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Speaker 1: Hey, guys, welcome to another episode of Eating While Broke.

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Speaker 1: I'm your host, Colleen Witt, and today we have a

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Speaker 1: very special guest, and Naya love Note is in the building.

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Speaker 2: You guys may know her from her.

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Speaker 1: Music because she is a recording artist hailing all the

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Speaker 1: way from Texas. Yes, which is different because when you

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Speaker 1: think Texas, you think Beyonce.

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Speaker 2: Yeah, you know, but she ain't the only one coming

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Speaker 2: out of Texas, not at all, not at all.

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Speaker 1: But before we get into all the behind the scenes

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Speaker 1: of what made a Naya love Note, let's talk about

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Speaker 1: what you're gonna have me eating today.

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Speaker 3: Oh honey, Okay, So I call it Mama's cooking. Okay,

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Speaker 3: because that's that's what I got it from my mama,

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Speaker 3: and you're not taking credit. So we gonna make Mama's

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Speaker 3: nachos today. We got the preference meat that you chose,

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Speaker 3: brown turkey. I love it. I've been working really hard

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Speaker 3: to be more healthy anyways, Okay, I love that you

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Speaker 3: really chose that.

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Speaker 2: Really? Yes, I'm allergic to red meat really yeah? What yeah?

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Speaker 3: So I guess you've never had anything with red meat.

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Speaker 2: No, I did.

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Speaker 1: I abused it for years and then I finally said,

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Speaker 1: I got to listen to the doctors. So I went

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Speaker 1: like ten years allergically eating red meat and getting sick,

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Speaker 1: and then I finally said, co grow up.

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Speaker 3: See, well give it up because red meat is already

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Speaker 3: unhealthy as it is, and you're allergic to it, so

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Speaker 3: that's like ten.

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Speaker 1: It's actually harder for the body to digest. Seriously, yes,

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Speaker 1: so because you're allergic, Well it could be that or

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Speaker 1: but it's funny because I was I switched to pork

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Speaker 1: and chicken.

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Speaker 2: I was like pork's white meat.

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Speaker 1: But recently I realized I'm now allergic to pork, so

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Speaker 1: I'm heartbroken.

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Speaker 2: So there's no more ribs my future.

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Speaker 1: And you know, the older, you know more, you respect

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Speaker 1: like your body, your body's needs and commands.

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Speaker 2: So now no, no more red meat.

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Speaker 3: It definitely does start speaking up as you get older.

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Speaker 3: And we got the meat right here, we got the

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Speaker 3: about Vita cheese block. This is my favorite mild. I

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Speaker 3: chose mild because it definitely gaves like a little spice

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Speaker 3: to it instead of it just being like a regular flavor.

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Speaker 2: That's like a chili sauce.

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Speaker 4: Ok.

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Speaker 3: Yeah, And then of course the Texas chips, and then

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Speaker 3: we'll get to the seasons when we.

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Speaker 2: And then I see almond milk too.

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Speaker 3: Yes, I drink nothing about almond milk one because I

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Speaker 3: am lactose intolerant.

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Speaker 2: Okay, so wait, is velvet the cheese not?

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Speaker 3: Yeah, I'm like you, I just.

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Speaker 1: Okay, okay, okay, you ain't supposed to okay, okay, whoever's

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Speaker 1: riding back in the clover.

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Speaker 3: Yeah, look I did good by doing the almond meal.

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Speaker 1: Yeah yeah, but you know what this Can it be

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Speaker 1: real cheese because it was sitting on a shelf.

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Speaker 3: Yeah that's what I thought, because you know, real cheese

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Speaker 3: with rest has to be refrigerating it is.

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Speaker 1: So this can't be you know, I might, I might

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Speaker 1: get on the hook with Okay, okay, okay, I will say.

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Speaker 1: The price egg on this dish came out to like

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Speaker 1: thirty bucks or twenty bucks or something like that, which

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Speaker 1: would be considered pricier, but technically it's not because of

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Speaker 1: the serving size.

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Speaker 2: So well budgeted. Kudos to your mama.

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Speaker 1: So before you, well, I guess while you're getting cooking,

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Speaker 1: I want to know what was going on during the

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Speaker 1: time of the mama's nachos.

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Speaker 3: Oh my gosh, So you know, should I start cooking.

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Speaker 2: Now, yeah, you can start getting a kitchen.

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Speaker 3: So honestly, my foster mom, she's actually my foster mother.

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Speaker 3: And when I was in middle school, because she got

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Speaker 3: me when I was fourteen years old. By the time

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Speaker 3: I got to her home, I just could eat through anything.

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Speaker 3: I just would eat, eat, eat, eat, eat your seat

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Speaker 3: tiny big, that's what she would say. And I'd be like, mom, like,

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Speaker 3: I'm not gaining any weight. And she started making these

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Speaker 3: nachos and I just would It's so crazy. They would

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Speaker 3: call me like the human disposal in the house. So

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Speaker 3: I would eat like my nachos. If my sister didn't

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Speaker 3: finish her nachos, I eat her nachos. I'd eat the

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Speaker 3: pot nachos. And I just love these nachos so much,

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Speaker 3: to the point where by time I had to have

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Speaker 3: like a actual cooking schedule in the house because everybody

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Speaker 3: had to learn how to cook. I had this downpack.

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Speaker 3: My mom won't even let me cook it no more.

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Speaker 3: Oh wow, I would just eat it all the time.

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Speaker 1: What's interesting, a lot of our listeners don't know this.

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Speaker 1: Not trying to chime into your story, but trying to

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Speaker 1: chime in your mom. I think was the first person

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Speaker 1: to hit me on the DM.

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Speaker 3: So that was actually my biological So my foster mother

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Speaker 3: is the one who lives in Texas, and then my

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Speaker 3: biological mother she lives in Saint Louis. So my biological

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Speaker 3: mother she helps me out with my career sometimes because

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Speaker 3: she is also a female artist herself. Okay, kind of

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Speaker 3: where I got her from.

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Speaker 1: Wow, so you do have a good relationship with your biological.

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Speaker 3: I have a good relationship with both of them.

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Speaker 2: And there's no beef between the two moms.

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Speaker 3: At first, when I was younger, it kind of was

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Speaker 3: because my mom. When I first found my mom, I

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Speaker 3: found my mom on my Space. That's actually how I

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Speaker 3: found my mother. You're biological m I found my mama

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Speaker 3: my Space. And I remember, like in high school, I

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Speaker 3: was a freshman and I got on my Space and

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Speaker 3: I just DMed all of her friends because she took

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Speaker 3: too long to see my message. So I went on

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Speaker 3: there and I was like, Hey, I'm her daughter. I've

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Speaker 3: been looking for her, can you please call me.

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Speaker 2: You know that she was your mom because I've.

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Speaker 3: Had her when I was I mean i've had her.

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Speaker 3: She had me before I got taken, So I knew

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Speaker 3: my family before I was placed in care, so I

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Speaker 3: found her on my Space. And when I did find

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Speaker 3: my mom and I finally got in contact with her,

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Speaker 3: technically it was illegal because the state didn't know about

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Speaker 3: it and I was still in care of this at

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Speaker 3: the time, so I had to have a judge actually

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Speaker 3: okay to me to talk to my mother at the time.

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Speaker 3: And when she finally found out, she didn't really like

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Speaker 3: my foster mother that much.

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Speaker 1: Were you reaching out to your mom because you missed her,

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Speaker 1: or were you reaching out to were you beefing with

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Speaker 1: the foster mom.

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Speaker 3: I reached out to her because I missed her. I

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Speaker 3: always wanted to know my family. I actually got taken

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Speaker 3: at five years old, so I didn't have my mom,

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Speaker 3: my dad, no cousin's, no aunties, just like foster home shelters,

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Speaker 3: group homes, foster home shelters, group homes all the way

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Speaker 3: till I was like eighteen.

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Speaker 2: Do you know why you were taken?

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Speaker 3: Yes?

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Speaker 1: I do. Are you are you able to say without

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Speaker 1: making family members?

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Speaker 2: Oh?

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Speaker 3: Yeah, So when I was younger, I don't know. I

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Speaker 3: don't drink alcohol for a reason. I come from a

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Speaker 3: background of alcoholics in a way. My grandmother, she was

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Speaker 3: an alcoholic, and my great grandmother was an alcoholic, and

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Speaker 3: so I would see what that would do to people

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Speaker 3: when they would drink alcohol. And for me, as a

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Speaker 3: young kid, I would get whoopings a lot. And I

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Speaker 3: went to school one day and I the teacher saw

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Speaker 3: a bruise on my back and she asked me. She

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Speaker 3: was like, are you getting whoopings? Are you getting beatens

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Speaker 3: at home? And she put it in the same sentence.

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Speaker 3: And at the time, I had to be like four

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Speaker 3: going on five at this time. I was like, yes,

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Speaker 3: but you know, please don't pull anyone. But when I

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Speaker 3: hear the word whoopins as a kid and then you

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Speaker 3: put beaten with it, it just sounds the same in

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Speaker 3: a way. So that same day, CPS actually came to

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Speaker 3: my house and took us away. Wow.

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Speaker 2: So they took all of you guys.

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Speaker 3: You have siblings, wow, all of us, Me and my

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Speaker 3: two sisters. Wow. And it kind of was like, like

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Speaker 3: my grandmother kind of blamed me, but I was being

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Speaker 3: placed in cares. But I've definitely coming so young. Yeah,

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Speaker 3: I've definitely come to a conclusion now that I'm older,

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Speaker 3: like that, you know, it was it wasn't me, But

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Speaker 3: back then it was just like, dang, Like what did

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Speaker 3: I do?

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Speaker 2: Yeah?

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Speaker 1: I I grew up in upstate New York, and I

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Speaker 1: grew up in child of definitely child abuse for sure, beatings, whoopings,

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Speaker 1: and all of the above. But that the teachers and

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Speaker 1: everybody they would call CPS and CPS started getting a

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Speaker 1: bad rep of me and my siblings because it was

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Speaker 1: like y'all ain't saving us at all, And it's it's

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Speaker 1: crazy to hear that in your story.

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Speaker 2: They like snatched you all up so fast.

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Speaker 3: They take kids very quickly, like they instantly go when

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Speaker 3: it's teenagers. They don't come to a quick hurry. So

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Speaker 3: like I was four going on five, my little sister Brianna,

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Speaker 3: she was like two going on three, and my oldest sister, Latrice,

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Speaker 3: she was about six years old, and so all of

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Speaker 3: us was just wase and we all been away from

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Speaker 3: our family since then. So when I did find my mom,

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Speaker 3: it was just felt it just felt like I found

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Speaker 3: a part of me that I had not had for

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Speaker 3: my whole life.

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Speaker 1: Wow, so you were gone for what over almost ten

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Speaker 1: years away from her before you found her.

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Speaker 2: That's amazing.

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Speaker 3: And then I found my little brother on Facebook. I

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Speaker 3: found my little sister on Facebook. I've always had my

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Speaker 3: oldest sister and then the other two. I actually got

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Speaker 3: to get in contact them once I talked to my mom.

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Speaker 2: Wow, what was your mom's initial reaction when she heard

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Speaker 2: from you?

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Speaker 3: She was so excited She's actually cried. She's like, I've

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Speaker 3: been looking for you my whole life. Like, I'm so excited.

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Speaker 3: How old you? How old are you now? Like just

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Speaker 3: like typical questions that a mom would ask. I think

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Speaker 3: when I was younger, I was more closer to my mom,

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Speaker 3: and then my sister she was closer to my grandparents.

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Speaker 3: So when I found my mom, it was more like

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Speaker 3: I was excited because I found my mom. My older

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Speaker 3: sister she wasn't really like around for it, so.

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Speaker 1: Was she does do all your siblings have a good

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Speaker 1: relationship with your mom now?

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Speaker 3: It's do you know?

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Speaker 4: We all are still too. We all have a great

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Speaker 4: relationship with my our mom now.

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Speaker 3: But because now that we're adults, we're going into that

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Speaker 3: phase where it's like we're adults now getting advice and stuff.

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Speaker 3: Sometimes is like, no, not thinking because I kind of

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Speaker 3: know myself now at this point. But for me, again,

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Speaker 3: I've always been closest to my mom. So I'm still

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Speaker 3: like Mama's baby still to this day. But I think

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Speaker 3: that's just because I share more in common with my

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Speaker 3: mom than the rest of my siblings.

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Speaker 2: In the music. Now does your mom rap?

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Speaker 3: Yes, she's a female rapper. She says, she be singing,

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Speaker 3: but Mama, you can't sing. Oh, she like Drake.

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Speaker 2: It's like I can't stand when Drake sings.

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Speaker 1: I love Drake's rap book, Please God, Please, I ain't

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Speaker 1: singing Drake.

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Speaker 3: Sometimes, Drake, sometimes you hit it with the note, and

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Speaker 3: then sometimes I'm like, you could have just wrapped that

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Speaker 3: dude anytime.

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Speaker 1: You know, when he does his records like split, I

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Speaker 1: don't even I won't even entertain the singing version.

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Speaker 3: I actually used to love his when he redid Jojo

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Speaker 3: Marvin's Room and he was trying to sing that one.

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Speaker 3: It actually came out really great compared to what I

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Speaker 3: thought it would at his singing days. When he left

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Speaker 3: the Grassy.

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Speaker 2: Okay, I never watched him on the Grassy me.

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Speaker 3: Either, Sorry, Drake, I didn't know you to have to digress.

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Speaker 3: I actually got to meet Drake, so too Short introduced

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Speaker 3: me to Drake, and we were at Poppies and Drake goes,

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Speaker 3: this is my idol right here. If he say clear

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Speaker 3: everybody out, everybody got to get out. I don't care.

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Speaker 3: I'm clearing out this whole club. Whatever this man say

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Speaker 3: is whatever goes too short, too short. It's his idol,

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Speaker 3: the man he looks up to his whole life. That's

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Speaker 3: what Drake says. Yes, and the way.

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Speaker 5: That I do.

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Speaker 1: Yes, I'm not knocking on too short, but Drake really, But.

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Speaker 3: You know, the way that I met him, for me

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Speaker 3: to be an artist was amazing because I could have

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Speaker 3: met him any other way, but to be introduced to

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Speaker 3: him by his idol as an artist, it was like, Wow,

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Speaker 3: that's a lot of respect. Instead of meeting him like

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Speaker 3: in the club. Hey, yeah, so I thought I was

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Speaker 3: like pretty dope.

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Speaker 2: Yeah, that sounds pretty dope, y'all. I love Drake.

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Speaker 3: The only way I'm gonna see him again is if

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Speaker 3: I go to one of his concerts. While the brawls

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Speaker 3: can toss thumbs hilarious, you know, I'm gonna have to

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Speaker 3: catch one of them because I heard he give me

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Speaker 3: out burning bags.

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Speaker 2: Too, really at his show.

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Speaker 3: He just posted it. He gave me out pink burning

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Speaker 3: bags at his show. Drake, I look save one of

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Speaker 3: them burning bags, just put it on the shelf, don't

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Speaker 3: worry about it.

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Speaker 1: So from the okay, so you start making this dish

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Speaker 1: with your foster my foster mom.

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Speaker 2: Your foster mom, okay.

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Speaker 1: And she had other foster children, but she just she

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Speaker 1: didn't house any of your siblings.

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Speaker 3: She ended up taking my oldest sister in My older

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Speaker 3: sister ended up being in foster care with one of

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Speaker 3: her family members at the time, and I was like, mom, please,

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Speaker 3: like please, please, please take my sister. I don't want

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Speaker 3: to be by myself. Yeah, And I was fourteen by

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Speaker 3: the time she got us. And then my sister was

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Speaker 3: like seventeen years old, and foster homes don't take teenagers,

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Speaker 3: and it wasn't a lot of foster homes that my

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Speaker 3: sister could go to the more she got older, So

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Speaker 3: she ended up taking my older sister and so she

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Speaker 3: could be with me. And then when I found my

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Speaker 3: little sister, she ended up allowing my little sister to

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Speaker 3: come and stay as well. So I actually got to

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Speaker 3: have my siblings after high school.

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Speaker 2: Okay.

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Speaker 1: And it's interesting because you call her mom. Yes, was

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Speaker 1: that a hard hurdle for you because you said you

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Speaker 1: didn't get to her till what fourteen?

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Speaker 3: Right? Yeah? So when I got there, I used to

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Speaker 3: we would call her by her name, which would be

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Speaker 3: Mama Ray, and then eventually it just became mom. I

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Speaker 3: was with her all the way, so I was grown

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Speaker 3: and still to this day like that's Mom. I would

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Speaker 3: call her and my I need advice with this, or Mom,

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Speaker 3: I need help with this, and that's that's my go to.

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Speaker 3: It's my mom.

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Speaker 2: Wow, Okay, Okay, that's that's that's cool. That's cool.

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Speaker 3: But I do the same thing to my biological mom too.

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Speaker 2: So do you let them know that you get a

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Speaker 2: pai from each other?

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Speaker 3: Yeah, Like, yeah, they know each other. They're like now

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Speaker 3: they're cool with each other, you know. They my mom

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Speaker 3: will ask about Mama Ray a lot, and Mama Ray

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Speaker 3: will ask about my mom. So it's more like our girls.

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Speaker 2: Okay, Okay, like that now. I like that. And then

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Speaker 2: as far as.

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Speaker 1: The addiction on this in your family, has it like

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Speaker 1: subsided or yeah?

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Speaker 3: Honestly, I just found my biological family. I got to

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Speaker 3: meet my aunts, my cousins, and they gave me so

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Speaker 3: much insight on my background and where I come from

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Speaker 3: and a lot of things that our family struggled, which

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Speaker 3: was like alcohol abuse at the time. So a lot

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Speaker 3: of my family member isn't alive, to be honest with you,

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Speaker 3: But me, I've never had to drop an alcoholic day

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Speaker 3: in my life.

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Speaker 2: Good and you're gonna keep it that way?

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Speaker 3: Yes, I am.

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Speaker 1: Yeah, I just got my husband is a alcohol alcoholic

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Speaker 1: and recovery or what have you. And I'm just now

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Speaker 1: like it took me, Like it's so hard for me

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Speaker 1: to understand the concept of it because for me, it's

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Speaker 1: not the most logical concept. I'm like, wait, you're gonna

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Speaker 1: just drink all day? Yeah, you're you know, like logically

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Speaker 1: it doesn't make sense. But now I'm starting to understand

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Speaker 1: like addiction is because it feels real to them. It's

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Speaker 1: like I love this or I like this and I

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Speaker 1: know I get sick without it or what have you.

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Speaker 3: It's a dangerous situation because if they can't identify that

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Speaker 3: they have an issue, it definitely can turn into a

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Speaker 3: generational situation. And I think I was the one who

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Speaker 3: identified the issue in my family. We decided to change

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Speaker 3: the generational.

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Speaker 2: So they weren't like living in denial.

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Speaker 3: So like my sister, my older sister, she doesn't drink.

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Speaker 3: I don't drink. My little sister she doesn't drink. A mom,

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Speaker 3: she doesn't drink. Wow, we all decided we was just

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Speaker 3: not gonna.

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Speaker 2: Oh, your mom didn't drink. She never drank.

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Speaker 3: She did when she was like younger, but she doesn't

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Speaker 3: drink at all like now, so.

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Speaker 2: Awesome, awesome, I like that. I like that.

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Speaker 1: So let's get past this little bump and get onto

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Speaker 1: the next chapter. What was the next milestone from Nachos

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00:17:15,000 --> 00:17:16,359
Speaker 1: heading towards your career?

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Speaker 3: Honestly, I just always knew I was gonna be something

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Speaker 3: or someone, and I would tell my foster mom all

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Speaker 3: the time, I just need to leave home, like I

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Speaker 3: just would like to leave home. I know if I

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Speaker 3: leave then I'm gonna make it. And at the time,

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Speaker 3: I could not keep a job. Every job that I

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Speaker 3: had I just kept losing, Like I just could not

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Speaker 3: hold down a nine to five job at all. School.

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Speaker 3: I wasn't doing that great in school either, and I

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00:17:52,640 --> 00:17:55,520
Speaker 3: just felt like this is not for me, Like I

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Speaker 3: have to leave Austin. There's nothing any here for me.

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Speaker 3: And after I lost my job at foot like at

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Speaker 3: City Trends, my mom picked me up and I had

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Speaker 3: got the opportunity to actually go to Atlanta, and I

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00:18:09,160 --> 00:18:10,959
Speaker 3: told her. I said, I looked her in the car.

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Speaker 3: We were sitting in the car and I looked her

359
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Speaker 3: in the face and I said, Mom, I'm leaving, And

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Speaker 3: she said, where are you going? I said, to Atlanta?

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00:18:17,560 --> 00:18:20,000
Speaker 3: And I said, I just need you to trust that

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Speaker 3: this decision is going to be great. And when I

363
00:18:22,480 --> 00:18:25,360
Speaker 3: just know, like, if I leave, Mama, I'm gonna make it.

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Speaker 3: And she's like, I just want you to be happy

365
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Speaker 3: and stabled, and whatever you choose to do, you know

366
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Speaker 3: I'm going to support you. And I never looked back

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Speaker 3: since I haven't been back home in ten years.

