WEBVTT - Inner Cosmos, with David Eagleman

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<v Speaker 1>Welcome to Stuff to Blow Your Mind, the production of iHeartRadio.

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<v Speaker 1>Hey you welcome to Stuff to Blow your Mind. My

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<v Speaker 1>name is Robert Lamb and I'm Joe McCormick, and hey,

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<v Speaker 1>welcome back. Rob. You were outsick earlier this week. It's

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<v Speaker 1>good to have you back. It's good to be back now.

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<v Speaker 1>Because you were outsick, we ended up putting a pause

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<v Speaker 1>on an ongoing series we were doing on childhood amnesia.

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<v Speaker 1>So we ended up running a vault episode on Tuesday,

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<v Speaker 1>and I just wanted to assure people that we will

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<v Speaker 1>be coming back to that subject. We will be resuming

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<v Speaker 1>the series, probably for next week's core episodes, but because

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<v Speaker 1>we already had it scheduled out this way, today's episode

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<v Speaker 1>is going to be an interview, so in fact, we

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<v Speaker 1>are talking to a return guest, the neuroscientist and author

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<v Speaker 1>David Eagleman. This is actually the second time David has

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<v Speaker 1>been a guest on the show. In September twenty twenty, Rob,

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<v Speaker 1>you spoke to him about his book Live Wired, which

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<v Speaker 1>is a popular science book on the subject of brain plasticity. Yeah. Absolutely,

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<v Speaker 1>that was a fun episode. You can find it in

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<v Speaker 1>the archives, and the book Live Wired is an absolute delight.

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<v Speaker 1>If you're at all interested in anything you hear us

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<v Speaker 1>discussing in this episode, pick up a copy of it.

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<v Speaker 1>It's great. So this week we invited David back on

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<v Speaker 1>the show because he now has a fantastic, brand new

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<v Speaker 1>podcast on our very own network, on the iHeart Network,

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<v Speaker 1>and it is called Inner Cosmos with David Eagelman. So

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<v Speaker 1>before we get started with our interview, I thought we

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<v Speaker 1>should just share a bit of background about David. This

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<v Speaker 1>is from his website. That's right. David Eagelman is a

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<v Speaker 1>neuroscientist at Stanford University and an internationally best selling author.

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<v Speaker 1>He's the co founder of two venture backed companies, Neosensory

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<v Speaker 1>and brain Check, and he also directs the Center for

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<v Speaker 1>Science and Law in national nonprofit Institute. He's best known

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<v Speaker 1>for his work on sensory substitution, time perception, brain plasticity, synesthesia,

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<v Speaker 1>and neuro law. He is the writer presenter of the

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<v Speaker 1>international PBS series The Brain with David Eagleman and the

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<v Speaker 1>author of the companion book The Brain The Story of You.

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<v Speaker 1>He's also the writer and presenter of The Creative Brain

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<v Speaker 1>on Netflix. David Eagleman is the author of over one

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<v Speaker 1>hundred and twenty academic publications, and many many books of

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<v Speaker 1>popular science. Eagleman is a TED speaker, a Guggenheim Fellow,

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<v Speaker 1>and serves on several boards, including the American Brain Foundation

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<v Speaker 1>and the long Now Foundation. He's the Chief Scientific Advisor

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<v Speaker 1>of the Mind Science Foundation and the winner of the

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<v Speaker 1>Claude Shannon Luminary Award from Bell Labs and the McGovern

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<v Speaker 1>Award for Excellence in Biomedical Communication. He serves as the

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<v Speaker 1>academic editor for the Journal of Science in Law. Was

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<v Speaker 1>named Science Educator of the Year by the Society for

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<v Speaker 1>Neuroscience and was featured as one of the quote Brightest

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<v Speaker 1>Idea Guys by Italy's Style magazine. He served as the

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<v Speaker 1>scientific advisor on several TV shows, including Westworld and Perception,

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<v Speaker 1>and it's been profiled on The Colbert Report, Nova Science Now,

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<v Speaker 1>The New Yorker, CNN's Next List, and many other venues.

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<v Speaker 1>He appears regularly on radio and television to discuss literature

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<v Speaker 1>and science. And I guess now he is going to

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<v Speaker 1>start having to add podcasts to his to the end

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<v Speaker 1>of his bio here, So Rob, unless you have anything else,

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<v Speaker 1>I think we should jump right into our conversation with

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<v Speaker 1>David Eagleman. Hi David, welcome back to the show. Great

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<v Speaker 1>thanks Rob for having me again. It's a pleasure to

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<v Speaker 1>be here. And hello Joe, it's great to meet you. David. Now,

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<v Speaker 1>you have a great new podcast series out in our

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<v Speaker 1>cosmos through iHeart. How did you decide what path to

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<v Speaker 1>take with the podcast format? You know, it's a great

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<v Speaker 1>question I did. Truth is, I had not listened to

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<v Speaker 1>many podcasts at all. Now I have, but when I

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<v Speaker 1>first was putting this together with iHeart, I thought, look,

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<v Speaker 1>I want to do a forty five minute hour long

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<v Speaker 1>monologue every week. And that seemed like a terrific idea

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<v Speaker 1>at first, and then my wife says she was going

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<v Speaker 1>to kill me because it turns out that's a ton

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<v Speaker 1>of work. It takes me about, I don't know, about

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<v Speaker 1>twelve hours a week to get a good monologue that's

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<v Speaker 1>almost an hour long. So that's how I decided on

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<v Speaker 1>the format, because I thought it would be something special

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<v Speaker 1>rather than you know, I've been on many different podcasts

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<v Speaker 1>where we're doing interviews just like this and it's super fun.

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<v Speaker 1>But I wanted to do something different. So that's how

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<v Speaker 1>I accidentally stumbled into that format. So I figure we

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<v Speaker 1>should give people a taste of the kind of things

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<v Speaker 1>you talk about on your show. I got a chance

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<v Speaker 1>to listen to the episode you did about memory and

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<v Speaker 1>the perception of time, and I thought it was great,

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<v Speaker 1>by the way, a really great way to kick off

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<v Speaker 1>the show. So your starting premise in that episode was

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<v Speaker 1>that many people who have been through intense or life

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<v Speaker 1>threatening event, maybe falling off of a building or seeing

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<v Speaker 1>a car speeding toward them, report afterwards that time seemed

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<v Speaker 1>to have somehow slowed down for them during the pivotal

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<v Speaker 1>few seconds, almost as if they were able to enter

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<v Speaker 1>a state of slow motion or bullet time like from

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<v Speaker 1>the Matrix. Can you talk a bit about your research

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<v Speaker 1>on this subject and what you discovered about this perception. Yeah,

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<v Speaker 1>so my research, of course, started off very personal, which

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<v Speaker 1>is that I fell off of a house and it

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<v Speaker 1>seemed like things took a long time, and that's what

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<v Speaker 1>got me interested in this. Then when I got older

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<v Speaker 1>and became a neuroscientist, eventually I realized that I was

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<v Speaker 1>hearing this story not uncommonly from people who had been

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<v Speaker 1>in a gunfight or some scary situation or car accident

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<v Speaker 1>or whatever, and they felt that things took longer, and

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<v Speaker 1>so I looked in the literature and there was not

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<v Speaker 1>anything on this. So that's when I came drialized. I

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<v Speaker 1>was going to have to do this myself and figure

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<v Speaker 1>out how to run an experiment on this. So you know, briefly,

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<v Speaker 1>what I did is I built a device that I

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<v Speaker 1>hooked to people's wrists that flashed information them at the

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<v Speaker 1>met a certain way so that I could tell how

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<v Speaker 1>rapidly their brain was perceiving, and that way I could

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<v Speaker 1>test whether they were actually seeing in slow motion or

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<v Speaker 1>The whole thing was a trick of memory, meaning when

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<v Speaker 1>you were in an intense situation, you wrote down more memories.

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<v Speaker 1>So when you said, what has happened, which has happened

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<v Speaker 1>that it seemed like it must have taken longer because

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<v Speaker 1>you have all these memories. So what I did then

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<v Speaker 1>has dropped people from one hundred and fifty foot tall

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<v Speaker 1>tower in free fall backwards into a net below, and

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<v Speaker 1>I measured their perception of time on the way down

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<v Speaker 1>this way. And what I found after, you know, I

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<v Speaker 1>did this on myself, but then we dropped twenty three participants.

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<v Speaker 1>What I found is that it is in fact a

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<v Speaker 1>trick of memory, which is to say, when everything is

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<v Speaker 1>hitting the fan, your brain writes down much denser memory,

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<v Speaker 1>and when you read that back out, your brain has

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<v Speaker 1>to make an assumption about, you know, how much memory,

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<v Speaker 1>how much footage maps onto how much time, and so

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<v Speaker 1>it says, oh, wow, that must have been five seconds,

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<v Speaker 1>even though it was only one second worth. But the

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<v Speaker 1>point is people were not able to see in slow motion, which,

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<v Speaker 1>by the way, was disappointing for me because I already

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<v Speaker 1>had I was already talking with the military about building

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<v Speaker 1>cockpits in a way that flashed information more rapidly at

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<v Speaker 1>people when they in some intense situation. But it turns

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<v Speaker 1>out none of that makes the difference. You can't actually

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<v Speaker 1>get information in there faster, you can only remember it faster.

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<v Speaker 1>So there's not actually any increased ability of perception. It's

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<v Speaker 1>just a trick of the memory exactly. Now, it is

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<v Speaker 1>the case that you know a lot, You can do

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<v Speaker 1>a lot of things pre consciously, by which I mean

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<v Speaker 1>your conscious awareness of something is always the slowest thing

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<v Speaker 1>on the ladder to ever get any information. So by

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<v Speaker 1>the time your brain puts together all the signals and says, okay,

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<v Speaker 1>this is what just happened, you know, that's at least

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<v Speaker 1>half a second to a second behind real time. But

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<v Speaker 1>the point is your body can react much faster than that.

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<v Speaker 1>Your body can get signals and say, whoa, I got

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<v Speaker 1>to do something about this right away, and so you

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<v Speaker 1>can react, you know, often much faster than you can

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<v Speaker 1>be consciously aware. So you know, I don't know if

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<v Speaker 1>you've been on a I mean, this is what happened

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<v Speaker 1>to me recently. I was on a hike with a

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<v Speaker 1>friend and a branch snapped back, and I was, you know,

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<v Speaker 1>halfway into the move of ducking out of the way

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<v Speaker 1>of the branch before I consciously realized it. Or my

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<v Speaker 1>foot gets halfway to the break of my truck before

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<v Speaker 1>I realize that there's a car pulling out of the

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<v Speaker 1>driveway ahead of me. In other words, consciousness is always

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<v Speaker 1>the last guy on the ladder to get any information,

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<v Speaker 1>and your body can almost always react much faster. In fact,

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<v Speaker 1>let me just say what more example of that, which

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<v Speaker 1>is when I was younger, I used to play baseball,

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<v Speaker 1>and my experience was always that, you know, I'd be

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<v Speaker 1>waiting for the for the pitch, and then I would

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<v Speaker 1>realize after it had happened that I had already hit

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<v Speaker 1>the ball, and I would consciously realize, oh, I have

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<v Speaker 1>just hit the ball. Now throw the bat and run.

