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Speaker 1: He is drinks chess, motherfucking podcasts.

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Speaker 2: He's a legends every queens rapper.

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Speaker 3: He ain't a greed that's your boy in O R E.

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Speaker 3: D's a Miami hip hop pioneer. What ups d J

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Speaker 3: e f N? Together they drink it up with some

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Speaker 3: of the biggest players, you know what I mean. And

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Speaker 3: the most professional unprofessional podcast and your number one source

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Speaker 3: for drunk drinks chans for every days New Year's e

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Speaker 3: That's it's time for drink champions. Drink up. Mother, would

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Speaker 3: good bees to be? This is your boy? And what

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Speaker 3: up is d J e f N. It's Ministeria crazy

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Speaker 3: war dream che.

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Speaker 1: Now, this brother has a beautiful story man from the

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Speaker 1: big getting you know what I mean? Uh, you know,

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Speaker 1: from him being homeless to you know, him moving to

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Speaker 1: Arms County to him you know what I mean, going

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Speaker 1: to Hollywood and dominating it.

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Speaker 3: You know what I mean?

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Speaker 1: You know, repeated role leftter role, Your favorite actor is

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Speaker 1: in the scene with this brother being his supporting actor.

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Speaker 1: You understand what I'm saying. This man is a legend.

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Speaker 1: It's about time to give Miss Flowers. We've been waiting

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Speaker 1: to do this. In case you don't know what you're

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Speaker 1: talking about. We're talking about the honorable. Now let's ask

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Speaker 1: about the name off top.

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Speaker 3: Right, Noel G. Now why is a G?

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Speaker 1: Because people could pronounce your last name.

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Speaker 3: I can't even say my last name straight. I'm trying.

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Speaker 3: I'm like, if you figure it out, you let me know.

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Speaker 3: You know what I'm saying. I just I just make

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Speaker 3: it easier by saying G or whatever. But now the

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Speaker 3: truth of it is is because my mom's Mexican. My

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Speaker 3: dad Talia.

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Speaker 1: Yeah, yeah, so mother's half Puerto Rican half back exit

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Speaker 1: right right, and I'm basking Robbins, I'm thirty one flavors.

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Speaker 3: Yeah yeah, But I only I'm Mexican at heart because

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Speaker 3: I grew up with Mexican Americans my whole life. So

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Speaker 3: that's the only side I know. I don't know my

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Speaker 3: Puerto Rican side, my Italian side, Weeco, I don't know. Yeah,

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Speaker 3: I don't know none of that stuff, you know what

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Speaker 3: I'm saying. And I moved to the United States, and

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Speaker 3: I was like, cousin, what's up you bad money coming?

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Speaker 3: You know more? Friend right now? Looked at my personal bottle.

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Speaker 3: But but you were born in Puerto Rico. We had

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Speaker 3: personal conversation. Let it out. Bro, You're born in.

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Speaker 1: Puerto Rico and then your mother moved to California, and

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Speaker 1: I believe the first place you moved to California was Compton.

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Speaker 3: Yeah, exactly. Ye comfort is nice. She's got confident with

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Speaker 3: sweet straight up, because that's what she heard about on

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Speaker 3: the news, you know what I'm saying, until she got

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Speaker 3: the real news. Yeah. So it was funny because they

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Speaker 3: came from you know, out of town. They don't know

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Speaker 3: what's up or whatever, but they kept on hearing Compton.

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Speaker 3: Compton copped on the news like that's the place to live.

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Speaker 3: And then little did they find out like, no, that's

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Speaker 3: not the place to live, you feel me. So then

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Speaker 3: they backed out of there, win to Orange County and

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Speaker 3: uh so then I grew up in O C. But

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Speaker 3: you know, I grew up with Mexican Americans, like I said,

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Speaker 3: my whole life. So that's all I pretty much know.

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Speaker 3: The last name thing, you know, my dad's Italian and

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Speaker 3: so I just I just never knew how to say it.

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Speaker 3: Still to this day, I really don't think you saying

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Speaker 3: the way I try to say. I don't even know

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Speaker 3: how to say it. I can't I can't even attempt

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Speaker 3: That's why I just say in the world, g man,

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Speaker 3: keep it easier. You try Italians. You know you said,

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Speaker 3: we're gonna figure this out straight up. We won't solve

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Speaker 3: a mystery today. Today we're gonna solves. We're gonna go

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Speaker 3: with that. We're gonna go We're gonna go with that

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Speaker 3: related to you see what you see to say, you

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Speaker 3: see what I say. No, wel g, I'm even simple, bro,

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Speaker 3: But we're gonna go with that. I'm just gonna bring tenure.

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Speaker 1: Guesses, right, yes, So let's so let's let's take it

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Speaker 1: from there, right because you know, you got you got

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Speaker 1: so many people like like like you know, like Brad

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Speaker 1: Pitt and all these other people like you. You find

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Speaker 1: out that that they have stage names, right, so and

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Speaker 1: you know, I forget like so.

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Speaker 3: Many people that change their names.

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Speaker 1: Now now, is that something that your agent told you

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Speaker 1: that or that's something that you you adapted and said?

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Speaker 3: You know, what's just I just I didn't really change

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Speaker 3: my name. I just said, no, weel g to keep

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Speaker 3: it short and simple, you know what I'm saying. So

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Speaker 3: that way we didn't have to go through the whole

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Speaker 3: deal of how you say my last name? Right, and

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Speaker 3: so that just became kind of like that just kind

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Speaker 3: of like worked itself in there.

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Speaker 1: Okay, something about surround a little bit, right, No, that's

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Speaker 1: all love, Go ahead, I just I go with the flow.

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Speaker 3: Man. Jim Carrey stuck a bird be like, let's sun

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Speaker 3: personal clear. But I'm good. But that's one of me.

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Speaker 3: We had to go there. You're messing up the show

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Speaker 3: those classic scenes as long as you didn't playing motion straight.

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Speaker 3: It's one of the Thoset classic seeds.

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Speaker 1: I believe it's boos almighty right, yeah, so mighty.

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Speaker 3: You got good about a day I leave the house, bro?

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Speaker 3: And don't hear that straight up? Like I don't. I

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Speaker 3: can't go to the zoo more. I'm good. I got

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Speaker 3: a handicapped parking with the movie, straight bro. I needed

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Speaker 3: to be eight the whole deal, bro, Like, no, I'm

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Speaker 3: telling you straight up, there's not a day I leave

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Speaker 3: the patent on hear that? Okay? So has that made

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Speaker 3: me crazy?

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Speaker 1: But okay no, no, no, okay, so so so he

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Speaker 1: goes deep?

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Speaker 3: Was that was that in the script or was that

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Speaker 3: improv Uh? No? That was actually so. Jim Carrey is

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Speaker 3: a nut, bro. I was only supposed to work on

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Speaker 3: that movie one week. I got seven weeks out of

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Speaker 3: it because Jim Carrey kept on changing the script. So

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Speaker 3: what happened after the monkey deal, which I didn't know

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Speaker 3: about when we first started doing the movie, that came

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Speaker 3: that came cold turkey, right, But we're just gonna go

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Speaker 3: with the flow because it's Jim and you know whatever, right,

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Speaker 3: But just to give you a taste of how much

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Speaker 3: he was changing the script, what was supposed to happen

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Speaker 3: after that scene was he says, now it's time to

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Speaker 3: teach the rest of you guys a lesson, and so

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Speaker 3: one of my homies says, oh, yeah, you and what army?

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Speaker 3: And then what ends up happening is fifty Jim Carres

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Speaker 3: jump out of Jim Carrey and we each get our

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Speaker 3: own individual beating. And so they actually started filming this stuff,

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Speaker 3: like they brought in Jim Carrey lookalikes. I thought this

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Speaker 3: stuff would at least make it to the special features,

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Speaker 3: you know what I'm saying. So long story short man,

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Speaker 3: just to kind of fast forward, what ended up happening

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Speaker 3: was we actually started filming all this you know, different

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Speaker 3: stuff that Jim Carrey was coming up with on the spot.

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Speaker 3: So like one gangster was getting like, there was a

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Speaker 3: Jim Carrey gangster and he was hitting the switches on

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Speaker 3: the umpaul. The case was getting bat from between the

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Speaker 3: hood and the engine. Another gangster was like, there was

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Speaker 3: some Jim Carrey karate guys. They did Cobra Kai on

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Speaker 3: one of them, and they had all this stuff going on, right,

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Speaker 3: So to end the story, what ended up happening was, uh,

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Speaker 3: one of the producers came and said, hey, Jim, we're

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Speaker 3: going way over budget. We're filming longer than we're supposed

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Speaker 3: to and in the movie it's too early to display

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Speaker 3: your power like that. So we need to end this now,

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Speaker 3: we need to stop it. And so what ended up

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Speaker 3: happening was they ended up doing the bug thing the monkey,

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Speaker 3: and the monkey had to come back home, right, And

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Speaker 3: so yeah, long story short, that's how that that's how

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Speaker 3: that got killed quick. But yeah, man, I mean Jim

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Speaker 3: Carrey was a nut, like he changed the script. So

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Speaker 3: but for me, it was a beautiful thing, get paid right.

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Speaker 3: Contract one week contract turned into a seven week contract

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Speaker 3: and I'm like, this is straight. So I was a

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Speaker 3: happy camper, you know what I'm saying.

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Speaker 1: So so let's let's bounce around a little bit. You

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Speaker 1: you started from a tackle bell commercial.

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Speaker 3: Yeah, yeah, yeah, we go. Why do you give me something?

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Speaker 3: The Taco Bell Corp? No, literally, it was crazy, man.

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Speaker 3: The taco bell joint happened because I was dating this

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Speaker 3: girl at the time and she wanted to be an actress.

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Speaker 3: I wanted nothing to do with it. So, long story short,

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Speaker 3: I go into this acting class, never thought about acting

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Speaker 3: a day in my life. I'm you know, I'm acting

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Speaker 3: a fool in the streets whatever, whatever, and literally right place,

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Speaker 3: right time. And you know, to win the lottery, you

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Speaker 3: either got to be Mexican or over seventy five years

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Speaker 3: old right now, going down, you know what I'm saying.

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Speaker 3: So literally, right place, right time, never thought about acting

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Speaker 3: a day in my life, and I'm just being real man.

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Speaker 3: When I went in the acting class, I thought everybody

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Speaker 3: was dorks and nerds, So I just start talking smack,

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Speaker 3: you know what I'm saying. And what ends up happening

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Speaker 3: was there was a cat and there was a producer.

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Speaker 3: He was scouting talent that day. Comes up to me

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Speaker 3: after the class and he says, hey, you know you're

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Speaker 3: kind of funny. You want to be on a Taco

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Speaker 3: Beout commercial. I thought he was on some BS whatever whatever,

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Speaker 3: but he ended up being real. It gave my number.

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Speaker 3: Two weeks later, I'm doing a commercial for Talk about

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Speaker 3: the Age of fifteen years old. At fifteen, I didn't

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Speaker 3: know about residual checks because they kept coming for our

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Speaker 3: people watching it. You know, white people invented this, so

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Speaker 3: you guys know, and white people like, we gonna make

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Speaker 3: money while we sleep and figured it out and we

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Speaker 3: just jumped on the bad way right right, and we

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Speaker 3: just you know, rolled with that and seven hundred bucks

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Speaker 3: or something like that. Back then. I don't even remember why,

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Speaker 3: but I was I went from blean bling to like,

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Speaker 3: I mean, I went from nothing to like bling blink overnight.

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Speaker 3: You feel me, Like it was like hitting the baby lintery.

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Speaker 3: These were digital checks were coming in. I thought it

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Speaker 3: was a computer mess up. But you know, I'm cashing

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Speaker 3: them because I want to be a good citizen, you

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Speaker 3: know what I'm saying, and to my apartment, So I'm

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Speaker 3: cashing them. Dog. But if it got a little weird,

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Speaker 3: I was like, why keep I'm getting paid for this commercial?

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Speaker 3: And he explained, He's like, no, no, no, that's how actors

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Speaker 3: get paid. I said what I said, Well, I want

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Speaker 3: to be an actor, and that's how I kicked off.

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Speaker 3: So he knew. A manager guy hooks me up with

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Speaker 3: this manager. I go meet this cat. I don't know

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Speaker 3: what's up. I come in like this, I don't know

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Speaker 3: nothing from nothing, and he's like, I like you, man,

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Speaker 3: I We'll see what I can do for you. Man,

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Speaker 3: it was a man drinking about this is way back when.

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Speaker 3: This is like when we did our joints, you know

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Speaker 3: what I'm saying. And this manager guy, he started sending

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Speaker 3: me out on stuff. But everything he set me out

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Speaker 3: for was gangster one. SOOLO two. I'm like, I thought

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Speaker 3: I was here to act. You beat yourself? Yeah, I

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Speaker 3: mean I did in college once to drop somebody off.

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Speaker 3: I'm just saying, man, So that's how the acting kicked off.

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Speaker 3: But let me just back up for two seconds to

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Speaker 3: explain to our viewers who don't know what residual checks are.

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Speaker 3: Residual checks are when you do an acting job and

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Speaker 3: they show that commercial fifteen times in one day, that's

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Speaker 3: fifteen check different checks. Yeah. Yeah, So that's what residual

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Speaker 3: income is. You know what I'm saying. Just for those

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Speaker 3: of you who didn't know. It's like royal, we'll put

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Speaker 3: fun facts at the end.

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Speaker 1: So so then not only you did a Taco Bell commercial,

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Speaker 1: but you started to do like Taco Bell introduction commercials

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Speaker 1: all like for other like Fridays and stuff like that.

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Speaker 3: You was like the guy that didn't Oh no, I've

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Speaker 3: got you on this one, okay, because im not. I

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Speaker 3: didn't do none of that Taco Bell commercial was the

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Speaker 3: only thing I did that was in the cat. You

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Speaker 3: didn't know. What I did was what I know what

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Speaker 3: you're talking about. Though you're you're close here, you know

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Speaker 3: what I mean. But you hot, but you're sizling. You're assibling.

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Speaker 3: So what happened was like the starting of the career.

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Speaker 3: I did industrial commercials, so like if you worked at

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Speaker 3: Burger Kids, I was the cat, like this is how

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Speaker 3: you wrap a hamburger, this is you usually the use

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Speaker 3: the register. I was that guy like you know they were.

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Speaker 3: I was doing like security videos for like Kmart and

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Speaker 3: Walmart and target instructional video instructional videos, so like if

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Speaker 3: you're sitting in an orientation, I'm the guy stealing a

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Speaker 3: CD and I'll three and they're telling the security guards

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Speaker 3: if you see someone stealing in the store. This is

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Speaker 3: the proper procedure about you take. I was doing that,

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Speaker 3: but again that was paid. That was a gig, and

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Speaker 3: back then I wasn't. I was, but again the checks

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Speaker 3: were clearing, you know what I'm saying. But I was

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Speaker 3: like that at that time. It was crazy because they

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Speaker 3: were paying like a thousand dollars a day. Wow. And

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Speaker 3: remember one thousand dollars a day back in the eighties.

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Speaker 3: That's some money. I remember. I could make a thousand

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Speaker 3: last a whole month. Nowadays we spend it in the day.

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Speaker 3: Back then, a thousand last two a month, you know

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Speaker 3: what I'm saying. So I was just making good money

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Speaker 3: back then. So I was like, yeah, we're going to

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Speaker 3: ride with this, Okay, So we get to that. Which

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Speaker 3: which was your first big role? Was it training day

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Speaker 3: or was it Fast and Furious? No? No, my first

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Speaker 3: big role was Fast and Furious. That's what started the

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Speaker 3: roller coaster ride. Paul. We took off from there. Yeah,

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Speaker 3: Paul Walker, rest in peace, man and uh that that's

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Speaker 3: what you know. But my first movie ever in theater

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Speaker 3: was an Adam Sandler movie with Adam Sandler and Rob Shout.

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Speaker 3: I had a small part Animal and The Animal, I

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Speaker 3: had like three or four line Yeah. That was my

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Speaker 3: first movie ever in theater. And then Fast and Furious

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Speaker 3: is what kicked off the The Animal. It was a

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Speaker 3: small party man, straight up. I was in this part

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Speaker 3: where they roll up on the corner. There was some

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Speaker 3: yeah yeah, yeah yeah. He told them to be boxing, right,

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Speaker 3: I told you that what you do?

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Speaker 4: Yeah?

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Speaker 3: Yeah? That was your first movie. That was my favorite,

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Speaker 3: my first movie on my favorite movie. Okay, So that's

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Speaker 3: what I knew exactly. I just didn't know the role.

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Speaker 1: So when I saw you, I was like, I'm gonna

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Speaker 1: be ask him, bro, I want to be shot. But

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Speaker 1: it was funny though about can't we can't he jumping

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Speaker 1: your first movie become fucking.

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Speaker 3: How did you get that role? Animal? Well, it was funny, man,

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Speaker 3: because we had this, we had this audition and the

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Speaker 3: way that they did it, they did it right there

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Speaker 3: on the spot. So when we first initially went out

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Speaker 3: for that movie, we were casting as extras and they said,

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Speaker 3: you know what, we want to give some of you.

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Speaker 3: Uh well, I take that back, they go, we want

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Speaker 3: to give one of you a speaking part. So what

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Speaker 3: they did literally is they lighted up ten of us

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Speaker 3: They auditioned us right there on the spot. Oh Mexicans,

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Speaker 3: all Mexican gangsters whatever they ten sholos. There was like

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Speaker 3: a lineup. All we were messing was the numbers and

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Speaker 3: a long story short man. They lined us up and

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Speaker 3: they were like, say this line, say this life, say

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Speaker 3: this line. And they picked us right there, and I

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Speaker 3: was the one who got picked. And then you was like,

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Speaker 3: this is my neighborhood, right what you said? Yeah, yeah,

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Speaker 3: well right there. They let us play with it, you

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Speaker 3: know what I'm saying, because it was all the spot.

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Speaker 3: They let us improvise a little bit, so we got

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Speaker 3: to we got to mess around a little bit. So

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Speaker 3: so never ever in any movie I've done stuck the script.

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Speaker 3: I don't think I'm the you can't, I can't. I

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Speaker 3: gotta make it through this man, the story. You can't,

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Speaker 3: you can't. So okay, boom.

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Speaker 1: Now I imagine you take your family to go see

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Speaker 1: animal when.

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Speaker 3: I did this. Oh no, no, no, no, no, no no no.

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Speaker 3: Well I haven't got no family, okay, so yeah, I

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Speaker 3: never met my mom or dad's side of the family.

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Speaker 3: So anyways, now it was just me. But well I

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Speaker 3: know you, I know your dad went on the cruise.

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Speaker 3: My dad left me at thirteen. He bounced out, and

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Speaker 3: my mom left too. I don't blame my mom. That's

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Speaker 3: a whole nother story. That's a whole nother rabbit hole,

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Speaker 3: you know what I'm saying. But yeah, and my parents

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Speaker 3: were the only two to come to the United States

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Speaker 3: to start a living, so there from there from their families. Yeah,

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Speaker 3: so I never in my life met my mom's side

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Speaker 3: of the family or my dad's side of family. So

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Speaker 3: the way, I got no cousin's brother, sister, niece's, nephew, uncle,

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Speaker 3: and grandma, grandpa. I got no family. Straight up. I'm

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Speaker 3: only Mexican with no family. You guys got some, you

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Speaker 3: know me.

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Speaker 1: You gotta start sucking man, great job, Jesus.

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Speaker 3: I've got some kids out there. I don't know about bro.

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Speaker 3: Is it true that I got some shots support cases.

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Speaker 3: Your father's friend was a millionaire. Yeah, he owned the

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Speaker 3: coups him to come around. He owned the company that

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Speaker 3: my dad worked at, and my dad was a fisherman

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Speaker 3: on the side. He loved scuba diving. And one day

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Speaker 3: this guy, straight up he just asked my dad, he said,

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Speaker 3: you want to come selling around the world of me?

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Speaker 3: On this boat, and my dad came home one day

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Speaker 3: and said, but he said. He told my dad, he said,

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Speaker 3: if you come with me, you can't bring your kids.

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Speaker 3: Bring your kid with you. It's crazy. So within two

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Speaker 3: weeks my dad just wrapped it up and he put

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Speaker 3: everything in storage and bounced out and he sold the house,

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Speaker 3: sold the house everything. Talk to you like, this is what

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Speaker 3: I'm a dude. Yeah, Well, he didn't really talk to

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Speaker 3: me per se. My mom was the one who talked

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Speaker 3: to me. But I call it the two weeks of

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Speaker 3: hell because my mom was arguing with my dad, saying,

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Speaker 3: you know, what type of man have you become? Who

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Speaker 3: are you? Who did I marry? And I saw her

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Speaker 3: fight tooth and nail like for two weeks, begging and

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Speaker 3: pleading and crying and screaming, begging my dad not to leave.

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Speaker 3: And you know, then I went up to my mom.

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Speaker 3: The reason why I don't play my mom is because

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Speaker 3: I went up to her and I said, hey, look,

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Speaker 3: I got a place to live. But I really didn't though.

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Speaker 3: And the reason why I did that is because my

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Speaker 3: dad was the breadwinner of the family. So if I say,

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Speaker 3: it would have been two homeless people instead of one.

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Speaker 3: So I told my mom, I said, go with my dad.

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Speaker 3: I'm straight, I got a friend to live with. This

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Speaker 3: was all made up. I really didn't. And love story short,

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Speaker 3: my dad gave me five hundred dollars and pretty much

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Speaker 3: said good luck to me. So at thirteen, that's how

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Speaker 3: I got in the street life, hanging out with the

355
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Speaker 3: wrong crowd, started learning how to rent cars without asking people,

356
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Speaker 3: got into the got the street. You know what I'm saying.

357
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Speaker 3: We were we were we were part time movers too,

358
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Speaker 3: and when we were doing we we'd moved things like

359
00:17:14,160 --> 00:17:17,080
Speaker 3: other people's houses to like where we were at, and

360
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Speaker 3: we did a lot of that stuff.

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Speaker 5: So, yeah, did your parents Did they ever come back around?

362
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Speaker 3: My mom did, but I haven't seen my dad since. Wow,

363
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Speaker 3: staying out.

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Speaker 1: Is that when your connection comes from East Los Angeles

365
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Speaker 1: or no.

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Speaker 3: No, so, And just so you guys know, I call

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Speaker 3: it HollyHood. Okay, I don't call it Hollywood. I call

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Speaker 3: it Hollywood, you know what I'm saying. So, yeah, when

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Speaker 3: the acting kicked off, that's when I moved to LA

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Speaker 3: and I was living in Guardena and I lived in

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Speaker 3: Gardena for about twenty twenty two, twenty three years, and

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Speaker 3: then I came back to Orange County, Okay, yeah, because

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Speaker 3: I had to get the hell up out of Gardena. Man,

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Speaker 3: that place was good as hell.

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Speaker 6: Bro.

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Speaker 3: There was times I came literally was taped off. I

377
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Speaker 3: couldn't even go to my ound spot. You know what

378
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Speaker 3: I'm saying. It is located. It's like fifteen minutes from Compton.

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Speaker 3: It's right next to Inglewood.

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Speaker 1: All that is, like I said, the East Los Angeles

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Speaker 1: or no, no, I say, like, I don't know West

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Speaker 1: Los Angeles Okay, yeah, West Okay.

383
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Speaker 3: Now something that you know, you know, just uh looking

384
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Speaker 3: you up and stuff like that. I didn't know in

385
00:18:14,119 --> 00:18:20,800
Speaker 3: his research. Be honest, I'm would be someone google no friendly.

386
00:18:22,720 --> 00:18:27,240
Speaker 3: I got a couple of but it's something I didn't

387
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Speaker 3: know ahead.

388
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Speaker 1: The first time I ever heard of Arris County was

389
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Speaker 1: this movie about Jack Black. I know him, I'm lame.

390
00:18:33,560 --> 00:18:37,840
Speaker 1: I know him from New York. I never kind of

391
00:18:37,920 --> 00:18:40,480
Speaker 1: like put it together. I never put together that same

392
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Speaker 1: Arts County that I used to see.

393
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Speaker 3: On the news. Oh gotcha, gotcha. I thought Jack.

394
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Speaker 1: Blast Harris County with something totally different from from.

395
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Speaker 3: The one over there. Yeah, I know what you want?

396
00:18:52,760 --> 00:18:54,520
Speaker 1: A different bags Like when I when I when I'm

397
00:18:54,560 --> 00:18:56,560
Speaker 1: looking up your ship and I'm like, oh, sh he's

398
00:18:56,600 --> 00:18:58,760
Speaker 1: from Artist County. I'm like, but not the Jack black

399
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Speaker 1: one back and I did not realize that.

400
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Speaker 5: So it's a big county. It's when I was little

401
00:19:06,160 --> 00:19:08,200
Speaker 5: and then wet to Southgate. Oh so you were out

402
00:19:08,200 --> 00:19:09,480
Speaker 5: there too. I was born in La.

403
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Speaker 3: Oh you were, okay, yeah, but you lived in Orange

404
00:19:11,400 --> 00:19:11,880
Speaker 3: County though.

405
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Speaker 5: Well when I was a little kid and my parents

406
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Speaker 5: and we ended up in Southgate in Huntington Park and okay.

407
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Speaker 3: Gotcha go, yeah that's La. But you know Orange County

408
00:19:18,800 --> 00:19:21,080
Speaker 3: because you probably went to Disneyland. Well, I mean ye

409
00:19:21,240 --> 00:19:23,199
Speaker 3: later on. Yeah, I'll just messing with you.

410
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Speaker 5: We lived in the Hills Anaheim when I was like

411
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Speaker 5: two years old, and then all the rest of Southgate.

412
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Speaker 3: Yeah. So let's just say, Person County is just a

413
00:19:29,920 --> 00:19:31,800
Speaker 3: lot more peaceful than LA. Let's just put it to

414
00:19:31,840 --> 00:19:34,359
Speaker 3: you like that. But you have gangs though, Oh yeah, no,

415
00:19:34,400 --> 00:19:36,480
Speaker 3: they got hood out there all day Yeah, they got

416
00:19:36,480 --> 00:19:39,080
Speaker 3: hood out there all day long. It's just it's just, uh,

417
00:19:39,280 --> 00:19:41,600
Speaker 3: there's a lot more spots that are more peaceful and

418
00:19:41,640 --> 00:19:44,840
Speaker 3: safe than La. La is pretty much a mess all

419
00:19:44,840 --> 00:19:48,400
Speaker 3: over the place, except Beverly Hills. All right, Hills becoming

420
00:19:48,480 --> 00:19:51,480
Speaker 3: a mess. Uh well now, but back then when it

421
00:19:51,600 --> 00:19:55,560
Speaker 3: was more controlled, slash, discipline, slash, you know whatever it was,

422
00:19:55,680 --> 00:19:58,760
Speaker 3: it wasn't it was safe other than the Mendes brothers. Man,

423
00:19:58,760 --> 00:20:02,600
Speaker 3: they jacked Uh yeah, I they jacked up Beverly Hills broke.

424
00:20:03,200 --> 00:20:07,760
Speaker 1: So let me, let's describe something right in the East Coast,

425
00:20:09,000 --> 00:20:12,359
Speaker 1: like the Latinos and the blacks kind of like like

426
00:20:13,520 --> 00:20:15,080
Speaker 1: it's kind of like I don't want to say the

427
00:20:15,119 --> 00:20:18,280
Speaker 1: same because it's not the same, but it's like we

428
00:20:18,640 --> 00:20:24,879
Speaker 1: migrate in California for some reason. It's like it's like

429
00:20:25,320 --> 00:20:29,040
Speaker 1: the prison system even lives outside, like Mexicans state with Mexicans.

430
00:20:29,040 --> 00:20:31,119
Speaker 3: Black stay with the blacks, the white stay with the whites.

431
00:20:32,280 --> 00:20:34,840
Speaker 1: Why do you think it's like that because that prison system,

432
00:20:34,840 --> 00:20:36,440
Speaker 1: I'm asking, Yeah, no, no.

433
00:20:36,200 --> 00:20:38,080
Speaker 3: No, it's kind of funny, man, because that's the part

434
00:20:38,119 --> 00:20:42,000
Speaker 3: that's where I think it's stupid. You know, you at

435
00:20:42,000 --> 00:20:43,960
Speaker 3: one time in your life, hopefully you mature up. You

436
00:20:44,040 --> 00:20:46,480
Speaker 3: know what I'm saying, right, and it was kind of

437
00:20:46,480 --> 00:20:50,000
Speaker 3: whack that you don't get along on the streets and

438
00:20:50,040 --> 00:20:53,119
Speaker 3: you might have murdered an enemy. But now you go

439
00:20:53,160 --> 00:20:55,240
Speaker 3: inside prison and you got to get along with who

440
00:20:55,280 --> 00:20:57,800
Speaker 3: you murdered and hated your whole life or was taught

441
00:20:57,800 --> 00:20:59,399
Speaker 3: to hate or be against or whatever, you know what

442
00:20:59,440 --> 00:21:01,920
Speaker 3: I'm saying. So to me, it just made no sense.

443
00:21:02,000 --> 00:21:05,000
Speaker 3: I'm like, I'm in life because of one of you,

444
00:21:05,000 --> 00:21:07,080
Speaker 3: you know, and now I got to get along with you.

445
00:21:07,200 --> 00:21:10,280
Speaker 3: Like nah, So it's a lot. It's a lot different

446
00:21:10,320 --> 00:21:11,960
Speaker 3: out there, you know what I'm saying, and out there

447
00:21:11,960 --> 00:21:15,000
Speaker 3: to keep it one hundred. If you were black and

448
00:21:15,119 --> 00:21:18,560
Speaker 3: you grew up with the Mexicans from birth, then you

449
00:21:18,600 --> 00:21:22,520
Speaker 3: get accepted that way. Yeah. Yeah, then you get kind

450
00:21:22,520 --> 00:21:24,520
Speaker 3: of accepted that way because you know you were there

451
00:21:24,560 --> 00:21:26,720
Speaker 3: from you know what I mean. So there's like an exception.

452
00:21:26,800 --> 00:21:29,640
Speaker 3: But the other Mexican gangs that are full on Mexican

453
00:21:29,720 --> 00:21:31,400
Speaker 3: are like, nah, that's wrong. You know what I'm saying.

454
00:21:31,400 --> 00:21:33,800
Speaker 3: He black, he shouldn't be in a Mexican gang. So

455
00:21:33,840 --> 00:21:36,600
Speaker 3: they keep it, you know, separate even on the outside.

456
00:21:36,640 --> 00:21:39,159
Speaker 3: You feel what I'm saying, unless there's a special cause

457
00:21:39,200 --> 00:21:41,000
Speaker 3: like that or something like that. Because I asked what

458
00:21:41,040 --> 00:21:43,399
Speaker 3: I am ow you got the Mexicans who you know,

459
00:21:43,640 --> 00:21:45,520
Speaker 3: quote unquote, because I don't want to say one person

460
00:21:45,560 --> 00:21:48,440
Speaker 3: talks this way or that way. I'm talking about the majority.

461
00:21:48,520 --> 00:21:50,479
Speaker 3: You got Mexicans who talk black, and then you got

462
00:21:50,520 --> 00:21:53,000
Speaker 3: some blacks who talk Mexican. Yeah, and that's kind of

463
00:21:53,040 --> 00:21:54,920
Speaker 3: like what like it trips you out a little bit.

464
00:21:54,960 --> 00:21:59,320
Speaker 3: I've seen that. Damn What the fuck I say? Which

465
00:21:59,359 --> 00:22:02,400
Speaker 3: I had all the que car yeah, because what I am?

466
00:22:03,960 --> 00:22:06,760
Speaker 1: I talked to him on camera and off camera, right,

467
00:22:06,800 --> 00:22:11,080
Speaker 1: and I was like like like, cuz, I'll give you

468
00:22:11,080 --> 00:22:11,639
Speaker 1: a story about it.

469
00:22:11,800 --> 00:22:15,280
Speaker 3: Go ahead. Let three twenty two, twenty.

470
00:22:15,040 --> 00:22:19,359
Speaker 1: Three years ago, I meet this girl from East East

471
00:22:19,400 --> 00:22:21,560
Speaker 1: Los Angeles, right east Lost.

472
00:22:22,000 --> 00:22:24,159
Speaker 3: She always to come see me, never invited me to

473
00:22:24,200 --> 00:22:24,720
Speaker 3: go see yup.

474
00:22:24,840 --> 00:22:27,320
Speaker 1: Oh really she kept kept you in the same song,

475
00:22:27,480 --> 00:22:30,000
Speaker 1: never invited me to see up right. You started tripping

476
00:22:30,000 --> 00:22:32,800
Speaker 1: at one point, like I'm fucking nor East. Okay, I

477
00:22:32,840 --> 00:22:35,679
Speaker 1: don't know anyway, but I wanted to know that. I

478
00:22:35,720 --> 00:22:43,200
Speaker 1: wasn't scared or whatever. So anyway, We're sitting there talking

479
00:22:43,240 --> 00:22:45,439
Speaker 1: and I'm like, you know, I'll come get you up.

480
00:22:45,520 --> 00:22:48,360
Speaker 1: I'll come pick you up. This time she was like no,

481
00:22:48,640 --> 00:22:51,000
Speaker 1: like you can't come to my neighborhood. And I was

482
00:22:51,040 --> 00:22:54,160
Speaker 1: just like holy shit, right, and I was he was like, yo,

483
00:22:54,200 --> 00:22:56,720
Speaker 1: you know, I know that you're Puerto Rican, but most

484
00:22:56,720 --> 00:22:58,840
Speaker 1: people are not gonna look to see if you're Puerto Rican.

485
00:22:58,960 --> 00:23:01,199
Speaker 1: They're gonna just see a black person. And right now

486
00:23:01,359 --> 00:23:03,720
Speaker 1: is And I was like, I'm getting along with this

487
00:23:03,760 --> 00:23:06,040
Speaker 1: motherfucker everything. And then she was like this to me.

488
00:23:06,960 --> 00:23:09,960
Speaker 1: She she leaned her lips down, and that's just said,

489
00:23:10,200 --> 00:23:11,520
Speaker 1: I don't know what gag you said.

490
00:23:11,600 --> 00:23:15,920
Speaker 3: Bro. I was like, oh, ship, she was like, I

491
00:23:15,960 --> 00:23:25,359
Speaker 3: belonged to the hood. She was just like she was

492
00:23:25,400 --> 00:23:30,000
Speaker 3: like this. I was like this, whatever gang it was.

493
00:23:30,080 --> 00:23:32,400
Speaker 3: I knew it. But I'm assuming that she was trying

494
00:23:32,440 --> 00:23:35,040
Speaker 3: to keep you safe. But tell me, that's what I'm saying.

495
00:23:35,119 --> 00:23:41,960
Speaker 3: I gotta later now she realizes you in the danger zone.

496
00:23:41,960 --> 00:23:44,360
Speaker 3: You feel what I'm saying, I was kissing this bitch,

497
00:23:44,359 --> 00:24:04,080
Speaker 3: and every You're gonna be like for keeping you safe.

498
00:24:04,200 --> 00:24:05,440
Speaker 3: She could have put you in there. She could have

499
00:24:05,480 --> 00:24:06,960
Speaker 3: put you in the red tip quick and it could

500
00:24:06,960 --> 00:24:09,280
Speaker 3: have been on. Yeah. No, you could have walked into

501
00:24:09,280 --> 00:24:11,480
Speaker 3: something ugly, you know what I mean. So, so he

502
00:24:11,560 --> 00:24:17,080
Speaker 3: loves you back. Saved my life because I never went.

503
00:24:17,359 --> 00:24:21,280
Speaker 3: I never went. So now.

504
00:24:23,960 --> 00:24:30,560
Speaker 1: You're in arguably one of the most hoodis watched movie

505
00:24:30,800 --> 00:24:36,000
Speaker 1: of all time, and not only that, you have one

506
00:24:36,000 --> 00:24:41,359
Speaker 1: of the most classic scenes in the movie. I still

507
00:24:41,400 --> 00:24:46,040
Speaker 1: believe Dinzel to this day. I think he was everything.

508
00:24:46,359 --> 00:24:48,280
Speaker 1: I think he was smoking crack. I think he was

509
00:24:48,320 --> 00:24:51,879
Speaker 1: fucking bitches. I think he was saying, like, that's hilarious.

510
00:24:51,920 --> 00:24:56,919
Speaker 3: Bro. No, no, no, that scene was funny. I'm not

511
00:24:56,920 --> 00:24:57,639
Speaker 3: gonna lie when.

512
00:24:57,480 --> 00:25:01,760
Speaker 1: You're sitting there and he's like, I pushed it.

513
00:25:01,600 --> 00:25:05,879
Speaker 3: She pushed it, and I'm like, joy. Even after I

514
00:25:05,960 --> 00:25:08,600
Speaker 3: met you, I was still scared of you. Like I

515
00:25:08,680 --> 00:25:11,159
Speaker 3: was like, let's see I met you, like, this is

516
00:25:11,160 --> 00:25:11,760
Speaker 3: a great God.

517
00:25:11,920 --> 00:25:15,879
Speaker 1: I was like that scene never left, man's larious, never left.

518
00:25:15,960 --> 00:25:19,000
Speaker 3: So that's hilarious. So it's a two part question. I've

519
00:25:19,000 --> 00:25:22,520
Speaker 3: heard a lot, but not that. Go ahead, Okay, let's

520
00:25:22,560 --> 00:25:23,760
Speaker 3: let's start with the first part.

521
00:25:23,880 --> 00:25:26,560
Speaker 1: Go ahead, Where was you at when you get the

522
00:25:26,600 --> 00:25:28,120
Speaker 1: call that you're going to be in a movie called

523
00:25:28,119 --> 00:25:28,680
Speaker 1: Training Day?

524
00:25:28,720 --> 00:25:29,399
Speaker 3: And did it?

525
00:25:29,960 --> 00:25:31,440
Speaker 1: And did they tell you this is the second part?

526
00:25:31,520 --> 00:25:33,080
Speaker 1: Did they tell you that who was attached to it?

527
00:25:33,200 --> 00:25:35,680
Speaker 1: Or they just said you're going to audition for Training Day?

528
00:25:36,040 --> 00:25:37,960
Speaker 3: Yeah? No. So when I first got the call for

529
00:25:38,000 --> 00:25:40,440
Speaker 3: that flick, everything was hush hushed, They really kept that

530
00:25:40,520 --> 00:25:43,400
Speaker 3: one private. You know what I'm saying. I just knew

531
00:25:43,440 --> 00:25:46,280
Speaker 3: I was going and auditioning for a movie. But you know,

532
00:25:46,320 --> 00:25:48,080
Speaker 3: it was funny at that time because you know, at

533
00:25:48,080 --> 00:25:50,480
Speaker 3: that time, I didn't have you know, I had a

534
00:25:50,520 --> 00:25:52,640
Speaker 3: little bit of bankroll, but I didn't have bankroll like that,

535
00:25:52,720 --> 00:25:54,040
Speaker 3: you know what I'm saying. So I had a fixed

536
00:25:54,080 --> 00:25:56,919
Speaker 3: up Honda, some rims and I came in bumping and

537
00:25:57,000 --> 00:25:59,639
Speaker 3: I didn't even know. And this is what's funny, man,

538
00:25:59,680 --> 00:26:01,680
Speaker 3: I'm on put a fun fact on here. I didn't

539
00:26:01,720 --> 00:26:05,399
Speaker 3: even know that I rolled up on accident in front

540
00:26:05,520 --> 00:26:07,840
Speaker 3: of them. They were shooting a music video at the time,

541
00:26:08,200 --> 00:26:09,760
Speaker 3: and I don't know for who or what, but the

542
00:26:09,920 --> 00:26:13,960
Speaker 3: director of Training Day, Anton Pukea was was shooting a

543
00:26:14,040 --> 00:26:16,480
Speaker 3: music video and I just rolled up in front of

544
00:26:16,480 --> 00:26:19,040
Speaker 3: the whole scene and checking shit. And I didn't even

545
00:26:19,119 --> 00:26:21,200
Speaker 3: know that, bro. I just thought it was some people

546
00:26:21,200 --> 00:26:23,879
Speaker 3: hanging out chilling. I didn't notice the cameras, nothing or whatever.

547
00:26:24,760 --> 00:26:27,159
Speaker 3: And so I straight up just rolled up and I

548
00:26:27,200 --> 00:26:29,400
Speaker 3: was bumping the music and a mad dog and everybody.

549
00:26:30,000 --> 00:26:34,119
Speaker 3: And it was crazy because his little brother and no,

550
00:26:34,240 --> 00:26:38,040
Speaker 3: curtis his little brother, not Antoine Antoine got a brother

551
00:26:38,160 --> 00:26:41,160
Speaker 3: named Curtis, and so Curtis comes out and he goes,

552
00:26:41,960 --> 00:26:44,480
Speaker 3: he goes, my brother's looking at you, man, he goes,

553
00:26:44,520 --> 00:26:47,560
Speaker 3: my brother's looking at you. I'm like, I'm like, who

554
00:26:47,680 --> 00:26:49,600
Speaker 3: that was your brother? Dog? I know. He's like, he's

555
00:26:49,640 --> 00:26:51,840
Speaker 3: the he's the director that you're about to audition for.

