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Speaker 1: I am all in.

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Speaker 2: I am all in with Scott Patterson, an iHeartRadio podcast.

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Speaker 1: Hey everybody, Scott Patterson, I am all in podcast, Season five,

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Speaker 1: Episode thirteen, Wedding Bell Blues, and this is brought to

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Speaker 1: you by I Heart Radio and one eleven Productions. And

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Speaker 1: I am with my intrepid crew that include Tar Suit,

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Speaker 1: Daniel Romo, Amy Sugarman, Ladies. Welcome.

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Speaker 3: Is everybody in shock?

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Speaker 1: I'm in shock about how good this episode was. Not

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Speaker 1: really in shock. It was just it was I don't.

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Speaker 4: Know, it was one letdown after another. I was just

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Speaker 4: like it just let down.

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Speaker 1: Danielle, you and I were getting it all in this episode.

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Speaker 3: It's the one hundredth episode of Gilmore.

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Speaker 1: That's the hundred That's when we had the cake and

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Speaker 1: they brought a cake. Peter off ahead of a Warner Television.

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Speaker 1: I brought a cake and we took a break and

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Speaker 1: we went on the set this other sound stage and

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Speaker 1: there was a hundredth episode cake.

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Speaker 3: And did you get anything other than a cake or

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Speaker 3: just the cake?

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Speaker 1: We did not get porsches, We did not get Mercedes bends.

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Speaker 1: You know, you know how you read about how friends

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Speaker 1: got cars and totally friends, you know, we got nothing.

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Speaker 4: I think we got think I got five hundred.

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Speaker 5: Bucks like bonus, we got the Satisfaction S gift card.

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Speaker 1: I got a nice piece of cake. I got a

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Speaker 1: nice piece of.

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Speaker 3: The cake was tasty.

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Speaker 1: And I had a job, a job security, you know.

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Speaker 4: Yeah, you're right, you're right.

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Speaker 3: I bet it was a Hanson's cake.

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Speaker 1: I don't I don't recall the baker, the bakery.

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Speaker 3: Because they could put all the cast faces on it.

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Speaker 1: I don't think. No, they didn't do that.

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Speaker 3: Wait, Danielle, who does the cakes for the Forum.

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Speaker 1: Yeah, I don't know.

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Speaker 6: Wait who directed this because it seems directly this is.

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Speaker 1: A big episode and I probably a sweeps episode. But

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Speaker 1: February eight, two thousand and five, totally sweet. It was.

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Speaker 1: It was a huge episode, totally.

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Speaker 3: The wedding was like magnificent.

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Speaker 1: I'm just going to say something right here and now,

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Speaker 1: this was my favorite episode of the hundred. This is

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Speaker 1: number one for me, Stom number one hundred, number one

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Speaker 1: out of all. Wow, this is my favorite. I had

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Speaker 1: more belly laughs and in this episode, and there was

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Speaker 1: the right did the right kind of drama, the right

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Speaker 1: kind of humor, the right pace, the right flow of

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Speaker 1: the episode, right balance of characters. I watch this song.

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Speaker 3: I don't disagree with you. I will show you all

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Speaker 3: the last page of my notes. Can you see it?

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Speaker 4: Oh? Ten circle?

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Speaker 3: Like right away, I just went ten. So I agree

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Speaker 3: with you. Scott. It's a home run home.

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Speaker 1: I mean, wow. And that ending, Danielle, you know what, gang,

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Speaker 1: we got it. We have a lot to say, we do,

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Speaker 1: really sy our engines were burn and rubber Let's says synopsize,

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Speaker 1: and then we'll just like you know that Christmas tree

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Speaker 1: light up green and we'll go all right.

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Speaker 4: This is season five, episode thirteen, Wedding Bell Blues Air

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Speaker 4: date February eighth, two thousand and five. Richard and Emily

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Speaker 4: renewed their wedding vows on the series one hundredth episode.

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Speaker 4: Lorlai quickly confesses to Luke her drunken night with Christopher

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Speaker 4: when he appears at the reception, Rory makes a move

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Speaker 4: on Logan, and an explosive fight between Luke and Christopher

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Speaker 4: ups when Christopher tries to mark his territory.

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Speaker 3: Oh god, that's only.

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Speaker 4: Like one eighth of what happened in this episode, Like literally,

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Speaker 4: like the last three minutes.

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Speaker 1: Luke and Christopher went to blows now I thought it

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Speaker 1: made Christopher look pretty weak. I agree both overreact when

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Speaker 1: he when he no. I think he overreacted when he

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Speaker 1: spilled all of Emily's pre programmed dialogue for his mission

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Speaker 1: statement out at Luke in the middle of his yelling,

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Speaker 1: and it was just like, boy, this guy's.

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Speaker 3: Right, think for yourself.

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Speaker 1: It's not smart, and yeah, exactly, think for yourself. It's

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Speaker 1: like how weak can you be? And I was liking him.

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Speaker 1: I was like sort of sympathizing with him a little

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Speaker 1: bit with the story about the first kiss and the

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Speaker 1: whole thing, and I just like him, and I like

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Speaker 1: him as an actor, and I think he's really appealing.

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Speaker 3: But I like, look, I agree when he.

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Speaker 1: Started spitting Emily truth, you know, it was like.

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Speaker 3: Emily is the real villain here.

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Speaker 4: This whole episode. I was just like, woe is me, Christopher,

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Speaker 4: Like you need to just take a step back, like

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Speaker 4: you are just killing He literally killed me in this episode.

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Speaker 4: And now I know why people don't like him so much.

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Speaker 1: Didn't he remind you of like remember those old westerns

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Speaker 1: when the when the guy who was looking for trouble

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Speaker 1: who's about to get shot by the hero is like

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Speaker 1: sitting at the bar, just stealing and drinking, taking another drink,

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Speaker 1: and it's like, I know I'm going to cause trouble.

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Speaker 1: It was like a john Ford film.

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Speaker 3: Oh, it was like Christopher the alcohol down. This is

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Speaker 3: not going well.

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Speaker 6: Wait, controversial take which we'll get to, but I just

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Speaker 6: want to throw it out there. They all overreacted over

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Speaker 6: Rory kissing Logan like they acted.

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Speaker 1: Like that was not I don't know that a kiss.

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Speaker 3: Whatever.

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Speaker 1: Bottom No, No.

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Speaker 4: I think it was. If Laura did not walk in

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Speaker 4: those clothes would have been all off with.

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Speaker 1: But you didn't think it was post about a bing.

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Speaker 1: There wasn't enough time.

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Speaker 3: It was pre It was like they were just starting

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Speaker 3: to go there.

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Speaker 5: I'm just going to save save what I have to

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Speaker 5: say about it once we get there, because I feel

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Speaker 5: like it'll be more of a discussion.

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Speaker 3: Okay, Okay, So let's go to the beginning. Luke is

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Speaker 3: on the phone.

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Speaker 6: Loralai comes in and he's ordering the boat parts. So

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Speaker 6: the boat still plays a significant role because he's going

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Speaker 6: to be working on the boat.

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Speaker 1: He's making a boat. This biblical? Is he like? No one?

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Speaker 1: Now is he going to Rory and he's going to

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Speaker 1: get two Gilmour's on the boat when the flood comes.

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Speaker 1: What's happening?

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Speaker 6: It was a cute bantering with about our boots, and

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Speaker 6: they do address that. We learned that the re wedding

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Speaker 6: is tomorrow and he's still going, and that they're going

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Speaker 6: to watch a cop rock marathon, which obviously tickled me.

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Speaker 3: Silly but good opening.

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Speaker 1: Yes, ordered her the fishing boots.

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Speaker 3: Totally cute like that.

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Speaker 6: She's like, oh, I need the boots, I need the boots,

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Speaker 6: and then he's like, in the boots.

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Speaker 3: That's not like it's just cute, they're very they're very great.

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Speaker 1: It reminded me of my favorite scene between the two

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Speaker 1: and the pilot the first time we see them, when

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Speaker 1: she comes up with coffee please, how many cups have

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Speaker 1: you had this morning? You know you have a problem.

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Speaker 1: It was the same sort of sexual tension. It was

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Speaker 1: the same great point, same attitudinals flying around, you know,

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Speaker 1: her keep lifting him up a little, and yeah, it

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Speaker 1: was good.

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Speaker 6: That's such a such an excellent call out, because it's like,

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Speaker 6: we've loved what we love about them from episode one

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Speaker 6: and then you're right, it does.

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Speaker 3: It's just it's very reminiscent of.

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Speaker 1: Its great chemistry they have and why they have it?

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Speaker 3: Did you know you had it right from go?

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Speaker 1: Oh? Sure, I knew it the night before we started

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Speaker 1: shooting at the restaurant in Toronto, across the street from

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Speaker 1: the hotel, that fancy five star French restaurant micheline star place,

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Speaker 1: when I was in my tracksuit and they let me in.

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Speaker 1: To their credit, they let me in.

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Speaker 3: And why do you always lose things?

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Speaker 1: I just know it's meant to be that way. I'm

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Speaker 1: meant to be in a continual shape of a state

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Speaker 1: of imbalance and hope.

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Speaker 3: So you knew you liked her? Like she was a

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Speaker 3: cool girl.

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Speaker 1: Right smart. She's just a cool chick mart check cool check. Yeah,

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Speaker 1: likes to party, you know what I mean.

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Speaker 3: She's fun every month.

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Speaker 1: She's not stiff and yeah, she just say loves to laugh.

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Speaker 3: And here's a weird question. Here's a weird question.

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Speaker 6: Are you more like Luke or is or and more

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Speaker 6: like Lowerli who is closer to their character like their

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Speaker 6: real person.

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Speaker 1: We're both exactly the same distance from each character. I

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Speaker 1: think there are elements of her that go into Laural I.

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Speaker 1: Obviously there are elements of me that go into Luke,

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Speaker 1: but we're really nothing like them. You know in reality,

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Speaker 1: you know, because if you saw us interact initially before

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Speaker 1: we even started shooting, it was just like a couple

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Speaker 1: of people getting to know each other and enjoying each

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Speaker 1: other's company, you know, and having some laughs and having

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Speaker 1: some dinner and having a few cocktails.

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Speaker 3: How money is that?

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Speaker 6: Because when I see you in interviews and I see

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Speaker 6: her in interviews.

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Speaker 5: It's almost like, yeah, totally.

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Speaker 6: Even when she's like doing parenthood, I'm like, oh, there's

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Speaker 6: Laura Li, and then she's kind of very her mannerisms

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Speaker 6: are and herr her like what's it called rhythm?

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Speaker 3: Is very Laureli.

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Speaker 1: Because okay, I'll tell you why. Because we both come

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Speaker 1: from similar schools of acting where we both know that

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Speaker 1: bringing our own rhythms, in our own psychology to a

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Speaker 1: role is what makes that role unique. Like we're not

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Speaker 1: trying to put anything on, We're just trying to bring

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Speaker 1: ourselves to the role. So that's what you're getting, you.

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Speaker 3: Know, Yeah, that's yes, That's what makes.

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Speaker 1: It unique is you. There's only one of you. There's

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Speaker 1: only one Lauren, right, and there's one Scott. And if

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Speaker 1: you can represent yourself in a role, then it's going

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Speaker 1: to be unique. If it's any good if it's well

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Speaker 1: written and you have skills. There's some obstacles.

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Speaker 3: I think you.

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Speaker 6: Both have skills, So okay.

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Speaker 3: So then we go to the kitchen and we see

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Speaker 3: one of.

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Speaker 6: The most amazing yet grossest spreads of all time.

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Speaker 3: First of all, is she cooking pancakes in the toaster?

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Speaker 3: I didn't know you could do that? Like, I know

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Speaker 3: you can do it in a toaster, of it.

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Speaker 4: You definitely can't do it in a toaster unless you

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Speaker 4: have like some special attachment.

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Speaker 3: So what was she pulling out of there? She was

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Speaker 3: not only putting syrup on them?

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Speaker 5: What was what you can if they're frozen. Oh yeah,

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Speaker 5: they're frozen pancakes. You can put them in there. I

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Speaker 5: have too.

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Speaker 6: So they were having pancakes, mashed potatoes, which maybe were

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Speaker 6: then replaced with tater tots.

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Speaker 3: I think I saw some pop tarts. There was definitely

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Speaker 3: marshmallows or.

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Speaker 5: Something, and many donuts mini donuts.

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Speaker 6: Like that looks good, well to okay, pregnant ladies.

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Speaker 4: Pregnant ladies like, I'll take all of it. I'll come

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Speaker 4: over today.

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Speaker 1: It looks a little late, I don't know how.

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Speaker 3: Thin seriously, and like that's so much.

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Speaker 1: How are they getting any sleep after feeding all that,

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Speaker 1: They're just like staring at the sailing all night.

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Speaker 6: So Luke is there, which I love. Also, it's very comfortable.

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Speaker 6: He's there working on the boat, but he's not really

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Speaker 6: interrupting their time, Like I like everything.

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Speaker 5: About it was really sweet. He's like, nope, this is

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Speaker 5: your night, like I'll be outside, like you even want

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Speaker 5: to come in?

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Speaker 3: It was so cute.

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Speaker 6: And then I love the line when he says he

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Speaker 6: doesn't come in. He says, I'm dirty, and she's all, well.

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Speaker 1: So is the house. He was really dirty, an inch

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Speaker 1: of dust all over them, and.

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Speaker 6: They have this cute kiss even in front of Rory,

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Speaker 6: Like it's all very They're a very comfortable family. Yeah,

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Speaker 6: like they seem like two parents with an adult child,

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Speaker 6: which which I gotta say, you called it when Luke

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Speaker 6: calls it out later like where were you? And he's right,

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Speaker 6: he was at everything and and Christopher was at nothing.

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Speaker 5: Yeah, but we'll get to that.

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Speaker 1: But yeah, I mean he's not the guy that comes

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Speaker 1: into a relationship and tries to take over and control everybody.

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Speaker 1: They're just doing their normal night, their normal thing. You

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Speaker 1: do your thing, I'll do mine. It's all good.

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Speaker 6: Yeah, I agree, So we'll get into the instant mashed

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Speaker 6: potatoes for a minute.

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Speaker 3: That seems gross.

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Speaker 1: I lived on him for a while.

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Speaker 3: No, well there's is it powder?

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Speaker 6: Yeah?

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Speaker 4: Before it's like flakes.

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Speaker 1: Yeah, and macaroni and cheese, and well mac.

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Speaker 3: And cheese is amazing. Please, that's a ten out of ten.

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Speaker 1: Yeah, but there there there were there were times when

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Speaker 1: you can't even afford the craft macaroni and cheese.

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Speaker 3: So what do you do? I just got to go

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Speaker 3: make it yourself.

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Speaker 1: Springfield Springfield Craft was ninety nine cents, Springfield with thirty

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Speaker 1: nine cents all that's true story. Most of my existence

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Speaker 1: in New York City study was on Springfield, Springfield, Springfield

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Speaker 1: macaroni and.

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Speaker 3: Chase instant mashed potatoes or no, that's amazing.

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Speaker 6: Okay, So then the phone rings just as they're sitting

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Speaker 6: down for their cop Rock marathon.

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Speaker 3: Wait, do you guys know cop Rock?

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Speaker 1: I've heard of it.

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Speaker 3: Can I give it like a little short? I think

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Speaker 3: it was.

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Speaker 6: I'm sure we'll do some population series. Yes, but it

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Speaker 6: was a Stephen Bosch. Yeah, so he was like a

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Speaker 6: legit producer, right, So imagine Hill Street Blues. Do you

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Speaker 6: guys know what that is, or like Chicago any kind

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Speaker 6: of fully shows they were singing, they would bust out

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Speaker 6: into song like in the precinct.

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Speaker 3: So it was basically Glee before Glee, but it was

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Speaker 3: like Chicago PD kind of SB you wish but not

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Speaker 3: quite like that's a little bit too many cases means Glee.

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Speaker 3: And I was like when it came out, I'm like,

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Speaker 3: this is awesome.

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Speaker 5: Sounds fun.

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Speaker 6: It does sound fun, so awesome, and then it got

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Speaker 6: like canceled pretty fast, but you can find it on YouTube,

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Speaker 6: and sometimes I do just like go, yeah, it's gonna

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Speaker 6: watch a little cop rock on YouTube.

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Speaker 3: The world just wasn't ready.

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Speaker 1: Now, it was not. It was not well received by

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Speaker 1: the critics, and.

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Speaker 6: It's almost been sort of mocked, and so that's why

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Speaker 6: it's so funny that they're having a rock and marathon

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Speaker 6: because it's so mocked. But anyway, so then Emily calls

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Speaker 6: and obviously suddenly they realized they're supposed to be having

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Speaker 6: a bachelorette party, for.

