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Speaker 1: Are you leaving? I you wanna way back home?

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Speaker 2: Either way, we want to be there, doesn't matter how

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Speaker 2: much baggage you claim and give us time and they

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Speaker 2: Turmano and gay.

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Speaker 1: We want to send you off in style. Do you

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Speaker 1: wanna welcome you back home?

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Speaker 3: Tell us all about it? We scared her? Was it fine?

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Speaker 3: Mal porn? Do you need to ride?

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Speaker 4: Do you need to ride?

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Speaker 3: Do you need to ride? Do you need to ride?

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Speaker 3: Do you need to ride? Do you need need to ride?

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Speaker 5: Ride?

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Speaker 4: Welcome to Do you need a ride?

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Speaker 3: This is Chris Fairbanks and this is Karen Kilgareth.

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Speaker 4: You went to Taco Bell instead of Starbucks.

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Speaker 3: It was just easier. This Starbucks near the airport. You

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Speaker 3: have to get park your car and then get out

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Speaker 3: and go into a hotel, both of them, I believe.

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Speaker 4: So.

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Speaker 3: I just wanted to be on call because I knew

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Speaker 3: that you were. You were coming off of a problematic flight.

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Speaker 3: It was I didn't want you to be standing curbside

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Speaker 3: like an orphan.

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Speaker 4: Oh, I'm it's funny to be.

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Speaker 6: I don't know that we've ever done it this way

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Speaker 6: where I'm the one, I've learned.

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Speaker 4: Some things where I'm the one being picked up.

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Speaker 6: First of all, anyone that we would be picking up

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Speaker 6: probably is not in the best state of mind a podcast.

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Speaker 6: That's what I've found, just because I didn't talk to

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Speaker 6: anyone for flowers, yep, and just now I didn't even

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Speaker 6: I messed up the word taco because I need to

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Speaker 6: talk for a while, because.

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Speaker 3: Because you need to taco for a while.

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Speaker 6: I need to taco to people before I start using

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Speaker 6: my burrito Peter, and it is.

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Speaker 4: This is all peaking. It's oh sorry, it's quite all right.

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Speaker 3: It's my boisterous, if not obnoxious, drama student.

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Speaker 4: Last so I think there were that's there. It's a

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Speaker 4: probably it's a flaw with.

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Speaker 6: Our original, our original original. It's really bizarre. How I

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Speaker 6: need to practice talking?

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Speaker 3: Did you need Starbucks? What do you need?

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Speaker 4: I would love it, but let's not do that.

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Speaker 3: Okay, yeah, we'll get involved.

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Speaker 4: Yeah yeah, I yeah.

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Speaker 6: It was a it was a just a flight that

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Speaker 6: kept getting delayed and they'd never ever reasoned, and people

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Speaker 6: want answers. They they yell things like this is ridiculous

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Speaker 6: or this is unbelievable, and I find it to.

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Speaker 4: Be always believable. It so believable, hardly ever ridiculous.

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Speaker 3: I always feel like I'm getting away with something when

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Speaker 3: there's nothing wrong with my flight.

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Speaker 4: Right exactly.

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Speaker 6: It's half the time, and I never check a bag,

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Speaker 6: and of course they had lost my only my bag.

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Speaker 6: Everyone left and it was only me. And then if

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Speaker 6: it's just you, they're like, well, it's something you did. Yeah,

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Speaker 6: And they said what does it look like? And I said, well,

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Speaker 6: it's a dark gray, kind of shiny Duffel bag.

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Speaker 4: Samson ight, it's the name on it. And then they.

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Speaker 6: Proceeded to check flowery purple roller bags and I'm like, well,

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Speaker 6: that's not the bag I just described, but it and

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Speaker 6: then somehow it just ended up tumbling out at the

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Speaker 6: end and the turnstile started again just for my bag.

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Speaker 6: So I don't know, Wow, it's not interesting at all.

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Speaker 3: It was I bet it was. It was cozy behind

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Speaker 3: a flowery roller bag.

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Speaker 6: It was hiding behind someone that was on vacation by someone.

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Speaker 6: I mean a bag, a fun a fun bag.

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Speaker 3: A bag that's also a person in our cartoon world.

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Speaker 6: Oh, I would love to see a bag with just

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Speaker 6: some blinking cartoon eyes, just with my real eyes for once,

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Speaker 6: just an nanimate object.

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Speaker 3: And then it flips over forward onto its own eyes

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Speaker 3: and is blinded.

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Speaker 4: I had a great trip. I sure want to get

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Speaker 4: these dirty socks out.

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Speaker 3: Of me going.

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Speaker 4: I was in Phoenix, Arizona.

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Speaker 6: Arizona for the All Things Comedy podcast and comedy festival,

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Speaker 6: and the clubs there, one of them seats seven hundred people,

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Speaker 6: I think stand up live, and then the improv their

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Speaker 6: seats over four hundred. And all my shows were there

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Speaker 6: and they were so fun.

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Speaker 4: And I like doing stand up a lot.

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Speaker 3: Again, you should because you're good at stand up comedy.

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Speaker 4: Well, thank you.

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Speaker 6: I have not been to doing it, and I've felt

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Speaker 6: like that's not what I do anymore. Like if I

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Speaker 6: take a couple of weeks off just because I don't

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Speaker 6: have anything booked, at the end of those couple of weeks,

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Speaker 6: I have no identity and I don't know what I'm doing, yes,

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Speaker 6: because I've just been drawing pictures, and I'm like, well,

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Speaker 6: I guess I'm a guy that draws pictures.

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Speaker 3: And then when you get on stage, there's no rhythm.

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Speaker 3: You don't even know how to talk funny anymore. It's

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Speaker 3: like you try to get these ideas on their feet

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Speaker 3: and it sounds like you've never done stand.

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Speaker 6: Up yeah, or and this is what happened this time,

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Speaker 6: Or I'm on stage and it feels new and exciting again,

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Speaker 6: and I'm nervous, and I resort to my old stumbling

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Speaker 6: frenetic improvised my back as against the wall and I'm

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Speaker 6: having a breakdown and hopefully it's funny way, which is

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Speaker 6: what I did this time, and it was very fun.

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Speaker 3: It turned out to be funny, right.

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Speaker 6: Yeah, it was also I felt like I haven't done

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Speaker 6: that improv since I got in trouble there ten years

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Speaker 6: ago for meddling with the staff like a Russian vote counter.

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Speaker 6: I just was they were fun and they wanted to

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Speaker 6: hang out. And then I showed up and the owner,

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Speaker 6: I think he's passed away, but he was like, I

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Speaker 6: heard you.

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Speaker 4: Went to six shooters with my staff.

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Speaker 6: I was in trouble for being invited and going with

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Speaker 6: people that worked at a comedy club to a bar

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Speaker 6: that was across the parking lot.

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Speaker 3: Yeah, that's not how comedy clubs work. No where was

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Speaker 3: that man from the rectory, the priest's rectory, the local

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Speaker 3: Catholic church.

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Speaker 6: Well, I know that he was religious enough to be

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Speaker 6: in the program of Twelve Steps, which I was invited

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Speaker 6: to just for ordering a drink. They also said back

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Speaker 6: then that there was a law that no performer could

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Speaker 6: have an alcoholic beverage honor before the show, and I

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Speaker 6: was like, oh, okay, I didn't that must be an

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Speaker 6: Arizona law.

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Speaker 4: And the people that work at the club now said,

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Speaker 4: well that it's not true at all. Yeah, here's your

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Speaker 4: free drinks.

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Speaker 3: There's no I've never heard of a club doing any

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Speaker 3: of these fucking things, right.

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Speaker 6: There just used to be this looming thing there that

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Speaker 6: you will get in trouble for something. And I kind

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Speaker 6: of my nervousness was based in me feeling like I

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Speaker 6: was that person ten years ago opening for Sarah Silver.

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Speaker 3: But well, it must be nice now that you know

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Speaker 3: that era has ended. Yes, truly, those people are gone.

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Speaker 4: And this club was so fun. The Tempion prop is

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Speaker 4: so great, and so.

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Speaker 3: Were they like showcase shows like eight People shows.

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Speaker 6: And it was mostly a lot of the comics that

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Speaker 6: have podcasts at all Things comedy are like comedy store guys.

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Speaker 6: Like it's a lot of comics that I don't see

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Speaker 6: very often that I'm not on shows with, right, And

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Speaker 6: it was.

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Speaker 4: Really fun to do these shows with sold out crowds

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Speaker 4: with these guys don't get to do shows with it

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Speaker 4: was really fun.

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Speaker 3: Yeah that's great.

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Speaker 4: Yeah, I loved it. I had a fun trip.

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Speaker 3: Well, I'm glad.

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Speaker 6: And then I lost my bag and rowin everything. It

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Speaker 6: didn't though it didn't it didn't.

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Speaker 4: I'm fine now.

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Speaker 3: Because it wasn't lost. All is not lost. Wait, it's

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Speaker 3: really First of all, welcome back to Los Angeles.

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Speaker 4: Thank you.

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Speaker 3: We brought in some fog for you.

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Speaker 4: It's kind of cold even it's.

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Speaker 3: Like a little winterry October evening with a very thick

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Speaker 3: marine layer. Ended up this four or five right now,

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Speaker 3: And this is a loaner car.

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Speaker 4: I thought it wasn't your car.

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Speaker 3: It's not because it's the same exact car. Oddly, they

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Speaker 3: had my exact car, except for a different interior. Because

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Speaker 3: I took my car, and because it's I thought something's

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Speaker 3: wrong with the brakes because it's a new car. So

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Speaker 3: every sound it makes, I'm like, oh, I got a

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Speaker 3: bad one, and I get really upset. And so I

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Speaker 3: took it in and nothing's wrong with it at all.

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Speaker 3: But then I said, hey, do you tint windows? And

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Speaker 3: they were like sure, so I'm getting all my windows didn't.

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Speaker 3: Oh that's great, So I still have the loaner.

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Speaker 4: That's terrific. You know what I did as I looked

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Speaker 4: down at the steering wheel and it seemed like it

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Speaker 4: had aged.

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Speaker 3: More, oh yeah than in your car. Oh right, Yeah

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Speaker 3: this must be a little older.

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Speaker 4: Yeah this your car is a little fancier, isn't it?

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Speaker 3: Thank you? I would like to think so it's a yeah,

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Speaker 3: it's classier. It's just it's just more regal, which is

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Speaker 3: what I need in my interior vehicle interiors. Regalness, a regality,

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Speaker 3: thank you. I need to be regaled with leather stitching.

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Speaker 6: And yeah, I feel like it's different color too. Anyway,

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Speaker 6: it's this is also a beautiful car.

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Speaker 3: I mean, the whole Lexus line of daghbreads is really something.

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Speaker 4: To know what they're doing.

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Speaker 3: They're just it's a gorgeous, cushy car.

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Speaker 4: If I talked about how comfortable these seats are not

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Speaker 4: yet are amazing.

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Speaker 3: Uh. You know what I would think about driving down

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Speaker 3: here is how in Los Angeles you kind of know

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Speaker 3: what somebody does for a living base on their car,

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Speaker 3: because like just certain types of people have certain cars,

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Speaker 3: right and don't have other cars. Like famous people always

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Speaker 3: have a Mercedes that looks like it's a military vehicle,

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Speaker 3: like it looks like it's bulletproof.

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Speaker 6: Oh, those boxy Mercedes. Yeah, and those people always drive terribly.

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Speaker 3: They drive terribly. They don't need that much protection. They're

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Speaker 3: not under a threat of child soldiers or rhinocera. It's

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Speaker 3: not the plural of it. And then same with like

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Speaker 3: those tall like a land Rover that looks like it's

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Speaker 3: two stories tall. Right, there's always those who you like,

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Speaker 3: what do you fucking need that for?

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Speaker 4: It's funny.

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Speaker 6: My friend bought and it didn't make sense to me

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Speaker 6: until it all came together. He bought like one of

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Speaker 6: those Mercedes sprinter vans that has no windows.

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Speaker 3: The ones vans drive around it.

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Speaker 6: Yes, it was all gutted, but it's four wheel drive

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Speaker 6: and big and tall and it and they turned it

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Speaker 6: into this camping vehicle and it's got beds and swiveling

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Speaker 6: chairs in it, and it's got a heater that well,

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Speaker 6: they could like park it in a ski area lot

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Speaker 6: and set the heater to warm it up right before

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Speaker 6: they're done skiing.

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Speaker 4: It's oh wow, it's pretty.

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Speaker 6: He also has a cat flap in his house that

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Speaker 6: has a chip reader, so other cats can't come in

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Speaker 6: unless they have an embedded chip. It's the most high

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Speaker 6: tech cat situation I've ever been.

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Speaker 4: James Bond privy too.

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Speaker 6: Yes, my friend, uh, ross is is kind of James

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Speaker 6: BONDI that's very cool.

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Speaker 4: It is cool.

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Speaker 3: Is he a sponsored snowboarder? Is that why he gets

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Speaker 3: to have a sprinter that's rebuilt.

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Speaker 6: He used to be Yeah, he used to be a

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Speaker 6: professional snowboarder. Yeah, for K two And that's how I

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Speaker 6: got all my stuff. And I just follow him around

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Speaker 6: for most of my late teens and twenties.

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Speaker 3: The best yea, the life.

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Speaker 6: And but no, he does websites and has a cool

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Speaker 6: cool gadgets.

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Speaker 3: Does we gadget up and listen to his friend Chris's podcast?

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Speaker 6: I wonder if he does. I always want to ask him.

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Speaker 6: I know some of his friends, do some of his

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Speaker 6: friend's wives.

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Speaker 3: I'll ask him, yeah, right to his face.

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Speaker 4: Do you know me? Do you recognize me? Huh? That's

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Speaker 4: funny because if.

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Speaker 6: You listen to our podcast, you also, I guess, wouldn't

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Speaker 6: recognize You.

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Speaker 3: Wouldn't recognize the face, but you would recognize the same

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Speaker 3: stories I tell over and over.

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Speaker 6: This voice that is scolding you, you recognize that, and

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Speaker 6: this was that's from the theater. Oh it was, yeah,

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Speaker 6: I I and Phoenix.

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Speaker 4: It's interesting.

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Speaker 6: Phoenix is one of those downtowns where there's no people

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Speaker 6: except homeless folks.

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Speaker 3: Oh shit, but like our fair Los Angeles, it's so clean.

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Speaker 6: I don't trust a downtown area like San Antonio was

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Speaker 6: like that, where there's no garbage anywhere.

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Speaker 3: And what are you looking for in a downtown.

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Speaker 4: I want some character. I want some urine. I want

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Speaker 4: some rats. I want some more urine. I would like

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Speaker 4: a rapper. I want to know where that Burger's been.

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Speaker 3: What have you ever been to downtown Santiego, the gas

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Speaker 3: Lamp district.

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Speaker 6: This looks like this place. Yeah, it's like that too.

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Speaker 6: It's very clean.

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Speaker 3: Yes, well, but i'd never been there on a Friday night.

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Speaker 3: And we did a show there a couple of weeks ago,

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Speaker 3: and afterwards, I think we ended up walking home and

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Speaker 3: or no we didn't. We were in a car because

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Speaker 3: we ubered home because it was like New Orleans. It

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Speaker 3: was like bikes, bikes that were lit up, playing music

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Speaker 3: with people drunk inside. Like it was like a big,

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Speaker 3: huge party downtown.

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Speaker 6: Oh wow, yeah, I think I've they really party down there.

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Speaker 6: But there's a lot of I'm scared of a lot

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Speaker 6: of the MMA looking dudes. It just looks like a

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Speaker 6: bunch of professional mixed martial arts fighters there.

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Speaker 3: Oh in San Diego. Yes, yeah, it'll just kick your

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Speaker 3: ass for no reason. Yeah yeah, Okay for.

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Speaker 4: Not having Republican parents.

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Speaker 3: Look, we can't all be so lucky.

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Speaker 4: Oh, I have those liberal Pinko parents.

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Speaker 3: Fucking Pinkos. So I'm gonna go this way and get

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Speaker 3: and get down to the beach.

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Speaker 6: We're going past Tito's Tacos. I love Tito's tacos. You

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Speaker 6: love Tito's too. The only thing better than a Tito's

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Speaker 6: taco is two. And there's always a line yep, spinking

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Speaker 6: of Pinkos. There's a line there, like at Pink's hot Dogs,

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Speaker 6: a line that I don't understand because that is just

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Speaker 6: a diarrhega.

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Speaker 4: Bullets for a poop gun. That that those tacos. Damn, sorry,

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Speaker 4: you're I think I.

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Speaker 3: Know what I've Bullets for a poop gun.

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Speaker 4: They are, it is, it is.

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Speaker 6: It is very much a going to cause that if

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Speaker 6: you eat there, it tastes good.

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Speaker 4: But you know what's gonna happen.

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Speaker 3: I'm gonna rewind you slightly.

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Speaker 4: Yes, thank you.

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Speaker 3: Did you make up that Tito's Taco jingle? Or is

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Speaker 3: that something you've heard?

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Speaker 6: That is their song that they play on television and

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Speaker 6: they are flying tacos in it?

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Speaker 3: And is this just Venice TV straight something I couldn't

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Speaker 3: see because I don't live there.

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Speaker 4: It's it's funny.

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Speaker 6: No, I think they pay good money to advertise on network. Wow,

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Speaker 6: it's a local commercial that I've seen often and I'm

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Speaker 6: not a huge TV watcher.

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Speaker 3: Like, there's a Sprinter, there's a Mercedes.

