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Speaker 1: No planes just landed. He throw hop off the GFO standard.

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Speaker 1: We see office chee code. We blow us top. Now

3
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Speaker 1: he's volcanic. Please don't panic over my LINGO, both of

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Speaker 1: my feet so planted.

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Speaker 2: Go ahead and ring on my finger.

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Speaker 1: But yet I'm just killing them single handed, drum on

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Speaker 1: a gun like I'm RINGO. I'm in this bitch for

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Speaker 1: no tain, like I'm saying, go we from the ends

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Speaker 1: where they know that they can't go see go both by.

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Speaker 2: So I'm tasting a rainbow yummy. They got no more

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Speaker 2: bread that crummy.

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Speaker 1: The same way that Meller was staring at bris, the

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Speaker 1: way that I stare at the money, I'm ready to

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Speaker 1: risk it all. If I lift fit bet, I won't

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Speaker 1: miss it. You were statistic, goshit was sweet to we

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Speaker 1: pumped up and popping up the top of your mystic.

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Speaker 1: I go balistic, the drop up, the drop on the up.

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Speaker 1: Now I'm opportunistic. I like the shopping, the district, comping

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Speaker 1: this coping that I'm proper compantialistic, dreamer, dreamer running the

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Speaker 1: game in my signature trainers.

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Speaker 2: But let's see yogger for juggers.

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Speaker 1: I might just wear crops at the Otsuo rain are splendid,

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Speaker 1: got no limits, should have a tank on my pennant.

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Speaker 1: Blokes going broke, trying to keep up with cold, but

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Speaker 1: I make it back as soon as I spend it.

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Speaker 1: May back tent its usually sir, But ain't that rented.

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Speaker 1: I'm offended straight cash for my benzes.

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Speaker 2: We don't pay back interest.

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Speaker 1: Ain't at fences when nice wing pay respects and kiss

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Speaker 1: my ring even at Lizabus said, I'm king, He's well right,

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Speaker 1: Why would I choose between this one and that one

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Speaker 1: when I know that I can have booth I left

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Speaker 1: for these rappers for Kevin. I guess see, I p

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Speaker 1: ain't the only one out here with jokes man's.

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Speaker 2: Don't won't smoke. I'm just don't understand.

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Speaker 1: I don't even think they should be allowed to breathe

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Speaker 1: the same paris him.

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Speaker 2: If you're asking me, I'm in London.

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Speaker 3: I like to go and shop at the mall, shop

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Speaker 3: at the product shop, at the store.

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Speaker 4: Shopping our lives from across the pond. Yeah, live from

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Speaker 4: the city that destroyed my ancestors. So that's why I

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Speaker 4: love being here. Can feel my oppression.

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Speaker 3: Yeah, I just love when we land in London, like

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Speaker 3: you get this like all about you, where you're just

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Speaker 3: like your history starts to like seek through your pores.

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Speaker 4: It's a recycled joke, but it's the only city I

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Speaker 4: can feel like an oppressed man. Yeah, yeah, goodness, the

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Speaker 4: only place I doesn't feel a white irishman can see

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Speaker 4: in America, I feel like that every day, you know

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Speaker 4: what I mean? Now I get to see you feel

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Speaker 4: like yeah, except there's really like no effect here from

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Speaker 4: you in America is a little different.

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Speaker 3: That's so inappropriate, Like we shouldn't be joking about stuff

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Speaker 3: like that, but you almost have to.

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Speaker 4: But if you talk to like older Irish people, they

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Speaker 4: will definitely throw hey, we were slaves too, to.

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Speaker 3: Try to make you feel better. A little different here,

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Speaker 3: it's like nah, not really but okay, six hour flight.

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Speaker 4: Yeah, I don't know if you know, because we were

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Speaker 4: in different roads, but I raw dogged the six hour

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Speaker 4: flight or you didn't have a mask, no, But I

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Speaker 4: don't know if you know. The trend online right now

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Speaker 4: with what raw dog in a flight is you literally

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Speaker 4: just have to stare at the seat in front of you.

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Speaker 4: No phone, no book, no electronics, no music, no food,

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Speaker 4: no drinks. You just stare directly. But in front of you. Nothing,

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Speaker 4: you just have to stare so you can't sleep, No,

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Speaker 4: of course not. But who started this? And somebody on TikTok?

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Speaker 4: But why though?

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Speaker 2: Was it?

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Speaker 4: A psycho challenges that psychopathic behavior and they do a

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Speaker 4: time last and you can watch them for six hours

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Speaker 4: just stare at their phone.

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Speaker 3: So I put my phone in front of me on

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Speaker 3: a six hour or however many hour flight, Yeah, and.

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Speaker 4: Just stare at it. I'm not sure what the record

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Speaker 4: is yet, but I think someone did, like a fourteen

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Speaker 4: hour flight.

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Speaker 3: Yeah, these are the people we need to like not

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Speaker 3: have a society. Anybody that could do that, Like, that's

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Speaker 3: the person I don't want.

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Speaker 4: To sit next to. That would be very odd. You

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Speaker 4: would think that they're probably about to commit a terroristatic

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Speaker 4: because you're just sitting there like with your eyes.

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Speaker 2: Yeah.

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Speaker 3: Like, why did I see when you said raw dog

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Speaker 3: and I thought you meant without a mask because I

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Speaker 3: ever since COVID, I really like feel like we should

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Speaker 3: have been wearing masks on flight before, on flight before

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Speaker 3: COVID because it just feels disgusting that people colling you

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Speaker 3: breathe in the same air.

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Speaker 4: I know they say it's filtered in all of this,

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Speaker 4: But I don't believe that me and Peage were talking

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Speaker 4: behind your back when you were asleep with your mask on,

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Speaker 4: Like this guy's not a Trump supporter, fraud. What's wearing

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Speaker 4: a mask on a flight?

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Speaker 3: I gotta say, if I'm outside walking around, that's different.

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Speaker 3: But on a flight, I thought she was with the right.

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Speaker 3: Nah man on the flight is just it just feels it.

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Speaker 3: It feels weird on a flight. I think I'll never

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Speaker 3: go back to not wear a mask on a flight.

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Speaker 4: According to the Right, wearing a mask is pretty much

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Speaker 4: the same as Nazi Germany on a flight.

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Speaker 2: Though.

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Speaker 3: Yeah, I cant understand if we don't tread on me

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Speaker 3: because I see people outside walking around, and I'm just like,

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Speaker 3: what is that about?

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Speaker 4: Like, come on, I think we're pasted that. But what

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Speaker 4: started the mask sars? I don't. I'm not that old.

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Speaker 4: I know you think we're both.

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Speaker 3: First of all, I'm old enough to remember SARS when

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Speaker 3: Wars in the nineties, yeah, okay.

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Speaker 4: Even early two thousand, I remember when. Okay, and I'm

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Speaker 4: not making like a racial drift. I remember when Chinese

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Speaker 4: people were walking around with the masks in the city.

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Speaker 4: What they've been doing with the stars They've been doing

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Speaker 4: that in their country for years. I never met anyone

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Speaker 4: with SARS that was like anthrax. It was like you

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Speaker 4: just kind of heard about it. Have you ever met

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Speaker 4: anybody with COVID? Yeah, me, like three times I got

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Speaker 4: the test. I felt it seeing you're not gonna trick me.

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Speaker 4: All right, I'm sorry, but all right. So it was

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Speaker 4: in the middle of trying to row a dog to

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Speaker 4: flight only made it to the tarmac like from leaving again,

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Speaker 4: I was like, it's the stupidest trend ever.

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Speaker 3: I'm not I don't even know why you would even

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Speaker 3: try to like get on ball with that.

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Speaker 4: That's just dumb. So I sat next to Page and

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Speaker 4: I woke up from like a quick nap. We were

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Speaker 4: like an hour out from London, and you know, you

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Speaker 4: just be looking around. Yeah, I look at Page's screen,

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Speaker 4: not like I was snooping, but you know, it's right

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Speaker 4: in front of my face. He was listening to Eminem

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Speaker 4: Kim on a flight. I'm not making that up. This

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Speaker 4: is not a bit. I just looked over and Peach

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Speaker 4: was just bumping Kim.

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Speaker 3: This is why I'm glad I slipped the whole flight,

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Speaker 3: because these are the things I don't want to see

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Speaker 3: and learn about my friends, Like, I don't want to

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Speaker 3: know that you're listening to Kim on a flight to London, Like,

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Speaker 3: why are you listening to that?

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Speaker 4: I was between Page and Benner middle seat nasty. It

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Speaker 4: was a weird combo crushing wine at fucking six am

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Speaker 4: and then Peach listening to Kim. I'm like, I'm just

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Speaker 4: gonna watch Good Fellows in peace, man, I'm face forward.

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Speaker 4: So I'm glad I slipped the whole flight see things

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Speaker 4: like that. It's just weird. I don't want to know

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Speaker 4: that my friends are doing dumb shit on the flight.

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Speaker 4: Did you were you able to eat? I didn't see.

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Speaker 3: I slept the entire flight before, from before we took

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Speaker 3: off till about twenty minutes before we landed.

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Speaker 4: I slept. So what was that like with the adjustment,

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Speaker 4: Because I'm glad I only did a quick it wasn't

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Speaker 4: we landed. I knocked the fuck out.

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Speaker 3: I mean when we got in, we got in about

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Speaker 3: probably at eight o'clock, eight pm, and by the time

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Speaker 3: we got to the hotels by a little after ten,

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Speaker 3: and I was gonna go to Benny. Benny had a

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Speaker 3: show when we got in, so I was texting him,

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Speaker 3: I was I was gonna try to make it.

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Speaker 4: Didn't make that.

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Speaker 3: He had an after party, and then I was like,

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Speaker 3: you know what, I should go to the after party,

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Speaker 3: try to keep myself up. And you know what I'm saying,

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Speaker 3: I go to sleep to kind of just to the

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Speaker 3: time difference. A little bit didn't happen. I ordered some food,

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Speaker 3: I saw peach in the hallway. I went, took a

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Speaker 3: shower at eight, and I just laid in the bed

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Speaker 3: till probably about four in the morning.

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Speaker 4: Was pas just like in the hallway or he was

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Speaker 4: he was going to move?

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Speaker 3: He did the same he was he had He had

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Speaker 3: picked up some food from downstairs, the same thing I

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Speaker 3: was doing.

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Speaker 4: And I thought about going to the after party.

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Speaker 3: I was just like standing around with rappers and smoke

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Speaker 3: and just.

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Speaker 4: Talk and just I was like, or take a shower

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Speaker 4: and watch TV later. I'd rather take a shower. Yeah,

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Speaker 4: I knocked and uh. Last night we went out for

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Speaker 4: a bit. We did ac to show, which is uh,

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Speaker 4: I think coming out this coming week. It's out now, Yes,

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Speaker 4: listening to this tight. When I woke up this morning,

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Speaker 4: man As text me like, YO, you're out here. I

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Speaker 4: looked at his story. There was Everyday People last night,

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Speaker 4: but instead I went on a double date with you

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Speaker 4: and Benner to talk about who controls the Federal Reserve instead.

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Speaker 3: And you told me that, and I was like, so

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Speaker 3: we could have went to everyday People last night.

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Speaker 4: It looked amazing. It looked like there was beautiful women,

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Speaker 4: curly had women everywhere they Why don't we swag serve? Seriously?

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Speaker 4: How did we not hear about that? Because I tried

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Speaker 4: to tell myself that I was gonna have a calm

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Speaker 4: London trip because the last two London trips I think

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Speaker 4: we went a little too far and I didn't want

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Speaker 4: to be, you know, get into it with another hotel manager.

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Speaker 4: You know, I just gonna have a nice faced on

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Speaker 4: my daughter. Yeah, it's not even me anymore. Until I

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Speaker 4: saw those ig stories and just those old feelings started

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Speaker 4: coming up, like why didn't I just go out and

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Speaker 4: be a degenerate with Why am I try to be

203
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Speaker 4: a family got the shakes when you start he started

204
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Speaker 4: shaking with the Fomo kicked in like you would not believe.

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Speaker 4: I was like, yo, maybe y'all running it back like no,

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Speaker 4: do it again tonight? And not running that back at all.

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Speaker 3: I'm mad I missed that because that would have been

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Speaker 3: a nice to catch that over here in London. To

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Speaker 3: catch that part, that would have been a nice, nice

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Speaker 3: vibe for sure. Yeah, and it's London, it's our fashion

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Speaker 3: week too. So and I saw you were you were

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Speaker 3: hitting the red wine last night. I'm shocked to see

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Speaker 3: you here today. Listen over it would be a whole

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Speaker 3: different level. So we were drinking some wine last night.

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Speaker 3: We went to go eat, and because where we were

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Speaker 3: it was so close to the hotel, I walked back

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Speaker 3: but then it was like really close. I was like,

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Speaker 3: let me just keep walking. So I started walking. I

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Speaker 3: just was like but I didn't. I didn't veel off.

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Speaker 3: I said, let me just walk this street as far down.

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Speaker 3: Then I started journeying your headphones. Oh my god, I

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Speaker 3: started smoking. So that's what really shit. Yeah, Like on

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Speaker 3: top of the red wine, I smoked. By the time

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Speaker 3: I walked back to the hotel, I was like, yeah,

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Speaker 3: I did too much, man. And this morning, forget about it.

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Speaker 3: I almost canceled this morning. I'm not gonna lie.

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Speaker 4: I texted Benner at like five am because I couldn't sleep,

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Speaker 4: and I was like, Yo, the way maul was drinking

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Speaker 4: red wine. There's no way worth recording. Yeah.

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Speaker 3: I was hurt getting and I stayed up till probably

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Speaker 3: about seven forty five because I watched the Canelo fight

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Speaker 3: and it was in Vegas.

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Speaker 4: Yeah, so that's eight hours behind.

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Speaker 3: So it's eleven o'clock in Vegas, where it's like seven

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Speaker 3: in the morning here.

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Speaker 4: I was like, oh man, what am I doing? But

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Speaker 4: I started plotting with Benner. I was thinking, like, all right,

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Speaker 4: maybe Monday, because we're recording this on a Sunday. It

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Speaker 4: was like, Monday, maybe we could double up on episode.

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Speaker 4: There was no way I thought you were making it

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Speaker 4: not lobby. Once I saw you this morning at the coffee,

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Speaker 4: I was like, ain't no fucking way he's here. Once

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Speaker 4: I once I got up and got in a shower,

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Speaker 4: I was like, all right, cool. I felt a little better.

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Speaker 4: I drank it.

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Speaker 3: I had a pack of BC powder that helps you. Yeah,

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Speaker 3: so I drank some of that. I had a bunch

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Speaker 3: of water, and I was I was alright. I was

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Speaker 3: hurting by the time I got answered, but I had

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Speaker 3: some peppermint tea, so it's so good.

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Speaker 4: I actually saw interesting.

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Speaker 3: I saw my first I saw the first person since

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Speaker 3: we've been in London the past three years. I saw

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Speaker 3: a football jersey for the first time. Really yes, wait wait,

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Speaker 3: like a not soccer which what they called football. Yeah,

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Speaker 3: but like not a soccer NFL NFL. I saw somebody

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Speaker 3: wearing an NFL jersey for the first time in London

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Speaker 3: last night.

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Speaker 4: I feel like last time we were here, didn't we

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Speaker 4: go to Like what do you think it was? Though?

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Speaker 4: That he's wearing Brady Mahmes, so Newton, Michael Vick. That's

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Speaker 4: a sick jersey. It was probably the biggest selling jersey

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Speaker 4: at one point. No, he had a Lamar Jackson jersey.

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Speaker 3: Okay, like that's big from Baltimore though, No, he was here,

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Speaker 3: he's from here, Okay, Yeah, but that was just dope

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Speaker 3: to see Lamar Jackson jersey all the way here and

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Speaker 3: that was fire.

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Speaker 4: That that lets you know exactly how good Lamar Jackson is.

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Speaker 4: Outside of still not being to a soccer slash football

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Speaker 4: game out here. I would love to see an NFL

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Speaker 4: game in London. What they had one? Was it? Last year?

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Speaker 4: They had the preseason every thing? Yeah, you do it

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Speaker 4: every year, I think, Yeah, I think they had a

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Speaker 4: preseason game there last year. I wonder is that ever

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Speaker 4: going to connect. There's American bars that we've went to

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Speaker 4: when we were out here to watch football, and they

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Speaker 4: were pretty packed, but it was all like Americans that

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Speaker 4: moved here for work.

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Speaker 3: I don't know if it'll ever translate over here as

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Speaker 3: much because I think soccer, well with with with the London,

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Speaker 3: you know, the local UK people called football, I think

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Speaker 3: that's just that's total.

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Speaker 4: The rest of the world, you mean, well, yeah, yeah,

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Speaker 4: the rest of the world just us call it football.

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Speaker 3: But soccer is such a it's more of a football

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Speaker 3: is fun to watch. But I feel like soccer is

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Speaker 3: you know, the fans, it's just different with the with

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Speaker 3: the it's a lifestyle.

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Speaker 4: Yeah, it's like they make raiders fans look like pussy.

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Speaker 3: We're recording this today and I'm mad we're not catching

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Speaker 3: the Arsenal Tottenham game because that was like, that was

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Speaker 3: the game that I wanted to see.

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Speaker 4: The way like certain parties at this point in my

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Speaker 4: life arem like, there's probably gang members there. I'm not

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Speaker 4: really gonna go. I like value my life. I wouldn't

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Speaker 4: go to an Arsenal game. I had a fear of violence. No,

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Speaker 4: but that's what you didn't even want to say the

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Speaker 4: wrong thing. No, but we need it though, we need

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Speaker 4: to go out there.

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Speaker 3: Let's take our shirts off, let's crush big cans on

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Speaker 3: our head, like, let's do let's do what is it?

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Speaker 4: Whyankus? Winkus? Is that what they say? Minkus? Whnkus. I

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Speaker 4: would feel like that annoying girl that's watching football with you,

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Speaker 4: like asking questions like Okay, oh.

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Speaker 3: Yeah, I'm definitely that guy. Gonna be that guy at

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Speaker 3: the soccer game for sure, Like they would be telling me.

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Speaker 4: They would look over at me and say who brought

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Speaker 4: this bra? Like now, I'm a boy, I'm a boy.

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Speaker 3: I'm so I had so many players to like really

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Speaker 3: just go crazy at my first like soccer game.

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Speaker 4: Man, I'm so mad that we missed it.

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Speaker 2: Yeah.

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Speaker 4: I would have asked stupid questions like does Ronaldo still play? See? No,

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Speaker 4: you can't that. You can't do you can't do that.

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Speaker 4: Not an Arsenal game, No, don't do that? And what

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Speaker 4: it's Arsenal? What's the other? Chelsea's the other big one.

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Speaker 4: They're gonna kill us on the way out of here.

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Speaker 4: I don't know. I can already tell the engineer wants

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Speaker 4: to punch me in the face. What is the other

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Speaker 4: team out here? It's Arsenal, It's a Chelsea Manchester United? Right, yeah, London.

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Speaker 4: What's the team Ted Lasso coach? Oh he said that's

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Speaker 4: not a real team West Ham. Okay, all right, okay.

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Speaker 4: Did you ever watch Ted Lasto? No? You should start

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Speaker 4: it like today. It's one of those shows I feel

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Speaker 4: like TV is in the best place it's ever been,

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Speaker 4: but everything is so fucking dark and like everything has

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Speaker 4: to take some crazy turn. Ted Lasso just makes you

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Speaker 4: feel good, like I miss It's not a sitcom, obviously,

329
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Speaker 4: but it has that sitcom ship where everything's gonna work out,

330
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Speaker 4: everyone's gonna smile, there's gonna be a message, there would

331
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Speaker 4: be everyone that did bad will pay for it, everyone

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Speaker 4: that did good will be praised. It's I miss TV

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Speaker 4: like that sometimes. As much as I am a murder, mystery,

334
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Speaker 4: everything dark type of person, that show like gives you

335
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Speaker 4: hope for humanity. It's just it's a stupid plot to

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Speaker 4: begin with. It's a football American football coach that moves

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00:14:02,760 --> 00:14:05,680
Speaker 4: to the UK to become a soccer coach because they're

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00:14:05,679 --> 00:14:09,200
Speaker 4: trying to tank, like the whole organization. But of course,

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00:14:09,679 --> 00:14:12,320
Speaker 4: he ends up inspiring the entire city of London and

340
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Speaker 4: becomes the greatest soccer coach ever.

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Speaker 3: It sounds like a great plot. It's definitely fictional, but

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00:14:17,640 --> 00:14:18,520
Speaker 3: it sounds like a great plot.

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Speaker 4: Yeah, but you should definitely start it. You trying to

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Speaker 4: think Manchester United because I have cousins in Ireland. They

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Speaker 4: were big Manchester United fans. But I don't know if

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Speaker 4: that's like okay to say I don't know what set

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Speaker 4: they really Yeah, I don't want to say I.

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Speaker 3: Think you gotta claim arsenal though I think it's I

349
00:14:37,320 --> 00:14:40,760
Speaker 3: think that's like mandatory. I guess, so, yeah, I don't

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Speaker 3: know from what I'm seeing, like it's awesome, it's red

351
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Speaker 3: or nothing like. That's just some girl told me last

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Speaker 3: night Read till I die. I was like, okay, I

353
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Speaker 3: didn't know they got out here. Yeah, I was like,

354
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Speaker 3: I didn't know it was that intense o here, But okay, cool.

355
00:14:52,400 --> 00:14:54,600
Speaker 3: I was in the uber with PG on the way here.

356
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Speaker 3: London's confusing.

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Speaker 4: London reminds me of DC, where like you're not quite

358
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Speaker 4: sure if you're in the hood yet. Of course DC

359
00:15:03,160 --> 00:15:04,520
Speaker 4: has like you know when you're in the hood, but

360
00:15:04,560 --> 00:15:08,200
Speaker 4: there's like tricky blocks in DC London. I'm even their

361
00:15:08,320 --> 00:15:11,560
Speaker 4: projects like have charm. Yeah, I never know if I'm

362
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Speaker 4: in the hood because I know it gets busy out here.

363
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Speaker 4: I just don't want to go down the wrong block

364
00:15:16,240 --> 00:15:18,640
Speaker 4: thinking everything like, oh, look at the architecture, like not

365
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Speaker 4: section eight.

366
00:15:20,280 --> 00:15:23,680
Speaker 3: Yeah, keep walking ahead, go in there and ask somebody

367
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Speaker 3: do it.

368
00:15:24,160 --> 00:15:27,000
Speaker 4: And and in the cars like these, look, I guess

369
00:15:27,000 --> 00:15:28,800
Speaker 4: look a little project eat and right on the side

370
00:15:28,840 --> 00:15:31,040
Speaker 4: it said Queensbridge and I was like, oh, they have

371
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Speaker 4: one here too. It's a Queensbridge out here. Yeah, not

372
00:15:33,920 --> 00:15:37,280
Speaker 4: Queensbridge projects. It was a project building that said Queensbridge

373
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Speaker 4: on it. You promise you to take a picture of it. Nah,

374
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Speaker 4: we were driving. I gotta see that. I have to

375
00:15:42,080 --> 00:15:45,440
Speaker 4: see that. That's crazy. But London, with the amount of

376
00:15:45,920 --> 00:15:49,720
Speaker 4: similarities with like street names and areas, it will put

377
00:15:49,800 --> 00:15:51,680
Speaker 4: you down a bad rabbit hole. I'm not gonna put

378
00:15:51,680 --> 00:15:56,160
Speaker 4: mine on. But it's just weird. Yeah, okay, these are

379
00:15:56,240 --> 00:15:57,800
Speaker 4: named the same. Why are they named this way?

380
00:15:57,840 --> 00:15:58,000
Speaker 2: Oh?

381
00:15:58,080 --> 00:16:01,600
Speaker 4: That guyon what did he do? How do you get

382
00:16:01,640 --> 00:16:03,800
Speaker 4: a street here and there? Yeah? When you really go

383
00:16:03,840 --> 00:16:05,760
Speaker 4: down to his street is nast I thought the Pilgrims

384
00:16:05,840 --> 00:16:10,480
Speaker 4: left here and like for some new shit Westminster here

385
00:16:10,520 --> 00:16:12,160
Speaker 4: and there. Absolutely it's the same.

386
00:16:12,640 --> 00:16:14,400
Speaker 3: But we always talk about every time we come with

387
00:16:14,400 --> 00:16:17,600
Speaker 3: it's always dope to see exactly how similar New York

388
00:16:17,680 --> 00:16:20,520
Speaker 3: and London and autough, Like it's almost scary how similar

389
00:16:20,560 --> 00:16:20,880
Speaker 3: it is.