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Speaker 5: Which I would have never thought that, Like I I

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Speaker 5: was saying there, like it's a val renule. You wouldn't

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Speaker 5: have the whole celebration like bachelorette, bachelor, bachelorette party like

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Speaker 5: all of that.

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Speaker 4: Maybe it's maybe dinner, but.

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Speaker 5: Like at dinner, but even then, they've been married for

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Speaker 5: how many years.

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Speaker 1: Like forty years, and Emily.

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Speaker 5: Likes every thing her own way, So like LORELEI planning something,

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Speaker 5: she'd be like, Emily wouldn't like it.

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Speaker 3: Anyway, she did.

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Speaker 4: Pretty well for the last minute notice.

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Speaker 3: It was great and Emily was loving it.

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Speaker 6: Okay, So before we talk about that, how awkward dot

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Speaker 6: com was the exchange when Emily pulls up and comes

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Speaker 6: out to the boat, I was just like.

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Speaker 4: Can the boat float? Oh? It was so when she that,

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Speaker 4: I literally was like, that is such an insult, like

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Speaker 4: she so.

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Speaker 5: It kind of reminded me of Dean making that car

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Speaker 5: for Rory, like how Richard didn't really approve of that.

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Speaker 5: It reminded me of that scene.

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Speaker 1: Yeah, and just like you want things that drive on

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Speaker 1: the road or the highway or sail on the oceans

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Speaker 1: to be safe, and you don't want them made by

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Speaker 1: individuals that are really you're in a relationship with because

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Speaker 1: conflict of interest.

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Speaker 3: I trust your boat.

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Speaker 6: I trust your boat more than I trust Dean's car.

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Speaker 3: And Gypsy checked that car.

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Speaker 1: So that's a great line. Why was it that should

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Speaker 1: be on it? I trust your boat more than I

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Speaker 1: trust Dean's car that should be on a.

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Speaker 4: I think what you just said is like and I

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Speaker 4: think Scott's gonna hate this. But is is Luke lorealized Dean?

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Speaker 1: Oh God, yeah, I'm gonna hate that.

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Speaker 3: I hate it.

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Speaker 5: I don't think so.

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Speaker 4: I think like Digger was Logan, you know what I mean? Like,

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Speaker 4: is this are the parallels parallels here?

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Speaker 5: I think in the eyes of Laurele I I'm sorry

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Speaker 5: Emily and Richard, this is how they see their girls

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Speaker 5: and their significant others.

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Speaker 1: It's a class structure, and Luke does fit in that class,

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Speaker 1: and they don't know, do not approve?

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Speaker 3: Very interesting, uh sort of conversation to have.

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Speaker 1: Because if she would have David, if she would rather

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Speaker 1: have a Christopher, because he's in the right class.

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Speaker 6: Right, That's kind of why they were like down with Digger,

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Speaker 6: even though like what a mess that was.

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Speaker 1: Look, it's understandable. You know. Those tribes, they they they

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Speaker 1: they they form their you know, Promethean tribal bondings and

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Speaker 1: the way that they do it and conquer the enemy

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Speaker 1: the way that they do it, and they know they're

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Speaker 1: sort of what they're supposed to do. They bond.

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Speaker 3: Isn't it a tale as old as time? Isn't that

348
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Speaker 3: the Notebook?

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Speaker 7: Like?

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Speaker 6: Isn't James Marsden's character in the Notebook like the one

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Speaker 6: that you'd think she should be with. I don't know,

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Speaker 6: you've never seen the Notebook?

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Speaker 3: Am I right?

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Speaker 1: If they die on the bed together when they're old

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Speaker 1: or something, they do.

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Speaker 3: Okay, yep, they're like to be.

357
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Speaker 6: But she sort of marries the Luke. Nobody is with

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Speaker 6: me on this.

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Speaker 4: I've never seen a Notebook.

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Speaker 3: I've seen it.

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Speaker 6: I know I have. I did.

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Speaker 1: I've seen it.

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Speaker 3: It's like, come on, everyone's like shock.

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Speaker 5: Yeah, I mean it's on every flight you'll ever take.

365
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Speaker 1: But you know, I'm watching the James Bond.

366
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Speaker 5: I'm just it.

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Speaker 6: It makes me laugh because this is a total digression

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Speaker 6: and people don't be mad.

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Speaker 3: But in Jury Duty when James Marsden and he's like

370
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Speaker 3: you were in the Notebook and James Marrisen is.

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Speaker 6: Like I was the other guy I did see Jerry Duty.

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Speaker 4: That was funny.

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Speaker 6: Okay, So anyway, so I don't know, she's a little

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Speaker 6: how do I put this nicely kind of upper butt.

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Speaker 4: Yeah, and also with the whole like best wishes versus congratulations.

376
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Speaker 3: She's right, She's right, he is right.

377
00:20:04,160 --> 00:20:07,040
Speaker 4: But you like, if somebody says congratulations, you can just

378
00:20:07,040 --> 00:20:08,920
Speaker 4: say thank you. You know, you don't have to be.

379
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Speaker 1: Like but that's what she.

380
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Speaker 4: Wishes.

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Speaker 1: That's what separates the classes, though, is that true?

382
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Speaker 5: Though you have to say bad? Of course, I do

383
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Speaker 5: not know that.

384
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Speaker 3: You want a little history.

385
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Speaker 1: You don't congratulate the bride, you don't congratulate the woman.

386
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Speaker 3: Scott, isn't it because like in Days of your.

387
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Speaker 1: You're congratulating the man because he's the one that got lucky.

388
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Speaker 6: Right, And you don't want to say congratulations with the

389
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Speaker 6: woman because like she wrote to do, I.

390
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Speaker 4: Guess she was saying, but I was just like Emily, right.

391
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Speaker 3: She's just being so be cool.

392
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Speaker 1: But I think I think good Sander acting on my part.

393
00:20:51,680 --> 00:20:56,639
Speaker 6: Really good and really good face face a good Sander acting.

394
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Speaker 1: I did the whole thing right. I think it was.

395
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Speaker 5: Gonna get like real close.

396
00:21:03,359 --> 00:21:06,399
Speaker 3: Emily, well, yeah, it flew off and you had to

397
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Speaker 3: pick it up.

398
00:21:07,359 --> 00:21:10,840
Speaker 6: And then when she walks away, you had to do

399
00:21:10,960 --> 00:21:12,960
Speaker 6: really intense space actings.

400
00:21:13,840 --> 00:21:17,760
Speaker 3: Because you had to do like what just happened. And

401
00:21:17,840 --> 00:21:20,080
Speaker 3: I dislike her, but I need to like her.

402
00:21:20,280 --> 00:21:24,680
Speaker 4: And that was so like the face acting was it

403
00:21:24,840 --> 00:21:26,119
Speaker 4: just keeps getting worse.

404
00:21:26,280 --> 00:21:28,239
Speaker 1: Yeah, he just he just doesn't have a clue what

405
00:21:28,280 --> 00:21:31,680
Speaker 1: to do in front of her. I mean, that's Lukes

406
00:21:31,760 --> 00:21:33,280
Speaker 1: kryptonite is is Emily.

407
00:21:33,560 --> 00:21:38,160
Speaker 3: I'm sorry, so I was Lukes kryptonite is Emily.

408
00:21:39,720 --> 00:21:40,360
Speaker 1: In front of her.

409
00:21:40,440 --> 00:21:44,719
Speaker 6: He really, it's kryptonite. That's such a perfect He's just

410
00:21:44,760 --> 00:21:48,359
Speaker 6: all blow And it happens again when he gets to

411
00:21:48,480 --> 00:21:52,879
Speaker 6: the re wedding because he's like in the suit and

412
00:21:52,920 --> 00:21:54,560
Speaker 6: trying to get we'll get to that.

413
00:21:55,320 --> 00:21:57,000
Speaker 3: So first Emily comes over.

414
00:21:57,119 --> 00:21:59,280
Speaker 6: The funniest thing is like they don't know it's the

415
00:21:59,320 --> 00:22:01,720
Speaker 6: bachelorette yet, right, They just think she's coming over to

416
00:22:01,760 --> 00:22:04,560
Speaker 6: get the suit sort of the wedding suit fixed, and

417
00:22:04,640 --> 00:22:07,879
Speaker 6: Laura Lauren, Laura lies like, I mean, I'll have you

418
00:22:07,920 --> 00:22:09,560
Speaker 6: out of here in two shakes of a lamb's tail.

419
00:22:09,600 --> 00:22:10,480
Speaker 3: And she's trying to.

420
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Speaker 1: Like, don't even sit down when she went up before

421
00:22:13,760 --> 00:22:16,359
Speaker 1: she went upstairs, the way how fast she was talking,

422
00:22:16,520 --> 00:22:20,320
Speaker 1: just don't don't take your cut off, don't get.

423
00:22:20,680 --> 00:22:25,240
Speaker 6: Then Richard calls, and Richard's with his boys, like Richard's

424
00:22:25,280 --> 00:22:32,920
Speaker 6: got a lot of close friends.

425
00:22:29,920 --> 00:22:32,640
Speaker 4: Whiskey, he is living it up.

426
00:22:33,240 --> 00:22:37,359
Speaker 6: Do you think Richard, like at the club, is more popular.

427
00:22:38,200 --> 00:22:40,120
Speaker 4: For sure, he's like he's a man.

428
00:22:41,520 --> 00:22:43,520
Speaker 3: Wants to hang with than Emily.

429
00:22:43,960 --> 00:22:46,360
Speaker 1: Oh, she's got her friends. They just but then they

430
00:22:46,480 --> 00:22:49,120
Speaker 1: just they congregate the different ways.

431
00:22:49,840 --> 00:22:51,520
Speaker 3: Why aren't they throwing her at dinner?

432
00:22:52,400 --> 00:22:55,240
Speaker 5: I think they're her country club friends. Like when you're there,

433
00:22:55,440 --> 00:22:57,880
Speaker 5: they hang out. But I don't think outside of that.

434
00:22:58,240 --> 00:23:01,560
Speaker 4: Like, Richard is cool. Everyone wants to hang out with Richard.

435
00:23:01,640 --> 00:23:04,160
Speaker 4: He's magnetic. He's the guy you want to sit down

436
00:23:04,200 --> 00:23:07,159
Speaker 4: with and have a star with versus Emily, you like

437
00:23:07,520 --> 00:23:11,639
Speaker 4: have to tiptoe around and sure you know and you

438
00:23:11,680 --> 00:23:15,720
Speaker 4: say the right thing, and your society friends versus like.

439
00:23:16,480 --> 00:23:20,399
Speaker 6: Because he's got boys, there's cigar, there's a whole mess

440
00:23:20,400 --> 00:23:20,760
Speaker 6: of them.

441
00:23:20,920 --> 00:23:24,800
Speaker 1: But in Richard's orbit, you've got a lot of people

442
00:23:25,640 --> 00:23:29,680
Speaker 1: that are dependent on their careers, are dependent on him

443
00:23:29,760 --> 00:23:32,080
Speaker 1: being in his good graces, right, but.

444
00:23:32,119 --> 00:23:34,240
Speaker 6: They probably still like him. He's just got more of

445
00:23:34,280 --> 00:23:37,080
Speaker 6: a social structure. It felt like he's got friends that

446
00:23:37,200 --> 00:23:40,280
Speaker 6: organize that bachelor or or his valet.

447
00:23:40,320 --> 00:23:43,080
Speaker 1: I don't know, he's an alpha, you know he's he's he's.

448
00:23:42,960 --> 00:23:48,719
Speaker 6: An alpha there you go, right, so anyway, suddenly I

449
00:23:48,800 --> 00:23:52,920
Speaker 6: agree Lowerli threw together a jam and bash in three

450
00:23:53,040 --> 00:23:53,760
Speaker 6: minutes flat.

451
00:23:58,640 --> 00:24:03,240
Speaker 1: Realize how much you miss Sally Struthers a couple of lines,

452
00:24:03,280 --> 00:24:05,320
Speaker 1: you laugh your butt off, and then she disappears.

453
00:24:05,359 --> 00:24:07,800
Speaker 3: It's like, come on, I totally agree because and Kai

454
00:24:08,160 --> 00:24:08,920
Speaker 3: got to come.

455
00:24:11,280 --> 00:24:16,960
Speaker 1: Why and why? Why? Stuff so good?

456
00:24:17,359 --> 00:24:19,680
Speaker 3: Gypsy is there? Like it was a good old.

457
00:24:19,600 --> 00:24:22,240
Speaker 1: I would have enjoyed that to stop dunking.

458
00:24:22,359 --> 00:24:25,320
Speaker 5: To me, my one thing is Gypsy's like who's Emily?

459
00:24:25,400 --> 00:24:26,840
Speaker 5: Has Gypsy never met Emily?

460
00:24:26,960 --> 00:24:32,879
Speaker 3: I did find that weird too, Yeah, why would she

461
00:24:32,920 --> 00:24:33,199
Speaker 3: meet her?

462
00:24:33,240 --> 00:24:33,400
Speaker 6: Right?

463
00:24:33,400 --> 00:24:35,320
Speaker 3: Emily has only been around her, she's the mcam.

464
00:24:37,080 --> 00:24:38,840
Speaker 5: Yeah, but like back to like, I mean.

465
00:24:39,119 --> 00:24:44,080
Speaker 6: Gypsy wasn't around in season one, so maybe Gypsy just

466
00:24:44,200 --> 00:24:45,240
Speaker 6: wasn't in the cool crew.

467
00:24:45,320 --> 00:24:47,840
Speaker 4: I think she would at least know of Emily though,

468
00:24:48,040 --> 00:24:51,040
Speaker 4: Like that's what I thought was off, Like she was

469
00:24:51,080 --> 00:24:53,879
Speaker 4: like who is this? And I don't know, it's just weird.

470
00:24:54,400 --> 00:24:57,880
Speaker 1: I continue to look for fault in this episode. I'm

471
00:24:57,920 --> 00:24:58,320
Speaker 1: going to.

472
00:25:00,119 --> 00:25:03,280
Speaker 5: It's a little tiny thing. I mean, because Richard knows

473
00:25:03,600 --> 00:25:05,320
Speaker 5: Gypsy because of the car, well.

474
00:25:05,200 --> 00:25:08,080
Speaker 6: Because he only knows her because he went there that's

475
00:25:08,080 --> 00:25:09,280
Speaker 6: true because of the car.

476
00:25:09,160 --> 00:25:12,920
Speaker 3: He intentionally went there. Yeah, I could try that.

477
00:25:14,920 --> 00:25:17,280
Speaker 4: I throw a wrench in our I thought about it

478
00:25:17,320 --> 00:25:19,320
Speaker 4: too when I was watching I'm Not Gonna Lie.

479
00:25:19,640 --> 00:25:21,840
Speaker 6: Tracked for me, I was like, why would they know her?

480
00:25:21,920 --> 00:25:23,360
Speaker 6: That's like, why would Kayon know her?

481
00:25:23,600 --> 00:25:25,720
Speaker 1: I don't know her.

482
00:25:26,440 --> 00:25:29,480
Speaker 6: So I did laugh super hard when she says something

483
00:25:29,520 --> 00:25:32,840
Speaker 6: about the Windsor Club and bed bets all that ain't

484
00:25:32,880 --> 00:25:42,320
Speaker 6: no toilet. So it was a little I think the

485
00:25:42,359 --> 00:25:45,280
Speaker 6: story is important though, that you realize, like, wait, they

486
00:25:45,680 --> 00:25:49,080
Speaker 6: literally booted someone out of the club, Like it's a

487
00:25:49,119 --> 00:25:51,800
Speaker 6: big flex, like we're more important than you.

488
00:25:52,119 --> 00:25:54,840
Speaker 3: We're going to your retirement party out.

489
00:25:54,680 --> 00:25:57,160
Speaker 1: Pulled out his wallet.

490
00:25:57,840 --> 00:26:03,120
Speaker 3: Yeah, and they do. That does come up later, it's

491
00:26:03,160 --> 00:26:11,320
Speaker 3: like and then obviously, was that penis pasta she brought up? Yeah, well,

492
00:26:11,320 --> 00:26:12,720
Speaker 3: do you think it was penis pasta?

493
00:26:13,040 --> 00:26:14,400
Speaker 1: Or you don't have to say it?

494
00:26:15,000 --> 00:26:16,560
Speaker 8: Do you want me to say penis one more time

495
00:26:17,560 --> 00:26:28,960
Speaker 8: to say it? You can say sprinking lunker, Okay.

496
00:26:29,280 --> 00:26:32,360
Speaker 6: So then everyone sleeps over, which I thought was hilarious.

