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Speaker 1: You know what I mean. It's just like I wasn't there,

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Speaker 1: but I go like, okay, so now you don't want

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Speaker 1: to listen to our podcast because Hayes gave a hug

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Speaker 1: to a quarterback's wife. It just like doesn't to me.

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Speaker 2: It's like we should know things separate and does hard

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Speaker 2: then there's the artist and but but I think that

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Speaker 2: got us as many people as it lost us or more.

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Speaker 1: Well that well, and that's not why we do anything

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Speaker 1: like Hayes.

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Speaker 2: Is that That is why I was doing it. But

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Speaker 2: and that is why I have become such a hug

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Speaker 2: machine as like.

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Speaker 1: Well years ago, by the way, we had a similar

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Speaker 1: thing where you hugged Elizabeth Hasselback. Yeah, and everyone was

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Speaker 1: saying like, oh, she's the bad one on the View

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Speaker 1: or whatever, and it was like, there's no bad one.

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Speaker 1: We talked about this recently on a pro version. But

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Speaker 1: I do want to say, and we'll get to your stuff,

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Speaker 1: an't it shouldn't it be called the Views?

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Speaker 3: Oh?

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Speaker 2: Can I get your help on another title?

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Speaker 1: Get another title?

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Speaker 2: Sorry?

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Speaker 3: But then implies they've reached a consensus, right they have not?

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Speaker 1: Well they better not or I'm not gonna walk.

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Speaker 3: That's it.

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Speaker 2: So there, we're gonna do another beetle Juice.

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Speaker 1: Yeah, beetlejuice, Beetle Juice, beetle juice too long, people are busy.

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Speaker 2: Plus then he's gonna show up Threetle Juice. There's already

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Speaker 2: a movie called that. It turns out, so we can't

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Speaker 2: do Threetle Juice.

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Speaker 1: Pretty good flick too. I don't want to end up

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Speaker 1: getting compared to three Juice in case we don't deliver

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Speaker 1: and then it's just like, oh, this is the bad

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Speaker 1: Threetle Juice. So I knew we could beat them. Fine, Yeah,

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Speaker 1: here's what's on the table. Beetlejuice.

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Speaker 2: No, like right, like you're supposed to say, like beetlejuice. No,

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Speaker 2: like that Beetlejuice attack, same kind of thing, like Beetlejuice

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Speaker 2: attack right, young Beetlejuice, which, like there, it's still gonna

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Speaker 2: be Mike. But they're just like, I think they're just

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Speaker 2: ret conning that like he is young, that he's like.

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Speaker 1: It would just be set the events would take place before,

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Speaker 1: but he shouldn't really look.

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Speaker 2: No, they're saying now that he they're just establishing that

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Speaker 2: young that he yes, that he's been young the whole.

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Speaker 3: Time, there was what he looks like young?

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Speaker 2: What he looks like young?

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Speaker 1: That's actually I mean that works a little bit without

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Speaker 1: twisted the world is because it's like, if that's what

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Speaker 1: a young Beetle looks like, what's gonna happen is he

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Speaker 1: gets older? You know, which I guess he doesn't.

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Speaker 2: That lets the young bride of Beetlejuice has been coming up. Yeah,

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Speaker 2: and Beetlejuice Colon Beats mode b e E.

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Speaker 3: T like and that's a collaboration with the Beats. It's

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Speaker 3: a company.

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Speaker 1: Could we could not get you said b e e.

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Speaker 1: That's because we can't say b e a.

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Speaker 2: We can't say b.

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Speaker 3: Ah because of business affairs.

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Speaker 2: And we were willing to change the spelling of his

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Speaker 2: original name and acts like everyone else was wrong because

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Speaker 2: that's all this Mandela effects stuff. That's all like we

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Speaker 2: did change.

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Speaker 1: Can I can I pitch mine? Because he's here and

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Speaker 1: I've been shot down. Hayes didn't like it. But I

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Speaker 1: just thought Beatle juicy.

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Speaker 3: Oh yeah, because that's just on the table. Yeah, that's

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Speaker 3: just hanging.

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Speaker 1: Out well yeah yeah, but yeah, I mean it's really close,

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Speaker 1: you know, to juice. But I just think there's a

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Speaker 1: whole audience that we could bring into this thing that

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Speaker 1: feels under service. Mike is very high on Beetle Jesse

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Speaker 1: and I don't know, yeah, but I don't think he

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Speaker 1: knows why he likes it.

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Speaker 3: That's the I mean, that's.

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Speaker 1: Yes, you know, Mike's talented, I mean really good.

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Speaker 2: But any of those or anything like anything, is that

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Speaker 2: sparking anything because you've worked on something, I mean in

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Speaker 2: terms of titles, in terms of that's what I was saying.

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Speaker 2: I think said that. Yeah, I felt like I said

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Speaker 2: it was titles, but yeah, yeah, gosh, I mean happy

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Speaker 2: to repeat myself.

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Speaker 1: I think you did start out saying, can I get

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Speaker 1: your help with another thing? If that was.

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Speaker 3: We think they should reuse the same title again.

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Speaker 2: Because you'll just go back to the first beatle.

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Speaker 3: Whatever, the most popular one was, just call it the

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Speaker 3: same thing.

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Speaker 1: That's interesting.

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Speaker 2: His box off.

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Speaker 1: His numbers are warped, obviously.

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Speaker 3: Yeah, it's like McDonald's. McDonald doesn't change its name every time.

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Speaker 3: It's just McDonald's again, so you know, if it ain't broke,

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Speaker 3: it's sort of what I'm saying.

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Speaker 1: Well, but they do. You do refer to them by

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Speaker 1: like their location.

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Speaker 2: But they get to say on the sign for that

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Speaker 2: one sign, they say billions and billions served just for

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Speaker 2: that one McDonald's. Because they are right, they're they're counting

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Speaker 2: all the other McDonald's. And so we could count the

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Speaker 2: first movies. What if we called it Beetlejuice and beetlejuice.

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Speaker 3: Beetlejuice, Yeah, and say you know, millions served or however

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Speaker 3: many people have been served.

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Speaker 2: We can say that we've served millions.

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Speaker 1: We can say we've served millions of people.

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Speaker 2: The Beatle just this.

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Speaker 3: Whole like new title every time thing. I just don't.

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Speaker 1: It is exhausted because it's like it's going to take

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Speaker 1: this idea, which is strong, and say, why don't we

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Speaker 1: change the last two movies to Beatle? Just well, he's

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Speaker 1: he's also going to say, can we just call it

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Speaker 1: the Founder? That's good, just like we're using a title.

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Speaker 1: Can we just call it the Founder? Taking this McDonald's

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Speaker 1: inspiration and you're saying, like we use that name again,

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Speaker 1: He's like, why don't we use the name of that.

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Speaker 2: I was pretty good in that.

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Speaker 1: I mean, there's talented.

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Speaker 3: But there is an elegance to that. It's yes, it's it's.

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Speaker 1: Not the lack of elegance that I'm responding to when

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Speaker 1: I say that I don't want to do it. It's

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Speaker 1: that it doesn't really imply that Beetlejuice will be in

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Speaker 1: the movie.

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Speaker 2: To me, this process this, to me, I think it's.

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Speaker 1: Founded like a whorehouse inside the upperworld.

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Speaker 2: Absolutely he and so this is Mike's process that I

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Speaker 2: would prefer stay internal.

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Speaker 1: But every everyone, I just don't want to get railroaded

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Speaker 1: by these fucking bitches out there. Listen to this show.

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Speaker 1: Everybody's up my ass on every single It's like when

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Speaker 1: when I was growing up, that's just what it was called.

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Speaker 1: And so give me a minute to adjust, Like I've

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Speaker 1: corrected myself. So everybody shut the fuck up.

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Speaker 2: And they liked it as far as I as far

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Speaker 2: as I knew at the time. But it's like.

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Speaker 1: People would embrace that stuff. Look, I do the same thing,

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Speaker 1: you know what I mean. There's like some nasty stuff

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Speaker 1: people say to me, and I just fucking own it.

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Speaker 2: You know. Mike's thing is that it's it's stupid.

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Speaker 1: That I'm a stupid asshole, right, I mean, I go,

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Speaker 1: I get on the show, I go, Hey, I'm just

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Speaker 1: some stupid asshole. You know what I mean, but like,

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Speaker 1: fucking it'll just makes me laugh.

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Speaker 2: Let's do it.

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Speaker 1: Sorry you were talking. No, it's okay, I'm gonna take it.

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Speaker 2: I just kind of feel like sometimes the more we tell,

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Speaker 2: it's like they wouldn't take a.

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Speaker 1: Break, they wouldn't have noticed, they wouldn't have noticed. So

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Speaker 1: I gotta underline every mistake. But it's like, but if

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Speaker 1: they do notice, you don't say anything, it's you cannot

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Speaker 1: win anymore on the internet. Let's Simone Rich is here, right,

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Speaker 1: we do that.

