1 00:00:00,640 --> 00:00:04,280 Speaker 1: Hello, delicious friends, and welcome to Who Did What Now? 2 00:00:04,559 --> 00:00:08,119 Speaker 1: The history podcast That's not your history class with me 3 00:00:08,200 --> 00:00:12,880 Speaker 1: your host Katie Charlewood, history Harlotte and reader of books. 4 00:00:14,040 --> 00:00:17,240 Speaker 1: So a comment on threads today made me cry, like, 5 00:00:17,280 --> 00:00:18,959 Speaker 1: not in a bad way, well kind of in a 6 00:00:18,960 --> 00:00:21,560 Speaker 1: bad way, because I don't like to feel human emotions. 7 00:00:21,600 --> 00:00:23,520 Speaker 1: If I can help it. I'm doing very well at 8 00:00:23,560 --> 00:00:28,160 Speaker 1: closing myself off to the world. But I made this 9 00:00:28,280 --> 00:00:31,160 Speaker 1: joke right about how I'll get like dms from like 10 00:00:31,200 --> 00:00:34,480 Speaker 1: people on like Facebook or whatever, and it goes along 11 00:00:34,479 --> 00:00:36,919 Speaker 1: the lines of I've searched everywhere for your podcast, help 12 00:00:36,960 --> 00:00:40,479 Speaker 1: me find your podcast. I've looked everywhere. I've searched and searched, 13 00:00:40,520 --> 00:00:43,680 Speaker 1: and nowhere across land and sea could have found it. 14 00:00:44,800 --> 00:00:46,879 Speaker 1: And so I'll always ask them, like what apps, Like 15 00:00:46,920 --> 00:00:49,600 Speaker 1: what podcasting apps are you looking at? Because like I'm 16 00:00:49,600 --> 00:00:53,120 Speaker 1: on the major ones, so like is it a distribution issue? 17 00:00:53,159 --> 00:00:54,920 Speaker 1: Like what do I need to fix here? Like it's 18 00:00:54,920 --> 00:00:57,000 Speaker 1: something wrong that I'm not searchable, because like, if you 19 00:00:57,040 --> 00:01:01,400 Speaker 1: can't find me, something's wrong. And so I'll ask them 20 00:01:01,440 --> 00:01:07,360 Speaker 1: and they'll respond with something like Facebook, oh, which, as 21 00:01:07,400 --> 00:01:09,840 Speaker 1: I'm sure those of you listening, no is not a 22 00:01:09,880 --> 00:01:15,280 Speaker 1: podcasting app. So I made that little like joke and 23 00:01:15,480 --> 00:01:17,880 Speaker 1: someone commented, I think it was like Chicano in Paris. 24 00:01:19,800 --> 00:01:23,679 Speaker 1: They said that they found I found your podcast and 25 00:01:23,720 --> 00:01:25,360 Speaker 1: scrolled through it, and when I saw you did an 26 00:01:25,480 --> 00:01:29,000 Speaker 1: entire episode on the Zoot Riots and then listened to it, 27 00:01:29,360 --> 00:01:34,399 Speaker 1: I was hooked and felt seen and had to let 28 00:01:34,400 --> 00:01:38,960 Speaker 1: you know that what you do fucking matters and thank you. Bye. See. 29 00:01:38,959 --> 00:01:41,440 Speaker 1: I'm kind of emotional now right. I'm not good at 30 00:01:41,480 --> 00:01:44,440 Speaker 1: taking compliments, even though I joke about how I survive 31 00:01:44,520 --> 00:01:51,960 Speaker 1: on caffeine in compliments and potatoes. But I'm just you know, 32 00:01:52,080 --> 00:01:57,440 Speaker 1: a wonderbread mayonnaise sandwich over here, you know a little 33 00:01:57,440 --> 00:02:02,320 Speaker 1: bit of seasoning. But I'm I'm a historian. I'm a sociologist. 34 00:02:03,040 --> 00:02:08,480 Speaker 1: I'm a here, friendly neighborhood social scientist. But I specialize 35 00:02:08,520 --> 00:02:14,960 Speaker 1: in you know, misinformation, propaganda, disinformation, sensationalism, and history. I 36 00:02:15,000 --> 00:02:18,800 Speaker 1: talk about the stuff that gets overlooked and hidden. And 37 00:02:19,200 --> 00:02:23,840 Speaker 1: there are so many facets and parts of history which 38 00:02:23,880 --> 00:02:30,480 Speaker 1: are so often misrepresented and dismissed. And so I try 39 00:02:30,520 --> 00:02:33,000 Speaker 1: and tell a full story. I try and give full context, 40 00:02:33,160 --> 00:02:35,560 Speaker 1: and I'll always work hard at doing that, and this 41 00:02:35,680 --> 00:02:38,040 Speaker 1: is probably the most serious most of you have ever 42 00:02:38,080 --> 00:02:44,680 Speaker 1: heard me be. But I'll always try. And when a 43 00:02:44,680 --> 00:02:46,919 Speaker 1: person of a particular group that you have discussed that 44 00:02:46,919 --> 00:02:51,760 Speaker 1: it's not your group, tells you that you're here doing 45 00:02:51,800 --> 00:02:55,560 Speaker 1: something right, it matters, and it means something to me. 46 00:02:55,680 --> 00:02:59,760 Speaker 1: And I I'm glad that I'm doing something right and 47 00:03:00,080 --> 00:03:05,240 Speaker 1: year in my kitchen rambling into my microphone. But I 48 00:03:05,280 --> 00:03:08,360 Speaker 1: know what you're thinking. You're thinking, KERRYE, quit your jibbl 49 00:03:08,400 --> 00:03:12,480 Speaker 1: jabba in fact me, in fact you, I will. But 50 00:03:12,520 --> 00:03:14,280 Speaker 1: we don't have to get our source on today because 51 00:03:14,280 --> 00:03:17,040 Speaker 1: again the sources are in the very first episode and 52 00:03:17,639 --> 00:03:21,040 Speaker 1: there's just so many. So time for a catch up 53 00:03:21,760 --> 00:03:26,960 Speaker 1: for episode whatever it is, Josephine Baker Part three, Death 54 00:03:27,080 --> 00:03:32,600 Speaker 1: of a Showgirl. I usual doing comfortably good. Then let's begin. 55 00:03:34,080 --> 00:03:37,880 Speaker 1: Guess we have to catch up on Josephine Baker and 56 00:03:37,880 --> 00:03:41,000 Speaker 1: in Hell. Born in Saint Louis, Missouri, to a black 57 00:03:41,080 --> 00:03:45,320 Speaker 1: mother and quite probably slash possibly slash most likely white father. 58 00:03:45,920 --> 00:03:48,160 Speaker 1: She grew up in poverty and resented by her mother, 59 00:03:48,200 --> 00:03:50,840 Speaker 1: and she escaped her home life by marrying two men 60 00:03:50,960 --> 00:03:54,280 Speaker 1: named Willy All. Before the age of fifteen, she fled 61 00:03:54,280 --> 00:03:56,320 Speaker 1: to New York, became a chorus girl, moved to Powers, 62 00:03:56,320 --> 00:03:58,920 Speaker 1: became a sensation, a movie starting actress or less performer, 63 00:03:59,000 --> 00:04:01,520 Speaker 1: and wrote her memoirs at the age of twenty one. 64 00:04:01,760 --> 00:04:04,800 Speaker 1: She had affairs with men, women, and a stone Mason 65 00:04:04,880 --> 00:04:07,800 Speaker 1: slash pretend count who got shot on the shoulder during 66 00:04:07,800 --> 00:04:11,240 Speaker 1: a duel for Josephine's affection. She gets a divorce, her 67 00:04:11,280 --> 00:04:15,120 Speaker 1: lover dies, She gets remarried and obtains French citizenship and 68 00:04:15,240 --> 00:04:18,159 Speaker 1: a new agent. She joins the Free French movement and 69 00:04:18,200 --> 00:04:20,440 Speaker 1: becomes a member of the French Resistance. When the Nazis 70 00:04:20,480 --> 00:04:24,160 Speaker 1: occupy France, show Girl turns by says people from Nazis 71 00:04:24,279 --> 00:04:28,120 Speaker 1: and gets divorced again. She fights segregation and almost dies 72 00:04:28,160 --> 00:04:30,680 Speaker 1: from surgery, and auctions off anuy to support people in need. 73 00:04:30,880 --> 00:04:36,880 Speaker 1: And that's what you missed on Glee. Oh okay. So 74 00:04:37,240 --> 00:04:42,280 Speaker 1: France has been liberated post Second World War and Josephine Baker, 75 00:04:42,400 --> 00:04:46,680 Speaker 1: for her efforts in the resistance, receives the cres de Girl, 76 00:04:47,080 --> 00:04:50,120 Speaker 1: the Rose de la Resistance, and she was made a 77 00:04:50,200 --> 00:04:55,760 Speaker 1: Chevalier of the Legions Donna Bachan Dugau. And while the 78 00:04:55,839 --> 00:05:01,400 Speaker 1: relationship had flourished under wartime pressures, Josephine and Jacques ab 79 00:05:01,480 --> 00:05:05,720 Speaker 1: Te went their separate ways, but love was never too 80 00:05:05,800 --> 00:05:08,960 Speaker 1: far out of reach for Josephine because she reconnected with 81 00:05:09,160 --> 00:05:13,880 Speaker 1: orchestra leader Jean Billion. He was smart, I mean like 82 00:05:13,920 --> 00:05:16,359 Speaker 1: he went to a music conservatory and he was like 83 00:05:16,720 --> 00:05:20,240 Speaker 1: chill and quiet, insensible, and he had a good business 84 00:05:20,240 --> 00:05:23,760 Speaker 1: head on him, which is like something she needs in 85 00:05:23,800 --> 00:05:28,200 Speaker 1: her life, because Josephine Baker was a diva. Like she 86 00:05:28,400 --> 00:05:31,159 Speaker 1: was a diva and she was creative and all of 87 00:05:31,200 --> 00:05:36,080 Speaker 1: the chaos that came with that. So Billion had accompanied 88 00:05:36,080 --> 00:05:41,600 Speaker 1: her on some of her early wartime shows, and Josephine 89 00:05:41,640 --> 00:05:44,280 Speaker 1: she was a darling of France and she wanted to 90 00:05:44,400 --> 00:05:50,080 Speaker 1: use her celebrity to fight racism, but first by doing 91 00:05:50,120 --> 00:05:53,760 Speaker 1: a few things at home, one of which was buying 92 00:05:53,800 --> 00:05:57,560 Speaker 1: and renovating the Chateau Lemela, the abode he had been 93 00:05:57,560 --> 00:06:01,279 Speaker 1: living in when Paris was occupied, because she planned to 94 00:06:01,440 --> 00:06:06,320 Speaker 1: raise a family there, like not just any family. She 95 00:06:06,600 --> 00:06:12,120 Speaker 1: wanted to have a multicultural, multi racial, multi religious family, 96 00:06:13,120 --> 00:06:15,720 Speaker 1: something that she referred to as like the brotherhood. She 97 00:06:15,800 --> 00:06:19,839 Speaker 1: thought that humankind was a brotherhood that we should all 98 00:06:19,920 --> 00:06:23,800 Speaker 1: be a part of, Like it's very idealistic. It's very idealistic, 99 00:06:24,320 --> 00:06:27,360 Speaker 1: but this is something she believed was possible, and she 100 00:06:27,440 --> 00:06:31,320 Speaker 1: thought that she could display this and bring it into 101 00:06:31,360 --> 00:06:35,520 Speaker 1: fruition and it would make people realize that, you know, 102 00:06:36,400 --> 00:06:39,839 Speaker 1: race is a social construct in that religion need not 103 00:06:39,880 --> 00:06:46,480 Speaker 1: divide us and all that jazz. So while that's been renovated, 104 00:06:46,800 --> 00:06:51,279 Speaker 1: like while her estate is being sorted, you know, she's 105 00:06:51,320 --> 00:06:55,920 Speaker 1: touring North Africa performing for troops who were still stationed there. 106 00:06:56,839 --> 00:06:58,800 Speaker 1: And while she's there, I don't know what it is 107 00:06:58,800 --> 00:07:02,279 Speaker 1: with Josephine and North Africa, but every time she goes there, 108 00:07:02,480 --> 00:07:09,480 Speaker 1: she has severe intestinal issues, so she has to have 109 00:07:10,040 --> 00:07:14,120 Speaker 1: surgery again. Like in the last episode, you know, she 110 00:07:14,200 --> 00:07:16,239 Speaker 1: said that she had been cut open so many times 111 00:07:16,400 --> 00:07:20,240 Speaker 1: they may as well have put in a zippa. And 112 00:07:20,280 --> 00:07:23,400 Speaker 1: when she's feeling, you know, a little bit more recuperated, 113 00:07:23,520 --> 00:07:28,760 Speaker 1: like after surgery, Josephine marries jo Billion on the third 114 00:07:28,800 --> 00:07:32,480 Speaker 1: of June nineteen forty seven. What just so happened to 115 00:07:32,520 --> 00:07:37,240 Speaker 1: be her forty first birthday. There's hope for me yet, lads, 116 00:07:37,320 --> 00:07:40,880 Speaker 1: there's hope for me yet. Maybe someone will want to 117 00:07:40,920 --> 00:07:43,480 Speaker 1: marry me, Maybe someone will want access to both the 118 00:07:43,560 --> 00:07:51,440 Speaker 1: UK and Europe because I got that yell sorry instead 119 00:07:51,480 --> 00:07:55,800 Speaker 1: of a regular honeymoon. Joe and Josephine performing Mexico with 120 00:07:55,840 --> 00:08:01,160 Speaker 1: his orchestra, and this is broadcast on the radio, like 121 00:08:01,200 --> 00:08:04,160 Speaker 1: this was a big deal at the time, like it was. 122 00:08:05,160 --> 00:08:07,760 Speaker 1: And they are so popular that they get invited to 123 00:08:07,800 --> 00:08:11,680 Speaker 1: perform at the Majestic Theater in Boston and and this 124 00:08:12,840 --> 00:08:17,360 Speaker 1: this tanks actually, like she doesn't have I'm gonna say, 125 00:08:17,400 --> 00:08:21,680 Speaker 1: a great amount of luck in the US, like for 126 00:08:21,720 --> 00:08:26,440 Speaker 1: all most of reasons, but one main one. If you 127 00:08:26,520 --> 00:08:30,640 Speaker 1: guessed racism, you guessed right. So like when she is 128 00:08:30,680 --> 00:08:33,559 Speaker 1: invited to speak at the all black UNI in Nashville, 129 00:08:33,640 --> 00:08:38,880 Speaker 1: so Fisk University, she discusses her experiences without prejudice when 130 00:08:38,880 --> 00:08:42,600 Speaker 1: she traveled and how she had racial equality in France, 131 00:08:44,000 --> 00:08:47,440 Speaker 1: so like, legally she had racial equality in France. But 132 00:08:47,559 --> 00:08:51,320 Speaker 1: let's not pretend there wasn't like microaggressions going on, because 133 00:08:51,840 --> 00:08:54,720 Speaker 1: you know, you know, we all know what happened at 134 00:08:54,720 --> 00:08:57,560 Speaker 1: the parade, you know, with the other soldiers. She just 135 00:08:57,600 --> 00:09:02,280 Speaker 1: happened to be France's darling. And we would be remiss 136 00:09:02,320 --> 00:09:04,880 Speaker 1: to say if the fact that she was a light 137 00:09:04,920 --> 00:09:08,120 Speaker 1: skinned black woman, like if colorism didn't come into it, 138 00:09:08,840 --> 00:09:12,240 Speaker 1: you know, and I think that plays a part in it. Like, now, 139 00:09:12,280 --> 00:09:14,960 Speaker 1: I wouldn't be the utmost authority on colorism, and I 140 00:09:15,000 --> 00:09:19,439 Speaker 1: don't think any white person can be. But it would 141 00:09:19,480 --> 00:09:22,040 Speaker 1: be ignorant if we didn't think that played a part 142 00:09:22,040 --> 00:09:26,160 Speaker 1: in it. So Josephine, she talks about how black people 143 00:09:26,200 --> 00:09:30,560 Speaker 1: have talent, but it's ignored by white people in America. Sorry. 