 4: Running singular. He would take it.

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Speaker 1: He would take it so seriously, and we were laughing

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Speaker 1: with him because he would laugh at it with us.

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Speaker 1: But he would be like over there in the corner

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Speaker 1: being like high five, high five, fine.

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Speaker 2: Working it out, but I mean, come on, always delivered.

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Speaker 1: He's so fucking funny man. It's it's always the same joke.

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Speaker 1: But that's another testament to Rob. It's like, it's always

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Speaker 1: an innuendo joke. It's the same joke, and it's always

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Speaker 1: in a sexual innuendo joke. But I but a testament

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Speaker 1: to you and him. I laugh every fucking time.

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Speaker 5: You by the way, you you just nailed. I believe

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Speaker 5: it might be you know, old war in history, But

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Speaker 5: my favorite Todd joke I think came from a one

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Speaker 5: a month. I think it was Neil Goldman and I

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Speaker 5: hate giving him a name check because he wants them

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Speaker 5: so bad.

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Speaker 1: I know. I saw Neil Goman wrote on Twitter. He's like,

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Speaker 1: there's been six episodes. I've been mentioned once.

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Speaker 7: I don't know, but the I think it was. I

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Speaker 7: think it was him.

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Speaker 5: I think someone of the writer's room said, is every

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Speaker 5: time the Todd talks just going to be sexual innuendo?

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Speaker 5: And I think he's the one that said in your end,

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Speaker 5: in your.

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Speaker 3: Endo, he has the best line. He has the best

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Speaker 3: line in this episode. It made me laugh so hard

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Speaker 3: when he says it's one of my l O l's bet.

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Speaker 2: I bet you it is. When he goes, you know

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Speaker 2: what else? You know what else?

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Speaker 5: Remember, I think it's I'm not sure, Todd, but I'm

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Speaker 5: gonna guess it's your penis.

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Speaker 1: Yeah, Todd, I'm not sure, but I'm gonna guess it's

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Speaker 1: your penis.

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Speaker 4: And it was now Bill Bill in your mind? Is

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Speaker 4: he a good surgeon? Yeah?

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Speaker 8: I don't know if you remember, if you guys have

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Speaker 8: gotten there yet, no, we're only on this one ten.

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Speaker 8: One of my favorite moments that the writer's room all

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Speaker 8: loved was because we had read something about how surgeons

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Speaker 8: are just cutters. You know, medical guys call them hammers

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Speaker 8: and the patient and nail, and if they get too

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Speaker 8: caught up in their head, they sometimes aren't as good.

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Speaker 5: And that gave us the idea for Turk's character. Asked

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Speaker 5: doctor when who the best surgeon is, thinking it would

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Speaker 5: be that young girl Bonnie or whatever her name is,

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Speaker 5: and doctor Wenn says, you really want to know who

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Speaker 5: it is, and he points at the Todd and you say,

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Speaker 5: no way. And then doctor Wenn says, you're all caught

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Speaker 5: up in your brain thinking about all these problems. You

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Speaker 5: know what Todd's doing, and they cut to Todd and surgery.

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Speaker 5: We actually paid for the Bonanza theme because he's just

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Speaker 5: he's just looking at all his instruments. He's going tiny Scalpel.

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Speaker 1: Was like, it's he's still present in the moment because

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Speaker 1: his mind isn't getting distracted. He's just like, yeah, he's.

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Speaker 5: Got nothing to distract it. It's like somebody. It's like,

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Speaker 5: it's like how somebody that's not that bright could be

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Speaker 5: great at the video game. That's Todd.

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Speaker 3: Let's talk about Bonnie because we mentioned it earlier that

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Speaker 3: she was supposed to be my nemesis at one point

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Speaker 3: right like that was supposed to.

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Speaker 5: Yeah, we we she got another gig.

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Speaker 2: She was good.

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Speaker 5: She would have stayed around the same way Doug did,

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Speaker 5: in the same way other you know, JD. Had Doug

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Speaker 5: on the medical side, she would have been the person

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Speaker 5: that stayed around on the surgical side. But she got

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Speaker 5: another gig.

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Speaker 6: You know.

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Speaker 5: That's why we we sent her off on that trip

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Speaker 5: and came up with that story only because we knew

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Speaker 5: she was not going to be around to work for

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Speaker 5: a while.

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Speaker 3: That's always tough, man, that has to be difficult. Like

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Speaker 3: when we talk about the people that have him through

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Speaker 3: the show, and you know, like A. Z's and all

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Speaker 3: of these other people, it's like, you know, if they

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Speaker 3: weren't bubbling and doing their thing at the time, they

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Speaker 3: would have been staples on the show for years, to doubt.

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Speaker 5: Man, even Charles Chung disappeared for a second because he

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Speaker 5: got some pilot or movie and stuff. And we loved

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Speaker 5: having that dude around. He's just a really kind of

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Speaker 5: you know meet and Potato's good actor, you know, and uhu.

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Speaker 1: And he was a good straight man too for Donald

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Speaker 1: because he was just so good at deadpan, you know,

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Speaker 1: and Donald could be like wacky Turk and he was

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Speaker 1: just perfect like we had.

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Speaker 5: You can keep listening him. Remember, Neil and Garrett called

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Speaker 5: them our weapons chest, and those were one line characters

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Speaker 5: that we thought were so very funny that not just

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Speaker 5: Ted the lawyer and Aloma, you know, Nurse Roberts, but

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Speaker 5: like doctor Zeltzer, you know.

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Speaker 1: And Bob, yeah, way, Bob Clennen, who's yet to make

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Speaker 1: an appearance. I don't know if he arrives in season

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Speaker 1: one or not, but you introduced me to Bob Clint

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Speaker 1: Dennon on the show and he played Zeltzer, and I

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Speaker 1: just thought that is one of the funniest character actors

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Speaker 1: I've ever met. I've put him in, I put him

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Speaker 1: in a bunch of stuff since because I just love

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Speaker 1: that guy.

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Speaker 5: He's uh, he's amazing, you know him and Sam Lloyd

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Speaker 5: and uh, Krista and Aloma. I mean, they could all

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Speaker 5: be regulars on any show.

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Speaker 2: And so it was.

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Speaker 1: Though of like you'd have like your guest star level,

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Speaker 1: like Krista, and then you'd have like the Aloma level

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Speaker 1: who were like and then you'd have people used to

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Speaker 1: call your assassins who would just come by once in

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Speaker 1: a while and they do like a drive by one

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Speaker 1: liner and just kill it like and and Bob Clintennon

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Speaker 1: was one of those. He was as REGOs will there

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Speaker 1: will there be prostitutes.

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Speaker 5: He would just be my favorite part of that joke.

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Speaker 5: You love that. My favorite was doctor Cox going no

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Speaker 5: and Bob's readA poe good.

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Speaker 1: No, oh good good.

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Speaker 5: He was not worried about it at all. He was hopeful.

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Speaker 1: Hey, Bill, I thought we could start off since we

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Speaker 1: have you, and I was thinking today because I did,

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Speaker 1: because you're here, and I put on a nice shirt.

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Speaker 1: I was telling him before you got on that because

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Speaker 1: we had you, I put on a nice shirt. And

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Speaker 1: I actually did a lot of preparation for this episode.

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Speaker 5: I'll watched it last night too. I'm ready.

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Speaker 4: It's very very good.

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Speaker 2: First, it was such a great episode.

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Speaker 1: Dude, Judy fucking Raly, we gotta do you guys got

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Speaker 1: to carry one torch for me beforehand.

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Speaker 5: The only thing that really bummed me out about this

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Speaker 5: episode and all my experiences is when I catch up

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Speaker 5: with you guys, unless I want to pop a DVD

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Speaker 5: and I watch on Hulu. And the song that Christa

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Speaker 5: picked at the end of this episode was so good,

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Speaker 5: and it was it's not you know, the original music

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Speaker 5: is not on these episodes and streaming and it bums

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Speaker 5: me out and.

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Speaker 1: I heard you. We keep telling the audience that, And

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Speaker 1: just to reiterate if you're just hearing this, not that

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Speaker 1: we don't love Hulu, but we do love whoo. But

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Speaker 1: we love you Hulu. But because of streaming rights and

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Speaker 1: contracts and such, you're not gonna get all of the

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Speaker 1: original songs that that Bill and Christa and others placed it, Zach.

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Speaker 5: And the ending song of this in the rain was

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Speaker 5: a song by a band called Sebadoh, and it was

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Speaker 5: so good and so poignant in the real production of it.

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Speaker 2: Speaking of music, we used it so much.

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Speaker 4: Here that's in this episode right, definitely in.

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Speaker 3: This episode, and it's kind of new in the scrubs.

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Speaker 3: It's like the second time we've used it.

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Speaker 2: Blah blah blah blah blah blah blah. But when it

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Speaker 2: came on, it pissed me off so much. It was like, oh,

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Speaker 2: you ruined it with the what's funny.

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Speaker 1: What's funny is like back when they back when they

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Speaker 1: introduced that sad c this was like, you know, this

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Speaker 1: was like, you know, a tenth episode of season one,

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Speaker 1: it was genuinely like sweet and heartfelt. Now that we

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Speaker 1: did nine seasons and then started to make fun of it,

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Speaker 1: now when it's like in a point you moment.

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Speaker 4: You're like, oh, not that fucking sad. This is the

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Speaker 4: same time.

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Speaker 3: This is the second time, this is the second time.

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Speaker 3: I remember when it finally caught my attention, I was like,

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Speaker 3: how come it fucking keeps going? Because at first I

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Speaker 3: was like, oh, such a beautiful moment for so long,

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Speaker 3: for so long, and then somebody was like, dude, the

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Speaker 3: sad song, We gotta figure that out.

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Speaker 2: I think it was you Bill that said that it's gotta.

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Speaker 5: Go all in our head. All those cues were the

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Speaker 5: stuff that's happening in Zach's head, Zach's character's head while

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Speaker 5: he's roomming around, you know.

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Speaker 1: So then you ended up doing a moment where in

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Speaker 1: one of the episodes where I actually referenced the cue, well.

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Speaker 5: You say, what do you mean now? Is when you

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Speaker 5: say something poignant it makes me think about it, And

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Speaker 5: then the sad music plays.

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Speaker 4: And then you hear me, you hear me in the

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Speaker 4: voiceover go.

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Speaker 1: And then I think, and then and then you geniusly

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Speaker 1: fucking then use the queue out of that scene. Now

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Speaker 1: it's so fun.

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Speaker 5: Yeah, he walks away and says you're an idiot, and

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Speaker 5: it goes. The real cue goes, but ma uh and

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Speaker 5: then then you lip sync the last one you.

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Speaker 4: I thought that.

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Speaker 5: I think that guy's name is Jan Stevens, and I

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Speaker 5: think he won a bunch of score awards for our show.

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Speaker 2: I don't think he was happy when you were like,

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Speaker 2: I don't like the anymore.

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Speaker 1: I want to hold He understood, he got it.

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Speaker 5: That guy got it.

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Speaker 1: He that he got to write, by the way, just

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Speaker 1: right hard, very hard assignment, just like you guys.

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Speaker 5: Are joking about yourself, as with anybody that was a

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Speaker 5: dude that worked his butt off, Oh my god here

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Speaker 5: for years and then when you get later in it,

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Speaker 5: you'd be like, hey, we need a queue four, and

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Speaker 5: your inbox will go how about this one? Just be

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Speaker 5: literally he was like one hand on his keyboard when

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Speaker 5: you said I need a que just going bomb bomb

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Speaker 5: bum bum bum. There you go done, I'm gonna head

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Speaker 5: out to the park.

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Speaker 1: What's funny was that? There? You know, when there's these

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Speaker 1: things called stings, which are really quick little moments. They're

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Speaker 1: all over scrubs and and uh, and funny one. Yeah.

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Speaker 1: Jan would write one like hey, we need some stings

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Speaker 1: for the end of the scene, and you get one

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Speaker 1: to be like bow and you're like boom. But we'd

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Speaker 1: use them. It was like big scrub scene and bow.

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Speaker 1: I thought, I thought, because we have you here and

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Speaker 1: and and we're really we're really not We're not only

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Speaker 1: entertaining the audience, but we want to provide a service

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Speaker 1: so that you could explain a little bit about what

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Speaker 1: a showrunner does. Because I was thinking as we were

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Speaker 1: having you on today that I honestly think I've done

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Speaker 1: a bunch of different jobs in my career. I think

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Speaker 1: a showrunner is the hardest job there is. And it's

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Speaker 1: dovetails with this episode because this is about taking on

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Speaker 1: too much workload and being stressed and being overwhelmed, particularly

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Speaker 1: for the character of Joe Tracy and Sarah Chalk. And

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Speaker 1: I just I thought you could explain to people that

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Speaker 1: aren't in the business, uh, what a show what a

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Speaker 1: showrunner is, what a show runner does, and why it's

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Speaker 1: such a fucking impossibly hard job.

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Speaker 5: Well, so it was here, what's interesting, man, Hollywood. The

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Speaker 5: first thing that you know, even when you're a kid,

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Speaker 5: if you like movies and TV and stuff like that,

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Speaker 5: is that you know that feature films are a director's industry.

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Speaker 5: We have all gone like, oh, it's a Martin Scorsese movie,

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Speaker 5: it's a Steven Spielberg movie, no matter who wrote it,

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Speaker 5: you know, and the directors get to do it. They

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Speaker 5: want the script and they cast it, and they argue

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Speaker 5: for final cut. And what's really interesting is in TV,

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Speaker 5: directors come and go week to week, and so the

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Speaker 5: person that creates the show, the head writer, often becomes

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Speaker 5: an event of the term for it, the showrunner. And

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Speaker 5: it's why I think, and I'm not being self aggrandizing,

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Speaker 5: I'm talking about other people, not myself, some of the

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Speaker 5: best writers in entertainment stay in television because in WEST

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Speaker 5: you're the movie director. In movies you're like, hey, you

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Speaker 5: give us the script and then we'll do whatever we

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Speaker 5: want to it. And in TV they go, all right,

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Speaker 5: if we decide to do your TV show, you get

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Speaker 5: to cast it, you get to write it, you get

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Speaker 5: final cut, the music. You're in charge of the director,

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Speaker 5: so that you can come down and say, no, I

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Speaker 5: don't like the way this scene is blocked. It's gonna

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Speaker 5: be funnier if you do it this way and you

408
00:19:09,840 --> 00:19:13,680
Speaker 5: get to run the whole shebang, right, And so that's

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Speaker 5: really appealing. The danger of the job is since they said, essentially,

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Speaker 5: if you're the showrunner, you can do everything. The people

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Speaker 5: whose brains explode are the ones that go, all right,

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Speaker 5: I'm gonna do all those things, but I'm also going

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Speaker 5: to do wardrobe, and I'm also going to stand on

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Speaker 5: set and make sure no one changes and to also

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Speaker 5: and I'm also going to do props, and I'm gonna

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Speaker 5: do you know. And those are the people that sometimes

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Speaker 5: they melt. Sometimes they're viewed as kind of tyrants, you know,

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Speaker 5: Like you know, Aaron Sorkin, I think would be one

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Speaker 5: of the first people to tell you that he's hard

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Speaker 5: to work with and for because you know, every last

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Speaker 5: detail you know drives him banana pants and the job.

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Speaker 5: The hard part of the job become whether or not

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Speaker 5: you can go of control and seed some things to

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Speaker 5: talented people. And I was lucky enough that we had

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Speaker 5: so many talented people there, like Carrie Bennett, the head

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Speaker 5: of wardrobe. She's done a lot of shows for me

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Speaker 5: after that. If I was somebody that needed to look

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Speaker 5: at every T shirt, every outfit, I think I would

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Speaker 5: have you not made it, that would have burnt out quicker.

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Speaker 5: But I was lucky and said, hey, you do this,

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Speaker 5: and I'll only say a word if I think it's wrong,

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Speaker 5: And then I never had to say anything, so to me, yes,

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Speaker 5: that's what the gig is great. It forces you to

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Speaker 5: pick the things that you prioritize the most personally and

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Speaker 5: not get lost in the things you don't care about

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Speaker 5: and the people that drown. Try to do everything.

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Speaker 1: But even in not micromanaging Bill, in a typical hour,

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Speaker 1: you are leading a writer's room, then being called to

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Speaker 1: set to watch a rehearsal for the scene being shot,

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Speaker 1: then needing to go to editorial to look at a

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Speaker 1: cut that has to go out to the network.

442
00:20:53,960 --> 00:20:56,520
Speaker 2: Doing rewrites if jokes don't work right.

443
00:20:56,720 --> 00:21:00,520
Speaker 1: I mean, I just remember watching you and thinking, God,

444
00:21:00,680 --> 00:21:03,000
Speaker 1: I mean, and it takes a person who can multitask

445
00:21:03,080 --> 00:21:05,880
Speaker 1: without going fucking nuts, because it's just a lot of pressure.

446
00:21:05,880 --> 00:21:07,960
Speaker 5: The herd, believe it or not. The hardest part for me,

447
00:21:08,400 --> 00:21:10,159
Speaker 5: and I had a little of it with YouTube, but

448
00:21:10,240 --> 00:21:14,800
Speaker 5: more with the writers is you also become, if not

449
00:21:14,960 --> 00:21:18,400
Speaker 5: a big brother, you know, a parent and a psychiatrist

450
00:21:18,440 --> 00:21:20,800
Speaker 5: to people and The joke was, you know, a lot

451
00:21:20,840 --> 00:21:23,840
Speaker 5: of the writers stayed for five, six, seven, even eight years.

452
00:21:23,720 --> 00:21:26,960
Speaker 2: On Scrubs, which is unheard of. I didn't know it

453
00:21:27,040 --> 00:21:28,359
Speaker 2: was a good gig. Yeah, I didn't know.

454
00:21:28,520 --> 00:21:30,480
Speaker 5: You take off, but if you're on a hit show,

455
00:21:30,480 --> 00:21:33,760
Speaker 5: you stay and your salary goes up every year. And

456
00:21:34,520 --> 00:21:37,000
Speaker 5: the joke was that by the end, every single writer

457
00:21:37,640 --> 00:21:42,000
Speaker 5: had been in my office emotional, crying about something, you

458
00:21:42,040 --> 00:21:44,480
Speaker 5: know what I mean. And Zach and Donald, you guys

459
00:21:44,520 --> 00:21:46,480
Speaker 5: can't see them, they're laughing because I think they both

460
00:21:46,520 --> 00:21:49,200
Speaker 5: inherently know that I'm the last person on earth that

461
00:21:49,359 --> 00:21:52,720
Speaker 5: wants somebody to be in his office.

462
00:21:52,960 --> 00:21:55,240
Speaker 4: We turned you into a hugger, Bill Bilt, Donald and I.

463
00:21:55,480 --> 00:21:58,000
Speaker 1: I remember when you didn't hoddle then Donald, dude, Donald

464
00:21:58,040 --> 00:21:58,760
Speaker 1: and I broke you down.

465
00:21:58,800 --> 00:22:01,320
Speaker 2: You were finally like, yo, dude, come on, let's hug

466
00:22:01,440 --> 00:22:01,879
Speaker 2: and I was.

467
00:22:01,920 --> 00:22:05,520
Speaker 1: Like, yeah, Donald and I broke him down. He was

468
00:22:05,600 --> 00:22:07,960
Speaker 1: not a hugger. He was a very waspy Connecticut guy.

469
00:22:08,480 --> 00:22:08,640
Speaker 6: Oh.

470
00:22:09,200 --> 00:22:10,639
Speaker 5: They used to always make fun of He think, come

471
00:22:10,640 --> 00:22:13,320
Speaker 5: in with some emotional thing of work or life or whatever,

472
00:22:13,800 --> 00:22:16,320
Speaker 5: and I would subconsciously, with all the things on my desk,

473
00:22:16,440 --> 00:22:20,280
Speaker 5: build a wall between the two that almost nuts. What's

474
00:22:20,320 --> 00:22:22,720
Speaker 5: going on with you and your uh and your your boyfriend?

475
00:22:26,119 --> 00:22:27,000
Speaker 1: Yeah, do that?

476
00:22:27,160 --> 00:22:28,800
Speaker 4: And you had to do that with with everyone.

477
00:22:28,840 --> 00:22:31,480
Speaker 1: And also I think you know, you started on Spin

478
00:22:31,600 --> 00:22:33,760
Speaker 1: City where you were you were young, and you had,

479
00:22:34,119 --> 00:22:36,680
Speaker 1: you know, a legend like Michael J. Fox to to

480
00:22:36,840 --> 00:22:39,440
Speaker 1: work with and to make sure he was happy. And

481
00:22:39,520 --> 00:22:41,520
Speaker 1: then when when Scrubs came on, we were all unknown.

482
00:22:42,080 --> 00:22:44,760
Speaker 1: Did you feel a little bit of uh an onus

483
00:22:44,880 --> 00:22:47,560
Speaker 1: to keep everyone's egos in check? I mean I would,

484
00:22:47,600 --> 00:22:48,200
Speaker 1: I would think that.

485
00:22:48,440 --> 00:22:51,120
Speaker 5: Yeah, I really wanted to keep people's egos in check

486
00:22:51,160 --> 00:22:54,200
Speaker 5: because in between, you know, I had seen, you know,

487
00:22:54,480 --> 00:22:56,840
Speaker 5: how hard it is when certain things hit you. You know,

488
00:22:57,040 --> 00:22:58,720
Speaker 5: I was on the first year of Friends, and I

489
00:22:58,760 --> 00:23:01,800
Speaker 5: actually empathized with that actors and actresses because watching how

490
00:23:02,400 --> 00:23:04,400
Speaker 5: you know that group of the air kids, how their

491
00:23:04,480 --> 00:23:07,240
Speaker 5: lives all change so fast, sometimes to the better, and

492
00:23:08,080 --> 00:23:10,399
Speaker 5: you know, you guys know this burden nothing to complain about,

493
00:23:10,440 --> 00:23:13,600
Speaker 5: but sometimes in complicated ways. So yeah, it was it

494
00:23:13,680 --> 00:23:16,320
Speaker 5: was really important to me to have a good culture

495
00:23:16,920 --> 00:23:20,879
Speaker 5: at work, to keep everybody's egos from blowing up. And

496
00:23:21,920 --> 00:23:25,000
Speaker 5: I'm not you know, I don't uh to equate it

497
00:23:25,040 --> 00:23:27,280
Speaker 5: to sports because we were talking about the Michael Jordan thing.

