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Speaker 1: So is this the new norm? Is my question? Is

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Speaker 1: the new norm that you come five minutes late to

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Speaker 1: all of our sessions? It's three minutes, you fucker. Let

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Speaker 1: me tell you something. We have a very fancy We

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Speaker 1: got a very fancy guest, and the very fancy guest

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Speaker 1: sitting sitting alone in his closet, and you're what are

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Speaker 1: you doing making a drink? No, I was about to

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Speaker 1: get my GTS kombucha. Actually I was asking. I was

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Speaker 1: gonna ask for like five minutes so I could get

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Speaker 1: a GTSC. We'll not five minutes five seconds shipment. Today,

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Speaker 1: I got a big old ship. I got a ship like,

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Speaker 1: I got a real shipman, not like not that like

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Speaker 1: you know what interested Yeah, now, not that we're interested

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Speaker 1: in advertising in your on your podcast shipment. I got that, yo.

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Speaker 1: You know you got to talk about it. You got

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Speaker 1: to talk about us every time you talk to start

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Speaker 1: this podcast shipment. So I got that big ass Kimbuocha shipment.

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Speaker 1: And I've already gone through two of them bad boys.

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Speaker 1: You might Yeah, Donald, we were on a call Kimbuche

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Speaker 1: has become a sponsor of the show, and we are

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Speaker 1: on a call with them, and Donald and I genuinely

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Speaker 1: drink it. So it was a no brainer. And Donald's like,

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Speaker 1: let me ask you something. Since we have the inventor

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Speaker 1: of this on the phone, how many do you recommend

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Speaker 1: I can have a day? And the guy the Guy's like, well,

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Speaker 1: I think three is probably probably the max you want

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Speaker 1: to have a day. And Don was like, okay, good, good, good,

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Speaker 1: So you might want to pace bro, They're gonna be

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Speaker 1: gone soon. Man, They're gonna be gone. Listen, let me

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Speaker 1: my wife, my kids. Oh it's a rap. We have

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Speaker 1: a very First of all, this episode is fucking hilarious,

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Speaker 1: very funny episode. I laughed so many times. And I

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Speaker 1: was on a text with with Donald then Bill right

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Speaker 1: before this and about something, and I was like, this

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Speaker 1: episode one twenty is one of the funniest of season one. Yeah. Easy, easy,

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Speaker 1: And we're very handsome guests. Are you nervous? I put

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Speaker 1: on a nice sweatshirt for him. No, I'm not nervous.

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Speaker 1: He and I have worked a lot together. Actually we

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Speaker 1: did Felicity together, we four scrubs and then after Scrubs. Uh,

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Speaker 1: we did a little movie called Let's Kill Ward's Wife

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Speaker 1: together and I played Ward and he directed, and so uh,

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Speaker 1: you know, well, I get I get nervous every time

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Speaker 1: I see Scott Folly because really, yeah, I'm I'm a

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Speaker 1: straight man for the most part, but there are certain

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Speaker 1: men that I get a little shy in front of,

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Speaker 1: and okay, Folly is one of them. Really, I don't

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Speaker 1: want to play hide the peep with him, but I

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Speaker 1: get a little, I get a little jittery. Would you play?

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Speaker 1: Would you play tip to tip? I don't want to

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Speaker 1: touch tips. I just listen. I am secure enough in

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Speaker 1: my in my sexuality to be able to say that

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Speaker 1: I get a little, I get a little a flutter.

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Speaker 1: Oh okay, I don't want to go tip to tip

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Speaker 1: with Scott Folly, but I I do think he's a

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Speaker 1: He's very dreamy to look at, and I I also

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Speaker 1: really like him as a human being. He's a he's

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Speaker 1: a very sweet man. Okay, should we invite him in? Yeah?

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Speaker 1: Why not? I mean, I'm excited dan him in, Dan

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Speaker 1: allow him in. We put him in a green room.

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Speaker 1: Oh my goodness, look handsome man. Just talking about you

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Speaker 1: you were yeah, Donald was saying that you guys have

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Speaker 1: worked on several projects together. Not wait before we get

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Speaker 1: into this, Let's make sure he's recording. Are you record?

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Speaker 1: I think I'm recording on here right the phone? Yes, yes,

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Speaker 1: good many A guess I got this sub scuff fully,

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Speaker 1: but there's something that tells me that you're going to

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Speaker 1: do it right. Look so handsome looking at him, Look

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Speaker 1: at him. I'm looking wait wait, I was gonna wait

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Speaker 1: a beat to tell him he was handsome. Donald, You

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Speaker 1: went right for it. Can I tell you this. I

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Speaker 1: watched the episode not that long ago. I've watched it

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Speaker 1: a couple times since we talked about me being on this,

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Speaker 1: and this is the first time my hair has been

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Speaker 1: the same length as it was during that episode. And

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Speaker 1: I have the pandemic to think, Scott, you got an intro.

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Speaker 1: I don't think another man in nine years got the

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Speaker 1: intro that we normally reserved for the beautiful woman. And

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Speaker 1: walking in with the slow motion and the fan and

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Speaker 1: the literally angels going oh, it was a bit much

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Speaker 1: and I was a little overwhelmed. And I think you

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Speaker 1: can tell that in my performance. It was hilarious though.

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Speaker 1: And eating jello eating jello, I mean I remember them,

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Speaker 1: I remember them coming to me saying like, what do

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Speaker 1: you want to eat? I was like, that's a hospital right,

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Speaker 1: and they're like Jello. It is the way Sarah's character

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Speaker 1: is so randy for you in this I had forgotten,

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Speaker 1: you know, we obviously, Scott, we go back. We haven't

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Speaker 1: seen these in twenty years, and so it's fun for

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Speaker 1: Doll and I because even though we're the stars of

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Speaker 1: the show, we're watching it like a new being, like, oh,

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Speaker 1: that's a funny episode. And I had totally forgotten how

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Speaker 1: in this episode Sarah is like really horny, frankly and

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Speaker 1: riled up, like she's like she's She literally says if

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Speaker 1: I don't sleep with him, I'm gonna kill myself, right,

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Speaker 1: and then says she said she she'd suck on his

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Speaker 1: foot or something, and he's like what they went? They

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Speaker 1: went to a law of lengths with this, between the

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Speaker 1: sucking on the foot, talking about needing to sleep with me,

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Speaker 1: begging me to ask her out do it, dropping stuff,

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Speaker 1: and doing bizarre contortions, which, by the way, works for

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Speaker 1: anybody out there. It was really funny though, because it's

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Speaker 1: not something you often see on a show, like you

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Speaker 1: always see like the man being like neurotic and frantic.

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Speaker 1: How do I get her? And I'm so attracted to

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Speaker 1: her I'm so horny, you know, and this. I thought

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Speaker 1: this was funny that Sarah. First of all, Sarah was

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Speaker 1: very funny doing it, but she's so on a mission

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Speaker 1: to get laid. Yeah, I am, you know, it's funny.

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Speaker 1: I had so many thoughts watching this. Sorry, you're gonna

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Speaker 1: see my lights go on and nobody can see that

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Speaker 1: because we're I'm a podcast. I'm gonna I'm in a

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Speaker 1: closet where it's got one of those automatic lights. You

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Speaker 1: walk in and it turns on, and if I'm sitting

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Speaker 1: here and not moving, then it's gonna go dark. That's

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Speaker 1: the kind of fancy house that Scott Foli has. Everyone

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Speaker 1: he has a light that turns on with his mom.

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Speaker 1: Some people have the clapper, some people have light switches.

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Speaker 1: Scott Foli has movement Listen. One day, if you have

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Speaker 1: the level of success of legendary actor Scott Fully, you

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Speaker 1: could get one of these motion lights in your closet.

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Speaker 1: Uh huh. I think all of your closets have that.

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Speaker 1: Um no. I was so impressed. First of all, what

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Speaker 1: a time capsule. These things are right, like not just

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Speaker 1: the references, but everything you see, like the TV you

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Speaker 1: guys are watching in the beginning. It is an old

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Speaker 1: vacuum tube television, right, you know, which you just don't

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Speaker 1: see anymore. Plus, you guys are talking about watching Iron Chef,

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Speaker 1: which somehow has stood the test of time, because I

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Speaker 1: think it's still on. I think they're still making Yeah.

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Speaker 1: I think back then it was like Iron Chef was

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Speaker 1: an import and now it's domestic. I don't know that

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Speaker 1: there is there a domestic Iron Chef, yes and stuff. Yeah,

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Speaker 1: but it was also it was also so impressive to

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Speaker 1: me to see, you know, this is the we're getting

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Speaker 1: towards the end of the first season, if I'm not mistaken. Yeah,

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Speaker 1: And you guys have your characters dialed in at this

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Speaker 1: point already. I've been on a bunch of television shows

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Speaker 1: where it's not until like end of season three where

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Speaker 1: people are like, oh, oh, I know who this guy is. Right,

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Speaker 1: you guys are dialed in to a person like from

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Speaker 1: Kelso to Cox to you guys to Sarah to like,

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Speaker 1: it's amazing and being able to jump into that, you know,

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Speaker 1: it was such an interesting character that I got to

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Speaker 1: play here. But but you're right, watching Sarah and that

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Speaker 1: character totally go for it was such an interesting thing

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Speaker 1: because you always see it from the other side, don't you. Yeah,

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Speaker 1: And she's really fucking funny. I mean, we say this,

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Speaker 1: this is our twentieth episode of this Scott, fully believe

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Speaker 1: it or not. It's become a hit and we can't

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Speaker 1: believe it ourselves. But this is our twentieth one, and

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Speaker 1: I We've said it a bunch of times, but Sarah

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Speaker 1: Chalk is so fucking funny. I mean this episode in particular,

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Speaker 1: she is so fucking funny in this episode. She's so talented,

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Speaker 1: she's so beautiful, she is so good at what she does,

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Speaker 1: and she goes for it, man. And that's what I

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Speaker 1: appreciated most about this show is that, you know, there

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Speaker 1: are things that you would read on the page, you

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Speaker 1: think like, oh, how am I going to do that?

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Speaker 1: And everybody, to a person goes for it. And I

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Speaker 1: think that's what really made this show successful and what

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Speaker 1: makes it stand the test of time, even though we're

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Speaker 1: still looking at old TV. It's all good. Well, let's

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Speaker 1: speaking of we have a lot to talk about, Donald,

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Speaker 1: but I think we should sing first, um and we Scott,

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Speaker 1: I was about to say, speaking of successful, let's get

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Speaker 1: into that successful theme song about six seven eight so

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Speaker 1: you want to do it? No, I like it the song.

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Speaker 1: I would like Scott fully to count seven, okay, go

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Speaker 1: five six seven, eight? Stories about show we made about

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Speaker 1: a bunch of dots and nurses said, he's a stories

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Speaker 1: should so yetto around here? Are yeado around here? A M.

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Speaker 1: That's the first time in podcast, sister, we stopped the

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Speaker 1: opening theme song. And I'm sorry, Donald, I didn't mean

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Speaker 1: to question your no no no no no no no

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Speaker 1: no no no no no no no no. It's just

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Speaker 1: excited about a VIP guest, and I like, give him

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Speaker 1: the honor. He was really excited to go for it.

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Speaker 1: I'm not I'm not at all hurt in any way. No,

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Speaker 1: you know you're we are we are, we are partners

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Speaker 1: in this, and I don't want you to ever think

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Speaker 1: I would ever question when it's time to sing the song.

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Speaker 1: It was to your harmony. Your harmony with that song

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Speaker 1: is something that that my wife and I have had

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Speaker 1: conversations about. We go for it, We go for it's

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Speaker 1: really good. No listen, Scott. When we made the song,

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Speaker 1: we were like okay, but I was like, well, how

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Speaker 1: do we how do we do it? Now? How do

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Speaker 1: we you know? We made the song, but how are

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Speaker 1: we were both gonna sing all the lyrics? And Donald's like,

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Speaker 1: don't worry, I got this, and he like came up

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Speaker 1: with all those harmonies. I was like, Zach was like,

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Speaker 1: I'll just send you a I'll send you my verse.

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Speaker 1: I'll sing the whole song and I'll send it to

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Speaker 1: you and you just sing, because originally we were going

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Speaker 1: to do it where we split up the words. Yeah, right,

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Speaker 1: And he was like, I'll sing the whole thing and

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Speaker 1: you just pick where you wanna sing and we'll have

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Speaker 1: Charlie cut us in. And I heard him sing and

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Speaker 1: I was like, I think he sounds amazing. The only

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Speaker 1: way that this is gonna work is if I just

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Speaker 1: back him up with some If I sing the whole

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Speaker 1: thing too exactly exactly, this is good, but you know

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Speaker 1: what's gonna one's gonna make it better if I do

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Speaker 1: really need if I do really showy harmonies over all

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Speaker 1: of this, well, it works and we are fans, so

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Speaker 1: good job, right right? Right? Of course, Donald, I knew

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Speaker 1: we should go back to what I was gonna say

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Speaker 1: that let's go obvious Scott's career. I'll do a little

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Speaker 1: we'd have to go back a little bit, Scott. The

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Speaker 1: first time I remember hearing about you was on a

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Speaker 1: very very successful show, solely successful because of Donald's phase on,

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Speaker 1: but I believe you were on it too. It was

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Speaker 1: called Felicity, that's correct. Donald and I met for the

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Speaker 1: first time on Felicity, and I remember being like, holy shit,

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Speaker 1: the clueless guy's here. That's what happens every time he

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Speaker 1: walks into a restaurant. Of course, of course, but I also,

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Speaker 1: I mean Donald was great on that, and you were you.

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Speaker 1: You had that, you were going through this phase where

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Speaker 1: you were trying to be ripped. You were. I remember

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Speaker 1: I think the first table read you came in, you

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Speaker 1: were carrying like a three gallon Jerry can of water. Yeah, crazy,

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Speaker 1: the amount of water you would drink every day, and

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Speaker 1: you were shredded and we'd play basketball in the parking

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Speaker 1: lot out there. And actually I remember, I think you've

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Speaker 1: been on the show off and on for a season

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Speaker 1: or two, maybe three, and before before Scrubs came around, right, yeah, yeah,

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Speaker 1: And I remember talking to you. You had done the

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Speaker 1: pilot and you were telling me about it and you said,

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Speaker 1: I don't know, man, it's really funny. It's from this

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Speaker 1: young Rider. Uh, he did Spin City and we got

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Speaker 1: a good group. And I saw the pilot and it's

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Speaker 1: really funny. I think it's gonna take off. And I

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Speaker 1: was like, yeah, good for you. Let's keep playing basketball. Yeah,

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Speaker 1: and I season later. Yeah, we had a lot of

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Speaker 1: conversations just about work back back then. Also, you know,

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Speaker 1: I don't know how knew you were to the game,

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Speaker 1: but you had been working. You did you had done Felicity,

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Speaker 1: You had done Scream two or was it Scream three?

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Speaker 1: I've done before Felicity. I had done Dawson's Creek, which

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Speaker 1: was sort of my introduction to the back then was

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Speaker 1: the WB the now defunct WB World, Um, which was

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Speaker 1: Felicity your first big leading part. Felicity was my first

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Speaker 1: big leading part. Yeah. Yeah, and you know it was

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Speaker 1: it was really the uh the springboard that and I'm

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Speaker 1: so grateful for it that that allowed me to be

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Speaker 1: a part of your show and sort of everything that's

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Speaker 1: come sense. And um, and when you guys, are you

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Speaker 1: guys still friendly? Um? The three of you, the three

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Speaker 1: of you, the love Triangle, we're not not friendly. Um,

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Speaker 1: you don't like you know, I mean Donald where you're

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Speaker 1: not like having him over and and and putting his

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Speaker 1: putting his kids in a in a bouncy castle. No,

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Speaker 1: I'm We're not like that. But but we got together

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Speaker 1: last year four It was the twentieth reunion of Felicity UM,

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Speaker 1: which was amazing and we got so many people together.

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Speaker 1: We went to the u at X, the Austin Television Festival,

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Speaker 1: and I think they screened an episode and we all

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Speaker 1: sat on stage with a bunch of people ask us questions.

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Speaker 1: There was a modern It was really great with the

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Speaker 1: first time we'd all been together in you know, seventeen

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Speaker 1: eighteen years. Wow. Yeah, it was really really fun man.

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Speaker 1: And I, you know, I'd always said I don't think

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Speaker 1: you know, they talk about doing reboots, and I always said,

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Speaker 1: I don't think you can do a reboot of Felicity

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Speaker 1: because it was so specific to UM, not just that

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Speaker 1: time in a person's life when we were all so

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Speaker 1: much younger, but to that period of the world of

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Speaker 1: our existence. And I sort of changed my mind, UM

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Speaker 1: after being with him, because I I just missed them

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Speaker 1: all so much, and I remembered the feelings that I had,

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Speaker 1: both good and bad, and I sort of yearned for them.

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Speaker 1: So if you know, you I think we have an

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Speaker 1: exclusive right here on the Fake Doctors will friend Scott

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Speaker 1: Foley is willing to do a Felicity reboot. Everybody that

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Speaker 1: would be interesting around again, it wouldn't be anough could

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Speaker 1: Donald be on too? I would only support it different

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Speaker 1: My character lives. My character lives, so it's a possibility,

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Speaker 1: right good, Um, I only supported if you get to

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Speaker 1: go back Tonal. It would be very interesting to see

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Speaker 1: if everybody is h still friendly from the cast in

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Speaker 1: the show, you know what I mean, Like guys from

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Speaker 1: in college together, and you guys all lived together kind

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Speaker 1: of sort of, and you guys all dated each other,

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Speaker 1: but it was college and usually you know, I didn't

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Speaker 1: go to college, but I don't have a lot of

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Speaker 1: fringe from my you know, early that I still hang

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Speaker 1: out with from my early twenties that I still hang

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Speaker 1: out with. So it would be really interesting to see

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Speaker 1: what happened after you guys all left NYU. So I

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Speaker 1: remember when there was a controversy when Carry Russell cut

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Speaker 1: her hair, like people lost their minds? Right yeah? And

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Speaker 1: I remember being like, I remember, I remember I didn't

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Speaker 1: watch the show, but I remember being like, are people

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Speaker 1: really up in arms that Garry Russell cut her hair.

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Speaker 1: People were up in arms and it was it's to

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Speaker 1: this day. I think the thing that um people talk

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Speaker 1: about the most when they talk about the show, and

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Speaker 1: the interesting thing is that it was scripted, like she

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Speaker 1: cut her hair on the show and somehow it it

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Speaker 1: gained tracks. And is this urban legend that she did

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Speaker 1: it on her own because she was angry or wanted

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Speaker 1: to change or get away from the character. We cut it.

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Speaker 1: You actually see it in season two of the show,

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Speaker 1: her cutting her hair, and I thought she looked more

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Speaker 1: beautiful with the short hair than she did with the

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Speaker 1: long But you know that people just loved it. I'm

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Speaker 1: just just making up that people loved her hair so

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Speaker 1: much that they were like, how dare you? It was

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Speaker 1: a lot of hair, dude, it was a lot of hair.

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Speaker 1: I'm assuming, as I recall, she had beautiful, curly, long hair,

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Speaker 1: and people were like, dare you? Yeah, I mean it

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Speaker 1: enviable hair. Yeah, yeah, it looked like she had been

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Speaker 1: growing it since birth. That's how beautiful the hair was.

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Speaker 1: Russell was on our show. She was a love interest

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Speaker 1: of mine. Is that right? On Scrubs? Yeah? Yes, she

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Speaker 1: did a couple of episodes just like, well, you did

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Speaker 1: way more episodes. Your character tracked four yeah the end.

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Speaker 1: Don't worry, Scott, you did way more, but uh, do

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Speaker 1: me a favor and look up how many she did.

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Speaker 1: But she did too. Yeah, oh Donald, you know that.

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Speaker 1: Yeah that's cool. So now she's talented and great. I kissed,

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Speaker 1: I think, I mean on the show. I think we kissed.

