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Speaker 1: But I invited you here. I thought I made myself

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Speaker 1: perfectly clear.

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Speaker 2: But you're a.

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Speaker 1: Guest to my home. You gotta come to me empty,

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Speaker 1: and I said, no guests, your own presences, presents, and

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Speaker 1: I already had too much stuff, So how.

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Speaker 3: Did you dare to surbey me?

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Speaker 2: Welcome to? I said, no gifts. I'm Bridger Wineger. We're

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Speaker 2: in the backyard. There's already some children screaming, there's a

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Speaker 2: bird screaming. I hope you're doing okay. I've kind of

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Speaker 2: come to the realization today that I'm not good enough

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Speaker 2: of a person for the nice lip bomb. I bought

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Speaker 2: a nice lip bomb and it's gone, So now we're

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Speaker 2: just going back to chapstick. I will never spend another

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Speaker 2: ten dollars on Lipbom again. That doesn't mean you're not

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Speaker 2: good enough for a nice lipbomb. Treat yourself to a

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Speaker 2: nice little lipbom if needed, but I won't be. Let's

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Speaker 2: get into the podcast. I love today's guest. It's Bridy Elliott, Bridy.

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Speaker 2: Welcome to. I said no gifts.

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Speaker 3: Thank you, thank you for having me, Bridger.

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Speaker 2: It's been a very long time.

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Speaker 3: It really has.

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Speaker 2: I feel like I see you about every six years.

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Speaker 3: I think so. I think the last time I saw

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Speaker 3: you I was on a date.

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Speaker 2: On a sidewalk in last Fields. Yes, wow, a very

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Speaker 2: good memory. Yes, how did the date go?

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Speaker 3: The date was fascinating, but it was only one date.

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Speaker 2: How was it fascinating?

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Speaker 3: It was I was going out with someone who was

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Speaker 3: very much having like a career moment, but I wasn't

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Speaker 3: aware or had any knowledge of it. So it was

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Speaker 3: them sort of like getting me up to speed on it.

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Speaker 2: Oh no, yeah, and they felt like that's that was

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Speaker 2: the most important topic to talk about on a date.

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Speaker 3: Yes, because it was like clearly it was a huge

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Speaker 3: thing for them at that time. So they seemed almost

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Speaker 3: like in a shocked state by what was what they

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Speaker 3: were going on?

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Speaker 2: Oh interesting, they were thrown by it, yeah, but.

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Speaker 3: Also like luxuriating. When I say luxury ate, my voice cracks.

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Speaker 3: I can't handle that way.

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Speaker 2: Did you find the conversation interesting or were you like,

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Speaker 2: please stop talking about your career? Were on a date?

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Speaker 3: I found it interesting for sure. It was there was like, no,

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Speaker 3: I wasn't like ick or anything. It was kind of

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Speaker 3: the thing of going going out with someone who like, oh, okay,

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Speaker 3: that was the brad Pit of his life. In that moment,

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Speaker 3: he was Brad Pitt. He was like the main character

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Speaker 3: and I was just this person being like cool.

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Speaker 2: Just having this information unloaded on you. Yeah, or did

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Speaker 2: you go to dinner? Did you go to a bar?

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Speaker 3: We went to dinner, and then we went to a bar.

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Speaker 3: And then I think I said good job because I

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Speaker 3: finally watched their work. Oh fly, like engaged with their work.

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Speaker 3: And then yeah, I didn't hear anything after.

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Speaker 2: That, not even a like thank you. I think maybe,

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Speaker 2: oh no.

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Speaker 3: I don't remember, but it honestly like I feel like

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Speaker 3: that it was a moment of dating that was like

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Speaker 3: for both parties because I think it was a riyah

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Speaker 3: o sh you know, and that always comes with like

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Speaker 3: a little bit of a filter, i'd say, in terms

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Speaker 3: of like the willingness to take it seriously and so

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Speaker 3: just like somewhat disassociated dating. I guess that's what I'm

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Speaker 3: trying to say.

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Speaker 2: That does seem to be almost every Rayah experience for people. Yeah,

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Speaker 2: I don't know anyone that has entered a long term

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Speaker 2: relationship from Riot. It's always like, well, I met him

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Speaker 2: on Ryan, he does this thing right, and I just

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Speaker 2: want to interact with this person essentially and see how

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Speaker 2: it goes. Yes, and then both people they part ways. Yeah,

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Speaker 2: one compliments the other's work, the other doesn't say thank

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Speaker 2: you so much, but I'm not interested in seeing you anymore.

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Speaker 2: They just vanish totally. Has his career cretered?

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Speaker 3: I don't know at this point. I think it's harder

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Speaker 3: to know if someone is on top of the world

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Speaker 3: or if they've been swallowed swallowed up by things now

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Speaker 3: like he very well could be, you know, doing very well,

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Speaker 3: or I just haven't heard any bad news.

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Speaker 2: Quite possibly be dead. It's true. You know, you go

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Speaker 2: on to first date with someone no more contact, they

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Speaker 2: could die.

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Speaker 3: Yeah, I mean that would explain the lack of text,

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Speaker 3: you know.

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Speaker 2: Yeah, that's interesting. The more people you date, the more

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Speaker 2: likely someone you date it is going to die.

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Speaker 3: It's true.

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Speaker 2: I mean they're all going to die, but right die soon.

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Speaker 3: Yeah, So I.

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Speaker 2: Think that's a good reason to date as many people

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Speaker 2: as possible, to be like, well, I went on a

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Speaker 2: date with this guy and now he's dead.

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Speaker 3: Yeah, totally, that's.

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Speaker 2: A story to tell on another date.

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Speaker 3: Completely. I feel like it also allows for more compassion

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Speaker 3: when you're in front of someone that you may never

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Speaker 3: see again.

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Speaker 2: They don't know where it's going to happen.

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Speaker 3: When they get in their car.

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Speaker 2: This could be goodbye forever. Wow. Yeah, that's interesting. Yeah.

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Speaker 2: Do you enjoy a first date? You're in a relationship now.

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Speaker 3: I am in a relationship now, and I do enjoy

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Speaker 3: a first date. I think the pandemic sort of broke

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Speaker 3: me in terms of wanting anything besides a first date. Oh.

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Speaker 2: Interesting.

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Speaker 3: I went on so many dead dates that it just

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Speaker 3: became kind of this psychedelic experience.

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Speaker 2: Yeah, it's just that's now just your relationship is first dates.

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Speaker 3: Yeah, exactly.

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Speaker 2: Okay, So during the pandemic, did you do zoom dates?

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Speaker 3: Oh? One one time with a man who like clearly

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Speaker 3: didn't enjoy my decorations.

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Speaker 2: Oh no, he was there to just kind of criticize

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Speaker 2: your home.

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Speaker 3: Well he was. It was a little bit compare contrast

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Speaker 3: between his new apartment versus my new apartment, and he

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Speaker 3: was giving me tips about, you know, certain things I

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Speaker 3: could do. Yeah, and then that fell off. It was

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Speaker 3: it ended in a way of like, okay, cool. There

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Speaker 3: was like an activeness to the zoom where it was

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Speaker 3: just like, oh, he's he wants to improve my house.

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Speaker 2: Right, he's kind of interacted with my reality. Yes, it's strange,

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Speaker 2: strange exactly.

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Speaker 3: He doesn't really like my couch and maybe that means

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Speaker 3: he wants to insert himself in some way. But instead

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Speaker 3: he sent me a link to some Candelabra thing I

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Speaker 3: could put in my fireplace, okay, because I'm not I

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Speaker 3: wasn't allowed to use my fireplace at my last home

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Speaker 3: because fires.

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Speaker 2: Right, And that was it. Did you buy the Candelabra?

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Speaker 3: I didn't. I hearted it and I was like, oh

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Speaker 3: my god, so such a good idea. But I didn't

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Speaker 3: buy the Candlelabra. I did buy something that was of

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Speaker 3: the same.

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Speaker 2: Some sort of candle holding device.

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Speaker 3: Yeah, but not the not the one that he needed

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Speaker 3: me to buy.

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Speaker 2: He's a Candelabra salesman.

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Speaker 3: And then he like a year went by and he

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Speaker 3: liked me again as though we had never met. And

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Speaker 3: I was like, oh.

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Speaker 2: We spoke, And what was his reaction to that? Did

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Speaker 2: you get the candlelabra? Checking in about the candelabra? Wow,

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Speaker 2: that's really odd. What was his game there? He thought

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Speaker 2: that you just had a horrible memory, or.

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Speaker 3: I think he had a horrible memory and just did

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Speaker 3: not remember. And yeah, and there was also just to

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Speaker 3: all of these people. There's like a neutrality because it's like, oh,

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Speaker 3: you know, I don't know you at all. I don't

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Speaker 3: know what like aspect of you is like engaging with

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Speaker 3: me right now if he was heartbroken or like upset

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Speaker 3: about something or angry, I.

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Speaker 2: Hope he was heartbroken after one zoom date criticizing your house, well, no, I.

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Speaker 3: Mean like coming in with a.

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Speaker 2: Heartbreaking in with a heartbreak.

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Speaker 3: Bad thing, and then just needing me to have this

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Speaker 3: candelabra that was just some vestige from a different relationship

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Speaker 3: that held meaning.

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Speaker 2: Maybe his last partner kept the candelabra, and he's thinking,

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Speaker 2: maybe if Bridy buys one get into a relationship, I've

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Speaker 2: got a new candelabra.

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Speaker 3: Yeah, I think that might have been it.

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Speaker 2: That's not a bad idea for a home decortia where

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Speaker 2: it's just the home designer gets like one peak through

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Speaker 2: a zoom. They're just interacting with the person at home

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Speaker 2: and they're just seeing a small thing directing them. I

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Speaker 2: feel like that would be very engaging.

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Speaker 3: To what totally totally well. Also, furniture and relationships speak,

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Speaker 3: they become very important if you become domestic. They become

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Speaker 3: like totems of you know, your progress in terms of

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Speaker 3: your intimacy or like I don't know, or or just

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Speaker 3: like used against each other. There's things from you know,

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Speaker 3: my past relationship that's in our house currently, same with him,

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Speaker 3: and you know they have like a little haunted ness.

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Speaker 2: Oh so they still kind of have a negative energy

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Speaker 2: surrounding them or energy.

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Speaker 3: Or just like you know, you stare at them long

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Speaker 3: enough and they become they kind of like anthem, they.

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Speaker 2: More start telling you why the relationship didn't work.

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Speaker 3: Yes, exactly.

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Speaker 2: Uh yeah, that makes sense to me. I mean, do

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Speaker 2: you have your eye on your like I'm going to

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Speaker 2: get rid of that soon.

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Speaker 1: No.

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Speaker 3: I like I like keeping things, Oh I think because

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Speaker 3: in some way I think that like, oh, when I'm

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Speaker 3: an old woman, I'm going to be telling a story

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Speaker 3: to my grand children and giving them a tour and

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Speaker 3: they're gonna care that Eric got this at a thrift store.

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Speaker 2: And so really, what kind of items are we talking about? Large? Small?

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Speaker 3: I'm I'm talking like books, paintings, sometimes, like items of clothing, Okay,

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Speaker 3: not like anything too intimate t shirts, right, just stuff

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Speaker 3: that like even less so in the relationship, like definitely

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Speaker 3: was a marker of a period of time.

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Speaker 2: Right, it has actual value and memory attached.

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Speaker 3: Not so much value, okay, Like these are cheap items.

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Speaker 3: Personal value, yes, personal value, but yeah, and then you

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Speaker 3: have to tell the story and you're like, well, actually

200
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Speaker 3: that was given to me by this person, but maybe

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Speaker 3: that's not the important part of the story.

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Speaker 2: Completely sure. And at least they're manageable sizes. You know,

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Speaker 2: I was picturing large pieces of furniture, plastic tubs.

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Speaker 3: Yes, well, there's like they're in our house. Now there's

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Speaker 3: a table from my partner's past relationship.

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Speaker 2: Oh okay, and that.

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Speaker 3: Table is funny. It's like it's a reference table where

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Speaker 3: we kind of reference the table.

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Speaker 2: Oh you kind of well gesture to it, remember her?

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Speaker 2: Do you ever eat at it?

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Speaker 3: No, it's it's not that kind of table. It's it's

212
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Speaker 3: sort of a console like table for more for books

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Speaker 3: or for you know, if you had a TV. But

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Speaker 3: it's more this like symbolic little like you know, ghost

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Speaker 3: of Christmas past right there in front of us. We

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Speaker 3: got to hold onto the present.

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Speaker 2: You moved in recently, yes, was were there any discussions

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Speaker 2: about what to keep and what to get rid of?

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Speaker 2: Did you bring a bunch of stuff that your partners like,

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Speaker 2: please don't bring that in.

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Speaker 1: Yeah.

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Speaker 3: No, I brought in a lot because he had no furniture.

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Speaker 3: It was very It was a very typical, like undressed house,

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Speaker 3: and we painted and we got a lot of new

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Speaker 3: furniture because I came from this little spot and we

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Speaker 3: needed bigger things. So that was fun. I really like

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Speaker 3: a part of my comfort and way of functioning is

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Speaker 3: designing my environment. So I get it. I get a

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Speaker 3: real kick out of that stuff.

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Speaker 2: What's your generalist I.

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Speaker 3: Would say it's like Grandma a little bit like coziness

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Speaker 3: and antique with mid century modern stuff.

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Speaker 2: Sure.

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Speaker 3: Yes, I like a little bit of I was raised

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Speaker 3: in a house that was full of antiques. My parents

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Speaker 3: are like strict, like only antiques from this time period,

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Speaker 3: like very gothic architecture. Yeah, and so being raised amongst

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Speaker 3: that's kind of like gothy stuff. And my boyfriend is

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Speaker 3: he's really into horror and goth stuff. So there was

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Speaker 3: a little bit of Okay.

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Speaker 2: We're drawing darkness towards you. Yes, But then at.

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Speaker 3: The same time, I like poppy plants and you know,

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Speaker 3: little Grandma trinkets.

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Speaker 2: I'd say that seems like a decent combination. Of things.

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Speaker 2: I feel like those can go hand in hand.

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Speaker 3: Yeah, old woman, kind of old weathered crone type stuff.

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Speaker 2: Because a lot of grandma's live in scary houses. Whether

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Speaker 2: they like it or not, They've created scary environments for

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Speaker 2: people to be in.

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Speaker 3: It's true.

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Speaker 2: So I feel like that's a perfect that's a peanut

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Speaker 2: butter and chocolate type thing. Well, I like to hear that.

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Speaker 2: It feels like you're turning his life around. You're saving

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Speaker 2: a life essentially.

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Speaker 3: It's true. I'm making him feel like old you know,

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Speaker 3: I'm making him feel like we have grandkids to give

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Speaker 3: little trinkets too, and that we're gonna have to hold

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Speaker 3: on to each other.

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Speaker 2: Right, You're very focused on giving your grandchildren trinkets. That's

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Speaker 2: kind of priority number one.

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Speaker 3: It's true.

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Speaker 2: More people should priority tis grandchildren's trinkets. I think that's important.

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Speaker 2: What was I going to always going to ask you

264
00:14:05,640 --> 00:14:07,520
Speaker 2: about these rebox because they look brand new and they're

265
00:14:07,600 --> 00:14:08,800
Speaker 2: bright red, they're beautiful.

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Speaker 3: Thank you so much. I yeah, I've kept them in

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Speaker 3: pretty good condition.

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Speaker 2: Oh so how old are these? They look like you

269
00:14:15,720 --> 00:14:17,080
Speaker 2: got them out of the box to wear them to

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Speaker 2: the podcast.

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Speaker 3: I really actually appreciate that because I do tend to

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Speaker 3: smudge dirt onto stuff very fast. These are in, say,

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Speaker 3: good five months.

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Speaker 2: Oh wow, yeah wow.

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Speaker 3: And I got them on a whim.

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Speaker 2: Just at the outlet mall. No, I was online online,

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Speaker 2: typical typical story these days, being online and buying shoes.

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Speaker 3: Exactly. I was online. I think I was like getting

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Speaker 3: some sort of I tend to mostly get skincare online

280
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Speaker 3: because I don't know how to walk into an alta or.

281
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Speaker 2: A forehead and not get overwheund.

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Speaker 3: No, It's it's really rough and it's really expensive. But

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Speaker 3: these Reboks just kind of presented themselves. I feel like algorithmically,

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Speaker 3: they just had them at the bottom of a website

285
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Speaker 3: where I was like buying some sort of like serum

286
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Speaker 3: and just red really speaks to me in terms of

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Speaker 3: a sneaker.

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Speaker 2: Fantastic. Yeah, they were on a website where you buy

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Speaker 2: facial serums.

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Speaker 3: Yeah, like some sort of little ad at the bottom

291
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Speaker 3: of it. Yes, exactly. Wow, they got you, They really did.

292
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Speaker 2: Did you go? Was it direct from Reebok or was

293
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Speaker 2: it from another.

294
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Speaker 3: I think it was rebok Okay, Yeah.

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Speaker 2: Rebok feels like they're on the upswing again. I think

296
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Speaker 2: Rebock waves.

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Speaker 3: I think yeah, I think I wore them as a

298
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Speaker 3: child so much that I thought they were dorky afterwards.

299
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Speaker 3: Why did I do that?

300
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Speaker 2: Oh?

301
00:15:51,800 --> 00:15:57,840
Speaker 3: But then and now I feel like all these very hot,

302
00:15:57,960 --> 00:16:02,640
Speaker 3: cool young people are wearing high toppy Rebox and dancing

303
00:16:02,800 --> 00:16:03,880
Speaker 3: and and it's.

304
00:16:03,760 --> 00:16:06,600
Speaker 2: Like they haven't changed the shape or the style of

305
00:16:06,640 --> 00:16:10,640
Speaker 2: this particular Reboxing, not one hundred years. It's a classic, yeah,

306
00:16:10,800 --> 00:16:11,560
Speaker 2: classic shoe.

307
00:16:11,800 --> 00:16:14,400
Speaker 3: Yeah, and they have they have new ones too. They're

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00:16:14,400 --> 00:16:15,080
Speaker 3: still inventing.

