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Speaker 1: Look mad oh, I see you my line. Oh look

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Speaker 1: over there? How is that culture? Yes, goodness, Dan dog

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Speaker 1: last culture stall, holiday vibes a lost culture holiday. You

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Speaker 1: were the one. And I'm sorry. I don't mean to

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Speaker 1: once again to opt one of your phrases because you

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Speaker 1: walked in with our guests and you said holiday vibes,

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Speaker 1: and I said, he's right. I don't think of it

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Speaker 1: as my phrase. I think of it as our phrase.

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Speaker 1: I think of it as sisterya. Well, I think not

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Speaker 1: to bring up work, but I feel like I'm very

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Speaker 1: fastidious about credit where credit should go and like that

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Speaker 1: was you said that, like that that credit goes to

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Speaker 1: you because that is drank you for lifting me up.

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Speaker 1: But I'm just saying, if you want to get on

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Speaker 1: the podcast and say holiday vibes, because it's a holiday vibe,

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Speaker 1: that is I don't own that. That's I share that.

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Speaker 1: That's about what the holidays are all about, share sharing

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Speaker 1: and the gift of a phrase and you but see,

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Speaker 1: it's just you are a pump of phrases that I

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Speaker 1: really love being described as a pump. You have no

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Speaker 1: idea what that it is. It is a better day,

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Speaker 1: miracle worker vibes, the pump down me. I am Helen,

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Speaker 1: I am the other one. I'm either of them. I'm

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Speaker 1: the damn Keller family going to the pump and saying,

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Speaker 1: what's this? A phrase? A phrase? Basically, that's you described

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Speaker 1: how Helen Keller sort of came to be. Do you

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Speaker 1: believe that Helen Keller was carrying do you think she

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Speaker 1: was carrying down? Well? What was she giving? She was

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Speaker 1: giving lessons, moment she was giving giving iconography giving. Um,

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Speaker 1: let's just say, when you see a young girl bent

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Speaker 1: into over a pump, really, that's why that's why I

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Speaker 1: brought up miss and I'm saying, like you iconically know

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Speaker 1: what that image is like, that's miss Anne Sullivan, the teacher,

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Speaker 1: the miracle worker herself. It's not Anne Sullivan. And literally,

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Speaker 1: literally I'll bet you twenty five dollars any Sullivan. Okay,

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Speaker 1: hold on, reader, hold on. While he looks, I just

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Speaker 1: want to say, we're in a Brooklyn podcasting studio. The

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Speaker 1: energy is hot, holiday vibes alive. We're here with we

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Speaker 1: we say hot engineer a lot we got we got

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Speaker 1: a hot, hot engineer. It's hot engineer Waltz or everybody.

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Speaker 1: He's okay, he's just he's he's making he's throwing his

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Speaker 1: hands up. Okay, I own that. Oh my god, who

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Speaker 1: could forget? And Bancroft, I forgot it, Bancroft as any Sullivan.

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Speaker 1: Can I say something to keep your money? Babe? We

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Speaker 1: made a bet. I'm a man of my word. You

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Speaker 1: know how I said before about how we share the

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Speaker 1: phrases of the giving and the gifting and the receiving,

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Speaker 1: and then whose phrases keep your money? Who does that?

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Speaker 1: Was I gonna say? Sorry, I'm telling you we share

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Speaker 1: it all, and I'm saying that it also goes with

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Speaker 1: the money. My money is your money, girl, girl, and

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Speaker 1: I feel the same for you. How many how many

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Speaker 1: versions of The Miracle Worker did you? Guys? Did you

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Speaker 1: have to watch in like elementary school? Well, definitely we

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Speaker 1: You know what my favorite time was whenever in English

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Speaker 1: class you would read a play and then you would

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Speaker 1: watch it or you would act it at like like

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Speaker 1: like okay today, yeah you're going to play um, the Crucible,

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Speaker 1: like the lead guy on the Crucible or you Yeah,

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Speaker 1: what were your plays? I Well, we definitely did The

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Speaker 1: Crucible and we definitely did The Miracle Worker, which is

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Speaker 1: why I say, really those are interesting. Those are interesting

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Speaker 1: choices I'm telling and I'm telling you those are my

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Speaker 1: favorite days when you get to act, get to do

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Speaker 1: the play. Sometimes they are frustrating because some kids, and

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Speaker 1: we can say it not readers, not readers well, like

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Speaker 1: as in they didn't actually read the text, you know,

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Speaker 1: as in like they struggle reading the words. Ye famously absolutely,

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Speaker 1: and also some a lot of actors we know, not

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Speaker 1: that we know, but it's like you them. I'm just saying,

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Speaker 1: the long you work in this business, the more you go.

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Speaker 1: I didn't know that famous person has trouble reading, and

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Speaker 1: it's I don't think it's a dislexive thing. I think no, no,

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Speaker 1: some people just aren't good at cold read. Some of

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Speaker 1: the best actors in the world. That's not the way

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Speaker 1: they internal I'm so bad at the cold read. You

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Speaker 1: feel this way? Can I can I just quickly share

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Speaker 1: my plays in high school, Um, they were we did

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Speaker 1: it well. We did West Side Storyans in the eighth

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Speaker 1: which was my favorite, and that's like it really did solidified,

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Speaker 1: like why the reason why I wede Story is my

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Speaker 1: favorite show us. And then in high school we did

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Speaker 1: Streetcarting Desire, which I also loved, but I. We all

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Speaker 1: had to everyone had to be Stanley or a Blanch

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Speaker 1: or a Stella, and I had to be like Marlin.

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Speaker 1: I had to be like Stanley. And it was humiliating

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Speaker 1: because you because I had to play mass. Well, yes,

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Speaker 1: if you're playing mass whatever. Also, it just sucks as

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Speaker 1: a gay individual you want to play probably like being

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Speaker 1: a probably see a flop playing blanch. Oh my god,

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Speaker 1: it was flop parade down, not giving, not carrying, not

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Speaker 1: holding no thing. There's nothing more humiliating when a girl

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Speaker 1: can't give Blanche in class. Nothing. It's so humiliated. Is

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Speaker 1: you know who could give Blanche down our? And this

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Speaker 1: is the sub kind of see Williams mu this is

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Speaker 1: I've never seen more blanche energy. That's insulting to an extent.

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Speaker 1: Well no, okay, wait, actually the more I think about it,

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Speaker 1: But what I'm saying is when I look over at

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Speaker 1: our guests, it is the icon. Thank you. That's what

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Speaker 1: I'm starting for icon icon. Our guests, Walter laughing, Walter's laughing,

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Speaker 1: hot little laugh, Oh my god, inaudible. But the shut up, sure,

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Speaker 1: I got shut up. We don't know if he's whatever.

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Speaker 1: Um let's about our guests, um our guest is really

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Speaker 1: one of the one of the best people out there.

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Speaker 1: A watershed human, watershed human, I agree, I don't disagree

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Speaker 1: which watershed human? I mean, there's where do we I'm

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Speaker 1: overwhelmed because I don't even know where to start. Well,

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Speaker 1: let's start in the beginning. Born Actually get this, and

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Speaker 1: this is all My sisters were born and around. We

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Speaker 1: were born within ten a week of each other in Africa.

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Speaker 1: She was born in it and she was not born

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Speaker 1: in Africa. You lived in Africa, she lived there, She

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Speaker 1: was not born there. You were you born in Indiana? Okay,

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Speaker 1: born in India. Oh, my god, lived in Africa, but

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Speaker 1: not born there. Oh. And I never said that number once.

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Speaker 1: Number once. But as I that's sometimes I get my

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Speaker 1: girls mixed up because my one girl was born in Australia.

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Speaker 1: Here a rather girl girl. I think she is really

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Speaker 1: huh when she went icon icon iconic right, Blanch Blanche, Blanche,

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Speaker 1: vibes blanche, Rachel Ziegler vibes, Holiday vibes. Honey, I mean,

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Speaker 1: I I want to do the letterman thing of our

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Speaker 1: next desk needs no introduction, and you just did it,

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Speaker 1: and now we said it, and now we said it

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Speaker 1: because you if you listen to the podcast for any

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Speaker 1: number of years, and it's had to be for at

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Speaker 1: least a couple of years for us to be exciting

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Speaker 1: for you that we're entering another's, that we've been in

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Speaker 1: another summer of count and that we have our guests

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Speaker 1: here with us to really process it, unpack it. Um,

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Speaker 1: we couldn't be more thrilled. This is one of those

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Speaker 1: days where you smile all day and then you get

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Speaker 1: to sort of the moment you're and you've just been

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Speaker 1: smiling so much. I've been filing so much, and as

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Speaker 1: my tears come to my eyes, people have been asking

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Speaker 1: for this. Oh, you wouldn't believe the requests, and it's here,

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Speaker 1: and it's here at the sort of we could say

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Speaker 1: end of the summer. Well, we're at an interesting time.

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Speaker 1: We're at the sort of the twilight of it, you know.

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Speaker 1: And then this twilight of summer, we begin the summer

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Speaker 1: of Count four by bringing in the Queen, the iconic Blanche,

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Speaker 1: a watershed human. Welcome our guests, suit En. I've always

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Speaker 1: relied on the off him, another legend bride in this room.

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Speaker 1: You definitely played Blanche in school. Oh my god, no,

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Speaker 1: I didn't, but I remember my freshman year at m

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Speaker 1: y U. First of all, thank you for recognizing me

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Speaker 1: as an African. African born I carry, but I did

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Speaker 1: my freshman year. We did street Car my freshman year

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Speaker 1: and we read street Car, and I'll never forget It's

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Speaker 1: just like my second week at m y U and

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Speaker 1: my professor goes the first lines to the play and

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Speaker 1: I'm doing like an incredible impression of him and he

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Speaker 1: like kind of had like this like very big head

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Speaker 1: and kind of pointed with like a t rex. I think, yeah,

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Speaker 1: I think I had him first line. Here meat catch

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Speaker 1: it and he's primal and it's sexual, and I was like, wow,

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Speaker 1: I'm about to get educated. Absolutely, Oh this guy is

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Speaker 1: his name started with an R. Last name was an R.

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Speaker 1: Robert something, Yeah, Rang Gilly. Maybe we're naming names. That's

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Speaker 1: not wrong, it was, but definitely there was a Ran

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Speaker 1: Gelly Famously study and I were in the same program,

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Speaker 1: and I really I really just like, well, miss the Eyed,

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Speaker 1: I'm just I get Missy. I'd listening to you guys

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Speaker 1: talk about that time in your lives because I'm just like,

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Speaker 1: I mean, we've done this literally every summer of kind

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Speaker 1: of episode were you guys where I'm like, what was

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Speaker 1: that like? Because I really don't everybody wants to hear

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Speaker 1: people who went to n y U relive those days.

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Speaker 1: That is, especially other comedians. I really want to hear

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Speaker 1: about kids and went to YU and what it was like,

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Speaker 1: Oh my god, the sort of live like variously in

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Speaker 1: that experience and also talk about your musical sketch group

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Speaker 1: that you're all, oh my god today. And I told

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Speaker 1: someone we were really kicked out of a musical theater

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Speaker 1: improv group. You and I. That's right, we were. That's fine,

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Speaker 1: that's funny. I think that's I would know. I'm so

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Speaker 1: much you were great at it. I was noo. They

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Speaker 1: kicked us both out because we both, I guess, lacked

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Speaker 1: what it was the technique of musical improv, which is

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Speaker 1: it is a technique. Yeah, but girl, we were given

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Speaker 1: we were carrying down. You saw happy Karaoke fun Time,

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Speaker 1: which by the way, that was its name. Let's not

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Speaker 1: let's not drag this wonderful you know, shared effort in

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Speaker 1: the in that group. You're right, it was incredible, wonderful people.

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Speaker 1: Let's talk about the fact that I wasn't accepted into

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Speaker 1: Danger Box yeah, your improv group, so actually kind of

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Speaker 1: you kind of Happy Carrio Keep Fun Time to meet.

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Speaker 1: I didn't I know, I did not invite know what

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Speaker 1: happened for Happy Caria Keep Fun Time. I can't believe

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Speaker 1: we're talking about this. What happened Happy Area Fun Time

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Speaker 1: was that Matt and I were asked, were invited to

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Speaker 1: joy and then plain the premise of the musical theater.

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Speaker 1: So musical improv, it's what it sounds like. You know.

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Speaker 1: Sometimes typically you have a pianist or a musician on

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Speaker 1: the side of the stage kind of like playing like

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Speaker 1: a random chord progression and then people in the theme

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Speaker 1: will happen. This show was different. This show was so, yeah,

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Speaker 1: any random chord progression and then typically meet musicians will

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Speaker 1: uh the improvisers will improvise the melody, the verse, the chorus, whatever.

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Speaker 1: For this, it was just like karaoke tracks to already

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Speaker 1: established song, Like so you were doing like parodies and

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Speaker 1: so and then you had to like memorize you were

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Speaker 1: doing parodies you had But classically my favorite form of

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Speaker 1: comedy the hike the song and make the different. And

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Speaker 1: I gotta tell you, when I'm watching an arsenal, I

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Speaker 1: was like fucking parodies, like the parodies I have to

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Speaker 1: my name, but parodies you just get to that point

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Speaker 1: when you're at S and L where you're just like

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Speaker 1: you start in your being like I hate puns, Like

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Speaker 1: the only observation behind like word humor, word play is

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Speaker 1: that like the words sound like other words. And I'm

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Speaker 1: like an observation and then like cut to you being

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Speaker 1: like what ry Trump? It's actually Trump? Now this is

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Speaker 1: on a technical level. Why don't think you've done that

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Speaker 1: many parodies? No, I'm saying, no, no, you really haven't.

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Speaker 1: Those are I feel like the show overall doesn't even

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Speaker 1: do that. Can I say one thing? I think there's

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Speaker 1: something too like when so so? Sort of what we

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Speaker 1: were really doing was like Mimi musical theater improv. It

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Speaker 1: was so it was well it was that, um, we

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Speaker 1: had to learn the like let it go. We don't

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Speaker 1: have like five songs, remember what it was. It was

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Speaker 1: like five songs would be in rotation, and when you

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Speaker 1: would learn them, like I didn't like, let's say I

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Speaker 1: didn know like sweet Child of Mine, like like I

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Speaker 1: would be like, I guess I gotta learn like the

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Speaker 1: melody like and that was like an element that made

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Speaker 1: it even more difficult. It was hard and so then

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Speaker 1: so what happened was we were summarily asked to leave

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Speaker 1: after two rehearsals in one show. And that was that.

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Speaker 1: Because do you want me to give you a word? Yeah, okay,

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Speaker 1: ask ask for it. Okay, um, okay. So we are

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Speaker 1: we are too younger, too younger, and we need we need.

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Speaker 1: All we need is a word. Remember when we did

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Speaker 1: do improfit as Gray's Anatomy Drag, something we well, I

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Speaker 1: asked you, I was booked for Josh and Aaron show,

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Speaker 1: a gay show for all people, to do plux. I

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Speaker 1: was scared out of my mind. I did not prepare

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Speaker 1: anything for the show. I asked you the day before, Matt,

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Speaker 1: you have to help me out. And I was in

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Speaker 1: a creative globe. I did not know what to do

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Speaker 1: with myself. And I was just like, Matt, let's just

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Speaker 1: I'm gonna let's go to the story pirates closet, get

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Speaker 1: some lab coats and some wigs, and let's just do

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Speaker 1: Gray's Anatomy Drag. Remember that it was we bombed so hard,

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Speaker 1: it was really awful, Like it was like because this

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Speaker 1: it was going to be bowen and I were coming

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Speaker 1: out as I think Christina Meredith and Christina, but I

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Speaker 1: looked more like Izzy. So like the thing is we

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Speaker 1: were said were Meredith in Christina, but clearly already it's

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Speaker 1: really that happened. It was so blind, So already the

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Speaker 1: bit was weird because people were like that because they're

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Speaker 1: too hot. I was like too like Catherine Hagel, and

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Speaker 1: so I was obviously crying out to like I was

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Speaker 1: an incredible crier, like doing that. I write that I

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Speaker 1: said I didn't know what hell mat um. So then

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Speaker 1: I thought I was a surgeon. But I I thought

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Speaker 1: it was a surgeon. But I'm not so well. I

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Speaker 1: guess that puts an end to the evening. Meredith Meredith,

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Speaker 1: what an incredible Fanali, it's a front runner for a

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Speaker 1: lot of awards. It really is bo and actually I

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Speaker 1: think that we have to talk about potentially chasing cars.

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Speaker 1: The song getting the one Division Award for Television absolutely,

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Speaker 1: oh my god, it's a serious front runner. Great campaigning

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Speaker 1: for that category has been I love Lucy in the

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Speaker 1: in the grape stomping. Yes, you know that's a good one. Anyway,

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Speaker 1: So we fully bombed anatomy dragon prov we bombed a

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Speaker 1: happy karaoke fun time. But can we get a suggestion

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Speaker 1: for a work? Yeah, we're from our story and improv career.

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Speaker 1: Let's do it. I can't believe this. Shonda okay, okay,

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Speaker 1: Shanda's got a smile that it seems to me reminds

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Speaker 1: me of Year of Yes, How do I get away

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Speaker 1: with Murder? And bridget in anal sex was there? She

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Speaker 1: wrote a book about saying yes because she sat he

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Speaker 1: hasn't many times. That's how she got a business schedule.

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Speaker 1: Never see something that was as funny as it ever

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Speaker 1: couldn't be, couldn't and then that was that was That

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Speaker 1: was the That was the lowest deeeling on the comedy.

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Speaker 1: Ye did you guys write that? Because it feels written,

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Speaker 1: It feels like you guys wrote it. Were just yeah,

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Speaker 1: I feel like it was so good that I thought

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Speaker 1: you guys wrote it. And I actually think that this

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Speaker 1: was so good that it was written and SNL is

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Speaker 1: so good that they have to be improvising. Oh my god,

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Speaker 1: that's clearly what it is. I'm always like wondering how

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Speaker 1: do they get so funny? It must be just because

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Speaker 1: they get a lot of funny people together just sort

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Speaker 1: of mess around are you guys just like messing around?

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Speaker 1: Just like yes, messing around. Wait, we have to say.

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Speaker 1: We were at the dinner of the other night and

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Speaker 1: the waiter pitch just sketch, but we have to say it,

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Speaker 1: and it was don't don't pitch a sketch, you guys,

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Speaker 1: come on, don't pitch a sketch. It was, it was,

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Speaker 1: It was hard, and I think he learned a valuable

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Speaker 1: lesson that night. I don't think he should we just

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Speaker 1: I think he might have because the embarrassment was so

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Speaker 1: I felt terrible, but I also didn't feel bad for

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Speaker 1: sending that boundary because I will say that this was

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Speaker 1: this was like a young man that I'm a young

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Speaker 1: confident man that I wanted to teach like I wanted

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Speaker 1: to teach like a mother, you know what I mean,

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Speaker 1: Like I really I really wanted to explain to him,

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Speaker 1: like I totally know where you're coming from and this

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Speaker 1: is the way to do it, and I'm going to

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Speaker 1: tell you the way to do it. But it wasn't

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Speaker 1: like appropriate. And then at the end I panicked and

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Speaker 1: he said, can I pick you guys a sketch? And

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Speaker 1: I went like this and we did all left because

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Speaker 1: it was it was funny, and I honestly I was

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Speaker 1: shook because when he asked the question, I was like,

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Speaker 1: oh my god, I'm assessing myself right now in the situation,

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Speaker 1: and I know I'm gonna like be like yeah and

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Speaker 1: you being like please don't end up being a funny moment.

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Speaker 1: I thought was the perfect way to handle that because

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Speaker 1: we didn't have to hear it, and we tipped him big.

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Speaker 1: I told him, I told him, please, don't let us

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Speaker 1: tip you first. Let us tip you first, and then

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Speaker 1: you know, we'll all have a good night or something

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Speaker 1: like that. And then I told him later that you know, oh,

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Speaker 1: you can't tell us because even if it's good, we

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Speaker 1: can music because we'll get suit. But I did you know,

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Speaker 1: it's just a lose lose, like there's no good way

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Speaker 1: to get it. And I totally get it because I

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Speaker 1: was young and I saw Mara Efron eating in a

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Speaker 1: pan Quintitian and I thought like, this is my moment.

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Speaker 1: She's going to see me writing in a notebook and

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Speaker 1: be like, hey, what are you writing. I'm engaging, you know, like, hey,

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Speaker 1: I want to know what she and she's wearing uggs

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Speaker 1: that her mom got a target and they're not ugs

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Speaker 1: but cobras or whatever, you know, And I thought, I

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Speaker 1: really thought that now I wasn't like a young man,

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Speaker 1: and so I didn't walk up to her in that moment. Writer,

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Speaker 1: But there is just something. I was talking about this

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Speaker 1: with Julio last night, like he was talking about now

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Speaker 1: he like, his first year in New York, volunteered at

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Speaker 1: the Tribeca Film System to watch films because he was

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Speaker 1: like and then he thought, because he genuinely thought at

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Speaker 1: the time, yeah, I do a good job. Maybe the

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Speaker 1: last meet to submit a movie. And then and then

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Speaker 1: I was like, this is for me like high school,

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Speaker 1: middle school. I'm gonna go into Hollister and fold up

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Speaker 1: some of the clothes that are like unfolded and made.

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Speaker 1: They'll ask me to work there. Totally, totally, Where does

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Speaker 1: that come from? Somebody? There's has to be something in

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Speaker 1: media or something like our parents told us that was

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Speaker 1: like that happens. Are you just like a fucking young idiot?

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Speaker 1: I don't know. I think he was just this guy

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Speaker 1: was just young. But the other night I think he

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Speaker 1: was also like, you know, maybe maybe like I think

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Speaker 1: he genuinely thought he had a funny sketch on his

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Speaker 1: hands and then probably and you know what, maybe what

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Speaker 1: this is the crazy part is that had nor e

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Speaker 1: Fron come up to you, she would have discovered that

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Speaker 1: you we're one of the most talented writers of them

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Speaker 1: that it's in the world. And so maybe what we've

355
00:20:05,240 --> 00:20:10,120
Speaker 1: fucked up about we up is that we we're talking

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Speaker 1: to the next Loren. Well, this is what I think

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Speaker 1: is like the fantasy. I thought about this a lot

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Speaker 1: because meant to be, but I've been I know I'm

359
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Speaker 1: going to get cut. We're not saying not to be

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00:20:24,160 --> 00:20:30,240
Speaker 1: when it's summer of that's well, okay. So I've had

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Speaker 1: a lot of experiences where you walk into a room

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Speaker 1: full of very lucky to have these experiences that you

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Speaker 1: walk into a room full of like your heroes, like

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Speaker 1: the ultimately and there is this fantasy that I have

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Speaker 1: and I think a lot of people have where it's

366
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Speaker 1: like when you are to meet Like one time I

367
00:20:54,000 --> 00:20:58,359
Speaker 1: was walked into a room and it was Martin Short

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Speaker 1: and Calf no Hara and then who is God, I

369
00:21:04,720 --> 00:21:08,360
Speaker 1: can't believe I'm forgetting her name. She's also uh second

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00:21:08,359 --> 00:21:13,600
Speaker 1: City Canada person, not Andrew know Andrew Martin, Andrew Martin

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Speaker 1: and god, I'm so annoyed. I forgot her name anyway,

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Speaker 1: So I was working on Miam Marty and I had

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Speaker 1: to give like Marty a new script or something like that,

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Speaker 1: and I was like, somebody told me, like he's in

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Speaker 1: there with Katherine O'Hara and Andrew Martin, and I was like,

376
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Speaker 1: oh my god, and I was like, can I go in?

377
00:21:30,760 --> 00:21:33,560
Speaker 1: And they really can go in just whatever, So I

378
00:21:33,680 --> 00:21:36,760
Speaker 1: like go in to like put my little script completely

379
00:21:36,800 --> 00:21:40,879
Speaker 1: interrupt their conversation, but also like whatever it might. And

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Speaker 1: I'm like, um, Marty, and I told my little thing

381
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Speaker 1: and then I just like stand there with like a

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00:21:45,760 --> 00:21:48,600
Speaker 1: big smile. And then I'm like you walk out the door.

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00:21:48,880 --> 00:21:51,160
Speaker 1: And the thing is is that that's what it is.

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Speaker 1: That's actually every single interaction like that, What do you

385
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Speaker 1: mean at the end, like stood there. I stood there

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Speaker 1: for a beat, I smiled, and then I left. In

387
00:22:00,320 --> 00:22:03,480
Speaker 1: your In my brain, I always have the fantasy of, like, oh,

388
00:22:03,560 --> 00:22:06,560
Speaker 1: if I were to be at the ultimate dinner table

389
00:22:06,600 --> 00:22:08,800
Speaker 1: of like everybody I've ever looked up to, And this

390
00:22:08,880 --> 00:22:11,280
Speaker 1: is the fantasy, is that you sit down and they

391
00:22:11,320 --> 00:22:16,480
Speaker 1: all go, oh, Sudi, have you met Sudi? Katherine O'Hara.

392
00:22:16,640 --> 00:22:20,679
Speaker 1: This is Sudie and I love her and she's brilliant

393
00:22:21,040 --> 00:22:23,199
Speaker 1: and she's the funniest person I've ever met. And actually,

394
00:22:23,720 --> 00:22:27,440
Speaker 1: and actually she's the next you, and you should love

395
00:22:27,480 --> 00:22:30,560
Speaker 1: her like she's your daughter. And um, Sudie, would you

396
00:22:30,600 --> 00:22:33,000
Speaker 1: like to eat and drink whatever we're eating and drinking?

397
00:22:33,040 --> 00:22:35,240
Speaker 1: And would you like to tell the story? And we'll

398
00:22:35,280 --> 00:22:38,520
Speaker 1: all laugh and listen. But guess what it actually is?

399
00:22:39,040 --> 00:22:41,679
Speaker 1: You lack in You give them the piece of paper,

400
00:22:41,920 --> 00:22:46,440
Speaker 1: you smile, and you leave and if they and if

401
00:22:46,480 --> 00:22:49,960
Speaker 1: they say keep pants, then you take that home and

402
00:22:50,000 --> 00:22:55,200
Speaker 1: you never forget. I think that this fantasy is still

403
00:22:55,240 --> 00:23:00,480
Speaker 1: maybe like incoming, though I've definitely had moments like I've

404
00:23:00,480 --> 00:23:02,880
Speaker 1: been like, pinch me, like I can't believe like this

405
00:23:02,960 --> 00:23:05,520
Speaker 1: person I look up to is saying something nice to me.

406
00:23:05,720 --> 00:23:08,600
Speaker 1: I've definitely had those pinch me moments. But the thing

407
00:23:08,680 --> 00:23:10,480
Speaker 1: is is when you're a room of when you're in

408
00:23:10,520 --> 00:23:15,840
Speaker 1: a room great babe, you don't register and that's fine,

409
00:23:16,560 --> 00:23:18,159
Speaker 1: and you know why you gotta do. You gotta find

410
00:23:18,200 --> 00:23:21,040
Speaker 1: your own room full of grades, and um, bitch, that's

411
00:23:21,080 --> 00:23:25,280
Speaker 1: where I am. And I'm including Walter Walter Walter I'm

412
00:23:25,280 --> 00:23:29,200
Speaker 1: including you in your floral top and top where you

413
00:23:29,240 --> 00:23:36,960
Speaker 1: get it the stores definitely in competition with us. We're

414
00:23:37,119 --> 00:23:39,800
Speaker 1: Benobo's spokesmodels. I don't know if you've been on Fifth

415
00:23:39,880 --> 00:23:43,600
Speaker 1: Avenue and check it out, Walter might like what you see?