144 00:09:30,600 --> 00:09:34,000 Speaker 1: At the time, what did I do that? Did I 145 00:09:34,080 --> 00:09:38,440 Speaker 1: do that? Did I do that? So this was the 146 00:09:38,480 --> 00:09:43,040 Speaker 1: start of her public speaking career, and she goes to 147 00:09:43,080 --> 00:09:47,120 Speaker 1: return to France, but before she does, she invites her 148 00:09:47,120 --> 00:09:50,040 Speaker 1: family to come back with her to escape, you know, 149 00:09:50,200 --> 00:09:55,880 Speaker 1: racial prejudice in the United States. Not like that's a 150 00:09:55,920 --> 00:10:01,640 Speaker 1: thing that could be happening now. Sorry. So her mother, Carrie, 151 00:10:01,720 --> 00:10:05,560 Speaker 1: she had remarried again and her latest husband did not 152 00:10:05,720 --> 00:10:10,360 Speaker 1: want to emigrate, like he flat out refused. But Carrie, 153 00:10:10,600 --> 00:10:15,200 Speaker 1: who was you know, much older now, she decided to say, 154 00:10:15,360 --> 00:10:18,920 Speaker 1: fuck that for a game of soldiers, Like, I'm sorry, 155 00:10:18,960 --> 00:10:21,080 Speaker 1: if your husband doesn't want to go to Paris with you, 156 00:10:21,240 --> 00:10:24,760 Speaker 1: I feel like that's a hymn problem, okay, And so 157 00:10:24,800 --> 00:10:28,040 Speaker 1: she says fuck this for gem of Soldiers and she's 158 00:10:28,120 --> 00:10:34,240 Speaker 1: going right, and Carrie McDonald never returned to the USSA 159 00:10:35,400 --> 00:10:40,080 Speaker 1: like that was her done. And so she goes over. 160 00:10:40,160 --> 00:10:44,239 Speaker 1: But then so do like her children, So Josephine's siblings, 161 00:10:44,640 --> 00:10:46,560 Speaker 1: and so they move over to so they move over 162 00:10:46,600 --> 00:10:50,720 Speaker 1: to the dilemma and they're doing the estate and they 163 00:10:51,160 --> 00:10:52,880 Speaker 1: and like it's a big estate. There's stuff on it, 164 00:10:52,920 --> 00:10:54,880 Speaker 1: there's I think she gives one of her brothers like 165 00:10:55,240 --> 00:10:59,120 Speaker 1: a petro station, a gas station type thing, and so 166 00:10:59,160 --> 00:11:02,960 Speaker 1: they're like they're earning keep, but they're they're there, you know. 167 00:11:04,640 --> 00:11:09,440 Speaker 1: And Josephine this is her way of caring for her family, 168 00:11:09,520 --> 00:11:12,320 Speaker 1: Like this is what she's trying to do, Like she's 169 00:11:12,320 --> 00:11:15,000 Speaker 1: got the means to do so at this point. And 170 00:11:15,040 --> 00:11:17,800 Speaker 1: I think for her this was a way of healing 171 00:11:18,080 --> 00:11:20,960 Speaker 1: old ones, you know, the way that she was raised, 172 00:11:21,040 --> 00:11:24,640 Speaker 1: everything that she was brought up with. And not to 173 00:11:24,760 --> 00:11:28,839 Speaker 1: excuse the behavior or how she was treated at the time, 174 00:11:28,960 --> 00:11:35,200 Speaker 1: but when you think about the way that society was 175 00:11:35,559 --> 00:11:38,319 Speaker 1: and the environment that she was growing up in and 176 00:11:38,480 --> 00:11:43,280 Speaker 1: the way that Carrie was treated too, like this is 177 00:11:44,000 --> 00:11:48,440 Speaker 1: not exactly the most unprecedented of events, Like it's not 178 00:11:48,760 --> 00:11:53,840 Speaker 1: surprising that such an environment is created and a time 179 00:11:53,840 --> 00:11:58,640 Speaker 1: of huge prejudice and an atmosphere of like fear and terror. 180 00:12:00,559 --> 00:12:03,040 Speaker 1: So this is her way I think of just like 181 00:12:03,080 --> 00:12:05,800 Speaker 1: bridging that gap and trying to smooth things over and 182 00:12:06,679 --> 00:12:10,440 Speaker 1: have that piece in her life. And so she and 183 00:12:10,520 --> 00:12:14,240 Speaker 1: her fourth husband they opened up a cabaret club you know, 184 00:12:14,400 --> 00:12:23,439 Speaker 1: called Club des Champs de Lise oh Shawsalise oh Shawsalise 185 00:12:25,440 --> 00:12:30,880 Speaker 1: oh Soles, Soula, Bluis AMEDI wam nude you two scavoo 186 00:12:31,000 --> 00:12:35,200 Speaker 1: vulet oh Chan's de lise. It is a catchy song. 187 00:12:35,280 --> 00:12:41,760 Speaker 1: I regret nothing, Okay, So the Chaons de lisee so yeah, 188 00:12:41,800 --> 00:12:45,760 Speaker 1: the Club Deschamps Dese and all of these celebrities of 189 00:12:45,960 --> 00:12:48,760 Speaker 1: the era, they come to the opening like it was 190 00:12:49,400 --> 00:12:53,040 Speaker 1: it was kind of a big deal. So like you 191 00:12:53,160 --> 00:12:56,680 Speaker 1: have all of these like big just stars or blues 192 00:12:56,720 --> 00:13:02,119 Speaker 1: rhythm everybody, everybody, the who's who of arts and performing 193 00:13:02,600 --> 00:13:07,240 Speaker 1: like everybody's there, and so this is sort of running 194 00:13:07,360 --> 00:13:10,480 Speaker 1: along as well as you know, the building of the estate. 195 00:13:11,280 --> 00:13:15,160 Speaker 1: And she's also recording, like like records, like she is 196 00:13:15,200 --> 00:13:20,679 Speaker 1: recording music, she's singing, and her voice like it matured 197 00:13:20,920 --> 00:13:25,920 Speaker 1: so beautifully over the years, and I love the fact 198 00:13:25,920 --> 00:13:29,000 Speaker 1: that we can still listen now, like we can listen 199 00:13:29,040 --> 00:13:34,400 Speaker 1: to an LP of Josephine Baker like she was alive 200 00:13:34,760 --> 00:13:39,640 Speaker 1: a century ago and we can hear her voice. And 201 00:13:40,040 --> 00:13:42,560 Speaker 1: when you talk about modern technology and how technology is 202 00:13:42,640 --> 00:13:46,360 Speaker 1: like you know, as dangerous parts. But when you can 203 00:13:46,480 --> 00:13:51,719 Speaker 1: actually like hold on to moments like this and you 204 00:13:51,760 --> 00:13:56,280 Speaker 1: can listen to someone who was so important, there's just 205 00:13:57,240 --> 00:14:00,560 Speaker 1: there's also something. This is very pretend of me, but 206 00:14:00,600 --> 00:14:04,000 Speaker 1: I love that crackle, like that sound when you put 207 00:14:04,200 --> 00:14:06,840 Speaker 1: that record on, it kind of goes like before it 208 00:14:06,920 --> 00:14:10,240 Speaker 1: starts like I love that crackly noise, and I like 209 00:14:10,280 --> 00:14:13,920 Speaker 1: an LP, and I like that they're re releasing LPs now, 210 00:14:13,960 --> 00:14:17,199 Speaker 1: like that artists are doing it, but like release three guys, 211 00:14:17,240 --> 00:14:21,320 Speaker 1: Like three is fight like Mummy Bear, Daddy Bear, Baby Bear, 212 00:14:21,360 --> 00:14:24,000 Speaker 1: Like you got three is fight like everyone is gonna 213 00:14:24,000 --> 00:14:26,480 Speaker 1: have their baby Bear's porade, you know one that's just 214 00:14:26,640 --> 00:14:29,760 Speaker 1: right and that's all you need. I say that as 215 00:14:29,800 --> 00:14:32,120 Speaker 1: someone who doesn't own a record player anymore, but I 216 00:14:32,160 --> 00:14:35,280 Speaker 1: still have a drawer full of Cap Bush, Lpe's and 217 00:14:35,360 --> 00:14:40,880 Speaker 1: David Bowie and some rolling Stones and a few other things. 218 00:14:41,040 --> 00:14:47,520 Speaker 1: That's not the point, Okay, I like them so Josephine. 219 00:14:47,600 --> 00:14:49,440 Speaker 1: So she's doing this and she's doing all that stuff, 220 00:14:49,480 --> 00:14:53,320 Speaker 1: but she is still determined to have a family, and 221 00:14:53,360 --> 00:14:57,160 Speaker 1: she even gets a blessing from Pope Pius the twelfth. 222 00:14:58,080 --> 00:15:02,120 Speaker 1: Like I'm not sure what her religion was at the time. 223 00:15:02,200 --> 00:15:06,000 Speaker 1: I know that she does convert to Catholicism at one point, 224 00:15:06,480 --> 00:15:11,320 Speaker 1: but like what her religion was previously, I'm not entirely sure. 225 00:15:11,360 --> 00:15:15,120 Speaker 1: But being in France, which is a predominantly Catholic country, 226 00:15:15,120 --> 00:15:18,480 Speaker 1: at least it was, it does seem likely that that 227 00:15:18,560 --> 00:15:22,720 Speaker 1: would be that would be the religion to choose, because France, 228 00:15:23,080 --> 00:15:26,320 Speaker 1: as we know, used to be like super Catholic, like 229 00:15:26,880 --> 00:15:34,400 Speaker 1: incredibly Catholic, lest we forget the impotence trials. So she's 230 00:15:34,440 --> 00:15:36,400 Speaker 1: looking for a blessing. She gets a blessing from the 231 00:15:36,400 --> 00:15:40,680 Speaker 1: Pope because every little helps, I guess. Meanwhile, she is 232 00:15:40,760 --> 00:15:45,920 Speaker 1: a huge, huge international star, and like I said earlier, 233 00:15:46,320 --> 00:15:51,280 Speaker 1: she wants to use her celebrity to fight racism and inequality. 234 00:15:52,560 --> 00:15:56,320 Speaker 1: Like she's supposed to be doing this big Grand Us tour, 235 00:15:57,120 --> 00:16:00,280 Speaker 1: and she has it in her contracts that she will 236 00:16:00,320 --> 00:16:06,040 Speaker 1: not play to segregated audiences anywhere POC people of color 237 00:16:06,240 --> 00:16:11,680 Speaker 1: were denied entry. She refused to play, right, and she 238 00:16:11,920 --> 00:16:16,840 Speaker 1: is rejected by thirty nine establishments all across like New York, 239 00:16:17,000 --> 00:16:24,040 Speaker 1: Las Vegas, Miami, like all of these you know, big venues. Oh, 240 00:16:24,080 --> 00:16:28,760 Speaker 1: like in France. In France she was a decorated war hero. 241 00:16:29,640 --> 00:16:33,280 Speaker 1: Like in the US, she can't walk through the front door. 242 00:16:34,240 --> 00:16:38,640 Speaker 1: And as well, like she's turning down buckets and buckets 243 00:16:38,640 --> 00:16:42,200 Speaker 1: and ducats, right, she is turning down so much money 244 00:16:42,240 --> 00:16:47,040 Speaker 1: because she will only play because she demands to perform 245 00:16:47,200 --> 00:16:52,520 Speaker 1: to integrated crowds. And like she could have easily turned 246 00:16:52,560 --> 00:16:54,600 Speaker 1: around and gone no, no, I will perform to this 247 00:16:54,680 --> 00:16:56,560 Speaker 1: black crowd and perform to this white crowd, and then 248 00:16:56,600 --> 00:16:58,160 Speaker 1: you will give me the money and that will be 249 00:16:58,160 --> 00:17:00,000 Speaker 1: the thing that I do. But no, no, no, no, 250 00:17:00,400 --> 00:17:04,240 Speaker 1: because she has a moral compass, right, she has a 251 00:17:04,280 --> 00:17:07,480 Speaker 1: code of ethics. She has what some people call a 252 00:17:07,560 --> 00:17:11,560 Speaker 1: fucking backbone. Okay, And like it's so weird to see 253 00:17:11,680 --> 00:17:15,159 Speaker 1: today even the amount of people that are willing to 254 00:17:15,280 --> 00:17:20,760 Speaker 1: take you know, a handful of cash instead of I 255 00:17:20,800 --> 00:17:26,919 Speaker 1: don't know, having ethics, having basic empathy for other people 256 00:17:27,400 --> 00:17:32,760 Speaker 1: and standing up for what's right. But anyway, I digress, 257 00:17:33,119 --> 00:17:37,560 Speaker 1: Oh sidebar, Actually if you're listening to this time of recording. 