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Speaker 1: It might be we might be lip guarantee, I would

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Speaker 1: guarantee that you remember whether you kissed or not. No,

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Speaker 1: I know. I I remember being very excited that she

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Speaker 1: was a love interest. But JD didn't make out with

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Speaker 1: all his love interests. Joel will look it up for me,

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Speaker 1: did JD? But anyway, Scott, we might be lip cousins. Uh,

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Speaker 1: we're We're definitely weener cousins. We're definitely weener cousins. Donald

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Speaker 1: and I were touching talking about touching tips just before

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Speaker 1: you came on, but not in real life Donald, with

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Speaker 1: Sarah in the character. Yeah, Oh well, I think I

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Speaker 1: hope that's the only crossover. I don't think we had

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Speaker 1: any real life crossover, Scott, fully, and I hope not

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Speaker 1: because the woman would have clearly preferred you. I don't

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Speaker 1: know about that. Although you know, I'm kindly. How dare

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Speaker 1: you you know how handsome you are? Listen, listen, listen,

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Speaker 1: you might be handsome, you know, listen. I know that

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Speaker 1: all of your supporters are out there right now. You know,

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Speaker 1: just you probably bought, you know, quite a few downloads

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Speaker 1: to our podcast just now. Yeah, but it's very kind

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Speaker 1: people who oh your scandal crew? Hey, girls, how y'all

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Speaker 1: doing scandal crew? I'll take that three of us have

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Speaker 1: something else in common, and that is we've all had

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Speaker 1: ABC canceled our shows in season one. Yes, thirteen episodes.

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Speaker 1: He's got thirteen. I got I only got ten, Scott,

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Speaker 1: how many did you get? We got thirteen? Thank goodness?

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Speaker 1: And a trip to Prague? Right right? So for those

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Speaker 1: of you don't know, um, because I guess not enough

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Speaker 1: of you knew. None of us watched. Scott was on

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Speaker 1: a huge budget action series that shot in Prague. He

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Speaker 1: moved his whole family there, which is no small deal

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Speaker 1: because you have two children, right, I have three children.

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Speaker 1: They were three school over there. Yeah. Um. And it

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Speaker 1: was not a, by no means a simple show. I

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Speaker 1: was about. I was going to direct it, but then

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Speaker 1: I had a conflict. But it was a huge budget

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Speaker 1: at sort of James Bond comedic James Bond action show

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Speaker 1: that Bill Lawrence uh six Degrees of Bill Lawrence was

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Speaker 1: the showrunner of, and I thought it was amazing. The

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Speaker 1: pilot was unbelievable. I couldn't believe the scale of it.

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Speaker 1: It looked like it looked like a giant feature. Oh

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Speaker 1: thanks man, and you were so good in it. But anyway,

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Speaker 1: I was, as I was preparing for today, I went

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Speaker 1: all three of us we were stars of ABC and

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Speaker 1: then got a new ABC show that only went half

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Speaker 1: a season. Man, it was just and it's still heartbreaking.

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Speaker 1: My wife and I had a conversation about it a

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Speaker 1: couple nights ago where you know, she was like, oh,

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Speaker 1: I wish we were still in Prague. You know, we

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Speaker 1: just we were so fortunate. And you know, that's one

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Speaker 1: of the great things about and one of the reasons

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Speaker 1: I'm so excited to talk to you guys today because

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Speaker 1: you know, Scrubs for me was it started out as

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Speaker 1: just a gig, right and coming in doing something fun,

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Speaker 1: doing something different, and it has morphed into the relationships

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Speaker 1: that I've made from it. Have I've sustained a lot

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Speaker 1: of what I do and it's it's made me happy.

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Speaker 1: The people that I I've gotten to work with and

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Speaker 1: gone on to work with because of Scrubs have been great.

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Speaker 1: And like you said, Bill Lawrence was the showrunner of

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Speaker 1: Whiskey Cavalier and we were over in Prague together, and

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Speaker 1: you know, without Scrubs that wouldn't have happened. And I

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Speaker 1: think he really showed that you were really funny, Scott.

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Speaker 1: I mean, I think I think that with your other

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Speaker 1: shows that you've known for, um, you know, whether it

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Speaker 1: be Felicity or Scandal. Uh. You know, obviously people know

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Speaker 1: that you as a as a as a great dramatic actor,

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Speaker 1: but I think on Scrubs Bill really gave you a

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Speaker 1: chance to be hilarious. One of my favorite moments of

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Speaker 1: of of of Sean's character was in the script. I

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Speaker 1: say this to Scott all the time and Bill all

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Speaker 1: the time that it literally said in a script Sean

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Speaker 1: forlornly rides a dolphin. And then when I saw the

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Speaker 1: shot of you forlornly riding a dolphin, I thought he

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Speaker 1: fucking nailed that. He literally maybe he really the best

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Speaker 1: screen direction of my That's how I would sum up

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Speaker 1: that shot is Sean forlornly rides a dolphin. Oh thanks man. Well,

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Speaker 1: I will look before I will say this, though, I

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Speaker 1: knew you were funny from when we did Felicity together,

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Speaker 1: when Noh went off the rails and went a little

402
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Speaker 1: batshit crazy, and you got to explore this character who

403
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Speaker 1: was kind of by the book and did everything by

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Speaker 1: the book. Uh refined himself. And I remember doing a

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Speaker 1: bunch of episodes where they were looking for you and

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Speaker 1: we finally found you, and you were like, you were

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Speaker 1: completely out there, and I remember not being able to

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Speaker 1: hold it together when we were doing the takes because

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Speaker 1: you were so funny. So I knew you were funny

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Speaker 1: way before we still before you came on Scrubs. Oh

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Speaker 1: thanks man. I um yeah, I think I think Zach

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Speaker 1: you overstate my my talent by saying I'm a great

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Speaker 1: dramatic actor. I think I'm passable. But Donald, that was

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Speaker 1: that was a bizarre like Season three Tangent where my

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Speaker 1: character Noel decided to change his name to Leon, literally

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Speaker 1: just reverse the letters in his name. They put like

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Speaker 1: a weird wig on me, so I had like blonde

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Speaker 1: tips on my hair. It was the strangest thing. But

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Speaker 1: thank you, Donald, that was It was at least a

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Speaker 1: little chance for me to stretch myself in that character.

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Speaker 1: Now did j j Abrams run all the seasons every season? Yes,

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Speaker 1: every season. He was a gone a little bit on

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Speaker 1: season four on our final season because he had started

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Speaker 1: a show called Alias and so was sort of doing

425
00:21:29,680 --> 00:21:32,480
Speaker 1: his time between both sets. But he was there the

426
00:21:32,520 --> 00:21:34,480
Speaker 1: whole time. Why I was really fortunate. Um you know,

427
00:21:34,560 --> 00:21:37,880
Speaker 1: obviously no one knew that jaj Abens would become JJ

428
00:21:37,960 --> 00:21:42,240
Speaker 1: Abrams back then. You know, do you like Donald occasionally

429
00:21:43,280 --> 00:21:45,399
Speaker 1: put it out there that you're open to being in

430
00:21:45,560 --> 00:21:50,480
Speaker 1: any Star Wars franchises that he's just can I tell

431
00:21:50,520 --> 00:21:53,879
Speaker 1: you it's been. It's been like if if I was

432
00:21:53,960 --> 00:21:57,840
Speaker 1: ever in anything Grunberg, he keeps getting all the love.

433
00:21:57,840 --> 00:21:59,320
Speaker 1: I mean, where the Fox's happening with with Donald and

434
00:21:59,359 --> 00:22:02,199
Speaker 1: Scott Foley. Grumberg and JJ Abrams have been friends since

435
00:22:02,240 --> 00:22:04,160
Speaker 1: they were three years old. Like they were best friends

436
00:22:04,160 --> 00:22:07,359
Speaker 1: in elementary school. They made you know, crappy movies together

437
00:22:07,440 --> 00:22:10,840
Speaker 1: on their Super eight film cameras when they were kids. Uh,

438
00:22:11,200 --> 00:22:13,240
Speaker 1: they were best man at each other's weddings. Look, I

439
00:22:13,280 --> 00:22:15,359
Speaker 1: think JJ knows just by the fact that I'm an

440
00:22:15,400 --> 00:22:19,479
Speaker 1: actor but I would like to be in Star Wars.

441
00:22:20,160 --> 00:22:24,920
Speaker 1: The gotta be more. Donald's very but I would Yeah,

442
00:22:24,920 --> 00:22:26,359
Speaker 1: of course I would love to. And I you know,

443
00:22:26,440 --> 00:22:28,399
Speaker 1: every time he signs on to direct a new one,

444
00:22:28,440 --> 00:22:30,200
Speaker 1: I sent him a text like, Wow, way to go.

445
00:22:30,280 --> 00:22:31,720
Speaker 1: You're not going to see your family for a while.

446
00:22:31,840 --> 00:22:36,479
Speaker 1: I want some friends around. UM. So I'm not sure

447
00:22:36,520 --> 00:22:38,280
Speaker 1: how to take it that he hasn't cast me in.

448
00:22:38,520 --> 00:22:41,240
Speaker 1: You know, you always there's the old story that you

449
00:22:41,359 --> 00:22:43,560
Speaker 1: know someone likes working with you, if they if they

450
00:22:43,640 --> 00:22:45,600
Speaker 1: hire you again and again and again. And I've been

451
00:22:45,840 --> 00:22:48,640
Speaker 1: I've been fortunate with Bill that that that's happened multiple times.

452
00:22:49,080 --> 00:22:53,800
Speaker 1: JJ not so much, you know, build a direct a

453
00:22:53,880 --> 00:22:55,920
Speaker 1: giant ten pole movie. I mean, what's going on? Bill?

454
00:22:56,760 --> 00:23:00,280
Speaker 1: Do you remember he was gonna do Fletch. He rate

455
00:23:00,400 --> 00:23:02,760
Speaker 1: script for Fletch, and I went and I met with him,

456
00:23:02,800 --> 00:23:04,680
Speaker 1: I read with him, and there was a whole long

457
00:23:04,880 --> 00:23:06,960
Speaker 1: Mirramax story that goes with it. But but he was

458
00:23:07,040 --> 00:23:08,280
Speaker 1: on his way. Man. I thought he would have been

459
00:23:08,320 --> 00:23:10,000
Speaker 1: great at that. I know we really need him. I

460
00:23:10,040 --> 00:23:12,160
Speaker 1: don't think he is interested. He loves TV so much.

461
00:23:12,240 --> 00:23:13,800
Speaker 1: But I think for all of us, we would like

462
00:23:13,920 --> 00:23:16,920
Speaker 1: Bill to become a studio tent pole filmmaker, if he

463
00:23:16,960 --> 00:23:21,440
Speaker 1: doesn't mind movies anymore. They do. There's a couple coming out. Yeah,

464
00:23:21,840 --> 00:23:24,680
Speaker 1: they're saying July. They're saying, like the end of July,

465
00:23:24,880 --> 00:23:27,200
Speaker 1: things are gonna pick. You're saying that Chris Nolan movie

466
00:23:27,320 --> 00:23:31,080
Speaker 1: is coming out no matter what Tenant. Oh really right,

467
00:23:31,320 --> 00:23:33,600
Speaker 1: That's what I've been hearing. And then I mean, maybe

468
00:23:33,640 --> 00:23:36,359
Speaker 1: they'll change their mind. But I read something on the

469
00:23:36,440 --> 00:23:39,720
Speaker 1: interwebs that said they're still saying July, which assumes that

470
00:23:39,800 --> 00:23:42,080
Speaker 1: people are going to be willing to go to the

471
00:23:42,160 --> 00:23:44,600
Speaker 1: theater in July. I don't, I don't, I don't know.

472
00:23:44,680 --> 00:23:47,480
Speaker 1: It seems pretty ballsy to release like a two hundred

473
00:23:47,520 --> 00:23:48,760
Speaker 1: million dollars I mean, I don't know if it's not

474
00:23:48,800 --> 00:23:51,119
Speaker 1: much money, but I think sciant movies for that for

475
00:23:52,160 --> 00:23:55,480
Speaker 1: in July. But somethings are filming already, like they're filming

476
00:23:55,520 --> 00:23:58,000
Speaker 1: in certain areas. Juell just said two hundred and five

477
00:23:58,040 --> 00:24:03,800
Speaker 1: million and July seven teenth, that's coming up five million dollars.

478
00:24:04,040 --> 00:24:05,840
Speaker 1: That's that's going to be interesting to see how you

479
00:24:05,880 --> 00:24:08,879
Speaker 1: spend two hundred and five million dollars. I would think, like,

480
00:24:09,000 --> 00:24:11,000
Speaker 1: wouldn't you have to double the amount of theaters because

481
00:24:11,080 --> 00:24:13,280
Speaker 1: the theater is only going to be at half capacity

482
00:24:13,400 --> 00:24:15,800
Speaker 1: just because of social distancing, in order to like they're

483
00:24:15,800 --> 00:24:18,720
Speaker 1: just aren't enough theaters out there. To the money, two

484
00:24:18,800 --> 00:24:21,280
Speaker 1: hundred and five is the production budget, so they're gonna

485
00:24:21,280 --> 00:24:24,080
Speaker 1: put like one hundred million into releasing it. That is

486
00:24:24,560 --> 00:24:27,240
Speaker 1: that's a lot of money. That is a lot of money.

487
00:24:27,440 --> 00:24:29,320
Speaker 1: But I asked my but then you ask yourself how

488
00:24:29,400 --> 00:24:31,399
Speaker 1: much did it cost to make Endgame and all of

489
00:24:31,440 --> 00:24:33,800
Speaker 1: those things? Those things look like they cost half a

490
00:24:33,840 --> 00:24:36,320
Speaker 1: billion dollars. No, but when you've got a built in Marvelonians,

491
00:24:36,359 --> 00:24:40,240
Speaker 1: this movie has no uh mega celebrities in it at all. Yeah,

492
00:24:40,240 --> 00:24:42,960
Speaker 1: but I mean no, I know Chris Nolan is his

493
00:24:43,040 --> 00:24:45,080
Speaker 1: own enterprise. Don't get me wrong, I get it. But

494
00:24:45,600 --> 00:24:48,600
Speaker 1: it's got to be the most amount of money spent

495
00:24:48,960 --> 00:24:55,359
Speaker 1: on an original script. Wow fifty six, Scott, you're not

496
00:24:55,400 --> 00:25:01,639
Speaker 1: supposed to read the producer No, sorry, same thing, Sarah,

497
00:25:02,640 --> 00:25:04,879
Speaker 1: Sarah did the same thing. Scott Donald and I are

498
00:25:04,920 --> 00:25:07,680
Speaker 1: the hosts of the show. You as a guest to

499
00:25:07,840 --> 00:25:10,879
Speaker 1: ignore my producer's notes. Well, no, you know what I

500
00:25:10,960 --> 00:25:16,080
Speaker 1: was doing was pretending that I actually knew the budget Sarah.

501
00:25:16,280 --> 00:25:18,600
Speaker 1: We had Sarah on and Joelle was like, you know,

502
00:25:18,800 --> 00:25:21,440
Speaker 1: Joelle always gives us little things to help the conversation along,

503
00:25:21,520 --> 00:25:23,800
Speaker 1: and Sarah just starts reading him like, Sarah, that is

504
00:25:23,880 --> 00:25:28,000
Speaker 1: not for the guests. The fact that you needed little

505
00:25:28,040 --> 00:25:30,600
Speaker 1: things to help the conversation along with Sarah for ten

506
00:25:30,720 --> 00:25:33,200
Speaker 1: years is amazing. No, but I said, I said, Sarah,

507
00:25:33,240 --> 00:25:35,440
Speaker 1: what happens if Joelle's running like this is so boring?

508
00:25:35,520 --> 00:25:39,240
Speaker 1: Help her along? You know, like, don't read those Okay,

509
00:25:39,280 --> 00:25:43,960
Speaker 1: So I'm gonna put a piece of tape above my No, no, no, no, no, no, no,

510
00:25:44,200 --> 00:25:47,240
Speaker 1: I'm kidding. I'm kidding Joelle. Joel would never write Scott

511
00:25:47,280 --> 00:25:50,240
Speaker 1: Folly is so boring. Don't worry. Um. She wouldn't be

512
00:25:50,240 --> 00:25:51,720
Speaker 1: the first one anyway. All I was saying was that

513
00:25:51,840 --> 00:25:54,600
Speaker 1: Chris Nolan, I get is it's his own entity, and

514
00:25:54,720 --> 00:25:57,000
Speaker 1: I get that everyone is going to see this movie

515
00:25:57,000 --> 00:25:59,920
Speaker 1: because he's a fucking genius. But I wonder if it's

516
00:26:00,000 --> 00:26:02,600
Speaker 1: the most amount of money ever spent on a on

517
00:26:02,960 --> 00:26:07,080
Speaker 1: on a piece of material that isn't already established piece

518
00:26:07,119 --> 00:26:11,240
Speaker 1: of intellectual property like Marvel or James Bond or the like.

519
00:26:11,480 --> 00:26:14,119
Speaker 1: You know what I'm saying, I don't. I don't know.

520
00:26:14,240 --> 00:26:15,760
Speaker 1: That's a lot of money to have to spend on

521
00:26:15,920 --> 00:26:18,880
Speaker 1: something and it not work, you know, Yeah, I don't. Yeah,

522
00:26:18,880 --> 00:26:20,520
Speaker 1: I mean just it's just the amount of money it

523
00:26:20,600 --> 00:26:23,359
Speaker 1: has to make in order for it to be successful

524
00:26:23,600 --> 00:26:26,960
Speaker 1: is just. And especially with Scott's saying, is that the

525
00:26:27,119 --> 00:26:29,840
Speaker 1: talk is that the theaters are only gonna be half full,

526
00:26:30,040 --> 00:26:32,439
Speaker 1: so you can have most distance from eat from each other.

527
00:26:32,640 --> 00:26:35,679
Speaker 1: So then you need to double the amount of screenings. Um,

528
00:26:36,720 --> 00:26:38,760
Speaker 1: you know how that's going to work. What would be

529
00:26:38,880 --> 00:26:42,639
Speaker 1: really interesting is Okay, so Trolls World Tour was supposed

530
00:26:42,680 --> 00:26:44,359
Speaker 1: to come out in theaters and it didn't make it

531
00:26:44,440 --> 00:26:46,920
Speaker 1: to theaters because of the whole COVID thing, right, and

532
00:26:47,000 --> 00:26:51,080
Speaker 1: so they released it on digital the digital platform, but

533
00:26:51,200 --> 00:26:53,000
Speaker 1: you had to rent it. You couldn't buy it. You

534
00:26:53,040 --> 00:26:55,960
Speaker 1: could only rent it, and your rental lasts for about,

535
00:26:56,520 --> 00:26:59,400
Speaker 1: you know, twenty four hours. I wonder how much money

536
00:26:59,480 --> 00:27:03,960
Speaker 1: Trolls World Tour made. Because the model is there to

537
00:27:04,119 --> 00:27:06,560
Speaker 1: put movies out, well, at least right now, if you

538
00:27:06,720 --> 00:27:11,240
Speaker 1: if you really want to watch uh, and they haven't

539
00:27:11,280 --> 00:27:14,040
Speaker 1: really experimented with like big blockbuster movies, but if you

540
00:27:14,080 --> 00:27:17,440
Speaker 1: really want to watch a movie. It's fine to watch

541
00:27:17,520 --> 00:27:20,040
Speaker 1: it at home. I understand they need movie theater money

542
00:27:20,040 --> 00:27:22,560
Speaker 1: because popcorn all of that shit, theaters and everything. But

543
00:27:22,680 --> 00:27:26,679
Speaker 1: I wonder what Trolls World Tour did for Joel if

544
00:27:26,720 --> 00:27:29,280
Speaker 1: can we find that out? I wonder if even I

545
00:27:29,320 --> 00:27:32,560
Speaker 1: wonder if it's even published. Um so, seventy seven million

546
00:27:32,640 --> 00:27:36,720
Speaker 1: Trolls World Tour did That's a lot. I don't know. Yeah,

547
00:27:36,760 --> 00:27:38,520
Speaker 1: well that would be That would be you saying, is

548
00:27:38,520 --> 00:27:40,680
Speaker 1: that the first weekend or is that total? No, that

549
00:27:40,720 --> 00:27:43,680
Speaker 1: would be so when you rent it, because I haven't

550
00:27:43,680 --> 00:27:45,920
Speaker 1: done this yet, when you rent with this new model

551
00:27:45,960 --> 00:27:48,159
Speaker 1: where you rent the movie for twenty four hour? What

552
00:27:48,280 --> 00:27:51,160
Speaker 1: is what did what did Trolls cost you? Twenty bucks

553
00:27:52,080 --> 00:27:54,200
Speaker 1: nineteen ninety nine something? I love. I love the two

554
00:27:54,280 --> 00:27:56,800
Speaker 1: dads know they're like twenty bucks? Yeah, oh yeah please.

555
00:27:57,000 --> 00:27:58,320
Speaker 1: I looked at my wife. I was like, we're spending

556
00:27:58,359 --> 00:28:02,879
Speaker 1: twenty bucks on this? Yeah, all right, several times too,

557
00:28:03,240 --> 00:28:05,960
Speaker 1: so I think how much? Think how much money? You've got?

