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Speaker 1: slash fifteen for what would you talk about on your

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Speaker 1: on your podcast phone show? You know, I was just thinking,

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Speaker 1: we've got the brain trust other than Elvis sitting here

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Speaker 1: at the mics because everybody else, well, they said, if

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Speaker 1: we're not sticking around for the podcast Friday, So we

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Speaker 1: are the masterminds. I think combined we have what over

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Speaker 1: sixty years of radio experience. Yeah we do. Yeah. Yeah,

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Speaker 1: it's Brody and Nate and Scary Jones. Yeah, so yeah,

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Speaker 1: that's pretty much. I don't think we've done the podcast

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Speaker 1: the three of us ever. And you looked around the room,

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Speaker 1: He's like, what do the three of us have in

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Speaker 1: common we're doing the podcast today. Yeah, there's that, I

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Speaker 1: know this one. Uh. And then you're like, wait a second.

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Speaker 1: We all have the word producer and title. I mean

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Speaker 1: producers A big word when you really kind of consider

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Speaker 1: what we do. It could be when when I when

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Speaker 1: I meet listeners a lot and I'm like, oh, yeah,

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Speaker 1: one of the executive producers on the show, like, what's

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Speaker 1: that you were? Producer? Usually and in several mediums, as

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Speaker 1: I think we were about to say, it has different.

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Speaker 1: It has different connotations and different you know rules of

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Speaker 1: the job, right. Well, uh, you know radio producers, what

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Speaker 1: we do is we provide the means and the leg work.

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Speaker 1: I guess to do a radio show for hosts. Uh,

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Speaker 1: you know TV shows for instance, TV shows and movies.

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Speaker 1: Executive producer means something different. Usually it's copletely different. Do

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Speaker 1: you put up the money for the movie or something.

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Speaker 1: A lot of people get executive producer credit on the

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Speaker 1: movie because you put up the money. Steven Spielberg executive

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Speaker 1: produces a movie he had nothing to do with, right,

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Speaker 1: and he didn't have anything to do with the writing

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Speaker 1: the special effects. You go Steven Spielberg now and SNL

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Speaker 1: Lauren Michael's these days as executive producer. No, no no, he

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Speaker 1: had a lot of hands on, but these days when

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Speaker 1: he just kind of stands there in between commercial breaks,

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Speaker 1: you know, when they come back. Well, he does run

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Speaker 1: the day to day, minute by minute of the actual broadcast,

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Speaker 1: but he oversees who's on the show, make sure the

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Speaker 1: set looks good. Like he's kind of like a like

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Speaker 1: a broad strokes. By the way, shout out to Bobby moynahan.

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Speaker 1: It's his last show. Tomorrow shout out nine years. But anyway,

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Speaker 1: as we were saying, and a lot of morning shows

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Speaker 1: have one executive producer or sometimes the the host of

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Speaker 1: the show is the executive producer. When Scary and I started,

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Speaker 1: one of our co hosts at the time, Elliott, was

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Speaker 1: the executive producer. Yes, they weren't enough people on the show,

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Speaker 1: no budget. They made him do himself. But this show

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Speaker 1: so massive, it needs three producers. Well there's like six producers,

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Speaker 1: but everyone's here called a producer, but there's only three

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Speaker 1: executive producers. And Nates the senior executive producer. And then

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Speaker 1: there's like, you know, producer Sam. Everyone's got producer, but

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Speaker 1: it's not it's a different job. So does that mean

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Speaker 1: that because Nate has the word senior in front of

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Speaker 1: his word executive producer, does that mean he gets belted

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Speaker 1: with all the rest of the bullshit? He gets the crap?

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Speaker 1: You kind of? Really, I sometimes I do feel bad.

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Speaker 1: You used to get it. You used to get it,

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Speaker 1: used to get it. It's it's kind of the You're

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Speaker 1: the filter between a lot of different what I do.

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Speaker 1: I'm the filter between UH sales and promotions, UH listeners.

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Speaker 1: You you can handle, Yeah, yeah, you do. Uh No,

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Speaker 1: we just we just handle everything and weirdly filter whether

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Speaker 1: it's to all of those places I just described, were

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Speaker 1: to Elvis or Danielle or Bethany or the rest of

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Speaker 1: the STI if you read the Steve Harvey memo Lesson,

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Speaker 1: he wrote that letter to the us of his show

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Speaker 1: not to bother him and to filter out everything. So,

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Speaker 1: because it's so difficult to host a show, whether you're

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Speaker 1: Jimmy Fallon or Stephen Colbert or Elvis or Howard Stern,

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Speaker 1: in order to focus your energy and your thoughts on

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Speaker 1: creating a show every day, you can't get bogged down

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Speaker 1: with who wants to advertise, who wants to run a commercial,

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Speaker 1: who wants to talk to him for five minutes. It's

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Speaker 1: impossible to do both. And so there's like, I think

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Speaker 1: if we typed up a list of what we do

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Speaker 1: that would bore our listeners, actually like fifteen pages of

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Speaker 1: what we do, so that he doesn't have to worry

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Speaker 1: about it. Yeah, it's funny. I don't even realize that

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Speaker 1: things that I do every day do you guys like

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Speaker 1: you do it? I don't until they say, write a review,

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Speaker 1: your annual review and list what you do and you can.

