WEBVTT - 4.02 - Glass Souls

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<v Speaker 1>Another time, another place, a peasant village, open doors onto

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<v Speaker 1>empty huts, mud, desolation, and the child a girl. The

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<v Speaker 1>plague has been here, and the cart bodies piled high,

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<v Speaker 1>the girl's whole family amongst them. The way girl, there's

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<v Speaker 1>nothing for you here. She stands, pitifully thin, her bare

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<v Speaker 1>feet in the mud. It's cruelly cold, and her feet

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<v Speaker 1>are beginning to freeze. She begs for food. No food here,

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<v Speaker 1>nothing nothing for you. You want to claim him with

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<v Speaker 1>the dead, little girl? Huh? Get away, or we'll throw

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<v Speaker 1>you in with the rest of them. She has nowhere

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<v Speaker 1>to go, no one to go to. If she had

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<v Speaker 1>any tears, she would weep, but she has none left.

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<v Speaker 1>She turns and stumbles away and pauses in the mud.

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<v Speaker 1>Something glints. She kneels to pick it up, A corpse

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<v Speaker 1>gift fallen from a dead hand, a tiny gold coin.

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<v Speaker 1>She picks it up, wipes it clean. She has no pockets,

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<v Speaker 1>so she puts it in her mouth and walks away.

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<v Speaker 1>Rat A rat, Yes, there are always rats on chips.

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<v Speaker 1>I'm afraid an artist too, I sincerely hope, captain. That

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<v Speaker 1>is why you have been paid a great deal to

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<v Speaker 1>deliver to bring him to our city. Yes, Signor Piero

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<v Speaker 1>is celebrated throughout the world. What being late? Where is he?

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<v Speaker 1>He will appear when he appears, not when I'm paying

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<v Speaker 1>the bills. He won't go and get him go. The

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<v Speaker 1>Mrs Fatima is not used to waiting. Yes, let him?

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<v Speaker 1>Is this a mistake? Anger? A mistake? Master? Close the window.

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<v Speaker 1>Can smell the damn port tar and bad spices, and

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<v Speaker 1>I think you should get up, Master. They will be

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<v Speaker 1>waiting to receive you. I hate this place already, Pull

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<v Speaker 1>me some wine. You always like this at the beginning

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<v Speaker 1>of a great project. You're a great artist. No, but

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<v Speaker 1>it's too hard. Think about it. The mysterious empire of

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<v Speaker 1>too mom Bay. Who else of your contemporaries has been here?

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<v Speaker 1>There is mystery and beauty to be found. And the

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<v Speaker 1>rewards are great, really, from what I hear, they're not

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<v Speaker 1>exactly overflowing with gold. Let's think what it will mean

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<v Speaker 1>for your reputation. You're right, Angel, You're always right. Ah,

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<v Speaker 1>I need a coup. I need to do something extraordinary,

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<v Speaker 1>great panorama, full of drama. That's more like it. One

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<v Speaker 1>in the eye for that bastard than his bloody seiler.

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<v Speaker 1>Ver are you ready? How do I look like the

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<v Speaker 1>god of art and here we go, signor Piero, What

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<v Speaker 1>a pleasure? Thank you for light. What are you talking about?

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<v Speaker 1>They told me your queen mother. Surely they lie unless

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<v Speaker 1>the Sultana is a mere child. I kneel before you.

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<v Speaker 1>I am your humble devoteem, since your reputation precedes you.

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<v Speaker 1>Your name stands above all others, the greatest of the great,

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<v Speaker 1>and your reputation precedes you, Madam the Savior of tu

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<v Speaker 1>mon Bay, great ruler, indeed perhaps the greatest. Once the

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<v Speaker 1>world sees your portrait, Angel, help me up. I see

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<v Speaker 1>you ah in purple. I hate purple or green, like

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<v Speaker 1>nature herself, the queen of nature m hm or gold

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<v Speaker 1>or gold gold my favorite color. Yes, you are indeed

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<v Speaker 1>and master to Monday, Season four, episode two, Glass Souls

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<v Speaker 1>by Mike Walker. She's awful, isn't she. She does have

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<v Speaker 1>a certain style, master like a viper. She's not actually

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<v Speaker 1>Queen Mother either, just some governor's wife who happened to

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<v Speaker 1>have an army and a hunger for power. How do

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<v Speaker 1>you know these things? Angel? That's what you pay me for.

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<v Speaker 1>When you pay me, Are you receiving an education? And

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<v Speaker 1>it's better than prison. I would have been out back. Now.

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<v Speaker 1>I don't think it's powers. She wants not that alone

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<v Speaker 1>at least and seed in her eyes. I've noticed it

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<v Speaker 1>in a lot of my subjects, hunger for something, fear

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<v Speaker 1>of something. What's that temple? More of a ruin. But

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<v Speaker 1>somehow mhm magnificent. They've been under occupation for m hm hm.

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<v Speaker 1>What happened? Wait? Inside, Master, I'll think that I have

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<v Speaker 1>to go. What is it? Driver? You just ran out

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<v Speaker 1>in front? So are you hurt? You have to go, please, sah.

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<v Speaker 1>I have to see him. I have to go. What

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<v Speaker 1>is it? I have to see the Grandmaster. I have

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<v Speaker 1>to see him. Make away, make away, Thank you to

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<v Speaker 1>the grand You're right, it seems to be odd fellow,

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<v Speaker 1>some kind of monk. I think he's running after those soldiers,

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<v Speaker 1>the first and bal Iraq. The armor, all that I

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<v Speaker 1>will steal. It'll look fine, with the silk and the flesh,

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<v Speaker 1>the hard adge, soft curve, you know, engine. I'm beginning

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<v Speaker 1>to see possibilities in this place. After all odds? What

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<v Speaker 1>do you want? Fop? Can't have to see the Grandmaster

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<v Speaker 1>to gather your breath, pil Grim, I'm bellow, he told me,

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<v Speaker 1>to come to see him if anything happened, I have

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<v Speaker 1>to see him, all right, all right, wait here or oh, Grandmaster,

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<v Speaker 1>what is it? I'm sorry to disturb you at your devotions.