390
00:16:21,320 --> 00:16:25,560
Speaker 4: I mean, same roots. Yeah, Protestants versus Christians. You know

391
00:16:26,040 --> 00:16:30,080
Speaker 4: it's the same shit. How about Lil Wayne, because I

392
00:16:30,120 --> 00:16:32,320
Speaker 4: see where you're going. Once I see you start blinking

393
00:16:32,320 --> 00:16:35,200
Speaker 4: and you start turning red, You're going on this rabbit

394
00:16:35,240 --> 00:16:36,600
Speaker 4: hole that I don't want to go down with you.

395
00:16:36,640 --> 00:16:38,040
Speaker 4: I told you I would move here, It's just it

396
00:16:38,560 --> 00:16:40,680
Speaker 4: frustrates me. I wouldn't move here, though I could definitely

397
00:16:40,720 --> 00:16:42,760
Speaker 4: live in London, oh me and people looking at schools.

398
00:16:42,760 --> 00:16:44,920
Speaker 3: People people always talk about the weather. I'm like, bro,

399
00:16:45,080 --> 00:16:48,320
Speaker 3: being from New York, this is my type of what overcast?

400
00:16:48,520 --> 00:16:49,280
Speaker 4: Yeah great?

401
00:16:49,520 --> 00:16:53,440
Speaker 3: Yeah, well you ginger folk, y'all can't do sunshine too much,

402
00:16:53,440 --> 00:16:54,480
Speaker 3: so you'll love it here.

403
00:16:54,760 --> 00:16:57,040
Speaker 4: It doesn't. Here in Seattle is where you want to be.

404
00:16:57,120 --> 00:16:59,960
Speaker 4: It doesn't blow your mind, like how this small island

405
00:17:00,120 --> 00:17:03,760
Speaker 4: just like what they did to the world, Like, you

406
00:17:03,800 --> 00:17:05,280
Speaker 4: know how small the places I tried to.

407
00:17:05,280 --> 00:17:07,080
Speaker 3: Get I tried to get you away from this. Let's

408
00:17:07,080 --> 00:17:09,000
Speaker 3: not We're not doing this today. I don't want to

409
00:17:09,000 --> 00:17:11,280
Speaker 3: do this with you too. I want to talk about

410
00:17:11,480 --> 00:17:13,880
Speaker 3: Lil Wayne. That's what I want to talk about. Can

411
00:17:13,920 --> 00:17:16,320
Speaker 3: we talk about Wayne? Have you been in New London Connecticut?

412
00:17:16,480 --> 00:17:16,680
Speaker 2: No?

413
00:17:17,000 --> 00:17:23,320
Speaker 4: Definitely, not not new This isn't a new one. I'm

414
00:17:23,320 --> 00:17:26,000
Speaker 4: sure York and New York have at least something similarity. Yeah,

415
00:17:26,000 --> 00:17:29,040
Speaker 4: he loved Connecticut. Yeah, not even not even tell any

416
00:17:28,760 --> 00:17:30,520
Speaker 4: but Wayne the super Bowl?

417
00:17:30,720 --> 00:17:35,000
Speaker 3: Yes, Lil Wayne. So Lil Wayne. He finally spoke out.

418
00:17:35,040 --> 00:17:39,280
Speaker 3: He posted a response to him not being named the

419
00:17:39,680 --> 00:17:42,280
Speaker 3: Super Bowl fifty nine performer.

420
00:17:44,880 --> 00:17:46,920
Speaker 4: Did you see it? I did? What did you think

421
00:17:46,920 --> 00:17:51,400
Speaker 4: about it? He's one of my goats. So I'm trying

422
00:17:51,440 --> 00:17:52,560
Speaker 4: to be kind with my words.

423
00:17:53,520 --> 00:17:55,119
Speaker 3: I mean, I got to try to be kind. You

424
00:17:55,119 --> 00:17:56,760
Speaker 3: don't got to say nothing crazy, just I'm not going

425
00:17:56,800 --> 00:17:59,919
Speaker 3: I mean, I love Wayne, But why why did he

426
00:18:00,040 --> 00:18:05,639
Speaker 3: post a response? I mean, well, I understand saying has

427
00:18:05,640 --> 00:18:08,760
Speaker 3: to put himself back together. Yeah, the internet was saying

428
00:18:08,800 --> 00:18:10,800
Speaker 3: a lot, and you know, I think that he had

429
00:18:10,840 --> 00:18:12,520
Speaker 3: to say something.

430
00:18:13,040 --> 00:18:13,399
Speaker 4: Whatever.

431
00:18:13,400 --> 00:18:17,000
Speaker 3: It was the one thing about his video that I

432
00:18:17,040 --> 00:18:20,080
Speaker 3: thought was missing. And you know, obviously Wayne is He's

433
00:18:20,080 --> 00:18:20,400
Speaker 3: a goat.

434
00:18:20,520 --> 00:18:24,480
Speaker 4: We love him. You know, he's one of the biggest

435
00:18:24,119 --> 00:18:26,639
Speaker 4: you get your pre out too. No, no, no, I

436
00:18:26,680 --> 00:18:28,920
Speaker 4: don't have nothing crazy to say. But the one thing

437
00:18:28,920 --> 00:18:32,600
Speaker 4: that I thought was missing from the video that he

438
00:18:32,680 --> 00:18:37,080
Speaker 4: posted was just congratulating Kendrick. To me, I thought that

439
00:18:37,200 --> 00:18:39,159
Speaker 4: was the one that was kind of like, okay.

440
00:18:39,040 --> 00:18:41,600
Speaker 3: Because we don't you know, you can have you can

441
00:18:42,000 --> 00:18:45,600
Speaker 3: have your feelings around Wayne not making it, which we

442
00:18:46,040 --> 00:18:48,199
Speaker 3: laughed at just because it was like, because it was

443
00:18:48,200 --> 00:18:50,399
Speaker 3: in New Orleans, it should have been little Wayne, Like,

444
00:18:50,400 --> 00:18:53,359
Speaker 3: if it's in you know, the Giant Stadium next year,

445
00:18:53,440 --> 00:18:54,879
Speaker 3: is Cameron's supposed to do the halftime?

446
00:18:54,960 --> 00:18:55,040
Speaker 5: Ye?

447
00:18:55,200 --> 00:18:56,560
Speaker 4: Like just absolutely.

448
00:18:56,680 --> 00:18:58,640
Speaker 3: I don't get it, but you know, I can understand

449
00:18:58,640 --> 00:19:01,280
Speaker 3: how some people felt a way about that. But that

450
00:19:01,359 --> 00:19:04,520
Speaker 3: was the only thing I felt like I was missing

451
00:19:05,119 --> 00:19:09,600
Speaker 3: from Wayne's video was just just congratulating Kendrick. Because Kendrick

452
00:19:09,640 --> 00:19:13,320
Speaker 3: obviously has voiced his his love and his uh yeah,

453
00:19:13,680 --> 00:19:17,119
Speaker 3: his admiration for Wayne over the years. I felt like

454
00:19:17,160 --> 00:19:19,760
Speaker 3: that was influence, yeah, early Kendrick. I felt like that

455
00:19:19,840 --> 00:19:21,280
Speaker 3: was the only thing that was missing. I don't I

456
00:19:21,280 --> 00:19:24,040
Speaker 3: don't think it was purposely done. I don't think Wayne

457
00:19:24,200 --> 00:19:26,360
Speaker 3: was trying to slight Kendrick in any way. I think

458
00:19:26,359 --> 00:19:29,119
Speaker 3: he was more so expressing his h his feelings on

459
00:19:29,280 --> 00:19:33,119
Speaker 3: not being a pick. But I mean, I just that

460
00:19:33,200 --> 00:19:36,760
Speaker 3: whole thing, and I didn't expect for people to kind of, like,

461
00:19:36,920 --> 00:19:38,840
Speaker 3: you know, drag this thing on a Wayne not being

462
00:19:38,960 --> 00:19:41,480
Speaker 3: named the performer for so so long. It's been like

463
00:19:41,480 --> 00:19:47,760
Speaker 3: probably a week now. But can we just be honest.

464
00:19:47,920 --> 00:19:48,320
Speaker 2: Like I.

465
00:19:50,000 --> 00:19:53,359
Speaker 4: Would? I would what what do we feel like Wayne's

466
00:19:53,400 --> 00:19:54,720
Speaker 4: set would have been? Like?

467
00:19:54,760 --> 00:19:57,359
Speaker 3: What would he be performing at the super Because we

468
00:19:57,400 --> 00:20:00,679
Speaker 3: could be honest Wayne's content, Wayne's language, I ain't like

469
00:20:00,760 --> 00:20:04,040
Speaker 3: this is for the super Bowl halftime show is for

470
00:20:05,119 --> 00:20:07,280
Speaker 3: real Middle America. It's you know what I mean, It's

471
00:20:07,760 --> 00:20:11,080
Speaker 3: that type of sporting event. Obviously, you know we all

472
00:20:11,119 --> 00:20:14,720
Speaker 3: sit and watch it. But for Wayne to come out

473
00:20:15,119 --> 00:20:17,520
Speaker 3: on the super Bowl halftime show, what would he perform?

474
00:20:17,760 --> 00:20:21,080
Speaker 3: Like we know Wayne's catalog, we know his versus waynebe

475
00:20:21,280 --> 00:20:24,600
Speaker 3: saying crazy and you can't have that type of content

476
00:20:25,400 --> 00:20:27,920
Speaker 3: for families sitting around a television during the Super Bowl

477
00:20:28,000 --> 00:20:28,480
Speaker 3: watching that.

478
00:20:28,520 --> 00:20:30,240
Speaker 4: Like whoever it would have to edit in real time.

479
00:20:30,280 --> 00:20:31,280
Speaker 4: It would be a nightmare.

480
00:20:31,320 --> 00:20:34,040
Speaker 3: This is what I'm saying. So you know, and people like, yeah,

481
00:20:34,040 --> 00:20:35,520
Speaker 3: he could have brought out you know, the hot boys.

482
00:20:35,560 --> 00:20:37,920
Speaker 3: I'm like, have y'all heard their catalog? Like what do

483
00:20:38,040 --> 00:20:39,960
Speaker 3: we what are we really talking?

484
00:20:40,040 --> 00:20:40,119
Speaker 5: Like?

485
00:20:40,160 --> 00:20:41,840
Speaker 4: We got to the super Bowl.

486
00:20:42,119 --> 00:20:45,159
Speaker 3: You have to have a certain type of catalog, a

487
00:20:45,200 --> 00:20:50,399
Speaker 3: certain type of you know, performance level to make it

488
00:20:50,440 --> 00:20:51,840
Speaker 3: on that stage that big.

489
00:20:51,880 --> 00:20:54,440
Speaker 4: And you know, we love Wayne, But I love Wayne as.

490
00:20:54,440 --> 00:20:57,080
Speaker 3: Much as I love Jadakiss, as much as I love Styles,

491
00:20:57,200 --> 00:21:00,639
Speaker 3: as much as I love cam Mace, But none of

492
00:21:00,640 --> 00:21:02,440
Speaker 3: them will ever get a super Bowl halftime show.

493
00:21:02,440 --> 00:21:05,840
Speaker 4: And I think that's okay, part of a medley of

494
00:21:05,880 --> 00:21:08,720
Speaker 4: other artists. I feel like, I feel like if Mariah

495
00:21:08,720 --> 00:21:12,040
Speaker 4: Carey did halftime like Kiss and Styles would come out

496
00:21:12,080 --> 00:21:13,280
Speaker 4: for some for.

497
00:21:13,200 --> 00:21:16,520
Speaker 3: Their record whatever. Yeah cool, I'm just talking about like headlining.

498
00:21:16,960 --> 00:21:19,119
Speaker 3: It's It's not like it's not the Wayne doesn't have

499
00:21:19,160 --> 00:21:23,080
Speaker 3: the content. That type of content is not super Bowl stage.

500
00:21:23,119 --> 00:21:24,920
Speaker 3: Like they're not going to have that at the super

501
00:21:24,960 --> 00:21:26,960
Speaker 3: That's why. And I promise this is not Kendrick Hade.

502
00:21:27,480 --> 00:21:29,400
Speaker 3: I'm curious what his set is going to be. We've

503
00:21:29,440 --> 00:21:31,880
Speaker 3: talked about the same. To your Wayne point, I'm very

504
00:21:31,920 --> 00:21:35,040
Speaker 3: curious what Kendrick is going to do. Like even when

505
00:21:35,080 --> 00:21:38,359
Speaker 3: they had the first like real rap shit with Doctor

506
00:21:38,400 --> 00:21:42,520
Speaker 3: Dre and friends. People underestimate what gin and Juice is

507
00:21:42,560 --> 00:21:45,359
Speaker 3: to even Middle America, Like my parents know gin and Juice.

508
00:21:45,520 --> 00:21:47,760
Speaker 3: My parents know in the club by fifty cent, parents

509
00:21:47,760 --> 00:21:52,160
Speaker 3: know what was to be Rabbit Lose Yourself, Like those

510
00:21:52,160 --> 00:21:55,240
Speaker 3: are all Middle America rap songs that they had to

511
00:21:55,240 --> 00:21:58,360
Speaker 3: put together. I love that Kendrick is going to get

512
00:21:58,359 --> 00:22:00,639
Speaker 3: this opportunity. I'm just curious what his set would be,

513
00:22:00,880 --> 00:22:02,159
Speaker 3: the same way it would be with the Wayne.

514
00:22:02,520 --> 00:22:05,320
Speaker 4: But what Kendrick said, we know is a safer set

515
00:22:05,359 --> 00:22:07,040
Speaker 4: than Wayne. Yeah, for sure.

516
00:22:07,320 --> 00:22:09,080
Speaker 3: And that's the only thing that I think people were

517
00:22:09,080 --> 00:22:11,520
Speaker 3: skipping over, Like this's just the content, bro, Like he's

518
00:22:11,520 --> 00:22:11,880
Speaker 3: the song.

519
00:22:12,040 --> 00:22:15,160
Speaker 4: He's also put together and it's not a slight twain

520
00:22:15,320 --> 00:22:21,160
Speaker 4: like real shows. Wayne has never really done that per se.

521
00:22:21,359 --> 00:22:23,760
Speaker 4: Like we talked about the mister morayl shit, she was

522
00:22:23,760 --> 00:22:26,920
Speaker 4: like a Broadway player, Like he's put together performances. Even

523
00:22:26,960 --> 00:22:29,639
Speaker 4: his his set during the Doctor Dre thing to me

524
00:22:29,920 --> 00:22:32,840
Speaker 4: had the best choreography, was the best put together. I mean,

525
00:22:32,840 --> 00:22:35,080
Speaker 4: I love that fifty took one for the team and

526
00:22:35,160 --> 00:22:37,199
Speaker 4: was upside down to do his whole verse at his

527
00:22:37,240 --> 00:22:41,240
Speaker 4: age appreciated that, but by far, Kendrick had the most

528
00:22:41,240 --> 00:22:44,080
Speaker 4: interesting set of anything. He knows how to like really

529
00:22:44,080 --> 00:22:48,520
Speaker 4: put a performance together. Wayne just we've never seen that

530
00:22:48,560 --> 00:22:50,480
Speaker 4: from him. I don't think he's ever had to do that,

531
00:22:50,600 --> 00:22:52,879
Speaker 4: not to say he couldn't, but to do that for

532
00:22:52,920 --> 00:22:55,600
Speaker 4: the first time the super Bowl wouldn't really make sense.

533
00:22:55,640 --> 00:22:58,119
Speaker 3: And then on a stage that like that bit like

534
00:22:58,160 --> 00:23:00,679
Speaker 3: that's just a that's asking a lot for somebody that

535
00:23:00,880 --> 00:23:03,280
Speaker 3: and again just knows like the Wayne we know Wayne

536
00:23:03,320 --> 00:23:05,640
Speaker 3: is cemented as a goat. But I just think that,

537
00:23:05,880 --> 00:23:08,439
Speaker 3: you know, we have a few artists in our in

538
00:23:08,480 --> 00:23:11,320
Speaker 3: our culture, and a few goats that we just have

539
00:23:11,359 --> 00:23:13,400
Speaker 3: to be realistic about and say that Yep, Bro, they're

540
00:23:13,520 --> 00:23:16,679
Speaker 3: never gonna call you for that stage because you know

541
00:23:16,720 --> 00:23:18,800
Speaker 3: what you're saying in your verses and your round, it's

542
00:23:18,800 --> 00:23:21,400
Speaker 3: just not it's not deserving. Let it's just not it's

543
00:23:21,440 --> 00:23:23,399
Speaker 3: not for that, it's not for that story. And that

544
00:23:23,440 --> 00:23:26,360
Speaker 3: doesn't change anything for his legacy. Like of course that's

545
00:23:26,359 --> 00:23:28,960
Speaker 3: probably on his list of things. Yeah like that, He's

546
00:23:29,000 --> 00:23:32,000
Speaker 3: definitely not defined, but that may be a personal goal

547
00:23:32,080 --> 00:23:35,000
Speaker 3: of his to to make it to headline an event

548
00:23:35,040 --> 00:23:37,560
Speaker 3: that big. But you know, when you start coming through

549
00:23:37,600 --> 00:23:39,560
Speaker 3: the of what you the set that you think he

550
00:23:39,600 --> 00:23:42,960
Speaker 3: would perform, you listen to those songs the edit button,

551
00:23:43,240 --> 00:23:44,840
Speaker 3: you know, it's just like, bro, what do we like?

552
00:23:44,880 --> 00:23:46,840
Speaker 3: We won't even hear none of the verse, like they'll

553
00:23:46,920 --> 00:23:49,359
Speaker 3: edit everything else. So it just didn't make sense. But

554
00:23:49,840 --> 00:23:51,560
Speaker 3: you know, I'm glad that he did address it. I'm

555
00:23:51,560 --> 00:23:52,679
Speaker 3: glad Wayne did address it.

556
00:23:53,320 --> 00:23:57,119
Speaker 4: Well, let's let's keep ourselves honest. We we kind of

557
00:23:57,760 --> 00:24:01,840
Speaker 4: took away from Kendrick's moment. Everyone kind of just forgot

558
00:24:01,920 --> 00:24:05,520
Speaker 4: to be like, Yo, this is amazing that Kendrick Lamar

559
00:24:06,000 --> 00:24:09,360
Speaker 4: as a rapper is headlining the Super Bowl by himself.

560
00:24:10,400 --> 00:24:14,280
Speaker 4: I mean not to say we just added in the

561
00:24:14,320 --> 00:24:16,280
Speaker 4: Drake thing, but it was a conversation at the time

562
00:24:16,320 --> 00:24:20,600
Speaker 4: because Kendrick was alluding to the beef in the promo

563
00:24:21,000 --> 00:24:22,639
Speaker 4: the whole promo, so to not bring up Drake in

564
00:24:22,640 --> 00:24:25,919
Speaker 4: that conversation was crazy. And then I feel like for

565
00:24:25,960 --> 00:24:28,520
Speaker 4: the whole week, I don't feel like we're dragging it.

566
00:24:28,560 --> 00:24:30,359
Speaker 4: I feel like the rest of the world is just

567
00:24:30,400 --> 00:24:33,720
Speaker 4: based off one comment that you made in a forty

568
00:24:33,760 --> 00:24:36,800
Speaker 4: five minute conversation. The amount of people that wanted you

569
00:24:36,880 --> 00:24:39,960
Speaker 4: to be wrong I've never seen I've seen hate before,

570
00:24:40,280 --> 00:24:43,600
Speaker 4: but I could feel it from the IP addresses in

571
00:24:43,640 --> 00:24:45,720
Speaker 4: their soul that they wanted you to be wrong so

572
00:24:45,840 --> 00:24:51,040
Speaker 4: badly because Bloomberg one of the most trustworthybody on earth.

573
00:24:51,680 --> 00:24:54,760
Speaker 4: Some writer who couldn't even find spell check put out

574
00:24:54,760 --> 00:24:57,520
Speaker 4: that he had talked to sources at the NFL is

575
00:24:57,560 --> 00:24:59,879
Speaker 4: a blatant lie. What Maul said his sources at the

576
00:25:00,000 --> 00:25:03,159
Speaker 4: and everyone's like, see Roder Goodell said it, like he

577
00:25:03,160 --> 00:25:05,200
Speaker 4: didn't say that. Did you not read the spelling mistake

578
00:25:05,520 --> 00:25:08,680
Speaker 4: article that was you know it was red squiggly lines.

579
00:25:09,000 --> 00:25:12,280
Speaker 3: It's spelled yeah, yeah, yeah, I mean, you know again,

580
00:25:12,280 --> 00:25:14,800
Speaker 3: and that's something that I didn't. You know, I didn't

581
00:25:14,800 --> 00:25:19,240
Speaker 3: think that that would, you know, cause the the turmoil

582
00:25:19,320 --> 00:25:20,000
Speaker 3: that it caused.

583
00:25:20,320 --> 00:25:23,840
Speaker 4: Tweet that was just incompon care about this. It didn't.

584
00:25:24,240 --> 00:25:26,199
Speaker 3: But again, you know, I get it because of the

585
00:25:26,280 --> 00:25:28,639
Speaker 3: time we're in and what's going on the moment everything

586
00:25:28,680 --> 00:25:32,199
Speaker 3: around it, So I understand it, but you know, for

587
00:25:32,240 --> 00:25:34,679
Speaker 3: people to still be running with that and saying, oh,

588
00:25:34,720 --> 00:25:38,480
Speaker 3: it's not true. He never got a halftime show invite

589
00:25:39,440 --> 00:25:42,280
Speaker 3: if you feel like that, I mean, cool man, I

590
00:25:42,320 --> 00:25:43,639
Speaker 3: don't know, I don't know what to tell you if

591
00:25:43,680 --> 00:25:46,720
Speaker 3: you feel like one of the biggest artists, they never

592
00:25:46,840 --> 00:25:47,679
Speaker 3: asked him to do that.

593
00:25:48,600 --> 00:25:50,040
Speaker 4: All right, cool, what are we talking about. I'm not

594
00:25:50,040 --> 00:25:51,679
Speaker 4: going I'm not going back and forth about it. But

595
00:25:51,720 --> 00:25:52,080
Speaker 4: I didn't.

596
00:25:52,160 --> 00:25:54,159
Speaker 3: I didn't mean to say that, and kind of like,

597
00:25:54,560 --> 00:25:56,520
Speaker 3: you know, take away from the fact that Kendrick got

598
00:25:56,560 --> 00:25:56,879
Speaker 3: the spot.

599
00:25:56,920 --> 00:25:59,000
Speaker 4: That's not what that was intended to do. And I mean,

600
00:25:59,040 --> 00:26:02,000
Speaker 4: people took a forty five second clip from a forty

601
00:26:02,000 --> 00:26:03,960
Speaker 4: five minute conversation that just happened to me in there.

602
00:26:04,000 --> 00:26:06,640
Speaker 4: But I get it. You have the stigma of being

603
00:26:06,960 --> 00:26:09,439
Speaker 4: Drake's man, so they're all going to run with it

604
00:26:09,480 --> 00:26:11,560
Speaker 4: on the internet. But even it's cool, I saw other

605
00:26:11,600 --> 00:26:14,120
Speaker 4: media people saying, there's no way the NFL would ask

606
00:26:14,480 --> 00:26:16,480
Speaker 4: an artist twice. The NFL don't worked that way, all right,

607
00:26:16,560 --> 00:26:20,000
Speaker 4: Rihanna turned it down, then she did it. They asked.

608
00:26:20,320 --> 00:26:21,880
Speaker 4: That's on right, they asked to dyl and she still

609
00:26:21,880 --> 00:26:23,919
Speaker 4: hasn't done it. Like so it's you know what I mean,

610
00:26:24,080 --> 00:26:25,720
Speaker 4: Like plenty of artists that have turned it down and

611
00:26:25,760 --> 00:26:28,560
Speaker 4: then went back and right it happens.

612
00:26:28,600 --> 00:26:29,919
Speaker 3: I mean, you know, I didn't think that was a

613
00:26:29,920 --> 00:26:32,119
Speaker 3: big deal, but again, you know the fact that Kendrick

614
00:26:32,240 --> 00:26:33,160
Speaker 3: is doing it is dope.

615
00:26:33,560 --> 00:26:35,920
Speaker 4: The first wrap of the headlined do you do you

616
00:26:35,960 --> 00:26:38,399
Speaker 4: want to say thank you to Elliot? Wasn't because I

617
00:26:38,480 --> 00:26:40,159
Speaker 4: was like when we was on the.

618
00:26:42,520 --> 00:26:46,200
Speaker 3: Yeah, when I landed, uh, when I landed it. When

619
00:26:46,200 --> 00:26:48,320
Speaker 3: I landed, somebody had hit me. I'm not saying who.