498
00:23:27,680 --> 00:23:29,960
Speaker 5: No I'm not Michael Jordan, but to be a leader

499
00:23:30,040 --> 00:23:31,880
Speaker 5: for a group of people that they at least knew

500
00:23:31,960 --> 00:23:34,080
Speaker 5: there were levels of respect you had to have for

501
00:23:34,160 --> 00:23:36,480
Speaker 5: each other and ways you're supposed to behave and that

502
00:23:36,560 --> 00:23:37,960
Speaker 5: somebody would watch your back.

503
00:23:38,160 --> 00:23:39,760
Speaker 4: You know, you might not be a Michael Jordan, but

504
00:23:39,840 --> 00:23:41,359
Speaker 4: I think of you like a Mike Kaminsky.

505
00:23:43,600 --> 00:23:46,080
Speaker 7: Donald and I are basketball guys. It's such an insult man.

506
00:23:46,240 --> 00:23:49,359
Speaker 2: That is the problem is is that that's the only

507
00:23:49,520 --> 00:23:51,400
Speaker 2: basketball guy he knows.

508
00:23:51,640 --> 00:23:51,680
Speaker 5: No.

509
00:23:51,840 --> 00:23:54,840
Speaker 1: Listen, when my father of a certain age, my father

510
00:23:54,840 --> 00:23:56,960
Speaker 1: would drag me to the New Jersey Nets games and

511
00:23:57,200 --> 00:23:59,920
Speaker 1: so I only know whatever year that was, that team,

512
00:24:00,200 --> 00:24:04,720
Speaker 1: Darryl Dawkins, Mike Jaminsky, otis Bird's song. So whenever I

513
00:24:04,800 --> 00:24:06,840
Speaker 1: have to make a basketball reference, I'm still like, oh,

514
00:24:06,880 --> 00:24:08,400
Speaker 1: you mean, like otis Bird's song?

515
00:24:09,040 --> 00:24:09,399
Speaker 6: Do you know?

516
00:24:09,800 --> 00:24:12,600
Speaker 7: Do you know Darryl Dawkins uh nickname?

517
00:24:13,119 --> 00:24:18,080
Speaker 1: Yeah? It does. Wait, he doesn't top the thunder thunder

518
00:24:18,320 --> 00:24:19,639
Speaker 1: and backwards.

519
00:24:20,160 --> 00:24:22,399
Speaker 5: Yes, And you know why I care because there was

520
00:24:22,480 --> 00:24:25,280
Speaker 5: a pitch that we were really trying to do. I

521
00:24:25,320 --> 00:24:27,440
Speaker 5: don't don't know why we got bogged down in it,

522
00:24:27,520 --> 00:24:29,639
Speaker 5: but it lived for the better part of two years.

523
00:24:30,119 --> 00:24:33,719
Speaker 5: That everybody wanted Darryl Dawkins to be nurse Robert sex husband.

524
00:24:34,320 --> 00:24:35,119
Speaker 2: That would have been awesome.

525
00:24:35,520 --> 00:24:38,359
Speaker 3: Oh man, God rest his soul, but that would have

526
00:24:38,400 --> 00:24:40,000
Speaker 3: been awesome if he was on the show.

527
00:24:40,119 --> 00:24:41,959
Speaker 2: That would have been the best day that would have been.

528
00:24:42,240 --> 00:24:43,639
Speaker 2: That would have been a highlight for me. Oh my.

529
00:24:44,240 --> 00:24:46,920
Speaker 5: It was so like, it sucks because it breaks. It

530
00:24:46,960 --> 00:24:49,440
Speaker 5: sounds like it breaks down on male female dynamics because

531
00:24:49,440 --> 00:24:51,480
Speaker 5: there's a lot of guy sports fans in there. But

532
00:24:51,680 --> 00:24:53,600
Speaker 5: it was one of those things that a lot of

533
00:24:53,680 --> 00:24:56,280
Speaker 5: the great female writers on that show were like, I

534
00:24:56,280 --> 00:24:59,960
Speaker 5: don't understand. Why do you want this former seven foot

535
00:25:00,080 --> 00:25:03,480
Speaker 5: tall NBA that would have been perfect that they called

536
00:25:03,560 --> 00:25:04,760
Speaker 5: Chocolate Thunder to be your exit.

537
00:25:04,800 --> 00:25:08,080
Speaker 7: He's not even an actor, right, He's not an actor?

538
00:25:09,000 --> 00:25:12,160
Speaker 5: Is no? He breaks he breaks backboards?

539
00:25:12,280 --> 00:25:12,639
Speaker 1: Why was?

540
00:25:12,840 --> 00:25:15,040
Speaker 4: Why am I right with the trivia that he was

541
00:25:15,119 --> 00:25:16,320
Speaker 4: famous for breaking backwards?

542
00:25:16,400 --> 00:25:18,560
Speaker 1: And why was why did he do that? And how

543
00:25:18,640 --> 00:25:19,119
Speaker 1: could he do that?

544
00:25:19,440 --> 00:25:21,440
Speaker 5: He didn't do it in person. He used to the Thunder.

545
00:25:21,520 --> 00:25:23,800
Speaker 5: He used to dunk so hard that occasionally when he

546
00:25:23,840 --> 00:25:26,720
Speaker 5: would dunk, even just with a rubber basketball. He would

547
00:25:27,040 --> 00:25:29,120
Speaker 5: leather basketball. It would shatter the backboard.

548
00:25:29,480 --> 00:25:32,600
Speaker 2: Yeah, he's he was the first one. Yeah, he would

549
00:25:32,600 --> 00:25:33,399
Speaker 2: do it in games.

550
00:25:34,880 --> 00:25:37,359
Speaker 7: It wouldn't would go nuts. They'd have to sweep it

551
00:25:37,440 --> 00:25:38,280
Speaker 7: up and put a new one up.

552
00:25:38,680 --> 00:25:41,280
Speaker 3: It was really crazy because when Shaq broke the backboard,

553
00:25:41,440 --> 00:25:43,399
Speaker 3: he just made the backboard fall to the ground, you

554
00:25:43,440 --> 00:25:45,120
Speaker 3: know what I mean, Like the whole thing came down

555
00:25:45,520 --> 00:25:46,240
Speaker 3: chocolate thunder.

556
00:25:46,280 --> 00:25:49,080
Speaker 2: When he hit the rim, that thing exploded like the

557
00:25:49,240 --> 00:25:51,720
Speaker 2: death Star. Dude. It was like wow.

558
00:25:52,359 --> 00:25:54,760
Speaker 3: It was such a his he has like two or

559
00:25:54,800 --> 00:25:56,800
Speaker 3: three of them, I think two, but they were so

560
00:25:57,119 --> 00:25:58,680
Speaker 3: thunderous and monstrous.

561
00:25:58,840 --> 00:25:59,000
Speaker 6: Man.

562
00:25:59,320 --> 00:26:01,080
Speaker 2: And when he did it was so hard.

563
00:26:01,400 --> 00:26:04,120
Speaker 3: And this was you know, basketball is a finesse game,

564
00:26:04,160 --> 00:26:06,280
Speaker 3: and you know it's a it's a it's a game

565
00:26:06,359 --> 00:26:08,520
Speaker 3: of you know where athletes they run real hard and

566
00:26:08,560 --> 00:26:11,000
Speaker 3: then they go at this little cup and it's so like,

567
00:26:11,200 --> 00:26:13,840
Speaker 3: you know, graceful and everything like that. There was no

568
00:26:14,080 --> 00:26:16,879
Speaker 3: grace in the way he slammed a basketball, you know

569
00:26:16,920 --> 00:26:19,480
Speaker 3: what I mean. It was like wow, you know what

570
00:26:19,640 --> 00:26:20,040
Speaker 3: I said, You.

571
00:26:20,080 --> 00:26:20,800
Speaker 2: Know what I mean? I heard it.

572
00:26:21,200 --> 00:26:23,120
Speaker 4: Yes, drink wow, drink.

573
00:26:22,960 --> 00:26:26,720
Speaker 1: Up, Bill, Bill Bill. The fans have started a drinking

574
00:26:26,800 --> 00:26:28,720
Speaker 1: game because Donald says, you know what I mean so

575
00:26:28,840 --> 00:26:30,920
Speaker 1: much that they're drinking every time he says you know

576
00:26:30,960 --> 00:26:31,919
Speaker 1: what I mean, I.

577
00:26:31,960 --> 00:26:33,680
Speaker 5: Would force people by the way. I want to say

578
00:26:33,720 --> 00:26:34,120
Speaker 5: two things.

579
00:26:34,280 --> 00:26:34,639
Speaker 6: One to that.

580
00:26:34,720 --> 00:26:37,159
Speaker 5: One of the things, you guys can see the connection

581
00:26:37,560 --> 00:26:39,960
Speaker 5: to how much fun it would have been for JD

582
00:26:40,560 --> 00:26:43,360
Speaker 5: to want to call Turk, as one of his many nicknames,

583
00:26:43,440 --> 00:26:47,680
Speaker 5: Chocolate Thunder. And then Nurse Roberts doesn't like it. And

584
00:26:47,800 --> 00:26:50,040
Speaker 5: then you guys don't know why she doesn't like it,

585
00:26:50,400 --> 00:26:54,439
Speaker 5: and it's because the man that left her is Chocolate

586
00:26:54,480 --> 00:26:55,520
Speaker 5: thunderbirl Dons.

587
00:26:57,280 --> 00:26:59,560
Speaker 1: Oh my god, it must have been so late in

588
00:26:59,640 --> 00:27:01,520
Speaker 1: the night in writer's room when you guys are wrestling

589
00:27:01,560 --> 00:27:03,440
Speaker 1: with that just hours.

590
00:27:05,040 --> 00:27:07,200
Speaker 5: How do we reach by the way? And by the way,

591
00:27:07,600 --> 00:27:09,760
Speaker 5: I'm sure he was a lovely man, but there's no

592
00:27:09,960 --> 00:27:12,240
Speaker 5: doubt in my mind while he's alive, if he had

593
00:27:12,280 --> 00:27:14,320
Speaker 5: showed up, first of all, if he had gotten that call,

594
00:27:14,400 --> 00:27:16,840
Speaker 5: he'd been like, they want me to do what beyond skill?

595
00:27:16,880 --> 00:27:18,159
Speaker 7: Because I don't think I ever saw him like on

596
00:27:18,200 --> 00:27:19,520
Speaker 7: a love boat or on any shows.

597
00:27:20,680 --> 00:27:22,280
Speaker 5: They want me to. They want me to come out

598
00:27:22,320 --> 00:27:24,840
Speaker 5: of retirement to do something I've never done. Before and

599
00:27:24,920 --> 00:27:25,919
Speaker 5: play a nurse's husband.

600
00:27:26,040 --> 00:27:29,320
Speaker 4: All right, you break it backboard or something.

601
00:27:30,119 --> 00:27:33,520
Speaker 5: I think people should also drink at any time, Zach,

602
00:27:33,720 --> 00:27:36,240
Speaker 5: And I've only heard it three or four times that

603
00:27:36,480 --> 00:27:40,439
Speaker 5: you say one of the things that you would always

604
00:27:40,480 --> 00:27:42,439
Speaker 5: say to sum up the show and the voiceovers at

605
00:27:42,480 --> 00:27:45,399
Speaker 5: the end, because it's become part of our lexicon, and

606
00:27:45,440 --> 00:27:47,080
Speaker 5: one of them I heard you going at the end

607
00:27:47,119 --> 00:27:50,040
Speaker 5: of the day. It was so funny to me because

608
00:27:50,119 --> 00:27:52,639
Speaker 5: you're talking about scrubs in an episode that if you

609
00:27:52,800 --> 00:27:54,439
Speaker 5: listen to it goes at the end of the day

610
00:27:54,520 --> 00:27:56,119
Speaker 5: all you can really hope, and then you go at

611
00:27:56,160 --> 00:27:59,880
Speaker 5: the end of the day, what we so any any

612
00:28:00,160 --> 00:28:02,720
Speaker 5: any scrubs at the end of the day type things?

613
00:28:02,840 --> 00:28:05,080
Speaker 1: Okay, and I also had another drinking game idea for people.

614
00:28:05,119 --> 00:28:06,800
Speaker 1: You're gonna get shit faced listening to this podcast.

615
00:28:06,840 --> 00:28:08,119
Speaker 4: But I got really.

616
00:28:08,040 --> 00:28:10,000
Speaker 1: Excited in this episode when I when I had a

617
00:28:10,000 --> 00:28:12,359
Speaker 1: Snoop Dogg intern sighting, and I thought it might be

618
00:28:12,440 --> 00:28:14,440
Speaker 1: fun for fans to also do a shot every time

619
00:28:14,520 --> 00:28:17,160
Speaker 1: you see Snoop Dogg intern resident attending.

620
00:28:17,520 --> 00:28:20,480
Speaker 3: Well, it should start with Snoop Dogg, but then once

621
00:28:20,800 --> 00:28:26,440
Speaker 3: you know, Mickhead shows up and and and be doctor doctor.

622
00:28:26,920 --> 00:28:31,760
Speaker 3: Oh Man Man, Colonel Doctor passed away, didn't he?

623
00:28:32,359 --> 00:28:34,679
Speaker 5: Colonel doctor? Just so what he knows is called Colonel

624
00:28:34,720 --> 00:28:37,960
Speaker 5: Doctor because he looks like the colonel from Kentucky Fried Chicken.

625
00:28:38,160 --> 00:28:38,400
Speaker 1: Yeah.

626
00:28:39,040 --> 00:28:42,040
Speaker 5: And my favorite thing about that, that's why you think

627
00:28:42,120 --> 00:28:45,280
Speaker 5: he's I mean, it's funny that that's his nickname, Colonel Doctor.

628
00:28:45,680 --> 00:28:48,640
Speaker 5: And his name turns out to be Coleman Slowski, which

629
00:28:48,680 --> 00:28:49,320
Speaker 5: is cole Slaw.

630
00:28:54,280 --> 00:28:55,960
Speaker 1: Oh my god, here's what I like.

631
00:28:56,200 --> 00:28:58,760
Speaker 5: My favorite thing that you guys all liked that Zach

632
00:28:59,000 --> 00:29:01,880
Speaker 5: is the first one kind of that he noticed was

633
00:29:01,920 --> 00:29:04,080
Speaker 5: he had all these great background performers, and we wanted

634
00:29:04,120 --> 00:29:07,120
Speaker 5: the consistency of recognizing nurses and doctors, and so he

635
00:29:07,200 --> 00:29:09,440
Speaker 5: tried to have the same people come back and then

636
00:29:09,920 --> 00:29:13,600
Speaker 5: because they were around, whether it was Coleman Slavsky, doctor

637
00:29:13,720 --> 00:29:17,040
Speaker 5: Mickhead who ultimately I think murdered his spouse and gave me.

638
00:29:17,760 --> 00:29:23,000
Speaker 2: On the show, Yes, and Colonel Doctor, and Snoop dogg

639
00:29:23,640 --> 00:29:25,080
Speaker 2: Beard fac and.

640
00:29:25,080 --> 00:29:31,200
Speaker 5: The world's oldest intern Gloria, I think it's really But

641
00:29:31,360 --> 00:29:34,160
Speaker 5: the point is that even amongst the background people, they

642
00:29:34,240 --> 00:29:37,479
Speaker 5: became tears like a call sheet. And I started noticing

643
00:29:37,560 --> 00:29:40,000
Speaker 5: that I'd come into like the background holding area, and

644
00:29:40,040 --> 00:29:42,360
Speaker 5: there'd be all the background and then there'd be the

645
00:29:42,440 --> 00:29:45,640
Speaker 5: king shit background of those four doing the equivalent of

646
00:29:45,760 --> 00:29:49,000
Speaker 5: like drinking martinis as the ones that had been the

647
00:29:49,080 --> 00:29:51,800
Speaker 5: ones that have names to sit around going like we're

648
00:29:51,840 --> 00:29:53,400
Speaker 5: fucking we're ruling this world.

649
00:29:53,480 --> 00:29:54,200
Speaker 2: And I loved it that.

650
00:29:55,280 --> 00:29:57,479
Speaker 3: What was really cool was when you would trust them

651
00:29:57,560 --> 00:29:59,840
Speaker 3: with lines and stuff like that and they would deliver.

652
00:30:00,360 --> 00:30:03,320
Speaker 3: Like I remember, Mickhead had so many lines and you

653
00:30:03,400 --> 00:30:06,480
Speaker 3: gave him a storyline and everything, and it was because

654
00:30:06,520 --> 00:30:08,360
Speaker 3: you were like, yo, he delivers every time I give

655
00:30:08,440 --> 00:30:08,760
Speaker 3: him something.

656
00:30:08,800 --> 00:30:12,800
Speaker 1: I mean, yeah, A lot of were actors. They just

657
00:30:12,880 --> 00:30:15,160
Speaker 1: hadn't had a break yet. And you know, like like

658
00:30:15,320 --> 00:30:17,840
Speaker 1: any group of actors, some could act and some couldn't.

659
00:30:17,880 --> 00:30:20,080
Speaker 1: But I think Mickhead was one that was actually really good.

660
00:30:21,240 --> 00:30:23,920
Speaker 5: His backstory was Frank's backstory was a fascinating He was

661
00:30:23,960 --> 00:30:26,959
Speaker 5: a paid screenwriter that none of his even though he'd

662
00:30:27,000 --> 00:30:29,160
Speaker 5: sold a bunch of movies, none of them ever got made.

663
00:30:29,200 --> 00:30:30,920
Speaker 5: And you eventually reached the end of that career and

664
00:30:30,960 --> 00:30:33,960
Speaker 5: he was still plugging away writing and came by to

665
00:30:34,040 --> 00:30:36,080
Speaker 5: make dough and then when he was doing it, he

666
00:30:36,080 --> 00:30:38,040
Speaker 5: at least had a knowledge of film enough you know that.

667
00:30:38,160 --> 00:30:40,280
Speaker 5: He was good and subtle and he's like, what are

668
00:30:40,320 --> 00:30:42,000
Speaker 5: you making me into an actor for? This is not

669
00:30:42,120 --> 00:30:42,480
Speaker 5: my plan.

670
00:30:42,640 --> 00:30:45,480
Speaker 1: It was really fun well and mainly Henry delivered one

671
00:30:45,520 --> 00:30:48,320
Speaker 1: of the greatest lines in Scrubs history, where mahoes at,

672
00:30:51,160 --> 00:30:52,160
Speaker 1: I haven't seen them.

673
00:30:52,320 --> 00:30:54,520
Speaker 2: I haven't seen you know. I played golf with Mickhead

674
00:30:54,760 --> 00:30:55,680
Speaker 2: quite a bit. We played.

675
00:30:55,720 --> 00:30:58,480
Speaker 3: That's one of my golf buddies. And he still writes books.

676
00:30:58,520 --> 00:31:01,080
Speaker 3: He's a novelist, you know, he writes with his with

677
00:31:01,200 --> 00:31:01,960
Speaker 3: his wife.

678
00:31:01,760 --> 00:31:03,320
Speaker 2: And it's stay high for me.

679
00:31:03,400 --> 00:31:03,520
Speaker 6: Man.

680
00:31:03,560 --> 00:31:04,240
Speaker 5: He was a nice man.

681
00:31:04,480 --> 00:31:06,400
Speaker 2: Yeah, well, I definitely will. Let's take a break.

682
00:31:06,520 --> 00:31:16,360
Speaker 1: We'll be right back after these fine words. Okay, so

683
00:31:16,480 --> 00:31:21,640
Speaker 1: we're back. Yeah, yeah, No, Bill, it's no, and we

684
00:31:21,680 --> 00:31:23,680
Speaker 1: don't do the full song at the commercial breaks.

685
00:31:23,720 --> 00:31:26,520
Speaker 5: Bill does the song start? Whenever I say five to

686
00:31:26,560 --> 00:31:28,480
Speaker 5: six seven eight, it's unfortunately.

687
00:31:29,320 --> 00:31:31,240
Speaker 1: Dan's got his finger on the trigger. And whenever you

688
00:31:31,360 --> 00:31:33,120
Speaker 1: say five hits, please.

689
00:31:32,960 --> 00:31:33,760
Speaker 2: Don't say five six.

690
00:31:33,800 --> 00:31:36,120
Speaker 4: Stop saying five to six eight.

691
00:31:38,080 --> 00:31:40,680
Speaker 5: That's my favorite. He should Dan should just be contractually

692
00:31:40,720 --> 00:31:42,160
Speaker 5: obligated to do it. Whenever he hears that.

693
00:31:42,440 --> 00:31:48,480
Speaker 1: Yeah, whenever Dan, we started, he started it Dan, I

694
00:31:48,600 --> 00:31:49,320
Speaker 1: have the power stick.

695
00:31:49,400 --> 00:31:49,680
Speaker 2: Got it?

696
00:31:53,360 --> 00:31:54,920
Speaker 1: All right? Donald, you were going to start us off.

697
00:31:55,280 --> 00:31:57,240
Speaker 1: We're forty minutes and we should probably talk about the

698
00:31:57,280 --> 00:31:57,800
Speaker 1: TV show.

