WEBVTT - Our Top 5 Batman: The Animated Series Episodes

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<v Speaker 1>Warning, Today's episode contains lots of spoilers for thirty year

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<v Speaker 1>old episodes of Batman the Animated series Dunt dunt d

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<v Speaker 1>which is not.

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<v Speaker 2>A big deal.

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<v Speaker 1>Truthfully, not a big deal.

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<v Speaker 2>You can just listen to this and then go watch

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<v Speaker 2>the episodes. It's not gonna ruin your enjoyment. It's gonna

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<v Speaker 2>be you.

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<v Speaker 1>Hello. My name is Jasoncepcion and I'm Rosie Knight, and

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<v Speaker 1>welcome back to X Revision, the podcast where we dive

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<v Speaker 1>deep into your favorite shows, movies, comics, and pop culture

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<v Speaker 1>with me. iHeart podcast. Will We'll bring you two episodes

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<v Speaker 1>a week every Tuesday and Thursday.

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<v Speaker 2>This is a very special episode. We're not gonna teach

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<v Speaker 2>you a PSA lesson, but it is the first episode

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<v Speaker 2>all Animation Month, and we're going to be celebrating Batman

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<v Speaker 2>the Animated Series to kick it off, and in the

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<v Speaker 2>back matter, we are going to be talking to some

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<v Speaker 2>of our favorite Batman fans about the legacy and lasting

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<v Speaker 2>impact of Batman the Animated series.

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<v Speaker 1>First the airlock. All right, folks, were stepping out of

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<v Speaker 1>the airlock to talk about our top five personal top

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<v Speaker 1>five episodes of Batman the Animated series. Rosie, do you

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<v Speaker 1>want to talk about your criteria? I love your list.

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<v Speaker 2>Okay, so my criteria. I went for a mix of

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<v Speaker 2>the ones that I honestly do think stand out as

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<v Speaker 2>this is why this show is so fantastic, Like especially

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<v Speaker 2>the first one that I'll talk about after your first pick.

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<v Speaker 2>I think that's one of the ones where you can

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<v Speaker 2>show it to someone and they'll go, oh, this is

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<v Speaker 2>not why I expected from an animated series. This is more,

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<v Speaker 2>this is deeper, this is more emotional, this is more

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<v Speaker 2>brilliantly written. But also some of them are I just

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<v Speaker 2>I did Pepper in a few there, and I think

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<v Speaker 2>this speaks to the quality of the show that are

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<v Speaker 2>just the ones that I go back to or the

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<v Speaker 2>ones that I so deeply remember watching for the first time.

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<v Speaker 2>I have one on there that I watch every year

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<v Speaker 2>at Christmas. I put it in as my Christmas watching.

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<v Speaker 1>So yeah, it was.

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<v Speaker 2>Kind of a mix of personal things that I like

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<v Speaker 2>and also like what I think are some of the

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<v Speaker 2>best examples of why the show is so special. But

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<v Speaker 2>also I do think it speaks to the quality of

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<v Speaker 2>the show that really anyone's favorite episodes are probably some

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<v Speaker 2>of the best episodes because they're just all so good.

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<v Speaker 2>What was your criteria?

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<v Speaker 1>My criteria was Landmark episodes that significantly influenced the comic cannon.

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<v Speaker 1>So those are easy, right, There's several of them, those

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<v Speaker 1>episodes that contained interesting like meta commentary on fandom, on

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<v Speaker 1>the characters, on the fans relationship to the characters that exists,

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<v Speaker 1>like on top of what is you know, always really

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<v Speaker 1>fun and engaging Batman or Batman Rogues Gallery story. And

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<v Speaker 1>there's so much of that, whether it's like interesting casting choices,

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<v Speaker 1>little easter eggs in there, there's a bunch of those

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<v Speaker 1>episodes to choose from. And the other thing is there's

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<v Speaker 1>really I guess like people would say that a Batman

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<v Speaker 1>in the Basement is like the worst episode of Batman

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<v Speaker 1>Animated series. I think I think Bruce tim came out

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<v Speaker 1>and said that they really like they missed with that one,

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<v Speaker 1>and he's unhappy with it. I think he might have

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<v Speaker 1>said that he's like never seen it ever since it

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<v Speaker 1>came out. But it's really not there's it's that bad.

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<v Speaker 1>There's there's there's no truly awful episode of Batman the

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<v Speaker 1>animated series. The batting average is so high, and so

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<v Speaker 1>there's really a lot to pick from, and so I

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<v Speaker 1>really just tried to pick for stuff that I felt

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<v Speaker 1>like had a lasting impact. And also I like the Joker,

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<v Speaker 1>so I picked multiple Joker. Yeah episodes. Shall we get started?

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<v Speaker 2>Yes, your first episode, I want to go on for one. Well,

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<v Speaker 2>let's go one for one, and your first one not

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<v Speaker 2>a Joker episode, So start now.

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<v Speaker 1>A Joker episode. Heart of Ice.

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<v Speaker 2>Oh ten out of ten.

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<v Speaker 1>Mark Bernardin talked about why it's great, and it is great.

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<v Speaker 1>You know, mister Freeze, we learn his backstory. He was

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<v Speaker 1>a scientist doing experiments and his wife was the subject

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<v Speaker 1>inside this cryo freeze chamber, and sadly, this like middle

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<v Speaker 1>management executive named Boyle comes in and makes like a

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<v Speaker 1>command decision in the middle of this experiment, and that

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<v Speaker 1>causes mister Freese's wife to pass away inside the cry damper.

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<v Speaker 1>And he develops this entire supervillain persona to seek revent

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<v Speaker 1>And there's this melancholy sadness to the episode that has

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<v Speaker 1>affected the way mister Freeze has been depicted, you know

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<v Speaker 1>later on, like in comics and in movies, and it's

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<v Speaker 1>just a wonderful episode.

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<v Speaker 2>Yeah, they literally adapt this in Batman and Robin like

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<v Speaker 2>this is what mister Freeze onnos watcheneggis mister freeze backstory

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<v Speaker 2>is in the movie. We also get this kind of

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<v Speaker 2>recognition of like Batman understanding where mister Freeze comes from

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<v Speaker 2>in this episode too, where he's kind of at the

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<v Speaker 2>end he's like sympathetically watching him as he kind of

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<v Speaker 2>cries that he hasn't been able to avenge his wife.

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<v Speaker 2>Also the Nora Inner snow globe that becomes like a

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<v Speaker 2>huge part of his story, that becomes the you know

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<v Speaker 2>that's in Batman and Robin that's in the comics. This

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<v Speaker 2>is basically a complete reimagining of mister Freeze, you know,

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<v Speaker 2>his actual origin story that then went on to like

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<v Speaker 2>you say, completely changed, yes, everything comics, movies, whatever you're watching.

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<v Speaker 2>And it's also set off like a four movie or

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<v Speaker 2>four episode one movie arc in the animed stuff that's

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<v Speaker 2>just about Victor Freeze, which I think is really cool.

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<v Speaker 1>It's really cool. It's such a big swing, particularly early

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<v Speaker 1>in the in a in the run of Batman the Enemy,

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<v Speaker 1>I think it's like the fourth episode to take like

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<v Speaker 1>this like massive swing like this, Yeah, it's and it

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<v Speaker 1>and it showed you how actually deep this show could

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<v Speaker 1>be because on the one level, it's just like a fun,

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<v Speaker 1>very consumable little Batman's story, but on it's got all

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<v Speaker 1>these other levels to it. The emotional level, the fact

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<v Speaker 1>that it's kind of like softly retconning a like giving

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<v Speaker 1>you an alternate take of a character. Uh, there's the

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<v Speaker 1>fact that, like aesthetically, there's all this kind of cool

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<v Speaker 1>tones blues and like mules and stuff that have worked

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<v Speaker 1>into it to really enhance the theme. It's just great.

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<v Speaker 2>Yeah. Also won a Daytime Emmy Award for Outstanding Writing

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<v Speaker 2>in an Animated Program. So really, like you said, big swings. Also,

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<v Speaker 2>I will say to those listening out there who love

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<v Speaker 2>to have the the intricate details. Batman Animated Series has

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<v Speaker 2>a weird situation when it comes to episodes because there

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<v Speaker 2>were multiple episode orders. Yes, so if we say episode

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<v Speaker 2>that might be a different running order. I think this

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<v Speaker 2>was episode four. I also think in some running orders

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<v Speaker 2>it was episode fourteen. It was shown differently on different channels,

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<v Speaker 2>so there may be some that's it.

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<v Speaker 1>You bring up a good point because this was also

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<v Speaker 1>the period of time where if you missed an episode

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<v Speaker 1>of Batman series, then you missed it.

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<v Speaker 2>Good luck, good one you would hear.

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<v Speaker 1>About it and then maybe years later, you know when

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<v Speaker 1>it was when the run was like released at Blockbuster

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<v Speaker 1>or something, you might be able to watch it, but

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<v Speaker 1>you would just not.

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<v Speaker 3>No.

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<v Speaker 1>Yeah, because they then they did the new Batman animated stories,

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<v Speaker 1>but then they compile it, it was just, yeah, run

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<v Speaker 1>order can be a mess.

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<v Speaker 2>It's also really interesting because this has aired on so

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<v Speaker 2>many different networks, and apparently when it aired on toon Disney,

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<v Speaker 2>they actually removed two lines where Batman says, my god,

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<v Speaker 2>they thought that was too expletative, and then mister Freezer's line,

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<v Speaker 2>I'd kill for that, So there were also different versions.

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<v Speaker 2>Obviously now I'd killed for that. Yeah, Michael Ansara, what

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<v Speaker 2>a performance, just such a such a that's such a

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<v Speaker 2>brilliant episode. I'm so glad you picked it. I mean

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<v Speaker 2>I literally read an anthology issue of that DC does

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<v Speaker 2>every year they do these fun like Nuclear Winter or

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<v Speaker 2>like they have different names, and I read a great

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<v Speaker 2>anthology issue that I believe was and it had a

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<v Speaker 2>Bruce tim story in it. There was about mister Freeze

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<v Speaker 2>and he, you know, creating all this snow and it's

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<v Speaker 2>stopping people from being able to get their Christmas presents,

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<v Speaker 2>but he allowed Robin to go and get the Christmas

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<v Speaker 2>present that he wanted for Batman, and the real reason

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<v Speaker 2>he made it snow is because he's thinking of his wife.

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<v Speaker 2>So even like twenty thirty years later, it's still influencing

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<v Speaker 2>how we see him as more of a tragic figure

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<v Speaker 2>rather than just another wacky kind of silver age rogue.

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<v Speaker 1>Yeah, there's something else too in this episode and a

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<v Speaker 1>lot of the other episodes that I picked that I

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<v Speaker 1>kind of which would wish had influenced the depictions of

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<v Speaker 1>Batman more, which is he is such a he's you know,

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<v Speaker 1>he's trying to bring mister Freese to justice. He also

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<v Speaker 1>brings a boil to justice. That said, while he's this

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<v Speaker 1>tough protagonist, he's also like very empathic towards Miss Oh. Yeah,

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<v Speaker 1>he's he's deeply affected by mister Freeze's backstory. And there's

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<v Speaker 1>that there's a gentleness to the Batman, the animated series

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<v Speaker 1>Batman that I wish would carry away some of the

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<v Speaker 1>other stuff.

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<v Speaker 2>There's something there's a softness to him that's.

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<v Speaker 1>Not just like a usful like I must bring all

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<v Speaker 1>Riddle to justice, you know, like there's something there's a

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<v Speaker 1>deeper well of emotion there with him.

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<v Speaker 2>And also he is softer as both Bruce and Batman

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<v Speaker 2>in this series, which I like he and you get.

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<v Speaker 2>I think that's why you get such brilliant relationships. And

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<v Speaker 2>also just like unbelievable casting. I mean Mark Hamier obviously

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<v Speaker 2>known best for being the Joker, but he's Ferris Boyle

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<v Speaker 2>in that episode, like it's a classic animated thing. Michael

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<v Speaker 2>ansaras mister Freeze who's so fantastic, Marie Devon as Summer Gleeson.

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<v Speaker 2>They just have really great casting. Like my next pick

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<v Speaker 2>has one of my all time favorite actresses in and

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<v Speaker 2>I always forget until I look up the show that

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<v Speaker 2>she's one other people. Okay, so my first pick is

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<v Speaker 2>on a similar vibe to yours. This is one that

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<v Speaker 2>emotionally kind of guts me every time I watch it.

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<v Speaker 2>It's called per Chance to Dream. It's written by Joe R.

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<v Speaker 2>Lansdale who did the tell of play Laren Bright. Michael

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<v Speaker 2>Reeves did the story directed by boy Curt Quinn. It

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<v Speaker 2>has Adrian Barbo as catwoman Selena Kyle, which I.

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<v Speaker 1>Love one of the best the B movie icon.

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<v Speaker 2>Swamp thing the Fog. Just like so many movies. Yeah,

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<v Speaker 2>I love her so much and in a very interesting

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<v Speaker 2>I think this is such a classic smart thing you

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<v Speaker 2>can do in animation. She voices Martha, and she voices Catwoman,

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<v Speaker 2>and I think there's likely yes. But also Roddy McDowell

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<v Speaker 2>is the Mad Hair, Diana Molders doctor Leslie Tompkins. So

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<v Speaker 2>I think the fact that they have these characters like

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<v Speaker 2>Leslie Tompkins is a key Batman character, but we've never

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<v Speaker 2>really seen her explore in the movies. Mad Hair, that's

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<v Speaker 2>such a random character. You're probably never going to get

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<v Speaker 2>to see him in the movies, but animated series gives

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<v Speaker 2>this space. And the best thing about this episode is

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<v Speaker 2>it's just absolutely gutting and it's kind of a treatise

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<v Speaker 2>on grief and how if we were really able to

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<v Speaker 2>get what we wanted, would we actually sacrifice everything to

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<v Speaker 2>keep it. So basically, Bruce wakes up in a world where.

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<v Speaker 1>It's going through it. Yeah, he is going through.

