WEBVTT - Episode 471 | Somebody Lying

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<v Speaker 1>No Willian.

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<v Speaker 2>Doctor, welcome back. Top of the week. Who's excited? Man,

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<v Speaker 2>ready to ready to tackle tackle the week?

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<v Speaker 3>So excited. It's gonna be a great week. Great week, Rory,

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<v Speaker 3>gotta set the tone. See Mondays that small love Mondays.

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<v Speaker 3>You set the tone. Yeah, set the tone for the

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<v Speaker 3>week on Mondays. I feel that.

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<v Speaker 2>And uh, we actually have an event on Saturday. Yes,

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<v Speaker 2>we do a week this good week, great week. Do

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<v Speaker 2>you want do you want to plug it? I'm always

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<v Speaker 2>bad at plugging things.

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<v Speaker 1>Oh listen, let me let me help you. We're doing

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<v Speaker 1>a pop up, Rory.

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<v Speaker 3>Yes, we're popping up at Cafe cole Mada this Saturday in.

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<v Speaker 1>The city of New York City.

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<v Speaker 3>We have some merch that will be selling that cafekl Mada,

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<v Speaker 3>and we will be having exclusive drinks that we will create,

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<v Speaker 3>Yes for ourselves. I'll have a drink and you'll have

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<v Speaker 3>a drink at the people in New York City or

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<v Speaker 3>surrounding area. If you want to come out, come kick

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<v Speaker 3>with us for a few whiles at Cafe Cooled Mata.

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<v Speaker 2>Okay, do I need to submit my recipe or are

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<v Speaker 2>they going to handle my drink?

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<v Speaker 1>No? You can submit?

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<v Speaker 4>Well?

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<v Speaker 3>Okay, Yeah, you can submit. We just gotta make it.

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<v Speaker 3>Don't make it nothing too crazy though.

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<v Speaker 1>I just don't want to run into a non alcoholic thing.

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<v Speaker 1>Of course I'm the cafe.

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<v Speaker 2>No, I'm trying to think of what my I just

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<v Speaker 2>think of a flat white would just be a funny, ironic.

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<v Speaker 3>Flat white because I'm definitely a flat white, a flat

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<v Speaker 3>white drink.

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<v Speaker 2>Yeah, I don't want to run into like a curb

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<v Speaker 2>your enthusiasm moment. Remember when Larry went to the sandwich

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<v Speaker 2>shop and they named the sandwich after him and it

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<v Speaker 2>was like three different types of fish and cream cheese

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<v Speaker 2>and try to switch the sandwich like, I don't, I

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<v Speaker 2>didn't improve.

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<v Speaker 1>Just give me a turkey sandwich. Yeah, keep it, let's

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<v Speaker 1>keep it simple.

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<v Speaker 3>Yeah, flat white, maybe some ginger in there or something

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<v Speaker 3>like that.

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<v Speaker 1>Okay, yeah, no, I mix it up. Yeah.

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<v Speaker 2>I still can't get a babysitter, so it may be,

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<v Speaker 2>uh maybe the revealed party of Amara.

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<v Speaker 1>The revealed party again, you tried.

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<v Speaker 2>To get a babysitters. It's everyone is out of town

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<v Speaker 2>for some reason.

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<v Speaker 1>This weekend was going on this weekend.

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<v Speaker 2>I don't know, just everyone in my family is not available,

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<v Speaker 2>but it really Amara might be there serving drinks. It's

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<v Speaker 2>about time she got a job because her daycares. It

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<v Speaker 2>is really kicking my ass right now, to the point

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<v Speaker 2>that I looked at the jay Z tickets and nah

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<v Speaker 2>my kid gotta eat.

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<v Speaker 1>Which listen, I thought about it. I made the right decision.

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<v Speaker 2>But don't think that I was about to pull that

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<v Speaker 2>trigger and be like, I mean, she could do Dino

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<v Speaker 2>nuggets for a month.

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<v Speaker 1>Yeah, yeah, why not? But it stow them in the

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<v Speaker 1>hum and keep it simple. Yeah.

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<v Speaker 3>Well, check us out this week and this Saturday of

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<v Speaker 3>this is the twenty eighth, right eighth, Yes.

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<v Speaker 1>March twenty eighth.

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<v Speaker 3>Cafe Comada, two eighty six Broome Street here in New

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<v Speaker 3>York City.

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<v Speaker 1>Come check us out. We'll be there.

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<v Speaker 3>We have merch on sale. Yeah, I mean, have some music,

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<v Speaker 3>some drinks and just kick it with the people for

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<v Speaker 3>a couple of hours.

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<v Speaker 2>Should we should we test test out Ryan skills? On

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<v Speaker 2>Ryan's resume, he said.

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<v Speaker 1>I don't know Ryan.

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<v Speaker 3>Ryan played something. What was that he played last week?

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<v Speaker 3>He didn't even have a he didn't even have a

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<v Speaker 3>hip hop step. He got into like some some alternative

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<v Speaker 3>he's been working on the hip hop. We're not gonna

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<v Speaker 3>be the Guinea Pigs for the hip hop set. We

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<v Speaker 3>can't do that. Oh my gosh, I'm scared already.

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<v Speaker 1>Man. Hip hop is to him with Neil Souls to

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<v Speaker 1>Jack like he just discovered it. We're not doing that ship.

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<v Speaker 1>We're not. And it's not because he's from the Bay.

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<v Speaker 1>So it's gotta be.

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<v Speaker 3>Like Santa Mona because the name of his like stet like.

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<v Speaker 1>He's gonna have a set name. You need to be

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<v Speaker 1>like Pelican Bay or some ship like that.

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<v Speaker 3>Maybe, yeah, but we'll see what. We'll see what Ryan

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<v Speaker 3>has for us, either Alcatraz, Yeah.

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<v Speaker 1>DJ.

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<v Speaker 3>Djbay something like that. You know, what's your what's your

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<v Speaker 3>DJ name?

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<v Speaker 1>Ryan? Oh god, yeah, it's just his name. Yeah. I

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<v Speaker 1>never trust the DJ wh is just their name.

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<v Speaker 2>Yeah, you gotta be you gotta be DJ Golden Gate

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<v Speaker 2>or something, DJ DJ Easy Way Out.

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<v Speaker 1>Yeah, usually because that's too dark. I'm sorry, but nive

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<v Speaker 1>percentage that bridge it in particular. I don't know why.

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<v Speaker 3>Either way, it's gonna be great. Men Catholic Comada this Saturday,

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<v Speaker 3>March twenty eight to eighty six Broome Street.

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<v Speaker 2>Come check us out, yep, and we are back sponsored

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<v Speaker 2>by Boost. I don't know if you've noticed within the

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<v Speaker 2>first four minutes. But Maul and I have been batting

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<v Speaker 2>a thousand in our Demeris predictions and she's not here.

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<v Speaker 3>Y'all don't listen to me enough, Like this is my

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<v Speaker 3>problem with everybody in this room, even though it's only

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<v Speaker 3>four of us in here, y'all don't listen to me.

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<v Speaker 3>I told y'all on last week, I said, there's no

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<v Speaker 3>way Demaris is coming in here on Monday. Everybody comes

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<v Speaker 3>l nah, she'll be here. Damash is like, what, No,

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<v Speaker 3>I'll be here. I'm like, Damaris, No, he leaves Houston

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<v Speaker 3>the day they say they're going to leave was always

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<v Speaker 3>something that pushes back low and behold planes crash, ice

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<v Speaker 3>agents are now TSA agents. Yeah, yeah, whole kind of

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<v Speaker 3>thing's going anything. But Demara's making it here with us today, and.

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<v Speaker 2>It's it's what's quite annoying about the entire thing is

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<v Speaker 2>condolence is to to the people that passed in the

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<v Speaker 2>Yes accent this morning at at Loguardia, that that is

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<v Speaker 2>is very, very upsetting that a minor mistake could lead

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<v Speaker 2>to that. I just feel like Demarus wasn't gonna make

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<v Speaker 2>it anyways, and finally found like a teflon excuse that

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<v Speaker 2>we can't say anything to her because that didn't, in

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<v Speaker 2>fact happen in the airport a Newark airport called on fire.

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<v Speaker 2>Some shit, it's a mess. Yeah, but I think either way,

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<v Speaker 2>she wasn't making that flight.

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<v Speaker 1>No, she wasn't gonna be it.

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<v Speaker 2>She saw that cancelation was like fuck yeah, after people pay,

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<v Speaker 2>that just added to it.

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<v Speaker 1>That just added to the cancelation.

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<v Speaker 2>Yeah, but I mean, I wasn't her close friends over

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<v Speaker 2>the weekend she permanent removed you right, No, I was there. Okay,

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<v Speaker 2>I'm gonna wait for her to come back, but I

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<v Speaker 2>think we can implement the Baby D challenge. I'd like

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<v Speaker 2>to give you guys more details, but it'd be way

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<v Speaker 2>more fun when Demarus is actually here. If you thought

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<v Speaker 2>planking was a craze, wait till the Baby D Challenge

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<v Speaker 2>hits the streets.

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<v Speaker 1>I already Amara already did at the playground. What's the

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<v Speaker 1>BABYD challenge? Just laying down? When she was laying down

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<v Speaker 1>on it, laying down like scare places and you shouldn't

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<v Speaker 1>be laying like the jumpman symbol, like she was a

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<v Speaker 1>spread out like that.

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<v Speaker 3>I thought she was doing yoga. Yeah, because it was

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<v Speaker 3>a yoga mat. She was laying on a yoga mat.

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<v Speaker 3>I think, I mean, how flip flops were right there?

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<v Speaker 3>So I'll just you know, I thought she was doing

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<v Speaker 3>a little downward dog you know.

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<v Speaker 1>Mean I hear you. I already had.

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<v Speaker 2>I already had Amara get started on the Baby D Challenge,

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<v Speaker 2>which I can't wait to pitch this to her whenever

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<v Speaker 2>she does finally come back. But yeah, I had, I

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<v Speaker 2>Hadamara laying on playground equipment in the same way Baby

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<v Speaker 2>D was so down. But I mean, should we should

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<v Speaker 2>we call her? I feel like she probably just went

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<v Speaker 2>to another day party or.

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<v Speaker 1>She's currently trying to get back to New York. I

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<v Speaker 1>don't believe her. We're gonna FaceTime audio. We'll do audio, okay,

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<v Speaker 1>because who knows where she is?

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<v Speaker 3>And I'm sure she's But that's why I wanted to FaceTime, Like, Yo,

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<v Speaker 3>turn your phone around, show me that you're at the airport.

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<v Speaker 1>Let's see if she even answers hello, Yo, Yeah, where

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<v Speaker 1>are you at the airport?

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<v Speaker 3>Yeah?

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<v Speaker 1>Well we record.

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<v Speaker 2>Today, We record today, like this is recording.

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<v Speaker 1>I'm sure you do. So you're at like Laguardian, should

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<v Speaker 1>should we wait? Laguardian burned down or whatever it was,

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<v Speaker 1>LaGuardia burned it down. It's crazy.

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<v Speaker 2>So that means you're at JFK when you say you're

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<v Speaker 2>at the airport, so like you'll be here like what

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<v Speaker 2>like forty five hours?

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<v Speaker 1>We can wait or I can't leave?

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<v Speaker 4>Meet them all now right now for real. My bracket

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<v Speaker 4>fucked up. I'm in this airport for three hours.

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<v Speaker 1>My bracket up. I want you had Syracuse winning and

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<v Speaker 1>they wasn't even talking. Who has Syracuse? You know what? Oh? Man,

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<v Speaker 1>are you feeling on you? All right? You're scared. I'm

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<v Speaker 1>scared of what I don't know? Man? Is it Ice

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<v Speaker 1>agents at T s A?

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<v Speaker 4>There are? But I think I'm American?

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<v Speaker 1>Okay, all right, so you want to bus You're good?

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<v Speaker 4>No, but they're they're all over the place and they

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<v Speaker 4>ain't playing too And anybody who looked like they shouldn't

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<v Speaker 4>be flying like they're around they're doing two jobs at once.

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<v Speaker 3>That ass Yes, this is the America I voted for,

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<v Speaker 3>literally not.

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<v Speaker 1>Right now, Like this ship is no fucking game. I

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<v Speaker 1>feel so bad for these people.

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<v Speaker 2>Just something about Ice catching an illegal immigrants going through like.

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<v Speaker 1>Clear that's funny to me. I shouldn't like laugh at that.

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<v Speaker 2>But just the thought that you could be an illegal

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<v Speaker 2>alien and also have clear and pre check is fucking funny.

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<v Speaker 1>It is fucking insane.

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<v Speaker 4>Bro. Like when that text us just came through that

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<v Speaker 4>my flight got cancel when I was in the strip club,

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<v Speaker 4>I just took a shot. But fuck it, we're here now.

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<v Speaker 1>We're here now.

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<v Speaker 2>So I mean, I'm shocked that because I think you

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<v Speaker 2>said your flights tomorrow night, I would have just given up.

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<v Speaker 1>I would have given up and went back to strip club.

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<v Speaker 4>No, because I know we have to we're supposed to

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<v Speaker 4>be recording tomorrow.

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<v Speaker 1>We already moved that.

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<v Speaker 2>Yeah, it aware to the regular schedule because you're not

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<v Speaker 2>gonna be here. We were doing that for you.

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<v Speaker 1>I know I will be here. I'll be here. I

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<v Speaker 1>land tonight.

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<v Speaker 3>Oh you land tonight? Yeah, I thought your flight was

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<v Speaker 3>tomorrow six thirty.

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<v Speaker 1>Yeah, I moved.

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<v Speaker 4>It because apparently LaGuardia is opening up at two pm today.

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<v Speaker 1>I want to go home, all right, Can you tell us?

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<v Speaker 1>I was in your close friends over the weekend, So

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<v Speaker 1>it was Jamal, A lot of ass, A lot of ass.

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<v Speaker 1>I've seen a lot of ass.

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<v Speaker 2>I don't want to be too horny on this pod,

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<v Speaker 2>but I did see a lot of good a lot

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<v Speaker 2>of good ariola ratio.

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<v Speaker 1>I didn't see that.

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<v Speaker 2>Once someone had a see through shared on it, I

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<v Speaker 2>was like, I would expect a bigger ariolas.

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<v Speaker 1>Are you okay? No, So tell us about breakers and bottles,

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<v Speaker 1>give us a play to play. The bottle was amazing.

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<v Speaker 4>I'm very proud of them selling twenty five hundred dollars

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<v Speaker 4>at a city that is not yours for a party

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<v Speaker 4>you've only done once before.

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<v Speaker 1>Very very proud of all of us and my gang.

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<v Speaker 1>We had a ball.

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<v Speaker 4>It was amazing, went off without a hite.

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<v Speaker 1>It was fun's early. Are you comfortable with me implementing

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<v Speaker 1>the baby d challenge to the world? Oh shut up?

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<v Speaker 3>Sure?

0:10:43.280 --> 0:10:47.560
<v Speaker 1>Why not? Are you comfortable with that? Is it perfectly

0:10:47.559 --> 0:10:51.360
<v Speaker 1>fine with it? Can that be the artwork for this episode?

0:10:52.120 --> 0:10:54.520
<v Speaker 1>Of you laying on the roof? Sure?

0:10:56.640 --> 0:10:59.040
<v Speaker 4>Why not be fodder for this podcast once again?

0:10:59.080 --> 0:10:59.280
<v Speaker 3>Sure?

0:10:59.360 --> 0:11:01.000
<v Speaker 1>Have a ball? Did you end up on that roof?

0:11:02.200 --> 0:11:05.040
<v Speaker 4>I went up there to talk on the phone and

0:11:05.080 --> 0:11:07.959
<v Speaker 4>then I've got sleepy, so I lay there and.

0:11:07.920 --> 0:11:09.720
<v Speaker 1>No one just no one woke me up. They just

0:11:09.800 --> 0:11:10.640
<v Speaker 1>left me there.

0:11:11.440 --> 0:11:13.480
<v Speaker 4>They took videos, obviously, but they left me there.

0:11:13.559 --> 0:11:16.199
<v Speaker 1>So okay, okay, yeah, I figured you want to see

0:11:16.240 --> 0:11:17.959
<v Speaker 1>the sunrise. I went to the roof to talk on

0:11:18.000 --> 0:11:18.400
<v Speaker 1>the phone.

0:11:18.559 --> 0:11:19.840
<v Speaker 4>Actually beautiful.

0:11:19.880 --> 0:11:20.400
<v Speaker 1>I had a ball.

0:11:20.679 --> 0:11:22.760
<v Speaker 4>Y'all should have came, y'all are losers.

0:11:23.960 --> 0:11:26.520
<v Speaker 1>We don't, we don't be trapped. Yeah, I'm cool.

0:11:27.200 --> 0:11:29.400
<v Speaker 4>Then they got podcasts studios here, a bunch of the

0:11:29.440 --> 0:11:30.400
<v Speaker 4>niggas that don't shut up.

0:11:34.320 --> 0:11:35.840
<v Speaker 1>Well, we wish you the best of mars.

0:11:36.320 --> 0:11:38.880
<v Speaker 4>Oh, thank you. I'm really sad that I can't be

0:11:39.040 --> 0:11:39.440
<v Speaker 4>at work.

0:11:39.440 --> 0:11:42.040
<v Speaker 1>I really really tried hard to get the works. I

0:11:42.120 --> 0:11:43.400
<v Speaker 1>hear you well, like I.

0:11:43.360 --> 0:11:45.280
<v Speaker 4>Was going to ask you how to push for recording today,

0:11:45.400 --> 0:11:48.080
<v Speaker 4>like for it to be later, but I didn't. I'm like, yeah,

0:11:48.080 --> 0:11:51.200
<v Speaker 4>they're not from that ATMO the podcast, so definitely not.

0:11:52.720 --> 0:11:56.440
<v Speaker 2>I figured we we wish you safe travels, enjoy the airport,

0:11:57.080 --> 0:11:58.839
<v Speaker 2>and maybe we'll see you next week.

0:11:59.400 --> 0:12:01.800
<v Speaker 4>If you hey, if anybody listen to anybody out there

0:12:01.840 --> 0:12:04.040
<v Speaker 4>can hear me. If you don't have to fucking fly

0:12:04.200 --> 0:12:06.320
<v Speaker 4>for a funeral, actually a funeral, they dead already. If

0:12:06.320 --> 0:12:07.679
<v Speaker 4>you don't have to fly, so like the birth of

0:12:07.760 --> 0:12:10.080
<v Speaker 4>a baby or something, do not fucking fly, bro. I

0:12:10.120 --> 0:12:12.080
<v Speaker 4>was in this airport for two and a half hours

0:12:12.480 --> 0:12:14.280
<v Speaker 4>in line, do not fly.

0:12:15.559 --> 0:12:17.439
<v Speaker 1>She let people know I like the PSA.

0:12:18.679 --> 0:12:20.079
<v Speaker 2>And before I let you go, I just want to

0:12:20.160 --> 0:12:23.480
<v Speaker 2>let you know there is no J Cole Protectors in

0:12:23.520 --> 0:12:24.320
<v Speaker 2>the room today.

0:12:24.920 --> 0:12:27.440
<v Speaker 1>So do with that information, which what you will?

0:12:28.320 --> 0:12:31.360
<v Speaker 2>That this could go off the rails because there's nobody

0:12:31.400 --> 0:12:35.880
<v Speaker 2>here from Dreamville or what a cold stands called.

0:12:36.840 --> 0:12:38.800
<v Speaker 1>Oh thank you, you're pretty true, thank you?

0:12:39.520 --> 0:12:39.800
<v Speaker 4>Hello?

0:12:41.160 --> 0:12:49.320
<v Speaker 1>All right, man, peace, I don't buy none of that.

0:12:52.280 --> 0:12:54.720
<v Speaker 3>I don't buy that ps A from ts An't.

0:12:54.840 --> 0:12:58.600
<v Speaker 1>I don't buy it. She's she's the hotel lobby hundred percent.

0:12:58.880 --> 0:13:01.480
<v Speaker 3>Nobody tells you you're pretty at the airport on that's

0:13:01.480 --> 0:13:02.960
<v Speaker 3>somebody that works at the hotel telling.

0:13:02.840 --> 0:13:05.360
<v Speaker 2>You you're still. At the Strip Club Houston. They do

0:13:05.400 --> 0:13:07.960
<v Speaker 2>brunch there on Monday mornings. Some people work out of there.

0:13:08.000 --> 0:13:10.400
<v Speaker 2>They bring their laptops. It's like Starbucks. Hey, we told

0:13:10.440 --> 0:13:11.280
<v Speaker 2>them that she wasn't coming.

0:13:11.840 --> 0:13:15.160
<v Speaker 1>I can tell you do we start with of course

0:13:15.280 --> 0:13:19.240
<v Speaker 1>we do. I'm joking, man, you think I'm turned down.

0:13:19.240 --> 0:13:22.520
<v Speaker 1>I'm not nervous. What you're nervous for. I'm just nervous.

0:13:22.600 --> 0:13:26.880
<v Speaker 2>Why these are just touchy subjects and trying times and

0:13:26.960 --> 0:13:31.320
<v Speaker 2>we don't is a touchy subject. Yes okay, and we

0:13:31.400 --> 0:13:34.040
<v Speaker 2>don't have demeris he or the real things back from

0:13:34.080 --> 0:13:37.000
<v Speaker 2>someone that is such a J Cole protector, I feel

0:13:37.000 --> 0:13:39.240
<v Speaker 2>like I'm a I'm a J Cole supporter.

0:13:39.440 --> 0:13:42.719
<v Speaker 1>I wouldn't call myself a protector as well, but I'm

0:13:42.720 --> 0:13:44.640
<v Speaker 1>a supporter, so am I.

0:13:44.640 --> 0:13:47.120
<v Speaker 2>I want to start by saying, shout out to Nedeska.

0:13:47.280 --> 0:13:49.360
<v Speaker 2>I know it's not the first time that she's interviewed Cole,

0:13:49.840 --> 0:13:53.440
<v Speaker 2>but interviewing someone that is now a legend and at

0:13:53.480 --> 0:13:56.600
<v Speaker 2>goat status at this point in their career is like

0:13:57.040 --> 0:14:00.160
<v Speaker 2>journalism checklist, bucket list ship. You got to interview J

0:14:00.280 --> 0:14:04.560
<v Speaker 2>Cole after his alleged last album double disc in his

0:14:04.640 --> 0:14:08.600
<v Speaker 2>childhood home amazing to Deska, you're smoking this year love

0:14:08.679 --> 0:14:11.520
<v Speaker 2>the Baby team interview as well. If Jeska's not fucking

0:14:11.600 --> 0:14:14.160
<v Speaker 2>number three on the Complex list this year, I don't

0:14:14.160 --> 0:14:15.120
<v Speaker 2>really know what we're doing.

0:14:15.720 --> 0:14:27.160
<v Speaker 1>With that said, What did you think? Let me say that?

0:14:27.400 --> 0:14:30.920
<v Speaker 3>Uh no, listen, listen because I respect I respect Cole.

0:14:31.880 --> 0:14:33.760
<v Speaker 3>Because you know, people, for whatever reason they feel like

0:14:33.760 --> 0:14:35.160
<v Speaker 3>I hate call I don't. I keep saying I don't

0:14:35.200 --> 0:14:36.640
<v Speaker 3>hate Cole. I hate what he did, but I don't

0:14:36.680 --> 0:14:39.080
<v Speaker 3>hate Cole. But I respect him for sitting down with

0:14:39.320 --> 0:14:41.800
<v Speaker 3>Adeska and having a conversation and things like that.

0:14:42.920 --> 0:14:46.600
<v Speaker 1>I do think that.

0:14:45.160 --> 0:14:47.200
<v Speaker 3>That was a bit safe for him, though, to sit

0:14:47.240 --> 0:14:50.920
<v Speaker 3>down with Adeska. I don't think she challenged him a

0:14:50.960 --> 0:14:52.640
<v Speaker 3>lot on you know, things he was saying.

0:14:53.160 --> 0:14:55.720
<v Speaker 1>I don't think she pushed back a lot. Uh.

0:14:55.840 --> 0:14:57.840
<v Speaker 3>It was more so like just a cool calm, which

0:14:57.880 --> 0:15:00.120
<v Speaker 3>is which is a space for that too. But I

0:15:00.160 --> 0:15:02.160
<v Speaker 3>think coming off of everything that happened, and this being

0:15:02.200 --> 0:15:04.640
<v Speaker 3>the first time Cole spoke, I think it would have

0:15:04.640 --> 0:15:06.480
<v Speaker 3>been better for him to sit down with somebody that

0:15:06.600 --> 0:15:08.280
<v Speaker 3>was going to challenge him a little bit more on

0:15:08.680 --> 0:15:11.440
<v Speaker 3>his responses to things. A lot of the things that

0:15:11.480 --> 0:15:15.520
<v Speaker 3>he was saying, you know, understood. I don't believe that

0:15:15.640 --> 0:15:17.960
<v Speaker 3>he had that type of conversation with himself when he

0:15:18.000 --> 0:15:20.560
<v Speaker 3>was talking from both perspectives of what he was thinking,

0:15:20.720 --> 0:15:22.520
<v Speaker 3>what he was saying to himself, I don't believe none

0:15:22.520 --> 0:15:24.920
<v Speaker 3>of that. I think a lot of that was things

0:15:24.920 --> 0:15:26.840
<v Speaker 3>that he probably just made up on the spot, or

0:15:26.920 --> 0:15:27.920
<v Speaker 3>just made up on the way there.

0:15:28.200 --> 0:15:30.480
<v Speaker 1>I don't really, yeah, I don't. I don't believe that

0:15:30.480 --> 0:15:32.880
<v Speaker 1>that's unfair to just assume that of somebody like I'm

0:15:32.880 --> 0:15:35.680
<v Speaker 1>just saying, I don't believe was like a known fucking liar.

0:15:35.720 --> 0:15:37.480
<v Speaker 1>I'm not saying Anne on it.

0:15:37.520 --> 0:15:39.040
<v Speaker 3>I just think that he had to make something up

0:15:39.080 --> 0:15:42.360
<v Speaker 3>to make it sound more enticing than what it was like.

0:15:42.400 --> 0:15:43.760
<v Speaker 3>I think that it was like, Okay.

