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Speaker 1: Good molly transmitting.

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Speaker 2: This guy. Hey, welcome to Thursday Show Morning studio. Morning. Right,

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Speaker 2: let's go around the room and check in with everybody. First,

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Speaker 2: he started his smoking hot chicken business. He had a

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Speaker 2: lot of supporters, but apparently, according to rumors, he's not

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Speaker 2: fulfilling all his orders. Here he is head. Hey, I

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Speaker 2: have our first pillary sentence scene. Oh, for those who

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Speaker 2: don't know the pillory, it's this wooden contraption that I

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Speaker 2: have here. You can hear it here, and you put

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Speaker 2: your head in the hole and your two arms in

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Speaker 2: the hole, and then you have to stay there and

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Speaker 2: be held like that. It's an old punishment from like

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Speaker 2: the sixteen hundreds. We haven't sentenced any.

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Speaker 3: Want to it yet, So your honor, I bring you

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Speaker 3: a criminal that needs.

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Speaker 2: To be sentenced. I don't okay, I'll listen. Go ahead.

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Speaker 2: It's lunch box.

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Speaker 3: Why because when Jelly Roll came in the studio, the

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Speaker 3: rule is you should always wear pants when a guest

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Speaker 3: comes in the studio.

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Speaker 2: That's true. It's sad we have to have a roll

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Speaker 2: that says you have to wear pants. We have company,

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Speaker 2: But go ahead.

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Speaker 3: Well, Jelly Roll came in so quick that lunchbox was

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Speaker 3: still in his bicycle, garb, shorts, t shirt.

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Speaker 2: He tried, he reached for.

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Speaker 3: The pants, try to run out of the room, but

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Speaker 3: Jelly Roll was already coming in to be the guest,

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Speaker 3: so he wasn't able to do that while the interview happened.

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Speaker 2: Bones he was wearing shorts. You're a tattlete I don't

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Speaker 2: need evidence because because you were trying, and that's what

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Speaker 2: Jelly Roll did, kind of come in while it was happening.

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Speaker 2: You're being a tattletel right now we're talking about you

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Speaker 2: now get a yellow card for Pillory. What a tattletel card.

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Speaker 2: This is what we do. We spill the tea is

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Speaker 2: what we do. But you're trying to get him punished

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Speaker 2: or something. I tried to do that. I didn't know

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Speaker 2: that he was. He was trying.

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Speaker 4: He had his pants pants in the room. They were

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Speaker 4: in my backpack and they rode the Probably should have

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Speaker 4: put him on as soon as he got here, right,

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Speaker 4: but I'm sweaty. When I first get your guys, I

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Speaker 4: gotta let the say get your five minutes early and drive.

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Speaker 4: It takes a long like I don't have a towel.

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Speaker 4: You know what I pulled back your yellow card.

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Speaker 2: Thank you. But guys, I'll be the only one suggesting

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Speaker 2: pillary sentences. But no one can sing that thank you.

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Speaker 1: This is gonna get Nobody can sit.

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Speaker 2: In pillary sentence. Nothing like a little comment in the box. Okay,

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Speaker 2: they'll be an anonymous pillary box. That's what I'm talking about.

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Speaker 4: That.

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Speaker 2: Well, no exactly, he thinks one. He did have pants here.

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Speaker 2: I mean he tried, I know, and to please wear

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Speaker 2: pants when companies here? Right, I do just have it

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Speaker 2: ready before I did. No you did. They weren't on,

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Speaker 2: Well they weren't on, but they were ready. It was funny.

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Speaker 2: He reached for his pants, but he couldn't leave. I'm

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Speaker 2: started to walk out and Jolly rolls walking. You turn

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Speaker 2: all right, next stup. You can't touch his elbows to

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Speaker 2: his shoulders. And he's always making frank phone call sometimes

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Speaker 2: to people that are way older. Here he is lunch box.

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Speaker 4: Do you guys have anything that you had dreams or

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Speaker 4: goals as a kid and you've given up on those dreams.

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Speaker 4: Because there's a new season a Big Brother that started,

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Speaker 4: and when I watch it, I just think about man

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Speaker 4: Ray said that he's no longer trying to be on

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Speaker 4: Big Brother, that he've given up the dream of being

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Speaker 4: on Big Brother, And I was like, man, that's sad

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Speaker 4: that he gave up on his dream of something he

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Speaker 4: has been watching.

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Speaker 2: For years, Or what about you in real world?

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Speaker 4: Real World doesn't exist anymore, So they don't have Real

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Speaker 4: World anymore.

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Speaker 2: I've already aged out of Real World road Rules Challenge.

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Speaker 4: I would if they called me today and say do

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Speaker 4: you want to come on the Challenge?

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Speaker 2: I would do it.

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Speaker 4: But what I need to do really because they haven't

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Speaker 4: had like a challenge like Fresh Meat where they just

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Speaker 4: get random people. I need to get on one of

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Speaker 4: these shows on CBS, Big Brother, the Challenge. What it

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Speaker 4: was the dating one they had married?

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Speaker 2: I know, That's what I'm saying. I can't go on

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Speaker 2: that one. Oh so they Amazing Race.

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Speaker 4: They take people now from those shows, and then they

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Speaker 4: have Battle of the USA on CBS, and then people

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Speaker 4: from that are getting onto the challenge.

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Speaker 2: So it's up. It's gonna be a three step process.

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Speaker 2: So have you given up any of your dreams?

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Speaker 4: I mean I gave up Real World just because it stopped.

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Speaker 4: It stopped airing and it was really saddy, give you Ray?

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Speaker 4: Have you given up on Big Brother completely.

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Speaker 2: Yeah. My wife says I'd get canceled if I went

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Speaker 2: on in today's climate. What would you do on there? Politics?

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Speaker 4: You never know.

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Speaker 2: You don't hear bray.

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Speaker 4: You don't understand how close you were to this season.

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Speaker 4: There's a girl that's a bartender on Broadway. There's a

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Speaker 4: kid that goes to Vandy, and there's a dude from Gatlinburg.

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Speaker 2: People from Tennessee don't have blonde hair, and I'm not

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Speaker 2: a rednagg so I don't fit. They're what they're looking

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Speaker 2: for from Tennessee. They want you to hail in an

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Speaker 2: extreme way, and I'm really just not that extreme. I'm

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Speaker 2: a pretty normal dude. I wouldn't even mail get canceled.

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Speaker 4: I don't know what hal.

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Speaker 2: It means hell, wherever you're from, wherever you hail from.

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Speaker 2: I never heard it being referred to. They want you

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Speaker 2: to hail. Okay, got it? Got it? Okay, Well I'm

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Speaker 2: never having a dream yet. I probably have a few bits. No,

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Speaker 2: but you don't see.

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Speaker 4: That's the name about he don't ever give up on dreams.

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Speaker 4: He goes, hey, you're giving up on a what a dream? Oh?

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Speaker 1: I know, lint that came out of his mouth.

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Speaker 2: Oh my god, I really didn't. I didn't mean that

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Speaker 2: I was going there get married, but she didn't still

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Speaker 2: get married again.

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Speaker 4: Yeah, but she thought I was gonna you know what

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Speaker 4: I mean?

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Speaker 2: Yeah, but dreamed pivot bright They pivot get married three times,

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Speaker 2: isn't it?

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Speaker 1: Yes, obviously, Lunchbox, we thought it was going to be forever. A.

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Speaker 2: You're right, I don't know.

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Speaker 4: I mean, I really wasn't going like that wasn't about you,

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Speaker 4: you Like, once I said it, though, I was like,

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Speaker 4: oh man, once I went to you, all right, we're

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Speaker 4: moving on.

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Speaker 2: All right, Thank you, thank you, Lunchbox.

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Speaker 4: All right.

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Speaker 2: Next up in easy TRIVIAA, she currently wears the Crown,

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Speaker 2: and she's always telling us about scams that are going around.

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Speaker 1: Here's so, I have found two dead baby birds and

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Speaker 1: one dead adult bird in my backyard in two days,

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Speaker 1: and so I'm like, what is happening? Is there something

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Speaker 1: in my backyard that is killing these birds? And they're

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Speaker 1: just pull lopping down And I only knew they were

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Speaker 1: there because my dog ran over and found one and

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Speaker 1: I was mortified. And I don't know what's causing it,

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Speaker 1: and it's it's just disturbing me because a long time ago,

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Speaker 1: there was this gas smelt in my backyard and I

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Speaker 1: had the city come out and look at it, like

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Speaker 1: see if there was a leak or something, and it

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Speaker 1: tested okay, but I thought, I still smell that, And

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Speaker 1: I'm like, what if the birds are sensitive to it

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Speaker 1: and they're dropping down and then humans are next. I

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Speaker 1: don't know.

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Speaker 2: I'm surprised you don't think of some sort of symbol

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Speaker 2: or sign with all your birds. Oh.

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Speaker 1: I love looking at signs of things, like when the

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Speaker 1: ducks came, Yeah.

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Speaker 2: They were, So this is how to sign is it's

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Speaker 2: just something wrong?

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Speaker 1: This is when I prefer to not.

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Speaker 2: So you're choosing this sign so you don't choose to

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Speaker 2: have signs that are bad the signs that are good.

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Speaker 2: I don't know.

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Speaker 1: Maybe I could look it up. It might mean something good.

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Speaker 2: That's a sign.

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Speaker 1: What does it mean a bunch of birds are dying

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Speaker 1: in your backyard?

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Speaker 2: Yeah, we'll come back to that after my old thing

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Speaker 2: here and up to see what the sign is if

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Speaker 2: there's a bunch of dead birds in your yard that

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Speaker 2: it has something to do with the devil. Go ahead from

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Speaker 2: Mountain Pine, Arkansas. He's a golfing machine as of late.

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Speaker 2: Him joining the PGA tour is fate Bobby Bones, thank you,

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Speaker 2: thank you. I want to say that I watched a

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Speaker 2: great show. We binged all seven episodes over the last

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Speaker 2: three days. That's a binge. Oh yeah, that's a binge maybe,

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Speaker 2: but we did watch him quickly. It's on Apple Plus.

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Speaker 2: It's called Hijack. Yeah, tell us it's uh Idris Elba.

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Speaker 2: Do you know who that is?

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Speaker 4: No, yeah, he's that guy from Luther Okay.

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Speaker 2: I don't know Luthor. He played the boss on the

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Speaker 2: Office for a little bit. Was he a Bond? Was

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Speaker 2: he a James Bond? They wanted to be a bond.

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Speaker 2: He's like America's sexiest man for a while. He's a

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Speaker 2: British black dude. No, no, I hadn't recognize him.

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Speaker 5: Lexie, Yeah, yeah, No, don't know that guy. Oh he was, yes,

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Speaker 5: you do. No, wire, don't think I've ever seen him before. Regardless, anyway, it's.

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Speaker 2: Called Hijack and he's getting on a plane to fly

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Speaker 2: back to the UK. He's on the country and there's

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Speaker 2: the hijackaplane and it's a seven hour flight and there

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Speaker 2: are seven episodes. Wow, that's cool. And at first I

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Speaker 2: was like this is gonna be really corny, but it's

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Speaker 2: each's albeit he's awesome, and it's gonna be really corny

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Speaker 2: or it's gonna be and then we just couldn't stop

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Speaker 2: watching it. And so I give it four and a

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Speaker 2: half out of five Jumbo airplanes?

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Speaker 1: Is that higher? Lower than you give Silo?

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Speaker 2: All right? Probably about the same. Okay, Mike, do you

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Speaker 2: watch this Hijack? And I love it. I love thrillers.

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Speaker 2: He's so good at it. He plays and negotiating awesome

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Speaker 2: and it's like every episode just has you in it. Okay,

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Speaker 2: So if you have Apple Plus, it's called Hijack and

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Speaker 2: it's real good. That's my recommendation. Kaitlyn. We were just

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Speaker 2: looking for a show and I googled what's good to watch?

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Speaker 2: That's just like that, and this gives you the top shows,

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Speaker 2: and that was like number two of the stream shows.

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Speaker 2: We watched it and loved it. Boom, nail it, Get

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Speaker 2: it go. Dead birds the sign is bad luck. Dead

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Speaker 2: bird is a negative omen or bad luck. It'll symbolize

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Speaker 2: bad luck if you see a dead bird in your

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Speaker 2: yard near your home, and I also symbolized bad like

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Speaker 2: you found a dead bird while hunting or during a

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Speaker 2: special event like a wedding.

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Speaker 1: Who No, I was nothing special, but it's.

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Speaker 2: Your yard in your bird still three, all right? Time

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Speaker 2: to open up the mail bag and you friend the

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Speaker 2: game mail and we read it all the air.

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Speaker 6: To get something we call Bobby's mail bag.

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Speaker 2: Yeah, hello, Bobby Bones. Things are tense at home because

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Speaker 2: apparently I'm not taking my daughter's dreams seriously enough. Yesterday

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Speaker 2: I caught her sprawled out on the hood of one

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Speaker 2: of my neighbor's corvettes. Yes, she asked him for permission.

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Speaker 2: I asked my wife, what is she doing? She said

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Speaker 2: she was taking pictures for the GRAM. Last night I

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Speaker 2: looked up her Instagram page. I saw what she was doing.

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Speaker 2: She's pretending she owns the car and is living a

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Speaker 2: lavish lifestyle to build her brand as an influencer. I

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Speaker 2: guess my hysterical laughter wasn't appropriate because now I'm being

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Speaker 2: shunned her and my wife for quote crapping all over

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Speaker 2: her dreams. I guess me asking her where she's taken

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Speaker 2: us to dinner with all her riches was out of

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Speaker 2: line too. Anyway, I'm hoping time will hold this wound.

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Speaker 2: But if anyone has any suggestions, and had a speed

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Speaker 2: up the clock of the process. Let me know. I'm

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Speaker 2: all ears. Is there any chance that she can be

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Speaker 2: an influencer? Thanks, signed parent of an aspiring influencer. A

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Speaker 2: couple inks of address here. First of all, the sprawling,

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Speaker 2: she is just a sprawling part of said age. I

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Speaker 2: wish she he was like just sitting because also.

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Speaker 1: Like a male neighbor said yeah, sure, no problem, and

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Speaker 1: he has a corvette.

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Speaker 2: He's a male neighbor with the corvette. He probably like

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Speaker 2: a sixteen or seven year old sprawl on his car, right,

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Speaker 2: but we lack like that doesn't bother us? Okay't come on.

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Speaker 2: So an influencer was not a job ten years ago.

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Speaker 2: It can be a job this year. It can. It

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Speaker 2: really can. It's hard to do. It's hard to do

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Speaker 2: at a rate that will make you enough money to

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Speaker 2: actually pay the bill or make a lot of money.

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Speaker 2: But it can be done the way that any creative

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Speaker 2: job can be done. If it's this, if it's being

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Speaker 2: a band, if it's it's extremely hard. A lot of

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Speaker 2: people are trying to do it. You got to be

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Speaker 2: really good to get it to work. But it can

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Speaker 2: be done. So I would say, don't crap on, as

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Speaker 2: you would say, crap on her dream of being an influencer.

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Speaker 2: That is a real job, as trivial as it seems.

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Speaker 2: But maybe encourage her to be more of an authentic

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Speaker 2: personality and how can she use that to influence? Find

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Speaker 2: the things about her that will resonate, that will be

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Speaker 2: compelling for folks, Her attitudes, her opinions, how she instead

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Speaker 2: of faking a corvette sprawl?

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Speaker 1: Right, does she have like beauty hacks and tips and

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Speaker 1: tricks and what products does she like?

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Speaker 2: Like I'm she great at? What does she passionate? Yeah?

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Speaker 1: Or maybe beyond maybe she's got other things that she's

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Speaker 1: good at and wants to talk about. Because I follow

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Speaker 1: a lot of influencers online and I appreciate the content

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Speaker 1: they give me and the links and whatnot. But none

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Speaker 1: of them are None of them are sprawling on a corvette. No,

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Speaker 1: I don't know what kind of.

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Speaker 2: Influence I'd watch a neighbor when eye open, Oh for sure.

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Speaker 2: Like I would not crap on her dreams of being

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Speaker 2: an influencer, I would make sure she gets another has

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Speaker 2: another career path in her mind as well. She can

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Speaker 2: do this while she does that, and it just takes

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Speaker 2: off great she can do it forever. But I would

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Speaker 2: just encourage her to find her passion and influence in that.

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Speaker 2: And unless she just loves to sprawl, and that's a

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Speaker 2: whole other problem.

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Speaker 1: Yeah, I don't know that that's the same kind of Okay,

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Speaker 1: so she could, yes, I think he could also, and

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Speaker 1: the mom come alongside and be like, hey, we want

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Speaker 1: to support you, like how could this is so cool?

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Speaker 1: You want to do this, But like.

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Speaker 2: A sprawling mom, dad, daughter, that'd be.

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Speaker 1: Pretty redirect, like, hey, as long as you live here,

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Speaker 1: this is how we're going to be in.

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Speaker 2: Encourage her to do it, just do it more authentically,

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Speaker 2: because that's it's there. If she wants to do it,

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Speaker 2: let her do it till she realizes she's gonna make

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Speaker 2: any money, and then she'll do something else. Thank you

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Speaker 2: for that email. Good luck with that. We got your

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Speaker 2: email and we land on the air and I found

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Speaker 2: the clone Tommy email that we want to keep you

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Speaker 2: guys in the loops so you do not get taken

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Speaker 2: advantage of. So we have a segment we call Scamaler

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Speaker 2: scambler and Morgan, you got one of those aiphone calls?

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Speaker 7: Oh my gosh, Yes, And if I had not been

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Speaker 7: paying attention to the Internet, I would have not known

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Speaker 7: about this.

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Speaker 4: So I pick up the phone.

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Speaker 2: What's the number it's coming from? Though?

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Speaker 7: It was an area code of Wichita, which is my

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Speaker 7: area code still.

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Speaker 2: Currently got, so they're just kind of duplicating numbers based

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Speaker 2: on who they're calling.

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Speaker 7: Yes, and it actually had a name attached to it,

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Speaker 7: which is why I thought I knew the number. So

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Speaker 7: normally I don't answer at all, but I was like, okay.

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Speaker 2: I might know there was a name attached to it.

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Speaker 7: Yeah, And I was like, well, if they have a name,

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Speaker 7: it's obviously in my contact somewhere.

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Speaker 2: It's not. It was still a scam call.

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Speaker 7: I pick up the phone and I was like hello,

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Speaker 7: and they the first thing they said is can you

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Speaker 7: hear me? And I was like, oh my gosh, this

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Speaker 7: is a scam call. I normally I would have been like, yes, yeah, I.

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Speaker 1: Can hear you.

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Speaker 2: Who are you? But I knew from.

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Speaker 7: Seeing on the Internet that if somebody the first thing

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Speaker 7: they say to you is can you hear me, and you.

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Speaker 2: Say yes, they then take the yes.

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Speaker 7: And sign you up for all these things and get

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Speaker 7: access to all of your different accounts.

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Speaker 8: That you have.

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Speaker 2: What on earth what because you say yes and they

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Speaker 2: use your voice.

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Speaker 7: Yeah, they take the you saying yes and duplicate it

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Speaker 7: using AI and then use your name and your yes

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Speaker 7: to go sign up for all these things and get

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Speaker 7: into your accounts.

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Speaker 1: And well what about if we ever say yes here

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Speaker 1: on the everything.

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Speaker 3: Everything, No, no, no, No, I don't want it.

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Speaker 4: I don't think they duplicate that bar Amy no interesting.

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Speaker 2: I have heard of the AI calls. We've talked about

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Speaker 2: it on the show, where they will take someone's voice

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Speaker 2: that you know and love and they will target you

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Speaker 2: specifically because they've AI copied. Like let's say it was

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Speaker 2: Amy's voice going no, oh help me, help me and

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Speaker 2: I answered, and it's Amy going hey help me and

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Speaker 2: like Amy No. But they can do that, and they

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Speaker 2: can make you know, older people, vulnerable people feel like,

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Speaker 2: oh no, somebody's in trouble. So I'm gonna have to

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Speaker 2: give this money up.

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Speaker 1: So now, if we really get a call from someone

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Speaker 1: that is trying to get ahold of us, we just

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Speaker 1: it doesn't matter if we have to assume it's AI.

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Speaker 1: And if they say is this Amy, I say, hmm,

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Speaker 1: just hang on, it's someone that really needs you.

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Speaker 2: This is my wife and I have worked out a

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Speaker 2: plan on if we ever get a call and someone's

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Speaker 2: claiming it's the other one of us, we have what

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Speaker 2: we're calling a safety word that we will only say

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Speaker 2: if we need the person, if it's literally us and

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Speaker 2: we're in trouble. That's smart. It's like Houdini when he died,

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Speaker 2: he goes, hey, if I die, people are gonna say

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Speaker 2: they're talking to me spirits, psychics. I say, and here's

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Speaker 2: the word. He told us why that word? And then

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Speaker 2: psychics they tried forever and they she'd be like, okay, well,

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Speaker 2: if you're talking to Harry Houdini, what was the word?

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Speaker 2: And they'd be like cowbunga sorry over until she died.

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Speaker 2: No one ever got the word right.

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Speaker 1: See, I would get nervous that I would maybe just

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Speaker 1: especially in stress and panics, say I really was kidnapped

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Speaker 1: and we had a word that like, I wouldn't be

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Speaker 1: able to think of the word.

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Speaker 2: You would, though, I don't know.

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Speaker 1: One time my alarm was going off in there, like

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Speaker 1: what's your code word? And I'm like, ah, because I

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Speaker 1: made it like twelve years ago, and I was like.

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Speaker 2: But I could also say something like, let's say you

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Speaker 2: and I are code worar was banana right, yeah, maybe

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Speaker 2: you're in trouble with banana? And I was like, Amy,

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Speaker 2: if this is you, I need to tell me the cover.

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Speaker 2: Well I can't remember it, okay, Amy, it's something that

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Speaker 2: you eat. I could give you, I could prompt you

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Speaker 2: to get closer to it, right, But that's what we're

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Speaker 2: doing anyway. I would would encourage our listeners to do that.

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Speaker 1: Just just practice maybe and refresh every year.

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Speaker 2: And make sure the word's not no. But yeah, that's

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Speaker 2: crazy Morgan.

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Speaker 7: Yeah, and I I didn't think much of it because

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Speaker 7: even when you talk to friends and stuff and they're

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Speaker 7: like can you hear me? Like, you don't think much

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Speaker 7: of that phrase. So just if somebody that you don't

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Speaker 7: know and the number, that's the first thing they say

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Speaker 7: immediately just hang up, or just don't answer any phone

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Speaker 7: if you.

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Speaker 2: Don't know the number, or just never answer a phone ever. Yeah,

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Speaker 2: It's like I do same here. Just don't answer unless

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Speaker 2: it's a FaceTime can you hear me? Just FaceTime me.

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Speaker 2: I'll talk to you then. But thank you Morgan for that.

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Speaker 2: That's a scam alert. Scam alert and also just something

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Speaker 2: we're doing to make sure that again, this technology is

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Speaker 2: not happening to everybody all the time, but it could

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Speaker 2: be happening more and more, and I would encourage you

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Speaker 2: guys have some sort of communication where you're not fooled

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Speaker 2: by a duplicate of a voice.

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Speaker 1: Well, we should all come up with words here for

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Speaker 1: each other because we work together.

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Speaker 2: So get too many words. Amen, I'm gonna be like,

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Speaker 2: it's like Caitlin for real, and I'm like, what's the word.

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Speaker 2: But look, Bubby, You're though, no, it's banana. Dang. Why

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Speaker 2: don't you know that with.

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Speaker 1: Any one of us, you're the you're the host of

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Speaker 1: the show. You have more money than any of us.

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Speaker 1: If we get taken, they're coming for you.

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Speaker 2: I wouldn't give any that up. What's fun having me

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Speaker 2: a long time to make this money. Yeah, So I'm good.

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Speaker 2: That's stuff all right, Thank you Morgan. It's time for

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Speaker 2: the good news.

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Speaker 6: Ready.

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Speaker 3: Retired firefighter Shane Porter passed away last year of cancer,

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Speaker 3: leaving behind his wife, Tigger and two sons, Michael and Tim.

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Speaker 3: But he also had a nineteen sixty nine jeepster commando

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Speaker 3: that him and his wife would work on, and so

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Speaker 3: they had a buddy named Bob. He was a teacher

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Speaker 3: at the local automotive school, so he brought up the

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Speaker 3: whole idea, like, yeah, my friend passed away.

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Speaker 2: He had this jeep.

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Speaker 3: I don't know, it's kind of broken down. You guys

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Speaker 3: want to try to fix it? And all the kids

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Speaker 3: are like, yes, absolutely, So they all got together, they

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Speaker 3: got the jeep to the school. They've been working on

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Speaker 3: it for a year. And here's the clip of Bob

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Speaker 3: talking about that.

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Speaker 9: And I saw the jeep sitting in the garage and

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Speaker 9: asked the Tigger about it and told me the story

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Speaker 9: that you know, Shane had purchased it and they were

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Speaker 9: working on it together. And I thought that would be

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Speaker 9: a great opportunity for my students to finish the restoration

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Speaker 9: for the family.