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Speaker 3: With people say the dude is here, that's fine, the fucking.

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Speaker 1: Big dudes here, and big dude, I'm ready to be wowed. Man,

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Speaker 1: blow me away. I was excited because I, you know,

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Speaker 1: I always come to the show and I go like,

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Speaker 1: I'm gonna have to do so much, and then this

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Speaker 1: was a day I was Excitedly, I don't I could

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Speaker 1: just sit back and and watch you cook, that's it.

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Speaker 2: And I was kind of like as soon as I

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Speaker 2: hear so like Tommy Orange comes to us and he's like, hey,

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Speaker 2: I got this guy to be on the show. He

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Speaker 2: wants to be like a big man. I guess like blowing.

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Speaker 1: Me up that he's believed me. Last time he was here, Yeah,

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Speaker 1: and he's.

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Speaker 2: Like power brokering this ship whatever, whatever he needs is fun.

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Speaker 3: He's an intimidating dude, Tommy.

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Speaker 1: Yes, and he's just like he's like he's six eight, yes,

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Speaker 1: strapping six eight yeah, strapping in strapped.

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Speaker 3: Yeah, he's yeah, and he lays it right on the table. Yeah,

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Speaker 3: the first first thing, yes, yeah, puts it out there.

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Speaker 2: Yeah.

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Speaker 1: And he goes and he goes, I have an ankle

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Speaker 1: holster as well.

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Speaker 3: Yeah, I'm like okay, yeah, yeah.

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Speaker 1: Because a lot of times when I'm seeing him, I'm

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Speaker 1: just trying to like do a podcast, right, yeah, like

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Speaker 1: get him to sign like fifty books for me that

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Speaker 1: I can sell, right.

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Speaker 2: Or it's Zoom and it's like okay, like what that

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Speaker 2: you have a gun over there? Is like not what

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Speaker 2: does that? Yeah? For me?

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Speaker 1: Most you can do is like hurt your camera, right,

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Speaker 1: you know. Although one time he was on Zoom and

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Speaker 1: I noticed that the background was changing and I started

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Speaker 1: to realize that he was in my backyard zooming with me.

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Speaker 3: Got it.

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Speaker 1: Yeah, but he's he's mister Books and we've had him

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Speaker 1: on a couple of times and then he I guess

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Speaker 1: thought that was like license to suggest who else we

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Speaker 1: have on. He was like, you know, speaking of books,

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Speaker 1: imagine your book.

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Speaker 2: He's like, read.

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Speaker 1: Simon's book too, it have Simon On was like, okay, fine, which,

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Speaker 1: by the way, congratulations. I don't get it. It's not personal,

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Speaker 1: it's not anything like that. Have some fucking stupid asshole.

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Speaker 1: I don't know ship, but.

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Speaker 2: You can.

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Speaker 1: Yeah, I'd love to. I'd love to be in on

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Speaker 1: it because it feels like it's a lot of fun

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Speaker 1: for the people who get it.

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Speaker 3: I don't get the book.

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Speaker 1: Well, yeah, and there's a couple No.

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Speaker 3: Well, here's what I'll say.

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Speaker 1: I can't track it because it feels like it's starting

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Speaker 1: over every time I get, like every time I.

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Speaker 2: Have my fistes. You were saying, yeah, the same, they

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Speaker 2: call it the.

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Speaker 3: Same, but they're all every time for you.

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Speaker 2: I guess you got every.

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Speaker 1: Time I have my bearings, and nowhere I am. I go, wait,

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Speaker 1: this feels like a whole yeah thing. I get that

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Speaker 1: for like eight or nine pages.

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Speaker 3: Here's here's what I'll say about my most recent book.

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Speaker 3: If you read it, you will lose weight. You will

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Speaker 3: lose weight, okay, Jesus, And and that's guarantee a lot

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Speaker 3: of where a lot a lot. I mean where a

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Speaker 3: fifty pounds okay, and so like if you're already, if

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Speaker 3: you're under fifty pounds.

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Speaker 2: You're gone, You're gone.

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Speaker 3: Yeah yeah, yeah, it is like and it's stuff that

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Speaker 3: you know, the like have you heard of ozempic no?

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Speaker 1: No, So talk about this because I've been seeing a

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Speaker 1: little bit of the letters from it, but I haven't

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Speaker 1: really known why.

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Speaker 2: I watched some events, Yeah yeah I didn't. So the

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Speaker 2: way the way it works, everyone's talking about them, you.

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Speaker 3: Lose weight, but it's really it's like you have because

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Speaker 3: you have to the injections you have to put right

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Speaker 3: into your heart. Yeah, and that's what have you seen?

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Speaker 3: Like it's in the movie The Rock, Yeah, where he

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Speaker 3: has to put it into his heart.

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Speaker 2: The classic heart injections.

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Speaker 1: That's how that the rocks in a lot of movies.

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Speaker 1: Can you be more.

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Speaker 3: Okay, Yeah, it's uh, it's it's the one replays a

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Speaker 3: tooth fairy and it's like this really it's just really

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Speaker 3: like sweet movie. But then in the middle he takes

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Speaker 3: off his shirt and inject something straight into his.

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Speaker 2: That rock.

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Speaker 3: Yeah.

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Speaker 2: Yeah, just get just get the people what they want.

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Speaker 1: It's the McDonald's things yeah, Hey, the rocks out again.

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Speaker 3: Like that's what people are going to call it.

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Speaker 1: Millions, hundreds of millions served, that's it. Yeah, just keep

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Speaker 1: it the road I'm gonna call it.

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Speaker 2: Yeah, and so it's similar to this.

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Speaker 3: No, I'm saying that's the alternative. You could do the Ozambics,

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Speaker 3: or you could just read it. Just read my books.

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Speaker 2: A lot of people will prefer to get a gigantic

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Speaker 2: needle stuck in their heart and read a book. It

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Speaker 2: sounds faster.

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Speaker 3: Yeah right, there aren't any where. It's just a it's

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Speaker 3: just a flip book.

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Speaker 2: Okay, so that's pretty fast. That's a man, if you

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Speaker 2: know how to do it. I'm getting really good, one

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Speaker 2: of the fastest books known to man. I'm getting only

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Speaker 2: one fast and you can still you can almost get

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Speaker 2: all the way to the m you.

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Speaker 3: Can still eat anything you want, like Ozembic. That's like

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Speaker 3: it stops the cravings. Yeah, but this with my weight

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Speaker 3: loss book, you it's the cravings actually increase and it's

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Speaker 3: but it doesn't. It's like you're suffering. It's like, yeah,

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Speaker 3: you wrot. It's like have you seen the movie Thinner? Okay,

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Speaker 3: he's just eating fried chicken and it's eating and pizza

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Speaker 3: and French fries. But the weight you cannot keep the

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Speaker 3: weight on.

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Speaker 2: One taught me that we're all born thinners.

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Speaker 1: So mm hmmm, that's true.

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Speaker 2: I don't I don't really need to see that I read.

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Speaker 2: I read the one book. I need to worry about that.

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Speaker 2: But your book sounds good to.

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Speaker 1: Say, the name of the book. The guy's here, it's

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Speaker 1: like about it.

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Speaker 2: He said it already.

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Speaker 1: What's it called?

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Speaker 3: It's called Glory Days?

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Speaker 2: Now, Bruce is sick. Now's our now's our chance? Right,

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Speaker 2: now's our chance. Now I'm going to own his scraps.

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Speaker 1: You threw a speedball by him, all right, man, oh man,

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Speaker 1: Glory Days. Huh, I guess it's yours now. Uh well, good, good,

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Speaker 1: you good. I'm glad you did it. That's not even

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Speaker 1: the main thing.

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Speaker 2: That's not And this is something that happens a lot

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Speaker 2: when people reach out.

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Speaker 1: What happens in it, Glory Days? What happens in it?

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Speaker 3: Well, you're just the pounds are just melting off. Yeah,

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Speaker 3: but like they're just melting. It's like, oh, and I'm

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Speaker 3: it's just a flip book and you're just peeing out

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Speaker 3: your peeing out your own facts.

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Speaker 2: But flipbook still has stuff that.

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Speaker 1: Happens is usually an event of some kind. Yeah, is

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Speaker 1: it an image of me getting thinner that I'm flipping through?

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Speaker 3: It's like your body, it's like your brain. You flip it,

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Speaker 3: it's like your brain shuts down and you kind of

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Speaker 3: like convulse a little bit, but it's not like painful

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Speaker 3: or only a little bit painful. And then when you're

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Speaker 3: done with that cycle.

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Speaker 2: Is it maybe that the flip book, I mean, like

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Speaker 2: the flip book is like metal. Yeah, and so you

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Speaker 2: you do have to work like really hard to get

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Speaker 2: the stuff to flip, and like you gotta Is.

