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Speaker 1: No Willian.

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Speaker 2: Doctor, welcome back. Top of the week. Who's excited? Man,

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Speaker 2: ready to ready to tackle tackle the week?

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Speaker 3: So excited. It's gonna be a great week. Great week, Rory,

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Speaker 3: gotta set the tone. See Mondays that small love Mondays.

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Speaker 3: You set the tone. Yeah, set the tone for the

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Speaker 3: week on Mondays. I feel that.

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Speaker 2: And uh, we actually have an event on Saturday. Yes,

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Speaker 2: we do a week this good week, great week. Do

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Speaker 2: you want do you want to plug it? I'm always

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Speaker 2: bad at plugging things.

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Speaker 1: Oh listen, let me let me help you. We're doing

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Speaker 1: a pop up, Rory.

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Speaker 3: Yes, we're popping up at Cafe cole Mada this Saturday in.

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Speaker 1: The city of New York City.

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Speaker 3: We have some merch that will be selling that cafekl Mada,

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Speaker 3: and we will be having exclusive drinks that we will create,

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Speaker 3: Yes for ourselves. I'll have a drink and you'll have

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Speaker 3: a drink at the people in New York City or

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Speaker 3: surrounding area. If you want to come out, come kick

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Speaker 3: with us for a few whiles at Cafe Cooled Mata.

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Speaker 2: Okay, do I need to submit my recipe or are

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Speaker 2: they going to handle my drink?

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Speaker 1: No? You can submit?

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Speaker 4: Well?

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Speaker 3: Okay, Yeah, you can submit. We just gotta make it.

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Speaker 3: Don't make it nothing too crazy though.

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Speaker 1: I just don't want to run into a non alcoholic thing.

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Speaker 1: Of course I'm the cafe.

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Speaker 2: No, I'm trying to think of what my I just

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Speaker 2: think of a flat white would just be a funny, ironic.

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Speaker 3: Flat white because I'm definitely a flat white, a flat

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Speaker 3: white drink.

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Speaker 2: Yeah, I don't want to run into like a curb

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Speaker 2: your enthusiasm moment. Remember when Larry went to the sandwich

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Speaker 2: shop and they named the sandwich after him and it

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Speaker 2: was like three different types of fish and cream cheese

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Speaker 2: and try to switch the sandwich like, I don't, I

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Speaker 2: didn't improve.

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Speaker 1: Just give me a turkey sandwich. Yeah, keep it, let's

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Speaker 1: keep it simple.

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Speaker 3: Yeah, flat white, maybe some ginger in there or something

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Speaker 3: like that.

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Speaker 1: Okay, yeah, no, I mix it up. Yeah.

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Speaker 2: I still can't get a babysitter, so it may be,

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Speaker 2: uh maybe the revealed party of Amara.

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Speaker 1: The revealed party again, you tried.

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Speaker 2: To get a babysitters. It's everyone is out of town

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Speaker 2: for some reason.

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Speaker 1: This weekend was going on this weekend.

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Speaker 2: I don't know, just everyone in my family is not available,

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Speaker 2: but it really Amara might be there serving drinks. It's

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Speaker 2: about time she got a job because her daycares. It

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Speaker 2: is really kicking my ass right now, to the point

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Speaker 2: that I looked at the jay Z tickets and nah

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Speaker 2: my kid gotta eat.

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Speaker 1: Which listen, I thought about it. I made the right decision.

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Speaker 2: But don't think that I was about to pull that

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Speaker 2: trigger and be like, I mean, she could do Dino

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Speaker 2: nuggets for a month.

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Speaker 1: Yeah, yeah, why not? But it stow them in the

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Speaker 1: hum and keep it simple. Yeah.

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Speaker 3: Well, check us out this week and this Saturday of

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Speaker 3: this is the twenty eighth, right eighth, Yes.

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Speaker 1: March twenty eighth.

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Speaker 3: Cafe Comada, two eighty six Broome Street here in New

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Speaker 3: York City.

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Speaker 1: Come check us out. We'll be there.

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Speaker 3: We have merch on sale. Yeah, I mean, have some music,

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Speaker 3: some drinks and just kick it with the people for

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Speaker 3: a couple of hours.

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Speaker 2: Should we should we test test out Ryan skills? On

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Speaker 2: Ryan's resume, he said.

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Speaker 1: I don't know Ryan.

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Speaker 3: Ryan played something. What was that he played last week?

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Speaker 3: He didn't even have a he didn't even have a

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Speaker 3: hip hop step. He got into like some some alternative

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Speaker 3: he's been working on the hip hop. We're not gonna

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Speaker 3: be the Guinea Pigs for the hip hop set. We

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Speaker 3: can't do that. Oh my gosh, I'm scared already.

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Speaker 1: Man. Hip hop is to him with Neil Souls to

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Speaker 1: Jack like he just discovered it. We're not doing that ship.

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Speaker 1: We're not. And it's not because he's from the Bay.

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Speaker 1: So it's gotta be.

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Speaker 3: Like Santa Mona because the name of his like stet like.

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Speaker 1: He's gonna have a set name. You need to be

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Speaker 1: like Pelican Bay or some ship like that.

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Speaker 3: Maybe, yeah, but we'll see what. We'll see what Ryan

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Speaker 3: has for us, either Alcatraz, Yeah.

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Speaker 1: DJ.

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Speaker 3: Djbay something like that. You know, what's your what's your

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Speaker 3: DJ name?

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Speaker 1: Ryan? Oh god, yeah, it's just his name. Yeah. I

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Speaker 1: never trust the DJ wh is just their name.

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Speaker 2: Yeah, you gotta be you gotta be DJ Golden Gate

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Speaker 2: or something, DJ DJ Easy Way Out.

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Speaker 1: Yeah, usually because that's too dark. I'm sorry, but nive

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Speaker 1: percentage that bridge it in particular. I don't know why.

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Speaker 3: Either way, it's gonna be great. Men Catholic Comada this Saturday,

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Speaker 3: March twenty eight to eighty six Broome Street.

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Speaker 2: Come check us out, yep, and we are back sponsored

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Speaker 2: by Boost. I don't know if you've noticed within the

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Speaker 2: first four minutes. But Maul and I have been batting

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Speaker 2: a thousand in our Demeris predictions and she's not here.

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Speaker 3: Y'all don't listen to me enough, Like this is my

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Speaker 3: problem with everybody in this room, even though it's only

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Speaker 3: four of us in here, y'all don't listen to me.

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Speaker 3: I told y'all on last week, I said, there's no

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Speaker 3: way Demaris is coming in here on Monday. Everybody comes

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Speaker 3: l nah, she'll be here. Damash is like, what, No,

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Speaker 3: I'll be here. I'm like, Damaris, No, he leaves Houston

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Speaker 3: the day they say they're going to leave was always

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Speaker 3: something that pushes back low and behold planes crash, ice

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Speaker 3: agents are now TSA agents. Yeah, yeah, whole kind of

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Speaker 3: thing's going anything. But Demara's making it here with us today, and.

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Speaker 2: It's it's what's quite annoying about the entire thing is

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Speaker 2: condolence is to to the people that passed in the

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Speaker 2: Yes accent this morning at at Loguardia, that that is

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Speaker 2: is very, very upsetting that a minor mistake could lead

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Speaker 2: to that. I just feel like Demarus wasn't gonna make

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Speaker 2: it anyways, and finally found like a teflon excuse that

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Speaker 2: we can't say anything to her because that didn't, in

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Speaker 2: fact happen in the airport a Newark airport called on fire.

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Speaker 2: Some shit, it's a mess. Yeah, but I think either way,

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Speaker 2: she wasn't making that flight.

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Speaker 1: No, she wasn't gonna be it.

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Speaker 2: She saw that cancelation was like fuck yeah, after people pay,

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Speaker 2: that just added to it.

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Speaker 1: That just added to the cancelation.

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Speaker 2: Yeah, but I mean, I wasn't her close friends over

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Speaker 2: the weekend she permanent removed you right, No, I was there. Okay,

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Speaker 2: I'm gonna wait for her to come back, but I

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Speaker 2: think we can implement the Baby D challenge. I'd like

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Speaker 2: to give you guys more details, but it'd be way

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Speaker 2: more fun when Demarus is actually here. If you thought

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Speaker 2: planking was a craze, wait till the Baby D Challenge

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Speaker 2: hits the streets.

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Speaker 1: I already Amara already did at the playground. What's the

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Speaker 1: BABYD challenge? Just laying down? When she was laying down

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Speaker 1: on it, laying down like scare places and you shouldn't

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Speaker 1: be laying like the jumpman symbol, like she was a

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Speaker 1: spread out like that.

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Speaker 3: I thought she was doing yoga. Yeah, because it was

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Speaker 3: a yoga mat. She was laying on a yoga mat.

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Speaker 3: I think, I mean, how flip flops were right there?

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Speaker 3: So I'll just you know, I thought she was doing

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Speaker 3: a little downward dog you know.

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Speaker 1: Mean I hear you. I already had.

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Speaker 2: I already had Amara get started on the Baby D Challenge,

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Speaker 2: which I can't wait to pitch this to her whenever

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Speaker 2: she does finally come back. But yeah, I had, I

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Speaker 2: Hadamara laying on playground equipment in the same way Baby

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Speaker 2: D was so down. But I mean, should we should

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Speaker 2: we call her? I feel like she probably just went

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Speaker 2: to another day party or.

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Speaker 1: She's currently trying to get back to New York. I

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Speaker 1: don't believe her. We're gonna FaceTime audio. We'll do audio, okay,

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Speaker 1: because who knows where she is?

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Speaker 3: And I'm sure she's But that's why I wanted to FaceTime, Like, Yo,

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Speaker 3: turn your phone around, show me that you're at the airport.

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Speaker 1: Let's see if she even answers hello, Yo, Yeah, where

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Speaker 1: are you at the airport?

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Speaker 3: Yeah?

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Speaker 1: Well we record.

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Speaker 2: Today, We record today, like this is recording.

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Speaker 1: I'm sure you do. So you're at like Laguardian, should

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Speaker 1: should we wait? Laguardian burned down or whatever it was,

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Speaker 1: LaGuardia burned it down. It's crazy.

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Speaker 2: So that means you're at JFK when you say you're

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Speaker 2: at the airport, so like you'll be here like what

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Speaker 2: like forty five hours?

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Speaker 1: We can wait or I can't leave?

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Speaker 4: Meet them all now right now for real. My bracket

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Speaker 4: fucked up. I'm in this airport for three hours.

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Speaker 1: My bracket up. I want you had Syracuse winning and

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Speaker 1: they wasn't even talking. Who has Syracuse? You know what? Oh? Man,

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Speaker 1: are you feeling on you? All right? You're scared. I'm

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Speaker 1: scared of what I don't know? Man? Is it Ice

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Speaker 1: agents at T s A?

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Speaker 4: There are? But I think I'm American?

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Speaker 1: Okay, all right, so you want to bus You're good?

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Speaker 4: No, but they're they're all over the place and they

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Speaker 4: ain't playing too And anybody who looked like they shouldn't

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Speaker 4: be flying like they're around they're doing two jobs at once.

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Speaker 3: That ass Yes, this is the America I voted for,

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Speaker 3: literally not.

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Speaker 1: Right now, Like this ship is no fucking game. I

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Speaker 1: feel so bad for these people.

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Speaker 2: Just something about Ice catching an illegal immigrants going through like.

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Speaker 1: Clear that's funny to me. I shouldn't like laugh at that.

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Speaker 2: But just the thought that you could be an illegal

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Speaker 2: alien and also have clear and pre check is fucking funny.

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Speaker 1: It is fucking insane.

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Speaker 4: Bro. Like when that text us just came through that

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Speaker 4: my flight got cancel when I was in the strip club,

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Speaker 4: I just took a shot. But fuck it, we're here now.

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Speaker 1: We're here now.

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Speaker 2: So I mean, I'm shocked that because I think you

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Speaker 2: said your flights tomorrow night, I would have just given up.

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Speaker 1: I would have given up and went back to strip club.

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Speaker 4: No, because I know we have to we're supposed to

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Speaker 4: be recording tomorrow.

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Speaker 1: We already moved that.

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Speaker 2: Yeah, it aware to the regular schedule because you're not

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Speaker 2: gonna be here. We were doing that for you.

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Speaker 1: I know I will be here. I'll be here. I

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Speaker 1: land tonight.

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Speaker 3: Oh you land tonight? Yeah, I thought your flight was

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Speaker 3: tomorrow six thirty.

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Speaker 1: Yeah, I moved.

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Speaker 4: It because apparently LaGuardia is opening up at two pm today.

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Speaker 1: I want to go home, all right, Can you tell us?

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Speaker 1: I was in your close friends over the weekend, So

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Speaker 1: it was Jamal, A lot of ass, A lot of ass.

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Speaker 1: I've seen a lot of ass.

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Speaker 2: I don't want to be too horny on this pod,

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Speaker 2: but I did see a lot of good a lot

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Speaker 2: of good ariola ratio.

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Speaker 1: I didn't see that.

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Speaker 2: Once someone had a see through shared on it, I

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Speaker 2: was like, I would expect a bigger ariolas.

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Speaker 1: Are you okay? No, So tell us about breakers and bottles,

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Speaker 1: give us a play to play. The bottle was amazing.

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Speaker 4: I'm very proud of them selling twenty five hundred dollars

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Speaker 4: at a city that is not yours for a party

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Speaker 4: you've only done once before.

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Speaker 1: Very very proud of all of us and my gang.

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Speaker 1: We had a ball.

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Speaker 4: It was amazing, went off without a hite.

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Speaker 1: It was fun's early. Are you comfortable with me implementing

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Speaker 1: the baby d challenge to the world? Oh shut up?

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Speaker 3: Sure?

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Speaker 1: Why not? Are you comfortable with that? Is it perfectly

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Speaker 1: fine with it? Can that be the artwork for this episode?

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Speaker 1: Of you laying on the roof? Sure?

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Speaker 4: Why not be fodder for this podcast once again?

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Speaker 3: Sure?

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Speaker 1: Have a ball? Did you end up on that roof?

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Speaker 4: I went up there to talk on the phone and

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Speaker 4: then I've got sleepy, so I lay there and.

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Speaker 1: No one just no one woke me up. They just

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Speaker 1: left me there.

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Speaker 4: They took videos, obviously, but they left me there.

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Speaker 1: So okay, okay, yeah, I figured you want to see

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Speaker 1: the sunrise. I went to the roof to talk on

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Speaker 1: the phone.

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Speaker 4: Actually beautiful.

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Speaker 1: I had a ball.

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Speaker 4: Y'all should have came, y'all are losers.

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Speaker 1: We don't, we don't be trapped. Yeah, I'm cool.

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Speaker 4: Then they got podcasts studios here, a bunch of the

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Speaker 4: niggas that don't shut up.

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Speaker 1: Well, we wish you the best of mars.

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Speaker 4: Oh, thank you. I'm really sad that I can't be

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Speaker 4: at work.

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Speaker 1: I really really tried hard to get the works. I

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Speaker 1: hear you well, like I.

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Speaker 4: Was going to ask you how to push for recording today,

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Speaker 4: like for it to be later, but I didn't. I'm like, yeah,

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Speaker 4: they're not from that ATMO the podcast, so definitely not.

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Speaker 2: I figured we we wish you safe travels, enjoy the airport,

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Speaker 2: and maybe we'll see you next week.

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Speaker 4: If you hey, if anybody listen to anybody out there

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Speaker 4: can hear me. If you don't have to fucking fly

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Speaker 4: for a funeral, actually a funeral, they dead already. If

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Speaker 4: you don't have to fly, so like the birth of

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Speaker 4: a baby or something, do not fucking fly, bro. I

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Speaker 4: was in this airport for two and a half hours

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Speaker 4: in line, do not fly.

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Speaker 1: She let people know I like the PSA.

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Speaker 2: And before I let you go, I just want to

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Speaker 2: let you know there is no J Cole Protectors in

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Speaker 2: the room today.

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Speaker 1: So do with that information, which what you will?

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Speaker 2: That this could go off the rails because there's nobody

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Speaker 2: here from Dreamville or what a cold stands called.

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Speaker 1: Oh thank you, you're pretty true, thank you?

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Speaker 4: Hello?

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Speaker 1: All right, man, peace, I don't buy none of that.

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Speaker 3: I don't buy that ps A from ts An't.

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Speaker 1: I don't buy it. She's she's the hotel lobby hundred percent.

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Speaker 3: Nobody tells you you're pretty at the airport on that's

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Speaker 3: somebody that works at the hotel telling.

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Speaker 2: You you're still. At the Strip Club Houston. They do

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Speaker 2: brunch there on Monday mornings. Some people work out of there.

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Speaker 2: They bring their laptops. It's like Starbucks. Hey, we told

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Speaker 2: them that she wasn't coming.

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Speaker 1: I can tell you do we start with of course

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Speaker 1: we do. I'm joking, man, you think I'm turned down.

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Speaker 1: I'm not nervous. What you're nervous for. I'm just nervous.

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Speaker 2: Why these are just touchy subjects and trying times and

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Speaker 2: we don't is a touchy subject. Yes okay, and we

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Speaker 2: don't have demeris he or the real things back from

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Speaker 2: someone that is such a J Cole protector, I feel

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Speaker 2: like I'm a I'm a J Cole supporter.

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Speaker 1: I wouldn't call myself a protector as well, but I'm

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Speaker 1: a supporter, so am I.

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Speaker 2: I want to start by saying, shout out to Nedeska.

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Speaker 2: I know it's not the first time that she's interviewed Cole,

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Speaker 2: but interviewing someone that is now a legend and at

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Speaker 2: goat status at this point in their career is like

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Speaker 2: journalism checklist, bucket list ship. You got to interview J

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Speaker 2: Cole after his alleged last album double disc in his

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Speaker 2: childhood home amazing to Deska, you're smoking this year love

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Speaker 2: the Baby team interview as well. If Jeska's not fucking

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Speaker 2: number three on the Complex list this year, I don't

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Speaker 2: really know what we're doing.

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Speaker 1: With that said, What did you think? Let me say that?

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Speaker 3: Uh no, listen, listen because I respect I respect Cole.

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Speaker 3: Because you know, people, for whatever reason they feel like

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Speaker 3: I hate call I don't. I keep saying I don't

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Speaker 3: hate Cole. I hate what he did, but I don't

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Speaker 3: hate Cole. But I respect him for sitting down with

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Speaker 3: Adeska and having a conversation and things like that.

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Speaker 1: I do think that.

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Speaker 3: That was a bit safe for him, though, to sit

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Speaker 3: down with Adeska. I don't think she challenged him a

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Speaker 3: lot on you know, things he was saying.

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Speaker 1: I don't think she pushed back a lot. Uh.

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Speaker 3: It was more so like just a cool calm, which

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Speaker 3: is which is a space for that too. But I

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Speaker 3: think coming off of everything that happened, and this being

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Speaker 3: the first time Cole spoke, I think it would have

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Speaker 3: been better for him to sit down with somebody that

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Speaker 3: was going to challenge him a little bit more on

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Speaker 3: his responses to things. A lot of the things that

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Speaker 3: he was saying, you know, understood. I don't believe that

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Speaker 3: he had that type of conversation with himself when he

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Speaker 3: was talking from both perspectives of what he was thinking,

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Speaker 3: what he was saying to himself, I don't believe none

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Speaker 3: of that. I think a lot of that was things

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Speaker 3: that he probably just made up on the spot, or

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Speaker 3: just made up on the way there.

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Speaker 1: I don't really, yeah, I don't. I don't believe that

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Speaker 1: that's unfair to just assume that of somebody like I'm

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Speaker 1: just saying, I don't believe was like a known fucking liar.

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Speaker 1: I'm not saying Anne on it.

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Speaker 3: I just think that he had to make something up

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Speaker 3: to make it sound more enticing than what it was like.

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Speaker 3: I think that it was like, Okay.

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Speaker 1: Explain more what parts of what he said? With that

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Speaker 1: back and forth, did you feel like we're performative?

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Speaker 3: I just don't think that, you know, before the apology

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Speaker 3: all of that, I don't think that he had this

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Speaker 3: big talk back and forth.

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Speaker 1: With the self.

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Speaker 3: I just think that he had a conversation with Kendrick

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Speaker 3: and that's, you know, somebody he deems as a friend,

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Speaker 3: and then he just was like all right through the conversation.

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Speaker 3: He probably told Kendrick that he was gonna apologize publicly

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Speaker 3: for what he said in his record, and I think

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Speaker 3: that's it. I don't think that he battled with himself

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Speaker 3: back and forth with emotions and things like that.

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Speaker 1: I don't think it was that deep. I truly don't

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Speaker 1: think it was that deep for him. I mean, it

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Speaker 1: was a conversation time between my delete later and Dreamville Fest.

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Speaker 2: I can see him going back and forth in that

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Speaker 2: small amount of time, especially after having conversation with Kendrick

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Speaker 2: if that is indeed true. Yeah, I can see him

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Speaker 2: pacing in his trailer before Dreamville Fest thinking about that

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Speaker 2: entire thing.

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Speaker 1: I don't think so.

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Speaker 2: I mean, he said he only spoke to his wife

364
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Speaker 2: about it, no one else. Yeah, I can see you battling,

365
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Speaker 2: like is am I making the right fucking choice. I

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Speaker 2: do believe he went back and forth a lot and

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Speaker 2: probably had some The way we joke based off the

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Speaker 2: Drake line coles losing sleep, it's not me.

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Speaker 1: I believe that he was. I really do believe that

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Speaker 1: he was going back and forth and felt fucked up

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Speaker 1: about Do.

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Speaker 3: You think that this interview helps his perception or hurts it?

373
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Speaker 3: Neither and I neither. I also, yeah, I don't think

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Speaker 3: it does good, good or bad. In this situation where

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Speaker 3: I'm going to give you pushback is where you're saying

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Speaker 3: Nadeska didn't give pushback.

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Speaker 1: I may agree with you.

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Speaker 2: If we now know that Cole isn't doing the Cameron interview,

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Speaker 2: and while we're recording this, it has not come out yet,

380
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Speaker 2: only clips have, but we know Tuesday night, ten pm

381
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Speaker 2: there will be a Cameron and Jake Cole interview, and

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Speaker 2: we've already seen clips where Cam was maybe asking some

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Speaker 2: of the questions that we wanted to hear. As in

384
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Speaker 2: regards to the Beef, I don't think going into Nadeska

385
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Speaker 2: was safe. I just think from an artist's perspective, you

386
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Speaker 2: just put out a double disc and I'd rather go

387
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Speaker 2: sit with a journalist that's going to ask me questions

388
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Speaker 2: about the music and the album first. I myself included

389
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Speaker 2: halfway through it, I had that on my brain too,

390
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Speaker 2: of like when are we going to get to all

391
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Speaker 2: the shit we want to know about the battle? But

392
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Speaker 2: to me, that's super unfair to have an artist want

393
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Speaker 2: to go and do an interview right away that's going

394
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Speaker 2: to be about some of the more messy stuff after

395
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Speaker 2: you just put out fucking like thirty records, like including

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Speaker 2: your your mixtape.

397
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Speaker 1: But even today a lot I think I certainly think

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Speaker 1: they did.

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Speaker 2: As far as the journey of it, I think I

400
00:18:27,720 --> 00:18:30,960
Speaker 2: think the Deska asked the right questions for what the

401
00:18:31,040 --> 00:18:36,679
Speaker 2: music was and what the purpose of that interview was. Like,

402
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Speaker 2: I wouldn't put her in the same category where you're

403
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Speaker 2: just calling someone the genius their entire interview. I think

404
00:18:42,320 --> 00:18:45,959
Speaker 2: she asked poignant questions that j Cole fans want to hear,

405
00:18:46,000 --> 00:18:50,719
Speaker 2: and I think that's missing now within journalism media, not

406
00:18:50,760 --> 00:18:53,440
Speaker 2: just hip hop, because dog go to political news.

407
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Speaker 1: It's even worse.

408
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Speaker 2: I think for the music fans, people wanted to hear

409
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Speaker 2: Cole's process of that that project.

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Speaker 1: I think we're owed that as music nerds. Now, if

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Speaker 1: he didn't do.

412
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Speaker 2: The Cam shit, I'd probably have some of the more

413
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Speaker 2: sentiments of you that was safe. Don't act like we

414
00:19:08,480 --> 00:19:10,920
Speaker 2: don't need answers as fans about that other shit.

415
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Speaker 1: I think he's doing the balance.

416
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Speaker 2: Let me talk about my album Win the Deska in

417
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Speaker 2: a safe place and let me go do the bullshit

418
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Speaker 2: with Cam, and I mean bullshit in a good way.

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Speaker 2: That one's a real music journalist. One is an incredible

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Speaker 2: media personality and a legendary rapper. I'll go talk about

421
00:19:26,160 --> 00:19:29,440
Speaker 2: the battle stuff with him. Cam's funny, Cam's messy. That'll

422
00:19:29,480 --> 00:19:33,320
Speaker 2: be the place where it's everyone can't say, oh, this

423
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Speaker 2: is safe, because Cam's never going to be safe.

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Speaker 3: Well, that's why I was speaking just to the Desk interview.

425
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Speaker 3: That it was that was safe, that choice was safe.

