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Speaker 1: I mean, so what I'm gathering it with Halloween candy?

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Speaker 1: Rank go okay, so some of them here comes and shot,

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Speaker 1: it's just COVID Hollywood hamper some of these candies. You know,

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Speaker 1: I don't know I missed. I missed just getting to

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Speaker 1: eat a piece of candy, a disc mm hmmm uh,

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Speaker 1: or even like a little ball that's one color and

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Speaker 1: one flavor. That's it, and the flavor is whatever color

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Speaker 1: it is. If it's red, the flavors red.

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Speaker 2: Can I tell you what I missed When I was

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Speaker 2: a kid, And I'm showing my age here, but you

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Speaker 2: guys will maybe remember you would go out and it

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Speaker 2: wasn't all about candy. You would walk to the you

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Speaker 2: would walk to the door. They would either give you

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Speaker 2: a penny, or if you were really lucky, you'd get

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Speaker 2: an apple in a shave, which is you'd eat most

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Speaker 2: of the apple and then there'd be a nice razor

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Speaker 2: blade inside that you could use to give yourself a

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Speaker 2: really close shave. Now, of course, as a kid, I

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Speaker 2: didn't necessarily need it, but it was good practice. And

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Speaker 2: I feel like that has completely disappeared from the Halloween tradition.

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Speaker 1: Even the TP the kids are using these days to

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Speaker 1: tpe my bush's seventh generation exactly, and so it's like

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Speaker 1: one ply organic. So I'm like, well, that is the

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Speaker 1: bush you're using. You're putting the bush on the book.

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Speaker 1: I might as well use the bush. It's a hat

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Speaker 1: on a halt point. I bring that inside. I'm like,

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Speaker 1: did I accidentally get some of the book?

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Speaker 3: Yeah?

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Speaker 1: Did I just grab a leaf?

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Speaker 2: Because this stuff is all plants? Everything's made out of plants.

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Speaker 2: Maybe not everything should be, you know what I mean,

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Speaker 2: maybe some stuff should be made out of whatever else

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Speaker 2: we used to do, because some of it's worse.

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Speaker 3: Wasn't toilet paper always made out of plants?

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Speaker 1: Though?

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Speaker 2: One second, Alex, one second, I feel like maybe I

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Speaker 2: cut you off when I said Halloween candy rink go.

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Speaker 1: Let me think what because it was like, so what

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Speaker 1: I was hearing was, yeah, this whole like Madison Square

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Speaker 1: Garden thing, you see this, It's like everyone was like

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Speaker 1: being awful, being so crazy. I it was just like

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Speaker 1: a misunderstanding with the dates. I heard that that audience

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Speaker 1: thought they were going to the dropout show.

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Speaker 2: That makes so much so that's why they were Well,

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Speaker 2: where else would you gag such a collection of heathens?

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Speaker 1: Yes, that's right, Heathens.

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Speaker 2: Then the disgusting fan base they've cultivated over there. You

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Speaker 2: lay down with dogs, you wake up with fleas. I

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Speaker 2: like to say, am I right, Alex, and now you

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Speaker 2: can come in.

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Speaker 3: Uh I've never laid down with a dogs.

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Speaker 1: The gold Man is here, yep, dude, just shoot out

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Speaker 1: of his fingers. King might ass more like mighty ass,

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Speaker 1: mighty ass seen each other from here?

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Speaker 3: Why the chest up?

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Speaker 2: Hmm?

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Speaker 3: I said, I think we've only ever seen each other

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Speaker 3: from like the chest up. I don't think.

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Speaker 1: Well, not a head gum.

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Speaker 2: Here they show our entire fucking body for some reason,

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Speaker 2: and they don't have and they make sure that the

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Speaker 2: seating kind of forces your pelvis forward this fucking place.

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Speaker 2: Just give me a fucking chair, dude. At one point

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Speaker 2: I was like, hey, the new studio is better, and

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Speaker 2: it's like but better than what.

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Speaker 1: Yeah, I need. Also I will always need a new

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Speaker 1: one after some amount of time. Yeah, even just remembering

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Speaker 1: that this is the new studio, I was like, Oh,

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Speaker 1: that's not it's not interesting to me anymore. This is

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Speaker 1: not fun being here. It was fun for a second. Yeah.

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Speaker 2: Well, wherever you go there, you are right. You bring

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Speaker 2: yourself to the new studio. You're finding that with your

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Speaker 2: new podcast. Eh, oh you've got.

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Speaker 3: A new podcast, Yes, I do. My studio is my basement,

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Speaker 3: so you know.

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Speaker 1: Is that what we're looking at right now?

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Speaker 3: Yep.

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Speaker 1: A lot of wires back there, yep, the.

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Speaker 2: Basement tapes, the basement tape.

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Speaker 3: Yeah, that's the wires are for my rock and roll jamming.

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Speaker 3: It's for all the cool music I make. Are you

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Speaker 3: gonna plays something today if you insist? I feel like

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Speaker 3: that's what I was doing. Tell me about the show.

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Speaker 3: It's called something.

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Speaker 2: I'm sure you always have some kind of name for everything.

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Speaker 3: Uh, yep, it's called hyper fixed. The premise is that

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Speaker 3: people listen. Listeners come to me with with issues, problems

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Speaker 3: big or small, and then I try and solve the problem.

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Speaker 2: Well, this is this is great. This is really good.

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Speaker 1: Because I we have this thing here that we're trying

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Speaker 1: to deal with. God, this is so perfect.

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Speaker 2: I can't believe that. It's just like written in the stars.

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Speaker 1: Sometimes mister God has smiled on me once again today.

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Speaker 2: Thanks mister God, Alex.

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Speaker 1: We have this thing here where we're doing this right

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Speaker 1: and like we come in and do we're like doing

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Speaker 1: it now. We're doing the show. Yeah, you agree with that.

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Speaker 1: It's me and him and like we like come in

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Speaker 1: and the show is happening, and we come in and

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Speaker 1: do this show and then it goes out and it's.

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Speaker 2: This, yeah, okay, unfortunately, Yeah.

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Speaker 1: We are looking at you did what you did, and

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Speaker 1: it's different. It's a different show, right, Yes, But every

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Speaker 1: time we like every time I try to like get

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Speaker 1: a new one started, sounds like this ready, we're we're

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Speaker 1: We're sorry, he's sick.

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Speaker 2: It's just COVID.

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Speaker 3: So that's what your podcast.

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Speaker 1: Sound like, you know what that's you know that sound

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Speaker 1: when you try and like get it go. You're trying

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Speaker 1: to rev it up.

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Speaker 3: Oh yeah, when you try and rev them up.

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Speaker 1: Yes, I'm pulling the thing it's given me. No uh

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Speaker 1: like for it's just like the pull string is like

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Speaker 1: coming out like it's not like rubbing up against anything,

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Speaker 1: you know, It's like it's totally frictionless, the pull string.

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Speaker 3: So it's like a lawnmower. I'm just trying to I'm

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Speaker 3: just trying to visualize show. Yeah, I don't know how to.

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Speaker 3: I don't well, I can't say I don't know because

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Speaker 3: it's like literally my job.

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Speaker 2: Now I used to mold, you know. And whenever i'd

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Speaker 2: see one of those shirts it says ass gas or

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Speaker 2: grass no one Rhydes for free. I'd go, that's easy grass.

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Speaker 2: I have so much of.

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Speaker 1: It from lawnmowing, you know. I mostly that's an easy one.

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Speaker 1: I mostly do lawn as a result of this show.

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Speaker 2: Right, I agree. Yeah, you say that, but there's no

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Speaker 2: enthusiasm behind it.

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Speaker 1: Is because that show is going to be like.

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Speaker 3: My show. No, my show. There's a lot of enthusiasm

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Speaker 3: on mine. You're excited about your show. Okay, So it's

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Speaker 3: just which is why, which is why I'm on this show.

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Speaker 2: I guess I'm relieved it Okay, So I take it in,

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Speaker 2: I take it into the shop. I wheel my podcast in.

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Speaker 3: Okay.

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Speaker 1: They're looking at there, I mean, and of course they're

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Speaker 1: trying to tell you like that, like you need to

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Speaker 1: like toss it and just like get a whole new one.

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Speaker 1: You take it in there. They're always gonna hit you

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Speaker 1: with like.

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Speaker 2: Yeah, this thing's shot, buddy, we got one in the back.

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Speaker 2: We got a podcast in the back that's just actually

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Speaker 2: a steal, perfect for you, perfect for your needs.

