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Speaker 1: Hey, discos, need a little more Disgraceland in your life,

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Speaker 1: just to touch, to get you through. Yeah, me too.

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Speaker 1: This is the podcast that comes after the podcast. Welcome

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Speaker 1: to Disgraceland, the after party. Welcome to the Disgraceland bonus episode,

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Speaker 1: a little thing we like to call the after party.

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Speaker 1: This is the show after the show, the party after

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Speaker 1: the party. The bridge to get you from one full

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Speaker 1: episode or Disgraceland to the other. The backyard to dig

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Speaker 1: into the dirt, our mission to uncover the truth, to

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Speaker 1: confront the myth, to reclaim the story. On this bonus episode,

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Speaker 1: we are talking about this week's full episode subject Motorhead.

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Speaker 1: We're rewinding back to our Willie Nelson episodes, previewing our

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Speaker 1: upcoming episode on Kendrick Lamar, and we get into your voicemails, texts, dms,

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Speaker 1: and as always a whole lot of rosy. This is

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Speaker 1: the podcast for the musically obsessed, the outsiders, the independent

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Speaker 1: diggers who know that the best history is the history

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Speaker 1: that gets buried. Disgraceland is where I tell the stories

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Speaker 1: they didn't want told, the kind you'll end up telling

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Speaker 1: someone else. All right, disc goes, let's get into it.

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Speaker 1: So when I was growing up, real little elementary school

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Speaker 1: early eighties, nineteen eighty three, to be precise, I lived

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Speaker 1: across the street from a Seventh Day Adventist church. It

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Speaker 1: was in Lancaster, Massachusetts. It was before I moved to

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Speaker 1: Clinton with my family, and we lived sort of in

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Speaker 1: the footprint of the Adventist church, the Seventh Day Adventist Church.

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Speaker 1: There was the church, but there was also like a

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Speaker 1: fairground or a campus. I'm not even exactly sure what

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Speaker 1: it was. Yeah, it was campus. Atlantic Union College was nearby,

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Speaker 1: and we kind of lived right in the middle of

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Speaker 1: all that. The church, though, was literally across the street

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Speaker 1: from our front door. And I remember this distinctly. One morning,

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Speaker 1: I was in my front yard, which was like a

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Speaker 1: postage stamp front yard, very very small front yard, and

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Speaker 1: across the street a blue camaro pulled up and about

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Speaker 1: four or five metal heads got out of that camaro

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Speaker 1: and they started to hang out in the front let's

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Speaker 1: call it a yard of the church. There was a

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Speaker 1: cement wall and it kind of jetted out from the

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Speaker 1: front yard of the church out to the street a

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Speaker 1: little bit, and there were some big, big trees there,

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Speaker 1: and they pulled right up these metal heads. They popped out.

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Speaker 1: They were blasting Ozzy Osbourne. I remember it distinctly. I

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Speaker 1: remember knowing who Ozzy Osbourne was at the time, I

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Speaker 1: remember the myths about Ozzy Osbourne, and I remember being

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Speaker 1: a little freaked out, probably a lot freaked out. I

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Speaker 1: was at this point. Like I said, it was nineteen

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Speaker 1: eighty three, I was in the third grade, and I

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Speaker 1: was actually very freaked out by Ozzy Osbourne. This was

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Speaker 1: bark at the Moon era. So this is the height

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Speaker 1: of kind of all of the kind of the height

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Speaker 1: of the Ozzy Osbourne rumor mill that was spreading around

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Speaker 1: schools about biting off the heads of animals and all that.

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Speaker 1: And I'll never forget this. One of the metal heads,

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Speaker 1: the one driving the car, got out of the camaro,

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Speaker 1: and they walked up to that front part of the

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Speaker 1: church that jetted out, and they got up on the

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Speaker 1: cement wall, and they got up onto the grass above it,

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Speaker 1: by the big trees, and they had a huge wooden cross.

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Speaker 1: They nailed it into the tree, kept Ozzie blaring, and

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Speaker 1: just proceeded to hang out. I don't know if they

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Speaker 1: were drinking beers, smoking weed. I certainly thought they were

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Speaker 1: doing all manner of that in my memory, I might

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Speaker 1: be remembering it differently, but I swear the cross that

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Speaker 1: they nailed into that tree, they hung it up and

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Speaker 1: it was upside down. Though I can't vouch for that.

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Speaker 1: That seems a little bit extreme, So let's just say

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Speaker 1: they nailed the cross into the tree that I remember.

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Speaker 1: You got to keep in mind what these metal heads

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Speaker 1: were like. This was the nineteen eighty three version of

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Speaker 1: a metal head, which was similar to Oh, if you've

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Speaker 1: ever seen that great movie Over the Edge, Matt Dylan's

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Speaker 1: first movie, and these it's not really about metal heads,

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Speaker 1: but that was kind of the kids in that movie,

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Speaker 1: that Matt Dylan movie, Over the Edge. I believe the director,

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Speaker 1: Jonathan Caplan, I believe he just died a couple of

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Speaker 1: weeks ago. Fantastic movie I wrote about Over the Edge

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Speaker 1: of my book pertaining to juvenile delinquency and Axel Rose.

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Speaker 1: These kids were badass, is my point. And again, the

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Speaker 1: nineteen eighty three version of Badass, which was different than

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Speaker 1: the nineteen ninety three suburban version of Badass. I was scared,

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Speaker 1: full stop. These guys scared the hell out of it.

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Speaker 1: If you need another film reference, just think Kelly Leak

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Speaker 1: from Bad News Bears, think about five of those dudes, okay,

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Speaker 1: and again Ozzy Osbourne playing in the background, blaring. This

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Speaker 1: is one of my first introductions to Ozzie Osbourne musically, culturally.

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Speaker 1: Like I said, i'd heard of him. I don't remember

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Speaker 1: exactly how heard, the myths, the rumors, all that, but

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Speaker 1: this was it in real life. And this was my

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Speaker 1: own little kind of mini personal satanic panic of holy shit,

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Speaker 1: these guys are real and they're right here across the

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Speaker 1: street from my house, and they're nailing in crosses and

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Speaker 1: they're probably gonna fucking kill me. I didn't know what

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Speaker 1: was going on. I just knew it was nuts. And

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Speaker 1: these guys, like I said, were badass. Now, speaking of badass,

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Speaker 1: modern day badass, Ozzy Osbourne grew into an entirely different

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Speaker 1: caricature over the course of his life. He was, he

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Speaker 1: was lovable, he was not. I mean, I mean, he's

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Speaker 1: always badass, but you know what I'm saying, it wasn't

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Speaker 1: in the end, he wasn't scary. His wife, Sharon Osbourne,

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Speaker 1: on the other hand, completely different story. Now, I have

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Speaker 1: nothing but respect for Sharon Osbourne. You can hear that

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Speaker 1: in the Ozzy Osbourne episode of Disgraceland that we that

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Speaker 1: we produced and released a couple of years ago. But

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Speaker 1: make no miss about it, you did not fuck with

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Speaker 1: Sharon Osborne and you still don't. And the idea of

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Speaker 1: covering Sharon Osborne exclusively in an episode of Disgraceland, it

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Speaker 1: never occurred to me until now, until after Ozzie's death

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Speaker 1: in these past few weeks, Sharon Osborne by any definition,

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Speaker 1: is a music industry badass. Since her husband's death, a

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Speaker 1: lot of people have said a lot of things about

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Speaker 1: the Osborne's and there's this wild rumor percolating this week.

