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Speaker 1: Usa yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo

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Speaker 1: yo yo yo yo yo yo yo yo yo yo.

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Speaker 2: Yo jess hilarryo ass some morning it's Friday.

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Speaker 3: Yes in Today's Friday show is the Queens of R

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Speaker 3: and B, some of the most amazing vocalists that you

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Speaker 3: ever hear, like Chloe, she'll be joining us. That's Charlamage's cousin.

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Speaker 3: Also Marsha Ambrocious and Klane. They'll all be joining us

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Speaker 3: this morning because today's show it's all about the Queens

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Speaker 3: of R and B.

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Speaker 4: And you know what it is. It's the Breakfast Club.

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Speaker 4: Happy holidays, Wake up, wake up, yo ass. It's you're

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Speaker 4: time to get it off your chest. Use of your

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Speaker 4: Manda blessed. We want to hear from you on the

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Speaker 4: breakfast blos. Hello, who's this?

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Speaker 1: Oh my gosh?

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Speaker 5: Did I get through it?

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Speaker 4: Oh my god? Who's this?

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Speaker 6: Oh my gosh? This is Amanda from Virginia.

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Speaker 3: Virginia seven five seven whatever? Man, they get it off

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Speaker 3: your chest?

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Speaker 6: Okay, So I just quit my teacher jobs. I'm gonna

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Speaker 6: try not surprise. It was something really hard to need

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Speaker 6: to give up and everything after six years and I'm

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Speaker 6: scared right now because I have no idea what I'm

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Speaker 6: supposed to do or anything like that. And I just

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Speaker 6: turned twenty eight, and I feel like I'm failing at life.

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Speaker 6: So I need some advice.

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Speaker 4: You are not failing at life, man. You know.

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Speaker 1: One of my affirmations this morning was embraced everything that

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Speaker 1: happens to you. And you know, being that you twenty eight,

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Speaker 1: you'll realize this as you get older. Everything is just

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Speaker 1: part of a process. You got to trust your instincts.

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Speaker 1: Your instincts told you that you didn't want to teach

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Speaker 1: no more right right.

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Speaker 6: Like I'm mental helping passing, so that like I was

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Speaker 6: having panic attacks and everything is just seeking is not

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Speaker 6: what it used to be at all. And so I

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Speaker 6: love the kids, used to love the profession, but I

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Speaker 6: just felt so undervalued and unappreciated, like it was just

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Speaker 6: it was hard. So right now up because I'm about

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Speaker 6: to go intocart and hopefully out make a little something.

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Speaker 6: Still I figured out.

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Speaker 7: So.

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Speaker 4: You should do.

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Speaker 1: My mom is a public school teacher. I was a

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Speaker 1: public school teacher, so I understand. I think that y'all

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Speaker 1: are very underpaid, undervalued, and underappreciated.

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Speaker 4: So thank you for your service as a teacher.

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Speaker 1: But now you just got to pray and see what

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Speaker 1: God is going to lead you next, because he's God

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Speaker 1: is definitely telling you that you should be doing something else.

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Speaker 4: You just got it.

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Speaker 1: You probably already know what it is. You're probably just

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Speaker 1: scared to do it right now.

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Speaker 4: All right, Yeah, you already know what it is, don't you.

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Speaker 6: You said, what can't put my cash up out there?

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Speaker 4: That's not what that is not that is not without God. God.

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Speaker 1: For you tell me what eut God is telling you

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Speaker 1: to do before we get to the cash app to.

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Speaker 8: Honestly, I'm up.

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Speaker 6: So that's all I got at the moment.

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Speaker 4: One step at a time. Go ahead, then go ahead

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Speaker 4: with your cash up. I rather cash app than only fans.

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Speaker 4: Go ahead, Mama, all right.

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Speaker 6: It's sound time, Amanda, A M A and D and

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Speaker 6: I see nonsense.

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Speaker 4: Hold on, I say it again, A M A and

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Speaker 4: d A.

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Speaker 6: Yes, and I see none sick and.

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Speaker 4: I see nine. Oh, Amanda, Nick, Amanda Chandler, that's you. Yes,

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Speaker 4: you look like a school teacher. You're gonna put something

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Speaker 4: hell cash?

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Speaker 1: Yeah, just sent her a little there you go. I

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Speaker 1: just sent you love. I love school teachers. Man, I

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Speaker 1: think school teachers. Yeah, like I said, I think y'all

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Speaker 1: are undervalued and underappreciated. We trust our kids with y'all

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Speaker 1: every day, and we live in a messed up society

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Speaker 1: because y'all should be making six figures a year just

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Speaker 1: because of what y'all got to deal with.

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Speaker 4: To be honest with you, so hard.

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Speaker 6: It's out here now. I want to go into the

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Speaker 6: mental health. So I'm doing a com sweet career switch.

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Speaker 6: So I'm hoping it all works out. I'm praying on it,

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Speaker 6: and thank you guys, and I really appreciate you. Stick

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Speaker 6: on my call. I listen to you guys every morning.

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Speaker 4: Did you get appreciate you got what I sent you

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Speaker 4: and said it went through?

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Speaker 6: Yes, it is. Thank you so much.

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Speaker 7: I appreciate all Right, have.

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Speaker 4: A good one. Get it off your chest.

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Speaker 3: Eight hundred five eight five one oh five one. If

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Speaker 3: you need to vent, phone lines are wide open. It's

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Speaker 3: the Breakfast Club. Good morning, the Breakfast Club. This is

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Speaker 3: your time to get it off your chest. Whether you're

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Speaker 3: mad or blasted.

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Speaker 4: But please, what have the same anth We want to

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Speaker 4: hear from you on the Breakfast Club. Hello? Who's this?

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Speaker 6: This is Seina? Oh my God, I can't believe I

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Speaker 6: got through.

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Speaker 4: What's up? I get it off your chest? Yes, what

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Speaker 4: bracon is? Ain't gonna be mess with? What's up?

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Speaker 9: I am?

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Speaker 4: I am black, I'm we we know, we know, we know.

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Speaker 6: So my birthday is on Monday, so I'm excited about that.

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Speaker 8: To call. Thank you?

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Speaker 4: What you doing for your birthday?

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Speaker 6: Honestly, hold on off is happy. It's happy to be alive.

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Speaker 4: How old youre gonna be? How would you turn to.

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Speaker 6: Monday thirty seven?

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Speaker 8: Ay?

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Speaker 4: Okay, we're doing your birthday, mama. Yeah, and where you

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Speaker 4: call them from?

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Speaker 6: Thank you, thank you, thank you so much, Brooklyn, Brooklyn.

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Speaker 4: Okay, we'll enjoy the birthday.

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Speaker 1: Yeah, man, happy early born day. It's a holiday season.

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Speaker 1: You got a lot of reasons to celebrate. It's the

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Speaker 1: holiday season, it's your born day.

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Speaker 4: You alive.

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Speaker 9: Congratulations, Thank you so much, thank you, Thank you.

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Speaker 6: Guys go with mam.

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Speaker 4: Hello, who's this n? What's up? N?

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Speaker 7: I ain't on the line?

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Speaker 4: Yeah you are? What's up?

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Speaker 10: Many?

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Speaker 4: How you gonna called the radio rad what's happening? Why you?

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Speaker 4: Why you?

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Speaker 11: So?

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Speaker 7: That's how you're going?

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Speaker 4: It's up?

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Speaker 12: Baby?

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Speaker 4: What's up? Now?

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Speaker 7: This is crazy?

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Speaker 4: Okay, get to it anyways.

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Speaker 7: Oh, I just want to shout out my son be

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Speaker 7: about the thirst. Stay we from p A Philip. We're

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Speaker 7: gonna go to Florida for his birthdays on Monday.

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Speaker 1: Okay, fiance, Okay, congratulations, brother, we're all going that in Florida.

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Speaker 4: What's what's what town?

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Speaker 7: Oh, we're just gonna go to Orlando, kissing me the universal,

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Speaker 7: having those day.

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Speaker 4: I love Orlando.

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Speaker 1: Make sure you go to the licking when you go

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Speaker 1: to Orlando. Man, it'soo to my guy e class.

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Speaker 7: I'm in there, all right, it's crazy. Call I got

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Speaker 7: in there. That's crazy.

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Speaker 1: Why don't you say your people's names? Why you know

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Speaker 1: why you're on the radio. Your son, your fiance all right, yeah.

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Speaker 7: My son, Calvin Rodriguez. I'm not calling him a junior.

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Speaker 7: But anyway, Elean, Eleana, shut off the whole family.

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Speaker 4: Okay, man, you ever go and be safe out there,

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Speaker 4: all right? No, thank no, Pez you're so happy.

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Speaker 3: Get it off your chest. Eight hundred five eight five

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Speaker 3: one oh five one. If you need to vent, hit

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Speaker 3: us up now. It's the Breakfast Club.

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Speaker 4: Good morning, the Breakfast Club, Owing everybody. It's dj n

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Speaker 4: V Charlemagne the guy. We are the breakfast club.

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Speaker 3: We got Nyla hanging with us this morning, and we

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Speaker 3: have a special guest who Charlemagne.

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Speaker 4: Claims is a family. What you keep saying, and we

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Speaker 4: say this all the.

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Speaker 3: Time because when we announced that your album came out,

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Speaker 3: he didn't even know your album came out. And I

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Speaker 3: forced him a true byecause that is not.

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Speaker 4: True, and we played the song. I played the Missy.

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Speaker 3: Record and Chris Brown record that morning, but I had

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Speaker 3: to make him download the rectless.

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Speaker 4: He didn't even know. That's not true. I don't know now,

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Speaker 4: that's right.

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Speaker 3: You said you bought it, right, we don't download, but

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Speaker 3: you said you bought it.

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Speaker 4: Listen in pieces out right now, Okay, did you buy

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Speaker 4: it all right?

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Speaker 1: Did all your people's online complaining making noise by it?

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Speaker 4: I stream it? Okay?

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Speaker 5: I feel great. I'm so happy. Like the past two days,

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Speaker 5: I've been feeling like great, to be honest, the week

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Speaker 5: and a half, like before, it was like a little rocky,

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Speaker 5: but tour kind of been getting me out the funk

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Speaker 5: because the shows have been amazing. They've all been sold

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Speaker 5: out and everyone's singing every lyric to every song, So

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Speaker 5: I'm like the love is real and real life so

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Speaker 5: I've been feeling good.

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Speaker 4: Why were you in a funk? I know you wasn't

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Speaker 4: letting these digital kids on the internet.

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Speaker 5: I mean like you're like, we're all human, so of

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Speaker 5: course some things are going to bother you. And I

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Speaker 5: think when you put so much time and effort into

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Speaker 5: the art of everything. And it's really a concept album.

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Speaker 5: My executive produced it. I produced on twelve out of

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Speaker 5: the fourteen songs on there. I had a lot of incredible,

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Speaker 5: amazing talent on the project. So I was just like,

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Speaker 5: it's okay, come at me, bro, So I'm ready for

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Speaker 5: what's next, to be honest.

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Speaker 4: What's the title mean? In Pieces?

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Speaker 5: Yes, so in Pieces it's kind of like a double entendre.

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Speaker 5: So in Pieces represents the pieces of my heart that

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Speaker 5: has been left broken from life situations, relationships, things like

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Speaker 5: that people seven you in the back. And then it

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Speaker 5: also means what's left in Pieces is the box that

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Speaker 5: people try to put me in on who they think

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Speaker 5: Chloe is, and you know, I just have to speak

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Speaker 5: for myself and break through it. That's what it means.

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Speaker 5: It's like the simp side and then the place of

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Speaker 5: powers has to be difficult.

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Speaker 4: Yeah, because people seeing you grow up.

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Speaker 3: So it's like you've seen you as this young girl,

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Speaker 3: so now when you break it out into.

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Speaker 4: Your own, it has to be difficult for your fans.

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Speaker 13: I guess right, maybe maybe not.

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Speaker 5: I'm really proud of my sister and I because we've

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Speaker 5: been branching out on our own successfully and people are

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Speaker 5: getting to like know who.

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Speaker 10: We are individually.

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Speaker 5: And I'm I'm so blessed that I grew up with

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Speaker 5: her in life so we could go through everything together,

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Speaker 5: and it came to a point where we were so

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Speaker 5: dependent on one another, like we were Siamese twins. So

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Speaker 5: what forced us apart was her going to London to

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Speaker 5: shoot Little Mermaid and you know, me being in la

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Speaker 5: and especially with the pandemic, the travel restrictions going to

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Speaker 5: another country was crazy. So as stressful as it was

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Speaker 5: for the both of us, we both had separation anxiety.

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Speaker 5: It like forced us to figure out, Okay, who's Chloe,

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Speaker 5: who's Holly. So now when we come back together, it's

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Speaker 5: going to be even stronger because now we also have

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Speaker 5: a great sense of self.

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Speaker 4: Did y'all recognize the growth in each other?

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Speaker 1: You and Holly, Like when y'all finally did get back together,

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Speaker 1: did she see growth in you?

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Speaker 4: Did you see growth? Friend?

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Speaker 5: Yes, the crazy thing is growing up. It was me

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Speaker 5: who was afraid to speak up, so like she would

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Speaker 5: be the one speaking up for me and like she's

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Speaker 5: the aries. Yes, she's the like, don't mess with her,

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Speaker 5: and it would always be me like, oh my gosh,

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Speaker 5: I like I don't like confrontation things like that. And

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Speaker 5: so because of that, I had to force myself to

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Speaker 5: speak up for myself because I didn't have my right

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Speaker 5: there doing it for me. So now I'm very independent

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Speaker 5: and very vocal and I say what I mean and

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Speaker 5: I mean what I say, and she's recognized that. She's like, well,

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Speaker 5: you're like a completely different person. I'm so proud of

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Speaker 5: her because she's confident in who she is as an

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Speaker 5: individual as well. Like we both were missing that and

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Speaker 5: now we both found it. So it's like we're stronger.

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Speaker 3: Did that change because you missed your sister? Was it

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Speaker 3: a relationship that made you change? It was writ in

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Speaker 3: your music that made you shakee? What was that change?

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Speaker 5: That's a great question. I think it was a combination

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Speaker 5: of everything. I think it got to a point where

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Speaker 5: I realized, if I don't fight for myself, then I'm

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Speaker 5: just going to be left in the dust. And if

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Speaker 5: I don't speak up for what I want and speak

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Speaker 5: up for who I am as a human being, then

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Speaker 5: like it's just going to fall on deaf ears and

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Speaker 5: clothes mouths don't get fed. So you know, throughout the music,

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Speaker 5: I was finding my strength because I was saying things

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Speaker 5: that I was afraid to say or speak up to

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Speaker 5: certain individuals. And then from there it just grew. From that,

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Speaker 5: it was like it just kept growing and growing, and

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Speaker 5: now it can't really stop.

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Speaker 11: I feel like, growing up as women were taught to

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Speaker 11: like not be so vocal. So now that you are

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Speaker 11: being vocal, do you feel like.

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Speaker 8: You're being a like?

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Speaker 11: Do you feel like like you have to turn on

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Speaker 11: a new version of yourself?

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Speaker 5: Absolutely not. There's it's not about what you say, but

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Speaker 5: how you say it. You can command a room without

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Speaker 5: having to bark so loud, and as long as you

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Speaker 5: believe in what you're saying and you don't change in

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Speaker 5: that for anybody, people will respect you.

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Speaker 4: Was was pray Away based on a true story?

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Speaker 5: Yes, So I wrote that song with my girl Jossy,

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Speaker 5: and I kept seeing her like three four times that

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Speaker 5: week at every event and I'm all about signs, like

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Speaker 5: I don't feel there are any coincidences in life. And

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Speaker 5: I was like, so the final place I.

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Speaker 4: Saw her, now it's gonna following.

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Speaker 13: Signed that's you're crazy.

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Speaker 10: But I was like okay.

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Speaker 5: So we passed each other going to the ladies room

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Speaker 5: at the studio and I was like, I got back

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Speaker 5: in my session, I said, So I texted her. I

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Speaker 5: was like, can you come in here? And she played

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Speaker 5: me a few demos and it was the skeleton of

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Speaker 5: Pray Away. It was originally called Church. I was like,

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Speaker 5: I'm in love with this because I loved how open

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Speaker 5: it was. It was completely raw and honest, and for me,

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Speaker 5: I've always learned to just be the bigger person and

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Speaker 5: turn the other cheek. And it's like sometimes you do

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Speaker 5: want to get down and dirty and get on that

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Speaker 5: person same level, but I will never give anyone that

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Speaker 5: power over me. So it's like, you know, I'm ana

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Speaker 5: pray it away. So it was quite easy to finish

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Speaker 5: out the song because there has been people who have

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Speaker 5: tried me and I love it. I really did.

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Speaker 1: When the last time you really wanted a person hurt,

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Speaker 1: because that's what the song is, That's what the song

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Speaker 1: is about you having to pray it away.

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Speaker 5: I think the last time I felt like I wanted

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Speaker 5: somebody to hurt five days ago.

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Speaker 4: Yeah, five days?

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Speaker 13: How long?

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Speaker 10: Yeah?

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Speaker 11: You need hurt though you don't really mean hurt. You

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Speaker 11: just mean like you want them to feel how you feel.

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Speaker 5: Yes, okay, like, But the thing is we never have

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Speaker 5: to do the work like karma speaks for itself. It's true,

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Speaker 5: you know, so never give someone power to get you

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Speaker 5: out of your characters.

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Speaker 11: But you've never been like or you don't believe in

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Speaker 11: like Fike, like I got to get my get back.

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Speaker 5: I don't because I don't want it to come back

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Speaker 5: to me in turn. So I just let them dig

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Speaker 5: themselves in the ditch.

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Speaker 3: How we got more with Chloe Bailey when we come back,

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Speaker 3: don't move.

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Speaker 4: It's the Breakfast Club. Good morning, the Breakfast Club.

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Speaker 3: Everybody's the ej n V. Charlamage God, we are the

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Speaker 3: breakfast Club. We have not listen on here.

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Speaker 4: We're still kicking it with Chloe Bailey.

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Speaker 11: So you talked about stepping into your sexuality on the album,

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Speaker 11: and obviously we've been seeing it in the music.

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Speaker 8: Videos and stuff like that.

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Speaker 11: But swarm that clip that was trending on Twitter. People

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Speaker 11: were making it sound like I'm getting clos like did

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Speaker 11: you see did you see it? I'm like, what, I guess.

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Speaker 11: I go look at it and then I look and

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Speaker 11: I'm like, it's really not that.

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Speaker 5: It's two seconds. Yeah, it's really not that.

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Speaker 4: Yeah, Christ for a fall, but that's like ten minutes.

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Speaker 1: Okay, So this man, y'all don't ever think about us,

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Speaker 1: know right, never think about us, because God has good

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Speaker 1: lessons are flowing.

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Speaker 5: I'm an actress as well. What I love about acting

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Speaker 5: is that I'm not Chloe whenever I'm playing that certain

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Speaker 5: character and shout out to Donald Glover, Jenny Nighbors, Dominique

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Speaker 5: Fishback and Damson like we had the best time. And

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Speaker 5: when I was shooting on that set, I fell more

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Speaker 5: in love with acting. I barely wore makeup. Everything was

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Speaker 5: shot on film and music. You win and thrive off

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Speaker 5: of being this image of perfection or whatnot. Like you

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Speaker 5: get clown for messing up or tripping or falling on

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Speaker 5: stage or looking a hot mess on the carpet. But

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Speaker 5: with acting, that's where the beauty is, with all of

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Speaker 5: the flaws and you know, the imperfections and things like that.

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Speaker 5: So I fell in love with the script. Now I

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Speaker 5: totally like, didn't even connect. Oh I have to do

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Speaker 5: a sex scene. I've never done a sex scene before,

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Speaker 5: and I was like, okay, well, I'm not the focus

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Speaker 5: of the scene. It's really about the shock value of

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Speaker 5: Dre and Khalid watching each other and like you see

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Speaker 5: the obsession between the sister's form at the beginning, like.

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Speaker 8: It awkward shooting.

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Speaker 5: No, you see me for two secon in the mirror

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Speaker 5: and and you did not see you did not even

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Speaker 5: see crack.

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Speaker 8: You saw everything.

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Speaker 5: You saw everything that you see from me on stage, Like,

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Speaker 5: let's keep it real.

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Speaker 3: Did you have to call like when you told your dad,

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Speaker 3: Hey dad, this is the scene or you know what?

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Speaker 3: How was that conversation? The dad's still gonna be a

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Speaker 3: dad my daughter's and I don't care for sure.

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Speaker 8: Yeah.

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Speaker 5: I feel like dads will always look at their little

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Speaker 5: girls like they're still little, and that's totally fine. I

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Speaker 5: one thing I will say about my parents is that

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Speaker 5: they know this is our job.

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Speaker 4: And so what was it called you called that? Hey dad,

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Speaker 4: Hi baby, how you feeling shooting? Did you shoot? Go?

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Speaker 5: Okay, So it wasn't about the shoot, it was about

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Speaker 5: when I first got it, and you know when the

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Speaker 5: agents will call and be like congrats, da dada da.

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Speaker 5: And after I got it, I think my dad read

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Speaker 5: the script and he's like, oh okay, He's like, yeah,

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Speaker 5: he deleted Twitter. No, it was just me. I had

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Speaker 5: to hop on a flight right after I.

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Speaker 1: Met you the in and that doesn't realize how much

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Speaker 1: more money they make you because a two second scene.

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Speaker 4: Cause them to lose their mind.

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Speaker 1: Like that, all that's gonna make other people say is, oh,

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Speaker 1: we gotta get clothe in on movie.

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Speaker 4: We gotta get cloth is got to get Cloe endorsement deal.

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Speaker 11: I like how you're said, she said, it's working. When

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Speaker 11: you say, like acting, you can be imperfect and the

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Speaker 11: music has to be perfect, why can't you bring the

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Speaker 11: imperfections to.

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Speaker 12: The music because I think.

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Speaker 11: Like like with dope about Cardi b is that you

393
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Speaker 11: can hear she's from the Bronx, you know what I mean,

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Speaker 11: and like the spanglish she uses sometimes like why can't.

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Speaker 12: It be both?

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Speaker 5: Well, I do do both, but that's what people ridicule

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Speaker 5: me for being imperfect, not being the type of image

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Speaker 5: they want me to be. People say they want certain

399
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Speaker 5: things and then when you do it. That's what they

400
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Speaker 5: used to pick on you.

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Speaker 1: The weirdest thing is when people say things like, she

402
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Speaker 1: don't know who she is, she's not being herself.

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Speaker 4: You don't know her, thank you, you don't even know her.

404
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Speaker 5: I'm sure they'd like me if they meet me. I'm

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Speaker 5: a really nice person.

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Speaker 4: I wanted to ask, you want to sold out tour?

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Speaker 8: Yeah?

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Speaker 3: Does that mean that you're not going to be a

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Speaker 3: special guest or that you are going to be a

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Speaker 3: special guest on somebody else's store coming up?

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Speaker 5: Well, I'm definitely. I'm definitely going to see the show

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Speaker 5: for sure. And it's been exciting, like seeing what I've

413
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Speaker 5: been doing for myself. Like I've never headlined a solo

414
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Speaker 5: tour ever SIS and I never got to do it

415
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Speaker 5: for On Godly Hour because we were in the midst

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Speaker 5: of a pandemic. So I really didn't know what to

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Speaker 5: expect going into it. Like when I announced it, even

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Speaker 5: before the album dropped, I was a little nervous, like

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Speaker 5: if people want to come things like that every night,

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Speaker 5: I'm like telling my god, MoMA, my team, I'm like,

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Speaker 5: what do you see out there? Like people out there?