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Speaker 1: And then you come back a few weeks later, you

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Speaker 1: sell them your but you trade in your podcast. Oh

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Speaker 1: we can give you.

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Speaker 2: Yeah, we could scrap this podcast for parts, so we'll

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Speaker 2: give you a little discount on the one where you know,

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Speaker 2: sending you out the doorway.

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Speaker 1: Yes, and then you come in a few weeks later

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Speaker 1: and you see it on the floor on a raised

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Speaker 1: platform rotating around.

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Speaker 2: Yours is on display because because fundamentally the concept of

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Speaker 2: yours was sound, it was something that actually could sustain.

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Speaker 2: And they're sending you home, you know, with a cast

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Speaker 2: off some sort of unfinished Mike Detective script or something.

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Speaker 2: You're going, well, I don't know what to do with it,

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Speaker 2: you know what I mean. It didn't originate with you.

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Speaker 2: You have no idea how to handle it. And they've

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Speaker 2: taken yours, which I mean, say some of the ones

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Speaker 2: that you've brought in there, Hayes, that they've gone on, I.

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Speaker 1: Mean some of the biggest podcasts cereal, Yes, yeah, he

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Speaker 1: was serious, some of the biggest part. Not the first one, no, no, no,

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Speaker 1: but some of the biggest one one not that one,

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Speaker 1: not that one, the other one, not the second one.

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Speaker 3: Which curial did you do then, Hayes?

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Speaker 1: There was one where like someone had hit somebody uh huh.

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Speaker 1: And they were like like just a just a punch

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Speaker 1: even with a hand, not even yeah, not even a

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Speaker 1: punch and not even with a hand. Yeah, they just

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Speaker 1: kind of like kind of like like puffed up. It's

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Speaker 1: like kind of been running forward, kind of like.

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Speaker 3: Like a you know, mush chest bump kind of situation.

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Speaker 1: Kind of yeah, kind of not really.

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Speaker 2: Yeah, that's not a good Well, but this is what

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Speaker 2: why the podcast was so valuable.

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Speaker 1: And mostly with their neck, we couldn't.

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Speaker 2: Yeah, it wasn't the kind of thing you could just

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Speaker 2: call a punch or a chest bump like. It was

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Speaker 2: more complex and so over a series of episodes, serialized episodes,

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Speaker 2: Hayes was unpacking you know, what was the point of contact?

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Speaker 1: Was it?

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Speaker 2: And and was it an avoidable accident?

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Speaker 1: So we decided to ask the question why did you

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Speaker 1: do that?

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Speaker 3: The mushing someone with your neck, which is the sort

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Speaker 3: of kind sort of what I've gotten from you so far.

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Speaker 1: Well, who's the real victims? Right, who's the real victim?

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Speaker 3: That's kind of romantic romantic.

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Speaker 2: It's the corruption as well, yes, of the of the

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Speaker 2: school board that they suspended both of these students.

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Speaker 1: It was kids. Oh wait, sorry, did you say they

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Speaker 1: were being romantic.

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Speaker 3: I thought that, I mean, mushing someone with your neck

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Speaker 3: does sound.

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Speaker 1: Kind of weird to say that about kids, though.

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Speaker 3: All right, well, I I wasn't aware when I said

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Speaker 3: it that it was kids. I do. I guess, are

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Speaker 3: you gonna are you gonna clip this and put it

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Speaker 3: on TikTok and make it?

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Speaker 1: Don't think so?

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Speaker 2: I don't think so doesn't feel like a TikTok clip

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Speaker 2: episode so far?

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Speaker 3: I better step up my game. I'm sorry.

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Speaker 2: Oh no, no, no, no, you're you kidding.

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Speaker 1: So how do we like, how do we get this going?

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Speaker 1: I mean even just like the picture, right, we have

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Speaker 1: this like we're so we're doing this right, and it's

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Speaker 1: the there's the picture.

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Speaker 2: Okay, m hm, you understand what he says, the picture?

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Speaker 2: What he's saying.

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Speaker 3: I have no clue what he's talking about.

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Speaker 1: Okay. I mean I thought you were like the guy

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Speaker 1: that did this stuff, but like, and I also thought

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Speaker 1: you were doing a show where you help people or

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Speaker 1: at least try.

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Speaker 2: Yeah, I mean I'm calling in to you to say,

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Speaker 2: help us at least with this episode show.

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Speaker 3: Yeah, can I just sort of lay out what I

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Speaker 3: understand so far? You have returned a podcast to the store.

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Speaker 3: They said they would scrap it.

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Speaker 2: You take it, taking it into the shop. Take it

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Speaker 2: into the shop getting posed by a smooth operator.

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Speaker 3: Your podcast won't start, so you take it to the shop.

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Speaker 3: They say you got to get a new one the

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Speaker 3: next week. You see it on the floor and then

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Speaker 3: raise the platform that turns around, yes, rotating yeah, and

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Speaker 3: then maybe don't in my backpack. Yes, And then there's

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Speaker 3: a picture.

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Speaker 2: What's the picture that's actually your job?

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Speaker 1: But oh, okay, well I bet on a raised platform.

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Speaker 1: They put all this like it's not like a light show,

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Speaker 1: but the lights are moving in like a cool sequence.

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Speaker 1: And they have got it cool for the summer, playing

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Speaker 1: by Demi Levado, and it makes it's making what my

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Speaker 1: podcast look good? As ship up there.

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Speaker 2: They're able to they're able to sell the sizzle. Yes,

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Speaker 2: why weren't you able to sell?

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Speaker 1: Like? What were you?

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Speaker 3: What was your problem when you.

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Speaker 2: Were That's why you too, We went to the shop

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Speaker 2: to get the problem. But you also come in and

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Speaker 2: you go, I got this show where I fix things,

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Speaker 2: and then we go we got stuff that we have

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Speaker 2: to bring to the shop that needs fixing. You go,

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Speaker 2: why didn't it Why didn't it work. Why didn't you

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Speaker 2: fix it? And it's like, motherfucker, what are you here for?

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Speaker 1: What do you do? This is what happened?

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Speaker 2: Did I call up with a problem?

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Speaker 1: And why'd you do it wrong? Now I find myself

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Speaker 1: being like do I buy my own podcas cast back?

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Speaker 1: It looks so good up there? The song is like

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Speaker 1: so ill and so, and I'm like drawn to it.

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Speaker 1: And then the tongue of my shoe is getting caught

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Speaker 1: in this rotating platform.

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Speaker 3: This sounds this sounds.

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Speaker 1: Dangerous, and so I want to just like I want

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Speaker 1: to play it cool. Obviously, these guys already think I'm

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Speaker 1: like a total dumb ass, and so I can't be

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Speaker 1: like getting caught in the gears of this rotating and

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Speaker 1: I certainly kind of show how scared I am. Yeah,

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Speaker 1: so I have to like be very coolly, just like

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Speaker 1: walking around with the platform with my other foot.

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Speaker 2: She's kind of like pretending to be looking at it

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Speaker 2: like that that I that I want to see one

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Speaker 2: part of it, and so I have to keep moving

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Speaker 2: with and just like oh hmm, like leaning down like oh.

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Speaker 1: Okay, interesting.

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Speaker 2: As I'm walking and the platform is moving faster and faster,

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Speaker 2: and I'm crying I mean, I'm crying because.

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Speaker 1: It moves with a song, like goes to the tempo

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Speaker 1: of the song.

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Speaker 2: Yeah, so it's pigging up speed and I'm thinking I

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Speaker 2: cannot ask for help. I cannot get my shoe out

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Speaker 2: of this out of this thing, I cannot get my

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Speaker 2: foot out of this shoe. I'm going to lose my

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Speaker 2: leg in this podcastle Yeah.

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Speaker 1: I need to get hyper fixed.

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Speaker 3: I do have to say that one of the things

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Speaker 3: I say on my show is that there are problems

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Speaker 3: I'm not going to be able to solve. They feel

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Speaker 3: too big. I don't think this is one of them.

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Speaker 3: I want to be very clear. I think that we

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Speaker 3: can probably work this one out.

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Speaker 1: Okay, So I mean there's I wanted to start with

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Speaker 1: the picture Jesus, so like, let me let me try

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Speaker 1: and start over and explain this a little better.

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Speaker 2: Yeah, we.

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Speaker 1: Have this show that we're doing, this show.

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Speaker 2: Okay, maybe you're familiar, you're on it.