258 00:17:37,600 --> 00:17:40,679 Speaker 1: It's recently been announced that Bad Bunny is going to 259 00:17:40,720 --> 00:17:43,960 Speaker 1: be playing the Super Bowl halftime show. Now as someone 260 00:17:44,080 --> 00:17:48,800 Speaker 1: who doesn't really listen to new music or support the sports, 261 00:17:49,119 --> 00:17:51,240 Speaker 1: I mean, I support people doing the sports, but I'm 262 00:17:51,560 --> 00:17:53,840 Speaker 1: I don't know. I don't have an American football team 263 00:17:54,000 --> 00:17:56,800 Speaker 1: to support. I will ask one of my American friends 264 00:17:57,400 --> 00:18:00,520 Speaker 1: to just tell me who to support, like that's gonna be. 265 00:18:00,880 --> 00:18:04,400 Speaker 1: That's gonna be the thing. Considering I follow the Boston 266 00:18:04,440 --> 00:18:10,639 Speaker 1: Celtics now. That is my basketball team because because comedian 267 00:18:10,920 --> 00:18:14,000 Speaker 1: actor Florida man Ben Reynard told me to, and that 268 00:18:14,080 --> 00:18:17,199 Speaker 1: is now my team. Okay, so if anyone has any issues, 269 00:18:17,440 --> 00:18:20,520 Speaker 1: they can blame him. Oh but please don't, please don't 270 00:18:20,520 --> 00:18:25,560 Speaker 1: annoy Ben. Why are you making it follow this? I 271 00:18:25,560 --> 00:18:29,439 Speaker 1: don't know. I don't know, but that's that's it. The 272 00:18:29,440 --> 00:18:34,359 Speaker 1: Boston Celtics are my basketball team because of a comedian. 273 00:18:35,720 --> 00:18:39,720 Speaker 1: I can't be trusted, really, But so what I think 274 00:18:39,800 --> 00:18:44,080 Speaker 1: is hilarious is I really want, I really want, more 275 00:18:44,119 --> 00:18:48,919 Speaker 1: than anything else in the world, for Bad Bunny to 276 00:18:49,040 --> 00:18:55,119 Speaker 1: perform the halftime show completely Espanol, right, I want it 277 00:18:55,119 --> 00:18:57,960 Speaker 1: completely in Spanish? I don't speak Spanish. I don't really 278 00:18:58,000 --> 00:18:59,960 Speaker 1: understand Spanish, and by that I mean I don't under 279 00:19:00,080 --> 00:19:03,199 Speaker 1: stand it at all, but I can appreciate it. And 280 00:19:03,280 --> 00:19:06,520 Speaker 1: let me tell you, I would watch that and share 281 00:19:06,600 --> 00:19:11,360 Speaker 1: that with everybody I have ever met in my entire life, 282 00:19:11,480 --> 00:19:17,560 Speaker 1: because I like being a petty bitch. Anyway, back to 283 00:19:17,720 --> 00:19:22,720 Speaker 1: Joseph Phaeton. So she meets this club owner in Cuba 284 00:19:23,000 --> 00:19:25,760 Speaker 1: and he also has a club in Miami, and he 285 00:19:25,840 --> 00:19:29,320 Speaker 1: ends up winning a legal battle to allow an integrated 286 00:19:29,359 --> 00:19:34,000 Speaker 1: crowd at the Copa City Club. Coppa Coppa City Club, 287 00:19:34,080 --> 00:19:36,760 Speaker 1: Coppa City Club. Coppa sounds better, I'm gonna say Copa. 288 00:19:37,600 --> 00:19:40,520 Speaker 1: So it had never ever in the history of its 289 00:19:40,560 --> 00:19:46,160 Speaker 1: existence had a black guest before. So this was fucking massive, 290 00:19:47,680 --> 00:19:51,840 Speaker 1: like James and the Giant Peach, right massive, or the 291 00:19:51,880 --> 00:19:54,160 Speaker 1: peach of James and the Giant Peach, I should say. 292 00:19:55,040 --> 00:19:59,040 Speaker 1: And so like she is selling out night after night 293 00:19:59,160 --> 00:20:02,560 Speaker 1: to this just like an integrated crowd, like because people 294 00:20:02,680 --> 00:20:05,880 Speaker 1: just want to see her perform. And so she starts touring. 295 00:20:06,200 --> 00:20:08,600 Speaker 1: She does like a month long stint in New York 296 00:20:08,720 --> 00:20:12,000 Speaker 1: performing at night and then fighting for civil rights during 297 00:20:12,240 --> 00:20:17,200 Speaker 1: the day. And like she is incredibly vocal about the 298 00:20:17,240 --> 00:20:22,760 Speaker 1: execution of Willie McGee. So, Willie McGee was a thirty 299 00:20:22,840 --> 00:20:26,280 Speaker 1: five year old black World War Two veteran who was 300 00:20:26,400 --> 00:20:29,240 Speaker 1: falsely accused of the rape of a white woman and 301 00:20:29,440 --> 00:20:35,680 Speaker 1: was sentenced to death. Considering the way that rape trials 302 00:20:35,720 --> 00:20:39,280 Speaker 1: and sexual assault trials go in the all of the countries, now, 303 00:20:40,359 --> 00:20:43,359 Speaker 1: the fact that someone was sentenced to death over it 304 00:20:44,440 --> 00:20:48,120 Speaker 1: kind of feels a little bit. But it might have been, 305 00:20:48,320 --> 00:20:52,480 Speaker 1: I don't know, prejudiced in some way. So there are 306 00:20:52,520 --> 00:20:57,040 Speaker 1: appeals after appeals. But eventually Willie McGee was executed in 307 00:20:57,080 --> 00:21:03,439 Speaker 1: Mississippi in nineteen fifty one, and Josephine Baker is not 308 00:21:03,520 --> 00:21:08,439 Speaker 1: only very loud about this, but she forks up the 309 00:21:08,480 --> 00:21:12,200 Speaker 1: cash she pays for him to have a proper burial. 310 00:21:13,119 --> 00:21:16,919 Speaker 1: When she's on tour in San Francisco, she hears that 311 00:21:17,000 --> 00:21:21,280 Speaker 1: there are no black bus drivers or like any drivers 312 00:21:21,320 --> 00:21:25,240 Speaker 1: of color at all, right, and so she shows up 313 00:21:25,680 --> 00:21:28,919 Speaker 1: at the depot, like at the bus depot, and she 314 00:21:29,040 --> 00:21:33,399 Speaker 1: starts like just hounding, hounding the guy right to the 315 00:21:33,400 --> 00:21:36,600 Speaker 1: guy that runs it. And she's just like, how come 316 00:21:37,000 --> 00:21:39,879 Speaker 1: so many black men were qualified to drive trucks in 317 00:21:39,920 --> 00:21:43,879 Speaker 1: the army and yet somehow not one of them is 318 00:21:44,080 --> 00:21:49,840 Speaker 1: qualified to drive a bus in San Francisco. Like he 319 00:21:49,960 --> 00:21:55,440 Speaker 1: gets this, dude, he just gets snippy with her, like 320 00:21:55,440 --> 00:22:00,920 Speaker 1: like he's just just a racist arse, you know, and 321 00:22:00,960 --> 00:22:06,119 Speaker 1: she responds with, monsieur, you are a nasty little man. 322 00:22:07,119 --> 00:22:11,640 Speaker 1: And you know what, gentle listeners, delicious friends, I bet 323 00:22:11,720 --> 00:22:16,280 Speaker 1: he was a nasty little man. So nasty little man. 324 00:22:19,080 --> 00:22:22,560 Speaker 1: So not only is she like on the ground doing 325 00:22:22,600 --> 00:22:26,199 Speaker 1: this like boots on the ground, she's also meeting with 326 00:22:26,480 --> 00:22:30,520 Speaker 1: huge corporations to try and get them to hire more 327 00:22:30,600 --> 00:22:35,520 Speaker 1: black workers. Because when there's times of mass unemployment, it's 328 00:22:35,640 --> 00:22:40,919 Speaker 1: always sort of minorities of the country that tend to 329 00:22:41,200 --> 00:22:44,119 Speaker 1: be left at the bottom of the ladder, because, like 330 00:22:44,160 --> 00:22:49,040 Speaker 1: when an entire nation is built on you know, the 331 00:22:49,080 --> 00:22:57,560 Speaker 1: bones and blood of people of color, whether it be indigenous, black, Asian, 332 00:22:58,280 --> 00:23:02,080 Speaker 1: you know, and you know, the oppressive force of that nation, 333 00:23:02,480 --> 00:23:06,200 Speaker 1: the ruling class, if you will, are white people. When 334 00:23:06,320 --> 00:23:09,200 Speaker 1: times get tough, the people that are going to get 335 00:23:09,359 --> 00:23:15,240 Speaker 1: aid and help first are going to be white people. Right. 336 00:23:16,280 --> 00:23:19,160 Speaker 1: That's it. It's a place of privilege. And some people 337 00:23:19,240 --> 00:23:21,639 Speaker 1: might be thinking, I don't have privilege. I lived like 338 00:23:21,680 --> 00:23:25,439 Speaker 1: this or I had that listen, for every opportunity a 339 00:23:25,480 --> 00:23:30,600 Speaker 1: white person gets, it is going to be thrice is hard, 340 00:23:31,160 --> 00:23:35,800 Speaker 1: is complicated with more barriers and obstacles for a person 341 00:23:35,840 --> 00:23:41,000 Speaker 1: of color, And to not say that is it's ignorance 342 00:23:41,160 --> 00:23:46,760 Speaker 1: at that point, it's ignorance. So like, one of my 343 00:23:46,840 --> 00:23:51,840 Speaker 1: favorite things Josephine Baker ever does right is she performs 344 00:23:51,960 --> 00:23:56,520 Speaker 1: a citizens arrest against some dude. He's like harling these 345 00:23:56,640 --> 00:24:01,280 Speaker 1: like racial slurs at her, and she's like, not today, sir, 346 00:24:01,760 --> 00:24:12,760 Speaker 1: not today, And so she performs as citizens arrest. So 347 00:24:12,840 --> 00:24:17,159 Speaker 1: the N Double ACP declares May the twentieth, nineteen fifty 348 00:24:17,200 --> 00:24:23,000 Speaker 1: one as Josephine Baker Day. She is the N doubleacp's 349 00:24:23,119 --> 00:24:26,840 Speaker 1: Woman of the Year. And she has a parade in Harlem, 350 00:24:26,880 --> 00:24:30,760 Speaker 1: New York. She's riding in a cavalcade and she's in 351 00:24:30,800 --> 00:24:34,679 Speaker 1: this cream convertible. She's in a cavalcade and it's like 352 00:24:35,320 --> 00:24:37,320 Speaker 1: a mortar care I think they call it in the US. 353 00:24:38,240 --> 00:24:42,360 Speaker 1: And so she's in this cream convertible traveling down Seventh 354 00:24:42,359 --> 00:24:47,959 Speaker 1: Avenue and around one hundred thousand people show up to watch. 355 00:24:48,600 --> 00:24:52,560 Speaker 1: So she has this big parade, after which she has 356 00:24:52,720 --> 00:24:56,320 Speaker 1: a cocktail party thrown in her honor by the New 357 00:24:56,400 --> 00:25:01,720 Speaker 1: York City Mayor Vincent and Pillitteri. And after that she 358 00:25:01,840 --> 00:25:05,159 Speaker 1: attends a ball. So there's a ball. So she's got 359 00:25:05,200 --> 00:25:09,200 Speaker 1: a parade, a cocktail party, and a ball, and so 360 00:25:09,240 --> 00:25:12,080 Speaker 1: she's got these three separate events, and so she wears 361 00:25:12,359 --> 00:25:18,439 Speaker 1: three different Christian do Your outfits throughout this day for 362 00:25:18,440 --> 00:25:21,560 Speaker 1: those of you who don't know Christian Do Youa's sister 363 00:25:22,320 --> 00:25:29,200 Speaker 1: was a member of the French Resistance. So because Josephine 364 00:25:29,240 --> 00:25:33,119 Speaker 1: Baker and she's wearing these beautiful, old, catolic, gorgeous French 365 00:25:33,160 --> 00:25:38,240 Speaker 1: designer gowns. She ends up being named the best Dressed 366 00:25:38,280 --> 00:25:42,600 Speaker 1: women in the US, so the best dressed women of 367 00:25:42,800 --> 00:25:48,240 Speaker 1: nineteen fifty one. And so she's like wearing these gorgeous 368 00:25:48,280 --> 00:25:52,040 Speaker 1: outfits on tour. She's wearing all of these French designers. 369 00:25:52,560 --> 00:25:59,080 Speaker 1: She's showing off these beautiful, amazing, very classy, classy designs, 370 00:25:59,600 --> 00:26:02,800 Speaker 1: a lott of the designers that Jackie Kennedy loved, actually, 371 00:26:03,080 --> 00:26:05,600 Speaker 1: because she was really a big fan of like French 372 00:26:05,680 --> 00:26:09,639 Speaker 1: tailoring and design. And there's this whole like pushed towards 373 00:26:09,720 --> 00:26:12,520 Speaker 1: femininity and everything at this point with like the New 374 00:26:12,600 --> 00:26:16,840 Speaker 1: Look and all that stuff, and so there's this re 375 00:26:16,960 --> 00:26:20,200 Speaker 1: emergence of this style and it's something like we even 376 00:26:20,240 --> 00:26:25,800 Speaker 1: reference today. So anyway, she's at the Copa City Club 377 00:26:25,880 --> 00:26:29,720 Speaker 1: in Miami. She's in the Roxy New York, but she 378 00:26:29,920 --> 00:26:33,239 Speaker 1: ends up having to cancel all of her shows in 379 00:26:33,280 --> 00:26:38,720 Speaker 1: Atlanta because of Jim Crow. So at this time, there 380 00:26:38,760 --> 00:26:41,359 Speaker 1: was this law in Georgia and it said that a 381 00:26:41,400 --> 00:26:44,800 Speaker 1: hotel could lose its license if it let a black 382 00:26:44,840 --> 00:26:48,760 Speaker 1: person stay there. So because she had no where to stay, 383 00:26:49,520 --> 00:26:52,240 Speaker 1: she couldn't perform because like, she's not going to go 384 00:26:52,280 --> 00:26:55,720 Speaker 1: sleep in, you know, a truck, like she's in her forties. 385 00:26:56,000 --> 00:27:00,360 Speaker 1: And also she's Josephine fucking Baker. Okay, she's not doing that. 386 00:27:01,240 --> 00:27:03,440 Speaker 1: So because of this law, she just has to cancel 387 00:27:03,640 --> 00:27:08,800 Speaker 1: all her Atlanta shows because Atlanta es in Georgia, which 388 00:27:08,880 --> 00:27:13,120 Speaker 1: leads me to another story of discrimination. So she goes 389 00:27:13,160 --> 00:27:17,439 Speaker 1: to a dining establishment, the Stock Club in New York 390 00:27:17,600 --> 00:27:22,400 Speaker 1: City with some friends. So she's just after her performance, 391 00:27:22,480 --> 00:27:25,960 Speaker 1: she's been at the Rock Sage. She's tired, she's starving. 