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Speaker 5: Like for some reason, it doesn't click that people are

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Speaker 5: there to see me correct and it's sold out. And

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Speaker 5: I think when you're constantly used to people telling you otherwise,

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Speaker 5: a part of you, as much as you don't want

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Speaker 5: to begins to believe it. But then when I step

427
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Speaker 5: out on that stage and I see it and I

428
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Speaker 5: hear it, it's not like people are just watching me

429
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Speaker 5: being quiet, like they're singing the words back to me.

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Speaker 5: They're giving me that energy and that love. You can't

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Speaker 5: fake that. You can't that and and make up numbers.

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Speaker 5: You can't do that with that. That's real. So as

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Speaker 5: long as I'm connecting with the ones who love me

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Speaker 5: and I'm doing what makes me happy, that's really all

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Speaker 5: that matters.

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Speaker 1: It's also okay to have your people say, don't ask

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Speaker 1: me no Beyonce questions. I love Beyonce when I'm my

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Speaker 1: own inthathy right, because I mean, I'm sure Kelly Michelle,

439
00:18:18,440 --> 00:18:19,600
Speaker 1: everybody's gone through that.

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Speaker 4: That is stitoding next to that great person who called Beyonce.

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Speaker 14: Okay, yeah, I mean she is Beyonce.

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Speaker 5: Everybody wants to know about her. So I'm just like cool,

443
00:18:28,920 --> 00:18:31,040
Speaker 5: like I don't really look much into it.

444
00:18:31,160 --> 00:18:32,159
Speaker 4: Are you gonna be opened up for her?

445
00:18:36,440 --> 00:18:38,920
Speaker 5: About my family.

446
00:18:41,080 --> 00:18:43,359
Speaker 4: Let's practice. Are you gonna be opening up for Beyonce?

447
00:18:43,760 --> 00:18:48,280
Speaker 5: I plead the fifth No, they don't okay, okay, no, no,

448
00:18:48,280 --> 00:18:53,360
Speaker 5: no, no no. I'm nice okay and you're my family now

449
00:18:53,400 --> 00:18:54,000
Speaker 5: I do cuss.

450
00:18:54,000 --> 00:18:55,280
Speaker 4: Are you gonna be opening up for Beyonce?

451
00:18:55,600 --> 00:19:06,280
Speaker 15: I don't know, no question everywhere now with.

452
00:19:06,359 --> 00:19:08,520
Speaker 3: All the critique you get from being by the Way guy,

453
00:19:08,600 --> 00:19:10,080
Speaker 3: she said she didn't know. She didn't say no, she said,

454
00:19:10,080 --> 00:19:11,760
Speaker 3: she says, says we heard.

455
00:19:12,359 --> 00:19:14,120
Speaker 1: If all the critique you get from being a music artist,

456
00:19:14,119 --> 00:19:15,480
Speaker 1: does it make you just want to stay in acting

457
00:19:15,880 --> 00:19:18,080
Speaker 1: because of because of the freedom that you're getting acting.

458
00:19:18,240 --> 00:19:21,840
Speaker 5: That's a really great question. In this past week, that

459
00:19:21,880 --> 00:19:24,920
Speaker 5: crossed my mind a few times, and I got over

460
00:19:24,960 --> 00:19:28,640
Speaker 5: it like two three days ago. Really yeah, And I

461
00:19:28,680 --> 00:19:31,719
Speaker 5: was like, when people make you doubt, and especially as creatives,

462
00:19:31,720 --> 00:19:34,600
Speaker 5: we already doubt everything we do, so you begin to

463
00:19:34,600 --> 00:19:37,359
Speaker 5: think like, oh, well, maybe this isn't for me, But

464
00:19:37,800 --> 00:19:40,360
Speaker 5: then I would be going against the exact reason why

465
00:19:40,400 --> 00:19:44,680
Speaker 5: God put me here, So why like pray it away,

466
00:19:45,080 --> 00:19:50,400
Speaker 5: never lessen yourself to please somebody else, And that's in everything.

467
00:19:51,000 --> 00:19:52,920
Speaker 4: Chloe Bailey, Ladies and gentlemen, thank you. For joining.

468
00:19:53,000 --> 00:19:55,359
Speaker 12: Thank you, guys, I love you always.

469
00:19:54,960 --> 00:19:57,440
Speaker 4: And it's the breakfast Club is Chloe Valley. We got

470
00:19:57,440 --> 00:20:00,600
Speaker 4: a special guest in the building. Yes, indeed, Marsha Ambrosis.

471
00:20:00,680 --> 00:20:01,240
Speaker 4: Welcome back.

472
00:20:01,400 --> 00:20:02,399
Speaker 12: What's happening?

473
00:20:02,560 --> 00:20:03,480
Speaker 8: I guys.

474
00:20:04,840 --> 00:20:08,800
Speaker 12: Seven eight years, eight nine years, spent a long time crazy.

475
00:20:08,880 --> 00:20:09,520
Speaker 4: How are you feeling?

476
00:20:09,720 --> 00:20:10,280
Speaker 12: I'm great?

477
00:20:10,320 --> 00:20:12,840
Speaker 4: How are you doing well? That's black and Holly favorite.

478
00:20:12,840 --> 00:20:15,320
Speaker 1: I mean you got so many classics to me late nights,

479
00:20:15,359 --> 00:20:18,520
Speaker 1: early morning, friends and lovers, Nyla, you've done it again

480
00:20:18,560 --> 00:20:19,480
Speaker 1: with Casablanco.

481
00:20:19,920 --> 00:20:21,399
Speaker 12: Thank you you heard it.

482
00:20:21,480 --> 00:20:23,840
Speaker 4: Yes, absolutely, they gave it to you.

483
00:20:23,880 --> 00:20:27,080
Speaker 16: I feel it's such a vulnerable feeling when people would

484
00:20:27,080 --> 00:20:30,960
Speaker 16: like have it now, it's like not real, but this

485
00:20:31,040 --> 00:20:34,000
Speaker 16: is all the dream.

486
00:20:32,880 --> 00:20:34,480
Speaker 4: Well, congrats, thank you.

487
00:20:34,520 --> 00:20:36,680
Speaker 3: So I heard it was your mom that actually got

488
00:20:36,680 --> 00:20:38,320
Speaker 3: you to link back up with doctor dream.

489
00:20:38,400 --> 00:20:38,440
Speaker 15: No.

490
00:20:38,600 --> 00:20:42,400
Speaker 16: What she did, in true Scouser fashion, the liver Puddlian

491
00:20:42,480 --> 00:20:44,399
Speaker 16: that she is, she hit me up and said.

492
00:20:44,640 --> 00:20:45,639
Speaker 4: Word, we have no idea.

493
00:20:45,920 --> 00:20:49,840
Speaker 16: Scousa means you were born and raised in Liverpool, liver Puddlian. Right,

494
00:20:50,119 --> 00:20:53,640
Speaker 16: So I'm born Liverpool, born and raised. So my mom

495
00:20:53,720 --> 00:20:57,360
Speaker 16: calls me. Me, mom calls me and says, oh, Marsha, have.

496
00:20:57,400 --> 00:20:59,320
Speaker 12: You spoke to her, ma'am doctor Drake.

497
00:20:59,359 --> 00:21:01,199
Speaker 16: I don't even think she referred to him as doctor Dre.

498
00:21:01,400 --> 00:21:03,200
Speaker 16: She just said Dre like I was supposed to know

499
00:21:03,240 --> 00:21:05,800
Speaker 16: who that was. And I'm like, no, mam, I haven't.

500
00:21:05,640 --> 00:21:07,359
Speaker 12: Spoke to Dre lately. And I was like, all right,

501
00:21:07,400 --> 00:21:08,200
Speaker 12: I'll call them up.

502
00:21:08,280 --> 00:21:12,720
Speaker 16: So this is around about the end of twenty twenty December,

503
00:21:12,920 --> 00:21:15,800
Speaker 16: so I give him a call, say what's up. We reconnect.

504
00:21:16,080 --> 00:21:17,920
Speaker 16: It's like, I'm working on a couple of things. I'll

505
00:21:17,920 --> 00:21:18,400
Speaker 16: send you a.

506
00:21:18,320 --> 00:21:19,200
Speaker 12: Couple of ideas.

507
00:21:19,280 --> 00:21:22,920
Speaker 16: So we started shooting ideas back and forth what would

508
00:21:22,960 --> 00:21:25,840
Speaker 16: then be the GTA video game. But I didn't know

509
00:21:25,840 --> 00:21:27,919
Speaker 16: that that's what was being worked on. You know, Dre's

510
00:21:27,960 --> 00:21:29,879
Speaker 16: just like, let's just work. You never know what's going

511
00:21:29,960 --> 00:21:33,600
Speaker 16: to happen. So we're going back and forth and a

512
00:21:33,680 --> 00:21:36,679
Speaker 16: couple of weeks go by, and the top of twenty

513
00:21:36,720 --> 00:21:40,000
Speaker 16: twenty one he had a brain aneurysm and I was

514
00:21:40,040 --> 00:21:41,960
Speaker 16: on the treadmill when I found that out, like looked

515
00:21:41,960 --> 00:21:44,560
Speaker 16: at my phone and you know, it popped up whatever

516
00:21:44,960 --> 00:21:47,520
Speaker 16: news outlet, and it was like what I just talked

517
00:21:47,560 --> 00:21:49,879
Speaker 16: to him, like less than twenty four hours ago and

518
00:21:50,760 --> 00:21:54,320
Speaker 16: made all the calls, found out everything was okay and stable.

519
00:21:54,880 --> 00:21:58,639
Speaker 16: Twenty four hours after that, he called me said, look, Marsha,

520
00:21:58,640 --> 00:22:00,960
Speaker 16: I'm call I'm in recovery, but I want to get

521
00:22:00,960 --> 00:22:02,600
Speaker 16: back to work. So I want to get you out

522
00:22:02,640 --> 00:22:05,680
Speaker 16: to LA and let's just figure some things out.

523
00:22:05,840 --> 00:22:07,560
Speaker 4: So he in a hospital bed calling you, like, look,

524
00:22:07,600 --> 00:22:08,440
Speaker 4: we got to get back to work.

525
00:22:08,680 --> 00:22:11,800
Speaker 12: All I know was like plugged up, plugged on the

526
00:22:11,800 --> 00:22:14,080
Speaker 12: way back. I said, okay, doctor Dre, whatever you say.

527
00:22:14,119 --> 00:22:17,880
Speaker 16: And within a couple of weeks, I was in La

528
00:22:18,119 --> 00:22:21,680
Speaker 16: most of that year twenty twenty one, and the creation

529
00:22:21,800 --> 00:22:25,439
Speaker 16: of Casablanco happened a couple of months after that, so

530
00:22:25,480 --> 00:22:27,600
Speaker 16: it was really all the GTA stuff. And then I

531
00:22:27,680 --> 00:22:32,040
Speaker 16: told Dre that I was overdoing this artist thing. Nyla's

532
00:22:32,080 --> 00:22:35,479
Speaker 16: mothers now and I just want to chill, Like I

533
00:22:35,520 --> 00:22:38,040
Speaker 16: just want to produce some rite. I've never been a

534
00:22:38,320 --> 00:22:39,720
Speaker 16: pick may I want to be in front of the

535
00:22:39,760 --> 00:22:43,399
Speaker 16: cap No. I was done, and he said, yeah, nah.

536
00:22:43,000 --> 00:22:47,200
Speaker 4: Are you done with music? Yeah? Really yeah?

537
00:22:47,240 --> 00:22:49,720
Speaker 16: Being an artist like I was always going to create,

538
00:22:49,800 --> 00:22:51,919
Speaker 16: but the whole being the artist thing, I was like,

539
00:22:51,960 --> 00:22:55,679
Speaker 16: I've done everything that I could possibly do on this

540
00:22:55,800 --> 00:22:57,919
Speaker 16: bucket list that I tried to create for myself.

541
00:22:57,960 --> 00:22:59,560
Speaker 12: I've surpassed my bucket list.

542
00:23:00,119 --> 00:23:01,040
Speaker 4: It was on the bucket list.

543
00:23:01,080 --> 00:23:05,400
Speaker 16: I'm just curious, get signed, win a Grammy, lose some Grammys.

544
00:23:05,520 --> 00:23:08,400
Speaker 12: I don't know, like work with my favorite.

545
00:23:08,000 --> 00:23:11,920
Speaker 16: Artists, like regular stuff, but my actual things.

546
00:23:11,960 --> 00:23:13,120
Speaker 12: I didn't write, oh.

547
00:23:13,040 --> 00:23:16,680
Speaker 16: Work with Michael Jackson, work with Prince, work with Stevie,

548
00:23:16,760 --> 00:23:19,479
Speaker 16: work with Doctor Dray. I didn't write those things out loud,

549
00:23:19,600 --> 00:23:23,359
Speaker 16: but I wanted those things and it achieved that. By now,

550
00:23:23,400 --> 00:23:26,280
Speaker 16: this is twenty four years in for me, so I'm like, ah,

551
00:23:26,359 --> 00:23:27,000
Speaker 16: what's next.

552
00:23:27,160 --> 00:23:28,639
Speaker 12: I'm on my Quincy Jones mission.

553
00:23:28,960 --> 00:23:31,159
Speaker 1: I like the pedestal you put hip hop on on

554
00:23:31,200 --> 00:23:34,560
Speaker 1: this album because just musically, it just shows how much

555
00:23:34,560 --> 00:23:37,639
Speaker 1: of a classic musical art form hip hop is. The

556
00:23:37,640 --> 00:23:39,680
Speaker 1: fact you can go from a that Tanisian records like

557
00:23:39,720 --> 00:23:41,960
Speaker 1: from the forties, right Yeah, In fact, you can go

558
00:23:42,000 --> 00:23:43,360
Speaker 1: from nat to Nah.

559
00:23:43,640 --> 00:23:47,159
Speaker 12: The nineties and it blends per seamlessly.

560
00:23:47,200 --> 00:23:49,280
Speaker 16: It doesn't a lot of things that we did on

561
00:23:49,320 --> 00:23:53,320
Speaker 16: this album shouldn't make sense. Like I truly believe we

562
00:23:53,440 --> 00:23:56,280
Speaker 16: will be in the Guinness Book of World Records for

563
00:23:56,440 --> 00:23:59,880
Speaker 16: how many things we sampled and the way that we sampled,

564
00:24:00,359 --> 00:24:05,040
Speaker 16: So no will Tang, Duke Kellington and Michael Jackson aren't

565
00:24:05,040 --> 00:24:09,280
Speaker 16: supposed to fuse, but on thrill Her they did, you know,

566
00:24:09,600 --> 00:24:12,800
Speaker 16: So it's yeah, it was a wild ride, but one

567
00:24:12,840 --> 00:24:16,840
Speaker 16: of the most amazing experiences I've ever had, not only

568
00:24:16,880 --> 00:24:20,600
Speaker 16: recording it, just the entire process even getting to this point,

569
00:24:20,720 --> 00:24:22,800
Speaker 16: even it taken so long to get a release date

570
00:24:22,840 --> 00:24:25,440
Speaker 16: for it to be available, like the entire.

571
00:24:25,200 --> 00:24:27,560
Speaker 12: Thing has just been No one's done this before.

572
00:24:27,800 --> 00:24:30,359
Speaker 3: You talk about inspiration right in Charlotma say how you

573
00:24:30,359 --> 00:24:32,680
Speaker 3: inspired so many people, But you must have inspired Doctor

574
00:24:32,720 --> 00:24:35,480
Speaker 3: dre as well, because we haven't heard music from Doctor Drake.

575
00:24:35,560 --> 00:24:38,760
Speaker 3: We haven't seen him executive produce things. We've only heard

576
00:24:38,840 --> 00:24:41,159
Speaker 3: rumors and like it's almost like a teathing.

577
00:24:40,840 --> 00:24:43,000
Speaker 4: Ever comes out. You hear Doctor Dress that could produce

578
00:24:43,119 --> 00:24:44,439
Speaker 4: such and such album, but you never hear this.

579
00:24:44,920 --> 00:24:47,879
Speaker 16: He recently said this in a bit in a in

580
00:24:47,920 --> 00:24:51,400
Speaker 16: an interview. He recently did and said, and I absolutely

581
00:24:51,440 --> 00:24:55,320
Speaker 16: believe this. He may have only released five percent of

582
00:24:55,359 --> 00:24:58,640
Speaker 16: the music that he's ever recorded. Wow, and now working

583
00:24:58,680 --> 00:25:03,640
Speaker 16: with him as extensive I did during the pandemic. It's

584
00:25:03,680 --> 00:25:07,439
Speaker 16: absolutely true. And he doesn't do it purposefully. It's because

585
00:25:07,480 --> 00:25:10,639
Speaker 16: he loves the creative process. And it's like, no, this

586
00:25:10,800 --> 00:25:12,399
Speaker 16: is just for us, this is ours.

587
00:25:12,520 --> 00:25:13,879
Speaker 4: What did you do? How did you? How are you

588
00:25:13,880 --> 00:25:16,920
Speaker 4: one of a few people? Did you ever think it happen?

589
00:25:17,119 --> 00:25:22,840
Speaker 16: I'm I'm the only only There's not one person before

590
00:25:22,960 --> 00:25:25,520
Speaker 16: or after. I don't even think this happens again that

591
00:25:25,600 --> 00:25:30,600
Speaker 16: has an entire project solely produced and mixed by doctor Dre.

592
00:25:31,320 --> 00:25:36,000
Speaker 12: How did I do it? Not clear? But I know

593
00:25:36,119 --> 00:25:36,920
Speaker 12: that I did it.

594
00:25:37,240 --> 00:25:39,960
Speaker 16: I know that this is something that he'd never done,

595
00:25:40,200 --> 00:25:42,480
Speaker 16: and I feel like that that was the driving force

596
00:25:42,640 --> 00:25:44,720
Speaker 16: for it to be something new. He could have just

597
00:25:44,800 --> 00:25:47,480
Speaker 16: died a hip hop breakord, it could have just been

598
00:25:47,560 --> 00:25:48,400
Speaker 16: a soul armed.

599
00:25:48,520 --> 00:25:49,920
Speaker 12: It's none of those things.

600
00:25:50,000 --> 00:25:56,320
Speaker 16: It's something so specific, so different, but so familiar, And

601
00:25:56,359 --> 00:25:59,000
Speaker 16: I feel like we were both going through a similar

602
00:25:59,280 --> 00:26:01,960
Speaker 16: situation and it was he had health scare, I hada healthscare.

603
00:26:02,080 --> 00:26:04,879
Speaker 16: The pandemic is happening. It felt like the end of

604
00:26:04,920 --> 00:26:08,600
Speaker 16: the Earth during that time, so it felt desperate in

605
00:26:08,640 --> 00:26:10,919
Speaker 16: a way. It felt if we don't do this and

606
00:26:11,000 --> 00:26:13,680
Speaker 16: this world ends tomorrow, what's the mark that we actually

607
00:26:13,760 --> 00:26:17,320
Speaker 16: leave on planet Earth? And musically, like you said, I've

608
00:26:17,320 --> 00:26:20,240
Speaker 16: done things that you know, a Marsha Ambrosius album is

609
00:26:20,280 --> 00:26:21,720
Speaker 16: this specific thing.

610
00:26:22,080 --> 00:26:22,720
Speaker 12: If I had to.

611
00:26:22,800 --> 00:26:25,040
Speaker 16: Leave it all on the floor and put up my

612
00:26:25,119 --> 00:26:28,800
Speaker 16: triple double and win a chip, that's this album. If

613
00:26:28,800 --> 00:26:32,560
Speaker 16: it was all said and done, like okay, apocalyptic world

614
00:26:32,560 --> 00:26:35,000
Speaker 16: that we're now in because of the pandemic and many

615
00:26:35,040 --> 00:26:38,120
Speaker 16: other things, it was that it was out of desperation

616
00:26:38,440 --> 00:26:41,200
Speaker 16: and feeling like I could have lost my life, Drake

617
00:26:41,240 --> 00:26:42,000
Speaker 16: could have lost his.

618
00:26:42,760 --> 00:26:43,320
Speaker 12: We didn't.

619
00:26:43,359 --> 00:26:47,280
Speaker 16: We survived these things. We're now post COVID. How do

620
00:26:47,320 --> 00:26:49,919
Speaker 16: we navigate through this? And what does that sound like?

621
00:26:50,280 --> 00:26:53,399
Speaker 16: And that's why and how this happens. So yeah, Dre

622
00:26:53,560 --> 00:26:56,160
Speaker 16: being inspired by me, I'm inspired by him.

623
00:26:56,520 --> 00:26:57,320
Speaker 12: It just took off.

624
00:26:57,600 --> 00:26:58,600
Speaker 4: That was what the title means.

625
00:26:59,040 --> 00:27:03,879
Speaker 16: So casabland I initially within a week of recording what

626
00:27:03,960 --> 00:27:06,879
Speaker 16: we knew this was going to be After Tunisian Nights,

627
00:27:07,240 --> 00:27:10,480
Speaker 16: he threw out some album titles, a couple of which

628
00:27:10,520 --> 00:27:14,840
Speaker 16: were things like I sing or I sing More. And

629
00:27:14,880 --> 00:27:17,760
Speaker 16: I was like, Drake, we need an actual title, like

630
00:27:17,840 --> 00:27:19,600
Speaker 16: what is this? It was like, I mean, you're saying

631
00:27:19,600 --> 00:27:22,159
Speaker 16: what is it? So I'm like that Drake, these to

632
00:27:22,280 --> 00:27:23,639
Speaker 16: be a title, like what is this?

633
00:27:23,720 --> 00:27:23,920
Speaker 12: Thing.

634
00:27:24,040 --> 00:27:28,800
Speaker 16: So I was in a spoiled circumstance where I'm driving

635
00:27:28,920 --> 00:27:33,800
Speaker 16: through the Beverly Hills, like just Hollywood Hills every day

636
00:27:33,960 --> 00:27:39,280
Speaker 16: to the destination to record, and it felt very vintage Hollywood,

637
00:27:39,400 --> 00:27:43,800
Speaker 16: like the lights, the Lembs. It was glitz, glamour, red carpets,

638
00:27:43,880 --> 00:27:46,760
Speaker 16: the whole nine. And I felt underdressed for the studio

639
00:27:46,880 --> 00:27:49,320
Speaker 16: every time I got there based on what we were creating.

640
00:27:49,359 --> 00:27:50,600
Speaker 12: And so it was strings.

641
00:27:50,640 --> 00:27:54,199
Speaker 16: It was a symphony, but it painted these pictures and

642
00:27:54,240 --> 00:27:56,240
Speaker 16: I was like, no, it feels like a place. It

643
00:27:56,280 --> 00:28:00,880
Speaker 16: feels like Casablanca, and it was like, mm okay, at Casablanca,

644
00:28:01,119 --> 00:28:03,760
Speaker 16: it's a but nah, it's that Drake. So it's a

645
00:28:03,840 --> 00:28:08,480
Speaker 16: little bit more gangster than that, like Casa Blanco, Griselda Blanco.

646
00:28:09,280 --> 00:28:11,000
Speaker 12: So the fusion of that.

647
00:28:11,040 --> 00:28:16,480
Speaker 16: Very vintage jazz Hollywood feel meets hip hop is how

648
00:28:16,560 --> 00:28:19,399
Speaker 16: Casa Blanco became what it was, what it.

649
00:28:19,280 --> 00:28:21,919
Speaker 3: Is, how we got more with Marsha Ambrose's when we

650
00:28:21,960 --> 00:28:24,240
Speaker 3: come back, it's the Breakfast Club. Good morning morning everybody.

