1 00:00:00,280 --> 00:00:03,320 Speaker 1: Scotty Oh, Kurt, I'm ready give me. 2 00:00:03,279 --> 00:00:10,840 Speaker 2: One penguins quote maybe aliens after scientists discover chemical from 3 00:00:10,960 --> 00:00:12,440 Speaker 2: venus in their pooh. 4 00:00:12,480 --> 00:00:15,880 Speaker 1: Sure, that's very bananas. This is going to be a 5 00:00:16,000 --> 00:00:21,600 Speaker 1: very bananas bananas. 6 00:00:21,680 --> 00:00:23,520 Speaker 3: Do world understand. 7 00:00:29,080 --> 00:00:29,720 Speaker 4: Your mind? 8 00:00:30,160 --> 00:00:32,720 Speaker 2: Resilient pieces would. 9 00:00:36,520 --> 00:00:37,240 Speaker 5: Bananas? 10 00:00:37,880 --> 00:00:47,880 Speaker 2: Bananasa guys, cows, and non binary pals. Welcome to Bananas. 11 00:00:47,880 --> 00:00:48,760 Speaker 2: I'm kerk brown Er. 12 00:00:49,280 --> 00:00:52,320 Speaker 1: I am Banana boy number two Scotti Landis. Thank you 13 00:00:52,400 --> 00:00:54,920 Speaker 1: for listening. We're so glad to have you. We hope 14 00:00:54,920 --> 00:00:58,240 Speaker 1: everybody's very happy on this Tuesday or whenever day you 15 00:00:58,280 --> 00:00:59,959 Speaker 1: listen to this. It's up to you. It's your word. 16 00:01:00,400 --> 00:01:04,240 Speaker 2: Yeah, and remember new show to Chicago added to the 17 00:01:04,280 --> 00:01:07,960 Speaker 2: mini tour. Go get tickets now, but before but just 18 00:01:08,000 --> 00:01:09,720 Speaker 2: I want to get right into our guests. I'm very 19 00:01:10,200 --> 00:01:11,160 Speaker 2: it me too. 20 00:01:11,400 --> 00:01:14,000 Speaker 3: Don't you dare get it anywhere near me? You can't 21 00:01:14,040 --> 00:01:14,920 Speaker 3: want to get it here. 22 00:01:15,280 --> 00:01:15,760 Speaker 1: You can't. 23 00:01:16,120 --> 00:01:20,360 Speaker 3: Sorry, sorry I did, Sorry, but that's the side of 24 00:01:20,360 --> 00:01:29,959 Speaker 3: my entire life. You can't talk yet, I'm not even here. 25 00:01:30,560 --> 00:01:37,120 Speaker 2: A beautiful intro yea our guest today has not only 26 00:01:37,240 --> 00:01:39,760 Speaker 2: listened to this. Our guest today is not only a 27 00:01:39,800 --> 00:01:44,640 Speaker 2: brilliant stand Up. Is also a stupendous actor and very 28 00:01:44,800 --> 00:01:49,920 Speaker 2: horrifyingly good writer. She impressed you in the fantastically funny 29 00:01:49,920 --> 00:01:53,640 Speaker 2: Netflix series Living with Yourself, starring Optiones Paul Rudd. She's 30 00:01:53,680 --> 00:01:57,040 Speaker 2: in the goddamn new home alone movie What the Fuck, 31 00:01:57,600 --> 00:02:01,200 Speaker 2: coming out soon. But most of importantly, she's the creator 32 00:02:01,480 --> 00:02:06,400 Speaker 2: and writer and star of the heartbreakingly funny and Moving 33 00:02:06,520 --> 00:02:09,760 Speaker 2: This Way Up, both seasons currently available on Hulu in 34 00:02:09,800 --> 00:02:12,440 Speaker 2: the States and on Channel four in the UK. Lay 35 00:02:12,520 --> 00:02:15,320 Speaker 2: Dudes and gentle thems, please welcome a woman I last 36 00:02:15,320 --> 00:02:18,200 Speaker 2: saw at my house taking people's crotch temperatures. 37 00:02:18,280 --> 00:02:18,760 Speaker 1: Ashley. 38 00:02:21,919 --> 00:02:24,200 Speaker 3: Well, if there isn't a way to get in a 39 00:02:24,280 --> 00:02:27,520 Speaker 3: bit of celebrity scandal at the end there, you really 40 00:02:27,560 --> 00:02:29,520 Speaker 3: did me a dirty, as they say over here, sometimes 41 00:02:29,680 --> 00:02:31,839 Speaker 3: absolutely did me a dirty At the end of that one, 42 00:02:32,639 --> 00:02:33,680 Speaker 3: GI me a right dirty. 43 00:02:34,000 --> 00:02:37,720 Speaker 2: That's not not untrue. But it was my crotch temperature 44 00:02:37,760 --> 00:02:40,960 Speaker 2: thermometer she was using. So yeah, I set. 45 00:02:40,800 --> 00:02:45,760 Speaker 3: You for that, everyone, and the whole taking people's temperature 46 00:02:45,800 --> 00:02:48,680 Speaker 3: has really taken off. Yeah, since that party. 47 00:02:48,520 --> 00:02:49,560 Speaker 1: Yeah, makes you wonder. 48 00:02:52,240 --> 00:02:53,880 Speaker 2: It was an old shit I used to It was 49 00:02:53,880 --> 00:02:55,440 Speaker 2: an old bit I used to do where I have 50 00:02:55,520 --> 00:02:58,400 Speaker 2: like a laser thermometer, So Ashley was nowhere near anyone's 51 00:02:58,400 --> 00:03:02,720 Speaker 2: crotch for meat. No, from across the room shooting lasers 52 00:03:02,720 --> 00:03:04,680 Speaker 2: at people's I wasn't that consensual. 53 00:03:04,680 --> 00:03:07,760 Speaker 3: I was definitely going up to people and going, sorry, this. 54 00:03:07,919 --> 00:03:10,679 Speaker 3: Kurt's made their monitor and he tests the temperature of 55 00:03:10,680 --> 00:03:13,400 Speaker 3: people's crotches. Can I do yours? Oh, I'm already doing it, 56 00:03:13,639 --> 00:03:15,960 Speaker 3: So I wouldn't say it was totally consensual, if I'm 57 00:03:16,000 --> 00:03:20,200 Speaker 3: truly honest. When the old party b comes out enthusiasm, 58 00:03:20,720 --> 00:03:21,240 Speaker 3: I love it. 59 00:03:21,200 --> 00:03:23,960 Speaker 2: Hardy, I'm so happy to see you. Thank you for 60 00:03:24,000 --> 00:03:24,280 Speaker 2: being on. 61 00:03:24,520 --> 00:03:29,480 Speaker 3: I know, bloody hell, Kurt. The last time I saw you, 62 00:03:29,480 --> 00:03:32,440 Speaker 3: you were so short and we had brown hair, and 63 00:03:33,160 --> 00:03:38,760 Speaker 3: you sound like Kristin shall Oh No, that was Kristen. Yeah, 64 00:03:39,560 --> 00:03:42,520 Speaker 3: I sometimes you two are just the same, the same person. 65 00:03:42,560 --> 00:03:48,480 Speaker 1: I look remarkably similar, very similar, look, very similar voice. 66 00:03:49,240 --> 00:03:51,480 Speaker 3: I remember that was Kurt's. I'm not sure, Scotty if 67 00:03:51,480 --> 00:03:54,680 Speaker 3: you were invited, but that was Kurt's Christmas doo in. 68 00:03:54,880 --> 00:03:57,360 Speaker 3: I was the winter of twenty eighteen, and I thought 69 00:03:57,400 --> 00:03:59,440 Speaker 3: to myself, oh my god, that was kind of a 70 00:03:59,560 --> 00:04:03,000 Speaker 3: bad year. Man. I cannot wage to put that year 71 00:04:03,000 --> 00:04:06,080 Speaker 3: behind me. No, it's twenty nineteen and I'm starting the 72 00:04:06,200 --> 00:04:11,320 Speaker 3: year twenty twenty. Breathe it in, boys, this one's gonna 73 00:04:11,320 --> 00:04:11,880 Speaker 3: be different. 74 00:04:12,040 --> 00:04:14,840 Speaker 1: Yeah. They keep getting better each year, better than the last. 75 00:04:14,960 --> 00:04:16,560 Speaker 1: Let's see what tomorrow brings. 76 00:04:16,560 --> 00:04:17,600 Speaker 2: Oh yeah, that was the last one. 77 00:04:17,720 --> 00:04:20,800 Speaker 3: What I've learned is don't hope. Don't ever ever hope. 78 00:04:22,839 --> 00:04:25,360 Speaker 2: Hope is the thief of joy. 79 00:04:25,480 --> 00:04:28,080 Speaker 3: Yeah, it's the hope that kills you in the end. 80 00:04:28,600 --> 00:04:28,839 Speaker 1: You know. 81 00:04:30,760 --> 00:04:32,640 Speaker 3: Yeah, that was that was a good was that even 82 00:04:32,680 --> 00:04:35,800 Speaker 3: the last party I went to? Hardly? But still, you know, 83 00:04:37,360 --> 00:04:40,159 Speaker 3: what's this about penguins? Then? Guys, what's this about bloody 84 00:04:40,160 --> 00:04:43,720 Speaker 3: penguins being aliens? I'll tell I'll is there nothing sacred left? 85 00:04:43,800 --> 00:04:47,039 Speaker 2: There's nothing sacred left? That that title was it was 86 00:04:47,080 --> 00:04:51,560 Speaker 2: a bit of exaggeration from the Daily Star. We're not 87 00:04:51,600 --> 00:04:53,760 Speaker 2: going to take the news from the Daily Star, Okay, 88 00:04:53,960 --> 00:04:57,080 Speaker 2: We're gonna take it from the Science Times, which I've 89 00:04:57,120 --> 00:04:58,039 Speaker 2: never heard of either. 90 00:04:58,680 --> 00:05:03,200 Speaker 3: Fake news. My Crystal Healer told tells me that that's 91 00:05:03,200 --> 00:05:04,200 Speaker 3: a ship magazine. 92 00:05:06,680 --> 00:05:09,719 Speaker 2: This was sent in by BK Thor on Instagram. Thank you, Bak. 93 00:05:10,880 --> 00:05:14,000 Speaker 2: This was written by Marie Morales on sept. 94 00:05:15,480 --> 00:05:18,640 Speaker 1: She's really good. She's a great, great penguin journalist. 95 00:05:18,680 --> 00:05:20,120 Speaker 2: I'd say she's best in the biz. 96 00:05:20,880 --> 00:05:21,080 Speaker 1: Biz. 97 00:05:21,200 --> 00:05:22,920 Speaker 2: Here it is, this is the this is the the 98 00:05:22,920 --> 00:05:27,359 Speaker 2: more chilled out titles. Penguin feces containing element usually found 99 00:05:27,440 --> 00:05:31,919 Speaker 2: on Venus discovered. So I am not going to report 100 00:05:32,120 --> 00:05:34,039 Speaker 2: oh my god, The Daily Star was the first one 101 00:05:34,080 --> 00:05:36,200 Speaker 2: to report on this. Anyway, I'm not going to read 102 00:05:36,200 --> 00:05:44,400 Speaker 2: the whole thing. Basically, here's what it is, Okay. Phosphene 103 00:05:44,480 --> 00:05:49,200 Speaker 2: is the element, and it is found only in penguin ship, 104 00:05:50,279 --> 00:05:52,599 Speaker 2: badger ship and Venus. 105 00:05:53,520 --> 00:05:55,240 Speaker 1: Okay, all right. 106 00:05:55,160 --> 00:05:57,760 Speaker 3: Hey, so've we've got a case here. They know each 107 00:05:57,800 --> 00:05:59,960 Speaker 3: other somehow, the badgers and the penguins. 108 00:06:00,080 --> 00:06:04,400 Speaker 2: But yeah, okay, and it's created by some like you know, 109 00:06:04,560 --> 00:06:08,400 Speaker 2: like it's a some bacteria in their shit creates the phosphine. 110 00:06:08,440 --> 00:06:12,599 Speaker 2: But the it's not that penguins were on Venus. Or 111 00:06:12,600 --> 00:06:15,520 Speaker 2: maybe it is, but it actual don't. 112 00:06:15,360 --> 00:06:16,240 Speaker 3: Be so small minded. 113 00:06:17,839 --> 00:06:20,600 Speaker 2: I can keep it open. Yeah, it's more that they 114 00:06:20,640 --> 00:06:24,599 Speaker 2: think the phosphene in the atmosphere Venus means that there 115 00:06:24,640 --> 00:06:28,159 Speaker 2: are animals on Venus. Now the question is. 116 00:06:30,160 --> 00:06:33,680 Speaker 3: Is the question like, don't bring Mohammed to the mountain 117 00:06:33,680 --> 00:06:36,719 Speaker 3: and bring the Mountain to Mohammed. Did the penguins go 118 00:06:36,920 --> 00:06:40,599 Speaker 3: Chicken and egg? Except penguins and Venus exactly? You know 119 00:06:40,720 --> 00:06:42,880 Speaker 3: which which arrived first? And shaft. 120 00:06:43,480 --> 00:06:47,279 Speaker 1: Yeah, but that's a great movie. That's a Pixar movie. 121 00:06:47,320 --> 00:06:49,560 Speaker 1: Take a badger and a penguin and then launch them 122 00:06:49,560 --> 00:06:51,760 Speaker 1: to Venus. That's a great and see what happens. 123 00:06:51,960 --> 00:06:54,479 Speaker 2: Yeah, it's a buddy it's a buddy movie. They don't 124 00:06:54,480 --> 00:06:55,240 Speaker 2: get along. 125 00:06:55,000 --> 00:06:57,560 Speaker 1: At it's the new Milo and Otis. But like way 126 00:06:57,640 --> 00:07:00,280 Speaker 1: less animal torture. That's like a really good idea. 127 00:07:00,560 --> 00:07:02,320 Speaker 3: Hey, why don't you walk normally? 128 00:07:02,400 --> 00:07:02,640 Speaker 5: Like me? 129 00:07:02,760 --> 00:07:07,159 Speaker 3: A badger? Don't to walk. It's taken us ages to 130 00:07:07,200 --> 00:07:09,680 Speaker 3: get anywhere. You can barely fit in the tunnel I've 131 00:07:09,680 --> 00:07:10,480 Speaker 3: made for us. 132 00:07:10,680 --> 00:07:14,440 Speaker 2: That is, there are the two animals that walk the funniest. 