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Speaker 4: Is the van? That is the type of van? It

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Speaker 4: might even be a little smaller, Wow, the one he got.

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Speaker 6: And so anyone sees it, they just assume it's like

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Speaker 6: a workman. So it's unassuming, like someone might break into

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Speaker 6: a Winnebago or some kind of recreational vehicle.

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Speaker 4: Not this one.

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Speaker 6: Yeah, with his they just think it's a bunch of

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Speaker 6: boxes of pamphlets or something.

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Speaker 3: It looks like a pamphlet van, looks like a plumbers

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Speaker 3: van exactly. It looks like business. Don't even worry about it.

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Speaker 6: Who would break in just to get some plumbers? Feezis

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Speaker 6: covered branches?

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Speaker 3: Someone who wants to fill their poop gun with diarrhea?

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Speaker 3: Bullets fresh from the plumbers van.

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Speaker 6: A bunch of pairs of pants that don't quite fit

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Speaker 6: well in the waist, So you get that signature.

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Speaker 4: Crack. I yeah, it's Can.

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Speaker 3: I tell you sorry about when I took my rag

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Speaker 3: when I took my car in to get fixed, as

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Speaker 3: the anecdote I just told you, Oh yes. The man

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Speaker 3: who was helping me was like someone in a sketch

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Speaker 3: playing a character of a guy that works at Alexus dealership.

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Speaker 3: Like he was real smooth, and he kind of looked

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Speaker 3: like somebody you would see at a bluegrass festival on

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Speaker 3: the weekends, Like he had Kenny Rogers feel about him.

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Speaker 3: And he was very low key, and I was I cann't.

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Speaker 3: I was like, are you on edibles? What he was like?

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00:17:02,240 --> 00:17:04,879
Speaker 3: He seemed like an excipy that was now just chilling

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Speaker 3: at the Lexus dealers.

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Speaker 4: Sure okay?

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Speaker 3: And when I called him so like, I brought it

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Speaker 3: in at ten a m. Went to work, and then

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Speaker 3: later on in the day I got an email that

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Speaker 3: was like, do you approve all these charges? And I

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Speaker 3: wasn't being charged anything for what I brought it in for,

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Speaker 3: but then there's my charges for my new idea of

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Speaker 3: window tinting, and it said that I didn't approve those charges.

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Speaker 3: So I called him on the phone number on the

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Speaker 3: email and it's it's his direct line and he's like, hellllo.

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Speaker 3: That's how he answered the phone. And I was like, oh,

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Speaker 3: hi whatever, his name is, Bob, this is charm of philigraphy.

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Speaker 3: Just left me a message and he was like.

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Speaker 4: I know, Karen.

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Speaker 3: I was just like, oh, so you meant to answer

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Speaker 3: the phone like that, Oh wow, hell lo oh hellllo.

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Speaker 3: It was like he had just gotten off on Friday afternoon,

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Speaker 3: rolled his windows down. It was really hilarious.

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Speaker 4: Yeah.

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Speaker 6: That's and we've talked about how our mom's answered phones Hello,

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Speaker 6: okay my mom.

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Speaker 4: I think my mom would go hell hello, like worried.

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00:18:11,119 --> 00:18:14,840
Speaker 6: Yeah yeah, and my dad I just go hello, and

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00:18:15,440 --> 00:18:16,920
Speaker 6: which is what I do now.

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00:18:17,040 --> 00:18:20,680
Speaker 3: And my dad goes hello, And then my friends would

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Speaker 3: go with Careen there, and then I'd get on the

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00:18:22,800 --> 00:18:24,800
Speaker 3: phone they go are you in trouble? And I'd be

365
00:18:24,880 --> 00:18:26,480
Speaker 3: like no, why what are you talking about?

366
00:18:26,560 --> 00:18:30,159
Speaker 4: My sister's friends. I remember them being intimidated or scared

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00:18:30,160 --> 00:18:33,080
Speaker 4: of my dad's hello Hello, But he wasn't mad.

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Speaker 3: Now just we say hello, weird, just dad. My family yeah,

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00:18:36,840 --> 00:18:39,679
Speaker 3: just kind of shouty, like you're you're just wrapping up

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Speaker 3: yelling at someone to turn off the bathroom light, and

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Speaker 3: then you answer the phone in the same voice.

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Speaker 4: That's because that's a light ste of electricity. That's why Hello.

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Speaker 3: Don't slum on the corn door.

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00:18:52,440 --> 00:18:53,000
Speaker 4: Hello.

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Speaker 6: Yeah, I I People always think that when I it

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Speaker 6: always I've got to change the way because you're supposed

377
00:19:04,880 --> 00:19:07,880
Speaker 6: to say it like a question like Hello, who.

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Speaker 4: Could it be? I'm so curious.

379
00:19:10,200 --> 00:19:17,600
Speaker 6: I I just say hello and then and then always

380
00:19:17,880 --> 00:19:21,000
Speaker 6: people stop and they're like, oh, I'm sorry. I thought

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00:19:21,000 --> 00:19:23,760
Speaker 6: it was a joke greeting. Yes, I thought you were

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00:19:23,760 --> 00:19:24,880
Speaker 6: going to keep talking.

383
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Speaker 3: Because you're saying hello, like the phone call the phone

384
00:19:29,560 --> 00:19:30,119
Speaker 3: movie from the.

385
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Speaker 4: Movie Yeah Hello. Tonight's features are me talking to you

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Speaker 4: right now at a thirty, which is the time right now.

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Speaker 6: In other words, please say something so we can have

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Speaker 6: a conversation, and then I hang up. I'd like to

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00:19:47,080 --> 00:19:49,920
Speaker 6: be very I don't even talk on the phone anymore anyway,

390
00:19:50,000 --> 00:19:50,199
Speaker 6: I know.

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Speaker 3: Anyway, it's so sad.

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Speaker 4: It is sad.

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Speaker 3: I do have a couple of friends who like talking

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Speaker 3: on the phone.

395
00:19:54,880 --> 00:19:58,200
Speaker 4: I talk. Yes, there's some people, Yes, there are some people.

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00:19:58,400 --> 00:19:59,960
Speaker 3: Of course, sisters always talk on the phone.

397
00:20:00,119 --> 00:20:10,360
Speaker 4: Yes, you know how they be? And you had did

398
00:20:10,400 --> 00:20:13,119
Speaker 4: you were you this weekend? Did you go anywhere?

399
00:20:13,280 --> 00:20:19,240
Speaker 3: No? No, the last weekend? Was it last week?

400
00:20:19,320 --> 00:20:20,080
Speaker 4: You were somewhere?

401
00:20:20,160 --> 00:20:23,199
Speaker 3: Yes, last week and I was somewhere. That's when I

402
00:20:23,320 --> 00:20:27,040
Speaker 3: was in Madison and Minneapolis with our friend Michelle Balloon.

403
00:20:27,320 --> 00:20:30,280
Speaker 3: She's the best, She's she's number one. We had a

404
00:20:30,320 --> 00:20:32,520
Speaker 3: real good time. I met her sisters.

405
00:20:34,359 --> 00:20:39,199
Speaker 6: Isn't it fun to meet specifically her sister, but just

406
00:20:39,640 --> 00:20:44,600
Speaker 6: fraternal twin sisters, Martha Kelly's sister. When someone has the

407
00:20:44,640 --> 00:20:50,480
Speaker 6: same mannerisms and the same face sort of, but Michelle's

408
00:20:50,520 --> 00:20:53,560
Speaker 6: sisters riddled with tattoos, and it's a punk rock version

409
00:20:53,600 --> 00:20:59,439
Speaker 6: of Michelle. They couldn't look more different and different. But

410
00:20:59,680 --> 00:21:03,160
Speaker 6: her is also funny and dry. But it just takes

411
00:21:03,160 --> 00:21:04,960
Speaker 6: a while, yeah, to find.

412
00:21:04,680 --> 00:21:07,720
Speaker 3: Out she's like more subtle. Yeah, wait, Martha Kelly's also

413
00:21:07,760 --> 00:21:08,360
Speaker 3: a twin.

414
00:21:08,600 --> 00:21:12,960
Speaker 6: Yes, and her sister is. She's like a submissive dominatrix.

415
00:21:13,000 --> 00:21:15,880
Speaker 6: She wrote a book about it. She's like a sex worker.

416
00:21:16,560 --> 00:21:21,720
Speaker 6: Whoa And Martha has always been you know, people think

417
00:21:21,760 --> 00:21:23,960
Speaker 6: she might work in a library or something, just the

418
00:21:23,960 --> 00:21:26,840
Speaker 6: way she carries herself is then so low key talking.

419
00:21:26,920 --> 00:21:27,800
Speaker 4: She's super funny.

420
00:21:27,880 --> 00:21:30,440
Speaker 6: Yeah, and her they have the same voice, but they're

421
00:21:30,480 --> 00:21:34,199
Speaker 6: just a little When I first met Martha's sister, I

422
00:21:34,280 --> 00:21:36,840
Speaker 6: just started laughing at her, like she started talking and

423
00:21:36,880 --> 00:21:38,760
Speaker 6: she said good to me, you sir, and.

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00:21:38,680 --> 00:21:41,960
Speaker 4: It was some version of Martha, and I couldn't take it.

425
00:21:41,960 --> 00:21:43,520
Speaker 4: It just made me laugh so hard.

426
00:21:43,560 --> 00:21:46,360
Speaker 3: That's so funny. Wow, that's fascinating.

427
00:21:46,560 --> 00:21:47,280
Speaker 4: Yeah, I do.

428
00:21:47,560 --> 00:21:50,600
Speaker 6: I do enjoy meeting siblings of people I've known for

429
00:21:50,640 --> 00:21:52,920
Speaker 6: almost a decade and then all of a sudden, there's

430
00:21:52,920 --> 00:21:53,960
Speaker 6: this new person.

431
00:21:53,920 --> 00:21:55,240
Speaker 4: That is a version of them.

432
00:21:55,440 --> 00:21:59,960
Speaker 6: Yeah, it doesn't have to be twins, but it helps, just.

433
00:22:00,080 --> 00:22:01,200
Speaker 3: Helps to make it make sense.

434
00:22:01,280 --> 00:22:03,560
Speaker 6: It helps to make me laugh at their face if

435
00:22:03,560 --> 00:22:09,000
Speaker 6: they are. But yeah, and I brought I still have

436
00:22:09,040 --> 00:22:12,120
Speaker 6: all these shirts that we printed. Oh yeah, and they

437
00:22:12,160 --> 00:22:14,480
Speaker 6: look beautiful and I brought them there, and of course

438
00:22:15,000 --> 00:22:17,119
Speaker 6: they just didn't seem like there would be a point

439
00:22:17,160 --> 00:22:19,639
Speaker 6: where I'm hanging out at a table selling them. They

440
00:22:19,640 --> 00:22:22,800
Speaker 6: didn't have like merch tables. So oh, I flew back

441
00:22:22,840 --> 00:22:25,440
Speaker 6: with them. But we got to find a way for now.

442
00:22:25,480 --> 00:22:30,600
Speaker 6: Maybe if you contact me on Twitter at at Chris Fairbanks,

443
00:22:30,680 --> 00:22:34,400
Speaker 6: I can just send people shirts put them in a Yeah,

444
00:22:34,520 --> 00:22:36,200
Speaker 6: I have larges, I have smalls.

445
00:22:36,240 --> 00:22:37,560
Speaker 4: I could go through all of them. I think I

446
00:22:37,560 --> 00:22:39,919
Speaker 4: have everything. I don't have double extra largest, but I

447
00:22:39,920 --> 00:22:40,960
Speaker 4: have extra larges.

448
00:22:41,040 --> 00:22:43,080
Speaker 3: I think, Oh, that's good. I feel like all the

449
00:22:43,119 --> 00:22:46,520
Speaker 3: people that have ever tweeted us and said, please make

450
00:22:46,560 --> 00:22:50,399
Speaker 3: another episode, you get a T shirt. Yes, but you're

451
00:22:50,400 --> 00:22:53,240
Speaker 3: gonna have to self regulate because it's not like we've

452
00:22:53,240 --> 00:22:55,000
Speaker 3: been writing your names down in a book or anything,

453
00:22:55,119 --> 00:22:57,880
Speaker 3: or as we should have been if we had any manners.

454
00:22:58,240 --> 00:23:01,080
Speaker 3: But if you are one of those people that has

455
00:23:01,280 --> 00:23:04,000
Speaker 3: actively complained to us about not recording, we want to

456
00:23:04,040 --> 00:23:05,280
Speaker 3: reward you for your care.

457
00:23:06,200 --> 00:23:07,960
Speaker 4: Yes, are we we're giving them away?

458
00:23:08,800 --> 00:23:11,680
Speaker 3: Uh? Oh no, No, you have to give us ninety dollars.

459
00:23:17,000 --> 00:23:19,920
Speaker 6: They will be purchasable on a sliding scale according to

460
00:23:20,000 --> 00:23:20,760
Speaker 6: your income in.

461
00:23:20,720 --> 00:23:21,960
Speaker 4: The car you drive, yep.

462
00:23:22,040 --> 00:23:25,280
Speaker 3: And also and then you're just your participation in this

463
00:23:25,400 --> 00:23:27,760
Speaker 3: because for a long time we were doing this podcast

464
00:23:28,000 --> 00:23:30,520
Speaker 3: and honestly, I think we've thought about thirty people listen

465
00:23:30,600 --> 00:23:33,600
Speaker 3: to it. Yeah, I thought, And then when we stopped

466
00:23:33,640 --> 00:23:35,400
Speaker 3: doing it, people really let us.

467
00:23:35,320 --> 00:23:39,240
Speaker 4: Know more than thirty, let us know of them?

468
00:23:39,440 --> 00:23:42,520
Speaker 3: No, right, unless they were re letting us know, and

469
00:23:42,960 --> 00:23:46,160
Speaker 3: if they started different Twitter accounts to make us feel

470
00:23:46,200 --> 00:23:49,560
Speaker 3: like more people cared, which would have been so beautiful. Oh,

471
00:23:49,920 --> 00:23:51,280
Speaker 3: as I was driving around.

472
00:23:51,000 --> 00:23:54,800
Speaker 6: The more bready Stenella's type accounts, you mean, yeah, and

473
00:23:54,840 --> 00:23:56,520
Speaker 6: there's a baboon heart one.

474
00:23:57,080 --> 00:23:59,280
Speaker 3: I think that was from this podcast.

475
00:23:58,840 --> 00:24:01,400
Speaker 6: Right, Oh, I don't know, No, I don't that. Maybe

476
00:24:01,960 --> 00:24:04,840
Speaker 6: Yead has to be the bamboo about my dream.

477
00:24:04,960 --> 00:24:05,760
Speaker 3: Bab boon Heart.

478
00:24:06,560 --> 00:24:09,320
Speaker 4: Maybe maybe not. I'm not going to pretend that that

479
00:24:09,440 --> 00:24:10,000
Speaker 4: rings a bell.

480
00:24:10,560 --> 00:24:13,640
Speaker 3: I can't really remember either. It was some I don't know.

481
00:24:13,680 --> 00:24:15,680
Speaker 4: Maybe it had maybe it was a murder reference.

482
00:24:16,160 --> 00:24:17,040
Speaker 3: I don't think so.

483
00:24:17,200 --> 00:24:17,480
Speaker 4: Though.

484
00:24:17,720 --> 00:24:21,879
Speaker 3: It's hard. The amount of recording of casual conversations that

485
00:24:21,920 --> 00:24:25,800
Speaker 3: I do of myself these days is egregiously too many, and.

486
00:24:25,680 --> 00:24:28,760
Speaker 6: It's it's getting to the point where, like anyone's dad,

487
00:24:28,880 --> 00:24:32,119
Speaker 6: I know, I repeat myself. I know I say the

488
00:24:32,200 --> 00:24:35,480
Speaker 6: same thing over the time, all the time, over the time,

489
00:24:35,640 --> 00:24:36,879
Speaker 6: over the all the time.

490
00:24:37,000 --> 00:24:39,479
Speaker 3: I just think, as long as you enjoy the story,

491
00:24:39,640 --> 00:24:40,480
Speaker 3: you can repeat it.

492
00:24:40,600 --> 00:24:40,800
Speaker 4: Right.

493
00:24:41,200 --> 00:24:43,879
Speaker 6: My fear, though, is that the story will change because

494
00:24:43,920 --> 00:24:47,000
Speaker 6: I'm telling a liar's version the second time.

495
00:24:47,119 --> 00:24:50,439
Speaker 3: I support all embellishments as long as we're being entertained

496
00:24:50,480 --> 00:24:52,399
Speaker 3: while the story's happening, it doesn't have to be one

497
00:24:52,440 --> 00:24:52,880
Speaker 3: hundred percent.

498
00:24:53,160 --> 00:24:55,880
Speaker 6: I was taught as a young person that it's okay

499
00:24:55,960 --> 00:24:57,560
Speaker 6: to lie and it makes this story better.

500
00:24:57,760 --> 00:24:58,560
Speaker 4: Isn't that curious?

501
00:24:58,720 --> 00:25:01,440
Speaker 3: No, that's I I agree with that one hundred percent.

502
00:25:02,040 --> 00:25:04,520
Speaker 3: Don't lie like you're the best person or whatever. Don't

503
00:25:04,600 --> 00:25:08,320
Speaker 3: like don't go crazy with the factual. It's the details

504
00:25:08,359 --> 00:25:11,159
Speaker 3: that you can embell it, right, Jush him up a

505
00:25:11,160 --> 00:25:14,480
Speaker 3: little bit. Make it new for me if I've heard

506
00:25:14,480 --> 00:25:15,960
Speaker 3: it three times, just make it new.