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Speaker 1: This an idea because I because flipbooks kill my hand.

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Speaker 1: Is there any kind of tool we can make, like

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Speaker 1: a metal clip that you put on the edge and

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Speaker 1: then as you bend it, it flips the flip book

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Speaker 1: for you? Because you're saying you can't get to the end.

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Speaker 1: I can barely get through anything. Yeah, before I'm laid

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Speaker 1: up in a hospital bit.

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Speaker 2: Yeah. Yeah, just kind of like a pneumatic thumb.

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Speaker 3: Yeah.

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Speaker 2: Well what is it?

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Speaker 1: I mean, this seems like a better business than books. Yeah,

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Speaker 1: that's a fucking over Yeah.

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Speaker 3: Yeah, flip Yeah, you need a really good name for it.

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Speaker 1: What are you in now? You're into books and live theater.

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Speaker 2: So and this is the other fucking guy, This is

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Speaker 2: the other thing. People reach out to do the show.

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Speaker 2: They're like, hey, I want to be on Hollywood hand Book.

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Speaker 2: It's very innocent always yeah, and I'm I'm a.

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Speaker 1: Fan of podcast. I want to go talk to you guys. Great,

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Speaker 1: that's what we want to do is just talk and

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Speaker 1: hang out.

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Speaker 2: And then it's like, okay, here it comes. Then like

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Speaker 2: a few days later, the fucking deadline article drops and

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Speaker 2: like of course they always know it's coming. They feel

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Speaker 2: like they're springing it on us. They want to rub

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Speaker 2: it in our fucking face.

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Speaker 1: I had this thing recently.

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Speaker 2: Yes, and they want to like come on the show

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Speaker 2: and have us like scream and cry like oh like

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Speaker 2: why another opportunity for someone else and not for us.

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Speaker 2: And I'll do I'll put on a little show like

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Speaker 2: oh like poor me, like you know, stucky, make you.

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Speaker 1: Feel like a big man. Yeah, I'm just doing a

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Speaker 1: podcast and you're doing a whole book and a whole

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Speaker 1: live theater show.

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Speaker 2: But so, of course the deadline article drops three days

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Speaker 2: ago that the Broadway show is coming out.

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Speaker 3: But don't you think Deadline is taking their cues from you?

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Speaker 3: Like like book, when you book somebody, Deadline's like, oh,

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Speaker 3: holy ship, what's going on there?

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Speaker 2: They want to make me scream and cry. Yeah, it's

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Speaker 2: not so much that got my feet and kind of

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Speaker 2: like lie down and start kicking my legs out.

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Speaker 1: I wonder who could be leaking the deadline? Who's so

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Speaker 1: that they can get out in front of it?

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Speaker 2: Yeah, there's only one other person here. But it wasn't

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Speaker 2: as satisfying like a mole hunt as I was. Kind

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Speaker 2: of it kind of resolved in my head.

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Speaker 3: Immediately, but really, yeah, it's there is that.

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Speaker 1: But then as I think a little deeper and I

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Speaker 1: hate to get like galaxy.

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Speaker 2: Kevin goes by Mike Fleming Senior and I never really

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Speaker 2: knew what that meant until now. Mike Fleming Junior of course,

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Speaker 2: very famous Deadline article writer.

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Speaker 1: Yeah, but there's just no way that anyone if that

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Speaker 1: is a publication that is real, which I know it is,

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Speaker 1: There's no way anyone there is willingly communicating with Kevin

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Speaker 1: on a regular basis, So he must actually be Deadline.

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Speaker 2: Maybe, you know what I mean?

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Speaker 3: How how often do you think the people who work

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Speaker 3: there make jokes about you know, like something being due

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Speaker 3: bias or you know, the dead By the way, don't

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Speaker 3: forget six pm is your deadline for your article.

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Speaker 2: And that's not just the name of How often.

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Speaker 3: Do you think they go to that well.

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Speaker 1: You think they're in like I'm going to go back,

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Speaker 1: yeah there.

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Speaker 3: You know in the skyscraper where their newspapers.

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Speaker 2: I've decided to go back to Mike Fleming senior. Kevin

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Speaker 2: I thought, based on his behavior was spelling it am

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Speaker 2: I C P H L E G M I N

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Speaker 2: G senior. Mm hmm, because that's basically what he's doing

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Speaker 2: on like pretty much just like it's like it's his job.

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Speaker 2: It is his job fleming up Mike's let's pull this

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Speaker 2: thing up.

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Speaker 1: But how often do I think they make those deadline jokes? Yeah,

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00:19:09,800 --> 00:19:12,639
Speaker 1: I think the I think I think they must have

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Speaker 1: done it at least once.

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Speaker 2: John Mulaney sets Broadway return and Simon Riches just announced

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Speaker 2: all in Comedy about Love. This is already going on forever. Sorry,

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00:19:26,600 --> 00:19:33,120
Speaker 2: joins Fred Armison, Renee, Elise Goldsberry, Chloe Fyneman and Richard Kind.

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Speaker 3: But I also think you should mention the the advertisement

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Speaker 3: that that popped up, which, well, first it was a

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Speaker 3: wrongful death lawyer, and now it's as I as I

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00:19:46,880 --> 00:19:50,480
Speaker 3: started speaking, it's it's shifted to a vaginal.

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Speaker 2: Cancer, advanced vaginal cancer.

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Speaker 3: So that's yeah, that's interesting.

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Speaker 1: That that's who goes to see your ship.

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00:19:58,119 --> 00:20:01,840
Speaker 3: Yeah you think, oh, you think it's the the algorithm is?

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00:20:02,040 --> 00:20:05,080
Speaker 1: Uh? Well, come on, man, they know what article they're under.

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00:20:08,200 --> 00:20:11,280
Speaker 2: It's a picture of John Mulaney under it. It just

393
00:20:11,280 --> 00:20:15,400
Speaker 2: says courtesy, which in this case, normally they say courtesy

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00:20:15,600 --> 00:20:18,000
Speaker 2: like a person who submitted the photo. In this case,

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00:20:18,040 --> 00:20:19,479
Speaker 2: that's just the name of the photo.

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00:20:19,560 --> 00:20:22,600
Speaker 1: And that's kind of the the vibe he's giving off.

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Speaker 3: That's the title that the photographer gave it.

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00:20:25,280 --> 00:20:29,320
Speaker 2: Yes. Yeah, the world premiere of Simon rich is all

399
00:20:29,320 --> 00:20:35,240
Speaker 2: in Colon, Comedy about Love. We'll launch a limited Broadway

400
00:20:35,359 --> 00:20:38,560
Speaker 2: run this December. Why is it so limited?

401
00:20:38,920 --> 00:20:39,200
Speaker 1: Yeah?

402
00:20:40,280 --> 00:20:41,480
Speaker 2: Why is it so limited?

403
00:20:43,480 --> 00:20:45,520
Speaker 1: Why are we putting limits on ourselves? Yeah?

404
00:20:45,520 --> 00:20:45,960
Speaker 3: I don't know.

405
00:20:45,960 --> 00:20:48,679
Speaker 1: Why are we ever putting ourselves in a box? I

406
00:20:48,760 --> 00:20:51,119
Speaker 1: got it all you've achieved.

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00:20:51,200 --> 00:20:52,920
Speaker 3: Yeah, I talked to that photographer.

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00:20:52,880 --> 00:20:58,280
Speaker 1: And now suddenly we've decided to limit our own Broadway run?

409
00:20:58,440 --> 00:21:01,359
Speaker 2: Is it? Is it not that the run itself is limited,

410
00:21:01,400 --> 00:21:02,680
Speaker 2: but the show is limited.

411
00:21:02,720 --> 00:21:04,960
Speaker 3: In someone, No, don't worry. They're not talking about I'm.

412
00:21:04,880 --> 00:21:05,880
Speaker 2: Gonna run long.

413
00:21:05,960 --> 00:21:10,960
Speaker 3: Yeah, we'll go for creative has been very limited. The

414
00:21:11,080 --> 00:21:13,720
Speaker 3: creative it's like, yeah, you should. It's more about that.

415
00:21:13,680 --> 00:21:16,560
Speaker 2: What elements did you choose to limit?

416
00:21:17,280 --> 00:21:18,359
Speaker 3: Just like the ambition.

417
00:21:18,960 --> 00:21:30,600
Speaker 2: Yes, some of these shows that's like, yeah, just down.

418
00:21:30,800 --> 00:21:34,120
Speaker 3: It's just the chorus line, that's it. It's not that

419
00:21:35,440 --> 00:21:38,240
Speaker 3: it's not high stakes. It's just chill out a bunch

420
00:21:38,240 --> 00:21:40,760
Speaker 3: of dancers. Jesus, you don't even know what play they're

421
00:21:40,760 --> 00:21:41,280
Speaker 3: trying to be in.

