1
00:00:00,480 --> 00:00:03,880
Speaker 1: I listen to The Black Guy Who Tips podcast because

2
00:00:04,080 --> 00:00:08,320
Speaker 1: Rod and Karen. Hey, welcome to another episode of the

3
00:00:08,320 --> 00:00:12,560
Speaker 1: Blackouts podcast. I'm your host Rod, joined us always by

4
00:00:12,600 --> 00:00:16,279
Speaker 1: my co host Karen, and we are live on a

5
00:00:16,480 --> 00:00:21,520
Speaker 1: Sunday morning, and we have company everybody, that's right. Today's

6
00:00:21,520 --> 00:00:25,400
Speaker 1: guest is comedian, actor of stage and screen, podcast, host

7
00:00:25,440 --> 00:00:29,320
Speaker 1: of the Mundane Festival, and friend Chris Lamberth. What's going on, buddy?

8
00:00:30,000 --> 00:00:31,480
Speaker 2: Hey guys, thanks for having me.

9
00:00:31,920 --> 00:00:33,920
Speaker 1: Oh man, thanks for being okay.

10
00:00:34,960 --> 00:00:40,200
Speaker 3: How you been, man, I've been maintaining, trying to trying

11
00:00:40,240 --> 00:00:40,839
Speaker 3: to elevate.

12
00:00:40,960 --> 00:00:41,200
Speaker 1: Man.

13
00:00:41,240 --> 00:00:45,080
Speaker 2: You know, it's just, you know, it's it's been rough.

14
00:00:45,280 --> 00:00:48,000
Speaker 3: I lost my dad last summer, as you guys know,

15
00:00:48,120 --> 00:00:52,160
Speaker 3: and it's just it's devastating. But I'm trying to pick

16
00:00:52,240 --> 00:00:55,520
Speaker 3: up the pieces and live my life the way that

17
00:00:55,600 --> 00:00:57,040
Speaker 3: he would have wanted me to.

18
00:00:57,520 --> 00:00:57,840
Speaker 4: Yeah.

19
00:00:57,880 --> 00:01:01,640
Speaker 1: Man, we hung out in New York a couple of times,

20
00:01:01,680 --> 00:01:04,960
Speaker 1: and uh, you know, I also listen to the Mundane

21
00:01:04,959 --> 00:01:09,640
Speaker 1: Festival and stuff, and you know, your dad just seemed

22
00:01:09,680 --> 00:01:13,800
Speaker 1: like real cool dude, like kind of like, uh, you know,

23
00:01:14,040 --> 00:01:16,720
Speaker 1: I'm I'm a kid that my dad's my my hero.

24
00:01:17,080 --> 00:01:19,640
Speaker 1: So you know, so it's like that kind of feeling

25
00:01:19,640 --> 00:01:23,680
Speaker 1: where it's like it's weird because like when like sowing

26
00:01:23,760 --> 00:01:26,160
Speaker 1: famous guys, it's like everyone loses a hero. But what

27
00:01:26,240 --> 00:01:30,200
Speaker 1: it's just like your dad, It's like it's like this insular,

28
00:01:30,319 --> 00:01:32,520
Speaker 1: like damn man, this is like I wish y'all could

29
00:01:32,600 --> 00:01:35,800
Speaker 1: understand how big this is. But I try to relate

30
00:01:35,840 --> 00:01:38,360
Speaker 1: to it through just you know, knowing who my father

31
00:01:38,520 --> 00:01:41,880
Speaker 1: is and right and what that must feel like. So

32
00:01:42,040 --> 00:01:44,440
Speaker 1: you know, obviously I've said in person, but you know,

33
00:01:44,600 --> 00:01:47,800
Speaker 1: my condolences, our condolences as well.

34
00:01:48,440 --> 00:01:52,560
Speaker 2: Thank you, thank you. Yeah, it's it's it's definitely.

35
00:01:52,360 --> 00:01:56,200
Speaker 3: It's rough, but it's it's uh, you can't especially after

36
00:01:56,240 --> 00:01:59,320
Speaker 3: you hear what's that the Kendrick's dad.

37
00:01:59,240 --> 00:02:03,160
Speaker 1: Oh man, either yeah, daddy issues or father issues or

38
00:02:03,160 --> 00:02:03,720
Speaker 1: something like that.

39
00:02:03,800 --> 00:02:04,000
Speaker 2: Yeah.

40
00:02:04,120 --> 00:02:06,560
Speaker 3: Yeah, it's like, oh, well I didn't have That's that?

41
00:02:06,920 --> 00:02:09,680
Speaker 3: You know, that's a good I didn't have father time,

42
00:02:10,240 --> 00:02:13,760
Speaker 3: great guy. Yeah yeah, So it's one. Yeah, and maybe

43
00:02:13,760 --> 00:02:15,520
Speaker 3: I would have been a better rap Maybe I would

44
00:02:15,520 --> 00:02:17,000
Speaker 3: have been a better rapper if my dad was.

45
00:02:17,000 --> 00:02:21,760
Speaker 4: Shitty, yeah, push you to the next level.

46
00:02:22,560 --> 00:02:25,120
Speaker 3: And he could have had a Lincoln Navigator or whatever,

47
00:02:25,280 --> 00:02:26,240
Speaker 3: late model truck.

48
00:02:28,360 --> 00:02:30,600
Speaker 2: He's like I was a shitty guy, but I got

49
00:02:30,639 --> 00:02:31,120
Speaker 2: this truck.

50
00:02:31,360 --> 00:02:34,040
Speaker 1: Listen, Okay, you're not a failed running back because I

51
00:02:34,120 --> 00:02:34,640
Speaker 1: wasn't there.

52
00:02:35,720 --> 00:02:37,880
Speaker 2: Yeah.

53
00:02:37,960 --> 00:02:42,760
Speaker 3: Yeah, so you know, so I try to make people laugh,

54
00:02:42,800 --> 00:02:45,520
Speaker 3: but yeah, man, it sucks, but it's it's a part

55
00:02:45,600 --> 00:02:45,919
Speaker 3: of life.

56
00:02:46,000 --> 00:02:50,799
Speaker 2: We all got to do it. And uh, it's it's yeah,

57
00:02:50,840 --> 00:02:54,040
Speaker 2: I just kind of we're at that age where.

58
00:02:53,880 --> 00:02:59,280
Speaker 3: People that we love you know that. Yeah, yeah, it's

59
00:03:00,520 --> 00:03:02,480
Speaker 3: you all know what it's like. And it's just you

60
00:03:02,520 --> 00:03:05,240
Speaker 3: see people on Facebook all the time. It's just like, oh,

61
00:03:05,280 --> 00:03:07,440
Speaker 3: my dad and my hero and my best like, fucking

62
00:03:07,560 --> 00:03:11,800
Speaker 3: I I got to send her a couple of likes, so, uh,

63
00:03:12,080 --> 00:03:14,520
Speaker 3: maybe my parents are still alive a little longer.

64
00:03:17,440 --> 00:03:17,840
Speaker 2: Out there.

65
00:03:17,880 --> 00:03:22,840
Speaker 5: It's just like, yeah, it's a process, Chris and I

66
00:03:22,880 --> 00:03:27,600
Speaker 5: beg that. Uh for a lot of people, it's a

67
00:03:27,639 --> 00:03:29,480
Speaker 5: club that you nobody wants to be a part of.

68
00:03:29,680 --> 00:03:31,440
Speaker 5: But it's you know, it's one of those things for

69
00:03:31,600 --> 00:03:33,360
Speaker 5: people who have both of their parents.

70
00:03:33,400 --> 00:03:34,040
Speaker 4: I try to fund it.

71
00:03:34,040 --> 00:03:36,520
Speaker 6: You don't understand, and I'm not saying that in an

72
00:03:36,560 --> 00:03:40,080
Speaker 6: insulting way or anything. You just don't comprehend what it's

73
00:03:40,240 --> 00:03:43,680
Speaker 6: like not to have that person present there, particularly if

74
00:03:43,720 --> 00:03:45,560
Speaker 6: they were heavily involved in your life.

75
00:03:46,120 --> 00:03:51,720
Speaker 4: And also I think for me, it makes.

76
00:03:51,440 --> 00:03:56,240
Speaker 1: You appreciate the time that you did have because sometimes

77
00:03:56,240 --> 00:03:59,480
Speaker 1: when people are living, you take for granted that they're

78
00:03:59,480 --> 00:04:01,640
Speaker 1: going to kind of always be there, even though you

79
00:04:01,760 --> 00:04:02,840
Speaker 1: know losses a part of life.

80
00:04:02,880 --> 00:04:03,560
Speaker 4: Don't get me wrong.

81
00:04:03,920 --> 00:04:05,800
Speaker 6: You just take for granted that they're kind of always

82
00:04:05,840 --> 00:04:07,839
Speaker 6: going to be there, and then when they're not, that's

83
00:04:07,840 --> 00:04:10,120
Speaker 6: when you go, well, Okay, I'm going to remember and

84
00:04:10,200 --> 00:04:12,400
Speaker 6: cherish these times. In the times that I do have

85
00:04:12,480 --> 00:04:16,640
Speaker 6: with people, I am not actually going to reevaluate what

86
00:04:16,760 --> 00:04:19,279
Speaker 6: is important and what's not important and where do I

87
00:04:19,320 --> 00:04:22,039
Speaker 6: put my time and effort in people that are important

88
00:04:22,080 --> 00:04:24,880
Speaker 6: to me, dedicate more time to them.

89
00:04:24,760 --> 00:04:28,200
Speaker 3: Right because I would say during like all those holidays

90
00:04:28,200 --> 00:04:30,760
Speaker 3: like Mother's Day and Father's that I would say, like,

91
00:04:30,800 --> 00:04:35,440
Speaker 3: even you know, it's like you appreciate those people, those

92
00:04:35,480 --> 00:04:38,440
Speaker 3: figures if you still got them, call them and uh,

93
00:04:38,520 --> 00:04:40,400
Speaker 3: because it's going to be a time when you can,

94
00:04:41,120 --> 00:04:43,839
Speaker 3: like I would, I would know, like just like because

95
00:04:43,839 --> 00:04:47,039
Speaker 3: my dad worked in the grocery store industry and we

96
00:04:47,240 --> 00:04:50,600
Speaker 3: talk about that's like one of the things we used

97
00:04:50,600 --> 00:04:52,480
Speaker 3: to talk about all the time, like different stores and

98
00:04:52,520 --> 00:04:54,760
Speaker 3: all this stuff, and I would go as, all, have

99
00:04:54,800 --> 00:04:56,600
Speaker 3: you ever I used to take pictures of stuff and

100
00:04:56,640 --> 00:04:57,960
Speaker 3: say have you ever seen this before?