497
00:26:32,560 --> 00:26:38,800
Speaker 6: And oh first they're drunk. Oh this was interesting. They're

498
00:26:38,800 --> 00:26:41,439
Speaker 6: all drunk and they're moving the seating chart and we

499
00:26:41,520 --> 00:26:43,320
Speaker 6: see Logan Huntsberger.

500
00:26:44,880 --> 00:26:47,920
Speaker 1: I thought that scene was notable in that every time

501
00:26:47,960 --> 00:26:51,480
Speaker 1: you see that's called an insert shot, and sometimes they

502
00:26:51,520 --> 00:26:54,840
Speaker 1: ask you to stay extra long so your hand can

503
00:26:54,880 --> 00:26:58,320
Speaker 1: be in this. Can't you just use somebody else? It's

504
00:26:58,320 --> 00:26:59,560
Speaker 1: not going to match and you're like, I want to

505
00:26:59,600 --> 00:27:03,879
Speaker 1: go home, and uh uh, but that's called an insert shot,

506
00:27:04,000 --> 00:27:06,120
Speaker 1: and that's on the shot list. And it's like you're

507
00:27:06,119 --> 00:27:08,160
Speaker 1: always grown when you have to do an insert shot

508
00:27:08,200 --> 00:27:11,399
Speaker 1: because it takes a while. But I thought that was

509
00:27:11,440 --> 00:27:16,760
Speaker 1: a particularly deft uh insert shot because they yes, because

510
00:27:16,800 --> 00:27:20,680
Speaker 1: they are, because they caught it as the page was turning.

511
00:27:21,359 --> 00:27:24,240
Speaker 1: It was sort of just barely saw it. Usually insert

512
00:27:24,280 --> 00:27:27,920
Speaker 1: shots are like there it is, it's not moment, it's right,

513
00:27:28,000 --> 00:27:28,960
Speaker 1: it's two in your face.

514
00:27:29,720 --> 00:27:32,280
Speaker 3: To me, the insert shot was the opposite of the

515
00:27:32,359 --> 00:27:36,800
Speaker 3: rubber Baby. The rubber Baby was so bad as this.

516
00:27:36,960 --> 00:27:38,960
Speaker 3: I was like, oh, did you see that?

517
00:27:39,359 --> 00:27:43,200
Speaker 1: Huh yeah, well we're not great at rubber baby shots,

518
00:27:43,200 --> 00:27:44,760
Speaker 1: but you should see inserts.

519
00:27:45,040 --> 00:27:45,960
Speaker 3: Yeah, very deaf.

520
00:27:46,520 --> 00:27:50,480
Speaker 1: So I thought the great best insert shot I've ever seen, and.

521
00:27:50,960 --> 00:27:53,720
Speaker 6: They didn't slam it in my face by having Rory

522
00:27:53,800 --> 00:27:56,439
Speaker 6: be like oh or like just something dumb.

523
00:27:56,760 --> 00:28:00,159
Speaker 3: Instead, it was just like we knew, she knew, we

524
00:28:00,200 --> 00:28:05,280
Speaker 3: all know, Wow, this is happening. Yeah, so it was

525
00:28:05,520 --> 00:28:06,200
Speaker 3: very song.

526
00:28:06,280 --> 00:28:07,520
Speaker 1: Well we have to see his logan.

527
00:28:07,840 --> 00:28:09,879
Speaker 5: And you're like, did you find knew weird that they

528
00:28:09,880 --> 00:28:11,160
Speaker 5: didn't see Christopher's name?

529
00:28:12,760 --> 00:28:14,760
Speaker 4: I did, Actually, yes I did.

530
00:28:14,880 --> 00:28:16,640
Speaker 3: I think you're right, Tara.

531
00:28:16,560 --> 00:28:19,680
Speaker 5: Great call out, because they're right. He's sitting right next

532
00:28:19,720 --> 00:28:20,960
Speaker 5: to Luke and Laurlai.

533
00:28:21,880 --> 00:28:23,320
Speaker 3: No, they weren't over.

534
00:28:24,040 --> 00:28:26,120
Speaker 1: Oh he was, but I think I think I think

535
00:28:26,160 --> 00:28:28,600
Speaker 1: they didn't. I think they didn't do it because there

536
00:28:28,640 --> 00:28:33,000
Speaker 1: was such a great out of focus background reveal of

537
00:28:33,119 --> 00:28:36,800
Speaker 1: Christopher coming into the church, coming into the space.

538
00:28:37,560 --> 00:28:40,800
Speaker 6: Scott, I'm so glad you called out that the focus

539
00:28:40,840 --> 00:28:43,880
Speaker 6: out of focus that was we're we're we're not quite

540
00:28:43,880 --> 00:28:44,240
Speaker 6: there yet.

541
00:28:44,240 --> 00:28:46,280
Speaker 3: But oh I was so radish.

542
00:28:46,320 --> 00:28:50,040
Speaker 6: Okay, so this is where Laura I really calls out,

543
00:28:50,080 --> 00:28:54,400
Speaker 6: like and I think this is important, how entitled.

544
00:28:53,920 --> 00:28:56,800
Speaker 3: They are and how they get what they want. And

545
00:28:56,840 --> 00:28:57,800
Speaker 3: she hates it.

546
00:28:58,160 --> 00:29:00,360
Speaker 6: She hates it, and then she brings up she hates

547
00:29:00,400 --> 00:29:05,160
Speaker 6: the Life and Death Brigade, and Rory's very well, what like, no,

548
00:29:05,200 --> 00:29:10,200
Speaker 6: they're not bad, and it was like, uh oh, and

549
00:29:10,280 --> 00:29:12,800
Speaker 6: I think it's so important to call out how much

550
00:29:13,320 --> 00:29:18,680
Speaker 6: life hates their entitlement, because it's why she's so pissed

551
00:29:19,600 --> 00:29:24,960
Speaker 6: when she finds out, and Rory is like smitten with.

552
00:29:26,400 --> 00:29:27,480
Speaker 3: This world.

553
00:29:27,680 --> 00:29:30,200
Speaker 1: No, she just doesn't agree with her mom, and she

554
00:29:30,280 --> 00:29:33,640
Speaker 1: wants her mom to stop generalizing in that way because

555
00:29:33,680 --> 00:29:37,800
Speaker 1: because that's how people generalize the wealthy or the poor,

556
00:29:37,920 --> 00:29:44,600
Speaker 1: god or any class. Right. Agree, generalizations are false. Agreed,

557
00:29:46,000 --> 00:29:47,440
Speaker 1: they don't pass the smell test.

558
00:29:47,960 --> 00:29:50,520
Speaker 3: I agree with you on generalization bad.

559
00:29:50,440 --> 00:29:52,600
Speaker 1: People in all classes, it doesn't matter.

560
00:29:53,240 --> 00:29:58,320
Speaker 6: Agree, But but Rory is getting hard eyes for this

561
00:29:58,480 --> 00:30:00,960
Speaker 6: whole thing the limo ride home.

562
00:30:01,040 --> 00:30:05,640
Speaker 1: I understand her mother li the it's sartitious of how

563
00:30:05,680 --> 00:30:09,360
Speaker 1: she was raised. Her big fear is that is that

564
00:30:09,400 --> 00:30:11,200
Speaker 1: she's going to end up back in that world and

565
00:30:11,240 --> 00:30:15,160
Speaker 1: be crushed and disappointed the way Laurel I was. And

566
00:30:15,280 --> 00:30:19,000
Speaker 1: I understand the dynamic, but it's like, you know, it's

567
00:30:19,040 --> 00:30:23,280
Speaker 1: a lot of wow, great drama and great tension between

568
00:30:23,320 --> 00:30:23,880
Speaker 1: mother and daughter.

569
00:30:25,000 --> 00:30:27,920
Speaker 3: So, okay, knock, knock, knock, Luke's at the door. They're

570
00:30:27,920 --> 00:30:29,960
Speaker 3: all running around getting ready. Luke's in this suit.

571
00:30:30,000 --> 00:30:31,400
Speaker 6: I didn't know we could get dressed there, which I

572
00:30:31,440 --> 00:30:33,280
Speaker 6: thought was a very funny bit.

573
00:30:33,600 --> 00:30:35,800
Speaker 5: And no one acknowledges him the whole time.

574
00:30:38,000 --> 00:30:40,600
Speaker 3: And I love when someone said, let's motor. Did you

575
00:30:40,600 --> 00:30:41,600
Speaker 3: hear that? Let's motor.

576
00:30:42,560 --> 00:30:44,560
Speaker 6: It's just a great That was a great scene and

577
00:30:44,600 --> 00:30:47,000
Speaker 6: everyone's like, hey, you look nice and then be Bette's

578
00:30:47,000 --> 00:30:47,920
Speaker 6: all sound asleep.

579
00:30:52,480 --> 00:30:53,440
Speaker 3: So I thought that was amazing.

580
00:30:53,440 --> 00:30:55,479
Speaker 6: And then I love the scene when they arrive at

581
00:30:55,520 --> 00:30:58,840
Speaker 6: the club and Luke's all stressed about his wrinkles and

582
00:30:58,880 --> 00:31:03,840
Speaker 6: like rich and Emily are just in fine form but

583
00:31:03,960 --> 00:31:06,600
Speaker 6: with a hint of with a hint of ew.

584
00:31:07,320 --> 00:31:10,680
Speaker 1: But the dialogue there for for Richard and Emily was fantastic.

585
00:31:10,680 --> 00:31:13,480
Speaker 1: I mean it really set the tone of who they are,

586
00:31:13,720 --> 00:31:16,800
Speaker 1: where they are, how they think, how they operate.

587
00:31:17,200 --> 00:31:20,520
Speaker 6: The wedding planners fired because of Loralai moving the seating

588
00:31:20,560 --> 00:31:22,480
Speaker 6: turn around like oh.

589
00:31:22,160 --> 00:31:25,320
Speaker 4: But also a comment about luke suit and how Emily

590
00:31:25,440 --> 00:31:27,560
Speaker 4: was like, oh, he's he's going to change even.

591
00:31:29,200 --> 00:31:34,560
Speaker 6: Just like not a kid like no, and we know

592
00:31:34,720 --> 00:31:38,080
Speaker 6: cousin Maryland's there, which is just like, oh my goodness.

593
00:31:38,360 --> 00:31:40,680
Speaker 5: I did think it was funny about the painting class

594
00:31:40,960 --> 00:31:43,960
Speaker 5: because you see them, you see them during the party too.

595
00:31:44,040 --> 00:31:47,720
Speaker 1: They paid off the paid off. They wouldn't move you

596
00:31:47,800 --> 00:31:52,560
Speaker 1: can't move them. I was going to use the room,

597
00:31:52,600 --> 00:31:54,800
Speaker 1: but Emily doesn't care. Just the fact that they're there.

598
00:31:55,000 --> 00:31:56,080
Speaker 1: Bothers are right.

599
00:31:56,800 --> 00:32:01,680
Speaker 6: I also felt like, okay, first of all, when Richard says, oh,

600
00:32:01,680 --> 00:32:04,760
Speaker 6: why Luke, there you are, or like Emily.

601
00:32:04,480 --> 00:32:06,960
Speaker 3: One of them says, it's like you know what you two?

602
00:32:07,400 --> 00:32:07,640
Speaker 2: Yeah?

603
00:32:08,240 --> 00:32:11,680
Speaker 3: Come on. First of all, come on, number one, they're

604
00:32:11,720 --> 00:32:14,600
Speaker 3: way too into being polite, do you know.

605
00:32:14,600 --> 00:32:18,440
Speaker 6: What I mean? Like they are well mannered people. They

606
00:32:18,480 --> 00:32:23,920
Speaker 6: would never actually not acknowledge Luke except that they're being

607
00:32:24,360 --> 00:32:26,880
Speaker 6: big a bleeps they're.

608
00:32:26,720 --> 00:32:29,520
Speaker 1: Being isn't acceptable to them.

609
00:32:29,600 --> 00:32:35,920
Speaker 3: It's so bad. It's like really bad. But it's just obnoxious.

610
00:32:36,040 --> 00:32:38,400
Speaker 3: It's like, oh, you got stop it.

611
00:32:38,480 --> 00:32:41,080
Speaker 1: But it's funny. I thought it was funny.

612
00:32:41,160 --> 00:32:42,960
Speaker 3: It can be both at the same time.

613
00:32:43,200 --> 00:32:47,640
Speaker 6: It's super funny. And also they are a bleeps. Do

614
00:32:47,680 --> 00:32:49,080
Speaker 6: you like a bleapes or deep bleap?

615
00:32:49,120 --> 00:32:51,440
Speaker 5: It took me a second to realize what you were saying.

616
00:32:51,640 --> 00:32:56,719
Speaker 3: I'm saying a bleeps. No, they're also being d words.

617
00:32:56,920 --> 00:32:58,080
Speaker 3: They're just being d words.

618
00:32:58,160 --> 00:33:01,040
Speaker 5: Yeah, excuse my they're doing some purpose.

619
00:33:01,640 --> 00:33:02,280
Speaker 3: It's awful.

620
00:33:03,560 --> 00:33:07,920
Speaker 6: But I did love the spy blank heads. Yeah, blankets

621
00:33:08,440 --> 00:33:14,360
Speaker 6: blank heads. I could really start a bit of this.

622
00:33:14,720 --> 00:33:22,160
Speaker 1: They're being blank faces, they're being coop heads. We could

623
00:33:22,240 --> 00:33:24,200
Speaker 1: go on and on doing what we shouldn't.

624
00:33:24,280 --> 00:33:27,480
Speaker 3: Really, they're being jerks, basically jerks.

625
00:33:28,000 --> 00:33:31,480
Speaker 1: So I did their party. They can be blank heads

626
00:33:31,480 --> 00:33:36,360
Speaker 1: if they want to, right, it's my and I'll be

627
00:33:36,480 --> 00:33:38,239
Speaker 1: a d bag if you if I want to.

628
00:33:41,240 --> 00:33:44,680
Speaker 6: So he's got the two fabulous necklaces and she's all

629
00:33:44,720 --> 00:33:45,840
Speaker 6: into the spy thing.

630
00:33:45,960 --> 00:33:47,360
Speaker 3: And then I love that she goes right the roape

631
00:33:47,360 --> 00:33:48,120
Speaker 3: which one do you want?

632
00:33:49,840 --> 00:33:50,320
Speaker 1: That one?

633
00:33:50,440 --> 00:33:51,680
Speaker 3: And that one for like my.

634
00:33:51,680 --> 00:33:56,800
Speaker 1: Like my birthday, And it shows just how much she's

635
00:33:57,480 --> 00:34:05,080
Speaker 1: exactly like Emily. She's just like her mother on that level. Right,

636
00:34:05,440 --> 00:34:08,520
Speaker 1: you know there was some good bonding between mother and daughter.

637
00:34:08,680 --> 00:34:11,000
Speaker 1: She didn't far that fall from the tree.

638
00:34:11,560 --> 00:34:14,680
Speaker 3: No, you're right, No, she can be in that world.

639
00:34:14,760 --> 00:34:17,040
Speaker 1: Oh yeah, she can, and.

640
00:34:16,960 --> 00:34:18,920
Speaker 3: She knows how to be in that world.

641
00:34:19,800 --> 00:34:22,240
Speaker 1: I think she wants to be in that world.

642
00:34:22,680 --> 00:34:26,440
Speaker 3: Oh that's a great question. What does everybody think on that?

643
00:34:26,920 --> 00:34:28,319
Speaker 3: I think she hates it too much.

644
00:34:28,840 --> 00:34:31,160
Speaker 5: I think I think she hates it and if she

645
00:34:31,200 --> 00:34:32,640
Speaker 5: would want to do it, she wants to do it

646
00:34:32,680 --> 00:34:34,520
Speaker 5: her own way and not the way her parents did.

647
00:34:35,600 --> 00:34:38,839
Speaker 4: I think it's so who she is, like, deep down

648
00:34:38,880 --> 00:34:41,239
Speaker 4: to her core, that is who she is, and she

649
00:34:41,360 --> 00:34:44,920
Speaker 4: has it in her, but she tries her hardest to

650
00:34:44,960 --> 00:34:47,840
Speaker 4: rebel against. I agree with you, but there's still the

651
00:34:47,920 --> 00:34:52,239
Speaker 4: silver lining in the back that still there, still there.

