Speaker 1: M. We know we had to do information. That's what
Speaker 1: I want. This is vagaries. I'll see, excellency, where's your report?
Speaker 1: I will have it by the sie. You'll have it now,
Speaker 1: or you won't have a job or ahead. It's good
Speaker 1: to be in charge. Power is about knowing what other
Speaker 1: people don't. The street patrols have been increased as the
Speaker 1: order of Excellency. I could use more men, four at least,
Speaker 1: and make it so. We all want to build our empires,
Speaker 1: and we all want to be in favor with the
Speaker 1: Sultan because in the end, all power flows from him.
Speaker 1: You go to the harem the gateway, there will be
Speaker 1: a good ill waiting. Bring it to my rooms. Keep
Speaker 1: it subtle, very good for questioning. Is this something you
Speaker 1: find amusing? God? No, your excellency good Now, I have
Speaker 1: an appointment with the Sultan. Get my sash of office,
Speaker 1: Kalid Have you heard of your sash? Leave us? Have
Speaker 1: you heard of the Hammad brothers? No? Sir? Should I instigate? No?
Speaker 1: Never mind carry off? Yes? How can I help you?
Speaker 1: You can't go. I'm here to see the Sultan. The
Speaker 1: short time is not here? What do you mean where
Speaker 1: is he? Well? I told you he's not here. I
Speaker 1: had an appointment, and now you don't. The Sultan is
Speaker 1: not happy with your progress, Gregor. He's a very busy
Speaker 1: man matters of state. He doesn't have time to hear
Speaker 1: about your failures and my appointment. You can report to me.
Speaker 1: The Sultan directed me to search out spies. He will
Speaker 1: wish to be kept informed of progress as far as
Speaker 1: you are concerned, Excellency, today I stand for the Sultan
Speaker 1: very well. I have found a number of low level
Speaker 1: operatives in the kitchens the stables. They reveal very little
Speaker 1: when put to the question because they know very little,
Speaker 1: presumably exactly. The only high level spy we found so
Speaker 1: far is the maid, and unfortunately she killed herself before
Speaker 1: revealing any information. On the contrary, she revealed that Maya
Speaker 1: has a cardra of spies. We are not afraid of death, indeed,
Speaker 1: they welcome it. I think we've learned something important there
Speaker 1: that she was prepared to die rather than face your
Speaker 1: tender mercies. I think any rational being would take that course.
Speaker 1: I hear that our honored physician has prepared you potions
Speaker 1: to keep your subjects alive in an agony far beyond
Speaker 1: any natural palace gossip no more than that. When I
Speaker 1: say here, I mean I have listened to their screams
Speaker 1: for days, echoing around that cellar you keep down there?
Speaker 1: How you amuse yourself as your business Cardali As for
Speaker 1: the rest, I am waiting and looking for the one
Speaker 1: little thing that is out of place. I will lead
Speaker 1: to a highly placed spy, the floor in the marble,
Speaker 1: a crack in the wall that reveals the room beyond.
Speaker 1: And so far the work is proceeding. M I understand
Speaker 1: Lady shah Jar has a new maid, does she? I
Speaker 1: think you must be losing your memory, excellency, you organized
Speaker 1: it that one? Yes, yes, a recent purchase. She has
Speaker 1: no palace loyalties, so unusual? Does she come up with anything?
Speaker 1: Come up? When she's working for you? I can assure
Speaker 1: it wasn't a question, and you can assure me of nothing.
Speaker 1: Tuman B Episode four, Hidden Knowledge by Mike Walker. What
Speaker 1: is it? Then? Just keep your mouth shutting full on
Speaker 1: and keep your head done. But it's not an army.
Speaker 1: There are no soldiers. Do you think some sort of caravan?
Speaker 1: I don't know what it is. Stay here, keep quiet.
Speaker 1: Do don't believe me. I'm coming with you. I'll be back.
Speaker 1: Stay no it won't be left to do. Let me
Speaker 1: God scream. Listen to me. I've been a slave once.
Speaker 1: I'm not letting it happen again ever, Not on your account,
Speaker 1: not on any account. Do you understand? H m hm,
Speaker 1: I don't think there's anyone there. It's just a goat.