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Speaker 2: I'm looking at the picture of them all surrounding it.

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Speaker 2: It's white, looks awesome, and I'm looking at Tigger in

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Speaker 2: front of it. Yeah, I wonder how to Tigger get

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Speaker 2: her name? Yeah, I don't know that part. You know,

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Speaker 2: there's a lot of questions I have here, but that's

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Speaker 2: really cool with him to see that and then take

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Speaker 2: it to the school. It's the California High School, the

434
00:19:13,160 --> 00:19:17,080
Speaker 2: Automotive Technology Group and all these kids rebuilt the sheet. Dude,

435
00:19:17,080 --> 00:19:17,800
Speaker 2: it took them a year.

436
00:19:17,840 --> 00:19:20,680
Speaker 3: They fixed the engine, they fixed the transmission, they gave

437
00:19:20,680 --> 00:19:22,919
Speaker 3: it a fresh coat of paint, like that's pretty awesome.

438
00:19:23,240 --> 00:19:25,160
Speaker 2: And then I heard you sold it. Oh no, I'm

439
00:19:25,160 --> 00:19:28,919
Speaker 2: just kidding. Made good money. It meant a lot to her,

440
00:19:28,960 --> 00:19:30,520
Speaker 2: and that's why they did. And that's a great story.

441
00:19:30,560 --> 00:19:33,159
Speaker 2: That is what it's all about. That was telling me

442
00:19:33,200 --> 00:19:37,360
Speaker 2: something good. Here's a voicemail we got last night.

443
00:19:37,560 --> 00:19:40,840
Speaker 8: My daughter is a rising senior in high school and

444
00:19:40,880 --> 00:19:43,520
Speaker 8: she is working on college essays and the question that

445
00:19:43,600 --> 00:19:45,920
Speaker 8: she's been asked is, what is an invention you wish

446
00:19:46,119 --> 00:19:49,000
Speaker 8: was never invented? So we're just racking our brains and

447
00:19:49,080 --> 00:19:52,000
Speaker 8: trying to figure out a good answer for that, and

448
00:19:52,280 --> 00:19:54,720
Speaker 8: curious to know what you guys think. What is an

449
00:19:54,760 --> 00:19:56,440
Speaker 8: invention you wish was never invented?

450
00:19:57,400 --> 00:19:59,479
Speaker 2: Take fifteen seconds, right, would you give us some good

451
00:19:59,480 --> 00:20:03,800
Speaker 2: thinking music? Please take fifteen seconds and think about an

452
00:20:03,800 --> 00:20:07,119
Speaker 2: invention that's tough that you wish was never invented. And

453
00:20:07,200 --> 00:20:15,320
Speaker 2: the clock starts now on everything an invention I have.

454
00:20:16,119 --> 00:20:19,560
Speaker 2: I don't like this that's song.

455
00:20:19,640 --> 00:20:27,080
Speaker 10: So I love the guitar, all right, I have mine

456
00:20:27,480 --> 00:20:30,000
Speaker 10: I got mine, Yeah, I got mine.

457
00:20:31,080 --> 00:20:32,680
Speaker 1: I can find a reason for everything.

458
00:20:32,760 --> 00:20:35,840
Speaker 2: But okay, do you have one? Sure? What's the invention

459
00:20:35,960 --> 00:20:41,680
Speaker 2: that you think you wish but had never been a minute? Uzzi?

460
00:20:43,200 --> 00:20:45,920
Speaker 2: An uzi like a gun a usy.

461
00:20:45,920 --> 00:20:49,359
Speaker 6: That's a good one, Amy, But I mean or anything that.

462
00:20:49,480 --> 00:20:51,480
Speaker 2: Yeah, I'm not sure why an uzi would exist except

463
00:20:51,880 --> 00:20:57,440
Speaker 2: right one, people for the military. I don't even think

464
00:20:57,440 --> 00:20:59,960
Speaker 2: they really use them. They might have, I don't know,

465
00:21:00,200 --> 00:21:03,680
Speaker 2: but I know for sure drug lords use them. Well

466
00:21:03,920 --> 00:21:04,440
Speaker 2: by for sure?

467
00:21:04,480 --> 00:21:05,320
Speaker 4: You mean movies?

468
00:21:05,440 --> 00:21:08,600
Speaker 2: Yeah, TV right, interesting place to go in Uzzi? I

469
00:21:08,680 --> 00:21:08,879
Speaker 2: like it.

470
00:21:08,920 --> 00:21:10,360
Speaker 4: That's good, well done, Amy.

471
00:21:10,720 --> 00:21:13,240
Speaker 2: Eddie wants an invention you wished had never been invented?

472
00:21:13,359 --> 00:21:18,760
Speaker 2: Social media Facebook? I love it. No, it just ruins us.

473
00:21:19,720 --> 00:21:21,639
Speaker 2: You're using a bad way. Yeah, I would agree. I

474
00:21:21,640 --> 00:21:22,159
Speaker 2: think people.

475
00:21:22,200 --> 00:21:23,960
Speaker 3: I think more people use it in a bad way

476
00:21:24,000 --> 00:21:25,160
Speaker 3: than people use it in a good way.

477
00:21:25,240 --> 00:21:27,840
Speaker 2: So I love it. I hate it, Okay, Eddie picks

478
00:21:27,840 --> 00:21:29,520
Speaker 2: social media lunchbox.

479
00:21:29,720 --> 00:21:35,680
Speaker 4: It's easy, guys. The smartphone it's ruined society. Ruined society?

480
00:21:36,240 --> 00:21:38,400
Speaker 2: Or has it allowed us? It's ruined society?

481
00:21:38,520 --> 00:21:39,240
Speaker 1: How old are we?

482
00:21:39,560 --> 00:21:41,560
Speaker 4: The smartphone is so annoying?

483
00:21:41,800 --> 00:21:42,440
Speaker 2: I hate it?

484
00:21:42,680 --> 00:21:45,800
Speaker 4: People are always on it. Get off the smartphone, get

485
00:21:45,880 --> 00:21:49,240
Speaker 4: rid of it. Face to face, right, face to face. Goodness,

486
00:21:49,320 --> 00:21:52,560
Speaker 4: everything is a dang smartphone. Let me look at my phone.

487
00:21:53,119 --> 00:21:55,000
Speaker 4: Can't even just hang out. Everybody on their phone.

488
00:21:55,760 --> 00:21:56,119
Speaker 1: Awesome.

489
00:21:56,280 --> 00:21:59,120
Speaker 4: Go to a concert. Guess what everybody's up recording everything.

490
00:21:59,400 --> 00:22:02,280
Speaker 4: It's guy, Stop recording a concert.

491
00:22:01,880 --> 00:22:03,639
Speaker 2: On social media. You go exactly.

492
00:22:03,960 --> 00:22:06,560
Speaker 4: You have your smartphones, you can post on social media.

493
00:22:06,880 --> 00:22:10,000
Speaker 4: Go to the concert, enjoy it. You look at the video.

494
00:22:10,080 --> 00:22:12,080
Speaker 2: I like smartphones. I mean, I'm not a fan of oozies, but.

495
00:22:12,440 --> 00:22:16,440
Speaker 1: Yeah, and got it. Eddie makes money off of social media.

496
00:22:17,359 --> 00:22:20,280
Speaker 2: Regret and don't take it. Don't take hey, don't take

497
00:22:20,280 --> 00:22:24,080
Speaker 2: blood money. I've stopped doing reels that they stopped it, well, yeah,

498
00:22:24,160 --> 00:22:27,959
Speaker 2: but that means that still happened. But they don't say cigarettes.

499
00:22:28,760 --> 00:22:30,400
Speaker 2: Oh good one. I'll look at you.

500
00:22:30,480 --> 00:22:33,320
Speaker 1: See my mind didn't even go that route.

501
00:22:33,400 --> 00:22:42,920
Speaker 2: We could have. Okay, fine, heroin, No you can't thank you. Yeah,

502
00:22:43,080 --> 00:22:47,040
Speaker 2: my two were cigarettes and tanning beds. I don't mind

503
00:22:47,040 --> 00:22:49,080
Speaker 2: spray tanning as much, but at the beds with the lights.

504
00:22:49,520 --> 00:22:51,560
Speaker 1: I hope one day we don't find out that's that

505
00:22:51,720 --> 00:22:52,240
Speaker 1: mus too.

506
00:22:52,440 --> 00:22:54,320
Speaker 2: I know, we definitely might Morgan, did you come up

507
00:22:54,320 --> 00:22:55,800
Speaker 2: with something? Yeah, junk food.

508
00:22:56,119 --> 00:22:59,280
Speaker 7: I'm addicted to junk food and I really wish it wasn't.

509
00:22:59,800 --> 00:23:03,119
Speaker 4: I got GPS. That's why the government couldn't track us.

510
00:23:03,640 --> 00:23:04,879
Speaker 2: But they'll track you on your phone.

511
00:23:05,080 --> 00:23:08,080
Speaker 4: That's why what I'm saying though, both smartphone gone and

512
00:23:08,080 --> 00:23:09,879
Speaker 4: then and then they put GPS in the cars. They

513
00:23:09,880 --> 00:23:13,720
Speaker 4: can track everybody bad scuba. Dave has an invention that

514
00:23:13,720 --> 00:23:14,760
Speaker 4: you think shouldn't have been invented.

515
00:23:15,680 --> 00:23:17,359
Speaker 10: I'm a little more in the environmental side, so I

516
00:23:17,400 --> 00:23:19,760
Speaker 10: would say things like plastics, like plastic bottles or like

517
00:23:19,760 --> 00:23:21,800
Speaker 10: all those containers and things we use that to go

518
00:23:21,880 --> 00:23:22,520
Speaker 10: for restaurants.

519
00:23:23,240 --> 00:23:23,680
Speaker 2: That's good.

520
00:23:24,400 --> 00:23:27,000
Speaker 4: Yeah, yeah, what if you had a restaurant. How about this,

521
00:23:27,640 --> 00:23:30,800
Speaker 4: I'm gonna pay back on scuba. Yeah, paper, Let's say

522
00:23:30,800 --> 00:23:33,200
Speaker 4: you ordered to go food, but you had to bring

523
00:23:33,240 --> 00:23:34,720
Speaker 4: your own container when you pick it up and they

524
00:23:34,720 --> 00:23:35,439
Speaker 4: put it in your container.

525
00:23:36,560 --> 00:23:38,720
Speaker 1: Yeah, there's places in Austin that.

526
00:23:38,800 --> 00:23:40,840
Speaker 2: Do that something.

527
00:23:41,680 --> 00:23:46,120
Speaker 4: But what did you invent that concept? Like that would

528
00:23:46,119 --> 00:23:48,280
Speaker 4: have been awesome. I could have trademarked it and then.

529
00:23:48,240 --> 00:23:49,520
Speaker 2: People that's not even how that works.

530
00:23:49,560 --> 00:23:50,840
Speaker 4: People would have rented it out from me.

531
00:23:50,920 --> 00:23:53,280
Speaker 2: No, that's also not how that works. But all that

532
00:23:53,280 --> 00:23:55,120
Speaker 2: that you just said, none of that works that way.

533
00:23:55,200 --> 00:23:56,719
Speaker 2: I found a hole in that one though, So like,

534
00:23:57,119 --> 00:23:58,919
Speaker 2: what did they bring you a big container? Like then

535
00:23:58,960 --> 00:24:02,600
Speaker 2: you're no, how much do I put in there? Okay?

536
00:24:02,760 --> 00:24:04,120
Speaker 1: The place I would go they filled.

537
00:24:05,600 --> 00:24:11,160
Speaker 2: I'm being honest, I would take this segment away the listeners. Yes,

538
00:24:11,480 --> 00:24:14,359
Speaker 2: thank you very much. Thank you everybody. That's good. Thank you.

539
00:24:14,480 --> 00:24:17,680
Speaker 2: Scuba like yours, yeah, and yours was very interesting?

540
00:24:17,720 --> 00:24:18,480
Speaker 4: What about mine?

541
00:24:18,960 --> 00:24:21,200
Speaker 2: Social media? I just am not I like the two

542
00:24:21,200 --> 00:24:23,399
Speaker 2: things you guys know. And then I had SI airport,

543
00:24:24,560 --> 00:24:28,680
Speaker 2: that's good? How the Mammograham go, Well, it's good.

544
00:24:28,720 --> 00:24:31,639
Speaker 1: I don't get my results for maybe I guess another day.

545
00:24:31,680 --> 00:24:33,960
Speaker 1: So it's been a day. It was yesterday, so tomorrow

546
00:24:33,960 --> 00:24:36,320
Speaker 1: I'll know the results. But I realized when I'm there,

547
00:24:37,080 --> 00:24:40,200
Speaker 1: like how tense I am. And I'm like mentally, I'm

548
00:24:40,200 --> 00:24:44,600
Speaker 1: like relax, I know, but I mean, I'm like, it's fine,

549
00:24:44,840 --> 00:24:47,359
Speaker 1: it's all good. And then I'm like doing the test

550
00:24:47,440 --> 00:24:49,760
Speaker 1: and the woman's like helping me, and she's like, i'man,

551
00:24:49,920 --> 00:24:52,119
Speaker 1: you need to relax your shoulders, and I realized my

552
00:24:52,160 --> 00:24:54,640
Speaker 1: shoulders are like up to my ears, and I'm like okay, relax.

553
00:24:54,760 --> 00:24:57,040
Speaker 1: And every single time she went to adjust me to

554
00:24:57,080 --> 00:25:00,720
Speaker 1: take a X ray, she was having to remind me

555
00:25:00,800 --> 00:25:03,280
Speaker 1: to relax. And then I started thinking about it. Even

556
00:25:03,280 --> 00:25:05,679
Speaker 1: when I go to the ob g y N she

557
00:25:05,760 --> 00:25:07,800
Speaker 1: constantly has to say, really that I would not.

558
00:25:07,760 --> 00:25:10,040
Speaker 2: Be relaxed for that's myself one to relax.

559
00:25:10,160 --> 00:25:12,080
Speaker 1: This is something we do. And now I'm in my forties.

560
00:25:12,119 --> 00:25:14,600
Speaker 1: So mammograms every year obgimon has been every year for

561
00:25:15,119 --> 00:25:17,639
Speaker 1: you know, years, and so it's like, at what point

562
00:25:17,800 --> 00:25:19,119
Speaker 1: do we just relax?

563
00:25:19,440 --> 00:25:22,240
Speaker 2: We know it? We don't, right, probably not, we don't.

564
00:25:22,480 --> 00:25:26,679
Speaker 2: And a silmil lurish situation is like you, I have

565
00:25:26,760 --> 00:25:29,080
Speaker 2: a lot of cancer in my family, and so I

566
00:25:29,160 --> 00:25:32,440
Speaker 2: started going earlier to get the old digit in the boothole.

567
00:25:33,440 --> 00:25:37,920
Speaker 2: Yeah oh sorry finger yeah in there in the recked

568
00:25:37,920 --> 00:25:41,520
Speaker 2: eponymous res Yes, that's perfect. Yeah yeah, And so I'll

569
00:25:41,600 --> 00:25:44,800
Speaker 2: like it. I know it doesn't feel good relax and

570
00:25:44,840 --> 00:25:48,800
Speaker 2: you don't relax and you but we need to do it,

571
00:25:48,960 --> 00:25:51,800
Speaker 2: especially if we're getting older or in my case, I've

572
00:25:51,840 --> 00:25:53,880
Speaker 2: been going early just because there's just been a lot

573
00:25:53,920 --> 00:25:56,119
Speaker 2: of cancer in my family. So I commend you for

574
00:25:56,119 --> 00:25:58,080
Speaker 2: doing it, for talking about it. I mean, I go

575
00:25:58,119 --> 00:26:00,439
Speaker 2: into the finger and it just sometimes on a Tuesday,

576
00:26:00,440 --> 00:26:03,520
Speaker 2: if I'm bored, Oh you've relaxed. Now, Well, I mean,

577
00:26:03,560 --> 00:26:05,000
Speaker 2: it's just kind of fun and it's just my thing.

578
00:26:05,680 --> 00:26:08,080
Speaker 2: But I don't know, does that because with me when

579
00:26:08,280 --> 00:26:12,439
Speaker 2: when we do that jokes aside, It doesn't hurt. It

580
00:26:12,520 --> 00:26:16,200
Speaker 2: just feels uncommon. It feels like something. It feels like

581
00:26:16,200 --> 00:26:17,880
Speaker 2: a squadron moving into the house and you just need

582
00:26:17,880 --> 00:26:19,359
Speaker 2: them to get out. It doesn't feel right.

583
00:26:19,400 --> 00:26:21,720
Speaker 1: It's vulnerable, and it's.

584
00:26:21,720 --> 00:26:24,719
Speaker 2: Does it hurt because because they smush your boob, right,

585
00:26:25,000 --> 00:26:26,400
Speaker 2: they smush it or does it just hold it?

586
00:26:26,720 --> 00:26:29,040
Speaker 1: Yeah, it's smushed all the way down, so it feels

587
00:26:29,040 --> 00:26:32,320
Speaker 1: like that. And then then when you think that they're done,

588
00:26:32,400 --> 00:26:35,040
Speaker 1: then there's this little knob they twist and it goes

589
00:26:35,200 --> 00:26:38,240
Speaker 1: tighter and tighter and it smushes it down.

590
00:26:38,280 --> 00:26:39,720
Speaker 2: It reminds me that the arm thing they do for

591
00:26:39,760 --> 00:26:41,679
Speaker 2: your blood pressure, and you're like, because that's not it

592
00:26:41,800 --> 00:26:44,000
Speaker 2: can't be as painful. Here is more painful. It's like,

593
00:26:44,040 --> 00:26:48,000
Speaker 2: oh wow, wow, is it ever gonna stop? It's gonna

594
00:26:48,000 --> 00:26:49,800
Speaker 2: shot my arm off. Do you ever worry They're just

595
00:26:49,800 --> 00:26:50,480
Speaker 2: gonna go too hard?

596
00:26:50,480 --> 00:26:53,520
Speaker 1: And no, I haven't because I'm like, well, they know

597
00:26:53,600 --> 00:26:55,359
Speaker 1: what they're doing. I mean, you have all kinds of thoughts,

598
00:26:55,359 --> 00:26:56,359
Speaker 1: like I guess or I was like, I hope she

599
00:26:56,400 --> 00:26:57,360
Speaker 1: knows what she's looking for.

600
00:26:57,800 --> 00:27:00,920
Speaker 2: And then you know, she's like, oh, they do both boots?

601
00:27:00,920 --> 00:27:02,000
Speaker 1: You want both?

602
00:27:02,680 --> 00:27:02,920
Speaker 2: Really?

603
00:27:02,960 --> 00:27:04,879
Speaker 1: Yeah, because it can show up in just one or

604
00:27:05,080 --> 00:27:05,400
Speaker 1: the other.

605
00:27:05,560 --> 00:27:07,239
Speaker 2: Isn't it the same time? They put boot doo both

606
00:27:07,240 --> 00:27:07,560
Speaker 2: the same time.

607
00:27:08,040 --> 00:27:12,080
Speaker 1: No, you have to do right, turn different different angles.

608
00:27:12,200 --> 00:27:14,800
Speaker 2: You've taken pictures for prison, turn the right.

609
00:27:15,160 --> 00:27:18,760
Speaker 1: Yeah, yeah, over and over, Yes, remove your arm from that.

610
00:27:18,840 --> 00:27:21,080
Speaker 1: And then they they She's nice, She's kind of like

611
00:27:21,119 --> 00:27:22,840
Speaker 1: in between each cause I'm just like, well, why don't

612
00:27:22,880 --> 00:27:24,199
Speaker 1: we just take this rope off and let's just chop

613
00:27:24,280 --> 00:27:25,080
Speaker 1: chop because it is over with.

614
00:27:25,240 --> 00:27:27,840
Speaker 2: I feel the same way with my bootthogs. I'm just like, bro,

615
00:27:27,880 --> 00:27:30,480
Speaker 2: I don't need to put a gun on. I've done

616
00:27:30,520 --> 00:27:34,600
Speaker 2: this when you like, I'll wear shorts, I'll wear loose clothing.

617
00:27:34,960 --> 00:27:38,040
Speaker 2: I'll drop them like I'll walk in and out and

618
00:27:38,080 --> 00:27:40,640
Speaker 2: it's like i'll walk in, I'll spread them, I'll put

619
00:27:40,680 --> 00:27:44,359
Speaker 2: my hands down, you go glove go the jail in out.

620
00:27:44,520 --> 00:27:46,040
Speaker 2: We don't got a lick chow in the eyes and

621
00:27:46,080 --> 00:27:47,800
Speaker 2: I can get out, but because I've done it so

622
00:27:47,800 --> 00:27:49,440
Speaker 2: many times, so I feel the same kind of way.

623
00:27:49,560 --> 00:27:51,159
Speaker 1: Yeah, but she'd be like, Okay, we're done with the

624
00:27:51,200 --> 00:27:53,840
Speaker 1: right side. Now take to go to the left and

625
00:27:53,880 --> 00:27:55,960
Speaker 1: you take your arm out and then we I know,

626
00:27:56,000 --> 00:27:57,840
Speaker 1: we have to go back to the other side again.

627
00:27:57,960 --> 00:27:59,720
Speaker 1: So I'm like, why are we in and out of

628
00:27:59,760 --> 00:28:02,560
Speaker 1: the Like, let's just but I get it some people

629
00:28:02,560 --> 00:28:06,120
Speaker 1: are probably it is very I feel vulnerable in there,

630
00:28:06,160 --> 00:28:08,800
Speaker 1: but I was thinking for other people, I mean, if

631
00:28:08,840 --> 00:28:11,480
Speaker 1: you have different life experiences that could probably be even

632
00:28:11,560 --> 00:28:14,560
Speaker 1: like far more traumatic, Like what do you mean? I

633
00:28:14,640 --> 00:28:18,719
Speaker 1: just feel like because they're somebody from behind, and if

634
00:28:18,760 --> 00:28:21,439
Speaker 1: you have any types of issues like that crossed my

635
00:28:21,440 --> 00:28:23,600
Speaker 1: mind yesterday of like women that have to go in

636
00:28:23,640 --> 00:28:27,119
Speaker 1: there that have other, yeah, life experiences that make something

637
00:28:27,240 --> 00:28:31,760
Speaker 1: like that very different, yes, or and even you know

638
00:28:31,840 --> 00:28:35,639
Speaker 1: you're you're yearly with your obgi N. It's like I

639
00:28:35,640 --> 00:28:39,040
Speaker 1: could see women just totally avoiding that. And there was

640
00:28:39,080 --> 00:28:41,960
Speaker 1: a few years where I didn't go just because I

641
00:28:42,000 --> 00:28:44,880
Speaker 1: wasn't being responsible actually pulling them a few like several

642
00:28:44,960 --> 00:28:47,560
Speaker 1: in my early thirties because I was just like, eh,

643
00:28:47,600 --> 00:28:50,040
Speaker 1: who cares? And then now I'm like, God, I can't

644
00:28:50,040 --> 00:28:52,080
Speaker 1: believe I didn't go because I have access to that,

645
00:28:52,120 --> 00:28:53,880
Speaker 1: and I don't want to take advantage or take for

646
00:28:53,920 --> 00:28:56,680
Speaker 1: granted the fact that I have access to care and

647
00:28:56,720 --> 00:28:58,200
Speaker 1: some people don't even have that option.

648
00:28:58,440 --> 00:29:01,800
Speaker 2: So just good for you for going and for talking

649
00:29:01,840 --> 00:29:03,560
Speaker 2: about it. Although you haven't gone to the dentist, you've

650
00:29:03,680 --> 00:29:04,440
Speaker 2: kind of ditch that.

651
00:29:04,680 --> 00:29:06,880
Speaker 1: Dad, I have my six month cleaning.

652
00:29:07,280 --> 00:29:09,280
Speaker 2: I don't know why said like three years overdue.

653
00:29:09,520 --> 00:29:09,920
Speaker 1: No, I'm not.

654
00:29:10,080 --> 00:29:11,880
Speaker 2: It's not like on your phone you don't update or

655
00:29:11,880 --> 00:29:13,160
Speaker 2: your computer back in the day. Be like you have

656
00:29:13,160 --> 00:29:16,040
Speaker 2: an updated you're norton anavirus in seven years and six months.

657
00:29:16,240 --> 00:29:17,520
Speaker 1: No, but you're right, that's a good point. I need

658
00:29:17,600 --> 00:29:19,920
Speaker 1: to take my own advice and be like I I

659
00:29:19,960 --> 00:29:22,800
Speaker 1: can go to the dentist. I should not take advantage

660
00:29:22,840 --> 00:29:26,479
Speaker 1: of my privilege to do that. And doctor Trimbley's awesome.

