WEBVTT - 10: It Ain’t Over ‘Til It’s Over

0:00:03.960 --> 0:00:06.920
<v Speaker 1>When we last spoke, Todd White, the main songwriter for

0:00:07.000 --> 0:00:09.440
<v Speaker 1>Sudden Impact, the boy band i've been trying to find,

0:00:09.600 --> 0:00:13.000
<v Speaker 1>gave me the contact info for Dave Smith. Dave Smith

0:00:13.080 --> 0:00:16.120
<v Speaker 1>has been the hardest Sudden Impact member to find. They

0:00:16.160 --> 0:00:19.000
<v Speaker 1>tell me he's the quiet one, the shy one. Tim

0:00:19.040 --> 0:00:21.560
<v Speaker 1>Bird says, Dave Smith turned his back on the whole

0:00:21.600 --> 0:00:24.480
<v Speaker 1>thing in the Motown, Philly video. Dave's the one who's

0:00:24.480 --> 0:00:26.640
<v Speaker 1>not looking into the camera. He's looking just off to

0:00:26.720 --> 0:00:30.840
<v Speaker 1>the side for direction. Dave Smith is my white whale.

0:00:31.480 --> 0:00:34.080
<v Speaker 1>But I have his email address, so I reach out

0:00:34.560 --> 0:00:37.200
<v Speaker 1>and he gets back and we plan a time to talk.

0:00:38.000 --> 0:00:39.000
<v Speaker 2>And here's how it goes.

0:00:40.000 --> 0:00:44.200
<v Speaker 1>Dave Smith, how you doing. I'm doing great, The elusive

0:00:44.360 --> 0:00:45.000
<v Speaker 1>Dave Smith.

0:00:45.840 --> 0:00:48.000
<v Speaker 3>I don't understand why. I'm just saw elusive. Todd told

0:00:48.000 --> 0:00:48.720
<v Speaker 3>me that.

0:00:49.840 --> 0:00:52.040
<v Speaker 2>You know, I was led to believe that you were

0:00:52.080 --> 0:00:53.320
<v Speaker 2>going to be hard to find.

0:00:54.080 --> 0:00:58.000
<v Speaker 3>Well, I guess everybody says that because I don't social media.

0:00:58.360 --> 0:01:00.240
<v Speaker 3>You know, I've never really been on any of that

0:01:00.320 --> 0:01:03.279
<v Speaker 3>stuff and never had an interest in it.

0:01:03.840 --> 0:01:06.800
<v Speaker 2>What's your deal? Do you have like respect for yourself

0:01:06.840 --> 0:01:07.360
<v Speaker 2>and your time?

0:01:07.959 --> 0:01:08.520
<v Speaker 3>Pretty much?

0:01:09.280 --> 0:01:13.080
<v Speaker 1>Okay, I've heard of people like you the elusive Dave

0:01:13.120 --> 0:01:17.759
<v Speaker 1>Smith is super Cool. One final shock for one final

0:01:17.880 --> 0:01:38.039
<v Speaker 1>episode of Waiting for Impact, a Dave Holmes passion project.

0:01:41.040 --> 0:01:43.640
<v Speaker 1>I have now found four of the five guys in

0:01:43.720 --> 0:01:46.680
<v Speaker 1>a group that was called at least five Things. Dave

0:01:46.760 --> 0:01:50.120
<v Speaker 1>Smith was in Sudden Impact, which became White Guys, which

0:01:50.200 --> 0:01:53.240
<v Speaker 1>became the Outsiders, which became Outsiders for Life.

0:01:54.000 --> 0:01:54.800
<v Speaker 2>Right now, he's.

0:01:54.600 --> 0:01:57.400
<v Speaker 1>Talking to me from his car in Orlando, Florida, where

0:01:57.400 --> 0:02:00.160
<v Speaker 1>he's taking time out of a family vacation to tell

0:02:00.200 --> 0:02:02.440
<v Speaker 1>me about the whole odyssey, a trip he was the

0:02:02.520 --> 0:02:04.720
<v Speaker 1>last to sign up for when the group was still

0:02:04.760 --> 0:02:05.640
<v Speaker 1>on their first name.

0:02:06.120 --> 0:02:11.200
<v Speaker 2>So you were the last to join Too Special, correct.

0:02:11.480 --> 0:02:14.040
<v Speaker 3>That's correct. Right around the time I joined, they were

0:02:14.080 --> 0:02:18.160
<v Speaker 3>already thinking about changing the name. But I believe it

0:02:18.200 --> 0:02:22.600
<v Speaker 3>was changed by Mike Bivins. Yeah once once we actually

0:02:22.800 --> 0:02:25.480
<v Speaker 3>all met him and we came up with a new name.

0:02:25.720 --> 0:02:27.040
<v Speaker 3>I mean he came up with a new name.

0:02:27.600 --> 0:02:31.640
<v Speaker 1>I finally did see the famous two Special poster, which

0:02:31.639 --> 0:02:32.200
<v Speaker 1>you are not in.

0:02:33.000 --> 0:02:36.400
<v Speaker 3>Yeah, exactly four ugly guys missing the good looking dude.

0:02:36.760 --> 0:02:40.760
<v Speaker 2>I'm telling you would have gotten signed that much quicker.

0:02:40.760 --> 0:02:41.959
<v Speaker 2>There would have been a bidding.

0:02:41.639 --> 0:02:44.040
<v Speaker 3>War had you been that's ridiculous, right.

0:02:44.240 --> 0:02:45.760
<v Speaker 2>How did you come to join the group?

0:02:47.480 --> 0:02:51.280
<v Speaker 3>Alan was one of my good friends from like sixth

0:02:51.280 --> 0:02:54.040
<v Speaker 3>seventh grade, and he knew I was going through a

0:02:54.040 --> 0:02:55.480
<v Speaker 3>little bit of a difficult time in my life and

0:02:55.600 --> 0:02:59.399
<v Speaker 3>my sister passed away when I was about fifteen. Oh sorry,

0:03:00.000 --> 0:03:03.000
<v Speaker 3>and he kind of just said, hey, man, you know

0:03:03.480 --> 0:03:05.120
<v Speaker 3>you're one of those guys. It's like cause I played

0:03:05.120 --> 0:03:08.360
<v Speaker 3>sports and the skateboarded like crazy and and all those

0:03:08.440 --> 0:03:11.000
<v Speaker 3>kind of things. And he basically just said to me,

0:03:11.160 --> 0:03:12.720
<v Speaker 3>you know, I think this would be a good outlet

0:03:12.760 --> 0:03:15.400
<v Speaker 3>for you. You should come to it. And then I found

0:03:15.440 --> 0:03:19.960
<v Speaker 3>out later that they all really liked my mustang I had,

0:03:20.360 --> 0:03:22.400
<v Speaker 3>and it was one of these like dumb things, like

0:03:22.440 --> 0:03:24.280
<v Speaker 3>they wanted me to hang out they could ride around

0:03:24.280 --> 0:03:28.120
<v Speaker 3>and buy a five point zero Oh no, just as

0:03:28.160 --> 0:03:30.760
<v Speaker 3>a joke in the beginning, you know, but they they

0:03:30.800 --> 0:03:33.400
<v Speaker 3>literally it wasn't like a I'm going to be dead, honest,

0:03:33.440 --> 0:03:37.040
<v Speaker 3>like when I'm fifteen years old. It wasn't like aspirations

0:03:37.080 --> 0:03:39.160
<v Speaker 3>to become a singer. Being a group at that point

0:03:39.200 --> 0:03:43.360
<v Speaker 3>in my life. To Todd and Alan and Aaron and

0:03:43.400 --> 0:03:45.800
<v Speaker 3>Noel were all together for I think about a year

0:03:45.840 --> 0:03:49.280
<v Speaker 3>prior to me something like that, and I came in

0:03:49.360 --> 0:03:50.280
<v Speaker 3>right at the end there.

0:03:50.680 --> 0:03:54.920
<v Speaker 1>So when Todd and Alan head off for LA with

0:03:54.960 --> 0:03:58.160
<v Speaker 1>the poster in the demo and then they call you

0:03:58.480 --> 0:03:59.880
<v Speaker 1>and tell you that they've been.

0:04:00.720 --> 0:04:04.160
<v Speaker 3>Total lie in my mind what we total lie in

0:04:04.200 --> 0:04:07.600
<v Speaker 3>my mind, I remember telling them well, because I didn't

0:04:07.640 --> 0:04:11.240
<v Speaker 3>believe them. I mean, they well, they called I think

0:04:11.280 --> 0:04:16.440
<v Speaker 3>they called me first from my recollection and just you know, uh,

0:04:16.600 --> 0:04:19.000
<v Speaker 3>Todd said, hey, I got somebody I want you to

0:04:19.040 --> 0:04:22.400
<v Speaker 3>talk to, and then Mike jumps on the phone and

0:04:22.520 --> 0:04:24.360
<v Speaker 3>you know, in this little in his in his voice,

0:04:25.320 --> 0:04:28.000
<v Speaker 3>and I just totally thought they were gagging me, you know,

0:04:28.360 --> 0:04:30.480
<v Speaker 3>and I was like whatever, you know, and I went

0:04:30.520 --> 0:04:32.760
<v Speaker 3>through it and just let it go. But I really

0:04:32.800 --> 0:04:35.320
<v Speaker 3>didn't believe it until Alan had called me back later

0:04:35.440 --> 0:04:38.000
<v Speaker 3>and said, dude, that was really Michael Bivens, you know,

0:04:38.080 --> 0:04:39.919
<v Speaker 3>and you know, I was like, new addition, are you

0:04:39.960 --> 0:04:42.279
<v Speaker 3>kidding me? And I started freaking out then, you know.

0:04:42.880 --> 0:04:45.560
<v Speaker 3>But it was definitely a surreal moment once I realized

0:04:45.600 --> 0:04:48.279
<v Speaker 3>it was real. And I think it was like that

0:04:48.360 --> 0:04:51.320
<v Speaker 3>for the guys too, because they they finally, you know,

0:04:51.360 --> 0:04:53.240
<v Speaker 3>when they got home, they got to tell us the

0:04:53.279 --> 0:04:55.279
<v Speaker 3>full story because back then it was like, you know,

0:04:55.839 --> 0:04:59.000
<v Speaker 3>cost a million dollars to call from LA to Virginia,

0:04:59.400 --> 0:05:01.559
<v Speaker 3>you know, especially for sixty year olds with no money.

0:05:02.000 --> 0:05:04.520
<v Speaker 1>Todd and Allen say they brought Dave Smith on board

0:05:04.600 --> 0:05:07.560
<v Speaker 1>after the Michael Bivins encounter. David Aaron seemed to think

0:05:07.600 --> 0:05:08.720
<v Speaker 1>he was in the group before.

0:05:09.200 --> 0:05:09.479
<v Speaker 3>Now.

0:05:09.600 --> 0:05:12.360
<v Speaker 1>It's hard to form memories in strange times like these,

0:05:12.440 --> 0:05:15.000
<v Speaker 1>so I don't press the issue. The important thing is

0:05:15.040 --> 0:05:17.640
<v Speaker 1>that Michael Bivins is interested. He wants to get the

0:05:17.680 --> 0:05:21.719
<v Speaker 1>Sudden Impact project moving right away. Bivens has managed to

0:05:21.720 --> 0:05:25.200
<v Speaker 1>get a whole episode of Beet's nightly music show Video Soul,

0:05:25.400 --> 0:05:27.960
<v Speaker 1>dedicated to the acts. He's signed to the East Coast family.

0:05:28.279 --> 0:05:30.440
<v Speaker 1>He's going to introduce Boys to Men to the world.

0:05:30.640 --> 0:05:31.440
<v Speaker 2>He's going to world.

0:05:31.279 --> 0:05:35.120
<v Speaker 1>Premiere another bad Creation's Aisha video. For the record, this

0:05:35.240 --> 0:05:38.760
<v Speaker 1>is almost definitely the bet show that if Vtnicole Brown

0:05:38.880 --> 0:05:41.400
<v Speaker 1>was watching when she told her roommate she believed Michael

0:05:41.440 --> 0:05:45.080
<v Speaker 1>Bivins would someday manage her. The guys figured Bivins just

0:05:45.120 --> 0:05:47.360
<v Speaker 1>wanted them up there so they could meet Boys to Men,

0:05:47.480 --> 0:05:50.280
<v Speaker 1>and ABC Bivens had only just met them a couple

0:05:50.360 --> 0:05:54.160
<v Speaker 1>weeks before this, so they piled into Dave's legendary Mustang

0:05:54.200 --> 0:05:56.839
<v Speaker 1>five point zero three in the tiny back seat and

0:05:56.880 --> 0:05:58.280
<v Speaker 1>they drove all night to get there.

