WEBVTT - Greg Carter Full Interview

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<v Speaker 1>Radio app, Apple Podcast or wherever you listen to podcasts. Yeah,

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<v Speaker 1>welcome to Money Making Conversation. I am your host with

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<v Speaker 1>Sean McDonald. I recognize that we all have different definitions

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<v Speaker 1>of success. For some insercizable paycheck. Mine is helping people

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<v Speaker 1>wake up and inspiring them to accomplish their goals and

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<v Speaker 1>live their very best life. These are my passions and

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<v Speaker 1>that's what I'm going to do for you. When you

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<v Speaker 1>listen to Money Making Conversations, I would you to stop

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<v Speaker 1>tripping over small challenges and prepare to rise above the

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<v Speaker 1>bigger obstacle that life will present to you. The Money

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<v Speaker 1>Making Conversation interviews provide relatable information to the listener about

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<v Speaker 1>career and financial planning, entrepreneurship, motivation, leadership, overcoming the arts,

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<v Speaker 1>and how to live a balanced life. Next guest as

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<v Speaker 1>an independent filmmaker. He's a graduate of the Texas A

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<v Speaker 1>and M University and has produced over thirty featured films

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<v Speaker 1>and several have been featured at Sundance. Also, his movies

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<v Speaker 1>have been distributed by Sony, Lionsgate, Wanner Brothers, and Netflix,

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<v Speaker 1>just to name a few. He's one of the Independent

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<v Speaker 1>Spirit Award and has been inducted into Texas Filmmakers Hall

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<v Speaker 1>of Fame. He's on the show today to discuss his

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<v Speaker 1>career and the second season The Fifth War. New episodes

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<v Speaker 1>of Fifth Ward stream every Thursday through September three on

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<v Speaker 1>UMC dot TV. Please welcome to Money Making Conversations, my

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<v Speaker 1>man Greg Carter, Thank you, thank you, my brother Sean.

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<v Speaker 1>I'm so slighted to be on the show. I got

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<v Speaker 1>seven grade at the Dutch and I said, I gotta

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<v Speaker 1>live up to that. Actually, hey, Greg, you know, because

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<v Speaker 1>we're both from Houston, Texas, and you're doing a show

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<v Speaker 1>about I was born in the Fifth War. I lived

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<v Speaker 1>there the first ten years of my life. Russell and

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<v Speaker 1>uh and and and thirty fifteen Main Street. It's it's

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<v Speaker 1>the home that I lived in, a two bedroom shotgun

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<v Speaker 1>house and had six sisters, two brothers. My father was

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<v Speaker 1>a truck driver, my mom was My mother was to

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<v Speaker 1>stay at home all and so uh. The whole concept

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<v Speaker 1>of doing the show called Fifth War really really just

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<v Speaker 1>touched home with me emotionally because I know that that

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<v Speaker 1>was those first ten years were a very important part

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<v Speaker 1>of my life. In fifth Ward is a community like

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<v Speaker 1>any neighborhood, is an urban based, inter city neighborhood that's

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<v Speaker 1>in Houston, Texas. Just to give everybody who's listening the

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<v Speaker 1>exact location of where this particular community is and and

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<v Speaker 1>it's one of the prominent black communities in Houston, Texas.

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<v Speaker 1>But you but this initially started out as a movie, correct,

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<v Speaker 1>this series is correct, that's correct, so years ago. I'm

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<v Speaker 1>also from the neighborhood. So forward, my my family at

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<v Speaker 1>home church is on the corner of lying Uh and

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<v Speaker 1>UH and also my family Stelf family still live it

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<v Speaker 1>over there, and so it was one of the things

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<v Speaker 1>that was important to me when I started out. I

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<v Speaker 1>was trying to tell a story about the neighborhood based

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<v Speaker 1>on the people I knew. And so back in eight

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<v Speaker 1>dating myself, I did the first I did the first

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<v Speaker 1>U UH movie and it had a lot of success.