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Speaker 2: And what age were you?

369
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Speaker 3: I left when I was twenty one.

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Speaker 2: Twenty one, and but knowing you were twenty one, you

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Speaker 2: knew exactly you were going to go into music.

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Speaker 3: But my mom, my biologic mom was big on me

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Speaker 3: finishing school, so I wanted to get an education before

374
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Speaker 3: I decided that this is going to be whatever I do.

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Speaker 3: And it worked out for me.

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Speaker 2: So you went to college or.

377
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Speaker 3: So I started off in college and after I did

378
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Speaker 3: my first year, I got the opportunity to up and

379
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Speaker 3: move to Atlanta. Okay, okay, wait, so this is this.

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Speaker 2: Is my mess up? Guys, here we go, Here we go,

381
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Speaker 2: Here we go.

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Speaker 3: I'm like, is this on your powdery?

383
00:19:15,240 --> 00:19:15,520
Speaker 5: No?

384
00:19:15,520 --> 00:19:18,560
Speaker 2: No, that's all purpose seasoning. I think this is all purpose.

385
00:19:19,520 --> 00:19:21,600
Speaker 2: Look I just shopping for the show, but I was.

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Speaker 2: I don't I love how you called it out, Like

387
00:19:26,040 --> 00:19:28,720
Speaker 2: what is this? Wait a minute before my.

388
00:19:28,760 --> 00:19:30,520
Speaker 3: Disch start tasting a little funny?

389
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Speaker 2: Okay, okay, sorry, my bad.

390
00:19:32,400 --> 00:19:37,040
Speaker 3: We're gonna we're gonna hilarious this right here. Yeah, we're gonna.

391
00:19:37,040 --> 00:19:40,200
Speaker 1: We're gonna have to MANI The situation at Walmart was like, look,

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Speaker 1: this is technically all purpose.

393
00:19:41,960 --> 00:19:47,640
Speaker 3: I said. All purpose comes in like the little red bottle.

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Speaker 2: I know, but they didn't have any more of that bottle.

395
00:19:49,640 --> 00:19:51,840
Speaker 2: So she was like, this will do. And I said okay.

396
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Speaker 1: And then here you are Anaya calling me out like

397
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Speaker 1: what is this?

398
00:19:55,680 --> 00:20:00,960
Speaker 3: What is this? Those she I you know? I should

399
00:20:01,080 --> 00:20:02,840
Speaker 3: have to try it?

400
00:20:03,040 --> 00:20:04,840
Speaker 2: Just try it, try it.

401
00:20:05,280 --> 00:20:09,240
Speaker 3: Try My mom edited the secret ingredients.

402
00:20:09,320 --> 00:20:13,040
Speaker 2: Okay, we'll put all purpose in the cookbook with.

403
00:20:13,040 --> 00:20:15,639
Speaker 3: The red lid, with the red lid. Gotta get that.

404
00:20:16,080 --> 00:20:20,680
Speaker 1: Okay, So you put onion, powdered garlic powder, all purpose seasoning.

405
00:20:20,840 --> 00:20:25,879
Speaker 2: Tony's creole and.

406
00:20:24,200 --> 00:20:25,360
Speaker 3: And then I just mix it.

407
00:20:25,520 --> 00:20:27,200
Speaker 2: And then you are mixing it.

408
00:20:27,280 --> 00:20:31,320
Speaker 3: Okay, okay, So my mom she always say the best

409
00:20:31,400 --> 00:20:34,480
Speaker 3: way to get all the seasonal off the plate is

410
00:20:34,520 --> 00:20:37,520
Speaker 3: to use your hands and the meat. So as you

411
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Speaker 3: can see, there is no seasoning on this plate, which.

412
00:20:42,119 --> 00:20:45,600
Speaker 2: Is there is what I'm not going for. But now

413
00:20:45,760 --> 00:20:47,440
Speaker 2: I I already know we're gonna end up going to

414
00:20:48,040 --> 00:20:50,400
Speaker 2: commercial because you're gonna have to wash your hands after

415
00:20:50,440 --> 00:20:51,160
Speaker 2: this exactly.

416
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Speaker 3: But your hands clean by the way I washed them before.

417
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Speaker 2: So I'm sorry we got so off track. Where did

418
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Speaker 2: we leave from? Where did we leave?

419
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Speaker 1: Oh?

420
00:21:05,520 --> 00:21:06,040
Speaker 5: You? Oh?

421
00:21:06,080 --> 00:21:08,199
Speaker 1: I wanted to know when you said you had an

422
00:21:08,240 --> 00:21:12,720
Speaker 1: opportunity in Atlanta? What opportunity were you referring to.

423
00:21:13,200 --> 00:21:16,160
Speaker 3: So I met this artist and he needed a PR

424
00:21:16,359 --> 00:21:18,560
Speaker 3: at the time. Now, funny thing is, I didn't know

425
00:21:18,640 --> 00:21:21,480
Speaker 3: anything about PR. I just knew it was the opportunity

426
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Speaker 3: for me to leave home.

427
00:21:22,320 --> 00:21:23,199
Speaker 2: How did he find you?

428
00:21:23,880 --> 00:21:27,439
Speaker 3: So we have south By Southwest in Austin, and then

429
00:21:27,560 --> 00:21:30,119
Speaker 3: he came down as an artist to perform for south

430
00:21:30,160 --> 00:21:34,960
Speaker 3: By And when we met, I was telling him like, oh, yeah,

431
00:21:35,040 --> 00:21:37,359
Speaker 3: I do this, I do that. He's like, well, you know,

432
00:21:37,520 --> 00:21:40,280
Speaker 3: I'm looking for a PR. I figure, I was just

433
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Speaker 3: going to.

434
00:21:44,160 --> 00:21:46,840
Speaker 2: Everything, get a limits here, here we go.

435
00:21:47,640 --> 00:21:50,120
Speaker 3: He was like, you know I need a PR, so

436
00:21:50,880 --> 00:21:52,679
Speaker 3: you know you should come work for me. You can

437
00:21:52,720 --> 00:21:54,840
Speaker 3: stay with me, blah blah blah. Let me just say this,

438
00:21:55,119 --> 00:21:59,680
Speaker 3: that was the worst decision I ever met. I a

439
00:21:59,800 --> 00:22:03,320
Speaker 3: day in my life due to the circumstances of it.

440
00:22:03,560 --> 00:22:06,000
Speaker 3: But I still don't change the fact that I used

441
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Speaker 3: that as a way to get where I was going.

442
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Speaker 2: So why did he assume that you did PR?

443
00:22:10,359 --> 00:22:14,240
Speaker 3: Because I was working at the time for south By Southwest,

444
00:22:14,280 --> 00:22:17,200
Speaker 3: so I had like the little like badgets and stuff

445
00:22:17,400 --> 00:22:19,800
Speaker 3: on there. And I was working in the studio for

446
00:22:19,840 --> 00:22:22,080
Speaker 3: other artists at the time as well. So he was like, oh,

447
00:22:22,200 --> 00:22:24,760
Speaker 3: just be my PR. And I was like, oh, okay.

448
00:22:26,560 --> 00:22:26,600
Speaker 5: It.

449
00:22:28,040 --> 00:22:31,320
Speaker 2: And so did he like give you money up front

450
00:22:31,400 --> 00:22:32,359
Speaker 2: or actually no?

451
00:22:32,800 --> 00:22:36,320
Speaker 3: So I ended up moving to Atlanta only for him

452
00:22:36,320 --> 00:22:40,360
Speaker 3: to try to prostitute me. Yeah, so I moved to Atlanta.

453
00:22:40,800 --> 00:22:44,119
Speaker 3: He ended up taking a deal in Miami and moving

454
00:22:44,160 --> 00:22:47,440
Speaker 3: to Miami, but he tricked me and had his friend there,

455
00:22:47,840 --> 00:22:50,560
Speaker 3: which was like his brother, and he was like, well,

456
00:22:50,600 --> 00:22:53,119
Speaker 3: you guys are going to take over my apartment. And

457
00:22:53,160 --> 00:22:56,120
Speaker 3: I was like what like, what do you mean I'm

458
00:22:56,119 --> 00:22:58,000
Speaker 3: going to take over your apartment? You just told me

459
00:22:58,400 --> 00:23:01,600
Speaker 3: you what's going on? And so he's like, well, you

460
00:23:01,600 --> 00:23:03,840
Speaker 3: guys are gonna split. It happened half. You need to

461
00:23:03,840 --> 00:23:06,200
Speaker 3: get a job, you know. He was like, you need

462
00:23:06,240 --> 00:23:08,399
Speaker 3: to go apply at the strip clubs and all this

463
00:23:08,440 --> 00:23:11,760
Speaker 3: other stuff. And he had this one girl strip club. Yeah,

464
00:23:11,840 --> 00:23:13,879
Speaker 3: he wanted me to work at the strip club. He

465
00:23:13,960 --> 00:23:16,600
Speaker 3: had this one shorty that lived with him named Barbie

466
00:23:16,640 --> 00:23:19,440
Speaker 3: and she was already a stripper at the time. So

467
00:23:20,480 --> 00:23:22,840
Speaker 3: I was like, oh, no, she lived there.

468
00:23:22,880 --> 00:23:27,040
Speaker 2: That was and there's a brother, oh and that was

469
00:23:27,080 --> 00:23:29,360
Speaker 2: her dude. Yeah, and then but I.

470
00:23:29,320 --> 00:23:32,680
Speaker 3: Didn't know, so he was like a d I found

471
00:23:32,720 --> 00:23:35,200
Speaker 3: out that he was pimping. And when I got there

472
00:23:35,960 --> 00:23:37,120
Speaker 3: before that, I didn't know.

473
00:23:37,280 --> 00:23:49,359
Speaker 5: Did you mama?

474
00:23:51,960 --> 00:23:53,960
Speaker 3: So I did. I let my mom know, but I

475
00:23:53,960 --> 00:23:57,440
Speaker 3: didn't let her know, yeah, because I did not want

476
00:23:57,440 --> 00:24:01,200
Speaker 3: her freaking out and there exactly and she's gonna be like, well,

477
00:24:01,400 --> 00:24:03,919
Speaker 3: I don't think you know. I didn't want none of that.

478
00:24:04,119 --> 00:24:06,679
Speaker 3: So what I ended up doing is I end up

479
00:24:06,680 --> 00:24:11,159
Speaker 3: getting a job at what Willie's, which was a it

480
00:24:11,280 --> 00:24:18,800
Speaker 3: was a waitressing restaurant whatever, and he put me on

481
00:24:18,840 --> 00:24:21,959
Speaker 3: this site called Backpage.

482
00:24:21,440 --> 00:24:24,320
Speaker 2: And I I think I know what that is. It's

483
00:24:25,200 --> 00:24:26,520
Speaker 2: know what it is. It's like.

484
00:24:29,320 --> 00:24:31,639
Speaker 3: I didn't even know what that was at the time.

485
00:24:32,119 --> 00:24:37,600
Speaker 3: My phone is ringing of me on there, and my

486
00:24:37,680 --> 00:24:40,160
Speaker 3: phone is going off and all these men are like, hey,

487
00:24:40,240 --> 00:24:42,560
Speaker 3: how much do you offer? I saw your ad and

488
00:24:42,600 --> 00:24:44,240
Speaker 3: I'm like, what ad are you talking about? Like, I

489
00:24:44,240 --> 00:24:46,120
Speaker 3: don't even know what you're talking about. I'm in the

490
00:24:46,200 --> 00:24:48,520
Speaker 3: uber on my way to work and the uber driver

491
00:24:48,680 --> 00:24:51,160
Speaker 3: tells me you're on back Page and I'm.

492
00:24:50,960 --> 00:24:53,520
Speaker 2: Like what, How did he?

493
00:24:53,680 --> 00:24:55,639
Speaker 3: Because I'm on the phone, they say it to my

494
00:24:55,680 --> 00:24:57,600
Speaker 3: friend and I'm like, I don't understand what this is.

495
00:24:57,680 --> 00:25:00,199
Speaker 3: Like it says something that backpage. And I asked one

496
00:25:00,240 --> 00:25:02,880
Speaker 3: of the guys who DMed me and was like, oh,

497
00:25:03,560 --> 00:25:06,000
Speaker 3: where did you find this ad? He was like, You're

498
00:25:06,040 --> 00:25:08,560
Speaker 3: on Backpage and I was like, what is that? And

499
00:25:08,600 --> 00:25:11,359
Speaker 3: so he commonly enough before he blocked my number, he

500
00:25:11,440 --> 00:25:13,719
Speaker 3: kindly enough told me what it was. I looked it up.

501
00:25:13,840 --> 00:25:16,760
Speaker 3: There was several pictures of me on there, with my

502
00:25:17,000 --> 00:25:19,760
Speaker 3: address where I was staying, with my phone number on there,

503
00:25:20,080 --> 00:25:23,520
Speaker 3: where I worked at. Everything on there was like in

504
00:25:23,640 --> 00:25:27,479
Speaker 3: detail of it was like a real dangerous situation. But

505
00:25:27,520 --> 00:25:30,159
Speaker 3: when I read it, you could tell that Barbie is

506
00:25:30,160 --> 00:25:33,159
Speaker 3: the one who wrote it out for him. So I

507
00:25:33,240 --> 00:25:34,640
Speaker 3: was like, you know what, when I see her, it's

508
00:25:34,680 --> 00:25:37,000
Speaker 3: on sight because I really tried to be your friend.

509
00:25:37,280 --> 00:25:40,760
Speaker 1: Yeah, you tried to It sounds well, it sounds like

510
00:25:40,840 --> 00:25:43,240
Speaker 1: she also tried to get you hurt, because I don't

511
00:25:43,400 --> 00:25:47,320
Speaker 1: I can't imagine it being I don't know backpage list

512
00:25:47,440 --> 00:25:49,720
Speaker 1: addresses and I don't know how it works.

513
00:25:49,760 --> 00:25:54,959
Speaker 3: But when yeah problem, I as soon as I saw it,

514
00:25:55,040 --> 00:25:57,200
Speaker 3: I broke down because I was just could I just

515
00:25:57,200 --> 00:26:01,640
Speaker 3: couldn't stop thinking, I'm new here, I'm freshly new. It's

516
00:26:01,680 --> 00:26:05,120
Speaker 3: only my first week in Atlanta. What is something happens

517
00:26:05,160 --> 00:26:05,399
Speaker 3: to me?

518
00:26:05,960 --> 00:26:06,040
Speaker 5: Like?

519
00:26:06,160 --> 00:26:08,360
Speaker 3: There's so many pictures of me on here. He has

520
00:26:08,440 --> 00:26:13,120
Speaker 3: the address, my phone number. So long story short, things

521
00:26:13,160 --> 00:26:14,160
Speaker 3: didn't work out for him.

522
00:26:14,280 --> 00:26:15,400
Speaker 2: Did you end up fighting her?

523
00:26:15,640 --> 00:26:15,840
Speaker 3: Oh?

524
00:26:16,040 --> 00:26:18,560
Speaker 2: No, she left good, and I'm glad you didn't fight her.

525
00:26:18,600 --> 00:26:19,920
Speaker 3: She left and went to Miami.

526
00:26:20,640 --> 00:26:21,920
Speaker 2: Oh she went to him.

527
00:26:22,080 --> 00:26:23,520
Speaker 3: Yeah, they moved to Miami.

528
00:26:23,720 --> 00:26:25,280
Speaker 2: Crazy girl at the time.

529
00:26:26,000 --> 00:26:30,520
Speaker 3: So still to this day, I sometimes tell myself, girl,

530
00:26:30,560 --> 00:26:33,840
Speaker 3: you know you looky. I'm a change woman. But the

531
00:26:33,880 --> 00:26:37,360
Speaker 3: way that God worked in my favor. I ended up

532
00:26:37,560 --> 00:26:41,399
Speaker 3: meeting this girl named Kashina and she trained me at work,

533
00:26:41,880 --> 00:26:45,520
Speaker 3: and then I went to Target the same day and

534
00:26:45,560 --> 00:26:48,440
Speaker 3: I met this guy named Corey. And I'm in Target

535
00:26:48,480 --> 00:26:50,960
Speaker 3: and I just got this man laughing, cracking up about

536
00:26:51,000 --> 00:26:54,560
Speaker 3: hot sauce, the fact that Target don't sell Louisian hot sauce.

537
00:26:55,200 --> 00:26:58,159
Speaker 3: And when he gets home, I guess he told his

538
00:26:58,200 --> 00:27:02,359
Speaker 3: wife about me. And I get to work cause Sheina's like,

539
00:27:02,400 --> 00:27:05,320
Speaker 3: you know you should come over one day. I'm like, yeah, sure.

540
00:27:05,800 --> 00:27:07,879
Speaker 3: When the guy put me out and I had nowhere

541
00:27:07,920 --> 00:27:10,760
Speaker 3: to go, I called Kashina and she told me to

542
00:27:10,800 --> 00:27:12,919
Speaker 3: come over. Come to find out the man that I

543
00:27:12,960 --> 00:27:14,600
Speaker 3: met in Target was her husband.

544
00:27:15,280 --> 00:27:17,800
Speaker 2: Oh my god, you met them both like at different times.

545
00:27:17,840 --> 00:27:20,120
Speaker 3: Yeah, at the times, I just didn't know that they

546
00:27:20,160 --> 00:27:23,000
Speaker 3: were together. So when I got there, Corey comes in

547
00:27:23,000 --> 00:27:25,919
Speaker 3: the room and he's like, he's like, Kashina, remember the

548
00:27:25,920 --> 00:27:27,680
Speaker 3: girl that I told you you just had to meet,

549
00:27:27,760 --> 00:27:29,359
Speaker 3: Like you just would love her, You just need to

550
00:27:29,359 --> 00:27:31,720
Speaker 3: meet her, like y'all be such great friends. That's her.

551
00:27:32,320 --> 00:27:34,800
Speaker 3: And then he's like it's so crazy because Kashina came

552
00:27:34,800 --> 00:27:37,600
Speaker 3: home and was telling Corey, I just met this girl.

553
00:27:37,720 --> 00:27:38,880
Speaker 3: She's new at work.

554
00:27:39,280 --> 00:27:44,440
Speaker 2: That's what I'm trying to Sorry me, man, this is bad.

555
00:27:44,520 --> 00:27:46,480
Speaker 3: You ain't really cooking if you don't get me.

556
00:27:46,520 --> 00:27:52,879
Speaker 2: Any lik, It's never badened in the history. Are going see?

557
00:27:52,880 --> 00:27:55,800
Speaker 3: She goes Corey, this is the girl that I was

558
00:27:55,840 --> 00:28:00,399
Speaker 3: telling you about at work. And I was like, wait,

559
00:28:01,160 --> 00:28:03,240
Speaker 3: you told him about me, and he told you about me.

560
00:28:03,320 --> 00:28:05,840
Speaker 3: He was like yes, wow, and I was like wow.

561
00:28:05,960 --> 00:28:07,920
Speaker 3: And they were very big in church at the time,

562
00:28:08,000 --> 00:28:10,560
Speaker 3: so they both was like this is God's doing yea yeah,

563
00:28:10,640 --> 00:28:11,800
Speaker 3: because there's just no way.

564
00:28:11,960 --> 00:28:12,200
Speaker 2: Yeah.

565
00:28:12,280 --> 00:28:14,199
Speaker 3: Every since then, they allowed me to stay there with

566
00:28:14,280 --> 00:28:17,040
Speaker 3: them and I had someone to stay. I got a job,

567
00:28:18,000 --> 00:28:20,560
Speaker 3: got into my own place, and it had not been

568
00:28:20,640 --> 00:28:22,440
Speaker 3: for them, I probably would have had to go back home.

569
00:28:22,720 --> 00:28:26,320
Speaker 2: Shout outs to them. It's like wow wow.

570
00:28:26,720 --> 00:28:31,439
Speaker 1: So after they took you in and you found your

571
00:28:31,480 --> 00:28:34,480
Speaker 1: own place, what was the next step to the naya.

572
00:28:34,600 --> 00:28:37,080
Speaker 3: The next step was I had joined a promo team

573
00:28:37,240 --> 00:28:39,280
Speaker 3: in Atlanta, and that's kind of how I got myself

574
00:28:39,320 --> 00:28:42,880
Speaker 3: out there, going to all the right parties. I always

575
00:28:42,920 --> 00:28:44,920
Speaker 3: pulled up by myself, so I guess it kind of

576
00:28:44,960 --> 00:28:48,200
Speaker 3: made people wonder who I was because the way I

577
00:28:48,240 --> 00:28:50,440
Speaker 3: would pull up and I'd just be soul to myself

578
00:28:50,720 --> 00:28:53,800
Speaker 3: always in VIP, I had a strict plan, like I

579
00:28:53,880 --> 00:28:55,640
Speaker 3: was going to be wherever I needed to be. At

580
00:28:55,640 --> 00:28:58,200
Speaker 3: the time, I literally mapped down, Okay, I'm gonna join

581
00:28:58,240 --> 00:29:00,960
Speaker 3: a promo team. Okay, cool, I'm far of promot team.

582
00:29:00,960 --> 00:29:02,520
Speaker 2: When you say promo team, what does that mean?