652
00:34:57,480 --> 00:34:59,759
Speaker 6: So let me ask you guys a question, because look,

653
00:35:00,000 --> 00:35:01,680
Speaker 6: we'll take Luke out of the equation because I think

654
00:35:01,760 --> 00:35:03,520
Speaker 6: Luke's got a lot of dough. I think Luke's got

655
00:35:03,520 --> 00:35:06,120
Speaker 6: a lot of money that in the bank. Say the

656
00:35:06,160 --> 00:35:12,359
Speaker 6: Inn just took off more money, right, he doesn't have, right,

657
00:35:12,400 --> 00:35:15,600
Speaker 6: he doesn't have their money. But say the inn took off, right,

658
00:35:15,880 --> 00:35:18,759
Speaker 6: and Ritz Carlton or four Seasons comes in and wants

659
00:35:18,760 --> 00:35:22,719
Speaker 6: to buy the Inn, and suddenly Suki and Lorelai are

660
00:35:23,200 --> 00:35:27,600
Speaker 6: multi millionaires. Do you think they would leave stars Fallow?

661
00:35:29,480 --> 00:35:31,080
Speaker 6: I agree, I don't think they would either.

662
00:35:32,920 --> 00:35:34,320
Speaker 3: Right, they don't. They wouldn't.

663
00:35:34,440 --> 00:35:38,960
Speaker 6: They might have like a fancier house or a fancier car,

664
00:35:39,600 --> 00:35:42,040
Speaker 6: just little things, but they love their lives.

665
00:35:42,160 --> 00:35:45,000
Speaker 1: I think they'd help out the town and improve the

666
00:35:45,040 --> 00:35:50,040
Speaker 1: town in ways that you know, we don't see where

667
00:35:50,080 --> 00:35:52,040
Speaker 1: it needs to be improved, but you know, they could

668
00:35:52,040 --> 00:35:56,520
Speaker 1: make stuff up exactly. You know, they could rebuild the

669
00:35:56,600 --> 00:36:00,160
Speaker 1: church you know, the church need it's a new upper floor,

670
00:36:00,239 --> 00:36:04,879
Speaker 1: and they they do that, and I don't think she's

671
00:36:05,000 --> 00:36:07,799
Speaker 1: really going to pot and you know they help him.

672
00:36:07,960 --> 00:36:13,200
Speaker 3: First of all, you've got Luke doesn't need help. But whatever,

673
00:36:13,400 --> 00:36:16,440
Speaker 3: just as I did think it was so funny.

674
00:36:16,440 --> 00:36:18,960
Speaker 6: And when they're talking about so Emily is so nervous

675
00:36:19,280 --> 00:36:21,800
Speaker 6: and Laura's like, Laura lies like it's a pretend wedding.

676
00:36:21,920 --> 00:36:23,080
Speaker 3: J Lo has them all the time.

677
00:36:27,080 --> 00:36:30,399
Speaker 4: She wasn't wrong, it's that still has aged very well.

678
00:36:32,280 --> 00:36:33,839
Speaker 1: That was a great job.

679
00:36:33,960 --> 00:36:35,000
Speaker 3: That's better now.

680
00:36:38,040 --> 00:36:44,480
Speaker 1: Oh wow, Okay, so the best pop cultural reference hands down.

681
00:36:46,000 --> 00:36:47,000
Speaker 3: Rory is the best man.

682
00:36:47,080 --> 00:36:51,160
Speaker 6: So she's got her suit on and then we go

683
00:36:51,360 --> 00:36:55,359
Speaker 6: in and we see then it's like we go into

684
00:36:55,400 --> 00:36:58,480
Speaker 6: the room where the re wedding is and I was like.

685
00:36:58,920 --> 00:37:02,799
Speaker 4: You missed you miss Emily asking Laura if she would

686
00:37:02,800 --> 00:37:04,960
Speaker 4: ever get married, if she wants to get married.

687
00:37:05,600 --> 00:37:09,520
Speaker 3: And she says she does. Sorry, sorry, thank you for that.

688
00:37:10,920 --> 00:37:12,440
Speaker 3: So then we go into.

689
00:37:12,239 --> 00:37:15,879
Speaker 6: The room and I was like, holy fabulous, the flowers,

690
00:37:16,239 --> 00:37:19,200
Speaker 6: the violins, the cello, it's so fancy.

691
00:37:19,239 --> 00:37:23,000
Speaker 1: It's just I loved that they just got to it.

692
00:37:23,160 --> 00:37:25,520
Speaker 1: There wasn't too much, you know, it's like, here we are,

693
00:37:25,560 --> 00:37:26,600
Speaker 1: We're doing it. It's great.

694
00:37:26,680 --> 00:37:28,600
Speaker 3: Oh, same thing with the vowels. They didn't make me

695
00:37:28,640 --> 00:37:29,520
Speaker 3: sit through the vowels.

696
00:37:29,680 --> 00:37:34,080
Speaker 1: I was like, no, It's a perfect example of cutting

697
00:37:34,080 --> 00:37:36,640
Speaker 1: into this story as late as possible and getting out

698
00:37:36,680 --> 00:37:40,920
Speaker 1: as soon as possible. Right, the scene totally perfect. They

699
00:37:41,239 --> 00:37:45,120
Speaker 1: established it, They established the love the bomb, Christopher coming in,

700
00:37:45,680 --> 00:37:51,040
Speaker 1: Rory vibin with Logan, Right, who's the blonde?

701
00:37:51,320 --> 00:37:52,600
Speaker 3: Way hello?

702
00:37:54,080 --> 00:37:57,239
Speaker 6: First of all, you guys, her dress is a ten

703
00:37:57,320 --> 00:38:00,839
Speaker 6: out of ten with the sort of sequined pink part

704
00:38:00,880 --> 00:38:01,040
Speaker 6: of it.

705
00:38:01,239 --> 00:38:06,840
Speaker 1: Who's Laurla? Yeah?

706
00:38:07,320 --> 00:38:07,640
Speaker 3: Total?

707
00:38:07,840 --> 00:38:10,160
Speaker 6: And she gives the wink and she's up there and

708
00:38:10,200 --> 00:38:11,160
Speaker 6: she's so cute.

709
00:38:11,239 --> 00:38:14,120
Speaker 3: And then we sort of have the juxtaposition of Rory

710
00:38:14,640 --> 00:38:18,520
Speaker 3: seeing Logan. He won't make eye contact. I'm like, who's

711
00:38:18,600 --> 00:38:20,160
Speaker 3: the girl? Wt?

712
00:38:22,760 --> 00:38:27,600
Speaker 4: And to bring a girl to a party that you

713
00:38:27,880 --> 00:38:31,279
Speaker 4: know somebody likes you at and he's a guest of

714
00:38:31,320 --> 00:38:34,040
Speaker 4: honor essentially brutal.

715
00:38:35,520 --> 00:38:42,600
Speaker 6: Then, as Scott said, the brilliance, Christopher's out of focus,

716
00:38:42,880 --> 00:38:48,600
Speaker 6: walks in, then Luke's in focus, then Christopher's in focus.

717
00:38:48,640 --> 00:38:51,719
Speaker 3: Well, it's just I was like, oh my god, how

718
00:38:51,760 --> 00:38:52,680
Speaker 3: do they do that?

719
00:38:52,920 --> 00:38:56,040
Speaker 1: Who thinks of that stetelling.

720
00:38:56,520 --> 00:39:02,800
Speaker 3: Oh right, so good, then God blessed.

721
00:39:02,800 --> 00:39:04,759
Speaker 6: We didn't have to listen to the vows, just the

722
00:39:05,360 --> 00:39:07,799
Speaker 6: sneak beginning, and then it was like, don't make me

723
00:39:07,880 --> 00:39:08,960
Speaker 6: do this, don't make me.

724
00:39:08,920 --> 00:39:10,839
Speaker 5: Do The one part I did like was the cute

725
00:39:10,880 --> 00:39:12,920
Speaker 5: little note about the dance. I thought that was cute.

726
00:39:13,800 --> 00:39:14,520
Speaker 5: The first dance.

727
00:39:15,160 --> 00:39:18,160
Speaker 1: Well wait, we're not you mean with Bill, Yeah, we're still.

728
00:39:18,200 --> 00:39:21,600
Speaker 5: We're not there yet girl, because you met. I'm like

729
00:39:21,640 --> 00:39:24,120
Speaker 5: the one story that I actually didn't we get.

730
00:39:24,239 --> 00:39:26,399
Speaker 3: Right, we get. I didn't mind that part at all.

731
00:39:26,520 --> 00:39:29,359
Speaker 6: Too Okay, So then we see them at the bar,

732
00:39:29,480 --> 00:39:30,960
Speaker 6: which I thought was so funny.

733
00:39:31,280 --> 00:39:34,879
Speaker 3: They're ordering their drinks and Luke's like, keep them coming.

734
00:39:34,960 --> 00:39:38,680
Speaker 4: Like drinking the beer night, I add, and.

735
00:39:38,600 --> 00:39:41,360
Speaker 6: She drinks a vod katonic I noticed, And then the

736
00:39:41,400 --> 00:39:43,640
Speaker 6: whole mister Block and Feffer. She's explaining like, I'm not

737
00:39:43,680 --> 00:39:44,480
Speaker 6: gonna know who these people are.

738
00:39:44,520 --> 00:39:46,120
Speaker 3: You're gonna have to help me out, Like see here

739
00:39:46,160 --> 00:39:48,200
Speaker 3: comes mister Block and Pewer, like they are.

740
00:39:48,200 --> 00:39:52,839
Speaker 5: Fun and you can tell how much she loves Luke,

741
00:39:53,080 --> 00:39:55,839
Speaker 5: Like I feel like this episode really showed how much

742
00:39:55,880 --> 00:39:59,760
Speaker 5: she loves Yes, like no one else mattered in that room.

743
00:40:00,520 --> 00:40:01,920
Speaker 4: Did we watch the same episode?

744
00:40:03,160 --> 00:40:06,440
Speaker 1: I mean, I don't know, daniel you don't think that.

745
00:40:07,000 --> 00:40:07,560
Speaker 3: You don't think that.

746
00:40:07,880 --> 00:40:12,440
Speaker 4: And no, she literally sees Christopher and is like, oh,

747
00:40:12,480 --> 00:40:14,360
Speaker 4: by the way, I went to his house, I was

748
00:40:14,400 --> 00:40:17,880
Speaker 4: really really drunk. I spent the night or she really

749
00:40:18,520 --> 00:40:20,520
Speaker 4: if she really loved him, she would have told him

750
00:40:20,520 --> 00:40:25,520
Speaker 4: before they ran into him so nervous about upsetting him.

751
00:40:25,600 --> 00:40:26,759
Speaker 1: Bang on dead.

752
00:40:27,640 --> 00:40:32,279
Speaker 3: This is going to be.

753
00:40:32,200 --> 00:40:36,080
Speaker 1: Ladies and gentlemen. That's a mic drop from Danielle Romo.

754
00:40:36,360 --> 00:40:37,560
Speaker 1: She just left the stage.

755
00:40:38,040 --> 00:40:41,160
Speaker 3: Okay, So Danielle, say.

756
00:40:40,719 --> 00:40:45,839
Speaker 6: Mister Danielle goes to has some kind of situation like

757
00:40:45,880 --> 00:40:48,760
Speaker 6: that and nothing happens, and it means nothing.

758
00:40:49,040 --> 00:40:49,839
Speaker 3: You want to know.

759
00:40:50,160 --> 00:40:53,840
Speaker 4: If it means nothing, it would have been discussed earlier.

760
00:40:55,160 --> 00:40:57,319
Speaker 3: See, I'm of the mind of what I don't know

761
00:40:57,400 --> 00:40:58,000
Speaker 3: can't hurt me.

762
00:40:58,800 --> 00:41:00,680
Speaker 4: Oh you see, It's more like if you hide it

763
00:41:00,719 --> 00:41:02,600
Speaker 4: from me, then it's a problem. If you tell me,

764
00:41:02,800 --> 00:41:03,920
Speaker 4: there's no problem at all.

765
00:41:04,440 --> 00:41:06,600
Speaker 1: Trust Trust got to building.

766
00:41:06,800 --> 00:41:09,440
Speaker 6: I have so much trust, but I don't need to

767
00:41:09,480 --> 00:41:11,880
Speaker 6: know every like little minutia detail.

768
00:41:12,040 --> 00:41:14,799
Speaker 1: Like you're the love of your life is taking a

769
00:41:14,840 --> 00:41:17,600
Speaker 1: bottle of tequila to her ex and spending the night.

770
00:41:17,760 --> 00:41:22,319
Speaker 1: What wtf? I mean, are you kidding me? You drop

771
00:41:22,360 --> 00:41:24,560
Speaker 1: that bomb on me right before he shows up? Man?

772
00:41:24,680 --> 00:41:25,120
Speaker 3: Whoa.

773
00:41:25,600 --> 00:41:27,840
Speaker 4: And that's the only reason why she's dropping the bomb

774
00:41:27,880 --> 00:41:29,600
Speaker 4: is because he's there and she didn't want to get

775
00:41:29,600 --> 00:41:31,840
Speaker 4: caught with her pants down to say.

776
00:41:32,520 --> 00:41:35,160
Speaker 1: Ten pounds of cement in my mouth? You know, tell

777
00:41:35,239 --> 00:41:37,760
Speaker 1: me it's prime rib. I mean, give me a break.

778
00:41:38,280 --> 00:41:39,360
Speaker 3: Can I throw something on?

779
00:41:39,480 --> 00:41:41,239
Speaker 6: Let me let me throw something out to you guys,

780
00:41:41,719 --> 00:41:44,040
Speaker 6: and then everyone can yell me, including everyone listening.

781
00:41:45,200 --> 00:41:46,959
Speaker 3: When you so, you all are on.

782
00:41:46,880 --> 00:41:52,080
Speaker 6: Your first marriages, right, you weren't married before, right, Danielle,

783
00:41:52,080 --> 00:41:52,560
Speaker 6: you weren't married.

784
00:41:52,880 --> 00:41:54,719
Speaker 3: I was, Oh you were, that's right. But it was

785
00:41:54,760 --> 00:41:56,600
Speaker 3: like quick right, it was like it was just a starter.

786
00:41:57,040 --> 00:41:59,640
Speaker 1: It seemed like an eternity that it was two years.

787
00:42:00,040 --> 00:42:02,239
Speaker 1: Thank you for bringing this up.

788
00:42:02,400 --> 00:42:05,840
Speaker 3: Okay for the therapy.

789
00:42:06,000 --> 00:42:14,680
Speaker 6: Okay, so here, So here's my point.

790
00:42:14,719 --> 00:42:15,239
Speaker 3: Here's my point.

791
00:42:15,239 --> 00:42:16,200
Speaker 1: Here's my point.

792
00:42:17,600 --> 00:42:21,799
Speaker 6: I think that if you are with someone who has

793
00:42:22,000 --> 00:42:28,399
Speaker 6: children and a father of those children, there are some

794
00:42:28,480 --> 00:42:29,399
Speaker 6: different sort of.

795
00:42:31,120 --> 00:42:32,880
Speaker 3: Things that come with that.

796
00:42:33,440 --> 00:42:35,600
Speaker 1: You get to you get to bullsh your current boyfriend.

797
00:42:37,680 --> 00:42:42,560
Speaker 3: You did a lot, you don't know, but I think, okay, get.

798
00:42:42,400 --> 00:42:46,120
Speaker 6: To the trying to figure out how to say that

799
00:42:47,120 --> 00:42:50,880
Speaker 6: the kids to be priority, right, So I would be

800
00:42:51,000 --> 00:42:55,759
Speaker 6: much more tolerant or accepting or understanding of things that

801
00:42:55,960 --> 00:43:00,000
Speaker 6: happen with people that are co parenting, then I would

802
00:43:00,160 --> 00:43:02,920
Speaker 6: if it was just like my boyfriend went out with,

803
00:43:03,080 --> 00:43:05,520
Speaker 6: like some random lady.

804
00:43:05,320 --> 00:43:10,399
Speaker 1: You're asking too I agree with Danielle, you're asking too

805
00:43:10,480 --> 00:43:14,600
Speaker 1: much for somebody to swallow that kind of a bitter

806
00:43:14,719 --> 00:43:19,720
Speaker 1: pill after the fact. And then as she daniel pointed

807
00:43:19,760 --> 00:43:24,520
Speaker 1: out in a rushed, last minute hail Mary kind of way,

808
00:43:25,280 --> 00:43:29,080
Speaker 1: because he just arrived and she's afraid he's gonna say it.

809
00:43:30,400 --> 00:43:32,960
Speaker 1: I just think it's it was a bad look for lay.

