1 00:00:00,040 --> 00:00:03,320 Speaker 1: Hey, listeners, it's James Parker. Can you keep a secret? 2 00:00:03,520 --> 00:00:06,080 Speaker 1: The next episode of Daughters of d C is up next, 3 00:00:06,480 --> 00:00:12,920 Speaker 1: But first a quick word from our sponsor, iin Horn's 4 00:00:12,920 --> 00:00:16,360 Speaker 1: Epic Productions, and I heard Radio present Daughters of DC. 5 00:00:19,239 --> 00:00:22,560 Speaker 1: The most powerful weapon in the world is a computer. 6 00:00:23,160 --> 00:00:27,360 Speaker 1: Whatever you wanted to do, a faithfully complies. Tell it 7 00:00:27,400 --> 00:00:31,760 Speaker 1: to add numbers. It has numbers. Tell it to scramble code. 8 00:00:32,360 --> 00:00:35,760 Speaker 1: It becomes a dead boat. Tell it to activate someone 9 00:00:35,760 --> 00:00:40,920 Speaker 1: else's camera and microphone, and it becomes your eyes and ears. 10 00:00:41,920 --> 00:00:44,080 Speaker 1: For a person who knows how to think about it 11 00:00:44,120 --> 00:00:50,400 Speaker 1: the right way, their computer gives them a literal supermour. Oh, 12 00:00:50,560 --> 00:00:55,240 Speaker 1: James Parker, As you and your friends sleep tonight, I 13 00:00:55,320 --> 00:00:59,760 Speaker 1: can see you are on the precipice of greatness. I'd 14 00:00:59,800 --> 00:01:03,840 Speaker 1: be roundholding if you weren't barreling head first in two 15 00:01:03,920 --> 00:01:09,920 Speaker 1: years of careful mechanations. But all superheroes have a weakness, 16 00:01:11,120 --> 00:01:22,760 Speaker 1: and I know your card tonight. It's no secret that 17 00:01:22,800 --> 00:01:27,000 Speaker 1: in Washington, d C. Corruption is everywhere. You could say 18 00:01:27,040 --> 00:01:30,080 Speaker 1: it's gone viral. That's why my friends and I decided 19 00:01:30,120 --> 00:01:34,600 Speaker 1: to take on the system from the inside. I'm James, 20 00:01:34,760 --> 00:01:38,160 Speaker 1: I'm Peyton I'm Celia, I'm Natalie, and we're the Daughters 21 00:01:38,200 --> 00:01:47,600 Speaker 1: of DC. It's Saturday night, and the Daughters of DC 22 00:01:47,840 --> 00:01:50,200 Speaker 1: are back together again, just like it used to be. 23 00:01:51,200 --> 00:01:54,200 Speaker 1: Of course, nothing is ever just like it used to be. 24 00:01:54,760 --> 00:01:57,680 Speaker 1: Now Here we are in high school, protecting Peyton from 25 00:01:57,680 --> 00:02:01,160 Speaker 1: a vicious gas lighting campaign, and to make matters worse, 26 00:02:01,600 --> 00:02:04,040 Speaker 1: we all have different reasons to be distrustful of our 27 00:02:04,080 --> 00:02:10,840 Speaker 1: own parents. Still together, we're strong. We're a team. Laying 28 00:02:10,840 --> 00:02:13,639 Speaker 1: in bed and thinking about it all. Despite all the 29 00:02:13,720 --> 00:02:17,200 Speaker 1: chaos and uncertainty, I felt like I really had my 30 00:02:17,280 --> 00:02:21,800 Speaker 1: friends back for the first time in a long long time. 31 00:02:27,680 --> 00:02:31,640 Speaker 1: I can't sleep. Oh sorry, and like keeping you up? No, 32 00:02:32,680 --> 00:02:37,000 Speaker 1: what are you doing? It's stupid. I'm scrolling through Twitter 33 00:02:37,080 --> 00:02:44,359 Speaker 1: and reading all this stuff about me. Why mm hmm, 34 00:02:46,040 --> 00:02:50,560 Speaker 1: it's hard not to engage. You know those are mostly abouts, right. 