556
00:26:52,520 --> 00:26:55,880
Speaker 3: I was like, oh, all right. So I walked in

557
00:26:56,240 --> 00:26:59,040
Speaker 3: and we just got into a conversation because he was like, hey,

558
00:26:59,040 --> 00:27:00,480
Speaker 3: you know, I was in the middle of filming and

559
00:27:00,520 --> 00:27:02,720
Speaker 3: you just rolled up in the middle of and I

560
00:27:02,760 --> 00:27:04,439
Speaker 3: was like, oh, I'm bad, dog. I didn't even know,

561
00:27:04,480 --> 00:27:06,919
Speaker 3: you know, I didn't do that on purpose whatever. So

562
00:27:07,000 --> 00:27:09,320
Speaker 3: long story short, we ended up getting into like a

563
00:27:09,400 --> 00:27:11,959
Speaker 3: forty five minute conversation. You asked one yeah, and we

564
00:27:11,960 --> 00:27:14,320
Speaker 3: were just chopping it up and I didn't even get

565
00:27:14,359 --> 00:27:16,520
Speaker 3: to read the part for him at that time. He

566
00:27:16,640 --> 00:27:19,200
Speaker 3: just said I'm gonna bring you back and I said.

567
00:27:19,000 --> 00:27:21,520
Speaker 1: All right, cool, meaning that was your audition right there.

568
00:27:21,840 --> 00:27:23,480
Speaker 1: That was pretty much my audition right there.

569
00:27:23,840 --> 00:27:26,119
Speaker 3: So when he saw me roll up like that, he

570
00:27:26,200 --> 00:27:28,120
Speaker 3: was like, man, you know what, like you already had

571
00:27:28,160 --> 00:27:30,040
Speaker 3: me kind of So I was like, all right, cool,

572
00:27:30,040 --> 00:27:32,399
Speaker 3: But you know how this business is man. I make

573
00:27:32,440 --> 00:27:34,480
Speaker 3: a joke. If everyone would have kept all the promises

574
00:27:34,480 --> 00:27:36,879
Speaker 3: that were made to me, I'd be a billionaire, not

575
00:27:37,000 --> 00:27:39,119
Speaker 3: a millionaire. I'd be a billionaire. You feel me. This

576
00:27:39,240 --> 00:27:41,640
Speaker 3: business funny. So you don't know who's going to keep

577
00:27:41,640 --> 00:27:44,000
Speaker 3: working or not what you know what I'm saying. And then,

578
00:27:44,320 --> 00:27:47,080
Speaker 3: long story short, though he ended up keeping word. He

579
00:27:47,160 --> 00:27:48,639
Speaker 3: was one of the solid ones and he brought me

580
00:27:48,680 --> 00:27:51,200
Speaker 3: back and I was like cool. Then I did the audition,

581
00:27:51,640 --> 00:27:54,200
Speaker 3: and then long story short, when I got the call

582
00:27:54,280 --> 00:27:57,080
Speaker 3: from my agent, then I found out who was attached.

583
00:27:57,080 --> 00:28:01,719
Speaker 1: Okay, so all right, so duo audition. Now they're not

584
00:28:01,760 --> 00:28:03,679
Speaker 1: telling you who's attested the top.

585
00:28:03,600 --> 00:28:05,520
Speaker 3: Secret with that because it was dead zel at the time.

586
00:28:05,600 --> 00:28:07,520
Speaker 3: You told me so that was a big budget film

587
00:28:07,640 --> 00:28:09,679
Speaker 3: or do you think no, no, no. I came in

588
00:28:09,760 --> 00:28:13,320
Speaker 3: not really knowing nothing. And the name of the movie

589
00:28:13,359 --> 00:28:15,639
Speaker 3: at the time was called Rampart. This was based on

590
00:28:15,680 --> 00:28:17,360
Speaker 3: a true story, which is another reason why to keep

591
00:28:17,359 --> 00:28:22,800
Speaker 3: it top and the Rampart police it was gonna be good.

592
00:28:23,720 --> 00:28:27,280
Speaker 3: Police were doing that in real life. It was a

593
00:28:27,440 --> 00:28:31,359
Speaker 3: place in California. You heard these stories like this is

594
00:28:31,359 --> 00:28:33,600
Speaker 3: oh yeah, you know about this, right, yeah, this is

595
00:28:33,640 --> 00:28:39,360
Speaker 3: this is a police pretty much pretty much the gangster

596
00:28:39,440 --> 00:28:42,520
Speaker 3: the Badges bro and long story short, yeah, this was like,

597
00:28:42,640 --> 00:28:44,480
Speaker 3: this was based on a real story on a real

598
00:28:44,520 --> 00:28:47,160
Speaker 3: police department that was doing this type of stuff in

599
00:28:47,320 --> 00:28:50,120
Speaker 3: real life, and it was the Rampart Police Department. So

600
00:28:50,160 --> 00:28:54,400
Speaker 3: they initially named the movie Rampart, but Rampart threatened them

601
00:28:54,440 --> 00:28:56,280
Speaker 3: and said, if you if you moved through with this

602
00:28:56,320 --> 00:28:59,000
Speaker 3: movie and you keep it that name, uh you know,

603
00:28:59,120 --> 00:29:01,120
Speaker 3: just again, says We're going to sue you. So then

604
00:29:01,160 --> 00:29:03,200
Speaker 3: they changed the name to Training Day. Okay, but that

605
00:29:03,240 --> 00:29:05,720
Speaker 3: movie was all based on true facts. Okay, alright, cool,

606
00:29:05,800 --> 00:29:07,480
Speaker 3: are you going too fast? Okay?

607
00:29:08,200 --> 00:29:13,320
Speaker 1: So then also, so you audition, go ahead, do they

608
00:29:13,320 --> 00:29:14,360
Speaker 1: tell you you got the role?

609
00:29:14,440 --> 00:29:15,840
Speaker 3: How does it? How does this work? No?

610
00:29:16,040 --> 00:29:16,280
Speaker 5: No?

611
00:29:16,400 --> 00:29:19,400
Speaker 3: So yeah, so I auditioned whatever, and I didn't get

612
00:29:19,400 --> 00:29:21,320
Speaker 3: the call till like three days later. And then my

613
00:29:21,360 --> 00:29:23,000
Speaker 3: agent called me up and said, hey, they like you.

614
00:29:23,040 --> 00:29:24,760
Speaker 3: They want to move forward with you. Here's the deal

615
00:29:24,800 --> 00:29:27,160
Speaker 3: and then there it is and then and then yeah,

616
00:29:27,160 --> 00:29:28,280
Speaker 3: and then we do it and it's done.

617
00:29:28,360 --> 00:29:30,200
Speaker 1: Deal and then you signed the contract first, and then

618
00:29:30,200 --> 00:29:31,200
Speaker 1: they tell you who's attached.

619
00:29:31,360 --> 00:29:33,600
Speaker 3: You signed the contract on set, you know, the agent.

620
00:29:34,320 --> 00:29:36,120
Speaker 3: You know how it is. Your agency has a lawyer

621
00:29:36,160 --> 00:29:45,320
Speaker 3: for anyway. Yeah, you know. So I'm like he tested me. No, man,

622
00:29:46,200 --> 00:29:50,360
Speaker 3: we started content about that thing. So no, no, So

623
00:29:50,360 --> 00:29:51,840
Speaker 3: that was it. Yeah, they called me, they tell me

624
00:29:51,880 --> 00:29:53,960
Speaker 3: I got the role, and I was like, okay, cool,

625
00:29:54,000 --> 00:29:57,000
Speaker 3: let's go. And uh then later when I got the call,

626
00:29:57,080 --> 00:29:59,800
Speaker 3: that's when I found I said, who's attached? I said, Denzel?

627
00:30:00,120 --> 00:30:02,120
Speaker 3: What I said, I'm in a movie and you know

628
00:30:02,600 --> 00:30:04,680
Speaker 3: you want to flick with dead Man, you gotta keep it.

629
00:30:04,720 --> 00:30:07,000
Speaker 3: You gotta come under a game. You know what I'm saying. Right,

630
00:30:07,080 --> 00:30:09,200
Speaker 3: And so that was it. And did they tell you

631
00:30:09,240 --> 00:30:10,920
Speaker 3: that you was gonna have a scene with him? And

632
00:30:11,400 --> 00:30:13,560
Speaker 3: no one knows who Ethan Hawk is at the time. Correct,

633
00:30:13,720 --> 00:30:16,680
Speaker 3: They kind of knew. I mean, that's the movie that

634
00:30:16,720 --> 00:30:18,520
Speaker 3: put him on the map, but he was kind of

635
00:30:19,800 --> 00:30:22,880
Speaker 3: he needed to be alive, the true story about the

636
00:30:22,880 --> 00:30:24,600
Speaker 3: plane that crashed and they had to eat people in

637
00:30:24,640 --> 00:30:27,840
Speaker 3: the snow. Yeah, he was like on the brink of

638
00:30:28,040 --> 00:30:30,040
Speaker 3: like you know, but that's the movie that like slapped

639
00:30:30,080 --> 00:30:34,280
Speaker 3: him on the map. Like you know, So now all right,

640
00:30:34,520 --> 00:30:38,520
Speaker 3: oh yeah, I know you around So I'm with so

641
00:30:38,560 --> 00:30:42,080
Speaker 3: they say to you, I go with the flow. Okay,

642
00:30:42,080 --> 00:30:42,680
Speaker 3: I go with the flow.

643
00:30:43,000 --> 00:30:46,760
Speaker 1: So they say to you that that that scene ship

644
00:30:46,800 --> 00:30:49,200
Speaker 1: pushed in all the time, though, like, how did you.

645
00:30:49,240 --> 00:30:54,160
Speaker 3: See how much? You guys? I'm gonna keep it one

646
00:30:54,240 --> 00:30:56,480
Speaker 3: hundred man, you guys are asking twenty five years later,

647
00:30:56,560 --> 00:31:03,400
Speaker 3: I forget. You know, you're going You're going de bummy now, bro,

648
00:31:03,560 --> 00:31:06,080
Speaker 3: But I'm like, I really don't remember, but I could

649
00:31:06,200 --> 00:31:10,000
Speaker 3: tell you this though. I do remember this though. Antoine

650
00:31:10,120 --> 00:31:14,040
Speaker 3: was very flexible. You let us improvise the scene and

651
00:31:14,120 --> 00:31:16,320
Speaker 3: have some fun with it, just to see how we

652
00:31:16,360 --> 00:31:18,040
Speaker 3: would work it out and how we would roll and

653
00:31:18,040 --> 00:31:20,600
Speaker 3: how we would end up doing it whatever. Whatever. But

654
00:31:20,680 --> 00:31:23,320
Speaker 3: when we got to the bathtub part, we had to

655
00:31:23,320 --> 00:31:27,480
Speaker 3: stick with you. Yeah. Yeah, he was l a copt.

656
00:31:30,240 --> 00:31:33,800
Speaker 3: He was ready, and we had to get on rebent.

657
00:31:35,160 --> 00:31:37,800
Speaker 3: We had to get on leave, you know. I was like,

658
00:31:37,840 --> 00:31:39,560
Speaker 3: this time we get our turn, you know what I mean?

659
00:31:40,160 --> 00:31:43,360
Speaker 3: But wait, what do you want me to do that? Okay,

660
00:31:43,440 --> 00:31:53,640
Speaker 3: he wants you to see your bathroom. See that's hilarious.

661
00:31:54,520 --> 00:31:56,440
Speaker 3: I was like, thanks for the repress, bro, thanks for

662
00:31:56,480 --> 00:31:58,320
Speaker 3: the repressure. He lived it, man.

663
00:31:58,680 --> 00:32:05,280
Speaker 1: I was like, no, that's it does look gangsta? Yeah, yeah,

664
00:32:05,360 --> 00:32:09,120
Speaker 1: cool you're right, that's it does look I mean, hey.

665
00:32:08,440 --> 00:32:10,520
Speaker 3: We had that full hammed up, you know what I mean?

666
00:32:10,560 --> 00:32:12,640
Speaker 3: But yeah, it was it was. It was a good scene.

667
00:32:12,640 --> 00:32:14,480
Speaker 3: It came together good and yeah, so a lot of

668
00:32:14,480 --> 00:32:16,080
Speaker 3: people love it. But you were gonna say when you

669
00:32:16,120 --> 00:32:17,680
Speaker 3: got to that, you know, I was going to say it.

670
00:32:17,720 --> 00:32:19,520
Speaker 3: So like when we got to the bathtub scene, that's

671
00:32:19,520 --> 00:32:21,920
Speaker 3: when we pretty much had to stick to script because

672
00:32:21,920 --> 00:32:24,080
Speaker 3: we couldn't, you know, change the story of course. So

673
00:32:24,160 --> 00:32:26,200
Speaker 3: that's where he just got a little bit more like, Hey,

674
00:32:26,840 --> 00:32:28,640
Speaker 3: you guys can still add lib, but try to stay

675
00:32:28,640 --> 00:32:32,840
Speaker 3: on page morn. You know, it was messed up. And

676
00:32:32,920 --> 00:32:34,600
Speaker 3: let me tell you another fun fact about that movie

677
00:32:34,640 --> 00:32:37,680
Speaker 3: real quick. That's the first movie ever. I want to

678
00:32:37,720 --> 00:32:39,959
Speaker 3: go back to what you said. That's why that's the

679
00:32:39,960 --> 00:32:43,040
Speaker 3: first movie ever that Denzel Washington played a bad guy.

680
00:32:44,280 --> 00:32:48,320
Speaker 3: That's the history. The history on that. Every other movie

681
00:32:48,320 --> 00:32:50,360
Speaker 3: he's ever done, he was a good guy. That's the

682
00:32:50,400 --> 00:32:52,800
Speaker 3: first movie ever he played after word he did off,

683
00:32:53,320 --> 00:32:56,000
Speaker 3: I don't know about it. After a what Lucas Lucas

684
00:32:57,960 --> 00:33:03,280
Speaker 3: an American gangster? Right, yeah, yeah, and uh, what's up?

685
00:33:03,640 --> 00:33:08,560
Speaker 3: We just asked that. Yeah, man, man, what are you drinking. Bro,

686
00:33:08,640 --> 00:33:13,040
Speaker 3: he's he's like, but he wanted to do a review.

687
00:33:13,160 --> 00:33:16,960
Speaker 3: That's all right, that's all right, tell us about that movie.

688
00:33:17,160 --> 00:33:19,800
Speaker 3: So so start over with Training Day and we'll go

689
00:33:19,880 --> 00:33:25,920
Speaker 3: no playing. So this guy, yeah he's not Mexican. No,

690
00:33:26,120 --> 00:33:29,040
Speaker 3: he's from New Zealand. Show that ship walked me up? Bro.

691
00:33:29,440 --> 00:33:33,480
Speaker 3: Hey he's online movie that plays Pablo Escobar. Yeah, yeah, yeah,

692
00:33:33,760 --> 00:33:37,160
Speaker 3: I'm like, straight up, man, he's taking glasses and I

693
00:33:37,240 --> 00:33:39,320
Speaker 3: forget what movie it is, but he also plays he

694
00:33:39,360 --> 00:33:41,200
Speaker 3: plays a black guy. He plays a black guy in

695
00:33:41,240 --> 00:33:43,600
Speaker 3: another movie, Get a Black Guy. Yeah, he does where

696
00:33:43,640 --> 00:33:46,400
Speaker 3: he got dreads straight? I know he plays arab in

697
00:33:46,400 --> 00:33:49,960
Speaker 3: a that movie too. Yeah I got what movie it was,

698
00:33:50,000 --> 00:33:52,360
Speaker 3: but there was. But my point is that guy's a chameleon.

699
00:33:52,480 --> 00:33:55,040
Speaker 3: But that guy could pretty much play anything, bro. But

700
00:33:55,080 --> 00:33:57,320
Speaker 3: for for Training Day, yeah, we flavored him up. We

701
00:33:57,360 --> 00:33:59,880
Speaker 3: took him out cruising on with your boulevard. Okay, we

702
00:34:00,040 --> 00:34:01,880
Speaker 3: told him out of dress how to tell nobody looked

703
00:34:01,880 --> 00:34:04,040
Speaker 3: at him crazy for playing the role. Well if you

704
00:34:04,120 --> 00:34:06,760
Speaker 3: notice he didn't say that much, you know what I'm saying.

705
00:34:06,800 --> 00:34:09,800
Speaker 3: But we we schooled. We had two three days of

706
00:34:09,840 --> 00:34:11,480
Speaker 3: school and then put him on the map. And then

707
00:34:11,480 --> 00:34:12,200
Speaker 3: he did what he did.

708
00:34:12,640 --> 00:34:14,759
Speaker 5: Was there any issues on set, like we heard the

709
00:34:14,840 --> 00:34:17,800
Speaker 5: stories about American me when they were filming they had issues.

710
00:34:17,840 --> 00:34:19,840
Speaker 3: No, no, this was this was different because this was

711
00:34:19,880 --> 00:34:22,080
Speaker 3: about the cops, you know what I'm saying. So as

712
00:34:22,120 --> 00:34:24,960
Speaker 3: a Latino actor, you should know better to kind of

713
00:34:24,960 --> 00:34:28,400
Speaker 3: stay away from cartel type movies stuff like that. You know,

714
00:34:28,560 --> 00:34:30,480
Speaker 3: so unless you want to be a mark lader.

715
00:34:30,520 --> 00:34:33,880
Speaker 1: You know, because we know that when they filmed the Jungles,

716
00:34:33,880 --> 00:34:35,080
Speaker 1: they was actually in the Jungles.

717
00:34:35,080 --> 00:34:36,680
Speaker 3: We know when they filmed the Bloods, they was actually

718
00:34:36,680 --> 00:34:37,040
Speaker 3: in the Yeah.

719
00:34:37,080 --> 00:34:40,239
Speaker 1: Yeah, and they was that in uh all.

720
00:34:40,000 --> 00:34:42,680
Speaker 3: Of Los Angeles? Yeah, yeah, that was one that was

721
00:34:42,719 --> 00:34:46,799
Speaker 3: in the actual jungle, so bone who hold on?

722
00:34:46,840 --> 00:34:48,080
Speaker 1: No, no, no, no, no no.

723
00:34:48,320 --> 00:34:50,640
Speaker 3: My scene the front of the house was in Boyle Heights,

724
00:34:50,640 --> 00:34:52,880
Speaker 3: but the inside of the house was actually a sound studio.

725
00:34:53,600 --> 00:34:56,640
Speaker 3: That was a fake set. That was a Yeah that's

726
00:34:56,640 --> 00:34:59,080
Speaker 3: HollyHood for you, but that was a fake set. So

727
00:34:59,160 --> 00:35:00,200
Speaker 3: yeah we shot there.

728
00:35:02,120 --> 00:35:07,799
Speaker 1: Now, filming a movie, like a lot of times, you

729
00:35:07,840 --> 00:35:10,000
Speaker 1: do classic shit, you do legendary shit, but you're in

730
00:35:10,080 --> 00:35:13,120
Speaker 1: it so you don't really understand. Did you understand that

731
00:35:13,120 --> 00:35:16,160
Speaker 1: that was a legendary cult movie as you was filming

732
00:35:16,320 --> 00:35:18,759
Speaker 1: or did you Did you realize that after it came out?

733
00:35:18,800 --> 00:35:21,800
Speaker 3: Well, well, you kind of think that already because Denzel's attached,

734
00:35:21,800 --> 00:35:23,960
Speaker 3: you know what I'm saying. So you already thinking, no, like,

735
00:35:24,000 --> 00:35:25,879
Speaker 3: all right, this is going somewhere, you know what I mean.

736
00:35:27,160 --> 00:35:30,200
Speaker 3: So I kind of thought about it on that side

737
00:35:30,200 --> 00:35:34,160
Speaker 3: of things. But about the actual movie movie itself, you

738
00:35:34,200 --> 00:35:35,920
Speaker 3: never know, because every movie is a gamble, you know

739
00:35:35,960 --> 00:35:38,080
Speaker 3: what I'm saying. You could think you got the best

740
00:35:38,120 --> 00:35:39,799
Speaker 3: movie in the world, and then you make it and

741
00:35:39,840 --> 00:35:42,600
Speaker 3: nobody else likes it or cares for its walker you

742
00:35:42,600 --> 00:35:44,719
Speaker 3: can get cut You know. I had one thing I

743
00:35:44,840 --> 00:35:46,959
Speaker 3: learned in life, man, I never celebrate till it's over,

744
00:35:47,320 --> 00:35:49,680
Speaker 3: you know. I mean some people celebrate too early and

745
00:35:49,680 --> 00:35:51,359
Speaker 3: then they're like, damn, I went to the big scene,

746
00:35:51,400 --> 00:35:54,160
Speaker 3: I'm cut out, and so I don't celebrate till it's over.

747
00:35:54,239 --> 00:35:57,640
Speaker 3: But long story short, no, I didn't know that movie

748
00:35:57,719 --> 00:35:58,759
Speaker 3: was going to do what it did, you know what

749
00:35:58,800 --> 00:36:01,799
Speaker 3: I'm saying. But I mean I didn't. I didn't. I

750
00:36:01,800 --> 00:36:05,000
Speaker 3: did it because I didn't, and I did because Denzel's attached.

751
00:36:05,040 --> 00:36:07,480
Speaker 3: So you think it's going to make sense. Yeah, So

752
00:36:07,560 --> 00:36:09,600
Speaker 3: I did it like that? So what was your favorite

753
00:36:09,640 --> 00:36:11,879
Speaker 3: movie you ever done? Man? The one that paid the most,

754
00:36:11,920 --> 00:36:17,520
Speaker 3: bro to be real with you, Man, I got a

755
00:36:17,520 --> 00:36:19,279
Speaker 3: lot of favorites, man, straight out. You know, I've been

756
00:36:19,400 --> 00:36:21,200
Speaker 3: very blessed in my career to be able to work

757
00:36:21,239 --> 00:36:23,000
Speaker 3: and stay working. I've been in the biz over thirty

758
00:36:23,000 --> 00:36:25,560
Speaker 3: five years and uh, you know, I've been doing it

759
00:36:25,600 --> 00:36:27,520
Speaker 3: since fifteen, So I've been in the biz for a minute.

760
00:36:27,560 --> 00:36:30,440
Speaker 3: But I got a lot of fun movies that I

761
00:36:30,640 --> 00:36:35,240
Speaker 3: you know, five to get top five. You know, Training

762
00:36:35,320 --> 00:36:37,440
Speaker 3: Day was one of them. Absolutely fast and furious, you

763
00:36:37,440 --> 00:36:43,759
Speaker 3: know one uh five? You now you're going in on me. Oh,

764
00:36:43,800 --> 00:36:48,440
Speaker 3: Malibu's Most Wanted, Yeah, that was. That was a fun movie.

765
00:36:48,000 --> 00:36:50,200
Speaker 3: That was. That was a fun one to work on us.

766
00:36:50,560 --> 00:36:54,279
Speaker 3: Be Yeah, they're trying to make a part two today,

767
00:36:54,560 --> 00:36:56,399
Speaker 3: make a part Yeah, they trying to come back with that.

768
00:36:57,760 --> 00:36:59,799
Speaker 3: I don't know, man, you got me. Let's go with three.

769
00:37:00,040 --> 00:37:01,960
Speaker 3: Let's just go through for now. That's four. No, I

770
00:37:02,040 --> 00:37:05,000
Speaker 3: was three? Are you name bus? Almighty? Brew all mighty?

771
00:37:05,360 --> 00:37:07,680
Speaker 3: We could throw that in the sports need about the

772
00:37:07,719 --> 00:37:15,719
Speaker 3: Mummies movie? You gets yea? You trying to save that man?

773
00:37:15,920 --> 00:37:18,440
Speaker 3: So you doing what he did? I was Denzel to

774
00:37:18,480 --> 00:37:23,640
Speaker 3: work with. I'll play one more, one more man. You

775
00:37:23,719 --> 00:37:26,279
Speaker 3: got me on this one, Doug, we got a pause,

776
00:37:26,320 --> 00:37:30,359
Speaker 3: but I'm playing, Uh, I don't know. Let's just go

777
00:37:30,360 --> 00:37:32,239
Speaker 3: with those now, okay, because I really don't know. I

778
00:37:32,239 --> 00:37:34,640
Speaker 3: can't even think right now straight up? What is the movie?

779
00:37:34,840 --> 00:37:37,080
Speaker 3: Will hit me later? We'll go with seven Mummies? Since

780
00:37:37,080 --> 00:37:38,560
Speaker 3: he said with that.

781
00:37:38,640 --> 00:37:41,040
Speaker 1: So what is the movie that you got or that

782
00:37:41,160 --> 00:37:45,120
Speaker 1: was offered that you just was like, you thought that

783
00:37:45,160 --> 00:37:46,080
Speaker 1: this this?

784
00:37:46,440 --> 00:37:48,239
Speaker 3: I'll keep it real with you man, like I'll keep

785
00:37:48,280 --> 00:37:51,280
Speaker 3: it one hundred. So to each their own, I got

786
00:37:51,440 --> 00:37:55,160
Speaker 3: no judgment. Again, to each their own, I got no judgment.

787
00:37:55,239 --> 00:37:57,840
Speaker 3: You do you you know what I'm saying. But I

788
00:37:57,880 --> 00:37:59,799
Speaker 3: will not do a movie where I play a gay guy.

789
00:38:00,280 --> 00:38:01,680
Speaker 3: I will not do a movie where I got to

790
00:38:01,719 --> 00:38:04,239
Speaker 3: wear a dress. I'm like, Dave Chappelle, you ain't putting

791
00:38:04,239 --> 00:38:11,279
Speaker 3: the dress on the black Man. So I so there

792
00:38:11,320 --> 00:38:13,120
Speaker 3: was a there was a movie and I even forget

793
00:38:13,120 --> 00:38:14,520
Speaker 3: the name of it. Man, But I'm like, nah, I

794
00:38:14,520 --> 00:38:18,279
Speaker 3: ain't doing Broke Back Gangsters. I'm good, But there was

795
00:38:18,320 --> 00:38:20,120
Speaker 3: a movie where I got it. And again, to each

796
00:38:20,160 --> 00:38:22,600
Speaker 3: the room, no judgment. I'm just saying, not for me.

797
00:38:22,680 --> 00:38:25,239
Speaker 3: You feel me like I ain't going there. I ain't

798
00:38:25,239 --> 00:38:28,680
Speaker 3: going there. Like, but you know, I'm old school. I'm

799
00:38:28,719 --> 00:38:30,680
Speaker 3: still not used to guys wearing peak, you know. I mean,

800
00:38:30,680 --> 00:38:33,560
Speaker 3: I'm not even used to that yet. But again I'm

801
00:38:33,560 --> 00:38:35,600
Speaker 3: old school. No judgment, I'm just saying, what was you know,

802
00:38:35,680 --> 00:38:38,799
Speaker 3: my real But I got a movie where I was

803
00:38:38,840 --> 00:38:43,200
Speaker 3: offered a gay role and uh, I was like, and

804
00:38:43,239 --> 00:38:44,920
Speaker 3: they were offering me a lot of money. It was

805
00:38:45,280 --> 00:38:48,240
Speaker 3: Hector and no, right, I was like, now they're pushing

806
00:38:48,280 --> 00:38:50,319
Speaker 3: it too far. Right. I was like, now you got

807
00:38:50,320 --> 00:38:53,319
Speaker 3: to come in a switch but no, man, So I

808
00:38:53,400 --> 00:38:55,560
Speaker 3: just I didn't take the role. So yeah, there were

809
00:38:55,600 --> 00:38:57,359
Speaker 3: some movies that came at me straight up and I

810
00:38:57,440 --> 00:38:59,600
Speaker 3: was like, nah, I'm good, even though I would have

811
00:38:59,600 --> 00:39:02,480
Speaker 3: got paid fat wow, and I turned it deafer. So yeah,

812
00:39:02,560 --> 00:39:05,120
Speaker 3: do you hate people like name Hector? Like, no, no,

813
00:39:05,239 --> 00:39:09,960
Speaker 3: I'm good man, Like what you're going through Jesus, this

814
00:39:10,120 --> 00:39:12,799
Speaker 3: cowthol doll or what it was a joke. I'm like,

815
00:39:12,840 --> 00:39:15,560
Speaker 3: you hadn't.

816
00:39:14,320 --> 00:39:16,359
Speaker 1: Really going to you in the scot because it's like, yo,

817
00:39:16,480 --> 00:39:18,080
Speaker 1: he paid Hector thirty eight times.

818
00:39:18,120 --> 00:39:20,759
Speaker 3: Yeah yeah realized that. Yeah. Yeah, so I'll give you

819
00:39:20,760 --> 00:39:24,000
Speaker 3: the quick story on that man. So in HollyHood, they

820
00:39:24,040 --> 00:39:26,399
Speaker 3: only know two names from Mexican actors. Bro It's Hector

821
00:39:26,440 --> 00:39:29,880
Speaker 3: and Carlos. Because every time I ever got a script,

822
00:39:30,480 --> 00:39:33,320
Speaker 3: kid you not, it was Hector and Carlos. It got

823
00:39:33,360 --> 00:39:38,200
Speaker 3: so bad, Dad, like, come on, we got other names

824
00:39:38,200 --> 00:39:41,160
Speaker 3: out there, you know what I mean, cob Loo, we

825
00:39:41,239 --> 00:39:44,920
Speaker 3: got we got names. Yeah, Like you know, man, I'm like,

826
00:39:45,000 --> 00:39:47,480
Speaker 3: let me talk to some fun ye me. I'm like,

827
00:39:47,520 --> 00:39:51,279
Speaker 3: where's the heart of this happening? From don straight up? No.

828
00:39:51,800 --> 00:39:54,239
Speaker 3: It got so bad that my manager would call me up.

829
00:39:54,320 --> 00:39:56,200
Speaker 3: I kid you not. You'd be like, You're not going

830
00:39:56,239 --> 00:39:58,400
Speaker 3: to believe this, and I'm like what she goes another

831
00:39:58,480 --> 00:40:05,440
Speaker 3: role for actor? I know you're playing right Actually, like

832
00:40:05,440 --> 00:40:08,560
Speaker 3: I ain't playing. I'm like, all right, whatever right, So yeah,

833
00:40:08,640 --> 00:40:11,719
Speaker 3: dog Like, So this is the this is the quick

834
00:40:11,719 --> 00:40:15,759
Speaker 3: way of saying it. It truly, really genuinely started out

835
00:40:15,800 --> 00:40:19,960
Speaker 3: as a coincidence thing. But as it happens, so much coincidentally,

836
00:40:19,960 --> 00:40:22,040
Speaker 3: I just made it a thing. So now I was like,

837
00:40:22,080 --> 00:40:24,440
Speaker 3: you know what, I'm gonna ride this out and that's it.

838
00:40:24,520 --> 00:40:26,960
Speaker 3: But what I love about it though, is I'm the

839
00:40:27,000 --> 00:40:32,200
Speaker 3: first actor ever to to break that chain there's been

840
00:40:32,280 --> 00:40:35,480
Speaker 3: no other actor out there that has played a different

841
00:40:35,560 --> 00:40:38,359
Speaker 3: role with the same character name. I'm the first one

842
00:40:38,400 --> 00:40:46,319
Speaker 3: to do that, so I'll do so. I feel like

843
00:40:46,360 --> 00:40:48,480
Speaker 3: that's my own little personal tag, you know, you know,

844
00:40:48,640 --> 00:40:51,600
Speaker 3: like every actor like you got your own niche gift

845
00:40:52,160 --> 00:40:54,680
Speaker 3: that makes Norri Norri that no one could top, you

846
00:40:54,680 --> 00:40:57,480
Speaker 3: know that, no one, and this person got his gift

847
00:40:57,480 --> 00:40:59,759
Speaker 3: and his gift and his gift and so on. I

848
00:40:59,800 --> 00:41:02,000
Speaker 3: take that is my little you know, my little token,

849
00:41:02,040 --> 00:41:04,960
Speaker 3: you know what I'm saying. So whenever I quote unquote

850
00:41:04,960 --> 00:41:07,120
Speaker 3: got the power to do it, whenever I do a

851
00:41:07,160 --> 00:41:10,439
Speaker 3: movie now or whatever. Now I actually requested I say, hey, Mac,

852
00:41:11,360 --> 00:41:12,880
Speaker 3: Now I's going to say, like, hey, can I be

853
00:41:12,960 --> 00:41:15,560
Speaker 3: called Hector in this movie? In ninety percent of the

854
00:41:15,560 --> 00:41:20,600
Speaker 3: time they say yeah, And so Hector. I think it's

855
00:41:20,600 --> 00:41:22,880
Speaker 3: my real name. I'm about to go to the DMV

856
00:41:23,080 --> 00:41:25,000
Speaker 3: switch if I get my middle name or something. You

857
00:41:25,040 --> 00:41:27,399
Speaker 3: know what I'm saying. So, so, yeah, long story short,

858
00:41:27,680 --> 00:41:29,520
Speaker 3: the Hector thing. I'm just writing it out till, you

859
00:41:29,520 --> 00:41:32,600
Speaker 3: know whatever, till the wills fall off. But do you

860
00:41:32,680 --> 00:41:36,040
Speaker 3: ever think you'll play a doctor? You know, it's funny, man,

861
00:41:36,080 --> 00:41:37,839
Speaker 3: you say that one, right, there because if I play

862
00:41:37,840 --> 00:41:40,360
Speaker 3: a doctor, now I'm acting. You know what I'm saying, Like,

863
00:41:40,440 --> 00:41:42,480
Speaker 3: if I play a lawyer or something like that, now

864
00:41:42,520 --> 00:41:44,759
Speaker 3: I'm acting. Right, Well, you know pretty much all the

865
00:41:44,840 --> 00:41:46,440
Speaker 3: roles that I've done and pretty much been me in

866
00:41:46,520 --> 00:41:48,600
Speaker 3: real life. Yeah, and so I laughed because I got

867
00:41:48,600 --> 00:41:50,400
Speaker 3: a lot of actor friends. But you know how it is.

868
00:41:50,440 --> 00:41:52,239
Speaker 3: Now I just slap a camera in front of you

869
00:41:52,560 --> 00:41:54,680
Speaker 3: and you just do you and now, hey, you're an actor.

870
00:41:55,040 --> 00:41:57,560
Speaker 3: Even though Norri was being Nori, you feel me. So

871
00:41:57,800 --> 00:42:00,880
Speaker 3: I just I just you know, I I love to

872
00:42:00,880 --> 00:42:03,440
Speaker 3: be challenged, though I do want to. I believe if

873
00:42:03,440 --> 00:42:06,280
Speaker 3: no one gives you the opportunity, give the opportunity to yourself.

874
00:42:06,840 --> 00:42:08,960
Speaker 3: So I do love to be challenged. So now I've

875
00:42:08,960 --> 00:42:11,640
Speaker 3: been taking on different roles where I just did a

876
00:42:11,680 --> 00:42:14,799
Speaker 3: movie where I played a cop. It's called Locksmith with

877
00:42:15,360 --> 00:42:19,120
Speaker 3: Ryan Phillip, me, Ryan Phillippi and Ving Raims and h

878
00:42:19,239 --> 00:42:21,200
Speaker 3: So I got that one, and then I got some

879
00:42:21,280 --> 00:42:23,840
Speaker 3: other flicks where you know, I do play some different roles,

880
00:42:24,120 --> 00:42:26,080
Speaker 3: but I ain't gonna I ain't gonna lie in front.

881
00:42:26,120 --> 00:42:29,759
Speaker 3: You know, eighty five percent of time I'm just playing me. Hector. Yeah, heck, yeah, yeah,

882
00:42:29,880 --> 00:42:32,160
Speaker 3: I'm like cool. You know, if it ain't broke, I

883
00:42:32,160 --> 00:42:33,960
Speaker 3: ain't trying to fix it. Let's roll with it. I

884
00:42:34,000 --> 00:42:38,360
Speaker 3: damn it makes a voice, yea is it?

885
00:42:38,400 --> 00:42:41,560
Speaker 1: Did you ever feel like stagnated by like you know,

886
00:42:41,800 --> 00:42:42,680
Speaker 1: like like I mean, for.

887
00:42:42,719 --> 00:42:45,080
Speaker 3: Instance, like I'll get the black eye roll right if

888
00:42:45,080 --> 00:42:48,759
Speaker 3: I'm a radio like pigeon held. So that's what I'm

889
00:42:48,760 --> 00:42:50,200
Speaker 3: trying to say. You have you ever felt like that

890
00:42:50,640 --> 00:42:54,560
Speaker 3: or not? Not? Really? Man? Because you know my thing

891
00:42:54,719 --> 00:42:57,000
Speaker 3: is is you got you got to get in first

892
00:42:57,000 --> 00:42:58,440
Speaker 3: to change the game, you know what I'm saying. And

893
00:42:58,480 --> 00:43:00,000
Speaker 3: this is what got me in to be able to

894
00:43:00,120 --> 00:43:02,399
Speaker 3: change a game and start making some other movies where

895
00:43:02,400 --> 00:43:05,040
Speaker 3: I can play different roles. But you know, it's fun

896
00:43:05,080 --> 00:43:06,480
Speaker 3: playing the bad guy, you know what I'm saying. I

897
00:43:06,480 --> 00:43:08,920
Speaker 3: want to play a good guy. That's boring. But you

898
00:43:08,920 --> 00:43:11,120
Speaker 3: know what I'm saying. So a long story short, if

899
00:43:11,120 --> 00:43:13,040
Speaker 3: I could keep on playing these roles, I'm cool with it.

900
00:43:13,120 --> 00:43:15,640
Speaker 3: I ain't tripping. But again, that don't mean that I

901
00:43:15,680 --> 00:43:18,280
Speaker 3: won't take on the role of a doctor or something else,

902
00:43:18,680 --> 00:43:21,240
Speaker 3: you know what I'm saying. But dog, I don't feel

903
00:43:21,239 --> 00:43:23,360
Speaker 3: like I'm I don't feel like I'm you know, Pigeon

904
00:43:23,400 --> 00:43:26,120
Speaker 3: Held or whatever, because again, I'm doing other movies that

905
00:43:26,160 --> 00:43:28,759
Speaker 3: are making me break out of just that character. Also

906
00:43:28,800 --> 00:43:34,160
Speaker 3: as well, would you play a dog? Woka to do

907
00:43:34,200 --> 00:43:43,040
Speaker 3: dog dog? Right? The dog can'ting? Gotta know it, Naven

908
00:43:43,080 --> 00:43:45,839
Speaker 3: says son, you give us a short trip.

909
00:43:46,040 --> 00:43:47,680
Speaker 1: He pick up all his movies, so I wanted them

910
00:43:47,680 --> 00:43:49,560
Speaker 1: to say something about each and every movie.

911
00:43:49,840 --> 00:43:52,320
Speaker 3: Damn, we're gonna be here for a minute. Yeah, just

912
00:43:52,600 --> 00:43:55,400
Speaker 3: playing a memory again. I'm like, man, you know, what

913
00:43:55,400 --> 00:43:59,640
Speaker 3: are you eating over there? Did we? He was on

914
00:43:59,680 --> 00:44:02,560
Speaker 3: the Walk on the I saw that, and yeah, so

915
00:44:02,600 --> 00:44:04,080
Speaker 3: I was. I was on the first season of The

916
00:44:04,080 --> 00:44:07,120
Speaker 3: Walking Dead Man. That was cool, see that. That was

917
00:44:07,160 --> 00:44:09,080
Speaker 3: a different role right there. You know I played a nurse.

918
00:44:09,360 --> 00:44:11,759
Speaker 3: Oh really and that movie. Yeah, I was like, you know,

919
00:44:11,920 --> 00:44:14,040
Speaker 3: just the guy. I was given the medication and Old

920
00:44:14,040 --> 00:44:16,359
Speaker 3: People's Home and comm lesson home. So that was kind

921
00:44:16,360 --> 00:44:20,040
Speaker 3: of a different role. But yeah, there's, like I said,

922
00:44:20,080 --> 00:44:22,399
Speaker 3: there's something out there. But I got to think, man,

923
00:44:22,440 --> 00:44:24,239
Speaker 3: like you put my thinking cap on and I can't

924
00:44:24,239 --> 00:44:25,959
Speaker 3: even I'm stuck right now. I can't even.

925
00:44:26,440 --> 00:44:27,840
Speaker 5: Do you feel there's much of a difference in the

926
00:44:27,880 --> 00:44:30,440
Speaker 5: experience of doing a movie versus like, you know, television.