507
00:25:16,400 --> 00:25:19,200
Speaker 4: Good. See, that's all I'm doing, right, I'm not lying.

508
00:25:19,520 --> 00:25:20,560
Speaker 3: It is not that big of a deal.

509
00:25:20,680 --> 00:25:25,800
Speaker 6: We're never driving me to my beach home. We're headed

510
00:25:26,160 --> 00:25:30,359
Speaker 6: towards the ocean and we can pass, though I'd like

511
00:25:30,440 --> 00:25:31,159
Speaker 6: to keep talking.

512
00:25:32,400 --> 00:25:33,240
Speaker 4: We'll pass my.

513
00:25:33,240 --> 00:25:36,440
Speaker 3: Place, Okay, Yeah, no, I want to drive to the ocean.

514
00:25:36,520 --> 00:25:40,760
Speaker 3: I haven't live I've lived in Los Angeles for twenty

515
00:25:41,240 --> 00:25:44,000
Speaker 3: five years, perhaps maybe more.

516
00:25:44,160 --> 00:25:45,440
Speaker 4: And you'd never go to the beach.

517
00:25:45,920 --> 00:25:49,040
Speaker 3: I think I've been there three times, five all together.

518
00:25:49,359 --> 00:25:50,159
Speaker 4: Isn't that funny?

519
00:25:50,200 --> 00:25:53,680
Speaker 6: I always we would go from Montana all the way

520
00:25:53,720 --> 00:25:58,320
Speaker 6: down to San Diego to visit my dad's cousins and

521
00:25:58,359 --> 00:26:02,920
Speaker 6: my great grandma and Coronado, and yeah, it was nice.

522
00:26:03,600 --> 00:26:04,360
Speaker 4: You're right to go.

523
00:26:04,800 --> 00:26:05,400
Speaker 3: It's fancy.

524
00:26:05,720 --> 00:26:10,399
Speaker 4: It's it's fancy there and and they were modest homes,

525
00:26:10,400 --> 00:26:12,119
Speaker 4: but they're in beautiful place. It's end.

526
00:26:13,000 --> 00:26:16,600
Speaker 6: And they never we would want to go to the

527
00:26:16,600 --> 00:26:19,120
Speaker 6: beach and they're like, oh, we we haven't gone there

528
00:26:19,119 --> 00:26:19,600
Speaker 6: in years.

529
00:26:19,640 --> 00:26:23,199
Speaker 4: They were walking distance from the best beach ever. And

530
00:26:23,280 --> 00:26:25,199
Speaker 4: I always thought, what a waste. And now I'm one

531
00:26:25,240 --> 00:26:25,879
Speaker 4: of these people.

532
00:26:26,160 --> 00:26:26,920
Speaker 3: No, you do it too.

533
00:26:27,240 --> 00:26:30,239
Speaker 4: I do go there, just walked out.

534
00:26:30,320 --> 00:26:32,439
Speaker 6: But I thought if I ever lived by the ocean,

535
00:26:32,520 --> 00:26:33,479
Speaker 6: I'd be swimming in it.

536
00:26:33,520 --> 00:26:34,240
Speaker 4: I'd be surfing.

537
00:26:34,320 --> 00:26:38,199
Speaker 6: I'd just become Laired Hamilton or his character Lance Burkhart

538
00:26:38,240 --> 00:26:39,960
Speaker 6: from the movie North.

539
00:26:39,800 --> 00:26:43,800
Speaker 4: Shore, and become a waterman. Sure, but I just kind

540
00:26:43,800 --> 00:26:47,840
Speaker 4: of go there. And then I worry about sharks, and I, uh,

541
00:26:47,960 --> 00:26:50,520
Speaker 4: I don't surf like I thought I would. I have

542
00:26:50,560 --> 00:26:52,359
Speaker 4: a wet suit, I have a couple, I have a

543
00:26:52,400 --> 00:26:53,120
Speaker 4: couple of boards.

544
00:26:53,240 --> 00:26:56,720
Speaker 3: Surfing is though, uh, from what I've been told, And

545
00:26:56,880 --> 00:26:59,600
Speaker 3: of course I've never even come close to doing anything

546
00:26:59,720 --> 00:27:05,720
Speaker 3: like it, but very physically strenuous, full body workout. Am

547
00:27:05,760 --> 00:27:06,560
Speaker 3: I wrong about this.

548
00:27:06,760 --> 00:27:10,919
Speaker 6: It is the paddling and the getting out past waves

549
00:27:11,040 --> 00:27:13,800
Speaker 6: is one of the most difficult things without drinking a

550
00:27:13,840 --> 00:27:17,680
Speaker 6: bunch of water and panicking. One time I went surfing

551
00:27:17,720 --> 00:27:22,360
Speaker 6: and I got drug by a jet ski and launched

552
00:27:22,359 --> 00:27:24,560
Speaker 6: into a wave and immediately stood.

553
00:27:24,320 --> 00:27:26,320
Speaker 4: Up and was able to surf.

554
00:27:26,400 --> 00:27:29,879
Speaker 6: It is the standing out their stationery, waiting for a

555
00:27:29,960 --> 00:27:32,840
Speaker 6: late wave, being able to catch it while on your

556
00:27:32,880 --> 00:27:36,080
Speaker 6: belly and standing up and all of that. Just getting

557
00:27:36,119 --> 00:27:37,919
Speaker 6: to that point, just getting out to be in the

558
00:27:37,960 --> 00:27:42,639
Speaker 6: right spot without a wave just covering you and beating

559
00:27:42,680 --> 00:27:44,960
Speaker 6: you up and making you almost drownd. I've never gotten

560
00:27:44,960 --> 00:27:47,240
Speaker 6: good at that, and I've gone surfing maybe fifty times.

561
00:27:47,280 --> 00:27:51,760
Speaker 4: God, it's very difficult. Good for you though, yeah, I'll

562
00:27:51,760 --> 00:27:52,520
Speaker 4: do it eventually.

563
00:27:52,720 --> 00:27:56,480
Speaker 3: I would imagine it's low impact. But also all those

564
00:27:56,560 --> 00:27:58,800
Speaker 3: like the negative ions are good for you. The sea salt,

565
00:27:58,840 --> 00:28:01,840
Speaker 3: the salt water being in nature is good for you.

566
00:28:02,160 --> 00:28:06,480
Speaker 4: The phosphorus inside of a jellyfish, that's that's always bad

567
00:28:06,560 --> 00:28:09,240
Speaker 4: for you. That's actually that was a trick.

568
00:28:09,400 --> 00:28:11,879
Speaker 3: Yeah, no, that's about Please don't eat jellyfish out of

569
00:28:11,920 --> 00:28:15,119
Speaker 3: the water, but just freehand.

570
00:28:14,720 --> 00:28:16,800
Speaker 4: Let a professional filet.

571
00:28:16,440 --> 00:28:20,600
Speaker 3: At first look at this exciting the other. The other

572
00:28:20,640 --> 00:28:23,440
Speaker 3: thing is I find it exciting to be down here

573
00:28:23,480 --> 00:28:24,760
Speaker 3: with all the people look.

574
00:28:24,560 --> 00:28:27,680
Speaker 4: At Yeah, this is this is my this is my hango,

575
00:28:27,760 --> 00:28:30,560
Speaker 4: that's Hanano's. That's a bar. I go tomorrow, then I

576
00:28:30,760 --> 00:28:32,440
Speaker 4: probably should or want people to know.

577
00:28:32,800 --> 00:28:37,879
Speaker 3: Look, wait, should I go right here down the street? Yeah,

578
00:28:37,920 --> 00:28:40,080
Speaker 3: because I've made a terrible mistake going down here.

579
00:28:40,200 --> 00:28:43,440
Speaker 6: I believe that our only choice now is to pay

580
00:28:43,480 --> 00:28:44,560
Speaker 6: for parking in that lot.

581
00:28:44,720 --> 00:28:45,720
Speaker 3: No fucking way.

582
00:28:45,880 --> 00:28:47,800
Speaker 6: So we're going to turn right here, Okay, great and

583
00:28:47,960 --> 00:28:51,400
Speaker 6: go past this guy that has a giant staff that

584
00:28:51,520 --> 00:28:54,880
Speaker 6: lights up and he has his shirt off, so it's

585
00:28:54,920 --> 00:28:56,520
Speaker 6: some sort of wizard.

586
00:28:57,840 --> 00:29:00,640
Speaker 3: Hello sir, oh, hello kind of man.

587
00:29:00,960 --> 00:29:03,320
Speaker 4: He does seem kind in the face, and he heard

588
00:29:03,360 --> 00:29:04,360
Speaker 4: everything we're saying.

589
00:29:06,240 --> 00:29:09,120
Speaker 3: He also looked like some He looked like someone that

590
00:29:09,160 --> 00:29:10,640
Speaker 3: didn't belong here, just like me.

591
00:29:11,000 --> 00:29:13,200
Speaker 4: Yeah, he had kind of a lost puppy dog look

592
00:29:13,200 --> 00:29:13,760
Speaker 4: in his eyes.

593
00:29:13,960 --> 00:29:14,960
Speaker 3: I love that look.

594
00:29:15,520 --> 00:29:18,280
Speaker 4: I like her all white. Look, she's gonna get a stain.

595
00:29:18,440 --> 00:29:22,520
Speaker 3: However, that's the thing. The people down here in Venice

596
00:29:22,560 --> 00:29:26,600
Speaker 3: viach area are good looking, right, that's the whole idea.

597
00:29:27,040 --> 00:29:30,360
Speaker 3: You move down here, you've got small shorts, you know,

598
00:29:30,680 --> 00:29:33,480
Speaker 3: you're like, hey, it's me, look at my thing.

599
00:29:33,680 --> 00:29:34,960
Speaker 4: I guess, so I don't.

600
00:29:35,120 --> 00:29:38,080
Speaker 6: I go to other parts of town though, because I've

601
00:29:38,080 --> 00:29:40,320
Speaker 6: been in Venice this whole time that I've been.

602
00:29:40,200 --> 00:29:41,200
Speaker 4: Since two thousand and three.

603
00:29:41,600 --> 00:29:45,360
Speaker 6: Yeah, and I go to like Los Feliz or Hollywood,

604
00:29:45,400 --> 00:29:47,400
Speaker 6: and I'm like, wow, these people are good looking.

605
00:29:47,880 --> 00:29:49,200
Speaker 3: Yeah, I guess that's the whole place.

606
00:29:49,320 --> 00:29:52,920
Speaker 4: This whole city is just riddled with handsome.

607
00:29:52,560 --> 00:29:54,640
Speaker 3: Faced It's really is, you know, the people I'm the

608
00:29:54,640 --> 00:29:57,400
Speaker 3: most jealous of, and I think they don't appreciate it enough.

609
00:29:57,440 --> 00:29:59,480
Speaker 3: It's people who have even skin tone.

610
00:30:00,080 --> 00:30:03,080
Speaker 4: Oh, people without any level of blotchiness.

611
00:30:03,200 --> 00:30:09,160
Speaker 3: Yes, people without any vain issues, without any just weird freckles.

612
00:30:09,200 --> 00:30:12,720
Speaker 4: And I don't know you to have any barrachosis.

613
00:30:14,280 --> 00:30:16,520
Speaker 3: I do. I have all the things you don't want

614
00:30:16,920 --> 00:30:19,680
Speaker 3: that if you want to wear shorts, you know.

615
00:30:20,760 --> 00:30:23,200
Speaker 4: Yeah, I suppose. I don't know.

616
00:30:23,280 --> 00:30:28,080
Speaker 6: I haven't really analyzed my skin tone evenness.

617
00:30:28,640 --> 00:30:30,800
Speaker 3: Yeah, I bet because you have even skin tone, you

618
00:30:30,840 --> 00:30:33,040
Speaker 3: don't have to analyze it. Oh, you're right, that's what

619
00:30:33,080 --> 00:30:33,560
Speaker 3: I'm saying.

620
00:30:34,440 --> 00:30:35,560
Speaker 4: I'm one of these people.

621
00:30:35,680 --> 00:30:38,960
Speaker 3: You're exactly who I hate. And I'm glad I can

622
00:30:39,040 --> 00:30:44,640
Speaker 3: tell you yo, Yes, it doesn't matter if you're black,

623
00:30:44,680 --> 00:30:45,560
Speaker 3: oh white?

624
00:30:47,160 --> 00:30:48,720
Speaker 4: Hey, can I tell you.

625
00:30:48,680 --> 00:30:53,640
Speaker 6: About the time that young Zach galifanackets without a beard,

626
00:30:53,760 --> 00:30:57,040
Speaker 6: like a long time ago, came to Austin and he

627
00:30:57,120 --> 00:31:00,960
Speaker 6: went he was performing at our Bad Dog Comedy Theater,

628
00:31:01,760 --> 00:31:07,760
Speaker 6: and he hired two guys that had a dance studio.

629
00:31:08,600 --> 00:31:11,880
Speaker 6: They were like hip hop and also classically trained dancers.

630
00:31:11,920 --> 00:31:15,720
Speaker 6: These two big African American dudes, and one one, during

631
00:31:15,720 --> 00:31:19,160
Speaker 6: one of his songs, he said the N word while

632
00:31:19,160 --> 00:31:23,479
Speaker 6: playing piano, and the audience even was like, oh, but

633
00:31:23,520 --> 00:31:23,880
Speaker 6: it just.

634
00:31:23,880 --> 00:31:25,600
Speaker 4: Rhymed and it was a ridiculous song.

635
00:31:25,840 --> 00:31:28,200
Speaker 6: And then this one of the guys in the audience,

636
00:31:28,240 --> 00:31:29,720
Speaker 6: but it just seemed like a guy that was in

637
00:31:29,760 --> 00:31:32,960
Speaker 6: the crowd said Hey, I don't like it when white

638
00:31:32,960 --> 00:31:34,000
Speaker 6: people use that word.

639
00:31:34,160 --> 00:31:35,320
Speaker 4: He's like, oh, I'm sorry, sir.

640
00:31:35,400 --> 00:31:37,560
Speaker 6: And then another guy said I don't like it either,

641
00:31:37,600 --> 00:31:40,120
Speaker 6: and they both came down to the stage and everyone's like, oh, no,

642
00:31:40,560 --> 00:31:42,800
Speaker 6: he's gonna get beat up by two guys that don't

643
00:31:42,840 --> 00:31:47,320
Speaker 6: even seem to know each other. And then Michael Jackson's

644
00:31:47,360 --> 00:31:50,000
Speaker 6: Black or White started to play and they had choreographed

645
00:31:50,040 --> 00:31:53,760
Speaker 6: this whole dance. Oh and she was like they were

646
00:31:53,800 --> 00:31:55,640
Speaker 6: holding him up in the air and these guys were

647
00:31:55,680 --> 00:31:59,760
Speaker 6: doing spins and more like like they were ballet trained,

648
00:32:00,120 --> 00:32:03,640
Speaker 6: big muscly dudes. What was the best thing I'd ever seen?

649
00:32:03,640 --> 00:32:06,200
Speaker 6: It's like, who is this guy?

650
00:32:06,400 --> 00:32:10,840
Speaker 4: He's gonna be famous and he is famous now.

651
00:32:10,760 --> 00:32:13,760
Speaker 3: That's so funny. I love that he's been doing like that,

652
00:32:14,040 --> 00:32:15,320
Speaker 3: things like that for so long.

653
00:32:15,480 --> 00:32:15,800
Speaker 4: Yeah.

654
00:32:15,960 --> 00:32:18,920
Speaker 6: Another time he came and he hired like a barber

655
00:32:18,920 --> 00:32:22,000
Speaker 6: shop for these guys that sang on a street corner

656
00:32:22,760 --> 00:32:24,720
Speaker 6: and they sang during his act.

657
00:32:25,000 --> 00:32:25,600
Speaker 4: It was great.

658
00:32:25,800 --> 00:32:27,959
Speaker 3: When I worked on his talk show, he did a

659
00:32:28,280 --> 00:32:30,600
Speaker 3: number one time where he it was a monologue that

660
00:32:30,640 --> 00:32:33,520
Speaker 3: then he said, so he made a joke about calling

661
00:32:33,560 --> 00:32:35,720
Speaker 3: someone on the phone and then went into a full

662
00:32:35,880 --> 00:32:40,960
Speaker 3: dance number to ELO's telephone line. Oh yeah, hello, yes,

663
00:32:41,160 --> 00:32:45,760
Speaker 3: hallai you and this team of dancers came out behind him,

664
00:32:45,840 --> 00:32:49,680
Speaker 3: one of whom was Kevin Federline. Before he was famous

665
00:32:49,720 --> 00:32:50,520
Speaker 3: with Pretty Scary.

666
00:32:50,600 --> 00:32:52,840
Speaker 4: I do know that he was a professional backup dancer.

667
00:32:52,920 --> 00:32:55,480
Speaker 3: Yeah, well he was for on our show too, and

668
00:32:55,520 --> 00:32:58,160
Speaker 3: like it was like twenty dancers doing a full routine

669
00:32:58,240 --> 00:32:59,200
Speaker 3: with Zach.

670
00:32:59,600 --> 00:33:00,000
Speaker 4: Wow.

671
00:33:00,240 --> 00:33:02,800
Speaker 3: Clearly he's had dreams of dancing.