Speaker 1: It's never just anything. Believe me? Why should I? Because
Speaker 1: I'm even your useless life and we're going to die
Speaker 1: out here unless we get food and water and some
Speaker 1: horses or camels. Yes, all right, I'm going to get
Speaker 1: into the caravan somehow and get what we need and
Speaker 1: then I'll come back. It will probably be a while,
Speaker 1: it will be dark. You'll have to wait alone. Can
Speaker 1: you do that? How do I know you'll come back?
Speaker 1: You'll have to trust me? Why should I? Because you're
Speaker 1: still alive and not buried in some sandhole half a
Speaker 1: day back? Give me something so I know you'll come back.
Speaker 1: I was a slave. They took everything. I have nothing.
Speaker 1: Promise you really are just a child. Didn't you just
Speaker 1: say nothing is just anything and we'll be back. M
Speaker 1: m m yeah, mm hmmm mm hmmmmmmm mmm mm hmmm
Speaker 1: mm hmmm. Have you come to take me? What think back?
Speaker 1: You the angel come to take me to paradise. No,
Speaker 1: I'm lost. Do angels get lost? I'm not an angel?
Speaker 1: I'm sorry? How did you get here? Then? I told
Speaker 1: you stay back. I won't hurt you. Just stay back.
Speaker 1: I was on a ship and then I wasn't and
Speaker 1: then we came here to that coast of were there,
Speaker 1: and then we walked and walked and can you help me?
Speaker 1: I'm hungry and thirsty. Who are you? Where is your father?
Speaker 1: Can I speak to him? Your mother? I don't have
Speaker 1: a marvel father. I look after goats. Who for whoever
Speaker 1: pays me? I can pay you. Look, I've got gold
Speaker 1: and silver. All right? Come? Are you alone? Why do
Speaker 1: you want to know? Who are you? What do you want? Where? Stop?
Speaker 1: Stop it. He's gonna speak, he can breathe Leave him alone.
Speaker 1: You can get us food and drink because you're not
Speaker 1: going to kill him. Take your hand off his face
Speaker 1: before he's upper kids. Yeah, it's all right. He won't
Speaker 1: hurt you. I don't like him, me neither. I could
Speaker 1: have saved your worthless life from him. Besides, you used
Speaker 1: me as babe, didn't you. You were never going to
Speaker 1: the caravan. You just waited to see who it was
Speaker 1: following us. It's never just anything. Do you come from
Speaker 1: over there? Do you stop it? He scared? Don't you
Speaker 1: see he's a child, He's only a child. But I
Speaker 1: could help you. I swear. You have to believe me.
Speaker 1: I believe you. Leave him alone. It's a town, see,
Speaker 1: with tents and temples and ends and everything, but it's moving.
Speaker 1: That's where it does. That's how we live. We follow armies,
Speaker 1: and after battles we use everything that's left. Do you use?
Speaker 1: I told you everything. You see the smoke rising from
Speaker 1: the tower, No, not the fire, smoke the other thick
Speaker 1: and greasy. I've seen smoke like that before. It's from
Speaker 1: the vats. They cook all the time, even on the move.
Speaker 1: People world, they were people once winded down for fat
Speaker 1: and glue and soap. We used it all. I'm liking
Speaker 1: this less and less. It's better than the desert. We
Speaker 1: have to eat and have a bath. Come on this
Speaker 1: way along, head. If you're leading us into a trap,
Speaker 1: boy leaving alone? How big is this intown? How big
Speaker 1: is big? You would need a day and night to
Speaker 1: walk all the way around. He walk away and here, holloa,
Speaker 1: it's right down. Cages, Come big quiet, could you? I
Speaker 1: won't tell you again. I put some friends. Friends, what friends?
Speaker 1: Who are you? Who are you? We were shipwrecked, we
Speaker 1: were going to Toman Bay. We were really hungry and thirsty.
Speaker 1: Am I in innkeeper? Are your manner's reg These are
Speaker 1: travelers guests, and guests are sacred to our kind? Are
Speaker 1: we not all travelers through this world? Why? She's hardly
Speaker 1: more than a childish little beauty? Calm, my sweet must
Speaker 1: be tired and thirsty, calm, it's all right. A big
Speaker 1: man running away from something here? You want to come in? Fine,
Speaker 1: you don't, Fine, it's all right. I swear nothing's all right.