101
00:04:58,000 --> 00:04:59,600
Speaker 2: Have you ever heard of this? Or what do you think?

102
00:05:00,000 --> 00:05:02,240
Speaker 3: It was just like random shit because I would know

103
00:05:02,440 --> 00:05:05,040
Speaker 3: that there's gonna be a day. I couldn't do that anymore,

104
00:05:05,320 --> 00:05:08,600
Speaker 3: even though on the most mundane bullshit stuff. And it's

105
00:05:08,640 --> 00:05:10,479
Speaker 3: just like, you don't now that I don't have that.

106
00:05:11,240 --> 00:05:13,600
Speaker 3: I appreciate those moments, you know.

107
00:05:13,920 --> 00:05:17,320
Speaker 1: Yeah, I went down my parents' house yesterday when Karen's

108
00:05:17,320 --> 00:05:19,680
Speaker 1: getting the air done, and you know, my dad took

109
00:05:19,720 --> 00:05:22,560
Speaker 1: me around to his garden in the back and showed

110
00:05:22,560 --> 00:05:26,039
Speaker 1: me all the plants again, and you know, and kind

111
00:05:26,040 --> 00:05:28,080
Speaker 1: of quized me on like well it's that he was like,

112
00:05:28,120 --> 00:05:32,560
Speaker 1: oh that's squash or bell peppers or whatever. And I

113
00:05:32,600 --> 00:05:35,480
Speaker 1: think one of the things that people haven't realized about

114
00:05:35,480 --> 00:05:37,760
Speaker 1: the pandemic is it sped a lot of this ship up.

115
00:05:37,839 --> 00:05:40,479
Speaker 1: Everything sped up, and a lot of people a lost

116
00:05:40,520 --> 00:05:43,119
Speaker 1: folks during the pandemic. Like I know your dad didn't

117
00:05:43,160 --> 00:05:46,520
Speaker 1: pass because of COVID, but like a lot like that's

118
00:05:46,520 --> 00:05:49,159
Speaker 1: another reason you log on Facebook and you're just seeing

119
00:05:49,800 --> 00:05:53,800
Speaker 1: so much, you know, because you know, COVID and then

120
00:05:54,040 --> 00:05:57,120
Speaker 1: the fact that COVID clogged up the hospitals and all

121
00:05:57,160 --> 00:05:59,640
Speaker 1: this shit, you know, people going through it, And I

122
00:05:59,680 --> 00:06:03,839
Speaker 1: think it's like that line and everything everywhere all at once,

123
00:06:03,880 --> 00:06:05,760
Speaker 1: where it's like, if we don't know what's going on,

124
00:06:06,040 --> 00:06:09,320
Speaker 1: we could still be kind or whatever. And I feel

125
00:06:09,320 --> 00:06:13,520
Speaker 1: like a lot of people haven't absorbed that lesson. It's

126
00:06:13,520 --> 00:06:15,720
Speaker 1: been going the other way where it's like people have

127
00:06:15,800 --> 00:06:19,200
Speaker 1: been less kind and more lashing out because they don't

128
00:06:19,200 --> 00:06:21,720
Speaker 1: know what's going on. It's been more violence and all

129
00:06:21,760 --> 00:06:25,320
Speaker 1: that stuff. But I think also when you black, you

130
00:06:25,440 --> 00:06:28,320
Speaker 1: just it's just my anecdotic experience, but I feel like

131
00:06:28,360 --> 00:06:31,800
Speaker 1: we appreciate our parents more because we know how much

132
00:06:31,800 --> 00:06:34,280
Speaker 1: the world is doing to try to make sure they're

133
00:06:34,320 --> 00:06:37,599
Speaker 1: not there, you know what I mean, just as existing

134
00:06:37,600 --> 00:06:40,480
Speaker 1: as human beings, not even just the whole hotel family

135
00:06:40,520 --> 00:06:43,360
Speaker 1: and the thing, but just as a human being. I

136
00:06:43,400 --> 00:06:45,760
Speaker 1: know all the pressure that's on a black person every

137
00:06:45,880 --> 00:06:49,320
Speaker 1: day to exist and live and try to like survive

138
00:06:49,400 --> 00:06:52,240
Speaker 1: this world. So I feel I always feel like when

139
00:06:52,279 --> 00:06:55,680
Speaker 1: black people talk about our parents, it feels different, you

140
00:06:55,680 --> 00:06:58,720
Speaker 1: know what I mean, Because it's like you listen to

141
00:06:58,720 --> 00:07:00,800
Speaker 1: white people talk about dave parents and if you like,

142
00:07:01,040 --> 00:07:03,719
Speaker 1: you know, my dad missed someone's soccer games and you like,

143
00:07:04,680 --> 00:07:08,560
Speaker 1: and that's why y'all don't talk or like like that

144
00:07:08,680 --> 00:07:09,680
Speaker 1: was it. That's all it took.

145
00:07:09,840 --> 00:07:13,640
Speaker 6: Yeah, because some people's standards are very different, you know,

146
00:07:13,680 --> 00:07:16,559
Speaker 6: when it comes to parents, relationships with them and things

147
00:07:16,600 --> 00:07:16,880
Speaker 6: like that.

148
00:07:16,920 --> 00:07:21,680
Speaker 4: And something that I've realized.

149
00:07:21,320 --> 00:07:24,080
Speaker 6: Is that if you have a good relationship with your parents,

150
00:07:24,160 --> 00:07:26,560
Speaker 6: consider yourself blessed, because a lot of people have very

151
00:07:26,640 --> 00:07:30,920
Speaker 6: dysfunctional relationships with their parents and relationships that are absent.

152
00:07:31,240 --> 00:07:34,560
Speaker 6: And the thing is, once you get older. Maybe this

153
00:07:34,680 --> 00:07:37,080
Speaker 6: is just me, this is just my personal opinion. As

154
00:07:37,080 --> 00:07:39,440
Speaker 6: you get older, regardless of how shitty or how absent

155
00:07:39,560 --> 00:07:41,560
Speaker 6: your parents were, at the end of the day, you

156
00:07:41,560 --> 00:07:44,760
Speaker 6: know what your parent was a human being. And that's

157
00:07:44,920 --> 00:07:47,520
Speaker 6: very hard for you to process because as a child,

158
00:07:48,240 --> 00:07:51,000
Speaker 6: children are always kind of taught that parents are.

159
00:07:51,000 --> 00:07:54,040
Speaker 4: These people that they're supposed to protect them and save

160
00:07:54,160 --> 00:07:56,240
Speaker 4: them and love them and raise them and be.

161
00:07:56,240 --> 00:07:59,760
Speaker 6: There all the time. And everybody does not get too

162
00:07:59,800 --> 00:08:01,520
Speaker 6: experience that in their lives.

163
00:08:01,720 --> 00:08:05,480
Speaker 4: But parents are people. Parents make bad decisions, wrong decisions,

164
00:08:05,480 --> 00:08:07,040
Speaker 4: fucked up, decisions that flawed.

165
00:08:07,080 --> 00:08:10,320
Speaker 6: They hurt people, They do all these things and sometimes

166
00:08:10,400 --> 00:08:13,080
Speaker 6: you might happen to be the recipient of it. Doesn't

167
00:08:13,120 --> 00:08:15,680
Speaker 6: make it fair right or justice just feather actions, no,

168
00:08:15,880 --> 00:08:17,080
Speaker 6: but it's the reality of it.

169
00:08:17,200 --> 00:08:18,000
Speaker 4: Parents are people.

170
00:08:18,160 --> 00:08:21,160
Speaker 1: That's why you gotta be general with people who are

171
00:08:21,160 --> 00:08:23,600
Speaker 1: experiencing that type of loss of you know, like a

172
00:08:23,680 --> 00:08:27,200
Speaker 1: father figure like that. I know Kevin Samuels died and

173
00:08:27,320 --> 00:08:29,280
Speaker 1: you know a lot of these brothers that was their daddy.

174
00:08:29,400 --> 00:08:35,439
Speaker 1: You know, yeah, somebody got a tattoo. I saw some

175
00:08:35,520 --> 00:08:42,120
Speaker 1: people with necklaces. I mean apparently you know Big Kid's wife,

176
00:08:42,160 --> 00:08:44,720
Speaker 1: is what I'm saying. It's just if not to be

177
00:08:44,880 --> 00:08:47,320
Speaker 1: forty five year old man being raised by Kevin sam

178
00:08:47,679 --> 00:08:51,160
Speaker 1: Bill Cosby r. We can't have that, y'all. We need better.

179
00:08:52,280 --> 00:08:56,400
Speaker 1: Chris also like, uh, the play you were in Lehman Brothers.

180
00:08:57,120 --> 00:09:00,640
Speaker 1: It's yeah, I'm hearing scuttle, but that it may have

181
00:09:00,679 --> 00:09:02,360
Speaker 1: been nominated for some awards?

182
00:09:02,400 --> 00:09:04,400
Speaker 2: Is this true? Eight?

183
00:09:08,400 --> 00:09:10,520
Speaker 1: That is five? That's five more to.

184
00:09:12,400 --> 00:09:18,040
Speaker 2: Think about, right, It's uh, it was. It was great

185
00:09:18,080 --> 00:09:19,040
Speaker 2: to be a part of that.

186
00:09:19,040 --> 00:09:21,880
Speaker 3: That was one of the things that my dad was behind,

187
00:09:22,120 --> 00:09:25,800
Speaker 3: like my mother too. But you know, it's a it's

188
00:09:25,840 --> 00:09:29,880
Speaker 3: a relationship that you know, between a father and a son,

189
00:09:29,920 --> 00:09:31,760
Speaker 3: it's a little different, and like a mother and a

190
00:09:31,880 --> 00:09:32,520
Speaker 3: daughter would be.