35 00:02:51,120 --> 00:02:55,840 Speaker 1: I'm sorry you guys, go back to sleep. I'll I'll 36 00:02:55,880 --> 00:02:59,280 Speaker 1: turn it off. Girl. You do you if you need 37 00:02:59,280 --> 00:03:05,160 Speaker 1: to obsess, I say obsess anger is a good thing. Besides, 38 00:03:05,200 --> 00:03:09,200 Speaker 1: I can't sleep anyway, not after tonight's excitement. Yeah, same 39 00:03:09,840 --> 00:03:14,400 Speaker 1: me too. I just can't stop thinking. Who would spend 40 00:03:14,440 --> 00:03:16,520 Speaker 1: all this money just to keep the patent is a 41 00:03:16,560 --> 00:03:20,600 Speaker 1: liar hashtag trending. Even when it's obvious that it's all boughts, 42 00:03:20,760 --> 00:03:25,840 Speaker 1: they're still keeping it up. It's read obviously Yeah, but 43 00:03:26,160 --> 00:03:30,280 Speaker 1: isn't that illegal? I don't think so. It would look 44 00:03:30,320 --> 00:03:32,240 Speaker 1: bad if it came out that he was behind an 45 00:03:32,320 --> 00:03:35,760 Speaker 1: organized campaign to gas light a teenage girl, though if 46 00:03:35,760 --> 00:03:40,200 Speaker 1: we could prove that. Sure, let me grab my laptop. 47 00:03:44,720 --> 00:03:48,920 Speaker 1: What are you doing? Just checking something? There might be 48 00:03:49,000 --> 00:03:56,480 Speaker 1: a way to actually, yeah, maybe maybe? What did you 49 00:03:56,520 --> 00:04:03,920 Speaker 1: find something? Alexa? Play cool electronic music? Playing cool electronic music? 50 00:04:05,840 --> 00:04:10,280 Speaker 1: What is this? It gets me in the mood, Like God, 51 00:04:10,480 --> 00:04:13,680 Speaker 1: you really are the biggest nerve the mood for what 52 00:04:14,440 --> 00:04:20,920 Speaker 1: I'll show you. Storm Alloy adaciency around the corner, her 53 00:04:20,960 --> 00:04:24,080 Speaker 1: trusting DECRYPTI busting snugly in her holster, she traverses the 54 00:04:24,080 --> 00:04:30,680 Speaker 1: first gate. Damn firewall. There's no other way in sight, 55 00:04:31,080 --> 00:04:33,920 Speaker 1: but that's never stopped her before. Storm Alloy is not 56 00:04:34,000 --> 00:04:36,160 Speaker 1: one to be deterred, not when she comes equip with 57 00:04:36,200 --> 00:04:42,320 Speaker 1: the level four pass code in her back pocket. Easy 58 00:04:42,360 --> 00:04:49,719 Speaker 1: when you have the right tools, enter the box exactly 59 00:04:49,760 --> 00:04:56,240 Speaker 1: on cue. But they are no match for the endlessly 60 00:04:56,320 --> 00:05:07,760 Speaker 1: savvy and confidently sexy Storm m James, James, James, why 61 00:05:07,760 --> 00:05:11,839 Speaker 1: are you talking like that? Like? What like that? How 62 00:05:11,960 --> 00:05:15,599 Speaker 1: was I talking? You were like storm alloy something something 63 00:05:15,640 --> 00:05:19,719 Speaker 1: pass key. No, No, I wasn't chest you totally were 64 00:05:19,760 --> 00:05:23,880 Speaker 1: you were? I was? I guess I got carried away. Sorry, 65 00:05:23,920 --> 00:05:27,280 Speaker 1: it's something that I do. Don't be sorry, it's very endearing. 66 00:05:28,920 --> 00:05:39,080 Speaker 1: Oh okay, so back to it. Storm around the next 67 00:05:39,120 --> 00:05:44,120 Speaker 1: corner and oh no, are we aerative function zero zero 68 00:05:44,400 --> 00:05:50,159 Speaker 1: zero zero zero one zero one one one one one 69 00:05:50,240 --> 00:06:04,680 Speaker 1: zero one zero zero one zero. Damn what just happened exactly? 