392 00:27:26,720 --> 00:27:29,480 Speaker 1: She can eat a horse. She may have eaten a 393 00:27:29,480 --> 00:27:33,280 Speaker 1: horse at one point, who's to say. But she's hungry, 394 00:27:33,320 --> 00:27:39,000 Speaker 1: so she orders crab steak and French wine. Now all 395 00:27:39,040 --> 00:27:43,200 Speaker 1: of her friends they are served, but after an hour, 396 00:27:44,080 --> 00:27:49,439 Speaker 1: none of her foot had arrived. When she inquired, you know, 397 00:27:50,000 --> 00:27:55,080 Speaker 1: she's like, Hi, where's my foot? And the waiting staff 398 00:27:55,119 --> 00:27:57,880 Speaker 1: said that they had ran out of crab and ran 399 00:27:57,920 --> 00:28:02,200 Speaker 1: out of steak, even though she can see them delivering 400 00:28:02,320 --> 00:28:06,600 Speaker 1: crap and steak to other tables that came in after her. 401 00:28:08,000 --> 00:28:11,840 Speaker 1: So they also say that they are still looking for 402 00:28:12,000 --> 00:28:18,320 Speaker 1: that bottle of French wine. Unsurprisingly, she calls bullshit. And 403 00:28:18,320 --> 00:28:22,399 Speaker 1: here's the thing. The Store Club had an unwritten policy 404 00:28:22,600 --> 00:28:29,560 Speaker 1: of discouraging people of color, basically down them out right, 405 00:28:30,280 --> 00:28:34,880 Speaker 1: and Josephine she was not going to be quiet about this, 406 00:28:35,880 --> 00:28:40,320 Speaker 1: and so she gets the NAACP involved, who are also 407 00:28:40,840 --> 00:28:44,720 Speaker 1: not quiet about it, which then leads to the Academy 408 00:28:44,840 --> 00:28:48,480 Speaker 1: being involved. Like they write a letter going, well, it 409 00:28:48,520 --> 00:28:50,520 Speaker 1: looks like you're not going to get any members of 410 00:28:50,600 --> 00:28:54,360 Speaker 1: the Academy coming to the Store Club. You're racist, dick. 411 00:28:55,440 --> 00:28:58,880 Speaker 1: I mean, I'm paraphrasing, but that's the vibe, right, It's like, 412 00:28:59,520 --> 00:29:02,720 Speaker 1: see how you do? Now? What this does is this 413 00:29:03,200 --> 00:29:06,880 Speaker 1: absolutely tarmishes the Stork Club's reputation and within a few 414 00:29:06,960 --> 00:29:12,680 Speaker 1: years this bustling, thriving business just has to shut down, 415 00:29:12,800 --> 00:29:17,960 Speaker 1: like it just loses from here. So she's out here 416 00:29:17,960 --> 00:29:20,480 Speaker 1: calling it like un American, Like you're un American because 417 00:29:20,520 --> 00:29:23,760 Speaker 1: you're not serving you know. It's a whole thing, and 418 00:29:25,160 --> 00:29:28,560 Speaker 1: like the papers run with it. It's it destroys the 419 00:29:28,600 --> 00:29:32,200 Speaker 1: completely destroys the Stork Club. But like, here's the thing. 420 00:29:33,080 --> 00:29:37,280 Speaker 1: When she goes to dine, right, there's a journalist that 421 00:29:37,360 --> 00:29:43,240 Speaker 1: she knows professionally. There are acquaintances, Walter Winchell. So he's 422 00:29:43,280 --> 00:29:46,720 Speaker 1: at another table and she greets him before she sits down. 423 00:29:47,160 --> 00:29:51,080 Speaker 1: So this journalist was popular and powerful, and he was 424 00:29:51,160 --> 00:29:55,440 Speaker 1: also a regular at the Stork Club. Now he claims 425 00:29:55,600 --> 00:29:59,280 Speaker 1: that he left before she ordered, and that he had 426 00:29:59,320 --> 00:30:03,520 Speaker 1: never seen any kind of discrimination at the Stork Club 427 00:30:04,000 --> 00:30:06,520 Speaker 1: at any of the points that he was there, in 428 00:30:07,160 --> 00:30:10,280 Speaker 1: the entirety of all the times that he had been 429 00:30:10,320 --> 00:30:16,080 Speaker 1: winding down at the Stork Club. Josephine calls him out 430 00:30:16,400 --> 00:30:21,360 Speaker 1: by name, and so he retaliates. He mocks her wartime 431 00:30:21,400 --> 00:30:25,080 Speaker 1: achievements and worst of all, accused her of being a 432 00:30:25,160 --> 00:30:30,400 Speaker 1: communist and a fascist like this is during the Red Scare. Okay, 433 00:30:30,680 --> 00:30:35,320 Speaker 1: he knew what he was doing and being the prominent 434 00:30:35,440 --> 00:30:39,080 Speaker 1: journalist that he was, there is no way he wouldn't 435 00:30:39,120 --> 00:30:42,000 Speaker 1: have known the effect it was going to have, right, 436 00:30:42,640 --> 00:30:49,560 Speaker 1: It is such a dangerous, dangerous card to play, and 437 00:30:49,600 --> 00:30:53,560 Speaker 1: it was bullshit anyway, but he did it. And even 438 00:30:53,600 --> 00:30:55,640 Speaker 1: if he wasn't there at the time, and he hadn't 439 00:30:55,640 --> 00:31:01,320 Speaker 1: seen this particular incident, if he hadn't noticed as journalist, 440 00:31:01,760 --> 00:31:05,840 Speaker 1: if he hadn't noticed that not one black person had 441 00:31:05,840 --> 00:31:10,160 Speaker 1: been properly served at the store club in all of 442 00:31:10,200 --> 00:31:12,920 Speaker 1: the years he had been frequenting it, like you'd have 443 00:31:13,000 --> 00:31:16,120 Speaker 1: to be as observant as a brick, Like the whole 444 00:31:16,160 --> 00:31:18,440 Speaker 1: point of being a journalist is that you observe the 445 00:31:18,440 --> 00:31:20,880 Speaker 1: world around you and you procure the information from it, 446 00:31:20,880 --> 00:31:24,960 Speaker 1: you make sense of everything around you. But clearly that happening, 447 00:31:25,320 --> 00:31:29,200 Speaker 1: and like to her shows, they start getting canceled because 448 00:31:29,240 --> 00:31:33,200 Speaker 1: of this accusation and Walter winchell because this this is 449 00:31:33,240 --> 00:31:36,240 Speaker 1: a peer show, right, this is a poor show in 450 00:31:36,280 --> 00:31:41,040 Speaker 1: his part, because he deliberately tries to destroy a women's career, 451 00:31:41,160 --> 00:31:44,760 Speaker 1: a black women's career, no less, not only ruined her 452 00:31:44,800 --> 00:31:49,320 Speaker 1: career and her livelihood with absolute bollocks, or because he 453 00:31:49,480 --> 00:31:51,720 Speaker 1: was too blind to notice that there was never a 454 00:31:51,840 --> 00:31:55,160 Speaker 1: black person with a full plate after plays that he 455 00:31:55,320 --> 00:31:59,680 Speaker 1: dined at on a regular basis. Right, So because he 456 00:31:59,720 --> 00:32:03,800 Speaker 1: did that, because he was seen as like stooping and 457 00:32:03,880 --> 00:32:07,880 Speaker 1: dropping down and punching down and being an absolute shit bag. 458 00:32:08,120 --> 00:32:13,000 Speaker 1: Right because of this, like the respect for him in 459 00:32:13,040 --> 00:32:18,680 Speaker 1: the journalistic community, in society and all of that just drops, 460 00:32:18,960 --> 00:32:23,720 Speaker 1: like his stock plummets effectively, and he is he is, 461 00:32:23,760 --> 00:32:31,240 Speaker 1: he is no longer respected effectively. So this bullshit it 462 00:32:31,360 --> 00:32:36,320 Speaker 1: sets off a chain reaction for Josephine Baker. Her shows 463 00:32:36,360 --> 00:32:41,960 Speaker 1: her canceled, her visa is canceled, and like she's got 464 00:32:41,960 --> 00:32:45,240 Speaker 1: no citizenship, so she's screwed because she needs her visa 465 00:32:45,600 --> 00:32:51,280 Speaker 1: because she's got French citizenship. Right, so she loses all 466 00:32:51,320 --> 00:32:57,240 Speaker 1: access to the US for over a decade. Right. She 467 00:32:57,240 --> 00:32:59,800 Speaker 1: she deals with this, and then she's like she's still touring. 468 00:32:59,800 --> 00:33:01,920 Speaker 1: She's no, no, I'm good at the show must go on. 469 00:33:03,320 --> 00:33:05,760 Speaker 1: And so she goes to Cuba, where she faces more 470 00:33:05,760 --> 00:33:13,920 Speaker 1: discrimination for being black and an alleged communist. Allegedly, police 471 00:33:14,040 --> 00:33:16,880 Speaker 1: raided her rooms, tried to get her to admit that 472 00:33:16,920 --> 00:33:20,480 Speaker 1: she worked for Moscow, and they stopped some of her 473 00:33:20,480 --> 00:33:24,640 Speaker 1: shows from going ahead, Like, they literally stop her from 474 00:33:24,680 --> 00:33:27,840 Speaker 1: performing at the larger venue that she was supposed to 475 00:33:27,880 --> 00:33:31,200 Speaker 1: be like gigging at, So she ends up performing in 476 00:33:31,280 --> 00:33:35,680 Speaker 1: a small venue and this is packed every single nick 477 00:33:35,800 --> 00:33:39,040 Speaker 1: because of course it is, because she's josephin fucking Baker. 478 00:33:40,440 --> 00:33:44,240 Speaker 1: So her picture the police have her picture on a 479 00:33:44,320 --> 00:33:50,960 Speaker 1: wall with like wanted communists, and she's on an FBI 480 00:33:51,480 --> 00:33:55,520 Speaker 1: watch list, Like the Justice Department is like, prove that 481 00:33:55,680 --> 00:34:02,240 Speaker 1: you're like so pro America, and she's like, why, why 482 00:34:02,280 --> 00:34:03,240 Speaker 1: do you deserve that? 483 00:34:04,400 --> 00:34:08,799 Speaker 2: So she's still to hearing, she's still kicking about, and 484 00:34:09,120 --> 00:34:15,200 Speaker 2: she goes to South America, more specifically Argentina, which is 485 00:34:15,320 --> 00:34:19,759 Speaker 2: run by the dictator Juan di Mingo Puron, who was 486 00:34:19,800 --> 00:34:23,200 Speaker 2: the husband of Eva Puron, how you may know as 487 00:34:23,280 --> 00:34:26,439 Speaker 2: Evita now Joseph Eton. 488 00:34:26,920 --> 00:34:29,440 Speaker 1: At the time, she was unaware that the Purons had 489 00:34:29,440 --> 00:34:32,520 Speaker 1: embezzled money from the poor, or that Argentina was a 490 00:34:32,560 --> 00:34:36,759 Speaker 1: safe haven for Nazi war criminals. And in fairness, this 491 00:34:36,960 --> 00:34:42,160 Speaker 1: wasn't exactly like out information. This wasn't known at the time, 492 00:34:43,880 --> 00:34:48,960 Speaker 1: So she felt an affinity for Eva Puron. She saw 493 00:34:48,960 --> 00:34:51,520 Speaker 1: her as a kindred spirit, the same sort of rags 494 00:34:51,560 --> 00:34:57,200 Speaker 1: to riches and using her power for good and because 495 00:34:57,680 --> 00:35:02,120 Speaker 1: Eva Peron died young, and so Josephine reached out to 496 00:35:02,239 --> 00:35:04,880 Speaker 1: Juan Peron to pay her respects and the like. Like 497 00:35:04,960 --> 00:35:09,560 Speaker 1: she I mean, she was always kind of reasonable about death, 498 00:35:09,840 --> 00:35:13,920 Speaker 1: but she saw how it affected other people. And so 499 00:35:14,040 --> 00:35:16,040 Speaker 1: she goes because she thinks she's dealing with like a 500 00:35:16,080 --> 00:35:19,880 Speaker 1: grieving man when he has grieving. We know what he 501 00:35:19,920 --> 00:35:26,040 Speaker 1: did to if he do his body, it is, I'm unpleasant. 502 00:35:26,520 --> 00:35:30,240 Speaker 1: Unpleasant is the word I'm going to use. So Josephine 503 00:35:30,239 --> 00:35:34,040 Speaker 1: Baker gets manipulated here because she doesn't know how awful 504 00:35:34,080 --> 00:35:37,160 Speaker 1: it is. And Juan Peron took advantage of her passion 505 00:35:37,680 --> 00:35:41,600 Speaker 1: and her naivete because she thinks she can do some good, 506 00:35:41,760 --> 00:35:44,040 Speaker 1: like like Eva Peron was doing. She wants to build 507 00:35:44,080 --> 00:35:49,400 Speaker 1: on that and help the Argentinian people and so like 508 00:35:49,480 --> 00:35:55,200 Speaker 1: he gets photos of them together and like talking to workers, 509 00:35:55,600 --> 00:36:02,239 Speaker 1: and it sort of goes the fifties very viral, and 510 00:36:02,320 --> 00:36:07,680 Speaker 1: the NAACP starts distancing themselves from her because photos with 511 00:36:08,080 --> 00:36:12,879 Speaker 1: a dictator, like a fascist dictator talking to workers, it's 512 00:36:12,960 --> 00:36:17,279 Speaker 1: not doesn't have the best optics, you know. But like 513 00:36:17,400 --> 00:36:21,880 Speaker 1: she was unaware of this at the time, and so 514 00:36:22,040 --> 00:36:24,319 Speaker 1: Juan he arranges for her to go on this tour 515 00:36:24,400 --> 00:36:27,880 Speaker 1: of these hospitals because he knows she's a humanitarian, and 516 00:36:27,920 --> 00:36:30,719 Speaker 1: so she visits a few. Now he says that they're 517 00:36:30,719 --> 00:36:33,120 Speaker 1: all done to like this very specific standard, and they 518 00:36:33,120 --> 00:36:37,560 Speaker 1: have this like great level of care. But only two 519 00:36:37,719 --> 00:36:41,279 Speaker 1: of the hospitals, like when she goes like seeing them, 520 00:36:41,840 --> 00:36:44,960 Speaker 1: only two have been fixed up. And so when she 521 00:36:45,080 --> 00:36:49,640 Speaker 1: goes off on this hospital tour, she sees exactly how 522 00:36:49,760 --> 00:36:55,000 Speaker 1: the weak, ill, and infirm are being treated. And it's 523 00:36:55,040 --> 00:36:58,160 Speaker 1: at this point that she realized that she's been hoodwinked, 524 00:37:00,120 --> 00:37:03,000 Speaker 1: and so she's like done, She's done with Juan Peron 525 00:37:03,160 --> 00:37:07,840 Speaker 1: and all of us bullshit, and she decides to go 526 00:37:08,040 --> 00:37:13,239 Speaker 1: back to her shadow, le Milan, and she decides that 527 00:37:13,440 --> 00:37:17,840 Speaker 1: now is the time to start her Rainbow tribe. Josephine 528 00:37:17,840 --> 00:37:21,759 Speaker 1: Baker is out there collecting children like beanie babies or 529 00:37:21,920 --> 00:37:25,840 Speaker 1: the booboos. Okay, so I'm being sassy about it, but 530 00:37:25,960 --> 00:37:30,520 Speaker 1: her goal was to raise a family of children in 531 00:37:30,640 --> 00:37:35,840 Speaker 1: brotherhood and universalism, right. She wanted a group of children 532 00:37:35,920 --> 00:37:42,320 Speaker 1: of different races, religions, et cetera to grow up without 533 00:37:42,520 --> 00:37:49,799 Speaker 1: prejudice and to be treated equally like, yeah, okay, I 534 00:37:49,880 --> 00:37:53,960 Speaker 1: understand that a collection of children different races religion is 535 00:37:54,040 --> 00:37:56,560 Speaker 1: sounding a little bit like the casting call from a 536 00:37:56,600 --> 00:38:00,680 Speaker 1: gap ad. But she's doing this because she she genuinely 537 00:38:00,719 --> 00:38:03,960 Speaker 1: thinks that if she can show this to the world, 538 00:38:04,600 --> 00:38:08,879 Speaker 1: this brotherhood of universalism, that it will make the world 539 00:38:08,920 --> 00:38:14,040 Speaker 1: see sense, you know. And the first place she goes 540 00:38:14,280 --> 00:38:17,000 Speaker 1: is Japan with the intention of returning home with a 541 00:38:17,080 --> 00:38:20,400 Speaker 1: Japanese child. So she goes to a home run by 542 00:38:20,440 --> 00:38:23,439 Speaker 1: a friend to collect a two year old Japanese boy 543 00:38:23,520 --> 00:38:29,080 Speaker 1: named Tioya whose name would be changed to Jano in France. 