0:05:59.040 --> 0:06:03.839
<v Speaker 3>The first people we met physically was Mike from Boys

0:06:03.839 --> 0:06:06.680
<v Speaker 3>to Men. He came up and said, hey, you're those

0:06:06.680 --> 0:06:09.039
<v Speaker 3>white dudes that Mike's wanting to sign. We're all like

0:06:09.120 --> 0:06:10.720
<v Speaker 3>half to sleep on the couch because we drove to

0:06:10.760 --> 0:06:13.039
<v Speaker 3>the middle of the night, and he was super cool

0:06:13.080 --> 0:06:15.560
<v Speaker 3>and nice. And then Nate came down, and then wan Ya,

0:06:15.760 --> 0:06:18.000
<v Speaker 3>and then it was Boys to Men actually came down

0:06:18.080 --> 0:06:21.280
<v Speaker 3>first and they started talking to us and you know,

0:06:21.320 --> 0:06:23.520
<v Speaker 3>telling us their story because at this time they're not

0:06:23.600 --> 0:06:26.200
<v Speaker 3>Boys to Men, you know, they're just they're just guys.

0:06:26.200 --> 0:06:27.839
<v Speaker 3>They hadn't even done anything yet.

0:06:28.080 --> 0:06:31.360
<v Speaker 1>Sudden Impact meets Boys to Men, they meet ABC, and

0:06:31.360 --> 0:06:33.719
<v Speaker 1>then Michael Bivens comes down with a little bit of

0:06:33.720 --> 0:06:34.279
<v Speaker 1>a surprise.

0:06:34.920 --> 0:06:37.080
<v Speaker 3>We had no clue, at least I didn't, I know,

0:06:37.120 --> 0:06:38.520
<v Speaker 3>and I don't think any of the other guys did.

0:06:38.600 --> 0:06:41.200
<v Speaker 3>If they say they did their line that we were

0:06:41.200 --> 0:06:46.360
<v Speaker 3>gonna end up being on beet for this whole segment.

0:06:46.760 --> 0:06:47.240
<v Speaker 2>That's right.

0:06:47.440 --> 0:06:49.880
<v Speaker 1>He wants to put Sudden Impact who he hasn't really

0:06:49.880 --> 0:06:52.680
<v Speaker 1>heard sing yet on live television.

0:06:52.279 --> 0:06:54.080
<v Speaker 3>And he's like, well, let's have a little a singing

0:06:54.200 --> 0:06:56.000
<v Speaker 3>thing or something, you know, and we're like, we've only

0:06:56.040 --> 0:06:58.279
<v Speaker 3>been a group for whatever, you know, So we weren't

0:06:58.320 --> 0:07:00.720
<v Speaker 3>like we could all sing, but we you know, we

0:07:00.720 --> 0:07:03.920
<v Speaker 3>weren't boys to men, but you know who went first

0:07:03.960 --> 0:07:05.360
<v Speaker 3>as boys to men?

0:07:05.839 --> 0:07:08.040
<v Speaker 2>Boys to men? Sing Mary, don't you Weep?

0:07:08.200 --> 0:07:10.880
<v Speaker 1>And blow the roof off the green room, ABC sing

0:07:10.920 --> 0:07:14.880
<v Speaker 1>a few bars from Ayesha, Sudden Impact gets a little intimidated.

0:07:15.480 --> 0:07:17.560
<v Speaker 3>God, I can't remember what song were saying. It was

0:07:17.600 --> 0:07:19.120
<v Speaker 3>some old R and B song we had had, like

0:07:19.160 --> 0:07:22.200
<v Speaker 3>we just had the hook, practice and rehearsed in case

0:07:22.240 --> 0:07:24.680
<v Speaker 3>we had to sing, because at this point we had

0:07:24.720 --> 0:07:28.640
<v Speaker 3>no you know, they Todd and us them had a

0:07:28.680 --> 0:07:31.280
<v Speaker 3>couple songs, but they weren't really songs you could sing

0:07:31.360 --> 0:07:33.960
<v Speaker 3>a cappella. They were more you'd have to have music

0:07:34.040 --> 0:07:35.760
<v Speaker 3>to do it because it was very, very poppy at

0:07:35.760 --> 0:07:37.520
<v Speaker 3>the time. So that happens.

0:07:37.880 --> 0:07:40.440
<v Speaker 1>Bivens decides that Sudden Impact will do more of an

0:07:40.440 --> 0:07:42.920
<v Speaker 1>interview kind of a thing for their segment on Video Soul,

0:07:43.320 --> 0:07:45.880
<v Speaker 1>which for high school kids who were like five minutes

0:07:45.920 --> 0:07:48.400
<v Speaker 1>into their entertainment career is stressful enough.

0:07:48.800 --> 0:07:52.239
<v Speaker 3>Boys and Men came out, I believe, first they sang,

0:07:52.640 --> 0:07:57.320
<v Speaker 3>then ABC came out, debuted their video, showed themselves, and

0:07:57.360 --> 0:07:59.680
<v Speaker 3>then we were kind of like the last segment and

0:07:59.720 --> 0:08:01.440
<v Speaker 3>we just kind of sat down and they asked us

0:08:01.440 --> 0:08:04.000
<v Speaker 3>a couple of small questions. I think Aaron. We decided

0:08:04.040 --> 0:08:06.240
<v Speaker 3>Aaron would do the answering. We would just say our names.

0:08:06.240 --> 0:08:08.640
<v Speaker 3>That was it. And I was nervous as a heart,

0:08:08.680 --> 0:08:10.320
<v Speaker 3>you know, our hearts pounding out of my chest.

0:08:11.000 --> 0:08:11.520
<v Speaker 2>Was it live?

0:08:12.440 --> 0:08:14.880
<v Speaker 3>It was live? It was yeah, it was it was

0:08:15.080 --> 0:08:18.160
<v Speaker 3>it was oh yeah. We were just kind of a

0:08:18.160 --> 0:08:20.840
<v Speaker 3>little push at the end. But but it was like

0:08:21.800 --> 0:08:23.679
<v Speaker 3>crazy to us. We had no clue what's going to happen.

0:08:23.960 --> 0:08:27.480
<v Speaker 1>They've been on live television introducing themselves, a group that

0:08:27.760 --> 0:08:30.680
<v Speaker 1>just started existing. We will eventually release some music that

0:08:30.840 --> 0:08:33.960
<v Speaker 1>hasn't been recorded yet. Such an impact. Decide they have

0:08:34.280 --> 0:08:35.959
<v Speaker 1>work to do if they're going to compete with the

0:08:36.000 --> 0:08:38.240
<v Speaker 1>Boys to Men's of the World. But as you know,

0:08:38.480 --> 0:08:41.160
<v Speaker 1>before they really hit their groove, Bivins comes to them

0:08:41.160 --> 0:08:42.480
<v Speaker 1>with another big opportunity.

0:08:42.920 --> 0:08:45.400
<v Speaker 2>Tell me about the making of the Motown Philly video.

0:08:45.840 --> 0:08:48.600
<v Speaker 3>Taking a Motown Philly. I believe at that point we

0:08:48.600 --> 0:08:51.760
<v Speaker 3>had gotten into the studio and we started doing some songs,

0:08:51.800 --> 0:08:53.760
<v Speaker 3>you know, and he was just kind of letting us

0:08:53.760 --> 0:08:56.600
<v Speaker 3>ref like doing our own thing, trying to come up

0:08:56.600 --> 0:08:59.000
<v Speaker 3>with some ideas to go to the Go to the

0:08:59.000 --> 0:09:01.360
<v Speaker 3>Motown Philly video. We found out about it from Mike

0:09:01.400 --> 0:09:03.560
<v Speaker 3>again and he asked us if we would travel up

0:09:03.559 --> 0:09:05.839
<v Speaker 3>because he'd really liked this to be in the video

0:09:05.920 --> 0:09:09.640
<v Speaker 3>with the guys, you know, more like of course, you know,

0:09:09.800 --> 0:09:11.960
<v Speaker 3>like we would love to do that. What are we

0:09:12.000 --> 0:09:13.520
<v Speaker 3>going to do? And he goes, well, I don't know yet,

0:09:13.880 --> 0:09:15.480
<v Speaker 3>but we'll figure something out and we're going to get

0:09:15.520 --> 0:09:17.200
<v Speaker 3>you in the in the video.

0:09:17.720 --> 0:09:19.520
<v Speaker 1>In the short time since that trip to b e

0:09:19.640 --> 0:09:22.400
<v Speaker 1>T where Boys the Men wowed the guys with their vocals,

0:09:22.720 --> 0:09:26.280
<v Speaker 1>Boys to Men have leveled up. Now they have stylists

0:09:26.320 --> 0:09:28.319
<v Speaker 1>working for them, Now they have choreography.

0:09:28.840 --> 0:09:30.280
<v Speaker 2>Now they're big time.

0:09:30.880 --> 0:09:33.680
<v Speaker 3>Kind of long story, shirt is, we went to the

0:09:33.760 --> 0:09:36.400
<v Speaker 3>site where they were shooting the night scene for the

0:09:36.440 --> 0:09:40.400
<v Speaker 3>Geno Steakhouse thing, and we were just in all of

0:09:40.400 --> 0:09:42.960
<v Speaker 3>the whole situation, you know, watching them in there. You know,

0:09:43.040 --> 0:09:47.120
<v Speaker 3>now they're dancing, like what's going on here? And because

0:09:47.120 --> 0:09:49.679
<v Speaker 3>they their show was not that polished when I had

0:09:49.679 --> 0:09:51.920
<v Speaker 3>seen them before, you know, it's more just standing and singing.

0:09:51.920 --> 0:09:54.520
<v Speaker 3>And now they had a whole thing going and it

0:09:54.559 --> 0:09:57.560
<v Speaker 3>was impressive and we were very excited, and you know,

0:09:58.000 --> 0:10:00.600
<v Speaker 3>and I remember in that night say, we're we're kind

0:10:00.640 --> 0:10:02.520
<v Speaker 3>of in that night scene. You have to really look

0:10:02.559 --> 0:10:06.080
<v Speaker 3>for us, but we're all jumping around having fun and everything.

0:10:06.280 --> 0:10:08.720
<v Speaker 1>They are in that night scene out by Gino's Stakes

0:10:08.760 --> 0:10:11.640
<v Speaker 1>if you look closely, but Bivens isn't finished.

0:10:11.320 --> 0:10:11.880
<v Speaker 2>With them yet.

0:10:12.200 --> 0:10:13.439
<v Speaker 3>And then Mike was like, well, no, I'm gonna have

0:10:13.520 --> 0:10:15.760
<v Speaker 3>more of a definitive shot. I had this idea where

0:10:16.000 --> 0:10:18.920
<v Speaker 3>I got a camera and he you know, he told

0:10:19.000 --> 0:10:21.320
<v Speaker 3>us what he wanted to do, and and it was

0:10:21.440 --> 0:10:25.280
<v Speaker 3>kind of like very fast, you know, and we're taking

0:10:25.280 --> 0:10:27.880
<v Speaker 3>his advice because he's you know, been doing it a

0:10:27.880 --> 0:10:30.600
<v Speaker 3>long time. He told us to do the point, and

0:10:30.600 --> 0:10:32.559
<v Speaker 3>that's what we did. We did our little point and

0:10:33.240 --> 0:10:37.960
<v Speaker 3>smiled and then it was it was definitely surreal, Like

0:10:38.000 --> 0:10:41.040
<v Speaker 3>were you nervous, Yes, a little bit, but it was

0:10:41.200 --> 0:10:43.000
<v Speaker 3>it was It's hard. It's hard to say that I

0:10:43.080 --> 0:10:45.920
<v Speaker 3>was really nervous of it because we weren't singing. I

0:10:45.960 --> 0:10:50.320
<v Speaker 3>think we were more excited and giggly than we were nervous.

0:10:50.600 --> 0:10:52.120
<v Speaker 3>At least that's how I felt it was.

0:10:52.640 --> 0:10:54.600
<v Speaker 1>But we do need to address the fact that Dave

0:10:54.679 --> 0:10:57.960
<v Speaker 1>is pointing just a little bit off camera. You're like

0:10:58.120 --> 0:11:02.040
<v Speaker 1>point It almost feels like your point at someone like

0:11:02.200 --> 0:11:06.160
<v Speaker 1>it's you're just like a little not down the barrel

0:11:06.200 --> 0:11:08.520
<v Speaker 1>of the camera. Was there someone else on set that

0:11:08.559 --> 0:11:10.160
<v Speaker 1>you were like pointing at?

