1
00:00:14,880 --> 00:00:17,360
Speaker 1: Did you have an imaginary friend growing up?

2
00:00:18,440 --> 00:00:21,800
Speaker 2: I didn't, That's the first question that popped in my head.

3
00:00:21,960 --> 00:00:24,439
Speaker 2: At least I don't remember having one.

4
00:00:24,640 --> 00:00:27,440
Speaker 1: I don't know if maybe, like you, maybe had an

5
00:00:27,440 --> 00:00:28,560
Speaker 1: imaginary acquaintance.

6
00:00:30,080 --> 00:00:32,640
Speaker 3: No, I don't remember it being a thing with my parents.

7
00:00:32,680 --> 00:00:35,559
Speaker 2: They've never brought it up since, so I can't imagine

8
00:00:35,560 --> 00:00:36,120
Speaker 2: that I did.

9
00:00:36,680 --> 00:00:38,880
Speaker 3: If I did, it would have been I guess, really little.

10
00:00:38,880 --> 00:00:44,159
Speaker 2: But to me, I kept thinking, I can't imagine really

11
00:00:44,640 --> 00:00:48,560
Speaker 2: doing that, talking to a sofa or wherever this person

12
00:00:49,680 --> 00:00:52,640
Speaker 2: or creatures.

13
00:00:51,360 --> 00:00:54,920
Speaker 1: Right which we don't know city. No, but the I

14
00:00:55,240 --> 00:00:58,400
Speaker 1: think I did. I you're gonna laugh too, because it

15
00:00:58,440 --> 00:01:00,560
Speaker 1: made me go, oh my god, that's right, because I

16
00:01:00,560 --> 00:01:03,120
Speaker 1: thought about this. I think when I was very very young,

17
00:01:03,400 --> 00:01:06,399
Speaker 1: really briefly, and I mean seriously briefly before I because

18
00:01:06,600 --> 00:01:08,920
Speaker 1: my stuffed teddy bear, Charlie was always with me, so

19
00:01:08,959 --> 00:01:11,119
Speaker 1: I would talk to Charlie, obviously because Charlie was real,

20
00:01:11,520 --> 00:01:15,160
Speaker 1: But I also briefly had an imaginary friend ready for

21
00:01:15,200 --> 00:01:21,000
Speaker 1: the name Monroe. Not I had an imaginary friend named

22
00:01:21,000 --> 00:01:23,480
Speaker 1: Monroe when I was When I was growing up, yep,

23
00:01:23,560 --> 00:01:26,840
Speaker 1: So I thought about you when I was the first

24
00:01:26,880 --> 00:01:29,440
Speaker 1: time I heard that crazy. One of the things I sparked.

25
00:01:29,480 --> 00:01:31,480
Speaker 1: It was like I remember as a little little kid,

26
00:01:31,520 --> 00:01:33,640
Speaker 1: probably you know, three four years old, going like Monroe.

27
00:01:33,840 --> 00:01:36,640
Speaker 3: Yeah, it was so oh wow.

28
00:01:36,880 --> 00:01:38,880
Speaker 1: Or maybe they say little kids are more attuned to ghosts,

29
00:01:38,920 --> 00:01:40,440
Speaker 1: so maybe it was an actual ghost I was talking to.

30
00:01:40,520 --> 00:01:44,160
Speaker 2: You never know, Yeah, that could have been it, probably,

31
00:01:44,400 --> 00:01:47,440
Speaker 2: I mean, I do think of the doll I had.

32
00:01:47,480 --> 00:01:48,040
Speaker 3: I had one.

33
00:01:48,200 --> 00:01:50,640
Speaker 2: I always call her Gidget, but that was not her name.

34
00:01:51,080 --> 00:01:53,560
Speaker 2: But she had a tape recorder in her back, and

35
00:01:53,600 --> 00:01:56,280
Speaker 2: she was I was really released little and she was

36
00:01:56,320 --> 00:01:57,800
Speaker 2: about the same size as me. She was like an

37
00:01:57,840 --> 00:02:01,360
Speaker 2: over size yeah doll and and so she would read

38
00:02:01,440 --> 00:02:03,360
Speaker 2: stories and I was I would do her.

39
00:02:03,560 --> 00:02:05,800
Speaker 4: So she was she was the female version of my buddy,

40
00:02:06,960 --> 00:02:07,840
Speaker 4: my buddy and me.

41
00:02:08,120 --> 00:02:10,960
Speaker 2: That's kind of Patria, cute, little blonde hair. She's still

42
00:02:11,080 --> 00:02:14,320
Speaker 2: in my garage attic. And if you ever accidentally pop

43
00:02:14,360 --> 00:02:15,920
Speaker 2: your head up there, she's right there.

44
00:02:16,000 --> 00:02:17,919
Speaker 4: She's freaking so scary.

45
00:02:17,600 --> 00:02:21,200
Speaker 2: Looking now, hurry, so scary looking now, But I did.

46
00:02:21,360 --> 00:02:24,280
Speaker 2: That's the closest thing that I can remember, but not

47
00:02:24,400 --> 00:02:27,440
Speaker 2: as scary as this situation that we were put.

48
00:02:27,280 --> 00:02:30,919
Speaker 1: Through a perfect segue into what we're doing this week.

49
00:02:30,919 --> 00:02:32,720
Speaker 1: First of all, welcome to Magical Rewind, the show that

50
00:02:32,760 --> 00:02:34,480
Speaker 1: makes you want to grab your friends, your pj's, and

51
00:02:34,520 --> 00:02:37,160
Speaker 1: your popcorn and go back to a time when all

52
00:02:37,160 --> 00:02:39,480
Speaker 1: the houses were smart, the wave tsunamis and the high

53
00:02:39,480 --> 00:02:40,320
Speaker 1: Schools musical.

54
00:02:40,360 --> 00:02:42,600
Speaker 3: I'm Wilfordell and I'm Sabrina Brian.

55
00:02:43,240 --> 00:02:46,960
Speaker 2: Oh well, folks, this is a ride.

56
00:02:47,000 --> 00:02:50,120
Speaker 1: It appears that we have now arrived at the deepest,

57
00:02:50,240 --> 00:02:53,160
Speaker 1: darkest corner of Disney Plus as this week we're entering

58
00:02:53,160 --> 00:02:55,800
Speaker 1: a pocket of the streaming service that most of your

59
00:02:55,840 --> 00:02:58,720
Speaker 1: probably didn't even know exists. It is the nineteen eighty

60
00:02:58,760 --> 00:03:03,359
Speaker 1: six family Adventure Move slash Absolute Nightmare.

61
00:03:02,960 --> 00:03:05,480
Speaker 4: Fuel fuzz Bucket.

62
00:03:06,200 --> 00:03:06,600
Speaker 2: Yeah.

63
00:03:06,680 --> 00:03:08,760
Speaker 1: So, when Disney first released the lineup for e streaming

64
00:03:08,800 --> 00:03:12,760
Speaker 1: service back in twenty nineteen, fanatics were wondering myself included

65
00:03:12,760 --> 00:03:14,440
Speaker 1: by the way, we're wondering which the original movies they

66
00:03:14,440 --> 00:03:14,880
Speaker 1: were going to be.

67
00:03:14,840 --> 00:03:17,160
Speaker 4: Able to see, which ones weren't, what was going to

68
00:03:17,240 --> 00:03:17,680
Speaker 4: be left off?

69
00:03:18,280 --> 00:03:18,400
Speaker 2: Uh?

70
00:03:18,800 --> 00:03:21,360
Speaker 4: But this title I think bewildered them the most.

71
00:03:21,520 --> 00:03:24,760
Speaker 1: So fuzz Bucket, which get used to hearing that word,

72
00:03:24,800 --> 00:03:27,480
Speaker 1: because we're gonna be saying fuzzbucket quite a bit, was

73
00:03:27,520 --> 00:03:30,639
Speaker 1: released as a Disney Sunday movie, which was a weekly

74
00:03:30,680 --> 00:03:33,000
Speaker 1: tradition at the time. It was hosted by the CEO

75
00:03:33,080 --> 00:03:35,520
Speaker 1: of the company then the CEO of the company, Michael Eisner.

76
00:03:36,000 --> 00:03:38,880
Speaker 1: And the rumor is, which we're going to have to

77
00:03:38,880 --> 00:03:41,960
Speaker 1: really delve into because it makes a lot of sense.

78
00:03:42,360 --> 00:03:46,600
Speaker 1: The rumor is that this was actually a failed television pilot.

79
00:03:46,680 --> 00:03:49,240
Speaker 1: So they tried to shoot this as a pilot. It

80
00:03:49,320 --> 00:03:51,600
Speaker 1: didn't work, and they didn't want to just throw it away,

81
00:03:51,800 --> 00:03:55,480
Speaker 1: so they rearranged it into a movie. And they were

82
00:03:55,480 --> 00:03:58,040
Speaker 1: doing that at the time nineteen eighty six, mid eighties,

83
00:03:58,080 --> 00:03:59,880
Speaker 1: because they were hoping to capitalize on some of this

84
00:04:00,000 --> 00:04:04,440
Speaker 1: success of ET, which of course was hugely influential. This

85
00:04:04,600 --> 00:04:08,160
Speaker 1: was not ET, This was not it. This was no,

86
00:04:08,400 --> 00:04:13,640
Speaker 1: this was not it was this was and so uh yeah, Now,

87
00:04:13,640 --> 00:04:16,480
Speaker 1: before we were even assigned this movie for this podcast,

88
00:04:16,560 --> 00:04:18,000
Speaker 1: had you heard of fuzz Bucket?

89
00:04:18,920 --> 00:04:22,159
Speaker 3: Never, not even a little bit. I had no idea

90
00:04:22,520 --> 00:04:25,160
Speaker 3: what to expect either.

91
00:04:25,480 --> 00:04:28,040
Speaker 2: I got a little nervous when I turned it on

92
00:04:28,040 --> 00:04:33,280
Speaker 2: on Disney Plus and saw what I was assuming a

93
00:04:33,279 --> 00:04:34,240
Speaker 2: fuzz Bucket was.

94
00:04:35,000 --> 00:04:39,680
Speaker 3: I didn't know, and kind of just baared down, was like.

95
00:04:40,160 --> 00:04:40,680
Speaker 2: There we go.

96
00:04:40,760 --> 00:04:42,839
Speaker 3: I'm not sure what this is, gonnap.

97
00:04:42,480 --> 00:04:45,680
Speaker 1: I'm about to happen to me. Yes, I had heard

98
00:04:45,680 --> 00:04:49,240
Speaker 1: of it just in the title Fuzzbucket, because Ryder Strong

99
00:04:49,400 --> 00:04:52,440
Speaker 1: said do you remember the movie Fuzzbucket? And I said,

100
00:04:52,440 --> 00:04:54,400
Speaker 1: what are you talking about? So i'd heard the name,

101
00:04:54,920 --> 00:04:59,560
Speaker 1: but I knew nothing about this. Let's right off the bat,

102
00:04:59,560 --> 00:05:02,240
Speaker 1: because we don't want to dwell on this. What did

103
00:05:02,240 --> 00:05:04,200
Speaker 1: you think of the Fuzzbucket costume?

104
00:05:05,360 --> 00:05:11,200
Speaker 2: I just I could not embrace it. I couldn't even

105
00:05:12,320 --> 00:05:16,520
Speaker 2: I could, I mean barely tolerate it. I hated the

106
00:05:16,560 --> 00:05:19,680
Speaker 2: way he wobbled around in it, or she or whoever

107
00:05:19,800 --> 00:05:24,480
Speaker 2: was in that that costume. I couldn't understand what was

108
00:05:24,760 --> 00:05:28,719
Speaker 2: tearing about it, Like, there was nothing cute to me.

109
00:05:29,520 --> 00:05:32,960
Speaker 1: It was really creepy. It was really very creepy, creepy.

110
00:05:33,400 --> 00:05:37,200
Speaker 3: You know, et was an alien, so I understood that.

111
00:05:37,360 --> 00:05:39,000
Speaker 3: You know, you have all of.

112
00:05:39,040 --> 00:05:43,440
Speaker 2: The those the space you know TV shows that were around.

113
00:05:43,680 --> 00:05:46,000
Speaker 3: Yeah, I never really liked a lot of those. This

114
00:05:46,120 --> 00:05:48,800
Speaker 3: to me, by far was not well.

115
00:05:48,839 --> 00:05:51,760
Speaker 4: This was like a thing. So you had et Alf

116
00:05:51,920 --> 00:05:53,200
Speaker 4: came out shortly after.

117
00:05:53,000 --> 00:05:55,200
Speaker 3: This, which I thought was cute.

118
00:05:55,360 --> 00:05:57,680
Speaker 1: Yeah, Howard the Duck was around this time Mac and

119
00:05:57,720 --> 00:06:00,000
Speaker 1: Me was around this time. These are all kinds of

120
00:06:00,720 --> 00:06:05,320
Speaker 1: you know, space aliens or something like that, in strange costumes.

121
00:06:05,320 --> 00:06:07,680
Speaker 4: But it was such a bizarre thing.

122
00:06:07,800 --> 00:06:09,599
Speaker 1: So okay, well we want to want to jump ahead,

123
00:06:09,640 --> 00:06:12,200
Speaker 1: so before we gulp down a random green milkshake and

124
00:06:12,240 --> 00:06:15,840
Speaker 1: allow our bones to really creepily appear, let's get into

125
00:06:15,880 --> 00:06:19,680
Speaker 1: the synopsis here and invisible but not imaginary, which got

126
00:06:19,680 --> 00:06:23,200
Speaker 1: confusing at the beginning, creature named fuzz Bucket becomes twelve

127
00:06:23,279 --> 00:06:26,960
Speaker 1: year old Mikey's best friend. Wise and loving, fuzz Bucket

128
00:06:27,000 --> 00:06:30,600
Speaker 1: helps Mikey cope with his fighting parents which we never see,

129
00:06:30,680 --> 00:06:32,680
Speaker 1: and the traumas of his first day at junior high.

130
00:06:32,760 --> 00:06:39,440
Speaker 1: While in exchange, Mikey helps make him visible, right, okay.

131
00:06:39,920 --> 00:06:42,040
Speaker 3: With the with the homemade milkshake, with.

132
00:06:42,040 --> 00:06:47,040
Speaker 1: The homemade weird green milkshake that he's supposed to make

133
00:06:47,120 --> 00:06:52,040
Speaker 1: in his kitchen to help make fuzz Bucket appear appear.

134
00:06:52,520 --> 00:06:56,600
Speaker 1: But so he's there, he's there, and he's invisible. But

135
00:06:56,640 --> 00:06:58,839
Speaker 1: at the same time, at the beginning, it looks like

136
00:06:58,920 --> 00:07:01,200
Speaker 1: Mikey's following him around and talking to him, but then

137
00:07:01,240 --> 00:07:03,520
Speaker 1: he says, where are you? Are you still here? So

138
00:07:04,279 --> 00:07:07,280
Speaker 1: we couldn't tell if Mikey could see him right, and

139
00:07:07,320 --> 00:07:09,760
Speaker 1: nobody else could because at times he's then turning to

140
00:07:09,800 --> 00:07:12,280
Speaker 1: him in the principal's office and saying, talk to them,

141
00:07:12,320 --> 00:07:15,120
Speaker 1: talk to them. They think I'm crazy, so that got

142
00:07:15,160 --> 00:07:17,920
Speaker 1: a little confusing. It stars Chris I don't know if

143
00:07:17,960 --> 00:07:22,400
Speaker 1: it's Hebert Hebert or hey Bear as Michael Gerber like

144
00:07:22,440 --> 00:07:25,400
Speaker 1: the Baby Food. He is best known for his role

145
00:07:25,600 --> 00:07:29,640
Speaker 1: in the amazing and so important in My life movie

146
00:07:30,280 --> 00:07:32,600
Speaker 1: The Last star Fighter. He plays the Little Brother and

147
00:07:32,640 --> 00:07:35,600
Speaker 1: Last star Fighter. He is awesome in the movie.