309
00:16:15,160 --> 00:16:18,240
Speaker 2: Yeah, they do invent But you don't want those, No,

310
00:16:18,240 --> 00:16:20,800
Speaker 2: No one wants those rebox Yeah. No, No, that feels

311
00:16:20,840 --> 00:16:22,880
Speaker 2: like that's just somebody's hobby at the company to make

312
00:16:22,960 --> 00:16:24,520
Speaker 2: new one new looking ones.

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Speaker 3: Yeah. It's true.

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Speaker 2: When I think of a Rebox, I can't even imagine

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00:16:27,760 --> 00:16:31,600
Speaker 2: a new like a futuristic looking shoe.

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Speaker 3: Yeah.

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00:16:32,320 --> 00:16:35,960
Speaker 2: I picture a different font. I mean no, I mean

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00:16:36,000 --> 00:16:38,200
Speaker 2: they have an excellent font. Yeah, classic font.

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Speaker 3: Really.

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Speaker 2: Yeah. I had a lot of Rebox. I had a

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00:16:41,160 --> 00:16:43,320
Speaker 2: velcrow pair of Rebox that I got at the Rebox

322
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Speaker 2: outlet store in Park City, Utah. I think they must

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00:16:46,040 --> 00:16:49,040
Speaker 2: have only made one one pair. I love them so much,

324
00:16:49,080 --> 00:16:51,400
Speaker 2: and about every eighteen months, I think I'm going to

325
00:16:51,400 --> 00:16:54,040
Speaker 2: find them online and I start doing deep searches for

326
00:16:54,160 --> 00:16:58,200
Speaker 2: Navy Blue Rebox Velcrow. They don't exist. Oh man, So

327
00:16:58,200 --> 00:17:01,280
Speaker 2: maybe not that I'm saying that the rebox will reach out.

328
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Speaker 3: To me completely.

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Speaker 2: Do you have any like clothing items that you are

330
00:17:05,480 --> 00:17:06,440
Speaker 2: mad you've got rid of.

331
00:17:07,119 --> 00:17:11,000
Speaker 3: Yeah, or like clothes that got rid of me because

332
00:17:11,040 --> 00:17:13,880
Speaker 3: I can't fit into them anymore or.

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00:17:13,800 --> 00:17:15,720
Speaker 2: They fell apart opeful.

334
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Speaker 3: I feel like kind of usually i'm a I get

335
00:17:18,400 --> 00:17:23,080
Speaker 3: really into something. I'm usually a vintage shopper or a

336
00:17:23,080 --> 00:17:26,440
Speaker 3: thrift store person. There's housing works in New York City

337
00:17:26,600 --> 00:17:30,840
Speaker 3: is so good, like kind of dependent on location, but

338
00:17:31,200 --> 00:17:35,000
Speaker 3: the Upper West Side housing works and the Brooklyn like

339
00:17:35,160 --> 00:17:38,840
Speaker 3: Brooklyn Heights housing Works, they just a lot of wealthy

340
00:17:38,920 --> 00:17:42,840
Speaker 3: people donate all that stuff or they have designer stuff.

341
00:17:42,840 --> 00:17:47,760
Speaker 3: And I had this one very cool serami dress that

342
00:17:47,840 --> 00:17:52,440
Speaker 3: I wore a lot as a twenty five year old,

343
00:17:52,880 --> 00:17:56,040
Speaker 3: and it just felt like it was it was probably

344
00:17:56,080 --> 00:18:00,520
Speaker 3: four dollars. I also tend to really like cheap you're

345
00:18:00,520 --> 00:18:05,600
Speaker 3: in good company, So I feel like when something is

346
00:18:05,840 --> 00:18:09,080
Speaker 3: under ten dollars and it fits me like a glove,

347
00:18:09,359 --> 00:18:12,520
Speaker 3: I am I feel like, Wow, this was meant from

348
00:18:12,600 --> 00:18:17,160
Speaker 3: the universe to buy it. Yeah, some sort of higher power,

349
00:18:17,200 --> 00:18:19,560
Speaker 3: I'm not sure, just really decided.

350
00:18:19,600 --> 00:18:22,640
Speaker 2: Of God putting a beautiful little vintin skirt in front

351
00:18:22,680 --> 00:18:27,199
Speaker 2: of you, her dress, she would love this, got us

352
00:18:27,320 --> 00:18:27,679
Speaker 2: You're in this.

353
00:18:29,359 --> 00:18:33,800
Speaker 3: But but that Yeah, that fell apart just just one day,

354
00:18:34,080 --> 00:18:39,159
Speaker 3: like snapped open like a friggin body, you know, corpse. Yeah,

355
00:18:39,240 --> 00:18:41,800
Speaker 3: so I had to throw it away. I mean it

356
00:18:41,840 --> 00:18:45,520
Speaker 3: was starting to feel like rags. I think prior leading

357
00:18:45,600 --> 00:18:47,520
Speaker 3: up to it falling apart, I was like, it's a

358
00:18:47,520 --> 00:18:50,560
Speaker 3: little bit lost its edge, which is what happens when

359
00:18:50,600 --> 00:18:54,399
Speaker 3: you buy like clothing from that. Someone is saying, I

360
00:18:54,440 --> 00:18:55,280
Speaker 3: need to throw this out.

361
00:18:56,240 --> 00:18:59,080
Speaker 2: It was already it's already someone's garbage. Now you've worn

362
00:18:59,119 --> 00:18:59,760
Speaker 2: it for years.

363
00:19:00,280 --> 00:19:04,280
Speaker 3: Yes, yeah, I regret throwing it out because there's part

364
00:19:04,280 --> 00:19:06,240
Speaker 3: of me where I'm always like, I wish I could

365
00:19:06,560 --> 00:19:10,200
Speaker 3: know if I just pulled it out, ironed it or something.

366
00:19:10,000 --> 00:19:12,359
Speaker 2: Stitch it back together. I've bet somebody could put it

367
00:19:12,400 --> 00:19:15,080
Speaker 2: back together for you. You've got to go to the tailor.

368
00:19:15,560 --> 00:19:17,359
Speaker 3: It's true. It's true.

369
00:19:17,480 --> 00:19:19,200
Speaker 2: I have a Subaru T shirt that I got for

370
00:19:19,359 --> 00:19:21,520
Speaker 2: test driving a Subaru in two thousand and eight. Oh,

371
00:19:21,640 --> 00:19:23,560
Speaker 2: I had no interest. I wasn't going to buy the Subaru.

372
00:19:23,640 --> 00:19:25,679
Speaker 2: I wanted the T shirt, but now it's got a

373
00:19:25,720 --> 00:19:30,000
Speaker 2: hole about right here, and I feel like I'll keep

374
00:19:30,000 --> 00:19:31,880
Speaker 2: wearing it. But it is the sort of thing where

375
00:19:31,920 --> 00:19:34,280
Speaker 2: I can't really lift my arms while in the shirt.

376
00:19:34,760 --> 00:19:37,119
Speaker 2: There are I can't go to certain events in the shirt.

377
00:19:37,200 --> 00:19:40,440
Speaker 2: But maybe it's just part of the general look. I

378
00:19:40,520 --> 00:19:42,640
Speaker 2: think it is because I again have looked for these

379
00:19:42,680 --> 00:19:45,040
Speaker 2: online and because they were probably they were only given

380
00:19:45,040 --> 00:19:48,440
Speaker 2: away for test driving. They're not available right for purchase.

381
00:19:48,480 --> 00:19:49,159
Speaker 3: Oh my gosh.

382
00:19:49,200 --> 00:19:51,800
Speaker 2: Wow, So I'm hanging on to this thing. Yeah, I'm

383
00:19:51,800 --> 00:19:53,960
Speaker 2: begging it not to fall apart. Maybe I should take

384
00:19:53,960 --> 00:19:56,240
Speaker 2: it to a tailor. But the idea of taking a

385
00:19:56,280 --> 00:19:59,320
Speaker 2: threadbare Subaru T shirt to a tailor, like can you

386
00:20:00,119 --> 00:20:02,159
Speaker 2: repair this? They're going to laugh me out of the store.

387
00:20:02,280 --> 00:20:05,960
Speaker 3: I think they've probably seen a lot freakier things than that,

388
00:20:06,320 --> 00:20:09,840
Speaker 3: You know what I mean? This sandals?

389
00:20:10,200 --> 00:20:13,800
Speaker 2: We shall see. Well, you know, there's something else we

390
00:20:13,840 --> 00:20:16,600
Speaker 2: need to talk about. There's something that we have to

391
00:20:16,880 --> 00:20:19,399
Speaker 2: that I need to confront you about. Okay, I was

392
00:20:19,440 --> 00:20:21,679
Speaker 2: really excited to have you here today. I thought I

393
00:20:21,680 --> 00:20:25,040
Speaker 2: haven't seen Bridy since that fateful night we'll have a

394
00:20:25,119 --> 00:20:28,400
Speaker 2: nice time catching up. Maybe i'll hear about the date.

395
00:20:29,440 --> 00:20:31,600
Speaker 2: So I was a little surprised when you stormed into

396
00:20:31,640 --> 00:20:34,280
Speaker 2: my backyard holding a gift. The podcast is called. I said,

397
00:20:34,280 --> 00:20:34,920
Speaker 2: no gifts.

398
00:20:35,160 --> 00:20:39,600
Speaker 3: I know, I'm sorry. I just couldn't resist. And so

399
00:20:39,640 --> 00:20:42,439
Speaker 3: I was like, I haven't seen Bridgerrand so long, and

400
00:20:42,560 --> 00:20:44,760
Speaker 3: I really I need to get him something.

401
00:20:44,920 --> 00:20:48,480
Speaker 2: Hell, well, that's very sweet. That was That's a very

402
00:20:48,520 --> 00:20:53,080
Speaker 2: innocent thing to do. Yeah, I mean, nonetheless, it was

403
00:20:53,359 --> 00:20:57,800
Speaker 2: a bad move. But I'm happy you're here and we're

404
00:20:57,800 --> 00:21:00,640
Speaker 2: recording the podcast. Should I open it you're on the show?

405
00:21:00,800 --> 00:21:02,840
Speaker 3: Yes, please do? That would be amazing.

406
00:21:06,080 --> 00:21:08,879
Speaker 2: Okay, it's kind of I would say that it's like

407
00:21:08,920 --> 00:21:13,000
Speaker 2: a square shape, almost the shape of like a vinyl

408
00:21:13,040 --> 00:21:15,400
Speaker 2: record album or something, but it's wrapped in a.

409
00:21:15,560 --> 00:21:16,240
Speaker 3: I don't know.

410
00:21:17,760 --> 00:21:20,720
Speaker 2: If that's right. I'm gonna I'm gonna win a prize

411
00:21:21,280 --> 00:21:23,920
Speaker 2: wrapped in this beautiful wrapping paper that says stay cool.

412
00:21:23,960 --> 00:21:26,320
Speaker 2: It's a little ice cream and in an a ice

413
00:21:26,359 --> 00:21:29,760
Speaker 2: cream cone, which is very confusing. We're going to open

414
00:21:29,800 --> 00:21:30,439
Speaker 2: it up here.

415
00:21:31,440 --> 00:21:32,760
Speaker 3: It might be kind of double wrapped.

416
00:21:32,880 --> 00:21:36,399
Speaker 2: Oh I love a double wrap more sadess Oh, it

417
00:21:36,440 --> 00:21:38,560
Speaker 2: is double wrap because it's got a brown Yeah.

418
00:21:39,480 --> 00:21:43,880
Speaker 3: Brown has has kind of a giveaway if you if

419
00:21:43,920 --> 00:21:47,680
Speaker 3: you read the brown bag, Yeah.

420
00:21:47,119 --> 00:21:51,560
Speaker 2: Okay, it says gimme gimme records on it. This isn't

421
00:21:51,640 --> 00:21:52,240
Speaker 2: Highland Park.

422
00:21:52,920 --> 00:21:54,679
Speaker 3: It might be it might be very close by.

423
00:21:54,840 --> 00:21:56,400
Speaker 2: Oh interesting, I don't think i've ever seen.

424
00:21:56,440 --> 00:21:58,200
Speaker 3: Oh really, that's a great spot.

425
00:21:58,400 --> 00:22:01,639
Speaker 2: Okay, Miuel'll stop in. Well that's an advertisement for get me,

426
00:22:01,680 --> 00:22:04,680
Speaker 2: get me records. Yes, I'm going to storm their store. Okay,

427
00:22:04,800 --> 00:22:11,399
Speaker 2: let me pull this out. Oh wow, this wait. Oh

428
00:22:11,440 --> 00:22:14,800
Speaker 2: there are multiple records in here. This is crazy and

429
00:22:14,840 --> 00:22:16,160
Speaker 2: they're like good records.

430
00:22:16,400 --> 00:22:21,400
Speaker 3: Well there there's there's stamp staples. There's staples of everyone's collection.

431
00:22:21,640 --> 00:22:22,760
Speaker 3: Everyone needs these.

432
00:22:23,000 --> 00:22:26,120
Speaker 2: There's first the best of the Dave Clark five. Then

433
00:22:26,280 --> 00:22:30,480
Speaker 2: there's I'm not actually familiar with this Carly coming around again?

434
00:22:30,920 --> 00:22:34,399
Speaker 2: Really is this Carly Simon? Yes, that's it's wild to

435
00:22:34,440 --> 00:22:36,679
Speaker 2: me that Carly Simon doesn't have her full name on a.

436
00:22:37,520 --> 00:22:40,400
Speaker 3: I know, it's like, what, well, what's your full name? Roughness?

437
00:22:41,080 --> 00:22:43,880
Speaker 2: I guess at one point she was the only Carly totally.

438
00:22:44,640 --> 00:22:46,320
Speaker 2: I guess. Now we have a Carly Ray JEPS and

439
00:22:46,320 --> 00:22:51,479
Speaker 2: that's the only car Carle Carly Simon's interesting name. Now

440
00:22:51,480 --> 00:22:55,840
Speaker 2: that I'm saying that out loudly beautiful coming around again

441
00:22:55,920 --> 00:23:00,639
Speaker 2: with Carly, it's really then the Godspell record. This is okay,

442
00:23:00,680 --> 00:23:03,480
Speaker 2: so tell me these do feel like Staples, but I'd

443
00:23:03,520 --> 00:23:05,640
Speaker 2: be curious to hear what you have to say about them.

444
00:23:05,960 --> 00:23:09,199
Speaker 3: Okay, Well, The Dave Clark five is a band that

445
00:23:09,280 --> 00:23:12,439
Speaker 3: I became familiar with as sort of a young adult

446
00:23:13,080 --> 00:23:18,159
Speaker 3: in Amba. I found their CD and then I was

447
00:23:18,200 --> 00:23:22,440
Speaker 3: sort of explained to by someone at the store at

448
00:23:22,440 --> 00:23:26,600
Speaker 3: the time that they were like basically a year ahead

449
00:23:26,640 --> 00:23:31,199
Speaker 3: of the Beatles, and they are very beatles y, and

450
00:23:31,280 --> 00:23:33,600
Speaker 3: they were they knocked I Want to Hold Your Hand

451
00:23:33,680 --> 00:23:37,640
Speaker 3: off number one with their hit glad all Over Oh

452
00:23:37,680 --> 00:23:41,000
Speaker 3: Wow in Britain, but they didn't come to the US

453
00:23:41,480 --> 00:23:45,800
Speaker 3: fast enough and the Beatles totally eclipse them. And then

454
00:23:46,160 --> 00:23:49,080
Speaker 3: people are like, oh, Dave Clark five, they're ripping off

455
00:23:49,080 --> 00:23:53,320
Speaker 3: the Beatles. But they were before the Beatles, and yeah,

456
00:23:53,359 --> 00:23:57,200
Speaker 3: they disbanded I think in the seventies and have this

457
00:23:57,280 --> 00:24:01,679
Speaker 3: sort of shadow over them, but they have really good music.

458
00:24:01,960 --> 00:24:04,000
Speaker 2: I feel like I'm trying to I know a Dave

459
00:24:04,000 --> 00:24:05,880
Speaker 2: Clark five song. Let me see if it's on here

460
00:24:06,400 --> 00:24:10,600
Speaker 2: or there's one, I think, because that's so interesting. I'm

461
00:24:10,600 --> 00:24:12,480
Speaker 2: so familiar with the band name, but I can't and

462
00:24:12,600 --> 00:24:14,359
Speaker 2: this type of music even.

463
00:24:15,040 --> 00:24:20,000
Speaker 3: Yeah, it's very sixties jaunty, kind of garagi.

464
00:24:20,480 --> 00:24:23,080
Speaker 2: Yeah, yeah, I wonder what song I know by them,

465
00:24:23,400 --> 00:24:26,639
Speaker 2: The Dave Clark five, that's a I mean, comparing that

466
00:24:26,680 --> 00:24:29,320
Speaker 2: to the name the Beatles, I feel like, not.

467
00:24:29,320 --> 00:24:33,119
Speaker 3: Quite as not a great start with the title compared

468
00:24:33,160 --> 00:24:36,760
Speaker 3: to the Beatles, for sure. Yeah, it's I find it

469
00:24:36,800 --> 00:24:41,600
Speaker 3: fascinating that the Beatles were what the Beatles are, and

470
00:24:41,720 --> 00:24:45,160
Speaker 3: yet there are so many people with just as good

471
00:24:45,280 --> 00:24:49,720
Speaker 3: music more just so on par and like right there

472
00:24:49,760 --> 00:24:53,560
Speaker 3: with them, but they did not get the same spotlight completely.

473
00:24:53,640 --> 00:24:58,400
Speaker 2: I mean, you've those early Begi's records, Yes, sound very beatlesy, totally.

474
00:24:58,600 --> 00:25:01,640
Speaker 2: Obviously the Beg's did well for themselves later on, yes,

475
00:25:01,680 --> 00:25:03,240
Speaker 2: but those first ones are like, oh, these are as

476
00:25:03,240 --> 00:25:05,760
Speaker 2: good as Beatles songs. Yeah, but nobody really talks about

477
00:25:05,800 --> 00:25:09,280
Speaker 2: those early non disco beaches. Yeah.