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Speaker 1: Holy crap, I'm not getting paid enough. Yeah, it's it's like,

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Speaker 1: you know, scary and I were looking at the clocks

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Speaker 1: seeing what audio elements in there, and then that's primarily

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Speaker 1: scary job. We're going through texts, We're trying to communicate

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Speaker 1: with other people in other studios. We're trying to figure

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Speaker 1: out who's getting on the phone, who's texting in that

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Speaker 1: we can call back. I mean a million things during

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Speaker 1: the show. During the show, we kind of have these

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Speaker 1: overlapping and different things that we're all trying to help

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Speaker 1: each other out. I suppose it is the best way,

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Speaker 1: but but as soon as a guest comes in, then

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Speaker 1: Nate has to be kind of like the greeter and

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Speaker 1: the welcomer, and he's got to make sure that the

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Speaker 1: guests and the guests people, what do they want to

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Speaker 1: talk about, what do they not want to talk about?

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Speaker 1: What kind of mood are they? And how does their

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Speaker 1: voice sound this morning? What kind of night did they

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Speaker 1: have the night before? What? You know, what do we

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Speaker 1: need to tell them not to say on the radio today. Yeah,

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Speaker 1: you kind of a pre interview prior to the interview,

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Speaker 1: and you figure out a couple of things that they

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Speaker 1: want to talk about that aren't on the prep sheet,

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Speaker 1: you know. I mean they're going to talk about their song.

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Speaker 1: You can look on Wikipedia and right up what but

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Speaker 1: you need to know, Hey, they really want to talk

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Speaker 1: about the fact they work with Ed Shearing on this album,

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Speaker 1: but they'd rather not talk about the girls are dating.

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Speaker 1: So and while all this is going on, well, I

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Speaker 1: was just trying to paint the picture. I'm trying to

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Speaker 1: sit there thinking about what kind of how can I

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Speaker 1: add to this with audio? Can I put some fun

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Speaker 1: sound in there? Is They're a good music bed um,

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Speaker 1: you know, And I'll just stand there. Actually I did

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Speaker 1: the least of the three of us. Actually you have

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Speaker 1: to oh, no, Scary walked out of the room yesterday

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Speaker 1: and it was mayhem, mayhem. If you leave for five

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Speaker 1: it's like it's like leaving a baby on the ledge.

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Speaker 1: On the ledge, like that's basically right. If the baby

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Speaker 1: sits there, it looks like you're not doing anything. Leave

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Speaker 1: the room. And I had to leave the room yesterday

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Speaker 1: during While you're leaving a babysitting on a our stool,

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Speaker 1: I mean that thing is gonna come flying off. That's

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Speaker 1: basically what you do. And you also probably have the

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Speaker 1: hardest job. You have to read Elvis's mind before he

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Speaker 1: even knows what's going to be in his mind. That's correct. Yeah,

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Speaker 1: I'm always anticipating Elvis' Elvis will say, you know what,

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Speaker 1: I was at a street fair of the day, and

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Speaker 1: Scary knows it was an Italian one, so he can

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Speaker 1: see tying music. Yeah, and actually that's a little behind

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Speaker 1: the scenes. If anybody's listening, they hear Elvis do this. Yeah,

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Speaker 1: you know, I was, I was on the you know,

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Speaker 1: I was on the street and I heard this Italian

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Speaker 1: music and all of a sudden hear you hear him

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Speaker 1: move away from the microphone. He's getting Scaris attention or

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Speaker 1: is looking already right. A lot of times I'm facing

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Speaker 1: the you'll hear Elvis move away, and it's because he's

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Speaker 1: turning the Scary so and and by the way, just

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Speaker 1: on that note, I do have a computer full of

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Speaker 1: millions of sound effects and songs and things and all

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Speaker 1: you gotta you know, we can kind of pull up

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Speaker 1: a search for that stuff. But the thing about Scary

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Speaker 1: is he's so hyper focused on one thing, whatever the

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Speaker 1: one thing is, so so he'll be sometimes Scary staring

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Speaker 1: at the computer to make sure that everything's word should

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Speaker 1: be and it all the things are going to fire

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Speaker 1: at the same time where they should. He gets so

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Speaker 1: focused that when Elvis starts talking about the Italian Festival,

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Speaker 1: Scary didn't hear it. So Nate, who's about seven feet away,

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Speaker 1: starts waving his arms. I will take a piece of paper,

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Speaker 1: crumple up and throw it at him. He goes like,

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Speaker 1: like you just woke someone up from the deep sleep.