0:15:43.560 --> 0:15:45.360
<v Speaker 1>Explain more what parts of what he said? With that

0:15:45.400 --> 0:15:47.960
<v Speaker 1>back and forth, did you feel like we're performative?

0:15:49.880 --> 0:15:52.200
<v Speaker 3>I just don't think that, you know, before the apology

0:15:52.280 --> 0:15:53.840
<v Speaker 3>all of that, I don't think that he had this

0:15:54.880 --> 0:15:56.800
<v Speaker 3>big talk back and forth.

0:15:56.640 --> 0:15:57.040
<v Speaker 1>With the self.

0:15:57.120 --> 0:15:59.960
<v Speaker 3>I just think that he had a conversation with Kendrick

0:16:00.440 --> 0:16:02.280
<v Speaker 3>and that's, you know, somebody he deems as a friend,

0:16:02.960 --> 0:16:05.880
<v Speaker 3>and then he just was like all right through the conversation.

0:16:06.520 --> 0:16:09.440
<v Speaker 3>He probably told Kendrick that he was gonna apologize publicly

0:16:09.840 --> 0:16:11.880
<v Speaker 3>for what he said in his record, and I think

0:16:11.920 --> 0:16:13.840
<v Speaker 3>that's it. I don't think that he battled with himself

0:16:13.840 --> 0:16:15.720
<v Speaker 3>back and forth with emotions and things like that.

0:16:15.800 --> 0:16:18.280
<v Speaker 1>I don't think it was that deep. I truly don't

0:16:18.280 --> 0:16:19.960
<v Speaker 1>think it was that deep for him. I mean, it

0:16:20.000 --> 0:16:26.200
<v Speaker 1>was a conversation time between my delete later and Dreamville Fest.

0:16:25.600 --> 0:16:28.240
<v Speaker 2>I can see him going back and forth in that

0:16:28.280 --> 0:16:31.800
<v Speaker 2>small amount of time, especially after having conversation with Kendrick

0:16:31.840 --> 0:16:34.920
<v Speaker 2>if that is indeed true. Yeah, I can see him

0:16:34.960 --> 0:16:38.040
<v Speaker 2>pacing in his trailer before Dreamville Fest thinking about that

0:16:38.160 --> 0:16:38.560
<v Speaker 2>entire thing.

0:16:38.600 --> 0:16:39.120
<v Speaker 1>I don't think so.

0:16:40.080 --> 0:16:42.520
<v Speaker 2>I mean, he said he only spoke to his wife

0:16:42.520 --> 0:16:44.400
<v Speaker 2>about it, no one else. Yeah, I can see you battling,

0:16:44.440 --> 0:16:47.440
<v Speaker 2>like is am I making the right fucking choice. I

0:16:47.440 --> 0:16:49.320
<v Speaker 2>do believe he went back and forth a lot and

0:16:49.360 --> 0:16:53.280
<v Speaker 2>probably had some The way we joke based off the

0:16:53.320 --> 0:16:55.160
<v Speaker 2>Drake line coles losing sleep, it's not me.

0:16:55.760 --> 0:16:57.760
<v Speaker 1>I believe that he was. I really do believe that

0:16:57.800 --> 0:16:59.280
<v Speaker 1>he was going back and forth and felt fucked up

0:16:59.320 --> 0:16:59.680
<v Speaker 1>about Do.

0:16:59.680 --> 0:17:03.040
<v Speaker 3>You think that this interview helps his perception or hurts it?

0:17:05.600 --> 0:17:10.000
<v Speaker 3>Neither and I neither. I also, yeah, I don't think

0:17:10.040 --> 0:17:15.400
<v Speaker 3>it does good, good or bad. In this situation where

0:17:15.440 --> 0:17:17.920
<v Speaker 3>I'm going to give you pushback is where you're saying

0:17:17.960 --> 0:17:19.760
<v Speaker 3>Nadeska didn't give pushback.

0:17:20.720 --> 0:17:22.000
<v Speaker 1>I may agree with you.

0:17:22.119 --> 0:17:27.520
<v Speaker 2>If we now know that Cole isn't doing the Cameron interview,

0:17:27.520 --> 0:17:29.760
<v Speaker 2>and while we're recording this, it has not come out yet,

0:17:29.760 --> 0:17:32.960
<v Speaker 2>only clips have, but we know Tuesday night, ten pm

0:17:33.240 --> 0:17:36.040
<v Speaker 2>there will be a Cameron and Jake Cole interview, and

0:17:36.040 --> 0:17:39.359
<v Speaker 2>we've already seen clips where Cam was maybe asking some

0:17:39.440 --> 0:17:42.320
<v Speaker 2>of the questions that we wanted to hear. As in

0:17:42.359 --> 0:17:45.000
<v Speaker 2>regards to the Beef, I don't think going into Nadeska

0:17:45.160 --> 0:17:49.280
<v Speaker 2>was safe. I just think from an artist's perspective, you

0:17:49.400 --> 0:17:51.159
<v Speaker 2>just put out a double disc and I'd rather go

0:17:51.280 --> 0:17:54.280
<v Speaker 2>sit with a journalist that's going to ask me questions

0:17:54.320 --> 0:17:59.120
<v Speaker 2>about the music and the album first. I myself included

0:17:59.359 --> 0:18:01.800
<v Speaker 2>halfway through it, I had that on my brain too,

0:18:01.960 --> 0:18:03.359
<v Speaker 2>of like when are we going to get to all

0:18:03.359 --> 0:18:05.240
<v Speaker 2>the shit we want to know about the battle? But

0:18:05.320 --> 0:18:08.680
<v Speaker 2>to me, that's super unfair to have an artist want

0:18:08.680 --> 0:18:11.600
<v Speaker 2>to go and do an interview right away that's going

0:18:11.640 --> 0:18:15.520
<v Speaker 2>to be about some of the more messy stuff after

0:18:15.560 --> 0:18:19.240
<v Speaker 2>you just put out fucking like thirty records, like including

0:18:19.320 --> 0:18:20.080
<v Speaker 2>your your mixtape.

0:18:20.119 --> 0:18:24.640
<v Speaker 1>But even today a lot I think I certainly think

0:18:24.680 --> 0:18:24.960
<v Speaker 1>they did.

0:18:25.000 --> 0:18:27.639
<v Speaker 2>As far as the journey of it, I think I

0:18:27.720 --> 0:18:30.960
<v Speaker 2>think the Deska asked the right questions for what the

0:18:31.040 --> 0:18:36.679
<v Speaker 2>music was and what the purpose of that interview was. Like,

0:18:36.720 --> 0:18:39.320
<v Speaker 2>I wouldn't put her in the same category where you're

0:18:39.320 --> 0:18:42.320
<v Speaker 2>just calling someone the genius their entire interview. I think

0:18:42.320 --> 0:18:45.959
<v Speaker 2>she asked poignant questions that j Cole fans want to hear,

0:18:46.000 --> 0:18:50.719
<v Speaker 2>and I think that's missing now within journalism media, not

0:18:50.760 --> 0:18:53.440
<v Speaker 2>just hip hop, because dog go to political news.

0:18:53.440 --> 0:18:54.119
<v Speaker 1>It's even worse.

0:18:55.000 --> 0:18:57.880
<v Speaker 2>I think for the music fans, people wanted to hear

0:18:58.000 --> 0:18:59.680
<v Speaker 2>Cole's process of that that project.

0:18:59.720 --> 0:19:03.600
<v Speaker 1>I think we're owed that as music nerds. Now, if

0:19:03.600 --> 0:19:04.040
<v Speaker 1>he didn't do.

0:19:04.040 --> 0:19:05.520
<v Speaker 2>The Cam shit, I'd probably have some of the more

0:19:05.560 --> 0:19:08.439
<v Speaker 2>sentiments of you that was safe. Don't act like we

0:19:08.480 --> 0:19:10.920
<v Speaker 2>don't need answers as fans about that other shit.

0:19:11.160 --> 0:19:12.359
<v Speaker 1>I think he's doing the balance.

0:19:12.480 --> 0:19:14.199
<v Speaker 2>Let me talk about my album Win the Deska in

0:19:14.240 --> 0:19:17.080
<v Speaker 2>a safe place and let me go do the bullshit

0:19:17.119 --> 0:19:18.560
<v Speaker 2>with Cam, and I mean bullshit in a good way.

0:19:19.560 --> 0:19:23.000
<v Speaker 2>That one's a real music journalist. One is an incredible

0:19:23.040 --> 0:19:26.160
<v Speaker 2>media personality and a legendary rapper. I'll go talk about

0:19:26.160 --> 0:19:29.440
<v Speaker 2>the battle stuff with him. Cam's funny, Cam's messy. That'll

0:19:29.480 --> 0:19:33.320
<v Speaker 2>be the place where it's everyone can't say, oh, this

0:19:33.400 --> 0:19:35.280
<v Speaker 2>is safe, because Cam's never going to be safe.

0:19:35.440 --> 0:19:38.080
<v Speaker 3>Well, that's why I was speaking just to the Desk interview.

0:19:38.200 --> 0:19:40.200
<v Speaker 3>That it was that was safe, that choice was safe.

0:19:40.280 --> 0:19:43.400
<v Speaker 3>Now obviously we haven't heard the Cam interview yet, and

0:19:43.480 --> 0:19:45.480
<v Speaker 3>you know it's safe to assume that Cam may ask

0:19:45.600 --> 0:19:50.720
<v Speaker 3>more questions from a rapper's perspective and from a battle perspective,

0:19:51.000 --> 0:19:54.160
<v Speaker 3>Cam being somebody that has battled and been in battles himself,

0:19:54.600 --> 0:19:57.040
<v Speaker 3>so we may get a little more details and in

0:19:57.119 --> 0:20:00.560
<v Speaker 3>depth there. But yeah, I mean, you know, I think

0:20:00.560 --> 0:20:04.600
<v Speaker 3>that Cole, you know, obviously, to me, I do feel like,

0:20:05.840 --> 0:20:08.240
<v Speaker 3>you know, things that he was saying in the desk interview,

0:20:10.560 --> 0:20:12.000
<v Speaker 3>I do feel like it was a lot of things

0:20:12.000 --> 0:20:14.439
<v Speaker 3>that he had to kind of just create because he

0:20:14.480 --> 0:20:16.000
<v Speaker 3>had to make it more interesting.

0:20:16.000 --> 0:20:18.679
<v Speaker 1>I don't think that there was much thought about anything.

0:20:18.720 --> 0:20:20.080
<v Speaker 3>Like I said, I think he had a conversation with

0:20:20.160 --> 0:20:23.160
<v Speaker 3>Kendrick and I think they had said whatever they said,

0:20:23.160 --> 0:20:25.120
<v Speaker 3>and he came out of that saying, well, yeah, I'm

0:20:25.119 --> 0:20:28.159
<v Speaker 3>gonna go on stage and apologize and there's not going

0:20:28.240 --> 0:20:30.160
<v Speaker 3>to be no more shots from my side coming at

0:20:30.160 --> 0:20:30.680
<v Speaker 3>you and things like.

0:20:30.880 --> 0:20:31.920
<v Speaker 1>I think it was really that simple.

0:20:31.920 --> 0:20:34.440
<v Speaker 3>I don't think it was this you know, pacing back

0:20:34.480 --> 0:20:36.120
<v Speaker 3>and forth with emotions and this that.

0:20:36.160 --> 0:20:37.320
<v Speaker 1>I don't think it was that deep.

0:20:38.200 --> 0:20:41.760
<v Speaker 3>I think because again he responded with with Mike delete

0:20:41.840 --> 0:20:43.960
<v Speaker 3>later on seven minute.

0:20:43.760 --> 0:20:46.240
<v Speaker 2>Drill, which started to interrupt you. I just want to

0:20:46.240 --> 0:20:49.080
<v Speaker 2>make sure Cole fans, can you please give mal his flowers?

0:20:49.119 --> 0:20:51.760
<v Speaker 2>Because everything y'all killed him for. Cole admitted in that

0:20:51.880 --> 0:20:54.760
<v Speaker 2>interview about having to change the entire project. He said,

0:20:54.800 --> 0:20:56.440
<v Speaker 2>MI delete later was already slated for when it was

0:20:56.440 --> 0:20:58.320
<v Speaker 2>going to come out. They just added seven minute drill.

0:20:58.640 --> 0:21:00.439
<v Speaker 2>It was supposed to come out with dream Thought. And

0:21:00.440 --> 0:21:02.640
<v Speaker 2>then eight weeks later we were putting out The fall

0:21:02.640 --> 0:21:04.600
<v Speaker 2>Off and you came in here and said, I think

0:21:04.600 --> 0:21:06.919
<v Speaker 2>he has to redo the whole album now, And that's

0:21:07.000 --> 0:21:07.880
<v Speaker 2>exactly what Cole said.

0:21:07.880 --> 0:21:09.800
<v Speaker 1>He said, it was slated to go eight weeks later.

0:21:09.840 --> 0:21:10.480
<v Speaker 1>I had to redo it.

0:21:10.680 --> 0:21:12.399
<v Speaker 3>But I don't know how people even thought that that

0:21:12.520 --> 0:21:16.159
<v Speaker 3>wasn't like you, anybody, any artist that was in that moment,

0:21:16.600 --> 0:21:20.320
<v Speaker 3>Kendrick Drake and Cole, anything that they had planned musically.

0:21:20.880 --> 0:21:23.640
<v Speaker 3>Of course it has to change after that, Like everything

0:21:23.720 --> 0:21:26.399
<v Speaker 3>changes after that moment. So you know, people killing me.

0:21:26.440 --> 0:21:29.359
<v Speaker 3>It's like again, people react off you know, their emotions

0:21:29.400 --> 0:21:31.440
<v Speaker 3>and their support of the artists that they love, which

0:21:31.440 --> 0:21:31.840
<v Speaker 3>is cool.

0:21:32.040 --> 0:21:32.920
<v Speaker 1>I support Cole.

0:21:33.040 --> 0:21:35.560
<v Speaker 3>I just don't react mostly when it comes to certain

0:21:35.560 --> 0:21:37.919
<v Speaker 3>things that I think are common sense, Like yes, he

0:21:37.920 --> 0:21:40.520
<v Speaker 3>would have to make changes to his schedule, to his

0:21:40.600 --> 0:21:44.600
<v Speaker 3>plans to his music coming off of that moment. I

0:21:44.640 --> 0:21:47.159
<v Speaker 3>thought that that was obvious. But again, you know, if

0:21:47.200 --> 0:21:48.680
<v Speaker 3>I say something to shut the fuck up, mall, you

0:21:48.720 --> 0:21:50.080
<v Speaker 3>don't know what you told about cool, I'll shut the

0:21:50.080 --> 0:21:53.200
<v Speaker 3>fuck up. But then when the artist himself says that

0:21:53.200 --> 0:21:56.200
<v Speaker 3>that's what happened, don't give me no flowers. I don't

0:21:56.200 --> 0:21:58.320
<v Speaker 3>want no flowers. But y'all just know that I'm correct

0:21:58.320 --> 0:22:01.000
<v Speaker 3>in what I was saying. Yes, Cole had to adjust

0:22:01.280 --> 0:22:02.639
<v Speaker 3>and he had to pivot. He had to call it

0:22:02.720 --> 0:22:06.719
<v Speaker 3>Audible Music League. Yeah, because everything in that moment changed.

0:22:07.440 --> 0:22:11.160
<v Speaker 3>Songs that he had with certain artists he of course

0:22:11.240 --> 0:22:13.600
<v Speaker 3>knew now he no longer has those records. It wasn't

0:22:13.600 --> 0:22:17.000
<v Speaker 3>even a double disc, no, no, so, but it was

0:22:17.040 --> 0:22:19.520
<v Speaker 3>songs that he had, you know, with Kendrick, with with

0:22:19.520 --> 0:22:22.640
<v Speaker 3>with Drake that obviously he wouldn't have, he wouldn't get

0:22:22.640 --> 0:22:24.639
<v Speaker 3>cleared for the album. So now things you have to

0:22:24.640 --> 0:22:28.200
<v Speaker 3>fill those moments, fill those gaps that are now there

0:22:28.320 --> 0:22:30.280
<v Speaker 3>that you thought were filled. So, yes, you have to

0:22:30.280 --> 0:22:32.480
<v Speaker 3>make changes, But I mean, I'm just you know, it's

0:22:32.520 --> 0:22:34.760
<v Speaker 3>cool to see Cole, you know, sitting down and just

0:22:34.800 --> 0:22:37.199
<v Speaker 3>talking and kicking it. And again I know, you know,

0:22:37.240 --> 0:22:40.320
<v Speaker 3>a lot happened in twenty twenty four. You know, things

0:22:40.359 --> 0:22:42.919
<v Speaker 3>were said, and you know, somehow the Internet turned it

0:22:42.960 --> 0:22:45.800
<v Speaker 3>into this malls J Cole hater and this stuff. I

0:22:45.800 --> 0:22:47.560
<v Speaker 3>don't hate J Carr. I don't know J Cole to

0:22:47.560 --> 0:22:50.360
<v Speaker 3>hate him. I just hate the way he handled a

0:22:50.480 --> 0:22:51.760
<v Speaker 3>rap battle, that's all.

0:22:52.400 --> 0:22:52.640
<v Speaker 1>Yeah.

0:22:52.640 --> 0:22:54.080
<v Speaker 2>And I mean I think you should go back to

0:22:54.119 --> 0:22:57.960
<v Speaker 2>the interview because, I mean, the Deska is an actual journalist.

0:22:58.000 --> 0:23:00.600
<v Speaker 2>He's not like a Neanderthal with a mir phone like me.

0:23:01.240 --> 0:23:05.560
<v Speaker 2>Like she did an actual proper interview that people used

0:23:05.600 --> 0:23:08.960
<v Speaker 2>to do with artists when we were looking for music

0:23:09.080 --> 0:23:12.959
<v Speaker 2>questions and where you're at in your life questions instead

0:23:13.000 --> 0:23:15.520
<v Speaker 2>of the gospel shit. So again, I think she did

0:23:15.560 --> 0:23:17.280
<v Speaker 2>an incredible job with it, the same way she did

0:23:17.320 --> 0:23:23.760
<v Speaker 2>with a Keem interview. I'm excited to see the Cam interview.

0:23:24.080 --> 0:23:28.320
<v Speaker 2>I mean there's one clip out where Cam asked the

0:23:28.400 --> 0:23:30.560
<v Speaker 2>question we all wanted to know, like what's your relationship

0:23:30.560 --> 0:23:32.679
<v Speaker 2>with him, which Neideska did ask, by the way, but

0:23:32.760 --> 0:23:35.000
<v Speaker 2>Cole kind of, I say, tiptoed around it. He just

0:23:35.000 --> 0:23:36.840
<v Speaker 2>didn't give a full answer the way he did with

0:23:36.960 --> 0:23:40.040
<v Speaker 2>Cam in this clip where he said, you know, they

0:23:40.200 --> 0:23:44.800
<v Speaker 2>spoke around that time but haven't since, and he would

0:23:44.800 --> 0:23:46.320
<v Speaker 2>love to text them.

0:23:46.720 --> 0:23:49.040
<v Speaker 3>Yeah, and again him you know, Cam asking him with

0:23:49.160 --> 0:23:52.680
<v Speaker 3>his relationship with Kendrick and Drake today, you know, andically

0:23:52.720 --> 0:23:54.000
<v Speaker 3>this is we just told him from the clip.

0:23:54.040 --> 0:23:55.720
<v Speaker 1>We haven't We were recording this on Monday.

0:23:56.359 --> 0:24:00.960
<v Speaker 3>The episode with him and Cam doesn't come out until Tuesday.

0:24:01.320 --> 0:24:03.280
<v Speaker 3>But I hope he really gives gets more in debt

0:24:03.320 --> 0:24:05.840
<v Speaker 3>with that though, because I said it a couple a

0:24:05.920 --> 0:24:07.720
<v Speaker 3>couple of weeks ago, a couple of months ago, whatever

0:24:07.800 --> 0:24:10.520
<v Speaker 3>that I feel like he has to address why he

0:24:10.600 --> 0:24:13.600
<v Speaker 3>hasn't spoken to Drake since all of that happened. And

0:24:13.600 --> 0:24:15.399
<v Speaker 3>and and you know, people are like, oh ma, all

0:24:15.480 --> 0:24:18.080
<v Speaker 3>you two invested, and you know they talk all y'all

0:24:18.080 --> 0:24:20.080
<v Speaker 3>still talking about the battle. Well, the people that was

0:24:20.119 --> 0:24:21.840
<v Speaker 3>in the battle are still talking about the battles. So

0:24:21.880 --> 0:24:23.800
<v Speaker 3>you know, this is what people kill us for talking

0:24:23.800 --> 0:24:27.680
<v Speaker 3>about this, but the people involved well and obviously well Cole,

0:24:28.119 --> 0:24:29.920
<v Speaker 3>he's still talking about this is his first time speaking

0:24:29.920 --> 0:24:31.800
<v Speaker 3>about it. Yes, we have to speak about it, but

0:24:31.840 --> 0:24:33.840
<v Speaker 3>that is something that I feel like, like how you

0:24:33.840 --> 0:24:36.240
<v Speaker 3>said about the music and us hearing about that process,

0:24:36.880 --> 0:24:39.600
<v Speaker 3>I do feel like as fans of all of these

0:24:39.600 --> 0:24:42.600
<v Speaker 3>guys and and and you know, consumers of hip hop,

0:24:42.600 --> 0:24:44.399
<v Speaker 3>and then you know, consuming the moment of one of

0:24:44.440 --> 0:24:47.040
<v Speaker 3>the biggest battles ever. I do feel like we need

0:24:47.080 --> 0:24:51.919
<v Speaker 3>to know why Cole has not spoke to Drake. He

0:24:52.000 --> 0:24:54.040
<v Speaker 3>said in this clip, he'd be wanting to text and

0:24:54.080 --> 0:24:56.159
<v Speaker 3>all of that, So then why not do that? Like

0:24:56.320 --> 0:24:58.960
<v Speaker 3>I don't even understand that. Like that's like when somebody

0:24:59.000 --> 0:25:01.400
<v Speaker 3>know they did something fun up to you and then

0:25:01.800 --> 0:25:03.680
<v Speaker 3>they know how you fill up a type of way

0:25:04.080 --> 0:25:05.520
<v Speaker 3>and then they'd be like, damn, I want to hoigher

0:25:05.520 --> 0:25:06.879
<v Speaker 3>at him, but okay, shouldn't.

0:25:06.480 --> 0:25:08.800
<v Speaker 1>Holler at him. So just because I know.

0:25:10.720 --> 0:25:14.240
<v Speaker 2>How the timeline works and people don't actually listen to words,

0:25:14.240 --> 0:25:16.439
<v Speaker 2>They just react to their own thoughts and how they

0:25:16.440 --> 0:25:17.320
<v Speaker 2>interpret things.

0:25:18.040 --> 0:25:18.920
<v Speaker 1>It was kind of.

0:25:20.680 --> 0:25:24.679
<v Speaker 2>It was vague when Cole says, we've spoken after everything,

0:25:25.000 --> 0:25:27.320
<v Speaker 2>but it it's not been much communication.

0:25:27.480 --> 0:25:28.680
<v Speaker 1>Is he talking about.

0:25:28.520 --> 0:25:30.840
<v Speaker 3>Cole has not spoken to Drake since not like Us

0:25:30.880 --> 0:25:32.520
<v Speaker 3>came since before not Like Thus came out.

0:25:33.600 --> 0:25:35.320
<v Speaker 2>Okay, because he's saying in this clip, I wasn't sure

0:25:35.320 --> 0:25:38.239
<v Speaker 2>if he was saying after the Dreamville Fest incident or

0:25:38.280 --> 0:25:40.320
<v Speaker 2>after the battle. When he said he's spoken to both

0:25:40.359 --> 0:25:41.640
<v Speaker 2>of them, but it hasn't been much.

0:25:42.040 --> 0:25:46.200
<v Speaker 3>I don't you're asking me, I'm only answering from answer

0:25:46.240 --> 0:25:46.720
<v Speaker 3>from what I know.

0:25:46.920 --> 0:25:49.000
<v Speaker 1>I don't know a thing. I'm as I know how

0:25:49.040 --> 0:25:51.919
<v Speaker 1>the internet works. I wanted to be extremely clear. Okay.

0:25:52.000 --> 0:25:52.560
<v Speaker 1>Let me said.

0:25:52.600 --> 0:25:54.960
<v Speaker 2>In his camera and clip, he is saying that they spoke.

0:25:55.160 --> 0:25:56.879
<v Speaker 2>I don't know what after everything means. I don't know

0:25:56.880 --> 0:25:58.280
<v Speaker 2>if it means dreamvill Fest. I don't know Eve he's

0:25:58.359 --> 0:25:59.919
<v Speaker 2>like that. I don't know if it means after not

0:26:00.200 --> 0:26:01.640
<v Speaker 2>like us. I don't know what that means.

0:26:01.680 --> 0:26:03.320
<v Speaker 1>Okay, So let me tell you from what I know.

0:26:03.560 --> 0:26:10.040
<v Speaker 3>Okay, Cole has not spoken to Drake since before Dreamfest. Okay,

0:26:11.800 --> 0:26:14.080
<v Speaker 3>from what I know, from what you know, gotcha, right,

0:26:14.240 --> 0:26:16.720
<v Speaker 3>That's all I'm saying. From what I know, he has

0:26:16.760 --> 0:26:20.119
<v Speaker 3>not spoken to him now, whether he shot a text

0:26:20.160 --> 0:26:22.480
<v Speaker 3>after that and the text went unresponded, got you.

0:26:23.840 --> 0:26:24.760
<v Speaker 1>I don't know about that.

0:26:25.000 --> 0:26:29.919
<v Speaker 3>I know he hasn't spoken to Drake since before he apologized.

0:26:30.119 --> 0:26:31.800
<v Speaker 1>Yeah, which Drake was.

0:26:31.760 --> 0:26:34.960
<v Speaker 3>Slated to go to Dreamfest and perform things like that

0:26:35.440 --> 0:26:38.439
<v Speaker 3>fresh off a tour. First person Shooter was number one, this, that,

0:26:38.480 --> 0:26:43.240
<v Speaker 3>and the third. Obviously we can't perform that record anymore.