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<v Speaker 1>It is the monk mellow. He says he must speak

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<v Speaker 1>to you. Send him in. Shall I leave you? No? Stay? Hello? Speak?

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<v Speaker 1>I'm so sorry, grandmsself. I don't know how it happened.

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<v Speaker 1>You told me to keep you informed. I came at once.

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<v Speaker 1>I don't know what to say. It was a shop,

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<v Speaker 1>what a breeze. He's gone, the huffies gone. I went

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<v Speaker 1>to his room this morning to waken, and he was

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<v Speaker 1>no more. He's no longer of this world you mean?

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<v Speaker 1>I mean he's amished, gone away. But where I could

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<v Speaker 1>ask you that? Did he show any signs? The night before?

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<v Speaker 1>He went to bed as usual, drunken, elevated in the spirit, Grandmaster,

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<v Speaker 1>you'll notice nothing out of the ordinary. Are you sure certain?

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<v Speaker 1>It's completely out of character? He never leaves his residence

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<v Speaker 1>unless he has to four official duties. Go back to

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<v Speaker 1>the Hefesus palace. See if he has returned. Send word.

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<v Speaker 1>My men will be with you shortly. Go now right, yes,

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<v Speaker 1>of course, I simply what do you intend to do, Grandmaster,

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<v Speaker 1>and he is necessary for our purpose. I have an army.

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<v Speaker 1>They will find him. This city has been growing and

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<v Speaker 1>changing for five thou years, Grandmaster, There's a whole other

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<v Speaker 1>city underground. Does your army even know about that? Nevertheless,

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<v Speaker 1>we must have him. It is written in the scrolls.

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<v Speaker 1>The successor of the teacher must be present. You know

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<v Speaker 1>I am true to your Grandma. Yes I do. An

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<v Speaker 1>army will do you no good. To catch a rabbit

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<v Speaker 1>in a warrant, you need a ferret. There is such

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<v Speaker 1>a man I know who could find the huffies. Oh.

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<v Speaker 1>He knows every street, every alley, every cellar in every attic,

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<v Speaker 1>and he knows the underworld too. Shortly after dawn a

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<v Speaker 1>bell rings. It's early, but early and late have no

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<v Speaker 1>meaning here. We leave our rooms. We shuffle along the

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<v Speaker 1>corridors of our home, as we have done for a

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<v Speaker 1>thousand days, and more, as we will do. There's no

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<v Speaker 1>time in this place, no future. Only I'm not pushy.

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<v Speaker 1>Wait your turn. It's the same as yesterday. There before

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<v Speaker 1>is the scene that you're not to complaine. Thank you, colong,

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<v Speaker 1>Come on, keep moving? What is this? This is slap

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<v Speaker 1>for slaves? I demand better food fit for us some time. Glego, Hello, friend,

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<v Speaker 1>you don't need to be that stuff. Commander Gregor. I

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<v Speaker 1>brought you something from the guardroom, something more fitting, and

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<v Speaker 1>you keep your hands off it, your bustard, and you stop.

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<v Speaker 1>I've got my eyes on you. Thank you left my pleasure.

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<v Speaker 1>We're in the same business, really, you and me. You've

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<v Speaker 1>got to stick together. Anything you want apart from walking

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<v Speaker 1>out the door, which none of us can do. Then

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<v Speaker 1>you've only got to ask. Thank you, simply ask. You

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<v Speaker 1>can rely on me, and I hope I can rely

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<v Speaker 1>on you. Thank you. Olaf. Yes, I need to take

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<v Speaker 1>any kindness I can get. I'm a prisoner. I often

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<v Speaker 1>wondered what it was like. Now I know I have

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<v Speaker 1>to stop fighting, accept things as they are, get through,

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<v Speaker 1>stay alive. Because he could let souls what he steals souls.

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<v Speaker 1>I'll show you, shy and that old man. You wouldn't

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<v Speaker 1>believe me if I told you you must see it

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<v Speaker 1>with your own eyes. Who will? She? Is that what

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<v Speaker 1>I've become another lunatic babbling on about souls. M Come on.

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<v Speaker 1>Once I was master of the cellars of the Palace

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<v Speaker 1>of tuman Bay, and now on following a blind man

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<v Speaker 1>into the cellars of a madhouse. I don't like this.

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<v Speaker 1>Do I even know what I'm doing? Trust me? M

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<v Speaker 1>h We are in Olive's room. What's that smell? You

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<v Speaker 1>know it, don't you? Gregor Death? Mm hmm. Olive must

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<v Speaker 1>have been at his games recently in Look, what do

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<v Speaker 1>you see? Nothing? It's pitch black. Wait, there's a window,

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<v Speaker 1>and the moons will be in line. Soon light will

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<v Speaker 1>come through. M Oh, my god, now you see go

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<v Speaker 1>go look closer, Oh, little figures of glass, so beautiful,

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<v Speaker 1>so many. He's created a theater of death. He burns

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<v Speaker 1>them in the furnace and uses their ashes in the glass,

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<v Speaker 1>their souls trapped in glass forever. There's no such thing

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<v Speaker 1>as a soul. Look and see as I cannot. So

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<v Speaker 1>everyone is mad here, including the gods. I'm in the

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<v Speaker 1>house of the dead and will die here unless I

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<v Speaker 1>can find my way out of this labyrinth. There was

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<v Speaker 1>a wrestler, a fine man, this one here he once

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<v Speaker 1>defeated the Sultan's champion. And a princess, the Princess Gormala.