416
00:23:44,040 --> 00:23:46,840
Speaker 1: Um like I do right now. Um. Anyway, floating away

417
00:23:46,840 --> 00:23:50,040
Speaker 1: from that to say, I think that for me, like

418
00:23:50,200 --> 00:23:52,280
Speaker 1: that happens. And this is not to like plug, but

419
00:23:52,720 --> 00:23:55,720
Speaker 1: when forces coming out for me, like when we were

420
00:23:55,720 --> 00:24:00,560
Speaker 1: sitting before pandemic, when se Shawn Hayes would come in. Now,

421
00:24:00,600 --> 00:24:02,320
Speaker 1: I like, I'm sort of you know, we're friends. We

422
00:24:02,400 --> 00:24:05,040
Speaker 1: text whenever I like have him reach out to me.

423
00:24:05,080 --> 00:24:08,520
Speaker 1: I'm like, this is this is a man like tonically

424
00:24:08,640 --> 00:24:11,760
Speaker 1: funny Yeah, like when like it's just like and talk

425
00:24:11,840 --> 00:24:15,120
Speaker 1: about like being one of the very first like truly

426
00:24:15,440 --> 00:24:18,520
Speaker 1: gay men on television playing a gay character, like now

427
00:24:18,560 --> 00:24:20,040
Speaker 1: that I have a relationship with him, that is that

428
00:24:20,119 --> 00:24:22,440
Speaker 1: As a pinch me, I would say that Sean Hayes

429
00:24:22,560 --> 00:24:25,800
Speaker 1: is like, low key one of my great comedic influences

430
00:24:25,880 --> 00:24:28,440
Speaker 1: because I was so obsessed with Will and Grays growing

431
00:24:28,520 --> 00:24:31,399
Speaker 1: up and it truly was like I remember watching like

432
00:24:31,480 --> 00:24:35,040
Speaker 1: that Thursday night lineup my dad would always watch Thursday

433
00:24:35,119 --> 00:24:37,080
Speaker 1: Night and like it was Friends into Well and Grace,

434
00:24:38,119 --> 00:24:42,520
Speaker 1: Friends into into Fraser or something like that. I think

435
00:24:42,560 --> 00:24:44,639
Speaker 1: Friends was first, because Will and Grace was definitely a

436
00:24:44,720 --> 00:24:46,159
Speaker 1: step up in terms of it's going to be a

437
00:24:46,160 --> 00:24:49,879
Speaker 1: little later and later than Night. Believe it was. I

438
00:24:49,880 --> 00:24:52,160
Speaker 1: could be lying, but like Will and Grace was our

439
00:24:52,280 --> 00:24:55,280
Speaker 1: favorite out of that lineup, and I have so many,

440
00:24:55,560 --> 00:24:57,480
Speaker 1: so much of his timing. It's just like burnt into

441
00:24:57,520 --> 00:25:01,080
Speaker 1: my brain. Like there's this one part where like later

442
00:25:01,480 --> 00:25:04,440
Speaker 1: in the season, Debor Messing is with Harry Connick Jr.

443
00:25:04,480 --> 00:25:07,800
Speaker 1: And he comes back from like Cambodia or something where

444
00:25:07,840 --> 00:25:11,200
Speaker 1: he was that he was like doing Doctors without Borders,

445
00:25:11,600 --> 00:25:13,840
Speaker 1: and he shows up with this woman that he's been

446
00:25:13,840 --> 00:25:18,520
Speaker 1: sharing like a tent with like this like hot female doctor.

447
00:25:19,280 --> 00:25:24,000
Speaker 1: The whole episode, Sean Hayes a K. Jack goes, I

448
00:25:24,000 --> 00:25:31,240
Speaker 1: would die but die, Oh my god, my god, I

449
00:25:31,320 --> 00:25:34,399
Speaker 1: would die. A radical show for its time. I know.

450
00:25:34,480 --> 00:25:36,040
Speaker 1: It's like we say that now and it's like, oh

451
00:25:36,080 --> 00:25:40,720
Speaker 1: ha ha m my My favorite Jack moment is um

452
00:25:40,760 --> 00:25:43,200
Speaker 1: he's wearing his apron and then I think, uh, Debor

453
00:25:43,240 --> 00:25:45,720
Speaker 1: Messing goes and then it says kiss the cook on it.

454
00:25:45,840 --> 00:25:47,879
Speaker 1: She goes kiss the cook and then he goes he

455
00:25:47,880 --> 00:25:54,000
Speaker 1: looks down at it and goes, oh. The audience loses

456
00:25:54,480 --> 00:26:00,399
Speaker 1: oh oh, and then the audience is going crazy for

457
00:26:00,440 --> 00:26:03,119
Speaker 1: like twenty seconds. Truly. I mean, I do love that

458
00:26:03,200 --> 00:26:05,639
Speaker 1: I missed that, not to be like we need to

459
00:26:05,680 --> 00:26:08,399
Speaker 1: go back to before, but like what I liked for

460
00:26:08,680 --> 00:26:12,240
Speaker 1: one division was it reminded me of the live performance

461
00:26:12,280 --> 00:26:15,560
Speaker 1: aspect of the sitcoms, like the way Katherine Harrock killed

462
00:26:15,600 --> 00:26:17,879
Speaker 1: those first that first episode, the way she was like

463
00:26:18,119 --> 00:26:22,719
Speaker 1: her coreo in her comedy like traveling and what did

464
00:26:22,720 --> 00:26:24,800
Speaker 1: I say? Katherine Harron was like, who is this a

465
00:26:24,800 --> 00:26:31,600
Speaker 1: new girl? My god? And please, I'm sorry, but honey,

466
00:26:31,640 --> 00:26:33,320
Speaker 1: when you need to be corrected, you should be. It's

467
00:26:33,320 --> 00:26:35,520
Speaker 1: actually a really culture number four. When you need to

468
00:26:35,560 --> 00:26:43,440
Speaker 1: be corrected, you should be my mother. That's actually you

469
00:26:43,480 --> 00:26:46,959
Speaker 1: know that would be like your mom is like you

470
00:26:46,960 --> 00:26:50,119
Speaker 1: know that mom? Well, the thing about my mom is

471
00:26:50,160 --> 00:26:52,479
Speaker 1: that she's very corrective, but she's kind of always right.

472
00:26:52,960 --> 00:26:56,919
Speaker 1: The thing need to be corrected, you should be. Like

473
00:26:56,960 --> 00:26:58,760
Speaker 1: what I was saying was like the Catherine han of

474
00:26:58,760 --> 00:27:01,679
Speaker 1: it all, Like that's a type of performance now that

475
00:27:01,760 --> 00:27:03,440
Speaker 1: you know you never get an audition to that type

476
00:27:03,440 --> 00:27:06,920
Speaker 1: of stuff, like like honestly like thank god that like

477
00:27:07,119 --> 00:27:09,239
Speaker 1: we got that role paired with that person in that

478
00:27:09,280 --> 00:27:11,800
Speaker 1: type of acting environment because he was so incredible at it.

479
00:27:11,840 --> 00:27:18,800
Speaker 1: He's an unbelievable physical comedian. Yes, yes, absolutely, it's crazy

480
00:27:19,119 --> 00:27:22,439
Speaker 1: Sean Shan Shan Shan, And I gotta come on, can

481
00:27:22,520 --> 00:27:26,720
Speaker 1: I say yes, you must talked about him? Oh my god,

482
00:27:26,760 --> 00:27:28,920
Speaker 1: that'd be great because I I was just gonna bring

483
00:27:28,960 --> 00:27:32,520
Speaker 1: it up. This is my like ethnic animalog almost but

484
00:27:32,560 --> 00:27:34,680
Speaker 1: not really. The first time, I might be the first

485
00:27:34,680 --> 00:27:36,480
Speaker 1: time I worked with b D on the pilot for Nora,

486
00:27:36,680 --> 00:27:39,400
Speaker 1: I was fully a fan. It was just like, can

487
00:27:39,440 --> 00:27:41,800
Speaker 1: we take a picture together, and he kind of was

488
00:27:41,960 --> 00:27:44,760
Speaker 1: like sure, Like at that time he wasn't. He was

489
00:27:44,840 --> 00:27:47,080
Speaker 1: like probably so psyched. He he was just like no,

490
00:27:47,200 --> 00:27:50,000
Speaker 1: I think he would cop to this. He was just like, yeah, yeah,

491
00:27:50,080 --> 00:27:53,199
Speaker 1: well he's a very like he's a very sedate and

492
00:27:53,200 --> 00:27:54,879
Speaker 1: he was just like that. At that time. It was

493
00:27:54,920 --> 00:27:57,479
Speaker 1: just like some like to him. I was just like

494
00:27:57,520 --> 00:28:01,440
Speaker 1: some some dude like I like I hadn't I hadn't

495
00:28:01,440 --> 00:28:03,359
Speaker 1: gotten hired sell yet, and I think he just didn't.

496
00:28:03,359 --> 00:28:05,159
Speaker 1: And now he's just like maybe he like sends me

497
00:28:05,200 --> 00:28:08,480
Speaker 1: like every kind of cheerleading message every week. You were

498
00:28:08,640 --> 00:28:11,680
Speaker 1: his waiter in the restaurant, pitching he did not know

499
00:28:11,680 --> 00:28:14,240
Speaker 1: who you were, and leading to who that young girl was.

500
00:28:14,359 --> 00:28:16,600
Speaker 1: If this waiter asked for a picture, I'd been like sure,

501
00:28:16,680 --> 00:28:20,600
Speaker 1: even though that's unprofessional the restaurant yet I've been like, yeah,

502
00:28:20,640 --> 00:28:24,040
Speaker 1: sure was that wasn't I don't want to talk about

503
00:28:24,080 --> 00:28:28,600
Speaker 1: him too much. I feel that No, no, no, we're done.

504
00:28:28,840 --> 00:28:32,600
Speaker 1: We're talking about her. We're talking about the impact of

505
00:28:32,600 --> 00:28:36,399
Speaker 1: Will and Grace on television and how we watched television

506
00:28:36,560 --> 00:28:41,240
Speaker 1: and Sean Hayes's abilities as a physical comedian. And now

507
00:28:41,280 --> 00:28:45,440
Speaker 1: we've sort of expressed that sentiment. Thank you, thank you.

508
00:28:46,120 --> 00:28:50,440
Speaker 1: Bet Wong basically didn't know he was speaking to Jesus

509
00:28:51,560 --> 00:29:04,200
Speaker 1: at the time. Yes, yes, Yes, should we do the thing?

510
00:29:04,280 --> 00:29:07,840
Speaker 1: Do the thing? Check in about everyone's summer of und

511
00:29:08,520 --> 00:29:10,280
Speaker 1: You know, there was a glimmer of us. I feel

512
00:29:10,320 --> 00:29:13,040
Speaker 1: like there was real potential of summer of unt there

513
00:29:13,080 --> 00:29:16,760
Speaker 1: for a hot seconds. But we're all going through I know, God, Okay,

514
00:29:16,760 --> 00:29:20,640
Speaker 1: should I go first? Go first? Okay, Well, what's coming

515
00:29:20,680 --> 00:29:24,640
Speaker 1: on me? I'm famously moving to l A w This

516
00:29:24,720 --> 00:29:28,280
Speaker 1: is this is a rebirth moment. It's huge study has

517
00:29:28,320 --> 00:29:31,720
Speaker 1: sort of shed the skin of SNL. The cocoon of

518
00:29:31,880 --> 00:29:35,320
Speaker 1: SNL has been sort of cast off. Thank you cocoon,

519
00:29:35,560 --> 00:29:41,880
Speaker 1: Thank you Chrysalis cocoon. Yeah, I guess Chrysalis, right, Yeah,

520
00:29:43,560 --> 00:29:47,600
Speaker 1: I know it's so crazy. Don't work there anymore, but

521
00:29:47,760 --> 00:29:52,520
Speaker 1: I do feel like spiritually I always will. Like it's

522
00:29:52,680 --> 00:29:56,560
Speaker 1: very fucked up. It is so in many ways who

523
00:29:56,600 --> 00:30:00,320
Speaker 1: I am. The fact that I worked there, like it

524
00:30:00,480 --> 00:30:06,520
Speaker 1: just was my entire life really and like, um, it's

525
00:30:06,520 --> 00:30:09,000
Speaker 1: also like a huge part of my identity in a

526
00:30:09,040 --> 00:30:14,080
Speaker 1: weird in a weird way where it's like, I, you know, no,

527
00:30:15,000 --> 00:30:18,000
Speaker 1: you take the good with the bad, I think, and

528
00:30:18,040 --> 00:30:21,239
Speaker 1: like yeah, And now I'm in a place where I'm like,

529
00:30:21,720 --> 00:30:25,160
Speaker 1: I'm glad I don't work there anymore, but I do

530
00:30:25,480 --> 00:30:28,320
Speaker 1: miss it and know that I will miss it, Like

531
00:30:28,520 --> 00:30:32,840
Speaker 1: I'm like scared of like the first set back. I

532
00:30:32,880 --> 00:30:35,000
Speaker 1: don't know if I'll watch, but I want to watch,

533
00:30:35,080 --> 00:30:39,080
Speaker 1: but I don't know if I will. You just just

534
00:30:39,080 --> 00:30:43,719
Speaker 1: just make the call, like on the day, and then

535
00:30:43,760 --> 00:30:46,560
Speaker 1: I'm like, yeah, it's I think that you'll find your

536
00:30:46,560 --> 00:30:48,760
Speaker 1: boundary with it, un once you see how you feel

537
00:30:48,800 --> 00:30:50,840
Speaker 1: watching it. And also it might be different every week.

538
00:30:50,920 --> 00:30:52,920
Speaker 1: I know I have talked to people who are like,

539
00:30:53,080 --> 00:30:57,280
Speaker 1: I don't watch the episodes, but I watch clips that

540
00:30:57,320 --> 00:31:01,560
Speaker 1: like I hear about. But it's also like, I don't know,

541
00:31:01,920 --> 00:31:05,000
Speaker 1: I want to see what people are doing, but it's

542
00:31:05,040 --> 00:31:09,040
Speaker 1: so loaded. It's incredibly My friends, be funny. This is

543
00:31:09,080 --> 00:31:13,960
Speaker 1: the thing. It's like anybody who UM works in Let's say,

544
00:31:14,720 --> 00:31:16,480
Speaker 1: who was I talking to you recently? I mean, but

545
00:31:16,480 --> 00:31:20,120
Speaker 1: it's it's it's anybody like UM. Let's just generalize within

546
00:31:20,160 --> 00:31:22,880
Speaker 1: our own like world. Like it's like anybody who works

547
00:31:22,880 --> 00:31:26,800
Speaker 1: in TV goes home and they want to not watch productions.

548
00:31:27,880 --> 00:31:30,840
Speaker 1: It's that thing. And so for you, maybe it's like

549
00:31:30,880 --> 00:31:36,000
Speaker 1: you probably will just be so you'll have this incredibly

550
00:31:36,040 --> 00:31:39,800
Speaker 1: immense top layer of awareness of like what went into

551
00:31:39,880 --> 00:31:42,080
Speaker 1: what you're looking at any given moment, and that just

552
00:31:42,120 --> 00:31:45,840
Speaker 1: feels like not pleasant. I think what will miss is

553
00:31:46,800 --> 00:31:52,960
Speaker 1: the feeling of in the moment knowing that you can

554
00:31:53,000 --> 00:31:55,600
Speaker 1: do it like that. That took me a while to

555
00:31:55,680 --> 00:31:57,680
Speaker 1: get there, but I do feel like in my last

556
00:31:57,720 --> 00:32:01,000
Speaker 1: like three years, I would have moments where I was

557
00:32:01,080 --> 00:32:04,640
Speaker 1: running around and really busy, but knowing that I could

558
00:32:04,680 --> 00:32:09,720
Speaker 1: handle what was happening, and that really felt like a

559
00:32:09,800 --> 00:32:13,520
Speaker 1: superpower in a way. It felt like like one time,

560
00:32:14,960 --> 00:32:16,400
Speaker 1: I love it, I go for this. I think this

561
00:32:16,480 --> 00:32:18,080
Speaker 1: was like one of the first I think this was

562
00:32:18,120 --> 00:32:20,520
Speaker 1: her first year where I was like we didn't really

563
00:32:20,560 --> 00:32:22,360
Speaker 1: know each other that well yet, But then I was like,

564
00:32:22,440 --> 00:32:25,080
Speaker 1: I love this bitch because she was like, you know,

565
00:32:25,080 --> 00:32:26,680
Speaker 1: it was her first year. She's not in the show

566
00:32:26,720 --> 00:32:29,080
Speaker 1: like a ton you know what I mean, she only

567
00:32:29,160 --> 00:32:34,200
Speaker 1: knew cast like, so she felt a crushing sense of loneliness.

568
00:32:34,200 --> 00:32:35,760
Speaker 1: I won't speak on her behalf, but I feel like

569
00:32:35,760 --> 00:32:37,320
Speaker 1: that's like what her experience was. I'm so sorry to

570
00:32:37,360 --> 00:32:41,040
Speaker 1: keep talking. Well, everybody's first yearious crushing, not to not

571
00:32:41,160 --> 00:32:45,680
Speaker 1: to just diminished, but I'm like everybody's first years. That's

572
00:32:45,720 --> 00:32:48,760
Speaker 1: how you could describe everybody's first Um No, but this

573
00:32:48,800 --> 00:32:52,320
Speaker 1: is this is like she had a light show and

574
00:32:52,440 --> 00:32:56,880
Speaker 1: she had gone to a store and she had come in,

575
00:32:56,920 --> 00:32:58,640
Speaker 1: which is like totally fine to do. It was like,

576
00:32:58,680 --> 00:33:00,960
Speaker 1: you have a huge block. No, I don't want to

577
00:33:00,960 --> 00:33:05,400
Speaker 1: say the store. I don't want the store. That's not

578
00:33:05,480 --> 00:33:07,760
Speaker 1: that's not the store. I just I just said a name. Um,

579
00:33:07,920 --> 00:33:13,520
Speaker 1: And she had come in holding shopping. She was like

580
00:33:14,200 --> 00:33:16,239
Speaker 1: saw me, like knocking on the door. I think I

581
00:33:16,320 --> 00:33:17,760
Speaker 1: was like talking. I forget what I was talking abou

582
00:33:17,760 --> 00:33:20,160
Speaker 1: maybe it was today because and she was like hi,

583
00:33:20,360 --> 00:33:22,080
Speaker 1: and I was like hi, and then I like to

584
00:33:22,120 --> 00:33:25,680
Speaker 1: knock the door. Okay, she's working. Okay, she's she's a

585
00:33:25,760 --> 00:33:30,600
Speaker 1: woman at work. And I felt like so seen because

586
00:33:30,800 --> 00:33:32,640
Speaker 1: that is how I felt. I felt like a little

587
00:33:32,680 --> 00:33:35,040
Speaker 1: bit like okay, I'm like being a boss right now.

588
00:33:35,360 --> 00:33:37,960
Speaker 1: And then she saw me and I was like, oh,

589
00:33:38,000 --> 00:33:40,200
Speaker 1: like she's like recognizing this in this moment, and like

590
00:33:40,320 --> 00:33:43,360
Speaker 1: it meant a lot to be seen by another woman

591
00:33:43,920 --> 00:33:45,840
Speaker 1: in that moment when you're about to knock on the

592
00:33:45,880 --> 00:33:48,920
Speaker 1: door and you're holding your papers and like you know

593
00:33:49,040 --> 00:33:51,520
Speaker 1: you're about to This is a lot of this summer

594
00:33:51,560 --> 00:33:53,080
Speaker 1: of kind of I wanted to talk about going into

595
00:33:53,160 --> 00:33:55,920
Speaker 1: rooms and handing out papers because I think that's something

596
00:33:55,960 --> 00:33:59,280
Speaker 1: that we haven't really gone to um. But I just

597
00:33:59,320 --> 00:34:03,280
Speaker 1: felt like really seen by her in that moment um

598
00:34:03,880 --> 00:34:10,360
Speaker 1: she was like literally, God, God, like can I say something?

599
00:34:11,640 --> 00:34:14,520
Speaker 1: The reason I don't know if this feels too obvious

600
00:34:14,600 --> 00:34:16,000
Speaker 1: or if it doesn't, even if it if it goes

601
00:34:16,040 --> 00:34:19,000
Speaker 1: without saying, but the reason, I think your identity might

602
00:34:19,040 --> 00:34:21,640
Speaker 1: feel wrapped up in that job. Is that is because

603
00:34:21,680 --> 00:34:26,600
Speaker 1: you were so good at it. And I feel like

604
00:34:26,600 --> 00:34:30,160
Speaker 1: we're saying earlier you can generalize what's universal about working

605
00:34:30,160 --> 00:34:31,920
Speaker 1: there is that in your first year you feel crushing.

606
00:34:32,080 --> 00:34:34,280
Speaker 1: When you arrive, you feel this crushing sense of loneliness.

607
00:34:34,880 --> 00:34:38,840
Speaker 1: Everyone's reasons for leaving are so so so specific, and

608
00:34:38,880 --> 00:34:42,560
Speaker 1: there is no universal thing, but like thematically ties them

609
00:34:42,560 --> 00:34:45,000
Speaker 1: all together. And so for you to leave and for

610
00:34:45,040 --> 00:34:47,799
Speaker 1: you to feel this way even after you've like even

611
00:34:47,600 --> 00:34:50,520
Speaker 1: even as you're about to embark on this new chapter

612
00:34:50,600 --> 00:34:56,160
Speaker 1: in your life, you are leaving in this way that

613
00:34:56,280 --> 00:34:59,319
Speaker 1: is like bizarre because you're like, you could still do

614
00:34:59,440 --> 00:35:03,319
Speaker 1: you could do that job forever. That's what's scary about it.

615
00:35:03,360 --> 00:35:06,880
Speaker 1: You could have been a lifer. And I'm actually so glad.

616
00:35:07,400 --> 00:35:09,680
Speaker 1: This is not to like despaired anybody who's done that

617
00:35:10,000 --> 00:35:12,759
Speaker 1: or or I just think for you, that is not well.

618
00:35:12,800 --> 00:35:15,240
Speaker 1: I wanted to be I wanted to be I wanted

619
00:35:15,239 --> 00:35:17,759
Speaker 1: to be Paula pell I wanted to be and I

620
00:35:17,800 --> 00:35:22,880
Speaker 1: think that I really, you know, had people respected me

621
00:35:22,920 --> 00:35:26,279
Speaker 1: at that show and eventually and I feel like I

622
00:35:26,360 --> 00:35:30,640
Speaker 1: really earned respect. But I kind of realized at a

623
00:35:30,719 --> 00:35:32,839
Speaker 1: certain point that I was never going to be like

624
00:35:34,280 --> 00:35:39,239
Speaker 1: beloved by certain people. I was never going to be uh,

625
00:35:39,280 --> 00:35:43,279
Speaker 1: anybody's little darling, you know what I mean? And I

626
00:35:43,360 --> 00:35:49,359
Speaker 1: was always going to be a worker. And honestly that

627
00:35:50,600 --> 00:35:54,080
Speaker 1: um energy. Not that I need to be like praised

628
00:35:54,239 --> 00:35:58,160
Speaker 1: or coddled or anything, but just feeling like I wasn't.

629
00:35:59,320 --> 00:36:03,480
Speaker 1: I was never going to be um cared for, not

630
00:36:03,719 --> 00:36:07,080
Speaker 1: cared for, respected maybe, but not cared for. And many

631
00:36:07,120 --> 00:36:10,359
Speaker 1: people at that show are very cared for, and being

632
00:36:10,400 --> 00:36:15,280
Speaker 1: in that position it just made me feel like I

633
00:36:15,320 --> 00:36:19,799
Speaker 1: am not getting out of what I'm putting. I don't

634
00:36:19,800 --> 00:36:23,279
Speaker 1: I'm not getting out what I'm putting in, And what

635
00:36:23,320 --> 00:36:27,359
Speaker 1: I was getting out was incredible things. Getting to make

636
00:36:29,080 --> 00:36:32,319
Speaker 1: stupid ship with my friends that costs a lot of

637
00:36:32,360 --> 00:36:35,239
Speaker 1: money to make and they let me make it Like

638
00:36:35,440 --> 00:36:39,600
Speaker 1: that was like the end all be all, but it

639
00:36:39,760 --> 00:36:43,279
Speaker 1: was too hard. It just gets too It doesn't have

640
00:36:43,400 --> 00:36:45,000
Speaker 1: to be And I think That's what I'm excited about

641
00:36:45,040 --> 00:36:46,840
Speaker 1: for you most of all, is the work life balance

642
00:36:46,920 --> 00:36:49,400
Speaker 1: is going to rock your world right now. I already

643
00:36:49,440 --> 00:36:52,120
Speaker 1: feel it. We literally like when study came to l A,

644
00:36:52,239 --> 00:36:55,600
Speaker 1: like it was kind of funny. I did predict that

645
00:36:55,640 --> 00:36:58,799
Speaker 1: she would find a place very quickly. Day one, you

646
00:36:58,800 --> 00:37:00,800
Speaker 1: went out and saw like five places. I went to.

647
00:37:00,880 --> 00:37:02,839
Speaker 1: It's like a little tiny little house. It's so cute.

648
00:37:02,840 --> 00:37:05,520
Speaker 1: It's an apartment, but it's like it feels homish. It's

649
00:37:05,560 --> 00:37:07,880
Speaker 1: like a half a duplex. Yeah, it's really really cute,

650
00:37:07,920 --> 00:37:10,240
Speaker 1: and like just like being in there and like walking

651
00:37:10,280 --> 00:37:12,080
Speaker 1: around and like planning where things were going to go.

652
00:37:12,239 --> 00:37:14,120
Speaker 1: I was just like, you know, this is a new beginning.

653
00:37:14,280 --> 00:37:16,920
Speaker 1: And that's the thing is, it's just like you we

654
00:37:17,040 --> 00:37:18,719
Speaker 1: all ask people, and I think this can apply to

655
00:37:18,760 --> 00:37:22,240
Speaker 1: anyone in any career. You can stay at a job

656
00:37:22,280 --> 00:37:23,840
Speaker 1: and love it, but you need to be able to

657
00:37:23,880 --> 00:37:26,239
Speaker 1: create new beginnings for yourself at your place of work.

658
00:37:26,239 --> 00:37:29,839
Speaker 1: You need to be able to in any environment make

659
00:37:30,200 --> 00:37:32,560
Speaker 1: make it exciting for you and challenging for you, and

660
00:37:32,640 --> 00:37:35,799
Speaker 1: also grow into a place where you're comfortable there. Change

661
00:37:35,880 --> 00:37:39,640
Speaker 1: or die. I don't know. I've always had these moments

662
00:37:39,640 --> 00:37:43,399
Speaker 1: in my life where I feel like it's time to leap.

663
00:37:44,000 --> 00:37:46,200
Speaker 1: Like I have this image of like, you know, you're

664
00:37:46,239 --> 00:37:50,439
Speaker 1: standing on this precipice and it's time to jump and

665
00:37:50,520 --> 00:37:55,319
Speaker 1: fly and you might eat ship, but like that's okay too,

666
00:37:55,360 --> 00:37:57,600
Speaker 1: because I've eaten plenty of ship and I have had that,

667
00:37:57,680 --> 00:37:59,759
Speaker 1: and it kind of does end up happening. Like I think,

668
00:38:00,160 --> 00:38:02,279
Speaker 1: like about like six years, isn't that isn't isn't that

669
00:38:02,320 --> 00:38:04,879
Speaker 1: like what like scientifically it is to like every seven

670
00:38:04,960 --> 00:38:07,719
Speaker 1: years that that's like a new cycle of expertise or

671
00:38:07,800 --> 00:38:10,279
Speaker 1: of like like you just kind of like you hit

672
00:38:10,280 --> 00:38:15,200
Speaker 1: a wall. Horrenda says six years and she's a scientist. Yes.