672
00:33:02,480 --> 00:33:05,600
Speaker 6: For yes, a long he's always had dancing dreams. Yeah,

673
00:33:05,680 --> 00:33:09,280
Speaker 6: what if he has dance nightmares? Oh, where you're at

674
00:33:09,280 --> 00:33:11,640
Speaker 6: a recital and it's your turn and then your legs

675
00:33:11,680 --> 00:33:12,200
Speaker 6: can't move.

676
00:33:12,400 --> 00:33:14,120
Speaker 4: That would be the dance nightmare I'd have.

677
00:33:14,280 --> 00:33:17,400
Speaker 3: And no one likes your your outfit, yeah, or the.

678
00:33:17,400 --> 00:33:21,080
Speaker 4: Way you interpret a song through body movement.

679
00:33:21,160 --> 00:33:24,160
Speaker 3: No one likes your body movements. No one likes your

680
00:33:24,200 --> 00:33:26,560
Speaker 3: weird body. Your waist is too long and your legs

681
00:33:26,600 --> 00:33:27,240
Speaker 3: are too short.

682
00:33:27,760 --> 00:33:31,479
Speaker 6: I've been wanting to shorten my waist and lengthen my legs,

683
00:33:31,560 --> 00:33:33,920
Speaker 6: and I thought that through surgery, I could maybe do that.

684
00:33:34,400 --> 00:33:35,680
Speaker 3: You tried with that one hit.

685
00:33:35,840 --> 00:33:36,880
Speaker 4: Well I did.

686
00:33:37,000 --> 00:33:39,120
Speaker 6: I was like, can we make that and then later

687
00:33:39,240 --> 00:33:40,959
Speaker 6: we'll do the other one, But can we make it

688
00:33:41,000 --> 00:33:41,760
Speaker 6: a little longer?

689
00:33:41,960 --> 00:33:43,920
Speaker 3: And you would be.

690
00:33:43,880 --> 00:33:47,400
Speaker 4: Too tight, your muscles wouldn't stretch, and I'm like, oh, okay,

691
00:33:47,440 --> 00:33:49,680
Speaker 4: we can't lengthen my muscles. Then he said no, that

692
00:33:49,720 --> 00:33:50,800
Speaker 4: would be very expensive.

693
00:33:51,080 --> 00:33:52,840
Speaker 3: I would have flung you the money. I want to

694
00:33:52,880 --> 00:33:53,239
Speaker 3: see that.

695
00:33:53,520 --> 00:33:56,440
Speaker 4: Well, it's you want me to see with one long leg, and.

696
00:33:56,680 --> 00:33:58,960
Speaker 3: Normally I would love one long leg on you.

697
00:33:59,080 --> 00:34:00,840
Speaker 6: I kind of want to see me with that too,

698
00:34:01,000 --> 00:34:02,840
Speaker 6: just for a year until I can afford to do

699
00:34:02,920 --> 00:34:03,520
Speaker 6: the other leg.

700
00:34:03,640 --> 00:34:06,480
Speaker 3: Yeah, and you have a kind of gangster stroll walk

701
00:34:06,560 --> 00:34:08,920
Speaker 3: about you. But people are like, Chris, don't walk like that.

702
00:34:08,960 --> 00:34:12,799
Speaker 3: You're not that doesn't that's cultural appropriation. You're like, no, no, no,

703
00:34:12,840 --> 00:34:13,719
Speaker 3: it's just how my legs.

704
00:34:13,840 --> 00:34:15,840
Speaker 4: Yeah, it's not something I'm doing.

705
00:34:15,880 --> 00:34:18,879
Speaker 6: It's the issue is I'm five nine and also five

706
00:34:18,960 --> 00:34:21,720
Speaker 6: eleven depending on.

707
00:34:22,400 --> 00:34:26,840
Speaker 3: And you get one really awesome wedge shoe, like a

708
00:34:27,000 --> 00:34:29,920
Speaker 3: really large kind of a Gene Simmons boot.

709
00:34:30,080 --> 00:34:33,640
Speaker 6: My fear always was that I would have to because

710
00:34:33,800 --> 00:34:35,360
Speaker 6: when I was young and one of the times I

711
00:34:35,400 --> 00:34:38,600
Speaker 6: broke my foot, I broke something called a growth plate,

712
00:34:38,760 --> 00:34:41,480
Speaker 6: and I said, it's that bad. Does that mean if

713
00:34:41,520 --> 00:34:44,160
Speaker 6: I grow anymore, I'm gonna have one leg, one little leg.

714
00:34:44,640 --> 00:34:47,319
Speaker 6: Because my fear is always having one of those one

715
00:34:47,440 --> 00:34:49,120
Speaker 6: black shoe that.

716
00:34:49,120 --> 00:34:50,800
Speaker 4: Has a thick barle.

717
00:34:51,040 --> 00:34:54,840
Speaker 6: Yeah, it always seems like that would be just shoe

718
00:34:54,880 --> 00:34:57,640
Speaker 6: buying alone has to be this big ordeal or you

719
00:34:57,680 --> 00:35:00,400
Speaker 6: have to go to a cobbler and have added rubber.

720
00:35:01,200 --> 00:35:03,759
Speaker 3: The amount of errands that you would have to start doing.

721
00:35:03,960 --> 00:35:06,640
Speaker 4: Yeah, all the times you'd have to drive across town

722
00:35:06,680 --> 00:35:08,680
Speaker 4: a bunch of times, just because you've got new shoes,

723
00:35:08,719 --> 00:35:11,400
Speaker 4: not to mention when you're naked, one of your legs

724
00:35:11,400 --> 00:35:12,520
Speaker 4: it's shorter than the other.

725
00:35:12,680 --> 00:35:16,280
Speaker 3: It's just that, I mean. But then there are people

726
00:35:16,320 --> 00:35:17,160
Speaker 3: who are into that.

727
00:35:17,239 --> 00:35:18,759
Speaker 4: Look right, there is.

728
00:35:18,840 --> 00:35:22,480
Speaker 3: A a lid for every pot, and I think that

729
00:35:22,560 --> 00:35:23,919
Speaker 3: maybe I do have one of those feet.

730
00:35:23,960 --> 00:35:27,080
Speaker 4: No one's ever watched me walk and say, oh, clearly

731
00:35:27,200 --> 00:35:28,799
Speaker 4: you're fully symmetrical.

732
00:35:29,920 --> 00:35:31,400
Speaker 3: No, I've never heard anyone say that.

733
00:35:31,480 --> 00:35:32,719
Speaker 4: No one's ever said that about me.

734
00:35:33,040 --> 00:35:35,399
Speaker 3: If someone said that about you, I would definitely tell

735
00:35:35,440 --> 00:35:36,920
Speaker 3: you what such a lovely cook.

736
00:35:37,040 --> 00:35:38,800
Speaker 4: And have people been saying about me? Cares?

737
00:35:38,840 --> 00:35:42,359
Speaker 3: They just mostly say the more the thing about your hair.

738
00:35:42,640 --> 00:35:46,400
Speaker 4: Mm hmmm, well it's the reason I checked my bag.

739
00:35:46,920 --> 00:35:47,640
Speaker 4: Good news.

740
00:35:48,000 --> 00:35:51,719
Speaker 6: I have Moroccan oil based hair mask. And I know

741
00:35:51,760 --> 00:35:54,800
Speaker 6: what you're thinking, isn't a mask for just your face?

742
00:35:54,960 --> 00:35:56,200
Speaker 3: Well no, no, hell no.

743
00:35:56,520 --> 00:36:00,680
Speaker 6: This is a highly forty five, very strong conditionery. It's

744
00:36:00,680 --> 00:36:03,279
Speaker 6: almost dangerous to leave it in for more than five

745
00:36:03,400 --> 00:36:05,960
Speaker 6: minutes because your hair will just turn to a feather

746
00:36:06,200 --> 00:36:07,240
Speaker 6: that will blow away.

747
00:36:07,280 --> 00:36:10,440
Speaker 3: It's so soft, so gorgeous, and so for Morocco.

748
00:36:10,800 --> 00:36:13,800
Speaker 6: And and my friend Brianna got me all these nice

749
00:36:14,160 --> 00:36:17,040
Speaker 6: hair care products that those things are expensive. I'm gonna

750
00:36:17,080 --> 00:36:20,480
Speaker 6: have the fluffiest hair. No more pubic dry fro for

751
00:36:20,600 --> 00:36:23,600
Speaker 6: this guy. No, I'm gonna have the most beautiful.

752
00:36:23,280 --> 00:36:23,839
Speaker 4: Soft hair.

753
00:36:24,120 --> 00:36:25,880
Speaker 6: But I had to check my bag because it was

754
00:36:25,920 --> 00:36:27,399
Speaker 6: all more than four ounces.

755
00:36:27,920 --> 00:36:31,040
Speaker 3: I love Moroccan hair oil a lot. I love the smell.

756
00:36:31,200 --> 00:36:33,239
Speaker 4: You're familiar with the product, Oh hell yeah?

757
00:36:33,360 --> 00:36:36,200
Speaker 3: Oh okay, don't bring a product to me I'm not

758
00:36:36,239 --> 00:36:37,719
Speaker 3: familiar with. I dare you.

759
00:36:37,880 --> 00:36:40,080
Speaker 6: I have Moroccan, I have the hair mask, I have

760
00:36:40,160 --> 00:36:43,000
Speaker 6: a palmade, I have a oil.

761
00:36:42,760 --> 00:36:45,040
Speaker 4: That I drip onto my scalp. Yeah, I am gonna

762
00:36:45,080 --> 00:36:46,520
Speaker 4: be My hair is gonna.

763
00:36:46,320 --> 00:36:49,319
Speaker 3: Be great, and you're gonna smell wonderful, which I think

764
00:36:49,440 --> 00:36:51,000
Speaker 3: really is should be your concern.

765
00:36:51,080 --> 00:36:53,160
Speaker 6: I don't know what I'm preparing for to have all

766
00:36:53,160 --> 00:36:55,640
Speaker 6: this gorgeous hair, like about an awards show.

767
00:36:55,719 --> 00:36:57,799
Speaker 4: I don't know. We're just gonna have nice hair from

768
00:36:57,800 --> 00:36:58,040
Speaker 4: now on.

769
00:36:58,200 --> 00:37:00,560
Speaker 3: But that's the thing, is it. It's you don't have

770
00:37:00,600 --> 00:37:02,920
Speaker 3: to know what you're preparing for. As long as you're prepared,

771
00:37:03,000 --> 00:37:03,760
Speaker 3: you'll be ready.

772
00:37:04,160 --> 00:37:08,440
Speaker 4: If you are dressed for success, success will be your clothing.

773
00:37:09,280 --> 00:37:14,759
Speaker 3: And that's also the Tito's Taco jingle let success be

774
00:37:14,920 --> 00:37:19,560
Speaker 3: your clothing. Tito's Tacos weird.

775
00:37:19,600 --> 00:37:21,840
Speaker 4: I thought it's just a place where I got diarrheas

776
00:37:21,840 --> 00:37:24,240
Speaker 4: so bad it felt like I was pooping a swarm

777
00:37:24,280 --> 00:37:28,880
Speaker 4: of bees. But that's success. They also have a wardrobe department.

778
00:37:29,200 --> 00:37:30,759
Speaker 3: Well that's success.

779
00:37:31,400 --> 00:37:35,680
Speaker 4: Uh CLO's I love Tito's tacos. You love Tito's too.

780
00:37:36,040 --> 00:37:39,359
Speaker 4: I love Tito's tacos. What else can you do?

781
00:37:39,600 --> 00:37:45,040
Speaker 6: I think they also have delicious Britos into Alata's chips

782
00:37:45,040 --> 00:37:45,759
Speaker 6: and salsa too.

783
00:37:46,320 --> 00:37:49,560
Speaker 4: The only thing better than the Tito's taco is two.

784
00:37:49,920 --> 00:37:53,719
Speaker 4: I don't know why I have every commercial jingle memorized

785
00:37:53,760 --> 00:37:55,040
Speaker 4: from my entire life.

786
00:37:55,440 --> 00:37:58,160
Speaker 3: Well, they're not that hard to memorize, since Tito's Tacos

787
00:37:58,239 --> 00:38:01,120
Speaker 3: use the word two to rhyme two the entire job.

788
00:38:01,360 --> 00:38:05,800
Speaker 4: I got the breakdown that we also have delicious Brito's chips.

789
00:38:05,800 --> 00:38:09,200
Speaker 4: It's also into lattice too. The only thing better than

790
00:38:09,200 --> 00:38:11,359
Speaker 4: a Tito's taco is too.

791
00:38:12,440 --> 00:38:15,080
Speaker 3: Okay, yeah, no, I need another pass on that song.

792
00:38:15,200 --> 00:38:17,880
Speaker 3: It's there's It is the laziest writing. It is a

793
00:38:18,000 --> 00:38:20,919
Speaker 3: list of things on the menu list, and then it's

794
00:38:20,960 --> 00:38:23,399
Speaker 3: just putting using two and two and two as many

795
00:38:23,400 --> 00:38:24,799
Speaker 3: times as you fucking feel like it.

796
00:38:24,960 --> 00:38:29,320
Speaker 4: I just know that I have a gift for remembering jingles.

797
00:38:29,360 --> 00:38:31,440
Speaker 4: That's all. I just want you to say, I have

798
00:38:31,480 --> 00:38:31,920
Speaker 4: a gift.

799
00:38:32,040 --> 00:38:34,879
Speaker 3: You have a gift. Thank you. It's amazing. I love

800
00:38:35,000 --> 00:38:38,360
Speaker 3: hearing that song you were able to recite at two times,

801
00:38:38,719 --> 00:38:41,120
Speaker 3: which is the key to Tito's tacos. Apparently.

802
00:38:41,360 --> 00:38:43,319
Speaker 6: I think I was just raised in front of a

803
00:38:43,360 --> 00:38:46,160
Speaker 6: TV when I was younger, and and then so I

804
00:38:46,360 --> 00:38:49,960
Speaker 6: memorized all these old like we're in the money with

805
00:38:50,040 --> 00:38:53,480
Speaker 6: a scholarship from Crest or whatever. It's too all these

806
00:38:54,040 --> 00:38:57,520
Speaker 6: It was a specific commercial for promotion with Crest, and

807
00:38:57,560 --> 00:38:59,680
Speaker 6: it's been in my head since I was eleven years old.

808
00:38:59,800 --> 00:39:03,560
Speaker 3: Yeah. Well, because that's the time. You were probably alone

809
00:39:03,560 --> 00:39:05,840
Speaker 3: in front of the TV. So you're maybe a little scared.

810
00:39:05,920 --> 00:39:06,800
Speaker 3: Everything was open.

811
00:39:07,000 --> 00:39:07,920
Speaker 4: Yep, you were like.

812
00:39:08,520 --> 00:39:11,120
Speaker 3: I have to patent and everything just in case something happens.

813
00:39:11,320 --> 00:39:13,759
Speaker 6: It really is important to make kids read, I think

814
00:39:13,800 --> 00:39:16,200
Speaker 6: because I didn't, and I think I would have had

815
00:39:16,239 --> 00:39:18,600
Speaker 6: so much knowledge now if I just had to hit

816
00:39:18,680 --> 00:39:19,280
Speaker 6: those books.

817
00:39:19,360 --> 00:39:21,880
Speaker 3: Yeah, yeah, it would have been nice. Or watch smart

818
00:39:21,920 --> 00:39:24,279
Speaker 3: person television like PBS.

819
00:39:24,400 --> 00:39:27,439
Speaker 4: Yeah, yeah, do your kids. Yeah, I know everything about

820
00:39:27,480 --> 00:39:29,360
Speaker 4: antique Roads and their shows.

821
00:39:30,520 --> 00:39:32,920
Speaker 3: Oh my god, that's one of my favorite shows. It

822
00:39:33,000 --> 00:39:38,959
Speaker 3: is when a really old road is on this show. Wait,

823
00:39:39,000 --> 00:39:40,600
Speaker 3: I'm gonna turn down here. How do I get to

824
00:39:40,640 --> 00:39:41,880
Speaker 3: the motherfucking beat?

825
00:39:42,320 --> 00:39:46,040
Speaker 4: Oh? Or water? It's always hard because you have to

826
00:39:46,480 --> 00:39:47,879
Speaker 4: suddenly not be in the car.

827
00:39:48,120 --> 00:39:50,920
Speaker 3: They Oh no, I just want to drive along like

828
00:39:50,960 --> 00:39:52,080
Speaker 3: the one. Did I miss that?

829
00:39:52,320 --> 00:39:54,880
Speaker 4: Oh no, we will have to go a little further.

830
00:39:55,040 --> 00:39:57,920
Speaker 3: Okay, yeah, but okay.

831
00:39:58,440 --> 00:40:02,800
Speaker 6: Because it's around the Hotel California, or the hotel where

832
00:40:03,600 --> 00:40:06,920
Speaker 6: Billy Bob Thornton lives in the show Goliath. That you

833
00:40:07,040 --> 00:40:10,080
Speaker 6: turn left and then it goes down a ramp and

834
00:40:10,120 --> 00:40:12,160
Speaker 6: then all of a sudden you're on the You're in

835
00:40:12,200 --> 00:40:13,400
Speaker 6: an Eagles song.

836
00:40:13,560 --> 00:40:15,920
Speaker 3: Yeah, that's what I'm looking for. The only thing is

837
00:40:16,000 --> 00:40:18,880
Speaker 3: we can't do directions based on the TV show Goliath,

838
00:40:19,000 --> 00:40:21,279
Speaker 3: since I just didn't don't know what that is.