191
00:09:34,080 --> 00:09:35,120
Speaker 2: He he made.

192
00:09:35,040 --> 00:09:38,360
Speaker 3: Sacrifices so that I could be there, so I could

193
00:09:38,360 --> 00:09:41,360
Speaker 3: be on stage and not not have to worry about

194
00:09:41,400 --> 00:09:43,280
Speaker 3: certain things that other people.

195
00:09:42,960 --> 00:09:45,000
Speaker 2: Probably had to worry about.

196
00:09:45,320 --> 00:09:48,040
Speaker 3: He you know, it was I broke down crying when

197
00:09:48,040 --> 00:09:49,880
Speaker 3: I saw because it just I was about to leave

198
00:09:49,920 --> 00:09:52,920
Speaker 3: my mother and I was leaving and it popped up

199
00:09:52,920 --> 00:09:56,480
Speaker 3: on New York Times popped up and said the Leman

200
00:09:56,520 --> 00:09:57,439
Speaker 3: Trilogy eight.

201
00:09:57,800 --> 00:09:59,280
Speaker 2: I was like, wow, I just broken.

202
00:09:59,679 --> 00:10:02,600
Speaker 3: Yeah, like like Jordan when he won the right.

203
00:10:04,960 --> 00:10:08,960
Speaker 1: Yes, it wasn't that like rand didn't. Didn't Randy Brown

204
00:10:09,040 --> 00:10:10,880
Speaker 1: try to like take it from some ship and it's

205
00:10:10,920 --> 00:10:12,280
Speaker 1: like get away from him.

206
00:10:13,240 --> 00:10:13,640
Speaker 2: It was.

207
00:10:13,720 --> 00:10:15,080
Speaker 3: It was It was cool to be a part of

208
00:10:15,080 --> 00:10:18,240
Speaker 3: that because you see other people celebrate other people's wins

209
00:10:18,280 --> 00:10:21,240
Speaker 3: and may be adjacent and ship and it's like you

210
00:10:21,360 --> 00:10:23,520
Speaker 3: wasn't even But I was like, I was like, look,

211
00:10:23,760 --> 00:10:26,480
Speaker 3: I just got done doing like taping the Patreon episode.

212
00:10:26,520 --> 00:10:30,120
Speaker 3: I said, look, I was on in the show. I

213
00:10:31,400 --> 00:10:34,320
Speaker 3: had the audition. I paid five hundred bucks a month

214
00:10:34,400 --> 00:10:37,200
Speaker 3: to park in that in the city to go to

215
00:10:37,320 --> 00:10:37,760
Speaker 3: the play.

216
00:10:38,440 --> 00:10:39,800
Speaker 2: I'm posting about that ship.

217
00:10:40,000 --> 00:10:45,360
Speaker 1: Absolutely you you listen, you let game theory ruin an award.

218
00:10:45,559 --> 00:10:48,960
Speaker 4: I won that award to I don't even give a fuck.

219
00:10:49,080 --> 00:10:52,200
Speaker 1: I didn't work a second there, but Fox, I've concarn

220
00:10:52,640 --> 00:10:53,240
Speaker 1: we wanted.

221
00:10:53,520 --> 00:10:53,720
Speaker 2: Well.

222
00:10:53,760 --> 00:10:55,839
Speaker 3: Also the things that you do, like hold on it,

223
00:10:56,320 --> 00:10:59,920
Speaker 3: that you did careen behind the scenes that allowed Rob

224
00:11:00,280 --> 00:11:03,080
Speaker 3: to get to do and thrive up in New York,

225
00:11:03,160 --> 00:11:09,200
Speaker 3: Like it's always it's always people behind everybody's success. And

226
00:11:09,280 --> 00:11:12,959
Speaker 3: you stand on the shoulders of giants and underneath those

227
00:11:13,000 --> 00:11:16,720
Speaker 3: people that are a part of the show, there's that

228
00:11:17,000 --> 00:11:20,600
Speaker 3: your mother, your father that's holding everything else up. And

229
00:11:20,600 --> 00:11:24,000
Speaker 3: it's and it's a it's it's something you have to

230
00:11:24,360 --> 00:11:27,280
Speaker 3: recognize that. And I you know, I even said when

231
00:11:27,320 --> 00:11:31,480
Speaker 3: the show opened. I the day of the show opened,

232
00:11:31,520 --> 00:11:34,200
Speaker 3: I cried on the phone with my parents and just

233
00:11:34,320 --> 00:11:37,200
Speaker 3: thank them for everything, you know, to just get to

234
00:11:37,240 --> 00:11:41,880
Speaker 3: that point to where I could be at a small

235
00:11:41,960 --> 00:11:46,360
Speaker 3: part of that Sam Mendy's Oscar winning director, Tony Ward

236
00:11:46,440 --> 00:11:48,960
Speaker 3: winning to all these people so I could be on

237
00:11:49,000 --> 00:11:53,200
Speaker 3: that stage. So it's it does take the village, you know,

238
00:11:53,240 --> 00:11:55,920
Speaker 3: when you have that support, you feel like you could

239
00:11:55,920 --> 00:11:56,480
Speaker 3: do anything.

240
00:11:56,640 --> 00:11:59,480
Speaker 1: Also, I mean the one if you would have been

241
00:11:59,559 --> 00:12:02,000
Speaker 1: fucking up up, you might have been the reason they

242
00:12:02,080 --> 00:12:05,120
Speaker 1: didn't get the ship right, like like like think about

243
00:12:05,160 --> 00:12:08,600
Speaker 1: it that way, like everybody is like. And also, there

244
00:12:08,640 --> 00:12:11,480
Speaker 1: are no small parts. There's just parts that get paid

245
00:12:11,559 --> 00:12:15,120
Speaker 1: less than the other parts. But all the parts are

246
00:12:15,160 --> 00:12:18,240
Speaker 1: required to make the ship work because it really you know,

247
00:12:18,320 --> 00:12:20,360
Speaker 1: it's like you go to a restaurant. The food could

248
00:12:20,400 --> 00:12:22,040
Speaker 1: be great, but the way they could fuck up now

249
00:12:22,040 --> 00:12:23,840
Speaker 1: you had. Now you don't go to that restaurant no

250
00:12:23,920 --> 00:12:26,720
Speaker 1: more So. I think I think that's all part of it.

251
00:12:26,760 --> 00:12:26,920
Speaker 5: Man.

252
00:12:27,000 --> 00:12:29,960
Speaker 1: Plus I mean, nigga, the competition to even be a

253
00:12:29,960 --> 00:12:34,280
Speaker 1: part of these things so ridiculous. And to make it

254
00:12:34,320 --> 00:12:36,600
Speaker 1: there on your own merit, your own credit, to go

255
00:12:36,640 --> 00:12:39,559
Speaker 1: out there with your own talent and get on like that. Bro,

256
00:12:40,080 --> 00:12:42,719
Speaker 1: you can't downplay that. And I was glad. I was

257
00:12:42,760 --> 00:12:45,360
Speaker 1: glad to see you post to post that and to

258
00:12:45,400 --> 00:12:49,520
Speaker 1: celebrate that. And honestly, you know, that's one of those

259
00:12:49,559 --> 00:12:53,640
Speaker 1: things where everybody that's rooting for you, we want to

260
00:12:53,679 --> 00:12:56,360
Speaker 1: see you be like to celebrate that success.

261
00:12:56,480 --> 00:12:59,560
Speaker 2: You know, thank you. Yeah, I appreciate that.

262
00:12:59,640 --> 00:13:02,280
Speaker 3: It's just it's just like we talk about, like getting

263
00:13:02,280 --> 00:13:04,880
Speaker 3: it out the mud. Like when I heard that term

264
00:13:05,040 --> 00:13:08,800
Speaker 3: like on the Homies, on All the Smoke, even though

265
00:13:08,800 --> 00:13:10,760
Speaker 3: they can be toxic times.

266
00:13:10,440 --> 00:13:10,839
Speaker 2: You know, but.

267
00:13:14,320 --> 00:13:15,920
Speaker 4: Everybody got some of that in them they need to

268
00:13:15,920 --> 00:13:16,520
Speaker 4: purge out.

269
00:13:16,559 --> 00:13:19,240
Speaker 7: Shout out to that new Kendrick, I know, man, Like

270
00:13:19,280 --> 00:13:23,200
Speaker 7: that's what it's hopefully we can will but you know,

271
00:13:23,360 --> 00:13:26,840
Speaker 7: it's it's that thing where it's just like that's how

272
00:13:26,960 --> 00:13:27,920
Speaker 7: I had to get it.

273
00:13:28,040 --> 00:13:30,960
Speaker 3: Everything that I got and I had to work for

274
00:13:31,120 --> 00:13:35,200
Speaker 3: and it's because of my parents love that I was

275
00:13:35,280 --> 00:13:36,400
Speaker 3: not afraid to fail.

276
00:13:37,640 --> 00:13:38,480
Speaker 2: You know I could.

277
00:13:38,559 --> 00:13:40,400
Speaker 3: I said, well they well my mom and dad loved me,

278
00:13:40,480 --> 00:13:44,200
Speaker 3: so I'll be I'll be okay. And and I and

279
00:13:44,240 --> 00:13:46,840
Speaker 3: I think, you know, it's kind of like just where

280
00:13:46,840 --> 00:13:51,000
Speaker 3: it's just like at the point where I can I

281
00:13:51,040 --> 00:13:53,840
Speaker 3: can do that because I know I have that love.

282
00:13:53,960 --> 00:13:56,240
Speaker 3: So if I get this thing, it'll be great. If

283
00:13:56,240 --> 00:13:59,880
Speaker 3: I don't, I'll be okay. But it's just it's just

284
00:14:00,120 --> 00:14:02,960
Speaker 3: the way the way that you find out how the

285
00:14:03,040 --> 00:14:06,960
Speaker 3: game is already rigged, not really in your favor.

286
00:14:07,080 --> 00:14:10,080
Speaker 2: Once you get in and you hear certain stories.