426
00:19:40,280 --> 00:19:43,400
Speaker 3: Now obviously we haven't heard the Cam interview yet, and

427
00:19:43,480 --> 00:19:45,480
Speaker 3: you know it's safe to assume that Cam may ask

428
00:19:45,600 --> 00:19:50,720
Speaker 3: more questions from a rapper's perspective and from a battle perspective,

429
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Speaker 3: Cam being somebody that has battled and been in battles himself,

430
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Speaker 3: so we may get a little more details and in

431
00:19:57,119 --> 00:20:00,560
Speaker 3: depth there. But yeah, I mean, you know, I think

432
00:20:00,560 --> 00:20:04,600
Speaker 3: that Cole, you know, obviously, to me, I do feel like,

433
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Speaker 3: you know, things that he was saying in the desk interview,

434
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Speaker 3: I do feel like it was a lot of things

435
00:20:12,000 --> 00:20:14,439
Speaker 3: that he had to kind of just create because he

436
00:20:14,480 --> 00:20:16,000
Speaker 3: had to make it more interesting.

437
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Speaker 1: I don't think that there was much thought about anything.

438
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Speaker 3: Like I said, I think he had a conversation with

439
00:20:20,160 --> 00:20:23,160
Speaker 3: Kendrick and I think they had said whatever they said,

440
00:20:23,160 --> 00:20:25,120
Speaker 3: and he came out of that saying, well, yeah, I'm

441
00:20:25,119 --> 00:20:28,159
Speaker 3: gonna go on stage and apologize and there's not going

442
00:20:28,240 --> 00:20:30,160
Speaker 3: to be no more shots from my side coming at

443
00:20:30,160 --> 00:20:30,680
Speaker 3: you and things like.

444
00:20:30,880 --> 00:20:31,920
Speaker 1: I think it was really that simple.

445
00:20:31,920 --> 00:20:34,440
Speaker 3: I don't think it was this you know, pacing back

446
00:20:34,480 --> 00:20:36,120
Speaker 3: and forth with emotions and this that.

447
00:20:36,160 --> 00:20:37,320
Speaker 1: I don't think it was that deep.

448
00:20:38,200 --> 00:20:41,760
Speaker 3: I think because again he responded with with Mike delete

449
00:20:41,840 --> 00:20:43,960
Speaker 3: later on seven minute.

450
00:20:43,760 --> 00:20:46,240
Speaker 2: Drill, which started to interrupt you. I just want to

451
00:20:46,240 --> 00:20:49,080
Speaker 2: make sure Cole fans, can you please give mal his flowers?

452
00:20:49,119 --> 00:20:51,760
Speaker 2: Because everything y'all killed him for. Cole admitted in that

453
00:20:51,880 --> 00:20:54,760
Speaker 2: interview about having to change the entire project. He said,

454
00:20:54,800 --> 00:20:56,440
Speaker 2: MI delete later was already slated for when it was

455
00:20:56,440 --> 00:20:58,320
Speaker 2: going to come out. They just added seven minute drill.

456
00:20:58,640 --> 00:21:00,439
Speaker 2: It was supposed to come out with dream Thought. And

457
00:21:00,440 --> 00:21:02,640
Speaker 2: then eight weeks later we were putting out The fall

458
00:21:02,640 --> 00:21:04,600
Speaker 2: Off and you came in here and said, I think

459
00:21:04,600 --> 00:21:06,919
Speaker 2: he has to redo the whole album now, And that's

460
00:21:07,000 --> 00:21:07,880
Speaker 2: exactly what Cole said.

461
00:21:07,880 --> 00:21:09,800
Speaker 1: He said, it was slated to go eight weeks later.

462
00:21:09,840 --> 00:21:10,480
Speaker 1: I had to redo it.

463
00:21:10,680 --> 00:21:12,399
Speaker 3: But I don't know how people even thought that that

464
00:21:12,520 --> 00:21:16,159
Speaker 3: wasn't like you, anybody, any artist that was in that moment,

465
00:21:16,600 --> 00:21:20,320
Speaker 3: Kendrick Drake and Cole, anything that they had planned musically.

466
00:21:20,880 --> 00:21:23,640
Speaker 3: Of course it has to change after that, Like everything

467
00:21:23,720 --> 00:21:26,399
Speaker 3: changes after that moment. So you know, people killing me.

468
00:21:26,440 --> 00:21:29,359
Speaker 3: It's like again, people react off you know, their emotions

469
00:21:29,400 --> 00:21:31,440
Speaker 3: and their support of the artists that they love, which

470
00:21:31,440 --> 00:21:31,840
Speaker 3: is cool.

471
00:21:32,040 --> 00:21:32,920
Speaker 1: I support Cole.

472
00:21:33,040 --> 00:21:35,560
Speaker 3: I just don't react mostly when it comes to certain

473
00:21:35,560 --> 00:21:37,919
Speaker 3: things that I think are common sense, Like yes, he

474
00:21:37,920 --> 00:21:40,520
Speaker 3: would have to make changes to his schedule, to his

475
00:21:40,600 --> 00:21:44,600
Speaker 3: plans to his music coming off of that moment. I

476
00:21:44,640 --> 00:21:47,159
Speaker 3: thought that that was obvious. But again, you know, if

477
00:21:47,200 --> 00:21:48,680
Speaker 3: I say something to shut the fuck up, mall, you

478
00:21:48,720 --> 00:21:50,080
Speaker 3: don't know what you told about cool, I'll shut the

479
00:21:50,080 --> 00:21:53,200
Speaker 3: fuck up. But then when the artist himself says that

480
00:21:53,200 --> 00:21:56,200
Speaker 3: that's what happened, don't give me no flowers. I don't

481
00:21:56,200 --> 00:21:58,320
Speaker 3: want no flowers. But y'all just know that I'm correct

482
00:21:58,320 --> 00:22:01,000
Speaker 3: in what I was saying. Yes, Cole had to adjust

483
00:22:01,280 --> 00:22:02,639
Speaker 3: and he had to pivot. He had to call it

484
00:22:02,720 --> 00:22:06,719
Speaker 3: Audible Music League. Yeah, because everything in that moment changed.

485
00:22:07,440 --> 00:22:11,160
Speaker 3: Songs that he had with certain artists he of course

486
00:22:11,240 --> 00:22:13,600
Speaker 3: knew now he no longer has those records. It wasn't

487
00:22:13,600 --> 00:22:17,000
Speaker 3: even a double disc, no, no, so, but it was

488
00:22:17,040 --> 00:22:19,520
Speaker 3: songs that he had, you know, with Kendrick, with with

489
00:22:19,520 --> 00:22:22,640
Speaker 3: with Drake that obviously he wouldn't have, he wouldn't get

490
00:22:22,640 --> 00:22:24,639
Speaker 3: cleared for the album. So now things you have to

491
00:22:24,640 --> 00:22:28,200
Speaker 3: fill those moments, fill those gaps that are now there

492
00:22:28,320 --> 00:22:30,280
Speaker 3: that you thought were filled. So, yes, you have to

493
00:22:30,280 --> 00:22:32,480
Speaker 3: make changes, But I mean, I'm just you know, it's

494
00:22:32,520 --> 00:22:34,760
Speaker 3: cool to see Cole, you know, sitting down and just

495
00:22:34,800 --> 00:22:37,199
Speaker 3: talking and kicking it. And again I know, you know,

496
00:22:37,240 --> 00:22:40,320
Speaker 3: a lot happened in twenty twenty four. You know, things

497
00:22:40,359 --> 00:22:42,919
Speaker 3: were said, and you know, somehow the Internet turned it

498
00:22:42,960 --> 00:22:45,800
Speaker 3: into this malls J Cole hater and this stuff. I

499
00:22:45,800 --> 00:22:47,560
Speaker 3: don't hate J Carr. I don't know J Cole to

500
00:22:47,560 --> 00:22:50,360
Speaker 3: hate him. I just hate the way he handled a

501
00:22:50,480 --> 00:22:51,760
Speaker 3: rap battle, that's all.

502
00:22:52,400 --> 00:22:52,640
Speaker 1: Yeah.

503
00:22:52,640 --> 00:22:54,080
Speaker 2: And I mean I think you should go back to

504
00:22:54,119 --> 00:22:57,960
Speaker 2: the interview because, I mean, the Deska is an actual journalist.

505
00:22:58,000 --> 00:23:00,600
Speaker 2: He's not like a Neanderthal with a mir phone like me.

506
00:23:01,240 --> 00:23:05,560
Speaker 2: Like she did an actual proper interview that people used

507
00:23:05,600 --> 00:23:08,960
Speaker 2: to do with artists when we were looking for music

508
00:23:09,080 --> 00:23:12,959
Speaker 2: questions and where you're at in your life questions instead

509
00:23:13,000 --> 00:23:15,520
Speaker 2: of the gospel shit. So again, I think she did

510
00:23:15,560 --> 00:23:17,280
Speaker 2: an incredible job with it, the same way she did

511
00:23:17,320 --> 00:23:23,760
Speaker 2: with a Keem interview. I'm excited to see the Cam interview.

512
00:23:24,080 --> 00:23:28,320
Speaker 2: I mean there's one clip out where Cam asked the

513
00:23:28,400 --> 00:23:30,560
Speaker 2: question we all wanted to know, like what's your relationship

514
00:23:30,560 --> 00:23:32,679
Speaker 2: with him, which Neideska did ask, by the way, but

515
00:23:32,760 --> 00:23:35,000
Speaker 2: Cole kind of, I say, tiptoed around it. He just

516
00:23:35,000 --> 00:23:36,840
Speaker 2: didn't give a full answer the way he did with

517
00:23:36,960 --> 00:23:40,040
Speaker 2: Cam in this clip where he said, you know, they

518
00:23:40,200 --> 00:23:44,800
Speaker 2: spoke around that time but haven't since, and he would

519
00:23:44,800 --> 00:23:46,320
Speaker 2: love to text them.

520
00:23:46,720 --> 00:23:49,040
Speaker 3: Yeah, and again him you know, Cam asking him with

521
00:23:49,160 --> 00:23:52,680
Speaker 3: his relationship with Kendrick and Drake today, you know, andically

522
00:23:52,720 --> 00:23:54,000
Speaker 3: this is we just told him from the clip.

523
00:23:54,040 --> 00:23:55,720
Speaker 1: We haven't We were recording this on Monday.

524
00:23:56,359 --> 00:24:00,960
Speaker 3: The episode with him and Cam doesn't come out until Tuesday.

525
00:24:01,320 --> 00:24:03,280
Speaker 3: But I hope he really gives gets more in debt

526
00:24:03,320 --> 00:24:05,840
Speaker 3: with that though, because I said it a couple a

527
00:24:05,920 --> 00:24:07,720
Speaker 3: couple of weeks ago, a couple of months ago, whatever

528
00:24:07,800 --> 00:24:10,520
Speaker 3: that I feel like he has to address why he

529
00:24:10,600 --> 00:24:13,600
Speaker 3: hasn't spoken to Drake since all of that happened. And

530
00:24:13,600 --> 00:24:15,399
Speaker 3: and and you know, people are like, oh ma, all

531
00:24:15,480 --> 00:24:18,080
Speaker 3: you two invested, and you know they talk all y'all

532
00:24:18,080 --> 00:24:20,080
Speaker 3: still talking about the battle. Well, the people that was

533
00:24:20,119 --> 00:24:21,840
Speaker 3: in the battle are still talking about the battles. So

534
00:24:21,880 --> 00:24:23,800
Speaker 3: you know, this is what people kill us for talking

535
00:24:23,800 --> 00:24:27,680
Speaker 3: about this, but the people involved well and obviously well Cole,

536
00:24:28,119 --> 00:24:29,920
Speaker 3: he's still talking about this is his first time speaking

537
00:24:29,920 --> 00:24:31,800
Speaker 3: about it. Yes, we have to speak about it, but

538
00:24:31,840 --> 00:24:33,840
Speaker 3: that is something that I feel like, like how you

539
00:24:33,840 --> 00:24:36,240
Speaker 3: said about the music and us hearing about that process,

540
00:24:36,880 --> 00:24:39,600
Speaker 3: I do feel like as fans of all of these

541
00:24:39,600 --> 00:24:42,600
Speaker 3: guys and and and you know, consumers of hip hop,

542
00:24:42,600 --> 00:24:44,399
Speaker 3: and then you know, consuming the moment of one of

543
00:24:44,440 --> 00:24:47,040
Speaker 3: the biggest battles ever. I do feel like we need

544
00:24:47,080 --> 00:24:51,919
Speaker 3: to know why Cole has not spoke to Drake. He

545
00:24:52,000 --> 00:24:54,040
Speaker 3: said in this clip, he'd be wanting to text and

546
00:24:54,080 --> 00:24:56,159
Speaker 3: all of that, So then why not do that? Like

547
00:24:56,320 --> 00:24:58,960
Speaker 3: I don't even understand that. Like that's like when somebody

548
00:24:59,000 --> 00:25:01,400
Speaker 3: know they did something fun up to you and then

549
00:25:01,800 --> 00:25:03,680
Speaker 3: they know how you fill up a type of way

550
00:25:04,080 --> 00:25:05,520
Speaker 3: and then they'd be like, damn, I want to hoigher

551
00:25:05,520 --> 00:25:06,879
Speaker 3: at him, but okay, shouldn't.

552
00:25:06,480 --> 00:25:08,800
Speaker 1: Holler at him. So just because I know.

553
00:25:10,720 --> 00:25:14,240
Speaker 2: How the timeline works and people don't actually listen to words,

554
00:25:14,240 --> 00:25:16,439
Speaker 2: They just react to their own thoughts and how they

555
00:25:16,440 --> 00:25:17,320
Speaker 2: interpret things.

556
00:25:18,040 --> 00:25:18,920
Speaker 1: It was kind of.

557
00:25:20,680 --> 00:25:24,679
Speaker 2: It was vague when Cole says, we've spoken after everything,

558
00:25:25,000 --> 00:25:27,320
Speaker 2: but it it's not been much communication.

559
00:25:27,480 --> 00:25:28,680
Speaker 1: Is he talking about.

560
00:25:28,520 --> 00:25:30,840
Speaker 3: Cole has not spoken to Drake since not like Us

561
00:25:30,880 --> 00:25:32,520
Speaker 3: came since before not Like Thus came out.

562
00:25:33,600 --> 00:25:35,320
Speaker 2: Okay, because he's saying in this clip, I wasn't sure

563
00:25:35,320 --> 00:25:38,239
Speaker 2: if he was saying after the Dreamville Fest incident or

564
00:25:38,280 --> 00:25:40,320
Speaker 2: after the battle. When he said he's spoken to both

565
00:25:40,359 --> 00:25:41,640
Speaker 2: of them, but it hasn't been much.

566
00:25:42,040 --> 00:25:46,200
Speaker 3: I don't you're asking me, I'm only answering from answer

567
00:25:46,240 --> 00:25:46,720
Speaker 3: from what I know.

568
00:25:46,920 --> 00:25:49,000
Speaker 1: I don't know a thing. I'm as I know how

569
00:25:49,040 --> 00:25:51,919
Speaker 1: the internet works. I wanted to be extremely clear. Okay.

570
00:25:52,000 --> 00:25:52,560
Speaker 1: Let me said.

571
00:25:52,600 --> 00:25:54,960
Speaker 2: In his camera and clip, he is saying that they spoke.

572
00:25:55,160 --> 00:25:56,879
Speaker 2: I don't know what after everything means. I don't know

573
00:25:56,880 --> 00:25:58,280
Speaker 2: if it means dreamvill Fest. I don't know Eve he's

574
00:25:58,359 --> 00:25:59,919
Speaker 2: like that. I don't know if it means after not

575
00:26:00,200 --> 00:26:01,640
Speaker 2: like us. I don't know what that means.

576
00:26:01,680 --> 00:26:03,320
Speaker 1: Okay, So let me tell you from what I know.

577
00:26:03,560 --> 00:26:10,040
Speaker 3: Okay, Cole has not spoken to Drake since before Dreamfest. Okay,

578
00:26:11,800 --> 00:26:14,080
Speaker 3: from what I know, from what you know, gotcha, right,

579
00:26:14,240 --> 00:26:16,720
Speaker 3: That's all I'm saying. From what I know, he has

580
00:26:16,760 --> 00:26:20,119
Speaker 3: not spoken to him now, whether he shot a text

581
00:26:20,160 --> 00:26:22,480
Speaker 3: after that and the text went unresponded, got you.

582
00:26:23,840 --> 00:26:24,760
Speaker 1: I don't know about that.

583
00:26:25,000 --> 00:26:29,919
Speaker 3: I know he hasn't spoken to Drake since before he apologized.

584
00:26:30,119 --> 00:26:31,800
Speaker 1: Yeah, which Drake was.

585
00:26:31,760 --> 00:26:34,960
Speaker 3: Slated to go to Dreamfest and perform things like that

586
00:26:35,440 --> 00:26:38,439
Speaker 3: fresh off a tour. First person Shooter was number one, this, that,

587
00:26:38,480 --> 00:26:43,240
Speaker 3: and the third. Obviously we can't perform that record anymore.

588
00:26:43,400 --> 00:26:44,880
Speaker 1: Gonna be a moment, yeah, but.

589
00:26:44,880 --> 00:26:46,520
Speaker 3: We can't perform the record. You know what I'm saying,

590
00:26:46,520 --> 00:26:48,520
Speaker 3: because it's like what's going on? Like you're saying Big

591
00:26:48,560 --> 00:26:49,960
Speaker 3: three in the record, and this that and the third

592
00:26:50,119 --> 00:26:53,920
Speaker 3: you're naming him in the record. So things obviously things change.

593
00:26:53,920 --> 00:26:58,160
Speaker 3: But my thing is cool. You know that Drake feels

594
00:26:58,200 --> 00:27:01,119
Speaker 3: a way right, you know, Kendrick Fields a way. You

595
00:27:01,200 --> 00:27:05,159
Speaker 3: spoke to Kendrick, but why not? And I don't know

596
00:27:05,160 --> 00:27:06,880
Speaker 3: if he spoke to Kendrick. I mean he has, He's

597
00:27:06,880 --> 00:27:11,080
Speaker 3: been in studios with TDE affiliates and things like that

598
00:27:11,200 --> 00:27:13,359
Speaker 3: since post beef, so I don't know if he's I

599
00:27:13,359 --> 00:27:17,119
Speaker 3: don't know about that side. I'm speaking to his not

600
00:27:17,200 --> 00:27:20,919
Speaker 3: speaking to Drake. And again, I just feel like, and

601
00:27:20,960 --> 00:27:22,600
Speaker 3: we haven't seen this interview and maybe he gets more

602
00:27:22,640 --> 00:27:23,440
Speaker 3: in depth.

603
00:27:23,480 --> 00:27:25,000
Speaker 1: Aside from this clip that we saw.

604
00:27:25,680 --> 00:27:28,800
Speaker 3: I just feel like we need to really know why

605
00:27:28,920 --> 00:27:33,159
Speaker 3: haven't you spoken to because if I do something like that, Rory,

606
00:27:33,200 --> 00:27:35,920
Speaker 3: I'm gonna make it my business to get in front

607
00:27:35,920 --> 00:27:37,919
Speaker 3: of you and have a conversation because we have a

608
00:27:37,960 --> 00:27:40,159
Speaker 3: real relationship. And if I do something like that and

609
00:27:40,200 --> 00:27:43,080
Speaker 3: I handle something I know that you look slighted or

610
00:27:43,119 --> 00:27:45,680
Speaker 3: you feel away, and I shoot you a text and

611
00:27:45,720 --> 00:27:48,439
Speaker 3: you not responding. I'm gonna do whatever I need to

612
00:27:48,480 --> 00:27:50,639
Speaker 3: do to make sure that me and you are in

613
00:27:50,680 --> 00:27:52,160
Speaker 3: the same room and we have a conversation.

614
00:27:52,240 --> 00:27:54,400
Speaker 2: Yeah, which I mean maybe speaks to the rumor that

615
00:27:54,560 --> 00:27:57,560
Speaker 2: Future flew to go meet with Drake so they could

616
00:27:57,880 --> 00:28:00,320
Speaker 2: solve their differences with everything that was going going on.

617
00:28:00,600 --> 00:28:01,760
Speaker 2: I hear you on that, but I mean even with

618
00:28:01,840 --> 00:28:03,720
Speaker 2: Cole was saying in this and again we're just speculating

619
00:28:03,760 --> 00:28:07,359
Speaker 2: because it's a interview way more constant, you.

620
00:28:07,440 --> 00:28:09,560
Speaker 1: Get way more in depth. Yeah, we don't. I mean

621
00:28:09,600 --> 00:28:13,399
Speaker 1: he is saying that, like I do feel him to

622
00:28:13,440 --> 00:28:16,359
Speaker 1: some degree, like he made a decision for himself that

623
00:28:16,440 --> 00:28:18,520
Speaker 1: he said in the desk interview.

624
00:28:18,600 --> 00:28:20,920
Speaker 2: He feels even better about today. It brought more peace

625
00:28:20,920 --> 00:28:24,280
Speaker 2: to his life. Unfortunately that may have slighted one of

626
00:28:24,320 --> 00:28:27,119
Speaker 2: his his friends may feel a way. But he's saying

627
00:28:27,200 --> 00:28:31,040
Speaker 2: like he doesn't know. I see that perspective of like

628
00:28:31,080 --> 00:28:33,359
Speaker 2: I don't want to overstep, like you're not fucking with me.

629
00:28:33,560 --> 00:28:35,320
Speaker 2: I don't want to be blowing your phone up of

630
00:28:35,400 --> 00:28:37,800
Speaker 2: like nah, like it's this doing this is an overkill.

631
00:28:38,000 --> 00:28:39,520
Speaker 1: I hear you. I do what you say.

632
00:28:39,960 --> 00:28:42,840
Speaker 2: But I can definitely see the perspective of like, I

633
00:28:42,840 --> 00:28:44,720
Speaker 2: don't really know where I stand with you anymore, and

634
00:28:44,880 --> 00:28:48,440
Speaker 2: I don't want to like make it worse by trying

635
00:28:48,520 --> 00:28:52,120
Speaker 2: to overly communicate with you at this regard.

636
00:28:52,040 --> 00:28:54,640
Speaker 3: Like I mean, I get that. But again, even in

637
00:28:54,720 --> 00:28:56,200
Speaker 3: that right and again we don't we don't. We didnt

638
00:28:56,200 --> 00:28:58,040
Speaker 3: see the whole interview, So he may very well end

639
00:28:58,120 --> 00:29:00,640
Speaker 3: up doing that getting into debt. But you know, even

640
00:29:00,680 --> 00:29:02,520
Speaker 3: in that moment, say like you listen, man, you know

641
00:29:02,640 --> 00:29:06,840
Speaker 3: I reached out. He hasn't responded, you know what I mean,

642
00:29:06,880 --> 00:29:08,880
Speaker 3: Like I would love to have a conversation with him

643
00:29:08,880 --> 00:29:12,040
Speaker 3: that he says, I be wanting to shoot off a tech.

644
00:29:12,040 --> 00:29:14,560
Speaker 2: But he also said they've spoken after everything, whatever that

645
00:29:14,600 --> 00:29:17,560
Speaker 2: means the direct quote, like we've spoken after everything.

646
00:29:18,560 --> 00:29:20,160
Speaker 1: Okay, again, from what I know, I know, I'm just

647
00:29:20,200 --> 00:29:21,840
Speaker 1: I'm just from what I know.

648
00:29:22,200 --> 00:29:25,120
Speaker 3: You know, conversations that I've had with certain people that

649
00:29:25,320 --> 00:29:28,960
Speaker 3: you know are existing in the world with us, Yes,

650
00:29:29,280 --> 00:29:32,680
Speaker 3: they have not so certain people that I certain people

651
00:29:32,720 --> 00:29:34,800
Speaker 3: that I've had conversations with that are existing in the

652
00:29:34,840 --> 00:29:36,920
Speaker 3: world with us, that may know a thing or two

653
00:29:36,920 --> 00:29:40,920
Speaker 3: about this music on this rocket. Yeah, I mean you know, no,

654
00:29:41,120 --> 00:29:44,320
Speaker 3: there hasn't been no communication, there hasn't been no conversation.

655
00:29:45,000 --> 00:29:47,240
Speaker 1: And you know, and I think I kind of understand.

656
00:29:47,600 --> 00:29:49,400
Speaker 3: I think that that's one of those things where you

657
00:29:49,480 --> 00:29:52,400
Speaker 3: know you did something fucked up and wrong to your friend.

658
00:29:52,520 --> 00:29:55,920
Speaker 3: And and obviously, which is the obvious thing to me,

659
00:29:56,080 --> 00:29:59,880
Speaker 3: Cole is non confrontational. So sometimes you have to be

660
00:30:00,000 --> 00:30:02,960
Speaker 3: confrontational with your friends when you do something fucked up,

661
00:30:03,120 --> 00:30:05,720
Speaker 3: you have to face that confrontation. You have to face

662
00:30:05,760 --> 00:30:08,480
Speaker 3: that phone call of your friends saying, Yo, that's fucked up, bro,

663
00:30:08,680 --> 00:30:10,800
Speaker 3: you did me dirty da da da da da whatever

664
00:30:10,840 --> 00:30:13,640
Speaker 3: it is like. And and Cole is non conversation. We

665
00:30:13,680 --> 00:30:15,840
Speaker 3: know that about Jay Cole. Now, he's a non conversational guy.