0:11:10.520 --> 0:11:12.800
<v Speaker 3>And it was like a couple of different takes, and

0:11:12.840 --> 0:11:15.640
<v Speaker 3>then one of them he said to do a point

0:11:15.760 --> 0:11:18.200
<v Speaker 3>and we pointed, but we all happened to be looking

0:11:18.320 --> 0:11:21.120
<v Speaker 3>like eyeing that way, because that's our lack of professionalism

0:11:21.120 --> 0:11:22.559
<v Speaker 3>at that point. We have no clue, you know what

0:11:22.600 --> 0:11:25.440
<v Speaker 3>I mean. Four of us wore boys to men's t shirts,

0:11:25.720 --> 0:11:30.000
<v Speaker 3>white shirts with ties, and I believe I think it

0:11:30.120 --> 0:11:31.800
<v Speaker 3>was me. I had to end up wearing a red

0:11:31.800 --> 0:11:33.800
<v Speaker 3>bow tie and not a tie. It was either a

0:11:33.800 --> 0:11:37.240
<v Speaker 3>mirror aaron I have to look at that was one

0:11:37.240 --> 0:11:38.440
<v Speaker 3>of us too. I knew it was one of us.

0:11:38.760 --> 0:11:41.280
<v Speaker 3>One of us had a bow tie. And so we

0:11:41.559 --> 0:11:43.079
<v Speaker 3>got we got like the hand me downs from the

0:11:43.080 --> 0:11:45.840
<v Speaker 3>guy's outfits from the night before, and then there was

0:11:45.840 --> 0:11:48.560
<v Speaker 3>a neon sign and we're like with our name on

0:11:48.640 --> 0:11:50.800
<v Speaker 3>it already, and this is and this is you know,

0:11:50.800 --> 0:11:52.360
<v Speaker 3>if you look at the time frame, this was then

0:11:52.480 --> 0:11:53.960
<v Speaker 3>within eight weeks of meeting Mike.

0:11:54.640 --> 0:12:00.640
<v Speaker 1>So then that video blows up suddenly Motown Philly and

0:12:00.880 --> 0:12:02.719
<v Speaker 1>you guys are everywhere.

0:12:03.200 --> 0:12:06.760
<v Speaker 3>What's that like for you? Now? That was definitely different

0:12:07.280 --> 0:12:11.920
<v Speaker 3>because we went from in our town from really nobody's

0:12:11.960 --> 0:12:13.840
<v Speaker 3>you know what I mean, Like I mean, we had

0:12:13.840 --> 0:12:17.360
<v Speaker 3>our friends, you know, but too you know, we couldn't

0:12:17.640 --> 0:12:21.720
<v Speaker 3>go into the mall, you know, like normal not around

0:12:21.720 --> 0:12:25.040
<v Speaker 3>that time, because just people knew who we were and

0:12:25.160 --> 0:12:27.840
<v Speaker 3>kids were just It's just it was kind of a

0:12:27.880 --> 0:12:30.360
<v Speaker 3>different time than I think it is now a little bit.

0:12:30.480 --> 0:12:33.480
<v Speaker 3>Unless you get some of these more pop acts, I

0:12:33.480 --> 0:12:35.560
<v Speaker 3>think they go a little crazier. But they weren't crazy

0:12:35.600 --> 0:12:37.599
<v Speaker 3>for us. I think they were crazy for the situation,

0:12:37.800 --> 0:12:40.240
<v Speaker 3>you know what I mean, like, oh, they're part of

0:12:40.280 --> 0:12:42.000
<v Speaker 3>the East coast SEMy because nobody heard us sing a

0:12:42.080 --> 0:12:45.040
<v Speaker 3>drop yet, you know, but we definitely we didn't really

0:12:45.400 --> 0:12:47.240
<v Speaker 3>we kind of stayed away from that because it's just

0:12:47.280 --> 0:12:49.839
<v Speaker 3>turned into a weird situation and none of us really

0:12:49.880 --> 0:12:52.320
<v Speaker 3>knew how to handle it, you know, being that young,

0:12:53.400 --> 0:12:56.400
<v Speaker 3>we definitely enjoyed it, you know, you know at school.

0:12:56.559 --> 0:12:58.680
<v Speaker 3>I mean like it definitely made a thousand new friends

0:12:58.720 --> 0:13:01.640
<v Speaker 3>that weren't really my friends. I'm gonna say that really

0:13:01.640 --> 0:13:05.400
<v Speaker 3>got weirder. Then when when BBD came on tour because

0:13:05.400 --> 0:13:10.360
<v Speaker 3>their tour coincided. I think the next summer after Boycemen's

0:13:11.400 --> 0:13:15.120
<v Speaker 3>album released and BBD was on tour, and then we

0:13:15.240 --> 0:13:17.640
<v Speaker 3>find out we're in the tour book and we're going

0:13:17.760 --> 0:13:19.680
<v Speaker 3>to the show. And then this is when Mike presents

0:13:19.760 --> 0:13:24.080
<v Speaker 3>us with those jackets, these BBD World Tour jackets. We're

0:13:24.080 --> 0:13:26.800
<v Speaker 3>all like, you know, now were you know, of course

0:13:26.800 --> 0:13:29.679
<v Speaker 3>I'm wearing them everywhere we go, and you know, now

0:13:29.679 --> 0:13:31.880
<v Speaker 3>our march for death. It's like everybody knows that we're

0:13:31.920 --> 0:13:35.240
<v Speaker 3>part of the situation. And the guys are doing really well.

0:13:35.320 --> 0:13:38.360
<v Speaker 3>ABC is doing really well. BBD's tour World Tour was

0:13:38.400 --> 0:13:42.480
<v Speaker 3>just sold out, and we're recording at home.

0:13:42.880 --> 0:13:45.760
<v Speaker 1>Such an impact who are still just starting out are

0:13:45.920 --> 0:13:49.760
<v Speaker 1>in Bell Biv Deevo's nineteen ninety one Official World Tour Program.

0:13:50.160 --> 0:13:52.400
<v Speaker 1>I know this because the second I got off my

0:13:52.480 --> 0:13:54.679
<v Speaker 1>zoom with Dave Smith, I went on eBay and found

0:13:54.679 --> 0:13:58.920
<v Speaker 1>myself a copy. It is them the original five, all

0:13:58.960 --> 0:14:02.800
<v Speaker 1>in giant gene and billowing nineteen ninety one shirts, posing

0:14:02.800 --> 0:14:06.320
<v Speaker 1>with Bivins, Boys to Men and another bad creation. I

0:14:06.440 --> 0:14:08.840
<v Speaker 1>text a picture of it to Aaron Kane and he replies,

0:14:09.080 --> 0:14:11.480
<v Speaker 1>that's all of us behind the Beet Building the day

0:14:11.559 --> 0:14:13.559
<v Speaker 1>the world got introduced to Boys to Men.

0:14:14.000 --> 0:14:16.520
<v Speaker 3>Us together with Tim, you know, we were kind of

0:14:16.559 --> 0:14:19.320
<v Speaker 3>like our little version of the Fab six. You know,

0:14:19.360 --> 0:14:21.880
<v Speaker 3>we went in and we did our thing, and we

0:14:21.880 --> 0:14:24.400
<v Speaker 3>were in there for a couple of months, and Mike

0:14:24.480 --> 0:14:27.040
<v Speaker 3>came and visited. He liked you know, song, x Y

0:14:27.040 --> 0:14:28.800
<v Speaker 3>and Z and wanted us to work harder on x

0:14:28.880 --> 0:14:31.640
<v Speaker 3>Y and Z, and we just kind of progressed from there.

0:14:31.720 --> 0:14:33.840
<v Speaker 3>And then throughout that time from us when all the

0:14:34.040 --> 0:14:36.600
<v Speaker 3>other things started happening.

0:14:36.440 --> 0:14:39.080
<v Speaker 1>As sudd an Impact or working on their sound, getting

0:14:39.080 --> 0:14:42.120
<v Speaker 1>ready for their moment wearing their jackets, they also have

0:14:42.200 --> 0:14:44.200
<v Speaker 1>a front row seat as their friends and Boys to

0:14:44.320 --> 0:14:46.680
<v Speaker 1>Men becomes superstars.

0:14:46.480 --> 0:14:47.920
<v Speaker 3>And it was like three of them came with us

0:14:47.920 --> 0:14:51.160
<v Speaker 3>to the mall and it was like watching the new

0:14:51.240 --> 0:14:53.960
<v Speaker 3>Kids on the Block or the Beatles or something. I mean,

0:14:54.040 --> 0:14:59.400
<v Speaker 3>people just around them and they were just like they

0:14:59.440 --> 0:15:03.120
<v Speaker 3>had went from being these guys that were just already

0:15:03.120 --> 0:15:05.840
<v Speaker 3>cool guys that could sing, but now they were celebrities

0:15:05.880 --> 0:15:08.160
<v Speaker 3>like they were true and they knew it and they

0:15:08.240 --> 0:15:09.880
<v Speaker 3>knew how to handle it, and they had, you know,

0:15:10.000 --> 0:15:12.720
<v Speaker 3>it's been a year or two had progressed and they

0:15:12.760 --> 0:15:14.240
<v Speaker 3>were doing much better with it, and it was it

0:15:14.280 --> 0:15:16.680
<v Speaker 3>was really surreal to see that was really cool.

0:15:17.280 --> 0:15:20.560
<v Speaker 1>So witnessing that up close, are you like I want

0:15:20.600 --> 0:15:22.480
<v Speaker 1>this or are you like this?

0:15:22.560 --> 0:15:23.200
<v Speaker 2>Is terrifying?

0:15:24.160 --> 0:15:28.360
<v Speaker 3>At that time, Definitely I want this one hundred percent

0:15:28.560 --> 0:15:31.680
<v Speaker 3>because I was I was younger, and I just you know,

0:15:32.120 --> 0:15:34.520
<v Speaker 3>you're thinking of all the girls you could meet or

0:15:34.560 --> 0:15:36.800
<v Speaker 3>whoever you want to meet, and who the famous person

0:15:36.880 --> 0:15:38.840
<v Speaker 3>is and that, and I could have, you know, and

0:15:38.920 --> 0:15:42.280
<v Speaker 3>me being where I was in my life personally losing

0:15:42.280 --> 0:15:44.480
<v Speaker 3>my sister young, it was just me and my parents

0:15:44.520 --> 0:15:46.280
<v Speaker 3>had gotten divorced from it. It was like a whole

0:15:47.600 --> 0:15:49.640
<v Speaker 3>It was a tough situation for me. So for me,

0:15:50.400 --> 0:15:52.200
<v Speaker 3>it was such an outlet and I was like, if

0:15:52.240 --> 0:15:54.320
<v Speaker 3>I can make this work and I can progress this

0:15:54.480 --> 0:15:57.040
<v Speaker 3>to a higher level, I'd be able to take care

0:15:57.080 --> 0:15:59.840
<v Speaker 3>of my mother, take care of my father, maybe they

0:15:59.880 --> 0:16:02.440
<v Speaker 3>can could get along a little bit better, and it'll

0:16:02.520 --> 0:16:04.840
<v Speaker 3>just make everybody's life a little easier. So that's kind

0:16:04.840 --> 0:16:07.480
<v Speaker 3>of where I was when I was that age.

0:16:07.840 --> 0:16:10.560
<v Speaker 2>So you've got like a real personal stake in making

0:16:10.640 --> 0:16:11.240
<v Speaker 2>it work.

0:16:11.800 --> 0:16:16.520
<v Speaker 3>Yes, personally, I did, coming in last being like not

0:16:16.560 --> 0:16:20.600
<v Speaker 3>really supposed to be there in my mind, and I

0:16:21.120 --> 0:16:23.720
<v Speaker 3>wanted it to work, and I was willing to do

0:16:23.760 --> 0:16:25.080
<v Speaker 3>what we had to do to make it work.

0:16:28.240 --> 0:16:30.240
<v Speaker 1>An early acting teacher of mine gave me a piece

0:16:30.280 --> 0:16:33.120
<v Speaker 1>of advice that's really stuck with me. He said, when

0:16:33.160 --> 0:16:35.720
<v Speaker 1>you get an audition, do your best and then forget

0:16:35.720 --> 0:16:38.240
<v Speaker 1>about it. You might not get it, or you might

0:16:38.280 --> 0:16:40.360
<v Speaker 1>get it and it doesn't happen, or you might get

0:16:40.360 --> 0:16:42.440
<v Speaker 1>it and it does happen and you're cut out of it.

0:16:42.520 --> 0:16:45.360
<v Speaker 1>Do your best, forget everything you can control, and then

0:16:45.520 --> 0:16:47.600
<v Speaker 1>if it all works out, you'll have a nice surprise.

0:16:48.280 --> 0:16:50.720
<v Speaker 1>I remember hearing him and nodding and thinking, that's great

0:16:50.760 --> 0:16:53.600
<v Speaker 1>advice that I'll never do. How can you not think

0:16:53.640 --> 0:16:56.080
<v Speaker 1>about all the things you want all the time? How

0:16:56.080 --> 0:16:58.240
<v Speaker 1>can you not spend all your energy wishing there was

0:16:58.280 --> 0:17:00.280
<v Speaker 1>a time machine so you can go back and do

0:17:00.360 --> 0:17:03.000
<v Speaker 1>things differently. I know I can't change the past, but

0:17:03.120 --> 0:17:06.600
<v Speaker 1>if I think about it hard enough, can't I Over

0:17:06.680 --> 0:17:10.600
<v Speaker 1>time and with repetition, rejection has gotten much easier to take,

0:17:11.119 --> 0:17:14.639
<v Speaker 1>but it's always hard to give. In putting this show together,

0:17:14.720 --> 0:17:17.080
<v Speaker 1>I found that what I ended up talking about is

0:17:17.280 --> 0:17:19.840
<v Speaker 1>nothing like what I thought i'd end up talking about.

