1 00:00:11,960 --> 00:00:17,040 Speaker 1: And it's drinks, motherfucking podcast. He's a legendary queen's rapper. 2 00:00:17,360 --> 00:00:19,479 Speaker 1: He's agreed, is your boy in o R. He's a 3 00:00:19,600 --> 00:00:22,880 Speaker 1: Miami hip hop pioneer up his dj E f FN. 4 00:00:22,920 --> 00:00:25,360 Speaker 1: Together they drink it up with some of the biggest 5 00:00:25,400 --> 00:00:30,520 Speaker 1: players in the most professional unprofessional podcast and yet number 6 00:00:30,560 --> 00:00:34,920 Speaker 1: one sorts for drunk fast Drinks New year' z. That's 7 00:00:36,000 --> 00:00:45,760 Speaker 1: for drink Champs, trick up? Mother? Would it good? Be 8 00:00:45,840 --> 00:00:47,640 Speaker 1: hoping these wouldn't sit bey? This is your boy and 9 00:00:48,520 --> 00:00:50,640 Speaker 1: what up? It's dj E f F and it's Jack 10 00:00:50,680 --> 00:00:59,920 Speaker 1: Towel of the one. Come on and drink right now. 11 00:01:00,000 --> 00:01:06,000 Speaker 1: I have to interse Hold keep really nervous, Hold guest, listen, 12 00:01:06,400 --> 00:01:09,360 Speaker 1: if you let me tell you something. This guy belongs 13 00:01:09,400 --> 00:01:12,520 Speaker 1: on everybody's mountain rush mall. He came here. He not 14 00:01:12,640 --> 00:01:15,480 Speaker 1: only destroyed us, destroyed the whole show was one of 15 00:01:15,480 --> 00:01:19,560 Speaker 1: our funniest shows we ever had ever. People were calling us. 16 00:01:19,959 --> 00:01:23,080 Speaker 1: They were telling us how funny this man is and 17 00:01:23,200 --> 00:01:25,720 Speaker 1: how much he destroyed the show. We wanted to have 18 00:01:25,800 --> 00:01:28,200 Speaker 1: him back to this man and they can't follow all 19 00:01:28,280 --> 00:01:32,200 Speaker 1: that this man was dropping. He's dropping a movie with 20 00:01:32,440 --> 00:01:35,480 Speaker 1: He's playing six different month's crazy. He got to be 21 00:01:35,520 --> 00:01:38,640 Speaker 1: out of his mind from doing this. You've seen him 22 00:01:38,640 --> 00:01:41,839 Speaker 1: when he played a dwarf. Do you not say midget? 23 00:01:41,840 --> 00:01:51,840 Speaker 1: That's not properly curt girl, six different people. If you 24 00:01:51,880 --> 00:01:53,160 Speaker 1: don't know who I want to talk about. We talking 25 00:01:53,160 --> 00:02:08,120 Speaker 1: about the incredible man. I almost built the wall. You 26 00:02:09,080 --> 00:02:17,160 Speaker 1: built the wall here hispanic? I thought, a gram that's 27 00:02:17,200 --> 00:02:23,320 Speaker 1: that's not right. Cold on everybody, not like the chicks. 28 00:02:25,919 --> 00:02:31,560 Speaker 1: Most racist. Okay, so listen, so listen. We've had you 29 00:02:31,600 --> 00:02:33,600 Speaker 1: on the show before. It was the most hilarious thing. 30 00:02:33,840 --> 00:02:41,600 Speaker 1: Let's get straight into listen. First one, we want to 31 00:02:41,600 --> 00:02:43,440 Speaker 1: thank you for when you went on the show and 32 00:02:43,480 --> 00:02:46,080 Speaker 1: they talked about the show, you said drink chance. You 33 00:02:46,120 --> 00:02:48,560 Speaker 1: addressed us as a drink chap. I appreciate that. But 34 00:02:48,639 --> 00:02:50,480 Speaker 1: let's move on. It was white people ship too. It 35 00:02:50,560 --> 00:02:52,000 Speaker 1: was some white people ship. I thought he was gonna 36 00:02:52,040 --> 00:02:54,799 Speaker 1: avoid us, yea. I thought you're gonna say did yeah, Yeah, 37 00:02:54,960 --> 00:02:56,959 Speaker 1: you're gonna say my homeboy show. I'm getting a little 38 00:02:57,000 --> 00:03:00,079 Speaker 1: high right now. But no one's even smoking. Yeah you 39 00:03:00,200 --> 00:03:05,600 Speaker 1: got smoking, don't worry. He started fight on the mouth 40 00:03:05,639 --> 00:03:09,040 Speaker 1: the mouth of the station. See if you are in 41 00:03:09,040 --> 00:03:21,480 Speaker 1: the house, I man the whole corner. That's that's the 42 00:03:21,800 --> 00:03:39,680 Speaker 1: lot corner. Just need time. Just I'm that ship going. 43 00:03:40,600 --> 00:03:46,600 Speaker 1: So next time I come, you're gonna blow. You'll have 44 00:03:46,600 --> 00:03:53,280 Speaker 1: to whole thing. Deldeo right there. Alright, So let's let's 45 00:03:53,280 --> 00:03:55,600 Speaker 1: start from what we're hoping right now. Right now, we 46 00:03:55,720 --> 00:03:57,960 Speaker 1: see the trailer for Netflix. It seems like your Netflix 47 00:03:58,000 --> 00:04:01,120 Speaker 1: is happening a great time opposite upon not like it's 48 00:04:01,160 --> 00:04:04,600 Speaker 1: a different basis from you, but you know his thing 49 00:04:04,600 --> 00:04:07,160 Speaker 1: about like you can't be mad at anybody trying to 50 00:04:07,160 --> 00:04:09,640 Speaker 1: get their money, just trying to get the money, trying 51 00:04:09,640 --> 00:04:11,400 Speaker 1: to get your money. You know, now, I don't know 52 00:04:11,440 --> 00:04:14,920 Speaker 1: about you have my back, but I mean, I wasn't 53 00:04:15,000 --> 00:04:17,880 Speaker 1: gonna be like I'm picking a Netflix. But look, I'm 54 00:04:17,920 --> 00:04:20,440 Speaker 1: not mad at anybody going to get their money. Go 55 00:04:20,560 --> 00:04:22,440 Speaker 1: get your money. I hope, I hope you know what 56 00:04:22,480 --> 00:04:24,000 Speaker 1: she does make what you make. But you know there's 57 00:04:24,040 --> 00:04:27,280 Speaker 1: a difference between you know, I want fifty million dollars 58 00:04:27,320 --> 00:04:34,159 Speaker 1: a pitching in the meantime, I just you don't do 59 00:04:34,200 --> 00:04:35,920 Speaker 1: what I do to try and get to the point 60 00:04:35,920 --> 00:04:38,000 Speaker 1: to where I could go. Yeah, now you know what 61 00:04:38,080 --> 00:04:43,080 Speaker 1: your first especially you have a Netflix that was wokenh said, Okay, 62 00:04:43,240 --> 00:04:45,640 Speaker 1: so now this is your second for Netflix. This isn't 63 00:04:45,640 --> 00:04:49,039 Speaker 1: a special, this is this is this going to because 64 00:04:49,600 --> 00:04:51,280 Speaker 1: that with Scorsese right now? I asked me a lot 65 00:04:51,279 --> 00:04:58,640 Speaker 1: of questions, any questions, Like there's actually one question is 66 00:04:58,800 --> 00:05:03,320 Speaker 1: not look okay, Go Go isn't going to theaters at all, 67 00:05:03,360 --> 00:05:05,560 Speaker 1: because of course it's did some new ship I've never 68 00:05:05,560 --> 00:05:09,000 Speaker 1: seen on Netflix that's going to theaters. Yeah, this is 69 00:05:09,000 --> 00:05:11,599 Speaker 1: going straight straight to Netflix. I think it is a 70 00:05:11,640 --> 00:05:13,680 Speaker 1: great theater experience, Like I'm gonna see a screening of 71 00:05:13,680 --> 00:05:16,080 Speaker 1: it right now. But it plays well with the audience 72 00:05:16,120 --> 00:05:18,480 Speaker 1: because it's big, laugh out lout comedy. We haven't had 73 00:05:18,480 --> 00:05:20,640 Speaker 1: a big comedy like this in a long time, so, 74 00:05:20,760 --> 00:05:22,200 Speaker 1: I mean, it would be great in the theaters. But 75 00:05:22,520 --> 00:05:25,200 Speaker 1: the great thing about Netflix is you do that ship 76 00:05:25,240 --> 00:05:27,520 Speaker 1: at home, watching with the family for the low low 77 00:05:27,600 --> 00:05:30,279 Speaker 1: price up twelve, thirteen, nine and nine a month. You know, 78 00:05:30,680 --> 00:05:32,440 Speaker 1: let me just tell you something. If you want to 79 00:05:32,480 --> 00:05:34,839 Speaker 1: make noise to that, you can't. Okay, you don't have to. 80 00:05:34,839 --> 00:05:36,880 Speaker 1: Can you keep that one doors and play somebody'all? Don't 81 00:05:37,880 --> 00:05:40,400 Speaker 1: you'll give me like five minutes go outside him, like 82 00:05:40,600 --> 00:05:43,360 Speaker 1: just breathing and come back to you too. Right then 83 00:05:43,360 --> 00:05:45,880 Speaker 1: it goes right now he's gonna come back. Don't believe him. 84 00:05:45,880 --> 00:05:48,479 Speaker 1: He's not coming back. Don't do it. Do you have 85 00:05:48,560 --> 00:05:54,880 Speaker 1: a beer? Yes? Week? Now, what's the other type of 86 00:05:54,920 --> 00:05:58,039 Speaker 1: beer you gave me? Last time? I told you? I 87 00:05:58,080 --> 00:06:05,719 Speaker 1: told you that there's no medicine because I was getting 88 00:06:05,720 --> 00:06:09,719 Speaker 1: closer to American. I don't touch American because they don't 89 00:06:09,720 --> 00:06:13,800 Speaker 1: know their niggas. They needed that stink pots his hand 90 00:06:13,880 --> 00:06:21,480 Speaker 1: up with that. No, like you said, dollo, sound like 91 00:06:21,560 --> 00:06:23,160 Speaker 1: you drink that ship? And I turned off my O 92 00:06:23,320 --> 00:06:35,320 Speaker 1: that you what if? That is the most racist kid 93 00:06:37,480 --> 00:06:40,840 Speaker 1: sing then a boy about the boy? Yet else? You 94 00:06:40,920 --> 00:06:51,320 Speaker 1: know recycled bottles, ram ship you. I drink this ship. 95 00:06:53,360 --> 00:06:55,599 Speaker 1: Last time I drink this ship? I had two kids. 96 00:06:56,279 --> 00:06:59,800 Speaker 1: Oh man, So so who made you get the idea? 97 00:07:00,160 --> 00:07:03,520 Speaker 1: Actually played? Because to me? To me, Joe, Joe decide, 98 00:07:03,560 --> 00:07:05,560 Speaker 1: I think this is your not even professor. I think 99 00:07:05,600 --> 00:07:08,479 Speaker 1: this is when you, like everyone put you to the 100 00:07:08,520 --> 00:07:11,880 Speaker 1: next plateau. You know what I'm saying. Like I personally 101 00:07:12,000 --> 00:07:13,760 Speaker 1: looked at it and I was like, wow, I obviously 102 00:07:13,800 --> 00:07:15,440 Speaker 1: I didn't see the whole thing, but I'm like, yo, 103 00:07:15,520 --> 00:07:17,880 Speaker 1: this is this is his you know, everyone needs that 104 00:07:17,960 --> 00:07:20,360 Speaker 1: one role to like push him over to the top. Top, 105 00:07:20,400 --> 00:07:21,760 Speaker 1: Like I'm not to say you're not at the top 106 00:07:21,880 --> 00:07:27,160 Speaker 1: for me, I need seven roles in movie because it's 107 00:07:27,160 --> 00:07:29,240 Speaker 1: an impossible test. So how do you come up with 108 00:07:29,240 --> 00:07:31,720 Speaker 1: with with this? Someone? Is the script you wrote? Because 109 00:07:31,720 --> 00:07:35,120 Speaker 1: I think the script that a guy mikelock wrote the 110 00:07:35,120 --> 00:07:38,360 Speaker 1: script and then uh Rick and I did a rewrite 111 00:07:38,400 --> 00:07:41,120 Speaker 1: on the script but directed it Mike Titus, who directs 112 00:07:41,120 --> 00:07:58,640 Speaker 1: all about my t tish but they must have I'm 113 00:07:58,720 --> 00:08:01,640 Speaker 1: hot right and every time I look at you and 114 00:08:01,680 --> 00:08:07,640 Speaker 1: I see a little eyes can make me scared. Scar 115 00:08:08,920 --> 00:08:14,040 Speaker 1: patch again. Change your shades? You got the music sold? Child? 116 00:08:14,240 --> 00:08:17,080 Speaker 1: Like you know you mean, then you'd be a little dimmer. 117 00:08:18,640 --> 00:08:21,720 Speaker 1: You got clear shades on him, you see, I I 118 00:08:21,760 --> 00:08:23,600 Speaker 1: need I need men be a little darker, so I'd 119 00:08:23,600 --> 00:08:30,680 Speaker 1: be like that. So he wrote the script and then 120 00:08:30,720 --> 00:08:32,920 Speaker 1: you sat there and so you know a girl loves you. 121 00:08:33,720 --> 00:08:43,360 Speaker 1: Can I shine your eyeball back now in the script? 122 00:08:43,440 --> 00:08:45,800 Speaker 1: Wasn't made for you to play all six rolls or 123 00:08:46,160 --> 00:08:48,560 Speaker 1: that was something you thought of that was it was 124 00:08:48,600 --> 00:08:55,199 Speaker 1: made for me to play all six years. Man, I 125 00:08:55,240 --> 00:08:59,600 Speaker 1: don't even jump. It's been a long time, I'm not 126 00:08:59,679 --> 00:09:01,640 Speaker 1: letting spot no more. By the way, this is the 127 00:09:01,679 --> 00:09:04,560 Speaker 1: same Champagne. How do you pronounced this? Jack? Let's shore, 128 00:09:04,880 --> 00:09:11,240 Speaker 1: it's the King's don't sound Let's like a gun shot 129 00:09:11,280 --> 00:09:14,640 Speaker 1: with Nick Camp from south Side without this come ever 130 00:09:14,880 --> 00:09:19,160 Speaker 1: see you you like Champagne? No, but I just wanted 131 00:09:19,320 --> 00:09:28,360 Speaker 1: we got to wear this one. You could come that ship. 132 00:09:28,880 --> 00:09:32,520 Speaker 1: Let's keep me filling up. Now. You know we didn't 133 00:09:32,520 --> 00:09:35,320 Speaker 1: finish one question that you asked me because it's you, 134 00:09:35,360 --> 00:09:39,320 Speaker 1: because you because bullshit, you caught me high the window. 135 00:09:39,720 --> 00:09:43,080 Speaker 1: So so then so now let's let's take it from 136 00:09:43,120 --> 00:09:45,200 Speaker 1: the time where you say, all right, cool, So nigg 137 00:09:45,200 --> 00:09:47,640 Speaker 1: is saying six fucking different people, six different people in 138 00:09:47,760 --> 00:09:49,840 Speaker 1: his thing like anybody. And and you know you're not 139 00:09:49,880 --> 00:09:53,440 Speaker 1: the method actor that are? You know, I grew up method, 140 00:09:53,440 --> 00:09:54,880 Speaker 1: but I'm not like one of them guys that but 141 00:09:55,040 --> 00:09:57,400 Speaker 1: they staying that role. Yeah, came out for your name 142 00:09:57,440 --> 00:10:01,479 Speaker 1: is Matt Kemp. You're just walking around back in baseball 143 00:10:00,120 --> 00:10:11,840 Speaker 1: all that out? Yeah, I don't actor, so I can 144 00:10:11,880 --> 00:10:33,120 Speaker 1: have uh, what is your purpose here? You? Yeah? Okay, 145 00:10:33,200 --> 00:10:37,360 Speaker 1: coming coming, okay, So all right, so what you're asking 146 00:10:37,440 --> 00:10:40,080 Speaker 1: six toughness? All right, you came to there and you said, uh, 147 00:10:40,559 --> 00:10:42,959 Speaker 1: six different roles? How do you prepare for yourself? Because 148 00:10:43,000 --> 00:10:46,240 Speaker 1: like we just touched on, like method active is you 149 00:10:46,600 --> 00:10:48,600 Speaker 1: dive into one role, So how the fun you dive 150 00:10:48,640 --> 00:10:51,720 Speaker 1: into seven? Because like you said, you're playing yourself. This 151 00:10:51,800 --> 00:10:54,520 Speaker 1: is how you know this, how you know you're meant 152 00:10:54,559 --> 00:11:00,000 Speaker 1: to do it is It wasn't like this hard process 153 00:11:00,120 --> 00:11:02,760 Speaker 1: is for me. This is what I'm gifted to do. 154 00:11:02,840 --> 00:11:05,320 Speaker 1: I've seen it. As I'm reading in the script, i go, oh, 155 00:11:05,400 --> 00:11:07,160 Speaker 1: here's a voice I can do for this one. And 156 00:11:07,200 --> 00:11:09,280 Speaker 1: here's the CHARACTERNA make on this one. This one I 157 00:11:09,320 --> 00:11:11,360 Speaker 1: want to look like this. So I'm building these as 158 00:11:11,400 --> 00:11:14,200 Speaker 1: I'm reading it, and as I'm rewriting it and going, oh, 159 00:11:14,280 --> 00:11:16,000 Speaker 1: you know what character I could do? And I'm building 160 00:11:16,000 --> 00:11:18,640 Speaker 1: the character so I never when we say action, I 161 00:11:18,679 --> 00:11:22,160 Speaker 1: can dip from each character depending I never mess up. 162 00:11:22,240 --> 00:11:25,400 Speaker 1: I improvised in the character's voice. I'm able to improvise 163 00:11:25,480 --> 00:11:27,840 Speaker 1: and work with myself like I'm doing a movie with 164 00:11:27,960 --> 00:11:30,720 Speaker 1: myself the whole movie. It's like, and what's dope is 165 00:11:30,720 --> 00:11:34,840 Speaker 1: listening all praises to Richard pryor who you know which 166 00:11:34,840 --> 00:11:38,160 Speaker 1: which way is up? But and and and Eddie took 167 00:11:38,160 --> 00:11:40,880 Speaker 1: it to the next level when he did a Night Professor, 168 00:11:40,960 --> 00:11:43,520 Speaker 1: when he did the Clumps, and when he also did 169 00:11:43,600 --> 00:11:48,480 Speaker 1: Uh Coming to America. I mean, you understand, these are 170 00:11:48,480 --> 00:11:52,040 Speaker 1: the movies that inspired me, you know, and everybody has 171 00:11:52,040 --> 00:11:55,480 Speaker 1: been inspired by somebody like Prior was inspired by Sellers, 172 00:11:55,840 --> 00:11:58,640 Speaker 1: Peter Sellers. And also he's a big Charlie Chaplin fan. 173 00:11:58,880 --> 00:12:01,120 Speaker 1: Charlie Chaplin played more two characters. I think it wasn't 174 00:12:01,120 --> 00:12:03,360 Speaker 1: a dictator. So this is something that people would have done. 175 00:12:03,520 --> 00:12:04,880 Speaker 1: But if you're gonna do it, you gotta take it 176 00:12:04,920 --> 00:12:07,440 Speaker 1: to the next level. And um, I think what we 177 00:12:07,480 --> 00:12:10,120 Speaker 1: did was we did like motion capture, so it's not 178 00:12:10,200 --> 00:12:12,000 Speaker 1: like cutaways. When Eddie did it, it it was like a 179 00:12:12,040 --> 00:12:14,880 Speaker 1: cutaway here, cut away there, cut away there, a lock off. 180 00:12:15,080 --> 00:12:17,760 Speaker 1: So when we do it, the camera's moving, I'm in 181 00:12:17,840 --> 00:12:20,680 Speaker 1: the scene with myself. There's for me in the scene 182 00:12:20,720 --> 00:12:31,520 Speaker 1: because I'm talking to myself. Yeah, basically that was like 183 00:12:31,559 --> 00:12:34,160 Speaker 1: body doubles and standings and a lot of times we 184 00:12:34,600 --> 00:12:36,760 Speaker 1: just moved them and put sticks and that's what I 185 00:12:36,960 --> 00:12:40,800 Speaker 1: because I'm gonna replace them, so their reactions don't really 186 00:12:41,960 --> 00:12:44,840 Speaker 1: I'm replacing them, so I gotta remember what I did 187 00:12:44,880 --> 00:12:47,439 Speaker 1: the day before. My everybody thought it's crazy. So I'll 188 00:12:47,440 --> 00:12:50,040 Speaker 1: doing this one scene and I like this. And I 189 00:12:50,120 --> 00:12:51,800 Speaker 1: was talking to my sister and she was like and 190 00:12:51,840 --> 00:12:53,719 Speaker 1: she was all off in my fact like that and 191 00:12:53,720 --> 00:12:56,520 Speaker 1: I want to and he was like yo, director was like, yo, cut, 192 00:12:56,520 --> 00:12:58,920 Speaker 1: what are you doing? I said, Nick, trust me. So 193 00:12:58,960 --> 00:13:01,120 Speaker 1: the next day when I did, and I stay motherfucker 194 00:13:01,200 --> 00:13:03,320 Speaker 1: you know, and I hit all in his head. And 195 00:13:03,360 --> 00:13:06,560 Speaker 1: so when I did this to Max this from yesterday, 196 00:13:06,600 --> 00:13:10,080 Speaker 1: they were like, oh ship, you're seen this ship? Ye 197 00:13:15,360 --> 00:13:19,200 Speaker 1: dries or cycle like that? Yeah? Yeah, whatever I'm saying, crazy, 198 00:13:20,160 --> 00:13:23,280 Speaker 1: you go crazy. Here's the thing. I'm a good crazy though. 199 00:13:23,440 --> 00:13:30,240 Speaker 1: I'm sweating it's hot. Ship. Take you sell your stud 200 00:13:31,400 --> 00:13:36,520 Speaker 1: and sea and taking draws off like you calling you 201 00:13:36,679 --> 00:13:39,800 Speaker 1: drolling me the gun taking take a draw on? What else? 202 00:13:40,280 --> 00:13:48,719 Speaker 1: Time about you call? I ain't game? I mean got 203 00:13:48,760 --> 00:13:53,040 Speaker 1: the most friendly to your Take your drolls off, don't 204 00:13:53,640 --> 00:13:57,600 Speaker 1: you feel just like pull you back, sigh, don't take 205 00:13:58,760 --> 00:14:02,600 Speaker 1: take it, suspect. But she's pulled the balls out the side. 206 00:14:03,360 --> 00:14:07,600 Speaker 1: Maybe let your thick hand a little noddle suggestions from 207 00:14:07,600 --> 00:14:10,960 Speaker 1: you shot the shots? You know, we stold me that 208 00:14:11,000 --> 00:14:13,240 Speaker 1: good shot papers way did you hey? Did you have 209 00:14:13,600 --> 00:14:17,360 Speaker 1: was a costumes? Different costumes? That commercial you just did? 210 00:14:18,400 --> 00:14:21,520 Speaker 1: You just did a commercial that was a we had 211 00:14:21,520 --> 00:14:28,360 Speaker 1: commercial that it shout out to shot. Spoke yourself into stupidity, 212 00:14:29,680 --> 00:14:37,280 Speaker 1: then get clear, get that gun cancer in you. Listen. 213 00:14:37,480 --> 00:14:41,960 Speaker 1: I was just side this ship that's going out now, 214 00:14:42,040 --> 00:14:48,520 Speaker 1: don't put it batter you go to school. Shot, what's 215 00:14:48,560 --> 00:14:54,360 Speaker 1: your graine like? He was a terrible city? Was your 216 00:14:54,360 --> 00:15:00,520 Speaker 1: grain stilling school kid? Then we're gonna get him lying? 217 00:15:00,640 --> 00:15:03,400 Speaker 1: What is that? What is that? Cars? Weed, spray stock? 218 00:15:05,640 --> 00:15:10,000 Speaker 1: You're not fun? Yeah, you'll wait, you'll wake up here tomorrow. 