1 00:00:00,440 --> 00:00:02,520 Speaker 1: Wake that ass up in the morning. 2 00:00:02,800 --> 00:00:07,960 Speaker 2: Breakfast Club Morning, everybody is t j n V. Just hilarious. 3 00:00:08,039 --> 00:00:10,039 Speaker 2: Charlemagne the guy we are the Breakfast Club. 4 00:00:10,080 --> 00:00:10,400 Speaker 3: We got some. 5 00:00:10,400 --> 00:00:11,760 Speaker 2: Special guests in the buildings. 6 00:00:11,800 --> 00:00:14,520 Speaker 1: Indeed, you got eight O three Fresh home team and. 7 00:00:14,480 --> 00:00:18,079 Speaker 2: Young guy here in the building yourself. Welcome fellas, y'all 8 00:00:18,079 --> 00:00:18,920 Speaker 2: feeling man. 9 00:00:19,040 --> 00:00:22,960 Speaker 4: Where the fans at they now? If you don't know 10 00:00:23,000 --> 00:00:25,000 Speaker 4: Ato three Fresh, of course they got the record right now. 11 00:00:25,040 --> 00:00:28,080 Speaker 4: That's if you've been out and about, especially in the South, 12 00:00:28,160 --> 00:00:31,560 Speaker 4: especially HBCU Boots on the Ground on their song. 13 00:00:32,440 --> 00:00:34,479 Speaker 2: Congratulations boys, that song. 14 00:00:34,320 --> 00:00:35,920 Speaker 3: Moving man, Thank you brother, appreciate that. 15 00:00:35,960 --> 00:00:37,840 Speaker 2: When did the song actually come out? 16 00:00:38,400 --> 00:00:41,560 Speaker 3: December twenty four? That was like my crisis gift to everybody. 17 00:00:41,320 --> 00:00:43,159 Speaker 4: Now, Charlemagne and live Charlan like that song been out 18 00:00:43,159 --> 00:00:45,040 Speaker 4: for three years. I'm like, Charlomage know what I was 19 00:00:45,120 --> 00:00:45,640 Speaker 4: talking about. 20 00:00:45,680 --> 00:00:48,880 Speaker 5: Just the whole line dance movement from South Carolina. 21 00:00:50,080 --> 00:00:52,000 Speaker 6: It's definitely been going on more than three yeah, But 22 00:00:52,360 --> 00:00:54,920 Speaker 6: is it just started picking up more in it like 23 00:00:54,920 --> 00:00:55,720 Speaker 6: the past year and a half. 24 00:00:56,280 --> 00:00:56,720 Speaker 1: Absolutely. 25 00:00:56,760 --> 00:00:56,920 Speaker 3: Yeah. 26 00:00:56,920 --> 00:00:59,080 Speaker 4: People don't really get to see the line theres, especially 27 00:00:59,160 --> 00:01:01,440 Speaker 4: on the East Coast as much. But when I when 28 00:01:01,440 --> 00:01:03,520 Speaker 4: I DJ everywhere you get to see it. And I 29 00:01:03,560 --> 00:01:08,040 Speaker 4: remember I was a Charlotte and a girl came up 30 00:01:08,040 --> 00:01:09,200 Speaker 4: to me. It's like, can you play the Boots on 31 00:01:09,200 --> 00:01:10,800 Speaker 4: the Ground. I had no idea what she talking about. 32 00:01:10,840 --> 00:01:11,640 Speaker 4: It was a mob dip song. 33 00:01:11,720 --> 00:01:13,280 Speaker 2: I was like, is that a mob deep Boots on 34 00:01:13,319 --> 00:01:15,480 Speaker 2: the line. I had no idea. It's out that Louis v. 35 00:01:15,520 --> 00:01:15,759 Speaker 3: Louis. 36 00:01:15,800 --> 00:01:17,080 Speaker 4: He was like, yeah, I'm gonna send it to you 37 00:01:17,160 --> 00:01:18,360 Speaker 4: right now, send it to me. And then when I 38 00:01:18,400 --> 00:01:19,360 Speaker 4: played it, I see. 39 00:01:19,200 --> 00:01:21,240 Speaker 2: The went ups moving. 40 00:01:21,319 --> 00:01:24,199 Speaker 1: I said, you know what's crazy, it's crazy as it sounds. 41 00:01:24,200 --> 00:01:26,760 Speaker 5: The current political climate kind of boosted the record too, 42 00:01:26,760 --> 00:01:29,679 Speaker 5: because I remember people started posting saying, you know, we 43 00:01:29,720 --> 00:01:31,840 Speaker 5: ain't tripping off what this administration is doing. 44 00:01:31,840 --> 00:01:32,639 Speaker 1: Black people are. 45 00:01:32,480 --> 00:01:35,720 Speaker 5: Finding joy learning new line dances, and it would always 46 00:01:35,760 --> 00:01:37,360 Speaker 5: be Boots on the Ground with the fans. 47 00:01:37,600 --> 00:01:40,560 Speaker 6: It took everybody, like everybody's mind away from like the 48 00:01:40,640 --> 00:01:42,600 Speaker 6: you know, the current, you know stuff that's going on. 49 00:01:42,720 --> 00:01:42,920 Speaker 7: Man. 50 00:01:43,040 --> 00:01:45,319 Speaker 6: So for me, it's like the unity in it. That's 51 00:01:45,319 --> 00:01:48,120 Speaker 6: what makes it more appeeling for me. You know, you 52 00:01:48,240 --> 00:01:50,080 Speaker 6: got thet the two year old, you got the eight 53 00:01:50,080 --> 00:01:53,880 Speaker 6: to two year old, you got the everybody I mean 54 00:01:53,920 --> 00:01:56,600 Speaker 6: Grandmama's auntie. That's what makes it more genuine for me. 55 00:01:56,680 --> 00:01:58,600 Speaker 4: Man, the dope think about it was a lot of 56 00:01:58,600 --> 00:02:01,960 Speaker 4: the line dre songs a lot older, like you're talking 57 00:02:02,000 --> 00:02:04,000 Speaker 4: twenty years older. Like, but when you go to a 58 00:02:04,000 --> 00:02:08,160 Speaker 4: family reunion or a wedding or a HBCU, it's always the. 59 00:02:08,120 --> 00:02:09,119 Speaker 2: Wabble wobble. 60 00:02:10,400 --> 00:02:12,800 Speaker 4: Electric slide before I let go and you played the 61 00:02:12,800 --> 00:02:15,520 Speaker 4: Beyonce version. And this is something fresh new, So let's 62 00:02:15,520 --> 00:02:17,000 Speaker 4: start from the beginning for people that don't know you. 63 00:02:17,120 --> 00:02:18,880 Speaker 2: Who is eight or three fresh? Where are you from? 64 00:02:19,080 --> 00:02:20,960 Speaker 2: And how did you get into this this thing called 65 00:02:21,000 --> 00:02:21,760 Speaker 2: the music industry? 66 00:02:21,840 --> 00:02:22,919 Speaker 3: What's going on? Everybody? Al three? 67 00:02:22,919 --> 00:02:25,160 Speaker 6: First, the kid live in the building man, listen from 68 00:02:25,160 --> 00:02:28,080 Speaker 6: a small town in South Carolina called Wagner, South Carolina. 69 00:02:28,200 --> 00:02:29,960 Speaker 6: One Stop signed one Stop, Like we all share the 70 00:02:29,960 --> 00:02:30,440 Speaker 6: same dog. 71 00:02:35,000 --> 00:02:38,239 Speaker 1: Most going to be bigger than Wagoner, Yeah, yeah's. 72 00:02:37,760 --> 00:02:40,280 Speaker 6: Going bigger wagon Man. But started off in the church man, 73 00:02:40,360 --> 00:02:42,280 Speaker 6: humble beginners. Man, started off in the church man singing 74 00:02:42,280 --> 00:02:44,320 Speaker 6: in the choir or whatever, you know, like the product 75 00:02:44,280 --> 00:02:45,720 Speaker 6: the sun, and left away from it, you know, I 76 00:02:45,760 --> 00:02:48,800 Speaker 6: went out and I started venturing into like more genres. 