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Speaker 1: I'm yeah, I know it, and it happens here, could

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Speaker 1: have me and it's this, it has the picture right,

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Speaker 1: and it's it's the one picture and that's the one,

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Speaker 1: like that's the one you see, no matter which one

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Speaker 1: it is.

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Speaker 3: Okay, do you mean like the podcast cover art? Are

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Speaker 3: you talking about the video that we're filling out art?

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Speaker 1: Wow? I guess you think that's art. Wow. I guess

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Speaker 1: he really thinks that's art from a museum.

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Speaker 2: This guy goes into his podcast app looks at all

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Speaker 2: the little thumbnail images and goes like, what a culturally

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Speaker 2: enriching day of having looking at all this art. I

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Speaker 2: have such an appreciation of art.

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Speaker 1: Wow. I guess he thinks that he's looking at art

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Speaker 1: at the museum when he looks at the podcast picture.

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Speaker 2: Oh wow, I'm like fucking desgass over here, loving artist.

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Speaker 2: Uh they goss ask grass or gas?

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Speaker 3: Yeah you could. Okay, so do you have a problem

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Speaker 3: with the picture?

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Speaker 1: Well, a.

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Speaker 2: Dude, do you have a problem with the picture?

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Speaker 3: Uh, that's a good question.

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Speaker 1: The new one that needs a new picture you have.

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Speaker 1: You have to have a picture for yours. I do

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Speaker 1: have a picture picture for mine. Okay.

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Speaker 3: It's sort of like a I do know, so okay,

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Speaker 3: first of all, I do.

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Speaker 1: Okay.

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Speaker 3: Second of all, it's sort of like a nineteen thirties

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Speaker 3: cartoony style caricature of me.

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Speaker 1: Okay, it's sort of like that. So what is it like?

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Speaker 3: It's a it's exactly like that, that's what it is, Okay,

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Speaker 3: and then it just says hyper fixed above.

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Speaker 1: It, that's from the nineteen thirties.

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Speaker 3: It's not. It's it's in the style of animation from

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Speaker 3: the nineteen thirties, like Popeye or or early Warner Brothers cartoons.

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Speaker 3: Not it's not from the nineteen thirties. I was negative,

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Speaker 3: Now I have to do math. I was like negative fifty.

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Speaker 1: It's kind of it's just kind of weird to be like,

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Speaker 1: let's go back to the nineteen thirties.

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Speaker 2: It wasn't the best time for a lot of people.

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Speaker 1: And it's kind of almost saying like.

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Speaker 2: This is how I'm going to fix everything as I'm

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Speaker 2: going to make it like the thirties again. It's a

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Speaker 2: little my goat coated. Uh shit.

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Speaker 1: Do you think that's unfair?

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Speaker 3: No, that's very fair. I wish that I had you

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Speaker 3: guys as consultants before I launched the show.

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Speaker 1: My God, that's the opposite. That's the opposite of this.

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Speaker 1: Oh we are because trying to get consultants.

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Speaker 2: Yeah, we are trying to We are trying to have

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Speaker 2: you consult us.

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Speaker 1: Do what all we do is your show. God, I

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Speaker 1: wish you'd called earlier to help me with some of

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Speaker 1: my ship.

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Speaker 2: Yeah, I cannot be you just offload all of the

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Speaker 2: emotional labor onto your caller.

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Speaker 3: Uh, some of it, certainly. I mean they have responsibilities

349
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Speaker 3: as well. I can't do it all by myself. They

350
00:20:47,720 --> 00:20:50,479
Speaker 3: can't just sit back. They can't be passive. They have

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Speaker 3: to be active in the process of helping me solve

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Speaker 3: the problem.

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Speaker 1: Where do you put out? Okay, it's time to call

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Speaker 1: me now. Yeah.

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Speaker 3: Uh, I don't understand this question at all.

356
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Speaker 1: So okay, okay, Chris.

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Speaker 2: So the callers your show is you take callers, they

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Speaker 2: call you. Uh.

359
00:21:14,200 --> 00:21:16,240
Speaker 3: It's more like people send me emails and then like

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Speaker 3: I will, I will, I will call them myself. So

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00:21:22,080 --> 00:21:28,120
Speaker 3: I'm the caller, okay, and then I get a better

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Speaker 3: idea of what's going on with them, and then I

363
00:21:30,320 --> 00:21:32,520
Speaker 3: try and figure it out, and also try and figure

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Speaker 3: it out in like the larger context of what people

365
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Speaker 3: might experience I might experience.

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Speaker 2: They email you and you call them, Yes, what's the email?

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Speaker 3: Uh, problems at hyperfixedpod dot com.

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Speaker 2: I have a actually I think I have a way

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Speaker 2: to streamline this system.

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Speaker 1: They call you.

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Speaker 3: That's a good idea. I'm we are planning on putting

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00:22:01,400 --> 00:22:03,600
Speaker 3: together a phone a phone line. I just haven't done

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Speaker 3: it yet.

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Speaker 1: Hyperfixpod dot com. Yeah, there was already a hyperfix dot com.

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Speaker 3: Yeah, it's uh, it's some kind of it's it's it's

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00:22:13,200 --> 00:22:17,800
Speaker 3: some weird website that Uh, that is definitely not what

377
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Speaker 3: I'm trying to do.

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Speaker 1: Yeah, if you're normal, they're the weird ones.

379
00:22:22,080 --> 00:22:24,919
Speaker 2: It's it just seems like it's a you.

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Speaker 3: It seems like it is a website to try and

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Speaker 3: sell ADHD, like herbal ADHD medicine and ADHD.

382
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Speaker 2: Uh, that's so weird to try to try to cure

383
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Speaker 2: something with natural ingrediment.

384
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Speaker 1: For is acting like he doesn't know that hypersexuality is

385
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Speaker 1: an ADHD response.

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Speaker 3: Oh, I know, I've seen that ad quite a bit.

387
00:22:49,000 --> 00:22:53,879
Speaker 2: Yeah, that's I'm not I'm not horny, I'm neurodivergent.

388
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Speaker 1: Bell. You haven't seen me do it. I mean you

389
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Speaker 1: haven't seen it. Yeah, they think you've seen it.

390
00:23:02,960 --> 00:23:07,119
Speaker 2: You have no idea. Remember MTV's diary. You think you know,

391
00:23:07,600 --> 00:23:11,440
Speaker 2: but you have no idea. That's you with the ADHD

392
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Speaker 2: hypersexuality ads because you haven't seen Hayes do it.

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Speaker 1: So you think you know.

394
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Speaker 2: But you have no idea.

395
00:23:18,840 --> 00:23:23,400
Speaker 1: I haven't seen it because I'm I'm in it, because

396
00:23:23,800 --> 00:23:26,960
Speaker 1: I'm spinning around so fast i can't see ship.

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Speaker 3: Well, I was thinking, so, I've been thinking about this

398
00:23:32,040 --> 00:23:35,080
Speaker 3: problem with the pedestal and how you're trapped in it.

399
00:23:35,200 --> 00:23:37,959
Speaker 3: There must be some do you have any do you

400
00:23:38,080 --> 00:23:39,960
Speaker 3: carry with you anything like a set of keys or

401
00:23:40,000 --> 00:23:42,119
Speaker 3: something that you could maybe throw at the circuit breaker

402
00:23:43,400 --> 00:23:46,520
Speaker 3: turn it off. Well that's a great place to start.

403
00:23:47,160 --> 00:23:49,919
Speaker 2: If you shoot shot.

404
00:23:49,800 --> 00:23:55,600
Speaker 3: The pedestal enough, probably it'll probably stop going. And that's

405
00:23:55,720 --> 00:23:56,560
Speaker 3: problem one solved.

406
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Speaker 2: You can entire be on the hook for the podcast

407
00:23:59,040 --> 00:23:59,639
Speaker 2: at that point.

408
00:24:01,600 --> 00:24:03,480
Speaker 3: Well, you just have to shoot around the podcast to

409
00:24:03,520 --> 00:24:04,320
Speaker 3: make sure you're not damaged.

410
00:24:04,760 --> 00:24:07,600
Speaker 1: Here's an idea. This could be a good movie. Ped cemetery.

411
00:24:09,680 --> 00:24:10,600
Speaker 2: This could be a good movie.

412
00:24:10,720 --> 00:24:15,440
Speaker 1: That's where that's where the pedestal goes ed cemetery.

413
00:24:15,520 --> 00:24:18,480
Speaker 2: So the pedestals have been buried in this one particular

414
00:24:19,280 --> 00:24:21,040
Speaker 2: sort of lot.