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<v Speaker 1>This one she used to read to me, Such a

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<v Speaker 1>kind young woman, a princess in the hurry um before

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<v Speaker 1>Sultan hal Guri. I think the first wife was jealous

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<v Speaker 1>and had her sent here. What are you doing? You

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<v Speaker 1>mustn't touch it, my friend, Please Commander olive with It's

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<v Speaker 1>all right. If he even knew we were down here,

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<v Speaker 1>he would relax. Gormala, you say, isn't she exquisite? This

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<v Speaker 1>world is not as you know it. If you are

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<v Speaker 1>to save tom, they must understand that. What did you say,

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<v Speaker 1>I said nothing. We must go, as you can see, offended.

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<v Speaker 1>Time has not been kind to the palace or the

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<v Speaker 1>city cadefended, which is why we're calling on the greatest

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<v Speaker 1>banker in tuman Bay. The Sultana awaits with impatience. You

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<v Speaker 1>are the only man and to you my group, my friend,

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<v Speaker 1>I didn't know you're going to be here. You are

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<v Speaker 1>seeing the Sultana, but alone to the empire too. We

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<v Speaker 1>should be getting on if you will excuse us, come well,

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<v Speaker 1>good to see my group, and you you do will

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<v Speaker 1>to stay clear of this business. Come in with me.

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<v Speaker 1>I'd take care of my friends and your enemies what enemies?

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<v Speaker 1>And i'd see Elly alive? Do you take care? Come?

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<v Speaker 1>I'm not happy to see that man here. Frankly, his

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<v Speaker 1>reputation is not good said very much the same thing

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<v Speaker 1>about you me. I am your friend Pula. The Sultana

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<v Speaker 1>insisted we see him as well, since he was here.

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<v Speaker 1>But all my support is behind you, you know. I

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<v Speaker 1>have a feeling that's what you say to all the bankers.

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<v Speaker 1>Shall we go in? But let me ask you this

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<v Speaker 1>sometimes am I? Now? If I may, how are you

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<v Speaker 1>going to pay this back? What surety are you offering?

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<v Speaker 1>The city has been plundered under occupation, first by Maya,

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<v Speaker 1>then by the Ballad. The Ballara are not occupying the city, offending.

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<v Speaker 1>They are here at the invitation of the Sultana as

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<v Speaker 1>advisers and are soon to depart. Is that not correct, majesty?

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<v Speaker 1>With respect, majesty, I am a practical man, ideal in

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<v Speaker 1>coin hard facts. I would not be here discussing these

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<v Speaker 1>matters if I did not know your visier. Please offended.

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<v Speaker 1>There's no need, no no. This man is a shrewd man.

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<v Speaker 1>He has a reputation, thank you, and he will tell you. Man,

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<v Speaker 1>Will you please look at me when you talk to

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<v Speaker 1>her us that's only a fool lens gold without surety. Ah,

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<v Speaker 1>And if I may, majesty, that's not true. We can

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<v Speaker 1>easily Vizier. Please say what you have to say, a defendi.

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<v Speaker 1>You see, we don't need your goal. What what are

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<v Speaker 1>you saying? We have to rebuild this entire time, mistress.

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<v Speaker 1>Time is not luxury you possess, Cadi. Remember that your

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<v Speaker 1>time is in my gift. Go on. What we need

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<v Speaker 1>pular offended is a credit line, a backer. You lend

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<v Speaker 1>us the gold, but keep it in your vaults, and

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<v Speaker 1>we use it to secure secondary learns gold. We need gold.

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<v Speaker 1>People trust gold, they can taste gold. We can thus

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<v Speaker 1>rebuild the city and its institutions. And above all, we

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<v Speaker 1>will raise confidence. And upon confidence we can grow the

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<v Speaker 1>economy with what I proposing. Your gold is protected. We

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<v Speaker 1>use this gold to raise more gold. The city grows,

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<v Speaker 1>taxes flow, trade agreements are arranged, and the ball Iraq

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<v Speaker 1>will be on the way. We may be able to

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<v Speaker 1>do something we feel a loyalty to too man Bay,

0:19:22.320 --> 0:19:25.920
<v Speaker 1>it has been our home. Give me some time, how

0:19:26.000 --> 0:19:31.040
<v Speaker 1>much time? Not long? Madam? You must remember, though the

0:19:31.119 --> 0:19:34.800
<v Speaker 1>greater the risk to us, the greater the cost to you.

0:19:35.080 --> 0:19:41.720
<v Speaker 1>Cost is nothing. We will create a great event. Visitors

0:19:41.760 --> 0:19:45.320
<v Speaker 1>will come from across the empire. It will resound to

0:19:45.440 --> 0:19:50.280
<v Speaker 1>our glory. Together we will make human Bay great once again.

0:19:53.480 --> 0:19:59.960
<v Speaker 1>Thank you? Is there anything else? We thank you for

0:20:00.000 --> 0:20:03.679
<v Speaker 1>your time and attention. If Endy anything we can do,

0:20:03.800 --> 0:20:09.000
<v Speaker 1>please call on us. There is one thing I noticed

0:20:09.000 --> 0:20:14.040
<v Speaker 1>our friend the bank on the group as we arrived. Right,

0:20:14.960 --> 0:20:17.640
<v Speaker 1>you have the right to, as we say, shop around,

0:20:18.560 --> 0:20:23.400
<v Speaker 1>not that I would well the group. The man's methods

0:20:23.600 --> 0:20:28.320
<v Speaker 1>are questionable, his practice as close to criminal. As I say,

0:20:28.320 --> 0:20:38.359
<v Speaker 1>no more, we understand. Let me see you out. If Endy, wow,

0:20:39.119 --> 0:20:46.240
<v Speaker 1>what do you think? Cost is nothing? Cost is everything?