651
00:28:24,320 --> 00:28:27,600
Speaker 3: It's DJ Envy, Jess Hilarious, Charlamage, the guy we are.

652
00:28:27,640 --> 00:28:31,320
Speaker 3: The Breakfast Club's still kicking with Marsha Ambrosis Charlamagne.

653
00:28:31,160 --> 00:28:31,840
Speaker 4: And all you make.

654
00:28:31,920 --> 00:28:34,680
Speaker 1: It feels like it's soundtracks to make love to, of course,

655
00:28:34,760 --> 00:28:36,120
Speaker 1: like nothing more, nothing less?

656
00:28:36,119 --> 00:28:36,840
Speaker 4: Why is that?

657
00:28:37,240 --> 00:28:40,080
Speaker 12: I have no clue. It's just in me.

658
00:28:40,400 --> 00:28:43,560
Speaker 16: It's ridiculous, Like I've had this. Well, a friend of

659
00:28:43,560 --> 00:28:45,000
Speaker 16: mine recently was like.

660
00:28:44,960 --> 00:28:48,280
Speaker 12: How do you even come up with another one? Why not?

661
00:28:49,120 --> 00:28:51,720
Speaker 16: Even in a place of desperation, and even in a

662
00:28:51,760 --> 00:28:55,680
Speaker 16: place of the world was over, I still find a

663
00:28:55,720 --> 00:28:59,600
Speaker 16: song to make love too. It's a gift, and that's

664
00:29:00,160 --> 00:29:01,560
Speaker 16: it's a gift.

665
00:29:01,640 --> 00:29:04,400
Speaker 4: One night stand music. Too good to have a one

666
00:29:04,480 --> 00:29:05,040
Speaker 4: night stand too?

667
00:29:05,160 --> 00:29:08,320
Speaker 12: Well, that was the point. My one night stand is

668
00:29:08,320 --> 00:29:09,040
Speaker 12: now ten.

669
00:29:08,960 --> 00:29:11,840
Speaker 4: Years long, okay.

670
00:29:11,200 --> 00:29:16,520
Speaker 16: And I'm saying so I definitely leant from other experiences

671
00:29:16,800 --> 00:29:19,960
Speaker 16: and wild drunk nights over the course of you know,

672
00:29:20,160 --> 00:29:24,800
Speaker 16: Grammy open Bar. You know, it gets very ridiculous. So yeah,

673
00:29:24,920 --> 00:29:27,560
Speaker 16: those one night they're a part of that song too.

674
00:29:27,840 --> 00:29:31,120
Speaker 16: But ultimately it's that one night that could be your forever.

675
00:29:31,920 --> 00:29:33,240
Speaker 4: A bunch of people that'll be like you shouldn't have

676
00:29:33,320 --> 00:29:34,000
Speaker 4: one night stand?

677
00:29:34,240 --> 00:29:34,560
Speaker 12: Why not?

678
00:29:34,760 --> 00:29:35,200
Speaker 4: Exactly?

679
00:29:35,480 --> 00:29:37,880
Speaker 16: I don't know where it's going to go. Like everything

680
00:29:37,960 --> 00:29:40,040
Speaker 16: is a one night stand if you think about it.

681
00:29:40,200 --> 00:29:42,040
Speaker 12: So we've all done it. It's whether or not it

682
00:29:42,160 --> 00:29:43,200
Speaker 12: lasted or it didn't.

683
00:29:43,200 --> 00:29:45,959
Speaker 16: But you shouldn't be Oh, I'd never do that if

684
00:29:46,000 --> 00:29:48,760
Speaker 16: I didn't do it ten years later in a seven

685
00:29:48,840 --> 00:29:51,120
Speaker 16: year old, maybe that doesn't happen if I don't just

686
00:29:51,200 --> 00:29:53,320
Speaker 16: you know what I mean, Like if I don't say, hey.

687
00:29:53,240 --> 00:29:54,360
Speaker 3: I want to ask. So I want to go back

688
00:29:54,360 --> 00:29:56,760
Speaker 3: to what you said. You said the health scare and

689
00:29:56,880 --> 00:29:59,880
Speaker 3: your child, how did that change your life with the

690
00:30:00,000 --> 00:30:02,440
Speaker 3: okare you child? Because I guess if the babies what

691
00:30:02,520 --> 00:30:04,600
Speaker 3: six seven years old happened right before COVID, so you

692
00:30:04,640 --> 00:30:07,080
Speaker 3: pretty much raised the baby during COVID.

693
00:30:07,280 --> 00:30:09,880
Speaker 12: It's just COVID babies are different.

694
00:30:09,960 --> 00:30:14,440
Speaker 16: It's ridiculous, Like, but for me, how it all changed,

695
00:30:14,800 --> 00:30:17,920
Speaker 16: It changed all of us, you know, being in a

696
00:30:18,000 --> 00:30:18,680
Speaker 16: dark place.

697
00:30:19,120 --> 00:30:21,440
Speaker 12: I don't think there's anything that could bring you out

698
00:30:21,480 --> 00:30:21,719
Speaker 12: of that.

699
00:30:22,000 --> 00:30:25,200
Speaker 16: And that was terrifying during the pandemic. And I'm pretty

700
00:30:25,200 --> 00:30:28,400
Speaker 16: sure for anybody where you're like, not even your kid

701
00:30:28,440 --> 00:30:31,680
Speaker 16: could bring you. No, my mother, my father, my brother,

702
00:30:31,960 --> 00:30:37,000
Speaker 16: like close friends. This is what Casablanco ended up being.

703
00:30:37,360 --> 00:30:40,320
Speaker 16: I didn't think i'd see this moment at one point.

704
00:30:40,480 --> 00:30:43,560
Speaker 16: So to get here and to be happy and to

705
00:30:43,640 --> 00:30:44,920
Speaker 16: be in a space that I'm in.

706
00:30:45,000 --> 00:30:48,560
Speaker 4: It's just wow, wow is that with the song? I

707
00:30:48,560 --> 00:30:50,320
Speaker 4: guess self care wrong right might come.

708
00:30:50,720 --> 00:30:53,000
Speaker 12: But even that is a song to make love to.

709
00:30:53,400 --> 00:30:55,400
Speaker 4: Yeah, what's the wrong right part of it?

710
00:30:55,440 --> 00:30:55,600
Speaker 14: Though?

711
00:30:55,960 --> 00:30:57,560
Speaker 4: Like, well that mean who's wrong? Self care?

712
00:30:57,600 --> 00:31:01,360
Speaker 16: Wrong right was initially those were two songs, and the

713
00:31:01,480 --> 00:31:05,480
Speaker 16: self care was I needed to do me figure tip

714
00:31:05,680 --> 00:31:09,560
Speaker 16: you literally, so by the time we got to wrong right,

715
00:31:09,880 --> 00:31:13,880
Speaker 16: it's me inviting that person then into my space and

716
00:31:13,920 --> 00:31:17,640
Speaker 16: it's given me good like you so hood like please

717
00:31:17,720 --> 00:31:18,160
Speaker 16: don't go.

718
00:31:18,480 --> 00:31:19,800
Speaker 12: It's that you're so.

719
00:31:19,960 --> 00:31:23,560
Speaker 16: Wrong right now for even trying to let me let

720
00:31:23,600 --> 00:31:26,120
Speaker 16: my guard down. Because I was so cool with just

721
00:31:26,200 --> 00:31:30,440
Speaker 16: letting me do me and then here comes this m

722
00:31:31,200 --> 00:31:36,840
Speaker 16: this ugh, this fine dark chocolate swept me off my

723
00:31:36,920 --> 00:31:39,880
Speaker 16: feet and let me put my guard down. And I'm

724
00:31:39,880 --> 00:31:42,320
Speaker 16: a leo and that's hard for me to do. So

725
00:31:42,400 --> 00:31:46,080
Speaker 16: when it happens, it's both terrifying. But the fear in

726
00:31:46,120 --> 00:31:49,720
Speaker 16: a lioness comes out in aggression and anger and.

727
00:31:49,680 --> 00:31:52,600
Speaker 12: A lot of sexual appetite.

728
00:31:53,040 --> 00:31:56,960
Speaker 16: That is anyone that knows, that knows, And yeah, that

729
00:31:57,160 --> 00:31:59,040
Speaker 16: was that you're so wrong right now?

730
00:31:59,080 --> 00:32:00,400
Speaker 4: What did y'all meet? What do you whed you meet?

731
00:32:00,400 --> 00:32:03,760
Speaker 4: Your husband on tour on tour, Yes, how did that

732
00:32:03,800 --> 00:32:04,040
Speaker 4: go down?

733
00:32:04,080 --> 00:32:06,600
Speaker 3: Because when you're talking about him, you just you started

734
00:32:06,720 --> 00:32:10,000
Speaker 3: mouth starts salamat and you just start getting together.

735
00:32:10,440 --> 00:32:12,560
Speaker 16: Turn it in beyond cause you say, I'm thinking about

736
00:32:12,600 --> 00:32:14,000
Speaker 16: the song wrong, right, And I'm like.

737
00:32:13,960 --> 00:32:21,720
Speaker 4: Hey, what'd be thinking about your man? Turned out? And

738
00:32:21,800 --> 00:32:23,640
Speaker 4: I'm just saying, I'm just saying, she was just so excited.

739
00:32:23,640 --> 00:32:24,760
Speaker 4: I'm just asking what they mean.

740
00:32:24,960 --> 00:32:26,040
Speaker 12: That's where the music.

741
00:32:25,840 --> 00:32:27,800
Speaker 4: That's love is Love got me thinking about my wife?

742
00:32:27,800 --> 00:32:28,760
Speaker 4: All right, I'm sorry, I get it.

743
00:32:28,760 --> 00:32:30,040
Speaker 12: It's fine.

744
00:32:31,120 --> 00:32:35,680
Speaker 16: No, we met on on tour ten years ago and

745
00:32:36,440 --> 00:32:37,240
Speaker 16: I saw him.

746
00:32:37,680 --> 00:32:40,080
Speaker 12: It's ten years later. I said, you know when.

747
00:32:39,880 --> 00:32:42,560
Speaker 16: You know, you know, you keep like all the movies

748
00:32:42,600 --> 00:32:45,160
Speaker 16: that you see that's corny, like never happy.

749
00:32:45,200 --> 00:32:46,600
Speaker 12: Yes, it did. It was.

750
00:32:46,880 --> 00:32:49,440
Speaker 16: I seen him and he had a red fit on

751
00:32:50,160 --> 00:32:55,120
Speaker 16: and I was like, who is that? And I approached

752
00:32:55,200 --> 00:32:57,720
Speaker 16: him like yo, what's up? And we got to talking

753
00:32:57,880 --> 00:32:59,640
Speaker 16: and we haven't stopped talking since.

754
00:33:00,080 --> 00:33:01,760
Speaker 1: You need to write a book called One Night's Thing

755
00:33:02,280 --> 00:33:03,960
Speaker 1: because there's so many people who think you got to

756
00:33:04,000 --> 00:33:07,200
Speaker 1: make the man wait thirty days or sixty days or

757
00:33:07,320 --> 00:33:08,000
Speaker 1: ninety days.

758
00:33:08,240 --> 00:33:10,520
Speaker 12: There's so many formulas to it.

759
00:33:10,840 --> 00:33:13,800
Speaker 16: Maybe you don't just follow your intuition because it all

760
00:33:13,840 --> 00:33:16,440
Speaker 16: depends on what type of person you are, Like there

761
00:33:16,440 --> 00:33:18,720
Speaker 16: are people that are I've never been.

762
00:33:19,040 --> 00:33:23,040
Speaker 12: I'm not approaching unless I know it's for sure. I

763
00:33:23,040 --> 00:33:24,960
Speaker 12: don't know. There's many formulas to it.

764
00:33:25,120 --> 00:33:27,520
Speaker 16: So even if I did write a book, I'm going

765
00:33:27,600 --> 00:33:30,480
Speaker 16: with what worked for me. I'm not giving you the

766
00:33:30,680 --> 00:33:34,240
Speaker 16: manual to how this works out, like ooh, you too

767
00:33:34,360 --> 00:33:35,560
Speaker 16: can find your ten.

768
00:33:35,440 --> 00:33:37,240
Speaker 12: Years later, or you know what I mean.

769
00:33:37,360 --> 00:33:40,200
Speaker 16: Like, I'm not giving it as game like that. I'm saying,

770
00:33:40,280 --> 00:33:42,760
Speaker 16: if you saw what it was that you wanted and

771
00:33:42,800 --> 00:33:45,360
Speaker 16: you didn't make your move, that's on you, because then

772
00:33:45,360 --> 00:33:49,080
Speaker 16: you'll sit there and pondone like, well, what if I

773
00:33:49,280 --> 00:33:52,920
Speaker 16: just said something, or if I just approached by the

774
00:33:52,960 --> 00:33:55,080
Speaker 16: time that I did, and it was what it was,

775
00:33:55,440 --> 00:33:58,239
Speaker 16: and I knew that it was more than just that

776
00:33:58,400 --> 00:34:03,080
Speaker 16: one night in Philadelphia, that one night in Chicago, that

777
00:34:03,160 --> 00:34:06,480
Speaker 16: one night in Virginia, that one night in la Now

778
00:34:06,520 --> 00:34:10,640
Speaker 16: it's many nights. Now it's all you want to move in, Sure,

779
00:34:10,880 --> 00:34:13,080
Speaker 16: moved in together. And then it's oh, you want to

780
00:34:13,120 --> 00:34:15,080
Speaker 16: go back to the UK for Christmas with me, meet

781
00:34:15,120 --> 00:34:19,320
Speaker 16: my whole family. Sure, And then by April we were pregnant. Wow,

782
00:34:19,680 --> 00:34:23,279
Speaker 16: that serious counts ridiculous when I say it doesn't know.

783
00:34:23,400 --> 00:34:26,399
Speaker 16: When I say ridiculous, it's like that's the timeline though,

784
00:34:26,800 --> 00:34:29,759
Speaker 16: you know, And we were both very sure.

785
00:34:29,680 --> 00:34:32,319
Speaker 1: And the album is very like nineteen ninety now, like,

786
00:34:32,320 --> 00:34:34,759
Speaker 1: how do you have such a nostalgic feeling feeling but

787
00:34:34,840 --> 00:34:35,560
Speaker 1: keep it fresh?

788
00:34:36,000 --> 00:34:40,080
Speaker 16: Any hip hop coronoissur or R and B head nineties

789
00:34:40,200 --> 00:34:43,880
Speaker 16: is just it's unmatched. It was a time if you

790
00:34:43,920 --> 00:34:46,759
Speaker 16: weren't outside, just say that. And I feel like with

791
00:34:46,880 --> 00:34:51,440
Speaker 16: this album to have grasped what the nass of the

792
00:34:51,480 --> 00:34:53,799
Speaker 16: world were doing then, the Mary's of the world were

793
00:34:53,800 --> 00:34:58,000
Speaker 16: doing then, but making it now it's because that was timeless.

794
00:34:58,440 --> 00:35:00,239
Speaker 3: I was gonna ask, you know, you talk about after

795
00:35:00,320 --> 00:35:02,640
Speaker 3: dre only releasing five percent of the music that he

796
00:35:02,719 --> 00:35:05,480
Speaker 3: actually made, how much music did y'all make and had

797
00:35:05,600 --> 00:35:08,160
Speaker 3: what was the process of trickling it down from the

798
00:35:08,200 --> 00:35:10,200
Speaker 3: amount of songs you made to this eleven?

799
00:35:10,680 --> 00:35:11,880
Speaker 12: You know what's crazy?

800
00:35:12,480 --> 00:35:16,279
Speaker 16: We made about twelve or thirteen songs really and knew

801
00:35:16,320 --> 00:35:17,360
Speaker 16: when it was time to start.

802
00:35:17,440 --> 00:35:19,399
Speaker 12: We knew it when it was completed.

803
00:35:19,600 --> 00:35:21,960
Speaker 16: And the only reason why the other two didn't make

804
00:35:22,040 --> 00:35:25,520
Speaker 16: it is because one of them. It made the album

805
00:35:25,600 --> 00:35:28,520
Speaker 16: play a little longer than we felt comfortable with, and

806
00:35:28,560 --> 00:35:31,560
Speaker 16: it matched another song on there like evenly, like if

807
00:35:31,560 --> 00:35:32,879
Speaker 16: you had to get rid of one of the other

808
00:35:34,320 --> 00:35:37,320
Speaker 16: definitely that one though, and one of them we couldn't clear,

809
00:35:37,800 --> 00:35:41,680
Speaker 16: like getting a damn one of them. So I was like, okay,

810
00:35:41,719 --> 00:35:44,359
Speaker 16: we can't clear that one. We have an album and

811
00:35:44,440 --> 00:35:48,440
Speaker 16: Dre in the creative process, has like a whiteboard on

812
00:35:48,480 --> 00:35:50,680
Speaker 16: the wall we'll write the titles for each song, and

813
00:35:50,760 --> 00:35:52,960
Speaker 16: we just looked at it and was like, that's it.

814
00:35:53,200 --> 00:35:53,720
Speaker 12: We're done.

815
00:35:54,040 --> 00:35:58,480
Speaker 16: So between end of April twenty twenty one and end

816
00:35:58,520 --> 00:36:02,719
Speaker 16: of May, we were completely done with recorded vocally. I

817
00:36:02,840 --> 00:36:05,720
Speaker 16: recorded everything, written everything. We took a couple of weeks

818
00:36:05,760 --> 00:36:10,920
Speaker 16: off and reconvened and Dre said twenty seven piece orchestra.

819
00:36:11,239 --> 00:36:13,200
Speaker 12: So we were at Gallas Studios.

820
00:36:13,360 --> 00:36:17,759
Speaker 16: Eric Golfain did the string arrangements and we were in

821
00:36:17,760 --> 00:36:22,200
Speaker 16: with the orchestra listening to them go crazy on this

822
00:36:22,400 --> 00:36:24,960
Speaker 16: album that we created, which was already.

823
00:36:24,719 --> 00:36:25,880
Speaker 12: Doing what it was gonna do.

824
00:36:26,680 --> 00:36:30,799
Speaker 16: This symphony just took it to another place, like didn't

825
00:36:30,840 --> 00:36:34,080
Speaker 16: even make any sense. So by the time that's happened,

826
00:36:34,520 --> 00:36:36,240
Speaker 16: it's just timeless.

827
00:36:36,440 --> 00:36:37,719
Speaker 12: In that way, all.

828
00:36:37,680 --> 00:36:40,239
Speaker 4: Right, we got more with Marsha Ambroses when we come back.

829
00:36:40,320 --> 00:36:43,120
Speaker 4: Let's get into her joint. It's called Thriller. It's the

830
00:36:43,160 --> 00:36:43,920
Speaker 4: Breakfast Club.

831
00:36:43,760 --> 00:36:47,399
Speaker 3: Good Morning Owning Everybody. It's DJ Envy Jess hilarious. Shall

832
00:36:47,440 --> 00:36:49,239
Speaker 3: I mean the guy we are the Breakfast Club? That

833
00:36:49,360 --> 00:36:49,800
Speaker 3: was Thriller.

834
00:36:49,920 --> 00:36:52,800
Speaker 4: Marsha Ambroses. Her album comes out next Friday.

835
00:36:52,920 --> 00:36:53,800
Speaker 12: What's happening?

836
00:36:54,160 --> 00:36:57,040
Speaker 3: I was watching the R and B Money podcast shot

837
00:36:57,080 --> 00:36:59,440
Speaker 3: the Tank and made a comment, I guess you was joking.

838
00:36:59,440 --> 00:37:01,000
Speaker 3: I don't know if you and not talking about you,

839
00:37:01,040 --> 00:37:03,000
Speaker 3: do Stevie want that really can see now?

840
00:37:03,080 --> 00:37:04,640
Speaker 4: And people took it as they were mad at you

841
00:37:04,640 --> 00:37:05,279
Speaker 4: for a little bit.

842
00:37:05,440 --> 00:37:05,920
Speaker 12: Mad at me.

843
00:37:06,040 --> 00:37:07,200
Speaker 4: How I don't.

844
00:37:07,000 --> 00:37:11,239
Speaker 16: Know, because if you're a Stevie Wonder fan, what I

845
00:37:11,400 --> 00:37:15,520
Speaker 16: said was, he can see if you listen to the

846
00:37:15,760 --> 00:37:22,520
Speaker 16: music to be one of the most prolific, descriptive songwriters

847
00:37:22,560 --> 00:37:25,480
Speaker 16: of our time, how can he not? And maybe not

848
00:37:25,520 --> 00:37:28,360
Speaker 16: in the way that you believe that that is, but

849
00:37:28,560 --> 00:37:35,040
Speaker 16: his pen game makes you visualize us with actual sight,

850
00:37:35,719 --> 00:37:37,600
Speaker 16: visualize everything.

851
00:37:37,680 --> 00:37:39,960
Speaker 12: He was saying, that's a gift.

852
00:37:40,760 --> 00:37:44,279
Speaker 16: That's what I said, Yes, he can see, because there's

853
00:37:44,360 --> 00:37:47,480
Speaker 16: no way he says I never dreamed you'd leave in summer,

854
00:37:47,640 --> 00:37:50,120
Speaker 16: and I literally see the summer day he's referring to.

855
00:37:50,840 --> 00:37:54,440
Speaker 16: That's not fair. Mary wants to be a superwoman, and

856
00:37:54,520 --> 00:37:58,280
Speaker 16: I know who Mary looks like. I've already made that character.

857
00:37:58,840 --> 00:38:02,120
Speaker 16: The song plays an I see it, Stevie more than

858
00:38:02,320 --> 00:38:05,600
Speaker 16: any song where I are, I believe on planet Earth

859
00:38:05,840 --> 00:38:08,279
Speaker 16: has made me see a song the way Stevie does.

860
00:38:08,800 --> 00:38:11,440
Speaker 12: That's what I said. I said what I like, I said,

861
00:38:12,360 --> 00:38:12,880
Speaker 12: That's why.

862
00:38:12,719 --> 00:38:14,319
Speaker 4: I said, I get what you're saying. He might be blind,

863
00:38:14,360 --> 00:38:17,280
Speaker 4: but he got a vision. It's a difference, speaking of vision.

864
00:38:17,640 --> 00:38:21,000
Speaker 16: To use that song on Casta Blanco, I remember Dre

865
00:38:21,239 --> 00:38:24,600
Speaker 16: actually he might Dre was nervous about using the Stevie

866
00:38:24,600 --> 00:38:28,239
Speaker 16: record or like asking him like yo, listen.

867
00:38:27,760 --> 00:38:29,040
Speaker 12: Stevie and see what he thinks.

868
00:38:29,400 --> 00:38:33,440
Speaker 16: Like okay, crazy, but yeah, we got to use visions

869
00:38:33,960 --> 00:38:38,640
Speaker 16: on Casta Blanco with Stevie's blessing and this fake lips

870
00:38:38,640 --> 00:38:41,239
Speaker 16: I keep making up, like I'll check that one off,

871
00:38:41,360 --> 00:38:41,719
Speaker 16: you know.

872
00:38:41,719 --> 00:38:43,400
Speaker 4: The Stevie FaceTime zoom.

873
00:38:44,480 --> 00:38:47,080
Speaker 16: I want to say it was a phone call that

874
00:38:47,200 --> 00:38:51,160
Speaker 16: I had and Dre had spoke to him also, So yeah,

875
00:38:53,440 --> 00:38:58,759
Speaker 16: we're just gonna let that one do this cool?