558
00:28:06,080 --> 00:28:08,200
Speaker 1: Enough the phase ons because you guys are renting it

559
00:28:08,320 --> 00:28:11,000
Speaker 1: multiple times. But it would cost more if we went

560
00:28:11,040 --> 00:28:13,320
Speaker 1: to the movie theater though, because it would be yes,

561
00:28:14,080 --> 00:28:16,080
Speaker 1: twenty bucks each person. You know what I mean, and

562
00:28:16,200 --> 00:28:19,119
Speaker 1: so plus yeah, that's right, plus popcorn and all of

563
00:28:19,119 --> 00:28:20,480
Speaker 1: that stuff. I don't know if they getting money for

564
00:28:20,520 --> 00:28:22,400
Speaker 1: the popcorn, but I'm just saying, I wonder if that's

565
00:28:22,400 --> 00:28:24,760
Speaker 1: a new Seventy seven million is a lot of money

566
00:28:24,800 --> 00:28:27,000
Speaker 1: to make online, Dude, that's a new model they've been

567
00:28:27,000 --> 00:28:28,480
Speaker 1: talking about it. I think it's a it's an interesting

568
00:28:28,520 --> 00:28:29,879
Speaker 1: way to go to tell be what people are going

569
00:28:29,920 --> 00:28:32,720
Speaker 1: to start doing. I mean if because I don't you know,

570
00:28:32,760 --> 00:28:34,520
Speaker 1: Spike Lee said the other day he's not going to

571
00:28:34,560 --> 00:28:36,640
Speaker 1: the theater until there's a vaccine, and I was kind

572
00:28:36,640 --> 00:28:39,720
Speaker 1: of like, yeah, I think I might agree with that. Yeah,

573
00:28:39,800 --> 00:28:42,480
Speaker 1: it makes sense. I mean, my wife's not leaving the

574
00:28:42,520 --> 00:28:46,600
Speaker 1: house till there's a fucking vaccine, you know, And that's

575
00:28:46,640 --> 00:28:49,800
Speaker 1: your choice, right, It's yeah, sure, I have a lot

576
00:28:49,840 --> 00:28:53,240
Speaker 1: to do with that. Donald, your wife is your wife

577
00:28:53,320 --> 00:28:55,360
Speaker 1: more hardcore than you about this? Because Donald's definitely more

578
00:28:55,360 --> 00:28:59,440
Speaker 1: hardcore than his wife. No, my wife is anxiety written

579
00:28:59,800 --> 00:29:03,680
Speaker 1: about everything. She is terrified not just that we're going

580
00:29:03,760 --> 00:29:05,720
Speaker 1: to get it, but that we're all going to die

581
00:29:05,840 --> 00:29:08,640
Speaker 1: from it when we get it. You know. Mind you

582
00:29:09,120 --> 00:29:11,720
Speaker 1: none of us have pre existing conditions. She has made

583
00:29:12,120 --> 00:29:15,280
Speaker 1: five hundred masks and donated them and given them the friends.

584
00:29:15,360 --> 00:29:18,600
Speaker 1: She is all over this, and I still can't leave

585
00:29:18,640 --> 00:29:22,760
Speaker 1: the house. Yeah, it's crazy. It's crazy. My wife doesn't

586
00:29:22,840 --> 00:29:24,680
Speaker 1: like me right now because I'm like, well, maybe it

587
00:29:24,840 --> 00:29:29,600
Speaker 1: started off like this. Maybe maybe in May, honey, maybe no,

588
00:29:30,080 --> 00:29:33,360
Speaker 1: maybe in May. Okay, Well we'll see about May. And

589
00:29:33,440 --> 00:29:35,840
Speaker 1: then May's come around and I'm like, okay, maybe June.

590
00:29:35,960 --> 00:29:41,320
Speaker 1: And she's like, June is here, motherfucker. Listen July. When

591
00:29:41,440 --> 00:29:45,479
Speaker 1: July comes around, I promise you, baby, we're gonna scope

592
00:29:45,480 --> 00:29:48,720
Speaker 1: out the situation and if it's all good, then we

593
00:29:48,800 --> 00:29:51,240
Speaker 1: can go outside. Well, Donald and I got invited to

594
00:29:51,320 --> 00:29:54,240
Speaker 1: go on Now there's this really popular YouTube show called

595
00:29:54,360 --> 00:29:59,520
Speaker 1: Good Mythical Morning and and it's it's a hugely successful show.

596
00:29:59,560 --> 00:30:01,080
Speaker 1: They do it in a normal time, to do it

597
00:30:01,120 --> 00:30:04,160
Speaker 1: every excuse me, every morning, and uh we got an

598
00:30:04,200 --> 00:30:06,120
Speaker 1: invite to do it at the end of July. And

599
00:30:06,440 --> 00:30:09,360
Speaker 1: I was like, I think, right, and you have to

600
00:30:09,440 --> 00:30:11,760
Speaker 1: go in person. They're not doing on on zoom And

601
00:30:12,040 --> 00:30:13,960
Speaker 1: I was like, I think And we were just talking

602
00:30:14,000 --> 00:30:15,840
Speaker 1: about this before the show, like and did July we

603
00:30:15,880 --> 00:30:17,760
Speaker 1: could probably do that, right, And we don't know I

604
00:30:17,840 --> 00:30:20,600
Speaker 1: mean we're both having the conversation, but in our heads

605
00:30:20,680 --> 00:30:22,080
Speaker 1: is like, are we going to be going to do

606
00:30:22,200 --> 00:30:24,440
Speaker 1: a talk show ended July? Is that seemed like are

607
00:30:24,480 --> 00:30:26,760
Speaker 1: we gonna wear masks? Like I don't understand how it's

608
00:30:26,760 --> 00:30:30,280
Speaker 1: gonna I'm a lot of talking face to face too.

609
00:30:31,040 --> 00:30:33,640
Speaker 1: I mean, you know, everybody's got an opinion. Mine is

610
00:30:33,680 --> 00:30:35,840
Speaker 1: I think it's gonna be okay. You know, at a

611
00:30:35,920 --> 00:30:38,840
Speaker 1: certain point, don't don't you have doesn't life have to

612
00:30:38,920 --> 00:30:41,280
Speaker 1: go on? I mean it does, and I know, but

613
00:30:41,360 --> 00:30:43,200
Speaker 1: I but I but but but choosing yeah, life will

614
00:30:43,240 --> 00:30:47,560
Speaker 1: go on, but choosing to go into like making choices

615
00:30:47,600 --> 00:30:48,880
Speaker 1: that are like I'm gonna go sit in a movie

616
00:30:48,880 --> 00:30:50,520
Speaker 1: theater with a bunch of people that might be coughing,

617
00:30:50,640 --> 00:30:53,480
Speaker 1: or I'm gonna go into a tight elevator or a restaurant.

618
00:30:53,480 --> 00:30:55,440
Speaker 1: I mean those choices. I don't know. I might we

619
00:30:55,600 --> 00:30:57,960
Speaker 1: might hold hold off on those. We gotta go to

620
00:30:58,040 --> 00:30:59,840
Speaker 1: a break because that's what we have to do, because

621
00:30:59,840 --> 00:31:01,920
Speaker 1: this is a real show that has breaks and ads

622
00:31:01,960 --> 00:31:04,560
Speaker 1: and ship Scott Fully, this isn't like bullshit show. This

623
00:31:04,680 --> 00:31:07,680
Speaker 1: is a show. No it's not. You guys have supporters, now, yeah,

624
00:31:07,760 --> 00:31:10,520
Speaker 1: we have and we have real fancy ones too, um

625
00:31:10,880 --> 00:31:22,000
Speaker 1: and here here's something, here's some of them. Are ever

626
00:31:24,600 --> 00:31:27,200
Speaker 1: do that? I that, I do that. I hold off

627
00:31:27,240 --> 00:31:32,840
Speaker 1: to see who's gonna do it. We're like that. The

628
00:31:32,960 --> 00:31:35,160
Speaker 1: shame you guys don't enjoy this because of the delay,

629
00:31:35,320 --> 00:31:37,560
Speaker 1: nothing we ever do is in sync. So we sometimes

630
00:31:37,600 --> 00:31:39,840
Speaker 1: asked Dan in post to make it seem like we

631
00:31:39,960 --> 00:31:42,720
Speaker 1: know how to sing at the same time, Can you

632
00:31:42,760 --> 00:31:45,320
Speaker 1: guys give me a minute to run and grab my notes?

633
00:31:45,480 --> 00:31:47,840
Speaker 1: And yeah, but don't run, don't don't take a deuce. Dude,

634
00:31:47,880 --> 00:31:52,000
Speaker 1: we got Scott Fully here. Scott Fully, I would never

635
00:31:52,160 --> 00:31:55,840
Speaker 1: deuce on your time. Okay, thank you. His minute is

636
00:31:55,880 --> 00:31:58,080
Speaker 1: the equivalent of him learning learning his lines on scrubs.

637
00:31:58,240 --> 00:32:00,440
Speaker 1: This is what happened, glad. You know we talked a

638
00:32:00,480 --> 00:32:02,200
Speaker 1: lot about this. Will you please say that when he

639
00:32:02,240 --> 00:32:06,400
Speaker 1: comes back or not learning his lines, I should say no,

640
00:32:06,760 --> 00:32:10,000
Speaker 1: he's gone away. He claims he's turned over a new leaf,

641
00:32:10,560 --> 00:32:13,160
Speaker 1: but I think that's just because he's worried that potential

642
00:32:13,280 --> 00:32:16,080
Speaker 1: directors and showrunners might be listening to the podcast and

643
00:32:16,160 --> 00:32:19,640
Speaker 1: won't hire him. So he has this whole thing where

644
00:32:19,680 --> 00:32:22,360
Speaker 1: he says that he's he's turned over a new leaf,

645
00:32:22,400 --> 00:32:25,960
Speaker 1: and now he learns his lines. Well, how it's a pandemic,

646
00:32:26,120 --> 00:32:28,560
Speaker 1: that's his new leaf. There's nothing to learn. I know.

647
00:32:28,880 --> 00:32:30,680
Speaker 1: He also said he quit weed, but I think that

648
00:32:30,920 --> 00:32:34,080
Speaker 1: I will ask him if that's if that's lasted. Why

649
00:32:34,280 --> 00:32:37,880
Speaker 1: is your wife's Instagram handle the mean Chick? She seems

650
00:32:37,920 --> 00:32:41,520
Speaker 1: like such a nice person, does she. Well, I don't

651
00:32:41,560 --> 00:32:43,959
Speaker 1: know where that well, but every time I've hung out

652
00:32:44,000 --> 00:32:47,400
Speaker 1: with her, she seems delightful. She is delightful her her.

653
00:32:47,760 --> 00:32:50,640
Speaker 1: She's Polish and her last name is Domin Chick or

654
00:32:50,720 --> 00:32:53,240
Speaker 1: Domean Chick, which sounds like the mean chick. So every

655
00:32:53,280 --> 00:32:55,600
Speaker 1: time someone has has a hard time pronouncing her name,

656
00:32:55,880 --> 00:32:57,720
Speaker 1: she just says it sounds like the mean chick. So

657
00:32:57,800 --> 00:32:59,640
Speaker 1: that's oh, I thought there. I thought it was like

658
00:32:59,680 --> 00:33:01,880
Speaker 1: a thing like, look, you might think I'm nice, but

659
00:33:02,000 --> 00:33:05,560
Speaker 1: I'm a bitch. No, no, no, she's she's an asshole.

660
00:33:05,600 --> 00:33:08,400
Speaker 1: But god, I love her. And she had a good

661
00:33:08,440 --> 00:33:12,560
Speaker 1: part on your show, too, didn't she. Yeah, I forgot.

662
00:33:12,640 --> 00:33:15,080
Speaker 1: Did she have a recurring or something? She had she

663
00:33:15,160 --> 00:33:16,479
Speaker 1: had a recurring role, And that was sort of one

664
00:33:16,520 --> 00:33:19,240
Speaker 1: of them. One of the caveats I had when I

665
00:33:19,360 --> 00:33:23,120
Speaker 1: was when I was talking about shooting this show in Prague.

666
00:33:23,400 --> 00:33:24,640
Speaker 1: You know. I was like, you guys want me to

667
00:33:24,720 --> 00:33:27,560
Speaker 1: move over to Prague for a year. And I got

668
00:33:27,600 --> 00:33:29,680
Speaker 1: a wife who's a working actress. I got three kids,

669
00:33:29,720 --> 00:33:31,320
Speaker 1: and I'm gonna put in school, like I can't ask

670
00:33:31,360 --> 00:33:33,080
Speaker 1: her to stop. And Bill was like, she could be

671
00:33:33,160 --> 00:33:35,880
Speaker 1: on the show. Yeah, you know whatever. Bill is a

672
00:33:35,920 --> 00:33:38,479
Speaker 1: good salesman. He's like, I just I just discovered who

673
00:33:38,520 --> 00:33:41,480
Speaker 1: our new recurring role is. Yeah, you know, but that

674
00:33:42,480 --> 00:33:44,440
Speaker 1: it was a It was a it was a smart

675
00:33:44,520 --> 00:33:46,800
Speaker 1: move on his part and and ours. Actually, you know,

676
00:33:46,840 --> 00:33:51,400
Speaker 1: shooting over in Prague was um obviously much better for

677
00:33:51,440 --> 00:33:54,560
Speaker 1: the budget. The tax breaks and the cost of doing

678
00:33:54,600 --> 00:33:57,120
Speaker 1: business over there a substantially lowers so and and just

679
00:33:57,200 --> 00:33:59,320
Speaker 1: the production value. You know, there's a shot in the pilot.

680
00:33:59,320 --> 00:34:00,720
Speaker 1: By the way, if you haven't seen the show, go

681
00:34:00,840 --> 00:34:02,440
Speaker 1: see it, even even if you just watch the pilot,

682
00:34:02,480 --> 00:34:04,840
Speaker 1: because you'll be be impressed by the scope of the

683
00:34:04,960 --> 00:34:07,080
Speaker 1: damn thing. I just couldn't. I thought it was a

684
00:34:07,120 --> 00:34:09,560
Speaker 1: pilot was really well done, and I was I was

685
00:34:09,600 --> 00:34:11,360
Speaker 1: gonna go direct one. I was sort of intimidated. I

686
00:34:11,480 --> 00:34:14,080
Speaker 1: was like, how many days you get to shoot these episodes?

687
00:34:14,120 --> 00:34:15,920
Speaker 1: Because it was just we were so excited to have

688
00:34:16,040 --> 00:34:17,680
Speaker 1: you over there. Man, we were so bummed when it

689
00:34:17,719 --> 00:34:19,160
Speaker 1: when it fell through. And I know you got a

690
00:34:19,200 --> 00:34:21,359
Speaker 1: big I got a big gig. I got a part

691
00:34:21,400 --> 00:34:24,800
Speaker 1: in a good role in a movie with Christopher Walkin

692
00:34:25,040 --> 00:34:28,520
Speaker 1: and my actor crush heart. Couldn't say no to that.

693
00:34:28,840 --> 00:34:30,400
Speaker 1: As much as I wanted to come to Prague and

694
00:34:30,520 --> 00:34:35,360
Speaker 1: Boss Scott foldy around well to save the show, and

695
00:34:35,480 --> 00:34:37,440
Speaker 1: I know she's that episode would have would have been

696
00:34:37,480 --> 00:34:40,319
Speaker 1: the thing. No, But I I can't wait to work

697
00:34:40,360 --> 00:34:43,240
Speaker 1: with you again because I think you're faksmastic Donald Scott.

698
00:34:43,800 --> 00:34:46,480
Speaker 1: You're so amazing in this episode. Man, Yeah, let's get

699
00:34:46,520 --> 00:34:49,279
Speaker 1: into the episode. Well, let's get the episode. Um. Yeah,

700
00:34:49,320 --> 00:34:51,680
Speaker 1: it's a very good episode. You know we Adam Burns

701
00:34:51,680 --> 00:34:53,719
Speaker 1: seen directed it, who directed our pilot. We've told you

702
00:34:53,840 --> 00:34:58,319
Speaker 1: and he's a very very funny talented guy, Eric, very

703
00:34:58,360 --> 00:35:02,120
Speaker 1: funny writer. I played tennis with him after this episode.

704
00:35:02,400 --> 00:35:04,080
Speaker 1: You're a good tennis player. Isn't that a bit of

705
00:35:04,120 --> 00:35:06,520
Speaker 1: trivia about you? That is a bit of trivia about me.

706
00:35:06,520 --> 00:35:08,320
Speaker 1: I'm I can hold my own. I'm not great, but

707
00:35:08,360 --> 00:35:10,960
Speaker 1: I can hold my own. That's That's what people who

708
00:35:11,040 --> 00:35:12,960
Speaker 1: are really good. Say, to be honest, you're really good.

709
00:35:13,000 --> 00:35:16,719
Speaker 1: I think can you beat Bill? Uh No, yeah, Bill

710
00:35:16,800 --> 00:35:19,520
Speaker 1: is really good. Bill's really good, although although these days

711
00:35:19,560 --> 00:35:22,680
Speaker 1: I don't know he's gotten older. Bill. Um, you know,

712
00:35:22,760 --> 00:35:24,520
Speaker 1: Bill and I, uh, we don't we all play together

713
00:35:24,560 --> 00:35:26,759
Speaker 1: because it's just not fun for for either one of us.

714
00:35:26,840 --> 00:35:31,040
Speaker 1: But we often hit. Um, we've we've we've we've vacationed

715
00:35:31,080 --> 00:35:32,799
Speaker 1: together and we would like each hit with a pro

716
00:35:33,040 --> 00:35:35,560
Speaker 1: on separate courts because I'm yeah, I just can just

717
00:35:35,680 --> 00:35:37,840
Speaker 1: get by. But I love it. And Bill's is, like,

718
00:35:38,239 --> 00:35:41,320
Speaker 1: you know, played college, is really good. Yeah, but he

719
00:35:41,360 --> 00:35:45,000
Speaker 1: would play these young pros and try his ass off too,

720
00:35:45,120 --> 00:35:46,560
Speaker 1: but he would keep up with them. I mean, you

721
00:35:46,600 --> 00:35:49,040
Speaker 1: know it was it was he was impressive. Yeah, No,

722
00:35:49,160 --> 00:35:50,640
Speaker 1: he's he's good. He and I have gone out to

723
00:35:50,719 --> 00:35:53,560
Speaker 1: hit a few times, and we have a tennis program

724
00:35:53,640 --> 00:35:56,880
Speaker 1: in Christian, uh Catholic who was a pro for a

725
00:35:56,920 --> 00:35:58,640
Speaker 1: while and sort of hits with a bunch of people

726
00:35:58,680 --> 00:36:01,560
Speaker 1: around town, and we've play with him. But Bill's very

727
00:36:01,600 --> 00:36:03,760
Speaker 1: talented as by the way, getting back to the episode,

728
00:36:04,160 --> 00:36:07,279
Speaker 1: was mister Weinberg, he's a very good tennis player. Uh,

729
00:36:07,600 --> 00:36:09,359
Speaker 1: I got to say that what I want to start

730
00:36:09,400 --> 00:36:11,520
Speaker 1: to say, is that you know, we're watching these episodes, Scott,

731
00:36:11,560 --> 00:36:13,160
Speaker 1: and they're all some of them are great and some

732
00:36:13,280 --> 00:36:16,000
Speaker 1: of them are just okay. As as happens when you

733
00:36:16,040 --> 00:36:18,200
Speaker 1: make one hundred and eighty two episodes of something. Sure,

734
00:36:18,320 --> 00:36:21,560
Speaker 1: I have to say this one is particularly really fucking

735
00:36:21,640 --> 00:36:26,879
Speaker 1: funny one quite a few times a bunch. Not only

736
00:36:26,920 --> 00:36:29,600
Speaker 1: do we have Scott's hole and Sarah's ark, which is hilarious,

737
00:36:29,680 --> 00:36:32,239
Speaker 1: but the janitor fucking with me and telling all my

738
00:36:32,320 --> 00:36:38,839
Speaker 1: patients to get surgery. It's so funny. And everybody talk

739
00:36:38,920 --> 00:36:43,799
Speaker 1: to everybody this episode he talks to ever everybody. Bill,

740
00:36:43,920 --> 00:36:46,960
Speaker 1: you know, as you know, Bill has held on to this, uh,

741
00:36:47,360 --> 00:36:50,600
Speaker 1: this lure that in season one the janitor only spoke

742
00:36:50,640 --> 00:36:54,239
Speaker 1: to JD. And and if he was debating whether as

743
00:36:54,280 --> 00:36:56,080
Speaker 1: we went forward, if if the Janitor would be just

744
00:36:56,080 --> 00:36:58,160
Speaker 1: be a figure of JD's imagination. I think this is

745
00:36:58,800 --> 00:37:02,040
Speaker 1: the Yeah, I think episode episode one twenty he must

746
00:37:02,040 --> 00:37:05,279
Speaker 1: have been like fucking because the janitors talks everybody. The

747
00:37:05,400 --> 00:37:08,520
Speaker 1: Janitor is real, He's given advice, He's given medical advice

748
00:37:08,560 --> 00:37:12,440
Speaker 1: to people. Yeah, that was really funny. Um, let's get

749
00:37:12,480 --> 00:37:16,840
Speaker 1: into it. I'm your biach very funny. Yeah, this was

750
00:37:17,000 --> 00:37:19,920
Speaker 1: this is the beginning, well not the beginning of Scrubs

751
00:37:20,000 --> 00:37:23,000
Speaker 1: being a musical, because we had Judy and Sam sing together. Yeah,

752
00:37:23,040 --> 00:37:25,759
Speaker 1: but this is the beginning of big product musical productions.