77 00:02:48,880 --> 00:02:49,000 Speaker 3: Uh. 78 00:02:49,160 --> 00:02:50,960 Speaker 6: I tapped in the pop, attacked in the R and B. 79 00:02:51,320 --> 00:02:54,360 Speaker 6: I wrapped a little bit and then I found something 80 00:02:54,400 --> 00:02:56,679 Speaker 6: so really southern. So found me man, been doing it 81 00:02:56,680 --> 00:02:58,720 Speaker 6: about a year and a half now, man, and it 82 00:02:58,880 --> 00:02:59,760 Speaker 6: actually saved my life. 83 00:02:59,760 --> 00:03:02,000 Speaker 1: Man, So explain to the people what suffering souls. 84 00:03:02,320 --> 00:03:03,320 Speaker 3: So the soul is a mixture. 85 00:03:03,600 --> 00:03:07,959 Speaker 6: It has a like a fine undertone mixture of gospel, blues, soul, all. 86 00:03:08,000 --> 00:03:09,799 Speaker 3: Like mixed together, mianda together. 87 00:03:09,560 --> 00:03:13,839 Speaker 6: Man and us. It's only based in its auth but 88 00:03:13,919 --> 00:03:15,880 Speaker 6: when you hear it, it's like feel good music. When 89 00:03:15,919 --> 00:03:17,840 Speaker 6: you hear it's like that music that touch your bones 90 00:03:17,880 --> 00:03:20,920 Speaker 6: and they you know, it's it's a beautiful thing. You 91 00:03:21,000 --> 00:03:22,600 Speaker 6: just got to be in one of the like one 92 00:03:22,600 --> 00:03:24,680 Speaker 6: of the events to actually feel it. 93 00:03:24,840 --> 00:03:26,040 Speaker 3: It changed the environment totally. 94 00:03:26,040 --> 00:03:27,840 Speaker 6: You're saying, we advocate for a good time, we advocate 95 00:03:27,880 --> 00:03:30,360 Speaker 6: for unity in that and so that's why I I 96 00:03:30,440 --> 00:03:32,720 Speaker 6: chose to piggyback on that genre the most. 97 00:03:32,760 --> 00:03:32,959 Speaker 7: Now. 98 00:03:33,320 --> 00:03:36,480 Speaker 1: Yeah, yeah, just saved your life. How were you into before? 99 00:03:38,120 --> 00:03:40,000 Speaker 6: You know, with being in the rap culture, you said 100 00:03:40,000 --> 00:03:41,680 Speaker 6: you have to you know, adapt to that, you know 101 00:03:42,200 --> 00:03:44,880 Speaker 6: that rapping environment. When I came to southern soul, you know, 102 00:03:44,960 --> 00:03:47,000 Speaker 6: I was battling some stuff, you know what I'm saying, 103 00:03:47,080 --> 00:03:49,200 Speaker 6: and it pulled me out of that because of the 104 00:03:49,200 --> 00:03:50,880 Speaker 6: good feeling that it had. You're saying, make for me. 105 00:03:51,520 --> 00:03:53,520 Speaker 6: Then my mama was she was able to be proud 106 00:03:53,560 --> 00:03:55,280 Speaker 6: of it. You know, when I'm rapping, she don't want that. 107 00:03:56,080 --> 00:03:58,360 Speaker 6: She couldn't have to understand some of the stuff. So 108 00:03:58,400 --> 00:04:00,160 Speaker 6: when she first when she heard my very first the 109 00:04:00,200 --> 00:04:02,080 Speaker 6: soul song that I dropped the car all night long, man, 110 00:04:02,200 --> 00:04:05,120 Speaker 6: and I got that first confirmation from him, I already 111 00:04:05,160 --> 00:04:06,480 Speaker 6: knew then that this was a genre for me. 112 00:04:07,200 --> 00:04:07,720 Speaker 3: You know what I mean. 113 00:04:07,920 --> 00:04:10,400 Speaker 5: Do you remember the first record that that made you say, oh, 114 00:04:10,720 --> 00:04:12,280 Speaker 5: like the one that touched your soul? What's something the 115 00:04:12,360 --> 00:04:14,040 Speaker 5: soul record touched your soul as. 116 00:04:13,880 --> 00:04:14,440 Speaker 3: Far as mine? 117 00:04:14,560 --> 00:04:15,720 Speaker 1: No, just in general. 118 00:04:18,320 --> 00:04:20,400 Speaker 3: Shuts out the King George Man, he's from down my 119 00:04:20,440 --> 00:04:22,360 Speaker 3: way as well. Man. He definitely kicked the door down 120 00:04:22,400 --> 00:04:22,720 Speaker 3: for us. 121 00:04:22,800 --> 00:04:27,600 Speaker 6: Man, Keep on Rolling is like one of those that 122 00:04:27,680 --> 00:04:31,760 Speaker 6: you know, really really really punched me, you know, and 123 00:04:31,800 --> 00:04:33,720 Speaker 6: it gave me even like some inspiration. 124 00:04:33,760 --> 00:04:33,880 Speaker 7: Bro. 125 00:04:34,279 --> 00:04:36,760 Speaker 6: You know one of those brothers I mean from South Carolina, 126 00:04:36,800 --> 00:04:39,040 Speaker 6: And I'm saying he keeped the door with like whye 127 00:04:39,040 --> 00:04:41,280 Speaker 6: open for us? And when I heard that song, I'm saying, 128 00:04:41,320 --> 00:04:43,320 Speaker 6: I automatically knew that this was the type of JENM 129 00:04:43,400 --> 00:04:44,320 Speaker 6: that I wanted to be in. 130 00:04:44,760 --> 00:04:47,080 Speaker 2: Were you were you surprised how fast this record card on? 131 00:04:47,240 --> 00:04:47,680 Speaker 3: Of course? 132 00:04:48,080 --> 00:04:51,120 Speaker 4: I mean, cause it's it's everywhere and you know, and 133 00:04:51,400 --> 00:04:53,040 Speaker 4: people are learning to dance quickly. 134 00:04:53,600 --> 00:04:55,400 Speaker 2: When did you realize how big the record was? 135 00:04:56,560 --> 00:05:00,760 Speaker 3: Man? I woke up one morning h checked my TikTok. 136 00:05:00,800 --> 00:05:02,800 Speaker 6: I mean, I had so many notifications on TikTok and 137 00:05:02,839 --> 00:05:05,560 Speaker 6: I GeV you're saying, I thought somebody had died. So 138 00:05:07,960 --> 00:05:09,600 Speaker 6: when I checked it, whatever, I've seen the video. The 139 00:05:09,680 --> 00:05:12,240 Speaker 6: video was you know a spot now my way called Sbar. 140 00:05:12,520 --> 00:05:14,680 Speaker 6: You know, it's a it's a it's a mecca for 141 00:05:14,880 --> 00:05:17,560 Speaker 6: like the line dance you're saying. So I seen that 142 00:05:17,600 --> 00:05:20,560 Speaker 6: and it was like maybe twenty videos. I want to sleep, 143 00:05:20,560 --> 00:05:22,159 Speaker 6: and I woke up it was like five hundred videos, 144 00:05:23,080 --> 00:05:25,040 Speaker 6: you know what I'm saying. I knew at that point 145 00:05:25,120 --> 00:05:27,520 Speaker 6: right then that it was I might have a little something, 146 00:05:27,839 --> 00:05:29,680 Speaker 6: you know what I mean. And over the course of 147 00:05:29,800 --> 00:05:33,080 Speaker 6: time now wasn't being but three months almost four months. Man, 148 00:05:33,240 --> 00:05:36,200 Speaker 6: it is past me. So right now I'm playing catch 149 00:05:36,279 --> 00:05:39,039 Speaker 6: up to the song. Everybody have been trying to put 150 00:05:39,040 --> 00:05:40,159 Speaker 6: a face with the music. 