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Speaker 1: You know, we had this issue where there was this

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Speaker 1: BBC documentary that was supposed to air. It was supposed

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Speaker 1: to air a couple days ago. I'm recording this on

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Speaker 1: August twentieth, and then right before it was going to air,

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Speaker 1: like that day there might have been the day just

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Speaker 1: before it was, the BBC pulled it and they didn't

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Speaker 1: really give an explanation when they pulled it. They came

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Speaker 1: out about twenty four hours later and they said that

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Speaker 1: they pulled it at the behest of the family. The

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Speaker 1: family recommended, the Osborne's recommended that this documentary on Ozzy

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Speaker 1: did not air, So there's been, like I said, wild

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Speaker 1: rumors about why this documentary did not air. Reddit lit

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Speaker 1: up with ridiculous conjecture about Ozzy being canceled sometime in

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Speaker 1: the near future for sexual indiscretions from his past, which,

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Speaker 1: as someone who's done a fair amount of research on

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Speaker 1: the so called Prince of Darkness, these these are hot

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Speaker 1: to me anyways, highly dubious allegations. I'm confident saying that

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Speaker 1: I don't believe that these allegations about Ozzy being canceled

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Speaker 1: and some sort of me too thing, it's nothing but

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Speaker 1: trully Internet rumors. And this is what happens when a

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Speaker 1: dude as legendary as Ozzy Osbourne dies. The vultures start

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Speaker 1: circling the truth. It gets buried and the myth, well,

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Speaker 1: the myth can sometimes become a weapon. And you know

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Speaker 1: what I've been saying around here this is, you know,

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Speaker 1: nothing's getting buried here in disgrace, and we're here to

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Speaker 1: dig things up and ideally the truth and the truth

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Speaker 1: doesn't necessarily mean scandal, The truth doesn't necessarily mean rumors.

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Speaker 1: Sometimes the truth is just boring, but sometimes it's fucking

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Speaker 1: batchit crazy.

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Speaker 2: Now.

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Speaker 1: One of the rumors that's popped up in the wake

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Speaker 1: of Ozzie's death and I want to get to I

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Speaker 1: want to get to the truth of the matter on

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Speaker 1: is that his wife, Sharon, who was also his fearsome

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Speaker 1: music manager, was allegedly party to an assisted suicide pact

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Speaker 1: with Ozzy, and this pact was carried out allegedly to

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Speaker 1: end her husband suffering from Parkinson's disease. Sharon Osbourne hasn't

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Speaker 1: commented on these rumors since Ozzie's death, but her daughter

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Speaker 1: Kelly did comment on this supposed pack just prior to

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Speaker 1: Ozzie dying, And now in a dark corner of the Internet,

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Speaker 1: we're seeing suggestions that this is all somehow tied to

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Speaker 1: the cancelation of this BBC documentary. So where Ozzy Osbourne

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Speaker 1: and Sharon Osbourne in a suicide pact? Was it euthanasia

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Speaker 1: that did Ozzy Osbourne in? Finally, at the end, Zeth

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Speaker 1: and I are going to go down the rabbit hole

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Speaker 1: on this story and into Sharon Osbourne's ruthless pat as

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Speaker 1: a music manager, a past with allegations that she stole

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Speaker 1: Ozzy's master tapes from Jet Records, allegations that she once

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Speaker 1: told Arrival she would bury him and his fucking kids,

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Speaker 1: and how she completely sabotaged and this is an allegation,

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Speaker 1: this is confirmed, how she sabotaged Iron Maiden on stage

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Speaker 1: for once fucking with her husband, with messing with Ozzie.

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Speaker 1: You can hear Zeth and I in this rabbit hole

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Speaker 1: in the exclusive section of this year After Party bonus episode,

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Speaker 1: the Truth behind Ozzie, Sharon and the supposed suicide pack.

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Speaker 1: It is murky, okay. There's a quote in Sharon's own

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Speaker 1: memoir that is pretty informative, her daughter Kelly. She's been

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Speaker 1: very public and being out there and denying this suicide pack.

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Speaker 1: There's again the BBC documentary poll that I mentioned, and

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Speaker 1: then there's some reports from the paramedics there at the

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Speaker 1: end with Ozzy that they inform I believe the truth

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Speaker 1: of this whole thing. We're going to get to the

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Speaker 1: in the exclusive section here of the After Party what

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Speaker 1: I'm now calling the exclusive rabbit hole where Zeth and

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Speaker 1: I are gonna dive in. I think we're gonna do

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Speaker 1: this every week. We're gonna try it today, see what happens,

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Speaker 1: See if we like it, See if you guys like it.

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Speaker 1: More importantly, we're gonna dive into Sharon Osbourne, her violent

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Speaker 1: family legacy, her business tactics that have been called quote

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Speaker 1: unquote ruthless, and what these euthanasia rumors really tell us

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Speaker 1: about fame, death and control. If you've ever wondered how

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Speaker 1: far someone will go to protect not just their family,

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Speaker 1: but to protect the mythology around rockstardom, this might be

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Speaker 1: that story. Go to Disgrace slamdpod dot com, slash membership

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Speaker 1: and join us in today's exclusive after party rabbit Hole

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Speaker 1: segment that's gonna be just five bucks a month. Guys

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Speaker 1: are gonna get exclusive content like this every week, plus

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Speaker 1: ad free listening on every episode we put out in

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Speaker 1: a whole lot more. And if you've been thinking about

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Speaker 1: signing up for a while, you haven't pulled the trigger.

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Speaker 1: If maybe you're a free member on Patreon, now is

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Speaker 1: the time to sign up, because at five dollars a

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Speaker 1: month price that I just mentioned, it's going up shortly,

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Speaker 1: but it won't be going up for you. If you

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Speaker 1: sign up now, you'll be grandfathered in. Listen. This isn't

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Speaker 1: just about Ozzy Osbourne. This is about how stories get

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Speaker 1: told this is about how stories get buried. This is

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Speaker 1: about what's true what's not. And if you're listening to this,

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Speaker 1: then you know you are one of us. You listen

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Speaker 1: to Disgraceland and you know things, So do not sit

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Speaker 1: this one out. I'll be back in a flash right

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Speaker 1: after this with your voicemails, your texts, your dms and more.