70 00:06:05,080 --> 00:06:06,960 Speaker 1: I thought I might be able to upload malware that 71 00:06:07,000 --> 00:06:09,920 Speaker 1: could decrypt Read's financial information, maybe tie him to the 72 00:06:09,960 --> 00:06:14,919 Speaker 1: bot farm, but his counterspy were outsmarted me. Oh take it. 73 00:06:15,400 --> 00:06:22,800 Speaker 1: That's okay, James. I appreciate you trying. Actually, I do 74 00:06:22,920 --> 00:06:29,640 Speaker 1: know someone else who might be able to help. Onyx 75 00:06:30,080 --> 00:06:33,640 Speaker 1: wake up. It's an emergency. I need your backdoor pass key, 76 00:06:34,200 --> 00:06:38,680 Speaker 1: sending you the code. I'm looking at whoa Storm. It's 77 00:06:38,760 --> 00:06:42,880 Speaker 1: late and I don't know it's one of the theoretical 78 00:06:42,960 --> 00:06:47,120 Speaker 1: entity at this point, and this is heavy stuff. Well, 79 00:06:47,160 --> 00:06:49,080 Speaker 1: what better way to run it than a real time trial? 80 00:06:49,839 --> 00:06:53,360 Speaker 1: Onyx raider versus the United States government, whose code will 81 00:06:53,360 --> 00:06:59,400 Speaker 1: prove to be the more robust. Mm hmm. Okay, First, 82 00:06:59,640 --> 00:07:02,160 Speaker 1: when the to patch in a modified subroutine that reverse 83 00:07:02,200 --> 00:07:06,039 Speaker 1: engineers the hashing function, then we're going to dummy profile 84 00:07:06,080 --> 00:07:09,640 Speaker 1: on my simulator mode. Once we bypass the authentication protocol, 85 00:07:09,800 --> 00:07:11,720 Speaker 1: it should just be a matter of running a jamming 86 00:07:11,720 --> 00:07:15,000 Speaker 1: pattern across the rainbow table to temporarily just about the incruption. 87 00:07:15,480 --> 00:07:20,960 Speaker 1: Then we're theoretically on brain. It's almost too easy to 88 00:07:21,040 --> 00:07:23,000 Speaker 1: meet me over the north face of the rainbow table. 89 00:07:23,240 --> 00:07:28,120 Speaker 1: Will survey for anything unusual? Got you? Nice to see 90 00:07:28,120 --> 00:07:30,600 Speaker 1: you now? You never make it? Would I ever let 91 00:07:30,600 --> 00:07:33,280 Speaker 1: a team down. Let me just bust out my sider 92 00:07:33,280 --> 00:07:39,240 Speaker 1: and have a look storm there. Notice anything peculiar? The 93 00:07:39,240 --> 00:07:43,840 Speaker 1: boolean value is inverted. I don't have any idea what's 94 00:07:43,840 --> 00:07:46,360 Speaker 1: going on right now. I can't get over how adorable 95 00:07:46,440 --> 00:07:49,360 Speaker 1: this is. I've never seen this side of James or 96 00:07:49,400 --> 00:07:53,600 Speaker 1: Adrian before. I might actually throw up in my mouth 97 00:07:53,640 --> 00:07:57,240 Speaker 1: a little bit. So that means if I patch in 98 00:07:57,280 --> 00:08:00,440 Speaker 1: a little code here, and if I upset the logic 99 00:08:00,520 --> 00:08:10,280 Speaker 1: value there, together, how is combined we're in. I'm actually 100 00:08:10,720 --> 00:08:14,160 Speaker 1: a little surprised that words. I mean, it should have worked. 