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<v Speaker 1>But you know, the whole thing, the ball moving from

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<v Speaker 1>the mound to the plate, and the swing and the batting,

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<v Speaker 1>that's all a really fast process, and it often happens

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<v Speaker 1>preconsciously somewhat related to that. This raises questions about the

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<v Speaker 1>different kinds of circumstances that would favor the perception of

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<v Speaker 1>slow motion in intense situations or not. So. My example

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<v Speaker 1>was there was one night years ago I was driving

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<v Speaker 1>under an overpass and there was a sudden deafening sound

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<v Speaker 1>and a shutter, And what my wife and I deduced

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<v Speaker 1>later was that somehow like a brick had fallen from

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<v Speaker 1>above and hit the roof of our car just above

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<v Speaker 1>the windshield as we passed under at highway speed. And

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<v Speaker 1>I don't know if somebody threw it or if it

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<v Speaker 1>somehow just fell, but I not only don't recall a

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<v Speaker 1>feeling of stretched time or a greater density of memories

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<v Speaker 1>right before and after the impact, I felt almost a

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<v Speaker 1>kind of retrospective amnesia, like a real paucity of detail,

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<v Speaker 1>And it was like we were suddenly a good ways

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<v Speaker 1>down the road and just trying to remember or figure

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<v Speaker 1>out what had happened. Yeah, that's exactly right. It's because

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<v Speaker 1>you didn't write down any memory. And this is generally

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<v Speaker 1>because as you are taking a drive down the highway,

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<v Speaker 1>your brain is writing down very little stuff going on.

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<v Speaker 1>In fact, the interesting part is that although we think

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<v Speaker 1>about memory is being like a video recorder or something,

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<v Speaker 1>in fact it's nothing like that. You write down very

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<v Speaker 1>little of what happens in your life, especially when you're

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<v Speaker 1>driving on a road you've been down before. So what

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<v Speaker 1>happened is there's the deafening crash and suddenly thinking what

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<v Speaker 1>just happened? What just happened? And you've got nothing to

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<v Speaker 1>draw on. There's just no footage there. And by the way,

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<v Speaker 1>just as a very quick side note, I think this

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<v Speaker 1>is what happens to people when they are high on marijuana.

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<v Speaker 1>Is they say, oh, my gosh, how long have I

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<v Speaker 1>been standing here? It's like I'm standing here forever. And

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<v Speaker 1>it's because they're not writing down memories in the same way.

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<v Speaker 1>So when their brain looks for how long have I

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<v Speaker 1>been standing here, what it's looking for is footage in time,

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<v Speaker 1>as in, Okay, I remember getting here, I remember this happening.

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<v Speaker 1>Someone said this, and someone put the glass down and

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<v Speaker 1>blah blah blah, so that I can estimate how long

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<v Speaker 1>it's been there. But suddenly it can't grab onto any

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<v Speaker 1>memories at all, and so suddenly people are lost in time. Anyway,

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<v Speaker 1>So this is Joe exactly what happens when people suddenly

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<v Speaker 1>are hit by a car that they don't see coming,

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<v Speaker 1>like a car tee bones them or something. Or I

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<v Speaker 1>might have mentioned in the podcast, I can't remember that,

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<v Speaker 1>you know. I was once riding my bike and the

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<v Speaker 1>wheel suddenly dropped in a pothole and I went flying

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<v Speaker 1>over the handlebars. But because I didn't see that coming,

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<v Speaker 1>I just had the sensation of suddenly, oh my god,

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<v Speaker 1>what's just you know, here I'm lying on the asphalt, bloody,

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<v Speaker 1>and I have no idea what just happened. And it's

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<v Speaker 1>precisely because you're not running down any memories. So when

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<v Speaker 1>your brain says, what does happened? Which has happened, there's

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<v Speaker 1>nothing to draw on, as opposed to the brick sliding

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<v Speaker 1>on ice towards the brick wall phenomenon, which is where

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<v Speaker 1>you say, oh my gosh, I'm predicting what's going to

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<v Speaker 1>happen and this is really gonna hurt, this is gonna

0:12:15.040 --> 0:12:17.320
<v Speaker 1>be bad, And that's when you're writing down lots of stuff.

0:12:17.679 --> 0:12:19.920
<v Speaker 1>So would you say you're more likely to have this

0:12:20.679 --> 0:12:26.080
<v Speaker 1>memory density perception number one if you see the event

0:12:26.280 --> 0:12:29.679
<v Speaker 1>coming ahead of time, there's there's expectation of it. But

0:12:29.800 --> 0:12:34.960
<v Speaker 1>also if you're just generally in a novel or unusual situation, yeah,

0:12:35.000 --> 0:12:38.120
<v Speaker 1>that's exactly right. Actually, so two aspects of that. One

0:12:38.280 --> 0:12:40.360
<v Speaker 1>is that I just mentioned a moment ago that you

0:12:40.400 --> 0:12:43.600
<v Speaker 1>write down very little memory, and that's because as an

0:12:43.679 --> 0:12:46.760
<v Speaker 1>adult now, your brain has sort of figured out a

0:12:46.760 --> 0:12:49.440
<v Speaker 1>pretty good model of the world, meaning you don't need

0:12:49.480 --> 0:12:52.720
<v Speaker 1>to write stuff down because you've seen all the personalities before,

0:12:52.800 --> 0:12:56.840
<v Speaker 1>you've seen different cities before, you've seen roads and people

0:12:56.960 --> 0:12:59.400
<v Speaker 1>and events and television shows, and you sort of you

0:12:59.480 --> 0:13:02.840
<v Speaker 1>sort of got it. But if something really novel happens,

0:13:02.960 --> 0:13:05.319
<v Speaker 1>that's when your brain writes something down and says, whoa

0:13:05.360 --> 0:13:08.679
<v Speaker 1>wait a minute, I'm surprised, And that's when stuff starts

0:13:08.679 --> 0:13:10.760
<v Speaker 1>getting written down. So when you look back at the

0:13:11.000 --> 0:13:13.880
<v Speaker 1>end of let's say a novel event, let's say you

0:13:13.920 --> 0:13:16.959
<v Speaker 1>go on some really wild trip on the weekend to

0:13:17.040 --> 0:13:19.600
<v Speaker 1>glopos islands and you see new things and so on,

0:13:19.960 --> 0:13:21.839
<v Speaker 1>then it seems like forever since you were at work

0:13:21.920 --> 0:13:23.920
<v Speaker 1>on Friday. But if you just go off for a

0:13:23.960 --> 0:13:26.520
<v Speaker 1>normal weekend and you come back to work, you think, oh,

0:13:26.520 --> 0:13:28.400
<v Speaker 1>I was just here because he didn't lay down any

0:13:28.440 --> 0:13:33.560
<v Speaker 1>new memories over the weekend. So it is true that

0:13:33.720 --> 0:13:37.080
<v Speaker 1>things that are novel generally seem to last longer. However,

0:13:37.280 --> 0:13:41.240
<v Speaker 1>it should be noted that when things are actually life threatening,

0:13:41.720 --> 0:13:45.440
<v Speaker 1>you have essentially an emergency response memory system that kicks

0:13:45.440 --> 0:13:49.480
<v Speaker 1>into gear. That is a secondary track on which you

0:13:49.520 --> 0:13:52.959
<v Speaker 1>write down memory. And this is underpinned by a part

0:13:52.960 --> 0:13:55.720
<v Speaker 1>of the brain called the amygla and its job is

0:13:55.760 --> 0:13:59.760
<v Speaker 1>to say, WHOA, everything is going really bad and scary here,

0:14:00.160 --> 0:14:02.120
<v Speaker 1>and I got to write this down because that, after all,

0:14:02.240 --> 0:14:04.800
<v Speaker 1>is the point of memory, is to make sure that

0:14:04.840 --> 0:14:08.320
<v Speaker 1>you write down stuff that is important and specifically life

0:14:08.400 --> 0:14:12.720
<v Speaker 1>threateningly important. So if the normal memory system, would that

0:14:12.720 --> 0:14:16.760
<v Speaker 1>be the hippocampal memory system exactly, If that's the normal

0:14:16.800 --> 0:14:20.320
<v Speaker 1>memory system, and then the amygdala tends to be recruited

0:14:20.440 --> 0:14:24.520
<v Speaker 1>in intense situations. Do we know generally if there is

0:14:24.600 --> 0:14:30.320
<v Speaker 1>any if there are any characteristic differences between how memories

0:14:30.320 --> 0:14:34.440
<v Speaker 1>are recorded in the hipocampus versus the amygdala. Yeah, and

0:14:34.640 --> 0:14:37.040
<v Speaker 1>it turns out it's a it's a it's a tragic one,

0:14:37.120 --> 0:14:43.680
<v Speaker 1>which is that amygdala memories are uneasable, whereas hippocampal memories

0:14:43.720 --> 0:14:46.800
<v Speaker 1>can be erased. So let me unpack this because there's

0:14:46.800 --> 0:14:49.600
<v Speaker 1>two surprising parts here. So first of all, the fact

0:14:49.600 --> 0:14:53.960
<v Speaker 1>that hippocampal memories can be erased is terrifying and weird

0:14:54.000 --> 0:14:57.960
<v Speaker 1>and wild, which is, if I ask you to recall

0:14:58.040 --> 0:15:02.760
<v Speaker 1>the name of your fifth grade teacher and then suddenly

0:15:04.000 --> 0:15:07.000
<v Speaker 1>that brick drops off the highway bridge and hits you

0:15:07.040 --> 0:15:10.200
<v Speaker 1>in the head. God forbid, let's say that happens. You

0:15:10.240 --> 0:15:14.400
<v Speaker 1>will now have amnesia. For that one fact. You will

0:15:14.440 --> 0:15:18.240
<v Speaker 1>not remember anything about your fifth grade teacher anymore about

0:15:18.280 --> 0:15:21.320
<v Speaker 1>the at least the fifth grade teacher's name. Why. It's

0:15:21.360 --> 0:15:24.600
<v Speaker 1>because the name of your fifth grade teacher is stored

0:15:24.720 --> 0:15:26.720
<v Speaker 1>deep in the structure of your brain, and when I

0:15:26.720 --> 0:15:30.640
<v Speaker 1>ask you to recall it, you're actually transferring it from

0:15:30.680 --> 0:15:36.520
<v Speaker 1>that structural form into activity, you know, spikes in the brain.

0:15:36.600 --> 0:15:40.240
<v Speaker 1>And that's how you're remembering the name of your teacher. Now,

0:15:40.280 --> 0:15:44.000
<v Speaker 1>when you're done remembering it, it has to get reconsolidated

0:15:44.080 --> 0:15:46.440
<v Speaker 1>back into its physical form, and if you get hit

0:15:46.520 --> 0:15:51.400
<v Speaker 1>in the head during that moment, it's gone. It's now

0:15:51.800 --> 0:15:53.840
<v Speaker 1>you know, it's been transferred from the physical to the

0:15:54.560 --> 0:15:57.800
<v Speaker 1>you know, activity in spikes and if you you know,

0:15:57.840 --> 0:16:00.600
<v Speaker 1>before it gets transferred back into the physical, it is

0:16:00.640 --> 0:16:04.560
<v Speaker 1>susceptible to erasure, which is weird and terrifying. And by

0:16:04.560 --> 0:16:07.800
<v Speaker 1>the way, this can also be done with protein synthesis inhibitors.