415
00:24:21,480 --> 00:24:22,200
Speaker 3: Do they come back?

416
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Speaker 1: Mean?

417
00:24:23,680 --> 00:24:28,240
Speaker 2: Yeah, when the pedestals come back, they're like, they're they're pissed.

418
00:24:28,240 --> 00:24:30,840
Speaker 2: They're not the same as they were. Oh, my beloved

419
00:24:30,880 --> 00:24:35,679
Speaker 2: pedestal has returned to me. I thought you'd never turn again.

420
00:24:36,160 --> 00:24:40,320
Speaker 2: And then the behavior is a little bit strange, and

421
00:24:40,760 --> 00:24:43,119
Speaker 2: we start to realize maybe not such a blessing to

422
00:24:43,160 --> 00:24:46,639
Speaker 2: have something come back from the dead, especially a pedestal.

423
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Speaker 1: To whom we felt so close.

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Speaker 3: If you take it to the ped cemetery, you don't

425
00:24:51,880 --> 00:24:55,720
Speaker 3: even have to worry about replacing anything. The manager might

426
00:24:55,720 --> 00:24:58,480
Speaker 3: come out and get very upset, ah, my pedestal, and

427
00:24:58,520 --> 00:25:00,960
Speaker 3: then you could say, like, buddy, just give me a

428
00:25:01,000 --> 00:25:02,960
Speaker 3: couple of days. Yeah, I'll get this thing back to you,

429
00:25:03,720 --> 00:25:07,120
Speaker 3: and then you don't have to worry about its behavior

430
00:25:07,160 --> 00:25:10,480
Speaker 3: because it's not you don't work at the store. Problem solved.

431
00:25:10,480 --> 00:25:11,560
Speaker 3: I think I've done a great job.

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Speaker 1: Yeah, that's what I say often about things that are

433
00:25:15,160 --> 00:25:16,879
Speaker 1: like going on in the store that people are mad

434
00:25:16,920 --> 00:25:18,000
Speaker 1: at me about. It is like, do you think I

435
00:25:18,119 --> 00:25:20,640
Speaker 1: work here? I don't work in the store. If you're

436
00:25:20,640 --> 00:25:23,359
Speaker 1: going to get mad at me, like, like, pay me first,

437
00:25:24,880 --> 00:25:27,760
Speaker 1: we have no contract for my behavior in here.

438
00:25:29,960 --> 00:25:32,399
Speaker 3: The contract I thought was that the customer is always.

439
00:25:32,200 --> 00:25:35,879
Speaker 1: Right, see, and I am always right because I'm turning.

440
00:25:39,160 --> 00:25:42,240
Speaker 3: Oh I imagined it clockwise, not counterclockwise.

441
00:25:42,760 --> 00:25:45,119
Speaker 2: Me too, I know that was part of how I

442
00:25:45,119 --> 00:25:48,600
Speaker 2: got stuck in the first place. Well, I know which

443
00:25:48,600 --> 00:25:52,480
Speaker 2: way this thing's going to spin before you know it.

444
00:25:53,720 --> 00:25:57,960
Speaker 2: I'm fucking why they shoot horses, don't they?

445
00:25:58,000 --> 00:26:02,560
Speaker 1: What am I thinking of? Yeah? No, it is like that.

446
00:26:02,600 --> 00:26:06,639
Speaker 1: It's like the dance marathon. Yeah, because there's other people

447
00:26:06,760 --> 00:26:09,560
Speaker 1: it's stuck in it too. Yeah, obviously.

448
00:26:10,720 --> 00:26:13,080
Speaker 3: That wasn't that wasn't obvious. You need to see I

449
00:26:13,080 --> 00:26:15,680
Speaker 3: feel like, Okay, I don't want to sound rude, but

450
00:26:15,720 --> 00:26:19,199
Speaker 3: I feel like you're not laying out important details to

451
00:26:19,320 --> 00:26:23,160
Speaker 3: help me solve your problem. Like I don't need that much.

452
00:26:23,400 --> 00:26:25,520
Speaker 3: But the fact that other people are trapped in it,

453
00:26:26,520 --> 00:26:28,720
Speaker 3: are they there deliberately or have they just all been

454
00:26:29,200 --> 00:26:32,920
Speaker 3: like flies to honey? They're just I was just.

455
00:26:32,880 --> 00:26:40,040
Speaker 1: Like, sorry, I'm just like reeling from this attitude of yours.

456
00:26:41,359 --> 00:26:41,960
Speaker 1: I don't want to.

457
00:26:41,920 --> 00:26:46,040
Speaker 2: Sound rude, but unloads a fucking barrage of rudeness on me.

458
00:26:47,480 --> 00:26:53,800
Speaker 2: Uh yeah, I guess they're like flies to honey, even

459
00:26:53,840 --> 00:26:54,840
Speaker 2: though that's a b thing.

460
00:26:56,800 --> 00:27:06,919
Speaker 3: I'm I mean several. I mean, I've I've seen antson

461
00:27:07,000 --> 00:27:09,119
Speaker 3: honey before too, Like I've seen a lot of bugs

462
00:27:09,119 --> 00:27:10,440
Speaker 3: apparently in honey.

463
00:27:10,960 --> 00:27:15,879
Speaker 2: Yeah, did you then create a sort of societal association

464
00:27:16,080 --> 00:27:20,680
Speaker 2: between ants and honey? That has existed, you know, basically

465
00:27:20,720 --> 00:27:21,800
Speaker 2: for all of time.

466
00:27:23,520 --> 00:27:24,919
Speaker 3: I mean if you bees.

467
00:27:24,680 --> 00:27:28,480
Speaker 1: Have done that, bees have done that, bees have put

468
00:27:28,520 --> 00:27:30,520
Speaker 1: in the work. So talk to me.

469
00:27:31,160 --> 00:27:33,720
Speaker 2: I could put a fucking grasshopper in, Honey.

470
00:27:35,359 --> 00:27:38,920
Speaker 1: And I have talk to me. Talk to me about

471
00:27:38,920 --> 00:27:41,720
Speaker 1: Sticky House, Alex, because I know this is a project

472
00:27:41,760 --> 00:27:46,520
Speaker 1: that like outside of kind of thing or maybe it's

473
00:27:46,520 --> 00:27:49,320
Speaker 1: related to the podcasting thing we had, like the different

474
00:27:49,400 --> 00:27:53,800
Speaker 1: hype houses, like the things that the kids were doing,

475
00:27:54,320 --> 00:27:59,360
Speaker 1: like pre pandemic and they would like all like live

476
00:27:59,359 --> 00:28:01,640
Speaker 1: in this one half and be like a party every night.

477
00:28:01,920 --> 00:28:04,199
Speaker 1: And your idea was a version of that that was

478
00:28:04,880 --> 00:28:08,560
Speaker 1: sticky and like I can feel you around like you're

479
00:28:08,600 --> 00:28:10,879
Speaker 1: like I've seen all kinds of bugs like stuck in

480
00:28:10,960 --> 00:28:14,120
Speaker 1: the thing, Like this is feeling like.

481
00:28:14,160 --> 00:28:16,760
Speaker 2: You're going they're flocking the sticky house like a dead

482
00:28:16,840 --> 00:28:20,680
Speaker 2: leaf mantis to Honey, It's like okay.

483
00:28:21,000 --> 00:28:23,760
Speaker 1: So it's like this is feeling very sticky house. Go

484
00:28:23,960 --> 00:28:26,879
Speaker 1: it to me, so like like let like do you

485
00:28:27,000 --> 00:28:28,639
Speaker 1: want to just get into Sticky House?

486
00:28:29,560 --> 00:28:33,360
Speaker 3: Sure? Well, you remember the old Bud Melman bit where

487
00:28:33,359 --> 00:28:35,800
Speaker 3: he would you know, run up the David.

488
00:28:35,680 --> 00:28:40,160
Speaker 2: Like I know, mostly the new Budd bits I don't.

489
00:28:40,680 --> 00:28:44,480
Speaker 2: I'm I'm not as familiar with Bud Melman's early work.

490
00:28:44,800 --> 00:28:47,960
Speaker 2: I know the very recent Bud Melman bits. So what

491
00:28:48,000 --> 00:28:50,040
Speaker 2: do you say, like, you know the old Bud Melman bit.

492
00:28:50,120 --> 00:28:54,320
Speaker 2: I have to stop you there. No, I love his

493
00:28:54,520 --> 00:28:57,800
Speaker 2: new stuff, But tell me what the old one was.