666
00:30:15,880 --> 00:30:17,240
Speaker 3: And there's nothing wrong with that. I don't want that

667
00:30:17,280 --> 00:30:20,200
Speaker 3: to come off like a slight to Ja Cole. I'm

668
00:30:20,240 --> 00:30:22,480
Speaker 3: non confrontational. It's things that I avoid and things like that.

669
00:30:22,520 --> 00:30:24,720
Speaker 3: So I understand that I wouldn't avoid no rap battle

670
00:30:24,720 --> 00:30:26,440
Speaker 3: if I had Ja Cole's skill if I had his

671
00:30:26,440 --> 00:30:26,840
Speaker 3: skill set.

672
00:30:26,840 --> 00:30:28,920
Speaker 1: I'm not avoiding no rat battle. I want it with everybody.

673
00:30:29,080 --> 00:30:31,880
Speaker 3: But I can understand that being his real demeanor of

674
00:30:31,960 --> 00:30:35,080
Speaker 3: him just being a non confrontational guy. But when you

675
00:30:35,160 --> 00:30:37,920
Speaker 3: do things to your friends that you know, hurt your

676
00:30:37,960 --> 00:30:40,600
Speaker 3: friends or make your friends kind of feel slighted, you

677
00:30:40,640 --> 00:30:41,920
Speaker 3: gotta face that confrontation.

678
00:30:42,000 --> 00:30:42,200
Speaker 1: Bro.

679
00:30:42,560 --> 00:30:44,400
Speaker 3: You gotta do what you gotta do to be like Yo, Bro,

680
00:30:44,480 --> 00:30:48,000
Speaker 3: I fucked up. You know, let's talk, let's kick it out,

681
00:30:48,040 --> 00:30:50,720
Speaker 3: you know, whatever, however you gotta go about, you know,

682
00:30:51,000 --> 00:30:54,520
Speaker 3: mending that relationship with your friends, with your brothers or whatever.

683
00:30:54,600 --> 00:30:56,320
Speaker 3: You gotta. You gotta do that. And you know, I

684
00:30:56,360 --> 00:30:59,000
Speaker 3: get it. I get the non confronational part, but you

685
00:30:59,040 --> 00:31:01,240
Speaker 3: got to put that shit aside a boy and face

686
00:31:01,360 --> 00:31:03,560
Speaker 3: and face to face the fire. And that's what I

687
00:31:03,640 --> 00:31:06,000
Speaker 3: feel like Cole has been avoiding. I feel like, you know,

688
00:31:06,080 --> 00:31:07,880
Speaker 3: he know he fucked up, and it's just like, all,

689
00:31:08,480 --> 00:31:10,640
Speaker 3: he ain't fucking with me, fucking Let me just continue

690
00:31:10,680 --> 00:31:12,560
Speaker 3: to make music and let me continue to just live

691
00:31:12,600 --> 00:31:15,040
Speaker 3: my life and maybe one day we'll you know, fix

692
00:31:15,080 --> 00:31:15,920
Speaker 3: it and things like that.

693
00:31:16,080 --> 00:31:17,840
Speaker 1: But then you look up in a year two years

694
00:31:17,880 --> 00:31:19,520
Speaker 1: past and.

695
00:31:19,440 --> 00:31:21,240
Speaker 3: It's like, damn, you went two years, but I'll speaking

696
00:31:21,240 --> 00:31:23,880
Speaker 3: to your friend and it's like over something that you

697
00:31:23,880 --> 00:31:26,640
Speaker 3: know was really just a moment like it's not even

698
00:31:26,640 --> 00:31:28,560
Speaker 3: something that was like a lifelong thing, like it was

699
00:31:28,600 --> 00:31:30,800
Speaker 3: just a moment. You handled it in a way that

700
00:31:30,880 --> 00:31:32,760
Speaker 3: your friend probably feel like, damn, bro, you kind of

701
00:31:32,840 --> 00:31:34,920
Speaker 3: just all but fix the situation.

702
00:31:38,240 --> 00:31:40,520
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Speaker 2: I guess I'd like to hear Drake's perspective on why

740
00:33:29,640 --> 00:33:33,640
Speaker 2: he specifically feels a way about that entire thing, because

741
00:33:33,640 --> 00:33:38,680
Speaker 2: I can't find a reason why Kendrick and Cole wouldn't

742
00:33:38,720 --> 00:33:43,280
Speaker 2: speak like he apologized for dissing him back, which whatever,

743
00:33:43,640 --> 00:33:46,720
Speaker 2: but I couldn't see why Kendrick would have any issue

744
00:33:46,760 --> 00:33:48,760
Speaker 2: with Cold and not just be friends again, Like all.

745
00:33:48,720 --> 00:33:50,440
Speaker 1: Right, let's take this over. Let's take this over. Let's

746
00:33:50,440 --> 00:33:50,880
Speaker 1: take this over.

747
00:33:50,920 --> 00:33:53,720
Speaker 3: Colder Kendrick, me and you in a situation, right, somebody

748
00:33:53,760 --> 00:33:56,440
Speaker 3: that we cool it says something, right, it's a little

749
00:33:57,000 --> 00:33:59,800
Speaker 3: we're going back and forth. Right, You called me on

750
00:34:00,080 --> 00:34:02,280
Speaker 3: phone for a couple of hours kicking it, okay, and

751
00:34:02,320 --> 00:34:04,560
Speaker 3: I say, oh, yeah, I just spoked them last night.

752
00:34:04,560 --> 00:34:05,800
Speaker 1: I was on the four one for three hours.

753
00:34:06,120 --> 00:34:08,439
Speaker 3: Okay, I just throw that in the conversation now, Rory,

754
00:34:08,440 --> 00:34:09,799
Speaker 3: I just spoked them last night. We was on the

755
00:34:09,800 --> 00:34:12,440
Speaker 3: phone for a couple of hours. You're like, what the fuck? Like,

756
00:34:12,880 --> 00:34:17,080
Speaker 3: when was you gonna tell me that? And then I say, yo, yo, Rory,

757
00:34:17,160 --> 00:34:17,879
Speaker 3: let me hit you right back.

758
00:34:17,880 --> 00:34:19,600
Speaker 1: I gotta I'm about to put I'm about to.

759
00:34:19,600 --> 00:34:21,080
Speaker 3: Put my son to bed. I'm gonna quit you right back.

760
00:34:21,080 --> 00:34:22,160
Speaker 3: And then we never speak again.

761
00:34:22,520 --> 00:34:24,319
Speaker 1: Okay. I hate to bring them back into it.

762
00:34:24,360 --> 00:34:27,480
Speaker 2: But is it at the time of is the matter

763
00:34:27,680 --> 00:34:31,560
Speaker 2: of people talking shit like the like that verse where

764
00:34:31,560 --> 00:34:33,759
Speaker 2: it's not that serious, like this is just a rap?

765
00:34:34,239 --> 00:34:36,879
Speaker 2: Like was it just banter? Because then I feel like before,

766
00:34:36,880 --> 00:34:38,360
Speaker 2: and I feel like I can speak.

767
00:34:38,160 --> 00:34:40,279
Speaker 1: To both people. This is before not like us. You

768
00:34:40,360 --> 00:34:42,279
Speaker 1: know what I'm saying. I said, is it the like

769
00:34:42,360 --> 00:34:44,759
Speaker 1: that verse time? Yeah, like that was the because it was.

770
00:34:44,719 --> 00:34:46,319
Speaker 2: Already about and I'm just trying to say like that

771
00:34:46,400 --> 00:34:49,399
Speaker 2: to me, I wouldn't feel a way if you were

772
00:34:49,400 --> 00:34:51,799
Speaker 2: talking to somebody when it was just like a verse of.

773
00:34:52,239 --> 00:34:55,640
Speaker 1: Fucking before three is just the four dreamfest.

774
00:34:55,880 --> 00:34:59,000
Speaker 2: I wouldn't feel a way if somebody had said something

775
00:34:59,200 --> 00:35:01,040
Speaker 2: about us and you were still talking to them, but

776
00:35:01,080 --> 00:35:03,800
Speaker 2: it was at the level of just that. I wouldn't

777
00:35:03,800 --> 00:35:08,760
Speaker 2: care that much now if it got way more serious. Yeah, no, No,

778
00:35:09,000 --> 00:35:11,239
Speaker 2: you missed what I'm saying. Yo, I spoke to him.

779
00:35:11,320 --> 00:35:15,720
Speaker 2: I spoke to him last night. Yeah, what y'all talked about?

780
00:35:17,000 --> 00:35:19,080
Speaker 3: You don't really say much and then you get off

781
00:35:19,080 --> 00:35:20,960
Speaker 3: the phone saying, y'all got to put a mall in

782
00:35:21,040 --> 00:35:23,719
Speaker 3: the tub, let me call you back, and then you

783
00:35:23,760 --> 00:35:28,080
Speaker 3: never called me back. Okay, I don't have a right

784
00:35:28,120 --> 00:35:31,760
Speaker 3: to look at you like, what the fuck? You understand

785
00:35:31,760 --> 00:35:34,640
Speaker 3: what I'm saying, like to me, yo, yo yo, mar

786
00:35:34,719 --> 00:35:36,440
Speaker 3: let me know themorrow in the tune, let me put

787
00:35:36,440 --> 00:35:37,879
Speaker 3: it down. I'm gonna call you soon as I put

788
00:35:37,880 --> 00:35:41,359
Speaker 3: her asleep. Yeah, and then I never hear from you again.

789
00:35:41,360 --> 00:35:43,200
Speaker 2: And then I get on a podcast apologizing to the

790
00:35:43,239 --> 00:35:45,879
Speaker 2: other person, and then and then you go onto your pod.

791
00:35:46,160 --> 00:35:50,000
Speaker 3: I can't say, yo, I apologize, And I don't have

792
00:35:50,080 --> 00:35:51,960
Speaker 3: a right to feel like what the fuck?

793
00:35:52,120 --> 00:35:53,840
Speaker 1: Like I thought that was my brother.

794
00:35:54,400 --> 00:35:56,200
Speaker 2: I would only feel a way if you want to

795
00:35:56,200 --> 00:35:58,360
Speaker 2: go make a choice for you at your big age.

796
00:35:59,360 --> 00:36:02,120
Speaker 1: Cool, but we would also need to speak. That's all

797
00:36:02,120 --> 00:36:05,040
Speaker 1: I'm saying. That's what according to call, That's that he tried.

798
00:36:05,320 --> 00:36:07,520
Speaker 1: So who knows what you're trying. I don't know, you

799
00:36:07,560 --> 00:36:08,239
Speaker 1: know what I'm not there.

800
00:36:08,280 --> 00:36:10,160
Speaker 3: You know you've because you've been in a situation where

801
00:36:10,160 --> 00:36:12,200
Speaker 3: somebody when you when you see somebody like you. I

802
00:36:12,360 --> 00:36:14,000
Speaker 3: was just trying to call you. What this I was

803
00:36:14,040 --> 00:36:16,200
Speaker 3: just trying to call you mean, how do you try

804
00:36:16,200 --> 00:36:20,520
Speaker 3: to call somebody? Either you press call or there is

805
00:36:20,560 --> 00:36:22,719
Speaker 3: no I tried to call you, y'all. Was just trying

806
00:36:22,760 --> 00:36:24,480
Speaker 3: to call you. What do you mean you was just

807
00:36:24,520 --> 00:36:27,080
Speaker 3: trying to call me like that's what people do again,

808
00:36:27,120 --> 00:36:29,600
Speaker 3: And I understand and that it makes more sense because

809
00:36:29,640 --> 00:36:32,600
Speaker 3: he's non confrontational and I understand that, and I'm not

810
00:36:32,719 --> 00:36:36,239
Speaker 3: mad at that. But you gotta face that fire, bro,

811
00:36:37,920 --> 00:36:39,840
Speaker 3: or are you just gonna not ever be cool with

812
00:36:40,239 --> 00:36:40,680
Speaker 3: him again?

813
00:36:40,960 --> 00:36:41,880
Speaker 1: Which is crazy to me?

814
00:36:41,960 --> 00:36:44,399
Speaker 3: Which is crazy because it's like, Bro, just just say

815
00:36:44,440 --> 00:36:46,399
Speaker 3: you was wrong in the way you handled it. Y'all

816
00:36:46,480 --> 00:36:48,960
Speaker 3: apologized I was wrong. I shouldn't I shouldn't handled like that.

817
00:36:49,120 --> 00:36:51,520
Speaker 3: I handled that completely wrong. There's nothing wrong with that.

818
00:36:51,560 --> 00:36:55,200
Speaker 3: But when you move and act like you know, like yo, listen, man,

819
00:36:55,239 --> 00:36:56,719
Speaker 3: you know that had nothing to do with me. I

820
00:36:56,800 --> 00:36:58,440
Speaker 3: kind of just moved out the way and you know,

821
00:36:58,719 --> 00:37:01,520
Speaker 3: and I still love those That's not enough to me, Bro,

822
00:37:01,600 --> 00:37:05,080
Speaker 3: That's not it's not it's not the history. It doesn't

823
00:37:05,120 --> 00:37:07,080
Speaker 3: it doesn't speak to the history that you have with

824
00:37:08,160 --> 00:37:10,600
Speaker 3: both of them. But really with Drake, and then, like

825
00:37:10,600 --> 00:37:13,000
Speaker 3: I said, coming off of the success of everything that

826
00:37:13,080 --> 00:37:16,480
Speaker 3: y'all was just doing, having your first number one and

827
00:37:16,520 --> 00:37:18,720
Speaker 3: going on the road and having all of these moments

828
00:37:18,760 --> 00:37:20,880
Speaker 3: that we were talking about on stage, you know, like

829
00:37:21,080 --> 00:37:22,640
Speaker 3: it was like Dan that was dope to see both

830
00:37:22,640 --> 00:37:24,839
Speaker 3: of them, and then all of a sudden two months later,

831
00:37:25,080 --> 00:37:27,719
Speaker 3: y'all never speak again after that. I think that's a

832
00:37:27,719 --> 00:37:31,200
Speaker 3: little crazy man to me. I just think that. And again,

833
00:37:31,360 --> 00:37:33,080
Speaker 3: you know, I know people feel like, yo, Drake is

834
00:37:33,120 --> 00:37:36,480
Speaker 3: your boy, so you riding for cool. I understand that,

835
00:37:36,760 --> 00:37:39,200
Speaker 3: but just use yourself, put yourself in that position with

836
00:37:39,239 --> 00:37:41,640
Speaker 3: one of your friends, one of your homies, and think

837
00:37:41,840 --> 00:37:43,040
Speaker 3: how would you feel about that.

838
00:37:43,120 --> 00:37:45,239
Speaker 1: I think anybody has directly be like that was fucked up.

839
00:37:46,120 --> 00:37:49,160
Speaker 1: As we say in capav Soferny, corporate brotherhood is a

840
00:37:49,160 --> 00:37:51,800
Speaker 1: two a street. Drake's allowed to feel away.

841
00:37:51,800 --> 00:37:54,319
Speaker 2: But also you can't be mad at somebody if they

842
00:37:54,360 --> 00:37:57,640
Speaker 2: tried to reach out or text you and you didn't reply,

843
00:37:58,320 --> 00:37:59,839
Speaker 2: you have every right to do that, but you can't

844
00:37:59,840 --> 00:38:03,560
Speaker 2: be mad that maybe they didn't take triple extra effort

845
00:38:03,800 --> 00:38:07,920
Speaker 2: to keep texting you, because if they didn't reply. Sometimes

846
00:38:07,960 --> 00:38:10,160
Speaker 2: I get sometimes I get the message like if it's

847
00:38:10,200 --> 00:38:12,000
Speaker 2: not off one text, I'm not going to beat this

848
00:38:12,080 --> 00:38:14,440
Speaker 2: into the ground because maybe I did a fuck up.

849
00:38:14,680 --> 00:38:16,640
Speaker 2: And if you're not replying, I'll give you the time

850
00:38:16,960 --> 00:38:19,680
Speaker 2: you can reply when when you feel comfortable because I'm

851
00:38:19,680 --> 00:38:21,520
Speaker 2: not about to force the conversation if you don't want

852
00:38:21,520 --> 00:38:23,640
Speaker 2: to fuck. So it's a two a street in that regard.

853
00:38:23,840 --> 00:38:27,680
Speaker 2: But in closing, I think the overall theme here is that,

854
00:38:27,760 --> 00:38:32,080
Speaker 2: like when you think about it, rap battles are really gay.

855
00:38:32,920 --> 00:38:35,560
Speaker 1: This is gay. No no, but no, no, it's it's

856
00:38:35,600 --> 00:38:37,200
Speaker 1: not gay. It's not good.

857
00:38:38,160 --> 00:38:40,520
Speaker 3: Rap battles aren't gay because rap is a competitive thing.

858
00:38:40,600 --> 00:38:42,960
Speaker 3: It's a competitive art form, So it's not gay. It's

859
00:38:42,960 --> 00:38:46,840
Speaker 3: that people turn it to make it too emotional. Yeah,

860
00:38:46,880 --> 00:38:49,239
Speaker 3: And I think that's what Cole did. He put he

861
00:38:49,280 --> 00:38:50,600
Speaker 3: put way too much thought in them.

862
00:38:50,760 --> 00:38:52,359
Speaker 1: It was just a rat battle, bro.

863
00:38:53,040 --> 00:38:56,560
Speaker 3: And I said when I said, I wasn't just no, no,

864
00:38:56,640 --> 00:38:58,759
Speaker 3: that's something totally different. I'm saying that it was just

865
00:38:58,800 --> 00:39:02,360
Speaker 3: it was just a rap. He turned it into the

866
00:39:02,400 --> 00:39:06,080
Speaker 3: emotional that I can't sleep and this, that and the third, and.

867
00:39:05,640 --> 00:39:07,440
Speaker 1: That's when I was like, Yoka, what is this.

868
00:39:07,800 --> 00:39:09,680
Speaker 3: That's when it starts to feel a little like yo,

869
00:39:09,719 --> 00:39:12,439
Speaker 3: come on, bro. We putting way too much emotion into

870
00:39:12,520 --> 00:39:14,960
Speaker 3: what could have just been an entertaining battle between some

871
00:39:15,000 --> 00:39:16,680
Speaker 3: of the best rappers that we ever had.

872
00:39:16,880 --> 00:39:21,120
Speaker 2: Yeah, that's all. And I promise we'll start to get

873
00:39:21,160 --> 00:39:23,680
Speaker 2: off this. There's one note from the Nedeska interview that

874
00:39:23,760 --> 00:39:28,839
Speaker 2: I do want to kind of go back to the

875
00:39:28,880 --> 00:39:30,960
Speaker 2: new generation has tried to change the rules on a

876
00:39:30,960 --> 00:39:33,919
Speaker 2: lot of shit. My favorite styles Pea quote is coming

877
00:39:33,920 --> 00:39:37,040
Speaker 2: off the shop conversation with Drake and Brawn about the

878
00:39:37,080 --> 00:39:40,480
Speaker 2: forty situation, and Styles was like, Drake is a great MC,

879
00:39:40,640 --> 00:39:44,080
Speaker 2: but you can't come here and change the rules at

880
00:39:44,080 --> 00:39:45,560
Speaker 2: this point, Like if you want to get in the mudd,

881
00:39:45,560 --> 00:39:46,759
Speaker 2: you got to stay in the mud. You can't come

882
00:39:46,800 --> 00:39:48,960
Speaker 2: in here and say what's okay and what's not okay.

883
00:39:49,040 --> 00:39:51,600
Speaker 2: These rules have existed well before all of us. You

884
00:39:51,600 --> 00:39:53,920
Speaker 2: don't get to do that. I kind of felt that

885
00:39:54,000 --> 00:39:59,240
Speaker 2: way with Cole talking about people debating rap to some degree.

886
00:40:00,040 --> 00:40:02,279
Speaker 2: He was saying, like, yo, sports does it as well,

887
00:40:02,600 --> 00:40:06,680
Speaker 2: Like to big up Lebron, I have to shit on

888
00:40:06,800 --> 00:40:09,520
Speaker 2: Jordan or vice versa. I have to steal the joy

889
00:40:09,560 --> 00:40:11,520
Speaker 2: of watching one of the best basketball players if I

890
00:40:11,520 --> 00:40:15,400
Speaker 2: start having Lebron and Jordan shit where I feel you

891
00:40:15,560 --> 00:40:19,080
Speaker 2: on a logical level, but that's this sport is an

892
00:40:19,200 --> 00:40:21,840
Speaker 2: art is to be debated, Like that's never gonna You

893
00:40:21,840 --> 00:40:23,680
Speaker 2: can't come here now, you can feel the way you're

894
00:40:23,680 --> 00:40:26,160
Speaker 2: a artist, You're a human, right, Erica Badu.

895
00:40:26,320 --> 00:40:27,560
Speaker 1: Are some sensitive about my shit?

896
00:40:27,719 --> 00:40:31,279
Speaker 2: I get it, but I don't view Maybe I view

897
00:40:31,320 --> 00:40:33,719
Speaker 2: that way with the stands on the internet as far

898
00:40:33,760 --> 00:40:37,960
Speaker 2: as debates go, but healthy rap debates have existed since

899
00:40:38,000 --> 00:40:40,640
Speaker 2: its inception, and it's not tearing someone else down. If

900
00:40:40,680 --> 00:40:42,440
Speaker 2: you want to say, reasonable doubt is better than ellmatic

901
00:40:42,520 --> 00:40:45,120
Speaker 2: or vice versa, not tearing that shit. I love illmatic

902
00:40:45,239 --> 00:40:49,000
Speaker 2: love like. I thought that was odd when he was

903
00:40:49,200 --> 00:40:52,120
Speaker 2: saying that. And I've heard other artists say this in

904
00:40:52,120 --> 00:40:55,799
Speaker 2: interviews and it bothers me because y'all do the same thing.

905
00:40:57,040 --> 00:41:00,680
Speaker 2: Y'all shit on podcasters, media people, every one that is

906
00:41:00,760 --> 00:41:03,760
Speaker 2: having debates about your music. I've been in the studio

907
00:41:03,800 --> 00:41:05,759
Speaker 2: with a lot of y'all. I bet around everyone to

908
00:41:05,840 --> 00:41:08,600
Speaker 2: dream through love those guys. We have healthy rap debates

909
00:41:08,640 --> 00:41:10,400
Speaker 2: where we do the same thing Cole is saying it.

910
00:41:10,520 --> 00:41:13,440
Speaker 1: It's part of it. It's part of the culture. People.

911
00:41:13,560 --> 00:41:16,200
Speaker 2: I've seen artists in interviews say how much they hate

912
00:41:16,200 --> 00:41:18,000
Speaker 2: this critiquing world, and the time that I'm like, bro,

913
00:41:18,040 --> 00:41:20,480
Speaker 2: I've better studio with you. You've said way worse shit

914
00:41:20,520 --> 00:41:22,480
Speaker 2: than I ever said on the MICUs. But if you

915
00:41:22,600 --> 00:41:23,560
Speaker 2: think Cole has not.

916
00:41:23,520 --> 00:41:26,000
Speaker 1: Had worse conversations than we've had on this fucking come on.

917
00:41:26,080 --> 00:41:28,359
Speaker 1: But dude, debate the same way we do. Listen, man,

918
00:41:28,560 --> 00:41:29,719
Speaker 1: but that's what you love this shit.

919
00:41:29,920 --> 00:41:33,040
Speaker 3: That's always been a part of this culture, though, is

920
00:41:33,080 --> 00:41:36,239
Speaker 3: debating you hear something, how you fucked about you? You

921
00:41:36,320 --> 00:41:38,279
Speaker 3: like that year I said something like, nah, he ain't

922
00:41:38,320 --> 00:41:41,400
Speaker 3: fucking with it. That's always been a thing. It was

923
00:41:41,440 --> 00:41:43,040
Speaker 3: Michael Jackson Prince growing up.

924
00:41:43,560 --> 00:41:45,000
Speaker 1: You know what I'm saying. It was like that.

925
00:41:45,000 --> 00:41:47,239
Speaker 3: That was that was That's always been a part of

926
00:41:47,360 --> 00:41:50,279
Speaker 3: consuming art and being, you know, in this coat of

927
00:41:50,360 --> 00:41:53,960
Speaker 3: hip hop and just music. It was always like who

928
00:41:54,040 --> 00:41:54,759
Speaker 3: you feel is better?

929
00:41:54,760 --> 00:41:55,239
Speaker 1: Who you who?

930
00:41:55,440 --> 00:41:57,759
Speaker 3: Who do you like more? Whose album was better? Who

931
00:41:57,800 --> 00:42:00,279
Speaker 3: who had the better song, Who's a better performer? You know,

932
00:42:00,440 --> 00:42:03,840
Speaker 3: like who's more stylish, who's fly, who's cooler? That's always

933
00:42:03,840 --> 00:42:06,000
Speaker 3: been a part of it. Like so we can't now

934
00:42:06,040 --> 00:42:09,239
Speaker 3: that you know, you're in this moment and it's your

935
00:42:09,280 --> 00:42:11,919
Speaker 3: turn to be you know, you're the main character now

936
00:42:13,080 --> 00:42:15,359
Speaker 3: to be debated and say like, oh, I hate when

937
00:42:15,360 --> 00:42:17,439
Speaker 3: people do that, Like why do we have to We're

938
00:42:17,440 --> 00:42:21,240
Speaker 3: not tearing them if it's a battle. It's a battle.