699
00:31:57,920 --> 00:32:02,040
Speaker 3: Okay, So first of all, Uh, Whiney Dancer was pretty good.

700
00:32:02,120 --> 00:32:04,160
Speaker 3: I'm gonna put that out there. I thought that was

701
00:32:04,200 --> 00:32:07,080
Speaker 3: a very funny nickname. Yes, I laughed very hard at that,

702
00:32:07,600 --> 00:32:09,360
Speaker 3: and I was mad that it didn't stick. But Scooter

703
00:32:09,480 --> 00:32:13,280
Speaker 3: short for Scooter Pie is even here because he hates

704
00:32:13,280 --> 00:32:13,880
Speaker 3: Scooter Pie.

705
00:32:14,280 --> 00:32:16,440
Speaker 5: There's two things. It was hard for me to watch

706
00:32:16,480 --> 00:32:19,680
Speaker 5: that story because a Neil Flynn is funnier than the

707
00:32:19,760 --> 00:32:21,480
Speaker 5: material he gave him, you know what I mean in

708
00:32:21,560 --> 00:32:23,400
Speaker 5: that one, because we could have done a much funnier

709
00:32:23,400 --> 00:32:24,360
Speaker 5: stuff with your nickname.

710
00:32:24,960 --> 00:32:25,080
Speaker 1: Uh.

711
00:32:25,320 --> 00:32:29,000
Speaker 5: And then b is I don't know why he's eating

712
00:32:29,040 --> 00:32:33,000
Speaker 5: a popsicle in that next one, I see he seemed

713
00:32:33,040 --> 00:32:34,960
Speaker 5: to want to be eating it, which made me really laugh.

714
00:32:35,720 --> 00:32:38,000
Speaker 5: And then the third one is I remember that because

715
00:32:38,000 --> 00:32:40,880
Speaker 5: we're you know, strapped for figured out a moment. Uh

716
00:32:41,560 --> 00:32:44,520
Speaker 5: at the end when someone finally calls you Scooter, which

717
00:32:44,560 --> 00:32:47,320
Speaker 5: is a moment I do like uh, and I go

718
00:32:47,440 --> 00:32:49,480
Speaker 5: it's revealed, Neil, and he's like, how should I celebrate

719
00:32:49,520 --> 00:32:51,200
Speaker 5: I'm like, I don't know, do some kind of dance

720
00:32:51,280 --> 00:32:54,480
Speaker 5: or Irish jig or something. And that made me laugh

721
00:32:54,560 --> 00:32:59,520
Speaker 5: out loud because he committed to it, like good god,

722
00:32:59,640 --> 00:33:00,680
Speaker 5: yeah he could.

723
00:33:00,560 --> 00:33:01,320
Speaker 1: Really he could.

724
00:33:01,400 --> 00:33:03,880
Speaker 4: But Neil just pulled out an irs shade because it

725
00:33:03,880 --> 00:33:04,560
Speaker 4: looks pretty good.

726
00:33:05,080 --> 00:33:06,840
Speaker 5: Yeah I didn't. I don't think that he We had

727
00:33:06,880 --> 00:33:09,040
Speaker 5: planned that, you know, and you know we put the

728
00:33:09,120 --> 00:33:11,120
Speaker 5: music to it. We put the music to it. Afterwards.

729
00:33:11,160 --> 00:33:13,080
Speaker 2: It was really he went straight river dance. He went

730
00:33:13,120 --> 00:33:14,120
Speaker 2: to straight river dance.

731
00:33:15,400 --> 00:33:17,960
Speaker 1: That was funny before.

732
00:33:18,000 --> 00:33:20,000
Speaker 2: That's also not us at that beach by the way.

733
00:33:20,360 --> 00:33:21,760
Speaker 4: Yeah, I don't want to ask you. I don't know

734
00:33:21,840 --> 00:33:23,880
Speaker 4: those doubles because that's not my hair, and I know if.

735
00:33:23,840 --> 00:33:25,680
Speaker 2: That is your in my head also yeah, no, I

736
00:33:25,760 --> 00:33:27,800
Speaker 2: think we went and got that without you guys.

737
00:33:28,200 --> 00:33:31,000
Speaker 4: Okay, but Donald's double is good my mind.

738
00:33:31,040 --> 00:33:31,600
Speaker 1: I always ran.

739
00:33:31,680 --> 00:33:32,920
Speaker 2: Now it doesn't look like my head.

740
00:33:33,200 --> 00:33:36,240
Speaker 1: I'm going I'm going to do that. I'm going to

741
00:33:36,360 --> 00:33:39,200
Speaker 1: that Donald that looks like your head. I'm at four seconds.

742
00:33:39,200 --> 00:33:39,920
Speaker 1: If you're following, I.

743
00:33:39,960 --> 00:33:40,680
Speaker 2: Wish it was my head.

744
00:33:40,800 --> 00:33:46,560
Speaker 5: It is so not you guys, A and B you guys.

745
00:33:46,720 --> 00:33:48,280
Speaker 5: This is the show runner issue. I don't know if

746
00:33:48,320 --> 00:33:52,200
Speaker 5: you guys have this. What the fun thing about watching

747
00:33:52,320 --> 00:33:56,160
Speaker 5: these shows for me is that I just watched them

748
00:33:56,200 --> 00:33:58,720
Speaker 5: for all the mistakes I made, especially early and like

749
00:33:58,880 --> 00:34:01,840
Speaker 5: even that stupid fantasy, I didn't have a frontal shot

750
00:34:02,400 --> 00:34:04,840
Speaker 5: coming back on you two, like the flash out of it.

751
00:34:04,920 --> 00:34:07,440
Speaker 5: So it was a weird transition, Like, ah, man, it's

752
00:34:07,520 --> 00:34:10,200
Speaker 5: screwed that up too. I still at the stage.

753
00:34:10,200 --> 00:34:12,200
Speaker 3: I think this is I think this is such a

754
00:34:12,239 --> 00:34:14,560
Speaker 3: funny episode. I laughed so many times in this episode.

755
00:34:14,600 --> 00:34:18,600
Speaker 3: So you see, what you see is your mess ups.

756
00:34:18,640 --> 00:34:21,440
Speaker 2: What I see is you know. I that That's how

757
00:34:21,480 --> 00:34:23,040
Speaker 2: it always I feel like that's how it always is

758
00:34:23,120 --> 00:34:23,759
Speaker 2: with people, you.

759
00:34:23,760 --> 00:34:24,160
Speaker 5: Know what I mean?

760
00:34:24,360 --> 00:34:26,960
Speaker 3: Like we we make things and then we find the

761
00:34:27,000 --> 00:34:29,120
Speaker 3: flaws in them. But if you sit back and let

762
00:34:29,239 --> 00:34:31,640
Speaker 3: other people tell you how amazing it is, you'll be like, really,

763
00:34:32,120 --> 00:34:33,359
Speaker 3: I didn't see them, you know what I mean?

764
00:34:34,440 --> 00:34:35,000
Speaker 6: This good?

765
00:34:35,480 --> 00:34:36,080
Speaker 2: That's another one.

766
00:34:36,320 --> 00:34:37,480
Speaker 4: Oh drink Bill.

767
00:34:37,520 --> 00:34:40,040
Speaker 1: I laughed that you chose smooth jazz from when we're

768
00:34:40,239 --> 00:34:43,680
Speaker 1: sitting on the bench, unless that's another track that's been changed.

769
00:34:43,719 --> 00:34:45,799
Speaker 5: But when I don't, I don't know, but I didn't

770
00:34:45,840 --> 00:34:48,680
Speaker 5: remember it. Look, I had my first weird thing. I

771
00:34:48,840 --> 00:34:50,960
Speaker 5: was giving you guys shit here at home for not

772
00:34:51,040 --> 00:34:54,400
Speaker 5: remembering any of this stuff. And uh, I wrote this

773
00:34:55,320 --> 00:34:58,480
Speaker 5: script by myself like at home to catch us up.

774
00:34:59,200 --> 00:35:02,400
Speaker 5: And h I didn't remember writing it. I didn't remember

775
00:35:02,400 --> 00:35:04,200
Speaker 5: what it was about. So I watched it was really weird.

776
00:35:04,320 --> 00:35:04,759
Speaker 1: So is that what?

777
00:35:04,960 --> 00:35:06,200
Speaker 4: Just talk to that for a second.

778
00:35:06,280 --> 00:35:09,760
Speaker 1: So, so, when you're the showrunner, you're overseeing your writing

779
00:35:09,840 --> 00:35:12,080
Speaker 1: staff having episodes, and then of course you end up

780
00:35:12,120 --> 00:35:14,560
Speaker 1: rewriting them a lot yourself. But when you said you

781
00:35:14,600 --> 00:35:17,279
Speaker 1: wrote this to catch up, just to explain that to

782
00:35:17,360 --> 00:35:20,000
Speaker 1: people the you know you.

783
00:35:20,880 --> 00:35:23,160
Speaker 5: In comedy staffs especially, someone will go out and write

784
00:35:23,200 --> 00:35:26,000
Speaker 5: a draft. The whole staff will help kind of you know,

785
00:35:26,040 --> 00:35:27,719
Speaker 5: you outline it and do out stuff. Whole staff will

786
00:35:27,719 --> 00:35:31,280
Speaker 5: help kind of punch it up. And then the showrunner

787
00:35:31,280 --> 00:35:33,880
Speaker 5: of any show that you've ever loved will usually do

788
00:35:33,960 --> 00:35:36,480
Speaker 5: a pass of it before it shoots, you know, just

789
00:35:37,120 --> 00:35:40,360
Speaker 5: not just out of arrogance, but out of wanting the

790
00:35:40,400 --> 00:35:42,680
Speaker 5: show to sound like it's from that one distinct voice.

791
00:35:42,719 --> 00:35:45,200
Speaker 5: That's why people over the years, you know, they noticed

792
00:35:45,239 --> 00:35:48,200
Speaker 5: when the showrunner on one of their favorite shows left

793
00:35:48,280 --> 00:35:50,320
Speaker 5: for a year, how it suddenly sounds different, you know,

794
00:35:51,800 --> 00:35:54,360
Speaker 5: And when you get caught and behind in writing. You know,

795
00:35:54,400 --> 00:35:57,239
Speaker 5: when you look at all the different stages, outline which

796
00:35:57,280 --> 00:36:00,279
Speaker 5: has to be approved by the showrunner, uh draft which

797
00:36:00,320 --> 00:36:04,080
Speaker 5: gets notes from the showrunner, rewrite with the whole staff,

798
00:36:04,160 --> 00:36:07,359
Speaker 5: which the showrunner does, you know what I mean. It's

799
00:36:07,560 --> 00:36:10,000
Speaker 5: you often can catch back up if you're behind writing.

800
00:36:10,400 --> 00:36:12,239
Speaker 5: If as the showrunner, you're like, hey, why we're all

801
00:36:12,320 --> 00:36:14,600
Speaker 5: doing this, I'll outline one on my own and write

802
00:36:14,640 --> 00:36:17,080
Speaker 5: it and then just drag all you this whole gang

803
00:36:17,160 --> 00:36:18,560
Speaker 5: and to punch it up really quick and then we'll

804
00:36:18,560 --> 00:36:20,560
Speaker 5: shoot it, you know. And so that was one of

805
00:36:20,600 --> 00:36:25,279
Speaker 5: those one and sometimes those to tell you the truth

806
00:36:25,360 --> 00:36:27,160
Speaker 5: in a weird way. Sometimes the don't aren't. Those aren't

807
00:36:27,200 --> 00:36:30,719
Speaker 5: as good as other episodes because showrunners don't have to

808
00:36:30,800 --> 00:36:34,480
Speaker 5: listen to other people's input and sometimes and sometimes instead

809
00:36:34,480 --> 00:36:36,560
Speaker 5: of the whole group punching it up, you'll just hand

810
00:36:36,600 --> 00:36:38,799
Speaker 5: it in and go that's done. Now, we're as long

811
00:36:38,800 --> 00:36:40,839
Speaker 5: as we don't spend four days trying to make it better.

812
00:36:41,400 --> 00:36:44,040
Speaker 5: We're back on timing again. You know, make twenty four

813
00:36:44,080 --> 00:36:44,839
Speaker 5: episodes this year.

814
00:36:45,280 --> 00:36:46,640
Speaker 2: Well, you nailed it with this one, man.

815
00:36:46,800 --> 00:36:50,480
Speaker 3: This one has everything that you're looking for from you know,

816
00:36:50,640 --> 00:36:52,880
Speaker 3: from the drama to the comedy.

817
00:36:52,960 --> 00:36:56,280
Speaker 2: This was I laughed so many times at this episode.

818
00:36:57,800 --> 00:36:59,759
Speaker 5: There was a couple of things. I really liked it. Mate.

819
00:36:59,760 --> 00:37:03,920
Speaker 1: You know, at one fourteen, Neil is just boring a

820
00:37:04,040 --> 00:37:06,320
Speaker 1: giant hole in the reception desk for no, for no

821
00:37:06,400 --> 00:37:08,719
Speaker 1: apparent reason. I was trying to think about what what

822
00:37:08,880 --> 00:37:09,359
Speaker 1: Neil's doing?

823
00:37:09,640 --> 00:37:11,040
Speaker 5: No, you know what, you know what that's for.

824
00:37:11,320 --> 00:37:13,839
Speaker 7: This is what you'll see early on, and you guys

825
00:37:13,840 --> 00:37:14,600
Speaker 7: should look for it.

826
00:37:15,200 --> 00:37:19,239
Speaker 5: There are certain things that exist solely because directors, once

827
00:37:19,360 --> 00:37:21,720
Speaker 5: they knew that they were allowed to have fun visually,

828
00:37:22,400 --> 00:37:25,680
Speaker 5: you know, on this particular show, would work backwards from

829
00:37:25,719 --> 00:37:28,360
Speaker 5: the shot they wanted, so that, without a doubt was

830
00:37:28,440 --> 00:37:32,359
Speaker 5: somebody working backwards from in the script JD going hey,

831
00:37:33,160 --> 00:37:36,120
Speaker 5: uh and the jannit they're turning and being imposing, you

832
00:37:36,160 --> 00:37:37,359
Speaker 5: know what I mean and saying, oh, you know what'd

833
00:37:37,400 --> 00:37:40,080
Speaker 5: be cool is this giant ten foot drill in JD's face.

834
00:37:40,280 --> 00:37:42,799
Speaker 1: I know, I know, but I'm just laughing it. I'm

835
00:37:42,840 --> 00:37:44,960
Speaker 1: just labbing because I like to just rationalize things. I'm like,

836
00:37:45,280 --> 00:37:47,600
Speaker 1: what assignment did he have with that drill in that

837
00:37:47,719 --> 00:37:50,319
Speaker 1: reception desk? I guess he was adding a new hole

838
00:37:50,400 --> 00:37:51,560
Speaker 1: for a new phone line or something.

839
00:37:51,719 --> 00:37:53,960
Speaker 5: Well, dude, we used to get It's so funny if

840
00:37:54,000 --> 00:37:56,160
Speaker 5: you think about this in terms for writers. At first,

841
00:37:56,200 --> 00:37:59,319
Speaker 5: it would annoy us when we would see, you know, uh,

842
00:38:00,000 --> 00:38:01,880
Speaker 5: what directors came up with, for like why is the

843
00:38:02,000 --> 00:38:04,279
Speaker 5: janitor there? How is he going to be imposing? And

844
00:38:04,440 --> 00:38:06,880
Speaker 5: then when we would get trapped, we'd start making jokes

845
00:38:06,920 --> 00:38:09,040
Speaker 5: out of it. And one of my favorite ones, we

846
00:38:09,160 --> 00:38:12,279
Speaker 5: needed the janitor in there and we didn't know why,

847
00:38:12,960 --> 00:38:14,239
Speaker 5: and so we had him say I don't really have

848
00:38:14,320 --> 00:38:18,000
Speaker 5: anything to do. I'm mopping the rug, and then I

849
00:38:18,160 --> 00:38:20,960
Speaker 5: love you. I love you guys. Remember then the rest

850
00:38:21,000 --> 00:38:23,080
Speaker 5: of that scene, when you guys walked across that rug,

851
00:38:23,120 --> 00:38:29,120
Speaker 5: you would hear squishy sounds like why is that guy

852
00:38:29,239 --> 00:38:29,879
Speaker 5: mop on the rug?

853
00:38:30,200 --> 00:38:32,560
Speaker 1: I love that Neil would Neil would take it seriously

854
00:38:32,640 --> 00:38:34,800
Speaker 1: and he'd be like, I why would my character be

855
00:38:34,880 --> 00:38:38,200
Speaker 1: mopping in a carpeted room? Yeah, you know, it's just

856
00:38:38,880 --> 00:38:41,600
Speaker 1: everybody wants their motivation, you know, of course, but Donald

857
00:38:41,680 --> 00:38:44,560
Speaker 1: pointed out I think and what Donald was? You mentioned that?

858
00:38:45,239 --> 00:38:45,400
Speaker 5: You know?

859
00:38:45,680 --> 00:38:47,759
Speaker 1: I never realized either. But the janitor feels like he's

860
00:38:47,760 --> 00:38:50,719
Speaker 1: a pretty good janitor, right, I mean he's absolutely I

861
00:38:50,840 --> 00:38:53,160
Speaker 1: never realized until rewatching it, but like, even though he

862
00:38:53,360 --> 00:38:56,120
Speaker 1: spends his entire existence fuggy with me, you know, he

863
00:38:56,320 --> 00:38:58,319
Speaker 1: does his best. He's pretty much a one man band

864
00:38:58,360 --> 00:39:01,600
Speaker 1: except for that that that Troy Troy, Oh my god,

865
00:39:01,680 --> 00:39:05,240
Speaker 1: nice to the except for Troy and then Martin.

866
00:39:05,440 --> 00:39:09,960
Speaker 5: Yeah, Troy was the best because Troy frustrated the janitor

867
00:39:10,040 --> 00:39:12,080
Speaker 5: to no end. My favorite thing was when Troy's like,

868
00:39:12,120 --> 00:39:13,560
Speaker 5: I'm gonna go beat you up. He's like, that's not

869
00:39:13,640 --> 00:39:15,360
Speaker 5: how we do it, man, It's not how we do it.

870
00:39:18,040 --> 00:39:19,360
Speaker 5: It was literally like, we're better than that.

871
00:39:20,600 --> 00:39:20,799
Speaker 6: Man.

872
00:39:21,120 --> 00:39:23,200
Speaker 5: I enjoyed working with Flynn.

873
00:39:23,640 --> 00:39:26,279
Speaker 1: And I forgot about the Frozen Effecting Bill and it's

874
00:39:26,320 --> 00:39:26,719
Speaker 1: really cool.

875
00:39:26,760 --> 00:39:27,879
Speaker 4: It's a two forty three.

876
00:39:27,880 --> 00:39:30,160
Speaker 1: It's really done well and I don't even remember how

877
00:39:30,239 --> 00:39:34,160
Speaker 1: we pulled that off, but the foreground and background are frozen. Yeah,

878
00:39:34,200 --> 00:39:37,120
Speaker 1: and whoever that was executed was really good. And then

879
00:39:37,200 --> 00:39:39,200
Speaker 1: we go to the guy who's then on the other

880
00:39:39,280 --> 00:39:41,080
Speaker 1: side of things. We go to the guy who's just

881
00:39:41,440 --> 00:39:43,840
Speaker 1: frozen and doing a horrible job trying to be frozen

882
00:39:43,880 --> 00:39:44,359
Speaker 1: without anything.

883
00:39:44,400 --> 00:39:46,920
Speaker 5: I know, you know, you know what's really interesting is

884
00:39:47,080 --> 00:39:49,440
Speaker 5: it one of the things you'll see in the first year.

885
00:39:50,280 --> 00:39:52,160
Speaker 5: Much like the sound effects that you guys noticed is

886
00:39:52,160 --> 00:39:55,040
Speaker 5: they're drifting away. I think they're almost gone. I'm hoping.

887
00:39:55,280 --> 00:39:58,239
Speaker 1: We keep laughing, we keep laughing that that you say,

888
00:39:58,280 --> 00:39:59,400
Speaker 1: they're almost going away, and then we.

889
00:39:59,440 --> 00:40:00,000
Speaker 2: Hear and then there'.

890
00:40:02,800 --> 00:40:06,440
Speaker 5: Jingle bells. Yeah, jingle balls balls. But that The other

891
00:40:06,520 --> 00:40:09,759
Speaker 5: thing that you have to look for is we used

892
00:40:09,760 --> 00:40:11,960
Speaker 5: to because writers have to procrastinate, We used to have

893
00:40:12,239 --> 00:40:16,400
Speaker 5: hours of talks about rules, you know, and the rules

894
00:40:16,440 --> 00:40:20,920
Speaker 5: of the world, and uh, this broke one of them,

895
00:40:21,000 --> 00:40:22,959
Speaker 5: and we made it right after this was you can't

896
00:40:23,040 --> 00:40:26,480
Speaker 5: still be in a fantasy after you're out of a fantasy, oh,

897
00:40:26,560 --> 00:40:29,640
Speaker 5: you know, because then after you flash out, it has

898
00:40:29,719 --> 00:40:32,600
Speaker 5: to be real. The one the conversation that tortured people

899
00:40:33,040 --> 00:40:35,080
Speaker 5: forever and we didn't show the answer to it to

900
00:40:35,239 --> 00:40:37,640
Speaker 5: like the six or seventh year, is when Jad has

901
00:40:37,680 --> 00:40:40,600
Speaker 5: these long fantasies, what's he doing? Is he just standing there?

902
00:40:41,239 --> 00:40:42,320
Speaker 1: Yeah, that's happening.