927
00:44:30,480 --> 00:44:34,640
Speaker 3: Yeah, in a television show, you can't add lib that much,

928
00:44:35,000 --> 00:44:37,160
Speaker 3: and a television show they're a lot more locked on

929
00:44:37,200 --> 00:44:39,800
Speaker 3: the script. On a television show you got to pretty

930
00:44:39,840 --> 00:44:42,319
Speaker 3: much stick word for word, and movies you get the

931
00:44:42,360 --> 00:44:44,239
Speaker 3: freedom of being able to make it your own and

932
00:44:44,239 --> 00:44:46,160
Speaker 3: play with it and do whatever you want. But in

933
00:44:46,239 --> 00:44:48,640
Speaker 3: a t and I first learned my lesson I'm Buffy

934
00:44:48,680 --> 00:44:51,600
Speaker 3: the Vampire Slayer when I did Buffy the Vampire Slayer,

935
00:44:51,600 --> 00:44:53,959
Speaker 3: which was one of my first biggest shows that I did.

936
00:44:54,120 --> 00:44:56,839
Speaker 3: Show Wise, I came in and I went all off

937
00:44:56,880 --> 00:45:01,920
Speaker 3: script and the director was like, and Sarah Michelle Geller

938
00:45:02,000 --> 00:45:04,879
Speaker 3: got all upset, what are you doing? She's like, I'm

939
00:45:04,880 --> 00:45:09,319
Speaker 3: doing the scene. What are you doing? Right? I'm doing

940
00:45:09,320 --> 00:45:11,560
Speaker 3: the part, you know what I mean? And the director

941
00:45:11,600 --> 00:45:13,600
Speaker 3: came was like, what tell you? I'll go what do

942
00:45:13,600 --> 00:45:15,440
Speaker 3: you mean? I go, yeah, I do movies. I have

943
00:45:15,600 --> 00:45:17,359
Speaker 3: live all the time. It's cool. He goes, well, this

944
00:45:17,400 --> 00:45:19,680
Speaker 3: isn't a movie, man, that's a TV show and he goes,

945
00:45:19,719 --> 00:45:21,640
Speaker 3: you stick to word, dude. I had to learn that

946
00:45:21,680 --> 00:45:24,240
Speaker 3: thing in five minutes or less. Bro. I was stressed

947
00:45:24,280 --> 00:45:25,640
Speaker 3: out like a mug. You know what, I'm saying. So

948
00:45:25,680 --> 00:45:28,560
Speaker 3: I came back, and thank god at that time I

949
00:45:28,640 --> 00:45:31,239
Speaker 3: was good at my memorizing skills or whatever. I learned

950
00:45:31,280 --> 00:45:32,879
Speaker 3: it in five minutes or less. And I pretty much

951
00:45:32,920 --> 00:45:34,920
Speaker 3: came back ninety eight percent word for word. And he

952
00:45:35,000 --> 00:45:37,880
Speaker 3: was like, all right, cool. But I never got, you know,

953
00:45:38,320 --> 00:45:40,239
Speaker 3: in trouble or whatever you want to call it, more

954
00:45:40,280 --> 00:45:42,080
Speaker 3: than on a TV show for ad libing. And that's

955
00:45:42,080 --> 00:45:45,200
Speaker 3: where I learned my lesson. Because TV shows, you know,

956
00:45:45,200 --> 00:45:48,359
Speaker 3: they're on channel two, four seven, eleven thirteen, so they

957
00:45:48,400 --> 00:45:50,719
Speaker 3: get afraid if you go off script. They don't want

958
00:45:50,719 --> 00:45:52,800
Speaker 3: you to say something that's not right for the network.

959
00:45:52,840 --> 00:45:54,960
Speaker 3: And then they got to you know, not do the

960
00:45:54,960 --> 00:45:57,240
Speaker 3: show or air the show or beep it or bleep whatever.

961
00:45:57,400 --> 00:46:00,720
Speaker 3: So because they already approved that script, here stick around exactly.

962
00:46:00,760 --> 00:46:02,319
Speaker 3: So there you got to stick word for where they

963
00:46:02,320 --> 00:46:03,640
Speaker 3: don't mess around on those ones.

964
00:46:03,920 --> 00:46:07,799
Speaker 1: You see you see arthoor ge pieces of it like

965
00:46:07,840 --> 00:46:08,319
Speaker 1: here and there.

966
00:46:08,400 --> 00:46:10,200
Speaker 3: I don't watch much TV. Dog to keep it real

967
00:46:10,239 --> 00:46:12,560
Speaker 3: with you, every time someone's telling me of a new

968
00:46:12,560 --> 00:46:13,880
Speaker 3: show and I'm like, Dad, didn't watch the thing you

969
00:46:13,920 --> 00:46:16,920
Speaker 3: told me about last week? Too much to watch them, Mann,

970
00:46:17,080 --> 00:46:19,600
Speaker 3: I can't keep up now on Netflix. Cod can't keep up, man,

971
00:46:19,640 --> 00:46:21,920
Speaker 3: I'm still watching Back to the Future and Terminator in

972
00:46:21,960 --> 00:46:25,839
Speaker 3: Star Wars. I say, I'm watching the movies we grew

973
00:46:25,920 --> 00:46:27,560
Speaker 3: up on dog because a lot of the new crap

974
00:46:27,640 --> 00:46:30,600
Speaker 3: is crap. Okay, we're going run in my opinion. In

975
00:46:30,600 --> 00:46:32,839
Speaker 3: my opinion, we're run through. A couple starting to find

976
00:46:32,840 --> 00:46:33,840
Speaker 3: a good movie nowadays.

977
00:46:33,920 --> 00:46:37,520
Speaker 1: The Joye that you've been in, okay, and we're going

978
00:46:37,560 --> 00:46:39,200
Speaker 1: to just say something about it.

979
00:46:39,320 --> 00:46:43,120
Speaker 3: The Mustang twenty nineteen. That movie was cool man. That

980
00:46:43,360 --> 00:46:47,520
Speaker 3: was what's his name, Jason? He played easy and straight

981
00:46:47,520 --> 00:46:50,000
Speaker 3: out of Compton. I forget his last name, but yeah,

982
00:46:50,040 --> 00:46:51,880
Speaker 3: it was, Yeah, he was. He was the star of

983
00:46:51,880 --> 00:46:53,600
Speaker 3: that film. That was a cool one. That was a

984
00:46:53,640 --> 00:46:58,359
Speaker 3: true story about prisoners who train horses to race. Oh shit,

985
00:46:58,440 --> 00:47:01,160
Speaker 3: so they actually go out there. They can wild horses

986
00:47:01,840 --> 00:47:04,560
Speaker 3: and they used the prisoners to train them to race.

987
00:47:05,000 --> 00:47:07,320
Speaker 3: When you go gamble and play some bet on horse races,

988
00:47:07,640 --> 00:47:10,400
Speaker 3: some of those horses were wild horses that were trained

989
00:47:10,719 --> 00:47:14,719
Speaker 3: by actual prisoners in prison. And so I didn't know

990
00:47:14,760 --> 00:47:16,600
Speaker 3: any of that. And that's where I learned how to

991
00:47:16,680 --> 00:47:18,840
Speaker 3: ride horses. So I got free horse riding lessons on

992
00:47:18,880 --> 00:47:22,239
Speaker 3: that one. Wow. So yeah, check out the Mustang. It's

993
00:47:22,520 --> 00:47:24,480
Speaker 3: it's an okay movie. I ain't gonna lie. It's fifty

994
00:47:24,520 --> 00:47:24,880
Speaker 3: to fifty.

995
00:47:24,880 --> 00:47:28,120
Speaker 1: It's all right, Okay, John wins Mirror Merra.

996
00:47:29,560 --> 00:47:34,120
Speaker 3: That was a faith based movie that we did. That

997
00:47:34,200 --> 00:47:39,440
Speaker 3: was an independent joint that movies. I okay, the Mule.

998
00:47:39,960 --> 00:47:43,239
Speaker 3: The Mule was with Clint Eastwood. Yeah, yeah, and that one.

999
00:47:43,400 --> 00:47:46,000
Speaker 3: That one was a true story also, And to be

1000
00:47:46,040 --> 00:47:47,640
Speaker 3: a part of that joint was off the hook. So

1001
00:47:47,680 --> 00:47:54,759
Speaker 3: Clint Eastwood working with him, it was crazy because if

1002
00:47:54,800 --> 00:47:58,400
Speaker 3: it was what I'm saying, he was cool to me. Okay,

1003
00:47:59,080 --> 00:48:01,239
Speaker 3: but I think you know, meet you or anyone in

1004
00:48:01,280 --> 00:48:02,879
Speaker 3: this room. If he was racist, we would have said

1005
00:48:02,920 --> 00:48:06,799
Speaker 3: something right, you know. But yeah, long story short, now

1006
00:48:06,840 --> 00:48:09,880
Speaker 3: he was cool to me. Yeah, he's a dude. That

1007
00:48:09,920 --> 00:48:11,880
Speaker 3: guy's when I did that movie, I think he was

1008
00:48:11,880 --> 00:48:16,319
Speaker 3: pushing eighty four. He's acting and directing and I'm still directing. Yeah,

1009
00:48:16,440 --> 00:48:20,080
Speaker 3: And that was a crazy experience because Clint Eastwood all

1010
00:48:20,200 --> 00:48:25,040
Speaker 3: his movie, he doesn't he doesn't yell cut action all

1011
00:48:25,040 --> 00:48:28,719
Speaker 3: this movie. He does sign language. So he literally does

1012
00:48:28,800 --> 00:48:32,880
Speaker 3: sign language with the people on set and action is

1013
00:48:32,960 --> 00:48:35,840
Speaker 3: like they'll sign language you action and he'll just direct you,

1014
00:48:35,880 --> 00:48:38,960
Speaker 3: like real calmly, like all right, Nori, like do your

1015
00:48:39,000 --> 00:48:41,239
Speaker 3: scene and show me what you got and just do

1016
00:48:41,320 --> 00:48:43,239
Speaker 3: it with him here, and I'm just gonna watch and

1017
00:48:43,400 --> 00:48:46,439
Speaker 3: just keep the camera. That's how he directs. And they're

1018
00:48:46,480 --> 00:48:48,759
Speaker 3: like all right, and you just jump into it and

1019
00:48:48,840 --> 00:48:51,120
Speaker 3: do what you do. And so yeah, working with Clint

1020
00:48:51,120 --> 00:48:53,920
Speaker 3: Eastwood was a trip man's It's interesting in this business

1021
00:48:53,960 --> 00:48:56,239
Speaker 3: because you work with a lot of directors and to

1022
00:48:56,239 --> 00:48:59,200
Speaker 3: get to see how they direct different. One guy got

1023
00:48:59,200 --> 00:49:01,200
Speaker 3: this skill set, this guy got this skill set, and

1024
00:49:01,239 --> 00:49:03,080
Speaker 3: so on and so on. So to be able to

1025
00:49:03,120 --> 00:49:07,120
Speaker 3: get that, it just sharpens you on your side of

1026
00:49:07,160 --> 00:49:10,319
Speaker 3: your craft because you've seen so many different angles of

1027
00:49:10,360 --> 00:49:12,719
Speaker 3: how they come at it, and it just makes you better.

1028
00:49:12,719 --> 00:49:14,520
Speaker 3: You know. I say, there's no better training than being

1029
00:49:14,560 --> 00:49:18,120
Speaker 3: on the field itself. You know what I'm saying. How

1030
00:49:18,120 --> 00:49:20,920
Speaker 3: many movies are you gonna go through? Gcs over We

1031
00:49:20,960 --> 00:49:22,880
Speaker 3: can't go through all. I got like over two hundred

1032
00:49:22,920 --> 00:49:29,040
Speaker 3: and something. Someone talked to this guy someone Uh. That

1033
00:49:29,080 --> 00:49:31,200
Speaker 3: movie was a shout out to my boy Ben Bray

1034
00:49:31,719 --> 00:49:34,960
Speaker 3: uh el Chicano. That was a movie with George Lopez

1035
00:49:35,440 --> 00:49:37,560
Speaker 3: and some other cats were up in there and love

1036
00:49:37,600 --> 00:49:40,880
Speaker 3: story short. That movie was kind of like the first

1037
00:49:40,920 --> 00:49:44,080
Speaker 3: Mexican Batman movie. They were trying to make a Latino

1038
00:49:44,160 --> 00:49:47,880
Speaker 3: a superhero and that's what they were going for it.

1039
00:49:48,200 --> 00:49:52,960
Speaker 3: It didn't work out too well, but we tried called

1040
00:49:53,040 --> 00:49:56,400
Speaker 3: Ricky Martin, He's what kind of superhero?

1041
00:49:56,560 --> 00:50:00,560
Speaker 1: Isy beyond this skyline?

1042
00:50:01,239 --> 00:50:03,480
Speaker 3: That was part two. That was an alien joint that

1043
00:50:03,520 --> 00:50:06,919
Speaker 3: we did. Uh five yeah, yeah, yeah, to be Frank

1044
00:50:06,960 --> 00:50:09,640
Speaker 3: Grilla was the start of that joint. And uh that

1045
00:50:09,760 --> 00:50:12,040
Speaker 3: was part two to part one. So that was a

1046
00:50:12,040 --> 00:50:14,239
Speaker 3: cool flick to work on. I knew a producer who

1047
00:50:14,239 --> 00:50:16,160
Speaker 3: I worked with on some other projects and he slapped

1048
00:50:16,200 --> 00:50:19,359
Speaker 3: me up in there. This is gonna take you long.

1049
00:50:19,760 --> 00:50:23,400
Speaker 3: We got got sorry, we only got eighty.

1050
00:50:24,920 --> 00:50:30,600
Speaker 1: Green flip everything we called on which one.

1051
00:50:29,760 --> 00:50:36,640
Speaker 3: You gotta come with something? Yeah, well we recoil, Yeah,

1052
00:50:36,640 --> 00:50:40,560
Speaker 3: we coil. Yeah. He was giving a multiple choice, given

1053
00:50:40,640 --> 00:50:44,680
Speaker 3: you an A, B C. Were good? Uh, no, worries,

1054
00:50:44,640 --> 00:50:48,640
Speaker 3: it's the show. We could cut that recoil. That was

1055
00:50:48,640 --> 00:50:51,960
Speaker 3: a movie I did with Steve Austin and my boy Machete.

1056
00:50:52,360 --> 00:50:54,200
Speaker 3: That was a cool flick. That one actually like we

1057
00:50:54,200 --> 00:50:59,560
Speaker 3: played yeah yeah, oh yeah, yeah. That guy was he

1058
00:50:59,640 --> 00:51:02,399
Speaker 3: was the next this guy on set, cool cat, friendly dude,

1059
00:51:02,960 --> 00:51:04,759
Speaker 3: nothing like he is on TV, you know what I mean.

1060
00:51:05,280 --> 00:51:08,000
Speaker 3: And but lock story short, man, he kicked all of

1061
00:51:08,000 --> 00:51:10,319
Speaker 3: our butts on that one. Oh wow, yeah, he took

1062
00:51:10,400 --> 00:51:16,239
Speaker 3: us out. Okay. The Purge Anarchy, Yeah, that was a

1063
00:51:16,280 --> 00:51:18,440
Speaker 3: cool flick, man. The Purge series was hella cool. To

1064
00:51:18,480 --> 00:51:21,840
Speaker 3: be crazy, man, that's one of the iconic horror movies

1065
00:51:21,880 --> 00:51:23,880
Speaker 3: out there. To be a part of that franchise was

1066
00:51:23,920 --> 00:51:26,120
Speaker 3: heck of cool. To do the Purge and I did

1067
00:51:26,200 --> 00:51:28,000
Speaker 3: some purgeing on that. But you already know, like we

1068
00:51:28,040 --> 00:51:31,759
Speaker 3: said earlier, Black Mexican, you gon't die and I died,

1069
00:51:32,239 --> 00:51:34,600
Speaker 3: okay movie, Yeah, I died in the first half hour

1070
00:51:34,640 --> 00:51:38,120
Speaker 3: on that joint. Okay, Yeah, you got pursed. I got

1071
00:51:38,600 --> 00:51:40,800
Speaker 3: I thought I was purging and I got purged exactly.

1072
00:51:41,120 --> 00:51:45,400
Speaker 1: The Dark Knight Rises, Yeah yeah, So that movie was

1073
00:51:45,440 --> 00:51:45,959
Speaker 1: hella cool.

1074
00:51:45,960 --> 00:51:47,840
Speaker 3: Bro. They put a solo and got them city, you

1075
00:51:47,880 --> 00:51:55,120
Speaker 3: know what I mean. I did. I did a movie

1076
00:51:55,120 --> 00:52:00,120
Speaker 3: with Christian Bell Terry Crews and it was called Harsh Times.

1077
00:52:00,640 --> 00:52:04,040
Speaker 3: And I worked with Christian Bell for like two weeks

1078
00:52:04,080 --> 00:52:06,279
Speaker 3: on that flick and we got kind of close and

1079
00:52:06,360 --> 00:52:10,120
Speaker 3: lost story short. He recommended me for Batman Dark Knight

1080
00:52:10,200 --> 00:52:12,359
Speaker 3: Rises and he was like, Yo, I want my boy

1081
00:52:12,440 --> 00:52:14,719
Speaker 3: no LG in this flick. And at first I thought

1082
00:52:14,719 --> 00:52:16,480
Speaker 3: it was a joke. I was like, you you kidding

1083
00:52:16,560 --> 00:52:19,399
Speaker 3: or what ended up being real? And so yeah, Man,

1084
00:52:19,440 --> 00:52:21,080
Speaker 3: So I had a little spot in the and that

1085
00:52:21,280 --> 00:52:23,640
Speaker 3: I love Man because that was my first big superhero

1086
00:52:23,719 --> 00:52:26,080
Speaker 3: movie that I got to do. And so to be

1087
00:52:26,120 --> 00:52:29,359
Speaker 3: a part of that Batman, come on, that's an iconic film,

1088
00:52:29,400 --> 00:52:31,960
Speaker 3: you know what I'm saying. And that's that's when Batman

1089
00:52:32,120 --> 00:52:34,400
Speaker 3: was good. I'm not feeling Batman Part fifty eight and

1090
00:52:34,560 --> 00:52:37,480
Speaker 3: you know sixty two and all these remakes are lame

1091
00:52:37,520 --> 00:52:39,759
Speaker 3: as hell to me, But that's when Batman was good.

1092
00:52:39,800 --> 00:52:41,600
Speaker 3: So to still be a part of it at the

1093
00:52:41,840 --> 00:52:45,480
Speaker 3: at the birth of Batman, I'm happy about that. All right.

1094
00:52:45,600 --> 00:52:49,239
Speaker 1: Training day we covered that didn't Okay, we went deep

1095
00:52:49,280 --> 00:52:49,799
Speaker 1: on that one.

1096
00:52:50,040 --> 00:52:52,200
Speaker 3: Oh, I know what you're doing. We're covering Cheney day

1097
00:52:52,239 --> 00:52:58,320
Speaker 3: for Homeboy. Where's Yes, he did three reviews. I traded.

1098
00:52:59,600 --> 00:53:04,200
Speaker 3: I think ready to come the name of this podcast.

1099
00:53:07,239 --> 00:53:10,279
Speaker 3: But how long did you train for training? How long

1100
00:53:10,320 --> 00:53:13,279
Speaker 3: did I train? The Fast and Furious? But I think

1101
00:53:13,320 --> 00:53:13,839
Speaker 3: we covered that.

1102
00:53:14,440 --> 00:53:21,160
Speaker 1: Child support case on that one, Okay, what the faster and.

1103
00:53:23,080 --> 00:53:28,440
Speaker 3: I'm playing, but I'm not playing, okay, because what was

1104
00:53:28,480 --> 00:53:30,160
Speaker 3: asking was like the person to come back. Hey, No,

1105
00:53:30,280 --> 00:53:32,280
Speaker 3: Fast and Furious was crazy because it was like getting

1106
00:53:32,280 --> 00:53:33,920
Speaker 3: paid the party. Man. There was a moment where I

1107
00:53:33,960 --> 00:53:35,640
Speaker 3: was like, are we filming a movie here? You know

1108
00:53:35,719 --> 00:53:37,439
Speaker 3: what I mean? Like straight up dog And that's why

1109
00:53:37,480 --> 00:53:39,200
Speaker 3: that's why we came up with the family line and

1110
00:53:39,280 --> 00:53:42,120
Speaker 3: Fast and Furious, because it truly felt like a family,

1111
00:53:42,200 --> 00:53:44,520
Speaker 3: like all of us were just hanging out chilling. As

1112
00:53:44,560 --> 00:53:46,600
Speaker 3: a matter of fact, a couple of the scenes that

1113
00:53:46,640 --> 00:53:49,960
Speaker 3: we shot, the director didn't even tell us that we

1114
00:53:49,960 --> 00:53:52,840
Speaker 3: were shooting, and he just caught the real moment and

1115
00:53:52,880 --> 00:53:54,960
Speaker 3: he was like, that's a wrap. Everybody go home, and

1116
00:53:55,000 --> 00:53:57,040
Speaker 3: we're like what we're like, we did and he's like, no,

1117
00:53:57,120 --> 00:53:58,560
Speaker 3: I already filmed it. I got what I need and

1118
00:53:58,680 --> 00:54:01,000
Speaker 3: let us go. So it was straight up like that.

1119
00:54:01,239 --> 00:54:05,440
Speaker 3: So for that movie, man, yeah, it was. That was

1120
00:54:05,480 --> 00:54:12,160
Speaker 3: another case where I caught a case. Okay, well it's

1121
00:54:12,200 --> 00:54:17,960
Speaker 3: a rumor, Okay, I'll fact check. Rule was on this set.

1122
00:54:18,320 --> 00:54:19,840
Speaker 3: Yeah he was. He was in the movie. He's in

1123
00:54:19,880 --> 00:54:20,560
Speaker 3: the movie.

1124
00:54:20,960 --> 00:54:25,120
Speaker 1: But then when it came time for number two, oh.

1125
00:54:25,320 --> 00:54:30,520
Speaker 1: He said no, yeah, and he missed his whole French.

1126
00:54:30,520 --> 00:54:36,040
Speaker 3: And Ludacris took over. Lud got it. Yeah, that's that one.

1127
00:54:36,120 --> 00:54:40,520
Speaker 3: It ain't even my money. It hurts me. I wasn't

1128
00:54:40,520 --> 00:54:43,719
Speaker 3: even mob me. I was like damn. I was like,

1129
00:54:43,800 --> 00:54:45,880
Speaker 3: Jack Rule, you might want to double check your answer.

1130
00:54:46,640 --> 00:54:49,160
Speaker 3: Triple check that answer. You know what I'm saying. Okay,

1131
00:54:49,400 --> 00:54:51,919
Speaker 3: I'm like, you must have money already to turn that down.

1132
00:54:52,000 --> 00:54:53,640
Speaker 3: Yeah he did. You know what I'm saying. He could

1133
00:54:53,640 --> 00:54:57,239
Speaker 3: have used some more that Yeah, that one of us.

1134
00:54:57,320 --> 00:55:02,880
Speaker 3: Good oh man shout out to jove Man. Gamer Yeah, Gamer.

1135
00:55:03,000 --> 00:55:04,480
Speaker 3: That was a cool movie that was kind of like

1136
00:55:04,520 --> 00:55:07,160
Speaker 3: the first video game movie done back in the early day.

1137
00:55:07,680 --> 00:55:09,879
Speaker 3: And that was a movie with Gerard Butler, the guy

1138
00:55:09,880 --> 00:55:12,640
Speaker 3: from three hundred and a lot of other flicks and

1139
00:55:12,960 --> 00:55:15,480
Speaker 3: long story, short man. What I loved about that movie

1140
00:55:15,960 --> 00:55:18,880
Speaker 3: that was in the early day and the birth of

1141
00:55:19,200 --> 00:55:22,200
Speaker 3: the video game world, and that movie was made like

1142
00:55:22,239 --> 00:55:23,920
Speaker 3: a video game and that's kind of what they were

1143
00:55:23,960 --> 00:55:27,000
Speaker 3: going for. And my boy Terry Crews was in there.

1144
00:55:27,600 --> 00:55:29,520
Speaker 3: A lot of kids Larry Cats were up and yeah,

1145
00:55:29,560 --> 00:55:32,160
Speaker 3: I did like six with Terry. That's my boy. And

1146
00:55:32,480 --> 00:55:36,560
Speaker 3: long story, short man, what I loved about my career, man,

1147
00:55:36,600 --> 00:55:39,400
Speaker 3: and then I got the blessing for is that starting

1148
00:55:39,520 --> 00:55:41,840
Speaker 3: early in the game, like when you were there, you know,

1149
00:55:41,920 --> 00:55:45,360
Speaker 3: when I'm there, whatever is, we got the fresh you

1150
00:55:45,400 --> 00:55:46,920
Speaker 3: know what I'm saying, Like we got it at the

1151
00:55:46,960 --> 00:55:50,680
Speaker 3: birth of what's happening today. So to be in it

1152
00:55:50,719 --> 00:55:53,040
Speaker 3: from then to now and see the change and be

1153
00:55:53,080 --> 00:55:55,800
Speaker 3: a part of the change, that's that's a blessing, you

1154
00:55:55,840 --> 00:55:58,360
Speaker 3: know what I'm saying. That's crazy because we know the

1155
00:55:58,440 --> 00:56:01,560
Speaker 3: back then and we know the now. So I don't know.

1156
00:56:01,600 --> 00:56:03,000
Speaker 3: I just love being a part of some of the

1157
00:56:03,000 --> 00:56:05,160
Speaker 3: films that were like, man, I was there when it

1158
00:56:05,200 --> 00:56:09,600
Speaker 3: first started, and I'm here when it's still going okay,

1159
00:56:09,840 --> 00:56:12,440
Speaker 3: harsh times. That was the one that I was just

1160
00:56:12,480 --> 00:56:16,279
Speaker 3: talking about earlier with Christian Bell that we worked on

1161
00:56:16,320 --> 00:56:19,000
Speaker 3: that film, And that movie was a pretty crazy movie.

1162
00:56:19,080 --> 00:56:22,799
Speaker 3: It was Christian Bell played a war veteran and he

1163
00:56:22,840 --> 00:56:25,520
Speaker 3: went cuckoo for cocoa puffs. When he left the war,

1164
00:56:25,600 --> 00:56:28,279
Speaker 3: he didn't get deprogrammed, so when he came back he

1165
00:56:28,400 --> 00:56:32,560
Speaker 3: was Yeah, he was like a crookie mental case and

1166
00:56:32,719 --> 00:56:34,919
Speaker 3: so yeah, so that was a cool flick. I would

1167
00:56:34,960 --> 00:56:38,520
Speaker 3: definitely recommend checking out Harsh Time. My boy David Aerons

1168
00:56:38,520 --> 00:56:41,080
Speaker 3: a record that who also wrote Training Day, who was

1169
00:56:41,120 --> 00:56:44,040
Speaker 3: his partner in that one, the actor that actor, Freddie Rodriguez,

1170
00:56:44,120 --> 00:56:47,000
Speaker 3: my boy Freddie. Yeah, so that was a cool flick,

1171
00:56:47,080 --> 00:56:49,160
Speaker 3: go man, straight up. That didn't get its due justice.

1172
00:56:49,200 --> 00:56:52,120
Speaker 3: There's a long story behind that. But a lot of

1173
00:56:52,120 --> 00:56:54,399
Speaker 3: people don't know about that movie. But to beget a chance,

1174
00:56:54,520 --> 00:56:57,759
Speaker 3: check that out Harsh Times and again the guy who

1175
00:56:57,800 --> 00:57:00,960
Speaker 3: wrote Training Day wrote Harsh Times and wrecked it.

1176
00:57:01,560 --> 00:57:05,920
Speaker 5: That moves hardcore you saw, yeah, yeah, yeah.

1177
00:57:06,280 --> 00:57:08,680
Speaker 3: So about Crank, did you have to show Crank to

1178
00:57:08,840 --> 00:57:13,480
Speaker 3: pay for the roll? I know, hold up, man, I

1179
00:57:13,640 --> 00:57:17,120
Speaker 3: sold the Crank and I'm like scarface, don't get hired

1180
00:57:17,120 --> 00:57:19,360
Speaker 3: in their own supply and make the money. But no,

1181
00:57:19,520 --> 00:57:22,560
Speaker 3: long story short, that's a movie with Jason Statham and

1182
00:57:22,720 --> 00:57:25,960
Speaker 3: uh you know, I mean again, man I got. I

1183
00:57:26,040 --> 00:57:27,960
Speaker 3: was very, very blessed in my career to be able

1184
00:57:28,000 --> 00:57:31,200
Speaker 3: to work with some iconic actors, some definitely bucket list

1185
00:57:31,240 --> 00:57:33,680
Speaker 3: actors man, that have been in the game and are

1186
00:57:33,720 --> 00:57:36,480
Speaker 3: still strong in the game of this day. Good looking Out,

1187
00:57:36,520 --> 00:57:39,800
Speaker 3: Thank you, thank you, Good Looking Out. Thank you. Smart Waters.

1188
00:57:39,800 --> 00:57:43,800
Speaker 3: You're trying to make me smart all right, and Jason stated,

1189
00:57:44,080 --> 00:57:48,000
Speaker 3: what movie was he from. Oh, he's from a lodge

1190
00:57:48,960 --> 00:57:52,760
Speaker 3: who snatched That's what cool. He was in front of

1191
00:57:52,800 --> 00:57:55,320
Speaker 3: the boxing match. Yeah, he throwing the boxing and a

1192
00:57:55,360 --> 00:57:58,320
Speaker 3: lot of joints. Yeah, and a lot of joints. Yeah. Yeah, yeah,

1193
00:57:58,440 --> 00:58:01,040
Speaker 3: they're going. The bee keeper enjoyed that this came out,

1194
00:58:01,400 --> 00:58:02,960
Speaker 3: and a lot. We could go on and on with

1195
00:58:03,040 --> 00:58:07,000
Speaker 3: his list. Hood of horror. That was a movie that

1196
00:58:07,080 --> 00:58:10,600
Speaker 3: I first did with Snoop Dogg. That was No I

1197
00:58:10,640 --> 00:58:12,720
Speaker 3: don't know if that was after before training. I'm trying

1198
00:58:12,720 --> 00:58:14,080
Speaker 3: to think, but it was kind of like a Tells

1199
00:58:14,080 --> 00:58:17,280
Speaker 3: from the Crip. So Snoop Dogg played the Crip keeper.

1200
00:58:17,360 --> 00:58:19,840
Speaker 3: He's telling three horror stories and I was in the

1201
00:58:19,840 --> 00:58:23,080
Speaker 3: first horror story that he was talking about. Okay, yeah,

1202
00:58:23,120 --> 00:58:25,480
Speaker 3: so Buso might be already come or man, you pulled that.

1203
00:58:25,480 --> 00:58:27,360
Speaker 3: That's a rabbit out the hat right there, because that's

1204
00:58:27,440 --> 00:58:30,120
Speaker 3: that's a classic. You know that movie a lot of people.

1205
00:58:30,200 --> 00:58:32,400
Speaker 3: That's a good Halloween move. Halloween coming up. Check that

1206
00:58:32,480 --> 00:58:34,920
Speaker 3: one out. And we already covered Bouso mighty, So yeah,

1207
00:58:34,960 --> 00:58:38,440
Speaker 3: don't get personal. Tell me talked about this street Street Kings.

1208
00:58:39,320 --> 00:58:40,880
Speaker 3: That was that was a good one. Man. That's with

1209
00:58:41,240 --> 00:58:48,240
Speaker 3: Keanu Reeves and Chris Chris Evans Captain America and uh

1210
00:58:48,600 --> 00:58:51,920
Speaker 3: that movie there that was also written and directed by

1211
00:58:51,960 --> 00:58:54,720
Speaker 3: David Air who did Training Day. Wow. He kept me

1212
00:58:54,760 --> 00:58:56,640
Speaker 3: on his list. Man. I you know, a lot of

1213
00:58:56,680 --> 00:58:58,880
Speaker 3: my career I owe to David Air. Thank you, bro,

1214
00:58:59,400 --> 00:59:05,120
Speaker 3: because shout out to David David Air Man. He's a

1215
00:59:05,240 --> 00:59:06,920
Speaker 3: he's a real one. Man. He keeps you know, he

1216
00:59:07,240 --> 00:59:08,760
Speaker 3: puts you in the game, and he keeps you in

1217
00:59:08,760 --> 00:59:11,440
Speaker 3: the game. And there's very few like that out there,

1218
00:59:11,480 --> 00:59:12,240
Speaker 3: and he's one of the few.

1219
00:59:12,360 --> 00:59:14,000
Speaker 5: Does that that means you step up to the plate

1220
00:59:14,080 --> 00:59:14,960
Speaker 5: to handle business too?

1221
00:59:15,000 --> 00:59:17,120
Speaker 3: Yeah? Yeah, so you when you know, when people are

1222
00:59:17,200 --> 00:59:18,600
Speaker 3: like that, you got to return the favor, you know

1223
00:59:18,640 --> 00:59:21,000
Speaker 3: what I'm saying. But he, uh, he put me in

1224
00:59:21,040 --> 00:59:23,560
Speaker 3: like six of his flips, so the last one being

1225
00:59:23,600 --> 00:59:29,120
Speaker 3: tax Collector with Shila buff Talk about cash Out. That's

1226
00:59:29,120 --> 00:59:31,800
Speaker 3: a movie I just did recently, Man with Quavo and

1227
00:59:31,880 --> 00:59:36,560
Speaker 3: John Travolta. Uh, that's out. It's and then part two

1228
00:59:36,600 --> 00:59:39,280
Speaker 3: came out to that too, High Rollers that just can't

1229
00:59:39,520 --> 00:59:42,280
Speaker 3: Actually that's part two to part one, which is cash

1230
00:59:42,320 --> 00:59:45,920
Speaker 3: Out and me and Quavo we played John Travolta's right

1231
00:59:45,920 --> 00:59:49,200
Speaker 3: hand man, so you know, John Travolta tells us what

1232
00:59:49,280 --> 00:59:52,680
Speaker 3: to do whatever whatever. And that movie. Actually, that movie

1233
00:59:52,720 --> 00:59:54,520
Speaker 3: just came out about two months ago, so it's still

1234
00:59:54,600 --> 00:59:56,720
Speaker 3: kind of fresh. So if you get a chance, pep

1235
00:59:56,760 --> 00:59:58,080
Speaker 3: that one out and where we can find it that

1236
00:59:58,560 --> 01:00:00,200
Speaker 3: if you can find it pretty much on on on

1237
01:00:00,320 --> 01:00:01,000
Speaker 3: it anywhere.

1238
01:00:01,040 --> 01:00:05,280
Speaker 1: Okay, Yeah, it's not exclusive to like Netflix or.

1239
01:00:05,960 --> 01:00:08,120
Speaker 3: You can put it. That one is easy to find. Okay, Yeah,

1240
01:00:08,120 --> 01:00:10,080
Speaker 3: you got josh A Bulta equable and that that one's

1241
01:00:10,080 --> 01:00:14,800
Speaker 3: pretty easy to find. Good. They just made a part

1242
01:00:14,800 --> 01:00:21,200
Speaker 3: three to it too. Oh shit, okay, this is it? No, No,

1243
01:00:21,240 --> 01:00:24,000
Speaker 3: the Locksmith. That's the one I was talking about where

1244
01:00:24,000 --> 01:00:26,760
Speaker 3: I play a cop with Ving Raims and Ryan Philippi,

1245
01:00:26,800 --> 01:00:29,320
Speaker 3: which is actually a pretty damn good movie right now.

1246
01:00:29,360 --> 01:00:31,480
Speaker 3: That's not based on a true story or nothing like that.

1247
01:00:31,480 --> 01:00:33,800
Speaker 3: That's just a movie for entertainment. But it's actually pretty good.

1248
01:00:33,840 --> 01:00:35,760
Speaker 3: That one. I'm that one. I'm proud of me. I

1249
01:00:35,760 --> 01:00:37,960
Speaker 3: still play a crooked cop, but I play a cop.

1250
01:00:38,040 --> 01:00:39,520
Speaker 3: How did you perhaps to be a cop? Did you

1251
01:00:39,600 --> 01:00:47,680
Speaker 3: do anything? I've been arrested by enough to press? Okay, okay,

1252
01:00:47,760 --> 01:00:50,680
Speaker 3: you want to do the next couple of ones in

1253
01:00:50,680 --> 01:00:57,120
Speaker 3: front of you, but replica replica, oh man, that movie,

1254
01:00:57,840 --> 01:01:02,400
Speaker 3: I remember it, but I forget it. I can't even

1255
01:01:02,440 --> 01:01:05,080
Speaker 3: speak on that one. I forget that movie. That's how

1256
01:01:05,080 --> 01:01:11,640
Speaker 3: adope your life is. He begets to do it. You

1257
01:01:11,680 --> 01:01:13,320
Speaker 3: know what you do, though, Man, you gotta do some

1258
01:01:13,400 --> 01:01:15,720
Speaker 3: of these movies and just forget about them. And when

1259
01:01:15,720 --> 01:01:17,520
Speaker 3: they come out, they come out, you know what I'm saying.

1260
01:01:18,040 --> 01:01:21,040
Speaker 3: And there's some movies that I did that's funny because

1261
01:01:21,560 --> 01:01:24,120
Speaker 3: it was named something at the time we did it,

1262
01:01:24,120 --> 01:01:27,400
Speaker 3: because then they changed the name later and I'm like, oh,

1263
01:01:27,440 --> 01:01:30,000
Speaker 3: that movie never came out. Find out that it was out.

1264
01:01:30,040 --> 01:01:32,640
Speaker 3: It's been out for five years, like they changed the name.

1265
01:01:32,640 --> 01:01:34,600
Speaker 3: I didn't even know, so I didn't even watch my

1266
01:01:34,640 --> 01:01:36,800
Speaker 3: home flick yet they changed it from it. And you know,

1267
01:01:36,880 --> 01:01:38,840
Speaker 3: now they don't even do movie premieres No more, that's

1268
01:01:38,880 --> 01:01:43,320
Speaker 3: out the door unless you a superhero movie or something

1269
01:01:43,360 --> 01:01:45,400
Speaker 3: like that. You ain't doing movie premieres. No more, let's

1270
01:01:45,400 --> 01:01:48,120
Speaker 3: go because well now they know they're making more money

1271
01:01:48,120 --> 01:01:51,080
Speaker 3: by just slapping it in everyone's living room. Now it's

1272
01:01:51,160 --> 01:01:53,880
Speaker 3: right there, you know. So just the new world, now

1273
01:01:55,560 --> 01:02:00,200
Speaker 3: was this Corsicana, Corsicana. Yeah, that's another movie that I oh,

1274
01:02:00,200 --> 01:02:03,120
Speaker 3: that was a cowboy joint. That was a cowboy joint

1275
01:02:03,120 --> 01:02:09,400
Speaker 3: that we did. And yeah, yeah, I know, right, yeah,

1276
01:02:10,360 --> 01:02:12,600
Speaker 3: that's all I know about that one. You remember, Yeah,

1277
01:02:12,760 --> 01:02:15,560
Speaker 3: what are you gonna put in this drink? Am I

1278
01:02:15,640 --> 01:02:20,280
Speaker 3: drinking monster or something else? Let me just ask you

1279
01:02:20,280 --> 01:02:27,120
Speaker 3: a question. How was it to work with Denzel We're

1280
01:02:27,120 --> 01:02:30,360
Speaker 3: going to come back to that, No problem under the

1281
01:02:30,400 --> 01:02:35,640
Speaker 3: Stadium lights. That was a movie with I don't even

1282
01:02:35,680 --> 01:02:38,760
Speaker 3: tell me, I forget is is it Laurence Fishburn, guy

1283
01:02:38,760 --> 01:02:41,000
Speaker 3: from the Matrix Boys in the Hood. He was the

1284
01:02:41,080 --> 01:02:43,920
Speaker 3: dad and boys in this Lauren Fishburn right, yeah, yeah, yeah, yeah.

1285
01:02:43,920 --> 01:02:46,880
Speaker 3: That was a movie with Laurence Fishburn and Milott Gibson

1286
01:02:46,920 --> 01:02:50,160
Speaker 3: Mel Gibson's son. And that movie was actually a true

1287
01:02:50,200 --> 01:02:54,400
Speaker 3: story about a counselor who was counseling people and uh

1288
01:02:54,880 --> 01:02:57,120
Speaker 3: he just he turned around a lot of lives for

1289
01:02:57,160 --> 01:02:59,600
Speaker 3: the better. So that was that was like a good

1290
01:02:59,600 --> 01:03:04,080
Speaker 3: positive of like turn your life around type movie. Hustle down.

1291
01:03:05,720 --> 01:03:09,320
Speaker 3: That movie. That was a movie actually shot here in Miami,

1292
01:03:09,440 --> 01:03:13,000
Speaker 3: in Miami. Wow, And who was in that movie? It

1293
01:03:13,160 --> 01:03:23,760
Speaker 3: was no you would think that automatic. Actually, actually we

1294
01:03:23,800 --> 01:03:26,960
Speaker 3: should have slapped you know what I'm saying. But it

1295
01:03:27,120 --> 01:03:29,480
Speaker 3: was someone. Oh my god, it's gonna kill me. Now

1296
01:03:29,720 --> 01:03:31,560
Speaker 3: I'm gonna I'm gonna let's come back to that. Okay,

1297
01:03:32,000 --> 01:03:34,360
Speaker 3: I gotta think the Cleaner. It's just gonna hit me

1298
01:03:34,400 --> 01:03:38,680
Speaker 3: out of nowhere, the Cleaner, the Cleaner. Yeah, you got me.