0:26:43.400 --> 0:26:44.880
<v Speaker 1>Gonna be a moment, yeah, but.

0:26:44.880 --> 0:26:46.520
<v Speaker 3>We can't perform the record. You know what I'm saying,

0:26:46.520 --> 0:26:48.520
<v Speaker 3>because it's like what's going on? Like you're saying Big

0:26:48.560 --> 0:26:49.960
<v Speaker 3>three in the record, and this that and the third

0:26:50.119 --> 0:26:53.920
<v Speaker 3>you're naming him in the record. So things obviously things change.

0:26:53.920 --> 0:26:58.160
<v Speaker 3>But my thing is cool. You know that Drake feels

0:26:58.200 --> 0:27:01.119
<v Speaker 3>a way right, you know, Kendrick Fields a way. You

0:27:01.200 --> 0:27:05.159
<v Speaker 3>spoke to Kendrick, but why not? And I don't know

0:27:05.160 --> 0:27:06.880
<v Speaker 3>if he spoke to Kendrick. I mean he has, He's

0:27:06.880 --> 0:27:11.080
<v Speaker 3>been in studios with TDE affiliates and things like that

0:27:11.200 --> 0:27:13.359
<v Speaker 3>since post beef, so I don't know if he's I

0:27:13.359 --> 0:27:17.119
<v Speaker 3>don't know about that side. I'm speaking to his not

0:27:17.200 --> 0:27:20.919
<v Speaker 3>speaking to Drake. And again, I just feel like, and

0:27:20.960 --> 0:27:22.600
<v Speaker 3>we haven't seen this interview and maybe he gets more

0:27:22.640 --> 0:27:23.440
<v Speaker 3>in depth.

0:27:23.480 --> 0:27:25.000
<v Speaker 1>Aside from this clip that we saw.

0:27:25.680 --> 0:27:28.800
<v Speaker 3>I just feel like we need to really know why

0:27:28.920 --> 0:27:33.159
<v Speaker 3>haven't you spoken to because if I do something like that, Rory,

0:27:33.200 --> 0:27:35.920
<v Speaker 3>I'm gonna make it my business to get in front

0:27:35.920 --> 0:27:37.919
<v Speaker 3>of you and have a conversation because we have a

0:27:37.960 --> 0:27:40.159
<v Speaker 3>real relationship. And if I do something like that and

0:27:40.200 --> 0:27:43.080
<v Speaker 3>I handle something I know that you look slighted or

0:27:43.119 --> 0:27:45.680
<v Speaker 3>you feel away, and I shoot you a text and

0:27:45.720 --> 0:27:48.439
<v Speaker 3>you not responding. I'm gonna do whatever I need to

0:27:48.480 --> 0:27:50.639
<v Speaker 3>do to make sure that me and you are in

0:27:50.680 --> 0:27:52.160
<v Speaker 3>the same room and we have a conversation.

0:27:52.240 --> 0:27:54.400
<v Speaker 2>Yeah, which I mean maybe speaks to the rumor that

0:27:54.560 --> 0:27:57.560
<v Speaker 2>Future flew to go meet with Drake so they could

0:27:57.880 --> 0:28:00.320
<v Speaker 2>solve their differences with everything that was going going on.

0:28:00.600 --> 0:28:01.760
<v Speaker 2>I hear you on that, but I mean even with

0:28:01.840 --> 0:28:03.720
<v Speaker 2>Cole was saying in this and again we're just speculating

0:28:03.760 --> 0:28:07.359
<v Speaker 2>because it's a interview way more constant, you.

0:28:07.440 --> 0:28:09.560
<v Speaker 1>Get way more in depth. Yeah, we don't. I mean

0:28:09.600 --> 0:28:13.399
<v Speaker 1>he is saying that, like I do feel him to

0:28:13.440 --> 0:28:16.359
<v Speaker 1>some degree, like he made a decision for himself that

0:28:16.440 --> 0:28:18.520
<v Speaker 1>he said in the desk interview.

0:28:18.600 --> 0:28:20.920
<v Speaker 2>He feels even better about today. It brought more peace

0:28:20.920 --> 0:28:24.280
<v Speaker 2>to his life. Unfortunately that may have slighted one of

0:28:24.320 --> 0:28:27.119
<v Speaker 2>his his friends may feel a way. But he's saying

0:28:27.200 --> 0:28:31.040
<v Speaker 2>like he doesn't know. I see that perspective of like

0:28:31.080 --> 0:28:33.359
<v Speaker 2>I don't want to overstep, like you're not fucking with me.

0:28:33.560 --> 0:28:35.320
<v Speaker 2>I don't want to be blowing your phone up of

0:28:35.400 --> 0:28:37.800
<v Speaker 2>like nah, like it's this doing this is an overkill.

0:28:38.000 --> 0:28:39.520
<v Speaker 1>I hear you. I do what you say.

0:28:39.960 --> 0:28:42.840
<v Speaker 2>But I can definitely see the perspective of like, I

0:28:42.840 --> 0:28:44.720
<v Speaker 2>don't really know where I stand with you anymore, and

0:28:44.880 --> 0:28:48.440
<v Speaker 2>I don't want to like make it worse by trying

0:28:48.520 --> 0:28:52.120
<v Speaker 2>to overly communicate with you at this regard.

0:28:52.040 --> 0:28:54.640
<v Speaker 3>Like I mean, I get that. But again, even in

0:28:54.720 --> 0:28:56.200
<v Speaker 3>that right and again we don't we don't. We didnt

0:28:56.200 --> 0:28:58.040
<v Speaker 3>see the whole interview, So he may very well end

0:28:58.120 --> 0:29:00.640
<v Speaker 3>up doing that getting into debt. But you know, even

0:29:00.680 --> 0:29:02.520
<v Speaker 3>in that moment, say like you listen, man, you know

0:29:02.640 --> 0:29:06.840
<v Speaker 3>I reached out. He hasn't responded, you know what I mean,

0:29:06.880 --> 0:29:08.880
<v Speaker 3>Like I would love to have a conversation with him

0:29:08.880 --> 0:29:12.040
<v Speaker 3>that he says, I be wanting to shoot off a tech.

0:29:12.040 --> 0:29:14.560
<v Speaker 2>But he also said they've spoken after everything, whatever that

0:29:14.600 --> 0:29:17.560
<v Speaker 2>means the direct quote, like we've spoken after everything.

0:29:18.560 --> 0:29:20.160
<v Speaker 1>Okay, again, from what I know, I know, I'm just

0:29:20.200 --> 0:29:21.840
<v Speaker 1>I'm just from what I know.

0:29:22.200 --> 0:29:25.120
<v Speaker 3>You know, conversations that I've had with certain people that

0:29:25.320 --> 0:29:28.960
<v Speaker 3>you know are existing in the world with us, Yes,

0:29:29.280 --> 0:29:32.680
<v Speaker 3>they have not so certain people that I certain people

0:29:32.720 --> 0:29:34.800
<v Speaker 3>that I've had conversations with that are existing in the

0:29:34.840 --> 0:29:36.920
<v Speaker 3>world with us, that may know a thing or two

0:29:36.920 --> 0:29:40.920
<v Speaker 3>about this music on this rocket. Yeah, I mean you know, no,

0:29:41.120 --> 0:29:44.320
<v Speaker 3>there hasn't been no communication, there hasn't been no conversation.

0:29:45.000 --> 0:29:47.240
<v Speaker 1>And you know, and I think I kind of understand.

0:29:47.600 --> 0:29:49.400
<v Speaker 3>I think that that's one of those things where you

0:29:49.480 --> 0:29:52.400
<v Speaker 3>know you did something fucked up and wrong to your friend.

0:29:52.520 --> 0:29:55.920
<v Speaker 3>And and obviously, which is the obvious thing to me,

0:29:56.080 --> 0:29:59.880
<v Speaker 3>Cole is non confrontational. So sometimes you have to be

0:30:00.000 --> 0:30:02.960
<v Speaker 3>confrontational with your friends when you do something fucked up,

0:30:03.120 --> 0:30:05.720
<v Speaker 3>you have to face that confrontation. You have to face

0:30:05.760 --> 0:30:08.480
<v Speaker 3>that phone call of your friends saying, Yo, that's fucked up, bro,

0:30:08.680 --> 0:30:10.800
<v Speaker 3>you did me dirty da da da da da whatever

0:30:10.840 --> 0:30:13.640
<v Speaker 3>it is like. And and Cole is non conversation. We

0:30:13.680 --> 0:30:15.840
<v Speaker 3>know that about Jay Cole. Now, he's a non conversational guy.

0:30:15.880 --> 0:30:17.240
<v Speaker 3>And there's nothing wrong with that. I don't want that

0:30:17.280 --> 0:30:20.200
<v Speaker 3>to come off like a slight to Ja Cole. I'm

0:30:20.240 --> 0:30:22.480
<v Speaker 3>non confrontational. It's things that I avoid and things like that.

0:30:22.520 --> 0:30:24.720
<v Speaker 3>So I understand that I wouldn't avoid no rap battle

0:30:24.720 --> 0:30:26.440
<v Speaker 3>if I had Ja Cole's skill if I had his

0:30:26.440 --> 0:30:26.840
<v Speaker 3>skill set.

0:30:26.840 --> 0:30:28.920
<v Speaker 1>I'm not avoiding no rat battle. I want it with everybody.

0:30:29.080 --> 0:30:31.880
<v Speaker 3>But I can understand that being his real demeanor of

0:30:31.960 --> 0:30:35.080
<v Speaker 3>him just being a non confrontational guy. But when you

0:30:35.160 --> 0:30:37.920
<v Speaker 3>do things to your friends that you know, hurt your

0:30:37.960 --> 0:30:40.600
<v Speaker 3>friends or make your friends kind of feel slighted, you

0:30:40.640 --> 0:30:41.920
<v Speaker 3>gotta face that confrontation.

0:30:42.000 --> 0:30:42.200
<v Speaker 1>Bro.

0:30:42.560 --> 0:30:44.400
<v Speaker 3>You gotta do what you gotta do to be like Yo, Bro,

0:30:44.480 --> 0:30:48.000
<v Speaker 3>I fucked up. You know, let's talk, let's kick it out,

0:30:48.040 --> 0:30:50.720
<v Speaker 3>you know, whatever, however you gotta go about, you know,

0:30:51.000 --> 0:30:54.520
<v Speaker 3>mending that relationship with your friends, with your brothers or whatever.

0:30:54.600 --> 0:30:56.320
<v Speaker 3>You gotta. You gotta do that. And you know, I

0:30:56.360 --> 0:30:59.000
<v Speaker 3>get it. I get the non confronational part, but you

0:30:59.040 --> 0:31:01.240
<v Speaker 3>got to put that shit aside a boy and face

0:31:01.360 --> 0:31:03.560
<v Speaker 3>and face to face the fire. And that's what I

0:31:03.640 --> 0:31:06.000
<v Speaker 3>feel like Cole has been avoiding. I feel like, you know,

0:31:06.080 --> 0:31:07.880
<v Speaker 3>he know he fucked up, and it's just like, all,

0:31:08.480 --> 0:31:10.640
<v Speaker 3>he ain't fucking with me, fucking Let me just continue

0:31:10.680 --> 0:31:12.560
<v Speaker 3>to make music and let me continue to just live

0:31:12.600 --> 0:31:15.040
<v Speaker 3>my life and maybe one day we'll you know, fix

0:31:15.080 --> 0:31:15.920
<v Speaker 3>it and things like that.

0:31:16.080 --> 0:31:17.840
<v Speaker 1>But then you look up in a year two years

0:31:17.880 --> 0:31:19.520
<v Speaker 1>past and.

0:31:19.440 --> 0:31:21.240
<v Speaker 3>It's like, damn, you went two years, but I'll speaking

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<v Speaker 3>to your friend and it's like over something that you

0:31:23.880 --> 0:31:26.640
<v Speaker 3>know was really just a moment like it's not even

0:31:26.640 --> 0:31:28.560
<v Speaker 3>something that was like a lifelong thing, like it was

0:31:28.600 --> 0:31:30.800
<v Speaker 3>just a moment. You handled it in a way that

0:31:30.880 --> 0:31:32.760
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0:31:32.840 --> 0:31:34.920
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<v Speaker 2>I guess I'd like to hear Drake's perspective on why

0:33:29.640 --> 0:33:33.640
<v Speaker 2>he specifically feels a way about that entire thing, because

0:33:33.640 --> 0:33:38.680
<v Speaker 2>I can't find a reason why Kendrick and Cole wouldn't

0:33:38.720 --> 0:33:43.280
<v Speaker 2>speak like he apologized for dissing him back, which whatever,

0:33:43.640 --> 0:33:46.720
<v Speaker 2>but I couldn't see why Kendrick would have any issue

0:33:46.760 --> 0:33:48.760
<v Speaker 2>with Cold and not just be friends again, Like all.

0:33:48.720 --> 0:33:50.440
<v Speaker 1>Right, let's take this over. Let's take this over. Let's

0:33:50.440 --> 0:33:50.880
<v Speaker 1>take this over.

0:33:50.920 --> 0:33:53.720
<v Speaker 3>Colder Kendrick, me and you in a situation, right, somebody

0:33:53.760 --> 0:33:56.440
<v Speaker 3>that we cool it says something, right, it's a little

0:33:57.000 --> 0:33:59.800
<v Speaker 3>we're going back and forth. Right, You called me on

0:34:00.080 --> 0:34:02.280
<v Speaker 3>phone for a couple of hours kicking it, okay, and

0:34:02.320 --> 0:34:04.560
<v Speaker 3>I say, oh, yeah, I just spoked them last night.

0:34:04.560 --> 0:34:05.800
<v Speaker 1>I was on the four one for three hours.

0:34:06.120 --> 0:34:08.439
<v Speaker 3>Okay, I just throw that in the conversation now, Rory,

0:34:08.440 --> 0:34:09.799
<v Speaker 3>I just spoked them last night. We was on the

0:34:09.800 --> 0:34:12.440
<v Speaker 3>phone for a couple of hours. You're like, what the fuck? Like,

0:34:12.880 --> 0:34:17.080
<v Speaker 3>when was you gonna tell me that? And then I say, yo, yo, Rory,

0:34:17.160 --> 0:34:17.879
<v Speaker 3>let me hit you right back.

0:34:17.880 --> 0:34:19.600
<v Speaker 1>I gotta I'm about to put I'm about to.

0:34:19.600 --> 0:34:21.080
<v Speaker 3>Put my son to bed. I'm gonna quit you right back.

0:34:21.080 --> 0:34:22.160
<v Speaker 3>And then we never speak again.

0:34:22.520 --> 0:34:24.319
<v Speaker 1>Okay. I hate to bring them back into it.

0:34:24.360 --> 0:34:27.480
<v Speaker 2>But is it at the time of is the matter

0:34:27.680 --> 0:34:31.560
<v Speaker 2>of people talking shit like the like that verse where

0:34:31.560 --> 0:34:33.759
<v Speaker 2>it's not that serious, like this is just a rap?

0:34:34.239 --> 0:34:36.879
<v Speaker 2>Like was it just banter? Because then I feel like before,

0:34:36.880 --> 0:34:38.360
<v Speaker 2>and I feel like I can speak.

0:34:38.160 --> 0:34:40.279
<v Speaker 1>To both people. This is before not like us. You

0:34:40.360 --> 0:34:42.279
<v Speaker 1>know what I'm saying. I said, is it the like

0:34:42.360 --> 0:34:44.759
<v Speaker 1>that verse time? Yeah, like that was the because it was.

0:34:44.719 --> 0:34:46.319
<v Speaker 2>Already about and I'm just trying to say like that

0:34:46.400 --> 0:34:49.399
<v Speaker 2>to me, I wouldn't feel a way if you were

0:34:49.400 --> 0:34:51.799
<v Speaker 2>talking to somebody when it was just like a verse of.

0:34:52.239 --> 0:34:55.640
<v Speaker 1>Fucking before three is just the four dreamfest.

0:34:55.880 --> 0:34:59.000
<v Speaker 2>I wouldn't feel a way if somebody had said something

0:34:59.200 --> 0:35:01.040
<v Speaker 2>about us and you were still talking to them, but

0:35:01.080 --> 0:35:03.800
<v Speaker 2>it was at the level of just that. I wouldn't

0:35:03.800 --> 0:35:08.760
<v Speaker 2>care that much now if it got way more serious. Yeah, no, No,

0:35:09.000 --> 0:35:11.239
<v Speaker 2>you missed what I'm saying. Yo, I spoke to him.

0:35:11.320 --> 0:35:15.720
<v Speaker 2>I spoke to him last night. Yeah, what y'all talked about?

0:35:17.000 --> 0:35:19.080
<v Speaker 3>You don't really say much and then you get off

0:35:19.080 --> 0:35:20.960
<v Speaker 3>the phone saying, y'all got to put a mall in

0:35:21.040 --> 0:35:23.719
<v Speaker 3>the tub, let me call you back, and then you

0:35:23.760 --> 0:35:28.080
<v Speaker 3>never called me back. Okay, I don't have a right

0:35:28.120 --> 0:35:31.760
<v Speaker 3>to look at you like, what the fuck? You understand

0:35:31.760 --> 0:35:34.640
<v Speaker 3>what I'm saying, like to me, yo, yo yo, mar

0:35:34.719 --> 0:35:36.440
<v Speaker 3>let me know themorrow in the tune, let me put

0:35:36.440 --> 0:35:37.879
<v Speaker 3>it down. I'm gonna call you soon as I put

0:35:37.880 --> 0:35:41.359
<v Speaker 3>her asleep. Yeah, and then I never hear from you again.

0:35:41.360 --> 0:35:43.200
<v Speaker 2>And then I get on a podcast apologizing to the

0:35:43.239 --> 0:35:45.879
<v Speaker 2>other person, and then and then you go onto your pod.

0:35:46.160 --> 0:35:50.000
<v Speaker 3>I can't say, yo, I apologize, And I don't have

0:35:50.080 --> 0:35:51.960
<v Speaker 3>a right to feel like what the fuck?

0:35:52.120 --> 0:35:53.840
<v Speaker 1>Like I thought that was my brother.

0:35:54.400 --> 0:35:56.200
<v Speaker 2>I would only feel a way if you want to

0:35:56.200 --> 0:35:58.360
<v Speaker 2>go make a choice for you at your big age.

0:35:59.360 --> 0:36:02.120
<v Speaker 1>Cool, but we would also need to speak. That's all

0:36:02.120 --> 0:36:05.040
<v Speaker 1>I'm saying. That's what according to call, That's that he tried.

0:36:05.320 --> 0:36:07.520
<v Speaker 1>So who knows what you're trying. I don't know, you

0:36:07.560 --> 0:36:08.239
<v Speaker 1>know what I'm not there.

0:36:08.280 --> 0:36:10.160
<v Speaker 3>You know you've because you've been in a situation where

0:36:10.160 --> 0:36:12.200
<v Speaker 3>somebody when you when you see somebody like you. I

0:36:12.360 --> 0:36:14.000
<v Speaker 3>was just trying to call you. What this I was

0:36:14.040 --> 0:36:16.200
<v Speaker 3>just trying to call you mean, how do you try

0:36:16.200 --> 0:36:20.520
<v Speaker 3>to call somebody? Either you press call or there is

0:36:20.560 --> 0:36:22.719
<v Speaker 3>no I tried to call you, y'all. Was just trying

0:36:22.760 --> 0:36:24.480
<v Speaker 3>to call you. What do you mean you was just

0:36:24.520 --> 0:36:27.080
<v Speaker 3>trying to call me like that's what people do again,

0:36:27.120 --> 0:36:29.600
<v Speaker 3>And I understand and that it makes more sense because

0:36:29.640 --> 0:36:32.600
<v Speaker 3>he's non confrontational and I understand that, and I'm not

0:36:32.719 --> 0:36:36.239
<v Speaker 3>mad at that. But you gotta face that fire, bro,

0:36:37.920 --> 0:36:39.840
<v Speaker 3>or are you just gonna not ever be cool with

0:36:40.239 --> 0:36:40.680
<v Speaker 3>him again?

0:36:40.960 --> 0:36:41.880
<v Speaker 1>Which is crazy to me?

0:36:41.960 --> 0:36:44.399
<v Speaker 3>Which is crazy because it's like, Bro, just just say

0:36:44.440 --> 0:36:46.399
<v Speaker 3>you was wrong in the way you handled it. Y'all

0:36:46.480 --> 0:36:48.960
<v Speaker 3>apologized I was wrong. I shouldn't I shouldn't handled like that.

0:36:49.120 --> 0:36:51.520
<v Speaker 3>I handled that completely wrong. There's nothing wrong with that.

0:36:51.560 --> 0:36:55.200
<v Speaker 3>But when you move and act like you know, like yo, listen, man,

0:36:55.239 --> 0:36:56.719
<v Speaker 3>you know that had nothing to do with me. I

0:36:56.800 --> 0:36:58.440
<v Speaker 3>kind of just moved out the way and you know,

0:36:58.719 --> 0:37:01.520
<v Speaker 3>and I still love those That's not enough to me, Bro,

0:37:01.600 --> 0:37:05.080
<v Speaker 3>That's not it's not it's not the history. It doesn't

0:37:05.120 --> 0:37:07.080
<v Speaker 3>it doesn't speak to the history that you have with

0:37:08.160 --> 0:37:10.600
<v Speaker 3>both of them. But really with Drake, and then, like

0:37:10.600 --> 0:37:13.000
<v Speaker 3>I said, coming off of the success of everything that

0:37:13.080 --> 0:37:16.480
<v Speaker 3>y'all was just doing, having your first number one and

0:37:16.520 --> 0:37:18.720
<v Speaker 3>going on the road and having all of these moments

0:37:18.760 --> 0:37:20.880
<v Speaker 3>that we were talking about on stage, you know, like

0:37:21.080 --> 0:37:22.640
<v Speaker 3>it was like Dan that was dope to see both

0:37:22.640 --> 0:37:24.839
<v Speaker 3>of them, and then all of a sudden two months later,

0:37:25.080 --> 0:37:27.719
<v Speaker 3>y'all never speak again after that. I think that's a

0:37:27.719 --> 0:37:31.200
<v Speaker 3>little crazy man to me. I just think that. And again,

0:37:31.360 --> 0:37:33.080
<v Speaker 3>you know, I know people feel like, yo, Drake is

0:37:33.120 --> 0:37:36.480
<v Speaker 3>your boy, so you riding for cool. I understand that,

0:37:36.760 --> 0:37:39.200
<v Speaker 3>but just use yourself, put yourself in that position with

0:37:39.239 --> 0:37:41.640
<v Speaker 3>one of your friends, one of your homies, and think

0:37:41.840 --> 0:37:43.040
<v Speaker 3>how would you feel about that.

0:37:43.120 --> 0:37:45.239
<v Speaker 1>I think anybody has directly be like that was fucked up.

0:37:46.120 --> 0:37:49.160
<v Speaker 1>As we say in capav Soferny, corporate brotherhood is a

0:37:49.160 --> 0:37:51.800
<v Speaker 1>two a street. Drake's allowed to feel away.

0:37:51.800 --> 0:37:54.319
<v Speaker 2>But also you can't be mad at somebody if they

0:37:54.360 --> 0:37:57.640
<v Speaker 2>tried to reach out or text you and you didn't reply,

0:37:58.320 --> 0:37:59.839
<v Speaker 2>you have every right to do that, but you can't

0:37:59.840 --> 0:38:03.560
<v Speaker 2>be mad that maybe they didn't take triple extra effort

0:38:03.800 --> 0:38:07.920
<v Speaker 2>to keep texting you, because if they didn't reply. Sometimes

0:38:07.960 --> 0:38:10.160
<v Speaker 2>I get sometimes I get the message like if it's

0:38:10.200 --> 0:38:12.000
<v Speaker 2>not off one text, I'm not going to beat this

0:38:12.080 --> 0:38:14.440
<v Speaker 2>into the ground because maybe I did a fuck up.

0:38:14.680 --> 0:38:16.640
<v Speaker 2>And if you're not replying, I'll give you the time

0:38:16.960 --> 0:38:19.680
<v Speaker 2>you can reply when when you feel comfortable because I'm

0:38:19.680 --> 0:38:21.520
<v Speaker 2>not about to force the conversation if you don't want

0:38:21.520 --> 0:38:23.640
<v Speaker 2>to fuck. So it's a two a street in that regard.

0:38:23.840 --> 0:38:27.680
<v Speaker 2>But in closing, I think the overall theme here is that,

0:38:27.760 --> 0:38:32.080
<v Speaker 2>like when you think about it, rap battles are really gay.

0:38:32.920 --> 0:38:35.560
<v Speaker 1>This is gay. No no, but no, no, it's it's

0:38:35.600 --> 0:38:37.200
<v Speaker 1>not gay. It's not good.

0:38:38.160 --> 0:38:40.520
<v Speaker 3>Rap battles aren't gay because rap is a competitive thing.

0:38:40.600 --> 0:38:42.960
<v Speaker 3>It's a competitive art form, So it's not gay. It's

0:38:42.960 --> 0:38:46.840
<v Speaker 3>that people turn it to make it too emotional. Yeah,

0:38:46.880 --> 0:38:49.239
<v Speaker 3>And I think that's what Cole did. He put he

0:38:49.280 --> 0:38:50.600
<v Speaker 3>put way too much thought in them.

0:38:50.760 --> 0:38:52.359
<v Speaker 1>It was just a rat battle, bro.

0:38:53.040 --> 0:38:56.560
<v Speaker 3>And I said when I said, I wasn't just no, no,

0:38:56.640 --> 0:38:58.759
<v Speaker 3>that's something totally different. I'm saying that it was just

0:38:58.800 --> 0:39:02.360
<v Speaker 3>it was just a rap. He turned it into the

0:39:02.400 --> 0:39:06.080
<v Speaker 3>emotional that I can't sleep and this, that and the third, and.

0:39:05.640 --> 0:39:07.440
<v Speaker 1>That's when I was like, Yoka, what is this.