903
00:40:43,000 --> 00:40:47,160
Speaker 5: And eventually eventually we had you and talking to the

904
00:40:47,280 --> 00:40:50,719
Speaker 5: todd in like the sixth or seventh year, when you go,

905
00:40:51,040 --> 00:40:54,120
Speaker 5: huh oh, that makes me think about trolls and you

906
00:40:54,239 --> 00:40:59,279
Speaker 5: go like this, and then Rob the better part of

907
00:40:59,320 --> 00:41:01,520
Speaker 5: like thirty second and then you're like, and.

908
00:41:01,640 --> 00:41:04,520
Speaker 7: That's why you shouldn't buy blah blah blahs or whatever.

909
00:41:05,280 --> 00:41:06,840
Speaker 1: Yeah, yeah, I mean, well you started.

910
00:41:06,880 --> 00:41:08,200
Speaker 4: It's funny because the last time you're wrong.

911
00:41:08,239 --> 00:41:10,000
Speaker 1: We talked about how when I, when I came out

912
00:41:10,000 --> 00:41:12,160
Speaker 1: of a fantasy, I had agreed to buy Nurse Roberts

913
00:41:12,280 --> 00:41:16,080
Speaker 1: dead husband's of bowling shoes and I didn't know because

914
00:41:16,120 --> 00:41:18,440
Speaker 1: I was in a fantasy land, but I forgot. You

915
00:41:18,480 --> 00:41:21,680
Speaker 1: didn't really keep that little thing going that I would

916
00:41:21,680 --> 00:41:23,960
Speaker 1: have been a funny runner if like JD, because he's

917
00:41:23,960 --> 00:41:26,719
Speaker 1: in a fantasy, ends up agreeing to all this random shit.

918
00:41:27,400 --> 00:41:29,239
Speaker 7: We didn't have any of the rules yet, man, and

919
00:41:29,280 --> 00:41:29,799
Speaker 7: we were trying.

920
00:41:30,040 --> 00:41:32,680
Speaker 5: People used to argue all like the biggest argument that

921
00:41:32,760 --> 00:41:34,480
Speaker 5: you guys can look for in the writer's room in

922
00:41:34,480 --> 00:41:38,320
Speaker 5: a eight up hours the first year was was JD's

923
00:41:38,480 --> 00:41:42,040
Speaker 5: voiceover omniscient? Did he know what was going on in

924
00:41:42,120 --> 00:41:44,960
Speaker 5: the other stories and could narrate them or did we

925
00:41:45,040 --> 00:41:47,239
Speaker 5: have to write it so general as if he's talking

926
00:41:47,280 --> 00:41:50,239
Speaker 5: about himself but doesn't know about those stories. And it

927
00:41:50,360 --> 00:41:51,600
Speaker 5: used to drive people insane?

928
00:41:52,280 --> 00:41:54,840
Speaker 2: Right, were we a hit at this time? At this

929
00:41:54,960 --> 00:41:56,919
Speaker 2: point where we like, did we get the back nine

930
00:41:56,960 --> 00:41:57,439
Speaker 2: at this point?

931
00:41:58,120 --> 00:42:02,200
Speaker 5: Yeah, the first the show, the show did so well

932
00:42:02,280 --> 00:42:05,920
Speaker 5: coming out of the gate, the first year that it

933
00:42:06,120 --> 00:42:09,200
Speaker 5: was considered a hit, and then the second year they

934
00:42:09,520 --> 00:42:13,359
Speaker 5: made a mistake in my view, and uh, the first

935
00:42:13,440 --> 00:42:16,000
Speaker 5: year of the show it was sometimes increasing on its

936
00:42:16,080 --> 00:42:21,080
Speaker 5: lead in and just crushing and you're they should have

937
00:42:21,120 --> 00:42:23,399
Speaker 5: kept it there forever. And then the set they said,

938
00:42:23,440 --> 00:42:25,319
Speaker 5: it's such a big show for us. Next year, we're

939
00:42:25,320 --> 00:42:28,560
Speaker 5: going to put it after Friends. And the combination of

940
00:42:29,400 --> 00:42:34,920
Speaker 5: no show could retain eighty five percent of Friends' audience.

941
00:42:34,960 --> 00:42:38,920
Speaker 5: It was a cultural you know, lightning bolt, and so

942
00:42:39,600 --> 00:42:41,719
Speaker 5: you know, we were like the eighth rank show in

943
00:42:41,760 --> 00:42:44,560
Speaker 5: the country. But they're like, you're only retaining like sixty

944
00:42:44,600 --> 00:42:48,239
Speaker 5: seven percent of their audience. So we're and just so

945
00:42:48,400 --> 00:42:51,080
Speaker 5: you know, anytime they want to do a forty minute episode,

946
00:42:51,080 --> 00:42:53,359
Speaker 5: we're going to make it supersized and you guys will

947
00:42:53,400 --> 00:42:57,680
Speaker 5: be moved or not on or whatever. And they never

948
00:42:58,480 --> 00:43:00,759
Speaker 5: they should have they didn't know the show. They should

949
00:43:00,760 --> 00:43:03,520
Speaker 5: have put us after Friends and left us there in perpetuity.

950
00:43:03,560 --> 00:43:05,280
Speaker 5: The show would have been bigger and bigger, but instead

951
00:43:05,680 --> 00:43:09,400
Speaker 5: they put nine thousand different shows one after another, after Friends,

952
00:43:09,960 --> 00:43:12,520
Speaker 5: each time pulling them when they don't get the same

953
00:43:12,680 --> 00:43:16,239
Speaker 5: ratings as this giant monster juggernaut and never established a

954
00:43:16,320 --> 00:43:19,320
Speaker 5: new successful show after that show in its entire existence.

955
00:43:19,600 --> 00:43:22,040
Speaker 3: Yeah, you know, not only that, it was also the

956
00:43:22,200 --> 00:43:25,360
Speaker 3: end of Friends too, And then Joey came right after that,

957
00:43:25,480 --> 00:43:27,480
Speaker 3: and then we followed Joey for a little bit.

958
00:43:27,480 --> 00:43:28,120
Speaker 1: And I followed it.

959
00:43:28,160 --> 00:43:30,600
Speaker 2: It doesn't work either, now, yeah, we followed Joey for

960
00:43:30,760 --> 00:43:31,319
Speaker 2: like a little bit.

961
00:43:31,400 --> 00:43:34,400
Speaker 1: And then for those of you who don't know what

962
00:43:35,040 --> 00:43:37,839
Speaker 1: the networks want, Bill, please correct me if I'm wrong.

963
00:43:37,960 --> 00:43:40,279
Speaker 1: Is they want you to hold that is to say,

964
00:43:40,480 --> 00:43:43,680
Speaker 1: keep eighty five percent of the lead in show's audience,

965
00:43:44,280 --> 00:43:47,080
Speaker 1: which is pretty impossible if it's Friends and it's the

966
00:43:47,160 --> 00:43:49,759
Speaker 1: biggest show ever. And if you go below that then

967
00:43:49,800 --> 00:43:52,120
Speaker 1: they kind of start thinking about moving you or losing you,

968
00:43:52,239 --> 00:43:52,959
Speaker 1: right right.

969
00:43:53,000 --> 00:43:55,000
Speaker 5: Oh yeah, Well, the only difference is they would have

970
00:43:55,080 --> 00:43:57,000
Speaker 5: left because the show is so well reviewed and was

971
00:43:57,040 --> 00:43:59,279
Speaker 5: doing really well. If they owned our show, this is

972
00:43:59,320 --> 00:44:02,319
Speaker 5: all boring business, they would have kept us on there forever, going, hey,

973
00:44:02,360 --> 00:44:04,120
Speaker 5: we'll keep this on forever and make tons of money

974
00:44:04,160 --> 00:44:06,760
Speaker 5: for ourselves. But since they didn't own it, the second

975
00:44:06,800 --> 00:44:10,520
Speaker 5: it didn't immediately become bigger than Friends. They said, let's

976
00:44:10,640 --> 00:44:12,200
Speaker 5: try some shows that we owned to see if they

977
00:44:12,320 --> 00:44:13,200
Speaker 5: become bigger than Friends.

978
00:44:13,239 --> 00:44:14,799
Speaker 3: And just kind of feel like that was I feel

979
00:44:14,840 --> 00:44:18,160
Speaker 3: like Friends was the end of tg of not TGIF,

980
00:44:18,239 --> 00:44:19,600
Speaker 3: but that Thursday night line.

981
00:44:19,440 --> 00:44:20,920
Speaker 5: On must see Must see Thursdays.

982
00:44:22,200 --> 00:44:23,200
Speaker 2: I feel like that's a no.

983
00:44:24,239 --> 00:44:27,440
Speaker 5: Yes, you know, because you'll like this. You guys should

984
00:44:27,480 --> 00:44:29,640
Speaker 5: get it. And I interrupt him, Sorry, Donald, But Jeff

985
00:44:29,680 --> 00:44:33,239
Speaker 5: and Gold, who is an NBC exec, has a Must

986
00:44:33,280 --> 00:44:36,160
Speaker 5: See Thursday poster in his office. He's proud of when

987
00:44:36,200 --> 00:44:40,000
Speaker 5: it was US thirty Rock, the office and parks and

988
00:44:40,040 --> 00:44:42,640
Speaker 5: rec We're all Thursday and that's that was a cool

989
00:44:42,760 --> 00:44:43,640
Speaker 5: That was a cool lineup.

990
00:44:44,040 --> 00:44:46,160
Speaker 2: Yeah, at one point that was a Thursday night.

991
00:44:46,800 --> 00:44:48,239
Speaker 5: I think it was I can't remember if I have

992
00:44:48,320 --> 00:44:50,000
Speaker 5: the no, it might have been Earl, but it was

993
00:44:50,200 --> 00:44:56,040
Speaker 5: US thirty Rock office and either Earl or you know,

994
00:44:56,120 --> 00:44:58,200
Speaker 5: but it was He's like, that was total, a total

995
00:44:58,320 --> 00:44:59,399
Speaker 5: must they were still doing.

996
00:45:00,480 --> 00:45:02,759
Speaker 2: That's a pretty good muss seat Thursday. Man, that's a

997
00:45:02,840 --> 00:45:04,040
Speaker 2: pretty muss seat Thursday.

998
00:45:04,480 --> 00:45:08,759
Speaker 1: Shall we talk about Nicole Sullivan? Guys, absolutely, Bill tell

999
00:45:08,840 --> 00:45:12,279
Speaker 1: us about obviously, you know a lot of people know

1000
00:45:12,719 --> 00:45:15,400
Speaker 1: knew Nicole Sullivan from Mad TV and how did how

1001
00:45:15,440 --> 00:45:16,880
Speaker 1: did you choose her? Were you friends with her?

1002
00:45:17,040 --> 00:45:19,120
Speaker 5: She was going, Yeah, she was another you know, we

1003
00:45:19,239 --> 00:45:22,000
Speaker 5: brought people through our world that were friends of mine

1004
00:45:22,040 --> 00:45:25,400
Speaker 5: that I knew were super talented. We wanted to have

1005
00:45:25,680 --> 00:45:30,280
Speaker 5: her in this world because not only is she really funny,

1006
00:45:30,320 --> 00:45:33,799
Speaker 5: but we knew she could actually act. And we had,

1007
00:45:34,719 --> 00:45:37,960
Speaker 5: you know, kind of the idea beforehand, whether it was

1008
00:45:38,000 --> 00:45:43,200
Speaker 5: with Brendan Frasier or her or Missus Wilke, that there

1009
00:45:43,239 --> 00:45:46,239
Speaker 5: were sometimes patients that we would say, let's bring them

1010
00:45:46,280 --> 00:45:48,600
Speaker 5: in and know that they're going to come back, you know.

1011
00:45:49,239 --> 00:45:51,960
Speaker 5: And so we didn't know right then that Nicole was

1012
00:45:52,040 --> 00:45:53,800
Speaker 5: going to die, but we knew she was going to

1013
00:45:53,880 --> 00:45:56,799
Speaker 5: come back. And uh so we were setting her up

1014
00:45:57,400 --> 00:45:59,719
Speaker 5: for the crap that, you know journey that her person

1015
00:45:59,760 --> 00:46:03,239
Speaker 5: went down, you know, in a cool way. I think

1016
00:46:03,400 --> 00:46:06,200
Speaker 5: the most fun way to do that. Donald said something

1017
00:46:06,239 --> 00:46:08,200
Speaker 5: about it is you sneak it up on people. You

1018
00:46:08,280 --> 00:46:10,440
Speaker 5: introduce somebody as something that's just going to be funny

1019
00:46:10,480 --> 00:46:12,560
Speaker 5: in a goof to see them, and you get people

1020
00:46:12,640 --> 00:46:16,359
Speaker 5: emotionally invested. So when there's stuff, when the wheels come off,

1021
00:46:16,440 --> 00:46:19,360
Speaker 5: people are just you know, emotionally affected by that.

1022
00:46:19,760 --> 00:46:23,440
Speaker 3: That was something that you know, uh, and it just

1023
00:46:23,520 --> 00:46:26,200
Speaker 3: shows how great of a writer you are. You know,

1024
00:46:26,280 --> 00:46:29,600
Speaker 3: I'm sure you're you know this already.

1025
00:46:29,320 --> 00:46:31,160
Speaker 5: But he does like a like a like a Michael

1026
00:46:31,200 --> 00:46:32,040
Speaker 5: Jaminski of writing.

1027
00:46:32,080 --> 00:46:38,440
Speaker 2: Almost you said you you would give everybody clues. The

1028
00:46:38,600 --> 00:46:42,520
Speaker 2: clues are there, and if you're really paying attention, you know,

1029
00:46:42,840 --> 00:46:46,160
Speaker 2: if you're really really paying attention, when it happens, it's

1030
00:46:46,239 --> 00:46:49,560
Speaker 2: not that big of a surprise like it's we foreshadowed

1031
00:46:49,680 --> 00:46:50,239
Speaker 2: so much.

1032
00:46:50,680 --> 00:46:52,960
Speaker 5: Yeah, you talked about that, and I really appreciated it

1033
00:46:53,040 --> 00:46:55,480
Speaker 5: because the way our staff worked that I thought was

1034
00:46:55,600 --> 00:46:58,000
Speaker 5: cool before in the pre production every year before we

1035
00:46:58,040 --> 00:47:03,160
Speaker 5: wrote episodes, we talked about what big things, you know,

1036
00:47:03,400 --> 00:47:05,960
Speaker 5: arcs and stuff we wanted to do. Like we'd say, hey,

1037
00:47:07,360 --> 00:47:10,960
Speaker 5: we want Turk and Car to get engaged, but we

1038
00:47:11,080 --> 00:47:13,000
Speaker 5: want it to be a little bit of a rocky road.

1039
00:47:13,160 --> 00:47:15,520
Speaker 7: And then we would work backwards, same way.

1040
00:47:15,560 --> 00:47:17,279
Speaker 5: We'd go, hey, we want Johnny c to end up

1041
00:47:17,280 --> 00:47:19,000
Speaker 5: with his ex who's never moved past now he's a

1042
00:47:19,040 --> 00:47:22,040
Speaker 5: more matureian. We work work backwards. We're gonna kill Brendan Fraser.

1043
00:47:22,160 --> 00:47:24,960
Speaker 5: It's worked backwards and then it would almost seem when

1044
00:47:24,960 --> 00:47:27,680
Speaker 5: we're doing these initial episodes. Since we had already plotted

1045
00:47:27,719 --> 00:47:31,640
Speaker 5: out these arcs, it was very easy to go, all right,

1046
00:47:31,760 --> 00:47:32,640
Speaker 5: so if Nicole.

1047
00:47:32,440 --> 00:47:36,840
Speaker 7: Sullivan's gonna eventually die, and.

1048
00:47:37,960 --> 00:47:40,800
Speaker 5: Let's establish her here as a fun, neurotic person that

1049
00:47:40,920 --> 00:47:43,759
Speaker 5: you think is just being kinde of hypochondriac, and then

1050
00:47:44,000 --> 00:47:46,480
Speaker 5: do you know what I mean? So it is set

1051
00:47:46,560 --> 00:47:49,120
Speaker 5: up because we were working backwards from the big episodes

1052
00:47:49,160 --> 00:47:50,759
Speaker 5: that we wanted to accomplish. Was part of the fun.

1053
00:47:51,239 --> 00:47:52,840
Speaker 2: Yeah, that's good writing to me.

1054
00:47:52,920 --> 00:47:56,160
Speaker 3: That's because whenever you can look back and say to yourself,

1055
00:47:56,640 --> 00:47:57,759
Speaker 3: was there and I didn't see it?

1056
00:47:58,360 --> 00:47:58,520
Speaker 5: Right?

1057
00:47:58,800 --> 00:48:01,319
Speaker 2: I feel like you know, Kayser So's you.

1058
00:48:01,360 --> 00:48:05,279
Speaker 5: Know, yeah, it is the it's the trick of it all.

1059
00:48:05,520 --> 00:48:07,480
Speaker 1: That's the trick is that is you know you're not

1060
00:48:07,520 --> 00:48:09,920
Speaker 1: gonna the audience isn't gonna have the heartbreak for an asshole.

1061
00:48:10,040 --> 00:48:12,160
Speaker 1: You know, you got to have the audience fall in

1062
00:48:12,239 --> 00:48:14,880
Speaker 1: love with them and go, oh, I love listener. She's wacky,

1063
00:48:14,960 --> 00:48:17,359
Speaker 1: she's silly, She's I want to be her friend, she's

1064
00:48:17,760 --> 00:48:19,480
Speaker 1: you want to you want to fall in love with

1065
00:48:19,560 --> 00:48:21,680
Speaker 1: the person before Bill kills them.

1066
00:48:22,520 --> 00:48:24,319
Speaker 5: It was the it was the one trick we went

1067
00:48:24,400 --> 00:48:26,680
Speaker 5: back to a lot. It was too mean, was we

1068
00:48:26,760 --> 00:48:28,719
Speaker 5: knew in twenty two minutes it was too hard to

1069
00:48:28,760 --> 00:48:30,520
Speaker 5: get people to love someone and then kill them. So

1070
00:48:30,600 --> 00:48:33,200
Speaker 5: we're like, all right, let's bring them and do another story.

1071
00:48:33,480 --> 00:48:36,360
Speaker 5: And our goal is not only to do a successful story,

1072
00:48:36,480 --> 00:48:41,000
Speaker 5: but make people like this person so that when they die,

1073
00:48:41,160 --> 00:48:45,800
Speaker 5: we're uh screwed. The only time we thought we pulled

1074
00:48:45,800 --> 00:48:48,920
Speaker 5: it off, that we killed someone people cared about in

1075
00:48:49,040 --> 00:48:52,239
Speaker 5: one episode. It ties to this one because this is

1076
00:48:52,320 --> 00:48:55,359
Speaker 5: me being a dummy. So Nicole Sullivan, you know, one

1077
00:48:55,360 --> 00:48:58,480
Speaker 5: of the bride'smaids at my wedding, old friend she I'm

1078
00:48:58,520 --> 00:49:02,759
Speaker 5: not good at naming characters. She played Jill Tracy, and uh,

1079
00:49:03,200 --> 00:49:06,920
Speaker 5: and then I didn't realize till later. Jill Tracy, who's

1080
00:49:06,960 --> 00:49:11,520
Speaker 5: Tim Hobert at the executive producer, one of them a

1081
00:49:11,760 --> 00:49:14,000
Speaker 5: great actress in her own right. Not only had I

1082
00:49:14,080 --> 00:49:16,320
Speaker 5: not put her on the show, but I named another

1083
00:49:16,480 --> 00:49:21,480
Speaker 5: character after and somebody else played it. So then Jill

1084
00:49:21,560 --> 00:49:24,160
Speaker 5: Tracy came and played the woman who died in a

1085
00:49:24,200 --> 00:49:26,560
Speaker 5: Broadway musical. Waiting for my real life to the game.

1086
00:49:30,520 --> 00:49:33,880
Speaker 2: On a clear day when I can't see.

1087
00:49:36,640 --> 00:49:43,320
Speaker 5: Very long crazy.

1088
00:49:43,760 --> 00:49:44,560
Speaker 1: So did she call you?

1089
00:49:44,760 --> 00:49:46,520
Speaker 4: Did did you real jail Jill Tracy call you?

1090
00:49:46,640 --> 00:49:47,480
Speaker 1: And what was she like?

1091
00:49:48,480 --> 00:49:51,279
Speaker 5: No, Tim is just such a good buddy. I realized that,

1092
00:49:51,640 --> 00:49:53,279
Speaker 5: you know, as it happened, and I'm like, oh, I'm

1093
00:49:53,280 --> 00:49:54,839
Speaker 5: a piece of shit. We gotta make sure we get

1094
00:49:54,880 --> 00:49:57,320
Speaker 5: you in there. And she was luckily also a Broadway

1095
00:49:57,400 --> 00:49:59,480
Speaker 5: level singer and had done musical theater her whole life.

1096
00:49:59,520 --> 00:50:01,000
Speaker 1: You know, she was great, Hey, I'm looking at these

1097
00:50:01,040 --> 00:50:03,759
Speaker 1: blackberries and I remember that this was like the time

1098
00:50:03,840 --> 00:50:06,719
Speaker 1: that blackberries came out and Bill, as I recall, you

1099
00:50:06,880 --> 00:50:09,400
Speaker 1: gave us all our first blackberries as a present.

1100
00:50:09,520 --> 00:50:11,439
Speaker 5: Yeah, it gave them to everybody as a Christmas gift.

1101
00:50:11,719 --> 00:50:13,560
Speaker 4: And I have a memory I remember you like we

1102
00:50:13,640 --> 00:50:16,360
Speaker 4: were like, what is this so you can type on it?