148
00:07:35,640 --> 00:07:39,280
Speaker 2: He's adorable. It is one of the most adorable little kids.

149
00:07:39,320 --> 00:07:41,760
Speaker 2: I wanted to scoop him up and to me help

150
00:07:41,840 --> 00:07:42,640
Speaker 2: this little kid.

151
00:07:43,000 --> 00:07:45,240
Speaker 1: He was so cute playing the Little Brother and Last

152
00:07:45,280 --> 00:07:48,280
Speaker 1: Starfighter and playing young Alex Pekeaton in two episodes of

153
00:07:48,280 --> 00:07:51,080
Speaker 1: Family Ties. And he does look like a little bit

154
00:07:51,120 --> 00:07:54,120
Speaker 1: like a reverse Benjamin Button kind of kid. But he

155
00:07:54,480 --> 00:07:56,440
Speaker 1: was super important in my childhood, so I knew exactly

156
00:07:56,480 --> 00:07:58,360
Speaker 1: who this was because I was a huge Last star

157
00:07:58,400 --> 00:08:01,800
Speaker 1: Fighter fan and an enormous Family Ties fan. So he

158
00:08:01,920 --> 00:08:03,920
Speaker 1: left acting. He retired from the business in the late

159
00:08:04,000 --> 00:08:06,640
Speaker 1: nineties and is currently a teacher at Fullerton High School,

160
00:08:06,640 --> 00:08:09,000
Speaker 1: which is very very cool. Right around the corner, right

161
00:08:09,040 --> 00:08:13,480
Speaker 1: around the corner from you. Phil fonde Caro was the

162
00:08:13,560 --> 00:08:16,960
Speaker 1: man in that awful, horrific fuzz Bucket costume, but he

163
00:08:17,000 --> 00:08:19,480
Speaker 1: is a legendary actor. He stands about three feet six

164
00:08:19,520 --> 00:08:21,560
Speaker 1: inches tall and started his career in the nineteen eighty

165
00:08:21,600 --> 00:08:24,160
Speaker 1: one movie Under the Rainbow. He's also appeared in Return

166
00:08:24,160 --> 00:08:26,520
Speaker 1: of the Jedi as an Ewok, the Garbage Pale Kids

167
00:08:26,600 --> 00:08:29,840
Speaker 1: movie as Greaser Greg, in the movie Willow, and five

168
00:08:29,840 --> 00:08:31,600
Speaker 1: episodes of Sabrina the Teenage Witch.

169
00:08:31,680 --> 00:08:31,960
Speaker 3: Wow.

170
00:08:32,000 --> 00:08:34,000
Speaker 1: He's even a voice in the movie Polar Express, but

171
00:08:34,679 --> 00:08:37,520
Speaker 1: he was not the voice of Fuzzbucket. Fuzzbucket was actually

172
00:08:37,600 --> 00:08:40,760
Speaker 1: voiced by Hal Smith, who was best known as Otis

173
00:08:40,760 --> 00:08:43,559
Speaker 1: from The Andy Grifford Show and Owl from Winnie the Pooh,

174
00:08:43,600 --> 00:08:45,960
Speaker 1: So he didn't have a whole lot of work to

175
00:08:46,000 --> 00:08:48,280
Speaker 1: do here, but he is very very big In the

176
00:08:48,320 --> 00:08:53,679
Speaker 1: voiceover game, Joe Regula Budo plays the dad. That's by

177
00:08:53,720 --> 00:08:56,559
Speaker 1: the way, how he's credited in the movie just Dad.

178
00:08:56,760 --> 00:08:58,559
Speaker 1: There's no name, it's just dad.

179
00:08:58,679 --> 00:09:00,800
Speaker 2: A lot of the credits were like that. Did you

180
00:09:00,920 --> 00:09:05,120
Speaker 2: notice that that was a very much The credits were strange.

181
00:09:04,720 --> 00:09:07,080
Speaker 4: So you could tell it just kind of threw it together.

182
00:09:07,720 --> 00:09:09,959
Speaker 1: But he is best known as Frank Fontana on Murphy

183
00:09:09,960 --> 00:09:11,600
Speaker 1: Brown and you've seen him in hundreds of things. I

184
00:09:11,640 --> 00:09:13,880
Speaker 1: remember him from one of my favorite really bad Arnold

185
00:09:13,920 --> 00:09:15,960
Speaker 1: Schwarzenegger movies growing up, where he played the bad guy

186
00:09:16,040 --> 00:09:21,080
Speaker 1: in Raw Deal, Oh Terrible movie. Wendy Phillips is mom

187
00:09:21,679 --> 00:09:24,880
Speaker 1: best known as Gail from Midnight Run, Great great, great

188
00:09:24,920 --> 00:09:27,760
Speaker 1: movie and as Mary an Airplane Too, the sequel. There's

189
00:09:27,800 --> 00:09:31,040
Speaker 1: like the cast of this I'm gonna say movie or film,

190
00:09:31,040 --> 00:09:33,199
Speaker 1: even though it's really not was outstanding.

191
00:09:33,480 --> 00:09:33,720
Speaker 3: Yes.

192
00:09:34,440 --> 00:09:38,160
Speaker 1: And then Robin Lively, who is part of the legendary

193
00:09:38,600 --> 00:09:43,520
Speaker 1: Hollywood family, plays Stevie Gerber, Michael's sister, and you would

194
00:09:43,559 --> 00:09:45,439
Speaker 1: have thought she'd have a bigger part because it was

195
00:09:45,520 --> 00:09:48,559
Speaker 1: supposed to be a television show, we think, and we're

196
00:09:48,559 --> 00:09:50,120
Speaker 1: gonna get a chance to talk to her. She's gonna

197
00:09:50,120 --> 00:09:52,600
Speaker 1: be able to tell us actually what happened. But she's

198
00:09:52,640 --> 00:09:56,200
Speaker 1: an incredible actress that was barely used. She's known as

199
00:09:56,559 --> 00:10:00,520
Speaker 1: Louise in Teenwitch, I mean there you go, as Jessica

200
00:10:00,600 --> 00:10:03,640
Speaker 1: Andrews in the Karate Kit three and even appeared in Yes,

201
00:10:03,800 --> 00:10:06,360
Speaker 1: and was in a recent episode of Cobra Kai. She's

202
00:10:06,600 --> 00:10:10,280
Speaker 1: obviously sisters with Blake Lively and also Lori Lively and

203
00:10:10,280 --> 00:10:13,720
Speaker 1: they've been in a ton of stuff and very well known. Lastly,

204
00:10:13,760 --> 00:10:16,360
Speaker 1: John Vernon plays principle again. That is how all these

205
00:10:16,360 --> 00:10:19,600
Speaker 1: people are credited. And he's another unforgettable character actor who

206
00:10:19,679 --> 00:10:22,440
Speaker 1: was the mayor in Dirty Harry and Dean Wermer in

207
00:10:22,600 --> 00:10:25,440
Speaker 1: Animal House and is another actor that we assume would

208
00:10:25,440 --> 00:10:27,360
Speaker 1: have a much bigger part if this was a TV

209
00:10:27,400 --> 00:10:31,120
Speaker 1: show and not a movie, because he has one entire scene,

210
00:10:31,320 --> 00:10:34,800
Speaker 1: just one scene that means nothing, It makes no sense,

211
00:10:35,040 --> 00:10:38,720
Speaker 1: it's bizarre, and you never see him again. So yeah,

212
00:10:38,760 --> 00:10:40,520
Speaker 1: we have to get the whole story. It was written

213
00:10:40,520 --> 00:10:42,600
Speaker 1: and directed by Mick Garris, who came out of Steven

214
00:10:42,600 --> 00:10:45,040
Speaker 1: Spielberg's Amazing Stories camp and is best known as the

215
00:10:45,040 --> 00:10:47,480
Speaker 1: writer of pocus Pocus, which is a true Disney classic.

216
00:10:48,400 --> 00:10:52,600
Speaker 4: It runs forty six minutes. That is correct.

217
00:10:52,720 --> 00:10:55,079
Speaker 1: It runs forty six minutes, well below any target we

218
00:10:55,160 --> 00:10:57,520
Speaker 1: have had, which validates the rumor that this was first

219
00:10:57,559 --> 00:10:59,679
Speaker 1: filmed as a TV pilot because it is seriously barely

220
00:10:59,679 --> 00:11:03,080
Speaker 1: long enough to fill an hour even with commercials. We

221
00:11:03,120 --> 00:11:05,120
Speaker 1: have already said that it was inspired by ET's success

222
00:11:05,120 --> 00:11:07,520
Speaker 1: and Disney hoping to cash in on that juggernaut. But

223
00:11:07,600 --> 00:11:10,679
Speaker 1: also three months later NBC debuted alf which was one

224
00:11:10,720 --> 00:11:13,440
Speaker 1: of the decades's most popular TV shows and a much

225
00:11:13,440 --> 00:11:15,720
Speaker 1: more coherent version of what Fuzzbucket was supposed to be.

226
00:11:16,280 --> 00:11:19,360
Speaker 1: And the weirdest credit hall for this movie is that

227
00:11:19,400 --> 00:11:22,240
Speaker 1: it was executive produced by John Landis, the director of

228
00:11:22,240 --> 00:11:25,240
Speaker 1: Blues Brothers, Trading Places of Animal House Coming to America,

229
00:11:25,240 --> 00:11:29,160
Speaker 1: the legendary eighties director. I mean, just one incredible movie

230
00:11:29,200 --> 00:11:32,760
Speaker 1: after another, And this project was actually shot while he

231
00:11:32,880 --> 00:11:35,760
Speaker 1: was on trial for the tragedy that occurred on the

232
00:11:35,760 --> 00:11:39,439
Speaker 1: Twilight Zone movie where two young actors and an older actor,

233
00:11:39,520 --> 00:11:42,280
Speaker 1: Vic Morrow, were killed when the helicopter crashed. So just

234
00:11:42,760 --> 00:11:45,920
Speaker 1: a weird time to be producing fuzz Bucket.

235
00:11:46,000 --> 00:11:48,120
Speaker 2: Any weirder and weirder by the second here.

236
00:11:48,400 --> 00:11:52,719
Speaker 1: Yes, So the movie just starts with a crane shot

237
00:11:52,760 --> 00:11:55,160
Speaker 1: into michael'streethouse, which is a major set for the movie.

238
00:11:55,200 --> 00:11:58,640
Speaker 1: He's pacing the room and talking to himself but also

239
00:11:59,240 --> 00:12:02,240
Speaker 1: waiting to get answers. And this is where I started

240
00:12:02,280 --> 00:12:04,960
Speaker 1: my full confusion. Maybe it was easier for you. I

241
00:12:04,960 --> 00:12:10,720
Speaker 1: could not tell if Fuzzbucket was invisible only to him,

242
00:12:10,920 --> 00:12:12,920
Speaker 1: like was he invisible to everybody else? But Mikey could

243
00:12:12,960 --> 00:12:15,960
Speaker 1: see him, because sometimes it seemed like he could and

244
00:12:16,000 --> 00:12:18,040
Speaker 1: sometimes it seemed like he couldn't, Right.

245
00:12:18,400 --> 00:12:22,000
Speaker 2: I think it kind of I Again, I don't remember

246
00:12:22,440 --> 00:12:27,280
Speaker 2: having an invisible friend, but I have seen it obviously

247
00:12:27,320 --> 00:12:30,280
Speaker 2: portrayed in other shows, TV movies, things like that, or

248
00:12:30,679 --> 00:12:33,880
Speaker 2: my friends that have kids that have them, and it's

249
00:12:33,920 --> 00:12:37,200
Speaker 2: almost like a game to them as well to where

250
00:12:37,440 --> 00:12:38,839
Speaker 2: they play, like where'd you go?

251
00:12:39,040 --> 00:12:42,120
Speaker 4: As if they're hiding, because even said are you still here?

252
00:12:42,320 --> 00:12:43,160
Speaker 2: Are you still here?

253
00:12:43,480 --> 00:12:43,720
Speaker 3: You know?

254
00:12:43,880 --> 00:12:47,280
Speaker 2: Or that that sometimes the invisible friends like they don't

255
00:12:47,360 --> 00:12:49,640
Speaker 2: live in the house with them, they live somewhere else

256
00:12:49,640 --> 00:12:52,400
Speaker 2: and they come in like a front would come over. Okay,

257
00:12:52,600 --> 00:12:56,160
Speaker 2: you know, a play date. So I followed it that way. Okay,

258
00:12:56,160 --> 00:12:58,680
Speaker 2: they confused me too much. The thing I was really

259
00:12:58,720 --> 00:13:01,760
Speaker 2: intrigued on. Now, I'm gonna say something kind of positive.

260
00:13:02,200 --> 00:13:09,800
Speaker 2: I loved the little musical, the party's answering, his answered questions.

261
00:13:10,160 --> 00:13:14,040
Speaker 2: I loved those those kept making me giggle, were so cute,

262
00:13:14,520 --> 00:13:17,120
Speaker 2: And I didn't like enjoy that. I was, you know,

263
00:13:17,160 --> 00:13:20,760
Speaker 2: every time you could see his little influctuation of what

264
00:13:20,880 --> 00:13:22,720
Speaker 2: his little voice was going to be doing. I kept

265
00:13:22,720 --> 00:13:25,240
Speaker 2: thinking instantly fuzz Bucket was a boy. I don't know

266
00:13:25,240 --> 00:13:28,040
Speaker 2: why I just had that, but it to me, it

267
00:13:28,080 --> 00:13:29,679
Speaker 2: was that was his little voice, and he had a

268
00:13:29,760 --> 00:13:32,840
Speaker 2: cute little voice, just like you know, like our main character.

269
00:13:33,320 --> 00:13:36,840
Speaker 1: Well, the thing is, the scene is literally like five

270
00:13:36,880 --> 00:13:40,120
Speaker 1: minutes long, and it's just so kid talking to himself. Yeah.

271
00:13:40,160 --> 00:13:42,400
Speaker 2: I kept thinking the whole time someone was going to

272
00:13:42,480 --> 00:13:45,760
Speaker 2: come into the tree house. I did not expect him

273
00:13:45,760 --> 00:13:49,080
Speaker 2: to be leaving the tree house to come to dinner.

274
00:13:48,800 --> 00:13:50,880
Speaker 1: Right, I think we Also, it's a perfect time to

275
00:13:50,920 --> 00:13:55,560
Speaker 1: talk about the fact that Fuzzbucket himself does not actually

276
00:13:55,640 --> 00:13:59,400
Speaker 1: show up until like twenty five minutes into the We're like.

277
00:13:59,400 --> 00:14:03,960
Speaker 2: Halfway and thank god, there's forty six minutes of the

278
00:14:04,080 --> 00:14:06,600
Speaker 2: full fuzz Bucket might have just really done me.

279
00:14:06,640 --> 00:14:09,000
Speaker 1: Oh is that what he said? I can't take it.

280
00:14:09,000 --> 00:14:11,319
Speaker 4: I can't take forty six minutes of fuzz Bucket.

281
00:14:11,720 --> 00:14:12,080
Speaker 2: Yeah.

282
00:14:12,120 --> 00:14:15,120
Speaker 1: So you think it would not have done better for

283
00:14:15,160 --> 00:14:19,120
Speaker 1: the movie with more Fuzzbucket, your team less Fuzzbucket, it, Well,

284
00:14:19,160 --> 00:14:19,720
Speaker 1: it would.