810
00:43:33,360 --> 00:43:36,480
Speaker 4: I just think it's really disrespectful, Like bottom line, like

811
00:43:36,920 --> 00:43:39,319
Speaker 4: she may love Luke, but she's sure as heck does

812
00:43:39,360 --> 00:43:42,160
Speaker 4: not respect him, because if she did, she would have,

813
00:43:42,680 --> 00:43:46,200
Speaker 4: you know, put him first, and in that situation, she didn't.

814
00:43:46,640 --> 00:43:49,080
Speaker 4: And I don't know, I just like I thought it

815
00:43:49,080 --> 00:43:49,520
Speaker 4: was a low.

816
00:43:50,000 --> 00:43:51,880
Speaker 1: It doesn't matter whether you're a man or a woman.

817
00:43:51,960 --> 00:43:55,520
Speaker 1: In that situation, you're going to feel pretty small. Yeah,

818
00:43:55,960 --> 00:43:59,080
Speaker 1: that's going to make somebody feel small and like you're

819
00:43:59,080 --> 00:44:04,640
Speaker 1: asking somebody to to to give you too much consideration

820
00:44:04,800 --> 00:44:05,560
Speaker 1: at that point.

821
00:44:05,760 --> 00:44:09,200
Speaker 3: I just I just give a lot of and again

822
00:44:09,239 --> 00:44:09,879
Speaker 3: I could be wrong.

823
00:44:12,160 --> 00:44:14,080
Speaker 1: Yeah, when it happened, Look.

824
00:44:13,920 --> 00:44:15,319
Speaker 3: I agree with that. I agree with that.

825
00:44:15,520 --> 00:44:18,680
Speaker 6: But at the same time, I think when you have

826
00:44:18,800 --> 00:44:22,440
Speaker 6: a kid with somebody and you are sort of co

827
00:44:22,600 --> 00:44:25,359
Speaker 6: parenting in the situation that they sort of do and

828
00:44:25,400 --> 00:44:28,160
Speaker 6: you have all that passed, I just give a little

829
00:44:28,160 --> 00:44:31,440
Speaker 6: bit more wiggle room there. It's like it can't be

830
00:44:31,560 --> 00:44:35,160
Speaker 6: so black and white. It's so complicated when there's a

831
00:44:35,280 --> 00:44:37,120
Speaker 6: kid involved.

832
00:44:37,160 --> 00:44:39,440
Speaker 4: It's just not her first time doing it, so like

833
00:44:39,600 --> 00:44:42,760
Speaker 4: it just it's just like red flag, red flag, red flag.

834
00:44:42,960 --> 00:44:45,799
Speaker 4: Like if it was one time and then because Luke,

835
00:44:46,120 --> 00:44:47,719
Speaker 4: I mean, correct me if I'm wrong, But the last

836
00:44:47,719 --> 00:44:50,600
Speaker 4: time she did this, like Luke was like kind of just.

837
00:44:52,000 --> 00:44:54,160
Speaker 3: He wasn't stoked, he was instilled.

838
00:44:54,280 --> 00:44:56,200
Speaker 5: Yeah, he just got over it because he had.

839
00:44:56,520 --> 00:44:58,480
Speaker 3: That was from the lunch exactly.

840
00:44:58,760 --> 00:45:01,359
Speaker 4: And it's just like you're gonna do this again. It's

841
00:45:01,400 --> 00:45:03,759
Speaker 4: just like, I don't know, it's just really disrespectful in

842
00:45:03,840 --> 00:45:06,919
Speaker 4: my book, and it's just I just don't know.

843
00:45:08,040 --> 00:45:08,839
Speaker 3: Figure it out.

844
00:45:09,280 --> 00:45:12,800
Speaker 4: Yeah, and Luke handled it so much he did I

845
00:45:13,239 --> 00:45:15,000
Speaker 4: thought he was gonna leave and I thought that's where

846
00:45:15,040 --> 00:45:17,400
Speaker 4: this episode was going. I thought he was gonna exit

847
00:45:17,440 --> 00:45:21,440
Speaker 4: stage left and just peace out. And the fact that

848
00:45:21,480 --> 00:45:24,319
Speaker 4: he stayed there I literally was like because he didn't

849
00:45:24,320 --> 00:45:25,400
Speaker 4: want to be there anyways.

850
00:45:25,680 --> 00:45:28,280
Speaker 6: Yeah, well, and he also was like sorry about your dad,

851
00:45:28,560 --> 00:45:30,840
Speaker 6: the Christopher, like it.

852
00:45:30,760 --> 00:45:33,480
Speaker 5: Was a kind of hint that he knows, like, oh, right,

853
00:45:33,560 --> 00:45:34,480
Speaker 5: by the way, about.

854
00:45:34,239 --> 00:45:36,560
Speaker 3: That, right, like I know about the whole thing.

855
00:45:36,320 --> 00:45:38,160
Speaker 5: Which, by the way, I would like to preface I

856
00:45:38,200 --> 00:45:41,880
Speaker 5: did not mean to make that comment right before she

857
00:45:42,080 --> 00:45:45,359
Speaker 5: like spilled up I met that night in general, like

858
00:45:45,480 --> 00:45:48,480
Speaker 5: not this moment, like, oh, she loves Luke, Like I

859
00:45:48,560 --> 00:45:50,719
Speaker 5: think my timing was wrong on that because I do

860
00:45:50,800 --> 00:45:56,279
Speaker 5: agree with everyone I think that there's a history with Christopher.

861
00:45:56,400 --> 00:45:58,600
Speaker 5: But also I don't think that's fair to Luke that

862
00:45:58,640 --> 00:46:01,319
Speaker 5: she just is like, by the way, this this, these

863
00:46:01,320 --> 00:46:03,520
Speaker 5: are these are my five bullet points to tell you

864
00:46:03,560 --> 00:46:07,200
Speaker 5: in five seconds right before Christopher walks up to us,

865
00:46:07,239 --> 00:46:09,600
Speaker 5: I don't think that was fair. But the rest of

866
00:46:09,640 --> 00:46:11,279
Speaker 5: the night is what I was referring to, in the

867
00:46:11,280 --> 00:46:13,640
Speaker 5: sense of like she kind of let Christopher.

868
00:46:14,680 --> 00:46:17,680
Speaker 3: Do I agree with you, Tara, I agree with she

869
00:46:17,760 --> 00:46:20,520
Speaker 3: had to. Well, no, she had to.

870
00:46:20,600 --> 00:46:22,439
Speaker 5: But like I in the past she'd always like look

871
00:46:22,440 --> 00:46:24,440
Speaker 5: over at Christopher, and it was the first time where

872
00:46:24,480 --> 00:46:25,080
Speaker 5: I felt.

873
00:46:24,800 --> 00:46:29,360
Speaker 6: Like we Tara, I do not think she had any

874
00:46:29,560 --> 00:46:31,520
Speaker 6: There is no one else in the world she wanted

875
00:46:31,560 --> 00:46:32,360
Speaker 6: to be there with.

876
00:46:32,640 --> 00:46:34,800
Speaker 3: Other than Luke. I would agree with that.

877
00:46:35,160 --> 00:46:36,080
Speaker 4: I do agree with that.

878
00:46:36,080 --> 00:46:36,520
Speaker 3: Shouldn't it.

879
00:46:36,520 --> 00:46:38,400
Speaker 6: And she wanted to dance with him and he was

880
00:46:38,480 --> 00:46:40,880
Speaker 6: so mad, which we'll get to but really fast.

881
00:46:40,920 --> 00:46:43,719
Speaker 4: But you know when you're like significant others really mad

882
00:46:43,760 --> 00:46:44,800
Speaker 4: at you, and you're.

883
00:46:44,600 --> 00:46:46,160
Speaker 3: Like, do you want pizza tonight?

884
00:46:46,280 --> 00:46:48,960
Speaker 4: Like listening of all the things that they want to do,

885
00:46:49,120 --> 00:46:52,320
Speaker 4: like you literally try to get back in the good graces,

886
00:46:52,360 --> 00:46:54,440
Speaker 4: and like that's what I felt Lourla was doing. Like

887
00:46:54,520 --> 00:46:58,000
Speaker 4: she was literally got caught in a really really bad

888
00:46:58,120 --> 00:47:01,640
Speaker 4: position due to her own fault, and so then she

889
00:47:01,800 --> 00:47:05,040
Speaker 4: was trying to backpedal and like get back on Luke's

890
00:47:05,080 --> 00:47:07,000
Speaker 4: good side, and she shoves.

891
00:47:06,760 --> 00:47:09,480
Speaker 5: And then on the drive over. In my opinion, if

892
00:47:09,560 --> 00:47:10,160
Speaker 5: like it were.

893
00:47:10,040 --> 00:47:12,480
Speaker 3: To she didn't even know Christopher was going to be there, true,

894
00:47:12,600 --> 00:47:13,520
Speaker 3: but like we.

895
00:47:13,440 --> 00:47:15,239
Speaker 5: Know that, like family is going to be there in

896
00:47:15,680 --> 00:47:16,600
Speaker 5: some way, I.

897
00:47:16,560 --> 00:47:18,920
Speaker 3: Think she hoped to never get caught for that, you know.

898
00:47:19,040 --> 00:47:24,480
Speaker 1: And also let's talk about you know, the class structure

899
00:47:24,560 --> 00:47:29,920
Speaker 1: going on. In that entire dynamic, you've got Luke not

900
00:47:30,040 --> 00:47:33,520
Speaker 1: feeling comfortable being there in the first place, feeling judged

901
00:47:34,000 --> 00:47:37,920
Speaker 1: by Emily, and Richard feeling judged, and now this Christopher situation,

902
00:47:38,120 --> 00:47:40,840
Speaker 1: he really feels like he is in the wrong place.

903
00:47:41,280 --> 00:47:44,480
Speaker 1: It's rough, it's it's hard for him, and he's real. Yeah,

904
00:47:44,480 --> 00:47:48,920
Speaker 1: he's really having to swallow a lot of stuff just

905
00:47:48,960 --> 00:47:54,120
Speaker 1: to maintain uh, you know, an even temperament. So yeah,

906
00:47:54,120 --> 00:47:57,000
Speaker 1: it's a tough situation. He did handle it well. Yeah,

907
00:47:57,080 --> 00:47:59,440
Speaker 1: I was. I was proud of him.

908
00:47:59,760 --> 00:48:01,719
Speaker 3: Meet. We'll get into that more, but really quick.

909
00:48:01,719 --> 00:48:03,239
Speaker 6: There is a funny scene that I don't want to

910
00:48:03,239 --> 00:48:07,680
Speaker 6: skip over when Rory sees Logan and she's hiding behind

911
00:48:08,320 --> 00:48:11,880
Speaker 6: the bigger guy and spying and spying. That hasn't been

912
00:48:11,880 --> 00:48:14,440
Speaker 6: hard because she's got a spy spy and that guy's

913
00:48:14,480 --> 00:48:17,560
Speaker 6: got to keep going with his whole Yeah, that's Trip's

914
00:48:17,560 --> 00:48:20,240
Speaker 6: second cousin, so that would be your third cousin once removed.

915
00:48:20,280 --> 00:48:22,799
Speaker 6: Like that guy's got a whole speech she's giving and

916
00:48:22,840 --> 00:48:23,759
Speaker 6: she's uh uh.

917
00:48:28,760 --> 00:48:29,719
Speaker 3: So okay.

918
00:48:29,880 --> 00:48:33,960
Speaker 6: So then we get we see mister and missus Gilmour

919
00:48:34,080 --> 00:48:37,080
Speaker 6: for the first time, this Century, which I thought was funny,

920
00:48:38,160 --> 00:48:43,040
Speaker 6: and Richard makes that beautiful toast and Emily blows them

921
00:48:43,080 --> 00:48:46,600
Speaker 6: the kiss and the mate they danced to Bill that's.

922
00:48:46,480 --> 00:48:50,200
Speaker 1: Kids getting married. That song with that scene was genius.

923
00:48:50,560 --> 00:48:53,359
Speaker 6: Yeah, that song's been in my head since the first

924
00:48:53,360 --> 00:48:54,760
Speaker 6: time I saw this episode.

925
00:48:54,400 --> 00:48:57,640
Speaker 1: Twenty Oh man, it's.

926
00:48:57,520 --> 00:48:58,000
Speaker 3: A good one.

927
00:48:59,800 --> 00:49:03,560
Speaker 6: And Luke is mad, and Lorala is trying so hard

928
00:49:03,600 --> 00:49:05,760
Speaker 6: and Chris is just guzzling alcohol.

929
00:49:07,160 --> 00:49:07,759
Speaker 3: It's a mess.

930
00:49:11,160 --> 00:49:15,400
Speaker 1: Yeah, boy, yeah.

931
00:49:14,280 --> 00:49:20,840
Speaker 3: It's all getting messy because then Logan has that girl

932
00:49:22,080 --> 00:49:24,160
Speaker 3: and it's like, what's that?

933
00:49:24,400 --> 00:49:27,000
Speaker 6: So we're just seeing all this mess and then Lorlai

934
00:49:27,120 --> 00:49:30,560
Speaker 6: convinces Luke to dance, which thank.

935
00:49:30,360 --> 00:49:33,600
Speaker 1: God, and they look good. It looked good. That was

936
00:49:33,600 --> 00:49:36,080
Speaker 1: a good first move on the dance floor at the point, and.

937
00:49:36,040 --> 00:49:38,720
Speaker 6: I feel like all the background actors were professional dancers.

938
00:49:39,080 --> 00:49:44,040
Speaker 1: That they probably were. Luke can dance, He can dance,

939
00:49:44,440 --> 00:49:45,000
Speaker 1: Luke and Walter.

940
00:49:46,080 --> 00:49:47,759
Speaker 3: Yeah.

941
00:49:47,800 --> 00:49:50,960
Speaker 6: So then we see the art class, so Rory goes

942
00:49:51,000 --> 00:49:54,120
Speaker 6: to find Christopher or vice versa.

943
00:49:54,160 --> 00:49:58,000
Speaker 3: I can't remember. Maybe Christopher found He gets up and

944
00:49:58,080 --> 00:49:58,640
Speaker 3: follows him.

945
00:49:58,760 --> 00:50:02,040
Speaker 6: So the out the art class is going and you know,

946
00:50:02,120 --> 00:50:05,520
Speaker 6: he tells the story about the first kiss inappropriate.

947
00:50:07,040 --> 00:50:07,920
Speaker 3: Oh, I disagree.

948
00:50:08,400 --> 00:50:09,960
Speaker 4: It was the best day of his life.

949
00:50:10,960 --> 00:50:13,440
Speaker 3: That's so sweet to tell a kid about their parents.

950
00:50:13,760 --> 00:50:16,640
Speaker 5: I think it's all about timing to put yourselves in

951
00:50:16,680 --> 00:50:21,400
Speaker 5: the nonpu.

952
00:50:19,440 --> 00:50:22,040
Speaker 1: That's manipulation or I'm too drunk too.

953
00:50:23,800 --> 00:50:25,840
Speaker 4: You were born was the best day of my life.

954
00:50:26,520 --> 00:50:27,520
Speaker 1: It is inappropriate.

955
00:50:27,600 --> 00:50:29,000
Speaker 4: Yeah, it's the guy.

956
00:50:30,800 --> 00:50:33,440
Speaker 3: Because he tells her that story, it gives her the

957
00:50:33,560 --> 00:50:36,080
Speaker 3: courage to go kiss lowly. Yeah, it was.

958
00:50:35,920 --> 00:50:39,040
Speaker 5: It was a way to prompt her. But I think,

959
00:50:39,200 --> 00:50:42,040
Speaker 5: like I think the timing of him great inspiration.

960
00:50:42,160 --> 00:50:50,200
Speaker 1: I'm just gonna go mac with everybody. First of all, predicament,

961
00:50:50,480 --> 00:50:58,239
Speaker 1: just like you dad painting in the background, just encouraging

962
00:50:58,320 --> 00:51:01,680
Speaker 1: my child to go up and whoever they were because.

963
00:51:03,480 --> 00:51:08,759
Speaker 3: Story. I don't all right, I don't hate Christopher as

964
00:51:08,800 --> 00:51:09,160
Speaker 3: much as.

965
00:51:09,040 --> 00:51:13,600
Speaker 1: You guys, child. I liked this great parent.

966
00:51:15,200 --> 00:51:17,480
Speaker 4: I don't know. I just thought it was like he

967
00:51:17,520 --> 00:51:20,480
Speaker 4: would say that on the night that he's trying to

968
00:51:20,520 --> 00:51:24,640
Speaker 4: win Lorelai back, and I don't know, it's just funny.

969
00:51:24,640 --> 00:51:25,439
Speaker 4: You had your chance.

970
00:51:25,520 --> 00:51:27,640
Speaker 3: You have to move on, like you need.