Speaker 1: I swear yes, yes, everything is prepared this way. Here
Speaker 1: she is, she's well, she's growing every day. Her eyes
Speaker 1: can see properly. Now you see, I've kept my promise.
Speaker 1: You work for me, and I will protect you and
Speaker 1: your child. Mm hmm. She's hungry. My milk has dried up.
Speaker 1: She has a witness, so she will stay with you.
Speaker 1: She will be the hip by a word. Yes. In here,
Speaker 1: ah as a whole world of knowledge in this room.
Speaker 1: If a man knew half of it, one quarter, he'd
Speaker 1: be wiser than any man of me. But then there's
Speaker 1: not the time in a whole life to learn it.
Speaker 1: But that is the thing, excellency. A man does not
Speaker 1: need to know the answer, He only needs to know
Speaker 1: where to go and find it exactly. And I come
Speaker 1: to you, my friend, for the answer to my question. Yes,
Speaker 1: the amide brothers. They have a workshop in the street
Speaker 1: named the Poets. It's beyond the market under the temple walls.
Speaker 1: Thank you. I have some business to attend to remember
Speaker 1: your head on my slave still being here when I return.
Speaker 1: H yes, hamide brothers, what do you want? I've been
Speaker 1: sent by the Lady Shaja. May I come in? Mm hmmmm,
Speaker 1: The lady Chang said, count in here. Oh he cannot understand.
Speaker 1: You don't chew your brush medium thin, she said to you,
Speaker 1: the lady. Yes, only we don't know you. I've never
Speaker 1: seen you before, not from summer candor. Of course he's
Speaker 1: not Look at him, Look at that coloring. You have
Speaker 1: a nice coloring. Lord. Besides, she knows he's not finished.
Speaker 1: Only last week when she came to inspect the work
Speaker 1: last weekend. She wants a progress report. You have to understand,
Speaker 1: we are artists. Art cannot be hurried. Oh, your mistress
Speaker 1: might find a hundred mayor artisans would do the work
Speaker 1: and promise paradise. But she is wise. Why she is
Speaker 1: she knows for work of this quality, only the best
Speaker 1: wild and if I may say so, had brothers, the
Speaker 1: very best, every brush stroke, every in label, much the original.
Speaker 1: It will be as if one becomes the other, and
Speaker 1: there is no difference to such is our artistry. But
Speaker 1: it takes time. Time the original is fresh, indeed, she
Speaker 1: explained to me, And you will understand our care, the
Speaker 1: need for time. But perhaps I think of such beauty
Speaker 1: stuck in the paint. He wishes to see it round?
Speaker 1: Whose he does? Brother? Who would not? It is a
Speaker 1: wonder of the world. Shallotte I would be in your debt, gentlemen,
Speaker 1: I won't be able to use that paint. Now, this
Speaker 1: lap us in that terrible way. Studies. At least stop
Speaker 1: the damn flight buzzing now, h you said earlier your
Speaker 1: wife and daughter, mhm. The plague. They were coming to
Speaker 1: tom and Bay. My daughter was to be married by ship,
Speaker 1: a ship, a ship of death. Not one left to
Speaker 1: tell the story. I watched it burn in the harbor.
Speaker 1: The pire, all of this, the house, the library, my business,
Speaker 1: it all means nothing. I discovered that for each of
Speaker 1: us there is something, one thing that is more. No,
Speaker 1: that is everything. For some it is their honor, for
Speaker 1: others power. For me, it was my family, and I
Speaker 1: didn't know it until I lost it. She'll be strong,
Speaker 1: She's already beautiful. She has your eyes. Her father's too.
Speaker 1: I'm sorry his eyes were full of lust. The heart
Speaker 1: is a traitor. When I hold her in my arms,
Speaker 1: I can feel the love flowing out of me. Shouldn't
Speaker 1: I hate her? But I don't, my child. Perhaps you're
Speaker 1: right about family and your brother. Yes, of course him too.