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<v Speaker 1>It went to south By Software and a lot of

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<v Speaker 1>film festivals, and then after that I ended up putting

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<v Speaker 1>it writing a treatment for a TV show and I

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<v Speaker 1>put it on the shelf and it was there, sat

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<v Speaker 1>on the shelf. But probably about twenty years. And then

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<v Speaker 1>later I got approached by UH Angela Northington, who was

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<v Speaker 1>the head of content over at UMC at the time,

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<v Speaker 1>also UH Sylvia George, who's the general management of network

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<v Speaker 1>about the show. And I said, hey, I got this thing.

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<v Speaker 1>I condusted obviously what happened and when everybody got it,

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<v Speaker 1>they truly enjoyed it. And that was the beginning UH

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<v Speaker 1>season one, and we had a successful season one. So

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<v Speaker 1>then we came back for two. Now, when you do

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<v Speaker 1>a show that hasn't emotion tied to it, because like

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<v Speaker 1>I said, you grew up there, I grew up in

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<v Speaker 1>there in that environment. Tell us about season one. I

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<v Speaker 1>know there was a there's a character chain for a

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<v Speaker 1>major character chain for season two, and tell us about

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<v Speaker 1>that and uh and also just putting together a show.

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<v Speaker 1>We know it's shot. Some of the scenes are there

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<v Speaker 1>are the shots within the community itself, all of them

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<v Speaker 1>on set, No, all of all of the show is

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<v Speaker 1>primarily shot in Houston, Texas, uh and and and the

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<v Speaker 1>majority of those shots in Houston, Texas are in the

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<v Speaker 1>fifth ward. I wanted to have an authenticity, UH for

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<v Speaker 1>the show, to make sure that you know, I was

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<v Speaker 1>quote unquote keeping it real. Uh. But then the other thing,

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<v Speaker 1>but yeah, we did had a couple of changes of

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<v Speaker 1>our lead actor who played the role of Ray Ray Uh,

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<v Speaker 1>he got cast into another TV show. And then we

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<v Speaker 1>have another character who played the role of Robert Kennedy

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<v Speaker 1>who's a police commander. He had schedule shooting, uh, schedule

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<v Speaker 1>conflicts and he had to and we and of course

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<v Speaker 1>when you're shooting on a time frame and the schedule,

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<v Speaker 1>you just have to kind of go into it and

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<v Speaker 1>get it done. So uh, you know, you get me

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<v Speaker 1>to the situation where uh you make the decisions that

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<v Speaker 1>you can uh and then sacrifice what you can keep

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<v Speaker 1>pressing forward, right, And like I said, there's nothing negative.

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<v Speaker 1>I was just telling people about their business, you know,

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<v Speaker 1>like I said, we as change happening, and you have

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<v Speaker 1>to move forward and and recast with the best person

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<v Speaker 1>that's available to do that role. And you have a

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<v Speaker 1>very talented guy, so very talented people that you brought

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<v Speaker 1>on for the second season. And that's why I wanted

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<v Speaker 1>to let everybody know there are changes. And so if

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<v Speaker 1>your fans on the show and you've waked the premier episode,

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<v Speaker 1>because to my understanding, the episode has already aired and

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<v Speaker 1>I'm supposed to be in that episode, right, sir, That

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<v Speaker 1>is correct? Correct? Uh. So, so when you watch the show,

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<v Speaker 1>if you haven't watched the show, what you'll find is

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<v Speaker 1>it's not just a narrative with characters who say dialogue.