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<v Speaker 2>In this episode, like his parents are alive, someone else's Batman,

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<v Speaker 2>like Alfred. There's no batcave. Alfred doesn't like. He basically

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<v Speaker 2>wakes up and his life is perfect, but he remembers

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<v Speaker 2>everything from the day before when his life was not

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<v Speaker 2>idyllic like this, And obviously the name is taken from

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<v Speaker 2>like the soliloquy from Shakespeare's Hamler, and the whole episode

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<v Speaker 2>is him kind of trying to work out what's going on,

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<v Speaker 2>why is he here? He starts to see things in

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<v Speaker 2>the news, and he starts to realize, well, this isn't

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<v Speaker 2>real life, but everyone else around him acts like it is.

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<v Speaker 2>And there is this constant offer to him of well,

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<v Speaker 2>if you just accept it, you can live in this

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<v Speaker 2>happy world, like if you just isn't this what you

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<v Speaker 2>always wanted? Like, you can do it. And eventually it

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<v Speaker 2>is revealed, of course, after he has to kill himself

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<v Speaker 2>by the way, which is like he has to literally

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<v Speaker 2>jump off the belfry to his death to escape this dream,

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<v Speaker 2>which is a very you.

0:13:13.920 --> 0:13:17.439
<v Speaker 1>Know, shades of vertigo. You get this very like vertigo

0:13:17.760 --> 0:13:18.959
<v Speaker 1>fight like at the end.

0:13:19.120 --> 0:13:21.040
<v Speaker 2>And also we all know that the rule of like

0:13:21.080 --> 0:13:23.200
<v Speaker 2>you can't die in a dream, so you know, you

0:13:23.280 --> 0:13:26.280
<v Speaker 2>always wake up before you die in your dream. And

0:13:26.559 --> 0:13:29.040
<v Speaker 2>he wakes up and finds out that Javistech has had

0:13:29.080 --> 0:13:32.320
<v Speaker 2>him in this kind of terrifying dream machine attached to

0:13:32.320 --> 0:13:34.760
<v Speaker 2>his head, and he the kind of takeaway he has

0:13:34.840 --> 0:13:36.480
<v Speaker 2>is well, I did it, so if you have a

0:13:36.520 --> 0:13:39.400
<v Speaker 2>good life, maybe you'd leave me alone to live my life,

0:13:39.480 --> 0:13:42.320
<v Speaker 2>you know, live my life of crime. It's such a

0:13:42.360 --> 0:13:46.440
<v Speaker 2>heart wrenching episode, and I just think that it would

0:13:46.440 --> 0:13:48.760
<v Speaker 2>have made a beautiful comic book. But there was a

0:13:48.800 --> 0:13:52.960
<v Speaker 2>freedom that they were getting in this era to tell

0:13:53.000 --> 0:13:56.640
<v Speaker 2>these stories that. Imagine if you'd have pitched a story

0:13:56.640 --> 0:13:58.600
<v Speaker 2>where you're like, it's just Bruce Wayne, it's not Batman,

0:13:58.920 --> 0:14:00.280
<v Speaker 2>a lot of people would be like, well, why are

0:14:00.280 --> 0:14:02.760
<v Speaker 2>you even making that? This is a kid's cartoon. But

0:14:03.000 --> 0:14:08.720
<v Speaker 2>this utilizes the duality of Bruce and Batman and what

0:14:08.760 --> 0:14:11.160
<v Speaker 2>Batman is fighting for. And also I think that there

0:14:11.240 --> 0:14:17.280
<v Speaker 2>is something quite beautiful about the fact that ultimately Bruce

0:14:17.280 --> 0:14:21.880
<v Speaker 2>would rather live his kind of broken real life than

0:14:22.520 --> 0:14:25.280
<v Speaker 2>live in a fantasy. It's that matrix thing, right, It's like.

0:14:25.280 --> 0:14:29.000
<v Speaker 1>Yes, you can accept the truth. Yeah, go back and dream.

0:14:29.080 --> 0:14:32.600
<v Speaker 2>Mm hmm yeah, I love that one.

0:14:32.880 --> 0:14:35.720
<v Speaker 1>What's your Name? My next pick is be where the

0:14:35.760 --> 0:14:40.720
<v Speaker 1>Great Ghost? Yes, a wonderful episode. We get a flashback

0:14:40.800 --> 0:14:45.560
<v Speaker 1>to a young television addicted Bruce Wayne, who is a

0:14:45.600 --> 0:14:50.960
<v Speaker 1>big fan of a TV superhero program, The Great Ghost,

0:14:50.960 --> 0:14:55.040
<v Speaker 1>who's this kind of like the Shadow esque crime fighter,

0:14:55.960 --> 0:14:58.720
<v Speaker 1>and then there is this kind of story on top

0:14:58.760 --> 0:15:00.680
<v Speaker 1>of it. We're in the modern day, there's bombs going

0:15:00.720 --> 0:15:05.400
<v Speaker 1>off everywhere. Batman makes the connection that, oh, a lot

0:15:05.400 --> 0:15:10.840
<v Speaker 1>of these attacks seem to be modeled after plots from

0:15:10.880 --> 0:15:15.360
<v Speaker 1>The Great Ghost. So he tries to find episodes of

0:15:15.400 --> 0:15:18.520
<v Speaker 1>the Gray Ghost to try and do his analysis. He

0:15:18.560 --> 0:15:21.920
<v Speaker 1>can't find these particular episodes that he needs, so then

0:15:21.960 --> 0:15:25.840
<v Speaker 1>he decides to track down the actor Simon Trent, who

0:15:25.880 --> 0:15:28.880
<v Speaker 1>played the Grey Ghost, and the depiction of Simon Trent

0:15:29.000 --> 0:15:31.320
<v Speaker 1>is like something you've never seen in a kids show,

0:15:31.440 --> 0:15:36.000
<v Speaker 1>Like he is living on the margins of Society's an

0:15:36.080 --> 0:15:39.240
<v Speaker 1>older guy, is completely alone. He can't pay his rent.

0:15:39.400 --> 0:15:43.320
<v Speaker 1>He's selling off like his memorabilia. He's like sitting alone

0:15:43.720 --> 0:15:47.760
<v Speaker 1>in his in his one bedroom apartment saying, well, I've

0:15:47.800 --> 0:15:50.880
<v Speaker 1>sold enough of my stuff to pay the rent this

0:15:50.960 --> 0:15:54.160
<v Speaker 1>month and then that's it, like I'm absolutely done. And

0:15:54.240 --> 0:15:58.600
<v Speaker 1>so when Batman comes to him, he's like he's really

0:15:58.600 --> 0:16:01.360
<v Speaker 1>stand off it. He doesn't like he doesn't want to

0:16:01.440 --> 0:16:03.680
<v Speaker 1>engage with that part of his life. He's unhappy with it.

0:16:03.720 --> 0:16:06.880
<v Speaker 1>But of course there's like a reproachment. He shows up

0:16:06.920 --> 0:16:09.800
<v Speaker 1>in costume to help Batman solve this crime. You know,

0:16:10.040 --> 0:16:12.960
<v Speaker 1>fucking Bruce. Wayne could give him five million bucks and

0:16:13.040 --> 0:16:15.680
<v Speaker 1>just say like you're good now. But if he doesn't

0:16:15.720 --> 0:16:24.080
<v Speaker 1>do that, that's a different for a different day. But

0:16:24.960 --> 0:16:27.400
<v Speaker 1>and then there's the you know, and then I talked

0:16:27.400 --> 0:16:30.560
<v Speaker 1>about like the meta commentary angle. Yeah, the voice acting

0:16:30.640 --> 0:16:34.680
<v Speaker 1>is Adam West, who I mean, it's like a mirror

0:16:34.800 --> 0:16:39.680
<v Speaker 1>image of his career. This is almost thirty years now

0:16:40.160 --> 0:16:43.840
<v Speaker 1>when he appeared in this after his turn as Batman

0:16:45.120 --> 0:16:49.960
<v Speaker 1>on the original Batman television show. And he brings a

0:16:50.080 --> 0:16:55.000
<v Speaker 1>kind of melancholy to the role, a knowing melancholy that

0:16:55.400 --> 0:16:59.240
<v Speaker 1>is like really affecting. And what's cool about it too,

0:16:59.360 --> 0:17:02.400
<v Speaker 1>is you get to see Batman as a fan. Yes,

0:17:02.840 --> 0:17:06.159
<v Speaker 1>Like Bruce is just a flat out fan of the

0:17:06.160 --> 0:17:11.119
<v Speaker 1>Gray Ghost. Like and there's that weird like moment where

0:17:11.520 --> 0:17:15.400
<v Speaker 1>Bruce realizes the parasocial relationship he has with the Grey

0:17:15.400 --> 0:17:18.040
<v Speaker 1>Ghosts where he has like disappointing and when he first

0:17:18.040 --> 0:17:20.000
<v Speaker 1>goes to visit him, he's like disappointed that the Grey

0:17:20.000 --> 0:17:22.640
<v Speaker 1>Ghost like projects him. He's like, Greg Ghost is my hero.

0:17:22.760 --> 0:17:24.159
<v Speaker 1>I don't know what I was thinking. You know, he

0:17:24.240 --> 0:17:26.720
<v Speaker 1>like walks away and then at the end, like he

0:17:26.880 --> 0:17:30.760
<v Speaker 1>rebuilds that wonderful vision of Simon Trent the Greg Ghost.

0:17:31.080 --> 0:17:33.480
<v Speaker 1>But you really get to see Bruce grapple with like

0:17:33.560 --> 0:17:36.280
<v Speaker 1>what it means to feel like you know somebody that

0:17:36.320 --> 0:17:38.720
<v Speaker 1>you don't know because they were on television. It's really

0:17:38.720 --> 0:17:39.400
<v Speaker 1>cool episode.

0:17:39.440 --> 0:17:42.920
<v Speaker 2>Yeah. I also think that it's like so much brilliant

0:17:42.960 --> 0:17:46.520
<v Speaker 2>meta text here because like a key part of why

0:17:46.560 --> 0:17:49.480
<v Speaker 2>the Gray Ghost is kind of unemployed and sad is

0:17:49.520 --> 0:17:52.199
<v Speaker 2>because of type costing, Like he couldn't get out the roles,

0:17:52.720 --> 0:17:56.520
<v Speaker 2>and that is this really haunting kind of reference also

0:17:56.640 --> 0:18:00.760
<v Speaker 2>to George Reeves, who have generally played super Man in

0:18:00.800 --> 0:18:03.479
<v Speaker 2>the Superman serials in the forties, who would end up

0:18:03.520 --> 0:18:05.320
<v Speaker 2>taking his own life and a lot of the reason

0:18:05.359 --> 0:18:08.159
<v Speaker 2>that he struggled was because he was never able to

0:18:08.280 --> 0:18:11.399
<v Speaker 2>escape playing Superman. And there's so many layers to this.

0:18:11.520 --> 0:18:14.520
<v Speaker 2>I also adore the fact that the happy ending here.

0:18:14.600 --> 0:18:16.400
<v Speaker 2>Look as much as I would have loved for Bruce

0:18:16.440 --> 0:18:21.040
<v Speaker 2>to give him five million dollars million dollars, bro, like

0:18:21.480 --> 0:18:25.760
<v Speaker 2>go to the bank, put in your piece, give him

0:18:25.760 --> 0:18:29.720
<v Speaker 2>like a monthly allowance. But I do love that, as

0:18:29.800 --> 0:18:32.840
<v Speaker 2>is the way with really smart TV shows. Instead we

0:18:32.920 --> 0:18:36.240
<v Speaker 2>get to see that once Trent is kind of recognized

0:18:36.280 --> 0:18:38.639
<v Speaker 2>not as the villain who's been doing these bombings, but

0:18:38.720 --> 0:18:41.760
<v Speaker 2>as a hero who helped Batman and them they re

0:18:41.760 --> 0:18:44.840
<v Speaker 2>released like all the episodes of the Gray Ghost, and

0:18:44.880 --> 0:18:48.879
<v Speaker 2>then he gets money from distribution. His merchandise goes up

0:18:48.880 --> 0:18:52.000
<v Speaker 2>in value of revitalized career. Kind of like you know

0:18:52.040 --> 0:18:56.520
<v Speaker 2>what would happen with Mark Hamill when they would revisit

0:18:56.600 --> 0:18:59.040
<v Speaker 2>the Star Wars franchise with the Force Awakens after many

0:18:59.080 --> 0:19:02.159
<v Speaker 2>years of Mark being the only one who kind of

0:19:02.320 --> 0:19:05.800
<v Speaker 2>kept the Star Wars love alive. Who would be going

0:19:05.840 --> 0:19:08.920
<v Speaker 2>to the conventions and stuff, and even obviously Adam West

0:19:08.960 --> 0:19:12.440
<v Speaker 2>and his family kind of managing to make money when

0:19:12.520 --> 0:19:16.000
<v Speaker 2>CBS would or whoever now has the rights to those

0:19:16.160 --> 0:19:18.760
<v Speaker 2>Batman DVDs would put them out. I just thought that

0:19:18.840 --> 0:19:22.879
<v Speaker 2>was such a cool, interesting ending, but also as the

0:19:22.960 --> 0:19:26.119
<v Speaker 2>best TV does as a kid actually teaches you something

0:19:26.119 --> 0:19:27.120
<v Speaker 2>about the business.

0:19:27.520 --> 0:19:32.080
<v Speaker 1>Yeah, no, it does. It was like it it's a

0:19:32.119 --> 0:19:34.600
<v Speaker 1>lot more hard hitting than you would expect, you know.

0:19:35.000 --> 0:19:37.560
<v Speaker 2>Yeah, I love that they can do that about stuff

0:19:37.560 --> 0:19:41.920
<v Speaker 2>that isn't solely about Batman. You know, this is actually

0:19:41.960 --> 0:19:44.520
<v Speaker 2>hard hitting, but it's about a character before this, you've

0:19:44.520 --> 0:19:45.080
<v Speaker 2>never heard of.