583
00:29:02,800 --> 00:29:05,960
Speaker 3: So back then, like in twenty fifteen, Atlanta was really

584
00:29:05,960 --> 00:29:09,320
Speaker 3: big with promo teams. So like one promoter would have

585
00:29:09,520 --> 00:29:12,680
Speaker 3: like ten people in one group meet and they would

586
00:29:12,680 --> 00:29:17,800
Speaker 3: all promote one party. And then within that promo group,

587
00:29:17,960 --> 00:29:21,520
Speaker 3: there'd be like another promoter who had another ten people

588
00:29:21,560 --> 00:29:24,320
Speaker 3: to his group, and then it'd be like thirty people

589
00:29:24,400 --> 00:29:27,840
Speaker 3: promoting one party. So now this party is gone viral.

590
00:29:28,440 --> 00:29:30,880
Speaker 2: So I don't know if you heard of Country Wayne.

591
00:29:31,000 --> 00:29:32,000
Speaker 2: He had he has.

592
00:29:31,840 --> 00:29:34,840
Speaker 1: A book and I read, well, of course, I don't

593
00:29:34,840 --> 00:29:37,120
Speaker 1: even know why I said that, butok, Country Wayne, Yeah,

594
00:29:37,200 --> 00:29:39,080
Speaker 1: he has a book, and I read in his book

595
00:29:39,160 --> 00:29:43,320
Speaker 1: that one of his starts was promoting clubs.

596
00:29:43,520 --> 00:29:45,520
Speaker 2: Yeah, and then he would have like.

597
00:29:45,560 --> 00:29:49,479
Speaker 1: A girl squad or something something is that how what

598
00:29:49,520 --> 00:29:50,240
Speaker 1: you're talking about?

599
00:29:51,080 --> 00:29:54,960
Speaker 3: They would literally have all girls. So each group had

600
00:29:55,000 --> 00:29:58,160
Speaker 3: their own name, and one promoter would probably have like

601
00:29:58,280 --> 00:30:01,080
Speaker 3: ten girls to his group, and then and about maybe

602
00:30:01,120 --> 00:30:04,640
Speaker 3: three other guy other promoters, and then that's one group. Yeah,

603
00:30:04,640 --> 00:30:07,040
Speaker 3: and then this other group same thing, and then they'll

604
00:30:07,080 --> 00:30:09,760
Speaker 3: come together and all promote these one big parties. And

605
00:30:09,760 --> 00:30:11,840
Speaker 3: that's how promoters was making them money. Yeah.

606
00:30:12,240 --> 00:30:13,800
Speaker 1: I think the first time I ever heard about it

607
00:30:13,880 --> 00:30:15,480
Speaker 1: was in the book. I was like, Oh, that's an

608
00:30:15,480 --> 00:30:16,960
Speaker 1: interesting approach. It's genius.

609
00:30:17,000 --> 00:30:20,240
Speaker 2: Actually have a bunch of beautiful women promote. And if

610
00:30:20,280 --> 00:30:23,440
Speaker 2: they did that too, they do it. I don't think

611
00:30:23,440 --> 00:30:24,480
Speaker 2: they do it, No, they.

612
00:30:24,360 --> 00:30:26,960
Speaker 3: Don't, but if they did, I just feel like things

613
00:30:27,000 --> 00:30:28,800
Speaker 3: probably would be a lot more lit.

614
00:30:29,240 --> 00:30:31,920
Speaker 1: It definitely would, because I remember reading it in the book,

615
00:30:32,120 --> 00:30:36,800
Speaker 1: like it's pretty and genius to think, you know, you.

616
00:30:36,840 --> 00:30:38,440
Speaker 3: Really can make money off of it if you learn

617
00:30:38,480 --> 00:30:39,000
Speaker 3: how to do it.

618
00:30:39,640 --> 00:30:45,880
Speaker 2: So you're promoting and you're a promoter, what are you

619
00:30:45,920 --> 00:30:46,720
Speaker 2: doing music wise?

620
00:30:47,360 --> 00:30:47,760
Speaker 5: I did.

621
00:30:48,200 --> 00:30:50,720
Speaker 3: I was just one of the models for the promote team,

622
00:30:50,880 --> 00:30:54,080
Speaker 3: but I still was recording music. So I recorded my

623
00:30:54,160 --> 00:30:58,560
Speaker 3: first EP, mixed Villains with Super J who actually.

624
00:30:58,320 --> 00:31:01,240
Speaker 1: Was the brother of the guy who was trying to

625
00:31:01,240 --> 00:31:03,680
Speaker 1: pross to me. Oh shoot yeah, because he was the

626
00:31:03,720 --> 00:31:05,040
Speaker 1: one that was in the house with you.

627
00:31:05,200 --> 00:31:08,480
Speaker 3: Yeah. So he was an artist as well, and he

628
00:31:08,560 --> 00:31:11,040
Speaker 3: knew how to record produced, right. I didn't know how

629
00:31:11,040 --> 00:31:13,000
Speaker 3: to do any of those things at the time, so

630
00:31:13,040 --> 00:31:14,520
Speaker 3: he actually taught me. How did it not been for

631
00:31:14,600 --> 00:31:16,720
Speaker 3: Super J, I would not have had my first EP?

632
00:31:17,040 --> 00:31:20,040
Speaker 1: Okay, Now, when I was a kid, I loved hip hop,

633
00:31:20,480 --> 00:31:23,720
Speaker 1: but like I can honestly tell all y'all, everything I

634
00:31:23,800 --> 00:31:25,960
Speaker 1: recorded was straight trash.

635
00:31:26,160 --> 00:31:27,719
Speaker 2: I mean, it's just I couldn't.

636
00:31:27,800 --> 00:31:29,680
Speaker 1: I don't know, my vocals don't sound good on a

637
00:31:29,680 --> 00:31:31,400
Speaker 1: beat or something, but it was terrible.

638
00:31:31,440 --> 00:31:33,240
Speaker 3: So it sound like you will give me like a

639
00:31:33,240 --> 00:31:34,240
Speaker 3: good angie stuff.

640
00:31:34,840 --> 00:31:38,560
Speaker 1: No, no, I'm pray to God that any recording that

641
00:31:38,680 --> 00:31:42,840
Speaker 1: lines back to me never gets found because all it

642
00:31:42,920 --> 00:31:44,920
Speaker 1: is is like something you can literally make fun of

643
00:31:44,960 --> 00:31:45,960
Speaker 1: me for the rest of my life.

644
00:31:46,480 --> 00:31:50,120
Speaker 2: So but no, you can't. Thank God. It was like

645
00:31:51,520 --> 00:31:56,680
Speaker 2: during the time of CDs. But how did you know?

646
00:31:56,840 --> 00:32:00,920
Speaker 1: You were like, Okay, you definitely had something because, like

647
00:32:00,960 --> 00:32:05,440
Speaker 1: I said, I was like, girl, you this ain't your career.

648
00:32:06,000 --> 00:32:09,560
Speaker 3: I put out my first project and that was actually

649
00:32:09,560 --> 00:32:12,440
Speaker 3: my test to see if this was something I needed

650
00:32:12,440 --> 00:32:14,480
Speaker 3: to do for the rest of my life. Based off

651
00:32:14,520 --> 00:32:16,640
Speaker 3: of the reactions that I got from that, so I

652
00:32:16,680 --> 00:32:19,320
Speaker 3: would I made it, then I would perform him and

653
00:32:19,360 --> 00:32:23,360
Speaker 3: then just people would just cheer. Like every crowd that

654
00:32:23,440 --> 00:32:26,160
Speaker 3: I performed my EP in front of I always had

655
00:32:26,160 --> 00:32:29,000
Speaker 3: great feedback. People will come up, Oh my God, like

656
00:32:29,280 --> 00:32:31,200
Speaker 3: can I can you perform here? Can you perform here?

657
00:32:31,200 --> 00:32:33,560
Speaker 3: I really like music. At that point, I was like, Wow,

658
00:32:34,280 --> 00:32:36,800
Speaker 3: this is for me. I did good. But I think

659
00:32:36,840 --> 00:32:39,000
Speaker 3: I did really great my first go around because I

660
00:32:39,040 --> 00:32:41,240
Speaker 3: had Super J and he was already like a pro

661
00:32:41,320 --> 00:32:43,760
Speaker 3: with us, and he was a real singer. So it

662
00:32:43,880 --> 00:32:47,080
Speaker 3: just made things happen even faster. Okay, so what's the

663
00:32:47,120 --> 00:32:52,560
Speaker 3: next milestone from there? It was like I really wanted

664
00:32:52,600 --> 00:32:56,320
Speaker 3: to just like fast forward years in advance because it

665
00:32:56,440 --> 00:32:59,440
Speaker 3: really wasn't much besides me performing in Atlanta and getting

666
00:32:59,440 --> 00:33:01,560
Speaker 3: my name out there. I ended up moving to LA

667
00:33:02,240 --> 00:33:05,200
Speaker 3: and twenty eighteen and I never looked back after that.

668
00:33:05,280 --> 00:33:07,560
Speaker 2: In LA I've been to Atlanta.

669
00:33:07,560 --> 00:33:09,560
Speaker 1: I'm not gonna lie, like, if I had to move

670
00:33:09,640 --> 00:33:12,959
Speaker 1: to another entertainment market, I would definitely go Atlanta.

671
00:33:13,080 --> 00:33:13,760
Speaker 3: Atlanta.

672
00:33:14,040 --> 00:33:19,000
Speaker 1: But Atlanta to me is like the suburbs. It's kind

673
00:33:19,000 --> 00:33:21,320
Speaker 1: of like upstate New York. To me, it's very like

674
00:33:23,080 --> 00:33:25,840
Speaker 1: suburbous to me. I don't know if that's how it

675
00:33:25,880 --> 00:33:27,840
Speaker 1: is for everybody. Maybe I'm not hitting the right spots

676
00:33:27,840 --> 00:33:30,400
Speaker 1: in Atlanta, but it definitely feels like suburbs. When now

677
00:33:30,440 --> 00:33:32,960
Speaker 1: you go to LA, where you're talking to higher price tag,

678
00:33:33,080 --> 00:33:38,800
Speaker 1: more competitive market. How was that initial adjudgment adjustment to

679
00:33:38,960 --> 00:33:39,680
Speaker 1: LA for you?

680
00:33:40,000 --> 00:33:43,240
Speaker 3: I felt like when I moved to La, my price

681
00:33:43,840 --> 00:33:46,360
Speaker 3: and then the value of me just went up alone

682
00:33:46,640 --> 00:33:48,840
Speaker 3: just by being in LA.

683
00:33:48,960 --> 00:33:50,520
Speaker 2: What made you say I'm moving.

684
00:33:51,560 --> 00:33:54,280
Speaker 3: I've always put a suther person that wants to conquer everything,

685
00:33:54,600 --> 00:33:56,920
Speaker 3: like I would be set a certain amount of time

686
00:33:56,920 --> 00:33:58,680
Speaker 3: that I'm going to be here. I always knew Atlanta

687
00:33:58,800 --> 00:34:01,680
Speaker 3: was not my final destination, so I just gave myself

688
00:34:01,680 --> 00:34:03,480
Speaker 3: a certain period of time that I was gonna be there.

689
00:34:03,600 --> 00:34:05,760
Speaker 2: And your moms were like just sitting there watching.

690
00:34:05,920 --> 00:34:09,000
Speaker 3: Yeah, everybody just watching. I'm quick to be like, you

691
00:34:09,040 --> 00:34:11,920
Speaker 3: know what, I feel like I've made my mark in

692
00:34:11,960 --> 00:34:14,919
Speaker 3: this city. A lot of people know me, like I've

693
00:34:15,120 --> 00:34:16,759
Speaker 3: met who I need to meet. Let me go to

694
00:34:16,800 --> 00:34:17,640
Speaker 3: the next city now.

695
00:34:17,680 --> 00:34:21,520
Speaker 1: And nobody from LA was calling, so you you came

696
00:34:21,600 --> 00:34:22,400
Speaker 1: no contacts?

697
00:34:23,320 --> 00:34:25,600
Speaker 2: Okay, so let's hear about that journey.

698
00:34:25,719 --> 00:34:30,280
Speaker 3: I started actually like a nobody in La. Nobody knew

699
00:34:30,440 --> 00:34:34,080
Speaker 3: a NIHI love no at all, didn't know her music,

700
00:34:34,360 --> 00:34:37,040
Speaker 3: nothing about me. So I moved out here with a

701
00:34:37,080 --> 00:34:39,760
Speaker 3: boyfriend and I was doing him for like six years

702
00:34:40,560 --> 00:34:43,640
Speaker 3: and then got out here and I was like, I'm

703
00:34:43,760 --> 00:34:45,959
Speaker 3: just gonna do the same thing I did in Atlanta, Okay.

704
00:34:46,000 --> 00:34:47,799
Speaker 3: And even though they didn't have a promo team, I

705
00:34:47,840 --> 00:34:49,160
Speaker 3: made friends with the promoters.

706
00:34:49,600 --> 00:34:53,120
Speaker 1: So that way, I was always everybody okay, okay, I see,

707
00:34:53,120 --> 00:34:54,520
Speaker 1: I see okay.

708
00:34:54,560 --> 00:34:57,200
Speaker 3: What the people people failed to realize this. It's always

709
00:34:57,200 --> 00:35:00,560
Speaker 3: the background. People like. If you make friends with the promoters,

710
00:35:00,600 --> 00:35:04,080
Speaker 3: you're always where you need to be, at the right parties,

711
00:35:04,280 --> 00:35:05,520
Speaker 3: at the right events.

712
00:35:05,800 --> 00:35:06,080
Speaker 5: You know.

713
00:35:06,360 --> 00:35:09,600
Speaker 1: That's how you network r the promoters in LA though,

714
00:35:09,760 --> 00:35:11,120
Speaker 1: So I ended up.

715
00:35:11,400 --> 00:35:14,840
Speaker 3: Going to this one club playhouse at the time, and

716
00:35:14,920 --> 00:35:19,560
Speaker 3: you can always know who the top promoters are because

717
00:35:19,800 --> 00:35:22,840
Speaker 3: they move a different way than others. So I just

718
00:35:23,000 --> 00:35:26,799
Speaker 3: identified who was the top promoter, the promoter, and when

719
00:35:26,840 --> 00:35:28,600
Speaker 3: I got there, I just introduced myself.

720
00:35:28,719 --> 00:35:30,920
Speaker 1: But how did you identify? What's the difference between a

721
00:35:30,920 --> 00:35:32,520
Speaker 1: top promoter and a regular promoter.

722
00:35:32,760 --> 00:35:35,680
Speaker 3: So a top promoter, they normally stand in the front

723
00:35:35,719 --> 00:35:39,160
Speaker 3: of the club because they have customers coming in, so

724
00:35:39,200 --> 00:35:42,040
Speaker 3: they're always right there by the vip entrance and you'll

725
00:35:42,080 --> 00:35:44,520
Speaker 3: see them like, hey, I got this girl, and they're good.

726
00:35:44,520 --> 00:35:45,359
Speaker 3: They're good, they're good.

727
00:35:45,480 --> 00:35:48,000
Speaker 2: Oh that guy, that guy, that guy.

728
00:35:48,640 --> 00:35:51,160
Speaker 3: They're good, they're good. There were me, that's top promoter.

729
00:35:51,320 --> 00:35:53,720
Speaker 3: But if you you're with a promoter and they standing

730
00:35:53,800 --> 00:35:58,200
Speaker 3: in line with you, or they standing outside still trying

731
00:35:58,200 --> 00:36:00,399
Speaker 3: to get their people in, and securities like you gotta

732
00:36:00,400 --> 00:36:03,160
Speaker 3: hold on, you gotta you not that man, You're not

733
00:36:03,239 --> 00:36:05,480
Speaker 3: the man to talk to because the man that's talk

734
00:36:05,560 --> 00:36:07,160
Speaker 3: to is the one of like, oh you're good. Securities

735
00:36:07,200 --> 00:36:09,600
Speaker 3: like okay, but let the men. Everybody else is just

736
00:36:09,640 --> 00:36:15,839
Speaker 3: like the promoters, like you're not that man, all right.

737
00:36:16,480 --> 00:36:19,640
Speaker 3: So that's how I identified. I pulled up to playhouse

738
00:36:19,640 --> 00:36:22,600
Speaker 3: my first time. Instantly v I P. I make friends

739
00:36:22,680 --> 00:36:26,440
Speaker 3: with DJs. I'm always making friends with DJs. And that's

740
00:36:26,520 --> 00:36:27,719
Speaker 3: how i made myself out here.

741
00:36:27,880 --> 00:36:32,760
Speaker 1: So you you you you make your connect with the promoter,

742
00:36:33,040 --> 00:36:34,319
Speaker 1: then you go for the DJ.

743
00:36:35,160 --> 00:36:36,200
Speaker 2: You're a silent killer.

744
00:36:36,440 --> 00:36:39,560
Speaker 1: Now I see, I see how you you're you're working

745
00:36:39,640 --> 00:36:40,640
Speaker 1: the music business.

746
00:36:41,320 --> 00:36:43,879
Speaker 3: Went for the background and not I just stopped there.

747
00:36:44,000 --> 00:36:47,520
Speaker 3: I made friends with security. Why because I never had

748
00:36:47,560 --> 00:36:50,680
Speaker 3: to stand in line. Know where I went smart? You

749
00:36:50,680 --> 00:36:53,560
Speaker 3: make friends with security, you pull up, the rope is

750
00:36:53,600 --> 00:36:54,520
Speaker 3: automatically handled.

751
00:36:54,600 --> 00:36:56,160
Speaker 2: How do you make friends with security though?

752
00:36:56,239 --> 00:36:59,000
Speaker 3: You just stand there and talk to them. Honestly, a

753
00:36:59,000 --> 00:37:01,279
Speaker 3: lot of these securities be door Every time I come

754
00:37:01,320 --> 00:37:03,319
Speaker 3: to a club the first time, I'm like, is hey,

755
00:37:03,320 --> 00:37:05,000
Speaker 3: how you doing? You're doing all right?

756
00:37:05,000 --> 00:37:05,239
Speaker 5: Baby?

757
00:37:05,239 --> 00:37:07,840
Speaker 3: How you doing? If it's hot, I see them dabbing it,

758
00:37:08,040 --> 00:37:10,279
Speaker 3: I'll go get some napkins. Here you go. I see

759
00:37:10,320 --> 00:37:12,480
Speaker 3: you was hot, Like I just brought you some. And

760
00:37:14,440 --> 00:37:19,040
Speaker 3: the thing about is being kind, just being kind, being

761
00:37:19,120 --> 00:37:22,719
Speaker 3: kind to others and patiently not rushing them like, oh

762
00:37:22,760 --> 00:37:25,439
Speaker 3: I gotta get it. I got again. Half the time,

763
00:37:25,480 --> 00:37:27,439
Speaker 3: people like they'll be like, don't worry about you standing

764
00:37:27,520 --> 00:37:29,440
Speaker 3: right here on the side. I got you, and they

765
00:37:29,600 --> 00:37:32,440
Speaker 3: let you right in. After that point, it's really like

766
00:37:32,480 --> 00:37:34,640
Speaker 3: you up from there because you can pull up to

767
00:37:34,680 --> 00:37:37,239
Speaker 3: an event and everybody else is standing in line. But

768
00:37:37,280 --> 00:37:39,239
Speaker 3: as soon as security open a rope for you and

769
00:37:39,360 --> 00:37:42,160
Speaker 3: them to them, it's like, who is that? I gotta

770
00:37:42,200 --> 00:37:44,160
Speaker 3: know who she is? She got to be a somebody

771
00:37:44,320 --> 00:37:47,440
Speaker 3: because they just opened the rope for her.

772
00:37:48,280 --> 00:37:54,080
Speaker 1: Damn, you need to teach music marketing class. Your sales

773
00:37:54,120 --> 00:37:55,640
Speaker 1: skills are pretty impressive.

774
00:37:56,360 --> 00:37:59,719
Speaker 3: I think people be worried about the wrong thing half

775
00:37:59,760 --> 00:38:02,680
Speaker 3: the when they get out here. It's about, oh, I

776
00:38:02,719 --> 00:38:05,800
Speaker 3: gotta link with the top people. Yeah, like the big,

777
00:38:05,920 --> 00:38:08,719
Speaker 3: the big, the big dogs. But what they failed to

778
00:38:08,800 --> 00:38:14,959
Speaker 3: realize is is the producers, the engineers, the security. Who

779
00:38:15,040 --> 00:38:18,479
Speaker 3: knows all of these big people? Those are the ones

780
00:38:18,520 --> 00:38:22,120
Speaker 3: pressing the buttons. Yeah, everybody else is just being told

781
00:38:22,160 --> 00:38:22,520
Speaker 3: what to do.

782
00:38:23,640 --> 00:38:28,000
Speaker 1: Okay, now I see how you're handling it in person.

783
00:38:28,160 --> 00:38:32,520
Speaker 1: I was also impressed by your following online. Now everything

784
00:38:32,520 --> 00:38:35,320
Speaker 1: I'm learning about following is that ship is tough.

785
00:38:36,280 --> 00:38:40,240
Speaker 2: How are you able to mask your following?