422
00:21:41,720 --> 00:21:45,240
Speaker 1: I know it's it makes me sick. So none of

423
00:21:45,240 --> 00:21:47,720
Speaker 1: that in this No, no, no, this is yeah, just

424
00:21:47,760 --> 00:21:49,320
Speaker 1: people looking at their phones.

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Speaker 3: Going for a going for a single mm hmm.

426
00:21:52,720 --> 00:21:55,560
Speaker 2: And the and this is each each hero in the

427
00:21:56,600 --> 00:22:03,680
Speaker 2: batting practice could fucking yoke dangers like whenever he wanted. Yeah,

428
00:22:03,720 --> 00:22:06,679
Speaker 2: that's not why. How you actually play the game?

429
00:22:07,000 --> 00:22:10,680
Speaker 1: Yep, you slap it, you get the get get guys on.

430
00:22:11,040 --> 00:22:11,320
Speaker 3: That's it.

431
00:22:11,440 --> 00:22:13,760
Speaker 2: You got to get on base for the next show.

432
00:22:14,320 --> 00:22:18,520
Speaker 2: You now, then it drives you in the play will

433
00:22:18,520 --> 00:22:20,000
Speaker 2: be and then there's some other stuff.

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00:22:21,040 --> 00:22:23,879
Speaker 1: Well, well, let me say this because it says a

435
00:22:23,960 --> 00:22:26,920
Speaker 1: rotating cast to include John Mullaney and his first Broadway

436
00:22:26,920 --> 00:22:31,280
Speaker 1: production since twenty sixteen's Oh Hello, Does that have anything

437
00:22:31,320 --> 00:22:31,879
Speaker 1: to do with you?

438
00:22:33,600 --> 00:22:33,800
Speaker 2: Well?

439
00:22:34,640 --> 00:22:35,920
Speaker 3: No, but that what I'm trying to see what it

440
00:22:36,400 --> 00:22:48,520
Speaker 3: feel like? Ask your doctor about.

441
00:22:44,840 --> 00:22:47,479
Speaker 1: It's the same medication and it is brought to you

442
00:22:47,560 --> 00:22:49,919
Speaker 1: by Murk, which the first ad was for like a

443
00:22:49,960 --> 00:22:53,200
Speaker 1: wrongful death thing, which is really somebody being marked.

444
00:22:54,720 --> 00:22:57,160
Speaker 3: A new treatment for adults with certain types of advance

445
00:22:57,240 --> 00:23:02,399
Speaker 3: and indometral cancer, endometral cancer.

446
00:23:04,600 --> 00:23:11,120
Speaker 1: You know, okay, uh so the New Rich play see

447
00:23:11,160 --> 00:23:13,320
Speaker 1: this is coming right off since twenty sixteen, Z Hello,

448
00:23:13,480 --> 00:23:16,399
Speaker 1: the New Rich play. But that one wasn't yours. No,

449
00:23:16,560 --> 00:23:18,639
Speaker 1: you just think it's weird that it's like paragraph one

450
00:23:18,640 --> 00:23:23,920
Speaker 1: they're talking about this other show. I mean, did you yeah, pictures,

451
00:23:23,960 --> 00:23:25,160
Speaker 1: are you involved in this?

452
00:23:25,520 --> 00:23:28,720
Speaker 3: Like the when I mean, the structure of it is

453
00:23:28,720 --> 00:23:32,240
Speaker 3: strange to me. When the photographer titles their picture, you know,

454
00:23:33,040 --> 00:23:35,400
Speaker 3: it's they also get to kind of context you a lot.

455
00:23:35,400 --> 00:23:39,760
Speaker 3: It's like, so she put the titles courtesy and you

456
00:23:39,800 --> 00:23:44,359
Speaker 3: know it's the juxtaposition of the photograph with the cancer ad.

457
00:23:44,720 --> 00:23:45,639
Speaker 3: It's all of a piece.

458
00:23:47,119 --> 00:23:49,840
Speaker 2: It's like its own little it's all of a piece.

459
00:23:50,520 --> 00:23:52,880
Speaker 1: Announced but itself and the structure of it is strange

460
00:23:52,880 --> 00:23:53,080
Speaker 1: to me.

461
00:23:53,200 --> 00:23:55,600
Speaker 2: It's and what's interesting to me. Also, go to the top,

462
00:23:55,680 --> 00:23:59,040
Speaker 2: go to the headline. Yeah, it's uh in Simon Rich

463
00:23:59,160 --> 00:24:01,960
Speaker 2: is justin Now it's all in comedy about love. It's

464
00:24:02,000 --> 00:24:06,240
Speaker 2: like you're announcing it. Yeah, so I guess that is true.

465
00:24:06,320 --> 00:24:09,080
Speaker 2: It was just another like it is the announcement. It

466
00:24:09,160 --> 00:24:10,520
Speaker 2: is the announcement. Right.

467
00:24:11,200 --> 00:24:15,040
Speaker 3: Oh uh you know how well I know.

468
00:24:15,280 --> 00:24:19,040
Speaker 1: My wife did this. She was like, in regards to

469
00:24:19,080 --> 00:24:21,760
Speaker 1: the just announced, I'm leaving you, I said, this is

470
00:24:21,760 --> 00:24:27,280
Speaker 1: how I find out. Hey, back up, you know what

471
00:24:27,359 --> 00:24:29,320
Speaker 1: I mean. I think we need to do away with

472
00:24:29,400 --> 00:24:31,040
Speaker 1: this format for announcement.

473
00:24:31,160 --> 00:24:33,400
Speaker 2: And so what I'm noticing with this article is it's

474
00:24:33,480 --> 00:24:36,520
Speaker 2: this is from September ninth. It's already fallen off trending.

475
00:24:36,960 --> 00:24:41,120
Speaker 2: Scroll down, it's not on any you know, it's right

476
00:24:41,160 --> 00:24:45,760
Speaker 2: hand column. It's completely you you know, Shannon sharp all

477
00:24:46,160 --> 00:24:49,280
Speaker 2: he has sex one time and that makes it on

478
00:24:49,359 --> 00:24:58,520
Speaker 2: here ahead, beetlejuice stuff like we gotta get this back

479
00:24:58,600 --> 00:25:02,879
Speaker 2: on the right hand coll Yeah, whole guys, and he

480
00:25:02,960 --> 00:25:06,520
Speaker 2: gets on ahead of a Broadway show Broadway answer.

481
00:25:07,720 --> 00:25:11,320
Speaker 3: We just but there is some fine print above that

482
00:25:11,800 --> 00:25:13,160
Speaker 3: if you go up a little bit, there is fine

483
00:25:13,160 --> 00:25:15,840
Speaker 3: print that maybe maybe that's about the show, go up

484
00:25:15,880 --> 00:25:21,879
Speaker 3: a little bit more breakthrough immunotherapy.

485
00:25:20,440 --> 00:25:21,199
Speaker 2: This cancer.

486
00:25:21,520 --> 00:25:22,720
Speaker 3: I was hoping more about it.

487
00:25:22,800 --> 00:25:28,120
Speaker 2: Yeah, yeah, the Broadway show. Let's keep going. I think

488
00:25:28,160 --> 00:25:30,200
Speaker 2: we got to juice the comments here a little bit.

489
00:25:30,359 --> 00:25:32,040
Speaker 1: Can I say this to go up to I want

490
00:25:32,080 --> 00:25:34,640
Speaker 1: to see one more thing? Go gonna Okay? The play

491
00:25:34,680 --> 00:25:37,720
Speaker 1: will be performed by a rotating cast of four actors

492
00:25:37,720 --> 00:25:40,840
Speaker 1: in ten weeks. Additional casting through the rest of the

493
00:25:40,920 --> 00:25:44,960
Speaker 1: room will be announced soon. Just to say it, you.

494
00:25:45,119 --> 00:25:46,560
Speaker 2: Gotta get me in this show.

495
00:25:47,160 --> 00:25:48,119
Speaker 1: Oh yeah, Well.

496
00:25:48,640 --> 00:25:51,600
Speaker 2: How much is it rotating? Like? Is it like, is

497
00:25:51,600 --> 00:25:52,920
Speaker 2: it like really rotating?

498
00:25:53,359 --> 00:25:53,560
Speaker 1: Yeah?

499
00:25:53,720 --> 00:25:54,320
Speaker 2: Pretty hard.

500
00:25:54,480 --> 00:25:55,720
Speaker 1: Gonna make me nauseous.

501
00:25:56,040 --> 00:25:59,240
Speaker 3: Uh yeah, that's the only it's two fact. It's one

502
00:25:59,240 --> 00:26:01,080
Speaker 3: of those. It's one of those astronaut things. It's like

503
00:26:01,280 --> 00:26:04,920
Speaker 3: you're just you have to really like go to Houston

504
00:26:04,960 --> 00:26:07,000
Speaker 3: and prep for a long time.