151 00:05:40,520 --> 00:05:41,440 Speaker 3: So here I am good on. 152 00:05:41,720 --> 00:05:44,080 Speaker 5: I feel like that's what is Luther King George. I 153 00:05:44,080 --> 00:05:46,159 Speaker 5: feel like that's what he hasn't done yet. He hasn't 154 00:05:46,160 --> 00:05:48,920 Speaker 5: put a face to his music because everybody listens to 155 00:05:49,000 --> 00:05:50,720 Speaker 5: you know, at least down South, you see people play 156 00:05:50,760 --> 00:05:51,600 Speaker 5: a lot of King George music. 157 00:05:51,720 --> 00:05:56,920 Speaker 8: He a young dude, thirtything, all right, yeah broth. 158 00:05:58,120 --> 00:06:00,760 Speaker 5: Okay, yeah, but I'm saying I feel like he hasn't 159 00:06:00,800 --> 00:06:01,200 Speaker 5: done that yet. 160 00:06:01,200 --> 00:06:01,920 Speaker 1: I wonder why. 161 00:06:02,520 --> 00:06:02,880 Speaker 3: I don't know. 162 00:06:02,880 --> 00:06:04,800 Speaker 6: I mean, timing is everything, especially for me. I mean, 163 00:06:04,800 --> 00:06:06,680 Speaker 6: look how long I've been doing music. I've been doing 164 00:06:06,800 --> 00:06:09,960 Speaker 6: music for over twenty years. As far as sudd and soul, 165 00:06:10,040 --> 00:06:13,000 Speaker 6: I dropped five songs before Boots on the Ground and 166 00:06:13,040 --> 00:06:14,280 Speaker 6: then it picked up, you know. 167 00:06:14,400 --> 00:06:15,840 Speaker 3: So I mean time is everything. 168 00:06:15,920 --> 00:06:17,800 Speaker 6: So y'all, y'all define stay tuned, y'all, gon see a 169 00:06:17,839 --> 00:06:19,160 Speaker 6: lot more of him and a lot more to the 170 00:06:19,200 --> 00:06:20,120 Speaker 6: Southern soul front coming. 171 00:06:20,400 --> 00:06:24,560 Speaker 9: When I noticed it got big was when I seen 172 00:06:24,760 --> 00:06:28,239 Speaker 9: kids doing it, you know, it from old people to kids. 173 00:06:28,440 --> 00:06:32,920 Speaker 9: It was everybody got these kids doing it, and it's something. 174 00:06:33,440 --> 00:06:35,760 Speaker 9: It's feel good. It's like music that you had the 175 00:06:35,760 --> 00:06:39,160 Speaker 9: family reunion and stuff like that. Did anybody try to 176 00:06:39,240 --> 00:06:41,360 Speaker 9: like reach out about signing you or anything like that. 177 00:06:41,600 --> 00:06:46,480 Speaker 6: Mercy ig been blowing up Angler crazy. It's definitely been crazy, man. 178 00:06:46,520 --> 00:06:48,560 Speaker 6: But you know, we started this company. Shouts out to 179 00:06:48,560 --> 00:06:49,480 Speaker 6: the Snake Eyes Music group. 180 00:06:49,520 --> 00:06:49,640 Speaker 3: Man. 181 00:06:49,640 --> 00:06:51,200 Speaker 6: We started this company, you know, from the bottom up. 182 00:06:51,200 --> 00:06:53,440 Speaker 6: You know, we came with a vision. It was just 183 00:06:53,480 --> 00:06:57,479 Speaker 6: a vision. And I think that we've done more in 184 00:06:57,560 --> 00:06:59,360 Speaker 6: a year than a lot of folks have done. 185 00:06:59,400 --> 00:07:01,520 Speaker 3: And like five seven years are. 186 00:07:01,360 --> 00:07:02,960 Speaker 4: You are you signed to a major or no? You're 187 00:07:03,000 --> 00:07:05,720 Speaker 4: doing everything independent. We all independent, so you get everything 188 00:07:05,720 --> 00:07:06,799 Speaker 4: that you Yeah. 189 00:07:06,760 --> 00:07:09,279 Speaker 3: We've been there. I'm proud of us, man, I ain't 190 00:07:09,279 --> 00:07:11,720 Speaker 3: gonna lie proud of us, because you know, we all. 191 00:07:11,640 --> 00:07:14,360 Speaker 6: Learned from each other. You're saying as we move, we learned, 192 00:07:14,440 --> 00:07:17,200 Speaker 6: we grow and shuts out the young guy man. You know, 193 00:07:17,240 --> 00:07:19,040 Speaker 6: that's why I brought him. He's one of the United 194 00:07:19,080 --> 00:07:21,240 Speaker 6: Fronts that were staying with as far as Southern Soul. 195 00:07:21,800 --> 00:07:24,960 Speaker 6: And they they accepted me with open arms, man, and 196 00:07:24,960 --> 00:07:26,320 Speaker 6: they had been doing it, you know, pride to me, 197 00:07:26,360 --> 00:07:27,200 Speaker 6: but they showed me the roles. 198 00:07:27,200 --> 00:07:30,640 Speaker 3: They definitely wouldn't stint your game. And I can appreciate that. Man. 199 00:07:30,760 --> 00:07:34,520 Speaker 6: So everything independence. So we're gonna I'm entertaining something, but 200 00:07:34,640 --> 00:07:34,880 Speaker 6: you're not. 201 00:07:34,960 --> 00:07:37,400 Speaker 1: Right now, how long have you been young guy? Young guy? 202 00:07:37,880 --> 00:07:40,280 Speaker 8: Man, I've been young guys for for a long time, 203 00:07:40,400 --> 00:07:45,400 Speaker 8: thirty years. I told her. We was saying for change 204 00:07:45,400 --> 00:07:46,680 Speaker 8: my nine the uncle guy in a man of man. 205 00:07:50,320 --> 00:07:52,720 Speaker 8: That would be crazy because folks see me, they're saying, 206 00:07:52,760 --> 00:07:55,400 Speaker 8: you know you you're a rapper, Like, no, they're not. 207 00:07:55,520 --> 00:07:57,840 Speaker 8: Then they stay. I get on stage and I'm saying 208 00:07:57,880 --> 00:07:59,720 Speaker 8: some soul for ship and they were like damn. You know. 209 00:08:00,480 --> 00:08:02,960 Speaker 8: But I kind of kept my name back when the 210 00:08:03,000 --> 00:08:04,800 Speaker 8: younger day, when I was a rapping man. So I 211 00:08:04,800 --> 00:08:07,000 Speaker 8: come when I jumped into music, my story kind of, 212 00:08:07,040 --> 00:08:09,280 Speaker 8: you know, similar to his. You know I've been I've 213 00:08:09,280 --> 00:08:11,800 Speaker 8: been rolling in the southern soul game probably about it 214 00:08:11,840 --> 00:08:14,400 Speaker 8: finish two and a half years now. And power of 215 00:08:14,440 --> 00:08:16,160 Speaker 8: social media. I had a record that you know, I 216 00:08:16,200 --> 00:08:19,360 Speaker 8: was singing in the garage and posted it and changed 217 00:08:19,440 --> 00:08:22,760 Speaker 8: my life, you know what I'm saying instantly, So yeah, man, 218 00:08:22,760 --> 00:08:24,520 Speaker 8: So I kind of I was tapped in on the 219 00:08:24,560 --> 00:08:26,640 Speaker 8: rap side. You like him, man came up in the church. 220 00:08:26,960 --> 00:08:28,520 Speaker 8: You know what I'm saying, try different things. So far 221 00:08:28,560 --> 00:08:30,640 Speaker 8: as you me physically doing music, man, I stepped away 222 00:08:30,640 --> 00:08:33,400 Speaker 8: for music I about fourteen years. So when I finally 223 00:08:33,559 --> 00:08:35,520 Speaker 8: just made up my mind, like hey, fin get back 224 00:08:35,520 --> 00:08:37,960 Speaker 8: in the studio, get it rolling. You know what I'm saying, proficially, 225 00:08:37,960 --> 00:08:40,160 Speaker 8: record me a song, sit down and that that record. 226 00:08:40,200 --> 00:08:42,920 Speaker 8: You know what I'm saying. Two record later, I was 227 00:08:43,000 --> 00:08:43,560 Speaker 8: driving trucks. 