1299
01:03:41,720 --> 01:03:44,160
Speaker 3: You were fresh in my memory. Straight up. I've seen

1300
01:03:44,160 --> 01:03:49,240
Speaker 3: this movie The Cleaner. Is that? Is that that one?

1301
01:03:49,520 --> 01:03:52,560
Speaker 3: As it could have been. I don't know where I

1302
01:03:52,680 --> 01:03:56,400
Speaker 3: forget you got me, you got me. We'll come back

1303
01:03:56,440 --> 01:03:58,840
Speaker 3: to that. I feel like has does algebra when he's googling.

1304
01:04:02,080 --> 01:04:03,960
Speaker 3: You're taking me back to the to the start, but

1305
01:04:04,000 --> 01:04:07,000
Speaker 3: you got three more left to the dog. Okay. War

1306
01:04:07,120 --> 01:04:11,120
Speaker 3: of the World. That was an alien flick that I

1307
01:04:11,160 --> 01:04:14,200
Speaker 3: did actually with Alec Baldwin.

1308
01:04:14,760 --> 01:04:18,320
Speaker 1: Uh So that was was he shooting people on the set?

1309
01:04:18,600 --> 01:04:20,200
Speaker 3: That was that was what he shot people? You know

1310
01:04:20,160 --> 01:04:24,000
Speaker 3: what I mean? No, it was the brother, not Alec Baldwin.

1311
01:04:24,080 --> 01:04:32,560
Speaker 3: It was it was the Uh yeah, because he's talking

1312
01:04:32,560 --> 01:04:35,200
Speaker 3: about who owned the movie with you. Yeah, it was

1313
01:04:35,720 --> 01:04:39,200
Speaker 3: Clappy Ship. Yeah you know, but it was before that

1314
01:04:39,240 --> 01:04:43,600
Speaker 3: message Okay, okay, before that he thought it was the blank.

1315
01:04:44,320 --> 01:04:44,720
Speaker 3: The blank.

1316
01:04:45,320 --> 01:04:48,040
Speaker 1: That's that's that's what they all say.

1317
01:04:47,880 --> 01:04:50,280
Speaker 3: Hey, yeah, they thought it was a blank. Was a blank.

1318
01:04:51,640 --> 01:04:54,040
Speaker 3: One thing that HollyHood has taught me is this, Man,

1319
01:04:54,040 --> 01:04:56,520
Speaker 3: I'm gonna tell you like this, if you were not

1320
01:04:56,600 --> 01:05:00,840
Speaker 3: involved personally in the situation, I'm I'm saying, well that too.

1321
01:05:00,920 --> 01:05:03,680
Speaker 3: But if you were not involved personally in the situation

1322
01:05:04,440 --> 01:05:07,640
Speaker 3: or know the person personally, you really don't know a

1323
01:05:07,720 --> 01:05:10,200
Speaker 3: damn thing about what you're talking about. All you know

1324
01:05:10,360 --> 01:05:12,800
Speaker 3: is what was said to you, what was presented. But

1325
01:05:12,920 --> 01:05:16,680
Speaker 3: what you can talk on for sure one is what

1326
01:05:16,840 --> 01:05:19,320
Speaker 3: you were involved with personally and who you know personally.

1327
01:05:19,680 --> 01:05:22,000
Speaker 3: But anything outside of that, you just know what you

1328
01:05:22,040 --> 01:05:24,800
Speaker 3: know by what you were told, seen or heard, and

1329
01:05:24,880 --> 01:05:26,600
Speaker 3: you really don't know what you're talking about because you

1330
01:05:26,640 --> 01:05:28,560
Speaker 3: weren't involved personally or know the guy personally to really

1331
01:05:28,600 --> 01:05:34,320
Speaker 3: know makes sense. So sometimes I'd be laughing dog. Sometimes

1332
01:05:34,360 --> 01:05:37,400
Speaker 3: I call them professional interviewers. Sometimes I'd be glad to

1333
01:05:37,440 --> 01:05:40,640
Speaker 3: seeing people get interviewed on podcasts or whatever, and I'm like,

1334
01:05:41,240 --> 01:05:44,120
Speaker 3: I know that person in real life. You might not

1335
01:05:44,240 --> 01:05:46,520
Speaker 3: be clapping the way you're clapping, you know them the

1336
01:05:46,560 --> 01:05:49,000
Speaker 3: way I know. You know what I'm saying, So that's

1337
01:05:49,040 --> 01:05:51,240
Speaker 3: one thing HollyHood has taught me. Bro But go ahead, okay,

1338
01:05:51,280 --> 01:05:55,920
Speaker 3: let's talk about Lazarus. Lazarus Man. That's a movie I

1339
01:05:56,000 --> 01:06:00,400
Speaker 3: did with actually one of Taler Perry's people, Holly Carter. Uh,

1340
01:06:00,520 --> 01:06:05,040
Speaker 3: they're real connected. And that was a faith based project. Yeah.

1341
01:06:05,080 --> 01:06:06,480
Speaker 3: I do a lot of faith based and a lot

1342
01:06:06,520 --> 01:06:09,320
Speaker 3: of sci fi. Yeah, I do whatever pays doctor. You know,

1343
01:06:09,440 --> 01:06:13,320
Speaker 3: well almost besides what I said earlier broke Back Gamesters,

1344
01:06:13,320 --> 01:06:18,480
Speaker 3: I turned to say that some we're gonna make that movie.

1345
01:06:19,480 --> 01:06:22,840
Speaker 3: Just say it, old joy man. I don't even I

1346
01:06:22,880 --> 01:06:25,800
Speaker 3: don't even really remember it straight up. Yeah, I got confused.

1347
01:06:26,040 --> 01:06:30,800
Speaker 3: Let me see what you're talking about. Oh okay, okay, okay,

1348
01:06:30,840 --> 01:06:34,800
Speaker 3: now cleaner. Yeah yeah, yeah, yeah yeah. This flick was

1349
01:06:34,880 --> 01:06:41,120
Speaker 3: with uh Bill Paxson's son, and uh but I'll be

1350
01:06:41,200 --> 01:06:43,520
Speaker 3: real with you. I didn't even see it, and I

1351
01:06:43,560 --> 01:06:44,960
Speaker 3: didn't read the script, so I don't know what the

1352
01:06:44,960 --> 01:06:50,240
Speaker 3: hell it's about. There's some movies I do. That's kind

1353
01:06:50,240 --> 01:06:52,120
Speaker 3: of funny. I don't even read the whole script. I

1354
01:06:52,160 --> 01:06:54,840
Speaker 3: shouldn't even be amitting this on camera, but whatever, I

1355
01:06:54,920 --> 01:06:58,840
Speaker 3: just yeah, I don't give I'm gonna give a chance

1356
01:06:58,960 --> 01:07:04,960
Speaker 3: something going for that, I'm don't give Trick Champ something.

1357
01:07:05,280 --> 01:07:08,000
Speaker 3: But there's some movies I don't even read the whole script.

1358
01:07:08,040 --> 01:07:09,720
Speaker 3: I just read my part do it, And then when

1359
01:07:09,760 --> 01:07:11,800
Speaker 3: I watched the movie, I'm like, oh, that's why I

1360
01:07:11,840 --> 01:07:14,240
Speaker 3: had home Boy in the bathroom. You know what I'm saying.

1361
01:07:14,960 --> 01:07:18,920
Speaker 3: What do you think about the Hollywood strikes? You know,

1362
01:07:19,680 --> 01:07:21,480
Speaker 3: I think I think a lot of it, you know,

1363
01:07:21,560 --> 01:07:24,439
Speaker 3: to keep it one hundred is if I'm just keeping

1364
01:07:24,440 --> 01:07:27,040
Speaker 3: it one hundred, It's about money. It's really what it

1365
01:07:27,040 --> 01:07:30,680
Speaker 3: comes down to, man, about money politics. And that's why,

1366
01:07:30,720 --> 01:07:34,320
Speaker 3: once again I say, if you were involved personally, you

1367
01:07:34,400 --> 01:07:36,840
Speaker 3: really don't know what the real story is behind the camera,

1368
01:07:37,000 --> 01:07:40,320
Speaker 3: behind the scenes. You just you just don't know. You

1369
01:07:40,440 --> 01:07:42,440
Speaker 3: just know what's on front Street and that's it, you

1370
01:07:42,480 --> 01:07:44,640
Speaker 3: know what I'm saying. So I think a lot of

1371
01:07:44,640 --> 01:07:46,920
Speaker 3: it is just propaganda and BS to keep it one

1372
01:07:47,000 --> 01:07:48,919
Speaker 3: hundred with you, and a lot of it is done

1373
01:07:49,000 --> 01:07:52,440
Speaker 3: for again, you know, a money situation most of the time,

1374
01:07:52,880 --> 01:07:56,240
Speaker 3: if we're keeping it one hundred, you know, things like that.

1375
01:07:56,320 --> 01:07:59,040
Speaker 3: So I don't even believe in voting. I believe that's rigged,

1376
01:07:59,040 --> 01:08:02,040
Speaker 3: you know what I'm saying. Unless you pay per count

1377
01:08:02,040 --> 01:08:03,560
Speaker 3: the vote, and who you don't trust to do that.

1378
01:08:03,960 --> 01:08:06,000
Speaker 3: I don't even believe in voting. So again, these are

1379
01:08:06,040 --> 01:08:08,400
Speaker 3: just my opinions, right, you know, I don't put my

1380
01:08:08,440 --> 01:08:10,880
Speaker 3: opinion on anybody else. I just share the way I share,

1381
01:08:10,920 --> 01:08:13,720
Speaker 3: and you take it or don't. But I just think

1382
01:08:13,760 --> 01:08:16,000
Speaker 3: a lot of this stuff is a waste of time.

1383
01:08:16,040 --> 01:08:18,240
Speaker 3: You know, the strikes, and they go out there and

1384
01:08:18,360 --> 01:08:20,280
Speaker 3: they talk and they talk and they say, we're going

1385
01:08:20,360 --> 01:08:22,280
Speaker 3: to do this, We're going to do that. But at

1386
01:08:22,320 --> 01:08:24,320
Speaker 3: the end of the day, it's all about money, you

1387
01:08:24,320 --> 01:08:26,160
Speaker 3: know what I mean. So you're not paying you want

1388
01:08:26,200 --> 01:08:28,000
Speaker 3: to get any union like Sage or anything like that,

1389
01:08:28,080 --> 01:08:29,240
Speaker 3: I mean, you've got to be a part of that

1390
01:08:29,320 --> 01:08:31,400
Speaker 3: to work, you know what I mean. So yeah, that's

1391
01:08:31,880 --> 01:08:34,599
Speaker 3: you're kind of forced into that, you know what I'm saying.

1392
01:08:34,680 --> 01:08:37,840
Speaker 3: So but I'm but I'm financial core and I did

1393
01:08:37,880 --> 01:08:40,280
Speaker 3: that so I can work non union union whatever. And

1394
01:08:40,280 --> 01:08:41,760
Speaker 3: there's a lot of actors and I'm not going to

1395
01:08:41,840 --> 01:08:45,200
Speaker 3: name them, that are big time actors a plus celebrities

1396
01:08:45,560 --> 01:08:48,519
Speaker 3: that are financial core, and a lot of people really

1397
01:08:48,560 --> 01:08:51,479
Speaker 3: don't know about that. But again, that's why when you're

1398
01:08:51,520 --> 01:08:53,840
Speaker 3: behind the scenes, you know, the stuff that the people

1399
01:08:53,880 --> 01:08:56,280
Speaker 3: on Front Street don't know, well, schools, what is that exactly?

1400
01:08:56,360 --> 01:08:59,160
Speaker 3: Financial core? Financial core is just something that you can

1401
01:08:59,200 --> 01:09:02,479
Speaker 3: say you're against the union for its beliefs, and it

1402
01:09:02,520 --> 01:09:06,160
Speaker 3: allows you to work union and non union jobs and

1403
01:09:06,240 --> 01:09:08,559
Speaker 3: so so. So what that means is even if they

1404
01:09:08,600 --> 01:09:12,080
Speaker 3: go on strike and there's let's say there's this whole

1405
01:09:12,120 --> 01:09:15,320
Speaker 3: show going on with the union, you could still work. Well,

1406
01:09:15,320 --> 01:09:19,440
Speaker 3: they all up on strike, got it? Which is unfair,

1407
01:09:20,160 --> 01:09:22,920
Speaker 3: But then it's kind of fair because you know that

1408
01:09:23,000 --> 01:09:25,679
Speaker 3: some of this is bs right, you know what I'm saying,

1409
01:09:25,720 --> 01:09:28,400
Speaker 3: it's just about trying to shut people down and things

1410
01:09:28,439 --> 01:09:28,720
Speaker 3: like that.

1411
01:09:28,720 --> 01:09:30,200
Speaker 5: But you still got to be a part of the

1412
01:09:30,320 --> 01:09:34,000
Speaker 5: union like SAG. But if your financial core, it's like

1413
01:09:34,000 --> 01:09:36,680
Speaker 5: an exemption you could yeah, pretty much. And that if

1414
01:09:36,680 --> 01:09:38,840
Speaker 5: what I'm saying like independent you can do.

1415
01:09:38,920 --> 01:09:41,160
Speaker 3: Yeah, you can do it. But again there's people on

1416
01:09:41,360 --> 01:09:43,720
Speaker 3: union jobs that are financial core that will work a

1417
01:09:43,880 --> 01:09:46,800
Speaker 3: union job as financial core. Oh okay, So that's what

1418
01:09:46,840 --> 01:09:50,440
Speaker 3: I'm trying to say, Like there's loopholes, so you could choose.

1419
01:09:50,160 --> 01:09:52,400
Speaker 5: When you work the job which one you want to be, Like,

1420
01:09:52,439 --> 01:09:54,880
Speaker 5: if you want to go in as SAG or financial core,

1421
01:09:55,000 --> 01:09:55,519
Speaker 5: if you're if.

1422
01:09:55,479 --> 01:09:57,880
Speaker 3: You're on an independent joint let's say it's not union,

1423
01:09:58,080 --> 01:10:00,920
Speaker 3: right and your union financial core, you can work on

1424
01:10:01,000 --> 01:10:03,960
Speaker 3: a non union job without getting busted by the union. Okay,

1425
01:10:04,160 --> 01:10:06,280
Speaker 3: it makes sense. Yeah, but if it's union, you might

1426
01:10:06,280 --> 01:10:08,600
Speaker 3: as well just stay union because it's union anyways, and

1427
01:10:08,680 --> 01:10:11,479
Speaker 3: you get the better benefits. Got it, I understand. But

1428
01:10:11,760 --> 01:10:14,400
Speaker 3: but you could then work union and still get the

1429
01:10:14,400 --> 01:10:19,280
Speaker 3: benefits from the union for being financial core. It makes sense. Yeah, yeah,

1430
01:10:19,720 --> 01:10:22,400
Speaker 3: options basically, Yeah, it's it's kind of like finding the

1431
01:10:22,400 --> 01:10:25,640
Speaker 3: loopholes to be able to stay you know, relevant and

1432
01:10:25,680 --> 01:10:28,200
Speaker 3: working and stay in it without being in it, but

1433
01:10:28,240 --> 01:10:30,760
Speaker 3: you're in it makes sense. Yeah. Total.

1434
01:10:30,760 --> 01:10:32,920
Speaker 1: I'm gonna tell you what the music industry kind of

1435
01:10:32,960 --> 01:10:35,639
Speaker 1: like a maya about you guys, Like, you know, you guys.

1436
01:10:35,439 --> 01:10:38,519
Speaker 3: Stepped up for the actors, actors against AI, and you

1437
01:10:38,520 --> 01:10:40,000
Speaker 3: guys actually made a change.

1438
01:10:40,320 --> 01:10:45,680
Speaker 1: You guys stood up for the writers and uh, guys actually.

1439
01:10:45,320 --> 01:10:45,960
Speaker 3: Made a change.

1440
01:10:46,080 --> 01:10:47,840
Speaker 1: That's something that we haven't been able to do in

1441
01:10:47,840 --> 01:10:50,720
Speaker 1: the music industry. We haven't been able to stand and

1442
01:10:51,120 --> 01:10:53,840
Speaker 1: together and say, yo, you know what, we don't we're

1443
01:10:53,880 --> 01:10:54,280
Speaker 1: not we're not.

1444
01:10:54,280 --> 01:10:57,080
Speaker 3: Afford to streaming. You know what. I mean, because so

1445
01:10:57,560 --> 01:10:58,080
Speaker 3: how does.

1446
01:10:58,000 --> 01:10:59,479
Speaker 1: It feel to be a part of an industry that

1447
01:10:59,520 --> 01:11:01,000
Speaker 1: actually did make a change.

1448
01:11:02,160 --> 01:11:04,720
Speaker 3: No, it's cool, Like I think in any industry, you

1449
01:11:04,760 --> 01:11:07,320
Speaker 3: have your pros and cons. In any industry, there's good

1450
01:11:07,360 --> 01:11:09,959
Speaker 3: and bad, you know what I'm saying. And this AI stuff,

1451
01:11:10,439 --> 01:11:13,320
Speaker 3: you know, it's crazy because now I don't even need

1452
01:11:13,400 --> 01:11:16,360
Speaker 3: you to be you in a movie right now, I

1453
01:11:16,360 --> 01:11:20,200
Speaker 3: can just computerize you. And but the problem with that,

1454
01:11:20,280 --> 01:11:22,080
Speaker 3: the reason why a lot of the actors went against

1455
01:11:22,120 --> 01:11:25,479
Speaker 3: that is really again what I'm coming back to, which

1456
01:11:25,520 --> 01:11:28,880
Speaker 3: I understand and respect, because again, this goes so far.

1457
01:11:29,000 --> 01:11:31,320
Speaker 3: This is a whole nother dream Chap podcast, you know

1458
01:11:31,360 --> 01:11:33,439
Speaker 3: what I'm saying, because it goes so far down the

1459
01:11:33,479 --> 01:11:35,439
Speaker 3: rabbit hole, you know what I mean. But the thing

1460
01:11:35,520 --> 01:11:39,000
Speaker 3: is now is we didn't want to sign our rights

1461
01:11:39,600 --> 01:11:42,800
Speaker 3: to AI because basically it's like what they're doing with

1462
01:11:42,800 --> 01:11:45,439
Speaker 3: Bruce Willis. Bruce Willis can't work no more, you know.

1463
01:11:45,920 --> 01:11:48,280
Speaker 3: But you could still see Bruce Willis in a movie

1464
01:11:48,360 --> 01:11:51,040
Speaker 3: as if he was in Die Hard to this day,

1465
01:11:51,680 --> 01:11:55,080
Speaker 3: slap him in a flip and he ain't and he ain't. No,

1466
01:11:55,240 --> 01:11:58,000
Speaker 3: But I'm just saying, yeah, but I think there's word

1467
01:11:58,000 --> 01:11:59,960
Speaker 3: out there that one is coming back. I'll give you all.

1468
01:12:00,080 --> 01:12:01,760
Speaker 3: I'll give you an example because no, I'll give you

1469
01:12:01,760 --> 01:12:04,360
Speaker 3: an example of one that is happening. They're gonna ai

1470
01:12:04,479 --> 01:12:06,840
Speaker 3: Paul Walker and Faster the figure. But I learned about that.

1471
01:12:07,400 --> 01:12:10,519
Speaker 3: So Paul Walker, you know, he passed away. He's still

1472
01:12:10,560 --> 01:12:12,760
Speaker 3: alive in our hearts. I love Paul. But all I'm

1473
01:12:12,760 --> 01:12:15,600
Speaker 3: saying is in party coming Back, didn't he die in

1474
01:12:15,640 --> 01:12:18,439
Speaker 3: Faster period? He didn't. He didn't die in the movie.

1475
01:12:18,600 --> 01:12:20,639
Speaker 3: He didn't do in the movie. He just drove a mystery,

1476
01:12:20,720 --> 01:12:22,680
Speaker 3: right Yeah, Yeah, he just drove off and like they

1477
01:12:22,760 --> 01:12:24,920
Speaker 3: kind of like left him driving off, starting the family

1478
01:12:24,960 --> 01:12:26,840
Speaker 3: and like he just went another route, you know what

1479
01:12:26,840 --> 01:12:29,400
Speaker 3: I mean? With his family? Get paid for that? That's

1480
01:12:29,439 --> 01:12:32,880
Speaker 3: my point. Okay, that's that's the fight. Do they get

1481
01:12:32,880 --> 01:12:35,040
Speaker 3: paid or do they not? We don't know. Wow, you

1482
01:12:35,120 --> 01:12:37,200
Speaker 3: understand what I'm saying. And the thing is they're putting

1483
01:12:37,200 --> 01:12:41,280
Speaker 3: probably about the music business. It's like they're putting Tupac

1484
01:12:41,320 --> 01:12:45,120
Speaker 3: on some tracks, right yeah, And who's getting paid for that?

1485
01:12:45,200 --> 01:12:48,760
Speaker 3: And doing shows like that? So who's getting paid for that?

1486
01:12:48,760 --> 01:12:50,760
Speaker 3: That's my question? Do you know? No, I don't know.

1487
01:12:50,840 --> 01:12:52,439
Speaker 3: That's what I'm saying, like, you know what I mean.

1488
01:12:52,479 --> 01:12:54,679
Speaker 3: So it's the same thing with AI. So that's why

1489
01:12:54,680 --> 01:12:56,400
Speaker 3: they find it because now it's kind of like I

1490
01:12:56,400 --> 01:13:00,839
Speaker 3: can make a whole movie with Brad Pitt, Tom Cruise,

1491
01:13:01,080 --> 01:13:04,360
Speaker 3: The Rock, Kevin Hart, whoever I want, and they're like,

1492
01:13:04,760 --> 01:13:08,479
Speaker 3: I wasn't even in that flip. You feel what I'm saying.

1493
01:13:08,840 --> 01:13:11,439
Speaker 3: I was at home. And if they buy your imates,

1494
01:13:11,479 --> 01:13:14,240
Speaker 3: like for instance, if you well, that's the thing now too,

1495
01:13:14,360 --> 01:13:16,720
Speaker 3: is like they could tweak your image. I could put

1496
01:13:16,720 --> 01:13:20,360
Speaker 3: a mole on your nose. It ain't copyright, it ain't

1497
01:13:20,400 --> 01:13:22,160
Speaker 3: story because in real life nor we don't got a

1498
01:13:22,200 --> 01:13:24,120
Speaker 3: mole on his nose. But I just put a mole

1499
01:13:24,160 --> 01:13:25,840
Speaker 3: on your nose on this flick. That ain't you. That's

1500
01:13:25,840 --> 01:13:29,559
Speaker 3: a whole nother brother. And that argument is like what's up, Like, no, no,

1501
01:13:29,680 --> 01:13:32,120
Speaker 3: that's me clearly, No, it's not do you got a mold?

1502
01:13:32,160 --> 01:13:33,680
Speaker 3: You ain't got a mold, Like you know, you get

1503
01:13:33,680 --> 01:13:37,240
Speaker 3: what I'm saying. That's just it's like what like in court,

1504
01:13:37,320 --> 01:13:39,720
Speaker 3: it's the details that jack you up. You know what

1505
01:13:39,800 --> 01:13:40,160
Speaker 3: I'm saying.

1506
01:13:40,160 --> 01:13:41,800
Speaker 5: It's when you sign the contracts, like they're putting it

1507
01:13:41,840 --> 01:13:44,000
Speaker 5: in a small print so that they're saying, like, if

1508
01:13:44,040 --> 01:13:46,880
Speaker 5: we make sequels to this, you're signing off the AI

1509
01:13:47,000 --> 01:13:48,040
Speaker 5: on this exactly.

1510
01:13:48,120 --> 01:13:49,479
Speaker 3: And you don't even you know, if you're not reading

1511
01:13:49,520 --> 01:13:52,479
Speaker 3: all that fine print and you're so if you find

1512
01:13:52,479 --> 01:13:55,919
Speaker 3: a way to get over that detail small you know whatever.

1513
01:13:56,240 --> 01:13:58,720
Speaker 3: Now it's all on the Mickey mouse print. You know

1514
01:13:58,760 --> 01:14:02,519
Speaker 3: what I'm saying, jacked up. So I don't know, bro,

1515
01:14:02,600 --> 01:14:05,800
Speaker 3: I mean, AI is is it's it's a curse and

1516
01:14:05,840 --> 01:14:06,960
Speaker 3: a blessing at the same time.

1517
01:14:07,000 --> 01:14:09,080
Speaker 5: You know, I'm saying, no matter what, I know, that's

1518
01:14:09,080 --> 01:14:10,160
Speaker 5: the thing that we don't.

1519
01:14:10,200 --> 01:14:12,400
Speaker 3: Don't get me started on that. We could go down

1520
01:14:12,439 --> 01:14:13,280
Speaker 3: that ye too.

1521
01:14:13,800 --> 01:14:16,200
Speaker 1: Our show was about giving people they flowers, but they

1522
01:14:16,240 --> 01:14:16,920
Speaker 1: could smell them.

1523
01:14:17,240 --> 01:14:19,400
Speaker 3: They do somebody, they could think them, and they drinks someone,

1524
01:14:19,439 --> 01:14:20,160
Speaker 3: they could drink them.

1525
01:14:24,800 --> 01:14:28,040
Speaker 1: Yes, yes, this is your flowers that love right, Yeah, Yeah,

1526
01:14:28,520 --> 01:14:30,439
Speaker 1: Snoop is better than a Grammy because it comes from

1527
01:14:30,479 --> 01:14:31,840
Speaker 1: your people's Yeah.

1528
01:14:32,000 --> 01:14:35,400
Speaker 3: I love that snoop.

1529
01:14:38,080 --> 01:14:43,519
Speaker 1: Yes, yes, the smell of yes, Yes, come on man.

1530
01:14:43,400 --> 01:14:45,280
Speaker 3: That's all the time. Bro, that's clean, man, thank you,

1531
01:14:45,360 --> 01:14:48,080
Speaker 3: drink Champs. That's awesome. That's straight up. This goes straight

1532
01:14:48,160 --> 01:14:49,880
Speaker 3: up in the private collection I got at home, So

1533
01:14:50,439 --> 01:14:52,200
Speaker 3: that's what's up. It's a lot of love. So I

1534
01:14:52,240 --> 01:14:56,800
Speaker 3: actually that's clean. That's clean drink to be doing it,

1535
01:14:57,720 --> 01:15:00,599
Speaker 3: doing it? What would you take East of the punch

1536
01:15:00,680 --> 01:15:01,599
Speaker 3: up too? They go ahead?

1537
01:15:03,280 --> 01:15:05,840
Speaker 1: Who was your best experience on a movie set?

1538
01:15:05,960 --> 01:15:11,519
Speaker 3: Like like, like just experience, so I want the best

1539
01:15:11,520 --> 01:15:14,120
Speaker 3: thing works? Yeah, yeah, no, yeah, I got the answers

1540
01:15:14,120 --> 01:15:15,760
Speaker 3: for those you know, you know, you know what really

1541
01:15:15,800 --> 01:15:18,320
Speaker 3: sucks to be honest, I'm not gonna name names or

1542
01:15:18,360 --> 01:15:20,559
Speaker 3: put them out there like that or whatever. Is sometimes

1543
01:15:20,600 --> 01:15:25,200
Speaker 3: you heard that saying before, don't meet your heroes. I've

1544
01:15:25,280 --> 01:15:28,720
Speaker 3: worked on some sets where it was really unfortunate that

1545
01:15:29,000 --> 01:15:33,080
Speaker 3: some of these guys were just not the nicest guys. Again,

1546
01:15:33,120 --> 01:15:34,720
Speaker 3: I ain't gonna name no names. You don't put it

1547
01:15:34,720 --> 01:15:38,200
Speaker 3: out there like that. But I'm just saying, like, it

1548
01:15:38,400 --> 01:15:40,840
Speaker 3: just sucks when you come on a set and you

1549
01:15:40,880 --> 01:15:45,320
Speaker 3: see someone power tripping and uh, you know, just just

1550
01:15:45,360 --> 01:15:47,200
Speaker 3: acting not right, you know what I mean? Like me,

1551
01:15:47,720 --> 01:15:49,160
Speaker 3: I don't care, man, I don't care if you're the

1552
01:15:49,160 --> 01:15:51,519
Speaker 3: guy who washes the windows on the building or own

1553
01:15:51,640 --> 01:15:54,000
Speaker 3: the building, how much you eat everybody with respect, how

1554
01:15:54,080 --> 01:15:57,720
Speaker 3: much e everybody nice to light whatever. But I've been

1555
01:15:57,720 --> 01:16:00,560
Speaker 3: on some sets where some cats are like damn man like,

1556
01:16:00,560 --> 01:16:03,799
Speaker 3: like really it's like that, and and that just sucks,

1557
01:16:03,920 --> 01:16:06,839
Speaker 3: you know. So that's that's the worst. That's the crappy

1558
01:16:06,880 --> 01:16:09,559
Speaker 3: part of this business. And that's why I said sometimes

1559
01:16:09,560 --> 01:16:12,160
Speaker 3: you see someone on an interview and you're like, man,

1560
01:16:12,280 --> 01:16:13,800
Speaker 3: if you knew them the way I know him, you

1561
01:16:14,120 --> 01:16:17,639
Speaker 3: might not be clapping. You might be a media trained version. Yeah,

1562
01:16:17,720 --> 01:16:19,960
Speaker 3: I call them professional interviewers, you know what I'm saying.

1563
01:16:20,439 --> 01:16:23,800
Speaker 3: So there's that side of it, the best part about work.

1564
01:16:24,000 --> 01:16:26,200
Speaker 3: And you know how it is man on a movie set.

1565
01:16:26,760 --> 01:16:28,080
Speaker 3: And let me just say this last thing. I'm gonna

1566
01:16:28,120 --> 01:16:29,840
Speaker 3: ump to that. You know how it is man on

1567
01:16:29,880 --> 01:16:32,639
Speaker 3: a movie set. One bad attitude could ruin a whole set.

1568
01:16:33,400 --> 01:16:35,280
Speaker 3: You got one bad attitude in the mix, they could

1569
01:16:35,280 --> 01:16:37,599
Speaker 3: just set a vibe throughout the whole. That thing spreads

1570
01:16:37,640 --> 01:16:42,400
Speaker 3: like a like a wildfire. And the best would have

1571
01:16:42,520 --> 01:16:44,599
Speaker 3: to be trained, I mean not training. It would well

1572
01:16:44,600 --> 01:16:46,200
Speaker 3: that was a good one too, but we're talking about it.

1573
01:16:46,240 --> 01:16:48,680
Speaker 3: It'd have to be fast and furious. If I go

1574
01:16:48,800 --> 01:16:51,519
Speaker 3: back to it. Only because it was like getting bade

1575
01:16:51,560 --> 01:16:55,280
Speaker 3: the party, I'm being straight up. I literally didn't even

1576
01:16:55,280 --> 01:16:58,360
Speaker 3: think we were filming a movie. I thought it was

1577
01:16:58,400 --> 01:17:00,559
Speaker 3: just a bunch of homies hanging out, chill and wild'ing

1578
01:17:00,600 --> 01:17:03,240
Speaker 3: out like we did on Seven Mommies, just for the

1579
01:17:03,240 --> 01:17:06,479
Speaker 3: weeks get it. But it was just like where does

1580
01:17:06,520 --> 01:17:09,000
Speaker 3: it film that fast? La la? Everything was up in

1581
01:17:09,120 --> 01:17:11,920
Speaker 3: l A like everything no, no, no, no, no, no no.

1582
01:17:12,160 --> 01:17:14,240
Speaker 3: This was in the hood. They were filming in Inglewood.

1583
01:17:14,560 --> 01:17:17,280
Speaker 3: Really yeah, they were right there, bro, they were in Inglewood.

1584
01:17:18,240 --> 01:17:20,599
Speaker 3: Where else were they were filming? Uh? It was next

1585
01:17:20,600 --> 01:17:23,280
Speaker 3: to Guardina too, they were filming and Guardian. It was funny.

1586
01:17:23,960 --> 01:17:26,639
Speaker 3: That was the first movie ever also in my life

1587
01:17:26,640 --> 01:17:29,040
Speaker 3: that I only had to drive five minutes to say. Wow.

1588
01:17:29,439 --> 01:17:31,479
Speaker 3: Every other film I was, you know, traveling an hour

1589
01:17:31,560 --> 01:17:33,760
Speaker 3: or more. That was the first move ever. I was like,

1590
01:17:33,800 --> 01:17:35,920
Speaker 3: Oh cool, I gotta be there a two o'clock. I'm

1591
01:17:35,920 --> 01:17:40,799
Speaker 3: gonna get up at on fifty five. You know, oh ship,

1592
01:17:40,840 --> 01:17:46,080
Speaker 3: all right? I rolled with you. I gotta talk about this.

1593
01:17:46,960 --> 01:17:49,599
Speaker 3: He's saving it, saving them. I'm ready, he said, one

1594
01:17:49,640 --> 01:17:51,240
Speaker 3: of them. Are we going there now?

1595
01:17:51,600 --> 01:17:57,160
Speaker 1: One of my most awkward experiences right was were sitting there,

1596
01:17:56,920 --> 01:17:59,799
Speaker 1: we're hanging out. We hit it off immediately, You Danny,

1597
01:18:01,360 --> 01:18:04,680
Speaker 1: my boy lazy. We're sitting there with talking, and I

1598
01:18:04,720 --> 01:18:06,040
Speaker 1: remember the director coming up to me.

1599
01:18:06,080 --> 01:18:08,320
Speaker 3: Who's my man? He did my first two videos. His

1600
01:18:08,360 --> 01:18:11,400
Speaker 3: name is Nick Question. Yes, and Nick Question came up to.

1601
01:18:11,360 --> 01:18:16,320
Speaker 1: Me and he said, the guy Matt is a method actor.

1602
01:18:17,520 --> 01:18:21,360
Speaker 3: Oh you, I know you talk about the bald the dude. No, no, no, no,

1603
01:18:22,040 --> 01:18:25,439
Speaker 3: talking about the lead role. What was the guy? He

1604
01:18:25,520 --> 01:18:27,639
Speaker 3: was fast and furious too. I believe, Oh, that guy

1605
01:18:27,720 --> 01:18:31,680
Speaker 3: was a trip. So he comes up to us. We

1606
01:18:31,720 --> 01:18:35,479
Speaker 3: did a movie together. We said we're going there. So,

1607
01:18:35,520 --> 01:18:37,400
Speaker 3: by the way, I have no idea what the fuck

1608
01:18:37,439 --> 01:18:38,120
Speaker 3: he's talking about.

1609
01:18:38,200 --> 01:18:41,760
Speaker 1: Right, So he comes up to me, he goes, he's

1610
01:18:41,800 --> 01:18:42,879
Speaker 1: a method actor.

1611
01:18:43,840 --> 01:18:47,920
Speaker 3: So I'm like, all right, I'm thinking like method like

1612
01:18:48,439 --> 01:18:51,760
Speaker 3: he has a method, he has a method ship. So

1613
01:18:51,800 --> 01:18:52,920
Speaker 3: I'm not understanding this.

1614
01:18:53,080 --> 01:18:56,000
Speaker 1: He's like, yeah, so he's going to be this character

1615
01:18:57,000 --> 01:18:57,880
Speaker 1: the whole time.

1616
01:18:58,080 --> 01:19:03,800
Speaker 3: And Lord Nor backup. Let me. I'm gonnat you you

1617
01:19:03,880 --> 01:19:06,040
Speaker 3: were fresh out the gate on their acting career side

1618
01:19:06,080 --> 01:19:08,360
Speaker 3: of things, right, this is my second movie. Yes, what

1619
01:19:08,400 --> 01:19:11,840
Speaker 3: I'm saying, I remember that the party so going. So

1620
01:19:11,960 --> 01:19:12,360
Speaker 3: I have no.

1621
01:19:12,360 --> 01:19:15,280
Speaker 1: Idea what method acting means. And he said so then

1622
01:19:15,320 --> 01:19:17,680
Speaker 1: he wants me. He's like, he's going to be the

1623
01:19:17,720 --> 01:19:21,439
Speaker 1: same guy throughout the whole thing, and I'm sitting there

1624
01:19:21,520 --> 01:19:24,280
Speaker 1: young smoking, I'm like, what have.

1625
01:19:26,439 --> 01:19:29,599
Speaker 3: This guy acting like that the whole time? The whole

1626
01:19:29,640 --> 01:19:31,960
Speaker 3: time aldest character is supposed to be like just so

1627
01:19:32,000 --> 01:19:32,559
Speaker 3: we know why.

1628
01:19:32,800 --> 01:19:35,800
Speaker 1: So we break out of jail. We break out of jail,

1629
01:19:36,520 --> 01:19:40,439
Speaker 1: and I believe because it's a Treasure of the Seven Mummies.

1630
01:19:40,520 --> 01:19:43,760
Speaker 1: When it comes out, it says seven Mummies. But the

1631
01:19:43,800 --> 01:19:46,640
Speaker 1: original title, like you said that they always changes, was

1632
01:19:46,640 --> 01:19:48,120
Speaker 1: called Treasure of the Seven Mummies.

1633
01:19:48,360 --> 01:19:49,840
Speaker 3: By the way, I'm gonna be honest with you, I

1634
01:19:49,840 --> 01:19:52,280
Speaker 3: didn't know that. Yeah, yeah, yeah, I'll be honest with you.

1635
01:19:54,320 --> 01:19:58,240
Speaker 3: Did I like the actual film? No? Right, not really right,

1636
01:19:58,520 --> 01:20:01,400
Speaker 3: but the experience.

1637
01:20:01,479 --> 01:20:04,800
Speaker 1: Was probably one of the best experiences I've ever had.

1638
01:20:05,080 --> 01:20:06,160
Speaker 3: Do you remember Ted Turner?

1639
01:20:06,640 --> 01:20:10,920
Speaker 1: He's got that guy that I believe that would And

1640
01:20:10,960 --> 01:20:13,320
Speaker 1: this is before HBO. So he comes up to us

1641
01:20:13,360 --> 01:20:16,360
Speaker 1: and he goes, if you guys see a snake, just

1642
01:20:16,400 --> 01:20:17,799
Speaker 1: back out very slowly.

1643
01:20:18,560 --> 01:20:21,880
Speaker 3: He's like, they won't attack you. So we filming the scene.

1644
01:20:21,920 --> 01:20:23,840
Speaker 1: I don't know if you remember, and we just see

1645
01:20:23,840 --> 01:20:25,240
Speaker 1: our boys just running.

1646
01:20:28,479 --> 01:20:30,479
Speaker 3: And I can't tell this is reasons or not.

1647
01:20:31,640 --> 01:20:33,439
Speaker 1: God comes up to us and say your boys are

1648
01:20:33,560 --> 01:20:39,800
Speaker 1: very fast. All I know is like here one of

1649
01:20:39,840 --> 01:20:44,800
Speaker 1: my boys sing singles. I'm drpped the jury so side.

1650
01:20:45,120 --> 01:20:48,439
Speaker 1: So here's what happened. Happened by the way, I'm not there.

1651
01:20:48,520 --> 01:20:51,519
Speaker 3: Me and you are filming the scene and.

1652
01:20:51,520 --> 01:20:54,240
Speaker 1: There's tumble weeds, that that that that that came, and

1653
01:20:54,280 --> 01:20:56,960
Speaker 1: then I just just I really do see my.

1654
01:20:59,200 --> 01:21:02,800
Speaker 3: Just guting. Wait where you guys feeling in the desert death. Okay,

1655
01:21:02,920 --> 01:21:04,439
Speaker 3: you can't control the ship.

1656
01:21:04,479 --> 01:21:07,800
Speaker 1: It's a set, but it's not cont there was there

1657
01:21:07,840 --> 01:21:09,120
Speaker 1: was a red racer on the set.

1658
01:21:09,400 --> 01:21:11,200
Speaker 3: A red races is a snake. By the way, this

1659
01:21:11,280 --> 01:21:11,960
Speaker 3: is a snake land.

1660
01:21:12,479 --> 01:21:15,040
Speaker 1: We wanted to call it Arizona Diamondbacks, and diamond back.

1661
01:21:14,920 --> 01:21:16,920
Speaker 3: Is a snake. I had to find it out.

1662
01:21:17,439 --> 01:21:21,640
Speaker 1: So anyway, we're filming and then, like I said, I

1663
01:21:21,680 --> 01:21:25,320
Speaker 1: see my voice is running by mad fast, and I'm like,

1664
01:21:25,360 --> 01:21:27,519
Speaker 1: where the fun could they be running from? Like, oh,

1665
01:21:27,920 --> 01:21:32,920
Speaker 1: it's not jokes. So the guy says, man, your friends.