505
00:26:07,200 --> 00:26:11,600
Speaker 2: First comment anonymous, I love John Mullaney.

506
00:26:11,800 --> 00:26:13,080
Speaker 1: Go ahead and put your name on that.

507
00:26:13,119 --> 00:26:15,920
Speaker 2: What we want is to cultivate an environment where people

508
00:26:15,920 --> 00:26:19,280
Speaker 2: are willing to share that they love John mulaney the

509
00:26:19,320 --> 00:26:24,560
Speaker 2: star of your show with while identifying himself, we aren't

510
00:26:24,560 --> 00:26:25,040
Speaker 2: there yet.

511
00:26:25,160 --> 00:26:30,120
Speaker 3: Somebody, somebody was really frightened of that position. Yes to admit, well,

512
00:26:30,119 --> 00:26:31,879
Speaker 3: and this is the culture we live. And we talked

513
00:26:31,880 --> 00:26:33,880
Speaker 3: about this, you know what I mean. I can't even

514
00:26:33,920 --> 00:26:38,240
Speaker 3: say whorehouse on my own podcast eight tenth. Somebody yeah,

515
00:26:38,760 --> 00:26:41,720
Speaker 3: on a Monday or Tuesday morning. I forget what they

516
00:26:41,960 --> 00:26:45,720
Speaker 3: have this thought that they love John Mlaney, but they

517
00:26:45,720 --> 00:26:48,520
Speaker 3: were like found somewhere to put it, but they yeah, exactly,

518
00:26:48,560 --> 00:26:50,639
Speaker 3: but they just it's the worst of both worlds. But

519
00:26:50,800 --> 00:26:53,159
Speaker 3: because find out you got, you got someone who's too

520
00:26:53,160 --> 00:26:56,359
Speaker 3: afraid to put their name. And then underneath Corey Levi

521
00:26:56,840 --> 00:26:59,320
Speaker 3: is comfortable being associated with this.

522
00:26:59,600 --> 00:27:03,560
Speaker 2: Corey to the traffic. Corey Levi wrote the first comment

523
00:27:03,680 --> 00:27:07,320
Speaker 2: at nine to fifty am on September ninth and salted

524
00:27:07,320 --> 00:27:11,760
Speaker 2: the earth for the entire comment section, and Corey wrote, No,

525
00:27:14,320 --> 00:27:18,720
Speaker 2: Broadway is not the place to work out lost SNL skits.

526
00:27:19,880 --> 00:27:23,840
Speaker 2: There are far more deserving stage otdoors and musicians whom

527
00:27:23,960 --> 00:27:29,240
Speaker 2: could truly benefit from a limited room production beyond a

528
00:27:29,480 --> 00:27:32,640
Speaker 2: vanity slash post rehab project.

529
00:27:32,920 --> 00:27:34,639
Speaker 1: Can you look up Corey Levi for me?

530
00:27:35,280 --> 00:27:42,760
Speaker 2: Kevin so Corey and look your lost SNL skits. What

531
00:27:42,760 --> 00:27:45,000
Speaker 2: else are you gonna do with them? You lost them.

532
00:27:45,080 --> 00:27:47,639
Speaker 2: They couldn't be on the show at the time because

533
00:27:47,680 --> 00:27:51,920
Speaker 2: you they were missing. Now you're not on the show anymore.

534
00:27:52,119 --> 00:27:52,520
Speaker 3: Found them?

535
00:27:52,680 --> 00:27:55,760
Speaker 2: You found them? Where else are you gonna but of

536
00:27:55,760 --> 00:27:58,159
Speaker 2: course you're gonna put them on Broadway? Yeah? What like?

537
00:27:58,200 --> 00:27:58,520
Speaker 2: What like?

538
00:27:58,560 --> 00:28:00,439
Speaker 1: Where else do you want him to go? Gonna not

539
00:28:00,520 --> 00:28:04,359
Speaker 1: work him out? We found that's not him at different spelling,

540
00:28:04,520 --> 00:28:07,320
Speaker 1: different spelling, c O R. Why we need cr E

541
00:28:08,119 --> 00:28:15,119
Speaker 1: corlev leg corlev legal might be Corey Levi fifteen followers

542
00:28:15,359 --> 00:28:16,160
Speaker 1: was pushing something.

543
00:28:16,200 --> 00:28:19,600
Speaker 3: This looks like our man. This looks like our man.

544
00:28:19,640 --> 00:28:27,119
Speaker 1: Montreal, Canada, quebecuah business man. Yeah, okay, yeah, seems to

545
00:28:27,160 --> 00:28:29,199
Speaker 1: be the type. I mean, it's like, who would be

546
00:28:29,400 --> 00:28:30,960
Speaker 1: so jealous?

547
00:28:31,520 --> 00:28:35,920
Speaker 3: Yeah? And and I also my my SNL sketches are

548
00:28:35,960 --> 00:28:38,400
Speaker 3: like famously anti Canada.

549
00:28:38,520 --> 00:28:40,560
Speaker 2: Yes, yes, yes, yes.

550
00:28:40,400 --> 00:28:42,880
Speaker 3: You know that's kind of just the whole gestalt of

551
00:28:42,920 --> 00:28:44,560
Speaker 3: all of them, even if it's not like literally you.

552
00:28:44,520 --> 00:28:47,640
Speaker 1: Had that funny opening where you change the lyrics of

553
00:28:47,720 --> 00:28:50,200
Speaker 1: oh Canada to be no Canada exactly.

554
00:28:50,400 --> 00:28:52,280
Speaker 3: Yeah, reoccurring sketch.

555
00:28:53,000 --> 00:28:55,560
Speaker 1: Yeah, what. I was surprised when they did it again.

556
00:28:56,120 --> 00:28:59,760
Speaker 3: Yeah, that really surprised me to s It's one of

557
00:28:59,800 --> 00:29:01,640
Speaker 3: those things where it's like you, Tom Hanks is like

558
00:29:01,960 --> 00:29:03,600
Speaker 3: I wanted I want to do I love that I

559
00:29:03,640 --> 00:29:06,040
Speaker 3: want to do it, you know exactly like I wanted to.

560
00:29:06,040 --> 00:29:08,320
Speaker 3: Everyone wants to do it, So you have to kind

561
00:29:08,320 --> 00:29:10,720
Speaker 3: of do it to like give the host one.

562
00:29:10,640 --> 00:29:11,280
Speaker 1: Be a part of that.

563
00:29:11,560 --> 00:29:18,880
Speaker 2: Yeah, yeah, Kevin, let's get into these comments. So, well,

564
00:29:18,960 --> 00:29:20,640
Speaker 2: we have to do a bunch of these. Well we

565
00:29:20,720 --> 00:29:22,920
Speaker 2: have to overwhelm Corey's influence here.

566
00:29:23,480 --> 00:29:26,120
Speaker 1: Can I actually just bring up something? So Simon, you're

567
00:29:26,200 --> 00:29:30,560
Speaker 1: kind of famous for these short stories.

568
00:29:31,680 --> 00:29:37,280
Speaker 2: Of famous shouts. What's your what are your like advanced

569
00:29:38,360 --> 00:29:44,760
Speaker 2: stats for like, uh for shouts? What's your like win ray?

570
00:29:45,000 --> 00:29:45,959
Speaker 2: Like how many?

571
00:29:46,000 --> 00:29:49,720
Speaker 3: How many shouts versus murmurs versus murmurs?

572
00:29:49,840 --> 00:29:54,760
Speaker 2: Yeah, like what are we? What are we stacking up?

573
00:29:55,080 --> 00:29:57,760
Speaker 3: I go for an even mix, even mixed? Yeah, okay,

574
00:29:57,840 --> 00:29:58,320
Speaker 3: that's the goal.

575
00:29:58,400 --> 00:30:03,520
Speaker 2: Yet fifty fifty shouts and fifty murmurs. Yes, okay, wow,

576
00:30:03,640 --> 00:30:05,160
Speaker 2: that's that's so many.

577
00:30:05,400 --> 00:30:11,400
Speaker 1: Yeah, and then he limits his own Broadway.

578
00:30:11,520 --> 00:30:15,760
Speaker 2: I know, I know, I mean, but you know, volume

579
00:30:15,800 --> 00:30:18,680
Speaker 2: shooter when it comes to shouts and murmurs.

580
00:30:18,760 --> 00:30:21,760
Speaker 1: But you do these, do these short stories? Yeah, you're

581
00:30:22,280 --> 00:30:25,960
Speaker 1: kind of famous for him and and and what I'm

582
00:30:26,000 --> 00:30:30,360
Speaker 1: noticing is the size of the comment box.