0:39:07.800 --> 0:39:09.680
<v Speaker 3>That's when it starts to feel a little like yo,

0:39:09.719 --> 0:39:12.439
<v Speaker 3>come on, bro. We putting way too much emotion into

0:39:12.520 --> 0:39:14.960
<v Speaker 3>what could have just been an entertaining battle between some

0:39:15.000 --> 0:39:16.680
<v Speaker 3>of the best rappers that we ever had.

0:39:16.880 --> 0:39:21.120
<v Speaker 2>Yeah, that's all. And I promise we'll start to get

0:39:21.160 --> 0:39:23.680
<v Speaker 2>off this. There's one note from the Nedeska interview that

0:39:23.760 --> 0:39:28.839
<v Speaker 2>I do want to kind of go back to the

0:39:28.880 --> 0:39:30.960
<v Speaker 2>new generation has tried to change the rules on a

0:39:30.960 --> 0:39:33.919
<v Speaker 2>lot of shit. My favorite styles Pea quote is coming

0:39:33.920 --> 0:39:37.040
<v Speaker 2>off the shop conversation with Drake and Brawn about the

0:39:37.080 --> 0:39:40.480
<v Speaker 2>forty situation, and Styles was like, Drake is a great MC,

0:39:40.640 --> 0:39:44.080
<v Speaker 2>but you can't come here and change the rules at

0:39:44.080 --> 0:39:45.560
<v Speaker 2>this point, Like if you want to get in the mudd,

0:39:45.560 --> 0:39:46.759
<v Speaker 2>you got to stay in the mud. You can't come

0:39:46.800 --> 0:39:48.960
<v Speaker 2>in here and say what's okay and what's not okay.

0:39:49.040 --> 0:39:51.600
<v Speaker 2>These rules have existed well before all of us. You

0:39:51.600 --> 0:39:53.920
<v Speaker 2>don't get to do that. I kind of felt that

0:39:54.000 --> 0:39:59.240
<v Speaker 2>way with Cole talking about people debating rap to some degree.

0:40:00.040 --> 0:40:02.279
<v Speaker 2>He was saying, like, yo, sports does it as well,

0:40:02.600 --> 0:40:06.680
<v Speaker 2>Like to big up Lebron, I have to shit on

0:40:06.800 --> 0:40:09.520
<v Speaker 2>Jordan or vice versa. I have to steal the joy

0:40:09.560 --> 0:40:11.520
<v Speaker 2>of watching one of the best basketball players if I

0:40:11.520 --> 0:40:15.400
<v Speaker 2>start having Lebron and Jordan shit where I feel you

0:40:15.560 --> 0:40:19.080
<v Speaker 2>on a logical level, but that's this sport is an

0:40:19.200 --> 0:40:21.840
<v Speaker 2>art is to be debated, Like that's never gonna You

0:40:21.840 --> 0:40:23.680
<v Speaker 2>can't come here now, you can feel the way you're

0:40:23.680 --> 0:40:26.160
<v Speaker 2>a artist, You're a human, right, Erica Badu.

0:40:26.320 --> 0:40:27.560
<v Speaker 1>Are some sensitive about my shit?

0:40:27.719 --> 0:40:31.279
<v Speaker 2>I get it, but I don't view Maybe I view

0:40:31.320 --> 0:40:33.719
<v Speaker 2>that way with the stands on the internet as far

0:40:33.760 --> 0:40:37.960
<v Speaker 2>as debates go, but healthy rap debates have existed since

0:40:38.000 --> 0:40:40.640
<v Speaker 2>its inception, and it's not tearing someone else down. If

0:40:40.680 --> 0:40:42.440
<v Speaker 2>you want to say, reasonable doubt is better than ellmatic

0:40:42.520 --> 0:40:45.120
<v Speaker 2>or vice versa, not tearing that shit. I love illmatic

0:40:45.239 --> 0:40:49.000
<v Speaker 2>love like. I thought that was odd when he was

0:40:49.200 --> 0:40:52.120
<v Speaker 2>saying that. And I've heard other artists say this in

0:40:52.120 --> 0:40:55.799
<v Speaker 2>interviews and it bothers me because y'all do the same thing.

0:40:57.040 --> 0:41:00.680
<v Speaker 2>Y'all shit on podcasters, media people, every one that is

0:41:00.760 --> 0:41:03.760
<v Speaker 2>having debates about your music. I've been in the studio

0:41:03.800 --> 0:41:05.759
<v Speaker 2>with a lot of y'all. I bet around everyone to

0:41:05.840 --> 0:41:08.600
<v Speaker 2>dream through love those guys. We have healthy rap debates

0:41:08.640 --> 0:41:10.400
<v Speaker 2>where we do the same thing Cole is saying it.

0:41:10.520 --> 0:41:13.440
<v Speaker 1>It's part of it. It's part of the culture. People.

0:41:13.560 --> 0:41:16.200
<v Speaker 2>I've seen artists in interviews say how much they hate

0:41:16.200 --> 0:41:18.000
<v Speaker 2>this critiquing world, and the time that I'm like, bro,

0:41:18.040 --> 0:41:20.480
<v Speaker 2>I've better studio with you. You've said way worse shit

0:41:20.520 --> 0:41:22.480
<v Speaker 2>than I ever said on the MICUs. But if you

0:41:22.600 --> 0:41:23.560
<v Speaker 2>think Cole has not.

0:41:23.520 --> 0:41:26.000
<v Speaker 1>Had worse conversations than we've had on this fucking come on.

0:41:26.080 --> 0:41:28.359
<v Speaker 1>But dude, debate the same way we do. Listen, man,

0:41:28.560 --> 0:41:29.719
<v Speaker 1>but that's what you love this shit.

0:41:29.920 --> 0:41:33.040
<v Speaker 3>That's always been a part of this culture, though, is

0:41:33.080 --> 0:41:36.239
<v Speaker 3>debating you hear something, how you fucked about you? You

0:41:36.320 --> 0:41:38.279
<v Speaker 3>like that year I said something like, nah, he ain't

0:41:38.320 --> 0:41:41.400
<v Speaker 3>fucking with it. That's always been a thing. It was

0:41:41.440 --> 0:41:43.040
<v Speaker 3>Michael Jackson Prince growing up.

0:41:43.560 --> 0:41:45.000
<v Speaker 1>You know what I'm saying. It was like that.

0:41:45.000 --> 0:41:47.239
<v Speaker 3>That was that was That's always been a part of

0:41:47.360 --> 0:41:50.279
<v Speaker 3>consuming art and being, you know, in this coat of

0:41:50.360 --> 0:41:53.960
<v Speaker 3>hip hop and just music. It was always like who

0:41:54.040 --> 0:41:54.759
<v Speaker 3>you feel is better?

0:41:54.760 --> 0:41:55.239
<v Speaker 1>Who you who?

0:41:55.440 --> 0:41:57.759
<v Speaker 3>Who do you like more? Whose album was better? Who

0:41:57.800 --> 0:42:00.279
<v Speaker 3>who had the better song, Who's a better performer? You know,

0:42:00.440 --> 0:42:03.840
<v Speaker 3>like who's more stylish, who's fly, who's cooler? That's always

0:42:03.840 --> 0:42:06.000
<v Speaker 3>been a part of it. Like so we can't now

0:42:06.040 --> 0:42:09.239
<v Speaker 3>that you know, you're in this moment and it's your

0:42:09.280 --> 0:42:11.919
<v Speaker 3>turn to be you know, you're the main character now

0:42:13.080 --> 0:42:15.359
<v Speaker 3>to be debated and say like, oh, I hate when

0:42:15.360 --> 0:42:17.439
<v Speaker 3>people do that, Like why do we have to We're

0:42:17.440 --> 0:42:21.240
<v Speaker 3>not tearing them if it's a battle. It's a battle.

0:42:21.600 --> 0:42:24.239
<v Speaker 3>People are gonna pick their favorites. People are gonna pick

0:42:24.480 --> 0:42:26.200
<v Speaker 3>who they feel like, you know, they want to win,

0:42:26.239 --> 0:42:28.600
<v Speaker 3>they want a champion and root for and that's it.

0:42:28.680 --> 0:42:30.680
<v Speaker 3>But once that moment is over, we all move on,

0:42:30.800 --> 0:42:33.319
<v Speaker 3>We move forward, the culture keeps moving forward, and then

0:42:33.320 --> 0:42:34.960
<v Speaker 3>in a couple of years, we'll have another moment with

0:42:35.080 --> 0:42:37.040
<v Speaker 3>whoever they deem are the best. They're going to collide

0:42:37.040 --> 0:42:39.560
<v Speaker 3>and have to show their skill set. Like it goes,

0:42:39.680 --> 0:42:42.600
<v Speaker 3>it keeps. This is not the first or last battle

0:42:42.600 --> 0:42:45.840
<v Speaker 3>of hip hop. Now, it was a very unique moment.

0:42:46.120 --> 0:42:48.439
<v Speaker 3>It was because of the caliber the artists that we're

0:42:48.440 --> 0:42:51.040
<v Speaker 3>talking about. So it was a very unique moment and

0:42:51.239 --> 0:42:54.000
<v Speaker 3>probably one of the biggest moments, if not the biggest

0:42:54.040 --> 0:42:56.400
<v Speaker 3>moment when it comes to battle in hip hop that

0:42:56.480 --> 0:42:59.279
<v Speaker 3>we've had. But this isn't the first battle of.

0:42:59.560 --> 0:43:01.759
<v Speaker 2>He was saying, just in general, two of like not

0:43:01.800 --> 0:43:04.080
<v Speaker 2>even battle relate, Like just if we're arguing albums or

0:43:04.160 --> 0:43:07.640
<v Speaker 2>arguing music. And I mean, I like to Mike Princeton,

0:43:07.760 --> 0:43:09.520
<v Speaker 2>like if I say, well, all right, Mike didn't engineer

0:43:09.560 --> 0:43:13.080
<v Speaker 2>all those albums Prince engineered Perple Rain. I'm not I'm

0:43:13.080 --> 0:43:15.840
<v Speaker 2>not taking away from Michael Jackson's Oh.

0:43:15.800 --> 0:43:18.319
<v Speaker 3>You just name it facts and points to support your

0:43:18.440 --> 0:43:19.480
<v Speaker 3>argument and the debate.

0:43:19.680 --> 0:43:21.920
<v Speaker 1>It doesn't make Thriller any different, Like, it doesn't. It

0:43:21.920 --> 0:43:23.840
<v Speaker 1>doesn't take away from anybody.

0:43:23.880 --> 0:43:26.120
<v Speaker 3>It's like, nah, but you know, Prince taught his stuff

0:43:26.120 --> 0:43:28.000
<v Speaker 3>how to play every instrument. You know what I'm saying.

0:43:28.000 --> 0:43:29.960
<v Speaker 3>It's like, Okay, that's a fact. Throw that in the hat.

0:43:30.200 --> 0:43:32.759
<v Speaker 3>Let's talk about that. Yeah, but Prince don't dance like Mike,

0:43:32.800 --> 0:43:36.280
<v Speaker 3>you know what I'm saying. So it's it's all and furthermore,

0:43:36.280 --> 0:43:40.920
<v Speaker 3>where we hip hop itself was built upon that energy

0:43:41.040 --> 0:43:44.800
<v Speaker 3>of battling. I'm gonna bring my DJ to your park

0:43:45.120 --> 0:43:47.000
<v Speaker 3>and I'm gonna have my MC da da da. He's

0:43:47.040 --> 0:43:48.839
<v Speaker 3>from my block. We're gonna see who got the better.

0:43:49.160 --> 0:43:52.120
<v Speaker 3>That's always been a part of it. Like, so that's

0:43:52.160 --> 0:43:54.920
<v Speaker 3>why I really didn't understand, you know, J Cole not

0:43:54.960 --> 0:43:57.279
<v Speaker 3>wanting to be in that moment because he's such a

0:43:57.400 --> 0:44:01.120
<v Speaker 3>hip hop head. I would think that he would understan, Yes,

0:44:01.160 --> 0:44:03.280
<v Speaker 3>this is something that's gonna happen in this culture.

0:44:03.560 --> 0:44:05.960
<v Speaker 1>The titans have to clash. They say, he's the best.

0:44:06.719 --> 0:44:08.880
<v Speaker 1>I'm gonna go see. But I think in the Desk interview.

0:44:08.920 --> 0:44:10.480
<v Speaker 1>He had some he was humble in.

0:44:11.960 --> 0:44:16.080
<v Speaker 2>Understanding why people had the quote unquote outrage that they

0:44:16.120 --> 0:44:16.560
<v Speaker 2>did have.

0:44:17.719 --> 0:44:20.160
<v Speaker 1>He was understanding in that room, he has to understand

0:44:20.200 --> 0:44:20.960
<v Speaker 1>that from the culture.

0:44:22.160 --> 0:44:24.279
<v Speaker 2>But even in that there's a flip side to that coin,

0:44:24.320 --> 0:44:25.839
<v Speaker 2>because I kind of see what he's saying if he's

0:44:25.880 --> 0:44:30.799
<v Speaker 2>talking specifically about how toxic the internet music timeline has

0:44:30.880 --> 0:44:34.680
<v Speaker 2>become post this battle, because I agree, yes with the

0:44:34.760 --> 0:44:37.280
<v Speaker 2>guys that were never even music fans until this battle.

0:44:37.280 --> 0:44:39.919
<v Speaker 2>They're just Drake fans or they're just Kendrick fans. Yes,

0:44:39.960 --> 0:44:46.160
<v Speaker 2>they're tearing down somebody's credibility, livelihood, character to try to

0:44:46.200 --> 0:44:49.839
<v Speaker 2>win a debate. I feel him if that's who he's

0:44:49.880 --> 0:44:53.120
<v Speaker 2>talking about. But to say that we can't debate hip

0:44:53.160 --> 0:44:55.560
<v Speaker 2>hop because we're tearing someone out and the thief of

0:44:55.640 --> 0:44:57.840
<v Speaker 2>joy and everything they brought up, that's where I disagree.

0:44:58.000 --> 0:45:00.680
<v Speaker 2>I do agree if he's talking about the Internet now,

0:45:00.719 --> 0:45:03.680
<v Speaker 2>because y'all are weirdos, and I think the J Cole

0:45:03.719 --> 0:45:06.080
<v Speaker 2>out of the Big three, the J Cole stands are

0:45:06.120 --> 0:45:10.080
<v Speaker 2>probably the least toxic. But if you go through the

0:45:10.120 --> 0:45:13.400
<v Speaker 2>stands of the Big three, yeah, all they do is

0:45:13.440 --> 0:45:17.240
<v Speaker 2>tear down the other person in regards to a debate,

0:45:17.760 --> 0:45:19.319
<v Speaker 2>like we're not even talking about music at this point. Now,

0:45:19.480 --> 0:45:22.760
<v Speaker 2>now you're trying to figure out, like whose family structure

0:45:22.840 --> 0:45:25.160
<v Speaker 2>is set up this way, and now we're getting to

0:45:25.239 --> 0:45:28.399
<v Speaker 2>a very disrupted place if that's what you're focused on.

0:45:28.719 --> 0:45:31.799
<v Speaker 2>So I hear him there, But that's that's a small majority, dog,

0:45:31.920 --> 0:45:33.920
<v Speaker 2>as much as I hate that part of Twitter, Yeah,

0:45:34.000 --> 0:45:36.600
<v Speaker 2>it's like the point zero one percent of music fans, right,

0:45:36.840 --> 0:45:38.799
<v Speaker 2>that's just your algorithm for the day, Dog, Like the

0:45:38.840 --> 0:45:42.120
<v Speaker 2>rest of us are here having healthy debates, not tearing death.

0:45:42.400 --> 0:45:44.520
<v Speaker 2>I argue jay z nas all the time. I don't

0:45:44.560 --> 0:45:46.400
<v Speaker 2>tear down either of them when I bring up points

0:45:48.320 --> 0:45:49.160
<v Speaker 2>that I just thought it was.

0:45:49.239 --> 0:45:51.080
<v Speaker 3>Not thought of it, man. Yeah, but I am. I

0:45:51.440 --> 0:45:54.239
<v Speaker 3>do want to see his conversation with Cam. I'm looking

0:45:54.280 --> 0:45:57.000
<v Speaker 3>forward to that. You know, hopefully he goes more into

0:45:57.040 --> 0:46:00.799
<v Speaker 3>depth about because obviously you know Cam being I hope

0:46:00.800 --> 0:46:03.640
<v Speaker 3>he goes more into depth about the wrap, the wrapping

0:46:03.880 --> 0:46:06.520
<v Speaker 3>perspective of the whole thing, Like that's what I want

0:46:06.560 --> 0:46:09.399
<v Speaker 3>to hear Cole Speeds, So I want to hear more

0:46:09.400 --> 0:46:13.040
<v Speaker 3>about that. So looking forward to hing his conversation talk

0:46:13.080 --> 0:46:13.479
<v Speaker 3>with Flee.

0:46:13.960 --> 0:46:14.560
<v Speaker 1>Yeah, for sure.

0:46:14.840 --> 0:46:17.400
<v Speaker 2>I'm excited for that and sorry before we get off,

0:46:17.480 --> 0:46:20.160
<v Speaker 2>j Cole salutes to Mike Will made it. Reset is

0:46:20.160 --> 0:46:24.040
<v Speaker 2>out now. Two listens. I think it's incredible. Obviously Cole

0:46:24.760 --> 0:46:28.280
<v Speaker 2>is on that project, and I am here to give

0:46:29.719 --> 0:46:37.600
<v Speaker 2>Big Sean his flowers. Okay, Cole stands. Everyone calm the

0:46:37.640 --> 0:46:40.800
<v Speaker 2>fuck down. I think Cole got off then Cole went crazy.

0:46:41.120 --> 0:46:42.960
<v Speaker 2>I really like the record. It's one of those that

0:46:43.000 --> 0:46:44.840
<v Speaker 2>you could ride in the car. I'll probably put that

0:46:44.880 --> 0:46:46.000
<v Speaker 2>on the first thing when I get.

0:46:45.840 --> 0:46:48.359
<v Speaker 1>In the car to leave here. Love the record.

0:46:48.560 --> 0:46:53.839
<v Speaker 2>I out of the Big three, all three of them

0:46:54.600 --> 0:46:57.759
<v Speaker 2>have borrowed Big Sean flows a couple times in their

0:46:57.800 --> 0:47:00.759
<v Speaker 2>fucking careers, even if it was to diss them when

0:47:00.840 --> 0:47:03.399
<v Speaker 2>Kendrick did it. Drake has admitted he has before, which

0:47:03.480 --> 0:47:06.040
<v Speaker 2>I thought was honorable to be like, yeah, I took

0:47:06.040 --> 0:47:10.359
<v Speaker 2>that flow, but to say specifically with hits too, even

0:47:10.400 --> 0:47:12.480
<v Speaker 2>though I know this record on Mike Will's.

0:47:12.200 --> 0:47:13.759
<v Speaker 1>Album, Cole was just spitting he wouldn't try to make

0:47:13.960 --> 0:47:14.440
<v Speaker 1>a record.

0:47:15.440 --> 0:47:18.960
<v Speaker 2>But anytime rappers Kanye included, try to make a hit

0:47:19.040 --> 0:47:22.600
<v Speaker 2>in this era, they borrow a Big Sean flow like

0:47:22.640 --> 0:47:25.279
<v Speaker 2>Shawn's flows. If you go through his entire career are

0:47:26.360 --> 0:47:31.120
<v Speaker 2>coded in so many hit records. I can find it

0:47:31.160 --> 0:47:34.040
<v Speaker 2>in fucking problems. I can find it in so many records.

0:47:34.400 --> 0:47:36.960
<v Speaker 2>And I don't think there's anything wrong with Cole using

0:47:37.000 --> 0:47:38.520
<v Speaker 2>the flow that he used on this Mike Will record.

0:47:38.560 --> 0:47:41.280
<v Speaker 1>But that is a Big Sean flow, like I was. Actually,

0:47:41.320 --> 0:47:42.160
<v Speaker 1>it was so obvious.

0:47:42.200 --> 0:47:45.040
<v Speaker 2>I was waiting for Cole because the guy that he

0:47:45.280 --> 0:47:47.360
<v Speaker 2>is to shout out Big Sean while he was rapping

0:47:47.360 --> 0:47:51.439
<v Speaker 2>that way. Sean has created the blueprint for a lot

0:47:51.480 --> 0:47:55.560
<v Speaker 2>of the pockets that have created the rap that we

0:47:55.640 --> 0:47:59.239
<v Speaker 2>love today. Like Sewan does not get enough credit for

0:47:59.680 --> 0:48:02.560
<v Speaker 2>his is cadence. How he finds even the ship we

0:48:02.880 --> 0:48:06.399
<v Speaker 2>fucking clown. Yeah, like even the the rap like Big

0:48:06.400 --> 0:48:09.759
<v Speaker 2>Sean Twitter trend that it was all funny, but don't

0:48:09.800 --> 0:48:13.160
<v Speaker 2>act like that hasn't gotten us here. Nicky has flows

0:48:13.160 --> 0:48:15.759
<v Speaker 2>that are coded in Big Sean. Like everyone that we

0:48:15.880 --> 0:48:18.600
<v Speaker 2>love has borrowed from Big Sean, and I don't think it.

0:48:18.880 --> 0:48:20.799
<v Speaker 2>I don't think there's anything wrong with that whatsoever. Everyone

0:48:20.880 --> 0:48:23.960
<v Speaker 2>borrows from everybody. Shawn's borrowed from people as well. But

0:48:24.360 --> 0:48:26.120
<v Speaker 2>the fact that that has not been more on the

0:48:26.160 --> 0:48:28.960
<v Speaker 2>forefront and so obvious to people was kind of beyond me,

0:48:29.440 --> 0:48:30.839
<v Speaker 2>like Sean is one of them.

0:48:31.239 --> 0:48:33.080
<v Speaker 3>I mean, but that's that's something that's always happened though.

0:48:33.080 --> 0:48:36.799
<v Speaker 3>People have always borrowed flows and styles from uh you know.

0:48:37.080 --> 0:48:40.240
<v Speaker 3>That's to me, that's the ultimate compliment for an artist.

0:48:40.280 --> 0:48:42.000
<v Speaker 3>Like when you have like an artist to come along

0:48:42.160 --> 0:48:44.920
<v Speaker 3>and borrow my flow and my style on something, it's

0:48:44.960 --> 0:48:48.040
<v Speaker 3>let you know, like, Okay, I made, I bought a sound.

0:48:48.120 --> 0:48:51.440
<v Speaker 3>I bought an energy of cadence to rap that another

0:48:51.520 --> 0:48:53.719
<v Speaker 3>artist thought was cool and dope, and they kind of bought.

0:48:54.960 --> 0:48:55.720
<v Speaker 1>Jay borrowed.

0:48:56.400 --> 0:49:00.400
<v Speaker 3>I don't know if he borrowed pop pop who young Christ, No,

0:49:00.480 --> 0:49:02.280
<v Speaker 3>he borrowed, he borrowed Park's flowing.

0:49:03.040 --> 0:49:03.720
<v Speaker 1>Ain't no nigga.

0:49:04.160 --> 0:49:07.320
<v Speaker 3>Oh for sure, that's Pot that's his flow, that's his

0:49:07.400 --> 0:49:10.360
<v Speaker 3>Kadie's for the deafamitue skin though no bad got you

0:49:10.400 --> 0:49:13.520
<v Speaker 3>on t of Maasachi knew got it, that's Pot Like

0:49:13.520 --> 0:49:15.759
<v Speaker 3>a lot of people don't never notice that, but you know,

0:49:15.800 --> 0:49:18.440
<v Speaker 3>and even in that moment that was special because Pot

0:49:18.719 --> 0:49:21.040
<v Speaker 3>this Jay, and then Jay said, I don't hate on

0:49:21.080 --> 0:49:22.960
<v Speaker 3>those hate on me. I got pot on like he

0:49:23.080 --> 0:49:24.719
<v Speaker 3>was very clean that like I ain't got no you know,

0:49:24.760 --> 0:49:25.960
<v Speaker 3>what I'm saying, like, no issue.

0:49:25.680 --> 0:49:26.960
<v Speaker 1>With that borrowed his flow.

0:49:27.160 --> 0:49:30.399
<v Speaker 3>Yeah, but that's something I think every you know, dope

0:49:30.520 --> 0:49:33.200
<v Speaker 3>MC should kind of look for, Like if I'm dope

0:49:33.280 --> 0:49:35.120
<v Speaker 3>enough to peoplehere, people want to borrow my flow and

0:49:35.200 --> 0:49:37.640
<v Speaker 3>kind of like I inspired him to to to kind

0:49:37.640 --> 0:49:39.200
<v Speaker 3>of write and rap a certain way.

0:49:39.480 --> 0:49:40.880
<v Speaker 1>I think that that's dope. I don't think it's no

0:49:40.960 --> 0:49:41.480
<v Speaker 1>knock to now.

0:49:41.520 --> 0:49:43.840
<v Speaker 3>It is fucked up when you don't give that artist

0:49:44.520 --> 0:49:46.200
<v Speaker 3>credit and it'd be like, yo, nah, I got.

0:49:46.000 --> 0:49:46.920
<v Speaker 1>That flow from.

0:49:47.239 --> 0:49:49.560
<v Speaker 2>But sometimes I don't even think it's it's it's the

0:49:49.680 --> 0:49:53.279
<v Speaker 2>artist's responsibility, because I think borring flows is fine. Like

0:49:53.320 --> 0:49:55.560
<v Speaker 2>I don't think it's no I mean, like I think

0:49:55.680 --> 0:49:58.480
<v Speaker 2>this cold record with Michael is amazing.

0:49:58.080 --> 0:49:59.360
<v Speaker 1>And I don't think I don't think he should have

0:49:59.360 --> 0:50:00.680
<v Speaker 1>tweeted out like moral music.