287
00:14:09,760 --> 00:14:12,000
Speaker 3: Like oh that's how you got in, right, that's how,

288
00:14:12,400 --> 00:14:14,120
Speaker 3: And it's like I can look at myself in the

289
00:14:14,160 --> 00:14:16,280
Speaker 3: mirror and say, hey, man, I got it.

290
00:14:16,640 --> 00:14:17,240
Speaker 2: I came out.

291
00:14:17,280 --> 00:14:20,360
Speaker 3: I came to New York City not knowing anybody, and

292
00:14:20,440 --> 00:14:22,480
Speaker 3: it was people that took There's certain people that took

293
00:14:22,520 --> 00:14:26,400
Speaker 3: a chance on me, and I was able to make

294
00:14:26,440 --> 00:14:28,920
Speaker 3: it to a certain point of you know where I'm

295
00:14:29,160 --> 00:14:32,520
Speaker 3: still an unknown comedian and actor, day player and all.

296
00:14:32,440 --> 00:14:35,720
Speaker 2: That shit, but I'll be getting that shit right.

297
00:14:37,520 --> 00:14:37,720
Speaker 4: Yeah.

298
00:14:37,840 --> 00:14:41,800
Speaker 3: So it's like to come because I remember a conversation

299
00:14:41,840 --> 00:14:42,560
Speaker 3: I had with my dad.

300
00:14:42,600 --> 00:14:44,840
Speaker 2: I probably talked about it on your show before or

301
00:14:44,840 --> 00:14:47,600
Speaker 2: on my part, where it was just like my dad,

302
00:14:47,720 --> 00:14:49,680
Speaker 2: you know, we're talking. It's like you're doing it in

303
00:14:49,760 --> 00:14:50,600
Speaker 2: New York City.

304
00:14:51,480 --> 00:14:54,720
Speaker 3: That's the hardest place, one of the hardest places to

305
00:14:55,200 --> 00:14:58,560
Speaker 3: do it, to make things happen, And it's just I

306
00:14:58,560 --> 00:15:01,680
Speaker 3: think it's just because of that love and support that

307
00:15:01,760 --> 00:15:07,560
Speaker 3: they had for me, I was able to navigate navigated

308
00:15:07,600 --> 00:15:08,520
Speaker 3: a little easier.

309
00:15:08,960 --> 00:15:11,520
Speaker 1: Yeah, No, it's definitely. I know when I was up

310
00:15:11,560 --> 00:15:16,240
Speaker 1: in there, you know, on the drive from the Uber

311
00:15:16,240 --> 00:15:20,280
Speaker 1: from La Guardia to the Airbnb and just looking at

312
00:15:20,360 --> 00:15:22,880
Speaker 1: around at the city and stuff, it was like, oh man,

313
00:15:22,960 --> 00:15:26,840
Speaker 1: it's like I'm here, you know what I mean, like

314
00:15:26,840 --> 00:15:29,320
Speaker 1: like and it felt cool because it's like, you know,

315
00:15:29,720 --> 00:15:32,320
Speaker 1: my talent brought me here. You know this like when

316
00:15:32,720 --> 00:15:36,080
Speaker 1: my work brought me here. This path I've been on

317
00:15:36,200 --> 00:15:38,120
Speaker 1: in life has brought me here. And you know it

318
00:15:38,200 --> 00:15:42,359
Speaker 1: was like I was in the uber getting the overpriced

319
00:15:42,680 --> 00:15:47,640
Speaker 1: ride from from from from the first hustle, I'm from

320
00:15:47,720 --> 00:15:51,600
Speaker 1: vaguely foreign guy and uh, and then I was listening

321
00:15:51,680 --> 00:15:59,600
Speaker 1: to like uh Alicia Keys and jay Z and my headphone. Yes, uh, I.

322
00:15:59,720 --> 00:16:02,120
Speaker 2: Even go in the nerd hip hop Nerd.

323
00:16:02,320 --> 00:16:06,680
Speaker 3: I'll say that that most deaf record traveling man. Yeah,

324
00:16:06,800 --> 00:16:09,040
Speaker 3: he said, because it's the reason that we came here

325
00:16:09,080 --> 00:16:11,000
Speaker 3: to fortune, not the fame here whatever.

326
00:16:11,040 --> 00:16:13,240
Speaker 2: He just got like he said, what does he say?

327
00:16:13,320 --> 00:16:14,280
Speaker 2: He says, like, h.

328
00:16:17,080 --> 00:16:20,640
Speaker 3: Easily something when he talks about you be struggling and

329
00:16:20,640 --> 00:16:23,760
Speaker 3: striving and they thank you. Prime timing it like it's

330
00:16:24,040 --> 00:16:29,160
Speaker 3: it's a different everybody knows. Everybody sees like the show.

331
00:16:29,640 --> 00:16:32,320
Speaker 3: They see that it's like the duck, the duck swimming

332
00:16:32,560 --> 00:16:35,320
Speaker 3: and you see him like and then the feet are

333
00:16:35,320 --> 00:16:37,960
Speaker 3: going under underwater, but you don't see that. It's like

334
00:16:38,160 --> 00:16:41,000
Speaker 3: a lot of a lot of what show business is.

335
00:16:41,120 --> 00:16:44,800
Speaker 3: And it's like to get to these certain points in

336
00:16:44,880 --> 00:16:46,160
Speaker 3: your life and your career.

337
00:16:46,680 --> 00:16:47,520
Speaker 2: It's it's.

338
00:16:48,800 --> 00:16:51,000
Speaker 3: A lot of people don't see that, and I try

339
00:16:51,040 --> 00:16:54,360
Speaker 3: to demystify that on my podcast because my podcast is

340
00:16:54,400 --> 00:16:58,600
Speaker 3: anything that the small production that it is. It's the

341
00:16:58,760 --> 00:17:01,600
Speaker 3: journal of somebody that that's like trying to get it

342
00:17:01,600 --> 00:17:05,840
Speaker 3: out the mud. Yeah I got this training, I do this,

343
00:17:05,920 --> 00:17:08,080
Speaker 3: and oh I got this part on this show or

344
00:17:08,160 --> 00:17:11,479
Speaker 3: like like last like Friday, I got I did this

345
00:17:11,560 --> 00:17:14,280
Speaker 3: audition that was like for one line on a on

346
00:17:14,320 --> 00:17:16,119
Speaker 3: a popular blank show.

347
00:17:16,480 --> 00:17:18,720
Speaker 1: Okay, okay, it's just a.

348
00:17:18,720 --> 00:17:22,640
Speaker 3: Little small part, but it was just like I did

349
00:17:22,680 --> 00:17:24,760
Speaker 3: the audition, turned it in and they said, oh, they're

350
00:17:24,760 --> 00:17:26,960
Speaker 3: gonna they put a pin in you, and that means

351
00:17:26,960 --> 00:17:30,000
Speaker 3: that they want to use you or something. But until

352
00:17:30,040 --> 00:17:33,880
Speaker 3: I signed contracts, I'm not gonna.

353
00:17:33,640 --> 00:17:36,960
Speaker 1: Say yeah, yeah, don't like. It's that thing where it's

354
00:17:36,960 --> 00:17:39,800
Speaker 1: like if it don't happen, it don't mean nothing. But

355
00:17:39,960 --> 00:17:43,000
Speaker 1: at the same time, it still happened, just the world

356
00:17:43,000 --> 00:17:45,399
Speaker 1: didn't see it, like uh, you know, kind of transitioning

357
00:17:45,400 --> 00:17:48,240
Speaker 1: a little bit. That was one of the things about

358
00:17:48,240 --> 00:17:51,080
Speaker 1: the Kendrick that I like so far is how much

359
00:17:51,119 --> 00:17:55,560
Speaker 1: of it's about like what we manufacture and show each

360
00:17:55,560 --> 00:17:59,200
Speaker 1: other versus what is real and what is and how

361
00:17:59,240 --> 00:18:02,040
Speaker 1: we've had to move move that shit away from everyone else.

362
00:18:02,080 --> 00:18:04,639
Speaker 1: You know, I feel like my text message is be

363
00:18:04,720 --> 00:18:09,400
Speaker 1: having more real people's of people's real opinion than then

364
00:18:09,880 --> 00:18:13,480
Speaker 1: like they twitter feeds and they facebooks and all that stuff.

365
00:18:13,560 --> 00:18:16,960
Speaker 1: And and I think a lot of people, you know,

366
00:18:17,240 --> 00:18:21,159
Speaker 1: obviously I'm still listening still, you know, figuring out different things,

367
00:18:21,200 --> 00:18:24,000
Speaker 1: but I think a lot of people were kind of

368
00:18:24,000 --> 00:18:26,679
Speaker 1: really rejecting it the album on a surface level, like

369
00:18:26,720 --> 00:18:30,240
Speaker 1: he said bitch, or so he said the F word,

370
00:18:30,320 --> 00:18:32,240
Speaker 1: you know, that kind of shit, rather than like what

371
00:18:32,720 --> 00:18:35,960
Speaker 1: is he trying to say with it? And I think,

372
00:18:36,480 --> 00:18:38,480
Speaker 1: you know, that's kind of that's one of those things

373
00:18:38,480 --> 00:18:43,280
Speaker 1: where like we don't see the struggle, the lack of confidence.

374
00:18:43,480 --> 00:18:46,480
Speaker 1: We don't see the working things out, we don't see

375
00:18:46,520 --> 00:18:49,919
Speaker 1: the you know, the grief, even unless it's manufactured to

376
00:18:50,040 --> 00:18:53,520
Speaker 1: show people like here's here's me. You know, like I

377
00:18:53,520 --> 00:18:56,120
Speaker 1: think we all, at least Gen X people, I think

378
00:18:56,160 --> 00:18:58,760
Speaker 1: we all had that same feeling when you see someone

379
00:18:58,840 --> 00:19:02,240
Speaker 1: uploaded a video of them and you're like, so you

380
00:19:02,359 --> 00:19:06,920
Speaker 1: recorded that, and then you hit edit and then you

381
00:19:07,320 --> 00:19:09,960
Speaker 1: put a caption, and then you put it on the internet.