0:20:47.359 --> 0:20:50.080
<v Speaker 1>We have no gold now, even though you seem happy

0:20:50.119 --> 0:20:54.359
<v Speaker 1>to spend it on entertainers and parties and the expensive perfumes.

0:20:55.920 --> 0:21:02.720
<v Speaker 1>So young and so inexperience, my sweet, the people of

0:21:02.800 --> 0:21:06.480
<v Speaker 1>Tuman Bay need to be amused. If they have time

0:21:06.480 --> 0:21:09.920
<v Speaker 1>to think, then what will they think about? Why should

0:21:09.960 --> 0:21:12.840
<v Speaker 1>they be obedient to an authority that shows neither power,

0:21:13.280 --> 0:21:21.719
<v Speaker 1>nor wealth, nor confidence nor style. That's what they want,

0:21:22.560 --> 0:21:25.679
<v Speaker 1>a ruler who makes them feel they are the greatest

0:21:25.720 --> 0:21:31.080
<v Speaker 1>people in the world. And the ballaraq the greatest nights

0:21:31.119 --> 0:21:37.640
<v Speaker 1>in the world are grass in the wind. They will

0:21:37.680 --> 0:21:45.679
<v Speaker 1>be taken care of. Trust your mother, m hm. I

0:21:45.720 --> 0:21:50.640
<v Speaker 1>look forward to receiving your proposal. P life, and when

0:21:50.720 --> 0:21:53.879
<v Speaker 1>might we expect that she is a problem. I'm sorry

0:21:54.560 --> 0:21:57.440
<v Speaker 1>the woman fat him and the so called queen mother.

0:21:58.160 --> 0:22:03.200
<v Speaker 1>She spends too much. Rebuilding a city is an expensive endeavor.

0:22:03.280 --> 0:22:06.639
<v Speaker 1>I'm not talking about that. It's fine to borrow to

0:22:06.720 --> 0:22:09.840
<v Speaker 1>make more, to build, to grow. But I hear through

0:22:09.840 --> 0:22:14.760
<v Speaker 1>my people, well, let's just say your mistress has expensive taste.

0:22:15.440 --> 0:22:17.400
<v Speaker 1>We will never see our goal back if we lend

0:22:17.400 --> 0:22:21.199
<v Speaker 1>it to her. I don't want to be divisive, but

0:22:21.280 --> 0:22:25.240
<v Speaker 1>there is another offer. Mac group again, think about it.

0:22:25.680 --> 0:22:29.920
<v Speaker 1>Make your decision now. Is there anything else I can

0:22:30.040 --> 0:22:33.679
<v Speaker 1>arrange for your project? No, thank you. We're going to

0:22:33.760 --> 0:22:36.360
<v Speaker 1>the Great Court. That's what it used to be. Now

0:22:36.400 --> 0:22:39.480
<v Speaker 1>it's the grand Master's Court. I believe it would appear

0:22:39.520 --> 0:22:42.520
<v Speaker 1>he has a great concern for justice and for taking

0:22:42.560 --> 0:22:46.760
<v Speaker 1>things over its inters. I was deeply sorry to hear

0:22:46.760 --> 0:22:51.240
<v Speaker 1>about your father's sister, Pila. It was a brutal crime

0:22:51.800 --> 0:22:54.440
<v Speaker 1>to be murdered by his own wife in the bridal bed,

0:22:54.520 --> 0:22:59.320
<v Speaker 1>of all places, and on their wedding night. She was

0:22:59.359 --> 0:23:02.000
<v Speaker 1>his tenth life. You know he had reached the limit

0:23:02.040 --> 0:23:05.080
<v Speaker 1>allowed by the match too such a loss. He wasn't

0:23:05.160 --> 0:23:08.480
<v Speaker 1>old man. This girl should have served his needs until

0:23:09.840 --> 0:23:13.800
<v Speaker 1>the world is sometimes a terrible place. Indeed, but she

0:23:13.880 --> 0:23:21.520
<v Speaker 1>will face justice now. She will bend Pila until the

0:23:21.560 --> 0:23:35.919
<v Speaker 1>next time. I've brought food from prison. Nine you again,

0:23:36.640 --> 0:23:42.160
<v Speaker 1>what you got for me? Bout down the passage? No, no, no,

0:23:42.560 --> 0:23:45.600
<v Speaker 1>they moved her going to court today, she's in the

0:23:45.640 --> 0:24:08.200
<v Speaker 1>holy side. Everybody, I Matilla, Matilla, it's today. I bought

0:24:08.240 --> 0:24:10.840
<v Speaker 1>you an apple, some bread. You need to eat. You

0:24:10.840 --> 0:24:12.920
<v Speaker 1>have to be strong. Did you hear what I said?