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<v Speaker 1>For me, it was important that the show itself, uh

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<v Speaker 1>was not just my story, but the story of other

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<v Speaker 1>voices that also know and love Fifth Woard. So uh

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<v Speaker 1>at the beginning and the end of each episode, you

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<v Speaker 1>have a small interview with someone from the neighborhood who

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<v Speaker 1>gives their experience about what made or what makes Fifth

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<v Speaker 1>Ward special. And so we we try to make sure

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<v Speaker 1>that uh that is uh something that that. Of course,

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<v Speaker 1>I want to keep it engaged with the audience, but

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<v Speaker 1>also let the audience know that there's more than just

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<v Speaker 1>great card to telling this story about Pickle and the

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<v Speaker 1>neighborhood who we love. There's other people too that that

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<v Speaker 1>are gaging the story. And wow, you know, I know

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<v Speaker 1>we were. I was all I flew into town. I

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<v Speaker 1>remember a great call me, Richelle. I'd like you to

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<v Speaker 1>take this and it was more of an opportunity to

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<v Speaker 1>be a part of something special because I consider you

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<v Speaker 1>doing a project about a very important community within a

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<v Speaker 1>black community within Houston, Texas, a community that was that

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<v Speaker 1>I was born in the community that I pride myself.

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<v Speaker 1>I tell people from fear forth all the time. But

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<v Speaker 1>then we see the feel worth that you and I

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<v Speaker 1>were born in. It's changing and and UH as they

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<v Speaker 1>say the streets have gotten wider and white people are

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<v Speaker 1>moving in. It's true not just for Fifth War, but

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<v Speaker 1>it's also true for a lot of communities, UH in

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<v Speaker 1>the UH throughout the United States. And what happens is

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<v Speaker 1>that you have these depressed home values, which means these

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<v Speaker 1>areas of right for uh gentrification. And what gentrification is

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<v Speaker 1>if people don't know, it's a process of where you're

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<v Speaker 1>slowly UH moving I guess in the simplest way, moving

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<v Speaker 1>the original residents out and culturally and sometimes uh racially,

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<v Speaker 1>changing the way the neighborhood is. UH. And so you know,

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<v Speaker 1>for me, if you look at what's happening in Los

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<v Speaker 1>Angeles where they're building build a brand football stadium in

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<v Speaker 1>the middle of the hood, are we going to the

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<v Speaker 1>right there Inglewood? That is correct, happening in Englewood right now? Uh,

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<v Speaker 1>those you are listening, just let me just even expand

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<v Speaker 1>it They're not only only building a stadium, they built

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<v Speaker 1>a train system to go right up to it, so

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<v Speaker 1>you know they really vision. They've tore up all of

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<v Speaker 1>Crenshaw to put this train line in this metro line,

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<v Speaker 1>and so that just you know, when they want to

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<v Speaker 1>make a change, they can make a significant change. And

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<v Speaker 1>when you do it, change like that. It affected the

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<v Speaker 1>black businesses that were along Crunchhall along the way, and

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<v Speaker 1>so that's what a lot of people understand say is

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<v Speaker 1>for the good, but also who you heard and create

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<v Speaker 1>this quote unquote good. And so that's what we're dealing

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<v Speaker 1>with in fifth Ward is that you know there are

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<v Speaker 1>people who are being moved up, but where are they

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<v Speaker 1>being moved out too? Because they can't afford to pay

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<v Speaker 1>the taxes, because that's why they do it. It's finally

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<v Speaker 1>E R dot ai. Because you are bringing these these

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<v Speaker 1>better property values. Guess what taxes go up? Now the

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<v Speaker 1>person across the street, they can't pay that new tax,

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<v Speaker 1>so that guess what. They are either forced into a

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<v Speaker 1>homeless situation or they have to move out a neighborhood.

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<v Speaker 1>That and that's all the neighborhood they know. And that's

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<v Speaker 1>the tragic part about that process, isn't it right? Right? Oh? Absolutely?

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<v Speaker 1>And uh is happening in Seattle? Uh is happening? Uh?

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<v Speaker 1>Like I was about to say, people who live in

0:12:48.920 --> 0:12:51.800
<v Speaker 1>New York, they just built a new basketball arena in Brooklyn.