0:50:03.640 --> 0:50:06.200
<v Speaker 2>I just want to give Sean his flowers like in

0:50:06.239 --> 0:50:08.880
<v Speaker 2>that regard, because so many people have done that with

0:50:08.960 --> 0:50:13.360
<v Speaker 2>records and and maybe if you're not, if you're a

0:50:13.400 --> 0:50:17.320
<v Speaker 2>casual fan, it may not be something that's so obvious

0:50:17.360 --> 0:50:20.520
<v Speaker 2>to you, which is totally fucking fine. I'm a loser

0:50:20.680 --> 0:50:24.600
<v Speaker 2>nerd that obsesses over this stuff. But I think Sean

0:50:24.640 --> 0:50:26.439
<v Speaker 2>should get those flowers, and not to say that mine

0:50:26.440 --> 0:50:29.560
<v Speaker 2>would mean anything, but in the nerd community, I think

0:50:29.600 --> 0:50:33.640
<v Speaker 2>we owe Sean like at least some props of the

0:50:33.680 --> 0:50:36.160
<v Speaker 2>amount of flows that he has given to the world

0:50:36.200 --> 0:50:39.400
<v Speaker 2>that have created hit records, great b side records, Like

0:50:39.760 --> 0:50:41.120
<v Speaker 2>Sean is him when it comes to that. You can

0:50:41.200 --> 0:50:44.680
<v Speaker 2>laugh at some of his his rhymes, but duh, everyone

0:50:44.680 --> 0:50:48.960
<v Speaker 2>inspired it, Like Ludacris is up there too. I think

0:50:49.000 --> 0:50:50.920
<v Speaker 2>some people would even say some of Sean's shit with

0:50:51.040 --> 0:50:53.759
<v Speaker 2>the Papaup balloons, like some of that maybe came from

0:50:53.800 --> 0:50:56.879
<v Speaker 2>Luda as well. Luda and Sean both have given us

0:50:57.040 --> 0:51:00.080
<v Speaker 2>flows that I don't think people realize it came from.

0:51:00.040 --> 0:51:00.799
<v Speaker 1>I say it all the time.

0:51:01.040 --> 0:51:02.600
<v Speaker 3>I mean you listen to Meek, I mean how you

0:51:02.760 --> 0:51:05.400
<v Speaker 3>you You should definitely turn after you finished listening to

0:51:05.440 --> 0:51:06.720
<v Speaker 3>Meet you should go listen to ace Hood.

0:51:07.840 --> 0:51:08.080
<v Speaker 1>Yeah.

0:51:08.440 --> 0:51:10.239
<v Speaker 3>I think that that's one of the clear ones that

0:51:10.239 --> 0:51:12.360
<v Speaker 3>we never really spoke about. It really gave credit to

0:51:12.480 --> 0:51:15.120
<v Speaker 3>like ace Hood, like the way he inspired like he.

0:51:15.320 --> 0:51:17.880
<v Speaker 2>It's more production or flow because like in NIE's defense,

0:51:17.880 --> 0:51:19.960
<v Speaker 2>he was given like even when he had the dirty

0:51:20.000 --> 0:51:23.440
<v Speaker 2>braids before ace Hood really hit with Khaled, like he

0:51:23.600 --> 0:51:26.239
<v Speaker 2>was rapping in his version of Philly Flow.

0:51:26.360 --> 0:51:27.560
<v Speaker 1>No I'm not saying he wasn't.

0:51:28.040 --> 0:51:30.960
<v Speaker 3>But if you listen to Ace Hood and you listen

0:51:31.000 --> 0:51:33.120
<v Speaker 3>to me, and you tell me you can't hear.

0:51:33.640 --> 0:51:35.600
<v Speaker 1>Bugatti very much could be a Meek Mill hit and

0:51:35.640 --> 0:51:38.080
<v Speaker 1>knowing what even this ye okay, you know what I'm saying,

0:51:38.120 --> 0:51:40.439
<v Speaker 1>I'm with you. Yeah, so I mean, and now whether

0:51:40.480 --> 0:51:41.799
<v Speaker 1>that was the first want to be able to wrap

0:51:41.840 --> 0:51:43.600
<v Speaker 1>that way, to make a hit that way the way? Yeah.

0:51:44.200 --> 0:51:46.560
<v Speaker 3>But but the crazy thing is, I think that sometimes

0:51:46.640 --> 0:51:50.720
<v Speaker 3>artists don't even notice it because if you hear Hustle

0:51:50.800 --> 0:51:53.160
<v Speaker 3>Hard and Bugatti and all of that as a as

0:51:53.200 --> 0:51:55.560
<v Speaker 3>you know, as that to me, that cadence and that

0:51:55.719 --> 0:51:57.240
<v Speaker 3>sticks in your mind when you're creating.

0:51:57.440 --> 0:51:59.879
<v Speaker 1>You don't even know that your brain is borrowing from that.

0:52:00.719 --> 0:52:03.000
<v Speaker 3>Because you like that cadence in that flow so much

0:52:03.080 --> 0:52:05.920
<v Speaker 3>that now you've adopted it when you write, and you'd

0:52:05.960 --> 0:52:08.799
<v Speaker 3>be like, oh shit, I didn't even realize. But then

0:52:08.800 --> 0:52:10.960
<v Speaker 3>when we get the record and you hit a record,

0:52:10.960 --> 0:52:13.719
<v Speaker 3>you like, that's like you said, but god, it could

0:52:13.760 --> 0:52:17.280
<v Speaker 3>have been a meek song, Hustle Hard and all that.

0:52:17.400 --> 0:52:20.279
<v Speaker 3>So it's you know, whether it's intentional or not. I'm

0:52:20.320 --> 0:52:22.120
<v Speaker 3>just saying, when you have things that we listen to

0:52:22.440 --> 0:52:24.759
<v Speaker 3>and that we hear, sometimes it's so embttered in our

0:52:24.760 --> 0:52:26.799
<v Speaker 3>brain and a part of our DNA that we don't

0:52:26.800 --> 0:52:29.520
<v Speaker 3>even realize that we're pulling from that and borrowing from

0:52:29.520 --> 0:52:32.400
<v Speaker 3>that because we've heard it so much. Like you, Sometimes

0:52:32.440 --> 0:52:34.719
<v Speaker 3>you hear a song when you're out moving around, You'll

0:52:34.760 --> 0:52:36.399
<v Speaker 3>start humming that song the rest of the day.

0:52:36.760 --> 0:52:38.680
<v Speaker 1>Yeah, and you don't even realize.

0:52:38.320 --> 0:52:40.399
<v Speaker 3>Like, oh shit, like I heard that song six hours ago,

0:52:40.480 --> 0:52:41.879
<v Speaker 3>Why am I singing this song all of a sudden?

0:52:41.880 --> 0:52:43.640
<v Speaker 2>I mean shit, even to get sorry Peach, to get

0:52:43.680 --> 0:52:46.080
<v Speaker 2>super nerdy, I can always tell when Peace likes the conversation,

0:52:46.160 --> 0:52:47.120
<v Speaker 2>it doesn't.

0:52:47.120 --> 0:52:47.799
<v Speaker 1>Even more nerdy.

0:52:47.840 --> 0:52:51.000
<v Speaker 2>Even if Meek never even felt like he was inspired

0:52:51.000 --> 0:52:55.000
<v Speaker 2>by ace Hood, it trained the consumer's ear for records

0:52:55.000 --> 0:52:58.400
<v Speaker 2>like that to be hits like it made it it palatable.

0:52:58.840 --> 0:53:01.120
<v Speaker 2>Meat could come with a record that wouldn't be a

0:53:01.160 --> 0:53:04.360
<v Speaker 2>traditional hit and can wrap that way, and the audience

0:53:04.440 --> 0:53:08.640
<v Speaker 2>is already accustomed to somebody doing it that way. So yeah,

0:53:08.640 --> 0:53:12.200
<v Speaker 2>I definitely hear you on that, that's for sure. I mean,

0:53:12.440 --> 0:53:14.480
<v Speaker 2>you already know how I feel. It's sampling, bro, that's

0:53:14.800 --> 0:53:17.200
<v Speaker 2>that's what hip hop was did. Rap is built on sampling.

0:53:17.239 --> 0:53:19.400
<v Speaker 1>It's all. It's all. Let's all call it sampling. That's

0:53:19.400 --> 0:53:22.800
<v Speaker 1>all we're doing with sampling. Fair enough. Yeah, which is

0:53:22.840 --> 0:53:24.480
<v Speaker 1>a perfect fucking segue.

0:53:25.719 --> 0:53:29.800
<v Speaker 2>Are you connected with Meek on LinkedIn yet?

0:53:29.160 --> 0:53:29.200
<v Speaker 1>No?

0:53:29.400 --> 0:53:33.799
<v Speaker 2>I'm my request is still pending. We're still I'm still

0:53:33.800 --> 0:53:34.280
<v Speaker 2>in the cue.

0:53:34.280 --> 0:53:36.680
<v Speaker 1>Meeg is on LinkedIn? Like that's really him? He announced

0:53:36.680 --> 0:53:37.160
<v Speaker 1>it over the weekend.

0:53:37.239 --> 0:53:40.279
<v Speaker 2>Yeah, you don't pay attention to the greatest tweeter of

0:53:40.280 --> 0:53:40.680
<v Speaker 2>all time.

0:53:41.360 --> 0:53:44.560
<v Speaker 1>I had push notifications I had, I didn't Meek was

0:53:44.560 --> 0:53:46.920
<v Speaker 1>was was announced that he's on LinkedIn? Had no. Yeah, man,

0:53:46.920 --> 0:53:48.960
<v Speaker 1>they've been killing him. This is this is his bio

0:53:49.040 --> 0:53:52.359
<v Speaker 1>right here? Would you like to read it that loud? Uh?

0:53:52.760 --> 0:53:57.040
<v Speaker 3>Okay, Meek Robert Williams Robert Williams mill he him or

0:53:57.120 --> 0:53:58.800
<v Speaker 3>is his his pronounce?

0:53:58.920 --> 0:54:00.000
<v Speaker 1>Progressive? Uh?

0:54:00.040 --> 0:54:03.040
<v Speaker 3>Looking to build out and make business connections that's aligned

0:54:03.080 --> 0:54:06.960
<v Speaker 3>with Meek mill dream Chases and bike Life brand also

0:54:07.000 --> 0:54:10.279
<v Speaker 3>connect more about criminal justice reform. I'm also nice at

0:54:10.320 --> 0:54:12.480
<v Speaker 3>creating tech ideas Meek Millie.

0:54:13.120 --> 0:54:14.040
<v Speaker 1>I don't know if this is real.

0:54:14.040 --> 0:54:15.600
<v Speaker 2>By the way, I think Ryan pulled up some bullshit,

0:54:15.960 --> 0:54:18.640
<v Speaker 2>but that's really his bio on LinkedIn.

0:54:19.000 --> 0:54:24.839
<v Speaker 1>Yeah, you can confirm that. That's it's verified. That is.

0:54:32.440 --> 0:54:34.920
<v Speaker 2>Typing on Lincoln the way you type on like the

0:54:34.960 --> 0:54:36.680
<v Speaker 2>spaces between and and bike Life.

0:54:37.000 --> 0:54:39.000
<v Speaker 1>Meek is fucking with us. This is this is him

0:54:39.040 --> 0:54:39.839
<v Speaker 1>just fucking with us.

0:54:40.000 --> 0:54:42.640
<v Speaker 2>I've gotten to that point where we've argued on the spot.

0:54:42.680 --> 0:54:46.440
<v Speaker 2>I think Meek is fucking with all but Jamarics included

0:54:46.520 --> 0:54:47.520
<v Speaker 2>like he mean that ship.

0:54:47.760 --> 0:54:49.960
<v Speaker 3>Nah, I think Meek is fucking with us. He don't

0:54:50.000 --> 0:54:52.640
<v Speaker 3>mean this. This is just this is his latest.

0:54:52.400 --> 0:54:54.720
<v Speaker 2>Fun We're supposed to get a was it one hundred

0:54:54.719 --> 0:54:56.759
<v Speaker 2>albums from him last year and we didn't get one.

0:54:57.320 --> 0:54:59.560
<v Speaker 3>You know, things kind of slowed up, the pressing plants

0:54:59.560 --> 0:55:01.360
<v Speaker 3>and all that things. He's trying to get vinyls.

0:55:01.520 --> 0:55:04.160
<v Speaker 2>Hey man, I'm not here to kill Meek the way

0:55:04.239 --> 0:55:06.040
<v Speaker 2>y'all work the entire weekend.

0:55:06.480 --> 0:55:08.560
<v Speaker 1>Let me go on LinkedIn and then make some connections.

0:55:08.560 --> 0:55:12.719
<v Speaker 1>Oh people was killing them for that? What do you do? Like?

0:55:13.320 --> 0:55:16.319
<v Speaker 1>He said it's Meek Millia on his LinkedIn profile. What

0:55:16.400 --> 0:55:19.240
<v Speaker 1>it is? It's Meek Milli. You can't you didn't understand

0:55:19.239 --> 0:55:20.480
<v Speaker 1>who it was. That's who he is.

0:55:21.440 --> 0:55:23.320
<v Speaker 2>Okay, but meet does a lot of stuff with criminal

0:55:23.360 --> 0:55:24.759
<v Speaker 2>reform and all that, like it could be a good

0:55:24.760 --> 0:55:26.920
<v Speaker 2>place to network. And he was saying, like, yo, we

0:55:27.000 --> 0:55:31.240
<v Speaker 2>all caught up on TikTok and and ig like LinkedIn's

0:55:31.360 --> 0:55:35.120
<v Speaker 2>a positive place and yeah, you don't know who could

0:55:35.160 --> 0:55:38.440
<v Speaker 2>just stumble upon Meek's profile and see see some potential

0:55:39.000 --> 0:55:39.680
<v Speaker 2>y'all ha haters?

0:55:39.680 --> 0:55:41.719
<v Speaker 3>Man, Yeah, man, let me get Let me get to

0:55:41.760 --> 0:55:45.360
<v Speaker 3>that bag man, let me make his connections. Man. Starting

0:55:45.400 --> 0:55:47.920
<v Speaker 3>my LinkedIn journey as an artist, I have dedicated much

0:55:47.920 --> 0:55:51.719
<v Speaker 3>of my time to honing my creators whom meat cam't

0:55:51.719 --> 0:55:52.160
<v Speaker 3>wrote this.

0:55:52.680 --> 0:55:53.959
<v Speaker 1>Because it doesn't match his bio.

0:55:54.080 --> 0:55:58.000
<v Speaker 3>Yeah, they not honing honing my creative skills. Now I

0:55:58.000 --> 0:56:01.000
<v Speaker 3>am ready to transition into the business world. Now you're

0:56:01.040 --> 0:56:04.200
<v Speaker 3>ready to transition to business world? Okay, and showcase my

0:56:04.280 --> 0:56:07.400
<v Speaker 3>true potential. For too long, others have spoken on my behalf.

0:56:07.760 --> 0:56:10.600
<v Speaker 3>But now I'm taking the rains. Meek, somebody is still

0:56:10.600 --> 0:56:13.000
<v Speaker 3>speaking on your behalf. Now I'm taking the rains and

0:56:13.080 --> 0:56:15.759
<v Speaker 3>speaking for myself, supported by a strong team.

0:56:15.800 --> 0:56:17.200
<v Speaker 1>This is somebody on your team. Okay.

0:56:17.480 --> 0:56:20.239
<v Speaker 3>Recently I showcased Dreams of Night mimas of Philadelphia. I'll

0:56:20.280 --> 0:56:23.160
<v Speaker 3>be posting more content and business ideas to demonstrate the

0:56:23.239 --> 0:56:28.440
<v Speaker 3>strength of the brand and my thought process. All right, listen,

0:56:28.520 --> 0:56:30.839
<v Speaker 3>man me trying to get his business in order.

0:56:31.040 --> 0:56:34.120
<v Speaker 2>I'm not mad at on the independent management side of me. Yeah,

0:56:34.440 --> 0:56:38.279
<v Speaker 2>left Rock, who's probably speaking for him now listen, may

0:56:38.280 --> 0:56:40.040
<v Speaker 2>you gotta back to the basics.

0:56:40.200 --> 0:56:43.319
<v Speaker 1>Yeah, I like it, start start a LinkedIn profile, but.

0:56:43.320 --> 0:56:46.200
<v Speaker 2>I just like I wish Meek would just go on

0:56:47.320 --> 0:56:50.200
<v Speaker 2>live and just start reading like his LinkedIn messages.

0:56:50.239 --> 0:56:52.400
<v Speaker 1>I just got to see who reaching out.

0:56:51.960 --> 0:56:55.400
<v Speaker 3>Who's trying to connect with him? Yeah, that might that

0:56:55.480 --> 0:56:56.920
<v Speaker 3>might be something he needs to stream. He need to

0:56:56.920 --> 0:56:57.560
<v Speaker 3>stream doing that.

0:56:58.120 --> 0:56:59.279
<v Speaker 1>Are you on LinkedIn? No?

0:57:00.080 --> 0:57:00.239
<v Speaker 4>Oh?

0:57:00.280 --> 0:57:03.359
<v Speaker 1>I mean you should start your journey with with Meek? Yeah,

0:57:03.400 --> 0:57:10.160
<v Speaker 1>meet them all, go to bio again.

0:57:10.280 --> 0:57:15.960
<v Speaker 2>So it's it's bike life, Yeah, dream Chasers, Meek Millie yeah,

0:57:16.560 --> 0:57:18.439
<v Speaker 2>and meeting more Meek and more Lawyer.

0:57:18.440 --> 0:57:20.880
<v Speaker 1>I could get that LLC moving tonight if you want

0:57:20.880 --> 0:57:21.760
<v Speaker 1>to me.

0:57:21.560 --> 0:57:23.520
<v Speaker 3>And that's I'm gonna have to hit Meek up and

0:57:23.560 --> 0:57:26.000
<v Speaker 3>like you might really get our LinkedIn ship going for sure.

0:57:26.440 --> 0:57:29.320
<v Speaker 2>I got a hundred on it, Yeah, one hundred dollars.

0:57:31.560 --> 0:57:32.439
<v Speaker 2>Do you watch Shark Tank?

0:57:32.960 --> 0:57:36.000
<v Speaker 1>Yeah? Okay, what would that value the company have? Then?

0:57:36.040 --> 0:57:37.600
<v Speaker 1>If I if I invest a five percent for one

0:57:37.680 --> 0:57:43.280
<v Speaker 1>hundred dollars for me and more.

0:57:46.800 --> 0:57:50.560
<v Speaker 2>Oh man, what what do you think, like what would

0:57:50.600 --> 0:57:52.920
<v Speaker 2>be the first vision for Meek and mall? Like, will

0:57:52.960 --> 0:57:55.480
<v Speaker 2>be the first thing y'all would tackle.

0:57:58.640 --> 0:58:02.600
<v Speaker 1>Something with criminal justice form something something along. Got that already, yeah,

0:58:02.640 --> 0:58:04.880
<v Speaker 1>but nah, we gotta we gotta really build that out more.

0:58:04.760 --> 0:58:07.280
<v Speaker 2>Though, y'all should be like the Firestone of tires, but

0:58:07.480 --> 0:58:08.800
<v Speaker 2>just specifically.

0:58:08.240 --> 0:58:13.040
<v Speaker 1>For dirt bikes and then get sued or helmets. Make

0:58:13.080 --> 0:58:17.800
<v Speaker 1>helmets yo, Right, that's the thing man, Yeah, because that's

0:58:17.800 --> 0:58:19.760
<v Speaker 1>fucked up. It's not cool to wear a helmet. Yeah,

0:58:19.800 --> 0:58:22.160
<v Speaker 1>we gotta make we gotta make make helmets great again.

0:58:23.960 --> 0:58:24.600
<v Speaker 1>That's what we gotta.

0:58:26.400 --> 0:58:28.440
<v Speaker 3>Me and me can make helmets great again because you

0:58:28.440 --> 0:58:29.800
<v Speaker 3>see a lot of these dudes on the dirt bikes.

0:58:29.800 --> 0:58:32.240
<v Speaker 1>They don't really be winning helmets. It's like, nah, put

0:58:32.320 --> 0:58:34.400
<v Speaker 1>a helmet or make make helmets cool again. Yo.

0:58:34.480 --> 0:58:36.680
<v Speaker 2>I mean when I when I got my custom bike,

0:58:37.240 --> 0:58:38.800
<v Speaker 2>when I went to like pick it up after I

0:58:38.800 --> 0:58:40.800
<v Speaker 2>did the whole process, He's like, you don't want to

0:58:40.800 --> 0:58:42.360
<v Speaker 2>buy a helmet. I thought he was just being a salesman.

0:58:42.400 --> 0:58:44.040
<v Speaker 2>He was like, you just spend this amount of money

0:58:44.440 --> 0:58:46.800
<v Speaker 2>on your bike. You don't want to spend any money

0:58:46.800 --> 0:58:47.240
<v Speaker 2>on your brain.

0:58:47.320 --> 0:58:49.880
<v Speaker 1>Huh right. I was like, that's not even a salesman,

0:58:49.880 --> 0:58:51.600
<v Speaker 1>that's just a fucking it's.

0:58:51.400 --> 0:58:53.240
<v Speaker 2>Just a logical human. But we need to spend all

0:58:53.280 --> 0:58:54.439
<v Speaker 2>this money. What about your head?

0:58:55.000 --> 0:58:56.200
<v Speaker 1>Gotta protect your head? Man.

0:58:56.600 --> 0:58:59.200
<v Speaker 2>Okay, make it more helmets, make it more helmets. Should

0:58:59.200 --> 0:59:00.920
<v Speaker 2>we go back to like pro tech? Who has a

0:59:00.920 --> 0:59:01.640
<v Speaker 2>protech plug?

0:59:02.240 --> 0:59:03.960
<v Speaker 1>See, y'all, y'all too young, we'll find one.

0:59:04.000 --> 0:59:05.919
<v Speaker 2>You don't even know Protech. I don't even you don't

0:59:05.920 --> 0:59:07.680
<v Speaker 2>even know Tony Hark pro skater too.

0:59:07.760 --> 0:59:10.480
<v Speaker 3>You're crazy. Yeah, Me and me and me can make

0:59:10.560 --> 0:59:13.800
<v Speaker 3>make helmets cool again. Make helmets cool again, Me and

0:59:13.800 --> 0:59:16.240
<v Speaker 3>me for sure. We get the m logos on the

0:59:16.240 --> 0:59:19.360
<v Speaker 3>side from Meek and Mall like the Eminem's kind of

0:59:19.400 --> 0:59:23.600
<v Speaker 3>Jack Eminem's, y'all laugh, And I see the y'all see

0:59:23.600 --> 0:59:24.160
<v Speaker 3>the bag.

0:59:24.000 --> 0:59:27.320
<v Speaker 2>Y'all remember like Mickey Mano Roger Merris did the eminem ship,

0:59:27.360 --> 0:59:27.800
<v Speaker 2>Like y'all.

0:59:27.680 --> 0:59:30.160
<v Speaker 1>Could be see what I'm saying. The asterisk could be

0:59:30.160 --> 0:59:33.280
<v Speaker 1>the logo exactly. Assisty one just take something from them,

0:59:33.360 --> 0:59:38.880
<v Speaker 1>borrow from Roger and Mickey. And that was Meek and mall. Y'all,

0:59:38.960 --> 0:59:40.720
<v Speaker 1>y'all don't see the vision. I need people around me

0:59:40.760 --> 0:59:43.440
<v Speaker 1>that has visionaries. Man, y'all don't have vision. That's the

0:59:43.480 --> 0:59:44.320
<v Speaker 1>problem now, all.

0:59:44.240 --> 0:59:46.000
<v Speaker 2>Right, But would that be too much of a conflict

0:59:46.000 --> 0:59:47.640
<v Speaker 2>with with Bike Life brand because I don't want you

0:59:47.680 --> 0:59:49.400
<v Speaker 2>to do a bad, bad business.

0:59:49.040 --> 0:59:49.920
<v Speaker 1>Deal and you're getting baked.

0:59:50.760 --> 0:59:53.720
<v Speaker 3>That's something different. Okay, that's his own thing. Gotch you

0:59:53.760 --> 0:59:55.320
<v Speaker 3>We just we on helmets. We ain't got nothing to

0:59:55.320 --> 0:59:56.640
<v Speaker 3>do with with bikes.

0:59:58.200 --> 1:00:01.320
<v Speaker 1>I have a connection to to damon.

1:00:02.000 --> 1:00:04.480
<v Speaker 2>If I had a chance to get you and Meek

1:00:04.600 --> 1:00:07.000
<v Speaker 2>on Shark Tank to pitch, how much time you guys

1:00:07.000 --> 1:00:07.360
<v Speaker 2>would need.

1:00:09.440 --> 1:00:11.520
<v Speaker 1>No, we can get that deal done quick. Mark Cuban

1:00:11.520 --> 1:00:13.080
<v Speaker 1>already talked about the music business. Even though I know

1:00:13.080 --> 1:00:14.360
<v Speaker 1>he left Shark Tank. We get him back.

1:00:14.880 --> 1:00:18.800
<v Speaker 3>Yeah, Cuban is a music head. He's a hip hop head.

1:00:19.320 --> 1:00:22.160
<v Speaker 3>He respects the culture. Cuban's not there no more.

1:00:23.080 --> 1:00:23.600
<v Speaker 1>No, he left.

1:00:24.760 --> 1:00:27.560
<v Speaker 2>Yeah, he was like the only compassionate one on that show.

1:00:28.000 --> 1:00:30.000
<v Speaker 2>He would all like he congratulate like people be like, yeah,

1:00:30.000 --> 1:00:32.120
<v Speaker 2>he's just made a million dollars off this this idea

1:00:32.160 --> 1:00:34.120
<v Speaker 2>I had in my room, Yo, congrats.

1:00:34.120 --> 1:00:38.040
<v Speaker 1>Everyone else be like that. That's awful. It's like he

1:00:38.120 --> 1:00:42.800
<v Speaker 1>made a million dollars from his room. Yeah, yeah, is

1:00:42.840 --> 1:00:44.600
<v Speaker 1>with us. He's a man of the people. He's a

1:00:44.600 --> 1:00:45.440
<v Speaker 1>man of people. You know.

1:00:45.440 --> 1:00:50.120
<v Speaker 2>It would be funny though, Like you remember the redacted

1:00:50.160 --> 1:00:51.760
<v Speaker 2>helmets from the nineties.

1:00:52.880 --> 1:00:53.920
<v Speaker 1>I'm using the word redacted.