228 00:08:43,559 --> 00:08:43,640 Speaker 1: Man. 229 00:08:43,640 --> 00:08:45,079 Speaker 8: I ain't drove a truck almost a year and a 230 00:08:45,120 --> 00:08:45,520 Speaker 8: half now. 231 00:08:45,679 --> 00:08:48,200 Speaker 5: Man, you stepped down just because of the frustration, you know, 232 00:08:48,200 --> 00:08:50,240 Speaker 5: coming from South Carolina. Man, I don't know if people 233 00:08:50,280 --> 00:08:52,480 Speaker 5: even realize that there's so many people in South Carolina 234 00:08:52,480 --> 00:08:55,440 Speaker 5: who do music, whether it's rap, whether it's singing, but 235 00:08:55,520 --> 00:08:57,760 Speaker 5: it's hard for people from South Carolina to get that break. 236 00:08:57,760 --> 00:08:59,439 Speaker 1: So you just had got frustrated from Mississippi. 237 00:08:59,480 --> 00:09:02,000 Speaker 8: Man, So it was you know what I'm saying, it's 238 00:09:02,000 --> 00:09:03,840 Speaker 8: worth so h from. 239 00:09:03,720 --> 00:09:06,000 Speaker 5: Uh the at least y'all got y'all got band in 240 00:09:06,120 --> 00:09:09,520 Speaker 5: krick though yeah you know we ain't had one yet. 241 00:09:10,640 --> 00:09:13,720 Speaker 4: Y'all got Peter Poplo Man, that's North Carolina. 242 00:09:14,080 --> 00:09:20,000 Speaker 1: I tried, but you got frustrated with the music. 243 00:09:20,240 --> 00:09:22,600 Speaker 8: You no man for showman, because when you when you 244 00:09:22,679 --> 00:09:24,319 Speaker 8: come where we come from. Man, you don't have the 245 00:09:24,400 --> 00:09:26,959 Speaker 8: resources like that. You know, years ago I moved to Atlanta. 246 00:09:27,640 --> 00:09:30,120 Speaker 8: I was gonna, you know, try to be around when 247 00:09:30,160 --> 00:09:32,640 Speaker 8: you're not around a music scene, like a music scene 248 00:09:32,679 --> 00:09:34,520 Speaker 8: where you know Atlanta. When I moved to Atlanta, man, 249 00:09:34,520 --> 00:09:37,280 Speaker 8: they got an open mic on a Monday, Tuesday, Wednesday. 250 00:09:37,320 --> 00:09:39,319 Speaker 8: They got you got studios everywhere you can neet where. 251 00:09:39,320 --> 00:09:40,839 Speaker 8: You got a lot of people that can that can 252 00:09:40,880 --> 00:09:43,120 Speaker 8: connect what you're trying to do. And SIP ain't really 253 00:09:43,120 --> 00:09:44,800 Speaker 8: got that. So you think about a big Krick. Big 254 00:09:44,880 --> 00:09:47,280 Speaker 8: Krick came out of me. Uh, you know, shot the Creek. 255 00:09:47,320 --> 00:09:49,600 Speaker 8: He came out there. Creek is a one stop shot, 256 00:09:50,440 --> 00:09:53,360 Speaker 8: write his own music, produce his own music, the whole nine. 257 00:09:53,440 --> 00:09:55,680 Speaker 8: So you know what I'm saying, just yeah for real. 258 00:09:55,760 --> 00:09:57,439 Speaker 8: So like you know, you got you gotta have a 259 00:09:57,440 --> 00:09:59,520 Speaker 8: little bit more musciple behind you just to get out there. 260 00:09:59,640 --> 00:10:02,280 Speaker 1: You know from the South Yoking. 261 00:10:01,920 --> 00:10:04,800 Speaker 8: Man, we met a couple of coupleout two years ago. 262 00:10:05,160 --> 00:10:07,440 Speaker 6: I think my very first show out there, that is 263 00:10:07,440 --> 00:10:10,959 Speaker 6: I think that next Mississippi, Man, my first show. Kind 264 00:10:10,960 --> 00:10:12,800 Speaker 6: of nervous you're saying me personally, you know, I had 265 00:10:12,840 --> 00:10:15,960 Speaker 6: just thought it with some song. Soro came. He hollered 266 00:10:16,000 --> 00:10:17,360 Speaker 6: at me, saying he gave me that little pep talk 267 00:10:17,440 --> 00:10:18,800 Speaker 6: or whatever you're saying. I show up my shoulders and 268 00:10:19,240 --> 00:10:20,199 Speaker 6: did it. 269 00:10:20,600 --> 00:10:22,559 Speaker 8: He came to me like, man, like, young guy, Man, 270 00:10:22,600 --> 00:10:24,880 Speaker 8: what I because I was kind of moving pretty good, man, 271 00:10:24,880 --> 00:10:26,240 Speaker 8: you know what I'm saying. I had a record that 272 00:10:26,120 --> 00:10:27,920 Speaker 8: was that was keeping me busy and he was like, man, 273 00:10:27,960 --> 00:10:30,800 Speaker 8: what what what I gotta do? Advice can you give me? 274 00:10:31,160 --> 00:10:33,040 Speaker 8: Was like, man, you know, keep grinding, bro, You're gonna 275 00:10:33,040 --> 00:10:35,120 Speaker 8: get that one, and you gonna know you got So 276 00:10:35,160 --> 00:10:36,920 Speaker 8: when I heard that Boots on the Ground, I called him. 277 00:10:36,960 --> 00:10:43,120 Speaker 8: I said, you getting ready to be original? You know 278 00:10:43,160 --> 00:10:45,240 Speaker 8: what I'm saying. When I knew it from the first 279 00:10:45,240 --> 00:10:47,600 Speaker 8: ten seconds ten seconds of the song, I was like, man, 280 00:10:47,640 --> 00:10:50,000 Speaker 8: that's this finna go crazy. And now to see you 281 00:10:50,000 --> 00:10:53,960 Speaker 8: look on social media shack dancing to it, you got yeah, like, man, 282 00:10:54,000 --> 00:10:56,120 Speaker 8: that is crazy. You know what I'm saying. So it's 283 00:10:56,160 --> 00:10:58,280 Speaker 8: it's a blessing. And man, I just proud of my 284 00:10:58,280 --> 00:10:59,600 Speaker 8: brother and were just trying to keep it going. 285 00:11:00,040 --> 00:11:02,000 Speaker 5: What inspired Boots on the Ground though, Like like when 286 00:11:02,000 --> 00:11:03,520 Speaker 5: you sat down and said you heard that beat and 287 00:11:03,559 --> 00:11:04,880 Speaker 5: you're like, this is what I want to write about. 288 00:11:05,160 --> 00:11:06,960 Speaker 6: Man, I tell the story all the time. Man, Listen, 289 00:11:07,000 --> 00:11:09,800 Speaker 6: I had a show in Phoenix City, was in the 290 00:11:09,800 --> 00:11:12,080 Speaker 6: back of the van. Whatever, say it like this. I 291 00:11:12,080 --> 00:11:15,280 Speaker 6: had my had experience. I had a chance to experience 292 00:11:15,280 --> 00:11:19,280 Speaker 6: my first trail ride last year. Went to trail ride. 293 00:11:19,280 --> 00:11:20,880 Speaker 6: You saying a couple of ladies had fans or whatever. 294 00:11:20,920 --> 00:11:22,839 Speaker 6: It was hot, so I you know, they got fans, 295 00:11:23,400 --> 00:11:23,760 Speaker 6: so uh. 296 00:11:23,760 --> 00:11:24,240 Speaker 3: I got a. 297 00:11:24,280 --> 00:11:25,840 Speaker 6: Chance to go to my second trail ride line and 298 00:11:25,840 --> 00:11:28,439 Speaker 6: see no fans. So I pulled the question where them 299 00:11:28,480 --> 00:11:31,000 Speaker 6: fans at? You know what I'm saying. So with boots 300 00:11:31,000 --> 00:11:32,520 Speaker 6: on the ground, boots on the ground is already aligned. 