219 00:15:10,080 --> 00:15:12,520 Speaker 1: We're happen to right, we're crazy. We should like some 220 00:15:12,640 --> 00:15:15,600 Speaker 1: champagne you're getting. It's high. It's spraying ship champagne. You 221 00:15:15,680 --> 00:15:17,720 Speaker 1: get come money if you don't take up sitting list, 222 00:15:17,760 --> 00:15:19,160 Speaker 1: if you buy all money, if you don't take a 223 00:15:19,200 --> 00:15:22,560 Speaker 1: sitt is that your core? This is carny. You look 224 00:15:22,920 --> 00:15:27,560 Speaker 1: just like snow Chai. That's not snow chip smoke chan. 225 00:15:28,720 --> 00:15:32,440 Speaker 1: It's really good. Check check it out. Check it out. 226 00:15:32,760 --> 00:15:42,720 Speaker 1: What I mean is oh no, come on, you know 227 00:15:42,760 --> 00:15:47,760 Speaker 1: what that is? Come on now? Wait, wait this white 228 00:15:47,760 --> 00:15:58,800 Speaker 1: ship on. Somebody awake cocaine outside of See she's blunt 229 00:16:00,440 --> 00:16:03,960 Speaker 1: nigga brooke me in motion. But still I'm convinced that 230 00:16:03,960 --> 00:16:08,440 Speaker 1: should like a zombie finger. That's a fellow all over 231 00:16:08,600 --> 00:16:12,160 Speaker 1: California and just print we start smoke chats. Make sure 232 00:16:12,200 --> 00:16:16,760 Speaker 1: you're gonna pick that up. Oh my god, so's just 233 00:16:16,800 --> 00:16:21,040 Speaker 1: heard selling products my interview. You just you yo drink 234 00:16:21,080 --> 00:16:26,880 Speaker 1: being being we got trying to get weeds and no, 235 00:16:27,240 --> 00:16:32,760 Speaker 1: Cresa all weeds. Soon want to come up this box 236 00:16:33,320 --> 00:16:41,800 Speaker 1: right here? Ye doing it? You ain't here. You're gonna 237 00:16:41,840 --> 00:16:56,880 Speaker 1: stop walking here to mind the nigger? Yo, who doo? 238 00:16:56,960 --> 00:17:08,680 Speaker 1: You can't walk? I can't. So that's no script read. 239 00:17:08,680 --> 00:17:13,160 Speaker 1: When you're doing these questions, you can talk. Just cover 240 00:17:13,560 --> 00:17:20,320 Speaker 1: we're talking. Give me the creeps, gonna tell us give 241 00:17:20,359 --> 00:17:24,960 Speaker 1: him a creepy scary jacket. I don't want to say 242 00:17:24,600 --> 00:17:27,879 Speaker 1: twenty years. I never know you felt that way. Now 243 00:17:28,119 --> 00:17:29,840 Speaker 1: it's hard to talk to you because I can't look 244 00:17:29,920 --> 00:17:32,760 Speaker 1: you in the eye because I don't get ship's contagious 245 00:17:32,760 --> 00:17:35,119 Speaker 1: and get out. And I mean next time you seeing me, 246 00:17:35,160 --> 00:17:39,720 Speaker 1: I'm like, hey, what's up? And I'm showing Jack the 247 00:17:39,840 --> 00:17:41,840 Speaker 1: script read like you know what I'm saying. How do you, 248 00:17:42,280 --> 00:17:44,440 Speaker 1: um find out if you want to do this part, 249 00:17:44,480 --> 00:17:47,760 Speaker 1: which one you're gonna play and whatnot? Who means when 250 00:17:48,240 --> 00:17:50,520 Speaker 1: when I right this? When we get a script like 251 00:17:50,560 --> 00:17:53,560 Speaker 1: this script, normally we come with the concepts ourselves okay 252 00:17:54,000 --> 00:17:57,320 Speaker 1: and um, but Tyson blowing it my way? I'm sorry 253 00:17:57,359 --> 00:18:08,639 Speaker 1: you're doing that intention it's sexually interesting. You can't keep 254 00:18:08,680 --> 00:18:10,800 Speaker 1: me high and ask me questions. I can't finish the question. 255 00:18:11,000 --> 00:18:12,399 Speaker 1: That's the whole point of it. While you're wearing a 256 00:18:12,760 --> 00:18:19,720 Speaker 1: power hat show free ship stop wing, free ship check. 257 00:18:20,720 --> 00:18:24,439 Speaker 1: I'm supporting the team man's if I was, if I 258 00:18:24,480 --> 00:18:28,960 Speaker 1: was working for you, win your ship too? Is anything wrong? 259 00:18:30,520 --> 00:18:34,800 Speaker 1: We're going to come back six six? Come on, man, 260 00:18:34,840 --> 00:18:37,840 Speaker 1: I think I would let you work for me. I 261 00:18:37,920 --> 00:18:42,280 Speaker 1: know you would. You in a malling shirt. I asked, 262 00:18:43,520 --> 00:18:45,640 Speaker 1: roll you got by like an old ring of tang. 263 00:18:49,960 --> 00:18:52,480 Speaker 1: What's bad when you when you're preparing for this roll 264 00:18:52,520 --> 00:18:56,920 Speaker 1: and whatnot? Who helps you do that when it's six tuplets? Um? Nobody? 265 00:18:56,960 --> 00:18:58,680 Speaker 1: I mean you know what you do is when you're 266 00:18:58,680 --> 00:19:01,560 Speaker 1: playing everybody? I would nephew, who was my standing on 267 00:19:01,640 --> 00:19:04,480 Speaker 1: the movie. We go and work out and then we 268 00:19:04,640 --> 00:19:07,480 Speaker 1: run lines and my assistant actually I'll just run lines, 269 00:19:07,560 --> 00:19:10,720 Speaker 1: and half the time I don't really like to learn 270 00:19:11,040 --> 00:19:14,399 Speaker 1: the lines because I'm too busy trying to create new lines. 271 00:19:14,480 --> 00:19:18,159 Speaker 1: So my processes the night before is I'm looking at 272 00:19:18,480 --> 00:19:20,679 Speaker 1: the thing on what can I say that's better than 273 00:19:21,000 --> 00:19:23,480 Speaker 1: than here? And then when I'm in the moment, now 274 00:19:23,520 --> 00:19:25,760 Speaker 1: I know all of this and I'm able to improvise 275 00:19:25,840 --> 00:19:28,359 Speaker 1: and flow for me, it's about to flow. So you 276 00:19:28,400 --> 00:19:29,760 Speaker 1: know when you just play and say some people with 277 00:19:29,800 --> 00:19:33,160 Speaker 1: seven people, this is an impossible movie. I don't know 278 00:19:33,240 --> 00:19:35,359 Speaker 1: how I did it, Like it almost killed me. How 279 00:19:35,359 --> 00:19:37,560 Speaker 1: about this? This was the work. I'd wake up at 280 00:19:37,560 --> 00:19:39,959 Speaker 1: two thirty in the morning and my assistant could attest 281 00:19:40,040 --> 00:19:43,560 Speaker 1: this to thirty in the morning, I'd go to sit 282 00:19:43,640 --> 00:19:46,040 Speaker 1: and make up for seven and a half hours. After 283 00:19:46,080 --> 00:19:49,359 Speaker 1: seven a half hours, I would work, sometimes sixteen to 284 00:19:49,480 --> 00:19:53,199 Speaker 1: eighteen hours after the seven hours I've been there, so 285 00:19:53,200 --> 00:19:56,120 Speaker 1: we're in twenty three hours. Then I would take and 286 00:19:56,160 --> 00:19:57,720 Speaker 1: they would have the hour and a half to take 287 00:19:57,760 --> 00:20:00,280 Speaker 1: the makeup off. I would go home. I would sleep 288 00:20:00,320 --> 00:20:02,080 Speaker 1: two and a half hours and have to be back 289 00:20:02,119 --> 00:20:04,640 Speaker 1: on set to do the same ship the next day. 290 00:20:05,400 --> 00:20:13,639 Speaker 1: That's work. God makes a pal. They worked me so 291 00:20:13,800 --> 00:20:17,879 Speaker 1: lot slaves felt bad. I can't believe they me to 292 00:20:17,880 --> 00:20:20,720 Speaker 1: pay that for a little bit more. Mother your proberly 293 00:20:20,720 --> 00:20:22,959 Speaker 1: you got that other thing right there and come over there. 294 00:20:23,000 --> 00:20:24,880 Speaker 1: I want you to read something. That thing. I want 295 00:20:24,920 --> 00:20:27,440 Speaker 1: you to read something. Is this the most challenging situation 296 00:20:27,480 --> 00:20:29,600 Speaker 1: that you've ever had as an actor or as a 297 00:20:29,800 --> 00:20:31,360 Speaker 1: in a tin of that period? There's a harder ship 298 00:20:31,400 --> 00:20:33,240 Speaker 1: ever in mind as a human, as a person, I 299 00:20:33,680 --> 00:20:36,280 Speaker 1: got okay, hold on one second, read to if and 300 00:20:36,400 --> 00:20:39,720 Speaker 1: Mike real quick read to me, Yeah, really quick. I 301 00:20:39,760 --> 00:20:44,000 Speaker 1: wanted to read. I don't know what's going on. Margin 302 00:20:44,080 --> 00:20:47,400 Speaker 1: Wayen's is an actor, producer, comedian, writer, and film director. 303 00:20:47,760 --> 00:20:52,840 Speaker 1: His films have grown more than one billion dollars in money. 304 00:20:54,720 --> 00:20:56,639 Speaker 1: Exactly what we needed right there? Hold on, hold on 305 00:20:56,760 --> 00:21:06,840 Speaker 1: name through movies made the dollars. Let's make myig. I 306 00:21:06,840 --> 00:21:12,520 Speaker 1: didn't make a beating dollars with other tain't you got tukers? 307 00:21:12,640 --> 00:21:16,040 Speaker 1: Look at this, nig. I ain't telling ship, he presid change. 308 00:21:16,080 --> 00:21:22,760 Speaker 1: I'm just doing all right. How I'm not poor, but 309 00:21:22,840 --> 00:21:24,679 Speaker 1: I ain't rich. But how does it feel to how 310 00:21:24,680 --> 00:21:29,800 Speaker 1: about this? We go to dinner, I'll chip in tree? 311 00:21:30,600 --> 00:21:32,399 Speaker 1: How does it feel like a person could Google you 312 00:21:32,520 --> 00:21:35,520 Speaker 1: and they can see that information that your movies on 313 00:21:35,640 --> 00:21:37,800 Speaker 1: his phone has grows. So for billion dollars, that gotta 314 00:21:37,840 --> 00:21:40,280 Speaker 1: feel great. But I mean it depends on who looking. 315 00:21:40,359 --> 00:21:44,879 Speaker 1: But they trying to rob me. I was. I wished 316 00:21:44,880 --> 00:21:46,560 Speaker 1: the studios will look at it like we need to 317 00:21:46,640 --> 00:21:49,360 Speaker 1: hide this nigga more because you know, I mean, look, 318 00:21:49,520 --> 00:21:51,359 Speaker 1: here's the thing. I'm still young in my career. This 319 00:21:51,560 --> 00:21:55,160 Speaker 1: is some niggas that had been I'm so blessed. I've 320 00:21:55,200 --> 00:21:57,360 Speaker 1: been doing it for thirty years and I just keep 321 00:21:57,880 --> 00:22:00,520 Speaker 1: making it a mission to get better. So I started 322 00:22:00,640 --> 00:22:02,880 Speaker 1: doing my stand up. You know, about eight years ago. 323 00:22:02,920 --> 00:22:06,320 Speaker 1: Everybody thought, oh well, I started in coffee shops. People 324 00:22:06,400 --> 00:22:08,440 Speaker 1: look at me and go, nik, you got a billion 325 00:22:08,480 --> 00:22:10,880 Speaker 1: dollars in the box? Off the are you doing here 326 00:22:11,080 --> 00:22:14,960 Speaker 1: in the coffee shop? You stand up? Whoever? Seven people know? 327 00:22:15,280 --> 00:22:19,160 Speaker 1: Just little rinky dink coffee shop. We're doing a pizza shop, yeah, 328 00:22:20,080 --> 00:22:22,639 Speaker 1: the Maris Pizza you know. Then I do open mics. 329 00:22:22,720 --> 00:22:25,480 Speaker 1: I went on the journey. Now I'm playing, you know, 330 00:22:25,800 --> 00:22:28,560 Speaker 1: clubs and selling clubs out next to theaters. After that 331 00:22:29,040 --> 00:22:31,280 Speaker 1: we try to get stadiums, arena and then I'm gonna 332 00:22:31,280 --> 00:22:34,600 Speaker 1: get a big gass change like your change, Nik, how 333 00:22:34,640 --> 00:22:39,240 Speaker 1: do you walk with that? I asked you about that 334 00:22:39,280 --> 00:22:40,960 Speaker 1: a long time on our first interview when we was 335 00:22:41,040 --> 00:22:44,320 Speaker 1: at Caroline about make sure you stayed at the mic. Oh, yeah, 336 00:22:44,760 --> 00:22:46,240 Speaker 1: I was. I asked you about that when he was 337 00:22:46,280 --> 00:22:48,200 Speaker 1: at Caroline's a long time going to green room, like 338 00:22:48,359 --> 00:22:50,800 Speaker 1: why are you doing this? And you here said the 339 00:22:50,920 --> 00:22:53,320 Speaker 1: only thing left was did you stand up? Because this 340 00:22:53,480 --> 00:22:56,160 Speaker 1: is the most purest form of entertainment. Now, the next 341 00:22:56,200 --> 00:22:58,080 Speaker 1: time I've seen you, I was on date last year 342 00:22:58,359 --> 00:23:00,040 Speaker 1: and he was doing stand up and then the what 343 00:23:00,160 --> 00:23:02,680 Speaker 1: I was wishing was like, Mom, isn't in everything? Why 344 00:23:02,920 --> 00:23:05,280 Speaker 1: is he doing it? And you explain right there to 345 00:23:05,400 --> 00:23:08,320 Speaker 1: her that you got a family that you gotta take 346 00:23:08,400 --> 00:23:11,960 Speaker 1: killed and whatnot. And it never stops, It never stops. 347 00:23:12,000 --> 00:23:14,080 Speaker 1: And if you stop, then you know what I'm saying, 348 00:23:14,480 --> 00:23:17,040 Speaker 1: You're supposed to progress and get better. I'm doing stand 349 00:23:17,119 --> 00:23:18,879 Speaker 1: up now because this is the glue to give me 350 00:23:18,960 --> 00:23:20,280 Speaker 1: the superstar him. If you want to get to the 351 00:23:20,359 --> 00:23:24,359 Speaker 1: next level, you gotta break yourself down and reconstruct yourself 352 00:23:24,440 --> 00:23:28,440 Speaker 1: and recreate a new you. What they've seen over thirty 353 00:23:28,560 --> 00:23:31,800 Speaker 1: years is I just keep evolving. I just keep getting better. 354 00:23:31,960 --> 00:23:35,120 Speaker 1: I just keep working. I'm a student of the fucking game. 355 00:23:35,200 --> 00:23:38,040 Speaker 1: That's why I stopped doing parodies. Noticed I stopped doing parodies, 356 00:23:38,280 --> 00:23:41,560 Speaker 1: which I love because I'm doing stories now that have 357 00:23:41,760 --> 00:23:44,320 Speaker 1: some emotion in it with these fun characters and its 358 00:23:44,359 --> 00:23:46,400 Speaker 1: broader human I could, I could, I could, I can 359 00:23:47,040 --> 00:23:49,600 Speaker 1: interject inside of that. So I'm trying to get to 360 00:23:49,720 --> 00:23:58,000 Speaker 1: superstar him everything. Yeah, I'm not there yet. I listen, 361 00:23:58,040 --> 00:24:01,920 Speaker 1: I ain't got a chip first class. Okay, but you 362 00:24:02,040 --> 00:24:04,440 Speaker 1: know most people look at you like you are superstars 363 00:24:06,119 --> 00:24:08,760 Speaker 1: and why are you is going on to coach looking 364 00:24:08,760 --> 00:24:12,919 Speaker 1: at me like white, why are you on this plane yet? 365 00:24:13,240 --> 00:24:15,800 Speaker 1: Read yet? But one day what you're saying, No, that's 366 00:24:15,800 --> 00:24:22,200 Speaker 1: what I'm saying, sister, Like, after all that the work 367 00:24:22,280 --> 00:24:26,280 Speaker 1: you've ever done, like we we look at you. I'm saying, 368 00:24:27,080 --> 00:24:30,320 Speaker 1: that's what we humble and honestly, you're kind of keeping 369 00:24:30,320 --> 00:24:32,520 Speaker 1: it real, like saying, this is the reality. And I 370 00:24:32,600 --> 00:24:34,920 Speaker 1: still gotta keep working there. And even when I'm there, 371 00:24:35,280 --> 00:24:37,879 Speaker 1: I'm still not there. I understand. You always set a 372 00:24:37,880 --> 00:24:40,640 Speaker 1: bigger goal for yourselfing like getting there, then it's about 373 00:24:40,680 --> 00:24:43,560 Speaker 1: what's the next goal. It's always a bigger dream. So 374 00:24:43,920 --> 00:24:46,080 Speaker 1: this story, this way, I'm working this way, I'm living this. 375 00:24:46,359 --> 00:24:47,959 Speaker 1: This is the thing I love. I love this bit. 376 00:24:48,440 --> 00:24:50,359 Speaker 1: People be like, niggive, how you why you work so much? 377 00:24:50,359 --> 00:24:53,480 Speaker 1: Because I love this ship. I love that. I'm like, 378 00:24:53,640 --> 00:24:56,840 Speaker 1: I've never been married. I would say that my career 379 00:24:57,280 --> 00:24:59,760 Speaker 1: is my marriage. I love this ship that wakes me 380 00:24:59,840 --> 00:25:02,000 Speaker 1: up a the morning and it stops you from sleeping 381 00:25:02,040 --> 00:25:04,120 Speaker 1: at night. I love it. Ship. Is there anything that's 382 00:25:04,160 --> 00:25:06,320 Speaker 1: awful limits, Like when you come out and you just say, 383 00:25:06,800 --> 00:25:10,200 Speaker 1: like if you're in, like you know, let's say you 384 00:25:10,320 --> 00:25:14,320 Speaker 1: so how you can Let's say no, Let's say let's 385 00:25:14,320 --> 00:25:21,280 Speaker 1: say you like actee it well put together, actually well together. 386 00:25:21,359 --> 00:25:24,160 Speaker 1: But let suppose you have to do show Boys Town. 387 00:25:24,359 --> 00:25:28,119 Speaker 1: I'm getting high because it looks like doing like a 388 00:25:28,200 --> 00:25:36,119 Speaker 1: slop machine. You have to show with Boys Town. You know, 389 00:25:37,119 --> 00:25:39,440 Speaker 1: everyone knows when your Boys Town is drop. Yeah, I 390 00:25:39,480 --> 00:25:41,399 Speaker 1: suppose you have to show on Boys Town. Do you 391 00:25:41,680 --> 00:25:47,119 Speaker 1: purposely make a game part of light so? Yeah? So 392 00:25:47,200 --> 00:25:49,240 Speaker 1: do you purposely make jokes about it? Or do you 393 00:25:49,280 --> 00:25:51,880 Speaker 1: purposely avoid that? How do you do in that situation? 394 00:25:51,960 --> 00:25:55,240 Speaker 1: I think a good joke, the best jokes make the 395 00:25:55,320 --> 00:25:58,960 Speaker 1: people who you're making fun of, the loudest. If I'm 396 00:25:59,000 --> 00:26:02,200 Speaker 1: doing Puerto Rican jokes and nigga jokes and the nigga's laughed, 397 00:26:02,240 --> 00:26:04,320 Speaker 1: I'm doing it. If I'm talking about Nigga I and 398 00:26:04,400 --> 00:26:07,520 Speaker 1: he ain't laughing, then the pob you fucked up situation, 399 00:26:07,600 --> 00:26:10,160 Speaker 1: but I'm talking about you just Oh, you're just numb 400 00:26:10,280 --> 00:26:20,040 Speaker 1: right now. I said, everybody needs laughs. He laughs, are inclusive. 401 00:26:20,080 --> 00:26:21,880 Speaker 1: It's all about how you tell me. It's a chance, 402 00:26:21,920 --> 00:26:23,840 Speaker 1: and you're always taking because you're never there's always gonna 403 00:26:23,880 --> 00:26:27,080 Speaker 1: be some sense to you. Hey, I got my phone 404 00:26:27,480 --> 00:26:31,159 Speaker 1: too far? Always I love it. I get four or 405 00:26:31,240 --> 00:26:35,359 Speaker 1: five every night, but every time I get it all, 406 00:26:35,480 --> 00:26:38,200 Speaker 1: I'm like, you ever feel bad? You ever said damn? 407 00:26:38,240 --> 00:26:40,000 Speaker 1: Maybe I shouldn't have said that. You never feel like 408 00:26:41,680 --> 00:26:52,920 Speaker 1: you're even apologizing? Same night, back, same night, I'm talking 409 00:26:52,960 --> 00:26:55,159 Speaker 1: about it. I'm on this date and we were at 410 00:26:55,200 --> 00:27:00,800 Speaker 1: my show before that. The girl I was dying. She 411 00:27:00,880 --> 00:27:02,320 Speaker 1: was just like I always thinking that I was saying 412 00:27:02,359 --> 00:27:05,200 Speaker 1: something sucked up ship and everything. But as a comedian, 413 00:27:06,000 --> 00:27:08,240 Speaker 1: things aren't sucked up to us, you know, we always 414 00:27:08,280 --> 00:27:11,159 Speaker 1: try to look for the brightest side of it. Was 415 00:27:11,240 --> 00:27:13,800 Speaker 1: something funny, you no matter how the situation is, so 416 00:27:14,119 --> 00:27:16,919 Speaker 1: he was going through a situation with your mom. Your 417 00:27:17,000 --> 00:27:20,320 Speaker 1: mom was very sick and one and to the point 418 00:27:20,320 --> 00:27:23,879 Speaker 1: where she possibly might be it might be terminal. And 419 00:27:24,040 --> 00:27:25,840 Speaker 1: he made so many jokes about it. And the girl 420 00:27:25,880 --> 00:27:29,480 Speaker 1: I wish she was like, what the fuck you got kidding? 421 00:27:30,680 --> 00:27:34,560 Speaker 1: Know about his mom? About his mom, about that, But 422 00:27:34,680 --> 00:27:37,960 Speaker 1: she's not She lived, She live cool, cool. You know 423 00:27:38,080 --> 00:27:43,880 Speaker 1: that billion dollars she spends, they like damn money. Yeah, 424 00:27:46,200 --> 00:27:48,200 Speaker 1: but he made her understand me more. But you know 425 00:27:48,240 --> 00:27:50,440 Speaker 1: why I get that from I get that from my mom. 426 00:27:50,880 --> 00:27:53,440 Speaker 1: I get that from our situation. We grew up so 427 00:27:53,600 --> 00:27:56,679 Speaker 1: poor that all we had was jokes. I've been through 428 00:27:56,720 --> 00:27:59,240 Speaker 1: the worst, So what's funny? This is how I lived? 429 00:28:00,160 --> 00:28:03,280 Speaker 1: What's funny about the darkest ship? Like a fucking think 430 00:28:03,320 --> 00:28:05,679 Speaker 1: of what's dark? What's funny about the most painful thing 431 00:28:06,000 --> 00:28:08,080 Speaker 1: that ever happened to you? And now for me, in 432 00:28:08,160 --> 00:28:10,879 Speaker 1: my stand up, like my whole ship right now is 433 00:28:11,040 --> 00:28:13,280 Speaker 1: getting to a better place. Because before I talk about 434 00:28:13,280 --> 00:28:15,800 Speaker 1: the world, this new one, this is about me. This 435 00:28:15,880 --> 00:28:17,720 Speaker 1: is about my life, This is about my kids, about 436 00:28:17,760 --> 00:28:20,879 Speaker 1: my family, whom as a father doesn't man, this is incredible. 437 00:28:20,920 --> 00:28:23,960 Speaker 1: I'm getting I'm getting better, But I still say we 438 00:28:24,080 --> 00:28:26,119 Speaker 1: got to go in the dark. Kids. What do you 439 00:28:26,160 --> 00:28:30,320 Speaker 1: mean about getting better? Did you get better? Better as 440 00:28:30,359 --> 00:28:34,080 Speaker 1: a comedic comedy, don't get better as a human? I 441 00:28:34,200 --> 00:28:36,680 Speaker 1: like that? I think I like that. I mean because 442 00:28:36,680 --> 00:28:38,720 Speaker 1: I like that, like for real, because do you have 443 00:28:38,800 --> 00:28:43,600 Speaker 1: to get about how you are? You have to stand 444 00:28:50,240 --> 00:28:56,720 Speaker 1: I think as a person, Yeah, I'm getting Honestly, I'm 445 00:28:56,720 --> 00:29:00,920 Speaker 1: getting better at comedy. I think my last eight years 446 00:29:00,960 --> 00:29:05,120 Speaker 1: of my life has been so crazy in terms of 447 00:29:05,680 --> 00:29:09,320 Speaker 1: it's it's a complete change from what I was. So 448 00:29:09,480 --> 00:29:12,680 Speaker 1: I think I'm getting better as a comedian and I'm 449 00:29:12,760 --> 00:29:15,640 Speaker 1: growing as a person because I'm going through more painful 450 00:29:15,680 --> 00:29:18,640 Speaker 1: ship in my life now than when I did in 451 00:29:18,720 --> 00:29:21,040 Speaker 1: my earlier years. I'm able to express it in a 452 00:29:21,080 --> 00:29:22,840 Speaker 1: funny way because when the last time you was here, 453 00:29:22,880 --> 00:29:24,560 Speaker 1: he was like boys town. When I do, here's the thing, 454 00:29:24,600 --> 00:29:27,760 Speaker 1: my boys son, right, if I do engage joke that 455 00:29:28,000 --> 00:29:30,960 Speaker 1: my gay daughter and go was that funny? Because my 456 00:29:31,040 --> 00:29:33,640 Speaker 1: daughter gave so she'll be like, oh dad, and then 457 00:29:33,680 --> 00:29:36,880 Speaker 1: we'll figure out too far? Yeah a little bit. And 458 00:29:37,120 --> 00:29:39,560 Speaker 1: so you're trying. You you want to take and make 459 00:29:39,640 --> 00:29:42,760 Speaker 1: the jokes so that it's palatable for everybody. So yeah, 460 00:29:43,360 --> 00:29:45,880 Speaker 1: when you have a gay daughter, like finding out that 461 00:29:46,040 --> 00:29:47,760 Speaker 1: she's gay and she finding out how she get Like 462 00:29:48,000 --> 00:29:51,960 Speaker 1: like before when we was coming up, we felt like 463 00:29:52,080 --> 00:29:53,760 Speaker 1: it was a choice that you made. But now as 464 00:29:53,800 --> 00:29:57,560 Speaker 1: saying that you can be born day, now you're dealing 465 00:29:57,600 --> 00:30:00,360 Speaker 1: with that. Such a situation right here, Like what do 466 00:30:00,440 --> 00:30:05,520 Speaker 1: you say? I used to she gave ship like there 467 00:30:05,600 --> 00:30:08,840 Speaker 1: was things that she would do it I go okay, 468 00:30:09,400 --> 00:30:14,240 Speaker 1: for example, like she breastfed for a long time. She 469 00:30:14,520 --> 00:30:17,800 Speaker 1: never wanted to get off to titty she he said. 470 00:30:17,800 --> 00:30:26,320 Speaker 1: From the beginning I read when I wasn't when a 471 00:30:26,760 --> 00:30:30,600 Speaker 1: gave came out, I just started thinking about it. When 472 00:30:30,640 --> 00:30:33,080 Speaker 1: Angie gave birth to my daughter, she wouldn't come out, 473 00:30:33,400 --> 00:30:37,480 Speaker 1: but my daughter was stuck inside. She was stuck inside 474 00:30:37,600 --> 00:30:40,120 Speaker 1: of them at like two hours. When you see her 475 00:30:40,200 --> 00:30:49,880 Speaker 1: head crown, that bitch didn't want to come out. I 476 00:30:50,000 --> 00:30:55,640 Speaker 1: wasn't bad. I made some barbies, nigga. I brought some barberies. 