876
00:39:00,160 --> 00:39:03,040
Speaker 4: You caught it you as long as you caught him. Absolutely,

877
00:39:03,200 --> 00:39:07,160
Speaker 4: you caught it small too. I love it. I love it.

878
00:39:07,760 --> 00:39:09,080
Speaker 4: I've got a couple more questions.

879
00:39:08,880 --> 00:39:14,000
Speaker 16: And Jul what yes and wanted to be like I

880
00:39:14,040 --> 00:39:17,239
Speaker 16: had a spoiled experience. I was just getting to you know, Atlanta,

881
00:39:17,360 --> 00:39:19,600
Speaker 16: then get to Philly, get signed by the end of

882
00:39:19,600 --> 00:39:22,440
Speaker 16: that year. Now I'm in the studio within less than

883
00:39:22,440 --> 00:39:23,960
Speaker 16: a year of the time it took me to get

884
00:39:24,000 --> 00:39:26,680
Speaker 16: to the States. Then worked with Michael Jackson because he's

885
00:39:26,719 --> 00:39:30,000
Speaker 16: heard this demo and we were here in New York

886
00:39:30,160 --> 00:39:33,680
Speaker 16: Hit Factory. Michael Jackson was there in the studio two

887
00:39:33,840 --> 00:39:38,400
Speaker 16: hours before call time, just warming up his vocal. He

888
00:39:38,560 --> 00:39:42,240
Speaker 16: was that guy like he was great because he worked

889
00:39:42,560 --> 00:39:47,840
Speaker 16: unlike any other and Mike was just the king for

890
00:39:47,960 --> 00:39:48,720
Speaker 16: all reasons.

891
00:39:49,040 --> 00:39:52,920
Speaker 3: Now, you also mentioned fans were always will flowerd you

892
00:39:52,920 --> 00:39:54,080
Speaker 3: ever do an album together again?

893
00:39:54,200 --> 00:39:55,439
Speaker 4: Or that chapter your life is over?

894
00:39:55,760 --> 00:39:57,800
Speaker 12: Who knows? No chapters are closed.

895
00:39:57,960 --> 00:40:00,320
Speaker 16: And I think rewinding to what you said about you know,

896
00:40:00,360 --> 00:40:02,720
Speaker 16: when I met my husband. I did a Flowa Tree

897
00:40:02,960 --> 00:40:05,719
Speaker 16: tour twenty fifteen, twenty sixteen, and that's when I met

898
00:40:05,800 --> 00:40:07,840
Speaker 16: him and then got pregnant the following year on the

899
00:40:07,920 --> 00:40:09,239
Speaker 16: other tour, So it was like a back to.

900
00:40:09,200 --> 00:40:12,440
Speaker 12: Back Hey reunion. It's all love and yeah, who knows.

901
00:40:12,800 --> 00:40:15,399
Speaker 3: And also I seen Amanda Seals was all Club Shah

902
00:40:15,960 --> 00:40:18,680
Speaker 3: and talks about she said that she thinks she wanted

903
00:40:18,719 --> 00:40:19,879
Speaker 3: her to quit flow a Tree.

904
00:40:20,160 --> 00:40:20,680
Speaker 4: Was that true?

905
00:40:20,960 --> 00:40:25,919
Speaker 16: The loaded question quit Flowa try is very vague. What

906
00:40:25,960 --> 00:40:29,080
Speaker 16: was happening with Amanda Seals? And this is what someone

907
00:40:29,200 --> 00:40:30,719
Speaker 16: spend a lot of time in this. This is like

908
00:40:30,760 --> 00:40:33,399
Speaker 16: a quick bit when did we last dough the Breakfast Club?

909
00:40:33,680 --> 00:40:34,760
Speaker 16: This is like seven maybe.

910
00:40:36,560 --> 00:40:36,759
Speaker 7: Yes.

911
00:40:36,960 --> 00:40:41,320
Speaker 16: So initially, the first thing I said about Amanda Seals

912
00:40:41,400 --> 00:40:44,319
Speaker 16: is sorry, and it was she was put in a

913
00:40:44,360 --> 00:40:47,120
Speaker 16: position that she shouldn't have been in the first place,

914
00:40:47,840 --> 00:40:50,400
Speaker 16: the label and management of trying to re establish what

915
00:40:50,520 --> 00:40:52,720
Speaker 16: that was and it just didn't work.

916
00:40:52,960 --> 00:40:54,520
Speaker 12: So by the time we've put all of these.

917
00:40:54,400 --> 00:40:57,719
Speaker 16: Things into action, we've rehearsed a show and you've given

918
00:40:57,760 --> 00:41:00,920
Speaker 16: it to the public. Everyone has gone oh nah, and

919
00:41:00,920 --> 00:41:04,120
Speaker 16: there's nothing I can do about that part. And this

920
00:41:04,320 --> 00:41:08,439
Speaker 16: is also seventeen years ago, three weeks of a summer toll.

921
00:41:08,480 --> 00:41:11,360
Speaker 16: We may have done like fifteen or sixteen shows and

922
00:41:11,400 --> 00:41:13,239
Speaker 16: it just didn't work out.

923
00:41:13,600 --> 00:41:16,520
Speaker 12: And that was the end of that, really, but we've.

924
00:41:16,280 --> 00:41:19,759
Speaker 16: Had nothing but for me, we'd had nothing but positive

925
00:41:20,080 --> 00:41:24,200
Speaker 16: interactions thereafter. Like I saw her twenty thirteen, we took

926
00:41:24,280 --> 00:41:28,520
Speaker 16: pictures together, we reminisced, and she'd been texting me throughout

927
00:41:28,560 --> 00:41:32,759
Speaker 16: the years after that, nothing but positive vibes. So I'm

928
00:41:32,800 --> 00:41:36,000
Speaker 16: in a good space right now, seventeen years later. So

929
00:41:36,239 --> 00:41:40,480
Speaker 16: for whatever she believes that was, I don't think publicly

930
00:41:40,560 --> 00:41:43,680
Speaker 16: we can do this combative. Well you said this happened,

931
00:41:43,719 --> 00:41:46,360
Speaker 16: or I said this happened. I know exactly what happened

932
00:41:46,360 --> 00:41:49,600
Speaker 16: on my end, but you know, it's kind of seventeen

933
00:41:49,680 --> 00:41:52,960
Speaker 16: years ago. I've done all this healing between now and then.

934
00:41:53,080 --> 00:41:55,520
Speaker 16: I'm not the same Like seventeen years ago, two thousand

935
00:41:55,520 --> 00:41:58,480
Speaker 16: and seven, I'm still talking to Michael Jackson at that point,

936
00:41:58,600 --> 00:42:01,400
Speaker 16: I've still got prints on speak like I was still

937
00:42:01,520 --> 00:42:06,440
Speaker 16: very much Grammy winning Grammy nominated me, that was in

938
00:42:06,480 --> 00:42:09,600
Speaker 16: a position to do what I wanted to do at

939
00:42:09,600 --> 00:42:13,719
Speaker 16: that point, moving forward. And here we are seventeen years later,

940
00:42:13,760 --> 00:42:18,120
Speaker 16: and I'm still moving on and moving forward, and Casa

941
00:42:18,160 --> 00:42:21,600
Speaker 16: Blanco with doctor Dre's about to drop and just in

942
00:42:21,640 --> 00:42:23,600
Speaker 16: a different space, you.

943
00:42:23,560 --> 00:42:26,160
Speaker 1: Know, on the song Greedy, It makes me wonder that

944
00:42:26,200 --> 00:42:27,920
Speaker 1: your husband ever hear certain lyrics and be like, you're

945
00:42:27,920 --> 00:42:29,719
Speaker 1: talking about us because you say it's never enough to

946
00:42:29,760 --> 00:42:31,520
Speaker 1: love you, same old lamb old.

947
00:42:31,560 --> 00:42:33,120
Speaker 4: Ain't no way I'm ever going to take that. I'm

948
00:42:33,120 --> 00:42:34,799
Speaker 4: giving you everything, and this the thanks I get.

949
00:42:35,080 --> 00:42:39,200
Speaker 16: Don't play that even if it was Greedy. During that

950
00:42:39,320 --> 00:42:42,920
Speaker 16: time and even during the creative process of Casa Blanco,

951
00:42:43,239 --> 00:42:46,839
Speaker 16: my husband and I had a conversation about where I

952
00:42:47,000 --> 00:42:52,960
Speaker 16: was at mentally to create the actual Basically, he said

953
00:42:53,000 --> 00:42:56,200
Speaker 16: I didn't have to be married marsh and come from

954
00:42:56,239 --> 00:42:59,200
Speaker 16: that space. And I understood what he said when he

955
00:42:59,280 --> 00:43:02,919
Speaker 16: said that, because the love songs are different if I'm

956
00:43:02,960 --> 00:43:07,319
Speaker 16: attached to the relationship I'm in and having to kind

957
00:43:07,320 --> 00:43:10,400
Speaker 16: of skirt around what that looks like. Those songs sound

958
00:43:10,520 --> 00:43:13,200
Speaker 16: like don't Wake the Baby or just like Old Times,

959
00:43:13,239 --> 00:43:14,480
Speaker 16: and they're different.

960
00:43:14,840 --> 00:43:16,760
Speaker 12: With this, it was you need.

961
00:43:16,640 --> 00:43:18,960
Speaker 16: To stretch that pen and write from a space of

962
00:43:19,680 --> 00:43:22,560
Speaker 16: you doing you and what does that sound like. So

963
00:43:22,600 --> 00:43:25,160
Speaker 16: by the time I got to Greedy, I was angry

964
00:43:25,160 --> 00:43:29,200
Speaker 16: at the world, like it's never enough to love anyone

965
00:43:29,640 --> 00:43:33,359
Speaker 16: or anything and then be satisfied in a way that

966
00:43:33,880 --> 00:43:36,319
Speaker 16: you feel like you put your one hundred in and

967
00:43:36,360 --> 00:43:39,480
Speaker 16: they only claim it's thirty percent. So I could give

968
00:43:39,520 --> 00:43:41,839
Speaker 16: you the moon and it's like, well where the sun at?

969
00:43:41,960 --> 00:43:46,080
Speaker 16: Like it's the Moon family that you don't want, you know,

970
00:43:46,360 --> 00:43:47,880
Speaker 16: And I feel like greedy.

971
00:43:48,280 --> 00:43:50,279
Speaker 12: I was talking about everyone.

972
00:43:50,800 --> 00:43:54,400
Speaker 16: It wasn't even just about him, it was everyone and

973
00:43:54,480 --> 00:43:58,120
Speaker 16: everything playing this tugger war of if you're not next

974
00:43:58,160 --> 00:44:00,719
Speaker 16: to me, you feel as though you're missing out on

975
00:44:00,840 --> 00:44:04,799
Speaker 16: something that you only gain by being with me or

976
00:44:04,880 --> 00:44:08,400
Speaker 16: taking something from me. I'm like, well, what's the endgame?

977
00:44:08,600 --> 00:44:11,760
Speaker 16: Like what exactly do you want? Because you're really upset,

978
00:44:11,840 --> 00:44:14,799
Speaker 16: like you're mad as that you're not around me like

979
00:44:14,880 --> 00:44:15,800
Speaker 16: that greedy.

980
00:44:16,560 --> 00:44:19,839
Speaker 4: Fantastic album comes out next Friday, June twenty eighth.

981
00:44:20,000 --> 00:44:22,560
Speaker 12: Oh my goodness, when you say out loud, it's real.

982
00:44:22,719 --> 00:44:23,720
Speaker 4: That's right next Friday.

983
00:44:23,800 --> 00:44:27,920
Speaker 12: Oh man, listen, but what do you want to hear?

984
00:44:27,960 --> 00:44:28,440
Speaker 4: Off the album?

985
00:44:28,560 --> 00:44:31,200
Speaker 12: But do what I want to hear might be what what?

986
00:44:31,480 --> 00:44:33,160
Speaker 3: Let's do it all right, we'll get that on. Thank

987
00:44:33,200 --> 00:44:36,560
Speaker 3: you so much for joining us. The album Casablanco comes

988
00:44:36,560 --> 00:44:38,920
Speaker 3: out next Friday. You guys can check that out and

989
00:44:38,920 --> 00:44:40,120
Speaker 3: we appreciate you for spending it.

990
00:44:40,080 --> 00:44:40,520
Speaker 4: With us today.

991
00:44:40,520 --> 00:44:42,120
Speaker 12: Thank you so much for having me.

992
00:44:42,280 --> 00:44:45,719
Speaker 4: Lady. It's Marsha ambrosis. It's the breakfast club. Good morning.

993
00:44:47,280 --> 00:44:49,359
Speaker 4: People need to know what you need to tell them?

994
00:44:49,760 --> 00:44:51,320
Speaker 13: I am, you have the voice.

995
00:44:51,480 --> 00:44:53,960
Speaker 4: Tell them it's.

996
00:44:53,840 --> 00:44:56,120
Speaker 13: Time for Donkey days a read.

997
00:44:56,320 --> 00:45:00,000
Speaker 4: But you're so good at charlamage. You want charlomage?

998
00:45:03,160 --> 00:45:03,319
Speaker 5: Man?

999
00:45:03,320 --> 00:45:03,879
Speaker 8: Who do you given?

1000
00:45:03,920 --> 00:45:04,560
Speaker 10: Dusky otherday?

1001
00:45:04,600 --> 00:45:04,759
Speaker 9: Soon?

1002
00:45:04,840 --> 00:45:05,000
Speaker 15: Now?

1003
00:45:05,800 --> 00:45:08,759
Speaker 1: Well, sexy red Donkey today goes to a thirty five

1004
00:45:08,840 --> 00:45:14,560
Speaker 1: year old man named Rashan Shahwaleh. No Rashan shahwal Ajuwani.

1005
00:45:15,120 --> 00:45:16,880
Speaker 1: I don't know if I pronounced this man's name right,

1006
00:45:16,920 --> 00:45:19,040
Speaker 1: but let's get to the story. Rashaan is likely headed

1007
00:45:19,080 --> 00:45:22,600
Speaker 1: for trial, according to La County Superior Court records, because

1008
00:45:22,600 --> 00:45:24,800
Speaker 1: he was arrested on October eighteenth.

1009
00:45:24,840 --> 00:45:26,360
Speaker 4: What was Rashan arrested for?

1010
00:45:26,400 --> 00:45:29,160
Speaker 1: A Well, he was arrested because he was accused of

1011
00:45:29,200 --> 00:45:33,600
Speaker 1: trying to steal a hash Brown at gunpoint from a McDonald's.

1012
00:45:33,600 --> 00:45:36,160
Speaker 1: I repeat, he was accused of trying to steal a

1013
00:45:36,200 --> 00:45:40,319
Speaker 1: hash Brown at gunpoint from a McDonald's. Not even with

1014
00:45:40,360 --> 00:45:43,480
Speaker 1: a real gun, okay, a replica pistol. See y'all think

1015
00:45:43,480 --> 00:45:45,239
Speaker 1: I'd be lying, but you can look this up. The

1016
00:45:45,320 --> 00:45:48,279
Speaker 1: victim reported that Rashan arrived at the third window in

1017
00:45:48,360 --> 00:45:51,160
Speaker 1: the drive through line and demanded a third hash brown

1018
00:45:51,200 --> 00:45:52,160
Speaker 1: after ordering two.

1019
00:45:52,800 --> 00:45:54,759
Speaker 4: Okay, big back behavior.

1020
00:45:54,960 --> 00:45:58,360
Speaker 1: The employee of the employee the McDonald's let the suspect

1021
00:45:58,360 --> 00:46:00,560
Speaker 1: know that he only paid for two, and the suspect

1022
00:46:00,680 --> 00:46:03,200
Speaker 1: Rashaan told the McDonald's employee, don't you have with me?

1023
00:46:03,600 --> 00:46:05,880
Speaker 1: While using the employee's name from his name tax So

1024
00:46:05,960 --> 00:46:07,920
Speaker 1: let's just paint the picture if the guy's name that

1025
00:46:08,000 --> 00:46:09,440
Speaker 1: worked the McDonald's was Calvin.

1026
00:46:09,640 --> 00:46:12,120
Speaker 4: Rashaan kept saying, don't you have put me Calvin?

1027
00:46:12,480 --> 00:46:14,759
Speaker 1: Well, clearly he thought Calvin was still lefting with him,

1028
00:46:14,760 --> 00:46:18,759
Speaker 1: so he Rashaan or Rashion went to his vehicle, pulled

1029
00:46:18,760 --> 00:46:22,600
Speaker 1: out a firearm, the fake gun, a prosthetic pistol if

1030
00:46:22,640 --> 00:46:25,920
Speaker 1: you will, a silicone scrap, a GMO gat. He pointed

1031
00:46:25,960 --> 00:46:29,600
Speaker 1: this impossible piece, this beyond biscuit at the employee and said,

1032
00:46:29,760 --> 00:46:32,839
Speaker 1: these hash browns ain't dying for you. He didn't really

1033
00:46:32,880 --> 00:46:34,160
Speaker 1: say that, but in my mind that's how he was

1034
00:46:34,160 --> 00:46:36,239
Speaker 1: bringing it. Okay, but he did point the firearm at

1035
00:46:36,239 --> 00:46:38,759
Speaker 1: the victim's chest, and the McDonald's employee said he gave

1036
00:46:38,840 --> 00:46:41,080
Speaker 1: up the third hash brown because he was in fear

1037
00:46:41,400 --> 00:46:45,920
Speaker 1: of his life. You think, and can you believe Rashaan

1038
00:46:46,320 --> 00:46:49,680
Speaker 1: had a wife. Investigators identified the SUVD that he was

1039
00:46:49,760 --> 00:46:51,480
Speaker 1: driving and it was registered in his wife's name.

1040
00:46:51,719 --> 00:46:52,120
Speaker 4: All right.

1041
00:46:52,160 --> 00:46:54,239
Speaker 1: They served the search one on their own and the

1042
00:46:54,360 --> 00:46:58,040
Speaker 1: victim positively identified Rashan out of a lineup, and deputies

1043
00:46:58,080 --> 00:47:02,760
Speaker 1: found a black Glock nineteen style compressed air fired pistol

1044
00:47:03,120 --> 00:47:05,879
Speaker 1: during their search of the Canyon County home. This man

1045
00:47:05,920 --> 00:47:09,960
Speaker 1: had a house, an SUV, and a wife and he

1046
00:47:10,080 --> 00:47:12,960
Speaker 1: robbing people for hash browns. Now he's facing two to

1047
00:47:13,040 --> 00:47:15,879
Speaker 1: five years in prison. The judge denied a motion by

1048
00:47:15,920 --> 00:47:18,879
Speaker 1: Rashawn's council they wanted a mental health diversion for him,

1049
00:47:19,160 --> 00:47:22,480
Speaker 1: citing the aggravating and mitigation factors. I don't even know

1050
00:47:22,480 --> 00:47:25,120
Speaker 1: what that means, but I do believe Rashaanna is dealing

1051
00:47:25,120 --> 00:47:27,080
Speaker 1: with some type of mental health issues, because you don't

1052
00:47:27,120 --> 00:47:29,799
Speaker 1: flip out like that over no damn hashbrown.

1053
00:47:29,840 --> 00:47:32,040
Speaker 4: A hash brown and you already.

1054
00:47:31,680 --> 00:47:34,760
Speaker 1: Had two, Okay, Robin and McDonald's for a hash Brown

1055
00:47:35,040 --> 00:47:37,680
Speaker 1: is like sticking up a Starbucks for a free Wi

1056
00:47:37,800 --> 00:47:40,480
Speaker 1: Fi code. Okay, It's like robbing a seven to eleven

1057
00:47:40,560 --> 00:47:43,120
Speaker 1: for a free slurpey refill. If you're gonna commit a crime,

1058
00:47:43,360 --> 00:47:45,799
Speaker 1: at least still something that doesn't cost less than your

1059
00:47:45,800 --> 00:47:48,000
Speaker 1: bus fare home. And you ain't even need what fickers

1060
00:47:48,040 --> 00:47:51,440
Speaker 1: you to ask v Okay, who the hell wants to

1061
00:47:51,480 --> 00:47:54,160
Speaker 1: spend two to five years in prison because they committed

1062
00:47:54,160 --> 00:47:55,120
Speaker 1: grand theft breakfast?

1063
00:47:55,400 --> 00:47:55,799
Speaker 4: All right?

1064
00:47:56,120 --> 00:47:58,960
Speaker 1: Nobody in prison gonna take you serious? You selly, ask

1065
00:47:59,080 --> 00:48:01,280
Speaker 1: you what you're in for? You say, stealing hash browns?

1066
00:48:01,280 --> 00:48:02,719
Speaker 4: Then you sell. He turns to you and says, your

1067
00:48:02,760 --> 00:48:03,239
Speaker 4: ass brown.

1068
00:48:03,480 --> 00:48:05,800
Speaker 1: Okay, that's what things can get tricky, all right, Robin

1069
00:48:05,880 --> 00:48:07,280
Speaker 1: McDonald's for a hash brown?

1070
00:48:07,480 --> 00:48:08,920
Speaker 4: How hungry do.

1071
00:48:09,040 --> 00:48:11,040
Speaker 1: You have to beat at risk five to ten years

1072
00:48:11,040 --> 00:48:12,160
Speaker 1: for a dollar menu item?

1073
00:48:12,400 --> 00:48:12,880
Speaker 4: Okay?

1074
00:48:13,200 --> 00:48:16,839
Speaker 1: Now there's a part of me that respects the basicness

1075
00:48:16,840 --> 00:48:19,040
Speaker 1: of it all though. Okay, Rashaun walked into a McDonald's

1076
00:48:19,040 --> 00:48:21,160
Speaker 1: with a GMO gat and what did he demand? Not

1077
00:48:21,280 --> 00:48:24,040
Speaker 1: the hotcakes? Not a sausage biscuit? Okay, by the way,

1078
00:48:24,120 --> 00:48:27,040
Speaker 1: McDonald's is twenty twenty four. Can we get chicken sausage biscuits,

1079
00:48:27,160 --> 00:48:28,320
Speaker 1: turkey sausage biscuits?

1080
00:48:28,360 --> 00:48:29,600
Speaker 4: Please? No pork on my fork?

1081
00:48:29,800 --> 00:48:32,640
Speaker 1: But he didn't want either. Rashwan didn't want any of that.

1082
00:48:32,719 --> 00:48:36,239
Speaker 1: He wanted a hash brown. You gotta respect the simplicity.

1083
00:48:36,320 --> 00:48:40,720
Speaker 1: Forget what's in the cash register. He wanted that fried potato. Okay,

1084
00:48:40,760 --> 00:48:44,480
Speaker 1: who knew you could turn Big Back Breakfast Cravens into

1085
00:48:44,520 --> 00:48:47,319
Speaker 1: a felony. Now I have the president of the Fat

1086
00:48:47,320 --> 00:48:49,479
Speaker 1: Lives Matter Committee. We don't have the wobble in there. Dude,

1087
00:48:49,440 --> 00:48:55,400
Speaker 1: I like he walks in. Want wobble, Big Mac? You

1088
00:48:55,440 --> 00:48:58,000
Speaker 1: know anything concerning food. Big Mac wants the weigh in

1089
00:48:58,080 --> 00:49:01,480
Speaker 1: because you know he can break the skull Mac the Floyd.

1090
00:49:01,960 --> 00:49:06,000
Speaker 2: I hate short people, man, I hate short people all

1091
00:49:06,040 --> 00:49:10,040
Speaker 2: the time. But I had to speak on this one

1092
00:49:10,120 --> 00:49:13,319
Speaker 2: because as the president, I knew he was gonna shame

1093
00:49:13,360 --> 00:49:15,480
Speaker 2: this man. And that's because you always looking at it

1094
00:49:15,520 --> 00:49:16,840
Speaker 2: from the skinny committee.