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Speaker 1: All right, we are back, guys this week in Disgrace Sland.

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Speaker 1: New episode on Motorhead. All right, check that out. It's

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Speaker 1: available for you right now wherever you listen to your podcast.

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Speaker 1: Coming up in the rewind slot. Right after this after

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Speaker 1: party bonus episode, We've got our Willie Nelson episodes parts

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Speaker 1: one two. Next week, our new episode will be on

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Speaker 1: Kendrick Lamar. And because of this Kendrick Lamar story, we're

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Speaker 1: thinking about mercy.

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Speaker 3: Now.

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Speaker 1: I know this is kind of an esoteric question for

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Speaker 1: next week, but when you're listening to that Kendrick episode,

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Speaker 1: be thinking about mercy, and specifically, be thinking about musical

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Speaker 1: artists who have demonstrated mercy. Now, I'm not talking about

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Speaker 1: Matt Boden's favorite metal band, Merciful Fate. I'm talking about artists,

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Speaker 1: rock stars, musicians who have shown mercy, who have shown forgiveness,

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Speaker 1: who have shown overwhelming acts of kindness, even six one

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Speaker 1: seven nine oh six sixty six three eight, voicemail and text,

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Speaker 1: get at me. Let me know which artists have shown

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Speaker 1: the greatest examples of mercy in their past in their songwriting.

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Speaker 1: I mean Marvin Gay, you know, obviously, if we want

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Speaker 1: to go to a literal route right there for you.

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Speaker 1: But I know there are others, and I know you

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Speaker 1: know about them. So call me up six one seven

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Speaker 1: nine oh six six six three eight and let me

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Speaker 1: know if you have voicemail in text. All right, you

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Speaker 1: guys know where I'm I'm here every week. I'm in

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Speaker 1: the phone booth. It's the one. It's the one that's

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Speaker 1: across the hall. I am hanging on the telephone. The

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Speaker 1: question of the week relative to our Motorhead episode that

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Speaker 1: we asked at the end of that Motorhead episode was

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Speaker 1: which concert from your youth was your most formative Now

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Speaker 1: we asked this obviously I go into detail on the

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Speaker 1: Motorhead episode about me seeing Motorhead Live, about me meeting

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Speaker 1: Lemmy as well, and it just seemed like an occasion

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Speaker 1: to ask this question. I love this question. Because everyone

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Speaker 1: likes talking about the first concerts that really left an

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Speaker 1: impression on them. Let's check out the two one seven.

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Speaker 3: Hey, Jake, this is Joe from two one seven doing

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Speaker 3: some work here, listening to your podcast, going to respond

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Speaker 3: to one of your extra episodes, and I stepped in

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Speaker 3: a bucket of paint. But anyway, back to if the

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Speaker 3: response is the first big influencial band that I've ever

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Speaker 3: seen live was ACDC on their Back and Black tour.

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Speaker 3: Believe it was nineteen eighty one, might have been nineteen

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Speaker 3: eighty Their backup band was Blackfoot. Was an incredible concert.

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Speaker 3: I was fourteenth time talk my mother into taking me.

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Speaker 3: And right now to an episode where you are saying

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Speaker 3: that you're one of your first albums that you got

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Speaker 3: was the ACDC and you went to see back in

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Speaker 3: Black or get the album back in Black and you

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Speaker 3: end up getting I think it was Letter D Rock. Anyway,

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Speaker 3: you can't.

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Speaker 4: Go wrong with any bond.

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Speaker 3: Scott, love your show, keep on doing what you're doing.

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Speaker 3: Love the way you incorporate songs of the artists into

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Speaker 3: the episode that you're talking about. Thanks for everything, man.

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Speaker 1: All right, Seeing ACDC two one seven on the Back

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Speaker 1: in Black tour is quite extraordinary. I am jealous. Sounds

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Speaker 1: like I'm a little younger than you. I didn't actually

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Speaker 1: see ACDC until eighty six on the Who Made Who

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Speaker 1: Tour and they were fantastic, And you convinced your mom

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Speaker 1: to take you. I convinced my dad to take me.

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Speaker 1: I didn't have to do much vincing my dad, like

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Speaker 1: Dacy DC, my dad knew they were the shit. Two

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Speaker 1: one seven, watch out for that bucket of paint and yeah,

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Speaker 1: you're right, it was. Let there be Rock, and thank

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Speaker 1: you for the shout out about incorporating the songs of

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Speaker 1: the artists. Guys, I think we're gonna what we're gonna

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Speaker 1: do for our Patreon listeners. We're going to be rolling

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Speaker 1: out some new tiers for you in the very near

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Speaker 1: future that it's gonna have a lot more content for

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Speaker 1: you to access. And in one of those tiers, we're

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Speaker 1: gonna start doing these weekly playlists based on the episode

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Speaker 1: from that week. So for example, this week with Motorhead,

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Speaker 1: and it wouldn't just be a Motorhead playlist, it would

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Speaker 1: be sort of everything that kind of goes into that story.

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Speaker 1: So any other songs that we mentioned, including the number

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Speaker 1: one song that we mentioned in the a bloc relative

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Speaker 1: to the Melotron loop, anything related to what inspired that

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Speaker 1: week subject, So what inspired let me or or you know,

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Speaker 1: we're there are other artists who went off and did solos.

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Speaker 1: You know, you know what I'm saying. It'll be a

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Speaker 1: complete sort of musical look to accompany the episode via

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Speaker 1: playlist on Spot and Apple Music. So we're going to

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Speaker 1: start to roll those out in a couple of weeks. Again,

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Speaker 1: that'll be part of the new new tiered offering in Patreon.

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Speaker 1: And sounds like we're making the right move because it

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Speaker 1: sounds like two one seven. You appreciate it when we

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Speaker 1: get into the actual songs here, we incorporate them into

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Speaker 1: the story. Of course, why wouldn't we. I'm just happy

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Speaker 1: to know that you're into it and happy to know

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Speaker 1: that we are circling the hole here and trying to

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Speaker 1: provide value for you guys. Let's check out Eli in

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Speaker 1: the five oh one.