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Speaker 1: Tians just walked in with Danielle, And by the way,

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Speaker 1: why is it a boys club. We're just talking about

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Speaker 1: how we're the backbones of the show and Danielle just

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Speaker 1: comes in here and we pop her up. Really, you

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Speaker 1: are the bad phones of the show. Do you want

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Speaker 1: to should I tell you what to tell him? Right now,

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Speaker 1: we were talking about all of the things we do

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Speaker 1: behind the scenes. Everything seems well. I wouldn't say it

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Speaker 1: seems seamless or sounds seamless when we're doing the show.

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Speaker 1: It is funny that the three producers were doing in

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Speaker 1: the podcast, and I'll be you wanting me to beat

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Speaker 1: I'll be totally honest. If Scary left tomorrow, Elvis wouldn't

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Speaker 1: know what to do with himself. He could not do

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Speaker 1: the show without scary. Come on, Nate does so much

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Speaker 1: behind the scenes that you have no freaking idea. He's

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Speaker 1: constantly running around. He protects all of us from the

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Speaker 1: craziness and he it's like our goal between for a

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Speaker 1: lot of things. And he keeps Elvis on track with

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Speaker 1: timing and Brody have the funny ship that comes out

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Speaker 1: of my mouth comes Brody writes it on a piece

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Speaker 1: that comes out Elvis's man. Right, So so Brody is

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Speaker 1: like one of you know, I mean, come on, stop,

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Speaker 1: I wrote top of train today. Things though about these guys, Daniel,

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Speaker 1: I think you can notice is just like when a

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Speaker 1: president goes in for his first day versus his last

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Speaker 1: day as president, you can see the aging process. So

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Speaker 1: I can see the aging process on all three of

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Speaker 1: these guys. Over time. You're telling me that I look old. Well,

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Speaker 1: your hair hasn't changed too much. Yeah. So being a

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Speaker 1: being a producer is usually followed by oh, you're you

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Speaker 1: produced the show? Have you met Elvis? Well? Do you

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Speaker 1: know Greg t Yeah? They go, so where are you

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Speaker 1: when the show is going on? Right within three ft

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Speaker 1: of Elvis, we all are You're in there, So what

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Speaker 1: do you do? I just I don't know. It's funny,

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Speaker 1: like we all have people that listen for us, right,

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Speaker 1: they might enjoy the show, but you know, whether it's

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Speaker 1: Danielle's mom, Garrett's wife, I mean, they hope to listen

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Speaker 1: to you. My mom knows the seven words per show.

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Speaker 1: I see I heard you. I heard you say hanukah

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Speaker 1: and I heard you say baseball. So I remember talking

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Speaker 1: to my mom and she said, why aren't you on

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Speaker 1: the show more? I go, well, Mom, I'm a producer.

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Speaker 1: I'm doing more stuff as the show is going on.

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Speaker 1: You guys, well, I don't know if I want to

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Speaker 1: really listen unless you're on it. Oh my god, mom

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Speaker 1: listening for you. This podcast has given us as producers

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Speaker 1: an opportunity to talk more, and we do. We have

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Speaker 1: gotten a lot of tweets, all of us going, hey,

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Speaker 1: you're you're you know you you're good at talking. You're okay.

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Speaker 1: How come you don't talk on the answer for that

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Speaker 1: except that's not our job. We have so much to do.

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Speaker 1: We actually don't have time. We all contribute where we can.

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Speaker 1: One Elvis wants to talk and talk right. We have

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Speaker 1: a giant where Danielle's job to talk. Nobody asked Bethany

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Speaker 1: and Danielle how come they not grabbing sound effects, because

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Speaker 1: that's not their role. You wouldn't want me to, because

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Speaker 1: you I would. I keep thinking if you had me

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Speaker 1: run the board with we'd be off the air because

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Speaker 1: I wouldn't. Okay, what the hell, Daniel, how long have

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Speaker 1: you been at the radio station? I listened to me

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Speaker 1: in college, I ran a great board. I read a

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Speaker 1: type board. But once I left college and I came here,

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Speaker 1: nobody asked me to do it, so I didn't stick

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Speaker 1: up stick to it. And then somebody once told me

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Speaker 1: don't learn to run the board, and I said why

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Speaker 1: because then they'll make you do it. So I said, okay,

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Speaker 1: And I never left twenty two years. You've been here

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Speaker 1: for as long as I have, and and Brody and

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Speaker 1: and twenty two years, and you haven't. I think. I

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Speaker 1: think you started before Bill Clinton's second term as president.