1095
00:49:17,480 --> 00:49:19,120
Speaker 4: You're not looking at it from the other side of it.

1096
00:49:19,200 --> 00:49:21,359
Speaker 2: Okay, first off, do you know how much hashbrowns all

1097
00:49:21,360 --> 00:49:21,799
Speaker 2: these days?

1098
00:49:21,840 --> 00:49:24,880
Speaker 4: How much? Three dollars and forty nine cents?

1099
00:49:25,280 --> 00:49:25,520
Speaker 8: Yeah?

1100
00:49:25,640 --> 00:49:30,319
Speaker 4: Yeah, they changes now. Huh So he didn't rob McDonald's

1101
00:49:30,320 --> 00:49:31,080
Speaker 4: for a hash brown.

1102
00:49:31,320 --> 00:49:35,880
Speaker 2: He paid for three because hashbrowns used to be a dollar.

1103
00:49:38,160 --> 00:49:39,120
Speaker 4: Do your research that.

1104
00:49:39,880 --> 00:49:42,520
Speaker 2: Yes, you're not part of it. I get the emails

1105
00:49:42,520 --> 00:49:44,920
Speaker 2: all the time. Every time they change it. So he

1106
00:49:44,960 --> 00:49:47,640
Speaker 2: had robbed that. I used to pay a dollar for it.

1107
00:49:47,719 --> 00:49:50,400
Speaker 2: So technically when he got his receipts saw three dollars,

1108
00:49:50,400 --> 00:49:52,600
Speaker 2: he said, oh, wait a minute, I didn't pay for

1109
00:49:53,080 --> 00:49:53,960
Speaker 2: three hash Browns.

1110
00:49:54,120 --> 00:49:55,960
Speaker 4: I only got two. Let me pull up, let me

1111
00:49:56,000 --> 00:49:56,600
Speaker 4: get that other one.

1112
00:49:56,640 --> 00:49:58,239
Speaker 1: That wouldn't make no sense because he bought two. So

1113
00:49:58,320 --> 00:49:59,960
Speaker 1: then that way, that'd be like almost seven dollar.

1114
00:50:00,280 --> 00:50:02,239
Speaker 4: Until he saw his receipts, said, oh, they charged me

1115
00:50:02,280 --> 00:50:04,600
Speaker 4: for three. I gotta go back around. Let me get

1116
00:50:04,600 --> 00:50:05,120
Speaker 4: that third one.

1117
00:50:05,160 --> 00:50:07,520
Speaker 1: Technically, if you see seven dollars, that'd be they would

1118
00:50:07,560 --> 00:50:09,920
Speaker 1: charge them for like seven or eight based off the logic.

1119
00:50:10,360 --> 00:50:10,520
Speaker 4: Right.

1120
00:50:10,520 --> 00:50:13,120
Speaker 2: But he's probably was getting frustrated because you know the

1121
00:50:13,160 --> 00:50:14,000
Speaker 2: gas prices is high too.

1122
00:50:14,040 --> 00:50:15,520
Speaker 4: He's like, I'm not gonna keep moping around. That's why

1123
00:50:15,560 --> 00:50:16,279
Speaker 4: he pulled the gun out.

1124
00:50:16,840 --> 00:50:18,799
Speaker 2: I'm more mad that he kept the gun for the

1125
00:50:18,800 --> 00:50:21,080
Speaker 2: cops to find him than he is about doing the

1126
00:50:21,120 --> 00:50:21,719
Speaker 2: hashpron thing.

1127
00:50:23,520 --> 00:50:26,200
Speaker 4: Please give Rashwan Rashan.

1128
00:50:27,040 --> 00:50:30,680
Speaker 1: I'll let you wani the biggest he huh, okay, give

1129
00:50:30,719 --> 00:50:40,840
Speaker 1: me some switches and the Hamiltons too.

1130
00:50:33,040 --> 00:50:48,479
Speaker 13: Oh ye.

1131
00:50:52,760 --> 00:50:54,799
Speaker 2: Don't know, I'm taking the donkey back, don't you know

1132
00:50:54,920 --> 00:50:55,680
Speaker 2: you you do.

1133
00:50:55,600 --> 00:50:58,440
Speaker 4: You standing here like you in line at the cookout.

1134
00:50:58,800 --> 00:51:03,200
Speaker 1: Okay, but you still had you played this full man,

1135
00:51:03,400 --> 00:51:04,560
Speaker 1: You got to sit at the kids table.

1136
00:51:09,200 --> 00:51:10,879
Speaker 3: You don't think McDonald should get a little bit after

1137
00:51:10,880 --> 00:51:12,840
Speaker 3: the hash Browns being three nineteen.

1138
00:51:12,600 --> 00:51:14,640
Speaker 2: Yes, and then you know they don't sell it all

1139
00:51:14,719 --> 00:51:16,440
Speaker 2: day like some of the other breakfast out him, so

1140
00:51:16,440 --> 00:51:18,560
Speaker 2: he was probably like, damn, I only got like thirty minutes.

1141
00:51:18,760 --> 00:51:20,359
Speaker 4: Let me swing back around real quick.

1142
00:51:20,400 --> 00:51:22,400
Speaker 2: And then the what you say, Charles and Chuck that

1143
00:51:22,640 --> 00:51:25,680
Speaker 2: everybody try to be a hero, Calvin, Calvin, everybody try

1144
00:51:25,719 --> 00:51:27,800
Speaker 2: to be a hero when they work the fast food.

1145
00:51:27,920 --> 00:51:29,240
Speaker 4: Just give me the damn hash.

1146
00:51:29,040 --> 00:51:32,360
Speaker 1: Brown You know there's headlines about this. Three dollars for

1147
00:51:32,440 --> 00:51:36,439
Speaker 1: a single. McDonald's has custom easy, fed up and pushing back.

1148
00:51:36,520 --> 00:51:39,040
Speaker 4: You're welcome, This is okay.

1149
00:51:39,480 --> 00:51:44,120
Speaker 1: From February twenty twenty four dot Yeah, I can put

1150
00:51:44,160 --> 00:51:45,839
Speaker 1: you on the email chain if you're on I'm good.

1151
00:51:45,880 --> 00:51:48,640
Speaker 4: You sure, I'm good. It's easy. No, I'm a right

1152
00:51:48,719 --> 00:51:51,440
Speaker 4: big Backsnacks at gmail dot com. All right, well, thank

1153
00:51:51,440 --> 00:51:54,480
Speaker 4: you for that. Donky today, sir. The breakfast club.

1154
00:51:56,520 --> 00:52:00,399
Speaker 3: By everybody, it's dj n V Jess hilarious Charlomy the guy.

1155
00:52:00,440 --> 00:52:02,520
Speaker 3: We are the Breakfast Club. We got a special guest

1156
00:52:02,560 --> 00:52:03,160
Speaker 3: in the building.

1157
00:52:03,200 --> 00:52:05,239
Speaker 4: Yes, indeed, welcome back.

1158
00:52:05,520 --> 00:52:06,239
Speaker 8: Thanks for having me.

1159
00:52:06,239 --> 00:52:06,880
Speaker 4: How you feeling.

1160
00:52:07,040 --> 00:52:08,480
Speaker 8: I feel good. I think the last time we did

1161
00:52:08,520 --> 00:52:10,640
Speaker 8: this we might have been on a Zoom call. So

1162
00:52:10,680 --> 00:52:11,640
Speaker 8: it's cool to be in person.

1163
00:52:11,840 --> 00:52:14,160
Speaker 4: Yeah, it was zoom. How's your spirit? How's your energy?

1164
00:52:14,400 --> 00:52:16,919
Speaker 17: I'm super good. I'm like, probably the best I've ever been.

1165
00:52:17,120 --> 00:52:17,600
Speaker 4: Amazing.

1166
00:52:18,080 --> 00:52:19,600
Speaker 17: I think just life is really cool. I think I

1167
00:52:19,640 --> 00:52:22,160
Speaker 17: made something I'm stoked about. My fans are stoked. I

1168
00:52:22,160 --> 00:52:24,120
Speaker 17: got to do all these cool signings and see all

1169
00:52:24,160 --> 00:52:25,680
Speaker 17: of them in person and just like be back in

1170
00:52:25,719 --> 00:52:26,359
Speaker 17: the swing of things.

1171
00:52:26,360 --> 00:52:26,839
Speaker 8: So I'm good.

1172
00:52:26,880 --> 00:52:28,239
Speaker 3: They say you're a gym wrap. They said you up

1173
00:52:28,239 --> 00:52:29,879
Speaker 3: at six o'clock this morning in the gym. They say

1174
00:52:29,920 --> 00:52:30,520
Speaker 3: every morning.

1175
00:52:31,080 --> 00:52:35,320
Speaker 17: Oh about this morning. I was dead sleep this morning.

1176
00:52:35,600 --> 00:52:38,600
Speaker 17: But yeah, I'm up. I'm always about my fitness stuff.

1177
00:52:38,600 --> 00:52:41,319
Speaker 17: I'm super healthy and the healthiest I've also ever been.

1178
00:52:41,360 --> 00:52:44,279
Speaker 1: So I will say, you know, listening to your new

1179
00:52:44,280 --> 00:52:47,200
Speaker 1: album and just seeing you over the last few months

1180
00:52:47,200 --> 00:52:49,960
Speaker 1: several months, talking like there's a confidence and a sense

1181
00:52:50,000 --> 00:52:50,680
Speaker 1: of self.

1182
00:52:50,440 --> 00:52:53,439
Speaker 4: That you have now because you didn't have years ago.

1183
00:52:53,600 --> 00:52:54,200
Speaker 8: Yeah, for sure.

1184
00:52:54,480 --> 00:52:55,000
Speaker 4: Why is that?

1185
00:52:55,239 --> 00:52:57,160
Speaker 17: I mean, I think it's been a long mental health journey.

1186
00:52:57,200 --> 00:53:00,759
Speaker 17: I think it's been a lot of contributing factors, new motherhood,

1187
00:53:01,480 --> 00:53:05,400
Speaker 17: different angles of like publicly being publicly aligned with certain

1188
00:53:05,440 --> 00:53:09,120
Speaker 17: things or publicly misaligned. They're just like not stepping into myself.

1189
00:53:09,160 --> 00:53:11,359
Speaker 17: I'm twenty nine, I'll be thirty next year. Like I'm

1190
00:53:11,400 --> 00:53:13,680
Speaker 17: just I'm growing up in a real way, so like

1191
00:53:13,800 --> 00:53:15,960
Speaker 17: I know how to prioritize and take care of myself differently.

1192
00:53:16,040 --> 00:53:18,280
Speaker 8: Now, So why did you name the album Crash?

1193
00:53:18,680 --> 00:53:22,840
Speaker 17: So essentially, a crash is the height and the peak

1194
00:53:23,200 --> 00:53:25,680
Speaker 17: of a moment. It isn't like the anxiety that comes before,

1195
00:53:25,719 --> 00:53:28,839
Speaker 17: and it isn't like the overthinking that comes after. It's

1196
00:53:29,040 --> 00:53:32,160
Speaker 17: just this like, excuse me, cluster. It's just this this.

1197
00:53:32,080 --> 00:53:33,359
Speaker 8: Thing that happens.

1198
00:53:33,680 --> 00:53:35,640
Speaker 17: And I knew this album wasn't gonna make sense to

1199
00:53:35,680 --> 00:53:37,759
Speaker 17: most people. I knew that it would be something that

1200
00:53:37,800 --> 00:53:40,040
Speaker 17: you either loved or that you hated, and that kind

1201
00:53:40,040 --> 00:53:42,400
Speaker 17: of just is a crash And that's kind of been

1202
00:53:42,400 --> 00:53:44,320
Speaker 17: The reception is some people hate it and people love it.

1203
00:53:44,400 --> 00:53:46,120
Speaker 8: So people think it's my worst and some people think.

1204
00:53:45,960 --> 00:53:47,720
Speaker 17: It's my best. And I think that's really cool.

1205
00:53:47,840 --> 00:53:48,800
Speaker 4: It's a little bit of everything.

1206
00:53:48,880 --> 00:53:51,560
Speaker 8: Yes, it's a crash. It's really.

1207
00:53:53,680 --> 00:53:54,560
Speaker 4: What you wanted to do.

1208
00:53:54,640 --> 00:53:54,840
Speaker 8: You know.

1209
00:53:54,960 --> 00:53:56,960
Speaker 17: I didn't start wanting to do that, and started as

1210
00:53:56,960 --> 00:53:58,880
Speaker 17: myself titled and I went on this mission to like

1211
00:53:59,000 --> 00:54:01,600
Speaker 17: make finely make the Kilani album because I haven't done

1212
00:54:01,640 --> 00:54:04,319
Speaker 17: that yet. And we started in like going to all

1213
00:54:04,320 --> 00:54:06,440
Speaker 17: these different cities, and we got all these airbnbs in

1214
00:54:06,440 --> 00:54:09,480
Speaker 17: different places, and it just kind of grew into this

1215
00:54:09,560 --> 00:54:11,760
Speaker 17: thing that resembled I feel like me as a person.

1216
00:54:11,800 --> 00:54:13,520
Speaker 17: I feel like I've always been kind of this thing

1217
00:54:13,560 --> 00:54:15,560
Speaker 17: that doesn't make sense to everyone.

1218
00:54:15,640 --> 00:54:16,680
Speaker 8: They can't figure out like.

1219
00:54:16,880 --> 00:54:18,759
Speaker 17: Who I am, what I am, what my story is,

1220
00:54:18,800 --> 00:54:21,040
Speaker 17: how it's been all of these things like can't figure

1221
00:54:21,080 --> 00:54:22,960
Speaker 17: me out and whatever kind of way how I look

1222
00:54:23,080 --> 00:54:25,040
Speaker 17: versus how what kind of music I make, how I sound.

1223
00:54:25,400 --> 00:54:27,320
Speaker 17: Once it started taking its own life, I was like, oh, okay,

1224
00:54:27,360 --> 00:54:28,480
Speaker 17: it's just me as an album.

1225
00:54:28,600 --> 00:54:31,840
Speaker 4: So yeah, what is the self titled Kilania album supposed

1226
00:54:31,880 --> 00:54:32,040
Speaker 4: to be?

1227
00:54:32,080 --> 00:54:32,120
Speaker 7: Like?

1228
00:54:32,120 --> 00:54:34,040
Speaker 3: Because you said it was supposed to be a Kilani albums,

1229
00:54:34,120 --> 00:54:35,719
Speaker 3: what was that supposed.

1230
00:54:35,200 --> 00:54:39,279
Speaker 17: To Well, that album, to me, is more rooted in

1231
00:54:39,920 --> 00:54:43,200
Speaker 17: the core things that shaped why I sing. I feel

1232
00:54:43,200 --> 00:54:46,080
Speaker 17: like the Kilani album will be much more referencing like

1233
00:54:46,280 --> 00:54:48,759
Speaker 17: my actual core musical references. It'll probably be a lot

1234
00:54:48,760 --> 00:54:51,120
Speaker 17: more R and B. But this album really reflected all

1235
00:54:51,120 --> 00:54:53,120
Speaker 17: the things that I listened to that I grew up

1236
00:54:53,120 --> 00:54:56,680
Speaker 17: listening to, but didn't necessarily shape my identity as an artist,

1237
00:54:56,800 --> 00:55:00,080
Speaker 17: but reflect, like, you know, worldly where I'm at. So

1238
00:55:00,120 --> 00:55:02,560
Speaker 17: basically we're still getting Kaylanic out absolutely that I'll probably

1239
00:55:02,560 --> 00:55:03,640
Speaker 17: be my next album probably.

1240
00:55:04,040 --> 00:55:07,440
Speaker 4: Yeah, Lose my Wife is such a toxic record. It

1241
00:55:07,560 --> 00:55:08,280
Speaker 4: is so toxic.

1242
00:55:09,640 --> 00:55:12,680
Speaker 1: Would why would you make those choices and decisions knowing

1243
00:55:12,680 --> 00:55:14,200
Speaker 1: that it could cost you your wife? Oh?

1244
00:55:14,200 --> 00:55:16,080
Speaker 17: You know, it's not a true story. I just wanted to.

1245
00:55:17,640 --> 00:55:18,440
Speaker 13: It's true.

1246
00:55:18,840 --> 00:55:23,320
Speaker 17: So my head Crash is the story of this anti

1247
00:55:23,360 --> 00:55:26,160
Speaker 17: hero version of myself that goes to Vegas and has

1248
00:55:26,200 --> 00:55:29,600
Speaker 17: this crazy run in Vegas and ends with that lament

1249
00:55:29,719 --> 00:55:32,320
Speaker 17: of like oh this is crashed instantly, and it's almost

1250
00:55:32,320 --> 00:55:34,279
Speaker 17: like the come down song of like, oh, these are

1251
00:55:34,320 --> 00:55:36,960
Speaker 17: the decisions that I've made and like this is what happens.

1252
00:55:36,960 --> 00:55:38,920
Speaker 17: So it's more of like a sonic story and an

1253
00:55:39,000 --> 00:55:41,680
Speaker 17: ending to the story than a true story that I

1254
00:55:41,719 --> 00:55:44,160
Speaker 17: needed to smack on there. It kind of feels like

1255
00:55:44,200 --> 00:55:46,359
Speaker 17: the Hungover song kind of feels like the next day

1256
00:55:46,360 --> 00:55:46,799
Speaker 17: you're like.

1257
00:55:47,600 --> 00:55:51,040
Speaker 4: This is your shadow side exactly. Yeah, but when I hear.

1258
00:55:51,000 --> 00:55:54,040
Speaker 1: Songs like after Hours or like better than No or Tears,

1259
00:55:54,360 --> 00:55:57,440
Speaker 1: it does feel like you're longing for a stable relationship,

1260
00:55:57,840 --> 00:56:01,319
Speaker 1: does it a little bit? Yeah?

1261
00:56:01,760 --> 00:56:04,200
Speaker 17: I mean I think everybody wants love, everybody wants stable love,

1262
00:56:04,200 --> 00:56:05,799
Speaker 17: and we all just have different journeys to it.

1263
00:56:05,840 --> 00:56:06,000
Speaker 1: You know.

1264
00:56:06,320 --> 00:56:07,759
Speaker 4: Yeah, how has motherhood been?

1265
00:56:08,000 --> 00:56:11,000
Speaker 8: Oh, it's the best, this journey, it's the best. She's five.

1266
00:56:11,200 --> 00:56:11,960
Speaker 8: I can't believe it.

1267
00:56:13,080 --> 00:56:16,880
Speaker 17: Yeah, and that that's all different.

1268
00:56:17,719 --> 00:56:19,520
Speaker 8: I got one third thing.

1269
00:56:18,960 --> 00:56:22,479
Speaker 17: I'm literally like, I'll make the day seem so fun.

1270
00:56:22,520 --> 00:56:24,759
Speaker 17: I'm like, we're going to the aquarium and we're going here,

1271
00:56:24,840 --> 00:56:27,600
Speaker 17: We're going here. And then she's like no, kind of

1272
00:56:27,600 --> 00:56:29,920
Speaker 17: just want to stay in the house and play. I'm like, jeez,

1273
00:56:30,000 --> 00:56:31,759
Speaker 17: what are we gonna do? The other dad took her

1274
00:56:31,800 --> 00:56:33,879
Speaker 17: to the park and she was like, I'm just letting

1275
00:56:33,920 --> 00:56:36,040
Speaker 17: you guys know, I'm not playing with any of those kids.

1276
00:56:36,080 --> 00:56:37,759
Speaker 17: And I was like, I respect it, but maybe we

1277
00:56:37,760 --> 00:56:41,680
Speaker 17: should try. And she made some friends and she's in school,

1278
00:56:41,719 --> 00:56:42,640
Speaker 17: so like she is friends.

1279
00:56:42,760 --> 00:56:44,839
Speaker 4: She still got music. I heard you say one time

1280
00:56:44,880 --> 00:56:47,120
Speaker 4: she had some She's on the album.

1281
00:56:46,880 --> 00:56:47,520
Speaker 8: She's on Deep.

1282
00:56:47,719 --> 00:56:50,239
Speaker 17: She actually sounds so good that you can't really tell

1283
00:56:50,320 --> 00:56:52,320
Speaker 17: that it is her except for her tone is obviously

1284
00:56:52,600 --> 00:56:54,000
Speaker 17: sounds a lot younger than mine.

1285
00:56:54,000 --> 00:56:55,320
Speaker 8: But she's singing her asshole.

1286
00:56:55,600 --> 00:56:56,600
Speaker 4: Do you want her in the industry?

1287
00:56:57,080 --> 00:56:58,520
Speaker 17: I want her to do whatever she wants to do.

1288
00:56:58,640 --> 00:57:01,080
Speaker 17: If that means industry, sure, that means she wants my help. Sure,

1289
00:57:01,120 --> 00:57:02,719
Speaker 17: If that means she doesn't want my help, sure, If

1290
00:57:02,760 --> 00:57:04,400
Speaker 17: that means she wants to be a brain surgeon or

1291
00:57:04,400 --> 00:57:06,600
Speaker 17: a rocket scientist, let's do that. It's her world. I'm

1292
00:57:06,680 --> 00:57:07,000
Speaker 17: just here.

1293
00:57:07,160 --> 00:57:07,399
Speaker 8: Yeah.

1294
00:57:07,520 --> 00:57:09,919
Speaker 1: Is the industry good for kids? I mean, you're somebody

1295
00:57:09,960 --> 00:57:12,239
Speaker 1: who came in the industry as yet young, right.

1296
00:57:13,080 --> 00:57:16,840
Speaker 17: I think that there's pros and cons on both sides. One,

1297
00:57:16,920 --> 00:57:20,960
Speaker 17: I didn't have access to the proper like mental wellness

1298
00:57:21,160 --> 00:57:23,880
Speaker 17: type of regimen or care to have grown up in

1299
00:57:23,920 --> 00:57:25,240
Speaker 17: it the way that I did. And we're seeing the

1300
00:57:25,240 --> 00:57:27,960
Speaker 17: effects of people who you know, adults now and all

1301
00:57:27,960 --> 00:57:30,280
Speaker 17: these stories are coming out about them being like child

1302
00:57:30,320 --> 00:57:32,720
Speaker 17: stars are coming out young. And on the flip side,

1303
00:57:32,720 --> 00:57:35,000
Speaker 17: I feel like people now have access to that. But

1304
00:57:35,040 --> 00:57:39,040
Speaker 17: there's it's also a different demon fame now is completely different.

1305
00:57:39,080 --> 00:57:41,040
Speaker 17: It's why I don't really post my daughter. I don't

1306
00:57:41,360 --> 00:57:43,560
Speaker 17: there's too many creeps. I don't ever hear to ever

1307
00:57:43,600 --> 00:57:45,400
Speaker 17: look back and be like, I actually didn't consent to

1308
00:57:45,440 --> 00:57:47,800
Speaker 17: any of this. I didn't give any permission. We already

1309
00:57:47,840 --> 00:57:49,960
Speaker 17: get embarrassed when our parents play home videos for our

1310
00:57:50,000 --> 00:57:53,440
Speaker 17: friends when they come over, Like if I'm just subjecting

1311
00:57:53,440 --> 00:57:55,760
Speaker 17: my child to her home video, her freaking growing up

1312
00:57:55,800 --> 00:57:58,200
Speaker 17: home videos being widely known all over the internet, and

1313
00:57:58,200 --> 00:57:59,640
Speaker 17: she grows up one day and it's like I didn't

1314
00:57:59,640 --> 00:58:00,960
Speaker 17: get to tell if I wanted that or not.