477 00:30:55,720 --> 00:30:59,800 Speaker 1: I came home. The bitches were sneaked. Was sitting on 478 00:30:59,880 --> 00:31:03,120 Speaker 1: the tiller, says Ship and called Kenny was inside the 479 00:31:03,240 --> 00:31:13,480 Speaker 1: outside that fun. Kenn ain't got not anywhere. You don't 480 00:31:13,480 --> 00:31:15,560 Speaker 1: got the backage, right, but you can have joined the party. 481 00:31:16,000 --> 00:31:20,920 Speaker 1: Kens Barbie, how much of a obstacle was it for 482 00:31:21,000 --> 00:31:23,120 Speaker 1: you to accept that your daughter was gonna be gay? What? 483 00:31:23,200 --> 00:31:25,080 Speaker 1: You're cool with that because you know, I know that 484 00:31:25,200 --> 00:31:29,880 Speaker 1: you have Seann t Wayne. She she's gay. She gave 485 00:31:29,920 --> 00:31:35,080 Speaker 1: it fun so gay. She peeing the boy's back room, 486 00:31:35,120 --> 00:31:39,760 Speaker 1: standing up and just like a boy, she pee all 487 00:31:39,800 --> 00:31:45,360 Speaker 1: over the food. Come on. But yeah, but you know, 488 00:31:45,480 --> 00:31:48,440 Speaker 1: but here's the thing, like, you can't when it comes 489 00:31:48,480 --> 00:31:52,160 Speaker 1: to a child, right, I don't care. It's a transition. 490 00:31:52,320 --> 00:31:56,680 Speaker 1: It's not like immediately you're like, bamn, yes, my baby's game. 491 00:31:57,960 --> 00:32:01,840 Speaker 1: That's not the truth of how you process and get 492 00:32:01,920 --> 00:32:05,120 Speaker 1: to a place of acceptance. Right. So it's a it's 493 00:32:05,200 --> 00:32:08,120 Speaker 1: it's it's a it's a process. And from to get 494 00:32:08,200 --> 00:32:10,800 Speaker 1: to the level of acceptance, it's like, you know, first 495 00:32:10,840 --> 00:32:15,480 Speaker 1: there's denial, and then there's anger, and then there's what's 496 00:32:15,520 --> 00:32:17,800 Speaker 1: the next phase? Uh, this is the five stages of 497 00:32:17,880 --> 00:32:19,920 Speaker 1: grief and a lot of a lot of movies. Then 498 00:32:19,960 --> 00:32:23,400 Speaker 1: there's bargaining, and then you get to a point of acceptance. 499 00:32:23,600 --> 00:32:25,640 Speaker 1: And so I went through those phases. I would sit 500 00:32:25,720 --> 00:32:29,080 Speaker 1: down with parents who have gay children and I'll talk 501 00:32:29,160 --> 00:32:31,400 Speaker 1: to them because Honestly, you shouldn't do that to a child. 502 00:32:31,880 --> 00:32:35,400 Speaker 1: You should not make a child feel like they love 503 00:32:35,920 --> 00:32:38,960 Speaker 1: because of their sexuality. You we we bring them here. 504 00:32:39,240 --> 00:32:40,960 Speaker 1: I know, maybe it's my fault, maybe one of my 505 00:32:41,040 --> 00:32:44,360 Speaker 1: nuts is gay. I don't find enough. But see that's 506 00:32:44,400 --> 00:32:46,480 Speaker 1: the other thing, right, You sit there when it first happens, 507 00:32:46,520 --> 00:32:48,560 Speaker 1: and you're like, you know, thinking about it. You me 508 00:32:48,640 --> 00:32:52,600 Speaker 1: and her mom like you know, you're like this from 509 00:32:52,640 --> 00:32:54,640 Speaker 1: your side of family, but they're trying from suffing outside 510 00:32:54,640 --> 00:32:59,800 Speaker 1: of family, like white chicks. But there's a process and 511 00:33:00,320 --> 00:33:03,160 Speaker 1: as long as you get to love and acceptance my 512 00:33:03,520 --> 00:33:07,200 Speaker 1: my daughters being gay. I'm so proud of this girl 513 00:33:07,240 --> 00:33:10,000 Speaker 1: because she, as a young woman, said this is who 514 00:33:10,080 --> 00:33:13,520 Speaker 1: I am and inspired me as a man to know 515 00:33:13,600 --> 00:33:15,600 Speaker 1: who the funk I am and not and to be 516 00:33:15,720 --> 00:33:19,000 Speaker 1: brave enough to be yourself. She's a gift and then love. 517 00:33:19,160 --> 00:33:21,440 Speaker 1: We're all wrapping paper. So I wrapped myself around that 518 00:33:21,520 --> 00:33:24,040 Speaker 1: little gift and know that she gave me, she gave 519 00:33:24,080 --> 00:33:26,520 Speaker 1: me balls. I love that little girl. She's amazing. And 520 00:33:26,640 --> 00:33:29,080 Speaker 1: you should never make a child feel bad for the 521 00:33:29,160 --> 00:33:34,840 Speaker 1: sexuality and comment. Hey, I always say that I don't 522 00:33:34,880 --> 00:33:37,400 Speaker 1: want daughters. I don't want daughter, because I want about 523 00:33:37,400 --> 00:33:38,920 Speaker 1: to ask you something. Let me ask me to be 524 00:33:38,960 --> 00:33:41,239 Speaker 1: a real quick because this is something that people hair 525 00:33:41,440 --> 00:33:43,680 Speaker 1: hair with the black comedian a lot. They say that 526 00:33:43,800 --> 00:33:46,400 Speaker 1: the black comedians blow up, they get to a certain 527 00:33:46,480 --> 00:33:49,840 Speaker 1: level and then Hollywood push them on the dress. You know. 528 00:33:49,960 --> 00:33:52,680 Speaker 1: That's so, that's that's something angry niggers sitting around mad 529 00:33:52,800 --> 00:33:55,440 Speaker 1: day ain't doing shit. Okay, you don't tell me about 530 00:33:56,160 --> 00:34:01,280 Speaker 1: about but it's a stupid rumor based on a bunch 531 00:34:01,320 --> 00:34:05,280 Speaker 1: of people that have their thoughts about whatever. But they 532 00:34:05,280 --> 00:34:07,640 Speaker 1: ain't doing ship. They just let us talking. Are we 533 00:34:07,840 --> 00:34:13,560 Speaker 1: in the train? Yeah, we are training. We are as 534 00:34:13,560 --> 00:34:17,600 Speaker 1: soon as you step out. We train right now. We 535 00:34:17,680 --> 00:34:22,440 Speaker 1: want to know especial at the end of First is 536 00:34:22,520 --> 00:34:27,839 Speaker 1: our first album, the beginning of the first that's from that. Yeah, 537 00:34:28,280 --> 00:34:33,160 Speaker 1: before it's bullshit, it's bullshit. Why why is it that? See, 538 00:34:33,200 --> 00:34:36,279 Speaker 1: here's the problem we have because they say they demasculated. 539 00:34:36,280 --> 00:34:39,440 Speaker 1: That's what they say. Yeah, but see here's that's not demasculine. 540 00:34:39,480 --> 00:34:44,040 Speaker 1: This is art, right, we're gonna art. It's emasculating to well, 541 00:34:44,080 --> 00:34:47,200 Speaker 1: I say you said demasculated. You can let that alone. 542 00:34:48,920 --> 00:35:02,359 Speaker 1: Why every now that's you saw that say, you'll see 543 00:35:02,360 --> 00:35:05,759 Speaker 1: what we're dealing with. You see that come home man, 544 00:35:06,000 --> 00:35:11,000 Speaker 1: But the good bobs from supporting right here, if it 545 00:35:11,080 --> 00:35:26,200 Speaker 1: wasn't right, put all you're like hip hop Grimace, she's 546 00:35:26,239 --> 00:35:31,480 Speaker 1: going on all right, So it's um, why is it 547 00:35:31,640 --> 00:35:36,080 Speaker 1: that you see white people don't do this the dress thing? Okay, 548 00:35:36,239 --> 00:35:40,719 Speaker 1: white people or criticize it. Right, this is crabs. We 549 00:35:41,360 --> 00:35:46,040 Speaker 1: have to embrace us as as minorities. We have to 550 00:35:46,120 --> 00:35:49,200 Speaker 1: spend and stout fire. We have that stout fire. Nobody. 551 00:35:51,800 --> 00:35:55,480 Speaker 1: Williams puts on the dress and he gets nominated for 552 00:35:55,800 --> 00:35:59,200 Speaker 1: Golden Gloves. Dustin Hoffman puts on the dress and he 553 00:35:59,239 --> 00:36:08,960 Speaker 1: went to Oscar like and they embraced theirs. Did we 554 00:36:09,520 --> 00:36:11,640 Speaker 1: sit there and go I can't believe he put on 555 00:36:11,760 --> 00:36:15,160 Speaker 1: a dress? So in art, it's like when people come 556 00:36:15,520 --> 00:36:19,799 Speaker 1: can't but with white chick's money, brilliant, Right, isn't a classic? Yes, 557 00:36:20,160 --> 00:36:22,239 Speaker 1: when Jack Lemon puts on a dress and Tony Curtis 558 00:36:22,280 --> 00:36:24,359 Speaker 1: puts on a dress and they do something like it? Hot, 559 00:36:25,000 --> 00:36:29,640 Speaker 1: do you hear the white community that the masculating masculadet 560 00:36:29,719 --> 00:36:33,600 Speaker 1: masculating masculated right? Right? Right? I'll bet you you're a 561 00:36:33,800 --> 00:36:43,640 Speaker 1: You're wrong all right, let's buddies, we have to allow 562 00:36:44,239 --> 00:36:50,839 Speaker 1: we have to celebrate exactly. You gotta get to this side. 563 00:36:51,960 --> 00:36:54,040 Speaker 1: We have to celebrate us more. Man, It's like we 564 00:36:54,280 --> 00:36:57,520 Speaker 1: we look back at we looked at physical comedy. Go oh, 565 00:36:57,640 --> 00:36:59,719 Speaker 1: that's cool and buffoon. Do you know that we call 566 00:37:00,120 --> 00:37:02,920 Speaker 1: forefathers in comedy coons and buffoons? And you know what 567 00:37:02,960 --> 00:37:07,440 Speaker 1: the white people called this geniuses? Charlie Chaplin, Buster Keaton. 568 00:37:07,760 --> 00:37:09,919 Speaker 1: That genius is to like me the hit hit Charlie 569 00:37:09,960 --> 00:37:12,520 Speaker 1: Chapman had the Hitler faster he did, he did, but 570 00:37:12,640 --> 00:37:15,480 Speaker 1: he tried to make it famous. He failed. No, no, no, 571 00:37:16,200 --> 00:37:17,879 Speaker 1: he tried to hit the Mustas. Now he didn't trying 572 00:37:17,880 --> 00:37:19,960 Speaker 1: to make it famous. Let you back in their head 573 00:37:20,000 --> 00:37:22,120 Speaker 1: look after Hitler, that Mustas the Phillie. You know that 574 00:37:22,200 --> 00:37:25,040 Speaker 1: was that wash back and Charlie Chapman came back and 575 00:37:25,200 --> 00:37:27,279 Speaker 1: trying to bring it up established. Are we not gonna 576 00:37:27,400 --> 00:37:29,640 Speaker 1: recognize that he tried to bring Now this is a 577 00:37:29,719 --> 00:37:33,080 Speaker 1: hot leg hittor you haint No, the old Charlie, Charlie 578 00:37:33,080 --> 00:37:40,759 Speaker 1: trying to bring it hit Mustas Man ever trying to 579 00:37:40,800 --> 00:37:43,040 Speaker 1: bring it back. He trying to bring it back in 580 00:37:43,120 --> 00:37:46,960 Speaker 1: the top face and he's sucking up. Oh you gotta 581 00:37:47,120 --> 00:37:52,880 Speaker 1: come get your dad dragged in the outside. Many he 582 00:37:52,920 --> 00:37:54,600 Speaker 1: don't try to bring him back. And he was back 583 00:37:54,680 --> 00:37:59,279 Speaker 1: then he was dead with hit Look Hitler man, that 584 00:37:59,520 --> 00:38:02,719 Speaker 1: mustad died with Hitler. No, but he was around that 585 00:38:02,880 --> 00:38:05,400 Speaker 1: time before you want the Chapman let the ship man. 586 00:38:06,120 --> 00:38:09,600 Speaker 1: Charlie chap was cool. This ship man, he's scot me. 587 00:38:09,920 --> 00:38:13,799 Speaker 1: He's before Charlie Chapman cap before around the same time, 588 00:38:14,000 --> 00:38:17,319 Speaker 1: the time, about the same time, Yeah, about the same 589 00:38:17,600 --> 00:38:20,680 Speaker 1: found out because Charlie chaplain did it. Wasn't he the 590 00:38:20,719 --> 00:38:25,120 Speaker 1: sign that he did? He was a dictator? So which 591 00:38:25,200 --> 00:38:29,560 Speaker 1: is dissing Hitler? Right, So I'm saying was dissing Hitler 592 00:38:30,080 --> 00:38:41,080 Speaker 1: tried his Laurie is officially high normal department. Very racist, 593 00:38:41,960 --> 00:38:46,120 Speaker 1: you're that's but go back to that in my in 594 00:38:46,239 --> 00:38:48,080 Speaker 1: my mind, Charlie Chapman trying to read take from my 595 00:38:48,120 --> 00:38:50,640 Speaker 1: stats back but no more we happened. But you said 596 00:38:50,719 --> 00:38:53,480 Speaker 1: that white comedians they big up the Charlie Chapman's and 597 00:38:53,520 --> 00:38:55,719 Speaker 1: he does solid films and all that. But when us, 598 00:38:55,800 --> 00:38:57,719 Speaker 1: they're big up grass and what they do is they 599 00:38:57,800 --> 00:39:00,719 Speaker 1: big up their history and they go that's what leads 600 00:39:00,760 --> 00:39:04,120 Speaker 1: them to more diversity because they're like, oh, wasn't it great? 601 00:39:04,200 --> 00:39:07,359 Speaker 1: They celebrate each other. We have to celebrate each other's 602 00:39:07,400 --> 00:39:10,320 Speaker 1: We look at our old, we look at ours and 603 00:39:10,440 --> 00:39:12,840 Speaker 1: call them coons and beffoon. Why can't we embrace the 604 00:39:12,880 --> 00:39:14,680 Speaker 1: fact that do you know that? You know? As much 605 00:39:14,719 --> 00:39:17,480 Speaker 1: as we may not like the humor we're evolving, if 606 00:39:17,520 --> 00:39:19,640 Speaker 1: it wasn't guys like step and fetch it, there'd be 607 00:39:19,719 --> 00:39:22,160 Speaker 1: no Mala ways, did be no Eddie Murphy, there would 608 00:39:22,160 --> 00:39:23,680 Speaker 1: be no none of us would be in the game. 609 00:39:23,800 --> 00:39:25,120 Speaker 1: This land did what he had to do at the 610 00:39:25,160 --> 00:39:27,239 Speaker 1: time to bring us in the game. And do you 611 00:39:27,280 --> 00:39:29,160 Speaker 1: know that he was one of the first black man 612 00:39:29,200 --> 00:39:35,080 Speaker 1: mans His name was Richie educated. And they don't we 613 00:39:35,160 --> 00:39:39,520 Speaker 1: don't explore our history. We but don't do chaplain the 614 00:39:39,719 --> 00:39:42,239 Speaker 1: film and white people go see it and it gets 615 00:39:42,320 --> 00:39:46,720 Speaker 1: nominated for oscars and ship and we look down on ours, 616 00:39:47,080 --> 00:39:49,480 Speaker 1: and honestly, we should never do that. We should embrace 617 00:39:49,560 --> 00:39:54,680 Speaker 1: that history show exists. We celebrate all people. We didn't 618 00:39:54,680 --> 00:39:56,040 Speaker 1: want you to pass away and tell you how to 619 00:39:56,120 --> 00:40:00,120 Speaker 1: grate you all hold over. We're gonna tell you me, 620 00:40:00,440 --> 00:40:07,640 Speaker 1: tell you in your face, how fat you FLEETI awards, 621 00:40:08,480 --> 00:40:11,040 Speaker 1: give you awards. I even figured out that guns about him. 622 00:40:11,400 --> 00:40:13,440 Speaker 1: I told you don't know that gun? Their minds continue 623 00:40:13,520 --> 00:40:17,040 Speaker 1: with what was I saying? I was saying, get up 624 00:40:17,120 --> 00:40:19,200 Speaker 1: something like I was done. Like y'all know something, did 625 00:40:20,040 --> 00:40:25,200 Speaker 1: I sir? What you're just saying about stepping? Fetch you? 626 00:40:25,440 --> 00:40:27,239 Speaker 1: So why don't you do a step and fetch your 627 00:40:27,280 --> 00:40:31,319 Speaker 1: bio pick? Because the reason why I fear, I mean 628 00:40:31,360 --> 00:40:36,399 Speaker 1: what you're saying don't right? You one right, but it's 629 00:40:36,480 --> 00:40:39,359 Speaker 1: hard for a nigger out here inside this is side 630 00:40:39,440 --> 00:40:42,239 Speaker 1: see that keep his level of respect even when all 631 00:40:42,280 --> 00:40:44,359 Speaker 1: women don't even respect us some time and getting us 632 00:40:44,400 --> 00:40:46,440 Speaker 1: locked up in some of ships. So when you put 633 00:40:46,480 --> 00:40:49,239 Speaker 1: it on the dress and make people look at us 634 00:40:49,239 --> 00:40:50,680 Speaker 1: serving kind of way. I don't know where you went 635 00:40:50,680 --> 00:40:53,920 Speaker 1: with day you got real personally, go there and you 636 00:40:54,560 --> 00:41:00,840 Speaker 1: saying check I'm and she wanna calling you you know 637 00:41:00,880 --> 00:41:04,520 Speaker 1: what I'm saying, because you are ain't saying you know 638 00:41:04,560 --> 00:41:08,200 Speaker 1: what I'm saying. So you got a bar new It's 639 00:41:09,640 --> 00:41:13,120 Speaker 1: just so that's what I mean about like stuff. In fact, 640 00:41:13,160 --> 00:41:15,799 Speaker 1: you along because you are dressed, but you are dress 641 00:41:17,960 --> 00:41:28,480 Speaker 1: the fucking you know. I was basically saying, you know 642 00:41:28,640 --> 00:41:31,080 Speaker 1: it doesn't put for the regular people that out here 643 00:41:31,200 --> 00:41:36,160 Speaker 1: that you know, camps, nail like all even a snack 644 00:41:36,239 --> 00:41:44,160 Speaker 1: pitches all that ain't clinger vines. Hell, your hands look 645 00:41:44,200 --> 00:41:48,160 Speaker 1: at this that they ain't working. Damn sun me on 646 00:41:48,280 --> 00:41:52,319 Speaker 1: your back and you can't s ship. Yeah, Yo, it's 647 00:41:52,400 --> 00:41:54,040 Speaker 1: it's it's a rough fact for the black man. Would 648 00:41:54,040 --> 00:41:56,759 Speaker 1: you say that, I feel like and if it was, 649 00:41:56,960 --> 00:41:59,840 Speaker 1: your point is what what it is? Because you want to. 650 00:42:00,160 --> 00:42:04,160 Speaker 1: I feel like, the greater the obstacle, the bigger the reward. 651 00:42:04,800 --> 00:42:08,160 Speaker 1: I feel like that's what makes us so great is 652 00:42:08,280 --> 00:42:12,560 Speaker 1: that we are behind. We've been behind, We're about four 653 00:42:12,600 --> 00:42:16,279 Speaker 1: hundred years behind. But we strive to be great. We 654 00:42:16,400 --> 00:42:18,600 Speaker 1: strive to get out these situations. And that's what makes 655 00:42:18,680 --> 00:42:22,160 Speaker 1: us unstoppable. You know, think about where we were just 656 00:42:22,560 --> 00:42:25,799 Speaker 1: eighty years ago and to see where we're at now, 657 00:42:25,920 --> 00:42:29,080 Speaker 1: where you've got jay Z billionaire, You've got puff A billionaire, 658 00:42:29,320 --> 00:42:31,960 Speaker 1: like we're doing it and it's those rare ones that 659 00:42:32,120 --> 00:42:36,480 Speaker 1: believe that you can do it, those motherfucker's that get great. Me. 660 00:42:36,680 --> 00:42:39,040 Speaker 1: I believe since I was four, I knew what I 661 00:42:39,120 --> 00:42:42,040 Speaker 1: wanted to do, since I was working four and I've 662 00:42:42,080 --> 00:42:44,960 Speaker 1: been working professionally doing this ship. For thirty years. I 663 00:42:45,080 --> 00:42:48,759 Speaker 1: trained for sucking my whole childhood. I'm ready. So for 664 00:42:48,920 --> 00:42:51,040 Speaker 1: thirty years I'm rocking this ship. And this is the 665 00:42:51,120 --> 00:42:53,800 Speaker 1: thing that I say about obstacles. The greater the obstacle, 666 00:42:54,200 --> 00:42:56,960 Speaker 1: the greater the reward. So when I get there, I 667 00:42:57,120 --> 00:42:59,560 Speaker 1: know all the ship that I've been through. Like Nikked, 668 00:42:59,640 --> 00:43:02,400 Speaker 1: I could have bull up at seventeen eight team doing Batman. 669 00:43:02,800 --> 00:43:09,560 Speaker 1: It didn't happen. I was almost say robbing, I was 670 00:43:09,640 --> 00:43:14,680 Speaker 1: almost famous at least twenty times. But every time God 671 00:43:14,760 --> 00:43:18,200 Speaker 1: stops you, it makes you read. You know, every time 672 00:43:18,200 --> 00:43:22,400 Speaker 1: about it, y'all get high and don't even talk to 673 00:43:22,440 --> 00:43:25,759 Speaker 1: me now, y'all ain'tbody just want, can't ask no question 674 00:43:25,880 --> 00:43:29,680 Speaker 1: you can about you got damn dream? Yes, man, what's 675 00:43:29,719 --> 00:43:32,680 Speaker 1: the ship cover again? You don't go out shot? You 676 00:43:32,719 --> 00:43:36,040 Speaker 1: don't you don't come. Don't take us take a ship trap. 677 00:43:36,920 --> 00:43:38,960 Speaker 1: We've seen you take a ship from fan. I wasn't 678 00:43:38,960 --> 00:43:43,200 Speaker 1: gonna come back up New Year and say nothing. He disappeared. 679 00:43:45,920 --> 00:43:47,880 Speaker 1: I wouldn't do it too. I just did it earlier. 