285
00:14:19,520 --> 00:14:24,200
Speaker 2: Have been, yes, because then they would unless they decided

286
00:14:24,440 --> 00:14:27,160
Speaker 2: to have a way for him to disappear again, to

287
00:14:27,200 --> 00:14:30,480
Speaker 2: not be seen to people. So this milkshake happens, and

288
00:14:30,560 --> 00:14:34,080
Speaker 2: to me, he gets his milkshake, and I don't want

289
00:14:34,080 --> 00:14:35,880
Speaker 2: to skip to the end, but it seems like the

290
00:14:35,920 --> 00:14:39,320
Speaker 2: milkshake situation was for him to right.

291
00:14:39,400 --> 00:14:43,359
Speaker 1: But also but they never ever explained why he's invisible,

292
00:14:44,160 --> 00:14:48,040
Speaker 1: exactly what happened, why he can't get visible again. There's

293
00:14:48,120 --> 00:14:50,640
Speaker 1: no I mean, none of this it's explained in any

294
00:14:50,640 --> 00:14:51,160
Speaker 1: way way.

295
00:14:51,200 --> 00:14:53,880
Speaker 2: I kept seeing it because I also didn't pay attention

296
00:14:53,960 --> 00:14:55,800
Speaker 2: that it was only going to be forty six minutes.

297
00:14:55,840 --> 00:14:57,000
Speaker 2: Did you realize that or did.

298
00:14:56,920 --> 00:14:57,520
Speaker 4: You I had no idea.

299
00:14:57,560 --> 00:14:58,960
Speaker 1: Okay, I paused at one point to go to the

300
00:14:58,960 --> 00:15:01,040
Speaker 1: bathroom and I was like, wait, there's twelve and this

301
00:15:01,080 --> 00:15:01,760
Speaker 1: can't be right.

302
00:15:02,000 --> 00:15:05,080
Speaker 2: No, it ended, and I went did something just happen

303
00:15:05,160 --> 00:15:05,800
Speaker 2: to my internet?

304
00:15:05,840 --> 00:15:07,360
Speaker 1: I thought there was a second part?

305
00:15:07,520 --> 00:15:10,520
Speaker 2: Yeah? Am I missing it? Is there a second part? On?

306
00:15:10,680 --> 00:15:15,400
Speaker 2: I was really confused, crazy, And then the credits started happening. I, okay,

307
00:15:15,480 --> 00:15:19,160
Speaker 2: you know the same thing. So I think him bouncing

308
00:15:19,200 --> 00:15:22,040
Speaker 2: back and forth would have been really hard to figure

309
00:15:22,040 --> 00:15:25,400
Speaker 2: out how he obviously couldn't be seen by anyone else,

310
00:15:25,560 --> 00:15:28,680
Speaker 2: And the fact that he even has the venture into

311
00:15:28,800 --> 00:15:32,120
Speaker 2: where he ends up and no one recognizes that this

312
00:15:32,200 --> 00:15:36,000
Speaker 2: giant possum, furry possum thing is walking around with the

313
00:15:36,040 --> 00:15:37,080
Speaker 2: hat in an outfit.

314
00:15:37,120 --> 00:15:39,440
Speaker 4: Well, he does usually walk around under the cover of

315
00:15:39,600 --> 00:15:40,400
Speaker 4: broad daylight.

316
00:15:40,880 --> 00:15:45,200
Speaker 1: Yeah, so you know he's usually sneaking around down busy

317
00:15:45,240 --> 00:15:48,200
Speaker 1: streets at two o'clock in the afternoon. Yes, so so, okay,

318
00:15:48,240 --> 00:15:49,680
Speaker 1: we come to realize that is the first day of

319
00:15:49,720 --> 00:15:52,760
Speaker 1: middle school. But also we witnessed the return of a

320
00:15:52,880 --> 00:15:56,480
Speaker 1: very decom trope that we're starting to see in most

321
00:15:56,480 --> 00:15:59,960
Speaker 1: of these movies, The Horrible System played by Robin Lively,

322
00:16:00,080 --> 00:16:02,080
Speaker 1: who's first line of the movie is she calls him

323
00:16:02,120 --> 00:16:05,040
Speaker 1: a tumor. She's like, oh, the tumor woke up, so

324
00:16:05,360 --> 00:16:08,040
Speaker 1: talking about her little brother, referring to him as a tumor,

325
00:16:08,080 --> 00:16:10,840
Speaker 1: which is pretty harsh, and that is so his mom

326
00:16:10,920 --> 00:16:13,720
Speaker 1: then forces him to sit down at the table. Is

327
00:16:13,760 --> 00:16:17,040
Speaker 1: it dinner or is it breakfast? It's dinner.

328
00:16:17,360 --> 00:16:19,880
Speaker 3: It's dinner, she says it. While he's in the treehouse.

329
00:16:20,320 --> 00:16:22,280
Speaker 1: She does come in for dinner. Okay, because at first

330
00:16:22,280 --> 00:16:24,160
Speaker 1: I thought maybe it was breakfast. So because what she

331
00:16:24,360 --> 00:16:27,240
Speaker 1: he comes in and he sits down, he doesn't. There's

332
00:16:27,320 --> 00:16:28,960
Speaker 1: mushrooms in the gravy. He doesn't want to eat the

333
00:16:29,000 --> 00:16:31,120
Speaker 1: mushrooms in the gravy. So the MoMA sentally says, pick

334
00:16:31,200 --> 00:16:32,640
Speaker 1: him out. He says, I don't want to. She says, well,

335
00:16:32,640 --> 00:16:35,320
Speaker 1: you're gonna sit there until you finish your meal. Common

336
00:16:35,360 --> 00:16:37,960
Speaker 1: punishment back in the day. And then it cuts to

337
00:16:38,200 --> 00:16:40,760
Speaker 1: like hours later and he's still sitting there in the

338
00:16:40,840 --> 00:16:45,400
Speaker 1: dark with his food. I'm glad that it's dinner and

339
00:16:45,440 --> 00:16:47,840
Speaker 1: not breakfast, but it's still got to be hours that

340
00:16:47,880 --> 00:16:58,360
Speaker 1: this kid is sitting there in front of his place. Yeah. Yeah,

341
00:16:58,440 --> 00:17:00,520
Speaker 1: So let's talk about the Gerber household here a little

342
00:17:00,560 --> 00:17:03,800
Speaker 1: more in depth. Beyond just his sister not being the best,

343
00:17:04,280 --> 00:17:07,359
Speaker 1: it also appears that his parents' marriage is strained and

344
00:17:07,359 --> 00:17:09,120
Speaker 1: they're screaming at each other all the time. But again,

345
00:17:09,160 --> 00:17:12,840
Speaker 1: we don't ever see see any of them, and they don't.

346
00:17:13,560 --> 00:17:15,520
Speaker 1: I mean, they allude to, like say it flat out

347
00:17:15,520 --> 00:17:16,919
Speaker 1: when his dad has a talk with him, like, yo,

348
00:17:16,960 --> 00:17:18,360
Speaker 1: you must hear your mom fighting it all the time,

349
00:17:18,359 --> 00:17:19,320
Speaker 1: but they don't show it.

350
00:17:19,960 --> 00:17:20,600
Speaker 4: He seems to.

351
00:17:20,760 --> 00:17:23,760
Speaker 1: They seem to be nice people, and so you never

352
00:17:23,840 --> 00:17:31,639
Speaker 1: kind of see any disharmony in the family. Right, So yeah, again,

353
00:17:31,720 --> 00:17:34,480
Speaker 1: they set something up that they don't show payoff or

354
00:17:34,600 --> 00:17:36,760
Speaker 1: see in any way shape or for him. The dad's

355
00:17:36,800 --> 00:17:40,000
Speaker 1: always working and doesn't appear to be spending enough time

356
00:17:40,040 --> 00:17:42,160
Speaker 1: with Michael, who sleeps in his treehouse, which he calls

357
00:17:42,240 --> 00:17:44,680
Speaker 1: the castle while talking to himself.

358
00:17:44,400 --> 00:17:48,640
Speaker 2: With the easiest escape route. If a window I have.

359
00:17:48,720 --> 00:17:51,040
Speaker 4: Ever seen, it might as well be a door. It was.

360
00:17:51,480 --> 00:17:52,720
Speaker 3: It honestly should have been.

361
00:17:52,800 --> 00:17:55,160
Speaker 2: I thought the same thing that is in my Sabrina

362
00:17:55,240 --> 00:17:59,199
Speaker 2: seas that thing look like a door. There's just no

363
00:17:59,359 --> 00:18:02,040
Speaker 2: way my kids would ever have a window that they

364
00:18:02,080 --> 00:18:04,160
Speaker 2: could just easily get out.

365
00:18:04,240 --> 00:18:06,080
Speaker 1: And I think it's probably it goes to that the

366
00:18:06,720 --> 00:18:09,000
Speaker 1: ramp thing that he built that goes right to the castle,

367
00:18:09,040 --> 00:18:10,880
Speaker 1: So I think it's essentially attached to a the room,

368
00:18:10,880 --> 00:18:12,760
Speaker 1: which is cool as hell when you're a kid.

369
00:18:12,760 --> 00:18:13,480
Speaker 3: Oh my gosh.

370
00:18:13,480 --> 00:18:16,159
Speaker 2: But you know that this happens all the time because

371
00:18:16,200 --> 00:18:19,680
Speaker 2: by the time his mom calls out and says they're

372
00:18:19,720 --> 00:18:22,520
Speaker 2: going to get pizza, right, she knows where he is.

373
00:18:23,240 --> 00:18:26,800
Speaker 1: Yeah, because she erry specifically in her in his punishment

374
00:18:26,840 --> 00:18:30,560
Speaker 1: when he's sent there. This time, the mom he even says, well,

375
00:18:31,280 --> 00:18:33,399
Speaker 1: mom didn't mention the castle, so I can go to that.

376
00:18:33,480 --> 00:18:35,040
Speaker 1: He wasn't allowed to watch TV, he wasn't not to

377
00:18:35,040 --> 00:18:36,720
Speaker 1: do all this stuff, but he could go to the castle,

378
00:18:36,800 --> 00:18:38,160
Speaker 1: so he went there.

379
00:18:38,440 --> 00:18:39,840
Speaker 3: That is a terrible punishment.

380
00:18:40,240 --> 00:18:43,679
Speaker 1: Again, that kid doesn't me and then and then sleeps

381
00:18:43,680 --> 00:18:45,320
Speaker 1: in the castle while talking to himself.

382
00:18:45,400 --> 00:18:46,959
Speaker 3: You can go to your favorite place anyway.

383
00:18:47,160 --> 00:18:50,600
Speaker 1: Yeah, I mean, he's he's. It's one of those things

384
00:18:50,600 --> 00:18:53,879
Speaker 1: where we we get that it's buzzbucket that he's talking to.

385
00:18:54,000 --> 00:18:55,679
Speaker 1: But they've really set it up where I think the

386
00:18:55,720 --> 00:18:58,080
Speaker 1: parents are having conversations about getting this kid some serious

387
00:18:58,080 --> 00:19:00,840
Speaker 1: psychological Yes, yes, it's they've really set it up there.

388
00:19:00,880 --> 00:19:04,120
Speaker 2: They should be because it's a little over the time.

389
00:19:04,240 --> 00:19:07,560
Speaker 4: So first day of school, he rides his bike there

390
00:19:07,600 --> 00:19:08,080
Speaker 4: no helmet.

391
00:19:08,119 --> 00:19:08,800
Speaker 1: It's the eighties.

392
00:19:08,880 --> 00:19:10,639
Speaker 4: That's the first thing I noticed is everybody's riding their

393
00:19:10,640 --> 00:19:11,240
Speaker 4: bike with no helmet.

394
00:19:11,240 --> 00:19:14,119
Speaker 1: It's just the way it is. Student orientation in the

395
00:19:14,119 --> 00:19:17,640
Speaker 1: cafeteria is also advertising that there's already a school dance

396
00:19:17,680 --> 00:19:19,880
Speaker 1: on Friday. So this is obviously the party middle school

397
00:19:19,920 --> 00:19:21,720
Speaker 1: in town where your first couple of days there and

398
00:19:21,720 --> 00:19:23,560
Speaker 1: you're at a dance when you don't know anybody. Okay,

399
00:19:23,800 --> 00:19:25,480
Speaker 1: who do you dance with? You just met these people.

400
00:19:25,520 --> 00:19:27,200
Speaker 4: But no, that's normal.

401
00:19:27,640 --> 00:19:29,320
Speaker 2: Is the first couple of weeks in school. Yeah, like

402
00:19:29,880 --> 00:19:32,639
Speaker 2: just a really casual on Friday.

403
00:19:32,760 --> 00:19:33,720
Speaker 1: You just got them in the.

404
00:19:33,800 --> 00:19:34,920
Speaker 2: Multi purpose room.

405
00:19:35,359 --> 00:19:39,200
Speaker 3: Yeah, purpose room. Oh jeez.

406
00:19:40,600 --> 00:19:43,399
Speaker 1: So Michael waits in line. He's not in the system

407
00:19:43,400 --> 00:19:45,119
Speaker 1: as a new student, so he's forced to go to

408
00:19:45,160 --> 00:19:46,080
Speaker 1: the principal's office.

409
00:19:47,240 --> 00:19:49,520
Speaker 4: He sits in there now very quick.

410
00:19:49,560 --> 00:19:54,159
Speaker 1: Note the woman that brings him into the office teacher,

411
00:19:54,560 --> 00:19:56,240
Speaker 1: the teacher, if she was a teacher.

412
00:19:56,480 --> 00:19:59,720
Speaker 2: As they scanned the teacher, I instantly knew this one's

413
00:19:59,760 --> 00:20:02,800
Speaker 2: gonna instantly knew we're gonna get back to that one.

414
00:20:02,840 --> 00:20:04,800
Speaker 3: And that's, in fact the one that Michael went up to.

415
00:20:05,480 --> 00:20:08,480
Speaker 1: Right fran Ryan I believe was the actress's name who

416
00:20:08,480 --> 00:20:11,439
Speaker 1: played the part. She's legendary, she'd been in everything and everything,

417
00:20:11,760 --> 00:20:15,120
Speaker 1: and she had a very tragic story. I was doing

418
00:20:15,119 --> 00:20:17,760
Speaker 1: my deep dive a little bit, and this poor woman

419
00:20:18,200 --> 00:20:22,920
Speaker 1: had two husbands die in plane crashes in two years.

420
00:20:24,480 --> 00:20:26,520
Speaker 4: I'm in the fifties. They were both pilots.

421
00:20:26,600 --> 00:20:29,240
Speaker 1: Both their planes went down within like two years of

422
00:20:29,280 --> 00:20:32,480
Speaker 1: each other at the same time. I'm crazy. But she

423
00:20:32,640 --> 00:20:36,399
Speaker 1: brings him into the principal's office while she tries to

424
00:20:36,400 --> 00:20:39,800
Speaker 1: find his missing name. He sits down on the couch

425
00:20:39,920 --> 00:20:42,679
Speaker 1: to wait to go to the principal's office. There's a

426
00:20:42,760 --> 00:20:44,639
Speaker 1: girl that he sees, They make eye contact, they have

427
00:20:44,680 --> 00:20:47,640
Speaker 1: a little flirty thing, and then all she's gonna.

428
00:20:47,320 --> 00:20:49,400
Speaker 2: Be another character that we never see again.

429
00:20:49,400 --> 00:20:51,600
Speaker 1: You never see again. And then all of a sudden

430
00:20:51,680 --> 00:20:56,880
Speaker 1: he bursts out in laughter because fuzz Buckets starts tickling him.

431
00:20:58,080 --> 00:21:00,400
Speaker 2: Poor guy doesn't even have a chance again.

