Speaker 1: Another time, another place, a peasant village, open doors onto
Speaker 1: empty huts, mud, desolation, and the child a girl. The
Speaker 1: plague has been here, and the cart bodies piled high,
Speaker 1: the girl's whole family amongst them. The way girl, there's
Speaker 1: nothing for you here. She stands, pitifully thin, her bare
Speaker 1: feet in the mud. It's cruelly cold, and her feet
Speaker 1: are beginning to freeze. She begs for food. No food here,
Speaker 1: nothing nothing for you. You want to claim him with
Speaker 1: the dead, little girl? Huh? Get away, or we'll throw
Speaker 1: you in with the rest of them. She has nowhere
Speaker 1: to go, no one to go to. If she had
Speaker 1: any tears, she would weep, but she has none left.
Speaker 1: She turns and stumbles away and pauses in the mud.
Speaker 1: Something glints. She kneels to pick it up, A corpse
Speaker 1: gift fallen from a dead hand, a tiny gold coin.
Speaker 1: She picks it up, wipes it clean. She has no pockets,
Speaker 1: so she puts it in her mouth and walks away.
Speaker 1: Rat A rat, Yes, there are always rats on chips.
Speaker 1: I'm afraid an artist too, I sincerely hope, captain. That
Speaker 1: is why you have been paid a great deal to
Speaker 1: deliver to bring him to our city. Yes, Signor Piero
Speaker 1: is celebrated throughout the world. What being late? Where is he?
Speaker 1: He will appear when he appears, not when I'm paying
Speaker 1: the bills. He won't go and get him go. The
Speaker 1: Mrs Fatima is not used to waiting. Yes, let him?
Speaker 1: Is this a mistake? Anger? A mistake? Master? Close the window.
Speaker 1: Can smell the damn port tar and bad spices, and
Speaker 1: I think you should get up, Master. They will be
Speaker 1: waiting to receive you. I hate this place already, Pull
Speaker 1: me some wine. You always like this at the beginning
Speaker 1: of a great project. You're a great artist. No, but
Speaker 1: it's too hard. Think about it. The mysterious empire of
Speaker 1: too mom Bay. Who else of your contemporaries has been here?
Speaker 1: There is mystery and beauty to be found. And the
Speaker 1: rewards are great, really, from what I hear, they're not
Speaker 1: exactly overflowing with gold. Let's think what it will mean
Speaker 1: for your reputation. You're right, Angel, You're always right. Ah,
Speaker 1: I need a coup. I need to do something extraordinary,
Speaker 1: great panorama, full of drama. That's more like it. One
Speaker 1: in the eye for that bastard than his bloody seiler.
Speaker 1: Ver are you ready? How do I look like the
Speaker 1: god of art and here we go, signor Piero, What
Speaker 1: a pleasure? Thank you for light. What are you talking about?
Speaker 1: They told me your queen mother. Surely they lie unless
Speaker 1: the Sultana is a mere child. I kneel before you.
Speaker 1: I am your humble devoteem, since your reputation precedes you.
Speaker 1: Your name stands above all others, the greatest of the great,
Speaker 1: and your reputation precedes you, Madam the Savior of tu
Speaker 1: mon Bay, great ruler, indeed perhaps the greatest. Once the
Speaker 1: world sees your portrait, Angel, help me up. I see
Speaker 1: you ah in purple. I hate purple or green, like
Speaker 1: nature herself, the queen of nature m hm or gold
Speaker 1: or gold gold my favorite color. Yes, you are indeed
Speaker 1: and master to Monday, Season four, episode two, Glass Souls
Speaker 1: by Mike Walker. She's awful, isn't she. She does have
Speaker 1: a certain style, master like a viper. She's not actually
Speaker 1: Queen Mother either, just some governor's wife who happened to
Speaker 1: have an army and a hunger for power. How do
Speaker 1: you know these things? Angel? That's what you pay me for.
Speaker 1: When you pay me, Are you receiving an education? And
Speaker 1: it's better than prison. I would have been out back. Now.
Speaker 1: I don't think it's powers. She wants not that alone
Speaker 1: at least and seed in her eyes. I've noticed it
Speaker 1: in a lot of my subjects, hunger for something, fear
Speaker 1: of something. What's that temple? More of a ruin. But
Speaker 1: somehow mhm magnificent. They've been under occupation for m hm hm.