680 00:43:47,880 --> 00:43:50,360 Speaker 1: I'm not gonna lie. I want to do it. It 681 00:43:50,480 --> 00:43:53,280 Speaker 1: is horrible back, but I'm not gonna lie horrible. You're 682 00:43:53,280 --> 00:43:56,440 Speaker 1: gonna do five minutes, ain't gonna disrespect my ass and 683 00:44:00,239 --> 00:44:05,560 Speaker 1: do it in Let it bake up like a cake 684 00:44:05,680 --> 00:44:08,040 Speaker 1: can call her a jay. That's bad one. That's the 685 00:44:08,120 --> 00:44:10,960 Speaker 1: so bad form. You know what's out that's that's the 686 00:44:11,040 --> 00:44:21,000 Speaker 1: ship right there. Yeah, you have a ship in that ship. 687 00:44:21,160 --> 00:44:23,960 Speaker 1: Wanted to do something? Yeah? Yeah, and then cut your 688 00:44:24,040 --> 00:44:28,839 Speaker 1: arm off one long come out of now recently, can 689 00:44:28,880 --> 00:44:32,880 Speaker 1: we open the window for you? No, chien in nig 690 00:44:33,160 --> 00:44:36,359 Speaker 1: were dying like it was. It's her mind. I'm not dying. 691 00:44:36,800 --> 00:44:43,880 Speaker 1: It's her You called me calling my nigga your jewelry 692 00:44:44,680 --> 00:44:49,440 Speaker 1: asually I got as cold bronze that that what ring 693 00:44:49,560 --> 00:45:00,160 Speaker 1: his copper off? This man? You ain't I got. I'm 694 00:45:00,440 --> 00:45:05,000 Speaker 1: going about it. I'm I got a god's body. God, Yeah, 695 00:45:06,360 --> 00:45:08,560 Speaker 1: I have a god's body. Do you have a body 696 00:45:08,600 --> 00:45:28,040 Speaker 1: like when here Sexy pitches in the eighteen hundreds. I 697 00:45:28,040 --> 00:45:33,719 Speaker 1: don't like smoking weed and I can't focus. Mother man 698 00:45:33,800 --> 00:45:39,720 Speaker 1: walks smoking this company? You get this? Mother fu you evil? 699 00:45:40,280 --> 00:45:53,360 Speaker 1: You evil? That's your grandet high word Dominator Walkers was 700 00:45:53,440 --> 00:45:58,320 Speaker 1: a very unapologetic stand up special Yeah, and it definitely 701 00:45:58,880 --> 00:46:01,360 Speaker 1: followed right behind Get interview, what you did, what you 702 00:46:01,440 --> 00:46:06,600 Speaker 1: were saying. You know, if you don't exactly exactly sorry, 703 00:46:06,760 --> 00:46:10,759 Speaker 1: You're talking about anything anytime, any day, and it is 704 00:46:10,840 --> 00:46:12,759 Speaker 1: what it is. I was watching it because you and 705 00:46:12,760 --> 00:46:14,320 Speaker 1: you're gonna say stupid stuff. You want to get to 706 00:46:14,360 --> 00:46:16,120 Speaker 1: the good stuff that's right, and you're working it out. 707 00:46:16,200 --> 00:46:18,240 Speaker 1: You have to be allowed to fail. When you comedy, 708 00:46:18,600 --> 00:46:22,400 Speaker 1: you gotta go, you gotta go there. Nowadays certain topics 709 00:46:22,400 --> 00:46:25,759 Speaker 1: people like you don't get all flustered. But here's the thing. 710 00:46:25,960 --> 00:46:32,960 Speaker 1: Sensitivity is only bullshit. That's online people to people, people 711 00:46:33,000 --> 00:46:36,000 Speaker 1: on sensitives. If I'm in a comedy store but I'm 712 00:46:36,160 --> 00:46:39,320 Speaker 1: doing a show and I say something crazy, the audience 713 00:46:39,360 --> 00:46:42,400 Speaker 1: will even laugh, even go oh, like I shouldn't be 714 00:46:42,520 --> 00:46:45,840 Speaker 1: laughing at that, but they're laughing and they forgive. This 715 00:46:46,080 --> 00:46:49,560 Speaker 1: is all programming. So don't listen to social media. Listen 716 00:46:49,600 --> 00:46:51,600 Speaker 1: to people. I know where the laughs are. And I 717 00:46:51,600 --> 00:46:54,239 Speaker 1: would never do something. If I tell a joke and 718 00:46:55,080 --> 00:46:59,000 Speaker 1: three people walk out, that's a bad joke. If I 719 00:46:59,080 --> 00:47:02,839 Speaker 1: do a joke and one person walks out out of three, 720 00:47:02,920 --> 00:47:06,200 Speaker 1: hunting nigga, that's that's a damn good joke. That's a 721 00:47:06,239 --> 00:47:09,240 Speaker 1: sensitive motherfucking right there. So that's why you do the clubs, 722 00:47:10,560 --> 00:47:12,719 Speaker 1: because you're working on that material life anyway. Yeah, but 723 00:47:12,760 --> 00:47:15,200 Speaker 1: nowadays they put it online and then you get sucked 724 00:47:15,239 --> 00:47:18,480 Speaker 1: up for saying stupid ship. With comedians, we're gonna say 725 00:47:18,520 --> 00:47:20,880 Speaker 1: stupid ship if we're trying to get too good ship. Now, 726 00:47:20,920 --> 00:47:23,239 Speaker 1: it's one thing if you do like a special and 727 00:47:23,800 --> 00:47:26,879 Speaker 1: you go, this is my refined material and now I'm 728 00:47:26,920 --> 00:47:29,120 Speaker 1: ready to present this to the world. But somebody getting 729 00:47:29,160 --> 00:47:32,440 Speaker 1: you on stage while you're you're in the thought creating, 730 00:47:32,760 --> 00:47:35,520 Speaker 1: you have to say stupid ship, too good to the 731 00:47:35,600 --> 00:47:37,840 Speaker 1: good ship. So we have to be you know, I 732 00:47:37,880 --> 00:47:40,520 Speaker 1: gotta be unforgivable and just go I'm not apologized for sure. 733 00:47:40,640 --> 00:47:42,520 Speaker 1: All right. So we're there and saying I ain't trying 734 00:47:42,520 --> 00:47:44,560 Speaker 1: to suck you up. But when Damon Wayins was on 735 00:47:44,600 --> 00:47:46,720 Speaker 1: the Breakfast Club and they asked him about Bill Cosby, 736 00:47:47,040 --> 00:47:50,160 Speaker 1: he had something. He was pretty much on Bill Cosomy side, Like, yo, 737 00:47:50,320 --> 00:47:51,640 Speaker 1: if this is what he was doing, what they said 738 00:47:51,640 --> 00:47:55,000 Speaker 1: they was doing, then this is in the seventies when 739 00:47:55,080 --> 00:47:57,080 Speaker 1: everybody was on the way. I don't know if he's 740 00:47:57,080 --> 00:48:01,279 Speaker 1: on Cosdy side. Well, okay, you's giving them Quai ludes 741 00:48:01,360 --> 00:48:06,040 Speaker 1: on the souware. I say in the same when when 742 00:48:06,040 --> 00:48:08,360 Speaker 1: the girl come over your house grouping or not, you 743 00:48:08,440 --> 00:48:13,320 Speaker 1: know you have part of favors you have it's a 744 00:48:13,400 --> 00:48:16,719 Speaker 1: second time you're doing it. Let's say you at your life, 745 00:48:18,719 --> 00:48:21,920 Speaker 1: you have part of favors and you chopped some real him, 746 00:48:22,440 --> 00:48:24,880 Speaker 1: but you really want to put the people because the 747 00:48:24,960 --> 00:48:29,440 Speaker 1: Superman hill uphill you're chopping up and sheep drinking and 748 00:48:29,520 --> 00:48:32,640 Speaker 1: then you wind him smashing up because she's sleeping. That 749 00:48:32,719 --> 00:48:36,319 Speaker 1: ain't really rape. Tell why ain't people that ship right now? 750 00:48:37,480 --> 00:48:43,640 Speaker 1: So what I'm saying what you want to dress? I 751 00:48:43,680 --> 00:48:52,160 Speaker 1: take off your chapea. Yeah, yeah, you made a point. 752 00:48:52,160 --> 00:48:54,080 Speaker 1: You don't like you in the movie as a prisoner 753 00:48:55,719 --> 00:48:56,840 Speaker 1: and you do the nigg in the movie they'll be 754 00:48:56,920 --> 00:49:01,560 Speaker 1: raping niggers. But you take your eye and come funck 755 00:49:01,600 --> 00:49:08,480 Speaker 1: me mind that's the whole movie. Like you would you 756 00:49:16,560 --> 00:49:20,200 Speaker 1: I'm eye your booty now shooting back at me. Bo 757 00:49:28,320 --> 00:49:33,719 Speaker 1: so so on the show, I'm gonna when when when 758 00:49:33,719 --> 00:49:37,480 Speaker 1: we acknowledge like if this was real, this was real? 759 00:49:37,520 --> 00:49:40,239 Speaker 1: What cos we did and whatnot? It's the seventies they 760 00:49:40,280 --> 00:49:44,919 Speaker 1: were left Jim. Then you you're watching Jay Leno sign 761 00:49:45,000 --> 00:49:48,000 Speaker 1: fields on there and he kind of is taking up 762 00:49:48,000 --> 00:49:50,359 Speaker 1: for Cosy a little bit. Come back from commercial break 763 00:49:50,560 --> 00:49:53,800 Speaker 1: and he switches the whole thing around. Do it no, 764 00:49:53,920 --> 00:49:57,840 Speaker 1: because Jay pull us after the signs you might not 765 00:49:57,920 --> 00:49:59,920 Speaker 1: want to be on this side of ky on this one. 766 00:50:00,400 --> 00:50:02,719 Speaker 1: The conversation, they had a commercial break and then he 767 00:50:02,840 --> 00:50:05,320 Speaker 1: was like, I apologize what I was saying about Cosby. 768 00:50:05,360 --> 00:50:08,239 Speaker 1: That's comedian looking out for another comedian. But you but 769 00:50:10,160 --> 00:50:13,200 Speaker 1: that he got everything uman to human. You think you 770 00:50:13,239 --> 00:50:17,560 Speaker 1: were sending the business mickeys? Yeah, sev five, I said five. 771 00:50:17,760 --> 00:50:19,600 Speaker 1: I gotta be real. I shouldn't even ask that question 772 00:50:19,600 --> 00:50:22,080 Speaker 1: because after seventy five of them, like the first five ten, 773 00:50:22,160 --> 00:50:25,960 Speaker 1: I was cool. I wasn't looking like seven five year 774 00:50:26,080 --> 00:50:30,279 Speaker 1: seventy five at least three yeah you at least when 775 00:50:30,360 --> 00:50:32,319 Speaker 1: when when you hear to pop head didn't got damn 776 00:50:32,360 --> 00:50:35,279 Speaker 1: rape to rape the girl? And what nat for a 777 00:50:35,320 --> 00:50:40,520 Speaker 1: second he was gonna get off cool because you still 778 00:50:40,560 --> 00:50:42,320 Speaker 1: they're still getting him. Oh I thought I thought he 779 00:50:42,360 --> 00:50:47,959 Speaker 1: paid the ship. They after his answer right now, what's 780 00:50:48,000 --> 00:50:52,399 Speaker 1: saying he raped you? Two? He told me you still 781 00:50:55,719 --> 00:50:59,320 Speaker 1: I said that the last say yeah, he said, you do. 782 00:50:59,440 --> 00:51:05,320 Speaker 1: Only we're wait me to he Na, he didn't. But 783 00:51:05,840 --> 00:51:08,120 Speaker 1: what I'm saying I thought Cosby might have got up 784 00:51:08,239 --> 00:51:12,040 Speaker 1: because I thought out of twelve jurors of one of 785 00:51:12,080 --> 00:51:15,960 Speaker 1: the mothers and black. Yeah, I know all the facts 786 00:51:16,080 --> 00:51:19,080 Speaker 1: is there, but do you see that episode of the 787 00:51:19,160 --> 00:51:23,759 Speaker 1: cover they that look thinking that nation right there? He 788 00:51:23,880 --> 00:51:27,279 Speaker 1: keeping that but didn't be one super fan the doctor. 789 00:51:27,640 --> 00:51:30,719 Speaker 1: I know all the facts, but Ghost that is my 790 00:51:30,840 --> 00:51:35,480 Speaker 1: kid's favorite movies, right right. You don't know David Wayne's 791 00:51:35,520 --> 00:51:40,640 Speaker 1: never did comody after that year waver You mean I 792 00:51:40,760 --> 00:51:43,879 Speaker 1: don't swift it yourself into another race at that never 793 00:51:45,680 --> 00:51:55,840 Speaker 1: was totar Rica Niga club he did DamID Wayne's just 794 00:51:56,040 --> 00:52:00,360 Speaker 1: paying Yeah, after the Breakfast Club of interview to speak 795 00:52:00,960 --> 00:52:04,160 Speaker 1: um Damon Wayne's and they trying to make him retract 796 00:52:04,160 --> 00:52:07,640 Speaker 1: what he said. Yeah, and he's like he said, he 797 00:52:07,719 --> 00:52:09,800 Speaker 1: wanted to do this ship no more. He stopped doing comedy. 798 00:52:10,239 --> 00:52:13,280 Speaker 1: He stopped doing stand up because of that though, because 799 00:52:13,280 --> 00:52:17,080 Speaker 1: of the he felt like it because of that that 800 00:52:18,440 --> 00:52:26,880 Speaker 1: that though you ain't his brother, maybe you don't know. 801 00:52:27,080 --> 00:52:43,719 Speaker 1: I don't know, and I know he watches over me 802 00:52:44,480 --> 00:52:47,840 Speaker 1: to stop the eyes on the spar that was the 803 00:52:47,880 --> 00:52:51,239 Speaker 1: sweet spot. So why did he stopped doing comedy in 804 00:52:51,280 --> 00:52:55,320 Speaker 1: your opinion, Um, I think because he felt like people 805 00:52:55,320 --> 00:52:59,040 Speaker 1: are just super sensitive and especially like it's not even 806 00:52:59,080 --> 00:53:00,880 Speaker 1: so much the people or the audience. And it's why 807 00:53:00,960 --> 00:53:03,239 Speaker 1: telling him it's not the it's not the audience, it's 808 00:53:03,280 --> 00:53:06,279 Speaker 1: the media. Is when you speak about things and they 809 00:53:06,360 --> 00:53:09,000 Speaker 1: write about things, and they're telling you who what your 810 00:53:09,040 --> 00:53:12,680 Speaker 1: opinion should be about something, and they navigate you towards 811 00:53:13,080 --> 00:53:16,239 Speaker 1: this place of Nikki, this instant even how we think, 812 00:53:16,360 --> 00:53:17,920 Speaker 1: we don't even have thought no more, you're supposed to 813 00:53:18,000 --> 00:53:20,480 Speaker 1: jump on you can't have an opinion. But the thing is, 814 00:53:20,760 --> 00:53:23,759 Speaker 1: when you're doing media, it's different. So, you know, I 815 00:53:23,880 --> 00:53:26,600 Speaker 1: think it was the media, and I just felt like 816 00:53:26,760 --> 00:53:29,400 Speaker 1: I think Damon felt like it was just when he 817 00:53:29,520 --> 00:53:31,480 Speaker 1: has something, when he feels it, he'll do it and 818 00:53:31,520 --> 00:53:33,120 Speaker 1: he'll be worth it. But right now he's focused on 819 00:53:33,239 --> 00:53:35,600 Speaker 1: his television show. He's focused on doing other things. You 820 00:53:35,640 --> 00:53:37,000 Speaker 1: don't want to be a role like that. You know, 821 00:53:37,040 --> 00:53:39,120 Speaker 1: he's a day was getting older. He wants to be 822 00:53:39,239 --> 00:53:47,320 Speaker 1: on home with his grandchildren. And so one thing I 823 00:53:47,440 --> 00:53:50,720 Speaker 1: noticed about the trailer is I didn't see shawcause I sweating. 824 00:53:52,520 --> 00:53:56,600 Speaker 1: Which one is that? Take your glasses all I'm doing 825 00:53:56,640 --> 00:54:03,200 Speaker 1: is please off? So I think I I didn't see 826 00:54:03,200 --> 00:54:06,120 Speaker 1: Sean in the trailer. It's Sean and this and a 827 00:54:06,200 --> 00:54:08,280 Speaker 1: part of this movie or that you went out dolo. 828 00:54:08,640 --> 00:54:13,920 Speaker 1: I've been dolo for uh six years now, twins and 829 00:54:14,000 --> 00:54:17,960 Speaker 1: now you know what kind of twins he's DJ. Now 830 00:54:18,040 --> 00:54:21,640 Speaker 1: he's actually he's really he was bullshing on him color, 831 00:54:22,480 --> 00:54:25,520 Speaker 1: but now he's a real DJ like my brother was 832 00:54:25,600 --> 00:54:32,520 Speaker 1: just that after that episode J. He's proud of him. 833 00:54:32,560 --> 00:54:34,440 Speaker 1: He's really good too. So I'm not proud of him. 834 00:54:34,480 --> 00:54:36,799 Speaker 1: But no, we haven't. For the past seven years, I've 835 00:54:36,800 --> 00:54:39,439 Speaker 1: been doing, you know, doing my own thing, just trying 836 00:54:39,480 --> 00:54:41,960 Speaker 1: to I was a part of the legacy, legacy of Wains. 837 00:54:42,000 --> 00:54:43,759 Speaker 1: I'll always be a Waynes. That's my tribe, that's my 838 00:54:44,239 --> 00:54:46,480 Speaker 1: my my color, that's my my religion. I love my 839 00:54:46,560 --> 00:54:49,360 Speaker 1: family is ra always we are, we have a population. 840 00:54:49,400 --> 00:54:52,120 Speaker 1: I'm always the legacy, always gonna own that, you know. Um, 841 00:54:52,640 --> 00:54:54,399 Speaker 1: I love my family more than anything in this world. 842 00:54:54,520 --> 00:54:57,600 Speaker 1: And but for me, I contributed a lot to Wins 843 00:54:57,840 --> 00:55:01,440 Speaker 1: and I just want to make Marlon mean as much 844 00:55:01,480 --> 00:55:03,799 Speaker 1: as Wayne's and then I feel complete as a human. Then, 845 00:55:03,880 --> 00:55:06,120 Speaker 1: but you've been you've been doing it from day one, man, marlin, 846 00:55:06,360 --> 00:55:08,480 Speaker 1: and this ain't even a group of ship. Man, I 847 00:55:08,520 --> 00:55:10,719 Speaker 1: ain't even on your did like that, but check this 848 00:55:10,800 --> 00:55:20,959 Speaker 1: out problem this at the same time, then went weird. 849 00:55:21,280 --> 00:55:32,360 Speaker 1: I ain't I've thought about take your talking like a 850 00:55:32,800 --> 00:55:35,520 Speaker 1: ship a little bit, a little, just a little bit 851 00:55:38,680 --> 00:55:43,160 Speaker 1: from from day one? You have any good beery? This 852 00:55:43,320 --> 00:55:47,440 Speaker 1: is kiss like dello. Give me something that important ship, 853 00:55:47,520 --> 00:55:54,000 Speaker 1: y'all guy, it's a test full of ship. Fantastic actor man, 854 00:55:54,239 --> 00:55:58,839 Speaker 1: you take it if it's serious. It's unhealergetic and whatnot. Man, 855 00:55:59,680 --> 00:56:03,640 Speaker 1: I was blown wind inspired and when don't be a 856 00:56:03,719 --> 00:56:07,480 Speaker 1: minute came out, it was completely and you wrote that, 857 00:56:08,040 --> 00:56:11,040 Speaker 1: you wrote me and Sean okay, Sean Phil Bowman, you 858 00:56:11,120 --> 00:56:12,880 Speaker 1: want to spen it for you because it's warm. You 859 00:56:12,960 --> 00:56:19,120 Speaker 1: ain't got no ice. I hate this place place. See 860 00:56:19,160 --> 00:56:22,200 Speaker 1: you in club less was he was you was drinking 861 00:56:22,239 --> 00:56:24,759 Speaker 1: with the white folks. I'm not going level not to 862 00:56:24,880 --> 00:56:26,880 Speaker 1: not drink with us. I can't see you, but we 863 00:56:26,920 --> 00:56:29,440 Speaker 1: saw you. You didn't be like yo, come you no 864 00:56:29,560 --> 00:56:32,080 Speaker 1: no no Instagram. I feel like I was there. Hits 865 00:56:32,120 --> 00:56:34,879 Speaker 1: the story like holl go straight to your team because 866 00:56:35,200 --> 00:56:40,120 Speaker 1: you don't like buying BA. You had to change this guy. Yeah, 867 00:56:40,160 --> 00:56:42,719 Speaker 1: I was a good one. Yeah, I said, man he ba. 868 00:56:43,640 --> 00:56:45,840 Speaker 1: So you want some champagne? Ut you like some champagne? 869 00:56:45,880 --> 00:56:50,880 Speaker 1: This is sam It's the King's Path. Yes, yes, that 870 00:56:51,000 --> 00:56:55,040 Speaker 1: means it's coming. Come on me, White, I got you. 871 00:56:55,200 --> 00:56:58,080 Speaker 1: I don't know what that is that when drink out 872 00:56:58,080 --> 00:57:17,560 Speaker 1: of they sniffle. I ain't doing that bomb bullshit time time. 873 00:57:17,920 --> 00:57:20,360 Speaker 1: Thank you for bringing in tall, Thank you for reminding 874 00:57:20,480 --> 00:57:24,240 Speaker 1: us brother. But listen, also listen because um, we're also 875 00:57:24,280 --> 00:57:26,320 Speaker 1: not only promoteing your your movie, but you have you 876 00:57:26,400 --> 00:57:30,480 Speaker 1: have shows out here. You have some shows. Hey, nick, 877 00:57:30,520 --> 00:57:34,600 Speaker 1: I'm hot. I got some actually with my phone phones 878 00:57:34,640 --> 00:57:37,920 Speaker 1: like that. When's my Um? I got a theater I'm playing. 879 00:57:38,440 --> 00:57:43,400 Speaker 1: I'm playing September four teen at the MGM uh Casino 880 00:57:43,960 --> 00:57:47,200 Speaker 1: Theater and in d C the brand new MGM. Um 881 00:57:47,640 --> 00:57:51,400 Speaker 1: it's twenty five hundred seats. Um have like try assist 882 00:57:51,640 --> 00:57:53,920 Speaker 1: sell them out right now, get your tickets. If you 883 00:57:53,960 --> 00:57:57,440 Speaker 1: haven't got your tickets, get your tickets. Um, it's a 884 00:57:57,560 --> 00:58:02,280 Speaker 1: crazy hour. Come see it, uh September fourteen at the 885 00:58:02,600 --> 00:58:06,840 Speaker 1: MGM Casino Grant and DC. Make sure you get your 886 00:58:06,840 --> 00:58:09,560 Speaker 1: tickets now. And it's a part of a special. Oh 887 00:58:09,680 --> 00:58:13,720 Speaker 1: here's my other dates. No, he's actually open this damn thinking. 888 00:58:14,240 --> 00:58:16,560 Speaker 1: I ain't a lot. You told like a wrestler. You 889 00:58:16,840 --> 00:58:19,240 Speaker 1: told like you Rick Flaire, like you, you know, Rick 890 00:58:19,280 --> 00:58:28,680 Speaker 1: flet He really man like the CBS fours CBS. They'd 891 00:58:28,680 --> 00:58:32,960 Speaker 1: be saying something super like little bit him, like, oh 892 00:58:33,040 --> 00:58:39,200 Speaker 1: my god, you see the thighs on him, chase him down, whatever, 893 00:58:40,200 --> 00:58:43,280 Speaker 1: those big old hands, where the kids, just those dolls, 894 00:58:45,480 --> 00:58:50,280 Speaker 1: those spots. Casts be saying you'll be sexy, And at 895 00:58:50,320 --> 00:58:55,360 Speaker 1: the same time he was, is it possible? Uh. Syn 896 00:58:55,440 --> 00:58:58,240 Speaker 1: Field said that when you start thinking you sexy, that's 897 00:58:58,240 --> 00:59:01,120 Speaker 1: when ship gonna go down here for you. That's a 898 00:59:01,400 --> 00:59:03,720 Speaker 1: part of the truth. That's why I don't get buff 899 00:59:03,800 --> 00:59:06,480 Speaker 1: niggers like, why don't you get I ain't trying to 900 00:59:06,560 --> 00:59:09,760 Speaker 1: because comedy is about lacking vanity. You've always got to 901 00:59:09,800 --> 00:59:12,360 Speaker 1: be able to make fun self, you know what I mean. 902 00:59:12,560 --> 00:59:15,280 Speaker 1: Of course, you want to look good. Yeah, so you 903 00:59:15,360 --> 00:59:17,080 Speaker 1: want to make fun of yourself, and you want to 904 00:59:17,120 --> 00:59:19,120 Speaker 1: be able to be fiscal, and you always want to 905 00:59:19,120 --> 00:59:22,320 Speaker 1: come from a place of humility, not a place of Huberts. 