0:24:13.680 --> 0:24:17.639
<v Speaker 1>It's today? I know, I know it's going to be

0:24:17.640 --> 0:24:23.359
<v Speaker 1>all right. No, it's not. I'm going to be hanked Frog. No,

0:24:24.480 --> 0:24:27.520
<v Speaker 1>I'm going to talk to someone. Don't you see if

0:24:27.560 --> 0:24:32.399
<v Speaker 1>they call it the Grandmaster's court because he's blind and

0:24:32.560 --> 0:24:37.200
<v Speaker 1>justice is blind. Your train was right. The blind men

0:24:37.240 --> 0:24:41.879
<v Speaker 1>will kill me. It shouldn't be you. I put the

0:24:41.920 --> 0:24:46.040
<v Speaker 1>cord around that bastard's throat. I killed him. I should

0:24:46.040 --> 0:24:50.560
<v Speaker 1>be here, not you. I should tell them I can

0:24:50.600 --> 0:24:53.560
<v Speaker 1>do this if I know you'll live. But if we

0:24:53.680 --> 0:24:56.639
<v Speaker 1>both die, then there's nothing. No one took it to

0:24:56.680 --> 0:25:02.399
<v Speaker 1>Serene and find my little brother and no Is. I

0:25:02.480 --> 0:25:04.440
<v Speaker 1>managed to get some money. We could get a lawyer.

0:25:05.240 --> 0:25:11.240
<v Speaker 1>Four Frog, I killed my husband, a rich man there's

0:25:11.240 --> 0:25:15.440
<v Speaker 1>only one way this can end. You have to do something.

0:25:16.960 --> 0:25:23.479
<v Speaker 1>What can I do? You can hold my head, Just

0:25:23.560 --> 0:25:35.159
<v Speaker 1>hold my head. Drawing board on the table, drawing board

0:25:35.800 --> 0:25:39.160
<v Speaker 1>chokes easels. I know what I'm doing. Don't go in here,

0:25:39.640 --> 0:25:43.119
<v Speaker 1>don't get the other things. We're going to need to

0:25:43.200 --> 0:25:45.960
<v Speaker 1>stretch the campus. This is going to be on the

0:25:46.320 --> 0:25:49.240
<v Speaker 1>grand skime. No one has actually talked about payment yet.

0:25:49.760 --> 0:25:53.200
<v Speaker 1>We need to get that sorted before you do any work. Master.

0:25:54.000 --> 0:25:57.520
<v Speaker 1>They've promised a lot, but so far nothing. I'm an artist,

0:25:57.600 --> 0:26:00.359
<v Speaker 1>not some tradesman. Even so, we'll need to eat, and

0:26:00.359 --> 0:26:03.919
<v Speaker 1>there are other expenses. Wine may not be so easy

0:26:04.040 --> 0:26:09.560
<v Speaker 1>to get here. You must be the artists. Who are

0:26:09.560 --> 0:26:15.040
<v Speaker 1>you the apprentice? I don't need any apprentices, but I

0:26:15.080 --> 0:26:18.080
<v Speaker 1>wish to study. Be off with you, girl. Mr Piero

0:26:18.200 --> 0:26:20.960
<v Speaker 1>has no need of another helper. I would be polite

0:26:21.800 --> 0:26:25.840
<v Speaker 1>and humble, and I am not. You do seem signor little.

0:26:27.720 --> 0:26:30.800
<v Speaker 1>I will loudly box your ears if you don't leave

0:26:30.960 --> 0:26:36.480
<v Speaker 1>at once. But this is my palace. I am minell

0:26:36.800 --> 0:26:43.840
<v Speaker 1>the Sultana. I do hope your needs have been seen too. Ah,

0:26:44.440 --> 0:26:50.320
<v Speaker 1>I'll forgive me, majesty. I had no idea you you

0:26:50.359 --> 0:26:55.040
<v Speaker 1>don't take after your mother. I didn't recognize. Don't don't move, sorry, please,

0:26:55.200 --> 0:26:58.880
<v Speaker 1>don't move, Majesty. The life is perfect. She's not my mother.

0:26:59.000 --> 0:27:02.639
<v Speaker 1>She was the mother of my late husband, Prince Herod. Wonderful,

0:27:02.800 --> 0:27:06.960
<v Speaker 1>such a fine face. Look at me for a moment, Majesty,

0:27:07.000 --> 0:27:12.080
<v Speaker 1>and history will gaze on you forever. M he's sketching you.

0:27:13.800 --> 0:27:19.520
<v Speaker 1>The light is very good here, big windows. So does

0:27:19.560 --> 0:27:24.359
<v Speaker 1>this mean you're not going to box my ears? Your

0:27:24.480 --> 0:27:31.680
<v Speaker 1>Majesty's ears are quite safe. M And I hope, I hope.

0:27:31.720 --> 0:27:39.159
<v Speaker 1>I am forgiven. I should consider the matter. Thank you, Mhm.

0:27:41.600 --> 0:27:44.679
<v Speaker 1>I have heard that the old Sultan al Ghuri was

0:27:44.720 --> 0:27:48.200
<v Speaker 1>also a great artist in his way. Even in our country.

0:27:48.240 --> 0:27:51.680
<v Speaker 1>He's renowned for his perfumes. Does anything remain of his laboratory?

0:27:52.480 --> 0:27:55.520
<v Speaker 1>I don't know. I could ask the physician. They used

0:27:55.560 --> 0:27:59.640
<v Speaker 1>to spend hours together, Theros and Aguri. They were almost friends,

0:27:59.680 --> 0:28:05.760
<v Speaker 1>except well, the Sultan can have no friends. I hope

0:28:05.840 --> 0:28:11.879
<v Speaker 1>that's not true. UM. Yes, I will see if the laboratory.

0:28:11.960 --> 0:28:15.120
<v Speaker 1>Perhaps we could if I decided not to cut off

0:28:15.160 --> 0:28:20.200
<v Speaker 1>your head. I hope not. I'm very attached to it.