432
00:21:00,440 --> 00:21:03,240
Speaker 1: Never explained, No, you don't know what's happened. Just here's

433
00:21:03,280 --> 00:21:06,000
Speaker 1: what I'm gonna do. I'm gonna randomly start tickling you.

434
00:21:06,000 --> 00:21:08,520
Speaker 1: Your imaginary friend's gonna randomly start tickling you in the

435
00:21:08,560 --> 00:21:12,399
Speaker 1: principal's office at school, which also means, then this is

436
00:21:12,400 --> 00:21:14,760
Speaker 1: what was going through my head. Was fuzz Bucket with

437
00:21:14,840 --> 00:21:17,440
Speaker 1: him on the bike? Is that how he got there?

438
00:21:17,480 --> 00:21:19,359
Speaker 1: Did he have to ride fuzz Bucket on the bike?

439
00:21:19,760 --> 00:21:22,200
Speaker 2: It did have a pretty big basket on the back

440
00:21:22,240 --> 00:21:22,840
Speaker 2: of his bike.

441
00:21:23,280 --> 00:21:25,760
Speaker 1: Okay, well, thank god he was invisible because they never

442
00:21:25,760 --> 00:21:28,280
Speaker 1: would have known. Maybe so he wrote him there.

443
00:21:28,200 --> 00:21:31,240
Speaker 2: But also to know the principal would not be taking

444
00:21:31,280 --> 00:21:33,600
Speaker 2: care of this particular situation.

445
00:21:33,840 --> 00:21:35,480
Speaker 4: Well, see, here's what I thought. Because I thought the

446
00:21:35,480 --> 00:21:35,920
Speaker 4: same thing.

447
00:21:36,040 --> 00:21:38,760
Speaker 2: It would be the secretary or somebody that's in the office.

448
00:21:38,920 --> 00:21:42,480
Speaker 1: But that's what was happening until he went into a

449
00:21:42,560 --> 00:21:46,719
Speaker 1: tickle frenzy, and so he thought he was having something

450
00:21:46,760 --> 00:21:49,160
Speaker 1: going on in the day, which is why he called

451
00:21:49,200 --> 00:21:49,520
Speaker 1: him in.

452
00:21:49,840 --> 00:21:51,880
Speaker 2: I wrote it down because they made there was some

453
00:21:51,920 --> 00:21:54,199
Speaker 2: type of comment that made it seem like he was

454
00:21:54,240 --> 00:21:57,239
Speaker 2: going to have to see the principle because like as

455
00:21:57,320 --> 00:21:58,080
Speaker 2: if he was in trouble.

456
00:21:58,119 --> 00:21:59,879
Speaker 3: They like joked around, right, Okay, it was just a

457
00:22:00,000 --> 00:22:00,800
Speaker 3: sho joke.

458
00:22:00,720 --> 00:22:01,520
Speaker 4: But I think she was.

459
00:22:01,720 --> 00:22:04,399
Speaker 1: And that's when the friend Ryan woman was like, no, no,

460
00:22:04,520 --> 00:22:06,200
Speaker 1: I can find his name. That's not so. I think

461
00:22:06,200 --> 00:22:08,560
Speaker 1: he was just acting so strange that the principal took

462
00:22:08,600 --> 00:22:09,720
Speaker 1: him in to see what.

463
00:22:09,720 --> 00:22:13,480
Speaker 2: Kind of came up in that dramatic that dramatic shadow

464
00:22:14,080 --> 00:22:19,240
Speaker 2: shadow came Yeah, there was the principle, which at at

465
00:22:19,280 --> 00:22:23,879
Speaker 2: that young age, going to the principal principal was absolutely

466
00:22:23,920 --> 00:22:24,520
Speaker 2: that feeling.

467
00:22:25,040 --> 00:22:25,680
Speaker 1: It was the worst.

468
00:22:26,280 --> 00:22:28,359
Speaker 2: This was it. You were never going to finish school,

469
00:22:28,720 --> 00:22:31,560
Speaker 2: you were going to have to live on the street.

470
00:22:32,720 --> 00:22:35,520
Speaker 1: And you're getting tickled by your imaginary friend. By the way, uh,

471
00:22:35,760 --> 00:22:37,640
Speaker 1: we'd like to point out and We're going to keep

472
00:22:37,640 --> 00:22:40,800
Speaker 1: doing this. We're twenty minutes and still no Fuzzby. We

473
00:22:40,920 --> 00:22:44,119
Speaker 1: still have not seen Fuzzbucket. The little invisible tickle monster

474
00:22:44,280 --> 00:22:49,440
Speaker 1: has yet to show himself. After a creepy and uncomfortable

475
00:22:49,440 --> 00:22:51,840
Speaker 1: scene in the principal's office, which is really what it is.

476
00:22:51,880 --> 00:22:54,520
Speaker 1: It is a creepy and uncomfortable scene, never see the

477
00:22:54,520 --> 00:22:57,360
Speaker 1: principle again, as a matter of fact, never goes back

478
00:22:57,400 --> 00:23:00,520
Speaker 1: to school. The idea that it's any to do with

479
00:23:00,560 --> 00:23:03,200
Speaker 1: school or the first day of middle school gone out

480
00:23:03,200 --> 00:23:03,960
Speaker 1: the window. Again.

481
00:23:04,200 --> 00:23:05,880
Speaker 4: If it's a television show, it makes sense.

482
00:23:06,040 --> 00:23:09,280
Speaker 2: Yeah, it's so interesting to say like that, the idea

483
00:23:09,280 --> 00:23:12,720
Speaker 2: of it being a television show, because these are characters.

484
00:23:12,760 --> 00:23:15,680
Speaker 2: Even the teacher that says your other left son when

485
00:23:15,720 --> 00:23:16,920
Speaker 2: he gets off of his bike to.

486
00:23:16,880 --> 00:23:18,280
Speaker 1: Go, I recognize that guy.

487
00:23:18,640 --> 00:23:19,760
Speaker 2: I recognized him too.

488
00:23:19,800 --> 00:23:20,280
Speaker 1: I didn't know.

489
00:23:20,400 --> 00:23:22,320
Speaker 2: I thought maybe you would, because you're always so good

490
00:23:22,359 --> 00:23:25,560
Speaker 2: at telling me those and inciting me on these names

491
00:23:25,560 --> 00:23:29,960
Speaker 2: of actors. But even him, he looked like it was like, Okay,

492
00:23:30,000 --> 00:23:31,879
Speaker 2: that guy's going to be somebody. He's either going to

493
00:23:31,920 --> 00:23:34,200
Speaker 2: be a torment or he's going to be a helpful

494
00:23:34,560 --> 00:23:35,440
Speaker 2: you know, teacher.

495
00:23:35,840 --> 00:23:38,159
Speaker 4: No, No, we literally never see school.

496
00:23:38,320 --> 00:23:41,480
Speaker 2: So frustrating. I just oh, man, all.

497
00:23:41,359 --> 00:23:43,520
Speaker 4: The questions never comes up. No, never, never school.

498
00:23:43,560 --> 00:23:47,240
Speaker 1: So now we're back home and still we have no Fuzzbucket.

499
00:23:47,240 --> 00:23:49,440
Speaker 1: But now we're going to get him because he has

500
00:23:49,480 --> 00:23:54,800
Speaker 1: moved away from tickling to then giving Mikey instructions on

501
00:23:54,920 --> 00:23:58,399
Speaker 1: how to make a concoction in the kitchen with the

502
00:23:58,440 --> 00:24:04,359
Speaker 1: blender that we are starting to understand will eventually turn Fuzzbucket.

503
00:24:05,359 --> 00:24:06,800
Speaker 1: You know, you're gonna be able to see him visible.

504
00:24:06,920 --> 00:24:09,560
Speaker 1: It's gonna see it. It's gonna make him visible. Which again,

505
00:24:09,680 --> 00:24:12,320
Speaker 1: still no explanation as to why he's invisible, why he

506
00:24:12,359 --> 00:24:15,600
Speaker 1: can't turn visible again? Was he cursed? Was he nothing?

507
00:24:15,800 --> 00:24:18,560
Speaker 2: The size of the drink that he made made me

508
00:24:18,600 --> 00:24:21,040
Speaker 2: think that that was going to be the Maybe the

509
00:24:21,119 --> 00:24:23,159
Speaker 2: drink would wear off, he'd go back to being it,

510
00:24:23,160 --> 00:24:25,199
Speaker 2: and anytime he wanted to come like a look like

511
00:24:25,240 --> 00:24:27,000
Speaker 2: the size drink was gonna be.

512
00:24:27,320 --> 00:24:28,960
Speaker 1: I see what you're saying. That makes sense.

513
00:24:29,000 --> 00:24:30,800
Speaker 2: You know, in my head, I'm going, oh, okay, this

514
00:24:30,960 --> 00:24:33,440
Speaker 2: that might be how he comes in and out.

515
00:24:33,600 --> 00:24:35,439
Speaker 3: Okay, but then that's not what happened.

516
00:24:35,600 --> 00:24:37,240
Speaker 4: No, So he makes this stuff.

517
00:24:37,520 --> 00:24:40,400
Speaker 1: There's something magical also on the counter, so it's all

518
00:24:40,520 --> 00:24:42,440
Speaker 1: normal ingredients. And then he goes, where did this come from?

519
00:24:42,440 --> 00:24:44,200
Speaker 1: And he puts in this weird blue stuff. It turns

520
00:24:44,200 --> 00:24:46,960
Speaker 1: into this magic elixir. It kind of reminded me of

521
00:24:46,960 --> 00:24:49,119
Speaker 1: of what I call flubber face, where you stay on

522
00:24:49,160 --> 00:24:51,359
Speaker 1: the actor's face and the face turns colors, like turns

523
00:24:51,359 --> 00:24:54,120
Speaker 1: green and blue, and so it's like, Okay, he's making

524
00:24:54,119 --> 00:24:58,399
Speaker 1: something magical. They sneak it out. The father walks in

525
00:24:58,440 --> 00:25:01,239
Speaker 1: and instantly, instantly just goes for dinner. After the mom

526
00:25:01,359 --> 00:25:01,760
Speaker 1: comes in and.

527
00:25:01,840 --> 00:25:04,840
Speaker 3: Says, I noted that too.

528
00:25:04,880 --> 00:25:07,560
Speaker 1: That was the old said, what's for dinner?

529
00:25:07,600 --> 00:25:13,040
Speaker 2: Already? This poor mom already has just so much going on.

530
00:25:13,520 --> 00:25:17,800
Speaker 2: Katy daughter, her son doesn't eat any of the food

531
00:25:17,880 --> 00:25:22,240
Speaker 2: she spends hours making. He now trashes the kitchen. The

532
00:25:22,320 --> 00:25:24,840
Speaker 2: husband comes in and asks what's for dinner?

533
00:25:25,400 --> 00:25:28,760
Speaker 3: He deserved a backhand so hard.

534
00:25:29,240 --> 00:25:33,640
Speaker 2: I cannot even like, you can't see what I'm about

535
00:25:33,640 --> 00:25:35,280
Speaker 2: to have to clean up right now, you're asking me

536
00:25:35,320 --> 00:25:35,920
Speaker 2: what for dinner.

537
00:25:36,119 --> 00:25:39,119
Speaker 1: He walked in in the middle of the mom yelling

538
00:25:39,160 --> 00:25:41,640
Speaker 1: at Mikey and grounding him. And he didn't even ask

539
00:25:41,680 --> 00:25:43,199
Speaker 1: what happened. He just passed Mikey on the back as

540
00:25:43,240 --> 00:25:45,680
Speaker 1: Mikey goes off to his punishment, which was weird.

541
00:25:45,840 --> 00:25:50,200
Speaker 2: It was the only part I feel was the tiny

542
00:25:50,320 --> 00:25:53,520
Speaker 2: hinge of the not great marriage. This is the only

543
00:25:53,680 --> 00:25:55,560
Speaker 2: part that kind of shed light to that.

544
00:25:55,640 --> 00:25:57,480
Speaker 1: They cut out all the rest, but they kept this one.

545
00:25:57,800 --> 00:26:01,280
Speaker 1: So he takes his he manages to smuggle out some

546
00:26:01,320 --> 00:26:04,240
Speaker 1: of his concoction. He brings to the castle and they

547
00:26:04,240 --> 00:26:07,479
Speaker 1: give it to fuzz Bucket and then instead of just

548
00:26:07,600 --> 00:26:12,640
Speaker 1: turning him in, turning him visible again, they someone decides

549
00:26:12,680 --> 00:26:18,240
Speaker 1: to take the unbelievably creepy choice of having the thing

550
00:26:18,280 --> 00:26:20,440
Speaker 1: appear first with like its guts.

551
00:26:20,600 --> 00:26:23,280
Speaker 2: Yes, that was crazy, yeah.

552
00:26:22,920 --> 00:26:26,439
Speaker 1: And then it's skeleton and then it's like it was.

553
00:26:26,560 --> 00:26:28,720
Speaker 1: It reminded me of a bad version of did you

554
00:26:28,720 --> 00:26:31,720
Speaker 1: ever see Was it called hollow Man? Was that the

555
00:26:31,720 --> 00:26:34,640
Speaker 1: one with Kevin Kevin Bacon? I think it was called

556
00:26:34,680 --> 00:26:37,760
Speaker 1: hollow Man? And he it's essentially it's a modern day

557
00:26:37,760 --> 00:26:39,200
Speaker 1: take on the Invisible Man, and he turns it and

558
00:26:39,240 --> 00:26:41,000
Speaker 1: that's how they do it again, you see. But it

559
00:26:41,080 --> 00:26:43,199
Speaker 1: was really well done, whereas in this one it's like,

560
00:26:43,280 --> 00:26:46,800
Speaker 1: what the hell is happening?

561
00:26:47,440 --> 00:26:52,200
Speaker 2: Oh man? I oh, I was cringing cringing. And it's

562
00:26:52,200 --> 00:26:55,240
Speaker 2: not like it got better because once no they came out,

563
00:26:56,040 --> 00:27:02,960
Speaker 2: it was still sad, so bad I could I I, Oh,

564
00:27:03,440 --> 00:27:06,560
Speaker 2: you know, I'm rooting for these movies, and I want

565
00:27:06,560 --> 00:27:08,439
Speaker 2: to think, oh, what a cutie pie.

566
00:27:08,520 --> 00:27:11,760
Speaker 1: No, we're coming off of going to the Mat for

567
00:27:11,840 --> 00:27:16,240
Speaker 1: God's Sake, which yet so good, and we've got fuzz Bucket.

568
00:27:16,280 --> 00:27:18,399
Speaker 2: That was tough and I had to prep myself. Okay,

569
00:27:18,760 --> 00:27:21,080
Speaker 2: it's not always going to be a ten. I know

570
00:27:21,119 --> 00:27:23,760
Speaker 2: it's not always going to be a ten. Don't expect

571
00:27:23,800 --> 00:27:26,000
Speaker 2: a ten. But this was just a whole.

572
00:27:25,760 --> 00:27:28,959
Speaker 1: Other We finally, after this creepy transformation a half an

573
00:27:28,960 --> 00:27:33,640
Speaker 1: hour into a forty five minute movie, we actually get

574
00:27:33,680 --> 00:27:37,040
Speaker 1: to see Fuzzbucket, and it's creepy and it's really it

575
00:27:37,040 --> 00:27:40,879
Speaker 1: looks like a demented kind of squirrel meets a weird

576
00:27:41,119 --> 00:27:45,400
Speaker 1: leprechaun meets a rat. It is very off putting. Yes,

577
00:27:45,720 --> 00:27:48,600
Speaker 1: it's just bizarre, and I think it probably would have

578
00:27:48,600 --> 00:27:50,200
Speaker 1: been better had they just kept him invisible.