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Speaker 5: Hey Jake, this is Eli from Arkansas calling from the

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Speaker 5: five oh one. Even though this is a four seven

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Speaker 5: nine number because I refuse to change my area code

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Speaker 5: because I'm not used to that yet. Even though I

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Speaker 5: live in a different part of Arkansas. Now you've literally

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Speaker 5: done every one of my favorite bands, now, the Replacements, Motorhead,

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Speaker 5: all you're missing soundsanzant. I hope that's coming down the

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Speaker 5: pike at some point, even the Cramps. I love what

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Speaker 5: you do man. The Motorhead episode. I was just gonna

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Speaker 5: say my favorite story about Lemmy in general. He was

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Speaker 5: the walk and tall, rock and roll fucking cowboy. And

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Speaker 5: when Dave Grohl first saw him at the Rainbow, he

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Speaker 5: didn't want to say anything to him or whatever, and

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Speaker 5: so he just walked past him going to the bathroom,

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Speaker 5: if I remember the story right, and I think he

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Speaker 5: finally mushed up the balls go and say hi to him,

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Speaker 5: And he walked up to him and the first thing

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Speaker 5: let me said to him was I'm sorry about your

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Speaker 5: friend talking about Kirt Copain of course, which is just

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Speaker 5: the most beautiful fucking thing in the world. You know,

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Speaker 5: like the guy had a heart and like that. That

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Speaker 5: just shows it, you know it. You know, never never

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Speaker 5: met the guy before, and they're both fellow whatever famous musicians,

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Speaker 5: but you know, just the amount of respect there for

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Speaker 5: Kurt Copan, it's just absolutely beautiful. So I just want

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Speaker 5: to throw that in there. Thanks for everything you do, man,

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Speaker 5: and also I'll fucking love their Replacements episode. They're my

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Speaker 5: favorite band of all time, literally next to Motorhead. So

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Speaker 5: thank you for everything, man, Rock Rolling Yili.

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Speaker 1: Thank you for the kind words. Appreciate you, man. Glad

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Speaker 1: you liked the Motorhead and Replacements episodes. We do have

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Speaker 1: a Towns van Zant episode that we produced for our

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Speaker 1: Patreon and Apple subscribers. Once that's been available exclusively for

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Speaker 1: a year, we will roll that out into the wide feed,

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Speaker 1: so that'll be coming on a couple months. But hey,

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Speaker 1: if you want it now, man, get in, get in

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Speaker 1: and become a member of already giving you enough information

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Speaker 1: on how to do that. Listen, Dave Grohl, the way

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Speaker 1: let me treated him there just perfect, just fucking perfect

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Speaker 1: class act. You're absolutely right, Matt gives the nine to

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Speaker 1: one six a spin.

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Speaker 4: Jake, It's mister Taylor from Raleigh, North Carolina, Colin about

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Speaker 4: first concert. My first concert. When I was ten years old,

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Speaker 4: my mom went and took me to see Jethro Toll

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Speaker 4: at the Whole Center in Eugene, Oregon. When they played

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Speaker 4: the Locomotive Breath, I rushed the stage and Ian Anderson

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Speaker 4: pointed at me, gave me a knowing not and since

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Speaker 4: it has kicked off a love of live music, and

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Speaker 4: now as a father of four, I think very intentionally

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Speaker 4: about how my kids are going to experience their first concert.

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Speaker 4: I want them to have that moment when they're in college,

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Speaker 4: you know, where they're older and they're meeting people for

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Speaker 4: the first time and they have that conversation about what

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Speaker 4: was your first concert? And I wanted to be a

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Speaker 4: band that is still around, the band that maybe they

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Speaker 4: can go see again later on in life. So my

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Speaker 4: eight year old's first concert when he was five was

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Speaker 4: my chemical romance, but really we were there to see

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Speaker 4: the opening band, Turnstile, which is him now his favorite band.

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Speaker 4: I haven't pulled some strings, got us backstage, and he

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Speaker 4: got to meet the band. The boys could not have

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Speaker 4: been cooler. My six year old daughter's first concert when

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Speaker 4: she was five was Olivia Rodrigo. We flew to Washington,

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Speaker 4: d C. Before the show. I remember she spent a

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Speaker 4: half hour gluing gems to my faith. It was a

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Speaker 4: great moment between the two of us and an amazing concert.

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Speaker 4: And now my four year old and I are having

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Speaker 4: that conversation about what concert she wants to see when

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Speaker 4: she's five. So just a big moment for anybody. Really

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Speaker 4: excited to share that with my kids and foster a

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Speaker 4: lifelong love of live music, love the show. I'll tell

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Speaker 4: you how it all turns out in ten fifteen years

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Speaker 4: when my kids are older, because I'm sure you'll be

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Speaker 4: doing something here somewhere else, and I'm definitely gonna be listening.

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Speaker 4: Love a Brother Rock and Roller.

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Speaker 1: Nine one six. When you talk about rushing the stage

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Speaker 1: and making eye contact with Ian Anderson, when you're a

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Speaker 1: kid and you're at your first show, there's just there's

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Speaker 1: nothing more thrilling than feeling like you've made a connection

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Speaker 1: with the artist in a live situation. Harder for dudes

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Speaker 1: than it is for women. I've been to shows with

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Speaker 1: my wife even now, she's just staring up there on stage,

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Speaker 1: dude to just you know, laser beaming in. I get it,

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Speaker 1: I totally get it. But when you're a little kid,

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Speaker 1: I remember going to see Metallica and my god, I

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Speaker 1: was older, I was in high school and and Justice

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Speaker 1: for All tour, and I got really close, got up

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Speaker 1: to like the third row, and I just remember like

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Speaker 1: they looked so human to me, you know, it was

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Speaker 1: the first time like that. I was like, Wow, these

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Speaker 1: guys are real. They're moving around in front of me,

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Speaker 1: and I think I would have like thrown up or

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Speaker 1: something if Kirk Hammit or James Hetfield made eye contact

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Speaker 1: with me. I don't remember them doing so what I

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Speaker 1: do remember being that close and just wow. So I

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Speaker 1: get it. Nine one six. I get what you're talking about,

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Speaker 1: and good luck with your kids. Sounds like you're doing

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Speaker 1: the right thing. I love the Turnstile story.

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Speaker 6: You know.

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Speaker 1: I'm a fan. I think for your your four year old,

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Speaker 1: I think you just gotta for her show, her first show.

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Speaker 1: I don't know what she's into, but just bringing to

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Speaker 1: Metallica at the Sphere. Do that? That should be the

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Speaker 1: first show Metallica at the Sphere for your four year

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Speaker 1: old's first show when she's five, assuming it happens next year.

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Speaker 1: If not, wait until she just that will be epic, right,

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Speaker 1: rock a roll in nine one six. All right, let's

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Speaker 1: do some text six one seven, nine oh six six

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Speaker 1: six three eight guys voicemailtain text you want to get

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Speaker 1: at me on anything?

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Speaker 3: Really?

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Speaker 1: But next week's question of the Week Mercy, Which musicians,

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Speaker 1: which rock stars, Which artists? Have shown the most demonstrated

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Speaker 1: version of mercy or forgiveness or kindness. All right, let's

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Speaker 1: flip the script a little here. Always talking about transgressions

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Speaker 1: and bad shit. Let's talk about some good stuff, some PMA.