133 00:07:15,920 --> 00:07:18,200 Speaker 3: Do you think they accidentally they were like short sighted 134 00:07:18,320 --> 00:07:20,440 Speaker 3: from Afar. They were like, oh, look another badger, and 135 00:07:20,480 --> 00:07:22,720 Speaker 3: the penguin thought, oh look another penguin. And then they 136 00:07:22,720 --> 00:07:24,560 Speaker 3: got a clothes. They were like, oh ship, we're just 137 00:07:24,600 --> 00:07:27,400 Speaker 3: the same color. Yeah, we have nothing got to do 138 00:07:27,480 --> 00:07:27,960 Speaker 3: with each other. 139 00:07:28,520 --> 00:07:33,520 Speaker 1: Yeah, I think so, And I uh do they say 140 00:07:33,560 --> 00:07:35,360 Speaker 1: this is because it's what they eat. This is the 141 00:07:35,480 --> 00:07:38,160 Speaker 1: say because they live in what is there any explanation 142 00:07:38,200 --> 00:07:40,000 Speaker 1: at all? Or they just checking out penguin crowds. 143 00:07:40,000 --> 00:07:42,880 Speaker 2: They don't know, they don't know why, but they do 144 00:07:43,000 --> 00:07:46,080 Speaker 2: know that phastphine it seems to only be a biological 145 00:07:46,360 --> 00:07:49,200 Speaker 2: you know, off gassing, and so that's. 146 00:07:48,960 --> 00:07:50,880 Speaker 3: What's it only come from poo poo. 147 00:07:51,320 --> 00:07:53,120 Speaker 2: It could be it could be the venus is full 148 00:07:53,120 --> 00:07:54,240 Speaker 2: of ship. That could be. 149 00:07:56,240 --> 00:07:58,360 Speaker 3: That's what she said to her. That's what a therapist 150 00:07:58,400 --> 00:08:02,920 Speaker 3: said to her. What what does what else does phosphine 151 00:08:02,960 --> 00:08:07,120 Speaker 3: come from? I say, like your Marie was Marglis in 152 00:08:07,160 --> 00:08:09,760 Speaker 3: the Science Times little what else can we get phosphine from? 153 00:08:09,920 --> 00:08:13,280 Speaker 2: It's only gent to penguins, ship and badgers. That's where 154 00:08:13,320 --> 00:08:13,800 Speaker 2: they find it. 155 00:08:13,920 --> 00:08:17,160 Speaker 3: Crowd America, So there's no other place that gas comes 156 00:08:17,200 --> 00:08:17,480 Speaker 3: out of. 157 00:08:17,680 --> 00:08:22,920 Speaker 2: I just referred to the Earth as America. F y, oh. 158 00:08:22,760 --> 00:08:26,160 Speaker 3: My god, oh my god. Card They've got you. 159 00:08:26,280 --> 00:08:28,280 Speaker 1: They finally got you. 160 00:08:28,360 --> 00:08:31,000 Speaker 3: It only took a million lockdowns in two years, but 161 00:08:31,160 --> 00:08:36,559 Speaker 3: they've got your buddy, America a ka everywhere. It says 162 00:08:36,640 --> 00:08:39,199 Speaker 3: that we don't know, So we don't know. 163 00:08:40,040 --> 00:08:41,880 Speaker 2: Do they have penguins in Ireland? 164 00:08:43,520 --> 00:08:46,280 Speaker 3: They do? In Dublin Zoo, they have a couple of 165 00:08:46,280 --> 00:08:50,200 Speaker 3: the lads there flapping about in the rain. Yes, I 166 00:08:50,200 --> 00:08:53,560 Speaker 3: don't think penguins would be native to Ireland, though there 167 00:08:53,640 --> 00:08:57,440 Speaker 3: is a dolphin in the south of Kerry called Fungi. 168 00:09:00,559 --> 00:09:01,360 Speaker 1: Poor Fungy. 169 00:09:01,600 --> 00:09:04,880 Speaker 3: Then he disappeared and everyone's like, well, he's already dead 170 00:09:04,880 --> 00:09:07,080 Speaker 3: because he's Fungy and that would mean that there's no 171 00:09:07,160 --> 00:09:09,400 Speaker 3: hope left at all. So we wonder where he's gone 172 00:09:09,600 --> 00:09:10,840 Speaker 3: after twenty thirty years. 173 00:09:10,840 --> 00:09:13,559 Speaker 2: Hopefully he just went away, Yeah, went for yeah. 174 00:09:13,480 --> 00:09:15,240 Speaker 3: Just and you know, everyone needs a bit of like, 175 00:09:15,720 --> 00:09:18,199 Speaker 3: you know, R and R is that R and our 176 00:09:18,559 --> 00:09:20,720 Speaker 3: rest of researching every time again. 177 00:09:21,760 --> 00:09:24,440 Speaker 2: But he's been replaced and he's been replaced by Wiley 178 00:09:24,520 --> 00:09:29,280 Speaker 2: the Walrus. Yeah yeah in Ireland is replaceable. 179 00:09:29,679 --> 00:09:32,120 Speaker 3: Well, it's just like it's a stand in, you know, 180 00:09:32,160 --> 00:09:33,480 Speaker 3: like maternity leave or something. 181 00:09:33,520 --> 00:09:36,640 Speaker 2: It's something else to pay attention to while he's been single. 182 00:09:36,440 --> 00:09:38,240 Speaker 3: Like when you were on tour and someone else helps 183 00:09:38,240 --> 00:09:42,280 Speaker 3: host with Krista. Yeah, okay, okay, that makes sense. But 184 00:09:42,320 --> 00:09:45,080 Speaker 3: he's you know, he's going back right still. The host 185 00:09:45,080 --> 00:09:45,520 Speaker 3: hopped up. 186 00:09:47,760 --> 00:09:48,040 Speaker 4: Wow. 187 00:09:49,000 --> 00:09:52,080 Speaker 3: I like that's incredible. It's and it's weird, like the 188 00:09:52,160 --> 00:09:57,040 Speaker 3: things that we hope for as humans like we we think, 189 00:09:57,160 --> 00:10:00,200 Speaker 3: oh my god, that could mean there's animals and venus, right, 190 00:10:00,280 --> 00:10:02,559 Speaker 3: and we get so obsessed with that. You're like, lads, 191 00:10:02,600 --> 00:10:05,520 Speaker 3: there are so many problems down here that even if, 192 00:10:05,559 --> 00:10:09,559 Speaker 3: for example, there was like a sentient animal who had 193 00:10:09,600 --> 00:10:12,560 Speaker 3: loads of computers and all sorts and lived in venus 194 00:10:12,559 --> 00:10:14,720 Speaker 3: and was slowly making houses that humans could live in, 195 00:10:15,160 --> 00:10:17,760 Speaker 3: we'll all be we'll all have killed ourselves down here 196 00:10:17,800 --> 00:10:21,120 Speaker 3: from all of our aerosols and meat and crap before 197 00:10:21,160 --> 00:10:23,280 Speaker 3: we even get to there. But like we're like, oh 198 00:10:23,320 --> 00:10:25,600 Speaker 3: my god, that maybe we could live there. That there's 199 00:10:25,640 --> 00:10:29,000 Speaker 3: no wei is not that's not happening, lads. That's not us. 200 00:10:29,120 --> 00:10:32,880 Speaker 3: It's not us, skies, it's whatever. You know. Little beetles 201 00:10:33,120 --> 00:10:35,040 Speaker 3: are left at the end. They might be like, I 202 00:10:35,040 --> 00:10:38,200 Speaker 3: haven't you know, But we're not. They're not coming for us. 203 00:10:38,559 --> 00:10:40,600 Speaker 3: So does it not that it doesn't matter, but does 204 00:10:40,600 --> 00:10:41,080 Speaker 3: it matter? 205 00:10:41,720 --> 00:10:43,880 Speaker 1: We do like to do that. It's true. And it's 206 00:10:43,920 --> 00:10:46,920 Speaker 1: also like sometimes you're wondering about scientists, You're like, I 207 00:10:46,920 --> 00:10:49,440 Speaker 1: guess that leads to bigger discoveries, and that's why they're 208 00:10:49,480 --> 00:10:51,640 Speaker 1: going for it. Maybe one day they find the cure 209 00:10:51,679 --> 00:10:54,120 Speaker 1: for cancer and badge or shit, but it is I think. 210 00:10:54,160 --> 00:10:56,160 Speaker 1: I'm like, there's other problems we could be tackling right 211 00:10:56,160 --> 00:10:58,200 Speaker 1: now instead of just being like, oh, how gas, here 212 00:10:58,200 --> 00:11:01,679 Speaker 1: are these penguins. So it's gone with these guys. 213 00:11:02,280 --> 00:11:05,400 Speaker 3: Also, I do love the things that I'm less interested 214 00:11:05,440 --> 00:11:07,559 Speaker 3: in fosphine, more interested in the coffee that you can 215 00:11:07,600 --> 00:11:09,880 Speaker 3: get from weasels. You know, you can get like coffees 216 00:11:09,880 --> 00:11:12,640 Speaker 3: from weasels poop, and that to me is a bigger 217 00:11:12,640 --> 00:11:15,559 Speaker 3: discovery than phosphine. That there could be animals on Venus, 218 00:11:15,600 --> 00:11:17,000 Speaker 3: I'm like, yeah, great, I hope they have a great time. 219 00:11:17,040 --> 00:11:19,480 Speaker 3: Do you know that some of our coffee weasels shot out. 220 00:11:19,400 --> 00:11:22,160 Speaker 2: The US and bats too. I think bats shipped out 221 00:11:22,200 --> 00:11:25,320 Speaker 2: some coffees as well, some delicious smarties. 222 00:11:25,760 --> 00:11:27,280 Speaker 1: Good time must. 223 00:11:27,080 --> 00:11:32,920 Speaker 3: Be unpopular at the moment, surely, yeah, exactly. There stockpiled 224 00:11:32,920 --> 00:11:35,720 Speaker 3: and that in the Corona beer warehouse. They're just like, 225 00:11:35,840 --> 00:11:37,560 Speaker 3: we just can't shift the stock. 226 00:11:39,360 --> 00:11:41,679 Speaker 2: The reason, Scotty, do you have another one for us? 227 00:11:41,840 --> 00:11:44,040 Speaker 1: I do? Actually, when I heard you were coming on, 228 00:11:44,120 --> 00:11:46,520 Speaker 1: I was like, I'm gonna get an Irish news story. 229 00:11:46,559 --> 00:11:49,400 Speaker 1: I have to find one. And that day one of 230 00:11:49,440 --> 00:11:52,320 Speaker 1: our listeners that we call ban Animals sent me something 231 00:11:52,320 --> 00:11:56,880 Speaker 1: from the Irishnews dot com and just and typically this 232 00:11:57,000 --> 00:11:59,440 Speaker 1: story takes place in Toronto, so very sorry, but it 233 00:11:59,480 --> 00:12:01,640 Speaker 1: was in iris dot com. It was sent in by 234 00:12:01,840 --> 00:12:07,000 Speaker 1: Devin dk all word or Devin d call Word. Not sure, 235 00:12:07,640 --> 00:12:11,280 Speaker 1: no writer Irish News. They don't care. We'll go with 236 00:12:11,320 --> 00:12:12,360 Speaker 1: the Irish News staff. 237 00:12:12,679 --> 00:12:14,840 Speaker 3: There's no writer for the article. 238 00:12:15,040 --> 00:12:15,880 Speaker 1: He just appeared. 239 00:12:17,000 --> 00:12:19,400 Speaker 3: It's the same guy who writes all those quotes for Instagram. 240 00:12:19,440 --> 00:12:22,640 Speaker 3: Just anonymous. You know, hey, follow the roads you're meant for. Also, 241 00:12:22,760 --> 00:12:23,840 Speaker 3: here's an article in the news. 242 00:12:24,320 --> 00:12:27,720 Speaker 1: Here's one and it's a crime story. We like dumb 243 00:12:27,800 --> 00:12:33,120 Speaker 1: crimes on this podcast. Man man charged with breaking and 244 00:12:33,240 --> 00:12:37,760 Speaker 1: entering is caught after leaving photocopy of his face. So 245 00:12:38,800 --> 00:12:40,760 Speaker 1: the police were searching for a man they believe made 246 00:12:40,800 --> 00:12:43,400 Speaker 1: a photocopy of his own face and left it behind 247 00:12:43,920 --> 00:12:47,360 Speaker 1: after breaking into a building, and they have made an arrest. 248 00:12:47,760 --> 00:12:51,160 Speaker 1: Officers in Toronto have been searching since August twenty third 249 00:12:51,240 --> 00:12:53,480 Speaker 1: for a man they said broke into a commercial property 250 00:12:54,000 --> 00:12:58,280 Speaker 1: ate some food, photo copied his face and left handly. 