939
00:42:21,600 --> 00:42:24,239
Speaker 3: People are gonna pick their favorites. People are gonna pick

940
00:42:24,480 --> 00:42:26,200
Speaker 3: who they feel like, you know, they want to win,

941
00:42:26,239 --> 00:42:28,600
Speaker 3: they want a champion and root for and that's it.

942
00:42:28,680 --> 00:42:30,680
Speaker 3: But once that moment is over, we all move on,

943
00:42:30,800 --> 00:42:33,319
Speaker 3: We move forward, the culture keeps moving forward, and then

944
00:42:33,320 --> 00:42:34,960
Speaker 3: in a couple of years, we'll have another moment with

945
00:42:35,080 --> 00:42:37,040
Speaker 3: whoever they deem are the best. They're going to collide

946
00:42:37,040 --> 00:42:39,560
Speaker 3: and have to show their skill set. Like it goes,

947
00:42:39,680 --> 00:42:42,600
Speaker 3: it keeps. This is not the first or last battle

948
00:42:42,600 --> 00:42:45,840
Speaker 3: of hip hop. Now, it was a very unique moment.

949
00:42:46,120 --> 00:42:48,439
Speaker 3: It was because of the caliber the artists that we're

950
00:42:48,440 --> 00:42:51,040
Speaker 3: talking about. So it was a very unique moment and

951
00:42:51,239 --> 00:42:54,000
Speaker 3: probably one of the biggest moments, if not the biggest

952
00:42:54,040 --> 00:42:56,400
Speaker 3: moment when it comes to battle in hip hop that

953
00:42:56,480 --> 00:42:59,279
Speaker 3: we've had. But this isn't the first battle of.

954
00:42:59,560 --> 00:43:01,759
Speaker 2: He was saying, just in general, two of like not

955
00:43:01,800 --> 00:43:04,080
Speaker 2: even battle relate, Like just if we're arguing albums or

956
00:43:04,160 --> 00:43:07,640
Speaker 2: arguing music. And I mean, I like to Mike Princeton,

957
00:43:07,760 --> 00:43:09,520
Speaker 2: like if I say, well, all right, Mike didn't engineer

958
00:43:09,560 --> 00:43:13,080
Speaker 2: all those albums Prince engineered Perple Rain. I'm not I'm

959
00:43:13,080 --> 00:43:15,840
Speaker 2: not taking away from Michael Jackson's Oh.

960
00:43:15,800 --> 00:43:18,319
Speaker 3: You just name it facts and points to support your

961
00:43:18,440 --> 00:43:19,480
Speaker 3: argument and the debate.

962
00:43:19,680 --> 00:43:21,920
Speaker 1: It doesn't make Thriller any different, Like, it doesn't. It

963
00:43:21,920 --> 00:43:23,840
Speaker 1: doesn't take away from anybody.

964
00:43:23,880 --> 00:43:26,120
Speaker 3: It's like, nah, but you know, Prince taught his stuff

965
00:43:26,120 --> 00:43:28,000
Speaker 3: how to play every instrument. You know what I'm saying.

966
00:43:28,000 --> 00:43:29,960
Speaker 3: It's like, Okay, that's a fact. Throw that in the hat.

967
00:43:30,200 --> 00:43:32,759
Speaker 3: Let's talk about that. Yeah, but Prince don't dance like Mike,

968
00:43:32,800 --> 00:43:36,280
Speaker 3: you know what I'm saying. So it's it's all and furthermore,

969
00:43:36,280 --> 00:43:40,920
Speaker 3: where we hip hop itself was built upon that energy

970
00:43:41,040 --> 00:43:44,800
Speaker 3: of battling. I'm gonna bring my DJ to your park

971
00:43:45,120 --> 00:43:47,000
Speaker 3: and I'm gonna have my MC da da da. He's

972
00:43:47,040 --> 00:43:48,839
Speaker 3: from my block. We're gonna see who got the better.

973
00:43:49,160 --> 00:43:52,120
Speaker 3: That's always been a part of it. Like, so that's

974
00:43:52,160 --> 00:43:54,920
Speaker 3: why I really didn't understand, you know, J Cole not

975
00:43:54,960 --> 00:43:57,279
Speaker 3: wanting to be in that moment because he's such a

976
00:43:57,400 --> 00:44:01,120
Speaker 3: hip hop head. I would think that he would understan, Yes,

977
00:44:01,160 --> 00:44:03,280
Speaker 3: this is something that's gonna happen in this culture.

978
00:44:03,560 --> 00:44:05,960
Speaker 1: The titans have to clash. They say, he's the best.

979
00:44:06,719 --> 00:44:08,880
Speaker 1: I'm gonna go see. But I think in the Desk interview.

980
00:44:08,920 --> 00:44:10,480
Speaker 1: He had some he was humble in.

981
00:44:11,960 --> 00:44:16,080
Speaker 2: Understanding why people had the quote unquote outrage that they

982
00:44:16,120 --> 00:44:16,560
Speaker 2: did have.

983
00:44:17,719 --> 00:44:20,160
Speaker 1: He was understanding in that room, he has to understand

984
00:44:20,200 --> 00:44:20,960
Speaker 1: that from the culture.

985
00:44:22,160 --> 00:44:24,279
Speaker 2: But even in that there's a flip side to that coin,

986
00:44:24,320 --> 00:44:25,839
Speaker 2: because I kind of see what he's saying if he's

987
00:44:25,880 --> 00:44:30,799
Speaker 2: talking specifically about how toxic the internet music timeline has

988
00:44:30,880 --> 00:44:34,680
Speaker 2: become post this battle, because I agree, yes with the

989
00:44:34,760 --> 00:44:37,280
Speaker 2: guys that were never even music fans until this battle.

990
00:44:37,280 --> 00:44:39,919
Speaker 2: They're just Drake fans or they're just Kendrick fans. Yes,

991
00:44:39,960 --> 00:44:46,160
Speaker 2: they're tearing down somebody's credibility, livelihood, character to try to

992
00:44:46,200 --> 00:44:49,839
Speaker 2: win a debate. I feel him if that's who he's

993
00:44:49,880 --> 00:44:53,120
Speaker 2: talking about. But to say that we can't debate hip

994
00:44:53,160 --> 00:44:55,560
Speaker 2: hop because we're tearing someone out and the thief of

995
00:44:55,640 --> 00:44:57,840
Speaker 2: joy and everything they brought up, that's where I disagree.

996
00:44:58,000 --> 00:45:00,680
Speaker 2: I do agree if he's talking about the Internet now,

997
00:45:00,719 --> 00:45:03,680
Speaker 2: because y'all are weirdos, and I think the J Cole

998
00:45:03,719 --> 00:45:06,080
Speaker 2: out of the Big three, the J Cole stands are

999
00:45:06,120 --> 00:45:10,080
Speaker 2: probably the least toxic. But if you go through the

1000
00:45:10,120 --> 00:45:13,400
Speaker 2: stands of the Big three, yeah, all they do is

1001
00:45:13,440 --> 00:45:17,240
Speaker 2: tear down the other person in regards to a debate,

1002
00:45:17,760 --> 00:45:19,319
Speaker 2: like we're not even talking about music at this point. Now,

1003
00:45:19,480 --> 00:45:22,760
Speaker 2: now you're trying to figure out, like whose family structure

1004
00:45:22,840 --> 00:45:25,160
Speaker 2: is set up this way, and now we're getting to

1005
00:45:25,239 --> 00:45:28,399
Speaker 2: a very disrupted place if that's what you're focused on.

1006
00:45:28,719 --> 00:45:31,799
Speaker 2: So I hear him there, But that's that's a small majority, dog,

1007
00:45:31,920 --> 00:45:33,920
Speaker 2: as much as I hate that part of Twitter, Yeah,

1008
00:45:34,000 --> 00:45:36,600
Speaker 2: it's like the point zero one percent of music fans, right,

1009
00:45:36,840 --> 00:45:38,799
Speaker 2: that's just your algorithm for the day, Dog, Like the

1010
00:45:38,840 --> 00:45:42,120
Speaker 2: rest of us are here having healthy debates, not tearing death.

1011
00:45:42,400 --> 00:45:44,520
Speaker 2: I argue jay z nas all the time. I don't

1012
00:45:44,560 --> 00:45:46,400
Speaker 2: tear down either of them when I bring up points

1013
00:45:48,320 --> 00:45:49,160
Speaker 2: that I just thought it was.

1014
00:45:49,239 --> 00:45:51,080
Speaker 3: Not thought of it, man. Yeah, but I am. I

1015
00:45:51,440 --> 00:45:54,239
Speaker 3: do want to see his conversation with Cam. I'm looking

1016
00:45:54,280 --> 00:45:57,000
Speaker 3: forward to that. You know, hopefully he goes more into

1017
00:45:57,040 --> 00:46:00,799
Speaker 3: depth about because obviously you know Cam being I hope

1018
00:46:00,800 --> 00:46:03,640
Speaker 3: he goes more into depth about the wrap, the wrapping

1019
00:46:03,880 --> 00:46:06,520
Speaker 3: perspective of the whole thing, Like that's what I want

1020
00:46:06,560 --> 00:46:09,399
Speaker 3: to hear Cole Speeds, So I want to hear more

1021
00:46:09,400 --> 00:46:13,040
Speaker 3: about that. So looking forward to hing his conversation talk

1022
00:46:13,080 --> 00:46:13,479
Speaker 3: with Flee.

1023
00:46:13,960 --> 00:46:14,560
Speaker 1: Yeah, for sure.

1024
00:46:14,840 --> 00:46:17,400
Speaker 2: I'm excited for that and sorry before we get off,

1025
00:46:17,480 --> 00:46:20,160
Speaker 2: j Cole salutes to Mike Will made it. Reset is

1026
00:46:20,160 --> 00:46:24,040
Speaker 2: out now. Two listens. I think it's incredible. Obviously Cole

1027
00:46:24,760 --> 00:46:28,280
Speaker 2: is on that project, and I am here to give

1028
00:46:29,719 --> 00:46:37,600
Speaker 2: Big Sean his flowers. Okay, Cole stands. Everyone calm the

1029
00:46:37,640 --> 00:46:40,800
Speaker 2: fuck down. I think Cole got off then Cole went crazy.

1030
00:46:41,120 --> 00:46:42,960
Speaker 2: I really like the record. It's one of those that

1031
00:46:43,000 --> 00:46:44,840
Speaker 2: you could ride in the car. I'll probably put that

1032
00:46:44,880 --> 00:46:46,000
Speaker 2: on the first thing when I get.

1033
00:46:45,840 --> 00:46:48,359
Speaker 1: In the car to leave here. Love the record.

1034
00:46:48,560 --> 00:46:53,839
Speaker 2: I out of the Big three, all three of them

1035
00:46:54,600 --> 00:46:57,759
Speaker 2: have borrowed Big Sean flows a couple times in their

1036
00:46:57,800 --> 00:47:00,759
Speaker 2: fucking careers, even if it was to diss them when

1037
00:47:00,840 --> 00:47:03,399
Speaker 2: Kendrick did it. Drake has admitted he has before, which

1038
00:47:03,480 --> 00:47:06,040
Speaker 2: I thought was honorable to be like, yeah, I took

1039
00:47:06,040 --> 00:47:10,359
Speaker 2: that flow, but to say specifically with hits too, even

1040
00:47:10,400 --> 00:47:12,480
Speaker 2: though I know this record on Mike Will's.

1041
00:47:12,200 --> 00:47:13,759
Speaker 1: Album, Cole was just spitting he wouldn't try to make

1042
00:47:13,960 --> 00:47:14,440
Speaker 1: a record.

1043
00:47:15,440 --> 00:47:18,960
Speaker 2: But anytime rappers Kanye included, try to make a hit

1044
00:47:19,040 --> 00:47:22,600
Speaker 2: in this era, they borrow a Big Sean flow like

1045
00:47:22,640 --> 00:47:25,279
Speaker 2: Shawn's flows. If you go through his entire career are

1046
00:47:26,360 --> 00:47:31,120
Speaker 2: coded in so many hit records. I can find it

1047
00:47:31,160 --> 00:47:34,040
Speaker 2: in fucking problems. I can find it in so many records.

1048
00:47:34,400 --> 00:47:36,960
Speaker 2: And I don't think there's anything wrong with Cole using

1049
00:47:37,000 --> 00:47:38,520
Speaker 2: the flow that he used on this Mike Will record.

1050
00:47:38,560 --> 00:47:41,280
Speaker 1: But that is a Big Sean flow, like I was. Actually,

1051
00:47:41,320 --> 00:47:42,160
Speaker 1: it was so obvious.

1052
00:47:42,200 --> 00:47:45,040
Speaker 2: I was waiting for Cole because the guy that he

1053
00:47:45,280 --> 00:47:47,360
Speaker 2: is to shout out Big Sean while he was rapping

1054
00:47:47,360 --> 00:47:51,439
Speaker 2: that way. Sean has created the blueprint for a lot

1055
00:47:51,480 --> 00:47:55,560
Speaker 2: of the pockets that have created the rap that we

1056
00:47:55,640 --> 00:47:59,239
Speaker 2: love today. Like Sewan does not get enough credit for

1057
00:47:59,680 --> 00:48:02,560
Speaker 2: his is cadence. How he finds even the ship we

1058
00:48:02,880 --> 00:48:06,399
Speaker 2: fucking clown. Yeah, like even the the rap like Big

1059
00:48:06,400 --> 00:48:09,759
Speaker 2: Sean Twitter trend that it was all funny, but don't

1060
00:48:09,800 --> 00:48:13,160
Speaker 2: act like that hasn't gotten us here. Nicky has flows

1061
00:48:13,160 --> 00:48:15,759
Speaker 2: that are coded in Big Sean. Like everyone that we

1062
00:48:15,880 --> 00:48:18,600
Speaker 2: love has borrowed from Big Sean, and I don't think it.

1063
00:48:18,880 --> 00:48:20,799
Speaker 2: I don't think there's anything wrong with that whatsoever. Everyone

1064
00:48:20,880 --> 00:48:23,960
Speaker 2: borrows from everybody. Shawn's borrowed from people as well. But

1065
00:48:24,360 --> 00:48:26,120
Speaker 2: the fact that that has not been more on the

1066
00:48:26,160 --> 00:48:28,960
Speaker 2: forefront and so obvious to people was kind of beyond me,

1067
00:48:29,440 --> 00:48:30,839
Speaker 2: like Sean is one of them.

1068
00:48:31,239 --> 00:48:33,080
Speaker 3: I mean, but that's that's something that's always happened though.

1069
00:48:33,080 --> 00:48:36,799
Speaker 3: People have always borrowed flows and styles from uh you know.

1070
00:48:37,080 --> 00:48:40,240
Speaker 3: That's to me, that's the ultimate compliment for an artist.

1071
00:48:40,280 --> 00:48:42,000
Speaker 3: Like when you have like an artist to come along

1072
00:48:42,160 --> 00:48:44,920
Speaker 3: and borrow my flow and my style on something, it's

1073
00:48:44,960 --> 00:48:48,040
Speaker 3: let you know, like, Okay, I made, I bought a sound.

1074
00:48:48,120 --> 00:48:51,440
Speaker 3: I bought an energy of cadence to rap that another

1075
00:48:51,520 --> 00:48:53,719
Speaker 3: artist thought was cool and dope, and they kind of bought.

1076
00:48:54,960 --> 00:48:55,720
Speaker 1: Jay borrowed.

1077
00:48:56,400 --> 00:49:00,400
Speaker 3: I don't know if he borrowed pop pop who young Christ, No,

1078
00:49:00,480 --> 00:49:02,280
Speaker 3: he borrowed, he borrowed Park's flowing.

1079
00:49:03,040 --> 00:49:03,720
Speaker 1: Ain't no nigga.

1080
00:49:04,160 --> 00:49:07,320
Speaker 3: Oh for sure, that's Pot that's his flow, that's his

1081
00:49:07,400 --> 00:49:10,360
Speaker 3: Kadie's for the deafamitue skin though no bad got you

1082
00:49:10,400 --> 00:49:13,520
Speaker 3: on t of Maasachi knew got it, that's Pot Like

1083
00:49:13,520 --> 00:49:15,759
Speaker 3: a lot of people don't never notice that, but you know,

1084
00:49:15,800 --> 00:49:18,440
Speaker 3: and even in that moment that was special because Pot

1085
00:49:18,719 --> 00:49:21,040
Speaker 3: this Jay, and then Jay said, I don't hate on

1086
00:49:21,080 --> 00:49:22,960
Speaker 3: those hate on me. I got pot on like he

1087
00:49:23,080 --> 00:49:24,719
Speaker 3: was very clean that like I ain't got no you know,

1088
00:49:24,760 --> 00:49:25,960
Speaker 3: what I'm saying, like, no issue.

1089
00:49:25,680 --> 00:49:26,960
Speaker 1: With that borrowed his flow.

1090
00:49:27,160 --> 00:49:30,399
Speaker 3: Yeah, but that's something I think every you know, dope

1091
00:49:30,520 --> 00:49:33,200
Speaker 3: MC should kind of look for, Like if I'm dope

1092
00:49:33,280 --> 00:49:35,120
Speaker 3: enough to peoplehere, people want to borrow my flow and

1093
00:49:35,200 --> 00:49:37,640
Speaker 3: kind of like I inspired him to to to kind

1094
00:49:37,640 --> 00:49:39,200
Speaker 3: of write and rap a certain way.

1095
00:49:39,480 --> 00:49:40,880
Speaker 1: I think that that's dope. I don't think it's no

1096
00:49:40,960 --> 00:49:41,480
Speaker 1: knock to now.

1097
00:49:41,520 --> 00:49:43,840
Speaker 3: It is fucked up when you don't give that artist

1098
00:49:44,520 --> 00:49:46,200
Speaker 3: credit and it'd be like, yo, nah, I got.

1099
00:49:46,000 --> 00:49:46,920
Speaker 1: That flow from.

1100
00:49:47,239 --> 00:49:49,560
Speaker 2: But sometimes I don't even think it's it's it's the

1101
00:49:49,680 --> 00:49:53,279
Speaker 2: artist's responsibility, because I think borring flows is fine. Like

1102
00:49:53,320 --> 00:49:55,560
Speaker 2: I don't think it's no I mean, like I think

1103
00:49:55,680 --> 00:49:58,480
Speaker 2: this cold record with Michael is amazing.

1104
00:49:58,080 --> 00:49:59,360
Speaker 1: And I don't think I don't think he should have

1105
00:49:59,360 --> 00:50:00,680
Speaker 1: tweeted out like moral music.

1106
00:50:03,640 --> 00:50:06,200
Speaker 2: I just want to give Sean his flowers like in

1107
00:50:06,239 --> 00:50:08,880
Speaker 2: that regard, because so many people have done that with

1108
00:50:08,960 --> 00:50:13,360
Speaker 2: records and and maybe if you're not, if you're a

1109
00:50:13,400 --> 00:50:17,320
Speaker 2: casual fan, it may not be something that's so obvious

1110
00:50:17,360 --> 00:50:20,520
Speaker 2: to you, which is totally fucking fine. I'm a loser

1111
00:50:20,680 --> 00:50:24,600
Speaker 2: nerd that obsesses over this stuff. But I think Sean

1112
00:50:24,640 --> 00:50:26,439
Speaker 2: should get those flowers, and not to say that mine

1113
00:50:26,440 --> 00:50:29,560
Speaker 2: would mean anything, but in the nerd community, I think

1114
00:50:29,600 --> 00:50:33,640
Speaker 2: we owe Sean like at least some props of the

1115
00:50:33,680 --> 00:50:36,160
Speaker 2: amount of flows that he has given to the world

1116
00:50:36,200 --> 00:50:39,400
Speaker 2: that have created hit records, great b side records, Like

1117
00:50:39,760 --> 00:50:41,120
Speaker 2: Sean is him when it comes to that. You can

1118
00:50:41,200 --> 00:50:44,680
Speaker 2: laugh at some of his his rhymes, but duh, everyone

1119
00:50:44,680 --> 00:50:48,960
Speaker 2: inspired it, Like Ludacris is up there too. I think

1120
00:50:49,000 --> 00:50:50,920
Speaker 2: some people would even say some of Sean's shit with

1121
00:50:51,040 --> 00:50:53,759
Speaker 2: the Papaup balloons, like some of that maybe came from

1122
00:50:53,800 --> 00:50:56,879
Speaker 2: Luda as well. Luda and Sean both have given us

1123
00:50:57,040 --> 00:51:00,080
Speaker 2: flows that I don't think people realize it came from.

1124
00:51:00,040 --> 00:51:00,799
Speaker 1: I say it all the time.

1125
00:51:01,040 --> 00:51:02,600
Speaker 3: I mean you listen to Meek, I mean how you

1126
00:51:02,760 --> 00:51:05,400
Speaker 3: you You should definitely turn after you finished listening to

1127
00:51:05,440 --> 00:51:06,720
Speaker 3: Meet you should go listen to ace Hood.

1128
00:51:07,840 --> 00:51:08,080
Speaker 1: Yeah.

1129
00:51:08,440 --> 00:51:10,239
Speaker 3: I think that that's one of the clear ones that

1130
00:51:10,239 --> 00:51:12,360
Speaker 3: we never really spoke about. It really gave credit to

1131
00:51:12,480 --> 00:51:15,120
Speaker 3: like ace Hood, like the way he inspired like he.

1132
00:51:15,320 --> 00:51:17,880
Speaker 2: It's more production or flow because like in NIE's defense,

1133
00:51:17,880 --> 00:51:19,960
Speaker 2: he was given like even when he had the dirty

1134
00:51:20,000 --> 00:51:23,440
Speaker 2: braids before ace Hood really hit with Khaled, like he

1135
00:51:23,600 --> 00:51:26,239
Speaker 2: was rapping in his version of Philly Flow.

1136
00:51:26,360 --> 00:51:27,560
Speaker 1: No I'm not saying he wasn't.

1137
00:51:28,040 --> 00:51:30,960
Speaker 3: But if you listen to Ace Hood and you listen

1138
00:51:31,000 --> 00:51:33,120
Speaker 3: to me, and you tell me you can't hear.

1139
00:51:33,640 --> 00:51:35,600
Speaker 1: Bugatti very much could be a Meek Mill hit and

1140
00:51:35,640 --> 00:51:38,080
Speaker 1: knowing what even this ye okay, you know what I'm saying,

1141
00:51:38,120 --> 00:51:40,439
Speaker 1: I'm with you. Yeah, so I mean, and now whether

1142
00:51:40,480 --> 00:51:41,799
Speaker 1: that was the first want to be able to wrap

1143
00:51:41,840 --> 00:51:43,600
Speaker 1: that way, to make a hit that way the way? Yeah.

1144
00:51:44,200 --> 00:51:46,560
Speaker 3: But but the crazy thing is, I think that sometimes

1145
00:51:46,640 --> 00:51:50,720
Speaker 3: artists don't even notice it because if you hear Hustle

1146
00:51:50,800 --> 00:51:53,160
Speaker 3: Hard and Bugatti and all of that as a as

1147
00:51:53,200 --> 00:51:55,560
Speaker 3: you know, as that to me, that cadence and that

1148
00:51:55,719 --> 00:51:57,240
Speaker 3: sticks in your mind when you're creating.

1149
00:51:57,440 --> 00:51:59,879
Speaker 1: You don't even know that your brain is borrowing from that.

1150
00:52:00,719 --> 00:52:03,000
Speaker 3: Because you like that cadence in that flow so much

1151
00:52:03,080 --> 00:52:05,920
Speaker 3: that now you've adopted it when you write, and you'd

1152
00:52:05,960 --> 00:52:08,799
Speaker 3: be like, oh shit, I didn't even realize. But then

1153
00:52:08,800 --> 00:52:10,960
Speaker 3: when we get the record and you hit a record,

1154
00:52:10,960 --> 00:52:13,719
Speaker 3: you like, that's like you said, but god, it could

1155
00:52:13,760 --> 00:52:17,280
Speaker 3: have been a meek song, Hustle Hard and all that.

1156
00:52:17,400 --> 00:52:20,279
Speaker 3: So it's you know, whether it's intentional or not. I'm

1157
00:52:20,320 --> 00:52:22,120
Speaker 3: just saying, when you have things that we listen to

1158
00:52:22,440 --> 00:52:24,759
Speaker 3: and that we hear, sometimes it's so embttered in our

1159
00:52:24,760 --> 00:52:26,799
Speaker 3: brain and a part of our DNA that we don't

1160
00:52:26,800 --> 00:52:29,520
Speaker 3: even realize that we're pulling from that and borrowing from

1161
00:52:29,520 --> 00:52:32,400
Speaker 3: that because we've heard it so much. Like you, Sometimes

1162
00:52:32,440 --> 00:52:34,719
Speaker 3: you hear a song when you're out moving around, You'll

1163
00:52:34,760 --> 00:52:36,399
Speaker 3: start humming that song the rest of the day.

1164
00:52:36,760 --> 00:52:38,680
Speaker 1: Yeah, and you don't even realize.

1165
00:52:38,320 --> 00:52:40,399
Speaker 3: Like, oh shit, like I heard that song six hours ago,

1166
00:52:40,480 --> 00:52:41,879
Speaker 3: Why am I singing this song all of a sudden?