Speaker 1: Life life has a way. I say my life is over,
Speaker 1: and yet I get up and eat and do this
Speaker 1: and do that, and life goes on, and I find
Speaker 1: myself caught up by this and that, and I hate
Speaker 1: myself for it. You're finished. Even I say your life
Speaker 1: is over, You've said it's a thousand times. And yet
Speaker 1: Iam is hungry, and Naima must be fed. Nima is hungry,
Speaker 1: and Nima must be fed. Condition mm hmm, give me
Speaker 1: the baby to all right. Sabena has taken good care, Gregor,
Speaker 1: I'll go to him. Wait, do you trust him? Say nothing?
Speaker 1: All his words of course two scrolls about so long? Oh,
Speaker 1: definitely torn a little with texting. You have paper the library,
Speaker 1: Make yourself ready to leave, Excellency, not a script I'm
Speaker 1: familiar with, nor ancient. Certainly were their illuminations decorating the
Speaker 1: margins symbols. Mostly you have an amazing memory of your excellency.
Speaker 1: If these are accurate. They are, and I do you
Speaker 1: should never forget that religious there the sickle moon, the
Speaker 1: sun and stars. I'd say it was a creation story.
Speaker 1: They are popular, I believe, amongst the ris h There
Speaker 1: are many copies available, many of them very fine and
Speaker 1: worked a lot, and the original who knows, lost in
Speaker 1: time perhaps, But if it were real, if it will really, Excellency,
Speaker 1: are we going now? Hurry? Don't worry. I will take
Speaker 1: care of the child. She would be safe. Ah, Bob, bob, who?
Speaker 1: Why aren't you eating? Not hungry? You're hungry? Leave me alone,
Speaker 1: will you? You don't eat it tonight? You won't have
Speaker 1: the strength to get through tomorrow. Why did you help
Speaker 1: me back there? I didn't. I'd be dead if you
Speaker 1: hadn't got me off the sand, because bloody births would
Speaker 1: be picking my bones clean right now. It would be
Speaker 1: Jackal's after dark. I was helping me. I wanted to
Speaker 1: make my own mind up about something. I wanted to
Speaker 1: be in control. Well, thank you anyway, And mother Daniel
Speaker 1: good blue eyes. That's unusual around here from the north.
Speaker 1: H yes, And how did you come to be here?
Speaker 1: Things happened? I don't mean to pry, then, don't you
Speaker 1: weren't always a slave? No, I was born a freeman.
Speaker 1: And and what what are you doing here? How did
Speaker 1: you become a slave? I was traveling home from some
Speaker 1: money in Amber robins, so so nothing, just curious. He said,
Speaker 1: you didn't want to pry or don't then don't m
Speaker 1: what are they putting these rations? It's best not to ask.
Speaker 1: Someone makes money out of it. The general no one,
Speaker 1: I don't think so. He's a hard bastard, but I
Speaker 1: trust him. I'm just gonna put my hand in a
Speaker 1: bag of snakes. So you know, Maya, you've seen her?
Speaker 1: Mm hmm. Amber is where she comes from, isn't it.
Speaker 1: I don't have to ask that. What was she like? Maya?
Speaker 1: The grim, the fearsome, she's like. I didn't really see her.
Speaker 1: M and don't believe you? Oh with boy as far
Speaker 1: as taken yes, by us. I wasn't talking to you,
Speaker 1: blue eyes. What are you doing here? Boy? You're not
Speaker 1: soldier and he's from the court a spire. Leave him alone?
Speaker 1: Where are you his father? Huh? Suit each other? Blue
Speaker 1: Eyes and a little weasel from the balace. You're reporting
Speaker 1: on us, shorty? Huh? Run off back to the general,
Speaker 1: do you? Yeah? Don't the hell you bastard. I'm going
Speaker 1: to enjoy this. You like? Describe him along enough? Stop?
Speaker 1: Stop it? What happened here? You blue eyes? He started this?
Speaker 1: Even the boy does a damn lie? Shut your mouth?
Speaker 1: Is that true? He's troubled up? One, sergeant, bloody blue eyes?
Speaker 1: Blue eyes, I knew you should not be trusted. Bring
Speaker 1: them to the lock up, sergeant. It wasn't like silence,
Speaker 1: no fighting in the camp. Save it for the enemy.
Speaker 1: You better not touch me. Don't we trouble. I can
Speaker 1: promise you that. Just be quiet and not to let
Speaker 1: them do what they have to. You should listened to
Speaker 1: your friend. You can't. They can and they will write
Speaker 1: a couple of right. Yes, my ladys, what does that
Speaker 1: fatcinate want at this time? I wanda what's wrong with you?