478
00:25:09,359 --> 00:25:12,440
Speaker 3: But it's just like when the magic was for the Beatles,

479
00:25:12,560 --> 00:25:15,439
Speaker 3: and like when the magic hits for other bands like

480
00:25:15,480 --> 00:25:19,040
Speaker 3: the Beg's or like even the Monkeys too, I think

481
00:25:19,080 --> 00:25:21,600
Speaker 3: about I mean the Monkeys had a good run and

482
00:25:21,640 --> 00:25:24,359
Speaker 3: all that, but they had to differentiate them So everyone

483
00:25:24,400 --> 00:25:29,119
Speaker 3: had to differentiate themselves so much to not be just

484
00:25:29,440 --> 00:25:31,760
Speaker 3: under the boot of the Beatles.

485
00:25:31,720 --> 00:25:35,760
Speaker 2: Of course. Yeah, I mean. And the other thing people

486
00:25:35,760 --> 00:25:37,439
Speaker 2: don't talk about what the Beatles name is. It's a

487
00:25:37,520 --> 00:25:41,560
Speaker 2: very lame name. It's a pun, it's a dorky name

488
00:25:41,600 --> 00:25:45,679
Speaker 2: for a band. True, and it's probably, you know, been

489
00:25:45,720 --> 00:25:50,040
Speaker 2: a plague on spelling for decades. Yeah, I think most

490
00:25:50,040 --> 00:25:51,480
Speaker 2: people probably think it's with an A.

491
00:25:51,920 --> 00:25:52,840
Speaker 3: Yeah, completely.

492
00:25:52,840 --> 00:25:56,080
Speaker 2: We probably should just officially change Beatles spelling to be

493
00:25:56,160 --> 00:25:57,520
Speaker 2: E A T L E.

494
00:25:57,760 --> 00:26:00,760
Speaker 3: It's true. I didn't think about that because I'm dyslexic

495
00:26:00,840 --> 00:26:06,959
Speaker 3: and have terrible spellings, so I just spell. But I

496
00:26:07,040 --> 00:26:10,280
Speaker 3: was brought up so beetles heavy, which is just such

497
00:26:10,320 --> 00:26:14,480
Speaker 3: a Yeah, it's milk and milk and butter as they say,

498
00:26:14,960 --> 00:26:19,800
Speaker 3: but my mom, yeah they do. My mom would call

499
00:26:19,920 --> 00:26:22,920
Speaker 3: it would She would pick a cake for Paul McCartney

500
00:26:22,960 --> 00:26:25,920
Speaker 3: on his birthday every year. I was like a kid.

501
00:26:26,760 --> 00:26:30,440
Speaker 3: And when she was older, she moved to New York

502
00:26:30,520 --> 00:26:34,440
Speaker 3: and she worked at like theater refreshment at Broadway shows

503
00:26:34,560 --> 00:26:37,119
Speaker 3: and worked at the Beatlemania Show, and she like dated

504
00:26:37,160 --> 00:26:39,959
Speaker 3: all these fake beetles. So there was like this like

505
00:26:40,160 --> 00:26:44,959
Speaker 3: entrenchment with beetle culture in my family. They were always

506
00:26:44,960 --> 00:26:48,720
Speaker 3: on in the car. So finding the Dave Clark five

507
00:26:48,760 --> 00:26:51,560
Speaker 3: to me was like holy, it was like a Beatles

508
00:26:51,600 --> 00:26:52,800
Speaker 3: conspiracy theater.

509
00:26:54,480 --> 00:26:58,000
Speaker 2: Verse. Oh my god, this could have all been part

510
00:26:58,000 --> 00:27:01,560
Speaker 2: of the Elliott family instead. Exactly what would that universe

511
00:27:01,560 --> 00:27:02,200
Speaker 2: have look to? Like?

512
00:27:02,400 --> 00:27:03,359
Speaker 3: Yeah, Dave Clark?

513
00:27:04,280 --> 00:27:05,160
Speaker 2: Who is Dave Clark?

514
00:27:05,240 --> 00:27:06,760
Speaker 3: Mom? Tell me?

515
00:27:07,920 --> 00:27:09,280
Speaker 2: Do you have a favorite Beatles song?

516
00:27:10,160 --> 00:27:12,840
Speaker 3: Oh? Norwegian Wood just came to mind.

517
00:27:13,200 --> 00:27:13,880
Speaker 2: That's a good one.

518
00:27:14,000 --> 00:27:14,960
Speaker 3: Do you have a favorite?

519
00:27:16,440 --> 00:27:19,480
Speaker 2: Maybe two of us? Oh, that one always makes you

520
00:27:19,800 --> 00:27:23,199
Speaker 2: sad too. The name of the song the two of

521
00:27:23,280 --> 00:27:25,679
Speaker 2: us know it is? It is? Yeah? No, I was like,

522
00:27:25,720 --> 00:27:28,040
Speaker 2: I said, that's that one always makes me a little

523
00:27:28,040 --> 00:27:30,399
Speaker 2: sad if you think about it in the in terms

524
00:27:30,400 --> 00:27:33,719
Speaker 2: of John and Paul being friends and then not being friends.

525
00:27:34,119 --> 00:27:35,960
Speaker 2: That sort of thing always with bands when a band

526
00:27:35,960 --> 00:27:37,520
Speaker 2: breaks up, I'm like, who cares if they're going to

527
00:27:37,560 --> 00:27:40,560
Speaker 2: make new music? Are they still friends? That's important?

528
00:27:41,240 --> 00:27:44,760
Speaker 3: Yeah, it's true that song makes me think of I

529
00:27:44,800 --> 00:27:47,280
Speaker 3: Am Sam with Sean Penn and Dakota far Oh.

530
00:27:47,160 --> 00:27:50,960
Speaker 2: Boy, I don't know that I've seen this. Amy Man

531
00:27:50,960 --> 00:27:53,320
Speaker 2: covers the song with her Yeah.

532
00:27:53,359 --> 00:27:55,520
Speaker 3: Oh yeah, it's beautiful album.

533
00:27:56,000 --> 00:27:58,960
Speaker 2: It's all Beatles covers. Yeah, I feel like there's a

534
00:27:59,000 --> 00:28:02,399
Speaker 2: Granddaddy cover of a song on there. Randa Jetty covers

535
00:28:02,400 --> 00:28:04,600
Speaker 2: the song. But I never saw the movie.

536
00:28:05,240 --> 00:28:08,960
Speaker 3: The movie is Heartbreak. I just remember as a ten

537
00:28:09,080 --> 00:28:13,400
Speaker 3: year old watching it, sobbing and watching it over and over. Yeah,

538
00:28:13,440 --> 00:28:17,359
Speaker 3: it's like Sean Penn and Dakota Fanning, Dakota Fanning's father

539
00:28:17,520 --> 00:28:21,840
Speaker 3: daughter relationship. They're trying to take her away from him.

540
00:28:22,119 --> 00:28:27,320
Speaker 3: He's mentally handicapped person who's trying to.

541
00:28:27,359 --> 00:28:29,280
Speaker 2: Keep her and oh wow.

542
00:28:29,440 --> 00:28:31,840
Speaker 3: Yeah, and it's very heartbreaking.

543
00:28:32,000 --> 00:28:33,280
Speaker 2: Yeah, that seems like a showering.

544
00:28:33,600 --> 00:28:36,520
Speaker 3: Probably a weird movie now.

545
00:28:36,680 --> 00:28:38,200
Speaker 2: Oh interesting, right, I.

546
00:28:38,200 --> 00:28:40,560
Speaker 3: Don't know how well it's aged.

547
00:28:40,680 --> 00:28:44,720
Speaker 2: Right, Yeah, kind of a Forrest Gump type thing. Yeah,

548
00:28:45,760 --> 00:28:48,400
Speaker 2: what are the ethics of yeah, type of filmmaking.

549
00:28:48,680 --> 00:28:52,840
Speaker 3: The other sister, I know the earlier it's with Juliet

550
00:28:52,920 --> 00:28:54,560
Speaker 3: Lewis and Giovanni Ribisi.

551
00:28:54,600 --> 00:28:55,680
Speaker 2: Oh, I've never heard of this.

552
00:28:55,760 --> 00:28:57,880
Speaker 3: It's the same thing. It's sort of like almost like

553
00:28:57,920 --> 00:29:02,000
Speaker 3: a Benny and June romance movie between them. But to

554
00:29:02,080 --> 00:29:04,360
Speaker 3: watch it back is a little right.

555
00:29:04,880 --> 00:29:08,160
Speaker 2: Right, when did that come out.

556
00:29:08,480 --> 00:29:11,600
Speaker 3: It was like probably around Oh gosh, I wish I

557
00:29:11,640 --> 00:29:14,320
Speaker 3: could get the exact year. It's my it's like, you

558
00:29:14,360 --> 00:29:18,000
Speaker 3: know the year podcast now it might be two thousand,

559
00:29:18,800 --> 00:29:22,280
Speaker 3: it might be two thousand and two. No, it's like

560
00:29:22,320 --> 00:29:23,560
Speaker 3: two thousand ish I think.

561
00:29:23,520 --> 00:29:25,200
Speaker 2: Or blow, Yeah it must be.

562
00:29:25,400 --> 00:29:27,400
Speaker 3: It was ninety nine, very close, ninety nine.

563
00:29:27,720 --> 00:29:30,920
Speaker 2: Oh wrong, millennium. Yeah, it's a shame.

564
00:29:31,240 --> 00:29:33,080
Speaker 3: Yeah, that actually sucks.

565
00:29:33,520 --> 00:29:34,360
Speaker 2: Everything sucks for you.

566
00:29:35,680 --> 00:29:37,560
Speaker 3: There was like a moment around two thousand where I

567
00:29:37,640 --> 00:29:41,160
Speaker 3: was just constantly glued to Star's channel as a child,

568
00:29:41,480 --> 00:29:44,000
Speaker 3: and the other sister was in that rotation.

569
00:29:44,240 --> 00:29:46,720
Speaker 2: Oh that sounds like a real like cable movie. Yes,

570
00:29:46,840 --> 00:29:49,120
Speaker 2: saying that, they were like, well, it's fine, put it on.

571
00:29:49,840 --> 00:29:52,200
Speaker 2: We got the right Sarah Paulson's in it. Sarah Paulson

572
00:29:52,280 --> 00:29:57,200
Speaker 2: excellent act. Sarah Paulson is She is a workhorse. Oh yeah,

573
00:29:57,240 --> 00:29:59,920
Speaker 2: she is in all kinds of things, totally, never stop.

574
00:30:00,000 --> 00:30:03,560
Speaker 2: It's working, totally, always good. Regardless of the quality of

575
00:30:03,560 --> 00:30:04,000
Speaker 2: the project.

576
00:30:04,040 --> 00:30:05,800
Speaker 3: She's good. But she's always on the move.

577
00:30:05,920 --> 00:30:08,160
Speaker 2: She's constantly on the move. Busy, busy, busy.

578
00:30:08,320 --> 00:30:10,760
Speaker 3: When she's on screen, it's a blur because she's already

579
00:30:10,760 --> 00:30:13,200
Speaker 3: in makeup for a different part, and you're like, wait

580
00:30:13,240 --> 00:30:15,040
Speaker 3: a minute, are you entering? Are you exiting?

581
00:30:15,240 --> 00:30:15,959
Speaker 2: Is that a kiss?

582
00:30:16,240 --> 00:30:17,000
Speaker 3: She's gone.

583
00:30:17,880 --> 00:30:19,800
Speaker 2: You just hear like a loud shriek and see a

584
00:30:19,840 --> 00:30:21,240
Speaker 2: blur across your screen.

585
00:30:21,360 --> 00:30:21,640
Speaker 3: Oh.

586
00:30:21,680 --> 00:30:24,760
Speaker 2: Another Sarah Paulson performance. She nailed it.

587
00:30:25,280 --> 00:30:30,160
Speaker 3: She is fascinating layers. I saw her in New York

588
00:30:30,200 --> 00:30:33,720
Speaker 3: walking her dog about two months ago, and she made

589
00:30:33,760 --> 00:30:37,000
Speaker 3: eye contact with me as though to say I know that.

590
00:30:37,840 --> 00:30:40,120
Speaker 3: Not like she was like I know and with like

591
00:30:40,120 --> 00:30:44,040
Speaker 3: a tude, but it was like like I know, you know, yeah,

592
00:30:44,080 --> 00:30:45,720
Speaker 3: please don't say anything to me.

593
00:30:46,560 --> 00:30:49,440
Speaker 2: That's an interesting way to live your life. I mean,

594
00:30:49,480 --> 00:30:51,800
Speaker 2: I guess maybe when you're in this many things, you

595
00:30:51,880 --> 00:30:54,920
Speaker 2: kind of have to just constantly be looking out for

596
00:30:54,960 --> 00:30:55,880
Speaker 2: yourself totally.

597
00:30:56,000 --> 00:30:57,640
Speaker 3: I mean, I got it. I did, and I was

598
00:30:57,720 --> 00:31:02,200
Speaker 3: not like on the approach at all. Had my instinct.

599
00:31:02,280 --> 00:31:05,840
Speaker 3: I found I had a backpack full of like headshots

600
00:31:05,840 --> 00:31:10,200
Speaker 3: from thirty years ago and markers in my hands. Now

601
00:31:10,320 --> 00:31:13,320
Speaker 3: I have the same instinct. Like I was giving her

602
00:31:13,360 --> 00:31:15,720
Speaker 3: the same look of like, don't come over to me

603
00:31:16,240 --> 00:31:19,000
Speaker 3: just because I know who you are. Is how I

604
00:31:19,040 --> 00:31:21,240
Speaker 3: feel like kind of what I be mad a lot

605
00:31:21,280 --> 00:31:24,360
Speaker 3: of the time, so I get it. I feel spiritually

606
00:31:24,360 --> 00:31:25,479
Speaker 3: connected to her a little bit.

607
00:31:26,000 --> 00:31:28,160
Speaker 2: I hope that's the problem with Sarah Paulison, and she's

608
00:31:28,200 --> 00:31:32,680
Speaker 2: constantly approaching other people to let them know she's Sarah Paulson.

609
00:31:33,440 --> 00:31:36,040
Speaker 2: I mean, there's a chance she's networking. That's how she's

610
00:31:36,080 --> 00:31:36,800
Speaker 2: getting these charms.

611
00:31:36,800 --> 00:31:38,520
Speaker 3: You gotta schmooz a little bit.

612
00:31:38,520 --> 00:31:40,560
Speaker 2: I got to introduce yourself to people while you're walking

613
00:31:40,560 --> 00:31:43,960
Speaker 2: the dog. So do you have a favorite Dave Clark's song.

614
00:31:44,680 --> 00:31:47,240
Speaker 3: Well, it's weird because I'm bad at like the titles

615
00:31:47,240 --> 00:31:51,120
Speaker 3: of songs, so it's like, I know the jingle right,

616
00:31:51,560 --> 00:31:54,080
Speaker 3: But I think anything you Want is sort of their

617
00:31:54,120 --> 00:31:55,800
Speaker 3: big hit, and that's the one that's sort of the

618
00:31:55,800 --> 00:31:59,000
Speaker 3: most ear where me, and because is really good Anything

619
00:31:59,040 --> 00:32:02,200
Speaker 3: you Want I think it's called that. It's like anything

620
00:32:02,280 --> 00:32:06,520
Speaker 3: you Want it that's alid with me, and I think

621
00:32:06,560 --> 00:32:10,600
Speaker 3: that's the one that okay, you know beat I want

622
00:32:10,640 --> 00:32:13,640
Speaker 3: to hold your hand and from the little I just sang,

623
00:32:13,680 --> 00:32:20,160
Speaker 3: I think you can understand how big of it hit him.

624
00:32:20,320 --> 00:32:23,120
Speaker 2: Well, okay, so should we move on to the Carly album?

625
00:32:23,160 --> 00:32:23,440
Speaker 3: Sure?

626
00:32:23,760 --> 00:32:26,960
Speaker 2: I do love this Dave Clark five album art. It's

627
00:32:27,000 --> 00:32:28,480
Speaker 2: just kind of a family photo.

628
00:32:28,440 --> 00:32:33,320
Speaker 3: Yeah, totally different faces, all looking a little grim.

629
00:32:33,600 --> 00:32:35,720
Speaker 2: They just found some children on the street and took

630
00:32:35,760 --> 00:32:37,760
Speaker 2: a photo with them. Interesting choice.

631
00:32:37,800 --> 00:32:40,560
Speaker 3: Now, photographer was like, say Beatles, and they're.

632
00:32:40,400 --> 00:32:46,440
Speaker 2: Like, no, Beatles is a good cheese replacement. Yeah, Beatles. Well,

633
00:32:46,480 --> 00:32:50,880
Speaker 2: and actually then Beatles end up kind of making a kissing.

634
00:32:50,600 --> 00:32:54,360
Speaker 3: Face Beetles triangular smile.

635
00:32:54,480 --> 00:32:58,240
Speaker 2: Yeah, exactly. This Carly album, she looks incredible.

636
00:32:58,360 --> 00:33:01,719
Speaker 3: Yeah. First of all, her hair is so fluffy and

637
00:33:01,760 --> 00:33:03,560
Speaker 3: it has always bushy.

638
00:33:03,680 --> 00:33:06,200
Speaker 2: Yeah, that used to be like a positive, like the

639
00:33:06,360 --> 00:33:09,720
Speaker 2: what's that Beach Boys song? Bushy bushy blonde hair. Can

640
00:33:09,760 --> 00:33:14,040
Speaker 2: you imagine someone saying your hair, you're supposed to be

641
00:33:14,080 --> 00:33:14,760
Speaker 2: happy about that?

642
00:33:15,920 --> 00:33:19,440
Speaker 3: Just wiry curl dry curls.

643
00:33:20,880 --> 00:33:26,320
Speaker 2: Pubic like it looks like animals could. But this is bushy.