673
00:38:15,280 --> 00:38:17,560
Speaker 1: In a recent interview, she literally said, for some reason,

674
00:38:17,600 --> 00:38:21,520
Speaker 1: every six years I do have there's a change, there's

675
00:38:21,560 --> 00:38:25,000
Speaker 1: a change. You know. Maybe I'll go back, maybe I won't.

676
00:38:25,000 --> 00:38:28,320
Speaker 1: It's really not up to me. But I'm happy. Yeah,

677
00:38:28,400 --> 00:38:34,960
Speaker 1: that's your Your impressions are really in the pocket because

678
00:38:35,000 --> 00:38:37,520
Speaker 1: it's because it's there. I am zen when I am zen,

679
00:38:37,600 --> 00:38:40,879
Speaker 1: When I am zen. When you're not going to tell

680
00:38:40,920 --> 00:38:45,719
Speaker 1: me you are dismissed, you aren't dismissed. TikTok. I have

681
00:38:45,880 --> 00:38:48,719
Speaker 1: time today, I do have to say I'm one of

682
00:38:48,760 --> 00:38:51,759
Speaker 1: the most excited people in the world to watch Potomac tonight. Yeah,

683
00:38:51,920 --> 00:38:55,040
Speaker 1: because we're all gonna watch Potoma tonight and let's celebrate that.

684
00:38:55,120 --> 00:39:00,800
Speaker 1: Let's celebrate and we are. And then White Lotos the finale.

685
00:39:01,960 --> 00:39:04,000
Speaker 1: I will watch the premiere. I'll watch the finale. Honestly,

686
00:39:04,239 --> 00:39:06,480
Speaker 1: I don't think I feel like your energy around that

687
00:39:06,480 --> 00:39:08,239
Speaker 1: has been like you're not really wanting to watch it,

688
00:39:08,320 --> 00:39:11,799
Speaker 1: so you can watch the finale. Yeah, I'm fine with that.

689
00:39:11,880 --> 00:39:14,399
Speaker 1: I'll find who's in the damn box. It's too good,

690
00:39:14,760 --> 00:39:17,080
Speaker 1: and I won't allow you gotta watch it from the beginning.

691
00:39:17,080 --> 00:39:20,600
Speaker 1: Whenever you want, on your own time. I've watched the premiere.

692
00:39:20,640 --> 00:39:22,880
Speaker 1: I'll watch the boat episode, which I heard was fully improvised.

693
00:39:22,920 --> 00:39:24,920
Speaker 1: I love that. It's a Jennifer Foolidge moment. You got

694
00:39:25,000 --> 00:39:27,640
Speaker 1: to watch the whole thing. Okay, okay, whenever you have

695
00:39:27,680 --> 00:39:32,280
Speaker 1: a chance. Um, I still haven't watched one Division yet.

696
00:39:32,880 --> 00:39:35,000
Speaker 1: I watched the first episode like three months ago. Well,

697
00:39:35,000 --> 00:39:39,640
Speaker 1: we have an award dedicated to it. I'm not keeping

698
00:39:39,719 --> 00:39:42,120
Speaker 1: up with everything you two are doing every second of

699
00:39:42,160 --> 00:39:47,080
Speaker 1: the day. Well we have an award. Like I'm listen

700
00:39:47,160 --> 00:39:53,440
Speaker 1: to your tap. I barely comment because you know, I

701
00:39:53,480 --> 00:39:57,919
Speaker 1: love you and I don't need to know everything because

702
00:39:57,920 --> 00:40:01,240
Speaker 1: you're so president the episode, I wasn't you're so president

703
00:40:01,239 --> 00:40:03,919
Speaker 1: on the episodes. My sister always tells me, she's just like, yeah,

704
00:40:03,920 --> 00:40:08,520
Speaker 1: they were talking about you and I love Oh, I

705
00:40:08,560 --> 00:40:12,000
Speaker 1: love it. I love attention. Yeah, I love attention. Wait

706
00:40:12,080 --> 00:40:14,600
Speaker 1: should we go back to six years like the Killing

707
00:40:14,640 --> 00:40:16,400
Speaker 1: the six years? Or should be housewives? We've got a

708
00:40:16,400 --> 00:40:21,400
Speaker 1: lot of done so six years done? Yes? What are

709
00:40:21,400 --> 00:40:24,520
Speaker 1: you doing now? Um? I'm in the I love this

710
00:40:24,560 --> 00:40:31,799
Speaker 1: for you, room readers. Um, it's so fabulous. Um, I

711
00:40:31,880 --> 00:40:33,840
Speaker 1: love this for you. The show that Matt Rogers is

712
00:40:33,960 --> 00:40:38,759
Speaker 1: going to be a serious damn regular on. That's Nasa Bear,

713
00:40:39,200 --> 00:40:45,440
Speaker 1: Jeremy Stay their name Vanessa Bear Jeremy Byler. That's actually

714
00:40:45,440 --> 00:40:48,839
Speaker 1: a great duo. Such a good dude, Bear Byler. It's

715
00:40:48,880 --> 00:40:52,200
Speaker 1: actually very full circle moment. First of all, because I'm

716
00:40:52,200 --> 00:40:56,080
Speaker 1: writing for my baby, which is very important. And also

717
00:40:56,800 --> 00:41:02,040
Speaker 1: Vanessa and Jeremy were kind to me in my first

718
00:41:02,080 --> 00:41:05,839
Speaker 1: year of SNL, my crushing loneliness. I remember, We're kind

719
00:41:05,880 --> 00:41:09,200
Speaker 1: to me in a way that they did not have

720
00:41:09,320 --> 00:41:14,799
Speaker 1: to be and literally saved my experience there. There was

721
00:41:14,880 --> 00:41:19,080
Speaker 1: like such a dark moment my first year at SNL

722
00:41:19,120 --> 00:41:21,680
Speaker 1: where I forget what had happened. I had done another

723
00:41:21,719 --> 00:41:23,960
Speaker 1: schedule I thought was good and then it didn't go

724
00:41:24,160 --> 00:41:26,040
Speaker 1: and I just felt like I was giving my best

725
00:41:26,080 --> 00:41:28,600
Speaker 1: and I like wasn't getting anything on, and I was

726
00:41:28,680 --> 00:41:32,320
Speaker 1: so distracted and depressed walking to work that I walked

727
00:41:32,320 --> 00:41:34,760
Speaker 1: into the street by my house and a car almost

728
00:41:34,800 --> 00:41:38,480
Speaker 1: hit me because I wasn't paying attention and I was

729
00:41:38,880 --> 00:41:40,600
Speaker 1: walking in the subway. And then I thought, this is

730
00:41:40,640 --> 00:41:42,840
Speaker 1: how it happens. Like this is how things like this happens.

731
00:41:42,840 --> 00:41:45,520
Speaker 1: Like you're distracted, you're like so sad, and like then

732
00:41:45,560 --> 00:41:48,200
Speaker 1: like you just getting sucking hit by a car. And

733
00:41:48,239 --> 00:41:50,240
Speaker 1: then I remember it was like, oh, I was going

734
00:41:50,280 --> 00:41:56,040
Speaker 1: into a writer's night. And then that day Vanessa texted

735
00:41:56,080 --> 00:41:57,640
Speaker 1: me and was like, Hey, we're talking about this thing.

736
00:41:57,640 --> 00:41:59,640
Speaker 1: Would you come in and like pitch on it or whatever?

737
00:42:00,160 --> 00:42:02,400
Speaker 1: And I remember sitting in her little office which was

738
00:42:02,440 --> 00:42:05,400
Speaker 1: then my office, and sitting on her couch and being like,

739
00:42:05,480 --> 00:42:08,040
Speaker 1: oh my god, I'm into Vanessa Bears couch and like

740
00:42:08,160 --> 00:42:11,120
Speaker 1: pitching on like some commercial. I think it was like

741
00:42:11,160 --> 00:42:13,880
Speaker 1: this lint chocolate truffle thing that they like put to

742
00:42:13,880 --> 00:42:15,760
Speaker 1: the table a couple of times. It was so funny,

743
00:42:16,000 --> 00:42:18,640
Speaker 1: and it was like just Vanessa being like Linda chocolate

744
00:42:18,640 --> 00:42:21,959
Speaker 1: tier and she falls in love with this linch chocolate tier.

745
00:42:22,239 --> 00:42:25,440
Speaker 1: It was very funny and and and then they would

746
00:42:25,560 --> 00:42:28,720
Speaker 1: just so kindly reach out to me because like they knew,

747
00:42:29,200 --> 00:42:31,440
Speaker 1: I don't know, you know, they just wanted me in

748
00:42:31,480 --> 00:42:34,480
Speaker 1: the room to pitch, and I just couldn't I couldn't

749
00:42:34,480 --> 00:42:37,640
Speaker 1: believe it. And so the fact that their show is

750
00:42:38,280 --> 00:42:40,480
Speaker 1: what I'm working on right out of us now with

751
00:42:40,480 --> 00:42:43,759
Speaker 1: with with my sister here with MS Rogers, it's just

752
00:42:43,920 --> 00:42:48,360
Speaker 1: too good, such perfect, perfect one time study. I was

753
00:42:48,400 --> 00:42:50,399
Speaker 1: texting her a lot, like when she was first got

754
00:42:50,400 --> 00:42:51,719
Speaker 1: the job, just to check in on her. And I

755
00:42:51,719 --> 00:42:54,359
Speaker 1: remember like, at some point in the middle of the year,

756
00:42:54,840 --> 00:42:59,279
Speaker 1: like you said that, Vanessa told you, like I just

757
00:42:59,320 --> 00:43:01,240
Speaker 1: want you to know you can talk to me about stuff.

758
00:43:01,680 --> 00:43:03,920
Speaker 1: And I just always remembered that, like I always remembered

759
00:43:03,920 --> 00:43:05,959
Speaker 1: that Vanessa said that to her. She was the first

760
00:43:06,000 --> 00:43:08,480
Speaker 1: cast member that ever said like, you know, I get

761
00:43:08,520 --> 00:43:10,239
Speaker 1: that it's hard here sometimes and you can talk to

762
00:43:10,280 --> 00:43:13,359
Speaker 1: me about that stuff, which is so did that she

763
00:43:13,440 --> 00:43:16,839
Speaker 1: did that. She didn't have to do that, and you

764
00:43:16,840 --> 00:43:19,560
Speaker 1: you you you would still cite Jeremy is like you

765
00:43:19,600 --> 00:43:21,440
Speaker 1: were like You've always talked to me about like taught

766
00:43:21,480 --> 00:43:23,239
Speaker 1: me so much. Yeah, you worked together a lot. You

767
00:43:23,280 --> 00:43:25,279
Speaker 1: guys are on my m Marty together to Yeah, like

768
00:43:25,360 --> 00:43:27,200
Speaker 1: you brought up Jeremy a lot in my first year

769
00:43:27,239 --> 00:43:28,839
Speaker 1: working there as a writer, where you were like you'll

770
00:43:28,840 --> 00:43:30,160
Speaker 1: get it, and like you know you just like you'll

771
00:43:30,239 --> 00:43:31,919
Speaker 1: learn from the people who work here. Like my first

772
00:43:32,000 --> 00:43:34,000
Speaker 1: year was Jeremy Bailer like showing me the Ropes and

773
00:43:34,080 --> 00:43:37,200
Speaker 1: I was like, oh, that's so, that's so generous. I mean,

774
00:43:37,280 --> 00:43:41,360
Speaker 1: it wasn't even even like showing you. It's so the

775
00:43:41,400 --> 00:43:43,320
Speaker 1: way that show works. And I think this is actually

776
00:43:43,480 --> 00:43:45,440
Speaker 1: a way that a lot of things work, which is

777
00:43:45,480 --> 00:43:49,520
Speaker 1: like people when you're like on a job, people don't

778
00:43:50,000 --> 00:43:54,759
Speaker 1: sit you down and show you things, and if they do,

779
00:43:54,840 --> 00:43:57,200
Speaker 1: it's maybe for like a day, for like an hour.

780
00:43:58,000 --> 00:43:59,960
Speaker 1: Like really the best thing is to be a spot.

781
00:44:00,200 --> 00:44:01,960
Speaker 1: And I just feel like I was watching Jeremy being

782
00:44:02,000 --> 00:44:03,839
Speaker 1: like this is too long, we want to land on this,

783
00:44:03,960 --> 00:44:05,840
Speaker 1: let's cut this. Well, we're at the bottom of page

784
00:44:05,840 --> 00:44:10,279
Speaker 1: too like and then it me be like logging all

785
00:44:10,320 --> 00:44:15,000
Speaker 1: of this ship. Um, you know it's I just remember,

786
00:44:15,160 --> 00:44:18,720
Speaker 1: like it's so it's it makes such a positive impact

787
00:44:18,800 --> 00:44:21,560
Speaker 1: when someone's new someplace to reach out to them and

788
00:44:21,600 --> 00:44:23,720
Speaker 1: just be like just off for kindness, Like I remember

789
00:44:23,880 --> 00:44:26,800
Speaker 1: what this is Like, it's I weirdly think they are comfortable.

790
00:44:26,840 --> 00:44:29,040
Speaker 1: Like when I would start at a new restaurant, I

791
00:44:29,040 --> 00:44:32,160
Speaker 1: would never feel so anxious that I did on those days,

792
00:44:32,200 --> 00:44:33,840
Speaker 1: Like when you walk into a new restaurant and like

793
00:44:34,000 --> 00:44:38,160
Speaker 1: you don't know where anything is and everything. I just remember,

794
00:44:38,239 --> 00:44:40,600
Speaker 1: like and you want to be cool. And because also

795
00:44:40,680 --> 00:44:42,520
Speaker 1: it's about like socially fitting in, because that's a whole

796
00:44:42,520 --> 00:44:43,920
Speaker 1: other part of it, like where you go when you

797
00:44:43,960 --> 00:44:46,279
Speaker 1: go to any new job, and I just remember, like

798
00:44:46,480 --> 00:44:48,560
Speaker 1: the people who trained me when I was working in

799
00:44:48,640 --> 00:44:51,359
Speaker 1: places like and now in my professional life as well,

800
00:44:51,360 --> 00:44:56,160
Speaker 1: when people are nice, it means everything. And that's why,

801
00:44:56,280 --> 00:44:58,879
Speaker 1: like like we were saying, like we always say, like

802
00:44:59,280 --> 00:45:03,400
Speaker 1: it's just be being like a positive person in the

803
00:45:03,400 --> 00:45:09,200
Speaker 1: work because the light even just not getting angry at

804
00:45:09,200 --> 00:45:10,840
Speaker 1: someone they don't know where something is or how to

805
00:45:10,880 --> 00:45:13,960
Speaker 1: do something like because I get like environments can be stressful.

806
00:45:14,000 --> 00:45:16,680
Speaker 1: Now I'm thinking about every time I didn't do what

807
00:45:16,719 --> 00:45:20,080
Speaker 1: we're talking about. Well, you know you're not always held

808
00:45:20,120 --> 00:45:22,879
Speaker 1: to that. I mean, it's it's hard to all hard.

809
00:45:23,719 --> 00:45:26,000
Speaker 1: Everybody is also always going through their own ship. That's

810
00:45:26,000 --> 00:45:28,000
Speaker 1: the other thing too, which is why I like means

811
00:45:28,040 --> 00:45:30,359
Speaker 1: so much when somebody is like, you know, going through

812
00:45:30,400 --> 00:45:32,400
Speaker 1: a stressful time and then they do take that time

813
00:45:32,440 --> 00:45:36,640
Speaker 1: to like yeah, but it's not realistic to um uh

814
00:45:36,960 --> 00:45:40,560
Speaker 1: expect that everybody be the light always that Now. I'm

815
00:45:40,560 --> 00:45:43,160
Speaker 1: just saying it's nice when that person is there, like

816
00:45:43,200 --> 00:45:45,640
Speaker 1: and also like when you can when you find yourself

817
00:45:45,680 --> 00:45:48,799
Speaker 1: in a situation where you can be that person, even

818
00:45:48,840 --> 00:45:51,719
Speaker 1: if it's a little exhausting. Sometimes it's nice to give

819
00:45:51,760 --> 00:45:54,120
Speaker 1: that extraf for just because I genuinely feel those things

820
00:45:54,160 --> 00:45:56,440
Speaker 1: get paid back, you know what I mean, Like I

821
00:45:56,640 --> 00:46:00,560
Speaker 1: I will never I'll never have a bad thought about

822
00:46:00,560 --> 00:46:02,600
Speaker 1: someone who was kind to me when I was anxious,

823
00:46:02,760 --> 00:46:05,200
Speaker 1: you know what I mean. Like, I'm we're good going forward.

824
00:46:05,480 --> 00:46:07,719
Speaker 1: That's why you know we see with Potomac, you know,

825
00:46:08,440 --> 00:46:13,319
Speaker 1: Wendy's not being warm to me because Karen sort of

826
00:46:13,360 --> 00:46:15,200
Speaker 1: did that with her. Is that what you're saying. I mean,

827
00:46:15,520 --> 00:46:18,520
Speaker 1: we've we've seen Wendy be hazed, and you see the

828
00:46:18,560 --> 00:46:21,480
Speaker 1: hazing happening with Gaselle and Robin as well. I mean

829
00:46:21,520 --> 00:46:24,879
Speaker 1: with with miss Me with miss Me, and they better

830
00:46:24,960 --> 00:46:26,759
Speaker 1: not come for a skolo. Hold on. Before we before

831
00:46:26,800 --> 00:46:29,160
Speaker 1: we talk about Potomac, I just want to also say

832
00:46:30,000 --> 00:46:32,200
Speaker 1: I didn't mean just I was literally just no, no, no, no,

833
00:46:32,560 --> 00:46:35,440
Speaker 1: I want to talk about Potoma, but I just want

834
00:46:35,440 --> 00:46:38,520
Speaker 1: to say I've there have been moments and I've pointed

835
00:46:38,520 --> 00:46:40,400
Speaker 1: this out to meet to these people, to the to

836
00:46:40,760 --> 00:46:45,680
Speaker 1: Sudy and Matt, but I just I am so warmed, heartwarmed.

837
00:46:45,719 --> 00:46:49,080
Speaker 1: But by watching you too talk about this show and

838
00:46:49,120 --> 00:46:52,919
Speaker 1: how excited you both are for I mean, like I want.

839
00:46:53,200 --> 00:46:54,640
Speaker 1: When she said that she was going to meet on it,

840
00:46:54,719 --> 00:46:57,080
Speaker 1: I was like, oh my god, every bone in my

841
00:46:57,160 --> 00:46:59,640
Speaker 1: body was like, please make it, please, please, please please please,

842
00:46:59,640 --> 00:47:01,600
Speaker 1: and that how that it's happening. I'm just like, I

843
00:47:01,640 --> 00:47:04,400
Speaker 1: feel it's going to be such an amazing next step

844
00:47:04,480 --> 00:47:07,840
Speaker 1: for you. Like I just think like that that's for

845
00:47:07,920 --> 00:47:10,960
Speaker 1: me in a room like where I really feel like everyone,

846
00:47:11,080 --> 00:47:14,640
Speaker 1: everybody is really good. And then I'm like, oh fuck,

847
00:47:14,760 --> 00:47:18,759
Speaker 1: like I actually have to really show up every day

848
00:47:18,800 --> 00:47:22,319
Speaker 1: because that's like where the bar is, and and I

849
00:47:22,520 --> 00:47:28,880
Speaker 1: like that all you can ask for. And when I

850
00:47:28,920 --> 00:47:32,640
Speaker 1: was leaving SNL and I was thinking about what I

851
00:47:32,680 --> 00:47:34,440
Speaker 1: want and I was like, you know, okay, well I'm

852
00:47:34,440 --> 00:47:36,520
Speaker 1: going to work on my own stuff, but like, you know,

853
00:47:36,640 --> 00:47:38,839
Speaker 1: what what about like you know, rooms like do I

854
00:47:38,880 --> 00:47:41,560
Speaker 1: want to go straight into a room or whatever. And

855
00:47:41,600 --> 00:47:44,359
Speaker 1: I was kind of like veering towards, like, let's not

856
00:47:44,680 --> 00:47:48,839
Speaker 1: jump right into a job. And then I thought, if

857
00:47:48,880 --> 00:47:52,960
Speaker 1: it's people that I know are amazing and I like

858
00:47:53,120 --> 00:47:55,400
Speaker 1: and my friends, and also like people that I know

859
00:47:55,440 --> 00:47:58,920
Speaker 1: that I can learn from, and that's why I told

860
00:47:58,920 --> 00:48:01,200
Speaker 1: my was like, I really we want this job. I

861
00:48:01,280 --> 00:48:03,960
Speaker 1: really want this job. And then I feel really lucky

862
00:48:03,960 --> 00:48:08,000
Speaker 1: to be there. And Jesse Klein is show running and

863
00:48:09,000 --> 00:48:11,440
Speaker 1: I'm such a huge fan of hers, and if people

864
00:48:11,520 --> 00:48:16,120
Speaker 1: haven't read her book is her book is so good.

865
00:48:16,160 --> 00:48:19,440
Speaker 1: It's like one of the best comedy memoirs I've ever read. Also,

866
00:48:19,480 --> 00:48:21,960
Speaker 1: I feel like she gets very real and honest in

867
00:48:22,000 --> 00:48:23,799
Speaker 1: it in a way that I feel like a lot

868
00:48:23,840 --> 00:48:26,800
Speaker 1: of times those comedy memoirs it's very surface level because

869
00:48:26,800 --> 00:48:29,759
Speaker 1: they just got the book deal. But it's like she

870
00:48:30,040 --> 00:48:32,600
Speaker 1: has this incredible essay about like being at the Emmy's

871
00:48:32,840 --> 00:48:36,960
Speaker 1: and for inside Amy Schumer and like having to pump.

872
00:48:37,160 --> 00:48:44,920
Speaker 1: It's just like so fucking incredible. Anyway, Gus, ultimately the

873
00:48:44,960 --> 00:48:48,239
Speaker 1: lifestyle shift is going to be very important for you,

874
00:48:48,920 --> 00:48:50,439
Speaker 1: and I love that. And I also want to say,

875
00:48:50,480 --> 00:48:53,280
Speaker 1: and we have to say when this happens. She found

876
00:48:53,280 --> 00:48:58,000
Speaker 1: her hair. She found she found her hair, and there's

877
00:48:58,080 --> 00:49:02,080
Speaker 1: really no I mean, there's no needs to really believe this.

878
00:49:02,239 --> 00:49:06,080
Speaker 1: Maybe in six years. No, I I am going to

879
00:49:06,280 --> 00:49:08,480
Speaker 1: have this hair. I'm gonna be like Lisa Rinna. I'm

880
00:49:08,480 --> 00:49:10,520
Speaker 1: going to have this hair when I'm sixty years old.

881
00:49:11,200 --> 00:49:15,680
Speaker 1: I'm never getting rid of it. It is there, It

882
00:49:15,840 --> 00:49:17,759
Speaker 1: is the hair. And I feel like I can say

883
00:49:17,800 --> 00:49:22,040
Speaker 1: that because I'm talking about my hair and this shag,

884
00:49:22,200 --> 00:49:26,480
Speaker 1: this L. M. Hoff thing that I'm doing. You know, Sandra,

885
00:49:27,320 --> 00:49:29,120
Speaker 1: I think a fair copp is Sandra Oh. And I

886
00:49:29,160 --> 00:49:31,879
Speaker 1: think on certain days, depending on where it lays, it's

887
00:49:31,920 --> 00:49:34,279
Speaker 1: a little gen z l. I'm off when I'm feeling young,

888
00:49:35,040 --> 00:49:38,680
Speaker 1: but um uh, you know it's gonna. I don't care

889
00:49:38,680 --> 00:49:41,480
Speaker 1: if it goes out of style. I think I have classic.

890
00:49:42,680 --> 00:49:45,600
Speaker 1: I think I have to do curly banks because I

891
00:49:45,600 --> 00:49:51,600
Speaker 1: think I have a gigantic forehead and a huge head. Honestly,

892
00:49:51,640 --> 00:49:54,680
Speaker 1: a huge No, I really do. And I think that

893
00:49:54,719 --> 00:49:58,200
Speaker 1: banks are really a game changer. And so many hairdressers

894
00:49:58,200 --> 00:50:00,640
Speaker 1: in my life told me that you can't have early banks.

895
00:50:01,200 --> 00:50:06,680
Speaker 1: And then my hairdresser, who is a queen, Michelle at

896
00:50:06,760 --> 00:50:11,440
Speaker 1: head Dress okay, but don't go and get my exact haircut.

897
00:50:11,640 --> 00:50:14,799
Speaker 1: Please get creative, because I have I have, I have

898
00:50:14,920 --> 00:50:17,480
Speaker 1: to guess on Michelle because she is an artist and

899
00:50:17,520 --> 00:50:19,080
Speaker 1: I want her to have all the clients and all

900
00:50:19,120 --> 00:50:22,920
Speaker 1: the money. But also I know some people who have

901
00:50:23,000 --> 00:50:25,799
Speaker 1: gone and kind of gotten my haircut. So don't do that.

902
00:50:26,360 --> 00:50:29,080
Speaker 1: But get a good haircut from Michelle because she can

903
00:50:29,120 --> 00:50:32,320
Speaker 1: do a lot of things. We love Michelle, and you

904
00:50:32,360 --> 00:50:35,120
Speaker 1: can get my haircut, but make it your own, bitch, Like,

905
00:50:35,480 --> 00:50:39,680
Speaker 1: don't even don't tell me you went to my hairdresser

906
00:50:39,960 --> 00:50:43,799
Speaker 1: and show up with my exact hair It's like, do that,

907
00:50:43,840 --> 00:50:46,960
Speaker 1: but at least hide it on your own journey. You

908
00:50:47,280 --> 00:50:51,600
Speaker 1: found that organically. That's so fucked up because organically, fucking

909
00:50:51,880 --> 00:50:55,200
Speaker 1: Danny Ray told me about it, because Jody Smell hair

910
00:50:55,320 --> 00:51:00,520
Speaker 1: queen told me to go. Everybody, yeah, effort. But important

911
00:51:00,560 --> 00:51:03,640
Speaker 1: is that you landed like and you landed in a

912
00:51:03,640 --> 00:51:06,239
Speaker 1: place where you found your hair and if you got

913
00:51:06,280 --> 00:51:09,080
Speaker 1: my hair cut, you know who you are. Oh my god,

914
00:51:09,280 --> 00:51:13,759
Speaker 1: now can I just really quickly, um just I also

915
00:51:13,800 --> 00:51:16,680
Speaker 1: want to add as an adendum, add as an addendum redundant.