786
00:38:41,200 --> 00:38:45,160
Speaker 3: Honestly, I'm struggling. I'm not even gonna cap with you.

787
00:38:45,280 --> 00:38:49,000
Speaker 3: I'm struggling because times are just changing, and the more

788
00:38:49,040 --> 00:38:53,480
Speaker 3: they come out with platforms, new apps, the more apps

789
00:38:53,520 --> 00:38:56,520
Speaker 3: start getting boring to people. You have to start finding

790
00:38:56,520 --> 00:38:59,640
Speaker 3: new ways to entertain your audience because it just starts

791
00:38:59,680 --> 00:39:04,239
Speaker 3: getting part of like Instagram is starting to slowly like

792
00:39:05,120 --> 00:39:08,399
Speaker 3: Instagram is slowly starting to die down, and I feel

793
00:39:08,440 --> 00:39:10,160
Speaker 3: like a lot of people are starting to notice it.

794
00:39:11,600 --> 00:39:15,440
Speaker 3: TikTok became that thing. Yeah, and now you have like

795
00:39:15,600 --> 00:39:21,200
Speaker 3: Thread and then you have like I refuse. You know

796
00:39:21,239 --> 00:39:24,719
Speaker 3: what's so crazy? I joined Thread only to find out

797
00:39:24,760 --> 00:39:27,960
Speaker 3: afterwards like if you get Thread and you delete it,

798
00:39:27,960 --> 00:39:31,719
Speaker 3: it deletes your whole Instagram. So what That's how they

799
00:39:31,760 --> 00:39:32,200
Speaker 3: got already.

800
00:39:32,280 --> 00:39:33,560
Speaker 2: Lunkberg got them.

801
00:39:33,640 --> 00:39:36,399
Speaker 3: That's why everybody has those like little badges in their thing.

802
00:39:36,880 --> 00:39:39,279
Speaker 3: It's connected to your Instagram. You cannot sign up for

803
00:39:39,360 --> 00:39:41,640
Speaker 3: Thread without hooking it to your Instagram.

804
00:39:41,840 --> 00:39:42,280
Speaker 2: Dang.

805
00:39:42,960 --> 00:39:45,439
Speaker 1: Now I'm friends with a couple influencers, and I will

806
00:39:45,480 --> 00:39:49,359
Speaker 1: say this. One of them, day Storm, is a good

807
00:39:49,360 --> 00:39:52,160
Speaker 1: friend of mine. I noticed that anytime a platform drops,

808
00:39:52,200 --> 00:39:55,080
Speaker 1: before it even drops, he's already on it. And they're

809
00:39:55,120 --> 00:39:58,279
Speaker 1: they're quick with the transitions. And if you're not an influencer,

810
00:39:58,360 --> 00:40:01,279
Speaker 1: you can you get fresh cause you're like, man, I'm

811
00:40:01,280 --> 00:40:03,759
Speaker 1: just trying to do business, you know, I don't need

812
00:40:03,800 --> 00:40:06,799
Speaker 1: to be you know, you know, for I guess for

813
00:40:06,840 --> 00:40:08,680
Speaker 1: people trying to do business, it's like it's a way

814
00:40:08,719 --> 00:40:11,120
Speaker 1: to promote your product, Like you know how you're focused

815
00:40:11,120 --> 00:40:14,320
Speaker 1: on promotions. But the way they're coming up with these platforms,

816
00:40:14,400 --> 00:40:16,480
Speaker 1: it's like, come on, man, how many devices do you

817
00:40:16,560 --> 00:40:18,759
Speaker 1: need to see me? In ten different ways? On the

818
00:40:18,800 --> 00:40:20,640
Speaker 1: same on your phone anyways.

819
00:40:20,719 --> 00:40:23,120
Speaker 3: And on top of that, it's the same thing when

820
00:40:23,160 --> 00:40:25,920
Speaker 3: you really think about it, all you're doing is going live.

821
00:40:27,120 --> 00:40:31,480
Speaker 3: You're posting what you're doing. How many of these platforms

822
00:40:31,520 --> 00:40:34,640
Speaker 3: are really different when you really think about it. TikTok

823
00:40:34,680 --> 00:40:37,719
Speaker 3: you go live, Facebook, you go live, you know, you

824
00:40:37,760 --> 00:40:39,920
Speaker 3: post your feeds, you post your fees on Instagram, you

825
00:40:39,920 --> 00:40:42,759
Speaker 3: post your fees on TikTok, you post your feed on thread.

826
00:40:43,480 --> 00:40:44,840
Speaker 3: What difference are you getting from me?

827
00:40:45,520 --> 00:40:49,279
Speaker 1: I use a scheduling app for ours now, But I

828
00:40:49,320 --> 00:40:53,719
Speaker 1: will say, like, it's the same content like fourteen different ways.

829
00:40:53,800 --> 00:40:54,000
Speaker 3: You know.

830
00:40:54,640 --> 00:40:57,440
Speaker 1: And then most people that have Instagram, have Facebook that

831
00:40:57,520 --> 00:40:59,680
Speaker 1: have linked and to have Twitter that have the It's like,

832
00:40:59,719 --> 00:41:02,440
Speaker 1: all right, I can't do another app on my phone

833
00:41:02,440 --> 00:41:03,000
Speaker 1: at this point.

834
00:41:03,080 --> 00:41:05,799
Speaker 3: I can't. And that's that's why you just make your

835
00:41:05,840 --> 00:41:08,239
Speaker 3: content and then post it on every single one of them.

836
00:41:08,719 --> 00:41:12,640
Speaker 1: Now, when it comes to Instagram, do you fall victim

837
00:41:12,719 --> 00:41:14,239
Speaker 1: to like the negatives of it?

838
00:41:14,960 --> 00:41:15,120
Speaker 5: Do you?

839
00:41:15,200 --> 00:41:19,959
Speaker 3: That's why I don't allow comments. Oh you don't, really, yeah,

840
00:41:20,120 --> 00:41:24,359
Speaker 3: to a certain extent, because I feel like social media

841
00:41:24,400 --> 00:41:27,840
Speaker 3: has come to a point where people are just too comfortable.

842
00:41:27,440 --> 00:41:29,680
Speaker 2: With their opinions. Yes, everyone has an opinion.

843
00:41:29,719 --> 00:41:32,759
Speaker 3: Now it's like, why does it matter? When did it

844
00:41:32,800 --> 00:41:36,600
Speaker 3: become a pressure thing for artists or just anybody in

845
00:41:36,640 --> 00:41:40,640
Speaker 3: an entertainment business to have to have opinions. It's like

846
00:41:41,560 --> 00:41:43,920
Speaker 3: they promote you to be yourself, not to care what

847
00:41:43,960 --> 00:41:46,319
Speaker 3: people think. But then it's like, oh, but you got

848
00:41:46,360 --> 00:41:48,440
Speaker 3: to have a comment section for people to tell you

849
00:41:48,440 --> 00:41:51,719
Speaker 3: what they think. And I just be like, well, I

850
00:41:51,760 --> 00:41:56,720
Speaker 3: don't really see how it benefits me. Honestly, I don't

851
00:41:56,800 --> 00:42:01,359
Speaker 3: see how letting people comment benefits me, because either you're

852
00:42:01,400 --> 00:42:04,680
Speaker 3: praising me or you're tearing me down mentally and emotionally.

853
00:42:04,719 --> 00:42:07,080
Speaker 3: I'm the person who has to deal with that, nobody else.

854
00:42:07,440 --> 00:42:10,680
Speaker 3: So I don't allow comments because you're not gonna ruin

855
00:42:10,719 --> 00:42:13,919
Speaker 3: my day, and because I know mentally and emotionally, I'm

856
00:42:13,920 --> 00:42:16,440
Speaker 3: one of those people who are still working on not

857
00:42:16,560 --> 00:42:19,239
Speaker 3: caring what people think. Yeah, it is just a lot

858
00:42:19,280 --> 00:42:23,480
Speaker 3: easier if I eliminate what causes me like stress, what

859
00:42:23,560 --> 00:42:27,520
Speaker 3: causes me anxiety, what makes me overthink and overthink about myself?

860
00:42:27,600 --> 00:42:30,439
Speaker 3: I second guess myself. I second guess things that I'm

861
00:42:30,480 --> 00:42:34,359
Speaker 3: about to post. Should I post this because of other

862
00:42:34,360 --> 00:42:39,040
Speaker 3: people's opinion and that's tiring. It's so tiring, it's draining,

863
00:42:39,560 --> 00:42:41,440
Speaker 3: and I just don't care for it.

864
00:42:41,920 --> 00:42:45,719
Speaker 1: Yeah, I never thought about eliminating the comments. I think

865
00:42:45,719 --> 00:42:48,040
Speaker 1: that's kind of genius. I may steal that down the road.

866
00:42:48,080 --> 00:42:51,640
Speaker 1: You may see me do that. I've had people recently

867
00:42:52,120 --> 00:42:56,200
Speaker 1: going on. I've been having a nice lucky streak with women.

868
00:42:56,239 --> 00:42:58,799
Speaker 1: I'm not gonna lie like I usually interview a lot

869
00:42:58,800 --> 00:43:02,120
Speaker 1: of men, so I've been and very fortunate this past

870
00:43:02,120 --> 00:43:05,640
Speaker 1: season to have more a lot more women. But the

871
00:43:05,680 --> 00:43:09,320
Speaker 1: comments that come from men for the women on my show,

872
00:43:09,960 --> 00:43:13,560
Speaker 1: I'm very much like, probably I will consider myself the

873
00:43:13,680 --> 00:43:16,040
Speaker 1: unapproachable type girl, you know, the girl, the girl where

874
00:43:16,080 --> 00:43:18,520
Speaker 1: guys think she may pull a gun on you if

875
00:43:18,560 --> 00:43:23,240
Speaker 1: you approach your type. You know I'm that I'm that girl.

876
00:43:23,600 --> 00:43:25,799
Speaker 1: But if if you come for a girl on my

877
00:43:25,920 --> 00:43:30,839
Speaker 1: show and you say some disrespectful stuff, I don't give

878
00:43:30,880 --> 00:43:31,520
Speaker 1: a rats.

879
00:43:31,920 --> 00:43:32,680
Speaker 3: You gotta get it.

880
00:43:32,760 --> 00:43:34,440
Speaker 2: Yeah, you're gonna you gotta get it.

881
00:43:34,719 --> 00:43:37,280
Speaker 1: And I and I'm to the point where if someone

882
00:43:37,320 --> 00:43:40,239
Speaker 1: doesn't and I all guys need to know this about me,

883
00:43:40,360 --> 00:43:43,280
Speaker 1: Like I'm about to post your d M to the world,

884
00:43:43,440 --> 00:43:45,520
Speaker 1: and like like you want to you you have the

885
00:43:45,520 --> 00:43:49,960
Speaker 1: balls to say it in private, go ahead say yeah, so,

886
00:43:50,160 --> 00:43:53,160
Speaker 1: but I blocked, But I will starting like the next

887
00:43:53,200 --> 00:43:56,360
Speaker 1: time someone really gets under my skin, I'm just gonna

888
00:43:56,719 --> 00:44:01,520
Speaker 1: screenshot example of inappropriate and then let people have that that.

889
00:44:01,480 --> 00:44:06,000
Speaker 3: Person exactly, because we really need to start sticking up

890
00:44:06,040 --> 00:44:10,000
Speaker 3: for women way more than we do. And social media

891
00:44:10,160 --> 00:44:13,440
Speaker 3: has just become one of those things where damn if

892
00:44:13,480 --> 00:44:14,439
Speaker 3: you do, damn if you don't.

893
00:44:14,760 --> 00:44:15,480
Speaker 2: Yeah.

894
00:44:15,520 --> 00:44:18,759
Speaker 1: So when it comes to hip hop, who was like

895
00:44:18,800 --> 00:44:22,960
Speaker 1: your initial like in love, like who was that first

896
00:44:23,120 --> 00:44:26,080
Speaker 1: or that person and rap that was your rock?

897
00:44:26,280 --> 00:44:29,600
Speaker 3: So I actually started as a singer before I was rapping,

898
00:44:29,840 --> 00:44:34,200
Speaker 3: and so Winnie Houston and Monica actually inspired me to

899
00:44:34,239 --> 00:44:37,880
Speaker 3: even do music rapping wild because I was also a

900
00:44:37,880 --> 00:44:39,600
Speaker 3: big fan of hip hop. I was a big fan

901
00:44:39,680 --> 00:44:45,799
Speaker 3: of Queen Latifa mc lie, I love Little Kim just

902
00:44:46,000 --> 00:44:55,759
Speaker 3: back then, and yes, yes, because they have bars and

903
00:44:55,960 --> 00:44:58,880
Speaker 3: if they were unapologetic with who they were and the

904
00:44:58,880 --> 00:45:01,400
Speaker 3: way that they delivered in the metaphor, and then they

905
00:45:01,440 --> 00:45:03,719
Speaker 3: would change their cadence and it'd go from this to that,

906
00:45:03,760 --> 00:45:07,720
Speaker 3: and I was just like, man, yeah, like I would

907
00:45:07,719 --> 00:45:12,719
Speaker 3: hear you, I can hear you describe this is a nigga. Yeah,

908
00:45:13,280 --> 00:45:16,239
Speaker 3: but it's the way that they describe it. Even when

909
00:45:16,320 --> 00:45:21,279
Speaker 3: little Queen Latifa, who you calling up? It y, like

910
00:45:21,920 --> 00:45:25,000
Speaker 3: come on, now, that's a message within that like we

911
00:45:25,040 --> 00:45:28,439
Speaker 3: need more respect, and I just don't. I don't really

912
00:45:28,440 --> 00:45:32,200
Speaker 3: get inspired by newer audience. So when I do, like

913
00:45:32,280 --> 00:45:35,040
Speaker 3: do my research on music, I still to this day,

914
00:45:35,360 --> 00:45:38,239
Speaker 3: I go back and I listen to old school.

915
00:45:38,000 --> 00:45:39,520
Speaker 2: Right, Okay, yeah, I'm like that.

916
00:45:39,880 --> 00:45:42,839
Speaker 1: I will say. It's so funny because I'm a huge

917
00:45:42,880 --> 00:45:45,799
Speaker 1: jay Z fan. If you walk into the studio, there's.

918
00:45:45,800 --> 00:45:47,280
Speaker 2: Only one in the world.

919
00:45:47,520 --> 00:45:49,920
Speaker 1: Everyone who has come has seen it. It's a huge

920
00:45:50,000 --> 00:45:53,760
Speaker 1: jay Z painting right in the in the the living

921
00:45:53,840 --> 00:45:56,279
Speaker 1: room area of this studio. But it's the only one

922
00:45:56,280 --> 00:45:58,880
Speaker 1: in the world. People can take pictures of it, but

923
00:45:58,920 --> 00:46:05,080
Speaker 1: they can't take it. But but I remember, uh, you know,

924
00:46:05,120 --> 00:46:08,000
Speaker 1: I'm a fan of like Lauren Hill and Foxy him

925
00:46:08,040 --> 00:46:12,000
Speaker 1: and all those guys. But I remember a Million. I

926
00:46:12,040 --> 00:46:14,080
Speaker 1: don't know if you remember her. I mean, I really

927
00:46:14,120 --> 00:46:16,400
Speaker 1: wish we could find her and bring her back. But

928
00:46:16,480 --> 00:46:18,799
Speaker 1: a Milion was like the first woman where I was like, yo,

929
00:46:18,880 --> 00:46:21,080
Speaker 1: her voice sounds kind of nice on a beat.

930
00:46:21,200 --> 00:46:22,080
Speaker 3: She had a flow.

931
00:46:22,320 --> 00:46:22,600
Speaker 2: M hm.

932
00:46:22,840 --> 00:46:25,400
Speaker 3: She had a flow that when you heard it, you

933
00:46:25,480 --> 00:46:26,120
Speaker 3: knew it was her.

934
00:46:26,719 --> 00:46:26,959
Speaker 2: Yeah.

935
00:46:27,040 --> 00:46:28,640
Speaker 3: Yeah, and that's what we don't have today.

936
00:46:28,800 --> 00:46:30,920
Speaker 1: Yeah, but I will say this, knowing what I know

937
00:46:30,960 --> 00:46:34,040
Speaker 1: about the industry, it's kind of sucks the business side

938
00:46:34,120 --> 00:46:37,400
Speaker 1: because for whatever reason, you see an artist that talented

939
00:46:37,400 --> 00:46:39,400
Speaker 1: and then they disappear. You're like, what happened? You know,

940
00:46:39,480 --> 00:46:43,879
Speaker 1: the industry some some red tape blocked her.

941
00:46:43,880 --> 00:46:48,000
Speaker 3: Or some every time. I think a lot of artists

942
00:46:48,200 --> 00:46:51,719
Speaker 3: I feel should have been bigger in the industry, they

943
00:46:51,800 --> 00:46:54,880
Speaker 3: weren't because they weren't down to do what the industry

944
00:46:54,960 --> 00:46:55,640
Speaker 3: wanted them to do.

945
00:46:55,760 --> 00:46:55,960
Speaker 5: Yeah.

946
00:46:56,040 --> 00:46:56,800
Speaker 2: Yeah.

947
00:46:56,840 --> 00:47:00,400
Speaker 1: And then for women, I personally have some friends that,

948
00:47:01,200 --> 00:47:04,040
Speaker 1: I mean, they could give Mariah a run for their money. Okay,

949
00:47:04,120 --> 00:47:05,920
Speaker 1: I got this girl to shout out to Denise if

950
00:47:05,960 --> 00:47:09,520
Speaker 1: you ever need a really amazing singer. But she just

951
00:47:09,520 --> 00:47:12,560
Speaker 1: couldn't deal with like just the pressure from men and

952
00:47:12,640 --> 00:47:14,239
Speaker 1: producers trying to have sex all the time.

953
00:47:14,280 --> 00:47:15,200
Speaker 2: It just got tiring.

954
00:47:15,239 --> 00:47:18,319
Speaker 1: And it was like, beautiful young girl sing her ass off,

955
00:47:18,600 --> 00:47:20,759
Speaker 1: But it's like, Yo, how many years do you want

956
00:47:20,800 --> 00:47:22,799
Speaker 1: to go through being treated like that?

957
00:47:23,280 --> 00:47:28,400
Speaker 3: Very discouraging, Yes, it's so discouraging. It really just makes

958
00:47:28,440 --> 00:47:31,200
Speaker 3: you look at yourself, like am I good enough? Am

959
00:47:31,200 --> 00:47:32,200
Speaker 3: I talented enough?

960
00:47:32,440 --> 00:47:32,680
Speaker 2: Yeah?

961
00:47:33,120 --> 00:47:38,160
Speaker 3: It's like can I really sing? Because if I could?

962
00:47:38,560 --> 00:47:41,040
Speaker 3: Why do you only see me that way? Why don't

963
00:47:41,080 --> 00:47:43,120
Speaker 3: you see the music? Why don't you see the talent?

964
00:47:43,320 --> 00:47:46,920
Speaker 3: Why can't you hear me? Versus damn you fine, let

965
00:47:46,960 --> 00:47:49,520
Speaker 3: me take you out to the It's like hear my voice?

966
00:47:49,840 --> 00:47:52,680
Speaker 1: Yeah, I think for It's funny because I did do

967
00:47:52,719 --> 00:47:54,400
Speaker 1: the shopping on the show and I was in Walmart.

968
00:47:54,600 --> 00:47:57,319
Speaker 2: Weird ass story, not trying to sidetrack this guy.

969
00:47:57,360 --> 00:48:00,359
Speaker 1: He comes up, He's all super nice, looks like guy

970
00:48:00,400 --> 00:48:02,360
Speaker 1: that would either duct tape you and throw you in

971
00:48:02,360 --> 00:48:05,840
Speaker 1: the trunk of the car or or like a super nerd.

972
00:48:06,000 --> 00:48:10,640
Speaker 1: But you were like in the direction like you but

973
00:48:11,160 --> 00:48:13,520
Speaker 1: you look like you're also coming. He's like, hey, uh,

974
00:48:13,640 --> 00:48:17,520
Speaker 1: saw you shopping? And I'm so earheaded, like I did

975
00:48:17,520 --> 00:48:19,560
Speaker 1: not notice or whatever. He was like, yeah, so you shopping,

976
00:48:19,960 --> 00:48:22,320
Speaker 1: following you around and I just want to say you're beautiful,

977
00:48:22,360 --> 00:48:24,800
Speaker 1: and you know, I gave him the whole merry line

978
00:48:24,920 --> 00:48:28,319
Speaker 1: or whatever. But so I go to check out and

979
00:48:28,320 --> 00:48:30,960
Speaker 1: then security comes up on this dude to swear to God,

980
00:48:31,000 --> 00:48:31,920
Speaker 1: true story, and.

981
00:48:31,880 --> 00:48:34,480
Speaker 2: They're like check him out. And then this dude has

982
00:48:34,520 --> 00:48:39,200
Speaker 2: a huge box of columns and I was like, oh.

983
00:48:38,600 --> 00:48:40,400
Speaker 2: I was like, yo, you can't.