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Speaker 1: All right. In the meantime, let's check out this text

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Speaker 1: from the six one five. Hey, I not only lived

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Speaker 1: in Nashville, but I lived in Clinton, mass I ran

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Speaker 1: a store and rent them. Also lived in Norwich, Connecticut.

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Speaker 1: So I got all the inferences from the Alex rockopod.

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Speaker 1: She's talking about the Hollywood Land episode we did this week.

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Speaker 1: This is us Susan, formerly from the six one five.

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Speaker 1: She said, Susan, when did you live in Clinton? Text

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Speaker 1: me back and let me know. I wonder if we

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Speaker 1: lived there at the same time. Susan goes on, Honestly,

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Speaker 1: I do appreciate your story about meeting Lemmy. So this

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Speaker 1: dive bar we used to go do when Kenny Chesney

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Speaker 1: would sit in us hang out with us because he

427
00:23:01,320 --> 00:23:03,560
Speaker 1: was a nobody then. I wasn't into country music. Oh

428
00:23:03,600 --> 00:23:06,240
Speaker 1: you played for George Straight. I'm sorry, who's that? But

429
00:23:06,800 --> 00:23:09,359
Speaker 1: Fred Curry and Tom Keefer walked in one night and

430
00:23:09,400 --> 00:23:12,320
Speaker 1: I told my friend, oh MG, that's Cinderella and we

431
00:23:12,359 --> 00:23:15,159
Speaker 1: played pool with them all night. That's pretty cool. What

432
00:23:15,240 --> 00:23:18,080
Speaker 1: am I playing pool with Cinderella? Did you ever see Cinderella?

433
00:23:18,080 --> 00:23:18,320
Speaker 3: Though?

434
00:23:18,880 --> 00:23:22,080
Speaker 1: I haven't. I thought Cinderella were gonna be huge. They weren't.

435
00:23:22,760 --> 00:23:25,480
Speaker 1: Uh four two five text in Hey Jake, it's Jules

436
00:23:25,480 --> 00:23:27,439
Speaker 1: from the four two five. My first concert in the

437
00:23:27,440 --> 00:23:31,280
Speaker 1: early seventies was Alice Cooper and Susie Quatro. Was the

438
00:23:31,560 --> 00:23:34,159
Speaker 1: opening for them in Los Angeles. It was insane. What

439
00:23:34,240 --> 00:23:37,120
Speaker 1: a show. Never looked back and started going to concerts

440
00:23:37,119 --> 00:23:39,840
Speaker 1: from age fifteen on Rock co Rolla. Loved the show.

441
00:23:40,400 --> 00:23:43,879
Speaker 1: Damn set you on your way right Alice Cooper and

442
00:23:43,960 --> 00:23:46,600
Speaker 1: Susie Quatro. You gotta be kidding me. Pretty incredible. Eight

443
00:23:46,640 --> 00:23:48,800
Speaker 1: five six, Hey Mark from the eight five six. First

444
00:23:48,800 --> 00:23:52,040
Speaker 1: show is Arrosmith with skid Row opening, sound and volume

445
00:23:52,119 --> 00:23:55,080
Speaker 1: of the drums blew me away. But my second show

446
00:23:55,160 --> 00:23:58,760
Speaker 1: was Slayer, Megadeth and Anthrax at the Spectrum in Philly

447
00:23:58,840 --> 00:24:02,879
Speaker 1: in ninety two with Alison Chains opening. What a lineup?

448
00:24:03,040 --> 00:24:08,840
Speaker 1: Alison Chains, Slayer, Megadeth and Anthrax blazing from opener to

449
00:24:09,040 --> 00:24:13,200
Speaker 1: Slayer closing is what the eight five six says I've

450
00:24:13,280 --> 00:24:16,840
Speaker 1: seen Slayer and Alison Chains. I see Alison Chains, I

451
00:24:16,880 --> 00:24:20,520
Speaker 1: can't remember. I don't think I've ever seen Megadeth or Anthrax,

452
00:24:20,680 --> 00:24:23,399
Speaker 1: but I saw Slayer with Motorhead. I mentioned that a

453
00:24:23,440 --> 00:24:26,119
Speaker 1: lot six one seven nine six, six, six three eight.

454
00:24:26,119 --> 00:24:28,320
Speaker 1: You guys, want to get at us about anything related

455
00:24:28,320 --> 00:24:32,720
Speaker 1: to Disgraceland, hit us up via voicemail and text, and

456
00:24:32,800 --> 00:24:34,400
Speaker 1: remember the question of the week next week when you're

457
00:24:34,400 --> 00:24:39,000
Speaker 1: listening to that Kendrick Lamar episode which artists best demonstrated mercy,

458
00:24:39,320 --> 00:24:41,680
Speaker 1: let us know get at us six one seven nine

459
00:24:41,720 --> 00:24:44,280
Speaker 1: oh six six six three eight. I'm gonna take a

460
00:24:44,359 --> 00:25:00,479
Speaker 1: quick break. I'll be back in a flash. All right,

461
00:25:00,520 --> 00:25:02,760
Speaker 1: we are back. Listen, guys, hollywood Land got a great

462
00:25:02,800 --> 00:25:06,240
Speaker 1: episode this week. Go check that out. It's on Alex Rocco.

463
00:25:06,440 --> 00:25:09,000
Speaker 1: I swear I'm not gonna call him Moroka in this

464
00:25:09,080 --> 00:25:12,240
Speaker 1: episode of The After Party, despite having said it numerous

465
00:25:12,280 --> 00:25:15,359
Speaker 1: times and the Hollywoodland Rap Party. This is one of

466
00:25:15,400 --> 00:25:19,120
Speaker 1: my favorite episodes just because of the connection between Alex

467
00:25:19,359 --> 00:25:23,919
Speaker 1: Rocco and Boston in Somerville, Massachusetts, and the connection to,

468
00:25:24,080 --> 00:25:27,240
Speaker 1: of course, The Godfather, one of my favorite movies of

469
00:25:27,240 --> 00:25:29,680
Speaker 1: all time. One of your favorite movies of all time. Hollywoodland,

470
00:25:29,680 --> 00:25:31,640
Speaker 1: for those of you who do not know, is our

471
00:25:31,680 --> 00:25:35,000
Speaker 1: Hollywood and true crime podcast that I host, and every

472
00:25:35,040 --> 00:25:37,119
Speaker 1: week we do a bonus episode like this one in

473
00:25:37,160 --> 00:25:39,679
Speaker 1: the hollywood Land Feed. In addition to the full episode,

474
00:25:39,720 --> 00:25:42,440
Speaker 1: we do a bonus episode with Zeth and I. Zeth

475
00:25:42,520 --> 00:25:45,240
Speaker 1: really takes the helm on the rap party. Matt give

476
00:25:45,320 --> 00:25:49,720
Speaker 1: him a little clip, Jake, what music res inspired by

477
00:25:49,800 --> 00:25:52,760
Speaker 1: Alex Rocco? Are you bringing today? I got admit I

478
00:25:53,080 --> 00:25:58,919
Speaker 1: completely fucked up and I did Morocco recommendations we're going to.