906 00:59:22,480 --> 00:59:31,480 Speaker 1: So I brand I never heard that one needed up? Yeah, 907 00:59:31,720 --> 00:59:36,400 Speaker 1: what was it? You can't spell it. We got I 908 00:59:36,440 --> 00:59:39,640 Speaker 1: don't know, guys, I'm trying to come up, I said, 909 00:59:39,680 --> 00:59:44,960 Speaker 1: Hugh Briss, Hugh Briss, Hugh Brisz, spell it, nigger, h 910 00:59:45,080 --> 00:59:50,400 Speaker 1: U b R. I w in that ship. Come on one. 911 00:59:50,880 --> 00:59:52,840 Speaker 1: I'm gonna talk about my dates. I'm gonna be at 912 00:59:52,880 --> 00:59:59,160 Speaker 1: the Funny Bone in Columbia, Columbus, Ohio. That's September six 913 00:59:59,240 --> 01:00:08,920 Speaker 1: through eight. Temple four, not that much noise. September fourteen, 914 01:00:09,000 --> 01:00:13,040 Speaker 1: I'm at the MGM National Harbor, Washington, d C. One show. 915 01:00:13,160 --> 01:00:17,600 Speaker 1: Only get your tickets now, I might pull up, yes, 916 01:00:17,720 --> 01:00:20,840 Speaker 1: get your assistant up. Goddamn this okay, now hold on, 917 01:00:21,480 --> 01:00:23,840 Speaker 1: put back. Then went off, Okay, there we go. That 918 01:00:23,920 --> 01:00:29,280 Speaker 1: ain't right. Okay. I'm also gonna be at uh, thank you? 919 01:00:29,480 --> 01:00:34,720 Speaker 1: Is that water and liquor? My god? Uh? September six, 920 01:00:34,920 --> 01:00:39,520 Speaker 1: I met the Yeah, that's all. That's all my dates nickers. Yeah, alright. 921 01:00:40,280 --> 01:00:43,720 Speaker 1: September five, I don't need to talk about that was okay, 922 01:00:43,720 --> 01:00:46,280 Speaker 1: thank you? College. Okay, you know boy, hold up, you 923 01:00:46,320 --> 01:00:52,000 Speaker 1: sit out the bottom. I ain't drinking behind you. Really, 924 01:00:52,040 --> 01:00:54,640 Speaker 1: copular comedian, I just went to the show and whatnot. 925 01:00:55,280 --> 01:00:58,560 Speaker 1: You know him too, and he's from his hometown and um, 926 01:00:58,800 --> 01:01:01,200 Speaker 1: you know we we we we we were on defence 927 01:01:01,320 --> 01:01:04,800 Speaker 1: right now, all Kelly going to jailer? Is that my man? 928 01:01:04,920 --> 01:01:07,120 Speaker 1: He didn't really heat trapped do the Kelly joke, but 929 01:01:07,160 --> 01:01:09,200 Speaker 1: he didn't want to go all the way in and 930 01:01:09,360 --> 01:01:14,000 Speaker 1: whatnot because he's from Chicago. How do you feel about it? 931 01:01:16,080 --> 01:01:19,160 Speaker 1: Are your muting or Kelly? Right now? UM? I feel 932 01:01:19,200 --> 01:01:23,640 Speaker 1: like this. I feel like I'm always gonna uh air 933 01:01:24,720 --> 01:01:29,600 Speaker 1: towards you know, um, the sensitivities of women you got. 934 01:01:30,160 --> 01:01:33,040 Speaker 1: I'm always gonna air on the side of being a gentleman. 935 01:01:33,240 --> 01:01:35,480 Speaker 1: I'm always gonna air on the side of protecting them 936 01:01:36,440 --> 01:01:39,080 Speaker 1: because I think, Um, I mean, I have a daughter 937 01:01:39,240 --> 01:01:41,480 Speaker 1: and I think about those types of thing and you 938 01:01:41,560 --> 01:01:45,520 Speaker 1: know it's not cool. Um. But then again, you know, 939 01:01:45,680 --> 01:01:47,760 Speaker 1: I ain't in the jury. I don't know the facts. 940 01:01:47,880 --> 01:01:50,720 Speaker 1: I don't I don't I wasn't there. I don't know 941 01:01:51,280 --> 01:01:54,400 Speaker 1: you know what I mean, So I can't I can't 942 01:01:54,440 --> 01:01:57,040 Speaker 1: say either way it goes. But but I don't want 943 01:01:57,040 --> 01:01:59,640 Speaker 1: to do is jump on bandwagons because people are saying, yo, 944 01:01:59,720 --> 01:02:01,840 Speaker 1: you shuld feel this way. No, I should feel exactly 945 01:02:01,840 --> 01:02:04,760 Speaker 1: the way I feel like feeling. And if I happen 946 01:02:04,800 --> 01:02:07,160 Speaker 1: to feel that way too. That's fine, but we don't 947 01:02:07,160 --> 01:02:12,520 Speaker 1: all entitled to an opinion. UM. So you know, I mean, Kelly, 948 01:02:12,600 --> 01:02:16,479 Speaker 1: did you know? But how about this? I stand Kelly, 949 01:02:16,760 --> 01:02:21,480 Speaker 1: that's how you do judicial system? Well, you know this 950 01:02:21,560 --> 01:02:23,760 Speaker 1: is God. This is a karma, you know what I mean? 951 01:02:23,960 --> 01:02:28,040 Speaker 1: It's like Cosby spend in three years in prison. Somewhere 952 01:02:28,040 --> 01:02:31,360 Speaker 1: along the line, you did something you know that you 953 01:02:31,440 --> 01:02:34,800 Speaker 1: don't just God has its way of giving you exactly 954 01:02:34,800 --> 01:02:38,120 Speaker 1: what then do you need? I ain't God. I pray 955 01:02:38,200 --> 01:02:42,040 Speaker 1: for everybody, you know. Um. But also I don't believe 956 01:02:42,080 --> 01:02:46,040 Speaker 1: in you know, people doing anything to women and girls. 957 01:02:46,080 --> 01:02:49,240 Speaker 1: I think they kids and kids should be protected and 958 01:02:49,520 --> 01:02:51,400 Speaker 1: I think that you know, we gotta just do a 959 01:02:51,480 --> 01:02:55,440 Speaker 1: better job at that. Um. But you wouldn't be outraged 960 01:02:55,480 --> 01:02:59,200 Speaker 1: if he got lit off. What do you mean? I meaning, oh, Ship, 961 01:02:59,280 --> 01:03:02,360 Speaker 1: they just motherfu that. Yeah, he said, let's leave it 962 01:03:02,440 --> 01:03:04,360 Speaker 1: up to the jermy and all the facts. Now, but 963 01:03:04,440 --> 01:03:06,960 Speaker 1: come on, Wally, you know he did it. You you 964 01:03:07,040 --> 01:03:11,040 Speaker 1: saw that tape. I didn't see the take like you're 965 01:03:11,040 --> 01:03:13,240 Speaker 1: seeing that tape. It was like you turn off to 966 01:03:13,320 --> 01:03:16,800 Speaker 1: that tape. Come on, don't talk out. I can't I 967 01:03:16,960 --> 01:03:24,600 Speaker 1: did what that point out, that point out if you 968 01:03:24,640 --> 01:03:30,120 Speaker 1: don't see the tap, I believe that your people. I'm 969 01:03:30,160 --> 01:03:32,480 Speaker 1: gonna say, there's people everybody, So the people of food 970 01:03:32,520 --> 01:03:34,320 Speaker 1: I didn't see the people take Mama when you're going 971 01:03:34,400 --> 01:03:37,960 Speaker 1: to be disgusting. That's the one. Was gonna make a 972 01:03:38,000 --> 01:03:41,600 Speaker 1: pee on the movie girls, Yeah, because they know that 973 01:03:41,840 --> 01:03:44,400 Speaker 1: this was a groom. No, Kelly ship, No, this was 974 01:03:44,440 --> 01:03:47,440 Speaker 1: a woman girl. Yeah. The girl even peeing on what's 975 01:03:47,440 --> 01:03:50,480 Speaker 1: grown inside this one tape because I pe on women 976 01:03:50,520 --> 01:03:53,200 Speaker 1: on the shower in the show women in the showd 977 01:03:53,440 --> 01:03:55,520 Speaker 1: You are't peeing on the girl on the shower, just 978 01:03:55,640 --> 01:04:09,560 Speaker 1: some feet. But just trying to kill some Germans. He 979 01:04:09,720 --> 01:04:16,680 Speaker 1: was killing. Let somebody. I was saying. One, here's the thing, 980 01:04:16,760 --> 01:04:20,320 Speaker 1: people of food right for me, people of food, food 981 01:04:20,400 --> 01:04:25,880 Speaker 1: with people know you're back there, people of food right. 982 01:04:26,000 --> 01:04:28,920 Speaker 1: So you have to with an artist, everybody thinks like 983 01:04:30,640 --> 01:04:34,960 Speaker 1: with Bill Cosby, Do I forget the fact that he 984 01:04:35,040 --> 01:04:38,280 Speaker 1: inspired me to be a comedian? Do I disown the 985 01:04:38,400 --> 01:04:42,479 Speaker 1: fact that he made me laugh that just owned listen 986 01:04:42,920 --> 01:04:46,640 Speaker 1: first making a way of cougie. You know what, Listen, Bill, 987 01:04:47,000 --> 01:04:50,520 Speaker 1: what I'm saying is take the good from people, right, 988 01:04:50,800 --> 01:04:55,520 Speaker 1: extract the good and then she got everything what's good about? 989 01:04:55,680 --> 01:04:58,640 Speaker 1: Like listen, Kelly, if if he just make it, did 990 01:04:58,680 --> 01:05:02,560 Speaker 1: tracolate factor if he did it, but his lyrics, if 991 01:05:02,600 --> 01:05:05,440 Speaker 1: he did it, he should be locked the funk up period. 992 01:05:05,600 --> 01:05:08,160 Speaker 1: But even his art, his lyrics take a whole new meaning. 993 01:05:08,360 --> 01:05:10,200 Speaker 1: But I think about you know, but I will say this, 994 01:05:12,280 --> 01:05:15,720 Speaker 1: if remix to Ignition came on right now, nigga, we 995 01:05:17,320 --> 01:05:25,120 Speaker 1: come on twelve flame, come on. What we're supposed to do? 996 01:05:25,680 --> 01:05:29,720 Speaker 1: What are I supposed to do? What to do am 997 01:05:29,760 --> 01:05:36,600 Speaker 1: I supposed to get? I think it's over diamond now 998 01:05:36,760 --> 01:05:39,000 Speaker 1: only seven million dollar plot I ever had as well 999 01:05:39,080 --> 01:05:43,000 Speaker 1: Hall Kelly, But I with him, I knew he was 1000 01:05:43,040 --> 01:05:45,840 Speaker 1: a foul nigger. Really I knew because listen, I never 1001 01:05:45,920 --> 01:05:48,480 Speaker 1: hung out with nigga. Tell him mother, bum bad No, 1002 01:05:52,000 --> 01:05:55,040 Speaker 1: some bum bags. Tell my kids to pay you tell 1003 01:05:55,080 --> 01:05:59,640 Speaker 1: my SWI tell my to see don't you see some 1004 01:06:01,760 --> 01:06:07,240 Speaker 1: report everyone proper the time I was supposed to lay 1005 01:06:07,360 --> 01:06:10,760 Speaker 1: my very for him. Everyone has kind of like the 1006 01:06:10,840 --> 01:06:13,760 Speaker 1: same story. Like he was playing basketball and I was like, yo, 1007 01:06:13,800 --> 01:06:16,320 Speaker 1: I'm not sitting around watching this thin and play basketball. 1008 01:06:16,520 --> 01:06:17,800 Speaker 1: But he said, you could go to the studio and 1009 01:06:17,840 --> 01:06:20,200 Speaker 1: you can lay it down, it to the studio, and 1010 01:06:20,320 --> 01:06:22,840 Speaker 1: it's the first time. It wasn't the first time, excuse me, 1011 01:06:23,480 --> 01:06:25,880 Speaker 1: was the first time, like in the city environment studio 1012 01:06:25,960 --> 01:06:29,960 Speaker 1: where I've seen bands there, I've never seen that before. 1013 01:06:30,040 --> 01:06:32,920 Speaker 1: But I had just came from up state in this 1014 01:06:33,080 --> 01:06:36,600 Speaker 1: a place called Bearsville. Now in Bearsville, every studio was 1015 01:06:36,800 --> 01:06:39,160 Speaker 1: a house that you slept in. So that's the reason 1016 01:06:39,160 --> 01:06:41,400 Speaker 1: why I wasn't along like I should have. I was 1017 01:06:41,400 --> 01:06:42,880 Speaker 1: should have been old enough to be like, yo, this 1018 01:06:43,000 --> 01:06:45,000 Speaker 1: is in the city, Like everyone stays at the hotel 1019 01:06:45,040 --> 01:06:47,000 Speaker 1: in the city. So when I seen the beds, like 1020 01:06:47,080 --> 01:06:49,280 Speaker 1: each studio had a bed to it. So when I 1021 01:06:49,320 --> 01:06:51,320 Speaker 1: saw that, I didn't get along, Like it wasn't like, 1022 01:06:51,800 --> 01:06:53,840 Speaker 1: oh sho, we didn't take the shot. So but I 1023 01:06:53,960 --> 01:06:56,440 Speaker 1: didn't see that. I didn't see him messing with no 1024 01:06:56,720 --> 01:07:04,320 Speaker 1: younger girls or around. What did you see normal? I 1025 01:07:04,320 --> 01:07:06,920 Speaker 1: don't know. If nobody listen. In the studio, you have 1026 01:07:07,000 --> 01:07:09,400 Speaker 1: a pool table, you have a ping pong, you have 1027 01:07:09,640 --> 01:07:12,000 Speaker 1: you don't have a fucking bad like that's abnormal. But 1028 01:07:12,080 --> 01:07:14,080 Speaker 1: it didn't be. It wasn't a normal to me at 1029 01:07:14,120 --> 01:07:16,200 Speaker 1: the time because I just came from what I just 1030 01:07:16,760 --> 01:07:19,600 Speaker 1: subscribed you as a student called bear Bell. You understand 1031 01:07:19,640 --> 01:07:22,000 Speaker 1: I'm saying so. But when I watched that documentary, I 1032 01:07:22,120 --> 01:07:25,480 Speaker 1: was like, oh, really, ship I saw that, Like when 1033 01:07:25,520 --> 01:07:27,360 Speaker 1: they kept saying like they had a bad next to 1034 01:07:27,400 --> 01:07:32,360 Speaker 1: the studio. It blew me. But just the spots like 1035 01:07:32,480 --> 01:07:36,880 Speaker 1: when you came to the studio and seem like you 1036 01:07:37,560 --> 01:07:48,720 Speaker 1: like a little girl want body. That's what you did. 1037 01:07:48,760 --> 01:07:50,960 Speaker 1: You had him for something else. I do not. Honestly 1038 01:07:51,000 --> 01:07:53,320 Speaker 1: I do not. I do not. Actually I do not. 1039 01:07:53,520 --> 01:07:55,280 Speaker 1: He kissed you off because he made you wait for 1040 01:07:55,360 --> 01:07:58,640 Speaker 1: that verse. No, I didn't verse for him. He paid 1041 01:07:58,720 --> 01:08:06,680 Speaker 1: me brother kind of like his album. He good on 1042 01:08:06,800 --> 01:08:10,920 Speaker 1: minds And once I found out who he really really was, 1043 01:08:11,040 --> 01:08:14,240 Speaker 1: I didn't try to who because I did you know, 1044 01:08:14,360 --> 01:08:16,439 Speaker 1: it was spent relations for Maliyah. Like that's That's what 1045 01:08:16,439 --> 01:08:19,720 Speaker 1: I'm saying. We guess tonight, like it's a relationships. You 1046 01:08:19,760 --> 01:08:22,080 Speaker 1: know what I'm saying. It was speculations from then and 1047 01:08:22,560 --> 01:08:24,680 Speaker 1: at the time. You know, I think with every other 1048 01:08:24,720 --> 01:08:27,080 Speaker 1: industry can ask you this. Yes, Listen, when I was 1049 01:08:27,160 --> 01:08:29,599 Speaker 1: in eighth grade, there was a bunch of niggas from 1050 01:08:29,640 --> 01:08:32,679 Speaker 1: high school fucking our girls. When I told a goddamn, 1051 01:08:33,439 --> 01:08:37,120 Speaker 1: look at her school. Look at you did when from college? 1052 01:08:37,439 --> 01:08:40,479 Speaker 1: Talking to our girls? What about the little when I do? 1053 01:08:41,080 --> 01:08:44,120 Speaker 1: And I you know, I don't play y'all, and I'm 1054 01:08:44,160 --> 01:08:49,400 Speaker 1: working at the three old teams. I said, wow, a 1055 01:08:49,439 --> 01:08:52,679 Speaker 1: little bit potty trains, right, she didn't a little girl? 1056 01:08:53,200 --> 01:08:56,200 Speaker 1: You got it? And now there's just one that the DNA. 1057 01:08:56,800 --> 01:09:03,000 Speaker 1: Then you gotta d I wasn't elect you. I'm saying 1058 01:09:03,040 --> 01:09:10,840 Speaker 1: that ya yas okay, one, okay, it don't make sense, 1059 01:09:11,640 --> 01:09:16,839 Speaker 1: don't I got We like to celebrate our people's careers, 1060 01:09:17,160 --> 01:09:19,320 Speaker 1: and so many people in this leg that every time 1061 01:09:19,360 --> 01:09:21,040 Speaker 1: you got ten years and more in this game, they 1062 01:09:21,080 --> 01:09:22,880 Speaker 1: want to say you walked up. They want to say 1063 01:09:22,880 --> 01:09:24,559 Speaker 1: you're old for you, they want to say you've done 1064 01:09:24,720 --> 01:09:27,040 Speaker 1: but he had drink chah. We celebrate your life. We 1065 01:09:27,160 --> 01:09:30,320 Speaker 1: celebrate your career, We celebrate your accolades, we celebrate what 1066 01:09:30,439 --> 01:09:32,840 Speaker 1: you do. We celebrate you being six seven niggas in 1067 01:09:32,880 --> 01:09:34,879 Speaker 1: one movie. And this is what we're gonna do. Goddam, 1068 01:09:35,400 --> 01:09:40,360 Speaker 1: were a little We celebrate you. We celebrate you by 1069 01:09:40,680 --> 01:09:44,559 Speaker 1: cell back, pickle in your liver and killing you, making 1070 01:09:44,600 --> 01:09:52,040 Speaker 1: you old, because we celebrate that was terrible. That's her 1071 01:09:52,760 --> 01:10:04,719 Speaker 1: ain't so bad. Att you look. The mormalide just turned 1072 01:10:04,800 --> 01:10:08,920 Speaker 1: to I'm gonna tell you we're gonna go into drink 1073 01:10:09,000 --> 01:10:12,360 Speaker 1: chap history just his the meaning why I knew how 1074 01:10:12,439 --> 01:10:14,600 Speaker 1: much of a real but never to say you're not 1075 01:10:14,720 --> 01:10:16,880 Speaker 1: a comedian. But at one point, you know what I'm saying. 1076 01:10:18,120 --> 01:10:20,560 Speaker 1: At one point we had Jack on drink Champs and 1077 01:10:21,080 --> 01:10:26,400 Speaker 1: I had tried to uh, what's it called FaceTime to 1078 01:10:26,600 --> 01:10:29,680 Speaker 1: change and the rest of piece of combat Jack, Jack. 1079 01:10:29,800 --> 01:10:31,680 Speaker 1: So what happened was I was so drunk, like like 1080 01:10:31,920 --> 01:10:34,400 Speaker 1: you said, I didn't actually FaceTime to change. I was 1081 01:10:34,439 --> 01:10:36,840 Speaker 1: going like this, well to change in jack Field, I 1082 01:10:36,840 --> 01:10:39,559 Speaker 1: actually got to a real argument, right, And I didn't 1083 01:10:39,560 --> 01:10:41,559 Speaker 1: know they had real problems. Like I thought the day 1084 01:10:41,640 --> 01:10:43,679 Speaker 1: was okay when you walked I think it was really 1085 01:10:43,720 --> 01:10:46,800 Speaker 1: but Jack, when Jack had walked away and he um, 1086 01:10:47,080 --> 01:10:50,160 Speaker 1: this is something that I told him, I said, I said, Jack, 1087 01:10:50,880 --> 01:10:52,840 Speaker 1: because he has a close friend of mine, I said, Jack, 1088 01:10:53,240 --> 01:10:55,439 Speaker 1: I don't care what I ever do. I never stopped 1089 01:10:55,479 --> 01:10:58,360 Speaker 1: being a rapper, Like if I'm gonna do, if I'm 1090 01:10:58,360 --> 01:10:59,920 Speaker 1: gonna do it, I'm gonna take a pis I'm gonna 1091 01:10:59,920 --> 01:11:01,720 Speaker 1: do with a hip hop. If I'm on the time 1092 01:11:01,720 --> 01:11:03,120 Speaker 1: of my shoe Lates, I'm gonna do a hip hop 1093 01:11:03,360 --> 01:11:04,760 Speaker 1: and I said, that was the one time I was 1094 01:11:04,840 --> 01:11:07,519 Speaker 1: disappointed in Jack. I said, you stopped being a comedian 1095 01:11:07,560 --> 01:11:10,000 Speaker 1: at that at that moment you you became. You went 1096 01:11:10,080 --> 01:11:12,720 Speaker 1: into to change world, like you lose that back like 1097 01:11:12,920 --> 01:11:14,800 Speaker 1: two change was started calling him he should get him, 1098 01:11:14,880 --> 01:11:16,960 Speaker 1: saying ship in Jack's like he said something back, and 1099 01:11:17,200 --> 01:11:20,040 Speaker 1: I didn't want Jack to actually get mad or get whatever. 1100 01:11:20,040 --> 01:11:22,360 Speaker 1: I wanted him to be a comedian back. And that 1101 01:11:22,840 --> 01:11:24,920 Speaker 1: day that you came to drink Champs and that we 1102 01:11:25,000 --> 01:11:27,800 Speaker 1: did not make the A C. H. Turn off fight. 1103 01:11:28,479 --> 01:11:32,160 Speaker 1: We just didn't work. We did it still don't matter. 1104 01:11:32,240 --> 01:11:35,680 Speaker 1: You have no fucking window. But it was that day. 1105 01:11:35,960 --> 01:11:39,600 Speaker 1: But when you're it was that that I was that 1106 01:11:39,760 --> 01:11:42,040 Speaker 1: day that when you came on that I I hip 1107 01:11:42,080 --> 01:11:44,800 Speaker 1: hop man Jack, And I said, yo, I was right 1108 01:11:44,920 --> 01:11:47,080 Speaker 1: because I didn't know the advice I gave him at first, 1109 01:11:47,320 --> 01:11:49,960 Speaker 1: you know, always be a comedian all all times, twenty 1110 01:11:50,000 --> 01:11:52,840 Speaker 1: four hours. But that day you was like, you have 1111 01:11:53,040 --> 01:11:55,840 Speaker 1: fun with us. But it was really hot. It was 1112 01:11:56,040 --> 01:11:59,439 Speaker 1: really hot, it was really smoking. And the projects again 1113 01:12:00,680 --> 01:12:06,560 Speaker 1: sitting up you understand what you were project? Yeah, and 1114 01:12:08,360 --> 01:12:10,240 Speaker 1: my confident I'm trying to say is you stayed a 1115 01:12:10,320 --> 01:12:14,600 Speaker 1: comedian until you actually walked in that car. Yeah, and 1116 01:12:14,880 --> 01:12:20,519 Speaker 1: you were still like she was. And Jack Jackie is 1117 01:12:20,560 --> 01:12:21,920 Speaker 1: one of my favorite comedians. I don't know if I 1118 01:12:21,920 --> 01:12:25,160 Speaker 1: ever told him that. Um so, how how do you 1119 01:12:25,280 --> 01:12:31,519 Speaker 1: develop Jack Funn? Do it on your show? Once you 1120 01:12:33,360 --> 01:12:36,479 Speaker 1: look like you're gonna be long winding? And but how 1121 01:12:36,520 --> 01:12:38,880 Speaker 1: do you how do how you following making one eye? 1122 01:12:38,960 --> 01:12:41,960 Speaker 1: Your story is way better than how do you stay 1123 01:12:42,000 --> 01:12:44,880 Speaker 1: into that character? Like that's why actual about the bended acting, 1124 01:12:45,320 --> 01:12:47,880 Speaker 1: Like how do you always just remain the comedian? Like 1125 01:12:48,400 --> 01:12:49,760 Speaker 1: you know what I'm I love this ship man. I've 1126 01:12:49,800 --> 01:12:52,360 Speaker 1: been a comedian since I was four. Like, I love 1127 01:12:52,479 --> 01:12:56,040 Speaker 1: making people laugh. There's nothing more fun than making people laugh. 1128 01:12:56,200 --> 01:12:58,920 Speaker 1: Like I would turn down the baddest bitch for a 1129 01:12:59,000 --> 01:13:02,639 Speaker 1: stage any day. I love that ship man. The only 1130 01:13:02,680 --> 01:13:06,040 Speaker 1: thing is coming before my my stand up is the 1131 01:13:06,160 --> 01:13:10,240 Speaker 1: things I love more family that a few of my friends, 1132 01:13:10,320 --> 01:13:18,960 Speaker 1: but not all the labs. Yeah, yeah, it is a 1133 01:13:19,040 --> 01:13:23,320 Speaker 1: hot thought, but it's right on point. Kind of came Marlin, Yo, 1134 01:13:24,400 --> 01:13:27,280 Speaker 1: the same thing I've always thought about you even to today. Man, 1135 01:13:27,880 --> 01:13:30,320 Speaker 1: seeing that person mean you like that it don't matter 1136 01:13:30,400 --> 01:13:33,040 Speaker 1: what we say, it ain't gonna You're never gonna stop 1137 01:13:33,080 --> 01:13:36,240 Speaker 1: being funny. Right. Um when I when I sound like 1138 01:13:36,280 --> 01:13:39,000 Speaker 1: old black woman said, you are never gonna stop being funny. Baby, 1139 01:13:40,400 --> 01:13:43,400 Speaker 1: you just keep doing you familiarly. You started looking like 1140 01:13:43,520 --> 01:13:50,519 Speaker 1: that's the role from Good Jome. Just keep doing Yeah. Yeah, 1141 01:13:50,720 --> 01:13:53,839 Speaker 1: when when that did happened? Um yeah, I was inside 1142 01:13:53,920 --> 01:13:56,720 Speaker 1: my feelings. But when you're under the collective or to say, 1143 01:13:56,760 --> 01:13:58,360 Speaker 1: he's been making you feel like you were dub too. 1144 01:14:01,920 --> 01:14:04,519 Speaker 1: The smartest, coolest ing is you're a little bit around. 