661
00:29:26,600 --> 00:29:29,200
Speaker 1: I don't know why. I just keep they call me. Actually,

662
00:29:29,400 --> 00:29:30,760
Speaker 1: after he was on the show the other day, they

663
00:29:30,800 --> 00:29:32,680
Speaker 1: called his office duck as you said, I need to

664
00:29:32,680 --> 00:29:35,560
Speaker 1: come right, and I was like, oh, Alden Meg Later.

665
00:29:35,920 --> 00:29:37,680
Speaker 2: The privileged part is true. I think about that a

666
00:29:37,680 --> 00:29:39,000
Speaker 2: lot when I go to the dentist because I could

667
00:29:39,040 --> 00:29:40,280
Speaker 2: not go to thednnist my whole life because we just

668
00:29:40,280 --> 00:29:42,520
Speaker 2: couldn't afford it. And I think that's why I got

669
00:29:42,560 --> 00:29:43,880
Speaker 2: in such trouble with my mouth when I was in

670
00:29:43,880 --> 00:29:46,080
Speaker 2: my twenties. But yeah, it is a privilege. And if

671
00:29:46,200 --> 00:29:48,600
Speaker 2: if your insurance covers it, or you can afford it, man,

672
00:29:48,760 --> 00:29:52,640
Speaker 2: there's probably a massive percent of people all over the

673
00:29:52,640 --> 00:29:55,160
Speaker 2: world that don't even have access can't go. And there's

674
00:29:55,200 --> 00:29:57,440
Speaker 2: a big part of folks here that can't go because

675
00:29:57,440 --> 00:30:01,040
Speaker 2: they can't afford it, right or if they could afford it,

676
00:30:01,080 --> 00:30:04,640
Speaker 2: that's all their money, right then. So two things. One,

677
00:30:05,040 --> 00:30:09,680
Speaker 2: I'm very grateful that I can do that too. It's

678
00:30:09,760 --> 00:30:12,520
Speaker 2: uncomfortable to get your beehole or your boob smashed, but

679
00:30:12,640 --> 00:30:15,040
Speaker 2: it's a thing, and I talk about it kind of

680
00:30:15,040 --> 00:30:17,440
Speaker 2: comedically so people will stay and not hear it as

681
00:30:17,440 --> 00:30:19,720
Speaker 2: a PSA, like a straight PSA, because it is something

682
00:30:19,760 --> 00:30:21,000
Speaker 2: we go through, but I want to be funny about it,

683
00:30:21,080 --> 00:30:23,440
Speaker 2: so people are still interested in our conversation. But it's

684
00:30:23,440 --> 00:30:24,760
Speaker 2: a real thing. Yeah.

685
00:30:24,920 --> 00:30:26,840
Speaker 1: And I think a real thing too is we often

686
00:30:26,880 --> 00:30:29,960
Speaker 1: are like that probably won't happen to me, or I

687
00:30:29,960 --> 00:30:32,600
Speaker 1: don't need to go this time, because what are the

688
00:30:32,600 --> 00:30:34,760
Speaker 1: odds that something's going on with me right now? And

689
00:30:34,800 --> 00:30:37,960
Speaker 1: the thing is, early detection is so key in all

690
00:30:38,000 --> 00:30:40,760
Speaker 1: of these parts of our bodies that if you again

691
00:30:40,840 --> 00:30:43,400
Speaker 1: have the access, you should go because it could literally

692
00:30:43,440 --> 00:30:44,400
Speaker 1: save your life.

693
00:30:44,560 --> 00:30:48,400
Speaker 2: And not only that part. With us talking or we've

694
00:30:48,400 --> 00:30:50,440
Speaker 2: had cancer in our families, but even blessed so far

695
00:30:50,520 --> 00:30:54,960
Speaker 2: not to have had to fight it ourselves. You and I,

696
00:30:55,360 --> 00:30:56,080
Speaker 2: you had like a skin.

697
00:30:56,560 --> 00:31:00,000
Speaker 1: I'm talking like, no, me, I'm good, Like I'm very

698
00:31:00,360 --> 00:31:02,600
Speaker 1: and I try not to even obviously with my parents,

699
00:31:02,800 --> 00:31:04,400
Speaker 1: both of them had it, so I'm like, oh, gonna

700
00:31:04,400 --> 00:31:05,960
Speaker 1: get cancer. I'm gonna get cancer. But then I'm like, no,

701
00:31:06,000 --> 00:31:07,200
Speaker 1: I don't want to think that way. I'm not going

702
00:31:07,200 --> 00:31:07,640
Speaker 1: to get cancer.

703
00:31:07,680 --> 00:31:11,440
Speaker 2: I'm not going to where ray Mundo's wife Bay had

704
00:31:11,440 --> 00:31:13,120
Speaker 2: it and fought it bad. I mean it was it

705
00:31:13,160 --> 00:31:16,080
Speaker 2: was a really bad situation. Yeah. It was stage three,

706
00:31:16,160 --> 00:31:18,600
Speaker 2: which is pretty serious. Yeah. Yeah, And we have other

707
00:31:18,640 --> 00:31:21,239
Speaker 2: friends that have been stage three, stage four, and they

708
00:31:21,280 --> 00:31:23,440
Speaker 2: said the same thing. I just it's not gonna be me.

709
00:31:23,720 --> 00:31:27,400
Speaker 2: It's always people. So yeah, if you're listening out there,

710
00:31:27,520 --> 00:31:29,800
Speaker 2: we're not saying go today and just ask some random

711
00:31:29,840 --> 00:31:34,040
Speaker 2: dude behind the wall ffoules, so check your behole. Well

712
00:31:34,040 --> 00:31:36,880
Speaker 2: that's your only option though, but if it's only option.

713
00:31:36,960 --> 00:31:39,680
Speaker 1: But maybe you're encouraging these guys in here to go.

714
00:31:40,040 --> 00:31:41,840
Speaker 2: No, I wrote it down. It'll need you. I will

715
00:31:41,880 --> 00:31:43,920
Speaker 2: never go. No, no, no, you wrote the wrong thing down.

716
00:31:44,320 --> 00:31:49,120
Speaker 2: Why no, no, no, that wasn't you. Listen.

717
00:31:49,200 --> 00:31:50,560
Speaker 1: Men can get breast cancer.

718
00:31:50,640 --> 00:31:53,920
Speaker 2: They can, absolutely, but it's not something that if you

719
00:31:54,000 --> 00:31:55,840
Speaker 2: if you only have one appointment to go to it.

720
00:31:55,960 --> 00:31:58,840
Speaker 2: That's not the one yes lunchbox.

721
00:31:58,360 --> 00:32:00,720
Speaker 4: Now, the one where you're talking about the behind the

722
00:32:00,720 --> 00:32:02,720
Speaker 4: waffle house. Do you just go to a regular doctor

723
00:32:02,720 --> 00:32:04,320
Speaker 4: for that or you got to go to a special doctor?

724
00:32:04,480 --> 00:32:08,520
Speaker 2: No he's special or well no, yes and no as

725
00:32:08,560 --> 00:32:11,680
Speaker 2: a dude, no, oh, you can go to your regular

726
00:32:11,760 --> 00:32:14,000
Speaker 2: doctor for the most part and they can check that.

727
00:32:14,120 --> 00:32:15,600
Speaker 2: Now they may send you to a specialist.

728
00:32:15,640 --> 00:32:17,160
Speaker 1: I know my regular doctor and he does not want

729
00:32:17,200 --> 00:32:17,560
Speaker 1: to be doing that.

730
00:32:19,000 --> 00:32:22,880
Speaker 2: Hey his loss. So mine is a regular doctor and

731
00:32:22,920 --> 00:32:26,440
Speaker 2: he can check it. When I had a I was bleeding,

732
00:32:26,760 --> 00:32:29,240
Speaker 2: yeah and ended up being a hemorrhoid from like training

733
00:32:29,280 --> 00:32:31,200
Speaker 2: for a triathlon. Like, oh, I don't know, overtraining over

734
00:32:31,240 --> 00:32:33,280
Speaker 2: training would give you that kind of thing. It's my

735
00:32:33,360 --> 00:32:35,840
Speaker 2: real doctor, my regular doctor. And he was like, well,

736
00:32:35,920 --> 00:32:38,080
Speaker 2: let's see what's up. And if it had been something bad,

737
00:32:38,120 --> 00:32:39,720
Speaker 2: they would he would have sent me somewhere else. Yeah,

738
00:32:39,760 --> 00:32:41,760
Speaker 2: because I don't know even have a regular doctor. Oh well,

739
00:32:41,760 --> 00:32:43,520
Speaker 2: so then you got to go back to hold on,

740
00:32:43,600 --> 00:32:46,800
Speaker 2: here's addressa a waf woles go here to the show

741
00:32:47,360 --> 00:32:49,960
Speaker 2: and then he'll recommend you to a regular doctor. Yeah.

742
00:32:50,000 --> 00:32:53,920
Speaker 2: But yes, please take our joking and our seriousness and

743
00:32:54,040 --> 00:32:55,760
Speaker 2: understand this is a real thing and we don't want

744
00:32:55,760 --> 00:32:56,240
Speaker 2: to preach to you.

745
00:32:56,320 --> 00:32:56,520
Speaker 11: Guys.

746
00:32:56,520 --> 00:32:58,600
Speaker 2: It's not what we're doing here. But I'm I'm happy

747
00:32:58,600 --> 00:33:00,520
Speaker 2: you did that and shared it. And you know what,

748
00:33:00,800 --> 00:33:03,640
Speaker 2: even though I went yesterday, I'm going back today just

749
00:33:03,680 --> 00:33:07,680
Speaker 2: in case. Yeah, just to show if you're looking for

750
00:33:07,720 --> 00:33:09,560
Speaker 2: a good podcast to listen to, let me recommend it

751
00:33:09,560 --> 00:33:12,080
Speaker 2: because Bear was just a great guest. So Bear, the

752
00:33:12,120 --> 00:33:14,680
Speaker 2: lead singer of Need to Breathe, is a one hour,

753
00:33:14,840 --> 00:33:17,200
Speaker 2: one on one guest on my podcast called the Bobby

754
00:33:17,240 --> 00:33:19,720
Speaker 2: Cast that I do from my house. Here's a clip

755
00:33:19,720 --> 00:33:24,920
Speaker 2: of Brother from Need to Breathe. Here's a clip of

756
00:33:25,040 --> 00:33:30,720
Speaker 2: Testify from Need to Breathe. So a lot of fans

757
00:33:30,720 --> 00:33:33,680
Speaker 2: of these guys and he looks like an athlete. He's

758
00:33:33,760 --> 00:33:35,080
Speaker 2: him and I are the same age. He looks like

759
00:33:35,080 --> 00:33:37,200
Speaker 2: an athlete. He was a college FOOTBA wide receiver and

760
00:33:37,200 --> 00:33:39,920
Speaker 2: he set school records at Furman University. And he talked

761
00:33:39,960 --> 00:33:43,080
Speaker 2: about how he would make because of how he was

762
00:33:43,200 --> 00:33:46,000
Speaker 2: raised playing football. He would make the band watch tape

763
00:33:46,000 --> 00:33:48,400
Speaker 2: to get better, like they do in football, and okay,

764
00:33:48,440 --> 00:33:49,600
Speaker 2: look at this, go here do that.

765
00:33:49,720 --> 00:33:52,360
Speaker 12: Yeah, I used to make the band watch tape. Seriously,

766
00:33:52,440 --> 00:33:55,240
Speaker 12: it was like see that bong go, So that sucks.

767
00:33:55,280 --> 00:33:57,320
Speaker 12: But he would put these guys on a spot like wait,

768
00:33:57,400 --> 00:33:59,200
Speaker 12: you know, like we made twenty bucks, Like what are

769
00:33:59,240 --> 00:34:01,680
Speaker 12: we doing here? Learn those lessons early on about like

770
00:34:01,760 --> 00:34:03,480
Speaker 12: when to push and when not to. But I would

771
00:34:03,520 --> 00:34:06,760
Speaker 12: say that we definitely have that mentality when it comes

772
00:34:06,760 --> 00:34:09,080
Speaker 12: to rehearsals and shows and all that kind off. Just

773
00:34:09,080 --> 00:34:10,399
Speaker 12: we're carrying a lot of that in there.

774
00:34:10,600 --> 00:34:14,719
Speaker 2: Guitar player, boom, it's good. It's good interview. It's a

775
00:34:14,719 --> 00:34:17,040
Speaker 2: lot of fun. So need to breathe on the Bobby cast.

776
00:34:17,360 --> 00:34:22,200
Speaker 2: Be sure to check it out. Pile of stories.

777
00:34:22,360 --> 00:34:26,920
Speaker 1: So someone is developing an Olympics alternative called the Enhanced Games,

778
00:34:27,200 --> 00:34:31,719
Speaker 1: where doping is actually encouraged to unlock human potential and

779
00:34:31,760 --> 00:34:33,879
Speaker 1: it's supposed to launch in December of next year.

780
00:34:35,080 --> 00:34:38,960
Speaker 2: That sounds safe, It really doesn't. It sounds entertaining. Yeah,

781
00:34:39,000 --> 00:34:40,960
Speaker 2: we're gonna see some awesome stuff and people are going

782
00:34:41,000 --> 00:34:42,520
Speaker 2: to put their bodies at risk. And it's never never

783
00:34:42,560 --> 00:34:44,200
Speaker 2: gonna be that big because I'm gonna get big sponsors

784
00:34:44,200 --> 00:34:45,920
Speaker 2: for it.

785
00:34:46,120 --> 00:34:48,760
Speaker 1: They're hoping to obliterate all the world records.

786
00:34:48,960 --> 00:34:51,600
Speaker 2: Oh, they will. There's gonna be like a quadruple axle.

787
00:34:52,080 --> 00:34:54,080
Speaker 2: There's gonna be somebody running a forty to two point

788
00:34:54,080 --> 00:34:56,160
Speaker 2: three line and.

789
00:34:56,480 --> 00:35:00,000
Speaker 1: You don't have to take anything to participate. They would

790
00:35:00,280 --> 00:35:02,840
Speaker 1: they're open to natural and enhanced athletes.

791
00:35:03,800 --> 00:35:05,840
Speaker 2: Why would I do it naturally? I would do the

792
00:35:05,840 --> 00:35:08,640
Speaker 2: real Olympics. I'm going to try to put natally. Dang,

793
00:35:08,680 --> 00:35:11,360
Speaker 2: that's crazy. They're just going dope up and come on. Okay,

794
00:35:11,440 --> 00:35:11,759
Speaker 2: what else?

795
00:35:11,800 --> 00:35:12,880
Speaker 1: Do you know who Bryce Young is?

796
00:35:13,360 --> 00:35:13,560
Speaker 4: Yeah?

797
00:35:13,560 --> 00:35:15,120
Speaker 2: I just talked to him a couple days. Yeah we do.

798
00:35:15,440 --> 00:35:18,480
Speaker 2: Oh you know that? Yeah? Okay, there's a picture me

799
00:35:18,520 --> 00:35:19,240
Speaker 2: and him my Instagram.

800
00:35:19,239 --> 00:35:20,000
Speaker 1: But I don't know who.

801
00:35:20,080 --> 00:35:20,439
Speaker 2: I don't.

802
00:35:20,560 --> 00:35:22,239
Speaker 1: I only know the story that I saw at him.

803
00:35:22,280 --> 00:35:23,240
Speaker 1: I don't know him.

804
00:35:23,160 --> 00:35:26,359
Speaker 2: Quarterback at Alabama now quarterback with their first overall pick.

805
00:35:26,360 --> 00:35:29,520
Speaker 1: He's a rookie, yes, yeah, So I saw the story

806
00:35:29,600 --> 00:35:31,960
Speaker 1: about how whenever he was in school he had to

807
00:35:31,960 --> 00:35:35,440
Speaker 1: do door dash and he was obviously well known and

808
00:35:35,840 --> 00:35:38,120
Speaker 1: famous on campus, and people knew who he was because

809
00:35:38,120 --> 00:35:40,640
Speaker 1: he played football, and so he would wear like a

810
00:35:40,680 --> 00:35:43,640
Speaker 1: hood and a mask because he didn't want people to

811
00:35:43,680 --> 00:35:45,560
Speaker 1: recognize him, but he had to do it to like

812
00:35:46,040 --> 00:35:48,600
Speaker 1: pay the bills. So I thought, huh, that's it. I

813
00:35:48,640 --> 00:35:50,120
Speaker 1: just didn't know if anybody had ever had a job

814
00:35:50,160 --> 00:35:55,040
Speaker 1: that they were embarrassed of or people would see them

815
00:35:55,080 --> 00:35:55,600
Speaker 1: doing it.

816
00:35:55,719 --> 00:35:58,640
Speaker 2: Let me think, I just feel like.

817
00:35:58,560 --> 00:36:00,400
Speaker 1: He would love that, like if people would freak out

818
00:36:00,440 --> 00:36:02,439
Speaker 1: to be like, oh my gosh, Bry's young delivered my food,

819
00:36:02,480 --> 00:36:04,359
Speaker 1: and it'd be awesome, not embarrassing.

820
00:36:04,480 --> 00:36:07,319
Speaker 2: I was never embarrassed of when I was doing golf

821
00:36:07,400 --> 00:36:09,840
Speaker 2: course maintenance. I was always embarrassed when I couldn't actually

822
00:36:09,840 --> 00:36:11,719
Speaker 2: play golf on the course because I never played golf

823
00:36:11,719 --> 00:36:13,399
Speaker 2: growing up. And people be like, oh, you can get

824
00:36:13,400 --> 00:36:14,920
Speaker 2: me on a golf course because you work at the

825
00:36:14,960 --> 00:36:16,960
Speaker 2: golf course, and I was like, no, they don't let

826
00:36:17,280 --> 00:36:21,440
Speaker 2: us scrubs because what we were called the scrubs or play.

827
00:36:21,520 --> 00:36:23,080
Speaker 2: We just had we just we'd eat and mow and

828
00:36:23,160 --> 00:36:26,680
Speaker 2: rake traps and mow greens. So that was embarrassing that

829
00:36:26,719 --> 00:36:30,160
Speaker 2: I couldn't get people onto the golf course. But I

830
00:36:30,560 --> 00:36:33,560
Speaker 2: hobby lobby was funny because it rymeed my name, you know,

831
00:36:33,920 --> 00:36:37,080
Speaker 2: and they worked around like different schedules. Waiting tables was

832
00:36:37,080 --> 00:36:38,560
Speaker 2: good because it paid bills. I guess I just wasn't

833
00:36:38,560 --> 00:36:40,040
Speaker 2: that embarrassed because it was so hard to work, except

834
00:36:40,080 --> 00:36:41,640
Speaker 2: I was just embarrassed I couldn't pe people on. But

835
00:36:41,640 --> 00:36:43,880
Speaker 2: also brush Shong, I think he's making a pretty I

836
00:36:43,920 --> 00:36:46,399
Speaker 2: don't know. I don't know that story wasn't sensationalized a bit.

837
00:36:47,560 --> 00:36:49,239
Speaker 1: Oh he was making I.

838
00:36:49,200 --> 00:36:51,919
Speaker 4: Think he's gonna have an endorsement deal. And I think

839
00:36:51,960 --> 00:36:54,920
Speaker 4: it comes out and says it was like, oh interesting.

840
00:36:54,800 --> 00:37:00,600
Speaker 2: With door Dash. I'm just saying a recruit like him, yeah,

841
00:37:00,840 --> 00:37:02,799
Speaker 2: not struggling. They take care of them. They take care

842
00:37:02,800 --> 00:37:04,840
Speaker 2: of it. Now they can do an I. Well, now

843
00:37:04,840 --> 00:37:06,239
Speaker 2: they can do an ail dells. But at this time

844
00:37:06,239 --> 00:37:08,040
Speaker 2: I don't think an al's were completely legal.

845
00:37:08,000 --> 00:37:11,200
Speaker 1: Right, yeah, but the athletes were still making money.

846
00:37:11,200 --> 00:37:13,239
Speaker 2: Who knows what was he like when you met him?

847
00:37:13,320 --> 00:37:15,520
Speaker 2: Super awesome, nice and very gay. We'll have the interview

848
00:37:15,600 --> 00:37:17,279
Speaker 2: and we did a whole thing with him a couple

849
00:37:17,280 --> 00:37:17,520
Speaker 2: of weeks.

850
00:37:17,560 --> 00:37:21,600
Speaker 1: Yeah, okay. Bass Pro Shops is releasing an exclusive Garth

851
00:37:21,680 --> 00:37:26,000
Speaker 1: Brooks seven CD box set. It includes new music and

852
00:37:26,280 --> 00:37:28,440
Speaker 1: hits from his legendary career, and you can order it

853
00:37:28,560 --> 00:37:29,760
Speaker 1: basspro dot com.

854
00:37:29,800 --> 00:37:31,839
Speaker 2: Two things, One, people still making CDs. Ho about that

855
00:37:32,080 --> 00:37:34,520
Speaker 2: you look at the Holy Cow? And then to man

856
00:37:34,600 --> 00:37:36,840
Speaker 2: you talk about somebody puts out a lot of CD collections.

857
00:37:36,840 --> 00:37:39,800
Speaker 2: Oh Garth mana, he's just putting him out there. And

858
00:37:39,880 --> 00:37:41,880
Speaker 2: there's always something cool about him too, and new and different,

859
00:37:41,880 --> 00:37:43,719
Speaker 2: even though it's like eighty five percent to say, there's

860
00:37:43,719 --> 00:37:45,520
Speaker 2: always like a little couple trickles, something new that you

861
00:37:45,560 --> 00:37:48,120
Speaker 2: got to get. But bass Pro good deal. All right,

862
00:37:48,160 --> 00:37:48,440
Speaker 2: that's it.

863
00:37:48,560 --> 00:37:49,560
Speaker 1: I'm maybe that's my pile.

864
00:37:50,520 --> 00:37:53,920
Speaker 2: That was Amy's pile of stories. It's time for the

865
00:37:53,960 --> 00:38:01,040
Speaker 2: good news. Which Bobby a mom and pop jewelry store

866
00:38:01,440 --> 00:38:04,120
Speaker 2: in San Roman, California, and they do one of those

867
00:38:04,120 --> 00:38:06,040
Speaker 2: smashing grabs where a bunch of people go in and

868
00:38:06,080 --> 00:38:10,120
Speaker 2: just boom grab everything they can. Mostly they just played

869
00:38:10,160 --> 00:38:12,440
Speaker 2: the numbers game and think maybe they won't get caught

870
00:38:12,760 --> 00:38:14,200
Speaker 2: and then get out with as much as they can.

871
00:38:14,239 --> 00:38:17,120
Speaker 2: So they did this smash and grab the thieves all

872
00:38:17,160 --> 00:38:20,120
Speaker 2: in got over a million dollars. Wow. And again, this

873
00:38:20,200 --> 00:38:22,040
Speaker 2: is a mom and pop store. Not not that it's

874
00:38:22,080 --> 00:38:27,359
Speaker 2: okay anywhere, but let's say you go to zails or

875
00:38:27,600 --> 00:38:28,040
Speaker 2: them all.

876
00:38:29,440 --> 00:38:31,120
Speaker 4: I think I saw one where they were doing Gucci

877
00:38:31,120 --> 00:38:33,279
Speaker 4: the other day and they stole it was and.

878
00:38:33,239 --> 00:38:35,080
Speaker 2: A million bucks from a place like that, it doesn't

879
00:38:35,120 --> 00:38:37,560
Speaker 2: hurt their bottom line as much. You shouldn't do it.

880
00:38:37,560 --> 00:38:39,200
Speaker 2: You go to jail, but a mom and pop like

881
00:38:39,239 --> 00:38:42,760
Speaker 2: that cripples them. So the robbers get out with thirty

882
00:38:42,800 --> 00:38:47,160
Speaker 2: eight watches, a bunch of rolllexes. I'd never heard of this,

883
00:38:47,239 --> 00:38:50,520
Speaker 2: but one of the rolelexes then a GPS chip in it.

884
00:38:50,880 --> 00:38:53,880
Speaker 2: Oh wow, that's what I'm talking. The GPS chip in

885
00:38:53,920 --> 00:38:58,200
Speaker 2: the rolelex allow police to track the stolen merchandise, even

886
00:38:58,239 --> 00:39:01,919
Speaker 2: has that moved around the area. Was all together hilarious.

887
00:39:02,560 --> 00:39:04,240
Speaker 2: It's like we have air tag we put on the dogs.

888
00:39:04,719 --> 00:39:07,480
Speaker 2: We can see exactly where they are. So the police

889
00:39:07,480 --> 00:39:09,600
Speaker 2: department says that the information that they got from that

890
00:39:09,719 --> 00:39:13,360
Speaker 2: watch helped them find this, but also it wasn't like

891
00:39:13,400 --> 00:39:15,400
Speaker 2: this was the only bad thing those people had done,

892
00:39:15,760 --> 00:39:19,719
Speaker 2: so it just took it to them. Wow. So they

893
00:39:19,760 --> 00:39:21,839
Speaker 2: got it, and now they're making more arrest they say,

894
00:39:21,840 --> 00:39:24,800
Speaker 2: more rest are coming to I never heard of GPS

895
00:39:25,080 --> 00:39:26,920
Speaker 2: in that kind of watch. That's crazy. The other awesome.