0:12:52.040 --> 0:12:55.880
<v Speaker 1>That neighborhood is changing. So so these it's happening nationwide

0:12:56.480 --> 0:12:59.800
<v Speaker 1>and in the last five or teen years is happening

0:12:59.800 --> 0:13:04.800
<v Speaker 1>an increasing pace, and so we have to fight for

0:13:04.920 --> 0:13:09.280
<v Speaker 1>our neighborhoods and so that we can have and keep

0:13:09.679 --> 0:13:13.880
<v Speaker 1>the cultural representation that made the neighborhood great because when

0:13:13.880 --> 0:13:16.400
<v Speaker 1>the people come into many people come into the community,

0:13:16.640 --> 0:13:19.840
<v Speaker 1>what time with that. That's okay, no worries there. But

0:13:19.840 --> 0:13:23.840
<v Speaker 1>but we want we want the respect of the of

0:13:23.920 --> 0:13:27.319
<v Speaker 1>the of the neighborhood to be there. We want the

0:13:27.400 --> 0:13:30.480
<v Speaker 1>culture of the neighborhood to stay, you know, we want

0:13:30.480 --> 0:13:34.280
<v Speaker 1>all that to happen. Wow, now let's talk about this.

0:13:34.720 --> 0:13:36.160
<v Speaker 1>Let's get back to said I don't want to get

0:13:36.200 --> 0:13:38.319
<v Speaker 1>so social to forget that I brought you in this

0:13:38.440 --> 0:13:41.160
<v Speaker 1>show because you're not gonna get to talking because we

0:13:41.360 --> 0:13:44.000
<v Speaker 1>because you're a texted NM grad, I'm a Universe Houston grad.

0:13:44.240 --> 0:13:46.720
<v Speaker 1>So you know, we've we've gotten out degrees. We you know,

0:13:46.760 --> 0:13:49.559
<v Speaker 1>we have intelligence behind and not saying other people don't

0:13:49.559 --> 0:13:51.920
<v Speaker 1>have intelligence, but we both from Fifth War and so

0:13:51.960 --> 0:13:53.920
<v Speaker 1>we have a passion when we start talking about this.

0:13:54.000 --> 0:13:57.719
<v Speaker 1>But this series, some of your main characters Maya and

0:13:57.760 --> 0:14:00.920
<v Speaker 1>my boy called Anthony Payne and all my Gooding and

0:14:01.200 --> 0:14:04.600
<v Speaker 1>Jaylen Mack talk about putting the cast together like this

0:14:04.720 --> 0:14:07.079
<v Speaker 1>and if you don't know Maya the former singer Seal,

0:14:07.120 --> 0:14:09.400
<v Speaker 1>I shouldn't jay former the singer Maya is one of

0:14:09.440 --> 0:14:13.040
<v Speaker 1>the lead characters in this particular problem. Gary Sturgis bringing

0:14:13.080 --> 0:14:15.640
<v Speaker 1>all that casting together. My man called Anthon, who I

0:14:15.679 --> 0:14:18.680
<v Speaker 1>love to death, and Omar Gooding I should work with

0:14:18.720 --> 0:14:20.320
<v Speaker 1>him on a Smart Guy back in the day on

0:14:20.560 --> 0:14:23.360
<v Speaker 1>w B. And so I know who you're working with

0:14:23.440 --> 0:14:25.920
<v Speaker 1>in Jayleen Mac. She's a She's one of the most

0:14:25.960 --> 0:14:31.080
<v Speaker 1>famous attorney slash actresses in the game. Oh yeah, daily

0:14:31.200 --> 0:14:35.480
<v Speaker 1>look days. Sometimes I marvel how much Daily Mac does

0:14:35.520 --> 0:14:37.800
<v Speaker 1>in a day. I'm like daily, you being more to

0:14:37.880 --> 0:14:40.360
<v Speaker 1>day sometimes and some people doing a whole month. I

0:14:40.400 --> 0:14:45.400
<v Speaker 1>don't know how you do it. But the cast, uh,