251 00:12:58,400 --> 00:13:02,880 Speaker 1: The police investigating the crime found the photo copy of 252 00:13:02,920 --> 00:13:05,840 Speaker 1: the man's own face that he left as a print 253 00:13:05,840 --> 00:13:08,680 Speaker 1: out on the property. Now police have charged the man, 254 00:13:08,960 --> 00:13:13,760 Speaker 1: Gary Samuel Samuel Lamby or Lamb of Toronto. Gary lend 255 00:13:13,840 --> 00:13:16,760 Speaker 1: me and he was arrested on an unrelated message. So 256 00:13:17,040 --> 00:13:19,400 Speaker 1: got arrested for something else, but they already had his 257 00:13:19,480 --> 00:13:22,280 Speaker 1: mugshot that he made a nice black and white photocopy 258 00:13:22,360 --> 00:13:24,840 Speaker 1: of his own face. The photo is so good on 259 00:13:24,880 --> 00:13:27,720 Speaker 1: the website. It's basically it's not as if you like 260 00:13:27,800 --> 00:13:30,800 Speaker 1: smashed his face on it. It's more like he looked down, 261 00:13:31,000 --> 00:13:33,480 Speaker 1: opened the door, pushed it. So it's just kind of 262 00:13:33,480 --> 00:13:36,840 Speaker 1: like a light ghostly image of him. He's wearing a cap, 263 00:13:37,320 --> 00:13:39,920 Speaker 1: but it's exactly you could pick this guy out from 264 00:13:40,040 --> 00:13:42,319 Speaker 1: twenty yards away. Lamb. 265 00:13:43,360 --> 00:13:45,800 Speaker 3: Well that like it. They took him a while to 266 00:13:45,880 --> 00:13:47,840 Speaker 3: find it, you know, as sometimes you go in you 267 00:13:48,000 --> 00:13:50,560 Speaker 3: like do a police report, you take a description. You're like, 268 00:13:50,840 --> 00:13:52,559 Speaker 3: how are we going to find him from this exact 269 00:13:52,840 --> 00:13:53,720 Speaker 3: photo copy? 270 00:13:54,080 --> 00:13:57,719 Speaker 2: Yes, of his face, but also think about the psychology 271 00:13:57,720 --> 00:14:01,800 Speaker 2: of a person who's like, oh what is this? Like 272 00:14:02,000 --> 00:14:05,400 Speaker 2: never seen a photo before, I'll open it up, what 273 00:14:05,480 --> 00:14:09,959 Speaker 2: are these ones? And then just never is. 274 00:14:09,960 --> 00:14:13,520 Speaker 3: Revealing how many office jobs are photopopping of flyers? You've 275 00:14:13,520 --> 00:14:15,320 Speaker 3: had to do, Curt because like, oh, my god, do 276 00:14:15,360 --> 00:14:18,360 Speaker 3: you not even know what a microphone stand is? What mixed? 277 00:14:20,000 --> 00:14:23,479 Speaker 3: Maybe he works in a different industry than one with photocopy. 278 00:14:23,600 --> 00:14:28,640 Speaker 3: Maybe he's a handwriter or hand Yeah, maybe he's just 279 00:14:28,680 --> 00:14:31,160 Speaker 3: one of those people who just likes to handwrite things. 280 00:14:31,360 --> 00:14:34,760 Speaker 1: You know, with the occasional breaking and entering, and sometimes 281 00:14:34,760 --> 00:14:37,280 Speaker 1: when he gets hungry, just breaks into commercial properties. 282 00:14:38,720 --> 00:14:41,960 Speaker 3: Do it, Oh my god, hunger is awful. Guys, do it? 283 00:14:42,080 --> 00:14:48,200 Speaker 3: Break in photograph of your face, just a pass the time, digestion, just. 284 00:14:48,120 --> 00:14:50,040 Speaker 2: Something build meaning for yourself. 285 00:14:51,600 --> 00:14:54,760 Speaker 3: Can I just say, though I am. I remember when 286 00:14:54,800 --> 00:14:57,800 Speaker 3: I was about I'd say seven, and it was a 287 00:14:57,800 --> 00:15:00,600 Speaker 3: perfect crime. I really wanted to write because I'm like, 288 00:15:00,720 --> 00:15:04,560 Speaker 3: oh was he Like, I'll photocopy my face and people 289 00:15:04,560 --> 00:15:07,120 Speaker 3: will think no one could have done that, so they 290 00:15:07,160 --> 00:15:08,960 Speaker 3: won't think it was me, Like they'll that'll just be 291 00:15:09,080 --> 00:15:12,320 Speaker 3: someone else. It's so stupid. Nobody would think that I 292 00:15:12,320 --> 00:15:14,520 Speaker 3: couldn't pass. Yeah, this dumb. And I remember when I 293 00:15:14,600 --> 00:15:16,840 Speaker 3: was a kid, I really wanted to write my name on, 294 00:15:17,000 --> 00:15:19,320 Speaker 3: you know, around the edge of the doorframe, the wooden bit. 295 00:15:19,560 --> 00:15:20,840 Speaker 3: I knew I'd get in trouble, but I was like, 296 00:15:20,880 --> 00:15:22,600 Speaker 3: oh god, I just really want to write my name 297 00:15:22,640 --> 00:15:26,480 Speaker 3: on the doorframe, and I just learned to write, and 298 00:15:26,520 --> 00:15:28,480 Speaker 3: I was like, no, I won't write my name. I'll 299 00:15:28,520 --> 00:15:31,440 Speaker 3: write Shannade, my sister's name smart so then Mammy will 300 00:15:31,440 --> 00:15:34,560 Speaker 3: think of Shanaid. And then I was like, no, I'll 301 00:15:34,600 --> 00:15:37,120 Speaker 3: write my name because no one would be dumb enough 302 00:15:37,120 --> 00:15:39,320 Speaker 3: to write their own name. And then Mammy will know 303 00:15:39,400 --> 00:15:42,160 Speaker 3: that it was Sanade had wrote my name to frame 304 00:15:42,280 --> 00:15:45,000 Speaker 3: me wow, And so I wrote my name, had a 305 00:15:45,000 --> 00:15:48,880 Speaker 3: great time, and then Mammy was like ash. I was like, 306 00:15:49,320 --> 00:15:51,360 Speaker 3: doesn't know how to write. I was liked, damn it. 307 00:15:52,400 --> 00:15:53,160 Speaker 3: One thing. 308 00:15:54,480 --> 00:15:57,280 Speaker 2: I love that that was the idea was to put 309 00:15:57,320 --> 00:16:00,080 Speaker 2: her name, yeah, because I was like. 310 00:16:00,040 --> 00:16:04,200 Speaker 3: Oh soAnd be like wright Shad like, Nah, that's too dumb, 311 00:16:04,200 --> 00:16:06,320 Speaker 3: that's too obvious. So I went back to full circle 312 00:16:06,360 --> 00:16:07,360 Speaker 3: and I remember being like, god. 313 00:16:07,400 --> 00:16:12,040 Speaker 1: Dumb, pretty sophisticated thinking for a seven year old though 314 00:16:12,080 --> 00:16:14,280 Speaker 1: you were weighing a lot of options, you were going 315 00:16:14,280 --> 00:16:17,000 Speaker 1: down a lot of mental paths, and outcomes really good. 316 00:16:17,120 --> 00:16:21,080 Speaker 2: I recently had the same similar thing happen with Olive 317 00:16:21,200 --> 00:16:23,960 Speaker 2: and Gus on the wall. One day we just look 318 00:16:24,000 --> 00:16:27,400 Speaker 2: over on the wall. There's a huge circle with then 319 00:16:27,440 --> 00:16:30,360 Speaker 2: a bunch of little circles inside the big circle and 320 00:16:30,440 --> 00:16:33,400 Speaker 2: just like just really drawn on the wall and it's 321 00:16:33,480 --> 00:16:36,560 Speaker 2: right at Olive's height. And we bring Olive over and 322 00:16:36,560 --> 00:16:38,840 Speaker 2: we're like, did you do this? And she was She 323 00:16:38,960 --> 00:16:43,680 Speaker 2: like looks at it genuinely, like no, no, I didn't 324 00:16:43,800 --> 00:16:47,120 Speaker 2: do and it's like really genuine it's at perfect her height. 325 00:16:47,480 --> 00:16:50,040 Speaker 2: And then we bring Gus over and Gus would have 326 00:16:50,080 --> 00:16:52,080 Speaker 2: to go on as tippy toes and like use his 327 00:16:52,440 --> 00:16:56,000 Speaker 2: and like just reach up there. And also Gus can't 328 00:16:56,080 --> 00:16:59,960 Speaker 2: draw a circle. And she's like, this must be Gus, 329 00:17:00,360 --> 00:17:02,360 Speaker 2: And we're like, are you sure, because it's like it's 330 00:17:02,480 --> 00:17:05,359 Speaker 2: right at your level and and I don't think us 331 00:17:05,440 --> 00:17:07,919 Speaker 2: can draw a circle. She's like, but look at these 332 00:17:08,760 --> 00:17:11,240 Speaker 2: these wheels. I don't have to draw wheels. Are like, 333 00:17:11,400 --> 00:17:14,800 Speaker 2: how do you know their wheels? 334 00:17:14,840 --> 00:17:17,760 Speaker 3: Oh my god, all of you are so close to. 335 00:17:17,800 --> 00:17:19,360 Speaker 1: Getting away with it to. 336 00:17:20,920 --> 00:17:22,800 Speaker 3: W I think of all of now. I think of 337 00:17:22,840 --> 00:17:25,360 Speaker 3: her a little me, like a sort of latent genius. 338 00:17:25,440 --> 00:17:28,520 Speaker 3: It's going to come into it at some point. I 339 00:17:28,560 --> 00:17:32,320 Speaker 3: feel like that's very clever. It's manipulative, exactly the type 340 00:17:32,320 --> 00:17:34,760 Speaker 3: of woman I want to see more of in this industry. Yes, 341 00:17:34,840 --> 00:17:40,040 Speaker 3: I cannot wait to meet you as a team in jail. 342 00:17:40,320 --> 00:17:43,200 Speaker 1: She almost got it's like the classic cop show thing. Though, 343 00:17:43,240 --> 00:17:45,760 Speaker 1: it's like and they were stabbed to death. 344 00:17:47,040 --> 00:17:49,959 Speaker 3: I did you know they were wheels? 345 00:17:51,880 --> 00:17:53,119 Speaker 2: I did say that to her. How do you know 346 00:17:53,119 --> 00:17:55,040 Speaker 2: their wheels? She's like, look at. 347 00:17:54,960 --> 00:18:02,840 Speaker 3: Them absolutely perfect? His funds, well, you do them there. 348 00:18:04,600 --> 00:18:07,040 Speaker 1: When I was a little guy, I a friend of mine, 349 00:18:07,119 --> 00:18:09,959 Speaker 1: my buddy Charles. His dad ran his own company and 350 00:18:10,040 --> 00:18:13,440 Speaker 1: in their basement they had a photocopier machine. And when 351 00:18:13,480 --> 00:18:16,320 Speaker 1: we were little guys like I don't know, ten eleven, twelve, 352 00:18:16,640 --> 00:18:18,119 Speaker 1: one of the things we like to do when he 353 00:18:18,119 --> 00:18:19,800 Speaker 1: would have us spend the night is we'd bring all 354 00:18:19,840 --> 00:18:23,359 Speaker 1: of our stickers over, so like skateboarding companies or bands, 355 00:18:23,520 --> 00:18:26,160 Speaker 1: or even bands we didn't like, like grateful dead skulls 356 00:18:26,160 --> 00:18:28,640 Speaker 1: because they looked cool, and we'd put them all down 357 00:18:28,760 --> 00:18:30,800 Speaker 1: and we'd make copies of them as like a collage 358 00:18:30,880 --> 00:18:33,080 Speaker 1: and call them posters. And then we'd hang these black 359 00:18:33,080 --> 00:18:35,840 Speaker 1: and white posters up and we would do this until 360 00:18:35,840 --> 00:18:38,040 Speaker 1: one am. It was so fun to make these, but 361 00:18:38,240 --> 00:18:40,159 Speaker 1: we'd hand them out to kids in school. It was 362 00:18:40,160 --> 00:18:43,840 Speaker 1: so fun. So then the next time we went over, 363 00:18:43,960 --> 00:18:46,840 Speaker 1: you know, weeks later, we had discovered that you could 364 00:18:46,840 --> 00:18:49,280 Speaker 1: sit on it and make copies of your butt. And 365 00:18:49,320 --> 00:18:51,639 Speaker 1: the whole time his younger brother Daniel, who was probably 366 00:18:51,680 --> 00:18:54,639 Speaker 1: six or seven or so, was like watching us make posters, 367 00:18:54,680 --> 00:18:57,160 Speaker 1: hanging out with the older kids, watching us skinner butt, 368 00:18:57,200 --> 00:19:00,359 Speaker 1: hang out with the older kids. And then like months 369 00:19:00,440 --> 00:19:03,320 Speaker 1: later I go over and Charles is like, I found 370 00:19:03,440 --> 00:19:08,080 Speaker 1: my dad's playboys, and we were like, oh my god. 371 00:19:08,440 --> 00:19:14,919 Speaker 1: So then we're making stickers and photo copies of perfectly visible, clear, colorful, 372 00:19:15,280 --> 00:19:19,080 Speaker 1: uh playmate photos and we're making really crappy, gray, black 373 00:19:19,119 --> 00:19:20,200 Speaker 1: white copies. 374 00:19:20,280 --> 00:19:22,240 Speaker 3: So you were the reason. Hugh Hefner is so broke, 375 00:19:22,320 --> 00:19:23,240 Speaker 3: right now, that's right. 376 00:19:23,880 --> 00:19:26,040 Speaker 2: This was this was original pirate. 377 00:19:28,119 --> 00:19:31,760 Speaker 1: We were poorn pirates back before. It was before we 378 00:19:31,760 --> 00:19:35,080 Speaker 1: were twelve. So we were doing this, and but we 379 00:19:35,080 --> 00:19:36,919 Speaker 1: were so nervous. We were like good little kids, so 380 00:19:36,920 --> 00:19:39,320 Speaker 1: we would like destroy them instantly, like crumple them up 381 00:19:39,320 --> 00:19:41,800 Speaker 1: and cut them up and throw away the little. 382 00:19:41,600 --> 00:19:44,600 Speaker 2: Photo's funny, like just the act of making them was 383 00:19:44,640 --> 00:19:45,520 Speaker 2: the exciting part. 384 00:19:45,680 --> 00:19:46,800 Speaker 1: And then you would destroy them. 385 00:19:46,800 --> 00:19:48,440 Speaker 2: You wouldn't take them ome or anything. 