0:16:08.360 --> 0:16:11.160
<v Speaker 1>So people do this in rats. They've been doing this

0:16:11.200 --> 0:16:13.400
<v Speaker 1>for decades, where you know, you train a rat how

0:16:13.440 --> 0:16:16.400
<v Speaker 1>to run different mazes, and then you put the rat

0:16:16.520 --> 0:16:19.160
<v Speaker 1>on a particular maze where the rat has to remember, oh, yeah,

0:16:19.200 --> 0:16:21.720
<v Speaker 1>that's this one, and then you just feed the rat

0:16:21.760 --> 0:16:26.400
<v Speaker 1>a protein synthesis inhibitor, and now it cannot reconsolidate that

0:16:26.480 --> 0:16:31.080
<v Speaker 1>memory into physical form. So number one is hypocampal memories

0:16:31.120 --> 0:16:34.160
<v Speaker 1>can be erased. The number two point is that amiglo

0:16:34.240 --> 0:16:37.000
<v Speaker 1>memories cannot be erased, which is to say, when you

0:16:37.120 --> 0:16:41.680
<v Speaker 1>recruit the emergency control system to say, wow, this is

0:16:41.720 --> 0:16:46.720
<v Speaker 1>really important, write this down, then those are permanent. Which

0:16:46.880 --> 0:16:49.960
<v Speaker 1>the reason I say that's unfortunate is because those are

0:16:49.960 --> 0:16:51.840
<v Speaker 1>the ones that people want to race. In other words.

0:16:51.840 --> 0:16:54.400
<v Speaker 1>You know, let's say a rape victim or something like that.

0:16:54.400 --> 0:16:56.960
<v Speaker 1>That is the one thing that she wants to forget

0:16:57.400 --> 0:17:00.960
<v Speaker 1>more than anything, but cannot. Now, I was checking out

0:17:02.080 --> 0:17:03.760
<v Speaker 1>the show as well, and I was listening to your

0:17:03.800 --> 0:17:05.679
<v Speaker 1>I believe this is an episode from just earlier this

0:17:05.720 --> 0:17:09.560
<v Speaker 1>week on the topic of animal uplift, which I don't

0:17:09.560 --> 0:17:12.119
<v Speaker 1>think is a term that I was familiar with. Can

0:17:12.160 --> 0:17:14.399
<v Speaker 1>you give us a brief taste, a brief overview of

0:17:14.480 --> 0:17:18.680
<v Speaker 1>what animal uplift is. Yeah, it's this idea that you know, look,

0:17:18.800 --> 0:17:21.840
<v Speaker 1>the human brain is made out of exactly the same

0:17:21.880 --> 0:17:24.840
<v Speaker 1>stuff that a mouse brain, the dog brain, the giraffe brain.

0:17:24.920 --> 0:17:26.520
<v Speaker 1>You know, it's all the same stuff. It's got the

0:17:26.560 --> 0:17:29.399
<v Speaker 1>same anatomy, same general structure. We just have more of

0:17:29.440 --> 0:17:34.280
<v Speaker 1>this wrinkly outer bit called the cortex. And but somehow

0:17:35.000 --> 0:17:37.720
<v Speaker 1>we are you know, we've taken over the whole planet

0:17:37.760 --> 0:17:39.560
<v Speaker 1>as a species. We've gotten off the planet, We've made

0:17:39.640 --> 0:17:43.480
<v Speaker 1>vaccines and internet and quantum mechanics and so like, there's

0:17:43.480 --> 0:17:47.240
<v Speaker 1>some real difference in what we are doing versus our

0:17:47.280 --> 0:17:52.000
<v Speaker 1>neighbors in the animal kingdom, But the genetic differences, as

0:17:52.040 --> 0:17:54.040
<v Speaker 1>you know, are not that much. I mean, we have

0:17:54.359 --> 0:17:57.440
<v Speaker 1>enormous similarity with almost every Like if you're building a giraffe,

0:17:57.440 --> 0:17:58.960
<v Speaker 1>you've got to build the heart and the lungs and

0:17:59.000 --> 0:18:01.439
<v Speaker 1>the brain and then theophagus, and all that stuff is

0:18:01.760 --> 0:18:04.520
<v Speaker 1>really the same stuff. And so it's just some small

0:18:04.600 --> 0:18:08.640
<v Speaker 1>algorithmic difference in the DNA that's making our brain run

0:18:08.680 --> 0:18:11.240
<v Speaker 1>in a more souped up way. Okay, the idea of

0:18:11.280 --> 0:18:14.800
<v Speaker 1>animal uplift is if we can figure that out, and

0:18:14.840 --> 0:18:16.840
<v Speaker 1>this won't happen, you know, for at least a few

0:18:16.840 --> 0:18:19.760
<v Speaker 1>more decades, but if we can figure out, ah, here's

0:18:19.800 --> 0:18:22.200
<v Speaker 1>the sequence of a's and seas and teas and geese

0:18:22.520 --> 0:18:27.199
<v Speaker 1>that gives us this high intelligence. The question is should

0:18:27.280 --> 0:18:34.520
<v Speaker 1>we give this to animals? Should we help animals become intelligent? Now,

0:18:34.640 --> 0:18:38.640
<v Speaker 1>let me just mention this is an area that bioethicists

0:18:38.640 --> 0:18:42.359
<v Speaker 1>and philosophers and neuroscientists have been talking about for a while,

0:18:42.640 --> 0:18:45.159
<v Speaker 1>and there's plenty of debate about it. On one end

0:18:45.160 --> 0:18:47.320
<v Speaker 1>of the spectrum. You have people say that's a terrible idea,

0:18:47.320 --> 0:18:49.520
<v Speaker 1>we wouldn't want to give intelligence animals, and other people

0:18:49.560 --> 0:18:52.719
<v Speaker 1>say it's a moral obligation in the same way that

0:18:52.920 --> 0:18:56.240
<v Speaker 1>you know, if we know how to fix some viral

0:18:56.320 --> 0:18:58.800
<v Speaker 1>disease or fix a broken leg or something. Of course

0:18:58.840 --> 0:19:00.920
<v Speaker 1>you should do this for your dog instead of let

0:19:00.920 --> 0:19:04.840
<v Speaker 1>your dog, you know, not have the medical advances that

0:19:04.880 --> 0:19:07.800
<v Speaker 1>we have made. So anyway, it's a big debate. But

0:19:07.840 --> 0:19:10.440
<v Speaker 1>this is the idea of animal uplift. You make an

0:19:10.480 --> 0:19:14.320
<v Speaker 1>animal as intelligent as a human. And I just find

0:19:14.359 --> 0:19:18.879
<v Speaker 1>this area fascinating. And you know, as I proposed in

0:19:18.920 --> 0:19:23.320
<v Speaker 1>the podcast, what would the consequences of this be in

0:19:23.440 --> 0:19:26.760
<v Speaker 1>terms of, you know, will World War five be fought

0:19:26.840 --> 0:19:31.240
<v Speaker 1>by other animal species not just humans? And you know,

0:19:31.440 --> 0:19:35.199
<v Speaker 1>and the way I sort of introduced the podcast is

0:19:35.720 --> 0:19:37.920
<v Speaker 1>with this question of what don't my kids look back

0:19:37.920 --> 0:19:41.520
<v Speaker 1>on or my grandkids. Obviously there's lots of things that

0:19:41.560 --> 0:19:45.080
<v Speaker 1>will be very different about our world right now and

0:19:45.520 --> 0:19:47.600
<v Speaker 1>their world and let's say fifty years from now, but

0:19:47.720 --> 0:19:50.800
<v Speaker 1>one of them is will they look back and say, Wow,

0:19:50.840 --> 0:19:53.160
<v Speaker 1>I can't believe there was a time when humans were

0:19:53.160 --> 0:19:55.640
<v Speaker 1>the only species on Earth that was really doing anything

0:19:56.080 --> 0:19:59.320
<v Speaker 1>and now we've got all these other you know, crows

0:19:59.480 --> 0:20:05.920
<v Speaker 1>running unit versities, and donkeys programming computers and whatever, gophers

0:20:05.960 --> 0:20:20.959
<v Speaker 1>in the Senate so on. So one idea of yours

0:20:21.280 --> 0:20:23.159
<v Speaker 1>that I came across because Rob senate to me and

0:20:23.200 --> 0:20:28.200
<v Speaker 1>I found really interesting was from a paper you published

0:20:28.240 --> 0:20:31.560
<v Speaker 1>in twenty twenty one. I think maybe in Frontiers and Neuroscience,

0:20:31.560 --> 0:20:37.080
<v Speaker 1>offering a hypothesis about the adaptive function of dreams, which

0:20:37.160 --> 0:20:42.160
<v Speaker 1>you call the defensive activation theory. Could could you lay

0:20:42.160 --> 0:20:46.080
<v Speaker 1>out what is the basic controversy about the biological function

0:20:46.160 --> 0:20:50.520
<v Speaker 1>of dreams and how your proposed solution here would would

0:20:50.880 --> 0:20:53.760
<v Speaker 1>answer this question. Yes, so it turns out there is

0:20:53.840 --> 0:20:58.800
<v Speaker 1>no controversy about the purpose of dreams because nobody knows, right, everyone,

0:20:59.560 --> 0:21:01.960
<v Speaker 1>I mean in the sense of everyone's got a little

0:21:02.040 --> 0:21:07.000
<v Speaker 1>hypothesis about it, but really it's it's complicated, and people think, well,

0:21:07.040 --> 0:21:08.720
<v Speaker 1>maybe it has something to do with learning and memory.

0:21:08.760 --> 0:21:12.640
<v Speaker 1>Maybe it just has to do with, you know, energy restoration.

0:21:12.840 --> 0:21:16.320
<v Speaker 1>Maybe it has to do with you know. Obviously, the

0:21:16.320 --> 0:21:19.199
<v Speaker 1>Freudians thought that there was some important meaning in the

0:21:19.280 --> 0:21:21.880
<v Speaker 1>content of dreams and so on, but no one really knows,

0:21:21.920 --> 0:21:25.359
<v Speaker 1>and certainly no one has a quantitative hypothesis that can

0:21:25.400 --> 0:21:27.959
<v Speaker 1>make predictions about dreams and how much dream time we have.

0:21:28.960 --> 0:21:33.760
<v Speaker 1>But my student and I developed a theory that actually

0:21:33.800 --> 0:21:37.760
<v Speaker 1>does make quantitative predictions across animal species about it predicts

0:21:37.800 --> 0:21:42.320
<v Speaker 1>actually how much each animal species will dream. And to

0:21:42.359 --> 0:21:44.800
<v Speaker 1>explain something to take one step back, which is about

0:21:45.280 --> 0:21:49.320
<v Speaker 1>brain plasticity, which is this term that we use to

0:21:49.440 --> 0:21:52.560
<v Speaker 1>explain that the brain is very malleable, the human brain

0:21:52.600 --> 0:21:56.760
<v Speaker 1>in particular, and it's constantly reconfiguring its own circuitry and

0:21:56.800 --> 0:22:00.080
<v Speaker 1>that's how it learns and remembers, and that's how it

0:22:00.160 --> 0:22:03.600
<v Speaker 1>learns new skills and all that. So it turns out,

0:22:03.840 --> 0:22:06.000
<v Speaker 1>this is what my last book, Live Wired was about,

0:22:06.600 --> 0:22:10.400
<v Speaker 1>is the massive flexibility of the brain. It turns out

0:22:10.960 --> 0:22:14.000
<v Speaker 1>is probably a lot of people already into it. If

0:22:14.040 --> 0:22:18.280
<v Speaker 1>you go blind at a young age, the visual part

0:22:18.280 --> 0:22:21.320
<v Speaker 1>of your brain gets taken over, and in fact, if

0:22:21.320 --> 0:22:25.280
<v Speaker 1>you're born blind, that takeover is complete. The rest of

0:22:25.320 --> 0:22:28.679
<v Speaker 1>the territories in your brain involved in hearing and touch

0:22:28.800 --> 0:22:32.240
<v Speaker 1>and other things, these all take over what we would

0:22:32.280 --> 0:22:35.280
<v Speaker 1>normally think of as the visual cortex, and it's no

0:22:35.359 --> 0:22:39.840
<v Speaker 1>longer visual. It's now, you know, subserving other functions. Okay.