971
00:51:28,080 --> 00:51:30,600
Speaker 4: You screwed this up, dude, You screwed it up. Time

972
00:51:30,640 --> 00:51:33,160
Speaker 4: to move on. Lrlay do her thing.

973
00:51:33,200 --> 00:51:33,680
Speaker 1: With Luke.

974
00:51:34,160 --> 00:51:39,800
Speaker 4: Stop talking about he's not stop asking her for things.

975
00:51:39,360 --> 00:51:43,160
Speaker 6: At a wedding where her grandparents just had a re wedding.

976
00:51:43,560 --> 00:51:46,600
Speaker 3: He's in love. He's telling a love story. But it's not.

977
00:51:46,640 --> 00:51:47,800
Speaker 5: About Emily and Richard.

978
00:51:47,840 --> 00:51:48,960
Speaker 3: It's about Laurel.

979
00:51:49,000 --> 00:51:51,320
Speaker 5: I not saying that, Christopher.

980
00:51:51,160 --> 00:51:52,240
Speaker 3: But that's their kid.

981
00:51:52,840 --> 00:51:56,360
Speaker 6: If you are a kid, you're perfectly capable of hearing

982
00:51:56,400 --> 00:51:59,120
Speaker 6: a great story about your parents while still knowing my

983
00:51:59,200 --> 00:51:59,759
Speaker 6: parents aren't.

984
00:51:59,760 --> 00:52:02,600
Speaker 3: To get it's a kid can handle both.

985
00:52:02,719 --> 00:52:05,280
Speaker 1: You know what he was. He was two cocktails away

986
00:52:05,360 --> 00:52:08,800
Speaker 1: from telling her like the greatest night of my life as.

987
00:52:08,640 --> 00:52:09,200
Speaker 3: Well as.

988
00:52:12,840 --> 00:52:14,360
Speaker 1: It's like killing me.

989
00:52:14,440 --> 00:52:17,080
Speaker 5: The reason why I disagree is because of the conversation

990
00:52:17,200 --> 00:52:20,480
Speaker 5: that Rory had at Christopher's house, like stay away from

991
00:52:20,520 --> 00:52:23,160
Speaker 5: my mom, but we've ruined this relationship.

992
00:52:23,400 --> 00:52:28,000
Speaker 6: But correct, But she's but that's okay. Correct, But she's

993
00:52:28,040 --> 00:52:31,640
Speaker 6: also forgiven her father because of the you know, his

994
00:52:31,719 --> 00:52:34,840
Speaker 6: father dying. They've all kind of come back together. And also,

995
00:52:35,280 --> 00:52:38,920
Speaker 6: like I said, two things can be simultaneously true, Rory

996
00:52:39,000 --> 00:52:41,319
Speaker 6: is one hundred percent in with Luke and Laura Lai,

997
00:52:41,880 --> 00:52:44,520
Speaker 6: but she can also hear a story from her father

998
00:52:44,640 --> 00:52:47,560
Speaker 6: about his first kiss with her mother. Those are her parents.

999
00:52:47,880 --> 00:52:51,240
Speaker 6: She doesn't necessarily like she doesn't going to be like, sorry, dad,

1000
00:52:51,320 --> 00:52:53,759
Speaker 6: I can only hear about Luke and LAURAAI, or you're

1001
00:52:53,760 --> 00:52:55,320
Speaker 6: going to ruin their relationship.

1002
00:52:55,400 --> 00:52:58,279
Speaker 4: Like no, I agree, I agree with you. Like he

1003
00:52:58,480 --> 00:53:01,960
Speaker 4: of course he can tell her storyores of them as kids,

1004
00:53:02,080 --> 00:53:03,759
Speaker 4: dating and all that kind of stuff. But for him

1005
00:53:03,800 --> 00:53:05,320
Speaker 4: to say that was the best day of my life

1006
00:53:05,400 --> 00:53:07,640
Speaker 4: was just weird. And it was just weird.

1007
00:53:07,680 --> 00:53:10,040
Speaker 1: What kind of a father shows up at a function

1008
00:53:10,880 --> 00:53:14,600
Speaker 1: and has too much to drink somebody who's out of control, right,

1009
00:53:14,719 --> 00:53:16,319
Speaker 1: he's only thinking of themselves.

1010
00:53:16,880 --> 00:53:19,480
Speaker 3: Fair, and it's fair.

1011
00:53:19,120 --> 00:53:23,120
Speaker 1: Utterly selfish behavior. He's had too much to drink because

1012
00:53:23,120 --> 00:53:26,239
Speaker 1: he can't handle the situation because Emily had a conversation

1013
00:53:26,760 --> 00:53:29,799
Speaker 1: convinced him that he had a shot. Yeah, and he

1014
00:53:29,840 --> 00:53:32,759
Speaker 1: even thought that maybe it was the right thing to do.

1015
00:53:32,840 --> 00:53:35,000
Speaker 1: I mean, he's out of it, man, I mean, he

1016
00:53:35,080 --> 00:53:38,200
Speaker 1: is just so out of touch with reality and doesn't

1017
00:53:38,280 --> 00:53:41,759
Speaker 1: respect anybody else's space and doesn't see the damage that

1018
00:53:41,800 --> 00:53:45,600
Speaker 1: he caused and continues to cause. It's like, leave well

1019
00:53:45,719 --> 00:53:52,800
Speaker 1: enough alone. Rory's most sober assessment of her life was

1020
00:53:52,840 --> 00:53:54,759
Speaker 1: when she went to him and says, stay away. From

1021
00:53:54,760 --> 00:53:58,680
Speaker 1: my stay away from mom, let her live, let her

1022
00:53:58,680 --> 00:54:03,000
Speaker 1: have a relationship. That was I just maturity growth.

1023
00:54:03,440 --> 00:54:05,840
Speaker 3: I cannot wait till you I'll see what's coming.

1024
00:54:08,040 --> 00:54:11,680
Speaker 1: Oh, I'm gonna throw your knowledge at us. Huh can

1025
00:54:11,719 --> 00:54:15,399
Speaker 1: I okay, don't hold you you.

1026
00:54:15,560 --> 00:54:18,960
Speaker 3: Like the story. Whether you like the story or not,

1027
00:54:19,480 --> 00:54:20,719
Speaker 3: we will put a pin in that.

1028
00:54:21,400 --> 00:54:25,200
Speaker 6: But there is an importance to the story because it

1029
00:54:25,239 --> 00:54:28,280
Speaker 6: gives Rory the confidence that she is going to go

1030
00:54:29,080 --> 00:54:31,160
Speaker 6: do it. She's going to go do the exact same

1031
00:54:31,200 --> 00:54:32,120
Speaker 6: thing that her mom did.

1032
00:54:32,560 --> 00:54:37,040
Speaker 3: So she finds logan and they I love their conversation, like,

1033
00:54:37,080 --> 00:54:39,399
Speaker 3: where's the blonde? She's pretty? You want me to hook

1034
00:54:39,440 --> 00:54:42,200
Speaker 3: you up? It was so awkward, it was so good.

1035
00:54:42,480 --> 00:54:44,000
Speaker 6: And then he's like, she's a friend of the family,

1036
00:54:44,040 --> 00:54:47,799
Speaker 6: we're not dating, which obviously he says because he.

1037
00:54:47,960 --> 00:54:51,200
Speaker 3: Likes her too. Right, So she says, want to dance?

1038
00:54:51,239 --> 00:54:51,759
Speaker 3: Then they have this.

1039
00:54:53,760 --> 00:54:57,440
Speaker 4: Yeah, I was going to jump into you go first.

1040
00:54:57,920 --> 00:55:02,920
Speaker 1: Do you think Rory was being being desperate or being assertive?

1041
00:55:03,920 --> 00:55:08,560
Speaker 1: Was there a balance there between being desperate representing herself,

1042
00:55:09,239 --> 00:55:11,440
Speaker 1: because because I how do you feel about that?

1043
00:55:12,000 --> 00:55:14,279
Speaker 5: I think that she was trying to be a sort

1044
00:55:14,320 --> 00:55:18,279
Speaker 5: of but it came off desperate, right, it.

1045
00:55:18,320 --> 00:55:19,920
Speaker 3: Just came off that way, Knud.

1046
00:55:20,800 --> 00:55:23,120
Speaker 4: He's so, I was gonna this, This was gonna be

1047
00:55:23,200 --> 00:55:27,880
Speaker 4: my point. The family friend. He knew exactly what he

1048
00:55:28,000 --> 00:55:30,840
Speaker 4: was doing with that family friend. That family friend was

1049
00:55:30,840 --> 00:55:34,000
Speaker 4: a prop in a game that he is playing with

1050
00:55:34,080 --> 00:55:36,600
Speaker 4: Rory like a hundred person.

1051
00:55:36,960 --> 00:55:38,719
Speaker 1: Do you really think at this point, because he did

1052
00:55:38,760 --> 00:55:41,120
Speaker 1: make his confession, this is who I am. I know,

1053
00:55:41,440 --> 00:55:44,319
Speaker 1: I know what I am. His confession was.

1054
00:55:44,239 --> 00:55:48,120
Speaker 3: Important, Yes, because he's correct.

1055
00:55:47,680 --> 00:55:50,520
Speaker 1: And I thought it was and I believed him. I

1056
00:55:50,560 --> 00:55:52,879
Speaker 1: didn't think I didn't think it was part of his game,

1057
00:55:52,920 --> 00:55:55,480
Speaker 1: and I didn't think it was because if it was,

1058
00:55:55,680 --> 00:55:56,480
Speaker 1: then he's evil.

1059
00:55:57,280 --> 00:56:00,000
Speaker 3: No, you're right, Scott, your ste he's a sociopath.

1060
00:56:00,360 --> 00:56:02,799
Speaker 1: It isn't then he has no feelings at all. I

1061
00:56:02,840 --> 00:56:05,160
Speaker 1: think he has feelings for her, But he's saying, listen,

1062
00:56:05,440 --> 00:56:07,640
Speaker 1: I don't want to hurt you because I am this way,

1063
00:56:07,719 --> 00:56:10,440
Speaker 1: and he hasn't said that to anybody else.

1064
00:56:11,920 --> 00:56:15,799
Speaker 6: Look, you cannot be mad at Logan for what he

1065
00:56:15,840 --> 00:56:20,359
Speaker 6: did because he does like her and she likes him,

1066
00:56:20,880 --> 00:56:25,319
Speaker 6: and she is lying when she says, oh no, I'm

1067
00:56:25,320 --> 00:56:28,160
Speaker 6: not looking for a boyfriend like I've been through that

1068
00:56:28,960 --> 00:56:32,160
Speaker 6: he is doing her such a He's telling her the truth.

1069
00:56:32,320 --> 00:56:33,200
Speaker 3: I like you, and.

1070
00:56:33,160 --> 00:56:35,640
Speaker 6: I'm going to hurt you because I am not ready

1071
00:56:35,880 --> 00:56:37,359
Speaker 6: for what you are capable of.

1072
00:56:37,680 --> 00:56:43,160
Speaker 3: And she is delusional that she thinks she can handle him.

1073
00:56:44,320 --> 00:56:46,520
Speaker 3: He's come on.

1074
00:56:48,920 --> 00:56:51,880
Speaker 1: But that makes us love Rory and care for her

1075
00:56:51,960 --> 00:56:56,279
Speaker 1: want to protect her even more right that she's letting herself.

1076
00:56:57,360 --> 00:57:01,480
Speaker 1: She likes him so much, right, but yeah, it's it's

1077
00:57:01,560 --> 00:57:04,320
Speaker 1: just like, no, Rory, don't do that. You know exactly,

1078
00:57:04,640 --> 00:57:06,640
Speaker 1: you know you're gonna get hurt. But she listen, that's

1079
00:57:06,680 --> 00:57:08,520
Speaker 1: just part of growing up. And you're gonna get hurt,

1080
00:57:08,520 --> 00:57:10,239
Speaker 1: and you need to and you need to sort of

1081
00:57:11,520 --> 00:57:13,480
Speaker 1: you need to get your heart broken a couple times

1082
00:57:13,480 --> 00:57:15,200
Speaker 1: before you really know what you want, you know what

1083
00:57:15,239 --> 00:57:15,520
Speaker 1: I mean.

1084
00:57:15,600 --> 00:57:20,000
Speaker 6: Everyone gets so mad at Logan when Logan is totally

1085
00:57:20,040 --> 00:57:22,520
Speaker 6: telling her the truth and he's saying, you're going to

1086
00:57:22,560 --> 00:57:25,520
Speaker 6: want something right away and I can't give you that.

1087
00:57:26,080 --> 00:57:28,280
Speaker 3: And he's telling her the truth because he knows his.

1088
00:57:28,280 --> 00:57:33,360
Speaker 6: Shortcomings right now and possibly knows her for a long time.

1089
00:57:33,440 --> 00:57:36,480
Speaker 6: He has these same shortcomings maybe all the way to

1090
00:57:36,520 --> 00:57:37,080
Speaker 6: the movies.

1091
00:57:37,760 --> 00:57:43,000
Speaker 1: Yes he's shortcomings, but really, really really really good guy

1092
00:57:43,840 --> 00:57:44,680
Speaker 1: wouldn't tease her.

1093
00:57:45,560 --> 00:57:49,120
Speaker 6: He's he's not teasing her, he is telling her the truth.

1094
00:57:49,240 --> 00:57:50,880
Speaker 6: I like you, I want to spend time with you.

1095
00:57:50,920 --> 00:57:53,520
Speaker 6: I've thought about asking you out. But I am not

1096
00:57:54,400 --> 00:57:55,320
Speaker 6: Rory material.

1097
00:57:55,720 --> 00:57:58,320
Speaker 1: You are not talking about teasing her in that moment.

1098
00:57:58,360 --> 00:58:00,880
Speaker 1: I'm talking about his interacttions with her prior.

1099
00:58:01,560 --> 00:58:02,640
Speaker 3: Oh, I see what you're saying.

1100
00:58:02,720 --> 00:58:06,040
Speaker 1: Kind of that, because he is he is. He does

1101
00:58:06,360 --> 00:58:11,240
Speaker 1: like being in control, he does like being chased. I

1102
00:58:11,280 --> 00:58:14,120
Speaker 1: think he's it's it's he's used to that.

1103
00:58:14,800 --> 00:58:15,160
Speaker 6: Mm hmm.

1104
00:58:15,680 --> 00:58:18,440
Speaker 1: She's offering a greater challenge though, and he knows he

1105
00:58:18,480 --> 00:58:21,320
Speaker 1: can't handle it. He knows he's too young and he's

1106
00:58:21,360 --> 00:58:25,000
Speaker 1: not gonna he'll fail at that relationship, and he doesn't

1107
00:58:25,000 --> 00:58:25,920
Speaker 1: want to fail her.

1108
00:58:26,520 --> 00:58:30,040
Speaker 3: You're right, you know right, You're right. That's so correct.

1109
00:58:30,400 --> 00:58:32,680
Speaker 6: But then she's not being authentic because she was like, oh,

1110
00:58:32,760 --> 00:58:35,520
Speaker 6: live in the moment, let me get I know.

1111
00:58:35,880 --> 00:58:38,760
Speaker 4: That was so gross, and I was like, oh god.

1112
00:58:38,600 --> 00:58:41,120
Speaker 3: It's like, Rory, you're going to get your broken.

1113
00:58:41,280 --> 00:58:44,480
Speaker 4: Yeah, she was trying too hard to be quote unquote

1114
00:58:44,480 --> 00:58:46,680
Speaker 4: one of them with stealing the champagne, because that's what

1115
00:58:46,720 --> 00:58:50,680
Speaker 4: they did in the episode with the party. Remember all

1116
00:58:50,720 --> 00:58:53,400
Speaker 4: the boys were like, let's just take a bottle of champagne.

1117
00:58:53,440 --> 00:58:55,080
Speaker 4: She's like, oh my god, you took that.

1118
00:58:55,440 --> 00:58:59,520
Speaker 1: But isn't in a great device and isn't a great well, yeah,

1119
00:58:59,720 --> 00:59:03,080
Speaker 1: great drama that the entire Gilmore audience is reaching out

1120
00:59:03,080 --> 00:59:07,120
Speaker 1: going no, Rory, don't do that. Everybody's like reaching for

1121
00:59:07,160 --> 00:59:09,600
Speaker 1: their television screens like don't wanting to hug her, like

1122
00:59:09,760 --> 00:59:12,520
Speaker 1: stay away, no, go back upstairs.