0:28:24.920 --> 0:28:30.080
<v Speaker 1>I must go. You will sit for me again. I

0:28:30.119 --> 0:28:36.720
<v Speaker 1>will make a great work. Goodbye, your majesty. I your name,

0:28:37.760 --> 0:28:42.720
<v Speaker 1>I don't know your name. My name is Angel. Thank

0:28:42.760 --> 0:28:58.400
<v Speaker 1>you Angel? What what what was all that about? H? Well,

0:28:58.440 --> 0:29:13.800
<v Speaker 1>come up, h the time, amore? Not your normal scruff.

0:29:14.520 --> 0:29:18.640
<v Speaker 1>This is a man of statcher. This is your chance

0:29:18.680 --> 0:29:34.320
<v Speaker 1>to save yourself. Girl, Go in, Go in, m sit down.

0:29:38.640 --> 0:29:43.640
<v Speaker 1>This is my son varouk pillar. You deprived him of

0:29:43.680 --> 0:29:50.320
<v Speaker 1>his grandfather. Let me look at you. Lift your head,

0:29:51.520 --> 0:30:01.040
<v Speaker 1>look into my eyes. You're very young. So what do

0:30:01.120 --> 0:30:06.040
<v Speaker 1>you have to say for yourself? All right, I'm sorry

0:30:06.160 --> 0:30:11.240
<v Speaker 1>for your father's death. I wish it hadn't happened that night.

0:30:11.280 --> 0:30:14.080
<v Speaker 1>Your father was going to kill me. You were disobedient,

0:30:14.600 --> 0:30:17.240
<v Speaker 1>You were not a proper wife. He killed his other wives.

0:30:18.040 --> 0:30:20.240
<v Speaker 1>He told me what he did to them. Well, they

0:30:20.280 --> 0:30:26.600
<v Speaker 1>were disobedient too. It's true he did have a weakness

0:30:26.760 --> 0:30:30.560
<v Speaker 1>my father, and I understand that for a young girl

0:30:30.600 --> 0:30:38.480
<v Speaker 1>this would have been a difficult experience. Yes, so we

0:30:38.560 --> 0:30:43.840
<v Speaker 1>find ourselves in this situation something no one would envy. Father.

0:30:43.920 --> 0:30:46.760
<v Speaker 1>If I may say, no, fathero, you may not my

0:30:46.880 --> 0:30:50.960
<v Speaker 1>father the merchant Bervand did you not have him killed

0:30:51.000 --> 0:30:55.080
<v Speaker 1>by your father's men? Isn't that a life for a life.

0:30:57.760 --> 0:31:02.120
<v Speaker 1>That is a very interesting thought. In another life, perhaps

0:31:02.600 --> 0:31:06.440
<v Speaker 1>you should have been a banker like me. It may

0:31:06.480 --> 0:31:08.880
<v Speaker 1>offer us a way forward because we have a choice

0:31:08.920 --> 0:31:12.160
<v Speaker 1>here in what happens to you in the end. I'm

0:31:12.200 --> 0:31:14.520
<v Speaker 1>sure my father was fond of you, you see, my

0:31:14.680 --> 0:31:19.840
<v Speaker 1>sincere young woman. And what is the use of carrying hatred?

0:31:20.880 --> 0:31:24.959
<v Speaker 1>We must web the facts of the case with compassion.

0:31:25.760 --> 0:31:32.480
<v Speaker 1>Thank you, Cindy, Thank you for seeing us come from

0:31:32.480 --> 0:31:56.080
<v Speaker 1>Thank you for coming to Cindy. Commander. We have been

0:31:56.120 --> 0:31:59.040
<v Speaker 1>looking for you everywhere. Sergeant, here he is. I found

0:31:59.080 --> 0:32:02.280
<v Speaker 1>him for you, Commander Gregor. We have been ordered to

0:32:02.440 --> 0:32:06.800
<v Speaker 1>escort you back to two Mumbai. What why those are

0:32:06.880 --> 0:32:09.840
<v Speaker 1>our orders? We will leave once the moons are up.

0:32:10.000 --> 0:32:14.360
<v Speaker 1>You will accompany us. Whose order is this? Tell me

0:32:15.120 --> 0:32:18.400
<v Speaker 1>what is going to happen to me? The Grandmaster wishes

0:32:18.440 --> 0:32:20.840
<v Speaker 1>to see you. That is all you need to know.

0:32:22.320 --> 0:32:27.880
<v Speaker 1>Be ready. I have some refreshments in my private rooms, Commander,

0:32:27.920 --> 0:32:30.960
<v Speaker 1>to prepare you for the journey. I would be honored

0:32:31.080 --> 0:32:36.920
<v Speaker 1>if you would. Ah, the inmates are going wild. Nothing

0:32:36.960 --> 0:32:40.000
<v Speaker 1>like this has ever happened before. I fear it's given

0:32:40.040 --> 0:32:43.760
<v Speaker 1>them hope mm hmm, as if they didn't have enough

0:32:43.800 --> 0:32:47.520
<v Speaker 1>delusions already, little quiet and done when they don't get

0:32:47.560 --> 0:33:01.400
<v Speaker 1>any supper. Come my friend Greg. Wait wait? True? Is

0:33:01.400 --> 0:33:05.520
<v Speaker 1>what true? If you go, he'll kills me like the others.

0:33:05.880 --> 0:33:08.440
<v Speaker 1>I think I am next on his Listen. I can't

0:33:08.480 --> 0:33:19.920
<v Speaker 1>help you. Remember if I'm going, I'm going. Actually, I'm

0:33:19.960 --> 0:33:30.440
<v Speaker 1>glad to have caught you before you go, because well,

0:33:30.920 --> 0:33:33.840
<v Speaker 1>you may have seen things here that I mean. I'm

0:33:33.840 --> 0:33:36.680
<v Speaker 1>sure you understand. We are responsible for keeping the palace safe,

0:33:36.720 --> 0:33:39.479
<v Speaker 1>and we are only doing what is necessary our jobs.