916
00:51:16,719 --> 00:51:21,399
Speaker 1: But the beautiful thing to me is like in terms

917
00:51:21,440 --> 00:51:24,000
Speaker 1: of this triangle, like it's the first time in a

918
00:51:24,000 --> 00:51:25,880
Speaker 1: while I would say that I've seen you too, like

919
00:51:26,360 --> 00:51:29,280
Speaker 1: connect over, Like Matt's listened to you and me study

920
00:51:29,320 --> 00:51:31,799
Speaker 1: talk about s and il fucking for years, and it's

921
00:51:31,840 --> 00:51:35,200
Speaker 1: probably like he's probably like he's you've You've You've always listened,

922
00:51:35,200 --> 00:51:37,879
Speaker 1: You've always been there and supportive, but like I'm sure

923
00:51:37,880 --> 00:51:40,560
Speaker 1: he's sick of hearing us talk about this Studi's listen

924
00:51:40,600 --> 00:51:43,000
Speaker 1: to me and Matt talked about podcast ship for however,

925
00:51:43,120 --> 00:51:45,480
Speaker 1: however long too. It's like this is the perfect way

926
00:51:45,480 --> 00:51:51,239
Speaker 1: to like we had many years of working very closely, right,

927
00:51:51,280 --> 00:51:53,080
Speaker 1: but then there was there was there was like a

928
00:51:53,160 --> 00:51:55,880
Speaker 1: black box period like you, but I also and you know,

929
00:51:56,000 --> 00:51:58,440
Speaker 1: I think like honestly, if I was to be totally honest,

930
00:51:58,480 --> 00:52:02,080
Speaker 1: like when you guys both start, the blow was less

931
00:52:02,080 --> 00:52:03,799
Speaker 1: than with you. But I knew what to expect because

932
00:52:03,800 --> 00:52:06,560
Speaker 1: the when you did start working at that job and

933
00:52:06,600 --> 00:52:09,920
Speaker 1: it is so demanding, I told myself like, oh but

934
00:52:10,040 --> 00:52:12,640
Speaker 1: we'll still be able to like keep up this level

935
00:52:12,680 --> 00:52:15,960
Speaker 1: of working together, but that was just not a possibility.

936
00:52:16,160 --> 00:52:19,160
Speaker 1: So by the tragic you know, in a way, it's

937
00:52:19,200 --> 00:52:23,320
Speaker 1: definitely like it's not tragic because ultimately, what I ultimately

938
00:52:23,400 --> 00:52:26,920
Speaker 1: told myself was this is going to benefit everyone in

939
00:52:26,960 --> 00:52:29,840
Speaker 1: the orbit creatively at some point, and you're willing to

940
00:52:29,960 --> 00:52:32,160
Speaker 1: when you are doing this career and like you really

941
00:52:32,200 --> 00:52:34,000
Speaker 1: mean it and you really know you can do it.

942
00:52:34,320 --> 00:52:36,360
Speaker 1: That's actually an investment in the future. And it's like

943
00:52:36,400 --> 00:52:38,640
Speaker 1: you have to invest in your community around you, which

944
00:52:38,680 --> 00:52:41,480
Speaker 1: is why it's like been said a million times. But truly,

945
00:52:41,520 --> 00:52:44,919
Speaker 1: a rising tide does lift all ships. And I think

946
00:52:44,960 --> 00:52:47,319
Speaker 1: if there's anything, there's a little thing in your head

947
00:52:47,360 --> 00:52:49,680
Speaker 1: that has an insecurity, the little voice in the back

948
00:52:49,680 --> 00:52:51,560
Speaker 1: of your head says, oh, well, you won't be able

949
00:52:51,640 --> 00:52:54,799
Speaker 1: to keep up with that. But like, and and what's

950
00:52:54,840 --> 00:52:56,920
Speaker 1: so nice about what you're saying about meeting here is

951
00:52:56,960 --> 00:52:59,080
Speaker 1: it's like it is validating, you know what I mean.

952
00:52:59,120 --> 00:53:00,839
Speaker 1: Like the fact that we get to do this now

953
00:53:00,840 --> 00:53:04,440
Speaker 1: and work on the same project is like very and

954
00:53:04,480 --> 00:53:07,200
Speaker 1: we're very fortunate. It is a dream that we are

955
00:53:07,440 --> 00:53:09,920
Speaker 1: lucky as hell and one of the three of us

956
00:53:10,400 --> 00:53:13,000
Speaker 1: going to make a little show together and I'm going

957
00:53:13,080 --> 00:53:19,840
Speaker 1: to just pitch something, Okay, happy karaoke, Well, just so

958
00:53:19,920 --> 00:53:23,359
Speaker 1: you know, we are bad on HBO. Max. It's gonna

959
00:53:23,640 --> 00:53:26,080
Speaker 1: it's gonna be the first bad show. It'll be the

960
00:53:26,080 --> 00:53:29,200
Speaker 1: first It'll be the first bad show to be good.

961
00:53:29,280 --> 00:53:34,320
Speaker 1: And I think I hope the budget is a big budget.

962
00:53:34,360 --> 00:53:37,600
Speaker 1: Have you guys watched Boy Island. I'm not with with

963
00:53:39,920 --> 00:53:41,640
Speaker 1: looks so funny on it. I have not watched a

964
00:53:41,680 --> 00:53:43,239
Speaker 1: second of it, and I think a lot of it

965
00:53:43,280 --> 00:53:45,239
Speaker 1: has to do with the fact that it's called and

966
00:53:45,239 --> 00:53:47,360
Speaker 1: then it feels like thirty rock and I but it

967
00:53:47,440 --> 00:53:49,680
Speaker 1: literally feels like a thirty rock joke. So f y,

968
00:53:49,760 --> 00:53:53,160
Speaker 1: I well, I just know that HBO Max is going

969
00:53:53,160 --> 00:53:55,120
Speaker 1: in the direction of like what we're all reality is

970
00:53:55,120 --> 00:53:57,040
Speaker 1: going where they really like it to be arcs, like

971
00:53:57,080 --> 00:53:59,720
Speaker 1: they love like narratives. And I'm like, that's so funny

972
00:53:59,760 --> 00:54:02,160
Speaker 1: that there's a television show called boy Island that I

973
00:54:02,160 --> 00:54:05,239
Speaker 1: could invest in. I could invest in what you mean,

974
00:54:05,480 --> 00:54:08,080
Speaker 1: like that it's called fun boy Island and it could

975
00:54:08,120 --> 00:54:10,160
Speaker 1: be something I watched week two weeks where you're like, oh,

976
00:54:10,200 --> 00:54:16,000
Speaker 1: you're tracking stories, yeah, and it's and you're tracking a story, yeah,

977
00:54:16,040 --> 00:54:18,800
Speaker 1: but but not when it's abjectly as much as was

978
00:54:18,840 --> 00:54:22,279
Speaker 1: like funny, as like fuck boy, that literally is a

979
00:54:22,280 --> 00:54:24,080
Speaker 1: thirty rock joke. And it started with some of the

980
00:54:24,120 --> 00:54:25,960
Speaker 1: Quimby shows when they were like these sound like thirty

981
00:54:26,000 --> 00:54:28,440
Speaker 1: rock jokes. I'm like, Mama, look on television, it's fun

982
00:54:28,520 --> 00:54:31,080
Speaker 1: Boy Island. Like everything is a thirty rock point. We're

983
00:54:31,120 --> 00:54:35,799
Speaker 1: leaning in, We're leaning into thirty rock being reality. I'm

984
00:54:35,920 --> 00:54:41,760
Speaker 1: President Trump, Death to all of them? What Trump? I'm blanking?

985
00:54:42,080 --> 00:54:46,440
Speaker 1: Remember dump huge? I think that's something like he's got

986
00:54:46,480 --> 00:54:49,640
Speaker 1: a big fat booty like Rump is good. Hey Trump,

987
00:54:50,080 --> 00:54:54,879
Speaker 1: nice Rump, your big old dump dump. I'm crying. You're

988
00:54:55,000 --> 00:54:59,880
Speaker 1: crying laughing right now, readers. Bowen is crying. Am I

989
00:55:00,000 --> 00:55:04,640
Speaker 1: out to say, readers, Yes, that's what they are. Okay, Um,

990
00:55:04,800 --> 00:55:07,840
Speaker 1: big things in the future, Matt, you want to go next, Sure,

991
00:55:07,880 --> 00:55:11,160
Speaker 1: I'll go next. Um. You know. I am in New

992
00:55:11,239 --> 00:55:15,000
Speaker 1: York shooting the film Fire Islands, and we are Um,

993
00:55:15,040 --> 00:55:18,400
Speaker 1: it's it's sort of funny, like very little of the

994
00:55:18,440 --> 00:55:21,719
Speaker 1: time we've spent has felt like work. Like I think

995
00:55:21,760 --> 00:55:24,040
Speaker 1: that you're you have you your role is obviously larger

996
00:55:24,040 --> 00:55:26,520
Speaker 1: than mine, and like you have some like real work

997
00:55:26,760 --> 00:55:29,000
Speaker 1: to do in the movie. Like there's like, you know,

998
00:55:29,360 --> 00:55:32,279
Speaker 1: there's difficult material for you. For me, I have just

999
00:55:32,320 --> 00:55:34,120
Speaker 1: been having the best time, Like I'm just like kind

1000
00:55:34,120 --> 00:55:36,440
Speaker 1: of doing my little like thing like playing, and then

1001
00:55:36,520 --> 00:55:39,080
Speaker 1: later on in this in the shoot schedule, like there's

1002
00:55:39,200 --> 00:55:44,320
Speaker 1: like some stuff but um, but it's just as the Lydia,

1003
00:55:44,400 --> 00:55:47,160
Speaker 1: I you know, famously Lydia. If you're if you're portraying Lydia,

1004
00:55:47,200 --> 00:55:50,400
Speaker 1: you have some demands. Um. Absolutely to be a dumblest

1005
00:55:50,440 --> 00:55:57,319
Speaker 1: one's Lydia creates scandal in the Bennett household. I'm really

1006
00:55:57,320 --> 00:55:59,560
Speaker 1: and you know, I've actually been thinking a lot about

1007
00:56:00,000 --> 00:56:01,880
Speaker 1: It's so funny when when we announced that it was happening,

1008
00:56:01,880 --> 00:56:04,400
Speaker 1: everyone was like, of course, Matt is Lydia. Matt is

1009
00:56:04,440 --> 00:56:06,200
Speaker 1: the only Lydia. And it started to feel like a

1010
00:56:06,280 --> 00:56:08,439
Speaker 1: drag and I was like, Okay, what are they saying?

1011
00:56:08,800 --> 00:56:12,440
Speaker 1: When I read Pride and Prejudice, I was reading Jane

1012
00:56:12,480 --> 00:56:17,400
Speaker 1: Austen's words and reading Lydia's story and thinking, this is

1013
00:56:17,440 --> 00:56:22,120
Speaker 1: Matt Rogers. Is it true? People? People are like the

1014
00:56:22,120 --> 00:56:27,600
Speaker 1: fucking Edwardian novel of like women working their way ups.

1015
00:56:27,880 --> 00:56:30,640
Speaker 1: But literally the response was like, of course you are Lydia.

1016
00:56:30,680 --> 00:56:32,799
Speaker 1: And I'm like, all right, perfect, Like I love it

1017
00:56:32,800 --> 00:56:34,920
Speaker 1: and I have been like examining it and I do

1018
00:56:35,040 --> 00:56:37,480
Speaker 1: like you know, you remember, I mean like Jane Austen,

1019
00:56:37,520 --> 00:56:43,280
Speaker 1: you know she she is talented girl, girl, talented writer girl,

1020
00:56:43,480 --> 00:56:51,279
Speaker 1: you know. But I're a smart, funny you know her.

1021
00:56:51,960 --> 00:56:56,960
Speaker 1: What happened. She get married, she had kids, she moved,

1022
00:56:57,920 --> 00:57:00,560
Speaker 1: she moved and she got married and she had kids.

1023
00:57:00,640 --> 00:57:02,480
Speaker 1: And now I think I want to say that she's

1024
00:57:02,520 --> 00:57:05,919
Speaker 1: like farming. Yeah, yeah, you know that's hard. Farming is hard.

1025
00:57:06,080 --> 00:57:09,640
Speaker 1: She always wanted to farm. Yeah, and she has helped. Yeah.

1026
00:57:09,640 --> 00:57:11,719
Speaker 1: Well that's the thing. That's the that's the thing, you know.

1027
00:57:11,760 --> 00:57:13,799
Speaker 1: She You don't do it alone, no, no one does.

1028
00:57:14,360 --> 00:57:17,040
Speaker 1: It takes a village. But if you can pay for help,

1029
00:57:17,080 --> 00:57:20,600
Speaker 1: that it's fine. Like then Jane Austin can pay for help, right,

1030
00:57:20,800 --> 00:57:24,959
Speaker 1: you know, real farmers, right? And how much is she farming? Really?

1031
00:57:25,000 --> 00:57:29,480
Speaker 1: It's like, you know, like is you know, picking up

1032
00:57:29,600 --> 00:57:34,800
Speaker 1: the harvest and canning maybe a few peaches, like making

1033
00:57:34,800 --> 00:57:37,640
Speaker 1: her fragrances. Her name is on it. Her name's on it, Yeah, exactly.

1034
00:57:38,000 --> 00:57:40,400
Speaker 1: Guess who's in the photos with the beats and then

1035
00:57:40,480 --> 00:57:44,760
Speaker 1: the Jane, Yeah, Jane. She's really there to sell it

1036
00:57:44,840 --> 00:57:49,080
Speaker 1: move products, which is work. She looks great though, beautiful,

1037
00:57:49,120 --> 00:57:52,240
Speaker 1: she looks really beautiful. She got she got all the Yeah,

1038
00:57:52,560 --> 00:57:55,120
Speaker 1: beautiful girl. Beautiful girl. Okay, So anyway, just like really

1039
00:57:55,200 --> 00:57:57,440
Speaker 1: enjoying getting to know the cast and like it's a

1040
00:57:57,480 --> 00:58:00,760
Speaker 1: really fun group of people. And um, it's funny that

1041
00:58:00,760 --> 00:58:03,720
Speaker 1: you said like the m being in proximity to heroes

1042
00:58:03,760 --> 00:58:05,880
Speaker 1: thing before because Margaret Trow was fully on the movie

1043
00:58:05,920 --> 00:58:08,480
Speaker 1: and like it's such a like a wild thing for

1044
00:58:08,480 --> 00:58:10,000
Speaker 1: the journey to go from. We were too afraid to

1045
00:58:10,000 --> 00:58:12,800
Speaker 1: ask her the question. Now she's like, now she's like

1046
00:58:12,920 --> 00:58:14,880
Speaker 1: a colleague. She's a colleague and she's telling us a

1047
00:58:14,880 --> 00:58:17,520
Speaker 1: great story. I mean to ask. Well, famously, she was

1048
00:58:17,560 --> 00:58:19,600
Speaker 1: the only person that we did not ask the question

1049
00:58:19,640 --> 00:58:22,880
Speaker 1: of what was the culture because we were so I

1050
00:58:22,920 --> 00:58:26,920
Speaker 1: don't think and it's not like that was when we

1051
00:58:26,920 --> 00:58:29,200
Speaker 1: were really a baby podcast and we traveled up to

1052
00:58:29,280 --> 00:58:32,480
Speaker 1: go interview her, and I remember it was one of

1053
00:58:32,560 --> 00:58:35,960
Speaker 1: the most nerve rack. I've never seen a more nervous Yeah,

1054
00:58:35,960 --> 00:58:38,680
Speaker 1: I was. She was. I mean, I'm comfortable saying this

1055
00:58:38,720 --> 00:58:41,760
Speaker 1: even though it's not necessarily hashtag cool, but she was

1056
00:58:41,840 --> 00:58:46,560
Speaker 1: my comedic hero. Yeah. I mean she taught me. I know. Yeah,

1057
00:58:46,600 --> 00:58:49,480
Speaker 1: I actually told her this when she was on the podcast. Um,

1058
00:58:49,480 --> 00:58:51,280
Speaker 1: and I think she received it. Now I'm kind of

1059
00:58:51,320 --> 00:58:53,800
Speaker 1: just like hey girl, but um um, which is you know,

1060
00:58:53,840 --> 00:58:58,040
Speaker 1: its own type of mind fuck. But I when I

1061
00:58:58,080 --> 00:58:59,720
Speaker 1: listened to her stand up albums when I was in

1062
00:58:59,760 --> 00:59:03,520
Speaker 1: middle school, she taught me what my sense of humor

1063
00:59:03,640 --> 00:59:06,040
Speaker 1: was like in a way, it was like revealed to me.

1064
00:59:06,080 --> 00:59:08,560
Speaker 1: I was like, Oh, that's what I think is funny.

1065
00:59:09,080 --> 00:59:11,800
Speaker 1: That's what I want to hear more of. Like this

1066
00:59:11,840 --> 00:59:14,360
Speaker 1: type of queer comedy I had never heard before. I

1067
00:59:14,400 --> 00:59:17,120
Speaker 1: didn't get the references. Like one of my favorite joke

1068
00:59:17,200 --> 00:59:20,320
Speaker 1: runs ever was CC Bloom. I mean like when she

1069
00:59:20,360 --> 00:59:22,400
Speaker 1: went into how there was a bar named after Bette

1070
00:59:22,400 --> 00:59:25,160
Speaker 1: Mitler's character and beaches in San Francisco, and how she

1071
00:59:25,160 --> 00:59:28,840
Speaker 1: said it was that was the gayest thing I have

1072
00:59:29,040 --> 00:59:34,560
Speaker 1: ever heard in my entire life. And just the audience dying,

1073
00:59:34,600 --> 00:59:36,720
Speaker 1: and how you could feel her as a performer even

1074
00:59:36,720 --> 00:59:40,720
Speaker 1: just listening to it. It was just and I truly

1075
00:59:40,760 --> 00:59:43,480
Speaker 1: when I was at that age, I mean, this was

1076
00:59:43,560 --> 00:59:46,760
Speaker 1: when I was realizing who I was in terms of

1077
00:59:47,000 --> 00:59:48,920
Speaker 1: I mean, in many ways, the culture of the names

1078
00:59:48,960 --> 00:59:52,480
Speaker 1: like culture was for me in a way. Um. But

1079
00:59:52,600 --> 00:59:54,520
Speaker 1: now it's like we're doing a movie with her, and

1080
00:59:54,560 --> 00:59:56,320
Speaker 1: like we get to talk to her and like work

1081
00:59:56,400 --> 00:59:58,000
Speaker 1: with her and like, you know, there was a scene

1082
00:59:58,000 --> 00:59:59,600
Speaker 1: we did this dinner scene the other night and she

1083
00:59:59,680 --> 01:00:02,680
Speaker 1: was doing something and but before they called action, she

1084
01:00:02,760 --> 01:00:04,440
Speaker 1: like looked over and shook me in the eyes like

1085
01:00:04,520 --> 01:00:06,360
Speaker 1: she was mid telling me the story, like in the

1086
01:00:06,400 --> 01:00:08,439
Speaker 1: setup before the shot, and I was like, I'm looking

1087
01:00:08,440 --> 01:00:13,960
Speaker 1: at Margaret doing a movie. That's what I also all

1088
01:00:14,000 --> 01:00:16,960
Speaker 1: summer like, I mean, y'all hurt conversation. I've been in

1089
01:00:16,960 --> 01:00:18,240
Speaker 1: New York a lot, and I'm just trying to have

1090
01:00:18,280 --> 01:00:21,480
Speaker 1: fun and you know, like really enjoy everything because I

1091
01:00:21,640 --> 01:00:24,480
Speaker 1: think after like who knows what's going on with um,

1092
01:00:24,520 --> 01:00:26,280
Speaker 1: you know, the not to bring it up at vary

1093
01:00:26,320 --> 01:00:28,320
Speaker 1: engine everything. But we've had like a really nice moment

1094
01:00:28,320 --> 01:00:29,920
Speaker 1: where we have all been able to have like some

1095
01:00:29,960 --> 01:00:32,240
Speaker 1: semblance of a social life in a summer and getting

1096
01:00:32,240 --> 01:00:33,680
Speaker 1: to do all these fun things. So it's been really

1097
01:00:33,760 --> 01:00:36,560
Speaker 1: nice and I'm trying to enjoy whatever you know is

1098
01:00:36,640 --> 01:00:38,600
Speaker 1: left of it. And I'm also so happy because we

1099
01:00:38,640 --> 01:00:40,320
Speaker 1: really have been able to see so much more of

1100
01:00:40,360 --> 01:00:43,560
Speaker 1: each other, and I really like being able to see

1101
01:00:43,600 --> 01:00:45,440
Speaker 1: you all the time and like us be able to

1102
01:00:45,440 --> 01:00:47,200
Speaker 1: be there for each other like when we're laughing, and

1103
01:00:47,240 --> 01:00:49,479
Speaker 1: also need someone to talk to. It's really special, and

1104
01:00:49,720 --> 01:00:51,760
Speaker 1: you know, I really think we're so lucky to have that,

1105
01:00:51,880 --> 01:00:55,080
Speaker 1: and so like when and then Sudie with you moving

1106
01:00:55,680 --> 01:00:57,320
Speaker 1: to Los Angeles, like I know that we're going to

1107
01:00:57,360 --> 01:00:59,680
Speaker 1: spend so much more time together than we've have in

1108
01:00:59,720 --> 01:01:02,960
Speaker 1: such a long time. Really why I'm moving? I mean,

1109
01:01:03,200 --> 01:01:05,880
Speaker 1: it isn't it isn't. I mean like it is. Though

1110
01:01:05,960 --> 01:01:09,360
Speaker 1: I was thinking about this the other day. When I'm

1111
01:01:09,440 --> 01:01:12,640
Speaker 1: with the two of you, I feel like the most

1112
01:01:13,000 --> 01:01:18,760
Speaker 1: like myself than I ever am. Like, it feels like family.

1113
01:01:19,280 --> 01:01:25,160
Speaker 1: It feels also like I'm not thinking about a damn thing,

1114
01:01:26,160 --> 01:01:28,720
Speaker 1: and like pack and watch Potomac envy with us. That's

1115
01:01:28,720 --> 01:01:33,040
Speaker 1: the vibe exactly. That's what we're doing tonight. I'm going

1116
01:01:33,080 --> 01:01:36,880
Speaker 1: to be putting coats in suitcases and seeing what the

1117
01:01:36,920 --> 01:01:38,400
Speaker 1: hell wend you have to say that, Gisel. At the

1118
01:01:38,440 --> 01:01:43,160
Speaker 1: same time we're ignoring Scala, we're erasing Oh my god,

1119
01:01:43,240 --> 01:01:48,280
Speaker 1: I love the scalar Con sisters. Your hair. Does she

1120
01:01:48,360 --> 01:01:51,640
Speaker 1: go to your bar? Your Michelle? I'm sure that Escalan

1121
01:01:51,640 --> 01:01:54,880
Speaker 1: and I go to the same hairdresser is pulling some

1122
01:01:54,960 --> 01:01:58,520
Speaker 1: looks that are reminiscent of Taylor Swift. Red Era. I'm like,

1123
01:01:58,600 --> 01:02:00,840
Speaker 1: you go for it. That's with this where we are.

1124
01:02:00,880 --> 01:02:05,280
Speaker 1: We've talked about Scala like more than probably we have Ashley,

1125
01:02:05,400 --> 01:02:07,600
Speaker 1: and Ashley is a main cast member and has going

1126
01:02:07,640 --> 01:02:09,439
Speaker 1: through a lot. She had a child, and we're talking

1127
01:02:09,440 --> 01:02:12,640
Speaker 1: about Scalar more because Escala has the in factor. And

1128
01:02:12,720 --> 01:02:14,800
Speaker 1: when we when we get to the point where all

1129
01:02:14,800 --> 01:02:16,760
Speaker 1: of a sudden we cut to a confessional and it's

1130
01:02:16,760 --> 01:02:20,000
Speaker 1: a Scala. I'm going to scream, scream at the top

1131
01:02:20,040 --> 01:02:22,920
Speaker 1: of my and it's gonna be a meme, like it's

1132
01:02:22,960 --> 01:02:24,560
Speaker 1: gonna be like, it's just gonna be the first. And

1133
01:02:24,760 --> 01:02:27,880
Speaker 1: I know if her stylist isn't an idiot, they need

1134
01:02:27,920 --> 01:02:30,680
Speaker 1: to give her a huge Christina Aguilera and Mulan rouge

1135
01:02:30,760 --> 01:02:34,480
Speaker 1: Wig and it needs to be like truly a moment

1136
01:02:34,520 --> 01:02:36,920
Speaker 1: because what we have with the Scala is potential and

1137
01:02:37,000 --> 01:02:39,000
Speaker 1: I want to see it played out. Scala is a

1138
01:02:39,120 --> 01:02:46,480
Speaker 1: star and she has her son analogies. Our apologies do

1139
01:02:47,280 --> 01:02:53,160
Speaker 1: so does anyone want to apologize for anything? Our apologies do? Again?

1140
01:02:53,320 --> 01:02:57,480
Speaker 1: I feel she's not thinking in that moment exactly for me.

1141
01:02:57,600 --> 01:03:00,760
Speaker 1: With you two, it's like the same. That is just

1142
01:03:00,880 --> 01:03:03,800
Speaker 1: so I think that's that's the power. That's why she's

1143
01:03:03,840 --> 01:03:07,960
Speaker 1: so impactful to me is because it's like, oh, she

1144
01:03:07,960 --> 01:03:12,800
Speaker 1: she's being very real, literally person. I can honestly see

1145
01:03:12,840 --> 01:03:16,200
Speaker 1: her as like a Kyle, like somebody now it's going

1146
01:03:16,240 --> 01:03:23,919
Speaker 1: too far, see her being like we're seeing she's the storyteller.

1147
01:03:24,040 --> 01:03:27,680
Speaker 1: She's the one explaining the narrative to us. She's like,

1148
01:03:28,080 --> 01:03:32,680
Speaker 1: she's the way she grounded. I mean, I I think

1149
01:03:32,720 --> 01:03:34,600
Speaker 1: that if she had started at the beginning right now,

1150
01:03:34,760 --> 01:03:38,800
Speaker 1: she would be center couch because I think that Kyle

1151
01:03:39,360 --> 01:03:44,160
Speaker 1: is our way and she's she's exactly and like she is.

1152
01:03:45,240 --> 01:03:48,560
Speaker 1: She knows how far at this point. She hasn't always known,

1153
01:03:48,560 --> 01:03:50,680
Speaker 1: but Kyle knows how far to go. If you watch

1154
01:03:50,760 --> 01:03:54,000
Speaker 1: from season one, Kyle is the protagonist of Beverly Hills,

1155
01:03:54,000 --> 01:03:56,720
Speaker 1: and actually everything that happens on the show, Kyle is

1156
01:03:56,720 --> 01:04:00,400
Speaker 1: the protagonist. Her When Erica is breaking down and her

1157
01:04:00,440 --> 01:04:02,920
Speaker 1: Mace Scarrett is running, we're with Kyle, you know what

1158
01:04:02,920 --> 01:04:05,360
Speaker 1: I mean, Like Kyle is the protagonist, like Erica is

1159
01:04:05,440 --> 01:04:07,960
Speaker 1: Kyle's friend in the show. Now, but they find a

1160
01:04:08,000 --> 01:04:11,240
Speaker 1: way to build girl. I cannot watch the show though,

1161
01:04:11,560 --> 01:04:15,840
Speaker 1: without thinking about Hidi and Cecily's bit do you took

1162
01:04:15,920 --> 01:04:17,960
Speaker 1: out of the power where they sit down at least,

1163
01:04:18,120 --> 01:04:22,720
Speaker 1: like love, this couch is this purple. Look at the whale.

1164
01:04:22,760 --> 01:04:24,600
Speaker 1: There's a little whale on the wall. There's that. A

1165
01:04:24,600 --> 01:04:28,440
Speaker 1: whale's a whale seafood. Oh, I wonder what they got here.

1166
01:04:28,480 --> 01:04:32,000
Speaker 1: I'm hungry. That's not hungry. If we're hungry, let's eat.

1167
01:04:32,040 --> 01:04:33,600
Speaker 1: I mean, what we're gonna do, not eat? We have

1168
01:04:33,640 --> 01:04:37,640
Speaker 1: to eat at some pointable table over there on the couch.

1169
01:04:37,720 --> 01:04:41,080
Speaker 1: We can sit and eat. So Erica, she could go

1170
01:04:41,160 --> 01:04:46,320
Speaker 1: to jail. I love. Then the housewives discourse has creeped

1171
01:04:46,320 --> 01:04:48,560
Speaker 1: into the section for my culture because that really makes

1172
01:04:48,560 --> 01:04:50,000
Speaker 1: a lot of sense because it is the culture that

1173
01:04:50,040 --> 01:04:54,880
Speaker 1: I consume but decompressors down. Um, that's what that show is. Um.