620
00:26:48,400 --> 00:26:50,439
Speaker 3: Somebody had hit me, and say, yo, I'm surprised that

621
00:26:50,480 --> 00:26:51,440
Speaker 3: Elliott held you down.

622
00:26:52,160 --> 00:26:54,119
Speaker 4: And I was like, so what Drake Kitchen, I was like,

623
00:26:54,200 --> 00:26:54,560
Speaker 4: I was like what.

624
00:26:56,480 --> 00:26:59,000
Speaker 3: I was like, what happened? I was like, what happened?

625
00:26:59,000 --> 00:27:00,639
Speaker 3: And he was like, nah, told you down? So I

626
00:27:00,640 --> 00:27:02,920
Speaker 3: didn't know at first because like I slept the old fight.

627
00:27:03,840 --> 00:27:06,320
Speaker 3: So then I saw Elliott say he thought I was

628
00:27:06,359 --> 00:27:08,359
Speaker 3: capping and his sources.

629
00:27:08,840 --> 00:27:11,080
Speaker 4: But see, you don't understand because you were asleep most

630
00:27:11,080 --> 00:27:14,399
Speaker 4: of the flight, Like in between watching page listen to

631
00:27:14,520 --> 00:27:19,440
Speaker 4: the entire eminem show back to front, crazy crazy playlist

632
00:27:19,480 --> 00:27:22,920
Speaker 4: for a flight, I had Wi fi. So for about

633
00:27:23,000 --> 00:27:26,520
Speaker 4: four hours, the entire world was like, see Maul's the

634
00:27:26,520 --> 00:27:30,280
Speaker 4: biggest fucking liar ever. Like my mentions was going nuts,

635
00:27:30,280 --> 00:27:33,680
Speaker 4: like this the least credible podcast of all time, and

636
00:27:33,880 --> 00:27:35,480
Speaker 4: Ellie was like, yeah, I know for a fact he

637
00:27:35,520 --> 00:27:37,640
Speaker 4: at least turned it down twice while Hove was in there,

638
00:27:39,359 --> 00:27:41,720
Speaker 4: and Hoe's been there for five years and views Drake

639
00:27:41,760 --> 00:27:42,800
Speaker 4: definitely got to offer.

640
00:27:42,720 --> 00:27:46,080
Speaker 3: Yeah, yeah, the one hundred. That's why I'm you know again,

641
00:27:46,119 --> 00:27:48,840
Speaker 3: It's just I don't know, man. I guess people, you know,

642
00:27:49,119 --> 00:27:52,080
Speaker 3: because of the moment, they try to discredit and I understand,

643
00:27:52,280 --> 00:27:55,080
Speaker 3: I understand what's going on, but I just don't get

644
00:27:55,119 --> 00:27:57,280
Speaker 3: why people just find that so hard to believe.

645
00:27:57,320 --> 00:27:59,040
Speaker 4: It's just insane to me. I have a really, like,

646
00:27:59,359 --> 00:28:04,320
Speaker 4: really corny question. I apologize for corny. I appreciate that.

647
00:28:05,000 --> 00:28:07,280
Speaker 4: What do you have Drake saved as in your phone?

648
00:28:07,400 --> 00:28:12,600
Speaker 4: It can't just be Drake, no like, but what Driz

649
00:28:13,280 --> 00:28:20,640
Speaker 4: no big a big a. His name's Aurey. You think

650
00:28:21,520 --> 00:28:22,240
Speaker 4: you think.

651
00:28:22,359 --> 00:28:24,199
Speaker 3: You think I would save him as a big a

652
00:28:24,400 --> 00:28:25,760
Speaker 3: in my name and better than the boy?

653
00:28:26,200 --> 00:28:26,840
Speaker 4: No.

654
00:28:26,840 --> 00:28:30,760
Speaker 3: No, I only so I don't have him saved as

655
00:28:30,840 --> 00:28:34,520
Speaker 3: Drake because one time I had one of my boys

656
00:28:34,520 --> 00:28:36,840
Speaker 3: that was uh in the NBA at the time, I

657
00:28:36,880 --> 00:28:40,240
Speaker 3: had his name saved in my phone and not his

658
00:28:40,320 --> 00:28:42,160
Speaker 3: full name. But a girl went in my phone and

659
00:28:42,200 --> 00:28:44,760
Speaker 3: took his phone number and then like hit him up,

660
00:28:44,760 --> 00:28:46,520
Speaker 3: and I was like, how did he because he hit

661
00:28:46,560 --> 00:28:47,959
Speaker 3: me like how she got my number? I was like,

662
00:28:48,360 --> 00:28:49,960
Speaker 3: she could have only went in my phone and got it.

663
00:28:50,320 --> 00:28:52,480
Speaker 4: I had. This was like, oh nine, I had Charles

664
00:28:52,480 --> 00:28:55,440
Speaker 4: Hamilton's number because I was like trying to book gigs

665
00:28:55,440 --> 00:28:58,160
Speaker 4: at Saint Peter's and one of my friends took my phone,

666
00:28:58,600 --> 00:29:01,200
Speaker 4: took his number down and just kept calling him.

667
00:29:01,440 --> 00:29:03,920
Speaker 3: Yeah that's what I was like, all right, Yeah, that's

668
00:29:03,920 --> 00:29:05,920
Speaker 3: why you got to have cold names for, you know,

669
00:29:06,000 --> 00:29:07,719
Speaker 3: people that somebody might see in your phone and might

670
00:29:07,720 --> 00:29:08,760
Speaker 3: try to take, which is weird.

671
00:29:08,920 --> 00:29:11,000
Speaker 4: But somebody Charles kept answering. I was like, wow, this

672
00:29:11,480 --> 00:29:15,160
Speaker 4: never locks a call, like he just he just kept answering,

673
00:29:16,960 --> 00:29:19,520
Speaker 4: like concern too, like why do you keep calling? Is

674
00:29:19,520 --> 00:29:20,160
Speaker 4: everything okay?

675
00:29:22,680 --> 00:29:26,840
Speaker 3: Why would you call it back to back? Like and

676
00:29:26,920 --> 00:29:29,400
Speaker 3: for what? What do you want to talk to?

677
00:29:29,440 --> 00:29:32,280
Speaker 4: Charles hanim My man made beats he wanted to give Charleston.

678
00:29:32,920 --> 00:29:34,560
Speaker 4: I was like, you know, he makes his own beasts, right,

679
00:29:36,840 --> 00:29:40,120
Speaker 4: he don't even know you from nowhere? You trying to

680
00:29:40,160 --> 00:29:42,520
Speaker 4: push beats on Charles Hamilton. He don't even know you

681
00:29:42,600 --> 00:29:45,160
Speaker 4: at all. That's crazy, But imagine like that would be

682
00:29:45,160 --> 00:29:47,280
Speaker 4: the coolest placement I feel like of all time. If

683
00:29:47,320 --> 00:29:49,840
Speaker 4: you just like cold called a rapper because your man's

684
00:29:49,840 --> 00:29:53,760
Speaker 4: had a number and he's like, yo, hear this beat, and.

685
00:29:53,640 --> 00:29:59,760
Speaker 3: He was like, not ship, what's your name? What's what's not?

686
00:29:59,800 --> 00:30:01,200
Speaker 3: How you got my number? What's your name?

687
00:30:01,320 --> 00:30:06,600
Speaker 4: Like taking it? Send me? What's your email? Send me that.

688
00:30:06,600 --> 00:30:11,800
Speaker 4: That's that's kind of hard. Oh man, I missed my

689
00:30:11,880 --> 00:30:14,200
Speaker 4: old phone book. I'm mad. I went through like ten

690
00:30:14,280 --> 00:30:17,880
Speaker 4: numbers because I have like old Just funny. My number

691
00:30:17,920 --> 00:30:21,040
Speaker 4: has been the same for over sixteen years. Probably I've

692
00:30:21,080 --> 00:30:27,400
Speaker 4: changed mine a lot. Why uh, social recycling, like people

693
00:30:27,440 --> 00:30:29,600
Speaker 4: you don't want to have, Yeah, just just need I've

694
00:30:29,640 --> 00:30:31,560
Speaker 4: thought about that to get people out of your life. Yeah,

695
00:30:31,560 --> 00:30:34,120
Speaker 4: I thought about that, but no, I think I like,

696
00:30:34,240 --> 00:30:36,880
Speaker 4: I like still having the same number and people that

697
00:30:37,400 --> 00:30:40,280
Speaker 4: know you don't like fuck with them anymore. Like they

698
00:30:40,320 --> 00:30:41,720
Speaker 4: know that your number is still the same, but they

699
00:30:41,800 --> 00:30:44,680
Speaker 4: know they can't hit your phone Like I like that. Yeah.

700
00:30:44,800 --> 00:30:46,840
Speaker 4: I mean I'm weird like that though. But I don't

701
00:30:46,880 --> 00:30:49,440
Speaker 4: understand some people how they have like a new number

702
00:30:49,480 --> 00:30:52,480
Speaker 4: every other day. I could that's were that way. Yeah,

703
00:30:52,480 --> 00:30:56,400
Speaker 4: that's just that's weird. That's some famous people. I'm sure

704
00:30:56,440 --> 00:31:00,280
Speaker 4: that's not Drake's high school number. Well, I'm champion, we

705
00:31:00,800 --> 00:31:03,080
Speaker 4: know that. No, definitely, not somebody like that.

706
00:31:03,160 --> 00:31:05,920
Speaker 3: But I don't I don't see why people keep like

707
00:31:05,960 --> 00:31:07,360
Speaker 3: why would you keep changing your number?

708
00:31:07,400 --> 00:31:11,239
Speaker 4: Like I'm talking about regular people, not celebrities. I mean

709
00:31:11,280 --> 00:31:13,640
Speaker 4: back in the day, like minutes ran out, had to

710
00:31:13,640 --> 00:31:15,520
Speaker 4: throw that phone, just keep the SIM card.

711
00:31:15,640 --> 00:31:18,080
Speaker 3: Oh there's a prepaid undert I'm talking about you. No,

712
00:31:18,080 --> 00:31:19,920
Speaker 3: I'm talking about this is your line, Like, this is

713
00:31:19,960 --> 00:31:23,280
Speaker 3: your phone number, not a not a burnout, not a

714
00:31:23,280 --> 00:31:24,640
Speaker 3: a prepaid.

715
00:31:24,520 --> 00:31:27,320
Speaker 4: Then, like I went to college with a flip phone

716
00:31:27,360 --> 00:31:29,880
Speaker 4: and everyone there had fucking sidekicks, so I felt left out.

717
00:31:30,200 --> 00:31:32,680
Speaker 4: But then the BlackBerry Curve came out and I bought

718
00:31:32,720 --> 00:31:36,440
Speaker 4: it somebody for like sixty dollars okay, and just kept

719
00:31:36,440 --> 00:31:40,160
Speaker 4: their number, like kept their number. Yeah, I didn't really

720
00:31:40,200 --> 00:31:43,160
Speaker 4: like this is eight. It was different, okay, Like I

721
00:31:43,200 --> 00:31:45,080
Speaker 4: was for eighty cash, like I have that shit yeah

722
00:31:45,320 --> 00:31:49,240
Speaker 4: right now. And it had Jim Jones kid Cuddy Day

723
00:31:49,240 --> 00:31:52,960
Speaker 4: and Night remix was the ring tone and I didn't

724
00:31:53,000 --> 00:31:54,520
Speaker 4: know how to change O my god, and that shit

725
00:31:54,640 --> 00:31:58,920
Speaker 4: just rang off. And he was popular too, Like I

726
00:31:58,920 --> 00:32:00,720
Speaker 4: should have thought about that first. If I'm keeping this

727
00:32:00,760 --> 00:32:04,120
Speaker 4: guy's number and what. I also never realized, why did

728
00:32:04,160 --> 00:32:06,840
Speaker 4: you give me your phone with that number and wax

729
00:32:06,880 --> 00:32:09,000
Speaker 4: it sixty dollars for a black break curve. At that time,

730
00:32:09,760 --> 00:32:11,760
Speaker 4: he had to get the fuck out of die. He

731
00:32:11,880 --> 00:32:14,640
Speaker 4: had problems, He had troubles that was following him and

732
00:32:14,640 --> 00:32:18,240
Speaker 4: he had to the school. Yeah, it was a loco.

733
00:32:18,560 --> 00:32:20,960
Speaker 3: He got rid of everything, like, yo, take this phoe,

734
00:32:21,240 --> 00:32:22,600
Speaker 3: sixty dollars is yours.

735
00:32:23,720 --> 00:32:25,680
Speaker 4: He was definitely on the run, for sure. Should we

736
00:32:25,680 --> 00:32:29,280
Speaker 4: bring Rington Ringtones back? We should? Man ring Tons was dope.

737
00:32:29,400 --> 00:32:32,000
Speaker 4: Can iPhones do that ringtone? Yeah?

738
00:32:32,040 --> 00:32:33,840
Speaker 3: I mean you could change and keep my phone on loud.

739
00:32:33,880 --> 00:32:37,640
Speaker 3: You could change your the ring tone on your your iPhone,

740
00:32:37,640 --> 00:32:39,920
Speaker 3: but it's not like obviously you know a song.

741
00:32:40,120 --> 00:32:42,080
Speaker 4: But they should bring that back. That was a cool feature.

742
00:32:42,280 --> 00:32:44,520
Speaker 4: I forgot what producer it was, Like, when is the

743
00:32:44,520 --> 00:32:46,520
Speaker 4: feature going kick in for the Instagram where you could

744
00:32:46,520 --> 00:32:48,360
Speaker 4: add this the music to you like your oh the

745
00:32:48,360 --> 00:32:51,120
Speaker 4: MySpace ship? Yeah, like when does that start? Maybe you

746
00:32:51,120 --> 00:32:53,719
Speaker 4: gotta hit just upgrade it. It might be there.

747
00:32:53,720 --> 00:32:56,280
Speaker 3: And now we just know I've never seen I've never

748
00:32:56,280 --> 00:32:59,600
Speaker 3: seen nobody's it's not on anybody's page yet. Yeah, that's

749
00:32:59,640 --> 00:33:01,680
Speaker 3: gonna but that's a feature we need. That's I'm looking

750
00:33:01,680 --> 00:33:02,239
Speaker 3: forward to that.

751
00:33:02,840 --> 00:33:04,480
Speaker 4: But is it will it be copyright? Like does it

752
00:33:04,520 --> 00:33:07,240
Speaker 4: have to come from DSPs? Like could I put my

753
00:33:07,280 --> 00:33:08,240
Speaker 4: mixtape up there? Oh?

754
00:33:08,320 --> 00:33:10,200
Speaker 3: Yeah, see, now this is so much it's so much

755
00:33:10,200 --> 00:33:12,160
Speaker 3: bullshit in the game. Now, I didn't even think about that.

756
00:33:12,560 --> 00:33:14,440
Speaker 4: I mean I could hit Charles Hamilton, maybe get like

757
00:33:14,440 --> 00:33:18,080
Speaker 4: some exclusives to put up there from Charles in twenty

758
00:33:18,120 --> 00:33:20,600
Speaker 4: twenty four. Let me see if I still have that.

759
00:33:20,600 --> 00:33:22,880
Speaker 4: There's no way that number still works. If you call

760
00:33:23,000 --> 00:33:26,920
Speaker 4: Charles Hamilton phone right now, it's not even in this

761
00:33:26,960 --> 00:33:30,840
Speaker 4: phone that was so many phones ago. Oh if you

762
00:33:31,000 --> 00:33:34,400
Speaker 4: answer right now, it's like, I why you still? I

763
00:33:34,440 --> 00:33:37,160
Speaker 4: was a big Charles Hamilton fan. Oh No, Charles was dope.

764
00:33:37,560 --> 00:33:39,720
Speaker 4: He was one of those where like he's he's next,

765
00:33:40,240 --> 00:33:42,920
Speaker 4: He's about to be on somebody that type shit. Even

766
00:33:43,040 --> 00:33:45,120
Speaker 4: Jimmy Ivan was, Yeah, you about to be the one

767
00:33:45,200 --> 00:33:45,800
Speaker 4: you think he was?

768
00:33:46,120 --> 00:33:47,920
Speaker 3: You think Charles was ahead of his time though, Like

769
00:33:48,000 --> 00:33:52,280
Speaker 3: I think if if Charles had that that moment that

770
00:33:52,360 --> 00:33:55,200
Speaker 3: he had back then now, I think it would be

771
00:33:55,240 --> 00:33:56,240
Speaker 3: a big moment for me.

772
00:33:56,320 --> 00:33:59,360
Speaker 4: He was. He was on the blogs early, like yeah,

773
00:33:59,600 --> 00:34:02,959
Speaker 4: writing as a blogger, he had his own ship. Everything

774
00:34:03,000 --> 00:34:06,320
Speaker 4: that the rappers are doing now, Charles Hamilinson did first

775
00:34:06,520 --> 00:34:09,440
Speaker 4: for sure, even sound wise. I think his own demons

776
00:34:09,480 --> 00:34:12,480
Speaker 4: is really what got in the way of that. It's unfortunate,

777
00:34:12,560 --> 00:34:15,480
Speaker 4: but yeah, I remember I was listening to It's the

778
00:34:15,520 --> 00:34:18,799
Speaker 4: Reals blog Era podcast. If you guys haven't heard that,

779
00:34:19,200 --> 00:34:21,640
Speaker 4: listen to it now. Hit Pauls on the podcast and

780
00:34:21,680 --> 00:34:24,759
Speaker 4: start that shit. I forgot who was talking. It was

781
00:34:25,200 --> 00:34:28,799
Speaker 4: one of the later episodes. Charles Hamilton was obviously a

782
00:34:28,800 --> 00:34:31,000
Speaker 4: big part of the blog Era podcast because he was

783
00:34:31,280 --> 00:34:34,120
Speaker 4: the blogger for sure, and he went to Jimmy Ivan

784
00:34:34,160 --> 00:34:35,920
Speaker 4: with his first album, and Jimmy Iveen was like, this

785
00:34:35,960 --> 00:34:37,520
Speaker 4: is the best third album I've ever heard in my

786
00:34:37,640 --> 00:34:41,080
Speaker 4: entire life, and that ship the blew my fucking mind.

787
00:34:41,080 --> 00:34:44,000
Speaker 4: He was like, you're too ahead of what's happening right now.

788
00:34:44,200 --> 00:34:46,760
Speaker 4: This isn't a first album. This is the best third

789
00:34:46,760 --> 00:34:49,360
Speaker 4: album I've ever heard. Like, get back to the basics,

790
00:34:49,480 --> 00:34:53,040
Speaker 4: tell us who you are, don't experiment that blew mind.

791
00:34:53,080 --> 00:34:54,960
Speaker 4: That makes a lot of sense, though, a lot. And

792
00:34:55,000 --> 00:34:58,560
Speaker 4: then I went back because that album leaked obviously, and

793
00:34:58,680 --> 00:35:00,239
Speaker 4: after I listen to It's the Real One, back to

794
00:35:00,280 --> 00:35:01,840
Speaker 4: that album, and I was like, this is why Jimmy

795
00:35:01,840 --> 00:35:04,839
Speaker 4: Alvin is a fucking genius. This sounds like a third album. Yeah,

796
00:35:04,880 --> 00:35:07,640
Speaker 4: like I'm getting into my experience experimental phase that already

797
00:35:07,640 --> 00:35:10,799
Speaker 4: had my fan base and I'm taking them another way. Yeah.

798
00:35:11,400 --> 00:35:13,400
Speaker 4: But yeah, Charles was just demons.

799
00:35:13,800 --> 00:35:16,520
Speaker 3: Yeah that's probably unfortunately, that's definitely probably what it was.

800
00:35:16,560 --> 00:35:19,360
Speaker 3: But he was Charles was really I mean, he was

801
00:35:19,400 --> 00:35:21,680
Speaker 3: one of the few people that I remember like going

802
00:35:21,800 --> 00:35:25,560
Speaker 3: to YouTube and searching and watching and looking at his

803
00:35:25,680 --> 00:35:27,840
Speaker 3: videos like and I didn't do that a lot for

804
00:35:27,960 --> 00:35:31,000
Speaker 3: a lot of artists that wasn't like mainstream pop and artists.

805
00:35:31,000 --> 00:35:32,960
Speaker 3: He was one of the ones that if he had

806
00:35:33,000 --> 00:35:35,040
Speaker 3: a video that he had put on YouTube.

807
00:35:34,719 --> 00:35:36,360
Speaker 4: Like I would go find it and just listen to what

808
00:35:36,360 --> 00:35:39,480
Speaker 4: he was doing. Absolutely, Brooklyn Girls, that shit rang off

809
00:35:39,480 --> 00:35:42,319
Speaker 4: in the city. Oh yeah, absolutely long time. But back

810
00:35:42,320 --> 00:35:45,640
Speaker 4: to the ringtone thing. It was Flying Lotus that I

811
00:35:45,640 --> 00:35:48,000
Speaker 4: think mentioned like a few weeks ago that he had

812
00:35:48,040 --> 00:35:50,680
Speaker 4: something to do with fact check the speech. I think

813
00:35:50,680 --> 00:35:54,440
Speaker 4: it was one of the iPhone ringers that two ringtones

814
00:35:54,520 --> 00:35:57,239
Speaker 4: that the iPhone has that Flying Lotus produced, Like that's

815
00:35:57,239 --> 00:35:59,920
Speaker 4: when you find out like push your t wrote the

816
00:36:00,080 --> 00:36:04,360
Speaker 4: Arbi's shit and with the McDonald's, I'm loving it. Flying

817
00:36:04,360 --> 00:36:07,800
Speaker 4: Lotus is behind some of the rentons with our iPhone random.

818
00:36:08,239 --> 00:36:10,520
Speaker 4: I wonder if, like he just got a fee for that.

819
00:36:10,560 --> 00:36:14,520
Speaker 4: I'm sure Apple would never like give him royalties. No anytime,

820
00:36:15,239 --> 00:36:17,360
Speaker 4: that definitely did not happen. But what does that bag

821
00:36:17,400 --> 00:36:20,879
Speaker 4: look like? Because Flying Lotus, obviously is if you're doing

822
00:36:20,880 --> 00:36:23,680
Speaker 4: something with him, you're paying a fucking premium. That's well

823
00:36:23,719 --> 00:36:26,279
Speaker 4: deserved because he's one of the best. But I wonder

824
00:36:26,320 --> 00:36:29,839
Speaker 4: what that looks like if Apple's like, Yo, you gotta

825
00:36:29,920 --> 00:36:32,600
Speaker 4: do this. What type of rate, dude? You have to

826
00:36:32,600 --> 00:36:34,440
Speaker 4: triple your rate at that point?

827
00:36:34,920 --> 00:36:38,640
Speaker 3: Yeah, it's Apple, But because it's Apple, do you notice

828
00:36:38,680 --> 00:36:40,480
Speaker 3: certain things that they're just never budging on?

829
00:36:40,880 --> 00:36:43,040
Speaker 4: So royalties is out of the question. I wouldn't even

830
00:36:43,080 --> 00:36:45,520
Speaker 4: know how you would do royalties on a rento for

831
00:36:45,560 --> 00:36:50,320
Speaker 4: every phone you sell. That's I'm sure Apple would definitely

832
00:36:50,320 --> 00:36:53,759
Speaker 4: do that every phone you sell, like royalties. Not even

833
00:36:53,800 --> 00:36:57,359
Speaker 4: Tim Cook has that. That's crazy, that's a crazy deal.

834
00:36:58,040 --> 00:36:59,520
Speaker 4: But that has to be a bag though.

835
00:37:00,680 --> 00:37:01,120
Speaker 2: Yeah, but.

836
00:37:02,640 --> 00:37:06,200
Speaker 3: There's no way that in the figures. Well, definitely, but

837
00:37:06,239 --> 00:37:10,279
Speaker 3: in the scope of this is Apple, you know what

838
00:37:10,280 --> 00:37:12,120
Speaker 3: I mean. It's like, what's a bag when you talk

839
00:37:12,160 --> 00:37:13,600
Speaker 3: about you produced.

840
00:37:13,239 --> 00:37:15,080
Speaker 4: The that's why you're going to hit them over the

841
00:37:15,080 --> 00:37:16,439
Speaker 4: head because they don't know any better.

842
00:37:16,920 --> 00:37:19,200
Speaker 3: And you think Apple doesn't know any better as far

843
00:37:19,239 --> 00:37:20,759
Speaker 3: as what a producer would cost.

844
00:37:21,480 --> 00:37:23,520
Speaker 4: Yeah, I guess you know who runs Apple. There's a

845
00:37:23,560 --> 00:37:26,000
Speaker 4: lot of music people up there. Never I thought she

846
00:37:26,080 --> 00:37:30,480
Speaker 4: was going somewhere else they run. Never, Man, I wasn't going.