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Speaker 1: So you still can't run the board right now, and

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Speaker 1: you come over here, you think you could. I think

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Speaker 1: you could do it. I think he could. But there's

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Speaker 1: nothing to do except I think she could do. My

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Speaker 1: favorite is when Daniel is getting ready to do a

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Speaker 1: phone tap and she'll go listen, this guy's on a

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Speaker 1: lunch break. You gotta hurry. I gotta set the board up.

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Speaker 1: I go set the board up. I don't know. Do

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Speaker 1: you remember that daniel did that awesome phone tap and

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Speaker 1: then you go to listen to it. She didn't record

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Speaker 1: the call and I do phone taps together. We tag team.

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Speaker 1: He helps me be funny. So Garrett was Garrett put

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Speaker 1: the board on. We didn't put your button. Look, so

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Speaker 1: maybe maybe you can call the guy back. And Fool said, scary.

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Speaker 1: When you take this home to edit it, you are

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Speaker 1: gonna love it. You is the best phone tap ever.

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Speaker 1: And I'm like, really, so I still think it's gonna

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Speaker 1: be funny. If we just played Danielle's reaction and we

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Speaker 1: don't play the other call to it, that would be funny.

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Speaker 1: Phone come back. Just Danielle was recorded. In fairness, I

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Speaker 1: did that once, but I mean I just started. I was,

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Speaker 1: as some of you may know, I started doing the

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Speaker 1: prank phone calls before anyone else and then they caught

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Speaker 1: on him, and but he did him. So I was

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Speaker 1: doing him myself in the studio and I didn't know

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Speaker 1: how to I didn't know the button to push for something,

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Speaker 1: and I recorded a great prank phone call on a guy. Um.

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Speaker 1: I told him that he was gonna be He was

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Speaker 1: been in for jury duty. And I called him and

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Speaker 1: I said, you're gonna be sequested. You on a murder trial.

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Speaker 1: And said, no, no, it's a it's a traffic thing.

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Speaker 1: I'm going I said, nope, we moved you up. You're

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Speaker 1: on a murder trial. You can be sequested for three months.

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Speaker 1: It's Jimmy the Weasel. Have you heard of him? No? Oh,

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Speaker 1: he killed seventy three people. And I had the guy.

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Speaker 1: I was terrified. It was great, and then I was like, yes,

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Speaker 1: this was great. It was so good, and I didn't

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Speaker 1: hit the record button. My favorite Danielle story and I

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Speaker 1: fulle for it. Every time she goes into the studio

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Speaker 1: is about to record a phone call, and then she goes,

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Speaker 1: you dial the phone for me? Wait, and what I go?

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Speaker 1: I go? Sure? And then after I dial the phone,

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Speaker 1: I go and youll knows how to dial a phone.

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Speaker 1: I know a dollar phone, but I don't know how

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Speaker 1: to put them on hold without hanging up on each

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Speaker 1: of them. Like if I put one on hold every time,

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Speaker 1: then I will go to put the other person on hold,

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Speaker 1: and then I'll hang up person. It's terrible. Just now

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Speaker 1: I was in their recording commercials and I'm like pushing

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Speaker 1: but and I, Josh, could you come and help me

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Speaker 1: to bring I don't know which buttons to push bring

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Speaker 1: full circle. This is why this show has three executive producers,

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Speaker 1: because to handle everybody. In fact, maybe a fourth one

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Speaker 1: that's this one for everybody is out playing having a

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Speaker 1: great time. I go home at night and I take

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Speaker 1: everybody's phone taps and everybody who tries a phone tap,

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Speaker 1: and I edited down to a listenable length because sometimes

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Speaker 1: we get fifteen minutes of audio, and you know, because

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Speaker 1: we don't know how long they hang off, they won't

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Speaker 1: answer the phone again. So all that stuff is cut out.

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Speaker 1: We should do a whole expose on on the phone

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Speaker 1: taps on one of these podcasts and talk about how

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Speaker 1: many fail and how many you know, how long it

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Speaker 1: takes to actually sometimes you have to do them over

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Speaker 1: two or three days because you can't get the person

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Speaker 1: back on the phone. I have one that was the

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Speaker 1: best one I've ever done, and it was about a

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Speaker 1: girl who was working at Hooters and I called to

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Speaker 1: tell her that her uniform was in and her dad

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Speaker 1: answered the phone and I said, oh, he's like he

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Speaker 1: was amazing. He remembered scary. You remember this. He said

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Speaker 1: that if we played that phone tap then he would

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Speaker 1: come and basically kill us. Tried to give him money,

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Speaker 1: we tried everything, and he's listening and so this phone

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Speaker 1: tap will never see the light of day. And it

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Speaker 1: was so just like, it'll be just like the one

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Speaker 1: that Broady did where he didn't hit the record button.

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Speaker 1: Never kill me. Yeah, that show, That minute Morning Show,