1145 01:14:05,720 --> 01:14:10,360 Speaker 1: That's what I'm saying. Be smarter, extremely smart. Like I 1146 01:14:10,439 --> 01:14:12,880 Speaker 1: went to dinner with fifty and he just so so 1147 01:14:13,200 --> 01:14:17,439 Speaker 1: spoken me, nigga, why is his fun Why is he 1148 01:14:17,560 --> 01:14:21,719 Speaker 1: had something special? Now? Um, he had some bad luck, nigga. 1149 01:14:22,600 --> 01:14:29,320 Speaker 1: He got shot nine times nigga and lived you determined 1150 01:14:29,479 --> 01:14:34,679 Speaker 1: you're supposed to be after look at you got shot? 1151 01:14:34,840 --> 01:14:39,840 Speaker 1: Is that why? Oh fuck? Okay, Hey, I was wondering 1152 01:14:39,920 --> 01:14:41,760 Speaker 1: the history. I just want to ask you that when 1153 01:14:41,760 --> 01:14:44,200 Speaker 1: I want they see it like with his eye. I 1154 01:14:44,320 --> 01:14:50,599 Speaker 1: never asked, like you see people and you don't want 1155 01:14:50,600 --> 01:14:55,920 Speaker 1: to say, like nigga, why your nigga? Why why your 1156 01:14:56,040 --> 01:14:58,160 Speaker 1: eye like that, like I want to be a real 1157 01:14:58,320 --> 01:15:01,120 Speaker 1: nigga and ask real question. And I'm glad you told 1158 01:15:01,160 --> 01:15:04,439 Speaker 1: me because I didn't know. Like I know you, I 1159 01:15:04,560 --> 01:15:07,400 Speaker 1: could tell you wasn't blue. Don't like it because your 1160 01:15:07,479 --> 01:15:10,200 Speaker 1: legs up being a little shriveling like baby legs. Legs umb. 1161 01:15:10,560 --> 01:15:19,400 Speaker 1: But okay, and you live, so Jack. The only thing 1162 01:15:19,479 --> 01:15:22,800 Speaker 1: you need to do now, niggers, go drop a rap 1163 01:15:22,880 --> 01:15:25,840 Speaker 1: album and get some of that your own champagne. Nigger. 1164 01:15:27,160 --> 01:15:30,040 Speaker 1: But jack, um, so he asked me, what happened to 1165 01:15:30,080 --> 01:15:32,240 Speaker 1: your eye? Did you ever? I was in a car 1166 01:15:32,280 --> 01:15:34,040 Speaker 1: with fifty when they were shooting at him and I 1167 01:15:34,120 --> 01:15:37,439 Speaker 1: was out me and knows they got you. Now. I 1168 01:15:37,560 --> 01:15:40,920 Speaker 1: called one of the bullets. I called it timp bullet. Really, um, 1169 01:15:41,040 --> 01:15:43,840 Speaker 1: I was boring blind and I left that. I feel bad. 1170 01:15:44,760 --> 01:15:47,559 Speaker 1: It wasn't your fault. It is your parents smoking that weed. 1171 01:15:48,720 --> 01:15:51,680 Speaker 1: That's where happened. For real. My mom was smoking with me, 1172 01:15:52,200 --> 01:16:01,240 Speaker 1: smoked her a summer and back at eighty two girls. 1173 01:16:07,960 --> 01:16:10,880 Speaker 1: But I was high. Do another shot missing the eye, 1174 01:16:11,000 --> 01:16:14,960 Speaker 1: but man shot up. I'm not gonna lie. I see 1175 01:16:15,000 --> 01:16:17,080 Speaker 1: you drinking survive with the white people, I would feel 1176 01:16:17,720 --> 01:16:19,680 Speaker 1: I take too all right, come back to you. Drink 1177 01:16:19,760 --> 01:16:21,599 Speaker 1: some of your survived with us because I was offended. 1178 01:16:21,680 --> 01:16:24,439 Speaker 1: I see you with Don Julio ninety forty two. You 1179 01:16:24,520 --> 01:16:26,720 Speaker 1: have you ain't got no because because last time we 1180 01:16:26,760 --> 01:16:29,360 Speaker 1: brought you a two hundred on the bottle some good 1181 01:16:29,479 --> 01:16:31,200 Speaker 1: grad we brought you three of us. So now I'm 1182 01:16:31,240 --> 01:16:39,160 Speaker 1: gonna pulishment. What do you mean every break the closet? 1183 01:16:41,400 --> 01:16:45,040 Speaker 1: We didn't trust you. Listen, he I texted Nick, Jack, 1184 01:16:45,400 --> 01:16:49,800 Speaker 1: start your own liquor. Listen, what doing doing? Newer? What's 1185 01:16:49,840 --> 01:16:56,719 Speaker 1: gonna want talking you? Listen, Each bottom another's a caterpillar 1186 01:16:56,840 --> 01:17:01,120 Speaker 1: and the bottom of quiller eat running a little eyes 1187 01:17:01,200 --> 01:17:20,240 Speaker 1: and bring that ship happens in chess. That was I 1188 01:17:20,360 --> 01:17:24,360 Speaker 1: wanted to second man Seys. I wanted to be the 1189 01:17:24,400 --> 01:17:27,160 Speaker 1: most interesting in the world. You wait too big for 1190 01:17:27,200 --> 01:17:35,320 Speaker 1: that room. Don't forget. We're streaming on title episodes will 1191 01:17:35,360 --> 01:17:37,759 Speaker 1: be releasing to sleep on title, make you to download 1192 01:17:38,600 --> 01:17:41,639 Speaker 1: title dot com Forward slash drink Chance, forward slash offer. 1193 01:17:41,840 --> 01:17:44,240 Speaker 1: Goddamn big of the title, Big of the hope of them. Jason, 1194 01:17:47,320 --> 01:17:50,000 Speaker 1: you got you got to revote TV because the mass 1195 01:17:50,000 --> 01:17:55,680 Speaker 1: of pil pet up Jason. Everybody also big up to 1196 01:17:55,760 --> 01:18:01,360 Speaker 1: a vote for our partners points Morning Bulls. You come 1197 01:18:01,360 --> 01:18:07,560 Speaker 1: on now because party Move, that's your show. That's like 1198 01:18:09,040 --> 01:18:11,840 Speaker 1: we're like, I'm mono missing me from msuous. That's my 1199 01:18:11,920 --> 01:18:13,840 Speaker 1: that's my new way. I'm coming out. Maybe got a 1200 01:18:13,840 --> 01:18:17,960 Speaker 1: song on it. That's the first single drop to yea, yeah, yeah, 1201 01:18:18,200 --> 01:18:20,280 Speaker 1: more than you. I ain't talking to you about it 1202 01:18:20,360 --> 01:18:28,200 Speaker 1: yet where you don't they can't bring you out of 1203 01:18:28,240 --> 01:18:34,040 Speaker 1: retime and no they I'm rich, So we're doing that. 1204 01:18:34,200 --> 01:18:35,600 Speaker 1: I don't know that I would do this kid so 1205 01:18:35,880 --> 01:18:38,920 Speaker 1: like one and they gotta be sure. So don't have me, y'alls, 1206 01:18:39,680 --> 01:18:49,800 Speaker 1: because I can't be We'll be two emotional. I think 1207 01:18:49,840 --> 01:18:53,040 Speaker 1: i'mired about you. Is it feels like you're going from 1208 01:18:53,080 --> 01:18:56,040 Speaker 1: like talent to being like the owner. Like it feels 1209 01:18:56,080 --> 01:18:59,360 Speaker 1: like you're going from uh, Derek g the playing for 1210 01:19:00,080 --> 01:19:03,920 Speaker 1: New York the Yankees at to Derek Geta owning the 1211 01:19:04,040 --> 01:19:09,160 Speaker 1: mall wonder the Marlins, th one that was hard out together. 1212 01:19:13,200 --> 01:19:17,920 Speaker 1: Your name Marlan he he just he you're kind of high. 1213 01:19:21,280 --> 01:19:26,960 Speaker 1: Just sit there, man, Thank you A little badass kid. 1214 01:19:27,080 --> 01:19:29,840 Speaker 1: You know, a little badass kid. You still want to 1215 01:19:29,880 --> 01:19:32,800 Speaker 1: beat him? From Derek Get to going from playing for 1216 01:19:32,840 --> 01:19:35,240 Speaker 1: the Yankees to owning the malls. That that that that 1217 01:19:35,479 --> 01:19:38,040 Speaker 1: the ultimate goal. I think definitely one day, but for now, 1218 01:19:38,439 --> 01:19:40,720 Speaker 1: you know, I just wanna i wanna be droning bro. 1219 01:19:42,120 --> 01:19:43,680 Speaker 1: I'm trying to be the best that I could be 1220 01:19:44,160 --> 01:19:46,120 Speaker 1: in my skin and just get up there with with 1221 01:19:46,479 --> 01:19:49,080 Speaker 1: with my heroes and my goats and uh, trying to 1222 01:19:49,080 --> 01:19:52,040 Speaker 1: be a goat myself and leave behind every time when 1223 01:19:52,040 --> 01:19:54,320 Speaker 1: I'm gone, the only thing I'm and I'm probably dead 1224 01:19:54,400 --> 01:20:02,360 Speaker 1: right now, for all this it is, It's perfect. All 1225 01:20:02,479 --> 01:20:06,160 Speaker 1: I all I want to leave behind in my legacy 1226 01:20:06,880 --> 01:20:09,799 Speaker 1: is every time you watch something that's a smaller ways, 1227 01:20:10,479 --> 01:20:14,280 Speaker 1: you laugh, you enjoy and takes you out that moment 1228 01:20:14,760 --> 01:20:17,040 Speaker 1: of whatever was going on in your life, that that 1229 01:20:17,200 --> 01:20:19,320 Speaker 1: made you laugh and it lifted your spirits. Because then 1230 01:20:19,320 --> 01:20:22,200 Speaker 1: when I'm dead, I'm still living in y'all smiles. So 1231 01:20:22,760 --> 01:20:25,400 Speaker 1: that's what I want when I put it out there, 1232 01:20:30,439 --> 01:20:36,560 Speaker 1: he just had a birthday, birthday forty seven, but the 1233 01:20:36,640 --> 01:20:44,479 Speaker 1: black look terrible. Fortst black here, So I'm in for 1234 01:20:44,479 --> 01:20:48,040 Speaker 1: a while. You're thirty seven this term. You ain't gonna 1235 01:20:48,040 --> 01:20:53,160 Speaker 1: be here long. You gotta change. You're a wonderful man, 1236 01:20:56,360 --> 01:20:59,120 Speaker 1: even though you're wearing a basketball as a black jacket 1237 01:21:01,200 --> 01:21:11,000 Speaker 1: even all that. Everybody, this is different. Man, I've never 1238 01:21:11,040 --> 01:21:18,720 Speaker 1: seen a live a bit of everything you see thinking said, 1239 01:21:18,720 --> 01:21:21,560 Speaker 1: you ain't gonna be alive long Damn. I didn't go. 1240 01:21:21,720 --> 01:21:29,040 Speaker 1: I didn't look good at you. Nig tis gott like, 1241 01:21:30,160 --> 01:21:33,000 Speaker 1: get in the jail. It's something right, get my lights. 1242 01:21:36,320 --> 01:21:44,280 Speaker 1: He's your undermovable preference. Bro't yet he ain't doing me. 1243 01:21:44,920 --> 01:21:47,240 Speaker 1: We got some more to go. Okay, all right, So 1244 01:21:47,400 --> 01:21:50,080 Speaker 1: recently y'all was at the Ess Inspects in New Orleans, 1245 01:21:50,160 --> 01:21:53,080 Speaker 1: and the funny thing about it was I followed most 1246 01:21:53,160 --> 01:21:55,040 Speaker 1: people that that went out there, and it was like 1247 01:21:55,520 --> 01:21:59,000 Speaker 1: the comedian's had your own little section like I obviously 1248 01:21:59,120 --> 01:22:01,599 Speaker 1: wasn't there, but it was like, yeah, all linked up, 1249 01:22:01,880 --> 01:22:04,479 Speaker 1: and then all my rapper friends they all linked up. 1250 01:22:06,400 --> 01:22:10,599 Speaker 1: Most people would say that's like conspiracy, Like when when 1251 01:22:10,640 --> 01:22:13,960 Speaker 1: people get together, do you feel like that is there? 1252 01:22:14,040 --> 01:22:16,240 Speaker 1: Conspiracy is there? The huminity is they're black ball in 1253 01:22:16,320 --> 01:22:21,120 Speaker 1: the comedian comedians don't like comedians were all friends here? Okay, 1254 01:22:21,479 --> 01:22:27,960 Speaker 1: well are we all friendship? Yeah? Yeah, we're friends. Okay, 1255 01:22:28,320 --> 01:22:33,960 Speaker 1: So when you die for this man, yeah, can you 1256 01:22:33,960 --> 01:22:38,320 Speaker 1: please tell this nigga that they no more somebody tell us, nigga, 1257 01:22:38,400 --> 01:22:42,160 Speaker 1: he's high blood listening. Just asked the question that had 1258 01:22:42,280 --> 01:22:45,400 Speaker 1: no fucking answer to it, had that shack to you 1259 01:22:45,520 --> 01:22:47,960 Speaker 1: right now? What was it, nigga? Okay, look when you 1260 01:22:48,080 --> 01:22:55,160 Speaker 1: are your friend. I sped into detail. I just playing 1261 01:22:55,160 --> 01:23:00,320 Speaker 1: into details detail. When I looked at I seen you, 1262 01:23:00,520 --> 01:23:03,000 Speaker 1: it was Kevin Hard I believe it was Terrence Jay 1263 01:23:03,120 --> 01:23:05,200 Speaker 1: or bunch of y'all that got together. Is that is 1264 01:23:05,240 --> 01:23:10,080 Speaker 1: that correct? Is this got this picture from the he 1265 01:23:10,320 --> 01:23:14,000 Speaker 1: hit me. I damn all right right and he tried 1266 01:23:14,040 --> 01:23:19,479 Speaker 1: to be on one. He he was playing y'all set yeah, 1267 01:23:21,400 --> 01:23:24,599 Speaker 1: family like. So that's what I'm saying, me and him, 1268 01:23:24,800 --> 01:23:27,920 Speaker 1: Terence is talking about doing something together. So you're gonna 1269 01:23:27,960 --> 01:23:33,560 Speaker 1: do something with Terence? That was that was that was 1270 01:23:33,600 --> 01:23:35,760 Speaker 1: super I got. I would do something with you, but 1271 01:23:35,840 --> 01:23:41,439 Speaker 1: you scare me, so you need something with me? Talk 1272 01:23:42,080 --> 01:23:45,800 Speaker 1: in ten years you could have I just wouldn't. You 1273 01:23:45,800 --> 01:23:50,960 Speaker 1: would make me not enjoy my lunch. I would be 1274 01:23:51,120 --> 01:23:53,760 Speaker 1: rolling around, I've eating oars like I can't get this. 1275 01:24:03,600 --> 01:24:08,200 Speaker 1: I forgot what I was asking. Hey, I got I 1276 01:24:08,320 --> 01:24:12,479 Speaker 1: got one. Listen him listen here shure this out come back. 1277 01:24:12,560 --> 01:24:14,920 Speaker 1: So let's talk about comeback now you talk about it, 1278 01:24:15,800 --> 01:24:22,880 Speaker 1: how you come back? Like fighting comeback? See O M 1279 01:24:23,680 --> 01:24:31,080 Speaker 1: come back, CEO M s come back, come back you 1280 01:24:31,400 --> 01:24:37,200 Speaker 1: see em? That don't sounding for comedian comebacks? Comedy and 1281 01:24:37,320 --> 01:24:42,280 Speaker 1: come back. Eddie Murphy, Jamie Fox Now Jamie and Edie 1282 01:24:42,360 --> 01:24:45,360 Speaker 1: Murby came out when your little boy inspired you. You 1283 01:24:45,439 --> 01:24:47,320 Speaker 1: know what I'm saying, Jamie Foxx, you work will him 1284 01:24:47,320 --> 01:24:50,560 Speaker 1: on Living Cover. You know what I'm saying? Like, what 1285 01:24:50,680 --> 01:24:52,519 Speaker 1: do you what would you rather see? He said? Edie 1286 01:24:52,520 --> 01:24:54,840 Speaker 1: schooled him as a little boy. I don't stand how 1287 01:24:56,960 --> 01:25:02,240 Speaker 1: fox I love Foxing, Foxesxes even bush houses a little 1288 01:25:02,280 --> 01:25:05,439 Speaker 1: boys just do what they're gonna give it. Say you 1289 01:25:05,479 --> 01:25:08,160 Speaker 1: went to Eddie's house a little bo he remember Canna 1290 01:25:08,240 --> 01:25:12,840 Speaker 1: he house? That boy to see Kennan Cannan because you 1291 01:25:12,920 --> 01:25:15,320 Speaker 1: know Cannon hillp with God. Damn. I like talking about 1292 01:25:15,320 --> 01:25:18,120 Speaker 1: my family like you know the story. You don't know 1293 01:25:18,240 --> 01:25:23,080 Speaker 1: what shot know? Fat? You know about saying that like 1294 01:25:23,520 --> 01:25:26,479 Speaker 1: you're sucking my mom. I'm sucking mom. I know she 1295 01:25:26,640 --> 01:25:30,640 Speaker 1: told me to be put on talking focus facts. You 1296 01:25:30,760 --> 01:25:33,120 Speaker 1: know I'm in there for Oprah. You know Oprah was perms. 1297 01:25:33,760 --> 01:25:37,439 Speaker 1: What are you talking to? You will never make it. 1298 01:25:38,360 --> 01:25:42,760 Speaker 1: You will never make it. You peeked o pro will 1299 01:25:42,960 --> 01:25:50,960 Speaker 1: buy your hide and just kiss these things with Stop 1300 01:25:51,160 --> 01:25:55,200 Speaker 1: talking about the opal. She can buy you to put 1301 01:25:55,400 --> 01:26:08,080 Speaker 1: different things in your years. And Murphy, Jamie f who 1302 01:26:08,240 --> 01:26:12,600 Speaker 1: you who you want to be? To come back? I 1303 01:26:12,680 --> 01:26:16,640 Speaker 1: love Jamie, Find Jamie, Jamie, my god, love Jamie. But 1304 01:26:16,720 --> 01:26:20,920 Speaker 1: I'll be honestly. Then he talks, we want to see 1305 01:26:21,200 --> 01:26:25,080 Speaker 1: Eddie Murphy, and he's like being that we are students 1306 01:26:25,120 --> 01:26:29,080 Speaker 1: of the game me Jamie and Jamie's a fucking legend 1307 01:26:29,120 --> 01:26:33,360 Speaker 1: and the goal. I love that for Eddie Murphy. That 1308 01:26:33,600 --> 01:26:37,080 Speaker 1: needn't come on. Man, The only thing more exciting than 1309 01:26:37,240 --> 01:26:40,200 Speaker 1: Eddie Murphy still doing stand up again will be if 1310 01:26:40,240 --> 01:26:43,559 Speaker 1: we dug up with your pride and and don't bring 1311 01:26:43,640 --> 01:26:46,439 Speaker 1: him back to life and let him do STI the 1312 01:26:46,479 --> 01:26:48,639 Speaker 1: only one. But that's funny because like the Richard part, 1313 01:26:49,200 --> 01:26:52,559 Speaker 1: he seems like the Choppa right now, it doesn't happen 1314 01:26:52,680 --> 01:26:59,599 Speaker 1: right exists. I stopped talking about gonna be whenever. Wait, man, 1315 01:27:02,439 --> 01:27:07,559 Speaker 1: some Ray ship, he's some Ray type ship race Ray 1316 01:27:07,640 --> 01:27:11,320 Speaker 1: Charles Ray Charles got a good movie later on he 1317 01:27:11,360 --> 01:27:13,200 Speaker 1: would got here he died when if it came out 1318 01:27:13,760 --> 01:27:18,679 Speaker 1: the same year it came back dead already though I did, Richard, 1319 01:27:19,040 --> 01:27:21,400 Speaker 1: I did, I did. But I don't think that we're 1320 01:27:21,439 --> 01:27:24,400 Speaker 1: gonna be here or we we ain't gonna be way 1321 01:27:24,560 --> 01:27:26,879 Speaker 1: to enjoy it because we we we we really understand 1322 01:27:26,920 --> 01:27:30,679 Speaker 1: what it means to us, for Richard Pryor or understand 1323 01:27:30,720 --> 01:27:33,000 Speaker 1: what you're saying. But it was already into making though 1324 01:27:33,600 --> 01:27:40,320 Speaker 1: it was already I mean way many years. Because he says, 1325 01:27:40,360 --> 01:27:43,680 Speaker 1: it's not really pop. This is how trying to be 1326 01:27:44,120 --> 01:27:46,800 Speaker 1: a movie. How long Richards for Pride been trying to 1327 01:27:46,840 --> 01:27:49,000 Speaker 1: be a movie? And let me some more champagne. Okay, 1328 01:27:49,040 --> 01:27:53,920 Speaker 1: I got I'm saying, you got so high? You ain't 1329 01:27:54,000 --> 01:27:57,920 Speaker 1: talking English. No, it's like it's talking slaved after you. 1330 01:27:59,640 --> 01:28:07,719 Speaker 1: What did you know? I'm I'm not I'm not your stop. 1331 01:28:08,080 --> 01:28:18,120 Speaker 1: I'm saying, maybe shout what the fun you wants to 1332 01:28:19,880 --> 01:28:26,160 Speaker 1: another botnother? This nigga went took another ship. There were 1333 01:28:26,200 --> 01:28:32,639 Speaker 1: gonna take ship. Yeah, you know you gotta shouting, dude, nigga, Ya, 1334 01:28:32,880 --> 01:28:36,360 Speaker 1: you're crazy. He's gonna leave us here yo here, y'all 1335 01:28:36,360 --> 01:28:40,240 Speaker 1: seeing that they put uh Eddie Murphy flicks. Delirious is 1336 01:28:40,280 --> 01:28:43,120 Speaker 1: on Netflix now, So that tells me that I think 1337 01:28:43,200 --> 01:28:45,640 Speaker 1: he might be doing it on Netflix. But if you 1338 01:28:45,760 --> 01:28:48,040 Speaker 1: watch it now, it's a different movie now when you 1339 01:28:48,080 --> 01:28:49,519 Speaker 1: watch it. When I was, when I was a little kid, 1340 01:28:49,560 --> 01:28:52,760 Speaker 1: it was crazy. I don't watching it say it say 1341 01:28:53,160 --> 01:28:56,000 Speaker 1: saying white boy, saying call me a white boy. I 1342 01:28:56,040 --> 01:29:00,120 Speaker 1: swear to God, I ain't a white boy. Here give 1343 01:29:00,160 --> 01:29:06,120 Speaker 1: me I'll get violent and some time this rock. He said, 1344 01:29:06,120 --> 01:29:11,720 Speaker 1: why I drinking movie? My man? He just said that row. 1345 01:29:11,840 --> 01:29:13,760 Speaker 1: Don't hold up. No, I didn't saying that, and it 1346 01:29:13,880 --> 01:29:16,040 Speaker 1: wasn't wrong. Delirious I was talking about. No, de Lyricus, 1347 01:29:16,120 --> 01:29:19,559 Speaker 1: hold up, don't say row. That's number one. They're talking 1348 01:29:19,560 --> 01:29:21,880 Speaker 1: about delirious. They both hold up. I'll just saying a 1349 01:29:21,920 --> 01:29:24,040 Speaker 1: different movie when you want about to be as an adult. 