0:19:45.560 --> 0:20:13.480
<v Speaker 4>Yeah, we'll be right back after a quick break.

0:20:03.400 --> 0:20:05.400
<v Speaker 1>And we're back. What's your next one?

0:20:05.520 --> 0:20:08.200
<v Speaker 2>Okay, so my next pick because I think this is

0:20:08.240 --> 0:20:09.680
<v Speaker 2>one of those it's.

0:20:09.520 --> 0:20:12.359
<v Speaker 1>Almost like this is a great episode.

0:20:12.440 --> 0:20:14.480
<v Speaker 2>Yeah, it's such a great episode. And also I think

0:20:14.520 --> 0:20:18.760
<v Speaker 2>it's almost like a it feels almost like a fever dream,

0:20:19.280 --> 0:20:22.840
<v Speaker 2>because when you're a kid, you tell on everyone, oh,

0:20:22.880 --> 0:20:27.600
<v Speaker 2>have you seen the episode of you know, the but Men,

0:20:27.640 --> 0:20:31.840
<v Speaker 2>the animated series where it's adapting The Dark Knight returns

0:20:31.880 --> 0:20:34.560
<v Speaker 2>and everyone's like, what are you talking about? That definitely

0:20:34.600 --> 0:20:38.800
<v Speaker 2>never happened. Aha, it did in the Legends of the

0:20:38.880 --> 0:20:41.760
<v Speaker 2>Dark Knight, which I think is a really really clever idea.

0:20:41.880 --> 0:20:45.320
<v Speaker 2>This is veering into an interesting different territory here where

0:20:45.640 --> 0:20:48.840
<v Speaker 2>the show was relaunched in what I believe would be

0:20:48.880 --> 0:20:52.680
<v Speaker 2>its third season as The New Batman Adventures, and it's

0:20:52.680 --> 0:20:55.560
<v Speaker 2>still just as great. It's as it's basically run as

0:20:55.600 --> 0:20:57.480
<v Speaker 2>like season three if you watch it now, I believe

0:20:57.520 --> 0:21:01.440
<v Speaker 2>it's streaming on Amazon Prime, but basically it looks it's

0:21:01.600 --> 0:21:05.360
<v Speaker 2>three kids who are reading the Gotham Gazette and they're

0:21:05.400 --> 0:21:10.040
<v Speaker 2>reading about criminals and they basically kind of see they

0:21:10.040 --> 0:21:12.600
<v Speaker 2>think they can see Batman in a photograph, and they

0:21:12.640 --> 0:21:20.600
<v Speaker 2>start having this conversation where essentially they talk about different

0:21:20.680 --> 0:21:24.360
<v Speaker 2>eras of Batman, and then it is adapted as they

0:21:24.400 --> 0:21:29.919
<v Speaker 2>talk about them in the style of an old Batman comic.

0:21:30.000 --> 0:21:32.199
<v Speaker 2>And you do get the most memorable thing here, and

0:21:32.240 --> 0:21:35.600
<v Speaker 2>this is Bruce tim episode Robert Goodman, directed by Dan Reebar.

0:21:35.960 --> 0:21:40.199
<v Speaker 2>You get this feeling here of a future of an

0:21:40.240 --> 0:21:43.440
<v Speaker 2>animated series that never existed where this is all they

0:21:43.480 --> 0:21:46.560
<v Speaker 2>do and it's so great. And obviously there's a girl

0:21:46.600 --> 0:21:48.600
<v Speaker 2>called Carrie who's one of the people. There's a boy

0:21:48.640 --> 0:21:52.080
<v Speaker 2>called Nick, a guy called Matt Anna. Matt's telling a

0:21:52.080 --> 0:21:55.000
<v Speaker 2>story about his uncle and he's seeing a kind of

0:21:55.040 --> 0:21:59.960
<v Speaker 2>more of like a Golden age sort of Joker and Batman,

0:22:00.040 --> 0:22:03.840
<v Speaker 2>and then yeah, fifties, and then there's Nick and he

0:22:03.960 --> 0:22:06.160
<v Speaker 2>kind of tells more of like a Silver age one.

0:22:06.200 --> 0:22:10.399
<v Speaker 2>But obviously the one that we always remember is Carrie

0:22:10.600 --> 0:22:14.440
<v Speaker 2>kind of telling this story about a girl Robin who

0:22:14.520 --> 0:22:18.080
<v Speaker 2>is Carrie Kelly and how she gets to see the mutants.

0:22:18.119 --> 0:22:22.120
<v Speaker 2>And it's adapted in this kind of Frank Miller esque style,

0:22:22.760 --> 0:22:25.600
<v Speaker 2>which I think is really cool because even when they

0:22:25.640 --> 0:22:29.240
<v Speaker 2>did adapt the Dark Knight Returns, which Warner Brothers Animation

0:22:29.320 --> 0:22:31.560
<v Speaker 2>did a few years ago. They didn't adapt it in

0:22:31.600 --> 0:22:35.160
<v Speaker 2>Frank Miller's style. They adapted it in a much more

0:22:35.160 --> 0:22:37.600
<v Speaker 2>modern style. So here we get to kind of see

0:22:37.640 --> 0:22:42.080
<v Speaker 2>these mutant leaders. We get this huge, hulking Frank Miller Batman.

0:22:42.680 --> 0:22:46.040
<v Speaker 2>And while I feel like the memory of this is like, oh,

0:22:46.040 --> 0:22:48.480
<v Speaker 2>it's a direct adaptation, it's not. But you do get

0:22:48.520 --> 0:22:50.680
<v Speaker 2>to see the mute. It is a broadly but it's

0:22:50.720 --> 0:22:53.320
<v Speaker 2>a badly beat, like like you will see it and

0:22:53.359 --> 0:22:55.320
<v Speaker 2>you'll be like, how did they do this like this?

0:22:55.440 --> 0:22:58.320
<v Speaker 2>And I think when I was a kid, this almost

0:22:58.440 --> 0:23:00.879
<v Speaker 2>felt like it didn't exist. Like you talk about it

0:23:00.920 --> 0:23:02.640
<v Speaker 2>and people be like, no, no, man.

0:23:02.720 --> 0:23:05.080
<v Speaker 1>I did not see this live and it was one

0:23:05.160 --> 0:23:07.280
<v Speaker 1>that I heard about and I was like, exactly do that.

0:23:07.400 --> 0:23:09.879
<v Speaker 2>You're like, didn't do that. But I think this is

0:23:09.960 --> 0:23:15.000
<v Speaker 2>a great example one of trusting a creative team when

0:23:15.040 --> 0:23:17.119
<v Speaker 2>they do something different, because there was a lot of

0:23:17.160 --> 0:23:20.600
<v Speaker 2>scandal when the New Batman Adventures came out, especially because

0:23:20.600 --> 0:23:23.920
<v Speaker 2>they were adding Batgirl as like one of the main three,

0:23:24.240 --> 0:23:28.040
<v Speaker 2>and but honestly, it's such a good episode. It's so

0:23:28.240 --> 0:23:34.520
<v Speaker 2>much fun. It is a really cool, exciting kind of

0:23:34.640 --> 0:23:37.800
<v Speaker 2>reminder of what can be done when you look directly

0:23:37.840 --> 0:23:40.080
<v Speaker 2>at the comics, and I will say something I think

0:23:40.119 --> 0:23:43.520
<v Speaker 2>that really stands out about and the animated series is

0:23:43.560 --> 0:23:46.640
<v Speaker 2>a lot of times like Heart of Ice, I would

0:23:46.720 --> 0:23:50.840
<v Speaker 2>rather that they went crazy and just changed stuff and

0:23:51.280 --> 0:23:54.560
<v Speaker 2>did their own version. But occasionally if you dip your

0:23:54.600 --> 0:23:56.919
<v Speaker 2>toe back in and kind of do something like this

0:23:57.080 --> 0:24:02.040
<v Speaker 2>that's so interesting and so visually different and really harks

0:24:02.080 --> 0:24:04.440
<v Speaker 2>back to the comics, that can be equally as good.

0:24:04.520 --> 0:24:06.520
<v Speaker 2>So I think this is a really fun one and

0:24:06.600 --> 0:24:09.440
<v Speaker 2>also just a great reminder that even though a lot

0:24:09.440 --> 0:24:11.359
<v Speaker 2>of our picks are from the first season, which I

0:24:11.400 --> 0:24:14.800
<v Speaker 2>do think is honestly a perfect season of TV, there

0:24:14.880 --> 0:24:18.119
<v Speaker 2>is great stuff later on and this is This is

0:24:18.119 --> 0:24:19.879
<v Speaker 2>one of my favorite episodes, and it's one that I

0:24:19.920 --> 0:24:22.199
<v Speaker 2>love to show people because when you get to that

0:24:22.240 --> 0:24:26.320
<v Speaker 2>Frank Miller kind of imaginary tale where they're like, oh,

0:24:26.359 --> 0:24:29.040
<v Speaker 2>this is what Batman's like, everyone's like, whoa like the

0:24:29.119 --> 0:24:31.479
<v Speaker 2>Dark Knight. This is so cool. It just it's definitely

0:24:31.520 --> 0:24:34.240
<v Speaker 2>one of those coolest, coolest episodes.

0:24:35.119 --> 0:24:38.280
<v Speaker 1>My next episode is a two parter. It is two

0:24:38.359 --> 0:24:42.920
<v Speaker 1>Face parts one and two. This tells the origin story

0:24:43.200 --> 0:24:48.280
<v Speaker 1>of Harvey Dent's turn to two face. The Harvey we

0:24:48.320 --> 0:24:54.000
<v Speaker 1>meet is already struggling, struggling mightily with anger control issues,

0:24:54.040 --> 0:24:58.080
<v Speaker 1>Like he's liable to just like pop off the drop

0:24:58.119 --> 0:24:58.760
<v Speaker 1>of a hat.

0:24:59.160 --> 0:25:03.000
<v Speaker 2>Actually so much, very very similar to the Harvey that

0:25:03.000 --> 0:25:06.800
<v Speaker 2>we get in Cape Crusader. Actually very very similar. Yeah,

0:25:06.840 --> 0:25:10.320
<v Speaker 2>a pre two faced Harvey who's still like is already there.

0:25:10.720 --> 0:25:14.119
<v Speaker 1>Yeah, he's in the midst of a case against a

0:25:14.119 --> 0:25:21.439
<v Speaker 1>mob boss, Thorn, and Thorn knows that Harvey has mental

0:25:21.440 --> 0:25:26.520
<v Speaker 1>health issues and is like actively trying to exacerbate them.

0:25:26.840 --> 0:25:29.560
<v Speaker 1>Harvey has been waiting for like the sting operation that's

0:25:29.560 --> 0:25:31.879
<v Speaker 1>going to like get the evidence that he needs to

0:25:31.960 --> 0:25:34.080
<v Speaker 1>really convict Thorn. But it turns out all to be

0:25:34.160 --> 0:25:38.080
<v Speaker 1>like a setup that Thorn manipulated it, and it drives

0:25:38.119 --> 0:25:42.119
<v Speaker 1>Harvey over the edge. Eventually there's a shootout like in

0:25:42.160 --> 0:25:46.400
<v Speaker 1>a in a chemical factory, and there's an explosion and

0:25:46.680 --> 0:25:50.000
<v Speaker 1>Harvey's face is burned. That's the end of part one.

0:25:50.160 --> 0:25:53.240
<v Speaker 1>There's when you know, there's a shoot at he falls down,

0:25:53.320 --> 0:25:57.199
<v Speaker 1>the electrical wires like fall on him. There's an explosion,

0:25:57.240 --> 0:25:59.199
<v Speaker 1>and then Batman comes up. You don't see anything but

0:25:59.240 --> 0:26:04.360
<v Speaker 1>Batman just says, oh, no, Harvey, you know it must

0:26:04.400 --> 0:26:07.160
<v Speaker 1>be bad. And then there's also like a very very

0:26:07.160 --> 0:26:09.960
<v Speaker 1>funny moment where the doctor is like taking the band

0:26:10.560 --> 0:26:12.760
<v Speaker 1>the doctor's like there might be some scarring.

0:26:14.640 --> 0:26:17.440
<v Speaker 2>But then like the medical team who removed the bandages.

0:26:20.840 --> 0:26:24.280
<v Speaker 2>This very unprofessional guys. He's very unprofessional.

0:26:24.760 --> 0:26:27.920
<v Speaker 1>Also, I want to say that like this is actually

0:26:28.520 --> 0:26:30.719
<v Speaker 1>and I mean this I joke. I joked about this

0:26:30.760 --> 0:26:33.879
<v Speaker 1>on a podcast I did with Chase six Trophies recent

0:26:33.880 --> 0:26:36.960
<v Speaker 1>podcast we did about the Dark Knight movie. Oh, I

0:26:37.119 --> 0:26:42.120
<v Speaker 1>joke about Harvey's gambling addiction. But like it's right up

0:26:42.160 --> 0:26:44.520
<v Speaker 1>front and center. This is a guy who has a

0:26:44.920 --> 0:26:49.600
<v Speaker 1>he was in the grips of a terrible, terrible gambling addiction.

0:26:49.720 --> 0:26:53.480
<v Speaker 1>Like he can't stop, he can't stop. He's talking about

0:26:53.480 --> 0:26:56.760
<v Speaker 1>the odds all the time. He's like, it's actually like

0:26:57.000 --> 0:27:01.359
<v Speaker 1>Pemmy recovery. Yes he needs it. And then part two

0:27:01.680 --> 0:27:07.320
<v Speaker 1>is Harvey's complete turn to to you know, big bad Harvey,

0:27:07.680 --> 0:27:11.280
<v Speaker 1>to the dark side, to two face. He's got Henchman

0:27:11.440 --> 0:27:16.840
<v Speaker 1>now you know, he's he's doing crimes. Batman meanwhile, is

0:27:17.440 --> 0:27:20.359
<v Speaker 1>like just torn up over the fact that he couldn't

0:27:20.400 --> 0:27:22.520
<v Speaker 1>help Harvey like he all he wants to do is help.