0:17:20.000 --> 0:17:22.320
<v Speaker 1>I envisioned this as a much sadder story than it's

0:17:22.320 --> 0:17:24.440
<v Speaker 1>turned out to be. The themes I thought i'd be

0:17:24.480 --> 0:17:27.600
<v Speaker 1>exploring got pushed to the side for bigger, better, more

0:17:27.640 --> 0:17:31.760
<v Speaker 1>hopeful themes. And that's great, except some of the interviews

0:17:31.800 --> 0:17:34.600
<v Speaker 1>I did early on don't fit now. I'm when I

0:17:34.680 --> 0:17:37.159
<v Speaker 1>have to cut some people from Waiting for Impact A

0:17:37.240 --> 0:17:40.840
<v Speaker 1>Dave Holmes's Passion project. One of them is Margaret Show,

0:17:41.400 --> 0:17:43.600
<v Speaker 1>and I think I owe her the respect of hearing

0:17:43.640 --> 0:17:44.040
<v Speaker 1>it from me.

0:17:44.760 --> 0:17:48.280
<v Speaker 2>Margaret, Hi, Hi, how are you.

0:17:49.160 --> 0:17:50.399
<v Speaker 3>I'm great? How are you?

0:17:51.320 --> 0:17:53.879
<v Speaker 2>I'm good. I'm good. I'm good, I'm good.

0:17:54.240 --> 0:17:56.280
<v Speaker 1>I you know, I just I feel bad about this,

0:17:56.320 --> 0:17:57.800
<v Speaker 1>so I just want to like come out and say it.

0:17:57.800 --> 0:18:00.680
<v Speaker 1>I'm sorry if I said I'm mysterious. I'm very sorry

0:18:00.720 --> 0:18:04.240
<v Speaker 1>about this, but we have to cut you from the show.

0:18:04.960 --> 0:18:08.400
<v Speaker 2>Oh oh yeah, it is.

0:18:09.880 --> 0:18:10.280
<v Speaker 3>Not you.

0:18:10.920 --> 0:18:16.000
<v Speaker 1>Okay, it's not you. You were fantastic. But as we

0:18:16.080 --> 0:18:18.840
<v Speaker 1>got deeper into the story. And as I found the

0:18:18.880 --> 0:18:22.080
<v Speaker 1>Sudden Impact guys and got deeper into it, the whole

0:18:22.119 --> 0:18:25.200
<v Speaker 1>theme of the show changed. Everything is a little bit

0:18:25.200 --> 0:18:28.080
<v Speaker 1>different now and it just doesn't what you gave us,

0:18:28.119 --> 0:18:32.800
<v Speaker 1>which was so good, just doesn't fit anywhere anywhere.

0:18:32.880 --> 0:18:36.840
<v Speaker 4>So the Sudden Impact has really suddenly impacted me.

0:18:37.600 --> 0:18:43.120
<v Speaker 1>It has, it has an unfortunate way, in an unfortunate way.

0:18:43.119 --> 0:18:44.720
<v Speaker 1>But I wanted you to hear from me, and I'm

0:18:44.760 --> 0:18:46.280
<v Speaker 1>just really sorry, and I really want to thank you

0:18:46.320 --> 0:18:47.120
<v Speaker 1>for participating.

0:18:47.560 --> 0:18:53.040
<v Speaker 4>Okay, well, this is disappointing, but I understand.

0:18:54.960 --> 0:18:56.840
<v Speaker 2>I'm not convinced. I'm not convinced.

0:18:57.200 --> 0:19:00.800
<v Speaker 4>It was really I really wanted to, you know, be

0:19:00.960 --> 0:19:03.959
<v Speaker 4>in this, and I moved a lot of things so

0:19:03.960 --> 0:19:05.920
<v Speaker 4>that I could be a part of this. And I'm

0:19:05.920 --> 0:19:10.440
<v Speaker 4>really you know, I just I mean, I've done so much,

0:19:10.440 --> 0:19:15.000
<v Speaker 4>I've given up so much, so much to do this,

0:19:15.240 --> 0:19:17.440
<v Speaker 4>and so I'm just frankly, I'm.

0:19:17.400 --> 0:19:21.600
<v Speaker 2>It's a bitter pill. It's a bitter pill to swallow.

0:19:22.440 --> 0:19:25.240
<v Speaker 4>But I guess I'll wrap it in some bread and

0:19:25.800 --> 0:19:29.240
<v Speaker 4>just like choke it down. You know, I have to

0:19:29.280 --> 0:19:33.440
<v Speaker 4>be an acceptance, right, So sad, Yeah.

0:19:33.240 --> 0:19:37.240
<v Speaker 1>I'm I'm really sorry that I didn't. You actually made

0:19:37.280 --> 0:19:38.560
<v Speaker 1>me feel a little bit worse.

0:19:38.680 --> 0:19:41.480
<v Speaker 2>But I do understand. I mean, these things are difficult

0:19:41.480 --> 0:19:42.000
<v Speaker 2>in the moment.

0:19:42.960 --> 0:19:46.240
<v Speaker 4>I mean, you know, thank you for telling me. You know,

0:19:46.280 --> 0:19:49.480
<v Speaker 4>I'm not trying to shoot the messenger. I'm grateful that

0:19:49.600 --> 0:19:55.560
<v Speaker 4>it's you telling me. And yeah, you know, at least

0:19:55.560 --> 0:19:56.280
<v Speaker 4>I'm not wondering.

0:19:56.520 --> 0:19:57.439
<v Speaker 2>I'm just I'm sorry.

0:19:57.520 --> 0:20:00.520
<v Speaker 1>I know from my own career, how does appointing it

0:20:00.600 --> 0:20:02.919
<v Speaker 1>is when you participate in something and then and then

0:20:02.960 --> 0:20:05.560
<v Speaker 1>you get cut out or you work hard on something

0:20:05.680 --> 0:20:09.359
<v Speaker 1>and then it just sits there and it's the worst

0:20:09.400 --> 0:20:11.040
<v Speaker 1>feeling in the world. And so I just, you know,

0:20:11.080 --> 0:20:14.920
<v Speaker 1>I didn't want some suit to call you. You've had

0:20:14.920 --> 0:20:17.360
<v Speaker 1>the thing where a suit calls you, or or not.

0:20:18.680 --> 0:20:22.040
<v Speaker 4>Nobody calls, and then you just sort of wait and

0:20:22.080 --> 0:20:25.320
<v Speaker 4>then you just never hear. I think that's usually the

0:20:25.359 --> 0:20:28.439
<v Speaker 4>way things go in show business, is that it's like

0:20:29.320 --> 0:20:30.640
<v Speaker 4>ghosting and.

0:20:30.560 --> 0:20:32.760
<v Speaker 2>They'll hope that you forgot.

0:20:33.600 --> 0:20:36.960
<v Speaker 4>So that's generally how it works in Hollywood is if

0:20:37.000 --> 0:20:41.520
<v Speaker 4>something is not happening, it's just like we'll just pretend

0:20:41.520 --> 0:20:42.680
<v Speaker 4>it never happened.

0:20:42.320 --> 0:20:45.480
<v Speaker 1>Ever, right, and then when we see you, we don't

0:20:45.520 --> 0:20:48.280
<v Speaker 1>have to feel bad, right because it just none of

0:20:48.280 --> 0:20:52.719
<v Speaker 1>it happened. When you get ghosted by an executive, what

0:20:52.760 --> 0:20:54.640
<v Speaker 1>do you do? How do you shake off the disappointment?

0:20:55.840 --> 0:21:01.480
<v Speaker 4>Usually that's really when I try try to get under

0:21:01.520 --> 0:21:04.840
<v Speaker 4>another executive. You know it's not you know, not in

0:21:04.840 --> 0:21:07.080
<v Speaker 4>a sexual way, but you know, you the way to

0:21:07.200 --> 0:21:10.880
<v Speaker 4>get over someone is to get under someone else. That's

0:21:10.920 --> 0:21:15.399
<v Speaker 4>the classic thing. So you try to get on another job,

0:21:16.520 --> 0:21:20.480
<v Speaker 4>and you try to get another another idea.

0:21:20.119 --> 0:21:21.240
<v Speaker 2>Of what's possible.

0:21:21.840 --> 0:21:24.600
<v Speaker 4>I guess I mean that sort of like ensures your

0:21:24.680 --> 0:21:30.520
<v Speaker 4>longevity in entertainment. And also it's resilience. You know, you

0:21:30.600 --> 0:21:32.920
<v Speaker 4>want to be able to keep going or that's when

0:21:32.960 --> 0:21:37.000
<v Speaker 4>you think I need a reinvention right now. Yeah, so

0:21:37.040 --> 0:21:40.880
<v Speaker 4>I'm gonna drop, I'm gonna drop a bunch of tiktoks,

0:21:41.000 --> 0:21:43.800
<v Speaker 4>or I'm gonna do TikTok challenge. I'm gonna do it

0:21:43.880 --> 0:21:44.480
<v Speaker 4>with somebody.

0:21:44.840 --> 0:21:47.280
<v Speaker 2>What you're not gonna do is give up, never.

0:21:47.080 --> 0:21:51.600
<v Speaker 4>Give up, never give up, Always keep on trying, always

0:21:51.720 --> 0:21:56.720
<v Speaker 4>keep going, and pretty soon they won't ghost you anymore,

0:21:57.520 --> 0:22:00.640
<v Speaker 4>or you will actually literally be a go because you'll

0:22:00.640 --> 0:22:00.960
<v Speaker 4>be dead.

0:22:02.160 --> 0:22:04.840
<v Speaker 2>That's a very good point. It's a very good point, Margaret.

0:22:05.040 --> 0:22:09.480
<v Speaker 2>What is the boldest thing you have done in your career.

0:22:10.640 --> 0:22:14.080
<v Speaker 4>The boldest thing I think is just well, probably just

0:22:14.080 --> 0:22:18.040
<v Speaker 4>starting because I never saw queer Asian American women do

0:22:18.160 --> 0:22:23.960
<v Speaker 4>anything in the eighties and so that entirely the entire

0:22:24.080 --> 0:22:27.880
<v Speaker 4>idea of going into stand up comedy as a young

0:22:27.960 --> 0:22:32.120
<v Speaker 4>person was really the very boldest thing anybody could do.

0:22:32.560 --> 0:22:34.480
<v Speaker 4>But I didn't have any sort of thought that I

0:22:34.480 --> 0:22:38.320
<v Speaker 4>could do anything, and I didn't lose anything by trying.

0:22:38.440 --> 0:22:40.639
<v Speaker 4>So that's kind of the attitude I still have. You

0:22:40.680 --> 0:22:42.439
<v Speaker 4>don't have anything to lose by trying.

0:22:43.200 --> 0:22:45.440
<v Speaker 2>Yeah, and you can always try.

0:22:45.520 --> 0:22:50.200
<v Speaker 4>You got to keep trying, Just keep trying, just keep trying,

0:22:50.440 --> 0:22:53.399
<v Speaker 4>and you know it'll all sort of make sense later.

0:22:53.800 --> 0:22:56.240
<v Speaker 4>It makes sense in the end. You know that sometimes

0:22:56.280 --> 0:23:01.080
<v Speaker 4>people have a renaissance in their seventies and eighties. Sometimes

0:23:01.160 --> 0:23:06.040
<v Speaker 4>it's you know, it their their their career comes becomes

0:23:06.240 --> 0:23:07.760
<v Speaker 4>very rewarding.

0:23:07.440 --> 0:23:08.119
<v Speaker 3>Very late.

0:23:09.600 --> 0:23:13.560
<v Speaker 4>So look to that, look to look to the examples

0:23:13.600 --> 0:23:16.400
<v Speaker 4>of the people who are really old around which there's

0:23:16.400 --> 0:23:20.159
<v Speaker 4>a lot of them. And it's also just like, you know,

0:23:20.280 --> 0:23:26.840
<v Speaker 4>having the time to celebrate your success and really appreciated

0:23:26.920 --> 0:23:29.280
<v Speaker 4>at the age that you're at, because when you're older,

0:23:29.400 --> 0:23:33.000
<v Speaker 4>you really appreciate everything, you know, because you've seen it all.

0:23:33.680 --> 0:23:37.160
<v Speaker 4>So like I think if I if I was younger,

0:23:37.440 --> 0:23:40.360
<v Speaker 4>younger and I did, I wouldn't have appreciated all the things.