479
00:25:59,280 --> 00:26:03,000
Speaker 1: I was wondering why this was so hard. Alex Roka,

480
00:26:03,040 --> 00:26:08,120
Speaker 1: Alex Roca Okay, I think, Oh Roco Rocko, Yeah, fuck,

481
00:26:08,160 --> 00:26:11,520
Speaker 1: that's right, that's right, mo Roca. Oh, I can't I

482
00:26:11,640 --> 00:26:14,040
Speaker 1: do this right? I did do Okay, So I screwed

483
00:26:14,119 --> 00:26:16,480
Speaker 1: up already I did. I literally did. Alex Roca, even

484
00:26:16,520 --> 00:26:20,919
Speaker 1: though it's Alex Rocco got me to Alex Roca Roca Rolla, Okay,

485
00:26:21,040 --> 00:26:25,520
Speaker 1: RockA Rolla all right? The sign off from Disgraceland, one

486
00:26:25,520 --> 00:26:27,600
Speaker 1: of the hundred greatest podcasts of all time. I just

487
00:26:27,640 --> 00:26:30,120
Speaker 1: found out. We'll talk more about that in disgrace Land.

488
00:26:31,760 --> 00:26:35,120
Speaker 1: RockA Rolla. People have often asked me, and I tell

489
00:26:35,160 --> 00:26:38,080
Speaker 1: them this answer, and I get very little feedback from it.

490
00:26:38,119 --> 00:26:42,000
Speaker 1: But it's from the Judas Priest song RockA Rolla from

491
00:26:42,000 --> 00:26:45,919
Speaker 1: their debut album nineteen seventy fours rock a Rolla. The

492
00:26:46,040 --> 00:26:51,160
Speaker 1: song is incredible. I you know, I knew the song

493
00:26:51,200 --> 00:26:54,000
Speaker 1: when I started recording Disgraceland and writing Disgraced. I had

494
00:26:54,040 --> 00:26:56,880
Speaker 1: no intention of using that as a sign off. It's

495
00:26:56,920 --> 00:26:59,240
Speaker 1: just something that came to mind and I said it immediately,

496
00:26:59,640 --> 00:27:02,359
Speaker 1: and I just without any thought, I said it, and

497
00:27:02,400 --> 00:27:05,840
Speaker 1: I just kept saying it. Well, now rock a roller

498
00:27:05,920 --> 00:27:10,160
Speaker 1: which I highly highly recommend as a song. It's great,

499
00:27:10,160 --> 00:27:12,640
Speaker 1: it's Juis Priests, it's got harmonica, it's so fucking good.

500
00:27:12,840 --> 00:27:14,760
Speaker 1: And anyways, it's a big part of all the best

501
00:27:16,840 --> 00:27:19,400
Speaker 1: the seventies albums are wild when they don't really quite

502
00:27:19,440 --> 00:27:22,960
Speaker 1: know what they're doing yet. Yeah, it's great. All right.

503
00:27:23,000 --> 00:27:26,040
Speaker 1: That is Hollywoodland. Make sure you are subscribed and following

504
00:27:26,080 --> 00:27:28,560
Speaker 1: on whatever podcast Apple, My dog is freaking out? Do

505
00:27:28,600 --> 00:27:32,679
Speaker 1: you hear that? Subscribe and follow on Apple Podcasts, Spotify,

506
00:27:32,800 --> 00:27:36,359
Speaker 1: sorry about that. Wherever you get your podcasts, search for Hollywoodland.

507
00:27:36,400 --> 00:27:38,280
Speaker 1: Give it a follow. We're coming at you. Twice a

508
00:27:38,280 --> 00:27:39,920
Speaker 1: week over in that feed as well as right here

509
00:27:39,920 --> 00:27:43,080
Speaker 1: and disgrace that. Now listen, it is time for the

510
00:27:43,160 --> 00:27:46,720
Speaker 1: sixty second Sports Rant and Under thirty Seconds, and I

511
00:27:46,760 --> 00:27:48,639
Speaker 1: am all keyed up, and not just because I've been

512
00:27:48,680 --> 00:27:50,919
Speaker 1: drinking five Hour Energy. I am keyed up because what

513
00:27:50,960 --> 00:27:54,760
Speaker 1: the hell are the Red Sox doing? For real? All right, Matt, Matt,

514
00:27:54,880 --> 00:27:56,680
Speaker 1: hold up on that buzzer beat it for just a second.

515
00:27:56,760 --> 00:27:59,000
Speaker 1: Let me tell the people that this episode of the

516
00:27:59,040 --> 00:28:01,600
Speaker 1: sixty second Sports and Under thirty Seconds is brought to

517
00:28:01,680 --> 00:28:03,960
Speaker 1: you again by our friends at five Hour Energy and

518
00:28:04,000 --> 00:28:07,560
Speaker 1: their new confetti Craze flavor tastes just like birthday cake

519
00:28:07,600 --> 00:28:09,679
Speaker 1: with a vanilla and buttery flavor to let you be

520
00:28:09,880 --> 00:28:15,600
Speaker 1: unapologetically extra and unstoppably energized. Head to your local retailer www.

521
00:28:15,720 --> 00:28:18,440
Speaker 1: Dot five hour Energy dot com or Amazon to order

522
00:28:18,480 --> 00:28:20,320
Speaker 1: yours today. All right, Matt, Now you can hook a

523
00:28:20,320 --> 00:28:23,600
Speaker 1: brother up with that buzzer beater. Listen, the Boston Red

524
00:28:23,640 --> 00:28:27,320
Speaker 1: Sox have lost three in a row. Looking up at

525
00:28:27,359 --> 00:28:29,960
Speaker 1: the Yankees again, I don't even know where to I'm

526
00:28:29,960 --> 00:28:33,119
Speaker 1: beside myself here. I feel like we got a series

527
00:28:33,160 --> 00:28:35,119
Speaker 1: coming up this weekend with the New York Yankees. This

528
00:28:35,160 --> 00:28:39,760
Speaker 1: is potentially a season defining series. The Red Sox really

529
00:28:39,760 --> 00:28:42,440
Speaker 1: need to get off the snide. Now, am I confident? No?

530
00:28:42,840 --> 00:28:44,680
Speaker 1: Is it because the Red Sox don't have enough pitching?