1103
00:50:17,120 --> 00:50:20,840
Speaker 3: Yeah, that I wrote that down, Nicole Sullivan says email

1104
00:50:20,960 --> 00:50:23,560
Speaker 3: as we're talking. That kind of dates the show.

1105
00:50:24,200 --> 00:50:27,799
Speaker 5: Yeah, I know, I know it was so weird.

1106
00:50:28,120 --> 00:50:30,239
Speaker 1: That means right when they all came out. I mean

1107
00:50:30,280 --> 00:50:31,880
Speaker 1: that's we were like state of the art. She's got

1108
00:50:31,920 --> 00:50:33,040
Speaker 1: a state of the art gadget.

1109
00:50:33,480 --> 00:50:34,200
Speaker 7: Getting back to the.

1110
00:50:34,239 --> 00:50:36,560
Speaker 5: Show, that was one of my favorite things because we

1111
00:50:36,760 --> 00:50:41,080
Speaker 5: really wanted everybody had their thing to overcome on this show,

1112
00:50:41,120 --> 00:50:45,520
Speaker 5: and we really wanted Sarah Chalk's character to overcome how

1113
00:50:45,640 --> 00:50:49,640
Speaker 5: hard she always is on herself and you know how

1114
00:50:49,719 --> 00:50:52,799
Speaker 5: much she buries herself psychologically and on an unhealthy way

1115
00:50:52,880 --> 00:50:55,600
Speaker 5: with all her work. And my favorite scene in this

1116
00:50:56,480 --> 00:50:58,759
Speaker 5: besides the Judy and Zach went out in the rain,

1117
00:50:59,520 --> 00:51:03,040
Speaker 5: was Sarah and Johnny C with Johnny C doing some

1118
00:51:03,200 --> 00:51:05,920
Speaker 5: really subtle stuff when he says, go ahead and make

1119
00:51:05,920 --> 00:51:08,560
Speaker 5: your case why Jill Tracy can stay in the hospital,

1120
00:51:09,120 --> 00:51:11,760
Speaker 5: and Sarah is saying, you know, sometimes you get overwhelmed,

1121
00:51:11,760 --> 00:51:14,680
Speaker 5: and it's this and this, and John McGinley is without

1122
00:51:15,080 --> 00:51:17,560
Speaker 5: doing anything big, proving to her that she does the

1123
00:51:17,680 --> 00:51:19,759
Speaker 5: very same thing to herself. I love that moment.

1124
00:51:20,080 --> 00:51:20,319
Speaker 1: Yeah.

1125
00:51:20,360 --> 00:51:22,200
Speaker 5: The reason I loved it as a writer was it

1126
00:51:22,360 --> 00:51:26,320
Speaker 5: wasn't something that Sarah was necessarily doing in this episode,

1127
00:51:26,400 --> 00:51:28,279
Speaker 5: but she had done it in every episode up to

1128
00:51:28,400 --> 00:51:28,719
Speaker 5: this one.

1129
00:51:29,239 --> 00:51:29,439
Speaker 2: Yeah.

1130
00:51:29,719 --> 00:51:32,480
Speaker 3: I wrote that down that that that's such a great moment.

1131
00:51:32,560 --> 00:51:35,040
Speaker 3: That scene is so awesome and Sarah pulls it off

1132
00:51:35,160 --> 00:51:38,439
Speaker 3: really well where she's talking about you know, she's talking

1133
00:51:38,440 --> 00:51:41,680
Speaker 3: about Nicole's character and then and then you know, Johnny says,

1134
00:51:41,920 --> 00:51:43,600
Speaker 3: but have you looked at how you have you looked

1135
00:51:43,600 --> 00:51:44,080
Speaker 3: at yourself?

1136
00:51:44,200 --> 00:51:45,680
Speaker 2: I know I'm a skin and then.

1137
00:51:49,000 --> 00:51:50,960
Speaker 5: That she's like, and she's like and then she'll do anything.

1138
00:51:51,000 --> 00:51:52,440
Speaker 5: She's such a people pleaser for anyone.

1139
00:51:52,520 --> 00:51:54,000
Speaker 7: I think he says, will you go clean up my

1140
00:51:54,080 --> 00:51:56,040
Speaker 7: dog shit and take it to do it lunch?

1141
00:52:00,120 --> 00:52:01,200
Speaker 4: She's really good in that scene.

1142
00:52:01,520 --> 00:52:04,880
Speaker 3: Oh but it cuts right from that into you pulling

1143
00:52:04,960 --> 00:52:07,640
Speaker 3: up in the cab, and that's where I got pissed

1144
00:52:07,680 --> 00:52:12,759
Speaker 3: off because right there, like, no, not now jam but

1145
00:52:12,880 --> 00:52:15,720
Speaker 3: it's but it marries so well, you know what I mean.

1146
00:52:16,480 --> 00:52:18,600
Speaker 5: It's drunk out and by the way, and then the

1147
00:52:18,719 --> 00:52:20,920
Speaker 5: parings we did in this one, the pairings we did

1148
00:52:20,960 --> 00:52:23,200
Speaker 5: in this show made me think of another question I

1149
00:52:23,239 --> 00:52:25,440
Speaker 5: answered to you guys in the previous episode, because I

1150
00:52:25,560 --> 00:52:30,360
Speaker 5: believe Kelso calls you Turk in this episode because you

1151
00:52:30,400 --> 00:52:32,479
Speaker 5: guys are having a battle, and he did.

1152
00:52:32,400 --> 00:52:34,520
Speaker 2: It in another episode too, he did it.

1153
00:52:34,680 --> 00:52:38,680
Speaker 5: But that's why it's important. It's important to know that

1154
00:52:39,040 --> 00:52:43,080
Speaker 5: that's why we do believe he thinks your name is Turkleton.

1155
00:52:43,400 --> 00:52:45,279
Speaker 5: But that's why we got to the logic with the

1156
00:52:45,320 --> 00:52:49,680
Speaker 5: writers that he thinks your name is Turk Turkleton. When

1157
00:52:49,760 --> 00:52:52,759
Speaker 5: we said we said you know, he thinks her name

1158
00:52:52,840 --> 00:52:55,839
Speaker 5: is doctor Turkleton. You know, in the writers you fight

1159
00:52:55,920 --> 00:52:58,040
Speaker 5: about everything writers room. A lot of the writers were like,

1160
00:52:58,160 --> 00:53:01,279
Speaker 5: he can't, he's called him Turk before. And then somebody's like, well,

1161
00:53:01,320 --> 00:53:03,280
Speaker 5: then he thinks his name is Turk Turkleton.

1162
00:53:05,800 --> 00:53:08,440
Speaker 2: That's one of the best. And to this day, to

1163
00:53:08,600 --> 00:53:11,520
Speaker 2: this day, to this day, there are a lot of

1164
00:53:11,680 --> 00:53:12,000
Speaker 2: there are a.

1165
00:53:12,000 --> 00:53:15,200
Speaker 3: Lot of Scrubs fans that know, you know, Christopher Turk

1166
00:53:15,400 --> 00:53:18,160
Speaker 3: is the name, but there are some that honestly believe

1167
00:53:18,239 --> 00:53:20,680
Speaker 3: Turk Turkleton is the characters man.

1168
00:53:21,320 --> 00:53:23,120
Speaker 5: You know what else, by the way, came up randomly

1169
00:53:23,360 --> 00:53:27,240
Speaker 5: is somebody asked me after why you were named Gandhi,

1170
00:53:27,320 --> 00:53:29,280
Speaker 5: Like why doctor Coxon name checked.

1171
00:53:29,120 --> 00:53:31,279
Speaker 2: You as Gandhi Because I was a bald head guy.

1172
00:53:31,880 --> 00:53:34,400
Speaker 5: It wasn't just that, it was because I was concurrently

1173
00:53:34,560 --> 00:53:38,680
Speaker 5: looking at cartoons and okaying the character design with Chris

1174
00:53:38,800 --> 00:53:42,719
Speaker 5: and Phil for Clone High and the Gandhi character. They

1175
00:53:42,840 --> 00:53:44,759
Speaker 5: had him with a hip go T because he was

1176
00:53:44,760 --> 00:53:48,319
Speaker 5: a young teen version and whatever, and I'm like, oh, ship, we.

1177
00:53:48,320 --> 00:53:49,840
Speaker 2: Should go I do.

1178
00:53:50,400 --> 00:53:52,239
Speaker 3: We were typically going to talk about that right now.

1179
00:53:52,320 --> 00:53:53,840
Speaker 3: Let's just go to commercial real quick.

1180
00:53:53,719 --> 00:53:56,080
Speaker 1: Okay, sure, Commercial.

1181
00:54:07,200 --> 00:54:09,760
Speaker 3: Okay, we're back. Steph is in the house, y'all. Steph

1182
00:54:10,320 --> 00:54:13,440
Speaker 3: is in the house. Steph. Steph is in the house.

1183
00:54:13,560 --> 00:54:15,719
Speaker 1: All right, Steph is in the house. We're just gonna

1184
00:54:15,719 --> 00:54:17,160
Speaker 1: finish the Clone High chat. So Steph.

1185
00:54:17,160 --> 00:54:18,000
Speaker 2: Okay, so let's get.

1186
00:54:17,920 --> 00:54:22,279
Speaker 3: Back into Clone High. Dude, you now, had Phil and

1187
00:54:22,440 --> 00:54:23,880
Speaker 3: Chris done anything before this.

1188
00:54:24,280 --> 00:54:27,080
Speaker 5: Or or they were barely they were barely getting their

1189
00:54:27,120 --> 00:54:31,680
Speaker 5: careers started. They were young animators from for Disney that

1190
00:54:31,800 --> 00:54:34,759
Speaker 5: went to Dartmouth and we're also very funny and we're

1191
00:54:34,920 --> 00:54:37,600
Speaker 5: just starting their career as kind of comedy writer animated.

1192
00:54:37,600 --> 00:54:40,040
Speaker 5: The had done nothing. It was like the first project

1193
00:54:40,120 --> 00:54:42,600
Speaker 5: that I supervised someone else the way I was supervised.

1194
00:54:43,000 --> 00:54:43,879
Speaker 2: And now the two.

1195
00:54:43,840 --> 00:54:46,760
Speaker 5: Guys that are gonna give me and you and Steph

1196
00:54:46,920 --> 00:54:49,040
Speaker 5: and Joelle a job. Eventually, I pray that they.

1197
00:54:49,040 --> 00:54:52,440
Speaker 1: Give me Donald wyt you explain the context, because not

1198
00:54:52,480 --> 00:54:53,719
Speaker 1: everyone's gonna know what the hell are Okay.

1199
00:54:53,719 --> 00:54:57,160
Speaker 3: So Chris and Philip gone on to create movies like

1200
00:54:57,320 --> 00:55:00,439
Speaker 3: twenty one Jump Street, twenty two Lego Street, the Lego

1201
00:55:00,520 --> 00:55:04,160
Speaker 3: Lego Movie, the best, probably the best Spider Man movie ever.

1202
00:55:04,040 --> 00:55:05,000
Speaker 5: Into the Spider Verse.

1203
00:55:06,719 --> 00:55:09,320
Speaker 1: Yeah, Cloudy with a Chance of Meatballs, yes.

1204
00:55:09,280 --> 00:55:11,520
Speaker 5: They were the animators, directors writers of that as well.

1205
00:55:11,640 --> 00:55:14,160
Speaker 3: Yes, they've gone on to do some amazing things. But

1206
00:55:14,440 --> 00:55:16,680
Speaker 3: in the beginning, before this all happened, there was a

1207
00:55:16,719 --> 00:55:20,320
Speaker 3: little show called Clone High, which Bill was an executive

1208
00:55:20,360 --> 00:55:24,760
Speaker 3: producer on, And while we were making scrubs in the basement,

1209
00:55:25,200 --> 00:55:27,200
Speaker 3: they were doing all their recordings.

1210
00:55:26,760 --> 00:55:28,800
Speaker 1: And in the mental war in the mental ward. I

1211
00:55:28,880 --> 00:55:30,480
Speaker 1: believe that was the writers.

1212
00:55:30,760 --> 00:55:32,040
Speaker 5: Yeah, we hid to save money.

1213
00:55:32,160 --> 00:55:35,560
Speaker 7: We hid our writing staff of that show in the hospital.

1214
00:55:35,800 --> 00:55:38,239
Speaker 5: And then you guys just casually started to notice other

1215
00:55:38,320 --> 00:55:41,920
Speaker 5: writers around the commissary every day eating. Yeah, I'm just

1216
00:55:42,000 --> 00:55:42,480
Speaker 5: hanging out there.

1217
00:55:42,480 --> 00:55:44,160
Speaker 2: But they put us in the show too. So I

1218
00:55:44,280 --> 00:55:47,759
Speaker 2: got an opportunity to play two really cool characters in

1219
00:55:47,800 --> 00:55:48,319
Speaker 2: that were.

1220
00:55:48,239 --> 00:55:52,560
Speaker 5: You George Washington, which is I was George, and.

1221
00:55:52,640 --> 00:55:56,120
Speaker 3: I was also Toots, who was Joanavak's father in law

1222
00:55:56,239 --> 00:55:56,840
Speaker 3: or something like that.

1223
00:55:56,960 --> 00:55:58,640
Speaker 7: Yeah, it was a blind It was a blind former

1224
00:55:58,760 --> 00:55:59,239
Speaker 7: jazz man.

1225
00:55:59,400 --> 00:55:59,560
Speaker 6: Yeah.

1226
00:55:59,600 --> 00:56:02,400
Speaker 5: Yeah, Yeah, it's so weird because all a bunch of

1227
00:56:02,480 --> 00:56:05,600
Speaker 5: Clone High nerds. I love Big Mouth, but Toots is

1228
00:56:05,800 --> 00:56:09,040
Speaker 5: very much like the jazzy ghost that they have in

1229
00:56:09,120 --> 00:56:10,239
Speaker 5: that cartoon Big Mouth.

1230
00:56:10,280 --> 00:56:11,640
Speaker 4: You know, are you guys bringing it back?

1231
00:56:11,680 --> 00:56:12,200
Speaker 1: In some way.

1232
00:56:12,280 --> 00:56:15,879
Speaker 5: Bill, I'm not at liberty to discuss that yet.

1233
00:56:16,040 --> 00:56:19,120
Speaker 4: No, I stumbled across something top secret audience.

1234
00:56:19,040 --> 00:56:20,080
Speaker 2: That would be awesome.

1235
00:56:20,800 --> 00:56:21,640
Speaker 5: That's a good tease.

1236
00:56:21,920 --> 00:56:23,640
Speaker 4: I was in it too, but I don't know who

1237
00:56:23,680 --> 00:56:25,520
Speaker 4: I played a lot.

1238
00:56:25,600 --> 00:56:26,359
Speaker 2: You weren't in it a lot.

1239
00:56:26,719 --> 00:56:27,919
Speaker 4: I don't minimize my part.

1240
00:56:28,000 --> 00:56:28,800
Speaker 1: I did occur.

1241
00:56:29,200 --> 00:56:31,440
Speaker 5: I did it was it was such a cool college

1242
00:56:31,480 --> 00:56:34,120
Speaker 5: filmmaking type atmosphere, which is what Scrubs was anyways, that

1243
00:56:34,200 --> 00:56:37,560
Speaker 5: you guys would be shooting scenes and we would literally go, hey,

1244
00:56:37,640 --> 00:56:40,719
Speaker 5: do you mind while you're eating to walk downstairs and

1245
00:56:41,160 --> 00:56:43,319
Speaker 5: record a voice being a cartoon character, and you guys

1246
00:56:43,360 --> 00:56:44,279
Speaker 5: were also nice about it.

1247
00:56:44,680 --> 00:56:44,879
Speaker 1: Yeah.

1248
00:56:44,920 --> 00:56:47,080
Speaker 2: Well, I loved working on that show Man. That was

1249
00:56:47,120 --> 00:56:47,640
Speaker 2: a lot of fun.

1250
00:56:47,680 --> 00:56:50,879
Speaker 1: I was Paul Revere, Joelle is telling so Paul Revere

1251
00:56:50,920 --> 00:56:52,560
Speaker 1: is an important character everybody.

1252
00:56:52,600 --> 00:56:53,840
Speaker 2: Yeah, but that was like one episode.

1253
00:56:55,280 --> 00:56:57,160
Speaker 5: You had a bigger You had a bigger one when

1254
00:56:57,200 --> 00:57:00,359
Speaker 5: you were selling a weird energy paste with Sarah Chalk

1255
00:57:00,840 --> 00:57:03,440
Speaker 5: and Marilyn Manson came in and saying the food Pyramid song.

1256
00:57:03,440 --> 00:57:03,960
Speaker 5: It's very weird.

1257
00:57:04,040 --> 00:57:06,239
Speaker 3: Yeah, dude, I just remember being I remember being there,

1258
00:57:06,320 --> 00:57:08,359
Speaker 3: and this is the first time I met Mandy Moore.

1259
00:57:08,760 --> 00:57:10,239
Speaker 2: She did a guest spot on the show.

1260
00:57:10,560 --> 00:57:13,920
Speaker 1: I met Uh, I've never remember what shall we go to, Steph?

1261
00:57:14,800 --> 00:57:17,040
Speaker 2: I met Tom Green? That was cool. That was the

1262
00:57:17,080 --> 00:57:18,760
Speaker 2: first time I've ever met Tom Green and he was

1263
00:57:18,800 --> 00:57:21,200
Speaker 2: on fire at the time and was on it.

1264
00:57:21,400 --> 00:57:22,000
Speaker 5: Steph was on.

1265
00:57:23,800 --> 00:57:27,120
Speaker 3: And also even we have a caller, guys, our caller

1266
00:57:27,240 --> 00:57:29,280
Speaker 3: has has Finally we're gonna let her talk.

1267
00:57:29,560 --> 00:57:31,680
Speaker 4: Okadies and gentlemen, please welcome Steph.

1268
00:57:34,200 --> 00:57:34,400
Speaker 9: Bill.

1269
00:57:36,160 --> 00:57:42,600
Speaker 1: Bill's counting into everything. Dan, turn off the theme song, Steph.

1270
00:57:42,880 --> 00:57:44,960
Speaker 7: At any point that you want to hear that awesome song,

1271
00:57:45,080 --> 00:57:46,120
Speaker 7: just say five to six seven eight.

1272
00:57:50,120 --> 00:57:53,360
Speaker 2: It's official. Anytime you say five six seven eight.

1273
00:57:55,640 --> 00:57:58,120
Speaker 6: Maybe wait three whole minutes so I think it's only

1274
00:57:58,400 --> 00:58:04,240
Speaker 6: just right, Okay, five six seven.

1275
00:58:04,000 --> 00:58:07,760
Speaker 4: Eight, Okay, but not the whole song, the damn stopping

1276
00:58:07,840 --> 00:58:08,280
Speaker 4: to stop it?

1277
00:58:08,840 --> 00:58:10,440
Speaker 2: Do you want to do the tag at the end? Stuff?

1278
00:58:12,480 --> 00:58:14,680
Speaker 4: I don't know, give us the tag?

1279
00:58:18,640 --> 00:58:19,200
Speaker 5: Good boys?

1280
00:58:19,480 --> 00:58:21,760
Speaker 1: All right, this this has all gone to ship Steph.

1281
00:58:21,920 --> 00:58:22,600
Speaker 1: What's your question?

1282
00:58:23,440 --> 00:58:26,520
Speaker 6: So I'm finishing up my second year of medical school,

1283
00:58:27,520 --> 00:58:29,960
Speaker 6: which is in part due to scrubs.

1284
00:58:30,240 --> 00:58:34,440
Speaker 9: So basically, yeah, super funny story.

1285
00:58:35,000 --> 00:58:37,520
Speaker 6: I alluded to this in my personal statement but left

1286
00:58:37,560 --> 00:58:39,440
Speaker 6: out certain details because I didn't want them to not

1287
00:58:39,560 --> 00:58:40,360
Speaker 6: take me seriously.

1288
00:58:40,880 --> 00:58:43,800
Speaker 9: But basically, my mom was a surgeon.

1289
00:58:44,080 --> 00:58:46,680
Speaker 6: So when I was growing up, I saw like, you know,

1290
00:58:46,840 --> 00:58:48,960
Speaker 6: pictures of her job and stuff like that, and I

1291
00:58:49,040 --> 00:58:51,240
Speaker 6: thought it looked awful. I was like, I have no

1292
00:58:51,360 --> 00:58:53,200
Speaker 6: idea how you do what you do. She's a breast

1293
00:58:53,240 --> 00:58:56,000
Speaker 6: cancer surgeon. So I was like, that's disgusting, Like, how

1294
00:58:56,040 --> 00:58:58,200
Speaker 6: do you look at boobs all day? So weird?

1295
00:58:58,760 --> 00:59:00,000
Speaker 9: I never am going into medicine.

1296
00:59:00,360 --> 00:59:01,920
Speaker 2: How do you look at boobs all day?

1297
00:59:02,000 --> 00:59:04,160
Speaker 5: That's just I don't know, it's easier if you're not

1298
00:59:04,240 --> 00:59:06,080
Speaker 5: a medical professional. Continue, I got it.

1299
00:59:06,240 --> 00:59:10,400
Speaker 6: Yeah, So I started watching Scrubs maybe like I don't

1300
00:59:10,440 --> 00:59:13,800
Speaker 6: even remember when, maybe in middle school, and I related

1301
00:59:13,880 --> 00:59:16,960
Speaker 6: to Elliott's character on such a spiritual level that I

1302
00:59:17,120 --> 00:59:19,600
Speaker 6: was like, this looks really fun. Maybe I will go

1303
00:59:19,680 --> 00:59:23,800
Speaker 6: into medicine. And since then kind of became more legitimate.