0:23:40.400 --> 0:23:43.119
<v Speaker 4>Like I didn't appreciate the success that I had when

0:23:43.119 --> 0:23:45.119
<v Speaker 4>I was very very young, so I didn't understand it.

0:23:45.640 --> 0:23:48.040
<v Speaker 4>You know, Now I really appreciate it now. I'm really glad.

0:23:48.119 --> 0:23:51.000
<v Speaker 4>But it's like you know, I now I really appreciate

0:23:51.040 --> 0:23:54.199
<v Speaker 4>my longevity with everything, except for this particular project that

0:23:54.240 --> 0:23:55.480
<v Speaker 4>you and I are talking about right now.

0:23:56.400 --> 0:23:59.040
<v Speaker 2>Yeah, yeah, again, Margaret, I'm so sorry.

0:23:59.119 --> 0:24:01.280
<v Speaker 1>I'm just very sorry, but I really thank you for

0:24:01.320 --> 0:24:03.680
<v Speaker 1>being so understanding, for participating in the first place.

0:24:03.720 --> 0:24:06.760
<v Speaker 2>You're a queen of course. Oh you're the greatest. And

0:24:06.880 --> 0:24:09.200
<v Speaker 2>thank you for improvising this scene with me right now.

0:24:10.480 --> 0:24:13.520
<v Speaker 4>We did well, I have a lot to you know,

0:24:13.520 --> 0:24:15.800
<v Speaker 4>I have a lot of experience and projection.

0:24:18.480 --> 0:24:19.240
<v Speaker 3>Oh my god.

0:24:19.440 --> 0:24:21.760
<v Speaker 4>We even did a series we did a sea together

0:24:21.840 --> 0:24:23.719
<v Speaker 4>that didn't get it. But they didn't even tell us

0:24:23.720 --> 0:24:27.919
<v Speaker 4>it didn't get picked up. They just they just like

0:24:28.080 --> 0:24:30.400
<v Speaker 4>acted like it never happened.

0:24:30.640 --> 0:24:33.520
<v Speaker 2>Like like we imagined it, like it was all.

0:24:33.440 --> 0:24:35.720
<v Speaker 4>A dream and it was a really cool show. But

0:24:36.440 --> 0:24:40.720
<v Speaker 4>we were ghosted, and we were totally ghosted. Nobody told us, oh, well,

0:24:40.760 --> 0:24:41.920
<v Speaker 4>you know, but we're better for it.

0:24:42.160 --> 0:24:44.639
<v Speaker 1>We're better for it. We shook it off. We tried

0:24:44.640 --> 0:24:46.800
<v Speaker 1>something new. God damn it.

0:24:46.880 --> 0:24:48.200
<v Speaker 4>You know what's new that's really good?

0:24:48.320 --> 0:24:52.639
<v Speaker 1>Claro ooh okay, and then Margaret and I talk about

0:24:52.640 --> 0:24:55.440
<v Speaker 1>pop music for another hour, which proves my old acting

0:24:55.480 --> 0:24:58.880
<v Speaker 1>teacher right. Margaret and I did a pilot together years ago.

0:24:59.160 --> 0:25:02.520
<v Speaker 1>We were excited a and we forgot about it. It's

0:25:02.560 --> 0:25:05.920
<v Speaker 1>a good lesson. Do your best, learn your lessons, dust

0:25:05.960 --> 0:25:08.800
<v Speaker 1>yourself off when you get knocked down, and keep walking.

0:25:09.359 --> 0:25:11.880
<v Speaker 1>If you're lucky, years later, you'll remember it and laugh

0:25:12.200 --> 0:25:15.280
<v Speaker 1>and then talk about pop music. You can survive rejection,

0:25:15.440 --> 0:25:17.600
<v Speaker 1>no matter how many times they throw it at you.

0:25:17.600 --> 0:25:19.600
<v Speaker 2>You just have to keep moving forward.

0:25:30.960 --> 0:25:33.479
<v Speaker 1>Dave Smith knows how to keep moving forward, how to

0:25:33.480 --> 0:25:36.400
<v Speaker 1>shake off the sting of rejection and get back to work.

0:25:36.880 --> 0:25:39.040
<v Speaker 1>He has faced his share of rejection, and he's still

0:25:39.080 --> 0:25:41.720
<v Speaker 1>an affable guy. He still smiles when he talks about

0:25:41.760 --> 0:25:44.280
<v Speaker 1>all of it. Nothing bad to say about anyone, no

0:25:44.400 --> 0:25:47.720
<v Speaker 1>bitterness or anger about any of the false starts. But

0:25:47.800 --> 0:25:50.640
<v Speaker 1>even he has his limits. How did you feel about

0:25:50.640 --> 0:25:52.040
<v Speaker 1>the name change to white guys.

0:25:53.040 --> 0:25:57.600
<v Speaker 3>Absolutely hated it. I just thought it was too straightforward.

0:25:57.960 --> 0:26:01.960
<v Speaker 3>So an Impact was a good name. It fit us,

0:26:02.119 --> 0:26:05.160
<v Speaker 3>you know, I felt, because where we want to impact

0:26:04.880 --> 0:26:08.399
<v Speaker 3>the scene the way it was going and progressing. But

0:26:08.680 --> 0:26:12.960
<v Speaker 3>we didn't even know about white guys until it debuted

0:26:13.000 --> 0:26:13.800
<v Speaker 3>in that video.

0:26:14.600 --> 0:26:18.159
<v Speaker 2>Really, so you saw it before you knew about it.

0:26:19.040 --> 0:26:22.119
<v Speaker 3>I saw it before I knew about it, and I

0:26:22.560 --> 0:26:25.080
<v Speaker 3>was like, what's that? And then like you know, of course,

0:26:25.080 --> 0:26:28.359
<v Speaker 3>we called Mike and he's like, no, we just everybody decided,

0:26:28.440 --> 0:26:31.040
<v Speaker 3>you know that you guys. Everybody says where's the white

0:26:31.080 --> 0:26:33.760
<v Speaker 3>guys at? And he became like, not a joke, but

0:26:34.000 --> 0:26:35.440
<v Speaker 3>it was what everybody.

0:26:35.040 --> 0:26:36.240
<v Speaker 2>Called us white guys.

0:26:36.320 --> 0:26:38.080
<v Speaker 1>As you remember, had a couple of lines in that

0:26:38.160 --> 0:26:41.119
<v Speaker 1>East Coast family one four All four, one song and

0:26:41.160 --> 0:26:44.040
<v Speaker 1>a featured moment in that video. That song actually got

0:26:44.040 --> 0:26:48.359
<v Speaker 1>some radio airplay, another potential big opportunity. The Sudden Impact

0:26:48.400 --> 0:26:51.560
<v Speaker 1>story is full of albums that got recorded and never released,

0:26:51.920 --> 0:26:55.679
<v Speaker 1>recording contracts that got signed and then terminated. But I

0:26:55.720 --> 0:26:57.520
<v Speaker 1>didn't know until I spoke to Dave that there was

0:26:57.560 --> 0:27:00.600
<v Speaker 1>also a big performance, a big MTV performance.

0:27:01.000 --> 0:27:02.960
<v Speaker 2>They got canceled at the very last minute.

0:27:03.400 --> 0:27:07.119
<v Speaker 3>Then the next thing I remember coming up was the

0:27:07.119 --> 0:27:11.880
<v Speaker 3>the MTV doing the performance live and debuting the video.

0:27:12.840 --> 0:27:15.000
<v Speaker 3>And this was a big deal because we're gonna all

0:27:15.040 --> 0:27:19.080
<v Speaker 3>sing the song live on MTV in the I don't

0:27:19.080 --> 0:27:22.520
<v Speaker 3>think it was TRL then it was something else. It

0:27:22.560 --> 0:27:25.360
<v Speaker 3>was it was God, it was the name of it.

0:27:26.840 --> 0:27:28.679
<v Speaker 3>I think it was MTV. Yeah. It was just like

0:27:28.680 --> 0:27:30.840
<v Speaker 3>a basic show and they would let artists would go

0:27:30.840 --> 0:27:32.960
<v Speaker 3>on and sing and stuff like I remember seeing like

0:27:33.000 --> 0:27:34.720
<v Speaker 3>I know, Nirvana sang on it at one time, and

0:27:35.200 --> 0:27:37.240
<v Speaker 3>a couple of a bunch I mean tons of people

0:27:37.240 --> 0:27:39.240
<v Speaker 3>had sung live on it, like like they showed the

0:27:39.280 --> 0:27:41.960
<v Speaker 3>video then they would sing or something like that. And

0:27:42.119 --> 0:27:45.040
<v Speaker 3>Mike brought us up there to do it, did a

0:27:45.080 --> 0:27:48.040
<v Speaker 3>lot of rehearsal for it, a lot of things, and

0:27:48.240 --> 0:27:51.399
<v Speaker 3>it just ended up being that Mike wasn't happy with

0:27:51.440 --> 0:27:55.439
<v Speaker 3>some of the people live and not I'm not not

0:27:55.720 --> 0:27:58.240
<v Speaker 3>I think that's what happened because we kind of just

0:27:58.320 --> 0:28:00.919
<v Speaker 3>it kind of got just canceled. You know, we're going

0:28:01.000 --> 0:28:02.760
<v Speaker 3>to debut the video. We were about to perform it,

0:28:02.800 --> 0:28:05.840
<v Speaker 3>and then Mike just said, right, we're not doing the

0:28:05.840 --> 0:28:09.600
<v Speaker 3>live part, and we really never got a one hundred

0:28:09.600 --> 0:28:12.320
<v Speaker 3>percent answer on it, but from like the little switches

0:28:12.320 --> 0:28:15.600
<v Speaker 3>we heard from it, it was he wasn't happy with something

0:28:15.760 --> 0:28:18.760
<v Speaker 3>about the live performance, and we asked if it was

0:28:18.840 --> 0:28:20.480
<v Speaker 3>us that we found out. It wasn't us at least,

0:28:20.520 --> 0:28:25.720
<v Speaker 3>so at least that's what we were told.

0:28:26.200 --> 0:28:28.680
<v Speaker 2>Were you there on set getting ready to go?

0:28:29.200 --> 0:28:31.919
<v Speaker 3>We were on set, we were in position, we had microphones.

0:28:32.160 --> 0:28:36.439
<v Speaker 3>I mean, it was happening, and then Mike came in

0:28:36.480 --> 0:28:39.720
<v Speaker 3>and canceled it, and it was very weird and we

0:28:39.720 --> 0:28:40.600
<v Speaker 3>didn't know what happened.

0:28:40.800 --> 0:28:43.840
<v Speaker 1>According to my research, this is almost definitely the nineteen

0:28:43.880 --> 0:28:47.120
<v Speaker 1>ninety two show Hanging With MTV, kind of an early

0:28:47.240 --> 0:28:50.440
<v Speaker 1>version of TRL, but without a countdown. It was hosted

0:28:50.440 --> 0:28:54.320
<v Speaker 1>by a lot of people in its run, John Norris, Duff, Kennedy,

0:28:54.760 --> 0:28:56.760
<v Speaker 1>Gail Mayron, who would go on to starr in the

0:28:56.760 --> 0:29:00.600
<v Speaker 1>movie PCU with the nineteen nineties version of Jeremy, the

0:29:00.680 --> 0:29:04.640
<v Speaker 1>one before he beat mail pattern baldness. I also remember

0:29:04.680 --> 0:29:07.480
<v Speaker 1>it being hosted by Steve Isaacs, a handsome guy with

0:29:07.640 --> 0:29:10.640
<v Speaker 1>very Chris Cornell hair. I know Steve a little bit,

0:29:10.800 --> 0:29:12.880
<v Speaker 1>so I text him and I asked him if he

0:29:12.960 --> 0:29:15.200
<v Speaker 1>was a host of Hanging With MTV and he says

0:29:15.200 --> 0:29:17.880
<v Speaker 1>he was. And then he says, I swear to God,

0:29:18.320 --> 0:29:21.000
<v Speaker 1>I just uploaded a bunch of old episodes from some

0:29:21.120 --> 0:29:23.680
<v Speaker 1>VHS tapes that were sitting in my closet for literally

0:29:23.720 --> 0:29:26.600
<v Speaker 1>thirty years. I ask if he remembers anything about the

0:29:26.640 --> 0:29:29.240
<v Speaker 1>East Coast Family coming by, and he says, yeah, that's

0:29:29.280 --> 0:29:31.760
<v Speaker 1>one of the ones I just posted. Hang on, and

0:29:31.800 --> 0:29:35.400
<v Speaker 1>he sends it it was uploaded just last week. Right

0:29:35.440 --> 0:29:38.240
<v Speaker 1>from the beginning, our guys are getting no respect, even boys.

0:29:38.280 --> 0:29:39.520
<v Speaker 2>Some men kind of forget them.