101 00:08:14,760 --> 00:08:19,040 Speaker 1: I've just never done that before, so I guess I 102 00:08:19,080 --> 00:08:26,080 Speaker 1: was your your first time done? Well? Yeah, thanks, Adrian, 103 00:08:27,120 --> 00:08:30,200 Speaker 1: pin you if you run into any more trouble. Yeah. Okay, 104 00:08:30,800 --> 00:08:37,320 Speaker 1: Lady James, Okay, that was pretty sexy. Still the nerdiest 105 00:08:37,320 --> 00:08:44,480 Speaker 1: thing I've ever seen, but for sure sexy. Nothing. Mom, 106 00:08:44,640 --> 00:08:53,440 Speaker 1: we're just playing a video game. Okay, Sorry, I can't 107 00:08:53,520 --> 00:08:56,920 Speaker 1: believe we're in Okay, great, and now what what are 108 00:08:56,920 --> 00:09:01,280 Speaker 1: we looking at? Exactly? Router numbers, directories to offer or accounts. This, 109 00:09:01,480 --> 00:09:04,240 Speaker 1: my friends, is basically the skeleton key to all of 110 00:09:04,320 --> 00:09:10,600 Speaker 1: Judge Reid's finances. Holy crap, who are you? You can 111 00:09:10,640 --> 00:09:16,320 Speaker 1: just call me storm alloy, although, actually don't. That's a secret. 112 00:09:16,440 --> 00:09:20,920 Speaker 1: Let's just keep that between us. What's that right there? 113 00:09:21,480 --> 00:09:27,599 Speaker 1: That's nothing, just gibberish. No, actually, wait a minute, that's strange. 114 00:09:28,960 --> 00:09:34,000 Speaker 1: What it looks like he's trying to break up alternating 115 00:09:34,040 --> 00:09:37,240 Speaker 1: frames of a video file and spread them across dozens 116 00:09:37,280 --> 00:09:42,360 Speaker 1: of empty files. Why would he do that? This is 117 00:09:42,480 --> 00:09:46,400 Speaker 1: very weird. Look at this? What is it? I don't know. 118 00:09:47,000 --> 00:09:53,880 Speaker 1: Let me just do this and then this, then this 119 00:09:54,040 --> 00:10:00,199 Speaker 1: and then Clay oh said, do you want that to 120 00:10:00,240 --> 00:10:04,240 Speaker 1: speak about the solidly case. Again, that's right Justice, that's 121 00:10:04,280 --> 00:10:07,600 Speaker 1: just as Ramirez r I p and that's Judge Reid. 122 00:10:08,640 --> 00:10:11,760 Speaker 1: But what's he's always pained me? Did? We don't agree 123 00:10:11,800 --> 00:10:15,360 Speaker 1: on much? You came all the way here just to 124 00:10:15,400 --> 00:10:19,560 Speaker 1: say that. It's like a phone call would have worked, 125 00:10:20,000 --> 00:10:28,719 Speaker 1: even an email unless there's something else. Yes, what profit? Now? 126 00:10:28,720 --> 00:10:41,120 Speaker 1: Wait a minute? Holy crap? Oh my lord, that's read 127 00:10:41,160 --> 00:10:48,160 Speaker 1: all right, murdering his way onto the Supreme Court. Hey, 128 00:10:48,240 --> 00:10:51,400 Speaker 1: d O DC fans, stay tuned. More Daughters of d 129 00:10:51,480 --> 00:10:54,120 Speaker 1: C is up next, But first a quick word from 130 00:10:54,160 --> 00:11:01,520 Speaker 1: our sponsor. What's up, Daughters of DC fans? I want 131 00:11:01,559 --> 00:11:04,400 Speaker 1: to be a real d ODC insider. Follow us on 132 00:11:04,440 --> 00:11:07,400 Speaker 1: Instagram at Daughters of DC Official. Take an exclusive d 133 00:11:07,480 --> 00:11:14,560 Speaker 1: ODC news updates and content before everybody else. We just 134 00:11:14,720 --> 00:11:20,080 Speaker 1: witnessed a murder. What are you doing now? Cloning this 135 00:11:20,120 --> 