1315
00:58:01,040 --> 00:58:03,000
Speaker 8: You know, that's not me as a parent. So yeah,

1316
00:58:03,240 --> 00:58:05,640
Speaker 8: any more babies. I would love to have more babies.

1317
00:58:05,640 --> 00:58:07,320
Speaker 8: Whatever God wants to bless me with I receive.

1318
00:58:07,400 --> 00:58:08,320
Speaker 4: Can we talk about the record?

1319
00:58:08,360 --> 00:58:08,760
Speaker 5: What I want?

1320
00:58:09,080 --> 00:58:09,360
Speaker 8: Yeah?

1321
00:58:09,600 --> 00:58:13,520
Speaker 4: I want to look better than me.

1322
00:58:14,720 --> 00:58:16,120
Speaker 8: You're reading it so serious?

1323
00:58:16,440 --> 00:58:24,760
Speaker 4: Yeah, what I want? He was so excited to read

1324
00:58:25,440 --> 00:58:25,840
Speaker 4: on that record.

1325
00:58:25,880 --> 00:58:28,080
Speaker 1: It seems like you're torn between wanting to be spoiled

1326
00:58:28,080 --> 00:58:30,720
Speaker 1: but also feeling comfortable being the one who spoils.

1327
00:58:31,160 --> 00:58:34,840
Speaker 17: Yeah, okay, I'm definitely like I fluctuate. Absolutely.

1328
00:58:34,880 --> 00:58:37,040
Speaker 8: I think I'm more of a giver than a receiver

1329
00:58:37,120 --> 00:58:39,720
Speaker 8: of like spoiling. I think that's just my nature.

1330
00:58:40,240 --> 00:58:43,080
Speaker 17: But it's just a classic song about naming all the

1331
00:58:43,120 --> 00:58:44,440
Speaker 17: things that I want. I don't think any of them

1332
00:58:44,480 --> 00:58:46,720
Speaker 17: are even cohesive. I think they're just like, here's a

1333
00:58:46,760 --> 00:58:48,800
Speaker 17: list of all all my dream things that I want.

1334
00:58:48,880 --> 00:58:49,520
Speaker 4: But if you han't a.

1335
00:58:49,520 --> 00:58:51,480
Speaker 1: While weekend in Vegas, why would you lie to a

1336
00:58:51,520 --> 00:58:53,600
Speaker 1: woman like that? Why would you make her feel?

1337
00:58:56,080 --> 00:58:58,760
Speaker 17: Isn't that what you do with Vegas? Doesn't Vegas make you?

1338
00:58:58,760 --> 00:58:58,880
Speaker 7: No?

1339
00:58:58,920 --> 00:59:01,520
Speaker 8: Not like that? But I'm saying, doesn't it's Vegas.

1340
00:59:01,160 --> 00:59:05,000
Speaker 17: Not like some adult Disneyland, like all your vices, and

1341
00:59:05,040 --> 00:59:05,920
Speaker 17: you don't talk about it.

1342
00:59:07,720 --> 00:59:09,160
Speaker 4: Actually, actually I have a.

1343
00:59:09,120 --> 00:59:11,360
Speaker 8: Tiny residency in Vegas. Thank you. I have a show.

1344
00:59:11,520 --> 00:59:13,520
Speaker 8: Thank you. I have a show at the end of

1345
00:59:13,640 --> 00:59:14,720
Speaker 8: next month and in August.

1346
00:59:14,720 --> 00:59:17,600
Speaker 4: That's what I do in Vegas, yacause even Vegas.

1347
00:59:17,760 --> 00:59:19,200
Speaker 1: Maybe I'm tripp but it didn't sound like you was

1348
00:59:19,240 --> 00:59:21,920
Speaker 1: actually in Vegas. You just said what we do is

1349
00:59:22,160 --> 00:59:23,200
Speaker 1: like Vegas exactly.

1350
00:59:23,320 --> 00:59:25,920
Speaker 17: The only I made a couple of songs. Actually I

1351
00:59:26,000 --> 00:59:28,040
Speaker 17: made part of what I Want in Vegas. I made

1352
00:59:28,080 --> 00:59:30,880
Speaker 17: part of SUSSI on Vegas. I mean, actually I made

1353
00:59:30,960 --> 00:59:33,200
Speaker 17: most of SUSSI on Vegas. And a part of groove

1354
00:59:33,280 --> 00:59:35,800
Speaker 17: theory in Vegas. But the song Vegas I made in

1355
00:59:35,840 --> 00:59:37,360
Speaker 17: Los Angeles, okay.

1356
00:59:37,200 --> 00:59:38,960
Speaker 14: And then on my goal to Vegas the fun of

1357
00:59:39,040 --> 00:59:42,360
Speaker 14: love like to go to create have fun, you know because.

1358
00:59:43,000 --> 00:59:46,160
Speaker 8: The person who said I'm lying, you know what going on?

1359
00:59:46,960 --> 00:59:51,640
Speaker 4: We don't know. Hell, you work in sushi a sushi,

1360
00:59:51,920 --> 00:59:53,160
Speaker 4: doesn't that mean that's fantasy.

1361
00:59:53,680 --> 00:59:59,080
Speaker 14: But there is sushi, sushia, sushia, susia.

1362
00:59:59,160 --> 01:00:04,240
Speaker 4: No, it's and that's dirty, Yeah, dirty girl.

1363
01:00:04,680 --> 01:00:07,440
Speaker 8: Yeah, there we go biling Is that with the record?

1364
01:00:08,640 --> 01:00:13,640
Speaker 17: Yeah, basically I mean young Miko's versus crazy if it's translated.

1365
01:00:13,680 --> 01:00:17,640
Speaker 17: And Jill Scott is freaky Aunty Max Extreme flor.

1366
01:00:19,000 --> 01:00:22,880
Speaker 8: Is the freak Lord honestly the original freak. So I

1367
01:00:22,960 --> 01:00:25,480
Speaker 8: had to tap her in. Yeah, yeah, she that was

1368
01:00:25,480 --> 01:00:25,840
Speaker 8: an honor.

1369
01:00:26,280 --> 01:00:28,640
Speaker 3: We got more with Kilanie when we come back, don't move.

1370
01:00:28,640 --> 01:00:31,320
Speaker 3: It's the Breakfast Club, Good Morning Dating. Everybody is dj

1371
01:00:31,800 --> 01:00:34,160
Speaker 3: n V. Jess, Larry Chelamine, the guy we are the

1372
01:00:34,200 --> 01:00:36,320
Speaker 3: Breakfast Club was still kicking it with Kilanie.

1373
01:00:36,440 --> 01:00:36,760
Speaker 4: Jess.

1374
01:00:37,080 --> 01:00:39,120
Speaker 8: I noticed that she don't have a lot of features. Yeah,

1375
01:00:39,680 --> 01:00:40,400
Speaker 8: is that intentional?

1376
01:00:40,920 --> 01:00:41,000
Speaker 7: No?

1377
01:00:41,240 --> 01:00:42,640
Speaker 8: I tried to give more features.

1378
01:00:42,640 --> 01:00:44,120
Speaker 17: There was a couple of things that were going on,

1379
01:00:44,160 --> 01:00:48,560
Speaker 17: different time things and not necessarily being aligned at the time,

1380
01:00:48,640 --> 01:00:51,360
Speaker 17: different people not aligning with me, and just things.

1381
01:00:51,120 --> 01:00:51,840
Speaker 8: Not making sense.

1382
01:00:52,320 --> 01:00:54,280
Speaker 17: But the ones that did stick around for me and

1383
01:00:54,320 --> 01:00:56,440
Speaker 17: really you know, held me down. I'm super appreciative and

1384
01:00:56,480 --> 01:00:57,080
Speaker 17: they killed it.

1385
01:00:57,240 --> 01:00:57,479
Speaker 8: Yeah.

1386
01:00:57,640 --> 01:01:00,000
Speaker 3: Now after I was were you surprised of how fast

1387
01:01:00,080 --> 01:01:01,600
Speaker 3: to take off, especially on social media?

1388
01:01:01,760 --> 01:01:02,440
Speaker 8: Crazy?

1389
01:01:02,600 --> 01:01:04,640
Speaker 4: Yeah, that was like a huge.

1390
01:01:04,400 --> 01:01:06,480
Speaker 17: Dancing Yeah, honestly, you have to give a lot of

1391
01:01:06,480 --> 01:01:09,680
Speaker 17: credit to Darius Hickman, who is an incredible dancer, and

1392
01:01:09,720 --> 01:01:11,919
Speaker 17: he was in the After Hours video and he left

1393
01:01:11,960 --> 01:01:14,560
Speaker 17: rehearsal for one of the for the After Hours video,

1394
01:01:15,000 --> 01:01:16,959
Speaker 17: I went home and just like made this little dance

1395
01:01:17,000 --> 01:01:19,560
Speaker 17: on TikTok and it just like it took it on one.

1396
01:01:19,600 --> 01:01:21,920
Speaker 17: I think it's such a testament to how powerful like

1397
01:01:22,080 --> 01:01:24,440
Speaker 17: dance is and how like dancers are, like DJ's like

1398
01:01:24,480 --> 01:01:27,480
Speaker 17: they can really break songs like it's I give him

1399
01:01:27,520 --> 01:01:29,040
Speaker 17: all the credit for that because it's crazy.

1400
01:01:29,080 --> 01:01:31,480
Speaker 4: Did you know who MOOI d was beforehand? Yeah?

1401
01:01:32,080 --> 01:01:35,760
Speaker 1: Of course you disrespect her like that, asking.

1402
01:01:37,160 --> 01:01:38,320
Speaker 8: Like, of course the one.

1403
01:01:38,240 --> 01:01:42,160
Speaker 4: Song, so you know, maybe people did she have one? Course?

1404
01:01:43,080 --> 01:01:44,560
Speaker 4: I think she had one.

1405
01:01:44,880 --> 01:01:47,200
Speaker 1: Now you also mentioned that this album isn't rooted in

1406
01:01:47,280 --> 01:01:51,120
Speaker 1: your personal experiences? Are relationships like your previous albums? Are

1407
01:01:51,160 --> 01:01:52,560
Speaker 1: you saying that just so you don't get in trouble

1408
01:01:52,560 --> 01:01:54,280
Speaker 1: and people be like Dann Coline's so toxic?

1409
01:01:54,760 --> 01:02:01,920
Speaker 17: No, I think I think anytime at so bad.

1410
01:02:02,160 --> 01:02:02,600
Speaker 8: So bad.

1411
01:02:02,720 --> 01:02:04,880
Speaker 17: You know what's so funny is I think people would

1412
01:02:04,880 --> 01:02:07,040
Speaker 17: be surprised if they sat down with me to to

1413
01:02:07,160 --> 01:02:10,200
Speaker 17: actually ask and inquire about my experiences, because they might

1414
01:02:10,240 --> 01:02:13,200
Speaker 17: look one way, but it's so many different scenarios that

1415
01:02:13,320 --> 01:02:15,280
Speaker 17: lead to while my love life looks the way it does,

1416
01:02:15,320 --> 01:02:18,200
Speaker 17: and so many that you would be surprised. Who what's

1417
01:02:18,240 --> 01:02:20,280
Speaker 17: happened with this? And what's happened with this? And it's

1418
01:02:20,320 --> 01:02:23,400
Speaker 17: just it's my business and it's my world, and I'm

1419
01:02:23,400 --> 01:02:26,000
Speaker 17: pretty much in good standing with anybody ever, so like

1420
01:02:26,440 --> 01:02:28,360
Speaker 17: running through these chicks is extreme.

1421
01:02:28,440 --> 01:02:30,000
Speaker 8: You do really want me to be a pampan? You know?

1422
01:02:30,080 --> 01:02:34,080
Speaker 8: Maybe maybe I'll just start embodying it. Maybe maybe I'll

1423
01:02:34,960 --> 01:02:36,200
Speaker 8: maybe I just accept it.

1424
01:02:36,880 --> 01:02:40,880
Speaker 3: Yeah, does people in your in your regular business not

1425
01:02:40,920 --> 01:02:42,160
Speaker 3: just your music business all the time.

1426
01:02:42,360 --> 01:02:44,280
Speaker 8: No, I think it came. It comes with the territory.

1427
01:02:44,480 --> 01:02:45,880
Speaker 4: At one time, feel like that, Well.

1428
01:02:45,840 --> 01:02:46,919
Speaker 8: I gotta hated it so bad.

1429
01:02:46,920 --> 01:02:50,680
Speaker 17: But I also I have been again, your mental health

1430
01:02:50,720 --> 01:02:54,000
Speaker 17: journey and your journey in being a public facing person,

1431
01:02:54,520 --> 01:02:57,160
Speaker 17: those have to be in lockstep like those if you

1432
01:02:57,200 --> 01:02:59,040
Speaker 17: are ever having poor mental health.

1433
01:02:59,040 --> 01:03:00,760
Speaker 8: There are so many times I can say I've been.

1434
01:03:00,960 --> 01:03:02,680
Speaker 17: At a table with y'all and been in the worst

1435
01:03:02,720 --> 01:03:04,560
Speaker 17: states of my life and I was like, Okay, that

1436
01:03:04,600 --> 01:03:06,640
Speaker 17: interview is going to be whatever. And times I've been like,

1437
01:03:06,680 --> 01:03:11,400
Speaker 17: I'm actually not doing interviews this year because all of this. Absolutely,

1438
01:03:11,440 --> 01:03:14,280
Speaker 17: but I've also was not in a positive space to

1439
01:03:15,160 --> 01:03:17,360
Speaker 17: even be able to walk in a room and like

1440
01:03:17,480 --> 01:03:19,760
Speaker 17: hold that. Granted, I think the interview at the time

1441
01:03:20,000 --> 01:03:23,760
Speaker 17: that caused things like that wasn't my favorite experience with someone, no,

1442
01:03:23,960 --> 01:03:26,760
Speaker 17: but I also, at multiple times in my career just

1443
01:03:26,800 --> 01:03:29,200
Speaker 17: have not been just aligned with where I needed to

1444
01:03:29,200 --> 01:03:30,480
Speaker 17: be to be able to show up in that way.

1445
01:03:30,560 --> 01:03:32,440
Speaker 8: So now I can hold that. You could probably say

1446
01:03:32,440 --> 01:03:34,400
Speaker 8: anything to me and I'd be like, all right, cool.

1447
01:03:34,720 --> 01:03:37,120
Speaker 1: I'm a huge mental health advocate. So what got you

1448
01:03:37,200 --> 01:03:38,720
Speaker 1: to that place where you are?

1449
01:03:38,840 --> 01:03:39,040
Speaker 5: Now?

1450
01:03:39,240 --> 01:03:39,440
Speaker 7: You know?

1451
01:03:39,480 --> 01:03:40,840
Speaker 1: And I mean, and I know it's a journey. I

1452
01:03:40,840 --> 01:03:42,640
Speaker 1: know it's up, so I know it's down, But what

1453
01:03:42,760 --> 01:03:43,320
Speaker 1: got you to this.

1454
01:03:43,600 --> 01:03:46,360
Speaker 17: Yeah, honestly, I'm going to use this moment to be

1455
01:03:46,440 --> 01:03:49,600
Speaker 17: really transparent and to really advocate for people, you know,

1456
01:03:49,720 --> 01:03:53,200
Speaker 17: getting psychiatric care. And I got a psychiatrist and I

1457
01:03:53,240 --> 01:03:55,960
Speaker 17: got a proper diagnosis after what felt like years of

1458
01:03:55,960 --> 01:03:59,720
Speaker 17: getting soft diagnosis and misdiagnosis, and I'm able to get

1459
01:03:59,720 --> 01:04:02,480
Speaker 17: medicat help and it keeps my mood stable and I'm

1460
01:04:02,480 --> 01:04:05,280
Speaker 17: here and it keeps me like I would absolutely recommend

1461
01:04:05,280 --> 01:04:07,360
Speaker 17: it to anybody that feels like they need it, because

1462
01:04:07,720 --> 01:04:09,960
Speaker 17: it's not something that anybody needs to shame or like

1463
01:04:10,080 --> 01:04:12,240
Speaker 17: be nervous about. And it's probably the best thing I've

1464
01:04:12,240 --> 01:04:13,360
Speaker 17: ever done for myself for sure.

1465
01:04:13,440 --> 01:04:15,080
Speaker 3: What got you there because most people, like you said,

1466
01:04:15,160 --> 01:04:17,200
Speaker 3: they feel like they can't talk about it, they can't

1467
01:04:17,200 --> 01:04:18,720
Speaker 3: discuss it, they can't get to help because they don't

1468
01:04:18,720 --> 01:04:21,160
Speaker 3: want to be shamed, especially celebrity. You feel like somebody

1469
01:04:21,200 --> 01:04:22,280
Speaker 3: will see me do this, that and the other. But

1470
01:04:22,280 --> 01:04:23,520
Speaker 3: what got you to the point was like, f this,

1471
01:04:23,720 --> 01:04:24,400
Speaker 3: I need to get help.

1472
01:04:24,520 --> 01:04:26,280
Speaker 17: You know, I was medicated when I was a kid,

1473
01:04:26,480 --> 01:04:31,320
Speaker 17: and I remember not having the most proper experience with

1474
01:04:31,400 --> 01:04:33,439
Speaker 17: it just because I was really young, and like you're

1475
01:04:33,440 --> 01:04:36,200
Speaker 17: in school and like every kid has ADHD and like

1476
01:04:36,280 --> 01:04:37,560
Speaker 17: it's hyperactive and.

1477
01:04:37,800 --> 01:04:39,360
Speaker 4: Age where you first medicate, do you remember?

1478
01:04:39,440 --> 01:04:43,080
Speaker 17: I had to be in like the third grade on

1479
01:04:43,200 --> 01:04:46,080
Speaker 17: riddling and it really messed with my personality. And my

1480
01:04:46,160 --> 01:04:48,760
Speaker 17: mom was like, yeah, no, like you can't be a zombie.

1481
01:04:48,800 --> 01:04:51,720
Speaker 17: Like I'll take hyperactive turned the up, you know over

1482
01:04:51,920 --> 01:04:56,880
Speaker 17: like whatever this zombie you know. And then on top

1483
01:04:56,920 --> 01:04:59,000
Speaker 17: of that, still I just remained with the psychiatrist. And

1484
01:04:59,000 --> 01:05:01,320
Speaker 17: then I'm you know, when it's teenagehood and I didn't

1485
01:05:01,320 --> 01:05:03,120
Speaker 17: have that anymore. And then I became an adult and

1486
01:05:03,160 --> 01:05:07,520
Speaker 17: just like my experiences in the music industry and the

1487
01:05:07,600 --> 01:05:11,680
Speaker 17: amount of like PTSD that that causes, paired with you know,

1488
01:05:11,760 --> 01:05:14,640
Speaker 17: all your childhood trauma and like all these things, you

1489
01:05:14,720 --> 01:05:16,360
Speaker 17: kind of get to a point where you're like, all right,

1490
01:05:16,440 --> 01:05:19,160
Speaker 17: I'm not an expert. Like I can't keep being the

1491
01:05:19,200 --> 01:05:22,440
Speaker 17: one to dictate this or to supplement or like to

1492
01:05:22,440 --> 01:05:23,840
Speaker 17: to try to fix an ice, to smoke a lot

1493
01:05:23,840 --> 01:05:24,160
Speaker 17: of weed.

1494
01:05:24,280 --> 01:05:25,640
Speaker 8: Can't do it, won't do it.

1495
01:05:27,200 --> 01:05:30,640
Speaker 17: Oh, I haven't been a smoker in five years.

1496
01:05:30,960 --> 01:05:33,200
Speaker 8: People bring me weed all the time, and I'm like, dang,

1497
01:05:33,520 --> 01:05:33,720
Speaker 8: that's the.

1498
01:05:34,960 --> 01:05:37,440
Speaker 1: Indigo kind of calms your anxiety. So Teava makes you

1499
01:05:37,440 --> 01:05:37,880
Speaker 1: have panic.

1500
01:05:38,240 --> 01:05:38,480
Speaker 4: You know.

1501
01:05:38,760 --> 01:05:41,840
Speaker 17: It was because I got pregnant and I couldn't and

1502
01:05:41,880 --> 01:05:43,320
Speaker 17: then I got I went to a throat doctor and

1503
01:05:43,360 --> 01:05:44,600
Speaker 17: he was like, oh, you don't want to sing for

1504
01:05:44,680 --> 01:05:46,520
Speaker 17: the rest of your life the way you're look because

1505
01:05:46,520 --> 01:05:49,160
Speaker 17: I was smoking backwards, I was smoking blunts, and I

1506
01:05:49,400 --> 01:05:51,520
Speaker 17: just I couldn't do it anymore. And I'm just I

1507
01:05:51,560 --> 01:05:52,960
Speaker 17: got to a point where I was like, Okay, I'm

1508
01:05:53,000 --> 01:05:55,440
Speaker 17: doing all the things that I can possibly do. I'm

1509
01:05:55,480 --> 01:05:58,720
Speaker 17: going to the gym, I'm developing good hobbies, not going out,

1510
01:05:58,760 --> 01:06:00,960
Speaker 17: and I'm not doing this and I'm still struggling. It's

1511
01:06:00,960 --> 01:06:02,240
Speaker 17: to the point where I need to call you know,

1512
01:06:02,320 --> 01:06:03,479
Speaker 17: I need to ask for help.

1513
01:06:03,560 --> 01:06:07,040
Speaker 1: I keep talk about your fitness journey. Yeah, but then

1514
01:06:07,160 --> 01:06:10,800
Speaker 1: they said, recently you were body shamed on you know.

1515
01:06:10,840 --> 01:06:13,840
Speaker 17: It was an interesting body shame because what it was

1516
01:06:13,840 --> 01:06:15,800
Speaker 17: was the accusations that I got ab etching.

1517
01:06:16,080 --> 01:06:21,800
Speaker 8: But girl's second. Yeah, it's it's really interesting.

1518
01:06:21,800 --> 01:06:24,440
Speaker 17: The thing is I have dialysis right that and a

1519
01:06:24,520 --> 01:06:27,560
Speaker 17: hernia from being pregnant, so my muscles are split down

1520
01:06:27,600 --> 01:06:30,680
Speaker 17: the middle. So I have I have this space right

1521
01:06:30,720 --> 01:06:32,600
Speaker 17: here and this I have like a lump because it's

1522
01:06:32,600 --> 01:06:35,280
Speaker 17: my intestine. It's a hernia and it kind of looks

1523
01:06:35,320 --> 01:06:38,280
Speaker 17: like an extra ab randomly above my belly button.

1524
01:06:38,320 --> 01:06:40,120
Speaker 8: Everybody was like, that's the proof, like.