1666
01:21:32,600 --> 01:21:36,240
Speaker 3: Are very fast. I can't help but to think, like

1667
01:21:36,560 --> 01:21:39,840
Speaker 3: what is he saying? So I'm going I'm going with them,

1668
01:21:39,920 --> 01:21:42,040
Speaker 3: and he goes and one of our friends, I'm just

1669
01:21:42,120 --> 01:21:46,519
Speaker 3: saying that bull he told me not to run. He

1670
01:21:46,680 --> 01:21:47,040
Speaker 3: ran to.

1671
01:21:49,880 --> 01:21:56,200
Speaker 1: So apparently they're sitting there and so we were, we

1672
01:21:56,200 --> 01:21:58,080
Speaker 1: were in the film, but then we wanted our boys

1673
01:21:58,120 --> 01:21:59,400
Speaker 1: to get in the film, so they put it on

1674
01:21:59,479 --> 01:22:03,240
Speaker 1: fucking like cowboy ship and the running around with the spurs,

1675
01:22:03,600 --> 01:22:05,640
Speaker 1: and they're not really realizing, like we're still in the

1676
01:22:05,680 --> 01:22:06,400
Speaker 1: fucking jungle.

1677
01:22:06,400 --> 01:22:09,360
Speaker 3: We're in the fucking does it. So from what I hear, Danny,

1678
01:22:09,439 --> 01:22:10,040
Speaker 3: I think that's your.

1679
01:22:09,960 --> 01:22:13,960
Speaker 1: Boy name, right, Danny and Leezy, they walked over a

1680
01:22:14,000 --> 01:22:16,719
Speaker 1: snake and when they woke it up, I mean they hit.

1681
01:22:16,640 --> 01:22:18,320
Speaker 3: Him and they woke him up.

1682
01:22:19,160 --> 01:22:21,679
Speaker 1: It was called a red racer because this is probably

1683
01:22:21,720 --> 01:22:24,800
Speaker 1: the only snake that does chase you. So they went

1684
01:22:25,200 --> 01:22:31,120
Speaker 1: and then the snake went, and my man, the whole

1685
01:22:31,200 --> 01:22:34,679
Speaker 1: jury he's drossy, snaky, didn't want.

1686
01:22:34,479 --> 01:22:37,400
Speaker 3: The jury snaky.

1687
01:22:38,760 --> 01:22:40,600
Speaker 1: So I just I'm sitting there and it was it was,

1688
01:22:40,640 --> 01:22:49,920
Speaker 1: it was just like a wonderful spirits man, and let

1689
01:22:50,000 --> 01:22:51,640
Speaker 1: me and let me let me pick up to let

1690
01:22:51,680 --> 01:22:54,559
Speaker 1: me pick up to something real quick. Nick Question has

1691
01:22:54,600 --> 01:22:57,200
Speaker 1: a film right now where.

1692
01:22:59,080 --> 01:23:05,839
Speaker 3: He infants raided. Right. What is that shit called? Uh?

1693
01:23:05,920 --> 01:23:09,240
Speaker 3: What's the people that stormed the capitol? The Mega community? Yo?

1694
01:23:09,840 --> 01:23:13,000
Speaker 5: Yo he yo, or the no that doesn't what they're

1695
01:23:13,040 --> 01:23:14,879
Speaker 5: called the Capitol writers.

1696
01:23:15,360 --> 01:23:19,000
Speaker 1: All right, so he had he has a documentary right now,

1697
01:23:19,479 --> 01:23:23,840
Speaker 1: this ship is fucking awesome where he he enters like

1698
01:23:23,960 --> 01:23:27,120
Speaker 1: mega right like like like like this little secret world

1699
01:23:28,080 --> 01:23:32,240
Speaker 1: and or Quanon because one of them dos to Cuban.

1700
01:23:32,600 --> 01:23:35,559
Speaker 3: No, no, man, not Cubans and yeah, the you're talking

1701
01:23:35,600 --> 01:23:41,320
Speaker 3: about the pro problem one of the dud yiadah.

1702
01:23:41,439 --> 01:23:44,200
Speaker 1: So so he goes he infiltrates them, right, he goes

1703
01:23:44,200 --> 01:23:44,800
Speaker 1: and acts like.

1704
01:23:44,760 --> 01:23:47,400
Speaker 3: One of them, and he films all of this ship.

1705
01:23:47,439 --> 01:23:49,360
Speaker 1: He tells him because he got a British accent, they

1706
01:23:49,360 --> 01:23:50,800
Speaker 1: trust them, They trust.

1707
01:23:50,479 --> 01:23:53,800
Speaker 3: In the British action and they trust them because I

1708
01:23:53,800 --> 01:23:56,680
Speaker 3: mean you kind of trust people from from when they

1709
01:23:56,760 --> 01:23:59,040
Speaker 3: got an accent you awful.

1710
01:23:59,120 --> 01:24:03,120
Speaker 1: Yeah yeah, person, he watched out like oh you know

1711
01:24:03,120 --> 01:24:06,600
Speaker 1: what I'm saying. But so he he infiltrates them. And

1712
01:24:06,600 --> 01:24:10,479
Speaker 1: then after he infiltrates them, January sixth happens and he

1713
01:24:10,560 --> 01:24:14,240
Speaker 1: goes and testifies against these guys and he says, yes, yeah,

1714
01:24:14,400 --> 01:24:15,480
Speaker 1: not have all the footage.

1715
01:24:16,520 --> 01:24:19,120
Speaker 3: They literally gave him the footage like.

1716
01:24:19,120 --> 01:24:21,360
Speaker 1: This ship is crazy, Nick, I ain't gonna lie you

1717
01:24:21,479 --> 01:24:22,200
Speaker 1: out of your mind.

1718
01:24:22,960 --> 01:24:25,040
Speaker 3: Oh yeah I got part of Yeah.

1719
01:24:24,880 --> 01:24:28,639
Speaker 1: But they would yeah, oh damn, he's the biggest one.

1720
01:24:28,680 --> 01:24:34,000
Speaker 3: Oh well yeah he is target now he deep undercover,

1721
01:24:34,520 --> 01:24:37,040
Speaker 3: right yeah, but that that but well we got to

1722
01:24:37,080 --> 01:24:38,240
Speaker 3: hide him here at drink Champs.

1723
01:24:39,840 --> 01:24:43,640
Speaker 1: But that's that said. Now, how many What movie was

1724
01:24:43,640 --> 01:24:45,320
Speaker 1: that for you? Because that was my second or third?

1725
01:24:45,520 --> 01:24:46,799
Speaker 1: What movie was that for you?

1726
01:24:47,400 --> 01:24:50,519
Speaker 3: That was pretty like I don't know, man, just already

1727
01:24:51,000 --> 01:24:53,120
Speaker 3: I don't keep track like that, you know what I'm saying?

1728
01:24:53,560 --> 01:24:55,200
Speaker 3: And what year was that? Because I had more or

1729
01:24:55,240 --> 01:24:57,680
Speaker 3: less google it? Yeah? Actually, yeah, what year was that?

1730
01:24:57,680 --> 01:24:59,439
Speaker 3: Because if I know that, I can kind of keep

1731
01:24:59,479 --> 01:25:03,000
Speaker 3: on this stuff. Oh, two thousand and seven. If it

1732
01:25:03,000 --> 01:25:04,760
Speaker 3: was two thousand and seven, it was probably like maybe

1733
01:25:04,800 --> 01:25:08,800
Speaker 3: my thirtieth or day something like that. Yeah, I was

1734
01:25:08,840 --> 01:25:15,280
Speaker 3: like two thousand and five was close. Yeah, it was close. Yeah,

1735
01:25:15,280 --> 01:25:17,040
Speaker 3: it was when it came out. Was that when we

1736
01:25:17,120 --> 01:25:18,120
Speaker 3: filmed it it?

1737
01:25:18,320 --> 01:25:20,240
Speaker 5: I mean, if if that's when it came out, then

1738
01:25:20,280 --> 01:25:21,360
Speaker 5: you filmed it even earlier than that.

1739
01:25:21,439 --> 01:25:24,080
Speaker 3: Yeah, we must have filmed you moved to you had

1740
01:25:24,080 --> 01:25:29,240
Speaker 3: already done it. Yeah yeah, okay, yeah, okay, I forget.

1741
01:25:29,320 --> 01:25:31,080
Speaker 3: I had to keep on. Martin Cove was in it.

1742
01:25:31,120 --> 01:25:35,080
Speaker 3: From Tobra Kai. Yeah, the girl Serena Vincent was in it,

1743
01:25:35,360 --> 01:25:38,720
Speaker 3: Cavin Fever. She's a famous horse. I played a black guy.

1744
01:25:39,160 --> 01:25:41,480
Speaker 1: I played the black guy, and they killed me immediately.

1745
01:25:44,160 --> 01:25:47,880
Speaker 3: I wasn't too far after, yes, right, but it was crazy.

1746
01:25:47,920 --> 01:25:51,000
Speaker 3: But you had a crazy killing though, because remember your head. Yeah, roll,

1747
01:25:51,560 --> 01:25:55,160
Speaker 3: I remember that they took off this whole head rolled,

1748
01:25:55,240 --> 01:26:03,320
Speaker 3: bro my boy like that man, I like, nah, it

1749
01:26:03,439 --> 01:26:06,080
Speaker 3: was actually a prophet. It looked really legit. Right. We

1750
01:26:06,080 --> 01:26:07,439
Speaker 3: were remembering the guy.

1751
01:26:07,720 --> 01:26:10,240
Speaker 1: To play the stunt guy, and they didn't realize I'm black.

1752
01:26:10,560 --> 01:26:16,760
Speaker 1: So the stunt guy is white. Noah. If you ever

1753
01:26:16,840 --> 01:26:20,360
Speaker 1: look at what's the ship Roscoe Jenkins, if you ever

1754
01:26:20,400 --> 01:26:22,840
Speaker 1: look at it when when when Monique is hitting Martin,

1755
01:26:23,400 --> 01:26:26,200
Speaker 1: it's the same exact thing Martin falls as a white guy.

1756
01:26:27,479 --> 01:26:31,960
Speaker 1: Look at it, Rosco Jinkins Like, I'm that tight. But yeah,

1757
01:26:33,160 --> 01:26:36,320
Speaker 1: I remember shooting the scene, and I remember Nick like

1758
01:26:36,400 --> 01:26:39,640
Speaker 1: setting me up. He was like yo, he leaned to

1759
01:26:39,680 --> 01:26:43,160
Speaker 1: the girl and he said scratch him for real. And

1760
01:26:44,560 --> 01:26:47,760
Speaker 1: so as she's on top of me, she's just And

1761
01:26:47,800 --> 01:26:50,960
Speaker 1: if you look at the actual ship, I actually pushed her.

1762
01:26:50,880 --> 01:26:51,679
Speaker 3: Like yo, what the fuss?

1763
01:26:52,360 --> 01:26:54,439
Speaker 1: And then I jump out the window and it's like,

1764
01:26:54,479 --> 01:26:56,559
Speaker 1: I'm really mad, Like you know what I'm saying, because

1765
01:26:56,760 --> 01:26:58,599
Speaker 1: he told her to really scratch me, but I didn't

1766
01:26:58,600 --> 01:27:00,760
Speaker 1: think he was going to really do it. She's going

1767
01:27:00,840 --> 01:27:03,479
Speaker 1: to fake it like ah, and she scratched the shit

1768
01:27:03,479 --> 01:27:05,160
Speaker 1: out of me, and I was like, holy shit, I

1769
01:27:05,160 --> 01:27:06,439
Speaker 1: was looking. I didn't have a wife back then.

1770
01:27:07,520 --> 01:27:11,559
Speaker 3: And that's what happens in non inion movies like that.

1771
01:27:11,840 --> 01:27:14,760
Speaker 3: That's what I'm saying, I allow, That's what I'm saying.

1772
01:27:14,840 --> 01:27:18,200
Speaker 3: You wouldn't allow them. I know how I got. I was,

1773
01:27:18,280 --> 01:27:20,400
Speaker 3: I was, I was. I was. Look at what my son.

1774
01:27:20,280 --> 01:27:23,320
Speaker 1: Says, forced like I was forced right, Like I couldn't

1775
01:27:23,320 --> 01:27:27,040
Speaker 1: tell Nick question, how did that movie get to your agent?

1776
01:27:27,600 --> 01:27:28,840
Speaker 3: Because that was an independent film.

1777
01:27:29,120 --> 01:27:32,160
Speaker 1: He's a hip hop director. He's not known in Hollywood.

1778
01:27:32,320 --> 01:27:33,120
Speaker 1: He's known in hip hop.

1779
01:27:33,160 --> 01:27:35,320
Speaker 3: So what was crazy because a lot of the music

1780
01:27:35,400 --> 01:27:37,759
Speaker 3: video directors at that time were trying to do movies,

1781
01:27:37,800 --> 01:27:39,559
Speaker 3: you know what I'm saying, Like a lot of them

1782
01:27:39,560 --> 01:27:42,280
Speaker 3: were jumping in on that game. Because there was one

1783
01:27:42,280 --> 01:27:44,559
Speaker 3: of them. I did a commercial with him, and that's

1784
01:27:44,760 --> 01:27:46,680
Speaker 3: that's what ended up happening. They all wanted to make

1785
01:27:46,680 --> 01:27:48,720
Speaker 3: that transition because they knew there was more money in

1786
01:27:48,760 --> 01:27:50,800
Speaker 3: the movies, you know what I'm saying. So, but they

1787
01:27:50,840 --> 01:27:53,280
Speaker 3: still did the music videos as well, right because again

1788
01:27:53,400 --> 01:27:55,400
Speaker 3: remember I said, you got to get in to do something,

1789
01:27:55,439 --> 01:27:57,040
Speaker 3: you know what I mean. And that was the way

1790
01:27:57,040 --> 01:28:00,559
Speaker 3: they started slowly creeping into the game. But that one

1791
01:28:00,680 --> 01:28:02,759
Speaker 3: was legit. I mean as far as like the agent

1792
01:28:02,880 --> 01:28:07,040
Speaker 3: side it went. It went through the agent and uh,

1793
01:28:07,240 --> 01:28:09,240
Speaker 3: you know then I got the call. And but for

1794
01:28:09,320 --> 01:28:11,519
Speaker 3: that one, I just got a straight offer. He didn't

1795
01:28:11,520 --> 01:28:13,240
Speaker 3: audition me or nothing like that. But I got some

1796
01:28:13,280 --> 01:28:15,200
Speaker 3: stories on that set that maybe you don't know about

1797
01:28:15,240 --> 01:28:16,560
Speaker 3: to Okay, hold on, but let me say, let me

1798
01:28:16,600 --> 01:28:18,479
Speaker 3: say one more. I remember when we both showed up.

1799
01:28:18,479 --> 01:28:21,280
Speaker 3: We brought brought crew with us. I brought my home up,

1800
01:28:21,360 --> 01:28:23,400
Speaker 3: brought let me get you get one you want about

1801
01:28:23,439 --> 01:28:23,720
Speaker 3: to get that.

1802
01:28:23,880 --> 01:28:25,639
Speaker 1: Let me let me let me supervid you on one

1803
01:28:25,680 --> 01:28:29,679
Speaker 1: day to this day. I mean, you know, the brother

1804
01:28:29,720 --> 01:28:31,719
Speaker 1: passed away. God bless If you say.

1805
01:28:31,560 --> 01:28:33,320
Speaker 3: What I think you're gonna say, I got a story

1806
01:28:33,320 --> 01:28:36,559
Speaker 3: for you. You're not that okay, my DMX, Yes, yes,

1807
01:28:36,600 --> 01:28:37,840
Speaker 3: those were I did.

1808
01:28:38,280 --> 01:28:41,720
Speaker 1: That was good station in Arizona, whatever it was at

1809
01:28:41,720 --> 01:28:43,680
Speaker 1: the I believe you ma Con was just coming out,

1810
01:28:43,920 --> 01:28:47,320
Speaker 1: so did the Latin station, right, And the next calls me, he's.

1811
01:28:47,200 --> 01:28:49,559
Speaker 3: Like you whatever's dog? I'm like, how the fuck you know?

1812
01:28:49,600 --> 01:28:52,720
Speaker 3: I'm in Arizona. He's like, he's like, listen to Telemondo too,

1813
01:28:54,520 --> 01:28:57,160
Speaker 3: y rasist like on, this's not a telephone though that

1814
01:28:57,560 --> 01:28:58,680
Speaker 3: Like he's like, he's like, yo.

1815
01:28:58,680 --> 01:29:02,280
Speaker 1: Man, come down, because I believe were in Tucson, and

1816
01:29:02,320 --> 01:29:04,479
Speaker 1: I believe he was in Phoenix, right.

1817
01:29:04,640 --> 01:29:08,800
Speaker 3: I remember we drove over there, remember, so I.

1818
01:29:08,760 --> 01:29:11,800
Speaker 1: Remember, like, I'm like, yo, I'm saying so. And that's

1819
01:29:11,800 --> 01:29:12,600
Speaker 1: when that's when the.

1820
01:29:12,640 --> 01:29:16,800
Speaker 3: Dude he broke character like character. He was like, was

1821
01:29:16,840 --> 01:29:17,920
Speaker 3: you talking to d m X?

1822
01:29:18,479 --> 01:29:21,080
Speaker 1: And I was like yeah, And he was like, and

1823
01:29:21,680 --> 01:29:23,680
Speaker 1: we can go to the barbecue, like I'm in a van,

1824
01:29:23,800 --> 01:29:26,200
Speaker 1: dog and we're all gonna go and and I was

1825
01:29:26,240 --> 01:29:26,800
Speaker 1: like so, I was.

1826
01:29:26,800 --> 01:29:29,320
Speaker 3: Like all right, cool. So we all we rented a van.

1827
01:29:29,479 --> 01:29:32,280
Speaker 3: We all went down. D m X had a four.

1828
01:29:32,200 --> 01:29:35,400
Speaker 1: Wheeler for eighty heavy one of us and we went

1829
01:29:35,439 --> 01:29:36,040
Speaker 1: out riding.

1830
01:29:36,960 --> 01:29:39,639
Speaker 3: I fell. My whole ship was messed up. I went back,

1831
01:29:39,720 --> 01:29:42,960
Speaker 3: is the only one who went back. But his what's crazy?

1832
01:29:43,080 --> 01:29:44,040
Speaker 3: I still got the pictures?

1833
01:29:44,080 --> 01:29:48,320
Speaker 1: Okay, okay, here's what's crazy. So the dude, I believe

1834
01:29:48,360 --> 01:29:50,360
Speaker 1: his name is Matt. I don't know if if it wasn't,

1835
01:29:50,800 --> 01:29:53,160
Speaker 1: you look should look at the Lee Row has and

1836
01:29:53,200 --> 01:29:54,080
Speaker 1: the seven Mummies.

1837
01:29:54,640 --> 01:29:56,920
Speaker 3: I believe it's math from past one.

1838
01:29:57,080 --> 01:30:00,759
Speaker 1: So yeah, So anyway, we get back to the house

1839
01:30:01,520 --> 01:30:03,480
Speaker 1: and everyone is getting in the pool.

1840
01:30:05,960 --> 01:30:09,160
Speaker 3: And Matt just gets undressed and he has a dog on.

1841
01:30:09,560 --> 01:30:20,280
Speaker 3: Oh ship getting to me.

1842
01:30:18,600 --> 01:30:21,280
Speaker 1: Like if you're not from New York, you don't know

1843
01:30:21,320 --> 01:30:24,040
Speaker 1: that because we can just you right your face, and

1844
01:30:24,080 --> 01:30:26,479
Speaker 1: he just he's like yo, you me.

1845
01:30:28,080 --> 01:30:30,840
Speaker 3: And everybody is laughing, and he does not catch on.

1846
01:30:31,280 --> 01:30:37,479
Speaker 1: Like he's sitting there swimming back and I talk about

1847
01:30:37,560 --> 01:30:40,800
Speaker 1: he gets out, starts doing that, and then he wants

1848
01:30:40,840 --> 01:30:43,639
Speaker 1: to go back in because because they go, they go like, oh,

1849
01:30:44,960 --> 01:30:46,920
Speaker 1: at some point in the night, they go, we hunt

1850
01:30:46,920 --> 01:30:49,200
Speaker 1: our own dinner. And I was like what and I

1851
01:30:49,240 --> 01:30:51,360
Speaker 1: was like, yeah, we're going to hunt snakes. And I

1852
01:30:51,400 --> 01:30:55,000
Speaker 1: was like peace. So I stayed back and Matt got

1853
01:30:55,080 --> 01:30:57,240
Speaker 1: right back in the pool and with this dog on,

1854
01:30:57,479 --> 01:30:59,800
Speaker 1: and it was it was crazy. So to this day, God,

1855
01:31:00,040 --> 01:31:03,040
Speaker 1: because you know DMX passed away, he'll still be like,

1856
01:31:03,560 --> 01:31:08,200
Speaker 1: remember you brought them people to my quid you a man?

1857
01:31:08,280 --> 01:31:17,639
Speaker 3: Let that go that it was your stories from No,

1858
01:31:17,760 --> 01:31:19,800
Speaker 3: that's hilarious. I thought you were going to bring up

1859
01:31:19,840 --> 01:31:21,640
Speaker 3: something else. But now I thought you were going to

1860
01:31:21,680 --> 01:31:23,960
Speaker 3: bring up when he started tripping, remember, because we had

1861
01:31:24,000 --> 01:31:26,800
Speaker 3: the weed in the van. Oh, I was like, you

1862
01:31:26,960 --> 01:31:29,160
Speaker 3: get that part that point. And then when he got

1863
01:31:29,160 --> 01:31:30,920
Speaker 3: caught by the cops because we were rolling on the

1864
01:31:31,040 --> 01:31:33,960
Speaker 3: r VS or whatever that at CS and uh, the

1865
01:31:33,960 --> 01:31:39,000
Speaker 3: cops started chasing us. I just followed DMX. Remember I

1866
01:31:39,000 --> 01:31:45,160
Speaker 3: went back to now by that time. Yeah, yeah, I wasn't. God.

1867
01:31:45,600 --> 01:31:47,439
Speaker 3: It's like, so we ride because you know, we were

1868
01:31:47,479 --> 01:31:49,240
Speaker 3: d m X, so we're thinking everything cool, you know

1869
01:31:49,280 --> 01:31:58,200
Speaker 3: what I mean, like everything legal, everything legal. Now come

1870
01:31:58,280 --> 01:32:02,200
Speaker 3: to find out it was illegal. But it was funny though,

1871
01:32:02,240 --> 01:32:05,040
Speaker 3: because the cop rolled up on us. I can't even

1872
01:32:05,040 --> 01:32:07,720
Speaker 3: make this stuff up. Cops rolled up on us, and

1873
01:32:07,840 --> 01:32:10,639
Speaker 3: DMX just jetted out and I just followed him. But

1874
01:32:10,800 --> 01:32:13,479
Speaker 3: that he rolled up to the cops trying to explain

1875
01:32:13,520 --> 01:32:16,840
Speaker 3: the story, I was like, nah, you don't do that. Oh.

1876
01:32:16,840 --> 01:32:19,240
Speaker 3: It was hilarious. Man. They let him go later or whatever.

1877
01:32:19,240 --> 01:32:20,920
Speaker 3: I remember he came back an hour and a half,

1878
01:32:20,920 --> 01:32:23,400
Speaker 3: two hours later, he's like, oh, I was with the cops.

1879
01:32:23,400 --> 01:32:26,800
Speaker 3: I almost got arrested. DMX was mad because he was like, dude,

1880
01:32:26,840 --> 01:32:31,320
Speaker 3: my ATC's. He thought they were stolen. Say it was hilarious, dog,

1881
01:32:31,600 --> 01:32:33,880
Speaker 3: But I thought, but but I don't know if you remember.

1882
01:32:33,920 --> 01:32:36,360
Speaker 3: It was funny because I remember we were all in

1883
01:32:36,439 --> 01:32:39,439
Speaker 3: the van and then you pulled out the back of weed.

1884
01:32:40,520 --> 01:32:43,439
Speaker 3: We were happy because we don't smoke. Yeah, but he

1885
01:32:43,560 --> 01:32:46,160
Speaker 3: was like, you guys got weed in the car. Remember

1886
01:32:46,200 --> 01:32:49,400
Speaker 3: you started tripping. You got to remember. He scared bro.

1887
01:32:49,600 --> 01:32:52,200
Speaker 3: He was like, we was illegal at that time, you

1888
01:32:52,240 --> 01:32:54,880
Speaker 3: know what I mean. We were happy campers because he

1889
01:32:54,920 --> 01:32:59,240
Speaker 3: brought the one day. Do you remember that? Though he

1890
01:32:59,280 --> 01:33:01,320
Speaker 3: started remembering, he started tripping a lot, and he was

1891
01:33:01,360 --> 01:33:02,680
Speaker 3: getting upset and.

1892
01:33:02,400 --> 01:33:04,519
Speaker 1: So so after that, that's what I thought you were

1893
01:33:04,520 --> 01:33:07,760
Speaker 1: gonna bring up. After that, I fell off of the

1894
01:33:07,760 --> 01:33:10,040
Speaker 1: A the a TV. I fell to a TV. I

1895
01:33:10,040 --> 01:33:12,840
Speaker 1: got way too drunk, way too fast, right, and I

1896
01:33:12,960 --> 01:33:21,200
Speaker 1: pressed break break, flipped over. I ran into a cactus.

1897
01:33:21,400 --> 01:33:25,040
Speaker 1: Oh now, if you don't know, I think I remember

1898
01:33:25,080 --> 01:33:27,800
Speaker 1: that everybody thinks a cactus pokes you, and that's not

1899
01:33:27,840 --> 01:33:28,360
Speaker 1: what it does.

1900
01:33:28,520 --> 01:33:32,400
Speaker 3: It hooks into you. So I'm so drunk, I'm like, oh,

1901
01:33:32,680 --> 01:33:34,840
Speaker 3: you know what, let me keep drinking because you gotta

1902
01:33:34,920 --> 01:33:36,080
Speaker 3: you gotta like this to get the.

1903
01:33:36,040 --> 01:33:38,120
Speaker 1: Cactus out, you gotta gotta unhook yourself.

1904
01:33:38,120 --> 01:33:40,240
Speaker 3: So I'm like, you know what, I'll do this later.

1905
01:33:41,840 --> 01:33:44,559
Speaker 3: Let me enjoy my let me enjoy my whatever whatever, right,

1906
01:33:45,240 --> 01:33:47,240
Speaker 3: So you partying with cactus suck here? So yeah.

1907
01:33:47,320 --> 01:33:49,320
Speaker 1: So so in the morning I woke up before we

1908
01:33:49,360 --> 01:33:50,960
Speaker 1: went to set and I went to the hospital.

1909
01:33:50,960 --> 01:33:51,599
Speaker 3: They took it all out.

1910
01:33:51,680 --> 01:33:53,280
Speaker 1: Was like it's like like like like like you ever

1911
01:33:53,280 --> 01:33:54,000
Speaker 1: get splinters.

1912
01:33:54,400 --> 01:33:56,960
Speaker 3: It was something like that. But in the morning, so

1913
01:33:56,960 --> 01:33:57,400
Speaker 3: they gave me.

1914
01:33:57,439 --> 01:34:00,800
Speaker 1: They gave me like painkillers paying at work. But you

1915
01:34:00,840 --> 01:34:03,080
Speaker 1: remember the chick from Cabin Fever. Yeah, yeah, Oh she

1916
01:34:03,160 --> 01:34:06,240
Speaker 1: played nurse on you yo, listen to me. I came

1917
01:34:06,360 --> 01:34:08,920
Speaker 1: back and she was like, are you okay? And I

1918
01:34:09,120 --> 01:34:12,400
Speaker 1: was like, no, yeah, fucked up. And they gave me

1919
01:34:12,479 --> 01:34:14,920
Speaker 1: this bullshit ship. I don't know what she gave me

1920
01:34:16,360 --> 01:34:20,240
Speaker 1: she had, but it was a quick fits because I

1921
01:34:20,400 --> 01:34:22,200
Speaker 1: just looked and I was like, she just lit. She

1922
01:34:22,280 --> 01:34:23,160
Speaker 1: knows what she's talking about.

1923
01:34:25,120 --> 01:34:27,360
Speaker 3: No, no, no, she was so fine. We just accepted

1924
01:34:27,439 --> 01:34:31,760
Speaker 3: what she was talking about. They wouldn't tell, you know,

1925
01:34:32,040 --> 01:34:36,560
Speaker 3: pretty much like look this is all them adderols and

1926
01:34:36,600 --> 01:34:39,160
Speaker 3: all the people do right now. She had the whole ship,

1927
01:34:39,840 --> 01:34:42,559
Speaker 3: like back then in two thousand and three, she pulled

1928
01:34:42,560 --> 01:34:45,280
Speaker 3: it out like first safe, kid, what do you feel?

1929
01:34:45,920 --> 01:34:46,719
Speaker 3: I was like dizzy.

1930
01:34:51,479 --> 01:34:53,240
Speaker 1: She was like, here's this one for this one, and

1931
01:34:53,280 --> 01:34:54,559
Speaker 1: then half an hour you come back.

1932
01:34:54,560 --> 01:34:56,760
Speaker 3: You see me take this one. And I did that ship.

1933
01:34:56,840 --> 01:34:59,880
Speaker 3: She was my nurse on the staff spe of getting

1934
01:35:00,080 --> 01:35:05,040
Speaker 3: never seen that again, like nurse on three or four

1935
01:35:05,160 --> 01:35:09,479
Speaker 3: days we had a ball. But that's hilarious. I imagine.

1936
01:35:10,920 --> 01:35:13,200
Speaker 1: Like the other day, I was watching Canelo and and

1937
01:35:13,400 --> 01:35:16,680
Speaker 1: and and Trofit right and not the fight, right, but

1938
01:35:16,720 --> 01:35:17,240
Speaker 1: I'm talking.

1939
01:35:17,040 --> 01:35:18,519
Speaker 3: About Yeah, I did watch the fight, but we'll get

1940
01:35:18,520 --> 01:35:18,720
Speaker 3: to that.

1941
01:35:19,040 --> 01:35:23,519
Speaker 1: But the camarderie of them in their training with their

1942
01:35:23,640 --> 01:35:27,799
Speaker 1: crews reminds me of like how a rapper is before

1943
01:35:27,800 --> 01:35:30,519
Speaker 1: you get on upset. It reminds me of excuse me,

1944
01:35:30,600 --> 01:35:33,200
Speaker 1: before you get on stage. It reminds me of when

1945
01:35:33,240 --> 01:35:37,360
Speaker 1: you prepping for a movie, you sitting sitting around is

1946
01:35:37,479 --> 01:35:40,360
Speaker 1: that something that is that something that that that that

1947
01:35:40,760 --> 01:35:43,240
Speaker 1: you're addictive to like being on set and like you know,

1948
01:35:43,400 --> 01:35:46,760
Speaker 1: having your boys, you know that that that probably could

1949
01:35:46,800 --> 01:35:48,479
Speaker 1: never be here and having them join you.

1950
01:35:49,240 --> 01:35:51,040
Speaker 3: No. I mean it's cool being on a set, you

1951
01:35:51,080 --> 01:35:53,360
Speaker 3: know what I mean. I love working and staying on

1952
01:35:53,479 --> 01:35:54,960
Speaker 3: sets is fun and all that. And I think we

1953
01:35:55,080 --> 01:35:57,720
Speaker 3: got the way I say it about this business. You know,

1954
01:35:58,000 --> 01:36:00,320
Speaker 3: I say it like this, We're in the best worst

1955
01:36:00,520 --> 01:36:02,920
Speaker 3: best business ever. Yeah, that's how I say. I say,

1956
01:36:02,960 --> 01:36:06,040
Speaker 3: one of the best, worst best business ever. I like

1957
01:36:06,120 --> 01:36:08,600
Speaker 3: you because you know, we get to all weys do

1958
01:36:08,720 --> 01:36:10,960
Speaker 3: stuff like this. You're always in a different spot, you

1959
01:36:11,040 --> 01:36:13,240
Speaker 3: meet new people. It's never the same thing, it's always

1960
01:36:13,240 --> 01:36:16,120
Speaker 3: somewhere different. You travel everywhere. There's a lot of pros

1961
01:36:16,160 --> 01:36:19,280
Speaker 3: on that side, you know what I mean. So and

1962
01:36:19,360 --> 01:36:22,000
Speaker 3: then it's the worst because you know this is anywhere.

1963
01:36:22,040 --> 01:36:23,960
Speaker 3: But I'm just saying our business the most because I've

1964
01:36:24,000 --> 01:36:26,479
Speaker 3: never seen it as much as in our business. It's

1965
01:36:26,520 --> 01:36:30,880
Speaker 3: the most cutthroat, two face, backstabbing piece of crap fate

1966
01:36:31,080 --> 01:36:33,920
Speaker 3: piece of crat business ever. And that part just makes

1967
01:36:33,960 --> 01:36:35,640
Speaker 3: me so sick, dog, you know what I'm saying. And

1968
01:36:35,720 --> 01:36:37,439
Speaker 3: so that's why I say it's the best, worst best

1969
01:36:37,479 --> 01:36:40,560
Speaker 3: business ever. But as far as like working, you know,

1970
01:36:40,640 --> 01:36:45,280
Speaker 3: and I take I never repeat something that I will

1971
01:36:45,360 --> 01:36:47,240
Speaker 3: not give the person credit who I heard it from.

1972
01:36:47,800 --> 01:36:50,040
Speaker 3: And my boy a, Millia Rivera, I made this comment

1973
01:36:50,240 --> 01:36:51,920
Speaker 3: and I think it was one of the best comments ever.

1974
01:36:52,040 --> 01:36:54,880
Speaker 3: He said, you can't teach what we live. So for me,

1975
01:36:55,040 --> 01:36:56,880
Speaker 3: my whole point in saying that, I just repeat that.

1976
01:36:56,960 --> 01:36:58,599
Speaker 3: But that's a shout out to my boy Miller Rivera,

1977
01:36:58,640 --> 01:36:59,960
Speaker 3: because he said that, and I was like, that's good.

1978
01:37:00,000 --> 01:37:01,960
Speaker 3: I'm gonna take that, but I'm always gonna give him

1979
01:37:01,960 --> 01:37:03,680
Speaker 3: his credit when I take it. Let him know it

1980
01:37:03,720 --> 01:37:06,080
Speaker 3: didn't come from me. But anyways, he said, you know,

1981
01:37:06,160 --> 01:37:07,960
Speaker 3: once again, you can't teach what you live. And so

1982
01:37:08,760 --> 01:37:11,559
Speaker 3: my point is, when I'm doing a role, I really

1983
01:37:11,640 --> 01:37:14,519
Speaker 3: don't prepare. I'm one of the sloppiest actors out there,

1984
01:37:14,600 --> 01:37:17,280
Speaker 3: straight up. Like I said, I don't read the script.

1985
01:37:17,400 --> 01:37:19,519
Speaker 3: I just read my part. I go in there, I

1986
01:37:19,600 --> 01:37:21,000
Speaker 3: do what I do. It is what it is. And

1987
01:37:21,160 --> 01:37:22,760
Speaker 3: later when I watch the movie, I'm like, oh, that's

1988
01:37:22,760 --> 01:37:25,280
Speaker 3: why my character did that and did that. I'm like, Okay,

1989
01:37:25,360 --> 01:37:27,760
Speaker 3: now now I get the story. Like even when I

1990
01:37:27,880 --> 01:37:30,559
Speaker 3: go watch the damn movie, it's fresh because I ain't

1991
01:37:30,560 --> 01:37:33,120
Speaker 3: read the script. Hell that's about I just know as

1992
01:37:33,160 --> 01:37:35,560
Speaker 3: long as what I'm doing it's legit, I'm in And

1993
01:37:35,720 --> 01:37:37,400
Speaker 3: so yeah, that's how that goes, you know what I mean.

1994
01:37:37,479 --> 01:37:40,200
Speaker 3: So there's not I've never really had to prepare that

1995
01:37:40,400 --> 01:37:43,200
Speaker 3: deep down now in respect to that though, if I'm

1996
01:37:43,200 --> 01:37:46,040
Speaker 3: playing a doctor, right or or you know, I'm a

1997
01:37:46,120 --> 01:37:50,759
Speaker 3: look fair, whatever I'm gonna I'm for something like that, whatever,

1998
01:37:50,840 --> 01:37:53,599
Speaker 3: I'm gonna go in more prepared to character character. Yeah,

1999
01:37:53,600 --> 01:37:55,280
Speaker 3: I'm gonna go at more ready and like that. But

2000
01:37:55,880 --> 01:37:58,200
Speaker 3: for most my stuff, like nah, I just do what

2001
01:37:58,280 --> 01:38:01,639
Speaker 3: I do and it is what it is. Like Hector's here, yeah, exactly,

2002
01:38:01,960 --> 01:38:04,320
Speaker 3: like all right, next, so yeah, that's how that goes.

2003
01:38:05,160 --> 01:38:07,960
Speaker 3: Did you go for Canelo in this fight? Ah? Man?

2004
01:38:08,080 --> 01:38:10,519
Speaker 3: So I'm just gonna give you my opinion up boxing, bro,

2005
01:38:10,680 --> 01:38:12,840
Speaker 3: since we go on there, I'm not even a boxing fan,

2006
01:38:12,960 --> 01:38:15,479
Speaker 3: no more. Dog, we need Mike Tyson back. I think

2007
01:38:15,520 --> 01:38:18,000
Speaker 3: all the fights are fake. I think they're fixed. I

2008
01:38:18,080 --> 01:38:20,280
Speaker 3: think you're watching dancing with the stars in a ring

2009
01:38:20,520 --> 01:38:23,080
Speaker 3: and my whole thing. Now, you know, to be straight up,

2010
01:38:23,479 --> 01:38:25,920
Speaker 3: if you want to watch a real fight, watch a

2011
01:38:26,080 --> 01:38:29,160
Speaker 3: nobody trying to become a somebody. That's when you get

2012
01:38:29,200 --> 01:38:31,560
Speaker 3: the real lights. But once they rich and they millionaires,

2013
01:38:31,800 --> 01:38:34,720
Speaker 3: excuse my language, we get bitch ass fights and I'm

2014
01:38:34,760 --> 01:38:36,720
Speaker 3: sick of it, bro. So I don't support really the

2015
01:38:36,760 --> 01:38:39,280
Speaker 3: boxing no more to keep it one hundred. I support

2016
01:38:39,720 --> 01:38:42,040
Speaker 3: the people who are, you know, trying to become somebody,

2017
01:38:42,040 --> 01:38:44,800
Speaker 3: because that's when they're really fighting, right. But once they

2018
01:38:44,880 --> 01:38:47,920
Speaker 3: become millionaires, I get these water down fights and I'm like,

2019
01:38:48,000 --> 01:38:50,439
Speaker 3: I want to Mike Tyson back. That's my dude. So

2020
01:38:50,560 --> 01:38:52,080
Speaker 3: I put it out there. I can care less man.

2021
01:38:52,160 --> 01:38:54,080
Speaker 3: Like I said, I just say what I think, and

2022
01:38:54,200 --> 01:38:55,720
Speaker 3: it is what it is. People can agree or and

2023
01:38:55,760 --> 01:38:58,120
Speaker 3: I agree. You know, we got different people in this world.

2024
01:38:58,200 --> 01:38:59,760
Speaker 3: Someone agree with this, agree, But I think all the

2025
01:38:59,800 --> 01:39:02,320
Speaker 3: fight to be watching hour I'm watching Dancing with the Stars.

2026
01:39:02,840 --> 01:39:04,720
Speaker 3: So I'm not a fan of boxing no more, dog

2027
01:39:04,800 --> 01:39:07,000
Speaker 3: because to me, it just got watered down. How about

2028
01:39:07,080 --> 01:39:09,519
Speaker 3: Tank and Jake Paul? Who you're going come on?

2029
01:39:09,720 --> 01:39:09,920
Speaker 5: Dog?

2030
01:39:10,040 --> 01:39:12,000
Speaker 3: Like did Jake Paul has nothing but a check bro?

2031
01:39:12,479 --> 01:39:15,640
Speaker 3: You know what I'm saying straight up? Dog? So they

2032
01:39:15,960 --> 01:39:18,360
Speaker 3: getting paid and cool, but you ain't watching a real fight.

2033
01:39:18,400 --> 01:39:21,599
Speaker 3: You watching the show. I ain't play the show though, Okay,

2034
01:39:21,680 --> 01:39:23,560
Speaker 3: well then watch the show. You like it cool, but

2035
01:39:23,600 --> 01:39:25,920
Speaker 3: I ain't watching the show. I like the circus, I

2036
01:39:26,080 --> 01:39:28,080
Speaker 3: get it, I get it, but I'm cool. I want

2037
01:39:28,120 --> 01:39:30,360
Speaker 3: to I'd rather watch a Mike Tyson fight when it

2038
01:39:30,439 --> 01:39:33,080
Speaker 3: was real fighting back in the days. Right, That's just me.