544 00:38:30,120 --> 00:38:33,400 Speaker 1: So this was an adoption that her and her husband, 545 00:38:33,480 --> 00:38:37,600 Speaker 1: Joe Billon, had agreed to do together. So she went 546 00:38:37,640 --> 00:38:40,719 Speaker 1: to Japan. She went to collect this child, and it's 547 00:38:40,760 --> 00:38:43,719 Speaker 1: at this home that she sees a one and a 548 00:38:43,800 --> 00:38:49,080 Speaker 1: half year old Korean boy, a Kio, and she decides 549 00:38:49,120 --> 00:38:53,760 Speaker 1: she wants to bring him home as well. Needless to say, 550 00:38:54,040 --> 00:38:56,919 Speaker 1: her husband was a wee bit surprised when she came 551 00:38:56,920 --> 00:39:01,440 Speaker 1: home with two infants instead of one. And for some 552 00:39:01,520 --> 00:39:05,680 Speaker 1: people two children would be more than enough, myself included, 553 00:39:07,320 --> 00:39:12,240 Speaker 1: but Josephine Baker, like Lande Lynnette, was not most people. 554 00:39:14,320 --> 00:39:18,640 Speaker 1: Later she brought home a blonde boy from Finland named Yari. 555 00:39:20,480 --> 00:39:25,600 Speaker 1: Then she went to Bogota in Colombia, and allegedly is 556 00:39:27,080 --> 00:39:31,400 Speaker 1: when she was there, when she was traveling, touring and such, 557 00:39:32,840 --> 00:39:37,520 Speaker 1: a mother of like eight children asks Josephine to adopt 558 00:39:37,520 --> 00:39:41,480 Speaker 1: her youngest boy, Gustavio, so that he could have a 559 00:39:41,520 --> 00:39:45,960 Speaker 1: better life. And so Josephine she takes Gastavio and in 560 00:39:46,000 --> 00:39:49,960 Speaker 1: return buys the family a house, and she promises to 561 00:39:49,960 --> 00:39:53,839 Speaker 1: bring Gastavio back and visit them, but instead of that, 562 00:39:54,560 --> 00:39:57,960 Speaker 1: she changes his name to Louise and doesn't tell him 563 00:39:58,000 --> 00:40:03,480 Speaker 1: of his origins in Bogota until he's much much older. Now, 564 00:40:03,520 --> 00:40:06,360 Speaker 1: this is a bit of a sticky wicket, right, But 565 00:40:06,400 --> 00:40:09,799 Speaker 1: when it comes to Josephine Baker, I don't think it's 566 00:40:09,840 --> 00:40:15,359 Speaker 1: ill intent. I think there's an assumption that what she's 567 00:40:15,400 --> 00:40:19,160 Speaker 1: doing is the right thing. And she might have said, oh, 568 00:40:19,320 --> 00:40:22,120 Speaker 1: bring him back, and had the intention of doing that. 569 00:40:22,200 --> 00:40:26,879 Speaker 1: But then her I'm going to say, chaotic lifestyle may 570 00:40:26,920 --> 00:40:29,040 Speaker 1: have just gotten in the way of that, you know, 571 00:40:30,239 --> 00:40:35,359 Speaker 1: and it may have been an intention that just never 572 00:40:35,480 --> 00:40:39,840 Speaker 1: came to pass. So Josephine and her husband je Boileon 573 00:40:40,400 --> 00:40:44,000 Speaker 1: then adopt two more children, this time out of the 574 00:40:44,040 --> 00:40:48,879 Speaker 1: French welfare system, Jean Claude and a ten month old 575 00:40:49,000 --> 00:40:53,280 Speaker 1: Jewish boy called Moisch. At this point, Josephine was planning 576 00:40:53,320 --> 00:40:56,759 Speaker 1: to focus all of her efforts on her estate and 577 00:40:57,239 --> 00:41:02,040 Speaker 1: her family, her little Rainbow tribe, because like her estate 578 00:41:02,080 --> 00:41:06,400 Speaker 1: at this point is receiving over three hundred thousand visitors 579 00:41:06,440 --> 00:41:10,680 Speaker 1: a year, so you could say it was fairly popular. 580 00:41:11,320 --> 00:41:15,600 Speaker 1: And so because she's planning to focus on this, she 581 00:41:15,760 --> 00:41:19,759 Speaker 1: decides that she's going to do one final performance, her 582 00:41:19,800 --> 00:41:30,480 Speaker 1: finale before she retired, you know, for the fans. Josephine 583 00:41:30,480 --> 00:41:34,880 Speaker 1: Baker has her finale, her final performance at the Olympia 584 00:41:34,920 --> 00:41:39,520 Speaker 1: Theater in Paris, and it is so popular that all 585 00:41:39,600 --> 00:41:42,440 Speaker 1: of these other venues, many of them in France that 586 00:41:42,600 --> 00:41:46,520 Speaker 1: she had previously performed in, they wanted her to do 587 00:41:46,719 --> 00:41:52,880 Speaker 1: a final performance there as well. So, like all major acts, 588 00:41:53,680 --> 00:41:59,480 Speaker 1: her goodbye show became a goodbye tour. Well on tour. 589 00:41:59,520 --> 00:42:04,319 Speaker 1: In Alga, she adopted the only two survivors on an 590 00:42:04,320 --> 00:42:09,040 Speaker 1: air raid in a small village, Mary Anne and Brahim 591 00:42:09,440 --> 00:42:13,760 Speaker 1: now Brahim, his name would later be changed to Brian. 592 00:42:15,880 --> 00:42:17,880 Speaker 2: So she just. 593 00:42:17,760 --> 00:42:21,520 Speaker 1: Showed up with these kids, right, and when she lands home, 594 00:42:22,800 --> 00:42:29,680 Speaker 1: her husband, Jean Bon, he was loved because okay, the 595 00:42:29,760 --> 00:42:35,120 Speaker 1: family was already massive. And then she adopts two more 596 00:42:35,200 --> 00:42:40,800 Speaker 1: children without consulting him. And you know, she wasn't exactly 597 00:42:41,040 --> 00:42:45,719 Speaker 1: great with money, right, and so he's already he's already 598 00:42:45,760 --> 00:42:49,480 Speaker 1: trying to, like money manage this situation. And remember she's 599 00:42:49,520 --> 00:42:51,880 Speaker 1: sinking all this money into the estate and she's spending 600 00:42:51,880 --> 00:42:56,840 Speaker 1: money on these tours and it's just yeah, it's after 601 00:42:56,920 --> 00:43:01,719 Speaker 1: this that she's on tour in the Cordivo where she 602 00:43:01,920 --> 00:43:07,759 Speaker 1: adopts a baby boy named Coffee, and this leads to 603 00:43:07,840 --> 00:43:12,200 Speaker 1: a huge fight between Josephine and the husband. Like it's 604 00:43:12,280 --> 00:43:16,120 Speaker 1: bad and it's so bad that she tells him to leave, 605 00:43:17,600 --> 00:43:22,000 Speaker 1: and he does, but like they don't divorce right away, 606 00:43:22,760 --> 00:43:27,200 Speaker 1: but she tells him to go and he goes. Now, 607 00:43:28,520 --> 00:43:34,480 Speaker 1: Josephine Baker was not the most organized or disciplined parent. 608 00:43:36,000 --> 00:43:38,840 Speaker 1: Like she liked being the fun parent, Like that's what 609 00:43:38,920 --> 00:43:43,680 Speaker 1: she was good at. And I think she didn't quite 610 00:43:44,200 --> 00:43:50,239 Speaker 1: realize like what being a parent entails. Like she has 611 00:43:50,280 --> 00:43:56,960 Speaker 1: this idea and it's a very optimistic, idealistic idea, but 612 00:43:57,120 --> 00:44:00,799 Speaker 1: the reality of that was a little less at the 613 00:44:00,840 --> 00:44:05,319 Speaker 1: forefront of her mind. The practicalities of parenthood was not 614 00:44:05,480 --> 00:44:09,279 Speaker 1: something that she had a great grasp of, Like she 615 00:44:09,400 --> 00:44:13,040 Speaker 1: didn't discipline them, like that was not a thing she did. 616 00:44:13,719 --> 00:44:16,640 Speaker 1: And then she would like leave for weeks at a 617 00:44:16,680 --> 00:44:21,400 Speaker 1: time to like go gigging and perform like they had nanni's, 618 00:44:21,480 --> 00:44:24,360 Speaker 1: Like they weren't left alone, like a bunch of toddlers 619 00:44:24,400 --> 00:44:28,799 Speaker 1: were running through an a state, but like they had 620 00:44:28,880 --> 00:44:34,600 Speaker 1: nannies and caretakers and all that jazz. But she was 621 00:44:34,680 --> 00:44:40,600 Speaker 1: not the most present of parents. She'd go away, go perform, 622 00:44:41,160 --> 00:44:45,880 Speaker 1: and come back, share them with gifts, and then leave again. 623 00:44:47,160 --> 00:44:50,960 Speaker 1: Like it gets to the point because this is such 624 00:44:51,280 --> 00:44:55,800 Speaker 1: a common cycle that the children they don't call her mama, 625 00:44:56,360 --> 00:45:00,880 Speaker 1: Like they don't call her mama, they call her cadau, 626 00:45:02,080 --> 00:45:07,120 Speaker 1: which is French for present or gift, not a mama, 627 00:45:07,680 --> 00:45:14,440 Speaker 1: a mama, No, it's the elacado. Yeah. So this is 628 00:45:14,520 --> 00:45:18,279 Speaker 1: just how Josephine lives her life. And when she's on 629 00:45:18,360 --> 00:45:22,600 Speaker 1: tour in South America, she hears the news that her mother, 630 00:45:22,760 --> 00:45:28,799 Speaker 1: Carrie has passed away. Nikaren MacDonald, she had become like 631 00:45:28,800 --> 00:45:34,680 Speaker 1: a sort of attraction of the Chateau Le Miland estate. Like, 632 00:45:34,760 --> 00:45:37,320 Speaker 1: so she would sit under a tree in a rocking chair, 633 00:45:37,960 --> 00:45:41,200 Speaker 1: and she'd be in this white dress, and she would 634 00:45:41,320 --> 00:45:43,799 Speaker 1: greet people like she would speak to them if they 635 00:45:43,800 --> 00:45:47,600 Speaker 1: spoke English, and she would chat to them. And she 636 00:45:47,800 --> 00:45:50,640 Speaker 1: was just this sort of like the wise old woman 637 00:45:50,800 --> 00:45:55,320 Speaker 1: under a tree. Like it's such it's such a powerful image, 638 00:45:55,760 --> 00:45:59,240 Speaker 1: so it's not surprising that people would take an interest 639 00:45:59,280 --> 00:46:05,320 Speaker 1: in her. Now, Josephine's siblings they worked on the estate, 640 00:46:05,640 --> 00:46:07,840 Speaker 1: like I was saying before, about the sort of the petrol, 641 00:46:07,920 --> 00:46:11,120 Speaker 1: the gas station and things, and so of course they 642 00:46:11,160 --> 00:46:16,960 Speaker 1: went to their mother's funeral. Josephine did not so like 643 00:46:17,200 --> 00:46:21,479 Speaker 1: she had this very pragmatic view of death, and she's 644 00:46:21,560 --> 00:46:25,160 Speaker 1: like everybody dies sometime, and so she didn't really see 645 00:46:25,160 --> 00:46:29,880 Speaker 1: the point in returning, and especially returning for a dead person. 646 00:46:31,560 --> 00:46:35,560 Speaker 1: That being said, with one person now being out of 647 00:46:35,600 --> 00:46:39,399 Speaker 1: her life, she decided to add another person into it. 648 00:46:40,640 --> 00:46:44,239 Speaker 1: While on tour in Venezuela, she added another member to 649 00:46:44,320 --> 00:46:51,360 Speaker 1: her Rainbow tribe. So this story goes that there is 650 00:46:51,480 --> 00:46:56,919 Speaker 1: a tribal chief in Venezuela and she adopts his grandson Mara, 651 00:46:58,840 --> 00:47:04,360 Speaker 1: which is okay, another child to support. So Mara comes 652 00:47:04,360 --> 00:47:08,000 Speaker 1: and joins the Rainbow Tribe over in the chateau, and 653 00:47:08,120 --> 00:47:14,319 Speaker 1: Josephine goes on tour again. And when she's touring, like 654 00:47:14,360 --> 00:47:18,480 Speaker 1: and it's around about Christmas time, a member of her 655 00:47:18,600 --> 00:47:23,520 Speaker 1: crew finds a baby abandoned in a bin, like in 656 00:47:23,560 --> 00:47:28,000 Speaker 1: the trash. Now I've heard two versions of this story. 