984
00:48:40,480 --> 00:48:43,040
Speaker 1: I'm not hating on men, but you definitely got to

985
00:48:43,120 --> 00:48:46,160
Speaker 1: know that men think with two brains and one of

986
00:48:46,200 --> 00:48:49,480
Speaker 1: them superseds out.

987
00:48:49,840 --> 00:48:50,680
Speaker 2: Can you imagine that?

988
00:48:50,760 --> 00:48:52,799
Speaker 1: And I turned around, I saw that I kept a

989
00:48:52,840 --> 00:48:56,280
Speaker 1: sober face, and let me tell you something. I sped

990
00:48:56,360 --> 00:48:59,040
Speaker 1: walk to my car and was like looking at Rustle.

991
00:48:58,880 --> 00:49:01,320
Speaker 2: Like please, God, don't let me, but this gout follow it.

992
00:49:02,920 --> 00:49:05,160
Speaker 1: I was like, yo, he was definitely the the in

993
00:49:05,200 --> 00:49:06,239
Speaker 1: the trunk of his car type.

994
00:49:06,280 --> 00:49:08,279
Speaker 2: Don't you think he got a van? He got a

995
00:49:08,360 --> 00:49:08,959
Speaker 2: van or something.

996
00:49:09,120 --> 00:49:11,360
Speaker 3: This is one of them dark bands, them Scooby doo vands.

997
00:49:11,360 --> 00:49:14,760
Speaker 2: You gotta watch out for him. Now, you're beautiful, okay.

998
00:49:15,000 --> 00:49:18,880
Speaker 1: So I define women as there's you know, cute, beautiful,

999
00:49:18,920 --> 00:49:21,080
Speaker 1: and they're sexy, right, I.

1000
00:49:21,000 --> 00:49:24,200
Speaker 2: Would say, you're you're more a sexy Okay.

1001
00:49:24,719 --> 00:49:29,239
Speaker 1: So when I think sexy, I think I can't imagine because,

1002
00:49:29,320 --> 00:49:31,319
Speaker 1: like I said, I've seen some of the guests on

1003
00:49:31,360 --> 00:49:33,440
Speaker 1: my show the way some men comment. I'm like, yo,

1004
00:49:33,440 --> 00:49:35,719
Speaker 1: if you actually listen to the full episode, you not

1005
00:49:35,760 --> 00:49:37,880
Speaker 1: be talking like this in my dms.

1006
00:49:38,160 --> 00:49:39,400
Speaker 2: But I get it.

1007
00:49:39,440 --> 00:49:42,040
Speaker 1: You know, for sound bites, we we you know, we

1008
00:49:42,120 --> 00:49:44,480
Speaker 1: position things in a in a playful way, even on

1009
00:49:44,760 --> 00:49:48,600
Speaker 1: our snippets to obviously get people to tune into the episode.

1010
00:49:48,760 --> 00:49:51,560
Speaker 1: But with you, you know, your wrap is amazing. It

1011
00:49:51,640 --> 00:49:55,759
Speaker 1: is impressive. I used to be the type that would

1012
00:49:55,800 --> 00:49:59,799
Speaker 1: be like anti anything too sexy or judge girls, but

1013
00:49:59,840 --> 00:50:02,480
Speaker 1: a they're doing eating while broke, I'm like, I can't

1014
00:50:02,480 --> 00:50:05,920
Speaker 1: do that because I can honestly say the girls that

1015
00:50:06,040 --> 00:50:09,279
Speaker 1: have even the risky topics that I wouldn't all the

1016
00:50:09,320 --> 00:50:12,240
Speaker 1: way be in support of, I'm like, ah, I'm sorry,

1017
00:50:12,239 --> 00:50:14,719
Speaker 1: that chick is so dope, Like you know, like even

1018
00:50:14,719 --> 00:50:16,480
Speaker 1: getting to know you and hearing your story, you're like, ah,

1019
00:50:16,560 --> 00:50:18,040
Speaker 1: that chick is dope. And that's why I'm like, Yo,

1020
00:50:18,040 --> 00:50:20,840
Speaker 1: if you guys could just get past the look and

1021
00:50:21,080 --> 00:50:24,799
Speaker 1: that's in the sound bites, you can actually see the person.

1022
00:50:24,840 --> 00:50:27,879
Speaker 3: Right, but it would just do a lot for hip hop.

1023
00:50:28,320 --> 00:50:32,000
Speaker 1: But in your case, it's like, you have the sexy,

1024
00:50:32,280 --> 00:50:35,799
Speaker 1: the brains, the drive. Do you ever feel like you

1025
00:50:35,920 --> 00:50:38,719
Speaker 1: have to do you feel like you have to put

1026
00:50:38,719 --> 00:50:41,080
Speaker 1: on the sexy to be heard or do you feel

1027
00:50:41,120 --> 00:50:43,319
Speaker 1: like is there ever gonna be a place where you

1028
00:50:43,360 --> 00:50:44,080
Speaker 1: can tone it down.

1029
00:50:44,400 --> 00:50:46,120
Speaker 3: Actually, it is so funny that you say that, because

1030
00:50:46,160 --> 00:50:48,200
Speaker 3: I just talked to my manager about this. I think

1031
00:50:48,280 --> 00:50:51,800
Speaker 3: was like, yesterday, I go to the studio no makeup.

1032
00:50:52,320 --> 00:50:55,000
Speaker 3: I won't wear any makeup. I don't be dulled up,

1033
00:50:55,120 --> 00:50:57,880
Speaker 3: dressed up. I'm in sweats. And I told him the

1034
00:50:58,000 --> 00:51:01,200
Speaker 3: other day because when I'm in this studio, I've learned

1035
00:51:01,400 --> 00:51:04,799
Speaker 3: when I'm dulled up and I look good, they're distracted.

1036
00:51:05,360 --> 00:51:09,680
Speaker 3: Not my team, but men they come to studio, artists, producers,

1037
00:51:09,760 --> 00:51:13,520
Speaker 3: they be distracted. They not take me serious, and I

1038
00:51:13,560 --> 00:51:17,279
Speaker 3: find myself not getting no work done. And when I

1039
00:51:17,320 --> 00:51:20,960
Speaker 3: started no makeup, just coming in raw, it was like

1040
00:51:21,040 --> 00:51:24,040
Speaker 3: you had no choice but to hear me and to work.

1041
00:51:24,440 --> 00:51:24,920
Speaker 2: Yeah.

1042
00:51:24,960 --> 00:51:28,280
Speaker 3: So I say, those places like that are the only

1043
00:51:28,840 --> 00:51:30,000
Speaker 3: places that I can go.

1044
00:51:31,360 --> 00:51:34,160
Speaker 1: But so are you saying that you do feel pressure

1045
00:51:34,360 --> 00:51:38,240
Speaker 1: to be at least since in the public.

1046
00:51:38,400 --> 00:51:42,440
Speaker 3: Yes, I did, Yeah, because it's I remember I did

1047
00:51:42,480 --> 00:51:45,160
Speaker 3: this one interview and he asked me. He was like,

1048
00:51:45,880 --> 00:51:48,640
Speaker 3: I'm kind of offended that you didn't wear makeup to

1049
00:51:49,600 --> 00:51:53,520
Speaker 3: my interview and I was like why and he was like,

1050
00:51:53,600 --> 00:51:57,640
Speaker 3: because it feels like to him, I don't take him serious,

1051
00:51:57,800 --> 00:52:00,600
Speaker 3: or I didn't take his work serious is because I

1052
00:52:00,640 --> 00:52:04,320
Speaker 3: didn't show up like dulled up and you know, straight

1053
00:52:04,360 --> 00:52:07,480
Speaker 3: like artist. But I was like, I'm my fit was fly,

1054
00:52:07,719 --> 00:52:10,640
Speaker 3: everything was cute, hair done whatever. I just thought, I

1055
00:52:10,640 --> 00:52:11,239
Speaker 3: have no makeup on.

1056
00:52:11,440 --> 00:52:14,360
Speaker 1: Yeah, and by the way, your skin is flawless, just

1057
00:52:14,400 --> 00:52:15,680
Speaker 1: so all the listeners know.

1058
00:52:16,200 --> 00:52:18,520
Speaker 2: Because I wear makeup. My twins and makeup artists.

1059
00:52:18,520 --> 00:52:20,640
Speaker 1: And sometimes when she seems the clips online, she gets

1060
00:52:20,680 --> 00:52:22,920
Speaker 1: frustrated because some days I don't wear makeup.

1061
00:52:23,440 --> 00:52:25,879
Speaker 2: Some days I look like I'm I'm a new mom,

1062
00:52:26,200 --> 00:52:26,760
Speaker 2: you know whatever.

1063
00:52:27,080 --> 00:52:29,399
Speaker 1: Make she does not need make But I will say

1064
00:52:29,440 --> 00:52:31,879
Speaker 1: this though, Like I I was talking to my sister

1065
00:52:31,920 --> 00:52:34,120
Speaker 1: and she was like, I get so frustrated seeing clips

1066
00:52:34,160 --> 00:52:36,560
Speaker 1: of you online and then sometimes you look like shit

1067
00:52:36,640 --> 00:52:40,080
Speaker 1: and you have a makeup artist of the sister. I'm like, yeah, back, bully, whatever,

1068
00:52:40,120 --> 00:52:42,840
Speaker 1: but I'm looking at you. You don't need makeup for sure.

1069
00:52:43,800 --> 00:52:46,840
Speaker 1: But I think that's interesting that that, like I said it,

1070
00:52:46,840 --> 00:52:49,439
Speaker 1: because it more revealed more about him than you.

1071
00:52:50,239 --> 00:52:54,160
Speaker 3: It kind of offended me, Like hold on, y'all preach

1072
00:52:54,239 --> 00:52:57,560
Speaker 3: about us being natural and being in our own skin,

1073
00:52:57,800 --> 00:53:00,399
Speaker 3: and then when we not wear makeup, it's like, oh,

1074
00:53:00,520 --> 00:53:03,760
Speaker 3: you must not take yourself serious because look at you game.

1075
00:53:04,520 --> 00:53:06,840
Speaker 1: I feel like I'm almost say that guy isn't a

1076
00:53:06,880 --> 00:53:11,440
Speaker 1: real man, because real men, y'all like cell You y'all.

1077
00:53:12,760 --> 00:53:14,640
Speaker 3: Down for him. Of course I had to let him know,

1078
00:53:14,680 --> 00:53:16,719
Speaker 3: Oh babe, I take myself serious, which is why I

1079
00:53:16,719 --> 00:53:20,359
Speaker 3: have no makeup on. I'm comfortable in my skin. I'm

1080
00:53:20,400 --> 00:53:22,719
Speaker 3: comfortable with the way that I look. I love the

1081
00:53:22,760 --> 00:53:25,759
Speaker 3: way that I look with or without makeup. So you know,

1082
00:53:25,800 --> 00:53:27,720
Speaker 3: if you don't want to do this interview, that's fine.

1083
00:53:27,960 --> 00:53:29,680
Speaker 2: A how to feel me.

1084
00:53:29,760 --> 00:53:32,880
Speaker 1: And usually not trying to throw shade on most of

1085
00:53:32,880 --> 00:53:34,680
Speaker 1: our guests, but I would say fifty percent of our

1086
00:53:34,719 --> 00:53:38,480
Speaker 1: guest show up late. You were on time in advance,

1087
00:53:38,600 --> 00:53:41,720
Speaker 1: Your team was the most efficient with the follow ups,

1088
00:53:42,320 --> 00:53:46,840
Speaker 1: with the Mega shure. Everything was done, and I respect it.

1089
00:53:46,880 --> 00:53:48,600
Speaker 1: And that's why I was telling y'all wanted to touch

1090
00:53:48,600 --> 00:53:53,400
Speaker 1: on that. I like seeing a team that's like everyone's

1091
00:53:53,440 --> 00:53:56,719
Speaker 1: dying eyes, including yourself, crossing the t's let's get this,

1092
00:53:56,800 --> 00:53:59,759
Speaker 1: let's lock it in, let's close the deal, and that

1093
00:54:00,080 --> 00:54:04,000
Speaker 1: alone deserves a seat at the table, you know. But

1094
00:54:04,280 --> 00:54:06,360
Speaker 1: I just I was like, okay, and then listening to

1095
00:54:06,400 --> 00:54:09,840
Speaker 1: the music, of course, but overall, like I listened to

1096
00:54:09,840 --> 00:54:10,640
Speaker 1: the music, thought it.

1097
00:54:10,600 --> 00:54:12,360
Speaker 2: Was great shout outs.

1098
00:54:12,360 --> 00:54:16,640
Speaker 1: If you guys haven't heard heard a Naya Love Notes music,

1099
00:54:17,160 --> 00:54:19,480
Speaker 1: you should definitely check it out. You can find snippets

1100
00:54:19,480 --> 00:54:22,160
Speaker 1: online or you can actually go on wherever you stream

1101
00:54:22,200 --> 00:54:22,560
Speaker 1: your music.

1102
00:54:22,560 --> 00:54:24,520
Speaker 3: You get it right. Well, all my music is under

1103
00:54:24,560 --> 00:54:27,880
Speaker 3: a Naya Love Note. I just dropped a new visual

1104
00:54:27,920 --> 00:54:29,800
Speaker 3: for my new single Sidity.

1105
00:54:29,760 --> 00:54:31,480
Speaker 2: And I like that way.

1106
00:54:31,560 --> 00:54:35,080
Speaker 3: Thank you. Shout out to Will Smith. Okay, and now

1107
00:54:35,080 --> 00:54:37,760
Speaker 3: we're about to drop a new single called serial feature

1108
00:54:37,800 --> 00:54:40,880
Speaker 3: in a D and casey Veggie. So I'm pretty excited.

1109
00:54:40,920 --> 00:54:44,959
Speaker 3: I get to give La la vibe because we don't

1110
00:54:44,960 --> 00:54:47,719
Speaker 3: really have, you know, artists really pop it right now

1111
00:54:47,800 --> 00:54:50,520
Speaker 3: out of La. In my opinion, I feel like the

1112
00:54:50,560 --> 00:54:53,120
Speaker 3: last person I was like really it was blue face,

1113
00:54:53,640 --> 00:54:57,640
Speaker 3: Oh God, and then after that it was like, by.

1114
00:54:57,600 --> 00:54:59,680
Speaker 1: The way, I'm sorry.

1115
00:55:00,080 --> 00:55:03,799
Speaker 2: I really want Christian on my shouto. I really love her.

1116
00:55:04,120 --> 00:55:07,440
Speaker 3: I love her growth. Yeah, I love her growth.

1117
00:55:07,840 --> 00:55:10,880
Speaker 1: I just like, uh, well, I think all women we

1118
00:55:10,920 --> 00:55:13,880
Speaker 1: struggle with self love a little bit. And I so

1119
00:55:14,040 --> 00:55:17,960
Speaker 1: I feel like in that like you could see little

1120
00:55:17,960 --> 00:55:20,120
Speaker 1: bitsy yourself kind of in her journey.

1121
00:55:20,520 --> 00:55:23,120
Speaker 3: I think what I saw on myself. Was the love

1122
00:55:23,200 --> 00:55:27,480
Speaker 3: that she had, Like I've never like, of course, no tea,

1123
00:55:27,520 --> 00:55:31,880
Speaker 3: no shade, but I've never written anything in blood to

1124
00:55:31,920 --> 00:55:35,880
Speaker 3: be honest, or got a man's anything tatted on me,

1125
00:55:36,160 --> 00:55:36,880
Speaker 3: to be honest.

1126
00:55:37,400 --> 00:55:39,239
Speaker 2: But I didn't know she I know she got it

1127
00:55:39,320 --> 00:55:41,200
Speaker 2: tatt I don't know about the random blood babe.

1128
00:55:41,320 --> 00:55:44,279
Speaker 3: Yeah, she wrote in her blood on his wall in

1129
00:55:44,320 --> 00:55:46,239
Speaker 3: his house after she broke into it and then stole

1130
00:55:46,280 --> 00:55:50,640
Speaker 3: the car. But you know, hey, when you love somebody,

1131
00:55:50,800 --> 00:55:53,359
Speaker 3: you love them, and who is anybody else to tell

1132
00:55:53,400 --> 00:55:56,680
Speaker 3: you otherwise? And I just felt like her love was

1133
00:55:56,760 --> 00:55:59,960
Speaker 3: so real, it was so genuine, and maybe his one.

1134
00:56:00,400 --> 00:56:04,080
Speaker 3: And then it became a let's get to this money

1135
00:56:04,760 --> 00:56:08,640
Speaker 3: and that she found herself just the love that everyone

1136
00:56:08,680 --> 00:56:11,160
Speaker 3: else was giving her, letting her know like, you're beautiful

1137
00:56:11,360 --> 00:56:15,120
Speaker 3: and you're talented, you're smart, you don't need him. Yeah,

1138
00:56:15,200 --> 00:56:16,320
Speaker 3: you do this on your own.

1139
00:56:16,400 --> 00:56:18,920
Speaker 1: I think there was definitely a lot of probably gas

1140
00:56:19,080 --> 00:56:22,239
Speaker 1: lighting and manipulation on his part. Yes, usually when you

1141
00:56:22,280 --> 00:56:25,600
Speaker 1: see a toxic relationship, men are gonna hate me for this,

1142
00:56:25,680 --> 00:56:28,600
Speaker 1: But I feel like the men lead the toxicity in

1143
00:56:28,640 --> 00:56:30,440
Speaker 1: the relationship because they are the leaders.

1144
00:56:30,560 --> 00:56:32,800
Speaker 2: So if a man starts doing crazy stuff.

1145
00:56:33,280 --> 00:56:35,480
Speaker 1: Then usually I hate to say it, guys, but the

1146
00:56:35,520 --> 00:56:38,280
Speaker 1: woman will follow suit. If you're a healthy man, you're white,

1147
00:56:38,320 --> 00:56:41,040
Speaker 1: you're a girl, your wife will more than likely be

1148
00:56:41,080 --> 00:56:42,960
Speaker 1: healthy because at the end of the day, you guys,

1149
00:56:44,400 --> 00:56:48,200
Speaker 1: unnatural or naturally, are the leader of the relationship. So like,

1150
00:56:48,280 --> 00:56:51,040
Speaker 1: even if you're dating a toxic girl, I've seen toxic

1151
00:56:51,080 --> 00:56:53,160
Speaker 1: girls turn untoxic dating the right guy.

1152
00:56:53,239 --> 00:56:56,280
Speaker 3: The right man and I have been through that situation.

1153
00:56:57,239 --> 00:56:59,960
Speaker 1: Yeah, so there was we were talking a little bit

1154
00:57:00,000 --> 00:57:02,200
Speaker 1: behind the scenes about some of your relationships. There was

1155
00:57:02,239 --> 00:57:05,560
Speaker 1: one relationship that you said that helped you transition or

1156
00:57:05,600 --> 00:57:08,040
Speaker 1: helped you in some sort of way.

1157
00:57:09,200 --> 00:57:15,920
Speaker 3: Sodia Soldier boy. When me and him was dating, to

1158
00:57:15,960 --> 00:57:19,200
Speaker 3: be honest, I felt like I was so focused on him,

1159
00:57:19,600 --> 00:57:22,600
Speaker 3: Like anytime he'd be like, hey, what you doing, pull up?

1160
00:57:22,640 --> 00:57:25,760
Speaker 3: I drop what I was doing and pull up. And

1161
00:57:26,040 --> 00:57:28,080
Speaker 3: the reason why I said it helped me is because

1162
00:57:28,320 --> 00:57:32,280
Speaker 3: it taught me in this industry one it don't matter

1163
00:57:32,360 --> 00:57:36,040
Speaker 3: if a man has money or no money, men or

1164
00:57:36,120 --> 00:57:40,200
Speaker 3: men at the end of the day. So what I

1165
00:57:40,280 --> 00:57:43,160
Speaker 3: learned was when I was focused on him, I should

1166
00:57:43,200 --> 00:57:46,320
Speaker 3: have been focused on myself. Anytime I would pull up

1167
00:57:46,600 --> 00:57:49,680
Speaker 3: and he's recording, just knocking out songs back to back

1168
00:57:49,720 --> 00:57:52,760
Speaker 3: to back, and I'm sitting here, sitting here watching him

1169
00:57:52,800 --> 00:57:58,800
Speaker 3: do it. I should have been working.

1170
00:58:07,480 --> 00:58:09,720
Speaker 1: And he knew you were a recording artist. Yeah, did

1171
00:58:09,720 --> 00:58:10,760
Speaker 1: he support your music?

1172
00:58:11,000 --> 00:58:11,240
Speaker 2: Yeah?

1173
00:58:11,400 --> 00:58:15,520
Speaker 3: Actually he allowed me to direct and choreograph make a Clap,

1174
00:58:16,240 --> 00:58:19,280
Speaker 3: the first one and the second one with French Montana.