0:29:39.880 --> 0:29:42.240
<v Speaker 3>The East Coast Family is just the three groups I

0:29:42.280 --> 0:29:44.400
<v Speaker 3>actually four groups, and we all happen to be on

0:29:44.440 --> 0:29:46.520
<v Speaker 3>the East Coast where we live, and we all happen

0:29:46.560 --> 0:29:48.000
<v Speaker 3>to be part of vib Entertainment.

0:29:48.560 --> 0:29:50.920
<v Speaker 1>And then what was supposed to be the performance which

0:29:50.960 --> 0:29:53.440
<v Speaker 1>Bivin's canceled at the last minute, So now it's just

0:29:53.520 --> 0:29:56.360
<v Speaker 1>the video, the title of which Steve gets wrong, like

0:29:56.400 --> 0:29:56.960
<v Speaker 1>we all do.

0:29:57.440 --> 0:29:59.239
<v Speaker 3>All right, there's some groups looking out for each other,

0:29:59.280 --> 0:30:01.560
<v Speaker 3>and here there are all together with one for all,

0:30:01.600 --> 0:30:03.320
<v Speaker 3>all for one.

0:30:03.680 --> 0:30:05.400
<v Speaker 2>Steve is now just kind of bobbing his head.

0:30:05.400 --> 0:30:08.320
<v Speaker 1>He's on camera a couple seconds longer than he expected

0:30:08.360 --> 0:30:11.520
<v Speaker 1>to be because the control room is scrambling. I've been

0:30:11.520 --> 0:30:14.880
<v Speaker 1>in this position before on live TV on MTV, where

0:30:15.000 --> 0:30:17.080
<v Speaker 1>you think one thing is gonna happen, but the plan

0:30:17.200 --> 0:30:19.880
<v Speaker 1>changes at the last second. The director has to make

0:30:19.880 --> 0:30:22.600
<v Speaker 1>a new plan on the fly. A producer's yelling into

0:30:22.640 --> 0:30:25.880
<v Speaker 1>your ear piece. That post performance interview gets scrapped, So

0:30:25.960 --> 0:30:27.120
<v Speaker 1>now you've got to fill time.

0:30:27.640 --> 0:30:33.320
<v Speaker 2>That's what's happening here. That's what you're listening to. How's

0:30:33.320 --> 0:30:33.600
<v Speaker 2>it going?

0:30:33.640 --> 0:30:34.520
<v Speaker 3>I'm Steve Isaacs.

0:30:34.640 --> 0:30:36.479
<v Speaker 2>There you have if that's today's first look video from

0:30:36.480 --> 0:30:38.920
<v Speaker 2>the East Coast Family, All for One for All, All

0:30:38.960 --> 0:30:39.320
<v Speaker 2>for One.

0:30:39.520 --> 0:30:40.840
<v Speaker 3>We're out marketing ourselves up here.

0:30:40.880 --> 0:30:42.680
<v Speaker 2>We're I'll let you know how we feel coming up though.

0:30:42.800 --> 0:30:43.479
<v Speaker 3>We've got Todd one.

0:30:43.800 --> 0:30:45.760
<v Speaker 1>I asked Steve whether he remembers any of this, the

0:30:45.800 --> 0:30:49.560
<v Speaker 1>East Coast Family performance getting canceled, and he says not offhand,

0:30:50.120 --> 0:30:53.200
<v Speaker 1>I get it. I wouldn't either. Dave Smith does, but

0:30:53.280 --> 0:30:55.400
<v Speaker 1>he doesn't hold a grudge over it. What kind of

0:30:55.400 --> 0:30:57.320
<v Speaker 1>manager was Michael Vivins.

0:30:58.200 --> 0:31:00.400
<v Speaker 3>When we first when we first started, he was honestly,

0:31:00.440 --> 0:31:02.480
<v Speaker 3>he was really good. I mean he kept in contact

0:31:02.560 --> 0:31:06.080
<v Speaker 3>with us every couple of weeks or so make sure

0:31:06.760 --> 0:31:08.719
<v Speaker 3>we knew what was going on. He tried to explain

0:31:08.760 --> 0:31:10.120
<v Speaker 3>to us that, you know, there's not a lot going

0:31:10.160 --> 0:31:13.800
<v Speaker 3>to happen early on in this situation because we still

0:31:13.800 --> 0:31:16.840
<v Speaker 3>have to establish music and things before he could really

0:31:17.400 --> 0:31:21.200
<v Speaker 3>push things into a certain direction. And I think but

0:31:21.320 --> 0:31:22.800
<v Speaker 3>for the most part, we all got it. You know,

0:31:22.960 --> 0:31:25.800
<v Speaker 3>of course, everybody is frustrated waiting and all those kind

0:31:25.840 --> 0:31:28.200
<v Speaker 3>of things, but you know, he always came and showed

0:31:28.200 --> 0:31:30.200
<v Speaker 3>some love. You know, he's come in and you know,

0:31:30.400 --> 0:31:32.840
<v Speaker 3>drop drop us a jacket and say, hey, you're part

0:31:32.880 --> 0:31:35.440
<v Speaker 3>of this. You know, don't get frustrated. It's not gonna

0:31:36.240 --> 0:31:39.120
<v Speaker 3>it's not going to just end. You know. Sometimes he

0:31:39.160 --> 0:31:41.320
<v Speaker 3>would occasionally fly us out to LA and visit him.

0:31:41.320 --> 0:31:43.560
<v Speaker 3>You know, we go to his house and hang out

0:31:43.560 --> 0:31:45.960
<v Speaker 3>with him, shoot basketball or something, and you know, so

0:31:46.480 --> 0:31:50.120
<v Speaker 3>I don't think it was in the beginning. He was

0:31:50.280 --> 0:31:52.680
<v Speaker 3>he was very attentive, but you know, he only had

0:31:52.960 --> 0:31:55.480
<v Speaker 3>three or four acts, you know what I mean, in

0:31:55.920 --> 0:31:59.200
<v Speaker 3>my opinion, But as we went through the progression of it,

0:31:59.560 --> 0:32:03.240
<v Speaker 3>and you know, everybody showed up and he had that

0:32:03.400 --> 0:32:07.160
<v Speaker 3>and the record label and all that, it was, it

0:32:07.200 --> 0:32:10.960
<v Speaker 3>was less of him. And I don't think he wanted

0:32:11.000 --> 0:32:14.320
<v Speaker 3>it that way. I really don't, you know, I never

0:32:14.360 --> 0:32:17.160
<v Speaker 3>got that feeling. I just feel like he kind of

0:32:17.280 --> 0:32:20.760
<v Speaker 3>it kind of whirlwind on him, and he was trying

0:32:20.800 --> 0:32:22.760
<v Speaker 3>to put the right people in the right places to

0:32:22.800 --> 0:32:26.320
<v Speaker 3>help this thing work, and it just wasn't working fast

0:32:26.440 --> 0:32:30.040
<v Speaker 3>enough the way he wanted it to work. And I

0:32:30.080 --> 0:32:34.480
<v Speaker 3>think that's ultimately where that demise came from us to them,

0:32:34.480 --> 0:32:37.000
<v Speaker 3>because we got so it got so long in waiting

0:32:37.080 --> 0:32:40.160
<v Speaker 3>and we couldn't get it the answers we wanted that

0:32:40.240 --> 0:32:43.120
<v Speaker 3>we kind of wanted to separate because we felt like

0:32:43.120 --> 0:32:45.160
<v Speaker 3>we had enough, we had enough music at that point

0:32:45.200 --> 0:32:47.840
<v Speaker 3>that we could we could shop ourselves. You know, we're

0:32:47.840 --> 0:32:50.480
<v Speaker 3>a little cocky at that point, you know, for some

0:32:50.720 --> 0:32:51.600
<v Speaker 3>for some odd reason.

0:32:52.200 --> 0:32:54.600
<v Speaker 2>So how did that relationship end.

0:32:55.680 --> 0:32:59.360
<v Speaker 3>It was, I mean, it was kind of just like

0:32:59.440 --> 0:33:01.480
<v Speaker 3>it just paid it away, you know what I mean.

0:33:01.800 --> 0:33:04.440
<v Speaker 3>There was never like a phone call like all right,

0:33:04.480 --> 0:33:06.680
<v Speaker 3>you know, no harm feelings or any of that kind

0:33:06.720 --> 0:33:09.200
<v Speaker 3>of stuff, or it was just like at the time

0:33:09.280 --> 0:33:12.880
<v Speaker 3>it elapsed, and I think he knew, and you know,

0:33:12.920 --> 0:33:15.760
<v Speaker 3>we had to hire our lawyer at that point to

0:33:15.760 --> 0:33:19.960
<v Speaker 3>to negotiate us getting out of this situation so we

0:33:20.000 --> 0:33:23.520
<v Speaker 3>could try to move forwards. And it just kind of

0:33:23.560 --> 0:33:25.440
<v Speaker 3>just paid it. I don't I don't remember a distinct,

0:33:26.240 --> 0:33:29.600
<v Speaker 3>abrupt like this is over situation, like you know, I.

0:33:29.600 --> 0:33:33.560
<v Speaker 1>Never got to say bye to Mike, so you didn't

0:33:33.560 --> 0:33:35.080
<v Speaker 1>then get to say goodbye to mic.

0:33:35.760 --> 0:33:38.479
<v Speaker 3>No, I don't remember anything in that aspect of it.

0:33:38.840 --> 0:33:41.000
<v Speaker 3>I mean, not like I mean at this point, I mean,

0:33:41.040 --> 0:33:46.479
<v Speaker 3>BBD was so huge and they were working on their

0:33:46.480 --> 0:33:48.080
<v Speaker 3>second album, and then he was doing that new addition

0:33:48.160 --> 0:33:51.080
<v Speaker 3>reunion album, and Voice to Men was like, you know,

0:33:51.720 --> 0:33:56.680
<v Speaker 3>selling millions of records. At that point, they had surpassed,

0:33:56.720 --> 0:33:59.040
<v Speaker 3>like you know, everybody in R and B. At that point,

0:33:59.080 --> 0:34:01.959
<v Speaker 3>it just went in. It was so crazy that I

0:34:02.040 --> 0:34:03.480
<v Speaker 3>just I just think there was a lot going on

0:34:03.520 --> 0:34:06.120
<v Speaker 3>for Mike, and and I don't think he ever wanted

0:34:06.160 --> 0:34:08.080
<v Speaker 3>it to be that way. I think he I think

0:34:08.120 --> 0:34:10.439
<v Speaker 3>if he had such a good heart in my mind,

0:34:11.239 --> 0:34:14.120
<v Speaker 3>that he wanted everybody to be super famous like Boys

0:34:14.120 --> 0:34:16.880
<v Speaker 3>to Men if he could. And I don't even think, honestly,

0:34:17.280 --> 0:34:19.080
<v Speaker 3>there was a point when I was younger I thought

0:34:19.080 --> 0:34:20.719
<v Speaker 3>it was about the money. But then as I thought

0:34:20.760 --> 0:34:22.960
<v Speaker 3>about it as I got older, the age he was

0:34:23.000 --> 0:34:24.239
<v Speaker 3>and the way he spoke to us, the way he

0:34:24.239 --> 0:34:26.920
<v Speaker 3>spoke to everybody else. He really wanted everything to just be.

0:34:27.400 --> 0:34:30.399
<v Speaker 3>He just wanted it to help other people the way

0:34:30.440 --> 0:34:33.360
<v Speaker 3>he was helped when he was younger to make hisself better.

0:34:33.520 --> 0:34:36.840
<v Speaker 3>So I don't look on it look back on it

0:34:36.880 --> 0:34:38.120
<v Speaker 3>negatively in any kind of way.

0:34:38.480 --> 0:34:40.480
<v Speaker 2>Tim Byrd has told us what happens next.

0:34:40.680 --> 0:34:43.360
<v Speaker 1>They record some new demos with some producers in Teddy

0:34:43.440 --> 0:34:45.879
<v Speaker 1>Riley's circle, and they bring them to Boys to Men.

0:34:46.360 --> 0:34:48.880
<v Speaker 1>But the way Dave tells this story adds a visual

0:34:48.920 --> 0:34:51.240
<v Speaker 1>element that I cannot get out of my mind.