531
00:28:45,000 --> 00:28:47,600
Speaker 1: Is it because they can't hit their way out of

532
00:28:47,680 --> 00:28:50,840
Speaker 1: extra innings? No? And no? Is it because I'm afraid

533
00:28:51,160 --> 00:28:53,560
Speaker 1: Major League Baseball is gonna do something stupid like implement

534
00:28:53,600 --> 00:28:57,120
Speaker 1: a time saving ghost runner man dude on second to

535
00:28:57,400 --> 00:29:01,280
Speaker 1: augment their ridiculous extra innings starting on second rule that

536
00:29:01,280 --> 00:29:04,240
Speaker 1: they have. Now, No, that's not why I'm not confident.

537
00:29:04,680 --> 00:29:06,960
Speaker 1: You know why I'm not confident. I'm gonna tell you why.

538
00:29:07,280 --> 00:29:10,560
Speaker 1: Because the Red Sox lack killers. Now, that's as I say,

539
00:29:10,560 --> 00:29:13,800
Speaker 1: they don't have any killers. They do, they have a couple,

540
00:29:14,040 --> 00:29:16,120
Speaker 1: but they don't have enough, not enough to win a

541
00:29:16,120 --> 00:29:18,440
Speaker 1: World series, not right now. And I go back to

542
00:29:18,480 --> 00:29:19,880
Speaker 1: the trade dead I'm not gonna do it, but I do.

543
00:29:19,920 --> 00:29:22,240
Speaker 1: I go back to the trade deadline. Listen, to win

544
00:29:22,360 --> 00:29:26,360
Speaker 1: a World series, you need baseball players with ice water

545
00:29:26,520 --> 00:29:31,040
Speaker 1: in their veins, killing machine late inning assassins. And aside

546
00:29:31,040 --> 00:29:35,080
Speaker 1: from Chapman and Bragman, where is the steely eyed, can't

547
00:29:35,120 --> 00:29:39,040
Speaker 1: be shook killer attitude on these players that I'm watching

548
00:29:39,040 --> 00:29:43,000
Speaker 1: in extra innings now in the regular season where they

549
00:29:43,040 --> 00:29:44,560
Speaker 1: don't have it now, they're not gonna have it in

550
00:29:44,560 --> 00:29:48,240
Speaker 1: the championship. These last few games against the Baltimore Frickin'

551
00:29:48,240 --> 00:29:51,360
Speaker 1: Orioles have proven to me that this is what is

552
00:29:51,400 --> 00:29:53,800
Speaker 1: most needed out of this squad. And if they're gonna

553
00:29:53,840 --> 00:29:56,080
Speaker 1: pass the Yankees, who, like I said, they're now looking

554
00:29:56,200 --> 00:29:59,280
Speaker 1: up at in the standings, I don't I don't know

555
00:29:59,280 --> 00:30:02,160
Speaker 1: that they can do it without augmenting the team in

556
00:30:02,200 --> 00:30:04,640
Speaker 1: some way or someone you're one of the younger players

557
00:30:04,680 --> 00:30:08,040
Speaker 1: stepping up. They might be too young, they might be

558
00:30:08,080 --> 00:30:10,840
Speaker 1: too green, they might be too happy, they might be

559
00:30:10,880 --> 00:30:14,240
Speaker 1: too nice. I don't know. They're too something. But they're

560
00:30:14,280 --> 00:30:17,760
Speaker 1: not killer enough. And I hope I'm wrong, Matt, How'd

561
00:30:17,760 --> 00:30:17,960
Speaker 1: I do?

562
00:30:18,400 --> 00:30:21,960
Speaker 6: Sorry? Jake one fifty five this week wondering if maybe

563
00:30:22,000 --> 00:30:26,720
Speaker 6: we should consider maybe renaming the segment thirty second sports

564
00:30:26,800 --> 00:30:29,120
Speaker 6: ran under two and a half minutes or something.

565
00:30:29,200 --> 00:30:31,800
Speaker 1: I don't know, you know, I just get a maybe

566
00:30:31,840 --> 00:30:36,560
Speaker 1: I don't have killer instinct. Maybe maybe I should take

567
00:30:36,600 --> 00:30:39,360
Speaker 1: some of my own medicine here. Maybe I should Uh,

568
00:30:39,760 --> 00:30:41,719
Speaker 1: I should go back to the drawing board, I should go,

569
00:30:41,840 --> 00:30:43,840
Speaker 1: I should get you. Go back to the to the research,

570
00:30:45,120 --> 00:30:47,800
Speaker 1: the analytics, try to figure this out. Try to try

571
00:30:47,800 --> 00:30:51,120
Speaker 1: to land this plane in under thirty seconds. That was

572
00:30:51,160 --> 00:30:53,960
Speaker 1: the sports rant sponsored by Five Hour Energies New Confetti

573
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574
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575
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576
00:31:04,400 --> 00:31:07,720
Speaker 1: at www dot five hour Energy dot com. All right,

577
00:31:08,040 --> 00:31:12,200
Speaker 1: speaking of killer instincts, as a music manager, Sharon Osborne

578
00:31:12,240 --> 00:31:15,800
Speaker 1: certainly had that quality, and so did her father, Don Arden.

579
00:31:16,040 --> 00:31:18,800
Speaker 1: We're gonna get into both, along with the Ozzy Osbourne

580
00:31:18,920 --> 00:31:20,959
Speaker 1: us in Asia rumors that have cropped up in the

581
00:31:21,000 --> 00:31:24,920
Speaker 1: Bonus rabbit Hole section of this After Party. What's that? Well, listen,

582
00:31:24,960 --> 00:31:27,200
Speaker 1: it's this new segment we're doing. I don't know that's

583
00:31:27,200 --> 00:31:29,280
Speaker 1: gonna join me now. I think we're just gonna I

584
00:31:29,280 --> 00:31:31,320
Speaker 1: want to figure out this Elliott Smith thing we did

585
00:31:31,400 --> 00:31:34,680
Speaker 1: last week and Al Jackson Junior. You know, oftentimes Zeth

586
00:31:34,720 --> 00:31:36,800
Speaker 1: and I are just calling each other, texting each other,

587
00:31:36,880 --> 00:31:39,680
Speaker 1: emailing each other all day every day, asking are there

588
00:31:39,880 --> 00:31:42,520
Speaker 1: is there enough here for this story? On this artist

589
00:31:42,600 --> 00:31:44,360
Speaker 1: on this episode. I thought, why don't we just do

590
00:31:44,440 --> 00:31:46,840
Speaker 1: it here in the bonus section. We'll climb into the

591
00:31:46,920 --> 00:31:49,920
Speaker 1: rabbit hole. We'll do it in real time with you guys.