0:27:22.560 --> 0:27:25.840
<v Speaker 1>Harvey keeps telling him like there's nothing wrong with asking

0:27:25.880 --> 0:27:28.440
<v Speaker 1>for help, like we can get you help, Like, yeah,

0:27:28.560 --> 0:27:32.199
<v Speaker 1>we can do it. You know. Eventually, Harvey captures Thorn

0:27:32.640 --> 0:27:35.439
<v Speaker 1>and is going to kill him, but the good side

0:27:35.440 --> 0:27:38.440
<v Speaker 1>of him pulls him back from the brink when he

0:27:38.480 --> 0:27:41.080
<v Speaker 1>sees like a picture of like a regular life and

0:27:41.119 --> 0:27:44.800
<v Speaker 1>like a normal like family, and he's like, oh God,

0:27:45.280 --> 0:27:47.960
<v Speaker 1>and he manages to not do it, and he gets captured,

0:27:48.000 --> 0:27:51.240
<v Speaker 1>and of course, you know, Bruce puts him in Arkham

0:27:51.760 --> 0:27:55.879
<v Speaker 1>and then there's this really bitterscream moment where like, you know,

0:27:55.960 --> 0:27:58.840
<v Speaker 1>he's looking at his friend that he's now captured, and

0:27:58.880 --> 0:28:03.520
<v Speaker 1>you could feel that he's like he takes it personally

0:28:03.560 --> 0:28:06.680
<v Speaker 1>that he as a personal failure that he wasn't able

0:28:07.200 --> 0:28:10.680
<v Speaker 1>to help help Harvey. And there's just like a lot

0:28:10.840 --> 0:28:12.840
<v Speaker 1>like there's a lot of funny stuff too, but I

0:28:12.880 --> 0:28:19.320
<v Speaker 1>think it's like a very it's a shockingly nuanced depiction

0:28:19.440 --> 0:28:22.360
<v Speaker 1>of like mental health issues. Yeah, a cartoon.

0:28:22.800 --> 0:28:24.680
<v Speaker 2>Yeah. I think they just did a really good job

0:28:25.040 --> 0:28:27.760
<v Speaker 2>with bringing this to life. They do a great job

0:28:27.760 --> 0:28:30.119
<v Speaker 2>with villains in this. My next pick is also a villain.

0:28:30.960 --> 0:28:35.159
<v Speaker 2>But I just think that this episode showcases that like

0:28:35.359 --> 0:28:38.320
<v Speaker 2>soft touch, that that kindness. Also the fact that they

0:28:38.400 --> 0:28:40.680
<v Speaker 2>chose to make it a two part episode. They wanted

0:28:40.720 --> 0:28:43.080
<v Speaker 2>to give it the time so you could see Harvey,

0:28:43.160 --> 0:28:45.360
<v Speaker 2>you could see who he was before, you can see

0:28:45.360 --> 0:28:48.800
<v Speaker 2>who he is after. And once again, it's that soft

0:28:48.840 --> 0:28:51.080
<v Speaker 2>side of Batman that you were talking about, where he

0:28:51.200 --> 0:28:53.840
<v Speaker 2>is kind of more devastated by the fact he couldn't

0:28:53.920 --> 0:28:57.920
<v Speaker 2>help than he is by anything else that happens.

0:28:58.320 --> 0:29:00.560
<v Speaker 1>Yeah, he doesn't like beat the shit up of Harvey.

0:29:00.640 --> 0:29:05.200
<v Speaker 1>He takes his He takes his lucky coin and replaces

0:29:05.200 --> 0:29:07.920
<v Speaker 1>it with a big bag of like other coins. That

0:29:08.120 --> 0:29:12.600
<v Speaker 1>is the thing that like allows Harvey. Harvey just becomes

0:29:12.640 --> 0:29:16.560
<v Speaker 1>like completely submerged in his own like mania at that

0:29:16.600 --> 0:29:19.240
<v Speaker 1>point when he can't find his coin, that like Batman's

0:29:19.280 --> 0:29:23.320
<v Speaker 1>able to scoop him up. Yeah, like without violence essentially.

0:29:23.400 --> 0:29:25.560
<v Speaker 2>M Yeah, that's a really good point.

0:29:25.600 --> 0:29:40.120
<v Speaker 1>Actually, we'll be right back after a quick brick and

0:29:40.160 --> 0:29:41.520
<v Speaker 1>we're back. What's your next one?

0:29:41.600 --> 0:29:43.400
<v Speaker 2>Okay, So my next one, which I do think is

0:29:43.400 --> 0:29:48.600
<v Speaker 2>one of the most impactful episodes canonically of the series,

0:29:48.920 --> 0:29:53.360
<v Speaker 2>is Holly and Ivy. This is such a great episode.

0:29:53.440 --> 0:29:56.680
<v Speaker 2>I believe Paul Danny pitched it as like, well, if

0:29:56.720 --> 0:29:59.400
<v Speaker 2>we did Thelma and Louise, but with Poison Ivy and

0:29:59.400 --> 0:30:03.240
<v Speaker 2>Holly Quinn, I mean, who doesn't want that? Also January eighteenth,

0:30:03.360 --> 0:30:06.080
<v Speaker 2>nineteen ninety three, this is the first time that we

0:30:06.200 --> 0:30:09.360
<v Speaker 2>get that Harley Ivy team up that now obviously has

0:30:09.480 --> 0:30:14.120
<v Speaker 2>become iconic. It's become a relationship, it's spawned TV shows.

0:30:14.480 --> 0:30:16.560
<v Speaker 2>I'm sure in the dream it would spawn movies, and

0:30:16.640 --> 0:30:19.720
<v Speaker 2>of course it inspired comic series like Gotham City Sirens

0:30:20.320 --> 0:30:25.320
<v Speaker 2>and basically like Jokers Fleeing Batman, Harley's in the driver's seat,

0:30:25.400 --> 0:30:28.479
<v Speaker 2>she doesn't do what he wants, and he basically like

0:30:28.680 --> 0:30:32.280
<v Speaker 2>fires her, and she's like, okay, fine, She's like I'm out,

0:30:32.720 --> 0:30:35.719
<v Speaker 2>and she decides she's gonna take over from the Joker

0:30:35.760 --> 0:30:40.000
<v Speaker 2>and she's gonna do a heist, and eventually she kind

0:30:40.000 --> 0:30:43.840
<v Speaker 2>of gets entangled with Poison Ivy and they start to

0:30:43.960 --> 0:30:46.640
<v Speaker 2>kind of team up, and as Ivy says, this could

0:30:46.680 --> 0:30:49.040
<v Speaker 2>be the beginning of a beautiful friendship. And we get

0:30:49.120 --> 0:30:52.640
<v Speaker 2>some really interesting law here too, because I'm sure this

0:30:52.800 --> 0:30:57.920
<v Speaker 2>was just a storytelling kind of narrative trick. Because Ivy

0:30:58.160 --> 0:31:04.120
<v Speaker 2>gives Harley an injection that allows her to kind of

0:31:04.200 --> 0:31:09.040
<v Speaker 2>avoid it simulates like Ivy's own immunity to toxins, right,

0:31:10.000 --> 0:31:12.040
<v Speaker 2>And that's so that she can just like hang out

0:31:12.120 --> 0:31:15.560
<v Speaker 2>in her area. She can hang out in the Ivy layer.

0:31:15.920 --> 0:31:17.800
<v Speaker 1>But she can hold she can hold the little pots,

0:31:17.960 --> 0:31:19.280
<v Speaker 1>she can hold the little pods.

0:31:19.360 --> 0:31:22.920
<v Speaker 2>But that in the show and in the comics becomes

0:31:23.000 --> 0:31:27.040
<v Speaker 2>canon to a why Harley can survive great falls, why

0:31:27.080 --> 0:31:30.560
<v Speaker 2>she has extra strength, why her and Ivy end up

0:31:30.560 --> 0:31:33.720
<v Speaker 2>being so close because they have these shared powers. We

0:31:33.880 --> 0:31:37.560
<v Speaker 2>also get a lot of moments that I think start

0:31:37.800 --> 0:31:41.560
<v Speaker 2>to ironically years before the comics would deal with this.

0:31:41.640 --> 0:31:46.080
<v Speaker 2>You're talking about almost twenty years before the comics would

0:31:46.080 --> 0:31:50.080
<v Speaker 2>deal with this. Ivy tells Harley off, She's like the

0:31:50.160 --> 0:31:53.040
<v Speaker 2>Joker's an abuser. You got to leave him, Like, what

0:31:53.440 --> 0:31:55.760
<v Speaker 2>the point of this? No, he's not he's a great guy.

0:31:56.080 --> 0:31:57.120
<v Speaker 2>Or he's a great guy.

0:31:57.560 --> 0:31:59.280
<v Speaker 1>Am I am I a pushover?

0:32:00.840 --> 0:32:04.440
<v Speaker 2>Also, this is old school Harley, which means you have

0:32:04.680 --> 0:32:10.520
<v Speaker 2>Arlene Sorkin voicing Harley. Arlene Sorkin who was the inspiration

0:32:10.800 --> 0:32:16.320
<v Speaker 2>for Harley Quinn after Bruce tim saw an episode of

0:32:16.360 --> 0:32:18.560
<v Speaker 2>the old sitcom she was in where she was dressed

0:32:18.600 --> 0:32:21.760
<v Speaker 2>as a clown. And then they got Arleene Sorkin to

0:32:21.960 --> 0:32:24.520
<v Speaker 2>it during like a dream sequence, and they got Arleene

0:32:24.520 --> 0:32:27.520
<v Speaker 2>Sorkin to come and voice Harley, so you're getting that

0:32:27.640 --> 0:32:32.400
<v Speaker 2>old school Harley. And there's a great moment where at

0:32:32.400 --> 0:32:34.960
<v Speaker 2>the end when they're kind of fleeing Thelma and Louise

0:32:35.040 --> 0:32:38.640
<v Speaker 2>style poison Ivy says she's like, no man can take

0:32:38.720 --> 0:32:41.840
<v Speaker 2>us prisoner. And then Rene Montoya, who is a woman,

0:32:42.520 --> 0:32:45.880
<v Speaker 2>she disables their car and they get sent to Arkham Asylum,

0:32:45.920 --> 0:32:49.600
<v Speaker 2>you know, and this is, yeah, it's just so good.

0:32:49.640 --> 0:32:53.360
<v Speaker 2>It sets up I think this antagonism, this friendship, this

0:32:53.520 --> 0:32:57.280
<v Speaker 2>romance that probably at this point a lot of fans

0:32:57.600 --> 0:33:02.800
<v Speaker 2>hadn't even really considered, and it is a massive reset

0:33:02.880 --> 0:33:08.000
<v Speaker 2>for both characters. It continues on, especially in New Batman Adventures.

0:33:08.320 --> 0:33:11.800
<v Speaker 2>They do a lot of uh, kind of back together

0:33:12.200 --> 0:33:15.680
<v Speaker 2>episodes with the par of them. But it's really, yeah,

0:33:15.720 --> 0:33:17.560
<v Speaker 2>it's just I think it's such a great episode and

0:33:17.640 --> 0:33:21.360
<v Speaker 2>so hugely influential, huge on the comics.

0:33:22.320 --> 0:33:24.680
<v Speaker 1>My it's a great lead in for my next one,

0:33:25.120 --> 0:33:28.840
<v Speaker 1>which is Joker's Favor, which, of course first the introduction

0:33:29.040 --> 0:33:33.400
<v Speaker 1>of Harley Quinn in a pre Harley Quinn kind of look.

0:33:34.040 --> 0:33:38.600
<v Speaker 1>She's more just kind of like jokers lead assistant slash Henchy.

0:33:39.320 --> 0:33:42.280
<v Speaker 1>It's got such a fun opening, Like there's this just

0:33:42.360 --> 0:33:45.200
<v Speaker 1>normal citizen of Gotham who's like having a road rage.

0:33:45.760 --> 0:33:48.840
<v Speaker 1>It's like driving around when he like has a road

0:33:48.880 --> 0:33:51.720
<v Speaker 1>rate incident against the Joker, who also is just driving

0:33:51.720 --> 0:33:55.920
<v Speaker 1>around like a like a station wagon with with his

0:33:56.080 --> 0:33:58.240
<v Speaker 1>like luggage upped up. I guess he was like going

0:33:58.280 --> 0:34:00.440
<v Speaker 1>to the like out of town to go like relax.

0:34:01.240 --> 0:34:03.360
<v Speaker 1>The guy sees that it's a joker and tries to flee,

0:34:03.400 --> 0:34:05.880
<v Speaker 1>but the Joker catches him and is like, Okay, I'm

0:34:05.920 --> 0:34:09.759
<v Speaker 1>not gonna kill you, but I'm going to ask you

0:34:09.840 --> 0:34:12.080
<v Speaker 1>for a favor. You know, at some point he's going

0:34:12.120 --> 0:34:14.239
<v Speaker 1>to come back and he's gonna say and he's gonna say,

0:34:14.239 --> 0:34:15.719
<v Speaker 1>you owe me, so you have to do this thing.

0:34:16.239 --> 0:34:20.480
<v Speaker 1>And years pass in which this guy Charlie is like

0:34:20.480 --> 0:34:24.239
<v Speaker 1>like on edge wondering when's the fucking Joker gonna come back?

0:34:24.640 --> 0:34:25.520
<v Speaker 2>So scary.

0:34:25.960 --> 0:34:33.120
<v Speaker 1>Yes, Well, the Joker shows back up years later and

0:34:33.160 --> 0:34:37.960
<v Speaker 1>he wants Charlie's help taking down Commisser Gordon at like

0:34:38.080 --> 0:34:41.759
<v Speaker 1>a big party at the police station. Uh, Charlie doesn't

0:34:41.800 --> 0:34:43.640
<v Speaker 1>want to do it, but like he does it, and

0:34:43.719 --> 0:34:50.320
<v Speaker 1>the plan involves the Joker inside of a cake showing

0:34:50.400 --> 0:34:55.240
<v Speaker 1>up at this party. You know, Batman shows up too.