1:00:53.920 --> 1:00:56.080
<v Speaker 2>I hope you know the word I'm using, Like the

1:00:56.080 --> 1:00:59.560
<v Speaker 2>helmets they would put on certain people like that we

1:00:59.560 --> 1:01:01.560
<v Speaker 2>could bring back and like you can have that on

1:01:01.600 --> 1:01:03.560
<v Speaker 2>the bike because I think it would be like an

1:01:03.560 --> 1:01:06.640
<v Speaker 2>olde Yeah, like you'd be shown awareness and.

1:01:06.800 --> 1:01:08.400
<v Speaker 3>I don't think that's gonna help you on a bike.

1:01:09.440 --> 1:01:11.080
<v Speaker 3>That's just helping you in life. That just helps you

1:01:11.080 --> 1:01:12.840
<v Speaker 3>when you're trying to go get something out a snack

1:01:12.880 --> 1:01:15.280
<v Speaker 3>out the fridge, Like that's not no the bike. You

1:01:15.320 --> 1:01:17.600
<v Speaker 3>need something a little more, put a little more mass

1:01:17.680 --> 1:01:18.000
<v Speaker 3>to it.

1:01:21.240 --> 1:01:23.640
<v Speaker 2>If me shut up with one of those, that would

1:01:23.680 --> 1:01:25.040
<v Speaker 2>be the funniest day on Twitter.

1:01:25.160 --> 1:01:28.240
<v Speaker 1>Make it cool. Let's make it cool. Yeah, I mean

1:01:28.240 --> 1:01:30.360
<v Speaker 1>they call him that on Twitter all the time. Cool

1:01:30.400 --> 1:01:32.320
<v Speaker 1>meek No, No, talk about the redactor.

1:01:36.760 --> 1:01:40.120
<v Speaker 3>No, No, that's not Who's not who I was talking about.

1:01:42.360 --> 1:01:45.360
<v Speaker 1>No, shout out to me. I'm glad you're on LinkedIn, man. Yeah,

1:01:45.480 --> 1:01:48.360
<v Speaker 1>me going on LinkedIn streets. Man, they laughing at you.

1:01:48.400 --> 1:01:53.280
<v Speaker 1>I'm fucking with it, Meek, I like it. Maul.

1:01:53.320 --> 1:01:55.920
<v Speaker 2>I heard you talking in the lounge earlier that you

1:01:56.000 --> 1:01:58.440
<v Speaker 2>feel like you have to overpay for great wireless.

1:01:58.480 --> 1:02:00.000
<v Speaker 1>It's like a big thing that you preach all the time.

1:02:00.520 --> 1:02:01.920
<v Speaker 1>But I'll can preached that all the time.

1:02:02.000 --> 1:02:04.440
<v Speaker 2>But Maul, you can get off your soapbox because boost

1:02:04.480 --> 1:02:07.360
<v Speaker 2>Mobile is proving that you don't have to overpay for

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1:02:20.840 --> 1:02:23.360
<v Speaker 3>Stop overpaying and switch to a fair price at boostmobile

1:02:23.360 --> 1:02:26.040
<v Speaker 3>dot com today based on average annual single line payment

1:02:26.040 --> 1:02:28.360
<v Speaker 3>of AT and T Verizon and T Mobile customers compared

1:02:28.520 --> 1:02:30.520
<v Speaker 3>to twelve months on the Boots Mobile Nlimited plan as

1:02:30.520 --> 1:02:33.240
<v Speaker 3>of January twenty twenty six. Full off of details, visit

1:02:33.280 --> 1:02:40.320
<v Speaker 3>boostmobile dot com.

1:02:40.360 --> 1:02:42.160
<v Speaker 1>I'm here to be a solid partner with Mega Mall.

1:02:43.080 --> 1:02:45.160
<v Speaker 1>If you're down to have me, yeah, let's make it high. Pause.

1:02:45.240 --> 1:02:49.360
<v Speaker 2>But yeah, anyways, how you felt about Mandamie's top five

1:02:49.440 --> 1:02:50.160
<v Speaker 2>rappers of all time.

1:02:53.240 --> 1:02:55.440
<v Speaker 3>Listen, man, you trying to get me to say something

1:02:55.480 --> 1:02:57.720
<v Speaker 3>about MoMA Donna and that's not going to say it.

1:02:57.760 --> 1:02:59.720
<v Speaker 3>What's Who's Mam Donnie's top five rappers?

1:03:00.240 --> 1:03:05.840
<v Speaker 1>Common jay Z, Biggie Nahs, Loope, common Ja, Biggie Noahs,

1:03:05.880 --> 1:03:06.520
<v Speaker 1>and Loope.

1:03:08.760 --> 1:03:12.280
<v Speaker 3>I'm not mad at it, all right, I mean, listen,

1:03:12.320 --> 1:03:14.680
<v Speaker 3>I told you I'm not when it comes to people's

1:03:14.960 --> 1:03:18.240
<v Speaker 3>preference and in their opinions on music, I'm really not.

1:03:18.960 --> 1:03:19.760
<v Speaker 1>I'm not pushing it.

1:03:19.800 --> 1:03:22.760
<v Speaker 3>If that's Mom Donnie's top five cool now show me

1:03:22.800 --> 1:03:26.760
<v Speaker 3>Mom Donnie's top five solutions to cleaning up New York City.

1:03:27.840 --> 1:03:28.840
<v Speaker 1>Great, this is great.

1:03:29.080 --> 1:03:31.000
<v Speaker 3>These are all MC's that I listened to that I like

1:03:31.080 --> 1:03:33.640
<v Speaker 3>as well, Mam Donnie. Cool Now show me his top

1:03:33.680 --> 1:03:36.000
<v Speaker 3>five solutions to fixing the city.

1:03:36.520 --> 1:03:40.040
<v Speaker 1>No, it's cooler when you talk about rap exactly. He's relatable.

1:03:40.080 --> 1:03:41.320
<v Speaker 3>You want to talk about all this shit that ain't

1:03:41.320 --> 1:03:43.680
<v Speaker 3>got nothing to do with the budget, nothing to do

1:03:43.760 --> 1:03:44.640
<v Speaker 3>with that, nothing to.

1:03:44.560 --> 1:03:47.200
<v Speaker 1>Do with the whole line. Right now, the potholes being

1:03:47.320 --> 1:03:50.080
<v Speaker 1>fixed in June, they're being fixed. There's already. See. You

1:03:50.080 --> 1:03:52.680
<v Speaker 1>don't even pay attention to geopolitics, aka just New York City.

1:03:53.080 --> 1:03:56.000
<v Speaker 1>It's crazy New York City June. They're being fixed.

1:03:57.640 --> 1:03:58.920
<v Speaker 2>Do you think it's fucked up that he didn't have

1:03:58.920 --> 1:04:01.320
<v Speaker 2>anyone from all of them? Like how you from Harlem

1:04:01.360 --> 1:04:03.000
<v Speaker 2>and don't have that?

1:04:04.680 --> 1:04:08.840
<v Speaker 1>Nah? Top five? Nah, I'm not mad at that. Do

1:04:08.840 --> 1:04:10.360
<v Speaker 1>you all think he should go on top talk with

1:04:10.400 --> 1:04:11.360
<v Speaker 1>Flee right after Cole?

1:04:11.760 --> 1:04:13.959
<v Speaker 3>He probably has tried to go and talk with Flee.

1:04:14.720 --> 1:04:18.040
<v Speaker 3>Donnie's probably reached out and that probably will happen. That

1:04:18.080 --> 1:04:20.000
<v Speaker 3>probably will happen. It will definitely happen.

1:04:20.040 --> 1:04:22.240
<v Speaker 1>Definitely, I can see that happening. But it's time for

1:04:22.280 --> 1:04:25.360
<v Speaker 1>re election. We're gonna go sit with here. You're gonna

1:04:25.360 --> 1:04:28.360
<v Speaker 1>be here, Donnie's gonna be right here with.

1:04:28.760 --> 1:04:32.600
<v Speaker 2>Do you think he talks to uh, Gillian Wallow? That'd

1:04:32.640 --> 1:04:34.880
<v Speaker 2>be a great convo. I mean they're they're Philly, yeah,

1:04:34.960 --> 1:04:36.560
<v Speaker 2>speaking more than New York. But I think the Gilly

1:04:36.640 --> 1:04:39.840
<v Speaker 2>Gillian Wallow episode with Mondamie would be fucking hilarious. Do

1:04:39.840 --> 1:04:42.160
<v Speaker 2>you think so they just got Tyree to admit that

1:04:42.200 --> 1:04:46.680
<v Speaker 2>he acted redacted at the Social Security Office.

1:04:47.000 --> 1:04:49.280
<v Speaker 3>Well, Roy, we all have that's not news to me

1:04:49.360 --> 1:04:51.160
<v Speaker 3>that the fact that Tyree said his mom made him

1:04:51.200 --> 1:04:53.800
<v Speaker 3>act like something was wrong with him or act uh,

1:04:54.160 --> 1:04:57.960
<v Speaker 3>you know, special soci Security Office.

1:04:58.080 --> 1:05:00.720
<v Speaker 2>I think everyone's parents has told them to add special

1:05:00.760 --> 1:05:02.200
<v Speaker 2>needs at some point in their life.

1:05:02.240 --> 1:05:04.280
<v Speaker 1>But that was a part of growing up.

1:05:04.320 --> 1:05:06.000
<v Speaker 3>Man, if your mom had to go to the office

1:05:06.000 --> 1:05:08.919
<v Speaker 3>and get public assistance and all of that, Like, yeah,

1:05:08.960 --> 1:05:10.840
<v Speaker 3>you had to go in there. You can't look too clean,

1:05:10.920 --> 1:05:12.680
<v Speaker 3>you got to look like you're struggling a little bit.

1:05:13.320 --> 1:05:14.680
<v Speaker 1>Yeah, that was part of it. Man.

1:05:14.880 --> 1:05:17.680
<v Speaker 2>My favorite part of that's weird. Tyrys and Meek do

1:05:17.680 --> 1:05:19.840
<v Speaker 2>you have a lot in common? My favorite part of

1:05:19.840 --> 1:05:21.680
<v Speaker 2>this clip. For those that didn't see it, Tyree said

1:05:21.680 --> 1:05:24.320
<v Speaker 2>that his mom used to make him act retarded at

1:05:24.320 --> 1:05:27.160
<v Speaker 2>the Social Security Office to receive seven hundred eight dollars

1:05:27.160 --> 1:05:29.800
<v Speaker 2>a month and in watts in the eighties.

1:05:29.520 --> 1:05:33.760
<v Speaker 3>That's balling, yo, balling. You got act retardingt balling. But

1:05:33.760 --> 1:05:36.160
<v Speaker 3>when it was so Valtaile was acting retarded? Like what

1:05:36.240 --> 1:05:40.680
<v Speaker 3>is acting retarded? I don't like, don't get me.

1:05:41.040 --> 1:05:43.560
<v Speaker 1>I'm not trying it. I'm just saying like, like what

1:05:43.600 --> 1:05:45.360
<v Speaker 1>if he did something and his mom.

1:05:45.240 --> 1:05:47.280
<v Speaker 3>Was like, no, that's not it, Like, how do you pivot?

1:05:47.320 --> 1:05:49.400
<v Speaker 3>Like what is acting retarded? What does that look like

1:05:49.640 --> 1:05:51.800
<v Speaker 3>you just drooling on yourself. I'm not answering this question.

1:05:52.400 --> 1:05:54.640
<v Speaker 3>I'm just trying to figure out what is just acting

1:05:54.760 --> 1:05:58.160
<v Speaker 3>up Like you're acting like bad in the Social Skirit office,

1:05:58.200 --> 1:06:00.400
<v Speaker 3>like you're just knocking it over your mom say so,

1:06:00.440 --> 1:06:01.240
<v Speaker 3>now you don't listen?

1:06:01.560 --> 1:06:02.440
<v Speaker 1>Is that acting retarded?

1:06:02.560 --> 1:06:02.680
<v Speaker 4>Well?

1:06:03.240 --> 1:06:05.120
<v Speaker 2>Christ Stefano, who we've had on the show, has a

1:06:05.200 --> 1:06:07.840
<v Speaker 2>very funny bit about his dad trying to get him

1:06:07.840 --> 1:06:10.640
<v Speaker 2>to the first section in Yankee Stadium, which I mean,

1:06:10.720 --> 1:06:13.680
<v Speaker 2>I think all our dads, anyone that went to Yankee Stadium,

1:06:13.680 --> 1:06:15.160
<v Speaker 2>you buy, bleach your tickets, and then you try to

1:06:15.160 --> 1:06:15.600
<v Speaker 2>sneak down.

1:06:15.880 --> 1:06:17.400
<v Speaker 1>You're not a good father if you didn't.

1:06:17.160 --> 1:06:19.160
<v Speaker 2>Do that with your kid and try to teach them

1:06:19.640 --> 1:06:22.520
<v Speaker 2>how to game pass that shit. So his father had

1:06:22.560 --> 1:06:25.919
<v Speaker 2>told the security guard right there that hey, my son

1:06:25.960 --> 1:06:29.840
<v Speaker 2>has special needs, and then they got down to the

1:06:29.840 --> 1:06:32.880
<v Speaker 2>seats and his dad said the drew was a nice touch.

1:06:33.360 --> 1:06:36.280
<v Speaker 2>And then Chris the SEVENO started to think, wait, am

1:06:36.360 --> 1:06:37.360
<v Speaker 2>I retarded.

1:06:39.160 --> 1:06:45.920
<v Speaker 3>The Drew? He didn't even know he was droolid. Yeah,

1:06:46.200 --> 1:06:47.600
<v Speaker 3>that's how you got to do it, man.

1:06:47.840 --> 1:06:48.920
<v Speaker 1>So I mean tell it.

1:06:49.200 --> 1:06:52.240
<v Speaker 2>My favorite part of this clip though, was Gilly said,

1:06:52.240 --> 1:06:54.680
<v Speaker 2>you've been acting your whole life, and I'm misinterpreted what

1:06:54.680 --> 1:06:57.440
<v Speaker 2>Gilly said. I thought Gilly was saying, you've been acting

1:06:57.520 --> 1:06:58.760
<v Speaker 2>retarding your whole life.

1:06:59.640 --> 1:07:01.920
<v Speaker 1>That was my first intention of what that stuff. That's

1:07:01.960 --> 1:07:04.000
<v Speaker 1>not what he was saying. I get it, though.

1:07:04.080 --> 1:07:06.600
<v Speaker 3>I listen, man, Tyres grew up like most of us,

1:07:06.600 --> 1:07:08.000
<v Speaker 3>grew up inner cities, like you got to go to

1:07:08.040 --> 1:07:08.600
<v Speaker 3>that off some time.

1:07:08.680 --> 1:07:10.840
<v Speaker 1>Your mom's like, listen, we need this check and do

1:07:10.880 --> 1:07:13.680
<v Speaker 1>what we gotta do. Tyres is from Watts to say

1:07:13.680 --> 1:07:15.560
<v Speaker 1>what ship? I understand. I get it.

1:07:16.400 --> 1:07:18.920
<v Speaker 2>And on top of that, if you're in the Coca

1:07:18.960 --> 1:07:22.440
<v Speaker 2>Cola commercials and you're trying to keep that off the books.

1:07:22.360 --> 1:07:24.080
<v Speaker 1>Well that was you gotta go. You gotta go full

1:07:24.120 --> 1:07:26.800
<v Speaker 1>retard scurity office. That was later on, and not just

1:07:26.840 --> 1:07:29.720
<v Speaker 1>see this kid doing the Coca Cola commercials. That was

1:07:29.800 --> 1:07:32.520
<v Speaker 1>later on. Ty was in high school at that point.

1:07:34.280 --> 1:07:36.919
<v Speaker 1>But no, that that ship was super funny. You mentioned

1:07:36.960 --> 1:07:39.840
<v Speaker 1>to me off Mike that there's the ty Resent tank versus.

1:07:39.760 --> 1:07:44.280
<v Speaker 3>Ty Reson tank versus this Thursday, right twenty six.

1:07:45.400 --> 1:07:46.200
<v Speaker 1>This is gonna be dope.

1:07:46.440 --> 1:07:47.640
<v Speaker 3>I think this is this is gonna be one of

1:07:47.680 --> 1:07:50.360
<v Speaker 3>those verses where because I kind of wasn't too you know,

1:07:51.080 --> 1:07:54.600
<v Speaker 3>I wasn't anticipating a lot of the previous verses that

1:07:54.640 --> 1:07:57.760
<v Speaker 3>we've had recently, but this one because I think a

1:07:57.760 --> 1:08:00.000
<v Speaker 3>lot of people, you know, they're not really too famili

1:08:00.200 --> 1:08:03.400
<v Speaker 3>with tanks catalog and if it's songs that Tank also

1:08:03.520 --> 1:08:06.480
<v Speaker 3>wrote or produce that he's.

1:08:06.640 --> 1:08:09.760
<v Speaker 1>Playing, yeah, I don't know if that's fair though, why

1:08:09.800 --> 1:08:12.440
<v Speaker 1>not we've here, we've seen we've seen other people do

1:08:12.440 --> 1:08:13.320
<v Speaker 1>that on versus.

1:08:13.280 --> 1:08:15.240
<v Speaker 2>Yeah, but it was usually like writer verse writer producer

1:08:15.320 --> 1:08:17.639
<v Speaker 2>versus producer. If Tanks start doing all this ship he wrote,

1:08:17.640 --> 1:08:22.120
<v Speaker 2>then this is a very unfair battle like hits tu tho. No,

1:08:22.439 --> 1:08:25.120
<v Speaker 2>it's just artest first artist. I'm more of a Tank

1:08:25.160 --> 1:08:27.200
<v Speaker 2>fan than I am a Tyreee fan. But if you

1:08:27.280 --> 1:08:30.160
<v Speaker 2>get like, what do you signs of love making? What

1:08:30.160 --> 1:08:31.400
<v Speaker 2>do you what do you come back with?

1:08:32.080 --> 1:08:35.360
<v Speaker 1>Don't go? True? But I still think sounds of love

1:08:35.400 --> 1:08:37.920
<v Speaker 1>making like get you there? Nah?

1:08:38.280 --> 1:08:41.240
<v Speaker 3>The audience a versus audience Nah, don't go is don't

1:08:41.240 --> 1:08:43.320
<v Speaker 3>go as I don't care who's watching that, don't Go

1:08:43.479 --> 1:08:47.519
<v Speaker 3>is probably gonna win that round. Tank plays sounds of

1:08:47.520 --> 1:08:51.040
<v Speaker 3>love making and you played don't go. Don't say Tyree

1:08:51.160 --> 1:08:52.800
<v Speaker 3>sounds of love making. Yeah, that's what I'm saying. And

1:08:52.960 --> 1:08:53.920
<v Speaker 3>then Tank plays don't Go.

1:08:54.600 --> 1:08:56.920
<v Speaker 1>Yeah. I think that's a win for Don't Go. Yeah,

1:08:56.960 --> 1:08:59.240
<v Speaker 1>that's a win for Tank. This is gonna be interesting,

1:08:59.280 --> 1:09:02.360
<v Speaker 1>though it's not as much as I funk with Tyree. Uh.

1:09:02.520 --> 1:09:05.320
<v Speaker 2>Tanks Catalog is just it's too deep, it's too active,

1:09:05.520 --> 1:09:07.799
<v Speaker 2>Like it's still gonna be interesting. Like if I'm Tyree,

1:09:07.800 --> 1:09:09.960
<v Speaker 2>and I want to make this clear, I'm not disrespecting Tyree.

1:09:10.000 --> 1:09:13.320
<v Speaker 2>I think he's probably an underrated singer and artist with

1:09:13.880 --> 1:09:17.800
<v Speaker 2>what he's given us. By round fifteen, I'm gonna start

1:09:17.800 --> 1:09:20.360
<v Speaker 2>playing fast and furious clips though, Like I don't think

1:09:20.400 --> 1:09:23.400
<v Speaker 2>people realize tanks tanks catalog.

1:09:23.600 --> 1:09:25.160
<v Speaker 1>That's but that's why I like this, Like once you're

1:09:25.160 --> 1:09:25.519
<v Speaker 1>getting the.

1:09:25.520 --> 1:09:27.360
<v Speaker 2>Hooks and not to say tyss don't have crazy hook

1:09:27.840 --> 1:09:29.720
<v Speaker 2>tanks to I don't know, man tanks just different than me.

1:09:30.880 --> 1:09:33.240
<v Speaker 2>No tank tank like a lot of people, you know,

1:09:33.760 --> 1:09:35.240
<v Speaker 2>it's gonna perform a.

1:09:35.160 --> 1:09:36.800
<v Speaker 3>Lot of people don't know. Tank got he got a

1:09:36.840 --> 1:09:38.400
<v Speaker 3>lot of hits. But Tyree's got hits too.

1:09:38.439 --> 1:09:45.200
<v Speaker 1>Though, who brings out genuine to do TGT? How do

1:09:45.200 --> 1:09:51.680
<v Speaker 1>they how do they bake that in? Mm hmm? I

1:09:51.720 --> 1:09:53.639
<v Speaker 1>don't know if I don't know if genu Wine comes out.

1:09:53.479 --> 1:09:58.679
<v Speaker 2>Though, if they recreate what they did on Good Morning America,

1:09:58.760 --> 1:10:00.840
<v Speaker 2>I would love to see that. Like if we get

1:10:00.880 --> 1:10:05.960
<v Speaker 2>if we give Genuine, like I don't know, three Molly's

1:10:06.040 --> 1:10:08.800
<v Speaker 2>and a little bit of coke, we get up a

1:10:08.840 --> 1:10:15.760
<v Speaker 2>great time t G t or LSG, TGT okay, and

1:10:15.800 --> 1:10:19.880
<v Speaker 2>it's kind of it's kind of not close. It's kind

1:10:19.880 --> 1:10:22.880
<v Speaker 2>of not close. Yeah, you got a crazy hit there,

1:10:22.880 --> 1:10:24.599
<v Speaker 2>but not go through the TGT catalog.

1:10:24.680 --> 1:10:27.880
<v Speaker 1>Go through those. They got some joints.

1:10:27.920 --> 1:10:30.760
<v Speaker 2>Am I the only one that remembers Uh Genuine being

1:10:31.960 --> 1:10:34.400
<v Speaker 2>coked up out of his mind during that performance.

1:10:34.840 --> 1:10:37.880
<v Speaker 1>He wasn't coked up. He said he had mental I

1:10:38.000 --> 1:10:38.760
<v Speaker 1>here for mental health.

1:10:39.040 --> 1:10:40.439
<v Speaker 3>No, no, he had taken I think they said we

1:10:40.560 --> 1:10:43.160
<v Speaker 3>took a five hour energy drink or something like that,

1:10:43.840 --> 1:10:46.160
<v Speaker 3>and I think he didn't eat or something, and then

1:10:46.200 --> 1:10:48.080
<v Speaker 3>the lights being baking on him on the show.

1:10:48.280 --> 1:10:50.960
<v Speaker 1>CAEP, bring that clip public. I'm just saying that.

1:10:51.360 --> 1:10:54.799
<v Speaker 2>Listen, I could see it have been TGT Good Morning America.

1:10:55.760 --> 1:10:59.240
<v Speaker 2>You can I have taken I've drinking Celsius, a red Bull,

1:11:00.000 --> 1:11:01.160
<v Speaker 2>taking five hour energies.

1:11:01.400 --> 1:11:05.120
<v Speaker 1>I've not eaten. I have never in my life. Yeah,

1:11:05.160 --> 1:11:05.920
<v Speaker 1>but you've never done that.

1:11:05.960 --> 1:11:08.080
<v Speaker 3>It hain't been on Good Morning America with the lights

1:11:08.120 --> 1:11:10.040
<v Speaker 3>Bacon on your skull.

1:11:12.320 --> 1:11:14.960
<v Speaker 2>The funniest shit about this entire club is like maybe

1:11:14.960 --> 1:11:18.000
<v Speaker 2>three quarters the way through, you can see Tank on

1:11:18.040 --> 1:11:20.679
<v Speaker 2>the piano trying to hold his laughs back, like tak

1:11:20.840 --> 1:11:23.080
<v Speaker 2>is trying not to laugh while he's on the fucking keys.

1:11:24.720 --> 1:11:26.920
<v Speaker 3>He was fucked up whatever he was on. He was

1:11:27.680 --> 1:11:28.639
<v Speaker 3>geeking off that shit.

1:11:28.760 --> 1:11:30.720
<v Speaker 2>Well, I know you're only taking Molly once, but for

1:11:30.720 --> 1:11:33.120
<v Speaker 2>people that have taken it like a lot, sometimes you

1:11:33.120 --> 1:11:35.080
<v Speaker 2>start chewing the side of your cheek. I can see

1:11:35.080 --> 1:11:38.200
<v Speaker 2>a chewed cheek from a mile away. Yeah, that's a

1:11:38.280 --> 1:11:42.559
<v Speaker 2>chewed cheek. That's not five hour energy, that's a chewed

1:11:42.600 --> 1:11:46.160
<v Speaker 2>ass cheek. I know what it's like to be up

1:11:46.200 --> 1:11:48.599
<v Speaker 2>for three days on Molly, just tweaking like.

1:11:50.120 --> 1:11:50.960
<v Speaker 1>You just turn it.

1:11:51.120 --> 1:11:52.720
<v Speaker 2>Tyre's had to get out of his chair, just so

1:11:52.920 --> 1:11:55.360
<v Speaker 2>hoping that the cameras would distract from Genuine and sitting

1:11:55.400 --> 1:11:55.760
<v Speaker 2>there off.

1:11:56.120 --> 1:11:58.479
<v Speaker 3>Yeah, let me take the spotlight. Let me get some

1:11:58.520 --> 1:11:59.479
<v Speaker 3>of this light off, my guy.

1:11:59.560 --> 1:12:01.240
<v Speaker 1>And if you've heard this song, Tank just takes all

1:12:01.320 --> 1:12:02.080
<v Speaker 1>Genuine's parts.

1:12:02.160 --> 1:12:04.280
<v Speaker 3>Yeah, he had to but they spoke about this though.

1:12:04.280 --> 1:12:06.960
<v Speaker 3>They after and all left about it. Genuine I spoke

1:12:07.000 --> 1:12:08.599
<v Speaker 3>about this too, but this was a classic.