753
00:37:25,800 --> 00:37:29,120
Speaker 1: Though in Scrub we're all dancing in the hallway, Yeah,

754
00:37:29,600 --> 00:37:33,960
Speaker 1: singing on a on a made up fire escape. Yeah.

755
00:37:34,040 --> 00:37:36,320
Speaker 1: This was our homage to West Side Story, and we

756
00:37:36,440 --> 00:37:38,880
Speaker 1: clearly didn't have the rights because we're very clearly tiptoeing

757
00:37:38,960 --> 00:37:41,400
Speaker 1: around it being a West Side Story spoof. But it

758
00:37:41,520 --> 00:37:43,880
Speaker 1: is a West Side Story spoof. I loved it. I

759
00:37:44,000 --> 00:37:46,759
Speaker 1: love the musical theater references. I thought, you know, I

760
00:37:46,880 --> 00:37:48,440
Speaker 1: was I was sitting there watching this trying to think

761
00:37:48,480 --> 00:37:50,239
Speaker 1: of the sort of the theme, and you know, they

762
00:37:50,280 --> 00:37:53,360
Speaker 1: talk about competition, but but whether it's whether it's you,

763
00:37:54,360 --> 00:37:58,400
Speaker 1: uh j D and Turk or Cox and kelso like

764
00:37:58,719 --> 00:38:01,720
Speaker 1: it's it's not necessarily competition, but there's a power struggle

765
00:38:01,760 --> 00:38:04,160
Speaker 1: happening here with all these characters, which was really interesting

766
00:38:04,200 --> 00:38:06,080
Speaker 1: to watch. And I thought the you know, we're not

767
00:38:06,120 --> 00:38:09,280
Speaker 1: obviously not there yet, but I thought the resolution, especially

768
00:38:09,320 --> 00:38:11,320
Speaker 1: when it came to you guys, the storyline, was a

769
00:38:11,480 --> 00:38:14,759
Speaker 1: great one. Yeah. Yeah, it is about it's about I

770
00:38:14,840 --> 00:38:18,040
Speaker 1: guess that's the theme in in in the two main story,

771
00:38:18,239 --> 00:38:20,120
Speaker 1: I mean not the two main because you entier on one.

772
00:38:20,200 --> 00:38:22,600
Speaker 1: We the Cox Kelso one and the me Donald one

773
00:38:22,719 --> 00:38:26,239
Speaker 1: is competing with your peers. And you're right, it is

774
00:38:26,280 --> 00:38:28,239
Speaker 1: the first time we get into all these games that

775
00:38:28,360 --> 00:38:30,759
Speaker 1: Donald and I would play over the years. Uh you

776
00:38:30,920 --> 00:38:34,000
Speaker 1: these stupid, these stupid little challenges. You know, what was

777
00:38:34,040 --> 00:38:38,800
Speaker 1: the one with hide, the the salteine and all the

778
00:38:38,920 --> 00:38:41,480
Speaker 1: many things, But this was the first to tower finger.

779
00:38:41,760 --> 00:38:45,840
Speaker 1: Yeah yeah. And they're all very They're all named in

780
00:38:45,920 --> 00:38:48,719
Speaker 1: a very Bill Lawrence way, you know, like steak is

781
00:38:48,760 --> 00:38:52,920
Speaker 1: just called steaks like it's just but even what Cox

782
00:38:53,160 --> 00:38:56,320
Speaker 1: calls the near coffee nurse like it's it's so simple

783
00:38:56,400 --> 00:38:58,480
Speaker 1: the way Bill names things. And it's hilarious, by the way,

784
00:38:58,480 --> 00:39:00,560
Speaker 1: a little bit of trivia coffee nurse. I don't know

785
00:39:00,600 --> 00:39:04,440
Speaker 1: if you know this is uh Matt Tarsus's beautiful wife,

786
00:39:04,719 --> 00:39:09,960
Speaker 1: Katie Tarsus. Matt didn't know Matt Tarsas. Scott fully, yeah,

787
00:39:10,000 --> 00:39:11,520
Speaker 1: I know Matt, but I didn't know that was his wife.

788
00:39:11,640 --> 00:39:14,440
Speaker 1: Matt Tarsus is was one of our great writers on Scrubs,

789
00:39:14,560 --> 00:39:18,160
Speaker 1: and he created along with me our our ABC show

790
00:39:18,200 --> 00:39:21,879
Speaker 1: that didn't work Alex Hank and uh, he's a great

791
00:39:21,960 --> 00:39:24,640
Speaker 1: human being and has a beautiful wife. And I stopped

792
00:39:24,680 --> 00:39:27,960
Speaker 1: and I was like, that's Katie tarsus Um playing a

793
00:39:28,120 --> 00:39:32,160
Speaker 1: coffee nurse. She was great. And I texted and I said,

794
00:39:32,239 --> 00:39:34,640
Speaker 1: your wife is so beautiful in this episode and he

795
00:39:34,680 --> 00:39:41,040
Speaker 1: said yes, and I said, I'm not Okay, that's enough.

796
00:39:43,800 --> 00:39:46,800
Speaker 1: What do you got done? You got anything else? This

797
00:39:47,080 --> 00:39:50,680
Speaker 1: dude is fuck. What's the name of the gentleman who

798
00:39:50,719 --> 00:39:54,439
Speaker 1: played miss Fred Stoller? Is his name? So good? This guy.

799
00:39:54,840 --> 00:39:57,160
Speaker 1: I gotta tell you, if you are a director or

800
00:39:57,200 --> 00:39:59,759
Speaker 1: a filmmaker or a showrunner, you need to hire this

801
00:39:59,840 --> 00:40:02,640
Speaker 1: guy because every sentence he said, I laughed out loud,

802
00:40:03,000 --> 00:40:06,000
Speaker 1: out loud. I remember laughing when we were making the

803
00:40:06,120 --> 00:40:10,400
Speaker 1: show at him doing this. The lines and the chicken

804
00:40:10,800 --> 00:40:13,600
Speaker 1: that he hit had me going for days. He takes

805
00:40:13,640 --> 00:40:16,200
Speaker 1: the funniest thing, He takes the funniest stutter, and I

806
00:40:16,360 --> 00:40:18,080
Speaker 1: tried to write it down because the word what he's

807
00:40:18,080 --> 00:40:20,359
Speaker 1: trying to say is no, you said chicken, But when

808
00:40:20,400 --> 00:40:24,840
Speaker 1: it comes out is he goes, no, you chicken, And like,

809
00:40:25,400 --> 00:40:27,080
Speaker 1: I don't know, you can't write that in a script

810
00:40:27,160 --> 00:40:29,320
Speaker 1: that's just an actor coming up with something funny. It

811
00:40:29,440 --> 00:40:32,560
Speaker 1: was hilarious. He's been around for years. He's that character

812
00:40:32,640 --> 00:40:35,520
Speaker 1: actor guy who just pops up and he slays every

813
00:40:35,600 --> 00:40:38,200
Speaker 1: time you see him. He's got such a dry sense

814
00:40:38,239 --> 00:40:40,880
Speaker 1: of humor that it is innately watchable. There is this

815
00:40:41,120 --> 00:40:44,839
Speaker 1: there's this type of really funny actor. They're often called

816
00:40:44,960 --> 00:40:48,359
Speaker 1: character actors that like Fred that can that and Bill

817
00:40:48,400 --> 00:40:50,640
Speaker 1: would hire lots of them on the show over years,

818
00:40:51,040 --> 00:40:54,200
Speaker 1: and he jokingly would call him his assassins. And Bob

819
00:40:54,280 --> 00:40:56,480
Speaker 1: Flendennon is another one. And they would just come on

820
00:40:56,560 --> 00:40:58,640
Speaker 1: and they would have like a few lines, but everything

821
00:40:58,719 --> 00:41:02,279
Speaker 1: they said was funny. And uh and I just want

822
00:41:02,320 --> 00:41:05,239
Speaker 1: to say to Fred and anyone who knows Fred, every

823
00:41:05,400 --> 00:41:08,239
Speaker 1: single thing you said on this episode made us laugh. Yeah,

824
00:41:08,480 --> 00:41:12,960
Speaker 1: he came back to later on, not you know, seasons later. Actually,

825
00:41:13,040 --> 00:41:15,359
Speaker 1: I thought he would be somebody who would come back

826
00:41:15,360 --> 00:41:17,520
Speaker 1: into the hospital over and over again. I think, yeah,

827
00:41:17,920 --> 00:41:19,600
Speaker 1: when this was, when this episode was done, I remember

828
00:41:19,680 --> 00:41:21,239
Speaker 1: telling Bill like, you gotta have that guy back, you

829
00:41:21,280 --> 00:41:23,640
Speaker 1: gotta have him. Yeah, he should be a regular. He's hilarious.

830
00:41:24,160 --> 00:41:28,680
Speaker 1: He was really funny. Yeah, I agree on the treadmill yeah,

831
00:41:29,280 --> 00:41:32,920
Speaker 1: Oh god, one, you look great. You got that young

832
00:41:33,239 --> 00:41:35,520
Speaker 1: you got that young body where the shoulders haven't really

833
00:41:35,560 --> 00:41:40,359
Speaker 1: caught up yet, you know what i mean, where they're

834
00:41:40,400 --> 00:41:42,840
Speaker 1: like huge, your shoulders are like so high and everything.

835
00:41:43,000 --> 00:41:44,560
Speaker 1: You know what I'm talking about. When you're like a baby,

836
00:41:44,840 --> 00:41:48,120
Speaker 1: I'm talking about you start growing lats and ship anyway, Uh,

837
00:41:48,640 --> 00:41:52,000
Speaker 1: then making that the fall was that you or was

838
00:41:52,120 --> 00:41:54,560
Speaker 1: that the same question asking you to do it? The

839
00:41:54,719 --> 00:41:57,920
Speaker 1: fall was me? Um? I was. I was terrified about this.

840
00:41:58,000 --> 00:42:00,120
Speaker 1: This was the scene in the script that have me

841
00:42:00,200 --> 00:42:04,719
Speaker 1: the most nervous, and for ridiculous reasons, Like there is

842
00:42:04,800 --> 00:42:09,279
Speaker 1: something about watching people run on screen that you can

843
00:42:09,320 --> 00:42:12,360
Speaker 1: look the gate your gate. You can look like an idiot,

844
00:42:12,520 --> 00:42:14,560
Speaker 1: or you can look okay. You know, like if you'

845
00:42:14,960 --> 00:42:16,560
Speaker 1: you see people run on screen, you're like, that's a

846
00:42:16,600 --> 00:42:20,279
Speaker 1: weird run and it's quick and easy to judge. So

847
00:42:20,360 --> 00:42:23,759
Speaker 1: I was very nervous about that. But I also felt

848
00:42:23,800 --> 00:42:26,120
Speaker 1: that the here far be it from me to be

849
00:42:26,239 --> 00:42:28,719
Speaker 1: a writer, but I felt that the scene needed like

850
00:42:29,080 --> 00:42:31,640
Speaker 1: a button at the end. It didn't. It didn't come

851
00:42:31,719 --> 00:42:35,040
Speaker 1: together quite right. And I remember the first time I

852
00:42:35,280 --> 00:42:37,040
Speaker 1: thought about doing it, and in the scene, I just

853
00:42:37,400 --> 00:42:39,040
Speaker 1: halfway through the first take, I decided to do it,

854
00:42:39,320 --> 00:42:42,640
Speaker 1: and everyone flipped out like we didn't even like, They're like,

855
00:42:42,719 --> 00:42:44,239
Speaker 1: are you okay? Oh my god, what happened? Guys? Can

856
00:42:44,280 --> 00:42:46,040
Speaker 1: we get a medic in here sometime? I was like, no, no, no, no, no,

857
00:42:46,400 --> 00:42:48,399
Speaker 1: it was a bit. It was a bit. Guy. That's

858
00:42:48,440 --> 00:42:52,560
Speaker 1: pretty courageous of you to do a unscheduled almost pratfall

859
00:42:52,680 --> 00:42:56,359
Speaker 1: on a treadmill running. That's advanced, Scott, thank you, my friend. Well,

860
00:42:56,400 --> 00:42:59,279
Speaker 1: I pride myself on physical comedy, although I never get

861
00:42:59,320 --> 00:43:01,239
Speaker 1: to do it my wife aside from at home and

862
00:43:01,280 --> 00:43:03,520
Speaker 1: when my wife is sick of it. Um, but it was.

863
00:43:03,760 --> 00:43:07,879
Speaker 1: It was Unfortunately they liked it after they calmed down

864
00:43:08,000 --> 00:43:11,879
Speaker 1: and I had to do it, you know, seven more times, right, Well,

865
00:43:11,920 --> 00:43:14,239
Speaker 1: good thing you survived. I liked it because you were

866
00:43:14,280 --> 00:43:18,720
Speaker 1: such a good ying yang for for for Sarah, because

867
00:43:18,920 --> 00:43:23,200
Speaker 1: you're both sort of goofy and nervous and neurotic and uh,

868
00:43:23,360 --> 00:43:26,360
Speaker 1: and it was just so she's doing all this ridiculous

869
00:43:26,400 --> 00:43:29,160
Speaker 1: stuff and you're seemingly holding it together and then you

870
00:43:29,560 --> 00:43:31,400
Speaker 1: she looks away and you trip on the treadmill. I

871
00:43:31,440 --> 00:43:34,360
Speaker 1: thought that was really funny. Thanks man, It was you know,

872
00:43:34,560 --> 00:43:37,279
Speaker 1: finding it's always a hard thing when you first come

873
00:43:37,320 --> 00:43:38,880
Speaker 1: onto a show, even even though you guys were in

874
00:43:38,920 --> 00:43:41,320
Speaker 1: your first season. News was the twentieth episode, and so

875
00:43:41,600 --> 00:43:44,239
Speaker 1: to try to establish a character amongst all these other

876
00:43:44,320 --> 00:43:46,480
Speaker 1: characters is really hard thing to do. And and Sarah

877
00:43:46,520 --> 00:43:49,160
Speaker 1: and I talked about it a bit, and uh, you know,

878
00:43:49,200 --> 00:43:51,279
Speaker 1: I think what we came up with her sean and

879
00:43:52,800 --> 00:43:55,640
Speaker 1: worked ultimately, you know, he got a little more confident

880
00:43:55,680 --> 00:43:58,680
Speaker 1: as this the show went on, and his episodes got there.

881
00:43:58,760 --> 00:44:02,799
Speaker 1: But but it was fun play the sort of nervous, neurotic, uh,

882
00:44:03,040 --> 00:44:07,560
Speaker 1: somewhat insecure. Um, kid, it was really in interesting. Yeah, yeah,

883
00:44:07,600 --> 00:44:10,399
Speaker 1: your your your character arc throughout the show is It's

884
00:44:10,440 --> 00:44:13,160
Speaker 1: really it's very interesting because you do start off, you

885
00:44:13,280 --> 00:44:15,480
Speaker 1: and Sarah are pretty much the same character. You're just

886
00:44:15,600 --> 00:44:17,560
Speaker 1: a male version of her. And then all of a

887
00:44:17,600 --> 00:44:21,600
Speaker 1: sudden you developed this confidence, right, and then you lose

888
00:44:21,680 --> 00:44:23,640
Speaker 1: this confidence all of a sudden when she breaks up

889
00:44:23,640 --> 00:44:26,160
Speaker 1: with you out of nowhere, you know, when you grow

890
00:44:26,200 --> 00:44:32,600
Speaker 1: the beard and and he forlornly rides a dolphin. They

891
00:44:32,680 --> 00:44:34,759
Speaker 1: had me doing some strange things, which I hope we

892
00:44:34,800 --> 00:44:36,960
Speaker 1: get to talk about in future episodes. Look where I

893
00:44:36,960 --> 00:44:42,440
Speaker 1: am inviting myself over. No, you knows, Scott, you are

894
00:44:42,520 --> 00:44:45,160
Speaker 1: so good for our ratings that we are going to

895
00:44:45,239 --> 00:44:47,600
Speaker 1: have you back. Oh, I hope you'll come back on

896
00:44:47,680 --> 00:44:50,120
Speaker 1: episodes you have nothing to do with. I would love

897
00:44:50,200 --> 00:44:52,920
Speaker 1: to just to make fun of people. Know we're already

898
00:44:53,000 --> 00:44:55,080
Speaker 1: we're you're we're already inviting you back because we have

899
00:44:55,160 --> 00:44:58,719
Speaker 1: to talk about SeaWorld. Uh and uh oh yeah. I

900
00:44:59,000 --> 00:45:01,200
Speaker 1: would like to say that I know longer support sea World,

901
00:45:01,239 --> 00:45:02,719
Speaker 1: but at the time we were happy to go to

902
00:45:02,760 --> 00:45:05,399
Speaker 1: the Sea World. I remember being so pissed off because

903
00:45:05,400 --> 00:45:09,120
Speaker 1: I couldn't go. None of my scenes were at sea World. Straight.

904
00:45:09,320 --> 00:45:11,120
Speaker 1: Let me get this straight. Y'all are all going to

905
00:45:11,200 --> 00:45:14,160
Speaker 1: San Diego to hang out for a night in San

906
00:45:14,200 --> 00:45:17,319
Speaker 1: Diego and ride dolphins and I gotta stay back at

907
00:45:17,360 --> 00:45:21,719
Speaker 1: the my fucking hospital. I was so pissed it. But

908
00:45:21,840 --> 00:45:24,400
Speaker 1: this was all before we all saw the documentary Blackfish

909
00:45:24,560 --> 00:45:26,480
Speaker 1: and U yes, and now we don't. We don't go

910
00:45:26,520 --> 00:45:29,000
Speaker 1: there anymore, And now we we we we encourage people

911
00:45:29,040 --> 00:45:32,000
Speaker 1: to not go there anymore. But before we were all U,

912
00:45:33,080 --> 00:45:36,720
Speaker 1: before we knew, before we knew, before we were animal

913
00:45:36,800 --> 00:45:40,080
Speaker 1: woke and Scott, you you did get to forlornly ride

914
00:45:40,080 --> 00:45:41,880
Speaker 1: a dolphin, which is one of the coolest things anyone

915
00:45:41,960 --> 00:45:44,640
Speaker 1: could ever do in their career. The things that I

916
00:45:44,760 --> 00:45:48,440
Speaker 1: got to do on this show were still some of

917
00:45:48,760 --> 00:45:51,480
Speaker 1: the highlights of my career. I mean, between writing on

918
00:45:51,600 --> 00:45:55,120
Speaker 1: the dolphin, uh, doing this Betty the seal bit. I

919
00:45:55,160 --> 00:45:56,960
Speaker 1: don't know if you remember this, but I had like

920
00:45:57,280 --> 00:45:59,839
Speaker 1: a phone call with Sarah and I turned my head

921
00:45:59,880 --> 00:46:01,360
Speaker 1: and the seal turns his head towards me, and I

922
00:46:01,400 --> 00:46:03,600
Speaker 1: look away like it sticks its tongue out of me. Yeah.

923
00:46:04,000 --> 00:46:06,719
Speaker 1: I got to be like a like damn close to

924
00:46:06,760 --> 00:46:09,000
Speaker 1: a killer whale and a beluga whale, and it was

925
00:46:09,120 --> 00:46:11,279
Speaker 1: a It was a really amazing experience and I'll never

926
00:46:11,360 --> 00:46:13,840
Speaker 1: forget it. I think, how sad that whale was, Scott

927
00:46:13,880 --> 00:46:16,280
Speaker 1: while you were acting with it. I had no idea

928
00:46:16,440 --> 00:46:22,719
Speaker 1: it didn't let h oh, you're gonna get me up

929
00:46:22,760 --> 00:46:28,719
Speaker 1: for that one, Scott's I had no idea. I did

930
00:46:28,800 --> 00:46:31,719
Speaker 1: not know. It didn't say a damn thing. I would

931
00:46:31,760 --> 00:46:33,600
Speaker 1: have been I would have had his Listen, we're we're

932
00:46:33,680 --> 00:46:35,759
Speaker 1: trying to buy it back with some carma now by

933
00:46:35,840 --> 00:46:38,239
Speaker 1: saying don't support it any longer. So there you go.