301 00:11:32,559 --> 00:11:34,640 Speaker 6: That's terminology you're saying. So you know when they say 302 00:11:34,640 --> 00:11:36,319 Speaker 6: boots on the ground, you know it's about to have 303 00:11:36,320 --> 00:11:38,200 Speaker 6: a party. We just to a down type of deal. 304 00:11:38,400 --> 00:11:40,319 Speaker 6: So I just really merged the two ideas and it 305 00:11:40,640 --> 00:11:41,600 Speaker 6: became a good marriage. 306 00:11:41,920 --> 00:11:43,600 Speaker 1: What's the trail ride for the people who don't. 307 00:11:43,480 --> 00:11:46,880 Speaker 6: Know, Listen, man, trail ridse is you know ATVs horses 308 00:11:46,920 --> 00:11:50,360 Speaker 6: You saying that, uh line, desc it's a whole like 309 00:11:50,440 --> 00:11:53,079 Speaker 6: combination of all good things. It's definitely a coach, it's 310 00:11:53,080 --> 00:11:55,679 Speaker 6: not really just an event, you know what I mean. 311 00:11:55,720 --> 00:11:59,520 Speaker 6: And that's why I feel like, uh, Southern soul and 312 00:11:59,720 --> 00:12:02,360 Speaker 6: line dance is a perfect mixture, you know what I mean. 313 00:12:02,360 --> 00:12:03,640 Speaker 6: It's a great marriage. 314 00:12:03,840 --> 00:12:04,040 Speaker 3: You know. 315 00:12:04,080 --> 00:12:06,600 Speaker 6: It piggybacks off of one, piggybacks off of the other. 316 00:12:07,080 --> 00:12:08,560 Speaker 6: And if you ever come to the trail right down 317 00:12:08,559 --> 00:12:09,840 Speaker 6: and there, man, I promise you can have a good time. 318 00:12:09,840 --> 00:12:11,960 Speaker 6: You might get a little dusty, which I promise you 319 00:12:11,960 --> 00:12:12,680 Speaker 6: gonna have a good time. 320 00:12:13,640 --> 00:12:15,760 Speaker 2: Now, every time you make a song, is it a 321 00:12:15,800 --> 00:12:16,320 Speaker 2: line song? 322 00:12:16,400 --> 00:12:16,559 Speaker 1: Now? 323 00:12:16,640 --> 00:12:19,480 Speaker 6: Oh no, okay, see uh see, that's one thing I 324 00:12:19,480 --> 00:12:20,839 Speaker 6: didn't want to get called in. I didn't want to 325 00:12:20,840 --> 00:12:23,040 Speaker 6: get caught in, you know, just being the line the line. 326 00:12:24,080 --> 00:12:31,040 Speaker 3: At the boot at the boot nigga. Yeah, you know. 327 00:12:32,000 --> 00:12:33,920 Speaker 6: And I've been thinking about you're saying names for like 328 00:12:33,920 --> 00:12:36,080 Speaker 6: a EP or album whatever you're saying, and I really 329 00:12:36,120 --> 00:12:38,640 Speaker 6: wanted to be versatility because I want to show them 330 00:12:38,640 --> 00:12:39,240 Speaker 6: on all skills. 331 00:12:39,240 --> 00:12:40,120 Speaker 3: I got differ skills music. 332 00:12:40,360 --> 00:12:42,000 Speaker 2: But you could do it like you remember how Jamaine 333 00:12:42,040 --> 00:12:43,439 Speaker 2: Dupre did back in the day, like he. 334 00:12:43,400 --> 00:12:45,360 Speaker 4: Had the the All the what was it called it, 335 00:12:45,400 --> 00:12:46,960 Speaker 4: The the Beat All Stars where it was just one 336 00:12:47,000 --> 00:12:50,160 Speaker 4: album just doing all the uptemper talking about like the 337 00:12:51,280 --> 00:12:52,560 Speaker 4: when he had a whole album or that and then 338 00:12:52,600 --> 00:12:54,240 Speaker 4: he had a whole album, different ways of doing things, 339 00:12:54,280 --> 00:12:56,760 Speaker 4: So you could do that like an anthem like that. 340 00:12:56,760 --> 00:13:00,480 Speaker 4: Because your HBC you it's gonna be crazy this week's 341 00:13:00,679 --> 00:13:04,640 Speaker 4: spring flings, homecomings all that. They should start booking you 342 00:13:04,640 --> 00:13:05,920 Speaker 4: now to try to get the cheapest prices. 343 00:13:05,920 --> 00:13:14,480 Speaker 8: Possabo schrazy, you got to show tomorrow? What is tomorrow? 344 00:13:14,720 --> 00:13:14,920 Speaker 3: Yeah? 345 00:13:14,920 --> 00:13:19,760 Speaker 8: I fly tomorrow, Saturday, Sunday and Monday. You booked on 346 00:13:19,800 --> 00:13:22,439 Speaker 8: a Monday. 347 00:13:20,760 --> 00:13:23,480 Speaker 2: Yeah, that's what's up. 348 00:13:24,640 --> 00:13:26,400 Speaker 9: I know you don't want to just fall into the 349 00:13:26,440 --> 00:13:29,480 Speaker 9: line dance, uh, you know, genre of music. 350 00:13:29,520 --> 00:13:31,240 Speaker 2: But it's like nobody has. 351 00:13:31,160 --> 00:13:36,360 Speaker 9: Made any that's they're great since all like the five 352 00:13:36,400 --> 00:13:46,640 Speaker 9: that we got like but none since then, and it's 353 00:13:46,679 --> 00:13:49,400 Speaker 9: like it's it's kind of hard to do like you 354 00:13:49,480 --> 00:13:50,800 Speaker 9: know what I mean. So for you to just come 355 00:13:50,840 --> 00:13:52,640 Speaker 9: up with one and just do it just off of 356 00:13:52,679 --> 00:13:55,040 Speaker 9: what you felt, you gotta do that more. 357 00:13:56,559 --> 00:14:00,160 Speaker 8: I'm tired of that. Tell people like I felt like 358 00:14:00,240 --> 00:14:03,800 Speaker 8: my opinion, I feel like lion dances like the new disco. Yeah, 359 00:14:03,920 --> 00:14:06,000 Speaker 8: you know what I'm saying. It's a big thing in 360 00:14:06,000 --> 00:14:07,439 Speaker 8: a Black culture that you know what I'm saying, we're 361 00:14:07,480 --> 00:14:09,520 Speaker 8: just trying to shine light on because you got you 362 00:14:09,640 --> 00:14:11,839 Speaker 8: got people who y'all. You know, y'all from the see it. 363 00:14:11,920 --> 00:14:12,079 Speaker 3: Man. 364 00:14:12,360 --> 00:14:13,400 Speaker 8: It makes people from the see that. 365 00:14:13,480 --> 00:14:13,560 Speaker 10: Man. 366 00:14:13,600 --> 00:14:17,000 Speaker 3: I get me some boots fan had. 367 00:14:17,120 --> 00:14:18,760 Speaker 8: It's just it's a culture that they shine a light 368 00:14:18,840 --> 00:14:21,000 Speaker 8: on so people can experience. So it's just lying dances. 369 00:14:21,120 --> 00:14:23,520 Speaker 8: It's been around for a while, but like this an't 370 00:14:23,520 --> 00:14:26,440 Speaker 8: got bigger. Man, they got to be seven thousand people 371 00:14:26,440 --> 00:14:27,160 Speaker 8: out there. 372 00:14:28,640 --> 00:14:30,880 Speaker 2: African music too, African music has it, has it as well. 373 00:14:32,320 --> 00:14:33,800 Speaker 2: Dance like Jerusalem is a line dance. 374 00:14:35,160 --> 00:14:35,560 Speaker 3: Yeah. 375 00:14:35,600 --> 00:14:38,520 Speaker 5: Yeah, that's the thing though the artist like, it's not 376 00:14:38,560 --> 00:14:39,840 Speaker 5: like you created the dance. 377 00:14:40,040 --> 00:14:42,800 Speaker 6: No, you see that's that's the sweetest thing about it too. 378 00:14:42,880 --> 00:14:44,360 Speaker 6: You said, oh, you didn't create the dance. 