1350 01:29:26,320 --> 01:29:30,479 Speaker 1: I'm sorry now, I'm not carrying your ship no more so. Um, 1351 01:29:31,080 --> 01:29:33,800 Speaker 1: which one is is not empty? He passed me to 1352 01:29:33,840 --> 01:29:36,559 Speaker 1: what it's not just the one with the smoke part, 1353 01:29:36,560 --> 01:29:40,880 Speaker 1: because what's the name of the ship we're trying to 1354 01:29:40,920 --> 01:29:44,720 Speaker 1: give motherfucking sponsor? Yeah, yeah, yeah, fifty. Um, I did 1355 01:29:44,800 --> 01:29:47,280 Speaker 1: what I pupo to do. You did, people, and you 1356 01:29:47,360 --> 01:29:52,120 Speaker 1: wore I told you the nigger and speaking English, but 1357 01:29:52,240 --> 01:29:58,479 Speaker 1: he's speaking slave imposed to do both. To do shots 1358 01:29:59,880 --> 01:30:07,519 Speaker 1: one try say that Mr Miss Norton. Now now I know, 1359 01:30:07,720 --> 01:30:12,640 Speaker 1: I know, making people laugh, uh as supposed to be 1360 01:30:12,680 --> 01:30:15,400 Speaker 1: wanting you answer the lab okay, yeah, ask good Jella 1361 01:30:15,520 --> 01:30:23,639 Speaker 1: in the questions, what's it? Ain't gonnat that question? Yeah, 1362 01:30:25,000 --> 01:30:34,439 Speaker 1: Ellen Murphy or Ellie Murphy, Ellie Murphy, that's the lad 1363 01:30:39,160 --> 01:30:44,800 Speaker 1: I'm like I Ali Murphy, Ellie Allie Murphy, Alan Murphy 1364 01:30:44,800 --> 01:30:48,880 Speaker 1: a good nigg. I know, Alan Murby man Man, Ali Burby, 1365 01:30:49,040 --> 01:30:56,519 Speaker 1: Ali Murphy, Ali Burber Man Man come a shot to 1366 01:30:56,600 --> 01:30:59,679 Speaker 1: get Murphy Man. We got to get onto the Ali Murder, 1367 01:31:03,280 --> 01:31:07,120 Speaker 1: Edie Murphy, Richard probably saying, and not Jeremy five, Jamie Fox, 1368 01:31:07,280 --> 01:31:10,599 Speaker 1: Eddie Murphy. Jam He answered it. He said he think 1369 01:31:11,680 --> 01:31:14,439 Speaker 1: we want to see Eddie Murphy on stage. Jamie Fox 1370 01:31:14,560 --> 01:31:17,040 Speaker 1: would want to see any Murphy because we're all fans 1371 01:31:17,080 --> 01:31:21,840 Speaker 1: and Eddies and all of guys. I got sign up 1372 01:31:21,840 --> 01:31:24,320 Speaker 1: the time Little duebau Jack came out with leaving my 1373 01:31:24,400 --> 01:31:26,640 Speaker 1: best lot. Then remember one when Jerry Fi tried to 1374 01:31:26,720 --> 01:31:30,600 Speaker 1: do a whole ad win after wander limon Color the 1375 01:31:30,680 --> 01:31:34,479 Speaker 1: season he broke out. People don't take him seriously. Now 1376 01:31:34,680 --> 01:31:39,920 Speaker 1: it's completely acceptable to try to do it. We're trying 1377 01:31:39,960 --> 01:31:44,680 Speaker 1: to do it. Jerry Fox trying to carry afterwards? Did 1378 01:31:45,439 --> 01:31:52,880 Speaker 1: the time? Who are you trying to see? I would 1379 01:31:52,960 --> 01:31:55,120 Speaker 1: want to get first, Oh, Jamie gonna get that one. 1380 01:31:55,400 --> 01:31:59,640 Speaker 1: But you're asking me about companies, ain't Eddie? Eddie had 1381 01:31:59,680 --> 01:32:05,240 Speaker 1: some shoot? Come on? How he crazy? How could it be? Hardy? 1382 01:32:05,280 --> 01:32:09,680 Speaker 1: Could be happen that? You don't love me? And he 1383 01:32:09,800 --> 01:32:13,479 Speaker 1: had Rick James on the athlete. No girl wants to 1384 01:32:13,920 --> 01:32:17,200 Speaker 1: sidy all the top body, all the tope body, all 1385 01:32:17,240 --> 01:32:31,920 Speaker 1: the time, my bank body, all the top dick, not 1386 01:32:32,320 --> 01:32:51,840 Speaker 1: the usual game, every day party, be happy and get me. 1387 01:32:52,080 --> 01:33:02,800 Speaker 1: I might now keep believing bath listen nothing day. What 1388 01:33:02,880 --> 01:33:05,040 Speaker 1: do you say? Blame it on the goods? You can 1389 01:33:05,160 --> 01:33:06,760 Speaker 1: go ahead. I've forgot about that show. I think it's 1390 01:33:06,760 --> 01:33:11,320 Speaker 1: gonna sound hardy down. It don't sound like it sounds 1391 01:33:11,320 --> 01:33:15,000 Speaker 1: like you want to be sound and he's out. Yeah, 1392 01:33:15,000 --> 01:33:21,040 Speaker 1: I would you gotta go with the here and the moment? 1393 01:33:24,800 --> 01:33:29,200 Speaker 1: He we have the playlist. Yeah, saltle is the last shot. 1394 01:33:29,280 --> 01:33:31,680 Speaker 1: Three is the lucky number of ship. When did you 1395 01:33:31,720 --> 01:33:35,840 Speaker 1: make this ship up? This coup? When you come back? 1396 01:33:35,880 --> 01:33:38,280 Speaker 1: I don't know. We gotta get him one. Yeah, no, no, No, 1397 01:33:38,400 --> 01:33:40,280 Speaker 1: they're gonna get him the type show in the way 1398 01:33:41,120 --> 01:33:43,960 Speaker 1: he got he got it, he got it right there, 1399 01:33:44,200 --> 01:33:46,280 Speaker 1: said there was left for your hand and put it 1400 01:33:46,400 --> 01:33:57,680 Speaker 1: on the blast right ship like this, why don't beat 1401 01:33:57,680 --> 01:34:00,040 Speaker 1: for normal? Because I was in St. Louis I and 1402 01:34:00,120 --> 01:34:02,000 Speaker 1: I was that I was hosting the show Two Chains 1403 01:34:02,280 --> 01:34:04,680 Speaker 1: with book on the show, and they had called him 1404 01:34:04,680 --> 01:34:06,800 Speaker 1: about by the stage about to go back up. Nigga 1405 01:34:06,880 --> 01:34:08,040 Speaker 1: wrecked by me. I was looking at him and he 1406 01:34:08,080 --> 01:34:11,439 Speaker 1: looking at me. I was like, he looked at me, 1407 01:34:11,720 --> 01:34:13,679 Speaker 1: and they were like, yo, y'all give it up a change. 1408 01:34:14,120 --> 01:34:15,920 Speaker 1: He didn't get a chance to with my ass right then. 1409 01:34:16,080 --> 01:34:19,680 Speaker 1: He could have took my whole left side off, all off. 1410 01:34:20,439 --> 01:34:24,120 Speaker 1: That's when I became a comedian again and realized that 1411 01:34:24,360 --> 01:34:28,280 Speaker 1: I was a bit chass nigga and I'm not supposed 1412 01:34:28,400 --> 01:34:33,439 Speaker 1: to be beefing with nobody and two Chains. If you're watching, 1413 01:34:33,840 --> 01:34:39,840 Speaker 1: I'm sorry. I was on some bulls shit. I'm like, coming, nigga, 1414 01:34:39,920 --> 01:34:42,320 Speaker 1: you the ship. All the girls I ever dated after 1415 01:34:42,400 --> 01:34:45,080 Speaker 1: it was beefing a little bit all your als, man, 1416 01:34:47,520 --> 01:34:58,639 Speaker 1: I would man at you, I don't man start crying 1417 01:34:58,680 --> 01:35:05,080 Speaker 1: and then give me scere your poem saying, up my 1418 01:35:06,800 --> 01:35:13,920 Speaker 1: ball he sleeps to hits some two change. I want 1419 01:35:14,280 --> 01:35:21,160 Speaker 1: pologize her. I have been called to please do minut 1420 01:35:21,160 --> 01:35:25,240 Speaker 1: and mother let I talked to fifth out. I said, hey, man, 1421 01:35:25,360 --> 01:35:26,960 Speaker 1: me and to chain going in it right now. I 1422 01:35:27,080 --> 01:35:29,639 Speaker 1: thought we were in the you know, and we're gonna 1423 01:35:29,720 --> 01:35:35,000 Speaker 1: kill him. I thought we were gonna shoot him. Man 1424 01:35:35,160 --> 01:35:38,720 Speaker 1: time fifty fifty said, nigga, I've been shot. I ain't 1425 01:35:38,720 --> 01:35:42,800 Speaker 1: gonna get he said, I get two chains on the phone. 1426 01:35:43,400 --> 01:35:45,160 Speaker 1: They got on the phone, Yeah, I said it ain't 1427 01:35:45,160 --> 01:35:47,360 Speaker 1: said yeah what what what that bitch nick? Yeah, we're 1428 01:35:47,360 --> 01:35:50,800 Speaker 1: about to do the uh new music and a couple 1429 01:35:50,800 --> 01:35:52,320 Speaker 1: of days and whatnot. You know what I'm saying. We 1430 01:35:52,400 --> 01:35:54,120 Speaker 1: got to dope as something we're about to do, but 1431 01:35:54,200 --> 01:35:57,639 Speaker 1: we ain't gonna killing him. He wasn't my friend. He said, yeah, 1432 01:35:57,640 --> 01:35:59,639 Speaker 1: you better leave you to change along for your jump niggas. 1433 01:36:02,120 --> 01:36:06,240 Speaker 1: And that's when I really I'm a comedy. I'm I'm not. 1434 01:36:06,680 --> 01:36:12,679 Speaker 1: I think that's good. I got you werena star niggas 1435 01:36:12,720 --> 01:36:15,800 Speaker 1: and about you. Can we get back to this mone movie. 1436 01:36:15,840 --> 01:36:24,840 Speaker 1: I'm please don't want to hear about you. Your stupid ass. 1437 01:36:27,600 --> 01:36:30,680 Speaker 1: People were rich niggas. Nigga, you can't win. Let's go, 1438 01:36:30,880 --> 01:36:36,400 Speaker 1: let's go. Let drink this shot to me, it's not 1439 01:36:36,520 --> 01:36:42,080 Speaker 1: doing me like you to t please shoot this la 1440 01:36:44,400 --> 01:36:58,320 Speaker 1: times not nigga. That was a good enough man, hold on, 1441 01:36:58,400 --> 01:37:00,519 Speaker 1: let me get my life together, not to get the 1442 01:37:00,600 --> 01:37:07,479 Speaker 1: way that. Don't you feel hot? Like you ain't got 1443 01:37:07,520 --> 01:37:10,320 Speaker 1: no more question. There's like, I'm not gonna lie to you. 1444 01:37:10,520 --> 01:37:16,920 Speaker 1: I never talked to anybody. I don't talk about You're 1445 01:37:17,040 --> 01:37:19,360 Speaker 1: one of the most exciting guests, one of the most 1446 01:37:19,400 --> 01:37:22,200 Speaker 1: funniest guests. And the thing about it, it is all 1447 01:37:22,320 --> 01:37:25,920 Speaker 1: improv it's all natural. We just throw you, we throw 1448 01:37:26,000 --> 01:37:27,680 Speaker 1: you out of you and you always dumped the ball. 1449 01:37:28,680 --> 01:37:31,080 Speaker 1: So we are. We are on it man, because you 1450 01:37:31,120 --> 01:37:35,280 Speaker 1: know what, I studied you prior to you coming to 1451 01:37:35,400 --> 01:37:39,600 Speaker 1: Drink Champs, and I was. I was blown away. But 1452 01:37:39,680 --> 01:37:42,160 Speaker 1: then after listening to certain things that you said, like 1453 01:37:42,240 --> 01:37:45,400 Speaker 1: from Mr. Society, knowing that you had things part of 1454 01:37:45,439 --> 01:37:48,200 Speaker 1: producing that and all that, don't bet. I don't be 1455 01:37:48,320 --> 01:37:50,400 Speaker 1: a minute. You know what that man problem? And I 1456 01:37:50,479 --> 01:37:54,400 Speaker 1: went and I really really feel like, you know, you're 1457 01:37:54,720 --> 01:37:56,559 Speaker 1: at the next plateau. I know I said that earlier 1458 01:37:56,560 --> 01:37:59,080 Speaker 1: in the interview, but I feel like this is the movie, 1459 01:37:59,160 --> 01:38:02,160 Speaker 1: Like I feel like you're it's gonna be because I think, 1460 01:38:02,280 --> 01:38:05,080 Speaker 1: I think this is what I think. I think a 1461 01:38:05,160 --> 01:38:07,760 Speaker 1: lot of people didn't give you the time of day 1462 01:38:07,840 --> 01:38:11,320 Speaker 1: because you come from such a funny family that they 1463 01:38:11,439 --> 01:38:14,840 Speaker 1: just expect you to be funny. And that's that's like funny. 1464 01:38:14,880 --> 01:38:17,519 Speaker 1: It should be hereditary. I don't think it is. You know. 1465 01:38:17,640 --> 01:38:19,320 Speaker 1: That's why there's only six of us doing it. Another 1466 01:38:19,360 --> 01:38:22,160 Speaker 1: four and that's the thing. Funny, but it takes a 1467 01:38:22,200 --> 01:38:24,479 Speaker 1: lot to do. So that's so, that's so, that's that's 1468 01:38:24,560 --> 01:38:27,680 Speaker 1: my point being is I think that sometimes people are 1469 01:38:27,720 --> 01:38:29,760 Speaker 1: just supposed to think you're just supposed to be here's 1470 01:38:29,760 --> 01:38:32,439 Speaker 1: the thing, break break it down. Okay, See when my 1471 01:38:32,560 --> 01:38:37,760 Speaker 1: brothers came out to California, they had twenty years to 1472 01:38:37,920 --> 01:38:42,280 Speaker 1: cultivate themselves into great and it was knocking a lot 1473 01:38:42,320 --> 01:38:48,120 Speaker 1: of bitches down to let's strow it out there because 1474 01:38:48,640 --> 01:38:59,439 Speaker 1: the nigger wasn't wearing drugs to the clubs like that's 1475 01:39:00,040 --> 01:39:03,760 Speaker 1: as he hit a good time. What I'm saying is, 1476 01:39:04,360 --> 01:39:08,040 Speaker 1: so they had twenty years to develop. Right when me 1477 01:39:08,120 --> 01:39:11,600 Speaker 1: and Sean he started doing it. Sean was in l 1478 01:39:11,680 --> 01:39:16,280 Speaker 1: A all of a year in Living Color. When I 1479 01:39:16,400 --> 01:39:20,040 Speaker 1: came on, I had more money, right and then in 1480 01:39:20,160 --> 01:39:23,760 Speaker 1: Living Color. But understand, we didn't have the time to 1481 01:39:24,040 --> 01:39:31,600 Speaker 1: cultivate ourselves into the individuate individual comedian yet. So that 1482 01:39:31,720 --> 01:39:42,800 Speaker 1: means you know what people are witnessing now is now 1483 01:39:43,479 --> 01:39:47,120 Speaker 1: I've done my work. This is the you met Marlin 1484 01:39:47,160 --> 01:39:50,960 Speaker 1: when he first came into game. Now you're meeting Marlin 1485 01:39:51,320 --> 01:39:54,719 Speaker 1: twenty thirty years later. Where now that Nick is hitting 1486 01:39:54,760 --> 01:39:57,720 Speaker 1: the strike that I could have got if I came 1487 01:39:57,760 --> 01:40:00,880 Speaker 1: out and made it later. So me and Sean had 1488 01:40:00,920 --> 01:40:04,360 Speaker 1: all these expectations about how great we're gonna be based 1489 01:40:04,360 --> 01:40:06,759 Speaker 1: on but my brothers had the time to cultivate themselves 1490 01:40:06,800 --> 01:40:09,719 Speaker 1: in the great comedian great comedic minds, Me and Sean 1491 01:40:09,840 --> 01:40:14,120 Speaker 1: grew up in the eyes people watched our developments. Right. 1492 01:40:14,280 --> 01:40:16,120 Speaker 1: So now you sounding like you were studded in a 1493 01:40:16,240 --> 01:40:19,200 Speaker 1: sense at that point, I'm simbilized. That is not comedian, 1494 01:40:19,479 --> 01:40:22,719 Speaker 1: which they was. No, No, the ones that in comedian. 1495 01:40:22,840 --> 01:40:24,600 Speaker 1: See you want you think something, I'm gonna fish your 1496 01:40:24,600 --> 01:40:28,760 Speaker 1: s thought. You know you ain't. I would never say 1497 01:40:28,760 --> 01:40:33,120 Speaker 1: that to you, sir. Now to change maybe, but not. So. 1498 01:40:33,320 --> 01:40:35,800 Speaker 1: What I'm saying is you when When I first came 1499 01:40:35,800 --> 01:40:37,720 Speaker 1: in the game, there was all this expectation of me 1500 01:40:37,800 --> 01:40:42,360 Speaker 1: being great, right, but great takes time. It takes you 1501 01:40:42,560 --> 01:40:45,599 Speaker 1: years to get to that great point. Isaiah Thomas, before 1502 01:40:45,680 --> 01:40:48,599 Speaker 1: he finally got the championship, had to lose the Magic 1503 01:40:49,200 --> 01:40:51,519 Speaker 1: two or three times, the Bird two or three times 1504 01:40:51,680 --> 01:40:54,760 Speaker 1: before Jordan's got to be the six Rings, and he 1505 01:40:54,840 --> 01:40:57,360 Speaker 1: had to lose in the playoffs to the fucking Detroit. 1506 01:40:57,520 --> 01:41:01,759 Speaker 1: He had to lose to Boston the Baeople right ball, 1507 01:41:02,560 --> 01:41:07,120 Speaker 1: But it takes time to cultivate yourself into great and 1508 01:41:07,200 --> 01:41:10,840 Speaker 1: what people now with me I get to express. Now 1509 01:41:11,479 --> 01:41:13,719 Speaker 1: you see the greatness because I'm not not the greatness. 1510 01:41:13,720 --> 01:41:22,640 Speaker 1: I'm only got big up myself. Now you see I'm 1511 01:41:22,640 --> 01:41:27,479 Speaker 1: not I'm heading, I'm handling. I'm headed toward it. I'm 1512 01:41:27,479 --> 01:41:29,680 Speaker 1: not big, I'm but I'm saying. Now you see the 1513 01:41:30,120 --> 01:41:34,000 Speaker 1: development of the work that I'm doing, that it's not 1514 01:41:34,360 --> 01:41:37,120 Speaker 1: a mistake. And I'm getting better because I go back. 1515 01:41:37,200 --> 01:41:39,360 Speaker 1: I learned something new. I go to do stand up, 1516 01:41:39,439 --> 01:41:42,320 Speaker 1: it's scary fun. I learned something new. I go do 1517 01:41:42,400 --> 01:41:44,840 Speaker 1: these movies that right and produced. I learned something new. 1518 01:41:44,920 --> 01:41:48,560 Speaker 1: Now everything ten twenty years later, Now you're seeing the 1519 01:41:48,720 --> 01:41:52,400 Speaker 1: development of where I'm at. Takes ten thousand hours to 1520 01:41:52,560 --> 01:41:57,559 Speaker 1: be great at anything with outliers, and I'm just now 1521 01:41:57,680 --> 01:42:01,439 Speaker 1: logging my ten thousand hour and what people are seeing. 1522 01:42:01,520 --> 01:42:03,760 Speaker 1: What you will see when you see this movie is 1523 01:42:04,200 --> 01:42:05,479 Speaker 1: there's not a lot of niggers on this plant. They 1524 01:42:05,479 --> 01:42:07,840 Speaker 1: could do that. Do what I just did, what Eddie did, 1525 01:42:08,000 --> 01:42:13,080 Speaker 1: believe so probably did like to play seven motherfucker's makeup, 1526 01:42:13,439 --> 01:42:17,600 Speaker 1: seven hours of makeup, forty five pounds at you. I 1527 01:42:17,640 --> 01:42:20,280 Speaker 1: don't know he's making passes at you. He keeps saying 1528 01:42:20,280 --> 01:42:23,000 Speaker 1: he's been seven gay the whole fucking time. No, I 1529 01:42:23,000 --> 01:42:24,960 Speaker 1: don't know. I'm not gay like I'm gonna tell you 1530 01:42:25,000 --> 01:42:26,880 Speaker 1: when I realized that way game, when I found out 1531 01:42:26,960 --> 01:42:43,240 Speaker 1: Prints was a man that you're saying is okay man, 1532 01:42:44,240 --> 01:42:47,040 Speaker 1: but he was a man. I thought it was. All 1533 01:42:47,080 --> 01:42:50,320 Speaker 1: I'm saying is it takes your time to cultivate yourself 1534 01:42:50,479 --> 01:42:54,080 Speaker 1: until being great at anything. And now I think with 1535 01:42:54,240 --> 01:42:57,200 Speaker 1: this movie, I got your applying every before you die 1536 01:42:57,439 --> 01:43:00,440 Speaker 1: and I got to apply all the ship and I've 1537 01:43:00,479 --> 01:43:03,040 Speaker 1: been learning to this movie and to me, it's my 1538 01:43:03,160 --> 01:43:07,000 Speaker 1: best word um today and is it's sorry? But is 1539 01:43:07,040 --> 01:43:11,400 Speaker 1: it a multi picture deal? With Netflix on these, I'm 1540 01:43:11,600 --> 01:43:14,360 Speaker 1: one off, one off, one of the one off. But 1541 01:43:14,400 --> 01:43:15,880 Speaker 1: it's not like a friend's going to do you don't 1542 01:43:15,920 --> 01:43:18,160 Speaker 1: have one of these. I feel like it's gonna be 1543 01:43:18,240 --> 01:43:20,000 Speaker 1: so because you know what I think of. One of 1544 01:43:20,040 --> 01:43:22,559 Speaker 1: the six tublics is going to have a six tublets. 1545 01:43:24,400 --> 01:43:29,120 Speaker 1: That's a hot thing. I appreciate this because one of 1546 01:43:29,160 --> 01:43:32,120 Speaker 1: the six Tublics s STUF six one. I ain't gonna 1547 01:43:32,600 --> 01:43:36,960 Speaker 1: with the sex tublets one of your sex stuff. I 1548 01:43:37,000 --> 01:43:45,439 Speaker 1: want to put some moether. If I was like, you know, 1549 01:43:45,560 --> 01:43:47,880 Speaker 1: I want to act one when I'm trying to show 1550 01:43:48,000 --> 01:43:50,600 Speaker 1: me what I'm gonna be over the gay virgin, I 1551 01:43:50,680 --> 01:43:52,080 Speaker 1: would be a gay virgin for the rest of my 1552 01:43:52,160 --> 01:43:54,320 Speaker 1: life if I can find my soul mate. But I 1553 01:43:54,320 --> 01:43:57,400 Speaker 1: would be a gay the rest of my life. Basically, 1554 01:43:57,439 --> 01:44:01,080 Speaker 1: you just let dudes dry hump you. I'm trying to 1555 01:44:01,120 --> 01:44:04,400 Speaker 1: see what's going on, what you're talking about, and then 1556 01:44:05,120 --> 01:44:08,280 Speaker 1: we're going from there. If you're not on the same 1557 01:44:08,360 --> 01:44:13,479 Speaker 1: way of lenk I'm on, it's as the person. It's 1558 01:44:13,520 --> 01:44:18,120 Speaker 1: the wave length. This is never to when you're drunk 1559 01:44:19,520 --> 01:44:21,560 Speaker 1: you get high and just start hitting on me and 1560 01:44:21,600 --> 01:44:31,560 Speaker 1: stopped looking at me. On Jim chick Jack chill is 1561 01:44:31,640 --> 01:44:38,639 Speaker 1: beautiful nail man. It's glossy. Let's see glossy chubby baby. 1562 01:44:38,680 --> 01:44:45,519 Speaker 1: Now now now now? Is it is? It? Is? It? Is? It? 1563 01:44:45,800 --> 01:44:48,840 Speaker 1: Is it? Because you know a lot of times I 1564 01:44:48,960 --> 01:44:53,360 Speaker 1: feed up with energy. Can't we can't talk this long. 1565 01:44:54,800 --> 01:45:05,639 Speaker 1: They're like, I just really got a mustang little ship 1566 01:45:07,760 --> 01:45:20,599 Speaker 1: ship trilling out about okay, shaving ship. You're seeing funny 1567 01:45:20,640 --> 01:45:30,080 Speaker 1: tale maybe that messy body to h Yeah, let's go wrong. 1568 01:45:30,960 --> 01:45:46,960 Speaker 1: Let's go wrong, right, let's go wrong. These blunts are 1569 01:45:47,200 --> 01:45:52,160 Speaker 1: deep in somebody's booty hall and when you smoke, because 1570 01:45:52,200 --> 01:45:55,320 Speaker 1: you smoke these and you just started real game and 1571 01:45:55,360 --> 01:46:07,559 Speaker 1: then flavors guess you ain't decide, didn't something something? Anyone 1572 01:46:07,640 --> 01:46:13,880 Speaker 1: was kind of so hey, So like we were talking 1573 01:46:13,880 --> 01:46:19,320 Speaker 1: about earlier, you know, to let the transgender community you 1574 01:46:19,439 --> 01:46:23,479 Speaker 1: can't be saved everybody. Yeah, I see, I see where 1575 01:46:23,520 --> 01:46:30,920 Speaker 1: y'all like like waiting, yeah, yeah, and now that when 1576 01:46:30,960 --> 01:46:32,639 Speaker 1: we can we come out because a lot of people 1577 01:46:32,640 --> 01:46:35,280 Speaker 1: are gonna say, people gonna bring up that about the 1578 01:46:35,320 --> 01:46:41,360 Speaker 1: young bucksh situation. We're the training situation. Okay, they could 1579 01:46:41,400 --> 01:46:46,080 Speaker 1: happen to anybody, Okay, it can't anybody where you can 1580 01:46:46,160 --> 01:46:49,719 Speaker 1: meet a training and you think it's a girl girl, 1581 01:46:50,479 --> 01:46:56,280 Speaker 1: but it's a girl boy girl, like like you're in 1582 01:46:56,280 --> 01:47:01,080 Speaker 1: ask for a long time. But everything you've been somebody 1583 01:47:01,120 --> 01:47:04,040 Speaker 1: try to try you and you were like, hey, no, 1584 01:47:04,479 --> 01:47:07,400 Speaker 1: you cracking down the him and you're like, no, that's 1585 01:47:07,560 --> 01:47:12,200 Speaker 1: not thoughts do not represent the win at all. Dreat 1586 01:47:12,280 --> 01:47:15,639 Speaker 1: chats his family or drink chats. This nigger is clearly 1587 01:47:18,160 --> 01:47:25,000 Speaker 1: I'm just saying, like like hands hands has a crannic old, 1588 01:47:27,600 --> 01:47:33,320 Speaker 1: crazy old trans I asked him, did he ever beat 1589 01:47:33,320 --> 01:47:36,280 Speaker 1: Tammy Cruse, because but you also lip though Tabby Cus 1590 01:47:36,320 --> 01:47:41,679 Speaker 1: on Twitter? You told him, yeah, time out on Twitter. 