1174
01:04:54,960 --> 01:04:58,400
Speaker 1: But yeah, and other otherwise, like in terms of life

1175
01:04:58,800 --> 01:05:02,720
Speaker 1: stuff like super excited that you're coming, and very excited,

1176
01:05:02,920 --> 01:05:05,840
Speaker 1: and like I feel very grateful that I get to

1177
01:05:05,920 --> 01:05:08,840
Speaker 1: be a part of very queer projects that I think

1178
01:05:08,840 --> 01:05:10,640
Speaker 1: are going to be fucking great, like the way Fire

1179
01:05:10,640 --> 01:05:12,920
Speaker 1: Island is cast and the creative team on it, and

1180
01:05:12,960 --> 01:05:15,280
Speaker 1: also Q Force is coming out and I'm really excited

1181
01:05:15,320 --> 01:05:19,760
Speaker 1: for that, and like Booked and I'm really excited for um,

1182
01:05:19,800 --> 01:05:22,680
Speaker 1: you know, in the new year to shoot the Vanessa Show.

1183
01:05:22,680 --> 01:05:25,600
Speaker 1: So I'm feeling good job, baby, And I have to

1184
01:05:25,640 --> 01:05:28,560
Speaker 1: say that you are working your little butt off. You

1185
01:05:28,640 --> 01:05:31,680
Speaker 1: have such an incredible work ethic, you bring it incredible

1186
01:05:31,760 --> 01:05:35,560
Speaker 1: energy to everything you do. And he's an ascala. I mean,

1187
01:05:35,600 --> 01:05:44,440
Speaker 1: Matt is a star, reliable star, natural star personality. Mr personality.

1188
01:05:45,120 --> 01:05:52,560
Speaker 1: Do you agree, Walter? Okay, he goes, Yeah, I think

1189
01:05:56,760 --> 01:06:01,120
Speaker 1: Boby stuck in terms of us of the summer of Cunt,

1190
01:06:02,200 --> 01:06:05,320
Speaker 1: I might this might be a summer that I just

1191
01:06:05,640 --> 01:06:10,000
Speaker 1: I can't access the cunt unfortunately. And that's okay, that's okay,

1192
01:06:10,080 --> 01:06:11,840
Speaker 1: it's okay. I mean I've I've talked to you guys

1193
01:06:11,880 --> 01:06:17,360
Speaker 1: about this, like off offline, but um, I don't know,

1194
01:06:17,680 --> 01:06:19,920
Speaker 1: like I just really have to, like I have not

1195
01:06:20,120 --> 01:06:25,600
Speaker 1: had to genuinely like confront uh the way that I

1196
01:06:25,640 --> 01:06:29,640
Speaker 1: am comfortable with infuriy already, Like my whole life, I've

1197
01:06:29,680 --> 01:06:33,280
Speaker 1: been like that's where I've been that I've just I've been.

1198
01:06:33,760 --> 01:06:38,000
Speaker 1: I'm used to it. I'm used to feeling um bad

1199
01:06:38,080 --> 01:06:41,160
Speaker 1: about myself and I think this anything anything working on

1200
01:06:41,200 --> 01:06:46,160
Speaker 1: this movie, which I'm so grateful for, um, but as

1201
01:06:46,240 --> 01:06:51,600
Speaker 1: the Jane right she goes through probably would would you

1202
01:06:51,600 --> 01:06:54,200
Speaker 1: guys say that Jane Bennett goes through like the worst

1203
01:06:54,360 --> 01:06:56,680
Speaker 1: time in the book, Or maybe I would say that

1204
01:06:56,760 --> 01:07:03,919
Speaker 1: Jane is a character who honestly befalls great personal humiliation

1205
01:07:04,000 --> 01:07:06,760
Speaker 1: and hurt. And it's hard to put yourself in that

1206
01:07:06,840 --> 01:07:12,320
Speaker 1: spot when you're when you're someone who struggles with like us,

1207
01:07:12,320 --> 01:07:14,840
Speaker 1: I guess like, would you say self esteem? Yes? And

1208
01:07:14,880 --> 01:07:17,920
Speaker 1: that's that's that's basically what's going on. And Julio is

1209
01:07:17,960 --> 01:07:20,000
Speaker 1: pointing this out. He was like, this is this is

1210
01:07:20,000 --> 01:07:24,000
Speaker 1: a movie that um thematically is like testing a lot

1211
01:07:24,040 --> 01:07:25,760
Speaker 1: of different things in your life. And the only thing

1212
01:07:25,760 --> 01:07:27,440
Speaker 1: that would have made it worse was if you know

1213
01:07:27,640 --> 01:07:31,240
Speaker 1: your character like had like insane like it was, if

1214
01:07:31,280 --> 01:07:34,080
Speaker 1: your character was put in conversion there right like that

1215
01:07:34,080 --> 01:07:36,200
Speaker 1: that was that would be like so much more real

1216
01:07:36,240 --> 01:07:39,760
Speaker 1: and so much harder to separate that from like Bowen

1217
01:07:40,000 --> 01:07:42,560
Speaker 1: And um, your dear friend wrote it too, So there's

1218
01:07:42,600 --> 01:07:46,120
Speaker 1: like and it's so and it's so well written in

1219
01:07:46,280 --> 01:07:49,720
Speaker 1: Joel is very vivid, so vivid, and it's so it's

1220
01:07:49,840 --> 01:07:55,040
Speaker 1: so lived in and all those words around ratives, but um,

1221
01:07:55,040 --> 01:08:03,320
Speaker 1: it's I don't feel inferior. Now that's so crazy to me.

1222
01:08:03,520 --> 01:08:07,080
Speaker 1: I feel, I feel and just just I know in

1223
01:08:07,240 --> 01:08:09,520
Speaker 1: context it makes no sense because like I've had a

1224
01:08:09,560 --> 01:08:12,400
Speaker 1: great summer but in a wonderful something and like, I know,

1225
01:08:12,480 --> 01:08:14,040
Speaker 1: this is like a moment where I should be like,

1226
01:08:14,400 --> 01:08:17,240
Speaker 1: you gotta be grateful, you gotta like really just like

1227
01:08:17,640 --> 01:08:20,200
Speaker 1: drum that up at any given moment. But I'm like

1228
01:08:21,040 --> 01:08:23,320
Speaker 1: Something's happened in the last few weeks where I don't

1229
01:08:23,320 --> 01:08:28,840
Speaker 1: know what it is um where I'm just like, oh,

1230
01:08:28,920 --> 01:08:31,800
Speaker 1: I just I yeah, I don't know. And I've and

1231
01:08:31,840 --> 01:08:34,120
Speaker 1: I've had and I've had hard scenes so far where

1232
01:08:34,160 --> 01:08:36,920
Speaker 1: like literally Andrew On our director, has like told me

1233
01:08:36,960 --> 01:08:39,800
Speaker 1: to like in this one scene, okay, now you gotta

1234
01:08:40,040 --> 01:08:41,320
Speaker 1: now you need to look at the mirror and just

1235
01:08:41,360 --> 01:08:45,679
Speaker 1: like really like ask yourself, like am I ugly like

1236
01:08:45,680 --> 01:08:50,040
Speaker 1: like like truly like dig for that. And I think

1237
01:08:50,080 --> 01:08:52,760
Speaker 1: it's like really fucked up. And now I like, now

1238
01:08:52,800 --> 01:08:56,439
Speaker 1: I understand what because any time I've heard actors say like,

1239
01:08:56,560 --> 01:08:57,880
Speaker 1: you know, I really had to get home with me

1240
01:08:58,240 --> 01:09:00,560
Speaker 1: with me, I needed to shake the arcter off and

1241
01:09:00,560 --> 01:09:02,479
Speaker 1: all these things like what does that even mean? Whatever,

1242
01:09:02,600 --> 01:09:05,280
Speaker 1: It's like easy, You're you're reading words off the page, okay,

1243
01:09:05,360 --> 01:09:09,640
Speaker 1: Julianne Moore, you know, like truly, I'm like, what what what?

1244
01:09:09,640 --> 01:09:14,200
Speaker 1: What is? What it's worth? It is? And I keep

1245
01:09:14,200 --> 01:09:16,800
Speaker 1: reminding I'm always I always feel so stupid when I'm

1246
01:09:16,840 --> 01:09:20,400
Speaker 1: reminding myself, like, oh right, acting is hard, you know anyway,

1247
01:09:20,600 --> 01:09:22,519
Speaker 1: that's what makes it art though, And I think that

1248
01:09:22,600 --> 01:09:27,840
Speaker 1: like what I guess what I maybe is this is

1249
01:09:27,840 --> 01:09:30,799
Speaker 1: a solution here emotionally, not a solution, but something useful

1250
01:09:30,960 --> 01:09:34,280
Speaker 1: is like to understand that because you have an understanding

1251
01:09:34,320 --> 01:09:37,120
Speaker 1: of that experience and because you have an identification with

1252
01:09:37,160 --> 01:09:39,320
Speaker 1: what the character goes through, what you're going to do

1253
01:09:39,400 --> 01:09:42,679
Speaker 1: is project that with the truth to people who will

1254
01:09:42,680 --> 01:09:47,280
Speaker 1: feel seen by what in the book Jane Wins and like,

1255
01:09:47,439 --> 01:09:50,280
Speaker 1: and not to give spoilers about the movie, but like

1256
01:09:50,560 --> 01:09:54,280
Speaker 1: you know, what you're going to reflect back is really

1257
01:09:54,520 --> 01:09:58,559
Speaker 1: something very beautiful and touching. And while it may feel

1258
01:09:58,680 --> 01:10:02,200
Speaker 1: like you are person totally like far from that, Like

1259
01:10:02,560 --> 01:10:04,920
Speaker 1: I think that like at least what you can know

1260
01:10:05,080 --> 01:10:09,519
Speaker 1: that like you're going to give like such a truth. Yeah,

1261
01:10:09,880 --> 01:10:15,240
Speaker 1: don't be upset, And I'm sorry, I'm sorry, it's okay,

1262
01:10:15,439 --> 01:10:17,920
Speaker 1: I'm sorry. And sometimes I just feel like I've been

1263
01:10:17,920 --> 01:10:20,200
Speaker 1: getting so upset so often that it just feels like

1264
01:10:20,320 --> 01:10:22,880
Speaker 1: people are there's a lot hiding me for it or

1265
01:10:22,880 --> 01:10:26,960
Speaker 1: like scolding me. There's a lot going on, and here

1266
01:10:27,040 --> 01:10:28,680
Speaker 1: you talk about it like the way that you talk

1267
01:10:28,760 --> 01:10:31,120
Speaker 1: about it. I think it must be difficult to howeveryone

1268
01:10:31,240 --> 01:10:33,320
Speaker 1: be like you deserve all these things, you deserve all

1269
01:10:33,360 --> 01:10:36,400
Speaker 1: these things when inherently you don't believe it, And all

1270
01:10:36,439 --> 01:10:38,200
Speaker 1: I want to do is believe it. That's all I

1271
01:10:38,240 --> 01:10:41,160
Speaker 1: ever want for you to do, is just genuinely I

1272
01:10:41,200 --> 01:10:43,240
Speaker 1: was I was believing it for a long time, and

1273
01:10:43,479 --> 01:10:45,719
Speaker 1: you're you're you're talking about like, oh, like you've lived

1274
01:10:45,720 --> 01:10:47,320
Speaker 1: through this in your real life, and I'm like, and

1275
01:10:47,360 --> 01:10:49,800
Speaker 1: I thought I got away from it. I thought I

1276
01:10:50,320 --> 01:10:52,800
Speaker 1: I thought I thought I was so past it. And

1277
01:10:52,840 --> 01:10:54,880
Speaker 1: I was like, look at me. I'm like doing great.

1278
01:10:55,280 --> 01:10:57,639
Speaker 1: I'm doing all these incredible things and all my dreams

1279
01:10:57,640 --> 01:10:59,639
Speaker 1: are coming true. And I'm like, oh, but wait, it's

1280
01:10:59,640 --> 01:11:04,080
Speaker 1: still there. No, No, maybe it's it's okay, it's okay,

1281
01:11:04,120 --> 01:11:07,439
Speaker 1: it's fine. I'm sorry. I don't don't apologize because you

1282
01:11:07,439 --> 01:11:09,400
Speaker 1: know what, it's very real and I want you to

1283
01:11:09,439 --> 01:11:13,000
Speaker 1: know that, like it's it's okay. To have like any

1284
01:11:13,040 --> 01:11:16,639
Speaker 1: emotion that you have and stop thinking about how everyone

1285
01:11:16,680 --> 01:11:19,479
Speaker 1: else is gonna like receive it or take it. Guess

1286
01:11:19,560 --> 01:11:22,000
Speaker 1: what you are living your life. And all I want

1287
01:11:22,040 --> 01:11:25,519
Speaker 1: for you to do is and and the thing is like, no,

1288
01:11:25,600 --> 01:11:28,120
Speaker 1: we're okay, Yeah I don't. I don't need to thank

1289
01:11:28,160 --> 01:11:31,760
Speaker 1: you all. All I want you to do is to

1290
01:11:31,880 --> 01:11:34,880
Speaker 1: know that like I'm I'm feeling for you so hard

1291
01:11:34,920 --> 01:11:37,040
Speaker 1: that it's hard right now, but you will feel good

1292
01:11:37,080 --> 01:11:40,439
Speaker 1: against okay, and we'll just fight through it, all right,

1293
01:11:40,560 --> 01:11:43,960
Speaker 1: and and and it's all going to be fine. I'm

1294
01:11:44,120 --> 01:11:47,760
Speaker 1: We're we are so here for you. I mean, like

1295
01:11:48,000 --> 01:11:50,280
Speaker 1: I think that what you're saying about like I should

1296
01:11:50,320 --> 01:11:52,880
Speaker 1: be grateful and all this stuff, which is like two

1297
01:11:52,920 --> 01:11:56,080
Speaker 1: things can be true. Two things can be true. You

1298
01:11:56,120 --> 01:11:58,400
Speaker 1: can have the perspective. I mean, we're sitting here and

1299
01:11:58,400 --> 01:12:01,439
Speaker 1: we're like looking at what we get to do, and

1300
01:12:01,479 --> 01:12:04,880
Speaker 1: we're all like recognize how rare and lucky we are.

1301
01:12:05,080 --> 01:12:08,160
Speaker 1: But your day to day is still your day to day.

1302
01:12:08,240 --> 01:12:10,400
Speaker 1: It's a lot, and it's still it's not even pressure.

1303
01:12:10,439 --> 01:12:13,720
Speaker 1: It's just like I'm looking at like you know, like

1304
01:12:13,920 --> 01:12:16,519
Speaker 1: the schedule, and I'm like I'm like putting in my account.

1305
01:12:16,520 --> 01:12:18,840
Speaker 1: I'm like, legit clerically doing a lot of work where

1306
01:12:18,840 --> 01:12:21,360
Speaker 1: I'm like, which I like to do, but I'm like, okay,

1307
01:12:21,400 --> 01:12:23,520
Speaker 1: I gotta so this thing will be on that data,

1308
01:12:23,880 --> 01:12:25,360
Speaker 1: you know. I'm like, I'm doing a lot of like

1309
01:12:25,960 --> 01:12:29,920
Speaker 1: emotional logistics, if that makes sense, and that is fucking weird.

1310
01:12:30,080 --> 01:12:33,120
Speaker 1: I wonder how who can help with that. I'm like,

1311
01:12:33,200 --> 01:12:34,519
Speaker 1: oh no, no, it's it's not that like I need

1312
01:12:34,560 --> 01:12:37,599
Speaker 1: to like get help. It's just that I'm like, this

1313
01:12:37,680 --> 01:12:40,000
Speaker 1: is this is this is part of the work, and

1314
01:12:40,040 --> 01:12:42,960
Speaker 1: it's like my I'm thrilled and honored and I couldn't

1315
01:12:42,960 --> 01:12:44,880
Speaker 1: be luckier that this is like the project that I

1316
01:12:44,920 --> 01:12:47,000
Speaker 1: get to do the song for the first time, like

1317
01:12:47,080 --> 01:12:51,400
Speaker 1: in a long like you know, for sustain a period

1318
01:12:51,400 --> 01:12:55,160
Speaker 1: of time. I'm like playing, I'm inhabiting one person whatever.

1319
01:12:55,240 --> 01:12:57,599
Speaker 1: I know, But you're also doing this for the first

1320
01:12:57,640 --> 01:13:00,680
Speaker 1: time to like this kind of work, and so I

1321
01:13:00,680 --> 01:13:04,559
Speaker 1: feel like it is everything that you're going through and

1322
01:13:04,560 --> 01:13:07,640
Speaker 1: talking about it seems very actually natural to me, and

1323
01:13:07,760 --> 01:13:10,000
Speaker 1: like yeah, like what Matt was saying, which is like

1324
01:13:10,320 --> 01:13:13,559
Speaker 1: I just feel you're feelings, judge the feeling. No, no, no,

1325
01:13:13,720 --> 01:13:16,920
Speaker 1: totally totally. He literally said that last week, Um, I

1326
01:13:17,000 --> 01:13:21,360
Speaker 1: just you know, I guess, and I know that you've

1327
01:13:21,400 --> 01:13:26,000
Speaker 1: been feeling this way, and I think sometimes like for me,

1328
01:13:26,040 --> 01:13:27,719
Speaker 1: it's just like I just want to make it better

1329
01:13:27,800 --> 01:13:31,559
Speaker 1: for you. Sometimes I feel like I I sometimes do

1330
01:13:31,720 --> 01:13:34,000
Speaker 1: so much to try to make you happy and like

1331
01:13:34,040 --> 01:13:35,800
Speaker 1: I almost like try to force feed joy onto you.

1332
01:13:35,800 --> 01:13:38,599
Speaker 1: And I also want to tell you that, like I

1333
01:13:38,640 --> 01:13:41,559
Speaker 1: do validate how you're feeling, and I want you to

1334
01:13:41,600 --> 01:13:44,720
Speaker 1: know like if I ever project to you like, um,

1335
01:13:44,760 --> 01:13:47,160
Speaker 1: like why are you doing this? Like like like whenever

1336
01:13:47,200 --> 01:13:48,760
Speaker 1: you're like, oh, I really want to week off and

1337
01:13:48,800 --> 01:13:52,360
Speaker 1: I'm like, um, you know, and I'm whatever. All I'm

1338
01:13:52,360 --> 01:13:54,439
Speaker 1: just saying is I do hear you? And like no,

1339
01:13:55,120 --> 01:13:57,160
Speaker 1: we both hear you, and now you do know I know,

1340
01:13:57,280 --> 01:14:00,559
Speaker 1: I know. It's just I'll get through it. Um the

1341
01:14:00,640 --> 01:14:04,599
Speaker 1: only ways through with these things. And like I got

1342
01:14:04,640 --> 01:14:06,960
Speaker 1: I have fun things waiting for me too, and I'm

1343
01:14:06,960 --> 01:14:11,519
Speaker 1: like god, like I I looked out like crazy with

1344
01:14:11,560 --> 01:14:15,120
Speaker 1: everything and so like that, and that can also be

1345
01:14:15,280 --> 01:14:18,240
Speaker 1: concurrently true with like all the shitty parts of how

1346
01:14:18,280 --> 01:14:21,040
Speaker 1: I'm feeling now too, and like tonight I'm gonna watch

1347
01:14:21,120 --> 01:14:24,720
Speaker 1: Potomac and like laugh my ass off. What are we

1348
01:14:24,760 --> 01:14:30,240
Speaker 1: gonna worker I would like to do honestly, well, never

1349
01:14:30,280 --> 01:14:32,960
Speaker 1: mind what because what I want to do is like

1350
01:14:33,320 --> 01:14:36,280
Speaker 1: something we kind of just did. I don't, I don't know,

1351
01:14:36,360 --> 01:14:37,800
Speaker 1: I don't. I'm not like that. What is what is

1352
01:14:37,800 --> 01:14:40,720
Speaker 1: the birds of a feather? Yeah? That, like this is

1353
01:14:40,760 --> 01:14:45,760
Speaker 1: amazing also kings of Kings cad. I also feel like,

1354
01:14:46,120 --> 01:14:49,880
Speaker 1: bring it back to bone and I'm sorry, don't you No, no,

1355
01:14:49,920 --> 01:14:52,040
Speaker 1: you should express because I feel like we're speech ifying

1356
01:14:52,080 --> 01:14:54,360
Speaker 1: at you and like and you guys don't have to

1357
01:14:54,400 --> 01:14:57,000
Speaker 1: do that either. Neither of you are ever under any

1358
01:14:57,000 --> 01:15:01,080
Speaker 1: obligation to make have to make me feel better about anything. Um,

1359
01:15:01,320 --> 01:15:02,960
Speaker 1: I just want you to feel the thing that we

1360
01:15:03,120 --> 01:15:05,639
Speaker 1: all deal with. So it's I think it's a really

1361
01:15:05,640 --> 01:15:10,360
Speaker 1: important thing to talk about because I think that you

1362
01:15:10,400 --> 01:15:13,519
Speaker 1: bring yourself to every situation, you bring your ship to

1363
01:15:13,640 --> 01:15:18,040
Speaker 1: every situation. And like, I feel like I'm a big

1364
01:15:18,160 --> 01:15:23,040
Speaker 1: compartmentalizer and a big disassociator huge that is how I

1365
01:15:23,160 --> 01:15:28,800
Speaker 1: function in stressful situations. And that is bad, very bad

1366
01:15:28,840 --> 01:15:31,439
Speaker 1: in a lot of ways. Because sometimes I put something

1367
01:15:31,439 --> 01:15:33,439
Speaker 1: in a box and I put it away so because

1368
01:15:33,479 --> 01:15:35,280
Speaker 1: I couldn't deal with it right now, and then it

1369
01:15:35,360 --> 01:15:38,559
Speaker 1: shows up in a huge way, and I'm like, where

1370
01:15:38,560 --> 01:15:40,679
Speaker 1: the fund did this come from? I put that box

1371
01:15:40,720 --> 01:15:42,800
Speaker 1: away so I could deal with it later. And then

1372
01:15:42,880 --> 01:15:44,840
Speaker 1: sometimes you don't get to decide when you have to

1373
01:15:44,840 --> 01:15:49,800
Speaker 1: open the box. Yeah, totally. But also I think that

1374
01:15:51,200 --> 01:15:54,000
Speaker 1: to two things can be true, many things can be true.

1375
01:15:54,240 --> 01:15:58,599
Speaker 1: Hold no want nuance, no wance, no nuance, because it's

1376
01:15:58,600 --> 01:16:02,120
Speaker 1: also like, look, you're going through this fucking emotional ship.

1377
01:16:02,280 --> 01:16:05,920
Speaker 1: You're taking it home, you're bringing it's bringing up all

1378
01:16:05,960 --> 01:16:11,639
Speaker 1: of this you know, trash feelings. Yeah yeah, but also

1379
01:16:12,640 --> 01:16:15,760
Speaker 1: you can live in a moment that's joyous hanging out

1380
01:16:15,800 --> 01:16:17,920
Speaker 1: with friends on set or like you know, we're going

1381
01:16:18,000 --> 01:16:20,200
Speaker 1: to go to them, He's together. I'm so fucking excited.

1382
01:16:20,240 --> 01:16:23,519
Speaker 1: That should be a joyous, celebratory time no matter what.

1383
01:16:24,120 --> 01:16:28,160
Speaker 1: And like, I don't know, maybe I'm asking for too

1384
01:16:28,280 --> 01:16:33,479
Speaker 1: much compartmentalization, but I do feel like that helps me,

1385
01:16:33,960 --> 01:16:36,960
Speaker 1: Like you know, but it's so hard, and I think

1386
01:16:37,160 --> 01:16:41,559
Speaker 1: the opposite thing where I'm like not compartmentalizing anything, and

1387
01:16:41,920 --> 01:16:44,200
Speaker 1: I might run my mouth and like nothing. There are

1388
01:16:44,240 --> 01:16:46,200
Speaker 1: no boundaries when it comes to things, and I never

1389
01:16:46,240 --> 01:16:50,160
Speaker 1: set them. Where do you think that comes from? Um?

1390
01:16:50,160 --> 01:16:53,880
Speaker 1: Never getting the opportunity to maybe like, but it's fine,

1391
01:16:54,800 --> 01:16:58,600
Speaker 1: what do You're never getting the opportunity to I was

1392
01:16:58,680 --> 01:17:02,760
Speaker 1: being foisted the boundaries from like from someone else all

1393
01:17:02,760 --> 01:17:04,760
Speaker 1: my life, which is which is fine, Like I don't

1394
01:17:04,760 --> 01:17:07,519
Speaker 1: I don't have to unpack that now. Literally, my therapist

1395
01:17:07,600 --> 01:17:09,519
Speaker 1: is on vacation for two weeks and so this is

1396
01:17:09,560 --> 01:17:14,760
Speaker 1: timing out wonderfully. Everyone is always on vacation. It's like

1397
01:17:14,800 --> 01:17:17,479
Speaker 1: one of the most horrifying things about the world. I

1398
01:17:17,520 --> 01:17:20,720
Speaker 1: think we should be on vacation at the same time, Like,

1399
01:17:20,760 --> 01:17:22,960
Speaker 1: do you know how many times, well people in the

1400
01:17:23,080 --> 01:17:26,519
Speaker 1: entertainment industry, Actually they're always on vacation. That is true.

1401
01:17:27,280 --> 01:17:30,360
Speaker 1: I think we should all be on vacation more and

1402
01:17:30,600 --> 01:17:32,960
Speaker 1: ignore with you And I really want to go with

1403
01:17:32,960 --> 01:17:35,560
Speaker 1: my sisters to go down to Orlando to ride the

1404
01:17:35,640 --> 01:17:39,599
Speaker 1: Veloci coaster. Well, I want to go to fucking Grease bitch. Um,

1405
01:17:39,840 --> 01:17:43,880
Speaker 1: I know, but so far there's no park there. Bitch.

1406
01:17:43,960 --> 01:17:46,760
Speaker 1: You are Greek and we're gonna sit. We're going to

1407
01:17:46,840 --> 01:17:50,120
Speaker 1: have the most to Greece. To be Greek, I can

1408
01:17:50,160 --> 01:17:53,759
Speaker 1: go to Orlando would be Greek, should be we should

1409
01:17:53,760 --> 01:17:55,960
Speaker 1: be like France and everybody should just be like off

1410
01:17:56,000 --> 01:18:01,160
Speaker 1: for the month of the August, the worst month Matt

1411
01:18:01,240 --> 01:18:05,919
Speaker 1: has to travel. Matt has a season effective disorder during August,

1412
01:18:06,320 --> 01:18:09,200
Speaker 1: only in New York. This season of August. You don't

1413
01:18:09,280 --> 01:18:12,599
Speaker 1: like New York in August. I have a disease, seasonal

1414
01:18:12,680 --> 01:18:17,439
Speaker 1: defective disorder where I can't like in New York in August.