2039
01:39:33,360 --> 01:39:35,200
Speaker 3: There's a couple of of course as a dog though.

2040
01:39:35,560 --> 01:39:39,280
Speaker 3: I mean again, man, some gimmick means of dollards though.

2041
01:39:39,520 --> 01:39:41,439
Speaker 3: I mean, I'm just saying, man, I just I just

2042
01:39:41,560 --> 01:39:44,800
Speaker 3: haven't seen a real fight with championship fighters in a

2043
01:39:44,840 --> 01:39:48,559
Speaker 3: long time. In my opinion, Yeah, you should have watch.

2044
01:39:49,040 --> 01:39:51,800
Speaker 3: I wont like MMM took over that want. A lot

2045
01:39:51,840 --> 01:39:54,000
Speaker 3: of people will continue to give it a chance because

2046
01:39:54,080 --> 01:39:56,640
Speaker 3: some of the other Canelo fights, to me were not

2047
01:39:56,880 --> 01:39:58,840
Speaker 3: real fights. It was kind of like, come on, dog.

2048
01:40:00,120 --> 01:40:02,240
Speaker 3: I mean, I don't think they were punching enough, swinging enough.

2049
01:40:02,640 --> 01:40:04,800
Speaker 3: So I do know a lot of people that are

2050
01:40:04,840 --> 01:40:09,559
Speaker 3: in the boxing world, and you know, of course they're

2051
01:40:09,560 --> 01:40:11,160
Speaker 3: gonna defend it if you're in the boxing world. So

2052
01:40:11,280 --> 01:40:15,760
Speaker 3: I'm talking from an outsider looking in. But I believe

2053
01:40:15,800 --> 01:40:17,360
Speaker 3: when we got our best fights once again with Mike

2054
01:40:17,400 --> 01:40:20,160
Speaker 3: Tyson days. But this is what homeboys said, and I'm

2055
01:40:20,160 --> 01:40:22,559
Speaker 3: gonna name his name, but he said this. He said, Man,

2056
01:40:22,600 --> 01:40:25,360
Speaker 3: you got to understand, man, like when we boxing, that

2057
01:40:25,560 --> 01:40:28,559
Speaker 3: hurts when you get punched A lot you get hit

2058
01:40:28,640 --> 01:40:31,799
Speaker 3: a lot, and we in a ring and we fighting.

2059
01:40:32,800 --> 01:40:35,120
Speaker 3: It's like an NFL football player. The reason why they

2060
01:40:35,280 --> 01:40:37,320
Speaker 3: run to the side is because when you get tackled

2061
01:40:37,400 --> 01:40:40,120
Speaker 3: so much, there's a point where if you can avoid

2062
01:40:40,160 --> 01:40:42,240
Speaker 3: a tackle, you are going to tackle. You feel what

2063
01:40:42,280 --> 01:40:44,360
Speaker 3: I'm saying. So the boxer, that's how we kind of

2064
01:40:44,400 --> 01:40:46,720
Speaker 3: explained it. So a boxer does the same thing. But

2065
01:40:46,840 --> 01:40:50,519
Speaker 3: I think sometimes because it's like when homies going to

2066
01:40:50,560 --> 01:40:52,160
Speaker 3: the ring. Man, I like when they go for them

2067
01:40:52,240 --> 01:40:54,840
Speaker 3: quick knockouts and they're swinging, you know what I mean.

2068
01:40:54,920 --> 01:40:56,880
Speaker 3: And even on some of the last like the tenth,

2069
01:40:56,960 --> 01:41:00,960
Speaker 3: eleven and twelfth ring, even then you don't see all

2070
01:41:01,000 --> 01:41:03,759
Speaker 3: the swinging and punching. I'm like that, at some point,

2071
01:41:04,080 --> 01:41:06,360
Speaker 3: go at it. This fight was it? This fight was it? Was? It?

2072
01:41:06,600 --> 01:41:08,600
Speaker 3: Was it? Well? The reason why I didn't give it

2073
01:41:08,680 --> 01:41:11,360
Speaker 3: a chance is because I got tired of the fights

2074
01:41:11,400 --> 01:41:15,040
Speaker 3: before it. So maybe that, well, maybe I go back

2075
01:41:15,080 --> 01:41:17,960
Speaker 3: and watch it all the fights before that on Netflix

2076
01:41:18,000 --> 01:41:22,120
Speaker 3: that I'm talking about fight before. Yeah, I'm talking about

2077
01:41:22,160 --> 01:41:24,120
Speaker 3: the fights I can leave the water down, you know

2078
01:41:24,160 --> 01:41:25,880
Speaker 3: what I mean? In my opinion, Now, you the first

2079
01:41:25,920 --> 01:41:28,799
Speaker 3: Mexican I have heard say that everybody, because most people

2080
01:41:28,840 --> 01:41:31,680
Speaker 3: will say what they need to say to be liked

2081
01:41:31,800 --> 01:41:34,160
Speaker 3: and loved, and a lot of people don't speak the

2082
01:41:34,320 --> 01:41:37,680
Speaker 3: real mind because they're afraid of being hated on or

2083
01:41:37,720 --> 01:41:40,080
Speaker 3: an outcare. I'll say it like it is. I tell

2084
01:41:40,120 --> 01:41:42,840
Speaker 3: people like this, man, you're gonna like me for You're

2085
01:41:42,880 --> 01:41:45,479
Speaker 3: gonna hate me for two reasons. One I tell you

2086
01:41:45,560 --> 01:41:47,640
Speaker 3: the truth and you can handle it. Or two you

2087
01:41:47,760 --> 01:41:49,000
Speaker 3: just came up with your own story and why you

2088
01:41:49,080 --> 01:41:52,280
Speaker 3: hate me. But I'm not gonna lie or flavor stuff

2089
01:41:52,400 --> 01:41:55,400
Speaker 3: up to accommodate the world of how I think.

2090
01:41:56,920 --> 01:41:59,960
Speaker 1: Canelo fans is like truck fans that you can't convince them.

2091
01:42:00,360 --> 01:42:04,280
Speaker 3: Like they still think that he won. He lost. Like

2092
01:42:04,400 --> 01:42:06,920
Speaker 3: I said earlier, the voting I believe is rigged. You

2093
01:42:07,000 --> 01:42:08,840
Speaker 3: know what I'm saying. I believe they already know who's

2094
01:42:08,880 --> 01:42:11,280
Speaker 3: gonna And there's a there's a there's a documentary if

2095
01:42:11,320 --> 01:42:13,880
Speaker 3: you want to get deep on it. There's a documentary

2096
01:42:13,920 --> 01:42:18,200
Speaker 3: that exposes the voting. And it's called facism to freedom.

2097
01:42:18,479 --> 01:42:20,920
Speaker 3: No it is. If you ever, I'm gonna taxt it.

2098
01:42:21,640 --> 01:42:24,120
Speaker 3: It takes it to the whole camp. Yes, yes, it's

2099
01:42:24,160 --> 01:42:26,600
Speaker 3: called facism of freedom and basically what it says, like,

2100
01:42:27,360 --> 01:42:30,439
Speaker 3: if the vote is not paper counted on a computer,

2101
01:42:30,560 --> 01:42:33,920
Speaker 3: it could be flipped fifty one forty nine. It's very

2102
01:42:34,000 --> 01:42:37,000
Speaker 3: easy to flip it on a computer. So it goes

2103
01:42:37,040 --> 01:42:39,000
Speaker 3: down the rabbit hole of how and you know what.

2104
01:42:39,400 --> 01:42:41,680
Speaker 3: But then even if it's paper counted, who do you

2105
01:42:41,720 --> 01:42:43,640
Speaker 3: trust to do that? And even if it's legit, the

2106
01:42:44,160 --> 01:42:46,880
Speaker 3: electoral system is all fucked. And that's why, once again

2107
01:42:47,000 --> 01:42:51,240
Speaker 3: I say, if you're not personally involved your self, what

2108
01:42:51,360 --> 01:42:53,840
Speaker 3: do you honestly really know other than what was told

2109
01:42:53,920 --> 01:42:56,679
Speaker 3: and presented to you. You don't know Jack Dilley's squad.

2110
01:42:57,479 --> 01:42:59,920
Speaker 3: You guys know the ind of Drink Champs because you

2111
01:43:00,080 --> 01:43:02,280
Speaker 3: win it, so you know the real of the real here.

2112
01:43:02,880 --> 01:43:04,920
Speaker 3: And when someone else talks on drink Champs or whatever,

2113
01:43:05,439 --> 01:43:07,120
Speaker 3: they don't know what the hell they're talking about because

2114
01:43:07,200 --> 01:43:08,840
Speaker 3: and you're like, come on, they don't know what they're

2115
01:43:08,880 --> 01:43:10,800
Speaker 3: saying because they ain't in it. You s feel what

2116
01:43:10,800 --> 01:43:13,160
Speaker 3: I'm saying, So it just is what it is. So

2117
01:43:13,200 --> 01:43:16,080
Speaker 3: I'm not gonna say something to be liked. I almost

2118
01:43:16,120 --> 01:43:17,679
Speaker 3: say what I say, and I'm going to be either

2119
01:43:17,800 --> 01:43:19,880
Speaker 3: liked or not liked for how I think or what

2120
01:43:20,000 --> 01:43:23,280
Speaker 3: I said, that'll be what it is, your favorite sport.

2121
01:43:25,200 --> 01:43:29,920
Speaker 3: I like basketball, you know, football baseball is cool to

2122
01:43:30,000 --> 01:43:33,519
Speaker 3: watch live, but not on TV. You know, in my opinion,

2123
01:43:33,640 --> 01:43:36,040
Speaker 3: and again in the game when you go to the game,

2124
01:43:36,080 --> 01:43:39,040
Speaker 3: it's cool. Yeah, that's what I'm saying. Yeah, it's just

2125
01:43:39,320 --> 01:43:42,400
Speaker 3: some some sports are made for live, not on TV,

2126
01:43:42,560 --> 01:43:45,360
Speaker 3: like ice hockey. I was never an ice hockey fan

2127
01:43:45,439 --> 01:43:49,000
Speaker 3: until I watched the game live. I saw I saw. Yeah,

2128
01:43:49,000 --> 01:43:51,320
Speaker 3: that's what I'm saying. I saw my first game live

2129
01:43:51,400 --> 01:43:54,320
Speaker 3: and I was like, damn, ice hockey is on bros

2130
01:43:54,400 --> 01:43:56,639
Speaker 3: On and cracking. And then I became a fan when

2131
01:43:56,640 --> 01:43:58,320
Speaker 3: I saw it live. I wasn't. I didn't really care

2132
01:43:58,360 --> 01:44:02,000
Speaker 3: about ice hockey until I saw a game live. Then

2133
01:44:02,160 --> 01:44:04,040
Speaker 3: then I was like, then I became a nice hockey fan.

2134
01:44:04,120 --> 01:44:05,800
Speaker 3: You feel me. So someone will call you for a

2135
01:44:05,880 --> 01:44:10,280
Speaker 3: sports role, which what would you prefer? Soccer? Soccer? Yeah,

2136
01:44:10,360 --> 01:44:12,759
Speaker 3: just because I'm a good soccer player. So yeah, I'm Mexican.

2137
01:44:16,320 --> 01:44:19,479
Speaker 3: Got to do that one, right. I don't think he

2138
01:44:19,560 --> 01:44:22,400
Speaker 3: was gonna say soccer. Yeah, yeah, no, soccer is yeah,

2139
01:44:22,479 --> 01:44:23,320
Speaker 3: soccer is my gage.

2140
01:44:24,360 --> 01:44:26,360
Speaker 4: Yeah yeah, okay, okay, yeah, so I love I love

2141
01:44:26,400 --> 01:44:27,080
Speaker 4: playing soccer.

2142
01:44:27,800 --> 01:44:30,040
Speaker 3: Yeah, and just to make this clear too, I want

2143
01:44:30,080 --> 01:44:32,320
Speaker 3: to put this on real quick. There's no hate on

2144
01:44:32,439 --> 01:44:34,799
Speaker 3: Canelo or any of this stuff. There's no hate on anybody.

2145
01:44:34,920 --> 01:44:38,000
Speaker 3: All I'm saying is I just believe, excuse my language,

2146
01:44:38,000 --> 01:44:40,800
Speaker 3: that nowadays we get bitch ass fights and I'm just

2147
01:44:40,960 --> 01:44:42,519
Speaker 3: I'm just sick of it, so I don't support it.

2148
01:44:43,040 --> 01:44:45,920
Speaker 3: So until i get some real boxers back in the ring,

2149
01:44:46,320 --> 01:44:48,559
Speaker 3: then I'll jump back on it. Because I'm a boxing fan.

2150
01:44:49,040 --> 01:44:51,800
Speaker 3: I love boxing, bro straight up. Man, Like, ask me

2151
01:44:51,840 --> 01:44:54,840
Speaker 3: anything about the Tysons fight holy Field, you know, all

2152
01:44:54,880 --> 01:44:57,200
Speaker 3: the oldie George Foreman, whoever you want to bring up,

2153
01:44:57,280 --> 01:45:01,120
Speaker 3: all Lee like, all day long. I'm a legit boxing fan,

2154
01:45:01,680 --> 01:45:04,040
Speaker 3: but some of the boxing matches we have nowadays are

2155
01:45:04,120 --> 01:45:07,560
Speaker 3: just bitch ass fights. And I'm like, nah as fight Like,

2156
01:45:07,680 --> 01:45:11,000
Speaker 3: I'm just like, now, let's put some But you know

2157
01:45:11,760 --> 01:45:14,280
Speaker 3: what your lady's doing. Good to me. I'm just saying.

2158
01:45:14,360 --> 01:45:16,519
Speaker 3: I'm just saying what I'm saying. It is what it is.

2159
01:45:17,040 --> 01:45:18,400
Speaker 3: Hate me or love me for what I said, but

2160
01:45:18,479 --> 01:45:21,400
Speaker 3: it's all good. We got a quick time, let's do something,

2161
01:45:21,960 --> 01:45:24,639
Speaker 3: so get some get some some drinkers in here for them.

2162
01:45:25,400 --> 01:45:29,880
Speaker 3: You want to pick a drinker. What's the quick time? Okay,

2163
01:45:29,960 --> 01:45:32,479
Speaker 3: but I mean we just asked you questions. It helps

2164
01:45:32,520 --> 01:45:34,640
Speaker 3: them bringing up stuff. Oh got you got, you got

2165
01:45:34,720 --> 01:45:39,719
Speaker 3: your you're drinking. Sure, come on, who's Charlie left? Already?

2166
01:45:40,400 --> 01:45:50,040
Speaker 3: I'm from La. Lets get the Los Angeles guy. He's down.

2167
01:45:50,080 --> 01:45:52,040
Speaker 6: I'm gonna go back, come on, play you figure it out.

2168
01:45:54,240 --> 01:45:59,240
Speaker 6: I'm like, I'm like, yeah, you representing, let's go. I

2169
01:45:59,280 --> 01:46:04,720
Speaker 6: guess you're doing drinking for both of them. Huh yeah,

2170
01:46:04,800 --> 01:46:07,080
Speaker 6: I'm gonna I'm just gonna drink from the couple, not shot.

2171
01:46:07,560 --> 01:46:14,080
Speaker 6: All right, Well let me explain the rules. Yeah, it's

2172
01:46:14,120 --> 01:46:18,040
Speaker 6: basically like, uh, go ahead, We're gonna give you two choices. Okay,

2173
01:46:18,439 --> 01:46:21,600
Speaker 6: you pick one, and we're not drinking out of the

2174
01:46:21,640 --> 01:46:23,639
Speaker 6: two choices. But if you say both or neither.

2175
01:46:23,520 --> 01:46:26,360
Speaker 5: Like you try to be politically correct, then that's when.

2176
01:46:26,240 --> 01:46:29,400
Speaker 3: We all drink. And really, this is just about it's not.

2177
01:46:29,400 --> 01:46:32,200
Speaker 5: About it's just bringing up names, any stories, you got anything,

2178
01:46:32,200 --> 01:46:33,719
Speaker 5: any thoughts, places people.

2179
01:46:33,920 --> 01:46:38,040
Speaker 3: It's just about bringing stories up, you know. Yeah, all right, cool? Ready,

2180
01:46:38,439 --> 01:46:39,880
Speaker 3: But but I only drink monster though.

2181
01:46:40,080 --> 01:46:44,280
Speaker 2: Yeah, so I'm trying to like monster. He's trying to

2182
01:46:44,400 --> 01:46:49,960
Speaker 2: jack you up. Yeah, if you talk on, we're gonna

2183
01:46:49,960 --> 01:46:50,840
Speaker 2: be the only one drinking wrong.

2184
01:46:51,040 --> 01:46:52,640
Speaker 3: I got you like you were taking it, like we

2185
01:46:52,720 --> 01:46:54,920
Speaker 3: just sipping off of this all right. I'm like, are

2186
01:46:54,960 --> 01:46:57,479
Speaker 3: you ready? Yeah, let's go. I don't know if I'm ready,

2187
01:46:57,479 --> 01:47:00,840
Speaker 3: but I'm gonna say I'm ready. Let's go Tupac easy on,

2188
01:47:01,000 --> 01:47:05,040
Speaker 3: Tupac any any reasons? And he had two Bucs, my

2189
01:47:05,479 --> 01:47:07,479
Speaker 3: g man, I love them both, just so we're clear,

2190
01:47:07,600 --> 01:47:09,800
Speaker 3: but because I'm forced to pick one or the other,

2191
01:47:10,400 --> 01:47:13,040
Speaker 3: I'm gonna say Tupac. But again, I love easy just

2192
01:47:13,080 --> 01:47:15,600
Speaker 3: as much. Man. I'm actually good with his son, a

2193
01:47:15,640 --> 01:47:17,679
Speaker 3: little easy Man. We chop it up, so we're good.

2194
01:47:17,720 --> 01:47:19,920
Speaker 3: But yeah, I just got to go with Tupac because

2195
01:47:19,920 --> 01:47:23,120
Speaker 3: that's just my dude right there. No, man, and that's

2196
01:47:23,160 --> 01:47:25,160
Speaker 3: one I could beat him nowadays. They could bring him

2197
01:47:25,160 --> 01:47:27,880
Speaker 3: back what they're doing now, you know what I'm saying.

2198
01:47:27,960 --> 01:47:31,880
Speaker 3: But no, I just gotta go with I got it. Actually,

2199
01:47:32,240 --> 01:47:34,120
Speaker 3: I got to show you something just for two seconds.

2200
01:47:35,040 --> 01:47:36,800
Speaker 3: That's gonna take two seconds, but I got to pull

2201
01:47:36,840 --> 01:47:42,840
Speaker 3: this up. This literally, this literally was just about a

2202
01:47:42,920 --> 01:47:49,040
Speaker 3: week ago. No joke, no lie or idea.

2203
01:47:50,200 --> 01:48:00,400
Speaker 7: Oh wow, okay, so that's too cool.

2204
01:48:00,520 --> 01:48:03,560
Speaker 3: I'll send that to you, all right. Cypress Hills or

2205
01:48:03,640 --> 01:48:07,679
Speaker 3: House of Pain. Uh Cypress Hill, Yeah, those are my boys.

2206
01:48:07,880 --> 01:48:12,040
Speaker 3: Be real shot out, shout out. I just did their show. Actually,

2207
01:48:12,120 --> 01:48:14,960
Speaker 3: I just did their podcast. Uh smoke out or whatever?

2208
01:48:15,080 --> 01:48:18,640
Speaker 3: Did you smoke with them? No smoking, I didn't have

2209
01:48:18,720 --> 01:48:24,679
Speaker 3: to smoke with that. They got cont Yeah. I told

2210
01:48:24,720 --> 01:48:28,920
Speaker 3: them cats straight up hot box. No, no, that's not okay, No,

2211
01:48:29,040 --> 01:48:30,680
Speaker 3: but I told them straight up. I said, you guy

2212
01:48:30,720 --> 01:48:35,519
Speaker 3: should be fireman. They were backstrated for real dog go

2213
01:48:35,640 --> 01:48:37,880
Speaker 3: suit and all. I got high off a second hand

2214
01:48:37,920 --> 01:48:40,320
Speaker 3: smoking straight up. That's how much they were smoking. That's

2215
01:48:40,600 --> 01:48:43,639
Speaker 3: because of Cypress. Yeah yeah, be real cinema. I actually

2216
01:48:43,680 --> 01:48:45,840
Speaker 3: put sending a movie Doug back in the early days. Yeah,

2217
01:48:45,920 --> 01:48:48,599
Speaker 3: slapped them and slapped them in the joint. But yeah, yeah,

2218
01:48:48,720 --> 01:48:50,720
Speaker 3: so Cypers Hill because I know them personally and they

2219
01:48:50,880 --> 01:48:52,120
Speaker 3: remember the name of the day at home. You know

2220
01:48:52,280 --> 01:48:55,720
Speaker 3: I do a splinter, okay, spinner, yeah yeah, splinder that's

2221
01:48:55,840 --> 01:49:04,360
Speaker 3: infurious or training day, training day, Ludacrius or you guys

2222
01:49:04,400 --> 01:49:06,479
Speaker 3: are going in you got to going in hard. I'm

2223
01:49:06,479 --> 01:49:09,000
Speaker 3: gonna say Ji rule because I met him. I met

2224
01:49:09,040 --> 01:49:11,439
Speaker 3: Ludacris too, but I met Gyroul Moore.

2225
01:49:12,160 --> 01:49:18,640
Speaker 1: So Bruce Almighty or old school Bruce Almighty? What role

2226
01:49:18,720 --> 01:49:19,519
Speaker 1: you played the Old School?

2227
01:49:19,560 --> 01:49:22,400
Speaker 3: Yeah, I had. I had a bigger part. See that's

2228
01:49:22,400 --> 01:49:24,080
Speaker 3: why I don't celebrate till it's over, you know what

2229
01:49:24,120 --> 01:49:26,080
Speaker 3: I'm saying, Because in that movie, I had a bigger part.

2230
01:49:26,640 --> 01:49:28,400
Speaker 3: But then they trimmed it down and I was like,

2231
01:49:28,520 --> 01:49:31,360
Speaker 3: come on, man, But it was a real small part.

2232
01:49:31,439 --> 01:49:33,799
Speaker 3: But again, I had a bigger part. They just cut

2233
01:49:33,840 --> 01:49:36,160
Speaker 3: a lot of it out. But anyways, it was it

2234
01:49:36,280 --> 01:49:38,040
Speaker 3: was a part where he was on the roof and

2235
01:49:38,120 --> 01:49:40,040
Speaker 3: he was setting up something or whatever, and I was

2236
01:49:40,080 --> 01:49:43,080
Speaker 3: across the street and I was like, hey, you the Godfather. Man.

2237
01:49:44,960 --> 01:49:46,960
Speaker 3: It was a quick little joint. Man. If you if

2238
01:49:47,000 --> 01:49:49,519
Speaker 3: you blinked your eyes, you messed up. Man. Yeah. Yeah,

2239
01:49:49,640 --> 01:49:51,880
Speaker 3: so I had a little part of that. But so yeah,

2240
01:49:52,000 --> 01:49:55,439
Speaker 3: so old school. I would say, good Marian's are walking

2241
01:49:55,520 --> 01:49:58,560
Speaker 3: dead Mayans because there was a lot of love on

2242
01:49:58,600 --> 01:49:59,080
Speaker 3: the Mayans.

2243
01:49:59,120 --> 01:49:59,280
Speaker 4: Man.

2244
01:49:59,320 --> 01:50:00,840
Speaker 3: I grew up with a lot of those cats that

2245
01:50:00,960 --> 01:50:03,479
Speaker 3: I was in the show with in real life. Yeah,

2246
01:50:03,600 --> 01:50:05,560
Speaker 3: like just not not like grew up with them like that,

2247
01:50:05,680 --> 01:50:07,920
Speaker 3: but just know one from the business have relationships with them,

2248
01:50:08,040 --> 01:50:09,680
Speaker 3: got to know each other actors. I thought you made

2249
01:50:09,680 --> 01:50:13,080
Speaker 3: the actually like yeah, motorcycle No no, no, the actors,

2250
01:50:13,120 --> 01:50:15,040
Speaker 3: the actors, I'm saying, I known them for a long time.

2251
01:50:15,120 --> 01:50:18,280
Speaker 3: So that was a real heartfelt project because it was

2252
01:50:18,320 --> 01:50:20,519
Speaker 3: a bunch of people that knew each other, that were

2253
01:50:20,600 --> 01:50:22,840
Speaker 3: hooking each other up, helping each other out, making it

2254
01:50:23,000 --> 01:50:27,559
Speaker 3: like a like a community thing as just And that's

2255
01:50:27,600 --> 01:50:29,320
Speaker 3: what I'm saying, and that's why there was a lot

2256
01:50:29,360 --> 01:50:36,160
Speaker 3: of love on that set. Oh yeah, okay, okay, yeah,

2257
01:50:36,439 --> 01:50:39,240
Speaker 3: I don't know my name, but if I see his face,

2258
01:50:39,479 --> 01:50:42,519
Speaker 3: Cliff Curtis or Raymond yeah yeah, yeah, yeah, yeah, okay,

2259
01:50:42,680 --> 01:50:46,080
Speaker 3: oh yeah, yeah he was in Twilight. Yeah okay, yeah, man, yeah,

2260
01:50:46,120 --> 01:50:48,760
Speaker 3: that's right, that's right. He's a legend. Man. Yeah, I

2261
01:50:48,840 --> 01:50:51,000
Speaker 3: met him in real life. He's cool as well. We

2262
01:50:51,280 --> 01:50:53,240
Speaker 3: were at a dinner party together sitting right next to

2263
01:50:53,240 --> 01:50:56,960
Speaker 3: each other. Cool cat, friendly dude, Cliff Curtis or Raymond

2264
01:50:57,000 --> 01:51:02,160
Speaker 3: Cruz Cliff Cliff, because I again spent personal time with him.

2265
01:51:02,200 --> 01:51:03,920
Speaker 3: We trained him, like I told you, for the movie.

2266
01:51:04,000 --> 01:51:06,400
Speaker 3: We kind of prepped him, and uh, he's just a

2267
01:51:06,479 --> 01:51:10,160
Speaker 3: cool cat man. And I actually have a relationship with Cliff,

2268
01:51:10,240 --> 01:51:12,040
Speaker 3: like we still to this day. Talk and keep in

2269
01:51:12,160 --> 01:51:14,720
Speaker 3: touch and say what's up and check in on each other.

2270
01:51:14,800 --> 01:51:17,680
Speaker 3: How you doing, how you ban so Cliff Curtis, they

2271
01:51:17,800 --> 01:51:22,160
Speaker 3: go Donald Mar. You know, I don't even know who

2272
01:51:22,200 --> 01:51:29,599
Speaker 3: they are, dire go Donald Mar, Yes, straight up Donald. Okay, okay,

2273
01:51:30,080 --> 01:51:32,040
Speaker 3: you know it's funny. I'm not I don't know a

2274
01:51:32,080 --> 01:51:33,920
Speaker 3: lot of people like that by names or whatever. I

2275
01:51:34,000 --> 01:51:36,880
Speaker 3: know faces. I'm not deep like that, bro, Like, I

2276
01:51:36,920 --> 01:51:40,720
Speaker 3: don't care about the Hollywood world, man, straight up Hollywood. Yeah,

2277
01:51:40,720 --> 01:51:45,320
Speaker 3: it's all good. Okay, Well, okay, so here's another thing

2278
01:51:45,320 --> 01:51:50,640
Speaker 3: about Fast Yeah, so let me let me give you

2279
01:51:50,720 --> 01:51:52,880
Speaker 3: this right here. What part were they in? Where do

2280
01:51:52,920 --> 01:51:55,840
Speaker 3: you robbed the bank? And all right, so let me

2281
01:51:55,920 --> 01:51:57,400
Speaker 3: let me give you something. Let me give you something

2282
01:51:57,400 --> 01:51:59,840
Speaker 3: about Fast and Furious. And I say this publicly, right,

2283
01:52:00,320 --> 01:52:03,000
Speaker 3: I'm not even a Fast and Furious fan, because for me,

2284
01:52:03,120 --> 01:52:05,439
Speaker 3: it got too much, It got too lame, it got

2285
01:52:05,479 --> 01:52:09,080
Speaker 3: too retarded. It turned into a superhero movie, and I'm like,

2286
01:52:09,160 --> 01:52:11,479
Speaker 3: how do you go from street racing to saving the world?

2287
01:52:12,080 --> 01:52:14,080
Speaker 3: So for me, and then they went to space and

2288
01:52:14,160 --> 01:52:18,320
Speaker 3: part nine they would come on, I'm like, I think

2289
01:52:18,479 --> 01:52:22,000
Speaker 3: I think Part eleven is Cars Underwater. Part twelve is

2290
01:52:22,080 --> 01:52:25,240
Speaker 3: Cars Meet Dinosaurs Part thirteen. You know what I'm saying, Like,

2291
01:52:25,360 --> 01:52:27,559
Speaker 3: this movie just got to it. They got too out

2292
01:52:27,560 --> 01:52:30,040
Speaker 3: of wet dog. So I'm gonna keep it one hundred

2293
01:52:30,080 --> 01:52:34,080
Speaker 3: with Fast and the Furious. I only seen part one, two, seven,

2294
01:52:34,160 --> 01:52:37,760
Speaker 3: and eight. I haven't seen part three, Part four, part five,

2295
01:52:37,840 --> 01:52:41,679
Speaker 3: part six, part nine, or part ten. I'm just being

2296
01:52:41,720 --> 01:52:44,120
Speaker 3: straight up. I care less, dog. I'm a fan of

2297
01:52:44,160 --> 01:52:45,559
Speaker 3: the check, but I am a fan of the movie.

2298
01:52:47,439 --> 01:52:49,400
Speaker 3: I just keep it real, man, Like I said, I

2299
01:52:50,120 --> 01:52:51,840
Speaker 3: don't know how to talk any other way, man, but

2300
01:52:51,920 --> 01:52:54,400
Speaker 3: it just got And I love Ben man Vin you

2301
01:52:54,520 --> 01:52:57,120
Speaker 3: my boy, but you jacking up a classic, Like Chris

2302
01:52:57,200 --> 01:52:58,960
Speaker 3: Tucker said. You know what I'm saying, you messing up

2303
01:52:58,960 --> 01:53:02,280
Speaker 3: a classic. So I don't know, bro, So I don't

2304
01:53:02,280 --> 01:53:04,120
Speaker 3: know who they are. I'm sorry, man, Like, yeah, so

2305
01:53:04,400 --> 01:53:08,519
Speaker 3: Terry CRUs or Paul Walker. Oh man, that's a tough one. Dog.

2306
01:53:11,240 --> 01:53:13,200
Speaker 3: I'm gonna have to jack up the game here because

2307
01:53:13,200 --> 01:53:15,120
Speaker 3: there's no way I could pick it between them two

2308
01:53:15,720 --> 01:53:18,040
Speaker 3: and yeah, and I'm gonna say boat on that one. Man.

2309
01:53:18,120 --> 01:53:21,519
Speaker 3: I can't. Yeah, I can't. I can't go. I can't

2310
01:53:21,560 --> 01:53:23,640
Speaker 3: go either way on that one. That one I got

2311
01:53:23,760 --> 01:53:25,880
Speaker 3: to go with both because Terry Crews is my friend

2312
01:53:25,920 --> 01:53:28,920
Speaker 3: of this day. That's my people, my dog. I was

2313
01:53:29,000 --> 01:53:32,559
Speaker 3: just at his last wedding anniversary. And yeah, and Paul Walker,

2314
01:53:33,200 --> 01:53:35,639
Speaker 3: that's that's the nicest cat in the world. Man, humble dude.

2315
01:53:35,680 --> 01:53:38,080
Speaker 3: And yeah that one you got me stuck, homie. You

2316
01:53:38,120 --> 01:53:39,760
Speaker 3: put me on pause for a second. I looked like

2317
01:53:39,800 --> 01:53:44,600
Speaker 3: a cardboard cutout on that one. Malibu's Most Wanted or

2318
01:53:44,640 --> 01:53:48,240
Speaker 3: The Animal, Oh Malibus, because Malibus I had a bigger part.

2319
01:53:48,880 --> 01:53:50,800
Speaker 3: It was a funner movie. I thought it was a

2320
01:53:50,840 --> 01:53:53,040
Speaker 3: lot more funnier than The Animal. You have a shootout.

2321
01:53:53,720 --> 01:53:55,760
Speaker 3: We had a shootout scene in that joint. Yeah, we

2322
01:53:55,880 --> 01:53:57,720
Speaker 3: came back and got our revenge. We we got to

2323
01:53:57,720 --> 01:54:01,559
Speaker 3: get up the lady Girls Home Home Club. Yeah yeah, yeah, yeah.

2324
01:54:01,960 --> 01:54:04,679
Speaker 3: So that yeah, that movie's comedy. Bro. Like I said,

2325
01:54:04,720 --> 01:54:06,360
Speaker 3: I hope part two flies. You know what I'm saying.

2326
01:54:07,000 --> 01:54:10,760
Speaker 3: I want to be a part too. I'll make him drinks,

2327
01:54:10,920 --> 01:54:17,680
Speaker 3: be a part of it. So you gotta come on,

2328
01:54:17,800 --> 01:54:23,120
Speaker 3: drink that's all. That's. Let's make our own movie. Don't

2329
01:54:23,280 --> 01:54:26,559
Speaker 3: come on Jude the Rock or John Cena.

2330
01:54:27,520 --> 01:54:27,640
Speaker 4: Uh.

2331
01:54:28,600 --> 01:54:32,880
Speaker 3: I'm gonna go with the Rock because I I uh

2332
01:54:33,680 --> 01:54:36,000
Speaker 3: I don't know him personally. I met him before a

2333
01:54:36,040 --> 01:54:38,280
Speaker 3: couple of times, and every time, every time I met him,

2334
01:54:38,600 --> 01:54:40,640
Speaker 3: he was a very nice, humble cat. You know, he's

2335
01:54:40,640 --> 01:54:42,880
Speaker 3: a gentleman man. And uh so I got to give

2336
01:54:42,960 --> 01:54:45,240
Speaker 3: Rock his props. You know what I'm saying? All day long?

2337
01:54:46,320 --> 01:54:48,320
Speaker 1: Doctor dre Or Snoop Dogg, and I say the Rock

2338
01:54:48,320 --> 01:54:48,960
Speaker 1: because I met him.

2339
01:54:49,000 --> 01:54:51,320
Speaker 3: I never met John Cena, so I don't know, but yeah,

2340
01:54:51,360 --> 01:54:53,040
Speaker 3: the Rock all day man, and I took a couple

2341
01:54:53,040 --> 01:54:55,480
Speaker 3: of pictures with the Rock and got love for you Rock.

2342
01:54:56,640 --> 01:54:59,840
Speaker 3: What's up Doctor dre Or Snoop Dogg. Oh Man, that's

2343
01:54:59,840 --> 01:55:01,520
Speaker 3: a oother tough one, but you're gonna have to drink

2344
01:55:01,560 --> 01:55:05,400
Speaker 3: on that one, bro. Yeah, Doctor dre cool. You know

2345
01:55:05,640 --> 01:55:07,640
Speaker 3: you know Doctor dre Man, we go way back. I

2346
01:55:07,680 --> 01:55:09,240
Speaker 3: don't know if you guys know this. I'm gonna drop

2347
01:55:09,320 --> 01:55:11,400
Speaker 3: one on you right here. He put me in his

2348
01:55:11,440 --> 01:55:14,400
Speaker 3: Guilty Conscience video with M and M and M. Yeah,

2349
01:55:14,920 --> 01:55:16,960
Speaker 3: so I was. I was Eddie in the video when

2350
01:55:17,000 --> 01:55:19,840
Speaker 3: it says meet Eddie about to rob a liquor store

2351
01:55:20,040 --> 01:55:23,880
Speaker 3: and all his way. Yeah, So I was Eddie and

2352
01:55:23,960 --> 01:55:31,040
Speaker 3: that joint bro was ready to be brought up. So yeah, yeah,

2353
01:55:31,160 --> 01:55:36,440
Speaker 3: doctor Dred, Eddie, Doctor Dre slapped me. That was at

2354
01:55:36,440 --> 01:55:37,960
Speaker 3: the birth of the career. You know what I'm saying,

2355
01:55:38,040 --> 01:55:39,680
Speaker 3: So that one I got to go with what they're saying.

2356
01:55:40,160 --> 01:55:42,800
Speaker 3: But uh, yeah, man, I was. I was Eddie and

2357
01:55:42,880 --> 01:55:47,760
Speaker 3: that joint and doctor Dre flew me out to New York. Wow.

2358
01:55:47,840 --> 01:55:50,280
Speaker 3: I came out there for the awards I believe it

2359
01:55:50,400 --> 01:55:53,680
Speaker 3: was nineteen ninety nine or two thousand, the Billboard Music Awards,

2360
01:55:54,040 --> 01:55:56,040
Speaker 3: and I was the one standing on stage and they

2361
01:55:56,080 --> 01:55:58,520
Speaker 3: were dancing around me doing the rat bro. He flew

2362
01:55:58,600 --> 01:56:01,120
Speaker 3: me all the way out there just to stand. Yeah. Bro,

2363
01:56:01,360 --> 01:56:04,880
Speaker 3: so outline whatever you paid my rent that bus. So

2364
01:56:04,880 --> 01:56:07,640
Speaker 3: it was cool. But yeah, man, so I got to

2365
01:56:07,680 --> 01:56:09,680
Speaker 3: give props to Dre man where you know, props for

2366
01:56:09,760 --> 01:56:10,400
Speaker 3: props are due.

2367
01:56:10,840 --> 01:56:13,800
Speaker 5: I got a side from this blood In blood Out

2368
01:56:14,320 --> 01:56:16,080
Speaker 5: or American American blood.

2369
01:56:15,880 --> 01:56:18,920
Speaker 3: And blood out all day long, man, American Me was

2370
01:56:18,960 --> 01:56:20,920
Speaker 3: one of the ones that violated a lot of they

2371
01:56:20,960 --> 01:56:24,200
Speaker 3: said blood kept it. Yeah yeah, and uh, blood and

2372
01:56:24,280 --> 01:56:27,800
Speaker 3: blood out all day long. Yeah. I wish Bloody blood

2373
01:56:27,800 --> 01:56:29,280
Speaker 3: Out would have stayed more in the It's still a

2374
01:56:29,360 --> 01:56:32,280
Speaker 3: fantastic movie. I've seen the movie a thousand times. I

2375
01:56:32,320 --> 01:56:34,760
Speaker 3: could recite it. I know every line from that movie.

2376
01:56:34,920 --> 01:56:36,920
Speaker 3: I love that movie, but I wish they would have

2377
01:56:36,920 --> 01:56:39,560
Speaker 3: just stuck more to the streets, like Minister Society. That's

2378
01:56:39,600 --> 01:56:40,160
Speaker 3: all I'm saying.

2379
01:56:40,320 --> 01:56:43,760
Speaker 1: But Blood and Blood Out. One thing that everybody was

2380
01:56:43,840 --> 01:56:49,880
Speaker 1: always curious of is kenna white guya Mexican.

2381
01:56:50,040 --> 01:56:52,720
Speaker 3: That's what I'm saying. If there's special you know, if

2382
01:56:52,760 --> 01:56:58,640
Speaker 3: there's special circumstances, then it's allowed it. Well it's the

2383
01:56:58,720 --> 01:57:01,960
Speaker 3: real Yeah, it's allowed out. And whatever gang allows it

2384
01:57:02,120 --> 01:57:05,320
Speaker 3: because of a special circumstance that an outside gang wouldn't know.

2385
01:57:06,000 --> 01:57:09,080
Speaker 3: But the outside gang that doesn't know is still gonna,

2386
01:57:09,160 --> 01:57:11,120
Speaker 3: you know, will be like, hey man, you got a

2387
01:57:11,160 --> 01:57:13,600
Speaker 3: black guy in your Mexican gang. F that? Or you

2388
01:57:13,680 --> 01:57:16,080
Speaker 3: got a white point in your gang. F that? Because

2389
01:57:16,640 --> 01:57:19,440
Speaker 3: a real Mexican gang would you know, really wanted to

2390
01:57:19,480 --> 01:57:23,520
Speaker 3: stay all Mexicans. But you got different people, different individuals,

2391
01:57:23,600 --> 01:57:25,840
Speaker 3: You got different gangs who will do it their way,

2392
01:57:25,880 --> 01:57:27,600
Speaker 3: and this gang will do it that way. And you

2393
01:57:27,640 --> 01:57:29,720
Speaker 3: know what I'm saying, So you can't really call that

2394
01:57:30,440 --> 01:57:34,040
Speaker 3: way the safe way to say it is in the streets.