1304
00:59:23,920 --> 00:59:26,680
Speaker 9: But definitely the first thing that piqued my interest with Scrubs.

1305
00:59:26,760 --> 00:59:28,000
Speaker 9: So thank you guys.

1306
00:59:28,320 --> 00:59:31,160
Speaker 2: Do you use the word frick a lot?

1307
00:59:32,680 --> 00:59:35,800
Speaker 9: I kind of graduated to the U version.

1308
00:59:35,840 --> 00:59:35,920
Speaker 6: But.

1309
00:59:37,880 --> 00:59:41,520
Speaker 10: Sometimes I mean, I gotta say I want to interject

1310
00:59:41,520 --> 00:59:45,520
Speaker 10: stuff because that means so much to me because we

1311
00:59:46,120 --> 00:59:48,800
Speaker 10: wanted to make sure that medical personnel seemed like heroes

1312
00:59:48,800 --> 00:59:50,120
Speaker 10: and the job seemed like fun.

1313
00:59:50,320 --> 00:59:53,720
Speaker 5: And I just was talking to the real JD last

1314
00:59:53,840 --> 00:59:58,280
Speaker 5: night and his wife Dolly, who Elliott's based on, and

1315
00:59:58,600 --> 01:00:02,080
Speaker 5: their favorite thing is is to consider you know that

1316
01:00:02,640 --> 01:00:04,920
Speaker 5: they might have had a tiny part in some people

1317
01:00:05,000 --> 01:00:07,720
Speaker 5: kind of embracing medicine as a career because it means

1318
01:00:07,760 --> 01:00:10,480
Speaker 5: so much to them. That's A and B for those

1319
01:00:10,520 --> 01:00:12,439
Speaker 5: of you that are just listening that you can't see

1320
01:00:12,600 --> 01:00:16,920
Speaker 5: Steph could easily have played Elliott, just so you guys know,

1321
01:00:17,120 --> 01:00:22,480
Speaker 5: she's elliot S. She's elliot S both in her mannerisms

1322
01:00:22,720 --> 01:00:26,800
Speaker 5: and her appearance. And I almost, by the way, this

1323
01:00:26,920 --> 01:00:28,760
Speaker 5: is the thing that I have to watch out for

1324
01:00:29,160 --> 01:00:30,920
Speaker 5: late in life because I'm much older than all these people.

1325
01:00:31,160 --> 01:00:33,640
Speaker 5: But I almost said, I am here talking to a

1326
01:00:33,720 --> 01:00:36,040
Speaker 5: young Sarah Chalk. But Sarah Chalk is still very young,

1327
01:00:36,320 --> 01:00:37,400
Speaker 5: So I did not say.

1328
01:00:37,280 --> 01:00:39,200
Speaker 2: That Sarah is not an old person at all.

1329
01:00:39,440 --> 01:00:43,560
Speaker 6: Yes, my mad school friends all tell me, all the

1330
01:00:43,640 --> 01:00:46,520
Speaker 6: ones that watch Scrubs religiously are all like you have

1331
01:00:47,000 --> 01:00:49,160
Speaker 6: the same luck that she does. When you guys, did

1332
01:00:49,200 --> 01:00:52,760
Speaker 6: the episode of Sarah Chalk, how like the crazy stories

1333
01:00:52,840 --> 01:00:53,800
Speaker 6: that come out of nowhere.

1334
01:00:53,880 --> 01:00:55,360
Speaker 9: You're like, there's no way that happened to you on

1335
01:00:55,440 --> 01:00:55,880
Speaker 9: a Monday.

1336
01:00:55,960 --> 01:01:00,280
Speaker 5: That's me, Like, yeah, I was watching that. I think

1337
01:01:00,360 --> 01:01:02,880
Speaker 5: that that that story that Zach and Donald told led

1338
01:01:02,920 --> 01:01:04,320
Speaker 5: us to write a story in which he bought a

1339
01:01:04,400 --> 01:01:07,560
Speaker 5: new car. In every thirty seconds, someone someone took another

1340
01:01:07,640 --> 01:01:07,960
Speaker 5: door off.

1341
01:01:10,680 --> 01:01:11,800
Speaker 4: That would happen to Sarah.

1342
01:01:12,560 --> 01:01:15,080
Speaker 6: The best part of that episode is when the grumpy

1343
01:01:15,200 --> 01:01:18,440
Speaker 6: radiologists like, thanks for stopping by and don't forget your.

1344
01:01:18,440 --> 01:01:20,000
Speaker 9: Car doors, Like I did.

1345
01:01:24,000 --> 01:01:24,320
Speaker 6: You know what?

1346
01:01:25,440 --> 01:01:27,800
Speaker 5: You're a real fan. This will make you laugh. And

1347
01:01:27,840 --> 01:01:29,600
Speaker 5: I don't even know if Donald and Zach remember it.

1348
01:01:30,360 --> 01:01:33,040
Speaker 5: Different things from different episodes would stick on set and

1349
01:01:33,120 --> 01:01:34,920
Speaker 5: people would say them over and over and I never

1350
01:01:34,960 --> 01:01:38,200
Speaker 5: could predict what it was. And I don't know Zach Donald,

1351
01:01:38,280 --> 01:01:40,120
Speaker 5: if you guys remember what it was from this one.

1352
01:01:40,160 --> 01:01:42,480
Speaker 5: But it was a made up flavor of smoothie that

1353
01:01:42,560 --> 01:01:44,080
Speaker 5: you guys kept saying for weeks.

1354
01:01:44,000 --> 01:01:44,720
Speaker 2: Orange goo go.

1355
01:01:46,880 --> 01:01:48,880
Speaker 4: Wait which episode I remember that?

1356
01:01:50,840 --> 01:01:53,240
Speaker 5: What flavor do you want? I'll have a Frasberry olist

1357
01:01:53,800 --> 01:01:55,760
Speaker 5: an orange goo go. I believe that.

1358
01:01:57,120 --> 01:01:58,880
Speaker 4: I believe Bill.

1359
01:01:58,920 --> 01:02:01,200
Speaker 1: I believe that came from in the writer's rooms, you'd

1360
01:02:01,240 --> 01:02:03,560
Speaker 1: have the assistance do like a smoothie run and you'd

1361
01:02:03,600 --> 01:02:06,640
Speaker 1: all be like calling out weird jama juice flavors where

1362
01:02:06,680 --> 01:02:07,120
Speaker 1: you make.

1363
01:02:07,040 --> 01:02:09,800
Speaker 5: Up fake flavors and just to torture the poor young

1364
01:02:09,880 --> 01:02:12,920
Speaker 5: people working on hourly waves. Yeah, and so that orange

1365
01:02:13,000 --> 01:02:15,560
Speaker 5: goo go orange with.

1366
01:02:17,120 --> 01:02:17,640
Speaker 4: Immunity.

1367
01:02:20,320 --> 01:02:21,440
Speaker 5: All right, stuff, we're taking this.

1368
01:02:22,040 --> 01:02:24,760
Speaker 2: Come on, come on your time, it's your time. Stuff,

1369
01:02:24,920 --> 01:02:25,680
Speaker 2: it's your time.

1370
01:02:25,760 --> 01:02:26,400
Speaker 4: It's your time.

1371
01:02:26,440 --> 01:02:27,800
Speaker 1: Stuff. Goonies go ahead. Stuff.

1372
01:02:28,920 --> 01:02:31,040
Speaker 6: So it's actually kind of perfect that Bill is here

1373
01:02:31,080 --> 01:02:33,280
Speaker 6: on this episode because it kind of relates to the

1374
01:02:33,600 --> 01:02:36,760
Speaker 6: behind the scenes part of it. But since I watched

1375
01:02:36,800 --> 01:02:38,680
Speaker 6: the show so much, a lot of the times when

1376
01:02:38,680 --> 01:02:42,080
Speaker 6: I'm studying, i'll recognize words that will like remind me

1377
01:02:42,160 --> 01:02:45,360
Speaker 6: of certain scenes of the show. And I know you

1378
01:02:45,440 --> 01:02:48,400
Speaker 6: guys talked about like trying to make it really medically accurate.

1379
01:02:48,600 --> 01:02:53,720
Speaker 6: It is reverifying, but it's also really funny, which I

1380
01:02:53,920 --> 01:02:57,400
Speaker 6: think is hard to do with medical vernacular if you're

1381
01:02:57,440 --> 01:02:59,680
Speaker 6: not really used to it. So I was wondering if

1382
01:02:59,680 --> 01:03:03,600
Speaker 6: there is a specific member of the writing team that was,

1383
01:03:04,360 --> 01:03:07,760
Speaker 6: you know, kind of crucial in making the medical scenes,

1384
01:03:08,280 --> 01:03:10,520
Speaker 6: specifically the funny ones, because I think it would be

1385
01:03:10,600 --> 01:03:11,960
Speaker 6: kind of hard to write if you didn't have that

1386
01:03:12,120 --> 01:03:12,880
Speaker 6: medical knowledge.

1387
01:03:13,600 --> 01:03:16,760
Speaker 5: I'm going to give props to First of all, we

1388
01:03:16,880 --> 01:03:19,120
Speaker 5: have actors and actresses that can sell comedy, and they

1389
01:03:19,120 --> 01:03:24,960
Speaker 5: were great. But the real JD is, as I can

1390
01:03:25,000 --> 01:03:27,320
Speaker 5: tell by your persona, he is a guy that I

1391
01:03:27,360 --> 01:03:30,720
Speaker 5: would not have been surprised if he went into comedy writing.

1392
01:03:30,840 --> 01:03:35,480
Speaker 5: He was funny, and so for me it was it'd

1393
01:03:35,520 --> 01:03:37,200
Speaker 5: be interesting to even go back to all his memories.

1394
01:03:37,240 --> 01:03:40,680
Speaker 5: But I remember him talking about pimping, you know, when

1395
01:03:40,720 --> 01:03:44,360
Speaker 5: you get grilled with questions and rounds, and he would

1396
01:03:44,360 --> 01:03:47,360
Speaker 5: be like, I was never ready. I always felt, you know,

1397
01:03:47,480 --> 01:03:49,440
Speaker 5: like I was a deer in the headlights. And then

1398
01:03:49,720 --> 01:03:52,040
Speaker 5: just from him saying that, you know, I was like, oh,

1399
01:03:52,600 --> 01:03:54,440
Speaker 5: JD's gonna be a deer in the headlights when they

1400
01:03:54,440 --> 01:03:56,360
Speaker 5: ask him a question, you know what I mean? And

1401
01:03:57,920 --> 01:04:01,920
Speaker 5: I would bet stuff that you when you go through

1402
01:04:02,000 --> 01:04:04,440
Speaker 5: all this stuff, we'll meet it with humor and banter,

1403
01:04:04,680 --> 01:04:06,440
Speaker 5: because if you don't, I think you go crazy. So

1404
01:04:06,920 --> 01:04:09,120
Speaker 5: I give him the props for it, and the performers

1405
01:04:09,160 --> 01:04:12,840
Speaker 5: the propsport because they'd find ways to make it funny.

1406
01:04:13,000 --> 01:04:15,320
Speaker 1: You know, Bill, did JD ever like overstep the line

1407
01:04:15,320 --> 01:04:17,160
Speaker 1: and he's like, hey, Bill, I got an episode for you.

1408
01:04:17,240 --> 01:04:17,960
Speaker 1: Here's what's going to happen.

1409
01:04:18,040 --> 01:04:20,960
Speaker 5: Yeah, And they did two things. One, he and Dolly

1410
01:04:21,280 --> 01:04:23,919
Speaker 5: once said, hey, we got bored because we were both

1411
01:04:23,960 --> 01:04:25,920
Speaker 5: sick and stayed in all weekend. We wrote an episode

1412
01:04:26,480 --> 01:04:27,760
Speaker 5: and I was like, oh my god.

1413
01:04:27,960 --> 01:04:30,480
Speaker 7: I was like yeah, and of course I'll look at it.

1414
01:04:30,520 --> 01:04:31,840
Speaker 7: And then they're like, no, we're not going to show

1415
01:04:31,840 --> 01:04:32,000
Speaker 7: it to you.

1416
01:04:32,080 --> 01:04:33,640
Speaker 5: We forget it. We don't want to do that right,

1417
01:04:33,680 --> 01:04:34,640
Speaker 5: which was super cool.

1418
01:04:34,800 --> 01:04:37,240
Speaker 1: It's probably brilliant and in the movie version would be

1419
01:04:37,280 --> 01:04:39,600
Speaker 1: like the most brilliant script ever written, I know.

1420
01:04:40,080 --> 01:04:44,160
Speaker 5: And then the other thing was to answer Steph's question.

1421
01:04:44,680 --> 01:04:47,800
Speaker 5: We would sometimes work backwards, you know, which was really

1422
01:04:47,880 --> 01:04:48,840
Speaker 5: hard because for.

1423
01:04:48,960 --> 01:04:51,520
Speaker 7: Him, because I'd go, I want to do this funny moment.

1424
01:04:51,680 --> 01:04:53,920
Speaker 5: We need you to say something that would cause this

1425
01:04:54,120 --> 01:04:57,400
Speaker 5: guy to not have a sense of smell and not

1426
01:04:57,560 --> 01:05:00,480
Speaker 5: blah blah blah, and it can't be soious enough that

1427
01:05:00,520 --> 01:05:02,480
Speaker 5: I have to worry about whether or not he died.

1428
01:05:02,640 --> 01:05:05,040
Speaker 5: And he should still be conscious and be able to

1429
01:05:05,080 --> 01:05:06,960
Speaker 5: talk because he has to talk in the scene. And

1430
01:05:07,120 --> 01:05:09,800
Speaker 5: Jad would be like, dude, this is worse than med school. Homework.

1431
01:05:09,840 --> 01:05:12,440
Speaker 5: This is impossible, hard one.

1432
01:05:13,440 --> 01:05:17,680
Speaker 3: Speaking of speaking of funny medical dragon, uh, it's pronounced

1433
01:05:17,800 --> 01:05:18,920
Speaker 3: annal Jesus.

1434
01:05:19,400 --> 01:05:22,560
Speaker 9: I can't believe you said that. Literally, I had to

1435
01:05:22,880 --> 01:05:24,840
Speaker 9: give a talk to my like med school.

1436
01:05:25,440 --> 01:05:27,160
Speaker 6: It was one of our small groups, and they were

1437
01:05:27,200 --> 01:05:29,800
Speaker 6: talking about how it's so important to be able to

1438
01:05:29,960 --> 01:05:33,440
Speaker 6: articulate in kind of Layman's terms, what you're talking about.

1439
01:05:33,920 --> 01:05:36,000
Speaker 6: And I was like, yeah, there's a scene of Scrubs

1440
01:05:36,040 --> 01:05:38,920
Speaker 6: where Turk has to explain that anal jesick is like

1441
01:05:39,840 --> 01:05:42,600
Speaker 6: not the same as anal jesis put it in your

1442
01:05:42,720 --> 01:05:46,240
Speaker 6: bite and that. Everyone was like, I mean, yeah, I

1443
01:05:46,280 --> 01:05:48,560
Speaker 6: guess that works. That was.

1444
01:05:50,080 --> 01:05:52,200
Speaker 5: On my top ten jokes that I did not write

1445
01:05:52,240 --> 01:05:53,960
Speaker 5: that I wish I could take credit for. That's such

1446
01:05:54,000 --> 01:05:54,600
Speaker 5: a funny joke.

1447
01:05:54,680 --> 01:05:57,560
Speaker 1: Manil Goldman, whatever you do, I'm not gonna it.

1448
01:05:57,600 --> 01:05:59,720
Speaker 5: Really bums me out. I think that might have even

1449
01:05:59,760 --> 01:06:01,720
Speaker 5: been Arsist or Gabby I don't even know, or Hobert.

1450
01:06:01,760 --> 01:06:03,200
Speaker 5: It sounds like a Tim Hobert choke too.

1451
01:06:03,520 --> 01:06:05,080
Speaker 4: All right, Steph, you got another question.

1452
01:06:05,800 --> 01:06:09,920
Speaker 6: Yeah, it's kind of piggybacks off of the first one

1453
01:06:10,000 --> 01:06:13,080
Speaker 6: a little bit. So you guys talked about early on

1454
01:06:13,280 --> 01:06:17,480
Speaker 6: in your episodes that you kind of work to develop

1455
01:06:17,520 --> 01:06:19,760
Speaker 6: this character and figure out what kind of mannerisms you

1456
01:06:19,880 --> 01:06:22,000
Speaker 6: wanted and all that kind of stuff. It really shows

1457
01:06:22,080 --> 01:06:25,120
Speaker 6: throughout the progression of this season they kind of grow

1458
01:06:25,240 --> 01:06:28,120
Speaker 6: into those character traits while also still growing as people.

1459
01:06:28,600 --> 01:06:31,720
Speaker 6: But I find that they're really kind of congruent with

1460
01:06:31,960 --> 01:06:34,800
Speaker 6: how you would expect that person to act as a clinician.

1461
01:06:35,320 --> 01:06:37,160
Speaker 9: And I was wondering if the kind.

1462
01:06:37,000 --> 01:06:39,800
Speaker 6: Of character that you developed influenced the way that the

1463
01:06:39,880 --> 01:06:43,240
Speaker 6: writers wrote scenes of how you practiced medicine.

1464
01:06:43,800 --> 01:06:48,120
Speaker 5: Like later on, I'll set Donald and Zach up to

1465
01:06:48,160 --> 01:06:49,960
Speaker 5: talk about this, but I'll tell you my philosophy of

1466
01:06:50,040 --> 01:06:52,919
Speaker 5: running a TV show is ook. They were talking about

1467
01:06:52,920 --> 01:06:57,000
Speaker 5: show running earlier. So your question's awesome because it means

1468
01:06:57,040 --> 01:06:58,600
Speaker 5: a lot to me that it felt that way to you.

1469
01:06:58,720 --> 01:07:02,000
Speaker 5: Because when I teach sometimes like the I teach the

1470
01:07:02,040 --> 01:07:04,160
Speaker 5: Writers Guild for kids running shows for the first time

1471
01:07:04,200 --> 01:07:07,040
Speaker 5: and stuff I said. The most successful shows, in my mind,

1472
01:07:07,400 --> 01:07:08,960
Speaker 5: when you write the pilot and come up with it,

1473
01:07:09,040 --> 01:07:12,320
Speaker 5: and actors and actresses don't exist there. The characters belong

1474
01:07:12,520 --> 01:07:15,760
Speaker 5: to you. You invented them, and then you cast these people.

1475
01:07:16,440 --> 01:07:19,680
Speaker 5: And when you do the pilot the first episode. For

1476
01:07:19,720 --> 01:07:21,480
Speaker 5: it to be great, it's got to be a partnership.

1477
01:07:21,560 --> 01:07:24,360
Speaker 5: You know, it's half mine and half yours. But then

1478
01:07:24,480 --> 01:07:27,040
Speaker 5: for a show to work, ownership you have to stop

1479
01:07:27,080 --> 01:07:29,880
Speaker 5: being a control freak, and ownership has to go to

1480
01:07:29,960 --> 01:07:34,240
Speaker 5: the actors and actresses playing the parts. And so I

1481
01:07:34,280 --> 01:07:37,160
Speaker 5: would ask Donald and Zach, you know at this point

1482
01:07:37,200 --> 01:07:38,640
Speaker 5: in the show where they said it, you know, because

1483
01:07:38,920 --> 01:07:42,080
Speaker 5: what would happen is it's really cool. Eventually, on good shows,

1484
01:07:42,800 --> 01:07:45,160
Speaker 5: people start coming up to you and going, I don't

1485
01:07:45,160 --> 01:07:47,600
Speaker 5: think my character would say it this way? Or are

1486
01:07:47,640 --> 01:07:50,080
Speaker 5: you sure this is how my character would react in

1487
01:07:50,160 --> 01:07:52,240
Speaker 5: this moment, or should my character be more like this?

1488
01:07:52,920 --> 01:07:55,600
Speaker 5: And you on shows that are working, you have to listen,

1489
01:07:55,720 --> 01:07:58,040
Speaker 5: and I did you guys eventually kind of feel like

1490
01:07:58,120 --> 01:07:59,320
Speaker 5: those characters were yours?

1491
01:07:59,600 --> 01:08:01,400
Speaker 2: You know, I definitely felt.

1492
01:08:01,440 --> 01:08:05,920
Speaker 3: I definitely felt like Turk became if not I became Turk,

1493
01:08:06,120 --> 01:08:08,920
Speaker 3: or Turk became me. I definitely at some point everything

1494
01:08:09,680 --> 01:08:12,680
Speaker 3: it just seemed like I was living life on camera

1495
01:08:12,800 --> 01:08:16,560
Speaker 3: at some point. And what really helped me, though, was

1496
01:08:16,640 --> 01:08:20,720
Speaker 3: you realizing medical jargon wasn't my strength.

1497
01:08:20,640 --> 01:08:21,200
Speaker 2: You know what I mean?

1498
01:08:22,200 --> 01:08:27,200
Speaker 3: And once you realized that, right, and once you realized

1499
01:08:27,200 --> 01:08:30,880
Speaker 3: that and made Turk just a scalpel jockey.

1500
01:08:31,280 --> 01:08:32,920
Speaker 2: It freed me, you know what I mean.

1501
01:08:33,000 --> 01:08:34,800
Speaker 3: And I didn't have to worry about having to say

1502
01:08:34,920 --> 01:08:38,720
Speaker 3: certain things, you know what I mean, drink up. I

1503
01:08:38,800 --> 01:08:42,160
Speaker 3: didn't have to worry about saying certain things, whereas Zach

1504
01:08:42,280 --> 01:08:45,400
Speaker 3: and Sarah would say and Johnny would say things, and

1505
01:08:45,439 --> 01:08:47,800
Speaker 3: I'd be like, I'm so happy I don't have to

1506
01:08:47,840 --> 01:08:48,040
Speaker 3: do that.