1167
00:52:41,880 --> 00:52:43,640
Speaker 2: I mean shit, even to get sorry Peach, to get

1168
00:52:43,680 --> 00:52:46,080
Speaker 2: super nerdy, I can always tell when Peace likes the conversation,

1169
00:52:46,160 --> 00:52:47,120
Speaker 2: it doesn't.

1170
00:52:47,120 --> 00:52:47,799
Speaker 1: Even more nerdy.

1171
00:52:47,840 --> 00:52:51,000
Speaker 2: Even if Meek never even felt like he was inspired

1172
00:52:51,000 --> 00:52:55,000
Speaker 2: by ace Hood, it trained the consumer's ear for records

1173
00:52:55,000 --> 00:52:58,400
Speaker 2: like that to be hits like it made it it palatable.

1174
00:52:58,840 --> 00:53:01,120
Speaker 2: Meat could come with a record that wouldn't be a

1175
00:53:01,160 --> 00:53:04,360
Speaker 2: traditional hit and can wrap that way, and the audience

1176
00:53:04,440 --> 00:53:08,640
Speaker 2: is already accustomed to somebody doing it that way. So yeah,

1177
00:53:08,640 --> 00:53:12,200
Speaker 2: I definitely hear you on that, that's for sure. I mean,

1178
00:53:12,440 --> 00:53:14,480
Speaker 2: you already know how I feel. It's sampling, bro, that's

1179
00:53:14,800 --> 00:53:17,200
Speaker 2: that's what hip hop was did. Rap is built on sampling.

1180
00:53:17,239 --> 00:53:19,400
Speaker 1: It's all. It's all. Let's all call it sampling. That's

1181
00:53:19,400 --> 00:53:22,800
Speaker 1: all we're doing with sampling. Fair enough. Yeah, which is

1182
00:53:22,840 --> 00:53:24,480
Speaker 1: a perfect fucking segue.

1183
00:53:25,719 --> 00:53:29,800
Speaker 2: Are you connected with Meek on LinkedIn yet?

1184
00:53:29,160 --> 00:53:29,200
Speaker 1: No?

1185
00:53:29,400 --> 00:53:33,799
Speaker 2: I'm my request is still pending. We're still I'm still

1186
00:53:33,800 --> 00:53:34,280
Speaker 2: in the cue.

1187
00:53:34,280 --> 00:53:36,680
Speaker 1: Meeg is on LinkedIn? Like that's really him? He announced

1188
00:53:36,680 --> 00:53:37,160
Speaker 1: it over the weekend.

1189
00:53:37,239 --> 00:53:40,279
Speaker 2: Yeah, you don't pay attention to the greatest tweeter of

1190
00:53:40,280 --> 00:53:40,680
Speaker 2: all time.

1191
00:53:41,360 --> 00:53:44,560
Speaker 1: I had push notifications I had, I didn't Meek was

1192
00:53:44,560 --> 00:53:46,920
Speaker 1: was was announced that he's on LinkedIn? Had no. Yeah, man,

1193
00:53:46,920 --> 00:53:48,960
Speaker 1: they've been killing him. This is this is his bio

1194
00:53:49,040 --> 00:53:52,359
Speaker 1: right here? Would you like to read it that loud? Uh?

1195
00:53:52,760 --> 00:53:57,040
Speaker 3: Okay, Meek Robert Williams Robert Williams mill he him or

1196
00:53:57,120 --> 00:53:58,800
Speaker 3: is his his pronounce?

1197
00:53:58,920 --> 00:54:00,000
Speaker 1: Progressive? Uh?

1198
00:54:00,040 --> 00:54:03,040
Speaker 3: Looking to build out and make business connections that's aligned

1199
00:54:03,080 --> 00:54:06,960
Speaker 3: with Meek mill dream Chases and bike Life brand also

1200
00:54:07,000 --> 00:54:10,279
Speaker 3: connect more about criminal justice reform. I'm also nice at

1201
00:54:10,320 --> 00:54:12,480
Speaker 3: creating tech ideas Meek Millie.

1202
00:54:13,120 --> 00:54:14,040
Speaker 1: I don't know if this is real.

1203
00:54:14,040 --> 00:54:15,600
Speaker 2: By the way, I think Ryan pulled up some bullshit,

1204
00:54:15,960 --> 00:54:18,640
Speaker 2: but that's really his bio on LinkedIn.

1205
00:54:19,000 --> 00:54:24,839
Speaker 1: Yeah, you can confirm that. That's it's verified. That is.

1206
00:54:32,440 --> 00:54:34,920
Speaker 2: Typing on Lincoln the way you type on like the

1207
00:54:34,960 --> 00:54:36,680
Speaker 2: spaces between and and bike Life.

1208
00:54:37,000 --> 00:54:39,000
Speaker 1: Meek is fucking with us. This is this is him

1209
00:54:39,040 --> 00:54:39,839
Speaker 1: just fucking with us.

1210
00:54:40,000 --> 00:54:42,640
Speaker 2: I've gotten to that point where we've argued on the spot.

1211
00:54:42,680 --> 00:54:46,440
Speaker 2: I think Meek is fucking with all but Jamarics included

1212
00:54:46,520 --> 00:54:47,520
Speaker 2: like he mean that ship.

1213
00:54:47,760 --> 00:54:49,960
Speaker 3: Nah, I think Meek is fucking with us. He don't

1214
00:54:50,000 --> 00:54:52,640
Speaker 3: mean this. This is just this is his latest.

1215
00:54:52,400 --> 00:54:54,720
Speaker 2: Fun We're supposed to get a was it one hundred

1216
00:54:54,719 --> 00:54:56,759
Speaker 2: albums from him last year and we didn't get one.

1217
00:54:57,320 --> 00:54:59,560
Speaker 3: You know, things kind of slowed up, the pressing plants

1218
00:54:59,560 --> 00:55:01,360
Speaker 3: and all that things. He's trying to get vinyls.

1219
00:55:01,520 --> 00:55:04,160
Speaker 2: Hey man, I'm not here to kill Meek the way

1220
00:55:04,239 --> 00:55:06,040
Speaker 2: y'all work the entire weekend.

1221
00:55:06,480 --> 00:55:08,560
Speaker 1: Let me go on LinkedIn and then make some connections.

1222
00:55:08,560 --> 00:55:12,719
Speaker 1: Oh people was killing them for that? What do you do? Like?

1223
00:55:13,320 --> 00:55:16,319
Speaker 1: He said it's Meek Millia on his LinkedIn profile. What

1224
00:55:16,400 --> 00:55:19,240
Speaker 1: it is? It's Meek Milli. You can't you didn't understand

1225
00:55:19,239 --> 00:55:20,480
Speaker 1: who it was. That's who he is.

1226
00:55:21,440 --> 00:55:23,320
Speaker 2: Okay, but meet does a lot of stuff with criminal

1227
00:55:23,360 --> 00:55:24,759
Speaker 2: reform and all that, like it could be a good

1228
00:55:24,760 --> 00:55:26,920
Speaker 2: place to network. And he was saying, like, yo, we

1229
00:55:27,000 --> 00:55:31,240
Speaker 2: all caught up on TikTok and and ig like LinkedIn's

1230
00:55:31,360 --> 00:55:35,120
Speaker 2: a positive place and yeah, you don't know who could

1231
00:55:35,160 --> 00:55:38,440
Speaker 2: just stumble upon Meek's profile and see see some potential

1232
00:55:39,000 --> 00:55:39,680
Speaker 2: y'all ha haters?

1233
00:55:39,680 --> 00:55:41,719
Speaker 3: Man, Yeah, man, let me get Let me get to

1234
00:55:41,760 --> 00:55:45,360
Speaker 3: that bag man, let me make his connections. Man. Starting

1235
00:55:45,400 --> 00:55:47,920
Speaker 3: my LinkedIn journey as an artist, I have dedicated much

1236
00:55:47,920 --> 00:55:51,719
Speaker 3: of my time to honing my creators whom meat cam't

1237
00:55:51,719 --> 00:55:52,160
Speaker 3: wrote this.

1238
00:55:52,680 --> 00:55:53,959
Speaker 1: Because it doesn't match his bio.

1239
00:55:54,080 --> 00:55:58,000
Speaker 3: Yeah, they not honing honing my creative skills. Now I

1240
00:55:58,000 --> 00:56:01,000
Speaker 3: am ready to transition into the business world. Now you're

1241
00:56:01,040 --> 00:56:04,200
Speaker 3: ready to transition to business world? Okay, and showcase my

1242
00:56:04,280 --> 00:56:07,400
Speaker 3: true potential. For too long, others have spoken on my behalf.

1243
00:56:07,760 --> 00:56:10,600
Speaker 3: But now I'm taking the rains. Meek, somebody is still

1244
00:56:10,600 --> 00:56:13,000
Speaker 3: speaking on your behalf. Now I'm taking the rains and

1245
00:56:13,080 --> 00:56:15,759
Speaker 3: speaking for myself, supported by a strong team.

1246
00:56:15,800 --> 00:56:17,200
Speaker 1: This is somebody on your team. Okay.

1247
00:56:17,480 --> 00:56:20,239
Speaker 3: Recently I showcased Dreams of Night mimas of Philadelphia. I'll

1248
00:56:20,280 --> 00:56:23,160
Speaker 3: be posting more content and business ideas to demonstrate the

1249
00:56:23,239 --> 00:56:28,440
Speaker 3: strength of the brand and my thought process. All right, listen,

1250
00:56:28,520 --> 00:56:30,839
Speaker 3: man me trying to get his business in order.

1251
00:56:31,040 --> 00:56:34,120
Speaker 2: I'm not mad at on the independent management side of me. Yeah,

1252
00:56:34,440 --> 00:56:38,279
Speaker 2: left Rock, who's probably speaking for him now listen, may

1253
00:56:38,280 --> 00:56:40,040
Speaker 2: you gotta back to the basics.

1254
00:56:40,200 --> 00:56:43,319
Speaker 1: Yeah, I like it, start start a LinkedIn profile, but.

1255
00:56:43,320 --> 00:56:46,200
Speaker 2: I just like I wish Meek would just go on

1256
00:56:47,320 --> 00:56:50,200
Speaker 2: live and just start reading like his LinkedIn messages.

1257
00:56:50,239 --> 00:56:52,400
Speaker 1: I just got to see who reaching out.

1258
00:56:51,960 --> 00:56:55,400
Speaker 3: Who's trying to connect with him? Yeah, that might that

1259
00:56:55,480 --> 00:56:56,920
Speaker 3: might be something he needs to stream. He need to

1260
00:56:56,920 --> 00:56:57,560
Speaker 3: stream doing that.

1261
00:56:58,120 --> 00:56:59,279
Speaker 1: Are you on LinkedIn? No?

1262
00:57:00,080 --> 00:57:00,239
Speaker 4: Oh?

1263
00:57:00,280 --> 00:57:03,359
Speaker 1: I mean you should start your journey with with Meek? Yeah,

1264
00:57:03,400 --> 00:57:10,160
Speaker 1: meet them all, go to bio again.

1265
00:57:10,280 --> 00:57:15,960
Speaker 2: So it's it's bike life, Yeah, dream Chasers, Meek Millie yeah,

1266
00:57:16,560 --> 00:57:18,439
Speaker 2: and meeting more Meek and more Lawyer.

1267
00:57:18,440 --> 00:57:20,880
Speaker 1: I could get that LLC moving tonight if you want

1268
00:57:20,880 --> 00:57:21,760
Speaker 1: to me.

1269
00:57:21,560 --> 00:57:23,520
Speaker 3: And that's I'm gonna have to hit Meek up and

1270
00:57:23,560 --> 00:57:26,000
Speaker 3: like you might really get our LinkedIn ship going for sure.

1271
00:57:26,440 --> 00:57:29,320
Speaker 2: I got a hundred on it, Yeah, one hundred dollars.

1272
00:57:31,560 --> 00:57:32,439
Speaker 2: Do you watch Shark Tank?

1273
00:57:32,960 --> 00:57:36,000
Speaker 1: Yeah? Okay, what would that value the company have? Then?

1274
00:57:36,040 --> 00:57:37,600
Speaker 1: If I if I invest a five percent for one

1275
00:57:37,680 --> 00:57:43,280
Speaker 1: hundred dollars for me and more.

1276
00:57:46,800 --> 00:57:50,560
Speaker 2: Oh man, what what do you think, like what would

1277
00:57:50,600 --> 00:57:52,920
Speaker 2: be the first vision for Meek and mall? Like, will

1278
00:57:52,960 --> 00:57:55,480
Speaker 2: be the first thing y'all would tackle.

1279
00:57:58,640 --> 00:58:02,600
Speaker 1: Something with criminal justice form something something along. Got that already, yeah,

1280
00:58:02,640 --> 00:58:04,880
Speaker 1: but nah, we gotta we gotta really build that out more.

1281
00:58:04,760 --> 00:58:07,280
Speaker 2: Though, y'all should be like the Firestone of tires, but

1282
00:58:07,480 --> 00:58:08,800
Speaker 2: just specifically.

1283
00:58:08,240 --> 00:58:13,040
Speaker 1: For dirt bikes and then get sued or helmets. Make

1284
00:58:13,080 --> 00:58:17,800
Speaker 1: helmets yo, Right, that's the thing man, Yeah, because that's

1285
00:58:17,800 --> 00:58:19,760
Speaker 1: fucked up. It's not cool to wear a helmet. Yeah,

1286
00:58:19,800 --> 00:58:22,160
Speaker 1: we gotta make we gotta make make helmets great again.

1287
00:58:23,960 --> 00:58:24,600
Speaker 1: That's what we gotta.

1288
00:58:26,400 --> 00:58:28,440
Speaker 3: Me and me can make helmets great again because you

1289
00:58:28,440 --> 00:58:29,800
Speaker 3: see a lot of these dudes on the dirt bikes.

1290
00:58:29,800 --> 00:58:32,240
Speaker 1: They don't really be winning helmets. It's like, nah, put

1291
00:58:32,320 --> 00:58:34,400
Speaker 1: a helmet or make make helmets cool again. Yo.

1292
00:58:34,480 --> 00:58:36,680
Speaker 2: I mean when I when I got my custom bike,

1293
00:58:37,240 --> 00:58:38,800
Speaker 2: when I went to like pick it up after I

1294
00:58:38,800 --> 00:58:40,800
Speaker 2: did the whole process, He's like, you don't want to

1295
00:58:40,800 --> 00:58:42,360
Speaker 2: buy a helmet. I thought he was just being a salesman.

1296
00:58:42,400 --> 00:58:44,040
Speaker 2: He was like, you just spend this amount of money

1297
00:58:44,440 --> 00:58:46,800
Speaker 2: on your bike. You don't want to spend any money

1298
00:58:46,800 --> 00:58:47,240
Speaker 2: on your brain.

1299
00:58:47,320 --> 00:58:49,880
Speaker 1: Huh right. I was like, that's not even a salesman,

1300
00:58:49,880 --> 00:58:51,600
Speaker 1: that's just a fucking it's.

1301
00:58:51,400 --> 00:58:53,240
Speaker 2: Just a logical human. But we need to spend all

1302
00:58:53,280 --> 00:58:54,439
Speaker 2: this money. What about your head?

1303
00:58:55,000 --> 00:58:56,200
Speaker 1: Gotta protect your head? Man.

1304
00:58:56,600 --> 00:58:59,200
Speaker 2: Okay, make it more helmets, make it more helmets. Should

1305
00:58:59,200 --> 00:59:00,920
Speaker 2: we go back to like pro tech? Who has a

1306
00:59:00,920 --> 00:59:01,640
Speaker 2: protech plug?

1307
00:59:02,240 --> 00:59:03,960
Speaker 1: See, y'all, y'all too young, we'll find one.

1308
00:59:04,000 --> 00:59:05,919
Speaker 2: You don't even know Protech. I don't even you don't

1309
00:59:05,920 --> 00:59:07,680
Speaker 2: even know Tony Hark pro skater too.

1310
00:59:07,760 --> 00:59:10,480
Speaker 3: You're crazy. Yeah, Me and me and me can make

1311
00:59:10,560 --> 00:59:13,800
Speaker 3: make helmets cool again. Make helmets cool again, Me and

1312
00:59:13,800 --> 00:59:16,240
Speaker 3: me for sure. We get the m logos on the

1313
00:59:16,240 --> 00:59:19,360
Speaker 3: side from Meek and Mall like the Eminem's kind of

1314
00:59:19,400 --> 00:59:23,600
Speaker 3: Jack Eminem's, y'all laugh, And I see the y'all see

1315
00:59:23,600 --> 00:59:24,160
Speaker 3: the bag.

1316
00:59:24,000 --> 00:59:27,320
Speaker 2: Y'all remember like Mickey Mano Roger Merris did the eminem ship,

1317
00:59:27,360 --> 00:59:27,800
Speaker 2: Like y'all.

1318
00:59:27,680 --> 00:59:30,160
Speaker 1: Could be see what I'm saying. The asterisk could be

1319
00:59:30,160 --> 00:59:33,280
Speaker 1: the logo exactly. Assisty one just take something from them,

1320
00:59:33,360 --> 00:59:38,880
Speaker 1: borrow from Roger and Mickey. And that was Meek and mall. Y'all,

1321
00:59:38,960 --> 00:59:40,720
Speaker 1: y'all don't see the vision. I need people around me

1322
00:59:40,760 --> 00:59:43,440
Speaker 1: that has visionaries. Man, y'all don't have vision. That's the

1323
00:59:43,480 --> 00:59:44,320
Speaker 1: problem now, all.

1324
00:59:44,240 --> 00:59:46,000
Speaker 2: Right, But would that be too much of a conflict

1325
00:59:46,000 --> 00:59:47,640
Speaker 2: with with Bike Life brand because I don't want you

1326
00:59:47,680 --> 00:59:49,400
Speaker 2: to do a bad, bad business.

1327
00:59:49,040 --> 00:59:49,920
Speaker 1: Deal and you're getting baked.

1328
00:59:50,760 --> 00:59:53,720
Speaker 3: That's something different. Okay, that's his own thing. Gotch you

1329
00:59:53,760 --> 00:59:55,320
Speaker 3: We just we on helmets. We ain't got nothing to

1330
00:59:55,320 --> 00:59:56,640
Speaker 3: do with with bikes.

1331
00:59:58,200 --> 01:00:01,320
Speaker 1: I have a connection to to damon.

1332
01:00:02,000 --> 01:00:04,480
Speaker 2: If I had a chance to get you and Meek

1333
01:00:04,600 --> 01:00:07,000
Speaker 2: on Shark Tank to pitch, how much time you guys

1334
01:00:07,000 --> 01:00:07,360
Speaker 2: would need.

1335
01:00:09,440 --> 01:00:11,520
Speaker 1: No, we can get that deal done quick. Mark Cuban

1336
01:00:11,520 --> 01:00:13,080
Speaker 1: already talked about the music business. Even though I know

1337
01:00:13,080 --> 01:00:14,360
Speaker 1: he left Shark Tank. We get him back.

1338
01:00:14,880 --> 01:00:18,800
Speaker 3: Yeah, Cuban is a music head. He's a hip hop head.

1339
01:00:19,320 --> 01:00:22,160
Speaker 3: He respects the culture. Cuban's not there no more.

1340
01:00:23,080 --> 01:00:23,600
Speaker 1: No, he left.

1341
01:00:24,760 --> 01:00:27,560
Speaker 2: Yeah, he was like the only compassionate one on that show.

1342
01:00:28,000 --> 01:00:30,000
Speaker 2: He would all like he congratulate like people be like, yeah,

1343
01:00:30,000 --> 01:00:32,120
Speaker 2: he's just made a million dollars off this this idea

1344
01:00:32,160 --> 01:00:34,120
Speaker 2: I had in my room, Yo, congrats.

1345
01:00:34,120 --> 01:00:38,040
Speaker 1: Everyone else be like that. That's awful. It's like he

1346
01:00:38,120 --> 01:00:42,800
Speaker 1: made a million dollars from his room. Yeah, yeah, is

1347
01:00:42,840 --> 01:00:44,600
Speaker 1: with us. He's a man of the people. He's a

1348
01:00:44,600 --> 01:00:45,440
Speaker 1: man of people. You know.

1349
01:00:45,440 --> 01:00:50,120
Speaker 2: It would be funny though, Like you remember the redacted

1350
01:00:50,160 --> 01:00:51,760
Speaker 2: helmets from the nineties.

1351
01:00:52,880 --> 01:00:53,920
Speaker 1: I'm using the word redacted.

1352
01:00:53,920 --> 01:00:56,080
Speaker 2: I hope you know the word I'm using, Like the

1353
01:00:56,080 --> 01:00:59,560
Speaker 2: helmets they would put on certain people like that we

1354
01:00:59,560 --> 01:01:01,560
Speaker 2: could bring back and like you can have that on

1355
01:01:01,600 --> 01:01:03,560
Speaker 2: the bike because I think it would be like an

1356
01:01:03,560 --> 01:01:06,640
Speaker 2: olde Yeah, like you'd be shown awareness and.

1357
01:01:06,800 --> 01:01:08,400
Speaker 3: I don't think that's gonna help you on a bike.

1358
01:01:09,440 --> 01:01:11,080
Speaker 3: That's just helping you in life. That just helps you

1359
01:01:11,080 --> 01:01:12,840
Speaker 3: when you're trying to go get something out a snack

1360
01:01:12,880 --> 01:01:15,280
Speaker 3: out the fridge, Like that's not no the bike. You

1361
01:01:15,320 --> 01:01:17,600
Speaker 3: need something a little more, put a little more mass

1362
01:01:17,680 --> 01:01:18,000
Speaker 3: to it.

1363
01:01:21,240 --> 01:01:23,640
Speaker 2: If me shut up with one of those, that would

1364
01:01:23,680 --> 01:01:25,040
Speaker 2: be the funniest day on Twitter.

1365
01:01:25,160 --> 01:01:28,240
Speaker 1: Make it cool. Let's make it cool. Yeah, I mean

1366
01:01:28,240 --> 01:01:30,360
Speaker 1: they call him that on Twitter all the time. Cool

1367
01:01:30,400 --> 01:01:32,320
Speaker 1: meek No, No, talk about the redactor.

1368
01:01:36,760 --> 01:01:40,120
Speaker 3: No, No, that's not Who's not who I was talking about.

1369
01:01:42,360 --> 01:01:45,360
Speaker 1: No, shout out to me. I'm glad you're on LinkedIn, man. Yeah,

1370
01:01:45,480 --> 01:01:48,360
Speaker 1: me going on LinkedIn streets. Man, they laughing at you.

1371
01:01:48,400 --> 01:01:53,280
Speaker 1: I'm fucking with it, Meek, I like it. Maul.

1372
01:01:53,320 --> 01:01:55,920
Speaker 2: I heard you talking in the lounge earlier that you

1373
01:01:56,000 --> 01:01:58,440
Speaker 2: feel like you have to overpay for great wireless.

1374
01:01:58,480 --> 01:02:00,000
Speaker 1: It's like a big thing that you preach all the time.

1375
01:02:00,520 --> 01:02:01,920
Speaker 1: But I'll can preached that all the time.

1376
01:02:02,000 --> 01:02:04,440
Speaker 2: But Maul, you can get off your soapbox because boost

1377
01:02:04,480 --> 01:02:07,360
Speaker 2: Mobile is proving that you don't have to overpay for

1378
01:02:07,480 --> 01:02:10,920
Speaker 2: great wireless. Unlock the savings with twenty five dollars a

1379
01:02:11,040 --> 01:02:16,960
Speaker 2: month forever unlimited plan. It's a permanent price with no contracts,

1380
01:02:17,000 --> 01:02:19,280
Speaker 2: no price hikes, no no fine print. When you find

1381
01:02:19,280 --> 01:02:21,120
Speaker 2: out you got to pay all this extra money.

1382
01:02:20,840 --> 01:02:23,360
Speaker 3: Stop overpaying and switch to a fair price at boostmobile

1383
01:02:23,360 --> 01:02:26,040
Speaker 3: dot com today based on average annual single line payment

1384
01:02:26,040 --> 01:02:28,360
Speaker 3: of AT and T Verizon and T Mobile customers compared

1385
01:02:28,520 --> 01:02:30,520
Speaker 3: to twelve months on the Boots Mobile Nlimited plan as

1386
01:02:30,520 --> 01:02:33,240
Speaker 3: of January twenty twenty six. Full off of details, visit

1387
01:02:33,280 --> 01:02:40,320
Speaker 3: boostmobile dot com.

1388
01:02:40,360 --> 01:02:42,160
Speaker 1: I'm here to be a solid partner with Mega Mall.

1389
01:02:43,080 --> 01:02:45,160
Speaker 1: If you're down to have me, yeah, let's make it high. Pause.

1390
01:02:45,240 --> 01:02:49,360
Speaker 2: But yeah, anyways, how you felt about Mandamie's top five

1391
01:02:49,440 --> 01:02:50,160
Speaker 2: rappers of all time.

1392
01:02:53,240 --> 01:02:55,440
Speaker 3: Listen, man, you trying to get me to say something

1393
01:02:55,480 --> 01:02:57,720
Speaker 3: about MoMA Donna and that's not going to say it.

1394
01:02:57,760 --> 01:02:59,720
Speaker 3: What's Who's Mam Donnie's top five rappers?

1395
01:03:00,240 --> 01:03:05,840
Speaker 1: Common jay Z, Biggie Nahs, Loope, common Ja, Biggie Noahs,

1396
01:03:05,880 --> 01:03:06,520
Speaker 1: and Loope.