644
00:33:26,480 --> 00:33:28,600
Speaker 3: Yeah, it's bushy. I would say even.

645
00:33:28,440 --> 00:33:30,360
Speaker 2: Maybe feathery a little sure.

646
00:33:30,800 --> 00:33:35,040
Speaker 3: And this was played often when we weren't listening to Beatles.

647
00:33:35,400 --> 00:33:40,360
Speaker 3: Carly was also a huge childhood favorite of my mother's

648
00:33:40,520 --> 00:33:43,560
Speaker 3: and Coming Around Again is sort of this album. It

649
00:33:43,640 --> 00:33:47,719
Speaker 3: might totally now I'm making sit up, but it's very

650
00:33:47,800 --> 00:33:50,480
Speaker 3: much a breakup album, and so I think it probably

651
00:33:50,600 --> 00:33:56,240
Speaker 3: was probably after James Taylor and her decided to part ways.

652
00:33:56,680 --> 00:33:59,000
Speaker 3: But it was also the sexiest album that I had

653
00:33:59,040 --> 00:34:01,160
Speaker 3: ever heard. And she said as the word sex and

654
00:34:01,600 --> 00:34:04,000
Speaker 3: a song, and that was like my first time hearing

655
00:34:04,000 --> 00:34:08,920
Speaker 3: a woman like sing like she says, all I want

656
00:34:09,280 --> 00:34:14,360
Speaker 3: is you and a sexy hurricane that we share. My

657
00:34:14,440 --> 00:34:18,720
Speaker 3: voice keeps cracking whenever I say whenever I say passionate words,

658
00:34:18,760 --> 00:34:25,560
Speaker 3: my voice is like hurricane. Way, We're not gonna say hurricane.

659
00:34:25,719 --> 00:34:28,040
Speaker 2: I thought that was a beautiful performance and the melody came.

660
00:34:28,760 --> 00:34:32,240
Speaker 3: I started so confidently, and then it broke at hurricane,

661
00:34:33,080 --> 00:34:33,840
Speaker 3: I can't take.

662
00:34:33,680 --> 00:34:37,960
Speaker 2: It all well, auto tun it into a blify. You

663
00:34:38,080 --> 00:34:40,120
Speaker 2: sound like a complete robot. It'll be a daft punk

664
00:34:40,160 --> 00:34:41,360
Speaker 2: song by the time we're done with it.

665
00:34:42,239 --> 00:34:46,120
Speaker 3: But Sexy Hurricane was like my first like introduction to

666
00:34:46,560 --> 00:34:51,600
Speaker 3: even like sex in a general sense. All I want

667
00:34:51,640 --> 00:34:54,400
Speaker 3: is you are a and a sexy hurricane that we share.

668
00:34:54,600 --> 00:34:58,480
Speaker 3: Oh So it was very abstract and confusing to.

669
00:34:58,480 --> 00:35:01,120
Speaker 2: Me because I'm sure at the time you had some

670
00:35:01,239 --> 00:35:05,799
Speaker 2: idea of what a hurricane wants, like boarding up the windows, yeah,

671
00:35:06,000 --> 00:35:07,080
Speaker 2: floods yeah.

672
00:35:07,120 --> 00:35:10,319
Speaker 3: I was like, well, how fast are they moving? Are they?

673
00:35:10,360 --> 00:35:14,839
Speaker 2: Sarah paulsoning kind of getting blasted against walls.

674
00:35:15,200 --> 00:35:19,520
Speaker 3: Yeah, it felt it felt like something outside of themselves.

675
00:35:19,520 --> 00:35:21,520
Speaker 3: It wasn't between two people. It was like and a

676
00:35:21,560 --> 00:35:24,839
Speaker 3: sexy hurricane that we share, So something in front of them,

677
00:35:25,880 --> 00:35:26,520
Speaker 3: you know what I mean.

678
00:35:26,920 --> 00:35:27,280
Speaker 2: Wind?

679
00:35:28,560 --> 00:35:32,759
Speaker 3: Yeah, wind and like high heels and a scarf kind

680
00:35:32,800 --> 00:35:36,680
Speaker 3: of flowing in the wind or something. But yeah, this

681
00:35:36,760 --> 00:35:41,000
Speaker 3: album is a very also strong karaoke album too.

682
00:35:41,160 --> 00:35:42,680
Speaker 2: Let Me See What Let's See.

683
00:35:42,600 --> 00:35:47,520
Speaker 3: Coming Around Again is like about love gone wrong. She's

684
00:35:47,640 --> 00:35:50,160
Speaker 3: married and they have a baby and she's trying to

685
00:35:51,160 --> 00:35:53,480
Speaker 3: it's sort of a song where she's trying to persuade

686
00:35:54,200 --> 00:35:59,719
Speaker 3: the husband to like lighten up. She's like, I know,

687
00:35:59,800 --> 00:36:01,799
Speaker 3: nothing it's the same, but if you're willing to play

688
00:36:01,800 --> 00:36:05,200
Speaker 3: the game, it'll be coming around again. But the opening

689
00:36:05,280 --> 00:36:10,680
Speaker 3: is like baby sneezes, Daddy breezes in, so good on papers,

690
00:36:10,960 --> 00:36:14,160
Speaker 3: so romantic, so bewildering.

691
00:36:17,600 --> 00:36:20,680
Speaker 2: So it's like it starts off very very domestic.

692
00:36:20,880 --> 00:36:23,239
Speaker 3: Yeah, it's very domestic, and it's just her being kind

693
00:36:23,239 --> 00:36:27,520
Speaker 3: of a disappointed housewife. And then the chorus is her

694
00:36:27,640 --> 00:36:31,160
Speaker 3: pleading like I know, nothing stays the same, but if

695
00:36:31,160 --> 00:36:32,480
Speaker 3: you're willing to play.

696
00:36:32,200 --> 00:36:35,239
Speaker 2: The game, so she wants him to change. Yeah, she

697
00:36:35,280 --> 00:36:38,000
Speaker 2: wants him to stop being such a bore exactly.

698
00:36:38,239 --> 00:36:41,880
Speaker 3: But it's weird because similar to the sexy Hurricane, she's like,

699
00:36:42,480 --> 00:36:44,520
Speaker 3: if you're willing to play the game, it will be

700
00:36:44,560 --> 00:36:47,920
Speaker 3: coming around again. So again it's like outside of herself,

701
00:36:48,719 --> 00:36:50,080
Speaker 3: something good will show up.

702
00:36:50,280 --> 00:36:54,880
Speaker 2: Very abstract, yes, and this, and we assume it's about James.

703
00:36:55,400 --> 00:36:55,960
Speaker 3: I assume.

704
00:36:56,000 --> 00:36:57,000
Speaker 2: So do they have kids?

705
00:36:57,520 --> 00:36:58,160
Speaker 3: Yeah?

706
00:36:58,200 --> 00:36:58,839
Speaker 2: I didn't know that.

707
00:36:59,239 --> 00:37:02,799
Speaker 3: Yes, I only know that because there's some kind of

708
00:37:03,480 --> 00:37:08,840
Speaker 3: hauntingly hot video of them when they were like really

709
00:37:09,000 --> 00:37:14,680
Speaker 3: tan and blue eyes, barefoot, Yeah, and just like and

710
00:37:14,719 --> 00:37:16,640
Speaker 3: then they have all these like kids around them on

711
00:37:16,680 --> 00:37:18,759
Speaker 3: the couch and uh.

712
00:37:18,800 --> 00:37:21,680
Speaker 2: Yeah, I wonder how many kids they've got and did

713
00:37:21,680 --> 00:37:22,120
Speaker 2: they go on.

714
00:37:22,120 --> 00:37:23,960
Speaker 3: To do any sixty at this point.

715
00:37:25,200 --> 00:37:25,279
Speaker 1: On?

716
00:37:25,320 --> 00:37:26,960
Speaker 2: At least you have any idea how many children?

717
00:37:27,680 --> 00:37:28,760
Speaker 3: I think just one.

718
00:37:30,719 --> 00:37:31,200
Speaker 2: In the photo.

719
00:37:31,239 --> 00:37:33,239
Speaker 3: Oh I wonder. Yeah. I guess it was maybe a

720
00:37:33,280 --> 00:37:36,799
Speaker 3: previous marriage or nor not marriage. I don't know why.

721
00:37:36,840 --> 00:37:37,360
Speaker 3: I'm assuming.

722
00:37:38,040 --> 00:37:41,800
Speaker 2: No, you can only have children within the confines of marriage.

723
00:37:42,280 --> 00:37:46,000
Speaker 2: This is a very traditional podcast. If you've had a

724
00:37:46,080 --> 00:37:48,120
Speaker 2: child outside of marriage, stop listen.

725
00:37:48,160 --> 00:37:50,719
Speaker 3: Wait, I totally overlooked their daughter. They have a daughter

726
00:37:50,800 --> 00:37:56,399
Speaker 3: named Sally. Sorry I did two kids. Well maybe there's

727
00:37:56,440 --> 00:38:01,440
Speaker 3: also a story. I'm very much my mom is influencing

728
00:38:01,480 --> 00:38:05,960
Speaker 3: all this stuff. But she saw My mom saw husbands

729
00:38:06,000 --> 00:38:10,360
Speaker 3: and wives in the theater, and she came out of

730
00:38:10,360 --> 00:38:12,640
Speaker 3: the theater. My mom was the biggest Carly Simon fan,

731
00:38:13,200 --> 00:38:16,560
Speaker 3: and she saw this woman who was standing in the

732
00:38:16,640 --> 00:38:20,480
Speaker 3: rain in a big overcoat and she looked very kind

733
00:38:20,560 --> 00:38:25,760
Speaker 3: of ragged lady and almost like with dirt on her face.

734
00:38:25,840 --> 00:38:28,360
Speaker 3: And she was like, that's Carly Simon. And she was

735
00:38:28,520 --> 00:38:32,600
Speaker 3: Carly Simon was there listening to people talk about husbands

736
00:38:32,600 --> 00:38:35,200
Speaker 3: and wives whoa And she was a really good friend

737
00:38:35,200 --> 00:38:38,160
Speaker 3: of Mia Pharaoh. I got there because I got there

738
00:38:38,200 --> 00:38:39,879
Speaker 3: because of all the kids, and I was like thinking

739
00:38:39,920 --> 00:38:43,200
Speaker 3: to myself, well maybe there were AMA's kids. She has

740
00:38:43,200 --> 00:38:48,560
Speaker 3: a lot of kids. But yeah, she say. My mom surmised,

741
00:38:49,160 --> 00:38:51,799
Speaker 3: this is just like another fun far leap of who

742
00:38:51,840 --> 00:38:54,080
Speaker 3: knows if this is reality. But my mom was like,

743
00:38:54,120 --> 00:38:56,800
Speaker 3: I think she was just spying on what people were

744
00:38:56,960 --> 00:39:00,120
Speaker 3: saying about the movie because Mia was going through the

745
00:39:00,160 --> 00:39:03,880
Speaker 3: divorce at the time and she was so you know,

746
00:39:04,480 --> 00:39:06,839
Speaker 3: like scared of what people would say it.

747
00:39:07,239 --> 00:39:09,800
Speaker 2: Yeah, so she was kind of doing some audience testing

748
00:39:10,200 --> 00:39:14,320
Speaker 2: covered in dirt, yes, why did you have dirt? Other things?

749
00:39:15,760 --> 00:39:17,720
Speaker 3: I think just a camouflage.

750
00:39:17,920 --> 00:39:22,000
Speaker 2: That's a very funny camouflage in New York, Like she's

751
00:39:22,080 --> 00:39:26,160
Speaker 2: just come out of a bush. Wow, Carly is a

752
00:39:26,160 --> 00:39:27,680
Speaker 2: good friend to have then if you.

753
00:39:27,640 --> 00:39:28,960
Speaker 3: Want to seems like that.

754
00:39:29,239 --> 00:39:34,279
Speaker 2: Yeah, if you want the intel from audience screening, Yeah, completely,

755
00:39:34,400 --> 00:39:40,239
Speaker 2: she's got a clipboard. Oh wow, that's really fascinating. Now

756
00:39:40,520 --> 00:39:42,760
Speaker 2: it looks like the last song on this Is it

757
00:39:42,880 --> 00:39:45,160
Speaker 2: literally an Itsy Bitsy Spiders cover?

758
00:39:45,640 --> 00:39:46,600
Speaker 3: Yes, and it's really she.

759
00:39:46,600 --> 00:39:49,200
Speaker 2: Don't call that a cover? What is that just a Yeah.

760
00:39:49,000 --> 00:39:50,759
Speaker 3: I'd say it's a cover, right, but a.

761
00:39:50,719 --> 00:39:56,160
Speaker 2: Cover of who who wrote Itsy Bitsy Spider.

762
00:40:00,120 --> 00:40:06,800
Speaker 3: Spider? Yeah? Yeah, it's a really cool, like drummy eighties drum.

763
00:40:07,160 --> 00:40:08,200
Speaker 3: It's see bits Sea Spider.

764
00:40:08,680 --> 00:40:11,759
Speaker 2: Oh, intradition kind of like a spoken word sort of thing.

765
00:40:12,280 --> 00:40:17,720
Speaker 3: No, it's more Oh gosh, it's hard to describe because

766
00:40:17,760 --> 00:40:21,200
Speaker 3: it's it's just very eighties is how I would describe it.

767
00:40:21,360 --> 00:40:24,920
Speaker 3: Even though yeah, it's like you know, when Bob Dylan

768
00:40:25,040 --> 00:40:28,160
Speaker 3: got into the eighties, Bob Dylan. It feels like that.

769
00:40:28,440 --> 00:40:32,200
Speaker 3: It's like suddenly we're taking a very like folk thing

770
00:40:32,400 --> 00:40:33,040
Speaker 3: and making it.

771
00:40:33,680 --> 00:40:35,560
Speaker 2: Feel kind of modern and strange.

772
00:40:35,760 --> 00:40:35,960
Speaker 3: Yeah.

773
00:40:36,520 --> 00:40:38,399
Speaker 2: And there's also a song on here called two Hot

774
00:40:38,480 --> 00:40:41,800
Speaker 2: Girls on a Hot Summer Night, which is a great, incredible.

775
00:40:41,320 --> 00:40:45,520
Speaker 3: Song to Yes, totally, that's like another like thing of like, wow,

776
00:40:45,719 --> 00:40:49,800
Speaker 3: horny women, it's too hot, hot summer night, looking for

777
00:40:49,960 --> 00:40:51,680
Speaker 3: love and for love and for love.

778
00:40:52,000 --> 00:40:56,280
Speaker 2: Yeah, this is really breaking through, especially to a child, bridy,

779
00:40:56,840 --> 00:40:58,319
Speaker 2: I mean, what a formative thing.

780
00:40:58,640 --> 00:41:02,920
Speaker 3: Yeah, It's it's beyond verbal, Like I can't verbally articulate

781
00:41:03,080 --> 00:41:06,080
Speaker 3: a lot of what I'm going through as we're talking

782
00:41:06,160 --> 00:41:10,040
Speaker 3: about it. But it was definitely, you know, some a

783
00:41:10,120 --> 00:41:12,840
Speaker 3: bit of an awakening for me as a kid, and

784
00:41:13,160 --> 00:41:15,359
Speaker 3: you know I want that for you as well.

785
00:41:16,600 --> 00:41:19,480
Speaker 2: I'm still waiting for that moment as an adult.

786
00:41:19,560 --> 00:41:19,680
Speaker 3: Man.

787
00:41:19,760 --> 00:41:21,800
Speaker 2: I'm just like when this is going to happen for me.

788
00:41:22,360 --> 00:41:25,720
Speaker 2: I'm trying to think of what my like initial sexy

789
00:41:25,920 --> 00:41:30,279
Speaker 2: song was, and I cannot remember. I my neighbor Vicky

790
00:41:30,320 --> 00:41:32,160
Speaker 2: Smith would drive us the car pool to school and

791
00:41:32,200 --> 00:41:35,400
Speaker 2: she was always listening to like Janet Checks, and so

792
00:41:35,480 --> 00:41:37,480
Speaker 2: it was probably in that realm. I bet that that

793
00:41:37,719 --> 00:41:40,120
Speaker 2: car something was happening. Yeah, but I can't remember a

794
00:41:40,160 --> 00:41:44,240
Speaker 2: specific moment. I just really associate Janet with the Grand

795
00:41:44,360 --> 00:41:47,640
Speaker 2: Riviera driving us around. Is that the name of the car? Yeah,

796
00:41:47,640 --> 00:41:49,319
Speaker 2: I think that's a Riviera. I think it's the name

797
00:41:49,360 --> 00:41:52,800
Speaker 2: a Buick Riviera. Giant gray boat of a car blasting

798
00:41:52,880 --> 00:41:55,400
Speaker 2: Janet Jacks and that's awesome. So I bet that's what

799
00:41:55,520 --> 00:41:56,600
Speaker 2: it was. Yeah.

800
00:41:57,000 --> 00:42:00,399
Speaker 3: Buicks are also kind of sexy because they're just big

801
00:42:01,160 --> 00:42:03,040
Speaker 3: us a boat or on a mattress.

802
00:42:04,040 --> 00:42:06,719
Speaker 2: Yeah, they're all kind of mattress shapes. Totally vehicles.

803
00:42:06,840 --> 00:42:08,439
Speaker 3: Yeah, you don't feel the road at all.

804
00:42:08,760 --> 00:42:13,239
Speaker 2: No, Yeah, gliding through the air. And Buick couch. I

805
00:42:13,320 --> 00:42:15,759
Speaker 2: love those cars with a giant like backseat that's just

806
00:42:15,880 --> 00:42:16,680
Speaker 2: essentially a couch.

807
00:42:16,920 --> 00:42:17,480
Speaker 3: Yeah, me too.

808
00:42:17,760 --> 00:42:21,400
Speaker 2: My friend had a Crown Victoria like that. Loved sitting

809
00:42:21,440 --> 00:42:25,360
Speaker 2: in the back seat. Oh that's nice, plush Wow. Okay,

810
00:42:25,400 --> 00:42:27,319
Speaker 2: So I've got this Carly Simon album. Did we ever

811
00:42:27,400 --> 00:42:29,160
Speaker 2: find out who You're so vain is about?