0:22:40.000 --> 0:22:43.000
<v Speaker 1>One of the surprises in neuroscience was a study that

0:22:43.040 --> 0:22:45.520
<v Speaker 1>came out about a decade ago from some colleagues of

0:22:45.560 --> 0:22:47.600
<v Speaker 1>Mind and Harvard, where they put people in a scanner.

0:22:47.960 --> 0:22:51.919
<v Speaker 1>These are normally cited people but they blindfolded them tightly,

0:22:52.200 --> 0:22:53.639
<v Speaker 1>and they put them in the scanner and they were

0:22:53.680 --> 0:22:56.879
<v Speaker 1>looking at their brains response to touch or to sound

0:22:57.000 --> 0:22:59.600
<v Speaker 1>or things like that. And what they found, to their surprise,

0:22:59.720 --> 0:23:03.560
<v Speaker 1>is that after an hour, you could start seeing the

0:23:03.640 --> 0:23:08.000
<v Speaker 1>first hints of signals in the visual cortex in response

0:23:08.040 --> 0:23:11.679
<v Speaker 1>to touch and sounds. So, in other words, the visual

0:23:11.720 --> 0:23:16.360
<v Speaker 1>cortex was starting to get annexed from these other territories

0:23:16.440 --> 0:23:20.200
<v Speaker 1>that they've touched and sound after one hour. And so

0:23:20.280 --> 0:23:23.440
<v Speaker 1>this was a much more rapid kind of movement than

0:23:23.480 --> 0:23:27.560
<v Speaker 1>anyone had expected. And so what my student and I

0:23:27.560 --> 0:23:34.160
<v Speaker 1>immediately realized is that this is the basis of dreaming.

0:23:34.200 --> 0:23:38.080
<v Speaker 1>It's because we are on a planet that rotates, and

0:23:38.520 --> 0:23:41.160
<v Speaker 1>we spend half our time in the darkness, away from

0:23:41.359 --> 0:23:44.080
<v Speaker 1>the light of our star. And so in the dark

0:23:44.119 --> 0:23:46.120
<v Speaker 1>you can still hear and touch and taste and smell

0:23:46.200 --> 0:23:48.760
<v Speaker 1>just fine, but you can't see. And obviously I'm talking

0:23:48.800 --> 0:23:54.760
<v Speaker 1>about evolutionary time, you know, not our modern electricity blessed times.

0:23:55.040 --> 0:23:59.560
<v Speaker 1>And so what this means is the visual system in

0:23:59.600 --> 0:24:02.399
<v Speaker 1>particular has a real disadvantage, which is it is in

0:24:02.560 --> 0:24:06.240
<v Speaker 1>danger of getting taken over from the other senses. And

0:24:06.280 --> 0:24:09.120
<v Speaker 1>this is because of the brain's great plasticity, and so

0:24:09.200 --> 0:24:12.600
<v Speaker 1>as a result, the visual system needs a way to

0:24:12.640 --> 0:24:16.800
<v Speaker 1>defend its territory during the night, and that's what dreaming is.

0:24:16.880 --> 0:24:21.920
<v Speaker 1>Dreaming is essentially a screensaver. It's making sure that at nighttime,

0:24:22.320 --> 0:24:24.440
<v Speaker 1>when you're curled up in the corner of your cave,

0:24:24.680 --> 0:24:28.440
<v Speaker 1>staying out of trouble, sleeping and sleeping as other benefits

0:24:28.480 --> 0:24:30.760
<v Speaker 1>too in terms of energy restoration and so on. But

0:24:30.920 --> 0:24:33.399
<v Speaker 1>when that's happening, you know, you can still feel if

0:24:33.400 --> 0:24:35.920
<v Speaker 1>something touches your skin, or if you're smelling something or whatever.

0:24:35.920 --> 0:24:37.600
<v Speaker 1>All that can still function in the dark, but you're

0:24:37.600 --> 0:24:40.280
<v Speaker 1>not seeing anything at all. And so what happens is

0:24:40.280 --> 0:24:43.800
<v Speaker 1>you've got this circuitry that just blows activity into the

0:24:43.880 --> 0:24:47.399
<v Speaker 1>visual system to make sure it stays active during the night.

0:24:47.440 --> 0:24:51.000
<v Speaker 1>Every ninety minutes, you have this wave of active, random

0:24:51.000 --> 0:24:53.560
<v Speaker 1>activity that just gets blown in there. And because we're

0:24:53.640 --> 0:24:56.800
<v Speaker 1>visual creatures, we see we have full, rich visual experience

0:24:56.800 --> 0:24:58.800
<v Speaker 1>even though our eyes are closed and it's dark out,

0:25:00.080 --> 0:25:03.120
<v Speaker 1>and it's because we are just making sure the brain

0:25:03.200 --> 0:25:06.679
<v Speaker 1>is making sure that it's keeping this competition going so

0:25:06.720 --> 0:25:10.280
<v Speaker 1>the visual system doesn't get taken over. Interestingly, dream sleep

0:25:10.280 --> 0:25:13.280
<v Speaker 1>is something we find across the animal kingdom. But what

0:25:13.320 --> 0:25:16.600
<v Speaker 1>we were able to demonstrate is that it correlates with

0:25:16.600 --> 0:25:21.440
<v Speaker 1>how plastic the animal species is. So some animals drop

0:25:21.480 --> 0:25:23.720
<v Speaker 1>out of the womb and they figure out in thirty

0:25:23.720 --> 0:25:26.120
<v Speaker 1>minutes how to run, how to walk, very quickly, they

0:25:26.520 --> 0:25:30.679
<v Speaker 1>reach adolescents, they can reproduce all kind of you know,

0:25:30.680 --> 0:25:33.840
<v Speaker 1>they're just they're obviously very preprogrammed, let's just put it

0:25:33.880 --> 0:25:37.800
<v Speaker 1>that way. But other creatures, like humans, are extremely plastic.

0:25:37.880 --> 0:25:40.440
<v Speaker 1>We take forever to learn how to walk, to wean,

0:25:41.200 --> 0:25:46.320
<v Speaker 1>to reproductive age, things like that, precisely because we're extremely plastic,

0:25:46.640 --> 0:25:50.359
<v Speaker 1>and so we have lots of dreaming because we have

0:25:50.440 --> 0:25:54.119
<v Speaker 1>to protect our visual cortex at night. But other animals

0:25:54.119 --> 0:25:57.720
<v Speaker 1>that are, you know, these pre program types, they have

0:25:58.359 --> 0:26:00.920
<v Speaker 1>just a tiny bit of visual dreaming, but not a lot.

0:26:01.480 --> 0:26:03.480
<v Speaker 1>And by the way, I'll just mention that the amount

0:26:03.520 --> 0:26:07.520
<v Speaker 1>of visual dreaming we have goes down with age. So

0:26:07.560 --> 0:26:09.719
<v Speaker 1>as an infant, you're dreaming all the time, and as

0:26:09.720 --> 0:26:11.800
<v Speaker 1>you get older and older, you dream less and less

0:26:11.840 --> 0:26:14.920
<v Speaker 1>as a fraction of your sleep. And you know, that's

0:26:14.960 --> 0:26:18.040
<v Speaker 1>just a correlation. But in theory, what that suggests is,

0:26:18.440 --> 0:26:21.400
<v Speaker 1>you know, as an infant, your visual system is very

0:26:22.040 --> 0:26:24.399
<v Speaker 1>highly at risk of getting taken over, and as you

0:26:24.440 --> 0:26:26.920
<v Speaker 1>get older and things get more cemented into place, it's

0:26:27.000 --> 0:26:28.680
<v Speaker 1>less at risk of getting taken over, so you don't

0:26:28.680 --> 0:26:31.600
<v Speaker 1>need as much screen saver time. Incidentally, this kind of

0:26:31.600 --> 0:26:35.160
<v Speaker 1>reminds me of studies I've read on a related subject,

0:26:35.200 --> 0:26:41.000
<v Speaker 1>which is prolonged blindfolding of normally cited people who apparently

0:26:41.000 --> 0:26:44.480
<v Speaker 1>it's very common for people under those circumstances to experience

0:26:44.520 --> 0:26:47.760
<v Speaker 1>a lot of visual hallucinations. Does that have any relationship

0:26:47.840 --> 0:26:49.840
<v Speaker 1>to what you're talking about here? It does, thank you

0:26:49.880 --> 0:26:52.439
<v Speaker 1>for asking us, perfect because this is all part of

0:26:52.480 --> 0:26:56.760
<v Speaker 1>the defensive activation theory, which is to say, if a

0:26:56.840 --> 0:27:00.600
<v Speaker 1>system is used to having data coming in and suddenly

0:27:00.960 --> 0:27:04.399
<v Speaker 1>it's not getting that data anymore, it fights back from

0:27:04.440 --> 0:27:07.200
<v Speaker 1>the inside. It starts producing that data itself. So one

0:27:07.240 --> 0:27:10.880
<v Speaker 1>example of this is let's say, blindfolding, or you also

0:27:10.960 --> 0:27:14.480
<v Speaker 1>see this, for example in you know, when people get

0:27:14.480 --> 0:27:18.160
<v Speaker 1>thrown in solitary confinement in the dark, they start having hallucinations,

0:27:18.200 --> 0:27:21.480
<v Speaker 1>both auditory and visual because they're not getting that data

0:27:21.520 --> 0:27:23.359
<v Speaker 1>and they're used to it, they're supposed to get it.