Speaker 1: What happened? Wait? Inside, Master, I'll think that I have
Speaker 1: to go. What is it? Driver? You just ran out
Speaker 1: in front? So are you hurt? You have to go, please, sah.
Speaker 1: I have to see him. I have to go. What
Speaker 1: is it? I have to see the Grandmaster. I have
Speaker 1: to see him. Make away, make away, Thank you to
Speaker 1: the grand You're right, it seems to be odd fellow,
Speaker 1: some kind of monk. I think he's running after those soldiers,
Speaker 1: the first and bal Iraq. The armor, all that I
Speaker 1: will steal. It'll look fine, with the silk and the flesh,
Speaker 1: the hard adge, soft curve, you know, engine. I'm beginning
Speaker 1: to see possibilities in this place. After all odds? What
Speaker 1: do you want? Fop? Can't have to see the Grandmaster
Speaker 1: to gather your breath, pil Grim, I'm bellow, he told me,
Speaker 1: to come to see him if anything happened, I have
Speaker 1: to see him, all right, all right, wait here or oh, Grandmaster,
Speaker 1: what is it? I'm sorry to disturb you at your devotions.
Speaker 1: It is the monk mellow. He says he must speak
Speaker 1: to you. Send him in. Shall I leave you? No? Stay? Hello? Speak?
Speaker 1: I'm so sorry, grandmsself. I don't know how it happened.
Speaker 1: You told me to keep you informed. I came at once.
Speaker 1: I don't know what to say. It was a shop,
Speaker 1: what a breeze. He's gone, the huffies gone. I went
Speaker 1: to his room this morning to waken, and he was
Speaker 1: no more. He's no longer of this world you mean?
Speaker 1: I mean he's amished, gone away. But where I could
Speaker 1: ask you that? Did he show any signs? The night before?
Speaker 1: He went to bed as usual, drunken, elevated in the spirit, Grandmaster,
Speaker 1: you'll notice nothing out of the ordinary. Are you sure certain?
Speaker 1: It's completely out of character? He never leaves his residence
Speaker 1: unless he has to four official duties. Go back to
Speaker 1: the Hefesus palace. See if he has returned. Send word.
Speaker 1: My men will be with you shortly. Go now right, yes,
Speaker 1: of course, I simply what do you intend to do, Grandmaster,
Speaker 1: and he is necessary for our purpose. I have an army.
Speaker 1: They will find him. This city has been growing and
Speaker 1: changing for five thou years, Grandmaster, There's a whole other
Speaker 1: city underground. Does your army even know about that? Nevertheless,
Speaker 1: we must have him. It is written in the scrolls.
Speaker 1: The successor of the teacher must be present. You know
Speaker 1: I am true to your Grandma. Yes I do. An
Speaker 1: army will do you no good. To catch a rabbit
Speaker 1: in a warrant, you need a ferret. There is such
Speaker 1: a man I know who could find the huffies. Oh.
Speaker 1: He knows every street, every alley, every cellar in every attic,
Speaker 1: and he knows the underworld too. Shortly after dawn a
Speaker 1: bell rings. It's early, but early and late have no
Speaker 1: meaning here. We leave our rooms. We shuffle along the
Speaker 1: corridors of our home, as we have done for a
Speaker 1: thousand days, and more, as we will do. There's no
Speaker 1: time in this place, no future. Only I'm not pushy.
Speaker 1: Wait your turn. It's the same as yesterday. There before
Speaker 1: is the scene that you're not to complaine. Thank you, colong,
Speaker 1: Come on, keep moving? What is this? This is slap
Speaker 1: for slaves? I demand better food fit for us some time. Glego, Hello, friend,
Speaker 1: you don't need to be that stuff. Commander Gregor. I
Speaker 1: brought you something from the guardroom, something more fitting, and
Speaker 1: you keep your hands off it, your bustard, and you stop.
Speaker 1: I've got my eyes on you. Thank you left my pleasure.
Speaker 1: We're in the same business, really, you and me. You've
Speaker 1: got to stick together. Anything you want apart from walking
Speaker 1: out the door, which none of us can do. Then
Speaker 1: you've only got to ask. Thank you, simply ask. You
Speaker 1: can rely on me, and I hope I can rely
Speaker 1: on you. Thank you. Olaf. Yes, I need to take
Speaker 1: any kindness I can get. I'm a prisoner. I often
Speaker 1: wondered what it was like. Now I know I have
Speaker 1: to stop fighting, accept things as they are, get through,
Speaker 1: stay alive. Because he could let souls what he steals souls.