579
00:27:50,320 --> 00:27:54,320
Speaker 2: Frankly, I know, Yeah, the furry possum just was never

580
00:27:54,400 --> 00:27:56,400
Speaker 2: something I was gonna be able to really like.

581
00:27:57,240 --> 00:27:59,240
Speaker 1: And like a weird for not even like a cute

582
00:27:59,240 --> 00:28:03,440
Speaker 1: furry possum, like a weird, weird possible.

583
00:28:03,200 --> 00:28:06,199
Speaker 2: With not being able to say full sentences with the

584
00:28:06,520 --> 00:28:09,679
Speaker 2: you know, a strange way of speaking.

585
00:28:09,200 --> 00:28:11,600
Speaker 1: And he's got yeah, he's got a halting kind of

586
00:28:11,600 --> 00:28:16,000
Speaker 1: way of speaking, a weird kind of per and apparently

587
00:28:16,200 --> 00:28:18,720
Speaker 1: this was they never mentioned this when he's invisible, Like,

588
00:28:18,760 --> 00:28:21,800
Speaker 1: apparently he's having totally normal conversations with Mikey when he's invisible,

589
00:28:21,840 --> 00:28:25,120
Speaker 1: but when he becomes visible again, now he can't. He's

590
00:28:25,119 --> 00:28:30,160
Speaker 1: saying things like wax wax maker, like instead of the crayon.

591
00:28:30,200 --> 00:28:33,360
Speaker 2: He's like, yeah, Mike, he's not able to understand him

592
00:28:33,400 --> 00:28:35,240
Speaker 2: completely either, but he was.

593
00:28:35,240 --> 00:28:37,800
Speaker 1: Fine in the monologues they had when they were when

594
00:28:37,840 --> 00:28:39,040
Speaker 1: he was invisible before.

595
00:28:39,360 --> 00:28:44,520
Speaker 2: Yeah, easy flowing conversations back then too. I don't really

596
00:28:44,560 --> 00:28:47,000
Speaker 2: one hundred percent speak the human language.

597
00:28:47,160 --> 00:28:50,080
Speaker 1: But now they're best friends. They do this weird drawing

598
00:28:50,160 --> 00:28:52,320
Speaker 1: their hands over each other, which it seems like it's

599
00:28:52,320 --> 00:28:54,880
Speaker 1: supposed to be like a fuzzbucket ritual, which apparently in

600
00:28:54,920 --> 00:28:57,680
Speaker 1: the fuzz bucket community means that you are like blood brothers.

601
00:28:57,680 --> 00:28:59,960
Speaker 1: They bring that up, or are we like blood brothers?

602
00:29:00,160 --> 00:29:02,960
Speaker 2: Now blood brothers with grants?

603
00:29:03,360 --> 00:29:06,320
Speaker 1: And then they watch cartoons together, which I like. Okay,

604
00:29:06,480 --> 00:29:09,280
Speaker 1: he likes cartoons. I do too, No no judgment there.

605
00:29:10,040 --> 00:29:15,160
Speaker 1: And then he asks where he's from, and he points,

606
00:29:15,720 --> 00:29:17,320
Speaker 1: and I thought at first he was pointing to like

607
00:29:17,480 --> 00:29:19,960
Speaker 1: the heavens, like he was saying, I'm an alien essentially,

608
00:29:20,520 --> 00:29:25,800
Speaker 1: But then it's no, he's from right outside of town,

609
00:29:26,200 --> 00:29:28,120
Speaker 1: in a field, in a marsh.

610
00:29:28,320 --> 00:29:30,080
Speaker 2: Field over there. That's where I'm from.

611
00:29:30,120 --> 00:29:33,160
Speaker 1: Right, But he says, even adults don't go there. It's

612
00:29:33,280 --> 00:29:36,360
Speaker 1: literally we get there later. It's it's a field with

613
00:29:36,440 --> 00:29:39,880
Speaker 1: a walking path. It's it's there's. Yeah, it's not scary

614
00:29:40,000 --> 00:29:40,920
Speaker 1: in any way, shape or form.

615
00:29:40,960 --> 00:29:43,600
Speaker 2: It's not dangerous, scary and until you get until you

616
00:29:43,640 --> 00:29:46,080
Speaker 2: fall down there, fall down the little hole, and you

617
00:29:46,160 --> 00:29:49,280
Speaker 2: find the other furry giant possums.

618
00:29:49,320 --> 00:29:52,200
Speaker 1: Still no explanation as to why he was invisible, why

619
00:29:52,240 --> 00:29:55,400
Speaker 1: he needs to become visible again. Apparently he's from right

620
00:29:55,560 --> 00:29:58,080
Speaker 1: just the just the town next door. We're very convenient. Yeah.

621
00:29:58,520 --> 00:30:01,680
Speaker 2: My assumption was he could not go home to this

622
00:30:01,920 --> 00:30:06,080
Speaker 2: furry possible place until he had the drink.

623
00:30:06,240 --> 00:30:08,400
Speaker 3: For some reason, the drink had to happen.

624
00:30:08,720 --> 00:30:21,000
Speaker 1: I maybe here's another question for you. Did you interpret

625
00:30:21,040 --> 00:30:26,520
Speaker 1: it that his name was fuzz Bucket or he is

626
00:30:26,600 --> 00:30:29,800
Speaker 1: a fuzz bucket? Do we go and find multiple fuzz buckets?

627
00:30:29,840 --> 00:30:37,880
Speaker 1: Fuzzbuck eye? What in the hole is that? I mean, are.

628
00:30:40,520 --> 00:30:42,760
Speaker 3: Fuzzbuck guys that they are?

629
00:30:43,320 --> 00:30:45,760
Speaker 1: Are the multiple fuzz buckets?

630
00:30:45,840 --> 00:30:50,959
Speaker 2: I don't know. I took it as his name was Fuzzbucket. Okay,

631
00:30:51,160 --> 00:30:53,840
Speaker 2: then I'm with you. At some point in the movie

632
00:30:54,040 --> 00:30:55,320
Speaker 2: it seems that they.

633
00:30:55,240 --> 00:30:56,480
Speaker 4: Are fuzz Bucket.

634
00:30:56,600 --> 00:30:59,280
Speaker 1: But then isn't one of them literally named Steve or

635
00:30:59,280 --> 00:31:00,760
Speaker 1: something like that, like together one at.

636
00:31:00,640 --> 00:31:03,600
Speaker 4: The end he's like, it's like and then.

637
00:31:05,280 --> 00:31:08,360
Speaker 1: Yeah, Tim, so okay, so then his we think his

638
00:31:08,520 --> 00:31:09,960
Speaker 1: name is fuzzbuck.

639
00:31:10,040 --> 00:31:13,240
Speaker 3: It was strange, it was it went in and out.

640
00:31:13,280 --> 00:31:15,360
Speaker 2: It was not so.

641
00:31:15,440 --> 00:31:19,320
Speaker 1: Fuzz Bucket falls asleep in the castle with Mikey. He

642
00:31:19,400 --> 00:31:22,920
Speaker 1: wakes up and panics. He's got to get back to

643
00:31:23,680 --> 00:31:25,920
Speaker 1: the town next to to where he's from, the marsh

644
00:31:25,960 --> 00:31:27,560
Speaker 1: next door exactly.

645
00:31:27,720 --> 00:31:30,000
Speaker 3: But why was he going to turn over?

646
00:31:30,040 --> 00:31:34,720
Speaker 2: Simple? Why did he what was the urgency for him

647
00:31:34,760 --> 00:31:35,240
Speaker 2: to go?

648
00:31:36,040 --> 00:31:40,280
Speaker 1: No? And not and again under the cover of broad daylight.

649
00:31:40,320 --> 00:31:43,480
Speaker 1: It's like two o'clock in the afternoon, god daylight. Fuzz

650
00:31:43,520 --> 00:31:46,680
Speaker 1: Bucket jumps off the castle, yells back up to Mikey

651
00:31:46,800 --> 00:31:49,960
Speaker 1: because of course you want to keep a little profile

652
00:31:50,240 --> 00:31:53,400
Speaker 1: when you're one of the fuzz Buckets. And and they're

653
00:31:53,480 --> 00:31:57,520
Speaker 1: yelling back and forth, and he takes off into town,

654
00:31:57,760 --> 00:32:03,520
Speaker 1: leaving Michael alone. Michael is obviously very upset because he's

655
00:32:03,560 --> 00:32:04,320
Speaker 1: his only friend.

656
00:32:04,400 --> 00:32:06,680
Speaker 4: Again, it's his first day of school. We've never seen

657
00:32:06,720 --> 00:32:07,400
Speaker 4: he never goes.

658
00:32:07,280 --> 00:32:10,320
Speaker 1: Back to school. Little Michael is falling in love with

659
00:32:10,360 --> 00:32:14,760
Speaker 1: fuzz Bucket and and takes off looking for him. Why

660
00:32:14,800 --> 00:32:17,160
Speaker 1: didn't catch him right away? We don't understand. Fuzzbucket doesn't

661
00:32:17,160 --> 00:32:20,360
Speaker 1: appear to be fast, But that's all right, fuzz Bucket.

662
00:32:20,440 --> 00:32:23,440
Speaker 1: Then we we find him for some reason. Mikey turns

663
00:32:23,480 --> 00:32:28,280
Speaker 1: down an alley in town where a homeless man yells

664
00:32:28,320 --> 00:32:32,600
Speaker 1: at him, and then Fuzzbucket, now all of a sudden,

665
00:32:33,000 --> 00:32:37,239
Speaker 1: also appears to be homeless. He's in a homeless a

666
00:32:37,280 --> 00:32:41,920
Speaker 1: homeless person's outfit with his tail being on by a rat.

667
00:32:41,960 --> 00:32:46,920
Speaker 2: It's been now he now that it's dark, he's decided

668
00:32:47,000 --> 00:32:49,760
Speaker 2: that he needs to get an undercover costume.

669
00:32:50,560 --> 00:32:52,520
Speaker 3: Why that didn't happen during.

670
00:32:52,280 --> 00:32:54,480
Speaker 2: The daylight, I don't know, But now that it is

671
00:32:54,640 --> 00:32:56,000
Speaker 2: dark he needs.

672
00:32:55,800 --> 00:32:58,719
Speaker 1: An I have another theory of the film, which is

673
00:32:58,760 --> 00:33:03,040
Speaker 1: in fact that the concoction he makes his payote and

674
00:33:03,160 --> 00:33:06,960
Speaker 1: everybody is just tripping at this point. It is, it is,

675
00:33:07,600 --> 00:33:10,200
Speaker 1: and somehow they've done this thing where everybody watching it

676
00:33:10,240 --> 00:33:12,640
Speaker 1: is also on the same trip, because it's the whole

677
00:33:12,640 --> 00:33:17,760
Speaker 1: thing is so weird. So we don't know why Fuzzbucket

678
00:33:17,840 --> 00:33:20,440
Speaker 1: stops to dress as a homeless person before just moving

679
00:33:20,440 --> 00:33:24,040
Speaker 1: on to the marsh, which again is in walking distance

680
00:33:25,120 --> 00:33:26,080
Speaker 1: from where they are.

681
00:33:26,560 --> 00:33:30,600
Speaker 2: Yes, and then he also showcases it another time where

682
00:33:30,600 --> 00:33:33,400
Speaker 2: he runs away and Mike he can't catch.

683
00:33:33,200 --> 00:33:34,840
Speaker 1: Up, catch up to him at all.

684
00:33:35,840 --> 00:33:40,720
Speaker 2: Move your legs, Michael, He's right, he's not moving fast.

685
00:33:40,840 --> 00:33:42,040
Speaker 1: He is not book it.

686
00:33:42,320 --> 00:33:44,120
Speaker 2: Okay, this is your only friend.

687
00:33:44,640 --> 00:33:47,960
Speaker 1: You need to catch it. Yet, go go cut catch

688
00:33:47,960 --> 00:33:49,560
Speaker 1: a guy one foot in front of the other. Mic.

689
00:33:49,640 --> 00:33:53,320
Speaker 1: He's right there, He's right freaking there. Here's a larger

690
00:33:53,360 --> 00:33:58,440
Speaker 1: issue for the entire film. It's described as their relationship

691
00:33:58,480 --> 00:34:02,000
Speaker 1: is supposed to be a trade of sorts, meaning like

692
00:34:02,920 --> 00:34:08,200
Speaker 1: Michael helps Fuzzbucket become visible and fuzz Bucket helps Michael's

693
00:34:08,320 --> 00:34:08,920
Speaker 1: home life.

694
00:34:09,480 --> 00:34:11,480
Speaker 4: Okay, but it is a home.

695
00:34:11,320 --> 00:34:14,719
Speaker 1: Life that other than him asking what's for dinner, they

696
00:34:14,719 --> 00:34:19,120
Speaker 1: haven't really established as being awful, right, so he is

697
00:34:19,160 --> 00:34:23,040
Speaker 1: it all about fuzz bucket trying to make Michael run

698
00:34:23,080 --> 00:34:27,760
Speaker 1: away to shed light, like to bring the whole family together?

699
00:34:27,960 --> 00:34:31,439
Speaker 1: Is that is that was again? Deal?

700
00:34:32,440 --> 00:34:35,040
Speaker 3: No? I I it again.

701
00:34:35,320 --> 00:34:40,000
Speaker 2: I anyone that watches this needs, as much as I

702
00:34:40,040 --> 00:34:45,239
Speaker 2: hate to say it, more to to understand what what

703
00:34:45,480 --> 00:34:49,200
Speaker 2: the point of the relationship was, the trade off whatever

704
00:34:49,320 --> 00:34:55,719
Speaker 2: there ever, it is giant hole of nothingness.

705
00:34:55,520 --> 00:34:59,719
Speaker 1: So weird. So eventually the family comes together that he

706
00:34:59,800 --> 00:35:02,080
Speaker 1: runs by his sister who was with her friends and

707
00:35:02,160 --> 00:35:06,719
Speaker 1: essentially says, my little brother's weird. He runs away, then

708
00:35:06,840 --> 00:35:07,920
Speaker 1: she gets very upset.

709
00:35:07,920 --> 00:35:09,080
Speaker 3: The best run with it.

710
00:35:09,239 --> 00:35:10,279
Speaker 4: Oh, it's the greatest run.

711
00:35:10,320 --> 00:35:11,680
Speaker 1: It is such a good little kid.

712
00:35:11,560 --> 00:35:14,520
Speaker 2: Runs the best run. It was such a little kid running.

713
00:35:14,560 --> 00:35:16,560
Speaker 2: Good little kid runs, so funny.

714
00:35:16,680 --> 00:35:20,040
Speaker 1: And it leads to just Michael eventually just aimlessly walking

715
00:35:20,080 --> 00:35:25,560
Speaker 1: around town now at night, and the town is empty.

716
00:35:25,960 --> 00:35:28,279
Speaker 1: And when I mean empty, I mean not a car,

717
00:35:28,719 --> 00:35:30,800
Speaker 1: not a person, nothing.

718
00:35:30,840 --> 00:35:32,960
Speaker 2: I don't know if this this has to be now

719
00:35:33,040 --> 00:35:36,839
Speaker 2: two o'clock in the morning, because literally no one is

720
00:35:36,920 --> 00:35:37,960
Speaker 2: out doing anything.

721
00:35:38,040 --> 00:35:41,160
Speaker 1: It's a ghost town. There's no one there. He eventually

722
00:35:41,840 --> 00:35:44,760
Speaker 1: gets to dead Man's marsh, which I guess the title

723
00:35:44,800 --> 00:35:46,520
Speaker 1: is supposed to be dangerous and sounds scary.

724
00:35:46,560 --> 00:35:48,839
Speaker 4: But he's not even in the woods. He's on a trail.