847
00:37:31,280 --> 00:37:33,200
Speaker 4: I wasn't going. That's not where I was taking you.

848
00:37:33,920 --> 00:37:36,719
Speaker 4: And let and please don't take me there either. I

849
00:37:36,719 --> 00:37:38,320
Speaker 4: had to tell my man's to relax on Twitter the

850
00:37:38,400 --> 00:37:46,319
Speaker 4: other day. Switch you for a while, let's pull it back.

851
00:37:47,480 --> 00:37:50,239
Speaker 4: Oh but god, I got a bunch of text messages

852
00:37:50,320 --> 00:37:52,120
Speaker 4: like what's up with your man's? I was like, do

853
00:37:52,160 --> 00:37:54,680
Speaker 4: you not listen to his raps? I love Jay up?

854
00:37:55,040 --> 00:37:58,239
Speaker 4: That's my guy. I love him. That's another one. Let's

855
00:37:58,239 --> 00:37:59,520
Speaker 4: see how many numbers I have on.

856
00:38:00,200 --> 00:38:02,560
Speaker 3: Yeah, I don't even He's not even saved in my phone.

857
00:38:02,560 --> 00:38:04,600
Speaker 3: No more like he changed his number so much?

858
00:38:05,800 --> 00:38:10,240
Speaker 4: How many news does that hit? New New New one, two, three, four, five, six.

859
00:38:11,440 --> 00:38:14,759
Speaker 4: I've have an eight, nine, ten, eleven, twelve, and this

860
00:38:15,600 --> 00:38:19,760
Speaker 4: thirteen fourteen, and this doesn't even count the emails Vietnam.

861
00:38:19,760 --> 00:38:19,960
Speaker 4: I don't.

862
00:38:20,120 --> 00:38:22,480
Speaker 3: I probably have eighteen numbers on him. Whenever he texted me,

863
00:38:22,520 --> 00:38:24,680
Speaker 3: he just texted me some random I know it's him.

864
00:38:24,880 --> 00:38:26,680
Speaker 3: I'm like, I don't even have to guess who this is.

865
00:38:26,760 --> 00:38:28,840
Speaker 3: I know exactly who this is texting me from a

866
00:38:28,880 --> 00:38:31,200
Speaker 3: new number for the twelve, I know exactly what it is.

867
00:38:31,239 --> 00:38:33,839
Speaker 4: You know that. Plus I know exactly who it is.

868
00:38:33,920 --> 00:38:35,880
Speaker 4: I gave up on those. I just text his email

869
00:38:35,920 --> 00:38:38,120
Speaker 4: at this point. Yeah, because unless he his WiFi does

870
00:38:38,160 --> 00:38:41,520
Speaker 4: that's my god. I love him, man. But what would

871
00:38:41,520 --> 00:38:47,719
Speaker 4: be your ringtone today? Probably impoorted couches, Larry June, Larry June,

872
00:38:47,760 --> 00:38:49,839
Speaker 4: that'd be a good ringtone. Yeah, I feel like some

873
00:38:49,880 --> 00:38:52,400
Speaker 4: cash co bang shit would work at this point for

874
00:38:52,520 --> 00:38:57,320
Speaker 4: good good ringtone. Yeah. I had the first like singular

875
00:38:57,719 --> 00:39:01,520
Speaker 4: Samsung like that block phone my freshman year of high school.

876
00:39:02,160 --> 00:39:03,799
Speaker 4: And they didn't have like real ring tones yet. It

877
00:39:03,840 --> 00:39:07,440
Speaker 4: was just like the tones. Yeah, I had rough Riders

878
00:39:07,440 --> 00:39:12,319
Speaker 4: Anthem like I was like, this is the funniest shit

879
00:39:12,360 --> 00:39:14,880
Speaker 4: I've ever but back then it was dope. It was

880
00:39:14,920 --> 00:39:17,359
Speaker 4: just yeah, it was natural that it's like this is

881
00:39:17,400 --> 00:39:19,680
Speaker 4: the corny and some of them were awful. I picked

882
00:39:19,719 --> 00:39:21,279
Speaker 4: Rough Riders Anthem because it was the only one that

883
00:39:21,320 --> 00:39:23,000
Speaker 4: actually sounded like the song.

884
00:39:23,200 --> 00:39:25,480
Speaker 3: Yeah, the rest of those you too. You you didn't

885
00:39:25,520 --> 00:39:29,280
Speaker 3: have a two way pager? Yeah that was the ring tone.

886
00:39:29,280 --> 00:39:32,239
Speaker 3: Like I didn't get a phone till four. Yeah, the

887
00:39:32,239 --> 00:39:34,080
Speaker 3: two way page. It was like those ring tones on

888
00:39:34,120 --> 00:39:37,719
Speaker 3: a two way page. I remember I had the one

889
00:39:37,760 --> 00:39:41,560
Speaker 3: that everybody had was Aliah's. Uh it wasn't rock the Boat,

890
00:39:41,719 --> 00:39:45,440
Speaker 3: it was what was the Allia record that everybody had?

891
00:39:45,480 --> 00:39:47,680
Speaker 3: So wait, two way pages had like a version of

892
00:39:47,760 --> 00:39:50,400
Speaker 3: ring tone. You could put music on. Absolutely just Blaze

893
00:39:50,440 --> 00:39:52,000
Speaker 3: like he did a lot of ring tones for people

894
00:39:52,160 --> 00:39:54,200
Speaker 3: because you could send you could send the ring tone. Yeah,

895
00:39:54,320 --> 00:39:56,279
Speaker 3: you could put the two ways, you know, facing each other,

896
00:39:56,320 --> 00:39:58,279
Speaker 3: and you could actually send somebody. You can send your

897
00:39:58,280 --> 00:39:59,600
Speaker 3: contacts and all that too, but you go to send

898
00:39:59,640 --> 00:40:02,840
Speaker 3: your Okay. That was like, but you're just just Blaze

899
00:40:02,880 --> 00:40:06,160
Speaker 3: was doing. He was making ring tones on the two ways.

900
00:40:06,200 --> 00:40:09,400
Speaker 4: He was. One of my favorite commercials was ludicrous Kanye

901
00:40:09,560 --> 00:40:12,640
Speaker 4: Game with the next Toe, Like is that a is

902
00:40:12,680 --> 00:40:16,600
Speaker 4: that song on DSPs? I doubt it? Whatever the name

903
00:40:16,640 --> 00:40:19,359
Speaker 4: of that record was. They they were rapping on DSPs though,

904
00:40:19,400 --> 00:40:22,640
Speaker 4: I doubt it. I'm sure of course, probably on YouTube. Yeah,

905
00:40:22,719 --> 00:40:27,480
Speaker 4: what do you think was better that record? Or Jadakiss

906
00:40:28,080 --> 00:40:34,200
Speaker 4: iverson answer commercial Jada and a cot to a five.

907
00:40:35,000 --> 00:40:39,160
Speaker 4: Jada was, yeah, thats ai one. That rebox commercial, Yeah,

908
00:40:39,200 --> 00:40:41,120
Speaker 4: that might be. That might be better than that one

909
00:40:41,680 --> 00:40:47,080
Speaker 4: that was up there, the fifty in my Hood rebot commercial.

910
00:40:47,080 --> 00:40:48,920
Speaker 4: I mean that ended up on the Massacre. But that

911
00:40:48,960 --> 00:40:52,239
Speaker 4: commercial was crazy. That was like I couldnt believe that

912
00:40:52,320 --> 00:40:54,799
Speaker 4: they that was the way to present a song at

913
00:40:54,800 --> 00:40:57,840
Speaker 4: that point, like commercial, We're gonna actually put this in

914
00:40:57,840 --> 00:40:59,400
Speaker 4: the commercial and it's gonna end up my album. That

915
00:40:59,520 --> 00:41:02,040
Speaker 4: was like simple marketing. Look at what you gotta do now.

916
00:41:02,120 --> 00:41:03,960
Speaker 4: Before it was like all right, we're gonna partner with

917
00:41:04,000 --> 00:41:05,799
Speaker 4: Reebok and I'm gonna put the first single in that

918
00:41:05,840 --> 00:41:07,920
Speaker 4: commercial and you're gonna hear which is which is fire.

919
00:41:08,360 --> 00:41:10,920
Speaker 4: That's like a fireway to promote a song. And then, uh,

920
00:41:11,239 --> 00:41:16,000
Speaker 4: didn't Hoven fifty have a commercial together? They were freestyling,

921
00:41:16,760 --> 00:41:18,840
Speaker 4: they were both putting out. It was the s Carters

922
00:41:18,840 --> 00:41:23,280
Speaker 4: and the Junits. Yeah, they were in the studio rapping

923
00:41:23,320 --> 00:41:26,319
Speaker 4: back and forth. It was definitely a commercial. I don't

924
00:41:26,360 --> 00:41:28,680
Speaker 4: remember that it was right when Hove was being petty

925
00:41:28,920 --> 00:41:30,799
Speaker 4: after IRV signed NAS and he was like, all right,

926
00:41:30,800 --> 00:41:32,479
Speaker 4: bet I'll go hang out with fifty cent then earth.

927
00:41:33,760 --> 00:41:35,960
Speaker 3: I mean, that doesn't sound like crazy, but I don't

928
00:41:36,000 --> 00:41:37,920
Speaker 3: remember what the commercial looked like.

929
00:41:38,400 --> 00:41:41,680
Speaker 4: They were in a studio, like in the control room,

930
00:41:41,760 --> 00:41:46,359
Speaker 4: like rapping back and forth. Ok. Okay that okay, that

931
00:41:46,440 --> 00:41:49,320
Speaker 4: was some of that is peach. Can you see anything

932
00:41:49,360 --> 00:41:55,400
Speaker 4: up there? Yeah, fifty in jay that sounds. Yeah. They

933
00:41:55,440 --> 00:41:57,000
Speaker 4: were putting out sneakers at the same time. You have

934
00:41:57,040 --> 00:42:00,000
Speaker 4: them on like a I don't remember what he was wearing.

935
00:42:00,880 --> 00:42:03,400
Speaker 4: I think he may have had a like a was

936
00:42:03,440 --> 00:42:14,320
Speaker 4: it like a burgundy track jacket? Was it burglar red? Yellow? White?

937
00:42:14,400 --> 00:42:14,920
Speaker 4: Rocket fullers.

938
00:42:15,080 --> 00:42:17,920
Speaker 3: I don't remember that commercial when they were in the

939
00:42:17,960 --> 00:42:20,160
Speaker 3: same They weren't in the same commercial.

940
00:42:19,800 --> 00:42:22,640
Speaker 4: Like yeah, no, they was in the same Yeah, this

941
00:42:22,800 --> 00:42:25,279
Speaker 4: right here, we'll put it in the the the YouTube ship.

942
00:42:25,360 --> 00:42:27,799
Speaker 4: Yeah yeah, yeah, I remember that. Yeah, it's it's below

943
00:42:27,880 --> 00:42:29,960
Speaker 4: us right now, look at it. I do remember. Hopefully

944
00:42:30,000 --> 00:42:31,960
Speaker 4: don't get flagged, we're not gonna play it. But yeah,

945
00:42:32,000 --> 00:42:34,160
Speaker 4: it was rapping. I actually feel like I remember fifty

946
00:42:34,239 --> 00:42:36,759
Speaker 4: might even got him on that. Yeah, I remember that.

947
00:42:37,040 --> 00:42:39,640
Speaker 4: You could kind of tell Hope was actually like really freestyle,

948
00:42:39,680 --> 00:42:41,000
Speaker 4: like he showed up that day and was like, all right,

949
00:42:41,000 --> 00:42:42,880
Speaker 4: what we're doing? Yeah, that was that baseline. I do remember

950
00:42:42,880 --> 00:42:46,120
Speaker 4: that commercial now. Yeah, I walked past the baseline the

951
00:42:46,120 --> 00:42:50,600
Speaker 4: other day. Why. I was think I was leaving the

952
00:42:50,680 --> 00:42:53,800
Speaker 4: Mars doctor's appointment or something with her and I was like,

953
00:42:53,880 --> 00:42:55,879
Speaker 4: let me go down twenty six to twenty seven whatever

954
00:42:55,920 --> 00:42:59,560
Speaker 4: it was, Yeah, and you know show tomorrow it's like, yellows,

955
00:43:00,280 --> 00:43:04,160
Speaker 4: this was it. I feel like as a father, that's

956
00:43:04,160 --> 00:43:07,720
Speaker 4: like you held up like like like my dad showed

957
00:43:07,719 --> 00:43:09,520
Speaker 4: me things that meant absolutely nothing to me, and I

958
00:43:09,560 --> 00:43:11,279
Speaker 4: was like, all right, cool, cool, it's just take me

959
00:43:11,280 --> 00:43:13,160
Speaker 4: to get something to eat. Yeah, it's more for me,

960
00:43:13,200 --> 00:43:15,080
Speaker 4: it's not for her. Shout out the bigs. They're actually

961
00:43:15,120 --> 00:43:18,719
Speaker 4: doing all Biggs is doing the Baseline documentary. Oh wow, okay, yeah,

962
00:43:18,719 --> 00:43:21,239
Speaker 4: he's doing the documentary on Baseline. So he's working on

963
00:43:21,280 --> 00:43:24,080
Speaker 4: that now. I'm excited to see that. How are they

964
00:43:24,120 --> 00:43:28,120
Speaker 4: gonna go about I mean i'd imagine what Justin Guru

965
00:43:28,160 --> 00:43:30,319
Speaker 4: will kind of be like the pillars of that whole thing.

966
00:43:30,320 --> 00:43:33,600
Speaker 3: Or yeah, for sure Guru Guru definitely, but yeah, I'm

967
00:43:33,600 --> 00:43:34,879
Speaker 3: sure just will be a part of it.

968
00:43:35,840 --> 00:43:39,319
Speaker 4: Didn't just buy it eventually or is that he may

969
00:43:39,360 --> 00:43:40,560
Speaker 4: have I don't see that.

970
00:43:40,760 --> 00:43:44,239
Speaker 3: Yeah, I don't know if, but that's I don't see

971
00:43:44,239 --> 00:43:46,400
Speaker 3: that as not you know, that's a real thing. But

972
00:43:46,440 --> 00:43:48,440
Speaker 3: I'm excited to see that because, you know, the stories

973
00:43:48,440 --> 00:43:52,160
Speaker 3: that came from Baseline, obviously, the albums, the music that

974
00:43:52,280 --> 00:43:55,360
Speaker 3: came out of there. It'll be dope to kind of

975
00:43:55,400 --> 00:43:58,320
Speaker 3: see that and hear people kind of retell those stories

976
00:43:58,360 --> 00:44:00,160
Speaker 3: and yeah, you know, see some of the footage. So

977
00:44:00,320 --> 00:44:02,919
Speaker 3: I'm really looking forward to that documentary for sure.

978
00:44:03,200 --> 00:44:07,520
Speaker 4: I mean, all the footage they unearthed for the the

979
00:44:07,600 --> 00:44:10,279
Speaker 4: Kanye Netflix shit that was in Baseline, I can only

980
00:44:10,320 --> 00:44:13,160
Speaker 4: imagine the ship we haven't seen. Yeah, because I thought,

981
00:44:13,360 --> 00:44:14,680
Speaker 4: you know, I'm a nerd. I thought I had seen

982
00:44:14,760 --> 00:44:18,320
Speaker 4: every bit of Baseline footage, even the shit that didn't

983
00:44:18,320 --> 00:44:22,880
Speaker 4: make Fade to Black. That Kanye footage was crazy, like,

984
00:44:22,920 --> 00:44:24,239
Speaker 4: how has this never been out?

985
00:44:24,440 --> 00:44:27,080
Speaker 3: I'm sure there's I hope some of that footage when

986
00:44:27,160 --> 00:44:30,520
Speaker 3: Kanye first started coming around Baseline. I hope some of

987
00:44:30,560 --> 00:44:32,840
Speaker 3: that is in there, because that was like some you know,

988
00:44:32,920 --> 00:44:35,680
Speaker 3: thinking back to those times of Kanye being there, like

989
00:44:35,760 --> 00:44:39,719
Speaker 3: and obviously who he is. Now to see that is dope.

990
00:44:39,760 --> 00:44:41,400
Speaker 3: So I hope they have some of that footage.

991
00:44:41,680 --> 00:44:45,759
Speaker 4: Yeah, that footage is just so valuable, just that era.

992
00:44:45,880 --> 00:44:47,600
Speaker 4: I feel like because you had to have a camera,

993
00:44:47,800 --> 00:44:50,440
Speaker 4: like for real, absolutely, and I feel like people probably

994
00:44:50,520 --> 00:44:53,560
Speaker 4: like not clammed up, but we're kind of reserved when

995
00:44:53,560 --> 00:44:55,880
Speaker 4: someone came with a fucking camera with a camp corder,

996
00:44:56,120 --> 00:44:58,359
Speaker 4: I'm cool, What the fuck are you doing? Yeah, trying

997
00:44:58,400 --> 00:45:00,640
Speaker 4: to work here. I mean now, it's super normal. It's

998
00:45:00,640 --> 00:45:03,800
Speaker 4: always you just assume you're on camera at all times

999
00:45:03,800 --> 00:45:06,840
Speaker 4: when you're creating. Yeah, so that footage is a different

1000
00:45:06,920 --> 00:45:07,800
Speaker 4: type of valuable.

1001
00:45:07,840 --> 00:45:09,640
Speaker 3: It's gonna be dope. It's definitely gonna be dope. I'm

1002
00:45:09,680 --> 00:45:11,400
Speaker 3: excited to see that that documentary.

1003
00:45:11,440 --> 00:45:13,520
Speaker 4: You know why they chose that spot baseline?

1004
00:45:13,560 --> 00:45:17,200
Speaker 3: Yeah, that was Malik Cilly's uh maliks Cilli and wand

1005
00:45:18,040 --> 00:45:20,800
Speaker 3: okay that was that was the that was their studio,

1006
00:45:21,840 --> 00:45:25,320
Speaker 3: and then they started booking so much time there to record.

1007
00:45:26,120 --> 00:45:29,040
Speaker 3: It just became like the home base, like everybody from

1008
00:45:29,120 --> 00:45:34,000
Speaker 3: Rockefeller's gonna recorded. Yeah, I didn't know why Reilly, Yeah

1009
00:45:34,080 --> 00:45:36,440
Speaker 3: that was Malik Cilium and on one spot that makes

1010
00:45:36,480 --> 00:45:39,799
Speaker 3: a lot of sense. A baseline basketball, the baseline. It's

1011
00:45:39,840 --> 00:45:43,640
Speaker 3: all yeah, connected baseline of music, so it kind of yeah, I.

1012
00:45:43,520 --> 00:45:47,319
Speaker 4: Just thought baseline, Yeah music, I never forty forty all right, cool,

1013
00:45:47,320 --> 00:45:50,799
Speaker 4: it's all coming together. Yeah. One just loves sports. Yeah,

1014
00:45:50,840 --> 00:45:53,600
Speaker 4: that's that's all he loves. I'm sure there's no base

1015
00:45:53,680 --> 00:45:56,279
Speaker 4: reference in that at all. That has nothing to do

1016
00:45:56,320 --> 00:45:59,120
Speaker 4: with just basketball and music. That's it. That's all we're

1017
00:45:59,120 --> 00:46:09,799
Speaker 4: selling over here. I don't want to do like a

1018
00:46:09,960 --> 00:46:12,840
Speaker 4: whole Drake episode, but he did put out a snippet

1019
00:46:12,880 --> 00:46:15,960
Speaker 4: with with rod Wave. Mm hmm are you are you

1020
00:46:16,000 --> 00:46:22,200
Speaker 4: allowed to be objective with Champagne? Of course it's a

1021
00:46:22,200 --> 00:46:26,160
Speaker 4: whole bunch of the same. But you know, like I

1022
00:46:26,200 --> 00:46:28,359
Speaker 4: didn't just like it's just it's just more. It's just

1023
00:46:28,400 --> 00:46:31,080
Speaker 4: more of the same. And not to say like I

1024
00:46:31,120 --> 00:46:35,279
Speaker 4: respect what rod Wave does and like, I mean his

1025
00:46:35,400 --> 00:46:37,759
Speaker 4: fan base is crazy. Like I tried to get us

1026
00:46:37,800 --> 00:46:39,759
Speaker 4: to the rod Waves. Not for me.

1027
00:46:40,040 --> 00:46:42,680
Speaker 3: Yeah, it's just like I don't know, man. I mean

1028
00:46:42,760 --> 00:46:45,160
Speaker 3: I understand the melodies and all of that. That's obviously you know,

1029
00:46:45,680 --> 00:46:47,480
Speaker 3: I get it, but I just can't. I don't know

1030
00:46:47,520 --> 00:46:50,400
Speaker 3: when I would really like sit down and listen to

1031
00:46:50,440 --> 00:46:52,200
Speaker 3: like a rod Wave album.

1032
00:46:51,880 --> 00:46:54,400
Speaker 4: And it's funny because so many people are like, bro,

1033
00:46:54,520 --> 00:46:57,120
Speaker 4: you're depressed, you love rod Wave, and then I listen, like,

1034
00:46:57,880 --> 00:47:00,480
Speaker 4: depression is not hitting the same in this movie. I can't.

1035
00:47:00,520 --> 00:47:03,600
Speaker 4: I can't connect. I don't. Yeah, he's saying because he's younger.

1036
00:47:03,640 --> 00:47:04,040
Speaker 4: I don't know.

1037
00:47:04,480 --> 00:47:09,960
Speaker 3: I probably I tried, you know, obviously I get it.

1038
00:47:10,000 --> 00:47:12,360
Speaker 3: I understand how you know, his fan base is, you know,

1039
00:47:12,440 --> 00:47:16,000
Speaker 3: as big as it is. But I just can't. I

1040
00:47:16,400 --> 00:47:18,920
Speaker 3: can't connect to it. I haven't. I tried it. I

1041
00:47:18,920 --> 00:47:20,480
Speaker 3: don't want to force it. I try to even throw

1042
00:47:20,480 --> 00:47:22,120
Speaker 3: it on and not listen to it, just have it

1043
00:47:22,160 --> 00:47:25,640
Speaker 3: playing in the back. It's just not it's not connecting

1044
00:47:25,680 --> 00:47:29,440
Speaker 3: with me. Yeah, not for me. But also this, this

1045
00:47:29,520 --> 00:47:32,600
Speaker 3: Drake snippet sounds like it's not from either I only

1046
00:47:32,640 --> 00:47:35,239
Speaker 3: heard it. I think Elliott posted it. Somebody posted it.

1047
00:47:35,239 --> 00:47:37,520
Speaker 3: I only heard it one time we was outside. Yes,

1048
00:47:37,840 --> 00:47:40,680
Speaker 3: I didn't really like. I can't remember nothing that was

1049
00:47:40,680 --> 00:47:42,520
Speaker 3: said on it, but I remember seeing that it was

1050
00:47:42,520 --> 00:47:45,319
Speaker 3: a it was the ride wave, it was to go,

1051
00:47:45,440 --> 00:47:46,839
Speaker 3: and then it was the emoji, the.

1052
00:47:46,760 --> 00:47:47,879
Speaker 4: Turtle something like that.

1053
00:47:48,400 --> 00:47:50,040
Speaker 3: I guess, yeah, And I was just like, oh, I

1054
00:47:50,040 --> 00:47:51,680
Speaker 3: didn't even know what it was at first, because that's

1055
00:47:51,719 --> 00:47:53,520
Speaker 3: all I saw it and I listened to it, but

1056
00:47:53,560 --> 00:47:55,560
Speaker 3: I don't even I can't even get my pain on

1057
00:47:55,600 --> 00:47:57,200
Speaker 3: it because I really didn't only heard it one time

1058
00:47:57,320 --> 00:47:58,000
Speaker 3: he was outside.

1059
00:47:58,400 --> 00:48:01,439
Speaker 4: It's again just more of more of the same. It's

1060
00:48:01,440 --> 00:48:04,959
Speaker 4: not bad, it's just kind of pointless. What are people

1061
00:48:05,000 --> 00:48:06,680
Speaker 4: What do you think people are looking for from Drake? Though? Like?

1062
00:48:06,680 --> 00:48:07,960
Speaker 4: What do they want? Rapping?

1063
00:48:08,800 --> 00:48:13,680
Speaker 3: Just straight bars, like like like what staying bars or

1064
00:48:13,680 --> 00:48:14,840
Speaker 3: like intro bars.