0:14:45.440 --> 0:14:47.760
<v Speaker 1>you know. I'm the son of a Methodist minister, and

0:14:47.800 --> 0:14:50.760
<v Speaker 1>I feel like I was really blessed to have a

0:14:50.800 --> 0:14:54.560
<v Speaker 1>cast such as Maya and Gary and Karl, Anthony, paying, Omar,

0:14:54.960 --> 0:14:59.480
<v Speaker 1>original Ty Dorsey, Uh, Jayleen, all those people. And there's

0:14:59.520 --> 0:15:02.600
<v Speaker 1>so many terrific talented people who are from the Houston

0:15:02.680 --> 0:15:06.200
<v Speaker 1>area of local actors that come in. And what I

0:15:06.240 --> 0:15:09.760
<v Speaker 1>think it really was was that when people have opportunity

0:15:09.840 --> 0:15:13.880
<v Speaker 1>to read the script. The first draft of the season one,

0:15:14.680 --> 0:15:17.760
<v Speaker 1>episode one script. Uh, people will just drawn to the

0:15:17.840 --> 0:15:21.160
<v Speaker 1>characters because you know, we don't really have a lot

0:15:21.200 --> 0:15:23.760
<v Speaker 1>of stories that are urban that are told from the

0:15:23.880 --> 0:15:27.400
<v Speaker 1>perspective of, you know, residents in the neighborhood more. I think,

0:15:27.480 --> 0:15:30.560
<v Speaker 1>somehow another we came to the conclusion that that was past.

0:15:30.880 --> 0:15:33.240
<v Speaker 1>We wanted to be this, that and the other, but

0:15:33.840 --> 0:15:39.960
<v Speaker 1>we cannot forget our forgotten poor and are forgotten under

0:15:40.000 --> 0:15:43.640
<v Speaker 1>classes are with us. You know, I consider myself and

0:15:44.200 --> 0:15:46.560
<v Speaker 1>just as you, someone who picked ourselves from the from

0:15:46.560 --> 0:15:50.080
<v Speaker 1>the bootstrapt. But there we still have those neighborhoods there,

0:15:50.120 --> 0:15:53.840
<v Speaker 1>and it's important for us as individuals to make sure

0:15:53.840 --> 0:15:56.400
<v Speaker 1>that we give, give and inspire hope so that those

0:15:56.440 --> 0:15:59.600
<v Speaker 1>people can thrive and do well. And so you know,

0:15:59.680 --> 0:16:02.840
<v Speaker 1>thes are written from a perspective that they have a

0:16:03.000 --> 0:16:07.960
<v Speaker 1>huge sense of hope and faith in them. And so, uh,

0:16:08.120 --> 0:16:12.120
<v Speaker 1>even even cards he played is playing the bad guy,

0:16:12.600 --> 0:16:16.360
<v Speaker 1>he still has that in his character where he is

0:16:16.400 --> 0:16:20.400
<v Speaker 1>trying to do things for the betterment, but he has

0:16:20.440 --> 0:16:22.680
<v Speaker 1>his own way of doing it. And so I think

0:16:22.720 --> 0:16:25.560
<v Speaker 1>that's what I always wanted to do. I wanted to

0:16:25.600 --> 0:16:30.760
<v Speaker 1>make sure that uh we connected with UH with the

0:16:30.880 --> 0:16:34.760
<v Speaker 1>understanding that you know, when things are not the best

0:16:34.760 --> 0:16:38.320
<v Speaker 1>way they can be, you know you you can survive

0:16:38.360 --> 0:16:40.960
<v Speaker 1>and you can make it. But also show how people

0:16:41.000 --> 0:16:44.760
<v Speaker 1>were move in and we've through through life, maybe the

0:16:44.800 --> 0:16:48.240
<v Speaker 1>way that uh, you didn't do it, but maybe your

0:16:48.280 --> 0:16:50.560
<v Speaker 1>grandparents did it or your mother and father did it,