0:34:56.000 --> 0:34:59.920
<v Speaker 1>There's like a little bit of a scuffle. The Joke,

0:35:00.719 --> 0:35:06.520
<v Speaker 1>with Harley's help, manages to like subdue all of the

0:35:07.760 --> 0:35:12.600
<v Speaker 1>police notables, including Commissioner Gordon. They hang like a time

0:35:12.640 --> 0:35:16.440
<v Speaker 1>bomb around like Commissioner Gordon's neck, but Batman manages to

0:35:16.520 --> 0:35:20.400
<v Speaker 1>do away with that, chases down the Joker. They have

0:35:20.480 --> 0:35:24.640
<v Speaker 1>this big fight like in this museum wonderful museum exhibit

0:35:24.680 --> 0:35:27.520
<v Speaker 1>that like comes to life, and at the end of it,

0:35:27.640 --> 0:35:33.640
<v Speaker 1>of course, Batman takes a Joker in and Charlie is

0:35:33.719 --> 0:35:37.560
<v Speaker 1>able to like live a life feeling secure now that

0:35:37.640 --> 0:35:41.200
<v Speaker 1>the Joker has been put away. It's just like a

0:35:41.280 --> 0:35:45.120
<v Speaker 1>it's just a wonderful, action packed episode. Like there's really

0:35:45.160 --> 0:35:49.200
<v Speaker 1>like a lot of really cool fun set pieces, and

0:35:49.800 --> 0:35:53.920
<v Speaker 1>it shows you because the Joker is played as really

0:35:54.120 --> 0:35:57.719
<v Speaker 1>fun for a lot of the series, but I think

0:35:57.719 --> 0:36:02.239
<v Speaker 1>he's so in this one, even though there's that kind

0:36:02.239 --> 0:36:08.480
<v Speaker 1>of light hearted edge, because he's like really putting Charlie

0:36:08.640 --> 0:36:12.200
<v Speaker 1>through it. For years. This guy's fearing for his life

0:36:12.239 --> 0:36:14.719
<v Speaker 1>for his family's life. At one point, the Joker's like, well,

0:36:14.760 --> 0:36:18.440
<v Speaker 1>I'm gonna kill your family, like if you don't help me.

0:36:19.200 --> 0:36:25.240
<v Speaker 1>And it's so twisted and really evil of the Joker,

0:36:26.760 --> 0:36:28.640
<v Speaker 1>and it's that's something I really love about it, in

0:36:28.640 --> 0:36:32.240
<v Speaker 1>addition to, of course the fact that it's a landmark

0:36:32.280 --> 0:36:36.000
<v Speaker 1>episode because of the introduction of Harley Quinn, who is

0:36:36.160 --> 0:36:40.000
<v Speaker 1>now a major character for DC Comics, both in the

0:36:40.080 --> 0:36:43.640
<v Speaker 1>movies and television and in the comics themselves.

0:36:43.960 --> 0:36:45.879
<v Speaker 2>Yeah, and one of the few times that we've ever

0:36:45.920 --> 0:36:49.200
<v Speaker 2>had a character who has introduced in animation that comes

0:36:49.239 --> 0:36:51.400
<v Speaker 2>over and becomes like, I mean, they call her the

0:36:51.440 --> 0:36:54.799
<v Speaker 2>fourth Pillar of DC. Now, along Batman, Superman, Wonder Woman,

0:36:55.320 --> 0:36:57.960
<v Speaker 2>it's Harlee. You know, that who gets the TV shows,

0:36:57.960 --> 0:37:00.920
<v Speaker 2>that who gets her own movies. That's she always has

0:37:00.960 --> 0:37:04.120
<v Speaker 2>an ongoing series. And she was written as a throwaway

0:37:04.200 --> 0:37:07.360
<v Speaker 2>character here, kind of something fun and different to do

0:37:07.440 --> 0:37:11.480
<v Speaker 2>for a henchman, but instead she became so beloved that

0:37:11.719 --> 0:37:14.600
<v Speaker 2>they had to keep her on and I just think

0:37:14.719 --> 0:37:16.840
<v Speaker 2>it's so cool and also as well, this is just

0:37:16.880 --> 0:37:19.040
<v Speaker 2>a great episode. I mean, you could do we could

0:37:19.080 --> 0:37:21.239
<v Speaker 2>do a whole episode of X ray where we just

0:37:21.280 --> 0:37:22.680
<v Speaker 2>talk about Joker episodes.

0:37:23.160 --> 0:37:26.120
<v Speaker 1>Yeah, I love it so brilliant, Mark Campbell, I love

0:37:26.160 --> 0:37:27.600
<v Speaker 1>the Joker. He's wonderful.

0:37:28.080 --> 0:37:31.359
<v Speaker 2>And my next episode is a Jokeer episode, which is

0:37:31.640 --> 0:37:34.080
<v Speaker 2>this is this is the one I watch every year

0:37:34.080 --> 0:37:37.400
<v Speaker 2>at Christmas. It's part of my Christmas watching that I

0:37:37.400 --> 0:37:39.840
<v Speaker 2>always do to get myself in the spirit of things,

0:37:39.880 --> 0:37:43.880
<v Speaker 2>including the Star Wars Holiday Special, which is you know, terrible,

0:37:44.000 --> 0:37:46.640
<v Speaker 2>This is not terrible, this is wonderful. And this was

0:37:46.680 --> 0:37:49.439
<v Speaker 2>like I think the second episode ever of the show,

0:37:49.520 --> 0:37:53.520
<v Speaker 2>depending on air date, run time that you watch. And

0:37:53.600 --> 0:37:55.799
<v Speaker 2>this is the first appearance of the Joker with Mark

0:37:55.840 --> 0:37:59.319
<v Speaker 2>Hamill obviously legendary and he would go on to like

0:37:59.400 --> 0:38:04.560
<v Speaker 2>voice the Joke movies in video games, also Dick Grayson's

0:38:04.600 --> 0:38:08.239
<v Speaker 2>first appearance in the series, and basically like it's so

0:38:08.400 --> 0:38:11.600
<v Speaker 2>good because Joker escapes from Arkhamosilum using a rocket hidden

0:38:11.600 --> 0:38:15.239
<v Speaker 2>inside a Christmas the tree. So love the theming, Like

0:38:15.320 --> 0:38:18.080
<v Speaker 2>he's always he's always on theme. He's like, it's Christmas, guys,

0:38:18.320 --> 0:38:22.040
<v Speaker 2>we gotta gotta make this fun. So Batman forces Robin

0:38:22.160 --> 0:38:25.840
<v Speaker 2>to go outside and you know, be on the streets

0:38:25.840 --> 0:38:28.879
<v Speaker 2>of Gotham patrolling, and Robin just wants to stay home

0:38:29.000 --> 0:38:31.279
<v Speaker 2>and enjoy Christmas, which you know, I can relate. He

0:38:31.280 --> 0:38:33.399
<v Speaker 2>wants to get into the spirit of things. Alfred would

0:38:33.400 --> 0:38:36.399
<v Speaker 2>probably also rather that. But they go out and it's like, wow,

0:38:37.520 --> 0:38:41.680
<v Speaker 2>perfect Gotham night, peaceful, no problems. Where's the Joker, don't know,

0:38:41.800 --> 0:38:43.759
<v Speaker 2>Let's just go home. They're like, let's just go home

0:38:44.200 --> 0:38:48.680
<v Speaker 2>and watch TV. Let's just watch It's a wonderful life. Alas,

0:38:48.880 --> 0:38:53.240
<v Speaker 2>the Joker is revealed has like taken over the Gotham

0:38:53.440 --> 0:38:57.520
<v Speaker 2>airwaves and he's gonna do a Christmas special featuring all

0:38:57.560 --> 0:39:00.320
<v Speaker 2>these different people that he's kidnapp commissioned.

0:39:01.000 --> 0:39:04.480
<v Speaker 1>Special is so great. He's he's in shadow, He's like

0:39:04.600 --> 0:39:08.800
<v Speaker 1>laying on the Mandela and then like the lights colored Joker.

0:39:09.239 --> 0:39:13.880
<v Speaker 2>It's like really old school, like Disney, those Wonderful World

0:39:13.960 --> 0:39:16.799
<v Speaker 2>of Disney specials, that what Disney used to do. And

0:39:16.840 --> 0:39:23.640
<v Speaker 2>this is like a truly epic episode where you also

0:39:23.680 --> 0:39:30.719
<v Speaker 2>get this outrageous like Christmas toy massacre kind of like

0:39:30.760 --> 0:39:34.719
<v Speaker 2>there's there's Donner and Blitzen and they have machine guns.

0:39:35.440 --> 0:39:38.319
<v Speaker 2>And I just want to say, for whatever people have

0:39:38.400 --> 0:39:40.200
<v Speaker 2>issues with the Joker. Is he a sociopath?

0:39:40.360 --> 0:39:40.640
<v Speaker 1>Yes?

0:39:40.960 --> 0:39:43.439
<v Speaker 2>Is he crazy? Yes? Is he always killing people. Yes.

0:39:43.480 --> 0:39:45.759
<v Speaker 2>Should the Batman probably have put him out of his

0:39:45.800 --> 0:39:47.920
<v Speaker 2>misery a long time ago, Yes, But one thing I

0:39:47.920 --> 0:39:53.040
<v Speaker 2>will say that Man he commits to a theme, like

0:39:53.239 --> 0:39:56.520
<v Speaker 2>everything in this is the most Christmas themed villainy. He

0:39:56.560 --> 0:39:59.800
<v Speaker 2>must have been planning this for like years, years and

0:40:00.080 --> 0:40:02.759
<v Speaker 2>years and years and years. And he's also bringing some

0:40:02.800 --> 0:40:04.880
<v Speaker 2>of the old school Joker things you want to see,

0:40:04.920 --> 0:40:09.080
<v Speaker 2>like he's hanging people over a vat of like molten plastic,

0:40:09.120 --> 0:40:11.759
<v Speaker 2>which kind of is akin to the acid. It's just

0:40:11.840 --> 0:40:13.640
<v Speaker 2>so much fun that I can watch this episode a

0:40:13.640 --> 0:40:18.040
<v Speaker 2>million times. It definitely gives me a feeling of when

0:40:18.080 --> 0:40:20.640
<v Speaker 2>I watched it, like as a kid. Also at Christmas

0:40:20.640 --> 0:40:24.120
<v Speaker 2>and Batman are intrinsically connected to me because one of

0:40:24.160 --> 0:40:26.200
<v Speaker 2>my first memories, probably from when I was about two

0:40:26.280 --> 0:40:30.320
<v Speaker 2>years old, is watching the scene where the Jack Nicholson

0:40:30.360 --> 0:40:32.720
<v Speaker 2>Joker falls in the acid when I was like two

0:40:33.320 --> 0:40:35.719
<v Speaker 2>at my uncle's house where they we must have been

0:40:35.719 --> 0:40:37.680
<v Speaker 2>having a family Christmas and I was sitting and I

0:40:37.719 --> 0:40:40.520
<v Speaker 2>was watching it in the reflection of the window. So

0:40:40.719 --> 0:40:46.600
<v Speaker 2>I love Batman, I love Christmas. And eventually Dick Grayson

0:40:46.719 --> 0:40:50.399
<v Speaker 2>and Bruce Wayne do get to go and enjoy it's

0:40:50.400 --> 0:40:52.920
<v Speaker 2>a wonderful life and it is. It manages to be

0:40:53.000 --> 0:40:57.320
<v Speaker 2>both action packed and super cozy and kind of holiday

0:40:57.480 --> 0:41:00.440
<v Speaker 2>ish thanks to the wonderful work of The Joker and

0:41:00.560 --> 0:41:06.879
<v Speaker 2>obviously super seminole, because Mark Hamill as the Joker is

0:41:07.000 --> 0:41:08.439
<v Speaker 2>one of the best castings of all.

0:41:08.480 --> 0:41:10.760
<v Speaker 1>He sings, he sings jingle bells.

0:41:11.040 --> 0:41:14.400
<v Speaker 2>Yeah, and he's singing deck the Holes and at the

0:41:14.520 --> 0:41:19.040
<v Speaker 2>end he's just like Merry Christmas, Like Merry Christmas. And

0:41:19.080 --> 0:41:21.840
<v Speaker 2>you know this sets up how much he loves to

0:41:21.920 --> 0:41:26.359
<v Speaker 2>be having fun with Batman, Like those two just love

0:41:26.960 --> 0:41:31.239
<v Speaker 2>to be playing with each other and doing these kind of.

0:41:32.680 --> 0:41:37.640
<v Speaker 1>Sick relationship that is not a it's kind of a

0:41:37.680 --> 0:41:43.600
<v Speaker 1>warm one. That leads me to my next episode, Joker's Wild. Now,

0:41:44.239 --> 0:41:48.400
<v Speaker 1>watching this Joker is like the Michael Jordan of escaping

0:41:48.440 --> 0:41:51.920
<v Speaker 1>from Arkham. Oh he he never can do it. He

0:41:51.960 --> 0:41:53.080
<v Speaker 1>can do it at will.

0:41:56.280 --> 0:41:59.320
<v Speaker 2>A Christmas tree and a rocket like That's that already

0:41:59.360 --> 0:42:01.960
<v Speaker 2>is setting him up as the MVP of escaping.

0:42:02.280 --> 0:42:05.400
<v Speaker 1>Never dare him to escape Arkham, because he will. So

0:42:05.640 --> 0:42:09.399
<v Speaker 1>in this episode, the Joker's like sitting around Arkham. He's

0:42:09.400 --> 0:42:13.200
<v Speaker 1>watching TV with other I think Mad Hatter is there

0:42:13.360 --> 0:42:15.680
<v Speaker 1>and like They're just like sitting on the couch watching television,

0:42:16.000 --> 0:42:18.680
<v Speaker 1>and there's a news report that a new casino is open.