1065
00:48:15,680 --> 00:48:19,359
Speaker 4: It's tough to say with his crowd because his fan

1066
00:48:19,400 --> 00:48:22,560
Speaker 4: base is the biggest fan base. I can only speak

1067
00:48:22,600 --> 00:48:26,560
Speaker 4: for me. I would like, especially now, some rapping. That's

1068
00:48:26,600 --> 00:48:30,880
Speaker 4: why I love the What's the No Face Ship? I

1069
00:48:30,920 --> 00:48:34,120
Speaker 4: love that first verse. He just rapping like that's what

1070
00:48:34,160 --> 00:48:37,080
Speaker 4: I want, But I get that I'm not who he's

1071
00:48:37,080 --> 00:48:41,920
Speaker 4: probably targeting. I love that what's that Circadian rhythm? I

1072
00:48:41,960 --> 00:48:44,839
Speaker 4: love that record. I think that is It's dope, but again,

1073
00:48:45,000 --> 00:48:47,840
Speaker 4: more of the same. I've heard this from It's a

1074
00:48:47,880 --> 00:48:51,040
Speaker 4: good record, but it's more of the same at least

1075
00:48:51,040 --> 00:48:53,400
Speaker 4: like the No Face Ship. I've heard something like that

1076
00:48:53,400 --> 00:48:55,799
Speaker 4: from him, but it was a breath of fresh It's

1077
00:48:55,840 --> 00:48:57,560
Speaker 4: a different flow though. I know. That's why I liked

1078
00:48:57,600 --> 00:49:00,640
Speaker 4: it on the Face Records. He's saying some shit on

1079
00:49:00,640 --> 00:49:04,040
Speaker 4: there too, like that's what I want. But I don't

1080
00:49:04,080 --> 00:49:08,000
Speaker 4: think Drake cares about me and people like me at

1081
00:49:08,000 --> 00:49:11,200
Speaker 4: this moment, like the fuck my rap for to prove

1082
00:49:11,280 --> 00:49:13,520
Speaker 4: you all that I'm better. But I don't need to

1083
00:49:13,560 --> 00:49:15,920
Speaker 4: do that shit anymore. But yeah, people want time stamp shit.

1084
00:49:16,640 --> 00:49:18,719
Speaker 3: I mean, but we want the time stamp ship in

1085
00:49:18,840 --> 00:49:21,040
Speaker 3: the flow of the album though, No.

1086
00:49:22,239 --> 00:49:24,240
Speaker 4: No, I mean I used to like the scary hours,

1087
00:49:24,280 --> 00:49:29,080
Speaker 4: like random drops when he would put a God's plan

1088
00:49:29,120 --> 00:49:33,200
Speaker 4: with Diplomatic Community, like God's planing out of here right away,

1089
00:49:33,239 --> 00:49:37,120
Speaker 4: but I'm gonna hit Diplomatic Community on repeat. I liked

1090
00:49:37,200 --> 00:49:41,160
Speaker 4: when he did that, so I I guess he did

1091
00:49:41,160 --> 00:49:44,400
Speaker 4: that with no Face and the skating rhythm shit. So

1092
00:49:44,520 --> 00:49:47,160
Speaker 4: if you feel like everybody feels like Throwaways, I'll be honest,

1093
00:49:47,160 --> 00:49:48,680
Speaker 4: it feels like unfinished Throwways.

1094
00:49:48,840 --> 00:49:51,000
Speaker 3: Okay, So if you feel like everybody just wants rap

1095
00:49:51,080 --> 00:49:54,120
Speaker 3: from Drake, how do you think the Party Drake album

1096
00:49:54,160 --> 00:49:57,600
Speaker 3: is going to be received? Because I'm sure he's gonna

1097
00:49:57,600 --> 00:50:01,040
Speaker 3: be rapping on that album.

1098
00:50:01,239 --> 00:50:03,840
Speaker 4: I mean, I don't even know these days how anything

1099
00:50:03,920 --> 00:50:07,440
Speaker 4: is received, Like it's I can't even gauge what the

1100
00:50:07,440 --> 00:50:12,040
Speaker 4: temperature is with music period, Like I saw the timeline

1101
00:50:12,080 --> 00:50:14,359
Speaker 4: turn on Kendrick when you put out the no More

1102
00:50:14,360 --> 00:50:18,600
Speaker 4: Party shit. I have no idea anymore how people no

1103
00:50:18,680 --> 00:50:21,080
Speaker 4: more parties? Or is that the name of the We

1104
00:50:21,120 --> 00:50:23,160
Speaker 4: still didn't get a real name of it. That's the

1105
00:50:23,280 --> 00:50:25,640
Speaker 4: name you gave it. That's the name genius gave it.

1106
00:50:26,040 --> 00:50:29,759
Speaker 4: No party, No, they gave it the day the party died.

1107
00:50:31,920 --> 00:50:36,719
Speaker 4: Kill the party whatever, Yeah, kill a party, No more

1108
00:50:36,800 --> 00:50:40,319
Speaker 4: Parties in LA Part two, Part nine. But so I

1109
00:50:40,400 --> 00:50:43,360
Speaker 4: really don't know how things are received anymore. And even

1110
00:50:43,480 --> 00:50:46,400
Speaker 4: like this is why I'm glad I don't like fully

1111
00:50:46,520 --> 00:50:50,439
Speaker 4: fully work in the music business, especially on the marketing side,

1112
00:50:50,440 --> 00:50:53,919
Speaker 4: because like how your algorithms work, you click one thing

1113
00:50:54,040 --> 00:50:56,879
Speaker 4: and get in a completely different gauge of what's going

1114
00:50:56,920 --> 00:50:59,040
Speaker 4: on in the world when it comes to music. Like

1115
00:50:59,080 --> 00:51:03,960
Speaker 4: I'll click one Drake type page and I will get nothing.

1116
00:51:04,000 --> 00:51:05,880
Speaker 4: But he is the greatest of all time, And I

1117
00:51:05,920 --> 00:51:08,439
Speaker 4: clicked one Kendrick thing and get the exact same thing.

1118
00:51:08,480 --> 00:51:10,239
Speaker 4: And just shitting on Drake, He's the worst ever. No

1119
00:51:10,239 --> 00:51:12,480
Speaker 4: one's ever gonna listen to him. I can't gauge and

1120
00:51:12,520 --> 00:51:17,960
Speaker 4: I actually don't particularly care to clear my algorithms to

1121
00:51:18,000 --> 00:51:20,399
Speaker 4: really find out, like, I'm just gonna keep scrolling. I can't.

1122
00:51:20,600 --> 00:51:22,320
Speaker 4: I have no idea what's gonna happen.

1123
00:51:22,320 --> 00:51:25,279
Speaker 3: I'm looking forward to the response from the from the

1124
00:51:25,360 --> 00:51:27,960
Speaker 3: Drake Party album because we've gotten so many dope records

1125
00:51:28,000 --> 00:51:29,439
Speaker 3: from those two together throughout the years.

1126
00:51:29,440 --> 00:51:31,920
Speaker 4: So for them to have a full project together.

1127
00:51:31,719 --> 00:51:35,080
Speaker 3: Like, wait, yeah, I'm excited to kind of see how

1128
00:51:35,160 --> 00:51:37,600
Speaker 3: that's received. Because I loved Parti's album that he dropped

1129
00:51:37,600 --> 00:51:39,799
Speaker 3: early this year. I thought that was incredible, but he

1130
00:51:39,880 --> 00:51:43,239
Speaker 3: dropped that around the time of the Beef, so that

1131
00:51:43,320 --> 00:51:46,200
Speaker 3: kind of that overshadowed that. But now that they have

1132
00:51:46,280 --> 00:51:49,960
Speaker 3: their album, you know, their joint project coming together, I

1133
00:51:50,000 --> 00:51:54,520
Speaker 3: am excited to hear that music because again, throughout the years,

1134
00:51:54,520 --> 00:51:56,320
Speaker 3: if you go back to all the records they have together,

1135
00:51:57,080 --> 00:51:58,480
Speaker 3: they work very well together.

1136
00:51:58,600 --> 00:52:01,600
Speaker 4: I will say, even of course they're bat in a

1137
00:52:01,680 --> 00:52:04,319
Speaker 4: thousand when it's the two of them, I feel like

1138
00:52:04,320 --> 00:52:06,759
Speaker 4: if they do give us more of the same, it

1139
00:52:06,800 --> 00:52:09,200
Speaker 4: may not be received well. Even if it's high quality

1140
00:52:09,960 --> 00:52:12,239
Speaker 4: typical party in Drake, I don't know if it'll be

1141
00:52:12,280 --> 00:52:16,399
Speaker 4: received very well. I feel like, really, yeah, well, why

1142
00:52:16,600 --> 00:52:19,000
Speaker 4: because the same shit with these records that are coming

1143
00:52:19,000 --> 00:52:21,319
Speaker 4: out now, Like it's just more of the same. It's

1144
00:52:21,320 --> 00:52:23,640
Speaker 4: not moving the needle on anything, like we've heard Drake

1145
00:52:23,719 --> 00:52:26,720
Speaker 4: do this a million times. That's why they're not hitting

1146
00:52:27,360 --> 00:52:29,759
Speaker 4: the way they are even on streaming and charts, Like

1147
00:52:30,440 --> 00:52:31,680
Speaker 4: it's just more of the same.

1148
00:52:32,440 --> 00:52:35,359
Speaker 3: When you say move the needle though, like, how much

1149
00:52:35,440 --> 00:52:39,440
Speaker 3: further do you think an artist like Drake can move

1150
00:52:39,480 --> 00:52:41,759
Speaker 3: the needle? Because he's been moving the needle for what

1151
00:52:41,920 --> 00:52:43,280
Speaker 3: fifteen fourteen years?

1152
00:52:43,520 --> 00:52:48,239
Speaker 4: I think the reset is finally back. I'm actually excited

1153
00:52:48,840 --> 00:52:52,239
Speaker 4: because finally because at that your point, yes, how much

1154
00:52:52,239 --> 00:52:54,719
Speaker 4: further can he? Yeah? Like what else? But now there's

1155
00:52:54,760 --> 00:52:58,400
Speaker 4: a reset, So the needle's back to zero. Of course

1156
00:52:58,440 --> 00:53:01,560
Speaker 4: not it's Drake, but it's at least in the middle now,

1157
00:53:01,800 --> 00:53:05,200
Speaker 4: Like you can see the difference. If he puts something out,

1158
00:53:05,520 --> 00:53:07,960
Speaker 4: you can tell if it's impactful or not. And these

1159
00:53:07,960 --> 00:53:09,960
Speaker 4: have not been impactful. But again he's been putting them out.

1160
00:53:10,360 --> 00:53:11,440
Speaker 4: It's in a different way.

1161
00:53:11,400 --> 00:53:13,080
Speaker 3: And that's what I'm That's that's what I was waiting

1162
00:53:13,120 --> 00:53:14,520
Speaker 3: for you to say, because it's not this is not

1163
00:53:14,600 --> 00:53:16,919
Speaker 3: the prototypical way that Drake has ever put out music

1164
00:53:17,040 --> 00:53:19,440
Speaker 3: like he's given us just dropping joints.

1165
00:53:19,760 --> 00:53:26,120
Speaker 4: But to me, he knew those were real, high level records,

1166
00:53:26,160 --> 00:53:28,040
Speaker 4: he wouldn't release them this way.

1167
00:53:28,120 --> 00:53:31,680
Speaker 3: He knows those are throwaways. I don't think Circadian Rhythm

1168
00:53:31,760 --> 00:53:35,319
Speaker 3: is a throwaway. I think that's a huge I think

1169
00:53:35,360 --> 00:53:36,760
Speaker 3: that record is a huge record.

1170
00:53:37,360 --> 00:53:40,480
Speaker 4: He was didn't he just buy a fucking ranch in

1171
00:53:40,520 --> 00:53:42,320
Speaker 4: Texas and they were shooting a video. Where's that? That

1172
00:53:42,400 --> 00:53:45,759
Speaker 4: video never came out? Like, I'm not sure he knows

1173
00:53:45,760 --> 00:53:48,960
Speaker 4: how to release music, and just I get with the

1174
00:53:49,080 --> 00:53:52,120
Speaker 4: hundred gigs thing, But if he knew those those records

1175
00:53:52,120 --> 00:53:53,960
Speaker 4: were going to move the needle and make an impact,

1176
00:53:54,000 --> 00:53:56,680
Speaker 4: he would have put them out drastically different. But again

1177
00:53:56,800 --> 00:53:58,319
Speaker 4: I don't really know. Maybe that has something to do

1178
00:53:58,360 --> 00:54:00,359
Speaker 4: with Universal and whatever they have going on. I can

1179
00:54:00,400 --> 00:54:03,920
Speaker 4: only speculate, but if he knew those records were going

1180
00:54:03,960 --> 00:54:06,319
Speaker 4: to do something, they wouldn't go out that way. There's

1181
00:54:06,320 --> 00:54:08,440
Speaker 4: some of them. Yeah, I agree, there'd be a visual,

1182
00:54:08,440 --> 00:54:09,600
Speaker 4: there would be something.

1183
00:54:10,040 --> 00:54:12,799
Speaker 3: He know what he has he has waiting like, so

1184
00:54:12,840 --> 00:54:14,760
Speaker 3: he probably looked at that it was like these are dope,

1185
00:54:15,120 --> 00:54:17,120
Speaker 3: but I know what we got on the way, So

1186
00:54:17,280 --> 00:54:18,399
Speaker 3: I'm not tripping on that, and.

1187
00:54:18,360 --> 00:54:21,200
Speaker 4: Again, I don't want to go on a whole drink tangents.

1188
00:54:21,520 --> 00:54:22,000
Speaker 4: We just did.

1189
00:54:22,200 --> 00:54:22,480
Speaker 2: I know.

1190
00:54:23,800 --> 00:54:28,200
Speaker 4: Sorry man, sorry, listeners, happens we're in his hometown. Yeah,

1191
00:54:28,480 --> 00:54:32,239
Speaker 4: it's all good. It's hometown. Remember when he's from London. Yeah,

1192
00:54:32,280 --> 00:54:36,239
Speaker 4: I get it. I see why he stayed out here.

1193
00:54:36,680 --> 00:54:39,680
Speaker 4: I oh, no, I absolutely get it. I understand. But

1194
00:54:39,719 --> 00:54:43,120
Speaker 4: while we're on music, let's get to the greatest platform

1195
00:54:43,160 --> 00:54:47,160
Speaker 4: of all time, Complex Media, which we have continued to say,

1196
00:54:47,160 --> 00:54:49,480
Speaker 4: always have said, Complex is by far the greatest of

1197
00:54:49,520 --> 00:54:55,640
Speaker 4: all time. Number thirteen. If you didn't know, I mean, listen, iowea.

1198
00:54:55,719 --> 00:54:59,799
Speaker 4: Kresha An apology was that she was asking Raws some questions. Man,

1199
00:55:00,880 --> 00:55:03,640
Speaker 4: I'm sorry, Karsha, I've shouldn't on you for a long time,

1200
00:55:03,640 --> 00:55:05,640
Speaker 4: but I appreciated the question she was asking Rick Cross.

1201
00:55:05,680 --> 00:55:08,440
Speaker 4: But while we're hearing Complex, they put out their twenty

1202
00:55:08,520 --> 00:55:11,759
Speaker 4: Rappers under twenty. I believe it was called, Yes, the

1203
00:55:11,800 --> 00:55:15,440
Speaker 4: twenty best Rappers in their twenties. Right now, we just

1204
00:55:15,400 --> 00:55:16,719
Speaker 4: started at number one. We don't have to make like

1205
00:55:16,760 --> 00:55:23,200
Speaker 4: a whole dramatic thing about this Playboy Cardi at number one? Wow?

1206
00:55:23,400 --> 00:55:29,480
Speaker 4: Is he a rapper? Is Playboy Cardi a rapper. Uh yeah,

1207
00:55:29,960 --> 00:55:33,000
Speaker 4: I think the lines have obviously been blurred for good

1208
00:55:33,040 --> 00:55:35,200
Speaker 4: reason to need to push the genre forward. But he's

1209
00:55:35,200 --> 00:55:38,080
Speaker 4: got the prototypical sixteen bar hook sixteen bar. I'm not

1210
00:55:38,120 --> 00:55:39,719
Speaker 4: even trying to be that oldhead up. Yeah, just but

1211
00:55:39,800 --> 00:55:46,399
Speaker 4: is he a rapper like at all? Like he rhymes words,

1212
00:55:46,440 --> 00:55:50,120
Speaker 4: don't get me wrong, Okay, I'm sorry. Rhymes sounds, yeah

1213
00:55:50,239 --> 00:55:53,720
Speaker 4: he has. Yeah, it's a very unique. It's like ad

1214
00:55:53,719 --> 00:55:57,719
Speaker 4: libs sound effect type of rage. Like listen, man, I

1215
00:55:57,760 --> 00:56:01,040
Speaker 4: know his fan base, well, well, here to hate. No,

1216
00:56:01,160 --> 00:56:03,919
Speaker 4: it sounds like you all hate to hate though. That's

1217
00:56:03,920 --> 00:56:05,719
Speaker 4: what it sounds when you say shit is not for you.

1218
00:56:06,200 --> 00:56:08,279
Speaker 4: It's hate hate. No, it's not. Man, I'm just not

1219
00:56:09,640 --> 00:56:11,879
Speaker 4: a fucking with you. That's not hate. You think when

1220
00:56:11,880 --> 00:56:14,480
Speaker 4: Playboy Cardi goes to the studio, he thinks about my

1221
00:56:14,600 --> 00:56:16,719
Speaker 4: white face at thirty four years old, and like I'm

1222
00:56:16,719 --> 00:56:19,600
Speaker 4: gonna make something for him? Of course not so it's

1223
00:56:20,239 --> 00:56:23,240
Speaker 4: I shouldn't even be judging it. But I can judge

1224
00:56:23,719 --> 00:56:26,880
Speaker 4: a list that says twenty rappers in their twenties and

1225
00:56:26,920 --> 00:56:31,160
Speaker 4: he's at number one as far as audience, Sure he

1226
00:56:31,239 --> 00:56:34,359
Speaker 4: got that. He's another one where I understand it, but

1227
00:56:34,480 --> 00:56:36,920
Speaker 4: it's not. It's not for me. It's not. It doesn't

1228
00:56:36,920 --> 00:56:40,320
Speaker 4: connect to me. But he's where I do give him

1229
00:56:40,640 --> 00:56:44,480
Speaker 4: the utmost perspectives to these kids. He's like a Kanye,

1230
00:56:45,680 --> 00:56:50,839
Speaker 4: a Cutty, a Travis. Like he's pushing the boundaries for them.

1231
00:56:51,600 --> 00:56:55,160
Speaker 4: So I respect it. I'm just my old ass. Ears

1232
00:56:55,360 --> 00:56:58,120
Speaker 4: don't even know, Like that's what you like?

1233
00:56:58,320 --> 00:57:00,799
Speaker 3: Yeah, Like Cardi's not thinking about us, He's creating. Oh

1234
00:57:00,840 --> 00:57:05,320
Speaker 3: of course number two. Doja Cat?

1235
00:57:05,600 --> 00:57:07,399
Speaker 4: You fine with that? You know how I feel about that?

1236
00:57:08,000 --> 00:57:08,200
Speaker 2: Love?

1237
00:57:08,239 --> 00:57:12,160
Speaker 4: Doja Cat? How you feel about her? For real? I

1238
00:57:12,200 --> 00:57:15,040
Speaker 4: don't know. She's been posting some videos lately. She's like

1239
00:57:15,080 --> 00:57:18,680
Speaker 4: thick again. Calm yourself down, huh. Just calm yourself down

1240
00:57:18,720 --> 00:57:20,960
Speaker 4: a little bit. Just listen to the music. Man we

1241
00:57:21,040 --> 00:57:23,480
Speaker 4: just talked about in the hotel by myself. We just

1242
00:57:23,960 --> 00:57:25,880
Speaker 4: your thoughts. Yeah, but just feel like, calm your loins

1243
00:57:25,880 --> 00:57:28,880
Speaker 4: a little bit. I'm not going to say anything at

1244
00:57:28,960 --> 00:57:31,400
Speaker 4: number three because we are actually in his hometown, Central C.

1245
00:57:32,800 --> 00:57:40,120
Speaker 4: Central C is number three. But three, really, I think

1246
00:57:40,160 --> 00:57:43,240
Speaker 4: he's as far as rapping goes should be up there.

1247
00:57:43,280 --> 00:57:46,720
Speaker 4: Three is kind of crazy. Three is That's so when

1248
00:57:46,720 --> 00:57:48,760
Speaker 4: I was going through this list before we started recording.

1249
00:57:49,400 --> 00:57:51,680
Speaker 4: I had some thoughts too, But then I started looking

1250
00:57:51,720 --> 00:57:53,200
Speaker 4: up all the rappers that were in their twenties and

1251
00:57:53,240 --> 00:57:54,720
Speaker 4: I was like, I don't know that kind of checks out.

1252
00:57:56,400 --> 00:57:59,080
Speaker 4: Rap is not as far as rappers go. Rap is

1253
00:57:59,120 --> 00:58:02,360
Speaker 4: not as young as we make it out to be.

1254
00:58:02,360 --> 00:58:04,080
Speaker 4: Because I was like, where's j Id. I was like,

1255
00:58:04,080 --> 00:58:06,840
Speaker 4: oh shit, yeah, he's like thirty two, but has even

1256
00:58:06,840 --> 00:58:10,640
Speaker 4: put out able yet. I mean the Dave ep I. Okay,

1257
00:58:11,040 --> 00:58:13,880
Speaker 4: but he said, I mean, let's look that up. Because

1258
00:58:13,920 --> 00:58:16,080
Speaker 4: we're in his city. I'm sure he has. Maybe we're

1259
00:58:16,080 --> 00:58:19,000
Speaker 4: just not tapped him. Meg the Stallion at number four.

1260
00:58:20,800 --> 00:58:23,600
Speaker 4: They're gonna give Meg some credit. Man, she's gonna get

1261
00:58:23,640 --> 00:58:28,840
Speaker 4: into Ward Okay. Number five yeah, same question I have

1262
00:58:28,880 --> 00:58:34,600
Speaker 4: as Playboycarty. Is that a rapper? This is where it

1263
00:58:34,600 --> 00:58:37,720
Speaker 4: start getting tricky at another one that has those fan

1264
00:58:37,760 --> 00:58:41,320
Speaker 4: bases that are like, but he will pack out. He

1265
00:58:41,480 --> 00:58:46,320
Speaker 4: might go to Arenas next year if he's not there already. Wow.

1266
00:58:46,600 --> 00:58:48,760
Speaker 3: See I'm not that's just but again, that's not for

1267
00:58:48,880 --> 00:58:50,360
Speaker 3: us though. That shit ain't for us.

1268
00:58:50,480 --> 00:58:55,600
Speaker 4: Number six Lotto I get number seven, glow Rilla, number

1269
00:58:55,600 --> 00:58:57,320
Speaker 4: eight YACHTI, which, by the way, I did not know

1270
00:58:57,440 --> 00:59:01,600
Speaker 4: Yachty was only twenty seven, like yeah, Yoda. Number nine

1271
00:59:01,640 --> 00:59:06,160
Speaker 4: Little Baby, Okay, Little Baby's not thirty yet. He is

1272
00:59:06,200 --> 00:59:10,439
Speaker 4: twenty nine, okay, which if this was two years ago,

1273
00:59:10,640 --> 00:59:13,480
Speaker 4: he'd probably be number one. Yeah, but it's been a

1274
00:59:13,480 --> 00:59:17,120
Speaker 4: little different. Number ten Chief Keith. I loved his last project,

1275
00:59:17,120 --> 00:59:20,560
Speaker 4: but I would never expect somebody to put well deserved

1276
00:59:20,600 --> 00:59:23,400
Speaker 4: in my opinion, because his last project was Fire, he.

1277
00:59:23,320 --> 00:59:25,360
Speaker 3: Probably should be a little higher than that, though, and

1278
00:59:25,400 --> 00:59:29,240
Speaker 3: we can go quickly through this. Eleven litl uzi vert.

1279
00:59:29,320 --> 00:59:31,240
Speaker 3: I feel like he should be higher, but oh yeah

1280
00:59:31,640 --> 00:59:36,880
Speaker 3: again for sure. Number twelve Ken Carson showing our age.

1281
00:59:37,400 --> 00:59:41,240
Speaker 3: Number thirteen Doci. I mean, I think she belongs up there.

1282
00:59:41,280 --> 00:59:44,479
Speaker 3: This was definitely had been two weeks Ye made before

1283
00:59:44,520 --> 00:59:45,240
Speaker 3: that album dropped.

1284
00:59:45,240 --> 00:59:47,400
Speaker 4: For sure, she probably wouldn't be on the list like that.