934
00:46:38,480 --> 00:46:41,799
Speaker 1: There you go. Boy. All right, let's talk about let's

935
00:46:41,840 --> 00:46:44,680
Speaker 1: talk about when he goes I love when he goes, um,

936
00:46:45,120 --> 00:46:48,680
Speaker 1: what are you eight eleven with? With with Hoffner, I go,

937
00:46:49,000 --> 00:46:50,680
Speaker 1: he goes, what are you serving for dinner? Then I

938
00:46:50,840 --> 00:46:52,879
Speaker 1: and I go, That's that's not really my area. He goes,

939
00:46:53,080 --> 00:46:59,480
Speaker 1: I'd like chicken. That guy was great here. I'd like

940
00:47:00,320 --> 00:47:05,919
Speaker 1: just chicken, chicken, chicken. So I was, yeah, go ahead.

941
00:47:05,960 --> 00:47:07,520
Speaker 1: I don't know where. I don't know where in the

942
00:47:07,560 --> 00:47:09,480
Speaker 1: show that is. But I want to talk for a

943
00:47:09,560 --> 00:47:14,520
Speaker 1: second about YouTube. Singing on the fire escape, Yeah, yeah,

944
00:47:14,760 --> 00:47:17,239
Speaker 1: which was a I loved it, and I love the

945
00:47:17,320 --> 00:47:20,200
Speaker 1: musical theater references and and those are something that UH

946
00:47:20,560 --> 00:47:24,080
Speaker 1: find a home throughout the life of this television show. Yeah.

947
00:47:24,239 --> 00:47:27,480
Speaker 1: But the smile that you had on your face, Zach,

948
00:47:27,760 --> 00:47:31,600
Speaker 1: that you were unable to hide, made me rewind it

949
00:47:31,719 --> 00:47:33,520
Speaker 1: two or three times to be like, is he just

950
00:47:33,560 --> 00:47:36,040
Speaker 1: smiling because he's singing or Scot No, no, no, he

951
00:47:36,160 --> 00:47:38,720
Speaker 1: can't hold back his laughter. Scott, I had a Phantom

952
00:47:38,760 --> 00:47:40,759
Speaker 1: of the opera beach towel hung on my wall as

953
00:47:40,760 --> 00:47:44,120
Speaker 1: a child. I'm very aware this was me living my

954
00:47:44,200 --> 00:47:48,080
Speaker 1: best life. It was someone your Seinfeld moment, someone your

955
00:47:48,160 --> 00:47:51,880
Speaker 1: Seinfeld moment, unable to hide your smile. Someone was paying

956
00:47:52,000 --> 00:47:55,839
Speaker 1: me well to hold Donald and sing musical theater to him.

957
00:47:56,120 --> 00:47:58,360
Speaker 1: I was like, how could life get better than this?

958
00:47:58,960 --> 00:48:02,239
Speaker 1: It was fantastic and I appreciated you not being able

959
00:48:02,280 --> 00:48:04,400
Speaker 1: to contain your life show getting a getting a lead

960
00:48:04,480 --> 00:48:08,279
Speaker 1: in a TV show was was enough. Now you're letting

961
00:48:08,360 --> 00:48:10,960
Speaker 1: me sing a love song to Donald on a fire escape.

962
00:48:11,120 --> 00:48:14,440
Speaker 1: Come on? It was great. And by the way, the

963
00:48:14,520 --> 00:48:18,120
Speaker 1: way you guys did the dancing in the hallway, everybody

964
00:48:18,239 --> 00:48:23,280
Speaker 1: looked professional, like well they were everyone well obviously everyone

965
00:48:23,320 --> 00:48:26,120
Speaker 1: that wasn't a lead was a dancer. And and I'm

966
00:48:26,120 --> 00:48:29,000
Speaker 1: gonna say this was the best I've ever seen Sarah dance.

967
00:48:29,080 --> 00:48:32,279
Speaker 1: Also to me too, Sarah can dance, Sarah, she can't sing,

968
00:48:32,320 --> 00:48:34,880
Speaker 1: but she can dance. Dude. She was on fire and

969
00:48:34,960 --> 00:48:38,000
Speaker 1: this ship, Dude, like I've seen Sarah dance, and Sarah

970
00:48:38,160 --> 00:48:40,839
Speaker 1: dance is like, you know, Sarah dance. I'm not gonna

971
00:48:40,840 --> 00:48:45,600
Speaker 1: tells she dances, well, she knows her. She has her

972
00:48:45,640 --> 00:48:48,719
Speaker 1: little thing she does, which is adorable. But she this

973
00:48:48,880 --> 00:48:52,839
Speaker 1: she was doing like full on you know, Broadway choreography. Yeah, dude,

974
00:48:53,040 --> 00:49:00,120
Speaker 1: but but Rob Masio, Rob Maschio. Did you know I

975
00:49:00,200 --> 00:49:02,320
Speaker 1: wonder if Rob Mashio ever did in musical theater. I

976
00:49:02,440 --> 00:49:04,719
Speaker 1: bet he did. I bet he did. We should have

977
00:49:04,760 --> 00:49:06,160
Speaker 1: a section where we go to Rob. This is a

978
00:49:06,239 --> 00:49:08,680
Speaker 1: Bill Larns question. No, we should go to Rob and

979
00:49:08,840 --> 00:49:13,000
Speaker 1: now we go to Rob. No, he's like a correspondent Rob. Yeah,

980
00:49:13,080 --> 00:49:16,520
Speaker 1: going to Rob live. Rob is a he's very successful realtor.

981
00:49:16,640 --> 00:49:18,880
Speaker 1: Now at the beach, Scott, I don't know if you

982
00:49:18,960 --> 00:49:20,440
Speaker 1: know that, sir. When you're ready to buy your beach house,

983
00:49:20,520 --> 00:49:23,040
Speaker 1: you better use Rob Maschio. I'm not going to be

984
00:49:23,120 --> 00:49:25,480
Speaker 1: ready to buy my beach house for a while, but

985
00:49:25,560 --> 00:49:28,360
Speaker 1: I'll use him when I do. Yes, I encourage anyone.

986
00:49:28,360 --> 00:49:30,000
Speaker 1: We always like to give Rob shout outs. You can

987
00:49:30,040 --> 00:49:33,080
Speaker 1: get Rob on Cameo and you can pay him a

988
00:49:33,239 --> 00:49:35,640
Speaker 1: nominal fee to send you a video where he high

989
00:49:35,680 --> 00:49:38,320
Speaker 1: fives your friends. So go on Cameo and hire Rob Maschio.

990
00:49:38,760 --> 00:49:40,600
Speaker 1: And of course, if you're looking for real estate on

991
00:49:40,640 --> 00:49:43,160
Speaker 1: the West side of Los Angeles, we encourage you to

992
00:49:44,000 --> 00:49:45,960
Speaker 1: hire him. I'd like to go on Cameo and have

993
00:49:46,120 --> 00:49:48,480
Speaker 1: him and pay him whatever it costs just to watch

994
00:49:48,600 --> 00:49:56,640
Speaker 1: him run line. By the way, Scott, I'm gonna say

995
00:49:56,640 --> 00:49:58,200
Speaker 1: I don't know what's your birthday. I'm gonna send you

996
00:49:58,600 --> 00:50:02,120
Speaker 1: a cameo from Rob. Oh that's great, July fifteenth. It's coming. Oh,

997
00:50:02,200 --> 00:50:05,400
Speaker 1: it's coming. Oh yeah, yeah yeah. I hope Rob will

998
00:50:05,440 --> 00:50:06,879
Speaker 1: give it to me for free, but if not, I'm

999
00:50:06,920 --> 00:50:12,200
Speaker 1: willing no, no, no, came Okay, I'm gonna donald. Don't

1000
00:50:12,200 --> 00:50:14,440
Speaker 1: you think we should hire Rob to get send Scott

1001
00:50:14,480 --> 00:50:16,680
Speaker 1: Folly a high five cameo? I think that would be

1002
00:50:16,719 --> 00:50:18,479
Speaker 1: the best thing ever. And if you have to share

1003
00:50:18,520 --> 00:50:20,399
Speaker 1: it too, you know you can get Really, my brother

1004
00:50:20,520 --> 00:50:23,520
Speaker 1: loves baseball more than anything, and they have like old

1005
00:50:23,640 --> 00:50:26,360
Speaker 1: school you know, they have sports players. Is that what

1006
00:50:26,400 --> 00:50:29,600
Speaker 1: you call them? Sports sports players? People? Sure, athletes? Yea,

1007
00:50:29,640 --> 00:50:35,720
Speaker 1: they have athletes at sports players. They have famous sports

1008
00:50:35,760 --> 00:50:43,080
Speaker 1: players and uh and guys, but some of them are like,

1009
00:50:43,160 --> 00:50:44,799
Speaker 1: I don't know if you like Lenny dikestrot enough. You've

1010
00:50:44,880 --> 00:50:47,000
Speaker 1: heard Lenny extra Noward Stern lately, but he's you know,

1011
00:50:47,239 --> 00:50:49,080
Speaker 1: he's he's gotten a little whacky. And I was thinking

1012
00:50:49,080 --> 00:50:51,040
Speaker 1: about getting Lenny Dikester from my brother to like send

1013
00:50:51,120 --> 00:50:54,280
Speaker 1: him a message. Are you guys on the YouTube cameo?

1014
00:50:54,920 --> 00:50:57,360
Speaker 1: I'm not on there, but I I occasionally scroll it

1015
00:50:57,520 --> 00:51:00,400
Speaker 1: because there's some people that I think would be very

1016
00:51:00,480 --> 00:51:04,400
Speaker 1: funny to hire for other people. Yeah, um and uh,

1017
00:51:04,719 --> 00:51:07,320
Speaker 1: and so I've I've thought about it. But like, like

1018
00:51:07,400 --> 00:51:09,719
Speaker 1: I saw Olivia Wilde I follow on Instagram and I'm

1019
00:51:09,760 --> 00:51:12,319
Speaker 1: friends with her, and she she loved that that documentary Cheer.

1020
00:51:12,360 --> 00:51:14,560
Speaker 1: I don't know if you saw Cheer, Yes, I loved it.

1021
00:51:14,719 --> 00:51:17,319
Speaker 1: But one of her friends hired all the kids, all

1022
00:51:17,360 --> 00:51:19,640
Speaker 1: the kids from Cheer are on there, hired every single

1023
00:51:19,680 --> 00:51:21,920
Speaker 1: one of them to send her birthday messages and so

1024
00:51:22,080 --> 00:51:24,400
Speaker 1: for her, her feed on her birthday was all the

1025
00:51:24,520 --> 00:51:26,800
Speaker 1: kids from Cheers sending her birthday messages. I thought that

1026
00:51:26,880 --> 00:51:29,279
Speaker 1: was that's so cool. That's a great idea. So there

1027
00:51:29,360 --> 00:51:31,399
Speaker 1: you go. You can gift. It's a great gift idea.

1028
00:51:31,480 --> 00:51:33,560
Speaker 1: There you go. I'm giving I'm giving Cameo a shout out,

1029
00:51:33,560 --> 00:51:35,759
Speaker 1: although Donald and I are not on there. Um, have

1030
00:51:35,880 --> 00:51:38,279
Speaker 1: you guys, have you guys ever met anyone that's as

1031
00:51:38,360 --> 00:51:41,440
Speaker 1: competitive as these guys are on this show that just

1032
00:51:41,719 --> 00:51:46,080
Speaker 1: you know, uh, you are competive. You think I'm competitive? No,

1033
00:51:46,200 --> 00:51:48,239
Speaker 1: not in life, but sports wise you are when it

1034
00:51:48,280 --> 00:51:50,080
Speaker 1: when it comes to when you were playing Gostable back

1035
00:51:50,160 --> 00:51:53,239
Speaker 1: in the day, when it comes to playing sports against anyone, absolutely,

1036
00:51:53,320 --> 00:51:55,160
Speaker 1: regardless of what it is, I want to win, you're

1037
00:51:55,160 --> 00:51:57,160
Speaker 1: absolutely run away. I don't know if I turned anybody

1038
00:51:57,200 --> 00:51:59,279
Speaker 1: in life that's like that, other than Bill Lawrence, I

1039
00:51:59,320 --> 00:52:01,600
Speaker 1: was gonna say, but other than Bill Lawrence. Bill is

1040
00:52:01,600 --> 00:52:04,279
Speaker 1: the most competitive person I know in real life. Where

1041
00:52:04,440 --> 00:52:07,000
Speaker 1: you where it's like, you can't walk, don't walk faster

1042
00:52:07,160 --> 00:52:09,439
Speaker 1: than him. Yeah, he's gonna think it's a race. Yeah.

1043
00:52:10,440 --> 00:52:13,880
Speaker 1: This is probably why it's in the script, because we

1044
00:52:14,080 --> 00:52:16,080
Speaker 1: have I have a funny Bill Lawrence walking story. We

1045
00:52:16,160 --> 00:52:18,000
Speaker 1: were in um We took a trip from Prague when

1046
00:52:18,000 --> 00:52:20,319
Speaker 1: we were shooting Whiskey Cavalier over to Amsterdam. And if

1047
00:52:20,320 --> 00:52:24,120
Speaker 1: you guys have never been there, it's a huge bicycle culture, right,

1048
00:52:24,160 --> 00:52:27,080
Speaker 1: Everyone rides bikes around. So we're walking down the sidewalks

1049
00:52:27,320 --> 00:52:30,759
Speaker 1: and wherever you wherever you are, you're inundated with these

1050
00:52:31,280 --> 00:52:34,840
Speaker 1: bicycle bells ringing constantly telling you to get out of

1051
00:52:34,840 --> 00:52:36,440
Speaker 1: the way, and you don't know where they're coming from,

1052
00:52:36,640 --> 00:52:38,520
Speaker 1: and you're looking behind you and you're always stepping off

1053
00:52:39,160 --> 00:52:40,920
Speaker 1: trying to get out of the way. And we were

1054
00:52:41,000 --> 00:52:43,160
Speaker 1: walking down and there was nobody around us. It had

1055
00:52:43,200 --> 00:52:45,920
Speaker 1: to be two in the morning. We've just seen a

1056
00:52:46,600 --> 00:52:51,480
Speaker 1: raiding concert in Amsterdam gets a shout out every show episode,

1057
00:52:51,520 --> 00:52:54,759
Speaker 1: every episode, even the guests shout out. My wife was

1058
00:52:55,200 --> 00:52:56,719
Speaker 1: he you know, Bill was like, we're gonna go flat

1059
00:52:56,719 --> 00:52:58,520
Speaker 1: Amsterdam and go see him. And he does this song

1060
00:52:58,600 --> 00:53:00,160
Speaker 1: and my wife was like, oh my god, he has

1061
00:53:00,200 --> 00:53:01,719
Speaker 1: to sing only you. So of course in the middle

1062
00:53:01,719 --> 00:53:05,640
Speaker 1: of his thing, he's like and for Marika, only you,

1063
00:53:06,360 --> 00:53:08,239
Speaker 1: and she's like tearing up. I'm like, I think he's

1064
00:53:08,280 --> 00:53:09,680
Speaker 1: making fun of you. Baby, he doesn't want to sing

1065
00:53:09,760 --> 00:53:13,080
Speaker 1: the song. Um. But we're walking back to the hotel

1066
00:53:13,440 --> 00:53:15,680
Speaker 1: and there's you know, it's dead, it's two in the morning,

1067
00:53:16,040 --> 00:53:19,680
Speaker 1: and they are all these bikes parked along. Nobody's riding bikes,

1068
00:53:19,719 --> 00:53:21,960
Speaker 1: but they're all sort of chained up along the sidewalk

1069
00:53:22,000 --> 00:53:24,920
Speaker 1: and we're walking. Bill's a couple uh steps ahead of

1070
00:53:25,000 --> 00:53:28,520
Speaker 1: me and I ring one of these locked up bikes bells.

1071
00:53:29,040 --> 00:53:31,720
Speaker 1: He damn near went to his knees. He was so afraid.

1072
00:53:31,800 --> 00:53:35,560
Speaker 1: He had such a PTSD. I've never seen Bill like,

1073
00:53:35,600 --> 00:53:37,640
Speaker 1: oh god, stuff like he I don't think we'll ever

1074
00:53:37,680 --> 00:53:41,799
Speaker 1: go back to Amsterdam, because, um, all right, we want

1075
00:53:41,800 --> 00:53:45,320
Speaker 1: to Amsterdam together. Yeah, Donald and I went to Amstam together.

1076
00:53:45,360 --> 00:53:48,239
Speaker 1: Oh that was dangerous. Yeah, careful. I don't know if

1077
00:53:48,239 --> 00:53:50,239
Speaker 1: we can tell any of those stories. I don't think

1078
00:53:50,320 --> 00:53:52,200
Speaker 1: we can. I know they want to hear it. We

1079
00:53:52,320 --> 00:53:55,319
Speaker 1: had some good time. Did you guys have a good

1080
00:53:55,360 --> 00:53:59,200
Speaker 1: time in Amsterdam? It was the best, the best. Yeah,

1081
00:54:00,160 --> 00:54:02,399
Speaker 1: I mean it wasn't Yeah, it wasn't like that kind

1082
00:54:02,440 --> 00:54:03,920
Speaker 1: of good time because we were sorry. I was with

1083
00:54:04,080 --> 00:54:07,040
Speaker 1: work people. I don't know, but it was still that

1084
00:54:07,160 --> 00:54:10,200
Speaker 1: kind of good time. Tried God's let Us and it

1085
00:54:10,320 --> 00:54:13,880
Speaker 1: was delicious. Oh Jesus, they got you didn't have one

1086
00:54:13,880 --> 00:54:15,640
Speaker 1: of those what are those? What? This is before God

1087
00:54:15,800 --> 00:54:17,799
Speaker 1: let us? This is before God's let Us was legal

1088
00:54:17,880 --> 00:54:21,800
Speaker 1: in California. We were really Yeah, they really like it

1089
00:54:21,880 --> 00:54:23,719
Speaker 1: over there, you know. Now we had it was a

1090
00:54:23,800 --> 00:54:25,600
Speaker 1: moon pie or there's something like that over there that

1091
00:54:25,640 --> 00:54:29,040
Speaker 1: you eat and it just wrecks you. Um. Oh I wish,

1092
00:54:29,040 --> 00:54:33,000
Speaker 1: I mean, I wish I would have known enough. No,

1093
00:54:33,600 --> 00:54:35,399
Speaker 1: this is a real show. Now, We're not just two

1094
00:54:35,480 --> 00:54:37,279
Speaker 1: guys doing this out of their closets. We have to

1095
00:54:37,320 --> 00:54:40,680
Speaker 1: go to advertisers. Will be right, We'll be right back.

1096
00:54:48,400 --> 00:54:50,279
Speaker 1: We're back. I'm looking at I'm looking at both Scott

1097
00:54:50,320 --> 00:54:53,440
Speaker 1: Fully and Donald Fhazon in their closets. Scott's asked to

1098
00:54:53,560 --> 00:54:55,480
Speaker 1: continually wave his arm to make his lights go on.

1099
00:54:56,239 --> 00:54:58,160
Speaker 1: I wish we were recording the video of this because

1100
00:54:58,200 --> 00:55:01,279
Speaker 1: it would be the l We'll start putting them out.

1101
00:55:01,320 --> 00:55:05,680
Speaker 1: We'll start putting one. Ye, all right, bring them in,

1102
00:55:05,800 --> 00:55:08,880
Speaker 1: Joel and h and Dan adjust the mic for Donald's

1103
00:55:08,880 --> 00:55:12,360
Speaker 1: Oprah introduction because you know it can get loud. Donald,

1104
00:55:12,400 --> 00:55:15,560
Speaker 1: please adjust your mic for the Okay, I'll back up

1105
00:55:15,560 --> 00:55:19,160
Speaker 1: a little bit. It's okay. Worried about it? No, he's ready.

1106
00:55:19,239 --> 00:55:22,680
Speaker 1: He's a professional. Donald. Here comes Jenny. Ladies and gentlemen,

1107
00:55:22,719 --> 00:55:27,160
Speaker 1: give it up for Jenny Paulston. I think it's Puleston.