379 00:14:44,560 --> 00:14:45,520 Speaker 2: The people I didn't. 380 00:14:46,240 --> 00:14:48,360 Speaker 6: They choose it. They choose it whether it's going to 381 00:14:48,440 --> 00:14:49,800 Speaker 6: be you said a lot dance to it or not. 382 00:14:49,840 --> 00:14:50,360 Speaker 3: You know what I'm saying. 383 00:14:52,320 --> 00:14:54,720 Speaker 6: When they see that on TikTok, it was like four 384 00:14:54,840 --> 00:14:56,520 Speaker 6: or five different dances to it. What I'm saying, I 385 00:14:56,600 --> 00:15:00,040 Speaker 6: reposted one shouts out to trade little When I what 386 00:15:00,080 --> 00:15:02,120 Speaker 6: was that? Everybody took on you, I'm saying to that 387 00:15:02,160 --> 00:15:03,360 Speaker 6: one because it was real easy. 388 00:15:03,400 --> 00:15:05,280 Speaker 3: It wasn't to me a ish you know, to me, 389 00:15:05,320 --> 00:15:05,720 Speaker 3: it got back. 390 00:15:05,880 --> 00:15:11,280 Speaker 2: I'm that's a lot. 391 00:15:10,320 --> 00:15:16,560 Speaker 6: That's it's like the cursive of blindness. 392 00:15:19,040 --> 00:15:21,120 Speaker 1: That got you got your profile. 393 00:15:21,800 --> 00:15:24,360 Speaker 3: Yeah, devil not intermediate anyway. 394 00:15:24,600 --> 00:15:26,680 Speaker 1: You have to learn your own dance basically, yeah, and 395 00:15:26,720 --> 00:15:27,040 Speaker 1: I can't. 396 00:15:29,920 --> 00:15:30,920 Speaker 2: So you just picked that one. 397 00:15:30,960 --> 00:15:32,240 Speaker 4: It was like, this is the one we got rocking 398 00:15:32,360 --> 00:15:35,760 Speaker 4: because if twenty people said different dances, that's why I said, 399 00:15:36,040 --> 00:15:36,920 Speaker 4: and everybody. 400 00:15:36,520 --> 00:15:39,000 Speaker 3: Being sync that people chose it. Man, Boots on the 401 00:15:39,000 --> 00:15:41,040 Speaker 3: Ground was not intended to be a lot of dance song. 402 00:15:41,440 --> 00:15:43,200 Speaker 6: It was just blessed to be that way, even with 403 00:15:43,240 --> 00:15:47,040 Speaker 6: the fan bang bang, like. 404 00:15:46,240 --> 00:15:48,240 Speaker 1: You know something that you do when you hat. 405 00:15:48,480 --> 00:15:49,840 Speaker 2: Yeah, you know. 406 00:15:49,880 --> 00:15:52,040 Speaker 6: And I didn't know that fans, like the fans were 407 00:15:52,240 --> 00:15:54,760 Speaker 6: like a big part of the you know, the trail 408 00:15:55,000 --> 00:15:57,000 Speaker 6: scene until I made the song with it, and now 409 00:15:57,120 --> 00:16:00,720 Speaker 6: here like you know, ten twenty different song with fans, 410 00:16:00,720 --> 00:16:02,200 Speaker 6: now what I'm saying. So it definitely is a part, 411 00:16:02,320 --> 00:16:04,560 Speaker 6: like a big important part of the culture. So I 412 00:16:04,880 --> 00:16:06,480 Speaker 6: think I just revived it. 413 00:16:06,680 --> 00:16:10,320 Speaker 3: Why not the church fan the church fan too. I 414 00:16:10,320 --> 00:16:12,800 Speaker 3: think that the sales on Church fans is at an 415 00:16:12,840 --> 00:16:13,920 Speaker 3: all time half right now. 416 00:16:14,560 --> 00:16:16,040 Speaker 2: Yeah, Church fans. 417 00:16:16,240 --> 00:16:18,640 Speaker 6: You know Amazon, when when I first came up with 418 00:16:18,680 --> 00:16:21,600 Speaker 6: the with the song or whatever, they were just cracking fans. 419 00:16:21,920 --> 00:16:23,920 Speaker 6: If you go on Amazon right now, they Boots on 420 00:16:23,960 --> 00:16:26,880 Speaker 6: the Ground fans, hm hm, you got the little. 421 00:16:26,640 --> 00:16:37,200 Speaker 3: Biton got fans. 422 00:16:32,280 --> 00:16:33,280 Speaker 1: What I was getting. 423 00:16:33,320 --> 00:16:35,600 Speaker 6: I was like out of here and got this on 424 00:16:35,640 --> 00:16:37,200 Speaker 6: the ground fans, you know what I'm saying. So it definitely 425 00:16:37,240 --> 00:16:38,720 Speaker 6: has been impactful to the culture. 426 00:16:38,760 --> 00:16:38,880 Speaker 10: Man. 427 00:16:38,920 --> 00:16:39,920 Speaker 3: I'm just proud to be a part of it. 428 00:16:40,680 --> 00:16:42,640 Speaker 9: They're gonna be waiting for for them t fans, I'll 429 00:16:42,640 --> 00:16:43,120 Speaker 9: tell you that. 430 00:16:43,280 --> 00:16:46,000 Speaker 3: Yeah, yeah, out there right now. 431 00:16:46,040 --> 00:16:49,480 Speaker 5: But everybody's gonna be waiting for new music. Do you 432 00:16:49,560 --> 00:16:51,440 Speaker 5: got more after Boots. 433 00:16:51,160 --> 00:16:51,960 Speaker 3: On the Ground take something. 434 00:16:51,960 --> 00:16:54,560 Speaker 6: I got so much music, I'm saying, And I got 435 00:16:54,640 --> 00:16:57,040 Speaker 6: music like before I got you know, our previous catalog. 436 00:16:57,080 --> 00:16:58,680 Speaker 6: I got five songs that I dropped. Like I said, 437 00:16:58,720 --> 00:17:00,200 Speaker 6: I've only been in a year and a half, you 438 00:17:00,240 --> 00:17:02,120 Speaker 6: know what I mean. But as far as the catalog, man, 439 00:17:02,160 --> 00:17:04,280 Speaker 6: I got a widespread catalog that's getting ready to come. 440 00:17:04,560 --> 00:17:07,200 Speaker 6: It was just the timing was waiting on, you know 441 00:17:07,240 --> 00:17:08,640 Speaker 6: what I mean. So I think it's the perfect time 442 00:17:08,680 --> 00:17:10,480 Speaker 6: for everybody to see me. And you know what I 443 00:17:10,520 --> 00:17:12,160 Speaker 6: got the offer versatility is coming. 444 00:17:12,720 --> 00:17:15,159 Speaker 5: What's the toughest challenge about being an artist from South Caroline? 445 00:17:15,960 --> 00:17:19,320 Speaker 6: H The weight that's on my back, you're saying, because 446 00:17:19,359 --> 00:17:21,879 Speaker 6: not only do I stall, I mean, yeah, boost and 447 00:17:21,920 --> 00:17:24,760 Speaker 6: the ground is for me, but I stand with a 448 00:17:24,760 --> 00:17:26,280 Speaker 6: lot of weight that I'm carrying as far as like 449 00:17:26,320 --> 00:17:28,080 Speaker 6: southern so as a whole, because see, this is what 450 00:17:28,119 --> 00:17:29,760 Speaker 6: my main part is. And I ain't gonna lie. This 451 00:17:29,800 --> 00:17:31,960 Speaker 6: is the reason why I came here. You saying, morning, 452 00:17:32,600 --> 00:17:35,439 Speaker 6: I want to make Southern soul that main genre. You 453 00:17:35,440 --> 00:17:38,119 Speaker 6: know it's being you know, supplid like it's been like 454 00:17:38,280 --> 00:17:41,080 Speaker 6: undertone for so long, and you know that Chipland circuit 455 00:17:41,119 --> 00:17:42,720 Speaker 6: has been going on, Like you got greats that came 456 00:17:42,720 --> 00:17:45,800 Speaker 6: through that Chitlan circuit, like Tyrone Dave, It's Marvel, See's Changed. 