1525
01:06:40,720 --> 01:06:42,880
Speaker 17: And then they were like, yes, proof because she's not

1526
01:06:42,960 --> 01:06:45,280
Speaker 17: super muscly anywhere else but just her core and won

1527
01:06:45,320 --> 01:06:48,080
Speaker 17: if you go back like genetically I have my dad

1528
01:06:48,120 --> 01:06:50,440
Speaker 17: is super buff, like I'm damn here bill like my father,

1529
01:06:50,840 --> 01:06:54,400
Speaker 17: And then I've always kind of had right, you can

1530
01:06:54,480 --> 01:06:57,120
Speaker 17: really see it, and I've always had abs. And then

1531
01:06:57,200 --> 01:06:59,960
Speaker 17: upon like just really training my core to like make

1532
01:07:00,120 --> 01:07:02,320
Speaker 17: up for the fact that my muscles aren't connected and

1533
01:07:02,360 --> 01:07:04,400
Speaker 17: I have to get my core together to be able

1534
01:07:04,400 --> 01:07:06,680
Speaker 17: to do anything. That's the center of everything. I have

1535
01:07:06,720 --> 01:07:09,000
Speaker 17: to go a little hard on that. I honestly thought

1536
01:07:09,000 --> 01:07:11,480
Speaker 17: it was hilarious. And then people just being like is

1537
01:07:11,480 --> 01:07:12,880
Speaker 17: that a man? And I was like, do you want

1538
01:07:12,920 --> 01:07:15,480
Speaker 17: me to be? Would you like me to be?

1539
01:07:15,960 --> 01:07:17,800
Speaker 14: But what I love is like you didn't get mad

1540
01:07:17,840 --> 01:07:20,360
Speaker 14: and like go get online and start going crazy.

1541
01:07:20,440 --> 01:07:22,160
Speaker 8: Man, it doesn't do anything.

1542
01:07:22,560 --> 01:07:24,160
Speaker 17: I used to do that a lot, and then you

1543
01:07:24,280 --> 01:07:25,400
Speaker 17: just realize.

1544
01:07:24,920 --> 01:07:27,040
Speaker 8: Like there's crazy shit every day, like.

1545
01:07:26,960 --> 01:07:29,320
Speaker 17: People talk about some news the next day. I remember

1546
01:07:29,360 --> 01:07:33,320
Speaker 17: when the internet used to destroy me, Like it you

1547
01:07:33,400 --> 01:07:36,520
Speaker 17: what I remember the other day, maybe last week, somebody

1548
01:07:36,600 --> 01:07:39,280
Speaker 17: might have tweeted like, oh, like, y'all don't call Kilini

1549
01:07:39,320 --> 01:07:41,000
Speaker 17: thirty and she has tattoos and someone said, oh, you

1550
01:07:41,080 --> 01:07:43,800
Speaker 17: must be new here, and everybody was like yeah, because

1551
01:07:43,840 --> 01:07:49,320
Speaker 17: twenty sixteen to twenty eighteen, that was it. Everybody was

1552
01:07:49,360 --> 01:07:52,320
Speaker 17: calling me ugly, dirty, everything, And I used to be

1553
01:07:52,440 --> 01:07:55,440
Speaker 17: what I was up about it, like consistently, and then

1554
01:07:55,440 --> 01:07:57,160
Speaker 17: I just got to a point where I was like, well,

1555
01:07:57,200 --> 01:07:59,480
Speaker 17: life kind of goes on, and like I know myself

1556
01:07:59,520 --> 01:08:01,760
Speaker 17: and like there are people that know me and love

1557
01:08:01,840 --> 01:08:04,240
Speaker 17: me deeply and care about me, and like are you

1558
01:08:04,440 --> 01:08:05,120
Speaker 17: washed right?

1559
01:08:05,120 --> 01:08:05,480
Speaker 8: Hello?

1560
01:08:05,920 --> 01:08:07,360
Speaker 17: Yes, if you guys would like to come to my

1561
01:08:07,400 --> 01:08:10,480
Speaker 17: house for a week and don'ble check in my shower

1562
01:08:10,520 --> 01:08:13,320
Speaker 17: twice a day and the levels of aftercare like that's

1563
01:08:13,360 --> 01:08:15,200
Speaker 17: on you guys. But you know, you know, you can't

1564
01:08:15,200 --> 01:08:17,400
Speaker 17: prove those things to people. People who already want to

1565
01:08:17,439 --> 01:08:18,840
Speaker 17: be like that are going to be like that regard

1566
01:08:18,920 --> 01:08:19,439
Speaker 17: to anyway.

1567
01:08:19,560 --> 01:08:21,559
Speaker 3: All right, will move, We got more with Kilani when

1568
01:08:21,600 --> 01:08:24,320
Speaker 3: we come back. It's the Breakfast Club, Good morning, The

1569
01:08:24,479 --> 01:08:31,000
Speaker 3: Breakfast Club, Good morning. Everybody is thej Envy Jess hilarious

1570
01:08:31,040 --> 01:08:33,160
Speaker 3: Chelamane the guy we are the Breakfast Club is still

1571
01:08:33,200 --> 01:08:34,519
Speaker 3: kicking it with Kilanie Charlama.

1572
01:08:35,880 --> 01:08:37,840
Speaker 1: How did your record label, and I guess just the

1573
01:08:37,880 --> 01:08:42,080
Speaker 1: industry period react to your advocacy for Palestine?

1574
01:08:42,600 --> 01:08:44,880
Speaker 8: You know, I think I think we're in a.

1575
01:08:46,640 --> 01:08:49,040
Speaker 17: Kind of a loop for so long of like what's

1576
01:08:49,080 --> 01:08:51,160
Speaker 17: safe to speak about and what's not safe to speak about,

1577
01:08:51,240 --> 01:08:52,719
Speaker 17: especially with the powers that be.

1578
01:08:52,520 --> 01:08:55,840
Speaker 8: Being so powerful and not running so deep.

1579
01:08:56,240 --> 01:08:58,799
Speaker 17: Obviously, my music came out, and obviously I'm super supportive,

1580
01:08:58,840 --> 01:09:01,680
Speaker 17: so absolutely no problem from my record label. I have

1581
01:09:01,800 --> 01:09:04,000
Speaker 17: experienced a lot of pushback. I've experienced a lot of loss.

1582
01:09:04,040 --> 01:09:06,000
Speaker 17: I've experienced a lot of things that were promised and

1583
01:09:06,040 --> 01:09:08,080
Speaker 17: set up for this rollout and album to happen that

1584
01:09:08,120 --> 01:09:10,719
Speaker 17: were supposed to be a lot of first really yeah,

1585
01:09:10,840 --> 01:09:14,600
Speaker 17: magazines and these things and those have brand deals and

1586
01:09:14,640 --> 01:09:16,640
Speaker 17: opportunities that were sad to lose back at the end

1587
01:09:16,640 --> 01:09:19,440
Speaker 17: of the day, like, I don't regret doing something.

1588
01:09:19,080 --> 01:09:20,800
Speaker 8: That I can go to sleep.

1589
01:09:20,520 --> 01:09:22,920
Speaker 17: At night, I can go to sleep knowing that, like

1590
01:09:23,080 --> 01:09:25,679
Speaker 17: what I learned to be as an artist, I'm aligned

1591
01:09:25,720 --> 01:09:28,479
Speaker 17: with because I grew up fully understanding the role of

1592
01:09:28,560 --> 01:09:31,840
Speaker 17: art in liberation, and that's not to place myself in

1593
01:09:31,920 --> 01:09:34,920
Speaker 17: alignment with you know, those artists and those revolutionary acts.

1594
01:09:34,960 --> 01:09:37,639
Speaker 17: But that's to say, like I understood what it meant

1595
01:09:37,760 --> 01:09:39,840
Speaker 17: to not be silent, even if I never put it

1596
01:09:39,880 --> 01:09:41,559
Speaker 17: with the song in the video, even if just me

1597
01:09:41,600 --> 01:09:43,360
Speaker 17: speaking out, I always knew what it meant to have

1598
01:09:43,360 --> 01:09:45,880
Speaker 17: a platform and that responsibility in that way, and like

1599
01:09:45,960 --> 01:09:47,760
Speaker 17: I can go to sleep knowing that, like I don't,

1600
01:09:47,800 --> 01:09:49,519
Speaker 17: I can look myself in the mirror, you know, and

1601
01:09:49,600 --> 01:09:50,800
Speaker 17: know that I did the right thing.

1602
01:09:50,840 --> 01:09:53,400
Speaker 1: Do these magazines and stuff tell your people why they

1603
01:09:53,400 --> 01:09:55,200
Speaker 1: say you always are advocacy of Palithon.

1604
01:09:55,439 --> 01:09:58,160
Speaker 17: Those are really big buildings with a lot of people involved,

1605
01:09:58,160 --> 01:09:59,720
Speaker 17: so it always makes its way back.

1606
01:10:00,600 --> 01:10:03,080
Speaker 1: You also mentioned that your advocacy for Palesti caused a

1607
01:10:03,120 --> 01:10:05,640
Speaker 1: lot of artists to ignore yourself collaboration.

1608
01:10:05,720 --> 01:10:09,480
Speaker 17: So I was talking very fast on alive, very caffeinated

1609
01:10:09,520 --> 01:10:11,519
Speaker 17: early in the morning, and I wasn't able to like

1610
01:10:11,600 --> 01:10:13,479
Speaker 17: really elaborate on that. There are a lot of more

1611
01:10:13,520 --> 01:10:16,240
Speaker 17: people involved on artists teams and just the artists. And

1612
01:10:16,280 --> 01:10:18,280
Speaker 17: it also wasn't every single feature. There were certain people

1613
01:10:18,280 --> 01:10:20,639
Speaker 17: who didn't get it back in time, or it wasn't

1614
01:10:20,640 --> 01:10:23,000
Speaker 17: aligned with the timing of their album. I didn't mean

1615
01:10:23,120 --> 01:10:25,800
Speaker 17: every single artist, but there were artists that I did

1616
01:10:25,800 --> 01:10:27,519
Speaker 17: reach to when someone on the team was like, we

1617
01:10:27,520 --> 01:10:31,280
Speaker 17: don't for her, or they said this, and then another

1618
01:10:31,360 --> 01:10:33,680
Speaker 17: thing made its way to me, or like another like

1619
01:10:33,880 --> 01:10:37,799
Speaker 17: things we know, we know, things travel, we know, people

1620
01:10:37,840 --> 01:10:41,120
Speaker 17: have conversations, and those people have conversations, and people were

1621
01:10:41,160 --> 01:10:43,559
Speaker 17: respectful enough to not, you know, text me back and

1622
01:10:43,560 --> 01:10:46,360
Speaker 17: say girl, thank you, I'm Zionists. You know, things like that.

1623
01:10:46,479 --> 01:10:49,360
Speaker 17: But I wasn't able to really elaborate that when I

1624
01:10:49,680 --> 01:10:52,080
Speaker 17: and I would never I would never sit here and

1625
01:10:52,200 --> 01:10:55,160
Speaker 17: name names because it's not about that. It's more about

1626
01:10:55,160 --> 01:10:58,479
Speaker 17: how insidious the industries are and that we can be

1627
01:10:58,560 --> 01:11:01,240
Speaker 17: so afraid to lose what we've built because so many

1628
01:11:01,280 --> 01:11:03,240
Speaker 17: of us have come from nothing to where we have

1629
01:11:03,320 --> 01:11:05,760
Speaker 17: this scarcity mindset of like I have to protect what

1630
01:11:05,840 --> 01:11:07,720
Speaker 17: I have going on so hard that I will do

1631
01:11:07,800 --> 01:11:10,000
Speaker 17: anything to stay in that world to protect it because

1632
01:11:10,000 --> 01:11:11,640
Speaker 17: I have to keep feeding my family, I have to

1633
01:11:11,720 --> 01:11:13,519
Speaker 17: keep you know, building my legacy.

1634
01:11:13,520 --> 01:11:15,320
Speaker 8: I have to do that. I don't want to chance that.

1635
01:11:15,360 --> 01:11:17,400
Speaker 17: And it's sad because that thing that does get dangled

1636
01:11:17,439 --> 01:11:19,400
Speaker 17: in front of our faces when it comes to really

1637
01:11:19,439 --> 01:11:22,000
Speaker 17: important political matters that people don't align with. It's sad,

1638
01:11:22,040 --> 01:11:24,160
Speaker 17: it's unfortunate, and I don't I'm not mad at anyone.

1639
01:11:24,200 --> 01:11:27,160
Speaker 17: I'm not holding anything against anyone. I was definitely on

1640
01:11:27,200 --> 01:11:27,680
Speaker 17: that live like.

1641
01:11:27,720 --> 01:11:29,240
Speaker 8: Yeah, and by the way, let me tell y'all about that.

1642
01:11:29,240 --> 01:11:31,680
Speaker 17: I'm not but I definitely have those moments where I'm

1643
01:11:31,680 --> 01:11:35,559
Speaker 17: like banked up. But typically I'm a longer thinker and

1644
01:11:35,600 --> 01:11:36,800
Speaker 17: I have more to the thought.

1645
01:11:36,960 --> 01:11:38,560
Speaker 8: And it was just unfortunate.

1646
01:11:38,880 --> 01:11:40,720
Speaker 1: And you raised over a half a million dollars for

1647
01:11:40,880 --> 01:11:44,040
Speaker 1: Gaza Sudan and the con Yeah.

1648
01:11:44,080 --> 01:11:45,800
Speaker 4: Do you think money is the only way people can help?

1649
01:11:45,880 --> 01:11:46,479
Speaker 8: Absolutely not.

1650
01:11:46,600 --> 01:11:49,880
Speaker 17: I think in every single issue, the idea is that

1651
01:11:49,920 --> 01:11:52,439
Speaker 17: you're supposed to listen to the requests of the people

1652
01:11:52,479 --> 01:11:54,400
Speaker 17: at the core of the issue. You're supposed to abide

1653
01:11:54,439 --> 01:11:56,280
Speaker 17: by the request of the most suppressed, and they have

1654
01:11:56,479 --> 01:11:59,599
Speaker 17: asked us to literally speak like. That's the thing about

1655
01:11:59,600 --> 01:12:02,559
Speaker 17: this whole Social media doesn't do anything. Speakon doesn't do anything,

1656
01:12:02,560 --> 01:12:05,720
Speaker 17: awareness doesn't do anything. But those there are people in

1657
01:12:05,800 --> 01:12:08,880
Speaker 17: Congo who are just saying make our stories heard. There

1658
01:12:08,880 --> 01:12:12,320
Speaker 17: are people in Sudan who go just speak about us.

1659
01:12:12,360 --> 01:12:14,360
Speaker 17: They're not talking about us on the news, They're not

1660
01:12:14,520 --> 01:12:16,800
Speaker 17: talking about us in these magazines. They're not talking about

1661
01:12:16,840 --> 01:12:20,160
Speaker 17: us anywhere, but you guys are. Gaza opened the door

1662
01:12:20,200 --> 01:12:23,360
Speaker 17: for people to even be aware of Congo and Sudan

1663
01:12:23,400 --> 01:12:27,000
Speaker 17: on a global scale because those issues have preceded this genocide.

1664
01:12:27,040 --> 01:12:30,400
Speaker 17: Those genocides have been have been happening, those famines that

1665
01:12:30,479 --> 01:12:34,439
Speaker 17: extremely like displacement, those have already been existing. And Gaza

1666
01:12:34,479 --> 01:12:38,160
Speaker 17: has opened up the world to Haiti, to Yemen, to

1667
01:12:38,280 --> 01:12:40,400
Speaker 17: all of these places that all this is going on.

1668
01:12:40,520 --> 01:12:43,599
Speaker 17: So the least we can do is share things here

1669
01:12:43,640 --> 01:12:45,200
Speaker 17: and there. And you don't have to have money, but

1670
01:12:45,320 --> 01:12:47,160
Speaker 17: if you do, you should put it where your mouth.

1671
01:12:47,040 --> 01:12:50,240
Speaker 8: Is, for sure. I was gonna ask absolutely, Yeah.

1672
01:12:49,880 --> 01:12:53,439
Speaker 14: You are a West Coast girl, and even girl, what

1673
01:12:53,479 --> 01:12:54,280
Speaker 14: do you think about Ken?

1674
01:12:55,760 --> 01:12:57,320
Speaker 10: I just want to.

1675
01:12:59,479 --> 01:13:01,599
Speaker 4: Who for Drake?

1676
01:13:01,640 --> 01:13:03,840
Speaker 17: I haven't publicly rooted for anyone, but have you not

1677
01:13:03,880 --> 01:13:07,559
Speaker 17: seen me at the club? Oh you can hear me

1678
01:13:07,600 --> 01:13:16,240
Speaker 17: through the Soundproof story. I very much respect both artists.

1679
01:13:16,360 --> 01:13:19,120
Speaker 17: Drake actually named my album it was good until it wasn't.

1680
01:13:19,120 --> 01:13:20,720
Speaker 17: He showed me a lot of love over time, like

1681
01:13:20,800 --> 01:13:24,559
Speaker 17: publicly privately so as Kendrick like he did. You were

1682
01:13:24,560 --> 01:13:26,400
Speaker 17: having a conversation and I told him what I wanted

1683
01:13:26,400 --> 01:13:27,720
Speaker 17: to name it, and then he was like, no, what's

1684
01:13:27,720 --> 01:13:29,200
Speaker 17: going on in life? And I told him and he

1685
01:13:29,280 --> 01:13:30,679
Speaker 17: was like, and I was like, yeah, I was. Honestly,

1686
01:13:30,720 --> 01:13:32,320
Speaker 17: it was good until it wasn't. He was like, if

1687
01:13:32,360 --> 01:13:34,080
Speaker 17: you don't use it as your album title, I am,

1688
01:13:34,280 --> 01:13:34,559
Speaker 17: And I.

1689
01:13:34,560 --> 01:13:37,000
Speaker 8: Was like, okay, right, you're right. It is a very

1690
01:13:37,080 --> 01:13:38,080
Speaker 8: Drake album title.

1691
01:13:39,760 --> 01:13:42,200
Speaker 17: I think it's it came down to if I'm on

1692
01:13:42,240 --> 01:13:44,640
Speaker 17: some West coach, I'm from the West, Like I know,

1693
01:13:44,840 --> 01:13:47,320
Speaker 17: I know how important this unity is of all of us,

1694
01:13:47,320 --> 01:13:50,400
Speaker 17: and I know how imperative this representation of us is.

1695
01:13:50,560 --> 01:13:51,479
Speaker 8: Like I love Kendrick.

1696
01:13:51,760 --> 01:13:53,880
Speaker 17: That's the only artist I've ever stood in the line

1697
01:13:53,880 --> 01:13:55,840
Speaker 17: and like waiting to get something signed for when I

1698
01:13:55,880 --> 01:13:58,439
Speaker 17: was in high school, like soundtrack to my life. So

1699
01:13:58,600 --> 01:14:02,000
Speaker 17: I have no like personal entrances in anything.

1700
01:14:02,040 --> 01:14:02,880
Speaker 8: I'm just as a.

1701
01:14:02,840 --> 01:14:11,120
Speaker 17: Fan of the music West, just musically, just music. I mean,

1702
01:14:11,160 --> 01:14:13,280
Speaker 17: we have to respect what we what we saw.

1703
01:14:14,560 --> 01:14:15,240
Speaker 4: As base people.

1704
01:14:15,240 --> 01:14:17,000
Speaker 8: Ever since though, oh my god, hilarious.

1705
01:14:17,040 --> 01:14:20,120
Speaker 4: So listen when you sing, not like because it's so catchy.

1706
01:14:20,280 --> 01:14:22,160
Speaker 17: I've had moments where I was like in the club

1707
01:14:22,200 --> 01:14:24,240
Speaker 17: and I've seen that it's a club thing, and I

1708
01:14:24,320 --> 01:14:26,839
Speaker 17: was like, damn, this is crazy. But I also remember

1709
01:14:26,920 --> 01:14:29,920
Speaker 17: every single big disc track in history being able to

1710
01:14:29,920 --> 01:14:33,000
Speaker 17: be played for massive groups of people gathering and it

1711
01:14:33,080 --> 01:14:35,439
Speaker 17: being a thing that everybody is like I was too

1712
01:14:35,479 --> 01:14:38,720
Speaker 17: young for like the Ether era, but like everybody talks

1713
01:14:38,760 --> 01:14:41,000
Speaker 17: about it and they're like this was crazy.

1714
01:14:40,760 --> 01:14:42,679
Speaker 4: Like this is in the club every night, though wasn't

1715
01:14:42,680 --> 01:14:43,080
Speaker 4: in the club.

1716
01:14:43,560 --> 01:14:44,840
Speaker 8: I mean back to Back was in the club.

1717
01:14:45,080 --> 01:14:46,160
Speaker 4: Back to Back was in the club.

1718
01:14:46,360 --> 01:14:49,320
Speaker 17: Yeah, So it's eras it's moments. Honestly, I'm not in

1719
01:14:49,400 --> 01:14:52,040
Speaker 17: hip hop, so I can't speak to the sport of it,

1720
01:14:52,080 --> 01:14:53,160
Speaker 17: but like it's a sport.

1721
01:14:53,320 --> 01:14:55,120
Speaker 4: I guess you have a tech DrAk Like yo, may

1722
01:14:55,160 --> 01:14:56,920
Speaker 4: you did your think nothing to be ashamed about. It

1723
01:14:56,960 --> 01:14:57,320
Speaker 4: was all good.

1724
01:14:57,400 --> 01:14:57,599
Speaker 9: No.

1725
01:14:57,880 --> 01:14:59,720
Speaker 17: I feel like he has real people around him will

1726
01:14:59,720 --> 01:15:01,519
Speaker 17: hold the down, and I feel like it's taken that

1727
01:15:01,600 --> 01:15:06,439
Speaker 17: moment to be like, hey, by the way, let me

1728
01:15:06,479 --> 01:15:07,720
Speaker 17: make sure you know I support you.

1729
01:15:07,800 --> 01:15:09,200
Speaker 8: Yeah, he's got his folks.

1730
01:15:09,439 --> 01:15:13,800
Speaker 4: Damn you mentioned a tour, are doing a crash.

1731
01:15:14,439 --> 01:15:15,120
Speaker 8: Absolutely.

1732
01:15:15,200 --> 01:15:18,400
Speaker 17: I made this album to tours specifically, Like there was

1733
01:15:18,479 --> 01:15:20,519
Speaker 17: so many sounds where I was like, this is gonna

1734
01:15:20,520 --> 01:15:22,360
Speaker 17: be so fun to saying it's gonna be so fun

1735
01:15:22,360 --> 01:15:24,080
Speaker 17: to dance to. It's gonna be so fun to play

1736
01:15:24,120 --> 01:15:26,840
Speaker 17: with a band, so absolutely well, I think for me,

1737
01:15:27,080 --> 01:15:30,040
Speaker 17: touring is the epicenter of my like my career, to

1738
01:15:30,080 --> 01:15:32,720
Speaker 17: the point where sometimes you don't even see you can't

1739
01:15:32,760 --> 01:15:34,799
Speaker 17: even really tell what's going on with the music streaming

1740
01:15:34,800 --> 01:15:36,640
Speaker 17: and charting wise, people are like, what, And then you

1741
01:15:36,680 --> 01:15:38,760
Speaker 17: come to the tour and it's these huge venues and

1742
01:15:38,760 --> 01:15:41,639
Speaker 17: people are like, I actually had no idea because when

1743
01:15:41,640 --> 01:15:43,439
Speaker 17: I look at how it's doing over there, and it's

1744
01:15:43,439 --> 01:15:47,160
Speaker 17: just a classic example for me of like impact versus

1745
01:15:47,240 --> 01:15:50,439
Speaker 17: you know, numbers, and my shows are huge. My shows

1746
01:15:50,439 --> 01:15:53,280
Speaker 17: are a blast. Everybody has a great time, everybody feels safe,

1747
01:15:53,360 --> 01:15:54,400
Speaker 17: everybody has fun.

1748
01:15:54,680 --> 01:15:56,559
Speaker 8: Like that is what's important to me. So we're gonna

1749
01:15:56,560 --> 01:15:57,160
Speaker 8: do it again, for.