583
00:30:30,800 --> 00:30:31,280
Speaker 3: Yeah.

584
00:30:32,000 --> 00:30:35,760
Speaker 1: Is there any greater place in our society for a

585
00:30:35,840 --> 00:30:39,880
Speaker 1: short story than the comments under a deadline article? I

586
00:30:39,920 --> 00:30:42,640
Speaker 1: mean that is that is the modern day short story?

587
00:30:42,800 --> 00:30:43,200
Speaker 3: Yeah?

588
00:30:43,240 --> 00:30:46,800
Speaker 1: Absolutely is, Like, this is where we're actually experiencing these things,

589
00:30:47,320 --> 00:30:51,760
Speaker 1: whether it be uh keepa kuop businessman, sure, you know,

590
00:30:52,120 --> 00:30:55,600
Speaker 1: sort of railing against the evils of lost snl skits

591
00:30:55,640 --> 00:30:59,880
Speaker 1: been worked out in a in a venue where true

592
00:31:00,240 --> 00:31:03,959
Speaker 1: actors could be performing, or whether it be you know,

593
00:31:04,120 --> 00:31:05,800
Speaker 1: someone expressing their love.

594
00:31:06,160 --> 00:31:11,280
Speaker 3: You could say that secretly, this is our our town square.

595
00:31:11,280 --> 00:31:14,120
Speaker 3: Are our ours?

596
00:31:18,520 --> 00:31:18,800
Speaker 2: Yes?

597
00:31:19,080 --> 00:31:24,120
Speaker 3: Right? Yes, yes, our globe, our globe theater? Yes, this

598
00:31:24,360 --> 00:31:29,360
Speaker 3: is yes, And this is our comedia dell Art.

599
00:31:29,960 --> 00:31:37,400
Speaker 2: So let's write a story in here, Kevin, start just start.

600
00:31:37,200 --> 00:31:38,560
Speaker 3: It with interior.

601
00:31:38,640 --> 00:31:40,360
Speaker 1: Do not interior?

602
00:31:40,680 --> 00:31:41,240
Speaker 2: Interior?

603
00:31:42,080 --> 00:31:44,280
Speaker 1: How do you do you start all your stories interior?

604
00:31:44,400 --> 00:31:45,880
Speaker 1: I guess exterior if you're.

605
00:31:46,320 --> 00:31:51,160
Speaker 3: Usually interior, Yeah, yeah, try to keep my strips really

606
00:31:51,160 --> 00:31:52,680
Speaker 3: talking indoor.

607
00:31:52,800 --> 00:32:01,480
Speaker 2: Kid, finish, you're like number, You're the scene everyone like

608
00:32:01,520 --> 00:32:04,040
Speaker 2: knows around town, like, gotta get Simon into your Simon

609
00:32:04,160 --> 00:32:06,080
Speaker 2: is the scene heading.

610
00:32:07,040 --> 00:32:15,959
Speaker 3: Killer okay, interior, uh, gynecological cancer research facilities.

611
00:32:15,400 --> 00:32:22,400
Speaker 2: Okay, Yeah, on call, Yeah, okay.

612
00:32:22,080 --> 00:32:23,280
Speaker 1: Guying on call and.

613
00:32:24,840 --> 00:32:29,600
Speaker 2: Kevin quebec Kevin when it comes to spelling.

614
00:32:29,160 --> 00:32:31,760
Speaker 3: The interior slash exterior.

615
00:32:32,160 --> 00:32:35,680
Speaker 2: Kevin is not really a speller of it. Kevin says

616
00:32:35,680 --> 00:32:40,000
Speaker 2: he can do anything else, ecological speller.

617
00:32:40,120 --> 00:32:41,760
Speaker 3: But this is this is a dialogue one.

618
00:32:41,840 --> 00:32:42,440
Speaker 1: That's the only thing.

619
00:32:42,680 --> 00:32:44,720
Speaker 3: This is not a subject that somebody is saying this.

620
00:32:45,360 --> 00:32:50,600
Speaker 1: Someone is saying, oh okay, and it's off screen. So Kevin,

621
00:32:50,600 --> 00:32:52,440
Speaker 1: it shouldn't be all caps. It should not be all

622
00:32:52,680 --> 00:32:54,640
Speaker 1: should be in quotes, because it should be.

623
00:32:54,960 --> 00:32:57,440
Speaker 3: It should be. We don't know who's saying it. I mean,

624
00:32:57,480 --> 00:33:00,080
Speaker 3: we as the authors know that it's going to be

625
00:33:00,240 --> 00:33:03,280
Speaker 3: our friend Levi, but for now, it's just it's just

626
00:33:04,040 --> 00:33:06,280
Speaker 3: so pitched voice.

627
00:33:06,040 --> 00:33:09,720
Speaker 2: Man to put again as well.

628
00:33:09,800 --> 00:33:15,360
Speaker 3: But that's like that's who he is, jealous, jealous off

629
00:33:15,400 --> 00:33:18,960
Speaker 3: screen and then he just blurts out this bizarre.

630
00:33:20,480 --> 00:33:20,640
Speaker 2: Thing.

631
00:33:20,960 --> 00:33:23,200
Speaker 1: Kevin likes to say, guy in a lot at all.

632
00:33:23,760 --> 00:33:25,280
Speaker 1: I don't care what you call it. Just don't call

633
00:33:25,360 --> 00:33:30,800
Speaker 1: me late for dinner. That's what he says about this specifically.

634
00:33:31,480 --> 00:33:36,640
Speaker 3: Corey Levi, it's also important that this all has to

635
00:33:36,680 --> 00:33:41,479
Speaker 3: be in French. Yes, so just make sure to translate

636
00:33:41,520 --> 00:33:42,320
Speaker 3: it before we publish.

637
00:33:42,360 --> 00:33:43,800
Speaker 2: You can do that. And I just saw a thing

638
00:33:43,840 --> 00:33:45,240
Speaker 2: that where the phone was doing that.

639
00:33:45,560 --> 00:33:50,240
Speaker 3: Yeah, but it's like they speak a very specific kind

640
00:33:50,280 --> 00:33:53,160
Speaker 3: of French and Quebec. It's not it's not you know.

641
00:33:53,240 --> 00:33:57,000
Speaker 1: They get pissed if you're wrong by even just hair.

642
00:33:57,120 --> 00:34:03,960
Speaker 2: Yeah you so, Corey Levi, this is the real Cory

643
00:34:04,040 --> 00:34:06,960
Speaker 2: Levi is saying dialogue. This is the real Corey Levi.

644
00:34:08,360 --> 00:34:08,920
Speaker 1: Mm hmmm.

645
00:34:09,719 --> 00:34:10,560
Speaker 2: You got somewhere to be.

646
00:34:11,600 --> 00:34:15,239
Speaker 1: I just got a bill for seventeen thousand dollars too much?

647
00:34:16,760 --> 00:34:18,839
Speaker 1: What for landscaping?

648
00:34:20,200 --> 00:34:23,680
Speaker 2: And this is what that's what Kevin calls us god personal.

649
00:34:23,840 --> 00:34:25,680
Speaker 2: Yeah yeah, yeah yeah, hygiene.

650
00:34:25,760 --> 00:34:26,240
Speaker 3: That's cute.

651
00:34:26,440 --> 00:34:26,640
Speaker 2: Yeah.

652
00:34:28,600 --> 00:34:33,080
Speaker 3: Uh, doc talk deadline, Doc talk listen.

653
00:34:32,880 --> 00:34:38,799
Speaker 1: Now, doc talk, doctor, doctor talk to pus. Corey Levi,

654
00:34:39,040 --> 00:34:42,759
Speaker 1: this is the real Cory Levi speaking. Mm hmm.

655
00:34:44,960 --> 00:34:46,280
Speaker 3: Just Swede to Quebec.

656
00:34:46,600 --> 00:34:47,040
Speaker 2: That's right.

657
00:34:49,800 --> 00:34:53,280
Speaker 1: Huh, just swede Quebec, just sweet, just sweet Quebec.

658
00:34:53,360 --> 00:34:54,040
Speaker 3: Just Swede Quebec.

659
00:34:55,520 --> 00:35:07,080
Speaker 2: Uh. The below, Corey Levi is, Now, what's like impostor

660
00:35:07,360 --> 00:35:08,360
Speaker 2: is impostor?

661
00:35:12,120 --> 00:35:13,280
Speaker 3: I took French until.

662
00:35:13,160 --> 00:35:21,040
Speaker 2: G R E M do it though? Good my fact

663
00:35:21,040 --> 00:35:21,520
Speaker 2: doing that.

664
00:35:21,960 --> 00:35:28,000
Speaker 1: Yeah, that the counches aren't set up connect.