0:33:40.240 --> 0:33:50.280
<v Speaker 1>Please sit if you wish, Thank you. Spirits are obviously

0:33:50.360 --> 0:33:53.760
<v Speaker 1>forbidden to the inmates, but well, a bowl of arc

0:33:54.400 --> 0:34:00.120
<v Speaker 1>I have a friend amongst those who supplies m hm m.

0:34:03.160 --> 0:34:08.200
<v Speaker 1>I needed that. This place can get you down. You

0:34:08.239 --> 0:34:10.919
<v Speaker 1>need a hobby, something to take your mind away from

0:34:10.920 --> 0:34:19.840
<v Speaker 1>all this. No, Commander, I have been thinking, Yes, you

0:34:19.920 --> 0:34:22.920
<v Speaker 1>and I are really colleagues, now, aren't we in the

0:34:22.960 --> 0:34:29.680
<v Speaker 1>same way of business? Security and safety. I hope you

0:34:29.680 --> 0:34:32.879
<v Speaker 1>won't forget me when you return to the city. How

0:34:33.000 --> 0:34:39.320
<v Speaker 1>could I perhaps if you need an assistant. I have

0:34:39.440 --> 0:34:42.280
<v Speaker 1>heard about you, asked a few people. You are quite something,

0:34:42.560 --> 0:34:47.359
<v Speaker 1>spymaster the sultan allegory. You are something once and well

0:34:47.480 --> 0:34:50.640
<v Speaker 1>maybe if you when you need someone who will be loyal.

0:34:51.400 --> 0:34:54.720
<v Speaker 1>Nothing I wouldn't do, commander, to get out of this stump,

0:34:55.360 --> 0:35:00.680
<v Speaker 1>I could help you. What is it? The last figure

0:35:00.760 --> 0:35:04.840
<v Speaker 1>in on the shelf? Oh that I see you? What

0:35:04.880 --> 0:35:12.040
<v Speaker 1>amount of taste? Commander record? Let me show you. I

0:35:12.160 --> 0:35:16.800
<v Speaker 1>make these glass figurine It's my hobby. Here, my escape.

0:35:16.880 --> 0:35:20.600
<v Speaker 1>If you will, may I well? If you all right?

0:35:20.760 --> 0:35:28.080
<v Speaker 1>But to be careful. They are so very exquisite, isn't it.

0:35:30.360 --> 0:35:33.680
<v Speaker 1>Perhaps I will make one of you one day, perhaps,

0:35:35.320 --> 0:35:40.080
<v Speaker 1>but unlikely. Careful. It's come here. I want to show

0:35:40.120 --> 0:35:43.080
<v Speaker 1>you something like Yes, but perhaps you should put that

0:35:43.120 --> 0:35:51.080
<v Speaker 1>back first. It's so very now eat you? What have you?

0:35:53.719 --> 0:35:57.720
<v Speaker 1>I am sorry, I didn't mean to sound it's just closer.

0:35:58.520 --> 0:36:23.600
<v Speaker 1>What very dirt? Sup? What in the name of seven

0:36:23.640 --> 0:36:26.359
<v Speaker 1>guys thought you might need some help? Commander? I'm here

0:36:26.400 --> 0:36:33.719
<v Speaker 1>to help. Good to come in? Oh what have you done? Learly?

0:36:33.760 --> 0:36:36.759
<v Speaker 1>What everyone in this building wanted to do? Help me

0:36:36.800 --> 0:36:43.279
<v Speaker 1>lift him? And we need a room with a window. Yes, yes, yes,

0:36:43.320 --> 0:36:53.480
<v Speaker 1>I know just the place. Ye come on next case

0:36:53.600 --> 0:36:59.160
<v Speaker 1>number clock and seven hundred and forty three, but bring

0:36:59.160 --> 0:37:08.560
<v Speaker 1>it in seven hundred and forty three. The court must

0:37:08.600 --> 0:37:14.680
<v Speaker 1>be silent, so the accused maybe heard. Matella, wife of

0:37:14.719 --> 0:37:19.759
<v Speaker 1>Cisco Pillar, you are accused of murder. It's no, I

0:37:19.800 --> 0:37:24.240
<v Speaker 1>mean he wasn't murder. I see the accused her supplied

0:37:24.239 --> 0:37:28.520
<v Speaker 1>the confession. Yes, I never did that. I have it here.

0:37:29.600 --> 0:37:33.479
<v Speaker 1>She said, I neglected my duties as a wife. I

0:37:33.520 --> 0:37:38.040
<v Speaker 1>was disobedient and planned to murder. You don't understand, silence.

0:37:39.840 --> 0:37:42.880
<v Speaker 1>You designed to murder your husband and master, and carried

0:37:42.920 --> 0:37:46.319
<v Speaker 1>out your plan without mercy. These are the facts. You

0:37:46.360 --> 0:37:50.000
<v Speaker 1>have confessed to kill her. He's a monster, he was

0:37:50.080 --> 0:37:52.960
<v Speaker 1>a devil, pregner. You shouldn't be here. The court has

0:37:52.960 --> 0:37:56.920
<v Speaker 1>heard your words. Now be silent. Be silent. It's not

0:37:58.160 --> 0:38:11.480
<v Speaker 1>be silent. He deserved it. Arest that boy God him. Silence, silence.