00:11:29,600 Speaker 1: onto my thumb drive and done? So? What do we 136 00:11:29,679 --> 00:11:32,360 Speaker 1: do now? Are you kidding? We take this to the FBI? 137 00:11:32,679 --> 00:11:36,520 Speaker 1: Can we trust the FBI? Though? Celia is right, there's 138 00:11:36,520 --> 00:11:39,800 Speaker 1: a conspiracy here and we don't know who's in on it. 139 00:11:39,800 --> 00:11:44,800 Speaker 1: It could conceivably be anybody. Okay, so let's reason this 140 00:11:44,840 --> 00:11:58,400 Speaker 1: out play what baby? You just say a very jamous sake. 141 00:11:59,400 --> 00:12:03,439 Speaker 1: You know what curiosity into the cat, don't you? James? Wait? 142 00:12:03,960 --> 00:12:08,400 Speaker 1: I know that voice Blocksmith? Who's locksmill? The hell is 143 00:12:08,440 --> 00:12:12,760 Speaker 1: a tangled bill with a regular days might tie sometimes 144 00:12:12,840 --> 00:12:17,480 Speaker 1: referred to as tie boxing, is a combat boys. You see, James, 145 00:12:17,880 --> 00:12:24,720 Speaker 1: you can't hide anything for me? Behind everywhere, cut into 146 00:12:24,760 --> 00:12:29,760 Speaker 1: it before it is brighte any taste of crisp freshness 147 00:12:30,160 --> 00:12:34,920 Speaker 1: on your phone? Don't play the game. The name your 148 00:12:35,040 --> 00:12:42,680 Speaker 1: refrigerator everywhere you are. But I've seen everything you do. 149 00:12:44,360 --> 00:12:47,840 Speaker 1: I know when you eat, when you watch, you think 150 00:12:47,880 --> 00:13:04,480 Speaker 1: about every Mom, now get your keys, we have to go. 151 00:13:04,640 --> 00:13:08,280 Speaker 1: We're in danger. What's happening? Mom? Listen, there's no time 152 00:13:08,320 --> 00:13:10,959 Speaker 1: to explain right now. But someone's after me. They've had 153 00:13:11,040 --> 00:13:14,520 Speaker 1: their house. Come on everyone, no, Mom, they're after me. 154 00:13:16,040 --> 00:13:26,040 Speaker 1: Where are they after you? Holy come on, come on, 155 00:13:26,160 --> 00:13:34,839 Speaker 1: get in, Get in kids. I'm so sorry you all 156 00:13:34,880 --> 00:13:38,840 Speaker 1: got caught up in this. The truth is, I have 157 00:13:38,920 --> 00:13:42,199 Speaker 1: reason to believe there's a shadow organization that's been systematically 158 00:13:42,240 --> 00:13:45,439 Speaker 1: infiltrating the government. I've been trying to find out who 159 00:13:45,440 --> 00:13:49,240 Speaker 1: they are, and that's why I invited that a whole 160 00:13:49,280 --> 00:13:51,640 Speaker 1: read to your botillion co. I wanted to see who 161 00:13:51,640 --> 00:13:55,319 Speaker 1: he was talking to. Oh my god, Celia, that means 162 00:13:55,559 --> 00:13:59,200 Speaker 1: I know Speaker Parker. My parents might be involved or 163 00:13:59,760 --> 00:14:06,240 Speaker 1: come trolled, but they're not bad people. I think I 164 00:14:06,320 --> 00:14:11,120 Speaker 1: had a feeling, So we'll figure it out. Mom. That's 165 00:14:11,120 --> 00:14:13,920 Speaker 1: why I've been acting so secretive. James, I wanted to 166 00:14:14,040 --> 00:14:19,280 Speaker 1: keep you safe. Oh Mom, I'm so sorry. Why I 167 00:14:19,360 --> 00:14:23,040 Speaker 1: just I just am. I love you. I love you too, 168 00:14:23,920 --> 00:14:26,880 Speaker 1: But Mom, after what we just found there, definitely