896
00:39:27,040 --> 00:39:32,839
Speaker 2: I love it. That's what it's all about. Right now,

897
00:39:32,840 --> 00:39:35,719
Speaker 2: we have Mitch Clark on who. By the way, there

898
00:39:35,760 --> 00:39:39,319
Speaker 2: is this show. It's an Audible original called Breakthrough and

899
00:39:39,760 --> 00:39:41,880
Speaker 2: it's a scene competition where you don't see the people.

900
00:39:42,160 --> 00:39:45,120
Speaker 2: It's pretty cool. Mitch's on right now on the Bobby

901
00:39:45,120 --> 00:39:48,279
Speaker 2: Bones Show. Now, Mitch, Mitch is on with us. Hey, Mitch,

902
00:39:48,320 --> 00:39:48,879
Speaker 2: what's up, buddy?

903
00:39:49,920 --> 00:39:50,359
Speaker 11: How you doing?

904
00:39:50,400 --> 00:39:53,600
Speaker 2: Hey? Pretty good, congratulations on the big win. I want

905
00:39:53,640 --> 00:39:55,480
Speaker 2: to play a clip. This is nice to meet you.

906
00:39:55,920 --> 00:40:06,399
Speaker 2: My name is by Mitch run Yeah. Okay, So Mitch,

907
00:40:06,440 --> 00:40:07,799
Speaker 2: tell me about how you got involved in this. Tell

908
00:40:07,800 --> 00:40:08,760
Speaker 2: me about what it's all about.

909
00:40:10,239 --> 00:40:15,560
Speaker 11: I had a producer reach out to me last spring sometime,

910
00:40:17,320 --> 00:40:19,400
Speaker 11: and I had done some of these shows in the past,

911
00:40:19,440 --> 00:40:21,640
Speaker 11: and so honestly, when I first heard about it, I

912
00:40:21,680 --> 00:40:24,320
Speaker 11: was like, I was like a kind of a cool concept.

913
00:40:24,360 --> 00:40:26,319
Speaker 11: It wasn't really ironed out yet, so I was like,

914
00:40:27,480 --> 00:40:30,600
Speaker 11: I'm not really sure what it's all about but and

915
00:40:30,640 --> 00:40:32,400
Speaker 11: I've done some of these shows before and I hadn't

916
00:40:32,440 --> 00:40:35,319
Speaker 11: had the best experience, so I was like, I'm not

917
00:40:35,360 --> 00:40:39,840
Speaker 11: really sure, and she was just very persistent and saying like,

918
00:40:39,920 --> 00:40:43,640
Speaker 11: I think you'd be great for this. So I kept

919
00:40:44,040 --> 00:40:47,799
Speaker 11: sending in the audition tapes and little things like that,

920
00:40:47,880 --> 00:40:50,640
Speaker 11: and eventually they were like, hey, we want you for

921
00:40:50,719 --> 00:40:54,680
Speaker 11: the show, and it was just kind of like, no way, really,

922
00:40:55,320 --> 00:41:00,520
Speaker 11: and so so that turned into like them sending the equipment.

923
00:41:01,760 --> 00:41:04,640
Speaker 11: So just a little background breakthrough is a it's an

924
00:41:04,640 --> 00:41:09,319
Speaker 11: audio only music competition. It was all done from our

925
00:41:09,400 --> 00:41:13,640
Speaker 11: homes remotely the entire thing, the whole competition. The judges

926
00:41:13,680 --> 00:41:16,239
Speaker 11: could never see the contestants faces the entire time, and

927
00:41:16,320 --> 00:41:18,480
Speaker 11: also as contestants, we never saw each other as well,

928
00:41:18,600 --> 00:41:22,560
Speaker 11: so pretty pretty cool in that aspect. So really just

929
00:41:22,600 --> 00:41:26,960
Speaker 11: be off of what we sound like. But having these prompts,

930
00:41:26,760 --> 00:41:33,360
Speaker 11: the challenges of creating music, and really a really short

931
00:41:33,400 --> 00:41:37,600
Speaker 11: concise time period, it stretched us all creatively, I think

932
00:41:37,680 --> 00:41:38,240
Speaker 11: in lots.

933
00:41:38,080 --> 00:41:40,200
Speaker 2: Of ways during the show. Did you get any good

934
00:41:40,200 --> 00:41:42,440
Speaker 2: advice from Sarah Burrellas or Kelly Rowland?

935
00:41:42,880 --> 00:41:46,040
Speaker 11: Absolutely, I mean just with that song you just the

936
00:41:46,080 --> 00:41:47,960
Speaker 11: clip of that song you just played nice to meet You.

937
00:41:48,960 --> 00:41:52,360
Speaker 11: After the very first week of challenges, Kelly said, Mitch,

938
00:41:52,480 --> 00:41:54,919
Speaker 11: I don't I don't feel like we've met you yet.

939
00:41:55,200 --> 00:41:57,680
Speaker 11: Let us meet you kind of where a lot of

940
00:41:57,680 --> 00:42:03,279
Speaker 11: the idea of that song came from. But also I

941
00:42:03,360 --> 00:42:05,840
Speaker 11: remember Sarah saying in the writing process, because all the

942
00:42:05,880 --> 00:42:08,480
Speaker 11: writing on this show had to be solo writing and

943
00:42:08,560 --> 00:42:10,600
Speaker 11: there was no co writing, so it was a little

944
00:42:10,600 --> 00:42:16,320
Speaker 11: bit different from the normal, the norm here in Nashville.

945
00:42:17,760 --> 00:42:21,839
Speaker 11: But Sarah said to let the just let the creativity flow,

946
00:42:21,960 --> 00:42:24,120
Speaker 11: not to cut off that channel, and to kick the

947
00:42:24,200 --> 00:42:27,000
Speaker 11: editor out of the room and not be the decider

948
00:42:27,080 --> 00:42:30,520
Speaker 11: of really what's a good line or what's a bad line,

949
00:42:30,520 --> 00:42:33,000
Speaker 11: and just kind of let it, let it flow and

950
00:42:33,080 --> 00:42:35,840
Speaker 11: let the listener decide that. So I feel like that

951
00:42:35,920 --> 00:42:36,840
Speaker 11: was a good piece of advice.

952
00:42:37,000 --> 00:42:39,040
Speaker 2: Other than that song, what was your favorite performance that

953
00:42:39,040 --> 00:42:40,200
Speaker 2: you gave throughout the series?

954
00:42:40,840 --> 00:42:45,000
Speaker 11: For me, probably an original song that I did called

955
00:42:45,080 --> 00:42:47,520
Speaker 11: I Won't Let It Rain. It didn't quite fit the

956
00:42:47,600 --> 00:42:52,600
Speaker 11: challenge exactly. I didn't win that challenge, but I made

957
00:42:52,640 --> 00:42:55,120
Speaker 11: Sarah and Kelly cry a good cry, So that was

958
00:42:55,239 --> 00:42:58,040
Speaker 11: that was kind of cool, But it was just kind

959
00:42:58,040 --> 00:43:03,440
Speaker 11: of an emotional perform mormance and writing experience altogether. So

960
00:43:03,120 --> 00:43:03,879
Speaker 11: that was great.

961
00:43:03,960 --> 00:43:06,440
Speaker 2: That's awesome man. Congratulations And if you guys want to

962
00:43:06,440 --> 00:43:10,240
Speaker 2: hear this, go to audible dot com slash breakthrough to listen.

963
00:43:10,560 --> 00:43:12,680
Speaker 2: And again Mitch, and you can follow him. I am

964
00:43:12,880 --> 00:43:15,480
Speaker 2: Mitch Clark on Instagram. Check out his music, be supportive

965
00:43:15,480 --> 00:43:18,480
Speaker 2: if you like him. And Sarah burrellas Kelly Rowland V

966
00:43:18,600 --> 00:43:21,799
Speaker 2: Diggs hosting the show. And that's it. Hey, congratulations Mitch.

967
00:43:21,840 --> 00:43:22,640
Speaker 2: Good to talk to you, buddy.

968
00:43:22,760 --> 00:43:24,839
Speaker 11: Thank you so much. Appreciate you guys supporting.

969
00:43:24,560 --> 00:43:29,040
Speaker 2: I see it. We have ninety seconds for the investigative

970
00:43:29,080 --> 00:43:31,040
Speaker 2: Morning Corny that's coming up in just a second. First,

971
00:43:31,760 --> 00:43:33,279
Speaker 2: we have a big prize that we're giving away and

972
00:43:33,320 --> 00:43:35,040
Speaker 2: you have to do nothing other than go to the website.

973
00:43:35,080 --> 00:43:37,240
Speaker 2: We don't sell your information. We just give away prizes.

974
00:43:38,120 --> 00:43:40,839
Speaker 2: So we want to send you to Las Vegas to

975
00:43:40,840 --> 00:43:43,919
Speaker 2: come to my comedically inspirational tour in Las Vegas at

976
00:43:43,920 --> 00:43:47,560
Speaker 2: the Virgin Hotel, Las Vegas, September ninth. If you win again,

977
00:43:47,600 --> 00:43:49,480
Speaker 2: you win just by signing up. We don't again, we

978
00:43:49,520 --> 00:43:52,279
Speaker 2: don't sell Morgan. Do we sell their information? No, we

979
00:43:52,360 --> 00:43:54,879
Speaker 2: do not. Thank you you get a five one day.

980
00:43:54,880 --> 00:43:57,759
Speaker 2: If they change that, that'll stink because if I ask

981
00:43:57,800 --> 00:43:59,680
Speaker 2: it live, it's like, well, actually, we just had a

982
00:43:59,719 --> 00:44:02,160
Speaker 2: meeting and we do but we do not sell your information.

983
00:44:02,360 --> 00:44:04,359
Speaker 2: We'll give you a five hundred dollars travel card, two

984
00:44:04,440 --> 00:44:06,759
Speaker 2: nights hotel, two tickets to the event, meet and greet

985
00:44:06,800 --> 00:44:09,160
Speaker 2: with me. So just go to bobbybones dot com for

986
00:44:09,280 --> 00:44:11,960
Speaker 2: official rules and your chance to win. It's very easy.

987
00:44:12,360 --> 00:44:15,759
Speaker 2: Bobbybones dot com sponsored by AEG Presents. You can also

988
00:44:15,760 --> 00:44:17,920
Speaker 2: get tickets at axs dot com or bobbybones dot com

989
00:44:17,920 --> 00:44:20,520
Speaker 2: for the rules and info Bobby bones dot com. All right,

990
00:44:20,920 --> 00:44:24,120
Speaker 2: ninety seconds on the clock, team, are you ready ready?

991
00:44:24,239 --> 00:44:26,160
Speaker 2: Amy will give us morning cornys. Let's see how many

992
00:44:26,200 --> 00:44:34,600
Speaker 2: we can get in ninety seconds and go the morning corny.

993
00:44:34,840 --> 00:44:37,200
Speaker 1: What do you call a train carrying bubblegum?

994
00:44:37,360 --> 00:44:41,760
Speaker 2: Train carry bubblegum, bubba uh tracks, bubble young, bubble arts,

995
00:44:41,800 --> 00:44:46,680
Speaker 2: bubble truck, bubble tracks, blup, bubble bubble pink chew cheotch,

996
00:44:46,680 --> 00:44:49,000
Speaker 2: you choot?

997
00:44:49,880 --> 00:44:52,160
Speaker 1: What do you call a lazy baby kangaroo?

998
00:44:52,680 --> 00:44:57,840
Speaker 2: Hop hop pouch, lazy baby marsupial. A baby kangaroo is

999
00:44:57,880 --> 00:45:01,759
Speaker 2: called a joey joey a.

1000
00:45:02,440 --> 00:45:04,320
Speaker 1: What do you call a lazy baby kangaroo?

1001
00:45:04,920 --> 00:45:10,600
Speaker 4: Lazy, lazy, sleepy joey, sloppy, sloppy.

1002
00:45:12,000 --> 00:45:16,719
Speaker 2: Hoppy hop? What do you call a lazy hip kid?

1003
00:45:16,760 --> 00:45:21,640
Speaker 2: Hop kid bops? Lazy? What's up with a kangaroo? Let's

1004
00:45:21,640 --> 00:45:24,359
Speaker 2: talk kangaroo? What do they have? Would be either hop?

1005
00:45:24,480 --> 00:45:27,520
Speaker 2: A pouch? Okay, what's lazy? That's a pouch? A pouch?

1006
00:45:27,560 --> 00:45:30,640
Speaker 2: A pouch, potato, pouch potato. Let's go.

1007
00:45:32,040 --> 00:45:35,040
Speaker 1: What kind of bird works at a construction site?

1008
00:45:35,520 --> 00:45:42,160
Speaker 2: Bird? Hammering bird, a current hammer? A woodpecker? Hard? No,

1009
00:45:42,200 --> 00:45:46,759
Speaker 2: it's not wood. You get louder, she may say, yes,

1010
00:45:47,560 --> 00:45:51,919
Speaker 2: what kind of site? Kind of construction? Instruction form form?

1011
00:45:52,120 --> 00:45:55,680
Speaker 2: A construction man? Eagles, foul struction woman? What's it? A

1012
00:45:55,719 --> 00:46:00,600
Speaker 2: construction site? Let's break it down? Cranes a crane? A job?

1013
00:46:01,880 --> 00:46:04,200
Speaker 1: How did trees get on the internet?

1014
00:46:06,000 --> 00:46:08,959
Speaker 2: Log on? Log on? Log on? Log on? Oh, good job,

1015
00:46:09,560 --> 00:46:10,000
Speaker 2: that's time.

1016
00:46:10,760 --> 00:46:12,480
Speaker 1: We got so y'all got four?

1017
00:46:12,640 --> 00:46:17,000
Speaker 2: That's pretty good. Okay, what's going on the right there? What?

1018
00:46:20,880 --> 00:46:27,600
Speaker 2: Clear eyes? Follhearts? That's wow, that's awesome right there? Nailed

1019
00:46:27,600 --> 00:46:30,840
Speaker 2: it feel like you're adrenaline's gone and you still know

1020
00:46:31,360 --> 00:46:35,120
Speaker 2: No burger. No, yeah, yeah, I'm still there, dude. Spanish

1021
00:46:35,160 --> 00:46:37,759
Speaker 2: word of the day, Oh I got you, Okay, I

1022
00:46:37,800 --> 00:46:41,640
Speaker 2: got you there we do ni.

1023
00:46:41,960 --> 00:46:46,399
Speaker 3: Spanish of the day today the word is move hell

1024
00:46:47,600 --> 00:46:51,360
Speaker 3: again place move hell, movehead bones.

1025
00:46:51,440 --> 00:46:53,400
Speaker 2: That was good. You know what that means?

1026
00:46:53,840 --> 00:46:59,560
Speaker 13: Let me think, movehead, we had hair, hairstyle. Let me

1027
00:46:59,560 --> 00:47:02,160
Speaker 13: get you use an sense, maybe you'll get what it is. Man,

1028
00:47:02,520 --> 00:47:03,960
Speaker 13: I feel like a move head.

1029
00:47:04,280 --> 00:47:07,080
Speaker 1: Oh man, like a woman?

1030
00:47:10,600 --> 00:47:13,359
Speaker 2: Yeah, moodhead. It means woman who had do I roll

1031
00:47:13,400 --> 00:47:16,120
Speaker 2: the are? Yeah? Anytime you see the R, you gotta

1032
00:47:16,560 --> 00:47:18,919
Speaker 2: roll the R. Move hello. Anytime I said it again?

1033
00:47:19,120 --> 00:47:22,359
Speaker 2: Move anytime I see what the R like? Oh if

1034
00:47:22,840 --> 00:47:24,160
Speaker 2: in the world like that, movehead.

1035
00:47:24,640 --> 00:47:27,319
Speaker 1: So it's just that's one. I feel like a one man.

1036
00:47:27,440 --> 00:47:28,440
Speaker 1: What what is woman?

1037
00:47:30,000 --> 00:47:31,520
Speaker 2: Moha woman?

1038
00:47:31,960 --> 00:47:32,280
Speaker 4: Woman?

1039
00:47:32,640 --> 00:47:33,759
Speaker 1: I'm asking him? How you say it?

1040
00:47:33,800 --> 00:47:36,440
Speaker 2: Plural? Hey, let's not. Let's not women too deep into it.

1041
00:47:36,520 --> 00:47:40,600
Speaker 2: It is plural, isn't it? Mooheadheads? Movehead? Is would be

1042
00:47:40,640 --> 00:47:41,200
Speaker 2: women or not?

1043
00:47:41,200 --> 00:47:43,239
Speaker 13: I don't want to conjugate. Guess that's what I'm saying. Guys,

1044
00:47:43,239 --> 00:47:44,440
Speaker 13: this is a complicated language.

1045
00:47:44,560 --> 00:47:49,160
Speaker 2: Man, I feel like a move Thank you, Eddie, You're welcome.

1046
00:47:49,360 --> 00:47:51,719
Speaker 2: Really contributing to the show in a great way. Yeah, man,

1047
00:47:51,760 --> 00:47:52,000
Speaker 2: thank you.

1048
00:47:52,120 --> 00:47:55,040
Speaker 3: I want I want America to learn Spanish one word

1049
00:47:55,080 --> 00:47:55,520
Speaker 3: at a time.

1050
00:47:56,040 --> 00:47:58,120
Speaker 2: Woman, I'm trying to think about the sorts of women.

1051
00:47:58,160 --> 00:48:02,480
Speaker 2: I don't have any woman. Yeah, wo man, title woman.

1052
00:48:02,960 --> 00:48:09,359
Speaker 2: I know it's every moved. How about whatever? Something like

1053
00:48:10,080 --> 00:48:14,920
Speaker 2: singing the murier in the country song this girl, woman,

1054
00:48:15,200 --> 00:48:16,520
Speaker 2: Oh girl, that's that girl.

1055
00:48:16,640 --> 00:48:20,759
Speaker 3: Girl is like muchachas, that's too much, screw me.

1056
00:48:22,640 --> 00:48:24,399
Speaker 2: One of the benefits of this job is we get

1057
00:48:24,440 --> 00:48:26,799
Speaker 2: concert tickets, or we get to go to concerts, get

1058
00:48:26,840 --> 00:48:28,680
Speaker 2: your name on the list going in. A lot of

1059
00:48:28,680 --> 00:48:29,880
Speaker 2: things about the shop are great. A lot of things

1060
00:48:29,920 --> 00:48:32,600
Speaker 2: about the job are not. We won't debate that. But

1061
00:48:32,680 --> 00:48:34,080
Speaker 2: sometimes you get a friend going, hey, can you hook

1062
00:48:34,120 --> 00:48:36,040
Speaker 2: me up of tickets? And like I would have somebody

1063
00:48:36,080 --> 00:48:37,800
Speaker 2: re check. Can you give me Taylors for tickets? No,

1064
00:48:37,880 --> 00:48:40,800
Speaker 2: I couldn't, because that's an impossible show to go and

1065
00:48:40,880 --> 00:48:43,719
Speaker 2: unless you're like my best friend, and I even gonna try,

1066
00:48:43,760 --> 00:48:46,759
Speaker 2: because that was so hard. Morgan Waller tickets almost impossible.

1067
00:48:46,800 --> 00:48:48,840
Speaker 2: I've been lucky enough to get a couple of really

1068
00:48:48,880 --> 00:48:51,680
Speaker 2: close friends Morgan Walling tickets in different cities. But I don't ask,

1069
00:48:51,760 --> 00:48:54,360
Speaker 2: unless's somebody I'm super close to. But this has happened

1070
00:48:54,400 --> 00:48:56,080
Speaker 2: with Eddie in this Morgan wallance situation.

1071
00:48:56,480 --> 00:48:59,239
Speaker 3: This is worse than tickets. So my brother texts me.

1072
00:48:59,280 --> 00:49:02,120
Speaker 3: He says, hey, man, you do me a solid Sure, dude,

1073
00:49:02,160 --> 00:49:06,000
Speaker 3: what do you need? My boss's daughter is going to

1074
00:49:06,000 --> 00:49:09,319
Speaker 3: see Morgan Walling and she's wondering if she could meet him.

1075
00:49:09,560 --> 00:49:15,360
Speaker 2: Can you make that happen? So your brother's bosses daughter.

1076
00:49:16,800 --> 00:49:18,440
Speaker 2: I mean, if your brother texted you and said, hey,

1077
00:49:18,440 --> 00:49:20,200
Speaker 2: will you hook me up to meet Morgan wall it's different. No,

1078
00:49:20,239 --> 00:49:21,640
Speaker 2: but what'd you try to do? Let me see what

1079
00:49:21,680 --> 00:49:22,520
Speaker 2: I can do? Do you?

1080
00:49:22,880 --> 00:49:24,760
Speaker 3: What do you really try? I would shoot an email.

1081
00:49:25,040 --> 00:49:26,839
Speaker 3: I would shoot an email say hey, don't go out

1082
00:49:26,840 --> 00:49:28,600
Speaker 3: of your way, but if this is possible, can you

1083
00:49:28,680 --> 00:49:31,319
Speaker 3: do this? If not, don't sweat it. Got a big deal.

1084
00:49:31,600 --> 00:49:33,600
Speaker 3: Now your brother, What if it was your brother's boss.

1085
00:49:34,760 --> 00:49:34,840
Speaker 1: No?

1086
00:49:35,360 --> 00:49:40,880
Speaker 2: What if your brother's boss's daughter hates No, that's crazy.

1087
00:49:41,000 --> 00:49:45,120
Speaker 2: What do you tell him? Yeah, let me give a shot. Oh?

1088
00:49:45,160 --> 00:49:47,000
Speaker 4: I mean you should never say anything, and I never

1089
00:49:47,000 --> 00:49:49,360
Speaker 4: said anything, but you know, like I want it.

1090
00:49:49,360 --> 00:49:52,200
Speaker 3: It's tough because like people ask us this stuff all

1091
00:49:52,239 --> 00:49:55,480
Speaker 3: the time, and it's pretty rare like that, they say yes.

1092
00:49:55,560 --> 00:49:58,200
Speaker 3: And I don't even ask that stuff for myself, much

1093
00:49:58,280 --> 00:50:03,080
Speaker 3: less my brother's boss, his daughter. And you only get

1094
00:50:03,080 --> 00:50:03,480
Speaker 3: a cert.

1095
00:50:03,600 --> 00:50:05,839
Speaker 2: You only have a starn round of bullets in the chamber, right,

1096
00:50:06,200 --> 00:50:08,680
Speaker 2: And why would you waste that on someone I don't

1097
00:50:08,680 --> 00:50:12,000
Speaker 2: even know, someone you don't even know's kid? Now?

1098
00:50:12,280 --> 00:50:14,719
Speaker 3: Would it help my brother out my make him look

1099
00:50:14,760 --> 00:50:17,600
Speaker 3: better to his boss? So I did think about that,

1100
00:50:18,440 --> 00:50:20,480
Speaker 3: but I'm still not gonna do it. Now you're gonna ask.

1101
00:50:20,800 --> 00:50:23,800
Speaker 3: I mean, I don't know, like I don't like you said, dude,

1102
00:50:23,840 --> 00:50:25,359
Speaker 3: what do we got two of these a year?

1103
00:50:25,640 --> 00:50:28,040
Speaker 2: I never asked for any sort of Morgan Wall I

1104
00:50:28,160 --> 00:50:30,480
Speaker 2: mean greet Morgan Wall is a hot ticket. I got

1105
00:50:30,520 --> 00:50:32,680
Speaker 2: tickets a couple of times for people that I'm really

1106
00:50:32,680 --> 00:50:34,480
Speaker 2: close to, and that calls like, hey, this is in

1107
00:50:34,600 --> 00:50:38,720
Speaker 2: San Diego. Morgan's great about it. I just I wouldn't

1108
00:50:38,719 --> 00:50:39,399
Speaker 2: call them be like, hey.

1109
00:50:39,280 --> 00:50:41,759
Speaker 4: What you'd need? Yeah, that's a rough ass man. I

1110
00:50:41,800 --> 00:50:42,440
Speaker 4: get those texts.

1111
00:50:42,440 --> 00:50:43,960
Speaker 2: I got one from a girl from high school.

1112
00:50:44,200 --> 00:50:46,120
Speaker 4: Okay, I hate asking, but I'm gonna ask.

1113
00:50:46,200 --> 00:50:48,600
Speaker 2: I hate asking, then don't and stop right there.

1114
00:50:48,880 --> 00:50:52,400
Speaker 4: Yeah, Garth is on my bucket list and probably Dolly,

1115
00:50:52,440 --> 00:50:54,399
Speaker 4: but I'll never have a chance to see her. I've

1116
00:50:54,440 --> 00:50:57,080
Speaker 4: tried everything possible to get tickets to go see Garth.

1117
00:50:57,520 --> 00:50:59,759
Speaker 4: Can you uh? And I know it's impossible. Can you

1118
00:50:59,760 --> 00:51:00,200
Speaker 4: help me?

1119
00:51:00,520 --> 00:51:04,560
Speaker 2: Please? Baking pleading? Did you do it?