0:38:13.000 --> 0:38:17.240
<v Speaker 1>I will empty this court. It seems he got away offended.

0:38:17.320 --> 0:38:22.720
<v Speaker 1>Judge very well. I will now proceedute sentencing. The court

0:38:22.800 --> 0:38:28.800
<v Speaker 1>finds you, Mattila, daughter of Melissa Fair mc bullsher Massi Baband,

0:38:30.440 --> 0:38:34.560
<v Speaker 1>guilty of the murder of your husband, Cisco Pilar, a

0:38:34.640 --> 0:38:37.880
<v Speaker 1>merchant of the city and a man of the highest standing.

0:38:39.040 --> 0:38:42.240
<v Speaker 1>There can be no mitigating circumstances when her wife murders

0:38:42.239 --> 0:38:45.200
<v Speaker 1>her husband and master in the bed that she shared

0:38:45.239 --> 0:38:51.880
<v Speaker 1>with him is a member of the Pillar family. President.

0:38:53.280 --> 0:38:59.520
<v Speaker 1>I am offended, Judge and his son Maldive ah iffendy,

0:39:00.400 --> 0:39:04.880
<v Speaker 1>this is my son. Absolutely pleasure. Young man, you have

0:39:05.000 --> 0:39:08.880
<v Speaker 1>been cruelly deprived of the head of your family, loving

0:39:08.960 --> 0:39:13.680
<v Speaker 1>father and grandfather. According to the law of human baby,

0:39:13.840 --> 0:39:16.719
<v Speaker 1>choice rests with you. You may forgive the prisoner. You

0:39:16.760 --> 0:39:20.400
<v Speaker 1>may ask for compensation or demand the life for a life.

0:39:21.480 --> 0:39:25.680
<v Speaker 1>Have you come to a decision? We have fact and

0:39:25.760 --> 0:39:35.040
<v Speaker 1>what is your choice? Praz prez pe We choose death.

0:39:40.280 --> 0:39:43.320
<v Speaker 1>Crying will not help you. Now, my dear, you should

0:39:43.320 --> 0:39:46.759
<v Speaker 1>have thought about your crimes before you committed them. Take

0:39:46.800 --> 0:39:53.040
<v Speaker 1>her away. Come on, seven hundred and seventy three, next

0:39:59.360 --> 0:40:13.520
<v Speaker 1>makes my Yeah, I got him, yeah, yeah, ah yeah.

0:40:13.920 --> 0:40:17.120
<v Speaker 1>It's the highest tower in the palace that I can believe.

0:40:18.080 --> 0:40:20.160
<v Speaker 1>Get him over to the window. He's going to tip

0:40:20.239 --> 0:40:26.160
<v Speaker 1>him out. It'll seem like he fell and broke his neck. Rak.

0:40:27.480 --> 0:40:29.920
<v Speaker 1>I think he was drinking in secret, and blame will

0:40:29.920 --> 0:40:34.880
<v Speaker 1>beyond him. Get him up, Come on, come on, wait.

0:40:35.760 --> 0:40:40.960
<v Speaker 1>Oh now, his keys they're missing. He never went anywhere

0:40:41.040 --> 0:40:43.719
<v Speaker 1>without them, clipped them to his belt. I know where

0:40:43.719 --> 0:41:20.879
<v Speaker 1>they are. Wait here, m ah mm hmm. What then,

0:41:23.320 --> 0:41:28.839
<v Speaker 1>mh I'm sorry. It's been so wrong to help us

0:41:29.840 --> 0:41:35.640
<v Speaker 1>fresh body. I couldn't. I mean, what do we do now?

0:41:35.880 --> 0:41:40.200
<v Speaker 1>It's all right, really, it's not all right. I can

0:41:40.239 --> 0:41:43.480
<v Speaker 1>deal with the body. No one will ever know he

0:41:43.719 --> 0:41:45.800
<v Speaker 1>just vanished. They'll think he went back to the city.

0:41:46.400 --> 0:41:50.480
<v Speaker 1>It's good end badly for you. So no, this is

0:41:50.520 --> 0:41:55.879
<v Speaker 1>what I am going to God all right, I'll leave

0:41:55.960 --> 0:42:00.480
<v Speaker 1>you to your ways. If you do two things for me, anything,

0:42:01.280 --> 0:42:05.400
<v Speaker 1>look after the old man and break every one of

0:42:05.400 --> 0:42:11.880
<v Speaker 1>those damned glass statues. You can trust me. Goodbye, sob goodbye, Commander.

0:42:25.800 --> 0:42:42.680
<v Speaker 1>Are you ready, Commander? I'm ready? Take me to to Monday. Yeah.

0:42:43.320 --> 0:42:47.480
<v Speaker 1>Season four, Episode two of tuman Bay Glass Souls, featuring

0:42:47.560 --> 0:42:52.000
<v Speaker 1>Rufus Wright, Asha Heart, Anton Lesser, and Kirsty Bushell, was

0:42:52.040 --> 0:42:55.160
<v Speaker 1>written by Mike Walker, with music by Sasha Putnam and

0:42:55.360 --> 0:43:00.400
<v Speaker 1>editing and sound designed by Eloise Whitmore. H m hm.

0:43:05.440 --> 0:43:08.840
<v Speaker 1>Tuman Bay is directed by Me John Scott Dryden and

0:43:08.960 --> 0:43:11.959
<v Speaker 1>created by Me and Mike Walker, and produced by Emma

0:43:12.040 --> 0:43:16.040
<v Speaker 1>Hern and Nadir Khan. For more details, including scripts and

0:43:16.080 --> 0:43:21.880
<v Speaker 1>a full cast list, visit to Munbay dot com.