812
00:42:30,160 --> 00:42:34,440
Speaker 3: I feel like they said it recently, but it went

813
00:42:34,520 --> 00:42:35,239
Speaker 3: over my head.

814
00:42:35,480 --> 00:42:37,360
Speaker 2: It just wasn't that interesting or something.

815
00:42:37,760 --> 00:42:41,680
Speaker 3: Yeah. So, well, Mick Jagger sings with her on the album.

816
00:42:42,800 --> 00:42:45,640
Speaker 3: He's in the background being like done gie done.

817
00:42:45,920 --> 00:42:47,279
Speaker 2: Oh wow. I didn't know that.

818
00:42:47,600 --> 00:42:51,319
Speaker 3: Yeah. And then so I think recently maybe they came

819
00:42:51,400 --> 00:42:54,320
Speaker 3: out and said, Mick Jagger on a lease, Warren Batty,

820
00:42:54,360 --> 00:42:55,440
Speaker 3: Warren Baby Baby.

821
00:42:55,640 --> 00:42:57,120
Speaker 2: Okay, yes, that's not that fun.

822
00:42:57,400 --> 00:42:59,800
Speaker 3: Yes, it's like there's a rotation where she's like, no,

823
00:43:00,239 --> 00:43:04,040
Speaker 3: it's not him, and it's always the same people. It's like, well,

824
00:43:04,120 --> 00:43:06,239
Speaker 3: is it Jack Nicholson, is it Warren Baby or is

825
00:43:06,239 --> 00:43:08,960
Speaker 3: it Mick Jagger? And she's like, I don't know, but

826
00:43:09,120 --> 00:43:12,680
Speaker 3: I feel like she keeps revealing and then not remembering

827
00:43:12,760 --> 00:43:14,360
Speaker 3: that extreme behavior.

828
00:43:16,200 --> 00:43:19,080
Speaker 2: Imagine being that coy about something for that long and

829
00:43:19,400 --> 00:43:24,400
Speaker 2: still having friends. That feels but I think we should

830
00:43:24,520 --> 00:43:26,960
Speaker 2: just finally say it was Warren. It was regardless of

831
00:43:27,040 --> 00:43:28,200
Speaker 2: what Carly says in the future.

832
00:43:29,080 --> 00:43:32,280
Speaker 3: I would like to hear Warren's thoughts, but I feel

833
00:43:32,320 --> 00:43:38,719
Speaker 3: like he has completely forgotten about anything between him and Carly.

834
00:43:38,680 --> 00:43:42,200
Speaker 2: Or he can probably barely remember her name, So yeah,

835
00:43:42,239 --> 00:43:43,280
Speaker 2: he's not a good source.

836
00:43:44,200 --> 00:43:47,239
Speaker 3: Yeah, it's just like having the different points of view

837
00:43:47,280 --> 00:43:50,920
Speaker 3: would be interesting, but just her keeping datekeeping the secret

838
00:43:51,320 --> 00:43:53,919
Speaker 3: and revealing it and then taking it back, and because

839
00:43:53,960 --> 00:43:55,719
Speaker 3: it was supposed to be on I feel like there

840
00:43:55,840 --> 00:43:59,480
Speaker 3: was on Criby Your Enthusiasm there was an episode where

841
00:43:59,600 --> 00:44:02,160
Speaker 3: about it. Oh really, yeah, it was as like a

842
00:44:02,239 --> 00:44:03,879
Speaker 3: part of it where it's like, whoever wins the auction,

843
00:44:04,040 --> 00:44:07,400
Speaker 3: we'll hear who this song is about. And yeah, now

844
00:44:07,440 --> 00:44:10,840
Speaker 3: it's twenty twenty four, it's just like post pandemic. I

845
00:44:10,960 --> 00:44:13,800
Speaker 3: don't need to care about this.

846
00:44:14,520 --> 00:44:17,080
Speaker 2: We finally, we just had to go through a devastating

847
00:44:17,160 --> 00:44:21,680
Speaker 2: pandemic for people to be like, Carly, enough, enough is enough,

848
00:44:22,040 --> 00:44:26,160
Speaker 2: we don't care anymore. She waited just slightly too long. Yeah,

849
00:44:26,280 --> 00:44:28,319
Speaker 2: she should have, Like twenty eighteen would have been the year.

850
00:44:29,000 --> 00:44:32,280
Speaker 2: It would have been huge news. Now it's been washed away.

851
00:44:33,080 --> 00:44:35,840
Speaker 2: She missed her opportunity completely. She could have had a

852
00:44:35,920 --> 00:44:40,680
Speaker 2: complete career of ivil completely, she'd be back on the charts. Carly,

853
00:44:40,840 --> 00:44:44,560
Speaker 2: you failed, and now we have God's Spell. I don't

854
00:44:44,560 --> 00:44:46,759
Speaker 2: think I'm familiar with any songs from God's Spell.

855
00:44:46,920 --> 00:44:48,440
Speaker 3: Really, day by day.

856
00:44:49,239 --> 00:44:51,200
Speaker 2: I'm I'm so bad with musical theater.

857
00:44:52,320 --> 00:44:55,080
Speaker 3: Do you like musicals in general at all?

858
00:44:55,239 --> 00:44:57,680
Speaker 2: I do, but I'm very new to them. I had

859
00:44:57,760 --> 00:45:01,040
Speaker 2: not seen a musical until I started dating my boyfriend

860
00:45:01,480 --> 00:45:05,080
Speaker 2: in twenty fifteen. I don't think I had ever maybe

861
00:45:05,160 --> 00:45:07,640
Speaker 2: like a high school musical, you know, like not the

862
00:45:07,880 --> 00:45:11,600
Speaker 2: television show. Let's be very clear, musical within a high school. Yeah,

863
00:45:12,120 --> 00:45:15,000
Speaker 2: but he took me to a Book of Mormon and

864
00:45:15,239 --> 00:45:17,920
Speaker 2: he's been on Broadway a bunch of times. So now

865
00:45:17,960 --> 00:45:21,160
Speaker 2: I've kind of been educated about musical theater, but I'm

866
00:45:21,200 --> 00:45:22,560
Speaker 2: still am an infant.

867
00:45:23,080 --> 00:45:24,880
Speaker 3: Yeah, but you enjoy it.

868
00:45:25,000 --> 00:45:26,640
Speaker 2: I always enjoy it. I mean, I'm trying to think

869
00:45:26,680 --> 00:45:31,160
Speaker 2: of once I didn't like Spring Awakening. Yeah, I thought

870
00:45:31,200 --> 00:45:34,719
Speaker 2: it was awful. Yeah, you seeing the show I have? Yeah,

871
00:45:34,800 --> 00:45:35,680
Speaker 2: what was your feeling on this?

872
00:45:36,160 --> 00:45:40,000
Speaker 3: I did not attach to it the way everyone around

873
00:45:40,120 --> 00:45:43,320
Speaker 3: me did and went. I went to a high school

874
00:45:43,719 --> 00:45:47,879
Speaker 3: that was close to New York City on the train

875
00:45:47,960 --> 00:45:50,680
Speaker 3: line in Westchester, New York, and so a lot of

876
00:45:51,120 --> 00:45:53,200
Speaker 3: and I was in the theater kid group.

877
00:45:53,760 --> 00:45:53,960
Speaker 2: Huh.

878
00:45:54,040 --> 00:45:56,200
Speaker 3: And so it was like, are you gonna come on

879
00:45:56,280 --> 00:45:56,680
Speaker 3: the train?

880
00:45:57,520 --> 00:45:59,560
Speaker 2: He's bring Awakening again again.

881
00:45:59,800 --> 00:46:05,040
Speaker 3: Yeah. It was like fan fangirls, fanboys all like my

882
00:46:05,120 --> 00:46:08,560
Speaker 3: whole class was super into it. And I just never,

883
00:46:08,880 --> 00:46:12,600
Speaker 3: I think, whenever something has that weight, I just it's

884
00:46:12,719 --> 00:46:18,400
Speaker 3: like I only can see why I shouldn't share those feelings.

885
00:46:19,160 --> 00:46:22,759
Speaker 3: It's like with everything, though it's movies or it's like

886
00:46:22,840 --> 00:46:25,759
Speaker 3: the most popular thing, it's like, okay, let's see how

887
00:46:25,800 --> 00:46:27,520
Speaker 3: I will ruin this for myself.

888
00:46:27,239 --> 00:46:29,839
Speaker 2: Of course, I'm very much in the same boat. Yeah, well,

889
00:46:29,840 --> 00:46:32,000
Speaker 2: I don't know if it's like maybe there's something about

890
00:46:32,040 --> 00:46:35,560
Speaker 2: mass appeal that for me, it's kind of a curse

891
00:46:36,120 --> 00:46:37,800
Speaker 2: in a lot of ways where I'm like, oh, everyone's

892
00:46:37,880 --> 00:46:39,759
Speaker 2: enjoying this thing and I would love to be able to,

893
00:46:39,880 --> 00:46:44,799
Speaker 2: but I think it's garbage. Yes, I think it's cheeseball right, and.

894
00:46:45,719 --> 00:46:49,360
Speaker 3: Yeah, or you I find that I just like everyone

895
00:46:49,480 --> 00:46:52,279
Speaker 3: is under this influence and I should not be under

896
00:46:52,360 --> 00:46:53,040
Speaker 3: this influence.

897
00:46:53,640 --> 00:46:56,279
Speaker 2: Right, So you're making a really deliberate choice you want

898
00:46:56,320 --> 00:46:56,719
Speaker 2: to be free.

899
00:46:56,880 --> 00:46:59,640
Speaker 3: It's I mean, it's not that I think it's more

900
00:47:00,280 --> 00:47:04,160
Speaker 3: late like not like lazy, but yeah, truly like a

901
00:47:04,280 --> 00:47:07,040
Speaker 3: conflict within myself where it's like getting on board with

902
00:47:07,160 --> 00:47:10,960
Speaker 3: something that has been hyped up in any way and

903
00:47:11,080 --> 00:47:13,680
Speaker 3: now it's just even worse. With the Internet.

904
00:47:14,360 --> 00:47:17,400
Speaker 2: Oh, the Internet ruins everything. Everything is the best thing

905
00:47:17,440 --> 00:47:18,759
Speaker 2: that's ever happened, and then you go see it in

906
00:47:18,840 --> 00:47:21,520
Speaker 2: a theater and you're like, oh, that was a bad film.

907
00:47:21,600 --> 00:47:25,399
Speaker 3: Okay, that was fine to bad. Yeah, Like there's our

908
00:47:25,840 --> 00:47:30,719
Speaker 3: expectations and perception of going into anything. It's just best

909
00:47:30,800 --> 00:47:34,480
Speaker 3: to be completely blind and not know what you're getting into.

910
00:47:34,560 --> 00:47:37,799
Speaker 3: I think every single time with anything, but yeah, yeah,

911
00:47:37,840 --> 00:47:40,600
Speaker 3: Spring Awakening was definitely like this will change your life,

912
00:47:40,640 --> 00:47:44,600
Speaker 3: and then I saw it nothing registered.

913
00:47:44,880 --> 00:47:48,600
Speaker 2: Oh for that music. Oh that music's terrible.

914
00:47:48,800 --> 00:47:50,480
Speaker 3: I don't truly remember.

915
00:47:50,800 --> 00:47:52,839
Speaker 2: I mean it's just the cheesiest music.

916
00:47:53,000 --> 00:47:53,200
Speaker 1: Yeah.

917
00:47:53,320 --> 00:47:56,080
Speaker 2: This is something I don't like about musical theater is

918
00:47:56,320 --> 00:48:00,520
Speaker 2: like within the last twenty to thirty years, where it's

919
00:48:00,520 --> 00:48:04,719
Speaker 2: like a rock score, but it sounds so phony. It

920
00:48:04,800 --> 00:48:08,799
Speaker 2: sounds like, you know, like free use music, where it's

921
00:48:08,840 --> 00:48:11,960
Speaker 2: like a free use version of rock music, right, if

922
00:48:11,960 --> 00:48:12,440
Speaker 2: that makes.

923
00:48:12,280 --> 00:48:15,840
Speaker 3: Anything, yes, Yeah, And the dancing is sort of this

924
00:48:16,320 --> 00:48:20,880
Speaker 3: very robotic kind of background dance type, like there's nothing

925
00:48:21,280 --> 00:48:25,160
Speaker 3: very I always think about Dick van Dyke, like, who's

926
00:48:25,640 --> 00:48:27,480
Speaker 3: still really going hard still.

927
00:48:28,160 --> 00:48:30,160
Speaker 2: As far as we know, Oh my gosh, he is

928
00:48:30,200 --> 00:48:30,840
Speaker 2: at one hundred.

929
00:48:31,040 --> 00:48:34,440
Speaker 3: He's amazing. Yeah, I think he's a hundred. Wow. But he,

930
00:48:35,040 --> 00:48:38,600
Speaker 3: like for two seconds at the Tonys maybe ten years ago,

931
00:48:39,400 --> 00:48:43,840
Speaker 3: did his sort of chimney dance with the now present

932
00:48:44,040 --> 00:48:48,400
Speaker 3: day chimney sweepers who are all these like sexy like

933
00:48:48,680 --> 00:48:53,040
Speaker 3: muscle grinding up yeah, or like humping the air. And

934
00:48:53,160 --> 00:48:55,880
Speaker 3: then Dick van Dyke just for two seconds is smiling

935
00:48:56,120 --> 00:48:59,160
Speaker 3: and like moving his legs and like the kind of

936
00:48:59,320 --> 00:49:03,560
Speaker 3: like skeleton type way that he does, like hopping around,

937
00:49:03,760 --> 00:49:06,280
Speaker 3: and it's just so much more blissful and human.

938
00:49:06,600 --> 00:49:08,400
Speaker 2: Oh I love that kind of earnest.

939
00:49:09,239 --> 00:49:11,960
Speaker 3: Yeah, like pop and lock In, but it's happening on

940
00:49:12,080 --> 00:49:16,080
Speaker 3: Broadway with classic things. It's yeah, it's very weird.

941
00:49:16,320 --> 00:49:19,200
Speaker 2: Yeah, I just need I think musical theater is inherently

942
00:49:19,320 --> 00:49:23,319
Speaker 2: kind of corny or lame in a good way. Yeah,

943
00:49:23,360 --> 00:49:25,360
Speaker 2: And I think it should be that it should be

944
00:49:25,800 --> 00:49:29,600
Speaker 2: so earnest, and it should be over the top and fun, yeah,

945
00:49:30,480 --> 00:49:34,040
Speaker 2: extremely emotive, and so when you try to like turn

946
00:49:34,080 --> 00:49:36,560
Speaker 2: it into a rock show or whatever, it just feels like, oh,

947
00:49:36,600 --> 00:49:38,239
Speaker 2: you're embarrassed of what you're doing.

948
00:49:38,520 --> 00:49:45,640
Speaker 3: Yes, yeah, totally. I think Godspell and Hair and just

949
00:49:45,840 --> 00:49:49,560
Speaker 3: like the era of like Twila Tharp the choreographer in

950
00:49:49,640 --> 00:49:53,920
Speaker 3: the seventies, completely different measure of what a musical could be.

951
00:49:54,080 --> 00:49:57,279
Speaker 3: It's like so much more transcendent. I feel like the

952
00:49:57,320 --> 00:50:03,200
Speaker 3: most joyous actual art is musicals, but it's just been

953
00:50:03,520 --> 00:50:07,040
Speaker 3: so we don't know how to do them right correctually.

954
00:50:07,560 --> 00:50:09,239
Speaker 3: I saw Dix the musical.

955
00:50:09,040 --> 00:50:11,080
Speaker 2: I love Oh my God, are you kidding me. I

956
00:50:11,120 --> 00:50:13,080
Speaker 2: mean the first movie I've laughed at in a theater

957
00:50:13,239 --> 00:50:14,600
Speaker 2: in a decade.

958
00:50:14,840 --> 00:50:18,359
Speaker 3: Yes, I mean it was amazing. It was amazing. I thought, Yeah,

959
00:50:18,360 --> 00:50:19,960
Speaker 3: I saw it twice in the theater and just like

960
00:50:20,239 --> 00:50:25,120
Speaker 3: blasted laughing, and yeah, it's just fun to see people

961
00:50:25,239 --> 00:50:28,160
Speaker 3: dance and sing and also be funny and also be

962
00:50:28,320 --> 00:50:31,879
Speaker 3: smart and just all the things that I think. There

963
00:50:32,000 --> 00:50:33,560
Speaker 3: is like part of me that's just like, no, this

964
00:50:33,719 --> 00:50:38,000
Speaker 3: is the highest form of art to me. But I've

965
00:50:38,080 --> 00:50:41,560
Speaker 3: never had like completely the inclination like that's where I

966
00:50:41,640 --> 00:50:41,960
Speaker 3: want to be.

967
00:50:42,239 --> 00:50:43,440
Speaker 2: Have you ever been in a musical?

968
00:50:44,200 --> 00:50:49,200
Speaker 3: Not like since high school? Okay, and high school wasn't

969
00:50:49,200 --> 00:50:52,799
Speaker 3: Anything Goes, which is a fun musical. I wouldn't say

970
00:50:52,800 --> 00:50:56,919
Speaker 3: it's like the deepest thing in the world, but it's fun.

971
00:50:57,000 --> 00:50:59,920
Speaker 3: But there's fun. There's good Cole Porter songs. And then

972
00:51:00,080 --> 00:51:04,080
Speaker 3: I was also in uh god, now I'm just thinking

973
00:51:04,120 --> 00:51:06,360
Speaker 3: of like kind of the depressing plays because I was

974
00:51:06,440 --> 00:51:11,200
Speaker 3: the lead in Our Town, which I think like I

975
00:51:11,360 --> 00:51:13,560
Speaker 3: was like the new girl at the high school and

976
00:51:13,680 --> 00:51:15,319
Speaker 3: I got cast as the lead in our Town.