0:42:18.719 --> 0:42:21.759
<v Speaker 1>It's called Jokers Wild, and it very very clearly infringes

0:42:21.800 --> 0:42:26.400
<v Speaker 1>on the Joker's trademark look and is you know, quite

0:42:26.440 --> 0:42:30.959
<v Speaker 1>clearly trading on the notoriety of the Joker in order

0:42:31.000 --> 0:42:35.360
<v Speaker 1>to draw people in. And the owner of the casino,

0:42:35.920 --> 0:42:41.080
<v Speaker 1>Cameron Kaiser, is it publicly He's like, no, what I

0:42:41.120 --> 0:42:46.640
<v Speaker 1>mean clowns. Clowns are popular, and jokers in the deca

0:42:46.760 --> 0:42:49.640
<v Speaker 1>cod multiple jokers in there. What are you talking about?

0:42:49.960 --> 0:42:52.160
<v Speaker 1>Just the reference to the Joker on the deck, And

0:42:52.200 --> 0:42:54.840
<v Speaker 1>but like privately he's like, yeah, I want to provoke

0:42:54.880 --> 0:42:57.920
<v Speaker 1>the I want to provoke the Joker to attacking my

0:42:58.040 --> 0:43:02.040
<v Speaker 1>casino so I can get the insurance. Well, the Joker

0:43:02.640 --> 0:43:07.760
<v Speaker 1>sees this TV report and becomes fucking enraged and he

0:43:07.840 --> 0:43:12.880
<v Speaker 1>breaks out of Arkham that minute in a multi pronged,

0:43:13.560 --> 0:43:17.640
<v Speaker 1>like very elaborate escape attempt. He does it, no problem.

0:43:17.760 --> 0:43:22.880
<v Speaker 1>He gets there, and then he realizes at the casino

0:43:22.960 --> 0:43:24.920
<v Speaker 1>that oh wait, this is what he wants. This is

0:43:24.920 --> 0:43:28.200
<v Speaker 1>what Kaiser wants. He wants me to wreck the place instead.

0:43:28.719 --> 0:43:33.120
<v Speaker 1>I'm going to seize ownership of casino from this guy.

0:43:33.400 --> 0:43:36.839
<v Speaker 1>I'm gonna be the owner of the casino. Batman shows up.

0:43:38.200 --> 0:43:41.160
<v Speaker 1>You know, there's like the Joker is doing all sorts

0:43:41.200 --> 0:43:44.840
<v Speaker 1>of shit. He's like making it obvious that the game's

0:43:44.840 --> 0:43:47.880
<v Speaker 1>are rigged. He's like terrorizing people, He's like driving cars

0:43:48.400 --> 0:43:52.480
<v Speaker 1>through the fucking bedding floor and stuff. And eventually, of

0:43:52.520 --> 0:43:56.120
<v Speaker 1>course Batman takes not just the Joker down, but also

0:43:56.239 --> 0:44:01.879
<v Speaker 1>Kaiser for the insurance fraud. And it's great because this

0:44:02.040 --> 0:44:06.240
<v Speaker 1>is it's a cool trick that this show does a lot,

0:44:06.520 --> 0:44:10.640
<v Speaker 1>because even though the Joker is nominally the antagonist of

0:44:10.680 --> 0:44:12.120
<v Speaker 1>the show, and I just got done talking about an

0:44:12.120 --> 0:44:15.480
<v Speaker 1>episode previously where the Joker is purely evil bastard who

0:44:15.480 --> 0:44:20.040
<v Speaker 1>tortures a guy for multiple years, he's also like kind of,

0:44:21.920 --> 0:44:25.320
<v Speaker 1>you know, silently like the co lead.

0:44:25.120 --> 0:44:25.600
<v Speaker 4>Of the show.

0:44:27.320 --> 0:44:30.920
<v Speaker 1>And so they've created this episode where the there's a

0:44:30.960 --> 0:44:34.600
<v Speaker 1>different bad guy. The bad guy is this guy Kaiser, who,

0:44:35.200 --> 0:44:40.719
<v Speaker 1>if he had not provoked the Joker, would have the

0:44:40.840 --> 0:44:43.319
<v Speaker 1>Joker would have remained in Arkham yea. And so it's

0:44:43.320 --> 0:44:46.719
<v Speaker 1>this really cool balancing act that they do because you

0:44:46.840 --> 0:44:50.600
<v Speaker 1>actually you're thrilled when the Joker escapes from Arkham. You

0:44:50.760 --> 0:44:53.719
<v Speaker 1>want to see him confront Kaiser. It's fun to watch

0:44:53.800 --> 0:44:59.000
<v Speaker 1>him like driving his Joker buggy through the fucking casino floor.

0:45:00.080 --> 0:45:02.560
<v Speaker 2>I think this is a really really smart thing you've

0:45:02.560 --> 0:45:05.600
<v Speaker 2>picked up on because this is a Pauldini episode. My

0:45:05.719 --> 0:45:08.719
<v Speaker 2>next pick is also a Paul Deanie written episode. This

0:45:08.760 --> 0:45:11.560
<v Speaker 2>man can write a villain so well, and I think

0:45:11.600 --> 0:45:15.160
<v Speaker 2>it's why the Rogues Gallery sings in this and specifically

0:45:15.160 --> 0:45:18.680
<v Speaker 2>the Joker, and something I'd love about jokers wild In

0:45:18.719 --> 0:45:20.840
<v Speaker 2>a lot of shows, they would be like, well, the

0:45:21.600 --> 0:45:23.920
<v Speaker 2>villain is popular and Batman is popular, so we'll have

0:45:24.000 --> 0:45:26.799
<v Speaker 2>to have them team up. But you can't team up

0:45:27.320 --> 0:45:30.799
<v Speaker 2>Batman and the Joker. It's just it doesn't work. So

0:45:30.880 --> 0:45:35.719
<v Speaker 2>I love that they introduce a different antagonist so that

0:45:35.800 --> 0:45:38.520
<v Speaker 2>you can follow the Joker as if he is the protagonist.

0:45:39.080 --> 0:45:40.840
<v Speaker 5>We're going to take a quick break and we'll be

0:45:40.920 --> 0:45:57.200
<v Speaker 5>right back, and we're back, okay.

0:45:57.239 --> 0:46:00.799
<v Speaker 2>My last pick is going back to the kind of

0:46:00.920 --> 0:46:09.000
<v Speaker 2>more recognized, beloved episodes. This is called Almost Got Them.

0:46:09.239 --> 0:46:12.280
<v Speaker 2>It's yeah, written by Paul Deini again. It's another Rogues

0:46:12.400 --> 0:46:16.600
<v Speaker 2>episode directed by Eric Radomski, and it just is so

0:46:16.880 --> 0:46:23.200
<v Speaker 2>good where it's basically Killer Croc, Penguin, Catwoman, Poison Ivy,

0:46:23.719 --> 0:46:27.200
<v Speaker 2>the Joker, and they meet a pocon night, like a

0:46:27.280 --> 0:46:30.080
<v Speaker 2>villain's pocon night, Like who's putting up the flyer for that?

0:46:30.320 --> 0:46:33.480
<v Speaker 2>Like how does this happen? And you have, by the way,

0:46:33.560 --> 0:46:39.480
<v Speaker 2>Paul Williams as Penguin aka like multiple award winning songwriter

0:46:39.800 --> 0:46:42.200
<v Speaker 2>the man who wrote The Rainbow Connection and all the

0:46:42.200 --> 0:46:46.200
<v Speaker 2>songs of Bugsy Malone. Paul Williams as the Penguin, Aaron

0:46:46.239 --> 0:46:51.600
<v Speaker 2>Kinkaid's Killer Croc, obviously Adrian Bobo's Catwoman. It is such

0:46:51.640 --> 0:46:55.040
<v Speaker 2>a smart idea for an episode, and it's another reason

0:46:55.200 --> 0:46:58.840
<v Speaker 2>why this show is so fantastic. It's like a dialogue

0:46:58.880 --> 0:47:01.360
<v Speaker 2>episode where they all just talk about times they almost

0:47:01.360 --> 0:47:04.680
<v Speaker 2>caught Batman. So you get that kind of anthology of

0:47:05.239 --> 0:47:10.480
<v Speaker 2>different experiences, but you also get this hilariously like almost

0:47:10.520 --> 0:47:13.920
<v Speaker 2>like mundane view of what it's like to live in

0:47:13.960 --> 0:47:18.040
<v Speaker 2>Gotham and be trying to defeat Batman every day, Like

0:47:18.080 --> 0:47:19.200
<v Speaker 2>it becomes your day job.

0:47:20.040 --> 0:47:22.120
<v Speaker 1>It's That's what I That's what I was gonna say.

0:47:22.160 --> 0:47:24.360
<v Speaker 1>This is like a it becomes it's like a workplace

0:47:24.400 --> 0:47:28.680
<v Speaker 1>contra episode. It's just like the the villains that work

0:47:28.719 --> 0:47:33.480
<v Speaker 1>at Gotham are just complaining about this guy and all

0:47:33.520 --> 0:47:36.759
<v Speaker 1>the times they almost defeated him, And there's something so

0:47:37.040 --> 0:47:40.680
<v Speaker 1>fun about that. I just I love hangout episodes. I've

0:47:40.680 --> 0:47:43.080
<v Speaker 1>talked about it a lot on this show. And there's

0:47:43.120 --> 0:47:47.120
<v Speaker 1>just something about the idea that all the villains, the

0:47:47.160 --> 0:47:50.240
<v Speaker 1>top villains would get together and have like a cards

0:47:50.360 --> 0:47:53.840
<v Speaker 1>night where they're just all sitting around sharing war stories.

0:47:53.840 --> 0:47:56.319
<v Speaker 1>There's something really like that's fun to me.

0:47:56.560 --> 0:48:01.080
<v Speaker 2>I love. Yeah. Also, it's like a hilarious It has

0:48:01.120 --> 0:48:03.239
<v Speaker 2>like a hilarious twist at the end where you're also

0:48:03.360 --> 0:48:06.880
<v Speaker 2>like Batman, like what's wrong with you? Like once again,

0:48:06.920 --> 0:48:10.040
<v Speaker 2>like get a fucking life, like please, like you just

0:48:10.600 --> 0:48:13.480
<v Speaker 2>he's just such a silly man. And I kind of

0:48:13.560 --> 0:48:18.400
<v Speaker 2>love how this episode plays on that by showing that

0:48:18.520 --> 0:48:20.680
<v Speaker 2>even when these people are just kind of having their

0:48:20.719 --> 0:48:24.800
<v Speaker 2>office comedy and chilling out, Batman has to get involved,

0:48:25.040 --> 0:48:27.480
<v Speaker 2>Like they can't have a night off. He always has

0:48:27.560 --> 0:48:30.799
<v Speaker 2>to be there trying to save Gotham and defeat these

0:48:30.840 --> 0:48:33.799
<v Speaker 2>villains even when they're just chilling and reminiscing. Yeah, this

0:48:33.960 --> 0:48:38.440
<v Speaker 2>is like such a good one. And it also this

0:48:38.560 --> 0:48:39.840
<v Speaker 2>is one of those ones where if you're in the

0:48:39.840 --> 0:48:42.520
<v Speaker 2>comic shop or you know, you're hanging out with your friends.

0:48:42.560 --> 0:48:45.359
<v Speaker 2>There's some fun contradictions here where you try and kind

0:48:45.440 --> 0:48:49.799
<v Speaker 2>of work out if they're like connections, or there are

0:48:49.800 --> 0:48:53.200
<v Speaker 2>these kind of teasers to other episodes, or what works

0:48:53.200 --> 0:48:56.319
<v Speaker 2>and what doesn't work and how it fits, and yeah,

0:48:56.360 --> 0:49:00.640
<v Speaker 2>it's just I love this episode and it was a

0:49:00.800 --> 0:49:05.520
<v Speaker 2>really fun example of the kind of out there thinking

0:49:06.200 --> 0:49:08.719
<v Speaker 2>when it comes to a kid's cartoon where every week

0:49:08.800 --> 0:49:11.360
<v Speaker 2>has to be the monster of the week, which we

0:49:11.400 --> 0:49:16.400
<v Speaker 2>love those stories, Scooby Doo, legendary, kind of fun, succinct

0:49:16.480 --> 0:49:22.319
<v Speaker 2>kids storytelling. This approaches storytelling more like a prestige TV show,

0:49:22.920 --> 0:49:24.920
<v Speaker 2>and I think that's one of the reasons that it

0:49:25.000 --> 0:49:30.160
<v Speaker 2>has stayed so fresh and so impactful. And why you know,

0:49:30.640 --> 0:49:35.840
<v Speaker 2>thirty years later, we have a TV series, The Cape Crusader,

0:49:35.880 --> 0:49:38.360
<v Speaker 2>that is a spiritual successor to this, that's like the

0:49:38.440 --> 0:49:39.960
<v Speaker 2>number one show on Prime Video.

0:49:40.800 --> 0:49:42.920
<v Speaker 1>Coming up, we're turning to the back matter with some

0:49:43.040 --> 0:49:48.759
<v Speaker 1>special friends of the podcast. Okay, we're asking folks this

0:49:48.760 --> 0:49:52.400
<v Speaker 1>little questionnaire about Batman, so we might as well ask ourselves.

0:49:52.840 --> 0:49:57.160
<v Speaker 1>I like that five questions. First of all, Rosie, what

0:49:57.320 --> 0:49:59.240
<v Speaker 1>makes Batman in animation so compelling.

0:49:59.480 --> 0:50:03.120
<v Speaker 2>I think freedom to bring the world of Gotham and

0:50:03.239 --> 0:50:05.480
<v Speaker 2>Batman and his villains to life in a way that

0:50:05.520 --> 0:50:08.000
<v Speaker 2>you probably couldn't do in live action.