386 00:19:48,720 --> 00:19:51,199 Speaker 1: No, And then we were like so nervous that we 387 00:19:51,240 --> 00:19:53,719 Speaker 1: would like see what order the different playboys were in, 388 00:19:53,800 --> 00:19:55,800 Speaker 1: so we would be like, this woman was on the 389 00:19:55,800 --> 00:19:57,840 Speaker 1: first one, and then the second one down was this woman, 390 00:19:57,880 --> 00:19:59,560 Speaker 1: the third one down was this one. 391 00:19:59,640 --> 00:20:04,719 Speaker 3: She was fine. 392 00:20:05,200 --> 00:20:07,480 Speaker 1: So that last time we were doing the playboy ones, 393 00:20:07,520 --> 00:20:09,359 Speaker 1: we like put them back. We go upstairs, we go 394 00:20:09,440 --> 00:20:11,119 Speaker 1: up to the bedroom, We fall asleep, and in the 395 00:20:11,119 --> 00:20:14,440 Speaker 1: morning we come downstairs and his mother's waiting in the 396 00:20:14,520 --> 00:20:17,879 Speaker 1: kitchen for ut and there's a photo copy on the 397 00:20:18,040 --> 00:20:20,960 Speaker 1: kitchen table and she goes, do you guys need to 398 00:20:21,000 --> 00:20:23,719 Speaker 1: explain yourself? And I look at it and it is 399 00:20:24,000 --> 00:20:29,600 Speaker 1: a butt, the hint of a testicle and then the 400 00:20:29,640 --> 00:20:32,320 Speaker 1: top half of a naked woman on one photo copy. 401 00:20:32,560 --> 00:20:35,719 Speaker 1: And the younger brother had seen us doing it, and 402 00:20:35,760 --> 00:20:38,760 Speaker 1: to be extra cool with the big guys, sat on 403 00:20:38,840 --> 00:20:44,080 Speaker 1: it with the playboy and the naked woman. It was 404 00:20:44,160 --> 00:20:45,840 Speaker 1: the most disturbing bowl of sun. 405 00:20:48,080 --> 00:20:50,440 Speaker 3: You're sort of like, oh no, even you're telling this 406 00:20:50,520 --> 00:20:55,080 Speaker 3: an adult, You're like, oh no, my pedaphie. Now kids 407 00:20:55,080 --> 00:20:56,679 Speaker 3: butt beside a playboy? 408 00:20:56,960 --> 00:20:59,320 Speaker 1: Yes, And it was like, explain yourselves And I'm looking 409 00:20:59,359 --> 00:21:01,960 Speaker 1: at this thing and it would defied all logic. It 410 00:21:02,080 --> 00:21:05,000 Speaker 1: was not normal. It was a little boy's butt. And 411 00:21:05,280 --> 00:21:08,440 Speaker 1: playmate's breasts, and and she was like, you guys are 412 00:21:08,520 --> 00:21:10,560 Speaker 1: never allowed to go in your father's office again. That 413 00:21:10,720 --> 00:21:13,080 Speaker 1: the little brother was just crying upstairs because he knew 414 00:21:13,080 --> 00:21:15,320 Speaker 1: he had been busted, but he had forgotten to destroy it. 415 00:21:15,359 --> 00:21:18,280 Speaker 1: So his thing was like his little crime was gonna 416 00:21:18,359 --> 00:21:20,080 Speaker 1: photog love that. 417 00:21:20,160 --> 00:21:22,400 Speaker 2: He just combined it all. It was just like this man. 418 00:21:22,520 --> 00:21:24,800 Speaker 2: He just smashed the things together and was like this 419 00:21:25,000 --> 00:21:30,359 Speaker 2: is cool, right, Yes, it made something, so what's. 420 00:21:30,119 --> 00:21:36,159 Speaker 3: Not to love? They have everything else on the shell? Yeah, exactly, boys, 421 00:21:36,160 --> 00:21:38,840 Speaker 3: I found your cover. 422 00:21:40,160 --> 00:21:42,440 Speaker 1: I would talk to those twenty five years. I hope 423 00:21:42,440 --> 00:21:44,520 Speaker 1: he doesn't have some weird kink now later in life. 424 00:21:44,600 --> 00:21:47,320 Speaker 1: But yeah, it was. It was just an image of 425 00:21:47,400 --> 00:21:49,320 Speaker 1: a horror movie right in front of you as soon 426 00:21:49,320 --> 00:21:50,280 Speaker 1: as you saw. 427 00:21:55,480 --> 00:21:57,600 Speaker 3: Sounds so cute when you say it as a child's work. 428 00:22:00,160 --> 00:22:03,399 Speaker 1: That's right. Pretty, you're gonna tease us into a break. 429 00:22:03,480 --> 00:22:05,400 Speaker 2: I'll tease us into a boat. 430 00:22:06,760 --> 00:22:09,040 Speaker 3: Just like that lazy tease that butt onto the photo. 431 00:22:10,960 --> 00:22:15,080 Speaker 2: It's just it's an update. Remember way back when when 432 00:22:15,119 --> 00:22:20,159 Speaker 2: that that candy man was offering a treasure hunt for 433 00:22:20,240 --> 00:22:24,120 Speaker 2: the golden tickets that you could inherit his uh candy factory. 434 00:22:24,520 --> 00:22:25,240 Speaker 1: It's amazing. 435 00:22:25,320 --> 00:22:29,560 Speaker 2: Well a man in Colorado has found the Golden Ticket 436 00:22:29,560 --> 00:22:31,320 Speaker 2: and now owns a candy factory. 437 00:22:31,520 --> 00:22:32,200 Speaker 1: Incredible. 438 00:22:32,480 --> 00:22:34,680 Speaker 2: We'll get back into it right after that. 439 00:22:34,880 --> 00:22:36,800 Speaker 3: Oh wait, no, I thought this was like a candy 440 00:22:36,840 --> 00:22:39,240 Speaker 3: man pain as in, like you know, like the movie 441 00:22:39,840 --> 00:22:43,359 Speaker 3: Got You Candy. No, this is a sweet shop person, 442 00:22:43,640 --> 00:22:47,240 Speaker 3: sweet shop person, d a golden ticket, a sweet factory person, 443 00:22:47,520 --> 00:22:50,680 Speaker 3: a sweet factory owner. No, Kurt, that's not a story. 444 00:22:50,920 --> 00:22:54,720 Speaker 3: That's that's an old movie and a based on a 445 00:22:54,720 --> 00:22:58,239 Speaker 3: book by rod Out. Oh you've that's you've read what 446 00:22:58,320 --> 00:22:59,959 Speaker 3: you what you've done is not read the news. That's 447 00:23:00,040 --> 00:23:01,920 Speaker 3: what you wonk in the chanct. 448 00:23:01,560 --> 00:23:03,280 Speaker 2: Oh is that why this is a book and not 449 00:23:03,400 --> 00:23:04,000 Speaker 2: my computer? 450 00:23:04,880 --> 00:23:05,320 Speaker 1: Yeah? 451 00:23:05,440 --> 00:23:07,560 Speaker 3: Yeah, yeah, yeah, yeah, yeah, that's it. 452 00:23:07,800 --> 00:23:40,240 Speaker 4: Yeah yeah, and we are back. 453 00:23:40,760 --> 00:23:42,800 Speaker 2: Do we have any shout outs before we get back 454 00:23:42,840 --> 00:23:43,320 Speaker 2: into it. 455 00:23:43,440 --> 00:23:47,640 Speaker 1: Scottie the only one, And people have been asking Ashling. 456 00:23:47,680 --> 00:23:49,320 Speaker 1: I'm doing a thing called Door to Shore where I'm 457 00:23:49,320 --> 00:23:51,800 Speaker 1: walking out the front door of my house walking across 458 00:23:51,840 --> 00:23:54,680 Speaker 1: Los Angeles and into the ocean about fifteen and a 459 00:23:54,680 --> 00:23:57,680 Speaker 1: half miles. Kurt's going to join me for most of it, 460 00:23:57,760 --> 00:23:59,880 Speaker 1: and I'm doing it for charity. For cast La, which 461 00:23:59,920 --> 00:24:03,440 Speaker 1: is a supports victims of human trafficking who have been 462 00:24:04,119 --> 00:24:07,600 Speaker 1: recovered and it helps them therapy and housing. So I 463 00:24:07,680 --> 00:24:10,120 Speaker 1: had to push it from September first because I had 464 00:24:10,200 --> 00:24:13,800 Speaker 1: jury duty for a very long time to October first. 465 00:24:13,840 --> 00:24:16,000 Speaker 1: So everybody who's asking and donating, thank you so much. 466 00:24:16,000 --> 00:24:18,040 Speaker 1: I am doing in October first. I will be live 467 00:24:18,080 --> 00:24:20,600 Speaker 1: streaming and as much as I can on the Bananas 468 00:24:21,280 --> 00:24:24,200 Speaker 1: Podcast on Instagram. And that's it, and thank you. We're over. 469 00:24:24,600 --> 00:24:28,000 Speaker 1: We're almost a twelve thousand dollars. Thank you for donating. Beautiful, 470 00:24:28,359 --> 00:24:31,080 Speaker 1: So Door to Shore October first. We'll see you then. 471 00:24:31,240 --> 00:24:34,880 Speaker 1: Thanks for the support Door to Shore folks. 472 00:24:35,240 --> 00:24:37,199 Speaker 2: I thought I had a shout out here, but I 473 00:24:37,359 --> 00:24:40,320 Speaker 2: now cannot find it. Oh we do you know, we 474 00:24:40,400 --> 00:24:42,680 Speaker 2: do have the first. I'll do get this shout out. 475 00:24:42,760 --> 00:24:45,520 Speaker 2: We do have the first best in the biz tattoos. 476 00:24:46,280 --> 00:24:48,200 Speaker 1: Oh yoh yeah. 477 00:24:48,800 --> 00:24:52,000 Speaker 2: Multiple people that it was at Trustee Cords twenty five 478 00:24:52,080 --> 00:24:57,760 Speaker 2: and at Skate Bush. Great work at Skate up Bush. 479 00:24:57,800 --> 00:24:58,960 Speaker 1: Awesome. They're beautiful. 480 00:24:58,960 --> 00:25:01,000 Speaker 2: They're a banana. It says the best in the biz. 481 00:25:01,000 --> 00:25:05,639 Speaker 2: They both got one and we love you. If you 482 00:25:05,720 --> 00:25:07,639 Speaker 2: ever come to see us live, you let. 483 00:25:07,520 --> 00:25:09,760 Speaker 1: Us three beers. I'm buying you free beers. 484 00:25:09,440 --> 00:25:13,760 Speaker 2: Free beers, and you get in free. Absolutely that's for 485 00:25:13,840 --> 00:25:15,119 Speaker 2: those people only. I don't know. 486 00:25:15,160 --> 00:25:18,000 Speaker 3: So that means that their life changing decision to brand 487 00:25:18,000 --> 00:25:22,440 Speaker 3: themselves with your podcast will cost you guys about ten dollars. 488 00:25:22,640 --> 00:25:28,920 Speaker 3: That's right, well done. We were all satisfied with your 489 00:25:28,960 --> 00:25:33,160 Speaker 3: life changing, permanent branding of the podcast. 490 00:25:34,240 --> 00:25:39,120 Speaker 2: Right this way up is absolutely amazing, very special. 491 00:25:39,280 --> 00:25:40,080 Speaker 1: So good. 492 00:25:40,320 --> 00:25:41,520 Speaker 3: Have you watched the second series? 493 00:25:41,600 --> 00:25:43,399 Speaker 2: Yes, I have not. I'm still on the first series. 494 00:25:43,400 --> 00:25:46,600 Speaker 2: I'm very excited to get in a second series. How 495 00:25:46,920 --> 00:25:49,280 Speaker 2: like from the difference between the two, what did you like? 496 00:25:49,480 --> 00:25:51,480 Speaker 1: Do you hate it? Or something like that was a 497 00:25:51,560 --> 00:25:53,760 Speaker 1: very interesting response series two. 498 00:25:53,960 --> 00:25:56,520 Speaker 3: Oh no, what it is? And thank you so much 499 00:25:56,560 --> 00:26:00,320 Speaker 3: for talking about it. It's so obviously have a bigger 500 00:26:00,359 --> 00:26:03,120 Speaker 3: profile in the UK, But we don't have a big 501 00:26:03,160 --> 00:26:05,879 Speaker 3: marketing budget for the show. We don't have loads of 502 00:26:05,880 --> 00:26:09,480 Speaker 3: money that's suddenly like we'll see like like a load 503 00:26:09,480 --> 00:26:11,720 Speaker 3: of adverts or like things popping up. But when you're 504 00:26:11,720 --> 00:26:14,879 Speaker 3: trying to google, you know, Irish dolphin, where is he now? 505 00:26:15,480 --> 00:26:17,320 Speaker 3: An advert from my show, I'll kind of go up 506 00:26:17,320 --> 00:26:21,320 Speaker 3: on your algorithms. So genuinely and you know what this is, like, Kurt, 507 00:26:21,359 --> 00:26:24,160 Speaker 3: Like when you're trying to push something yourself, like stand 508 00:26:24,240 --> 00:26:26,440 Speaker 3: Up is a very solo job, and it's really much 509 00:26:26,440 --> 00:26:30,240 Speaker 3: a one man machine my show in terms of like 510 00:26:30,280 --> 00:26:32,359 Speaker 3: from starting to finish writing it to selling it and 511 00:26:32,400 --> 00:26:34,600 Speaker 3: pushing it and doing all the press and stuff like that. 512 00:26:34,640 --> 00:26:37,800 Speaker 3: So every time someone likes it or tweets about it 513 00:26:37,920 --> 00:26:40,840 Speaker 3: or just gives it some word of mouth, I'm so 514 00:26:41,000 --> 00:26:45,480 Speaker 3: proud of it. But it's it's like it's a long slog. 515 00:26:45,520 --> 00:26:48,600 Speaker 3: And making the second series during COVID was a really battering, 516 00:26:49,200 --> 00:26:54,800 Speaker 3: battering experience. Yeah, and it was in January with the 517 00:26:55,119 --> 00:26:57,639 Speaker 3: you know lockdowns here and Christmas have been canceled and 518 00:26:57,680 --> 00:27:00,919 Speaker 3: you're sort of trying to compensate from aran. Try not 519 00:27:01,000 --> 00:27:03,600 Speaker 3: to take it personally that it's not like going to 520 00:27:03,680 --> 00:27:05,680 Speaker 3: work is extremely fun and all you want to make 521 00:27:05,720 --> 00:27:09,040 Speaker 3: for your crew especially is like a fun environment. So 522 00:27:09,160 --> 00:27:11,440 Speaker 3: even if if people don't like it on the other end, 523 00:27:11,480 --> 00:27:14,879 Speaker 3: which thankfully hasn't happened, at least the journey won't have 524 00:27:14,880 --> 00:27:18,439 Speaker 3: been awful with COVID and everything, It's just it was 525 00:27:18,440 --> 00:27:22,720 Speaker 3: such a weight, all of it, and you know, everyone 526 00:27:22,880 --> 00:27:24,800 Speaker 3: was it wasn't like the fun part of COVID where 527 00:27:24,840 --> 00:27:27,960 Speaker 3: it was like twenty twenty. It was, you know, the 528 00:27:28,080 --> 00:27:30,440 Speaker 3: kind of hope had been knocked the shit out of everyone. 