977
00:51:15,440 --> 00:51:16,600
Speaker 2: Oh, target on your back.

978
00:51:16,880 --> 00:51:19,719
Speaker 3: Yes, it was like it's.

979
00:51:19,560 --> 00:51:24,000
Speaker 2: Brave Britle, Like what's that name, She's Emily take her down.

980
00:51:24,000 --> 00:51:27,440
Speaker 3: And yeah, I was very, very shy, and then I

981
00:51:27,840 --> 00:51:34,680
Speaker 3: just played the shy like a shy lead. It was like,

982
00:51:34,760 --> 00:51:38,000
Speaker 3: we need this lead to be ultra shy and dead,

983
00:51:38,480 --> 00:51:41,719
Speaker 3: and I did that. I was very like, I don't

984
00:51:41,760 --> 00:51:43,520
Speaker 3: want to. I don't know where I am, I don't

985
00:51:43,560 --> 00:51:45,400
Speaker 3: know what I'm doing, I don't know who they're being on.

986
00:51:47,120 --> 00:51:51,520
Speaker 3: But yeah, musicals, I would love to. I guess I've

987
00:51:51,560 --> 00:51:55,640
Speaker 3: worked on some things during this period of time where

988
00:51:56,040 --> 00:51:58,880
Speaker 3: there is a song, you know, inserted at the end.

989
00:51:59,120 --> 00:52:01,279
Speaker 3: Oh yeah, yeah, I think I'm like playing around with

990
00:52:01,360 --> 00:52:04,719
Speaker 3: it more. You're getting close, Yes, I'm getting close to that. Yeah,

991
00:52:05,320 --> 00:52:07,600
Speaker 3: I feel like you've got it in you. Thank you. Well.

992
00:52:07,640 --> 00:52:08,840
Speaker 3: You heard a little taste of my.

993
00:52:08,840 --> 00:52:11,279
Speaker 2: Oh yeah, we've heard all kinds of samples. I want

994
00:52:11,320 --> 00:52:14,640
Speaker 2: to hear you cracking on stage. That's all I want

995
00:52:14,680 --> 00:52:17,720
Speaker 2: in the world. Maybe you in a Godspell revival.

996
00:52:17,480 --> 00:52:18,000
Speaker 3: Oh my god.

997
00:52:18,160 --> 00:52:18,359
Speaker 2: Yeah.

998
00:52:18,640 --> 00:52:22,160
Speaker 3: Victor Garber is the lead of Godspell in the movie,

999
00:52:22,560 --> 00:52:25,960
Speaker 3: and he plays the man in Titanic who is like

1000
00:52:26,160 --> 00:52:29,520
Speaker 3: warning Rose to get out, like she's like, what's.

1001
00:52:29,360 --> 00:52:30,440
Speaker 2: Called oh yeah, of course.

1002
00:52:30,600 --> 00:52:30,799
Speaker 3: Yeah.

1003
00:52:30,840 --> 00:52:32,879
Speaker 2: And Victor Garber he'll pop up and he has such

1004
00:52:32,920 --> 00:52:35,520
Speaker 2: a distinct face. Even if you don't know his name,

1005
00:52:35,600 --> 00:52:36,440
Speaker 2: you're like, oh, it's that guy.

1006
00:52:36,719 --> 00:52:39,280
Speaker 3: Yeah, And then the name Victor Garber is just like wow,

1007
00:52:39,960 --> 00:52:43,399
Speaker 3: like very old old Hollywood name.

1008
00:52:43,760 --> 00:52:46,680
Speaker 2: Yeah, you expect him to step out from a Grandfather clock.

1009
00:52:46,560 --> 00:52:51,839
Speaker 3: Or completely Victor Garber. Yeah, he's the lead in Suspenders

1010
00:52:51,880 --> 00:52:55,520
Speaker 3: in this and a little Superman shirt you can kind

1011
00:52:55,560 --> 00:52:55,799
Speaker 3: of see.

1012
00:52:55,920 --> 00:52:57,920
Speaker 2: Oh yeah, what is the story of Godspell?

1013
00:52:58,400 --> 00:52:59,560
Speaker 3: Well, it's kind of hard to say.

1014
00:52:59,680 --> 00:53:03,520
Speaker 2: It's like parables, oh from the Old Testament.

1015
00:53:04,040 --> 00:53:08,520
Speaker 3: Yes, the story doesn't really I don't remember it. It's

1016
00:53:08,560 --> 00:53:10,880
Speaker 3: like little stories throughout. And I think there's sort of

1017
00:53:11,000 --> 00:53:14,960
Speaker 3: like a faux crucifixion type thing at the end. But

1018
00:53:15,400 --> 00:53:18,320
Speaker 3: it's shot in New York City. I'm more attached to

1019
00:53:18,480 --> 00:53:21,440
Speaker 3: I will say, uh on the record, more attached to

1020
00:53:21,520 --> 00:53:25,239
Speaker 3: the movie than like, I've never seen a production of Godspell,

1021
00:53:25,360 --> 00:53:28,080
Speaker 3: but it you know, I think at the time it

1022
00:53:28,200 --> 00:53:34,239
Speaker 3: was like a super super rebellious cool thing. But the

1023
00:53:34,360 --> 00:53:36,960
Speaker 3: movie has shots of New York that are so empty

1024
00:53:37,200 --> 00:53:40,680
Speaker 3: they somehow like emptied, like all of Times Square like.

1025
00:53:40,640 --> 00:53:41,400
Speaker 2: A miracle to me.

1026
00:53:41,640 --> 00:53:47,480
Speaker 3: Yeah, how did they inconvenience so magical? I know, so

1027
00:53:47,640 --> 00:53:50,680
Speaker 3: that in itself is just like really interesting to watch it.

1028
00:53:51,080 --> 00:53:55,040
Speaker 3: And then I think the SCTV people, Eugene Levey, maybe

1029
00:53:55,120 --> 00:53:57,719
Speaker 3: Catherine O'Hara is in it too. Eugene Levey definitely met

1030
00:53:57,760 --> 00:54:05,919
Speaker 3: Gilda Radner doing a small theater production of Godspell. Yeah,

1031
00:54:05,960 --> 00:54:12,000
Speaker 3: and there's crazy cool pictures of them, I know. But yeah,

1032
00:54:12,239 --> 00:54:15,799
Speaker 3: the music is incredible, and there's like sexy songs too.

1033
00:54:16,000 --> 00:54:17,520
Speaker 2: Oh I love a sexy song.

1034
00:54:17,680 --> 00:54:22,440
Speaker 3: Like sexy Jesus songs kind of like Jesus. Yeah, like

1035
00:54:22,560 --> 00:54:26,000
Speaker 3: these sort of like horrors trying to off track Jesus

1036
00:54:26,120 --> 00:54:30,960
Speaker 3: from his mission music where they're like kind of parlor ladies.

1037
00:54:32,120 --> 00:54:32,600
Speaker 3: It's great.

1038
00:54:33,360 --> 00:54:35,479
Speaker 2: I'm very excited to listen. I need to see the movie.

1039
00:54:36,160 --> 00:54:37,040
Speaker 3: You need to see the movie.

1040
00:54:37,160 --> 00:54:39,440
Speaker 2: Sure it's available somewhere on one of these horrible streaming

1041
00:54:39,520 --> 00:54:43,800
Speaker 2: services or available to rent hopefully, but you never know,

1042
00:54:43,920 --> 00:54:46,759
Speaker 2: maybe i'll torrent. It's me from torrenting.

1043
00:54:46,440 --> 00:54:47,400
Speaker 3: On movies still torrent.

1044
00:54:47,840 --> 00:54:50,120
Speaker 2: I mean on the very rare occasion when you know

1045
00:54:50,160 --> 00:54:53,160
Speaker 2: there are sometimes there are movies that are available nowhere. Yeah,

1046
00:54:53,280 --> 00:54:55,279
Speaker 2: and now a lot of these. I was actually reading

1047
00:54:55,280 --> 00:54:58,239
Speaker 2: an article that piracy is on the rise because these

1048
00:54:58,360 --> 00:55:00,279
Speaker 2: companies are getting rid of their TV show, you know,

1049
00:55:00,360 --> 00:55:03,120
Speaker 2: they just vanished from HBO or whatever. People are like, well,

1050
00:55:04,080 --> 00:55:05,920
Speaker 2: how else am I going to watch it other than

1051
00:55:06,000 --> 00:55:09,560
Speaker 2: download it illegally? Yes, we love to download illegally. I

1052
00:55:09,680 --> 00:55:10,960
Speaker 2: recommend downloading illegally.

1053
00:55:11,080 --> 00:55:14,239
Speaker 3: Totally go for it. A person I still have never

1054
00:55:14,360 --> 00:55:18,919
Speaker 3: met in person during the pandemic, DMed me. I put

1055
00:55:18,960 --> 00:55:23,120
Speaker 3: out something online about trying to watch I don't know

1056
00:55:23,200 --> 00:55:25,520
Speaker 3: what movie it was now, but I know that I

1057
00:55:25,680 --> 00:55:28,440
Speaker 3: use their account, which they generously gave me the code to,

1058
00:55:29,520 --> 00:55:30,440
Speaker 3: and watched the ABYSS.

1059
00:55:30,880 --> 00:55:34,720
Speaker 2: Oh great, you were looking to watch the ABYSS.

1060
00:55:35,080 --> 00:55:38,640
Speaker 3: Why? I think I had never seen it, and I

1061
00:55:38,960 --> 00:55:43,800
Speaker 3: knew that there was aliens involved, and I am always

1062
00:55:43,880 --> 00:55:45,840
Speaker 3: curious when there's an alien.

1063
00:55:46,080 --> 00:55:50,040
Speaker 2: Right, a new depiction of aliens? How are the aliens

1064
00:55:50,080 --> 00:55:50,680
Speaker 2: in the Abyss?

1065
00:55:51,440 --> 00:55:56,120
Speaker 3: They're really large underwater aliens, so they're like at the

1066
00:55:56,160 --> 00:55:57,920
Speaker 3: bottom of the ocean and they come up to the

1067
00:55:58,000 --> 00:56:02,920
Speaker 3: surface eventually, but they are like, that's it, humans, We're

1068
00:56:03,000 --> 00:56:06,040
Speaker 3: sending this title wave. You guys have screwed everything up

1069
00:56:06,640 --> 00:56:10,160
Speaker 3: and ed Harris and so there's this big tsunami. I'm

1070
00:56:10,280 --> 00:56:16,440
Speaker 3: spoiling everyone. There's this big tsunami that's headed towards everyone.

1071
00:56:16,600 --> 00:56:19,000
Speaker 3: Or a big wave, not tsunami, but this big title wave.

1072
00:56:19,040 --> 00:56:22,759
Speaker 3: Would a title wave be called the tsunami a storm? Yes,

1073
00:56:22,920 --> 00:56:27,080
Speaker 3: this is a this is just a big wave title wave.

1074
00:56:27,200 --> 00:56:27,399
Speaker 2: Yeah.

1075
00:56:28,640 --> 00:56:32,520
Speaker 3: And Ed Harris talks to the aliens, who looked like

1076
00:56:32,920 --> 00:56:35,560
Speaker 3: this kind of like pink pink.

1077
00:56:35,400 --> 00:56:38,080
Speaker 2: Bird, a pink underwater bird.

1078
00:56:38,760 --> 00:56:42,799
Speaker 3: Yeah, doesn't have really like a way to smile at him,

1079
00:56:42,840 --> 00:56:48,600
Speaker 3: it's just like eyes and he, I guess persuades them

1080
00:56:48,760 --> 00:56:53,480
Speaker 3: to stop the title wave and negotiator and the title

1081
00:56:53,560 --> 00:56:59,719
Speaker 3: wave though, pauses, so everyone's like, it's paused from the beach,

1082
00:57:00,160 --> 00:57:03,360
Speaker 3: but just see this title wave stop and then it recedes.

1083
00:57:04,160 --> 00:57:08,680
Speaker 3: But that's like the big It is pretty fun, and

1084
00:57:08,800 --> 00:57:10,920
Speaker 3: there's so many shots in it that are exactly like

1085
00:57:11,280 --> 00:57:14,800
Speaker 3: Titanic because it's like James Cameron's like, weirdly, it's like

1086
00:57:14,840 --> 00:57:15,800
Speaker 3: a practice Titanic.

1087
00:57:16,360 --> 00:57:16,920
Speaker 2: I didn't know that.

1088
00:57:17,200 --> 00:57:19,280
Speaker 3: Yeah, So there's like a lot of similar lines, a

1089
00:57:19,360 --> 00:57:21,560
Speaker 3: lot of similar moments underwater where they're like.

1090
00:57:23,160 --> 00:57:28,840
Speaker 2: Yeah, wow, yeah, proto Titanic, except with a bird. Somebody

1091
00:57:28,880 --> 00:57:32,840
Speaker 2: should mix those movies up. You could do a what

1092
00:57:33,040 --> 00:57:35,920
Speaker 2: is that called a mash up, totally mash up of

1093
00:57:36,000 --> 00:57:37,960
Speaker 2: those two films. Maybe James himself.

1094
00:57:38,960 --> 00:57:39,880
Speaker 3: I'm sure he would do it.

1095
00:57:40,200 --> 00:57:41,360
Speaker 2: He's probably quilling.

1096
00:57:41,960 --> 00:57:45,760
Speaker 3: He likes playing around with his old stuff, lit like

1097
00:57:45,800 --> 00:57:46,840
Speaker 3: a little toy train.

1098
00:57:47,000 --> 00:57:49,320
Speaker 2: He likes to always looking for a new reason to

1099
00:57:49,360 --> 00:57:54,960
Speaker 2: put something back in theaters. Exactly, James reach out. I

1100
00:57:55,040 --> 00:57:57,080
Speaker 2: think we should play a game. Okay, we're going to

1101
00:57:57,120 --> 00:57:59,920
Speaker 2: play a gift or a curse. Great. I need an

1102
00:58:00,080 --> 00:58:01,880
Speaker 2: number between one and ten from you.

1103
00:58:02,240 --> 00:58:02,560
Speaker 3: Seven.

1104
00:58:02,680 --> 00:58:04,800
Speaker 2: Okay. I have to do some like calculating right now

1105
00:58:04,840 --> 00:58:06,800
Speaker 2: to get our game pieces. Okay, so right now you

1106
00:58:06,840 --> 00:58:09,520
Speaker 2: can promote, recommend, do whatever you want with the microphone.

1107
00:58:09,680 --> 00:58:15,720
Speaker 3: Oh well, I would recommend you follow me on Instagram.

1108
00:58:16,200 --> 00:58:20,480
Speaker 3: My handle's at Brady dash Elliott, but it's a lower

1109
00:58:20,560 --> 00:58:26,040
Speaker 3: dash if you know what I mean. Underscore Elliott, two l's,

1110
00:58:26,040 --> 00:58:30,800
Speaker 3: two t's, and yeah, I have a sub stack that

1111
00:58:30,880 --> 00:58:33,920
Speaker 3: I'm turning into a zine. So by the time this

1112
00:58:34,040 --> 00:58:37,680
Speaker 3: podcast comes out, you'll be able to somehow get a

1113
00:58:37,760 --> 00:58:41,480
Speaker 3: zine from me via the Internet. And I hope you

1114
00:58:41,600 --> 00:58:41,960
Speaker 3: enjoy it.

1115
00:58:43,040 --> 00:58:45,160
Speaker 2: Thanks, that's great a zine. What's the name of it?

1116
00:58:45,640 --> 00:58:47,640
Speaker 2: Wardy Roses, Oh that's so exciting.

1117
00:58:47,760 --> 00:58:49,960
Speaker 3: Yeah, I like started the substack during the pandemic and

1118
00:58:50,280 --> 00:58:53,600
Speaker 3: I've gotten kind of bored with just like web right,

1119
00:58:53,800 --> 00:58:55,360
Speaker 3: and so I'm like, well, just make it a little

1120
00:58:55,400 --> 00:58:57,120
Speaker 3: magazine and then I can send people.

1121
00:58:57,120 --> 00:59:00,280
Speaker 2: And oh that's great, it's fun. It's like tactile, which

1122
00:59:00,280 --> 00:59:02,520
Speaker 2: I yeah. I feel like people are ready for substack

1123
00:59:02,640 --> 00:59:05,840
Speaker 2: to evolve from something fresher from that, because now that

1124
00:59:06,000 --> 00:59:09,080
Speaker 2: literally everyone has a substack, Yes, time to take a

1125
00:59:09,120 --> 00:59:10,760
Speaker 2: step in another direction.

1126
00:59:10,680 --> 00:59:11,520
Speaker 3: Yes, totally.

1127
00:59:11,640 --> 00:59:15,200
Speaker 2: And everyone loves a zene completely. Everyone loves to touch something,

1128
00:59:15,320 --> 00:59:17,640
Speaker 2: I think so I like to hold a thing in

1129
00:59:17,720 --> 00:59:18,120
Speaker 2: my hands.

1130
00:59:18,240 --> 00:59:18,960
Speaker 3: Yeah, I do too.

1131
00:59:19,840 --> 00:59:23,440
Speaker 2: Wow, that's an undertaking. Thank you, good for you. This

1132
00:59:23,560 --> 00:59:25,760
Speaker 2: is how we play gift or a curse. I'm going

1133
00:59:25,800 --> 00:59:27,760
Speaker 2: to name three things. You're going to tell me if

1134
00:59:27,760 --> 00:59:30,840
Speaker 2: they are a gift or a curse and why okay,

1135
00:59:31,080 --> 00:59:33,000
Speaker 2: and then I'll tell you if you're right or wrong okay,

1136
00:59:33,040 --> 00:59:35,960
Speaker 2: because there are correct answers. This first one is from

1137
00:59:36,000 --> 00:59:39,240
Speaker 2: a listener named Nate. Nate has suggested gift or a curse.

1138
00:59:39,360 --> 00:59:40,840
Speaker 2: Awards shows.