1:12:08.920 --> 1:12:10.439
<v Speaker 2>I think it was like a TMZ clip shot that

1:12:10.560 --> 1:12:12.160
<v Speaker 2>before they all sat down and talk about it. I

1:12:12.160 --> 1:12:15.040
<v Speaker 2>think they caught genuine the next day he's like, hey man,

1:12:15.080 --> 1:12:20.840
<v Speaker 2>you know, sometimes you're tired, like, all right, but this verse.

1:12:20.720 --> 1:12:22.560
<v Speaker 3>Is gonna be dope though, this ver's gonna be do

1:12:22.600 --> 1:12:25.320
<v Speaker 3>I'm looking forward to this. Yeah, I'm definitely with you.

1:12:25.880 --> 1:12:28.639
<v Speaker 2>Well, speaking of R and B, I don't like that

1:12:28.640 --> 1:12:31.479
<v Speaker 2>that that Usher wasn't clocking that.

1:12:31.320 --> 1:12:34.599
<v Speaker 1>That JB was standing on business. Sometimes you gotta clop

1:12:34.600 --> 1:12:37.200
<v Speaker 1>the business. That's the verses we need right now. Sometimes

1:12:37.400 --> 1:12:38.320
<v Speaker 1>sometimes you gotta.

1:12:38.160 --> 1:12:40.600
<v Speaker 3>See when JB like, no, we need we needed we

1:12:40.760 --> 1:12:43.320
<v Speaker 3>that's the verses that already happened. That we need to

1:12:43.360 --> 1:12:46.719
<v Speaker 3>see the footage of Justin Bieber and Usher. That's the verses.

1:12:47.200 --> 1:12:47.320
<v Speaker 1>Now.

1:12:47.360 --> 1:12:49.320
<v Speaker 3>That picture that came out with a correct Peter that

1:12:49.400 --> 1:12:52.439
<v Speaker 3>was that was because I thought I thought I said

1:12:52.439 --> 1:12:55.439
<v Speaker 3>Be grabbed Usher by his lapel like that. I thought

1:12:55.439 --> 1:12:58.840
<v Speaker 3>that was crazy. Beyonce in THEE Yeah that.

1:13:00.640 --> 1:13:01.160
<v Speaker 1>Was crazy.

1:13:01.280 --> 1:13:03.800
<v Speaker 2>Well if that wasn't Ai though, that would be on

1:13:03.840 --> 1:13:05.559
<v Speaker 2>a billboard, like that would have.

1:13:05.479 --> 1:13:07.200
<v Speaker 3>Been the funniest spot. And I thought about that, I'm

1:13:07.200 --> 1:13:09.280
<v Speaker 3>like that, can't that? Can I should have known that

1:13:09.400 --> 1:13:12.160
<v Speaker 3>was Ai because I mean, everybody at the fucking gold

1:13:12.160 --> 1:13:14.960
<v Speaker 3>party has phones. Yeah, things like that like that, we

1:13:15.000 --> 1:13:16.160
<v Speaker 3>would have gotten footage of that.

1:13:16.760 --> 1:13:19.320
<v Speaker 1>Your brother was there, yeah, like he would have called you.

1:13:19.320 --> 1:13:23.440
<v Speaker 3>Yeah yeah, getting getting Usher Usha getting his lapel wrinkled

1:13:24.080 --> 1:13:26.240
<v Speaker 3>by Justin Bieber, Like we would have gotten real footage

1:13:26.280 --> 1:13:28.160
<v Speaker 3>of that. So but that's the verses we need. We

1:13:28.200 --> 1:13:30.479
<v Speaker 3>need to know exactly what happened, what was said, what

1:13:30.520 --> 1:13:31.639
<v Speaker 3>was on What do you think that was about?

1:13:31.640 --> 1:13:32.640
<v Speaker 1>Though I don't know.

1:13:33.240 --> 1:13:36.280
<v Speaker 2>I don't want to go to the terrible part of

1:13:36.320 --> 1:13:41.120
<v Speaker 2>the internet brain of things that have been accused that

1:13:41.160 --> 1:13:42.920
<v Speaker 2>happened to Justin Bieber as a kid, and we know

1:13:43.080 --> 1:13:45.360
<v Speaker 2>the Usher was with Puff and then Puff was like

1:13:45.479 --> 1:13:46.240
<v Speaker 2>I want to stay away.

1:13:46.280 --> 1:13:47.640
<v Speaker 1>I don't think it had anything to do with that.

1:13:47.760 --> 1:13:51.040
<v Speaker 1>But you know that was the comet pizza of course,

1:13:51.800 --> 1:13:55.280
<v Speaker 1>conspiracy theory that Justin was finally talking to Usher of like, yo,

1:13:55.320 --> 1:13:57.040
<v Speaker 1>you put me in a situation. I don't think it

1:13:57.080 --> 1:13:57.760
<v Speaker 1>was that at all.

1:13:59.120 --> 1:14:02.599
<v Speaker 2>Oh think sometimes when when JB gets the spirits in him,

1:14:04.080 --> 1:14:05.080
<v Speaker 2>he goes a little nuts.

1:14:05.680 --> 1:14:07.120
<v Speaker 3>Do you think he had something to do with maybe

1:14:07.240 --> 1:14:10.639
<v Speaker 3>Biaber not being happy that Usher's probably still making money

1:14:10.640 --> 1:14:14.800
<v Speaker 3>off of him, like business dealings. It might be some

1:14:14.880 --> 1:14:21.840
<v Speaker 3>of that, the formalities, the business formalities, Yeah, but.

1:14:21.920 --> 1:14:24.040
<v Speaker 2>Also sometimes you just got to sit there and be like, well,

1:14:24.320 --> 1:14:25.040
<v Speaker 2>it's not a bad deal.

1:14:26.280 --> 1:14:27.840
<v Speaker 3>Yeah, but I mean if you you can sign a

1:14:27.880 --> 1:14:30.439
<v Speaker 3>bad deal when you're fucking twelve years old being a

1:14:30.479 --> 1:14:30.760
<v Speaker 3>full h.

1:14:31.960 --> 1:14:34.479
<v Speaker 1>My dad and my mom like, why why he's this bullshit?

1:14:34.560 --> 1:14:36.439
<v Speaker 1>I mean it's a usher, you know what I mean.

1:14:36.840 --> 1:14:38.840
<v Speaker 3>Especially at that time, Usher was you know, he's still

1:14:39.240 --> 1:14:43.640
<v Speaker 3>a huge star, but sixteen eighteen years ago, yeah, you

1:14:43.640 --> 1:14:45.080
<v Speaker 3>know what I mean. Like, I mean, at that time,

1:14:45.160 --> 1:14:47.920
<v Speaker 3>you know, this is ushered and Bieber obviously had a

1:14:47.960 --> 1:14:49.560
<v Speaker 3>lot of talent, and it was, you know, it was

1:14:49.560 --> 1:14:51.000
<v Speaker 3>a good thing to kind of be up under Usher.

1:14:51.240 --> 1:14:54.080
<v Speaker 3>I think that now, you know, Bieber's probably looking back like,

1:14:54.120 --> 1:14:57.200
<v Speaker 3>all right, doog like I still just I'm still paying you. Yeah,

1:14:57.680 --> 1:14:59.280
<v Speaker 3>I think that's probably more so what it was.

1:14:59.520 --> 1:15:03.600
<v Speaker 2>Well, I mean, we have real facts here, sources, Okay, sources,

1:15:03.800 --> 1:15:06.280
<v Speaker 2>we have the sources said to have Flick should do

1:15:06.320 --> 1:15:08.240
<v Speaker 2>a dock on sources. Yeah, I want to meet sources.

1:15:08.240 --> 1:15:09.960
<v Speaker 2>We got to meet sources. Love sources.

1:15:10.040 --> 1:15:11.120
<v Speaker 1>Let me see sources. Yeah.

1:15:11.400 --> 1:15:15.760
<v Speaker 2>So sources says they witnessed the feud. Of course, a

1:15:15.800 --> 1:15:19.479
<v Speaker 2>source always witnessed some shit. Said Usher reacted angrily when

1:15:19.640 --> 1:15:22.360
<v Speaker 2>Justin brushed him off in the same way he has

1:15:22.400 --> 1:15:26.400
<v Speaker 2>for a while now, same source claims from those closer

1:15:26.400 --> 1:15:29.439
<v Speaker 2>to Usher, a closer source, from his perspective, that's a

1:15:29.520 --> 1:15:32.679
<v Speaker 2>level of loyalty and gratitude that hasn't been reciprocated. Furthermore,

1:15:32.720 --> 1:15:36.680
<v Speaker 2>the distance between them has come off as dismissive and disrespectful.

1:15:36.840 --> 1:15:38.599
<v Speaker 2>So does that make Justin the aggressor or the other

1:15:38.640 --> 1:15:39.440
<v Speaker 2>way around?

1:15:41.760 --> 1:15:42.599
<v Speaker 1>I don't know, because.

1:15:42.439 --> 1:15:44.519
<v Speaker 2>Ushers, if he's dismissing, I'm like, I don't even want

1:15:44.520 --> 1:15:47.160
<v Speaker 2>to speak to you. To me, that would be Usher

1:15:47.200 --> 1:15:49.360
<v Speaker 2>grabbing his lapel, like, no, come here.

1:15:49.080 --> 1:15:51.679
<v Speaker 1>You're gonna talk to me. You're my son. Let's let's

1:15:51.680 --> 1:15:56.080
<v Speaker 1>start there. Yeah. But I mean, clearly the source is

1:15:56.120 --> 1:15:57.760
<v Speaker 1>giving us stuff. We already know.

1:15:57.840 --> 1:15:59.760
<v Speaker 2>Usher played a key role in Justin and getting his

1:15:59.760 --> 1:16:02.400
<v Speaker 2>stars in the history there matters and whatever.

1:16:02.880 --> 1:16:08.080
<v Speaker 1>I don't know. Some people view things differently from their childhood.

1:16:08.320 --> 1:16:09.120
<v Speaker 1>Then you may.

1:16:09.920 --> 1:16:12.040
<v Speaker 2>View when you were an adult for sure, And I'm

1:16:12.040 --> 1:16:13.320
<v Speaker 2>not I want to make this co I'm not saying

1:16:13.360 --> 1:16:15.639
<v Speaker 2>a Usher weird shit that they talk about the internet.

1:16:15.840 --> 1:16:18.479
<v Speaker 2>I was saying, yeah, I know, Justin got older and

1:16:18.520 --> 1:16:21.280
<v Speaker 2>probably look back and maybe maybe you didn't handle my

1:16:21.280 --> 1:16:22.280
<v Speaker 2>business the best way.

1:16:22.280 --> 1:16:22.800
<v Speaker 1>Maybe you didn't.

1:16:22.920 --> 1:16:26.080
<v Speaker 2>I think there could be resentment there, and Usher's probably

1:16:26.760 --> 1:16:27.519
<v Speaker 2>looking at it.

1:16:27.439 --> 1:16:30.240
<v Speaker 1>Like this was the music business? What did you now?

1:16:30.280 --> 1:16:31.840
<v Speaker 1>You're not even gonna speak to me or.

1:16:31.920 --> 1:16:33.960
<v Speaker 3>You know, Usher's been trying to have a conversation about it,

1:16:33.960 --> 1:16:36.240
<v Speaker 3>and Justin doesn't want to talk to them, like you said,

1:16:36.280 --> 1:16:39.360
<v Speaker 3>brushing them off. I could see, you know, Usher kind

1:16:39.400 --> 1:16:41.120
<v Speaker 3>of like grabbing them up like yo, like nah, were

1:16:41.120 --> 1:16:43.960
<v Speaker 3>talking like let's have this conversation. Because when they said

1:16:43.960 --> 1:16:46.880
<v Speaker 3>they had a a whatever they said, there was, you know,

1:16:46.920 --> 1:16:49.360
<v Speaker 3>maybe some yelling. It doesn't have to be like some crazy.

1:16:49.400 --> 1:16:50.560
<v Speaker 3>It could just be like yo, let me talk to

1:16:50.640 --> 1:16:52.240
<v Speaker 3>you like you be like fuck you, like I don't

1:16:52.240 --> 1:16:53.920
<v Speaker 3>want to talk to you. And then that turns into

1:16:54.120 --> 1:16:57.080
<v Speaker 3>Justter and Justin Bieber and Usher had a feud at

1:16:57.080 --> 1:16:58.479
<v Speaker 3>the goal part and it was literally like yo, I.

1:16:58.479 --> 1:17:00.280
<v Speaker 1>Don't want to talk to you. My guess was less

1:17:00.280 --> 1:17:02.360
<v Speaker 1>than that. My guess it could have been nothing.

1:17:02.680 --> 1:17:06.320
<v Speaker 2>Yeah, some people just looked like they speak aggressively and

1:17:06.320 --> 1:17:08.920
<v Speaker 2>you're at the goal part, the music's playing. The source

1:17:08.960 --> 1:17:10.920
<v Speaker 2>could have just been walking by and was like, it

1:17:10.960 --> 1:17:13.040
<v Speaker 2>kind of look like they're arguing. Yeah, because that's happened

1:17:13.080 --> 1:17:14.920
<v Speaker 2>to me where it's like, yo, y'all was arguing.

1:17:14.840 --> 1:17:18.360
<v Speaker 3>No, no, just having a passionate Yeah, just having a

1:17:18.360 --> 1:17:19.640
<v Speaker 3>loud discussion.

1:17:19.360 --> 1:17:23.000
<v Speaker 1>At each other. So I think this is nothing. I think.

1:17:23.000 --> 1:17:24.680
<v Speaker 2>I don't even like my speculation. I really don't think

1:17:24.720 --> 1:17:27.800
<v Speaker 2>anything is wrong. I think they just maybe were having

1:17:27.800 --> 1:17:30.439
<v Speaker 2>a disagreement and that's it was what it was.

1:17:30.960 --> 1:17:32.759
<v Speaker 3>So how do we feel about now? Justin tim Blake

1:17:32.840 --> 1:17:36.200
<v Speaker 3>is confused that he's a white guy. Did you see that?

1:17:38.080 --> 1:17:39.559
<v Speaker 3>I told y'all he had too much soul to be

1:17:39.560 --> 1:17:40.080
<v Speaker 3>a white guy.

1:17:40.520 --> 1:17:42.320
<v Speaker 1>Y'all didn't believe. It's another thing I said years ago.

1:17:42.400 --> 1:17:46.080
<v Speaker 1>Nobody believe me. I tried to tell you. I mean,

1:17:46.720 --> 1:17:48.040
<v Speaker 1>in his defense, he got blacker.

1:17:49.840 --> 1:17:53.000
<v Speaker 3>The video came out of his dwirest in the Hamptons

1:17:53.040 --> 1:17:57.280
<v Speaker 3>years ago, rough week for the whites. Would you arrest

1:17:57.360 --> 1:17:58.800
<v Speaker 3>Justin Tim Blake if you pulled him over in the

1:17:58.800 --> 1:18:02.400
<v Speaker 3>Hampton's and you could tell he was a little like intoxicated,

1:18:03.080 --> 1:18:05.679
<v Speaker 3>because I don't think I would here.

1:18:05.720 --> 1:18:07.040
<v Speaker 1>Here's where corruption would.

1:18:06.840 --> 1:18:08.559
<v Speaker 2>Definitely take place. I want to make it very clear.

1:18:08.800 --> 1:18:10.920
<v Speaker 2>I do not agree with drunk driving. It has led

1:18:10.960 --> 1:18:14.559
<v Speaker 2>to a lot of terrible things. If I'm in the

1:18:14.560 --> 1:18:17.320
<v Speaker 2>Hampton's on a dirt road and Justin Timberlake gets out

1:18:17.400 --> 1:18:20.559
<v Speaker 2>his car and I don't have a lot of calls

1:18:20.600 --> 1:18:23.200
<v Speaker 2>that night of keeping the Hampton safe, there's not a

1:18:23.200 --> 1:18:25.519
<v Speaker 2>lot of cloths in Hamptons. I may look at my

1:18:25.560 --> 1:18:28.400
<v Speaker 2>partner and go, you drive his car. I'll drive the

1:18:28.439 --> 1:18:29.080
<v Speaker 2>cruiser behind you.

1:18:29.120 --> 1:18:31.360
<v Speaker 1>Let's take it, and let's get Justin Timberlake back that

1:18:31.479 --> 1:18:33.240
<v Speaker 1>which is fucked up. I want to make that clear.

1:18:33.400 --> 1:18:37.120
<v Speaker 2>I identify that we shouldn't give celebrities privileges like that,

1:18:37.200 --> 1:18:39.519
<v Speaker 2>and they shouldn't be above the law. But if I'm

1:18:39.560 --> 1:18:43.160
<v Speaker 2>in the Hamptons and Justin Timberlake's driving ten miles an

1:18:43.200 --> 1:18:45.439
<v Speaker 2>hour down a dirt road, I don't know if I'm

1:18:45.439 --> 1:18:47.639
<v Speaker 2>taking Justin Timberlake to jail. I'm just trying to be honest.

1:18:47.680 --> 1:18:50.400
<v Speaker 2>I know everyone that's way more amazing than me listening

1:18:50.439 --> 1:18:50.960
<v Speaker 2>right now.

1:18:50.920 --> 1:18:52.760
<v Speaker 1>Is like you can't do that. You can do the

1:18:52.760 --> 1:18:56.439
<v Speaker 1>same thing. You turn a body camels No, I got

1:18:56.439 --> 1:18:58.439
<v Speaker 1>to put it in the group chat the homies guy

1:18:58.760 --> 1:19:01.120
<v Speaker 1>it I just rolled over Justin simply.

1:19:00.880 --> 1:19:02.600
<v Speaker 3>Not it was on a body cam. You get in

1:19:02.600 --> 1:19:06.120
<v Speaker 3>trouble for that. If you take them home, you're supposed

1:19:06.160 --> 1:19:06.720
<v Speaker 3>to wrest them that.

1:19:06.800 --> 1:19:10.680
<v Speaker 1>You know how much corruption probably happens in the Hamptons. Well,

1:19:10.720 --> 1:19:12.120
<v Speaker 1>I'm just saying you might have to turn that body

1:19:12.160 --> 1:19:14.680
<v Speaker 1>cam off though. Yeah, you know, I me times at

1:19:14.720 --> 1:19:17.960
<v Speaker 1>the Murdock household. They probably turned their body they turned

1:19:17.960 --> 1:19:23.439
<v Speaker 1>their ring camp. So not only turning your body cam

1:19:23.479 --> 1:19:25.880
<v Speaker 1>off in the Hamptons is that crazy? Not only you

1:19:25.880 --> 1:19:28.000
<v Speaker 1>get back to your officers.

1:19:28.040 --> 1:19:29.840
<v Speaker 3>Turn that ring cam off real quick, man, let's turn

1:19:29.880 --> 1:19:31.760
<v Speaker 3>that off real quick. We can handle this right here.

1:19:32.080 --> 1:19:34.800
<v Speaker 2>But yeah, more footage leaked from I believe that was

1:19:34.840 --> 1:19:37.439
<v Speaker 2>last summer, right, because there was footage that leaked where

1:19:37.520 --> 1:19:39.080
<v Speaker 2>where Justin was like, do I got to get to

1:19:39.080 --> 1:19:42.759
<v Speaker 2>my tour? Yeah, which was hilarious. But in the precinct

1:19:42.920 --> 1:19:47.760
<v Speaker 2>you saw Justin reading his paperwork after he had one martini.

1:19:46.880 --> 1:19:50.639
<v Speaker 1>Just it's always one one bed one martini, It's always one.

1:19:51.040 --> 1:19:53.360
<v Speaker 1>And he looked at his paperwork and said white.

1:19:55.120 --> 1:19:59.360
<v Speaker 2>Tough crowd, like you're you're working with a very cold

1:19:59.360 --> 1:20:01.759
<v Speaker 2>audience at that point, because I would have busted out laughing.

1:20:01.920 --> 1:20:03.599
<v Speaker 3>Yeah, you don't got to be so serious. The officer

1:20:03.640 --> 1:20:05.040
<v Speaker 3>is trying to be said, I wouldn't have invested on.

1:20:05.080 --> 1:20:07.479
<v Speaker 2>But I'm sure he had to pause blown at that

1:20:07.560 --> 1:20:11.240
<v Speaker 2>point because you start, you start joking after you've yeah,

1:20:11.320 --> 1:20:11.960
<v Speaker 2>I'm called so.

1:20:12.080 --> 1:20:14.080
<v Speaker 1>Let me it is what it is like. All Right,

1:20:14.320 --> 1:20:17.760
<v Speaker 1>I'm a little intoxicated. I get it, but I have fun.

1:20:18.680 --> 1:20:20.960
<v Speaker 2>I'm not not proud of it, but I have. I

1:20:21.000 --> 1:20:26.760
<v Speaker 2>have been arrested for a DUI before you was scared. No,

1:20:27.000 --> 1:20:29.400
<v Speaker 2>So I don't want to say in my defense because

1:20:29.400 --> 1:20:32.880
<v Speaker 2>there is no real defense for drinking and driving. I

1:20:32.920 --> 1:20:36.519
<v Speaker 2>fell asleep at my friend's dorm. He was taking summer

1:20:36.560 --> 1:20:39.160
<v Speaker 2>classes at Saint Peter's. I was living at my godfather's

1:20:39.800 --> 1:20:41.559
<v Speaker 2>Jersey City to uh. I don't want to say the

1:20:41.560 --> 1:20:43.400
<v Speaker 2>time where my godfather lives, but it's it's not very

1:20:43.400 --> 1:20:47.040
<v Speaker 2>far and I was living at his house. I went

1:20:47.080 --> 1:20:49.439
<v Speaker 2>to sleep like I slept. We were drinking that night,

1:20:49.680 --> 1:20:52.559
<v Speaker 2>and I don't know if you've been in shitty commuter

1:20:52.640 --> 1:20:55.800
<v Speaker 2>style dorms the small couch is probably the size of

1:20:55.800 --> 1:20:59.080
<v Speaker 2>this table of where I was sleeping. I woke up

1:20:59.200 --> 1:21:02.840
<v Speaker 2>at like seven am, like I'm getting the fuck out

1:21:02.880 --> 1:21:07.360
<v Speaker 2>of here. I slept enough, get in the car, get

1:21:07.400 --> 1:21:10.360
<v Speaker 2>pulled over on the side of the Jersey Turnpike. And

1:21:10.360 --> 1:21:14.400
<v Speaker 2>this this was the the year of like cargos with

1:21:14.520 --> 1:21:17.920
<v Speaker 2>cement threes. Tom So I'm literally like walking. I don't

1:21:17.920 --> 1:21:19.439
<v Speaker 2>know if you've seen the Jersey Turnpike. It has a

1:21:19.520 --> 1:21:22.160
<v Speaker 2>slope on the side. I do walk in a straight

1:21:22.200 --> 1:21:24.880
<v Speaker 2>line on a slope and do this at the same

1:21:24.880 --> 1:21:28.360
<v Speaker 2>fucking time. And the cops said to me, after I'd

1:21:28.400 --> 1:21:31.479
<v Speaker 2>done everything, ABC's the whole fucking thing. He said, you

1:21:31.520 --> 1:21:34.040
<v Speaker 2>do realize we're gonna do this until you fail.

1:21:34.920 --> 1:21:36.400
<v Speaker 1>I said, well, until you fail.

1:21:36.720 --> 1:21:40.360
<v Speaker 2>A verbatim quote, verbatim quote. You realize we're going to

1:21:40.439 --> 1:21:42.400
<v Speaker 2>keep doing this until you fail. And I said, well,

1:21:42.400 --> 1:21:43.520
<v Speaker 2>then just put me in cuffs.

1:21:44.160 --> 1:21:48.639
<v Speaker 1>Maybe I was struck until you fail crazy.

1:21:48.840 --> 1:21:52.320
<v Speaker 2>So I leave my nineteen ninety three Chevy Malibu on

1:21:52.320 --> 1:21:57.599
<v Speaker 2>the side of the fucking getting cuffs back of the cruiser.

1:21:59.120 --> 1:22:01.599
<v Speaker 2>My dumb ass is again. I had just turned twenty one.

1:22:01.800 --> 1:22:04.880
<v Speaker 2>I had maybe been twenty one for two weeks. At

1:22:04.880 --> 1:22:08.599
<v Speaker 2>this point, I said, in my arrogant twenty one year

1:22:08.640 --> 1:22:13.439
<v Speaker 2>old I said, man, I slept. I'm not going to

1:22:13.479 --> 1:22:15.320
<v Speaker 2>refuse because I know if you refuse, you lose your

1:22:15.360 --> 1:22:18.240
<v Speaker 2>license for three months. No matter what, to blow, I said,

1:22:18.640 --> 1:22:20.880
<v Speaker 2>give me that shit, bro, Well you asked for it,

1:22:21.600 --> 1:22:23.040
<v Speaker 2>you get Do you have the option because you could

1:22:23.160 --> 1:22:25.519
<v Speaker 2>No matter what, if you refuse, you still lose your

1:22:25.520 --> 1:22:27.519
<v Speaker 2>license for three months. If you get a DUI, then

1:22:27.520 --> 1:22:31.400
<v Speaker 2>it's it's it's definitely more of like a maximum bullshit.

1:22:31.600 --> 1:22:35.280
<v Speaker 1>It probably shit hit perfect that point. O.

1:22:35.320 --> 1:22:38.800
<v Speaker 2>Wait, Like I even tried to do the tricks, like

1:22:39.800 --> 1:22:42.000
<v Speaker 2>when you're drunk and you're in like Justin's situation when

1:22:42.000 --> 1:22:43.760
<v Speaker 2>he's sitting there like they just had a martini, Like

1:22:43.800 --> 1:22:46.719
<v Speaker 2>you really think in an arrogant drunk state that you're fine.

1:22:47.120 --> 1:22:50.439
<v Speaker 2>I was like pretending to blow pause and they were like,

1:22:50.840 --> 1:22:53.000
<v Speaker 2>you do realize every drunk person tries to do this.

1:22:53.040 --> 1:22:57.920
<v Speaker 2>You're not that smart, Like this is a machine. If

1:22:57.920 --> 1:22:59.960
<v Speaker 2>you read I know you think you're doing something like

1:23:00.280 --> 1:23:01.920
<v Speaker 2>it was an asshole, but he was very much honest.