529 00:27:30,560 --> 00:27:34,199 Speaker 3: So so yes, it's just been a it's been a 530 00:27:34,200 --> 00:27:36,960 Speaker 3: real slog, not from a creative point of view or 531 00:27:37,119 --> 00:27:40,840 Speaker 3: the actual art without being a wanker itself, but the 532 00:27:40,880 --> 00:27:43,119 Speaker 3: actual process. It's it's like, you know, doing all of 533 00:27:43,160 --> 00:27:45,280 Speaker 3: this if like normally I'd be in la and we'd 534 00:27:45,280 --> 00:27:46,640 Speaker 3: come and see each other and we'd go look each 535 00:27:46,680 --> 00:27:49,120 Speaker 3: other in the eyes and do our classic everyone makes 536 00:27:49,119 --> 00:27:55,600 Speaker 3: out with each other thing and exactly photo besides important, 537 00:27:55,920 --> 00:27:58,520 Speaker 3: you know, the thing we know what normal is. This 538 00:27:58,920 --> 00:28:02,160 Speaker 3: is not normal. But like you know, we're all recording 539 00:28:02,200 --> 00:28:04,159 Speaker 3: these podcasts and even for the people listening, they might 540 00:28:04,160 --> 00:28:06,119 Speaker 3: get an opportunity to come and see one live or 541 00:28:06,160 --> 00:28:08,840 Speaker 3: something like that or right in the street, and they're 542 00:28:08,920 --> 00:28:14,479 Speaker 3: really those things do more for you physically and health wise. 543 00:28:14,560 --> 00:28:18,159 Speaker 3: Then you realize eye contact and touch, a little hug 544 00:28:18,280 --> 00:28:21,880 Speaker 3: and humans are designed to be doing that. So stripping 545 00:28:21,880 --> 00:28:24,200 Speaker 3: all these things away, while it's absolutely lovely to see 546 00:28:24,200 --> 00:28:28,080 Speaker 3: you guys, it's not as it's like ten percent lovely 547 00:28:28,119 --> 00:28:30,000 Speaker 3: out of the possible one hundred. Like sometimes when I 548 00:28:30,080 --> 00:28:32,639 Speaker 3: go backstage and meet Kristen and Kurt and we'd be 549 00:28:32,680 --> 00:28:34,240 Speaker 3: doing a gig, like it's my favorite place in the 550 00:28:34,240 --> 00:28:37,960 Speaker 3: world to be, it's backstage with a few other comedians nervous. 551 00:28:37,960 --> 00:28:40,360 Speaker 3: We're all nervous for some reason. However, many years into 552 00:28:40,400 --> 00:28:41,200 Speaker 3: business and also. 553 00:28:41,280 --> 00:28:45,920 Speaker 5: Like yeah, why why y yeah, energy and you use 554 00:28:45,960 --> 00:28:47,959 Speaker 5: zorba and you're like, oh, that's what you do it 555 00:28:47,960 --> 00:28:50,000 Speaker 5: for rather than the kind of zooms Like after this, 556 00:28:50,080 --> 00:28:53,200 Speaker 5: I'll close my laptop and then go back to digging 557 00:28:53,200 --> 00:28:56,280 Speaker 5: in the body No sorry, just covering over the in 558 00:28:56,280 --> 00:28:58,000 Speaker 5: the body of Can we edit that bit. 559 00:28:57,920 --> 00:29:02,400 Speaker 3: Out the garden in the front and yeah, yeah, yeah, 560 00:29:02,520 --> 00:29:04,720 Speaker 3: definitely edited a bit of it said the garden as well. 561 00:29:06,640 --> 00:29:08,959 Speaker 3: So yeah, so that's the not trying to be negative, 562 00:29:09,000 --> 00:29:11,200 Speaker 3: but like it's not is really lovely when people watch it, 563 00:29:11,360 --> 00:29:12,720 Speaker 3: or yeah, it's just. 564 00:29:12,720 --> 00:29:16,200 Speaker 1: An incredible show. It's our listeners who haven't. It's on 565 00:29:16,280 --> 00:29:19,680 Speaker 1: Hulu State Side, so I popped up it was recommended 566 00:29:19,720 --> 00:29:22,160 Speaker 1: for me. So it was recommended on Hulu before I 567 00:29:22,200 --> 00:29:24,720 Speaker 1: knew you were coming on Bananas and I dove in 568 00:29:25,600 --> 00:29:27,880 Speaker 1: and I think our listeners are going to love the 569 00:29:27,920 --> 00:29:30,360 Speaker 1: show because it's extremely funny, but like Kurt said, it's 570 00:29:30,600 --> 00:29:33,800 Speaker 1: very moving, very emotional. I will do no spoilers, but 571 00:29:33,840 --> 00:29:37,040 Speaker 1: there's a scene with your the mother character your mother 572 00:29:37,680 --> 00:29:40,840 Speaker 1: in the show that totally caught me off guard. I 573 00:29:41,080 --> 00:29:42,680 Speaker 1: I didn't see it coming. I thought you were going 574 00:29:42,720 --> 00:29:45,720 Speaker 1: to have a combative relationship the entire time, as many 575 00:29:45,800 --> 00:29:48,400 Speaker 1: sort of sitcoms and stuff do, and instead you you 576 00:29:48,440 --> 00:29:50,880 Speaker 1: threw a twist in there, and I thought it was excellent. 577 00:29:50,920 --> 00:29:52,160 Speaker 1: It caught me totally off guard. 578 00:29:52,760 --> 00:29:55,120 Speaker 3: I think what I like about writing Humans is I 579 00:29:55,160 --> 00:30:01,080 Speaker 3: think what I think I've been. I'm sure maybe you've 580 00:30:01,080 --> 00:30:03,040 Speaker 3: had this court, you know, when you have to arrive 581 00:30:03,080 --> 00:30:06,160 Speaker 3: and do three lines as an actor the same amount 582 00:30:06,160 --> 00:30:09,080 Speaker 3: of energy and you're not given much to work with. 583 00:30:09,600 --> 00:30:11,720 Speaker 3: I think writing my own show as an actor later 584 00:30:11,800 --> 00:30:14,240 Speaker 3: in life, rather than kind of like in my early twenties, 585 00:30:14,240 --> 00:30:17,120 Speaker 3: getting a big deal like I wanted, was that, like 586 00:30:17,160 --> 00:30:19,960 Speaker 3: I never took for granted that someone, especially with the 587 00:30:20,000 --> 00:30:22,240 Speaker 3: second series in COVID and knowing people had to isolate 588 00:30:22,320 --> 00:30:23,800 Speaker 3: and come out of lockdown to do it to be 589 00:30:23,880 --> 00:30:26,680 Speaker 3: on my show, and what a genuine risk that was 590 00:30:26,720 --> 00:30:31,040 Speaker 3: of their lives. Is that if someone has three or 591 00:30:31,080 --> 00:30:33,840 Speaker 3: four lines give them something else, like there should be 592 00:30:33,880 --> 00:30:35,920 Speaker 3: something else there with the character, and that there should 593 00:30:35,960 --> 00:30:38,280 Speaker 3: be some something to play with. And I think we 594 00:30:38,840 --> 00:30:41,240 Speaker 3: all want to box people into a narrative about like 595 00:30:41,240 --> 00:30:44,120 Speaker 3: the mother, the father, the sister, the brother, cheater, then 596 00:30:44,280 --> 00:30:49,720 Speaker 3: the angel, the demon, the mess, the together one, and 597 00:30:49,800 --> 00:30:52,440 Speaker 3: especially with female characters, I fucking hate the mess versus 598 00:30:52,520 --> 00:30:57,880 Speaker 3: together And I kind of try to push against that 599 00:30:58,000 --> 00:31:00,440 Speaker 3: of like just because you're unwell or you're saying that's 600 00:31:00,480 --> 00:31:02,360 Speaker 3: not a mess, that's like your kind and you've got 601 00:31:02,360 --> 00:31:04,600 Speaker 3: so much going for you and there's a nobility in 602 00:31:04,720 --> 00:31:07,240 Speaker 3: just getting through the day. And that's really why I 603 00:31:07,240 --> 00:31:09,600 Speaker 3: wanted to kind of make the show and write the show, 604 00:31:09,800 --> 00:31:14,560 Speaker 3: and so yeah, so that's really that's like a big 605 00:31:14,640 --> 00:31:17,880 Speaker 3: part of what I wanted to write in places was 606 00:31:17,920 --> 00:31:20,120 Speaker 3: just sort of do surprising things, but not in the 607 00:31:20,160 --> 00:31:22,720 Speaker 3: sort of like big scale murder prop lot twist that's 608 00:31:22,680 --> 00:31:25,719 Speaker 3: surprising from a character point of view, because people do 609 00:31:25,800 --> 00:31:27,880 Speaker 3: surprise you, and we all want to know exactly who 610 00:31:27,920 --> 00:31:30,920 Speaker 3: someone is. And I found it really interesting that there 611 00:31:30,960 --> 00:31:34,040 Speaker 3: was a psychologist that said that the brain needs to 612 00:31:34,080 --> 00:31:36,800 Speaker 3: calm itself down a beginning, middle, and end to a 613 00:31:36,840 --> 00:31:40,080 Speaker 3: story and that we as humans find it really hard 614 00:31:40,120 --> 00:31:44,560 Speaker 3: to handle, like not knowing. So why did we fight? 615 00:31:44,680 --> 00:31:46,360 Speaker 3: Was I bad person? Was your bad person? 616 00:31:46,440 --> 00:31:46,600 Speaker 1: Hey? 617 00:31:46,600 --> 00:31:48,480 Speaker 3: Your beat? Let me know? And then I could move on. 618 00:31:49,240 --> 00:31:51,680 Speaker 3: What about the mess of in between where well, actually 619 00:31:51,720 --> 00:31:53,520 Speaker 3: you didn't call me first, yeah, but you don't get 620 00:31:53,520 --> 00:31:57,360 Speaker 3: me text no? Oh, then and all that mess And 621 00:31:57,880 --> 00:32:00,000 Speaker 3: the first series I wanted the write kind of comedy 622 00:32:00,080 --> 00:32:01,920 Speaker 3: about loneliness and just to see if I could make 623 00:32:01,960 --> 00:32:04,400 Speaker 3: it funny. And then the second series is a lot 624 00:32:04,440 --> 00:32:07,640 Speaker 3: more about communication, and it definitely got influenced by the 625 00:32:07,920 --> 00:32:09,960 Speaker 3: pandemic of like when we miss each other and when 626 00:32:09,960 --> 00:32:12,880 Speaker 3: we get each other and other stars. And that's just 627 00:32:12,920 --> 00:32:16,400 Speaker 3: in case anyone's like, what loneliness boring? Sharon Horgan Amy 628 00:32:16,400 --> 00:32:20,760 Speaker 3: nominated recent Emmy Award winner Tobias Menzies, Prince Philip from 629 00:32:20,760 --> 00:32:23,320 Speaker 3: the Crowd in Deer Varmah from Game of Thrones, Kadif 630 00:32:23,360 --> 00:32:28,640 Speaker 3: Kerwin from The Stranger On It Fix All the Stars, Stars, 631 00:32:28,680 --> 00:32:31,040 Speaker 3: All the Stars. But yeah, so that's what I kind 632 00:32:31,080 --> 00:32:35,440 Speaker 3: of wanted to explore because I find I'm like that 633 00:32:35,600 --> 00:32:37,280 Speaker 3: quite a lot. I'm like, I like them, I don't 634 00:32:37,400 --> 00:32:39,880 Speaker 3: like them, I like And then every time I feel 635 00:32:39,880 --> 00:32:42,720 Speaker 3: someone doesn't like me, I try to go and think 636 00:32:42,760 --> 00:32:46,120 Speaker 3: of an enemy and think of why they're lovely, because 637 00:32:46,120 --> 00:32:48,280 Speaker 3: I believe in karma, and I'm like, hope, right now 638 00:32:48,480 --> 00:32:51,240 Speaker 3: the person I think hates me is doing the exact same. 639 00:32:51,800 --> 00:32:54,080 Speaker 3: Maybe she was just under a lot of pressure that day, 640 00:32:54,360 --> 00:32:56,880 Speaker 3: and it's like my karma kind of like putting kind 641 00:32:56,880 --> 00:32:59,120 Speaker 3: of fifty p in a box to see if, like 642 00:32:59,160 --> 00:33:01,640 Speaker 3: someone else will put it to change into a box somewhere. 