457 00:17:45,560 --> 00:17:46,760 Speaker 3: Brown, There's Muddy Waters. 458 00:17:46,840 --> 00:17:49,040 Speaker 6: All these guys become under that Chitlin circuit man, and 459 00:17:49,080 --> 00:17:52,520 Speaker 6: it hasn't really had a catalyst for it has been 460 00:17:52,520 --> 00:17:55,439 Speaker 6: brought to the front. So I take myself to be 461 00:17:55,480 --> 00:17:56,879 Speaker 6: a martyr that he was saying. I want to be 462 00:17:56,920 --> 00:17:59,480 Speaker 6: able to display that as being a main genre. And 463 00:17:59,520 --> 00:18:01,720 Speaker 6: showing that, you know, we coming with the United Front. 464 00:18:01,720 --> 00:18:03,560 Speaker 6: I got Sew Meka, Joe Quail out there, I'm saying, 465 00:18:04,000 --> 00:18:06,439 Speaker 6: grown ass woman, I got Frank Johnson out there. You 466 00:18:06,440 --> 00:18:08,399 Speaker 6: can hate on me. I got a young guy right here. 467 00:18:08,440 --> 00:18:10,040 Speaker 6: You know what I'm saying, Like, take here. These are 468 00:18:10,040 --> 00:18:13,679 Speaker 6: all very impactful songs to the culture, and when I 469 00:18:13,720 --> 00:18:15,720 Speaker 6: bring my boots on the ground, I want to bring 470 00:18:15,800 --> 00:18:17,960 Speaker 6: them as well. So that's probably like the biggest thing 471 00:18:18,200 --> 00:18:19,760 Speaker 6: as far as like, you know, I'm carrying that weight 472 00:18:20,119 --> 00:18:21,560 Speaker 6: and I want to be a good advocate for them. 473 00:18:21,800 --> 00:18:23,200 Speaker 5: Well, you know, you got to get yourself all the 474 00:18:23,240 --> 00:18:24,960 Speaker 5: way through the door first, you know what I'm saying, Like, 475 00:18:25,000 --> 00:18:27,280 Speaker 5: That's that's why I think a lot of people falter 476 00:18:27,400 --> 00:18:29,760 Speaker 5: a little bit because they want to represent for the 477 00:18:29,760 --> 00:18:31,960 Speaker 5: whole state and they want to bring everybody with them, 478 00:18:32,320 --> 00:18:34,280 Speaker 5: and usually all the people end up weighing them down 479 00:18:34,320 --> 00:18:35,639 Speaker 5: before you get to where you need to be. 480 00:18:35,720 --> 00:18:38,399 Speaker 6: I think that with me, how I present myself, how 481 00:18:38,440 --> 00:18:40,639 Speaker 6: I care myself. I care myself as you know a 482 00:18:41,280 --> 00:18:44,439 Speaker 6: you know, he's he's a strong front by himself. You know, 483 00:18:44,600 --> 00:18:46,760 Speaker 6: it's just I want to be a good representative for him, 484 00:18:46,800 --> 00:18:48,560 Speaker 6: you know, it's not that I'm pulling them up. 485 00:18:48,560 --> 00:18:48,920 Speaker 3: You're saying. 486 00:18:49,000 --> 00:18:51,280 Speaker 6: The way that I walk, my character is what you know, 487 00:18:51,840 --> 00:18:54,040 Speaker 6: it puts it out there like, oh oh, I like him. 488 00:18:54,800 --> 00:18:56,320 Speaker 3: Let me see what they got going on. You know 489 00:18:56,359 --> 00:18:57,960 Speaker 3: what I'm saying. I let my walk you were saying 490 00:18:58,000 --> 00:18:58,440 Speaker 3: speak for me. 491 00:18:59,600 --> 00:19:00,680 Speaker 1: I mean it's I can line to have it in a 492 00:19:00,720 --> 00:19:02,240 Speaker 1: moment right now. You got trapped, Dicky. 493 00:19:02,160 --> 00:19:05,080 Speaker 3: Yeah, man, the traplan you know Black Zach Yeah. 494 00:19:04,880 --> 00:19:07,560 Speaker 5: Man, little balls rest in peace speaking now, because like 495 00:19:07,560 --> 00:19:09,560 Speaker 5: it's a lot of people doing it. But I really 496 00:19:09,560 --> 00:19:12,040 Speaker 5: love what the Southern soul is doing because that's a 497 00:19:12,119 --> 00:19:15,080 Speaker 5: whole different genre. And we call it the Chitlin circuit. 498 00:19:15,280 --> 00:19:16,919 Speaker 5: Well really, what I call it is the heart and 499 00:19:16,960 --> 00:19:19,800 Speaker 5: soul of Black America definitely, bro, Like that's what all. 500 00:19:19,800 --> 00:19:21,880 Speaker 1: The majority of Black people in America are in the South. 501 00:19:22,760 --> 00:19:25,040 Speaker 6: Don't advocate for violence, man, we advocate. 502 00:19:24,720 --> 00:19:25,840 Speaker 3: For unity like good time. 503 00:19:25,920 --> 00:19:26,920 Speaker 6: And you know what I'm saying, you just got to 504 00:19:26,920 --> 00:19:29,200 Speaker 6: pay attention to a lot of this music, man. And 505 00:19:29,359 --> 00:19:31,880 Speaker 6: it's like real life relatable stuff, bro. And it ain't 506 00:19:31,880 --> 00:19:33,880 Speaker 6: you know, fabricated. You know what I'm saying, it's real 507 00:19:33,920 --> 00:19:36,160 Speaker 6: life relatable things. And I think that's why people gravitate 508 00:19:36,400 --> 00:19:38,159 Speaker 6: towards it a little bit more because I'm able to 509 00:19:38,200 --> 00:19:39,800 Speaker 6: you saying, oh yeah, I'm going through that right now, 510 00:19:40,280 --> 00:19:41,920 Speaker 6: you know what I mean. So I think that's why 511 00:19:41,960 --> 00:19:43,199 Speaker 6: everybody did gravitate towards it. 512 00:19:43,200 --> 00:19:44,000 Speaker 3: But it's definitely a movement. 513 00:19:44,040 --> 00:19:46,359 Speaker 5: Man, If you had to pick one song that best 514 00:19:46,359 --> 00:19:48,480 Speaker 5: represents you that's not Boots on the Ground, what would 515 00:19:48,480 --> 00:19:48,720 Speaker 5: it be? 516 00:19:51,119 --> 00:19:52,680 Speaker 3: You know, that's a tough one. Shout man. 517 00:19:56,440 --> 00:20:03,879 Speaker 8: One you ain't got out you. 518 00:20:00,720 --> 00:20:04,720 Speaker 6: Yeah, I don't know, you know, because like all of 519 00:20:04,760 --> 00:20:06,040 Speaker 6: them is like a representation to me. 520 00:20:06,119 --> 00:20:08,399 Speaker 3: You said, I feel all of them, you know what 521 00:20:08,440 --> 00:20:08,720 Speaker 3: I mean? 522 00:20:08,840 --> 00:20:12,159 Speaker 6: So y'all just stay tuned. Man, ain't y'all just I 523 00:20:12,200 --> 00:20:13,840 Speaker 6: got I got so much that's coming behind me. I 524 00:20:13,840 --> 00:20:15,560 Speaker 6: don't even know how to pick it, you know what 525 00:20:15,600 --> 00:20:15,880 Speaker 6: I mean. 526 00:20:16,400 --> 00:20:19,200 Speaker 8: You're gonna get these fatten you get these. 527 00:20:19,400 --> 00:20:20,560 Speaker 1: We got I think we got them. 528 00:20:20,600 --> 00:20:22,760 Speaker 3: Stamp Okay, I think you got them stamp man. 529 00:20:22,840 --> 00:20:26,000 Speaker 8: I was looking here. Yeah, you're right. And the prices 530 00:20:26,080 --> 00:20:26,880 Speaker 8: up sixteen hours. 