0:50:09.360 --> 0:50:11.799
<v Speaker 1>Yeah, I think it's that, and I will add that

0:50:11.880 --> 0:50:19.959
<v Speaker 1>it's also provides an opportunity to engage with these kind

0:50:20.000 --> 0:50:30.400
<v Speaker 1>of traditional old timey kind of storytelling spaces the forties

0:50:30.440 --> 0:50:33.279
<v Speaker 1>the fifties in a way that feels current. You can

0:50:33.360 --> 0:50:37.359
<v Speaker 1>use these as a touchdown and that can frame what

0:50:37.400 --> 0:50:39.439
<v Speaker 1>you're doing in this wonderful way. There's just so much

0:50:39.480 --> 0:50:44.760
<v Speaker 1>freedom to create a vibe and a tone in animation,

0:50:45.000 --> 0:50:48.640
<v Speaker 1>and Batman is all about that tone. It never has

0:50:48.680 --> 0:50:50.640
<v Speaker 1>to be daytime, and even when it's daytime, it can

0:50:50.640 --> 0:50:53.600
<v Speaker 1>look like nighttime. All of that stuff. Second question, in

0:50:53.640 --> 0:50:57.360
<v Speaker 1>your opinion, how to Batman the animated series alter Batman's

0:50:57.360 --> 0:50:58.720
<v Speaker 1>place in superhero history.

0:50:59.040 --> 0:51:06.240
<v Speaker 2>I think it provided a renewed younger audience that wasn't

0:51:06.280 --> 0:51:09.560
<v Speaker 2>necessarily being catered to by Batman Returns, a movie I

0:51:09.600 --> 0:51:11.399
<v Speaker 2>love and loved as a kid, but for some kids

0:51:11.440 --> 0:51:14.600
<v Speaker 2>it was quite scary. It wasn't seen as toyetic, it

0:51:14.640 --> 0:51:16.759
<v Speaker 2>was hard to market it to kids. I think this

0:51:16.920 --> 0:51:21.400
<v Speaker 2>opened a door to a younger audience, staying engaged with Batman,

0:51:21.960 --> 0:51:26.960
<v Speaker 2>while ironically also becoming the definitive version of Batman for

0:51:27.080 --> 0:51:30.640
<v Speaker 2>a lot of adults. I think Batman animated series also

0:51:31.960 --> 0:51:39.000
<v Speaker 2>deeply secured the idea of Gotham as almost a steam

0:51:39.280 --> 0:51:46.040
<v Speaker 2>punk Dirigibles in the Sky, constant noir. I think that

0:51:46.200 --> 0:51:50.680
<v Speaker 2>version of Gotham still hangs heavy over everything we do.

0:51:51.280 --> 0:51:56.000
<v Speaker 2>And obviously I also think that Batman in animated history

0:51:56.120 --> 0:52:00.920
<v Speaker 2>essentially gets to generally say that's the best animated series

0:52:00.960 --> 0:52:02.839
<v Speaker 2>we've ever gotten, you know, and I love a lot

0:52:02.840 --> 0:52:05.080
<v Speaker 2>of different animated series. We've been blessed with lots of

0:52:05.080 --> 0:52:08.600
<v Speaker 2>superho and comic book animated series. But I think for

0:52:08.680 --> 0:52:10.760
<v Speaker 2>a lot of adults, a lot of people our age

0:52:11.160 --> 0:52:14.279
<v Speaker 2>until this new era of say Invincible, this kind of

0:52:14.360 --> 0:52:19.240
<v Speaker 2>Western adult animation, for a long time, Batman was still

0:52:19.280 --> 0:52:21.640
<v Speaker 2>the standard bear for what you could do with a

0:52:21.680 --> 0:52:22.360
<v Speaker 2>comic book.

0:52:22.440 --> 0:52:24.360
<v Speaker 1>Yeah. I agree with everything you said. I don't have

0:52:24.440 --> 0:52:28.040
<v Speaker 1>much to add other than to say I think most importantly,

0:52:28.040 --> 0:52:30.920
<v Speaker 1>and you touched on it, it was handing off Batman

0:52:31.080 --> 0:52:38.000
<v Speaker 1>to another generation of young fans and distilling the the

0:52:38.120 --> 0:52:44.320
<v Speaker 1>dynamics of Gotham City and the relationships between Batman, Alfred

0:52:44.719 --> 0:52:49.759
<v Speaker 1>Robin and his rogues gallery down into a form that

0:52:51.440 --> 0:52:56.239
<v Speaker 1>young fans could really grasp onto and immediately understand who

0:52:56.280 --> 0:52:58.000
<v Speaker 1>these characters are. I think that was really important.

0:52:58.040 --> 0:52:58.279
<v Speaker 4>Yeah.

0:52:58.480 --> 0:53:02.400
<v Speaker 1>Question three, what is the series' most significant contribution to

0:53:02.480 --> 0:53:03.120
<v Speaker 1>the comics.

0:53:03.320 --> 0:53:05.799
<v Speaker 2>I think that, as we talked about in our conversation,

0:53:05.920 --> 0:53:08.480
<v Speaker 2>there are a lot. I think that you picked a

0:53:08.480 --> 0:53:10.279
<v Speaker 2>great one with Heart of Ice. I do think that

0:53:10.440 --> 0:53:13.759
<v Speaker 2>changed everything for Victor Freeze. But I think, obviously I'm

0:53:13.800 --> 0:53:15.120
<v Speaker 2>sure this is what all of our guests are going

0:53:15.200 --> 0:53:19.080
<v Speaker 2>to say, it's Harlequin. That was a game changer to

0:53:19.120 --> 0:53:20.880
<v Speaker 2>have a character who is meant to be a throwaway

0:53:20.920 --> 0:53:24.120
<v Speaker 2>hensch who ended up becoming so popular that they transitioned

0:53:24.120 --> 0:53:26.560
<v Speaker 2>her into the comics and who is now, you know,

0:53:26.920 --> 0:53:30.640
<v Speaker 2>a cultural zeitgeist in her own right. She has her

0:53:30.680 --> 0:53:34.279
<v Speaker 2>own movie, she has her multiple cartoon shows, she has

0:53:34.280 --> 0:53:36.600
<v Speaker 2>a spin off of her cartoon show. She has stuff

0:53:36.600 --> 0:53:38.920
<v Speaker 2>that's for kids, she has stuff that's for adults. She's

0:53:39.000 --> 0:53:43.040
<v Speaker 2>been in Injustice, she's been in The Batman Arkham Games.

0:53:43.080 --> 0:53:46.239
<v Speaker 2>I think that is and she is still one of

0:53:46.239 --> 0:53:48.480
<v Speaker 2>the best sellers in comics to this day. So I

0:53:48.840 --> 0:53:49.640
<v Speaker 2>think it's Harlequin.

0:53:50.280 --> 0:53:54.040
<v Speaker 1>I'll seem out for my answer. I think it's it's

0:53:54.160 --> 0:53:57.960
<v Speaker 1>showing that good ideas can come from anywhere in I

0:53:58.040 --> 0:54:01.879
<v Speaker 1>love that the storytelling space and that if you have

0:54:02.000 --> 0:54:08.880
<v Speaker 1>something that that sticks that originated in TV animated to you,

0:54:08.920 --> 0:54:10.719
<v Speaker 1>it doesn't even be live action TV, it could be

0:54:10.719 --> 0:54:14.840
<v Speaker 1>any come from anywhere, then you should run with them.

0:54:14.840 --> 0:54:19.840
<v Speaker 1>And I think it's something that is it's proof positive

0:54:19.920 --> 0:54:23.239
<v Speaker 1>that a good idea just sticks, and that if you

0:54:23.400 --> 0:54:28.360
<v Speaker 1>have a great character inanimated, once the fans do the

0:54:28.440 --> 0:54:30.279
<v Speaker 1>thing that you want them to do, which is start

0:54:30.320 --> 0:54:31.920
<v Speaker 1>watching the live action, when you start picking up the

0:54:31.960 --> 0:54:34.880
<v Speaker 1>comic books, they're gonna they're gonna say, where is this character?

0:54:35.080 --> 0:54:38.640
<v Speaker 1>Why isn't this character here? And it's a natural way

0:54:38.680 --> 0:54:39.600
<v Speaker 1>to launch a character.

0:54:39.680 --> 0:54:39.879
<v Speaker 4>Yeah.

0:54:40.000 --> 0:54:42.600
<v Speaker 1>Final question, what do you think the legacy of Batman

0:54:42.640 --> 0:54:43.840
<v Speaker 1>the animated series overall?

0:54:43.920 --> 0:54:46.040
<v Speaker 2>I think we've touched on a lot and I really

0:54:46.120 --> 0:54:50.200
<v Speaker 2>like your kind of big picture answer. I will say,

0:54:50.239 --> 0:54:52.200
<v Speaker 2>just because we haven't really talked about him, I do

0:54:52.280 --> 0:54:55.719
<v Speaker 2>think one of the legacies, and definitely now that he

0:54:55.800 --> 0:54:59.880
<v Speaker 2>has sadly passed away, I do think it is Kevin Colmroy.

0:55:00.120 --> 0:55:03.719
<v Speaker 2>Batman is like a definitive legacy. Not only that, but

0:55:03.880 --> 0:55:10.000
<v Speaker 2>introducing us to Kevin Conroy, his performance as Batman becoming

0:55:10.200 --> 0:55:14.520
<v Speaker 2>so definitive for so many of us. Also, I think

0:55:15.280 --> 0:55:19.480
<v Speaker 2>part and parcel of that is as young people understanding

0:55:19.520 --> 0:55:22.400
<v Speaker 2>what voice acting is. You know, you have Mark Hamill

0:55:22.440 --> 0:55:25.240
<v Speaker 2>from Star Wars, He's the Joker, so you start thinking like, oh,

0:55:25.520 --> 0:55:28.400
<v Speaker 2>doing voices, like that's a job. Kevin Comray for so

0:55:28.480 --> 0:55:31.160
<v Speaker 2>many years people would say that's the best Batman. I

0:55:31.160 --> 0:55:33.720
<v Speaker 2>think Kevin Comray is a huge part of this legacy,

0:55:33.840 --> 0:55:36.920
<v Speaker 2>especially as he later shared with us that he was

0:55:36.960 --> 0:55:40.440
<v Speaker 2>also a queer man who had found, you know, a

0:55:40.520 --> 0:55:43.279
<v Speaker 2>voice through Batman and a place to be able to

0:55:44.600 --> 0:55:48.960
<v Speaker 2>live and be free as himself. I just think that

0:55:49.120 --> 0:55:53.360
<v Speaker 2>Kevin Comray, his importance and his part of the Batman

0:55:53.440 --> 0:55:56.560
<v Speaker 2>legacy cannot be ignored. So for this one, I'll say

0:55:56.600 --> 0:55:57.760
<v Speaker 2>Kevin Comray.

0:55:58.160 --> 0:56:03.399
<v Speaker 1>For me, it's animated as a strength for DC as

0:56:03.440 --> 0:56:08.480
<v Speaker 1>a media corporation. I think this this established DC as

0:56:08.520 --> 0:56:15.600
<v Speaker 1>a place where vibrant, hard hitting, emotionally resonant stories are

0:56:15.960 --> 0:56:19.480
<v Speaker 1>told and adapted from comics and told in animated form.

0:56:20.200 --> 0:56:23.799
<v Speaker 1>And as you know, in this era of live action

0:56:23.880 --> 0:56:26.239
<v Speaker 1>comic book movies as DC, to be fair to them,

0:56:26.320 --> 0:56:30.239
<v Speaker 1>has played ketchup a lot of the time. They've been

0:56:30.320 --> 0:56:36.200
<v Speaker 1>leading for all of this time, and it is a massive, massive, Yes,

0:56:36.560 --> 0:56:38.839
<v Speaker 1>it's a massive strength for the company and it has

0:56:38.880 --> 0:56:44.520
<v Speaker 1>been ever since Batman the animated series totally What makes

0:56:44.520 --> 0:56:49.479
<v Speaker 1>Batman in animation so compelling, I.

0:56:49.400 --> 0:56:54.080
<v Speaker 3>Think I think the thing about Batman is that you

0:56:54.160 --> 0:56:56.640
<v Speaker 3>ironically want to hide as much of them as you can,

0:56:58.120 --> 0:57:01.560
<v Speaker 3>because he's honestly a dude. It's with like funny little

0:57:01.560 --> 0:57:06.160
<v Speaker 3>pointy ears on where's a very you know ghost cape,

0:57:06.840 --> 0:57:11.440
<v Speaker 3>you know, like, but in animation, like suddenly the shape

0:57:11.480 --> 0:57:13.960
<v Speaker 3>of him gets to be different, and it's the thing

0:57:13.960 --> 0:57:15.680
<v Speaker 3>they did in Batman and animate series all the time,

0:57:15.719 --> 0:57:20.120
<v Speaker 3>the cloak dynamics of like sometimes he looks like a

0:57:20.160 --> 0:57:23.080
<v Speaker 3>priest where it's all the way down the middle. Sometimes

0:57:23.080 --> 0:57:27.240
<v Speaker 3>it's the giant silhouette of a bat Sometimes it has

0:57:27.280 --> 0:57:31.160
<v Speaker 3>no physics to it anymore because it just gets to

0:57:31.160 --> 0:57:34.160
<v Speaker 3>be somewhat abstract. And you can't do that in live action,

0:57:34.560 --> 0:57:37.360
<v Speaker 3>you know, live action, it's it's too real. And Batman

0:57:37.560 --> 0:57:41.320
<v Speaker 3>is honestly a character that wants to defy reality, and

0:57:41.840 --> 0:57:44.760
<v Speaker 3>I think animation ends up being the perfect medium for him.

0:57:45.560 --> 0:57:48.360
<v Speaker 2>Yeah, with that in mind, kind of in your opinion,

0:57:48.400 --> 0:57:50.520
<v Speaker 2>this is a big question, but how do you think

0:57:50.600 --> 0:57:54.160
<v Speaker 2>Batman the Animated Series altered Batman's place in the kind

0:57:54.160 --> 0:57:56.760
<v Speaker 2>of superhero canon because it really did have that much

0:57:56.760 --> 0:57:57.440
<v Speaker 2>of an impact.