1120
00:51:04,920 --> 00:51:08,480
Speaker 4: I said, uh, girl, let me talk to who I know.

1121
00:51:08,600 --> 00:51:13,160
Speaker 4: I'll ask around girl guards is a different animal. And

1122
00:51:13,200 --> 00:51:14,440
Speaker 4: then I never responded after that.

1123
00:51:16,719 --> 00:51:19,080
Speaker 3: And that's tough too, the awkward situation you're in, Like

1124
00:51:19,080 --> 00:51:20,160
Speaker 3: how do you respond to that?

1125
00:51:21,320 --> 00:51:23,560
Speaker 2: Nah Na, not gonna do it? Like you can't say that.

1126
00:51:23,760 --> 00:51:25,560
Speaker 2: I had someone hit me up to introduce into the

1127
00:51:25,600 --> 00:51:27,440
Speaker 2: food Fighters they were playing in Fabi, like, hey, can

1128
00:51:27,440 --> 00:51:28,440
Speaker 2: you get me into food Fighters? Now?

1129
00:51:28,440 --> 00:51:28,600
Speaker 4: Could?

1130
00:51:28,600 --> 00:51:31,399
Speaker 2: I made nine calls and probably got but I would

1131
00:51:31,440 --> 00:51:34,400
Speaker 2: have used so that I was just like, I don't know, No,

1132
00:51:34,560 --> 00:51:36,960
Speaker 2: I can't sorry because I don't know them. So you'll

1133
00:51:36,960 --> 00:51:39,680
Speaker 2: be honest. That's the way to do it.

1134
00:51:39,960 --> 00:51:43,359
Speaker 1: I feel like it just right to it because they

1135
00:51:43,400 --> 00:51:45,480
Speaker 1: know it's a big ass, so I think it's but I.

1136
00:51:45,400 --> 00:51:47,520
Speaker 2: Think they just say all that stuff. Even they think

1137
00:51:47,560 --> 00:51:49,959
Speaker 2: we have all this magical power, we're not that cool.

1138
00:51:50,120 --> 00:51:53,480
Speaker 3: I respect the ask though, because that takes guts.

1139
00:51:53,880 --> 00:51:56,879
Speaker 2: Yeah, but just just have like how your brother asked, okay, cool?

1140
00:51:57,120 --> 00:52:00,520
Speaker 2: How that how she asked? I hate it? Just ask? Yeah,

1141
00:52:00,560 --> 00:52:03,880
Speaker 2: I would you just ask? I mean that it was tough?

1142
00:52:03,920 --> 00:52:04,120
Speaker 4: Man?

1143
00:52:05,000 --> 00:52:06,040
Speaker 2: What part of that was tough?

1144
00:52:06,400 --> 00:52:06,840
Speaker 10: The whole?

1145
00:52:07,239 --> 00:52:07,399
Speaker 2: Oh?

1146
00:52:07,480 --> 00:52:09,279
Speaker 4: I hate asking, but I'm gonna ask. You know what

1147
00:52:09,320 --> 00:52:10,920
Speaker 4: I mean, Like, I'm like, come.

1148
00:52:10,760 --> 00:52:13,600
Speaker 1: On, and then ended with begging, begging.

1149
00:52:13,520 --> 00:52:16,759
Speaker 2: Pleading, lunch box. He's a different kind of animal. What

1150
00:52:16,800 --> 00:52:17,520
Speaker 2: do you mean by that?

1151
00:52:17,880 --> 00:52:20,160
Speaker 4: I didn't know, just trying to make me sound really bigger,

1152
00:52:20,239 --> 00:52:20,879
Speaker 4: larger than life.

1153
00:52:21,200 --> 00:52:24,480
Speaker 2: Yeah, so you're not asking. I don't think so. I wouldn't.

1154
00:52:24,840 --> 00:52:27,000
Speaker 2: I would not know brothers, balls and daughter, ain't no

1155
00:52:27,080 --> 00:52:28,600
Speaker 2: chance and what would you do here?

1156
00:52:29,120 --> 00:52:29,319
Speaker 14: Yeah?

1157
00:52:29,320 --> 00:52:31,680
Speaker 1: I don't know. I mean I feel like I'm super

1158
00:52:31,680 --> 00:52:33,759
Speaker 1: close to my sister. I feel like she wouldn't ask

1159
00:52:33,800 --> 00:52:35,640
Speaker 1: what I'm trying to think if my sister had something

1160
00:52:35,680 --> 00:52:37,799
Speaker 1: where she needed help with someone that she knew and

1161
00:52:37,800 --> 00:52:41,759
Speaker 1: it would help her, but I probably wouldn't. And then

1162
00:52:41,800 --> 00:52:44,040
Speaker 1: I'm like, would my sister even ask me that? So

1163
00:52:44,120 --> 00:52:45,719
Speaker 1: I guess it just depends. There was a time where

1164
00:52:45,719 --> 00:52:48,560
Speaker 1: from Morgan walland Tickets, once I got someone one but

1165
00:52:48,640 --> 00:52:50,520
Speaker 1: they're like, you know, our restaurant hook up here that

1166
00:52:50,560 --> 00:52:51,359
Speaker 1: everybody likes to go.

1167
00:52:52,080 --> 00:52:55,359
Speaker 2: It's our hookup for that hook up, your hook up, right, yeah,

1168
00:52:57,040 --> 00:52:59,080
Speaker 2: hook up? Yeah matter.

1169
00:53:00,120 --> 00:53:01,640
Speaker 1: So when they came to me with that, I was like,

1170
00:53:01,680 --> 00:53:04,120
Speaker 1: you know what, let me see and I got I

1171
00:53:04,120 --> 00:53:06,400
Speaker 1: hooked him up with Morgan Wallan tickets. But that that

1172
00:53:06,400 --> 00:53:07,239
Speaker 1: probably hooked us up.

1173
00:53:07,160 --> 00:53:12,240
Speaker 2: For life at the you hook up Eddie's brothers, boss's daughter.

1174
00:53:13,840 --> 00:53:19,440
Speaker 2: I don't know, Good luck Eddie. That Amy brought up

1175
00:53:19,560 --> 00:53:23,000
Speaker 2: underrated songs. And because you went to the George Strait show.

1176
00:53:23,239 --> 00:53:26,040
Speaker 1: Yeah, I mean, obviously I love all of George's songs,

1177
00:53:26,280 --> 00:53:29,960
Speaker 1: but when he played run, I thought, oh my gosh, like,

1178
00:53:30,000 --> 00:53:31,879
Speaker 1: I don't ever think of this song and it is

1179
00:53:32,160 --> 00:53:33,239
Speaker 1: so good.

1180
00:53:34,080 --> 00:53:40,120
Speaker 2: Maybe it is such a good song, and you're right

1181
00:53:40,200 --> 00:53:43,600
Speaker 2: when I think of great George Straight songs, that one's great,

1182
00:53:44,719 --> 00:53:46,560
Speaker 2: but it doesn't rise to the top because he has

1183
00:53:46,640 --> 00:53:47,800
Speaker 2: so many great ones.

1184
00:53:47,920 --> 00:53:50,640
Speaker 1: Yeah, that's it brought up emotion. And then another one

1185
00:53:50,719 --> 00:53:52,640
Speaker 1: that stuck out to me at the concert too, that

1186
00:53:52,760 --> 00:53:56,040
Speaker 1: like I I got tears in my eyes. I don't

1187
00:53:56,080 --> 00:53:58,319
Speaker 1: know why, but this song is hitting me different. I'm like,

1188
00:53:58,360 --> 00:53:59,960
Speaker 1: now it's one of my favorites and it's how about

1189
00:54:00,160 --> 00:54:00,840
Speaker 1: them cowgirls?

1190
00:54:02,080 --> 00:54:03,440
Speaker 3: Some crowd.

1191
00:54:06,000 --> 00:54:15,399
Speaker 2: And you can't tell nothing. I tell you around.

1192
00:54:14,400 --> 00:54:27,000
Speaker 6: Rageous shrown, but how about them?

1193
00:54:27,320 --> 00:54:30,440
Speaker 2: Cander not really a huge fan of that one from Georkstow.

1194
00:54:30,880 --> 00:54:33,960
Speaker 1: I don't know. It resonated with me differently this time,

1195
00:54:34,280 --> 00:54:38,319
Speaker 1: you know, he did, and I was like, I was

1196
00:54:38,360 --> 00:54:42,120
Speaker 1: so filled with emotion. I don't know why. I don't know.

1197
00:54:42,160 --> 00:54:43,799
Speaker 1: Maybe it was taken back because growing up I always

1198
00:54:43,800 --> 00:54:46,439
Speaker 1: wanted to be a cowgirl and I still can't.

1199
00:54:46,680 --> 00:54:49,160
Speaker 2: You still can't if you want are.

1200
00:54:49,080 --> 00:54:52,000
Speaker 1: Not over I know, but like f f a two

1201
00:54:52,040 --> 00:54:55,680
Speaker 1: stepping rodeos. My half sister did all that because they

1202
00:54:55,680 --> 00:54:57,040
Speaker 1: grew up in a small town and I was always

1203
00:54:57,080 --> 00:54:59,279
Speaker 1: so jealous older she's older. Yeah, I was for my

1204
00:54:59,360 --> 00:55:01,440
Speaker 1: dad's first wife, and they stayed in a small town

1205
00:55:01,520 --> 00:55:03,000
Speaker 1: and they did all the small town things, and then

1206
00:55:03,000 --> 00:55:04,480
Speaker 1: my dad moved to the city to have me.

1207
00:55:04,719 --> 00:55:10,319
Speaker 2: Classic city slicker man underrated songs. It could mean it

1208
00:55:10,360 --> 00:55:12,600
Speaker 2: was a big hit, but people kind of don't talk

1209
00:55:12,640 --> 00:55:15,959
Speaker 2: about it anymore. Amy with George Straight, I've got a few.

1210
00:55:16,880 --> 00:55:22,480
Speaker 2: The first one is this song called over my Head

1211
00:55:22,520 --> 00:55:24,840
Speaker 2: from The Fray. I love this song, but we ever

1212
00:55:24,840 --> 00:55:26,319
Speaker 2: played anyway. I didn't even hear the grocer sto Where

1213
00:55:26,320 --> 00:55:39,040
Speaker 2: should be played? Day Night? Yeah, pray. For about three

1214
00:55:39,080 --> 00:55:41,640
Speaker 2: years they were awesome. If they came out today, they're

1215
00:55:41,640 --> 00:55:43,320
Speaker 2: probably I think there may still be a man, but

1216
00:55:43,400 --> 00:55:45,920
Speaker 2: that they could easily be a country group. Next up

1217
00:55:46,480 --> 00:55:49,520
Speaker 2: Joe Nichols, Broken Heartsville, Here's to the Past.

1218
00:55:49,680 --> 00:55:54,600
Speaker 6: They can Kiss My Glass, Geez happy with Me?

1219
00:55:54,680 --> 00:55:57,120
Speaker 2: Feel like Oh Joe Nichols gets glossed over sometimes had

1220
00:55:57,160 --> 00:55:58,600
Speaker 2: a bunch of hits all at once. This is a

1221
00:55:58,680 --> 00:56:03,319
Speaker 2: jam jam never really gets brought up. It's like good

1222
00:56:03,320 --> 00:56:05,560
Speaker 2: songs from the early two thousands, you know, and it's

1223
00:56:05,600 --> 00:56:10,640
Speaker 2: like I bet the Devil drives a coop. Yeah, I

1224
00:56:10,719 --> 00:56:14,760
Speaker 2: watched it, Drive right over the heel, Macy Gray, I tried.

1225
00:56:29,520 --> 00:56:31,520
Speaker 2: When I bring that up with a classic, I love it.

1226
00:56:31,680 --> 00:56:34,880
Speaker 2: And then finally, one of my favorite songs, Kenny Chesney

1227
00:56:34,880 --> 00:56:40,200
Speaker 2: Grace Potter, You aent Tequila You Made Me Crazy doesn't

1228
00:56:40,200 --> 00:56:41,640
Speaker 2: go down as one of the best ballads of all time,

1229
00:56:41,640 --> 00:56:43,200
Speaker 2: and it is one of the best ballads of all time.

1230
00:56:43,400 --> 00:56:46,320
Speaker 2: So all were great songs. I feel like underrated and

1231
00:56:46,360 --> 00:56:50,040
Speaker 2: forgotten about. We should play them more. That's what I say.

1232
00:56:50,400 --> 00:56:52,560
Speaker 2: What comes to your mind, Daddy? If I say underrated songs.

1233
00:56:52,960 --> 00:56:54,960
Speaker 3: Man, I was a huge little Texas fan back in

1234
00:56:55,000 --> 00:56:58,760
Speaker 3: the day. But everyone knows Little Texas for God bless Texas.

1235
00:56:58,800 --> 00:57:02,520
Speaker 2: But the best love song in country music was what

1236
00:57:02,680 --> 00:57:09,040
Speaker 2: might have been? Trying not to think? I mean this

1237
00:57:09,239 --> 00:57:12,399
Speaker 2: was so I forgot all about this one because it.

1238
00:57:12,320 --> 00:57:13,319
Speaker 4: Was never a big hit.

1239
00:57:13,960 --> 00:57:16,360
Speaker 2: They glossed over this was like, how do we know it?

1240
00:57:16,400 --> 00:57:17,680
Speaker 2: If it was, it might have been a big hit,

1241
00:57:17,720 --> 00:57:19,000
Speaker 2: But maybe you just didn't get played as love what

1242
00:57:19,000 --> 00:57:23,440
Speaker 2: they call it recurrent. Maybe put that back in the playlist, right.

1243
00:57:23,360 --> 00:57:25,160
Speaker 1: It hadn't been on the radio a lot, because that's the.

1244
00:57:27,960 --> 00:57:36,560
Speaker 2: Wait, whatsh what might have been? Let's look at the

1245
00:57:36,600 --> 00:57:39,840
Speaker 2: chart performance here US Hot Country Songs number two.

1246
00:57:40,400 --> 00:57:40,640
Speaker 14: It was.

1247
00:57:41,040 --> 00:57:43,120
Speaker 1: It was a hit, but but we forget about it.

1248
00:57:43,160 --> 00:57:45,000
Speaker 2: Lunchbucks, anything you can think of, Yeah, I got two

1249
00:57:45,040 --> 00:57:45,280
Speaker 2: of them.

1250
00:57:45,280 --> 00:57:45,400
Speaker 4: Man.

1251
00:57:46,200 --> 00:57:48,120
Speaker 2: First off, Heaven by Los Lonely Boys.

1252
00:57:54,160 --> 00:57:54,880
Speaker 4: This was a jam.

1253
00:57:58,320 --> 00:58:01,320
Speaker 2: We were having a big ursy party for our show

1254
00:58:02,280 --> 00:58:03,480
Speaker 2: back in the day, and then we're gonna play it.

1255
00:58:03,520 --> 00:58:05,200
Speaker 2: Then let's walking to jail, and I got kicked off

1256
00:58:05,240 --> 00:58:06,640
Speaker 2: the air and we never got to go to We

1257
00:58:06,680 --> 00:58:09,320
Speaker 2: didn't get to go to our own birthday party. Sure, okay,

1258
00:58:09,560 --> 00:58:11,560
Speaker 2: tell me yeah, he's in jail.

1259
00:58:11,760 --> 00:58:12,920
Speaker 4: Yeah, and you want my second one?

1260
00:58:13,000 --> 00:58:13,840
Speaker 2: Yeah.

1261
00:58:13,920 --> 00:58:15,560
Speaker 4: I don't know why it doesn't get more run, but

1262
00:58:15,720 --> 00:58:17,160
Speaker 4: y G two didn't boot it?

1263
00:58:21,200 --> 00:58:22,960
Speaker 2: I think it's more snoble for a second.

1264
00:58:23,400 --> 00:58:25,920
Speaker 4: No, that's a great when you listen, that's good.

1265
00:58:26,120 --> 00:58:27,800
Speaker 2: Can you put me the chart performance for two? Did

1266
00:58:27,840 --> 00:58:28,560
Speaker 2: and boot it? Please?

1267
00:58:28,680 --> 00:58:29,200
Speaker 4: Yeah? Please?

1268
00:58:29,320 --> 00:58:30,720
Speaker 2: He just like it. It says to it and then

1269
00:58:30,720 --> 00:58:33,200
Speaker 2: boot it. Dude, it's a good salt.

1270
00:58:35,320 --> 00:58:37,440
Speaker 4: Everybody started bobbing their head when that came off.

1271
00:58:37,520 --> 00:58:41,760
Speaker 2: It's catchy. Here you go on the chart position sixty seven.

1272
00:58:42,160 --> 00:58:44,480
Speaker 2: That's it. Disrespect man, I'm sure.

1273
00:58:44,360 --> 00:58:46,520
Speaker 1: Stated sixty How are you introduced to to?

1274
00:58:48,120 --> 00:58:51,200
Speaker 4: I don't know if I could tell you how I

1275
00:58:51,240 --> 00:58:52,840
Speaker 4: found too didn't boot it? I don't know, but that's

1276
00:58:52,840 --> 00:58:54,439
Speaker 4: what I'm saying. It should be played more.

1277
00:58:54,480 --> 00:58:55,520
Speaker 2: Do you have another one? Or is that the only

1278
00:58:55,560 --> 00:58:57,000
Speaker 2: one you had? That's the only one I had? The

1279
00:58:57,240 --> 00:59:00,440
Speaker 2: Beautiful Mess from Diamond Rio is one. Everybody Just make

1280
00:59:00,480 --> 00:59:02,560
Speaker 2: me think about that when you said the little Texas,

1281
00:59:02,560 --> 00:59:05,720
Speaker 2: because everybody knows that. Start walking you away, you start,

1282
00:59:05,880 --> 00:59:08,880
Speaker 2: But what a beautiful mess? What a beautiful mess? Like

1283
00:59:08,960 --> 00:59:14,880
Speaker 2: that is a song? That beautiful mess on me? Do

1284
00:59:15,000 --> 00:59:17,360
Speaker 2: we have places anymore. It's such the jam. But even

1285
00:59:17,600 --> 00:59:19,800
Speaker 2: normal Jean Riley remember that one, arguing and Rack gonna

1286
00:59:19,840 --> 00:59:23,240
Speaker 2: mayory me. Let's say, I remember it when it said

1287
00:59:23,400 --> 00:59:26,160
Speaker 2: fool fool, nothing you can do, never gonna see you,

1288
00:59:26,240 --> 00:59:29,320
Speaker 2: when thes of you, I say, what gency?

1289
00:59:31,120 --> 00:59:31,400
Speaker 4: Normal?

1290
00:59:31,440 --> 00:59:37,480
Speaker 2: Jean Raley's gonna marry me? I'm the good you give

1291
00:59:37,520 --> 00:59:41,040
Speaker 2: it up. Everybody said foo foo, then you can do.

1292
00:59:41,480 --> 00:59:43,760
Speaker 2: Now you're going out there. You're ready LIKEX of you,

1293
00:59:44,200 --> 00:59:51,439
Speaker 2: Ah say what gency? Dorm Jane around going on dang

1294
00:59:51,840 --> 00:59:53,600
Speaker 2: so good and at the end he says, marry me, right,

1295
00:59:53,800 --> 00:59:56,640
Speaker 2: it keeps going up, Marry me, dang ra. Do you

1296
00:59:56,680 --> 00:59:57,680
Speaker 2: have any songs you just thinking about?

1297
00:59:57,920 --> 00:59:58,120
Speaker 4: Yeah?

1298
00:59:58,200 --> 01:00:00,520
Speaker 2: Mine was Sam Hunt Water under the Bridge. Okay, I

1299
01:00:00,520 --> 01:00:02,040
Speaker 2: thought it was his best one. Should have been a

1300
01:00:02,080 --> 01:00:06,840
Speaker 2: ten week number one. This is new though it's so new.

1301
01:00:06,880 --> 01:00:09,960
Speaker 2: It's awesome. It's the number one, wasn't it. I don't

1302
01:00:10,000 --> 01:00:10,800
Speaker 2: think it touched one?

1303
01:00:10,880 --> 01:00:11,280
Speaker 4: Honestly.

1304
01:00:11,280 --> 01:00:13,240
Speaker 2: It just sucks. He came in behind wall and so

1305
01:00:13,960 --> 01:00:15,920
Speaker 2: of all of his stack, I'd say this is the

1306
01:00:15,920 --> 01:00:18,959
Speaker 2: one that slaps the most. What about Kim, folks? Because

1307
01:00:18,960 --> 01:00:20,720
Speaker 2: that did that? Do good? Because that was a jam.

1308
01:00:20,760 --> 01:00:22,880
Speaker 2: But I don't think that. Maybe that wasn't number one,

1309
01:00:23,000 --> 01:00:26,240
Speaker 2: it was. Yeah, I love that with my cam fo.

1310
01:00:26,480 --> 01:00:26,840
Speaker 4: Yeah.

1311
01:00:26,920 --> 01:00:28,440
Speaker 2: That Water in the Bridge is a jam, a sam

1312
01:00:28,520 --> 01:00:30,760
Speaker 2: Hi jam though I'm sorry, right, that's not getting that.

1313
01:00:30,920 --> 01:00:34,320
Speaker 2: Thank you sorry, Ray Morgan. Do you have one?

1314
01:00:34,440 --> 01:00:34,640
Speaker 11: Yeah?

1315
01:00:34,640 --> 01:00:34,840
Speaker 2: I do.

1316
01:00:34,960 --> 01:00:37,160
Speaker 7: I was a big fan of Luke Bryan's spring Break

1317
01:00:37,200 --> 01:00:39,560
Speaker 7: albums and nobody ever really listened to him those songs.

1318
01:00:39,600 --> 01:00:43,320
Speaker 2: If you ain't here to party, he wait here farty.

1319
01:00:43,760 --> 01:00:45,920
Speaker 2: You picked the plays, he picked.

1320
01:00:45,680 --> 01:00:45,960
Speaker 14: The ro.

1321
01:00:47,720 --> 01:00:49,080
Speaker 2: He had spring Break albums.

1322
01:00:49,160 --> 01:00:51,880
Speaker 7: Yeah, he released these full spring Break albums and every

1323
01:00:51,960 --> 01:00:54,280
Speaker 7: single one is so good, Like all the songs.

1324
01:00:54,040 --> 01:00:54,640
Speaker 2: On him are good.

1325
01:00:54,720 --> 01:00:57,280
Speaker 7: There's another song called Swarty Girl on it that I loved.

1326
01:00:57,640 --> 01:00:58,840
Speaker 1: I would listen to him when we.

1327
01:00:58,840 --> 01:01:00,400
Speaker 2: You know, went to spring Break and you were a

1328
01:01:00,440 --> 01:01:03,640
Speaker 2: sorty girl. Yeah, I don't know this one. Okay, Well,

1329
01:01:03,640 --> 01:01:04,840
Speaker 2: thank you all. You can put your LP on. We'll

1330
01:01:04,840 --> 01:01:06,920
Speaker 2: put on our Facebook page. Hey, it's Center to Gator too.

1331
01:01:06,920 --> 01:01:09,200
Speaker 2: See we can put these on the planefte Le going

1332
01:01:09,200 --> 01:01:13,080
Speaker 2: to know what this means? My time to go over

1333
01:01:13,120 --> 01:01:18,920
Speaker 2: and catch up on the new Bobby Guy's camping Southeast

1334
01:01:19,000 --> 01:01:22,520
Speaker 2: Colorado puts him out of Hammock. Besides him a lay

1335
01:01:22,520 --> 01:01:25,400
Speaker 2: taking nap nature full of sleep. Bear bites him in

1336
01:01:25,440 --> 01:01:26,000
Speaker 2: the arm while.

1337
01:01:27,160 --> 01:01:31,760
Speaker 3: Wake up is a bear on your arm?

1338
01:01:31,760 --> 01:01:36,080
Speaker 2: We go, oh, the guy's camping while if experts say

1339
01:01:36,120 --> 01:01:39,800
Speaker 2: he was resting in the hammock when apparently the bear

1340
01:01:39,840 --> 01:01:44,360
Speaker 2: that was right there by him like a sniffing. He

1341
01:01:44,520 --> 01:01:47,240
Speaker 2: like woke up, startled the bear when he woke up,

1342
01:01:47,240 --> 01:01:49,880
Speaker 2: and the bear just bit Oh my goodness. The bear

1343
01:01:49,960 --> 01:01:51,600
Speaker 2: left a two to three inch wounded the man's arm.

1344
01:01:51,720 --> 01:01:53,280
Speaker 2: The guy's lucky he didn't die, and the bear just

1345
01:01:53,320 --> 01:01:56,880
Speaker 2: go full bear again. Animals will attack you if they're hurt,

1346
01:01:57,160 --> 01:01:59,960
Speaker 2: if they're scared, or if they're hungry. The bear was

1347
01:02:00,160 --> 01:02:04,800
Speaker 2: obviously at least scared and may be hungry, and that's it.