Speaker 1: I've been clumsy all afternoon I'm sorry, modam, it's slipped.
Speaker 1: Have you been crying? No, Madam, let me tell you
Speaker 1: tears are a waste of water. I'll send him in greetings. Lady,
Speaker 1: forgive my intrusion. I happened to find some amber grease
Speaker 1: and hearing you were short short, I don't think so. No,
Speaker 1: my lady, I thought your steward mentioned something, But no matter.
Speaker 1: Let me present you with this anyway. It is particularly fine,
Speaker 1: I'm told, very good. Give it to the girl. Don't
Speaker 1: drop it, my dear. It might mean a trip to
Speaker 1: the market to replace it. Do you allow your slaves
Speaker 1: to leave the palace? Madam? What's that to you? Mm hmm.
Speaker 1: But of course I haven't come just to deliver bath oil.
Speaker 1: Mad How is the young man getting along in his
Speaker 1: new career. I didn't know you were so interested in
Speaker 1: his welfare. I'm interesting in everyone's welfare. Then, I'm sure
Speaker 1: you will be happy to know that my son is
Speaker 1: learning many valuable lessons that will stand him in good
Speaker 1: stead in time. Sorry I interrupting, Come, excellency. It is
Speaker 1: usually considered good manners to ask the permission of the
Speaker 1: chief wife before entering the harem. I will turn when
Speaker 1: you are finished. I believe we are finished? Is heer?
Speaker 1: Are we not? For now? Madam excellency, I will leave
Speaker 1: you to your conversation. M So what is your business? Gregor?
Speaker 1: My business is catching spies? As you know. Well, then
Speaker 1: you can't be wanting anything here. Your last maid was
Speaker 1: a spy, and do you think the new one is also?
Speaker 1: Do you want to put her to the torture too?
Speaker 1: May come to that? May I sit down? I think not.
Speaker 1: I prefer you standing as you wish. But your previous maid,
Speaker 1: when I was questioning her before she killed herself something,
Speaker 1: she said, go on, Sarah, look at me. Why won't
Speaker 1: you look at me? You know why, Gregor? I could
Speaker 1: serve you if you've let me. I don't know you
Speaker 1: look at me. I don't know you, but we I
Speaker 1: can't forget this. I am the first wife, Oh Sarah
Speaker 1: showboat for his excellency. His excellency will not be staying.
Speaker 1: It was about the half fees. What why I'm here,
Speaker 1: the maid the spy in your service. I am hardly
Speaker 1: responsible for whatever rubbish fear draws out of your victims. Gregor.
Speaker 1: When the halfst came here? Where did he come from?
Speaker 1: You know very well where he came from, and after
Speaker 1: leaving there he traveled through Gabrielle. So I believe is
Speaker 1: there any point of this? Or are you merely engaging
Speaker 1: in a geography lesson? He was desperate, relying on the
Speaker 1: generosity of strangers by the time he got here and
Speaker 1: placed himself under your protection. I ask again, is there
Speaker 1: any point to this? What would you call it? Sarah?
Speaker 1: You're an intelligent girl. What do you think Gregor wants?
Speaker 1: I I would not presume to know, madam exactly, and
Speaker 1: neither would I just questions, Madam. I merely need to
Speaker 1: update my records. I never really saw you as a bookkeeper, Sarah.
Speaker 1: You may show his excellency out. It's all right, I
Speaker 1: know my way. Oh and I imagine you would have
Speaker 1: no objection to me seeing the Hafees for my records,
Speaker 1: given that he's under your protection. I I suppose not.
Speaker 1: Thank you. You might put your sign on this for me,
Speaker 1: unless for some reason give it to me. Thank you?
Speaker 1: Can you believe it? I once thought that man desire
Speaker 1: of do you, madam? I think him desirable? Those swarthy looks,
Speaker 1: the dashing man are the eyes they say women love
Speaker 1: cruel eyes. I do not like cruelty. Interesting, I wonder
Speaker 1: if that's the first real thing I've ever heard you say.