382
00:19:09,760 --> 00:19:11,320
Speaker 4: And you put your own crime team.

383
00:19:11,520 --> 00:19:13,000
Speaker 1: Now why I can't every want to react to it

384
00:19:13,000 --> 00:19:14,879
Speaker 1: because I think, you know, jen X, we learned like

385
00:19:15,000 --> 00:19:16,720
Speaker 1: I think it was like your feelings ain't important, man,

386
00:19:16,840 --> 00:19:20,199
Speaker 1: just to go to work. So it's but I think, uh,

387
00:19:20,680 --> 00:19:23,639
Speaker 1: it's interesting to see. Like that's one reason I like

388
00:19:23,760 --> 00:19:26,920
Speaker 1: Monday Festival. You know, it's one of the uh one

389
00:19:26,920 --> 00:19:29,520
Speaker 1: of the reasons. Uh, you know I think we click

390
00:19:29,840 --> 00:19:31,680
Speaker 1: is you know, when we sat down and talked to

391
00:19:31,720 --> 00:19:34,320
Speaker 1: New York, I was like, oh cool, finally I can

392
00:19:34,400 --> 00:19:37,760
Speaker 1: just like say ship like like I don't have to

393
00:19:37,800 --> 00:19:40,199
Speaker 1: be filtered and be like, all right, man, this is

394
00:19:40,240 --> 00:19:42,880
Speaker 1: what it's like. Man, this ship is Listen, this ship

395
00:19:43,000 --> 00:19:44,639
Speaker 1: is wild. Let me tell you about this. Let me

396
00:19:44,680 --> 00:19:47,160
Speaker 1: tell you like. I think that's something that Kendrick tried

397
00:19:47,160 --> 00:19:51,560
Speaker 1: to get through an album, which it's impossible to get

398
00:19:51,600 --> 00:19:55,320
Speaker 1: it and have everybody approve of it. But I fuck

399
00:19:55,359 --> 00:19:58,720
Speaker 1: with it so far, and partially because he did seem

400
00:19:58,760 --> 00:20:01,320
Speaker 1: to anticipate, like I'm just gonna say some real shit.

401
00:20:01,480 --> 00:20:04,800
Speaker 1: This is the process I'm in right now, and if

402
00:20:04,840 --> 00:20:06,800
Speaker 1: people don't fuck with it, that's fine. But at least

403
00:20:06,800 --> 00:20:09,040
Speaker 1: I was the only honest motherfucker out here.

404
00:20:09,800 --> 00:20:12,720
Speaker 6: Yeah, right, And I think for me, this is how

405
00:20:12,800 --> 00:20:15,920
Speaker 6: I feel about Kendrick. I'm a big Kendrick lamar Finn.

406
00:20:16,520 --> 00:20:20,720
Speaker 6: I actually really enjoy his work. The thing about Kendrick

407
00:20:20,760 --> 00:20:24,440
Speaker 6: and this is just how I view his music. Kendrick

408
00:20:24,560 --> 00:20:27,639
Speaker 6: music has always been dense. And I don't mean that

409
00:20:27,680 --> 00:20:31,080
Speaker 6: in a bad way, but his music has always been dense,

410
00:20:31,480 --> 00:20:36,119
Speaker 6: no matter if it's you know, what the topic is

411
00:20:36,359 --> 00:20:38,720
Speaker 6: or whatever it's been danced. It's always has been something

412
00:20:38,720 --> 00:20:41,640
Speaker 6: that you have had to listen to several times. It's

413
00:20:41,640 --> 00:20:45,000
Speaker 6: always been something where you actually have to listen to

414
00:20:45,080 --> 00:20:47,119
Speaker 6: sometimes some months on end. Every time you listen, you

415
00:20:47,160 --> 00:20:49,680
Speaker 6: find something new With songs I have listen to in years,

416
00:20:49,720 --> 00:20:51,160
Speaker 6: but I go back, I'll find something new.

417
00:20:51,359 --> 00:20:53,520
Speaker 4: His his A lot of his music.

418
00:20:53,280 --> 00:20:55,679
Speaker 6: Requires work and not trying funny. A lot of his music,

419
00:20:55,760 --> 00:20:58,159
Speaker 6: in my opinion, requires critical thinking.

420
00:20:58,280 --> 00:20:59,040
Speaker 4: A lot of it does.

421
00:20:59,600 --> 00:21:01,200
Speaker 1: And I think a lot.

422
00:21:01,000 --> 00:21:04,119
Speaker 4: Of people when they hear Kendrick music, they go, is

423
00:21:04,160 --> 00:21:05,000
Speaker 4: the beat banging?

424
00:21:05,480 --> 00:21:05,760
Speaker 1: Do I?

425
00:21:05,880 --> 00:21:07,919
Speaker 4: You know? And so it's very like Rightchester, It's very

426
00:21:08,440 --> 00:21:09,360
Speaker 4: surface level shit.

427
00:21:09,440 --> 00:21:12,000
Speaker 1: And you can tell by some of the critiques that it's,

428
00:21:12,080 --> 00:21:13,639
Speaker 1: oh you talking about therapy and nigga.

429
00:21:13,760 --> 00:21:16,520
Speaker 6: Nah, oh, you're talking about trying to do better. You're

430
00:21:16,520 --> 00:21:19,440
Speaker 6: talking about real shit. Nah what you're talking Why we

431
00:21:19,480 --> 00:21:21,480
Speaker 6: ain't talking about getting high? Why we ain't talking about

432
00:21:21,520 --> 00:21:23,679
Speaker 6: these bitches, Why we ain't talking about these wholes like like,

433
00:21:24,160 --> 00:21:26,720
Speaker 6: and I think for a lot of people they reject

434
00:21:26,760 --> 00:21:28,439
Speaker 6: that for various reasons.

435
00:21:28,600 --> 00:21:31,240
Speaker 1: Well you know, it's funny though, because like Kendrick still

436
00:21:31,240 --> 00:21:36,000
Speaker 1: talks about that shit and always has, so I think

437
00:21:36,080 --> 00:21:38,959
Speaker 1: the real issue for a lot of people. It reminds

438
00:21:39,000 --> 00:21:42,520
Speaker 1: me of when Humble came out. I think it was

439
00:21:42,560 --> 00:21:47,200
Speaker 1: Humble and he had that bitch like something like show

440
00:21:47,240 --> 00:21:49,840
Speaker 1: me something natural like Afro Richard Pride showed me something

441
00:21:49,880 --> 00:21:52,840
Speaker 1: natural like ass or some stretch marks. Uh still will

442
00:21:52,880 --> 00:21:55,919
Speaker 1: take you down on your mama's cature polo socks. And

443
00:21:56,440 --> 00:21:59,000
Speaker 1: people were saying, like, you know, praising him to be

444
00:21:59,040 --> 00:22:02,040
Speaker 1: like look at him like one of a few rappers

445
00:22:02,040 --> 00:22:05,119
Speaker 1: that's like I want a natural woman and talking about

446
00:22:05,200 --> 00:22:09,359
Speaker 1: da da da da, And I remember ray Sonie being

447
00:22:09,440 --> 00:22:12,879
Speaker 1: like that's still misogynistic though, you know, and I'm like, yeah,

448
00:22:13,680 --> 00:22:17,919
Speaker 1: every rapper I listened to his misogynistic like like like like,

449
00:22:18,000 --> 00:22:20,760
Speaker 1: I think the difference is like the fans of Kendrick

450
00:22:20,960 --> 00:22:23,640
Speaker 1: Uh and this happens with all stand cultured, like saying

451
00:22:23,720 --> 00:22:26,000
Speaker 1: with Ja Cole sing with Drake are the ones that

452
00:22:26,040 --> 00:22:29,199
Speaker 1: would like feel like they need to defend him, and

453
00:22:29,240 --> 00:22:32,399
Speaker 1: so I'm like, he different, He's not Missides, He's not

454
00:22:32,560 --> 00:22:35,400
Speaker 1: this and I one of the things that's double about

455
00:22:35,400 --> 00:22:38,040
Speaker 1: this album, especially like the song Savior, is this whole

456
00:22:38,080 --> 00:22:41,359
Speaker 1: idea like, hey man, I'm not like I don't have

457
00:22:41,400 --> 00:22:45,280
Speaker 1: the shit more figured out than anybody I and I think,

458
00:22:46,880 --> 00:22:49,639
Speaker 1: you know, to some extent, the album is kind of

459
00:22:49,720 --> 00:22:53,480
Speaker 1: sad because because it's you know, it's like this realization

460
00:22:53,600 --> 00:22:56,239
Speaker 1: he's having and like I'm fucked up to here's how

461
00:22:56,320 --> 00:22:59,159
Speaker 1: I'm fucked up. I'm telling y'all, I'm in therapy. I

462
00:22:59,200 --> 00:23:05,280
Speaker 1: fucked up my relatelationship with my fiance, Like I'm doing

463
00:23:05,320 --> 00:23:08,159
Speaker 1: all this inner work. And he's kind of saying like,

464
00:23:08,359 --> 00:23:10,960
Speaker 1: don't be waiting on me to save you. Leave me

465
00:23:11,080 --> 00:23:14,960
Speaker 1: behind because I can't save anybody. I can't save myself.

466
00:23:15,000 --> 00:23:17,879
Speaker 1: And it's like kind of a sad album. You know,

467
00:23:18,000 --> 00:23:20,199
Speaker 1: a little bit reminds me of Charity Starts at Home,

468
00:23:20,480 --> 00:23:24,320
Speaker 1: where my reaction to it was like, oh man, this

469
00:23:24,400 --> 00:23:25,720
Speaker 1: is so sad. I don't even know if I want

470
00:23:25,720 --> 00:23:28,160
Speaker 1: to listen to this, but you know, I'm forty three now,

471
00:23:28,520 --> 00:23:30,919
Speaker 1: so it's like you go through enough. I've gone through

472
00:23:31,000 --> 00:23:33,000
Speaker 1: enough shit to be like, oh man, that's sad, but

473
00:23:33,280 --> 00:23:35,840
Speaker 1: there's valuable lessons to be learned and things to be

474
00:23:35,920 --> 00:23:36,480
Speaker 1: mine here.