1108
00:55:27,280 --> 00:55:37,040
Speaker 1: Is it Puleston? Jenny, Yes, that's correct, that's what I said. Hi, Jenny,

1109
00:55:37,080 --> 00:55:39,480
Speaker 1: Welcome to Fake Doctor's Real Friends. You picked a very

1110
00:55:39,520 --> 00:55:42,319
Speaker 1: good day to be on because we have a very

1111
00:55:42,440 --> 00:55:45,000
Speaker 1: funny and handsome guest named Scott Foley. You might know

1112
00:55:45,160 --> 00:55:58,400
Speaker 1: him from the show's scandal Felicity, Whiskey, Foxtrot, scrubs, whiskey, cavalier, Cavalier. Hi, Jenny, Sorry, Scott,

1113
00:55:58,920 --> 00:56:02,480
Speaker 1: brutal Scott. Scott, do not flirt with Jenny. Okay, this

1114
00:56:02,640 --> 00:56:04,800
Speaker 1: is She's there, got all the flags behind her. She

1115
00:56:04,840 --> 00:56:08,640
Speaker 1: looks fantastic. Jenny, Where where are you calling in from? So?

1116
00:56:08,760 --> 00:56:11,560
Speaker 1: I live in Canberra, Australia. Canberra is the capital city

1117
00:56:11,760 --> 00:56:16,360
Speaker 1: of my fine country on the West coast. Yes, it is, Scott,

1118
00:56:16,440 --> 00:56:18,520
Speaker 1: showing off that he knows it's on the West Coast.

1119
00:56:18,800 --> 00:56:21,640
Speaker 1: I lived in Australia, Jenny, I know what I'm talking about.

1120
00:56:21,960 --> 00:56:24,440
Speaker 1: Wait when did you live in Australia as a kid?

1121
00:56:24,480 --> 00:56:28,640
Speaker 1: I lived in Sydney for four years and snives Sydney. Wow.

1122
00:56:29,080 --> 00:56:36,839
Speaker 1: Is it near Perth? No? Okay jesus, but it's near Melbourne. No, well,

1123
00:56:36,880 --> 00:56:39,640
Speaker 1: Sydney near Melbourne closer, but no, it's on the West

1124
00:56:39,680 --> 00:56:42,160
Speaker 1: coast of Australia. This is so embarrassing to I want

1125
00:56:42,239 --> 00:56:44,479
Speaker 1: I want everyone to know that the American public school

1126
00:56:44,520 --> 00:56:46,960
Speaker 1: system spends very little time on geography. I think it

1127
00:56:47,080 --> 00:56:54,520
Speaker 1: was like two weeks in seventh grade or Australia. Yes, yes, um, Jenny,

1128
00:56:54,719 --> 00:56:56,160
Speaker 1: thank you for coming on the show. Do you have

1129
00:56:56,239 --> 00:56:59,080
Speaker 1: a question for any of us? You can ask us anything,

1130
00:56:59,200 --> 00:57:02,560
Speaker 1: ask us any thing. Yeah. I just wanted to say

1131
00:57:02,760 --> 00:57:05,759
Speaker 1: I m started watching your show when I was in

1132
00:57:05,840 --> 00:57:09,200
Speaker 1: my early twenties, um, like you guys were, and it

1133
00:57:09,320 --> 00:57:12,360
Speaker 1: really resonated with me. Then I just started my career.

1134
00:57:13,120 --> 00:57:15,840
Speaker 1: I had a mentor um, you know, learning to do

1135
00:57:16,000 --> 00:57:18,800
Speaker 1: things on your own without a safety net. And then

1136
00:57:18,840 --> 00:57:21,400
Speaker 1: I watched the series again a few years later when

1137
00:57:21,440 --> 00:57:23,280
Speaker 1: I had my children and they were babies and I

1138
00:57:23,360 --> 00:57:25,440
Speaker 1: was up in the night, I put it on, uh,

1139
00:57:25,560 --> 00:57:29,200
Speaker 1: and certain episodes resonated in a different way because I

1140
00:57:29,280 --> 00:57:34,680
Speaker 1: was a parent and researched every school holidays and there's

1141
00:57:34,720 --> 00:57:38,640
Speaker 1: something new that pops up that's, um, you know, based

1142
00:57:38,680 --> 00:57:41,040
Speaker 1: on an experience that I've just had. It just makes

1143
00:57:41,080 --> 00:57:43,640
Speaker 1: me think of, you know, something different. So I just

1144
00:57:43,720 --> 00:57:48,160
Speaker 1: wanted to know, with your experience of the last twenty years,

1145
00:57:48,760 --> 00:57:52,120
Speaker 1: what advice would you give to your younger selves? Now?

1146
00:57:53,480 --> 00:57:55,840
Speaker 1: Oh man, you mean I mean as real people are

1147
00:57:55,920 --> 00:57:59,680
Speaker 1: our characters? Yeah, no, oh real people. That's a really

1148
00:57:59,680 --> 00:58:02,160
Speaker 1: wild make it. While while making the show, I wish

1149
00:58:02,200 --> 00:58:04,080
Speaker 1: I could have been more present, you know what I mean.

1150
00:58:04,080 --> 00:58:05,520
Speaker 1: I hate to jump in front of you, Scott, but

1151
00:58:05,560 --> 00:58:09,800
Speaker 1: I gotta get to this right away. Yeah, I was

1152
00:58:10,040 --> 00:58:14,440
Speaker 1: so uh not there. Let's say when we were making that,

1153
00:58:14,960 --> 00:58:17,920
Speaker 1: I was very much worried about being out and about

1154
00:58:18,600 --> 00:58:23,360
Speaker 1: I was more interested in what came with what came

1155
00:58:23,520 --> 00:58:26,440
Speaker 1: after work than what came with work back when we

1156
00:58:26,520 --> 00:58:29,000
Speaker 1: were making scrubs, And I wish I could have been

1157
00:58:29,120 --> 00:58:33,560
Speaker 1: more present at when it came to doing my job

1158
00:58:33,680 --> 00:58:35,480
Speaker 1: back then. That's the one thing that I look back

1159
00:58:35,520 --> 00:58:37,600
Speaker 1: and say, you know what, I know, I know I

1160
00:58:37,680 --> 00:58:39,960
Speaker 1: had fun, and I know I enjoyed myself. I wish

1161
00:58:40,000 --> 00:58:43,600
Speaker 1: I could have experienced all of that while making it. Yeah,

1162
00:58:43,640 --> 00:58:46,240
Speaker 1: my actually is similar in a sense that you know,

1163
00:58:46,400 --> 00:58:48,600
Speaker 1: I think we took it for granted that this would

1164
00:58:48,800 --> 00:58:51,640
Speaker 1: happen all the time. That is to say that you know,

1165
00:58:51,720 --> 00:58:54,640
Speaker 1: we've spoken this on other podcasts before, that these really

1166
00:58:54,680 --> 00:58:57,640
Speaker 1: special friendships would would be on every job we did.

1167
00:58:58,200 --> 00:59:03,040
Speaker 1: And and I think, and we've discussed before. You know

1168
00:59:03,160 --> 00:59:05,919
Speaker 1: how we've all gone on and done these other jobs,

1169
00:59:05,960 --> 00:59:09,760
Speaker 1: and some some are successful, some are not, but still

1170
00:59:09,920 --> 00:59:12,400
Speaker 1: to this day, the bond that we all had that

1171
00:59:12,480 --> 00:59:14,280
Speaker 1: comes across on the screen. I think it's the reason

1172
00:59:14,360 --> 00:59:17,480
Speaker 1: people really One of the reasons, of course, the writing

1173
00:59:17,680 --> 00:59:20,960
Speaker 1: first and foremost, but another reason was that the love

1174
00:59:21,040 --> 00:59:23,520
Speaker 1: that you see between these characters was real. It was

1175
00:59:24,360 --> 00:59:28,240
Speaker 1: it was you. We were watching people who genuinely cared

1176
00:59:28,360 --> 00:59:31,040
Speaker 1: as much about each other in real life as as

1177
00:59:31,120 --> 00:59:33,760
Speaker 1: they did as the characters did on screen. So I

1178
00:59:33,920 --> 00:59:36,240
Speaker 1: think that I think I took that for granted. I

1179
00:59:36,560 --> 00:59:38,880
Speaker 1: was a young actor. This is my first big job,

1180
00:59:39,080 --> 00:59:41,920
Speaker 1: and and I thought, Oh, this is what it's always

1181
00:59:42,000 --> 00:59:43,960
Speaker 1: like to be on a set. Everyone loves each other,

1182
00:59:44,000 --> 00:59:46,080
Speaker 1: everyone wants to hang out on weekends even after we've

1183
00:59:46,120 --> 00:59:48,320
Speaker 1: worked all these days, and and oh my god, the

1184
00:59:48,400 --> 00:59:52,320
Speaker 1: scripts are always hilarious. And it took so many years

1185
00:59:52,400 --> 00:59:54,120
Speaker 1: to be like, oh no, this is a diamond and

1186
00:59:54,120 --> 00:59:58,000
Speaker 1: the rough. Not only the writing staff that Bill assembled

1187
00:59:58,120 --> 00:59:59,600
Speaker 1: was just the dream team. I mean they've all gone

1188
00:59:59,640 --> 01:00:02,080
Speaker 1: off to be hugely successful on their own right, but

1189
01:00:02,720 --> 01:00:06,000
Speaker 1: but also just the bond that that the seven main

1190
01:00:06,160 --> 01:00:09,640
Speaker 1: characters of Us had um was was something I haven't

1191
01:00:09,640 --> 01:00:13,080
Speaker 1: really ever seen again, whether I'm an actor or a director.

1192
01:00:13,160 --> 01:00:16,680
Speaker 1: It's just it was just so rare. So that's what

1193
01:00:16,760 --> 01:00:20,120
Speaker 1: I think too. It's a similar answer to Donald. Now,

1194
01:00:20,280 --> 01:00:23,400
Speaker 1: Scott's been on three and in my opinion, three very

1195
01:00:23,480 --> 01:00:27,200
Speaker 1: successful shows. I'm interested to hear how he might not.

1196
01:00:27,480 --> 01:00:29,439
Speaker 1: He might not have an answer related to ours, those

1197
01:00:29,760 --> 01:00:32,360
Speaker 1: not to ours, but yeah, but I'm interested in hearing

1198
01:00:32,640 --> 01:00:35,160
Speaker 1: if it was like that for each one of those successes,

1199
01:00:35,240 --> 01:00:38,480
Speaker 1: you know what I mean, Like Felicity, You know, I think,

1200
01:00:39,800 --> 01:00:42,600
Speaker 1: just directly answering your question, I think I for me

1201
01:00:42,760 --> 01:00:45,240
Speaker 1: looking back, if I had to do it again, I

1202
01:00:45,320 --> 01:00:48,120
Speaker 1: would I would try to relax. I think I was

1203
01:00:48,240 --> 01:00:50,280
Speaker 1: holding on really tight. It was very important to me.

1204
01:00:50,320 --> 01:00:52,160
Speaker 1: I didn't I didn't go to college. I didn't want

1205
01:00:52,160 --> 01:00:55,200
Speaker 1: to do anything else. This was my only shot. Really,

1206
01:00:55,320 --> 01:00:57,600
Speaker 1: Like if I wasn't going to be a working actor,

1207
01:00:58,720 --> 01:01:01,400
Speaker 1: I'm be digging holes. You know, I don't know what

1208
01:01:01,480 --> 01:01:04,120
Speaker 1: else I'd do. So I was. I was really uptight

1209
01:01:04,200 --> 01:01:06,960
Speaker 1: and nervous about making sure I got it right and

1210
01:01:07,840 --> 01:01:10,720
Speaker 1: really focused on work. And I think, I, uh, if

1211
01:01:10,800 --> 01:01:12,640
Speaker 1: I had to do it again, I'd take a breather

1212
01:01:12,840 --> 01:01:17,760
Speaker 1: and um be more like Donald but not that far.

1213
01:01:20,600 --> 01:01:22,280
Speaker 1: But you know what I mean, Like we were. I

1214
01:01:22,440 --> 01:01:24,760
Speaker 1: was young and wanted to be successful and was working

1215
01:01:24,800 --> 01:01:27,280
Speaker 1: towards a goal. But um, you know, at a certain

1216
01:01:27,320 --> 01:01:29,160
Speaker 1: point you got to sort of stop and smell the

1217
01:01:29,200 --> 01:01:31,920
Speaker 1: flowers too. Did you guys all get along on scandal?

1218
01:01:32,600 --> 01:01:34,680
Speaker 1: We did? You know? I was hoping that I was

1219
01:01:34,760 --> 01:01:37,040
Speaker 1: hoping to get some clickbait going here, Scott no man

1220
01:01:37,280 --> 01:01:41,120
Speaker 1: I've been I was looking for ever since I'd done Scrubs.

1221
01:01:41,160 --> 01:01:44,720
Speaker 1: I was looking for a show that had a similar vibe,

1222
01:01:44,720 --> 01:01:47,320
Speaker 1: a similar friendship, not just in front of the camera,

1223
01:01:47,400 --> 01:01:49,600
Speaker 1: but behind it. And I found it on Scandal and

1224
01:01:49,680 --> 01:01:51,920
Speaker 1: we still keep in touch. I get text where I

1225
01:01:51,960 --> 01:01:55,560
Speaker 1: have a group group text chain. I get something multiple

1226
01:01:55,640 --> 01:02:00,880
Speaker 1: things daily. Uh, we vacation together? Could I join that text? Scott,

1227
01:02:02,240 --> 01:02:04,120
Speaker 1: if you have something to offer, I'd love I Do

1228
01:02:04,400 --> 01:02:06,800
Speaker 1: you know I have a long history with Tony Goldman

1229
01:02:06,960 --> 01:02:10,240
Speaker 1: and uh, I know you do, yes, And I'm I

1230
01:02:10,480 --> 01:02:13,600
Speaker 1: love that man a lot. And he directed a movie

1231
01:02:13,600 --> 01:02:15,479
Speaker 1: I was in called The Last Kiss, and we've stayed

1232
01:02:15,520 --> 01:02:18,240
Speaker 1: friendly over the years, and I just think he's a

1233
01:02:18,400 --> 01:02:20,880
Speaker 1: very very special human being. I wish he was the

1234
01:02:20,960 --> 01:02:23,760
Speaker 1: real Press. I wish he was the real President. I

1235
01:02:23,840 --> 01:02:25,560
Speaker 1: think we all wish someone else was the real president

1236
01:02:25,640 --> 01:02:29,960
Speaker 1: right now. Sorry, Jenny, that's that's where you're getting. You

1237
01:02:30,000 --> 01:02:34,200
Speaker 1: don't have to bring an Australian into our political situation, Jenny,

1238
01:02:34,200 --> 01:02:37,480
Speaker 1: Do you have another question for any of us? Yes?

1239
01:02:37,600 --> 01:02:39,880
Speaker 1: I do, um because I want to look up for

1240
01:02:39,960 --> 01:02:42,920
Speaker 1: my fellow Australians. I just want to ask, why do

1241
01:02:43,000 --> 01:02:47,520
Speaker 1: you think doctor Cox hates two Jackman so much. You know,

1242
01:02:47,640 --> 01:02:50,760
Speaker 1: this is a question that's been asked so often and

1243
01:02:50,840 --> 01:02:52,640
Speaker 1: we never answered it. I think we're going to throw

1244
01:02:52,680 --> 01:02:57,400
Speaker 1: it to Bill. But my theory is that Cox, who

1245
01:02:57,600 --> 01:03:02,120
Speaker 1: was such an alpha competitive guy, was jealous because at

1246
01:03:02,160 --> 01:03:04,479
Speaker 1: the time Hugh Jackman, when we were making the show,

1247
01:03:04,720 --> 01:03:07,240
Speaker 1: it was right at the time with Hugh Jackman exploding

1248
01:03:07,280 --> 01:03:10,720
Speaker 1: and becoming a megastar who was not just your average megastar.

1249
01:03:10,880 --> 01:03:13,600
Speaker 1: He was doing everything. He could see everything, he could

1250
01:03:13,640 --> 01:03:15,680
Speaker 1: see it. He could dance, he could host award shows,

1251
01:03:15,720 --> 01:03:17,120
Speaker 1: he could be an action star, he could be a

1252
01:03:17,200 --> 01:03:20,480
Speaker 1: dramatic star. He was you know, he was everywhere and

1253
01:03:20,560 --> 01:03:22,440
Speaker 1: he was doing everything, and everyone liked him. It wasn't like,

1254
01:03:22,720 --> 01:03:25,960
Speaker 1: you know, a lot of stars become polarizing. He wasn't everybody.

1255
01:03:26,080 --> 01:03:28,919
Speaker 1: Everybody loved him. This dude could, this dude could host

1256
01:03:29,000 --> 01:03:32,560
Speaker 1: the Tony's and then stabbed somebody up as Wolverine Man.

1257
01:03:32,600 --> 01:03:35,400
Speaker 1: It was like it was like just one eight after

1258
01:03:35,520 --> 01:03:38,840
Speaker 1: one eighty. So I think, Jenny, that's my guess is

1259
01:03:38,920 --> 01:03:42,280
Speaker 1: that Cox was the character of Cox was jealous of

1260
01:03:42,400 --> 01:03:47,120
Speaker 1: this handsome, you know, muscular man who could do anything

1261
01:03:47,160 --> 01:03:49,280
Speaker 1: and everything, and people just loved him and endured him,

1262
01:03:49,280 --> 01:03:51,360
Speaker 1: and so he was jealous of him. But let's ask Bill,

1263
01:03:51,400 --> 01:03:54,360
Speaker 1: because that's a good ask Bill, Bill. The fans have

1264
01:03:54,440 --> 01:03:57,520
Speaker 1: been asking for many years, and now a very nice

1265
01:03:57,560 --> 01:04:00,160
Speaker 1: woman from Australia has asked, and the we just to

1266
01:04:00,200 --> 01:04:03,880
Speaker 1: get the answer. Why does doctor Collox hate Hugh Jackman

1267
01:04:03,960 --> 01:04:07,360
Speaker 1: so much? Look, we love Hugh Jackman. When we were

1268
01:04:07,400 --> 01:04:09,160
Speaker 1: trying to come up with who doctor Cox hated for

1269
01:04:09,280 --> 01:04:11,720
Speaker 1: no reason, I think we thought it was important that

1270
01:04:11,800 --> 01:04:13,920
Speaker 1: we came up with somebody that everybody loved and that

1271
01:04:14,000 --> 01:04:17,080
Speaker 1: could do everything. I mean, who has anything against Hugh Jackman.

1272
01:04:17,200 --> 01:04:22,320
Speaker 1: He's Wolverine. You know, he's in action movies. He's apparently

1273
01:04:22,360 --> 01:04:26,280
Speaker 1: a lovely guy. He's handsome, he's like People Magazine's sexiest person.

1274
01:04:27,360 --> 01:04:29,760
Speaker 1: He can sing, he can dance, you know, five six

1275
01:04:29,800 --> 01:04:34,840
Speaker 1: seven eight, slid that one in, he starred in The

1276
01:04:35,000 --> 01:04:37,640
Speaker 1: Music Man on Broadway and that Peter Allan thing. He's

1277
01:04:37,720 --> 01:04:44,200
Speaker 1: just two damn talented. My buddy, Scott Folly is there?

1278
01:04:44,280 --> 01:04:48,040
Speaker 1: Scott torture them? Jenny, I hope that worked for you? Yes,

1279
01:04:48,520 --> 01:04:54,400
Speaker 1: five six seven eighth No, No, no, you know what

1280
01:04:55,520 --> 01:04:58,920
Speaker 1: most people? Only Bill usually gets the song when he

1281
01:04:58,960 --> 01:05:01,440
Speaker 1: says it. But because Scott fully so darn charming, Dan

1282
01:05:01,560 --> 01:05:05,480
Speaker 1: hit the button again. It couldn't control them. Sick of it?

1283
01:05:07,960 --> 01:05:14,480
Speaker 1: Let me, let me control my home, tiny little universe, please, Jenny. Yes,

1284
01:05:14,800 --> 01:05:20,800
Speaker 1: I'm gonna give you one more question. Uh yeah, yeah.

1285
01:05:20,800 --> 01:05:23,680
Speaker 1: And my other question was, um, what's your proudest moment

1286
01:05:23,880 --> 01:05:29,640
Speaker 1: from being on the show? Performance? Oh? Wow, I really

1287
01:05:29,720 --> 01:05:33,840
Speaker 1: enjoyed doing the musical theater, uh, the the musical episode.