657 00:47:28,560 --> 00:47:30,640 Speaker 1: One is that the baby is in a bassinet and 658 00:47:30,680 --> 00:47:35,480 Speaker 1: it's sort of just like surrounded by like rubbish, and 659 00:47:35,520 --> 00:47:39,200 Speaker 1: the other is that like it was found just in 660 00:47:39,200 --> 00:47:44,080 Speaker 1: in the trash. So this baby boy who's discovered like, 661 00:47:45,200 --> 00:47:52,080 Speaker 1: they name him Noel, and this infant was another addition 662 00:47:52,680 --> 00:47:57,000 Speaker 1: to the Rainbow Tribe. It was at this point that 663 00:47:57,080 --> 00:48:02,040 Speaker 1: Jeau Boyon divorced Josephine Baker in ninety sixty one, and 664 00:48:02,120 --> 00:48:07,960 Speaker 1: he moved to Argentina to open up a restaurant. So 665 00:48:08,080 --> 00:48:14,520 Speaker 1: now Josephine had ten boys in one girl, her daughter 666 00:48:14,680 --> 00:48:17,840 Speaker 1: Marie Anne. Like she said that she wanted a sister, 667 00:48:18,640 --> 00:48:22,160 Speaker 1: and as luck would have it, a Moroccan friend of 668 00:48:22,280 --> 00:48:28,600 Speaker 1: Josephine's would abandon Stilena in France at birth, and Stelena 669 00:48:28,719 --> 00:48:32,880 Speaker 1: would be the second daughter and twelfth child of the 670 00:48:32,960 --> 00:48:40,759 Speaker 1: Rainbow tribe. So like in this period of time sort 671 00:48:40,800 --> 00:48:48,200 Speaker 1: of the mid twentieth century, inter country adoption wasn't the 672 00:48:48,239 --> 00:48:53,759 Speaker 1: most regulated on a global level, and Josephine's fame it 673 00:48:53,960 --> 00:48:59,439 Speaker 1: certainly helped most of her children. They were adopted by 674 00:48:59,480 --> 00:49:03,279 Speaker 1: her an her husband under the French Family Code of 675 00:49:03,360 --> 00:49:08,840 Speaker 1: nineteen thirty nine, and so even though they divorced, Like 676 00:49:09,840 --> 00:49:13,640 Speaker 1: he was also written as the adopted father of like Stelena, 677 00:49:14,400 --> 00:49:18,560 Speaker 1: So even though they were separated, he like continued being 678 00:49:18,560 --> 00:49:21,120 Speaker 1: that sort of father figure, even though he was I 679 00:49:21,160 --> 00:49:27,680 Speaker 1: don't know, a restauranteur and Argentina of all places. So 680 00:49:28,680 --> 00:49:32,040 Speaker 1: each child of the Rainbow tribe was assigned a religion 681 00:49:32,360 --> 00:49:39,280 Speaker 1: in accordance to their heritage. So Janno, who was from Japan, 682 00:49:40,320 --> 00:49:45,240 Speaker 1: he was Burhist, Weish was Jewish, Mary Anne was Catholic. 683 00:49:46,280 --> 00:49:53,640 Speaker 1: Brian slash Brian was Muslim, Yari was Protestant, Coffee was Animist, 684 00:49:53,800 --> 00:49:57,239 Speaker 1: so on and so forth. So those two ways you 685 00:49:57,239 --> 00:50:00,160 Speaker 1: can take this. One is that she's just as signing 686 00:50:00,239 --> 00:50:03,600 Speaker 1: these religions to each of the children, just so they 687 00:50:03,640 --> 00:50:06,799 Speaker 1: have a different one each right, And the other is 688 00:50:06,840 --> 00:50:10,040 Speaker 1: that she's trying to ensure they still have a connection 689 00:50:10,120 --> 00:50:16,719 Speaker 1: to their heritage by giving them a religion and to 690 00:50:17,239 --> 00:50:20,120 Speaker 1: like also show that you can have different religions, and 691 00:50:20,160 --> 00:50:28,200 Speaker 1: grew up in harmony. AnyWho. Josephine Baker, like everything else 692 00:50:28,239 --> 00:50:32,080 Speaker 1: in her life, the kids, she put them on display 693 00:50:33,320 --> 00:50:38,960 Speaker 1: because she said, and I quote, there was no point 694 00:50:39,000 --> 00:50:41,680 Speaker 1: in adopting children of every color to be kept away 695 00:50:41,680 --> 00:50:45,600 Speaker 1: from everyone else. They must be made visible so that 696 00:50:45,640 --> 00:50:48,840 Speaker 1: people can see that it is in fact possible that 697 00:50:48,960 --> 00:50:54,240 Speaker 1: children from different races raised together as siblings have no animosity. 698 00:50:54,360 --> 00:50:58,759 Speaker 1: That racial hate is not natural, it is an invention 699 00:50:59,120 --> 00:51:06,360 Speaker 1: by mankind direct quote. So they all love the chateau 700 00:51:06,440 --> 00:51:10,840 Speaker 1: in Milande, which has now opened as a tourist attraction, okay, 701 00:51:11,320 --> 00:51:16,239 Speaker 1: and people are coming to see her rainbow tribe. So 702 00:51:16,320 --> 00:51:20,200 Speaker 1: the chateau it has thirty nine rooms, one hundred members 703 00:51:20,239 --> 00:51:24,880 Speaker 1: of staff. The estate has a bakery, a jazz club, 704 00:51:25,120 --> 00:51:30,759 Speaker 1: a museum, and a mini golf course. Now I'm not 705 00:51:30,800 --> 00:51:34,000 Speaker 1: sure if it's a mini golf course or just a 706 00:51:34,040 --> 00:51:40,120 Speaker 1: mini golf course. That was unclear. So it's got all 707 00:51:40,160 --> 00:51:48,600 Speaker 1: that and her children and her menagerie. Yeah, she's still 708 00:51:48,640 --> 00:51:52,920 Speaker 1: got all her animals. Right. The kids fucking hated it, right. 709 00:51:53,840 --> 00:51:59,480 Speaker 1: At one point a monkey steals a baby. That was 710 00:51:59,480 --> 00:52:02,520 Speaker 1: a thing that happened. A monkey came in and stole 711 00:52:02,600 --> 00:52:07,319 Speaker 1: a baby out of her crib. I feel like I 712 00:52:07,360 --> 00:52:10,680 Speaker 1: shouldn't have to explain to anyone that that is not 713 00:52:10,719 --> 00:52:17,600 Speaker 1: a safe environment. And she is continuing this right, she's 714 00:52:18,080 --> 00:52:25,279 Speaker 1: pushing this whole idea to show brotherhood. You know, she's 715 00:52:25,320 --> 00:52:31,600 Speaker 1: sinking into debt doing so. Meanwhile, she's asked to join 716 00:52:31,680 --> 00:52:38,040 Speaker 1: in the nineteen sixty three March on Washington. She was 717 00:52:38,080 --> 00:52:42,520 Speaker 1: initially denied a visa because of the whole accused of communism, 718 00:52:42,600 --> 00:52:48,160 Speaker 1: then photographed with a fascist dictator in Argentina thing. However, 719 00:52:48,840 --> 00:52:54,360 Speaker 1: Attorney General Robert Kennedy overrules it, and so she gets 720 00:52:54,360 --> 00:52:57,840 Speaker 1: her visa and she shows up in her full French 721 00:52:58,000 --> 00:53:03,680 Speaker 1: military uniform. She is the only female speaker, and she 722 00:53:03,880 --> 00:53:08,280 Speaker 1: is the warm up speaker for doctor Martin Luther King Junior. 723 00:53:09,320 --> 00:53:13,719 Speaker 1: And she says, I have walked in the palaces of 724 00:53:13,800 --> 00:53:17,080 Speaker 1: kings and queens, and into the houses of presidents and 725 00:53:17,239 --> 00:53:20,480 Speaker 1: much more, but I could not walk into a hotel 726 00:53:20,520 --> 00:53:26,839 Speaker 1: in America and buy a cup of coffee. She also 727 00:53:27,000 --> 00:53:29,799 Speaker 1: said that the world was behind the movement that she 728 00:53:29,920 --> 00:53:35,880 Speaker 1: had been following for thirty years. She gives this idealistic 729 00:53:35,920 --> 00:53:40,600 Speaker 1: and emotional speech, and she really thought that she could 730 00:53:40,640 --> 00:53:44,120 Speaker 1: make the world see race was just a social construct 731 00:53:44,880 --> 00:53:50,000 Speaker 1: with her racially inclusive family, and she thought she could 732 00:53:50,120 --> 00:53:53,600 Speaker 1: just and she wanted to dial it up to eleven. 733 00:53:54,239 --> 00:53:57,400 Speaker 1: And so she has this idea to turn her estate 734 00:53:58,120 --> 00:54:02,439 Speaker 1: into a college of brothers. This is the part where 735 00:54:02,480 --> 00:54:06,520 Speaker 1: I remind you that all your faves are problematic. All 736 00:54:06,560 --> 00:54:09,200 Speaker 1: your faves are problematic. No person is perfect, and some 737 00:54:09,320 --> 00:54:16,399 Speaker 1: people do shitty things sometimes. So Yari the Finnish boy, 738 00:54:16,960 --> 00:54:22,680 Speaker 1: when he's like fourteen fifteen, Josephine Baker sends him to 739 00:54:22,840 --> 00:54:26,600 Speaker 1: Argentina to live with Jean Boion. She sends him away 740 00:54:27,760 --> 00:54:32,160 Speaker 1: because Yari is gay and she's worried that it's going 741 00:54:32,200 --> 00:54:39,480 Speaker 1: to spread. Like, I understand that it's the sixties, but 742 00:54:39,600 --> 00:54:43,480 Speaker 1: Josephine Baker was a bisexual woman. She said it was 743 00:54:43,560 --> 00:54:47,600 Speaker 1: only natural, you know, Like did she think that somebody 744 00:54:47,760 --> 00:54:51,080 Speaker 1: just turned her a little bit gay? No, Like, you 745 00:54:51,120 --> 00:54:54,799 Speaker 1: don't catch homosexuality. Well, I mean you can if you 746 00:54:54,880 --> 00:55:00,480 Speaker 1: do it right, but no, So he is a away 747 00:55:01,080 --> 00:55:07,520 Speaker 1: and that's a shitty thing to do. Meanwhile, she has 748 00:55:07,960 --> 00:55:13,960 Speaker 1: put all this money into her Chateole Milan, and she's broke, 749 00:55:14,200 --> 00:55:18,600 Speaker 1: like she has sunk economy. Everything is gone. She can't 750 00:55:18,640 --> 00:55:22,040 Speaker 1: afford to pay the workers' wages at you know, the estate, 751 00:55:22,400 --> 00:55:25,440 Speaker 1: and so they just start stealing from her and things 752 00:55:25,480 --> 00:55:29,600 Speaker 1: get so bad that she is peeling gold leaf tiles 753 00:55:29,640 --> 00:55:32,280 Speaker 1: off of the walls and giving them to the bank 754 00:55:32,440 --> 00:55:37,040 Speaker 1: is collateral. Now she's doing shows in Carnegie Hall to 755 00:55:37,160 --> 00:55:40,160 Speaker 1: raise money for like civil rights charities and for her 756 00:55:40,280 --> 00:55:45,200 Speaker 1: Rainbow Tribe, and none of this works. Like in nineteen 757 00:55:45,239 --> 00:55:49,359 Speaker 1: sixty four, like there's a press conference like begging for help, 758 00:55:49,719 --> 00:55:55,280 Speaker 1: and Richard Baldeaux appears on TV to ask for donations 759 00:55:55,280 --> 00:56:01,280 Speaker 1: for Josephine. Now this this is a bit controverty, because 760 00:56:01,960 --> 00:56:05,160 Speaker 1: you know, the logical thing to do would be to 761 00:56:05,239 --> 00:56:09,400 Speaker 1: sell the entire estate, downsize and move somewhere more manageable. 762 00:56:10,200 --> 00:56:13,680 Speaker 1: But again, this is a sunk economy. So Josephine's so 763 00:56:13,840 --> 00:56:16,479 Speaker 1: invested in it that she doesn't want to let go. 764 00:56:17,200 --> 00:56:21,120 Speaker 1: And because she really believes that this College of Brotherhood 765 00:56:21,760 --> 00:56:25,839 Speaker 1: is going to change the world, She's getting donations from 766 00:56:25,960 --> 00:56:32,720 Speaker 1: Jaja Agabor, Brigi Bardeaux, Paul the Sixth, but it's not enough, 767 00:56:32,800 --> 00:56:36,279 Speaker 1: and so she's performing again, and she's performing at the 768 00:56:36,320 --> 00:56:38,600 Speaker 1: same rate that she was when she was in her twenties, 769 00:56:38,640 --> 00:56:42,760 Speaker 1: Like she is constantly going and because she is working 770 00:56:42,800 --> 00:56:47,600 Speaker 1: herself to the bone, she has her first heart attack 771 00:56:48,680 --> 00:56:52,200 Speaker 1: and she ends up being in the hospital for two months. 772 00:56:53,160 --> 00:56:55,280 Speaker 1: And when she gets home, like, she doesn't have workers, 773 00:56:55,320 --> 00:56:58,840 Speaker 1: doesn't have nanny's and she just can't look after her kids, 774 00:57:00,200 --> 00:57:06,600 Speaker 1: so they get sent to boarding school, which costs more money. 775 00:57:06,640 --> 00:57:10,080 Speaker 1: And so again she's performing again, even though she's you know, 776 00:57:10,360 --> 00:57:15,560 Speaker 1: recovering from a heart attack, and she's still trying to 777 00:57:15,600 --> 00:57:21,960 Speaker 1: outrun her debts. And so in sixty five, she goes 778 00:57:22,040 --> 00:57:24,640 Speaker 1: to King Hassan, the second of Morocco, and she begs 779 00:57:24,720 --> 00:57:28,720 Speaker 1: him for help, and he gives her money to stop 780 00:57:28,760 --> 00:57:33,960 Speaker 1: the foreclosure on the chateau, and he gives like an 781 00:57:34,040 --> 00:57:38,400 Speaker 1: annual an annual amount, an allowance of like twenty grand 782 00:57:38,440 --> 00:57:45,680 Speaker 1: a year for the kids. And Fidel Castro, right, he 783 00:57:45,840 --> 00:57:49,920 Speaker 1: takes pity on this whole situation, and so he pays 784 00:57:50,000 --> 00:57:53,680 Speaker 1: for her and all of her children to go on 785 00:57:53,720 --> 00:57:57,320 Speaker 1: holiday to Cuba, and so this kind of calms things 786 00:57:57,360 --> 00:58:02,000 Speaker 1: down for a while. But then, of course, her intestinal 787 00:58:02,040 --> 00:58:06,520 Speaker 1: issues like the scarre tissue, the infections they wear their 788 00:58:06,600 --> 00:58:10,280 Speaker 1: ugly head, and so more operations, more time in hospital, 789 00:58:11,200 --> 00:58:16,960 Speaker 1: and she she just can't afford anything, but she's so 790 00:58:17,120 --> 00:58:20,560 Speaker 1: determined to have this college of brotherhood. And again, all 791 00:58:20,600 --> 00:58:22,880 Speaker 1: of these friends, like I said, Jashigabar pret our door, 792 00:58:23,480 --> 00:58:25,640 Speaker 1: they are just like a couple of thousand year but 793 00:58:25,760 --> 00:58:30,080 Speaker 1: here and she's just making lots of really bad decisions, 794 00:58:31,840 --> 00:58:38,440 Speaker 1: Like she's not the most financially conscious of people. So 795 00:58:38,640 --> 00:58:41,920 Speaker 1: like she's given like a gig in a club and 796 00:58:42,000 --> 00:58:45,640 Speaker 1: she's going there and she's working, and that money was 797 00:58:45,640 --> 00:58:50,000 Speaker 1: supposed to go towards like reasonable logical things. But then 798 00:58:50,520 --> 00:58:55,480 Speaker 1: JFK is shot and so she goes to the funeral. 