475
00:23:37,320 --> 00:23:39,399
Speaker 2: I think, Yeah, I think you're both absolutely right.

476
00:23:39,440 --> 00:23:41,160
Speaker 3: I think Karen, you hit the nail on the head

477
00:23:41,200 --> 00:23:43,600
Speaker 3: because I just got done saying on my show where

478
00:23:43,720 --> 00:23:45,600
Speaker 3: I think Kendrick is a.

479
00:23:45,640 --> 00:23:50,000
Speaker 2: More accessible.

480
00:23:50,600 --> 00:23:53,479
Speaker 3: Version of like a Pharaoh munch, where you think, like

481
00:23:53,800 --> 00:23:56,919
Speaker 3: somebody's that's really dense and it's like you really have

482
00:23:56,960 --> 00:24:01,879
Speaker 3: to have your thinking cap on, and Kendrick the I

483
00:24:02,000 --> 00:24:06,840
Speaker 3: just think, I don't know, Like Ron, I think you

484
00:24:07,000 --> 00:24:09,680
Speaker 3: joked when the album first came here, like I didn't

485
00:24:09,680 --> 00:24:10,960
Speaker 3: even hear it yet, and I thought, I.

486
00:24:10,920 --> 00:24:14,200
Speaker 2: Think it's a classic. But when when when I first

487
00:24:14,240 --> 00:24:17,159
Speaker 2: heard like when he when it's like, I hope you

488
00:24:17,840 --> 00:24:18,640
Speaker 2: like it's a classic.

489
00:24:20,760 --> 00:24:25,000
Speaker 3: He uses he uses production like infinity stones, he is,

490
00:24:27,160 --> 00:24:32,199
Speaker 3: he's a genius, and I think, I don't think we

491
00:24:32,280 --> 00:24:36,359
Speaker 3: could get this album if we didn't have the other ones.

492
00:24:37,119 --> 00:24:41,000
Speaker 3: And he's been talking about the same stuff for years

493
00:24:41,600 --> 00:24:44,400
Speaker 3: and it all just kind of coalesced into this thing

494
00:24:44,480 --> 00:24:47,520
Speaker 3: where well he talked talking about his dad, but his

495
00:24:47,640 --> 00:24:50,080
Speaker 3: dad was on Good kid Man City talking you know,

496
00:24:50,240 --> 00:24:52,880
Speaker 3: throughout the whole thing, his mother was and you could

497
00:24:52,960 --> 00:24:55,800
Speaker 3: it's just he's it's he's just let it opening himself

498
00:24:55,920 --> 00:24:56,440
Speaker 3: up more.

499
00:24:58,119 --> 00:24:59,960
Speaker 2: I just I mean, the more that.

500
00:24:59,840 --> 00:25:03,040
Speaker 3: I listen to it, it's just like, I mean, I

501
00:25:03,040 --> 00:25:05,600
Speaker 3: don't know if we've ever seen anybody in hip hop

502
00:25:05,640 --> 00:25:10,920
Speaker 3: that's like gotten this in the post two thousands, who's

503
00:25:10,960 --> 00:25:17,800
Speaker 3: just kind of five for five, I don't it's remarkable,

504
00:25:17,840 --> 00:25:21,000
Speaker 3: Like I just think about that he's in control of

505
00:25:21,040 --> 00:25:26,280
Speaker 3: his instrument, like his his vocally, just like I mean,

506
00:25:26,320 --> 00:25:29,439
Speaker 3: we've seen it with Black Thought. But it's just like

507
00:25:30,560 --> 00:25:32,800
Speaker 3: I just feel like he's better than a lot of

508
00:25:32,800 --> 00:25:35,840
Speaker 3: the people he looked up for sure. It's I don't

509
00:25:35,880 --> 00:25:39,320
Speaker 3: think anybody's ever I really just don't think we've ever

510
00:25:39,560 --> 00:25:45,119
Speaker 3: I'm Dan lebattarding this like like he's like like my

511
00:25:45,280 --> 00:25:46,320
Speaker 3: Aaron Rodgers, but.

512
00:25:49,040 --> 00:25:49,959
Speaker 4: Anything like this.

513
00:25:50,160 --> 00:25:53,280
Speaker 6: And the thing is, this is one reason why I

514
00:25:53,400 --> 00:25:57,480
Speaker 6: understand how people as a consumer people you know, because

515
00:25:57,520 --> 00:25:58,359
Speaker 6: Kendrick gets a product.

516
00:25:58,359 --> 00:25:59,040
Speaker 4: Don't get me wrong.

517
00:26:00,040 --> 00:26:03,240
Speaker 6: People consume things and people are always in the rush

518
00:26:03,320 --> 00:26:06,600
Speaker 6: to get the new shit. It's the reason why it

519
00:26:06,640 --> 00:26:10,040
Speaker 6: took five years to get this, And I am fine

520
00:26:10,080 --> 00:26:12,720
Speaker 6: with waiting. Like you know, he as time went on,

521
00:26:12,800 --> 00:26:15,879
Speaker 6: he started taking more breaks between the albums, which is

522
00:26:15,920 --> 00:26:19,880
Speaker 6: actually a good thing, and you know more not some

523
00:26:19,960 --> 00:26:22,119
Speaker 6: of your top artists has a tendency to do that

524
00:26:22,160 --> 00:26:24,600
Speaker 6: because they was like, look, that first album took however

525
00:26:24,720 --> 00:26:27,080
Speaker 6: many years to get here. If I was eighteen twenty one,

526
00:26:27,560 --> 00:26:29,680
Speaker 6: this is a twenty one year thinking of making that's

527
00:26:29,680 --> 00:26:32,240
Speaker 6: completely different. After that you have two three years, Like,

528
00:26:32,280 --> 00:26:35,520
Speaker 6: it's not the same. And so I am glad that

529
00:26:35,600 --> 00:26:39,040
Speaker 6: he took the time to give us this album because

530
00:26:39,119 --> 00:26:41,440
Speaker 6: I think anything short of that, we wouldn't have got

531
00:26:41,560 --> 00:26:42,840
Speaker 6: this particular album.

532
00:26:43,760 --> 00:26:49,400
Speaker 1: Yeah, I think also one of like, uh, he's also

533
00:26:49,480 --> 00:26:52,840
Speaker 1: doing a lot of like inner work and shit. So

534
00:26:55,119 --> 00:26:57,800
Speaker 1: it felt like he used his album as a therapy session.

535
00:26:57,880 --> 00:27:00,720
Speaker 1: And the thing for a lot of people that I

536
00:27:00,760 --> 00:27:04,560
Speaker 1: think they're missing is he didn't want to be fake

537
00:27:04,680 --> 00:27:08,360
Speaker 1: and do the like he had some radical honesty shit

538
00:27:08,440 --> 00:27:11,720
Speaker 1: in here that people keeping the therapy session, you know

539
00:27:11,720 --> 00:27:14,520
Speaker 1: what I mean, Because everyone's so used to this manufacturer

540
00:27:14,640 --> 00:27:16,919
Speaker 1: like I'm a finished product thing. I think it's one

541
00:27:16,960 --> 00:27:20,880
Speaker 1: of the reasons everybody keeps getting like food and taking over,

542
00:27:21,000 --> 00:27:23,080
Speaker 1: like we see all the times, like every month there's

543
00:27:23,119 --> 00:27:26,400
Speaker 1: a new like this motherfucker's with Scamma, you know type

544
00:27:26,440 --> 00:27:30,800
Speaker 1: of thing. And it's because to come through and look

545
00:27:30,840 --> 00:27:35,600
Speaker 1: like a finished product and to unveil like the the

546
00:27:35,640 --> 00:27:38,400
Speaker 1: parts that just everyone will clap for is the easiest

547
00:27:38,400 --> 00:27:42,840
Speaker 1: shit right now, Like you know, it's the reason. You know,

548
00:27:42,960 --> 00:27:44,800
Speaker 1: it's like I said, it's the reason you constantly see

549
00:27:44,840 --> 00:27:46,399
Speaker 1: people be like I thought soing so it was a

550
00:27:46,440 --> 00:27:49,520
Speaker 1: good person. It's like because they only showed you the

551
00:27:49,600 --> 00:27:52,040
Speaker 1: good parts, or they only told you what you already

552
00:27:52,080 --> 00:27:54,440
Speaker 1: agree with and want to hear, right, and they don't

553
00:27:54,480 --> 00:27:57,000
Speaker 1: show you a process. They don't show you like the

554
00:27:57,040 --> 00:28:00,000
Speaker 1: flaws and the workout. And I think a big thing

555
00:28:00,240 --> 00:28:03,480
Speaker 1: for Kendrick has been he it is ironic that he

556
00:28:04,320 --> 00:28:06,480
Speaker 1: not ironic, he did it on purpose, but like this

557
00:28:06,760 --> 00:28:09,320
Speaker 1: the way he's kind of picking on himself called mister morale,

558
00:28:10,200 --> 00:28:14,119
Speaker 1: and then you see like he's been this moral dude

559
00:28:15,160 --> 00:28:18,159
Speaker 1: since like section eighty. You know what. It's like a

560
00:28:18,160 --> 00:28:20,560
Speaker 1: lot of like because there's always been a lot of religion,

561
00:28:21,000 --> 00:28:24,119
Speaker 1: you know, a lot of like kind of judgment on

562
00:28:24,280 --> 00:28:26,720
Speaker 1: high and like I like, like a little bit I'm

563
00:28:26,720 --> 00:28:29,400
Speaker 1: above the mess, Like I'm in the mess. But let

564
00:28:29,400 --> 00:28:31,240
Speaker 1: me tell y'all the solution for the mess. This is

565
00:28:31,240 --> 00:28:32,919
Speaker 1: what we need to do. This is what you know.

566
00:28:32,960 --> 00:28:35,040
Speaker 1: Oh y'all out here drinking, y'all gotta stop fuck with

567
00:28:35,040 --> 00:28:37,040
Speaker 1: that alcohol. Oh y'all doing that, you know that kind

568
00:28:37,040 --> 00:28:40,520
Speaker 1: of thing while still being human and showing all that.