1288
01:05:33,920 --> 01:05:36,160
Speaker 1: I had a lot of fun doing that. Growing up,

1289
01:05:36,200 --> 01:05:37,960
Speaker 1: I did a lot of musical theater, but not at

1290
01:05:38,040 --> 01:05:40,320
Speaker 1: that scope or that level. And a lot of the

1291
01:05:40,360 --> 01:05:44,640
Speaker 1: people that you know, we're in Scrubs the musical Yeah,

1292
01:05:44,760 --> 01:05:47,680
Speaker 1: I saw later on in La La Land or whatever,

1293
01:05:47,840 --> 01:05:50,160
Speaker 1: and that made me feel really good. Like, you know,

1294
01:05:50,520 --> 01:05:53,680
Speaker 1: I danced with some of the some of LA's best

1295
01:05:53,840 --> 01:05:56,240
Speaker 1: dancers and stuff like that, and got to perform with

1296
01:05:56,360 --> 01:05:59,640
Speaker 1: some of LA's best and you know, as you know,

1297
01:06:00,000 --> 01:06:04,160
Speaker 1: everybody comes here to make it in the industry, and

1298
01:06:04,320 --> 01:06:07,800
Speaker 1: it felt good to be amongst Hollywood's elite dances and

1299
01:06:07,880 --> 01:06:09,800
Speaker 1: being able to dance with them. I really enjoyed that.

1300
01:06:09,840 --> 01:06:11,919
Speaker 1: I'm very proud that I'm going to do that. Yeah,

1301
01:06:12,040 --> 01:06:15,320
Speaker 1: I think I'm proud of that episode too, And also

1302
01:06:15,360 --> 01:06:17,040
Speaker 1: I'm really proud of you know, it was a really

1303
01:06:17,160 --> 01:06:19,880
Speaker 1: underappreciated I thing, But we did this um sort of

1304
01:06:19,960 --> 01:06:24,040
Speaker 1: Princess Briane homage episode. Um that was the fantasy and

1305
01:06:24,360 --> 01:06:28,320
Speaker 1: sort of a medieval thing, and it kind of it

1306
01:06:28,440 --> 01:06:31,600
Speaker 1: was I believe it was during the writer strike season

1307
01:06:31,880 --> 01:06:35,040
Speaker 1: and uh, the season ended early and we didn't know

1308
01:06:35,080 --> 01:06:37,640
Speaker 1: if the show was coming back, and it was. It

1309
01:06:37,760 --> 01:06:40,760
Speaker 1: was sort of presented as the season finale and possibly

1310
01:06:40,800 --> 01:06:42,680
Speaker 1: a series finale because no one knew if we were

1311
01:06:42,720 --> 01:06:46,040
Speaker 1: coming back, and so it kind of got treated like, oh,

1312
01:06:46,560 --> 01:06:48,439
Speaker 1: what does that have to do with scrubs or ending

1313
01:06:48,480 --> 01:06:52,040
Speaker 1: the show? And but I really am proud of the

1314
01:06:52,640 --> 01:06:54,840
Speaker 1: directing work I did on it, and uh, and I

1315
01:06:54,920 --> 01:06:58,040
Speaker 1: think it looks really pretty and and it was a

1316
01:06:58,200 --> 01:07:02,360
Speaker 1: huge scale for scope was huge, Yeah, it was. It

1317
01:07:02,520 --> 01:07:04,320
Speaker 1: was big, and we spent a lot of money and

1318
01:07:04,440 --> 01:07:06,280
Speaker 1: I think it looked like it and a lot of

1319
01:07:06,280 --> 01:07:08,320
Speaker 1: people worked very hard on it. And then it sort

1320
01:07:08,320 --> 01:07:11,280
Speaker 1: of got underappreciated because people were like, please tell me,

1321
01:07:11,360 --> 01:07:13,040
Speaker 1: that's not the series finale, and I was like, no

1322
01:07:13,160 --> 01:07:15,480
Speaker 1: one meant that that was the series finale. But I

1323
01:07:15,560 --> 01:07:18,600
Speaker 1: thought that was good. Yeah, I love that episode. I remember,

1324
01:07:19,280 --> 01:07:21,480
Speaker 1: thank you, thank you, Jenny. All Right, we have to

1325
01:07:22,160 --> 01:07:24,400
Speaker 1: to move on, but thank you so much for coming

1326
01:07:24,480 --> 01:07:26,400
Speaker 1: on the show. Scott, do you want to say anything, Jenny,

1327
01:07:26,440 --> 01:07:28,640
Speaker 1: thank you for coming on. I'd like to thank you

1328
01:07:28,720 --> 01:07:30,840
Speaker 1: for coming on the show too, Jenny. I I hope

1329
01:07:31,560 --> 01:07:35,080
Speaker 1: forgive me for getting into this, but I hope everything's

1330
01:07:35,120 --> 01:07:37,320
Speaker 1: everyone's okay now that you guys have those terrible fires

1331
01:07:37,320 --> 01:07:38,800
Speaker 1: and we were all sort of thinking about you over

1332
01:07:40,040 --> 01:07:41,560
Speaker 1: on the side of the world. So I'm glad you

1333
01:07:41,600 --> 01:07:45,480
Speaker 1: guys are better. Yeah, it's been a big, very difficult year,

1334
01:07:45,520 --> 01:07:48,440
Speaker 1: but yeah, we're all getting there. Because Scott's message was

1335
01:07:48,520 --> 01:07:50,760
Speaker 1: nicer than mine. So I would like to say that

1336
01:07:51,040 --> 01:07:56,280
Speaker 1: I hope everything's okay. Nobody cares, Zach, nobody cares. That's

1337
01:07:56,400 --> 01:07:59,600
Speaker 1: what we call a callback choke. Everybody, all right, Thank you, Jenny,

1338
01:07:59,600 --> 01:08:14,600
Speaker 1: thanks coming on. Yeah, very sweet, very very sweet. Y know,

1339
01:08:14,760 --> 01:08:17,040
Speaker 1: j D is a rat. Hold up, let's get into this.

1340
01:08:17,840 --> 01:08:22,439
Speaker 1: J D is a little bitch. He's a rat. He

1341
01:08:22,680 --> 01:08:25,320
Speaker 1: is a rat. Funny though, when I go and tell

1342
01:08:25,400 --> 01:08:27,000
Speaker 1: on you though, how funny is that fantasy with me

1343
01:08:27,040 --> 01:08:32,160
Speaker 1: on Johnny's lab? It's very blue hat he goes, who's

1344
01:08:32,200 --> 01:08:35,559
Speaker 1: my big He goes, who's my big boy? Hi? Yeah,

1345
01:08:37,800 --> 01:08:40,439
Speaker 1: that was great. I love that. I love that. They

1346
01:08:41,120 --> 01:08:44,640
Speaker 1: show you the two the two sides of you know,

1347
01:08:44,760 --> 01:08:47,000
Speaker 1: when something bad happens, they show you the two sides.

1348
01:08:47,040 --> 01:08:49,040
Speaker 1: They show you the one that runs right to the

1349
01:08:49,200 --> 01:08:52,280
Speaker 1: principle and it's like and and cries to the principle,

1350
01:08:52,360 --> 01:08:54,280
Speaker 1: Oh my god, and he did this. And then they

1351
01:08:54,320 --> 01:08:57,280
Speaker 1: show the other person who runs to the principle and

1352
01:08:57,439 --> 01:09:01,960
Speaker 1: freaking tells the principle off. John sees character Cox is

1353
01:09:02,000 --> 01:09:04,400
Speaker 1: the dad that goes to the school and beats up

1354
01:09:04,479 --> 01:09:06,200
Speaker 1: the bully for fucking with his kid. You know what

1355
01:09:06,280 --> 01:09:09,400
Speaker 1: I mean. He's twelve year old boy fucking with his son.

1356
01:09:09,560 --> 01:09:11,600
Speaker 1: Oh you're gonna touch my son like that? How about this?

1357
01:09:12,320 --> 01:09:14,679
Speaker 1: Go tell your dad, don't tell your dad the doctor

1358
01:09:14,760 --> 01:09:17,320
Speaker 1: Cox smacked the shit out of you. And it goes,

1359
01:09:17,520 --> 01:09:20,920
Speaker 1: it goes south. But it was very interesting to watch

1360
01:09:21,360 --> 01:09:25,200
Speaker 1: the two dynamics, like one guy, one guy is a

1361
01:09:25,439 --> 01:09:29,320
Speaker 1: complete rat. Yeah, and it was funny. I didn't even

1362
01:09:29,320 --> 01:09:31,600
Speaker 1: see that. I didn't even see that interpretation of it.

1363
01:09:31,640 --> 01:09:33,639
Speaker 1: But that's smart that that is exactly what happens. It's

1364
01:09:33,680 --> 01:09:35,200
Speaker 1: it's the two sides of a coin of how you

1365
01:09:35,280 --> 01:09:38,800
Speaker 1: deal with the situation. Yeah, anyway, why would why would

1366
01:09:38,840 --> 01:09:41,120
Speaker 1: Turk even promise to side with me? I mean, he's

1367
01:09:41,120 --> 01:09:43,200
Speaker 1: a really good doctor. We know that he's not gonna

1368
01:09:43,240 --> 01:09:46,599
Speaker 1: go not It's almost ridiculous that he wouldn't even say, yeah,

1369
01:09:46,600 --> 01:09:47,880
Speaker 1: I don't worry hell back you up. He's gonna come

1370
01:09:47,920 --> 01:09:51,920
Speaker 1: in and give his honest analysis. Right. Well, I think

1371
01:09:52,000 --> 01:09:55,160
Speaker 1: he was. I think Turk was trusting the fact that

1372
01:09:55,320 --> 01:09:59,320
Speaker 1: you had done your job, and you know, you were

1373
01:09:59,560 --> 01:10:02,599
Speaker 1: literally calling in him in four favorito, just just tell

1374
01:10:02,680 --> 01:10:04,439
Speaker 1: this dude that he doesn't have anything to worry about.

1375
01:10:05,000 --> 01:10:08,080
Speaker 1: And then when Turk looked at it, he's like, bush,

1376
01:10:08,400 --> 01:10:11,000
Speaker 1: hold on, hold on, right, if you gotta you got

1377
01:10:11,360 --> 01:10:13,160
Speaker 1: I look at it, like, you know, if there's any

1378
01:10:13,560 --> 01:10:16,040
Speaker 1: if there's a slight chance that Turk gets the opportunity

1379
01:10:16,240 --> 01:10:18,920
Speaker 1: to operate, he's gonna say, yeah, I'm gonna operate, right.

1380
01:10:19,040 --> 01:10:20,679
Speaker 1: I mean, I think that's the real thing. Obviously taken

1381
01:10:20,800 --> 01:10:23,080
Speaker 1: from Obviously this is all inspired by what we were

1382
01:10:23,120 --> 01:10:26,000
Speaker 1: told by real doctors that the surgeons are more apt

1383
01:10:26,080 --> 01:10:28,479
Speaker 1: to be, like let's cut him up, Yeah, let's get

1384
01:10:28,520 --> 01:10:30,120
Speaker 1: it out, let's do it let's do our let's do

1385
01:10:30,160 --> 01:10:33,679
Speaker 1: our thing, and um I love in at twelve fifteen

1386
01:10:33,720 --> 01:10:37,000
Speaker 1: when when when the janitor is is giving my patient

1387
01:10:37,080 --> 01:10:39,640
Speaker 1: advice and he's like, I'm gonna go with surgery, and

1388
01:10:39,760 --> 01:10:42,880
Speaker 1: I go, he's a janitor and he goes, but he

1389
01:10:43,240 --> 01:10:49,840
Speaker 1: seems confident. Again, the guy did not say a sentence

1390
01:10:49,880 --> 01:10:52,360
Speaker 1: that I didn't laugh out loud at its very funny.

1391
01:10:52,439 --> 01:10:54,960
Speaker 1: How about Sarah All dolled up for Scott Foley at

1392
01:10:55,000 --> 01:10:57,479
Speaker 1: thirteen forty five? Beautiful? How lucky was I? And my

1393
01:10:57,600 --> 01:11:03,760
Speaker 1: stupid big overcoat? But you're Jack why? JO don't know?

1394
01:11:04,439 --> 01:11:06,040
Speaker 1: Did you not have a fitting? Do you remember? It

1395
01:11:06,200 --> 01:11:09,840
Speaker 1: was like the only thing I can chalk it up

1396
01:11:09,880 --> 01:11:12,439
Speaker 1: to was that was just what people were wearing back then.

1397
01:11:12,479 --> 01:11:15,640
Speaker 1: But it seemed really big. That was huge. It was

1398
01:11:15,720 --> 01:11:19,600
Speaker 1: the Armandi baggy look back then. I don't know, do

1399
01:11:19,680 --> 01:11:21,960
Speaker 1: you really think it was style or just fit wrong?

1400
01:11:22,120 --> 01:11:24,439
Speaker 1: Because you're you're you're supposed to be playing this like

1401
01:11:24,560 --> 01:11:27,240
Speaker 1: heartthrob and and there there you are. I mean, you

1402
01:11:27,280 --> 01:11:30,320
Speaker 1: should be looking like in a nice outfit. I have

1403
01:11:30,439 --> 01:11:32,680
Speaker 1: to think it's it was style or else someone. I mean,

1404
01:11:32,720 --> 01:11:36,160
Speaker 1: there's you know, no less than three people, but maybe

1405
01:11:36,280 --> 01:11:39,240
Speaker 1: thirty people on set who should be like, hey, he

1406
01:11:39,360 --> 01:11:42,360
Speaker 1: looks really stupid in that. And it must have been

1407
01:11:42,479 --> 01:11:46,479
Speaker 1: it must have been the style, because that jacket would

1408
01:11:46,640 --> 01:11:48,640
Speaker 1: it came down to your knees almost, and it was

1409
01:11:48,880 --> 01:11:53,280
Speaker 1: huge and it was like a doctor's smock. He's a monster,

1410
01:11:54,280 --> 01:12:00,479
Speaker 1: just ridiculous. Well, I thought Sarah looked h beautiful up moment,

1411
01:12:00,920 --> 01:12:02,880
Speaker 1: and then I think she looked beautiful even after her

1412
01:12:03,600 --> 01:12:05,560
Speaker 1: I know, even with a U. And it was so

1413
01:12:05,680 --> 01:12:09,960
Speaker 1: funny she's covered with puke and blood and poop. Yeah, yep,

1414
01:12:10,640 --> 01:12:12,120
Speaker 1: they did a really good job with her, and it

1415
01:12:12,240 --> 01:12:14,439
Speaker 1: was it was And then you guys film you guys,

1416
01:12:14,520 --> 01:12:18,200
Speaker 1: you guys get into that really funny, awkward poop conversation. Yeah,

1417
01:12:18,200 --> 01:12:20,040
Speaker 1: they cut, they cut to Judy. It's so funny because

1418
01:12:20,040 --> 01:12:22,720
Speaker 1: you guys are awkwardly flirting about poop and you cut

1419
01:12:22,760 --> 01:12:25,639
Speaker 1: the Judy's dead pan face. Well you know, and then

1420
01:12:26,280 --> 01:12:28,840
Speaker 1: right after that, there's a there's a great moment where

1421
01:12:28,960 --> 01:12:31,519
Speaker 1: the nurse has like, you know, uh um, Sarah and

1422
01:12:31,600 --> 01:12:33,599
Speaker 1: Judy are talking. You know, I don't think anybody noticed.

1423
01:12:33,600 --> 01:12:35,479
Speaker 1: It's not a big deal. And then one of the

1424
01:12:35,560 --> 01:12:37,600
Speaker 1: nurses to walk by and says, hey, poopy, which I

1425
01:12:37,640 --> 01:12:42,360
Speaker 1: thought was just hilarious. Alma, Yes, I'm really I'm really noticing.

1426
01:12:42,560 --> 01:12:45,640
Speaker 1: And all these years later, many of Alma's lines are

1427
01:12:45,720 --> 01:12:48,639
Speaker 1: are moving. She's always walking, always on the move, always

1428
01:12:48,680 --> 01:12:53,120
Speaker 1: on the move. Hey, poopy can slaughter into someone else's shot.

1429
01:12:53,439 --> 01:12:55,599
Speaker 1: But that was very funny too. You your whole conversation

1430
01:12:55,680 --> 01:12:58,519
Speaker 1: on how you took a poop. Sure, not here, but

1431
01:12:58,640 --> 01:13:01,960
Speaker 1: not here before, but earlier. I must get down there.

1432
01:13:04,479 --> 01:13:06,720
Speaker 1: I think, you know, we we we delve into the

1433
01:13:06,800 --> 01:13:09,200
Speaker 1: relationship deeper in other episodes, but I think that's really

1434
01:13:09,280 --> 01:13:13,200
Speaker 1: the foundation for them. You know, poop is the foundation.

1435
01:13:13,520 --> 01:13:16,439
Speaker 1: It's a house built on poop. It well, you know,

1436
01:13:16,760 --> 01:13:19,240
Speaker 1: the relationship didn't last long, and we know poop is

1437
01:13:22,479 --> 01:13:24,719
Speaker 1: depends on what your head. They should not have built

1438
01:13:24,760 --> 01:13:28,760
Speaker 1: their house on a foundation of poop. What about in

1439
01:13:28,840 --> 01:13:31,280
Speaker 1: fourteen twenty when the janitor goes, look, I'm just a genitor.

1440
01:13:31,479 --> 01:13:34,439
Speaker 1: I don't know much, but I know that you need surgery.

1441
01:13:38,400 --> 01:13:42,320
Speaker 1: How did he get in that room? How he was

1442
01:13:42,400 --> 01:13:45,160
Speaker 1: that the was that the beginning of the speech where

1443
01:13:45,240 --> 01:13:47,000
Speaker 1: at the end of it he grabs a newspaper and

1444
01:13:47,040 --> 01:13:49,800
Speaker 1: goes back into the toilet. Uh No, that's a different.

1445
01:13:50,200 --> 01:13:53,600
Speaker 1: That's that was geus. That's before he starts going like,

1446
01:13:53,840 --> 01:13:56,160
Speaker 1: that's the that's the most moment with my patient. But

1447
01:13:56,280 --> 01:13:58,320
Speaker 1: then yea, we then we cut around to him going

1448
01:13:58,400 --> 01:14:01,000
Speaker 1: to all of my patients around me higher hospital, telling

1449
01:14:01,000 --> 01:14:06,960
Speaker 1: them and they all need surgery. You have to Yeah,

1450
01:14:07,040 --> 01:14:11,200
Speaker 1: that was hilarious and neel so funny that I'm having

1451
01:14:11,240 --> 01:14:16,320
Speaker 1: surgery right now. Oh that that was great. I'm having

1452
01:14:16,400 --> 01:14:19,400
Speaker 1: surgery and I'm loving it, and I'm loving it. So

1453
01:14:19,520 --> 01:14:22,240
Speaker 1: bizarre infomercial and then Donald, what do you say, Let's

1454
01:14:22,280 --> 01:14:24,599
Speaker 1: get you out of your skins, your skin, Let's cut

1455
01:14:24,680 --> 01:14:27,880
Speaker 1: you out of your skin. I'm having that. Girl did

1456
01:14:27,920 --> 01:14:30,479
Speaker 1: a great job. I'm having surgery right now and loving it.

1457
01:14:31,520 --> 01:14:33,559
Speaker 1: You know, the writers always have always done a good

1458
01:14:33,640 --> 01:14:37,639
Speaker 1: job on this show of um of finding really subtle

1459
01:14:38,520 --> 01:14:43,240
Speaker 1: gender specific moments that there's something that and I think

1460
01:14:43,280 --> 01:14:44,800
Speaker 1: Bill takes a lot of it from Christa. You know,

1461
01:14:44,840 --> 01:14:47,160
Speaker 1: there's moments where he's like, there was a character at

1462
01:14:47,200 --> 01:14:49,360
Speaker 1: one point in the show. I don't remember what season

1463
01:14:49,400 --> 01:14:51,280
Speaker 1: it was, but a woman talks about chewing on her

1464
01:14:51,320 --> 01:14:53,599
Speaker 1: thumbnail until it bleeds at the side of her thumbtail bleeds,

1465
01:14:53,640 --> 01:14:56,479
Speaker 1: which is a very specific sort of woman thing, and

1466
01:14:56,520 --> 01:14:59,760
Speaker 1: there was a moment in here where Judy says, m

1467
01:15:00,120 --> 01:15:02,000
Speaker 1: you know, I'm I'm not sure there's a cat heaven,

1468
01:15:02,080 --> 01:15:03,840
Speaker 1: Like I don't tell Turk. I sometimes cried becase I'm

1469
01:15:03,840 --> 01:15:05,560
Speaker 1: not sure there's a cat heaven. Like. I thought that

1470
01:15:05,680 --> 01:15:11,200
Speaker 1: was a genius, really subtle, gender specific moment, really really

1471
01:15:11,240 --> 01:15:13,080
Speaker 1: spirit of what you're saying, Scott. Then they cut to

1472
01:15:13,120 --> 01:15:14,800
Speaker 1: Sarah and the look on her face is like, there's

1473
01:15:14,800 --> 01:15:18,360
Speaker 1: no cat heaven. What do you mean there's no cat heaven.