0:16:51.000 --> 0:16:53.040
<v Speaker 1>because people are still doing that today and I think

0:16:53.040 --> 0:16:56.960
<v Speaker 1>it's important to bring a spotlight to that journey. I'm

0:16:56.960 --> 0:17:01.880
<v Speaker 1>talking to Great Carter, director, creator, exacutive producer. You know everything,

0:17:02.080 --> 0:17:04.480
<v Speaker 1>he added, he does it all. That's what you do

0:17:04.800 --> 0:17:06.919
<v Speaker 1>when you when you're when you're learning. The reason the

0:17:06.920 --> 0:17:09.000
<v Speaker 1>reason I'm saying that because I gotta go back on us,

0:17:09.119 --> 0:17:11.120
<v Speaker 1>but also if you want to catch this series fild War,

0:17:11.440 --> 0:17:14.760
<v Speaker 1>it's on UMC dot tv. It's as as a streaming

0:17:14.800 --> 0:17:17.720
<v Speaker 1>service and anywhere you find Netflix and Hulu, you can

0:17:17.760 --> 0:17:20.840
<v Speaker 1>find UMC dot tv and just go to the site

0:17:20.840 --> 0:17:23.560
<v Speaker 1>and find the fifth ward. This is a fantastic series.

0:17:23.840 --> 0:17:26.040
<v Speaker 1>It's in this second season. But let's go back in

0:17:26.160 --> 0:17:28.600
<v Speaker 1>our journey, all the way back to when I opened

0:17:28.600 --> 0:17:32.000
<v Speaker 1>a comedy club, hip hop comedy stop, and when you

0:17:31.600 --> 0:17:34.200
<v Speaker 1>were you was you know, all I heard was Gred Carter,

0:17:34.520 --> 0:17:36.720
<v Speaker 1>you gotta get a bad car because you were doing

0:17:36.760 --> 0:17:39.119
<v Speaker 1>all them. You thought, all the music videos in the

0:17:39.119 --> 0:17:41.720
<v Speaker 1>city of Houston next time, that's where you cut your teeth.

0:17:42.040 --> 0:17:44.679
<v Speaker 1>And we met a couple of times, but you know,

0:17:45.119 --> 0:17:47.160
<v Speaker 1>but we didn't meet enough because I was still trying

0:17:47.200 --> 0:17:49.960
<v Speaker 1>to build my brand and then eventually go back to

0:17:50.119 --> 0:17:53.360
<v Speaker 1>l A and started writing no sitcoms. But really it's

0:17:53.440 --> 0:17:56.399
<v Speaker 1>always a journey, and you got to start somewhere, and

0:17:56.400 --> 0:17:59.560
<v Speaker 1>it started with you those early years when rap took

0:17:59.600 --> 0:18:02.440
<v Speaker 1>off to get all boards with just just just put

0:18:02.480 --> 0:18:05.560
<v Speaker 1>a put a face on the city of Houston music scene,

0:18:05.760 --> 0:18:07.840
<v Speaker 1>and you was right at the heart of it. Brig.

0:18:10.160 --> 0:18:14.520
<v Speaker 1>It was funny because, uh, so when I went to college,

0:18:15.520 --> 0:18:20.000
<v Speaker 1>I was studying engineering and I had the chance to

0:18:20.080 --> 0:18:22.560
<v Speaker 1>study I had to take a couple of like this

0:18:23.400 --> 0:18:27.280
<v Speaker 1>and uh and I studied, uh screenplay writing. And it

0:18:27.320 --> 0:18:29.040
<v Speaker 1>was just so happened that there was a gentleman by

0:18:29.040 --> 0:18:31.440
<v Speaker 1>the name of Charles gold On who was a guest

0:18:31.520 --> 0:18:34.600
<v Speaker 1>lecturer at tech A and M. And once I had

0:18:34.600 --> 0:18:38.159
<v Speaker 1>my first taste of writing and directing, I was sold.