1123
00:59:12,920 --> 00:59:14,960
Speaker 6: And then he does it again where he says, are

1124
00:59:15,000 --> 00:59:17,840
Speaker 6: you sure you want to do this? And then she

1125
00:59:18,040 --> 00:59:20,520
Speaker 6: pulls the line from Christopher I just want to know

1126
00:59:20,520 --> 00:59:24,400
Speaker 6: what it would be like. And okay, here's my question

1127
00:59:24,480 --> 00:59:27,480
Speaker 6: for you guys. What did you think of their first kiss?

1128
00:59:27,960 --> 00:59:30,000
Speaker 1: I thought it was I thought it was great because

1129
00:59:30,520 --> 00:59:33,760
Speaker 1: he's what did he say? He hesitated, and then she

1130
00:59:33,800 --> 00:59:36,120
Speaker 1: kissed him again and he goes, well, now I'm you

1131
00:59:36,120 --> 00:59:38,600
Speaker 1: know right right now? He's what did he say? I

1132
00:59:38,600 --> 00:59:40,680
Speaker 1: don't I'm not feeling it or something, and the yeah.

1133
00:59:40,560 --> 00:59:41,960
Speaker 4: No idea what she's saying.

1134
00:59:43,520 --> 00:59:45,600
Speaker 3: She's dressed in the suit right.

1135
00:59:45,760 --> 00:59:48,000
Speaker 1: Right, And then the second kiss was like okay now

1136
00:59:48,160 --> 00:59:52,240
Speaker 1: or now it's all yeah.

1137
00:59:52,320 --> 00:59:55,880
Speaker 3: So I would say I love them together. I do.

1138
00:59:56,080 --> 00:59:59,760
Speaker 6: I'm a huge Rory Logan fan. But the first kiss

1139
01:00:00,480 --> 01:00:03,560
Speaker 6: was not what the first Luke Lore kiss.

1140
01:00:03,600 --> 01:00:10,880
Speaker 3: For me, that was like fireworks orchestra was playing yeahllliah.

1141
01:00:09,840 --> 01:00:12,080
Speaker 6: Like And I don't know if it's because we got

1142
01:00:12,080 --> 01:00:14,960
Speaker 6: this faster, but it just wasn't.

1143
01:00:15,520 --> 01:00:18,360
Speaker 1: It wasn't like, it wasn't four years of build.

1144
01:00:18,160 --> 01:00:20,760
Speaker 3: Up, right. It's just messy too. It's just messy.

1145
01:00:20,880 --> 01:00:23,360
Speaker 1: But it's kids and it's and it's like, but I

1146
01:00:23,440 --> 01:00:25,680
Speaker 1: want to see this relationship. I want to see this

1147
01:00:26,000 --> 01:00:29,120
Speaker 1: Rory and Logan relationship. I want to see them try.

1148
01:00:29,200 --> 01:00:33,560
Speaker 1: I want to see it present obstacles and overcome obstacles

1149
01:00:33,600 --> 01:00:35,680
Speaker 1: and fail and get back together. And I because I

1150
01:00:35,800 --> 01:00:38,960
Speaker 1: like that together because it almost feels like they should

1151
01:00:38,960 --> 01:00:41,720
Speaker 1: be together and they're meant to be together. It's like

1152
01:00:41,760 --> 01:00:45,400
Speaker 1: there's some kind of destiny at play here, given where

1153
01:00:45,440 --> 01:00:47,960
Speaker 1: they come from and what their DNA is, and it's

1154
01:00:48,000 --> 01:00:50,360
Speaker 1: just like I want to I want to take this ride.

1155
01:00:51,080 --> 01:00:53,960
Speaker 5: We also just know that Rory's not a no strings

1156
01:00:54,000 --> 01:00:56,320
Speaker 5: attached girl, like you know she's going to fall for him,

1157
01:00:56,400 --> 01:00:59,120
Speaker 5: So it's not the same as the Luke and Laura

1158
01:00:59,240 --> 01:01:01,120
Speaker 5: Like in makes sense because you're like, oh, Rory, you

1159
01:01:01,200 --> 01:01:04,840
Speaker 5: just fell into You fell into Logan's trap, right.

1160
01:01:04,800 --> 01:01:06,680
Speaker 1: I don't know, it's not I don't know that it's

1161
01:01:06,720 --> 01:01:10,000
Speaker 1: a trap. I don't think it's a trap. It's more

1162
01:01:10,080 --> 01:01:13,760
Speaker 1: like trapsing new questions. It's ken.

1163
01:01:15,600 --> 01:01:16,560
Speaker 3: His heart for him?

1164
01:01:16,640 --> 01:01:17,760
Speaker 5: Yeah, you fell for him.

1165
01:01:18,120 --> 01:01:21,880
Speaker 1: It's really like, can Logan be a man and find

1166
01:01:21,920 --> 01:01:26,000
Speaker 1: his heart? And can they have a really boring relationship

1167
01:01:26,000 --> 01:01:28,400
Speaker 1: where everybody's happy and we won't need to watch it anymore?

1168
01:01:28,960 --> 01:01:30,360
Speaker 3: Absolutely zero?

1169
01:01:31,920 --> 01:01:34,439
Speaker 1: Or do we get a nice TV entertaining version where

1170
01:01:34,440 --> 01:01:36,200
Speaker 1: it's like peaks and valleys.

1171
01:01:41,000 --> 01:01:45,720
Speaker 6: We have the awkward just with Christopher sitting there with

1172
01:01:45,800 --> 01:01:46,880
Speaker 6: Luke and Laurlan.

1173
01:01:46,920 --> 01:01:47,720
Speaker 3: It's awkward.

1174
01:01:48,040 --> 01:01:51,960
Speaker 6: And then Totsy did I miss who is Tatsi? And

1175
01:01:52,000 --> 01:01:53,520
Speaker 6: you were Toatsy that she was.

1176
01:01:53,520 --> 01:01:56,160
Speaker 1: The one, the one that was hugging everybody, right?

1177
01:01:56,280 --> 01:01:58,360
Speaker 3: Is that what it is? She just comes around, gets.

1178
01:01:58,160 --> 01:02:01,440
Speaker 1: The perfume all over everybody. Okay, smell it?

1179
01:02:01,720 --> 01:02:05,280
Speaker 3: Okay, okay. So then Marilyn.

1180
01:02:04,840 --> 01:02:09,240
Speaker 1: Ist me just call me if you have questions the air.

1181
01:02:09,560 --> 01:02:13,000
Speaker 6: So then Marilyn's looking for everybody for the photo and

1182
01:02:13,080 --> 01:02:16,800
Speaker 6: she says to Lorelai, he's with that darling blonde boy.

1183
01:02:18,160 --> 01:02:21,760
Speaker 1: So, by the way, wasn't Marion Ross hysterical and amazing.

1184
01:02:21,800 --> 01:02:23,560
Speaker 3: I actually like her better as Marylyn.

1185
01:02:25,120 --> 01:02:29,520
Speaker 1: But you know, everybody's having affairs with their gardeners.

1186
01:02:29,920 --> 01:02:39,920
Speaker 7: That's very She is so touch with reality.

1187
01:02:39,960 --> 01:02:40,760
Speaker 1: It's hysterical.

1188
01:02:41,280 --> 01:02:48,320
Speaker 6: Okay, So then rich and so bored, they're so high.

1189
01:02:49,640 --> 01:02:57,120
Speaker 6: So then Laurlai interrupts Logan and Rory making out. This

1190
01:02:57,200 --> 01:03:01,720
Speaker 6: is where I feel that everyone went bananas for no reason.

1191
01:03:02,840 --> 01:03:05,960
Speaker 4: I was like, Lurlai was very It was the only

1192
01:03:05,960 --> 01:03:07,160
Speaker 4: one that did not go bananas.

1193
01:03:07,200 --> 01:03:10,080
Speaker 5: Right, she was circumspect, she was yeah, right, And I

1194
01:03:10,120 --> 01:03:12,680
Speaker 5: think what she said like she had she was she

1195
01:03:12,800 --> 01:03:14,000
Speaker 5: was pretty like she was right.

1196
01:03:14,560 --> 01:03:14,720
Speaker 6: Yeah.

1197
01:03:14,840 --> 01:03:18,000
Speaker 4: She walked in on her daughter almost having sex at

1198
01:03:18,040 --> 01:03:24,200
Speaker 4: her first of all grandparents, val renewal tive years old, not.

1199
01:03:24,120 --> 01:03:26,280
Speaker 3: Even remotely almost having sex.

1200
01:03:26,400 --> 01:03:28,280
Speaker 1: And wait a minute, what didn't Laura I do that

1201
01:03:28,400 --> 01:03:30,080
Speaker 1: at sixteen, Jacket.

1202
01:03:30,040 --> 01:03:34,400
Speaker 6: Exactly thinking about Laura goes up into her childhood bedroom

1203
01:03:34,400 --> 01:03:37,640
Speaker 6: and like has sleeves with Christopher all the time. I

1204
01:03:37,720 --> 01:03:40,600
Speaker 6: felt that everyone was a level ten over the top.

1205
01:03:41,040 --> 01:03:43,000
Speaker 6: Laura I was maybe only a level six of it.

1206
01:03:43,000 --> 01:03:46,960
Speaker 1: It's because Christopher went in there as a drunken madman.

1207
01:03:47,560 --> 01:03:52,240
Speaker 1: He was crazy, going crazy and Luke went in because

1208
01:03:52,240 --> 01:03:55,400
Speaker 1: he got offended by what he said and trying to

1209
01:03:55,440 --> 01:03:59,120
Speaker 1: take possession of the relationship and trying to be super

1210
01:03:59,240 --> 01:04:03,080
Speaker 1: dad and say, hey, you know, pal, you weren't around

1211
01:04:03,800 --> 01:04:04,360
Speaker 1: number one.

1212
01:04:04,880 --> 01:04:07,560
Speaker 6: Everybody can disagree, but I'm like, this is not that

1213
01:04:07,560 --> 01:04:10,640
Speaker 6: big of a deal. Like, first of all, she likes him,

1214
01:04:11,000 --> 01:04:13,680
Speaker 6: so Loralai, being the cool mom that she is, should

1215
01:04:14,720 --> 01:04:17,280
Speaker 6: this guy's not married. The last time you walked in

1216
01:04:17,360 --> 01:04:20,720
Speaker 6: on her it was with Mary Dean, like, be happy

1217
01:04:20,800 --> 01:04:23,720
Speaker 6: that she's just I don't think she likes away from Yale.

1218
01:04:24,480 --> 01:04:24,920
Speaker 3: I don't know.

1219
01:04:25,680 --> 01:04:29,120
Speaker 1: It's not the it doesn't like You're right, it's not

1220
01:04:29,160 --> 01:04:31,840
Speaker 1: a big deal. They're just kissing. It's like, you know, hey,

1221
01:04:31,880 --> 01:04:34,280
Speaker 1: you know you should get upstairs, and exactly.

1222
01:04:33,920 --> 01:04:35,880
Speaker 3: It's not a big deal. God, thank you.

1223
01:04:36,400 --> 01:04:39,960
Speaker 1: I agree with you. But the problem was it's always Christopher.

1224
01:04:40,040 --> 01:04:42,480
Speaker 1: He comes in, he overreacts and he's drunk and he's

1225
01:04:42,600 --> 01:04:46,400
Speaker 1: you know, he wants to kick herrect Logan's ass for

1226
01:04:46,480 --> 01:04:48,720
Speaker 1: what years old?

1227
01:04:49,280 --> 01:04:49,880
Speaker 3: Did you do it?

1228
01:04:50,000 --> 01:04:51,840
Speaker 1: Sixteen years old? You moron? What you.

1229
01:04:53,440 --> 01:04:54,400
Speaker 3: Exactly? Thank you?

1230
01:04:54,720 --> 01:04:56,800
Speaker 6: First of all, it's not that big of a deal,

1231
01:04:56,840 --> 01:05:00,560
Speaker 6: Like it's a boring re wedding and I, and it's.

1232
01:05:00,400 --> 01:05:03,600
Speaker 4: Still your grandparents have been like, that's weird.

1233
01:05:03,800 --> 01:05:05,120
Speaker 3: I would I would, I don't.

1234
01:05:08,480 --> 01:05:14,600
Speaker 4: I would never have my grandparents vour mule. Absolutely not

1235
01:05:14,960 --> 01:05:17,040
Speaker 4: all clo say my.

1236
01:05:17,080 --> 01:05:19,360
Speaker 3: Father would have been stoked if I was making out

1237
01:05:19,600 --> 01:05:23,080
Speaker 3: in his in the wedding, not a chance.

1238
01:05:23,560 --> 01:05:26,280
Speaker 6: Absolutely would not have gone its. First of all, you

1239
01:05:26,320 --> 01:05:29,760
Speaker 6: want to know who had been stoked, Richard and Emily, they.

1240
01:05:29,680 --> 01:05:32,080
Speaker 3: Would be so beyond God love it.

1241
01:05:32,640 --> 01:05:36,920
Speaker 6: Rory is in there making out with their like the

1242
01:05:36,920 --> 01:05:40,680
Speaker 6: the heir to this, and how unlash gilmore.

1243
01:05:40,360 --> 01:05:44,000
Speaker 1: Right, and how conflicted would Emily have been? Like Chris Christopher,

1244
01:05:44,040 --> 01:05:46,800
Speaker 1: shut up and get out of here. That Mitch is

1245
01:05:46,840 --> 01:05:49,680
Speaker 1: worth is much worth much more money than.

1246
01:05:49,720 --> 01:05:55,800
Speaker 4: Would be a fun fourth person to catch them, that

1247
01:05:55,800 --> 01:05:56,640
Speaker 4: would have been fun.

1248
01:05:58,240 --> 01:06:01,760
Speaker 6: Came to the door and they're all they're acting like

1249
01:06:01,840 --> 01:06:05,919
Speaker 6: she's fifteen. Oh you're pawing my daughter. It's like, first

1250
01:06:05,920 --> 01:06:09,960
Speaker 6: of all, they're like adults. They're both adults. They're nineteen

1251
01:06:10,160 --> 01:06:11,680
Speaker 6: twenty making out.

1252
01:06:11,720 --> 01:06:12,400
Speaker 3: Who can here.

1253
01:06:12,440 --> 01:06:15,160
Speaker 1: The mel Brooks version of this scene is that everybody

1254
01:06:15,160 --> 01:06:17,720
Speaker 1: in the party lines up to discover them, and they're

1255
01:06:17,760 --> 01:06:21,120
Speaker 1: all reacting to everybody's overreaction, and it's going all the

1256
01:06:21,160 --> 01:06:23,720
Speaker 1: way up the stairs and nobody even knows what it's

1257
01:06:23,720 --> 01:06:25,320
Speaker 1: about once it gets in the kitchen, and then the

1258
01:06:25,320 --> 01:06:27,320
Speaker 1: people that are the cooks and everybody and the waiters

1259
01:06:27,360 --> 01:06:30,800
Speaker 1: are reacting and the whole thing. Just wanted to share that.

1260
01:06:30,960 --> 01:06:32,440
Speaker 3: But great point, Scott.

1261
01:06:32,480 --> 01:06:34,840
Speaker 6: You make a great point though, that it's like it

1262
01:06:35,120 --> 01:06:38,720
Speaker 6: escalates because Christopher is all drunk and dumb, and then

1263
01:06:38,760 --> 01:06:43,520
Speaker 6: it becomes Christopher versus Luke and the whole like where

1264
01:06:43,520 --> 01:06:46,320
Speaker 6: were you? I was at her graduation, I moved her

1265
01:06:46,360 --> 01:06:48,320
Speaker 6: into college. I was there when she had the chicken box.

1266
01:06:48,360 --> 01:06:50,720
Speaker 6: And then he does the man, this is just for now,

1267
01:06:51,200 --> 01:06:53,560
Speaker 6: this is for now, Lral and I belong together.

1268
01:06:53,600 --> 01:06:56,440
Speaker 3: And then it was just like, that's to me, the

1269
01:06:56,520 --> 01:07:00,760
Speaker 3: inappropriate thing, like she knows she is with him.

1270
01:07:00,960 --> 01:07:06,040
Speaker 1: Emily programmed a really dumb robot. You know, she's she's

1271
01:07:06,080 --> 01:07:08,080
Speaker 1: got a program a smarter robot.

1272
01:07:08,800 --> 01:07:10,960
Speaker 4: And then him saying, him saying.

1273
01:07:14,120 --> 01:07:16,520
Speaker 1: It's like he was just leaking oil right away, and

1274
01:07:16,520 --> 01:07:17,640
Speaker 1: that was like.

1275
01:07:17,360 --> 01:07:19,920
Speaker 4: But him saying that Emily told him that it's not

1276
01:07:19,960 --> 01:07:22,640
Speaker 4: too late. That was the hardest heart because then it's

1277
01:07:22,720 --> 01:07:25,160
Speaker 4: like didn't he yeah.