1397
01:03:08,760 --> 01:03:12,280
Speaker 3: I'm not mad at it, all right, I mean, listen,

1398
01:03:12,320 --> 01:03:14,680
Speaker 3: I told you I'm not when it comes to people's

1399
01:03:14,960 --> 01:03:18,240
Speaker 3: preference and in their opinions on music, I'm really not.

1400
01:03:18,960 --> 01:03:19,760
Speaker 1: I'm not pushing it.

1401
01:03:19,800 --> 01:03:22,760
Speaker 3: If that's Mom Donnie's top five cool now show me

1402
01:03:22,800 --> 01:03:26,760
Speaker 3: Mom Donnie's top five solutions to cleaning up New York City.

1403
01:03:27,840 --> 01:03:28,840
Speaker 1: Great, this is great.

1404
01:03:29,080 --> 01:03:31,000
Speaker 3: These are all MC's that I listened to that I like

1405
01:03:31,080 --> 01:03:33,640
Speaker 3: as well, Mam Donnie. Cool Now show me his top

1406
01:03:33,680 --> 01:03:36,000
Speaker 3: five solutions to fixing the city.

1407
01:03:36,520 --> 01:03:40,040
Speaker 1: No, it's cooler when you talk about rap exactly. He's relatable.

1408
01:03:40,080 --> 01:03:41,320
Speaker 3: You want to talk about all this shit that ain't

1409
01:03:41,320 --> 01:03:43,680
Speaker 3: got nothing to do with the budget, nothing to do

1410
01:03:43,760 --> 01:03:44,640
Speaker 3: with that, nothing to.

1411
01:03:44,560 --> 01:03:47,200
Speaker 1: Do with the whole line. Right now, the potholes being

1412
01:03:47,320 --> 01:03:50,080
Speaker 1: fixed in June, they're being fixed. There's already. See. You

1413
01:03:50,080 --> 01:03:52,680
Speaker 1: don't even pay attention to geopolitics, aka just New York City.

1414
01:03:53,080 --> 01:03:56,000
Speaker 1: It's crazy New York City June. They're being fixed.

1415
01:03:57,640 --> 01:03:58,920
Speaker 2: Do you think it's fucked up that he didn't have

1416
01:03:58,920 --> 01:04:01,320
Speaker 2: anyone from all of them? Like how you from Harlem

1417
01:04:01,360 --> 01:04:03,000
Speaker 2: and don't have that?

1418
01:04:04,680 --> 01:04:08,840
Speaker 1: Nah? Top five? Nah, I'm not mad at that. Do

1419
01:04:08,840 --> 01:04:10,360
Speaker 1: you all think he should go on top talk with

1420
01:04:10,400 --> 01:04:11,360
Speaker 1: Flee right after Cole?

1421
01:04:11,760 --> 01:04:13,959
Speaker 3: He probably has tried to go and talk with Flee.

1422
01:04:14,720 --> 01:04:18,040
Speaker 3: Donnie's probably reached out and that probably will happen. That

1423
01:04:18,080 --> 01:04:20,000
Speaker 3: probably will happen. It will definitely happen.

1424
01:04:20,040 --> 01:04:22,240
Speaker 1: Definitely, I can see that happening. But it's time for

1425
01:04:22,280 --> 01:04:25,360
Speaker 1: re election. We're gonna go sit with here. You're gonna

1426
01:04:25,360 --> 01:04:28,360
Speaker 1: be here, Donnie's gonna be right here with.

1427
01:04:28,760 --> 01:04:32,600
Speaker 2: Do you think he talks to uh, Gillian Wallow? That'd

1428
01:04:32,640 --> 01:04:34,880
Speaker 2: be a great convo. I mean they're they're Philly, yeah,

1429
01:04:34,960 --> 01:04:36,560
Speaker 2: speaking more than New York. But I think the Gilly

1430
01:04:36,640 --> 01:04:39,840
Speaker 2: Gillian Wallow episode with Mondamie would be fucking hilarious. Do

1431
01:04:39,840 --> 01:04:42,160
Speaker 2: you think so they just got Tyree to admit that

1432
01:04:42,200 --> 01:04:46,680
Speaker 2: he acted redacted at the Social Security Office.

1433
01:04:47,000 --> 01:04:49,280
Speaker 3: Well, Roy, we all have that's not news to me

1434
01:04:49,360 --> 01:04:51,160
Speaker 3: that the fact that Tyree said his mom made him

1435
01:04:51,200 --> 01:04:53,800
Speaker 3: act like something was wrong with him or act uh,

1436
01:04:54,160 --> 01:04:57,960
Speaker 3: you know, special soci Security Office.

1437
01:04:58,080 --> 01:05:00,720
Speaker 2: I think everyone's parents has told them to add special

1438
01:05:00,760 --> 01:05:02,200
Speaker 2: needs at some point in their life.

1439
01:05:02,240 --> 01:05:04,280
Speaker 1: But that was a part of growing up.

1440
01:05:04,320 --> 01:05:06,000
Speaker 3: Man, if your mom had to go to the office

1441
01:05:06,000 --> 01:05:08,919
Speaker 3: and get public assistance and all of that, Like, yeah,

1442
01:05:08,960 --> 01:05:10,840
Speaker 3: you had to go in there. You can't look too clean,

1443
01:05:10,920 --> 01:05:12,680
Speaker 3: you got to look like you're struggling a little bit.

1444
01:05:13,320 --> 01:05:14,680
Speaker 1: Yeah, that was part of it. Man.

1445
01:05:14,880 --> 01:05:17,680
Speaker 2: My favorite part of that's weird. Tyrys and Meek do

1446
01:05:17,680 --> 01:05:19,840
Speaker 2: you have a lot in common? My favorite part of

1447
01:05:19,840 --> 01:05:21,680
Speaker 2: this clip. For those that didn't see it, Tyree said

1448
01:05:21,680 --> 01:05:24,320
Speaker 2: that his mom used to make him act retarded at

1449
01:05:24,320 --> 01:05:27,160
Speaker 2: the Social Security Office to receive seven hundred eight dollars

1450
01:05:27,160 --> 01:05:29,800
Speaker 2: a month and in watts in the eighties.

1451
01:05:29,520 --> 01:05:33,760
Speaker 3: That's balling, yo, balling. You got act retardingt balling. But

1452
01:05:33,760 --> 01:05:36,160
Speaker 3: when it was so Valtaile was acting retarded? Like what

1453
01:05:36,240 --> 01:05:40,680
Speaker 3: is acting retarded? I don't like, don't get me.

1454
01:05:41,040 --> 01:05:43,560
Speaker 1: I'm not trying it. I'm just saying like, like what

1455
01:05:43,600 --> 01:05:45,360
Speaker 1: if he did something and his mom.

1456
01:05:45,240 --> 01:05:47,280
Speaker 3: Was like, no, that's not it, Like, how do you pivot?

1457
01:05:47,320 --> 01:05:49,400
Speaker 3: Like what is acting retarded? What does that look like

1458
01:05:49,640 --> 01:05:51,800
Speaker 3: you just drooling on yourself. I'm not answering this question.

1459
01:05:52,400 --> 01:05:54,640
Speaker 3: I'm just trying to figure out what is just acting

1460
01:05:54,760 --> 01:05:58,160
Speaker 3: up Like you're acting like bad in the Social Skirit office,

1461
01:05:58,200 --> 01:06:00,400
Speaker 3: like you're just knocking it over your mom say so,

1462
01:06:00,440 --> 01:06:01,240
Speaker 3: now you don't listen?

1463
01:06:01,560 --> 01:06:02,440
Speaker 1: Is that acting retarded?

1464
01:06:02,560 --> 01:06:02,680
Speaker 4: Well?

1465
01:06:03,240 --> 01:06:05,120
Speaker 2: Christ Stefano, who we've had on the show, has a

1466
01:06:05,200 --> 01:06:07,840
Speaker 2: very funny bit about his dad trying to get him

1467
01:06:07,840 --> 01:06:10,640
Speaker 2: to the first section in Yankee Stadium, which I mean,

1468
01:06:10,720 --> 01:06:13,680
Speaker 2: I think all our dads, anyone that went to Yankee Stadium,

1469
01:06:13,680 --> 01:06:15,160
Speaker 2: you buy, bleach your tickets, and then you try to

1470
01:06:15,160 --> 01:06:15,600
Speaker 2: sneak down.

1471
01:06:15,880 --> 01:06:17,400
Speaker 1: You're not a good father if you didn't.

1472
01:06:17,160 --> 01:06:19,160
Speaker 2: Do that with your kid and try to teach them

1473
01:06:19,640 --> 01:06:22,520
Speaker 2: how to game pass that shit. So his father had

1474
01:06:22,560 --> 01:06:25,919
Speaker 2: told the security guard right there that hey, my son

1475
01:06:25,960 --> 01:06:29,840
Speaker 2: has special needs, and then they got down to the

1476
01:06:29,840 --> 01:06:32,880
Speaker 2: seats and his dad said the drew was a nice touch.

1477
01:06:33,360 --> 01:06:36,280
Speaker 2: And then Chris the SEVENO started to think, wait, am

1478
01:06:36,360 --> 01:06:37,360
Speaker 2: I retarded.

1479
01:06:39,160 --> 01:06:45,920
Speaker 3: The Drew? He didn't even know he was droolid. Yeah,

1480
01:06:46,200 --> 01:06:47,600
Speaker 3: that's how you got to do it, man.

1481
01:06:47,840 --> 01:06:48,920
Speaker 1: So I mean tell it.

1482
01:06:49,200 --> 01:06:52,240
Speaker 2: My favorite part of this clip though, was Gilly said,

1483
01:06:52,240 --> 01:06:54,680
Speaker 2: you've been acting your whole life, and I'm misinterpreted what

1484
01:06:54,680 --> 01:06:57,440
Speaker 2: Gilly said. I thought Gilly was saying, you've been acting

1485
01:06:57,520 --> 01:06:58,760
Speaker 2: retarding your whole life.

1486
01:06:59,640 --> 01:07:01,920
Speaker 1: That was my first intention of what that stuff. That's

1487
01:07:01,960 --> 01:07:04,000
Speaker 1: not what he was saying. I get it, though.

1488
01:07:04,080 --> 01:07:06,600
Speaker 3: I listen, man, Tyres grew up like most of us,

1489
01:07:06,600 --> 01:07:08,000
Speaker 3: grew up inner cities, like you got to go to

1490
01:07:08,040 --> 01:07:08,600
Speaker 3: that off some time.

1491
01:07:08,680 --> 01:07:10,840
Speaker 1: Your mom's like, listen, we need this check and do

1492
01:07:10,880 --> 01:07:13,680
Speaker 1: what we gotta do. Tyres is from Watts to say

1493
01:07:13,680 --> 01:07:15,560
Speaker 1: what ship? I understand. I get it.

1494
01:07:16,400 --> 01:07:18,920
Speaker 2: And on top of that, if you're in the Coca

1495
01:07:18,960 --> 01:07:22,440
Speaker 2: Cola commercials and you're trying to keep that off the books.

1496
01:07:22,360 --> 01:07:24,080
Speaker 1: Well that was you gotta go. You gotta go full

1497
01:07:24,120 --> 01:07:26,800
Speaker 1: retard scurity office. That was later on, and not just

1498
01:07:26,840 --> 01:07:29,720
Speaker 1: see this kid doing the Coca Cola commercials. That was

1499
01:07:29,800 --> 01:07:32,520
Speaker 1: later on. Ty was in high school at that point.

1500
01:07:34,280 --> 01:07:36,919
Speaker 1: But no, that that ship was super funny. You mentioned

1501
01:07:36,960 --> 01:07:39,840
Speaker 1: to me off Mike that there's the ty Resent tank versus.

1502
01:07:39,760 --> 01:07:44,280
Speaker 3: Ty Reson tank versus this Thursday, right twenty six.

1503
01:07:45,400 --> 01:07:46,200
Speaker 1: This is gonna be dope.

1504
01:07:46,440 --> 01:07:47,640
Speaker 3: I think this is this is gonna be one of

1505
01:07:47,680 --> 01:07:50,360
Speaker 3: those verses where because I kind of wasn't too you know,

1506
01:07:51,080 --> 01:07:54,600
Speaker 3: I wasn't anticipating a lot of the previous verses that

1507
01:07:54,640 --> 01:07:57,760
Speaker 3: we've had recently, but this one because I think a

1508
01:07:57,760 --> 01:08:00,000
Speaker 3: lot of people, you know, they're not really too famili

1509
01:08:00,200 --> 01:08:03,400
Speaker 3: with tanks catalog and if it's songs that Tank also

1510
01:08:03,520 --> 01:08:06,480
Speaker 3: wrote or produce that he's.

1511
01:08:06,640 --> 01:08:09,760
Speaker 1: Playing, yeah, I don't know if that's fair though, why

1512
01:08:09,800 --> 01:08:12,440
Speaker 1: not we've here, we've seen we've seen other people do

1513
01:08:12,440 --> 01:08:13,320
Speaker 1: that on versus.

1514
01:08:13,280 --> 01:08:15,240
Speaker 2: Yeah, but it was usually like writer verse writer producer

1515
01:08:15,320 --> 01:08:17,639
Speaker 2: versus producer. If Tanks start doing all this ship he wrote,

1516
01:08:17,640 --> 01:08:22,120
Speaker 2: then this is a very unfair battle like hits tu tho. No,

1517
01:08:22,439 --> 01:08:25,120
Speaker 2: it's just artest first artist. I'm more of a Tank

1518
01:08:25,160 --> 01:08:27,200
Speaker 2: fan than I am a Tyreee fan. But if you

1519
01:08:27,280 --> 01:08:30,160
Speaker 2: get like, what do you signs of love making? What

1520
01:08:30,160 --> 01:08:31,400
Speaker 2: do you what do you come back with?

1521
01:08:32,080 --> 01:08:35,360
Speaker 1: Don't go? True? But I still think sounds of love

1522
01:08:35,400 --> 01:08:37,920
Speaker 1: making like get you there? Nah?

1523
01:08:38,280 --> 01:08:41,240
Speaker 3: The audience a versus audience Nah, don't go is don't

1524
01:08:41,240 --> 01:08:43,320
Speaker 3: go as I don't care who's watching that, don't Go

1525
01:08:43,479 --> 01:08:47,519
Speaker 3: is probably gonna win that round. Tank plays sounds of

1526
01:08:47,520 --> 01:08:51,040
Speaker 3: love making and you played don't go. Don't say Tyree

1527
01:08:51,160 --> 01:08:52,800
Speaker 3: sounds of love making. Yeah, that's what I'm saying. And

1528
01:08:52,960 --> 01:08:53,920
Speaker 3: then Tank plays don't Go.

1529
01:08:54,600 --> 01:08:56,920
Speaker 1: Yeah. I think that's a win for Don't Go. Yeah,

1530
01:08:56,960 --> 01:08:59,240
Speaker 1: that's a win for Tank. This is gonna be interesting,

1531
01:08:59,280 --> 01:09:02,360
Speaker 1: though it's not as much as I funk with Tyree. Uh.

1532
01:09:02,520 --> 01:09:05,320
Speaker 2: Tanks Catalog is just it's too deep, it's too active,

1533
01:09:05,520 --> 01:09:07,799
Speaker 2: Like it's still gonna be interesting. Like if I'm Tyree,

1534
01:09:07,800 --> 01:09:09,960
Speaker 2: and I want to make this clear, I'm not disrespecting Tyree.

1535
01:09:10,000 --> 01:09:13,320
Speaker 2: I think he's probably an underrated singer and artist with

1536
01:09:13,880 --> 01:09:17,800
Speaker 2: what he's given us. By round fifteen, I'm gonna start

1537
01:09:17,800 --> 01:09:20,360
Speaker 2: playing fast and furious clips though, Like I don't think

1538
01:09:20,400 --> 01:09:23,400
Speaker 2: people realize tanks tanks catalog.

1539
01:09:23,600 --> 01:09:25,160
Speaker 1: That's but that's why I like this, Like once you're

1540
01:09:25,160 --> 01:09:25,519
Speaker 1: getting the.

1541
01:09:25,520 --> 01:09:27,360
Speaker 2: Hooks and not to say tyss don't have crazy hook

1542
01:09:27,840 --> 01:09:29,720
Speaker 2: tanks to I don't know, man tanks just different than me.

1543
01:09:30,880 --> 01:09:33,240
Speaker 2: No tank tank like a lot of people, you know,

1544
01:09:33,760 --> 01:09:35,240
Speaker 2: it's gonna perform a.

1545
01:09:35,160 --> 01:09:36,800
Speaker 3: Lot of people don't know. Tank got he got a

1546
01:09:36,840 --> 01:09:38,400
Speaker 3: lot of hits. But Tyree's got hits too.

1547
01:09:38,439 --> 01:09:45,200
Speaker 1: Though, who brings out genuine to do TGT? How do

1548
01:09:45,200 --> 01:09:51,680
Speaker 1: they how do they bake that in? Mm hmm? I

1549
01:09:51,720 --> 01:09:53,639
Speaker 1: don't know if I don't know if genu Wine comes out.

1550
01:09:53,479 --> 01:09:58,679
Speaker 2: Though, if they recreate what they did on Good Morning America,

1551
01:09:58,760 --> 01:10:00,840
Speaker 2: I would love to see that. Like if we get

1552
01:10:00,880 --> 01:10:05,960
Speaker 2: if we give Genuine, like I don't know, three Molly's

1553
01:10:06,040 --> 01:10:08,800
Speaker 2: and a little bit of coke, we get up a

1554
01:10:08,840 --> 01:10:15,760
Speaker 2: great time t G t or LSG, TGT okay, and

1555
01:10:15,800 --> 01:10:19,880
Speaker 2: it's kind of it's kind of not close. It's kind

1556
01:10:19,880 --> 01:10:22,880
Speaker 2: of not close. Yeah, you got a crazy hit there,

1557
01:10:22,880 --> 01:10:24,599
Speaker 2: but not go through the TGT catalog.

1558
01:10:24,680 --> 01:10:27,880
Speaker 1: Go through those. They got some joints.

1559
01:10:27,920 --> 01:10:30,760
Speaker 2: Am I the only one that remembers Uh Genuine being

1560
01:10:31,960 --> 01:10:34,400
Speaker 2: coked up out of his mind during that performance.

1561
01:10:34,840 --> 01:10:37,880
Speaker 1: He wasn't coked up. He said he had mental I

1562
01:10:38,000 --> 01:10:38,760
Speaker 1: here for mental health.

1563
01:10:39,040 --> 01:10:40,439
Speaker 3: No, no, he had taken I think they said we

1564
01:10:40,560 --> 01:10:43,160
Speaker 3: took a five hour energy drink or something like that,

1565
01:10:43,840 --> 01:10:46,160
Speaker 3: and I think he didn't eat or something, and then

1566
01:10:46,200 --> 01:10:48,080
Speaker 3: the lights being baking on him on the show.

1567
01:10:48,280 --> 01:10:50,960
Speaker 1: CAEP, bring that clip public. I'm just saying that.

1568
01:10:51,360 --> 01:10:54,799
Speaker 2: Listen, I could see it have been TGT Good Morning America.

1569
01:10:55,760 --> 01:10:59,240
Speaker 2: You can I have taken I've drinking Celsius, a red Bull,

1570
01:11:00,000 --> 01:11:01,160
Speaker 2: taking five hour energies.

1571
01:11:01,400 --> 01:11:05,120
Speaker 1: I've not eaten. I have never in my life. Yeah,

1572
01:11:05,160 --> 01:11:05,920
Speaker 1: but you've never done that.

1573
01:11:05,960 --> 01:11:08,080
Speaker 3: It hain't been on Good Morning America with the lights

1574
01:11:08,120 --> 01:11:10,040
Speaker 3: Bacon on your skull.

1575
01:11:12,320 --> 01:11:14,960
Speaker 2: The funniest shit about this entire club is like maybe

1576
01:11:14,960 --> 01:11:18,000
Speaker 2: three quarters the way through, you can see Tank on

1577
01:11:18,040 --> 01:11:20,679
Speaker 2: the piano trying to hold his laughs back, like tak

1578
01:11:20,840 --> 01:11:23,080
Speaker 2: is trying not to laugh while he's on the fucking keys.

1579
01:11:24,720 --> 01:11:26,920
Speaker 3: He was fucked up whatever he was on. He was

1580
01:11:27,680 --> 01:11:28,639
Speaker 3: geeking off that shit.

1581
01:11:28,760 --> 01:11:30,720
Speaker 2: Well, I know you're only taking Molly once, but for

1582
01:11:30,720 --> 01:11:33,120
Speaker 2: people that have taken it like a lot, sometimes you

1583
01:11:33,120 --> 01:11:35,080
Speaker 2: start chewing the side of your cheek. I can see

1584
01:11:35,080 --> 01:11:38,200
Speaker 2: a chewed cheek from a mile away. Yeah, that's a

1585
01:11:38,280 --> 01:11:42,559
Speaker 2: chewed cheek. That's not five hour energy, that's a chewed

1586
01:11:42,600 --> 01:11:46,160
Speaker 2: ass cheek. I know what it's like to be up

1587
01:11:46,200 --> 01:11:48,599
Speaker 2: for three days on Molly, just tweaking like.

1588
01:11:50,120 --> 01:11:50,960
Speaker 1: You just turn it.

1589
01:11:51,120 --> 01:11:52,720
Speaker 2: Tyre's had to get out of his chair, just so

1590
01:11:52,920 --> 01:11:55,360
Speaker 2: hoping that the cameras would distract from Genuine and sitting

1591
01:11:55,400 --> 01:11:55,760
Speaker 2: there off.

1592
01:11:56,120 --> 01:11:58,479
Speaker 3: Yeah, let me take the spotlight. Let me get some

1593
01:11:58,520 --> 01:11:59,479
Speaker 3: of this light off, my guy.

1594
01:11:59,560 --> 01:12:01,240
Speaker 1: And if you've heard this song, Tank just takes all

1595
01:12:01,320 --> 01:12:02,080
Speaker 1: Genuine's parts.

1596
01:12:02,160 --> 01:12:04,280
Speaker 3: Yeah, he had to but they spoke about this though.

1597
01:12:04,280 --> 01:12:06,960
Speaker 3: They after and all left about it. Genuine I spoke

1598
01:12:07,000 --> 01:12:08,599
Speaker 3: about this too, but this was a classic.

1599
01:12:08,920 --> 01:12:10,439
Speaker 2: I think it was like a TMZ clip shot that

1600
01:12:10,560 --> 01:12:12,160
Speaker 2: before they all sat down and talk about it. I

1601
01:12:12,160 --> 01:12:15,040
Speaker 2: think they caught genuine the next day he's like, hey man,

1602
01:12:15,080 --> 01:12:20,840
Speaker 2: you know, sometimes you're tired, like, all right, but this verse.

1603
01:12:20,720 --> 01:12:22,560
Speaker 3: Is gonna be dope though, this ver's gonna be do

1604
01:12:22,600 --> 01:12:25,320
Speaker 3: I'm looking forward to this. Yeah, I'm definitely with you.

1605
01:12:25,880 --> 01:12:28,639
Speaker 2: Well, speaking of R and B, I don't like that

1606
01:12:28,640 --> 01:12:31,479
Speaker 2: that that Usher wasn't clocking that.

1607
01:12:31,320 --> 01:12:34,599
Speaker 1: That JB was standing on business. Sometimes you gotta clop

1608
01:12:34,600 --> 01:12:37,200
Speaker 1: the business. That's the verses we need right now. Sometimes

1609
01:12:37,400 --> 01:12:38,320
Speaker 1: sometimes you gotta.

1610
01:12:38,160 --> 01:12:40,600
Speaker 3: See when JB like, no, we need we needed we

1611
01:12:40,760 --> 01:12:43,320
Speaker 3: that's the verses that already happened. That we need to

1612
01:12:43,360 --> 01:12:46,719
Speaker 3: see the footage of Justin Bieber and Usher. That's the verses.

1613
01:12:47,200 --> 01:12:47,320
Speaker 1: Now.

1614
01:12:47,360 --> 01:12:49,320
Speaker 3: That picture that came out with a correct Peter that

1615
01:12:49,400 --> 01:12:52,439
Speaker 3: was that was because I thought I thought I said

1616
01:12:52,439 --> 01:12:55,439
Speaker 3: Be grabbed Usher by his lapel like that. I thought

1617
01:12:55,439 --> 01:12:58,840
Speaker 3: that was crazy. Beyonce in THEE Yeah that.

1618
01:13:00,640 --> 01:13:01,160
Speaker 1: Was crazy.

1619
01:13:01,280 --> 01:13:03,800
Speaker 2: Well if that wasn't Ai though, that would be on

1620
01:13:03,840 --> 01:13:05,559
Speaker 2: a billboard, like that would have.

1621
01:13:05,479 --> 01:13:07,200
Speaker 3: Been the funniest spot. And I thought about that, I'm

1622
01:13:07,200 --> 01:13:09,280
Speaker 3: like that, can't that? Can I should have known that

1623
01:13:09,400 --> 01:13:12,160
Speaker 3: was Ai because I mean, everybody at the fucking gold

1624
01:13:12,160 --> 01:13:14,960
Speaker 3: party has phones. Yeah, things like that like that, we

1625
01:13:15,000 --> 01:13:16,160
Speaker 3: would have gotten footage of that.