665
00:35:26,840 --> 00:35:31,520
Speaker 2: The I the real Corey LEVI think that Broadway is

666
00:35:31,600 --> 00:35:39,400
Speaker 2: the perfect perfect place to work out lost SNL sketches.

667
00:35:39,800 --> 00:35:41,840
Speaker 1: Got a little something going on over here.

668
00:35:43,520 --> 00:35:46,000
Speaker 2: That's fine, I could I'll just do the show.

669
00:35:47,800 --> 00:35:49,799
Speaker 1: Well, maybe this is the show I'm used to it.

670
00:35:49,840 --> 00:35:55,680
Speaker 2: No, it's fine to work out lost SNL sketches. And

671
00:35:55,719 --> 00:35:56,880
Speaker 2: what else did he say?

672
00:35:57,280 --> 00:36:01,000
Speaker 1: Well, he said that there's much more deserving and there

673
00:36:00,040 --> 00:36:03,600
Speaker 1: are no deser no more deserving.

674
00:36:04,920 --> 00:36:07,759
Speaker 3: And it's not nine to fifty am the middle of

675
00:36:07,800 --> 00:36:08,160
Speaker 3: the night.

676
00:36:08,320 --> 00:36:14,600
Speaker 2: Yes, performers, And it's the middle of the night, and

677
00:36:15,360 --> 00:36:19,360
Speaker 2: this is the perfect post rehab project.

678
00:36:20,440 --> 00:36:22,680
Speaker 3: I wonder did you mention that there are also no

679
00:36:23,000 --> 00:36:24,320
Speaker 3: there are no more deserving?

680
00:36:25,640 --> 00:36:26,879
Speaker 2: Yes, yes we did.

681
00:36:26,920 --> 00:36:31,080
Speaker 1: There are there are no more to performers. Sure, and

682
00:36:31,120 --> 00:36:32,160
Speaker 1: it's the middle of the night.

683
00:36:33,640 --> 00:36:35,560
Speaker 2: I had heard that this was like your writers. I

684
00:36:35,560 --> 00:36:38,040
Speaker 2: had never like seen we never were together. I've never

685
00:36:38,120 --> 00:36:41,719
Speaker 2: like seen you in action. Yeah, but like you're technical people,

686
00:36:41,760 --> 00:36:43,600
Speaker 2: like he does this amazing thing will be like did

687
00:36:43,600 --> 00:36:44,480
Speaker 2: we say this.

688
00:36:45,520 --> 00:36:48,960
Speaker 1: There will be something on screen and you'll remember put it.

689
00:36:49,200 --> 00:36:52,280
Speaker 3: Yeah, and it's all all that somebody has has.

690
00:36:52,200 --> 00:36:54,719
Speaker 2: Has already done it, and it's like a magic touch

691
00:36:54,920 --> 00:36:57,000
Speaker 2: you have where like well, it's just already such.

692
00:36:56,800 --> 00:36:59,839
Speaker 1: A confidence builder to be like, yeah, so affirming.

693
00:37:00,160 --> 00:37:02,319
Speaker 2: It's just like oh, that must be the right thing.

694
00:37:02,480 --> 00:37:05,040
Speaker 1: It's so easy to focus on what still needs to

695
00:37:05,080 --> 00:37:08,000
Speaker 1: be done and to not take a moment to kind

696
00:37:08,000 --> 00:37:10,080
Speaker 1: of pat yourself on the back. Hey, we got this

697
00:37:10,200 --> 00:37:13,759
Speaker 1: sentence in there, and so I do think it's a

698
00:37:13,880 --> 00:37:14,960
Speaker 1: huge morale boost.

699
00:37:15,040 --> 00:37:18,080
Speaker 3: So Henry Ford would go and shake hands with every

700
00:37:18,160 --> 00:37:22,160
Speaker 3: single person in the factory every day, from the lowest

701
00:37:22,520 --> 00:37:27,399
Speaker 3: just most you know, disgusting lowest of the low Yeah,

702
00:37:27,800 --> 00:37:33,560
Speaker 3: just congross scum, just covered in grime. He would go

703
00:37:33,600 --> 00:37:36,320
Speaker 3: in with his gloved hand and shake their disgusting hand.

704
00:37:36,840 --> 00:37:38,719
Speaker 1: And throw out the par of gloves, put on a

705
00:37:38,719 --> 00:37:42,799
Speaker 1: fresh paragloss straight to the next person and to see

706
00:37:42,840 --> 00:37:46,239
Speaker 1: if they hurt their hands or something too, because if

707
00:37:46,280 --> 00:37:50,960
Speaker 1: their hands are got messed up or something, that guy's yeah,

708
00:37:51,000 --> 00:37:55,000
Speaker 1: some people he obviously wouldn't do it with. Yeah, yeah,

709
00:37:55,640 --> 00:37:58,880
Speaker 1: caught for the website, copy the u r L for

710
00:37:59,040 --> 00:38:01,800
Speaker 1: the article, and put it in the website field.

711
00:38:03,360 --> 00:38:05,520
Speaker 2: So it's like this is the real article. Like this

712
00:38:05,600 --> 00:38:08,640
Speaker 2: is actually like not only is this real, Courey Leave,

713
00:38:08,680 --> 00:38:12,200
Speaker 2: I like this, this article is my website, you know

714
00:38:12,200 --> 00:38:20,280
Speaker 2: what I mean? And yeah, like I'm really like posting

715
00:38:20,400 --> 00:38:22,879
Speaker 2: up it like this is like I'm claiming this ship,

716
00:38:23,320 --> 00:38:24,080
Speaker 2: you know what I mean.

717
00:38:26,200 --> 00:38:28,680
Speaker 1: And for the email, simon, give me your email real quick.

718
00:38:29,840 --> 00:38:31,240
Speaker 3: Yeah, it is just that Deadline.

719
00:38:31,840 --> 00:38:35,719
Speaker 2: The link is the link is your email as well.

720
00:38:35,640 --> 00:38:36,640
Speaker 3: Which is a coincidence.

721
00:38:36,800 --> 00:38:41,880
Speaker 2: Got it okay? And put and put for email at

722
00:38:41,880 --> 00:38:45,760
Speaker 2: the end, just be like I go through Tommy Orange.

723
00:38:45,800 --> 00:38:49,880
Speaker 2: I guess I don't. I don't do my own booking.

724
00:38:50,280 --> 00:38:58,040
Speaker 1: Yeah that's Tommy post post the comment.

725
00:38:58,920 --> 00:39:01,719
Speaker 3: And so this is and then Deadline just publishes this

726
00:39:01,760 --> 00:39:02,360
Speaker 3: as an article.

727
00:39:03,000 --> 00:39:05,319
Speaker 2: Yes, this is This is how it always becomes the

728
00:39:05,360 --> 00:39:10,279
Speaker 2: real article. That's how Greg Evans, whoever this guy, I've

729
00:39:10,320 --> 00:39:12,600
Speaker 2: never heard of this, he gets to write this article. No,

730
00:39:12,719 --> 00:39:15,239
Speaker 2: he just like posts a thing. Where the hell is it? Wait?

731
00:39:15,760 --> 00:39:17,400
Speaker 3: Where the hell is it? What happens?

732
00:39:18,680 --> 00:39:22,000
Speaker 2: It's gotta you know, like like like you like you said,

733
00:39:22,080 --> 00:39:23,480
Speaker 2: like they're very they're very busy.

734
00:39:23,680 --> 00:39:25,440
Speaker 1: I guess their offices are pretty far away.

735
00:39:25,520 --> 00:39:28,040
Speaker 2: Yeah, and the skyscraper is very tall. It's got to

736
00:39:28,120 --> 00:39:34,200
Speaker 2: like shoot up the pneumatic Yeah, right. Uh when this

737
00:39:34,640 --> 00:39:36,600
Speaker 2: pneumatic coded episode, when.

738
00:39:36,480 --> 00:39:39,000
Speaker 3: This hits their desk though, when they run it in

739
00:39:39,000 --> 00:39:41,200
Speaker 3: there during the middle of a board meeting, Oh my god,

740
00:39:41,280 --> 00:39:42,920
Speaker 3: they're gonna start shipting bricks.

741
00:39:43,280 --> 00:39:46,200
Speaker 1: They know we fucked up. We posted the fake.

742
00:39:48,800 --> 00:39:52,399
Speaker 2: Geez, let's do another one.

743
00:39:54,360 --> 00:39:56,680
Speaker 1: How do you start? How do you come up with

744
00:39:56,719 --> 00:40:02,920
Speaker 1: your ideas? You're because you do write these crazy stories

745
00:40:02,960 --> 00:40:04,120
Speaker 1: and they'll be about.

746
00:40:03,800 --> 00:40:08,000
Speaker 3: Like truly like weirdo stuff.

747
00:40:08,360 --> 00:40:16,240
Speaker 1: Yeah, and I find myself wondering where what this sick fuck?