0:18:38.200 --> 0:18:40.720
<v Speaker 1>I was like, Yeah, this engineering degree is not gonna

0:18:40.720 --> 0:18:42.159
<v Speaker 1>be no good because I know what I want to

0:18:42.160 --> 0:18:46.600
<v Speaker 1>do now. So then I from there and I went

0:18:46.680 --> 0:18:50.000
<v Speaker 1>to UH Rice University and I started taking UH in

0:18:50.040 --> 0:18:53.479
<v Speaker 1>the massive m f A program and started studying. And

0:18:53.520 --> 0:18:56.960
<v Speaker 1>so I knew when I came out that's what I

0:18:57.000 --> 0:18:59.840
<v Speaker 1>wanted to do, and it was gonna be a situation

0:19:00.000 --> 0:19:02.439
<v Speaker 1>where Okay, I can need to pack up a go

0:19:02.640 --> 0:19:06.000
<v Speaker 1>to UH, you know, to Los Angeles and New York,

0:19:06.080 --> 0:19:08.040
<v Speaker 1>or either I can try to do something. So I

0:19:08.080 --> 0:19:11.720
<v Speaker 1>decided to write my first script and then hire myself

0:19:11.800 --> 0:19:14.760
<v Speaker 1>to produce and directed. And that was the eight cor

0:19:14.800 --> 0:19:17.080
<v Speaker 1>in the genesis of how things started. And I always

0:19:17.119 --> 0:19:21.880
<v Speaker 1>tried to look at UH, you know, everybody's journey being

0:19:21.960 --> 0:19:25.280
<v Speaker 1>unique and different, including my own. So you know, I

0:19:25.600 --> 0:19:28.399
<v Speaker 1>didn't long for Okay, I gotta go, I gotta go,

0:19:28.480 --> 0:19:31.000
<v Speaker 1>I gotta get out of it. I just because I

0:19:31.119 --> 0:19:33.760
<v Speaker 1>at the time I was married and I was starting

0:19:33.760 --> 0:19:36.720
<v Speaker 1>off with two kids, and I was just like, you

0:19:36.720 --> 0:19:39.800
<v Speaker 1>know what I can I can be a dad and

0:19:39.840 --> 0:19:42.600
<v Speaker 1>do both. That proved to be a little difficult, but

0:19:42.760 --> 0:19:46.600
<v Speaker 1>you know, I still I still know that, you know,

0:19:46.960 --> 0:19:52.480
<v Speaker 1>with perseverance, you can find success. And so I always

0:19:52.560 --> 0:19:55.600
<v Speaker 1>thought that, you know, once I got into the situation

0:19:55.760 --> 0:20:01.440
<v Speaker 1>of actually trying to make UH content and and drive.

0:20:01.760 --> 0:20:04.359
<v Speaker 1>You know, we call it content now, but you just

0:20:04.480 --> 0:20:08.600
<v Speaker 1>I'm shooting the movie. I do that. I always had

0:20:08.600 --> 0:20:10.680
<v Speaker 1>the Vivie know when I started off doing the music

0:20:10.800 --> 0:20:13.760
<v Speaker 1>videos and everything else, that the that the big prize

0:20:13.800 --> 0:20:17.199
<v Speaker 1>was doing movies and TV. And you know, fortunately for me,

0:20:17.480 --> 0:20:20.080
<v Speaker 1>I was I was at a time where it was

0:20:20.119 --> 0:20:23.600
<v Speaker 1>a much more open opportunity to do it than was

0:20:23.640 --> 0:20:28.159
<v Speaker 1>blockbuster videos everywhere, lots of companies making content UH and

0:20:28.240 --> 0:20:31.040
<v Speaker 1>fill the shelves there. And so I was just in

0:20:31.080 --> 0:20:34.080
<v Speaker 1>a very unique situation. And I feel blessed to do it.