0:57:57.640 --> 0:58:01.320
<v Speaker 3>It had that much of an impact, and I think

0:58:01.600 --> 0:58:05.840
<v Speaker 3>ironically what it did was it for as serious as

0:58:06.320 --> 0:58:09.440
<v Speaker 3>Tim Burton's Batman film was in nineteen eighty nine, Batman

0:58:09.480 --> 0:58:12.360
<v Speaker 3>the Animated Series took the character and took the world

0:58:13.320 --> 0:58:16.720
<v Speaker 3>like it was dickenzie and drama, like it was never

0:58:16.760 --> 0:58:20.520
<v Speaker 3>a joke to them. Yeah, you know. And when you

0:58:20.520 --> 0:58:24.240
<v Speaker 3>get episodes like Heart of Ice, which suddenly makes mister

0:58:24.360 --> 0:58:30.640
<v Speaker 3>Freeze this this tragic hero of his own story, it

0:58:31.000 --> 0:58:34.480
<v Speaker 3>never took it as ironically, it never took it as

0:58:34.680 --> 0:58:37.600
<v Speaker 3>children's entertainment, and not that that is a pejorative in

0:58:37.720 --> 0:58:40.240
<v Speaker 3>terms of children's entertainment, but the themes were so rich,

0:58:40.760 --> 0:58:45.760
<v Speaker 3>the attack on the characters were so rich. It imbued

0:58:45.880 --> 0:58:49.040
<v Speaker 3>everything with a dignity that it had never had before

0:58:49.400 --> 0:58:52.040
<v Speaker 3>in a medium that had never really given him that

0:58:52.240 --> 0:58:55.880
<v Speaker 3>much play like he's a super friend, you guys, you know,

0:58:56.040 --> 0:59:00.400
<v Speaker 3>and like, but now Batman, Bruce Wayne and the tire

0:59:00.480 --> 0:59:03.920
<v Speaker 3>Rogues Gallery just has this heft that it had never

0:59:03.960 --> 0:59:06.959
<v Speaker 3>had before, and that heft is what has now survived

0:59:07.400 --> 0:59:12.080
<v Speaker 3>through every other iteration to it, like now it's it's Deckenzie,

0:59:12.080 --> 0:59:14.720
<v Speaker 3>and now it's Shakespearean, or it had never really been

0:59:15.160 --> 0:59:17.040
<v Speaker 3>before Batman the animated series.

0:59:17.480 --> 0:59:22.160
<v Speaker 1>Yeah, the show had a huge impact on the comics

0:59:22.200 --> 0:59:26.280
<v Speaker 1>in many different ways, esthetically thematically. What do you think

0:59:26.280 --> 0:59:30.919
<v Speaker 1>the series' most significant contribution to the comic books has been?

0:59:32.080 --> 0:59:37.000
<v Speaker 3>I think, you know, and I will relish in the

0:59:37.000 --> 0:59:38.840
<v Speaker 3>fact that I'm the first person you're asking this question to.

0:59:39.800 --> 0:59:44.120
<v Speaker 3>Harley Quinn is probably the biggest significant contribution that came

0:59:44.240 --> 0:59:48.320
<v Speaker 3>directly from the animated series and has since just proliferated

0:59:48.320 --> 0:59:51.720
<v Speaker 3>through every iteration of Batman ever since, to the point

0:59:51.720 --> 0:59:54.240
<v Speaker 3>where we have a freaking Joker movie coming out that

0:59:54.360 --> 0:59:56.880
<v Speaker 3>is just all about Joker and Harley. You know, I

0:59:57.480 --> 1:00:01.280
<v Speaker 3>think it was It's it's that I mean Hardy, of course,

1:00:01.800 --> 1:00:05.080
<v Speaker 3>I think it's the Joker, you know. I think Mark

1:00:05.120 --> 1:00:08.240
<v Speaker 3>Hamill's Joker is the Joker people hear in their heads

1:00:08.800 --> 1:00:12.080
<v Speaker 3>in the way that Kevin Conroy's Batman is the Batman

1:00:12.120 --> 1:00:14.680
<v Speaker 3>they hear in their heads. Yeah, you know, and so

1:00:15.400 --> 1:00:18.560
<v Speaker 3>the fact that it just sort of set those templates

1:00:18.640 --> 1:00:23.240
<v Speaker 3>so incredibly strongly, you know that that I feel like

1:00:23.320 --> 1:00:26.280
<v Speaker 3>that stuff and the Harley stuff are the the constant,

1:00:26.920 --> 1:00:28.840
<v Speaker 3>pervasive influences of that show.

1:00:29.840 --> 1:00:33.440
<v Speaker 2>And obviously this is kind of an ever moving question

1:00:33.640 --> 1:00:36.680
<v Speaker 2>because legacy continues, and the legacy of the show is

1:00:36.720 --> 1:00:39.520
<v Speaker 2>not over by any means. But what do you feel

1:00:39.600 --> 1:00:44.600
<v Speaker 2>like the legacy of Batman the Animated Series is right now? Like,

1:00:45.240 --> 1:00:46.880
<v Speaker 2>now that we're here in twenty twenty four, what do

1:00:46.880 --> 1:00:49.080
<v Speaker 2>you feel like the biggest legacy of the show is.

1:00:50.640 --> 1:00:54.400
<v Speaker 3>I think it was it was both faith in the

1:00:54.480 --> 1:01:01.760
<v Speaker 3>character and believing that something as inherently silly as Batman

1:01:02.360 --> 1:01:06.320
<v Speaker 3>deserve to be treated as well as it did. You know,

1:01:06.440 --> 1:01:10.800
<v Speaker 3>I think the amount of care and craftsmanship that when

1:01:10.800 --> 1:01:13.360
<v Speaker 3>it's a Batman the Animated Series is somewhat unlike any

1:01:13.360 --> 1:01:16.800
<v Speaker 3>animated show that had come before, at least American animated shows,

1:01:17.720 --> 1:01:19.800
<v Speaker 3>to the point where now we're living in this sort

1:01:19.840 --> 1:01:24.000
<v Speaker 3>of golden age of animation. You know that that that spans,

1:01:24.640 --> 1:01:27.880
<v Speaker 3>you know, both both audience and content type and creation

1:01:28.040 --> 1:01:31.720
<v Speaker 3>type and country of origin. Like I think a lot

1:01:31.760 --> 1:01:34.520
<v Speaker 3>of that we're taking animation seriously begins with Batman, the

1:01:34.520 --> 1:01:38.480
<v Speaker 3>animated series, you know, begins with with the kind of

1:01:38.520 --> 1:01:42.520
<v Speaker 3>like Alex Toff inspired character design, and they like the deep,

1:01:43.120 --> 1:01:46.800
<v Speaker 3>like the weird noir of what that Gotham city was like,

1:01:46.960 --> 1:01:50.160
<v Speaker 3>and the fluidity with time and space that that had,

1:01:50.240 --> 1:01:52.840
<v Speaker 3>the the we could kind of do anything and then

1:01:52.960 --> 1:01:53.960
<v Speaker 3>did do anything.

1:01:55.320 --> 1:01:55.400
<v Speaker 2>It.

1:01:55.640 --> 1:01:58.760
<v Speaker 3>I think it inspired lots of artists to be like, oh,

1:01:59.200 --> 1:02:02.120
<v Speaker 3>what if I did this with this character? What if

1:02:02.160 --> 1:02:05.880
<v Speaker 3>I gave this level of integrity and rigor to he Man?

1:02:06.000 --> 1:02:07.880
<v Speaker 3>What if we did that with Shira, What if we

1:02:07.920 --> 1:02:12.080
<v Speaker 3>did that with you know, name it like ThunderCats, Like

1:02:12.480 --> 1:02:15.800
<v Speaker 3>things that had previously been sort of relegated to the

1:02:15.920 --> 1:02:20.640
<v Speaker 3>sort of dust bin of juvenility. That's a word began

1:02:20.720 --> 1:02:22.480
<v Speaker 3>to be reclaimed as like, you know what, it can

1:02:22.520 --> 1:02:25.280
<v Speaker 3>be for us, for always. And so I think that

1:02:25.280 --> 1:02:28.640
<v Speaker 3>that something like Batman kpe Crusader is just the latest

1:02:28.640 --> 1:02:31.120
<v Speaker 3>in that long line of like this can always be

1:02:31.200 --> 1:02:33.440
<v Speaker 3>for us, you know, we don't have to give it

1:02:33.520 --> 1:02:35.200
<v Speaker 3>up when we get older. We don't have to put

1:02:35.240 --> 1:02:37.640
<v Speaker 3>away childish things because they were never childish to begin with.

1:02:38.800 --> 1:02:41.480
<v Speaker 3>And I think I think there's something there's something kind

1:02:41.480 --> 1:02:44.600
<v Speaker 3>of phenomenal about what you know, Bruce tim and Alan

1:02:44.600 --> 1:02:48.080
<v Speaker 3>Burnett and Paul Deny and like that whole crew managed

1:02:48.120 --> 1:02:52.040
<v Speaker 3>to pull together Lightning in a bottle that then just

1:02:52.040 --> 1:02:54.880
<v Speaker 3>sparked everybody's imagination for decades to come.

1:02:55.240 --> 1:02:59.080
<v Speaker 1>Okay, here's the here's the real hard question. Your ultimate

1:03:00.080 --> 1:03:04.280
<v Speaker 1>Batman the Animated series episode.

1:03:04.880 --> 1:03:07.160
<v Speaker 3>I mean, I'd be a knucklehead if I didn't say

1:03:07.200 --> 1:03:11.880
<v Speaker 3>Heart of Ice. You know it's it's I had. I

1:03:12.000 --> 1:03:17.560
<v Speaker 3>had never given mister Freeze a second thought because he

1:03:17.640 --> 1:03:19.840
<v Speaker 3>was so silly. He was always silly, Like you know,

1:03:19.960 --> 1:03:21.360
<v Speaker 3>is it do with a with a with a snow

1:03:21.400 --> 1:03:26.360
<v Speaker 3>cone machine on his back? Who diamonds? You know, Like

1:03:26.480 --> 1:03:30.560
<v Speaker 3>I've never been quite so disappointed as like going to

1:03:30.600 --> 1:03:34.560
<v Speaker 3>see Batman and Robin and being like, this is how

1:03:34.600 --> 1:03:37.160
<v Speaker 3>you're going to basterdize the heart of vice story? Like

1:03:38.000 --> 1:03:40.320
<v Speaker 3>come on, what's an negger? Like I know what you're

1:03:40.320 --> 1:03:44.080
<v Speaker 3>trying to do, but like it's you couldn't get there.

1:03:44.640 --> 1:03:48.880
<v Speaker 3>But that level of pathos for a character who had

1:03:48.920 --> 1:03:52.959
<v Speaker 3>been a joke is so endemic of what that show

1:03:53.000 --> 1:03:55.600
<v Speaker 3>could do. And the love that everybody who made that

1:03:55.640 --> 1:03:58.960
<v Speaker 3>show had for these characters was just like, yeah, you

1:03:59.000 --> 1:04:01.959
<v Speaker 3>know what we are going to make you cry over

1:04:02.000 --> 1:04:05.280
<v Speaker 3>the villain in a Batman story. And if you can

1:04:05.320 --> 1:04:07.920
<v Speaker 3>pull that off, then that is a very specific magic

1:04:07.960 --> 1:04:09.919
<v Speaker 3>trick that I think so many of us are trying

1:04:09.920 --> 1:04:10.520
<v Speaker 3>to replicate.

1:04:11.520 --> 1:04:14.680
<v Speaker 1>Yeah, the end of that episode is just its heartbreak.

1:04:14.720 --> 1:04:15.760
<v Speaker 1>You do not see coming.

1:04:16.280 --> 1:04:20.360
<v Speaker 3>It's heartbreaking and like power to you, guys. You made

1:04:20.440 --> 1:04:22.560
<v Speaker 3>me cry a thing I never thought i'd cry at,

1:04:22.600 --> 1:04:23.920
<v Speaker 3>which is a Batman.

1:04:23.600 --> 1:04:27.480
<v Speaker 1>Cartoon mark next of your time.

1:04:27.640 --> 1:04:29.800
<v Speaker 3>Yeah, oh my pleasure, gang, this is a.

1:04:29.720 --> 1:04:35.280
<v Speaker 2>Blast stoke to have you back. On tomorrow's episode of

1:04:35.360 --> 1:04:37.640
<v Speaker 2>X ray Vision, we're diving into episode two or four

1:04:37.640 --> 1:04:41.000
<v Speaker 2>of The Rings of Power, including a wonderful interview with

1:04:41.200 --> 1:04:44.480
<v Speaker 2>EP Jennifer Hutchinson. Then on Tuesday, check out a very

1:04:44.520 --> 1:04:47.440
<v Speaker 2>special video game episode where we'll be covering all the

1:04:47.520 --> 1:04:51.800
<v Speaker 2>news updates and of course Star Wars Outlaws. Friday, we're

1:04:51.800 --> 1:04:54.920
<v Speaker 2>continuing Animation Month with a special time capsule episode on

1:04:55.000 --> 1:05:02.480
<v Speaker 2>Miyazaki's latest film, The Boy and the Heron.

1:05:06.960 --> 1:05:09.840
<v Speaker 1>X ray Vision is hosted by Jason Ken, Sumpsion and

1:05:10.000 --> 1:05:14.120
<v Speaker 1>Rosie Knight and is a production of iHeart Podcasts. Our

1:05:14.160 --> 1:05:18.400
<v Speaker 1>executive producers are Joelle Smith and Aaron Kaufman. Our Supervising

1:05:18.400 --> 1:05:23.120
<v Speaker 1>producer is a Boo Zafar. Our producers are Carmen Laurent

1:05:23.880 --> 1:05:27.520
<v Speaker 1>and Mia Taylor. Our theme song is by Brian Basquez.

1:05:28.000 --> 1:05:32.320
<v Speaker 2>Special thanks to Soul Rubin and Chris Laude, Kenny Goodman

1:05:32.680 --> 1:05:34.720
<v Speaker 2>and Heidi. Our discoored Moderata