1175
00:58:19,560 --> 00:58:22,720
Speaker 3: So but the way that I am, I don't never

1176
00:58:23,280 --> 00:58:26,280
Speaker 3: try to do business and personal. I don't really care

1177
00:58:26,320 --> 00:58:30,680
Speaker 3: who you are, because I want to say I came

1178
00:58:30,760 --> 00:58:33,640
Speaker 3: up and I earned it myself. I don't never want

1179
00:58:33,680 --> 00:58:35,160
Speaker 3: nobody to say the only reason why she made is

1180
00:58:35,200 --> 00:58:37,800
Speaker 3: because so and so. That would just be a slap

1181
00:58:37,800 --> 00:58:40,600
Speaker 3: in the face for everything that I went through. But

1182
00:58:40,720 --> 00:58:45,400
Speaker 3: with Sojia, it was like I'd come, he'd plays music,

1183
00:58:45,840 --> 00:58:48,360
Speaker 3: we'd be dancing in the living room, and I could

1184
00:58:48,400 --> 00:58:51,600
Speaker 3: tell how much he loved what he did. And the

1185
00:58:51,640 --> 00:58:53,960
Speaker 3: only thing I could also think up on the side

1186
00:58:54,120 --> 00:58:56,160
Speaker 3: was damn girl, you need to be in a studio

1187
00:58:56,920 --> 00:58:58,400
Speaker 3: like you need to be working.

1188
00:58:59,520 --> 00:59:00,840
Speaker 2: You need to be there for you.

1189
00:59:00,880 --> 00:59:07,439
Speaker 3: And I kept finding it as a distraction. Eventually, like man,

1190
00:59:07,440 --> 00:59:11,720
Speaker 3: it broke me. Me and him had our situation which

1191
00:59:11,800 --> 00:59:14,560
Speaker 3: led us to no longer dating. But it really did

1192
00:59:14,640 --> 00:59:17,040
Speaker 3: break me, like Soldier broke me, and he built me

1193
00:59:17,160 --> 00:59:19,480
Speaker 3: at the same time, like he built me to be

1194
00:59:19,520 --> 00:59:21,240
Speaker 3: a better me. And you know what I mean, trying

1195
00:59:21,240 --> 00:59:26,600
Speaker 3: to broke me as an I he was like one

1196
00:59:26,680 --> 00:59:31,960
Speaker 3: of the first celebs I guess that I dated and

1197
00:59:33,160 --> 00:59:37,400
Speaker 3: broke me asn't. I started losing myself, just losing myself

1198
00:59:37,440 --> 00:59:40,800
Speaker 3: within him. Every time he would call, I'd answered. Anytime

1199
00:59:41,040 --> 00:59:42,440
Speaker 3: he wanted me to pull up, I drop what I

1200
00:59:42,480 --> 00:59:45,360
Speaker 3: was doing. Anytime he wasn't answering the phone. Why you're

1201
00:59:45,360 --> 00:59:46,120
Speaker 3: not answering the phone?

1202
00:59:46,160 --> 00:59:46,800
Speaker 2: And what are you doing?

1203
00:59:46,840 --> 00:59:49,200
Speaker 3: Who you with? Like? And that's not me, Like, that's

1204
00:59:49,240 --> 00:59:52,200
Speaker 3: not who I am naturally as a woman. So I

1205
00:59:52,280 --> 00:59:55,760
Speaker 3: just found myself becoming somebody that I was not trying

1206
00:59:55,800 --> 00:59:59,919
Speaker 3: to please him, knowing like I'm looking on the shade room,

1207
01:00:00,080 --> 01:00:03,160
Speaker 3: you posted up with this shorty next thing. You know

1208
01:00:03,240 --> 01:00:04,439
Speaker 3: you posted up with this girl?

1209
01:00:06,160 --> 01:00:07,040
Speaker 2: Stuff about it? Or did you?

1210
01:00:07,120 --> 01:00:10,560
Speaker 3: Just one time we got into it and I was

1211
01:00:10,640 --> 01:00:12,360
Speaker 3: yelling and he got mad at me because I yelled

1212
01:00:12,360 --> 01:00:15,040
Speaker 3: at him in his house and I was just like

1213
01:00:15,920 --> 01:00:18,160
Speaker 3: you over here posted with this girl in the shade

1214
01:00:18,240 --> 01:00:20,760
Speaker 3: room and da da da da, and he's like, that

1215
01:00:20,800 --> 01:00:22,840
Speaker 3: girl wanted to take a picture, so I posted. You

1216
01:00:22,880 --> 01:00:24,600
Speaker 3: could have you know, if you want to take a picture,

1217
01:00:24,640 --> 01:00:27,720
Speaker 3: we could have took a picture. I respect your privacy,

1218
01:00:28,000 --> 01:00:29,680
Speaker 3: so I'm not about to be out here. Okay, let's

1219
01:00:29,680 --> 01:00:31,160
Speaker 3: take a picture. It's like I'm posted it and go

1220
01:00:31,160 --> 01:00:33,680
Speaker 3: in the shade room. I don't care enough to do that.

1221
01:00:34,400 --> 01:00:37,280
Speaker 3: So by me seeing the type of women you were,

1222
01:00:38,120 --> 01:00:42,320
Speaker 3: and I'm looking at me like you know, and I'm

1223
01:00:42,320 --> 01:00:46,040
Speaker 3: gonna keep it transparent because I don't care. When before

1224
01:00:46,160 --> 01:00:49,280
Speaker 3: Make It, Clod came out, I was sleeping on the

1225
01:00:49,320 --> 01:00:53,400
Speaker 3: floor with you in your big eyes mansion when you

1226
01:00:53,480 --> 01:00:57,360
Speaker 3: had a small couch and my foot was one way

1227
01:00:57,360 --> 01:01:00,240
Speaker 3: and his feet was the other way. Before he yeah,

1228
01:01:00,280 --> 01:01:02,520
Speaker 3: got a bed in his crib. I'm sleeping in this

1229
01:01:02,640 --> 01:01:05,080
Speaker 3: big ass mansion with you on this small ass couch.

1230
01:01:06,320 --> 01:01:09,680
Speaker 3: And all I could think of was, this is me

1231
01:01:09,920 --> 01:01:12,600
Speaker 3: testing myself if I ride it. I you get what

1232
01:01:12,600 --> 01:01:15,320
Speaker 3: I'm saying, like you got some women, Oh you ain't

1233
01:01:15,320 --> 01:01:18,080
Speaker 3: gonna I'm out me. I'm like, I don't care.

1234
01:01:18,720 --> 01:01:22,320
Speaker 1: Now this is during Soldiers, because this is before Make It.

1235
01:01:22,480 --> 01:01:24,480
Speaker 1: This is when he was just making Make It. Clap

1236
01:01:24,720 --> 01:01:27,520
Speaker 1: so how because social came out when he was like seventeen. Yes,

1237
01:01:27,880 --> 01:01:29,400
Speaker 1: so that was after make it.

1238
01:01:29,960 --> 01:01:33,080
Speaker 3: This was like right before I met Soldier, like in

1239
01:01:33,120 --> 01:01:35,960
Speaker 3: twenty and twenty twenty one.

1240
01:01:36,920 --> 01:01:40,320
Speaker 1: Okay, so yeah, this is way after because Soldier's career, Soldier,

1241
01:01:40,760 --> 01:01:42,400
Speaker 1: I feel like Soldier's career is so long.

1242
01:01:42,520 --> 01:01:43,320
Speaker 2: Like most people that.

1243
01:01:43,320 --> 01:01:45,440
Speaker 1: Have a long career, it's like you ride the waves

1244
01:01:45,440 --> 01:01:47,200
Speaker 1: of success and family, yes.

1245
01:01:46,960 --> 01:01:49,640
Speaker 3: And you up and down up now and around that time,

1246
01:01:50,400 --> 01:01:54,240
Speaker 3: he was at just about to get back up, yes, okay,

1247
01:01:54,680 --> 01:01:57,640
Speaker 3: but it was still where he was, where he was at,

1248
01:01:57,760 --> 01:02:00,600
Speaker 3: And so for me, I just didn't care. I'm gonna

1249
01:02:00,600 --> 01:02:02,520
Speaker 3: sleep on this blood with you if I got to. Yeah,

1250
01:02:02,720 --> 01:02:04,320
Speaker 3: you ain't got no bed. I don't give a damn

1251
01:02:04,320 --> 01:02:05,920
Speaker 3: baby's hop on this couch.

1252
01:02:06,000 --> 01:02:08,560
Speaker 2: Yeah. So you were like old school with the Rider Die.

1253
01:02:08,720 --> 01:02:11,200
Speaker 1: Yeah, and it kind of I do blame hip hop

1254
01:02:11,240 --> 01:02:13,160
Speaker 1: for the Rider Die Eric for a lot of us

1255
01:02:13,160 --> 01:02:15,080
Speaker 1: women that grew up in that, like, oh you want

1256
01:02:15,080 --> 01:02:17,360
Speaker 1: to be the rider die for your guy, because looking

1257
01:02:17,480 --> 01:02:19,720
Speaker 1: back now like that is definitely toxic.

1258
01:02:19,800 --> 01:02:20,480
Speaker 2: Oh my god, I.

1259
01:02:20,480 --> 01:02:22,880
Speaker 1: Just realized we didn't even try your nachos.

1260
01:02:23,000 --> 01:02:25,160
Speaker 2: Hold up, We're gonna try some of these nachos.

1261
01:02:25,400 --> 01:02:28,080
Speaker 1: Sorry, I'm gonna grab some of the chips, right, and

1262
01:02:28,120 --> 01:02:29,680
Speaker 1: then you're gonna put some on top. Do you want

1263
01:02:29,680 --> 01:02:32,320
Speaker 1: to use that wooden spoon? I'm like sitting here all

1264
01:02:32,680 --> 01:02:35,600
Speaker 1: in your start. We didn't even try these. We have

1265
01:02:35,680 --> 01:02:40,440
Speaker 1: to try these, these beautiful mama nachos. So you guys

1266
01:02:40,520 --> 01:02:43,640
Speaker 1: know one of our previous guests did have nachos on

1267
01:02:43,680 --> 01:02:47,960
Speaker 1: the show, So I will be comparing nachos.

1268
01:02:47,440 --> 01:02:49,320
Speaker 3: And you gotta be like, very honest.

1269
01:02:50,680 --> 01:02:53,520
Speaker 2: I'm gonna tell you. Norm Steels had to read on

1270
01:02:53,640 --> 01:02:54,360
Speaker 2: nacho chips.

1271
01:02:54,760 --> 01:02:57,080
Speaker 3: See he had.

1272
01:03:00,440 --> 01:03:03,640
Speaker 1: I saw that, like, oh do that he had the

1273
01:03:03,760 --> 01:03:07,320
Speaker 1: real dacha. He had the one, the actual doritos.

1274
01:03:07,400 --> 01:03:10,760
Speaker 2: Yeah, he took it there. Yeah, so I feel like

1275
01:03:10,800 --> 01:03:11,480
Speaker 2: you're gonna.

1276
01:03:11,280 --> 01:03:14,800
Speaker 3: Be cheating because that's like giving real flavor. Though, like

1277
01:03:14,920 --> 01:03:17,560
Speaker 3: you that's real flavor.

1278
01:03:17,440 --> 01:03:17,920
Speaker 2: You feel.

1279
01:03:18,400 --> 01:03:21,160
Speaker 1: I will say this though he had a lot more ingredients,

1280
01:03:21,200 --> 01:03:24,840
Speaker 1: so it may be comparing apples to tomatoes or whatever,

1281
01:03:25,080 --> 01:03:28,880
Speaker 1: because definitely this had very limited But let's go ahead

1282
01:03:28,920 --> 01:03:29,480
Speaker 1: and try this.

1283
01:03:30,600 --> 01:03:33,720
Speaker 3: Mamnacho's ain't fl mama nachos.

1284
01:03:34,000 --> 01:03:43,920
Speaker 2: Anaya mama nachos. Hmmm, pretty good.

1285
01:03:44,240 --> 01:03:48,400
Speaker 3: I'm not gonna liem it. Definitely tastes different and new

1286
01:03:48,560 --> 01:03:49,880
Speaker 3: with the turkey meat.

1287
01:03:50,240 --> 01:03:52,600
Speaker 2: Really you don't like it? I like him.

1288
01:03:52,680 --> 01:03:55,920
Speaker 3: I like it with the turkey meat. I was gonna say,

1289
01:03:56,120 --> 01:03:58,640
Speaker 3: I normally use the red meat, but this tastes really

1290
01:03:58,680 --> 01:04:01,600
Speaker 3: good with the turkey. And then that this right here

1291
01:04:01,800 --> 01:04:04,400
Speaker 3: is not too bad. It's not the season that I

1292
01:04:04,440 --> 01:04:08,360
Speaker 3: normally use, but this actually came out really good. So

1293
01:04:09,720 --> 01:04:12,000
Speaker 3: if I see anybody with this in their cabinet, now

1294
01:04:12,040 --> 01:04:15,280
Speaker 3: I know what it is. Because I really thought it

1295
01:04:15,320 --> 01:04:18,840
Speaker 3: was just more like onions and stuff.

1296
01:04:18,680 --> 01:04:21,840
Speaker 1: I will say, I want to try it with the

1297
01:04:21,920 --> 01:04:28,240
Speaker 1: CHILIESE on it. The chip with the chilies, M not

1298
01:04:28,280 --> 01:04:33,440
Speaker 1: that beast right, well done. I think belvida cheese. I

1299
01:04:33,480 --> 01:04:36,120
Speaker 1: think it's salty, right, is that what's given?

1300
01:04:36,160 --> 01:04:36,760
Speaker 2: A little salty?

1301
01:04:36,840 --> 01:04:37,120
Speaker 3: Actually?

1302
01:04:38,800 --> 01:04:41,479
Speaker 2: How you gonna compliment and take it away?

1303
01:04:41,600 --> 01:04:44,040
Speaker 3: I ain't gonna this one. Gave it a little bit

1304
01:04:44,080 --> 01:04:44,480
Speaker 3: of salt.

1305
01:04:45,040 --> 01:04:46,160
Speaker 2: It's definitely saltier.

1306
01:04:48,480 --> 01:04:51,200
Speaker 3: Oh no, no, no no. I didn't know how much

1307
01:04:51,320 --> 01:04:53,960
Speaker 3: to honestly use this because I never used it before,

1308
01:04:54,520 --> 01:04:56,840
Speaker 3: so I feel like I used a little bit too much.

1309
01:04:57,800 --> 01:05:00,720
Speaker 2: So stick to the original. All part it is.

1310
01:05:00,800 --> 01:05:03,720
Speaker 3: That's what I grew up on. This is a today's

1311
01:05:03,880 --> 01:05:04,960
Speaker 3: learning situation.

1312
01:05:05,400 --> 01:05:08,920
Speaker 2: So I may have messed up your dish a little bit,

1313
01:05:08,960 --> 01:05:10,439
Speaker 2: but we're still good.

1314
01:05:10,960 --> 01:05:12,600
Speaker 3: Still good. Okay, wait, I'm.

1315
01:05:12,480 --> 01:05:13,960
Speaker 2: Gonna try not to eat.

1316
01:05:14,080 --> 01:05:17,400
Speaker 3: Who's this better? I know what she's gonna say. She's

1317
01:05:17,400 --> 01:05:19,480
Speaker 3: gonna say her the dorito nachos.

1318
01:05:19,600 --> 01:05:27,720
Speaker 2: This girl, I'm sorry he cheated.

1319
01:05:29,000 --> 01:05:32,280
Speaker 1: This is what I will say. Norms nachos shout out

1320
01:05:32,280 --> 01:05:37,640
Speaker 1: to Norms. Steel was better, but technically he had way

1321
01:05:37,640 --> 01:05:42,240
Speaker 1: more ingredients, and he had luxury ingredients because this is.

1322
01:05:42,840 --> 01:05:43,880
Speaker 2: Regular tortilla chips.

1323
01:05:43,880 --> 01:05:46,840
Speaker 1: Doritos are like way more so if you're on a budget,

1324
01:05:47,480 --> 01:05:52,960
Speaker 1: this works fine, but between y'all, you better get Norms

1325
01:05:52,960 --> 01:06:01,520
Speaker 1: of recipe.

1326
01:05:58,000 --> 01:06:00,560
Speaker 2: Because his nachos by far work.

1327
01:06:00,560 --> 01:06:07,600
Speaker 3: Now my ones. Look, honey, you know chronicles.

1328
01:06:07,600 --> 01:06:10,440
Speaker 2: We should have you on his podcast.

1329
01:06:09,880 --> 01:06:12,600
Speaker 3: There so I can bring my nachos and be like.

1330
01:06:12,560 --> 01:06:15,880
Speaker 1: Look, yeah, yeah, he does gangster chronicles. You fit right

1331
01:06:15,880 --> 01:06:16,160
Speaker 1: in there.

1332
01:06:16,880 --> 01:06:17,320
Speaker 3: Yeah, I think.

1333
01:06:18,880 --> 01:06:19,120
Speaker 2: Damn.

1334
01:06:19,160 --> 01:06:22,720
Speaker 1: I didn't mean to cut off in the middle of soul,

1335
01:06:22,840 --> 01:06:27,360
Speaker 1: just just in your relationship, but but no, these notchos

1336
01:06:27,360 --> 01:06:29,920
Speaker 1: are really good. I was like, so caught up in

1337
01:06:29,960 --> 01:06:34,200
Speaker 1: the story that I heard a random sound. I was

1338
01:06:34,200 --> 01:06:35,840
Speaker 1: so caught up in the story that I forgot about

1339
01:06:35,840 --> 01:06:38,120
Speaker 1: the meal. Surprisingly, I don't know how that happened.

1340
01:06:38,240 --> 01:06:40,200
Speaker 3: It'd be like that the T be good, the T

1341
01:06:40,280 --> 01:06:41,360
Speaker 3: be good, the T be good.

1342
01:06:42,880 --> 01:06:46,479
Speaker 1: Is there any other milestones that you hit that were

1343
01:06:46,520 --> 01:06:49,040
Speaker 1: like kind of a little harder to overcome where you

1344
01:06:49,320 --> 01:06:50,920
Speaker 1: kind of stalled out a little bit?

1345
01:06:52,960 --> 01:06:56,080
Speaker 3: Honestly, I think being out here in La, it was

1346
01:06:56,120 --> 01:06:59,720
Speaker 3: a one point where as a black woman, I just

1347
01:06:59,840 --> 01:07:05,080
Speaker 3: didn't know how to maneuver because certain doors were more

1348
01:07:05,200 --> 01:07:11,040
Speaker 3: so for like women of lighter color. Yea, men flock

1349
01:07:11,560 --> 01:07:16,880
Speaker 3: to more lighter colored women. So when I came out here,

1350
01:07:16,960 --> 01:07:19,000
Speaker 3: I felt like the most thing that I struggled with

1351
01:07:19,320 --> 01:07:22,520
Speaker 3: was just self love at one point, because I see

1352
01:07:22,520 --> 01:07:25,640
Speaker 3: how people can say La can eat you alive if

1353
01:07:25,680 --> 01:07:28,800
Speaker 3: you don't know who you are, and just losing myself

1354
01:07:29,120 --> 01:07:32,760
Speaker 3: dealing with that, and then I'm trying to get in

1355
01:07:32,880 --> 01:07:36,240
Speaker 3: certain doors, but it's like, dang, I'm tired of everyone

1356
01:07:36,280 --> 01:07:38,720
Speaker 3: and try to sleep with me, but I'm the black

1357
01:07:38,760 --> 01:07:41,640
Speaker 3: girl of the group, and I just feel like I

1358
01:07:42,000 --> 01:07:44,160
Speaker 3: really had to find myself.

1359
01:07:44,760 --> 01:07:45,520
Speaker 2: How do you curb?

1360
01:07:46,720 --> 01:07:48,600
Speaker 1: I still struggle with this, But when I was younger,

1361
01:07:48,640 --> 01:07:50,640
Speaker 1: when I first moved to LA, I definitely used my

1362
01:07:50,720 --> 01:07:53,360
Speaker 1: looks to get into doors, and then I would swear

1363
01:07:53,440 --> 01:07:54,840
Speaker 1: on my brains to keep me there.

1364
01:07:56,280 --> 01:07:58,040
Speaker 2: And it was a hard battle. And that's why I

1365
01:07:58,040 --> 01:07:58,360
Speaker 2: said I.

1366
01:07:58,600 --> 01:08:03,760
Speaker 1: Became the unapproachable, like the fu Tim Waring girl. I

1367
01:08:03,800 --> 01:08:06,160
Speaker 1: have a fat booty for everybody that doesn't know you

1368
01:08:06,320 --> 01:08:10,120
Speaker 1: feel me. But but uh, but as long as I'm

1369
01:08:10,120 --> 01:08:12,360
Speaker 1: in the one three club, like one thirties club, it's

1370
01:08:12,360 --> 01:08:13,280
Speaker 1: not two outrageous.

1371
01:08:13,280 --> 01:08:16,200
Speaker 2: But usually I'm about one fifties, so I'm like thick.

1372
01:08:16,680 --> 01:08:19,639
Speaker 1: So I would always wear like whatever I can to cover,

1373
01:08:20,120 --> 01:08:21,599
Speaker 1: you know, but still you can't.

1374
01:08:21,640 --> 01:08:23,040
Speaker 2: You can only hide that so much.

1375
01:08:23,200 --> 01:08:24,360
Speaker 3: You from New York, they all.

1376
01:08:26,080 --> 01:08:29,280
Speaker 1: But but I did use looks for a long time

1377
01:08:29,320 --> 01:08:31,320
Speaker 1: to get in the door. And that's how the industry is.