839
00:40:21,560 --> 00:40:24,440
Speaker 4: Right there, there's a yellow sign up there. You have

840
00:40:24,480 --> 00:40:27,560
Speaker 4: to go that far. Fuck, It's okay, we can get

841
00:40:27,560 --> 00:40:29,880
Speaker 4: back in. I think.

842
00:40:32,680 --> 00:40:33,920
Speaker 3: I'll just sit here the whole time.

843
00:40:35,440 --> 00:40:39,160
Speaker 4: I really like doing comedy. Now, let's do stand up somewhere. Okay,

844
00:40:40,000 --> 00:40:43,120
Speaker 4: let's go to an open mind kidding I do not

845
00:40:43,200 --> 00:40:46,480
Speaker 4: want to do that. I do not want to, but

846
00:40:46,520 --> 00:40:48,200
Speaker 4: I do want to be my job again.

847
00:40:48,320 --> 00:40:49,799
Speaker 3: You know where this is. You know where we are

848
00:40:49,880 --> 00:40:53,480
Speaker 3: right now. We're at the hotel shutters. That's that right now.

849
00:40:53,520 --> 00:40:57,480
Speaker 3: Oh just fancy, Yeah, come down there to have affairs

850
00:40:57,480 --> 00:40:59,399
Speaker 3: on the weekend. I want to do that.

851
00:41:00,080 --> 00:41:03,560
Speaker 4: Yeah, it's it looked like Victorian. There was fancy lattice

852
00:41:03,600 --> 00:41:05,640
Speaker 4: and curved wood carving.

853
00:41:05,840 --> 00:41:08,880
Speaker 3: Yeah, it's really fancy, all white. I knew my friend

854
00:41:09,080 --> 00:41:11,680
Speaker 3: Nancy had her baby shower there and I was like, yes,

855
00:41:12,160 --> 00:41:14,040
Speaker 3: but there's always people that are like I'm meeting them.

856
00:41:14,080 --> 00:41:17,560
Speaker 3: It's shutters for the weekend, and like, that's I'm into that.

857
00:41:17,640 --> 00:41:19,360
Speaker 3: I want to that's my I want that to be

858
00:41:19,400 --> 00:41:20,959
Speaker 3: my next phase.

859
00:41:20,600 --> 00:41:24,440
Speaker 4: Of life, meeting friends, shutters from Mimosa.

860
00:41:24,120 --> 00:41:27,920
Speaker 3: Affairs affairs, straight up weekend affairs.

861
00:41:27,960 --> 00:41:29,680
Speaker 4: We'll go to Ashley Madison dot com.

862
00:41:30,800 --> 00:41:33,400
Speaker 3: I hear women come joined for free because there's none

863
00:41:33,440 --> 00:41:39,000
Speaker 3: on there. That's my favorite like fraud thing of all

864
00:41:39,080 --> 00:41:42,239
Speaker 3: time is that all those men on Ashley Madison were

865
00:41:42,239 --> 00:41:45,920
Speaker 3: just talking to other men or bots.

866
00:41:46,200 --> 00:41:49,799
Speaker 4: My friend Sharon Houston found she's found an email like

867
00:41:49,880 --> 00:41:54,239
Speaker 4: and she her boyfriend was on there and she was like,

868
00:41:54,320 --> 00:41:57,799
Speaker 4: well I've found that we're all done. Oh but now

869
00:41:58,920 --> 00:42:00,560
Speaker 4: it's lots of a big deal because there was no

870
00:42:00,680 --> 00:42:03,200
Speaker 4: real person he was talking to. You should get back

871
00:42:03,200 --> 00:42:04,000
Speaker 4: together with him.

872
00:42:04,880 --> 00:42:07,560
Speaker 3: Yeah, God, he was out there looking for a robot

873
00:42:07,719 --> 00:42:11,480
Speaker 3: he wanted. Also, that's so stupid because they weren't married.

874
00:42:11,680 --> 00:42:12,520
Speaker 3: Just break up.

875
00:42:12,960 --> 00:42:15,400
Speaker 4: Yeah, I know, I know, I hate that.

876
00:42:15,920 --> 00:42:18,839
Speaker 3: Yeah, just don't humiliate someone. Just break up.

877
00:42:19,080 --> 00:42:22,520
Speaker 4: Yeah, don't humiliate them just because you like the thrill

878
00:42:22,560 --> 00:42:25,440
Speaker 4: of the hunt. You can kind to tell her the hunt.

879
00:42:26,520 --> 00:42:27,719
Speaker 3: I'm a big strong man.

880
00:42:28,040 --> 00:42:31,560
Speaker 6: So this this show and this bar, it's Chez j

881
00:42:32,120 --> 00:42:32,800
Speaker 6: or shay.

882
00:42:32,640 --> 00:42:34,480
Speaker 4: J Okay, I believe it's French.

883
00:42:34,640 --> 00:42:40,440
Speaker 6: Okay, Chez and this hoteler and that show Goliath, and

884
00:42:40,520 --> 00:42:42,120
Speaker 6: it's it's a great show.

885
00:42:42,160 --> 00:42:43,320
Speaker 4: You should watch it anyway.

886
00:42:43,480 --> 00:42:47,080
Speaker 6: And that's how we know to turn left up this

887
00:42:47,280 --> 00:42:49,160
Speaker 6: hard to pronounce street.

888
00:42:49,560 --> 00:42:53,680
Speaker 3: But Goliath itself, what channel? Like, when did it start?

889
00:42:53,800 --> 00:42:57,760
Speaker 6: I believe it was an Amazon series? Okay, one season.

890
00:42:58,080 --> 00:42:59,359
Speaker 6: I don't know if it's coming back.

891
00:42:59,520 --> 00:42:59,920
Speaker 3: Got it?

892
00:43:00,040 --> 00:43:03,440
Speaker 6: But he's like he's a private eyr or a lawyer. Okay,

893
00:43:03,440 --> 00:43:05,360
Speaker 6: maybe I didn't pay that much attention to it, but

894
00:43:05,400 --> 00:43:06,120
Speaker 6: he was great and.

895
00:43:06,160 --> 00:43:09,759
Speaker 4: It it's a very good job. It looks most of

896
00:43:09,800 --> 00:43:10,520
Speaker 4: it was shot there.

897
00:43:10,760 --> 00:43:11,359
Speaker 3: I love it.

898
00:43:12,040 --> 00:43:14,840
Speaker 4: And let's here we are. Here's the pch.

899
00:43:14,480 --> 00:43:18,160
Speaker 3: Movemart A Hico on ramp. Here we go. Look at

900
00:43:18,160 --> 00:43:19,920
Speaker 3: how moody and fascinating it.

901
00:43:19,840 --> 00:43:23,640
Speaker 4: Looks right now we should go to Moonshadows.

902
00:43:23,160 --> 00:43:31,239
Speaker 5: Moon Shadows, Moonshotine jezed by a moon Show moon Shadow

903
00:43:31,640 --> 00:43:32,759
Speaker 5: moon Shadow.

904
00:43:34,320 --> 00:43:39,760
Speaker 3: Yeah yeah, oh yeah, that's James Taylors.

905
00:43:41,239 --> 00:43:44,959
Speaker 4: And so's this damn fis traffic jam? How I hate

906
00:43:45,000 --> 00:43:48,040
Speaker 4: to be late? Hurts my motive to go? So time

907
00:43:48,080 --> 00:43:51,920
Speaker 4: again home? My supper bee called, damn this traffic jam. Well,

908
00:43:51,960 --> 00:43:55,000
Speaker 4: I left my job about five o'clock, took fifteen minutes

909
00:43:55,000 --> 00:43:57,720
Speaker 4: before a street box, just in time. It's a standard

910
00:43:57,719 --> 00:43:59,919
Speaker 4: line with the freeway looking like a parking lot.

911
00:44:00,040 --> 00:44:03,920
Speaker 6: I said, damn, dra jam, How it hates to be

912
00:44:04,120 --> 00:44:05,839
Speaker 6: He says hates to be late.

913
00:44:05,960 --> 00:44:08,040
Speaker 3: Oh good, that's not you saying that, No.

914
00:44:08,040 --> 00:44:10,239
Speaker 4: He is. That is the first rap song I ever heard,

915
00:44:10,280 --> 00:44:11,120
Speaker 4: though James Taylor.

916
00:44:11,160 --> 00:44:14,320
Speaker 6: A lot of people it was Blondie that started rap,

917
00:44:14,440 --> 00:44:16,160
Speaker 6: but it was actually James Taylor.

918
00:44:16,200 --> 00:44:19,000
Speaker 3: Blondie was the very first rapper, right, Yeah, Driving in

919
00:44:19,080 --> 00:44:21,200
Speaker 3: cars and you go to bars and you don't get

920
00:44:21,239 --> 00:44:23,560
Speaker 3: far if you have a car and you drive all night.

921
00:44:23,600 --> 00:44:25,680
Speaker 3: Then you see a light and it comes right down

922
00:44:25,719 --> 00:44:28,359
Speaker 3: and it lands on the corner. Comes a man from

923
00:44:28,400 --> 00:44:30,560
Speaker 3: Mars and you try to run, but he's got a

924
00:44:30,600 --> 00:44:32,759
Speaker 3: gun and you shoots your dead and he eats your head.

925
00:44:33,120 --> 00:44:35,359
Speaker 3: Now you're in the man from Mars. You go out

926
00:44:35,400 --> 00:44:38,440
Speaker 3: at and you're eating cars. That's the worst fucking wrap

927
00:44:38,480 --> 00:44:39,520
Speaker 3: of all time.

928
00:44:39,600 --> 00:44:42,600
Speaker 4: I really like that you have it memorized.

929
00:44:42,680 --> 00:44:45,920
Speaker 3: Oh I actually one day did it. That song came

930
00:44:45,960 --> 00:44:47,640
Speaker 3: on the radio when I was in the volvol with

931
00:44:47,680 --> 00:44:51,040
Speaker 3: my mom and my sister, and I started doing that

932
00:44:51,719 --> 00:44:54,719
Speaker 3: and they my mom had to stop the car. She

933
00:44:54,800 --> 00:44:58,200
Speaker 3: was laughing so hard because I knew every single word

934
00:44:58,239 --> 00:45:02,719
Speaker 3: of That's the best. I was very proud. I love

935
00:45:04,080 --> 00:45:06,320
Speaker 3: Here we are on Whoops.

936
00:45:06,440 --> 00:45:08,640
Speaker 4: On the most dangerous road in Los Angeles.

937
00:45:08,920 --> 00:45:11,839
Speaker 3: Seriously, is fucking insane that anyone.

938
00:45:11,520 --> 00:45:15,360
Speaker 6: Drives on It is always scary, and everyone always drives

939
00:45:15,400 --> 00:45:16,600
Speaker 6: like they have something to prove.

940
00:45:16,960 --> 00:45:19,480
Speaker 3: Well, if you're driving on the one North, that means

941
00:45:19,480 --> 00:45:23,600
Speaker 3: that you might probably you're either on vacation or you

942
00:45:23,840 --> 00:45:28,000
Speaker 3: live in Malibu. Either way, you have an entitlement issue.

943
00:45:28,560 --> 00:45:31,600
Speaker 3: You think that either you're on vacation so you should

944
00:45:31,600 --> 00:45:34,600
Speaker 3: be going as slow as you want, or you live

945
00:45:34,600 --> 00:45:37,000
Speaker 3: in Malibu, which means you don't have to adhere to

946
00:45:37,040 --> 00:45:38,600
Speaker 3: any driving rules whatsoever.

947
00:45:38,719 --> 00:45:42,560
Speaker 6: And those are the people that they do like U turns.

948
00:45:42,760 --> 00:45:45,080
Speaker 6: I got to move my car and they will casually

949
00:45:45,120 --> 00:45:49,400
Speaker 6: do a U turn in this six lane freeway. Yeah,

950
00:45:50,120 --> 00:45:52,879
Speaker 6: and there's always racks. This is always where you see

951
00:45:52,920 --> 00:45:54,680
Speaker 6: a gnarled Lamborghini.

952
00:45:56,400 --> 00:45:56,520
Speaker 4: Uh.

953
00:45:56,680 --> 00:46:01,000
Speaker 6: You know, there's always a scary sports car rex fast

954
00:46:01,000 --> 00:46:02,360
Speaker 6: and furious type crashes.

955
00:46:02,520 --> 00:46:05,040
Speaker 4: It makes me nervous to even think about.

956
00:46:05,120 --> 00:46:09,960
Speaker 3: I think, isn't this where where Caitlyn Jennings got into

957
00:46:10,040 --> 00:46:10,880
Speaker 3: that terrible cars?

958
00:46:10,920 --> 00:46:12,440
Speaker 4: Now, no one talked about that.

959
00:46:12,560 --> 00:46:15,800
Speaker 6: It was a what a diversionary tactic to just switch

960
00:46:16,080 --> 00:46:19,719
Speaker 6: the subject to I'm I'm gonna hey, I know, I

961
00:46:19,800 --> 00:46:24,319
Speaker 6: just murdered someone a neighbor, like he ran into a

962
00:46:24,360 --> 00:46:26,120
Speaker 6: neighbor and ended up being a neighbor of his.

963
00:46:26,400 --> 00:46:27,160
Speaker 3: That's horrible.

964
00:46:27,600 --> 00:46:31,080
Speaker 4: And then I don't know if charges were going to

965
00:46:31,120 --> 00:46:33,040
Speaker 4: be I feel like that.

966
00:46:33,280 --> 00:46:35,799
Speaker 6: Then it was like, wait, I'm gonna be a woman now,

967
00:46:35,800 --> 00:46:37,520
Speaker 6: and ever it's like, well that's bigger news.

968
00:46:37,680 --> 00:46:41,920
Speaker 4: It's kind of like, is that the order that it is. Yeah,

969
00:46:42,080 --> 00:46:42,399
Speaker 4: is it?

970
00:46:42,480 --> 00:46:45,080
Speaker 6: I remember vividly because I'm like, wait, we're just talking

971
00:46:45,120 --> 00:46:48,360
Speaker 6: about this now, what about Because it was around the

972
00:46:48,400 --> 00:46:50,399
Speaker 6: time I guess he was on I didn't ever watch

973
00:46:50,440 --> 00:46:52,760
Speaker 6: the Kardashian Show, but he was just kind of growing

974
00:46:52,800 --> 00:46:55,560
Speaker 6: his hair long and talking about it. But the actual

975
00:46:55,600 --> 00:46:59,799
Speaker 6: transition announcement and the everything you.

976
00:46:59,760 --> 00:47:00,440
Speaker 4: Need to do.

977
00:47:01,040 --> 00:47:05,040
Speaker 3: But he wasn't found guilty or like when when the

978
00:47:05,080 --> 00:47:06,600
Speaker 3: police did their report.

979
00:47:06,760 --> 00:47:09,520
Speaker 6: Maybe that's all that bothers me because I think there's

980
00:47:09,520 --> 00:47:11,520
Speaker 6: a look on his face when he was looking at

981
00:47:11,560 --> 00:47:15,200
Speaker 6: the wreckage, and it was like he didn't care. He

982
00:47:15,320 --> 00:47:19,680
Speaker 6: just was like casually looking at a crushed car. Oh no,

983
00:47:20,080 --> 00:47:22,280
Speaker 6: And he just had this blank look on his face,

984
00:47:22,320 --> 00:47:23,839
Speaker 6: And I'm like, what is wrong with you?

985
00:47:24,840 --> 00:47:25,160
Speaker 3: Shock?

986
00:47:25,480 --> 00:47:26,360
Speaker 4: Maybe he's in shock.

987
00:47:27,200 --> 00:47:33,960
Speaker 6: It's possible you're just defending him because you like weedy.

988
00:47:34,080 --> 00:47:36,160
Speaker 3: I'm defending him because I want to live in Malibu

989
00:47:36,200 --> 00:47:40,040
Speaker 3: one day. I've decided, aside from my shutters Affairs weekend,

990
00:47:40,239 --> 00:47:41,960
Speaker 3: which I'm not really sure where that came from, but

991
00:47:42,800 --> 00:47:45,439
Speaker 3: for real, I want I think I want to live.

992
00:47:45,920 --> 00:47:50,520
Speaker 3: I think my goal is to have a house, or

993
00:47:50,520 --> 00:47:53,560
Speaker 3: at least like I want to go to the beach,

994
00:47:53,760 --> 00:47:57,680
Speaker 3: a beach house that's literally on the beach, like Malibu

995
00:47:57,760 --> 00:48:00,399
Speaker 3: style for the weekend, one of those ones where there's

996
00:48:00,440 --> 00:48:03,759
Speaker 3: like a glass patio or some kind of.

997
00:48:04,120 --> 00:48:06,920
Speaker 4: I'm glad that you want to start appreciating the beach

998
00:48:06,960 --> 00:48:08,600
Speaker 4: you've only been two three times.

999
00:48:08,920 --> 00:48:11,840
Speaker 3: I'm just I don't know, I'm restless or something like,

1000
00:48:11,920 --> 00:48:14,600
Speaker 3: I just want to I want life to be slightly

1001
00:48:14,600 --> 00:48:15,799
Speaker 3: different coming.

1002
00:48:15,600 --> 00:48:16,560
Speaker 4: Up here on the right.

1003
00:48:16,680 --> 00:48:18,600
Speaker 6: But it's up on the side of the hill, so

1004
00:48:18,640 --> 00:48:21,000
Speaker 6: it's it's just as good as being right on the beach.