Speaker 1: If you do not like cruelty, then stay away from
Speaker 1: that man. Even the things he professes to love and
Speaker 1: cherish will feel the lash of his last sooner or
Speaker 1: later sooner classed the scorpion to your breast. Mm hm
Speaker 1: h m h m hmm. These are from the zach
Speaker 1: Lul Plains. The high orchards live well here, many prosper
Speaker 1: in the town. There are always opportunities. And the cages
Speaker 1: outside the dogs what are they for armies? The dog's
Speaker 1: bread for war? I trendgic traps them and breats them
Speaker 1: ship fighters, strong muscle and teeth, very elegant and bread
Speaker 1: for one thing here drinking it's good wine from the mountains.
Speaker 1: Mm hmmm mm hmm. Oh it is good. The dogs
Speaker 1: will fetch a fine price when the battle begins. Battle
Speaker 1: for two Monday at the pack of my dogs loosing
Speaker 1: the town, and you'll soon see the blood flow. Will
Speaker 1: there really be a battle? Who knows? It's men's business,
Speaker 1: is what I say? And not for such pretty years
Speaker 1: as yours. What's your name? Heaven? Heaven, m so heaven?
Speaker 1: Where have you come from. My father was a merchant there,
Speaker 1: and then he moved to today to start a business.
Speaker 1: I was to be married to someone. I'm sure he'll
Speaker 1: be safe. Today is finished. Everyone knows it, and its
Speaker 1: inhabitants will be marched out into the desert and massacret
Speaker 1: You're a cheery soul. They have grown fat and lazy.
Speaker 1: To listen to him, dear, he's angry. Why angry? That's
Speaker 1: just his character? And how did you get here? Never mind?
Speaker 1: So you do have a voice. You train your slave
Speaker 1: to answer when he's spoken to. He's not my slave,
Speaker 1: and your father is a merchant. Into Monday. All we
Speaker 1: want to a few supplies, maybe a camel we can pay.
Speaker 1: We won't bother you. We will be happy to help.
Speaker 1: But now you are tired, we will let you sleep.
Speaker 1: We can find birds for ourselves. No, you're not throwing
Speaker 1: this poor child out into the night. It is our duty.
Speaker 1: Damn the women. I think they rule the world. We'll
Speaker 1: have it your own way. We'll talk in the morning.
Speaker 1: I'll see someone about the camel boy. Come with me. Come,
Speaker 1: I will show you where you can sleep. Thank you here, please,
Speaker 1: it is quite safe, certainly safer than out there. Everyone
Speaker 1: knows Rajik stalks, and no one would risk their jaws.
Speaker 1: Thank you. You're pretty, aren't you? Heaven very pretty? Mm
Speaker 1: hm ah. You talked too much. I'm tired. I'm going
Speaker 1: to sleep now. We have to leave. Why I don't
Speaker 1: trust them? There are kind of people in the world,
Speaker 1: you know. I've heard of them, but I've never met them.
Speaker 1: You've been a sleep too long, You've been a pampered
Speaker 1: bread too long. We have to go, you go. I'm
Speaker 1: going to sleep. Are you going to sleep? At least
Speaker 1: in the prison card We won't have to march anymore,
Speaker 1: and we won't be harassed by these these brutes. Have
Speaker 1: you ever been flogged? No? I have, and you won't
Speaker 1: like it. If it won't come to that, why not
Speaker 1: General cool On? I know him. Once I get a
Speaker 1: chance to speak to him, I'll sort it all out.
Speaker 1: We'll get out of here. Better be right, because if
Speaker 1: you're not, yeah, show me there he is, General General
Speaker 1: General Coolon over here. I do well. Have you learned
Speaker 1: anything useful yet? Tonight? We were beaten the watch yes,
Speaker 1: I can see. Well, well, what will you please? Just
Speaker 1: get me out of here? Jargon commander please two fighting
Speaker 1: at the gamps come under punishment as for regulations, fifty
Speaker 1: lashes each, very good? Carry on? No, no, no, no, no,
Speaker 1: you can't. My mother will hear about the You knows
Speaker 1: she will, and when she does, she will have you
Speaker 1: went through the streets of tuman Bay. Is for the
Speaker 1: shake of your mother that I will answer that outburst,
Speaker 1: young man. Your mother knows exactly where you are, exactly
Speaker 1: what happened to you, And when she hears about the
Speaker 1: fifty lashes you will receive, she will be content that
Speaker 1: her plans are being carried out as she would wish
Speaker 1: you sent for me when they are ready for punishment.