1626
01:13:16,760 --> 01:13:19,320
Speaker 1: Your brother was there, yeah, like he would have called you.

1627
01:13:19,320 --> 01:13:23,440
Speaker 3: Yeah yeah, getting getting Usher Usha getting his lapel wrinkled

1628
01:13:24,080 --> 01:13:26,240
Speaker 3: by Justin Bieber, Like we would have gotten real footage

1629
01:13:26,280 --> 01:13:28,160
Speaker 3: of that. So but that's the verses we need. We

1630
01:13:28,200 --> 01:13:30,479
Speaker 3: need to know exactly what happened, what was said, what

1631
01:13:30,520 --> 01:13:31,639
Speaker 3: was on What do you think that was about?

1632
01:13:31,640 --> 01:13:32,640
Speaker 1: Though I don't know.

1633
01:13:33,240 --> 01:13:36,280
Speaker 2: I don't want to go to the terrible part of

1634
01:13:36,320 --> 01:13:41,120
Speaker 2: the internet brain of things that have been accused that

1635
01:13:41,160 --> 01:13:42,920
Speaker 2: happened to Justin Bieber as a kid, and we know

1636
01:13:43,080 --> 01:13:45,360
Speaker 2: the Usher was with Puff and then Puff was like

1637
01:13:45,479 --> 01:13:46,240
Speaker 2: I want to stay away.

1638
01:13:46,280 --> 01:13:47,640
Speaker 1: I don't think it had anything to do with that.

1639
01:13:47,760 --> 01:13:51,040
Speaker 1: But you know that was the comet pizza of course,

1640
01:13:51,800 --> 01:13:55,280
Speaker 1: conspiracy theory that Justin was finally talking to Usher of like, yo,

1641
01:13:55,320 --> 01:13:57,040
Speaker 1: you put me in a situation. I don't think it

1642
01:13:57,080 --> 01:13:57,760
Speaker 1: was that at all.

1643
01:13:59,120 --> 01:14:02,599
Speaker 2: Oh think sometimes when when JB gets the spirits in him,

1644
01:14:04,080 --> 01:14:05,080
Speaker 2: he goes a little nuts.

1645
01:14:05,680 --> 01:14:07,120
Speaker 3: Do you think he had something to do with maybe

1646
01:14:07,240 --> 01:14:10,639
Speaker 3: Biaber not being happy that Usher's probably still making money

1647
01:14:10,640 --> 01:14:14,800
Speaker 3: off of him, like business dealings. It might be some

1648
01:14:14,880 --> 01:14:21,840
Speaker 3: of that, the formalities, the business formalities, Yeah, but.

1649
01:14:21,920 --> 01:14:24,040
Speaker 2: Also sometimes you just got to sit there and be like, well,

1650
01:14:24,320 --> 01:14:25,040
Speaker 2: it's not a bad deal.

1651
01:14:26,280 --> 01:14:27,840
Speaker 3: Yeah, but I mean if you you can sign a

1652
01:14:27,880 --> 01:14:30,439
Speaker 3: bad deal when you're fucking twelve years old being a

1653
01:14:30,479 --> 01:14:30,760
Speaker 3: full h.

1654
01:14:31,960 --> 01:14:34,479
Speaker 1: My dad and my mom like, why why he's this bullshit?

1655
01:14:34,560 --> 01:14:36,439
Speaker 1: I mean it's a usher, you know what I mean.

1656
01:14:36,840 --> 01:14:38,840
Speaker 3: Especially at that time, Usher was you know, he's still

1657
01:14:39,240 --> 01:14:43,640
Speaker 3: a huge star, but sixteen eighteen years ago, yeah, you

1658
01:14:43,640 --> 01:14:45,080
Speaker 3: know what I mean. Like, I mean, at that time,

1659
01:14:45,160 --> 01:14:47,920
Speaker 3: you know, this is ushered and Bieber obviously had a

1660
01:14:47,960 --> 01:14:49,560
Speaker 3: lot of talent, and it was, you know, it was

1661
01:14:49,560 --> 01:14:51,000
Speaker 3: a good thing to kind of be up under Usher.

1662
01:14:51,240 --> 01:14:54,080
Speaker 3: I think that now, you know, Bieber's probably looking back like,

1663
01:14:54,120 --> 01:14:57,200
Speaker 3: all right, doog like I still just I'm still paying you. Yeah,

1664
01:14:57,680 --> 01:14:59,280
Speaker 3: I think that's probably more so what it was.

1665
01:14:59,520 --> 01:15:03,600
Speaker 2: Well, I mean, we have real facts here, sources, Okay, sources,

1666
01:15:03,800 --> 01:15:06,280
Speaker 2: we have the sources said to have Flick should do

1667
01:15:06,320 --> 01:15:08,240
Speaker 2: a dock on sources. Yeah, I want to meet sources.

1668
01:15:08,240 --> 01:15:09,960
Speaker 2: We got to meet sources. Love sources.

1669
01:15:10,040 --> 01:15:11,120
Speaker 1: Let me see sources. Yeah.

1670
01:15:11,400 --> 01:15:15,760
Speaker 2: So sources says they witnessed the feud. Of course, a

1671
01:15:15,800 --> 01:15:19,479
Speaker 2: source always witnessed some shit. Said Usher reacted angrily when

1672
01:15:19,640 --> 01:15:22,360
Speaker 2: Justin brushed him off in the same way he has

1673
01:15:22,400 --> 01:15:26,400
Speaker 2: for a while now, same source claims from those closer

1674
01:15:26,400 --> 01:15:29,439
Speaker 2: to Usher, a closer source, from his perspective, that's a

1675
01:15:29,520 --> 01:15:32,679
Speaker 2: level of loyalty and gratitude that hasn't been reciprocated. Furthermore,

1676
01:15:32,720 --> 01:15:36,680
Speaker 2: the distance between them has come off as dismissive and disrespectful.

1677
01:15:36,840 --> 01:15:38,599
Speaker 2: So does that make Justin the aggressor or the other

1678
01:15:38,640 --> 01:15:39,440
Speaker 2: way around?

1679
01:15:41,760 --> 01:15:42,599
Speaker 1: I don't know, because.

1680
01:15:42,439 --> 01:15:44,519
Speaker 2: Ushers, if he's dismissing, I'm like, I don't even want

1681
01:15:44,520 --> 01:15:47,160
Speaker 2: to speak to you. To me, that would be Usher

1682
01:15:47,200 --> 01:15:49,360
Speaker 2: grabbing his lapel, like, no, come here.

1683
01:15:49,080 --> 01:15:51,679
Speaker 1: You're gonna talk to me. You're my son. Let's let's

1684
01:15:51,680 --> 01:15:56,080
Speaker 1: start there. Yeah. But I mean, clearly the source is

1685
01:15:56,120 --> 01:15:57,760
Speaker 1: giving us stuff. We already know.

1686
01:15:57,840 --> 01:15:59,760
Speaker 2: Usher played a key role in Justin and getting his

1687
01:15:59,760 --> 01:16:02,400
Speaker 2: stars in the history there matters and whatever.

1688
01:16:02,880 --> 01:16:08,080
Speaker 1: I don't know. Some people view things differently from their childhood.

1689
01:16:08,320 --> 01:16:09,120
Speaker 1: Then you may.

1690
01:16:09,920 --> 01:16:12,040
Speaker 2: View when you were an adult for sure, And I'm

1691
01:16:12,040 --> 01:16:13,320
Speaker 2: not I want to make this co I'm not saying

1692
01:16:13,360 --> 01:16:15,639
Speaker 2: a Usher weird shit that they talk about the internet.

1693
01:16:15,840 --> 01:16:18,479
Speaker 2: I was saying, yeah, I know, Justin got older and

1694
01:16:18,520 --> 01:16:21,280
Speaker 2: probably look back and maybe maybe you didn't handle my

1695
01:16:21,280 --> 01:16:22,280
Speaker 2: business the best way.

1696
01:16:22,280 --> 01:16:22,800
Speaker 1: Maybe you didn't.

1697
01:16:22,920 --> 01:16:26,080
Speaker 2: I think there could be resentment there, and Usher's probably

1698
01:16:26,760 --> 01:16:27,519
Speaker 2: looking at it.

1699
01:16:27,439 --> 01:16:30,240
Speaker 1: Like this was the music business? What did you now?

1700
01:16:30,280 --> 01:16:31,840
Speaker 1: You're not even gonna speak to me or.

1701
01:16:31,920 --> 01:16:33,960
Speaker 3: You know, Usher's been trying to have a conversation about it,

1702
01:16:33,960 --> 01:16:36,240
Speaker 3: and Justin doesn't want to talk to them, like you said,

1703
01:16:36,280 --> 01:16:39,360
Speaker 3: brushing them off. I could see, you know, Usher kind

1704
01:16:39,400 --> 01:16:41,120
Speaker 3: of like grabbing them up like yo, like nah, were

1705
01:16:41,120 --> 01:16:43,960
Speaker 3: talking like let's have this conversation. Because when they said

1706
01:16:43,960 --> 01:16:46,880
Speaker 3: they had a a whatever they said, there was, you know,

1707
01:16:46,920 --> 01:16:49,360
Speaker 3: maybe some yelling. It doesn't have to be like some crazy.

1708
01:16:49,400 --> 01:16:50,560
Speaker 3: It could just be like yo, let me talk to

1709
01:16:50,640 --> 01:16:52,240
Speaker 3: you like you be like fuck you, like I don't

1710
01:16:52,240 --> 01:16:53,920
Speaker 3: want to talk to you. And then that turns into

1711
01:16:54,120 --> 01:16:57,080
Speaker 3: Justter and Justin Bieber and Usher had a feud at

1712
01:16:57,080 --> 01:16:58,479
Speaker 3: the goal part and it was literally like yo, I.

1713
01:16:58,479 --> 01:17:00,280
Speaker 1: Don't want to talk to you. My guess was less

1714
01:17:00,280 --> 01:17:02,360
Speaker 1: than that. My guess it could have been nothing.

1715
01:17:02,680 --> 01:17:06,320
Speaker 2: Yeah, some people just looked like they speak aggressively and

1716
01:17:06,320 --> 01:17:08,920
Speaker 2: you're at the goal part, the music's playing. The source

1717
01:17:08,960 --> 01:17:10,920
Speaker 2: could have just been walking by and was like, it

1718
01:17:10,960 --> 01:17:13,040
Speaker 2: kind of look like they're arguing. Yeah, because that's happened

1719
01:17:13,080 --> 01:17:14,920
Speaker 2: to me where it's like, yo, y'all was arguing.

1720
01:17:14,840 --> 01:17:18,360
Speaker 3: No, no, just having a passionate Yeah, just having a

1721
01:17:18,360 --> 01:17:19,640
Speaker 3: loud discussion.

1722
01:17:19,360 --> 01:17:23,000
Speaker 1: At each other. So I think this is nothing. I think.

1723
01:17:23,000 --> 01:17:24,680
Speaker 2: I don't even like my speculation. I really don't think

1724
01:17:24,720 --> 01:17:27,800
Speaker 2: anything is wrong. I think they just maybe were having

1725
01:17:27,800 --> 01:17:30,439
Speaker 2: a disagreement and that's it was what it was.

1726
01:17:30,960 --> 01:17:32,759
Speaker 3: So how do we feel about now? Justin tim Blake

1727
01:17:32,840 --> 01:17:36,200
Speaker 3: is confused that he's a white guy. Did you see that?

1728
01:17:38,080 --> 01:17:39,559
Speaker 3: I told y'all he had too much soul to be

1729
01:17:39,560 --> 01:17:40,080
Speaker 3: a white guy.

1730
01:17:40,520 --> 01:17:42,320
Speaker 1: Y'all didn't believe. It's another thing I said years ago.

1731
01:17:42,400 --> 01:17:46,080
Speaker 1: Nobody believe me. I tried to tell you. I mean,

1732
01:17:46,720 --> 01:17:48,040
Speaker 1: in his defense, he got blacker.

1733
01:17:49,840 --> 01:17:53,000
Speaker 3: The video came out of his dwirest in the Hamptons

1734
01:17:53,040 --> 01:17:57,280
Speaker 3: years ago, rough week for the whites. Would you arrest

1735
01:17:57,360 --> 01:17:58,800
Speaker 3: Justin Tim Blake if you pulled him over in the

1736
01:17:58,800 --> 01:18:02,400
Speaker 3: Hampton's and you could tell he was a little like intoxicated,

1737
01:18:03,080 --> 01:18:05,679
Speaker 3: because I don't think I would here.

1738
01:18:05,720 --> 01:18:07,040
Speaker 1: Here's where corruption would.

1739
01:18:06,840 --> 01:18:08,559
Speaker 2: Definitely take place. I want to make it very clear.

1740
01:18:08,800 --> 01:18:10,920
Speaker 2: I do not agree with drunk driving. It has led

1741
01:18:10,960 --> 01:18:14,559
Speaker 2: to a lot of terrible things. If I'm in the

1742
01:18:14,560 --> 01:18:17,320
Speaker 2: Hampton's on a dirt road and Justin Timberlake gets out

1743
01:18:17,400 --> 01:18:20,559
Speaker 2: his car and I don't have a lot of calls

1744
01:18:20,600 --> 01:18:23,200
Speaker 2: that night of keeping the Hampton safe, there's not a

1745
01:18:23,200 --> 01:18:25,519
Speaker 2: lot of cloths in Hamptons. I may look at my

1746
01:18:25,560 --> 01:18:28,400
Speaker 2: partner and go, you drive his car. I'll drive the

1747
01:18:28,439 --> 01:18:29,080
Speaker 2: cruiser behind you.

1748
01:18:29,120 --> 01:18:31,360
Speaker 1: Let's take it, and let's get Justin Timberlake back that

1749
01:18:31,479 --> 01:18:33,240
Speaker 1: which is fucked up. I want to make that clear.

1750
01:18:33,400 --> 01:18:37,120
Speaker 2: I identify that we shouldn't give celebrities privileges like that,

1751
01:18:37,200 --> 01:18:39,519
Speaker 2: and they shouldn't be above the law. But if I'm

1752
01:18:39,560 --> 01:18:43,160
Speaker 2: in the Hamptons and Justin Timberlake's driving ten miles an

1753
01:18:43,200 --> 01:18:45,439
Speaker 2: hour down a dirt road, I don't know if I'm

1754
01:18:45,439 --> 01:18:47,639
Speaker 2: taking Justin Timberlake to jail. I'm just trying to be honest.

1755
01:18:47,680 --> 01:18:50,400
Speaker 2: I know everyone that's way more amazing than me listening

1756
01:18:50,439 --> 01:18:50,960
Speaker 2: right now.

1757
01:18:50,920 --> 01:18:52,760
Speaker 1: Is like you can't do that. You can do the

1758
01:18:52,760 --> 01:18:56,439
Speaker 1: same thing. You turn a body camels No, I got

1759
01:18:56,439 --> 01:18:58,439
Speaker 1: to put it in the group chat the homies guy

1760
01:18:58,760 --> 01:19:01,120
Speaker 1: it I just rolled over Justin simply.

1761
01:19:00,880 --> 01:19:02,600
Speaker 3: Not it was on a body cam. You get in

1762
01:19:02,600 --> 01:19:06,120
Speaker 3: trouble for that. If you take them home, you're supposed

1763
01:19:06,160 --> 01:19:06,720
Speaker 3: to wrest them that.

1764
01:19:06,800 --> 01:19:10,680
Speaker 1: You know how much corruption probably happens in the Hamptons. Well,

1765
01:19:10,720 --> 01:19:12,120
Speaker 1: I'm just saying you might have to turn that body

1766
01:19:12,160 --> 01:19:14,680
Speaker 1: cam off though. Yeah, you know, I me times at

1767
01:19:14,720 --> 01:19:17,960
Speaker 1: the Murdock household. They probably turned their body they turned

1768
01:19:17,960 --> 01:19:23,439
Speaker 1: their ring camp. So not only turning your body cam

1769
01:19:23,479 --> 01:19:25,880
Speaker 1: off in the Hamptons is that crazy? Not only you

1770
01:19:25,880 --> 01:19:28,000
Speaker 1: get back to your officers.

1771
01:19:28,040 --> 01:19:29,840
Speaker 3: Turn that ring cam off real quick, man, let's turn

1772
01:19:29,880 --> 01:19:31,760
Speaker 3: that off real quick. We can handle this right here.

1773
01:19:32,080 --> 01:19:34,800
Speaker 2: But yeah, more footage leaked from I believe that was

1774
01:19:34,840 --> 01:19:37,439
Speaker 2: last summer, right, because there was footage that leaked where

1775
01:19:37,520 --> 01:19:39,080
Speaker 2: where Justin was like, do I got to get to

1776
01:19:39,080 --> 01:19:42,759
Speaker 2: my tour? Yeah, which was hilarious. But in the precinct

1777
01:19:42,920 --> 01:19:47,760
Speaker 2: you saw Justin reading his paperwork after he had one martini.

1778
01:19:46,880 --> 01:19:50,639
Speaker 1: Just it's always one one bed one martini, It's always one.

1779
01:19:51,040 --> 01:19:53,360
Speaker 1: And he looked at his paperwork and said white.

1780
01:19:55,120 --> 01:19:59,360
Speaker 2: Tough crowd, like you're you're working with a very cold

1781
01:19:59,360 --> 01:20:01,759
Speaker 2: audience at that point, because I would have busted out laughing.

1782
01:20:01,920 --> 01:20:03,599
Speaker 3: Yeah, you don't got to be so serious. The officer

1783
01:20:03,640 --> 01:20:05,040
Speaker 3: is trying to be said, I wouldn't have invested on.

1784
01:20:05,080 --> 01:20:07,479
Speaker 2: But I'm sure he had to pause blown at that

1785
01:20:07,560 --> 01:20:11,240
Speaker 2: point because you start, you start joking after you've yeah,

1786
01:20:11,320 --> 01:20:11,960
Speaker 2: I'm called so.

1787
01:20:12,080 --> 01:20:14,080
Speaker 1: Let me it is what it is like. All Right,

1788
01:20:14,320 --> 01:20:17,760
Speaker 1: I'm a little intoxicated. I get it, but I have fun.

1789
01:20:18,680 --> 01:20:20,960
Speaker 2: I'm not not proud of it, but I have. I

1790
01:20:21,000 --> 01:20:26,760
Speaker 2: have been arrested for a DUI before you was scared. No,

1791
01:20:27,000 --> 01:20:29,400
Speaker 2: So I don't want to say in my defense because

1792
01:20:29,400 --> 01:20:32,880
Speaker 2: there is no real defense for drinking and driving. I

1793
01:20:32,920 --> 01:20:36,519
Speaker 2: fell asleep at my friend's dorm. He was taking summer

1794
01:20:36,560 --> 01:20:39,160
Speaker 2: classes at Saint Peter's. I was living at my godfather's

1795
01:20:39,800 --> 01:20:41,559
Speaker 2: Jersey City to uh. I don't want to say the

1796
01:20:41,560 --> 01:20:43,400
Speaker 2: time where my godfather lives, but it's it's not very

1797
01:20:43,400 --> 01:20:47,040
Speaker 2: far and I was living at his house. I went

1798
01:20:47,080 --> 01:20:49,439
Speaker 2: to sleep like I slept. We were drinking that night,

1799
01:20:49,680 --> 01:20:52,559
Speaker 2: and I don't know if you've been in shitty commuter

1800
01:20:52,640 --> 01:20:55,800
Speaker 2: style dorms the small couch is probably the size of

1801
01:20:55,800 --> 01:20:59,080
Speaker 2: this table of where I was sleeping. I woke up

1802
01:20:59,200 --> 01:21:02,840
Speaker 2: at like seven am, like I'm getting the fuck out

1803
01:21:02,880 --> 01:21:07,360
Speaker 2: of here. I slept enough, get in the car, get

1804
01:21:07,400 --> 01:21:10,360
Speaker 2: pulled over on the side of the Jersey Turnpike. And

1805
01:21:10,360 --> 01:21:14,400
Speaker 2: this this was the the year of like cargos with

1806
01:21:14,520 --> 01:21:17,920
Speaker 2: cement threes. Tom So I'm literally like walking. I don't

1807
01:21:17,920 --> 01:21:19,439
Speaker 2: know if you've seen the Jersey Turnpike. It has a

1808
01:21:19,520 --> 01:21:22,160
Speaker 2: slope on the side. I do walk in a straight

1809
01:21:22,200 --> 01:21:24,880
Speaker 2: line on a slope and do this at the same

1810
01:21:24,880 --> 01:21:28,360
Speaker 2: fucking time. And the cops said to me, after I'd

1811
01:21:28,400 --> 01:21:31,479
Speaker 2: done everything, ABC's the whole fucking thing. He said, you

1812
01:21:31,520 --> 01:21:34,040
Speaker 2: do realize we're gonna do this until you fail.

1813
01:21:34,920 --> 01:21:36,400
Speaker 1: I said, well, until you fail.

1814
01:21:36,720 --> 01:21:40,360
Speaker 2: A verbatim quote, verbatim quote. You realize we're going to

1815
01:21:40,439 --> 01:21:42,400
Speaker 2: keep doing this until you fail. And I said, well,

1816
01:21:42,400 --> 01:21:43,520
Speaker 2: then just put me in cuffs.

1817
01:21:44,160 --> 01:21:48,639
Speaker 1: Maybe I was struck until you fail crazy.

1818
01:21:48,840 --> 01:21:52,320
Speaker 2: So I leave my nineteen ninety three Chevy Malibu on

1819
01:21:52,320 --> 01:21:57,599
Speaker 2: the side of the fucking getting cuffs back of the cruiser.

1820
01:21:59,120 --> 01:22:01,599
Speaker 2: My dumb ass is again. I had just turned twenty one.

1821
01:22:01,800 --> 01:22:04,880
Speaker 2: I had maybe been twenty one for two weeks. At

1822
01:22:04,880 --> 01:22:08,599
Speaker 2: this point, I said, in my arrogant twenty one year

1823
01:22:08,640 --> 01:22:13,439
Speaker 2: old I said, man, I slept. I'm not going to

1824
01:22:13,479 --> 01:22:15,320
Speaker 2: refuse because I know if you refuse, you lose your

1825
01:22:15,360 --> 01:22:18,240
Speaker 2: license for three months. No matter what, to blow, I said,

1826
01:22:18,640 --> 01:22:20,880
Speaker 2: give me that shit, bro, Well you asked for it,

1827
01:22:21,600 --> 01:22:23,040
Speaker 2: you get Do you have the option because you could

1828
01:22:23,160 --> 01:22:25,519
Speaker 2: No matter what, if you refuse, you still lose your

1829
01:22:25,520 --> 01:22:27,519
Speaker 2: license for three months. If you get a DUI, then

1830
01:22:27,520 --> 01:22:31,400
Speaker 2: it's it's it's definitely more of like a maximum bullshit.

1831
01:22:31,600 --> 01:22:35,280
Speaker 1: It probably shit hit perfect that point. O.

1832
01:22:35,320 --> 01:22:38,800
Speaker 2: Wait, Like I even tried to do the tricks, like

1833
01:22:39,800 --> 01:22:42,000
Speaker 2: when you're drunk and you're in like Justin's situation when

1834
01:22:42,000 --> 01:22:43,760
Speaker 2: he's sitting there like they just had a martini, Like

1835
01:22:43,800 --> 01:22:46,719
Speaker 2: you really think in an arrogant drunk state that you're fine.

1836
01:22:47,120 --> 01:22:50,439
Speaker 2: I was like pretending to blow pause and they were like,

1837
01:22:50,840 --> 01:22:53,000
Speaker 2: you do realize every drunk person tries to do this.

1838
01:22:53,040 --> 01:22:57,920
Speaker 2: You're not that smart, Like this is a machine. If

1839
01:22:57,920 --> 01:22:59,960
Speaker 2: you read I know you think you're doing something like

1840
01:23:00,280 --> 01:23:01,920
Speaker 2: it was an asshole, but he was very much honest.

1841
01:23:01,960 --> 01:23:03,360
Speaker 1: I was like, we know you're.

1842
01:23:03,200 --> 01:23:06,599
Speaker 2: Not You're not blowing, so I'm sitting there like, that's

1843
01:23:06,600 --> 01:23:08,439
Speaker 2: not going to get it done. If you're gonna do this,

1844
01:23:08,479 --> 01:23:11,120
Speaker 2: you've already committed do it. That ship hit point oh

1845
01:23:11,120 --> 01:23:13,360
Speaker 2: eight on the fucking mark.

1846
01:23:13,479 --> 01:23:15,200
Speaker 3: That is some scary shit, though, to get pulled over

1847
01:23:15,240 --> 01:23:16,760
Speaker 3: and like you have to do like a field test.

1848
01:23:17,439 --> 01:23:20,639
Speaker 2: Oh, you're just anytime you get pulled over, period, even

1849
01:23:20,720 --> 01:23:23,160
Speaker 2: as a white person, I only imagine someone else.

1850
01:23:23,200 --> 01:23:25,240
Speaker 1: You're you're nervous regardless when you see those lights.

1851
01:23:25,520 --> 01:23:28,280
Speaker 2: But I wasn't even thinking the ship because I wasn't

1852
01:23:28,320 --> 01:23:30,759
Speaker 2: drunk in my head, which I again, I know advocate

1853
01:23:30,760 --> 01:23:32,679
Speaker 2: for the ship, but I thought I slept enough hours

1854
01:23:33,360 --> 01:23:34,000
Speaker 2: and I was good.