1507
01:08:48,280 --> 01:08:49,800
Speaker 1: I remember being in the makeup chair in the morning

1508
01:08:49,840 --> 01:08:51,640
Speaker 1: and being like looking through the sides and being like,

1509
01:08:51,840 --> 01:08:54,960
Speaker 1: oh no, Donald's got a medical jargon monologue.

1510
01:08:55,960 --> 01:08:58,160
Speaker 4: Those are just lunch is going to be late today.

1511
01:08:58,240 --> 01:09:00,120
Speaker 3: Yeah, those would be the worst. Those would be the

1512
01:09:00,160 --> 01:09:02,880
Speaker 3: worst days. But once Bill was like, I'm not going

1513
01:09:02,920 --> 01:09:04,360
Speaker 3: to give you medical jargon anymore.

1514
01:09:05,439 --> 01:09:07,400
Speaker 4: Churk knows it, he just doesn't like to use it.

1515
01:09:07,600 --> 01:09:10,360
Speaker 2: Right, life became so much easier.

1516
01:09:10,960 --> 01:09:13,639
Speaker 5: It's a good question, though, because do you guys eventually

1517
01:09:13,960 --> 01:09:17,080
Speaker 5: even would start riffing your own lies, and I gladly

1518
01:09:17,120 --> 01:09:19,400
Speaker 5: would use them because they knew their characters and how

1519
01:09:19,400 --> 01:09:22,760
Speaker 5: they would react and what they would say and didn't

1520
01:09:22,800 --> 01:09:25,519
Speaker 5: bother me at all. It made me happy. And you're

1521
01:09:25,680 --> 01:09:26,680
Speaker 5: you know, even getting.

1522
01:09:26,400 --> 01:09:27,600
Speaker 7: To talk to the same way. Getting to talk to

1523
01:09:27,640 --> 01:09:28,320
Speaker 7: you makes me happy.

1524
01:09:28,320 --> 01:09:30,200
Speaker 5: I One of the things I momentos I have on

1525
01:09:30,280 --> 01:09:32,920
Speaker 5: my wall in my office from Scrubs is from a

1526
01:09:33,000 --> 01:09:36,800
Speaker 5: med student Steph, who pulled an answer it rounds out

1527
01:09:36,880 --> 01:09:39,760
Speaker 5: of their ass because they remembered a chunk of dialogue

1528
01:09:40,360 --> 01:09:42,360
Speaker 5: on our show. And they said the attending was so

1529
01:09:42,479 --> 01:09:44,240
Speaker 5: blown away because it was a question they shouldn't have

1530
01:09:44,280 --> 01:09:46,000
Speaker 5: known the answer to, you know what I mean.

1531
01:09:46,080 --> 01:09:49,160
Speaker 6: And I said the same things about her med students

1532
01:09:49,240 --> 01:09:52,080
Speaker 6: that like all of the fact like trivia that people

1533
01:09:52,160 --> 01:09:55,760
Speaker 6: don't really they're not supposed to remember, you know, years

1534
01:09:55,760 --> 01:09:58,400
Speaker 6: into practice because it just is you never see it.

1535
01:09:58,520 --> 01:10:00,240
Speaker 6: She was like, yeah, all the med students know it

1536
01:10:00,240 --> 01:10:01,520
Speaker 6: because scrubs.

1537
01:10:01,920 --> 01:10:05,960
Speaker 5: That what kind of what kind of doctor do you

1538
01:10:06,000 --> 01:10:06,639
Speaker 5: want to be? Stuff?

1539
01:10:07,360 --> 01:10:11,000
Speaker 9: I'm leaning towards surgery, but we'll see opened anything.

1540
01:10:11,680 --> 01:10:13,559
Speaker 5: I think it's really really neat. You know that you're

1541
01:10:13,560 --> 01:10:15,800
Speaker 5: doing that, and uh, it's a gig that's of service.

1542
01:10:15,840 --> 01:10:18,000
Speaker 5: It's like being a teacher. It's awesome and the most

1543
01:10:18,040 --> 01:10:23,200
Speaker 5: important jobs to be of service. I think like teacher, soldier,

1544
01:10:23,479 --> 01:10:25,200
Speaker 5: a physician, and of course comedy writer.

1545
01:10:25,240 --> 01:10:30,200
Speaker 1: I would think right, not at all all, Right, Steph

1546
01:10:30,240 --> 01:10:33,880
Speaker 1: thank you so much. That was amazing questions and also

1547
01:10:34,320 --> 01:10:36,559
Speaker 1: really inspired us. I mean, you made us all feel

1548
01:10:36,600 --> 01:10:38,920
Speaker 1: like we we may have inspired we you know, we

1549
01:10:39,040 --> 01:10:41,639
Speaker 1: inspired at least one person per Medicine a lot.

1550
01:10:41,720 --> 01:10:42,439
Speaker 6: A lot. Let me.

1551
01:10:42,640 --> 01:10:44,920
Speaker 9: Yeah, you guys have a huge medical fan base.

1552
01:10:45,320 --> 01:10:46,120
Speaker 2: Well, good luck with that.

1553
01:10:46,439 --> 01:10:48,800
Speaker 5: Promise me that you'll dress up and you'll dress up

1554
01:10:48,800 --> 01:10:51,679
Speaker 5: as Elliott for at least one Halloween, oh yeah, every Halloween.

1555
01:10:53,400 --> 01:10:57,639
Speaker 3: And whoever, if you have friends that go as Turk

1556
01:10:57,720 --> 01:11:00,439
Speaker 3: for Halloween, tell them please no black face.

1557
01:11:02,760 --> 01:11:06,360
Speaker 1: Make sure they're really black because Donald might cringe.

1558
01:11:06,439 --> 01:11:08,000
Speaker 2: No, they don't even have to be black if you

1559
01:11:09,120 --> 01:11:11,559
Speaker 2: just don't paint your face right.

1560
01:11:11,680 --> 01:11:14,519
Speaker 1: Okay, but Donald and I cringe every Halloween when people

1561
01:11:14,640 --> 01:11:17,720
Speaker 1: tag us on Instagram like excitedly like Turk and GD

1562
01:11:17,880 --> 01:11:20,559
Speaker 1: for Halloween. And still in twenty twenty, there's still people

1563
01:11:20,560 --> 01:11:23,160
Speaker 1: painting their faces brown and black and it's horrible.

1564
01:11:23,160 --> 01:11:24,799
Speaker 2: Although we did it a lot on scrips.

1565
01:11:25,320 --> 01:11:29,360
Speaker 5: Yeh. By the way, one of the many things that

1566
01:11:29,520 --> 01:11:35,360
Speaker 5: doesn't hold up in retrospect on the show the a stuff.

1567
01:11:35,560 --> 01:11:36,720
Speaker 5: Good luck with all this stuff, and.

1568
01:11:39,200 --> 01:11:42,120
Speaker 9: Hi, Vic and Hayden, hope you guys are jealous.

1569
01:11:49,520 --> 01:11:50,000
Speaker 1: Turn it off.

1570
01:11:50,320 --> 01:11:52,840
Speaker 4: Turn it off, you guys, turn it off.

1571
01:11:54,160 --> 01:11:56,360
Speaker 1: Steph thought she was just gonna sneak into Vic and

1572
01:11:56,439 --> 01:11:58,640
Speaker 1: Hayden a quick thing, but I think we should just

1573
01:11:58,760 --> 01:12:00,000
Speaker 1: keep talking about Vic and Hayes.

1574
01:12:00,320 --> 01:12:01,960
Speaker 4: I like Vic, but I don't like Hayden.

1575
01:12:02,120 --> 01:12:03,240
Speaker 2: I don't like it at all.

1576
01:12:03,400 --> 01:12:05,360
Speaker 4: I want their shout out to go awry.

1577
01:12:05,520 --> 01:12:07,680
Speaker 5: Vick and Hayden shout out. Now, yeah, I want let's uh,

1578
01:12:08,200 --> 01:12:09,639
Speaker 5: let's do a Vic and Hayden episode.

1579
01:12:09,920 --> 01:12:14,760
Speaker 1: Okay, we should so at four forty four, guys, what's

1580
01:12:14,800 --> 01:12:18,000
Speaker 1: happening before? At four forty four, what's happening is cow?

1581
01:12:18,080 --> 01:12:19,640
Speaker 2: We haven't talked about this episode at all.

1582
01:12:19,760 --> 01:12:20,000
Speaker 1: I know.

1583
01:12:20,160 --> 01:12:21,320
Speaker 5: Oh yeah, here's what I like.

1584
01:12:21,400 --> 01:12:25,000
Speaker 7: We've talked about the Sarah story both with Steph and.

1585
01:12:26,200 --> 01:12:26,880
Speaker 1: We jumped around.

1586
01:12:26,960 --> 01:12:28,320
Speaker 4: We jumped around, and we talked about.

1587
01:12:28,160 --> 01:12:29,680
Speaker 7: The Neil, but we haven't talked about the Judy and

1588
01:12:29,880 --> 01:12:30,400
Speaker 7: Zach story.

1589
01:12:30,520 --> 01:12:32,200
Speaker 1: We're gonna get into it, and we're gonna get into it,

1590
01:12:32,280 --> 01:12:34,559
Speaker 1: you know. But listen, Donald Bill Laurin's episodes, they are

1591
01:12:34,560 --> 01:12:36,479
Speaker 1: always going to be long because he brings a lot

1592
01:12:36,560 --> 01:12:37,719
Speaker 1: to the table, and he's.

1593
01:12:37,680 --> 01:12:40,320
Speaker 3: No, I'm not complaining. I'm not complaining about the length

1594
01:12:40,360 --> 01:12:43,280
Speaker 3: of the episode. I'm just saying some people. Some people

1595
01:12:43,400 --> 01:12:47,599
Speaker 3: want to listen to a rewatch podcast and actually rewatch

1596
01:12:47,680 --> 01:12:48,759
Speaker 3: the show, well.

1597
01:12:48,720 --> 01:12:51,320
Speaker 1: Then they should listen to a different show. We happened

1598
01:12:51,360 --> 01:12:55,200
Speaker 1: to we happened to Meander. At four forty four, What's

1599
01:12:55,280 --> 01:12:57,800
Speaker 1: Happening is mentioned for the first time.

1600
01:12:58,439 --> 01:12:59,960
Speaker 2: Okay, you don't need to start banging.

1601
01:13:00,479 --> 01:13:01,439
Speaker 4: I did I bang the table?

1602
01:13:01,520 --> 01:13:03,280
Speaker 1: I banged the table on that. I'm sorry? Why am

1603
01:13:03,320 --> 01:13:03,639
Speaker 1: I yelling?

1604
01:13:03,840 --> 01:13:04,200
Speaker 5: What happens?

1605
01:13:04,240 --> 01:13:06,600
Speaker 1: At four forty four, What's Happening is mentioned for the

1606
01:13:06,680 --> 01:13:07,879
Speaker 1: very first time on Scrubs.

1607
01:13:08,240 --> 01:13:11,000
Speaker 5: Oh yeah, and you guys did the dance and we

1608
01:13:11,080 --> 01:13:13,160
Speaker 5: don't even idea it really, She says, it's not that

1609
01:13:13,280 --> 01:13:16,240
Speaker 5: great a show. You just expected people to know what

1610
01:13:16,360 --> 01:13:18,599
Speaker 5: we were talking about. And that's such an old reference.

1611
01:13:19,000 --> 01:13:19,240
Speaker 5: I know.

1612
01:13:19,400 --> 01:13:22,040
Speaker 1: And nowadays kids don't even know the glory of what's

1613
01:13:22,080 --> 01:13:23,320
Speaker 1: happening unless you're our age.

1614
01:13:23,840 --> 01:13:26,800
Speaker 2: Hey, hey, the glory of what's happening or what's happening now?

1615
01:13:27,560 --> 01:13:28,760
Speaker 2: I know, do you remember what?

1616
01:13:29,280 --> 01:13:29,400
Speaker 6: Now?

1617
01:13:29,720 --> 01:13:30,360
Speaker 4: What's happening?

1618
01:13:30,439 --> 01:13:30,599
Speaker 2: Now?

1619
01:13:30,840 --> 01:13:32,200
Speaker 1: Surely owned the restaurant.

1620
01:13:33,160 --> 01:13:36,439
Speaker 2: They all grew up and now d is not just

1621
01:13:36,520 --> 01:13:38,280
Speaker 2: a small character. She's like the star.

1622
01:13:39,080 --> 01:13:41,519
Speaker 1: No, she was the star I think because she was

1623
01:13:41,560 --> 01:13:41,840
Speaker 1: the star.

1624
01:13:42,960 --> 01:13:43,960
Speaker 2: Everybody came back.

1625
01:13:44,200 --> 01:13:46,719
Speaker 1: I didn't like what's happening now as much as what's happening.

1626
01:13:47,040 --> 01:13:47,680
Speaker 2: What's happening is.

1627
01:13:47,840 --> 01:13:50,800
Speaker 7: I just liked We Runs dance, and I liked the

1628
01:13:50,840 --> 01:13:52,719
Speaker 7: moment you guys did for me, which is forever.

1629
01:13:52,840 --> 01:13:55,880
Speaker 5: I liked, hey, hey, hey, what's happening?

1630
01:13:56,600 --> 01:13:57,400
Speaker 2: Hey hey hey?

1631
01:13:58,000 --> 01:13:59,960
Speaker 1: Do you remember in the opening credits when they made

1632
01:14:00,280 --> 01:14:12,599
Speaker 1: they left rerun and he's driving the street and then

1633
01:14:12,640 --> 01:14:14,360
Speaker 1: reruns just running after the pickup truck.

1634
01:14:16,400 --> 01:14:18,720
Speaker 2: That's rude that they did that.

1635
01:14:19,000 --> 01:14:22,000
Speaker 4: I know they were making they were making fun of

1636
01:14:22,080 --> 01:14:22,679
Speaker 4: me heavy.

1637
01:14:22,960 --> 01:14:24,880
Speaker 2: Said guy, making fun of the heavy set guy.

1638
01:14:24,880 --> 01:14:26,719
Speaker 4: But watching me run chase after that truck was funny.

1639
01:14:26,800 --> 01:14:29,439
Speaker 5: Come on, this sure was because he had suspenders on.

1640
01:14:29,880 --> 01:14:32,439
Speaker 2: Yeah, well that that and the hat and the and

1641
01:14:32,600 --> 01:14:34,960
Speaker 2: the same red His outfit never changed.

1642
01:14:35,479 --> 01:14:38,120
Speaker 1: Do you remember the episode where Roger decided he was

1643
01:14:38,160 --> 01:14:39,360
Speaker 1: going to be a nude model.

1644
01:14:40,080 --> 01:14:42,479
Speaker 5: My favorite thing that's happening right now is you guys said,

1645
01:14:43,320 --> 01:14:45,800
Speaker 5: we haven't talked about the show yet, and then you're going,

1646
01:14:46,120 --> 01:14:49,519
Speaker 5: do you remember the episode of What's Happening? By the way,

1647
01:14:49,560 --> 01:14:51,479
Speaker 5: And if I was like if I was like at

1648
01:14:51,680 --> 01:14:54,160
Speaker 5: ten fifteen and that what's happening episode.

1649
01:14:54,720 --> 01:14:57,440
Speaker 7: That's the first time that surely says.

1650
01:14:58,760 --> 01:15:01,000
Speaker 4: I just remember. I'm well, you can go back to

1651
01:15:01,040 --> 01:15:03,400
Speaker 4: the show, but I just remember that there was an episode.

1652
01:15:03,000 --> 01:15:06,160
Speaker 1: Where Roger was doing nude modeling for artists, you know,

1653
01:15:06,200 --> 01:15:08,800
Speaker 1: when they like paint the nude model. And I remember

1654
01:15:08,840 --> 01:15:11,320
Speaker 1: thinking as a child, like this is scandalous. Roger's gonna

1655
01:15:11,320 --> 01:15:14,240
Speaker 1: take off his clothes, like that's crazy.

1656
01:15:14,520 --> 01:15:16,960
Speaker 3: Okay, let's get back into the show. Okay, So let's

1657
01:15:16,960 --> 01:15:21,120
Speaker 3: talk about the JD and Carla storyline, which is a

1658
01:15:21,240 --> 01:15:23,840
Speaker 3: very interesting storyline because at the beginning of the show,

1659
01:15:23,920 --> 01:15:28,479
Speaker 3: you guys are really clicking and grooving. One reason because

1660
01:15:28,640 --> 01:15:33,840
Speaker 3: your best friend and his now girlfriend are always you know,

1661
01:15:33,920 --> 01:15:38,599
Speaker 3: we live together, or your roommate and his girlfriend always around,

1662
01:15:38,640 --> 01:15:43,240
Speaker 3: and so you guys have developed a relationship and because.

1663
01:15:42,880 --> 01:15:45,479
Speaker 2: Of that, you're a dynamic duo of your own.

1664
01:15:45,479 --> 01:15:45,960
Speaker 5: You know what I mean.

1665
01:15:46,040 --> 01:15:49,240
Speaker 2: She doesn't work, drink up, she doesn't work for you.

1666
01:15:49,400 --> 01:15:52,120
Speaker 3: But you guys are a team that is very, very

1667
01:15:52,280 --> 01:15:54,960
Speaker 3: very cohesive, and you go along and you fuck it

1668
01:15:55,080 --> 01:15:57,200
Speaker 3: up by becoming judgmental.

1669
01:15:57,520 --> 01:16:01,800
Speaker 1: Right, Well, I'm feeling every one is being condescending to

1670
01:16:01,880 --> 01:16:05,000
Speaker 1: me and I and I'm starting to become a good doctor.

1671
01:16:05,000 --> 01:16:06,600
Speaker 1: I'm starting to get my groove. I'm starting to know

1672
01:16:06,960 --> 01:16:07,559
Speaker 1: what's happening.

1673
01:16:08,120 --> 01:16:09,560
Speaker 4: And and also.

1674
01:16:14,160 --> 01:16:17,040
Speaker 1: Okay go on, and and and I just you know,

1675
01:16:17,400 --> 01:16:19,840
Speaker 1: like like someone does you lose he loses his temper,

1676
01:16:19,920 --> 01:16:22,200
Speaker 1: and of course he loses his temper at the worst

1677
01:16:22,320 --> 01:16:24,920
Speaker 1: person possible, his teammate. Uh, Carlo.

1678
01:16:25,439 --> 01:16:27,880
Speaker 5: Yeah, this was also a product the reason I wrote

1679
01:16:27,920 --> 01:16:31,519
Speaker 5: this is is interesting, the product of two things. One,

1680
01:16:31,920 --> 01:16:34,400
Speaker 5: all the nurses that were nice enough to give us interviews.

1681
01:16:34,840 --> 01:16:36,519
Speaker 5: You know, one of the stories that you saw was

1682
01:16:36,560 --> 01:16:40,080
Speaker 5: the nurses are essentially the last line of training, you know,

1683
01:16:40,200 --> 01:16:42,680
Speaker 5: for a lot of these medical students and residents and

1684
01:16:42,760 --> 01:16:45,120
Speaker 5: interns and stuff, because when you first show up, you

1685
01:16:45,160 --> 01:16:46,800
Speaker 5: know more than they do even say it in the show,

1686
01:16:46,840 --> 01:16:47,600
Speaker 5: than the training.

1687
01:16:47,400 --> 01:16:51,439
Speaker 7: Kicks in and the dynamics ships, and you know, so

1688
01:16:51,640 --> 01:16:53,880
Speaker 7: many of them ultimately.

1689
01:16:55,360 --> 01:16:58,439
Speaker 5: Told us that it's so interesting how to navigate that,

1690
01:16:58,920 --> 01:17:02,280
Speaker 5: because you know, there is an air of superiority to

1691
01:17:02,400 --> 01:17:05,000
Speaker 5: some doctors, you know, when they get to that point,

1692
01:17:05,520 --> 01:17:09,080
Speaker 5: and it messes up that dynamic, you know. And I

1693
01:17:09,200 --> 01:17:12,679
Speaker 5: wanted to combine that in my personal life. My mom's family,

1694
01:17:12,920 --> 01:17:15,080
Speaker 5: my mom and then me were the first two in

1695
01:17:15,160 --> 01:17:17,320
Speaker 5: her side of a family to go to college, you know,

1696
01:17:17,960 --> 01:17:22,160
Speaker 5: and then you always kind of enter these dynamics of like, oh,

1697
01:17:22,520 --> 01:17:25,200
Speaker 5: you know, you think you're smarter than me because you

1698
01:17:25,360 --> 01:17:28,160
Speaker 5: actually went on to secondary education and did that stuff.

1699
01:17:28,800 --> 01:17:31,439
Speaker 5: And you know, as you get older, you realize that

1700
01:17:31,560 --> 01:17:33,960
Speaker 5: doesn't have anything to do with anything. You know, At

1701
01:17:34,000 --> 01:17:37,439
Speaker 5: this point in my life, I know tons of geniuses

1702
01:17:37,479 --> 01:17:40,479
Speaker 5: that didn't finish high school and tons of you know,

1703
01:17:40,760 --> 01:17:43,800
Speaker 5: grad school graduates. They're the dumbest people alive, do you

1704
01:17:43,840 --> 01:17:47,880
Speaker 5: know what I mean? But around youthful things that kind

1705
01:17:47,920 --> 01:17:52,559
Speaker 5: of carries there. And my favorite part of that stuff

1706
01:17:52,760 --> 01:17:55,599
Speaker 5: was her challenging you to admit it and you actually

1707
01:17:55,720 --> 01:17:57,760
Speaker 5: admitting it, you know what I mean? And that was

1708
01:17:57,800 --> 01:17:59,800
Speaker 5: what enabled you guys still to be friends.