1415
01:18:17,760 --> 01:18:21,160
Speaker 1: To the human I didn't know that it was. Well, yeah,

1416
01:18:21,200 --> 01:18:24,960
Speaker 1: because it's just so different everywhere else. I will say,

1417
01:18:26,600 --> 01:18:30,439
Speaker 1: August for me is a trigger month. I know, I

1418
01:18:30,640 --> 01:18:34,720
Speaker 1: literally brave and bold enough to say that. Not. It's

1419
01:18:34,760 --> 01:18:37,280
Speaker 1: not only just the humidity. It's because every single year,

1420
01:18:37,320 --> 01:18:40,160
Speaker 1: when you're in your twenties doing sketch comedy, August is

1421
01:18:40,160 --> 01:18:43,160
Speaker 1: when SNL rears its head and I have so much

1422
01:18:43,240 --> 01:18:47,320
Speaker 1: trauma from that month, um that it actually was a

1423
01:18:47,320 --> 01:18:49,360
Speaker 1: big reason why I had to move. Yes, yes, do

1424
01:18:49,400 --> 01:18:51,640
Speaker 1: you think over time you will build more distance? No,

1425
01:18:52,080 --> 01:18:55,760
Speaker 1: it doesn't bother me anymore. It doesn't. You said the

1426
01:18:55,760 --> 01:18:59,519
Speaker 1: other day, well that for this year, it's exclusive because

1427
01:19:00,400 --> 01:19:02,320
Speaker 1: it's exclusively the weather in New York this time, because

1428
01:19:02,479 --> 01:19:04,559
Speaker 1: now it's like it's like that thing of like you know,

1429
01:19:04,600 --> 01:19:07,679
Speaker 1: when you were anxious going to school and you could

1430
01:19:07,720 --> 01:19:10,439
Speaker 1: feel it turned to September and like you smell the

1431
01:19:10,520 --> 01:19:13,519
Speaker 1: air and you feel an anxiety. I kind of have

1432
01:19:13,680 --> 01:19:15,800
Speaker 1: that with the month of August now in New York

1433
01:19:15,840 --> 01:19:18,040
Speaker 1: because the humidity reminds me of a slog at a

1434
01:19:18,080 --> 01:19:20,080
Speaker 1: time when I was like stressed out and unhappy. So

1435
01:19:20,160 --> 01:19:22,360
Speaker 1: every time I'm here now, it's like kind of a

1436
01:19:22,400 --> 01:19:25,080
Speaker 1: fight and I have, I have, and I'm brave enough

1437
01:19:25,120 --> 01:19:28,479
Speaker 1: to say I have cried of the days I've been sorry,

1438
01:19:28,600 --> 01:19:31,200
Speaker 1: not even yeah, but it's okay. It's like it's like

1439
01:19:31,240 --> 01:19:35,760
Speaker 1: literally like it's fine because I am genuinely very happy,

1440
01:19:35,800 --> 01:19:39,080
Speaker 1: but like there's something about the heaviness of the humidity

1441
01:19:39,240 --> 01:19:41,880
Speaker 1: and like, you know, it's also like a time for

1442
01:19:41,920 --> 01:19:43,519
Speaker 1: me where things are changing a lot and there's a

1443
01:19:43,520 --> 01:19:45,479
Speaker 1: lot of shift, like and also you know, there's so

1444
01:19:45,560 --> 01:19:48,040
Speaker 1: much uncertainty that sometimes it is nice to just and

1445
01:19:48,080 --> 01:19:52,680
Speaker 1: I am water water water water water signs prior, like

1446
01:19:52,720 --> 01:19:54,960
Speaker 1: it's just it just is what it is. August is

1447
01:19:54,960 --> 01:19:56,720
Speaker 1: an interesting time because I feel like there is like

1448
01:19:56,760 --> 01:20:01,760
Speaker 1: a cognitive dissonance with August where it's like it is

1449
01:20:01,800 --> 01:20:05,519
Speaker 1: the time where the environment, the heat, the weather, the

1450
01:20:05,720 --> 01:20:08,160
Speaker 1: summer is winding down, sooner will be the fall, which

1451
01:20:08,200 --> 01:20:11,080
Speaker 1: is go, go, go, go go. There's a moment where

1452
01:20:11,080 --> 01:20:13,160
Speaker 1: you're like, well, I should be like resting by the

1453
01:20:13,160 --> 01:20:16,880
Speaker 1: beach or whatever. But it's also a time where ship

1454
01:20:17,160 --> 01:20:20,160
Speaker 1: always ends up sucking happening, and so you're in like

1455
01:20:20,560 --> 01:20:22,680
Speaker 1: heat of like I should be on the beach. And

1456
01:20:22,720 --> 01:20:25,880
Speaker 1: then it's like send this, do this. It's weird. It's

1457
01:20:25,880 --> 01:20:28,040
Speaker 1: back to school culture and it's actually talks and the

1458
01:20:28,080 --> 01:20:30,240
Speaker 1: people who are like I like back to school when

1459
01:20:30,280 --> 01:20:33,280
Speaker 1: like the notebooks are back at target, fuck you. I

1460
01:20:33,280 --> 01:20:36,200
Speaker 1: will say that the new school supplies thing is real.

1461
01:20:36,280 --> 01:20:41,679
Speaker 1: They do smell good. The school supplies are wild. Now wait,

1462
01:20:41,720 --> 01:20:43,679
Speaker 1: oh my god, yeah, how have they changed? Like there's

1463
01:20:43,720 --> 01:20:46,400
Speaker 1: fucking I was watching this SMR video where she's sucking

1464
01:20:46,479 --> 01:20:49,519
Speaker 1: Maria gentle whispering icon went. She was like, I went

1465
01:20:49,560 --> 01:20:53,040
Speaker 1: to Darget. I found some amazing things. What are the

1466
01:20:53,120 --> 01:20:55,240
Speaker 1: kids using that the kids are using Like the pencil

1467
01:20:55,280 --> 01:20:58,120
Speaker 1: cases remember the space makers no flop those are gone

1468
01:20:58,160 --> 01:21:00,559
Speaker 1: now it's like there's l E ed e's in there

1469
01:21:00,600 --> 01:21:03,040
Speaker 1: and ship they zip up or the notebooks have like

1470
01:21:03,120 --> 01:21:07,559
Speaker 1: fucking gel and then that you can like whatever gets

1471
01:21:07,600 --> 01:21:11,040
Speaker 1: the kids, whatever gets because you know they're on the

1472
01:21:11,160 --> 01:21:14,400
Speaker 1: iPad and you know. That's why Jane Austen did the

1473
01:21:14,400 --> 01:21:16,120
Speaker 1: farm because she was like, I don't want my kids

1474
01:21:16,160 --> 01:21:18,000
Speaker 1: on the iPad all the time. I want to know

1475
01:21:18,120 --> 01:21:20,720
Speaker 1: where their food comes from. That's what Jane Austen said.

1476
01:21:20,840 --> 01:21:23,759
Speaker 1: Jane Auson said, my kids gonna know where their food

1477
01:21:23,800 --> 01:21:25,479
Speaker 1: comes from. And my kids also going to learn how

1478
01:21:25,479 --> 01:21:29,080
Speaker 1: to ride a bike. Oh, my kid's gonna know how

1479
01:21:29,080 --> 01:21:31,400
Speaker 1: to ride a bike for if something happens, Yeah, if

1480
01:21:31,400 --> 01:21:33,320
Speaker 1: they have to get on a bike. I think Jane

1481
01:21:33,320 --> 01:21:37,799
Speaker 1: was also like, they're gonna eat hickamist sticks where they're

1482
01:21:37,840 --> 01:21:40,439
Speaker 1: going to the farmer's market. They're going to learn about produce.

1483
01:21:40,680 --> 01:21:42,599
Speaker 1: I think Shane was like, my kids are not getting

1484
01:21:42,600 --> 01:21:47,280
Speaker 1: that vaccine. Who said this, Jane Austen, My kids are

1485
01:21:47,280 --> 01:21:49,639
Speaker 1: not getting a vaccine. I don't trust it at all. Also,

1486
01:21:49,720 --> 01:21:52,479
Speaker 1: they're homeschooled, so it's like, you can wait, she's weird,

1487
01:21:52,560 --> 01:21:55,439
Speaker 1: but you know it's weird. She said. She's not getting

1488
01:21:55,479 --> 01:21:58,559
Speaker 1: she said she's thinking she's not anti vax herself fully,

1489
01:21:58,640 --> 01:22:00,920
Speaker 1: but she's like, I don't know which one I get

1490
01:22:00,960 --> 01:22:03,479
Speaker 1: because but I do know that J and J has

1491
01:22:03,520 --> 01:22:05,920
Speaker 1: They put cancer in jan J. This cancer and J

1492
01:22:06,080 --> 01:22:08,360
Speaker 1: n J and I like, but she said, once the

1493
01:22:08,400 --> 01:22:12,360
Speaker 1: FDA approval comes through, then she'll think about it more seriously.

1494
01:22:12,680 --> 01:22:15,240
Speaker 1: But she feels they rushed. My thing with Jane Austen

1495
01:22:15,560 --> 01:22:18,280
Speaker 1: is like I love your Instagram, I love the kids,

1496
01:22:18,320 --> 01:22:20,960
Speaker 1: I love the we love write a book again. I

1497
01:22:21,000 --> 01:22:24,000
Speaker 1: know another book. It's been so long since Jane Austen

1498
01:22:24,040 --> 01:22:25,880
Speaker 1: wrote a book. And it's like you know that thing

1499
01:22:25,880 --> 01:22:27,840
Speaker 1: when like somebody's famous for a thing and then they

1500
01:22:27,920 --> 01:22:30,200
Speaker 1: just get so far away from it, like Christie Taken

1501
01:22:30,200 --> 01:22:32,800
Speaker 1: and being a model. Yeah, and it's like wait, but

1502
01:22:32,920 --> 01:22:35,320
Speaker 1: like do what we loved about you. It's like Bethany

1503
01:22:35,400 --> 01:22:37,600
Speaker 1: with Housewives, Like you're not better than housewives, Babe. The

1504
01:22:37,640 --> 01:22:39,759
Speaker 1: last thing you'll ever see is a remotest singer. Stop

1505
01:22:39,800 --> 01:22:43,160
Speaker 1: trying to be sharing, you know. Jane is like j

1506
01:22:43,280 --> 01:22:45,080
Speaker 1: v N where it's like no, we like, don't you

1507
01:22:45,120 --> 01:22:47,160
Speaker 1: don't have to walk us through this like every like

1508
01:22:47,160 --> 01:22:48,639
Speaker 1: you don't have to show us like a cooking demo.

1509
01:22:48,720 --> 01:22:52,400
Speaker 1: That's anthony, Like you should just go back to the

1510
01:22:52,400 --> 01:22:56,400
Speaker 1: grooming I just missed like a time before like social media,

1511
01:22:56,800 --> 01:22:59,400
Speaker 1: where like Jane Austen could just be Jane Austen and

1512
01:22:59,479 --> 01:23:01,920
Speaker 1: I know, go on her head and then now it's

1513
01:23:01,960 --> 01:23:05,080
Speaker 1: just like there's too much information I missed pre I

1514
01:23:05,200 --> 01:23:08,480
Speaker 1: missed pre social media. Jane Austen, it's like, stop posturing.

1515
01:23:08,560 --> 01:23:10,600
Speaker 1: Talk to us, you know what I mean, Like, just

1516
01:23:10,680 --> 01:23:13,400
Speaker 1: talk to us. Stop posturing for one second, like because

1517
01:23:13,720 --> 01:23:16,439
Speaker 1: it's like when Anthony started posting all those shirtless stuff, right,

1518
01:23:16,479 --> 01:23:18,240
Speaker 1: that's like, that's not why we love you. We love

1519
01:23:18,280 --> 01:23:19,960
Speaker 1: you because of your a goofy little face when you

1520
01:23:20,000 --> 01:23:26,920
Speaker 1: put something wrong in let the work speak for itself,

1521
01:23:27,240 --> 01:23:32,320
Speaker 1: Anthony and Jane Austen, like, you know, that's that we

1522
01:23:32,439 --> 01:23:34,800
Speaker 1: fell in love with you for books? Wait are we

1523
01:23:34,880 --> 01:23:36,920
Speaker 1: are we that? Though? Like have we like veered off

1524
01:23:36,920 --> 01:23:39,920
Speaker 1: the path? Like? Are we being? Jane? I often feel

1525
01:23:40,200 --> 01:23:45,360
Speaker 1: like every time I um say anything about my personal life,

1526
01:23:45,520 --> 01:23:48,479
Speaker 1: I regret it, Like I do this thing, I like

1527
01:23:48,640 --> 01:23:53,280
Speaker 1: absolutely am like I'm a fucking mirror cat in the

1528
01:23:53,320 --> 01:23:59,840
Speaker 1: hole because um no, wait, prairie Dog because I saw

1529
01:23:59,840 --> 01:24:03,000
Speaker 1: it the same. Yeah. Absolutely where it's like I don't

1530
01:24:03,240 --> 01:24:05,320
Speaker 1: I'll have a day where I post, or it'll be

1531
01:24:05,360 --> 01:24:07,639
Speaker 1: like my birthday or like I'll have a cute picture

1532
01:24:07,640 --> 01:24:11,799
Speaker 1: of myself that I'll post, and then I crave those

1533
01:24:11,920 --> 01:24:15,439
Speaker 1: likes and those notifications and the attention in the minute

1534
01:24:15,600 --> 01:24:17,919
Speaker 1: I get it, I'm like, I don't want to be perceived.

1535
01:24:18,240 --> 01:24:22,240
Speaker 1: Nobody look at me, nobody talked to me, don't know

1536
01:24:22,439 --> 01:24:28,080
Speaker 1: a thing about me. This is literally sister Live hashtag after.

1537
01:24:28,640 --> 01:24:31,439
Speaker 1: I mean, I relate, like I like, why did I

1538
01:24:31,479 --> 01:24:33,960
Speaker 1: do that? Like the dopamine hit came and now I'm like,

1539
01:24:34,520 --> 01:24:38,400
Speaker 1: it feels like you've just orgasmed. Yeah, and then you

1540
01:24:38,479 --> 01:24:40,479
Speaker 1: looked at the porn that you were watching and you're

1541
01:24:40,520 --> 01:24:44,240
Speaker 1: like what what? Oh? Yeah, But that's also a funny moment.

1542
01:24:44,240 --> 01:24:48,360
Speaker 1: I think, yeah, I was nineties sailors stuff, Like I

1543
01:24:48,360 --> 01:24:51,240
Speaker 1: thought I was past that. Well, my favorite lately has

1544
01:24:51,280 --> 01:24:57,679
Speaker 1: been espionage thriller stuff like like like like when someone's

1545
01:24:57,680 --> 01:25:00,320
Speaker 1: like you can get some really good ones, like where

1546
01:25:00,320 --> 01:25:03,640
Speaker 1: a girl comes in and she'll be like, well we

1547
01:25:03,760 --> 01:25:06,280
Speaker 1: better go very quick and then like they're like on

1548
01:25:06,320 --> 01:25:08,760
Speaker 1: a mission and then he's like before we go, which

1549
01:25:08,840 --> 01:25:13,000
Speaker 1: we should fuck and things like that. I actually watched

1550
01:25:13,040 --> 01:25:17,120
Speaker 1: hetero porn again recently and it wasn't as iconic as

1551
01:25:17,120 --> 01:25:21,439
Speaker 1: the step, but you know what, I you know, really

1552
01:25:21,600 --> 01:25:25,040
Speaker 1: iconic iconic Matt Rodgers moment might be some awards. Artist

1553
01:25:26,400 --> 01:25:28,479
Speaker 1: Matt Rodgers might be nominated for Artists at the Millennia,

1554
01:25:28,479 --> 01:25:32,439
Speaker 1: we're gonna say, but also going back to gay um,

1555
01:25:33,000 --> 01:25:36,879
Speaker 1: the Mormon stuff is like really good more because they're

1556
01:25:37,000 --> 01:25:40,120
Speaker 1: straight Mormon porn to all that sister wife ship. It's

1557
01:25:40,600 --> 01:25:42,240
Speaker 1: I don't know about all that. All I know is

1558
01:25:42,280 --> 01:25:44,559
Speaker 1: like it's like the rituals of Mormonism. It's like it'll

1559
01:25:44,560 --> 01:25:47,160
Speaker 1: be like that, what's that you're talking about? And some

1560
01:25:47,200 --> 01:25:50,200
Speaker 1: of it is actually kind of upsetting. Well, I mean

1561
01:25:50,760 --> 01:25:56,360
Speaker 1: the fact that it's because Holy Mormon is upsetting, and

1562
01:25:56,400 --> 01:25:58,320
Speaker 1: so the fact that they're like there's this and you

1563
01:25:58,360 --> 01:26:00,839
Speaker 1: know the series I'm talking about, it's like really specific.

1564
01:26:00,880 --> 01:26:04,200
Speaker 1: The garments that were really specific, and it's so specific

1565
01:26:04,320 --> 01:26:08,479
Speaker 1: to that experience that like you are sort of laughing

1566
01:26:08,479 --> 01:26:10,360
Speaker 1: because you're like it's like the seam will start and

1567
01:26:10,400 --> 01:26:12,920
Speaker 1: the guy will be like, now go inside, kneel at

1568
01:26:12,960 --> 01:26:15,600
Speaker 1: the altar and begin the ritual, and it's like the

1569
01:26:15,680 --> 01:26:18,640
Speaker 1: ritual is likelindfolded and then they have to lie down

1570
01:26:18,680 --> 01:26:20,280
Speaker 1: in a bed of nails or some ship like well,

1571
01:26:20,320 --> 01:26:21,800
Speaker 1: and and there's like I'll come in and read the

1572
01:26:21,880 --> 01:26:24,479
Speaker 1: rights and it's like what are you talking to? Watch

1573
01:26:24,560 --> 01:26:26,880
Speaker 1: you have sex? But it's funny to me, all those

1574
01:26:26,880 --> 01:26:32,400
Speaker 1: religions are about sex. They're deeply, deeply horny, and Mormonism

1575
01:26:32,439 --> 01:26:34,400
Speaker 1: is one of the horniest of them all because there's

1576
01:26:34,400 --> 01:26:36,960
Speaker 1: so much to talk about the underwear, and you're seeing

1577
01:26:37,000 --> 01:26:39,160
Speaker 1: the girl with the braid and the dress, and the

1578
01:26:39,160 --> 01:26:43,280
Speaker 1: whole time you're thinking like, I can't wait to funk her,

1579
01:26:43,439 --> 01:26:45,760
Speaker 1: like because she's so covered, like what are her? It's

1580
01:26:45,880 --> 01:26:49,280
Speaker 1: all it's all deeply sexual. And also it's a religion

1581
01:26:49,439 --> 01:26:51,120
Speaker 1: just like all based on men wanted to funk a

1582
01:26:51,120 --> 01:26:54,040
Speaker 1: bunch of young girls that too. I also like another

1583
01:26:54,080 --> 01:26:56,320
Speaker 1: another archetype I really like is can you come over

1584
01:26:56,360 --> 01:27:00,360
Speaker 1: and fix something broken in my house? My trap belien

1585
01:27:00,880 --> 01:27:02,880
Speaker 1: is broken. Dude like going to come over and jump

1586
01:27:02,880 --> 01:27:04,679
Speaker 1: on my trampoline naked to see if it could work?

1587
01:27:05,120 --> 01:27:07,559
Speaker 1: For sure? Dude, I'll come right over. Here's my search

1588
01:27:07,600 --> 01:27:09,639
Speaker 1: word wait you go, No, no no, no. I was gonna

1589
01:27:09,640 --> 01:27:13,959
Speaker 1: say there are only three stories in pornography, Mormonism, fixing

1590
01:27:14,000 --> 01:27:17,320
Speaker 1: something at home, and espionage. Okay, I'm going to add

1591
01:27:17,320 --> 01:27:21,320
Speaker 1: a third one and this summer come for there's my

1592
01:27:21,400 --> 01:27:25,840
Speaker 1: search words real couple making love. I've done it so

1593
01:27:25,880 --> 01:27:29,439
Speaker 1: many times, but the couple has to be hot, and

1594
01:27:29,439 --> 01:27:30,960
Speaker 1: I have to think both of them are hot. And

1595
01:27:31,000 --> 01:27:35,240
Speaker 1: there's this one couple that have great production value, great lighting,

1596
01:27:35,400 --> 01:27:38,599
Speaker 1: like nice bedspread, like it's all set up, and it

1597
01:27:38,640 --> 01:27:40,960
Speaker 1: all starts with them. Like also their lube is like

1598
01:27:40,960 --> 01:27:44,080
Speaker 1: in these little Mason jars and so I think they

1599
01:27:44,120 --> 01:27:45,760
Speaker 1: make it themselves or whatever, like is it just a

1600
01:27:45,840 --> 01:27:52,320
Speaker 1: chi so organic, it's very jane Um. And they just

1601
01:27:52,360 --> 01:27:55,559
Speaker 1: like look into each other's eyes and like finger each

1602
01:27:55,600 --> 01:27:58,559
Speaker 1: other and tell each other how beautiful they are. And

1603
01:27:58,600 --> 01:28:00,759
Speaker 1: then it's like a hard cut to like there's two

1604
01:28:00,880 --> 01:28:03,559
Speaker 1: there's another couple in the bedroom, and then they're like

1605
01:28:03,880 --> 01:28:06,320
Speaker 1: fucking the other couple and like looking at each other.

1606
01:28:06,520 --> 01:28:09,320
Speaker 1: But you're not emotionally invested in this random mother couple though, right,

1607
01:28:09,600 --> 01:28:12,439
Speaker 1: And sometimes I well, I'm really invested in them. And

1608
01:28:12,479 --> 01:28:16,679
Speaker 1: I've also just watched I don't like, you know, I've

1609
01:28:16,680 --> 01:28:20,920
Speaker 1: watched this is rare for me. I've watched several videos

1610
01:28:20,960 --> 01:28:25,519
Speaker 1: of this woman giving this guy up prostate orgasm and

1611
01:28:25,600 --> 01:28:28,880
Speaker 1: the way that he like directs her it's so trusting

1612
01:28:29,360 --> 01:28:33,559
Speaker 1: and beautiful, and the way that he spreads his legs

1613
01:28:33,640 --> 01:28:35,800
Speaker 1: and like will be like barely any on my cock,

1614
01:28:36,120 --> 01:28:39,880
Speaker 1: barely anything lighter, lighter, lighter, like, and she's just looking

1615
01:28:39,920 --> 01:28:43,320
Speaker 1: at him and she's so patient. It's it's loving, it's

1616
01:28:43,479 --> 01:28:46,840
Speaker 1: deeply loving. The way you made the guy sound though,

1617
01:28:46,960 --> 01:28:51,719
Speaker 1: was he's fucking hot, because that's actually hot behavior. He's

1618
01:28:51,760 --> 01:28:54,120
Speaker 1: the hot one. But the tone that you were sort

1619
01:28:54,120 --> 01:28:57,800
Speaker 1: of reenacting it, it sounded like he was like trying

1620
01:28:57,800 --> 01:29:01,000
Speaker 1: to like put in order at a restaurant. No, no, no, no,

1621
01:29:01,120 --> 01:29:04,720
Speaker 1: he is I think, very like very much the way

1622
01:29:04,760 --> 01:29:08,360
Speaker 1: that women sometimes, i mean maybe have to be very

1623
01:29:08,720 --> 01:29:10,960
Speaker 1: specific about, like this is how I'm going to come.

1624
01:29:11,640 --> 01:29:14,040
Speaker 1: He is doing that and it's so trusting and loving.

1625
01:29:14,200 --> 01:29:17,280
Speaker 1: I see that. I love that so much. It's vulnerable.

1626
01:29:17,320 --> 01:29:19,800
Speaker 1: I mean, she has like a big dildo off his

1627
01:29:19,880 --> 01:29:22,280
Speaker 1: butt and he's like jacking him off. I mean, you ever,

1628
01:29:22,479 --> 01:29:24,960
Speaker 1: there's a guy that I watch. He's like a weird

1629
01:29:25,120 --> 01:29:29,080
Speaker 1: British guy, but he like tries out dildos and he

1630
01:29:29,160 --> 01:29:31,680
Speaker 1: al feel like he's like it's a dildo tutorial, like

1631
01:29:31,720 --> 01:29:33,320
Speaker 1: we all need to figure out how to use it.

1632
01:29:33,240 --> 01:29:35,200
Speaker 1: It's like it's a tutorial for this one and I'll

1633
01:29:35,240 --> 01:29:37,960
Speaker 1: review it. It's like so weird, but it works for me.

1634
01:29:38,200 --> 01:29:42,599
Speaker 1: And he also like models like um gear and then

1635
01:29:42,640 --> 01:29:46,000
Speaker 1: he obviously like sometimes he'll turn on like some music

1636
01:29:46,040 --> 01:29:48,240
Speaker 1: and like you know, he'll jack off. But the thing

1637
01:29:48,320 --> 01:29:51,400
Speaker 1: is like he's such a weird guy, but I'm so

1638
01:29:51,640 --> 01:29:53,240
Speaker 1: into it, and I think I want to have some

1639
01:29:53,360 --> 01:29:57,640
Speaker 1: weird sex in you're weird like that. I want to

1640
01:29:57,640 --> 01:30:00,559
Speaker 1: get a little summer of cunt is about fucked and

1641
01:30:00,600 --> 01:30:04,479
Speaker 1: getting fucked weird. Yeah, I really um would like to

1642
01:30:05,280 --> 01:30:08,240
Speaker 1: not me. You're not warning right now, you know what.

1643
01:30:08,400 --> 01:30:10,759
Speaker 1: We talked about this like I would like to in theory,

1644
01:30:10,800 --> 01:30:14,120
Speaker 1: but then it's August, bitch, it's like something you down

1645
01:30:14,160 --> 01:30:16,599
Speaker 1: like now It's like when I'm not fucking, I'm kind

1646
01:30:16,600 --> 01:30:20,679
Speaker 1: of like it's actually fine. I have a headache yet. Welcome. Welcome,

1647
01:30:20,720 --> 01:30:23,040
Speaker 1: That's what the weird British guy with a dildop his

1648
01:30:23,120 --> 01:30:25,160
Speaker 1: asses for and he smiles while he does. It was

1649
01:30:25,200 --> 01:30:31,479
Speaker 1: so cold in London. Well has put his hands on

1650
01:30:31,600 --> 01:30:34,479
Speaker 1: his mouth because he's having a rare moment of have

1651
01:30:34,600 --> 01:30:39,200
Speaker 1: I said too much? Just like the only time he's

1652
01:30:39,240 --> 01:30:41,760
Speaker 1: like once in the year and shocked once a year.

1653
01:30:41,760 --> 01:30:43,759
Speaker 1: He goes, oh, I said that it's cold in London?

1654
01:30:43,880 --> 01:30:46,360
Speaker 1: Did I go too far? Wait? It was a good

1655
01:30:46,439 --> 01:30:49,559
Speaker 1: pr for from miss Taylor Swift for August, the month

1656
01:30:49,560 --> 01:30:53,599
Speaker 1: of August. She's delusional girl. Well now well no, now

1657
01:30:53,640 --> 01:30:55,400
Speaker 1: I love the month of August because I'm like, that's

1658
01:30:55,400 --> 01:30:59,720
Speaker 1: long as the other day I thought. I literally, oh

1659
01:30:59,800 --> 01:31:05,920
Speaker 1: my thought like explicitly and convinced myself that was true, like, oh, now,

1660
01:31:05,960 --> 01:31:08,280
Speaker 1: well we have August by Taylor and so you know,

1661
01:31:08,360 --> 01:31:11,120
Speaker 1: but also like, I have to be honest, it's not enough.

1662
01:31:11,720 --> 01:31:14,360
Speaker 1: It's not enough for me to get over August being

1663
01:31:14,360 --> 01:31:17,080
Speaker 1: what it is. I'm you don't like August, I hate

1664
01:31:17,120 --> 01:31:19,800
Speaker 1: I'm like, oh no, the song is one of my

1665
01:31:19,800 --> 01:31:21,559
Speaker 1: favorite songs on all the time. It's just not enough.