799 00:58:55,520 --> 00:58:58,320 Speaker 1: She flies over, she brings the kids and they're all 800 00:58:58,400 --> 00:59:04,040 Speaker 1: dressed and new design er outfits. Right, like the flight 801 00:59:04,920 --> 00:59:11,160 Speaker 1: and the clothing. Right, it was more than what she 802 00:59:11,280 --> 00:59:17,520 Speaker 1: earned in a year, Like she spent so much money. Right. Finally, 803 00:59:18,040 --> 00:59:21,360 Speaker 1: after all of the like robbing Peter to pay Paul, 804 00:59:22,480 --> 00:59:27,120 Speaker 1: she has served an eviction notice in September nineteen sixty eight, 805 00:59:29,480 --> 00:59:32,040 Speaker 1: and so they end up having to leave the whole 806 00:59:32,160 --> 00:59:36,680 Speaker 1: estate and move into this like two bed apartment. And 807 00:59:36,720 --> 00:59:38,760 Speaker 1: so she's there with all of like the younger kids, 808 00:59:38,760 --> 00:59:42,080 Speaker 1: so there's like nine ish maybe ten of them altogether. 809 00:59:42,880 --> 00:59:47,200 Speaker 1: You know, Yari's over in Argentina, another one is somewhere else, 810 00:59:48,840 --> 00:59:51,840 Speaker 1: and so, you know, all her stuff gets auctioned off, 811 00:59:52,720 --> 00:59:57,000 Speaker 1: and the date that is set for her to vacate 812 00:59:57,240 --> 01:00:01,880 Speaker 1: the chateau estate was the fifteenth March. So it gets 813 01:00:01,920 --> 01:00:03,800 Speaker 1: sold and she's told, you're gonna be out with the 814 01:00:03,800 --> 01:00:08,960 Speaker 1: fifteenth of March, and she's like, okay, But Josephine Baker, 815 01:00:09,880 --> 01:00:15,240 Speaker 1: like myself, is a petty bitch because she's told, oh, 816 01:00:15,280 --> 01:00:17,919 Speaker 1: it's the fifteenth of March, and then she finds out 817 01:00:18,360 --> 01:00:22,040 Speaker 1: that the people who bought it would to move in earlier, 818 01:00:23,520 --> 01:00:27,600 Speaker 1: and so she decides that she's not gonna let them 819 01:00:27,640 --> 01:00:30,360 Speaker 1: in yet. She's like, no, it is still mine until 820 01:00:30,400 --> 01:00:35,120 Speaker 1: the fifteenth of March. So she goes back to Le 821 01:00:35,200 --> 01:00:40,920 Speaker 1: Milan the shadow Lea Milan, barricades herself in the kitchen 822 01:00:41,600 --> 01:00:49,120 Speaker 1: and pauses for photos and gives newspaper interviews. Right now, 823 01:00:50,360 --> 01:00:55,440 Speaker 1: consider this, she was once one of the richest women 824 01:00:55,480 --> 01:00:59,360 Speaker 1: in the world and the richest black women in the world. 825 01:00:59,520 --> 01:01:06,120 Speaker 1: Right she was just living the high life, and now 826 01:01:06,160 --> 01:01:11,640 Speaker 1: she's like homeless okay. And so like they're interviewing her 827 01:01:11,680 --> 01:01:15,480 Speaker 1: and they're asking me these questions, and she's like, everything's fine. 828 01:01:15,600 --> 01:01:17,760 Speaker 1: I could live in a tent. I can live anywhere. 829 01:01:18,840 --> 01:01:22,720 Speaker 1: And so the new owners they are so mad, they're 830 01:01:22,760 --> 01:01:25,160 Speaker 1: like really impatient. They want to get into the shadow, 831 01:01:25,840 --> 01:01:29,400 Speaker 1: and she's like, no, not until March fifteenth. And she's 832 01:01:29,440 --> 01:01:34,160 Speaker 1: really digging her heels in, right, and so in a 833 01:01:34,200 --> 01:01:37,280 Speaker 1: move of what I can only describe as sheer stupidity 834 01:01:37,480 --> 01:01:43,880 Speaker 1: on the new owner's part, they send eight men, eight 835 01:01:44,000 --> 01:01:53,360 Speaker 1: men to effectively storm the house and forcefully remove her 836 01:01:53,440 --> 01:01:58,560 Speaker 1: from it. Right, let's just picture this. You have eight 837 01:01:58,800 --> 01:02:05,440 Speaker 1: grown ass men dragging an elderly black woman outside of 838 01:02:05,480 --> 01:02:11,920 Speaker 1: her home in the rain, like, and she's in her negligee, right, 839 01:02:12,640 --> 01:02:16,720 Speaker 1: She's in her her night dress, she's got a shower cap, 840 01:02:17,000 --> 01:02:20,160 Speaker 1: and she's holding a kitten wrapped in a blanket that 841 01:02:20,200 --> 01:02:22,480 Speaker 1: she found on the property because she wasn't gonna leave 842 01:02:22,520 --> 01:02:29,200 Speaker 1: the kitten behind because it's Josephine fucking Baker. Okay. So, like, 843 01:02:30,960 --> 01:02:35,440 Speaker 1: she is there for seven hours on the front steps. 844 01:02:36,280 --> 01:02:40,280 Speaker 1: She is there for seven hours, and this is when 845 01:02:40,320 --> 01:02:44,840 Speaker 1: she has another heart attack, right as she is there 846 01:02:45,440 --> 01:02:49,240 Speaker 1: in the rain in her neglige and a shower cap 847 01:02:49,480 --> 01:02:52,120 Speaker 1: and holding a kitten. Now, I know some of you 848 01:02:52,200 --> 01:02:55,040 Speaker 1: might be thinking, is a bonnet that she's wearing. Well, 849 01:02:55,520 --> 01:02:58,720 Speaker 1: Josephine Baker was bald at this point, like she didn't 850 01:02:58,760 --> 01:03:02,040 Speaker 1: have hair, so I don't know if she would be 851 01:03:02,040 --> 01:03:05,000 Speaker 1: wearing a bonnet. Like everywhere I read it was like 852 01:03:05,040 --> 01:03:08,400 Speaker 1: a shower cap, So it could have been a bonnet 853 01:03:08,400 --> 01:03:12,560 Speaker 1: and somebody just didn't realize what it was, So that 854 01:03:12,640 --> 01:03:16,040 Speaker 1: is open to interpretation. But like so she would wear 855 01:03:16,040 --> 01:03:18,880 Speaker 1: wigs and head pieces and everything when she'd perform at 856 01:03:18,880 --> 01:03:20,560 Speaker 1: this point, it is to do with all like the 857 01:03:20,600 --> 01:03:22,840 Speaker 1: stuff she put through her hair when she was younger, 858 01:03:23,240 --> 01:03:28,720 Speaker 1: and it just kind of like destroyed it. So as 859 01:03:28,760 --> 01:03:33,680 Speaker 1: she is thrown out in the rain, she screams, if 860 01:03:33,720 --> 01:03:36,680 Speaker 1: I die tonight, I want to be buried in the 861 01:03:36,680 --> 01:03:42,320 Speaker 1: pink night gown of my agony. Now I love the 862 01:03:42,360 --> 01:03:46,320 Speaker 1: fact that it's a pink neglige. It's just again drama, 863 01:03:46,400 --> 01:03:50,040 Speaker 1: Dave a drama. So there are reporters and everything around 864 01:03:50,120 --> 01:03:52,760 Speaker 1: because again this is Josephine Baker, it's a big deal. 865 01:03:53,760 --> 01:03:56,480 Speaker 1: And so she ends up back in the hospital again. 866 01:03:57,200 --> 01:04:00,520 Speaker 1: I can remember what I said about optics earlier, throwing 867 01:04:00,560 --> 01:04:05,880 Speaker 1: an elderly black woman, you know, with eight grown as men, 868 01:04:06,120 --> 01:04:10,600 Speaker 1: throwing an elderly black woman out into the rain in 869 01:04:10,720 --> 01:04:15,240 Speaker 1: her ninety while holding a kitten, Like that's not a 870 01:04:15,280 --> 01:04:17,920 Speaker 1: good look for anybody like that is Just wait a 871 01:04:17,920 --> 01:04:21,840 Speaker 1: couple of days, guys, like March fifteenth, you have a date. 872 01:04:22,600 --> 01:04:25,640 Speaker 1: Why are you storming the gates? Like there was no 873 01:04:25,680 --> 01:04:29,240 Speaker 1: reason to. You can hold off a few days. And 874 01:04:29,320 --> 01:04:32,400 Speaker 1: of course this makes the news, right, this is a 875 01:04:32,520 --> 01:04:36,480 Speaker 1: huge deal. And because it gets like shared all over 876 01:04:36,520 --> 01:04:40,720 Speaker 1: the world, Fidel Castro sends her a box of fruit. 877 01:04:42,200 --> 01:04:47,400 Speaker 1: I mean sure, Fidel sure, So he gives her a 878 01:04:47,400 --> 01:04:52,320 Speaker 1: box of fruit. And Grace Kelly, Princess Grace of Monaco, 879 01:04:52,960 --> 01:04:56,880 Speaker 1: who like Josiphin Baker, had befriended at a Red Cross 880 01:04:56,880 --> 01:05:03,200 Speaker 1: event in Monaco, right, Grace Kelly gives her a house 881 01:05:05,160 --> 01:05:10,120 Speaker 1: when she finds out that they're homeless. She gifts Josephine 882 01:05:10,160 --> 01:05:13,720 Speaker 1: and her family a huge villa on the coast of 883 01:05:13,800 --> 01:05:16,600 Speaker 1: Monte Cristo. And it's got like if you who have 884 01:05:16,760 --> 01:05:21,040 Speaker 1: like the Grimaldi castle, you know where Princess Grace of 885 01:05:21,080 --> 01:05:25,360 Speaker 1: Monaco is living, like and Josephine Once she's you know, 886 01:05:26,480 --> 01:05:29,840 Speaker 1: healed up a little bit, she goes back to performing. 887 01:05:29,920 --> 01:05:33,680 Speaker 1: So she's trying to raise money to reviews, and she 888 01:05:33,760 --> 01:05:36,360 Speaker 1: has this new show and on the opening night of 889 01:05:36,400 --> 01:05:39,960 Speaker 1: her show, like it's in this club called like Shay Josephine. 890 01:05:40,000 --> 01:05:42,880 Speaker 1: Well it's not called Shay Josephine. They nickname it Shaye 891 01:05:42,960 --> 01:05:48,000 Speaker 1: Josephine just because she's performing there. And so you've got 892 01:05:48,000 --> 01:05:52,320 Speaker 1: people that are like coming to this review. You've got 893 01:05:52,480 --> 01:05:57,760 Speaker 1: Prince Renier and Grace Kelly. You have Jackie Kennedy, O Nassis, 894 01:05:59,000 --> 01:06:04,800 Speaker 1: You've got Sophie In, Mick Jagger, Laza Manelli, Diana Ross, 895 01:06:06,160 --> 01:06:11,200 Speaker 1: Shirley Bassey. Right, You've got all of these people, and 896 01:06:12,360 --> 01:06:15,480 Speaker 1: it's like a huge deal. It's a very big moment. 897 01:06:15,520 --> 01:06:18,800 Speaker 1: Like she doesn't realize the impact she had and how 898 01:06:18,880 --> 01:06:22,840 Speaker 1: popular she was, Like she didn't know how much she 899 01:06:23,080 --> 01:06:26,959 Speaker 1: was loved, respected and adored. Meanwhile, she's got this villa 900 01:06:27,040 --> 01:06:30,520 Speaker 1: and Monaco and like her teenage kids are being teenagers 901 01:06:30,560 --> 01:06:34,840 Speaker 1: and she never really got the chance to be a 902 01:06:35,040 --> 01:06:37,640 Speaker 1: proper parent to them. Like again, she liked to be 903 01:06:37,680 --> 01:06:40,840 Speaker 1: the fun parent, not the strict one, and here she 904 01:06:41,000 --> 01:06:44,040 Speaker 1: was having to be both. Like she loved doing the 905 01:06:44,080 --> 01:06:46,960 Speaker 1: fun stuff with her kids and not like the nitty 906 01:06:46,960 --> 01:06:51,560 Speaker 1: gritty stuff. And because she like needs money and she 907 01:06:51,600 --> 01:06:54,280 Speaker 1: needs to perform it, I think performing for her was 908 01:06:54,360 --> 01:06:59,160 Speaker 1: always a driving force, and so she didn't really have 909 01:06:59,240 --> 01:07:01,720 Speaker 1: the opportunity to stay at home and try and mend 910 01:07:01,800 --> 01:07:08,680 Speaker 1: those relationships with her kids. So in nineteen seventy two, 911 01:07:09,320 --> 01:07:13,200 Speaker 1: she's invented to perform at the Carnegie Hall again, and 912 01:07:13,280 --> 01:07:15,800 Speaker 1: so it's like a Unisef night or the proceeds are 913 01:07:15,840 --> 01:07:21,720 Speaker 1: going to Unief and it's a celebration of fifty years 914 01:07:21,760 --> 01:07:28,240 Speaker 1: since she first appeared in Shuffle Along. So she's sixty 915 01:07:28,320 --> 01:07:32,880 Speaker 1: seven years old and she's on stage in this i'm 916 01:07:32,880 --> 01:07:38,520 Speaker 1: gonna call it bedazzled like net stocking outfit and a 917 01:07:38,840 --> 01:07:44,920 Speaker 1: four foot tall headdress full of orange feathers. Like you 918 01:07:44,960 --> 01:07:50,520 Speaker 1: can still see the pictures online. It's gorgeous. So she 919 01:07:51,080 --> 01:07:55,200 Speaker 1: goes back to Monaco and she's got like a regular heartbeat. 