1348
01:02:04,840 --> 01:02:07,080
Speaker 2: In his arm. He's just very lucky there's some puncture

1349
01:02:07,120 --> 01:02:08,920
Speaker 2: holes and that the bear didn't go full bear and

1350
01:02:08,960 --> 01:02:12,360
Speaker 2: eat his head. We were taught when we were in

1351
01:02:13,120 --> 01:02:17,560
Speaker 2: Montana you can't shoot bears, first of all, unless it's

1352
01:02:17,560 --> 01:02:20,120
Speaker 2: attacking you. You can't shoot a bear where we were

1353
01:02:20,120 --> 01:02:26,320
Speaker 2: a Montana Endangered protected So they give us a b

1354
01:02:26,400 --> 01:02:27,880
Speaker 2: can of bear spray because there are bears all over

1355
01:02:27,920 --> 01:02:29,400
Speaker 2: the place and especially at night, and they're like if

1356
01:02:29,440 --> 01:02:31,080
Speaker 2: a bear attacks you, you take the bear spray and

1357
01:02:31,080 --> 01:02:33,400
Speaker 2: I would be like spraying the face. Like, no, spray

1358
01:02:33,440 --> 01:02:35,680
Speaker 2: the ground in front of you and it goes up

1359
01:02:35,720 --> 01:02:38,200
Speaker 2: like you're gonna spray Colonna perky and walk through it. Oh,

1360
01:02:38,240 --> 01:02:40,040
Speaker 2: and I'm like, I hear you, but there is no

1361
01:02:40,160 --> 01:02:41,919
Speaker 2: chance I'm spraying the ground. If a bear is coming

1362
01:02:41,920 --> 01:02:46,000
Speaker 2: to me, you're spraying around the eyes. I'm right out.

1363
01:02:46,080 --> 01:02:49,880
Speaker 2: I'm probably throwing the can into running. But that's what.

1364
01:02:49,920 --> 01:02:51,880
Speaker 2: They spray the ground or spray it in front of

1365
01:02:51,920 --> 01:02:53,680
Speaker 2: them and they run into it. No, no way. I

1366
01:02:53,680 --> 01:02:55,000
Speaker 2: don't know where he's running. I don't know he's not

1367
01:02:55,040 --> 01:02:57,840
Speaker 2: gonna take take a quick little turn there. And those

1368
01:02:57,880 --> 01:03:01,160
Speaker 2: bears are real deals. But the guy, he's okay. They're

1369
01:03:01,200 --> 01:03:04,480
Speaker 2: so strong men. They're fast and they're fast, and they

1370
01:03:04,480 --> 01:03:06,640
Speaker 2: look big and fat. They don't like to be fast,

1371
01:03:07,320 --> 01:03:08,760
Speaker 2: and they don't even look like they're moving fast, but

1372
01:03:08,760 --> 01:03:11,400
Speaker 2: they're so big and fat that they're they're fast. It

1373
01:03:11,760 --> 01:03:14,520
Speaker 2: bears a crazy man. One buys every pack of peanuts

1374
01:03:14,520 --> 01:03:16,760
Speaker 2: on a flight because of her peanut allergy because they

1375
01:03:16,760 --> 01:03:18,600
Speaker 2: wouldn't pull them, which she has an allergy. They wouldn't

1376
01:03:18,600 --> 01:03:20,720
Speaker 2: pull peanuts, which is weird because a lot of times

1377
01:03:20,720 --> 01:03:22,360
Speaker 2: if somebody has an allergy, they could kill them. They

1378
01:03:22,400 --> 01:03:24,280
Speaker 2: pull the peanuts from the flight and they're like, sorry, though,

1379
01:03:24,320 --> 01:03:26,640
Speaker 2: we know peanuts and Mady has an allergy, and everybody

1380
01:03:26,720 --> 01:03:30,680
Speaker 2: kind of understands. You might be slightly disappointed, but you

1381
01:03:30,760 --> 01:03:34,200
Speaker 2: kind of understand that somebody might die. Yeah. So Leo

1382
01:03:34,240 --> 01:03:36,880
Speaker 2: Williams informed the staff on the fly that she has

1383
01:03:36,880 --> 01:03:39,120
Speaker 2: a severe nut allergy, and she said, is there any

1384
01:03:39,200 --> 01:03:43,840
Speaker 2: chance that nobody in my immediate spot have peanuts like

1385
01:03:43,880 --> 01:03:45,960
Speaker 2: around me? And they were like, no, we have to

1386
01:03:45,960 --> 01:03:47,880
Speaker 2: pass them out, which is weird they would do that.

1387
01:03:48,240 --> 01:03:50,040
Speaker 2: So then she said, okay, cool, I'm gonna buy every

1388
01:03:50,040 --> 01:03:51,800
Speaker 2: packet and she bought all the packets for a couple

1389
01:03:51,880 --> 01:03:52,440
Speaker 2: hundred bucks.

1390
01:03:53,000 --> 01:03:55,800
Speaker 1: That's so crazy, And so once.

1391
01:03:55,600 --> 01:03:58,120
Speaker 2: People started to go that's so crazy, she goes, okay, well,

1392
01:03:58,120 --> 01:03:59,560
Speaker 2: then can I get a refund from the airline if

1393
01:03:59,560 --> 01:04:01,360
Speaker 2: that's so crazy? The airline refusing.

1394
01:04:02,520 --> 01:04:05,520
Speaker 1: I mean, panuts are free on that what is it?

1395
01:04:06,480 --> 01:04:08,960
Speaker 2: Well, I think you get by everybody's they're free for

1396
01:04:09,080 --> 01:04:11,720
Speaker 2: want you get one? But I don't think it's like

1397
01:04:11,720 --> 01:04:15,920
Speaker 2: a buffet unlimited peanuts on the flight. A woman finds

1398
01:04:15,920 --> 01:04:19,000
Speaker 2: peep holes, secret tunnels, and hidden rooms in the airbnb.

1399
01:04:19,280 --> 01:04:21,880
Speaker 2: Oh my gosh, I saw it, man, it was wild.

1400
01:04:22,560 --> 01:04:23,520
Speaker 2: What do you think is happening?

1401
01:04:24,640 --> 01:04:26,880
Speaker 4: Well, I think that owner or whoever rents it out,

1402
01:04:27,160 --> 01:04:28,000
Speaker 4: I think they spy.

1403
01:04:29,120 --> 01:04:31,160
Speaker 2: Do you think they spy while the people are there,

1404
01:04:31,160 --> 01:04:32,800
Speaker 2: more than just like camera spying, which is the other

1405
01:04:32,880 --> 01:04:33,240
Speaker 2: creepy thing.

1406
01:04:33,280 --> 01:04:36,080
Speaker 4: Yeah, yeah, I think the secret rooms, I think that

1407
01:04:36,160 --> 01:04:38,560
Speaker 4: gives them access to be able to see because you think, oh,

1408
01:04:38,560 --> 01:04:39,959
Speaker 4: no one's going to see this hidden room.

1409
01:04:40,320 --> 01:04:42,800
Speaker 2: I can be in here and look through the people. Yeah,

1410
01:04:42,840 --> 01:04:48,200
Speaker 2: she walks you through it. And the woman, the young lady,

1411
01:04:48,240 --> 01:04:50,480
Speaker 2: he's not girl, she's not kid, but she's young. She's like,

1412
01:04:50,600 --> 01:04:52,560
Speaker 2: check it out and she's like showing this stuff. So

1413
01:04:52,840 --> 01:04:55,760
Speaker 2: they've gone viral on TikTok after sharing in Portland, orgon

1414
01:04:55,800 --> 01:04:58,600
Speaker 2: this airbnb they were staying in. They booked a two

1415
01:04:58,600 --> 01:05:01,960
Speaker 2: weeks stay at a rental and then they said, first

1416
01:05:02,000 --> 01:05:04,360
Speaker 2: the owners have provided the wrong address and they were like,

1417
01:05:04,640 --> 01:05:06,480
Speaker 2: we can get to the home. And then they did

1418
01:05:06,480 --> 01:05:11,120
Speaker 2: a video tour and then it's like, look at this hole,

1419
01:05:11,400 --> 01:05:15,120
Speaker 2: look at this tunnel. Then they move upstairs. There's a

1420
01:05:15,160 --> 01:05:19,360
Speaker 2: man sized tunnel. I mean it's a whole. They were

1421
01:05:19,360 --> 01:05:21,720
Speaker 2: given a full refund, and it looks very creepy. I

1422
01:05:21,760 --> 01:05:24,720
Speaker 2: can't confirm or deny that creepy stuff was down there,

1423
01:05:24,720 --> 01:05:27,720
Speaker 2: but it feels like to me that there's some creepy

1424
01:05:27,720 --> 01:05:29,560
Speaker 2: stuff happening here, or.

1425
01:05:29,560 --> 01:05:32,960
Speaker 1: They're like a survivalist, you know, they want to be prepared.

1426
01:05:33,000 --> 01:05:34,920
Speaker 2: Well, so that's why I say my word. I choose

1427
01:05:34,920 --> 01:05:37,040
Speaker 2: my words. I don't think that that's the case.

1428
01:05:37,160 --> 01:05:41,680
Speaker 4: However, I mean, like, what do you need that for?

1429
01:05:41,840 --> 01:05:44,440
Speaker 2: I guess y two K we need a people honey.

1430
01:05:46,040 --> 01:05:48,840
Speaker 2: So but yes, I choose my words wisely just in

1431
01:05:48,880 --> 01:05:51,440
Speaker 2: case they're a survivalist or something. But my feeling and

1432
01:05:51,480 --> 01:05:55,280
Speaker 2: thought is it looks very creepy and they probably and

1433
01:05:55,360 --> 01:05:57,400
Speaker 2: in my best guess, they've seen a lot of stuff

1434
01:05:57,480 --> 01:05:59,920
Speaker 2: that they shouldn't have seen because they're looking at SOUF

1435
01:06:00,840 --> 01:06:01,040
Speaker 2: and in.

1436
01:06:01,160 --> 01:06:03,800
Speaker 4: My best guests, I would say they should be taken

1437
01:06:03,840 --> 01:06:04,480
Speaker 4: off Airbnb.

1438
01:06:05,320 --> 01:06:07,360
Speaker 2: They I would imagine if they don't have a really

1439
01:06:07,360 --> 01:06:10,480
Speaker 2: great explanation they are are or did they disclose that

1440
01:06:11,080 --> 01:06:15,640
Speaker 2: this very fine print and we often watch you naked

1441
01:06:15,640 --> 01:06:18,160
Speaker 2: and do it New Year. The best states to have

1442
01:06:18,160 --> 01:06:21,640
Speaker 2: a baby are Massachusetts, Minnesota, Vermont, Road Island, and North

1443
01:06:21,720 --> 01:06:27,880
Speaker 2: Dakota like medical stuffer. Well, so they did things like cost,

1444
01:06:27,960 --> 01:06:33,200
Speaker 2: health care, accessibility, baby family friendliness, bathrooms with changing stations,

1445
01:06:33,480 --> 01:06:39,919
Speaker 2: conventional deliver all of those things that factor in again. Massachusetts, Minnesota, Vermont,

1446
01:06:40,000 --> 01:06:46,200
Speaker 2: Roade Island, North Dakota, the Ten War States. Oh, it's

1447
01:06:46,200 --> 01:06:50,000
Speaker 2: always Arkansas. I'm always in it. I'm always in it

1448
01:06:50,280 --> 01:06:52,600
Speaker 2: in everything, every class. Yeah, we still keep electing the

1449
01:06:52,600 --> 01:06:54,440
Speaker 2: same people to the same crap. We never get off

1450
01:06:54,480 --> 01:06:59,720
Speaker 2: the bottom of these lists. Mississippi, Alabama, Arkansas, West Virginia, Louisiana. Boy,

1451
01:07:00,920 --> 01:07:05,080
Speaker 2: my people, Well, yet we still let it happen to us. No,

1452
01:07:05,120 --> 01:07:13,320
Speaker 2: I'm ticked. All right, that's the news. Thank you, Bobby's.

1453
01:07:13,800 --> 01:07:16,479
Speaker 2: We started a group called the Bobby Bone Cinema Club

1454
01:07:16,480 --> 01:07:18,040
Speaker 2: where we all put our favorite movies in a hat.

1455
01:07:18,040 --> 01:07:20,040
Speaker 2: We draw it, we watch it. Well, Lunchbox put in

1456
01:07:20,040 --> 01:07:22,960
Speaker 2: a movie that everybody was upset about. We didn't know

1457
01:07:22,960 --> 01:07:24,880
Speaker 2: the movie was in the hat. Then once it was

1458
01:07:24,920 --> 01:07:26,280
Speaker 2: drawn out of the hat, some people said, I'm not

1459
01:07:26,320 --> 01:07:36,800
Speaker 2: watching that movie. We'll review show Girls next. Whoas how

1460
01:07:36,840 --> 01:07:39,480
Speaker 2: does good does this segment get controversial? Of all the

1461
01:07:39,520 --> 01:07:43,720
Speaker 2: segments the Bobby Bone Cinema Club or review Showgirls, the

1462
01:07:43,720 --> 01:07:46,800
Speaker 2: movie with Elizabeth Berkeley, Jesse Spano from Saved by the

1463
01:07:46,800 --> 01:07:51,080
Speaker 2: Bill next, Hey, let's just get to it. We were

1464
01:07:51,080 --> 01:07:53,640
Speaker 2: told to watch this movie called Showgirls. We drew it

1465
01:07:53,640 --> 01:07:54,160
Speaker 2: out of a hat.

1466
01:07:54,280 --> 01:07:56,000
Speaker 4: I was like, wait, we weren't told it was. It

1467
01:07:56,040 --> 01:07:57,400
Speaker 4: was the part of the Cinema Club.

1468
01:07:57,560 --> 01:07:59,160
Speaker 2: We were told Bobby Bone Cinema Club.

1469
01:07:59,200 --> 01:07:59,480
Speaker 14: We drew.

1470
01:07:59,480 --> 01:08:02,560
Speaker 2: Everybody put a movie in. Lunchbox, put in Showgirls. We

1471
01:08:02,560 --> 01:08:05,000
Speaker 2: don't know what each other's putting in. Drew the movie watching.

1472
01:08:05,360 --> 01:08:07,840
Speaker 2: So I'd made a joke right before we came on

1473
01:08:07,880 --> 01:08:09,720
Speaker 2: the air about Saved by the Bill just in the room,

1474
01:08:09,880 --> 01:08:11,720
Speaker 2: and Eddie goes, I can't think he Saved by the

1475
01:08:11,720 --> 01:08:12,600
Speaker 2: Bill the same and I go.

1476
01:08:12,560 --> 01:08:15,760
Speaker 13: Why Jesse Spano man igot about this?

1477
01:08:16,120 --> 01:08:20,000
Speaker 2: Yeah, okay, I know too much about Jesse now. So

1478
01:08:20,200 --> 01:08:26,080
Speaker 2: because of Lunchbox's movie, we had what an NC seventeen,

1479
01:08:26,320 --> 01:08:32,599
Speaker 2: Oh that's conservative show Girls. So nineteen ninety five, Jesse

1480
01:08:32,640 --> 01:08:38,080
Speaker 2: span O, Elizabeth Berkeley care for a young drifter know me,

1481
01:08:38,920 --> 01:08:40,960
Speaker 2: arrives in Las Vegas to become a dancer and sets

1482
01:08:41,000 --> 01:08:42,639
Speaker 2: about clawing her way to the top of the Las

1483
01:08:42,720 --> 01:08:47,160
Speaker 2: Vegas Showgirls. I have everybody's reviews. I'm gonna tell you, guys,

1484
01:08:47,240 --> 01:08:49,160
Speaker 2: I watched the first three or four minutes and I

1485
01:08:49,160 --> 01:08:50,120
Speaker 2: was like, I'm just not gonna watch it.

1486
01:08:50,200 --> 01:08:55,200
Speaker 4: Smart what You've lasted four minutes and that's it.

1487
01:08:55,320 --> 01:08:58,439
Speaker 2: Yeah. I just felt like, well, we said nobody had

1488
01:08:58,439 --> 01:08:59,840
Speaker 2: to watch it, and then I was like, I don't.

1489
01:09:00,680 --> 01:09:02,960
Speaker 2: And my wife will off and walking while I'm watching

1490
01:09:03,000 --> 01:09:04,720
Speaker 2: these movies, and I just didn't need her coming in

1491
01:09:05,120 --> 01:09:07,400
Speaker 2: with a bunch of naked people on the screen exactly

1492
01:09:07,439 --> 01:09:09,040
Speaker 2: hurt me. Like what are you watching? Because if I'm

1493
01:09:09,080 --> 01:09:11,360
Speaker 2: like it was a bit for the show, she was like,

1494
01:09:11,360 --> 01:09:12,559
Speaker 2: well what if a bit for the show was hupping

1495
01:09:12,600 --> 01:09:14,800
Speaker 2: off a bridge? Yeah? You know.

1496
01:09:14,800 --> 01:09:16,920
Speaker 4: The weird part is Eddie started watching it with his parents.

1497
01:09:16,960 --> 01:09:19,360
Speaker 3: I did, oh, and I'm like the first three minutes,

1498
01:09:19,400 --> 01:09:20,920
Speaker 3: I'm like, well, I'm not gonna watch.

1499
01:09:20,720 --> 01:09:24,719
Speaker 2: This with you guys who did not I I shouldn't

1500
01:09:24,720 --> 01:09:28,000
Speaker 2: count because I watched maybe five to seven ten minutes.

1501
01:09:28,000 --> 01:09:30,360
Speaker 4: Oh, here we go, now we're now the truth coming out.

1502
01:09:30,320 --> 01:09:34,040
Speaker 3: Keeping going, it's more minutes, okay, watching, go ahead, twelve

1503
01:09:34,200 --> 01:09:34,920
Speaker 3: twelve minutes.

1504
01:09:35,400 --> 01:09:37,640
Speaker 2: Okay, I turn it off before the credits finished it.

1505
01:09:39,120 --> 01:09:40,920
Speaker 2: But I'm gonna count myself as not watching it because

1506
01:09:40,920 --> 01:09:44,320
Speaker 2: I didn't watch enough of it to claim it. That's good, Dami.

1507
01:09:44,560 --> 01:09:47,120
Speaker 1: I did not watch it, no minutes, zero minutes. None.

1508
01:09:47,320 --> 01:09:48,840
Speaker 2: Did anyone else not watch it?

1509
01:09:49,240 --> 01:09:49,439
Speaker 4: Ray?

1510
01:09:50,640 --> 01:09:52,800
Speaker 2: Yeah, I didn't feel comfortable watching it and what it

1511
01:09:52,840 --> 01:09:54,519
Speaker 2: would lead to. I just didn't want to be tempted.

1512
01:09:54,720 --> 01:09:57,080
Speaker 2: What I thought you were gonna watch it and then

1513
01:09:57,080 --> 01:10:03,519
Speaker 2: do what? No, I'm just saying it a path of pornography.

1514
01:10:03,680 --> 01:10:04,040
Speaker 4: I got.

1515
01:10:06,240 --> 01:10:11,599
Speaker 2: Drug born, Okay, I get that. Oh my gosh, okay,

1516
01:10:11,640 --> 01:10:12,920
Speaker 2: So let me read a couple of reviews, so I

1517
01:10:12,920 --> 01:10:14,439
Speaker 2: don't know who they're from. You can admit it or not.

1518
01:10:14,920 --> 01:10:16,840
Speaker 2: The movie was entertaining. It had some aspects, so you

1519
01:10:16,840 --> 01:10:19,799
Speaker 2: can't help but enjoy the athleticism of some of the girls.

1520
01:10:20,120 --> 01:10:21,880
Speaker 2: It was worthy of a gold medal, but the plot

1521
01:10:21,880 --> 01:10:23,800
Speaker 2: had some holes in it. I would for sure watch

1522
01:10:23,840 --> 01:10:26,200
Speaker 2: it again, but I can see why it did not

1523
01:10:26,240 --> 01:10:29,200
Speaker 2: win any oscars, So who would watch it? There has

1524
01:10:29,240 --> 01:10:32,479
Speaker 2: to be that I was probably you didn't give it

1525
01:10:32,479 --> 01:10:33,120
Speaker 2: a more glowing run.

1526
01:10:33,400 --> 01:10:34,880
Speaker 4: No, no, because I want to. I want to slide

1527
01:10:34,880 --> 01:10:39,160
Speaker 4: it in there man is. But it is that the

1528
01:10:39,240 --> 01:10:41,200
Speaker 4: athleticism to do some of those moves.

1529
01:10:41,439 --> 01:10:43,640
Speaker 2: I mean, it's impressive. I don't even care about these

1530
01:10:43,680 --> 01:10:45,040
Speaker 2: reviews as much as I dots want to hear from

1531
01:10:45,040 --> 01:10:48,800
Speaker 2: you whoat Morgan, I watched it, Okay, tell me about it,

1532
01:10:48,840 --> 01:10:49,320
Speaker 2: your thoughts.

1533
01:10:50,640 --> 01:10:51,479
Speaker 1: It was horrible.

1534
01:10:51,560 --> 01:10:54,040
Speaker 7: Listen, If there wasn't the nudity, it actually may not

1535
01:10:54,080 --> 01:10:55,080
Speaker 7: be that bad of a movie.

1536
01:10:55,080 --> 01:10:57,600
Speaker 2: But there it was. Just there was so much you

1537
01:10:57,640 --> 01:10:59,200
Speaker 2: couldn't stop focusing on that.

1538
01:10:59,280 --> 01:11:02,000
Speaker 7: It was like watching train Wreck, Like you couldn't look away.

1539
01:11:02,160 --> 01:11:05,720
Speaker 2: It was that bad because everybody was so naked, or

1540
01:11:05,760 --> 01:11:07,760
Speaker 2: because the movie was so bad all of it.

1541
01:11:08,000 --> 01:11:10,840
Speaker 7: There's just so many things that you you watch it

1542
01:11:10,880 --> 01:11:14,160
Speaker 7: and you felt very like uncomfortable the entire time. And

1543
01:11:14,200 --> 01:11:16,400
Speaker 7: I was watching it by myself, and there's like a

1544
01:11:16,439 --> 01:11:17,280
Speaker 7: pool scene that I.

1545
01:11:17,280 --> 01:11:19,200
Speaker 1: Really felt so awful.

1546
01:11:19,320 --> 01:11:22,920
Speaker 7: I could not even imagine somebody shooting this movie. But

1547
01:11:22,960 --> 01:11:25,240
Speaker 7: the fact that Lunchbox has this taste in movies just,

1548
01:11:25,280 --> 01:11:26,080
Speaker 7: you know, it makes sense.

1549
01:11:26,320 --> 01:11:28,320
Speaker 2: It makes sense. Here's the review I'll read. I think

1550
01:11:28,360 --> 01:11:30,920
Speaker 2: my TV got a virus from this might have been

1551
01:11:30,960 --> 01:11:33,120
Speaker 2: worse than this stuff. Lunchbox is an idiot for picking

1552
01:11:33,120 --> 01:11:37,800
Speaker 2: this movie. You started watching it with your parents, Yeah,

1553
01:11:37,880 --> 01:11:40,320
Speaker 2: my parents learned Towns. I'm like, hey, how bad could

1554
01:11:40,320 --> 01:11:41,120
Speaker 2: it be? And yeah.

1555
01:11:41,160 --> 01:11:43,240
Speaker 3: The first like four or five minutes, I'm like, all right,

1556
01:11:43,240 --> 01:11:44,879
Speaker 3: I'm gonna go watch this by myself upstairs.

1557
01:11:45,160 --> 01:11:46,200
Speaker 2: And dude, if I.

1558
01:11:46,160 --> 01:11:48,400
Speaker 3: Have to watch a movie for this movie club in

1559
01:11:48,520 --> 01:11:51,000
Speaker 3: my room with a locked door because I have four.

1560
01:11:50,920 --> 01:11:53,760
Speaker 2: Kids living with that's not good. That's not good. Here's

1561
01:11:53,800 --> 01:11:55,559
Speaker 2: one of course, Lunchbox likes this movie. I watched it

1562
01:11:55,560 --> 01:11:58,680
Speaker 2: myself and felt uncomfortable. Is this you organ? I don't know. No,

1563
01:11:58,720 --> 01:12:00,679
Speaker 2: I don't think so. And what made me more uncomfortable

1564
01:12:00,680 --> 01:12:02,040
Speaker 2: is knowing that all the guys on the show watched

1565
01:12:02,080 --> 01:12:04,600
Speaker 2: it too. That abby, Yeah that's me.

1566
01:12:05,720 --> 01:12:07,519
Speaker 1: That's how I said, Like, I was uncomfortable and I

1567
01:12:07,560 --> 01:12:08,160
Speaker 1: was by myself.

1568
01:12:08,200 --> 01:12:11,360
Speaker 7: So yes, it was very not good and they were

1569
01:12:11,479 --> 01:12:12,479
Speaker 7: very violent towards women.

1570
01:12:12,560 --> 01:12:13,320
Speaker 1: I didn't really like that.