592
00:31:50,000 --> 00:31:51,800
Speaker 1: You can chime in whether you think there's enough here

593
00:31:51,840 --> 00:31:55,040
Speaker 1: on an episode or not. And we're gonna start today

594
00:31:55,360 --> 00:31:57,800
Speaker 1: with the Sharon Osbourne thing. We might end it today too.

595
00:31:57,840 --> 00:31:59,520
Speaker 1: If it doesn't work, if you guys aren't into it,

596
00:31:59,560 --> 00:32:02,200
Speaker 1: I don't know. We'll see. But if it's something cool,

597
00:32:02,240 --> 00:32:03,760
Speaker 1: we'll keep doing it. Man, We'll do it next week

598
00:32:03,800 --> 00:32:05,120
Speaker 1: and we'll just do it on and on and on.

599
00:32:05,320 --> 00:32:07,440
Speaker 1: All right, but here's the deal, as always. To get

600
00:32:07,440 --> 00:32:09,440
Speaker 1: the bonus section of the after Party, get a sign up.

601
00:32:09,480 --> 00:32:12,400
Speaker 1: Go to disgracelanmdpod dot com slash membership sign up for

602
00:32:12,480 --> 00:32:14,040
Speaker 1: just five bucks a month. You can be a member

603
00:32:14,120 --> 00:32:17,160
Speaker 1: on Apple Podcast. You can be a member on Patreon.

604
00:32:17,400 --> 00:32:19,960
Speaker 1: You're gonna get the exclusive section of this episode. You're

605
00:32:20,000 --> 00:32:22,840
Speaker 1: gonna get ad free listening. You're gonna get extra content

606
00:32:23,120 --> 00:32:47,800
Speaker 1: every month. All right, Welcome back, welcome back, welcome back.

607
00:32:47,840 --> 00:32:50,440
Speaker 1: We are back the vault. Let's get into the vault.

608
00:32:50,480 --> 00:32:52,440
Speaker 1: Let's crack open the vault. We talked a lot in

609
00:32:52,480 --> 00:32:56,640
Speaker 1: this episode, mainly in the exclusive portion about some Disgraceland

610
00:32:56,680 --> 00:32:59,920
Speaker 1: featured artists. We mentioned Keith Moon, we mentioned Jimmy Pay,

611
00:33:00,240 --> 00:33:03,400
Speaker 1: We mentioned ac DC and Dave Grohl earlier I think

612
00:33:03,440 --> 00:33:05,920
Speaker 1: back in the C block when we're taking calls. All

613
00:33:06,000 --> 00:33:11,960
Speaker 1: those artists have disgrace Land episodes existing in our massive

614
00:33:12,120 --> 00:33:15,440
Speaker 1: archive of over two hundred and thirty episodes. Matt will

615
00:33:15,480 --> 00:33:18,760
Speaker 1: have the episode information for you in the show notes

616
00:33:19,000 --> 00:33:22,280
Speaker 1: of this bonus episode, so you can easily find those stories.

617
00:33:22,480 --> 00:33:24,960
Speaker 1: Should you be interested, and why shouldn't you be? They're

618
00:33:25,040 --> 00:33:26,680
Speaker 1: pretty good stories. You can want to check them out.

619
00:33:27,160 --> 00:33:28,720
Speaker 1: All right, I gotta get out of here, so let's

620
00:33:28,720 --> 00:33:31,280
Speaker 1: recap real quick. Number one this week, our full episode

621
00:33:31,280 --> 00:33:34,160
Speaker 1: on Motorhead is available right now wherever you listen to podcasts.

622
00:33:34,360 --> 00:33:36,760
Speaker 1: Coming up next in your feed on Friday, We've got

623
00:33:36,760 --> 00:33:40,080
Speaker 1: two episodes on Willie Nelson Part one and Part two

624
00:33:40,640 --> 00:33:44,080
Speaker 1: next week, and this is number three next week, Kendrick Lamar,

625
00:33:44,200 --> 00:33:46,960
Speaker 1: our new episode on Kendrick Lamar, that's coming your way.

626
00:33:47,040 --> 00:33:50,480
Speaker 1: Number four on Hollywood Land right now, Alex Rocko, that's

627
00:33:50,520 --> 00:33:52,760
Speaker 1: our story. Go check that out. Number five six one

628
00:33:52,840 --> 00:33:56,200
Speaker 1: seven nine oh six six six three eight your voice

629
00:33:56,280 --> 00:33:59,440
Speaker 1: keeps this show dangerous. Your voice helps us find what

630
00:33:59,640 --> 00:34:03,040
Speaker 1: gup buried. Keep texting, keep calling, help us reclaim the

631
00:34:03,040 --> 00:34:05,200
Speaker 1: stories they never wanted us to tell in the first place.

632
00:34:05,240 --> 00:34:08,080
Speaker 1: Number six, don't forget discos. This isn't just content. It's

633
00:34:08,120 --> 00:34:10,719
Speaker 1: a community, a community of the obsessed. No one cares

634
00:34:10,719 --> 00:34:13,799
Speaker 1: about music, books, records in the crime and grime. It

635
00:34:13,880 --> 00:34:15,799
Speaker 1: ties them all together like you do. And well that

636
00:34:15,960 --> 00:34:19,920
Speaker 1: is a disgrace, all right. Our patron saint of speed freaks,

637
00:34:20,239 --> 00:34:23,680
Speaker 1: lem Me from Motorhead, passed away on December twenty, twenty fifteen.

638
00:34:23,880 --> 00:34:26,200
Speaker 1: Here's what America was listening to on that day, as

639
00:34:26,200 --> 00:34:32,320
Speaker 1: demonstrated by the Billboard charts. Number one, Hello Adele last

640
00:34:32,360 --> 00:34:37,920
Speaker 1: week one, peak position one weeks on Chart seven. Number

641
00:34:37,960 --> 00:34:43,560
Speaker 1: two Sorry Justin Bieber last week two, peak position one,

642
00:34:43,640 --> 00:34:48,840
Speaker 1: two weeks on chart seven, number one. Number three, Hotline

643
00:34:49,000 --> 00:34:55,200
Speaker 1: Blink Drake last week three, peak position two weeks on

644
00:34:55,320 --> 00:35:01,200
Speaker 1: Chart nineteen. Number four what do you mean Berg? Last

645
00:35:01,200 --> 00:35:06,960
Speaker 1: week's on peak position one, number one weeks on Shark fifty.

646
00:35:07,239 --> 00:35:08,920
Speaker 1: Number five, I love your.

647
00:35:08,920 --> 00:35:34,880
Speaker 2: Son, Justin last last Saturn peak position seek so.

648
00:35:25,239 --> 00:35:27,720
Speaker 1: Quit talking and start mixing.

649
00:35:28,000 --> 00:35:28,239
Speaker 6: Cout