after 169 00:14:27,000 --> 00:14:31,680 Speaker 1: us guaranteed, how could that possibly be? It all started 170 00:14:31,680 --> 00:14:33,320 Speaker 1: when we were trying to help Peyton dig up some 171 00:14:33,360 --> 00:14:36,000 Speaker 1: dirt on Tanner when knew someone was trying to cover 172 00:14:36,080 --> 00:14:38,920 Speaker 1: up his record. But it got deeper than that. And 173 00:14:38,960 --> 00:14:41,120 Speaker 1: then along the way I became friends with a hacker 174 00:14:41,400 --> 00:14:44,280 Speaker 1: locksmith or I thought he was my friend, but actually 175 00:14:44,600 --> 00:14:46,280 Speaker 1: he's been trying to stop us. And now everything is 176 00:14:46,320 --> 00:14:48,360 Speaker 1: completely out of control. And we came across the video 177 00:14:48,360 --> 00:14:49,640 Speaker 1: of a murder, and I don't know what to do. 178 00:14:50,600 --> 00:14:54,480 Speaker 1: A murder. Judge Reid, he killed Justice Ramirez? He what 179 00:14:55,560 --> 00:14:57,720 Speaker 1: you have evidence of this? James? Has it all on 180 00:14:57,760 --> 00:15:00,000 Speaker 1: the thumb drop, don't you? James? Right here? In my pocket. 181 00:15:00,000 --> 00:15:02,520 Speaker 1: It Are you sure you're my sister? So now this 182 00:15:02,560 --> 00:15:04,040 Speaker 1: guy is trying to shut us down, so we don't 183 00:15:04,040 --> 00:15:07,880 Speaker 1: reveal any of this. Okay, Okay, we'll call Special Agent Blank. No, 184 00:15:09,040 --> 00:15:13,200 Speaker 1: we can't trust anyone. This hacker locksmith, he's connected to everything. 185 00:15:13,680 --> 00:15:15,840 Speaker 1: If he knows where we're going or who we're talking to, 186 00:15:16,320 --> 00:15:20,280 Speaker 1: I'll put an end to all of this. Okay, let 187 00:15:20,320 --> 00:15:25,280 Speaker 1: me think, um, excuse me, but where are we going exactly? 188 00:15:25,640 --> 00:15:28,200 Speaker 1: That's a good question. I think it's safe to assume 189 00:15:28,280 --> 00:15:31,720 Speaker 1: all our devices are compromised, which means anywhere we go, 190 00:15:31,800 --> 00:15:35,440 Speaker 1: we bring the danger with us. I know someplace we 191 00:15:35,480 --> 00:15:38,240 Speaker 1: can be safe, but I'll need to call someone. That's 192 00:15:38,320 --> 00:15:40,560 Speaker 1: not a great idea of all of our phones are compromised. 193 00:15:41,200 --> 00:15:42,960 Speaker 1: Does anyone know where we can find a pay phone? 194 00:15:43,600 --> 00:15:46,360 Speaker 1: What I do? There's a payphone not side the snow 195 00:15:46,400 --> 00:15:54,400 Speaker 1: Go on Sherman Avenue. Let's go. You just know this 196 00:15:54,480 --> 00:15:57,440 Speaker 1: guy's number without looking. You must really be head overheels. 197 00:15:57,640 --> 00:16:01,400 Speaker 1: Shut up, James Parker, you are full of surprises tonight. 