1855
01:23:34,120 --> 01:23:36,800
Speaker 1: Yeah, which was not the case. But I had to

1856
01:23:36,800 --> 01:23:37,040
Speaker 1: do that.

1857
01:23:37,080 --> 01:23:39,960
Speaker 3: One time we was driving from LA to Vegas and

1858
01:23:40,000 --> 01:23:40,800
Speaker 3: they pulled us over.

1859
01:23:41,200 --> 01:23:41,960
Speaker 1: That's a rough place.

1860
01:23:42,040 --> 01:23:43,800
Speaker 3: Yeah, they pulled us over, so I was, but we

1861
01:23:43,800 --> 01:23:45,920
Speaker 3: were smoking. So when he pulled it over, they smell

1862
01:23:45,960 --> 01:23:47,760
Speaker 3: weed in the car. So they made they made me

1863
01:23:47,800 --> 01:23:51,920
Speaker 3: get out. So I just always remember, I said I

1864
01:23:52,160 --> 01:23:53,680
Speaker 3: because he was like, I got to follow this pen,

1865
01:23:53,720 --> 01:23:55,000
Speaker 3: follow the ball point of my pen.

1866
01:23:55,479 --> 01:23:56,200
Speaker 1: This, that, and the third.

1867
01:23:56,360 --> 01:23:58,479
Speaker 3: All I kept saying to myself was you have to

1868
01:23:58,560 --> 01:24:02,599
Speaker 3: over exaggerate the eye movement that's all I remember saying, like, Yo,

1869
01:24:02,760 --> 01:24:05,439
Speaker 3: just over exaggerate, make it seem like you're so locked.

1870
01:24:05,479 --> 01:24:07,280
Speaker 3: And I was looking at the pen when he had

1871
01:24:07,320 --> 01:24:09,080
Speaker 3: it by his side, like he was just holding it

1872
01:24:09,160 --> 01:24:09,479
Speaker 3: right hand.

1873
01:24:09,520 --> 01:24:11,120
Speaker 1: I'm just staring at it.

1874
01:24:11,960 --> 01:24:14,880
Speaker 3: I was just over exaggerating. So then he he's moving

1875
01:24:14,880 --> 01:24:16,760
Speaker 3: the pin like this, so I'm going my eyes going.

1876
01:24:17,000 --> 01:24:18,719
Speaker 3: So then he gets to the center, like your nose.

1877
01:24:18,920 --> 01:24:20,639
Speaker 3: I just said that, let me make my eyes as

1878
01:24:20,680 --> 01:24:23,880
Speaker 3: cross eyed as possible. And then he was like, yo, listen, man,

1879
01:24:23,960 --> 01:24:25,559
Speaker 3: just kind of keep it keeping under eighty.

1880
01:24:26,320 --> 01:24:28,160
Speaker 1: And I was like, keep it under eighty. I mean

1881
01:24:28,360 --> 01:24:30,160
Speaker 1: but between la, Yeah, when you make.

1882
01:24:30,040 --> 01:24:31,400
Speaker 3: That, you know when you hit that, when you hit that,

1883
01:24:31,479 --> 01:24:34,599
Speaker 3: that hit open and it's just like I said, Bro's

1884
01:24:34,600 --> 01:24:35,519
Speaker 3: nobody else on the road.

1885
01:24:35,560 --> 01:24:38,519
Speaker 1: It's just like an open road. Hilarious. Bro. But we

1886
01:24:38,560 --> 01:24:39,920
Speaker 1: was losing that car smoking.

1887
01:24:39,960 --> 01:24:42,400
Speaker 3: I'm talking about burning it down during that ride, and

1888
01:24:42,439 --> 01:24:44,560
Speaker 3: I was like, when they pull me over, I just

1889
01:24:44,640 --> 01:24:45,519
Speaker 3: knew I was going to jail.

1890
01:24:45,560 --> 01:24:48,120
Speaker 2: Yeah, well, you know, I never I beat my d U.

1891
01:24:48,200 --> 01:24:50,800
Speaker 2: I how like I'm I'm the.

1892
01:24:50,680 --> 01:24:53,040
Speaker 1: OJ of d U. I s for sure like I

1893
01:24:53,160 --> 01:24:55,280
Speaker 1: blue point. I don't think I beat the case.

1894
01:24:55,280 --> 01:24:57,000
Speaker 3: Yeah, but I don't think that's you don't want to

1895
01:24:57,000 --> 01:24:58,840
Speaker 3: be the oj of d UIs you don't. You don't

1896
01:24:58,840 --> 01:25:01,960
Speaker 3: want that on your juice, baby, No, you don't want that.

1897
01:25:02,080 --> 01:25:04,519
Speaker 2: The juice is loose. That's how I walked down the

1898
01:25:06,360 --> 01:25:10,919
Speaker 2: court building. The juices loose. This is for entertainment purposes.

1899
01:25:11,000 --> 01:25:13,599
Speaker 2: I'm lying right now, Okay, I want to make this guy.

1900
01:25:13,600 --> 01:25:15,880
Speaker 1: I'm lying. None of this is true what I'm about

1901
01:25:15,880 --> 01:25:16,160
Speaker 1: to say.

1902
01:25:16,840 --> 01:25:20,160
Speaker 2: So I got a d UI fax like this isn't

1903
01:25:20,200 --> 01:25:22,519
Speaker 2: refusal where there's some I got a du I do

1904
01:25:22,680 --> 01:25:25,040
Speaker 2: point o A. You are arrested. You have to go

1905
01:25:25,520 --> 01:25:29,920
Speaker 2: to court to face your d UI ship. The prosecutor

1906
01:25:30,840 --> 01:25:33,519
Speaker 2: in Newark at the time was my frat brother.

1907
01:25:35,000 --> 01:25:38,000
Speaker 1: So I'll, you know, I make a call. Just which

1908
01:25:38,000 --> 01:25:39,240
Speaker 1: camera peace? This is?

1909
01:25:39,439 --> 01:25:41,000
Speaker 2: This is all lie. I'm making all of this up.

1910
01:25:41,000 --> 01:25:43,240
Speaker 2: This is for entertainment purposes. I called my frat brother.

1911
01:25:43,280 --> 01:25:45,040
Speaker 2: I said, yeah, I got a d He said, all right,

1912
01:25:45,080 --> 01:25:50,519
Speaker 2: that's that's my court room. I got you, prosecutor. So

1913
01:25:51,280 --> 01:25:55,000
Speaker 2: the girl I'm dating at the time is also interning

1914
01:25:55,240 --> 01:25:59,280
Speaker 2: at the Newark courthouse. I used to like just visit

1915
01:25:59,320 --> 01:26:01,600
Speaker 2: her at the new courthouse when she was there. And

1916
01:26:01,640 --> 01:26:04,880
Speaker 2: there was an Alpha, which is another fraternity shouts to

1917
01:26:04,920 --> 01:26:08,400
Speaker 2: the alphas. I love the alphas, except for this redacted word.

1918
01:26:09,040 --> 01:26:12,479
Speaker 2: He was trying to fuck the girl that I was dating.

1919
01:26:15,280 --> 01:26:19,800
Speaker 2: He finds out that with my DUI that the prosecutor

1920
01:26:20,280 --> 01:26:23,519
Speaker 2: is my fraternity brother. Mind you, I made this fraternity

1921
01:26:23,520 --> 01:26:24,920
Speaker 2: brother even though he was older than me. He joined

1922
01:26:24,960 --> 01:26:26,800
Speaker 2: an alumni chapter. This is all lie by the way,

1923
01:26:26,840 --> 01:26:30,880
Speaker 2: he joined alumni chapter. I made him, so he's a

1924
01:26:30,920 --> 01:26:34,759
Speaker 2: little brother to me even though he's twice my age.

1925
01:26:35,040 --> 01:26:38,840
Speaker 2: The alpha finds out snitches to the judge who's in

1926
01:26:38,960 --> 01:26:43,479
Speaker 2: AKA and she makes a scene in the courtroom. I

1927
01:26:43,520 --> 01:26:46,280
Speaker 2: would never even do this for my sorority sisters. I

1928
01:26:46,360 --> 01:26:48,880
Speaker 2: believe in the fraternity sorority, but never above the law.

1929
01:26:49,120 --> 01:26:54,160
Speaker 2: So I get thrown into the court system of people

1930
01:26:54,200 --> 01:26:57,640
Speaker 2: that have family members that are part of the court,

1931
01:26:58,560 --> 01:27:01,240
Speaker 2: because that's like a corruption, Like if your family work

1932
01:27:01,240 --> 01:27:02,880
Speaker 2: in the court, you got to be in a separate system.

1933
01:27:03,600 --> 01:27:04,760
Speaker 1: So they put me in that shit.

1934
01:27:06,080 --> 01:27:10,240
Speaker 2: I go to court, I'm not exaggerating every Thursday for

1935
01:27:10,400 --> 01:27:15,080
Speaker 2: six months. The cop never shows up. He gets arrested

1936
01:27:15,160 --> 01:27:17,400
Speaker 2: as one of like the biggest.

1937
01:27:17,040 --> 01:27:18,880
Speaker 1: Scandals in NJ.

1938
01:27:19,640 --> 01:27:23,720
Speaker 2: State Trooper history, and my case gets thrown out on

1939
01:27:23,800 --> 01:27:25,720
Speaker 2: top of the corruption charge they were trying to do

1940
01:27:25,760 --> 01:27:28,760
Speaker 2: with my fraternity brother who almost got arrested as a prosecutor.

1941
01:27:30,600 --> 01:27:31,720
Speaker 1: I feel like you got to be white for that

1942
01:27:31,720 --> 01:27:32,839
Speaker 1: shit to happen to you.

1943
01:27:33,880 --> 01:27:36,040
Speaker 2: Everyone in the courses I'm talking about is black except

1944
01:27:36,040 --> 01:27:38,800
Speaker 2: for me. I want to make that claim.

1945
01:27:39,080 --> 01:27:44,200
Speaker 1: Nobody was a white aka everybody's blackness but me. And

1946
01:27:44,200 --> 01:27:46,280
Speaker 1: this is a story I made up for funny entertainment.

1947
01:27:46,280 --> 01:27:50,240
Speaker 1: This is true, but yeah, that was the story of

1948
01:27:50,280 --> 01:27:51,800
Speaker 1: my yo. That was the story of my do you

1949
01:27:51,880 --> 01:27:54,280
Speaker 1: hus For six months?

1950
01:27:54,320 --> 01:27:57,320
Speaker 2: Every Thursday, I'd go in and every time they'd ask

1951
01:27:57,400 --> 01:28:01,599
Speaker 2: you who. It's like a formality which family member works

1952
01:28:01,840 --> 01:28:04,280
Speaker 2: in our court system, and I never had an answer.

1953
01:28:04,320 --> 01:28:06,679
Speaker 2: I was like I had to like sit there and explain.

1954
01:28:06,840 --> 01:28:09,240
Speaker 2: I was like, so my frat brother and these are

1955
01:28:09,280 --> 01:28:11,200
Speaker 2: people that are not in fraternities. I'm just sitting there

1956
01:28:11,240 --> 01:28:14,120
Speaker 2: like an idiot. So it's like my frat brother. And

1957
01:28:14,120 --> 01:28:17,439
Speaker 2: then the judge and they were like okay, And then

1958
01:28:17,479 --> 01:28:20,320
Speaker 2: they'd asked the plaintiff, is the cop here? Nope, And

1959
01:28:20,360 --> 01:28:22,599
Speaker 2: I never knew why he wouldn't show up. That shit

1960
01:28:22,640 --> 01:28:23,479
Speaker 2: was getting expensive for me.

1961
01:28:23,479 --> 01:28:26,280
Speaker 1: Too. I didn't have much money, my car, my Chevy Malibu.

1962
01:28:26,320 --> 01:28:28,519
Speaker 1: After that broke down, I'm taking the bus from t Neck,

1963
01:28:28,560 --> 01:28:33,680
Speaker 1: New Jersey to Newark, which is a fucking nightmare every Thursday,

1964
01:28:34,200 --> 01:28:37,120
Speaker 1: and I'm like, why won't like I just let me

1965
01:28:37,160 --> 01:28:37,840
Speaker 1: face the music.

1966
01:28:37,880 --> 01:28:39,320
Speaker 2: Can this cop comes so I could just get my

1967
01:28:39,360 --> 01:28:42,160
Speaker 2: fucking go to my DUI classes, pay these fines.

1968
01:28:42,240 --> 01:28:45,680
Speaker 1: Listen there. I didn't know he was under investigation, and

1969
01:28:45,680 --> 01:28:47,640
Speaker 1: that's why he never showed up. So all of his

1970
01:28:47,760 --> 01:28:48,639
Speaker 1: cases got thrown out.

1971
01:28:48,720 --> 01:28:51,439
Speaker 2: Like, I have no idea how many how many innocent

1972
01:28:51,520 --> 01:28:54,280
Speaker 2: men were let out of prison the same day that

1973
01:28:54,360 --> 01:28:58,479
Speaker 2: they were like, yeah, so the arresting officer is no longer.

1974
01:28:58,240 --> 01:29:00,600
Speaker 1: Where the force. All these cases are thrown out. I

1975
01:29:00,680 --> 01:29:04,600
Speaker 1: walked out that ship like Lucky Lucky the Iris to

1976
01:29:04,640 --> 01:29:07,040
Speaker 1: the point that Lucky the Irish my quarter appointed lawyers

1977
01:29:07,040 --> 01:29:11,640
Speaker 1: stopped showing up to that's fucking crazy. I would have

1978
01:29:11,640 --> 01:29:14,280
Speaker 1: been in prison for sure. That was me. Yeah, dy

1979
01:29:14,400 --> 01:29:17,880
Speaker 1: lock him up. So I mean, in a sense, I

1980
01:29:17,920 --> 01:29:20,120
Speaker 1: feel justin when you look at your paperwork, it be

1981
01:29:20,120 --> 01:29:23,800
Speaker 1: like white not me, but never me. I'm a cat

1982
01:29:23,880 --> 01:29:25,200
Speaker 1: but not white.

1983
01:29:25,840 --> 01:29:27,280
Speaker 3: Before we wrap up the worry, I do want to

1984
01:29:27,320 --> 01:29:32,439
Speaker 3: say rest in peace to the legendary Chuck Norris. We

1985
01:29:32,520 --> 01:29:38,280
Speaker 3: lost Chuck Chuck Norris over the weekend legend and everything. Now,

1986
01:29:38,360 --> 01:29:42,360
Speaker 3: can I listen respectfully prayers to Chuck Norris and his family.

1987
01:29:42,400 --> 01:29:46,040
Speaker 3: Condolences to his family. But let's just I'm gonna actually

1988
01:29:46,080 --> 01:29:47,840
Speaker 3: we're not on a podcast right now. Can I just

1989
01:29:47,840 --> 01:29:50,479
Speaker 3: say something to the room. I thought Chuck Norris was

1990
01:29:50,479 --> 01:29:54,120
Speaker 3: already dead. Really, I thought he had died like five

1991
01:29:54,200 --> 01:29:56,800
Speaker 3: years ago. Okay, I felt like we had got news that.

1992
01:29:56,840 --> 01:29:58,200
Speaker 3: I don't know if it's one of those internet things

1993
01:29:58,200 --> 01:30:00,519
Speaker 3: where they killed celebrities all the time, Navy.

1994
01:30:00,320 --> 01:30:01,120
Speaker 1: Chuck was a part of that.

1995
01:30:01,160 --> 01:30:02,720
Speaker 3: I think Chuck got caught up in that one year

1996
01:30:02,720 --> 01:30:04,280
Speaker 3: and I just kind of believed it. I thought I

1997
01:30:04,320 --> 01:30:06,920
Speaker 3: thought it was real, and so that's when they announced it.

1998
01:30:06,960 --> 01:30:09,080
Speaker 3: I was like, I thought Chuck Norris passed away years

1999
01:30:09,680 --> 01:30:13,439
Speaker 3: But now we're back on the podcast. Yes, but Chuck Norris,

2000
01:30:13,680 --> 01:30:19,960
Speaker 3: Chuck Norris passed away. Legendary actor, you know, in every

2001
01:30:19,960 --> 01:30:21,760
Speaker 3: sense of the word. I can't remember not watching a

2002
01:30:21,800 --> 01:30:24,000
Speaker 3: movie growing up and not seeing Chuck Norris on my TV.

2003
01:30:24,240 --> 01:30:26,280
Speaker 2: I mean, kind of the way we all treat law

2004
01:30:26,280 --> 01:30:30,120
Speaker 2: and order and now is how I treated Walker Texas Ranger, Like, yeah,

2005
01:30:30,439 --> 01:30:32,240
Speaker 2: that was that's just on the TV.

2006
01:30:32,560 --> 01:30:38,240
Speaker 3: Now, Delta Force was my ship. You ever see Delta Force? Look, Ryan,

2007
01:30:38,280 --> 01:30:39,920
Speaker 3: you don't even know. You don't even know the legend

2008
01:30:39,960 --> 01:30:40,599
Speaker 3: that Chuck is.

2009
01:30:40,800 --> 01:30:46,080
Speaker 1: Look at you that that he's in the one scene Dodgeball.

2010
01:30:46,080 --> 01:30:47,720
Speaker 1: You don't know Dodgeball.

2011
01:30:47,640 --> 01:30:53,479
Speaker 2: Delta for episode was a Walker Texas Ranger. That's like

2012
01:30:53,520 --> 01:30:57,120
Speaker 2: two Pac songs. I'm sure they have like unreleased Walker Texas.

2013
01:30:56,880 --> 01:30:57,920
Speaker 1: Ranger episodes for sure.

2014
01:30:58,040 --> 01:31:00,479
Speaker 3: Game of Death like this is Chuck is a legend

2015
01:31:00,520 --> 01:31:02,400
Speaker 3: man every sense of the word.

2016
01:31:03,000 --> 01:31:07,439
Speaker 1: Yeah, he's who how many? How many? Even SAG thinks

2017
01:31:07,640 --> 01:31:10,240
Speaker 1: this may how many movies does that Chuck Norris have?

2018
01:31:10,760 --> 01:31:14,479
Speaker 3: Uh in his discography? I just want to I just

2019
01:31:14,479 --> 01:31:15,920
Speaker 3: want to know how many movies Chuck Norrison.

2020
01:31:15,920 --> 01:31:18,880
Speaker 1: I don't even think this this. I feel like this

2021
01:31:18,920 --> 01:31:22,120
Speaker 1: is underselling. There's no way thirty seven he did that

2022
01:31:22,160 --> 01:31:25,040
Speaker 1: in one year? You can't, yea. I think he probably

2023
01:31:25,040 --> 01:31:26,080
Speaker 1: had thirty seven this year.

2024
01:31:26,560 --> 01:31:29,280
Speaker 3: Yeah, Chuck Norris has more than thirty seven movies, and.

2025
01:31:29,280 --> 01:31:31,479
Speaker 1: It's you know, we just didn't really see them at

2026
01:31:31,560 --> 01:31:34,760
Speaker 1: least thirty four. No way, I'm not jacking AI on

2027
01:31:34,800 --> 01:31:37,280
Speaker 1: this one. Yeah. Nah, Chuck Norris has done more than

2028
01:31:37,280 --> 01:31:41,120
Speaker 1: thirty four movies, but definitely rest in peace to rest

2029
01:31:41,160 --> 01:31:42,800
Speaker 1: the piece to the legend. Chuck Norris, thank you for

2030
01:31:42,880 --> 01:31:44,760
Speaker 1: Delta Force changed my childhood.

2031
01:31:45,360 --> 01:31:48,120
Speaker 2: And I mean, I know you don't get to decide

2032
01:31:48,200 --> 01:31:51,840
Speaker 2: if people put out headlines saying you had like an

2033
01:31:51,880 --> 01:31:55,040
Speaker 2: emergency or a health scare, but don't do that. Just

2034
01:31:55,040 --> 01:31:57,479
Speaker 2: wait till I'm dead or not. Because I saw that

2035
01:31:57,560 --> 01:32:00,200
Speaker 2: during the day, like Chuck Norris has an emergency scare.

2036
01:32:00,840 --> 01:32:04,080
Speaker 1: Don't do that, just announce when I'm dead. I don't

2037
01:32:04,120 --> 01:32:05,400
Speaker 1: like that that shit.

2038
01:32:06,360 --> 01:32:09,920
Speaker 3: Oh man, all right, well, thank you guys for coming

2039
01:32:09,920 --> 01:32:13,080
Speaker 3: in today. We made it as a family. If you're traveling,

2040
01:32:13,240 --> 01:32:16,240
Speaker 3: please be safe in these airports. I guess you can

2041
01:32:16,320 --> 01:32:18,120
Speaker 3: bring a pillow with you and sleep at the airport

2042
01:32:18,160 --> 01:32:18,919
Speaker 3: in some cities.

2043
01:32:20,160 --> 01:32:21,640
Speaker 1: I know we started the episode with it, but I

2044
01:32:21,640 --> 01:32:27,000
Speaker 1: do want to close and humble myself. Those tickets are

2045
01:32:27,280 --> 01:32:30,640
Speaker 1: fifteen hundred dollars for good seats, jay Z ticket. What

2046
01:32:31,040 --> 01:32:31,760
Speaker 1: can you do for us?

2047
01:32:32,080 --> 01:32:34,920
Speaker 3: Oh, I can't do shit. I let people know off top,

2048
01:32:35,160 --> 01:32:37,280
Speaker 3: I can't even nothing for you. Either you're gonna pay

2049
01:32:37,320 --> 01:32:41,439
Speaker 3: that price or hopefully they stream it, catch it on

2050
01:32:41,520 --> 01:32:42,080
Speaker 3: live stream.

2051
01:32:42,439 --> 01:32:43,760
Speaker 1: I can't do nothing for you.

2052
01:32:44,320 --> 01:32:48,760
Speaker 2: Yeah, we can't like just just follow bigs in.

2053
01:32:49,240 --> 01:32:53,759
Speaker 3: Nah, not a Yankee stadium. That security measure is different.

2054
01:32:54,280 --> 01:32:58,320
Speaker 2: What if we posed as acid security, but we could

2055
01:32:58,320 --> 01:33:00,200
Speaker 2: be like Chuck Norris type, like we're not the big

2056
01:33:00,200 --> 01:33:01,920
Speaker 2: security guards we like we know Taekwon.

2057
01:33:02,880 --> 01:33:07,640
Speaker 3: Yeah, they had such a special set of skills though too.

2058
01:33:07,720 --> 01:33:11,719
Speaker 1: Yeah, Nah, not happening. I mean, yo, they got tickets

2059
01:33:11,920 --> 01:33:13,080
Speaker 1: going for like four hundred.

2060
01:33:12,800 --> 01:33:17,240
Speaker 2: Dollars, which again I'm not mad at up there, which

2061
01:33:17,280 --> 01:33:19,280
Speaker 2: is fine to me, to be quite honest, Like just

2062
01:33:19,280 --> 01:33:22,400
Speaker 2: to be there fore, inn bucks, I would probably be that, yeah,

2063
01:33:22,840 --> 01:33:23,439
Speaker 2: just to be there.

2064
01:33:23,760 --> 01:33:25,680
Speaker 1: Yeah, So I don't know. Maybe you're trying to be

2065
01:33:25,680 --> 01:33:28,000
Speaker 1: on third baseline though, now you gonna play.

2066
01:33:28,800 --> 01:33:30,760
Speaker 3: If you're trying to be down there with a rod,

2067
01:33:31,000 --> 01:33:33,320
Speaker 3: that's gonna cost you a little, a little pretty penny.

2068
01:33:33,320 --> 01:33:35,400
Speaker 2: But you know, I might just start scamming people like

2069
01:33:35,439 --> 01:33:38,559
Speaker 2: Game does in his DMS and just just raise the money.

2070
01:33:39,320 --> 01:33:43,320
Speaker 2: Game got four thousand dollars for some random guy, Like, yo,

2071
01:33:43,760 --> 01:33:48,880
Speaker 2: everyone's send me your music is fifty dollars, So I

2072
01:33:48,880 --> 01:33:49,879
Speaker 2: can raise money.

2073
01:33:49,640 --> 01:33:50,759
Speaker 1: To buy jay Z ticket.

2074
01:33:50,920 --> 01:33:53,280
Speaker 3: Yeah, man, but fuck it, somehow, somewhere, we got to

2075
01:33:53,280 --> 01:33:53,960
Speaker 3: find a way to get in it.

2076
01:33:54,040 --> 01:33:54,160
Speaker 1: Though.

2077
01:33:54,200 --> 01:33:56,080
Speaker 3: That's a great show. I see what you do how someway.

2078
01:33:56,120 --> 01:33:57,880
Speaker 3: Come on, man, you know, don't make it out of

2079
01:33:57,880 --> 01:33:59,800
Speaker 3: the hood with one day, we'll make it out the hood.

2080
01:34:00,160 --> 01:34:03,080
Speaker 1: We'll talk to y'all soon. Be safe, be blessed. I'm

2081
01:34:03,080 --> 01:34:05,240
Speaker 1: that nigga. He's just ginger peace.

2082
01:34:05,680 --> 01:34:06,320
Speaker 3: No Wi