1571
01:12:13,960 --> 01:12:15,960
Speaker 2: Decided to watch it with both of my kids. They

1572
01:12:16,000 --> 01:12:19,760
Speaker 2: loved it, just kidding. Didn't watch it at all. That's me.

1573
01:12:20,320 --> 01:12:22,760
Speaker 2: That's good. Thanks Lunchboxing. I now have a go to pick.

1574
01:12:22,760 --> 01:12:24,679
Speaker 2: When someone asks me, what's the worst movie you've ever seen?

1575
01:12:25,240 --> 01:12:25,680
Speaker 4: Who's that?

1576
01:12:26,840 --> 01:12:29,160
Speaker 2: Yeah, that's my movie, Mike. This is the worst movie

1577
01:12:29,200 --> 01:12:31,599
Speaker 2: you've ever seen. Without the nudity, there's no movie, there's

1578
01:12:31,640 --> 01:12:34,840
Speaker 2: no plot line, nothing happens. Jesse Spano's character is insufferable.

1579
01:12:35,160 --> 01:12:38,200
Speaker 2: Terrible movie. Wow, I did say it had holes in

1580
01:12:38,240 --> 01:12:39,040
Speaker 2: the plot, but.

1581
01:12:41,040 --> 01:12:41,240
Speaker 14: I did.

1582
01:12:41,360 --> 01:12:44,200
Speaker 4: I said, like the dancing and the athleticism, but the

1583
01:12:44,240 --> 01:12:46,000
Speaker 4: plot did have some holes out do you rewatch it?

1584
01:12:46,320 --> 01:12:48,200
Speaker 2: So I'm going to not rate it because I didn't

1585
01:12:48,200 --> 01:12:49,880
Speaker 2: watch enough of an Amy's gonna not rate it, and

1586
01:12:49,920 --> 01:12:51,880
Speaker 2: Rai's not gonna rate it. So let's be cause we

1587
01:12:51,960 --> 01:12:55,599
Speaker 2: keep tabs on the numbers. Lunchbox, what do you write

1588
01:12:55,640 --> 01:12:57,479
Speaker 2: your movie? I'll give it two and a half poles

1589
01:12:57,479 --> 01:13:00,280
Speaker 2: out of five holes. I's gonna have poles, Okay, Eddie,

1590
01:13:00,280 --> 01:13:03,519
Speaker 2: what's the lowest? Point five? Okay, I'm gonna give it.

1591
01:13:03,640 --> 01:13:06,640
Speaker 2: Point five Vegas lights, Morgan.

1592
01:13:07,040 --> 01:13:15,200
Speaker 7: Point five, uh, sparkly dresses, Mike.

1593
01:13:15,040 --> 01:13:18,439
Speaker 2: D it can be a zero. Can't be a zero.

1594
01:13:18,600 --> 01:13:23,559
Speaker 2: Zero means it doesn't exist. Point five dresses, but abby goodness.

1595
01:13:23,560 --> 01:13:25,599
Speaker 1: Yeah, point five boobs.

1596
01:13:28,000 --> 01:13:31,040
Speaker 2: Well, that's the Biby Bling Cinema Club. The worst movie.

1597
01:13:32,479 --> 01:13:34,719
Speaker 2: It's crazy that of the movies we've watched, we've watched

1598
01:13:35,200 --> 01:13:39,479
Speaker 2: two of Lunchboxes and one of Eddie's. But the raised

1599
01:13:39,479 --> 01:13:43,040
Speaker 2: one was actually looking back, it was like awesome because

1600
01:13:43,080 --> 01:13:47,439
Speaker 2: it wasn't a joke. Mine born Joe, Mine wasn't a joke.

1601
01:13:48,360 --> 01:13:51,680
Speaker 2: Lunch once you picked the stuff, and the stuff was

1602
01:13:51,720 --> 01:13:55,040
Speaker 2: a movie. Child from the Caveman drew on a wall,

1603
01:13:55,800 --> 01:13:57,960
Speaker 2: carved into a wall. I can tell you about seeing

1604
01:13:58,000 --> 01:13:58,679
Speaker 2: show Girls.

1605
01:13:58,920 --> 01:14:01,519
Speaker 4: I mean, we went to one movie at the Dollar

1606
01:14:01,560 --> 01:14:03,840
Speaker 4: Cinema and then we walked across the hall and went

1607
01:14:03,880 --> 01:14:06,160
Speaker 4: and saw show Girls after it. It was amazing me,

1608
01:14:06,360 --> 01:14:08,600
Speaker 4: Aaron and Forrest and Aaron was on a date with

1609
01:14:08,640 --> 01:14:10,479
Speaker 4: Elizabeth and she went home out to the first movie

1610
01:14:10,520 --> 01:14:13,080
Speaker 4: and we went next door and checked out the second door.

1611
01:14:13,200 --> 01:14:14,919
Speaker 4: You guess we were fifteen.

1612
01:14:15,040 --> 01:14:21,880
Speaker 1: Oh boy, that it was her Bige like to make

1613
01:14:21,920 --> 01:14:23,679
Speaker 1: her not be the say about the Bell Girl.

1614
01:14:23,880 --> 01:14:28,280
Speaker 4: And that was her last movie, Lunchbox.

1615
01:14:28,720 --> 01:14:31,360
Speaker 2: I was gonna say thanks, but you know, Lunchbox high.

1616
01:14:31,400 --> 01:14:33,400
Speaker 2: And then that's it. Man, I got to pick out

1617
01:14:33,400 --> 01:14:36,439
Speaker 2: another movie, though you do, please come on, pick a

1618
01:14:36,439 --> 01:14:36,880
Speaker 2: good one.

1619
01:14:38,760 --> 01:14:41,040
Speaker 4: There's no banning people. I gave you a movie that

1620
01:14:41,120 --> 01:14:42,719
Speaker 4: I enjoyed and I.

1621
01:14:42,640 --> 01:14:43,599
Speaker 2: Wanted to see Banning.

1622
01:14:44,000 --> 01:14:44,240
Speaker 4: Yeah.

1623
01:14:44,320 --> 01:14:46,200
Speaker 2: I may not agree with the guy, but I will

1624
01:14:46,240 --> 01:14:47,680
Speaker 2: fight to the death for his right to say it.

1625
01:14:48,360 --> 01:14:53,120
Speaker 2: That's a good salon Voltaire paraphrase I'm gonna play you

1626
01:14:53,160 --> 01:14:56,519
Speaker 2: a famous one line quote from a nineties movie. You

1627
01:14:56,720 --> 01:15:00,840
Speaker 2: just have to name the movie. Now, I have Tennedy's.

1628
01:15:01,439 --> 01:15:05,840
Speaker 2: I'm gonna let whomever claims they can get the most play.

1629
01:15:05,880 --> 01:15:09,040
Speaker 2: But if you lose, there's a punishment.

1630
01:15:09,360 --> 01:15:09,519
Speaker 1: Is that?

1631
01:15:09,920 --> 01:15:13,800
Speaker 2: No? No, it is the pillary. You have put your

1632
01:15:13,840 --> 01:15:17,000
Speaker 2: head in your arms in the pillory. Oh boy, and

1633
01:15:17,080 --> 01:15:20,720
Speaker 2: there's nineties movies. Yeah. So who thinks they can get five?

1634
01:15:20,800 --> 01:15:20,960
Speaker 11: Right?

1635
01:15:21,040 --> 01:15:22,559
Speaker 2: I mean I can get five because I'm gonna play

1636
01:15:22,560 --> 01:15:24,080
Speaker 2: you a clip. There's an example here, Ray, would you

1637
01:15:24,080 --> 01:15:24,719
Speaker 2: play the example?

1638
01:15:24,920 --> 01:15:29,240
Speaker 12: My mama always said life was like a box of chocolates.

1639
01:15:29,680 --> 01:15:32,280
Speaker 2: You never know what you're going to get. Oh, I

1640
01:15:32,360 --> 01:15:35,000
Speaker 2: got it. That would be. So I'm just letting you

1641
01:15:35,000 --> 01:15:36,080
Speaker 2: guys know what the game is gonna play.

1642
01:15:36,120 --> 01:15:36,760
Speaker 4: It's pretty easy.

1643
01:15:36,920 --> 01:15:41,880
Speaker 2: Yeah, So who can get five? Who can get six?

1644
01:15:42,080 --> 01:15:42,200
Speaker 11: Me?

1645
01:15:43,680 --> 01:15:45,760
Speaker 2: Are you the only one? Nobody else wants to try

1646
01:15:45,800 --> 01:15:46,439
Speaker 2: to get six?

1647
01:15:46,520 --> 01:15:48,720
Speaker 3: I can get six because if you if you win,

1648
01:15:49,439 --> 01:15:51,880
Speaker 3: you win forty cash.

1649
01:15:51,920 --> 01:15:52,920
Speaker 2: I can definitely get sick.

1650
01:15:52,960 --> 01:15:56,519
Speaker 1: I can definitely get all the money.

1651
01:15:56,560 --> 01:15:58,000
Speaker 2: And if you lose, though, you have to be in

1652
01:15:58,040 --> 01:16:02,320
Speaker 2: the pillory for twogments. Oh sometime next week, Okay, I

1653
01:16:02,320 --> 01:16:05,639
Speaker 2: forgot about that. Yeah, So okay, who can get seven

1654
01:16:06,240 --> 01:16:08,719
Speaker 2: for forty dollars? Yeah, that's it, that's all bet seven.

1655
01:16:09,000 --> 01:16:09,360
Speaker 4: I'm in.

1656
01:16:09,640 --> 01:16:12,440
Speaker 2: I'm in. I can do seven? Eddy in seven? Okay?

1657
01:16:12,640 --> 01:16:13,320
Speaker 2: Are you at amy?

1658
01:16:13,560 --> 01:16:13,840
Speaker 1: Yeah?

1659
01:16:13,920 --> 01:16:15,880
Speaker 4: I mean you can do seven for forty bucks?

1660
01:16:16,000 --> 01:16:17,519
Speaker 1: I need I'm pretty sure I can.

1661
01:16:17,640 --> 01:16:18,880
Speaker 2: Why do you want her to keep staying?

1662
01:16:18,880 --> 01:16:19,599
Speaker 1: Is pillory?

1663
01:16:19,680 --> 01:16:19,720
Speaker 2: Is?

1664
01:16:20,360 --> 01:16:21,680
Speaker 4: It's only one? That's right?

1665
01:16:21,720 --> 01:16:23,800
Speaker 2: Yeah, you're out, So it's up to seven? Who can

1666
01:16:23,800 --> 01:16:26,559
Speaker 2: get eight? Edits? You want to hear another example? Yes?

1667
01:16:26,640 --> 01:16:27,519
Speaker 2: No no no no no no no.

1668
01:16:27,800 --> 01:16:29,080
Speaker 4: I don't want you to waste all the good ones.

1669
01:16:29,120 --> 01:16:30,519
Speaker 2: I'm not like something good to have extra ones?

1670
01:16:30,600 --> 01:16:30,720
Speaker 14: Right?

1671
01:16:30,760 --> 01:16:31,759
Speaker 2: Would you play thirteen?

1672
01:16:32,880 --> 01:16:33,080
Speaker 14: Yeah?

1673
01:16:33,120 --> 01:16:35,200
Speaker 1: But your scientists were so preoccupied with whether or not

1674
01:16:35,200 --> 01:16:36,680
Speaker 1: they couldn't they just stop to think they.

1675
01:16:36,600 --> 01:16:37,680
Speaker 4: Should got it?

1676
01:16:39,080 --> 01:16:41,080
Speaker 2: No, Jurassic Park would have been Jurassic Park. I mean,

1677
01:16:41,120 --> 01:16:42,400
Speaker 2: this is so easy it is.

1678
01:16:42,840 --> 01:16:43,680
Speaker 1: I wouldn't have gotten that.

1679
01:16:44,240 --> 01:16:46,040
Speaker 2: So it's a seven right now? Does anyone want to

1680
01:16:46,080 --> 01:16:46,439
Speaker 2: go eight?

1681
01:16:47,000 --> 01:16:47,599
Speaker 4: I'm going.

1682
01:16:49,000 --> 01:16:50,880
Speaker 1: If you can even get the example, right, I think

1683
01:16:50,880 --> 01:16:51,519
Speaker 1: I'm gonna let him go.

1684
01:16:51,680 --> 01:16:52,960
Speaker 2: Justosed to be easy to go.

1685
01:16:53,120 --> 01:16:55,160
Speaker 4: Yeah, but we were both stuck at seven, so someone.

1686
01:16:54,920 --> 01:16:57,280
Speaker 2: Had to go somebody had to go eight, Eddie, you

1687
01:16:57,320 --> 01:16:58,280
Speaker 2: don't think you want to go eight?

1688
01:16:59,040 --> 01:16:59,240
Speaker 4: Man?

1689
01:16:59,280 --> 01:17:03,479
Speaker 2: For a forty dollars? That sounds good. And if you lose,

1690
01:17:03,520 --> 01:17:05,120
Speaker 2: you'll just do one segment in the pillary. Oh, just

1691
01:17:05,160 --> 01:17:07,680
Speaker 2: one one segment. Yeah, I'll go eight. Okay, you want

1692
01:17:07,680 --> 01:17:11,040
Speaker 2: to go nine, I'll go nine.

1693
01:17:11,200 --> 01:17:11,840
Speaker 4: I'll go nine.

1694
01:17:11,920 --> 01:17:16,400
Speaker 2: Oh my god, does anybody claim they can go perfect?

1695
01:17:16,840 --> 01:17:17,320
Speaker 4: You know what?

1696
01:17:19,640 --> 01:17:20,439
Speaker 2: Nineties movies?

1697
01:17:20,479 --> 01:17:22,280
Speaker 4: I feel like I watched a lot of nineties movies

1698
01:17:22,560 --> 01:17:23,519
Speaker 4: to another example.

1699
01:17:23,800 --> 01:17:26,519
Speaker 2: No, no, don't waste them. I'm not. We'll take one.

1700
01:17:26,720 --> 01:17:27,479
Speaker 4: I'll take you again, an.

1701
01:17:27,400 --> 01:17:32,640
Speaker 2: Example you can't handle. That's right, it's another example. If

1702
01:17:32,680 --> 01:17:35,559
Speaker 2: that's the first one to say ten, Okay, lunch, let's

1703
01:17:35,560 --> 01:17:37,479
Speaker 2: get got it lunch. You can't miss a single one?

1704
01:17:37,479 --> 01:17:40,720
Speaker 2: That's fine. Yes, And if you get all ten, you

1705
01:17:40,760 --> 01:17:43,240
Speaker 2: get forty dollars. And if you don't, you get the

1706
01:17:43,240 --> 01:17:46,479
Speaker 2: pillary for a second. Oh man, let's go. I've already

1707
01:17:46,520 --> 01:17:50,839
Speaker 2: got two out of three. Ready, here we go number

1708
01:17:51,240 --> 01:17:57,439
Speaker 2: one for good busy dying. That's a good one. Sew

1709
01:17:57,520 --> 01:18:00,720
Speaker 2: shank redimp one for one one.

1710
01:18:00,800 --> 01:18:01,120
Speaker 4: Let's go.

1711
01:18:01,280 --> 01:18:04,439
Speaker 2: I finally saw that. Here we go number two. How

1712
01:18:04,439 --> 01:18:07,599
Speaker 2: do you like their max you can hear it again.

1713
01:18:07,600 --> 01:18:08,599
Speaker 2: You can always ask for it again.

1714
01:18:08,600 --> 01:18:08,880
Speaker 4: One more.

1715
01:18:08,920 --> 01:18:10,960
Speaker 2: No, No, I don't need to hear it. Boom right on

1716
01:18:11,000 --> 01:18:15,680
Speaker 2: the window. Good bill hunting. That's right. For two? All right?

1717
01:18:15,760 --> 01:18:17,080
Speaker 2: Play him Number three.

1718
01:18:17,040 --> 01:18:22,080
Speaker 4: To infinity and beyond here perfection.

1719
01:18:23,160 --> 01:18:23,560
Speaker 2: But it's not.

1720
01:18:23,800 --> 01:18:29,360
Speaker 4: It's called toy story.

1721
01:18:25,600 --> 01:18:29,760
Speaker 2: Right, he's got to get ten for ten. These are

1722
01:18:29,840 --> 01:18:38,920
Speaker 2: famous nineties one line movie quotes. Number four, you can

1723
01:18:38,960 --> 01:18:40,840
Speaker 2: always you can pass on one of them that you

1724
01:18:40,880 --> 01:18:47,840
Speaker 2: can come back, okay as if clueless? Correct? Wow, you

1725
01:18:47,880 --> 01:18:49,880
Speaker 2: guys didn't think I was gonna be this good? Easy?

1726
01:18:50,080 --> 01:19:02,599
Speaker 2: Number five? What's in the box? What? What's in the box? Mm?

1727
01:19:04,000 --> 01:19:07,000
Speaker 2: Wasn't the bar? You can pass for now and come

1728
01:19:07,000 --> 01:19:09,000
Speaker 2: back to it if you like. Man, I hear you

1729
01:19:09,000 --> 01:19:11,360
Speaker 2: guys say this. We do say it a lot. That's

1730
01:19:11,360 --> 01:19:12,679
Speaker 2: why I thought you would get that one. You didn't

1731
01:19:12,680 --> 01:19:14,280
Speaker 2: know it's from a movie. No, I had no idea.

1732
01:19:14,600 --> 01:19:17,599
Speaker 4: It's thought it from I thought it was from JT

1733
01:19:18,120 --> 01:19:18,920
Speaker 4: Saturday Night Live.

1734
01:19:19,200 --> 01:19:20,280
Speaker 2: No, that's a different box.

1735
01:19:20,479 --> 01:19:21,400
Speaker 1: Something in the box.

1736
01:19:21,760 --> 01:19:26,040
Speaker 2: Mm hmmmm. Wasn't the bar you wanna pass?

1737
01:19:26,080 --> 01:19:27,439
Speaker 4: Yeah, we're gonna do a circle back room.

1738
01:19:27,479 --> 01:19:28,880
Speaker 2: All right, let's go to the next one.

1739
01:19:29,000 --> 01:19:30,720
Speaker 14: You I want you to draw me like one of

1740
01:19:30,760 --> 01:19:31,559
Speaker 14: your French girls.

1741
01:19:34,000 --> 01:19:35,880
Speaker 2: He'll get this one, you will, Yeah, I think so.

1742
01:19:38,000 --> 01:19:39,439
Speaker 14: I want you to draw me like one of your

1743
01:19:39,439 --> 01:19:40,120
Speaker 14: French girls.

1744
01:19:40,920 --> 01:19:43,679
Speaker 4: That's from the nineties. That's from like sixteen hundred.

1745
01:19:44,200 --> 01:19:48,080
Speaker 2: Oh no, this is very nineties. Getting a pun on

1746
01:19:48,080 --> 01:19:51,000
Speaker 2: that one. Yeah, we'll circle back, Oh boy, punning on two.

1747
01:19:51,520 --> 01:19:54,519
Speaker 2: We're in trouble, all right. Next keep fake, change your

1748
01:19:54,600 --> 01:19:55,599
Speaker 2: filter animal?

1749
01:19:59,640 --> 01:20:02,439
Speaker 4: Okay, a change you filthy animal?

1750
01:20:03,120 --> 01:20:06,439
Speaker 2: Oh oh hold on?

1751
01:20:06,560 --> 01:20:07,559
Speaker 4: Correct? Correct?

1752
01:20:07,600 --> 01:20:10,400
Speaker 2: Good job, live, No, guys, this is about to get

1753
01:20:10,439 --> 01:20:13,760
Speaker 2: me paid. Good job. Next one, I want the black

1754
01:20:14,160 --> 01:20:18,600
Speaker 2: I'm cardy eight too. Yeah.

1755
01:20:18,680 --> 01:20:22,320
Speaker 4: Yeah, Hey, mama, she showed me your movies.

1756
01:20:22,360 --> 01:20:24,799
Speaker 2: I like this too. What the water boy? Correct?

1757
01:20:24,840 --> 01:20:25,160
Speaker 11: Correct?

1758
01:20:26,280 --> 01:20:30,200
Speaker 2: Okay, good, good, all right. Next one, Houston, we have

1759
01:20:30,280 --> 01:20:33,920
Speaker 2: a problem. Oh, played again for you, Houston. We have

1760
01:20:33,920 --> 01:20:34,600
Speaker 2: a problem.

1761
01:20:35,000 --> 01:20:35,560
Speaker 11: Hey.

1762
01:20:36,240 --> 01:20:40,000
Speaker 4: Have you ever heard of this show called Apollo thirty? Correct?

1763
01:20:40,200 --> 01:20:44,920
Speaker 2: Yeah? Maybe? Now this is number ten? Another or two

1764
01:20:44,920 --> 01:20:46,360
Speaker 2: we have to go back to. But this is number ten.

1765
01:20:46,840 --> 01:20:49,559
Speaker 2: I am perfect. No, no, no, you can not perfect.

1766
01:20:49,760 --> 01:20:56,679
Speaker 2: I have missed a single one number ten. Go ahead.

1767
01:20:56,680 --> 01:20:59,000
Speaker 2: He was nineteen ninety five. This movie came out. What

1768
01:20:59,120 --> 01:21:00,240
Speaker 2: is that? What?

1769
01:21:00,360 --> 01:21:07,280
Speaker 4: I have no idea? What it's saying.

1770
01:21:07,280 --> 01:21:10,000
Speaker 2: A little pig that'll do, pig, that'll do?

1771
01:21:14,080 --> 01:21:14,799
Speaker 4: Who is pig?

1772
01:21:16,439 --> 01:21:18,760
Speaker 2: So you have three here? Would have to go back

1773
01:21:18,800 --> 01:21:20,519
Speaker 2: to the one earlier. You going to let's go bout.

1774
01:21:20,520 --> 01:21:23,799
Speaker 2: I'll circle back home, boy, let's circle back to number five.

1775
01:21:24,720 --> 01:21:29,960
Speaker 2: What's in the box? Man?

1776
01:21:31,160 --> 01:21:31,920
Speaker 4: Let me hear that again?

1777
01:21:32,240 --> 01:21:34,600
Speaker 2: What's in the box? Let me circle back to that

1778
01:21:34,600 --> 01:21:38,480
Speaker 2: one if you want? What are you writing?

1779
01:21:39,880 --> 01:21:43,040
Speaker 4: No, I got Leo, Ben or Matt. That's Leo DiCaprio,

1780
01:21:43,120 --> 01:21:45,320
Speaker 4: Ben Affleck or Matt Damon. Interesting.

1781
01:21:46,120 --> 01:21:50,880
Speaker 2: I would say it's none of them. You would, Yeah, right, Eddie,

1782
01:21:51,520 --> 01:21:52,920
Speaker 2: it's not one of them. I don't think I say

1783
01:21:52,920 --> 01:21:58,439
Speaker 2: it again. What's in the box? Now? You can't circle back.

1784
01:21:58,640 --> 01:22:00,920
Speaker 4: We'll circle back to go to the next one.

1785
01:22:01,680 --> 01:22:03,080
Speaker 14: I want you to draw me like one of your

1786
01:22:03,080 --> 01:22:04,080
Speaker 14: French girls.

1787
01:22:04,680 --> 01:22:10,040
Speaker 2: That movie is from nineteen ninety seven, very famous. All right,

1788
01:22:12,479 --> 01:22:14,800
Speaker 2: oh man, you guys have the option to circle back.

1789
01:22:14,880 --> 01:22:18,240
Speaker 4: No, no, I'm gonna should circle back soon.

1790
01:22:18,320 --> 01:22:20,000
Speaker 2: Do you think he can get this one? Yes, he

1791
01:22:20,040 --> 01:22:20,320
Speaker 2: knows this.

1792
01:22:20,520 --> 01:22:20,720
Speaker 1: Yeah.

1793
01:22:20,760 --> 01:22:22,160
Speaker 2: I think he can context clude this one.

1794
01:22:22,320 --> 01:22:26,320
Speaker 4: Yeah, contacts clused it. I think she's talking to Leo there.

1795
01:22:26,760 --> 01:22:29,479
Speaker 4: I think she's talking to Leo. Okay, so I'm gonna

1796
01:22:29,520 --> 01:22:34,360
Speaker 4: go with the Titanic. Correct, just tell you so many guys.

1797
01:22:34,360 --> 01:22:36,479
Speaker 4: Is you need to circle back? Guy, circle back when

1798
01:22:36,520 --> 01:22:38,880
Speaker 4: you in life, when you're having problems, circle back.

1799
01:22:39,479 --> 01:22:41,639
Speaker 2: Yeah, okay, okay, there's only two left that you haven't

1800
01:22:41,640 --> 01:22:42,280
Speaker 2: gotten yet, Like.

1801
01:22:42,400 --> 01:22:44,280
Speaker 4: When you get a five with your wife or her husband,

1802
01:22:44,560 --> 01:22:45,440
Speaker 4: I will circle.

1803
01:22:45,200 --> 01:22:52,360
Speaker 2: Back ten number ten, Go Morgan, do you know that one?

1804
01:22:52,439 --> 01:22:53,000
Speaker 2: I think I do?