Speaker 1: I'll show you, shy and that old man. You wouldn't
Speaker 1: believe me if I told you you must see it
Speaker 1: with your own eyes. Who will? She? Is that what
Speaker 1: I've become another lunatic babbling on about souls. M Come on.
Speaker 1: Once I was master of the cellars of the Palace
Speaker 1: of tuman Bay, and now on following a blind man
Speaker 1: into the cellars of a madhouse. I don't like this.
Speaker 1: Do I even know what I'm doing? Trust me? M
Speaker 1: h We are in Olive's room. What's that smell? You
Speaker 1: know it, don't you? Gregor Death? Mm hmm. Olive must
Speaker 1: have been at his games recently in Look, what do
Speaker 1: you see? Nothing? It's pitch black. Wait, there's a window,
Speaker 1: and the moons will be in line. Soon light will
Speaker 1: come through. M Oh, my god, now you see go
Speaker 1: go look closer, Oh, little figures of glass, so beautiful,
Speaker 1: so many. He's created a theater of death. He burns
Speaker 1: them in the furnace and uses their ashes in the glass,
Speaker 1: their souls trapped in glass forever. There's no such thing
Speaker 1: as a soul. Look and see as I cannot. So
Speaker 1: everyone is mad here, including the gods. I'm in the
Speaker 1: house of the dead and will die here unless I
Speaker 1: can find my way out of this labyrinth. There was
Speaker 1: a wrestler, a fine man, this one here he once
Speaker 1: defeated the Sultan's champion. And a princess, the Princess Gormala.
Speaker 1: This one she used to read to me, Such a
Speaker 1: kind young woman, a princess in the hurry um before
Speaker 1: Sultan hal Guri. I think the first wife was jealous
Speaker 1: and had her sent here. What are you doing? You
Speaker 1: mustn't touch it, my friend, Please Commander olive with It's
Speaker 1: all right. If he even knew we were down here,
Speaker 1: he would relax. Gormala, you say, isn't she exquisite? This
Speaker 1: world is not as you know it. If you are
Speaker 1: to save tom, they must understand that. What did you say,
Speaker 1: I said nothing. We must go, as you can see, offended.
Speaker 1: Time has not been kind to the palace or the
Speaker 1: city cadefended, which is why we're calling on the greatest
Speaker 1: banker in tuman Bay. The Sultana awaits with impatience. You
Speaker 1: are the only man and to you my group, my friend,
Speaker 1: I didn't know you're going to be here. You are
Speaker 1: seeing the Sultana, but alone to the empire too. We
Speaker 1: should be getting on if you will excuse us, come well,
Speaker 1: good to see my group, and you you do will
Speaker 1: to stay clear of this business. Come in with me.
Speaker 1: I'd take care of my friends and your enemies what enemies?
Speaker 1: And i'd see Elly alive? Do you take care? Come?
Speaker 1: I'm not happy to see that man here. Frankly, his
Speaker 1: reputation is not good said very much the same thing
Speaker 1: about you me. I am your friend Pula. The Sultana
Speaker 1: insisted we see him as well, since he was here.
Speaker 1: But all my support is behind you, you know. I
Speaker 1: have a feeling that's what you say to all the bankers.
Speaker 1: Shall we go in? But let me ask you this
Speaker 1: sometimes am I? Now? If I may, how are you
Speaker 1: going to pay this back? What surety are you offering?
Speaker 1: The city has been plundered under occupation, first by Maya,
Speaker 1: then by the Ballad. The Ballara are not occupying the city, offending.
Speaker 1: They are here at the invitation of the Sultana as
Speaker 1: advisers and are soon to depart. Is that not correct, majesty?
Speaker 1: With respect, majesty, I am a practical man, ideal in
Speaker 1: coin hard facts. I would not be here discussing these
Speaker 1: matters if I did not know your visier. Please offended.
Speaker 1: There's no need, no no. This man is a shrewd man.
Speaker 1: He has a reputation, thank you, and he will tell you. Man,
Speaker 1: Will you please look at me when you talk to
Speaker 1: her us that's only a fool lens gold without surety. Ah,
Speaker 1: And if I may, majesty, that's not true. We can
Speaker 1: easily Vizier. Please say what you have to say, a defendi.