1:23:01.960 --> 1:23:03.360
<v Speaker 1>I was like, we know you're.

1:23:03.200 --> 1:23:06.599
<v Speaker 2>Not You're not blowing, so I'm sitting there like, that's

1:23:06.600 --> 1:23:08.439
<v Speaker 2>not going to get it done. If you're gonna do this,

1:23:08.479 --> 1:23:11.120
<v Speaker 2>you've already committed do it. That ship hit point oh

1:23:11.120 --> 1:23:13.360
<v Speaker 2>eight on the fucking mark.

1:23:13.479 --> 1:23:15.200
<v Speaker 3>That is some scary shit, though, to get pulled over

1:23:15.240 --> 1:23:16.760
<v Speaker 3>and like you have to do like a field test.

1:23:17.439 --> 1:23:20.639
<v Speaker 2>Oh, you're just anytime you get pulled over, period, even

1:23:20.720 --> 1:23:23.160
<v Speaker 2>as a white person, I only imagine someone else.

1:23:23.200 --> 1:23:25.240
<v Speaker 1>You're you're nervous regardless when you see those lights.

1:23:25.520 --> 1:23:28.280
<v Speaker 2>But I wasn't even thinking the ship because I wasn't

1:23:28.320 --> 1:23:30.759
<v Speaker 2>drunk in my head, which I again, I know advocate

1:23:30.760 --> 1:23:32.679
<v Speaker 2>for the ship, but I thought I slept enough hours

1:23:33.360 --> 1:23:34.000
<v Speaker 2>and I was good.

1:23:34.120 --> 1:23:36.800
<v Speaker 1>Yeah, which was not the case. But I had to

1:23:36.800 --> 1:23:37.040
<v Speaker 1>do that.

1:23:37.080 --> 1:23:39.960
<v Speaker 3>One time we was driving from LA to Vegas and

1:23:40.000 --> 1:23:40.800
<v Speaker 3>they pulled us over.

1:23:41.200 --> 1:23:41.960
<v Speaker 1>That's a rough place.

1:23:42.040 --> 1:23:43.800
<v Speaker 3>Yeah, they pulled us over, so I was, but we

1:23:43.800 --> 1:23:45.920
<v Speaker 3>were smoking. So when he pulled it over, they smell

1:23:45.960 --> 1:23:47.760
<v Speaker 3>weed in the car. So they made they made me

1:23:47.800 --> 1:23:51.920
<v Speaker 3>get out. So I just always remember, I said I

1:23:52.160 --> 1:23:53.680
<v Speaker 3>because he was like, I got to follow this pen,

1:23:53.720 --> 1:23:55.000
<v Speaker 3>follow the ball point of my pen.

1:23:55.479 --> 1:23:56.200
<v Speaker 1>This, that, and the third.

1:23:56.360 --> 1:23:58.479
<v Speaker 3>All I kept saying to myself was you have to

1:23:58.560 --> 1:24:02.599
<v Speaker 3>over exaggerate the eye movement that's all I remember saying, like, Yo,

1:24:02.760 --> 1:24:05.439
<v Speaker 3>just over exaggerate, make it seem like you're so locked.

1:24:05.479 --> 1:24:07.280
<v Speaker 3>And I was looking at the pen when he had

1:24:07.320 --> 1:24:09.080
<v Speaker 3>it by his side, like he was just holding it

1:24:09.160 --> 1:24:09.479
<v Speaker 3>right hand.

1:24:09.520 --> 1:24:11.120
<v Speaker 1>I'm just staring at it.

1:24:11.960 --> 1:24:14.880
<v Speaker 3>I was just over exaggerating. So then he he's moving

1:24:14.880 --> 1:24:16.760
<v Speaker 3>the pin like this, so I'm going my eyes going.

1:24:17.000 --> 1:24:18.719
<v Speaker 3>So then he gets to the center, like your nose.

1:24:18.920 --> 1:24:20.639
<v Speaker 3>I just said that, let me make my eyes as

1:24:20.680 --> 1:24:23.880
<v Speaker 3>cross eyed as possible. And then he was like, yo, listen, man,

1:24:23.960 --> 1:24:25.559
<v Speaker 3>just kind of keep it keeping under eighty.

1:24:26.320 --> 1:24:28.160
<v Speaker 1>And I was like, keep it under eighty. I mean

1:24:28.360 --> 1:24:30.160
<v Speaker 1>but between la, Yeah, when you make.

1:24:30.040 --> 1:24:31.400
<v Speaker 3>That, you know when you hit that, when you hit that,

1:24:31.479 --> 1:24:34.599
<v Speaker 3>that hit open and it's just like I said, Bro's

1:24:34.600 --> 1:24:35.519
<v Speaker 3>nobody else on the road.

1:24:35.560 --> 1:24:38.519
<v Speaker 1>It's just like an open road. Hilarious. Bro. But we

1:24:38.560 --> 1:24:39.920
<v Speaker 1>was losing that car smoking.

1:24:39.960 --> 1:24:42.400
<v Speaker 3>I'm talking about burning it down during that ride, and

1:24:42.439 --> 1:24:44.560
<v Speaker 3>I was like, when they pull me over, I just

1:24:44.640 --> 1:24:45.519
<v Speaker 3>knew I was going to jail.

1:24:45.560 --> 1:24:48.120
<v Speaker 2>Yeah, well, you know, I never I beat my d U.

1:24:48.200 --> 1:24:50.800
<v Speaker 2>I how like I'm I'm the.

1:24:50.680 --> 1:24:53.040
<v Speaker 1>OJ of d U. I s for sure like I

1:24:53.160 --> 1:24:55.280
<v Speaker 1>blue point. I don't think I beat the case.

1:24:55.280 --> 1:24:57.000
<v Speaker 3>Yeah, but I don't think that's you don't want to

1:24:57.000 --> 1:24:58.840
<v Speaker 3>be the oj of d UIs you don't. You don't

1:24:58.840 --> 1:25:01.960
<v Speaker 3>want that on your juice, baby, No, you don't want that.

1:25:02.080 --> 1:25:04.519
<v Speaker 2>The juice is loose. That's how I walked down the

1:25:06.360 --> 1:25:10.919
<v Speaker 2>court building. The juices loose. This is for entertainment purposes.

1:25:11.000 --> 1:25:13.599
<v Speaker 2>I'm lying right now, Okay, I want to make this guy.

1:25:13.600 --> 1:25:15.880
<v Speaker 1>I'm lying. None of this is true what I'm about

1:25:15.880 --> 1:25:16.160
<v Speaker 1>to say.

1:25:16.840 --> 1:25:20.160
<v Speaker 2>So I got a d UI fax like this isn't

1:25:20.200 --> 1:25:22.519
<v Speaker 2>refusal where there's some I got a du I do

1:25:22.680 --> 1:25:25.040
<v Speaker 2>point o A. You are arrested. You have to go

1:25:25.520 --> 1:25:29.920
<v Speaker 2>to court to face your d UI ship. The prosecutor

1:25:30.840 --> 1:25:33.519
<v Speaker 2>in Newark at the time was my frat brother.

1:25:35.000 --> 1:25:38.000
<v Speaker 1>So I'll, you know, I make a call. Just which

1:25:38.000 --> 1:25:39.240
<v Speaker 1>camera peace? This is?

1:25:39.439 --> 1:25:41.000
<v Speaker 2>This is all lie. I'm making all of this up.

1:25:41.000 --> 1:25:43.240
<v Speaker 2>This is for entertainment purposes. I called my frat brother.

1:25:43.280 --> 1:25:45.040
<v Speaker 2>I said, yeah, I got a d He said, all right,

1:25:45.080 --> 1:25:50.519
<v Speaker 2>that's that's my court room. I got you, prosecutor. So

1:25:51.280 --> 1:25:55.000
<v Speaker 2>the girl I'm dating at the time is also interning

1:25:55.240 --> 1:25:59.280
<v Speaker 2>at the Newark courthouse. I used to like just visit

1:25:59.320 --> 1:26:01.600
<v Speaker 2>her at the new courthouse when she was there. And

1:26:01.640 --> 1:26:04.880
<v Speaker 2>there was an Alpha, which is another fraternity shouts to

1:26:04.920 --> 1:26:08.400
<v Speaker 2>the alphas. I love the alphas, except for this redacted word.

1:26:09.040 --> 1:26:12.479
<v Speaker 2>He was trying to fuck the girl that I was dating.

1:26:15.280 --> 1:26:19.800
<v Speaker 2>He finds out that with my DUI that the prosecutor

1:26:20.280 --> 1:26:23.519
<v Speaker 2>is my fraternity brother. Mind you, I made this fraternity

1:26:23.520 --> 1:26:24.920
<v Speaker 2>brother even though he was older than me. He joined

1:26:24.960 --> 1:26:26.800
<v Speaker 2>an alumni chapter. This is all lie by the way,

1:26:26.840 --> 1:26:30.880
<v Speaker 2>he joined alumni chapter. I made him, so he's a

1:26:30.920 --> 1:26:34.759
<v Speaker 2>little brother to me even though he's twice my age.

1:26:35.040 --> 1:26:38.840
<v Speaker 2>The alpha finds out snitches to the judge who's in

1:26:38.960 --> 1:26:43.479
<v Speaker 2>AKA and she makes a scene in the courtroom. I

1:26:43.520 --> 1:26:46.280
<v Speaker 2>would never even do this for my sorority sisters. I

1:26:46.360 --> 1:26:48.880
<v Speaker 2>believe in the fraternity sorority, but never above the law.

1:26:49.120 --> 1:26:54.160
<v Speaker 2>So I get thrown into the court system of people

1:26:54.200 --> 1:26:57.640
<v Speaker 2>that have family members that are part of the court,

1:26:58.560 --> 1:27:01.240
<v Speaker 2>because that's like a corruption, Like if your family work

1:27:01.240 --> 1:27:02.880
<v Speaker 2>in the court, you got to be in a separate system.

1:27:03.600 --> 1:27:04.760
<v Speaker 1>So they put me in that shit.

1:27:06.080 --> 1:27:10.240
<v Speaker 2>I go to court, I'm not exaggerating every Thursday for

1:27:10.400 --> 1:27:15.080
<v Speaker 2>six months. The cop never shows up. He gets arrested

1:27:15.160 --> 1:27:17.400
<v Speaker 2>as one of like the biggest.

1:27:17.040 --> 1:27:18.880
<v Speaker 1>Scandals in NJ.

1:27:19.640 --> 1:27:23.720
<v Speaker 2>State Trooper history, and my case gets thrown out on

1:27:23.800 --> 1:27:25.720
<v Speaker 2>top of the corruption charge they were trying to do

1:27:25.760 --> 1:27:28.760
<v Speaker 2>with my fraternity brother who almost got arrested as a prosecutor.

1:27:30.600 --> 1:27:31.720
<v Speaker 1>I feel like you got to be white for that

1:27:31.720 --> 1:27:32.839
<v Speaker 1>shit to happen to you.

1:27:33.880 --> 1:27:36.040
<v Speaker 2>Everyone in the courses I'm talking about is black except

1:27:36.040 --> 1:27:38.800
<v Speaker 2>for me. I want to make that claim.

1:27:39.080 --> 1:27:44.200
<v Speaker 1>Nobody was a white aka everybody's blackness but me. And

1:27:44.200 --> 1:27:46.280
<v Speaker 1>this is a story I made up for funny entertainment.

1:27:46.280 --> 1:27:50.240
<v Speaker 1>This is true, but yeah, that was the story of

1:27:50.280 --> 1:27:51.800
<v Speaker 1>my yo. That was the story of my do you

1:27:51.880 --> 1:27:54.280
<v Speaker 1>hus For six months?

1:27:54.320 --> 1:27:57.320
<v Speaker 2>Every Thursday, I'd go in and every time they'd ask

1:27:57.400 --> 1:28:01.599
<v Speaker 2>you who. It's like a formality which family member works

1:28:01.840 --> 1:28:04.280
<v Speaker 2>in our court system, and I never had an answer.

1:28:04.320 --> 1:28:06.679
<v Speaker 2>I was like I had to like sit there and explain.

1:28:06.840 --> 1:28:09.240
<v Speaker 2>I was like, so my frat brother and these are

1:28:09.280 --> 1:28:11.200
<v Speaker 2>people that are not in fraternities. I'm just sitting there

1:28:11.240 --> 1:28:14.120
<v Speaker 2>like an idiot. So it's like my frat brother. And

1:28:14.120 --> 1:28:17.439
<v Speaker 2>then the judge and they were like okay, And then

1:28:17.479 --> 1:28:20.320
<v Speaker 2>they'd asked the plaintiff, is the cop here? Nope, And

1:28:20.360 --> 1:28:22.599
<v Speaker 2>I never knew why he wouldn't show up. That shit

1:28:22.640 --> 1:28:23.479
<v Speaker 2>was getting expensive for me.

1:28:23.479 --> 1:28:26.280
<v Speaker 1>Too. I didn't have much money, my car, my Chevy Malibu.

1:28:26.320 --> 1:28:28.519
<v Speaker 1>After that broke down, I'm taking the bus from t Neck,

1:28:28.560 --> 1:28:33.680
<v Speaker 1>New Jersey to Newark, which is a fucking nightmare every Thursday,

1:28:34.200 --> 1:28:37.120
<v Speaker 1>and I'm like, why won't like I just let me

1:28:37.160 --> 1:28:37.840
<v Speaker 1>face the music.

1:28:37.880 --> 1:28:39.320
<v Speaker 2>Can this cop comes so I could just get my

1:28:39.360 --> 1:28:42.160
<v Speaker 2>fucking go to my DUI classes, pay these fines.

1:28:42.240 --> 1:28:45.680
<v Speaker 1>Listen there. I didn't know he was under investigation, and

1:28:45.680 --> 1:28:47.640
<v Speaker 1>that's why he never showed up. So all of his

1:28:47.760 --> 1:28:48.639
<v Speaker 1>cases got thrown out.

1:28:48.720 --> 1:28:51.439
<v Speaker 2>Like, I have no idea how many how many innocent

1:28:51.520 --> 1:28:54.280
<v Speaker 2>men were let out of prison the same day that

1:28:54.360 --> 1:28:58.479
<v Speaker 2>they were like, yeah, so the arresting officer is no longer.

1:28:58.240 --> 1:29:00.600
<v Speaker 1>Where the force. All these cases are thrown out. I

1:29:00.680 --> 1:29:04.600
<v Speaker 1>walked out that ship like Lucky Lucky the Iris to

1:29:04.640 --> 1:29:07.040
<v Speaker 1>the point that Lucky the Irish my quarter appointed lawyers

1:29:07.040 --> 1:29:11.640
<v Speaker 1>stopped showing up to that's fucking crazy. I would have

1:29:11.640 --> 1:29:14.280
<v Speaker 1>been in prison for sure. That was me. Yeah, dy

1:29:14.400 --> 1:29:17.880
<v Speaker 1>lock him up. So I mean, in a sense, I

1:29:17.920 --> 1:29:20.120
<v Speaker 1>feel justin when you look at your paperwork, it be

1:29:20.120 --> 1:29:23.800
<v Speaker 1>like white not me, but never me. I'm a cat

1:29:23.880 --> 1:29:25.200
<v Speaker 1>but not white.

1:29:25.840 --> 1:29:27.280
<v Speaker 3>Before we wrap up the worry, I do want to

1:29:27.320 --> 1:29:32.439
<v Speaker 3>say rest in peace to the legendary Chuck Norris. We

1:29:32.520 --> 1:29:38.280
<v Speaker 3>lost Chuck Chuck Norris over the weekend legend and everything. Now,

1:29:38.360 --> 1:29:42.360
<v Speaker 3>can I listen respectfully prayers to Chuck Norris and his family.

1:29:42.400 --> 1:29:46.040
<v Speaker 3>Condolences to his family. But let's just I'm gonna actually

1:29:46.080 --> 1:29:47.840
<v Speaker 3>we're not on a podcast right now. Can I just

1:29:47.840 --> 1:29:50.479
<v Speaker 3>say something to the room. I thought Chuck Norris was

1:29:50.479 --> 1:29:54.120
<v Speaker 3>already dead. Really, I thought he had died like five

1:29:54.200 --> 1:29:56.800
<v Speaker 3>years ago. Okay, I felt like we had got news that.

1:29:56.840 --> 1:29:58.200
<v Speaker 3>I don't know if it's one of those internet things

1:29:58.200 --> 1:30:00.519
<v Speaker 3>where they killed celebrities all the time, Navy.

1:30:00.320 --> 1:30:01.120
<v Speaker 1>Chuck was a part of that.

1:30:01.160 --> 1:30:02.720
<v Speaker 3>I think Chuck got caught up in that one year

1:30:02.720 --> 1:30:04.280
<v Speaker 3>and I just kind of believed it. I thought I

1:30:04.320 --> 1:30:06.920
<v Speaker 3>thought it was real, and so that's when they announced it.

1:30:06.960 --> 1:30:09.080
<v Speaker 3>I was like, I thought Chuck Norris passed away years

1:30:09.680 --> 1:30:13.439
<v Speaker 3>But now we're back on the podcast. Yes, but Chuck Norris,

1:30:13.680 --> 1:30:19.960
<v Speaker 3>Chuck Norris passed away. Legendary actor, you know, in every

1:30:19.960 --> 1:30:21.760
<v Speaker 3>sense of the word. I can't remember not watching a

1:30:21.800 --> 1:30:24.000
<v Speaker 3>movie growing up and not seeing Chuck Norris on my TV.

1:30:24.240 --> 1:30:26.280
<v Speaker 2>I mean, kind of the way we all treat law

1:30:26.280 --> 1:30:30.120
<v Speaker 2>and order and now is how I treated Walker Texas Ranger, Like, yeah,

1:30:30.439 --> 1:30:32.240
<v Speaker 2>that was that's just on the TV.

1:30:32.560 --> 1:30:38.240
<v Speaker 3>Now, Delta Force was my ship. You ever see Delta Force? Look, Ryan,

1:30:38.280 --> 1:30:39.920
<v Speaker 3>you don't even know. You don't even know the legend

1:30:39.960 --> 1:30:40.599
<v Speaker 3>that Chuck is.

1:30:40.800 --> 1:30:46.080
<v Speaker 1>Look at you that that he's in the one scene Dodgeball.

1:30:46.080 --> 1:30:47.720
<v Speaker 1>You don't know Dodgeball.

1:30:47.640 --> 1:30:53.479
<v Speaker 2>Delta for episode was a Walker Texas Ranger. That's like

1:30:53.520 --> 1:30:57.120
<v Speaker 2>two Pac songs. I'm sure they have like unreleased Walker Texas.

1:30:56.880 --> 1:30:57.920
<v Speaker 1>Ranger episodes for sure.

1:30:58.040 --> 1:31:00.479
<v Speaker 3>Game of Death like this is Chuck is a legend

1:31:00.520 --> 1:31:02.400
<v Speaker 3>man every sense of the word.

1:31:03.000 --> 1:31:07.439
<v Speaker 1>Yeah, he's who how many? How many? Even SAG thinks

1:31:07.640 --> 1:31:10.240
<v Speaker 1>this may how many movies does that Chuck Norris have?

1:31:10.760 --> 1:31:14.479
<v Speaker 3>Uh in his discography? I just want to I just

1:31:14.479 --> 1:31:15.920
<v Speaker 3>want to know how many movies Chuck Norrison.

1:31:15.920 --> 1:31:18.880
<v Speaker 1>I don't even think this this. I feel like this

1:31:18.920 --> 1:31:22.120
<v Speaker 1>is underselling. There's no way thirty seven he did that

1:31:22.160 --> 1:31:25.040
<v Speaker 1>in one year? You can't, yea. I think he probably

1:31:25.040 --> 1:31:26.080
<v Speaker 1>had thirty seven this year.

1:31:26.560 --> 1:31:29.280
<v Speaker 3>Yeah, Chuck Norris has more than thirty seven movies, and.

1:31:29.280 --> 1:31:31.479
<v Speaker 1>It's you know, we just didn't really see them at

1:31:31.560 --> 1:31:34.760
<v Speaker 1>least thirty four. No way, I'm not jacking AI on

1:31:34.800 --> 1:31:37.280
<v Speaker 1>this one. Yeah. Nah, Chuck Norris has done more than

1:31:37.280 --> 1:31:41.120
<v Speaker 1>thirty four movies, but definitely rest in peace to rest

1:31:41.160 --> 1:31:42.800
<v Speaker 1>the piece to the legend. Chuck Norris, thank you for

1:31:42.880 --> 1:31:44.760
<v Speaker 1>Delta Force changed my childhood.

1:31:45.360 --> 1:31:48.120
<v Speaker 2>And I mean, I know you don't get to decide

1:31:48.200 --> 1:31:51.840
<v Speaker 2>if people put out headlines saying you had like an

1:31:51.880 --> 1:31:55.040
<v Speaker 2>emergency or a health scare, but don't do that. Just

1:31:55.040 --> 1:31:57.479
<v Speaker 2>wait till I'm dead or not. Because I saw that

1:31:57.560 --> 1:32:00.200
<v Speaker 2>during the day, like Chuck Norris has an emergency scare.

1:32:00.840 --> 1:32:04.080
<v Speaker 1>Don't do that, just announce when I'm dead. I don't

1:32:04.120 --> 1:32:05.400
<v Speaker 1>like that that shit.

1:32:06.360 --> 1:32:09.920
<v Speaker 3>Oh man, all right, well, thank you guys for coming

1:32:09.920 --> 1:32:13.080
<v Speaker 3>in today. We made it as a family. If you're traveling,

1:32:13.240 --> 1:32:16.240
<v Speaker 3>please be safe in these airports. I guess you can

1:32:16.320 --> 1:32:18.120
<v Speaker 3>bring a pillow with you and sleep at the airport

1:32:18.160 --> 1:32:18.919
<v Speaker 3>in some cities.

1:32:20.160 --> 1:32:21.640
<v Speaker 1>I know we started the episode with it, but I

1:32:21.640 --> 1:32:27.000
<v Speaker 1>do want to close and humble myself. Those tickets are

1:32:27.280 --> 1:32:30.640
<v Speaker 1>fifteen hundred dollars for good seats, jay Z ticket. What

1:32:31.040 --> 1:32:31.760
<v Speaker 1>can you do for us?

1:32:32.080 --> 1:32:34.920
<v Speaker 3>Oh, I can't do shit. I let people know off top,

1:32:35.160 --> 1:32:37.280
<v Speaker 3>I can't even nothing for you. Either you're gonna pay

1:32:37.320 --> 1:32:41.439
<v Speaker 3>that price or hopefully they stream it, catch it on

1:32:41.520 --> 1:32:42.080
<v Speaker 3>live stream.

1:32:42.439 --> 1:32:43.760
<v Speaker 1>I can't do nothing for you.

1:32:44.320 --> 1:32:48.760
<v Speaker 2>Yeah, we can't like just just follow bigs in.

1:32:49.240 --> 1:32:53.759
<v Speaker 3>Nah, not a Yankee stadium. That security measure is different.

1:32:54.280 --> 1:32:58.320
<v Speaker 2>What if we posed as acid security, but we could

1:32:58.320 --> 1:33:00.200
<v Speaker 2>be like Chuck Norris type, like we're not the big

1:33:00.200 --> 1:33:01.920
<v Speaker 2>security guards we like we know Taekwon.

1:33:02.880 --> 1:33:07.640
<v Speaker 3>Yeah, they had such a special set of skills though too.

1:33:07.720 --> 1:33:11.719
<v Speaker 1>Yeah, Nah, not happening. I mean, yo, they got tickets

1:33:11.920 --> 1:33:13.080
<v Speaker 1>going for like four hundred.

1:33:12.800 --> 1:33:17.240
<v Speaker 2>Dollars, which again I'm not mad at up there, which

1:33:17.280 --> 1:33:19.280
<v Speaker 2>is fine to me, to be quite honest, Like just

1:33:19.280 --> 1:33:22.400
<v Speaker 2>to be there fore, inn bucks, I would probably be that, yeah,

1:33:22.840 --> 1:33:23.439
<v Speaker 2>just to be there.

1:33:23.760 --> 1:33:25.680
<v Speaker 1>Yeah, So I don't know. Maybe you're trying to be

1:33:25.680 --> 1:33:28.000
<v Speaker 1>on third baseline though, now you gonna play.

1:33:28.800 --> 1:33:30.760
<v Speaker 3>If you're trying to be down there with a rod,

1:33:31.000 --> 1:33:33.320
<v Speaker 3>that's gonna cost you a little, a little pretty penny.

1:33:33.320 --> 1:33:35.400
<v Speaker 2>But you know, I might just start scamming people like

1:33:35.439 --> 1:33:38.559
<v Speaker 2>Game does in his DMS and just just raise the money.

1:33:39.320 --> 1:33:43.320
<v Speaker 2>Game got four thousand dollars for some random guy, Like, yo,

1:33:43.760 --> 1:33:48.880
<v Speaker 2>everyone's send me your music is fifty dollars, So I

1:33:48.880 --> 1:33:49.879
<v Speaker 2>can raise money.

1:33:49.640 --> 1:33:50.759
<v Speaker 1>To buy jay Z ticket.

1:33:50.920 --> 1:33:53.280
<v Speaker 3>Yeah, man, but fuck it, somehow, somewhere, we got to

1:33:53.280 --> 1:33:53.960
<v Speaker 3>find a way to get in it.

1:33:54.040 --> 1:33:54.160
<v Speaker 1>Though.

1:33:54.200 --> 1:33:56.080
<v Speaker 3>That's a great show. I see what you do how someway.

1:33:56.120 --> 1:33:57.880
<v Speaker 3>Come on, man, you know, don't make it out of

1:33:57.880 --> 1:33:59.800
<v Speaker 3>the hood with one day, we'll make it out the hood.

1:34:00.160 --> 1:34:03.080
<v Speaker 1>We'll talk to y'all soon. Be safe, be blessed. I'm

1:34:03.080 --> 1:34:05.240
<v Speaker 1>that nigga. He's just ginger peace.

1:34:05.680 --> 1:34:06.320
<v Speaker 3>No Wi