920 01:07:55,440 --> 01:08:01,280 Speaker 1: She's stressed, and her daughter Mary Anne's right away she's gone, 921 01:08:01,320 --> 01:08:04,520 Speaker 1: and so this adds to her stress. And her doctors 922 01:08:04,560 --> 01:08:07,360 Speaker 1: are like, you need to rest because you're sixty seven 923 01:08:07,440 --> 01:08:10,280 Speaker 1: years old, and she's like, no, no, I have a 924 01:08:11,000 --> 01:08:14,640 Speaker 1: contract in Copenhagen. I've got stuff to do and don't 925 01:08:14,680 --> 01:08:19,599 Speaker 1: have time to be sick. And she was worried that 926 01:08:20,120 --> 01:08:23,120 Speaker 1: all of our health issues were gonna cause her tours 927 01:08:23,160 --> 01:08:27,160 Speaker 1: and shows to be canceled. Like she's sixty seven, she's 928 01:08:27,200 --> 01:08:30,680 Speaker 1: working twelve hour days. Like that's that's wild, you know. 929 01:08:32,240 --> 01:08:36,679 Speaker 1: So she flies back to the US for a tour. 930 01:08:36,760 --> 01:08:41,080 Speaker 1: It's like seventeen cities, and she's like doing like so 931 01:08:41,120 --> 01:08:42,800 Speaker 1: many cities, and then she's a break and then does 932 01:08:42,800 --> 01:08:46,200 Speaker 1: so many more. And so in the middle of this, 933 01:08:47,880 --> 01:08:54,120 Speaker 1: like the Prime Minister of Israel flies her over for 934 01:08:54,160 --> 01:08:59,599 Speaker 1: the twenty five year Freedom anniversary. Now this is a 935 01:08:59,640 --> 01:09:02,479 Speaker 1: period of time in which we are still presented with 936 01:09:02,560 --> 01:09:10,680 Speaker 1: the idea that the separation in Palestine was a harmonious 937 01:09:10,720 --> 01:09:14,320 Speaker 1: one and this was a place of respect and care 938 01:09:14,479 --> 01:09:19,120 Speaker 1: and refuge. So she was working with Jewish refugees during 939 01:09:19,360 --> 01:09:22,519 Speaker 1: the Second World War, and so on her mind she 940 01:09:22,520 --> 01:09:24,439 Speaker 1: would have seen this as like a very good and 941 01:09:24,479 --> 01:09:28,280 Speaker 1: bright and accepting thing to do. And so she flies there, 942 01:09:28,400 --> 01:09:32,519 Speaker 1: she does her bit, and so when she returns, she's 943 01:09:32,560 --> 01:09:38,120 Speaker 1: a day late getting back and her manager has to 944 01:09:38,560 --> 01:09:40,840 Speaker 1: refund a sold out crowd because she didn't show up 945 01:09:40,840 --> 01:09:44,320 Speaker 1: because she was a daily and so he's like, I've 946 01:09:44,360 --> 01:09:46,400 Speaker 1: got to take it out your pay because you know, 947 01:09:47,320 --> 01:09:50,519 Speaker 1: you are the reason you are daily. And so she quits. 948 01:09:51,479 --> 01:09:56,400 Speaker 1: She just quits her tour, and so, yeah, things are 949 01:09:56,439 --> 01:10:00,200 Speaker 1: not going well for her. She's in debt, she's wasting money. 950 01:10:00,840 --> 01:10:05,320 Speaker 1: She's struggling as well because she's ill and with her age, 951 01:10:05,360 --> 01:10:09,240 Speaker 1: like she's not remembering like the lyrics to her songs 952 01:10:09,320 --> 01:10:14,080 Speaker 1: or anything anymore, and like she's very exhausted because she's 953 01:10:14,160 --> 01:10:20,800 Speaker 1: sixty seven, and so she's trying to perform, and like 954 01:10:20,960 --> 01:10:25,720 Speaker 1: people are very gentle and considerate with her because they're like, 955 01:10:26,840 --> 01:10:33,880 Speaker 1: you know, she's sixty seven and she's struggling. Then the 956 01:10:33,880 --> 01:10:36,960 Speaker 1: Monoccan Red Cross decide that they're gonna put on like 957 01:10:37,240 --> 01:10:40,200 Speaker 1: this big celebration that year for their gala, and they 958 01:10:40,240 --> 01:10:45,400 Speaker 1: called it Josephine, a televised tribute to her life, starring 959 01:10:45,479 --> 01:10:50,720 Speaker 1: her and younger dancers dressed as her. And on the 960 01:10:50,760 --> 01:10:54,120 Speaker 1: opening night, this is madness. Right on the opening night, 961 01:10:55,240 --> 01:11:01,240 Speaker 1: she sang thirty four songs in fifteen scenes. She gets 962 01:11:01,400 --> 01:11:07,200 Speaker 1: a thirty minute ovation, and then she's out to dinner 963 01:11:07,400 --> 01:11:09,720 Speaker 1: for like a big dinner with like two hundred and 964 01:11:09,840 --> 01:11:13,840 Speaker 1: fifty people at the Bristol to honor her, and there 965 01:11:13,920 --> 01:11:17,960 Speaker 1: is a seven layer cake. It's very tall, and Princess 966 01:11:18,040 --> 01:11:24,599 Speaker 1: Grace of Monaco helps her cut it. And so after 967 01:11:24,800 --> 01:11:32,760 Speaker 1: like her second performance, like in Josephine starring Josephine, so 968 01:11:32,840 --> 01:11:34,880 Speaker 1: her and her like co stars, they're all like really 969 01:11:34,960 --> 01:11:37,679 Speaker 1: much younger, and they go across the street to eat 970 01:11:37,680 --> 01:11:41,840 Speaker 1: one of her favorite foods, spaghetti. I love the story, 971 01:11:42,560 --> 01:11:44,960 Speaker 1: and she wants to like continue and go dancing, and 972 01:11:45,000 --> 01:11:46,800 Speaker 1: like all of her younger co stars are like, I 973 01:11:46,840 --> 01:11:50,240 Speaker 1: am tired, and she's like, you young people are no 974 01:11:50,280 --> 01:11:56,320 Speaker 1: fun anymore. So four days after this big show, okay, 975 01:11:56,439 --> 01:11:59,519 Speaker 1: so it's like the day after like the second show, 976 01:11:59,560 --> 01:12:02,200 Speaker 1: but a big show. It's the fourth day after that. 977 01:12:03,120 --> 01:12:05,280 Speaker 1: So she was having a typical day. She had little 978 01:12:05,280 --> 01:12:08,519 Speaker 1: afternoon nap and so her friend is you know, she 979 01:12:08,760 --> 01:12:11,200 Speaker 1: goes in and she wakes her up because she's supposed 980 01:12:11,240 --> 01:12:14,240 Speaker 1: to have an interview with a journalist. Her friend goes 981 01:12:14,280 --> 01:12:18,160 Speaker 1: in tries to wake her up, but she's not waking up. 982 01:12:18,800 --> 01:12:21,720 Speaker 1: Josephine Baker had had a stroke and was now in 983 01:12:21,760 --> 01:12:26,800 Speaker 1: a coma, so she is rushed to the emergency room 984 01:12:26,920 --> 01:12:32,200 Speaker 1: of PTI Sapinine Hospital, and so she's there and her 985 01:12:32,200 --> 01:12:35,320 Speaker 1: family show up, and so does Princess Grace of Monaco. 986 01:12:35,800 --> 01:12:38,920 Speaker 1: So they all rush there, and the doctors tell them 987 01:12:39,320 --> 01:12:42,639 Speaker 1: that there is a seventy percent chance that if they operate, 988 01:12:43,520 --> 01:12:47,160 Speaker 1: that Josephine Baker is going to be severely physically impaired, 989 01:12:48,800 --> 01:12:51,800 Speaker 1: and so they all agree that there's going to be 990 01:12:51,840 --> 01:12:56,240 Speaker 1: no operation because it is the last thing she wanted, like, 991 01:12:57,080 --> 01:13:00,880 Speaker 1: she hated the idea of the idea of living like that. 992 01:13:02,520 --> 01:13:07,759 Speaker 1: And so on the twelfth of April nineteen seventy five, 993 01:13:08,720 --> 01:13:12,559 Speaker 1: Josephine Baker passed away at the age of sixty eight. 994 01:13:13,400 --> 01:13:17,040 Speaker 1: And when her friend found her, initially, when she found 995 01:13:17,080 --> 01:13:23,040 Speaker 1: her in the bed, unresponsive, she was surrounded by reviews 996 01:13:23,080 --> 01:13:26,759 Speaker 1: of her lady's show, and these were rave reviews, and 997 01:13:27,040 --> 01:13:35,080 Speaker 1: the show, Josephine, there were just amazing, just five star, 998 01:13:35,280 --> 01:13:38,599 Speaker 1: ten out of ten, all of these amazing reviews about 999 01:13:38,600 --> 01:13:42,080 Speaker 1: her performance in her show. And so she had been 1000 01:13:42,120 --> 01:13:46,800 Speaker 1: reading these reviews and they're like all around her, and 1001 01:13:46,840 --> 01:13:52,240 Speaker 1: she was being celebrated. And so the last memory that 1002 01:13:52,320 --> 01:13:55,720 Speaker 1: Josephine Baker would have had was of the world celebrating 1003 01:13:55,760 --> 01:14:03,360 Speaker 1: her back when she was twenty one. She had said 1004 01:14:03,400 --> 01:14:08,000 Speaker 1: that I shall dance all my life. I was born 1005 01:14:08,040 --> 01:14:12,120 Speaker 1: to dance, just for that. To live is to dance. 1006 01:14:16,280 --> 01:14:21,240 Speaker 1: And so she has a full Catholic funeral at Leglise 1007 01:14:21,320 --> 01:14:25,759 Speaker 1: de la Madeleine. And this is like a big public funeral, 1008 01:14:26,200 --> 01:14:31,400 Speaker 1: and it is it is paid for by Prince Rainier 1009 01:14:31,479 --> 01:14:37,880 Speaker 1: and Princess Grace of Monaco. It's a full military funeral. Right, 1010 01:14:37,920 --> 01:14:42,240 Speaker 1: she gets a full military funeral, and over twenty thousand 1011 01:14:42,280 --> 01:14:47,400 Speaker 1: people come. Right, she is the only American born woman 1012 01:14:47,840 --> 01:14:53,000 Speaker 1: to receive full French military honors at her funeral. And 1013 01:14:53,120 --> 01:14:59,080 Speaker 1: so after that, like Princess Grace, she has this like 1014 01:15:00,280 --> 01:15:05,320 Speaker 1: a private, quiet funeral at legl Sanchars back in Monaco, 1015 01:15:06,200 --> 01:15:10,800 Speaker 1: and she is interred at the Cemeterire des Monico. And 1016 01:15:10,960 --> 01:15:16,320 Speaker 1: so ends the story of Josephine Baker. And that is 1017 01:15:16,360 --> 01:15:21,400 Speaker 1: the death of a showgirl. If you liked this series 1018 01:15:21,439 --> 01:15:23,920 Speaker 1: on Josephine Baker played writ in review five stars. If 1019 01:15:23,920 --> 01:15:26,280 Speaker 1: you didn't like it, shut your mouth. You don't have 1020 01:15:26,320 --> 01:15:30,400 Speaker 1: to say anything. Don't worry about it. I am so 1021 01:15:30,560 --> 01:15:34,479 Speaker 1: glad that I got to tell this story as full 1022 01:15:35,040 --> 01:15:36,920 Speaker 1: as I could. And I know this is probably part 1023 01:15:37,000 --> 01:15:41,439 Speaker 1: that I still managed to miss because she did so much. 1024 01:15:41,640 --> 01:15:47,080 Speaker 1: Like she did so much, and listen, all your favors 1025 01:15:47,080 --> 01:15:52,160 Speaker 1: are problematic, and some people do the wrong thing for 1026 01:15:52,240 --> 01:15:54,840 Speaker 1: what they believe are the right reasons. Happens all the time. 1027 01:15:56,960 --> 01:16:02,200 Speaker 1: But she was such an inspiration and crossed borders when 1028 01:16:02,240 --> 01:16:06,720 Speaker 1: others wouldn't or couldn't, and stood up when it was 1029 01:16:06,800 --> 01:16:11,599 Speaker 1: time to stand. Like it's so funny. I think of 1030 01:16:11,640 --> 01:16:13,880 Speaker 1: like that line in Hamilton, like if you stand for nothing, 1031 01:16:13,960 --> 01:16:18,120 Speaker 1: what will you follow for? And like she risked her 1032 01:16:18,160 --> 01:16:22,800 Speaker 1: life in so many occasions trying to do the right thing. 1033 01:16:24,080 --> 01:16:29,240 Speaker 1: And yeah, she was a diva and dramatic and just 1034 01:16:29,880 --> 01:16:33,680 Speaker 1: very much all of the muchness and I fucking love 1035 01:16:33,720 --> 01:16:36,080 Speaker 1: her for it. And like, I really want to go 1036 01:16:36,160 --> 01:16:39,920 Speaker 1: see the Josephine show in Paris. I don't care if 1037 01:16:39,920 --> 01:16:41,920 Speaker 1: it's all in French, I don't care. I'll go watch it. 1038 01:16:42,200 --> 01:16:46,120 Speaker 1: I don't care. But yes, so ends the story of 1039 01:16:46,240 --> 01:16:49,680 Speaker 1: Josephine Baker, or does it? Thank you for listening, And 1040 01:16:49,720 --> 01:16:54,519 Speaker 1: I guess it's recommendation time for watching. Apart from coming 1041 01:16:54,520 --> 01:16:57,720 Speaker 1: to see my show in London, come see me perform, 1042 01:16:57,960 --> 01:17:01,400 Speaker 1: I say, perform, talk about history in the top the 1043 01:17:01,400 --> 01:17:05,400 Speaker 1: shows a little bit too much cleavage for watching. If 1044 01:17:05,400 --> 01:17:09,879 Speaker 1: you get a chance to see Jess Thunder the Blessed 1045 01:17:09,920 --> 01:17:13,479 Speaker 1: Queen Miss Exotic twenty twenty five, you should go see her. 1046 01:17:13,640 --> 01:17:19,559 Speaker 1: She's fab for listening. For listening, I'm gonna recommend Scam 1047 01:17:19,680 --> 01:17:22,240 Speaker 1: Goddess because you know me, I love a scam, I 1048 01:17:22,240 --> 01:17:25,200 Speaker 1: love a hockster, I love tricks and love absorbing that information. 1049 01:17:25,240 --> 01:17:28,839 Speaker 1: I don't love them, I love hearing about them because 1050 01:17:29,439 --> 01:17:31,639 Speaker 1: I don't know. I got problems I don't know anyway. 1051 01:17:32,080 --> 01:17:35,880 Speaker 1: And for reading, and because you know, I'll let my 1052 01:17:35,920 --> 01:17:42,639 Speaker 1: cozy mysteries, I'm going with Deep Fried Trouble, the Eugena 1053 01:17:42,760 --> 01:17:46,439 Speaker 1: Patterson Mysteries. And with that, I am going to wish 1054 01:17:46,520 --> 01:17:51,320 Speaker 1: you good night. Adios. Au revoir of Wes Them my friends, 1055 01:17:52,120 --> 01:17:52,719 Speaker 1: Bye bye