1005
00:48:21,080 --> 00:48:24,640
Speaker 6: There is this little trailer park. There's like mobile homes

1006
00:48:24,719 --> 00:48:26,799
Speaker 6: on it. Oh yeah, and it's not fancy at all,

1007
00:48:26,880 --> 00:48:29,120
Speaker 6: but it is the coolest thing ever. And I guess

1008
00:48:29,160 --> 00:48:32,759
Speaker 6: celebrity is rough up there, but I've always wanted to

1009
00:48:32,840 --> 00:48:33,279
Speaker 6: live there.

1010
00:48:33,400 --> 00:48:35,920
Speaker 3: I've seen you know who I think. I think Flannigan

1011
00:48:36,040 --> 00:48:39,920
Speaker 3: used to have a trailer there, really, yes, because he's

1012
00:48:40,160 --> 00:48:42,680
Speaker 3: big into he would go to the beach every weekend

1013
00:48:42,680 --> 00:48:43,280
Speaker 3: with his family.

1014
00:48:43,320 --> 00:48:44,520
Speaker 4: God, I admire him.

1015
00:48:45,840 --> 00:48:47,359
Speaker 3: And yous have very similar hair.

1016
00:48:48,800 --> 00:48:50,520
Speaker 4: Gosh, I wish I had more in common with him.

1017
00:48:50,520 --> 00:48:51,040
Speaker 4: An accent.

1018
00:48:51,080 --> 00:48:54,719
Speaker 3: It'd be nice you could do that accent. I don't

1019
00:48:54,760 --> 00:48:57,560
Speaker 3: know Jesus, it's not that heart.

1020
00:48:57,840 --> 00:49:03,040
Speaker 4: I turned into it a cartoon character from a serial

1021
00:49:03,160 --> 00:49:07,839
Speaker 4: box Oh, Patrick Sharroad House.

1022
00:49:08,960 --> 00:49:10,400
Speaker 3: I turn in a pope.

1023
00:49:11,160 --> 00:49:15,080
Speaker 4: Everything turns to tig. She'll tell his story. But we

1024
00:49:15,360 --> 00:49:15,640
Speaker 4: for a.

1025
00:49:15,560 --> 00:49:19,520
Speaker 6: While, we were just doing Popeye and sort of a

1026
00:49:19,560 --> 00:49:24,960
Speaker 6: Popeye leprechaunvoice around the house for an entire year, and

1027
00:49:25,040 --> 00:49:25,720
Speaker 6: we were talking.

1028
00:49:25,800 --> 00:49:28,640
Speaker 4: She's like, all right. Then I'm like, okay, taken out

1029
00:49:28,640 --> 00:49:29,520
Speaker 4: the garbage now.

1030
00:49:29,880 --> 00:49:31,840
Speaker 6: And I went out to the garbage and a neighbor

1031
00:49:31,880 --> 00:49:35,560
Speaker 6: that I'd never talked to in the alley started started

1032
00:49:35,560 --> 00:49:38,960
Speaker 6: a conversation with me, and I kept and I was like,

1033
00:49:40,120 --> 00:49:44,200
Speaker 6: I just kept talking that way, and he thought I

1034
00:49:44,320 --> 00:49:45,320
Speaker 6: was a crazy person.

1035
00:49:45,440 --> 00:49:48,439
Speaker 3: Yes, he was like, I knew I shouldn't have talked

1036
00:49:48,480 --> 00:49:51,440
Speaker 3: to that dude. I knew it.

1037
00:49:51,440 --> 00:49:53,000
Speaker 6: It was a weird time for me to get to

1038
00:49:53,040 --> 00:49:54,920
Speaker 6: know him. But then he hired me to do some

1039
00:49:55,040 --> 00:49:57,920
Speaker 6: children's book drawings for him, so it all ended up.

1040
00:49:58,160 --> 00:49:59,960
Speaker 3: I hope he was a children's book author.

1041
00:50:00,560 --> 00:50:02,439
Speaker 4: I hope it ended up being a book. I ended

1042
00:50:02,520 --> 00:50:04,399
Speaker 4: up moving and I lost contact with him.

1043
00:50:04,440 --> 00:50:06,440
Speaker 3: God, I hope he was using those for good and

1044
00:50:06,520 --> 00:50:07,040
Speaker 3: not evil.

1045
00:50:07,920 --> 00:50:11,080
Speaker 6: A lot of people no one's talking about the evil

1046
00:50:11,239 --> 00:50:12,640
Speaker 6: children's book rings.

1047
00:50:13,200 --> 00:50:15,359
Speaker 3: Yeah, where they just look at children's book art all

1048
00:50:15,400 --> 00:50:16,760
Speaker 3: the time. It's not for books.

1049
00:50:17,120 --> 00:50:20,360
Speaker 4: Well, no, it's written in a way. And I didn't

1050
00:50:20,360 --> 00:50:24,440
Speaker 4: mean to know and you, but what I meant, there's

1051
00:50:24,520 --> 00:50:28,200
Speaker 4: subliminal messages in the children's book that teaches kids to

1052
00:50:28,200 --> 00:50:31,480
Speaker 4: be evil. I want my drawings to be used that way.

1053
00:50:31,600 --> 00:50:35,080
Speaker 3: I see yours is it? You're taking a different choose

1054
00:50:35,080 --> 00:50:37,200
Speaker 3: your own adventure with this concept, I.

1055
00:50:37,160 --> 00:50:40,919
Speaker 6: See, And I'm really I really regret to Basically, you said,

1056
00:50:40,960 --> 00:50:42,080
Speaker 6: freeze everyone, I'm.

1057
00:50:41,880 --> 00:50:43,759
Speaker 4: A cop, and I said, no, you're not a cop,

1058
00:50:43,800 --> 00:50:45,320
Speaker 4: You're Karen. What are you talking about it?

1059
00:50:45,320 --> 00:50:48,080
Speaker 3: But you know why, because we're comics and improv goes

1060
00:50:48,120 --> 00:50:53,160
Speaker 3: against everything we believe in as people. It improv isn't right.

1061
00:50:53,880 --> 00:50:57,560
Speaker 3: It isn't it's we were raised to believe that it's

1062
00:50:57,560 --> 00:50:59,359
Speaker 3: a fight for the best idea.

1063
00:51:00,080 --> 00:51:02,279
Speaker 4: Right, right, you're right.

1064
00:51:02,920 --> 00:51:05,320
Speaker 6: And that's maybe because I was in an improv group

1065
00:51:05,480 --> 00:51:07,839
Speaker 6: in Montana, and I think that I was always going

1066
00:51:07,920 --> 00:51:09,600
Speaker 6: for what I thought would be the best joke, and

1067
00:51:09,640 --> 00:51:13,120
Speaker 6: it would stifle the scene, the building and the it's like, yeah,

1068
00:51:13,239 --> 00:51:14,160
Speaker 6: you just got to laugh.

1069
00:51:14,239 --> 00:51:17,920
Speaker 4: But now we're all we just have to end it right.

1070
00:51:17,960 --> 00:51:20,600
Speaker 3: Well good, because then not only did I get a laugh,

1071
00:51:20,640 --> 00:51:21,760
Speaker 3: but I got the final word.

1072
00:51:22,880 --> 00:51:25,280
Speaker 4: So I won the argument if we were having one.

1073
00:51:25,280 --> 00:51:28,160
Speaker 3: I won the constant argument I am in with in

1074
00:51:28,280 --> 00:51:29,600
Speaker 3: my head with every person.

1075
00:51:29,560 --> 00:51:31,719
Speaker 4: Always fighting, at least myself in.

1076
00:51:31,640 --> 00:51:34,920
Speaker 3: My head, minimum, me, maximum, everybody else.

1077
00:51:36,960 --> 00:51:38,799
Speaker 4: Yeah, I'm trying to not be that way.

1078
00:51:39,600 --> 00:51:43,279
Speaker 3: I'm finding that the key to driving a pch is

1079
00:51:43,320 --> 00:51:44,160
Speaker 3: that it needs to be.

1080
00:51:45,560 --> 00:51:49,240
Speaker 4: Yes, it's this kind of scary, it's super scary.

1081
00:51:49,280 --> 00:51:52,440
Speaker 3: There's no benefit to I mean, I know that the

1082
00:51:52,440 --> 00:51:55,200
Speaker 3: ocean's right there, that's kind of exciting. That clouds look weird,

1083
00:51:55,440 --> 00:51:55,960
Speaker 3: and if you.

1084
00:51:55,920 --> 00:51:58,840
Speaker 4: Want to glance over to enjoy it, the only price

1085
00:51:58,880 --> 00:52:03,560
Speaker 4: you have to pay us wrapping around a fucking poole. Well, oh,

1086
00:52:03,840 --> 00:52:05,040
Speaker 4: you know when I should look over?

1087
00:52:09,239 --> 00:52:10,160
Speaker 3: What is that a dolphin?

1088
00:52:12,840 --> 00:52:16,759
Speaker 4: A dolphin? Cop? What is that a dolphin? Oh it's

1089
00:52:16,800 --> 00:52:17,280
Speaker 4: a dolphin.

1090
00:52:17,360 --> 00:52:21,919
Speaker 3: Catch. Oh that dolphin pulled me over? Shit, God damn it.

1091
00:52:22,480 --> 00:52:22,680
Speaker 4: Yeah.

1092
00:52:22,680 --> 00:52:27,919
Speaker 3: There's nothing really like convenient or normal or reasonable about

1093
00:52:27,960 --> 00:52:31,160
Speaker 3: living in Malibu, but it just seems like it would

1094
00:52:31,200 --> 00:52:32,680
Speaker 3: be so exciting.

1095
00:52:32,760 --> 00:52:35,239
Speaker 6: What I don't understand about it is when does it

1096
00:52:35,320 --> 00:52:36,719
Speaker 6: start and when does it end?

1097
00:52:36,800 --> 00:52:39,640
Speaker 4: Are we in Malibu. Now I don't know. I don't

1098
00:52:39,640 --> 00:52:40,080
Speaker 4: know either.

1099
00:52:40,440 --> 00:52:43,440
Speaker 3: We're near Gladstone's for Fish, which Blank Patch used to

1100
00:52:43,520 --> 00:52:46,000
Speaker 3: yell on stage. I can only think of blank Patch

1101
00:52:46,320 --> 00:52:49,759
Speaker 3: when I go by Gladstone's for Fish because it's the

1102
00:52:49,840 --> 00:52:53,400
Speaker 3: number four on the sign. Uh And that's so to

1103
00:52:53,480 --> 00:52:55,240
Speaker 3: me forever that will be blank a Patch.

1104
00:52:57,360 --> 00:52:59,759
Speaker 4: He blurts out the best product.

1105
00:52:59,640 --> 00:53:02,880
Speaker 3: Name fucking his joke where he's as Tonight's show is

1106
00:53:02,880 --> 00:53:07,920
Speaker 3: brought to you by Ed Hardy, Ed Ed Hardy, No, sorry,

1107
00:53:08,320 --> 00:53:11,200
Speaker 3: by ax Body Spray, Ax Body Spray. It's Ed Hardy

1108
00:53:11,239 --> 00:53:12,280
Speaker 3: for blind people.

1109
00:53:14,640 --> 00:53:16,239
Speaker 4: Oh man, that's the best joke.

1110
00:53:16,360 --> 00:53:17,600
Speaker 3: It's the best joke.

1111
00:53:18,120 --> 00:53:18,560
Speaker 4: That was.

1112
00:53:18,880 --> 00:53:22,840
Speaker 6: Those were the glory days of when he would consistently

1113
00:53:22,920 --> 00:53:27,120
Speaker 6: host Tiger Lily Yeah at the Hollywood Bar and grill

1114
00:53:27,480 --> 00:53:31,239
Speaker 6: and have. He'd rather have twenty five of those yes

1115
00:53:31,680 --> 00:53:34,360
Speaker 6: commercial things every show.

1116
00:53:34,480 --> 00:53:35,240
Speaker 4: He was so great.

1117
00:53:35,320 --> 00:53:36,120
Speaker 3: They're so funny.

1118
00:53:36,200 --> 00:53:38,720
Speaker 4: He's still great, but he was once great also.

1119
00:53:41,719 --> 00:53:43,880
Speaker 3: He was so great, and now he's great.

1120
00:53:43,920 --> 00:53:46,800
Speaker 4: And now he's passed on to being another version of great.

1121
00:53:47,040 --> 00:53:49,080
Speaker 3: Should I go up coastline and get the fuck off

1122
00:53:49,080 --> 00:53:49,399
Speaker 3: the water.

1123
00:53:49,480 --> 00:53:51,960
Speaker 4: I'm so let's get the hell out of here before

1124
00:53:52,280 --> 00:53:58,120
Speaker 4: something terrible happened, right, Okay, BMW merceay, he's BMW BMW

1125
00:53:58,680 --> 00:54:02,520
Speaker 4: nty Nick Nolty.

1126
00:54:03,160 --> 00:54:05,359
Speaker 3: We got to go back, yeah, right, because I can't.

1127
00:54:05,360 --> 00:54:08,080
Speaker 6: That's it's gonna be a perfect timing because once we're back,

1128
00:54:08,600 --> 00:54:11,200
Speaker 6: we can wrap this Loving It episode up.

1129
00:54:11,280 --> 00:54:14,040
Speaker 3: Well, right now, we're in a tea intersection and we

1130
00:54:14,080 --> 00:54:17,520
Speaker 3: are basically across the intersection from US is the Pacific Ocean.

1131
00:54:17,560 --> 00:54:21,880
Speaker 4: There's three different ways we could commit double suicide homicide

1132
00:54:21,920 --> 00:54:22,359
Speaker 4: right now.

1133
00:54:22,760 --> 00:54:25,879
Speaker 6: Could just go straight into the ocean, yes, and kill

1134
00:54:25,920 --> 00:54:28,200
Speaker 6: ourselves like we're killing a bunch of kids. Yeah, in

1135
00:54:28,239 --> 00:54:31,040
Speaker 6: a minivan. I'm sorry, that's really happened. And if you

1136
00:54:31,080 --> 00:54:33,000
Speaker 6: know anyone that's ever done that with their kids, I

1137
00:54:33,000 --> 00:54:35,439
Speaker 6: didn't mean to make light of it. Or we get

1138
00:54:35,480 --> 00:54:36,080
Speaker 6: just launch out.

1139
00:54:36,160 --> 00:54:41,280
Speaker 4: You get classically tea boned, a classic tea bone.

1140
00:54:41,160 --> 00:54:45,000
Speaker 3: A classic t bone into traffic that's going sixty even

1141
00:54:45,040 --> 00:54:47,279
Speaker 3: though it's kind of like just a street, but all

1142
00:54:47,360 --> 00:54:50,480
Speaker 3: the cars are Porsches that are going sixty to eighty.

1143
00:54:51,000 --> 00:54:53,040
Speaker 4: I'll take that tea bone medium.

1144
00:54:54,360 --> 00:54:56,759
Speaker 3: You know what that's that's kind of like everything in

1145
00:54:56,800 --> 00:55:00,279
Speaker 3: a nutshell about Los Angeles, Like, deep down, I want

1146
00:55:00,280 --> 00:55:03,439
Speaker 3: to live in Malibu, but it seems dangerous and impossible

1147
00:55:04,080 --> 00:55:09,040
Speaker 3: that mudslides tsunamis. There's a lot of drawback. You have

1148
00:55:09,120 --> 00:55:13,000
Speaker 3: to be like a multi millionaire and no one wants

1149
00:55:13,040 --> 00:55:13,520
Speaker 3: you there.

1150
00:55:13,600 --> 00:55:16,480
Speaker 4: Right. My concern now, as I get older, I don't

1151
00:55:16,520 --> 00:55:20,160
Speaker 4: know why I'm worried about natural disaster because they keep happening.

1152
00:55:19,840 --> 00:55:21,120
Speaker 3: Yes, because they keep happening.

1153
00:55:21,239 --> 00:55:24,080
Speaker 6: But it's like I would I would consider it a

1154
00:55:24,080 --> 00:55:27,120
Speaker 6: privilege to have a giant wave come at me.

1155
00:55:28,760 --> 00:55:30,319
Speaker 4: And that be the way I go.

1156
00:55:30,320 --> 00:55:33,280
Speaker 6: Instead of a long about with colon cancer or whatever,

1157
00:55:34,480 --> 00:55:36,880
Speaker 6: or a tiger attacking me, or even a shark.

1158
00:55:37,040 --> 00:55:39,000
Speaker 4: Come on, Why am I scared of sharks? What a

1159
00:55:39,040 --> 00:55:42,000
Speaker 4: privilege to go that way? The story? Yeah, do you

1160
00:55:42,000 --> 00:55:44,319
Speaker 4: hear about fair? He was a comedian. He fought a

1161
00:55:44,360 --> 00:55:45,240
Speaker 4: shark and lost.

1162
00:55:45,719 --> 00:55:46,839
Speaker 3: I did.

1163
00:55:48,520 --> 00:55:50,200
Speaker 6: But no, I'm going to show up one day and

1164
00:55:50,239 --> 00:55:52,040
Speaker 6: be like I pee weird and and they're like, you

1165
00:55:52,080 --> 00:55:52,760
Speaker 6: have three weeks.

1166
00:55:54,080 --> 00:55:56,560
Speaker 4: I'm like, no, that's when I'm going to swim with

1167
00:55:56,560 --> 00:55:57,560
Speaker 4: the sharks all the time.

1168
00:55:59,480 --> 00:56:01,799
Speaker 3: Then you go, well, that's when you start jumbling down

1169
00:56:01,800 --> 00:56:02,279
Speaker 3: and going out.