569
00:28:40,600 --> 00:28:43,920
Speaker 1: I think that's the first time that he's like, especially

570
00:28:43,920 --> 00:28:46,280
Speaker 1: that stuff to happen with his fiance, Like he's holding

571
00:28:46,320 --> 00:28:50,560
Speaker 1: this l and you know, look he talks about basically

572
00:28:50,560 --> 00:28:54,479
Speaker 1: he had writer's block for two years and then like

573
00:28:54,920 --> 00:28:57,440
Speaker 1: this is the result, and he don't like he doesn't

574
00:28:57,480 --> 00:28:59,200
Speaker 1: look at his phone for six months at a time,

575
00:28:59,240 --> 00:29:02,760
Speaker 1: and shit, now this feels like the album of a

576
00:29:02,800 --> 00:29:07,720
Speaker 1: person that was like this is this is just my process,

577
00:29:07,760 --> 00:29:11,240
Speaker 1: This is where I'm at my process. And to some extent,

578
00:29:11,280 --> 00:29:14,360
Speaker 1: like I said, it felt like a rejection of the

579
00:29:14,360 --> 00:29:16,600
Speaker 1: the savior narrative he's kind of had in the past,

580
00:29:16,720 --> 00:29:19,520
Speaker 1: which is which is ironic because like a lot of

581
00:29:19,520 --> 00:29:21,480
Speaker 1: the imagery is him with the crown on his head

582
00:29:21,480 --> 00:29:25,080
Speaker 1: and all this stuff. But the album is the opposite, like.

583
00:29:25,720 --> 00:29:27,000
Speaker 2: You know that's the thing.

584
00:29:27,480 --> 00:29:30,800
Speaker 3: You're absolutely right, Because that's why Savior was the most

585
00:29:30,880 --> 00:29:34,200
Speaker 3: surprising record for me, because I was like, oh, I

586
00:29:34,200 --> 00:29:37,680
Speaker 3: thought you were trying to be that dude. But even

587
00:29:37,720 --> 00:29:40,960
Speaker 3: though like like it's it's like like Will Smith when

588
00:29:40,960 --> 00:29:43,880
Speaker 3: he pre slapped, but when he was doing these movies,

589
00:29:43,920 --> 00:29:46,840
Speaker 3: like why are you trying to you're trying to be Jesus, Like, yeah,

590
00:29:47,960 --> 00:29:50,200
Speaker 3: tell a story, just tell so you have to be

591
00:29:50,440 --> 00:29:52,400
Speaker 3: a Savior and all this, and when he said I

592
00:29:52,400 --> 00:29:54,280
Speaker 3: was like oh and then and then that's why I

593
00:29:54,280 --> 00:29:57,000
Speaker 3: put that tweet like Okay, you're the He's the only

594
00:29:57,200 --> 00:30:00,560
Speaker 3: rapper really one of the few black celebrities, is not

595
00:30:01,040 --> 00:30:02,280
Speaker 3: the question Kyrie?

596
00:30:02,480 --> 00:30:06,480
Speaker 2: Yeah, Kyrie Irving, is this untouchable? What?

597
00:30:07,360 --> 00:30:08,120
Speaker 1: Yeah?

598
00:30:08,480 --> 00:30:10,720
Speaker 2: How do all the people he should shut up? And dripping?

599
00:30:10,920 --> 00:30:15,600
Speaker 1: Yes, It's so funny because like like when Lebron didn't

600
00:30:15,600 --> 00:30:19,520
Speaker 1: say anything and like people got mad that Karem said something.

601
00:30:19,560 --> 00:30:22,480
Speaker 1: I was just like, oh man, it's Kyrie more influential

602
00:30:22,520 --> 00:30:25,040
Speaker 1: than I thought, or just I thought if someone just

603
00:30:25,080 --> 00:30:27,720
Speaker 1: did something like this, we could all just be like hey, man,

604
00:30:27,800 --> 00:30:29,640
Speaker 1: come on dude, and like it didn't have to be

605
00:30:29,760 --> 00:30:33,680
Speaker 1: like he didn't have to like like personally go after him.

606
00:30:33,680 --> 00:30:36,560
Speaker 1: But just like a man, that dude is tripping. I

607
00:30:36,560 --> 00:30:38,520
Speaker 1: didn't think that was a big deal. But I mean,

608
00:30:38,840 --> 00:30:40,920
Speaker 1: you see people all the time now question Steven A.

609
00:30:41,000 --> 00:30:43,240
Speaker 1: Smith's blackness based on just the fact that he's like,

610
00:30:43,720 --> 00:30:46,240
Speaker 1: Kyrie should at least come to work. That seems like

611
00:30:46,560 --> 00:30:49,080
Speaker 1: the barre minimum. That seems like a rational thing to do.

612
00:30:49,960 --> 00:30:51,640
Speaker 2: She didn't go to work, Kyrie, Come on.

613
00:30:52,920 --> 00:30:56,320
Speaker 3: That's why I was just like, okay, so now because

614
00:30:56,360 --> 00:30:59,680
Speaker 3: you think about the smash hit like all right, and

615
00:30:59,680 --> 00:31:04,960
Speaker 3: he said he says, I'm fucked up. Yeah, and it's like, oh,

616
00:31:05,080 --> 00:31:08,520
Speaker 3: now you're just showing now it's like one of those

617
00:31:09,000 --> 00:31:12,240
Speaker 3: it's where it was there all the time, like I remember,

618
00:31:12,600 --> 00:31:15,680
Speaker 3: because what what a lot of people don't get.

619
00:31:15,760 --> 00:31:18,280
Speaker 2: I guess like I'm in a safe space. But like.

620
00:31:20,160 --> 00:31:22,720
Speaker 3: I like to go to Genius and look stuff up.

621
00:31:23,480 --> 00:31:26,280
Speaker 3: I want to know who the big steppers are, you know.

622
00:31:26,320 --> 00:31:28,080
Speaker 3: I like to hear the I like to see what

623
00:31:28,160 --> 00:31:30,800
Speaker 3: people are saying and the gather of this information.

624
00:31:30,840 --> 00:31:31,480
Speaker 2: I mean, part of my.

625
00:31:33,240 --> 00:31:36,840
Speaker 3: Be it my bachelor's was in communication journalists. We want

626
00:31:36,880 --> 00:31:38,160
Speaker 3: to piece stuff together.

627
00:31:37,920 --> 00:31:40,200
Speaker 1: And I mean I want to see him be interviewed

628
00:31:40,240 --> 00:31:42,720
Speaker 1: about it and asked about it because I think I

629
00:31:42,720 --> 00:31:45,680
Speaker 1: think there are things out here that I'm making assumptions about.

630
00:31:45,720 --> 00:31:48,520
Speaker 1: Because we haven't heard from him, it'll probably be a

631
00:31:48,520 --> 00:31:50,480
Speaker 1: while before he explains it. The same thing happened with

632
00:31:50,520 --> 00:31:52,960
Speaker 1: the last couple of albums, but it will go like

633
00:31:53,000 --> 00:31:54,600
Speaker 1: a month or two, and then he does an interview

634
00:31:54,640 --> 00:31:56,600
Speaker 1: and kind of talks about some of the themes in

635
00:31:56,640 --> 00:31:59,520
Speaker 1: the album. But because like one of the main things

636
00:31:59,520 --> 00:32:01,560
Speaker 1: I keep saying, and people bring up his Kodak blacks

637
00:32:01,560 --> 00:32:03,760
Speaker 1: on the album, and Kodak Black is a guy that

638
00:32:04,040 --> 00:32:09,600
Speaker 1: was sexually assaulted somebody when an under age girl and

639
00:32:09,680 --> 00:32:12,959
Speaker 1: their age girl. Sounds so even like, I don't know,

640
00:32:13,000 --> 00:32:14,920
Speaker 1: this is such a weird term, but he is. He's

641
00:32:14,920 --> 00:32:18,160
Speaker 1: sexually assaulted the miner when he was I forget what age.

642
00:32:18,200 --> 00:32:20,840
Speaker 1: I don't remember how old he was. But the point being,

643
00:32:22,320 --> 00:32:24,240
Speaker 1: people are like, why is he even on the album

644
00:32:24,280 --> 00:32:26,680
Speaker 1: and all that stuff? Number One, we don't listen to him,

645
00:32:26,840 --> 00:32:31,200
Speaker 1: so you know, you know, like like like already, like

646
00:32:31,240 --> 00:32:33,760
Speaker 1: there's this kind of reminds me of an xxx temptation

647
00:32:33,960 --> 00:32:36,680
Speaker 1: doing And all the people my age were like, this

648
00:32:36,800 --> 00:32:39,000
Speaker 1: is disgusting. How could he even do that, and you know,

649
00:32:39,080 --> 00:32:41,719
Speaker 1: we loved Tupac, right, you know what I mean? Like,

650
00:32:41,760 --> 00:32:44,719
Speaker 1: and so it's like we wouldn't have love for this

651
00:32:44,800 --> 00:32:47,960
Speaker 1: person anyway to feel conflicted. It's easy for us to

652
00:32:47,960 --> 00:32:50,240
Speaker 1: throw these people away. We're out of that age group

653
00:32:50,240 --> 00:32:53,720
Speaker 1: where we would look at somebody and be and feel

654
00:32:53,760 --> 00:32:55,760
Speaker 1: that way. You know. I think Kendrick's like thirty four

655
00:32:55,840 --> 00:32:59,040
Speaker 1: or something. But the thing it made me think about

656
00:32:59,080 --> 00:33:02,280
Speaker 1: with Kodak that I kept wondering is if a lot

657
00:33:02,320 --> 00:33:08,480
Speaker 1: of the theme of this album is about freeing yourself

658
00:33:08,520 --> 00:33:11,440
Speaker 1: from these cycles and these demons and all this shit.

659
00:33:12,120 --> 00:33:14,320
Speaker 1: And as a person that talks about his mom being

660
00:33:14,360 --> 00:33:17,840
Speaker 1: sexually assaulted, a person that brings up r Kelly multiple

661
00:33:17,880 --> 00:33:21,120
Speaker 1: times on here, and not to defend him, but like

662
00:33:21,160 --> 00:33:23,840
Speaker 1: brings them up as like this dude did this shit

663
00:33:24,000 --> 00:33:28,000
Speaker 1: and what something happened in his life to make you know,

664
00:33:28,040 --> 00:33:29,920
Speaker 1: we know that he was a victim of being molested.