1709
01:17:59,840 --> 01:18:02,720
Speaker 1: In that scene was really I mean, Judy's I'm just

1710
01:18:03,000 --> 01:18:04,840
Speaker 1: you know, the straight man in that scene. Her her

1711
01:18:04,920 --> 01:18:07,840
Speaker 1: performance in that rain outside the bus I thought was

1712
01:18:08,000 --> 01:18:10,960
Speaker 1: just incredible. She did such a beautiful job and it

1713
01:18:11,000 --> 01:18:13,000
Speaker 1: was heartbreaking. Still to this day, I'm watching it and

1714
01:18:13,240 --> 01:18:15,880
Speaker 1: was so moved by by by by how heartfelt and

1715
01:18:15,960 --> 01:18:16,680
Speaker 1: open she was.

1716
01:18:17,560 --> 01:18:20,600
Speaker 5: Uh and uh, I wrote down because this is what

1717
01:18:20,720 --> 01:18:22,679
Speaker 5: we wanted to do that people didn't understand it comedy

1718
01:18:23,400 --> 01:18:25,920
Speaker 5: of comedy at the time, and why Judy Rays was

1719
01:18:25,960 --> 01:18:28,280
Speaker 5: so perfect, you know, because there weren't a lot of

1720
01:18:28,360 --> 01:18:31,680
Speaker 5: dramedies on. And one of my favorite jokes in this

1721
01:18:31,880 --> 01:18:35,719
Speaker 5: episode was when before you get off the bus, she's

1722
01:18:35,920 --> 01:18:38,240
Speaker 5: leaving and she's like, I'm so mad at you and

1723
01:18:38,400 --> 01:18:40,960
Speaker 5: you said you can't you forgave me.

1724
01:18:41,040 --> 01:18:43,519
Speaker 7: You can't just change your mind, And without selling it

1725
01:18:43,560 --> 01:18:44,479
Speaker 7: as a joke, she's like, have.

1726
01:18:44,520 --> 01:18:46,680
Speaker 5: You never met a woman before? And she walks out

1727
01:18:46,720 --> 01:18:48,000
Speaker 5: into the rain, you.

1728
01:18:48,000 --> 01:18:48,400
Speaker 6: Know what I mean.

1729
01:18:48,640 --> 01:18:52,679
Speaker 5: And it wasn't read like a punchline. It was read like, yeah,

1730
01:18:52,760 --> 01:18:56,599
Speaker 5: you can still be funny in drama and amongst pathos

1731
01:18:56,640 --> 01:18:59,200
Speaker 5: when you're feeling bad. And that was like the tonal stuff.

1732
01:18:59,479 --> 01:19:02,920
Speaker 5: That's why she's so good man, because she's always so real,

1733
01:19:03,120 --> 01:19:04,160
Speaker 5: very very very good actors.

1734
01:19:04,240 --> 01:19:07,240
Speaker 3: Yeah, I look back at it like I had no

1735
01:19:07,560 --> 01:19:12,280
Speaker 3: clue how much of a power how she was or

1736
01:19:12,720 --> 01:19:16,200
Speaker 3: or is I should say, And when I watched these episodes,

1737
01:19:17,000 --> 01:19:19,439
Speaker 3: you know, I said it in our first podcast, her

1738
01:19:19,520 --> 01:19:24,320
Speaker 3: and Ken, Wow, really they're really MVPs of our show,

1739
01:19:24,439 --> 01:19:25,000
Speaker 3: you know what I mean?

1740
01:19:26,200 --> 01:19:26,640
Speaker 2: Drink up?

1741
01:19:27,120 --> 01:19:28,439
Speaker 5: They can just you don't get actor.

1742
01:19:28,560 --> 01:19:30,400
Speaker 1: You don't have to tell people to drink when you say,

1743
01:19:30,439 --> 01:19:32,960
Speaker 1: you know what, I'm just I know they're just gonna

1744
01:19:33,000 --> 01:19:33,200
Speaker 1: do it.

1745
01:19:34,040 --> 01:19:36,160
Speaker 2: I'm bringing I'm bringing it to my attention that I

1746
01:19:36,280 --> 01:19:36,560
Speaker 2: said it.

1747
01:19:36,800 --> 01:19:38,439
Speaker 1: This is the most you've ever done, by the way

1748
01:19:38,600 --> 01:19:41,040
Speaker 1: you went from the previous episode being conscious of it

1749
01:19:41,120 --> 01:19:44,000
Speaker 1: and doing none to this one doing like thirty I

1750
01:19:44,160 --> 01:19:44,680
Speaker 1: you know what I mean.

1751
01:19:44,920 --> 01:19:48,200
Speaker 3: I probably said it several times in the last episode. Also,

1752
01:19:49,960 --> 01:19:54,040
Speaker 3: this episode is also about how how important your name is,

1753
01:19:54,920 --> 01:19:59,600
Speaker 3: regardless of if it's Bambi or JD or your reputation

1754
01:20:00,160 --> 01:20:02,920
Speaker 3: or Scooter, whatever it is you have. Reputation is very

1755
01:20:02,960 --> 01:20:06,760
Speaker 3: important and you only get one chance to make a

1756
01:20:06,840 --> 01:20:11,560
Speaker 3: first impression and after that people will have judgments of

1757
01:20:11,720 --> 01:20:12,800
Speaker 3: who they think you are.

1758
01:20:13,360 --> 01:20:15,120
Speaker 2: And this episode really touches on that.

1759
01:20:15,560 --> 01:20:17,760
Speaker 5: Here's the thing I screwed up in this episode off

1760
01:20:17,840 --> 01:20:21,280
Speaker 5: what Donald and Sam bothers me. What doctor Cox's character

1761
01:20:21,400 --> 01:20:26,240
Speaker 5: does to JD, you know, of shaming him was so

1762
01:20:26,960 --> 01:20:29,080
Speaker 5: bad that it bummed me out that he never got

1763
01:20:29,160 --> 01:20:31,040
Speaker 5: his comeuppance for that, you know what I mean, because

1764
01:20:31,040 --> 01:20:32,760
Speaker 5: you didn't tell her to go protect you. And then

1765
01:20:32,800 --> 01:20:35,320
Speaker 5: he makes everybody stop and goes we're all to be

1766
01:20:35,439 --> 01:20:38,040
Speaker 5: super special to this little flower, you know, And I

1767
01:20:38,160 --> 01:20:41,800
Speaker 5: thought that was so egregiously mean, you know what I mean.

1768
01:20:42,479 --> 01:20:44,599
Speaker 5: But his character, I guess was flawed. But we should

1769
01:20:44,640 --> 01:20:47,320
Speaker 5: have gotten him, have him make amends for that or

1770
01:20:47,360 --> 01:20:48,040
Speaker 5: get thumped for that.

1771
01:20:48,720 --> 01:20:49,120
Speaker 2: Mm hmm.

1772
01:20:49,640 --> 01:20:52,320
Speaker 1: But Boxing Fantasy was pretty funny, though Johnny stil oiled.

1773
01:20:52,920 --> 01:20:55,280
Speaker 2: I'm not to say, holy cow, how oil did he

1774
01:20:55,439 --> 01:20:55,680
Speaker 2: have on?

1775
01:20:56,280 --> 01:20:57,680
Speaker 4: There was a lot of oil. I remember, it was

1776
01:20:57,680 --> 01:20:58,439
Speaker 4: a lot of Crisco.

1777
01:20:59,479 --> 01:21:02,360
Speaker 5: I watched it with Christa, who had to do all

1778
01:21:02,439 --> 01:21:05,400
Speaker 5: her romance scenes with Johnny c and uh and she

1779
01:21:05,439 --> 01:21:07,960
Speaker 5: will eventually, you know, be on your You're so nice

1780
01:21:07,960 --> 01:21:12,920
Speaker 5: about her too. He came he came on as a

1781
01:21:13,000 --> 01:21:16,600
Speaker 5: punching bag, and she was half asleep through upstairs in

1782
01:21:16,600 --> 01:21:20,439
Speaker 5: the room and she goes, uh, half drowsy. Here comes

1783
01:21:20,560 --> 01:21:21,479
Speaker 5: old up.

1784
01:21:23,600 --> 01:21:27,160
Speaker 1: That he is just just glistening with Johnny has a

1785
01:21:27,280 --> 01:21:28,720
Speaker 1: full bottle of criscal oil.

1786
01:21:29,000 --> 01:21:33,080
Speaker 2: Let's be honest, he's ripped. He looks amazing.

1787
01:21:34,439 --> 01:21:36,040
Speaker 5: I think it's drawn on. Oh you know what I

1788
01:21:36,080 --> 01:21:37,680
Speaker 5: wanted to say, and I wanted to tell me if

1789
01:21:37,720 --> 01:21:40,320
Speaker 5: you guys thought this in real life. When I say

1790
01:21:40,640 --> 01:21:42,360
Speaker 5: that is what I wrote. Last thing, I wrote down

1791
01:21:42,400 --> 01:21:42,920
Speaker 5: about Judy.

1792
01:21:43,360 --> 01:21:45,400
Speaker 7: Would I say, like, when you get really lucky, it's

1793
01:21:45,439 --> 01:21:45,640
Speaker 7: not the.

1794
01:21:45,640 --> 01:21:48,120
Speaker 5: Writing or anything else, it's all it's everything, and the

1795
01:21:48,240 --> 01:21:50,960
Speaker 5: casting people have to really nail you know, these characters

1796
01:21:51,000 --> 01:21:53,320
Speaker 5: and be who they are. And the amazing thing watching

1797
01:21:53,439 --> 01:21:57,759
Speaker 5: Judy back then, you guys, Zach and Donald were such kids,

1798
01:21:58,280 --> 01:22:02,599
Speaker 5: and Sarah Sarah's character, and Sarah felt like a kid

1799
01:22:03,280 --> 01:22:05,360
Speaker 5: and Judy and this is one of the reasons I

1800
01:22:05,400 --> 01:22:09,679
Speaker 5: think the show works. She was not significantly She's essentially

1801
01:22:09,720 --> 01:22:12,240
Speaker 5: the same age as all you guys, but she seemed

1802
01:22:12,280 --> 01:22:13,920
Speaker 5: like such a grown up even.

1803
01:22:13,840 --> 01:22:16,439
Speaker 2: From the start, definitely way more mature than we were.

1804
01:22:17,040 --> 01:22:19,320
Speaker 5: You know, and seemed like such an adult that it

1805
01:22:19,439 --> 01:22:21,559
Speaker 5: made the show work. Of like, oh, one of these

1806
01:22:21,640 --> 01:22:24,640
Speaker 5: four is you know, old for her years and an

1807
01:22:24,640 --> 01:22:27,960
Speaker 5: adult already, whereas Judy is, you know, she could have

1808
01:22:28,080 --> 01:22:31,720
Speaker 5: easily on a different show been Elliott or been you know,

1809
01:22:31,920 --> 01:22:33,080
Speaker 5: the little kid, you know.

1810
01:22:33,479 --> 01:22:35,720
Speaker 4: And so it was was she like that in real

1811
01:22:35,720 --> 01:22:38,040
Speaker 4: life or she was good man in real life?

1812
01:22:38,240 --> 01:22:40,519
Speaker 1: Judy was way more mature than the three of us.

1813
01:22:40,600 --> 01:22:42,479
Speaker 1: I think we were. We were just as silly and

1814
01:22:42,560 --> 01:22:44,679
Speaker 1: goofy as our characters, and you know, Judy was funny

1815
01:22:44,720 --> 01:22:46,080
Speaker 1: and would play along with us, but I think she

1816
01:22:46,240 --> 01:22:47,599
Speaker 1: was definitely more mature than us.

1817
01:22:47,920 --> 01:22:48,520
Speaker 2: Absolutely.

1818
01:22:49,000 --> 01:22:50,720
Speaker 1: By the way, there's a really funny there's a really

1819
01:22:50,800 --> 01:22:53,799
Speaker 1: funny fuck up bill at twelve oh three. When Donald

1820
01:22:53,920 --> 01:22:57,360
Speaker 1: runs into the room that Kelso's lured him to, you

1821
01:22:57,439 --> 01:22:59,720
Speaker 1: could totally see a hand that's all come in and

1822
01:22:59,800 --> 01:23:02,559
Speaker 1: it's on the floor and it's holding the door open.

1823
01:23:04,320 --> 01:23:06,320
Speaker 1: And it made me think, now we paint sh like

1824
01:23:06,400 --> 01:23:09,360
Speaker 1: that out. I know, I know nowadays we just you know,

1825
01:23:09,479 --> 01:23:11,439
Speaker 1: painted out, but it made me think it was probably

1826
01:23:11,520 --> 01:23:13,320
Speaker 1: Patrick Bolton or something lying on the floor.

1827
01:23:13,560 --> 01:23:15,559
Speaker 2: Patrick shout out, Patrick Bolton.

1828
01:23:15,720 --> 01:23:17,360
Speaker 1: Patrick Bolton was the on set track.

1829
01:23:17,439 --> 01:23:20,200
Speaker 2: It has wheels, that thing will be on set.

1830
01:23:20,479 --> 01:23:23,599
Speaker 5: I enjoyed after hearing the interesting thing you guys posted

1831
01:23:23,600 --> 01:23:26,160
Speaker 5: about eating. I think I've never seen the two of

1832
01:23:26,240 --> 01:23:28,880
Speaker 5: you do more eating in an episode. Zach having a

1833
01:23:28,920 --> 01:23:32,040
Speaker 5: jam a cupcake in your mouth, Donald just wolf and sandwich.

1834
01:23:32,040 --> 01:23:33,560
Speaker 5: Did you guys really eat that stuff or were you

1835
01:23:33,640 --> 01:23:35,040
Speaker 5: just spitting it out as soon as they said cut.

1836
01:23:35,360 --> 01:23:36,400
Speaker 2: I do love a sandwich.

1837
01:23:36,400 --> 01:23:39,040
Speaker 1: I'm not gonna lie, and a cupcake doesn't count. But

1838
01:23:39,200 --> 01:23:41,639
Speaker 1: if someone says we need you to jam this cupcake

1839
01:23:41,680 --> 01:23:42,880
Speaker 1: in your mouth. You're gonna do it.

1840
01:23:42,920 --> 01:23:45,160
Speaker 4: I mean, that's your excuse. Also was that it was

1841
01:23:45,240 --> 01:23:46,040
Speaker 4: that cheap cupcake.

1842
01:23:46,080 --> 01:23:48,599
Speaker 5: What are those called hostess cupcakes?

1843
01:23:51,960 --> 01:23:54,559
Speaker 3: That was a dang Listen. I'll tell you something right now.

1844
01:23:54,600 --> 01:23:57,400
Speaker 3: You put some cold cuts, some cheese in between some

1845
01:23:57,560 --> 01:24:00,920
Speaker 3: hero that sounds delicious to me. You could put some

1846
01:24:01,040 --> 01:24:02,840
Speaker 3: lettuce tomato on it. I'll eat that shit.

1847
01:24:03,280 --> 01:24:06,760
Speaker 1: And another another strike at the janitor not speaking to

1848
01:24:06,800 --> 01:24:09,840
Speaker 1: anyone in season one, Bill, is that he clearly has

1849
01:24:10,000 --> 01:24:12,640
Speaker 1: told doctor Cox to call me Scooter at the end.

1850
01:24:12,880 --> 01:24:13,920
Speaker 5: I don't know what you're talking about.

1851
01:24:14,000 --> 01:24:17,040
Speaker 7: He never ever spoke to anybody except JD.

1852
01:24:16,920 --> 01:24:19,280
Speaker 1: And Donald and I have been going through like detectives

1853
01:24:19,360 --> 01:24:22,160
Speaker 1: going so we're trying to keep the janitor Laura alive

1854
01:24:22,240 --> 01:24:25,160
Speaker 1: for season one. But the facts, the facts are, the

1855
01:24:25,240 --> 01:24:26,200
Speaker 1: facts are problematic.

1856
01:24:26,439 --> 01:24:27,640
Speaker 4: The facts are problematic.

1857
01:24:27,720 --> 01:24:30,720
Speaker 5: Bill doesn't We've done all the work, just like Turkleton,

1858
01:24:31,680 --> 01:24:33,040
Speaker 5: there was just okay.

1859
01:24:33,840 --> 01:24:37,320
Speaker 4: So in your mind, Bill, hit your rationalization button. How

1860
01:24:37,439 --> 01:24:39,479
Speaker 4: does Cox know to call me Scooter?

1861
01:24:41,080 --> 01:24:42,600
Speaker 7: It's just a random coincidence.

1862
01:24:43,160 --> 01:24:43,680
Speaker 5: Nicknames.

1863
01:24:47,600 --> 01:24:48,080
Speaker 4: I love it.

1864
01:24:48,439 --> 01:24:50,160
Speaker 1: I really want this to be a running gag that

1865
01:24:50,360 --> 01:24:52,640
Speaker 1: Donald and I do the detective work to see how

1866
01:24:52,680 --> 01:24:54,120
Speaker 1: the janitor talks to other people.

1867
01:24:55,479 --> 01:24:57,200
Speaker 5: The only one I think you've ever seen him speak

1868
01:24:57,280 --> 01:24:59,400
Speaker 5: to is Elliott in that thing when they're all walking

1869
01:24:59,439 --> 01:25:00,320
Speaker 5: up to each other. Mad.

1870
01:25:01,280 --> 01:25:04,680
Speaker 2: Yes, yes, well she speaks to him. He doesn't necessarily

1871
01:25:04,680 --> 01:25:05,320
Speaker 2: speak to her.

1872
01:25:05,560 --> 01:25:07,040
Speaker 4: The exact exactly.

1873
01:25:07,120 --> 01:25:09,240
Speaker 5: That might not have even been a janitor she made Mad.

1874
01:25:09,360 --> 01:25:11,360
Speaker 5: This is just a lens.

1875
01:25:11,560 --> 01:25:13,599
Speaker 4: The last thing I wanted to, last thing I've.

1876
01:25:13,479 --> 01:25:15,200
Speaker 2: Ever you know what, And you're absolutely right.

1877
01:25:15,400 --> 01:25:18,680
Speaker 3: Actually, the very next person at the janitor, the very

1878
01:25:18,760 --> 01:25:22,680
Speaker 3: next person that's attacked after Elliott, uh does that to

1879
01:25:22,760 --> 01:25:24,240
Speaker 3: the janitor is JD.

1880
01:25:24,800 --> 01:25:29,080
Speaker 2: So it could be it could be that that one's that.

1881
01:25:29,160 --> 01:25:32,680
Speaker 5: One's imaginary and Elliott was talking to an intern or

1882
01:25:32,680 --> 01:25:33,920
Speaker 5: inn order or something or.

1883
01:25:34,000 --> 01:25:35,120
Speaker 2: No, that's a possibility.

1884
01:25:35,400 --> 01:25:37,160
Speaker 1: Or she's just not even talking to anyone. There's no

1885
01:25:37,200 --> 01:25:38,360
Speaker 1: one there and she's just saying it.

1886
01:25:38,680 --> 01:25:39,880
Speaker 5: Yeah, it's very fight clubby.

1887
01:25:40,640 --> 01:25:40,840
Speaker 2: Yeah.

1888
01:25:43,280 --> 01:25:44,760
Speaker 1: The last thing I want to say is this, they

1889
01:25:44,800 --> 01:25:47,280
Speaker 1: went overboard with the filters on Sarah in the bathtub,

1890
01:25:47,320 --> 01:25:49,479
Speaker 1: because it's like Barbara Walters, you could barely see her

1891
01:25:49,560 --> 01:25:53,040
Speaker 1: through filters, and and she's in like this most enormous

1892
01:25:53,160 --> 01:25:55,960
Speaker 1: fucking bathroom, and I was thinking, like, why does Elliott,

1893
01:25:55,960 --> 01:25:57,640
Speaker 1: But then I remember it is doesn't Elliot supposed to

1894
01:25:57,640 --> 01:25:58,599
Speaker 1: have money from her parents.

1895
01:25:58,760 --> 01:26:01,680
Speaker 4: Her parents are paid Elliott's in like the bathroom of

1896
01:26:01,720 --> 01:26:02,679
Speaker 4: a millionaire's house.

1897
01:26:03,280 --> 01:26:06,240
Speaker 5: It was subtext that we had planned for and a

1898
01:26:06,280 --> 01:26:08,439
Speaker 5: lot of it got cut, but it eventually pays off.

1899
01:26:09,080 --> 01:26:11,240
Speaker 5: When she tells her dad she doesn't want to go

1900
01:26:11,280 --> 01:26:15,120
Speaker 5: into a female specialty and he stops paying for her life,

1901
01:26:15,240 --> 01:26:17,679
Speaker 5: so she has to move in with you. She loses

1902
01:26:17,760 --> 01:26:21,320
Speaker 5: her whole apartment. She works, was at that apartment. She's like,

1903
01:26:21,360 --> 01:26:22,040
Speaker 5: this place is big.

1904
01:26:22,520 --> 01:26:24,960
Speaker 2: She works at the clinic, she starts working at the clinic.

1905
01:26:25,000 --> 01:26:28,240
Speaker 2: All of that stuff. I remember, Well, thank you, sorry, audience,

1906
01:26:28,280 --> 01:26:28,639
Speaker 2: we've done.

1907
01:26:28,960 --> 01:26:31,400
Speaker 1: Yeah, audience, we we went all over the place today,

1908
01:26:31,439 --> 01:26:32,400
Speaker 1: but we're so excited.

1909
01:26:35,680 --> 01:26:40,000
Speaker 4: We made about a bunch of talks and nurses.

1910
01:26:41,960 --> 01:26:49,880
Speaker 2: Said, he's a story natural. So yanda here yea