1285
00:59:47,880 --> 00:59:54,280
Speaker 4: Fourteen V's I Think Deserves fifteen Sexy Red, I'm Sorry,

1286
00:59:54,320 --> 01:00:03,680
Speaker 4: fifteen sixteen NBA Young Boy, seventeen Baby Keen. Oh okay,

1287
01:00:05,240 --> 01:00:08,800
Speaker 4: I'm see you see you can't even help yourself. You

1288
01:00:08,840 --> 01:00:11,400
Speaker 4: can't even help your you cannot even help All I

1289
01:00:11,440 --> 01:00:14,400
Speaker 4: said was what about to say? I'm just thinking? I said, Okay,

1290
01:00:14,440 --> 01:00:15,680
Speaker 4: a little different than the other sixteen.

1291
01:00:15,680 --> 01:00:17,080
Speaker 3: I just because I'm thinking about way he's out on

1292
01:00:17,120 --> 01:00:19,720
Speaker 3: the list, and it's like, but we haven't really got

1293
01:00:19,720 --> 01:00:21,400
Speaker 3: a lot of chem yet though, So.

1294
01:00:22,040 --> 01:00:25,200
Speaker 4: I liked, let me not say that. I saw a

1295
01:00:25,280 --> 01:00:27,240
Speaker 4: lot of potential on his first project. I don't think

1296
01:00:27,240 --> 01:00:29,760
Speaker 4: it landed. I do have high hopes for him, but

1297
01:00:30,760 --> 01:00:35,760
Speaker 4: it was undeveloped. I think Keeam is gonna be dope eventually.

1298
01:00:36,160 --> 01:00:36,560
Speaker 4: I just don't.

1299
01:00:36,640 --> 01:00:39,480
Speaker 3: That sounds crazy. Why y'all think you're gonna be dope eventually?

1300
01:00:39,600 --> 01:00:41,200
Speaker 4: Yeah, I could hear there's a lot of potential on

1301
01:00:41,240 --> 01:00:43,680
Speaker 4: that first project, but it just didn't have much replay value,

1302
01:00:43,800 --> 01:00:47,000
Speaker 4: like you could sell. It was put together by other

1303
01:00:47,040 --> 01:00:50,200
Speaker 4: people and it was kind of like, yo, keem, you

1304
01:00:50,240 --> 01:00:57,880
Speaker 4: put your shit here. So he's number eighteen seventeen, Okay, Uh,

1305
01:00:57,920 --> 01:01:01,760
Speaker 4: he has to put out music again, That's what I'm saying.

1306
01:01:03,160 --> 01:01:05,720
Speaker 4: We make his lists like do we have enough music though?

1307
01:01:07,000 --> 01:01:08,640
Speaker 4: I mean, you saw about Central C. He has a

1308
01:01:08,640 --> 01:01:11,560
Speaker 4: lot of music, but like a full CHEM at least

1309
01:01:11,560 --> 01:01:14,360
Speaker 4: has a full project and a lot of I mean,

1310
01:01:14,360 --> 01:01:17,040
Speaker 4: he has features with one of the biggest rappers of

1311
01:01:17,080 --> 01:01:22,400
Speaker 4: all time, like a couple joints so I guess eighteen

1312
01:01:22,800 --> 01:01:29,240
Speaker 4: boss man Low Fochman lo number nineteen. I have to

1313
01:01:29,280 --> 01:01:32,640
Speaker 4: come here and and cape for my white brethren. And

1314
01:01:32,680 --> 01:01:35,880
Speaker 4: it's not because of our affiliation with with Drama, Lake

1315
01:01:36,480 --> 01:01:39,680
Speaker 4: and Cannon. But Jack Harlow at number nineteen is insane.

1316
01:01:39,840 --> 01:01:41,600
Speaker 4: He should have seen that that's he should be. If

1317
01:01:41,600 --> 01:01:43,919
Speaker 4: he's not top five, I don't be high and Keem

1318
01:01:44,000 --> 01:01:46,560
Speaker 4: and all of them like, yeah, baby keeam over. Jack

1319
01:01:46,600 --> 01:01:50,360
Speaker 4: Harlow is fucking nuts. That's now, that's crazy. I'll give

1320
01:01:50,400 --> 01:01:53,040
Speaker 4: you that one. That's crazy. How is Jack Carlow not?

1321
01:01:53,720 --> 01:01:55,640
Speaker 4: He should be tom berd one or two. Yeah, he

1322
01:01:55,960 --> 01:01:58,800
Speaker 4: about to stay. Gotta definitely be top ten. Why they're

1323
01:01:58,800 --> 01:02:02,880
Speaker 4: not higher? He has been oddly inactive this year. So

1324
01:02:03,040 --> 01:02:05,600
Speaker 4: he put out like four fucking albums this year. He's

1325
01:02:05,600 --> 01:02:07,560
Speaker 4: not allowed to take so yeah, like he took one

1326
01:02:07,600 --> 01:02:09,720
Speaker 4: year off after putting out three projects in all and

1327
01:02:10,040 --> 01:02:13,800
Speaker 4: a movie like and his last joint was him rapping,

1328
01:02:13,880 --> 01:02:16,120
Speaker 4: rapping and there. Yeah he had two movies because he

1329
01:02:16,120 --> 01:02:18,360
Speaker 4: had White McCann jump and then the Matt Damon joint.

1330
01:02:18,560 --> 01:02:20,959
Speaker 4: I mean they clapped him quick, but oh okay, well

1331
01:02:21,200 --> 01:02:23,000
Speaker 4: he's still he was on set ma da he was

1332
01:02:23,000 --> 01:02:26,000
Speaker 4: on set, he was on the call sheeet. Yeah. Yeah,

1333
01:02:26,040 --> 01:02:27,880
Speaker 4: I mean I liked his first ten minutes. I wish

1334
01:02:27,880 --> 01:02:30,640
Speaker 4: they would have kept him like longer in that movie. Yeah,

1335
01:02:30,680 --> 01:02:34,040
Speaker 4: but him at nineteen to me is fucking nuts. Yeah.

1336
01:02:34,080 --> 01:02:37,520
Speaker 4: And number twenty, I mean, I guess I get him

1337
01:02:37,560 --> 01:02:39,600
Speaker 4: at twenty because it's only been about a year. But

1338
01:02:39,680 --> 01:02:41,360
Speaker 4: Cash Cobain at twenty to me, it is crazy too.

1339
01:02:41,960 --> 01:02:44,120
Speaker 4: Oh yeah, Cash can he has to be way higher. Yeah,

1340
01:02:44,440 --> 01:02:47,439
Speaker 4: he gotta be high. And number twenty, Uh, why they're

1341
01:02:47,480 --> 01:02:49,080
Speaker 4: not higher? He still has work to do if he

1342
01:02:49,120 --> 01:02:51,920
Speaker 4: wants to be recognized primarily as a rapper.

1343
01:02:52,400 --> 01:02:55,200
Speaker 3: What is he known as? I'm I guess they're gonna

1344
01:02:55,200 --> 01:02:58,440
Speaker 3: probably go to producer rap. That's why it sounds like

1345
01:02:58,440 --> 01:03:00,680
Speaker 3: they trying to lean more towards he's of a producer

1346
01:03:00,680 --> 01:03:01,240
Speaker 3: and a rapper.

1347
01:03:01,640 --> 01:03:06,919
Speaker 4: How I don't know. He wraps on all this productions. Yeah,

1348
01:03:06,960 --> 01:03:08,640
Speaker 4: I don't know how they got to that. But that

1349
01:03:08,640 --> 01:03:12,400
Speaker 4: should make them higher. Yeah, no, Cash, Cash gotta be

1350
01:03:12,440 --> 01:03:14,320
Speaker 4: high in number twenty. But and I don't think that's

1351
01:03:14,360 --> 01:03:16,880
Speaker 4: like a New York bias that I feel like across

1352
01:03:16,920 --> 01:03:20,000
Speaker 4: the board, Cash is recognized higher than that.

1353
01:03:20,120 --> 01:03:22,320
Speaker 3: Yeah, he's changing the sound, So I mean you got

1354
01:03:22,400 --> 01:03:24,920
Speaker 3: to put him uphide in number twenty even.

1355
01:03:24,760 --> 01:03:27,040
Speaker 4: You know I said clock on with Sexy Red, I

1356
01:03:27,080 --> 01:03:29,320
Speaker 4: feel like she should be higher than was.

1357
01:03:29,480 --> 01:03:35,400
Speaker 3: Okay, yeah, behind and who but who though one of

1358
01:03:35,400 --> 01:03:36,160
Speaker 3: the other females.

1359
01:03:37,160 --> 01:03:39,080
Speaker 4: Don't put women against each other? No, I'm just saying,

1360
01:03:40,160 --> 01:03:45,200
Speaker 4: that's a good question. You ain't Jack and King caution

1361
01:03:47,800 --> 01:03:54,840
Speaker 4: sounds like he's running for senate. Let's not hate. He's

1362
01:03:54,840 --> 01:04:00,440
Speaker 4: probably nice. No hate, definitely no hate. Okay. Page says

1363
01:04:00,480 --> 01:04:02,560
Speaker 4: he's a Playboy Cardier type and if he's not, it's

1364
01:04:02,600 --> 01:04:04,720
Speaker 4: Peage's fault, not mull and I's fault. So stat of

1365
01:04:04,720 --> 01:04:11,160
Speaker 4: our mentions it's at a p jet he probably nice.

1366
01:04:11,200 --> 01:04:16,280
Speaker 4: I don't know, Maybe I mean complex With these lists,

1367
01:04:17,320 --> 01:04:19,480
Speaker 4: I couldn't put this together, So who am I to judge?

1368
01:04:19,560 --> 01:04:21,400
Speaker 4: I wouldn't even know where to start. Who do you

1369
01:04:21,400 --> 01:04:22,400
Speaker 4: think is missing off that list?

1370
01:04:22,400 --> 01:04:22,560
Speaker 2: Though?

1371
01:04:22,840 --> 01:04:29,000
Speaker 4: Joey Badass? How old is Joey? He gotta be thirty

1372
01:04:29,240 --> 01:04:32,600
Speaker 4: at least Joey Badass is twenty nine years old January twentieth,

1373
01:04:32,680 --> 01:04:36,040
Speaker 4: nineteen ninety five. Wow, Joey Baddas should be Honestly, he

1374
01:04:36,040 --> 01:04:37,680
Speaker 4: should be on that list for sure. You know who

1375
01:04:37,680 --> 01:04:39,000
Speaker 4: should really be on this list? And I don't know

1376
01:04:39,000 --> 01:04:41,920
Speaker 4: if it's because of maybe some of his habits off

1377
01:04:42,000 --> 01:04:45,520
Speaker 4: the mic. Kodak Black is under thirty years old, Oh

1378
01:04:45,600 --> 01:04:49,160
Speaker 4: my god, I forgot yeah, complex, yeah, tripping, he gotta

1379
01:04:49,200 --> 01:04:51,200
Speaker 4: be number one. Do you think that maybe has to

1380
01:04:51,200 --> 01:04:53,120
Speaker 4: do with some of the charges that he's had and

1381
01:04:53,120 --> 01:04:56,240
Speaker 4: that's why they left. Probably, But but Kodak Black would

1382
01:04:56,280 --> 01:05:00,200
Speaker 4: be like number three, two, he probably would be number one.

1383
01:05:00,760 --> 01:05:01,680
Speaker 4: He's only twenty seven.

1384
01:05:03,120 --> 01:05:05,840
Speaker 3: People don't give yo, Bro, people don't give Kodak Black

1385
01:05:05,880 --> 01:05:08,920
Speaker 3: his just due. Like when you really listen to Kodak

1386
01:05:08,960 --> 01:05:11,040
Speaker 3: Black and the shit he be saying, you put me

1387
01:05:11,080 --> 01:05:13,080
Speaker 3: on it. I didn't. I didn't know he the rap

1388
01:05:13,160 --> 01:05:13,360
Speaker 3: like that.

1389
01:05:13,560 --> 01:05:13,720
Speaker 2: Yo.

1390
01:05:15,040 --> 01:05:17,200
Speaker 3: I'm surprised as some of the shit he says, Like, Bro,

1391
01:05:17,320 --> 01:05:19,680
Speaker 3: he's way too young to be talking like that, Like

1392
01:05:19,720 --> 01:05:22,440
Speaker 3: he'd be saying like some shit that. It's like when

1393
01:05:22,480 --> 01:05:24,640
Speaker 3: you go back to when he was nineteen twenty years old,

1394
01:05:24,640 --> 01:05:27,360
Speaker 3: the shit he was saying. So to be twenty seven

1395
01:05:27,400 --> 01:05:29,360
Speaker 3: and not be on this list, I get it. He's

1396
01:05:29,360 --> 01:05:30,800
Speaker 3: had his running with the loss and had to go

1397
01:05:30,800 --> 01:05:31,840
Speaker 3: shit down a couple of times.

1398
01:05:31,880 --> 01:05:34,640
Speaker 4: But well, yes, I mean again, I don't fully know

1399
01:05:34,720 --> 01:05:36,400
Speaker 4: all the cases, but he has like a rape charge

1400
01:05:36,440 --> 01:05:39,640
Speaker 4: and I didn't look I've never looked into what was

1401
01:05:39,680 --> 01:05:41,520
Speaker 4: true or not. I think that he has things on

1402
01:05:41,560 --> 01:05:44,440
Speaker 4: his jacket that I feel like, yeah, needy complex.

1403
01:05:44,520 --> 01:05:46,240
Speaker 3: I think that I think that that case may have

1404
01:05:46,240 --> 01:05:48,760
Speaker 3: gotten dismissed. Though I'm not sure I could be speaking

1405
01:05:48,760 --> 01:05:50,680
Speaker 3: out of turn, but I think that got dismissed. Yeah,

1406
01:05:50,720 --> 01:05:53,480
Speaker 3: certain things. But regardless though, I think it has to

1407
01:05:53,480 --> 01:05:56,360
Speaker 3: be that because Kodak Black, even his music, his albums

1408
01:05:56,440 --> 01:05:59,960
Speaker 3: is like, he's definitely should be on a top twenty

1409
01:06:00,080 --> 01:06:01,480
Speaker 3: list of people under thirty.

1410
01:06:01,640 --> 01:06:08,040
Speaker 4: Has Kodak and Na has ever done anything together Kodak blacket? Uh,

1411
01:06:09,080 --> 01:06:13,720
Speaker 4: I don't think so. He just brought up a great point.

1412
01:06:13,880 --> 01:06:18,280
Speaker 4: Ice Spice isn't on this list. That's crazy to me,

1413
01:06:19,040 --> 01:06:20,840
Speaker 4: even though you guys have coined me as the Ice

1414
01:06:20,840 --> 01:06:24,840
Speaker 4: Spice hater. Numbers are numbers like she deserves to be

1415
01:06:24,880 --> 01:06:27,800
Speaker 4: on this list. I don't care if she has a

1416
01:06:27,800 --> 01:06:30,880
Speaker 4: poop fetish like she deserves to be on this Yeah, no,

1417
01:06:31,000 --> 01:06:33,800
Speaker 4: for sure, Like her jacket isn't the same as Kodaks

1418
01:06:34,360 --> 01:06:40,120
Speaker 4: with kinks too far with that? See it always always

1419
01:06:40,160 --> 01:06:44,120
Speaker 4: that's your problem. It's because we're here. It's Buckingham Palace

1420
01:06:44,200 --> 01:06:48,040
Speaker 4: that did this to me. But yeah, yes, Ice Spie

1421
01:06:48,040 --> 01:06:50,560
Speaker 4: should be on that list. She should. She should.

1422
01:06:50,600 --> 01:06:53,320
Speaker 3: She's made way too much joys over the last two

1423
01:06:53,400 --> 01:06:54,680
Speaker 3: years to not be on that.

1424
01:06:54,640 --> 01:06:56,880
Speaker 4: List as compared.

1425
01:06:57,960 --> 01:07:00,320
Speaker 3: She should be on the list. I agree with you,

1426
01:07:00,320 --> 01:07:02,680
Speaker 3: you should. I was gonna try to find a reason

1427
01:07:02,720 --> 01:07:04,480
Speaker 3: why she wasn't, but no, she should absolutely be on

1428
01:07:04,480 --> 01:07:04,840
Speaker 3: that list.

1429
01:07:05,240 --> 01:07:07,280
Speaker 4: It's gonna sound like some hater shit, and I promise

1430
01:07:07,320 --> 01:07:10,800
Speaker 4: it's not Kendrick related. Ice Spice has done more than

1431
01:07:10,840 --> 01:07:14,040
Speaker 4: Keim in the last year. Oh absolutely, absolutely, it's not

1432
01:07:14,080 --> 01:07:17,640
Speaker 4: even close. Yeah, talent level, Keem is drastically more talented

1433
01:07:17,640 --> 01:07:20,720
Speaker 4: than her. But if we're doing this shit, yeah, how

1434
01:07:20,760 --> 01:07:23,520
Speaker 4: is Ice Spice? She deserves not in the top ten? Yeah,

1435
01:07:23,880 --> 01:07:26,280
Speaker 4: but I don't know. We can we can get to

1436
01:07:26,360 --> 01:07:30,240
Speaker 4: voicemails though. Let's see, uh what Julian picked from across

1437
01:07:30,240 --> 01:07:35,000
Speaker 4: the pond? Oh god, you've got mail? Hey, what's up? Gang?

1438
01:07:35,040 --> 01:07:37,160
Speaker 6: This is Swan coming from out here in south central LA.

1439
01:07:38,160 --> 01:07:41,600
Speaker 6: I'm gonna try to be quick. So where I live

1440
01:07:41,640 --> 01:07:44,000
Speaker 6: right now, I'm ranting. I've been there for a few

1441
01:07:44,040 --> 01:07:48,000
Speaker 6: years and we only have one neighbor. She recently moved out,

1442
01:07:48,280 --> 01:07:50,480
Speaker 6: so obviously the landlord is looking for a new tenant.

1443
01:07:51,440 --> 01:07:53,800
Speaker 6: She's being mindful of the fact that I have two kids,

1444
01:07:53,840 --> 01:07:55,640
Speaker 6: an eight year old and a three year old, so

1445
01:07:55,680 --> 01:07:58,280
Speaker 6: she's asking me if I know anybody who's looking for

1446
01:07:58,280 --> 01:08:02,120
Speaker 6: an apartment, which I don't. But my girl told her

1447
01:08:02,160 --> 01:08:07,640
Speaker 6: brother and he told his close friend, so he's considering it,

1448
01:08:07,720 --> 01:08:12,120
Speaker 6: and he applied. But I don't really want to have

1449
01:08:12,240 --> 01:08:17,439
Speaker 6: him as a neighbor because I seen them be pretty sloppy.

1450
01:08:17,560 --> 01:08:18,360
Speaker 4: When he's drunk.

1451
01:08:20,160 --> 01:08:21,880
Speaker 6: Yeah, a few little other things I don't want to

1452
01:08:21,880 --> 01:08:24,920
Speaker 6: get into. But also he seems to be in between

1453
01:08:25,000 --> 01:08:28,519
Speaker 6: jobs all the time. But the reason he's considering it

1454
01:08:28,560 --> 01:08:31,559
Speaker 6: is because apparently he has a sugar daddy that's been

1455
01:08:31,560 --> 01:08:35,400
Speaker 6: helping him out with things for the last seven eight years.

1456
01:08:35,720 --> 01:08:39,240
Speaker 6: But I still don't feel comfortable. So should I tell

1457
01:08:39,240 --> 01:08:42,760
Speaker 6: the landlord please ignore him and don't even consider him,

1458
01:08:43,760 --> 01:08:46,559
Speaker 6: or should I just let things play out. I know

1459
01:08:46,600 --> 01:08:48,400
Speaker 6: I might come off as a hater if I tell

1460
01:08:48,439 --> 01:08:51,000
Speaker 6: her that, but I just don't think.

1461
01:08:50,920 --> 01:08:54,120
Speaker 4: I want him as a neighbor. Listen man, thank you guys.

1462
01:08:54,840 --> 01:08:58,559
Speaker 4: Home is supposed to be peace. I think he should snitch.

1463
01:09:00,479 --> 01:09:02,760
Speaker 4: I think he's just I really do so homes peace.

1464
01:09:02,800 --> 01:09:05,519
Speaker 4: I feel like snitching is allowed when it comes to

1465
01:09:05,560 --> 01:09:09,000
Speaker 4: your home. He should tell the landlord. He will be

1466
01:09:09,000 --> 01:09:11,080
Speaker 4: an awful tenant. I know him.

1467
01:09:11,200 --> 01:09:19,280
Speaker 3: You don't want these problems. I agree, you should keep

1468
01:09:19,280 --> 01:09:21,439
Speaker 3: home like you got to keep home peaceful. I get

1469
01:09:21,439 --> 01:09:25,599
Speaker 3: that you got kids. Yeah, he drunk, bringing in old

1470
01:09:25,800 --> 01:09:30,040
Speaker 3: old men. Yeah, yeah, yeah, I'm trying to find a

1471
01:09:30,320 --> 01:09:31,920
Speaker 3: I'm trying to find a spot where I could throw

1472
01:09:32,000 --> 01:09:32,519
Speaker 3: him some bail.

1473
01:09:32,600 --> 01:09:37,639
Speaker 4: But yeah, also, just like a gay sugar daddy, having

1474
01:09:38,360 --> 01:09:40,679
Speaker 4: like a twink in South Central, to me is just hilarious.

1475
01:09:44,240 --> 01:09:46,600
Speaker 4: If you're not gay, you can say twink, right. I

1476
01:09:46,600 --> 01:09:48,960
Speaker 4: don't know, man, I just would never say that. Rod

1477
01:09:49,000 --> 01:09:51,720
Speaker 4: Carmichael told me about the word. I never even knew

1478
01:09:51,720 --> 01:09:55,800
Speaker 4: about it. I watched the show. Yeah, I don't know.

1479
01:09:56,000 --> 01:09:57,559
Speaker 4: I think he should just having a twink in the

1480
01:09:57,600 --> 01:09:58,559
Speaker 4: sixties just chilling.

1481
01:09:58,760 --> 01:10:03,240
Speaker 3: Yeah, that's just so random, like but yeah, now I'm

1482
01:10:03,240 --> 01:10:05,880
Speaker 3: with you. I think he should tell Yeah, because.

1483
01:10:06,160 --> 01:10:08,519
Speaker 4: If he didn't have kids, maybe I'd be like, yeah,

1484
01:10:08,680 --> 01:10:10,559
Speaker 4: just dug it out like it is what it is.

1485
01:10:10,600 --> 01:10:12,519
Speaker 3: But once you got the kids around, you don't need

1486
01:10:12,560 --> 01:10:14,960
Speaker 3: that type of energy, that type of you know, in

1487
01:10:15,040 --> 01:10:16,800
Speaker 3: and out those people coming through, Like.

1488
01:10:17,040 --> 01:10:19,759
Speaker 4: Even with the Sugar Daddy, like he doesn't have a job.

1489
01:10:19,880 --> 01:10:28,000
Speaker 4: If shit goes sour with Sugar with Domino, with splendor

1490
01:10:28,040 --> 01:10:30,000
Speaker 4: over there, I don't really know if it's gonna work.

1491
01:10:30,120 --> 01:10:36,280
Speaker 4: So yeah, all right, I was gonna say something crazy.

1492
01:10:37,800 --> 01:10:39,559
Speaker 4: Let's get to the next because were in front of company.

1493
01:10:40,240 --> 01:10:42,519
Speaker 4: Just we don't need that at the g It's so good.

1494
01:10:42,520 --> 01:10:44,679
Speaker 4: All right, we have another one, this one says anonymous,

1495
01:10:44,680 --> 01:10:45,960
Speaker 4: so I will definitely not say the name.

1496
01:10:48,960 --> 01:10:51,880
Speaker 5: What's up Pod, what's up Julian, what's up? Baby d

1497
01:10:52,200 --> 01:10:52,720
Speaker 5: What's up?

1498
01:10:53,160 --> 01:10:53,400
Speaker 2: Rory?

1499
01:10:53,479 --> 01:10:53,880
Speaker 4: What's up?

1500
01:10:53,920 --> 01:10:54,120
Speaker 2: Mal?

1501
01:10:54,880 --> 01:10:58,599
Speaker 5: My name is Mark from Memphis. Quick question. I had

1502
01:10:58,640 --> 01:11:02,720
Speaker 5: actually two questions. First question, what is a bias that

1503
01:11:02,800 --> 01:11:06,120
Speaker 5: each one of you have regarding hip hop? Something that

1504
01:11:06,160 --> 01:11:10,439
Speaker 5: you know that is a bias but you stand by it.

1505
01:11:10,680 --> 01:11:13,120
Speaker 5: And the reason why I wanted to ask is because

1506
01:11:13,160 --> 01:11:16,120
Speaker 5: of the whole litl Wayne situation with the Super Bowl.