0:20:34.560 --> 0:20:37.480
<v Speaker 1>And now, you know, it's funny because you look around

0:20:37.640 --> 0:20:43.240
<v Speaker 1>some you know, fifteen or twenty twenty five years later, whoa,

0:20:43.600 --> 0:20:46.600
<v Speaker 1>I'm here. And so part of what I tried to

0:20:46.640 --> 0:20:50.520
<v Speaker 1>do as well is to realize that my journey just

0:20:50.560 --> 0:20:53.880
<v Speaker 1>ain't all about me, It's about also helping people. So

0:20:54.040 --> 0:20:59.320
<v Speaker 1>I also teach UH filmmaking at the University of Houston

0:21:00.080 --> 0:21:02.680
<v Speaker 1>UH in the Let's A School, And I also do

0:21:03.280 --> 0:21:07.280
<v Speaker 1>UH also do different UH work with jay You mentioned

0:21:07.320 --> 0:21:09.399
<v Speaker 1>Jayleen Mac. I work with Mrs j Lee Mac. She

0:21:09.480 --> 0:21:13.080
<v Speaker 1>has a program called Impact a volunteer. They're working with kids.

0:21:13.080 --> 0:21:16.040
<v Speaker 1>So it's an important part of, you know, just making

0:21:16.080 --> 0:21:21.399
<v Speaker 1>sure that your legacy, like what you do is out there. Wow.

0:21:22.080 --> 0:21:25.280
<v Speaker 1>He's uh, he's the Independence one of the Independent Spirit Award.

0:21:25.320 --> 0:21:28.200
<v Speaker 1>He's been inducted into the Texas Filmmaker's Hall of Fame.

0:21:28.560 --> 0:21:30.840
<v Speaker 1>He's on the show to talk about fearth Ward a

0:21:30.960 --> 0:21:32.919
<v Speaker 1>serious as in the second season. You can reach it

0:21:32.960 --> 0:21:36.520
<v Speaker 1>on u MC dot TV. Whenever they're in the streaming

0:21:36.600 --> 0:21:39.960
<v Speaker 1>platforms like Hulu or Netflix, you can find it right

0:21:39.960 --> 0:21:41.800
<v Speaker 1>there as well. I want Greg want to thank you

0:21:41.840 --> 0:21:43.760
<v Speaker 1>for coming on the show, and thank you for putting

0:21:43.760 --> 0:21:46.240
<v Speaker 1>me on your show. And again I want to help

0:21:46.240 --> 0:21:48.560
<v Speaker 1>promote and this is just one project. I know when

0:21:48.560 --> 0:21:51.520
<v Speaker 1>you have a future project. We've connected because you know

0:21:51.560 --> 0:21:54.920
<v Speaker 1>when I when I look at our relationship that we've

0:21:55.000 --> 0:21:58.320
<v Speaker 1>had started in Houston and we kind of like launched

0:21:58.320 --> 0:22:02.320
<v Speaker 1>our careers simultaneously. And I was as a comedian and

0:22:02.359 --> 0:22:05.320
<v Speaker 1>I eventually came a producer, writer and manager of talent,

0:22:05.400 --> 0:22:07.840
<v Speaker 1>and and you started out as an engineer. My degree

0:22:07.880 --> 0:22:11.480
<v Speaker 1>was mathematics, so we all started in a different direction,

0:22:11.560 --> 0:22:16.119
<v Speaker 1>but creativity overwhelmed us and now we are content creators. Gregg,

0:22:16.200 --> 0:22:18.280
<v Speaker 1>thank you for coming on my show. Money Making Conversations

0:22:19.320 --> 0:22:21.880
<v Speaker 1>Thank you so much for having great call, great call man,

0:22:21.920 --> 0:22:24.399
<v Speaker 1>great conversation. If you want to hear more interviews with

0:22:24.520 --> 0:22:27.120
<v Speaker 1>money Making Conversations, please go to money Making Conversations dot com.

0:22:27.400 --> 0:22:30.800
<v Speaker 1>I'm with Sean McDonald. I'm your host. In this season

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