1170
00:56:02,320 --> 00:56:04,360
Speaker 4: But I don't want to wait to have you rethrow

1171
00:56:04,400 --> 00:56:07,319
Speaker 4: an operative cancer. I want to swim with sharks now

1172
00:56:07,440 --> 00:56:10,200
Speaker 4: and I get out of the car and then to

1173
00:56:10,200 --> 00:56:12,239
Speaker 4: get hit by a car close enough.

1174
00:56:13,200 --> 00:56:15,600
Speaker 3: And then thanks for listening to do you need a rise?

1175
00:56:15,719 --> 00:56:18,239
Speaker 4: It's been our last episode, and from the street, I

1176
00:56:18,320 --> 00:56:21,840
Speaker 4: go hu, and then a shark jumps up.

1177
00:56:22,120 --> 00:56:24,240
Speaker 3: Snap done.

1178
00:56:25,120 --> 00:56:27,879
Speaker 4: Like I like that visual. I hope everyone followed it

1179
00:56:28,000 --> 00:56:30,200
Speaker 4: along with it, Yeah, with a picture in their brain.

1180
00:56:30,280 --> 00:56:31,920
Speaker 3: I think they must have. I don't think they had

1181
00:56:31,960 --> 00:56:32,520
Speaker 3: a choice.

1182
00:56:33,000 --> 00:56:36,279
Speaker 4: I really I was feeling really rusty, like I'd never

1183
00:56:36,320 --> 00:56:38,880
Speaker 4: had a conversation before when you picked me up. I

1184
00:56:38,920 --> 00:56:39,680
Speaker 4: think it's good that.

1185
00:56:40,080 --> 00:56:43,400
Speaker 6: I think I noticed that in the guests when we

1186
00:56:43,480 --> 00:56:46,239
Speaker 6: did more consistently go to the airport, that they were

1187
00:56:46,280 --> 00:56:48,360
Speaker 6: like kind of groggy or in a bad mood, or.

1188
00:56:48,360 --> 00:56:50,680
Speaker 4: It's amazing they wanted to do his podcast.

1189
00:56:50,840 --> 00:56:55,000
Speaker 3: Yeah, it's the whole idea. This podcast has been intensely

1190
00:56:55,040 --> 00:56:56,120
Speaker 3: flawed from the beginning.

1191
00:56:56,200 --> 00:56:57,880
Speaker 4: Yes, but it's still a great idea.

1192
00:56:58,040 --> 00:57:00,880
Speaker 6: When I tell people what it is, and I still

1193
00:57:01,000 --> 00:57:03,600
Speaker 6: just so it doesn't have to get convoluted and talk

1194
00:57:03,640 --> 00:57:06,839
Speaker 6: about studios and how we both are out of town

1195
00:57:07,000 --> 00:57:09,160
Speaker 6: or whatever, I just say we pick up comics at

1196
00:57:09,200 --> 00:57:11,239
Speaker 6: the airport and record in the car, and everyone's like

1197
00:57:11,280 --> 00:57:14,440
Speaker 6: that is the best podcast idea. Yep, And I'm like,

1198
00:57:14,480 --> 00:57:17,000
Speaker 6: well you think it is until it's four o'clock and

1199
00:57:17,040 --> 00:57:19,960
Speaker 6: you're dropping off in Carmel or whatever.

1200
00:57:20,160 --> 00:57:24,280
Speaker 3: You almost get hit by the fucking black spot. What's

1201
00:57:24,320 --> 00:57:28,160
Speaker 3: the there's that one shuttle that's like yellow with black

1202
00:57:28,200 --> 00:57:29,000
Speaker 3: spots on it.

1203
00:57:29,240 --> 00:57:33,240
Speaker 4: Oh, the spot is a parking it's it's it's right

1204
00:57:33,240 --> 00:57:34,640
Speaker 4: there by the in and out.

1205
00:57:34,760 --> 00:57:35,400
Speaker 3: I hate it.

1206
00:57:35,640 --> 00:57:38,440
Speaker 6: Yeah, yeah, And they do not like it when you

1207
00:57:40,200 --> 00:57:42,560
Speaker 6: don't have a car there but you get dropped.

1208
00:57:42,280 --> 00:57:45,000
Speaker 3: Off there by an uber at the spot.

1209
00:57:45,200 --> 00:57:49,120
Speaker 6: Yeah, yell at you, please don't come here if you

1210
00:57:49,120 --> 00:57:50,800
Speaker 6: don't have your car, And I'm like, what are you

1211
00:57:50,920 --> 00:57:51,439
Speaker 6: talking about.

1212
00:57:51,480 --> 00:57:52,560
Speaker 4: I'm just getting a burger.

1213
00:57:52,720 --> 00:57:55,240
Speaker 3: Let me do my thing. Also, I have to say

1214
00:57:55,520 --> 00:57:58,960
Speaker 3: so I was just driving in circles for a while

1215
00:57:59,440 --> 00:58:01,680
Speaker 3: waiting for you come out, which is part of the agreement.

1216
00:58:01,720 --> 00:58:03,440
Speaker 3: That's not passive aggression complaining.

1217
00:58:03,640 --> 00:58:06,000
Speaker 4: I know it isn't, but I still feel bad. Continue,

1218
00:58:06,080 --> 00:58:07,000
Speaker 4: please don't feel bad.

1219
00:58:08,840 --> 00:58:12,960
Speaker 3: But a couple times like you were landed, so I

1220
00:58:13,000 --> 00:58:15,640
Speaker 3: would go in and pull over, and there they now

1221
00:58:15,720 --> 00:58:18,680
Speaker 3: have I don't know if they're cops or their security guards,

1222
00:58:18,680 --> 00:58:22,960
Speaker 3: but they're guys in black outfits with yellow reflective vests

1223
00:58:23,360 --> 00:58:27,560
Speaker 3: that charge your car like a bull when you pull

1224
00:58:27,600 --> 00:58:30,520
Speaker 3: over for a little while. Yeah, like they challenge the car.

1225
00:58:30,920 --> 00:58:34,560
Speaker 4: They will not let you cannot stop and put it

1226
00:58:34,600 --> 00:58:37,040
Speaker 4: in park and look for someone. If it looks like

1227
00:58:37,080 --> 00:58:38,680
Speaker 4: you're looking for someone in your car.

1228
00:58:38,560 --> 00:58:40,200
Speaker 3: Isn't moving, They're like, move it along.

1229
00:58:40,320 --> 00:58:41,840
Speaker 4: They go immediately to yelling.

1230
00:58:42,000 --> 00:58:43,240
Speaker 3: Yeah, it's crazy.

1231
00:58:43,600 --> 00:58:44,440
Speaker 4: It is crazy.

1232
00:58:44,560 --> 00:58:48,120
Speaker 3: Those people must be on some kind of adderall right,

1233
00:58:48,280 --> 00:58:50,280
Speaker 3: just to have to like yell at cars all day

1234
00:58:51,160 --> 00:58:52,400
Speaker 3: and talk about.

1235
00:58:52,200 --> 00:58:57,439
Speaker 6: A job that has no spiritual fulfillment. Oh, just all day.

1236
00:58:57,600 --> 00:58:58,520
Speaker 4: You're the bad guy.

1237
00:58:59,000 --> 00:59:01,480
Speaker 6: Yeah, just you might have will be a debt collector

1238
00:59:01,800 --> 00:59:03,919
Speaker 6: or work for Time Warner cables.

1239
00:59:03,600 --> 00:59:05,320
Speaker 4: Behind bulletproof glass, which I.

1240
00:59:05,280 --> 00:59:07,120
Speaker 6: Don't think they have to do anymore. But you used

1241
00:59:07,160 --> 00:59:10,360
Speaker 6: to have to bring in this, yes, the bill, and

1242
00:59:11,360 --> 00:59:15,040
Speaker 6: here I'm done with you guys, and please don't yell

1243
00:59:15,080 --> 00:59:17,360
Speaker 6: at me. And then they're behind glass and they act

1244
00:59:17,360 --> 00:59:20,640
Speaker 6: however they want because that's right. But yeah, what I

1245
00:59:20,720 --> 00:59:23,040
Speaker 6: always thought, what a terrible job, or being a meter

1246
00:59:23,200 --> 00:59:24,200
Speaker 6: made or but.

1247
00:59:24,160 --> 00:59:26,080
Speaker 3: This one, I think this might be even worse than

1248
00:59:26,120 --> 00:59:29,240
Speaker 3: all of those, because they're ending exhaust. There's all that

1249
00:59:29,280 --> 00:59:33,120
Speaker 3: exhaust captured in those in those what do you call thems?

1250
00:59:33,120 --> 00:59:35,960
Speaker 3: Like where you pull over because it's just cars in

1251
00:59:36,000 --> 00:59:38,040
Speaker 3: a little half open tunnel.

1252
00:59:40,320 --> 00:59:43,680
Speaker 4: I'm gonna start calling the poles whatever you call thems.

1253
00:59:45,360 --> 00:59:47,960
Speaker 4: I'm in the terminal three of the seventh. Whatever you

1254
00:59:48,040 --> 00:59:50,840
Speaker 4: call them? What do you what do you say? What

1255
00:59:50,880 --> 00:59:53,080
Speaker 4: do you call it? Whatever you call it, whatever you

1256
00:59:53,120 --> 00:59:54,560
Speaker 4: call it, call them? It holds up there.

1257
00:59:55,280 --> 00:59:56,439
Speaker 3: That says whatever? I know?

1258
00:59:56,640 --> 01:00:00,680
Speaker 4: But what are they called? That's what I said, did Dick?

1259
01:00:01,040 --> 01:00:04,560
Speaker 4: But the early baseball comedy?

1260
01:00:05,960 --> 01:00:08,320
Speaker 3: Okay, here, this might be the way to do it.

1261
01:00:08,400 --> 01:00:11,800
Speaker 3: You go back along the water side and it's kind.

1262
01:00:11,600 --> 01:00:14,720
Speaker 6: Of cool because you can see the look how far

1263
01:00:14,760 --> 01:00:16,360
Speaker 6: away the Santa Monica bere is.

1264
01:00:16,400 --> 01:00:20,040
Speaker 4: You can see the ferris wheel, and yeah, isn't that fun?

1265
01:00:20,160 --> 01:00:25,040
Speaker 4: It's the Lost Boys. You're eating maggots, Michael God, But that.

1266
01:00:25,080 --> 01:00:26,960
Speaker 3: Was Santa Cruz, wasn't that.

1267
01:00:27,120 --> 01:00:29,640
Speaker 6: Yes, it's very deceiving because they said it was in

1268
01:00:29,760 --> 01:00:32,000
Speaker 6: San Demis, did they really?

1269
01:00:32,120 --> 01:00:35,080
Speaker 4: Yeah? But it was on the Santa Cruz Pier.

1270
01:00:37,240 --> 01:00:39,880
Speaker 3: What a film, What a great film.

1271
01:00:40,240 --> 01:00:40,920
Speaker 4: I loved it.

1272
01:00:41,480 --> 01:00:43,520
Speaker 3: I did too, It was so good. Well, first of all,

1273
01:00:43,560 --> 01:00:44,959
Speaker 3: it wasn't Diane Weese the mom.

1274
01:00:45,240 --> 01:00:45,880
Speaker 4: She was great.

1275
01:00:46,200 --> 01:00:50,000
Speaker 3: She is just oh, oh you do, no, you do?

1276
01:00:50,440 --> 01:00:51,520
Speaker 4: She is great?

1277
01:00:51,680 --> 01:00:53,320
Speaker 3: You do? What do you do?

1278
01:00:53,480 --> 01:00:56,640
Speaker 4: She was like a mom, and she had that i've

1279
01:00:56,800 --> 01:00:59,640
Speaker 4: just got over a sickness haircut always in her life.

1280
01:00:59,720 --> 01:01:01,400
Speaker 3: Oh she has it's a mom hair.

1281
01:01:01,600 --> 01:01:04,600
Speaker 4: But she was kind of i'm realizing right now, kind

1282
01:01:04,600 --> 01:01:08,520
Speaker 4: of a sexy lady the way she talked, well, sexy mom.

1283
01:01:08,640 --> 01:01:10,440
Speaker 4: What am I talking about, Karen.

1284
01:01:10,240 --> 01:01:12,400
Speaker 3: Look, this is the new thing these days. Look at

1285
01:01:12,400 --> 01:01:13,920
Speaker 3: those light of bikes like it's a.

1286
01:01:14,040 --> 01:01:20,240
Speaker 6: Rail, obnoxious hit a rock. I'm sorry they're having fun.

1287
01:01:21,320 --> 01:01:22,240
Speaker 4: I'm so sorry.

1288
01:01:22,680 --> 01:01:24,240
Speaker 3: I'm just jealous of their fun.

1289
01:01:24,680 --> 01:01:27,480
Speaker 4: Yeah, me too, I want fun. It's the reason I

1290
01:01:27,560 --> 01:01:29,160
Speaker 4: lash out of most people.

1291
01:01:29,080 --> 01:01:35,000
Speaker 3: And most bikes. Diane Lee's really quickly. Just to go

1292
01:01:35,040 --> 01:01:40,080
Speaker 3: back for one second, is the she is beautiful faced,

1293
01:01:40,240 --> 01:01:43,040
Speaker 3: but she's super low key yep, And so then she's

1294
01:01:43,040 --> 01:01:46,280
Speaker 3: always like the really understanding mom. She was also the

1295
01:01:46,280 --> 01:01:48,200
Speaker 3: mom in Footloose. That's what the impression on.

1296
01:01:48,600 --> 01:01:51,640
Speaker 4: Sure that I often do parenthood.

1297
01:01:51,280 --> 01:01:54,520
Speaker 3: Sure parenthood mom where she's a very believable mom, but

1298
01:01:54,600 --> 01:01:58,800
Speaker 3: she has this real beautiful, kind of very feminine softness

1299
01:01:58,840 --> 01:02:01,680
Speaker 3: to her. So she's never like the angrist she gets

1300
01:02:01,680 --> 01:02:05,040
Speaker 3: in parent It's hilarious because even if her angrious, she

1301
01:02:05,200 --> 01:02:06,160
Speaker 3: just still isn't.

1302
01:02:06,000 --> 01:02:09,040
Speaker 4: Acting that mad, right, right, Yeah.

1303
01:02:08,680 --> 01:02:11,080
Speaker 3: And that's the magic of Diane Wee's That's.

1304
01:02:10,880 --> 01:02:12,320
Speaker 4: Just good acting, is what that is.

1305
01:02:12,360 --> 01:02:12,800
Speaker 3: That's right.

1306
01:02:13,480 --> 01:02:19,240
Speaker 6: I enjoy the film Punch Drunk Love, and I feel like,

1307
01:02:19,520 --> 01:02:22,600
Speaker 6: always have thought that Adam Sandler's a good actor. And

1308
01:02:22,680 --> 01:02:25,920
Speaker 6: of course his own movies we all know they're ridiculous.

1309
01:02:26,160 --> 01:02:29,760
Speaker 6: But I watched this movie the other day called the

1310
01:02:29,760 --> 01:02:31,520
Speaker 6: The Meerwitz Stories.

1311
01:02:31,640 --> 01:02:32,800
Speaker 3: Oh yeah, I saw that.

1312
01:02:33,120 --> 01:02:34,280
Speaker 4: I did you like it?

1313
01:02:34,360 --> 01:02:36,480
Speaker 3: I didn't. I didn't watch it. I saw it on

1314
01:02:36,520 --> 01:02:37,760
Speaker 3: the Netflix show it.

1315
01:02:38,480 --> 01:02:41,440
Speaker 6: There's so many specific family things, like he needs to

1316
01:02:41,440 --> 01:02:44,040
Speaker 6: get his hip replaced and he's just telling everyone it's

1317
01:02:44,120 --> 01:02:44,520
Speaker 6: his back.

1318
01:02:44,600 --> 01:02:49,000
Speaker 4: There's so many things. His dad's an artist, the sibling,

1319
01:02:49,840 --> 01:02:52,520
Speaker 4: the way they love each other, but there's a rivalry

1320
01:02:52,760 --> 01:02:56,720
Speaker 4: for the dad's attention even though he's when he's around

1321
01:02:56,720 --> 01:03:00,320
Speaker 4: the other sibling, he just brags about the one that

1322
01:03:00,400 --> 01:03:02,720
Speaker 4: isn't there and vice versa, so they all think that

1323
01:03:02,760 --> 01:03:05,360
Speaker 4: they love the other one more. Yeah, there's all these

1324
01:03:05,600 --> 01:03:07,280
Speaker 4: it's so good. It's such a good movie.

1325
01:03:07,360 --> 01:03:11,720
Speaker 6: Okay, it's Dustin Hoffmann is so good. Ben Stiller is

1326
01:03:11,720 --> 01:03:13,880
Speaker 6: so good in it. It's all those guys acting and

1327
01:03:13,920 --> 01:03:15,960
Speaker 6: there's not a lot of jokes in it.

1328
01:03:16,120 --> 01:03:19,640
Speaker 4: Oh, it's like a Woody Allen kind of movie. Facin's.

1329
01:03:19,840 --> 01:03:22,280
Speaker 6: I don't know why people aren't talking about it more.

1330
01:03:22,720 --> 01:03:25,560
Speaker 6: I won't put my money on it. If people watch

1331
01:03:25,600 --> 01:03:28,360
Speaker 6: it and they don't like it, I will judge them.

1332
01:03:28,400 --> 01:03:29,320
Speaker 3: You get a T shirt?

1333
01:03:29,440 --> 01:03:30,760
Speaker 4: Yeah, you get a tea shirt.