1474
01:15:20,520 --> 01:15:22,800
Speaker 1: It's a really really it's a really subtle moment, but

1475
01:15:22,880 --> 01:15:25,080
Speaker 1: they cut to Sarah's face as though she's just heard,

1476
01:15:25,520 --> 01:15:27,600
Speaker 1: like for the first time there's no cat heaven, like

1477
01:15:27,760 --> 01:15:30,439
Speaker 1: she's just had Santa Claus rooined for it. I thought

1478
01:15:30,439 --> 01:15:32,759
Speaker 1: it was great, man, I thought it was really smart.

1479
01:15:32,800 --> 01:15:38,400
Speaker 1: I'm delivered it beautifully. The amount of times I'll run

1480
01:15:38,479 --> 01:15:40,519
Speaker 1: into my wife and be like, hey, why are you crying,

1481
01:15:40,600 --> 01:15:42,479
Speaker 1: She's like, never mind, and you know it's because she's

1482
01:15:42,520 --> 01:15:44,599
Speaker 1: not sure if there's a cat heaven, there's something ridiculous

1483
01:15:44,720 --> 01:15:48,760
Speaker 1: like that. Um At seventeen twenty one, Sarah bumps into

1484
01:15:48,840 --> 01:15:51,880
Speaker 1: Colonel Doctor and I just was exciting, because you know,

1485
01:15:51,960 --> 01:15:54,559
Speaker 1: Colonel Doctor didn't always get a lot of foreground time,

1486
01:15:54,720 --> 01:15:59,760
Speaker 1: but he got a little foreground moment Coleman's Law. I didn't.

1487
01:15:59,760 --> 01:16:02,680
Speaker 1: I didn't even see that. That went completely over my head.

1488
01:16:02,680 --> 01:16:04,719
Speaker 1: I missed that. Yeah, it's even in the Scrubs WICKI

1489
01:16:05,000 --> 01:16:07,760
Speaker 1: uh and and I love about it. We call him

1490
01:16:07,800 --> 01:16:09,720
Speaker 1: colonel doctor because that's what we thought his name was,

1491
01:16:09,760 --> 01:16:14,760
Speaker 1: but because it's eventually revealed that his name is Coleman slaw. Um,

1492
01:16:15,720 --> 01:16:18,840
Speaker 1: it says in the Scrubs Wiki like Sarah bumps into

1493
01:16:18,880 --> 01:16:27,760
Speaker 1: Coleman's Law the Scrubs Wicky, the Scrubs Wiki is so

1494
01:16:28,240 --> 01:16:33,040
Speaker 1: is so accurate that they call colonel doctor Coleman. That's awesome.

1495
01:16:34,680 --> 01:16:40,000
Speaker 1: At twenty thirty five, the patient in bed is Richard Wells. Yes,

1496
01:16:40,920 --> 01:16:45,040
Speaker 1: our very he was our best first AD, first AD

1497
01:16:45,280 --> 01:16:47,920
Speaker 1: and UPM. Also he went on to be our up

1498
01:16:48,200 --> 01:16:52,280
Speaker 1: M later on when Scott Harris and uh, that's right,

1499
01:16:52,920 --> 01:16:55,439
Speaker 1: Franklin got better too, you should say, for those for

1500
01:16:55,520 --> 01:16:58,240
Speaker 1: those of you don't know, a first AD, a first

1501
01:16:58,280 --> 01:17:01,120
Speaker 1: assistant director is the man or woman who was sort

1502
01:17:01,160 --> 01:17:03,360
Speaker 1: of running the set, making sort of the one calling

1503
01:17:03,360 --> 01:17:05,880
Speaker 1: out saying, okay, here we go, we gotta move. Really

1504
01:17:06,240 --> 01:17:08,120
Speaker 1: you think of that in theater like a stage manager,

1505
01:17:08,280 --> 01:17:12,360
Speaker 1: but keeping everyone moving along. Uh and uh and sort

1506
01:17:12,360 --> 01:17:15,040
Speaker 1: of the team leader, so the director can ideally focus

1507
01:17:15,120 --> 01:17:17,559
Speaker 1: on the creative aspects of things. Well, the first idea

1508
01:17:17,640 --> 01:17:19,479
Speaker 1: is usually the bad guy. Let's just put it that way.

1509
01:17:19,479 --> 01:17:20,880
Speaker 1: The first idea is the one that you come to

1510
01:17:21,400 --> 01:17:25,679
Speaker 1: with all the problems you don't necessarily Yeah. Well, Richard

1511
01:17:25,760 --> 01:17:27,840
Speaker 1: Wells was so great at his job and one of

1512
01:17:27,880 --> 01:17:30,439
Speaker 1: the best first ads I've ever worked with. And um,

1513
01:17:30,560 --> 01:17:32,599
Speaker 1: and I forgot that he did a cameo and here

1514
01:17:32,640 --> 01:17:36,320
Speaker 1: he is as one of my patients that finally finally

1515
01:17:36,400 --> 01:17:39,160
Speaker 1: says he'll he'll go the medical route, solely because the

1516
01:17:39,280 --> 01:17:44,040
Speaker 1: janitor has told him so at the end of the episode. Also, also,

1517
01:17:44,240 --> 01:17:47,400
Speaker 1: Richard Wells directed a few episodes of Scrubs. Also, Uh,

1518
01:17:48,840 --> 01:17:50,519
Speaker 1: he did a lot on the show. He wasn't just

1519
01:17:50,640 --> 01:17:53,360
Speaker 1: the ad. Yeah, when he became I was bummed though,

1520
01:17:53,360 --> 01:17:56,240
Speaker 1: when he when he decided to become a UPM and

1521
01:17:56,320 --> 01:17:58,240
Speaker 1: he was no longer on set because can I ask

1522
01:17:58,240 --> 01:18:00,800
Speaker 1: you a question, Yes, what is the up M? A

1523
01:18:00,960 --> 01:18:04,360
Speaker 1: UPM is a production manager unit production manager, handling the

1524
01:18:04,520 --> 01:18:07,640
Speaker 1: organization of everything up If you need a crane the

1525
01:18:07,720 --> 01:18:10,880
Speaker 1: UPM is the one often calling the rental house and saying,

1526
01:18:10,880 --> 01:18:13,599
Speaker 1: we need a crane on Tuesday. Who's bringing it? Timmy?

1527
01:18:13,680 --> 01:18:17,280
Speaker 1: And John the line producer kind of underneath the line producer,

1528
01:18:17,800 --> 01:18:21,600
Speaker 1: organizing anything and everything that the nuts and bolts of

1529
01:18:21,880 --> 01:18:24,760
Speaker 1: a production. Scott, you switched to eating. I see, well,

1530
01:18:25,479 --> 01:18:27,519
Speaker 1: I switched to my damn things running out of batteries.

1531
01:18:27,560 --> 01:18:29,519
Speaker 1: I can't hear a fucking thing now. But yeah, it's

1532
01:18:29,560 --> 01:18:31,360
Speaker 1: my anniversary, so my wife made me these things when

1533
01:18:31,360 --> 01:18:32,640
Speaker 1: I got to eat him before I come out of

1534
01:18:32,680 --> 01:18:34,760
Speaker 1: my closet, unless he's gonna say, like, why didn't you

1535
01:18:34,800 --> 01:18:38,479
Speaker 1: eat the cookie? I made you? Oh? How many? How many?

1536
01:18:39,640 --> 01:18:43,040
Speaker 1: Thanks so much? Thirteen years? Oh my good, thirteen years.

1537
01:18:43,160 --> 01:18:48,040
Speaker 1: Wow yeah, wow, yeah, yeah, sorry, that's great and I

1538
01:18:48,160 --> 01:18:49,720
Speaker 1: was excited. You know, I thought I could just listen

1539
01:18:49,800 --> 01:18:52,479
Speaker 1: to your explanation of line producer versus UPM and no

1540
01:18:52,600 --> 01:18:55,040
Speaker 1: one would notice. But I forgot that. I'm sure everyone

1541
01:18:55,080 --> 01:18:57,479
Speaker 1: tuned out when I started describing a UPM. All right, listen,

1542
01:18:57,960 --> 01:19:01,880
Speaker 1: we did it as uh as Howard Stern says, We've

1543
01:19:01,920 --> 01:19:05,280
Speaker 1: said it all Um, this has been really fun, Scott,

1544
01:19:05,280 --> 01:19:07,080
Speaker 1: did you have a good time? I love to be

1545
01:19:07,160 --> 01:19:09,080
Speaker 1: in here. I love seeing your faces. You know, we

1546
01:19:09,200 --> 01:19:10,840
Speaker 1: haven't we haven't had the chance to see too many

1547
01:19:10,920 --> 01:19:13,000
Speaker 1: people recently, so it meant a lot to me, and

1548
01:19:13,080 --> 01:19:15,160
Speaker 1: it it Uh, it's meant a lot to me to

1549
01:19:15,240 --> 01:19:17,320
Speaker 1: be a part of this, have been a part of

1550
01:19:17,400 --> 01:19:20,679
Speaker 1: this show. I look back finally on it and consider

1551
01:19:20,760 --> 01:19:23,040
Speaker 1: both of you good friends of mine. So I appreciate

1552
01:19:23,040 --> 01:19:26,439
Speaker 1: you having me on. Well, we miss you, dude. I

1553
01:19:26,520 --> 01:19:29,240
Speaker 1: gotta thank you. Yeah, I miss you man I I uh,

1554
01:19:29,640 --> 01:19:31,080
Speaker 1: I gotta tell you. You know, we talked about it

1555
01:19:31,160 --> 01:19:32,880
Speaker 1: all the time. I ran in the chip at vot

1556
01:19:33,040 --> 01:19:38,920
Speaker 1: voting uh chipper, yeah and uh and I was like,

1557
01:19:39,080 --> 01:19:41,640
Speaker 1: you know, we gotta we gotta get together again. And

1558
01:19:41,720 --> 01:19:43,800
Speaker 1: this was I thought this was back when we thought

1559
01:19:43,840 --> 01:19:46,400
Speaker 1: this pandemic would last about a month and a half. Yeah,

1560
01:19:46,400 --> 01:19:49,360
Speaker 1: and it's uh, you know I I'd love to get

1561
01:19:49,360 --> 01:19:51,000
Speaker 1: out and play golf with you again once this is

1562
01:19:51,000 --> 01:19:53,120
Speaker 1: all said and done, man, Yeah, we'll find the time

1563
01:19:53,880 --> 01:19:57,000
Speaker 1: and tennis. I'd love to watch you defeat Bill and

1564
01:19:57,080 --> 01:20:00,439
Speaker 1: tennis if possible, Well, if we'll find out when he's injured,

1565
01:20:00,479 --> 01:20:02,080
Speaker 1: and then we'll go out and play because I can't

1566
01:20:02,160 --> 01:20:05,120
Speaker 1: because I can't beat Bill in any sports. I often

1567
01:20:05,200 --> 01:20:07,280
Speaker 1: try and find people that can beat him so I

1568
01:20:07,360 --> 01:20:12,040
Speaker 1: can just watch I'm game. Hey, you know, I wanted

1569
01:20:12,040 --> 01:20:13,160
Speaker 1: to talk about it, and I don't know if you

1570
01:20:13,280 --> 01:20:15,920
Speaker 1: remember this before we go. You know, Donald and I

1571
01:20:16,040 --> 01:20:17,479
Speaker 1: have had the chance to work together, not just on

1572
01:20:18,080 --> 01:20:20,960
Speaker 1: a bunch of things, but you and I aside from Scrubs,

1573
01:20:21,840 --> 01:20:24,639
Speaker 1: and this is something I regret very much after doing

1574
01:20:25,160 --> 01:20:27,000
Speaker 1: I don't know, however, meant two or three episodes in

1575
01:20:27,040 --> 01:20:32,280
Speaker 1: the first season. You wrote a short film about robots,

1576
01:20:32,600 --> 01:20:36,200
Speaker 1: maybe probably I love robots, and you sent me the

1577
01:20:36,240 --> 01:20:39,160
Speaker 1: script and I was busy doing something else so I

1578
01:20:39,200 --> 01:20:41,000
Speaker 1: couldn't do it. But I've always regretted not being able

1579
01:20:41,080 --> 01:20:43,719
Speaker 1: to work with you as a director on something you wrote.

1580
01:20:43,880 --> 01:20:46,439
Speaker 1: And that was that's that's still something I look back on.

1581
01:20:46,479 --> 01:20:48,640
Speaker 1: I totally remember it. It was a I can't remember that.

1582
01:20:48,680 --> 01:20:52,280
Speaker 1: I vaguely remember it too. I was trying to start

1583
01:20:52,400 --> 01:20:54,280
Speaker 1: directing things because I had gone to some school and

1584
01:20:54,320 --> 01:20:56,439
Speaker 1: I was and I was doing Scrubs and it was

1585
01:20:56,720 --> 01:20:59,040
Speaker 1: so amazing. But of course, in my mind as a

1586
01:20:59,360 --> 01:21:02,280
Speaker 1: as a young getter, was thinking, I gotta start making stuff.

1587
01:21:02,520 --> 01:21:04,840
Speaker 1: And I wrote that a wacky short, and I asked

1588
01:21:04,840 --> 01:21:06,400
Speaker 1: you to be in it, but thank you for almost

1589
01:21:06,479 --> 01:21:09,400
Speaker 1: saying yes. Yeah. I absolutely would have said yes if

1590
01:21:09,439 --> 01:21:11,720
Speaker 1: I wasn't able to, But I look, I love both

1591
01:21:11,800 --> 01:21:14,880
Speaker 1: you guys and will hopefully work with you until we

1592
01:21:15,080 --> 01:21:17,920
Speaker 1: die on different things. I made a really cool short

1593
01:21:17,960 --> 01:21:20,760
Speaker 1: film recently, Scott that you should chuck out. It's called

1594
01:21:20,920 --> 01:21:23,720
Speaker 1: in the Time It Takes to Get There, And I

1595
01:21:23,800 --> 01:21:25,680
Speaker 1: guess I've taken this opportunity to give a shout out

1596
01:21:25,720 --> 01:21:28,479
Speaker 1: to that short, So if you're listening to this, check

1597
01:21:28,520 --> 01:21:30,960
Speaker 1: it out. It's got The Time it Takes to Get There. Yeah,

1598
01:21:31,000 --> 01:21:35,680
Speaker 1: it's got a Alicia Silverstone, Donald's old co star, and

1599
01:21:35,800 --> 01:21:41,200
Speaker 1: it's got Florence Pugh, the very exciting young actress Oscar nominee,

1600
01:21:41,800 --> 01:21:43,960
Speaker 1: and it's really good and it's on YouTube and you

1601
01:21:44,040 --> 01:21:46,960
Speaker 1: can go watch it. It was Adobe had this contest

1602
01:21:47,560 --> 01:21:50,600
Speaker 1: where people college kids could design a movie poster, and

1603
01:21:50,920 --> 01:21:54,640
Speaker 1: the winning movie poster design using Photoshop. The prize was

1604
01:21:54,680 --> 01:21:57,760
Speaker 1: that I would write and direct a short film inspired

1605
01:21:57,880 --> 01:22:00,720
Speaker 1: by the movie poster. Oh yeah, you know, I saw

1606
01:22:00,840 --> 01:22:03,240
Speaker 1: an article about that. Anytime I see your guy's names

1607
01:22:03,240 --> 01:22:05,320
Speaker 1: in in any sort of press, I check it out.

1608
01:22:05,360 --> 01:22:06,680
Speaker 1: And I saw an article about this, so I will

1609
01:22:06,680 --> 01:22:08,599
Speaker 1: definitely check it out. Check it out. I recently want

1610
01:22:08,640 --> 01:22:11,680
Speaker 1: a webby for it, which is a which is a

1611
01:22:11,800 --> 01:22:14,800
Speaker 1: cool web award. But check it out. Nobody cares, Zach.

1612
01:22:14,960 --> 01:22:19,840
Speaker 1: Oh my god. Yeah, everybody could see Donald's face when

1613
01:22:19,880 --> 01:22:23,000
Speaker 1: he says that right now with his hands on his head.

1614
01:22:23,080 --> 01:22:25,800
Speaker 1: I wish everyone could see my face right now, because

1615
01:22:26,240 --> 01:22:32,400
Speaker 1: I've successfully didn't feel sad. You're not, but you look

1616
01:22:32,439 --> 01:22:34,080
Speaker 1: like you're sitting underneath. By the way, I want you

1617
01:22:34,160 --> 01:22:37,640
Speaker 1: to know that I knew every Boddy listening would be like, oh,

1618
01:22:37,680 --> 01:22:39,320
Speaker 1: I can't wait for him to say nobody cares Sean.

1619
01:22:39,520 --> 01:22:41,960
Speaker 1: I'm the only one in this You've said it multiple times,

1620
01:22:42,000 --> 01:22:44,719
Speaker 1: Donald has I'm the only one who never said those

1621
01:22:44,920 --> 01:22:48,280
Speaker 1: nobody cares, Zach. But the problem is you said them

1622
01:22:48,360 --> 01:22:51,080
Speaker 1: to begin with, and not a day goes by where

1623
01:22:51,200 --> 01:22:55,720
Speaker 1: someone either personally or on social media doesn't comment or

1624
01:22:55,840 --> 01:22:58,320
Speaker 1: say nobody. I mean, I could say a happy birthday

1625
01:22:58,360 --> 01:23:01,080
Speaker 1: to my lovely wife of thirteen years, happy anniversary of

1626
01:23:01,120 --> 01:23:05,080
Speaker 1: thirteen years, and I'll get six Nobody cares Sean's well,

1627
01:23:05,120 --> 01:23:10,599
Speaker 1: and it makes me equally happy and fucking I rate

1628
01:23:10,880 --> 01:23:13,160
Speaker 1: all right, I get it, man, Well, listen, we got

1629
01:23:13,200 --> 01:23:15,160
Speaker 1: Bills saying five six seventy on this podcast, and I

1630
01:23:15,320 --> 01:23:17,840
Speaker 1: post something on on Instagram and every other comment is

1631
01:23:17,840 --> 01:23:20,000
Speaker 1: five six seventy eight. Well, I mean you were You

1632
01:23:20,200 --> 01:23:22,639
Speaker 1: texted me are you ready to come on? I think

1633
01:23:22,640 --> 01:23:25,280
Speaker 1: I just wrote back five six seven eight, and your

1634
01:23:25,360 --> 01:23:29,599
Speaker 1: response was like, yeah, okay, we get it. Listen, guys,

1635
01:23:29,640 --> 01:23:32,400
Speaker 1: you've gone an hour and a half. This has been amazing.

1636
01:23:32,760 --> 01:23:35,200
Speaker 1: We love the fans. Thank you for listening. We hope

1637
01:23:35,240 --> 01:23:37,559
Speaker 1: we're making you laugh a little in these crazy times.

1638
01:23:37,680 --> 01:23:42,480
Speaker 1: That's our hope. You can email questions to scrubs iHeart

1639
01:23:43,000 --> 01:23:47,000
Speaker 1: at gmail dot com. Please follow diald on Instagram. He's

1640
01:23:47,120 --> 01:23:49,639
Speaker 1: very envious of the amount of followers I have. Dude,

1641
01:23:49,640 --> 01:23:55,160
Speaker 1: you have like one million, one point three million. Yeah,

1642
01:23:55,520 --> 01:23:58,599
Speaker 1: you guys, I have six hundred thousand and two. Well,

1643
01:23:58,680 --> 01:24:01,000
Speaker 1: listen to the way Scott follow you on Instagram. But

1644
01:24:01,520 --> 01:24:03,840
Speaker 1: thanks mem it's you can follow Scott folly two and

1645
01:24:03,920 --> 01:24:06,560
Speaker 1: look at how handsome he is and um and that's it.

1646
01:24:06,720 --> 01:24:09,360
Speaker 1: We love you. We'll see you next time. By Jack

1647
01:24:09,479 --> 01:24:15,120
Speaker 1: jis stories about Sure we made about a bunch of

1648
01:24:15,320 --> 01:24:18,880
Speaker 1: docs and nurses and the janitor who loved him. I said,

1649
01:24:18,960 --> 01:24:22,120
Speaker 1: he's the stories natural should know