0:34:51.640 --> 0:34:53.960
<v Speaker 3>And so we basically recorded a bunch of new stuff together,

0:34:54.840 --> 0:34:57.800
<v Speaker 3>and our goal was, all right, we know the biggest

0:34:57.880 --> 0:35:00.160
<v Speaker 3>R and B group in the world. We're gonna be

0:35:00.200 --> 0:35:03.919
<v Speaker 3>able to talk to these guys somehow. And then they're

0:35:03.920 --> 0:35:08.560
<v Speaker 3>going world tour with Babyface, And I remember they came

0:35:08.600 --> 0:35:12.040
<v Speaker 3>into town and we didn't buy tickets because we were

0:35:12.080 --> 0:35:14.520
<v Speaker 3>just like, that's just idiotic, because we're gonna get stuck

0:35:14.520 --> 0:35:19.520
<v Speaker 3>in the arena and not see them. Myself. Aaron and

0:35:19.560 --> 0:35:23.680
<v Speaker 3>I believe Alan it might have been nol. We decided

0:35:23.680 --> 0:35:27.480
<v Speaker 3>we're just gonna walk up behind the Hampton Coliseum and

0:35:27.520 --> 0:35:29.799
<v Speaker 3>we're just gonna they're gonna see us. You know, that's

0:35:29.800 --> 0:35:32.120
<v Speaker 3>how we're gonna make it happen. And we walked back

0:35:32.160 --> 0:35:33.759
<v Speaker 3>there and we stood there and stood there and it

0:35:33.800 --> 0:35:36.520
<v Speaker 3>was I mean it, maybe twenty minutes went by and

0:35:36.560 --> 0:35:39.240
<v Speaker 3>we saw Big Aunt walk out of the tour bus

0:35:39.680 --> 0:35:43.320
<v Speaker 3>and we yelled Aunt and he turned around started laughing

0:35:43.320 --> 0:35:44.920
<v Speaker 3>and he hadn't seen us in like a year and

0:35:44.960 --> 0:35:49.239
<v Speaker 3>a half something like that. He walked over and said,

0:35:49.239 --> 0:35:52.600
<v Speaker 3>hold on a minute, and we walked straight backstage to

0:35:52.640 --> 0:35:56.200
<v Speaker 3>the guys, and we were like, they still remember us,

0:35:56.239 --> 0:35:58.680
<v Speaker 3>you know, And you know, you don't know at that

0:35:58.680 --> 0:36:00.759
<v Speaker 3>point because they're thirty five million at this time. You know,

0:36:00.760 --> 0:36:01.480
<v Speaker 3>they're huge.

0:36:01.719 --> 0:36:03.840
<v Speaker 1>We've heard the ending we know Boys to Men signs

0:36:03.880 --> 0:36:06.839
<v Speaker 1>them to their label. But still Dave telling me about

0:36:06.880 --> 0:36:09.680
<v Speaker 1>him and the guys standing by the backstage gate waiting

0:36:09.719 --> 0:36:12.560
<v Speaker 1>to be noticed by the old friends who become superstars.

0:36:12.960 --> 0:36:16.520
<v Speaker 1>It's heartbreaking and inspiring at the same time. They're determined

0:36:16.560 --> 0:36:19.080
<v Speaker 1>to make it happen. They're wise enough not to let

0:36:19.160 --> 0:36:19.759
<v Speaker 1>vanity get.

0:36:19.680 --> 0:36:20.080
<v Speaker 2>In the way.

0:36:20.440 --> 0:36:22.960
<v Speaker 1>These guys are good, but we also know what happens

0:36:22.960 --> 0:36:25.120
<v Speaker 1>after that. They don't get dropped so much as the

0:36:25.200 --> 0:36:29.000
<v Speaker 1>label just disappears. They're back to square one again for

0:36:29.080 --> 0:36:31.920
<v Speaker 1>the third time, and none of them can legally drink.

0:36:32.400 --> 0:36:33.719
<v Speaker 2>Yeah, what did that feel.

0:36:33.480 --> 0:36:34.120
<v Speaker 1>Like for you?

0:36:35.160 --> 0:36:37.520
<v Speaker 3>Very stressful because you know, at this point, I'm like

0:36:37.760 --> 0:36:40.839
<v Speaker 3>nineteen somewhere around there. We're out of school, so we're

0:36:40.840 --> 0:36:42.040
<v Speaker 3>putting one hundred percent into this.

0:36:42.200 --> 0:36:42.399
<v Speaker 1>Now.

0:36:43.360 --> 0:36:47.319
<v Speaker 3>It stressed us out as a group, like immensely, like

0:36:48.360 --> 0:36:50.359
<v Speaker 3>kind of driving a knife between us a little bit.

0:36:50.400 --> 0:36:52.759
<v Speaker 3>Everybody's like pointing fingers at each other a little bit,

0:36:53.480 --> 0:36:55.400
<v Speaker 3>like why did this happen? Why didn't that happen? And

0:36:55.400 --> 0:36:58.160
<v Speaker 3>who did this? And who did that? You know, And

0:36:58.200 --> 0:37:00.800
<v Speaker 3>none of it was really any of our end visual faults.

0:37:00.840 --> 0:37:03.239
<v Speaker 3>I think it was just it just wasn't the right

0:37:03.280 --> 0:37:06.239
<v Speaker 3>time for that to happen. And you know, I don't

0:37:06.280 --> 0:37:08.959
<v Speaker 3>I don't look back on it. I mean, at the time,

0:37:09.000 --> 0:37:11.320
<v Speaker 3>I'm sure I was really pissed, but I was nineteen

0:37:11.400 --> 0:37:13.920
<v Speaker 3>years old and I already had three record deals at

0:37:13.920 --> 0:37:15.560
<v Speaker 3>the time. What was I complaining about? You know, I

0:37:15.560 --> 0:37:18.000
<v Speaker 3>should have shut up and just been happy with who

0:37:18.040 --> 0:37:18.399
<v Speaker 3>I had.

0:37:18.760 --> 0:37:21.600
<v Speaker 1>See, that's a good attitude. This isn't even my story,

0:37:21.640 --> 0:37:25.040
<v Speaker 1>and I'm frustrated for him. In Dave's mind, the whole

0:37:25.040 --> 0:37:27.759
<v Speaker 1>project finally ran aground once and for all because of

0:37:27.840 --> 0:37:30.239
<v Speaker 1>two major tragedies back to back.

0:37:30.640 --> 0:37:33.400
<v Speaker 3>Long story short, we pushed on more record deals and

0:37:34.440 --> 0:37:37.080
<v Speaker 3>did got a lot further than we did with the

0:37:38.719 --> 0:37:42.560
<v Speaker 3>two special sudden impact as far as a group is concerned.

0:37:42.960 --> 0:37:46.360
<v Speaker 3>I actually got songs on the radio, and then you know,

0:37:46.719 --> 0:37:50.440
<v Speaker 3>nine to eleven happened and Leah happened, and it tore

0:37:50.480 --> 0:37:52.400
<v Speaker 3>our world down. And I think it would have been

0:37:52.440 --> 0:37:54.520
<v Speaker 3>a much different world for us if those two things

0:37:55.200 --> 0:37:57.279
<v Speaker 3>didn't happen consecutively in the same year.

0:37:57.920 --> 0:38:01.239
<v Speaker 2>If you could talk to my vins, now, what would

0:38:01.280 --> 0:38:02.160
<v Speaker 2>you say to him?

0:38:02.920 --> 0:38:04.640
<v Speaker 3>I don't know. I would just kind of just tell him,

0:38:04.680 --> 0:38:07.920
<v Speaker 3>you know that there's no hard feelings for that whole situation,

0:38:09.040 --> 0:38:13.440
<v Speaker 3>like you know I because I would think when you're

0:38:13.480 --> 0:38:15.680
<v Speaker 3>that age, you know, I'm thinking back, if I was

0:38:15.719 --> 0:38:17.840
<v Speaker 3>that young and I had that much talent that I

0:38:17.920 --> 0:38:20.719
<v Speaker 3>was supposed to portray to the world and then you

0:38:20.800 --> 0:38:22.600
<v Speaker 3>let down a lot of people that he had to

0:38:22.640 --> 0:38:25.879
<v Speaker 3>have a lot of mental stress go on. I would

0:38:25.960 --> 0:38:30.480
<v Speaker 3>think that he didn't fulfill his dream, but a lot

0:38:30.520 --> 0:38:33.359
<v Speaker 3>of other people's dreams and I don't and I don't

0:38:33.400 --> 0:38:35.600
<v Speaker 3>think he did anything malicious, But I just wanted to

0:38:35.640 --> 0:38:38.359
<v Speaker 3>know that. You know, I appreciate what he did for us.

0:38:38.480 --> 0:38:41.080
<v Speaker 3>It was something I'd never changed. I got to see

0:38:41.120 --> 0:38:43.120
<v Speaker 3>and do things that most people ever ever do in

0:38:43.120 --> 0:38:45.440
<v Speaker 3>their life, and it always due to him earlier on

0:38:45.520 --> 0:38:47.880
<v Speaker 3>in my life. Every single bit of it, even the

0:38:47.920 --> 0:38:50.880
<v Speaker 3>part that was even more impactful later as us as

0:38:50.880 --> 0:38:52.960
<v Speaker 3>a group, you know, that wasn't with Aaron and Nola.

0:38:53.120 --> 0:38:56.160
<v Speaker 3>Was all started from the day Todd and then met

0:38:56.200 --> 0:38:59.399
<v Speaker 3>him in La So I, you know, I just say

0:38:59.440 --> 0:39:02.000
<v Speaker 3>thank you because you know, I have great memories tonight,

0:39:02.600 --> 0:39:04.919
<v Speaker 3>I got stories to tell. Like my twenty year old

0:39:04.920 --> 0:39:07.120
<v Speaker 3>has no clue about half of this stuff. She's just

0:39:07.200 --> 0:39:10.120
<v Speaker 3>heard some of my songs, like cause you know, I'm big,

0:39:10.200 --> 0:39:11.800
<v Speaker 3>Like I don't want to hear in too much cussing.

0:39:11.880 --> 0:39:14.239
<v Speaker 3>And you know, even though she you know, she's an

0:39:14.239 --> 0:39:17.000
<v Speaker 3>adult now, I'm still trying to be dad. But she's

0:39:17.080 --> 0:39:20.040
<v Speaker 3>just blown away. She's like, can't believe the stories, and

0:39:20.080 --> 0:39:22.000
<v Speaker 3>so it's fun. I'm like handing it down. I gave

0:39:22.000 --> 0:39:24.480
<v Speaker 3>her my my BBD jacket. She wears it, has it,

0:39:24.800 --> 0:39:26.560
<v Speaker 3>has it on the internet and all that stuff.

0:39:26.880 --> 0:39:29.640
<v Speaker 1>That BBD Tour jacket, the jacket that made the Boys

0:39:29.680 --> 0:39:33.160
<v Speaker 1>popular in high school, lives on as Instagram content for

0:39:33.239 --> 0:39:34.360
<v Speaker 1>a whole new generation.

0:39:34.760 --> 0:39:35.960
<v Speaker 2>It's the circle of life.

0:39:36.480 --> 0:39:38.719
<v Speaker 1>So it didn't happen for such an impact, but they

0:39:38.719 --> 0:39:41.000
<v Speaker 1>didn't walk away from the experience empty handed.

0:39:41.640 --> 0:39:46.839
<v Speaker 3>We all became very, very independent on how we were

0:39:46.880 --> 0:39:51.680
<v Speaker 3>gonna make ourselves be successful in life. Within two years,

0:39:51.719 --> 0:39:55.480
<v Speaker 3>I you know, I started my own construction business and

0:39:55.520 --> 0:39:59.879
<v Speaker 3>I've had it since and i've and I'm really successful now.

0:40:00.560 --> 0:40:02.759
<v Speaker 3>I'm doing really good. And you know, I could take

0:40:02.760 --> 0:40:05.239
<v Speaker 3>my family to a trip in Orlando for two weeks

0:40:05.760 --> 0:40:10.080
<v Speaker 3>and do all the things and I can't. I can't complain,

0:40:10.160 --> 0:40:12.080
<v Speaker 3>especially with the way the world is right now. It's been.

0:40:13.080 --> 0:40:15.960
<v Speaker 3>It's been crazy musically, and I think we're going to

0:40:16.040 --> 0:40:19.160
<v Speaker 3>about to get like a whirlwind of great music and

0:40:19.280 --> 0:40:24.400
<v Speaker 3>personally coming from this long sit with all these great

0:40:24.480 --> 0:40:25.600
<v Speaker 3>musicians out there now.

0:40:26.160 --> 0:40:29.200
<v Speaker 1>By the way, after our conversation, I do email Dave

0:40:29.239 --> 0:40:31.759
<v Speaker 1>Smith and I do ask about who are you and

0:40:31.800 --> 0:40:33.839
<v Speaker 1>whether it was a dis track and who that dis

0:40:33.960 --> 0:40:36.680
<v Speaker 1>track was dissing, and he says that song was made

0:40:36.680 --> 0:40:38.799
<v Speaker 1>with a lot of emotion about how things went down

0:40:38.840 --> 0:40:39.600
<v Speaker 1>with boys to men.

0:40:39.920 --> 0:40:40.920
<v Speaker 2>Aaron and Noel.