643 00:33:02,040 --> 00:33:05,479 Speaker 2: You know, it pays off, it comes, and that is 644 00:33:06,120 --> 00:33:10,560 Speaker 2: I think that that complexity of character is something that 645 00:33:10,880 --> 00:33:15,200 Speaker 2: just makes the show so human and so relatable and 646 00:33:15,440 --> 00:33:19,120 Speaker 2: so fucking funny too, just like the surprisingness of it 647 00:33:19,160 --> 00:33:23,720 Speaker 2: as well. So everyone go and watch it right now 648 00:33:23,760 --> 00:33:25,120 Speaker 2: on Hulu this way. 649 00:33:25,320 --> 00:33:31,240 Speaker 3: Turn off this podcast and go and watch it. Keep keep. 650 00:33:33,280 --> 00:33:35,200 Speaker 1: Nice at the same time. 651 00:33:36,160 --> 00:33:39,000 Speaker 3: Yea, will you do a big now at the very 652 00:33:39,120 --> 00:33:40,720 Speaker 3: end of this, Yes we will. 653 00:33:42,400 --> 00:33:47,080 Speaker 1: We'll do a countdown and get all right. 654 00:33:47,120 --> 00:33:50,240 Speaker 2: You want to hear about candy Man love it? This 655 00:33:50,280 --> 00:33:52,880 Speaker 2: is yes, Yeah, go on. This was written by us. 656 00:33:53,200 --> 00:33:58,840 Speaker 3: He wore a toll hash on how to limit towards Kurts. 657 00:34:00,920 --> 00:34:02,160 Speaker 3: This is Willy Wonka. 658 00:34:02,320 --> 00:34:04,440 Speaker 2: Oh my god, This is so exciting because this is 659 00:34:04,440 --> 00:34:06,320 Speaker 2: written by Carson. 660 00:34:05,920 --> 00:34:11,560 Speaker 1: Gerber best in the Frickin' business from the guy Oral. 661 00:34:11,360 --> 00:34:15,200 Speaker 2: From the Cocamo Tribune. The Cocamo Tribune. 662 00:34:15,680 --> 00:34:18,680 Speaker 1: Oh okay, I've been to Cocomo. 663 00:34:19,080 --> 00:34:21,640 Speaker 2: This is some people. A bunch of people sent that 664 00:34:21,760 --> 00:34:24,040 Speaker 2: us in, but Alicia Anne was the first I saw 665 00:34:24,080 --> 00:34:29,080 Speaker 2: it from this is in Rocks, Cocomo, Indiana. For over 666 00:34:29,200 --> 00:34:32,200 Speaker 2: three months, a small necklace with a golden ticket attached 667 00:34:32,239 --> 00:34:34,640 Speaker 2: lay buried in the ground at Highland Park waiting to 668 00:34:34,680 --> 00:34:38,000 Speaker 2: be found. Andrew Moss, a thirty nine year old father 669 00:34:38,040 --> 00:34:41,160 Speaker 2: from Colorado, did just that on August twenty ninth. He 670 00:34:41,200 --> 00:34:43,360 Speaker 2: walked into the park and dug up the ticket hidden 671 00:34:43,360 --> 00:34:46,280 Speaker 2: beneath the Vermont covered bridge, and with that he became 672 00:34:46,360 --> 00:34:49,800 Speaker 2: the new owner of a four thousand square foot candy 673 00:34:49,840 --> 00:34:53,799 Speaker 2: factory in Florida. The find was a culmination of a 674 00:34:53,880 --> 00:34:58,799 Speaker 2: year long nationwide Willy Wonka inspired treasure hunt. That's for you, 675 00:34:58,920 --> 00:35:03,080 Speaker 2: ashling that thank you, thirty five thousand people, thirty five 676 00:35:03,120 --> 00:35:06,759 Speaker 2: thousand people solving riddles and then scouring the country for 677 00:35:06,880 --> 00:35:09,840 Speaker 2: golden tickets hidden in every state. And we actually staked 678 00:35:10,160 --> 00:35:12,879 Speaker 2: like three ban animals to do this as well back 679 00:35:12,920 --> 00:35:16,480 Speaker 2: in the beginning of his podcast. They I don't think 680 00:35:16,560 --> 00:35:19,640 Speaker 2: one of them was this man Andrew Moss. 681 00:35:20,000 --> 00:35:21,520 Speaker 3: Maybe one of them was Slowworth. 682 00:35:22,280 --> 00:35:26,040 Speaker 2: It was still worth it. The National Scavenger Hunt was 683 00:35:26,120 --> 00:35:30,560 Speaker 2: orchestrated by David Quote Candyman Kline, who developed the world 684 00:35:30,600 --> 00:35:34,920 Speaker 2: famous jelly Belly brand in nineteen seventy six and founded 685 00:35:35,120 --> 00:35:39,040 Speaker 2: candy Man Kitchens last year. He and his partner Stephanie 686 00:35:39,080 --> 00:35:41,759 Speaker 2: thirty Acre drove around the country, hiding the tickets in 687 00:35:41,840 --> 00:35:44,720 Speaker 2: every state, yeah, and then creating four line riddles leading 688 00:35:44,800 --> 00:35:47,880 Speaker 2: hunters to the prize. One thousand people were allowed to 689 00:35:47,920 --> 00:35:51,480 Speaker 2: register for each state hunt, and the finder was awarded 690 00:35:51,520 --> 00:35:53,440 Speaker 2: a five thousand dollars prize. 691 00:35:53,840 --> 00:35:54,200 Speaker 1: Cool. 692 00:35:54,360 --> 00:35:56,520 Speaker 2: We just got in the car and went we do 693 00:35:56,640 --> 00:36:02,200 Speaker 2: things really spontaneously. Spontaneously thirty Ores like spontaneously. 694 00:36:02,239 --> 00:36:05,080 Speaker 1: It surprises you. It's a better pronunciation of that word. 695 00:36:05,160 --> 00:36:08,560 Speaker 2: Sometimes when you're reading in your lives, you know, the 696 00:36:08,600 --> 00:36:11,600 Speaker 2: words come at you faster than your brain understands them. 697 00:36:11,880 --> 00:36:14,600 Speaker 3: Apps, Oh, card, you can't be expected to read and 698 00:36:14,760 --> 00:36:19,839 Speaker 3: speakable as I say it, Kurt say you say it. 699 00:36:20,640 --> 00:36:23,960 Speaker 2: Uh. So this was out there. Then this guy Andrew 700 00:36:24,040 --> 00:36:28,720 Speaker 2: Moss came across the contest so they're like very excited 701 00:36:28,760 --> 00:36:31,080 Speaker 2: about it. Moss said he did solve the riddle for 702 00:36:31,120 --> 00:36:32,800 Speaker 2: the ticket in Kansas and was on his way to 703 00:36:32,840 --> 00:36:36,120 Speaker 2: get it when another contestant beat him to it before 704 00:36:36,160 --> 00:36:37,120 Speaker 2: he arrived. 705 00:36:37,320 --> 00:36:37,520 Speaker 1: Wow. 706 00:36:37,640 --> 00:36:40,360 Speaker 2: And on Memorial Day weekend, the final riddle for the 707 00:36:40,440 --> 00:36:43,239 Speaker 2: last ticket was released for everyone who had registered for 708 00:36:43,280 --> 00:36:47,280 Speaker 2: the state hunts. It read, this is a pretty difficult riddle, 709 00:36:47,320 --> 00:36:50,680 Speaker 2: I think, Yeah, can you do it in an English accent? 710 00:36:50,800 --> 00:36:52,320 Speaker 3: Please? I know what do you want with an English? 711 00:36:52,320 --> 00:36:53,880 Speaker 3: But just like give us something to work with her? 712 00:36:54,000 --> 00:36:59,920 Speaker 2: Yeah, don't have an instant idea cour treasure die hot. 713 00:37:00,280 --> 00:37:05,000 Speaker 2: We see witches nearby? To stay in God, go solve 714 00:37:05,120 --> 00:37:08,400 Speaker 2: and search as low as a I find in that 715 00:37:08,400 --> 00:37:17,040 Speaker 2: that walks on no fall. I mean, Ken, did it 716 00:37:17,200 --> 00:37:19,280 Speaker 2: sound like you were in Camden Town? 717 00:37:20,400 --> 00:37:22,759 Speaker 3: It sounded like there was someone outside my window here 718 00:37:22,800 --> 00:37:25,040 Speaker 3: in London where I sit, trying to tell me where 719 00:37:25,040 --> 00:37:26,800 Speaker 3: a magic ticket was? 720 00:37:26,560 --> 00:37:29,280 Speaker 1: That that accurate? 721 00:37:30,280 --> 00:37:32,319 Speaker 3: And tell me this and tell me no more? Did 722 00:37:32,360 --> 00:37:34,759 Speaker 3: they inherit five thousand dollars or a factory? 723 00:37:35,040 --> 00:37:38,399 Speaker 2: So there was fifty fifty different. Each state had its 724 00:37:38,440 --> 00:37:44,200 Speaker 2: own uh thing And so if you won the state ticket, 725 00:37:44,360 --> 00:37:47,560 Speaker 2: you got five grand, but then this was the nationwide 726 00:37:47,640 --> 00:37:49,640 Speaker 2: one for the actual bloody hell. 727 00:37:49,880 --> 00:37:50,040 Speaker 1: Yeah. 728 00:37:50,120 --> 00:37:53,960 Speaker 2: Yeah, so they gave out a lot of money. 729 00:37:54,200 --> 00:37:55,799 Speaker 1: Good for them. 730 00:37:55,920 --> 00:37:58,600 Speaker 3: Do you think though, that actually those people inherited a 731 00:37:58,680 --> 00:38:00,719 Speaker 3: huge amount of death and went bank up to immediately. 732 00:38:00,960 --> 00:38:04,640 Speaker 3: It was all a trick. You know, here's a factory, 733 00:38:04,840 --> 00:38:08,040 Speaker 3: add a check, an invoice. 734 00:38:09,239 --> 00:38:11,880 Speaker 1: The I R s we've defaulted on all our loans. 735 00:38:12,040 --> 00:38:14,240 Speaker 1: That's exactly right. Well that's so cool. 736 00:38:14,360 --> 00:38:16,319 Speaker 2: Yeah, so they found it. It was, you know that 737 00:38:16,320 --> 00:38:18,400 Speaker 2: that was the riddle. They like whittled it down to 738 00:38:19,000 --> 00:38:23,040 Speaker 2: this town called Cocomo in Indiana because of the beach boys, 739 00:38:23,200 --> 00:38:25,400 Speaker 2: because of the beach boys, because of the line. The 740 00:38:25,440 --> 00:38:28,799 Speaker 2: line is kind of con It says, uh, don't have 741 00:38:28,840 --> 00:38:34,160 Speaker 2: an instant idea. So it's like Cocamo, Uh get. 742 00:38:33,960 --> 00:38:36,160 Speaker 1: There fast and take it slow. That's where we want 743 00:38:36,200 --> 00:38:38,240 Speaker 1: to go, way down in Cocomo. 744 00:38:38,040 --> 00:38:41,560 Speaker 2: So take it not an instant idea. That's a kind 745 00:38:41,600 --> 00:38:42,959 Speaker 2: of I wondered did. 746 00:38:42,840 --> 00:38:48,440 Speaker 3: They pick Cocomo because Coco is in the for a 747 00:38:48,560 --> 00:38:52,200 Speaker 3: chocolate reason? I like that the candy Man can the 748 00:38:52,280 --> 00:38:55,520 Speaker 3: candy Man can Gusie mixes. It would love that's an 749 00:38:55,600 --> 00:38:58,480 Speaker 3: I really want to know. You know, I watched lots 750 00:38:58,480 --> 00:39:01,520 Speaker 3: of before and after TV show You Got. I absolutely 751 00:39:01,560 --> 00:39:03,719 Speaker 3: love them. I followed them on Instagram where it's like 752 00:39:04,040 --> 00:39:07,040 Speaker 3: we took this rough door and painted it and varnished them. 753 00:39:07,520 --> 00:39:12,960 Speaker 3: Just give me the after I want to. 754 00:39:13,880 --> 00:39:16,680 Speaker 2: I want that TV show but for methaddicts. We took 755 00:39:16,760 --> 00:39:20,640 Speaker 2: this couple and gave them years. 756 00:39:22,600 --> 00:39:24,640 Speaker 3: But I wonder I'd love to see in a year's 757 00:39:24,680 --> 00:39:28,080 Speaker 3: time if the people who inherited the business have ran 758 00:39:28,160 --> 00:39:32,040 Speaker 3: it into the candy ground. He's just really like their 759 00:39:32,080 --> 00:39:35,960 Speaker 3: teeth have fallen out. They're just too much candy. You 760 00:39:36,000 --> 00:39:36,840 Speaker 3: know what happened. 761 00:39:37,200 --> 00:39:41,840 Speaker 2: They sold it already unfortunately good smart today. They sold 762 00:39:41,840 --> 00:39:44,480 Speaker 2: it back to the guy who gave it to them 763 00:39:45,280 --> 00:39:47,320 Speaker 2: because they have two kids and they didn't want to 764 00:39:47,360 --> 00:39:49,040 Speaker 2: move to Florida, smart move. 765 00:39:49,080 --> 00:39:54,400 Speaker 3: They already had given out his money, gave away his factory. 766 00:39:54,440 --> 00:39:58,680 Speaker 3: They had to spend money buying a back. I mean, 767 00:39:58,840 --> 00:40:01,279 Speaker 3: you know, they worked the worst end to this film ever. 768 00:40:01,360 --> 00:40:03,680 Speaker 3: It's like all the worst parts of humans. That's the 769 00:40:03,760 --> 00:40:10,160 Speaker 3: most like unromantic, nonsense, like not nice. Everything went wrong 770 00:40:10,280 --> 00:40:11,080 Speaker 3: that means. 