1139
00:59:47,560 --> 00:59:59,640
Speaker 3: Curse. Why I think that they can be Well, it's

1140
00:59:59,680 --> 01:00:05,440
Speaker 3: hard to say. They are a gift too. They're a

1141
01:00:05,520 --> 01:00:10,600
Speaker 3: gift for those who are getting validation and success from it,

1142
01:00:10,840 --> 01:00:13,400
Speaker 3: but they are a curse. I believe in terms of

1143
01:00:13,800 --> 01:00:18,840
Speaker 3: you know, hierarchy of arts and how that can be

1144
01:00:19,200 --> 01:00:19,840
Speaker 3: a real thing.

1145
01:00:20,000 --> 01:00:20,520
Speaker 2: It's not.

1146
01:00:20,840 --> 01:00:23,800
Speaker 3: It's not real. It's not real, and it's old and

1147
01:00:23,920 --> 01:00:26,800
Speaker 3: it's a little antiquated, and it's a little unfair, and

1148
01:00:27,400 --> 01:00:30,720
Speaker 3: I'm not quite sure who's buying into it and who's not. Anymore.

1149
01:00:30,840 --> 01:00:35,120
Speaker 3: It feels like something that's slowly maybe going the way

1150
01:00:35,160 --> 01:00:35,760
Speaker 3: of substack.

1151
01:00:36,800 --> 01:00:40,520
Speaker 2: You know, it's going to become a zene the oscars zne.

1152
01:00:43,080 --> 01:00:48,080
Speaker 2: You're right, curse stupid, embarrassing. Yeah, I feel so embarrassed

1153
01:00:48,080 --> 01:00:51,720
Speaker 2: whenever I don't really watch them, but like when Jim

1154
01:00:51,800 --> 01:00:54,280
Speaker 2: has them on or if somebody I passed through the room.

1155
01:00:54,640 --> 01:00:59,720
Speaker 2: Just I feel embarrassed for everyone involved. Yes, they're just shameful, right,

1156
01:01:00,280 --> 01:01:01,760
Speaker 2: it's a shameful thing to do.

1157
01:01:02,000 --> 01:01:04,640
Speaker 3: But if you were invited to be honored.

1158
01:01:04,360 --> 01:01:06,800
Speaker 2: See that's the nightmare because you have to go because

1159
01:01:06,840 --> 01:01:10,080
Speaker 2: it's a marketing scheme. Yes, so then you're trapped in

1160
01:01:10,160 --> 01:01:15,840
Speaker 2: this horrible, boring event that you're embarrassed by. And that

1161
01:01:15,920 --> 01:01:20,400
Speaker 2: makes no sense whatsoever, because yeah, how do we choose? Right?

1162
01:01:21,280 --> 01:01:23,720
Speaker 2: I mean, I will say there's like the worst one

1163
01:01:23,800 --> 01:01:26,040
Speaker 2: is probably the Grammys. I think the Grammys is the

1164
01:01:26,280 --> 01:01:27,280
Speaker 2: most embarrassing.

1165
01:01:27,800 --> 01:01:29,200
Speaker 3: Why do you think that, I.

1166
01:01:29,240 --> 01:01:33,080
Speaker 2: Mean, because the music at the Grammys that gets awarded

1167
01:01:33,200 --> 01:01:36,440
Speaker 2: is almost always the worst possible music, right, I mean,

1168
01:01:36,480 --> 01:01:38,640
Speaker 2: it's like I think, and that's because there's so much

1169
01:01:38,840 --> 01:01:43,680
Speaker 2: music that trying to corral it is difficult. Yes, and

1170
01:01:43,840 --> 01:01:46,760
Speaker 2: the music industry is bad. Right then the Oscars, I

1171
01:01:46,800 --> 01:01:48,400
Speaker 2: would say, is pretty embarrassing.

1172
01:01:48,600 --> 01:01:53,360
Speaker 3: Yeah, I think being told that The whil was incredible

1173
01:01:54,240 --> 01:01:57,800
Speaker 3: was like a very one of the most like patronizing,

1174
01:01:58,080 --> 01:02:05,360
Speaker 3: strain terrible reaction to that film. Ever, it's it's a

1175
01:02:05,600 --> 01:02:08,600
Speaker 3: very cool movie to watch with the perspective of people

1176
01:02:09,320 --> 01:02:13,439
Speaker 3: thought that this would be the greatest movie of all time,

1177
01:02:13,480 --> 01:02:14,960
Speaker 3: and some people did pedestalize.

1178
01:02:16,320 --> 01:02:19,680
Speaker 2: I didn't see it because I'm not participating.

1179
01:02:19,800 --> 01:02:25,680
Speaker 3: It's wildly fascinating, it really is. It's every choice is wrong,

1180
01:02:27,520 --> 01:02:31,480
Speaker 3: Every choice is so strange. But everyone you know, you like,

1181
01:02:31,720 --> 01:02:35,240
Speaker 3: look at Brendan Fraser, not because of his makeup, just

1182
01:02:35,520 --> 01:02:37,720
Speaker 3: you look at Brendan Fraser and you're like, I love

1183
01:02:37,800 --> 01:02:40,480
Speaker 3: you so much, pain so much, Like I love you

1184
01:02:40,640 --> 01:02:43,320
Speaker 3: so much. Oh my god, you went through so much, Brendan.

1185
01:02:43,880 --> 01:02:47,320
Speaker 3: So it's just like it's very easy to empathize with

1186
01:02:47,440 --> 01:02:50,600
Speaker 3: him and just be like the whil slow collapse.

1187
01:02:51,360 --> 01:02:57,360
Speaker 2: But no, no, bad, bad, bad bad. Yeah, And that's

1188
01:02:57,360 --> 01:02:59,200
Speaker 2: a good example. Every award show has at least one

1189
01:02:59,240 --> 01:03:01,480
Speaker 2: glaring thing of look how bad this is, and we're

1190
01:03:01,520 --> 01:03:05,240
Speaker 2: talking about it. We've shown that this is a bad

1191
01:03:05,320 --> 01:03:10,840
Speaker 2: idea in general, horrible, embarrassing and shameful. Okay, number two,

1192
01:03:10,960 --> 01:03:13,919
Speaker 2: good job. This is from a listener named Michelle. Gift

1193
01:03:13,960 --> 01:03:16,760
Speaker 2: a curse when people ask a group of people for

1194
01:03:16,880 --> 01:03:21,720
Speaker 2: a recommendation, for example, a hairstylist or vegan restaurant or whatever,

1195
01:03:22,240 --> 01:03:27,480
Speaker 2: and then prompt replies by saying and go, oh, you know,

1196
01:03:27,600 --> 01:03:31,560
Speaker 2: like this is on Instagram. Michelle here says mostly on Facebook,

1197
01:03:31,640 --> 01:03:35,520
Speaker 2: that makes sense. What do you think gift you a curse? Curse?

1198
01:03:36,040 --> 01:03:40,720
Speaker 3: For sure? I think this whole idea that we have

1199
01:03:41,000 --> 01:03:47,520
Speaker 3: to accommodate people's like requests that they could easily google.

1200
01:03:48,240 --> 01:03:52,640
Speaker 3: Is so this like urgency because always in the like

1201
01:03:52,880 --> 01:03:58,160
Speaker 3: question is this you know want for attention or for

1202
01:04:00,360 --> 01:04:04,960
Speaker 3: because mostly I've seen that with like going to New

1203
01:04:05,000 --> 01:04:08,120
Speaker 3: YORKA what restaurants should I hit up? It's like, well,

1204
01:04:08,120 --> 01:04:11,840
Speaker 3: I've never been to thoughts, I don't know the cute spots.

1205
01:04:12,400 --> 01:04:15,000
Speaker 3: I don't have that opportunity right now, like you just

1206
01:04:15,120 --> 01:04:18,320
Speaker 3: like immediately are like, this person's going on it's really

1207
01:04:18,400 --> 01:04:22,000
Speaker 3: awesome vacation. And they're hanging so loosely that they're asking

1208
01:04:22,120 --> 01:04:27,360
Speaker 3: for guidance on Facebook or Instagram. That's how that's how

1209
01:04:27,400 --> 01:04:28,000
Speaker 3: they're playing this.

1210
01:04:28,400 --> 01:04:30,800
Speaker 2: It's a vacation announcement. It's not a request for help.

1211
01:04:31,520 --> 01:04:35,120
Speaker 2: It's just look where I'm going exactly exactly, because otherwise

1212
01:04:35,160 --> 01:04:37,600
Speaker 2: they would think who's been there. I'll reach out to

1213
01:04:37,640 --> 01:04:41,920
Speaker 2: them personally, Yes, could you recommend? Yeah, why in the

1214
01:04:42,040 --> 01:04:44,640
Speaker 2: world would you trust some stranger on Facebook to tell

1215
01:04:44,640 --> 01:04:45,760
Speaker 2: you where to go on vacation?

1216
01:04:46,240 --> 01:04:46,280
Speaker 3: No?

1217
01:04:47,360 --> 01:04:49,440
Speaker 2: No, that makes no sense to me. And and the

1218
01:04:49,880 --> 01:04:53,160
Speaker 2: and just the terminology here and go. It's a very

1219
01:04:53,320 --> 01:04:55,920
Speaker 2: Twitter do your thing. Yeah, that kind of phrase.

1220
01:04:56,080 --> 01:04:58,680
Speaker 3: Yes, so annoying, like we're all chomping at the bit,

1221
01:04:58,880 --> 01:05:02,960
Speaker 3: just revving at the star line, waiting to give, waiting

1222
01:05:03,080 --> 01:05:04,160
Speaker 3: to give to people.

1223
01:05:04,360 --> 01:05:09,080
Speaker 2: It's very Yeah, it's embarrassing and shameful. Maybe that'll be

1224
01:05:09,120 --> 01:05:13,200
Speaker 2: our new game. Embarrassing and shameful. Okay, you've gotten two

1225
01:05:13,280 --> 01:05:16,080
Speaker 2: rights so far. This is very good. Finally, from a

1226
01:05:16,120 --> 01:05:19,280
Speaker 2: listener named Laura or Laura. Laura is always a tricky name,

1227
01:05:19,680 --> 01:05:22,960
Speaker 2: gift or a curse. Blue car headlights, Oh.

1228
01:05:24,880 --> 01:05:26,560
Speaker 3: God, I want to say gift because I've been saying

1229
01:05:26,640 --> 01:05:29,840
Speaker 3: curse so much. But I would say they're a curse

1230
01:05:30,040 --> 01:05:34,320
Speaker 3: because I always think that I'm in trouble or that

1231
01:05:35,120 --> 01:05:39,000
Speaker 3: you know, there's a cop behind me, or something bad

1232
01:05:39,160 --> 01:05:44,400
Speaker 3: is happening. Is my natural reaction to blue headlights behind

1233
01:05:44,440 --> 01:05:47,800
Speaker 3: me or in front of me right or the military.

1234
01:05:50,000 --> 01:05:54,360
Speaker 2: You think the military's after you. I've been a war.

1235
01:05:54,320 --> 01:05:59,840
Speaker 3: Zone, I get highways. I've like been here nine years

1236
01:06:00,080 --> 01:06:03,680
Speaker 3: and I haven't still on the highway like I startle

1237
01:06:03,880 --> 01:06:08,040
Speaker 3: so easily. Oh sure, gasp if I see blue headlights

1238
01:06:08,200 --> 01:06:09,800
Speaker 3: or if some you know, if I see someone cut

1239
01:06:09,880 --> 01:06:13,240
Speaker 3: someone else off, it's like, you know, who is that?

1240
01:06:13,400 --> 01:06:13,640
Speaker 2: Are they?

1241
01:06:13,720 --> 01:06:17,800
Speaker 3: Okay? So blue headlights for me are no. They're spooky

1242
01:06:18,160 --> 01:06:22,520
Speaker 3: and they seem bullying and feels like you're kind of

1243
01:06:22,720 --> 01:06:25,160
Speaker 3: like the big bully on the road and we all

1244
01:06:25,200 --> 01:06:25,720
Speaker 3: have them, you know.

1245
01:06:25,840 --> 01:06:29,760
Speaker 2: Oh yeah, oh yeah, Bridey, you won the game. Yes,

1246
01:06:30,240 --> 01:06:32,320
Speaker 2: not a lot of I mean, oh my god, it's

1247
01:06:32,360 --> 01:06:36,120
Speaker 2: like fewer people have lost the game, I think, But

1248
01:06:36,320 --> 01:06:37,800
Speaker 2: the people who have won the game, it's a very

1249
01:06:37,840 --> 01:06:42,280
Speaker 2: small number. Wow. Yeah, blue headlights are they're a migraine machine. Yeah,

1250
01:06:42,440 --> 01:06:44,800
Speaker 2: any light that's got a tint of blue. I can't

1251
01:06:44,840 --> 01:06:47,000
Speaker 2: look at it. My dentist office has the look. I mean,

1252
01:06:47,040 --> 01:06:49,480
Speaker 2: they're not headlights. But again, I was in the waiting room.

1253
01:06:49,520 --> 01:06:51,520
Speaker 2: I had to exit because I had gotten a migraine.

1254
01:06:51,760 --> 01:06:54,160
Speaker 2: So if you've got those on the go, yeah, that's

1255
01:06:54,200 --> 01:06:57,320
Speaker 2: not for me. No, they should be illegal. Yeah, why

1256
01:06:57,360 --> 01:06:58,720
Speaker 2: would you even have them in the first place.

1257
01:06:58,800 --> 01:07:02,160
Speaker 3: We should all have the same color lights, yes, you know.

1258
01:07:02,400 --> 01:07:04,840
Speaker 2: I think we should all have the same car. It's

1259
01:07:04,840 --> 01:07:07,600
Speaker 2: the same color of car. It's kind of like a

1260
01:07:07,640 --> 01:07:10,680
Speaker 2: school uniform. I think that that would make society a

1261
01:07:10,720 --> 01:07:15,040
Speaker 2: lot healthier. Oh completely, and we you know, really uniform

1262
01:07:15,160 --> 01:07:17,600
Speaker 2: the headlights as well. So I don't get a migraine

1263
01:07:17,640 --> 01:07:19,280
Speaker 2: on the road. That's so dangerous for me.

1264
01:07:19,440 --> 01:07:22,520
Speaker 3: It's drivers an ocular migraine.

1265
01:07:22,160 --> 01:07:26,480
Speaker 2: Ocular micraine from hell. Wow. Incredibly done, just beautifully played.

1266
01:07:26,640 --> 01:07:26,920
Speaker 3: Thank you.

1267
01:07:27,120 --> 01:07:30,200
Speaker 2: We really appreciate that. This is the final segment of

1268
01:07:30,240 --> 01:07:32,919
Speaker 2: the podcast. It's called I said no emails, and people

1269
01:07:32,960 --> 01:07:35,160
Speaker 2: are writing in too, I said no gifts at gmail

1270
01:07:35,200 --> 01:07:38,760
Speaker 2: dot com, desperate for answers. Will you help me answer

1271
01:07:38,840 --> 01:07:42,439
Speaker 2: a question. Yes, okay, this says, oh god. They usually

1272
01:07:42,480 --> 01:07:44,960
Speaker 2: say Hybridger and guest or whatever, and this just is

1273
01:07:45,040 --> 01:07:46,400
Speaker 2: high bridg or which is rude.

1274
01:07:47,560 --> 01:07:51,520
Speaker 3: But our names are kind of similar, Bridy Bridger. People

1275
01:07:51,560 --> 01:07:54,480
Speaker 3: call me bridge Bridge, Eliot, Bridget Elliott. Is my full name?

1276
01:07:54,800 --> 01:07:55,280
Speaker 2: Is it really?

1277
01:07:55,600 --> 01:07:55,800
Speaker 1: Yeah?

1278
01:07:55,920 --> 01:07:56,680
Speaker 3: Oh I didn't know that.

1279
01:07:56,840 --> 01:07:58,720
Speaker 2: I always assume Bride is such a unique name that

1280
01:07:58,760 --> 01:07:59,680
Speaker 2: it was just the name.

1281
01:07:59,760 --> 01:08:01,360
Speaker 3: Yeah, it's my full name's Bridget.

1282
01:08:01,560 --> 01:08:01,840
Speaker 2: Wow.

1283
01:08:03,760 --> 01:08:04,520
Speaker 3: Yeah, it's weird.

1284
01:08:04,920 --> 01:08:07,160
Speaker 2: You don't strike me as a bridget. I don't know

1285
01:08:07,280 --> 01:08:09,600
Speaker 2: what a bridget is. Actually, I've never really met the

1286
01:08:09,720 --> 01:08:10,640
Speaker 2: essence of a bridget.

1287
01:08:11,120 --> 01:08:14,680
Speaker 3: People say it's like more a formal person or something mean.

1288
01:08:15,120 --> 01:08:20,760
Speaker 2: Yeah, kind of snappy, Yeah, Bridget, but Bridger. Now there's

1289
01:08:20,760 --> 01:08:23,560
Speaker 2: a name. Yeah, there's name. Okay, so they may have

1290
01:08:23,640 --> 01:08:26,800
Speaker 2: possibly been writing into you anyway. It says, I'm a

1291
01:08:26,920 --> 01:08:29,760
Speaker 2: funeral director in Virginia. Okay, so we're off to an

1292
01:08:29,760 --> 01:08:32,800
Speaker 2: excellent start. My funeral home is trying to send a

1293
01:08:32,880 --> 01:08:36,080
Speaker 2: gift to a Catholic nun who is retiring this year.

1294
01:08:36,680 --> 01:08:39,519
Speaker 2: She has been wonderful in assisting us with funerals, and

1295
01:08:39,600 --> 01:08:42,720
Speaker 2: we would just like to show our appreciation. But what

1296
01:08:42,880 --> 01:08:44,560
Speaker 2: do you get for someone who isn't allowed to have

1297
01:08:44,680 --> 01:08:48,920
Speaker 2: any possessions much love Hannah. Hannah's working as a funeral

1298
01:08:49,000 --> 01:08:53,160
Speaker 2: director in Virginia. She's death positive. She's got this Catholic

1299
01:08:53,280 --> 01:08:56,760
Speaker 2: nun who's giving up the game. Yeh, I didn't know

1300
01:08:56,760 --> 01:08:59,720
Speaker 2: you were retired from nunnery. What do you do after

1301
01:08:59,800 --> 01:09:00,599
Speaker 2: that party?