0:40:41.280 --> 0:40:43.520
<v Speaker 1>We were young and not happy with how things went,

0:40:44.400 --> 0:40:46.760
<v Speaker 1>and a week or so after that, Aaron Kane texts

0:40:46.800 --> 0:40:48.600
<v Speaker 1>me and says, Hey, I just want you to know

0:40:48.840 --> 0:40:52.399
<v Speaker 1>we're all talking again. So now, thirty plus years after

0:40:52.400 --> 0:40:56.160
<v Speaker 1>the poster, twenty plus years after the breakup, any lingering

0:40:56.239 --> 0:40:59.200
<v Speaker 1>bad feelings among the guys are just water under the

0:40:59.239 --> 0:41:04.759
<v Speaker 1>Chesapeake Baper. Here's the thing. I like these guys. I'm

0:41:04.840 --> 0:41:08.560
<v Speaker 1>rooting for these guys. They went for it. Aaron Kane

0:41:08.640 --> 0:41:11.320
<v Speaker 1>walked away from what could have been a baseball scholarship

0:41:11.360 --> 0:41:13.960
<v Speaker 1>to devote his time and energy to Sudden Impact, and

0:41:14.000 --> 0:41:16.399
<v Speaker 1>he still makes music, and he still believes the whole

0:41:16.400 --> 0:41:17.320
<v Speaker 1>thing was worthwhile.

0:41:17.960 --> 0:41:19.560
<v Speaker 2>Tim Bird still produces music.

0:41:19.800 --> 0:41:21.719
<v Speaker 1>He's still honored to have been in the orbit of

0:41:21.719 --> 0:41:24.239
<v Speaker 1>Michael Biffin's still thinks Michael should be proud of the

0:41:24.239 --> 0:41:27.160
<v Speaker 1>work he did with the East Coast family. Todd White

0:41:27.160 --> 0:41:30.680
<v Speaker 1>still writes music. Alan Healey comes up and collaborates. Sometimes

0:41:31.040 --> 0:41:34.280
<v Speaker 1>they smile when they talk about these times. No, they beam.

0:41:34.440 --> 0:41:37.040
<v Speaker 1>The whole experience allowed Todd to get what he wanted

0:41:37.080 --> 0:41:39.560
<v Speaker 1>when he was younger, which was to stay out of jail,

0:41:39.760 --> 0:41:41.600
<v Speaker 1>and it allowed Alan to do what he wanted to

0:41:41.600 --> 0:41:43.440
<v Speaker 1>do when he was younger, which was to hang out

0:41:43.440 --> 0:41:47.120
<v Speaker 1>with Todd Noel Kine is not great at returning emails

0:41:47.120 --> 0:41:49.760
<v Speaker 1>in a timely fashion, but listen, I have no room

0:41:49.880 --> 0:41:53.680
<v Speaker 1>to throw stones. And Dave Smith, the quiet one who

0:41:53.680 --> 0:41:56.120
<v Speaker 1>turns out to be anything, but got into the whole

0:41:56.120 --> 0:41:59.120
<v Speaker 1>thing with the hopeful heart of a child. He thought

0:41:59.239 --> 0:42:01.520
<v Speaker 1>maybe if he hit the big time, became a pop star,

0:42:01.600 --> 0:42:04.520
<v Speaker 1>made enough money, he could heal his parents' broken hearts,

0:42:04.960 --> 0:42:07.440
<v Speaker 1>help them get over their daughter's death, make them love

0:42:07.480 --> 0:42:10.600
<v Speaker 1>each other again. And now here he is, years later,

0:42:10.880 --> 0:42:14.000
<v Speaker 1>still happy it all happened. I remember what my friend

0:42:14.000 --> 0:42:15.880
<v Speaker 1>Scott Gimple said to me back at the beginning of

0:42:15.880 --> 0:42:18.400
<v Speaker 1>this show about how he doesn't believe in endings.

0:42:18.719 --> 0:42:20.799
<v Speaker 3>My still holding onto that hope, which is a kin

0:42:20.880 --> 0:42:24.000
<v Speaker 3>to the hope that I had back in ninety one.

0:42:24.440 --> 0:42:26.440
<v Speaker 2>Like, oh, I can't wait to see this. I still

0:42:26.560 --> 0:42:29.399
<v Speaker 2>have that because I don't like thinking.

0:42:29.080 --> 0:42:30.680
<v Speaker 3>That it's over for anybody.

0:42:31.120 --> 0:42:33.400
<v Speaker 2>I think about the very last thing Todd White said

0:42:33.400 --> 0:42:34.840
<v Speaker 2>to me in the last episode.

0:42:35.160 --> 0:42:38.319
<v Speaker 1>It's definitely not I mean, his connection wasn't great, but

0:42:38.360 --> 0:42:41.680
<v Speaker 1>what he said was, it's definitely not over, man, And

0:42:41.920 --> 0:42:42.600
<v Speaker 1>even over a.

0:42:42.560 --> 0:42:45.080
<v Speaker 2>Bad zoom connection. I could tell he meant it.

0:42:46.160 --> 0:42:49.200
<v Speaker 1>I still don't know what sudden impact sounds like, but

0:42:49.360 --> 0:42:51.400
<v Speaker 1>having taken a good long look at the whole story,

0:42:51.640 --> 0:42:54.200
<v Speaker 1>now I know what they did. I know they got

0:42:54.320 --> 0:42:56.880
<v Speaker 1>knocked down and they kept getting back up. I know

0:42:56.960 --> 0:43:00.200
<v Speaker 1>they shook off the disappointment and frustration and move moved

0:43:00.280 --> 0:43:04.759
<v Speaker 1>forward by being bold again and again. Their story may

0:43:04.760 --> 0:43:07.440
<v Speaker 1>not be over, but whatever happens for them next, I

0:43:07.480 --> 0:43:10.000
<v Speaker 1>have my answer as to why I never stopped thinking

0:43:10.040 --> 0:43:14.000
<v Speaker 1>about sudden impact. It's because they kept reminding me to

0:43:14.080 --> 0:43:17.120
<v Speaker 1>be bold. They didn't mean to, but that's the way

0:43:17.120 --> 0:43:20.880
<v Speaker 1>these things work. This three second moment of a nineteen

0:43:20.960 --> 0:43:23.680
<v Speaker 1>ninety one music video is one of the many weird

0:43:23.719 --> 0:43:26.600
<v Speaker 1>things that keep popping into my head. My brain is

0:43:26.680 --> 0:43:29.200
<v Speaker 1>full of things that I am told are frivolous or

0:43:29.239 --> 0:43:32.200
<v Speaker 1>forgettable or unserious, and when I believe that they are.

0:43:32.239 --> 0:43:34.320
<v Speaker 1>When I try to make myself a person who cares

0:43:34.360 --> 0:43:38.280
<v Speaker 1>about more practical things, I mostly fail. When I remind

0:43:38.280 --> 0:43:40.920
<v Speaker 1>myself that it's not only okay to be the kind

0:43:40.920 --> 0:43:43.319
<v Speaker 1>of person who cares about these kinds of things, it's

0:43:43.320 --> 0:43:44.319
<v Speaker 1>actually necessary.

0:43:44.760 --> 0:43:45.799
<v Speaker 2>I tend to do all right.

0:43:46.719 --> 0:43:49.239
<v Speaker 1>When I tried to be a straight, preppy lawyer, I

0:43:49.239 --> 0:43:51.960
<v Speaker 1>didn't do too well. When I took a chance on myself,

0:43:52.000 --> 0:43:56.000
<v Speaker 1>my real self, it worked out. I can do passable

0:43:56.000 --> 0:43:58.640
<v Speaker 1>work as someone else, but I can only ever really

0:43:58.680 --> 0:44:00.239
<v Speaker 1>succeed if I'm me.

0:44:01.239 --> 0:44:02.799
<v Speaker 2>Maybe that lesson will stick this time.

0:44:03.800 --> 0:44:05.920
<v Speaker 1>I think a lot about what Ivet Nicole Brown said

0:44:05.960 --> 0:44:08.440
<v Speaker 1>to me back in our second episode about watching that

0:44:08.520 --> 0:44:12.120
<v Speaker 1>episode of Beet's Video Soul where Michael Bivens introduced the

0:44:12.120 --> 0:44:14.880
<v Speaker 1>East Coast family and how certain she was that he

0:44:15.000 --> 0:44:17.319
<v Speaker 1>was going to manage her. I just knew that he

0:44:17.400 --> 0:44:20.239
<v Speaker 1>was part of my destiny, she said. Or God knew

0:44:20.239 --> 0:44:22.040
<v Speaker 1>what was going to happen and put it in my mind.

0:44:22.760 --> 0:44:24.400
<v Speaker 1>Maybe that's what got me out of bed on that

0:44:24.440 --> 0:44:26.839
<v Speaker 1>April morning in nineteen ninety eight to stand in line

0:44:26.840 --> 0:44:29.760
<v Speaker 1>in front of MTV. Maybe it was a divine intervention

0:44:29.960 --> 0:44:32.720
<v Speaker 1>that kept me from going back to sleep. Or maybe

0:44:32.760 --> 0:44:35.960
<v Speaker 1>it was that better, more evolved self, the one that

0:44:36.000 --> 0:44:38.480
<v Speaker 1>we think we're going to be when we make ambitious plans,

0:44:38.840 --> 0:44:41.400
<v Speaker 1>reaching out from the future and giving me a gentle

0:44:41.440 --> 0:44:44.799
<v Speaker 1>shake by the shoulder. Whatever it was, I listened to

0:44:44.800 --> 0:44:47.800
<v Speaker 1>that instinct and I took a wild chance. So did Evet,

0:44:48.239 --> 0:44:51.520
<v Speaker 1>So did Sudden Impact, So did everyone I have spoken

0:44:51.560 --> 0:44:55.839
<v Speaker 1>to in this show. The writer in theologian Howard Thurman said,

0:44:56.280 --> 0:44:58.919
<v Speaker 1>don't ask what the world needs, Ask what makes you

0:44:59.000 --> 0:45:01.680
<v Speaker 1>come alive, and go do it, because what the world

0:45:01.719 --> 0:45:04.960
<v Speaker 1>needs is people who have come alive. That thing you're

0:45:05.000 --> 0:45:07.799
<v Speaker 1>obsessed with, whether it's a moment in pop culture or

0:45:07.960 --> 0:45:11.799
<v Speaker 1>bowling history or dog Halloween costumes, that thing that you

0:45:11.840 --> 0:45:14.920
<v Speaker 1>feel a little strange telling people about, that's you.

0:45:15.719 --> 0:45:16.879
<v Speaker 2>Maybe when you look at that.

0:45:16.840 --> 0:45:20.400
<v Speaker 1>Motown Philly video again, you'll know that they're pointing at you,

0:45:21.239 --> 0:45:24.279
<v Speaker 1>reminding you to be bold like they were. And if

0:45:24.320 --> 0:45:26.440
<v Speaker 1>you're looking for inspiration to take a wild chance of

0:45:26.480 --> 0:45:28.560
<v Speaker 1>your own, maybe that point can be it.

0:45:29.320 --> 0:45:31.879
<v Speaker 2>Got a thing you want to make, Start it. Don't

0:45:31.880 --> 0:45:35.399
<v Speaker 2>think you're ready start it anyway. Get pushed down, get up,

0:45:35.800 --> 0:45:39.560
<v Speaker 2>need a hand, ask for one. Make your thing. We

0:45:39.600 --> 0:45:41.200
<v Speaker 2>need it, We need you.

0:45:42.080 --> 0:45:51.480
<v Speaker 1>Yeah, we're all pointing at you. This has been an

0:45:51.560 --> 0:45:56.719
<v Speaker 1>exactly right production. Written by Me Dave Holmes, produced by

0:45:56.760 --> 0:46:00.839
<v Speaker 1>Hannah Kyle Crichton, recorded, mixed and sound. I'm designed by

0:46:00.880 --> 0:46:06.480
<v Speaker 1>Andrew Eapen, Additional engineering and assembly by Annalise Nelson, Music

0:46:06.560 --> 0:46:11.759
<v Speaker 1>by Ben Wise, artwork by Garrett Ross. Executive produced by

0:46:11.800 --> 0:46:16.759
<v Speaker 1>Karen Kilgarriff, Georgia Hardstar, and Danielle Kramer. Follow the show

0:46:16.840 --> 0:46:21.120
<v Speaker 1>on Instagram, Facebook, and Twitter at exactly right and follow

0:46:21.160 --> 0:46:24.720
<v Speaker 1>me at Dave Holmes. For more information, go to exactly

0:46:24.800 --> 0:46:28.920
<v Speaker 1>Rightmedia dot com. Binge the show add free on Stitcher

0:46:29.000 --> 0:46:32.839
<v Speaker 1>Premium for a free month. Head to Stitcher Premium dot com,

0:46:32.880 --> 0:46:36.520
<v Speaker 1>slash impact and enter promo code Impact when you select

0:46:36.520 --> 0:46:37.319
<v Speaker 1>a monthly.

0:46:37.000 --> 0:46:39.839
<v Speaker 2>Plan, listen, subscribe, and leave us

0:46:39.840 --> 0:46:43.600
<v Speaker 1>A review on Apple Podcasts, Stitcher, or wherever you get

0:46:43.640 --> 0:46:46.840
<v Speaker 1>your podcasts.