494
00:28:58,520 --> 00:29:01,040
Speaker 2: I didn't even know he was doing stuff earlier. I

495
00:29:01,080 --> 00:29:03,320
Speaker 2: thought he was kind of a new face on the scene,

496
00:29:04,000 --> 00:29:07,360
Speaker 2: Bud Melman. But tell me the old Bud Melman bit.

497
00:29:09,080 --> 00:29:11,200
Speaker 3: Uh, he would wear like a velcrow suit and then

498
00:29:11,280 --> 00:29:13,440
Speaker 3: leap at a velcrow wall. And I kind of wanted

499
00:29:13,480 --> 00:29:15,640
Speaker 3: to extend that to an entire house, like there'd be

500
00:29:15,720 --> 00:29:17,320
Speaker 3: velcrow chairs.

501
00:29:17,160 --> 00:29:21,160
Speaker 1: But not but like not velcrow like you know, you're

502
00:29:21,320 --> 00:29:22,080
Speaker 1: like something.

503
00:29:22,160 --> 00:29:25,080
Speaker 3: Yeah, the difference is this will this will be uh,

504
00:29:25,120 --> 00:29:27,440
Speaker 3: this will It'll all be honey, there will be it'll be.

505
00:29:28,200 --> 00:29:31,240
Speaker 3: There's a thin coat of honey right on everything except

506
00:29:31,280 --> 00:29:32,840
Speaker 3: for stuff that you need to stick to really bad,

507
00:29:32,880 --> 00:29:34,200
Speaker 3: and that's there's a thicker coat.

508
00:29:34,040 --> 00:29:36,080
Speaker 1: Of But you were calling hunty for a while at

509
00:29:36,160 --> 00:29:38,920
Speaker 1: least done on socials.

510
00:29:38,360 --> 00:29:41,680
Speaker 3: And I think, yeah, when I was, when I was

511
00:29:41,680 --> 00:29:45,160
Speaker 3: on drag Hunting, when I was on drag Race, you

512
00:29:45,200 --> 00:29:51,720
Speaker 3: call it, Yeah, yeah, that felt a little. It felt

513
00:29:51,720 --> 00:29:53,600
Speaker 3: like I was co opting someone else's culture. So I

514
00:29:53,600 --> 00:29:54,560
Speaker 3: thought I'd give it a rest.

515
00:29:56,200 --> 00:29:58,440
Speaker 1: But good to rest it.

516
00:29:59,040 --> 00:30:02,760
Speaker 2: When I say about cultural appropriation is like, need to

517
00:30:02,880 --> 00:30:04,120
Speaker 2: rest it sometimes.

518
00:30:05,200 --> 00:30:06,560
Speaker 1: Obviously we're gonna do it.

519
00:30:07,000 --> 00:30:08,160
Speaker 3: Obviously we're gonna do it again.

520
00:30:09,120 --> 00:30:11,040
Speaker 2: I've done it on this show. I will do it

521
00:30:11,080 --> 00:30:13,080
Speaker 2: on another episode of the show. But right now I'm

522
00:30:13,120 --> 00:30:15,080
Speaker 2: in sort of a resting period where I build up

523
00:30:15,080 --> 00:30:17,400
Speaker 2: my strength to do that.

524
00:30:18,680 --> 00:30:20,960
Speaker 3: And so you have to learn learn about other cultures

525
00:30:21,000 --> 00:30:22,960
Speaker 3: in order to appropriate them. So that's sort of what

526
00:30:23,120 --> 00:30:23,800
Speaker 3: I do in the rest.

527
00:30:23,640 --> 00:30:25,480
Speaker 2: Of It's sort of a research and you got to

528
00:30:25,480 --> 00:30:28,200
Speaker 2: fill up the tank creatively. I need to fill up

529
00:30:28,240 --> 00:30:31,840
Speaker 2: my tank, and I think that we all need that.

530
00:30:31,920 --> 00:30:34,560
Speaker 2: And sometimes you'll say, oh, I did nothing today. You know,

531
00:30:34,640 --> 00:30:37,120
Speaker 2: you'll say I didn't get any work done today. I'll

532
00:30:37,160 --> 00:30:40,280
Speaker 2: say this, and then when I look back, I go, no,

533
00:30:41,240 --> 00:30:46,480
Speaker 2: I observed another culture. I saw some things they were

534
00:30:46,560 --> 00:30:49,920
Speaker 2: doing that I could then, you know, take on as

535
00:30:49,960 --> 00:30:53,720
Speaker 2: a sort of comedic behavior. Like imagine if I did this,

536
00:30:54,520 --> 00:30:58,400
Speaker 2: and I will say like, oh, well, wasn't that actually work?

537
00:30:58,840 --> 00:31:01,880
Speaker 2: Wasn't that you know, sort of loading up my quiver

538
00:31:02,440 --> 00:31:07,160
Speaker 2: so that I could come on the show. You know,

539
00:31:07,200 --> 00:31:10,960
Speaker 2: I try to get a laugh and offend some people

540
00:31:11,440 --> 00:31:13,760
Speaker 2: and sort of debase myself.

541
00:31:14,440 --> 00:31:18,040
Speaker 1: You spend the day, You look back on the day

542
00:31:18,040 --> 00:31:21,160
Speaker 1: and like, oh, I spent the entire day and the

543
00:31:21,880 --> 00:31:24,960
Speaker 1: like right inside my front door on my knees with

544
00:31:25,000 --> 00:31:26,280
Speaker 1: my forehead on the ground.

545
00:31:27,160 --> 00:31:29,440
Speaker 2: That's a wasted day, right, Oh, it was a whole

546
00:31:29,440 --> 00:31:30,040
Speaker 2: waste of day.

547
00:31:30,240 --> 00:31:32,560
Speaker 1: But then you think about her. That gave me the

548
00:31:32,800 --> 00:31:36,280
Speaker 1: energy to go to the bathroom.

549
00:31:36,360 --> 00:31:38,440
Speaker 3: If you're in sticky House, you you're gonna have a

550
00:31:38,480 --> 00:31:41,320
Speaker 3: real hard time getting your head see from off the floor.

551
00:31:42,680 --> 00:31:44,760
Speaker 3: And that's like an episode right there. How is he

552
00:31:44,800 --> 00:31:46,200
Speaker 3: gonna get his head out of this?

553
00:31:46,440 --> 00:31:50,200
Speaker 1: I could actually like and I saw some of the

554
00:31:50,280 --> 00:31:52,280
Speaker 1: things that Sticky House people were doing, and I was like, God,

555
00:31:52,280 --> 00:31:55,200
Speaker 1: I could actually like destroy in there, because I am like,

556
00:31:55,280 --> 00:31:57,320
Speaker 1: I'm basically a sticky house. When I walk in my

557
00:31:57,320 --> 00:31:59,480
Speaker 1: front door and it's not even that sticky, it.

558
00:31:59,400 --> 00:32:02,560
Speaker 2: Feels like avity works harder inside my house because I

559
00:32:02,880 --> 00:32:05,920
Speaker 2: the second I crossed that threshold, I am so heavy

560
00:32:06,400 --> 00:32:09,000
Speaker 2: and I am dropping to my knees and my forehead

561
00:32:09,040 --> 00:32:13,520
Speaker 2: is hitting the ground, and so I feel like I've

562
00:32:13,560 --> 00:32:16,560
Speaker 2: been training for Sticky House my whole life because I

563
00:32:16,600 --> 00:32:19,920
Speaker 2: am so that's more of a metaphright, that's more of

564
00:32:19,920 --> 00:32:20,800
Speaker 2: a metaphoric thing.

565
00:32:20,880 --> 00:32:23,160
Speaker 3: This is like actually literal. Not only will you have

566
00:32:23,200 --> 00:32:26,880
Speaker 3: the metaphoric weight of life on your your shoulders, like

567
00:32:26,920 --> 00:32:29,120
Speaker 3: you're actually gonna have to unstick your body from certain

568
00:32:29,160 --> 00:32:32,000
Speaker 3: parts of the house and it's going to be exciting.

569
00:32:31,640 --> 00:32:33,680
Speaker 1: Certain parts of the house. So you've got some parts

570
00:32:33,680 --> 00:32:36,600
Speaker 1: that are like not sticky or not that sticky.

571
00:32:38,000 --> 00:32:40,480
Speaker 2: I feel like there are a couple like shopping.

572
00:32:40,240 --> 00:32:43,040
Speaker 1: That around necessarily if I'm like, if I'm out here

573
00:32:43,080 --> 00:32:44,200
Speaker 1: like talking about sticky.