531 00:20:26,960 --> 00:20:30,560 Speaker 6: You know, I'm inavertently employing people that I don't have 532 00:20:30,600 --> 00:20:32,840 Speaker 6: to hire it, you know what I mean. Everybody selling 533 00:20:32,880 --> 00:20:35,400 Speaker 6: Boots on the Ground shirts everybody's selling fans or whatever. 534 00:20:35,440 --> 00:20:37,520 Speaker 6: I'm saying. This was something that nobody had thought about. 535 00:20:37,560 --> 00:20:39,840 Speaker 6: They wasn't tapped into it. So everybody is able to 536 00:20:39,880 --> 00:20:41,800 Speaker 6: make money. So I just feel like I'm an employer. 537 00:20:42,480 --> 00:20:44,560 Speaker 6: You know, I gave everybody I'm saying something that you 538 00:20:44,560 --> 00:20:46,640 Speaker 6: can make their money off of. And you know that's 539 00:20:46,680 --> 00:20:49,280 Speaker 6: what hit me the most too. You know, Hey, I'm 540 00:20:49,320 --> 00:20:49,880 Speaker 6: helping you out. 541 00:20:50,280 --> 00:20:52,000 Speaker 5: You got to teachers to dance for you leave, man, 542 00:20:52,080 --> 00:20:53,919 Speaker 5: you gotta show that somebody put the song on. 543 00:20:54,080 --> 00:20:56,240 Speaker 2: I will say this though, do it. 544 00:20:56,480 --> 00:20:58,159 Speaker 8: I'm saying these oldest niggas. 545 00:20:59,520 --> 00:21:02,280 Speaker 1: First of all, it's for everybody. It's for all age groups, 546 00:21:03,400 --> 00:21:04,320 Speaker 1: old to the young. 547 00:21:04,800 --> 00:21:07,240 Speaker 2: All right, HBC, bring Lauren how to do this? 548 00:21:07,320 --> 00:21:11,760 Speaker 9: You're trying to guys, we got our mechanic coming in here, mechanics. 549 00:21:12,760 --> 00:21:14,199 Speaker 1: We're gonna get under the hood of her wig. God 550 00:21:14,240 --> 00:21:22,960 Speaker 1: damn come on, who don't want to learn to dance? 551 00:21:23,040 --> 00:21:26,440 Speaker 1: Don't say in that direction to damn hard because. 552 00:21:26,280 --> 00:21:27,119 Speaker 2: You must know. 553 00:21:27,480 --> 00:21:28,399 Speaker 3: I'm just saying. 554 00:21:29,880 --> 00:21:30,960 Speaker 2: Because we're trying to keep. 555 00:21:31,240 --> 00:21:32,480 Speaker 1: And everybody trying to keep the lace. 556 00:21:32,760 --> 00:21:35,280 Speaker 8: Come on, yes, I know. 557 00:21:35,359 --> 00:21:42,119 Speaker 5: Teacher, you're gonna lead us fresh. 558 00:21:41,400 --> 00:21:41,840 Speaker 7: Your wig. 559 00:21:41,880 --> 00:21:47,160 Speaker 9: Did you say you got to do that. 560 00:21:43,359 --> 00:21:50,040 Speaker 1: I just learned. Who's gonna lead us? You're gonna lead us? 561 00:21:50,160 --> 00:21:53,800 Speaker 3: Man, I try something, I tell you. 562 00:21:53,320 --> 00:21:55,439 Speaker 2: That's why he keep the one. 563 00:22:01,080 --> 00:22:09,119 Speaker 3: That you know you shot? 564 00:22:11,720 --> 00:22:15,679 Speaker 7: Why are you. 565 00:22:15,520 --> 00:22:16,360 Speaker 1: The man? 566 00:22:16,440 --> 00:22:22,479 Speaker 7: The god, the fel I never seen the guy gooskay. 567 00:22:21,920 --> 00:22:32,040 Speaker 1: You gonna doing the wait? Wait, don't know what tired. 568 00:22:35,000 --> 00:22:39,399 Speaker 2: My god to. 569 00:22:43,640 --> 00:22:56,720 Speaker 7: Back like it was going where I came. 570 00:23:01,400 --> 00:23:06,760 Speaker 3: That's too old for me. 571 00:23:04,119 --> 00:23:05,000 Speaker 9: I know. 572 00:23:07,400 --> 00:23:10,520 Speaker 3: Right who so proud he get? 573 00:23:15,880 --> 00:23:20,479 Speaker 10: Wait a minute, now, a right all the way all 574 00:23:20,640 --> 00:23:28,199 Speaker 10: around and you know I can't do this. 575 00:23:31,160 --> 00:23:31,840 Speaker 3: Confuse me. 576 00:23:43,840 --> 00:23:44,800 Speaker 1: A metaphor, that's what I. 577 00:23:50,080 --> 00:23:51,280 Speaker 8: May. Back school. 578 00:23:51,760 --> 00:23:55,000 Speaker 2: Let me come in way too much? Kid, I can't 579 00:23:55,000 --> 00:23:58,359 Speaker 2: from the child you get in. 580 00:24:26,240 --> 00:24:26,320 Speaker 3: This. 581 00:24:26,760 --> 00:24:29,440 Speaker 1: It is that the instructional version dropped the deck. Okay, alright, 582 00:24:29,880 --> 00:24:33,800 Speaker 1: where where all dsp what you mean? 583 00:24:33,880 --> 00:24:34,879 Speaker 2: So he tells you how to do it? 584 00:24:34,960 --> 00:24:38,359 Speaker 3: And then I'm tired of here knees here Okay? 585 00:24:39,840 --> 00:24:42,359 Speaker 2: On YouTube, man, they got an instructure I was looking, but. 586 00:24:42,760 --> 00:24:45,000 Speaker 1: We tell them where to follow you. Eight on three fresh, it. 587 00:24:44,920 --> 00:24:46,640 Speaker 6: Will be press the kid Live, Billy. You can follow 588 00:24:46,680 --> 00:24:49,240 Speaker 6: me on all streaming platform everywhere. Man, this type eight 589 00:24:49,240 --> 00:24:50,720 Speaker 6: on three Fresh. You said you can get my music 590 00:24:50,760 --> 00:24:53,160 Speaker 6: from a munic. Spotify your local bootleg man fleet market, 591 00:24:53,160 --> 00:24:55,880 Speaker 6: you can get them every where. I definitely appreciate y'all 592 00:24:55,880 --> 00:24:58,399 Speaker 6: and listen, man, Man, I appreciate you. 593 00:24:58,400 --> 00:24:58,760 Speaker 3: Man, listen. 594 00:24:58,840 --> 00:24:59,920 Speaker 1: Always love for the home team. 595 00:25:01,160 --> 00:25:03,320 Speaker 6: You're definitely putting soccer line on the meppers will yes 596 00:25:03,480 --> 00:25:05,360 Speaker 6: what you're doing? DJ envied, Man, I appreciate you. You said 597 00:25:05,359 --> 00:25:07,000 Speaker 6: it's just layer that depinite appreciate you. 598 00:25:07,160 --> 00:25:07,760 Speaker 3: How you pretty? 599 00:25:07,880 --> 00:25:08,320 Speaker 2: Young guy? 600 00:25:09,000 --> 00:25:13,280 Speaker 1: Go young, I'm gonna follow you up. 601 00:25:13,600 --> 00:25:16,240 Speaker 8: Man, follow me on all platform man, young guy, I'm 602 00:25:16,280 --> 00:25:18,360 Speaker 8: pretty much the same on everything. Checked me out, don't 603 00:25:18,600 --> 00:25:22,280 Speaker 8: all music streaming platforms. Like we got a lot coming 604 00:25:22,320 --> 00:25:24,119 Speaker 8: man twenty twenty five, we're gonna finish it out. Next 605 00:25:24,200 --> 00:25:26,119 Speaker 8: year's gonna be even bigger. Man. Like I said that 606 00:25:26,160 --> 00:25:29,080 Speaker 8: feature to representing Mississippi, Man, South Carolina. We're just all 607 00:25:29,080 --> 00:25:31,560 Speaker 8: trying to put it together, man, absolutely. 608 00:25:31,359 --> 00:25:33,440 Speaker 2: Albody guys, it's the Breakfast Club. Good morning. 609 00:25:33,840 --> 00:25:37,080 Speaker 1: Wake that ass up in the morning. The Breakfast Club