1278
01:07:24,960 --> 01:07:30,280
Speaker 1: Yeah, a lot, it was not too late. That's when

1279
01:07:30,360 --> 01:07:35,480
Speaker 1: Luke looked at her, looking at Wow, these people are crazy.

1280
01:07:35,560 --> 01:07:38,760
Speaker 4: Literally, in that moment, I think Luke was like this

1281
01:07:38,800 --> 01:07:41,800
Speaker 4: can't work out, like this is this ever going to

1282
01:07:41,880 --> 01:07:44,280
Speaker 4: be okay? Like this is never going to be okay.

1283
01:07:44,520 --> 01:07:47,480
Speaker 1: Like this is how this is how Emily feels about me.

1284
01:07:47,600 --> 01:07:50,400
Speaker 1: She thinks of garbage to the point where this idiot,

1285
01:07:50,440 --> 01:07:54,880
Speaker 1: this drunken idiot, is making this this attempt in this period.

1286
01:07:55,120 --> 01:07:58,920
Speaker 3: What I think is, you know him, when they.

1287
01:07:59,440 --> 01:08:01,720
Speaker 1: Too much for these people, you know what I mean.

1288
01:08:01,840 --> 01:08:02,480
Speaker 4: I agree with you.

1289
01:08:02,600 --> 01:08:04,920
Speaker 6: It's like when That's what I'm saying is like when

1290
01:08:04,960 --> 01:08:07,880
Speaker 6: they go low, WeGo hi. That's why Luke's like, I'm

1291
01:08:07,920 --> 01:08:10,360
Speaker 6: going high. I'm not going to be in here for

1292
01:08:10,480 --> 01:08:17,080
Speaker 6: this fricking train wreck round show that's happening. He's like no.

1293
01:08:17,920 --> 01:08:20,639
Speaker 6: Then Christopher is just chasing Loralai and.

1294
01:08:20,560 --> 01:08:23,160
Speaker 3: She's just like, get out of my way. Christopher like

1295
01:08:23,200 --> 01:08:28,480
Speaker 3: it's so aggressive. Good, it's just aggressive.

1296
01:08:28,640 --> 01:08:29,200
Speaker 4: We needed that.

1297
01:08:29,479 --> 01:08:33,800
Speaker 3: Yeah, and then you guys.

1298
01:08:33,479 --> 01:08:35,960
Speaker 4: The cake photo. We needed this moment too.

1299
01:08:36,200 --> 01:08:39,880
Speaker 6: Or Rory's got her you know, self together. She looks cute,

1300
01:08:39,880 --> 01:08:40,360
Speaker 6: she's fine.

1301
01:08:40,560 --> 01:08:42,840
Speaker 4: How she got her hair back in the bobby pins

1302
01:08:42,880 --> 01:08:44,960
Speaker 4: and all that. I'm like yeah, I don't know how

1303
01:08:45,000 --> 01:08:45,519
Speaker 4: you did that.

1304
01:08:46,680 --> 01:08:49,120
Speaker 3: You were happy because she's on a high. She just

1305
01:08:49,200 --> 01:08:50,240
Speaker 3: kissed the guy she likes.

1306
01:08:50,280 --> 01:08:52,960
Speaker 6: She doesn't care that these people are all fighting. She's

1307
01:08:53,240 --> 01:08:56,920
Speaker 6: living her best life. Richard's happy, Emily thinks she's happy,

1308
01:08:56,960 --> 01:09:00,479
Speaker 6: and Loralai just is like you and me, we're done.

1309
01:09:01,080 --> 01:09:01,800
Speaker 3: And it was like.

1310
01:09:04,240 --> 01:09:05,479
Speaker 4: And she means it.

1311
01:09:05,680 --> 01:09:07,040
Speaker 3: She means it.

1312
01:09:07,040 --> 01:09:09,360
Speaker 5: It was so hard for me not to continue watching

1313
01:09:09,439 --> 01:09:11,760
Speaker 5: the next episode after that, ending.

1314
01:09:12,120 --> 01:09:16,120
Speaker 1: This ten to on this podcast and to be ignorant

1315
01:09:16,240 --> 01:09:20,800
Speaker 1: is takes great discipline. And I feel that to her

1316
01:09:20,840 --> 01:09:23,280
Speaker 1: because I wanted to watch the next episode too.

1317
01:09:23,640 --> 01:09:24,120
Speaker 5: So hard.

1318
01:09:24,160 --> 01:09:26,920
Speaker 1: I really wanted to binge this and just say screw it.

1319
01:09:26,920 --> 01:09:31,240
Speaker 1: I'm watching the next two seasons. You know, but you can't.

1320
01:09:31,280 --> 01:09:32,840
Speaker 1: You can't do it. You can't do it.

1321
01:09:33,600 --> 01:09:37,240
Speaker 3: So what do y'all say, just now that you've seen

1322
01:09:37,320 --> 01:09:37,599
Speaker 3: it all?

1323
01:09:40,520 --> 01:09:44,880
Speaker 1: Best episode yet, best top I.

1324
01:09:44,800 --> 01:09:46,479
Speaker 3: Won't say that, but it's a ten out of ten

1325
01:09:46,560 --> 01:09:46,960
Speaker 3: for sure.

1326
01:09:48,840 --> 01:09:51,080
Speaker 1: Invent a new scale to measure this one?

1327
01:09:52,000 --> 01:09:52,920
Speaker 3: Agree This was?

1328
01:09:53,040 --> 01:09:56,840
Speaker 1: This was. Every second of this was absorbing and funny

1329
01:09:56,880 --> 01:10:01,760
Speaker 1: and dramatic and perfect and storyline coming to fruition and

1330
01:10:01,960 --> 01:10:05,880
Speaker 1: new ones being posed and questions being answered and new

1331
01:10:05,920 --> 01:10:09,560
Speaker 1: ones cropping out. I mean it's just fantastic, just fantastic,

1332
01:10:09,720 --> 01:10:14,280
Speaker 1: and every since, well then yet's good, right, we should be.

1333
01:10:15,400 --> 01:10:17,640
Speaker 4: Yeah, I just feel like he's getting the short end

1334
01:10:17,640 --> 01:10:21,280
Speaker 4: of the stick here and he doesn't deserve it. And

1335
01:10:21,320 --> 01:10:25,040
Speaker 4: he and if you're talking about love, he really loves

1336
01:10:25,120 --> 01:10:30,920
Speaker 4: Laura La, like really and that's why I'm nervous for him.

1337
01:10:30,960 --> 01:10:35,160
Speaker 4: I'm just kind of like, dang, Yeah, I don't know.

1338
01:10:35,760 --> 01:10:38,200
Speaker 4: Makes me a little bummed, not gonna lie.

1339
01:10:39,120 --> 01:10:42,200
Speaker 1: Still a great just a great episode, great great television,

1340
01:10:42,479 --> 01:10:45,480
Speaker 1: and it was like it was almost crossed over into film.

1341
01:10:46,040 --> 01:10:48,280
Speaker 1: You know, there was some real filmic moments. It really

1342
01:10:48,320 --> 01:10:51,679
Speaker 1: looked filmic in certain parts. It was just so tight

1343
01:10:51,720 --> 01:10:54,679
Speaker 1: and so well edited and so beautifully filmed and written

1344
01:10:54,760 --> 01:10:59,160
Speaker 1: and you know acted. Everything just came together in that episode.

1345
01:10:59,200 --> 01:11:02,400
Speaker 1: I just want, wow, I hope they submitted that for

1346
01:11:02,800 --> 01:11:05,479
Speaker 1: I don't know how, you know what, I'm not gonna say.

1347
01:11:05,680 --> 01:11:06,799
Speaker 1: I'm not going to say it anymore.

1348
01:11:07,400 --> 01:11:10,840
Speaker 3: Do you all have favorite lines from it? I mean

1349
01:11:10,880 --> 01:11:12,120
Speaker 3: there's like a hundred.

1350
01:11:12,680 --> 01:11:15,559
Speaker 4: Line Yeah, last line?

1351
01:11:17,680 --> 01:11:19,679
Speaker 1: Which one? Which one? You're done? Your favorite?

1352
01:11:19,680 --> 01:11:20,519
Speaker 4: You and me were done?

1353
01:11:22,960 --> 01:11:23,639
Speaker 1: Favorite line?

1354
01:11:24,000 --> 01:11:25,479
Speaker 5: Same? I mean that was so powerful.

1355
01:11:26,479 --> 01:11:29,400
Speaker 6: Amy I mean, I love that line, but there's a

1356
01:11:29,439 --> 01:11:32,040
Speaker 6: million in there that I like too, just the funny.

1357
01:11:32,160 --> 01:11:35,040
Speaker 6: There's a bunch of funny crap in there, which to

1358
01:11:35,120 --> 01:11:37,839
Speaker 6: me is amazing because you can have all this drama

1359
01:11:38,600 --> 01:11:44,840
Speaker 6: amidst just hilarious lines, and there's just so much.

1360
01:11:44,880 --> 01:11:46,880
Speaker 1: Do you have a favorite line? I'm gonna ask you again.

1361
01:11:49,439 --> 01:11:51,400
Speaker 1: We can come back to you.

1362
01:11:51,400 --> 01:11:52,000
Speaker 3: Give me yours.

1363
01:11:52,080 --> 01:12:04,520
Speaker 6: Let me, first of all, I agree.

1364
01:12:02,360 --> 01:12:04,479
Speaker 1: I'm a fan. Don't get me wrong. I am a

1365
01:12:04,520 --> 01:12:05,240
Speaker 1: fan of hers.

1366
01:12:05,280 --> 01:12:10,600
Speaker 6: And well, yeah, she's like amazingly cool, but she's also.

1367
01:12:12,360 --> 01:12:14,320
Speaker 3: Gets married like a bra well, you.

1368
01:12:14,280 --> 01:12:19,280
Speaker 1: Know, she wants to. She sees the committed relationships or something.

1369
01:12:20,160 --> 01:12:21,920
Speaker 1: She just has a lot of them.

1370
01:12:22,360 --> 01:12:26,880
Speaker 6: The story, the story about lore Li's earache and and

1371
01:12:26,920 --> 01:12:28,160
Speaker 6: how we get to Bill.

1372
01:12:28,320 --> 01:12:34,120
Speaker 3: The song Bill that was? That was good. That's a

1373
01:12:34,160 --> 01:12:37,759
Speaker 3: good So what is thatnight? My name is Bill?

1374
01:12:38,040 --> 01:12:40,599
Speaker 1: Tonight? My name is Bill. Yeah, that's great? All right?

1375
01:12:40,960 --> 01:12:44,960
Speaker 1: Measuring stick and uh, let's rate it, Tara.

1376
01:12:45,320 --> 01:12:50,639
Speaker 5: I will give it ten out of ten. Penis pastas.

1377
01:12:51,600 --> 01:12:54,720
Speaker 4: Nine point nine five mini donuts ten out of ten.

1378
01:12:54,800 --> 01:12:59,240
Speaker 1: Tatsis, I'm going to give it ten out of ten.

1379
01:12:59,720 --> 01:13:03,720
Speaker 1: Rink old Luke pants, that.

1380
01:13:06,200 --> 01:13:07,720
Speaker 3: A Chip, sorry okay?

1381
01:13:08,080 --> 01:13:14,879
Speaker 1: Or ten out of you know, out of control Sanders anyway,

1382
01:13:14,960 --> 01:13:17,720
Speaker 1: So really great episode.

1383
01:13:22,080 --> 01:13:24,880
Speaker 3: Just gloss over that because only you and I heard it.

1384
01:13:26,040 --> 01:13:29,719
Speaker 6: You guys, are he said, out of control Sanders because

1385
01:13:29,760 --> 01:13:32,000
Speaker 6: he was sanding the boat and the thing.

1386
01:13:36,000 --> 01:13:39,799
Speaker 1: Now he's drilling tiny little holes in the boat.

1387
01:13:41,520 --> 01:13:44,559
Speaker 6: You and I get something because you just dropped ten

1388
01:13:44,680 --> 01:13:48,479
Speaker 6: out of control Sanders and everyone's like and.

1389
01:13:48,400 --> 01:13:49,800
Speaker 3: I'm like, you guys.

1390
01:13:54,160 --> 01:13:56,680
Speaker 1: Anyway anyway, So that's going to wrap it up. Thanks everybody,

1391
01:13:56,720 --> 01:14:01,400
Speaker 1: Thank you, Tara, Danielle Amy, are you okay? Joking? We've

1392
01:14:01,439 --> 01:14:02,920
Speaker 1: got what do we have?

1393
01:14:07,800 --> 01:14:12,439
Speaker 4: Fourteen? Yeah, it's rot anyway.

1394
01:14:12,600 --> 01:14:14,439
Speaker 1: Best fans on the planet. And let me let me

1395
01:14:14,479 --> 01:14:21,280
Speaker 1: tell you something. Louisville was indie indie popcorn. Louisville was fantastic.

1396
01:14:22,200 --> 01:14:25,360
Speaker 1: And these fans come up and they love this podcast.

1397
01:14:25,439 --> 01:14:32,640
Speaker 1: Guys listen, Amy, even me. Amy. They love you, Danielle,

1398
01:14:32,920 --> 01:14:35,120
Speaker 1: They love you, Tara, they love you. They love the

1399
01:14:35,120 --> 01:14:38,480
Speaker 1: ball club, they love the team. They love this podcast.

1400
01:14:38,960 --> 01:14:42,200
Speaker 1: And they're driving to work listening to it and laughing.

1401
01:14:42,640 --> 01:14:46,000
Speaker 1: They're at work, whether they're cleaning or cooking or whatever.

1402
01:14:46,040 --> 01:14:49,280
Speaker 1: They've got the ear pods in and they're listening and

1403
01:14:49,400 --> 01:14:53,679
Speaker 1: they are. It's it's elevating their day, it's giving them

1404
01:14:53,720 --> 01:14:54,320
Speaker 1: some joy.

1405
01:14:54,439 --> 01:14:56,439
Speaker 3: So it gives me joy.

1406
01:14:56,560 --> 01:14:59,200
Speaker 1: It gives me joy too. So thank you for showing

1407
01:14:59,240 --> 01:15:03,320
Speaker 1: up in Louisville. And we had a blast, and I

1408
01:15:03,360 --> 01:15:06,080
Speaker 1: mean I just met some of the greatest people. And

1409
01:15:06,200 --> 01:15:08,680
Speaker 1: I'm going to announce right now that I'm going to

1410
01:15:08,760 --> 01:15:12,080
Speaker 1: be in Indianapolis at Indie Popcorn at the end of August.

1411
01:15:13,840 --> 01:15:17,320
Speaker 1: So i couldn't announce that before, but now I'm announcing it.

1412
01:15:18,080 --> 01:15:21,040
Speaker 1: Also going to be in Carpus Christi, Texas at the

1413
01:15:21,120 --> 01:15:24,880
Speaker 1: end of July the American Bank Center, so it's Corpus

1414
01:15:24,960 --> 01:15:29,480
Speaker 1: Christi Comic Con. Really looking forward to that. There's also September,

1415
01:15:29,520 --> 01:15:31,719
Speaker 1: I'm going to be in Charleston, South Carolina with Chad

1416
01:15:31,760 --> 01:15:38,960
Speaker 1: Michael Murray and Matt Zucri. So and so anyway, thanks

1417
01:15:38,960 --> 01:15:43,479
Speaker 1: for download everybody. Best absolutely reconfirmed. And also if you're

1418
01:15:43,520 --> 01:15:48,360
Speaker 1: ever in Louisville, go to Rock Restaurant ROC Restaurant. It's

1419
01:15:48,360 --> 01:15:51,120
Speaker 1: the best Italian food you will ever have. Tell them

1420
01:15:51,160 --> 01:15:53,720
Speaker 1: I Sensia say he Lo to Stacey and Rocco. We

1421
01:15:53,840 --> 01:15:57,840
Speaker 1: had quite a night in there. Anyway, best fans on

1422
01:15:57,880 --> 01:16:01,400
Speaker 1: the planet thanks for coming out, thanks for onloading. We

1423
01:16:01,439 --> 01:16:04,960
Speaker 1: will see you next time, and remember we and I

1424
01:16:04,960 --> 01:16:37,080
Speaker 1: I'm all in. Stay safe everyone, Hey, everybody, and don't

1425
01:16:37,080 --> 01:16:40,640
Speaker 1: forget Follow us on Instagram at I Am all In

1426
01:16:40,840 --> 01:16:55,680
Speaker 1: Podcast and email us at Gilmore at iHeartRadio dot com