Speaker 1: You see, we don't need your goal. What what are
Speaker 1: you saying? We have to rebuild this entire time, mistress.
Speaker 1: Time is not luxury you possess, Cadi. Remember that your
Speaker 1: time is in my gift. Go on. What we need
Speaker 1: pular offended is a credit line, a backer. You lend
Speaker 1: us the gold, but keep it in your vaults, and
Speaker 1: we use it to secure secondary learns gold. We need gold.
Speaker 1: People trust gold, they can taste gold. We can thus
Speaker 1: rebuild the city and its institutions. And above all, we
Speaker 1: will raise confidence. And upon confidence we can grow the
Speaker 1: economy with what I proposing. Your gold is protected. We
Speaker 1: use this gold to raise more gold. The city grows,
Speaker 1: taxes flow, trade agreements are arranged, and the ball Iraq
Speaker 1: will be on the way. We may be able to
Speaker 1: do something we feel a loyalty to too man Bay,
Speaker 1: it has been our home. Give me some time, how
Speaker 1: much time? Not long? Madam? You must remember, though the
Speaker 1: greater the risk to us, the greater the cost to you.
Speaker 1: Cost is nothing. We will create a great event. Visitors
Speaker 1: will come from across the empire. It will resound to
Speaker 1: our glory. Together we will make human Bay great once again.
Speaker 1: Thank you? Is there anything else? We thank you for
Speaker 1: your time and attention. If Endy anything we can do,
Speaker 1: please call on us. There is one thing I noticed
Speaker 1: our friend the bank on the group as we arrived. Right,
Speaker 1: you have the right to, as we say, shop around,
Speaker 1: not that I would well the group. The man's methods
Speaker 1: are questionable, his practice as close to criminal. As I say,
Speaker 1: no more, we understand. Let me see you out. If Endy, wow,
Speaker 1: what do you think? Cost is nothing? Cost is everything?
Speaker 1: We have no gold now, even though you seem happy
Speaker 1: to spend it on entertainers and parties and the expensive perfumes.
Speaker 1: So young and so inexperience, my sweet, the people of
Speaker 1: Tuman Bay need to be amused. If they have time
Speaker 1: to think, then what will they think about? Why should
Speaker 1: they be obedient to an authority that shows neither power,
Speaker 1: nor wealth, nor confidence nor style. That's what they want,
Speaker 1: a ruler who makes them feel they are the greatest
Speaker 1: people in the world. And the ballaraq the greatest nights
Speaker 1: in the world are grass in the wind. They will
Speaker 1: be taken care of. Trust your mother, m hm. I
Speaker 1: look forward to receiving your proposal. P life, and when
Speaker 1: might we expect that she is a problem. I'm sorry
Speaker 1: the woman fat him and the so called queen mother.
Speaker 1: She spends too much. Rebuilding a city is an expensive endeavor.
Speaker 1: I'm not talking about that. It's fine to borrow to
Speaker 1: make more, to build, to grow. But I hear through
Speaker 1: my people, well, let's just say your mistress has expensive taste.
Speaker 1: We will never see our goal back if we lend
Speaker 1: it to her. I don't want to be divisive, but
Speaker 1: there is another offer. Mac group again, think about it.
Speaker 1: Make your decision now. Is there anything else I can
Speaker 1: arrange for your project? No, thank you. We're going to
Speaker 1: the Great Court. That's what it used to be. Now
Speaker 1: it's the grand Master's Court. I believe it would appear
Speaker 1: he has a great concern for justice and for taking
Speaker 1: things over its inters. I was deeply sorry to hear
Speaker 1: about your father's sister, Pila. It was a brutal crime
Speaker 1: to be murdered by his own wife in the bridal bed,
Speaker 1: of all places, and on their wedding night. She was
Speaker 1: his tenth life. You know he had reached the limit
Speaker 1: allowed by the match too such a loss. He wasn't
Speaker 1: old man. This girl should have served his needs until
Speaker 1: the world is sometimes a terrible place. Indeed, but she
Speaker 1: will face justice now. She will bend Pila until the
Speaker 1: next time. I've brought food from prison. Nine you again,
Speaker 1: what you got for me? Bout down the passage? No, no, no,
Speaker 1: they moved her going to court today, she's in the
Speaker 1: holy side. Everybody, I Matilla, Matilla, it's today. I bought
Speaker 1: you an apple, some bread. You need to eat. You
Speaker 1: have to be strong. Did you hear what I said?