725
00:35:49,000 --> 00:35:51,000
Speaker 4: He's just he's walking on grass.

726
00:35:51,040 --> 00:35:59,080
Speaker 1: It's literally short grass, and he just keeps saying buzz

727
00:35:59,160 --> 00:36:00,799
Speaker 1: bucket over.

728
00:36:00,719 --> 00:36:05,680
Speaker 2: Over and over this. Now you counted it. It probably

729
00:36:05,800 --> 00:36:11,120
Speaker 2: is now one thousand, eight hundred and it's only been

730
00:36:11,400 --> 00:36:13,280
Speaker 2: yebi two minutes.

731
00:36:13,880 --> 00:36:17,840
Speaker 1: Producer Tara texted last night that if there was a

732
00:36:17,920 --> 00:36:20,279
Speaker 1: drinking game where every time the name fuzzy, we'd be

733
00:36:20,360 --> 00:36:23,879
Speaker 1: dead by the first commercial break, everyone would have died

734
00:36:23,920 --> 00:36:24,600
Speaker 1: from alcohol.

735
00:36:25,920 --> 00:36:27,720
Speaker 2: Yes, it would have been awful.

736
00:36:27,880 --> 00:36:28,239
Speaker 3: It was.

737
00:36:28,360 --> 00:36:31,200
Speaker 1: It's so he's just running around yelling fuzzbucket. He then

738
00:36:31,239 --> 00:36:34,280
Speaker 1: climbs a tree, or I should say the obvious stunt

739
00:36:34,360 --> 00:36:37,320
Speaker 1: person climbs a tree. It cut cuts right to somebody

740
00:36:37,360 --> 00:36:40,399
Speaker 1: with hair four times as dark as the kids as

741
00:36:40,400 --> 00:36:42,200
Speaker 1: he climbs a tree. And it was an instant cut,

742
00:36:42,200 --> 00:36:45,600
Speaker 1: so it wasn't even wasn't like they tried to hide it.

743
00:36:45,719 --> 00:36:48,160
Speaker 1: Still yelling I don't love you. From now fuzzbucket, I

744
00:36:48,160 --> 00:36:51,920
Speaker 1: don't need you. It comes thats the last see he

745
00:36:52,000 --> 00:36:55,719
Speaker 1: comes down disappointed and he falls in a hole which

746
00:36:55,719 --> 00:36:58,279
Speaker 1: is a perfect slide, and the slide is about three

747
00:36:58,320 --> 00:37:01,680
Speaker 1: feet long. I mean they live right underground, right.

748
00:37:01,600 --> 00:37:04,960
Speaker 2: Under Yeah, it's you could see the whole above him.

749
00:37:05,040 --> 00:37:07,960
Speaker 1: Yes, this is not he does not travel a distance here.

750
00:37:08,440 --> 00:37:11,400
Speaker 2: If he's like, yes, we went to Jordan and I

751
00:37:11,440 --> 00:37:14,520
Speaker 2: went to do this slide at the super tall building

752
00:37:14,560 --> 00:37:17,600
Speaker 2: in La and I swear we set stood in line

753
00:37:17,600 --> 00:37:19,640
Speaker 2: for forty five minutes and I swear this is how

754
00:37:19,640 --> 00:37:20,520
Speaker 2: long the slide was.

755
00:37:22,480 --> 00:37:23,239
Speaker 1: And that's it. O.

756
00:37:24,400 --> 00:37:26,000
Speaker 4: That's so you went on a fuzz Bucket slide?

757
00:37:26,560 --> 00:37:26,879
Speaker 1: You did?

758
00:37:27,239 --> 00:37:30,360
Speaker 2: You fuzz bucketed a full we out.

759
00:37:29,600 --> 00:37:34,440
Speaker 4: So if you if if Mikey had raised lifted his hand,

760
00:37:34,560 --> 00:37:36,719
Speaker 4: he would have pushed through the ground and been able

761
00:37:36,719 --> 00:37:37,399
Speaker 4: to wave at the people.

762
00:37:37,560 --> 00:37:41,240
Speaker 3: He would have been feeling the air above the ground.

763
00:37:41,560 --> 00:37:46,480
Speaker 1: E exactly. So he's he's there, he says essentially, why

764
00:37:46,480 --> 00:37:48,879
Speaker 1: did you leave me? He says, this was a trade off?

765
00:37:49,000 --> 00:37:51,840
Speaker 1: Now your family is isn't everything better at your household?

766
00:37:51,840 --> 00:37:56,279
Speaker 1: Which again fuzz Bucket has done nothing at all, nothing,

767
00:37:56,320 --> 00:38:00,000
Speaker 1: but apparently it was a trade off. Fuzz Bucket said,

768
00:38:00,120 --> 00:38:00,840
Speaker 1: you can't stay.

769
00:38:00,640 --> 00:38:03,560
Speaker 4: Here, Mikey, You've got to go. We'll always be best friends.

770
00:38:03,560 --> 00:38:05,200
Speaker 1: Now, by the way, in perfect English, he's not doing

771
00:38:05,200 --> 00:38:06,160
Speaker 1: the broken up thing anymore.

772
00:38:06,320 --> 00:38:08,960
Speaker 2: The broken up thing is done now and he's figured

773
00:38:09,000 --> 00:38:10,160
Speaker 2: it out again.

774
00:38:10,520 --> 00:38:12,920
Speaker 1: We meet Steve, the other fuzz bucket, who's kind of

775
00:38:13,000 --> 00:38:17,000
Speaker 1: shaking his head. Mikey gets out of there, and.

776
00:38:16,800 --> 00:38:19,800
Speaker 3: He's not happy about Mikey being there, no at all.

777
00:38:19,960 --> 00:38:22,480
Speaker 1: We cut to my favorite part of the movie, which

778
00:38:22,520 --> 00:38:24,880
Speaker 1: is a guy from the search party, because there's a

779
00:38:24,920 --> 00:38:27,680
Speaker 1: giant search party now searching for Michael goes, hey, wait

780
00:38:27,719 --> 00:38:32,040
Speaker 1: a second, there's something there, maybe three feet away from

781
00:38:32,120 --> 00:38:36,080
Speaker 1: a sleeping twelve year old. Yeah, so how about I

782
00:38:36,160 --> 00:38:38,919
Speaker 1: found him there? He is, No, there's something there.

783
00:38:38,960 --> 00:38:41,400
Speaker 2: He does mission that we are on. Yeah, we have

784
00:38:41,560 --> 00:38:45,040
Speaker 2: come across some very big Yes, the.

785
00:38:45,040 --> 00:38:46,960
Speaker 1: Thing we were looking for we have found.

786
00:38:47,239 --> 00:38:49,440
Speaker 2: Hey, heyes, right here, No, right here.

787
00:38:49,200 --> 00:38:53,480
Speaker 1: Something there And the dad walks in and they have

788
00:38:53,520 --> 00:38:54,960
Speaker 1: a great scene with with Mikey.

789
00:38:55,000 --> 00:38:56,320
Speaker 4: Hey, Mikey, you gotta come home.

790
00:38:57,080 --> 00:38:59,000
Speaker 1: You can. Even the mom's on board now like maybe

791
00:38:59,000 --> 00:39:01,279
Speaker 1: fuzz buckets at home. Mikey gives annoying look like, now,

792
00:39:01,360 --> 00:39:05,560
Speaker 1: Fuzzbucket's under the ground about six inches from here. But yes,

793
00:39:06,280 --> 00:39:07,520
Speaker 1: by the way, I'd like to point out at this

794
00:39:07,560 --> 00:39:11,320
Speaker 1: point his father perfectly clean. Okay. They then cut to

795
00:39:11,360 --> 00:39:12,799
Speaker 1: the car on the way home. His dad gets out

796
00:39:12,920 --> 00:39:13,959
Speaker 1: covered in dirt in the face.

797
00:39:14,040 --> 00:39:16,480
Speaker 3: That was a Sabrina seas we got dirty.

798
00:39:16,160 --> 00:39:17,120
Speaker 1: On the car ride home.

799
00:39:17,920 --> 00:39:19,280
Speaker 4: We don't know how well.

800
00:39:19,160 --> 00:39:22,600
Speaker 2: Even still, why are they so dirty regardless for.

801
00:39:22,600 --> 00:39:27,120
Speaker 1: Walking around dead Man's Marsh, which again is grass.

802
00:39:25,960 --> 00:39:28,279
Speaker 3: It was not even forest like.

803
00:39:28,440 --> 00:39:37,520
Speaker 1: Nope, very dirty and then so weird. At the end

804
00:39:37,600 --> 00:39:40,920
Speaker 1: of the movie, Michael's parents are in their bedroom and

805
00:39:41,000 --> 00:39:44,920
Speaker 1: they each find a gift, a gift.

806
00:39:44,760 --> 00:39:50,000
Speaker 2: Wrapped gift perfectly a present, a present his little furry

807
00:39:51,000 --> 00:39:55,200
Speaker 2: possum fingers could not perfectly gift wrap this.

808
00:39:55,360 --> 00:39:57,200
Speaker 3: He's not an elf from North Pole.

809
00:39:57,440 --> 00:40:00,359
Speaker 2: Hey, this is absolute bullshit, bitch.

810
00:40:00,440 --> 00:40:03,320
Speaker 3: I'm fissed, right, I was so annoyed about the gifts.

811
00:40:03,960 --> 00:40:07,440
Speaker 1: But it's also it wasn't anything magical or anything to help.

812
00:40:07,560 --> 00:40:12,000
Speaker 1: He gave a giant hershey kiss to the dad and

813
00:40:12,120 --> 00:40:15,960
Speaker 1: a music box to the mom, which then made them

814
00:40:16,000 --> 00:40:19,520
Speaker 1: look at each other and kiss like their relationship is

815
00:40:19,560 --> 00:40:23,120
Speaker 1: fine again. And then you once again see Fuzzbucket running

816
00:40:23,120 --> 00:40:25,680
Speaker 1: away from the room under cover of one o'clock in

817
00:40:25,680 --> 00:40:26,680
Speaker 1: the afternoon.

818
00:40:28,640 --> 00:40:32,480
Speaker 2: Into the grass, which like wait a minute, that was

819
00:40:32,560 --> 00:40:33,000
Speaker 2: right there.

820
00:40:33,880 --> 00:40:36,200
Speaker 3: It's like you can now see it from their bedroom, and.

821
00:40:36,120 --> 00:40:38,400
Speaker 1: It's like I almost feel like this was a reshoot

822
00:40:38,400 --> 00:40:40,360
Speaker 1: where they went, Okay, well, well now we're gonna make it.

823
00:40:40,480 --> 00:40:41,640
Speaker 1: We gotta do something.

824
00:40:41,719 --> 00:40:44,080
Speaker 3: Yeah, if he gives.

825
00:40:43,920 --> 00:40:46,879
Speaker 4: Them a hershey kiss at a music box, their relationship

826
00:40:46,920 --> 00:40:47,880
Speaker 4: will be fine.

827
00:40:48,640 --> 00:40:52,960
Speaker 2: Right, But at the same time, don't you think the

828
00:40:53,080 --> 00:40:55,880
Speaker 2: husband's going to be like, who the hell gave you that?

829
00:40:56,280 --> 00:40:57,879
Speaker 3: Who's that from? Excuse me?

830
00:40:58,080 --> 00:40:58,319
Speaker 1: Yeah?

831
00:40:58,400 --> 00:41:00,239
Speaker 4: Did somebody else giving you get hey?

832
00:41:00,360 --> 00:41:02,600
Speaker 3: Who just gave you a gift? Because that's not from me.

833
00:41:02,800 --> 00:41:05,840
Speaker 1: I didn't give this to you. Who's giving you music boxes?

834
00:41:05,880 --> 00:41:07,200
Speaker 1: And what's for dinner? That were me?

835
00:41:07,200 --> 00:41:09,839
Speaker 3: I'd be like, I did not give you that two

836
00:41:09,880 --> 00:41:12,960
Speaker 3: dollars and ninety nine cent hers she kids, No, exactly,

837
00:41:13,080 --> 00:41:13,840
Speaker 3: not my gift.

838
00:41:14,280 --> 00:41:16,920
Speaker 1: Also, to show us that it was Fuzzbucket that did it,

839
00:41:17,000 --> 00:41:20,520
Speaker 1: there are now radioactive footprints that are green which have

840
00:41:20,600 --> 00:41:21,879
Speaker 1: never happened before.

841
00:41:21,640 --> 00:41:23,000
Speaker 3: Which we've never seen before.

842
00:41:23,120 --> 00:41:26,200
Speaker 2: Yeah, otherwise Mikey could have followed them to find him.

843
00:41:26,320 --> 00:41:29,040
Speaker 1: Yes, exactly, so they ruined. He also ruined the carpet

844
00:41:29,080 --> 00:41:29,719
Speaker 1: while he was there.

845
00:41:30,480 --> 00:41:33,080
Speaker 3: Right, this is when I went, wait a minute, are

846
00:41:33,120 --> 00:41:34,920
Speaker 3: we done? Is this open?

847
00:41:35,000 --> 00:41:35,160
Speaker 1: Then?

848
00:41:35,160 --> 00:41:37,160
Speaker 4: And then roll credits? Literally and then roll credits and

849
00:41:37,360 --> 00:41:38,240
Speaker 4: just roll credits.

850
00:41:38,280 --> 00:41:39,640
Speaker 3: Yeah, it was movie.

851
00:41:39,960 --> 00:41:41,799
Speaker 2: It was like, we're not we don't know anything about

852
00:41:41,800 --> 00:41:43,280
Speaker 2: what's happening at school anymore.

853
00:41:43,480 --> 00:41:45,840
Speaker 1: I mean googled if there was a second part. I

854
00:41:45,880 --> 00:41:48,360
Speaker 1: thought this was part one of two. I googled them, like,

855
00:41:48,400 --> 00:41:50,200
Speaker 1: all right, well, this can't be the end.

856
00:41:51,560 --> 00:41:56,440
Speaker 2: No, no, yeah, I looked online how long it was

857
00:41:56,480 --> 00:41:59,200
Speaker 2: and too finally forty six minutes. This is it. This

858
00:41:59,280 --> 00:42:00,360
Speaker 2: is really okay.

859
00:42:00,800 --> 00:42:04,959
Speaker 1: Literally just end. And so if you had to come

860
00:42:05,040 --> 00:42:09,560
Speaker 1: up with a moral for this movie, what is this

861
00:42:09,640 --> 00:42:12,040
Speaker 1: movie trying to teach anybody?

862
00:42:12,719 --> 00:42:14,280
Speaker 3: Don't drink the coup.

863
00:42:17,680 --> 00:42:21,800
Speaker 2: So, don't do drugs, don't drink that kool aid weird

864
00:42:21,800 --> 00:42:22,359
Speaker 2: green shake.

865
00:42:22,560 --> 00:42:24,880
Speaker 1: I don't know. I literally can't.

866
00:42:25,120 --> 00:42:29,080
Speaker 2: There's not because it's not about he didn't overcome anything.

867
00:42:29,200 --> 00:42:32,160
Speaker 2: What he was nervous about going to junior high.

868
00:42:32,320 --> 00:42:33,600
Speaker 1: No, we never saw it again.

869
00:42:33,480 --> 00:42:36,120
Speaker 2: Yeah, there was nothing. He didn't overcome that and make

870
00:42:36,160 --> 00:42:41,720
Speaker 2: a friend. Yeah, the parents, maybe there was an idea. Again,

871
00:42:41,840 --> 00:42:45,359
Speaker 2: we never knew understood what there were issues really were,

872
00:42:45,520 --> 00:42:49,560
Speaker 2: So the parents coming together is really the only completion

873
00:42:49,760 --> 00:42:50,720
Speaker 2: of any story.