1591 01:47:41,720 --> 01:47:44,960 Speaker 1: You ain't about to have him alogized like that. I'm 1592 01:47:45,000 --> 01:47:51,400 Speaker 1: gonna see Terry cree fast twittery close. It was like 1593 01:47:51,439 --> 01:47:54,800 Speaker 1: a Toby Cool said white girls too said and then 1594 01:47:54,880 --> 01:47:58,040 Speaker 1: you you you we tweeted that said relaxed big guy. 1595 01:47:58,280 --> 01:48:02,840 Speaker 1: I never said that. That's that's aggressive. That's aggressive and toxic. 1596 01:48:04,120 --> 01:48:08,439 Speaker 1: I said, I forgotten. Somebody pull it up. I've got 1597 01:48:09,720 --> 01:48:12,720 Speaker 1: what I'm not saying. I guartee you it was respectful. 1598 01:48:13,640 --> 01:48:16,800 Speaker 1: Niggas a buff as fuck. But you can talk about 1599 01:48:16,840 --> 01:48:19,839 Speaker 1: Cranberry and he didn't you like girl mar like sometimes 1600 01:48:19,880 --> 01:48:22,920 Speaker 1: when we leave the club as a club, media, that's 1601 01:48:22,960 --> 01:48:27,240 Speaker 1: a club. And when you're gonna stop talking to say 1602 01:48:27,640 --> 01:48:35,160 Speaker 1: you look at r cranny commedia. But like you know, 1603 01:48:35,439 --> 01:48:38,560 Speaker 1: sometimes you'd be like that, I don't really have a 1604 01:48:38,640 --> 01:48:41,400 Speaker 1: bad night. I'm gonna gona here and get get me 1605 01:48:41,520 --> 01:48:43,160 Speaker 1: a regular bit your night. And you know what I'm 1606 01:48:43,160 --> 01:48:45,120 Speaker 1: talking about. When you don't have to have j low, 1607 01:48:45,320 --> 01:48:48,240 Speaker 1: you'll be like, Okay, I'll take that help, you know 1608 01:48:48,280 --> 01:48:50,439 Speaker 1: what I'm saying. And when you just don't, you lower 1609 01:48:50,439 --> 01:48:53,599 Speaker 1: your standards a little bit. In the process of lower 1610 01:48:53,680 --> 01:48:58,000 Speaker 1: your standards, sometimes it's some more glad women. They look 1611 01:48:58,080 --> 01:49:01,880 Speaker 1: like they're gonna yell. You know what I'm telling, Matt, 1612 01:49:03,040 --> 01:49:07,640 Speaker 1: you feel me. It's somebody. Yeah, I'm sorry, you know 1613 01:49:08,880 --> 01:49:13,400 Speaker 1: your purpose. It's something. It's some show in life. What's 1614 01:49:13,400 --> 01:49:15,720 Speaker 1: going on here? I'm just saying, it's some many fresh 1615 01:49:15,760 --> 01:49:25,880 Speaker 1: looking women out there. You transleected and training, fresh, had 1616 01:49:25,920 --> 01:49:28,679 Speaker 1: some time somebody. Sometimes you have to sun somebody eye 1617 01:49:28,720 --> 01:49:31,320 Speaker 1: and it's not always have the beautiful look at my 1618 01:49:31,400 --> 01:49:34,760 Speaker 1: man Richard Pratt. Right, you've seen you read prad Coictis. 1619 01:49:35,000 --> 01:49:37,240 Speaker 1: He said he did. He had to dig into he 1620 01:49:37,720 --> 01:49:43,759 Speaker 1: dig itto. He actually didn't stand up. He said it's confirmed. 1621 01:49:43,800 --> 01:49:47,280 Speaker 1: You know, he definitely said he's you know, he goes 1622 01:49:47,600 --> 01:49:49,639 Speaker 1: and the stand up. He goes, he's at the improv 1623 01:49:49,760 --> 01:49:53,720 Speaker 1: and he's doing to me one of brilliant set of 1624 01:49:54,439 --> 01:49:57,519 Speaker 1: exploration and expression. What does he say? Truth? And he 1625 01:49:57,680 --> 01:50:01,800 Speaker 1: was just like he was something yeah, and it got 1626 01:50:01,880 --> 01:50:04,760 Speaker 1: that question you sound just like him? And it got 1627 01:50:04,880 --> 01:50:07,679 Speaker 1: that fucking you see how he and then he said, 1628 01:50:08,720 --> 01:50:10,920 Speaker 1: what you say? Do you know what I'm saying? I 1629 01:50:10,920 --> 01:50:12,760 Speaker 1: don't said it? Did I don't said it? And then 1630 01:50:12,800 --> 01:50:17,240 Speaker 1: he said, I'm just He goes and he goes at 1631 01:50:17,280 --> 01:50:18,639 Speaker 1: the end of the bed. He give it a sucking, 1632 01:50:19,080 --> 01:50:21,640 Speaker 1: sucking dick. You can addicted the sucking dick. And then 1633 01:50:22,479 --> 01:50:25,479 Speaker 1: it got quiet and then he goes, no, I'm just 1634 01:50:25,560 --> 01:50:33,360 Speaker 1: playing and anyway nine like I'm gonna retract my statement, 1635 01:50:33,880 --> 01:50:36,479 Speaker 1: but then I'm gonna come back. But the truth, fuck y'all, 1636 01:50:36,960 --> 01:50:40,439 Speaker 1: this is truth. And that's why Prior is the most 1637 01:50:40,520 --> 01:50:44,559 Speaker 1: brilliant comedian because but it wasn't in truth. I don't 1638 01:50:44,560 --> 01:50:46,320 Speaker 1: know if it matters not. I don't know if it matters. 1639 01:50:47,920 --> 01:50:49,400 Speaker 1: He's not a matter or not, But it is the 1640 01:50:49,439 --> 01:50:54,840 Speaker 1: truth or not? Do we know what that I would like. No, 1641 01:50:59,000 --> 01:51:01,880 Speaker 1: I can only tell you from head to get away 1642 01:51:01,920 --> 01:51:04,280 Speaker 1: with it. But when you guys don't heard about young 1643 01:51:04,479 --> 01:51:07,080 Speaker 1: were you black? Yo? When you said to you tell up? 1644 01:51:07,080 --> 01:51:13,000 Speaker 1: He don't know. I don't know. If I guess, I'll 1645 01:51:13,000 --> 01:51:18,840 Speaker 1: be wenting that part, y'all just changed the whole connotation 1646 01:51:18,880 --> 01:51:22,040 Speaker 1: of drink. Don't get through it. Just change drink shamp 1647 01:51:24,280 --> 01:51:35,960 Speaker 1: drinking on though, drink champs because we got ain't that 1648 01:51:36,120 --> 01:51:46,960 Speaker 1: like Jack, I'm man, let me tell you something. I 1649 01:51:47,040 --> 01:51:49,960 Speaker 1: can't thank you enough again. I wanted, But like I said, 1650 01:51:49,960 --> 01:51:54,000 Speaker 1: I don't want. I don't know. I'm just saying from 1651 01:51:54,040 --> 01:51:55,720 Speaker 1: what we read in books, I'm not gonna sit there 1652 01:51:55,760 --> 01:51:58,880 Speaker 1: and go and and actually nobody but he could be 1653 01:51:59,439 --> 01:52:02,920 Speaker 1: and she is girl play with everybody's lines and say 1654 01:52:02,960 --> 01:52:05,679 Speaker 1: something that might not have been true in this book. 1655 01:52:13,160 --> 01:52:17,799 Speaker 1: When you eat stupid opinions, stupid opinions inside a viral community, 1656 01:52:17,840 --> 01:52:20,240 Speaker 1: inside of your social media community, you haven't see people 1657 01:52:20,280 --> 01:52:22,760 Speaker 1: blow up overnight. Yeah, but you also see people blow down, 1658 01:52:23,880 --> 01:52:25,639 Speaker 1: So it's not always a blow up. Sometimes you blow 1659 01:52:25,680 --> 01:52:27,680 Speaker 1: up the wrong way. You don't want to be you know, 1660 01:52:28,080 --> 01:52:29,720 Speaker 1: you gotta be smart about what you say. You have through, 1661 01:52:29,800 --> 01:52:32,160 Speaker 1: responsible and respectful in your thoughts. We live in this 1662 01:52:32,320 --> 01:52:34,400 Speaker 1: place in a society where you're with some of the 1663 01:52:34,479 --> 01:52:38,120 Speaker 1: things you say, you have to think before you do it. Now, 1664 01:52:38,280 --> 01:52:40,439 Speaker 1: I kind of like the fact that I can't just 1665 01:52:40,520 --> 01:52:43,000 Speaker 1: say this ship no more. They have to find the 1666 01:52:43,120 --> 01:52:45,000 Speaker 1: way to say it. It's a strategy. It makes you 1667 01:52:45,040 --> 01:52:47,960 Speaker 1: a better comedian because when you do television shows like 1668 01:52:48,720 --> 01:52:51,040 Speaker 1: The Malling Show, hold on, let me have a smart 1669 01:52:51,120 --> 01:52:59,880 Speaker 1: thought before you bring stupid in there um knowledge you can. 1670 01:53:00,479 --> 01:53:03,080 Speaker 1: You have to learn how to say things without saying. 1671 01:53:03,120 --> 01:53:05,479 Speaker 1: If I'm doing a TV show, I gotta understand people 1672 01:53:05,520 --> 01:53:08,679 Speaker 1: trying to sell soap, they're trying to sell snikkers, they're 1673 01:53:08,680 --> 01:53:10,960 Speaker 1: trying to sell Coca cola. So I can't just do 1674 01:53:11,160 --> 01:53:13,519 Speaker 1: and say what I want to say that here's how 1675 01:53:13,560 --> 01:53:16,040 Speaker 1: you say you got to be clever. Speaking of that. 1676 01:53:16,560 --> 01:53:18,800 Speaker 1: Speaking of that, hey, listen, it's a whole bunch of 1677 01:53:18,800 --> 01:53:20,800 Speaker 1: new brands that ain't got as much money as the 1678 01:53:20,880 --> 01:53:24,840 Speaker 1: biggest corporation h companies that do commercials and whatnot. They 1679 01:53:24,880 --> 01:53:27,720 Speaker 1: were by the same ads, but they would sponsor a 1680 01:53:28,200 --> 01:53:30,600 Speaker 1: day marlin. You know what I'm saying. And to keep it, 1681 01:53:30,720 --> 01:53:33,679 Speaker 1: keep your life going on, so we won't be responsive 1682 01:53:33,720 --> 01:53:37,680 Speaker 1: about crack. If you know, damn you you got me? 1683 01:53:38,120 --> 01:53:41,840 Speaker 1: You want you are you? Are you? That makes sense? 1684 01:53:43,000 --> 01:53:44,880 Speaker 1: You want you want, you gotta you don't want to 1685 01:53:45,080 --> 01:53:47,400 Speaker 1: you know, I don't want to go to cartel and 1686 01:53:47,560 --> 01:53:51,200 Speaker 1: keep sucking money to do my my products. What you want? 1687 01:53:52,320 --> 01:54:01,960 Speaker 1: I got you invest I want gun. Okay, but mom, 1688 01:54:02,080 --> 01:54:03,720 Speaker 1: you're one of the funniest people on the planet. We 1689 01:54:03,800 --> 01:54:11,080 Speaker 1: want the people. Right now you're asked, welcome to the 1690 01:54:11,439 --> 01:54:13,479 Speaker 1: that's not club. I don't know. We want to tell 1691 01:54:13,479 --> 01:54:16,920 Speaker 1: you how much we appreciate you. I'm scaring. Can we 1692 01:54:16,960 --> 01:54:20,360 Speaker 1: make sure that you look through this because you know 1693 01:54:20,479 --> 01:54:22,880 Speaker 1: what that is. But what I'm saying is, you know 1694 01:54:23,040 --> 01:54:25,080 Speaker 1: so many people like in our culture, we don't big 1695 01:54:25,160 --> 01:54:26,920 Speaker 1: up each other. And you said that earlier. And if 1696 01:54:27,080 --> 01:54:29,559 Speaker 1: that's what drink champs about? Dat chance about giving people 1697 01:54:29,640 --> 01:54:32,280 Speaker 1: their flowers, why they can smell them, they thoughts, why 1698 01:54:32,320 --> 01:54:34,520 Speaker 1: they can tell them, they smoke what they can think of, 1699 01:54:34,600 --> 01:54:36,480 Speaker 1: and they drinks where they can drink them. And our 1700 01:54:36,560 --> 01:54:39,360 Speaker 1: culture our society. And when I'm saying our culture our society, 1701 01:54:39,360 --> 01:54:41,680 Speaker 1: I don't mean race necessarily, I mean hip hop. I 1702 01:54:41,760 --> 01:54:44,480 Speaker 1: mean the generation, the fraternity of hip hop. We have 1703 01:54:44,640 --> 01:54:46,480 Speaker 1: to start digging each other up. We have to say 1704 01:54:46,680 --> 01:54:48,400 Speaker 1: your mom and what you're doing is crazy. I know 1705 01:54:48,480 --> 01:54:50,840 Speaker 1: you bust your ass. I know you're crazy playing seven 1706 01:54:50,880 --> 01:54:53,400 Speaker 1: different roles and I know that. And you know what, 1707 01:54:53,880 --> 01:54:57,200 Speaker 1: we appreciate that because you're busting your asked to make 1708 01:54:57,240 --> 01:55:00,280 Speaker 1: sure I laugh, and you know what, I appreciate get that. 1709 01:55:00,520 --> 01:55:03,320 Speaker 1: You know what I'm saying. You want to show, you 1710 01:55:03,400 --> 01:55:09,040 Speaker 1: want to recollarze. Let's do another shot. But let me 1711 01:55:09,080 --> 01:55:12,240 Speaker 1: just continue my speech because well it was the shot 1712 01:55:13,160 --> 01:55:17,360 Speaker 1: shot because you know what, as comedians, yes, that's yours. Um, damn, 1713 01:55:17,400 --> 01:55:22,879 Speaker 1: where's months ago? Okay? Yeah, because as as comedian, as comedian, 1714 01:55:23,240 --> 01:55:26,280 Speaker 1: you know what, um, there's there's plenty of times with us. 1715 01:55:26,360 --> 01:55:28,560 Speaker 1: We go through depths, and we go through you know, 1716 01:55:28,720 --> 01:55:31,480 Speaker 1: breakups with females, and we go through so many ships 1717 01:55:31,480 --> 01:55:33,680 Speaker 1: and we'll go to to you guys and you guys 1718 01:55:33,720 --> 01:55:36,440 Speaker 1: to save our lives. And it's very seldomly that we 1719 01:55:36,520 --> 01:55:38,640 Speaker 1: get a chance to say, you know what, you know what, 1720 01:55:38,760 --> 01:55:41,920 Speaker 1: White Chicks made me laugh until I pete my path pats. 1721 01:55:42,400 --> 01:55:44,640 Speaker 1: Very seldomly I get a chance to say little Man 1722 01:55:45,080 --> 01:55:48,080 Speaker 1: made you know, go watch that. You know we don't 1723 01:55:48,080 --> 01:55:50,000 Speaker 1: get a chance to say that to your face out 1724 01:55:50,040 --> 01:55:51,600 Speaker 1: of aye. Like men, you know what I'm saying, and 1725 01:55:51,640 --> 01:55:53,040 Speaker 1: I want to say that to you. I wanted to 1726 01:55:53,200 --> 01:55:55,560 Speaker 1: give you a flowers while you're alive. I appreciate what 1727 01:55:55,600 --> 01:55:58,919 Speaker 1: I'm saying. One of the craziest things about John Singleton. 1728 01:56:00,000 --> 01:56:02,320 Speaker 1: When John Signature passed away, one of the first things 1729 01:56:02,360 --> 01:56:04,560 Speaker 1: I did was go to a Drink Champion interview because 1730 01:56:04,640 --> 01:56:06,960 Speaker 1: you know why, I knew I was bigging that man 1731 01:56:07,160 --> 01:56:09,360 Speaker 1: up on. I knew I was giving him his flowers. 1732 01:56:09,400 --> 01:56:11,600 Speaker 1: He doesn't say anything is happening to you. You are 1733 01:56:11,760 --> 01:56:19,360 Speaker 1: or any one of them can use this every What 1734 01:56:19,440 --> 01:56:26,080 Speaker 1: the seconds note is because our culture, our culture, our 1735 01:56:26,160 --> 01:56:28,560 Speaker 1: society has to start this and we have to start 1736 01:56:28,640 --> 01:56:31,800 Speaker 1: saying that, you know what, I enjoy what you're doing, 1737 01:56:31,920 --> 01:56:34,040 Speaker 1: so he can be better, so he can make this person. 1738 01:56:34,080 --> 01:56:36,600 Speaker 1: We got to man, and that's ifod I gotta stopped 1739 01:56:36,600 --> 01:56:38,880 Speaker 1: looking to bring people down and build people up because 1740 01:56:38,880 --> 01:56:41,440 Speaker 1: we lost this episode of King and Queens right in 1741 01:56:41,520 --> 01:56:43,920 Speaker 1: the minute. I'm so sorry, this is not reality at all, 1742 01:56:44,360 --> 01:56:47,480 Speaker 1: but just hit me out the minute. Dog got a 1743 01:56:47,560 --> 01:56:51,080 Speaker 1: job he worked for I p S. Which is ups 1744 01:56:52,280 --> 01:56:55,400 Speaker 1: you know it, But they can't use. And as soon 1745 01:56:55,440 --> 01:56:57,520 Speaker 1: as dog got a job, is who came to see him? 1746 01:56:57,760 --> 01:56:59,720 Speaker 1: And who came to see him as overset? Can you 1747 01:56:59,800 --> 01:57:02,840 Speaker 1: get your cousin a job? It's ship that we don't 1748 01:57:02,920 --> 01:57:05,160 Speaker 1: see in the black community at all. We get a 1749 01:57:05,240 --> 01:57:08,120 Speaker 1: job like this is our ship. I'm sorry this nick, 1750 01:57:08,680 --> 01:57:18,880 Speaker 1: No listen, No, he's high, really brilliant, stupid time. Where 1751 01:57:18,920 --> 01:57:21,480 Speaker 1: did you go? Because hold on, hold on, hit me up, 1752 01:57:25,160 --> 01:57:26,800 Speaker 1: no problem, and I'll give it back to you. Because 1753 01:57:26,800 --> 01:57:30,040 Speaker 1: what's the time you get a job in our community? 1754 01:57:30,120 --> 01:57:32,280 Speaker 1: You get a job and you you're taught to keep 1755 01:57:32,320 --> 01:57:34,880 Speaker 1: your job, keep it away from the hood. That's not 1756 01:57:34,960 --> 01:57:37,080 Speaker 1: what they're taught in these other communities. The other communities 1757 01:57:37,080 --> 01:57:40,240 Speaker 1: just taught to get a job and go help your homeboy, 1758 01:57:40,320 --> 01:57:42,800 Speaker 1: go help your cousin, go help everybody else. This is 1759 01:57:42,840 --> 01:57:45,160 Speaker 1: not what's taught in our community. That's the reason why 1760 01:57:45,440 --> 01:57:47,480 Speaker 1: you see most of these people here, that's here tonight. 1761 01:57:47,560 --> 01:57:52,840 Speaker 1: But that's why, that's why you don't what we're saying right. 1762 01:57:53,040 --> 01:57:55,560 Speaker 1: The portant to what we're saying is that we as 1763 01:57:55,560 --> 01:57:58,800 Speaker 1: a culture have to start embracing ours. That's my point, 1764 01:57:58,840 --> 01:58:03,200 Speaker 1: everybody to start embracing theirs. We started looking at what's 1765 01:58:03,280 --> 01:58:06,680 Speaker 1: great about somebody and stopped looking about that's bad about somebody? 1766 01:58:08,000 --> 01:58:11,960 Speaker 1: Something great in everybody got dead. And you know, we 1767 01:58:12,400 --> 01:58:15,440 Speaker 1: truly really have to pig up each other and you know, 1768 01:58:15,560 --> 01:58:17,480 Speaker 1: don't be afraid about our culture. We have to look 1769 01:58:17,520 --> 01:58:21,160 Speaker 1: at the was about and go, you know what, that's 1770 01:58:21,240 --> 01:58:22,880 Speaker 1: what led us to the good times, you know what 1771 01:58:22,880 --> 01:58:24,560 Speaker 1: I mean? So you know we just got yeah, a 1772 01:58:24,600 --> 01:58:32,440 Speaker 1: celebration bro so so damn, look we got Jack. And 1773 01:58:32,560 --> 01:58:35,680 Speaker 1: this is truly the last question. I love you, I 1774 01:58:35,800 --> 01:58:39,600 Speaker 1: know I'm hi like four times. I don't know why 1775 01:58:39,720 --> 01:58:46,320 Speaker 1: she got weird, Not truly the last question. As a 1776 01:58:46,360 --> 01:58:49,240 Speaker 1: comedian who has no drinking nigger, Oh, we already drunk. 1777 01:58:49,840 --> 01:58:54,320 Speaker 1: Come on, So maybe this question goes to both for y'all, 1778 01:58:54,320 --> 01:58:57,720 Speaker 1: but definitely tomor at first, as a comedian who has 1779 01:58:57,800 --> 01:59:01,400 Speaker 1: bad Right, we just went to um two of the 1780 01:59:01,520 --> 01:59:07,880 Speaker 1: most horrific American shootings. Yeah, when is it time for 1781 01:59:07,960 --> 01:59:11,080 Speaker 1: a comedian to make fun of that? If they're obviously 1782 01:59:11,120 --> 01:59:14,320 Speaker 1: not today? Obviously, you know, but when when? When I 1783 01:59:14,400 --> 01:59:18,680 Speaker 1: guarantee you there's immediate at least two hundred comedians on 1784 01:59:18,840 --> 01:59:24,160 Speaker 1: stage right now doing material about the shooting because commedi 1785 01:59:24,960 --> 01:59:27,520 Speaker 1: I don't think it's never too soon. Never I think 1786 01:59:28,000 --> 01:59:31,280 Speaker 1: to tell the jokes because our job is to go 1787 01:59:31,400 --> 01:59:34,480 Speaker 1: into those dark caves and come out and laugh and 1788 01:59:34,600 --> 01:59:38,000 Speaker 1: come out with come out with glee. So in those 1789 01:59:38,120 --> 01:59:40,360 Speaker 1: times when people are hurting, if you can come and 1790 01:59:40,480 --> 01:59:43,760 Speaker 1: find something funny that make most hurt people laugh hard, 1791 01:59:43,960 --> 01:59:46,040 Speaker 1: then you did them with justice by because that's what 1792 01:59:46,160 --> 01:59:48,400 Speaker 1: I do with my life. I find the funny. And 1793 01:59:48,480 --> 01:59:50,440 Speaker 1: that's what we do as comedians is finding the funny. 1794 01:59:50,640 --> 01:59:52,880 Speaker 1: So you can't get mad at me for doing my job. 1795 01:59:53,120 --> 01:59:54,880 Speaker 1: It's like being mad at the fire man. How do 1796 01:59:54,960 --> 01:59:59,000 Speaker 1: you find building? Going to find rescue? Going to rescue? 1797 01:59:59,040 --> 02:00:01,000 Speaker 1: You find the funny and not leven or this. I 1798 02:00:01,120 --> 02:00:03,800 Speaker 1: guarantee you if I was to sit there and think 1799 02:00:03,840 --> 02:00:06,600 Speaker 1: about it for a long enough time, I will come 1800 02:00:06,640 --> 02:00:09,800 Speaker 1: with at least five minutes of humor that I can 1801 02:00:09,840 --> 02:00:13,040 Speaker 1: tell them from some of those officers that risk their 1802 02:00:13,160 --> 02:00:16,040 Speaker 1: lives for us and make those people laugh. That's a 1803 02:00:16,120 --> 02:00:18,360 Speaker 1: good joke. And I did my job because I took 1804 02:00:18,800 --> 02:00:21,840 Speaker 1: you know, they're the worst situation and I made people 1805 02:00:21,880 --> 02:00:24,040 Speaker 1: smile with it. That's my job, So you can't get 1806 02:00:24,040 --> 02:00:31,200 Speaker 1: mad at me doing my job. Goddamnit, make your noise listen. 1807 02:00:31,520 --> 02:00:33,720 Speaker 1: I wasn't helping the nigga move when nine and eleven 1808 02:00:33,760 --> 02:00:37,480 Speaker 1: were going on and there was in a so you're 1809 02:00:37,480 --> 02:00:39,360 Speaker 1: really all that ship? He was helping a nigga move. 1810 02:00:39,440 --> 02:00:41,680 Speaker 1: I wouldn't have a nigga move. What happened? I need 1811 02:00:41,720 --> 02:00:46,640 Speaker 1: a couple do. But you so strange. But to change, Yeah, 1812 02:00:46,840 --> 02:00:53,160 Speaker 1: I had with nigga move furnership, things like when the 1813 02:00:53,240 --> 02:01:05,480 Speaker 1: Women in Black Panther movie, Hey boy, we got some 1814 02:01:05,520 --> 02:01:07,080 Speaker 1: more prevoit ship to do. Man, we've better get out 1815 02:01:07,120 --> 02:01:11,560 Speaker 1: of here. May great and we'll get it go okay