1666
01:31:21,680 --> 01:31:24,640
Speaker 1: But I'm gonna say these words and they're associated with

1667
01:31:24,720 --> 01:31:28,679
Speaker 1: the month of August. You're back beneath the sun wishing

1668
01:31:28,720 --> 01:31:32,680
Speaker 1: I could write my name on it. Will you call

1669
01:31:32,760 --> 01:31:36,559
Speaker 1: when you're back at school? It's August, after all, I

1670
01:31:36,640 --> 01:31:45,360
Speaker 1: remember thinking I had it's such a good song. It's

1671
01:31:45,439 --> 01:31:50,040
Speaker 1: that's such a beautiful one. Um, it's such a gorgeous song.

1672
01:31:50,160 --> 01:31:54,559
Speaker 1: Taylor really slapped, She really snapped on folk. We we

1673
01:31:54,560 --> 01:31:57,680
Speaker 1: were we were dancing last night, Can we say you

1674
01:31:57,720 --> 01:32:00,439
Speaker 1: Belong with me? Came out at the club and truly

1675
01:32:00,479 --> 01:32:04,719
Speaker 1: the perfect song, and I think that's like I sort

1676
01:32:04,760 --> 01:32:07,360
Speaker 1: of forgot how drunk I got last night, but I

1677
01:32:07,439 --> 01:32:11,479
Speaker 1: chugged a couple of Martini's. I woke up hungover, which

1678
01:32:11,520 --> 01:32:15,200
Speaker 1: is didn't even go to the second or third location.

1679
01:32:15,320 --> 01:32:18,280
Speaker 1: It was just a second one. Sud crushed, Sudi crushed,

1680
01:32:18,320 --> 01:32:29,880
Speaker 1: of course crushed. Okay, speaking of Mormonism, is this this

1681
01:32:29,920 --> 01:32:34,439
Speaker 1: perfect segue into Okay, you know what, everybody? Everybody make peace, Readers,

1682
01:32:34,439 --> 01:32:36,320
Speaker 1: make peace with the fact that this is We're going

1683
01:32:36,400 --> 01:32:38,559
Speaker 1: to talk about Taylor Swift at least once per episode,

1684
01:32:38,600 --> 01:32:41,000
Speaker 1: we're gonna talk about one of the Real Housewives shows.

1685
01:32:41,120 --> 01:32:44,479
Speaker 1: Speak truth like it's It's fine. Everybody at this point,

1686
01:32:44,520 --> 01:32:46,479
Speaker 1: like everyone that I know wants it, and I know

1687
01:32:46,520 --> 01:32:50,040
Speaker 1: a lot of different kinds of people. I will say brag, sorry,

1688
01:32:50,280 --> 01:32:53,000
Speaker 1: but we're all watching house and no one's too cool

1689
01:32:53,080 --> 01:32:55,600
Speaker 1: for it, no one's above it. No, do not criticize

1690
01:32:55,600 --> 01:32:59,439
Speaker 1: the pod At this point. Everybody is lucky that it

1691
01:32:59,560 --> 01:33:02,160
Speaker 1: is still thing. And I'm going to say that, and

1692
01:33:02,200 --> 01:33:05,479
Speaker 1: you've got to be grateful for every day that these

1693
01:33:05,520 --> 01:33:11,400
Speaker 1: two fucking deem it worthy of their time to talk

1694
01:33:11,479 --> 01:33:13,840
Speaker 1: into a microphone and guess what they're gonna say whatever

1695
01:33:13,840 --> 01:33:16,200
Speaker 1: the funk they want to say, I will say, it's

1696
01:33:16,240 --> 01:33:19,400
Speaker 1: so easy to just skip ahead, like that's what like

1697
01:33:19,439 --> 01:33:21,400
Speaker 1: if it wasn't It's not like watching a TV show

1698
01:33:21,400 --> 01:33:22,680
Speaker 1: where it's like you kind of have to get your

1699
01:33:22,680 --> 01:33:25,599
Speaker 1: Apple TV remote and like negotiate the and I know

1700
01:33:25,640 --> 01:33:28,800
Speaker 1: you hate the Apple remote it's so sensitive, and then

1701
01:33:28,880 --> 01:33:31,559
Speaker 1: you have to negotiate it. With the podcast, it's like

1702
01:33:31,800 --> 01:33:34,600
Speaker 1: there's a button that's a future button. You can go

1703
01:33:34,640 --> 01:33:37,880
Speaker 1: to the future and if you if you like what

1704
01:33:37,920 --> 01:33:40,680
Speaker 1: you hear, then guess keep going to This podcast is

1705
01:33:40,720 --> 01:33:45,200
Speaker 1: so fucking long. We have done hours, thousands of hours

1706
01:33:45,240 --> 01:33:48,920
Speaker 1: of non content. So when the Salt Lake City two

1707
01:33:49,000 --> 01:33:52,400
Speaker 1: trailer comes out and it fucking snack work of art

1708
01:33:52,520 --> 01:33:55,000
Speaker 1: and it's a work of top to bottom every market,

1709
01:33:56,479 --> 01:33:59,559
Speaker 1: we're gonna talk about it. And now we said it, also,

1710
01:33:59,600 --> 01:34:01,759
Speaker 1: what do they want you to talk about? Sucking Jane Austin,

1711
01:34:01,800 --> 01:34:03,920
Speaker 1: guess what we did? We did. We gave her so

1712
01:34:04,040 --> 01:34:06,000
Speaker 1: much time today it's like she's gonna get her whole

1713
01:34:06,479 --> 01:34:09,439
Speaker 1: literary podcast. It is. We talked about books. This is

1714
01:34:09,479 --> 01:34:12,360
Speaker 1: a literary brand. Everybody is lucky it exists. But anyway,

1715
01:34:12,400 --> 01:34:15,400
Speaker 1: the fucking salt Like trailer let's just say um Jen

1716
01:34:15,920 --> 01:34:20,479
Speaker 1: is a maniac villain. She's a mad villain. She's now

1717
01:34:20,560 --> 01:34:24,559
Speaker 1: like literally like the Big Boss and the Narredith has engaged,

1718
01:34:24,720 --> 01:34:27,880
Speaker 1: Meredith has engaged Detective Lisa. I said her I pitched.

1719
01:34:27,920 --> 01:34:30,679
Speaker 1: I pitched her a new tagline on Instagram. I said,

1720
01:34:30,680 --> 01:34:32,839
Speaker 1: I want this to be Lisa Barlow's tagline for the season.

1721
01:34:33,320 --> 01:34:36,400
Speaker 1: I'll take a hamburger, a large fry, and the truth.

1722
01:34:36,960 --> 01:34:39,040
Speaker 1: I guess what Lisa saw it because he tagged her

1723
01:34:39,080 --> 01:34:42,000
Speaker 1: and she said, you made my day, made my day.

1724
01:34:42,360 --> 01:34:47,040
Speaker 1: You made my day my day. Oh my god, I

1725
01:34:47,120 --> 01:34:49,680
Speaker 1: love that. I love that. I said you could have

1726
01:34:49,720 --> 01:34:53,920
Speaker 1: it for free. I don't know, yo, oh my god. Well,

1727
01:34:53,960 --> 01:34:55,960
Speaker 1: we know who we need to have on literally soon

1728
01:34:56,040 --> 01:35:01,440
Speaker 1: to do her. Lisa Barlow is Vanessa Barlow, so Barlow is.

1729
01:35:01,479 --> 01:35:03,000
Speaker 1: It's like one of those things where you don't hear

1730
01:35:03,000 --> 01:35:04,360
Speaker 1: it and then you hear it and then you're like,

1731
01:35:04,439 --> 01:35:07,639
Speaker 1: thank god, Oh, you're so happy that it exists. Thoughts

1732
01:35:07,680 --> 01:35:09,600
Speaker 1: on what we think Heather Gay season is going to

1733
01:35:09,680 --> 01:35:12,280
Speaker 1: be like after being like sort of the the I'm

1734
01:35:12,320 --> 01:35:16,120
Speaker 1: worried that she has a writer. Now, I'm worried that

1735
01:35:16,240 --> 01:35:19,559
Speaker 1: like there's somebody like you know when like Paula Abdual

1736
01:35:19,640 --> 01:35:21,439
Speaker 1: first season of American Idol, all of a sudden was

1737
01:35:21,479 --> 01:35:24,120
Speaker 1: saying things like testdown, you know, like I'm worried that

1738
01:35:24,160 --> 01:35:26,720
Speaker 1: she's gonna be too self aware and you know it's

1739
01:35:26,760 --> 01:35:29,760
Speaker 1: gonna be. It's gonna you're gonna see her thinking like,

1740
01:35:30,040 --> 01:35:32,680
Speaker 1: my thing is that Rihanna like DM to me and

1741
01:35:32,760 --> 01:35:35,439
Speaker 1: I'm the funny one, and I'm I'm the real one,

1742
01:35:35,560 --> 01:35:38,160
Speaker 1: and I'm I'm worried she's gonna play. She's gonna play

1743
01:35:38,240 --> 01:35:42,160
Speaker 1: to Rihanna, She's gonna play. Now, just have be thinking

1744
01:35:42,200 --> 01:35:44,719
Speaker 1: of catchphrases and then saying them over and over because

1745
01:35:44,760 --> 01:35:48,519
Speaker 1: Wendy's which is sort of affliction, although I don't know

1746
01:35:48,600 --> 01:35:50,759
Speaker 1: with Wendy, I just kind of feel like I'm watching

1747
01:35:50,880 --> 01:35:54,639
Speaker 1: some woman go through some sort of like psychological break

1748
01:35:55,439 --> 01:35:58,960
Speaker 1: and there's a real like there's some real psychosis happening,

1749
01:35:59,040 --> 01:36:03,759
Speaker 1: and it's it's happening with a very intelligent, complicated woman,

1750
01:36:03,880 --> 01:36:08,400
Speaker 1: and I'm along for the ride. Yes, I think for

1751
01:36:08,439 --> 01:36:11,040
Speaker 1: the whatever. You know, she hasn't said the word degrees

1752
01:36:11,160 --> 01:36:14,800
Speaker 1: one time, and she said candle too much, so it's

1753
01:36:14,800 --> 01:36:18,080
Speaker 1: sort of the binary are there's someone who's like, my degrees,

1754
01:36:18,120 --> 01:36:20,200
Speaker 1: are you someone who's like my candle? And I think

1755
01:36:20,200 --> 01:36:23,479
Speaker 1: that she's somewhere and lost in the middle. She's neither

1756
01:36:23,640 --> 01:36:26,800
Speaker 1: right now. Remember when Wendy was talking about like when

1757
01:36:26,800 --> 01:36:28,680
Speaker 1: she was getting her degrees and she had like her

1758
01:36:28,720 --> 01:36:31,360
Speaker 1: two boys, and she would be breastfeeding and working on

1759
01:36:31,400 --> 01:36:34,080
Speaker 1: her disportation. How she wouldn't sleep. She would sleep like

1760
01:36:34,120 --> 01:36:36,240
Speaker 1: three hours a night. And she did that for years

1761
01:36:36,880 --> 01:36:41,720
Speaker 1: that I remember thinking like, oh my god, that is

1762
01:36:41,840 --> 01:36:44,280
Speaker 1: not a way to live your life. That's trauma. That's

1763
01:36:44,360 --> 01:36:47,000
Speaker 1: so hard what she did. And the fact that she's

1764
01:36:47,080 --> 01:36:51,200
Speaker 1: like new body. These kids literally sucked the life out

1765
01:36:51,200 --> 01:36:56,400
Speaker 1: of my breasts new body candles. I'm very I don't

1766
01:36:56,680 --> 01:36:59,840
Speaker 1: support it, but I'm very It makes sense to me,

1767
01:37:00,080 --> 01:37:03,240
Speaker 1: makes so much sense. It makes she saw an opportunity.

1768
01:37:03,320 --> 01:37:06,439
Speaker 1: She's trying to create a new beginning for herself. And also,

1769
01:37:06,479 --> 01:37:08,639
Speaker 1: you know a lot of people when you watch herself

1770
01:37:08,680 --> 01:37:11,760
Speaker 1: on TV, like you go through something. I mean, she's

1771
01:37:11,760 --> 01:37:14,439
Speaker 1: seen herself edited and maybe she thought, maybe she thought

1772
01:37:14,439 --> 01:37:17,599
Speaker 1: her character wasn't fun, and she's like, but wait, I'm

1773
01:37:17,640 --> 01:37:20,879
Speaker 1: watching the show and I'm fun, like she and and

1774
01:37:20,680 --> 01:37:23,519
Speaker 1: and like maybe she's going a little too far. In

1775
01:37:23,520 --> 01:37:25,599
Speaker 1: that direction. I mean, I think that Wendy is having

1776
01:37:25,600 --> 01:37:29,799
Speaker 1: a better second season than Leah. It's too much pressure,

1777
01:37:29,960 --> 01:37:33,120
Speaker 1: too much put on Leah's shoulders too quickly. She's more

1778
01:37:33,160 --> 01:37:36,200
Speaker 1: fun when she pops, when she's when she's the whip

1779
01:37:36,280 --> 01:37:40,160
Speaker 1: cream on top. She can't be the banana. That's amazing.

1780
01:37:41,000 --> 01:37:43,479
Speaker 1: That's everyone is the banana. I honestly think, and I

1781
01:37:44,439 --> 01:37:46,880
Speaker 1: really don't like saying this, but I think the way

1782
01:37:46,960 --> 01:37:50,639
Speaker 1: the only way you saved New York really is to back,

1783
01:37:51,160 --> 01:37:53,479
Speaker 1: bring Bethany back, bringing back Ramona, and then bring back

1784
01:37:53,520 --> 01:37:56,040
Speaker 1: like Dorenda. I think you know, Dorenda was not watching

1785
01:37:56,040 --> 01:37:57,280
Speaker 1: It Happens live, and she was like, I think they

1786
01:37:57,280 --> 01:38:00,240
Speaker 1: should bring us all back. I think it well would

1787
01:38:00,280 --> 01:38:03,200
Speaker 1: be fun is seeing the older cast and the New

1788
01:38:03,280 --> 01:38:06,599
Speaker 1: York cast and see what happens. But I'm happy, you know,

1789
01:38:06,720 --> 01:38:10,719
Speaker 1: I'm happy, and I'll go back. It's I'm very fortunate

1790
01:38:10,720 --> 01:38:12,120
Speaker 1: and bus and you know if I did, if I

1791
01:38:12,160 --> 01:38:15,000
Speaker 1: did go back, I wouldn't have written this book. And

1792
01:38:15,040 --> 01:38:17,799
Speaker 1: I read the book, and I'm happy that I'm sharing

1793
01:38:17,840 --> 01:38:20,519
Speaker 1: with everyone. Direnda, I heard I saw that you put

1794
01:38:20,520 --> 01:38:23,599
Speaker 1: Blue Stone Manner on Airbnb. What's that about? Well, I'm

1795
01:38:23,600 --> 01:38:28,160
Speaker 1: inviting everyone to come to my airbnd. And wouldn't that

1796
01:38:28,200 --> 01:38:31,200
Speaker 1: be fun? A reality show about bluestone manner? I think

1797
01:38:31,240 --> 01:38:37,559
Speaker 1: that would be fun. You know, just saying are changing

1798
01:38:37,600 --> 01:38:40,080
Speaker 1: your voice? You want to and you you want to

1799
01:38:40,120 --> 01:38:42,240
Speaker 1: know why you once told me I was Direnda because

1800
01:38:42,240 --> 01:38:45,840
Speaker 1: when I drink, it gets a little dark. Yeah, he

1801
01:38:45,920 --> 01:38:53,080
Speaker 1: gets so dark. That's that's that's not specific to Direnda though,

1802
01:38:53,840 --> 01:38:56,960
Speaker 1: And can I say yes, that is true? And when

1803
01:38:57,000 --> 01:39:00,200
Speaker 1: studio is saying that she's associating drinking with getting dark,

1804
01:39:00,240 --> 01:39:03,360
Speaker 1: for me, it's because all those times happened in August.

1805
01:39:03,720 --> 01:39:05,880
Speaker 1: August in New York, I was drinking a lot and

1806
01:39:05,880 --> 01:39:07,800
Speaker 1: getting dark. Last night you drank a lot and you

1807
01:39:08,040 --> 01:39:10,439
Speaker 1: got fresh with me? Was that being fresh? Well? You

1808
01:39:10,479 --> 01:39:12,840
Speaker 1: were just like you're coming, You're coming to the next

1809
01:39:12,880 --> 01:39:15,240
Speaker 1: level because it's like, honestly like it was. It was

1810
01:39:15,280 --> 01:39:16,920
Speaker 1: like it wasn't dark, it was dark. I was just

1811
01:39:16,960 --> 01:39:18,880
Speaker 1: like I was being definitive and I think trying to

1812
01:39:18,920 --> 01:39:21,040
Speaker 1: be funny, but like it maybe it was reading us

1813
01:39:21,080 --> 01:39:24,040
Speaker 1: like it was the look in your eyes was you're

1814
01:39:24,120 --> 01:39:27,320
Speaker 1: doing as I said? Well, because I honestly like needed

1815
01:39:27,360 --> 01:39:30,120
Speaker 1: that because I unfortunately had that thing readers where last

1816
01:39:30,240 --> 01:39:32,960
Speaker 1: night I was that flop who told everyone to leave

1817
01:39:33,000 --> 01:39:35,080
Speaker 1: one place to go to another place and arrive in

1818
01:39:35,200 --> 01:39:39,400
Speaker 1: It was closed, and we were really about outside. We're

1819
01:39:39,439 --> 01:39:42,439
Speaker 1: outside with about thirty people who came from our little

1820
01:39:42,479 --> 01:39:47,960
Speaker 1: island show, and it was like, oh, dozens of people

1821
01:39:47,960 --> 01:39:50,360
Speaker 1: who I love and care about, we forgave you. It

1822
01:39:50,439 --> 01:39:54,880
Speaker 1: wasn't the restaurant's fault. When the restaurants are closed, it's

1823
01:39:54,880 --> 01:39:57,720
Speaker 1: their fault. It's actually real culture number nine. When restaurants

1824
01:39:57,720 --> 01:40:03,679
Speaker 1: are closed, it's their fault. Be open. Um. I think

1825
01:40:03,880 --> 01:40:07,120
Speaker 1: that we are in for some great television from Bravo

1826
01:40:07,640 --> 01:40:10,439
Speaker 1: going forward, going forward, and I'm putting it into an

1827
01:40:10,439 --> 01:40:12,479
Speaker 1: atmosphere I'm gonna I want to be on Watch What

1828
01:40:12,560 --> 01:40:15,800
Speaker 1: Happens Live. Yes, it's it's it's like my summer of

1829
01:40:15,880 --> 01:40:19,439
Speaker 1: kunt It's because it's not happening soon, but at some

1830
01:40:19,479 --> 01:40:21,439
Speaker 1: point in the next year or so, I really want

1831
01:40:21,439 --> 01:40:23,840
Speaker 1: to do watch What Happens Live. It's my literally one

1832
01:40:23,840 --> 01:40:25,840
Speaker 1: of my life drinks. That's huge. I think you should.

1833
01:40:26,720 --> 01:40:28,559
Speaker 1: So this is such a this is such a gross

1834
01:40:29,240 --> 01:40:33,320
Speaker 1: thing to put out. This is very inside baseball. Do

1835
01:40:33,320 --> 01:40:35,960
Speaker 1: you do you have a publicist? I say you hire

1836
01:40:36,000 --> 01:40:38,120
Speaker 1: one of then you push like for when Key Force

1837
01:40:38,160 --> 01:40:39,960
Speaker 1: comes out and September, we should be like, can we

1838
01:40:39,960 --> 01:40:42,599
Speaker 1: get me on I'll be a publicist. Yeah. I can

1839
01:40:42,640 --> 01:40:45,200
Speaker 1: call and be like, Hi, this is Study Green. I'm

1840
01:40:45,200 --> 01:40:47,880
Speaker 1: telling you I'm working with Matt Rogers and he has

1841
01:40:47,880 --> 01:40:50,600
Speaker 1: some really exciting things coming up, and um, we're just

1842
01:40:50,640 --> 01:40:54,120
Speaker 1: wanting yeah absolutely, Well, I just feel like absolutely and yeah,

1843
01:40:54,240 --> 01:40:58,280
Speaker 1: absolutely great. I mean I've said it. I think I've

1844
01:40:58,280 --> 01:41:00,599
Speaker 1: said it on this pod before. If I was less talented,

1845
01:41:00,600 --> 01:41:03,040
Speaker 1: I'd be the biggest age in the world. But I

1846
01:41:03,080 --> 01:41:05,519
Speaker 1: will say I've shot on publicists on this podcast before,

1847
01:41:05,720 --> 01:41:09,520
Speaker 1: before I had my own, and I really do appreciate them.

1848
01:41:09,560 --> 01:41:13,680
Speaker 1: It's a hard people who get shipped done. They're so

1849
01:41:13,720 --> 01:41:16,040
Speaker 1: good at doing that. It is also a job for

1850
01:41:16,080 --> 01:41:19,200
Speaker 1: New York women, and I can never hate job full

1851
01:41:19,439 --> 01:41:21,799
Speaker 1: of New York women. There should be, honestly a reality

1852
01:41:21,840 --> 01:41:25,559
Speaker 1: show about publicists. Is there? Well there was a show, Well, yes,

1853
01:41:25,640 --> 01:41:28,000
Speaker 1: there was that show that was on. I think it

1854
01:41:28,040 --> 01:41:32,599
Speaker 1: was Who's that Woman? Kelly Kelly Cotrone. Kelly Cotrone had

1855
01:41:32,640 --> 01:41:35,800
Speaker 1: her own reality show and then Krull Show. They had

1856
01:41:35,840 --> 01:41:40,400
Speaker 1: that public So I honestly think maybe maybe it hasn't

1857
01:41:40,400 --> 01:41:42,160
Speaker 1: been done well yet, but I would love to see

1858
01:41:42,680 --> 01:41:46,200
Speaker 1: that energy harness. It's fascinating. Speaking of harnessing energy, it

1859
01:41:46,320 --> 01:41:48,360
Speaker 1: is at this moment because we are running up on

1860
01:41:48,439 --> 01:41:51,240
Speaker 1: almost Walter is gonna kick us the hell out of

1861
01:41:51,280 --> 01:41:53,800
Speaker 1: here soon, so we gotta do Um. I don't think so, honey.

1862
01:41:53,800 --> 01:41:56,840
Speaker 1: Which is you know, such a fun segment, so fun.

1863
01:41:57,000 --> 01:41:59,400
Speaker 1: It's really such a black that's really I think we

1864
01:41:59,520 --> 01:42:02,320
Speaker 1: really got I think we really found something with I

1865
01:42:02,320 --> 01:42:04,200
Speaker 1: don't think so. The other day, um, we were going

1866
01:42:04,240 --> 01:42:07,920
Speaker 1: to the Lady Gaga concert with Tony Bennett featuring Tony Bennett,

1867
01:42:07,960 --> 01:42:10,760
Speaker 1: The Lady Gaga and Tony Bennett's final concert ever. By

1868
01:42:10,840 --> 01:42:13,000
Speaker 1: the way, Bohen, you pulled Tony Bennett out of the

1869
01:42:13,000 --> 01:42:15,960
Speaker 1: trollball last night and said you could never be Gaga.

1870
01:42:16,160 --> 01:42:19,160
Speaker 1: I said, how how dare you have Gaga be your opener? Yeah,

1871
01:42:20,400 --> 01:42:22,080
Speaker 1: you want to be her, You never will be He

1872
01:42:22,240 --> 01:42:24,840
Speaker 1: will be her. Um. But um, anyway, we were walking

1873
01:42:24,880 --> 01:42:27,840
Speaker 1: in and this guy goes to Bowen my favorite is

1874
01:42:28,120 --> 01:42:31,800
Speaker 1: I don't think so, honey. We celebrate him and we

1875
01:42:31,800 --> 01:42:34,240
Speaker 1: send excel him. But it's a one one minute segment.

1876
01:42:34,320 --> 01:42:37,360
Speaker 1: Do you explain it? Um? It's a one minute segment

1877
01:42:37,360 --> 01:42:40,880
Speaker 1: where you rail against um something in culture that you

1878
01:42:40,960 --> 01:42:45,040
Speaker 1: don't think so honey, and you gotta be talk fast,

1879
01:42:45,600 --> 01:42:50,799
Speaker 1: you gotta be speak truth, as Kamala would say, and um,

1880
01:42:50,840 --> 01:42:53,960
Speaker 1: you gotta be funny, but don't try too hard. Also

1881
01:42:53,960 --> 01:42:56,800
Speaker 1: is Kamala would say, do not come, if you do

1882
01:42:56,840 --> 01:42:59,120
Speaker 1: not come, if you're not gonna come, if you, if

1883
01:42:59,160 --> 01:43:01,200
Speaker 1: you if I'm saying, if you calm doing, I don't think, sony,

1884
01:43:01,240 --> 01:43:03,360
Speaker 1: that's bad. Don't don't don't have an orgasm, don't have

1885
01:43:03,400 --> 01:43:06,599
Speaker 1: an orgasm. As as Kamala also said, Yeah, I'm gonna

1886
01:43:06,680 --> 01:43:12,439
Speaker 1: drag me for this. Um. I think Kamala is funny

1887
01:43:12,640 --> 01:43:16,040
Speaker 1: unfortunately as as a person in the as the way

1888
01:43:16,080 --> 01:43:18,439
Speaker 1: she waved to the crowd that one time, her laughing

1889
01:43:18,439 --> 01:43:22,559
Speaker 1: in her pride jacket, like I enjoy the Kamala thing

1890
01:43:22,600 --> 01:43:24,559
Speaker 1: because you know that behind the scenes, it's like she's

1891
01:43:24,560 --> 01:43:27,800
Speaker 1: basically ordering around the stormtroopers. You know what I like,

1892
01:43:28,160 --> 01:43:30,479
Speaker 1: what I love is like I literally we were really

1893
01:43:30,479 --> 01:43:32,799
Speaker 1: stoned in Galaxy's Edge and there was like a huge

1894
01:43:32,840 --> 01:43:35,160
Speaker 1: like ship and I was like, I pointed to it

1895
01:43:35,240 --> 01:43:40,639
Speaker 1: and I said, Kamala energy. Kamala is such a serious woman.

1896
01:43:41,040 --> 01:43:45,200
Speaker 1: She's such a serious woman who can access this manic

1897
01:43:45,640 --> 01:43:50,400
Speaker 1: joy projection that is like there's it's in her eyes

1898
01:43:50,800 --> 01:43:53,080
Speaker 1: exactly when she's walking at it pride, or like when

1899
01:43:53,080 --> 01:43:57,280
Speaker 1: she's like waving to the bus, and it is fascinating

1900
01:43:57,320 --> 01:43:59,920
Speaker 1: that that is a part of her because you know,

1901
01:44:00,240 --> 01:44:03,000
Speaker 1: it doesn't I'm not saying that it's it's it's inauthentic.

1902
01:44:03,040 --> 01:44:05,160
Speaker 1: I think that it's there and it's in there, but

1903
01:44:05,280 --> 01:44:07,360
Speaker 1: she it's like it's like Hillary looking at the balloons.

1904
01:44:07,640 --> 01:44:12,320
Speaker 1: They access this thing that is just that part of

1905
01:44:12,360 --> 01:44:14,280
Speaker 1: their lives because in the rest of their lives they

1906
01:44:14,280 --> 01:44:18,520
Speaker 1: have to be so serious. They have to be serious,

1907
01:44:18,760 --> 01:44:23,080
Speaker 1: do not come. And she also has to do yeah

1908
01:44:24,520 --> 01:44:27,320
Speaker 1: I know, and she has to wave it that way

1909
01:44:27,520 --> 01:44:33,360
Speaker 1: and look like a patriotic monument. Really being a woman

1910
01:44:33,720 --> 01:44:36,719
Speaker 1: is hell, truly, it's hell. And everything is a trap.