0:27:23.520 --> 0:27:27.120
<v Speaker 1>There's also something called bonnet syndrome Charles Bonnet syndrome, which

0:27:27.160 --> 0:27:30.200
<v Speaker 1>is people start losing their vision, but they don't realize

0:27:30.200 --> 0:27:33.240
<v Speaker 1>that they're losing their vision because they start having hallucinations

0:27:33.240 --> 0:27:37.639
<v Speaker 1>that essentially fill in for them. This is all the

0:27:37.680 --> 0:27:40.160
<v Speaker 1>same issue, though, which is that the brain is used

0:27:40.160 --> 0:27:43.120
<v Speaker 1>to getting certain inputs, suddenly it's not getting it anymore,

0:27:43.160 --> 0:27:47.040
<v Speaker 1>and so it starts generating itself when more example is tenitis,

0:27:47.080 --> 0:27:50.000
<v Speaker 1>which is ringing in the ears. This typically comes about

0:27:50.080 --> 0:27:54.680
<v Speaker 1>because somebody loses hearing in some frequency or some band

0:27:54.680 --> 0:27:57.200
<v Speaker 1>of frequencies, and the brain says, wait a minute, I'm

0:27:57.200 --> 0:28:00.800
<v Speaker 1>not hearing anything at twelve thousand hurts anymore are so

0:28:00.840 --> 0:28:03.560
<v Speaker 1>I'm going to start making myself whip and it starts

0:28:03.680 --> 0:28:07.480
<v Speaker 1>making this sound by itself. So this all falls under

0:28:07.520 --> 0:28:11.240
<v Speaker 1>the defensive activation theory. One of the interesting things I

0:28:11.280 --> 0:28:16.480
<v Speaker 1>recall about the studies on prolonged blindfolding was that the

0:28:16.520 --> 0:28:20.879
<v Speaker 1>hallucinations that were reported were not entirely random. So it

0:28:20.920 --> 0:28:23.520
<v Speaker 1>wasn't just you know, people seeing strange scenes play out

0:28:23.520 --> 0:28:27.360
<v Speaker 1>in front of them that they would often hallucinate stuff

0:28:27.400 --> 0:28:30.439
<v Speaker 1>that you would expect to see in that place in

0:28:30.440 --> 0:28:33.600
<v Speaker 1>the room based on other senses. So like if they

0:28:33.680 --> 0:28:35.800
<v Speaker 1>heard someone come to the door of the room, they

0:28:35.840 --> 0:28:39.960
<v Speaker 1>would hallucinate the image of that person in the door. Yeah,

0:28:40.000 --> 0:28:43.680
<v Speaker 1>that's perfect. And by the way, I think this also

0:28:43.920 --> 0:28:47.400
<v Speaker 1>has a lot to tell us about dream content because

0:28:47.720 --> 0:28:50.240
<v Speaker 1>the thing about dreams, I love the way you put this,

0:28:50.320 --> 0:28:53.000
<v Speaker 1>because you could, in theory dream about anything at all.

0:28:53.040 --> 0:28:57.360
<v Speaker 1>You could dream that you are in Cambodia and that

0:28:57.440 --> 0:29:01.640
<v Speaker 1>you are in the fourteen hundreds and you're a magician

0:29:01.720 --> 0:29:03.880
<v Speaker 1>who's doing something. But but you know, you tend to

0:29:03.920 --> 0:29:06.240
<v Speaker 1>dream about you know, your work and your spouse and

0:29:06.320 --> 0:29:08.880
<v Speaker 1>your drive and whatever, you know, things that are more

0:29:08.960 --> 0:29:13.440
<v Speaker 1>local to you. And and it's precisely because when you

0:29:14.120 --> 0:29:18.880
<v Speaker 1>slam random activity into the visual system, the synapse is

0:29:18.920 --> 0:29:22.720
<v Speaker 1>the connections that are essentially hot from the day's work. Um,

0:29:23.160 --> 0:29:25.200
<v Speaker 1>you know, those those are the things that tend to

0:29:25.240 --> 0:29:29.600
<v Speaker 1>get activated. And the association's very loose in a sleeping

0:29:29.720 --> 0:29:32.480
<v Speaker 1>dream state. And so what happens is, you know, things

0:29:32.480 --> 0:29:36.800
<v Speaker 1>can go off on weird tangents, but physics still works

0:29:36.800 --> 0:29:39.440
<v Speaker 1>fine in a dream. You know, rocks don't float upwards

0:29:39.440 --> 0:29:43.040
<v Speaker 1>and stuff like that, and so, um, you know, essentially

0:29:43.120 --> 0:29:47.120
<v Speaker 1>you're just rebooting things that were there during the day.

0:29:47.440 --> 0:29:51.040
<v Speaker 1>And and this is closely related to what you're saying about, um,

0:29:51.560 --> 0:29:53.800
<v Speaker 1>you know, all the associations that your brain builds up

0:29:53.840 --> 0:29:56.160
<v Speaker 1>over a lifetime. So you hear the voice and you're

0:29:56.160 --> 0:30:00.440
<v Speaker 1>expecting to see that person, and that's exactly what what happens. Actually,

0:30:00.440 --> 0:30:02.560
<v Speaker 1>I just want to mention one other thing about the dreams,

0:30:03.000 --> 0:30:06.720
<v Speaker 1>which is people will often ask me, well, what about

0:30:06.760 --> 0:30:09.719
<v Speaker 1>a blind person, how do they dream? And the answer is,

0:30:10.360 --> 0:30:13.160
<v Speaker 1>blind people also dream because you have this very ancient

0:30:13.200 --> 0:30:16.080
<v Speaker 1>circuitry in your head that's blasting activity into the back

0:30:16.120 --> 0:30:18.920
<v Speaker 1>of the brain, the occipital cortex, which is normally the

0:30:19.000 --> 0:30:21.800
<v Speaker 1>visual cortex. And people but if you're born blind, it's

0:30:21.840 --> 0:30:24.560
<v Speaker 1>you know, long taken over by hearing and touch, and

0:30:24.640 --> 0:30:28.240
<v Speaker 1>so a blind person's dream is all about hearing and touch.

0:30:28.320 --> 0:30:31.840
<v Speaker 1>They don't see anything, but they say, oh, I was,

0:30:31.960 --> 0:30:34.000
<v Speaker 1>you know, moving through the living room and I felt

0:30:34.000 --> 0:30:36.240
<v Speaker 1>the furniture was rearranged, and then there was a big

0:30:36.280 --> 0:30:38.600
<v Speaker 1>dog in the corner and I ran from it and

0:30:38.600 --> 0:30:41.080
<v Speaker 1>I was scared. And so you know, they've got full,

0:30:41.280 --> 0:30:45.040
<v Speaker 1>rich dream experience. It's just that it is not visual

0:30:45.240 --> 0:30:47.720
<v Speaker 1>because that part of their brain is no longer visual.

0:30:48.200 --> 0:30:50.880
<v Speaker 1>And would you well, That makes me wonder, then, if

0:30:51.920 --> 0:30:56.040
<v Speaker 1>your hypothesis about the defensive activity of dreaming is correct,

0:30:56.160 --> 0:30:59.840
<v Speaker 1>does that mean that that dreaming is now to protect

0:31:00.120 --> 0:31:03.840
<v Speaker 1>still what would normally be used for visual processing that

0:31:03.880 --> 0:31:07.120
<v Speaker 1>part of the brain, but its role in processing auditory

0:31:07.160 --> 0:31:11.120
<v Speaker 1>and other stimuli A great question. Nope, it's it's that

0:31:11.640 --> 0:31:16.760
<v Speaker 1>these circuits that underlie dreaming are extremely ancient, and so

0:31:16.800 --> 0:31:20.240
<v Speaker 1>they are assuming that you've got perfectly fined vision, And

0:31:20.560 --> 0:31:23.720
<v Speaker 1>if you don't have vision for some reason, then the

0:31:23.840 --> 0:31:26.200
<v Speaker 1>circuits aren't going to change there. They're just doing a

0:31:26.240 --> 0:31:30.600
<v Speaker 1>basic architectural job of saying, hey, guys, every ninety minutes,

0:31:30.640 --> 0:31:33.360
<v Speaker 1>just blastom activity into the back of the brain. There,

0:31:33.640 --> 0:31:35.280
<v Speaker 1>that's all they're doing. And they don't know if you're

0:31:35.280 --> 0:31:39.120
<v Speaker 1>blind or not. Now, speaking about dreams, I guess it's

0:31:39.200 --> 0:31:41.320
<v Speaker 1>it's not too much of a leap to start talking

0:31:41.320 --> 0:31:44.440
<v Speaker 1>about about consciousness. I was wondering, where do you think

0:31:44.440 --> 0:31:47.800
<v Speaker 1>we are in terms of I don't know, growling testing

0:31:47.880 --> 0:31:53.480
<v Speaker 1>and even eliminating various theories concerning the nature of human consciousness. Yeah, boy,

0:31:53.680 --> 0:31:57.800
<v Speaker 1>this still remains to my mind the central unsolved mystery

0:31:57.840 --> 0:32:00.640
<v Speaker 1>of neuroscience. What's interesting, By the way, I wrote an article,

0:32:01.280 --> 0:32:04.280
<v Speaker 1>the cover article of Discover magazine back in something like

0:32:04.320 --> 0:32:08.160
<v Speaker 1>two thousand and six, called ten Unsolved Questions of Neuroscience.

0:32:08.560 --> 0:32:11.000
<v Speaker 1>And what's fascinating to me is it's now twenty twenty

0:32:11.080 --> 0:32:13.960
<v Speaker 1>three and they are equally as unsolved. I mean, it's

0:32:14.080 --> 0:32:17.480
<v Speaker 1>it's it's funny because we're making so much progress in

0:32:17.520 --> 0:32:20.000
<v Speaker 1>the field in some ways, and yet in other ways

0:32:20.440 --> 0:32:25.120
<v Speaker 1>we're just facing some really tough problems. So the consciousness,

0:32:25.160 --> 0:32:28.000
<v Speaker 1>you know, what is consciousness is really I think the

0:32:28.040 --> 0:32:32.000
<v Speaker 1>central one. And and you know, for any listeners who

0:32:32.040 --> 0:32:34.440
<v Speaker 1>are wondering what is the question, the question is how

0:32:34.440 --> 0:32:38.280
<v Speaker 1>do you take eighty six billion cells and stick them

0:32:38.280 --> 0:32:40.720
<v Speaker 1>together and hook them up in such a way that

0:32:41.120 --> 0:32:45.400
<v Speaker 1>you have private, subjective internal experience, So you know, the

0:32:47.160 --> 0:32:50.520
<v Speaker 1>smell of apple pie and the taste of feted cheese,

0:32:50.520 --> 0:32:52.760
<v Speaker 1>and the pain of pain and the redness of red

0:32:52.840 --> 0:32:57.080
<v Speaker 1>and so on. How does that happen? Because you know,

0:32:57.120 --> 0:33:01.440
<v Speaker 1>my laptop computer has lots of signals running around, zeroes

0:33:01.440 --> 0:33:05.000
<v Speaker 1>and ones running around its transistors, but presumably it's not

0:33:05.080 --> 0:33:08.880
<v Speaker 1>experiencing anything. It can it can play a YouTube video

0:33:09.040 --> 0:33:11.560
<v Speaker 1>for me, but presumably it doesn't find it funny the

0:33:11.600 --> 0:33:14.200
<v Speaker 1>way I do. And so this is really the question

0:33:14.200 --> 0:33:19.000
<v Speaker 1>of consciousness. We don't know the answer to it. I

0:33:19.040 --> 0:33:23.480
<v Speaker 1>can just tell you my general feeling on this, which

0:33:23.520 --> 0:33:27.400
<v Speaker 1>is when you look at the history of science, what

0:33:27.440 --> 0:33:30.080
<v Speaker 1>you find is that in every era there were big

0:33:30.560 --> 0:33:34.560
<v Speaker 1>pieces of information missing, and yet the scientists were in

0:33:34.600 --> 0:33:37.680
<v Speaker 1>a position of having to try to explain everything not

0:33:37.880 --> 0:33:42.400
<v Speaker 1>knowing some other thing. Here's an example. You know, when

0:33:42.440 --> 0:33:45.520
<v Speaker 1>the pump was invented, people suddenly said, oh, I see

0:33:45.560 --> 0:33:47.840
<v Speaker 1>the heart is like a pump, and then it was obvious, oh,

0:33:47.880 --> 0:33:50.760
<v Speaker 1>click falls into place. But before that, everyone's trying to

0:33:50.760 --> 0:33:52.120
<v Speaker 1>figure out what the heck the heart was doing, but

0:33:52.160 --> 0:33:55.160
<v Speaker 1>no one had the concept of a pump. Or you know,

0:33:55.280 --> 0:33:58.880
<v Speaker 1>before the magnetosphere of the Earth was discovered, you'd have

0:33:58.880 --> 0:34:01.800
<v Speaker 1>no way to explain the northern lights. You'd have to

0:34:02.360 --> 0:34:04.959
<v Speaker 1>make up some crazy story about the northern lights and

0:34:05.000 --> 0:34:07.680
<v Speaker 1>so on. Anyway, I feel like we're in that situation

0:34:07.760 --> 0:34:12.080
<v Speaker 1>now with consciousness. There's something right at the edges. We're

0:34:12.080 --> 0:34:15.400
<v Speaker 1>all listening for its whispers. We can sort of feel

0:34:15.400 --> 0:34:17.680
<v Speaker 1>that there's something there, but we don't know exactly what

0:34:17.719 --> 0:34:21.120
<v Speaker 1>it is that we're missing that will allow us to explain.