Speaker 1: It's today? I know, I know it's going to be
Speaker 1: all right. No, it's not. I'm going to be hanked Frog. No,
Speaker 1: I'm going to talk to someone. Don't you see if
Speaker 1: they call it the Grandmaster's court because he's blind and
Speaker 1: justice is blind. Your train was right. The blind men
Speaker 1: will kill me. It shouldn't be you. I put the
Speaker 1: cord around that bastard's throat. I killed him. I should
Speaker 1: be here, not you. I should tell them I can
Speaker 1: do this if I know you'll live. But if we
Speaker 1: both die, then there's nothing. No one took it to
Speaker 1: Serene and find my little brother and no Is. I
Speaker 1: managed to get some money. We could get a lawyer.
Speaker 1: Four Frog, I killed my husband, a rich man there's
Speaker 1: only one way this can end. You have to do something.
Speaker 1: What can I do? You can hold my head, Just
Speaker 1: hold my head. Drawing board on the table, drawing board
Speaker 1: chokes easels. I know what I'm doing. Don't go in here,
Speaker 1: don't get the other things. We're going to need to
Speaker 1: stretch the campus. This is going to be on the
Speaker 1: grand skime. No one has actually talked about payment yet.
Speaker 1: We need to get that sorted before you do any work. Master.
Speaker 1: They've promised a lot, but so far nothing. I'm an artist,
Speaker 1: not some tradesman. Even so, we'll need to eat, and
Speaker 1: there are other expenses. Wine may not be so easy
Speaker 1: to get here. You must be the artists. Who are
Speaker 1: you the apprentice? I don't need any apprentices, but I
Speaker 1: wish to study. Be off with you, girl. Mr Piero
Speaker 1: has no need of another helper. I would be polite
Speaker 1: and humble, and I am not. You do seem signor little.
Speaker 1: I will loudly box your ears if you don't leave
Speaker 1: at once. But this is my palace. I am minell
Speaker 1: the Sultana. I do hope your needs have been seen too. Ah,
Speaker 1: I'll forgive me, majesty. I had no idea you you
Speaker 1: don't take after your mother. I didn't recognize. Don't don't move, sorry, please,
Speaker 1: don't move, Majesty. The life is perfect. She's not my mother.
Speaker 1: She was the mother of my late husband, Prince Herod. Wonderful,
Speaker 1: such a fine face. Look at me for a moment, Majesty,
Speaker 1: and history will gaze on you forever. M he's sketching you.
Speaker 1: The light is very good here, big windows. So does
Speaker 1: this mean you're not going to box my ears? Your
Speaker 1: Majesty's ears are quite safe. M And I hope, I hope.
Speaker 1: I am forgiven. I should consider the matter. Thank you, Mhm.
Speaker 1: I have heard that the old Sultan al Ghuri was
Speaker 1: also a great artist in his way. Even in our country.
Speaker 1: He's renowned for his perfumes. Does anything remain of his laboratory?
Speaker 1: I don't know. I could ask the physician. They used
Speaker 1: to spend hours together, Theros and Aguri. They were almost friends,
Speaker 1: except well, the Sultan can have no friends. I hope
Speaker 1: that's not true. UM. Yes, I will see if the laboratory.
Speaker 1: Perhaps we could if I decided not to cut off
Speaker 1: your head. I hope not. I'm very attached to it.
Speaker 1: I must go. You will sit for me again. I
Speaker 1: will make a great work. Goodbye, your majesty. I your name,
Speaker 1: I don't know your name. My name is Angel. Thank
Speaker 1: you Angel? What what what was all that about? H? Well,
Speaker 1: come up, h the time, amore? Not your normal scruff.
Speaker 1: This is a man of statcher. This is your chance
Speaker 1: to save yourself. Girl, Go in, Go in, m sit down.
Speaker 1: This is my son varouk pillar. You deprived him of
Speaker 1: his grandfather. Let me look at you. Lift your head,
Speaker 1: look into my eyes. You're very young. So what do
Speaker 1: you have to say for yourself? All right, I'm sorry
Speaker 1: for your father's death. I wish it hadn't happened that night.