574
00:32:44,040 --> 00:32:46,600
Speaker 2: If it's like a budget restruction or something, I can't

575
00:32:46,600 --> 00:32:47,040
Speaker 2: make it all.

576
00:32:47,320 --> 00:32:49,360
Speaker 1: Well, like why aren't they sticky?

577
00:32:49,760 --> 00:32:51,400
Speaker 2: Yeah, I think you're going to get that question.

578
00:32:52,800 --> 00:32:54,640
Speaker 3: I mean they are safe spaces and all of the

579
00:32:55,480 --> 00:32:58,800
Speaker 3: sort of like reality TV shows, you know, where they

580
00:32:58,840 --> 00:33:04,720
Speaker 3: go the confessional wing on. I think I'm gen x.

581
00:33:04,840 --> 00:33:07,040
Speaker 3: I think I might be too old to be a millennial.

582
00:33:07,760 --> 00:33:11,160
Speaker 2: Well could have fooled me, providing a safe space for everyone.

583
00:33:11,560 --> 00:33:17,760
Speaker 1: Yeah, yeah, he's gen x, right. Jennifer Zanniston, Hey.

584
00:33:17,600 --> 00:33:21,800
Speaker 2: Alex, I've got a safe space, Alex. You know I've

585
00:33:21,800 --> 00:33:25,760
Speaker 2: got a safe space for you, six feet underground, pretty

586
00:33:25,760 --> 00:33:26,560
Speaker 2: safe down there.

587
00:33:28,560 --> 00:33:31,520
Speaker 3: I would be inclined to disagree. So you remember that,

588
00:33:32,560 --> 00:33:37,840
Speaker 3: I act like you remember that. I remember it. It's

589
00:33:37,840 --> 00:33:45,840
Speaker 3: one one of my favorite memories. Oh who.

590
00:33:47,680 --> 00:33:51,880
Speaker 1: Okay, So, but this is unrelated hyper fixed, even though

591
00:33:51,880 --> 00:33:54,120
Speaker 1: it is what you would call the condition of being

592
00:33:55,840 --> 00:34:00,280
Speaker 1: in sticky house. Mm hmm, is totally unrelated to Sticky House.

593
00:34:00,880 --> 00:34:03,800
Speaker 1: It's not Yeah, I'm gonna start trying effort to move

594
00:34:03,840 --> 00:34:05,400
Speaker 1: on from Sticky House.

595
00:34:06,240 --> 00:34:08,640
Speaker 3: It's I'm gonna start a separate podcast called hyper sticks

596
00:34:08,800 --> 00:34:10,719
Speaker 3: and it's gonna be about being stuck in.

597
00:34:11,200 --> 00:34:13,440
Speaker 2: It's gonna You can't doubt with that right now. I

598
00:34:13,480 --> 00:34:16,720
Speaker 2: can't deal with that right now. It's it's an interesting idea.

599
00:34:16,800 --> 00:34:20,040
Speaker 2: I'm sure I don't have the space for that right now.

600
00:34:20,160 --> 00:34:23,240
Speaker 2: We're dealing with your podcast. Sticky House is a separate

601
00:34:23,280 --> 00:34:26,160
Speaker 2: thing that's gonna then generate a new podcast. I don't

602
00:34:26,200 --> 00:34:27,760
Speaker 2: know if you'll be able to figure out a picture

603
00:34:27,800 --> 00:34:31,480
Speaker 2: for it. I don't know if the picture will be offensive.

604
00:34:32,760 --> 00:34:36,080
Speaker 2: And I I just can't cope with that. You said

605
00:34:36,080 --> 00:34:37,400
Speaker 2: at the top of the show you were going to

606
00:34:37,440 --> 00:34:38,280
Speaker 2: play us something.

607
00:34:40,360 --> 00:34:44,520
Speaker 3: If you insist what are we?

608
00:34:45,920 --> 00:34:48,440
Speaker 1: What's our weapon of choice these days?

609
00:34:48,920 --> 00:34:50,759
Speaker 3: Well, I got a synthesizer.

610
00:34:51,080 --> 00:34:54,200
Speaker 1: Movie like, okay, like you're gonna punch me, don't put

611
00:34:54,200 --> 00:34:56,359
Speaker 1: your hand like right up, like I just say, you're

612
00:34:56,400 --> 00:34:56,920
Speaker 1: gonna do it?

613
00:34:57,000 --> 00:35:00,480
Speaker 3: Yeah, yeah, okay, I'm gonna is it? Okay if I

614
00:35:00,520 --> 00:35:02,440
Speaker 3: point my camera at the keyboard or.

615
00:35:02,400 --> 00:35:04,879
Speaker 2: No, soul, I just keep it on my face from

616
00:35:04,920 --> 00:35:07,799
Speaker 2: the side or something. Yeah, the synthesizer. So you're just

617
00:35:07,840 --> 00:35:11,439
Speaker 2: playing the sort of axle f really holds copy song

618
00:35:11,480 --> 00:35:11,879
Speaker 2: all day?

619
00:35:12,600 --> 00:35:16,520
Speaker 3: Could I do that? Is the question? Hold on a second,

620
00:35:16,640 --> 00:35:19,520
Speaker 3: let me see if it works. Can you hear this?

621
00:35:21,520 --> 00:35:28,640
Speaker 1: Were we were off to a good start. M Oh,

622
00:35:28,800 --> 00:35:32,400
Speaker 1: we lost it. I stopped being able to hear it.

623
00:35:32,440 --> 00:35:33,600
Speaker 1: I think it got too high.

624
00:35:33,920 --> 00:35:39,040
Speaker 2: Yeah, oh okay, we heard like a note or two. Yeah,

625
00:35:39,120 --> 00:35:41,040
Speaker 2: it was suggested just a note of being able to

626
00:35:41,080 --> 00:35:41,520
Speaker 2: play it.

627
00:35:42,840 --> 00:35:44,160
Speaker 3: You can hear it or no.

628
00:35:44,000 --> 00:35:48,919
Speaker 1: No, no, no, wow, got it. I had successfully done that,

629
00:35:49,440 --> 00:35:52,520
Speaker 1: like in one try, and then I realized that no

630
00:35:52,560 --> 00:35:53,399
Speaker 1: one could hear it.

631
00:35:55,800 --> 00:35:57,239
Speaker 3: You guys are just gonna have to take my word

632
00:35:57,280 --> 00:35:59,279
Speaker 3: for it. I would just go up on the road.

633
00:36:01,080 --> 00:36:02,840
Speaker 3: I did do it in one try, and it was great,

634
00:36:03,040 --> 00:36:03,520
Speaker 3: really good.

635
00:36:06,080 --> 00:36:09,120
Speaker 1: Maybe one more wire back there. Maybe that's what we need,

636
00:36:09,560 --> 00:36:10,960
Speaker 1: one more wire to get.

637
00:36:10,760 --> 00:36:13,279
Speaker 2: The one wire that runs into the sort of get

638
00:36:13,280 --> 00:36:18,040
Speaker 2: those high ones thing that and wire that makes things

639
00:36:18,040 --> 00:36:19,400
Speaker 2: audible to others.

640
00:36:21,360 --> 00:36:22,840
Speaker 1: I can hear that first.

641
00:36:22,880 --> 00:36:30,759
Speaker 2: I can hear that note, and then it cuts out.

642
00:36:32,120 --> 00:36:32,520
Speaker 3: Damn it.

643
00:36:32,760 --> 00:36:38,600
Speaker 1: I don't know why. Yeah, if if that's me, If

644
00:36:38,600 --> 00:36:41,960
Speaker 1: I play that the first time, first try, I'm not,

645
00:36:42,120 --> 00:36:44,040
Speaker 1: and no one can hear. I'm not recovering from that.

646
00:36:45,239 --> 00:36:46,280
Speaker 3: I did my best.

647
00:36:46,320 --> 00:36:47,919
Speaker 1: We aren't coming back from that one.

648
00:36:48,719 --> 00:36:51,680
Speaker 3: I'm also playing. I'm also it's also off to my side,

649
00:36:51,680 --> 00:36:53,680
Speaker 3: so I'm playing with one hand while I'm looking at

650
00:36:53,680 --> 00:36:54,960
Speaker 3: you to try.

651
00:36:55,000 --> 00:36:56,920
Speaker 1: And that's what would have made it so amazing. If

652
00:36:56,920 --> 00:36:59,839
Speaker 1: we had been able to hear it. Yeah nobody did.