0:34:21.160 --> 0:34:23.319
<v Speaker 1>How you take a bunch of physical stuff and have

0:34:23.400 --> 0:34:37.160
<v Speaker 1>it experience. Now a topic that's being discussed a lot

0:34:37.239 --> 0:34:40.239
<v Speaker 1>right now is, of course, as always artificial intelligence, but

0:34:40.320 --> 0:34:45.439
<v Speaker 1>specifically generative artificial intelligence, especially with so many of these

0:34:45.480 --> 0:34:48.640
<v Speaker 1>text and image creative tools that are available just to

0:34:48.680 --> 0:34:52.279
<v Speaker 1>the average person to experiment with and share the results of.

0:34:52.520 --> 0:34:57.120
<v Speaker 1>And I was wondering, what's your take on generative artificial

0:34:57.120 --> 0:35:02.359
<v Speaker 1>intelligence and how it relates or doesn't relate to human creativity. Yeah, so,

0:35:02.480 --> 0:35:06.640
<v Speaker 1>actually this is my next episode because I'm fascinated by this. Yeah,

0:35:06.680 --> 0:35:10.279
<v Speaker 1>I'm just so Okay, So you guys may know I'm

0:35:10.280 --> 0:35:13.360
<v Speaker 1>a neuroscientist, but I'm also a writer, including of fiction.

0:35:13.480 --> 0:35:17.759
<v Speaker 1>And so suddenly, when when generative I started blowing up

0:35:17.840 --> 0:35:20.920
<v Speaker 1>really at the end of last year, I of course,

0:35:20.960 --> 0:35:23.359
<v Speaker 1>like many artists, thought, oh my gosh, what does this

0:35:23.440 --> 0:35:27.239
<v Speaker 1>mean for me? What's the what's the future for writers? Um?

0:35:27.520 --> 0:35:32.000
<v Speaker 1>But actually, in my next episode, I make a four

0:35:32.040 --> 0:35:35.319
<v Speaker 1>part argument why I think it'll be an important part

0:35:35.360 --> 0:35:39.040
<v Speaker 1>of the symbiosis between humans and machines that eventually comes about.

0:35:39.080 --> 0:35:42.879
<v Speaker 1>But it's not going to replace writers and artists. There

0:35:42.880 --> 0:35:44.399
<v Speaker 1>are many reasons. You know. One thing is it can

0:35:44.440 --> 0:35:46.440
<v Speaker 1>it can only do short form stuff and it doesn't

0:35:46.800 --> 0:35:48.520
<v Speaker 1>very nicely. But you know, if you want to write

0:35:48.560 --> 0:35:51.960
<v Speaker 1>a little blog post or a little jingle or poem

0:35:52.040 --> 0:35:54.239
<v Speaker 1>or whatever like, it's great for that. But but to

0:35:54.280 --> 0:35:57.120
<v Speaker 1>actually write a novel is a completely different sort of

0:35:57.160 --> 0:35:59.879
<v Speaker 1>thing because what the author is doing there is plan

0:36:00.239 --> 0:36:03.719
<v Speaker 1>clues and having let's say, cliffhanger that doesn't come back

0:36:03.760 --> 0:36:07.319
<v Speaker 1>for two or three chapters, and you know, there's a

0:36:07.400 --> 0:36:10.560
<v Speaker 1>continuity through time where what the author knows is what

0:36:10.640 --> 0:36:14.560
<v Speaker 1>the end of the story is and then writes towards that.

0:36:14.960 --> 0:36:16.680
<v Speaker 1>But but a I can't even do things like make

0:36:16.760 --> 0:36:18.440
<v Speaker 1>up a joke because to make up a joke you

0:36:18.480 --> 0:36:20.640
<v Speaker 1>have to know the punchline first and then construct the

0:36:20.719 --> 0:36:23.520
<v Speaker 1>joke to meet it. But it's doing everything in the

0:36:23.600 --> 0:36:27.279
<v Speaker 1>forward direction, So there are there are reasons like that.

0:36:27.320 --> 0:36:32.000
<v Speaker 1>There's also make the argument that we as readers, I think,

0:36:32.160 --> 0:36:36.320
<v Speaker 1>actually really care about the heartbeat behind the page, which

0:36:36.360 --> 0:36:39.000
<v Speaker 1>is to say, if you offered me two books and

0:36:39.160 --> 0:36:41.520
<v Speaker 1>one was written by AI and one was written by

0:36:41.840 --> 0:36:45.839
<v Speaker 1>by you, Rob, and you know, I would absolutely want

0:36:45.880 --> 0:36:49.719
<v Speaker 1>the one that's written by a real human because I

0:36:49.800 --> 0:36:53.239
<v Speaker 1>know that you're a human with all them, you know,

0:36:53.920 --> 0:36:58.520
<v Speaker 1>Limitations and anxieties and joys and ecstasies of a real human.

0:36:58.920 --> 0:37:01.200
<v Speaker 1>And that's what I can about as a fellow human.

0:37:02.160 --> 0:37:05.319
<v Speaker 1>And you know, part of my evidence for this is

0:37:05.480 --> 0:37:08.960
<v Speaker 1>a colleague of mine here in Silicon Valley announced recently

0:37:09.040 --> 0:37:11.560
<v Speaker 1>that he'd written a book that was half by him

0:37:11.560 --> 0:37:16.600
<v Speaker 1>and half by chat Chypt And and I actually read

0:37:16.760 --> 0:37:18.760
<v Speaker 1>most of the book and it's it's actually a good book,

0:37:18.880 --> 0:37:22.480
<v Speaker 1>but I was not inspired when I heard that I

0:37:22.560 --> 0:37:26.160
<v Speaker 1>read it for other reasons. I thought that sounds terrible,

0:37:26.280 --> 0:37:28.319
<v Speaker 1>and I was trying to figure out why why did

0:37:28.320 --> 0:37:30.640
<v Speaker 1>I feel that way? Why did I feel that it

0:37:30.680 --> 0:37:32.759
<v Speaker 1>was uninteresting to me? And it has to do with

0:37:32.840 --> 0:37:38.080
<v Speaker 1>this heartbeat behind behind the page that that matters. Here's

0:37:38.120 --> 0:37:41.560
<v Speaker 1>the analogy that I'm thinking about nowadays is it was

0:37:41.800 --> 0:37:48.600
<v Speaker 1>when cameras first came on this scene, visual painters all

0:37:49.080 --> 0:37:52.680
<v Speaker 1>panicked and thought, we're done for because why would anyone

0:37:52.719 --> 0:37:55.600
<v Speaker 1>want me to sit here and paint something for weeks

0:37:55.600 --> 0:37:58.359
<v Speaker 1>and weeks when you can just get a perfect representation

0:37:58.440 --> 0:38:00.800
<v Speaker 1>of it in a fraction of a sack with a camera.

0:38:01.400 --> 0:38:04.320
<v Speaker 1>And the answer is, cameras did not kill visual painting.

0:38:04.320 --> 0:38:07.719
<v Speaker 1>They just ended up filling a different neighboring niche and

0:38:07.880 --> 0:38:10.720
<v Speaker 1>became their own art form. But visual paintings still exists

0:38:10.719 --> 0:38:14.200
<v Speaker 1>because you can do other things with it, and I can,

0:38:14.360 --> 0:38:17.880
<v Speaker 1>you know, at least write the moment. All these text

0:38:17.920 --> 0:38:22.160
<v Speaker 1>generation programs are extraordinarily boring and what they come up

0:38:22.200 --> 0:38:26.240
<v Speaker 1>with because they get pushed through reinforcement learning with humans

0:38:26.600 --> 0:38:29.000
<v Speaker 1>so that humans say, oh, don't say that, don't say

0:38:29.040 --> 0:38:31.239
<v Speaker 1>that, that that might defend someone, and so on, which is fine.

0:38:31.280 --> 0:38:33.200
<v Speaker 1>I mean, I'm not opposed to that, But the thing

0:38:33.280 --> 0:38:36.759
<v Speaker 1>is that good literature is stuff that really challenges us.

0:38:36.880 --> 0:38:38.839
<v Speaker 1>Any good piece of literature that you find is something

0:38:38.880 --> 0:38:42.120
<v Speaker 1>that's full of stuff where you think, oh, yikes, that

0:38:42.200 --> 0:38:45.759
<v Speaker 1>sounds like a terrible thing that just happened. And none

0:38:45.800 --> 0:38:48.480
<v Speaker 1>of these large language models are even willing to go

0:38:48.680 --> 0:38:50.600
<v Speaker 1>near that or touch that. So I think they're going

0:38:50.640 --> 0:38:53.360
<v Speaker 1>to be quite a distance from real literature for the

0:38:53.400 --> 0:38:57.280
<v Speaker 1>foreseeable future. I would tend to think also with literary craft,

0:38:57.360 --> 0:39:00.840
<v Speaker 1>a lot of what we really like about literary style

0:39:01.200 --> 0:39:06.120
<v Speaker 1>is being surprised. But I wonder if a you know,

0:39:06.200 --> 0:39:09.239
<v Speaker 1>surprised about like a strange word choice or a strange

0:39:09.680 --> 0:39:13.280
<v Speaker 1>metaphor or something, those are the things that feel really good.

0:39:13.320 --> 0:39:17.960
<v Speaker 1>But can a generative AI tell the difference between a

0:39:19.239 --> 0:39:22.000
<v Speaker 1>comparison or a word choice that is strange in a

0:39:22.080 --> 0:39:25.720
<v Speaker 1>pleasing and exciting way versus one that will be essentially

0:39:25.760 --> 0:39:29.040
<v Speaker 1>interpreted as a hallucination or an error by the AI.