2395
01:57:34,520 --> 01:57:36,560
Speaker 3: It really should have been that way, but it was

2396
01:57:36,640 --> 01:57:38,560
Speaker 3: allowed that way because that one gang allowed it and

2397
01:57:38,680 --> 01:57:41,440
Speaker 3: it is what it is, but a character No, yeah,

2398
01:57:41,440 --> 01:57:44,920
Speaker 3: I'm saying. I'm saying because of a special circumstance, you

2399
01:57:44,960 --> 01:57:48,000
Speaker 3: know what I mean. It's like if I it's like,

2400
01:57:48,360 --> 01:57:51,000
Speaker 3: let's say I'm a Mexican gangster, you know, and my

2401
01:57:51,200 --> 01:57:54,440
Speaker 3: mom and dad adopted a black son because they were

2402
01:57:54,600 --> 01:57:57,600
Speaker 3: just people like that who did that. I ain't going

2403
01:57:57,680 --> 01:58:00,560
Speaker 3: to deny you. Now when we're a teenager, if y'all

2404
01:58:00,560 --> 01:58:02,480
Speaker 3: grew up together, and that's what I'm saying, and you're

2405
01:58:02,480 --> 01:58:04,000
Speaker 3: part of the neighbor and you tell him to him,

2406
01:58:04,000 --> 01:58:05,840
Speaker 3: he's not even black to him, and he's Messican, That's

2407
01:58:05,880 --> 01:58:07,560
Speaker 3: what I'm saying. And there it's kind of like, you

2408
01:58:07,640 --> 01:58:10,920
Speaker 3: know what, black or not, you in this gang because

2409
01:58:10,960 --> 01:58:12,800
Speaker 3: you grew up with us. So we're just gonna, you know,

2410
01:58:12,960 --> 01:58:14,520
Speaker 3: let you in. And it's like a dog who was

2411
01:58:14,600 --> 01:58:16,600
Speaker 3: raised by a lion. The dog is raised by a line.

2412
01:58:16,600 --> 01:58:18,760
Speaker 3: There you go, that dog actually thinks it's a lion

2413
01:58:19,200 --> 01:58:20,920
Speaker 3: and look at another dog like, who the fuck are you?

2414
01:58:21,280 --> 01:58:23,560
Speaker 3: You know what I'm saying there exactly, there you go,

2415
01:58:23,960 --> 01:58:26,000
Speaker 3: And remember every story is different. That could just be

2416
01:58:26,080 --> 01:58:28,080
Speaker 3: one example of many. There might be other ways of

2417
01:58:28,160 --> 01:58:30,640
Speaker 3: how it happened or does happen. But I'm just giving

2418
01:58:31,000 --> 01:58:35,960
Speaker 3: one example. And the crazy shit is America needs to

2419
01:58:36,000 --> 01:58:37,800
Speaker 3: be one of my favorite movies. Right.

2420
01:58:38,600 --> 01:58:40,480
Speaker 1: And then when I've seen how like the people who

2421
01:58:40,560 --> 01:58:44,040
Speaker 1: was frowning upon it because I guess they it was

2422
01:58:44,200 --> 01:58:48,320
Speaker 1: almost too real. I still if that movie comes on,

2423
01:58:48,480 --> 01:58:52,680
Speaker 1: I'm still scared, like when I watch it because I feel.

2424
01:58:52,560 --> 01:58:54,720
Speaker 3: Like, and what what what's my homeboy name?

2425
01:58:54,800 --> 01:58:59,120
Speaker 1: That that that James was almost guy's a teacher, but

2426
01:58:59,240 --> 01:59:01,480
Speaker 1: I believed him when he got stabbed.

2427
01:59:01,960 --> 01:59:03,720
Speaker 3: What do you mean a teacher? You know you're talking

2428
01:59:03,760 --> 01:59:15,400
Speaker 3: about you? I was giving you give stories.

2429
01:59:16,080 --> 01:59:19,400
Speaker 1: Yeah, But so for for a person that's outside of

2430
01:59:19,480 --> 01:59:23,640
Speaker 1: that's looking in, what's that movie really depicting things that

2431
01:59:23,920 --> 01:59:25,560
Speaker 1: that was that that shouldn't have been.

2432
01:59:25,680 --> 01:59:27,320
Speaker 3: Yeah, there was a lot of parts in there that

2433
01:59:28,640 --> 01:59:31,080
Speaker 3: we're real. And you got to remember after that movie

2434
01:59:31,160 --> 01:59:33,360
Speaker 3: came out, that's when they overt killed the director. Well

2435
01:59:33,520 --> 01:59:35,560
Speaker 3: that people died. A lot of people died in that movie,

2436
01:59:35,560 --> 01:59:40,680
Speaker 3: you know what I'm saying that were behind the scenes. Yeah,

2437
01:59:41,040 --> 01:59:43,080
Speaker 3: it was. It was people that were exposing what they

2438
01:59:43,120 --> 01:59:46,800
Speaker 3: shouldn't have exposed. It made it sorfy cut you like,

2439
01:59:46,920 --> 01:59:52,000
Speaker 3: for instance, what's the ship that that that?

2440
01:59:52,240 --> 01:59:58,920
Speaker 1: Uh they directed on Fox about freeway and he had.

2441
01:59:59,160 --> 02:00:02,400
Speaker 3: C had double. He was the guy's coach. Oh the

2442
02:00:02,760 --> 02:00:05,320
Speaker 3: snowfall snowfall, So he was the guys coach.

2443
02:00:05,520 --> 02:00:07,880
Speaker 1: So you say, like people who got killed with like

2444
02:00:07,920 --> 02:00:09,520
Speaker 1: people like that, like people who's consulting.

2445
02:00:09,760 --> 02:00:13,840
Speaker 3: I never yeah, yeah, a lot of consultants. Yeah, there

2446
02:00:13,920 --> 02:00:17,440
Speaker 3: was like this lady. She was like a mediator amongst

2447
02:00:17,520 --> 02:00:19,320
Speaker 3: gang member. It was it was the girl killed. It

2448
02:00:19,520 --> 02:00:21,000
Speaker 3: was it was the girl who played the mom of

2449
02:00:21,080 --> 02:00:23,680
Speaker 3: the little kid who died, and I think she's the

2450
02:00:23,800 --> 02:00:26,400
Speaker 3: gang media. Yeah. I haven't seen the movie in such

2451
02:00:26,400 --> 02:00:27,000
Speaker 3: a long time.

2452
02:00:27,160 --> 02:00:29,640
Speaker 5: Wow, but there's a whole documentary you could watch that.

2453
02:00:29,800 --> 02:00:33,440
Speaker 5: It's foul like mad people died over there. Yeah, because

2454
02:00:33,440 --> 02:00:35,200
Speaker 5: they were exposing the Mexican mafia.

2455
02:00:35,360 --> 02:00:37,240
Speaker 3: But you know, I was just gonna say this one

2456
02:00:37,280 --> 02:00:39,760
Speaker 3: thing was in the movie they exposed how they got

2457
02:00:39,880 --> 02:00:42,840
Speaker 3: drugs in the prison for his ass. So no, no,

2458
02:00:43,000 --> 02:00:45,600
Speaker 3: but through the pipes and all that stuff too was exposed.

2459
02:00:45,600 --> 02:00:48,840
Speaker 3: So my point is when that movie came out, all

2460
02:00:48,960 --> 02:00:52,520
Speaker 3: the prisons in l A got overturned in real life

2461
02:00:52,560 --> 02:00:54,280
Speaker 3: because they were like, oh, that's how they get in

2462
02:00:54,360 --> 02:00:57,040
Speaker 3: the stuff in and so then they found and so

2463
02:00:57,320 --> 02:00:59,760
Speaker 3: the Mexican mafia that was locked up in prison got mad.

2464
02:00:59,800 --> 02:01:02,000
Speaker 3: And how did they know all this? It's because of

2465
02:01:02,080 --> 02:01:04,840
Speaker 3: this movie. And so then they put green light on

2466
02:01:04,960 --> 02:01:06,680
Speaker 3: the people that were in the movie who exposed it,

2467
02:01:06,760 --> 02:01:08,840
Speaker 3: because now it made it harder for the people in

2468
02:01:08,880 --> 02:01:10,680
Speaker 3: prison to get their drugs and get their stuff. It

2469
02:01:11,000 --> 02:01:11,839
Speaker 3: ruined the operation.

2470
02:01:12,640 --> 02:01:15,120
Speaker 5: And how they depicted the leader dude when he was younger,

2471
02:01:15,120 --> 02:01:16,200
Speaker 5: when he got raped.

2472
02:01:16,560 --> 02:01:18,600
Speaker 3: He would have became a Mala leader. It was so

2473
02:01:18,960 --> 02:01:20,600
Speaker 3: about that. Yeah, So there were just a lot of

2474
02:01:20,680 --> 02:01:24,839
Speaker 3: things in there that shouldn't have been said, that shouldn't

2475
02:01:24,880 --> 02:01:30,960
Speaker 3: have happened, because yeah, oh damn, I always thought that

2476
02:01:31,000 --> 02:01:33,360
Speaker 3: was a room. That's why I'm glad I didn't even

2477
02:01:33,400 --> 02:01:35,560
Speaker 3: know you Nobody's right. There's a documentary. You can watch

2478
02:01:35,560 --> 02:01:37,200
Speaker 3: it yourself and see it with your own eyes, and

2479
02:01:37,320 --> 02:01:40,040
Speaker 3: just yeah, long story short. That's why I'm saying there's

2480
02:01:40,120 --> 02:01:43,480
Speaker 3: some movies, as a quote unquote Latino you just don't

2481
02:01:43,480 --> 02:01:45,960
Speaker 3: want to get involved in. If it's about the street

2482
02:01:46,000 --> 02:01:48,480
Speaker 3: gangs and something like menaster society or blood and Blood,

2483
02:01:48,680 --> 02:01:50,120
Speaker 3: Like what if it's something you could be on that

2484
02:01:50,200 --> 02:01:52,320
Speaker 3: all day long, if it's like monster. But if it's

2485
02:01:52,480 --> 02:01:55,600
Speaker 3: Red Bull, like you'll do. But if it's Mexican Mafia, like, nah,

2486
02:01:55,680 --> 02:01:58,160
Speaker 3: you don't want to mess agast. It's too close to home, right, Yeah,

2487
02:01:58,600 --> 02:02:00,560
Speaker 3: I'm good on that, Like I care how much you

2488
02:02:00,600 --> 02:02:04,600
Speaker 3: pay me. I'm straight, all right, I respect. Yeah, and

2489
02:02:04,680 --> 02:02:07,520
Speaker 3: they know my face, right, they don't know the writer's face,

2490
02:02:08,000 --> 02:02:11,440
Speaker 3: you know what I'm saying. Like, so no, I'm good.

2491
02:02:12,160 --> 02:02:13,680
Speaker 3: I like to say in the safe zone, you know

2492
02:02:14,600 --> 02:02:19,360
Speaker 3: Kid Cross or Melomennaise, mellow mayonnaise, that's my boy. Uh,

2493
02:02:20,360 --> 02:02:22,680
Speaker 3: Mellows my peeps man, and I'm close to him because

2494
02:02:22,720 --> 02:02:25,280
Speaker 3: of sind Dog and the brothers and yeah, yeah that's right,

2495
02:02:26,880 --> 02:02:30,640
Speaker 3: keep it good. Yeah yeah and they keeping Yeah. Okay,

2496
02:02:31,080 --> 02:02:34,760
Speaker 3: I just did Mellows podcast too. Man. He cool people. Yeah,

2497
02:02:34,880 --> 02:02:37,080
Speaker 3: he's a legend. They both legends can front to Yeah,

2498
02:02:37,360 --> 02:02:40,400
Speaker 3: it's the last one you get back to, loyalty or respect.

2499
02:02:42,680 --> 02:02:44,760
Speaker 3: I can't go either way on that. I said both.

2500
02:02:45,400 --> 02:02:54,080
Speaker 3: You know on that one. I kept it light on you, right,

2501
02:02:54,520 --> 02:02:57,080
Speaker 3: come on, So so what's the next for you?

2502
02:02:57,320 --> 02:03:00,840
Speaker 1: Like we all know the actors, you know, they vent

2503
02:03:00,880 --> 02:03:04,720
Speaker 1: you out either to be a producer, executive producer or

2504
02:03:04,840 --> 02:03:07,600
Speaker 1: actually our director, Is that something that you're looking at

2505
02:03:07,680 --> 02:03:07,960
Speaker 1: right now?

2506
02:03:08,720 --> 02:03:12,240
Speaker 3: Yeah? Right now. We started a company called Entangled Entertainment,

2507
02:03:12,400 --> 02:03:15,320
Speaker 3: and so now we're starting to make our own movies

2508
02:03:15,720 --> 02:03:19,640
Speaker 3: and do our own flicks. And right now we're working

2509
02:03:19,720 --> 02:03:21,880
Speaker 3: on One Man. We're trying to do a Mexican version

2510
02:03:21,920 --> 02:03:25,720
Speaker 3: of Friday, Oh Latino Hood, authentic comedy, which has never

2511
02:03:25,800 --> 02:03:28,920
Speaker 3: been done before. And so we're working on some stuff

2512
02:03:28,960 --> 02:03:30,360
Speaker 3: like that, and then we got some other things that

2513
02:03:30,440 --> 02:03:32,520
Speaker 3: are in the mix, and actually a documentary too that

2514
02:03:32,600 --> 02:03:36,880
Speaker 3: we're doing that's coming out. So and like I said,

2515
02:03:36,960 --> 02:03:40,160
Speaker 3: it goes back to if no one gives you the opportunity,

2516
02:03:40,240 --> 02:03:42,960
Speaker 3: create the opportunity for yourself, you know what I'm saying.

2517
02:03:43,000 --> 02:03:45,840
Speaker 3: And so I always tell people, you know, there's two

2518
02:03:45,920 --> 02:03:48,000
Speaker 3: ways to make it happen. Someone could put you in

2519
02:03:48,080 --> 02:03:50,400
Speaker 3: that position, or you put yourself in that position, you

2520
02:03:50,440 --> 02:03:54,120
Speaker 3: know what I'm saying. And so, long story short, I

2521
02:03:54,240 --> 02:03:57,600
Speaker 3: love acting, but I'm actually having fun now too doing

2522
02:03:57,680 --> 02:04:00,480
Speaker 3: the producing side of it and the direct side of it,

2523
02:04:00,600 --> 02:04:04,160
Speaker 3: creating the content I'm doing instead of being part of

2524
02:04:04,240 --> 02:04:06,320
Speaker 3: someone else's content. You know, it's always fun to do

2525
02:04:06,400 --> 02:04:08,440
Speaker 3: your own, you know what I'm saying. So so yeah,

2526
02:04:08,480 --> 02:04:10,880
Speaker 3: I got my hands in a couple of things. Right now.

2527
02:04:11,360 --> 02:04:15,920
Speaker 3: We use director film that you're not in. Yeah, I would, Yeah,

2528
02:04:16,120 --> 02:04:19,160
Speaker 3: I would. I don't care about I got into this

2529
02:04:19,240 --> 02:04:21,720
Speaker 3: business on accident. I was right place, right time, and

2530
02:04:21,800 --> 02:04:23,520
Speaker 3: here I am today. You know what I'm saying. I

2531
02:04:23,560 --> 02:04:25,160
Speaker 3: don't care about the fame side of it, this, that

2532
02:04:25,320 --> 02:04:27,160
Speaker 3: or whatever. As you see a lot of my films,

2533
02:04:27,360 --> 02:04:29,840
Speaker 3: some films I do cameos, some films I do supporting rules,

2534
02:04:29,920 --> 02:04:32,520
Speaker 3: some films I'm the star of. I care less, man,

2535
02:04:32,840 --> 02:04:34,640
Speaker 3: you know what I mean. Just to be in it period,

2536
02:04:34,760 --> 02:04:37,320
Speaker 3: to me is a blessing. You know, my manager made

2537
02:04:37,320 --> 02:04:38,920
Speaker 3: a joke one time, which is a joke and not

2538
02:04:39,000 --> 02:04:41,080
Speaker 3: a joke. He said, it's when they stopped calling you,

2539
02:04:41,480 --> 02:04:44,520
Speaker 3: that's when you got to worry. So thank god my

2540
02:04:44,600 --> 02:04:50,800
Speaker 3: phone's still ringing. You know who's your favorite actress?

2541
02:04:51,280 --> 02:04:51,440
Speaker 5: Oh?

2542
02:04:51,760 --> 02:04:53,800
Speaker 3: Man, I've been blessed. Man. Like I said, I've worked

2543
02:04:53,840 --> 02:04:57,480
Speaker 3: with a lot of greats. I've I've got I've got

2544
02:04:57,520 --> 02:04:59,680
Speaker 3: to work with Clint Eastwood, Mel Gibson.

2545
02:05:00,960 --> 02:05:02,560
Speaker 1: All right, So I'm just gonna say what you about

2546
02:05:02,560 --> 02:05:04,080
Speaker 1: to say about it. It looks very anxious. No, No,

2547
02:05:04,200 --> 02:05:07,280
Speaker 1: I'm gonna face face this rest. I'm gonna put I'm

2548
02:05:07,280 --> 02:05:08,160
Speaker 1: gonna put it out together.

2549
02:05:08,400 --> 02:05:11,800
Speaker 3: So let's go. Here's what I hate about a lot

2550
02:05:11,840 --> 02:05:16,080
Speaker 3: of Latinos in the business now because of social media,

2551
02:05:16,840 --> 02:05:18,680
Speaker 3: A lot of Latinos want to come out and say

2552
02:05:18,800 --> 02:05:21,839
Speaker 3: I was always about the Latino people. I was always

2553
02:05:21,880 --> 02:05:24,840
Speaker 3: in for them. I always wanted the Latino people to rise.

2554
02:05:26,320 --> 02:05:28,560
Speaker 3: And you know where my proof is at. No, you

2555
02:05:28,680 --> 02:05:31,080
Speaker 3: did it because if you were always in it for

2556
02:05:31,160 --> 02:05:34,040
Speaker 3: the Latinos, were are our movies from twenty years ago

2557
02:05:34,080 --> 02:05:37,600
Speaker 3: when you had the power to change the game. See

2558
02:05:37,640 --> 02:05:39,560
Speaker 3: back in the early days, you can name up fifty

2559
02:05:39,600 --> 02:05:41,840
Speaker 3: black movie stars and fifty white movie stars. But when

2560
02:05:41,880 --> 02:05:43,840
Speaker 3: it came to Latinos, you can only name up ten

2561
02:05:44,000 --> 02:05:47,680
Speaker 3: or less. But now, because of social media and we

2562
02:05:47,840 --> 02:05:51,040
Speaker 3: cannot be ignored now, they all want to come out

2563
02:05:51,120 --> 02:05:54,520
Speaker 3: and act like, oh, I was always about my Latino people. No,

2564
02:05:54,680 --> 02:05:57,480
Speaker 3: you weren't, because if you were, why did you put

2565
02:05:57,560 --> 02:06:00,320
Speaker 3: us on the map a lot earlier? Know what I'm

2566
02:06:00,320 --> 02:06:04,879
Speaker 3: saying now, I know in any race, black, White, Mexican, Asian, UFO,

2567
02:06:05,520 --> 02:06:07,480
Speaker 3: pe correct purple blue. Because I want to put it

2568
02:06:07,520 --> 02:06:10,200
Speaker 3: all out there in case I met someone. There's two

2569
02:06:10,280 --> 02:06:15,600
Speaker 3: face backstabbing in any race period, but the Blacks support

2570
02:06:15,680 --> 02:06:18,680
Speaker 3: each other. And you guys, rise man, you know what

2571
02:06:18,720 --> 02:06:22,080
Speaker 3: I mean. When there's a Black movie premiere, sports players

2572
02:06:22,160 --> 02:06:24,879
Speaker 3: go to the movie premiere, the people that are singers

2573
02:06:24,960 --> 02:06:27,240
Speaker 3: go to the movie premiere. Rappers go to the movie premiere.

2574
02:06:27,640 --> 02:06:29,240
Speaker 3: The people that were in the movie go to the

2575
02:06:29,320 --> 02:06:32,160
Speaker 3: movie premiere. But when there's a Latino movie premiere, the

2576
02:06:32,280 --> 02:06:34,000
Speaker 3: only people who are a part of that film go

2577
02:06:34,040 --> 02:06:36,960
Speaker 3: to the movie premiere. You don't get the outside going.

2578
02:06:37,040 --> 02:06:43,080
Speaker 1: You feel me so now because I'll say you'd be.

2579
02:06:43,080 --> 02:06:45,720
Speaker 3: A funny dude. I think you trying to think more

2580
02:06:45,720 --> 02:06:49,960
Speaker 3: than I'm just making a point though that like now,

2581
02:06:50,120 --> 02:06:53,200
Speaker 3: because of social media, there's a lot of Latinos in

2582
02:06:53,240 --> 02:06:57,000
Speaker 3: the business now that are doing that with other Latinos

2583
02:06:57,080 --> 02:06:58,920
Speaker 3: to make it look like now it was always about

2584
02:06:58,960 --> 02:07:02,120
Speaker 3: you guys. No, you weren't, because if you were about us,

2585
02:07:02,160 --> 02:07:04,560
Speaker 3: we are our projects from years ago. When you have

2586
02:07:04,680 --> 02:07:06,840
Speaker 3: the power to do something, change a game. You get

2587
02:07:06,880 --> 02:07:09,600
Speaker 3: what I'm saying. So to me, it just disgusts me

2588
02:07:09,680 --> 02:07:12,960
Speaker 3: nowadays how fake people are and it just makes me sick, bro.

2589
02:07:13,080 --> 02:07:14,520
Speaker 3: And that's why I sit there and I look at

2590
02:07:14,560 --> 02:07:17,880
Speaker 3: some of these people, and I laugh because I'm like, Na, man,

2591
02:07:18,640 --> 02:07:21,720
Speaker 3: what you're forgetting is the world don't know you personally,

2592
02:07:22,480 --> 02:07:24,800
Speaker 3: but I know you personally, and you a liar, You

2593
02:07:24,880 --> 02:07:26,800
Speaker 3: a piece of crab. God damn, you know what I'm saying.

2594
02:07:27,200 --> 02:07:28,880
Speaker 3: And so that's why I just I just laugh at

2595
02:07:28,880 --> 02:07:31,200
Speaker 3: the game, bro, and how fake it is. And it's

2596
02:07:31,280 --> 02:07:35,480
Speaker 3: just so sad empathetic to me how people will accommodate

2597
02:07:35,960 --> 02:07:37,720
Speaker 3: or do whatever they do just to get a check. Bro,

2598
02:07:38,280 --> 02:07:40,680
Speaker 3: you know what I'm saying. So that's just that's just

2599
02:07:40,760 --> 02:07:42,480
Speaker 3: my little two cents right there. You know who's the

2600
02:07:42,560 --> 02:07:44,120
Speaker 3: Latino that I see really.

2601
02:07:46,240 --> 02:07:50,280
Speaker 1: Contributing is I went to Bad Bunny concert recently, and

2602
02:07:50,360 --> 02:07:52,840
Speaker 1: the fact is that he has his last concert right now.

2603
02:07:53,200 --> 02:07:55,000
Speaker 1: And in order to be a part of that courser,

2604
02:07:55,120 --> 02:07:57,320
Speaker 1: you have to have a seven eight seven number, or

2605
02:07:57,360 --> 02:07:59,760
Speaker 1: you have to have a Puerto Rico ID. Like he's

2606
02:07:59,840 --> 02:08:02,240
Speaker 1: doing it just for the community. Have you ever seen

2607
02:08:02,280 --> 02:08:05,600
Speaker 1: something like that? Like I mean that, that's what I'm saying, Like,

2608
02:08:05,760 --> 02:08:08,520
Speaker 1: you know, that's awesome, and I'm glad that that's happening

2609
02:08:08,600 --> 02:08:09,520
Speaker 1: because that's what I love.

2610
02:08:09,640 --> 02:08:12,840
Speaker 3: Raised four hundred million dollars for the for the that's sick.

2611
02:08:13,440 --> 02:08:17,280
Speaker 3: That's sick. That's crazy, man, give it up. You got

2612
02:08:17,400 --> 02:08:17,960
Speaker 3: to talk about that.

2613
02:08:18,080 --> 02:08:19,960
Speaker 5: He didn't come to the US because he didn't want

2614
02:08:19,960 --> 02:08:23,120
Speaker 5: to make sure ICE rated his fans showing up.

2615
02:08:23,160 --> 02:08:25,360
Speaker 3: So that's why he's coming down. That's cool.

2616
02:08:25,520 --> 02:08:27,680
Speaker 5: That's kind of dope that he's considering that. You know,

2617
02:08:27,760 --> 02:08:29,280
Speaker 5: that's on the table.

2618
02:08:29,360 --> 02:08:31,880
Speaker 1: Let me ask because I've been seeing places like I've

2619
02:08:31,880 --> 02:08:33,720
Speaker 1: seen them go to the Haitian Day Parade and I

2620
02:08:33,840 --> 02:08:35,480
Speaker 1: see them actually move.

2621
02:08:35,440 --> 02:08:37,720
Speaker 3: Ice the fuck out of there? Is ICE real police

2622
02:08:37,840 --> 02:08:41,480
Speaker 3: or like yeah, yeah, they're real and the police to

2623
02:08:41,600 --> 02:08:42,520
Speaker 3: be ICE agents.

2624
02:08:42,840 --> 02:08:46,880
Speaker 5: They're deputizing the police force with the debati. They saying,

2625
02:08:47,560 --> 02:08:52,160
Speaker 5: Miami Day County police, you are ICE too, Like you

2626
02:08:52,240 --> 02:08:56,920
Speaker 5: could be like ICE, know, like if they pull you over,

2627
02:08:57,680 --> 02:09:00,400
Speaker 5: then they can also grab you for immigration, take you

2628
02:09:00,480 --> 02:09:01,040
Speaker 5: like in the ICE.

2629
02:09:01,400 --> 02:09:01,880
Speaker 3: Oh wow.

2630
02:09:02,040 --> 02:09:04,920
Speaker 5: Yeah, that's they're deputizing them. And that's that's crazy, bro.

2631
02:09:05,040 --> 02:09:07,240
Speaker 1: That's something that I've been going crazy those Los Angeles

2632
02:09:07,280 --> 02:09:07,760
Speaker 1: Oh yeah.

2633
02:09:07,720 --> 02:09:10,600
Speaker 3: Day man, in LA they're rioting there. It's it's stupid

2634
02:09:10,640 --> 02:09:13,320
Speaker 3: out there man, straight up there. I'll tell you I

2635
02:09:13,400 --> 02:09:16,120
Speaker 3: have a car wash that I always go to go

2636
02:09:16,240 --> 02:09:18,720
Speaker 3: get the car shined up, and it was shut down

2637
02:09:18,800 --> 02:09:21,280
Speaker 3: for two weeks because of Ice. They took they took

2638
02:09:21,400 --> 02:09:23,720
Speaker 3: like thirty other workers out of there. So yeah, Ice

2639
02:09:23,760 --> 02:09:26,080
Speaker 3: a real thing, man, straight up that they're coming in hard.

2640
02:09:26,480 --> 02:09:29,320
Speaker 3: And that's why people are writing and rioting and wilding out.

2641
02:09:29,400 --> 02:09:32,680
Speaker 3: And what you see, you know, on the on the Instagram,

2642
02:09:32,720 --> 02:09:35,480
Speaker 3: that's what it is. It's crazy. It was happening in

2643
02:09:35,600 --> 02:09:40,120
Speaker 3: mostly downtown everywhere everywhere. Yeah, that's going on everywhere. They're

2644
02:09:40,120 --> 02:09:44,160
Speaker 3: doing Yeah, they're doing a sweep. No, they're doing a

2645
02:09:44,160 --> 02:09:46,320
Speaker 3: straight up sweep. Straight up. Yeah, they're doing this and

2646
02:09:46,360 --> 02:09:49,480
Speaker 3: the cops can't stop them because they are you know,

2647
02:09:49,920 --> 02:09:52,840
Speaker 3: they are legitimate cops. And wait, the cops can't stop Ice.

2648
02:09:52,880 --> 02:09:55,320
Speaker 3: You said, Yeah, the cops can't stop I federal they

2649
02:09:55,360 --> 02:09:56,160
Speaker 3: can't get involved.

2650
02:09:56,200 --> 02:09:58,600
Speaker 1: Yeah, so what do you mean so if Ice just

2651
02:09:58,680 --> 02:10:00,680
Speaker 1: comes up to somebody and beat somebody in it, I.

2652
02:10:00,720 --> 02:10:03,280
Speaker 3: Mean the cops can't, like, I mean, we'll ask it.

2653
02:10:03,320 --> 02:10:05,720
Speaker 3: I mean they shouldn't been to. I mean they shouldn't be.

2654
02:10:05,840 --> 02:10:08,920
Speaker 3: But I always tell people this, you know, never think

2655
02:10:09,000 --> 02:10:11,680
Speaker 3: you don't have a choice. You always got a choice.

2656
02:10:11,840 --> 02:10:14,920
Speaker 3: But whatever choice you make, you're gonna get the consequences

2657
02:10:15,440 --> 02:10:17,760
Speaker 3: of either choice you made. So my point is the

2658
02:10:17,840 --> 02:10:20,480
Speaker 3: cops can't stop them. But what's the consequence to that

2659
02:10:21,080 --> 02:10:23,760
Speaker 3: for them? You know what I'm saying. So I don't know,

2660
02:10:23,880 --> 02:10:27,280
Speaker 3: but I'm just saying, like, yeah, technically they wouldn't get

2661
02:10:27,320 --> 02:10:29,840
Speaker 3: involved because they're cops too, and they're allowed to do

2662
02:10:29,920 --> 02:10:31,360
Speaker 3: what they're doing. It's legal, right.

2663
02:10:31,760 --> 02:10:34,760
Speaker 1: I ain't gonna lie the hatred. They backed Ice down.

2664
02:10:35,640 --> 02:10:37,800
Speaker 1: They came and tried to get somebody.

2665
02:10:38,080 --> 02:10:43,200
Speaker 3: Oh what was that? Which yeah, yeah, yeah, East and

2666
02:10:43,240 --> 02:10:47,840
Speaker 3: Parkment down and they made them leave. They did not

2667
02:10:47,920 --> 02:10:50,080
Speaker 3: come back with reinforcements. They just wait and say let me.

2668
02:10:50,320 --> 02:10:54,360
Speaker 3: That is in some places, you know, So in some

2669
02:10:54,520 --> 02:10:56,800
Speaker 3: areas you get the glory stories, but in others you don't,

2670
02:10:56,840 --> 02:10:58,080
Speaker 3: you know, And what cops are going to do it?

2671
02:10:58,200 --> 02:11:00,840
Speaker 3: What cops aren't. Everyone's an individ case. Who's going to

2672
02:11:00,880 --> 02:11:03,760
Speaker 3: step in, who's going to step out? It depends upon

2673
02:11:03,800 --> 02:11:05,680
Speaker 3: the individual who makes the choice to either do or

2674
02:11:05,720 --> 02:11:08,800
Speaker 3: not do. But you know what I'm saying, Would you

2675
02:11:08,840 --> 02:11:11,400
Speaker 3: ever make a movie about Orange County The Dark Side?

2676
02:11:12,080 --> 02:11:15,840
Speaker 3: Because Jack Black? No, If I yeah, I wouldn't do that.

2677
02:11:15,960 --> 02:11:18,600
Speaker 3: If I if I make a movie, you know, I

2678
02:11:19,080 --> 02:11:21,520
Speaker 3: I just want to stick to like it could be anywhere,

2679
02:11:22,160 --> 02:11:24,440
Speaker 3: you know what I'm saying, But how about your life story?

2680
02:11:25,120 --> 02:11:27,080
Speaker 3: I mean, I thought about that, you know, but I'm

2681
02:11:27,120 --> 02:11:29,880
Speaker 3: not there yet. I'm making some other flicks right now

2682
02:11:29,960 --> 02:11:32,000
Speaker 3: that we're kind of working on, like the Mexican version

2683
02:11:32,040 --> 02:11:34,920
Speaker 3: of Friday. I want to make, you know, a Mexican

2684
02:11:35,000 --> 02:11:37,920
Speaker 3: version of Menace Society, you know. I want to make

2685
02:11:37,960 --> 02:11:39,920
Speaker 3: a movie like that that I haven't really seen out

2686
02:11:39,960 --> 02:11:42,240
Speaker 3: there that's been That's why I said Blood and Blood Out.

2687
02:11:42,240 --> 02:11:43,840
Speaker 3: I love that movie. I love that I've seen it

2688
02:11:43,920 --> 02:11:46,600
Speaker 3: a thousand times and I'll watch it another thousand times.

2689
02:11:46,640 --> 02:11:49,200
Speaker 3: I could recite the lines everything. All I'm saying is

2690
02:11:49,720 --> 02:11:52,080
Speaker 3: I want one that's like Menace Society, where it sticks

2691
02:11:52,080 --> 02:11:54,160
Speaker 3: to the streets and only the streets, you know what

2692
02:11:54,160 --> 02:11:56,320
Speaker 3: I'm saying, So one gets in trouble behind the scenes

2693
02:11:56,440 --> 02:11:58,560
Speaker 3: or whatever, just it's you know, just shows the whole

2694
02:11:58,640 --> 02:12:00,840
Speaker 3: street life. Because then when that movie got into the

2695
02:12:00,920 --> 02:12:03,840
Speaker 3: prison and then it got real politic with the blacks,

2696
02:12:03,880 --> 02:12:05,600
Speaker 3: the whites, the Mexicans, and then it got you know

2697
02:12:05,680 --> 02:12:08,040
Speaker 3: what I'm saying, Then it turned into that. So I

2698
02:12:08,160 --> 02:12:10,440
Speaker 3: was kind of like watching two movies in one, you

2699
02:12:10,520 --> 02:12:12,880
Speaker 3: know what I'm saying. But the street Light part, it

2700
02:12:13,200 --> 02:12:17,080
Speaker 3: was displayed correctly and they did so, and they know

2701
02:12:19,080 --> 02:12:22,320
Speaker 3: men of Society spot on. But blood and blood out

2702
02:12:22,440 --> 02:12:24,920
Speaker 3: as well with the starting it was. That's the one

2703
02:12:24,960 --> 02:12:28,800
Speaker 3: that the Streets movie was was on point. But I'm

2704
02:12:28,880 --> 02:12:31,160
Speaker 3: just saying the Street Side I loved and I just

2705
02:12:31,200 --> 02:12:33,720
Speaker 3: wish there was a movie that was all that. That's

2706
02:12:33,760 --> 02:12:34,280
Speaker 3: all I'm saying.

2707
02:12:34,480 --> 02:12:36,840
Speaker 1: The last time you've been in Mexico, Oh, I'm going

2708
02:12:36,880 --> 02:12:37,560
Speaker 1: to TJ all.

2709
02:12:37,480 --> 02:12:42,040
Speaker 3: The time, bro, Yeah yeah, yeah, yeah, go to Yeah.

2710
02:12:44,960 --> 02:12:47,480
Speaker 3: I laughed because I've been all over Mexico. I go

2711
02:12:47,560 --> 02:12:49,000
Speaker 3: out there for car shows and things like that. But

2712
02:12:49,040 --> 02:12:53,000
Speaker 3: I'm saying I laughed because Mexico. I believe if the

2713
02:12:53,160 --> 02:12:57,240
Speaker 3: whole world was ran like Mexico, there would be no fighting,

2714
02:12:57,280 --> 02:12:59,560
Speaker 3: there would be no nothing in this world because Mexico,

2715
02:12:59,600 --> 02:13:03,560
Speaker 3: the way I say it, it's like an organized, disorganized,

2716
02:13:03,920 --> 02:13:08,840
Speaker 3: organized state. I kid you, not, bro, in Mexico, if

2717
02:13:08,880 --> 02:13:11,280
Speaker 3: you wilding out doing your own thing, but you ain't

2718
02:13:11,320 --> 02:13:14,680
Speaker 3: bothering nobody, nobody bothers you. They just let you do

2719
02:13:14,760 --> 02:13:17,200
Speaker 3: what you do. And if you act stupid, the cops

2720
02:13:17,240 --> 02:13:19,560
Speaker 3: are gonna just beat you up. And when I talk

2721
02:13:19,600 --> 02:13:22,240
Speaker 3: about beat you up, like they straight up beat you up,

2722
02:13:22,360 --> 02:13:25,320
Speaker 3: doc like bloody on the floor, leave you to die

2723
02:13:25,480 --> 02:13:29,240
Speaker 3: type beat up. And that keeps the control out there

2724
02:13:29,720 --> 02:13:32,320
Speaker 3: that gonna float around quick and nobody's gonna really, you know,

2725
02:13:32,480 --> 02:13:35,880
Speaker 3: do bad stuff or act stupid. So I just believe

2726
02:13:35,920 --> 02:13:38,720
Speaker 3: if the whole world was ran like Mexico, because it's

2727
02:13:38,720 --> 02:13:41,440
Speaker 3: straight up like a don't care. You know, everyone's like

2728
02:13:41,560 --> 02:13:44,320
Speaker 3: cool and respectful and calm and peaceful. And if you're

2729
02:13:44,320 --> 02:13:46,480
Speaker 3: doing your thing, but you minding your business doing your thing,

2730
02:13:46,520 --> 02:13:49,440
Speaker 3: you ain't bother nobody else. You cool, you straight ain't

2731
02:13:49,440 --> 02:13:51,520
Speaker 3: nobody gonna mess with you. So I just believe the

2732
02:13:51,600 --> 02:13:54,400
Speaker 3: whole world was rant like that, there'd be no there'd

2733
02:13:54,440 --> 02:13:57,680
Speaker 3: be no rioting, there'd be no politics, there be no fight,

2734
02:13:57,760 --> 02:14:00,360
Speaker 3: would be none of that. We'd be at a peaceful world.

2735
02:14:01,600 --> 02:14:03,680
Speaker 3: Trust when I tell you, go to Mexico and find

2736
02:14:03,720 --> 02:14:07,840
Speaker 3: out if you think I'm lying, what's the best. That's

2737
02:14:07,880 --> 02:14:09,960
Speaker 3: what I'm saying. It's your favorite part of that as

2738
02:14:10,520 --> 02:14:14,920
Speaker 3: Christina Sarah, Julie Veronica and I'm playing out ship. I've

2739
02:14:14,960 --> 02:14:22,960
Speaker 3: never heard I'm playing serious like this. I'm like, I'm messing,

2740
02:14:23,000 --> 02:14:25,840
Speaker 3: I'm messing it. I'm messing I'm messing. No, it's just that,

2741
02:14:26,000 --> 02:14:27,760
Speaker 3: you know, Mexico is a chillax spot, you know what

2742
02:14:27,800 --> 02:14:30,440
Speaker 3: I mean. Oh yeah, it's a good spot to eat.

2743
02:14:30,520 --> 02:14:33,040
Speaker 3: It's a good spot to go, chill, get away, mining business,

2744
02:14:33,160 --> 02:14:35,680
Speaker 3: be in peace. Like I could say one thousand million

2745
02:14:35,720 --> 02:14:38,400
Speaker 3: things positive about Mexico. Man, it's just a spot where

2746
02:14:38,400 --> 02:14:39,800
Speaker 3: if you want to go and not be bothered and

2747
02:14:39,920 --> 02:14:42,000
Speaker 3: just do your own thing, that's the spot to go.

2748
02:14:43,520 --> 02:14:49,560
Speaker 3: Straight up, all that. All that can't cool everywhere. Man.

2749
02:14:49,840 --> 02:14:51,840
Speaker 4: You know, I know a dude he's to sneak in

2750
02:14:52,040 --> 02:14:55,640
Speaker 4: to Mexico. Yeah, that's a little harder now from San Diego.

2751
02:14:55,760 --> 02:15:00,120
Speaker 4: That's a little hard He's he's he's a cop to

2752
02:15:00,200 --> 02:15:01,920
Speaker 4: be like, hey man, I'm going to go to Mexico.

2753
02:15:02,240 --> 02:15:05,960
Speaker 3: Yeah yeah. He literally hopped over again. He's in Mexico.

2754
02:15:06,040 --> 02:15:10,920
Speaker 3: Now he's get steroids. That's no lie. Well that's the

2755
02:15:10,960 --> 02:15:13,160
Speaker 3: big of Mexico too. So like the pharmacies out.

2756
02:15:13,080 --> 02:15:13,680
Speaker 5: There, you.

2757
02:15:16,120 --> 02:15:18,240
Speaker 3: Don't know what your ailment is and then you walk

2758
02:15:18,360 --> 02:15:20,360
Speaker 3: up and you get whatever you want and as much

2759
02:15:20,440 --> 02:15:22,560
Speaker 3: of it as you want. They care that he needs

2760
02:15:22,560 --> 02:15:26,040
Speaker 3: to go get steroids. Yeah, no, legit, they don't care.

2761
02:15:26,160 --> 02:15:27,800
Speaker 3: Like I said, as long as you minded your business,

2762
02:15:27,840 --> 02:15:29,960
Speaker 3: they're gonna stop you from doing whatever the hell it

2763
02:15:30,080 --> 02:15:35,120
Speaker 3: is you want to do it. You met Danny McBride,

2764
02:15:35,320 --> 02:15:37,560
Speaker 3: you know, you know Mexico dog. I mean you know

2765
02:15:38,280 --> 02:15:42,000
Speaker 3: he looks like you know. Now, we did a show

2766
02:15:42,040 --> 02:15:46,880
Speaker 3: with pit Boy. It was the I need to see

2767
02:15:46,920 --> 02:15:48,600
Speaker 3: a picture of Danny McBride. Don't even know who that is.