1750
01:15:57,120 --> 01:15:59,680
Speaker 14: Sure, that's what's up, because by then I would hit

1751
01:15:59,720 --> 01:16:01,080
Speaker 14: my baby and I can get big half.

1752
01:16:03,960 --> 01:16:06,559
Speaker 8: You miss it very much, Okay, I'm.

1753
01:16:06,479 --> 01:16:06,760
Speaker 9: Not like you.

1754
01:16:07,040 --> 01:16:10,800
Speaker 4: I'm going to smoke. Okay, but go backwards though.

1755
01:16:11,200 --> 01:16:13,920
Speaker 8: Yeah, yeah, that's good. I'm trying to.

1756
01:16:13,960 --> 01:16:16,240
Speaker 17: I'm starting to get off the backwoods movement with all

1757
01:16:16,240 --> 01:16:16,679
Speaker 17: the friends.

1758
01:16:17,240 --> 01:16:19,240
Speaker 4: Take care of your play based medicines.

1759
01:16:20,200 --> 01:16:22,920
Speaker 8: I like CBD a lot. I like mushrooms.

1760
01:16:23,040 --> 01:16:24,680
Speaker 17: I ate a lot of mushrooms making this album. You

1761
01:16:24,760 --> 01:16:26,720
Speaker 17: might could tell there's some on here.

1762
01:16:26,840 --> 01:16:30,840
Speaker 3: Yeah, well the album Crash is out now. What you

1763
01:16:30,880 --> 01:16:32,960
Speaker 3: want to hear, don't say after hours. We played that already,

1764
01:16:32,960 --> 01:16:34,959
Speaker 3: so you besides that, play.

1765
01:16:34,760 --> 01:16:37,400
Speaker 8: Deep Deep one thing. That's a fun one.

1766
01:16:37,479 --> 01:16:39,680
Speaker 3: Deep all right, let's get into Deep right now. Make

1767
01:16:39,720 --> 01:16:41,200
Speaker 3: sure you pick up the album if you haven't got

1768
01:16:41,240 --> 01:16:44,519
Speaker 3: it already. Congratulations on everything. Love the fact that you're

1769
01:16:44,560 --> 01:16:45,000
Speaker 3: just happy.

1770
01:16:45,080 --> 01:16:48,600
Speaker 1: You just look, that's happy that you are in a

1771
01:16:48,600 --> 01:16:49,240
Speaker 1: place of peace.

1772
01:16:50,600 --> 01:16:53,080
Speaker 3: Well, it's Kane, ladies and gentlemen, it's the Breakfast Class.

1773
01:16:53,880 --> 01:16:57,920
Speaker 3: Warning everybody to see j ND just hilarious. Charlamagne the guy.

1774
01:16:58,000 --> 01:17:00,240
Speaker 3: We are the Breakfast Club. We have a special shoe

1775
01:17:00,280 --> 01:17:03,679
Speaker 3: gets in the building today. She's part of our family,

1776
01:17:03,680 --> 01:17:04,880
Speaker 3: part of the Breakfast Club family.

1777
01:17:04,960 --> 01:17:05,800
Speaker 4: Of course. That's right.

1778
01:17:05,840 --> 01:17:07,519
Speaker 1: If you've ever been up here to the Breakfast Club

1779
01:17:07,520 --> 01:17:09,880
Speaker 1: over the last fifteen years, at some point you saw

1780
01:17:10,160 --> 01:17:11,160
Speaker 1: this this woman.

1781
01:17:10,920 --> 01:17:11,439
Speaker 4: Miss Anita.

1782
01:17:11,479 --> 01:17:14,479
Speaker 3: That's right, Miss Anita. She held down the front desk

1783
01:17:14,479 --> 01:17:15,360
Speaker 3: for how long, miss Anita?

1784
01:17:15,680 --> 01:17:16,320
Speaker 13: Eighteen years?

1785
01:17:16,360 --> 01:17:18,280
Speaker 4: Eighteen years, she's wonderful years.

1786
01:17:18,280 --> 01:17:19,840
Speaker 3: Have you face that you see when you walk in

1787
01:17:19,880 --> 01:17:22,280
Speaker 3: the door if you're sad, if you're upset, She's gonna

1788
01:17:22,320 --> 01:17:23,840
Speaker 3: give you that boost energy.

1789
01:17:23,640 --> 01:17:26,200
Speaker 4: That great hug, that great hug in the morning. Yes,

1790
01:17:26,320 --> 01:17:27,080
Speaker 4: ladies and gentlemen.

1791
01:17:27,080 --> 01:17:29,559
Speaker 3: And she has a new book, hip Hop Time Capsule

1792
01:17:29,600 --> 01:17:32,439
Speaker 3: out right now, Ladies and gentlemen, How do you put

1793
01:17:32,439 --> 01:17:32,920
Speaker 3: on your listener?

1794
01:17:33,000 --> 01:17:35,559
Speaker 4: Your last Miss Anita Scipio.

1795
01:17:35,680 --> 01:17:38,320
Speaker 9: Actually, the book will be out next Friday on Amazon,

1796
01:17:38,840 --> 01:17:41,400
Speaker 9: and I'm really really excited about it. It's called hip

1797
01:17:41,400 --> 01:17:44,599
Speaker 9: Hop Time Capsule. Document your personal journey.

1798
01:17:44,600 --> 01:17:46,160
Speaker 4: You see what happens when you retired.

1799
01:17:46,080 --> 01:17:48,280
Speaker 13: Your time, I had plenty of time to do a

1800
01:17:48,360 --> 01:17:49,000
Speaker 13: lot of stuff.

1801
01:17:49,200 --> 01:17:52,439
Speaker 10: So this is this is one of two books that

1802
01:17:52,479 --> 01:17:52,920
Speaker 10: I'll be doing.

1803
01:17:52,960 --> 01:17:55,759
Speaker 9: It's gonna be doing a series, but for right now,

1804
01:17:55,800 --> 01:18:00,400
Speaker 9: this is this has one hundred questions for people to

1805
01:18:00,439 --> 01:18:04,880
Speaker 9: document their experience, their love and their knowledge.

1806
01:18:04,439 --> 01:18:08,679
Speaker 10: Of hip hop. So their prompt questions I feel.

1807
01:18:08,760 --> 01:18:11,840
Speaker 9: I went to the fiftieth anniversary of Hip Hop and

1808
01:18:11,920 --> 01:18:15,800
Speaker 9: Yankee Stadium and I saw people, They're all ages with

1809
01:18:15,880 --> 01:18:19,599
Speaker 9: their hip hop gear from seventy to fifteen. It looked

1810
01:18:19,640 --> 01:18:22,479
Speaker 9: like everybody, And I said, each one of those people

1811
01:18:22,560 --> 01:18:23,880
Speaker 9: have a story.

1812
01:18:23,479 --> 01:18:24,960
Speaker 10: About what hip hop means to them.

1813
01:18:25,000 --> 01:18:27,480
Speaker 9: Yeah, of course, and I didn't see anything on Amazon

1814
01:18:27,760 --> 01:18:31,000
Speaker 9: that has prompt questions that invite people to tell their stories.

1815
01:18:31,360 --> 01:18:33,080
Speaker 10: So I said, okay, I.

1816
01:18:32,960 --> 01:18:38,400
Speaker 9: Invited my brother Djcipio Charlemagne. You know how Djcipio he

1817
01:18:38,479 --> 01:18:41,000
Speaker 9: was born and raised in New York City and then

1818
01:18:41,479 --> 01:18:44,880
Speaker 9: moved to South Carolina and he's killing it down there,

1819
01:18:45,240 --> 01:18:46,160
Speaker 9: and I invite him.

1820
01:18:46,200 --> 01:18:47,519
Speaker 10: I said, come and help.

1821
01:18:47,360 --> 01:18:49,880
Speaker 9: Me get these questions together so we can get people

1822
01:18:49,960 --> 01:18:53,519
Speaker 9: to tell their personal journey about hip hop. I added

1823
01:18:53,560 --> 01:18:59,160
Speaker 9: fifty trivia questions and answers, and then fifty quotes from

1824
01:18:59,240 --> 01:19:03,160
Speaker 9: the biggest ledge and hip hop that are positive and timeless.

1825
01:19:03,400 --> 01:19:05,160
Speaker 9: So twenty years from now, you can go back and

1826
01:19:05,160 --> 01:19:08,240
Speaker 9: find a quote that's gonna still resonate with you. And

1827
01:19:08,840 --> 01:19:13,519
Speaker 9: then my brother and I we documented. We answered the

1828
01:19:13,640 --> 01:19:17,120
Speaker 9: very questions that we're asking of others, so in doing so,

1829
01:19:17,360 --> 01:19:19,240
Speaker 9: we're telling our story as well.

1830
01:19:21,200 --> 01:19:22,840
Speaker 10: And then to top it off, if.

1831
01:19:22,720 --> 01:19:25,960
Speaker 9: We mentioned a song or a point in history that

1832
01:19:26,040 --> 01:19:28,360
Speaker 9: was very important to us, we have a q R

1833
01:19:28,520 --> 01:19:30,680
Speaker 9: code that you could put your phone right up to

1834
01:19:30,720 --> 01:19:34,120
Speaker 9: the book and you're there, so it's interactive. If I

1835
01:19:34,200 --> 01:19:36,559
Speaker 9: talk about salt and pepper and how much a particular

1836
01:19:36,640 --> 01:19:38,200
Speaker 9: song met to the culture.

1837
01:19:38,640 --> 01:19:40,280
Speaker 10: Salt and Pepper song is going to be there.

1838
01:19:40,360 --> 01:19:42,600
Speaker 9: Wow, And so we kind of do the work for

1839
01:19:42,680 --> 01:19:45,040
Speaker 9: people who are trying to learn about hip hop and

1840
01:19:45,240 --> 01:19:46,439
Speaker 9: who love hip hop.

1841
01:19:46,880 --> 01:19:48,519
Speaker 10: So we're very proud.

1842
01:19:48,600 --> 01:19:51,479
Speaker 9: I'm very proud of it. Yes, it was a long

1843
01:19:51,680 --> 01:19:54,920
Speaker 9: hard time coming. But I'm sitting on the Breakfast club

1844
01:19:55,000 --> 01:19:56,160
Speaker 9: right now. I don't even know what.

1845
01:19:56,160 --> 01:19:57,080
Speaker 10: To do with myself.

1846
01:19:57,200 --> 01:19:59,800
Speaker 3: I'm so great, Well, you said eighteen years So yes,

1847
01:20:00,160 --> 01:20:02,519
Speaker 3: into a bunch of celebrities, a bunch of guests, a

1848
01:20:02,600 --> 01:20:05,120
Speaker 3: bunch of family members who are some of your favorites.

1849
01:20:05,439 --> 01:20:10,120
Speaker 3: And what dog Snoop Snoop Dogg smoke with you?

1850
01:20:10,600 --> 01:20:12,640
Speaker 10: He was gonna offer me a nip? He said, he

1851
01:20:12,680 --> 01:20:13,599
Speaker 10: would give me a nip.

1852
01:20:13,800 --> 01:20:14,879
Speaker 4: May melon the breakfast.

1853
01:20:16,000 --> 01:20:19,639
Speaker 9: You ask him, So you're gonna give missipp Missa a nip?

1854
01:20:19,720 --> 01:20:20,640
Speaker 10: He said, yeah, I'll give her.

1855
01:20:22,600 --> 01:20:29,440
Speaker 9: Okay, every time Snoop Dogg and Whiskeyly forgot off the elevator,

1856
01:20:29,479 --> 01:20:31,599
Speaker 9: all you see is a puff of smoke and then

1857
01:20:31,640 --> 01:20:34,800
Speaker 9: they would just appear. So I love Snoop Dogg, but

1858
01:20:34,920 --> 01:20:38,400
Speaker 9: as so many other artists and legends that I love

1859
01:20:38,520 --> 01:20:41,919
Speaker 9: so much, And so that I go into more detail

1860
01:20:42,040 --> 01:20:42,719
Speaker 9: in hip.

1861
01:20:42,479 --> 01:20:43,400
Speaker 10: Hop time capsule.

1862
01:20:43,479 --> 01:20:46,480
Speaker 9: The next chapter where I have all of my pictures

1863
01:20:46,520 --> 01:20:50,040
Speaker 9: with them and I tell personal stories about each of them.

1864
01:20:50,280 --> 01:20:52,920
Speaker 9: So you're gonna find some stories in this one, But

1865
01:20:53,120 --> 01:20:56,439
Speaker 9: in the next book, it's a more detailed story of

1866
01:20:56,479 --> 01:20:59,880
Speaker 9: our bond and the mutual respect and love that we

1867
01:21:00,200 --> 01:21:01,880
Speaker 9: for each other. As a matter of fact, when you

1868
01:21:01,920 --> 01:21:04,240
Speaker 9: see the pictures, you can tell that there's a real

1869
01:21:04,320 --> 01:21:07,519
Speaker 9: bond there. I talk about d m X and how

1870
01:21:07,560 --> 01:21:11,120
Speaker 9: he came on his birthday and uh, and he.

1871
01:21:11,040 --> 01:21:15,920
Speaker 10: Was sipping some hennessye yeah, and he he he came over.

1872
01:21:16,000 --> 01:21:18,800
Speaker 9: He said, Auntie, anytime you hear my name, I want

1873
01:21:18,800 --> 01:21:20,679
Speaker 9: you to pray for me. And I said that I would.

1874
01:21:20,880 --> 01:21:23,200
Speaker 9: Anytime you hear my name see my face.

1875
01:21:23,479 --> 01:21:24,800
Speaker 10: So I said, I will do that.

1876
01:21:25,760 --> 01:21:26,000
Speaker 8: Uh.

1877
01:21:26,040 --> 01:21:27,880
Speaker 10: So he left about an hour.

1878
01:21:27,960 --> 01:21:30,040
Speaker 9: About a half an hour later, I go down to lunch.

1879
01:21:30,439 --> 01:21:32,679
Speaker 9: DMX is down there by the hot dog stand.

1880
01:21:32,920 --> 01:21:33,880
Speaker 4: You want a hot dog?

1881
01:21:34,200 --> 01:21:35,840
Speaker 10: He's offering people hot dogs, and.

1882
01:21:35,840 --> 01:21:39,040
Speaker 9: People are like what DMX was buying people hot dogs?

1883
01:21:39,360 --> 01:21:47,559
Speaker 4: So I remember, yeah, he was up. I was right.

1884
01:21:48,200 --> 01:21:51,639
Speaker 9: So so I have great stories. I have some stories

1885
01:21:51,640 --> 01:21:54,000
Speaker 9: in here, but the main focus of this book is

1886
01:21:54,000 --> 01:21:56,960
Speaker 9: for people to document their own journey you know. I

1887
01:21:56,960 --> 01:22:00,479
Speaker 9: mean at a time when you know other people can

1888
01:22:00,720 --> 01:22:04,000
Speaker 9: lay claim to certain aspects of hip hop. I just

1889
01:22:04,040 --> 01:22:06,519
Speaker 9: wanted to be documented what people have gone through, what

1890
01:22:06,560 --> 01:22:09,320
Speaker 9: it means to them. And you're gonna learn a whole

1891
01:22:09,320 --> 01:22:11,720
Speaker 9: lot about hip hop in the intim So.

1892
01:22:12,160 --> 01:22:14,160
Speaker 1: Missus Nito one of those people who reminds you that

1893
01:22:14,439 --> 01:22:17,560
Speaker 1: whatever you're doing, just be the best at it.

1894
01:22:17,640 --> 01:22:18,000
Speaker 4: That's right.

1895
01:22:18,000 --> 01:22:20,519
Speaker 9: Be the best at it, that's right. I love you

1896
01:22:20,520 --> 01:22:22,760
Speaker 9: know what doctor King said it. Even if you're a

1897
01:22:22,760 --> 01:22:25,840
Speaker 9: street sweeper, you know, be the best at it. You know,

1898
01:22:25,960 --> 01:22:28,599
Speaker 9: do it, do it right, be proud of what you do.

1899
01:22:28,920 --> 01:22:31,240
Speaker 9: So when I was tired, I was looking for a purpose.

1900
01:22:31,280 --> 01:22:34,680
Speaker 9: I'm like, God, I need something to focus on. And

1901
01:22:34,720 --> 01:22:38,800
Speaker 9: it was that experience at the Hip Hop fiftieth anniversary,

1902
01:22:39,240 --> 01:22:42,040
Speaker 9: And it came to me like that that all of

1903
01:22:42,040 --> 01:22:44,640
Speaker 9: those people, those hundreds of thousands of people sitting in

1904
01:22:44,680 --> 01:22:48,760
Speaker 9: those seats, have a story why they are there. And

1905
01:22:49,160 --> 01:22:52,960
Speaker 9: so hip Hop Time Capsule document your personal journey, right,

1906
01:22:53,120 --> 01:22:56,599
Speaker 9: that was the that was the impetus to do the books.

1907
01:22:56,640 --> 01:22:59,040
Speaker 3: Now you have a strong bomb with a comedian that

1908
01:22:59,080 --> 01:23:07,040
Speaker 3: people might not know God, a big name, real local.

1909
01:23:07,800 --> 01:23:09,040
Speaker 4: Why are you playing around.

1910
01:23:11,680 --> 01:23:12,639
Speaker 10: There was Donell.

1911
01:23:13,200 --> 01:23:16,880
Speaker 4: I love Donall. He took you to the lake and.

1912
01:23:16,800 --> 01:23:18,759
Speaker 10: All of Donell took me to the lake.

1913
01:23:18,840 --> 01:23:23,479
Speaker 13: He flewed me out. He flewed me out twice.

1914
01:23:23,800 --> 01:23:25,360
Speaker 10: Okay, Donell.

1915
01:23:26,200 --> 01:23:30,280
Speaker 9: He invited me to go to donell Land and I

1916
01:23:30,280 --> 01:23:33,719
Speaker 9: think that was in August. I'm not I can't remember

1917
01:23:33,760 --> 01:23:35,640
Speaker 9: right off the top of my head. Put me in

1918
01:23:35,720 --> 01:23:40,439
Speaker 9: the best hotel. It was a wonderful experience, so much love,

1919
01:23:40,600 --> 01:23:44,439
Speaker 9: people of all ethnic backgrounds just loving each other, having

1920
01:23:44,560 --> 01:23:47,840
Speaker 9: the most awesome time. Then he flewed me back out

1921
01:23:47,880 --> 01:23:50,960
Speaker 9: again for the fourth of July. Then I'm hanging around

1922
01:23:51,000 --> 01:23:56,320
Speaker 9: with with uh Dave Chappelle and his wife Elaine with

1923
01:23:56,479 --> 01:24:00,880
Speaker 9: Common and Uh. It was just beautiful and he just

1924
01:24:00,920 --> 01:24:03,559
Speaker 9: shows me so much love. He had a car sent

1925
01:24:04,040 --> 01:24:07,080
Speaker 9: for me, uh to go to his comedy show in

1926
01:24:07,400 --> 01:24:08,040
Speaker 9: New Jersey.

1927
01:24:08,760 --> 01:24:10,120
Speaker 4: Car service over it was.

1928
01:24:11,360 --> 01:24:16,400
Speaker 10: It was actual car service. He doesn't play about me.

1929
01:24:16,720 --> 01:24:18,120
Speaker 10: You know what I'm saying.

1930
01:24:18,680 --> 01:24:23,400
Speaker 9: I just from He was hysterical, absolutely hysterical.

1931
01:24:24,520 --> 01:24:26,720
Speaker 10: And I'm not just saying that because I love him.

1932
01:24:26,760 --> 01:24:28,240
Speaker 10: He was hysterical.

1933
01:24:28,439 --> 01:24:29,680
Speaker 4: You the funny guy.

1934
01:24:30,439 --> 01:24:33,840
Speaker 9: You got to give it to him.

1935
01:24:33,880 --> 01:24:35,360
Speaker 10: So yeah, I love Darnelle.

1936
01:24:35,439 --> 01:24:38,120
Speaker 9: He he you know, he took me away from YouTube

1937
01:24:38,520 --> 01:24:41,439
Speaker 9: and said come on, and I felt like a celebrity again.

1938
01:24:41,479 --> 01:24:43,679
Speaker 10: You know what I'm saying. It just felt so good.

1939
01:24:45,240 --> 01:24:49,880
Speaker 10: Oh heck yeah, definitely you envy And so are you.

1940
01:24:50,160 --> 01:24:52,120
Speaker 13: Jenny Wars.

1941
01:24:52,160 --> 01:24:55,720
Speaker 9: You're in the book, of course, yes. And my son

1942
01:24:55,760 --> 01:25:00,479
Speaker 9: over there is in the book too. Absolutely, I couldn't

1943
01:25:00,479 --> 01:25:03,160
Speaker 9: tell my iHeart story without you guys help.

1944
01:25:03,280 --> 01:25:03,920
Speaker 8: Did I do that?

1945
01:25:04,520 --> 01:25:04,640
Speaker 4: So?

1946
01:25:05,040 --> 01:25:07,040
Speaker 10: I mean, holy cal I'm on the breakfast book.

1947
01:25:07,280 --> 01:25:08,840
Speaker 4: Yeah, we'll tell them what he can get the book

1948
01:25:08,960 --> 01:25:10,080
Speaker 4: hip Hop Time Capsule.

1949
01:25:10,200 --> 01:25:13,400
Speaker 9: That's right, hip Hop Time Capsule, Document your personal Journey.

1950
01:25:13,400 --> 01:25:15,000
Speaker 10: It's gonna be on Amazon this.

1951
01:25:15,080 --> 01:25:17,880
Speaker 9: Friday, and I hope you'll all go out and get

1952
01:25:17,920 --> 01:25:21,360
Speaker 9: a copy. It'll make a great Christmas gift. And like

1953
01:25:21,439 --> 01:25:24,240
Speaker 9: I said, me and my brother DJ Scipio, we put

1954
01:25:24,280 --> 01:25:25,320
Speaker 9: this together and.

1955
01:25:25,200 --> 01:25:26,320
Speaker 10: We hope you enjoy it.

1956
01:25:26,360 --> 01:25:27,880
Speaker 4: You will Smith for you too.

1957
01:25:28,040 --> 01:25:31,120
Speaker 9: Absolutely, I'm gonna make a bunch of copies and make

1958
01:25:31,160 --> 01:25:34,719
Speaker 9: sure that everybody gets it. A lot of celebrities named

1959
01:25:34,760 --> 01:25:37,120
Speaker 9: in this book, and I want them all to have copies,

1960
01:25:37,360 --> 01:25:39,960
Speaker 9: So I'm gonna work that out as soon as I can.

1961
01:25:40,400 --> 01:25:44,080
Speaker 3: All right, Well, Misten that we appreciate you for joining.

1962
01:25:43,880 --> 01:25:46,519
Speaker 9: For having the happy holidays to you all and I

1963
01:25:46,600 --> 01:25:49,519
Speaker 9: love you all, bless you all, and thank you again.

1964
01:25:49,680 --> 01:25:52,160
Speaker 4: It's the Breakfast Club. Good morning morning. Everybody is the

1965
01:25:52,160 --> 01:25:55,799
Speaker 4: EJ n B. Chelomy the guy. We are the breakfast Clubs.

1966
01:25:56,360 --> 01:25:58,719
Speaker 1: Charlama, you got a positive Nope, listen to positive. Notice

1967
01:25:58,720 --> 01:26:01,360
Speaker 1: Simply this man want you to remember this this weekend.

1968
01:26:01,720 --> 01:26:04,280
Speaker 1: The only limits you have are the limits you believe.

1969
01:26:04,360 --> 01:26:07,679
Speaker 4: You have breakfast club bites you don't finish for y'all done,