874
00:42:50,840 --> 00:42:54,160
Speaker 1: Your parents can be happy if you run away, right.

875
00:42:54,080 --> 00:42:55,480
Speaker 3: Yeah, you've got to run away.

876
00:42:55,600 --> 00:42:58,080
Speaker 1: I mean, is that what it is? I mean, you

877
00:42:58,160 --> 00:43:02,200
Speaker 1: know his sister's kind of nice to him. Now, is that?

878
00:43:02,200 --> 00:43:04,759
Speaker 3: I mean a sister is understanding him a little bit?

879
00:43:04,800 --> 00:43:05,799
Speaker 3: She sticks up for him.

880
00:43:05,840 --> 00:43:08,560
Speaker 2: He's not weird, even though I just called him weird

881
00:43:08,600 --> 00:43:09,520
Speaker 2: two hours to come.

882
00:43:09,560 --> 00:43:14,359
Speaker 1: Yeah, but it's truly nothing is learned. I know, nothing is.

883
00:43:14,440 --> 00:43:18,320
Speaker 1: There's no truth, there's no story. I mean it's it

884
00:43:18,440 --> 00:43:22,400
Speaker 1: was the strangest forty five minutes right that I can remember.

885
00:43:22,600 --> 00:43:25,600
Speaker 2: And the weird thing is is And again, I'm not

886
00:43:26,440 --> 00:43:30,319
Speaker 2: a fan of what buzz Bucket turned out to be

887
00:43:30,520 --> 00:43:35,439
Speaker 2: like looking wise, but they set up some things.

888
00:43:35,120 --> 00:43:40,959
Speaker 3: That I really felt I needed to know more.

889
00:43:41,080 --> 00:43:43,600
Speaker 2: I want it again. I wanted to I wanted to

890
00:43:43,640 --> 00:43:46,120
Speaker 2: see what was the relationship with his sister was going

891
00:43:46,200 --> 00:43:49,439
Speaker 2: to be. You know, what was her what's her journey like? Yeah,

892
00:43:49,520 --> 00:43:51,440
Speaker 2: what's his journey in junior high?

893
00:43:51,640 --> 00:43:55,880
Speaker 3: You know all of these things? I want, yeah, to

894
00:43:56,080 --> 00:43:56,720
Speaker 3: want more.

895
00:43:57,040 --> 00:43:58,960
Speaker 2: Yeah, he could have made a friend in junior high

896
00:43:59,000 --> 00:44:01,240
Speaker 2: and not have to know visible friend anymore.

897
00:44:01,239 --> 00:44:04,320
Speaker 3: It just was it was rough because it was rough.

898
00:44:04,120 --> 00:44:07,080
Speaker 2: Again, it was stacked with such a great cast what

899
00:44:07,200 --> 00:44:08,440
Speaker 2: they could have done.

900
00:44:08,360 --> 00:44:10,600
Speaker 1: And no script or story. And again, this is the

901
00:44:10,600 --> 00:44:13,919
Speaker 1: guy who wrote hocus Pocus, so he's a good writer. Right,

902
00:44:14,280 --> 00:44:16,920
Speaker 1: this was a it was so bizarre.

903
00:44:17,200 --> 00:44:27,560
Speaker 5: Yeah, all right, well let's do some real reviews, okay,

904
00:44:27,560 --> 00:44:29,760
Speaker 5: I why don't you take the one star review this time, Sabrina,

905
00:44:29,840 --> 00:44:31,440
Speaker 5: and and we'll go from there.

906
00:44:31,960 --> 00:44:35,200
Speaker 2: All right, I'm gonna do this one star review from

907
00:44:35,360 --> 00:44:39,560
Speaker 2: Calvin C. There's absolutely no plot to this movie. It's

908
00:44:39,560 --> 00:44:41,920
Speaker 2: as if you gave a group of second creators an

909
00:44:41,960 --> 00:44:45,839
Speaker 2: assignment to create a story involving a stuff possum.

910
00:44:46,239 --> 00:44:51,239
Speaker 1: Calvin, pretty spot on, what's great, that's pretty spat on.

911
00:44:51,440 --> 00:44:54,840
Speaker 4: I have the five star review, which is by Noah h.

912
00:44:54,880 --> 00:44:57,120
Speaker 1: I'm going to read this exactly as written, and I

913
00:44:57,120 --> 00:44:58,279
Speaker 1: agree with every word of this, by the.

914
00:44:58,280 --> 00:44:59,520
Speaker 2: Way, Okay.

915
00:45:00,440 --> 00:45:04,840
Speaker 4: A cinematic treasure that rivals generational classics such as Shawshank, Redemption,

916
00:45:05,040 --> 00:45:08,520
Speaker 4: the Godfather Trilogy, and Casablanca. It's a coming of age

917
00:45:08,520 --> 00:45:10,719
Speaker 4: film that stands alone in its willingness to wrestle with

918
00:45:10,719 --> 00:45:13,560
Speaker 4: the most provocative topics of our day head on without flinching.

919
00:45:14,040 --> 00:45:17,600
Speaker 4: Fuzzbucket is the exemplary archetype for Freud's theory of development

920
00:45:17,680 --> 00:45:20,120
Speaker 4: as it delves into the inner recesses of Michael Gerber's

921
00:45:20,120 --> 00:45:25,799
Speaker 4: subconscious through the homely yet charming, gremlin esque title character Fuzzbucket.

922
00:45:26,080 --> 00:45:28,680
Speaker 1: One cannot walk away from this film without a change

923
00:45:28,719 --> 00:45:31,480
Speaker 1: perspective on American society.

924
00:45:32,719 --> 00:45:33,919
Speaker 4: That's really all you gotta hear.

925
00:45:35,600 --> 00:45:38,160
Speaker 1: I frankly, I think it's a little insulting to fuzz

926
00:45:38,239 --> 00:45:40,680
Speaker 1: Bucket to put it in the same category as shawshank Redemption,

927
00:45:40,719 --> 00:45:43,280
Speaker 1: the Godfather Trilogy in Casablanca, because I think it's better,

928
00:45:45,719 --> 00:45:50,080
Speaker 1: much better. But Wow, we're going to debut a new

929
00:45:50,080 --> 00:45:54,279
Speaker 1: little game here. It's called Shoot the Reboot. So let's

930
00:45:54,320 --> 00:45:56,520
Speaker 1: say for some reason, Disney has done the unthinkable and

931
00:45:56,560 --> 00:45:59,759
Speaker 1: decides to remake this movie. Who do you cast as

932
00:45:59,800 --> 00:46:03,680
Speaker 1: Michael who voices Fuzzbucket? And what's the actual story since

933
00:46:03,719 --> 00:46:06,400
Speaker 1: there isn't one?

934
00:46:06,600 --> 00:46:09,520
Speaker 2: Oh my gosh, that is do we have? How much

935
00:46:09,600 --> 00:46:11,040
Speaker 2: time do we have.

936
00:46:11,000 --> 00:46:11,400
Speaker 3: To do this?

937
00:46:11,520 --> 00:46:12,239
Speaker 1: I've got a great one.

938
00:46:12,360 --> 00:46:14,640
Speaker 3: Uh, who do you think would be Michael?

939
00:46:14,920 --> 00:46:16,719
Speaker 1: I would not make Michael a kid, I'd make him

940
00:46:16,719 --> 00:46:18,240
Speaker 1: an adult, and I'd make him Will Ferrell.

941
00:46:18,960 --> 00:46:22,920
Speaker 2: Oh my, I am down for anything Will Ferrell's in.

942
00:46:23,120 --> 00:46:27,279
Speaker 2: So yes, let's do that. Let's absolutely do that. I

943
00:46:27,320 --> 00:46:27,719
Speaker 2: love that.

944
00:46:28,000 --> 00:46:30,719
Speaker 1: I want to do fuzz Bucket with Will Ferrell I

945
00:46:30,760 --> 00:46:31,279
Speaker 1: would do.

946
00:46:33,520 --> 00:46:36,480
Speaker 3: I would do Kevin Hart for fuzzbuck That's.

947
00:46:36,320 --> 00:46:40,400
Speaker 4: A great one. I was gonna say, he talks.

948
00:46:40,160 --> 00:46:44,120
Speaker 1: Like this, Ah, Bobcat Goldthwaite. I would do Bobcat goth

949
00:46:44,120 --> 00:46:46,520
Speaker 1: Wait as the voice of fuzz Bucket and Will Ferrell

950
00:46:46,560 --> 00:46:49,800
Speaker 1: as the star. But Kevin Hart would actually be pretty

951
00:46:49,880 --> 00:46:51,680
Speaker 1: great as the voice of fuzz Bucket too.

952
00:46:51,840 --> 00:46:55,480
Speaker 2: His voice is so awesome and he's just got so

953
00:46:55,600 --> 00:46:59,000
Speaker 2: many equations, and oh, it would be great.

954
00:46:59,040 --> 00:47:01,520
Speaker 1: And I think, yeah, I think Will Ferrell as a

955
00:47:01,560 --> 00:47:04,320
Speaker 1: guy who is like the principle of a high school.

956
00:47:04,320 --> 00:47:07,239
Speaker 1: So he's surrounded by kids, and his imaginary friend from

957
00:47:07,239 --> 00:47:09,719
Speaker 1: when he's a kid comes back and is now invisible

958
00:47:10,200 --> 00:47:12,279
Speaker 1: and he's got a visible he's got a visibilize them.

959
00:47:12,320 --> 00:47:13,759
Speaker 1: And then when he does come up, Will Farrel's like,

960
00:47:13,800 --> 00:47:15,360
Speaker 1: oh God, I don't remember you looking like that. Like

961
00:47:15,400 --> 00:47:19,080
Speaker 1: that could be that could be a ton of fun.

962
00:47:20,960 --> 00:47:23,880
Speaker 2: It could be too that that was his his uh

963
00:47:24,000 --> 00:47:27,400
Speaker 2: invisible friend from little and then come back and it

964
00:47:27,440 --> 00:47:27,879
Speaker 2: comes back.

965
00:47:27,960 --> 00:47:29,640
Speaker 3: Is that what you mean? It comes back when he's

966
00:47:29,640 --> 00:47:30,680
Speaker 3: an adult. Amazing.

967
00:47:30,760 --> 00:47:32,160
Speaker 4: I think that could be good amazing.

968
00:47:32,719 --> 00:47:35,200
Speaker 1: Let's let's add a moray to this one. How how

969
00:47:35,200 --> 00:47:37,920
Speaker 1: would one do that? I mean, I guess it's kind

970
00:47:37,920 --> 00:47:41,360
Speaker 1: of easy as buzzbudget. Well no, no, you just have

971
00:47:41,440 --> 00:47:44,480
Speaker 1: taj come in and Mikey actually has a friend.

972
00:47:44,800 --> 00:47:46,680
Speaker 3: Yes, that would be the easy.

973
00:47:46,719 --> 00:47:48,480
Speaker 1: I love that Mikey has no friends. It should be.

974
00:47:48,520 --> 00:47:51,680
Speaker 1: It should be he's leaving real friends for an imaginary friend.

975
00:47:52,280 --> 00:47:54,480
Speaker 1: And so it's like you put in Taje and you

976
00:47:54,560 --> 00:47:56,920
Speaker 1: have a nice friend there, somebody the kid could talk

977
00:47:56,960 --> 00:47:58,960
Speaker 1: to who isn't going to tickle him inappropriately in the

978
00:47:58,960 --> 00:48:05,880
Speaker 1: principal's office. Weird. Oh man, what about Sabrina Seeds? What

979
00:48:06,040 --> 00:48:07,399
Speaker 1: what do you got for Sabrina Seeds this week?

980
00:48:10,880 --> 00:48:13,560
Speaker 2: All right? I mean, there was so much I'm gonna

981
00:48:13,600 --> 00:48:16,600
Speaker 2: keep it super short. First of all, I had a

982
00:48:16,640 --> 00:48:19,239
Speaker 2: really hard time believing this kid was going into junior high.

983
00:48:19,719 --> 00:48:21,759
Speaker 2: As hard as it was for you to believe that

984
00:48:21,840 --> 00:48:24,080
Speaker 2: they were not in high school and gotta kick it up,

985
00:48:24,160 --> 00:48:24,839
Speaker 2: it was hard for me.

986
00:48:24,880 --> 00:48:29,440
Speaker 3: He was so teeny tiny. He seemed way too young.

987
00:48:29,800 --> 00:48:31,399
Speaker 4: And what is junior highs?

988
00:48:31,400 --> 00:48:34,960
Speaker 2: That's his mannerisms were very young. Seventh and eighth grade,

989
00:48:34,960 --> 00:48:36,759
Speaker 2: so that means he's, you.

990
00:48:36,719 --> 00:48:39,399
Speaker 4: Know, twelve, eleven eleven or twelve?

991
00:48:39,719 --> 00:48:43,200
Speaker 2: Kid did not look eleven, would be would be really

992
00:48:43,239 --> 00:48:46,640
Speaker 2: young for a boy. There's some eleven year old girls.

993
00:48:46,760 --> 00:48:50,520
Speaker 2: But he seemed just his mannerisms like everything, Like the

994
00:48:50,640 --> 00:48:53,200
Speaker 2: idea of him not wanting mushrooms. That that's a little

995
00:48:53,280 --> 00:48:56,680
Speaker 2: kid thing, right, you know, not eating broccoli, that was

996
00:48:56,840 --> 00:48:58,719
Speaker 2: like super little. So I feel like they played him

997
00:48:58,760 --> 00:49:00,319
Speaker 2: little and he was just young.

998
00:49:00,360 --> 00:49:03,560
Speaker 3: So that bothered me a lot. Okay, Then after the

999
00:49:03,880 --> 00:49:04,799
Speaker 3: no helmet.

1000
00:49:04,520 --> 00:49:08,719
Speaker 2: Bike situation, he puts his bike in without a lock?

1001
00:49:08,880 --> 00:49:09,960
Speaker 2: Is that an eighties thing?

1002
00:49:10,000 --> 00:49:11,160
Speaker 1: I saw that too.

1003
00:49:11,320 --> 00:49:13,480
Speaker 4: No, you always lock your bike up, of course.

1004
00:49:13,600 --> 00:49:13,880
Speaker 2: Okay.

1005
00:49:13,920 --> 00:49:15,880
Speaker 1: We also never rode bikes to school though, nor did

1006
00:49:15,880 --> 00:49:17,560
Speaker 1: any of my friends. I didn't have any friends that rode.

1007
00:49:17,400 --> 00:49:17,960
Speaker 3: Bikes to school.

1008
00:49:17,960 --> 00:49:21,839
Speaker 2: Okay, that did it? I did West Coast, East coast coast.

1009
00:49:21,920 --> 00:49:24,440
Speaker 2: You don't know, Yeah that I know.

1010
00:49:24,400 --> 00:49:26,640
Speaker 1: Because the winter and stuff. We never just nobody really

1011
00:49:26,680 --> 00:49:28,520
Speaker 1: got into riding bikes to school.

1012
00:49:29,000 --> 00:49:30,120
Speaker 2: Yes, what's the thing?

1013
00:49:30,400 --> 00:49:32,120
Speaker 3: Is it a Disney egg?

1014
00:49:32,480 --> 00:49:34,839
Speaker 4: Is that what you call an easter egg?

1015
00:49:35,040 --> 00:49:37,000
Speaker 2: An easter egg for Disney? Is that what you say,

1016
00:49:37,080 --> 00:49:38,720
Speaker 2: like it's like a fun find.

1017
00:49:39,080 --> 00:49:41,160
Speaker 1: Yeah, like something in there that's kind of a Disney easter.