771 00:40:11,040 --> 00:40:14,600 Speaker 2: Yeah, yeah, but go why did he try and find 772 00:40:14,640 --> 00:40:17,480 Speaker 2: it if he didn't really want a candy factory. 773 00:40:18,320 --> 00:40:23,840 Speaker 3: The ultimate riddle, Kurt Spontaneous, The real riddle is humanity. 774 00:40:24,040 --> 00:40:28,440 Speaker 1: That's right in capitalism? Why why do you exist? Last year, 775 00:40:28,520 --> 00:40:31,319 Speaker 1: during the Great Choar early like April ish, a bunch 776 00:40:31,360 --> 00:40:34,040 Speaker 1: of my college buddies who I hadn't talked to in years. 777 00:40:34,560 --> 00:40:37,959 Speaker 1: We kind of started a zoom where we would drink 778 00:40:38,000 --> 00:40:39,879 Speaker 1: and catch up and just see how all of all 779 00:40:39,880 --> 00:40:42,799 Speaker 1: the different cities and states were doing. And one of 780 00:40:42,840 --> 00:40:45,719 Speaker 1: my buddies, Brendan, joked about, do you think Cocomo is 781 00:40:45,760 --> 00:40:47,759 Speaker 1: a real place? And then we went down because of 782 00:40:47,800 --> 00:40:50,200 Speaker 1: the Beach Boys song, and we went down a wormhole 783 00:40:50,239 --> 00:40:52,920 Speaker 1: and discovered it. Indiana, there is a place called Cocomo. 784 00:40:53,239 --> 00:40:55,520 Speaker 1: And so I rented a car and drove out there 785 00:40:55,600 --> 00:40:57,800 Speaker 1: during the Great Choar, wrote remember that, Curt. I just 786 00:40:57,880 --> 00:41:00,360 Speaker 1: drove there because I was like from Los Angeles to 787 00:41:00,680 --> 00:41:01,960 Speaker 1: I mean, I. 788 00:41:01,920 --> 00:41:05,000 Speaker 3: Think classic door behavior exactly here. 789 00:41:05,080 --> 00:41:08,000 Speaker 1: And I was like, let's I can't be around people. 790 00:41:08,160 --> 00:41:11,400 Speaker 1: Let's see what Cocomo, Indiana has to offer. It has 791 00:41:11,480 --> 00:41:15,040 Speaker 1: everything from vape stores, you can buy all the vaping 792 00:41:15,080 --> 00:41:17,520 Speaker 1: equipment you want. They have a giant praying mantis at 793 00:41:17,520 --> 00:41:21,000 Speaker 1: their subway. They have a giant steer called Old Ben, 794 00:41:21,160 --> 00:41:23,560 Speaker 1: which was like a five thousand pounds steer that you 795 00:41:23,560 --> 00:41:24,320 Speaker 1: could take a photo. 796 00:41:24,360 --> 00:41:25,200 Speaker 3: What was this steer? 797 00:41:25,719 --> 00:41:29,399 Speaker 1: Like a bull cattle? Yeah? 798 00:41:29,600 --> 00:41:31,560 Speaker 3: Why didn't you just say bull a Scottie? 799 00:41:31,880 --> 00:41:35,640 Speaker 1: I don't know that's what they call. They take things fast. 800 00:41:35,680 --> 00:41:38,720 Speaker 1: And then I got there very slowly. It was extremely cold. 801 00:41:39,280 --> 00:41:42,160 Speaker 1: The mayor of Cocomo tweeted at me when I got back, 802 00:41:42,360 --> 00:41:44,640 Speaker 1: just like, thank you so much for putting us on 803 00:41:44,680 --> 00:41:47,799 Speaker 1: the map. I'm like, hey, I didn't. I just came 804 00:41:47,880 --> 00:41:51,680 Speaker 1: and saw it. And we have listeners there, Kurt and Cocomo, 805 00:41:51,800 --> 00:41:54,400 Speaker 1: and really go take go, go take a picture with 806 00:41:54,440 --> 00:41:56,080 Speaker 1: Old Ben for us. We love Old Ben. 807 00:41:56,239 --> 00:41:58,480 Speaker 3: Have they any bars that are cold, or like any 808 00:41:58,480 --> 00:42:03,480 Speaker 3: banks that are called Cocomo money, Cocomo problems? But I 809 00:42:03,480 --> 00:42:03,839 Speaker 3: think that. 810 00:42:05,600 --> 00:42:07,680 Speaker 1: And when things really go sideways, the three of us 811 00:42:07,719 --> 00:42:09,600 Speaker 1: should get together and open that puff. 812 00:42:14,719 --> 00:42:19,759 Speaker 3: And oh my god, should everyone in Cocomo. Yeah, not 813 00:42:19,840 --> 00:42:21,719 Speaker 3: that they need any shows. I bet they've had enough 814 00:42:21,760 --> 00:42:25,120 Speaker 3: shoutouts now after all this drama. Older time. 815 00:42:27,480 --> 00:42:31,480 Speaker 1: Something all right, give yeah, give it below Mississippi, We're 816 00:42:31,480 --> 00:42:32,160 Speaker 1: coming for you. 817 00:42:32,280 --> 00:42:34,240 Speaker 2: I think for one more here. 818 00:42:34,200 --> 00:42:37,759 Speaker 1: One more? Okay? Well, speaking of steer and bulls. We'll 819 00:42:37,760 --> 00:42:41,880 Speaker 1: go with with other things animal related ride off Underscore 820 00:42:41,960 --> 00:42:45,840 Speaker 1: b or Rid of Underscore b sent this in. This 821 00:42:46,080 --> 00:42:50,799 Speaker 1: was written by uh Drew Olanof for Billy Penn dot com. Kurt, 822 00:42:50,840 --> 00:42:52,560 Speaker 1: aren't you always on billy pen dot com? 823 00:42:52,600 --> 00:42:55,640 Speaker 2: You kidd me? It is my desktop. It just constantly 824 00:42:56,480 --> 00:42:57,359 Speaker 2: Billy Penn is doing. 825 00:42:57,760 --> 00:43:00,560 Speaker 1: Ashley texted me about billy pen dot com years ago 826 00:43:00,600 --> 00:43:03,120 Speaker 1: and you were right, really cool, Dan, But. 827 00:43:03,120 --> 00:43:05,719 Speaker 3: I was actually about the website billy penis dot com 828 00:43:05,760 --> 00:43:11,840 Speaker 3: and I misspelled ash Yeah. Well yeah, yeah, that's why 829 00:43:11,880 --> 00:43:13,600 Speaker 3: I was wondering why you were just so positive when 830 00:43:13,640 --> 00:43:16,359 Speaker 3: you replied. But okay, yeah, I love it. 831 00:43:17,400 --> 00:43:19,239 Speaker 1: So this is a little bit of a story. This 832 00:43:19,280 --> 00:43:22,160 Speaker 1: is more like a blog post, not just a news story. 833 00:43:22,320 --> 00:43:26,440 Speaker 1: And at yoda on I guess Twitter was posting this. 834 00:43:26,520 --> 00:43:28,960 Speaker 1: That is Drew Ollenoff, the writer of this blog post. 835 00:43:29,040 --> 00:43:32,040 Speaker 1: So this is a saga. Hold on to your butt cheeks. 836 00:43:32,320 --> 00:43:35,000 Speaker 1: I moved back from Philadelphia about four years ago. I 837 00:43:35,080 --> 00:43:38,840 Speaker 1: never saw myself as a quote suburb dweller end quote. 838 00:43:38,960 --> 00:43:41,680 Speaker 1: But during lockdown it became obvious that living in South 839 00:43:41,719 --> 00:43:44,040 Speaker 1: Philly was not in the cards for me much longer. 840 00:43:44,480 --> 00:43:46,880 Speaker 1: We needed space. We needed land, a place for our 841 00:43:46,880 --> 00:43:50,080 Speaker 1: dogs to run, fewer neighbors. So August twenty twenty we 842 00:43:50,120 --> 00:43:53,080 Speaker 1: make the move. Not going to give our exact location, 843 00:43:53,200 --> 00:43:56,360 Speaker 1: but we're close to Valley Forge. We have an acre, 844 00:43:56,440 --> 00:43:59,480 Speaker 1: we have twenty trees. It's been interesting, to say the least. 845 00:43:59,560 --> 00:44:01,920 Speaker 1: And then yesterday happened. 846 00:44:02,040 --> 00:44:04,440 Speaker 3: Ok, oh, my, yesterday happened. 847 00:44:04,560 --> 00:44:04,840 Speaker 2: Shit. 848 00:44:07,320 --> 00:44:09,760 Speaker 1: We bought an old, old house, like over one hundred 849 00:44:09,840 --> 00:44:12,239 Speaker 1: years old. Tons of work needs to get done. But 850 00:44:12,360 --> 00:44:15,440 Speaker 1: over the past week we've had three crews working tons 851 00:44:15,480 --> 00:44:20,480 Speaker 1: of hours HVAC, electric, bathroom remodeling. They are awesome. 852 00:44:21,040 --> 00:44:24,120 Speaker 2: I'm so excited. I have no idea what's gonna happen. 853 00:44:24,480 --> 00:44:27,080 Speaker 3: This just sounds like someone who's definitely a suburban person. 854 00:44:26,920 --> 00:44:32,840 Speaker 1: Bragging, Yeah, yeah, yeah, check this shit out. So the 855 00:44:32,880 --> 00:44:35,920 Speaker 1: electricians got started super early, and while cracking on the 856 00:44:35,960 --> 00:44:38,880 Speaker 1: work in the attic, one of our electricians comes downstairs 857 00:44:38,960 --> 00:44:43,600 Speaker 1: as if he's seen a ghost. Did he see a ghost? Quote? 858 00:44:43,760 --> 00:44:47,640 Speaker 1: So you have a raccoon in your attic, and well 859 00:44:47,960 --> 00:44:52,480 Speaker 1: he's he's eating king crab legs and he hissed at me, 860 00:44:52,880 --> 00:44:55,480 Speaker 1: and he's built quite a nest up there. It's fucking 861 00:44:55,640 --> 00:44:59,280 Speaker 1: nice up there. So my wife, April, and I started 862 00:44:59,320 --> 00:45:02,520 Speaker 1: asking questions, but Nate, but I needed to jump into action. 863 00:45:02,680 --> 00:45:05,640 Speaker 1: A raccoon in our attic and he's stuck eating crab 864 00:45:05,719 --> 00:45:10,160 Speaker 1: legs rightfully. So this is very weird. So as one does, 865 00:45:10,320 --> 00:45:13,640 Speaker 1: I took to yoa Twitter at Yoda's this guy's handle, 866 00:45:13,640 --> 00:45:16,040 Speaker 1: which is incredible. He got at Yoda that seems like 867 00:45:17,960 --> 00:45:22,320 Speaker 1: early Twitter guy. So I took to Twitter to share 868 00:45:22,760 --> 00:45:25,319 Speaker 1: whoever gave a crap about what was happening, And it 869 00:45:25,320 --> 00:45:27,879 Speaker 1: turns out a lot of people were interested in king 870 00:45:28,000 --> 00:45:30,040 Speaker 1: krab legs, king. 871 00:45:30,000 --> 00:45:34,080 Speaker 3: Crab legs astin like the legs of the king crab 872 00:45:34,480 --> 00:45:35,320 Speaker 3: from the sea. 873 00:45:35,280 --> 00:45:38,080 Speaker 1: From God that you would eat like a casino in 874 00:45:38,160 --> 00:45:39,640 Speaker 1: Las Vegas or you know. 875 00:45:39,760 --> 00:45:41,839 Speaker 3: Yeah, yeah, yeah. It was one of those things like 876 00:45:41,880 --> 00:45:45,200 Speaker 3: the steer that I was like, is this I think 877 00:45:45,239 --> 00:45:48,440 Speaker 3: it is? Didn't even raccoons were fish people, you know, 878 00:45:48,600 --> 00:45:50,920 Speaker 3: they just don't strike me as fish. 879 00:45:51,040 --> 00:45:54,280 Speaker 1: Yes, So April, his partner, hops on the phones repeating 880 00:45:54,320 --> 00:45:56,320 Speaker 1: the phrase quote, we have a raccoon in our attic, 881 00:45:56,360 --> 00:45:58,520 Speaker 1: can you please help us? Over and over. I'm laughing, 882 00:45:58,600 --> 00:46:01,600 Speaker 1: the electricians are laughing. A bathroom guy Pat comes in 883 00:46:01,680 --> 00:46:03,880 Speaker 1: and we had to tell him what's going on? He 884 00:46:03,920 --> 00:46:05,840 Speaker 1: immediately asked about the crab legs. 885 00:46:06,560 --> 00:46:10,360 Speaker 2: Of course, a raccoon in an attic is not surprising. 886 00:46:10,400 --> 00:46:11,560 Speaker 2: It's the king krab legs. 887 00:46:11,680 --> 00:46:14,560 Speaker 1: Really separate it out, just building a nest eating kin 888 00:46:14,640 --> 00:46:17,520 Speaker 1: krab legs in the middle of the countryside. Where the 889 00:46:17,560 --> 00:46:20,560 Speaker 1: fuck did it get those from? He asked, We don't know. 890 00:46:20,840 --> 00:46:24,200 Speaker 1: We don't eat king krab legs. The electricians, oh my god. 891 00:46:25,400 --> 00:46:27,480 Speaker 1: The electricians stay down the attic for the rest of 892 00:46:27,520 --> 00:46:30,560 Speaker 1: the day and worked on other rooms instead. But everyone 893 00:46:30,560 --> 00:46:33,239 Speaker 1: who called us gave us the same answer. Can we 894 00:46:33,280 --> 00:46:36,200 Speaker 1: set up a trap next week and just wait seven 895 00:46:36,320 --> 00:46:38,920 Speaker 1: days to catch these raccoons? I guess that's protocol for 896 00:46:39,000 --> 00:46:41,960 Speaker 1: capturing an attic raccoon. But we didn't have that kind 897 00:46:42,000 --> 00:46:44,759 Speaker 1: of time. We needed our electric redone right away, and 898 00:46:44,800 --> 00:46:48,399 Speaker 1: this delay would have just grounded us with one three 899 00:46:48,520 --> 00:46:51,759 Speaker 1: prong outlet. I'm not saying we're living in a death trap. 900 00:46:51,880 --> 00:46:53,480 Speaker 1: Let's just say I wake up in the middle of 901 00:46:53,480 --> 00:46:56,360 Speaker 1: the night sometimes worrying I forgot to unplug our microwave. 