653
00:37:00,080 --> 00:37:01,560
Speaker 3: That would have been But you can only hear the

654
00:37:01,560 --> 00:37:02,240
Speaker 3: first note.

655
00:37:02,520 --> 00:37:02,799
Speaker 4: I can't.

656
00:37:03,680 --> 00:37:04,000
Speaker 1: No, I.

657
00:37:06,640 --> 00:37:08,440
Speaker 2: Like to joke around as much as anyone.

658
00:37:09,880 --> 00:37:10,600
Speaker 1: This is real.

659
00:37:11,239 --> 00:37:14,839
Speaker 2: We cannot hear it, but we but we do hear

660
00:37:14,880 --> 00:37:18,520
Speaker 2: it when you when you start. It's actually frustrating to me.

661
00:37:18,920 --> 00:37:21,440
Speaker 2: I can't imagine what you're going through. I know I

662
00:37:21,480 --> 00:37:23,520
Speaker 2: wouldn't recover from it. I know that would be a rap.

663
00:37:25,400 --> 00:37:25,680
Speaker 1: Alex.

664
00:37:25,719 --> 00:37:28,400
Speaker 4: You might have to go into the music perform performance

665
00:37:28,440 --> 00:37:30,520
Speaker 4: mode on Zoom. Do you know that setting?

666
00:37:31,360 --> 00:37:36,279
Speaker 2: No, Oh, Kevin's about to fucking school your ass and

667
00:37:36,360 --> 00:37:38,319
Speaker 2: Kevin's gonna hyper fix your ship right now.

668
00:37:39,960 --> 00:37:42,640
Speaker 1: Probably go into audio menu, right so far?

669
00:37:44,520 --> 00:37:46,560
Speaker 3: Do I have to share my Do you have to share?

670
00:37:46,800 --> 00:37:49,320
Speaker 1: Please? Don't know? I will not.

671
00:37:50,920 --> 00:37:51,560
Speaker 3: Uh.

672
00:37:52,080 --> 00:37:54,719
Speaker 4: Go to settings and then audio and then audio.

673
00:37:54,440 --> 00:38:00,480
Speaker 3: Profile, Audio audio profile, got it?

674
00:38:00,719 --> 00:38:04,680
Speaker 4: See live performance audio? Yes, try hitting that.

675
00:38:05,800 --> 00:38:07,880
Speaker 3: I just did. And now should I try pressing the

676
00:38:07,920 --> 00:38:09,040
Speaker 3: button again and see if you hear it?

677
00:38:09,120 --> 00:38:10,160
Speaker 1: Yeah?

678
00:38:10,520 --> 00:38:18,800
Speaker 3: All right, wish me luck you hear that.

679
00:38:18,880 --> 00:38:21,239
Speaker 2: We heard something, but it was actually less of a

680
00:38:21,320 --> 00:38:22,880
Speaker 2: sound than before, less.

681
00:38:22,640 --> 00:38:23,440
Speaker 1: Than ever.

682
00:38:25,040 --> 00:38:25,400
Speaker 3: Nothing.

683
00:38:25,800 --> 00:38:29,640
Speaker 1: I guess it doesn't feel like you're really, like really performing,

684
00:38:30,880 --> 00:38:35,239
Speaker 1: you know. Yeah, if I were doing it, you know,

685
00:38:35,320 --> 00:38:37,320
Speaker 1: take a little something to help you perform, you know

686
00:38:37,360 --> 00:38:37,920
Speaker 1: what I mean.

687
00:38:39,400 --> 00:38:44,399
Speaker 3: Like like a performance enhancing drug? Do I have to take?

688
00:38:44,520 --> 00:38:46,960
Speaker 1: You know what?

689
00:38:46,960 --> 00:38:51,399
Speaker 2: What if you turned the volume down on the synthesizer, is.

690
00:38:51,320 --> 00:38:55,160
Speaker 1: It spiking too much? Is it blown us? Oh? This

691
00:38:55,239 --> 00:38:59,120
Speaker 1: is better? All right?

692
00:38:59,120 --> 00:39:00,840
Speaker 3: So I'm gonna play a second note. Tell me if

693
00:39:00,880 --> 00:39:01,759
Speaker 3: you can hear the second note?

694
00:39:02,600 --> 00:39:02,640
Speaker 2: No?

695
00:39:04,520 --> 00:39:05,319
Speaker 3: Are you kidding me?

696
00:39:10,560 --> 00:39:13,560
Speaker 2: I wonder? Okay, and we shouldn't keep working on this,

697
00:39:13,680 --> 00:39:15,719
Speaker 2: so like, let's not keep playing with it. But I

698
00:39:15,760 --> 00:39:18,320
Speaker 2: wonder if you go outside.

699
00:39:20,239 --> 00:39:24,000
Speaker 3: That's a uh like for this episode.

700
00:39:24,640 --> 00:39:27,800
Speaker 2: Yeah, what if you just like go outside touch grass?

701
00:39:27,840 --> 00:39:31,439
Speaker 2: You know what I mean, You've been in the basement for.

702
00:39:31,360 --> 00:39:34,799
Speaker 3: So long that I'm doing a terrible job of.

703
00:39:35,239 --> 00:39:37,719
Speaker 1: Favor as touch grass or touch.

704
00:39:37,600 --> 00:39:40,680
Speaker 3: Gas or touch degasis.

705
00:39:41,400 --> 00:39:44,480
Speaker 1: Yeah, And what was the thing I guess you have

706
00:39:44,600 --> 00:39:47,960
Speaker 1: you've stopped doing this too. Around the same time that

707
00:39:48,040 --> 00:39:50,880
Speaker 1: you were doing Sticky House, you were calling it the skanthesizer.

708
00:39:52,600 --> 00:39:56,520
Speaker 1: What was was something different about it then? Or was

709
00:39:56,560 --> 00:39:59,680
Speaker 1: something different about like your.

710
00:39:59,360 --> 00:40:06,080
Speaker 2: Your relationship ship to it or.

711
00:40:02,960 --> 00:40:06,759
Speaker 3: That's just that's just a slang term I use for

712
00:40:08,400 --> 00:40:11,560
Speaker 3: a specific part of my body.

713
00:40:11,880 --> 00:40:15,120
Speaker 1: Okay, so that's not what the skinthesizer was. So you

714
00:40:15,200 --> 00:40:17,480
Speaker 1: have aer and a scinthesizer.

715
00:40:18,280 --> 00:40:21,080
Speaker 3: Yeah, so you know, there's like some people say, you know,

716
00:40:21,120 --> 00:40:24,680
Speaker 3: the skin flute, which I think is pretty crass, but yeah,

717
00:40:24,880 --> 00:40:26,520
Speaker 3: skin the sizer sounds pretty cool.

718
00:40:28,280 --> 00:40:30,840
Speaker 1: And that's that's you don't seem to it's a specific

719
00:40:30,880 --> 00:40:31,720
Speaker 1: part of your body.

720
00:40:32,640 --> 00:40:33,040
Speaker 3: Mm hmm.

721
00:40:33,200 --> 00:40:35,120
Speaker 1: Okay, mm hmm.

722
00:40:36,080 --> 00:40:43,560
Speaker 2: And I without again, without getting without getting vulgar, it's

723
00:40:43,600 --> 00:40:48,680
Speaker 2: your whole entire ass Yep, it's both my thought.

724
00:40:49,160 --> 00:40:49,960
Speaker 1: That's what I thought.

725
00:40:50,440 --> 00:40:53,320
Speaker 2: Okay, good, well, you know I need to get vulgar.

726
00:40:57,880 --> 00:40:58,120
Speaker 1: Yeah.

727
00:40:58,160 --> 00:40:59,960
Speaker 2: I just feel like this episode has been a man

728
00:41:00,200 --> 00:41:04,319
Speaker 2: of failure. Like it doesn't It doesn't give me a

729
00:41:04,320 --> 00:41:07,719
Speaker 2: clear idea of what your show is. Kevin has a

730
00:41:07,719 --> 00:41:13,640
Speaker 2: pitch for you on your show. Okay, Kevin, do you

731
00:41:13,680 --> 00:41:17,200
Speaker 2: want to present? Is he going to tell a business opportunity? Yeah?

732
00:41:17,239 --> 00:41:20,239
Speaker 2: Can he give him a fucking second. He's in the

733
00:41:20,239 --> 00:41:23,040
Speaker 2: middle of something he's doing. He's sending emails.

734
00:41:23,160 --> 00:41:23,960
Speaker 1: What goes to be.