1378
01:08:31,400 --> 01:08:34,920
Speaker 1: But even in that, I still every once in a

1379
01:08:34,920 --> 01:08:37,080
Speaker 1: while will come across like someone that I do want

1380
01:08:37,080 --> 01:08:40,519
Speaker 1: to work with. And then like, obviously for my history

1381
01:08:40,520 --> 01:08:42,559
Speaker 1: of being in the entertainment, like you could tell when

1382
01:08:42,560 --> 01:08:44,559
Speaker 1: a guy's trying to fuck, like even if they're trying

1383
01:08:44,560 --> 01:08:47,160
Speaker 1: to flee cool you like you can tell little things.

1384
01:08:47,720 --> 01:08:49,720
Speaker 1: How are you able to still curve those? Because I

1385
01:08:49,760 --> 01:08:51,519
Speaker 1: still struggle to the point where I'm like, fuck man,

1386
01:08:51,560 --> 01:08:52,960
Speaker 1: I just want to just keep it real.

1387
01:08:53,040 --> 01:08:55,920
Speaker 3: Well. Those is hard because it really just depends. Like

1388
01:08:56,000 --> 01:08:58,040
Speaker 3: if it's somebody I really really want to work with

1389
01:08:58,240 --> 01:09:00,800
Speaker 3: and they just see you as right the time, I'll

1390
01:09:00,920 --> 01:09:02,160
Speaker 3: just like laugh it off, like.

1391
01:09:02,720 --> 01:09:05,920
Speaker 1: You get past it because I can't see No, I'll

1392
01:09:05,920 --> 01:09:09,760
Speaker 1: tell you right now, I can't, and I'm gonna I'm

1393
01:09:09,760 --> 01:09:11,400
Speaker 1: gonna tell you I can't.

1394
01:09:12,000 --> 01:09:15,080
Speaker 3: People, But I am so upfront and I do not

1395
01:09:15,200 --> 01:09:18,000
Speaker 3: apologize for it instantly. I'm be like, look, I came

1396
01:09:18,040 --> 01:09:20,800
Speaker 3: to work, so you on anything else past what I'm

1397
01:09:20,840 --> 01:09:22,840
Speaker 3: trying to do. I'm just letting you know right now

1398
01:09:22,960 --> 01:09:23,840
Speaker 3: like I came to work.

1399
01:09:23,960 --> 01:09:26,519
Speaker 2: And then once they cut the bridge right.

1400
01:09:26,360 --> 01:09:28,120
Speaker 3: Now, at that point, it's like, yeah, no, let's work,

1401
01:09:28,160 --> 01:09:29,040
Speaker 3: let's get it in like that.

1402
01:09:29,200 --> 01:09:31,040
Speaker 2: But what if they say that then you never and

1403
01:09:31,120 --> 01:09:31,559
Speaker 2: I just be like.

1404
01:09:31,520 --> 01:09:34,120
Speaker 3: Okay, that's cool, I understand, and I just let it go.

1405
01:09:34,240 --> 01:09:35,920
Speaker 3: I just let it go because I think I had

1406
01:09:36,320 --> 01:09:38,400
Speaker 3: one person tell me one time. He was like, never

1407
01:09:38,439 --> 01:09:40,160
Speaker 3: say what you wouldn't do, and I was like, what

1408
01:09:40,240 --> 01:09:42,479
Speaker 3: you mean? And he was like, if Drake wanted to

1409
01:09:42,560 --> 01:09:45,360
Speaker 3: fuck and you know for a feature, would you I say,

1410
01:09:45,400 --> 01:09:48,400
Speaker 3: you're not, Drake. Just get that out the way. And

1411
01:09:48,640 --> 01:09:51,240
Speaker 3: second of all it really, I'm gonna be honest.

1412
01:09:51,680 --> 01:09:53,200
Speaker 2: You know what, Let's go back to the first one.

1413
01:09:53,240 --> 01:09:56,480
Speaker 1: You ain't Drake, Okay, you something.

1414
01:09:56,640 --> 01:09:58,960
Speaker 2: I don't know. I haven't seen Drake in person. I don't.

1415
01:09:59,000 --> 01:09:59,840
Speaker 2: I don't do light skin.

1416
01:10:00,040 --> 01:10:03,000
Speaker 1: By the way, I don't love I don't like white

1417
01:10:03,000 --> 01:10:04,519
Speaker 1: skin because I'm mixed.

1418
01:10:04,680 --> 01:10:07,080
Speaker 2: And I'll tell you right now. Anybody that looks like

1419
01:10:07,120 --> 01:10:08,479
Speaker 2: my brother, I.

1420
01:10:08,439 --> 01:10:11,559
Speaker 1: Am like, if you got the curly hair, like you know,

1421
01:10:11,640 --> 01:10:14,600
Speaker 1: the mulatto, the curls, if you don't have like the

1422
01:10:14,720 --> 01:10:18,000
Speaker 1: fro or like can have a fade like nah, But

1423
01:10:18,080 --> 01:10:20,280
Speaker 1: I don't really mess with There's like literally one.

1424
01:10:20,160 --> 01:10:23,120
Speaker 2: Light skin dude. I like my whole life, but that's it.

1425
01:10:23,240 --> 01:10:26,280
Speaker 3: Like dark skins get me in trouble. I love dark skins.

1426
01:10:26,479 --> 01:10:28,639
Speaker 3: I could deal with you because I know there's no future.

1427
01:10:28,760 --> 01:10:31,799
Speaker 1: But saying that, if you were Drake for a feature,

1428
01:10:31,840 --> 01:10:34,360
Speaker 1: I'm like, come on, man, you got like Drake talent,

1429
01:10:34,600 --> 01:10:37,320
Speaker 1: n you have. Maybe Drake ain't the worst looking dude.

1430
01:10:37,479 --> 01:10:39,400
Speaker 1: I maybe give Drake a pass.

1431
01:10:39,520 --> 01:10:42,320
Speaker 3: Because in my mind, I'm like, to be honest with you, Yeah,

1432
01:10:43,080 --> 01:10:46,200
Speaker 3: me getting that feature would do way more for me

1433
01:10:47,600 --> 01:10:49,800
Speaker 3: than anything else. But at the same time, It's like, dang,

1434
01:10:49,840 --> 01:10:52,120
Speaker 3: the way that you think that though, Like it was

1435
01:10:52,240 --> 01:10:54,880
Speaker 3: just the conversation alone and his mind frame of the

1436
01:10:54,880 --> 01:10:57,280
Speaker 3: way he was thinking alone just made me be like, man,

1437
01:10:57,640 --> 01:11:01,280
Speaker 3: this is a real industry mess. Yeah, this real industry mess,

1438
01:11:01,479 --> 01:11:07,200
Speaker 3: and I don't care. Oh my god. Oh it burns

1439
01:11:07,400 --> 01:11:11,080
Speaker 3: me up when a man is very arrogant and it

1440
01:11:11,240 --> 01:11:14,040
Speaker 3: goes down the list of things and people that he

1441
01:11:14,240 --> 01:11:17,519
Speaker 3: know and that is your reasoning for fucking with him.

1442
01:11:17,600 --> 01:11:19,599
Speaker 1: Oh oh, that happens all the time in the industry.

1443
01:11:19,640 --> 01:11:22,000
Speaker 1: It's so annoying. They'll be like, you don't know how

1444
01:11:22,040 --> 01:11:22,599
Speaker 1: great I am.

1445
01:11:22,680 --> 01:11:25,080
Speaker 2: Let me show you some shit you're missing out, Like.

1446
01:11:25,240 --> 01:11:27,000
Speaker 3: You just passed up on a good thing. And I

1447
01:11:27,040 --> 01:11:29,639
Speaker 3: know this person, I could really do something for your dream.

1448
01:11:29,680 --> 01:11:32,320
Speaker 3: And I'd be like, by if you got to tell

1449
01:11:32,360 --> 01:11:34,680
Speaker 3: me all of that, then you really probably.

1450
01:11:34,439 --> 01:11:38,280
Speaker 2: Not that Yeah, yeah, exactly. Now you've been in LA

1451
01:11:38,360 --> 01:11:39,000
Speaker 2: for how long.

1452
01:11:38,920 --> 01:11:40,240
Speaker 3: Now going on five years?

1453
01:11:40,439 --> 01:11:46,439
Speaker 2: Five years, and you're ready, you're ready to keep going. Honestly,

1454
01:11:46,560 --> 01:11:48,439
Speaker 2: I dropped out for ten years. I'm not even gonna lie.

1455
01:11:48,520 --> 01:11:49,920
Speaker 2: I took a ten year hiatus.

1456
01:11:50,080 --> 01:11:54,320
Speaker 3: I think I'm ready to explore somewhere new, honestly, But

1457
01:11:54,360 --> 01:11:56,800
Speaker 3: I honestly think me moving around comes from just being

1458
01:11:56,800 --> 01:12:00,599
Speaker 3: in foster care. I just stand somewhere for a certain

1459
01:12:00,640 --> 01:12:03,880
Speaker 3: long time. I can honestly say I don't know where

1460
01:12:03,920 --> 01:12:04,719
Speaker 3: I would make home.

1461
01:12:05,560 --> 01:12:08,960
Speaker 1: Okay, I agree with that, Like I sometimes think about that.

1462
01:12:09,080 --> 01:12:11,720
Speaker 1: I own a house here, about it a long time ago.

1463
01:12:11,880 --> 01:12:15,040
Speaker 1: So I'm keeping it because equity in LA is amazing

1464
01:12:15,520 --> 01:12:17,800
Speaker 1: and it's almost paid off. So it's gonna be my

1465
01:12:18,280 --> 01:12:21,160
Speaker 1: I feel like it's gonna be my Kelli home. But

1466
01:12:21,320 --> 01:12:22,680
Speaker 1: I think my real home is going to be in

1467
01:12:22,720 --> 01:12:26,640
Speaker 1: another that you know, just gives us more bank for

1468
01:12:26,680 --> 01:12:31,320
Speaker 1: our buck. They do, oh they Why do I keep

1469
01:12:31,320 --> 01:12:32,120
Speaker 1: spacing on this?

1470
01:12:33,439 --> 01:12:37,720
Speaker 2: But I wanted to ask you? Are you in a relationship?

1471
01:12:37,720 --> 01:12:38,880
Speaker 2: Are you do you? Guys?

1472
01:12:38,960 --> 01:12:42,360
Speaker 3: Girls have the asses now I know, right, but no,

1473
01:12:42,520 --> 01:12:46,400
Speaker 3: I do not date girls. I'm strictly for the penis

1474
01:12:46,479 --> 01:12:46,800
Speaker 3: and when.

1475
01:12:46,880 --> 01:12:48,599
Speaker 2: And I just had this conversation the other day.

1476
01:12:48,680 --> 01:12:52,760
Speaker 3: But every now and then against that, I'm not against it,

1477
01:12:53,160 --> 01:12:53,439
Speaker 3: I am.

1478
01:12:55,800 --> 01:12:57,639
Speaker 2: Okay. So my twin and I had this conversation.

1479
01:12:57,760 --> 01:13:00,840
Speaker 1: True story, we had this conversation and I was like, yeah,

1480
01:13:00,920 --> 01:13:04,000
Speaker 1: my husband he's a hoe, like I'm legit married a

1481
01:13:04,040 --> 01:13:04,680
Speaker 1: whore like.

1482
01:13:05,479 --> 01:13:07,040
Speaker 2: These It's terrible at this.

1483
01:13:07,560 --> 01:13:09,760
Speaker 1: Yeah, I already married him, so I mean it's either

1484
01:13:09,880 --> 01:13:11,920
Speaker 1: divorce or you're married to a whore.

1485
01:13:12,200 --> 01:13:15,320
Speaker 2: So anyways, my sister was like, well, would you ever

1486
01:13:15,360 --> 01:13:16,200
Speaker 2: consider a threesome?

1487
01:13:16,240 --> 01:13:19,320
Speaker 1: And I was like, Rebecca, like, I'm so not gay,

1488
01:13:19,680 --> 01:13:22,200
Speaker 1: Like I could tell a beautiful girl. But that's where

1489
01:13:22,200 --> 01:13:25,000
Speaker 1: it stopped, exactly like, I'm not trying to do nothing

1490
01:13:25,040 --> 01:13:25,439
Speaker 1: with you.

1491
01:13:25,720 --> 01:13:28,040
Speaker 3: And that's where my threesome is kind of kind of

1492
01:13:28,120 --> 01:13:33,519
Speaker 3: like they kind of yeah, because I honestly just went

1493
01:13:33,520 --> 01:13:35,920
Speaker 3: through a situation not too long ago. Oh my gosh,

1494
01:13:35,960 --> 01:13:40,880
Speaker 3: it was the worst situation ever in life history. So

1495
01:13:40,960 --> 01:13:44,559
Speaker 3: I get flown out. And then it was the guy's birthday.

1496
01:13:44,720 --> 01:13:46,960
Speaker 3: And I had been talking to him for like a

1497
01:13:46,960 --> 01:13:50,599
Speaker 3: good mini right, So we're like eight months and I'm like, okay,

1498
01:13:50,600 --> 01:13:52,759
Speaker 3: it's your birthday. He's like, you won't have a three something.

1499
01:13:52,800 --> 01:13:56,040
Speaker 3: I'm like, okay, man, I'm down. He brings the shorty

1500
01:13:56,120 --> 01:14:00,760
Speaker 3: down me and this girl argued the entire There was

1501
01:14:01,000 --> 01:14:06,160
Speaker 3: no threesome. It was simply just fussing and fighting and arguing.

1502
01:14:06,320 --> 01:14:07,760
Speaker 2: What were y'all arguing about.

1503
01:14:07,960 --> 01:14:11,200
Speaker 3: It's like when he would like be with me, she'd

1504
01:14:11,560 --> 01:14:15,080
Speaker 3: get pissed and then when I run, yeah, like we all,

1505
01:14:15,320 --> 01:14:19,040
Speaker 3: we all, we all in this one place.

1506
01:14:21,640 --> 01:14:23,479
Speaker 2: She walks in the room and.

1507
01:14:23,479 --> 01:14:26,600
Speaker 3: She's like, I'm just gonna go sit outside. I'm just

1508
01:14:26,640 --> 01:14:28,920
Speaker 3: gonna wait outside, and I'm just like gonna sleep out.

1509
01:14:28,920 --> 01:14:30,320
Speaker 3: I don't want to sleep in the back and and

1510
01:14:30,439 --> 01:14:32,519
Speaker 3: my mom, I'm like, I'm gonna be honest with you.

1511
01:14:33,400 --> 01:14:35,839
Speaker 3: We came out here for a weekend. It's a weekend.

1512
01:14:35,840 --> 01:14:38,120
Speaker 3: It's one of those weekends that you know what it is,

1513
01:14:38,560 --> 01:14:39,880
Speaker 3: and then when you leave.

1514
01:14:39,760 --> 01:14:40,719
Speaker 2: You go about today.

1515
01:14:41,160 --> 01:14:44,400
Speaker 3: I didn'tn't get anything that I wanted because I was

1516
01:14:44,439 --> 01:14:46,679
Speaker 3: too busy, and he was too busy, and everybody else

1517
01:14:46,760 --> 01:14:49,960
Speaker 3: was too busy babysitting feelings. And that's one of those

1518
01:14:50,040 --> 01:14:52,920
Speaker 3: things that pissed me off because I'm not gay, So

1519
01:14:53,000 --> 01:14:56,120
Speaker 3: for her, her she is she likes girls and I

1520
01:14:56,240 --> 01:14:59,400
Speaker 3: don't like girls. So her argument was, well, what would

1521
01:14:59,439 --> 01:15:02,200
Speaker 3: I do with you and a threesome? Like, and I'm like,

1522
01:15:03,120 --> 01:15:05,679
Speaker 3: I'm gonna be honest. I don't like head. I don't

1523
01:15:05,880 --> 01:15:06,320
Speaker 3: like head.

1524
01:15:06,479 --> 01:15:07,800
Speaker 2: I don't like giving it or receive it.

1525
01:15:07,840 --> 01:15:10,000
Speaker 3: I don't like receiving it. So I don't want it

1526
01:15:10,040 --> 01:15:11,679
Speaker 3: from a man, and I don't want it from a woman,

1527
01:15:11,800 --> 01:15:16,280
Speaker 3: I don't want it, so her mind was we do it.

1528
01:15:16,479 --> 01:15:17,920
Speaker 2: You haven't had it.

1529
01:15:18,560 --> 01:15:22,800
Speaker 1: Everybody that, because I'm telling you what you haven't done right.

1530
01:15:24,120 --> 01:15:28,160
Speaker 1: One whoever did it right probably owns you for the

1531
01:15:28,160 --> 01:15:32,160
Speaker 1: rest of a life. I hate to say it, I

1532
01:15:32,160 --> 01:15:34,200
Speaker 1: promise you like ninety percent of the reason why I

1533
01:15:34,240 --> 01:15:37,599
Speaker 1: buried my husband was probably the head. I ain't even

1534
01:15:37,640 --> 01:15:40,280
Speaker 1: gonna lie it was. I'm not gonna say it was

1535
01:15:40,280 --> 01:15:43,360
Speaker 1: the best decision, but I'm gonna say that ship tips

1536
01:15:43,400 --> 01:15:44,080
Speaker 1: to scale for me.

1537
01:15:44,240 --> 01:15:46,160
Speaker 3: See, you know the thing about it, I had a

1538
01:15:46,240 --> 01:15:48,080
Speaker 3: total point where I'm was like, Okay, now I know

1539
01:15:48,120 --> 01:15:50,960
Speaker 3: what women are talking about, but I'm just it's just

1540
01:15:51,000 --> 01:15:51,880
Speaker 3: not a thing for me.

1541
01:15:53,400 --> 01:15:54,080
Speaker 2: You're not hearing me.

1542
01:15:54,560 --> 01:15:55,519
Speaker 3: It has to be like that.

1543
01:15:55,680 --> 01:15:57,760
Speaker 1: It has to be like there's there's okay, there's that

1544
01:15:57,880 --> 01:16:00,519
Speaker 1: the C plus to B plus head, but then.

1545
01:16:00,439 --> 01:16:03,920
Speaker 3: There's the head that's like unresistible can yes?

1546
01:16:03,960 --> 01:16:05,720
Speaker 1: And then you think to yourself, well, this person can't

1547
01:16:05,720 --> 01:16:07,360
Speaker 1: possibly do it again. And then once they do it

1548
01:16:07,400 --> 01:16:09,640
Speaker 1: again and do it again, you're like, wait a minute, and.

1549
01:16:09,720 --> 01:16:12,519
Speaker 3: See I've cut off a lot of that.

1550
01:16:12,800 --> 01:16:14,920
Speaker 1: It's like men be like let me get yeah, I

1551
01:16:14,960 --> 01:16:16,960
Speaker 1: won't let dudes try it, because I'm like, if you fail,

1552
01:16:17,200 --> 01:16:18,760
Speaker 1: I mean, I'm forever going to be.

1553
01:16:18,680 --> 01:16:21,040
Speaker 2: Fucked in my head. I don't want you to trying

1554
01:16:21,080 --> 01:16:23,720
Speaker 2: to get it right. I mean, that's how it wasn't.

1555
01:16:23,720 --> 01:16:25,080
Speaker 1: My husband was like, he was like, you don't want

1556
01:16:25,120 --> 01:16:27,439
Speaker 1: I was like, nah, man, because if you fuck it up,

1557
01:16:27,840 --> 01:16:31,559
Speaker 1: then I'm scarred and I don't ever want to try again.

1558
01:16:32,000 --> 01:16:34,000
Speaker 3: That's exactly why I think I am the way I am.

1559
01:16:34,040 --> 01:16:36,679
Speaker 3: When I lost my virginity and I first got head,

1560
01:16:37,040 --> 01:16:39,760
Speaker 3: it was so horrible. It was just so bad. I

1561
01:16:39,800 --> 01:16:42,320
Speaker 3: wasn't even sure if that was exactly how it was

1562
01:16:42,320 --> 01:16:44,559
Speaker 3: supposed to go. I just knew this is not for me.

1563
01:16:44,840 --> 01:16:46,080
Speaker 2: That's how I will.

1564
01:16:45,920 --> 01:16:48,880
Speaker 3: Never try this again. This is not it. Did this

1565
01:16:49,200 --> 01:16:49,840
Speaker 3: just bite me?

1566
01:16:54,360 --> 01:16:54,559
Speaker 5: No?

1567
01:16:54,640 --> 01:17:00,080
Speaker 1: You know, I just said, what is it?

1568
01:17:00,520 --> 01:17:01,800
Speaker 2: Am I supposed to kil teeth?

1569
01:17:02,160 --> 01:17:02,760
Speaker 5: No? No?

1570
01:17:03,000 --> 01:17:04,519
Speaker 2: It was bad. Yeah, And once you.

1571
01:17:04,479 --> 01:17:07,320
Speaker 1: Had those experiences, like I promise you, it wasn't until

1572
01:17:07,320 --> 01:17:08,760
Speaker 1: like a couple of years ago that I did it.