1507
01:11:16,800 --> 01:11:22,719
Speaker 5: I'm hearing more podcasts, specifically you guys Rosenberg, a couple

1508
01:11:22,760 --> 01:11:28,960
Speaker 5: of more Northern artists like Fat Joe Fab pretty much

1509
01:11:29,040 --> 01:11:31,600
Speaker 5: be on the side of the powers that be that

1510
01:11:31,720 --> 01:11:37,000
Speaker 5: decided that Wayne, you know, didn't need to necessarily have

1511
01:11:37,160 --> 01:11:41,280
Speaker 5: the super Bowl halftime show either, because you know, I've

1512
01:11:41,320 --> 01:11:44,439
Speaker 5: heard something as far as he probably doesn't have the

1513
01:11:44,800 --> 01:11:48,400
Speaker 5: healthwise he can't perform, or you know, does he even

1514
01:11:48,479 --> 01:11:52,640
Speaker 5: question in his catalog, which I mean just with me

1515
01:11:52,720 --> 01:11:55,400
Speaker 5: being from Memphis, I feel like he definitely does have

1516
01:11:55,439 --> 01:11:59,720
Speaker 5: the catalog to bring an exciting super Bowl halftime performance.

1517
01:12:00,040 --> 01:12:01,280
Speaker 4: Can name plenty of songs.

1518
01:12:02,040 --> 01:12:05,840
Speaker 5: And I also feel that if Cali got the chance

1519
01:12:05,880 --> 01:12:08,880
Speaker 5: to bring their culture to the super Bowl halftime show

1520
01:12:08,960 --> 01:12:12,719
Speaker 5: last last super Bowl, I think that the biggest artist

1521
01:12:12,800 --> 01:12:15,880
Speaker 5: to come out of New Orleans, which is Wayne, should

1522
01:12:15,920 --> 01:12:16,880
Speaker 5: have been able to.

1523
01:12:18,680 --> 01:12:21,840
Speaker 4: Oh just stop Captain one thirty. I mean, I think

1524
01:12:21,920 --> 01:12:27,639
Speaker 4: Kendrick might bring out a big Freda. I'm not even

1525
01:12:27,640 --> 01:12:31,800
Speaker 4: trying to make a joke. Yeah, it's not far fetched. Yeah,

1526
01:12:31,840 --> 01:12:35,000
Speaker 4: I can see some New Orleans Bounced type shit happening

1527
01:12:35,040 --> 01:12:38,639
Speaker 4: at that point. But again, we already did the super

1528
01:12:38,680 --> 01:12:40,960
Speaker 4: Bowl thing. What's what's the rap bias you have outside

1529
01:12:41,000 --> 01:12:41,600
Speaker 4: of Champagne?

1530
01:12:42,560 --> 01:12:50,840
Speaker 3: A rap bias that I have probably that New York

1531
01:12:50,960 --> 01:12:59,680
Speaker 3: still has the best rappers. Okay hmm, this being from

1532
01:12:59,680 --> 01:13:01,880
Speaker 3: New York, I mean I'm always.

1533
01:13:01,600 --> 01:13:08,800
Speaker 4: In totality like from the seventies to twenty twenty four. Yeah, yeah,

1534
01:13:08,840 --> 01:13:10,360
Speaker 4: I mean, I guess that's a I don't know if

1535
01:13:10,360 --> 01:13:13,200
Speaker 4: that's a bias stake people. Some people will go with

1536
01:13:13,240 --> 01:13:18,840
Speaker 4: the South. I think after nineteen ninety nine, Yeah, you

1537
01:13:18,840 --> 01:13:21,760
Speaker 4: can make a strong case that Atlanta could have had

1538
01:13:21,800 --> 01:13:22,680
Speaker 4: better rappers.

1539
01:13:22,720 --> 01:13:24,799
Speaker 3: I would never make that case though, that's my bias.

1540
01:13:24,840 --> 01:13:26,519
Speaker 3: Like I'm always it's always in New York for me.

1541
01:13:27,400 --> 01:13:32,200
Speaker 3: Same but we're from We're ten years apart. I could

1542
01:13:32,240 --> 01:13:35,599
Speaker 3: make a big case that Atlanta could surpass us. Yeah,

1543
01:13:35,600 --> 01:13:38,000
Speaker 3: that's what I'm saying, and I understand it. And it's

1544
01:13:38,000 --> 01:13:40,000
Speaker 3: like when people start running off names, I'm like damn.

1545
01:13:40,400 --> 01:13:42,920
Speaker 3: In my mind, I'm like shit, But I would never like,

1546
01:13:43,080 --> 01:13:44,720
Speaker 3: I would never move off of that like I will.

1547
01:13:44,800 --> 01:13:46,960
Speaker 4: It would always be New York as the greatest ever.

1548
01:13:47,479 --> 01:13:50,920
Speaker 4: I'm trying to guess what your reaction is about to be.

1549
01:13:52,400 --> 01:14:01,320
Speaker 4: I don't think I have any biases at all. Like life, No,

1550
01:14:01,720 --> 01:14:06,080
Speaker 4: let's talk about hip hop. I mean, hove against the

1551
01:14:06,280 --> 01:14:13,479
Speaker 4: pep said against the youth, anyone in their twenties. I mean, yeah,

1552
01:14:13,520 --> 01:14:16,840
Speaker 4: I'm I'm a whole I'm a whole Venger. But I've

1553
01:14:16,840 --> 01:14:21,919
Speaker 4: been critical of hope before, like, yeah, I'm not anything.

1554
01:14:22,040 --> 01:14:23,920
Speaker 4: I guess what's a bias? Said because you just said

1555
01:14:23,960 --> 01:14:26,040
Speaker 4: that you feel like wile A is a better rappiting court.

1556
01:14:26,200 --> 01:14:28,360
Speaker 4: But that's not personal. That's not a bias. But you

1557
01:14:28,479 --> 01:14:30,120
Speaker 4: just you said that coming off of hanging out with

1558
01:14:30,160 --> 01:14:33,280
Speaker 4: wile in Vegas. But see, that's that's the biggest difference

1559
01:14:33,360 --> 01:14:36,599
Speaker 4: of this entire thing. That conversation Demarris and I had

1560
01:14:36,600 --> 01:14:39,599
Speaker 4: in that car was the night before and I didn't

1561
01:14:39,600 --> 01:14:41,559
Speaker 4: even know while was in Vegas until the next day,

1562
01:14:41,760 --> 01:14:43,960
Speaker 4: and we started laughing. I said, look, my goat is

1563
01:14:43,960 --> 01:14:47,200
Speaker 4: in Vegas. That's how God works. That's what we laughed about.

1564
01:14:47,920 --> 01:14:50,719
Speaker 4: That take was on my way to go do my gig,

1565
01:14:50,880 --> 01:14:53,960
Speaker 4: which was the day before. That's why it was so funny.

1566
01:14:54,720 --> 01:14:57,320
Speaker 4: It's like, Yo, Wiley, I just went to the lobby

1567
01:14:57,360 --> 01:14:59,720
Speaker 4: while A's on this billboard. I just checked the date.

1568
01:14:59,760 --> 01:15:05,040
Speaker 4: It's the So no biases. I have my personal taste,

1569
01:15:05,040 --> 01:15:07,840
Speaker 4: but that's not a bias. Like I feel like the

1570
01:15:07,880 --> 01:15:12,000
Speaker 4: bias is because you rock with them, they could kind

1571
01:15:12,000 --> 01:15:14,920
Speaker 4: of do no wrong or you pick them. What's what's

1572
01:15:14,960 --> 01:15:18,040
Speaker 4: the exact definition of bias, because that is a really

1573
01:15:18,080 --> 01:15:21,880
Speaker 4: good question. Bias definition. Let's see what webstress to say,

1574
01:15:23,720 --> 01:15:28,160
Speaker 4: inclination or prejudice for or against one person or group.

1575
01:15:28,439 --> 01:15:32,799
Speaker 4: I was like racism, especially especially in a way considered

1576
01:15:32,840 --> 01:15:38,280
Speaker 4: to be unfair. I feel like I'm gonna get killed.

1577
01:15:38,320 --> 01:15:40,760
Speaker 4: And I was going to say, here's ten years of

1578
01:15:40,800 --> 01:15:46,639
Speaker 4: your recorded biases common below with old Rory's biases. Over

1579
01:15:46,640 --> 01:15:49,000
Speaker 4: the years, I've I've admitted that I've been biased with Hope,

1580
01:15:49,040 --> 01:15:51,200
Speaker 4: but I've also been critical of him. I probably give

1581
01:15:51,280 --> 01:15:55,080
Speaker 4: him more cushion than most people would, So I guess.

1582
01:15:55,240 --> 01:15:58,040
Speaker 4: I guess there's a whole bias there. I guess there's

1583
01:15:58,040 --> 01:16:02,640
Speaker 4: a NOAs bias, but I don't. I'm pretty objective. I

1584
01:16:02,680 --> 01:16:04,439
Speaker 4: feel like so it sounds like New York, just like me.

1585
01:16:05,160 --> 01:16:07,840
Speaker 4: It's a New York bias. I think you have a

1586
01:16:07,920 --> 01:16:08,720
Speaker 4: Drake bias.

1587
01:16:10,200 --> 01:16:12,439
Speaker 3: But you only think that coming off for the the

1588
01:16:12,560 --> 01:16:13,439
Speaker 3: not like Us record.

1589
01:16:14,360 --> 01:16:16,840
Speaker 4: You didn't think that. I felt like, but you, this

1590
01:16:16,920 --> 01:16:19,240
Speaker 4: isn't a new thing. You've always been a big Drake

1591
01:16:19,320 --> 01:16:21,840
Speaker 4: fan outside of your relationship with him. But I guess

1592
01:16:21,960 --> 01:16:26,200
Speaker 4: the Drake fair but you? I mean, was me asking

1593
01:16:26,240 --> 01:16:28,240
Speaker 4: you the Roy Slope and all that ship before after?

1594
01:16:29,840 --> 01:16:32,040
Speaker 4: I think it was it was that was daring. I

1595
01:16:32,040 --> 01:16:35,840
Speaker 4: guess that's biasing to me. I guess, no, it's not.

1596
01:16:37,920 --> 01:16:39,360
Speaker 4: It's it's biased. No, it's not.

1597
01:16:41,040 --> 01:16:43,679
Speaker 3: He raps better than them, and that's not a slight

1598
01:16:43,720 --> 01:16:44,559
Speaker 3: against those guys.

1599
01:16:44,600 --> 01:16:46,679
Speaker 4: But like, but your relationship with him, do you feel

1600
01:16:46,720 --> 01:16:49,040
Speaker 4: like you could be objective? Yes?

1601
01:16:49,960 --> 01:16:52,599
Speaker 3: Absolutely, But I don't think just because I don't think

1602
01:16:52,640 --> 01:16:54,840
Speaker 3: those guys rap better than that, that doesn't mean those those

1603
01:16:54,880 --> 01:16:57,719
Speaker 3: dudes aren't nice. But if you look at the rapping

1604
01:16:57,760 --> 01:16:59,960
Speaker 3: that Drake has given us over the years, how can

1605
01:17:00,000 --> 01:17:00,720
Speaker 3: assistant he's been.

1606
01:17:02,520 --> 01:17:05,080
Speaker 4: It's because even with my whole bias, like, I get it,

1607
01:17:05,120 --> 01:17:06,639
Speaker 4: I believe what I'm saying, So I don't.

1608
01:17:06,439 --> 01:17:08,080
Speaker 3: Know if it's a bias, Like I get it when

1609
01:17:08,080 --> 01:17:09,960
Speaker 3: we hear black Thought and we hear loop Baby, like

1610
01:17:10,000 --> 01:17:10,839
Speaker 3: we they're special.

1611
01:17:10,880 --> 01:17:11,280
Speaker 4: We get it.

1612
01:17:11,280 --> 01:17:14,640
Speaker 3: But like then, think about the years of rap that

1613
01:17:14,720 --> 01:17:16,720
Speaker 3: Drake has given us, the bars, the songs, like.

1614
01:17:16,840 --> 01:17:19,479
Speaker 4: I still think you of a Drake bias? Do you

1615
01:17:19,560 --> 01:17:21,320
Speaker 4: think I have a bias? Even though I really went

1616
01:17:21,360 --> 01:17:22,800
Speaker 4: on the legends said I don't have any. I can't

1617
01:17:22,840 --> 01:17:25,200
Speaker 4: wait to see these comments, but pull up every clip

1618
01:17:25,200 --> 01:17:27,559
Speaker 4: of me having a bias towards everyone.

1619
01:17:28,640 --> 01:17:30,640
Speaker 3: I'm trying to find an R and B bias with you.

1620
01:17:31,040 --> 01:17:35,559
Speaker 3: I'm not even thinking rap. Hmmm, I'm leaning more R

1621
01:17:35,600 --> 01:17:38,000
Speaker 3: and B. I feel like you definitely have an R

1622
01:17:38,040 --> 01:17:38,759
Speaker 3: and B bias.

1623
01:17:39,280 --> 01:17:46,680
Speaker 4: I don't know, life Jennings. Maybe what would your life

1624
01:17:46,760 --> 01:17:49,920
Speaker 4: Jennings bias me? What would that be? I love Life

1625
01:17:50,000 --> 01:17:53,480
Speaker 4: Jennings so much that I was okay with him screaming

1626
01:17:53,600 --> 01:17:58,639
Speaker 4: from across the booth. Somebody called the cops up. Just

1627
01:17:58,680 --> 01:18:03,240
Speaker 4: shut me down. Somebody call the cops up. I was

1628
01:18:03,280 --> 01:18:06,080
Speaker 4: like that shit is hard in retrospect, I might add

1629
01:18:06,080 --> 01:18:07,760
Speaker 4: a little bias just without like that.

1630
01:18:09,960 --> 01:18:12,080
Speaker 3: Yeah, I don't know. You definitely have a bias, but

1631
01:18:12,120 --> 01:18:13,760
Speaker 3: I can't. I can't find it right now.

1632
01:18:13,760 --> 01:18:14,000
Speaker 2: Though.

1633
01:18:17,920 --> 01:18:21,360
Speaker 4: That's a good point that Pige just brought up. There

1634
01:18:21,439 --> 01:18:25,679
Speaker 4: is definitely a bias with white hip hop fans towards

1635
01:18:25,720 --> 01:18:29,479
Speaker 4: white rappers. That is a fact. Also other white people

1636
01:18:29,560 --> 01:18:32,280
Speaker 4: within the industry, like we all have to hate each other.

1637
01:18:32,360 --> 01:18:37,280
Speaker 4: But that I feel like changed after mac Miller, because

1638
01:18:37,280 --> 01:18:40,519
Speaker 4: I definitely had that bias before, Like you, I can't

1639
01:18:40,520 --> 01:18:42,479
Speaker 4: be a white hip hop fan and like a white

1640
01:18:42,520 --> 01:18:47,519
Speaker 4: rapper like let's trash get out the culture. Yeah, so yes,

1641
01:18:47,600 --> 01:18:52,280
Speaker 4: pe is correct. After mac Miller. I feel like it

1642
01:18:52,760 --> 01:18:56,120
Speaker 4: changed drastically, even like with Action Jack Harlow too, despite

1643
01:18:56,160 --> 01:18:59,559
Speaker 4: what his teammate think, I really fuck with Jack Carlow.

1644
01:19:00,840 --> 01:19:04,240
Speaker 4: It shifted after Mac like it was okay to like

1645
01:19:04,560 --> 01:19:07,640
Speaker 4: white rappers like I had to quietly like Asher Ross

1646
01:19:09,240 --> 01:19:14,479
Speaker 4: shouts super talented, but that was definitely a thing outside

1647
01:19:14,479 --> 01:19:19,080
Speaker 4: of Eminem. After Eminem, that was the white BC and

1648
01:19:19,160 --> 01:19:23,880
Speaker 4: a d after m Before Mac, that gap had to

1649
01:19:23,920 --> 01:19:26,160
Speaker 4: hate every white rapper like this is this is awful.

1650
01:19:28,240 --> 01:19:30,720
Speaker 4: I like yellow Wolf, Trunk Music is still my ship.

1651
01:19:32,560 --> 01:19:37,720
Speaker 4: But I was also like, now I don't like his haircut.

1652
01:19:38,439 --> 01:19:44,599
Speaker 3: Do I have a bias against white rappers? No, because

1653
01:19:44,640 --> 01:19:47,960
Speaker 3: I was one of the ones that was like, yo,

1654
01:19:48,160 --> 01:19:50,479
Speaker 3: MGK got Eminem like I was early on that like

1655
01:19:50,520 --> 01:19:52,960
Speaker 3: I was, I felt like that, and that K.

1656
01:19:53,120 --> 01:19:55,599
Speaker 4: Was around the mac Miller times too, because I fucked

1657
01:19:55,600 --> 01:19:58,400
Speaker 4: with MGK as well. Yeah, I think he's super talented.

1658
01:19:58,800 --> 01:20:01,439
Speaker 4: I wish you would rap more, but yeah, I don't freestyle.

1659
01:20:01,439 --> 01:20:04,719
Speaker 4: He did with Gillian Whalla was crazy. Yeah, he's dope

1660
01:20:04,760 --> 01:20:06,160
Speaker 4: even when you don't get him back and forth, when

1661
01:20:06,160 --> 01:20:08,120
Speaker 4: not back and forth, but when he went at Jack Carlow,

1662
01:20:08,920 --> 01:20:10,639
Speaker 4: when he like by his weight bench when he should

1663
01:20:10,640 --> 01:20:13,040
Speaker 4: have just been in Megan Fox's pool. Yeah, I thought

1664
01:20:13,160 --> 01:20:15,560
Speaker 4: you you're trying to show us in the trenches. You

1665
01:20:15,600 --> 01:20:18,000
Speaker 4: know what I'm saying. Why why do white rappers have

1666
01:20:18,040 --> 01:20:19,920
Speaker 4: to do that? We have to out trench each other.

1667
01:20:20,560 --> 01:20:23,000
Speaker 4: What's like, it's okay to be by the pool, like

1668
01:20:23,000 --> 01:20:25,360
Speaker 4: like Rick Ross with your beautiful girlfriend, Like it's fun.

1669
01:20:25,600 --> 01:20:27,280
Speaker 4: That's what I would That freestyle would have been way

1670
01:20:27,280 --> 01:20:30,200
Speaker 4: harder if she was sitting next one hundred infinity. You

1671
01:20:30,240 --> 01:20:32,840
Speaker 4: didn't have to You don't have to bench one thirty

1672
01:20:32,840 --> 01:20:34,120
Speaker 4: five to do that. Yeah.

1673
01:20:34,120 --> 01:20:36,720
Speaker 3: I don't have any biases towards white rappers, though I

1674
01:20:36,720 --> 01:20:38,920
Speaker 3: don't think so. I mean, I you know, I don't

1675
01:20:38,920 --> 01:20:41,479
Speaker 3: listen to a lot of them. But it's not a bias,

1676
01:20:41,960 --> 01:20:42,320
Speaker 3: did you.

1677
01:20:42,320 --> 01:20:45,000
Speaker 4: I mean, did you have a bias during the Nas

1678
01:20:45,000 --> 01:20:49,960
Speaker 4: and Jay thing? Of course see bias? Yeah, but that's

1679
01:20:49,960 --> 01:20:53,000
Speaker 4: not fair because that's not something but that's a bias. Yeah,

1680
01:20:53,000 --> 01:20:54,680
Speaker 4: but I mean I was are you kidding me? Like

1681
01:20:56,080 --> 01:20:59,120
Speaker 4: I had no choice with what are you talking about? Like,

1682
01:20:59,120 --> 01:21:02,120
Speaker 4: couldn't being Baseline yo? Eat was all right? Man, Get

1683
01:21:02,200 --> 01:21:04,360
Speaker 4: the fuck? It was never saying that? Are you crazy?

1684
01:21:04,600 --> 01:21:06,599
Speaker 4: Like if you think about it though he did do tabo.

1685
01:21:07,600 --> 01:21:12,000
Speaker 4: No he didn't. No, he dido, No he did never

1686
01:21:12,080 --> 01:21:14,240
Speaker 4: did that. Yeah, I definitely ain't walking like, oh I

1687
01:21:14,240 --> 01:21:16,479
Speaker 4: get it, you big and heap ill never did that.

1688
01:21:16,560 --> 01:21:18,760
Speaker 3: Okay, we wasn't dissecting none of those balls and not

1689
01:21:18,840 --> 01:21:21,200
Speaker 3: then it was it was on fuck that like it

1690
01:21:21,320 --> 01:21:22,719
Speaker 3: was home team and nobody else.

1691
01:21:23,479 --> 01:21:28,040
Speaker 4: I probably had a Kanye bias for I lost my

1692
01:21:28,160 --> 01:21:31,479
Speaker 4: Kanye bias, but there was a while that I was like,

1693
01:21:31,680 --> 01:21:35,479
Speaker 4: all right, he doing some bullshit, but he still made

1694
01:21:35,479 --> 01:21:38,479
Speaker 4: College dropt out Yay, He's still you can't move off

1695
01:21:38,520 --> 01:21:42,080
Speaker 4: of that. I lost it. Somebody to the album Yay

1696
01:21:42,280 --> 01:21:47,920
Speaker 4: is when I lost my Kanye bias. Why because it

1697
01:21:47,960 --> 01:21:50,759
Speaker 4: was the first project in his desography that I felt

1698
01:21:50,760 --> 01:21:53,599
Speaker 4: like you just took a bunch of songs from someone

1699
01:21:53,600 --> 01:21:56,880
Speaker 4: else's hard drive. You didn't push even certain Kanye projects

1700
01:21:56,920 --> 01:21:59,519
Speaker 4: that maybe aren't for me, at least you tried to

1701
01:21:59,520 --> 01:22:03,560
Speaker 4: push a sound a certain way that was just as

1702
01:22:03,680 --> 01:22:06,200
Speaker 4: much as I love Tie and Jeremiah, like you just

1703
01:22:06,240 --> 01:22:12,040
Speaker 4: went through ties folder in Jeremi's references and he rapped

1704
01:22:12,720 --> 01:22:14,479
Speaker 4: for a second, and he took a photo on your

1705
01:22:14,520 --> 01:22:16,559
Speaker 4: iPhone on the way of the listening and you're like,

1706
01:22:16,560 --> 01:22:20,560
Speaker 4: here you go. So I lost my bias at that point,

1707
01:22:20,720 --> 01:22:22,519
Speaker 4: and I mean, I don't think Hitler's a good guy either,

1708
01:22:22,680 --> 01:22:25,400
Speaker 4: so like that was also like a yeah, that's part

1709
01:22:25,439 --> 01:22:28,240
Speaker 4: of it. I had lost my bias before that, but

1710
01:22:28,280 --> 01:22:29,600
Speaker 4: then I was thinking, like, all right, he has a

1711
01:22:29,640 --> 01:22:31,720
Speaker 4: mask on. Is that really Yay with Alex Jones. You

1712
01:22:31,720 --> 01:22:33,680
Speaker 4: don't even know that could have been someone else?

1713
01:22:33,720 --> 01:22:37,160
Speaker 3: So that was him? Let me, I promise you that

1714
01:22:37,200 --> 01:22:39,519
Speaker 3: was him. Absolutely, that was him. We're not gonna even

1715
01:22:39,520 --> 01:22:41,479
Speaker 3: try to no, no, no, no, no, that was him.

1716
01:22:41,720 --> 01:22:44,400
Speaker 4: But then my bias kicked in, like I've never seen

1717
01:22:44,520 --> 01:22:49,000
Speaker 4: Alex Jones squirm like that. He got out Alex Jones. Yeah,

1718
01:22:49,200 --> 01:22:51,360
Speaker 4: I've never seen that my life. But that was my bias,

1719
01:22:51,439 --> 01:22:54,040
Speaker 4: Like I disagree with what Yay saying, but he just

1720
01:22:54,040 --> 01:22:56,360
Speaker 4: had Alex Jones go no, no, no, no, no no no.

1721
01:22:58,160 --> 01:22:59,760
Speaker 4: The guy that said the frogs were gay. He was like,

1722
01:22:59,840 --> 01:23:03,800
Speaker 4: no Ah, you didn't mean that, right, Yeah He's like no, no, no,

1723
01:23:03,960 --> 01:23:07,479
Speaker 4: I seriously mean that absolutely mean that. So yeah, I

1724
01:23:07,479 --> 01:23:10,720
Speaker 4: guess yeah, So, uh do.

1725
01:23:10,760 --> 01:23:12,800
Speaker 3: I have a that's the only buyas I have just

1726
01:23:12,840 --> 01:23:16,000
Speaker 3: New York. New York Rappers are the best. We still

1727
01:23:16,000 --> 01:23:18,280
Speaker 3: have the best rappers ever in the history of hip hop.