0:39:29.440 --> 0:39:33.960
<v Speaker 1>Oh that's interesting, I would say, I mean, say something

0:39:33.960 --> 0:39:37.040
<v Speaker 1>positive about these ais. I think probably it would be

0:39:37.080 --> 0:39:38.800
<v Speaker 1>able to do that, because remember, all this doing is

0:39:38.800 --> 0:39:42.160
<v Speaker 1>a statistical game of saying, Okay, what's the most probable

0:39:42.200 --> 0:39:45.319
<v Speaker 1>thing to come next, and you can turn up the

0:39:45.360 --> 0:39:47.600
<v Speaker 1>temperature on it so that it does things that are

0:39:47.920 --> 0:39:54.000
<v Speaker 1>increasingly less probable but somehow makes sense. I had not

0:39:54.040 --> 0:39:56.160
<v Speaker 1>thought about that, But I think these things might be

0:39:56.280 --> 0:40:01.560
<v Speaker 1>great at making really good metaphor that are surprising, because

0:40:01.719 --> 0:40:03.200
<v Speaker 1>one of the things that authors have to deal with

0:40:03.239 --> 0:40:06.800
<v Speaker 1>all the time is that they recycle metaphors and it's

0:40:07.239 --> 0:40:10.000
<v Speaker 1>totally you know, a soporific to the to the reader.

0:40:10.040 --> 0:40:13.880
<v Speaker 1>It puts some sleep. Um, but a good author. I

0:40:13.920 --> 0:40:17.680
<v Speaker 1>was just reading the other day. It was Frank Herbert

0:40:17.880 --> 0:40:22.720
<v Speaker 1>who in Dune, he said something about the waves throwing

0:40:22.880 --> 0:40:26.200
<v Speaker 1>white robes over the rocks. That's how he was describing

0:40:26.239 --> 0:40:29.120
<v Speaker 1>the foam hitting the rocks, which is beautiful because it

0:40:29.120 --> 0:40:30.799
<v Speaker 1>wakes you up in that moment you think, oh, what

0:40:30.880 --> 0:40:33.759
<v Speaker 1>a nice way of describing that. But if the if

0:40:33.760 --> 0:40:36.640
<v Speaker 1>one of these large language models simply says, hey, I

0:40:36.680 --> 0:40:38.680
<v Speaker 1>want to make something not the most probable thing that

0:40:38.880 --> 0:40:42.399
<v Speaker 1>but less probable and less probable, I'll bet it could

0:40:42.400 --> 0:40:44.200
<v Speaker 1>come up with really good stuff like that that no

0:40:44.400 --> 0:40:47.440
<v Speaker 1>human author has yet tried. Let me just give one example,

0:40:47.480 --> 0:40:53.520
<v Speaker 1>which is when Alpha Go beat Lee Sodol, the Go

0:40:53.880 --> 0:40:57.800
<v Speaker 1>champion back So I think twenty seventeen, Um, you know this,

0:40:58.000 --> 0:41:00.040
<v Speaker 1>here's the best human in the world and playing the

0:41:00.080 --> 0:41:04.200
<v Speaker 1>game of Go, and the AI program beats him, and

0:41:04.840 --> 0:41:07.239
<v Speaker 1>everybody sort of watched that and thought, wow, wow, that's

0:41:07.280 --> 0:41:10.080
<v Speaker 1>the end of that. But the most interesting part of

0:41:10.080 --> 0:41:13.600
<v Speaker 1>the story was what happened next, which is Lee Sotol

0:41:13.880 --> 0:41:22.920
<v Speaker 1>ended up then playing against his human opponents and took

0:41:22.920 --> 0:41:25.920
<v Speaker 1>on different sorts of moves that he had seen Alpha

0:41:25.960 --> 0:41:29.520
<v Speaker 1>Go play that no human had played before, Like it

0:41:29.600 --> 0:41:31.960
<v Speaker 1>was just doing these weird things that were totally in

0:41:32.000 --> 0:41:34.600
<v Speaker 1>the rules. They were legal, but no one had thought

0:41:34.600 --> 0:41:36.879
<v Speaker 1>of doing it before. So now he started doing this

0:41:37.239 --> 0:41:41.800
<v Speaker 1>and started beating his human opponents at a much higher rate.

0:41:42.440 --> 0:41:45.080
<v Speaker 1>So the point is we can learn from AI, and

0:41:45.120 --> 0:41:48.160
<v Speaker 1>I think there's going to be this really interesting collaboration

0:41:48.239 --> 0:41:51.719
<v Speaker 1>that happens into the future where we see new things happening,

0:41:52.000 --> 0:41:54.480
<v Speaker 1>and in this case, new metaphors that come out in

0:41:54.560 --> 0:41:56.439
<v Speaker 1>literature and we think, wow, I would have never thought

0:41:56.480 --> 0:42:00.840
<v Speaker 1>of that one, and then we can use them. Another

0:42:00.960 --> 0:42:04.920
<v Speaker 1>element of literary style. Though I think about with generative

0:42:04.960 --> 0:42:10.280
<v Speaker 1>AI is the role of insight in writing, and it

0:42:10.320 --> 0:42:14.000
<v Speaker 1>makes me wonder what insight actually is. This is obviously

0:42:14.200 --> 0:42:16.120
<v Speaker 1>something we prize, you know, when we read a novel

0:42:16.160 --> 0:42:18.840
<v Speaker 1>that we really like and we say that it is true.

0:42:19.000 --> 0:42:21.800
<v Speaker 1>You know there's something true in it. Obviously the story

0:42:21.960 --> 0:42:25.680
<v Speaker 1>is literally fictional, it didn't happen, but it observes something

0:42:25.719 --> 0:42:29.439
<v Speaker 1>about life that we perceive as like deeply correct and

0:42:29.800 --> 0:42:32.880
<v Speaker 1>do I don't know, I would have an intuition that

0:42:32.920 --> 0:42:36.120
<v Speaker 1>says I would come across insights like that, or things

0:42:36.160 --> 0:42:39.719
<v Speaker 1>that feel like insights like that, less in generative in

0:42:39.760 --> 0:42:43.160
<v Speaker 1>something generated by AI. I can't prove that, but it

0:42:43.480 --> 0:42:47.239
<v Speaker 1>does raise this question of what insight is. Yeah, you know,

0:42:47.320 --> 0:42:50.600
<v Speaker 1>I tell you, I think I'm signing with the AAI

0:42:50.760 --> 0:42:54.640
<v Speaker 1>on this one. Because what these large language models are

0:42:54.840 --> 0:42:58.680
<v Speaker 1>essentially is every human all put together. So whatever insights

0:42:58.680 --> 0:43:01.840
<v Speaker 1>people have had, obviously this is all available to the

0:43:01.920 --> 0:43:04.720
<v Speaker 1>language model, and so there's no reason that it can't

0:43:05.000 --> 0:43:08.440
<v Speaker 1>put something together that's very insightful. And it's not that

0:43:08.560 --> 0:43:11.600
<v Speaker 1>it's having the insight, it's that it gets to say, Okay, well,

0:43:11.640 --> 0:43:15.479
<v Speaker 1>here's a billion people who have written stuff down, and

0:43:15.600 --> 0:43:18.200
<v Speaker 1>I've noticed that, you know, a number of these maybe

0:43:18.239 --> 0:43:20.360
<v Speaker 1>two hundred of these people have all said the same

0:43:20.400 --> 0:43:23.400
<v Speaker 1>thing over here. And maybe Joe's never read that sentence,

0:43:23.600 --> 0:43:27.000
<v Speaker 1>you know, that that paragraph, but but I there's something

0:43:27.040 --> 0:43:28.840
<v Speaker 1>going on over here, and it puts it together and

0:43:28.840 --> 0:43:31.200
<v Speaker 1>then you say, oh my gosh, that was really insightful,

0:43:31.520 --> 0:43:33.920
<v Speaker 1>because it's not a machine telling you the story. It's

0:43:33.960 --> 0:43:37.200
<v Speaker 1>a billion people telling you the story. Now, Joe and

0:43:37.239 --> 0:43:40.879
<v Speaker 1>I are actually currently doing some episodes of our own

0:43:40.880 --> 0:43:44.719
<v Speaker 1>podcast on the subject of infantile and nesia, you know,

0:43:44.840 --> 0:43:48.360
<v Speaker 1>when why we don't remember our earliest childhood or you know,

0:43:48.400 --> 0:43:53.000
<v Speaker 1>infancy and birth and so forth. And and we've we've

0:43:53.000 --> 0:43:55.760
<v Speaker 1>heard from some listeners, as we inevitably knew we would,

0:43:56.080 --> 0:43:58.520
<v Speaker 1>who say that they do remember their births or they

0:43:58.520 --> 0:44:02.560
<v Speaker 1>do remember very early childhood. And we were just wondering

0:44:02.560 --> 0:44:06.440
<v Speaker 1>what your take is on people who who have that

0:44:06.480 --> 0:44:09.480
<v Speaker 1>experience or seem to have that memory, what may be

0:44:09.600 --> 0:44:13.680
<v Speaker 1>going on there. Yeah, I mean, here's what we think

0:44:14.280 --> 0:44:16.480
<v Speaker 1>in neuroscience generally is that, you know, memory is a

0:44:17.080 --> 0:44:20.480
<v Speaker 1>is something that unpacks slowly with time. It's a cognitive

0:44:20.520 --> 0:44:24.319
<v Speaker 1>development in some sense. And you know, as you guys know,

0:44:24.480 --> 0:44:27.160
<v Speaker 1>it's about three years old for girls and three and

0:44:27.160 --> 0:44:29.160
<v Speaker 1>a half years old for boys that they start laying

0:44:29.200 --> 0:44:32.200
<v Speaker 1>down their first memories. Here's the interesting thing. Memory is

0:44:32.280 --> 0:44:36.080
<v Speaker 1>a myth making machine, and we're constantly reinventing our past.

0:44:36.800 --> 0:44:41.640
<v Speaker 1>And so one of the difficult things to assess when

0:44:41.680 --> 0:44:45.279
<v Speaker 1>someone says, hey, I remember whatever being born or being

0:44:45.280 --> 0:44:48.319
<v Speaker 1>one years old, is it's really difficult to know the

0:44:48.360 --> 0:44:51.960
<v Speaker 1>degree to which they think that's true. But it's not

0:44:52.040 --> 0:44:54.799
<v Speaker 1>true because we're all told stories by our parents of oh,

0:44:54.880 --> 0:44:56.799
<v Speaker 1>and you are an infant, you did this hilarious thing

0:44:56.880 --> 0:44:58.719
<v Speaker 1>and blah blah blah, and you hear the story once

0:44:58.800 --> 0:45:03.719
<v Speaker 1>or twice and eventually comes a false memory. So I

0:45:03.760 --> 0:45:06.839
<v Speaker 1>think it's very difficult to know to be able to

0:45:06.840 --> 0:45:10.040
<v Speaker 1>tell this sort of thing. And of course, for someone

0:45:10.080 --> 0:45:14.719
<v Speaker 1>who has a memory, it's very difficult to tell them, hey,

0:45:14.880 --> 0:45:17.440
<v Speaker 1>that might be false, and you just think you remember

0:45:17.480 --> 0:45:21.960
<v Speaker 1>that that makes people angry. But you know, the truth

0:45:22.040 --> 0:45:24.160
<v Speaker 1>is this, This kind of stuff comes up all the

0:45:24.239 --> 0:45:28.200
<v Speaker 1>time in courts of law, in the realm of eyewitness testimony,

0:45:28.280 --> 0:45:32.360
<v Speaker 1>because people think that their memories are like a video

0:45:32.400 --> 0:45:38.640
<v Speaker 1>recorder and they're simply not. There's a giant psychology literature