1334
01:03:30,960 --> 01:03:34,120
Speaker 6: Oh is okay? Never mind? I thought that guy's on

1335
01:03:34,160 --> 01:03:36,720
Speaker 6: the wrong side. I didn't say every reason to believe that, right.

1336
01:03:37,000 --> 01:03:41,760
Speaker 3: Yes, there's nothing about Highway One that isn't insanely very strange.

1337
01:03:41,800 --> 01:03:44,280
Speaker 4: There should not be a wall between us and a

1338
01:03:44,320 --> 01:03:46,320
Speaker 4: car right next to us going in the same direction.

1339
01:03:46,440 --> 01:03:47,760
Speaker 4: That should never be a visual.

1340
01:03:47,880 --> 01:03:50,320
Speaker 3: No, it looked like that car was being fed into

1341
01:03:50,640 --> 01:03:53,840
Speaker 3: going the wrong way, like going into oncoming tric.

1342
01:03:53,760 --> 01:03:56,400
Speaker 4: Really scared me. It just it really scared me. I

1343
01:03:56,560 --> 01:03:58,800
Speaker 4: started to sweat. But it's okay, nothing happened.

1344
01:03:58,840 --> 01:04:02,720
Speaker 3: It's almost like driving the one. You run this gauntlet,

1345
01:04:02,760 --> 01:04:04,959
Speaker 3: and if you can make it to your multimillion dollar

1346
01:04:05,000 --> 01:04:09,000
Speaker 3: beach house, you're even more relaxed. Yeah, when you get there.

1347
01:04:09,280 --> 01:04:12,360
Speaker 4: You appreciate your expensive home. Even more because you're not

1348
01:04:12,400 --> 01:04:15,439
Speaker 4: dead in it. That's right, You're alive. That's right, You've

1349
01:04:15,480 --> 01:04:15,840
Speaker 4: made it.

1350
01:04:16,160 --> 01:04:18,120
Speaker 3: You're finally alive for the first time.

1351
01:04:18,160 --> 01:04:19,520
Speaker 4: I imagine feeling.

1352
01:04:19,200 --> 01:04:22,360
Speaker 6: That every day at seven point thirty, when you're done

1353
01:04:22,440 --> 01:04:25,040
Speaker 6: driving through traffic that started at five pm.

1354
01:04:25,080 --> 01:04:27,520
Speaker 3: That is going to kill you every time. Then you

1355
01:04:27,560 --> 01:04:30,800
Speaker 3: get to your multimillion dollar all glass beach house.

1356
01:04:30,680 --> 01:04:33,479
Speaker 4: You make your food, yeah, and you go to bed.

1357
01:04:33,760 --> 01:04:35,600
Speaker 3: Well, you go to on the patio though, to eat

1358
01:04:35,600 --> 01:04:37,760
Speaker 3: the food. Oh okay, because that's the big payoff.

1359
01:04:39,200 --> 01:04:40,439
Speaker 4: But I just win.

1360
01:04:40,720 --> 01:04:43,840
Speaker 6: Someone is rich and they work hard to be rich,

1361
01:04:43,920 --> 01:04:45,760
Speaker 6: and they have to drive to get to their house,

1362
01:04:45,840 --> 01:04:47,840
Speaker 6: and there isn't a lot of time for you to

1363
01:04:47,960 --> 01:04:50,520
Speaker 6: just I'd like to just hang out.

1364
01:04:50,560 --> 01:04:52,920
Speaker 4: I don't like having jobs. I'm kind of lazy.

1365
01:04:53,080 --> 01:04:54,520
Speaker 3: Yeah, me too, for sure.

1366
01:04:54,600 --> 01:04:56,200
Speaker 4: But you get jobs you work.

1367
01:04:56,280 --> 01:04:59,640
Speaker 3: I know, but I don't like it. I'm just a workaholic,

1368
01:05:00,120 --> 01:05:02,640
Speaker 3: just a workholic. Like I'm a aholic everything.

1369
01:05:03,080 --> 01:05:06,960
Speaker 6: When I have jobs, I have a work ethic. I

1370
01:05:07,080 --> 01:05:09,280
Speaker 6: just avoid it so I don't have to engage it.

1371
01:05:09,400 --> 01:05:12,600
Speaker 3: Yes, because it's kind of tiring, and yeah, my thing

1372
01:05:12,720 --> 01:05:16,360
Speaker 3: is that I have to We've talked about this million times,

1373
01:05:16,960 --> 01:05:19,680
Speaker 3: I just have to do something. I'm in a very

1374
01:05:19,720 --> 01:05:22,400
Speaker 3: strange point in my life where I have lots of

1375
01:05:22,760 --> 01:05:26,680
Speaker 3: great things happening and then also absolutely nothing at all happening.

1376
01:05:26,760 --> 01:05:29,800
Speaker 6: It's great, that's everyone's that's what everyone wants.

1377
01:05:29,880 --> 01:05:32,240
Speaker 3: I know it's true, But it means that I'm going

1378
01:05:32,280 --> 01:05:35,680
Speaker 3: to have to take a class or something. I'm going

1379
01:05:35,720 --> 01:05:40,480
Speaker 3: to because I don't. I don't go out enough. I

1380
01:05:40,520 --> 01:05:44,040
Speaker 3: don't like socialize enough. Right, it can't always be fucking

1381
01:05:44,120 --> 01:05:45,200
Speaker 3: stand up shows, right?

1382
01:05:45,520 --> 01:05:50,960
Speaker 4: I agree? Would you do something like an art class?

1383
01:05:51,040 --> 01:05:53,160
Speaker 3: I can't see myself doing anything.

1384
01:05:53,320 --> 01:05:56,040
Speaker 6: Maybe that's why you should do it, But I know

1385
01:05:56,080 --> 01:05:58,560
Speaker 6: what I said sounds wise, But no, if you don't

1386
01:05:58,560 --> 01:06:01,320
Speaker 6: want to do it, don't fucking do it.

1387
01:06:01,400 --> 01:06:04,880
Speaker 4: But like that's the reason you should start painting. You're

1388
01:06:05,000 --> 01:06:08,680
Speaker 4: scared of it. You're scared of it, don't you believe that?

1389
01:06:08,720 --> 01:06:09,680
Speaker 3: I am definitely scared.

1390
01:06:09,720 --> 01:06:12,400
Speaker 4: I hate it when people analyze.

1391
01:06:11,280 --> 01:06:14,320
Speaker 3: It, and I like the way that as what the

1392
01:06:14,360 --> 01:06:17,240
Speaker 3: audience doesn't know at home is As Chris was analyzing me,

1393
01:06:17,280 --> 01:06:20,640
Speaker 3: he was also doing a big, kind of round cartoonish

1394
01:06:20,680 --> 01:06:24,479
Speaker 3: point at me. Every time he'd point point right over,

1395
01:06:25,040 --> 01:06:28,880
Speaker 3: like a big cartoon bear warning me about something fire

1396
01:06:29,200 --> 01:06:30,600
Speaker 3: or picnic basket.

1397
01:06:30,880 --> 01:06:33,840
Speaker 4: Smoky the Bear, Smokey the Bear, rall and and a

1398
01:06:33,880 --> 01:06:36,000
Speaker 4: grell and and a sniff in the air. He can

1399
01:06:36,080 --> 01:06:38,960
Speaker 4: smell a fire before it starts to flame. Oh, Smokey

1400
01:06:39,080 --> 01:06:40,760
Speaker 4: the Bear. That's how he got his name.

1401
01:06:40,960 --> 01:06:42,160
Speaker 3: No, is that real?

1402
01:06:42,320 --> 01:06:47,760
Speaker 4: Fuck? Yeah, it's real. Fuck yeah, it's real. That's Smoky

1403
01:06:47,760 --> 01:06:48,640
Speaker 4: the Bear theme song.

1404
01:06:49,520 --> 01:06:50,000
Speaker 3: What did he have?

1405
01:06:50,200 --> 01:06:53,280
Speaker 4: So from the forties to the early sixties, it.

1406
01:06:53,920 --> 01:06:55,000
Speaker 3: Was on after Goliath.

1407
01:06:57,000 --> 01:06:59,360
Speaker 4: I know what my dad. My dad used to sing

1408
01:06:59,400 --> 01:06:59,760
Speaker 4: that to me.

1409
01:07:00,040 --> 01:07:03,080
Speaker 3: Oh my god, that was good to put.

1410
01:07:02,880 --> 01:07:05,680
Speaker 4: Me to bed. You've warned me about fire.

1411
01:07:06,920 --> 01:07:09,360
Speaker 3: There's a bear that can smell smoke good night.

1412
01:07:11,720 --> 01:07:17,320
Speaker 4: Only he can say no. Only you can prevent forest fires. Yes,

1413
01:07:17,480 --> 01:07:19,800
Speaker 4: that's the bear's putting a lot on you. What if

1414
01:07:19,840 --> 01:07:22,920
Speaker 4: I don't, then I'll fucking eat you.

1415
01:07:22,920 --> 01:07:26,240
Speaker 3: You're the one wearing the fucking forest ranger outfit. You bear,

1416
01:07:26,240 --> 01:07:27,200
Speaker 3: it's your job.

1417
01:07:27,320 --> 01:07:30,479
Speaker 4: I don't. Yeah, I don't want some honorary government job

1418
01:07:30,520 --> 01:07:33,280
Speaker 4: where I have to help you with forest service duties.

1419
01:07:33,440 --> 01:07:36,680
Speaker 4: Not at age eight, I would get off on Lincoln. Maybe.

1420
01:07:36,720 --> 01:07:37,800
Speaker 3: Okay, let's see if I can.

1421
01:07:38,160 --> 01:07:42,360
Speaker 4: Oh, if you can't, it's okay. Be safe or be sorry.

1422
01:07:46,840 --> 01:07:48,120
Speaker 3: Well, this was quite a drive.

1423
01:07:48,280 --> 01:07:49,200
Speaker 4: It was quite a drive.

1424
01:07:49,280 --> 01:07:51,520
Speaker 3: Thank you for indulging me in my let's go to

1425
01:07:51,600 --> 01:07:53,440
Speaker 3: Malibu for no reason idea.

1426
01:07:53,680 --> 01:07:54,680
Speaker 4: No, I'm glad we did.

1427
01:07:54,800 --> 01:07:58,320
Speaker 6: I wish that my initial plan to be recording before

1428
01:07:58,360 --> 01:08:02,040
Speaker 6: you pick me up, where, of course my batteries were dead.

1429
01:08:02,120 --> 01:08:03,800
Speaker 4: So imagine if at the beginning of.

1430
01:08:03,720 --> 01:08:07,840
Speaker 6: This podcast I said this is do you need to

1431
01:08:07,880 --> 01:08:09,760
Speaker 6: write I'm about to get picked up? That would have

1432
01:08:09,760 --> 01:08:12,160
Speaker 6: been a first Yeah, I would have really enjoyed that.

1433
01:08:12,160 --> 01:08:13,880
Speaker 3: That would have been fun. And also if you had

1434
01:08:13,880 --> 01:08:16,439
Speaker 3: been wearing a little hat with the car that said

1435
01:08:16,520 --> 01:08:19,120
Speaker 3: press in it, and when you got into the car

1436
01:08:20,200 --> 01:08:23,120
Speaker 3: you acted like you were there to ask me some questions.

1437
01:08:23,160 --> 01:08:24,720
Speaker 4: I think it would also be great if I had

1438
01:08:24,760 --> 01:08:27,200
Speaker 4: all that. But I also had a chauffeur thing with

1439
01:08:27,760 --> 01:08:29,920
Speaker 4: your name on it. But you're the one picking up.

1440
01:08:31,080 --> 01:08:32,639
Speaker 4: It's like, what does that guy do?

1441
01:08:32,680 --> 01:08:35,160
Speaker 3: You show for yourself right into my car.

1442
01:08:35,280 --> 01:08:38,760
Speaker 4: And I'm interviewing people like who's that guy?

1443
01:08:40,240 --> 01:08:44,679
Speaker 3: Like, uh, Nick Broomfield, the British documentarian.

1444
01:08:44,600 --> 01:08:46,720
Speaker 4: James Adomian does that thing about the guy that.

1445
01:08:46,800 --> 01:08:55,639
Speaker 3: Does the oh oh, hule Houser fuels Well, let's what's

1446
01:08:55,680 --> 01:08:58,799
Speaker 3: that apricup jelly, that's just the mine really.

1447
01:08:58,680 --> 01:09:02,240
Speaker 4: One where he's talking to a border patrol agent and

1448
01:09:02,360 --> 01:09:05,520
Speaker 4: in the background you can see people running into America

1449
01:09:05,600 --> 01:09:09,439
Speaker 4: and it's terrific. So let's so, let's fence will keep them.

1450
01:09:09,800 --> 01:09:13,679
Speaker 6: And then people are just casually or they're stealing something

1451
01:09:13,800 --> 01:09:14,439
Speaker 6: or I don't know.

1452
01:09:14,479 --> 01:09:17,600
Speaker 4: It's funny. It was a funny juxtaposition.

1453
01:09:17,760 --> 01:09:20,800
Speaker 3: If you have never heard of heule Houser because you

1454
01:09:20,840 --> 01:09:22,960
Speaker 3: live in a different state, is this some one way street?

1455
01:09:23,040 --> 01:09:23,840
Speaker 4: No, No, it's good.

1456
01:09:25,400 --> 01:09:30,080
Speaker 3: Go onto YouTube. There's best of hul Hauser clip compilations. Yes,

1457
01:09:30,280 --> 01:09:33,160
Speaker 3: and it is some of the funniest, boring shit you've

1458
01:09:33,160 --> 01:09:34,160
Speaker 3: ever seen in your life.

1459
01:09:34,240 --> 01:09:35,679
Speaker 4: Yeah, it is the best.

1460
01:09:35,800 --> 01:09:38,720
Speaker 3: He points at anything and goes, this is a miasing.

1461
01:09:39,479 --> 01:09:42,719
Speaker 4: It'll just be a wet, dirty quilt.

1462
01:09:42,960 --> 01:09:48,040
Speaker 6: Yeah, let's get to see you, Karen.

1463
01:09:48,120 --> 01:09:48,880
Speaker 4: Let's have dinner.

1464
01:09:49,200 --> 01:09:50,759
Speaker 3: Yes please, I'm around.

1465
01:09:50,960 --> 01:09:53,840
Speaker 4: Okay, we're gonna go eat dinner. Why are you honking

1466
01:09:53,880 --> 01:09:58,639
Speaker 4: at us? There's a fucking person go through them. Sorry,

1467
01:09:59,320 --> 01:09:59,920
Speaker 4: I didn't mean that.

1468
01:10:00,040 --> 01:10:04,160
Speaker 3: Get up. I have this thing right now where it

1469
01:10:04,160 --> 01:10:06,240
Speaker 3: seems like there's a lot of people coming at us,

1470
01:10:07,000 --> 01:10:09,240
Speaker 3: like it feels challenging to drive right now.

1471
01:10:09,400 --> 01:10:13,720
Speaker 4: Yeah, it's because it's the lighting. Oh you're yeah, it's

1472
01:10:13,720 --> 01:10:17,439
Speaker 4: so dark. It's it's but it's hazy. There's this uh

1473
01:10:17,840 --> 01:10:19,640
Speaker 4: what do you call it? Inversion? What did you call it?

1474
01:10:20,920 --> 01:10:23,160
Speaker 3: Yes, there's an offshore flow way? Am I going the

1475
01:10:23,240 --> 01:10:23,599
Speaker 3: right way?

1476
01:10:23,840 --> 01:10:24,639
Speaker 4: You're doing great?

1477
01:10:24,720 --> 01:10:25,000
Speaker 3: Am I?

1478
01:10:25,240 --> 01:10:25,639
Speaker 4: Yeah?

1479
01:10:25,520 --> 01:10:25,920
Speaker 3: Okay?

1480
01:10:25,960 --> 01:10:29,160
Speaker 4: Great? Maybe we can eat? Uh oh we'll pick a place.

1481
01:10:29,280 --> 01:10:31,600
Speaker 6: Okay, okay, Well I love it. It's good to see you.

1482
01:10:31,640 --> 01:10:33,960
Speaker 6: It's good to do another episode. You've been uh, you've

1483
01:10:33,960 --> 01:10:35,840
Speaker 6: been listening to? Do you need a ride?

1484
01:10:36,600 --> 01:10:39,760
Speaker 4: Y a r all? Hello to you?

1485
01:10:43,080 --> 01:10:47,000
Speaker 2: Doesn't matter how much baggage you clean, give us time

1486
01:10:47,200 --> 01:10:50,000
Speaker 2: and day turning on engage.

1487
01:10:51,240 --> 01:10:55,840
Speaker 1: We want to send you us inside. We want to

1488
01:10:55,960 --> 01:10:57,479
Speaker 1: welcome you back home.

1489
01:10:59,320 --> 01:11:05,240
Speaker 3: Tell us all about every scared her? Was it fine? Melbourne?

1490
01:11:21,160 --> 01:11:24,559
Speaker 3: Do you need to ride? Do you need to ride?

1491
01:11:25,160 --> 01:11:28,439
Speaker 3: Do you need to ride? Do you need to ride?

1492
01:11:29,120 --> 01:11:32,880
Speaker 3: Do you need to ride? Do you need to ride?

1493
01:11:33,080 --> 01:11:37,880
Speaker 3: Do you need to ride? Do you need.

1494
01:11:42,240 --> 01:11:50,639
Speaker 4: With Karen and Chris h