1911
01:44:37,400 --> 01:44:40,840
Speaker 1: And I'm saying I have I have. I have admiration

1912
01:44:41,000 --> 01:44:44,920
Speaker 1: for her, and I know that she's you know, problematic

1913
01:44:44,960 --> 01:44:51,400
Speaker 1: amongst progressives and and I understand, but I do understand.

1914
01:44:51,479 --> 01:44:54,200
Speaker 1: I watch it and I laughed, and when she said,

1915
01:44:54,200 --> 01:44:56,360
Speaker 1: oh yeah, I'm gonna drag me for this, I did

1916
01:44:56,400 --> 01:44:59,200
Speaker 1: think it was funny because I just did the first

1917
01:44:59,240 --> 01:45:02,240
Speaker 1: time you did that, I thought, is he allowed? And

1918
01:45:02,280 --> 01:45:04,080
Speaker 1: now the third time that you've done it, I'm like,

1919
01:45:04,200 --> 01:45:08,760
Speaker 1: he is and you you are the arbiter. Yeah. One

1920
01:45:08,800 --> 01:45:10,720
Speaker 1: thing I would like to do is go back in

1921
01:45:10,840 --> 01:45:13,040
Speaker 1: time and just tap myself on the shoulder a few

1922
01:45:13,080 --> 01:45:14,479
Speaker 1: times when I said some things early on in the

1923
01:45:14,479 --> 01:45:18,840
Speaker 1: podcast and just be like, are you allowed? But I'm

1924
01:45:18,840 --> 01:45:23,200
Speaker 1: grown and changee Okay, that's just a part of life, okay, man. Anyway,

1925
01:45:23,200 --> 01:45:25,920
Speaker 1: I don't think so, honey, I'll go You're gonna go first, grape? Okay,

1926
01:45:26,360 --> 01:45:28,280
Speaker 1: this is Matt Rodgers is I don't think so, honey.

1927
01:45:28,320 --> 01:45:30,880
Speaker 1: His time starts now. I don't think so, honey. Too

1928
01:45:30,960 --> 01:45:35,799
Speaker 1: much milk or creamer and the ice coffee? Get uh grip?

1929
01:45:36,200 --> 01:45:38,040
Speaker 1: And when I say get a grip, get a grip

1930
01:45:38,080 --> 01:45:40,479
Speaker 1: on something else that isn't the goddamn handle of milk

1931
01:45:40,520 --> 01:45:44,400
Speaker 1: you're using to pour it into my goddamn iced Let

1932
01:45:44,400 --> 01:45:47,599
Speaker 1: me tell you something. I don't want to drink milk.

1933
01:45:47,880 --> 01:45:50,200
Speaker 1: I want to drink iced coffee. If I wanted to

1934
01:45:50,280 --> 01:45:52,719
Speaker 1: come here, do you think I would order a coffee

1935
01:45:52,840 --> 01:45:56,240
Speaker 1: or a milk? And like, I don't think so, honey.

1936
01:45:56,240 --> 01:45:58,160
Speaker 1: I'm not going to the coffee shop for milk, So

1937
01:45:58,240 --> 01:46:01,599
Speaker 1: why pray tell when I sort of suck the straw

1938
01:46:01,760 --> 01:46:05,639
Speaker 1: paper these days and I'm just finding that it's mostly milk,

1939
01:46:05,880 --> 01:46:09,920
Speaker 1: oat or almond usually for me. Sorry, climate, but that's

1940
01:46:10,000 --> 01:46:12,400
Speaker 1: usually what it is. And especially when it's almond milk.

1941
01:46:12,439 --> 01:46:14,280
Speaker 1: This isn't even super cent. This isn't even what they'd

1942
01:46:14,280 --> 01:46:16,360
Speaker 1: say in the nineties you should be drinking to get

1943
01:46:16,400 --> 01:46:19,360
Speaker 1: out to wait off osteoporosis. This is almond milk, Mama.

1944
01:46:19,479 --> 01:46:21,439
Speaker 1: I don't want to drink mostly the milk of the oat.

1945
01:46:21,600 --> 01:46:23,479
Speaker 1: I want to drink ice coffee. I'm here for energy,

1946
01:46:23,520 --> 01:46:25,800
Speaker 1: I'm here for a good time. I'm here to a stain.

1947
01:46:26,080 --> 01:46:28,080
Speaker 1: I'm not here for milk. If I was, i'd be

1948
01:46:28,120 --> 01:46:30,320
Speaker 1: at the pasture. I don't think so, honey, that I'm

1949
01:46:30,360 --> 01:46:35,840
Speaker 1: there one minute. I loved that, yeah, that you kept

1950
01:46:35,840 --> 01:46:38,559
Speaker 1: it going. And also I think can we can we

1951
01:46:39,320 --> 01:46:42,400
Speaker 1: name names? I think it's Duncan that is like the

1952
01:46:42,439 --> 01:46:45,880
Speaker 1: biggest sort of overall not even just milk with them too,

1953
01:46:45,920 --> 01:46:49,040
Speaker 1: because the sugar is really where it gets uncouth. It's untowards.

1954
01:46:49,080 --> 01:46:52,080
Speaker 1: I don't I don't order anything that's a black coffee

1955
01:46:52,080 --> 01:46:54,680
Speaker 1: at Dunkin Donuts because I don't trust their hands. When

1956
01:46:54,680 --> 01:46:57,599
Speaker 1: you're drinking it and you can't even drink you can't

1957
01:46:57,600 --> 01:47:00,479
Speaker 1: taste the coffee, You're just tasting milk. I don't settle

1958
01:47:00,520 --> 01:47:02,680
Speaker 1: who say that Duncan Donuts is their coffee place. That's

1959
01:47:02,680 --> 01:47:07,720
Speaker 1: how you know ben Affleck is a serious killer. I

1960
01:47:07,760 --> 01:47:11,200
Speaker 1: will not hear this. Duncan is so much better than Starbucks.

1961
01:47:11,240 --> 01:47:13,920
Speaker 1: It's not even you know you're from the East Coast,

1962
01:47:13,920 --> 01:47:16,439
Speaker 1: you're from like you're from like that's that's what that is.

1963
01:47:16,479 --> 01:47:19,519
Speaker 1: Because Starbucks is trying to give me Seattle roast will

1964
01:47:19,560 --> 01:47:22,800
Speaker 1: get the cockett taste like cigarettes, whereas Duncan is like,

1965
01:47:22,880 --> 01:47:26,320
Speaker 1: we are who we are and you're you're choosing this,

1966
01:47:26,600 --> 01:47:29,599
Speaker 1: and I appreciate that and I actually think it's solid.

1967
01:47:29,960 --> 01:47:33,120
Speaker 1: That is the second time that someone has described coffee

1968
01:47:33,160 --> 01:47:35,519
Speaker 1: tasting like cigarettes in a day, and I've never heard

1969
01:47:35,560 --> 01:47:37,519
Speaker 1: that gratitude. Earlier, we had coffee and she was like,

1970
01:47:37,560 --> 01:47:39,599
Speaker 1: does this taste like cigarettes to you? And I like

1971
01:47:40,439 --> 01:47:44,680
Speaker 1: cigarettes taste okay, I don't know, I don't taste them.

1972
01:47:44,920 --> 01:47:48,360
Speaker 1: It's well, you know, I think I dragged me for this,

1973
01:47:48,520 --> 01:47:50,320
Speaker 1: not to bring it, not to bring up as to

1974
01:47:50,360 --> 01:47:53,160
Speaker 1: nol but for study to kepe so hard for dunkin donuts.

1975
01:47:53,240 --> 01:47:55,479
Speaker 1: I I don't mind dunking donuts, but for you to

1976
01:47:55,520 --> 01:47:59,000
Speaker 1: be very loyal is East Coast culture. It's working in

1977
01:47:59,120 --> 01:48:02,040
Speaker 1: SNL culture. One under thirty Rock, I think that's what

1978
01:48:02,080 --> 01:48:05,240
Speaker 1: you're to. Yeah, the one under thirty Rock. When they

1979
01:48:05,240 --> 01:48:09,000
Speaker 1: where they call you sweetie, sweetie, they always have the

1980
01:48:09,080 --> 01:48:21,439
Speaker 1: perfect let's go Laura Hey, Mr Mike. Beanie is playing

1981
01:48:22,400 --> 01:48:24,920
Speaker 1: we can, but we can't go down that road. We

1982
01:48:25,000 --> 01:48:28,760
Speaker 1: love Beanie. I want Beanie on the pod. Okay, so

1983
01:48:28,840 --> 01:48:31,360
Speaker 1: this is Bowen Yang's um. I don't think so, honey.

1984
01:48:31,520 --> 01:48:36,519
Speaker 1: Is he ready? And he nods confidently as I press play.

1985
01:48:36,640 --> 01:48:39,840
Speaker 1: It's time starts now. I don't think so, honey. Hard out.

1986
01:48:40,439 --> 01:48:43,080
Speaker 1: No one honors them, and so what's the point of

1987
01:48:43,160 --> 01:48:46,599
Speaker 1: even asking for one or receiving one from someone? Like,

1988
01:48:47,200 --> 01:48:50,200
Speaker 1: we're not gonna We're not gonna hold it up. We're

1989
01:48:50,240 --> 01:48:52,880
Speaker 1: not gonna do it. We're going where we only had

1990
01:48:52,880 --> 01:48:55,080
Speaker 1: the room for two hours. Here we're doing this in person,

1991
01:48:55,320 --> 01:48:57,920
Speaker 1: and poor Walter is having to sit here working over time.

1992
01:48:58,200 --> 01:49:01,240
Speaker 1: We were we run the clock fifteen minutes after our

1993
01:49:01,280 --> 01:49:03,320
Speaker 1: A lot of time we were we weren't given a

1994
01:49:03,320 --> 01:49:04,840
Speaker 1: heart out. We did not say we had a heart out,

1995
01:49:04,840 --> 01:49:09,960
Speaker 1: but we are. The schedules aren't being um arbitrary. I

1996
01:49:10,080 --> 01:49:12,160
Speaker 1: just think I've never in my life had a heart

1997
01:49:12,160 --> 01:49:16,080
Speaker 1: out honored. I think let's just like delete them as

1998
01:49:16,080 --> 01:49:19,320
Speaker 1: a concept. Okay, Like if you're going to show up somewhere,

1999
01:49:19,360 --> 01:49:23,679
Speaker 1: expect to be there for an indefinite amount of time forever,

2000
01:49:24,640 --> 01:49:26,960
Speaker 1: and that that is so liberating to sort of, you know,

2001
01:49:27,560 --> 01:49:30,639
Speaker 1: be untethered from time in that way. So heart outs,

2002
01:49:30,680 --> 01:49:32,760
Speaker 1: I mean, the only person who should have a heart

2003
01:49:32,800 --> 01:49:35,200
Speaker 1: out should be Katie, correct because she is up for

2004
01:49:35,240 --> 01:49:39,200
Speaker 1: the Best Asker award and she and she just deserves

2005
01:49:39,200 --> 01:49:43,160
Speaker 1: her time to um, you know, catch catch people, and

2006
01:49:43,200 --> 01:49:49,160
Speaker 1: that's one minute. I have never had a heart out, truly.

2007
01:49:50,040 --> 01:49:53,759
Speaker 1: I've seen hard I've seen heart out to spring into action,

2008
01:49:53,880 --> 01:49:56,599
Speaker 1: and it is a hard out right to the minute

2009
01:49:57,320 --> 01:50:01,439
Speaker 1: they're honored, but now away. So for people that might

2010
01:50:01,520 --> 01:50:04,280
Speaker 1: not know, a hard out is when you say people

2011
01:50:04,280 --> 01:50:07,040
Speaker 1: do not actually have to for everyone, not everyone that does.

2012
01:50:07,600 --> 01:50:09,840
Speaker 1: I have to leave at five. I'm so sorry I

2013
01:50:09,840 --> 01:50:12,000
Speaker 1: have a hard out at five, just like we were

2014
01:50:12,040 --> 01:50:15,000
Speaker 1: told today there was a hard out at seven. It's

2015
01:50:15,080 --> 01:50:20,840
Speaker 1: seven oh five six fifty alright, So, um, so that's

2016
01:50:20,840 --> 01:50:22,720
Speaker 1: what we're saying. We don't think so, honey. So that's

2017
01:50:22,720 --> 01:50:24,280
Speaker 1: why we're not doing the hard Walter told me there's

2018
01:50:24,280 --> 01:50:25,920
Speaker 1: no one booked after this, and so we we do

2019
01:50:26,040 --> 01:50:29,840
Speaker 1: get to like color. He wants to hear us talk

2020
01:50:29,920 --> 01:50:32,400
Speaker 1: about Scala. He wants to hear it. He loves he

2021
01:50:32,520 --> 01:50:36,120
Speaker 1: loves st Do you have you have you been able

2022
01:50:36,160 --> 01:50:39,760
Speaker 1: to understand any thing we've said, like in terms of

2023
01:50:39,800 --> 01:50:41,800
Speaker 1: a scalart? Do you know what that is? Did you?

2024
01:50:41,840 --> 01:50:43,600
Speaker 1: But you were laughing at his Dorinda impression in a

2025
01:50:43,600 --> 01:50:52,559
Speaker 1: way that made me, do you think that's biggest mistake

2026
01:50:52,600 --> 01:51:01,639
Speaker 1: of his life? He has? It's that thing where yeah,

2027
01:51:01,880 --> 01:51:05,920
Speaker 1: she's yeah, she's got a book coming out, she's got you.

2028
01:51:06,720 --> 01:51:12,400
Speaker 1: I was working words and anybody heard it heard it

2029
01:51:12,400 --> 01:51:15,920
Speaker 1: could be fun and you know Candice is coming on

2030
01:51:17,920 --> 01:51:21,599
Speaker 1: incredible drive back, drive back, sweeping the country, big hit,

2031
01:51:21,680 --> 01:51:24,200
Speaker 1: big hit, topping the charts. Kids. Could be fun, It

2032
01:51:24,200 --> 01:51:26,479
Speaker 1: could be fun, to be interesting, could be interesting. You

2033
01:51:26,520 --> 01:51:29,760
Speaker 1: know that also has a canvas. But you shouldn't do it. No,

2034
01:51:29,960 --> 01:51:31,960
Speaker 1: everybody needs to be saying can I give notes? Everybody

2035
01:51:31,960 --> 01:51:35,160
Speaker 1: needs to be saying fewer words and longer pauses. And

2036
01:51:36,520 --> 01:51:39,799
Speaker 1: I'm not putting Erica out there. She's been through it locked,

2037
01:51:40,439 --> 01:51:44,439
Speaker 1: She's been through locked. You know. It's the thing where

2038
01:51:44,479 --> 01:51:52,400
Speaker 1: the husband yeah, yeah, yeah. So now this is gonna

2039
01:51:52,439 --> 01:51:55,880
Speaker 1: be study Greens. I don't think so, honey, And studio

2040
01:51:55,920 --> 01:51:59,080
Speaker 1: you're ready sort of done too. In the last twenty

2041
01:51:59,080 --> 01:52:04,000
Speaker 1: four hours, you're on fire, and they both were slaves,

2042
01:52:04,160 --> 01:52:06,200
Speaker 1: and this one, I know it's going to be no exception.

2043
01:52:06,680 --> 01:52:08,800
Speaker 1: This is studio Greens. I don't think so, Honey. On

2044
01:52:08,960 --> 01:52:12,479
Speaker 1: summer of Hunt four and our time starts now, I

2045
01:52:12,520 --> 01:52:17,639
Speaker 1: don't think so, honey. Hiking, hiking, you're a walk, but harder.

2046
01:52:18,360 --> 01:52:20,800
Speaker 1: I don't like to hike. Every boyfriend I've ever had

2047
01:52:20,840 --> 01:52:22,920
Speaker 1: in my life, I've had to hike with them. I

2048
01:52:22,960 --> 01:52:25,800
Speaker 1: have to pretend to hike. I to pretend to like it,

2049
01:52:26,240 --> 01:52:29,240
Speaker 1: and then guess what about six months in the truth

2050
01:52:29,360 --> 01:52:33,120
Speaker 1: comes out, which is that hiking you're not watching a movie,

2051
01:52:33,560 --> 01:52:36,640
Speaker 1: be watching a movie. Also, you want to be in

2052
01:52:36,680 --> 01:52:39,880
Speaker 1: the middle of nature, in the middle of nowhere alone.

2053
01:52:40,400 --> 01:52:43,799
Speaker 1: You are a white man. You you are a white

2054
01:52:43,840 --> 01:52:46,200
Speaker 1: man saying that, and it is a white man's space.

2055
01:52:46,360 --> 01:52:49,679
Speaker 1: And I don't like to have to climb. I don't

2056
01:52:49,760 --> 01:52:52,840
Speaker 1: like to have I like nature, but I don't want

2057
01:52:52,840 --> 01:52:56,280
Speaker 1: to have to go into nature to be in nature.

2058
01:52:56,439 --> 01:52:59,640
Speaker 1: Does that make sense for it? Also, the thing is

2059
01:52:59,680 --> 01:53:02,599
Speaker 1: with hiking, you you you do the hike to the point,

2060
01:53:02,880 --> 01:53:06,439
Speaker 1: and guess what you have to do after that? Walk back? Okay,

2061
01:53:06,520 --> 01:53:09,519
Speaker 1: walk back? And sometimes people are trying to trick you

2062
01:53:09,600 --> 01:53:11,880
Speaker 1: and say that the walk back is easier. But it's

2063
01:53:11,880 --> 01:53:15,120
Speaker 1: harder because I'm tired. I don't think so hiking and

2064
01:53:15,160 --> 01:53:18,240
Speaker 1: that's one minute, that's incredible. You know what's hard about

2065
01:53:18,360 --> 01:53:20,960
Speaker 1: the walk down is it's hard on your calves because

2066
01:53:21,080 --> 01:53:22,880
Speaker 1: you're like going down the hill and then you know

2067
01:53:22,920 --> 01:53:24,160
Speaker 1: what I mean, your feet and then your feet are

2068
01:53:24,240 --> 01:53:27,120
Speaker 1: kind of sloped down like this you're doing and that's

2069
01:53:27,120 --> 01:53:29,719
Speaker 1: when you notice if you're not wearing the right footwear. Yeah,

2070
01:53:29,840 --> 01:53:32,640
Speaker 1: that's when you know. To me, it's it's it's the

2071
01:53:32,680 --> 01:53:35,559
Speaker 1: performance that I do for every man that I've ever known.

2072
01:53:35,640 --> 01:53:38,240
Speaker 1: Not true, not every man, but most of them where

2073
01:53:38,240 --> 01:53:41,120
Speaker 1: I'm like, yeah, let's go in a hike, and then

2074
01:53:41,760 --> 01:53:45,839
Speaker 1: it's it's the tension of how much do I suffer

2075
01:53:45,920 --> 01:53:48,679
Speaker 1: through and when do they find out ay that I'm

2076
01:53:48,680 --> 01:53:52,080
Speaker 1: not really in shape for this and be that. The

2077
01:53:52,240 --> 01:53:56,080
Speaker 1: secret is, I would so much rather be doing literally

2078
01:53:56,120 --> 01:53:58,679
Speaker 1: anything else. Can I say? And this this will maybe

2079
01:53:58,720 --> 01:54:02,280
Speaker 1: renegotiate the performing aspect of this. You and I have

2080
01:54:02,479 --> 01:54:05,760
Speaker 1: enjoyed a hike together. Okay, what I would call the

2081
01:54:05,840 --> 01:54:08,599
Speaker 1: hikes that we've gone on, and this is important nature

2082
01:54:08,600 --> 01:54:14,040
Speaker 1: walks and nature walk I love a nature walk. Give me,

2083
01:54:14,080 --> 01:54:16,519
Speaker 1: give me a path, uh you know, off a road,

2084
01:54:16,840 --> 01:54:19,360
Speaker 1: easy parking and I'm and I'm smelling the trees for

2085
01:54:19,400 --> 01:54:22,639
Speaker 1: a little bit. I can't be doing these these these

2086
01:54:22,880 --> 01:54:27,200
Speaker 1: mountain you're bouldering. I'm oregon trailing up in this. You

2087
01:54:27,280 --> 01:54:29,920
Speaker 1: also don't need to be hiking to walk, you know

2088
01:54:29,960 --> 01:54:33,000
Speaker 1: what I mean? And if you're walking, you actually like

2089
01:54:33,080 --> 01:54:36,280
Speaker 1: you know, steps wise, like they're the same. Like so

2090
01:54:36,320 --> 01:54:38,120
Speaker 1: if you if you walk up a hill and it's

2091
01:54:38,120 --> 01:54:40,640
Speaker 1: a hike quote unquote, like you could have walked down

2092
01:54:40,680 --> 01:54:45,400
Speaker 1: the street around nature thanks and logged as many steps

2093
01:54:45,400 --> 01:54:49,360
Speaker 1: and still it's calories carrying down like getting lost, can

2094
01:54:49,440 --> 01:54:53,560
Speaker 1: I son? But I do love them and you're gonna

2095
01:54:53,560 --> 01:54:54,600
Speaker 1: love the way you look at l I when you

2096
01:54:54,640 --> 01:54:57,080
Speaker 1: start Griffith Park. Is that a hike or nature walk?

2097
01:54:57,120 --> 01:54:59,680
Speaker 1: I was a hike. I think if it's up, if

2098
01:55:00,040 --> 01:55:04,360
Speaker 1: you're if it's up the hill, and yeah, in your

2099
01:55:04,440 --> 01:55:06,920
Speaker 1: ass you're feeling it. I think that that's a hike.

2100
01:55:07,000 --> 01:55:09,800
Speaker 1: To me, a hike is defined not only by distance

2101
01:55:09,840 --> 01:55:13,000
Speaker 1: and remoteness, but also streng you with smiths. But do

2102
01:55:13,120 --> 01:55:16,160
Speaker 1: you like hike? No, but I'll do it to get

2103
01:55:16,160 --> 01:55:19,400
Speaker 1: a nice ass. We love and I'll do it. I'll

2104
01:55:19,480 --> 01:55:22,520
Speaker 1: do it to get a nice ask. But I won't

2105
01:55:22,560 --> 01:55:24,920
Speaker 1: do it because I say I love going on a high.

2106
01:55:24,960 --> 01:55:26,560
Speaker 1: It's a means to an end. It's not the thing

2107
01:55:26,560 --> 01:55:28,880
Speaker 1: that you want to be doing, like working out, and

2108
01:55:28,960 --> 01:55:31,560
Speaker 1: I don't do it. I have to tell you that's

2109
01:55:31,600 --> 01:55:33,400
Speaker 1: been that's been a part of summer of count for me.

2110
01:55:33,440 --> 01:55:35,720
Speaker 1: Is I now do enjoy it? Don't I don't want

2111
01:55:35,720 --> 01:55:40,960
Speaker 1: to hear it, but but literally, please shut up, thank you.

2112
01:55:42,280 --> 01:55:48,440
Speaker 1: This is summer of the boundaries. And guess what, Kings

2113
01:55:48,560 --> 01:55:51,200
Speaker 1: We're we're having a fun night tonight. Yeah, we're about

2114
01:55:51,200 --> 01:55:54,360
Speaker 1: to go watch We're gonna go to Kings. Shout out.

2115
01:55:55,480 --> 01:55:56,960
Speaker 1: I just want to say one thing, which is that

2116
01:55:57,040 --> 01:55:59,880
Speaker 1: I'm staying at a really cool hotel in New York

2117
01:56:00,000 --> 01:56:04,200
Speaker 1: all the freehand and there, and I'm telling you like

2118
01:56:04,280 --> 01:56:06,480
Speaker 1: I never got to go. I never was in town

2119
01:56:06,520 --> 01:56:09,560
Speaker 1: for a tree, which feels literally insane. Um, But now

2120
01:56:09,600 --> 01:56:12,400
Speaker 1: I'm there and I love it. It's so fucking lovely.

2121
01:56:12,920 --> 01:56:18,600
Speaker 1: So this is um, this is like a damn discount discount. No,

2122
01:56:18,680 --> 01:56:22,160
Speaker 1: I'm just saying, like I would pay millions more. No,

2123
01:56:22,240 --> 01:56:25,680
Speaker 1: they should pay you. No, Mama, let me pay them. No,

2124
01:56:26,480 --> 01:56:30,640
Speaker 1: let me pay them. No, Okay, give me the money,

2125
01:56:30,680 --> 01:56:33,440
Speaker 1: give give him the money. Well, I think this has

2126
01:56:33,480 --> 01:56:37,080
Speaker 1: been and wow, we laughed, We literally cried. I think

2127
01:56:37,080 --> 01:56:40,920
Speaker 1: this is an iconic summer of cunt, summer of quad,

2128
01:56:41,440 --> 01:56:44,040
Speaker 1: summer of I think it's Can I have a pitch

2129
01:56:44,080 --> 01:56:49,520
Speaker 1: for a title summer for like no cunty or so

2130
01:56:49,560 --> 01:56:53,480
Speaker 1: it's like five huh, so it's like fast five or

2131
01:56:53,520 --> 01:56:56,720
Speaker 1: when it's like Furious seven. You know, like we now

2132
01:56:56,880 --> 01:56:59,440
Speaker 1: know that like the word So the word furious is

2133
01:56:59,480 --> 01:57:02,000
Speaker 1: infer now with any fast neferious movies so much so

2134
01:57:02,080 --> 01:57:03,840
Speaker 1: that you don't need it in the actual title. So

2135
01:57:03,880 --> 01:57:06,280
Speaker 1: the word hunt is sort of inferred with this, so

2136
01:57:06,320 --> 01:57:10,280
Speaker 1: you don't need it with what about cunt cunt cunt

2137
01:57:10,400 --> 01:57:14,839
Speaker 1: cuntor that? I like that. We're gonna have a vote

2138
01:57:15,000 --> 01:57:18,960
Speaker 1: on one of the most popular websites online, which is

2139
01:57:19,000 --> 01:57:21,840
Speaker 1: called Twitter um, and it's gonna be between the two.

2140
01:57:22,000 --> 01:57:25,480
Speaker 1: We're going to ask our We're gonna ask the Twitter sphere,

2141
01:57:25,480 --> 01:57:28,280
Speaker 1: which is always responsible and definitely when we post the

2142
01:57:28,320 --> 01:57:30,960
Speaker 1: word hunt on even if it's spelled with a K

2143
01:57:31,160 --> 01:57:33,720
Speaker 1: on Twitter, people will have like, they'll have a good

2144
01:57:33,720 --> 01:57:37,800
Speaker 1: sense of humor about and they'll be constructive and will

2145
01:57:37,840 --> 01:57:41,240
Speaker 1: be willing to play along with us. Absolutely, I trust

2146
01:57:41,280 --> 01:57:44,480
Speaker 1: every trust them for sure. No one flag it, no

2147
01:57:44,480 --> 01:57:48,120
Speaker 1: one report, no one flag at faggots. Okay, this has

2148
01:57:48,160 --> 01:57:49,880
Speaker 1: been this has been one of the best times. And

2149
01:57:49,920 --> 01:57:52,320
Speaker 1: we're all gonna wave to each other, and I kind

2150
01:57:52,320 --> 01:57:53,680
Speaker 1: of I know what song I want to sing at

2151
01:57:53,680 --> 01:57:55,680
Speaker 1: the end, and I kind of want studios to lead us.

2152
01:57:56,160 --> 01:57:58,640
Speaker 1: Would you leave? Listen the theme songs to A Wrinkland

2153
01:57:58,640 --> 01:58:09,520
Speaker 1: times only you can ring BOSEI Fine f