748
00:40:16,840 --> 00:40:18,560
Speaker 2: How did he? You know?

749
00:40:18,760 --> 00:40:23,360
Speaker 1: What the fuck is going on upstairs? And so I'd

750
00:40:23,400 --> 00:40:26,279
Speaker 1: like to start what I'd like to have a uh

751
00:40:27,760 --> 00:40:30,840
Speaker 1: uh a comment? Are these new comments?

752
00:40:31,280 --> 00:40:33,040
Speaker 2: Did? Will they not let you do another one on

753
00:40:33,080 --> 00:40:33,760
Speaker 2: this one? Kevin?

754
00:40:34,640 --> 00:40:35,320
Speaker 3: We could do another.

755
00:40:36,080 --> 00:40:37,600
Speaker 2: I don't know if it will post, but we can try.

756
00:40:38,840 --> 00:40:40,440
Speaker 1: Well, first one's not gonna post.

757
00:40:42,680 --> 00:40:44,760
Speaker 2: New Commerce not gonna post.

758
00:40:44,880 --> 00:40:45,800
Speaker 3: Why isn't it post?

759
00:40:46,960 --> 00:40:52,719
Speaker 2: This is Richard kind m I'm pulling out of the project.

760
00:40:52,840 --> 00:40:57,680
Speaker 3: Oh no, what if he reads this and thinks that

761
00:40:57,760 --> 00:41:00,920
Speaker 3: he wrote it? But he might actually not do the project?

762
00:41:01,239 --> 00:41:06,240
Speaker 1: If you are Richard Kain reading this? This is you

763
00:41:06,480 --> 00:41:08,840
Speaker 1: stand by.

764
00:41:08,719 --> 00:41:17,600
Speaker 2: This is you for real. I still want the show

765
00:41:17,640 --> 00:41:18,320
Speaker 2: to succeed.

766
00:41:19,880 --> 00:41:20,640
Speaker 3: This is getting better.

767
00:41:20,800 --> 00:41:25,080
Speaker 2: We need someone to replace me who can replicate my

768
00:41:25,400 --> 00:41:37,800
Speaker 2: unique physicality and comedy style. Sean mhm.

769
00:41:40,239 --> 00:41:41,760
Speaker 1: This is a powerful comment.

770
00:41:43,080 --> 00:41:49,800
Speaker 2: Sean is doing the show and this is the real article.

771
00:41:51,040 --> 00:41:56,680
Speaker 2: Whoa the other article was lying?

772
00:41:57,840 --> 00:41:59,080
Speaker 3: This makes me nervous.

773
00:42:00,200 --> 00:42:04,799
Speaker 1: Why I kind of a Galley's shifting under your feet. Oh,

774
00:42:04,840 --> 00:42:08,320
Speaker 1: the mainstream media can actually be lying. What's the worst

775
00:42:08,360 --> 00:42:10,560
Speaker 1: that could happen? I'm in the show. That actually sounds

776
00:42:10,600 --> 00:42:12,360
Speaker 1: like a very positive outcome.

777
00:42:13,760 --> 00:42:16,960
Speaker 3: Maybe we could Richard's a little over. We could put

778
00:42:16,960 --> 00:42:18,800
Speaker 3: it all in like quotes.

779
00:42:20,760 --> 00:42:25,280
Speaker 2: Sarcastic Richard Kain saying it. Put quotes and put Richard

780
00:42:25,320 --> 00:42:26,919
Speaker 2: Kaine at the beginning colon.

781
00:42:27,320 --> 00:42:31,000
Speaker 3: Mm hmm, maybe like a l O l O L

782
00:42:31,120 --> 00:42:34,399
Speaker 3: at the end so people know it's not real. I'm

783
00:42:34,440 --> 00:42:35,879
Speaker 3: just worried people are gonna think this is real.

784
00:42:36,680 --> 00:42:41,160
Speaker 2: The other article is lying l O L parentheses, lying out.

785
00:42:40,960 --> 00:42:45,520
Speaker 1: Loud, lying online, lying online, lying online.

786
00:42:46,640 --> 00:42:56,040
Speaker 2: Prent I hope you have good started was lying parentheses,

787
00:42:56,280 --> 00:42:57,120
Speaker 2: lying online.

788
00:42:57,200 --> 00:42:59,200
Speaker 1: Yeah, and we didn't put LO L, but I think

789
00:42:59,239 --> 00:43:02,399
Speaker 1: that it's part we didn't need.

790
00:43:02,520 --> 00:43:05,680
Speaker 2: Yeah, no, we don't need that. I was lying parentheses,

791
00:43:05,760 --> 00:43:12,200
Speaker 2: lying online and they have good lawyers and I don't.

792
00:43:13,000 --> 00:43:16,920
Speaker 2: So don't even bother if you're reading this and you're.

793
00:43:16,880 --> 00:43:20,800
Speaker 3: Me lower A one. What's there?

794
00:43:20,800 --> 00:43:20,920
Speaker 2: Now?

795
00:43:20,920 --> 00:43:25,400
Speaker 3: We're getting an added for jar dance? Yeah, which is

796
00:43:25,400 --> 00:43:26,200
Speaker 3: for which cancer?

797
00:43:26,280 --> 00:43:27,799
Speaker 2: Is that for? Well?

798
00:43:27,840 --> 00:43:30,880
Speaker 1: This is for reducing something? So this is actually not

799
00:43:31,080 --> 00:43:36,520
Speaker 1: as is. They want you to reduce something. It's gotta

800
00:43:36,560 --> 00:43:38,080
Speaker 1: be inflammation? Am I crazy?

801
00:43:38,239 --> 00:43:39,399
Speaker 3: I mean what else would it be?

802
00:43:40,960 --> 00:43:45,880
Speaker 2: Who else is in this show? Renee? I'm here with

803
00:43:45,960 --> 00:43:49,200
Speaker 2: Renee as well. She's out.

804
00:43:49,640 --> 00:43:52,920
Speaker 1: Yeah, change the second E to a G. She's about

805
00:43:52,960 --> 00:43:54,160
Speaker 1: to renag.

806
00:43:53,719 --> 00:43:56,400
Speaker 2: On her on her on her commitment, commitment.

807
00:43:58,040 --> 00:44:02,600
Speaker 1: The and change Goldsbury to Oldsberry and change Bury to

808
00:44:02,680 --> 00:44:14,799
Speaker 1: news old News renegg Old's news.

809
00:44:16,520 --> 00:44:19,360
Speaker 2: Both of us need to be paid out in full.

810
00:44:19,600 --> 00:44:27,120
Speaker 2: Oh no, and Sean will be securing the bag as well.

811
00:44:30,560 --> 00:44:31,799
Speaker 2: We know you've got it.

812
00:44:36,080 --> 00:44:39,200
Speaker 3: So I didn't realize with these comment boxes that there's

813
00:44:39,280 --> 00:44:42,000
Speaker 3: more space you could keep going, because I usually when

814
00:44:42,160 --> 00:44:44,480
Speaker 3: there's like a box and implies like the edges of

815
00:44:44,520 --> 00:44:45,440
Speaker 3: the box are the limits.

816
00:44:45,480 --> 00:44:48,440
Speaker 1: I thought we were just the same thing you did

817
00:44:48,480 --> 00:44:51,000
Speaker 1: with your Broadway run the limits.

818
00:44:50,840 --> 00:44:52,520
Speaker 3: That's yeah, becaucause that's how.

819
00:44:52,400 --> 00:44:55,120
Speaker 2: Books work, right, Like there's the book and like once

820
00:44:55,160 --> 00:44:56,200
Speaker 2: you're done, you're done.

821
00:44:56,239 --> 00:44:58,080
Speaker 3: Yeah, when you write a book, they give you the

822
00:44:58,520 --> 00:45:00,400
Speaker 3: book and the pages are blank and the Yeah, so

823
00:45:00,440 --> 00:45:02,120
Speaker 3: you're not okay, there's like all the page the pages.

824
00:45:02,160 --> 00:45:03,520
Speaker 1: Yeah, there's how many pages of your book?

825
00:45:03,719 --> 00:45:06,960
Speaker 3: Your flip book? Yeah, but with the comments second, in so.

826
00:45:07,000 --> 00:45:08,880
Speaker 1: Many years, you must go like, oh it's only this

827
00:45:08,960 --> 00:45:11,040
Speaker 1: many pages? Can I even still call this a book?

828
00:45:11,560 --> 00:45:14,600
Speaker 1: And they're going like yeah, dude, just like we're the

829
00:45:14,600 --> 00:45:16,600
Speaker 1: fucking book company, do whatever you want.

830
00:45:16,719 --> 00:45:20,000
Speaker 3: Yeah, yeah, we've literally had that conversation.

831
00:45:22,120 --> 00:45:22,160
Speaker 1: But