902 00:46:56,680 --> 00:47:02,200 Speaker 1: So finally, April the partner gets a hold of a 903 00:47:02,280 --> 00:47:06,520 Speaker 1: wildlife professional Chris was on his way. We dubbed him 904 00:47:06,680 --> 00:47:11,200 Speaker 1: Critter Chris So, Critter Chris. Uh. Meanwhile on Twitter, people 905 00:47:11,239 --> 00:47:13,640 Speaker 1: are asking me to take photos and videos. No way, 906 00:47:13,760 --> 00:47:16,160 Speaker 1: I was going up into the attic. It was very 907 00:47:16,200 --> 00:47:18,680 Speaker 1: nice of everyone to keep his company and offer support. 908 00:47:18,760 --> 00:47:23,600 Speaker 1: But everyone on Twitter apparently is a raccoon expert. As 909 00:47:23,640 --> 00:47:27,080 Speaker 1: time goes on, Critter Chris goes up there. As time 910 00:47:27,120 --> 00:47:29,160 Speaker 1: goes on, we start getting concerned that there could be 911 00:47:29,280 --> 00:47:32,320 Speaker 1: babies and other raccoons up there. A real situation. 912 00:47:33,880 --> 00:47:36,480 Speaker 2: It needs to be some sort of supply chain for 913 00:47:36,600 --> 00:47:40,480 Speaker 2: the king crab legs. There's not just one raccoon getting 914 00:47:40,600 --> 00:47:43,520 Speaker 2: king crab legs and coming back. Somebody's bringing the king 915 00:47:43,640 --> 00:47:44,560 Speaker 2: crab legs over. 916 00:47:44,640 --> 00:47:45,000 Speaker 1: Yes. 917 00:47:45,680 --> 00:47:48,600 Speaker 3: Yeah, it looks a bit like a small man, so 918 00:47:48,600 --> 00:47:50,440 Speaker 3: he can get away from going into the restaurant. 919 00:47:50,520 --> 00:48:01,800 Speaker 1: For Chris, it's Critter Chris. It's an m night shamal 920 00:48:01,880 --> 00:48:06,520 Speaker 1: on twist. Chris finally arrives ready for war, wearing a 921 00:48:06,560 --> 00:48:09,279 Speaker 1: gas mask. He has tons of tattoos, He has a 922 00:48:09,360 --> 00:48:12,279 Speaker 1: raccoon trap. This was like a This man was like 923 00:48:12,360 --> 00:48:16,440 Speaker 1: Dog the Bounty Hunter, but for suburban critters. After twenty minutes, 924 00:48:16,680 --> 00:48:20,120 Speaker 1: Chris comes downstairs empty handed. He was shaking his head 925 00:48:20,160 --> 00:48:23,480 Speaker 1: vigorously and we immediately imagine the worst. It wasn't a 926 00:48:23,560 --> 00:48:29,280 Speaker 1: raccoon family, it was two. So then there's an update 927 00:48:29,520 --> 00:48:33,120 Speaker 1: days later, and this is my favorite part. At Yoda, 928 00:48:33,480 --> 00:48:37,480 Speaker 1: Drew writes this, Okay, folks, here's the latest update. What 929 00:48:37,640 --> 00:48:41,080 Speaker 1: a ride. It wasn't a raccoon. It was a possum 930 00:48:42,680 --> 00:48:48,160 Speaker 1: a ready horrible. More importantly, it was not crab legs. 931 00:48:48,320 --> 00:48:51,840 Speaker 1: It was some sort of flowering thing. Everyone is safe. 932 00:48:52,160 --> 00:48:55,040 Speaker 1: Several hours of suspense based around a monster raccoon with 933 00:48:55,120 --> 00:48:57,560 Speaker 1: a fortress bell from crab legs. In the last ten 934 00:48:57,600 --> 00:48:59,959 Speaker 1: minutes you find out it was actually just a pop 935 00:49:00,080 --> 00:49:04,319 Speaker 1: some with some flowers. Everyone can debate who the real 936 00:49:04,400 --> 00:49:08,040 Speaker 1: monster in this story is well written. Drew all in 937 00:49:08,160 --> 00:49:09,720 Speaker 1: Off at billypenn dot com. 938 00:49:10,400 --> 00:49:12,399 Speaker 3: Do you think this is the sort of case that 939 00:49:12,520 --> 00:49:15,279 Speaker 3: legal people will use when they say you can't trust 940 00:49:15,360 --> 00:49:20,600 Speaker 3: a witnesses memory on trial? They're like, Urana, what some 941 00:49:20,680 --> 00:49:26,080 Speaker 3: people think is a raccoon with a krab leg and 942 00:49:26,120 --> 00:49:29,319 Speaker 3: yourtic other people will know for effect to be a 943 00:49:29,360 --> 00:49:31,880 Speaker 3: possum hold and a flower. It's just how you look 944 00:49:31,920 --> 00:49:34,400 Speaker 3: at the world. What do you remember? You know? Humans 945 00:49:34,400 --> 00:49:38,719 Speaker 3: make their own stories depending on hunger, I love some clapbeds. 946 00:49:38,719 --> 00:49:39,960 Speaker 3: They were eating crab legs. 947 00:49:40,520 --> 00:49:44,839 Speaker 1: Oh my god, the jumps. But that ties back into 948 00:49:44,840 --> 00:49:48,000 Speaker 1: what you were saying earlier. Humans love to create an 949 00:49:48,080 --> 00:49:51,200 Speaker 1: over their story and explanation where we go. It's gotta 950 00:49:51,239 --> 00:49:54,240 Speaker 1: be this instead of just dealing with what is actually 951 00:49:54,280 --> 00:49:55,320 Speaker 1: happening right now. 952 00:49:55,200 --> 00:49:57,000 Speaker 3: In front of them exactly. 953 00:49:58,120 --> 00:50:00,560 Speaker 1: Oh god, I love that. But don't you just love 954 00:50:00,600 --> 00:50:03,640 Speaker 1: picturing a raccoon in some abandoned house is going to 955 00:50:03,640 --> 00:50:07,120 Speaker 1: town on I guess donated king crab legs in an addict. 956 00:50:07,200 --> 00:50:08,400 Speaker 1: It's so beautiful. 957 00:50:09,760 --> 00:50:12,520 Speaker 3: It's just sort of and that their families because it's 958 00:50:12,520 --> 00:50:14,600 Speaker 3: a very easy dish to get a book at a 959 00:50:14,640 --> 00:50:18,440 Speaker 3: crab legs. So it strikes me as two raccoon tired, 960 00:50:18,560 --> 00:50:22,160 Speaker 3: four raccoon tired parents who are like, oh I can't 961 00:50:22,400 --> 00:50:28,040 Speaker 3: cook again, I'm so tired. We do just get crab legs. Yeah, 962 00:50:28,120 --> 00:50:29,879 Speaker 3: let them eat out of the book. It never mind, 963 00:50:29,880 --> 00:50:32,680 Speaker 3: sports night. Just let the meet with their hands and. 964 00:50:36,000 --> 00:50:38,840 Speaker 2: Ashling. Thank you so much. We run out of time 965 00:50:38,920 --> 00:50:41,560 Speaker 2: with you, but thank you. Tell us everything we need 966 00:50:41,560 --> 00:50:45,200 Speaker 2: to log. Oh home alone, Loug. 967 00:50:45,719 --> 00:50:51,279 Speaker 3: But so yes, the new Home Alone movie called Home 968 00:50:51,280 --> 00:50:54,879 Speaker 3: Sweet Home Alone is out. I think November thirteenth, and 969 00:50:55,040 --> 00:50:57,200 Speaker 3: that's another show where it's it's made by Disney, so 970 00:50:57,200 --> 00:50:58,840 Speaker 3: I don't think they have much of a marketing budget. 971 00:50:58,880 --> 00:51:01,280 Speaker 2: It will be really great of it. 972 00:51:00,160 --> 00:51:05,200 Speaker 3: Anymore, they'll be fine. So you'll hear about that, no 973 00:51:05,360 --> 00:51:08,040 Speaker 3: doubt in your algorithms. But if you could watch the 974 00:51:08,080 --> 00:51:10,640 Speaker 3: second series of my show this, well, what's the first 975 00:51:10,800 --> 00:51:14,120 Speaker 3: series first? Please on Hulu, and if you like it, 976 00:51:14,160 --> 00:51:15,640 Speaker 3: tell all of your friends, and if you don't like it, 977 00:51:15,680 --> 00:51:18,840 Speaker 3: tell your enemies, you know, tell Critter Christ whoever you 978 00:51:18,880 --> 00:51:21,760 Speaker 3: don't enjoy your like and then they'll have to suffer 979 00:51:21,760 --> 00:51:24,480 Speaker 3: through it. But I would really appreciate it. 980 00:51:24,520 --> 00:51:27,960 Speaker 1: Is there, helpe aschling of a series three for this show? 981 00:51:28,320 --> 00:51:28,640 Speaker 1: Is there? 982 00:51:28,880 --> 00:51:31,320 Speaker 3: I don't know. It was pretty hard to make the 983 00:51:31,360 --> 00:51:33,400 Speaker 3: second one, so we'll see how we go. Yeah, I 984 00:51:33,400 --> 00:51:35,200 Speaker 3: definitely need a little bit of a break for a while. 985 00:51:35,320 --> 00:51:37,960 Speaker 2: The fact that you're writing every single episode too, that's 986 00:51:38,080 --> 00:51:38,439 Speaker 2: just yeah. 987 00:51:38,440 --> 00:51:40,200 Speaker 3: I write it all myself and then I'm in it 988 00:51:40,239 --> 00:51:42,200 Speaker 3: all myself. And I did a lot of the edits 989 00:51:42,200 --> 00:51:46,200 Speaker 3: this time round and stuff like that, and it just yeah, 990 00:51:46,360 --> 00:51:49,000 Speaker 3: that's There's a song over here which is like a 991 00:51:49,000 --> 00:51:51,600 Speaker 3: garage song called like too many men, too many many men. 992 00:51:52,000 --> 00:51:54,920 Speaker 3: And that's a song. And I feel like this one 993 00:51:54,960 --> 00:51:56,439 Speaker 3: was too many jobs, too many many jobs. 994 00:51:56,520 --> 00:51:57,920 Speaker 1: Yeah, too many happies. 995 00:51:58,800 --> 00:52:00,920 Speaker 3: Yes, yes, we'll see you head the rest of the 996 00:52:01,000 --> 00:52:01,759 Speaker 3: year goes well. 997 00:52:03,040 --> 00:52:06,359 Speaker 2: Fingers crossed for season three. Thank you so much, and 998 00:52:06,440 --> 00:52:06,719 Speaker 2: thank you. 999 00:52:06,760 --> 00:52:08,880 Speaker 3: Scotty for wearing your own Neil T shirt. I just 1000 00:52:08,880 --> 00:52:12,040 Speaker 3: spotted there as you leaned back. Oh, Neil, it looks 1001 00:52:12,040 --> 00:52:13,840 Speaker 3: like this was an Irish teacher. But I best in 1002 00:52:13,920 --> 00:52:15,840 Speaker 3: Boston chowdif company or something like that. 1003 00:52:16,239 --> 00:52:19,040 Speaker 1: No, it's I think it's a California surf company. But 1004 00:52:19,160 --> 00:52:22,040 Speaker 1: you know what, Okay, they came from Ireland. There aren't 1005 00:52:22,040 --> 00:52:25,160 Speaker 1: there weren't any other native to California, so they. 1006 00:52:25,239 --> 00:52:29,960 Speaker 3: From door to shore to surf company. Thank you, but anyways, guys, 1007 00:52:30,000 --> 00:52:32,960 Speaker 3: thank you so much, taking enough of your Thank you, 1008 00:52:33,320 --> 00:52:37,080 Speaker 3: the listeners, thank you so much. Love you guys, but 1009 00:52:37,120 --> 00:52:41,520 Speaker 3: one of you I love more. Wo though, goodbye. 1010 00:52:43,080 --> 00:52:44,239 Speaker 2: That has been fun. 1011 00:52:52,239 --> 00:52:54,960 Speaker 1: This has been an exactly right production. 1012 00:52:54,719 --> 00:52:57,080 Speaker 2: Produced and engineered by Katie Levine. 1013 00:52:56,880 --> 00:52:58,839 Speaker 1: Theme music by Kahan, and all. 1014 00:52:58,760 --> 00:53:00,760 Speaker 2: Of our artwork is done by Travis Millard. 1015 00:53:01,000 --> 00:53:03,680 Speaker 1: You can follow us on Instagram at The Bananas Podcast, 1016 00:53:03,719 --> 00:53:05,920 Speaker 1: where we post stories every day and things that we 1017 00:53:05,960 --> 00:53:07,400 Speaker 1: don't cover on the podcast. 1018 00:53:07,800 --> 00:53:11,440 Speaker 2: Listen, subscribe, and please leave us a review on Apple podcast, Stitcher, 1019 00:53:11,560 --> 00:53:13,000 Speaker 2: or wherever you get your podcast. 1020 00:53:13,320 --> 00:53:16,400 Speaker 1: And if you're interested in advertising on Bananas, please email 1021 00:53:16,480 --> 00:53:19,359 Speaker 1: us at THEE Bananas Podcast at gmail dot com. That's 1022 00:53:19,520 --> 00:53:39,080 Speaker 1: the Bananas Podcast at gmail dot com.