Speaker 1: Your father was going to kill me. You were disobedient,
Speaker 1: You were not a proper wife. He killed his other wives.
Speaker 1: He told me what he did to them. Well, they
Speaker 1: were disobedient too. It's true he did have a weakness
Speaker 1: my father, and I understand that for a young girl
Speaker 1: this would have been a difficult experience. Yes, so we
Speaker 1: find ourselves in this situation something no one would envy. Father.
Speaker 1: If I may say, no, fathero, you may not my
Speaker 1: father the merchant Bervand did you not have him killed
Speaker 1: by your father's men? Isn't that a life for a life.
Speaker 1: That is a very interesting thought. In another life, perhaps
Speaker 1: you should have been a banker like me. It may
Speaker 1: offer us a way forward because we have a choice
Speaker 1: here in what happens to you in the end. I'm
Speaker 1: sure my father was fond of you, you see, my
Speaker 1: sincere young woman. And what is the use of carrying hatred?
Speaker 1: We must web the facts of the case with compassion.
Speaker 1: Thank you, Cindy, Thank you for seeing us come from
Speaker 1: Thank you for coming to Cindy. Commander. We have been
Speaker 1: looking for you everywhere. Sergeant, here he is. I found
Speaker 1: him for you, Commander Gregor. We have been ordered to
Speaker 1: escort you back to two Mumbai. What why those are
Speaker 1: our orders? We will leave once the moons are up.
Speaker 1: You will accompany us. Whose order is this? Tell me
Speaker 1: what is going to happen to me? The Grandmaster wishes
Speaker 1: to see you. That is all you need to know.
Speaker 1: Be ready. I have some refreshments in my private rooms, Commander,
Speaker 1: to prepare you for the journey. I would be honored
Speaker 1: if you would. Ah, the inmates are going wild. Nothing
Speaker 1: like this has ever happened before. I fear it's given
Speaker 1: them hope mm hmm, as if they didn't have enough
Speaker 1: delusions already, little quiet and done when they don't get
Speaker 1: any supper. Come my friend Greg. Wait wait? True? Is
Speaker 1: what true? If you go, he'll kills me like the others.
Speaker 1: I think I am next on his Listen. I can't
Speaker 1: help you. Remember if I'm going, I'm going. Actually, I'm
Speaker 1: glad to have caught you before you go, because well,
Speaker 1: you may have seen things here that I mean. I'm
Speaker 1: sure you understand. We are responsible for keeping the palace safe,
Speaker 1: and we are only doing what is necessary our jobs.
Speaker 1: Please sit if you wish, Thank you. Spirits are obviously
Speaker 1: forbidden to the inmates, but well, a bowl of arc
Speaker 1: I have a friend amongst those who supplies m hm m.
Speaker 1: I needed that. This place can get you down. You
Speaker 1: need a hobby, something to take your mind away from
Speaker 1: all this. No, Commander, I have been thinking, Yes, you
Speaker 1: and I are really colleagues, now, aren't we in the
Speaker 1: same way of business? Security and safety. I hope you
Speaker 1: won't forget me when you return to the city. How
Speaker 1: could I perhaps if you need an assistant. I have
Speaker 1: heard about you, asked a few people. You are quite something,
Speaker 1: spymaster the sultan allegory. You are something once and well
Speaker 1: maybe if you when you need someone who will be loyal.
Speaker 1: Nothing I wouldn't do, commander, to get out of this stump,
Speaker 1: I could help you. What is it? The last figure
Speaker 1: in on the shelf? Oh that I see you? What
Speaker 1: amount of taste? Commander record? Let me show you. I
Speaker 1: make these glass figurine It's my hobby. Here, my escape.
Speaker 1: If you will, may I well? If you all right?
Speaker 1: But to be careful. They are so very exquisite, isn't it.
Speaker 1: Perhaps I will make one of you one day, perhaps,
Speaker 1: but unlikely. Careful. It's come here. I want to show
Speaker 1: you something like Yes, but perhaps you should put that
Speaker 1: back first. It's so very now eat you? What have you?
Speaker 1: I am sorry, I didn't mean to sound it's just closer.
Speaker 1: What very dirt? Sup? What in the name of seven
Speaker 1: guys thought you might need some help? Commander? I'm here
Speaker 1: to help. Good to come in? Oh what have you done? Learly?