2768
02:15:48,680 --> 02:15:50,960
Speaker 3: You don't know who Danny McBride is. Got I told

2769
02:15:51,000 --> 02:15:53,800
Speaker 3: you I don't get howers. I'm not in there like that. Like,

2770
02:15:53,880 --> 02:15:58,640
Speaker 3: I don't ship show see Danny McBride real quick. If

2771
02:15:58,680 --> 02:16:01,000
Speaker 3: I see a picture bright, what move are wizy or

2772
02:16:01,120 --> 02:16:08,760
Speaker 3: what man? Ship? Yeah, it's just shows because me.

2773
02:16:08,800 --> 02:16:11,360
Speaker 1: Know this is okay right now, it's not hitting right

2774
02:16:11,400 --> 02:16:13,600
Speaker 1: now that he wants him to play him in the movie?

2775
02:16:17,280 --> 02:16:24,120
Speaker 3: Are you making that movie? I actually think Kanye West

2776
02:16:24,240 --> 02:16:27,000
Speaker 3: this show. I just want to meet him, low key,

2777
02:16:27,960 --> 02:16:32,040
Speaker 3: he's a good person. Oh you guys do it like that?

2778
02:16:33,040 --> 02:16:36,800
Speaker 3: I don't know. That is straight up holy shy. I

2779
02:16:36,840 --> 02:16:43,440
Speaker 3: don't know. Is HollyHood another picture? This is the same guy? Yeah? Yeah,

2780
02:16:43,840 --> 02:16:46,680
Speaker 3: I don't know straight up? What's funny? Man is like

2781
02:16:47,160 --> 02:16:50,080
Speaker 3: I'm in the game like that, But I don't care about. Like,

2782
02:16:50,800 --> 02:16:54,480
Speaker 3: you know, I know that personal connect you know, we

2783
02:16:54,920 --> 02:16:56,600
Speaker 3: we I don't know if you remember too. I'm gonna

2784
02:16:56,600 --> 02:16:59,040
Speaker 3: throw one at you. Remember this. Do you remember the

2785
02:16:59,400 --> 02:17:02,560
Speaker 3: photo shoot did for the Clothing Life? Oh? Do you

2786
02:17:02,640 --> 02:17:06,840
Speaker 3: forget about that? But you remember that though echoes it Blanco.

2787
02:17:07,240 --> 02:17:12,480
Speaker 3: I think it was Let's Go, it was got Googles,

2788
02:17:12,760 --> 02:17:14,199
Speaker 3: I got no, I got it here on the phone

2789
02:17:14,240 --> 02:17:18,240
Speaker 3: the name of the clothing Okay, I got it. No,

2790
02:17:18,600 --> 02:17:25,760
Speaker 3: I mean I don't remember it was Blanco. Yeah, isn't

2791
02:17:25,760 --> 02:17:28,960
Speaker 3: that we did? We did a photo shoot. Yeah, we

2792
02:17:29,040 --> 02:17:31,640
Speaker 3: did a photo shoot in New York and New York

2793
02:17:31,720 --> 02:17:33,880
Speaker 3: Yeah yeah, yeah, yeah. So and then I know we

2794
02:17:33,959 --> 02:17:35,800
Speaker 3: stayed connected here and there on the phone. Yeah. And

2795
02:17:36,200 --> 02:17:39,199
Speaker 3: you know, really you really go home with each other movies.

2796
02:17:39,720 --> 02:17:42,680
Speaker 3: I'm telling you straight up, I don't care to watch TV.

2797
02:17:43,680 --> 02:17:46,039
Speaker 3: I can't even go to sleep without watching you know whatever.

2798
02:17:46,160 --> 02:17:48,040
Speaker 3: But I just don't care who's who and what's what.

2799
02:17:48,360 --> 02:17:50,560
Speaker 3: Like I'm like I said, I'm still watching the movies

2800
02:17:50,600 --> 02:17:53,040
Speaker 3: I grew up on. Man, I'm still watching Indiana Jones

2801
02:17:53,080 --> 02:17:56,039
Speaker 3: and you know, the good movies from back in the days.

2802
02:17:56,680 --> 02:17:58,480
Speaker 3: Tell me, in all honesty, when is the last time

2803
02:17:58,520 --> 02:18:01,240
Speaker 3: you went to a movie theater, honestly got and caught

2804
02:18:01,520 --> 02:18:05,039
Speaker 3: a good flick. And anyone can answer this like straight up,

2805
02:18:05,200 --> 02:18:10,720
Speaker 3: like Lego Lego New Superman was alright, yeah, all right,

2806
02:18:10,840 --> 02:18:13,039
Speaker 3: Well we got one there, you know, but one out

2807
02:18:13,080 --> 02:18:15,040
Speaker 3: of ten. I'm just going to my kids. I'm just

2808
02:18:15,120 --> 02:18:17,800
Speaker 3: watching kid movies. Yeah, I went to see Lego, the

2809
02:18:17,879 --> 02:18:22,320
Speaker 3: Lego movie that I'm in. Watch you on the Lego flick.

2810
02:18:22,959 --> 02:18:25,560
Speaker 3: You're one of the voices. Yeah, you know the characters

2811
02:18:25,600 --> 02:18:27,440
Speaker 3: you don't want to kick. I'm gonna want to just

2812
02:18:27,440 --> 02:18:29,720
Speaker 3: because of that. It's really good. It's really okay.

2813
02:18:30,200 --> 02:18:33,240
Speaker 5: It's for Real's documentary, but in Legoky Okay.

2814
02:18:33,720 --> 02:18:35,800
Speaker 3: I'm just saying a lot of the new stuff is

2815
02:18:35,920 --> 02:18:39,000
Speaker 3: whack man. New generation stuff ain't catching me. That's all

2816
02:18:39,040 --> 02:18:42,600
Speaker 3: I'm saying. I'm still an old school cat. I like.

2817
02:18:42,720 --> 02:18:44,920
Speaker 3: I like my my old flicks, you know what I mean.

2818
02:18:45,120 --> 02:18:48,560
Speaker 1: So you chose about doing a comedy, which was about

2819
02:18:48,600 --> 02:18:51,520
Speaker 1: doing a street movie. Would you ever do you direct

2820
02:18:52,000 --> 02:18:54,120
Speaker 1: your own horror movie? And if so, what would it

2821
02:18:54,200 --> 02:18:54,560
Speaker 1: be about?

2822
02:18:55,040 --> 02:18:57,480
Speaker 3: Yeah, I would do a horror movie. I got a

2823
02:18:57,560 --> 02:18:59,480
Speaker 3: couple running in my head, but I don't want to

2824
02:18:59,480 --> 02:19:02,200
Speaker 3: say that. The compet real with you, but I would

2825
02:19:02,400 --> 02:19:05,880
Speaker 3: I would direct a horror movie, you know, I would

2826
02:19:06,280 --> 02:19:10,920
Speaker 3: direct anything that makes sense at the time and that

2827
02:19:11,080 --> 02:19:13,320
Speaker 3: I think would be a good flick. You know. I

2828
02:19:13,440 --> 02:19:16,440
Speaker 3: want quality over quantity. That's why I like you know,

2829
02:19:16,560 --> 02:19:19,440
Speaker 3: Quentin Tarantino, for example, He's only did like ten or

2830
02:19:19,520 --> 02:19:23,680
Speaker 3: less movies in his life because he believes in quality

2831
02:19:23,720 --> 02:19:26,520
Speaker 3: over quantity. And eighty five percent of the time you

2832
02:19:26,640 --> 02:19:28,920
Speaker 3: go watch a Quentin Tarantino film, you know that you're

2833
02:19:28,920 --> 02:19:32,000
Speaker 3: going to get a good product, you know, I know,

2834
02:19:32,120 --> 02:19:33,960
Speaker 3: I know sometimes there's some of us. I'm not saying

2835
02:19:34,000 --> 02:19:35,720
Speaker 3: all this films are winners, but most of them are.

2836
02:19:36,440 --> 02:19:39,600
Speaker 3: And I'm just saying, like crazy, Oh yeah, they're always crazy.

2837
02:19:40,360 --> 02:19:45,280
Speaker 3: Yeah yeah, But that's my point. Like, you know, I

2838
02:19:45,440 --> 02:19:48,440
Speaker 3: just believe quality over quantity. So for me, straight up,

2839
02:19:48,720 --> 02:19:50,680
Speaker 3: if I'm reading the script or there's a movie that

2840
02:19:50,760 --> 02:19:53,160
Speaker 3: I don't believe is either going to take off or

2841
02:19:53,240 --> 02:19:56,520
Speaker 3: do good, I'd rather not mess with it. I'm good

2842
02:19:56,600 --> 02:19:58,920
Speaker 3: on that, you know what I'm saying. I'll be an

2843
02:19:58,920 --> 02:20:00,720
Speaker 3: actor in a movie like that. Now I'm getting to

2844
02:20:00,760 --> 02:20:03,120
Speaker 3: a position where I'm picking quality over quantity. Even with

2845
02:20:03,200 --> 02:20:05,880
Speaker 3: some of the acting roles I take on because you

2846
02:20:05,959 --> 02:20:08,920
Speaker 3: want to be about the material, not just the part

2847
02:20:09,160 --> 02:20:10,640
Speaker 3: and getting a part and a flick, you know what

2848
02:20:10,720 --> 02:20:12,959
Speaker 3: I'm saying. So now it's starting to be a little

2849
02:20:13,000 --> 02:20:15,280
Speaker 3: more picky if we're being honest. You know, I'm in

2850
02:20:15,360 --> 02:20:17,000
Speaker 3: the third quarter of my life. Dog, you know, I'm

2851
02:20:17,040 --> 02:20:20,080
Speaker 3: fifty years old. Man, I'm up there, So I want

2852
02:20:20,120 --> 02:20:24,040
Speaker 3: to you know, I'd just rather do stuff that's I

2853
02:20:24,080 --> 02:20:28,640
Speaker 3: A would say it like this, too. Good is the

2854
02:20:28,800 --> 02:20:33,680
Speaker 3: enemy of great. There's a lot of good stuff out there, cool,

2855
02:20:34,440 --> 02:20:37,600
Speaker 3: but I'd rather do great stuff. So good is the

2856
02:20:37,760 --> 02:20:40,080
Speaker 3: enemy of great. That's cool. You did a good project

2857
02:20:40,120 --> 02:20:43,600
Speaker 3: and a good song, but you just another good song

2858
02:20:43,680 --> 02:20:44,200
Speaker 3: in the mix.

2859
02:20:44,640 --> 02:20:47,960
Speaker 1: Do a great song that puts you out there, you

2860
02:20:48,000 --> 02:20:50,400
Speaker 1: know what I'm saying. So that's where I'm at. Was

2861
02:20:51,520 --> 02:20:53,760
Speaker 1: that your first time meeting Danny Treo's No.

2862
02:20:54,040 --> 02:20:56,160
Speaker 3: Me and Danny got the same manager, so we do

2863
02:20:56,280 --> 02:20:58,400
Speaker 3: a lot together. So I did like twenty five movies

2864
02:20:58,440 --> 02:21:02,320
Speaker 3: with Danny, but I only recommend three. Yeah, because sometimes

2865
02:21:02,400 --> 02:21:04,440
Speaker 3: I say, some of the movies with Danny, the movie sucked,

2866
02:21:04,440 --> 02:21:07,160
Speaker 3: but the check didn't suck. That's how I say. Yeah.

2867
02:21:07,240 --> 02:21:10,240
Speaker 3: So there's some movies where like I'm like, nah, don't

2868
02:21:10,280 --> 02:21:13,680
Speaker 3: watch that one. I'm good on that one, though. I

2869
02:21:13,800 --> 02:21:16,640
Speaker 3: tell people staying, hey, look, I don't front man. I

2870
02:21:16,720 --> 02:21:18,600
Speaker 3: tell people my own movies. I'll tell you straight up

2871
02:21:18,600 --> 02:21:20,920
Speaker 3: to the movie suck. Don't waste your time, so I

2872
02:21:21,120 --> 02:21:22,680
Speaker 3: save an hour and a half of your life. Bro,

2873
02:21:22,840 --> 02:21:25,000
Speaker 3: don't watch it. But if I'm in a movie that's

2874
02:21:25,080 --> 02:21:26,720
Speaker 3: legit good, then I'll tell you straight up like no,

2875
02:21:27,320 --> 02:21:29,879
Speaker 3: not just because I'm in it, because I legitimately backed

2876
02:21:29,920 --> 02:21:32,640
Speaker 3: that film up. But there's some movies I did where

2877
02:21:32,640 --> 02:21:34,760
Speaker 3: I'm like, yeah, Like I said, the check was cool,

2878
02:21:34,840 --> 02:21:38,240
Speaker 3: but the movie was like nah, so yeah, yeah, yeah.

2879
02:21:38,440 --> 02:21:42,480
Speaker 3: Three you recommend with Danny you know what's funny? Recoils

2880
02:21:42,520 --> 02:21:46,600
Speaker 3: one of them. I would watch Recoil? And what else

2881
02:21:46,640 --> 02:21:49,640
Speaker 3: would I watch with Danny? You know what's funny? When

2882
02:21:49,640 --> 02:21:52,240
Speaker 3: you said seven Mummies earlier, I was just telling him

2883
02:21:52,280 --> 02:21:54,480
Speaker 3: before you sat down. We had this conversation before you

2884
02:21:54,560 --> 02:21:57,640
Speaker 3: sat down. You correct me if I'm wrong. Gee, I

2885
02:21:57,720 --> 02:22:00,200
Speaker 3: said it straight up. I said Seven Mummies wasn't the

2886
02:22:00,320 --> 02:22:04,400
Speaker 3: worst movie, but it wasn't the best movie either. But

2887
02:22:04,520 --> 02:22:06,520
Speaker 3: for what it was at the time, it wasn't that bad.

2888
02:22:06,840 --> 02:22:09,360
Speaker 1: It wasn't It was just me like me seeing my

2889
02:22:09,440 --> 02:22:15,280
Speaker 1: head roll down the street. So you're in a cryptocurrency.

2890
02:22:16,040 --> 02:22:20,800
Speaker 3: Na, man I I uh, there's a whole you know,

2891
02:22:21,240 --> 02:22:23,360
Speaker 3: I get to get rich quick and you know you

2892
02:22:23,440 --> 02:22:25,880
Speaker 3: could come up on the just you know. I just

2893
02:22:25,959 --> 02:22:28,039
Speaker 3: tell people it's a good thing and a bad thing.

2894
02:22:28,160 --> 02:22:29,920
Speaker 3: It's a good thing because of the convenience. It's a

2895
02:22:29,920 --> 02:22:31,920
Speaker 3: good thing because you can make so much money so quick.

2896
02:22:32,440 --> 02:22:35,360
Speaker 3: But you know, slowly they taking us down to fall

2897
02:22:35,440 --> 02:22:39,520
Speaker 3: into the trap. And the trap is where you don't

2898
02:22:39,560 --> 02:22:41,840
Speaker 3: want to end up. And that's a part of the trap.

2899
02:22:41,920 --> 02:22:44,879
Speaker 3: And I get it. You can still make money. It's good,

2900
02:22:45,440 --> 02:22:49,080
Speaker 3: but it's a part of what they are planning and

2901
02:22:49,160 --> 02:22:52,160
Speaker 3: gearing up towards and what it is going to be.

2902
02:22:52,360 --> 02:22:56,200
Speaker 3: Slash become like when it's the one world currency and

2903
02:22:56,280 --> 02:22:58,720
Speaker 3: you get the chip inside of you like the best

2904
02:22:58,920 --> 02:23:01,360
Speaker 3: and what's going to happen is when they got so

2905
02:23:02,160 --> 02:23:06,920
Speaker 3: that's headed towards that. So the chip, it's the condition

2906
02:23:07,000 --> 02:23:09,200
Speaker 3: in your mind. So it'd be like, oh, we've always

2907
02:23:09,240 --> 02:23:12,400
Speaker 3: been tapping, we've always been using cryptocurrency. We've always been

2908
02:23:12,840 --> 02:23:14,320
Speaker 3: you know, doing it. They will sway, so when you

2909
02:23:14,360 --> 02:23:16,000
Speaker 3: get the chip, you ain't gonna think nothing of it

2910
02:23:16,480 --> 02:23:18,760
Speaker 3: because you won't be like, nah, they've always been doing

2911
02:23:18,800 --> 02:23:21,560
Speaker 3: it similar to this, right, So the chip when they

2912
02:23:21,600 --> 02:23:24,360
Speaker 3: put it inside of you is going to be activated

2913
02:23:24,400 --> 02:23:28,280
Speaker 3: as your credit card. So long story short. Now you

2914
02:23:28,400 --> 02:23:30,960
Speaker 3: could just if they put it in your forehead or

2915
02:23:31,000 --> 02:23:33,360
Speaker 3: your wrist. Now you could just slide your arm or

2916
02:23:33,400 --> 02:23:35,280
Speaker 3: slide your head whatever they decide to put it in.

2917
02:23:35,920 --> 02:23:38,959
Speaker 3: But and they're gonna say, oh, there's all these good

2918
02:23:39,000 --> 02:23:41,360
Speaker 3: things about it. And this is where they manipulate, slash

2919
02:23:41,440 --> 02:23:44,320
Speaker 3: trick you slash the ceview. They're gonna say, you know why,

2920
02:23:44,400 --> 02:23:46,640
Speaker 3: the chip is good because now no one could come

2921
02:23:46,680 --> 02:23:48,360
Speaker 3: up to you and just rob you and take your cash.

2922
02:23:48,760 --> 02:23:50,720
Speaker 3: You know what the chip is good because if you

2923
02:23:50,800 --> 02:23:52,840
Speaker 3: get kidnapped, I can find you and locate you with

2924
02:23:52,879 --> 02:23:54,520
Speaker 3: the chip. They're gonna tell you all these great things.

2925
02:23:54,560 --> 02:23:56,880
Speaker 3: But here's the part that they don't tell you. If

2926
02:23:56,959 --> 02:23:59,600
Speaker 3: you do not comply with the government, and you do

2927
02:23:59,720 --> 02:24:02,600
Speaker 3: not do what the government says, all they got to

2928
02:24:02,640 --> 02:24:05,560
Speaker 3: do is simply turn that ship off. And now your

2929
02:24:05,640 --> 02:24:08,160
Speaker 3: credit card don't work. And now you can't even go

2930
02:24:08,240 --> 02:24:10,920
Speaker 3: to Carls Junior and get a cheeseburger. Now you can't

2931
02:24:10,920 --> 02:24:14,080
Speaker 3: even go get tacos or eat. And now, in order

2932
02:24:14,160 --> 02:24:16,600
Speaker 3: for that ship to be turned back on slash activated,

2933
02:24:17,120 --> 02:24:20,280
Speaker 3: you got to be under control and the mercy of

2934
02:24:20,400 --> 02:24:22,600
Speaker 3: the government and what they tell you to do to

2935
02:24:22,760 --> 02:24:25,600
Speaker 3: be able to even shop for food or whatever it

2936
02:24:25,680 --> 02:24:28,160
Speaker 3: else is that you want to get. And so all

2937
02:24:28,240 --> 02:24:30,640
Speaker 3: that is leading towards that. Man. So I tell people,

2938
02:24:30,760 --> 02:24:33,600
Speaker 3: you're you're soon enough going to be backed up into

2939
02:24:33,680 --> 02:24:36,080
Speaker 3: having to make the decision of accept or don't accept.

2940
02:24:36,680 --> 02:24:39,160
Speaker 3: But when it comes down to it, and people always

2941
02:24:39,240 --> 02:24:41,280
Speaker 3: and that's how they control you. And people always say, oh,

2942
02:24:41,280 --> 02:24:43,640
Speaker 3: they got you control on your phone. No they don't,

2943
02:24:43,879 --> 02:24:45,400
Speaker 3: because I could take this phone, I could throw it

2944
02:24:45,440 --> 02:24:47,840
Speaker 3: in a river and you no longer got anything on

2945
02:24:48,160 --> 02:24:51,480
Speaker 3: me physically. But once they put that in you physically,

2946
02:24:51,680 --> 02:24:54,840
Speaker 3: now you're under control. Because that's your credit card, that's

2947
02:24:54,879 --> 02:24:57,600
Speaker 3: your currency, that's your money, that's your whole damn life

2948
02:24:57,680 --> 02:25:00,760
Speaker 3: right there. And again a lot of this is exposed.

2949
02:25:00,760 --> 02:25:02,760
Speaker 3: You guys can watch the documentary with your own eyes

2950
02:25:03,280 --> 02:25:06,640
Speaker 3: and to go one step farther, respectfully, it's all in

2951
02:25:06,720 --> 02:25:09,360
Speaker 3: the Bible, it's all in revelations. It's right there in

2952
02:25:09,400 --> 02:25:12,160
Speaker 3: black print. So all I'm saying is, but if you

2953
02:25:12,200 --> 02:25:14,800
Speaker 3: want to see some current watch American faces in the freedom.

2954
02:25:15,120 --> 02:25:17,240
Speaker 3: You'll get a wake up call right there, and it

2955
02:25:17,360 --> 02:25:20,120
Speaker 3: shows you how and why this is happening, because this

2956
02:25:20,240 --> 02:25:23,360
Speaker 3: is all leading up to the one World government, the

2957
02:25:23,480 --> 02:25:26,920
Speaker 3: one world currency. And if you know the real job

2958
02:25:27,000 --> 02:25:28,280
Speaker 3: of a king, do you know what the real job

2959
02:25:28,320 --> 02:25:30,320
Speaker 3: of a king is? Well, what do you think the

2960
02:25:30,400 --> 02:25:33,640
Speaker 3: real job of a king is? The governance? I would imagine.

2961
02:25:33,959 --> 02:25:38,040
Speaker 3: What do you guys think the job of a king is? Us? Well,

2962
02:25:38,200 --> 02:25:40,600
Speaker 3: just give me, give me one, just your opinion first,

2963
02:25:40,640 --> 02:25:42,520
Speaker 3: real quick on what you think, just just thinking out

2964
02:25:42,560 --> 02:25:47,040
Speaker 3: real quick down the kingdom. But what's the okay, you

2965
02:25:47,080 --> 02:25:49,240
Speaker 3: have an answer, what's the job of governance? But I

2966
02:25:49,280 --> 02:25:52,560
Speaker 3: don't know in what way you mean? King? So the

2967
02:25:52,680 --> 02:25:57,520
Speaker 3: job of a king is to serve, to serve his people.

2968
02:25:58,480 --> 02:26:01,560
Speaker 3: It is not to rule the land, control the land.

2969
02:26:02,480 --> 02:26:05,640
Speaker 3: But that's a lot of power to give to a

2970
02:26:05,800 --> 02:26:10,800
Speaker 3: human being, one man, one individual, and a man with

2971
02:26:10,959 --> 02:26:16,640
Speaker 3: that much power can abuse that power. And that's what

2972
02:26:16,760 --> 02:26:20,880
Speaker 3: a lot of kings did. They were, Oh damn, all

2973
02:26:20,959 --> 02:26:23,920
Speaker 3: these people love me, man, Oh well I could sleep

2974
02:26:23,959 --> 02:26:26,520
Speaker 3: with all these girls and no one's up, no one's

2975
02:26:26,560 --> 02:26:29,160
Speaker 3: up my butt about it. Because I'm the king. The

2976
02:26:29,280 --> 02:26:33,240
Speaker 3: king's job was really meant to serve the people, not

2977
02:26:33,400 --> 02:26:37,400
Speaker 3: to control the people. That's really the government's position. The

2978
02:26:37,520 --> 02:26:40,840
Speaker 3: government is supposed to serve us, not rule us, not

2979
02:26:41,040 --> 02:26:43,440
Speaker 3: dictate what we do and don't do. You don't want

2980
02:26:43,480 --> 02:26:46,200
Speaker 3: to live a life under control by the government, for

2981
02:26:46,320 --> 02:26:49,400
Speaker 3: them telling you when you can piss, eat, shit, sleep

2982
02:26:49,520 --> 02:26:51,840
Speaker 3: whatever it is, right, So the job of a king

2983
02:26:52,000 --> 02:26:54,280
Speaker 3: is to serve us. So my whole point is saying

2984
02:26:54,320 --> 02:26:58,200
Speaker 3: that is that when you give that much power to

2985
02:26:58,320 --> 02:27:02,280
Speaker 3: an individual, they abuse use it. When you accept the chip,

2986
02:27:02,840 --> 02:27:06,279
Speaker 3: what you are doing is allowing yourself to be controlled

2987
02:27:06,360 --> 02:27:08,680
Speaker 3: by the government. Is that how you want to live

2988
02:27:08,680 --> 02:27:11,800
Speaker 3: your life controlled? We want freedom, that's what everyone's fighting for.

2989
02:27:11,879 --> 02:27:14,040
Speaker 3: That's why everyone's pandies are in a bunch right now,

2990
02:27:14,560 --> 02:27:17,240
Speaker 3: because we want freedom of speech, we want freedom, but

2991
02:27:17,400 --> 02:27:21,200
Speaker 3: that's slowly being taken away by us, away from us.

2992
02:27:22,040 --> 02:27:25,360
Speaker 3: And when this chip comes into play, that's what and

2993
02:27:25,440 --> 02:27:28,440
Speaker 3: if you accept it, that's when you officially under control.

2994
02:27:29,160 --> 02:27:31,200
Speaker 1: Anythink that's what cryptocurrency is leading to.

2995
02:27:31,280 --> 02:27:35,800
Speaker 3: Us percent because it takes away the cash. You can

2996
02:27:35,959 --> 02:27:39,520
Speaker 3: operate cashless, and that's what it's headed towards. Yeah, because

2997
02:27:39,520 --> 02:27:43,840
Speaker 3: eventually it's just a setup to get into a cashless society.

2998
02:27:44,560 --> 02:27:48,080
Speaker 3: Right now, cash is just the ghost of money right now.

2999
02:27:48,160 --> 02:27:50,680
Speaker 3: You can use it until one day and you know

3000
02:27:50,720 --> 02:27:52,960
Speaker 3: where the real money's at. It's the gold and the silver,

3001
02:27:54,200 --> 02:27:57,280
Speaker 3: that's the real money. So I'm just you know, saying

3002
02:27:57,320 --> 02:27:59,920
Speaker 3: it like it is. You could say whatever and think

3003
02:28:00,080 --> 02:28:02,360
Speaker 3: this or that, but later you'll find out and give

3004
02:28:02,400 --> 02:28:02,760
Speaker 3: me a call.

3005
02:28:02,879 --> 02:28:07,440
Speaker 1: Now, you know, they're doing taxes in sensitives for people

3006
02:28:07,480 --> 02:28:10,480
Speaker 1: that move to Puerto Rico, so like like like doing

3007
02:28:10,560 --> 02:28:12,600
Speaker 1: tax cuts and all that. And it's the first time

3008
02:28:12,640 --> 02:28:15,480
Speaker 1: I've ever been like to a place. And when they

3009
02:28:15,600 --> 02:28:17,640
Speaker 1: acted it came down to pay the bill. It was

3010
02:28:17,720 --> 02:28:22,000
Speaker 1: like cash credit or crypto.

3011
02:28:21,280 --> 02:28:23,040
Speaker 3: And I was just like whoa like that.

3012
02:28:23,200 --> 02:28:26,000
Speaker 1: It was like you got to realize, there's that's in

3013
02:28:26,200 --> 02:28:29,440
Speaker 1: all the rich people to Puerto Rico so they don't

3014
02:28:29,480 --> 02:28:30,920
Speaker 1: have to pay taxes. I think they pay like two

3015
02:28:30,920 --> 02:28:33,120
Speaker 1: percent of the tax and stuff like that, maybe four percent.

3016
02:28:33,520 --> 02:28:36,119
Speaker 1: But so I'm sitting there saying that if they starting

3017
02:28:36,200 --> 02:28:38,600
Speaker 1: that there and this is the rich part of Puerto Rico,

3018
02:28:38,920 --> 02:28:42,040
Speaker 1: right But then I started to go around and I

3019
02:28:42,120 --> 02:28:45,560
Speaker 1: start to realize it's every place in Puerto Rico, so

3020
02:28:45,680 --> 02:28:49,120
Speaker 1: they're already like doing that, like in the hood, they're

3021
02:28:49,160 --> 02:28:51,800
Speaker 1: doing that in the rich parts, they're doing that in

3022
02:28:51,879 --> 02:28:54,440
Speaker 1: the middle part. So if you're saying that, then they

3023
02:28:54,520 --> 02:28:55,280
Speaker 1: already started it.

3024
02:28:55,520 --> 02:28:59,320
Speaker 3: So when COVID happened, there was a couple of states

3025
02:28:59,400 --> 02:29:03,640
Speaker 3: that went completely against it and said we ain't wearing

3026
02:29:03,680 --> 02:29:06,160
Speaker 3: the mask, we're not taking the vaccine. But then there

3027
02:29:06,200 --> 02:29:11,560
Speaker 3: were other states that cooperated. So the Bible talks about

3028
02:29:11,640 --> 02:29:15,080
Speaker 3: civil war. What's going to happen is everyone's going to

3029
02:29:15,120 --> 02:29:19,480
Speaker 3: try to run their own program, even states, and when

3030
02:29:19,520 --> 02:29:23,040
Speaker 3: that starts happening, we're eventually going to go to war.

3031
02:29:24,320 --> 02:29:27,000
Speaker 3: And the Bible talks about how families will fight with families,

3032
02:29:27,000 --> 02:29:30,360
Speaker 3: neighbors with neighbors, and friends with friends, because everyone is

3033
02:29:30,440 --> 02:29:33,400
Speaker 3: going to start fighting. And then eventually we're going to

3034
02:29:33,520 --> 02:29:37,880
Speaker 3: get into World War three, and that's when the control

3035
02:29:38,040 --> 02:29:40,280
Speaker 3: is going to happen and the one world government is

3036
02:29:40,320 --> 02:29:43,280
Speaker 3: going to happen, and then it don't matter if you live.

3037
02:29:43,560 --> 02:29:45,480
Speaker 3: The Bible says that when all this happens, people are

3038
02:29:45,520 --> 02:29:46,800
Speaker 3: going to run to the hills. They're going to try

3039
02:29:46,800 --> 02:29:49,000
Speaker 3: to make their own gardens because they won't be able

3040
02:29:49,040 --> 02:29:50,480
Speaker 3: to buy food, You're going to try to grow your

3041
02:29:50,480 --> 02:29:53,280
Speaker 3: own fruit or whatever it is. And everyone's going to

3042
02:29:53,320 --> 02:29:55,320
Speaker 3: try to hide and flee because they're going to try

3043
02:29:55,360 --> 02:29:58,080
Speaker 3: to live their own life outside of light where it's

3044
02:29:58,160 --> 02:30:00,640
Speaker 3: really happening, where the control is at, and you're not

3045
02:30:00,680 --> 02:30:03,280
Speaker 3: going to be able to hide because the government is

3046
02:30:03,320 --> 02:30:06,000
Speaker 3: going to control everything. That the only place you're going

3047
02:30:06,080 --> 02:30:08,160
Speaker 3: to be able to run to a swampland or the

3048
02:30:08,200 --> 02:30:10,040
Speaker 3: mountains where you're not going to be able to grow

3049
02:30:10,120 --> 02:30:13,040
Speaker 3: anything or have really resources out there to live, and

3050
02:30:13,160 --> 02:30:16,039
Speaker 3: your money won't mean Jack Italy's squad. So what I'm

3051
02:30:16,080 --> 02:30:17,920
Speaker 3: saying is all this is geared up towards the one

3052
02:30:17,959 --> 02:30:21,080
Speaker 3: world government. So my point is if Puerto Rico's trying that,

3053
02:30:21,560 --> 02:30:24,760
Speaker 3: and Texas is trying this, and Australia's trying that, and

3054
02:30:24,879 --> 02:30:28,400
Speaker 3: Alaska's trying that, it doesn't matter because at one point

3055
02:30:28,520 --> 02:30:30,920
Speaker 3: we're all going to go to war eventually, and when

3056
02:30:30,920 --> 02:30:33,720
Speaker 3: the World War IIE happens, then the false piece is

3057
02:30:33,760 --> 02:30:35,320
Speaker 3: going to come into play and it's going to become

3058
02:30:35,360 --> 02:30:37,920
Speaker 3: a one world government and it don't care if you

3059
02:30:38,040 --> 02:30:44,039
Speaker 3: go to Mexico, Puerto Rico, Alaska, Iceland, Switzerland, Germany, Japan,

3060
02:30:44,680 --> 02:30:46,640
Speaker 3: it's all going to be a one world government and

3061
02:30:46,879 --> 02:30:49,440
Speaker 3: everything is going to be the same in the whole

3062
02:30:49,720 --> 02:30:54,520
Speaker 3: entire world. Deep. I don't think of any better way

3063
02:30:54,560 --> 02:31:01,600
Speaker 3: to end that. Taking the picture. Hold on, But you

3064
02:31:01,640 --> 02:31:03,160
Speaker 3: got anything else to say to the fans before we

3065
02:31:03,200 --> 02:31:06,080
Speaker 3: get out here? Yeah, let me say one thing I

3066
02:31:06,160 --> 02:31:09,280
Speaker 3: gotta do. Uh, I have one thing, one thing for you.

3067
02:31:09,560 --> 02:31:11,320
Speaker 3: Let me do this real quick and I'll make it

3068
02:31:11,440 --> 02:31:15,840
Speaker 3: super quick, and thank you for this opportunity. Let me

3069
02:31:15,920 --> 02:31:20,240
Speaker 3: give a shout out to my sponsor, DC Audio right here. Okay,

3070
02:31:20,320 --> 02:31:22,160
Speaker 3: that's what's up. Man, get on your level. Let's go.

3071
02:31:22,440 --> 02:31:28,080
Speaker 3: So follow their instagram too, man, DC Audio. What's cool

3072
02:31:28,120 --> 02:31:30,039
Speaker 3: about them and I'll just give this quick and I'll

3073
02:31:30,040 --> 02:31:32,720
Speaker 3: make it super quick. Is they make speakers like the

3074
02:31:32,800 --> 02:31:36,040
Speaker 3: old days, like now they still handmake their speakers. And

3075
02:31:36,600 --> 02:31:38,280
Speaker 3: he also told me to tell you if you want

3076
02:31:38,320 --> 02:31:41,280
Speaker 3: to set on the house, he got you cool and

3077
02:31:41,400 --> 02:31:45,000
Speaker 3: you can hear this sound system from from down the

3078
02:31:45,040 --> 02:31:46,400
Speaker 3: block and the whole deal. You know what I'm saying.

3079
02:31:46,480 --> 02:31:48,640
Speaker 3: So he got a free one. So I just want

3080
02:31:48,680 --> 02:31:51,320
Speaker 3: to put that out there. And long story short, man,

3081
02:31:51,360 --> 02:31:53,400
Speaker 3: their sound systems are legit clean and I just want

3082
02:31:53,400 --> 02:31:55,440
Speaker 3: to give a shout out to DC Audio, and then

3083
02:31:55,480 --> 02:31:58,920
Speaker 3: I wanted to do a second one, which this is

3084
02:31:59,000 --> 02:32:01,560
Speaker 3: for you, man, I got it. I gotta tell you friend,

3085
02:32:01,600 --> 02:32:08,800
Speaker 3: we got in common, my boy spin make sure you

3086
02:32:08,879 --> 02:32:11,320
Speaker 3: give Norris Flowers. I want to give it up for Nori.

3087
02:32:15,200 --> 02:32:17,280
Speaker 3: What what did you do together? Yeah, we did a

3088
02:32:17,360 --> 02:32:20,720
Speaker 3: movie with French Montana you know you least this of

3089
02:32:20,760 --> 02:32:24,280
Speaker 3: course and Jesse and and yeah, yeah, so that movie

3090
02:32:24,360 --> 02:32:26,120
Speaker 3: that's still gonna fly with it. And I also want

3091
02:32:26,160 --> 02:32:28,040
Speaker 3: to give a shout out to Norrie's team. Man, come

3092
02:32:28,120 --> 02:32:35,000
Speaker 3: without you guys, this couldn't happen so because everyone's a

3093
02:32:35,040 --> 02:32:36,880
Speaker 3: part of something and we can't do what we do

3094
02:32:37,000 --> 02:32:40,200
Speaker 3: without you guys, and vice versa. So I wanted to

3095
02:32:40,240 --> 02:32:42,480
Speaker 3: give the shout out to spin Yes, and then we

3096
02:32:42,520 --> 02:32:47,360
Speaker 3: gotta do a hatchack spin Man in the house. And

3097
02:32:47,440 --> 02:32:49,720
Speaker 3: then the last one man to my boy Pete Funk

3098
02:32:49,760 --> 02:32:51,560
Speaker 3: and Eddie Connects and yourself.

3099
02:32:54,600 --> 02:32:57,080
Speaker 1: Of the show happened, Let's pick up to Eddie Connections.

3100
02:32:57,160 --> 02:32:59,400
Speaker 3: And then I want to get last shout out to

3101
02:32:59,640 --> 02:33:05,600
Speaker 3: drink Champs itself. Man, give me my power and that

3102
02:33:06,240 --> 02:33:10,520
Speaker 3: that is love beyond love. Man, this is honestly, genuinely

3103
02:33:10,600 --> 02:33:13,440
Speaker 3: going in my private collection, bro, and this does mean

3104
02:33:13,480 --> 02:33:15,160
Speaker 3: a lot and snoop. He took the words out of

3105
02:33:15,200 --> 02:33:18,160
Speaker 3: my mouth. Real talk, man, this is what I love, man.

3106
02:33:18,959 --> 02:33:25,200
Speaker 3: I love you want to like Tupac said this documentary,

3107
02:33:25,200 --> 02:33:27,840
Speaker 3: I could do Beverly Hills, but I still I love

3108
02:33:27,959 --> 02:33:30,760
Speaker 3: this morning. Man, I love this morning. You know what

3109
02:33:30,800 --> 02:33:33,960
Speaker 3: I mean. So so this means the world, man. And

3110
02:33:35,440 --> 02:33:38,480
Speaker 3: two last things and then I'm done. You already know.

3111
02:33:38,560 --> 02:33:40,480
Speaker 3: We say one more thing, more things, but I probably

3112
02:33:40,640 --> 02:33:44,040
Speaker 3: these are going to be super quick. The second to

3113
02:33:44,160 --> 02:33:46,560
Speaker 3: last thing is follow me on my Instagram acting well, ge,

3114
02:33:46,600 --> 02:33:47,800
Speaker 3: give me a follow if you want to keep up

3115
02:33:47,840 --> 02:33:49,840
Speaker 3: with me, give me a follow. Man. I appreciate all

3116
02:33:49,840 --> 02:33:52,640
Speaker 3: your follows, your love, your genuine love and all that.

3117
02:33:53,280 --> 02:33:55,000
Speaker 3: And then the last thing I want to say is

3118
02:33:55,120 --> 02:33:58,200
Speaker 3: just shout out to Jesus Christ. Man. I got no

3119
02:33:58,320 --> 02:34:00,160
Speaker 3: shame in loving them. I love you man. I just

3120
02:34:00,240 --> 02:34:01,879
Speaker 3: wanted to give a shout out to the manim sticks.

3121
02:34:02,520 --> 02:34:03,000
Speaker 3: I think it's.

3122
02:34:09,000 --> 02:34:12,440
Speaker 5: Drink Champs is a drink Champs LLC production hosts and

3123
02:34:12,560 --> 02:34:14,080
Speaker 5: executive producers n O.

3124
02:34:14,280 --> 02:34:15,960
Speaker 3: R E and DJ E f f N.

3125
02:34:17,160 --> 02:34:21,240
Speaker 5: Listen to Drink Champs on Apple Podcast, Amazon Music, Spotify,

3126
02:34:21,560 --> 02:34:25,200
Speaker 5: or wherever you get your podcasts. Thanks for joining us

3127
02:34:25,240 --> 02:34:27,840
Speaker 5: for another episode of Drink Champs, hosted by Yours Truly,

3128
02:34:28,000 --> 02:34:30,520
Speaker 5: dj e f N and n O r E. Please

3129
02:34:30,600 --> 02:34:32,760
Speaker 5: make sure to follow us on all our socials That's

3130
02:34:32,840 --> 02:34:36,400
Speaker 5: at drink Champs across all platforms, at the Real Noriagon,

3131
02:34:36,480 --> 02:34:40,000
Speaker 5: i g at Noriega on Twitter, mine is at Who's

3132
02:34:40,040 --> 02:34:43,480
Speaker 5: Crazy on I g at dj e f N on Twitter,

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Speaker 5: and most importantly, stay up to date with the latest releases,

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Speaker 5: news and merch by going to drink champs dot com