Speaker 1: So got any more to say? Nothing to say? Sergeant?
Speaker 1: Is that game ready? Yes? Sergeant? Yet the robes? Yes? Sergeant?
Speaker 1: So who are you? I am the son of Shaja,
Speaker 1: the chief wife. He can't do this to me. He
Speaker 1: be harms me my mother. Okay, not my mother, but
Speaker 1: my uncle, the Sultan. Wilson. Do you think they would
Speaker 1: have sent you here if you mattered? You really need
Speaker 1: to get this in your head. Anybody can do anything
Speaker 1: to anyone in this world. Oh no, no, strap him up?
Speaker 1: Do you think that will help? Just wasting water? What
Speaker 1: can I do. I can't. I can't tell him. Tell
Speaker 1: him I no, Maia, I was brought up in Amber.
Speaker 1: Tell him I can help him, is it? Do you
Speaker 1: tell him? Sergeant? Lady, command out, carry on fighting in
Speaker 1: the ranks, fifty lass age begin. General, you asked me
Speaker 1: if I had learned anything from my experience. Yes, this
Speaker 1: man my friend. Yes, he grew up in Amber province.
Speaker 1: He knows Maya's court, he knows her world, he's he's
Speaker 1: met her, he knows how she thinks. Is this true?
Speaker 1: I swear it is. I hope it is. Let him
Speaker 1: speak for himself. Is this true? It is? General? You
Speaker 1: know something of the way Mayer's people fight? Yes, I
Speaker 1: do well. You know Alamott a fortress, I know of it.
Speaker 1: Shortly after her husband died and she took power a
Speaker 1: prince from the plains, people decided to lay siege to
Speaker 1: the castle. After all, what was Maya but a weak woman.
Speaker 1: She invited him in under the flag of truce and
Speaker 1: took him up onto the walls. There was a company
Speaker 1: of guards escorting the party, twenty men. She told them
Speaker 1: to walk off the walls. They did so, everyone without
Speaker 1: a murmur, and fell to their deaths on the rocks.
Speaker 1: The prince left, raised the siege and went home to
Speaker 1: the plains. She fought off an invasion at the cost
Speaker 1: of twenty men. With loyalty like that, you could rule
Speaker 1: the world. Is it her they follow or some belief?
Speaker 1: It's complicated. Sir got him down. Bring him to my tent.
Speaker 1: I got him not again? And my friend, what about him?
Speaker 1: Bring him to what you should he to me? I
Speaker 1: won't help you unless he comes to you will if
Speaker 1: I'm on you too? Maybe I should have had you whipped,
Speaker 1: after all. I believe in loyalty, general loyalty, all right,
Speaker 1: bring them both loyalty. My brother always placed great reliance
Speaker 1: upon it, both giving and receiving it. Me I prefer fear.
Speaker 1: It's cleaner and sharper, and if you need to cut
Speaker 1: with it far more efficient. I can't. I can't. What
Speaker 1: do you want you have? Why isn't safe? What is
Speaker 1: it now? You have to come now, double back soon?
Speaker 1: But the others isn't safe for you? Why? What? What
Speaker 1: do you mean? Boy? There isn't time. They mean you harm?
Speaker 1: They want sorry to the others. The body man all right,
Speaker 1: come on, God, h this way through here, No break them.
Speaker 1: I'll kill your boy, I'll kill you. Oh. Once they
Speaker 1: have you, they'll never let you go. I'm sorry, I'm sorry.
Speaker 1: Episode four of tuman Bay, Hidden Knowledge, featuring Rufus Wright,
Speaker 1: Olivia Popka, Matthew marsh and Rod Rawi, was written by
Speaker 1: Mike Walker, with music by Sasha Putnam and editing and
Speaker 1: sound design by Steve Bond. Tuman Bay is directed by
Speaker 1: Me John Scott Dryden and created by Me and Mike Walker,
Speaker 1: and produced by Emmahern and Nadir Khan. For more details,
Speaker 1: including a castle list, visit tuman bay dot com