1573
01:17:08,920 --> 01:17:11,519
Speaker 1: Not that every listener, I promise everyone's never gonna see

1574
01:17:11,520 --> 01:17:13,280
Speaker 1: me the same after this. But the truth of the

1575
01:17:13,280 --> 01:17:15,519
Speaker 1: batter is once it's done right, and when I say

1576
01:17:15,600 --> 01:17:18,880
Speaker 1: right now, you know, because even with me. I was skeptical, Okay,

1577
01:17:19,120 --> 01:17:21,720
Speaker 1: this nigga, maybe maybe it was a random unicorn. But

1578
01:17:21,760 --> 01:17:22,960
Speaker 1: then there was consistency, and.

1579
01:17:23,000 --> 01:17:33,360
Speaker 6: I said, oh, well ship okay again, you.

1580
01:17:33,240 --> 01:17:38,240
Speaker 2: Want me to round? Where do I sign exactly?

1581
01:17:40,360 --> 01:17:40,600
Speaker 5: I do?

1582
01:17:40,800 --> 01:17:43,240
Speaker 2: I do? You know, don'tn't worry.

1583
01:17:43,240 --> 01:17:46,960
Speaker 1: But needed I got you, I got you, got me

1584
01:17:48,240 --> 01:17:51,920
Speaker 1: did yeah. But you know my downside is I married

1585
01:17:51,920 --> 01:17:53,880
Speaker 1: a whore, so you know he had experience.

1586
01:17:54,200 --> 01:17:57,600
Speaker 3: See, and I yet to even let I think I

1587
01:17:57,680 --> 01:18:00,160
Speaker 3: meet a guy and I'd be like, nope, I don't

1588
01:18:00,160 --> 01:18:03,559
Speaker 3: want it. You very well could be You very well

1589
01:18:03,640 --> 01:18:06,280
Speaker 3: could be amazing. You very well could be the one

1590
01:18:06,360 --> 01:18:08,760
Speaker 3: I needed to change my whole life. But because I'm

1591
01:18:08,800 --> 01:18:10,760
Speaker 3: so scarred off of it, I won't even let you

1592
01:18:10,800 --> 01:18:13,599
Speaker 3: attempt it. That's off of the fear of what you said,

1593
01:18:13,640 --> 01:18:14,719
Speaker 3: like it being so bad.

1594
01:18:14,840 --> 01:18:16,080
Speaker 2: That's how it was by the time I got to

1595
01:18:16,080 --> 01:18:17,680
Speaker 2: my husband. But then my homegirl was like.

1596
01:18:17,680 --> 01:18:20,479
Speaker 1: Oh, I think what it really is, said, you're scared

1597
01:18:20,520 --> 01:18:21,960
Speaker 1: he gonna do it so good you're gonna hand them

1598
01:18:22,000 --> 01:18:23,360
Speaker 1: your debit cards, and I said.

1599
01:18:25,600 --> 01:18:26,200
Speaker 5: Shut up.

1600
01:18:26,760 --> 01:18:28,799
Speaker 2: But then I was like, well, maybe she got a point,

1601
01:18:28,880 --> 01:18:30,160
Speaker 2: like what if it's good.

1602
01:18:30,160 --> 01:18:32,600
Speaker 3: Know, worry about the baby I'll buy lunch today and

1603
01:18:33,600 --> 01:18:33,960
Speaker 3: a card.

1604
01:18:34,080 --> 01:18:35,719
Speaker 2: I was like, take the card.

1605
01:18:36,320 --> 01:18:37,719
Speaker 3: You said you was going on food.

1606
01:18:37,600 --> 01:18:40,519
Speaker 2: My treat, my tree, my tree, it's on the house.

1607
01:18:40,800 --> 01:18:42,759
Speaker 3: Maybe that's what it is. I'm just too scared.

1608
01:18:42,800 --> 01:18:44,800
Speaker 2: Yeah, you gotta star that, and I guarantee you.

1609
01:18:44,840 --> 01:18:48,559
Speaker 1: I spent like I mean, I lost my Virginia late,

1610
01:18:48,640 --> 01:18:51,960
Speaker 1: but I definitely will say that up until my husband,

1611
01:18:53,000 --> 01:18:54,120
Speaker 1: everybody was trashed.

1612
01:18:54,720 --> 01:18:57,320
Speaker 3: So and that was her argument. She was like, what

1613
01:18:57,360 --> 01:18:59,080
Speaker 3: would I do in a threesome? And you want to

1614
01:18:59,120 --> 01:19:00,080
Speaker 3: you don't even like it.

1615
01:19:00,120 --> 01:19:02,439
Speaker 1: And I was like, I'll tell you though, would admitted

1616
01:19:02,520 --> 01:19:04,360
Speaker 1: to going down to the girl. She said she was

1617
01:19:04,439 --> 01:19:07,160
Speaker 1: hard for life. She just liked she can't.

1618
01:19:07,040 --> 01:19:10,160
Speaker 3: Do whatever again, certain things I just will not do.

1619
01:19:11,040 --> 01:19:12,840
Speaker 2: After story, I said, I'm good.

1620
01:19:13,400 --> 01:19:14,719
Speaker 3: I heard plenty of those stories.

1621
01:19:14,720 --> 01:19:18,320
Speaker 2: And I'm just like, if you straight, stay straight.

1622
01:19:18,479 --> 01:19:21,519
Speaker 3: And I think that my straightness stops there. Like we

1623
01:19:21,560 --> 01:19:23,400
Speaker 3: could do just threesome, but what.

1624
01:19:23,439 --> 01:19:24,559
Speaker 2: Are you gonna do in the three someome?

1625
01:19:24,760 --> 01:19:27,000
Speaker 3: So see this, That's what I was trying to tell her.

1626
01:19:27,720 --> 01:19:30,000
Speaker 3: You know, there's a lot of things that you could do.

1627
01:19:30,120 --> 01:19:32,680
Speaker 3: Besides you give me you don't got to.

1628
01:19:32,680 --> 01:19:35,400
Speaker 2: Give me had what are you gonna do kisser this.

1629
01:19:35,880 --> 01:19:40,479
Speaker 3: Yeah, there's a lot of things other things, but there's

1630
01:19:40,560 --> 01:19:42,360
Speaker 3: like toys.

1631
01:19:41,720 --> 01:19:47,679
Speaker 2: And you're hilarious. We don't touch you, know, as long.

1632
01:19:47,560 --> 01:19:49,639
Speaker 3: As you don't you don't put your mouth down there,

1633
01:19:49,640 --> 01:19:51,479
Speaker 3: and I'm not putting my mouth on you down there.

1634
01:19:51,560 --> 01:19:53,960
Speaker 3: That's fine. But we both can give him head like

1635
01:19:54,000 --> 01:19:56,360
Speaker 3: we can give him head at the same time.

1636
01:19:56,439 --> 01:19:59,760
Speaker 2: It's hilarious. Just just say you're not doing three something.

1637
01:20:00,240 --> 01:20:05,680
Speaker 2: It's because it's okay. I'll tell you right now. I

1638
01:20:05,680 --> 01:20:09,080
Speaker 2: don't do three. I don't do nothing better if.

1639
01:20:08,920 --> 01:20:10,439
Speaker 3: I let him get me out of it.

1640
01:20:11,400 --> 01:20:14,520
Speaker 1: When a guy offers me a threesome, I say, okay,

1641
01:20:14,760 --> 01:20:17,080
Speaker 1: you want to offer a straight person a threesome, how

1642
01:20:17,080 --> 01:20:19,600
Speaker 1: about I offer you a man and know you're not

1643
01:20:19,800 --> 01:20:21,560
Speaker 1: gay and tell me how you feel about it.

1644
01:20:21,560 --> 01:20:23,840
Speaker 3: Maybe I am at fault. Maybe maybe it is my fault.

1645
01:20:23,880 --> 01:20:25,400
Speaker 2: You know, it's just that you're not into women.

1646
01:20:25,600 --> 01:20:28,400
Speaker 3: I just felt like if you was a freak, you

1647
01:20:28,439 --> 01:20:31,439
Speaker 3: could come up with multiple things to do besides just

1648
01:20:31,479 --> 01:20:35,240
Speaker 3: that one little thing. Does that one little thing really

1649
01:20:35,840 --> 01:20:37,680
Speaker 3: separated from being a threesome or not?

1650
01:20:38,600 --> 01:20:42,000
Speaker 1: If you're not into women, just own it own and

1651
01:20:42,120 --> 01:20:46,360
Speaker 1: naya love note not into women, sexually.

1652
01:20:46,479 --> 01:20:48,880
Speaker 3: Okay, I will, I will kiss a girl. I kiss

1653
01:20:48,960 --> 01:20:49,439
Speaker 3: the girl.

1654
01:20:52,920 --> 01:20:53,240
Speaker 5: Well, I.

1655
01:20:55,240 --> 01:20:58,000
Speaker 1: Just want to say, I'm so happy we got together.

1656
01:20:58,800 --> 01:20:59,120
Speaker 5: You are.

1657
01:20:59,720 --> 01:21:02,519
Speaker 2: I was doing that just so you know.

1658
01:21:02,680 --> 01:21:08,120
Speaker 1: Our waters aren't water, they're alavera juice and it has pulping.

1659
01:21:08,280 --> 01:21:10,920
Speaker 2: That's what I did, the same thing. I was like,

1660
01:21:11,800 --> 01:21:12,519
Speaker 2: just look it up.

1661
01:21:12,840 --> 01:21:17,080
Speaker 1: Yeah, it looks funny when you because I saw yours.

1662
01:21:18,160 --> 01:21:20,120
Speaker 2: But no, you're still trying to talk to me.

1663
01:21:20,479 --> 01:21:23,280
Speaker 1: Yeah, it's ala vera juice, but there's pulping it. So

1664
01:21:23,479 --> 01:21:28,240
Speaker 1: if you see us like choking, it's so good. But

1665
01:21:28,760 --> 01:21:31,160
Speaker 1: shout outs to you for coming down here. You're breath

1666
01:21:31,200 --> 01:21:33,320
Speaker 1: of fresh air. I hope you can be called a

1667
01:21:33,360 --> 01:21:36,680
Speaker 1: home girl now because you are definitely funny. Yes, and

1668
01:21:36,720 --> 01:21:39,800
Speaker 1: now we have one thing for sure in common, which

1669
01:21:39,880 --> 01:21:44,519
Speaker 1: is we can we agree that we straight.

1670
01:21:45,200 --> 01:21:45,759
Speaker 2: We're straight.

1671
01:21:45,920 --> 01:21:48,120
Speaker 1: I think society puts a lot of pressure on women

1672
01:21:48,200 --> 01:21:51,360
Speaker 1: right now with this whole you know lgbt Q. You know,

1673
01:21:51,400 --> 01:21:54,280
Speaker 1: everyone's being open and accepting and the freak is the

1674
01:21:54,320 --> 01:21:56,680
Speaker 1: new thing. But I think it's perfectly okay. And I

1675
01:21:56,760 --> 01:21:58,880
Speaker 1: learned this with my husband. Like my husband's a whore,

1676
01:21:59,280 --> 01:22:03,200
Speaker 1: I'm not a whore. And sometimes I'll be like, this sucks.

1677
01:22:03,280 --> 01:22:05,639
Speaker 1: I feel like a nerd, you know. But it's like, yo,

1678
01:22:06,000 --> 01:22:08,360
Speaker 1: I can't change who I am, and I just got

1679
01:22:08,360 --> 01:22:11,000
Speaker 1: to own like who I am and who he is

1680
01:22:11,160 --> 01:22:12,640
Speaker 1: or two different people.

1681
01:22:12,600 --> 01:22:16,080
Speaker 3: Especially just being in this industry, because in this industry

1682
01:22:16,120 --> 01:22:17,720
Speaker 3: you were gonna have to deal with men who deals

1683
01:22:17,760 --> 01:22:20,200
Speaker 3: with a lot of other women. And so it's kind

1684
01:22:20,200 --> 01:22:22,679
Speaker 3: of like I think that's where that comes from, because

1685
01:22:23,439 --> 01:22:25,320
Speaker 3: I don't want him out here with everybody else. So

1686
01:22:25,360 --> 01:22:28,760
Speaker 3: maybe I should, you know, like some females and then

1687
01:22:28,760 --> 01:22:30,960
Speaker 3: bring her in the bedroom so he'd feel like he

1688
01:22:31,000 --> 01:22:34,559
Speaker 3: ain't gotta go looking for nowhere else my girl, like girls,

1689
01:22:34,560 --> 01:22:37,519
Speaker 3: what else. But it's just like it's a it's a

1690
01:22:37,920 --> 01:22:41,639
Speaker 3: it's a point that if you start from that point forward,

1691
01:22:41,880 --> 01:22:43,760
Speaker 3: you really got to find an exit plan because then

1692
01:22:43,800 --> 01:22:47,240
Speaker 3: it becomes without you, then it's the same, the same

1693
01:22:47,240 --> 01:22:49,439
Speaker 3: shit you would have dealt with, regardless if you did

1694
01:22:49,479 --> 01:22:50,479
Speaker 3: it or you didn't do it.

1695
01:22:50,800 --> 01:22:53,840
Speaker 1: I think it all boils down to like just owning

1696
01:22:53,880 --> 01:22:56,400
Speaker 1: who you are. Like like I said, like I'll tell

1697
01:22:56,560 --> 01:22:59,640
Speaker 1: my husband knows you can't pay me to be with

1698
01:22:59,680 --> 01:23:02,720
Speaker 1: a woman. It ain't gonna happen. But I could tell

1699
01:23:02,760 --> 01:23:05,680
Speaker 1: a beautiful girl from a mile away. I just you know,

1700
01:23:05,760 --> 01:23:07,840
Speaker 1: I think women are just naturally beautiful. It's hard for

1701
01:23:07,880 --> 01:23:10,599
Speaker 1: me to see an ugly woman, to be honest, because

1702
01:23:10,640 --> 01:23:12,280
Speaker 1: every woman I'll be like, I could see the beauty

1703
01:23:12,280 --> 01:23:12,519
Speaker 1: in her.

1704
01:23:12,640 --> 01:23:15,920
Speaker 3: I have seen a few of them in my mind.

1705
01:23:15,960 --> 01:23:19,280
Speaker 3: I'd be like, are you sure you're human? There's no way,

1706
01:23:19,920 --> 01:23:23,320
Speaker 3: no way, there's no way. All right, I don't care

1707
01:23:23,360 --> 01:23:24,040
Speaker 3: what you say.

1708
01:23:24,920 --> 01:23:26,640
Speaker 2: So what are the next milestones for you?

1709
01:23:27,840 --> 01:23:32,439
Speaker 3: Just putting out new music? Honestly, I want next year

1710
01:23:32,640 --> 01:23:36,559
Speaker 3: to be me living fully out my dreams. I want

1711
01:23:36,560 --> 01:23:38,720
Speaker 3: to be where I said I was going to be

1712
01:23:38,800 --> 01:23:43,559
Speaker 3: this year. Shout out to my new management Kyle and Nato.

1713
01:23:44,479 --> 01:23:49,480
Speaker 3: They are so awesome. And just being in a room

1714
01:23:49,960 --> 01:23:55,599
Speaker 3: where I'm tooken serious and where it's like we laugh,

1715
01:23:56,680 --> 01:24:00,760
Speaker 3: we joke. I've never really had management to where it

1716
01:24:00,840 --> 01:24:05,120
Speaker 3: was like that and where I felt like, Okay, I'm here,

1717
01:24:05,960 --> 01:24:08,840
Speaker 3: like I'm making the right steps. I'm with the real deal. Now,

1718
01:24:08,880 --> 01:24:11,559
Speaker 3: this is the real deal, so I can't mess up.

1719
01:24:11,840 --> 01:24:13,479
Speaker 1: Yeah, and you don't have any day jobs. You're a

1720
01:24:13,520 --> 01:24:16,640
Speaker 1: hundred percent right now just artists. So you're making your

1721
01:24:16,640 --> 01:24:20,439
Speaker 1: money off music and music and social media and social

1722
01:24:20,479 --> 01:24:22,599
Speaker 1: media because you have brand deals or.

1723
01:24:22,680 --> 01:24:25,439
Speaker 3: Yeah, so I do sponsor deals. I'm sponsored by bel Air,

1724
01:24:25,520 --> 01:24:29,040
Speaker 3: shout out to them, and then just being on like

1725
01:24:29,080 --> 01:24:32,839
Speaker 3: a camp influencers campaign, so I'll get paid from like posting,

1726
01:24:32,960 --> 01:24:37,439
Speaker 3: branding sponsorships. I just got on this new app called Bigo,

1727
01:24:37,840 --> 01:24:41,800
Speaker 3: and you make money just from going live, just being

1728
01:24:41,800 --> 01:24:45,120
Speaker 3: on live all day, change change like you cash up.

1729
01:24:45,200 --> 01:24:48,400
Speaker 3: So a lot of everything that my money comes from

1730
01:24:48,560 --> 01:24:50,519
Speaker 3: is music and social media.

1731
01:24:50,600 --> 01:24:55,680
Speaker 1: Wow, okay, so entrepreneur, So okay, that's amazing. I think

1732
01:24:55,720 --> 01:24:58,240
Speaker 1: that's a huge milestone and of itself because living in

1733
01:24:58,360 --> 01:25:01,400
Speaker 1: LA you'll see a lot of artists are still.

1734
01:25:01,439 --> 01:25:03,439
Speaker 2: Struggling to be one hundred percent all in.

1735
01:25:04,080 --> 01:25:06,800
Speaker 3: Yeah, and that is still a thing. I don't want

1736
01:25:06,840 --> 01:25:09,720
Speaker 3: nobody to confuse it. You know, I don't have it

1737
01:25:09,760 --> 01:25:14,120
Speaker 3: all together. I never ever want anyone to assume, which

1738
01:25:14,160 --> 01:25:17,200
Speaker 3: they do, because that's all that we give is positivity

1739
01:25:17,240 --> 01:25:20,800
Speaker 3: on social media. But I'm still figuring it out and

1740
01:25:20,880 --> 01:25:23,479
Speaker 3: I'm still getting there, and my dreams are still being

1741
01:25:23,520 --> 01:25:25,920
Speaker 3: worked on. So it's just just keep going.

1742
01:25:26,240 --> 01:25:30,680
Speaker 1: Yeah, And then just so you guys know, I don't know,

1743
01:25:31,520 --> 01:25:33,920
Speaker 1: I can't fully pinpoint. I'm not inside your life to

1744
01:25:33,960 --> 01:25:36,400
Speaker 1: know where you are in your career. But the thing

1745
01:25:36,479 --> 01:25:38,760
Speaker 1: that stands out the most for me when it comes

1746
01:25:38,760 --> 01:25:44,880
Speaker 1: to you is the tenacity, the openness, but more importantly

1747
01:25:45,280 --> 01:25:48,960
Speaker 1: the drive. Okay, like this, like I said, your team

1748
01:25:49,120 --> 01:25:51,960
Speaker 1: was so thorough. I probably had the crazy schedule the

1749
01:25:52,000 --> 01:25:55,439
Speaker 1: last couple of weeks, but the thoroughness just shows how

1750
01:25:56,040 --> 01:25:59,599
Speaker 1: how hard you're working to like, we're going to conquer

1751
01:25:59,640 --> 01:26:01,519
Speaker 1: this stone. That's it. Okay, we got that stone out

1752
01:26:01,520 --> 01:26:03,400
Speaker 1: of the way. Let's go after this stone. And I

1753
01:26:03,439 --> 01:26:06,720
Speaker 1: think that's why you're at this table. And it's a pleasure.

1754
01:26:06,360 --> 01:26:07,519
Speaker 2: To have you. Everyone.

1755
01:26:07,600 --> 01:26:11,800
Speaker 1: Go Anaya love note. You can follow her on Instagram.

1756
01:26:12,080 --> 01:26:13,920
Speaker 1: Is there anything else like I'm missing? Like I know

1757
01:26:13,960 --> 01:26:17,360
Speaker 1: there's all these platforms follow that name, but honestly, the name.

1758
01:26:17,360 --> 01:26:19,200
Speaker 3: You just type that in and everything will come up.

1759
01:26:19,320 --> 01:26:22,800
Speaker 2: Okay, Yeah, listen to her music Siditi.

1760
01:26:22,680 --> 01:26:26,080
Speaker 3: Yes, okay, because Sadditi is going crazy. And you know what,

1761
01:26:26,240 --> 01:26:28,559
Speaker 3: I shout out to everyone that was a part of Sadditi,

1762
01:26:29,479 --> 01:26:33,240
Speaker 3: all the writers, everyone, just video shoot girls. I just

1763
01:26:33,320 --> 01:26:36,160
Speaker 3: am so in love with that song. Thank you, Thank

1764
01:26:36,200 --> 01:26:36,719
Speaker 3: you guys.

1765
01:26:37,240 --> 01:26:37,800
Speaker 2: Peace out.

1766
01:26:38,120 --> 01:27:00,320
Speaker 1: Piece for more Eating while Broke from iHeartRadio and the

1767
01:27:00,320 --> 01:27:04,280
Speaker 1: Black Effect, Visit the iHeartRadio app, Apple podcasts, or wherever

1768
01:27:04,320 --> 01:27:05,879
Speaker 1: you listen to your favorite shows.