1728
01:23:18,920 --> 01:23:22,920
Speaker 4: I mean, I wouldn't call my Three Stacks biased per se,

1729
01:23:23,000 --> 01:23:26,280
Speaker 4: But I'm fine with him not really having a solo

1730
01:23:26,360 --> 01:23:28,280
Speaker 4: rap album and still putting them as a goat.

1731
01:23:29,080 --> 01:23:31,760
Speaker 3: I don't know, is that kind as a bias? No, No,

1732
01:23:31,840 --> 01:23:34,000
Speaker 3: he doesn't need a solo. He's part of one of

1733
01:23:34,040 --> 01:23:37,280
Speaker 3: the greatest rap groups ever. Like it's okay for him

1734
01:23:37,320 --> 01:23:40,639
Speaker 3: to be just that. He don't need a solo three

1735
01:23:40,680 --> 01:23:42,960
Speaker 3: Stacks to say he's one of the greatest. I have

1736
01:23:43,000 --> 01:23:46,920
Speaker 3: a Lauren Hill bias. Oh yes, that Laurence Hill.

1737
01:23:46,920 --> 01:23:49,720
Speaker 4: Bis. That is your bias? That is it? Right there?

1738
01:23:49,760 --> 01:23:52,400
Speaker 4: I was thinking R and B. That was it because

1739
01:23:52,479 --> 01:23:55,040
Speaker 4: I feel I feel like she's not late the crowds

1740
01:23:55,040 --> 01:24:00,720
Speaker 4: too early, like my job one goes when it says

1741
01:24:00,800 --> 01:24:05,320
Speaker 4: doors like, what y'all doing remember a party before? That

1742
01:24:05,439 --> 01:24:07,679
Speaker 4: is your bias, Lauryn Hill. You could do no wrong.

1743
01:24:09,040 --> 01:24:10,439
Speaker 3: And that's why I was thinking R and B because

1744
01:24:10,439 --> 01:24:12,280
Speaker 3: I knew it was somewhere. I knew a bias was there.

1745
01:24:12,320 --> 01:24:13,960
Speaker 4: You know, the traffic coming out of South Orange.

1746
01:24:14,080 --> 01:24:17,160
Speaker 3: It's tough, I get it, but still, like years later,

1747
01:24:17,160 --> 01:24:18,679
Speaker 3: it's just still and.

1748
01:24:18,600 --> 01:24:21,000
Speaker 4: I went to go see her at Brooklyn Bowl years

1749
01:24:21,040 --> 01:24:23,880
Speaker 4: ago pre COVID, and she was on time and I

1750
01:24:23,920 --> 01:24:25,639
Speaker 4: felt like one of those stands, like I fucking told

1751
01:24:25,680 --> 01:24:27,960
Speaker 4: you so about to tweet this ship. She was right

1752
01:24:28,000 --> 01:24:28,360
Speaker 4: on tome.

1753
01:24:29,080 --> 01:24:31,200
Speaker 3: That's definitely your bias. You love Laurence Hill. She can

1754
01:24:31,280 --> 01:24:35,400
Speaker 3: do no wrong, yays Yeah, even her kids. I love

1755
01:24:35,439 --> 01:24:35,840
Speaker 3: their music.

1756
01:24:35,880 --> 01:24:38,120
Speaker 4: I think I like their music for real, but it

1757
01:24:38,439 --> 01:24:39,479
Speaker 4: may have something to do with them.

1758
01:24:39,560 --> 01:24:43,000
Speaker 3: It definitely does good songs though, good music, but zions.

1759
01:24:43,080 --> 01:24:45,599
Speaker 3: I love his record, but that's definitely your Lauren. Laura

1760
01:24:45,680 --> 01:24:47,760
Speaker 3: Hill is your bias. You can't fight that.

1761
01:24:48,880 --> 01:24:52,639
Speaker 4: Yeah. I remember even walking when I was living in Newark,

1762
01:24:54,000 --> 01:24:56,760
Speaker 4: my mass was like, yeah, you know, because that like

1763
01:24:56,920 --> 01:24:59,280
Speaker 4: edge between Nowork to South Orange is like night and day.

1764
01:24:59,320 --> 01:25:02,679
Speaker 4: You're in the the fucking definition of what a trench is. Yeah,

1765
01:25:02,720 --> 01:25:05,400
Speaker 4: in one block over you're looking at million dollar mansions

1766
01:25:05,920 --> 01:25:08,439
Speaker 4: and he was like, you you know, Lauren's like up

1767
01:25:08,479 --> 01:25:13,439
Speaker 4: the block. I was like, take me, let's walk now.

1768
01:25:13,640 --> 01:25:15,920
Speaker 3: I remember seeing her walking through the I was in

1769
01:25:16,000 --> 01:25:19,519
Speaker 3: Jersey at the mall one day and she literally walked

1770
01:25:19,560 --> 01:25:21,120
Speaker 3: right past me. You know, one of those things where

1771
01:25:21,160 --> 01:25:23,840
Speaker 3: you kind of do a double like that's not that

1772
01:25:23,840 --> 01:25:26,160
Speaker 3: can't be Lauren Hill, Like it was definitely that. And

1773
01:25:26,200 --> 01:25:28,280
Speaker 3: I was bugging because like all the kids in the

1774
01:25:28,320 --> 01:25:31,040
Speaker 3: mall like had no idea who she was. And I'm

1775
01:25:31,080 --> 01:25:34,240
Speaker 3: just looking around, like, yo, that's like Lauryn Hill to

1776
01:25:34,360 --> 01:25:37,120
Speaker 3: just walk past just recently.

1777
01:25:37,880 --> 01:25:40,400
Speaker 4: And I mean, I apologize Kia, but kid has a

1778
01:25:40,400 --> 01:25:43,360
Speaker 4: white mother, so she like missed a lot of shit.

1779
01:25:43,400 --> 01:25:44,760
Speaker 4: I know that's funny coming from me because I have

1780
01:25:44,800 --> 01:25:47,040
Speaker 4: a white mother. But I showed her Sister Act too

1781
01:25:47,040 --> 01:25:49,599
Speaker 4: for the first time, like two weeks ago. She's like, yeah,

1782
01:25:49,640 --> 01:25:51,320
Speaker 4: I've seen the first one was like, you've never seen

1783
01:25:51,840 --> 01:25:55,879
Speaker 4: You've never seen frank A. Rather, are you fucking crazy?

1784
01:25:57,040 --> 01:26:00,400
Speaker 4: You've never seen frank A. Yeah, you've never seen one

1785
01:26:00,400 --> 01:26:02,879
Speaker 4: third of City High with one third of the Fuji's

1786
01:26:03,360 --> 01:26:05,360
Speaker 4: how do you see Sister Act one and not two?

1787
01:26:05,800 --> 01:26:09,320
Speaker 4: Like two? Is the is the one? And I guess

1788
01:26:09,360 --> 01:26:12,000
Speaker 4: just with your childhood, things getting better than your brain.

1789
01:26:12,080 --> 01:26:14,680
Speaker 4: After she was like I still like one better. You

1790
01:26:14,760 --> 01:26:18,600
Speaker 4: are fucking hi. There's no way. There's no way, but

1791
01:26:18,760 --> 01:26:21,880
Speaker 4: like that's cool. Even me and Damaris had a whole list.

1792
01:26:22,400 --> 01:26:24,880
Speaker 4: This was like last year we had a list of

1793
01:26:24,920 --> 01:26:27,400
Speaker 4: black movies. That we were gonna show Kia like we

1794
01:26:27,400 --> 01:26:29,960
Speaker 4: were gonna do movie movie playlist. We made it to

1795
01:26:30,080 --> 01:26:33,480
Speaker 4: like five movies. Which ones did she see? Uh atl

1796
01:26:34,120 --> 01:26:41,000
Speaker 4: Menace to Society, Brown Sugar. I think we did Boys

1797
01:26:41,000 --> 01:26:43,880
Speaker 4: in the Hood, and I forgot what the last one was.

1798
01:26:44,640 --> 01:26:46,240
Speaker 4: Oh yeah. We had a whole list going of like

1799
01:26:46,320 --> 01:26:48,080
Speaker 4: you have to like you have to you have to

1800
01:26:48,120 --> 01:26:51,920
Speaker 4: see she has to see Poetic Justice. Yeah, but a

1801
01:26:51,920 --> 01:26:55,680
Speaker 4: lot of stuff like doesn't really she wouldn't make it

1802
01:26:55,680 --> 01:26:59,960
Speaker 4: through Baby Boy, Baby Boy. It was on b T everything.

1803
01:27:00,240 --> 01:27:05,320
Speaker 4: It's probably on BET right now. Yeah. Absolutely the funniest

1804
01:27:05,360 --> 01:27:08,479
Speaker 4: meme after the presidential debate because when they said they

1805
01:27:08,479 --> 01:27:11,920
Speaker 4: were killing babies after they were born, they had Tyrese

1806
01:27:11,960 --> 01:27:19,400
Speaker 4: in the womb. See see that was funny to me

1807
01:27:19,479 --> 01:27:26,120
Speaker 4: myself during the debate. People are ridiculous some of that

1808
01:27:26,160 --> 01:27:28,720
Speaker 4: stuff though, Like I feel like you had to be

1809
01:27:28,800 --> 01:27:32,120
Speaker 4: there for certain shit. Yeah, like baby Boy. If you

1810
01:27:32,240 --> 01:27:34,759
Speaker 4: just cold show that to someone now, like they probably

1811
01:27:34,800 --> 01:27:36,559
Speaker 4: be like, what is what do you have me watching? Right?

1812
01:27:36,640 --> 01:27:36,760
Speaker 2: Yo?

1813
01:27:36,800 --> 01:27:38,320
Speaker 4: But I ain't gonna lie. I would love but it's

1814
01:27:38,320 --> 01:27:41,160
Speaker 4: like embedded in my childhood. So that's what I'm saying.

1815
01:27:41,200 --> 01:27:43,639
Speaker 3: I would love to watch baby Boy for the first

1816
01:27:43,640 --> 01:27:46,240
Speaker 3: time with somebody like it's their first time, like just

1817
01:27:46,280 --> 01:27:48,840
Speaker 3: being with them. I would love because I need to

1818
01:27:48,840 --> 01:27:51,559
Speaker 3: see what your reaction is like if it's anything like

1819
01:27:51,600 --> 01:27:53,479
Speaker 3: Mons when I first saw it, because I refuse to

1820
01:27:53,479 --> 01:27:55,640
Speaker 3: watch Baby Boy, like this guy's probably got to grow up.

1821
01:27:56,479 --> 01:27:58,680
Speaker 3: I watched Baby Boy maybe a year and a half

1822
01:27:58,760 --> 01:28:01,559
Speaker 3: after it came out, because at that time I felt

1823
01:28:01,560 --> 01:28:03,920
Speaker 3: like like I just was like any tyrest movie.

1824
01:28:03,920 --> 01:28:05,519
Speaker 4: I was like, I'm not watching that shit. Oh we

1825
01:28:05,560 --> 01:28:07,240
Speaker 4: show Kyd of the Wood. That was the fifth one,

1826
01:28:07,600 --> 01:28:10,760
Speaker 4: great movie? Classic? How did she feel about that? She

1827
01:28:10,880 --> 01:28:12,519
Speaker 4: liked the Wood? Okay, but that's more of like a

1828
01:28:12,520 --> 01:28:15,920
Speaker 4: heartfelt story. Yeah, baby Boys, like, all right, I'm not

1829
01:28:15,960 --> 01:28:18,200
Speaker 4: fully understanding the plot of what's going So he's selling

1830
01:28:18,280 --> 01:28:23,800
Speaker 4: dresses now he hustling? Yeah, great movie though, classic movie.

1831
01:28:23,840 --> 01:28:25,960
Speaker 4: And why is Homie from Smart Guy knocking kids out?

1832
01:28:25,960 --> 01:28:32,800
Speaker 4: And there in the Park? I might have had the

1833
01:28:32,880 --> 01:28:34,559
Speaker 4: vhs a baby Boy.

1834
01:28:35,040 --> 01:28:36,760
Speaker 3: Yeah, I would love to see that with somebody like

1835
01:28:36,920 --> 01:28:39,320
Speaker 3: it being the first time, like that's that's that's fun

1836
01:28:39,360 --> 01:28:41,439
Speaker 3: to kind of see some of your favorites and somebody

1837
01:28:41,479 --> 01:28:42,559
Speaker 3: taking that in for the first time.

1838
01:28:42,560 --> 01:28:45,639
Speaker 4: That's dope. But you have to with stuff like that.

1839
01:28:46,080 --> 01:28:48,120
Speaker 4: I've just kind of given up on putting people on,

1840
01:28:48,200 --> 01:28:51,439
Speaker 4: Like people don't like The Wire if they watched it now,

1841
01:28:51,520 --> 01:28:53,160
Speaker 4: and like I'm sitting there trying to explain how this

1842
01:28:53,240 --> 01:28:55,400
Speaker 4: is like the greatest fucking show of all time. But

1843
01:28:55,400 --> 01:28:58,040
Speaker 4: if you weren't there for when it was out, it

1844
01:28:58,120 --> 01:29:00,840
Speaker 4: doesn't hit the same like Binge that show when it

1845
01:29:00,880 --> 01:29:03,880
Speaker 4: wasn't meant to be binged. It was meant to episode

1846
01:29:03,960 --> 01:29:05,360
Speaker 4: and you are going to talk with your friends for

1847
01:29:05,400 --> 01:29:08,400
Speaker 4: a whole week. Yeah, then come back to the next episode.

1848
01:29:08,520 --> 01:29:11,599
Speaker 4: Like it's paced that way. It's not paste like binge

1849
01:29:11,600 --> 01:29:15,080
Speaker 4: able shit, It's a very long drawn out thing. It

1850
01:29:15,120 --> 01:29:17,640
Speaker 4: doesn't hit the same way Sopranos too. For a lot

1851
01:29:17,680 --> 01:29:20,160
Speaker 4: of people that get into it now, it's like, yeah,

1852
01:29:20,200 --> 01:29:22,400
Speaker 4: I guess it's cool. I remember I took a girl out.

1853
01:29:22,479 --> 01:29:25,680
Speaker 3: We went on our first date and at dinner we

1854
01:29:25,680 --> 01:29:27,800
Speaker 3: were just talking about movies, like some of her favorite movies,

1855
01:29:28,200 --> 01:29:31,120
Speaker 3: and I told my favorite movie was Purple Rain and

1856
01:29:31,160 --> 01:29:32,360
Speaker 3: she was like, what is that?

1857
01:29:32,600 --> 01:29:35,320
Speaker 4: So I looked at it. I was like what so, Like,

1858
01:29:35,360 --> 01:29:36,960
Speaker 4: when I see, you're gonna have to be on the podium.

1859
01:29:37,000 --> 01:29:40,920
Speaker 3: So how so we went was that she was definitely

1860
01:29:40,920 --> 01:29:43,400
Speaker 3: an adult, but she had never seen it. So we

1861
01:29:43,520 --> 01:29:47,280
Speaker 3: left dinner, went back to the crib, watched Purple Rain,

1862
01:29:47,920 --> 01:29:49,679
Speaker 3: and she loved it. She was like, oh my god,

1863
01:29:49,680 --> 01:29:52,840
Speaker 3: that was incredible, and that probably ended up getting me

1864
01:29:53,200 --> 01:29:54,080
Speaker 3: the drawers that night.

1865
01:29:54,520 --> 01:29:56,280
Speaker 4: It was Purple Rain. I mean I probably would have

1866
01:29:56,320 --> 01:29:58,800
Speaker 4: got them regardless, but you could have printed law and

1867
01:29:58,880 --> 01:30:00,760
Speaker 4: Order and probably would have helped. Prince helped me out

1868
01:30:00,800 --> 01:30:03,120
Speaker 4: that night. What's the weird to show you? Fuck to?

1869
01:30:05,120 --> 01:30:10,960
Speaker 4: Infomercials don't count. Probably Unsolved Mysteries. It sounds right crazy

1870
01:30:11,160 --> 01:30:14,599
Speaker 4: playing in the background that good music. Like I didn't

1871
01:30:14,600 --> 01:30:17,599
Speaker 4: give a fuck. I wasn't I wasn't looking for the remote,

1872
01:30:17,640 --> 01:30:19,280
Speaker 4: I didn't care what was on the TV. But I

1873
01:30:19,320 --> 01:30:23,400
Speaker 4: definitely remember Unsolved Mysteries playing in the background. Just recently,

1874
01:30:23,439 --> 01:30:28,439
Speaker 4: I watched the My The Worst X or whatever Netflix,

1875
01:30:28,479 --> 01:30:30,599
Speaker 4: and that was just bad in the background, like they

1876
01:30:30,600 --> 01:30:32,559
Speaker 4: were getting raped and murdered.

1877
01:30:32,600 --> 01:30:35,400
Speaker 3: I was like, this is just this is episode with

1878
01:30:35,439 --> 01:30:40,840
Speaker 3: the fake cop. Yes, she owned it. She owned the

1879
01:30:40,920 --> 01:30:44,920
Speaker 3: Uh what was the restaurant? She owned the Golden Crush.

1880
01:30:45,040 --> 01:30:45,240
Speaker 2: Yeah.

1881
01:30:45,560 --> 01:30:49,440
Speaker 4: I'm like, I mean I could tell by that guy, and.

1882
01:30:50,560 --> 01:30:52,439
Speaker 3: You knew that from the Gate, like, yo him, how

1883
01:30:52,479 --> 01:30:54,400
Speaker 3: you trust him? Like he just came out of nowhere

1884
01:30:54,439 --> 01:30:58,479
Speaker 3: with a gun. That badge looked crazy. That was wild.

1885
01:30:58,600 --> 01:30:59,479
Speaker 3: That story was wild.

1886
01:31:00,320 --> 01:31:02,280
Speaker 4: Yeah. I feel for that woman. Yeah, that was crazy.

1887
01:31:02,479 --> 01:31:03,960
Speaker 4: And the whole time I'm thinking, like, all right, they

1888
01:31:03,960 --> 01:31:06,040
Speaker 4: don't have the daughter in this, I'm spoiling ship. It

1889
01:31:06,160 --> 01:31:08,160
Speaker 4: was like, the daughter's definitely gonna get murdered. Nah, I

1890
01:31:08,240 --> 01:31:09,719
Speaker 4: was just fraud and she went to jail.

1891
01:31:10,200 --> 01:31:11,720
Speaker 3: That was crazy though, the way he was trying to

1892
01:31:11,720 --> 01:31:15,360
Speaker 3: set that up. Those cops were long in prison. Yeah,

1893
01:31:15,880 --> 01:31:18,240
Speaker 3: the cops came on like boasting, I gotta good.

1894
01:31:18,240 --> 01:31:20,120
Speaker 4: We are like, nah, you just ruined a woman's life

1895
01:31:20,479 --> 01:31:22,679
Speaker 4: because cops didn't even look into a bit of evidence.

1896
01:31:22,720 --> 01:31:23,439
Speaker 4: I didn't finish that.

1897
01:31:23,439 --> 01:31:25,680
Speaker 3: I gotta I only watched theirs, the first one and

1898
01:31:25,760 --> 01:31:32,280
Speaker 3: then that the second one. Yeah, with the Golden crush.

1899
01:31:30,960 --> 01:31:33,040
Speaker 4: But I know that I know that guy, and these

1900
01:31:33,040 --> 01:31:36,840
Speaker 4: guys from Queens we all do. Like right away, she.

1901
01:31:37,000 --> 01:31:38,760
Speaker 3: Right through that bullshit and that badge like get out

1902
01:31:38,760 --> 01:31:39,920
Speaker 3: of here, man, you're a scam artist.

1903
01:31:41,000 --> 01:31:45,360
Speaker 4: And exactly the neighborhood they was in, and from the beginning,

1904
01:31:45,439 --> 01:31:49,600
Speaker 4: I was like, definitely not a cop, definitely not not

1905
01:31:49,640 --> 01:31:52,040
Speaker 4: even close. That guy was sick and then he was

1906
01:31:52,040 --> 01:31:55,160
Speaker 4: maintaining his innocence at the end. Crazy. Yeah, y'all gonna

1907
01:31:55,160 --> 01:31:57,200
Speaker 4: see the full story. It's gonna all come like he

1908
01:31:57,240 --> 01:32:00,360
Speaker 4: was some Jesse Smolet ship like if I kill myself,

1909
01:32:01,120 --> 01:32:04,800
Speaker 4: your knock it off man to get the fuck out

1910
01:32:04,800 --> 01:32:08,320
Speaker 4: of here. But yeah, I guess we spoiled half that episode.

1911
01:32:08,320 --> 01:32:09,680
Speaker 4: But there's four other ones that are great. Yeah, I

1912
01:32:09,680 --> 01:32:10,320
Speaker 4: gotta finish that.

1913
01:32:11,000 --> 01:32:14,840
Speaker 3: But we are in London Wednesday at the Clapping Grand

1914
01:32:15,439 --> 01:32:16,840
Speaker 3: September eighteenth.

1915
01:32:16,880 --> 01:32:18,599
Speaker 4: Friends coming through, some people coming out.

1916
01:32:18,960 --> 01:32:24,080
Speaker 3: Tickets are still available now at New New roryanmaul dot com.

1917
01:32:24,640 --> 01:32:27,880
Speaker 3: Hope to see everybody there. And yeah, man, were about

1918
01:32:27,880 --> 01:32:29,160
Speaker 3: to get out of here. We're going to check out.

1919
01:32:29,439 --> 01:32:30,760
Speaker 3: We're going to see rap City.

1920
01:32:30,600 --> 01:32:34,479
Speaker 4: Yeah, rap City. We're gonna see Alchemists Rock Marcie. I'm

1921
01:32:34,520 --> 01:32:35,080
Speaker 4: excited to see.

1922
01:32:35,080 --> 01:32:37,200
Speaker 3: I've never seen rap City live and I never see

1923
01:32:37,240 --> 01:32:39,960
Speaker 3: great Rock live, so and those are two of my favorites.

1924
01:32:39,960 --> 01:32:44,639
Speaker 4: So and we're seeing our first guest ever Earl Sweatshirt.

1925
01:32:45,640 --> 01:32:47,760
Speaker 4: Oh yes, Early Damn Earl is here too.

1926
01:32:48,040 --> 01:32:50,400
Speaker 3: He's hap We missed every day people last night, which

1927
01:32:50,439 --> 01:32:53,760
Speaker 3: is crazy or whatever. Man, so yeah, we want our

1928
01:32:53,800 --> 01:32:56,080
Speaker 3: way to go check out rap City. So yeah, we'll

1929
01:32:56,120 --> 01:32:59,360
Speaker 3: talk to y'all soon again. Tickets are still available now

1930
01:32:59,400 --> 01:33:01,519
Speaker 3: for the show, So Tom eighteenth at the Clapping Grand

1931
01:33:01,600 --> 01:33:04,120
Speaker 3: in London. I hope to see some of y'all there.

1932
01:33:04,800 --> 01:33:07,559
Speaker 3: It's gonna be a fun night. And yeah, well told

1933
01:33:07,560 --> 01:33:09,639
Speaker 3: to y'all. Soon we out of here. Peach, good peach

1934
01:33:09,680 --> 01:33:14,559
Speaker 3: called a peach was was was sniffing gas last night

1935
01:33:14,680 --> 01:33:17,479
Speaker 3: on a nitrous a canon of a whipp it what

1936
01:33:17,520 --> 01:33:20,200
Speaker 3: was it? Whippet nitrous oxide?

1937
01:33:20,520 --> 01:33:22,559
Speaker 4: The ship peage has been putting in this group chat

1938
01:33:22,760 --> 01:33:25,960
Speaker 4: with no context. First night, Yo, did anyone else get

1939
01:33:25,960 --> 01:33:30,000
Speaker 4: pink eye? No Peach, nobody else got pink no contact,

1940
01:33:30,200 --> 01:33:32,840
Speaker 4: never said anything after that. Then the next the next

1941
01:33:32,920 --> 01:33:36,479
Speaker 4: day was just a photo of a whippet of like, yo,

1942
01:33:36,520 --> 01:33:38,240
Speaker 4: I got this this laughing guests.

1943
01:33:38,560 --> 01:33:40,120
Speaker 3: And he found it on the street, picked it up

1944
01:33:40,120 --> 01:33:42,080
Speaker 3: and wondered why he got pink eye. That's how you

1945
01:33:42,120 --> 01:33:46,320
Speaker 3: get pinky He gave the whippet. We'll talk to y'all soon.

1946
01:33:46,400 --> 01:33:49,200
Speaker 3: Be safe, be blessed. I'm that nigga. He's just ginger peace.

1947
01:33:49,840 --> 01:33:51,120
Speaker 2: No