Speaker 1: What everyone in this building wanted to do? Help me
Speaker 1: lift him? And we need a room with a window. Yes, yes, yes,
Speaker 1: I know just the place. Ye come on next case
Speaker 1: number clock and seven hundred and forty three, but bring
Speaker 1: it in seven hundred and forty three. The court must
Speaker 1: be silent, so the accused maybe heard. Matella, wife of
Speaker 1: Cisco Pillar, you are accused of murder. It's no, I
Speaker 1: mean he wasn't murder. I see the accused her supplied
Speaker 1: the confession. Yes, I never did that. I have it here.
Speaker 1: She said, I neglected my duties as a wife. I
Speaker 1: was disobedient and planned to murder. You don't understand, silence.
Speaker 1: You designed to murder your husband and master, and carried
Speaker 1: out your plan without mercy. These are the facts. You
Speaker 1: have confessed to kill her. He's a monster, he was
Speaker 1: a devil, pregner. You shouldn't be here. The court has
Speaker 1: heard your words. Now be silent. Be silent. It's not
Speaker 1: be silent. He deserved it. Arest that boy God him. Silence, silence.
Speaker 1: I will empty this court. It seems he got away offended.
Speaker 1: Judge very well. I will now proceedute sentencing. The court
Speaker 1: finds you, Mattila, daughter of Melissa Fair mc bullsher Massi Baband,
Speaker 1: guilty of the murder of your husband, Cisco Pilar, a
Speaker 1: merchant of the city and a man of the highest standing.
Speaker 1: There can be no mitigating circumstances when her wife murders
Speaker 1: her husband and master in the bed that she shared
Speaker 1: with him is a member of the Pillar family. President.
Speaker 1: I am offended, Judge and his son Maldive ah iffendy,
Speaker 1: this is my son. Absolutely pleasure. Young man, you have
Speaker 1: been cruelly deprived of the head of your family, loving
Speaker 1: father and grandfather. According to the law of human baby,
Speaker 1: choice rests with you. You may forgive the prisoner. You
Speaker 1: may ask for compensation or demand the life for a life.
Speaker 1: Have you come to a decision? We have fact and
Speaker 1: what is your choice? Praz prez pe We choose death.
Speaker 1: Crying will not help you. Now, my dear, you should
Speaker 1: have thought about your crimes before you committed them. Take
Speaker 1: her away. Come on, seven hundred and seventy three, next
Speaker 1: makes my Yeah, I got him, yeah, yeah, ah yeah.
Speaker 1: It's the highest tower in the palace that I can believe.
Speaker 1: Get him over to the window. He's going to tip
Speaker 1: him out. It'll seem like he fell and broke his neck. Rak.
Speaker 1: I think he was drinking in secret, and blame will
Speaker 1: beyond him. Get him up, Come on, come on, wait.
Speaker 1: Oh now, his keys they're missing. He never went anywhere
Speaker 1: without them, clipped them to his belt. I know where
Speaker 1: they are. Wait here, m ah mm hmm. What then,
Speaker 1: mh I'm sorry. It's been so wrong to help us
Speaker 1: fresh body. I couldn't. I mean, what do we do now?
Speaker 1: It's all right, really, it's not all right. I can
Speaker 1: deal with the body. No one will ever know he
Speaker 1: just vanished. They'll think he went back to the city.
Speaker 1: It's good end badly for you. So no, this is
Speaker 1: what I am going to God all right, I'll leave
Speaker 1: you to your ways. If you do two things for me, anything,
Speaker 1: look after the old man and break every one of
Speaker 1: those damned glass statues. You can trust me. Goodbye, sob goodbye, Commander.
Speaker 1: Are you ready, Commander? I'm ready? Take me to to Monday. Yeah.
Speaker 1: Season four, Episode two of tuman Bay Glass Souls, featuring
Speaker 1: Rufus Wright, Asha Heart, Anton Lesser, and Kirsty Bushell, was
Speaker 1: written by Mike Walker, with music by Sasha Putnam and
Speaker 1: editing and sound designed by Eloise Whitmore. H m hm.
Speaker 1: Tuman Bay is directed by Me John Scott Dryden and
Speaker 1: created by Me and Mike Walker, and produced by Emma
Speaker 1: Hern and Nadir Khan. For more details, including scripts and
Speaker 1: a full cast list, visit to Munbay dot com.