198 00:16:04,520 --> 00:16:07,480 Speaker 1: I guess I'm not here. You know what to do? Mhm, 199 00:16:08,600 --> 00:16:11,120 Speaker 1: It's James. I'm calling from a pay phone outside of 200 00:16:11,120 --> 00:16:14,960 Speaker 1: gas station on Sherman Avenue. Locksmith hacked my house and 201 00:16:15,000 --> 00:16:18,240 Speaker 1: all my devices. I'm in trouble. Call me back. The 202 00:16:18,360 --> 00:16:23,640 Speaker 1: number here is five two two one seven. Okay, bye? 203 00:16:25,520 --> 00:16:31,400 Speaker 1: Do you think you'll call back? What I say? Head 204 00:16:31,440 --> 00:16:35,920 Speaker 1: over heels? Hello? Are you okay? Yeah? For now? Okay, 205 00:16:36,440 --> 00:16:38,880 Speaker 1: I'm texting you a set of coordinates, but they're in code. 206 00:16:39,520 --> 00:16:41,720 Speaker 1: Look for the square root of every number pair to 207 00:16:41,760 --> 00:16:45,640 Speaker 1: get the actual coordinates, Write it down and throw your 208 00:16:45,680 --> 00:16:50,840 Speaker 1: phone away. Then head there. It's only you, right, there 209 00:16:50,880 --> 00:16:53,480 Speaker 1: are a few others. Oh no, no, no, only you're 210 00:16:53,480 --> 00:16:56,720 Speaker 1: allowed over my dead body. My daughter is not going 211 00:16:56,760 --> 00:17:01,720 Speaker 1: in there without me or me or us. My mom 212 00:17:01,800 --> 00:17:07,320 Speaker 1: is demanding she come. Fine, just you and the speaker deal, No, mom, Cole, 213 00:17:07,840 --> 00:17:10,000 Speaker 1: take the girl to the Motel six on Rattic and 214 00:17:10,000 --> 00:17:13,240 Speaker 1: then get rid of the car. Here's cash. Don't use 215 00:17:13,280 --> 00:17:17,680 Speaker 1: any credit cards. Keep them safe. It'll be okay you guys. 216 00:17:18,119 --> 00:17:20,320 Speaker 1: We'll find a way to get in touch soon and 217 00:17:20,400 --> 00:17:32,119 Speaker 1: call no funny business mom. Do you want me to 218 00:17:32,119 --> 00:17:34,359 Speaker 1: go in for us? Honey? This place looks like it 219 00:17:34,400 --> 00:17:37,920 Speaker 1: has about a thousand building co violations. We can trust Adrian. 220 00:17:38,480 --> 00:17:48,000 Speaker 1: He's one of the good guys. I hope we're friends 221 00:17:48,000 --> 00:17:57,480 Speaker 1: of ONYX. Hey, Hey, can we please go in? I'm 222 00:17:57,520 --> 00:18:12,080 Speaker 1: getting soaked here. We are welcome to the box. Say 223 00:18:12,200 --> 00:18:25,919 Speaker 1: that's imps, totally crap. Iron Horn's Epic Productions and I 224 00:18:26,040 --> 00:18:30,919 Speaker 1: Heart Radio present Daughters of d C. Created and executive 225 00:18:30,960 --> 00:18:36,040 Speaker 1: produced by Heather Ironhorn and Adam STAFFERONI head writer Sasha Stewart, 226 00:18:36,640 --> 00:18:42,800 Speaker 1: Senior writer Louis Cornfeld, writers Tyler english beckwith cha Rous 227 00:18:42,800 --> 00:18:48,760 Speaker 1: Senna and Adam Stafferoni, directed by J. B. Block. Executive 228 00:18:48,800 --> 00:18:52,680 Speaker 1: produced by I Heart Radio. Produced by A Rupe Senna, 229 00:18:52,720 --> 00:18:57,760 Speaker 1: Kayla Kimberly Woods as James Parker, Melissa Vanders Gay as 230 00:18:57,800 --> 00:19:02,919 Speaker 1: Peyton Blackburn, to Leah Roman as Natalie Rosenberg, Susie Young 231 00:19:03,280 --> 00:19:08,199 Speaker 1: as Celia lou With performances by O. G. Banks, k Bess, 232 00:19:08,960 --> 00:19:14,960 Speaker 1: Vick Chow phyador Chen Darren De Paul Dave Penoy, Paul Gayette, 233 00:19:15,400 --> 00:19:21,920 Speaker 1: Juri Lowenthal, Brandon Middleton, Stephanie she Shelley Noy, Richard Tatum, 234 00:19:22,040 --> 00:19:28,080 Speaker 1: Genie Toronto, Andya Winslow. Marshall York, with Francesca Ramsey and J. B. 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