1302
01:09:00,760 --> 01:09:00,920
Speaker 3: Die?

1303
01:09:01,600 --> 01:09:04,000
Speaker 2: I mean she maybe she's going to the funeral, right,

1304
01:09:04,720 --> 01:09:06,519
Speaker 2: she's done with all this and now she'll be part

1305
01:09:06,560 --> 01:09:11,280
Speaker 2: of the situation. Yeah, what age is none? Retirement? That's

1306
01:09:11,439 --> 01:09:12,080
Speaker 2: very interesting.

1307
01:09:12,400 --> 01:09:13,120
Speaker 3: Yeah, I don't know.

1308
01:09:13,520 --> 01:09:15,360
Speaker 2: I always feel like I always picture a nun as

1309
01:09:15,439 --> 01:09:17,400
Speaker 2: a retirement age person.

1310
01:09:17,520 --> 01:09:21,679
Speaker 3: Right, unless it's a forced retirement where she had done

1311
01:09:21,760 --> 01:09:24,719
Speaker 3: something wrong and now she has to retire.

1312
01:09:24,880 --> 01:09:27,360
Speaker 2: They can't fire her. But a little you should think

1313
01:09:27,400 --> 01:09:31,000
Speaker 2: about this. Maybe we're giving her the option to retire,

1314
01:09:31,280 --> 01:09:35,880
Speaker 2: Sister Elliott. Yeah, I wonder what she was up to.

1315
01:09:36,200 --> 01:09:39,120
Speaker 2: This nasty nun has been forced out of the nunnery?

1316
01:09:40,240 --> 01:09:41,559
Speaker 2: Is that what they call them? A nunnery?

1317
01:09:42,280 --> 01:09:44,160
Speaker 3: I think so a convent convent?

1318
01:09:44,320 --> 01:09:46,800
Speaker 2: Yeah, I like a nunnery thoughts.

1319
01:09:49,120 --> 01:09:51,320
Speaker 3: I always think about the Katy Perry convent.

1320
01:09:51,600 --> 01:09:54,439
Speaker 2: Oh, yes, haven't she tried to buy the land or

1321
01:09:54,479 --> 01:09:55,719
Speaker 2: something and the nuns revolted.

1322
01:09:55,840 --> 01:09:58,000
Speaker 3: She was really trying to kick them out of the

1323
01:09:58,120 --> 01:10:01,760
Speaker 3: convent so she could live there. And these nuns make

1324
01:10:02,040 --> 01:10:03,160
Speaker 3: amazing banana bread.

1325
01:10:03,720 --> 01:10:05,920
Speaker 2: They yeah, and do they sell it?

1326
01:10:06,479 --> 01:10:09,120
Speaker 3: Yeah, they sell it for a lot of money.

1327
01:10:10,120 --> 01:10:12,000
Speaker 2: This is expensive bana bread.

1328
01:10:13,439 --> 01:10:15,000
Speaker 3: Well, hopefully this nun wasn't a part of.

1329
01:10:15,200 --> 01:10:17,200
Speaker 2: Now did those nuns win out against Katie?

1330
01:10:17,479 --> 01:10:20,920
Speaker 3: I think it got like embroiled and they did win.

1331
01:10:21,240 --> 01:10:23,479
Speaker 3: Good for that, but it took a lot of effort.

1332
01:10:23,840 --> 01:10:28,160
Speaker 2: And now Katie's wandering the streets. Wow, that's a crazy situation.

1333
01:10:28,280 --> 01:10:30,560
Speaker 2: How did It's so weird? She just showed up and

1334
01:10:30,600 --> 01:10:31,400
Speaker 2: said I want to buy this.

1335
01:10:31,800 --> 01:10:34,880
Speaker 3: Yeah, it's very strange. I think they were maybe going

1336
01:10:35,120 --> 01:10:39,439
Speaker 3: through a hard financial time and so there was like

1337
01:10:39,600 --> 01:10:44,759
Speaker 3: a threat of some sort of evictiony type scenario happening.

1338
01:10:46,240 --> 01:10:49,000
Speaker 2: Yeah, she springs into actions.

1339
01:10:50,439 --> 01:10:53,400
Speaker 3: Yeah so I think. But I think they made it out, just.

1340
01:10:53,400 --> 01:10:56,960
Speaker 2: Sorted it GoFundMe or something, save us from Katy Perry. Wow,

1341
01:10:57,000 --> 01:10:58,479
Speaker 2: I want to try that banana bread. Where do you

1342
01:10:58,520 --> 01:10:58,800
Speaker 2: buy it?

1343
01:10:59,200 --> 01:11:01,120
Speaker 3: I actually don't know where you would buy it?

1344
01:11:01,240 --> 01:11:04,760
Speaker 2: Now, Oh, interesting, it might be gone. Wait, so the

1345
01:11:04,840 --> 01:11:05,639
Speaker 2: nunnery is gone?

1346
01:11:06,400 --> 01:11:09,000
Speaker 3: No, I think it's still going. But I don't know

1347
01:11:09,160 --> 01:11:11,400
Speaker 3: currently where you would buy the banana.

1348
01:11:11,680 --> 01:11:14,719
Speaker 2: I'm okay, maybe at farmers markets or maybe I stopped.

1349
01:11:14,960 --> 01:11:17,840
Speaker 2: You can order it, Oh yeah, by mail. That's a

1350
01:11:17,960 --> 01:11:22,840
Speaker 2: horrible way to get bread. Stay a loaf of non bread? No,

1351
01:11:23,040 --> 01:11:26,240
Speaker 2: thank you? Uh, okay, but what do we get? I

1352
01:11:26,280 --> 01:11:28,600
Speaker 2: didn't realize that nuns weren't allowed to own anything. They

1353
01:11:28,720 --> 01:11:29,720
Speaker 2: just get a Bible enough.

1354
01:11:30,560 --> 01:11:34,760
Speaker 3: Yeah, I didn't know that either. I don't have anyway,

1355
01:11:35,320 --> 01:11:39,080
Speaker 3: I've never met a nun truly in a non like

1356
01:11:39,320 --> 01:11:42,760
Speaker 3: just like at the airport or public place way where

1357
01:11:42,760 --> 01:11:46,000
Speaker 3: you're being like kind and saying hello. Have you ever

1358
01:11:46,000 --> 01:11:47,880
Speaker 3: said hello to a nun just like in passing?

1359
01:11:48,439 --> 01:11:52,960
Speaker 2: No, I have a rule. I don't speak to nuns. No,

1360
01:11:53,120 --> 01:11:56,799
Speaker 2: I've never actually, I guess I have been within spitting

1361
01:11:56,920 --> 01:12:00,559
Speaker 2: distance of a nun, but I've never spoken to one.

1362
01:12:00,600 --> 01:12:02,640
Speaker 2: I wonder how that would go for me. Yeah, it's

1363
01:12:02,720 --> 01:12:03,559
Speaker 2: kind of scared of them.

1364
01:12:04,080 --> 01:12:07,360
Speaker 3: Yeah, I haven't had like a friendly interaction. I've had

1365
01:12:07,439 --> 01:12:10,719
Speaker 3: like fine interactions, but I haven't. I think I've always

1366
01:12:10,760 --> 01:12:13,960
Speaker 3: wanted that like movie moment of like oh she winked

1367
01:12:14,400 --> 01:12:16,840
Speaker 3: at me and smiled, and I felt the grace of

1368
01:12:16,960 --> 01:12:22,240
Speaker 3: God enter me some way. But yeah, that hasn't happened

1369
01:12:22,280 --> 01:12:22,439
Speaker 3: for me.

1370
01:12:22,680 --> 01:12:24,680
Speaker 2: I wonder if you have any none listeners. Are they

1371
01:12:24,680 --> 01:12:28,439
Speaker 2: allowed to listen to a podcast? Who knows? I mean,

1372
01:12:28,479 --> 01:12:30,280
Speaker 2: what we're seeing here is the nun is retiring, so

1373
01:12:30,320 --> 01:12:31,800
Speaker 2: they're no longer a nun, so they can.

1374
01:12:32,080 --> 01:12:33,439
Speaker 3: They can really do whatever they want.

1375
01:12:33,560 --> 01:12:34,599
Speaker 2: Get her a CD player?

1376
01:12:35,040 --> 01:12:37,519
Speaker 3: Yeah, I was. I mean, my mind went to if

1377
01:12:37,560 --> 01:12:40,720
Speaker 3: she can't own anything, does a gift card? Oh, give

1378
01:12:40,840 --> 01:12:44,120
Speaker 3: card to a local restaurant. She can get a couple drinks.

1379
01:12:45,800 --> 01:12:48,200
Speaker 3: You like to drink too a lot of the time.

1380
01:12:48,439 --> 01:12:51,320
Speaker 2: Oh do they drink? Yeah, I guess they've got the one.

1381
01:12:51,400 --> 01:12:53,599
Speaker 3: Priests and nuns love to drink.

1382
01:12:53,680 --> 01:12:59,240
Speaker 2: Get blasted, yes, okay, get her some whiskey. I mean,

1383
01:12:59,320 --> 01:13:01,479
Speaker 2: she can truly have whatever she wants at this point,

1384
01:13:01,600 --> 01:13:06,160
Speaker 2: so it's uh, you know, she's getting her an Intendo switch. Yeah,

1385
01:13:06,200 --> 01:13:07,599
Speaker 2: it's like getting her some sneakers.

1386
01:13:07,760 --> 01:13:09,880
Speaker 3: My brain's fighting with like, are we allowed to get

1387
01:13:09,920 --> 01:13:12,479
Speaker 3: her an object or does it have to be cash

1388
01:13:12,680 --> 01:13:15,040
Speaker 3: because of the whole not but she's.

1389
01:13:14,880 --> 01:13:17,960
Speaker 2: Out of the game. Get her a mountain bike and now,

1390
01:13:18,040 --> 01:13:19,960
Speaker 2: see a mountain bike? Does that even count? I feel

1391
01:13:19,960 --> 01:13:22,040
Speaker 2: like a nun could own a bike, oh for sure.

1392
01:13:22,520 --> 01:13:24,160
Speaker 3: Yeah. Yeah.

1393
01:13:24,439 --> 01:13:28,240
Speaker 2: I wonder if Hannah doesn't understand how nuns work. She's

1394
01:13:28,280 --> 01:13:29,920
Speaker 2: been so focused on the funerals.

1395
01:13:30,120 --> 01:13:34,600
Speaker 3: I would get the nuns maybe like masterclass to explore

1396
01:13:35,160 --> 01:13:38,320
Speaker 3: maybe new interests in hobbies and subjects she hasn't been

1397
01:13:38,439 --> 01:13:38,960
Speaker 3: exposed to.

1398
01:13:39,240 --> 01:13:43,240
Speaker 2: Second chapter. Yeah, she's taking like directing classes from Scorsese

1399
01:13:43,520 --> 01:13:45,400
Speaker 2: or that kind of thing, so that we've got a

1400
01:13:45,439 --> 01:13:45,920
Speaker 2: new talent.

1401
01:13:46,160 --> 01:13:49,920
Speaker 3: Yeah, there's a Malcolm Gladwell class on there. She can,

1402
01:13:50,760 --> 01:13:53,400
Speaker 3: you know, spend some stories, which I know she has.

1403
01:13:55,760 --> 01:13:58,920
Speaker 2: Wow. Well we answered the question perfectly awesome as far

1404
01:13:59,000 --> 01:14:01,800
Speaker 2: as I can tell. Hannah, thank you for writing in,

1405
01:14:01,960 --> 01:14:04,320
Speaker 2: but don't ever do it again. I'm so look at

1406
01:14:04,360 --> 01:14:07,599
Speaker 2: these beautiful records I've got. You brought me a really meaningful,

1407
01:14:07,680 --> 01:14:11,599
Speaker 2: lovely gift. I really appreciate it. Bridy, Welcome Bridget. Who

1408
01:14:11,640 --> 01:14:13,040
Speaker 2: would have thought bridget?

1409
01:14:13,120 --> 01:14:14,040
Speaker 3: Bridger Bridge?

1410
01:14:14,120 --> 01:14:14,360
Speaker 2: Did you?

1411
01:14:14,439 --> 01:14:16,120
Speaker 3: Were you called bridge at all? Or bridge?

1412
01:14:16,160 --> 01:14:20,519
Speaker 2: Did we get some bridges and bridges? Yeah? And I

1413
01:14:20,560 --> 01:14:23,599
Speaker 2: get a lot of over the phone bridgets because people

1414
01:14:23,680 --> 01:14:25,880
Speaker 2: cannot wrap their head their heads around them like the

1415
01:14:25,960 --> 01:14:26,799
Speaker 2: idea of a bridger.

1416
01:14:27,000 --> 01:14:27,240
Speaker 1: Wow.

1417
01:14:27,600 --> 01:14:29,920
Speaker 2: Yeah, which is so weird because Bridget is a pretty

1418
01:14:30,040 --> 01:14:32,000
Speaker 2: common name, so it feels like you'd be able to

1419
01:14:32,320 --> 01:14:39,200
Speaker 2: track Bridger. Yes, people freak out Richard. They just don't

1420
01:14:39,200 --> 01:14:40,000
Speaker 2: even know what to think.

1421
01:14:40,280 --> 01:14:44,120
Speaker 3: Yeah, Bridy is confusing. I use Bridget when I don't

1422
01:14:44,160 --> 01:14:45,439
Speaker 3: want to confuse people.

1423
01:14:45,560 --> 01:14:47,760
Speaker 2: Interesting. What do they think they're hearing when they say

1424
01:14:47,920 --> 01:14:48,639
Speaker 2: they hear Bridy.

1425
01:14:49,040 --> 01:14:53,040
Speaker 3: I've gotten brittle. One time I was truly woke up

1426
01:14:53,080 --> 01:14:55,320
Speaker 3: with a person next to me and they're like, good

1427
01:14:55,360 --> 01:14:58,600
Speaker 3: morning Brittle. I was like, whoa you think that you

1428
01:14:58,760 --> 01:15:00,000
Speaker 3: just slept with the winning bridge?

1429
01:15:01,040 --> 01:15:02,040
Speaker 2: What is your life?

1430
01:15:03,840 --> 01:15:07,479
Speaker 3: And you're okay with that? Brittle? And I get Brindle?

1431
01:15:08,000 --> 01:15:10,839
Speaker 3: Brindle yeah, or bright tea.

1432
01:15:11,320 --> 01:15:13,759
Speaker 2: Oh brighty. They think you're just being kind of lazy

1433
01:15:13,800 --> 01:15:19,320
Speaker 2: with a Bridy. Interesting, Yeah, Brindle. Someone out of a

1434
01:15:19,360 --> 01:15:19,880
Speaker 2: fairy tale.

1435
01:15:20,000 --> 01:15:23,040
Speaker 3: I think there's such. There's a cure nightly place. Someone

1436
01:15:23,200 --> 01:15:27,880
Speaker 3: named is it Wuthering Heights or not? Some character in

1437
01:15:27,960 --> 01:15:31,080
Speaker 3: a Weathering Heights universe is named like a Brindley.

1438
01:15:31,560 --> 01:15:34,479
Speaker 2: M kind of a nasty Yeah. Someone who lives in

1439
01:15:34,560 --> 01:15:37,880
Speaker 2: a shadow of a tower. It's pushed off a cliff

1440
01:15:37,920 --> 01:15:39,360
Speaker 2: at some point. Brindle.

1441
01:15:39,680 --> 01:15:42,080
Speaker 3: Yeah, beautiful, Brindle's close.

1442
01:15:42,200 --> 01:15:46,720
Speaker 2: But yeah, Well, I've had a wonderful time with you.

1443
01:15:47,479 --> 01:15:50,439
Speaker 2: Thank you for being here, thanks for having me listener.

1444
01:15:50,640 --> 01:15:53,720
Speaker 2: The podcast is over, we're closing it down. Please do

1445
01:15:53,920 --> 01:16:01,920
Speaker 2: something else. I love you, goodbye. I said, No Gifts

1446
01:16:02,000 --> 01:16:05,160
Speaker 2: is an exactly right production. It's produced by our dear

1447
01:16:05,240 --> 01:16:08,759
Speaker 2: friend Annalise Nelson, and it's beautifully mixed by Ben Holliday.

1448
01:16:09,080 --> 01:16:12,480
Speaker 2: And we couldn't do it without our guest booker, Patrick Kottner.

1449
01:16:12,800 --> 01:16:16,639
Speaker 2: The theme song, of course, could only come from miracle

1450
01:16:16,720 --> 01:16:20,600
Speaker 2: worker Amy Mann. You must follow the show on Instagram

1451
01:16:20,720 --> 01:16:22,479
Speaker 2: at I said no gifts, I don't want to hear

1452
01:16:22,520 --> 01:16:24,960
Speaker 2: any excuses. That's where you get to see pictures of

1453
01:16:25,000 --> 01:16:27,200
Speaker 2: all these gorgeous gifts I'm getting. And don't you want

1454
01:16:27,240 --> 01:16:31,240
Speaker 2: to see pictures of the gifts I invit?

1455
01:16:31,360 --> 01:16:39,040
Speaker 1: Did you hear? Funa man myself perfectly clear. When you're

1456
01:16:39,160 --> 01:16:39,960
Speaker 1: a guest to me.

1457
01:16:42,800 --> 01:16:45,600
Speaker 3: You gotta come to me empty, And.

1458
01:16:47,160 --> 01:16:53,240
Speaker 1: I said, no, guests, your presences presents enough and I'm

1459
01:16:53,520 --> 01:16:58,280
Speaker 1: already too much stuff, So how do you dare to

1460
01:16:58,479 --> 01:17:00,120
Speaker 1: survey it?

1461
01:17:00,600 --> 01:17:05,760
Speaker 3: The game with the d