1805
01:22:53,400 --> 01:22:54,040
Speaker 1: Yeah, I think.

1806
01:22:55,160 --> 01:22:55,800
Speaker 4: What do you mean?

1807
01:22:55,840 --> 01:22:58,439
Speaker 2: You think that sounds like from the fifties, So from

1808
01:22:58,479 --> 01:23:00,400
Speaker 2: nineteen ninety five. I tell you what. You can use

1809
01:23:00,439 --> 01:23:02,400
Speaker 2: a lifeline and go to either one of the ladies here,

1810
01:23:02,400 --> 01:23:05,360
Speaker 2: but this is the last help you get, and then

1811
01:23:05,360 --> 01:23:07,479
Speaker 2: we have to circle back to the circle back, which

1812
01:23:07,560 --> 01:23:11,240
Speaker 2: was the circle back of those are the box? I

1813
01:23:11,240 --> 01:23:13,360
Speaker 2: mean you want to use the lifeline. Hold on whatever

1814
01:23:13,360 --> 01:23:14,519
Speaker 2: they say is your answer, you know.

1815
01:23:14,560 --> 01:23:16,760
Speaker 4: But I may need to circle back and use a

1816
01:23:16,840 --> 01:23:18,120
Speaker 4: lifeline on that other one.

1817
01:23:18,560 --> 01:23:21,040
Speaker 2: I may need to guess this one. Do you want

1818
01:23:21,040 --> 01:23:22,720
Speaker 2: to circle back and use a lifeline on the other one?

1819
01:23:22,880 --> 01:23:24,280
Speaker 2: But you have to go to one of the ladies

1820
01:23:24,280 --> 01:23:24,760
Speaker 2: for that one.

1821
01:23:24,920 --> 01:23:28,800
Speaker 4: Oh oh, I can't go daddy, oh see, because I'm

1822
01:23:28,800 --> 01:23:32,600
Speaker 4: going with condext clues here and it says pig, so

1823
01:23:32,680 --> 01:23:34,280
Speaker 4: it has to be babe, right, I mean that would

1824
01:23:34,280 --> 01:23:35,800
Speaker 4: be the only logical answer.

1825
01:23:36,000 --> 01:23:36,840
Speaker 2: Amy shook her head.

1826
01:23:36,840 --> 01:23:43,080
Speaker 1: Oh, I didn't check my head. I was like, oh, okay, yeah, pig, babe, play.

1827
01:23:42,880 --> 01:23:49,200
Speaker 4: One more time. I'm gonna need help.

1828
01:23:49,840 --> 01:23:53,000
Speaker 2: Okay, who would you like to go to? Amy or Morgan?

1829
01:23:53,479 --> 01:23:56,080
Speaker 1: Who was more confident I'm not anymore?

1830
01:23:56,200 --> 01:23:59,719
Speaker 2: Lady said babe, Yeah, whatever they say, that was your answer.

1831
01:23:59,760 --> 01:24:03,120
Speaker 7: I have a different answer, but I just me too.

1832
01:24:03,720 --> 01:24:08,760
Speaker 2: No, No, go ahead, but that Amy, Amy, whatever you say,

1833
01:24:08,800 --> 01:24:09,320
Speaker 2: it's his answer.

1834
01:24:11,000 --> 01:24:14,120
Speaker 1: Oh my gosh, he's said babe and throwing me off.

1835
01:24:14,160 --> 01:24:16,360
Speaker 2: Whatever you say? Is is it right?

1836
01:24:16,400 --> 01:24:17,679
Speaker 1: Now? That comes out of my mouth?

1837
01:24:17,720 --> 01:24:18,679
Speaker 4: You know, talk to me first.

1838
01:24:18,960 --> 01:24:19,840
Speaker 2: He can't be a part of this.

1839
01:24:19,880 --> 01:24:20,120
Speaker 4: No.

1840
01:24:20,200 --> 01:24:22,960
Speaker 2: I want to hear her thinking. Amy, I say my thinking.

1841
01:24:23,520 --> 01:24:26,600
Speaker 2: You can say it to me, but not to him. No,

1842
01:24:26,720 --> 01:24:30,080
Speaker 2: you can say it. Oh, Charlotte's Okay, there's a pig

1843
01:24:30,120 --> 01:24:31,799
Speaker 2: in there. Right. Oh that's a good one.

1844
01:24:32,640 --> 01:24:35,000
Speaker 1: But I mean it might be babe, Amy, what is

1845
01:24:35,040 --> 01:24:35,360
Speaker 1: your answer?

1846
01:24:35,400 --> 01:24:37,559
Speaker 2: I haven't thought, babe. What does your answer know?

1847
01:24:37,560 --> 01:24:39,160
Speaker 4: There's a movie about Charlotte's Web.

1848
01:24:39,640 --> 01:24:45,439
Speaker 2: Charlab lunch box. Did you know what's in the box,

1849
01:24:45,439 --> 01:24:47,680
Speaker 2: by the way, and you guess on that one. No,

1850
01:24:47,680 --> 01:24:50,240
Speaker 2: I don't circle back. I'm gonna circle back to that. Well,

1851
01:24:50,240 --> 01:24:52,559
Speaker 2: Amy says, babe, or what did you say, babe, Charlotte

1852
01:24:53,240 --> 01:24:55,360
Speaker 2: Charlotte's Web on that one. So we're gonna come back.

1853
01:24:55,400 --> 01:24:56,920
Speaker 2: She has an answer. We're gonna say. You get this one. Now,

1854
01:24:58,600 --> 01:25:04,720
Speaker 2: what's in the box? What's in the box? You can

1855
01:25:04,720 --> 01:25:06,439
Speaker 2: go to Morgans you didn't use her for this one

1856
01:25:06,479 --> 01:25:07,800
Speaker 2: if you want, but her answer has to go with

1857
01:25:07,840 --> 01:25:16,439
Speaker 2: your answer. You're on the clock now, No, we don't.

1858
01:25:16,800 --> 01:25:19,479
Speaker 2: O'clock is not a minute clock this game. It is not.

1859
01:25:19,640 --> 01:25:22,320
Speaker 4: It is a clock.

1860
01:25:23,720 --> 01:25:30,040
Speaker 2: Now what's in the bar? Was it the bar? What

1861
01:25:30,200 --> 01:25:33,719
Speaker 2: a movie is about a box? What movie is about

1862
01:25:33,720 --> 01:25:34,080
Speaker 2: a bar?

1863
01:25:35,520 --> 01:25:35,760
Speaker 12: Bar?

1864
01:25:36,840 --> 01:25:40,760
Speaker 2: You can either answer this or circle back? Circle back right?

1865
01:25:41,040 --> 01:25:41,720
Speaker 2: Oh my goodness, I.

1866
01:25:41,720 --> 01:25:43,479
Speaker 4: Didn't circle back because I gotta think about what's in

1867
01:25:43,520 --> 01:25:43,920
Speaker 4: a box?

1868
01:25:45,320 --> 01:25:48,799
Speaker 2: I gotta go sad for ten? So is about a box?

1869
01:25:49,000 --> 01:25:50,360
Speaker 2: We're back to Charlotte's Web.

1870
01:25:52,680 --> 01:25:56,200
Speaker 4: Whoa, it could be seven because those things are in

1871
01:25:56,240 --> 01:25:59,360
Speaker 4: a box. Now it's too scary. That's not.

1872
01:26:01,120 --> 01:26:03,080
Speaker 2: Okay, We're start going back to that one. I it

1873
01:26:03,080 --> 01:26:04,960
Speaker 2: could be we played one more time? Right, what's in

1874
01:26:04,960 --> 01:26:08,360
Speaker 2: the box? Go ahead? Can you give me no, we're

1875
01:26:08,360 --> 01:26:09,760
Speaker 2: circling back back.

1876
01:26:09,880 --> 01:26:11,680
Speaker 4: Can you give me a hint? Can you tell me

1877
01:26:11,720 --> 01:26:14,719
Speaker 4: the person's name who's saying that? No, it's too obvious.

1878
01:26:14,760 --> 01:26:16,680
Speaker 2: Now I told you it wasn't. I gives a big hint.

1879
01:26:17,320 --> 01:26:19,000
Speaker 2: Now you got to let me hear it.

1880
01:26:19,000 --> 01:26:19,759
Speaker 4: One more time, go ahead?

1881
01:26:20,120 --> 01:26:23,439
Speaker 2: What's in the box? What's in the box?

1882
01:26:23,520 --> 01:26:29,120
Speaker 4: It's definitely Brad pitt Man, definitely Brad pitt could be seven,

1883
01:26:29,160 --> 01:26:30,519
Speaker 4: but that's not a funny movie.

1884
01:26:32,600 --> 01:26:33,760
Speaker 2: What's in the box?

1885
01:26:34,840 --> 01:26:37,599
Speaker 4: I'm drawing boxes on my page and I'm looking what's

1886
01:26:37,640 --> 01:26:39,479
Speaker 4: in the boxes? All right?

1887
01:26:39,600 --> 01:26:40,599
Speaker 2: Lunch about times at five?

1888
01:26:41,200 --> 01:26:45,200
Speaker 1: Is that clip? Springing comedy?

1889
01:26:45,439 --> 01:26:49,360
Speaker 2: Okay? Hold that there? So so hitherto he said, what's

1890
01:26:49,360 --> 01:26:51,679
Speaker 2: in the box? By the way, we've had Shawshank Redemption

1891
01:26:51,840 --> 01:26:53,599
Speaker 2: is one of the answers, have been seven, We've had

1892
01:26:53,600 --> 01:26:55,080
Speaker 2: good Will Honey is one of the answers. So I

1893
01:26:55,120 --> 01:26:57,040
Speaker 2: don't see all comedies. But what's in the box is

1894
01:26:57,560 --> 01:27:00,680
Speaker 2: we'll come back to it. That that'll pig, That'll do

1895
01:27:00,760 --> 01:27:10,400
Speaker 2: was babe? And what's in what's in the box? Goodness?

1896
01:27:10,400 --> 01:27:15,919
Speaker 2: What's in the box? For seven? I thought it was interesting.

1897
01:27:16,760 --> 01:27:18,920
Speaker 2: Why did he go comedy? He just went austin power.

1898
01:27:19,280 --> 01:27:22,000
Speaker 1: He's like, because I think the in flex Titanic. It's like,

1899
01:27:22,240 --> 01:27:23,160
Speaker 1: what's in the box?

1900
01:27:24,720 --> 01:27:27,479
Speaker 2: We never said this comedy, So you'll be serving your

1901
01:27:27,800 --> 01:27:31,400
Speaker 2: pillory sentence. At some point I was I had it,

1902
01:27:31,760 --> 01:27:35,040
Speaker 2: you did. I didn't believe all of them. Yeah you did.

1903
01:27:35,240 --> 01:27:38,880
Speaker 2: Actually that I have put bread big in the box,

1904
01:27:39,880 --> 01:27:42,960
Speaker 2: the box in the box. Thank you.

1905
01:27:43,040 --> 01:27:45,439
Speaker 4: Oh my gosh, Amy, you are such a.

1906
01:27:49,439 --> 01:27:51,760
Speaker 2: But you missed a seven one. Even if she had

1907
01:27:51,760 --> 01:27:53,599
Speaker 2: gotten knowing if she would have got done, I would

1908
01:27:53,600 --> 01:27:58,679
Speaker 2: have been no, no, okay, we gotta play this song.

1909
01:27:59,280 --> 01:28:05,360
Speaker 2: Thank you, Bobby Bone show today.

1910
01:28:05,880 --> 01:28:08,440
Speaker 4: This story comes us from Pearl, Mississippi.

1911
01:28:09,120 --> 01:28:09,919
Speaker 2: Last August.

1912
01:28:09,920 --> 01:28:13,000
Speaker 4: The man was three months away from getting out of prison.

1913
01:28:13,040 --> 01:28:15,400
Speaker 4: He'd been there for seven years. He said, you know what,

1914
01:28:15,439 --> 01:28:18,439
Speaker 4: I can't take it. He broke out, went on the run,

1915
01:28:18,840 --> 01:28:21,479
Speaker 4: broke into a house, held people hostage with a gun,

1916
01:28:21,760 --> 01:28:24,679
Speaker 4: stole their car, wrecked the car, ran from the police.

1917
01:28:25,120 --> 01:28:26,760
Speaker 4: He just got sentenced to forty more years.

1918
01:28:26,840 --> 01:28:29,840
Speaker 2: I just think he wanted to be in jail, institutionalized.

1919
01:28:30,000 --> 01:28:31,479
Speaker 2: I think he was scared of what was gonna happen

1920
01:28:31,520 --> 01:28:34,680
Speaker 2: outside of jail, and that's why he did all of that.

1921
01:28:35,439 --> 01:28:39,000
Speaker 2: He didn't kill anybody. I'm not saying he's good anyway,

1922
01:28:39,160 --> 01:28:41,000
Speaker 2: because he should be back in jail for that. That's

1923
01:28:41,240 --> 01:28:44,600
Speaker 2: and traumatized those people. But this is somebody who probably

1924
01:28:44,680 --> 01:28:46,080
Speaker 2: just didn't know what to do once he got out

1925
01:28:46,120 --> 01:28:48,519
Speaker 2: of jail, so figured out how to stay in jail.

1926
01:28:48,800 --> 01:28:49,960
Speaker 2: That's crazy. That's crazy.

1927
01:28:49,960 --> 01:28:51,080
Speaker 1: So is that a bonehead?

1928
01:28:51,840 --> 01:28:54,240
Speaker 2: I mean, yeah, yeah, yeah, I'm still gonna okay because

1929
01:28:54,240 --> 01:28:54,800
Speaker 2: I don't know this.

1930
01:28:54,920 --> 01:28:58,600
Speaker 3: I'm spelt and like, I don't know how bad prison is,

1931
01:28:58,640 --> 01:29:00,400
Speaker 3: but how I wouldn't want go back.

1932
01:29:00,479 --> 01:29:02,479
Speaker 1: But for some people, they don't. I think they don't

1933
01:29:02,479 --> 01:29:03,160
Speaker 1: know any difference.

1934
01:29:03,160 --> 01:29:05,120
Speaker 2: There's a lot of stuff outside of prison, or if

1935
01:29:05,160 --> 01:29:08,559
Speaker 2: you have no family, no resources, it's actually, I don't know,

1936
01:29:08,600 --> 01:29:10,280
Speaker 2: you're kind of king dingling in prison, like you got

1937
01:29:10,280 --> 01:29:12,559
Speaker 2: a system. Yeah, I didn't think about that. There's just

1938
01:29:12,800 --> 01:29:16,240
Speaker 2: you know, so, yeah, well that sucks. It's not a family.

1939
01:29:16,680 --> 01:29:18,360
Speaker 2: You got held hot hostage.

1940
01:29:19,439 --> 01:29:21,360
Speaker 4: I'm lunchbox.

1941
01:29:21,439 --> 01:29:24,880
Speaker 2: That's your bonehead story of the day. Amy, do your

1942
01:29:24,920 --> 01:29:26,400
Speaker 2: kids ever want to go back to Haiti?

1943
01:29:26,680 --> 01:29:26,840
Speaker 8: Oh?

1944
01:29:26,880 --> 01:29:28,800
Speaker 1: They both do all the time. I want to go too,

1945
01:29:29,479 --> 01:29:31,519
Speaker 1: But well, it's not safe to go.

1946
01:29:31,600 --> 01:29:32,360
Speaker 2: Still we can't go.

1947
01:29:32,520 --> 01:29:35,240
Speaker 1: It's been it's just getting worse and worse and worse

1948
01:29:35,400 --> 01:29:35,880
Speaker 1: and worse.

1949
01:29:36,280 --> 01:29:38,120
Speaker 2: So it's not that their kids have been on vacation

1950
01:29:38,280 --> 01:29:41,000
Speaker 2: Haiti once and want to go back. That's where they're from.

1951
01:29:41,000 --> 01:29:42,720
Speaker 2: Just for new listeners that don't know Amy adopted or

1952
01:29:42,760 --> 01:29:43,920
Speaker 2: kidsman orphanage in Haiti.

1953
01:29:44,000 --> 01:29:45,600
Speaker 1: Yeah, so five and a half years ago, and the

1954
01:29:46,479 --> 01:29:49,360
Speaker 1: goal then was at that point in time, and then

1955
01:29:49,400 --> 01:29:51,760
Speaker 1: the five years leading up to that, I was going

1956
01:29:51,760 --> 01:29:55,120
Speaker 1: to Haiti four times a year for a long time,

1957
01:29:55,720 --> 01:29:58,679
Speaker 1: the handful of years. So it was crazy when after

1958
01:29:58,720 --> 01:30:00,960
Speaker 1: we adopted them, we spent a year with them at

1959
01:30:00,960 --> 01:30:03,840
Speaker 1: home here in America, and then we had every expectation

1960
01:30:03,880 --> 01:30:05,680
Speaker 1: that after a year we would evaluate can we take

1961
01:30:05,720 --> 01:30:08,280
Speaker 1: them back for a visit. And because they're older, I

1962
01:30:08,280 --> 01:30:10,960
Speaker 1: mean they have friends there, they have family, like they

1963
01:30:11,000 --> 01:30:11,799
Speaker 1: wanted to see.

1964
01:30:11,560 --> 01:30:13,479
Speaker 2: People, they stay in contact with anyone there.

1965
01:30:14,120 --> 01:30:17,240
Speaker 1: No, I mean we do through we do because we're

1966
01:30:17,240 --> 01:30:19,639
Speaker 1: still heavily involved with the orphanage and so sometimes on

1967
01:30:19,920 --> 01:30:23,639
Speaker 1: FaceTime maybe or different interactions like they get to say hi,

1968
01:30:23,880 --> 01:30:29,160
Speaker 1: but it's very minimal. So it's just very sad because

1969
01:30:29,360 --> 01:30:31,280
Speaker 1: when we got to that year mark, Haiti had already

1970
01:30:31,280 --> 01:30:33,920
Speaker 1: started to sort of fall apart in a sense, it's

1971
01:30:33,960 --> 01:30:39,559
Speaker 1: always been unstable, but just the civil unrest there has

1972
01:30:39,600 --> 01:30:40,240
Speaker 1: gotten out.

1973
01:30:40,120 --> 01:30:42,280
Speaker 2: Of control and then unsafe for everybody.

1974
01:30:42,400 --> 01:30:44,280
Speaker 1: Unsafe for everybody. It's just not safe to be there

1975
01:30:44,280 --> 01:30:46,160
Speaker 1: at all. And then twenty twenty one, like the president

1976
01:30:46,200 --> 01:30:48,559
Speaker 1: was assassinated and there's just gangs have taken over the

1977
01:30:48,560 --> 01:30:51,600
Speaker 1: country and now here in twenty twenty three, it's literally

1978
01:30:51,840 --> 01:30:53,680
Speaker 1: any of my American friends that were living there and

1979
01:30:53,720 --> 01:30:56,320
Speaker 1: that had lived there for a decade, it's not like

1980
01:30:56,360 --> 01:30:58,479
Speaker 1: they were just visiting Haiti. Haiti was their home and

1981
01:30:58,520 --> 01:31:01,680
Speaker 1: they had ministry there and whatnot. They are back in

1982
01:31:01,720 --> 01:31:05,000
Speaker 1: America because that unsafe. Oh yeah, no, the US government

1983
01:31:05,120 --> 01:31:08,360
Speaker 1: is like, if you're American and you're in Haiti, uh

1984
01:31:08,360 --> 01:31:12,360
Speaker 1: and you're not an essential government worker, come to come home?

1985
01:31:12,439 --> 01:31:15,599
Speaker 2: Leave? Well that sucks for your kids, right, because that's

1986
01:31:15,600 --> 01:31:16,920
Speaker 2: their that's like their home.

1987
01:31:17,040 --> 01:31:19,760
Speaker 1: Yeah. My daughter even said, well, can I just kind

1988
01:31:19,760 --> 01:31:23,400
Speaker 1: of can I go? And I thought, well, okay, I

1989
01:31:23,400 --> 01:31:27,320
Speaker 1: can't just send you to Haiti on your own. But

1990
01:31:27,360 --> 01:31:30,320
Speaker 1: the thing is you're associated with an American. Now, if

1991
01:31:30,360 --> 01:31:34,040
Speaker 1: they were to find out that your mom is American,

1992
01:31:34,560 --> 01:31:38,240
Speaker 1: and no, they would kidnap her and then yes, like

1993
01:31:38,400 --> 01:31:39,719
Speaker 1: hold ran zone.

1994
01:31:39,920 --> 01:31:42,719
Speaker 2: Yeah, but what about when she's eighteen in a couple

1995
01:31:42,760 --> 01:31:44,760
Speaker 2: of years and she can make adult decisions like that,

1996
01:31:44,960 --> 01:31:48,200
Speaker 2: even she doesn't have she hopefully will ask. But right

1997
01:31:48,280 --> 01:31:48,840
Speaker 2: she's just going to.

1998
01:31:48,840 --> 01:31:51,200
Speaker 1: Go, oh, she could do whatever. But I mean, I

1999
01:31:51,240 --> 01:31:54,040
Speaker 1: think we've had just have honest conversations with them about

2000
01:31:54,040 --> 01:31:57,000
Speaker 1: what is going on there because we talked about going

2001
01:31:57,040 --> 01:31:58,720
Speaker 1: for so long, and we keep waiting for it to

2002
01:31:58,720 --> 01:32:02,800
Speaker 1: get better. Unfortunately, it just continues to get worse. I

2003
01:32:02,800 --> 01:32:04,680
Speaker 1: get travel updates from Haiti all the time, and the

2004
01:32:04,680 --> 01:32:08,040
Speaker 1: most recent one that I got from Homeland Security was

2005
01:32:08,280 --> 01:32:10,480
Speaker 1: it's like the worst one I've ever seen because kidnappings

2006
01:32:10,479 --> 01:32:14,200
Speaker 1: are rampant. They're on the rise, Like it's just even

2007
01:32:14,280 --> 01:32:16,680
Speaker 1: and that's a thing like even if Haitians are now

2008
01:32:16,720 --> 01:32:20,519
Speaker 1: getting kidnapped because they know which Haitians have American friends.

2009
01:32:21,720 --> 01:32:22,960
Speaker 1: And it used to was just seeing here.

2010
01:32:23,000 --> 01:32:25,040
Speaker 2: I said, it's that unsafe over there just for people

2011
01:32:25,080 --> 01:32:27,880
Speaker 2: living there anywhere. We don't like that. But it also

2012
01:32:27,920 --> 01:32:31,479
Speaker 2: personally sucks because your kids can't go home and see there.

2013
01:32:31,560 --> 01:32:35,800
Speaker 1: Yeah, potentially, I had every intention of when the time

2014
01:32:35,880 --> 01:32:37,879
Speaker 1: was right for both of them because they have different parents.

2015
01:32:39,000 --> 01:32:41,240
Speaker 1: Sashira seeing her mam almost right away because she lived

2016
01:32:41,280 --> 01:32:43,000
Speaker 1: with her mom she was five, and then the orphanage

2017
01:32:43,000 --> 01:32:45,840
Speaker 1: from five to ten. But then Stevenson a little bit

2018
01:32:45,840 --> 01:32:47,720
Speaker 1: different because he didn't know his mom as well at all.

2019
01:32:47,760 --> 01:32:49,599
Speaker 1: He got dropped off at the orphanage at two months.

2020
01:32:49,960 --> 01:32:52,160
Speaker 1: But when the time was right and ready, then we

2021
01:32:52,160 --> 01:32:54,639
Speaker 1: were going to reach out and see, like, hey would

2022
01:32:54,680 --> 01:32:57,320
Speaker 1: love to have a meeting or a relationship, And now

2023
01:32:57,400 --> 01:32:59,200
Speaker 1: I just don't know when that is going to happen.

2024
01:33:00,320 --> 01:33:03,240
Speaker 2: I'm rooting for you, well yeah, I'm comfortable for everybody.

2025
01:33:03,280 --> 01:33:05,280
Speaker 1: I'm rooting for the whole country, world, I'm for the

2026
01:33:05,280 --> 01:33:05,679
Speaker 1: whole world.

2027
01:33:06,160 --> 01:33:07,400
Speaker 2: Screw it, we're witting for the world.

2028
01:33:07,600 --> 01:33:10,400
Speaker 1: It's just it's tragic, Like there's so many beautiful people

2029
01:33:10,439 --> 01:33:12,400
Speaker 1: there and it's a beautiful country and it's just right

2030
01:33:12,439 --> 01:33:15,519
Speaker 1: now being overtaken by gangs.

2031
01:33:16,120 --> 01:33:19,000
Speaker 2: We're gonna go hope you guys have a great day,

2032
01:33:19,920 --> 01:33:24,040
Speaker 2: and really nothing else to say, well wa yeah, except

2033
01:33:24,560 --> 01:33:26,920
Speaker 2: that's what's up. Thank you, see you guys.

2034
01:33:26,920 --> 01:33:27,240
Speaker 3: Bye.

2035
01:33:28,200 --> 01:33:30,760
Speaker 2: The Bobby Bone Show Bobby Bones