735
00:41:27,960 --> 00:41:30,759
Speaker 4: Alex, I have actually a business opportunity for you.

736
00:41:31,840 --> 00:41:32,400
Speaker 3: Okay?

737
00:41:33,840 --> 00:41:35,959
Speaker 4: Would you say on your show you're there to help?

738
00:41:37,440 --> 00:41:39,600
Speaker 3: Yes? I am. I'm here to help.

739
00:41:40,719 --> 00:41:44,439
Speaker 4: That's perfect. I actually have in front of me an

740
00:41:44,480 --> 00:41:50,240
Speaker 4: email in box that has ten thousand emails from people

741
00:41:50,360 --> 00:41:51,160
Speaker 4: trying to get help.

742
00:41:52,680 --> 00:41:58,279
Speaker 3: Okay, is your Oh is this is this the show

743
00:41:58,280 --> 00:41:59,560
Speaker 3: that with Jake Johnson?

744
00:41:59,719 --> 00:41:59,920
Speaker 2: It is?

745
00:42:01,000 --> 00:42:04,800
Speaker 1: It is, except not with Jake Johnson? Does that make sense?

746
00:42:05,880 --> 00:42:08,160
Speaker 3: So he's not here, like he's not gonna get you.

747
00:42:08,200 --> 00:42:12,280
Speaker 3: Guys aren't gonna be like in surprise he's here.

748
00:42:11,480 --> 00:42:13,839
Speaker 2: Him listening to this show or even really appearing on

749
00:42:13,880 --> 00:42:21,560
Speaker 2: it again, So we're kind of safe right now. And gee,

750
00:42:21,600 --> 00:42:25,239
Speaker 2: ten thousand, are they really gonna notice if one or

751
00:42:25,280 --> 00:42:30,319
Speaker 2: two emails go missing? Are they really gonna recognize if

752
00:42:30,360 --> 00:42:32,920
Speaker 2: one or two of those emails end up getting hyper fixed?

753
00:42:33,000 --> 00:42:34,040
Speaker 1: Rather than here to help?

754
00:42:35,440 --> 00:42:37,360
Speaker 3: Do you think that I could maybe solve all like

755
00:42:37,520 --> 00:42:42,319
Speaker 3: maybe all of them in the course of this No,

756
00:42:42,800 --> 00:42:44,040
Speaker 3: this conversation, I feel like.

757
00:42:43,960 --> 00:42:44,920
Speaker 1: It might be bus.

758
00:42:46,800 --> 00:42:50,880
Speaker 2: No, you wouldn't be able to solve all of them.

759
00:42:51,520 --> 00:42:55,480
Speaker 4: How about maybe a couple of them fall off a

760
00:42:55,560 --> 00:43:01,200
Speaker 4: truck in exchange for some very organic promotion for Hollywood

761
00:43:01,200 --> 00:43:03,680
Speaker 4: handbook on Hyperfix Hyperfix?

762
00:43:03,800 --> 00:43:04,560
Speaker 3: Oh yeah, sure.

763
00:43:05,400 --> 00:43:07,719
Speaker 2: One of the thing that would would hyper fix a

764
00:43:07,760 --> 00:43:09,320
Speaker 2: lot of these people's problems is like, you know what

765
00:43:09,360 --> 00:43:14,239
Speaker 2: you gotta do, just subscribe to the Patreon of Hollywood

766
00:43:14,320 --> 00:43:17,000
Speaker 2: hambu Yes, it.

767
00:43:17,080 --> 00:43:18,280
Speaker 3: Solved a lot of my problems.

768
00:43:19,920 --> 00:43:20,719
Speaker 2: Well, don't say that.

769
00:43:22,239 --> 00:43:24,120
Speaker 3: Okay, it hasn't solved any of my problems.

770
00:43:25,360 --> 00:43:27,040
Speaker 2: Well I don't say that either.

771
00:43:27,560 --> 00:43:29,880
Speaker 3: Just try to take yourself out of it. For the

772
00:43:29,960 --> 00:43:35,640
Speaker 3: purposes of this, it could potentially solve one's problems.

773
00:43:37,360 --> 00:43:44,120
Speaker 1: Alex, that's perfect. What's one of them, Kevin?

774
00:43:45,160 --> 00:43:48,919
Speaker 4: This one is from Lars, He says, Bars yeah.

775
00:43:49,080 --> 00:43:55,560
Speaker 2: In Chars, Lars says, Hi band metallicas.

776
00:43:56,280 --> 00:43:56,440
Speaker 1: Right?

777
00:43:56,840 --> 00:43:58,120
Speaker 2: Everyone else think of Lars.

778
00:43:58,160 --> 00:44:03,920
Speaker 1: What you're getting the guy imagine, I'm on, we're here

779
00:44:04,000 --> 00:44:06,640
Speaker 1: to help, and they say this one was from Lars,

780
00:44:06,680 --> 00:44:10,560
Speaker 1: and I say Lars and in Chars, well, you'll have

781
00:44:10,800 --> 00:44:16,439
Speaker 1: to continue just imagining that, because I just I never

782
00:44:16,600 --> 00:44:18,000
Speaker 1: even was given a chance.

783
00:44:18,200 --> 00:44:22,080
Speaker 2: It never came up. It was sort of mentioned as

784
00:44:22,160 --> 00:44:25,160
Speaker 2: like they would do it, but never they are going

785
00:44:25,320 --> 00:44:25,719
Speaker 2: to do it.

786
00:44:25,840 --> 00:44:29,200
Speaker 1: I guess I didn't have enough of an inn over.

787
00:44:29,200 --> 00:44:34,840
Speaker 2: There Lars needs Lombs. I might have said Lars needs loms.

788
00:44:38,880 --> 00:44:39,680
Speaker 2: I could have said that.

789
00:44:39,800 --> 00:44:47,120
Speaker 5: Out here to help, Lars says Hi Shark, that's my nickname,

790
00:44:47,160 --> 00:44:49,719
Speaker 5: Alex Hi Shark. I'm Lars, and I live in Baltimore.

791
00:44:49,920 --> 00:44:53,160
Speaker 5: I'd like advice on if and how I should tell

792
00:44:53,239 --> 00:44:57,839
Speaker 5: my neighbor that everyone can hear him vigorously jerking off

793
00:44:57,920 --> 00:44:58,359
Speaker 5: every day.

794
00:44:58,560 --> 00:45:00,560
Speaker 4: I wish I was kidding, but here we are our thanks.

795
00:45:02,440 --> 00:45:04,560
Speaker 3: That feels like a really easy solution.

796
00:45:04,800 --> 00:45:10,040
Speaker 4: Okay, we'll oh sorry, it shouldn't be that easy.

797
00:45:10,680 --> 00:45:14,440
Speaker 2: Yeah, okay, that's just like you're not going to have

798
00:45:14,640 --> 00:45:16,400
Speaker 2: an episode if you make it too easy.

799
00:45:17,600 --> 00:45:19,640
Speaker 3: That's a problem that we deal with as well.

800
00:45:19,840 --> 00:45:23,799
Speaker 1: So is this going to be sticky? Is just going

801
00:45:23,880 --> 00:45:27,719
Speaker 1: to be like if you make everything sticky, it's like, yeah, well,

802
00:45:27,760 --> 00:45:30,120
Speaker 1: I mean every think it's a little less vigorous.

803
00:45:31,400 --> 00:45:34,080
Speaker 3: He's not good if you make it. If you make

804
00:45:34,120 --> 00:45:35,640
Speaker 3: it his hand sticky enough.

805
00:45:35,520 --> 00:45:36,279
Speaker 1: He's not gonna be able to.

806
00:45:38,000 --> 00:45:42,840
Speaker 3: Yeah, he's not gonna be able to crank it. So that,

807
00:45:42,960 --> 00:45:44,759
Speaker 3: I mean, that wasn't even a solution I thought of.

808
00:45:45,160 --> 00:45:47,839
Speaker 3: So congratulations, you should be on. We're here to help.

809
00:45:47,880 --> 00:45:51,240
Speaker 2: I feel like, well, that's kind of what we've been saying.

810
00:45:52,320 --> 00:45:55,840
Speaker 2: I know, I was just agreeing with you. I was

811
00:45:55,920 --> 00:46:01,080
Speaker 2: presented as if it was a new idea, right.

812
00:46:02,840 --> 00:46:07,960
Speaker 1: I just think that he needs to rate it. Hollywood,

813
00:46:08,040 --> 00:46:08,480
Speaker 1: Hamburg