0:45:38.640 --> 0:45:41.840
<v Speaker 1>on this showing all kinds of ways that that things

0:45:41.880 --> 0:45:45.480
<v Speaker 1>get false, memories get introduced, and so on. You know,

0:45:45.520 --> 0:45:48.080
<v Speaker 1>a colleague of mine did a really great study right

0:45:48.280 --> 0:45:52.080
<v Speaker 1>after September eleventh, two thousand and one. She was in

0:45:52.080 --> 0:45:55.840
<v Speaker 1>New York, and she went and interviewed a bunch of

0:45:55.840 --> 0:45:59.560
<v Speaker 1>people in downtown in Midtown, New York about what they

0:45:59.600 --> 0:46:03.439
<v Speaker 1>had scene on September eleventh, and then she was clever

0:46:03.560 --> 0:46:06.479
<v Speaker 1>enough to also ask them to describe a memory from

0:46:06.520 --> 0:46:09.640
<v Speaker 1>September tenth, the day before, like I had lunch here

0:46:09.680 --> 0:46:11.239
<v Speaker 1>and I did this, and I did that. And then

0:46:11.280 --> 0:46:13.040
<v Speaker 1>she went and tracked all these people down a year

0:46:13.160 --> 0:46:17.320
<v Speaker 1>later and asked them to tell their memories again about

0:46:17.320 --> 0:46:20.799
<v Speaker 1>September eleven September tenth of the year before, and it

0:46:20.800 --> 0:46:23.879
<v Speaker 1>turns out that in both cases the memories drifted. So

0:46:24.000 --> 0:46:26.080
<v Speaker 1>this comes back to the beginning of our conversation. Even

0:46:26.120 --> 0:46:29.160
<v Speaker 1>Amignala memories, even the scariest memories that you have, it

0:46:29.160 --> 0:46:33.440
<v Speaker 1>doesn't mean they're accurate. And so I mean, especially it

0:46:33.480 --> 0:46:36.160
<v Speaker 1>doesn't surprise me at about September eleventh, because especially the

0:46:36.200 --> 0:46:38.880
<v Speaker 1>more you tell a story, the more you start laying

0:46:38.880 --> 0:46:42.400
<v Speaker 1>down these ruts in the road, and that becomes the story,

0:46:42.400 --> 0:46:45.560
<v Speaker 1>that becomes the truth. And you know, we've all run

0:46:45.600 --> 0:46:48.360
<v Speaker 1>into these things in our life where someone suddenly shows

0:46:48.400 --> 0:46:50.680
<v Speaker 1>us a photograph or something that's like, that's not my memory.

0:46:50.719 --> 0:46:52.440
<v Speaker 1>Look here's the thing here, and you go, oh, gosh,

0:46:52.480 --> 0:46:56.040
<v Speaker 1>I had actually misremembered that that thing that happened, or

0:46:56.040 --> 0:46:58.960
<v Speaker 1>where I was standing or what I was doing anyway.

0:46:59.000 --> 0:47:01.839
<v Speaker 1>So this is the the concern when people say, oh,

0:47:01.960 --> 0:47:05.120
<v Speaker 1>I remember whatever being born or this event when I

0:47:05.160 --> 0:47:07.920
<v Speaker 1>was really young, is that we know how easy it

0:47:08.000 --> 0:47:12.200
<v Speaker 1>is to believe memories that are not true. Now correct

0:47:12.200 --> 0:47:14.280
<v Speaker 1>me if I'm wrong, but I think I recall reading

0:47:14.360 --> 0:47:17.399
<v Speaker 1>that in some of these cases with the like where

0:47:17.400 --> 0:47:21.520
<v Speaker 1>there's a big public event and people remember you, people

0:47:21.520 --> 0:47:23.920
<v Speaker 1>are like asked to write down their experiences that day,

0:47:23.920 --> 0:47:27.239
<v Speaker 1>and then the researchers contact them again later and have

0:47:27.360 --> 0:47:29.520
<v Speaker 1>them try it again, So what do you remember about

0:47:29.560 --> 0:47:31.719
<v Speaker 1>that day? Not only do they often get the details wrong,

0:47:31.760 --> 0:47:34.440
<v Speaker 1>but don't they often insist that the way they remember

0:47:34.480 --> 0:47:37.000
<v Speaker 1>it now is correct and what they wrote at the

0:47:37.040 --> 0:47:41.919
<v Speaker 1>time was wrong. Exactly that's exactly right. Yeah, because it's

0:47:41.960 --> 0:47:45.360
<v Speaker 1>so hard to disbelieve our own memories about things. You know,

0:47:45.440 --> 0:47:47.640
<v Speaker 1>this is obviously at the heart of lots of spousal

0:47:47.800 --> 0:47:50.759
<v Speaker 1>arguments too. You know, you have two brains, you have

0:47:50.800 --> 0:47:56.000
<v Speaker 1>two different ways of remembering what precisely happened. Yes, that's

0:47:56.000 --> 0:47:59.200
<v Speaker 1>exactly right. All right, Well, you already mentioned that you

0:47:59.239 --> 0:48:03.280
<v Speaker 1>have the episode coming up about AI creativity. I'm definitely

0:48:03.320 --> 0:48:05.759
<v Speaker 1>excited to check that one out. Is there anything else

0:48:05.800 --> 0:48:08.799
<v Speaker 1>you want to tease out for listeners what else they

0:48:08.800 --> 0:48:13.080
<v Speaker 1>can expect from future episodes of Inner Cosmos? Yeah? Well okay,

0:48:13.080 --> 0:48:14.799
<v Speaker 1>So my next one after that is going to be

0:48:15.120 --> 0:48:18.399
<v Speaker 1>is a sentient because you know, this is a big

0:48:18.520 --> 0:48:21.360
<v Speaker 1>question now as these models get larger and larger and

0:48:21.400 --> 0:48:24.279
<v Speaker 1>things are moving at an extraordinary pace, Now, what does

0:48:24.320 --> 0:48:26.480
<v Speaker 1>sentience mean? And this is related to the question you

0:48:26.520 --> 0:48:29.520
<v Speaker 1>asked me Rob about consciousness and so on. So I

0:48:29.560 --> 0:48:33.520
<v Speaker 1>think this actually gives us an interesting tool into studying

0:48:33.560 --> 0:48:36.279
<v Speaker 1>consciousness that we haven't had before. But I have other

0:48:36.280 --> 0:48:42.040
<v Speaker 1>episodes about my One after that is about counterfeiting money

0:48:42.080 --> 0:48:45.360
<v Speaker 1>and what it is that we notice about counterfeits or

0:48:45.480 --> 0:48:50.319
<v Speaker 1>we do not. I have an episode on will you

0:48:50.760 --> 0:48:54.520
<v Speaker 1>perceive the event that kills you? And I find this

0:48:54.600 --> 0:48:56.400
<v Speaker 1>is just a topic I've been thinking about for a

0:48:56.440 --> 0:48:58.279
<v Speaker 1>long time and have put together a lot of work

0:48:58.280 --> 0:49:03.000
<v Speaker 1>on this about you know, if suddenly something, let's say

0:49:03.040 --> 0:49:06.560
<v Speaker 1>that the brick from the pedestrian bridge over the highway

0:49:06.920 --> 0:49:09.000
<v Speaker 1>fell on your head when you were in a convertible.

0:49:09.200 --> 0:49:12.960
<v Speaker 1>The question is, would you perceive dying or would you

0:49:13.040 --> 0:49:15.799
<v Speaker 1>be dead before you knew anything happen? And what does

0:49:15.840 --> 0:49:17.440
<v Speaker 1>that look like? Does it look like you know, suddenly

0:49:17.480 --> 0:49:21.160
<v Speaker 1>the footage just ends, but there's no pain, stuff like that.

0:49:22.239 --> 0:49:25.319
<v Speaker 1>So I have lots and lots of episodes. Can we

0:49:25.360 --> 0:49:28.600
<v Speaker 1>create new senses for humans? Which is a big part

0:49:28.640 --> 0:49:30.280
<v Speaker 1>of what I've been doing over the last eight years

0:49:30.280 --> 0:49:35.120
<v Speaker 1>with a company that I run called Neosensory. Yeah, and

0:49:35.680 --> 0:49:38.600
<v Speaker 1>I have forty six episodes this year, all of which

0:49:38.600 --> 0:49:43.120
<v Speaker 1>I've outlined, And then it's just a matter of spending

0:49:43.120 --> 0:49:45.560
<v Speaker 1>the twelve hours per week of writing the hour long

0:49:45.600 --> 0:49:49.839
<v Speaker 1>monologue awesome. It sounds exciting. I'm excited to check out

0:49:50.120 --> 0:49:54.440
<v Speaker 1>more episodes. Great. Thank you guys so much for having me.

0:49:54.960 --> 0:49:57.000
<v Speaker 1>It's been a pleasure to see all. Yeah, thanks for

0:49:57.000 --> 0:50:01.160
<v Speaker 1>coming on the show. All right, well that was our

0:50:01.200 --> 0:50:05.120
<v Speaker 1>conversation with David Eagleman. Once again, much appreciation to David

0:50:05.160 --> 0:50:07.520
<v Speaker 1>for taking the time to chat with us today. If

0:50:07.600 --> 0:50:09.680
<v Speaker 1>you want to check out his new show, and we

0:50:09.719 --> 0:50:12.799
<v Speaker 1>do recommend it once again, it is called Inner Cosmos

0:50:12.840 --> 0:50:15.480
<v Speaker 1>with David Eagleman. You can find it on the iHeart

0:50:15.480 --> 0:50:18.960
<v Speaker 1>app or wherever you get your podcasts. Just a reminder

0:50:19.000 --> 0:50:22.000
<v Speaker 1>that's Stuff to Blow Your Mind is a science podcast

0:50:22.080 --> 0:50:25.120
<v Speaker 1>with core episodes on Tuesdays and Thursdays and the Stuff

0:50:25.160 --> 0:50:28.279
<v Speaker 1>to Blow your Mind podcast feed On Monday's. We do

0:50:28.360 --> 0:50:31.320
<v Speaker 1>listenermail episodes. On Wednesdays we do a short form artifact

0:50:31.400 --> 0:50:33.520
<v Speaker 1>or monster fac episode, and on Fridays we set aside

0:50:33.520 --> 0:50:35.480
<v Speaker 1>most serious concerns to just talk about a weird film

0:50:35.520 --> 0:50:39.120
<v Speaker 1>on Weird House Cinema. Huge thanks to our audio producer

0:50:39.200 --> 0:50:41.399
<v Speaker 1>JJ Posway. If you would like to get in touch

0:50:41.440 --> 0:50:43.680
<v Speaker 1>with us with feedback on this episode or any other,

0:50:43.719 --> 0:50:45.840
<v Speaker 1>to suggest a topic for the future, or just to

0:50:45.880 --> 0:50:48.960
<v Speaker 1>say hello, you can email us at contact at Stuff

0:50:49.000 --> 0:50:58.799
<v Speaker 1>to Blow Your Mind dot com. Stuff to Blow Your Mind.

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<v Speaker 1>It's production of iHeart Radio. For more podcasts from my

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<v Speaker 1>heart Radio, visit the iHeartRadio app, Apple Podcasts, or wherever

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<v Speaker 1>you listening to your favorite shows.