1018
00:49:41,360 --> 00:49:44,880
Speaker 2: I'm sure our producers caught onto this. But the gym

1019
00:49:45,040 --> 00:49:47,839
Speaker 2: was red and white and they were the Wildcats. So

1020
00:49:47,920 --> 00:49:49,920
Speaker 2: that that you don't know about because you haven't seen

1021
00:49:49,960 --> 00:49:50,760
Speaker 2: high school musical.

1022
00:49:50,840 --> 00:49:52,560
Speaker 3: But I didn't notice that.

1023
00:49:52,560 --> 00:49:54,839
Speaker 2: That was like a little bit of an easter egg.

1024
00:49:54,880 --> 00:49:57,239
Speaker 1: So that's a high school Okay, So wait, could the

1025
00:49:57,320 --> 00:49:59,960
Speaker 1: high school musical kids go to fuzz Bucket high.

1026
00:50:00,520 --> 00:50:03,120
Speaker 2: Maybe I don't know. I'm sure they'll dive into that.

1027
00:50:03,280 --> 00:50:07,239
Speaker 2: Oh my god, I've already. And then I've got two

1028
00:50:07,320 --> 00:50:10,520
Speaker 2: quick ones. The jump off the castle for a buzz

1029
00:50:10,560 --> 00:50:15,040
Speaker 2: bucket was so horrible. He instantly he went as if

1030
00:50:15,040 --> 00:50:17,239
Speaker 2: he was going to jump forward and then obviously was

1031
00:50:17,280 --> 00:50:19,319
Speaker 2: going to turn around to hit the crash pad. It

1032
00:50:19,400 --> 00:50:23,680
Speaker 2: was so that stunt was not done well at all.

1033
00:50:23,880 --> 00:50:26,879
Speaker 1: They also made it seem like he jumped forty two

1034
00:50:27,040 --> 00:50:30,399
Speaker 1: stories down right, like like Michael is in a sick

1035
00:50:30,640 --> 00:50:31,960
Speaker 1: like he's in a redwood tree.

1036
00:50:32,320 --> 00:50:33,879
Speaker 4: Yeah, three hundred feet up in this thing.

1037
00:50:34,040 --> 00:50:34,760
Speaker 1: Crazy. Yeah.

1038
00:50:34,840 --> 00:50:37,640
Speaker 2: Yeah, Michael wasn't great about getting down that rope either,

1039
00:50:37,760 --> 00:50:40,720
Speaker 2: but that's not too bad. And then the last one

1040
00:50:40,760 --> 00:50:45,480
Speaker 2: was the surf. The search party officer had one direction

1041
00:50:45,680 --> 00:50:49,200
Speaker 2: for everyone. It was literally and we're looking for the kid,

1042
00:50:49,280 --> 00:50:52,960
Speaker 2: all right, now go just he was the worst. There

1043
00:50:53,040 --> 00:50:58,879
Speaker 2: was no no nothing, no parameters. Let's let's have these

1044
00:50:58,960 --> 00:51:01,680
Speaker 2: missions and if you see this, do this.

1045
00:51:01,880 --> 00:51:03,239
Speaker 3: Here's a whistle. I don't know.

1046
00:51:03,239 --> 00:51:04,680
Speaker 2: I've never been on a sturs party, but I would

1047
00:51:04,680 --> 00:51:07,560
Speaker 2: think there would be more than just find the kid.

1048
00:51:09,120 --> 00:51:09,480
Speaker 3: All right?

1049
00:51:09,520 --> 00:51:13,560
Speaker 1: So now comes the time where we have to rate

1050
00:51:14,440 --> 00:51:15,480
Speaker 1: this movie?

1051
00:51:16,040 --> 00:51:19,360
Speaker 4: Do we do one out of ten? Blowing green milkshakes,

1052
00:51:19,920 --> 00:51:25,880
Speaker 4: immediate school dances, tickle fits in the principal's office, buzz

1053
00:51:25,960 --> 00:51:29,240
Speaker 4: bucket smooches. You wouldn't even talk about how he actually

1054
00:51:29,239 --> 00:51:30,440
Speaker 4: had Michael kiss him in the tunnel.

1055
00:51:30,440 --> 00:51:30,799
Speaker 1: Forget it?

1056
00:51:31,000 --> 00:51:33,759
Speaker 3: Yeah, I can't go back, go back, let's not.

1057
00:51:34,400 --> 00:51:38,360
Speaker 4: Or unexplained gifts in your bedroom? Which would you like

1058
00:51:38,440 --> 00:51:38,680
Speaker 4: to go?

1059
00:51:39,160 --> 00:51:40,640
Speaker 2: I think I want to do tickle fits?

1060
00:51:40,960 --> 00:51:41,480
Speaker 4: You got it?

1061
00:51:42,080 --> 00:51:45,480
Speaker 1: So one? One tickle fit in the Principal's office is

1062
00:51:45,480 --> 00:51:48,720
Speaker 1: a bad movie. Ten tickle fits is a great movie.

1063
00:51:48,800 --> 00:51:51,520
Speaker 1: How many tickle fits? Does I need you to go first?

1064
00:51:51,800 --> 00:51:53,680
Speaker 1: You want me to go first? Well, okay, yeah, you

1065
00:51:53,760 --> 00:51:57,080
Speaker 1: go first. I'll go first. If we're talking about films

1066
00:51:57,120 --> 00:51:59,600
Speaker 1: where I can sit there for forty five minutes with

1067
00:51:59,640 --> 00:52:01,640
Speaker 1: my mouth the gape, going, what the hell is this?

1068
00:52:01,840 --> 00:52:05,239
Speaker 1: It's a ten out of ten. Yeah, it is by

1069
00:52:05,280 --> 00:52:07,839
Speaker 1: the first ten and only ten I'll give. If we're

1070
00:52:07,880 --> 00:52:13,840
Speaker 1: talking about actual movies, it's a three or a four tops.

1071
00:52:14,040 --> 00:52:16,200
Speaker 4: I mean it's there's no story.

1072
00:52:17,000 --> 00:52:20,760
Speaker 1: The fuzzbucket is weird and doesn't show up until thirty

1073
00:52:20,800 --> 00:52:23,759
Speaker 1: five minutes in. The acting's good. I mean again, you've

1074
00:52:23,760 --> 00:52:26,239
Speaker 1: got great actors that are that are doing other you know,

1075
00:52:26,440 --> 00:52:30,560
Speaker 1: have gone on to do phenomenal things. But this there's

1076
00:52:30,719 --> 00:52:34,040
Speaker 1: no literally no story. That's not an exaggeration. There is

1077
00:52:34,160 --> 00:52:35,200
Speaker 1: literally no story.

1078
00:52:35,280 --> 00:52:38,200
Speaker 3: Well you think there's stories, but then there's no completion.

1079
00:52:38,360 --> 00:52:41,839
Speaker 1: But yes, there's nothing. Yeah, I will be I will

1080
00:52:41,840 --> 00:52:46,120
Speaker 1: be generous, and I will give it for principal office.

1081
00:52:46,160 --> 00:52:48,520
Speaker 1: Tickle fits four four.

1082
00:52:49,560 --> 00:52:53,040
Speaker 3: I feel like you've given a four to another movie.

1083
00:52:53,120 --> 00:52:53,920
Speaker 1: What did I give a four?

1084
00:52:54,000 --> 00:52:54,160
Speaker 2: Two?

1085
00:52:54,719 --> 00:52:56,479
Speaker 4: There's been nothing as low as a four?

1086
00:52:56,640 --> 00:53:00,520
Speaker 3: No, okay, no, I.

1087
00:53:00,080 --> 00:53:00,439
Speaker 2: Be a three.

1088
00:53:00,719 --> 00:53:04,680
Speaker 1: I'll say it you three and a half, three and

1089
00:53:04,719 --> 00:53:04,960
Speaker 1: a half.

1090
00:53:05,520 --> 00:53:07,680
Speaker 3: I think I'm doing like a two point five.

1091
00:53:07,960 --> 00:53:10,960
Speaker 1: I mean, it's it's bad. It's so weird.

1092
00:53:11,520 --> 00:53:14,879
Speaker 2: But with the hope that something does come from this

1093
00:53:14,920 --> 00:53:18,719
Speaker 2: one day because I want to know where these characters

1094
00:53:18,719 --> 00:53:21,200
Speaker 2: were gonna go. I feel like it could have been

1095
00:53:21,239 --> 00:53:24,600
Speaker 2: developed into a full movie of some sort.

1096
00:53:25,320 --> 00:53:26,360
Speaker 3: Yeah, given.

1097
00:53:27,680 --> 00:53:30,160
Speaker 2: Right, Yeah, but it just never did.

1098
00:53:30,200 --> 00:53:32,279
Speaker 3: So I'm going with a two point yeah.

1099
00:53:32,360 --> 00:53:33,200
Speaker 1: No, this is Oh.

1100
00:53:33,280 --> 00:53:34,280
Speaker 2: I feel horrible.

1101
00:53:34,640 --> 00:53:39,359
Speaker 1: I know people sometimes give me especially grief for being

1102
00:53:39,400 --> 00:53:40,520
Speaker 1: harsh on these movies, but.

1103
00:53:42,600 --> 00:53:43,759
Speaker 3: It's there is.

1104
00:53:43,719 --> 00:53:45,440
Speaker 1: No movie here. It's not a movie.

1105
00:53:45,440 --> 00:53:48,799
Speaker 2: There was no answers to anything, and it's so when

1106
00:53:48,880 --> 00:53:53,000
Speaker 2: you watch the movie, you will also have answers.

1107
00:53:53,080 --> 00:53:55,880
Speaker 1: Yeah, I'm telling you. If it is just you want

1108
00:53:55,960 --> 00:53:58,800
Speaker 1: a forty five minute romp of going, what the hell

1109
00:53:59,120 --> 00:54:01,080
Speaker 1: is this? It's ten out of ten, you're not You're

1110
00:54:01,080 --> 00:54:03,279
Speaker 1: seriously not gonna beat it. You're not gonna beat it

1111
00:54:03,280 --> 00:54:06,359
Speaker 1: because it is just it's it's such a an acid trip.

1112
00:54:06,400 --> 00:54:09,760
Speaker 1: It's so weird. Yeah, it's just bizarre.

1113
00:54:09,920 --> 00:54:13,920
Speaker 3: Again, though, you're you're gonna want more because the cast.

1114
00:54:13,760 --> 00:54:16,040
Speaker 2: Is so good. The cast is great, the cast they

1115
00:54:16,040 --> 00:54:19,120
Speaker 2: would have been great together. You know, I really feel

1116
00:54:19,360 --> 00:54:24,000
Speaker 2: the chemistry everything. The principal, the one teacher that we

1117
00:54:24,080 --> 00:54:25,800
Speaker 2: recognize but can't put our thumb.

1118
00:54:25,640 --> 00:54:33,200
Speaker 1: On that is actually Robin Lively's dad not a Robin

1119
00:54:33,239 --> 00:54:35,200
Speaker 1: Lively's dad plays that character.

1120
00:54:34,960 --> 00:54:39,640
Speaker 2: Who's also an actor, and we've been okay, wow, okay,

1121
00:54:39,960 --> 00:54:42,480
Speaker 2: now I really need to see that. I mean, wouldn't

1122
00:54:42,520 --> 00:54:45,719
Speaker 2: that have been funny to see scenes with them in

1123
00:54:45,760 --> 00:54:51,280
Speaker 2: the like a classroom together, anything, just so much, so much.

1124
00:54:51,080 --> 00:54:53,279
Speaker 1: Anything would have been great to see at this point,

1125
00:54:53,600 --> 00:54:56,960
Speaker 1: answer one of the questions. Just something. And we are

1126
00:54:57,000 --> 00:54:58,840
Speaker 1: going to be able to get some of those questions

1127
00:54:58,840 --> 00:55:02,480
Speaker 1: answered because we're gonna be interviewing Robin Lively. We cannot

1128
00:55:02,560 --> 00:55:04,920
Speaker 1: wait as she tells us all about the process. It

1129
00:55:05,000 --> 00:55:06,920
Speaker 1: is going to be over on our Park Copper episode

1130
00:55:06,960 --> 00:55:09,480
Speaker 1: on our other feed for Magical rewind. So here's a

1131
00:55:09,560 --> 00:55:12,160
Speaker 1: quick clip because we want you to check out this interview.

1132
00:55:13,600 --> 00:55:15,520
Speaker 4: You've done so much stuff?

1133
00:55:16,960 --> 00:55:20,040
Speaker 1: Is this the first interview solely.

1134
00:55:19,640 --> 00:55:22,240
Speaker 4: Based on the joy that was fuzz Bucket?

1135
00:55:22,840 --> 00:55:23,080
Speaker 1: Yes?

1136
00:55:23,440 --> 00:55:26,400
Speaker 2: Is it really? I literally don't think anyone's ever mentioned

1137
00:55:26,480 --> 00:55:29,800
Speaker 2: fuzz Bucket in my entire career.

1138
00:55:31,000 --> 00:55:31,880
Speaker 1: You guys are the first.

1139
00:55:31,880 --> 00:55:34,200
Speaker 3: Okay, next question, is that a good thing or a

1140
00:55:34,239 --> 00:55:35,000
Speaker 3: bad thing for you?

1141
00:55:35,160 --> 00:55:35,319
Speaker 1: Oh?

1142
00:55:35,440 --> 00:55:37,279
Speaker 2: I mean I love everything that I've done.

1143
00:55:37,560 --> 00:55:40,040
Speaker 3: I don't have no shame good, I have no good

1144
00:55:40,160 --> 00:55:41,160
Speaker 3: good now.

1145
00:55:42,840 --> 00:55:45,000
Speaker 1: And there are so many stories about the making of

1146
00:55:45,000 --> 00:55:47,880
Speaker 1: fuzz Bucket over there. It drops on Monday on the

1147
00:55:47,880 --> 00:55:50,080
Speaker 1: Magical Rewind Feed, So go and check out the interview

1148
00:55:50,120 --> 00:55:53,319
Speaker 1: because it was a great one. Thank you all so

1149
00:55:53,440 --> 00:55:58,320
Speaker 1: much for joining us today. Go and watch this movie.

1150
00:55:58,800 --> 00:56:00,640
Speaker 1: You will know exactly what we're talking about about. How

1151
00:56:00,680 --> 00:56:03,160
Speaker 1: it just it? You just go what is this?

1152
00:56:03,440 --> 00:56:06,399
Speaker 3: What is so many questions? You just can't believe it's over.

1153
00:56:06,640 --> 00:56:07,160
Speaker 1: Oh I know.

1154
00:56:07,200 --> 00:56:08,840
Speaker 4: And then to just add roll credits.

1155
00:56:09,480 --> 00:56:12,120
Speaker 1: Don't forget to check out the interview with Robin Lively

1156
00:56:12,200 --> 00:56:15,279
Speaker 1: over on our Magical Rewind feed on Monday, and we

1157
00:56:15,360 --> 00:56:16,960
Speaker 1: will see you next time.

1158
00:56:16,960 --> 00:56:18,080
Speaker 4: Do we know what we're doing. We don't even know

1159
00:56:18,120 --> 00:56:18,680
Speaker 4: what we're doing next.

1160
00:56:18,680 --> 00:56:20,320
Speaker 1: We'll figure out. I think we just need a moment

1161
00:56:20,760 --> 00:56:24,080
Speaker 1: to let Fuzzbucket wash over us and we'll figure out

1162
00:56:24,120 --> 00:56:26,200
Speaker 1: what the next movie is after that.

1163
00:56:26,280 --> 00:56:28,160
Speaker 4: So thank you all so much, everybody, and we'll see

1164
00:56:28,160 --> 00:56:28,600
Speaker 4: you next time.

1165
00:56:28,680 --> 00:56:42,520
Speaker 1: Bye bye.