665
00:33:31,080 --> 00:33:33,800
Speaker 1: Kendrick even brings up the fact that his cousin was

666
00:33:33,840 --> 00:33:36,040
Speaker 1: accused him molested him at five and his mom didn't

667
00:33:36,040 --> 00:33:38,240
Speaker 1: believe him, and he later finds out his mom was

668
00:33:38,240 --> 00:33:41,560
Speaker 1: sexually assaulted in Chicago when she was younger, which is

669
00:33:41,560 --> 00:33:44,960
Speaker 1: probably why she didn't believe him. And he talks about

670
00:33:44,960 --> 00:33:48,360
Speaker 1: watching his mom uh be have been abused and then

671
00:33:48,440 --> 00:33:50,160
Speaker 1: not be able to do anything about it at five

672
00:33:50,240 --> 00:33:54,400
Speaker 1: years old, So it felt a little bit like he

673
00:33:54,480 --> 00:33:58,320
Speaker 1: was trying to say, uh, I'm fucked up, you're fucked

674
00:33:58,400 --> 00:34:00,840
Speaker 1: up that Christian like and then and this is the

675
00:34:00,920 --> 00:34:04,440
Speaker 1: freedom and the redemption for all of us and breaking

676
00:34:04,440 --> 00:34:07,800
Speaker 1: the cyclist, not seeing myself as only a victim of

677
00:34:07,840 --> 00:34:10,800
Speaker 1: this person, or not seeing this person that's only an abuser,

678
00:34:11,360 --> 00:34:13,239
Speaker 1: but seeing people as some of their parts and the

679
00:34:13,280 --> 00:34:16,000
Speaker 1: things that lead them to the decisions that they make.

680
00:34:16,719 --> 00:34:18,680
Speaker 1: And like I said, whether it works for you or not,

681
00:34:19,160 --> 00:34:23,839
Speaker 1: that's on you. But that is very much in Kendrick's willhouse,

682
00:34:24,239 --> 00:34:26,520
Speaker 1: like as far as things he's been talking about for

683
00:34:26,640 --> 00:34:32,160
Speaker 1: years and telling people's complicated stories and talking about the

684
00:34:32,239 --> 00:34:36,040
Speaker 1: hypocritical morality of you know, worshiping people that kill people

685
00:34:36,320 --> 00:34:39,640
Speaker 1: and rape people and gang violence and all that shit

686
00:34:39,800 --> 00:34:42,600
Speaker 1: while also being a victim of it. So I don't

687
00:34:42,600 --> 00:34:44,919
Speaker 1: know it felt very in his whillhouse. But I think

688
00:34:45,680 --> 00:34:49,879
Speaker 1: online our generation of people only see Kodak Black and

689
00:34:50,000 --> 00:34:52,799
Speaker 1: these dudes is disposable because we're not fans of them

690
00:34:52,800 --> 00:34:54,279
Speaker 1: in the first place. Can we're right?

691
00:34:54,320 --> 00:34:57,880
Speaker 6: And also it's one of the things too, where piggyback

692
00:34:57,960 --> 00:35:02,840
Speaker 6: on something Chris says. Throughout Kendrick's albums, he has always

693
00:35:03,080 --> 00:35:06,400
Speaker 6: said that, y'all, I'm fucked up. I remember when was

694
00:35:06,400 --> 00:35:08,440
Speaker 6: the rap he had that conversation with a dude had

695
00:35:08,480 --> 00:35:10,799
Speaker 6: called him, and Kendrick was like, look, they put their

696
00:35:10,800 --> 00:35:12,839
Speaker 6: hands on my family member. I'm gonna go fucking fuck

697
00:35:12,880 --> 00:35:15,440
Speaker 6: them up. It's like, you know, you hear that stuff.

698
00:35:15,520 --> 00:35:17,839
Speaker 6: People just wrapping along to it. But the whole time

699
00:35:17,880 --> 00:35:19,839
Speaker 6: had been going, Hey, y'all, y'all are putting me on

700
00:35:19,840 --> 00:35:21,880
Speaker 6: a pedestal that I didn't really actually be put on,

701
00:35:21,920 --> 00:35:23,839
Speaker 6: but y'all put me there. So I'm gonna accept it

702
00:35:23,880 --> 00:35:27,880
Speaker 6: because you guys placed me there. And then once you

703
00:35:28,120 --> 00:35:31,160
Speaker 6: once he got there, he realized, hey, I'm here, y'all,

704
00:35:31,200 --> 00:35:31,880
Speaker 6: this is cool.

705
00:35:32,000 --> 00:35:36,520
Speaker 4: Y'all can follow me. But just no, I got problems.

706
00:35:36,160 --> 00:35:37,759
Speaker 6: To and I got issues too, And this has kind

707
00:35:37,800 --> 00:35:39,479
Speaker 6: of been laid throughout all his shit.

708
00:35:40,120 --> 00:35:41,080
Speaker 4: But I think so.

709
00:35:41,080 --> 00:35:44,520
Speaker 6: Many people I just I will continue to say this

710
00:35:44,600 --> 00:35:49,560
Speaker 6: day that MLK Martin syndrome where we got to find

711
00:35:49,560 --> 00:35:51,840
Speaker 6: the next Black Messiah. Alita syndrome.

712
00:35:52,000 --> 00:35:52,640
Speaker 4: We have that.

713
00:35:53,040 --> 00:35:55,280
Speaker 6: And so for a lot of people it was Kendrick

714
00:35:55,440 --> 00:35:57,560
Speaker 6: this time. For some people this Kendred. It's like, well, hey,

715
00:35:57,800 --> 00:36:00,759
Speaker 6: I know I go to Kendrick and so Kicker has.

716
00:36:00,640 --> 00:36:03,200
Speaker 4: Been saying, okay, cool, cool, cool, cool cool, But y'all

717
00:36:03,200 --> 00:36:05,799
Speaker 4: do know I'm fucked up. I am fucked up, y'all.

718
00:36:05,800 --> 00:36:06,560
Speaker 4: I hope, I hope.

719
00:36:06,480 --> 00:36:09,280
Speaker 6: Y'all realize that I'm fucked up. And then I go whatever,

720
00:36:09,400 --> 00:36:11,680
Speaker 6: we say, your flowers, whatever. But in this album, he

721
00:36:11,760 --> 00:36:14,600
Speaker 6: gonna know for real, y'all, I'm fucked up. I'm gonna

722
00:36:14,640 --> 00:36:16,759
Speaker 6: show you. I'm not gonna rap about it or not.

723
00:36:16,840 --> 00:36:19,880
Speaker 6: I'm not gonna just say I'm fucked up and I

724
00:36:19,960 --> 00:36:22,560
Speaker 6: give you any evidence of my fucked upness. I'm gonna

725
00:36:22,560 --> 00:36:24,760
Speaker 6: say I'm fucked up, and here are all the ways

726
00:36:24,800 --> 00:36:27,480
Speaker 6: that I'm fucked up, so now you can see that

727
00:36:27,600 --> 00:36:29,400
Speaker 6: I am just as flawed as you.

728
00:36:29,960 --> 00:36:33,680
Speaker 1: Yes, it's interesting because and the song you talk about

729
00:36:33,719 --> 00:36:39,120
Speaker 1: is XXX on Damn, where it's like, like as good

730
00:36:39,160 --> 00:36:41,000
Speaker 1: as I'm trying to be. If y'all put y'all hands

731
00:36:41,000 --> 00:36:42,920
Speaker 1: on one of my family members, I will fucking kill you.

732
00:36:43,160 --> 00:36:46,200
Speaker 1: And I got that in me and Uh. There's lyrics

733
00:36:46,280 --> 00:36:49,520
Speaker 1: on this album where he talks about basically like the

734
00:36:49,560 --> 00:36:53,759
Speaker 1: things that composed him and then the things and how

735
00:36:53,800 --> 00:36:56,640
Speaker 1: that made him react and how he's just now coming

736
00:36:56,640 --> 00:36:59,480
Speaker 1: to grips with like what the fuck that means and

737
00:36:59,520 --> 00:37:02,120
Speaker 1: what that he like, you know, you talking about being

738
00:37:02,160 --> 00:37:04,319
Speaker 1: in therapy and shit. I mean at the beginning of

739
00:37:04,320 --> 00:37:06,080
Speaker 1: the album, I think he even says like, I've been

740
00:37:06,080 --> 00:37:08,600
Speaker 1: going for something through something. They're like, oh.

741
00:37:08,320 --> 00:37:11,400
Speaker 2: Shit for five years.

742
00:37:11,560 --> 00:37:14,239
Speaker 1: Yeah, for one thousand eighty five days.

743
00:37:14,640 --> 00:37:16,239
Speaker 2: I looked it up. I was like, how much time

744
00:37:16,320 --> 00:37:17,000
Speaker 2: I divided that?

745
00:37:17,200 --> 00:37:17,799
Speaker 8: Yeah?

746
00:37:18,239 --> 00:37:23,720
Speaker 1: Yeah, I'm like, Okay, something happen't And it just seems

747
00:37:23,760 --> 00:37:27,719
Speaker 1: like he's in the process of it. I think, honestly,

748
00:37:27,840 --> 00:37:31,600
Speaker 1: like that's one of the reasons I really like one

749
00:37:31,600 --> 00:37:33,400
Speaker 1: of the things that really made me think about social

750
00:37:33,440 --> 00:37:39,160
Speaker 1: media was how much people were either finished products quote unquote,

751
00:37:39,520 --> 00:37:42,200
Speaker 1: and if they weren't, they were punished for it, right,

752
00:37:42,360 --> 00:37:45,280
Speaker 1: And I was like, that's not a reflection of my life.

753
00:37:45,760 --> 00:37:48,040
Speaker 1: And when I started having people in my life that

754
00:37:48,120 --> 00:37:50,319
Speaker 1: I met through social media and that that's how they

755
00:37:50,360 --> 00:37:53,319
Speaker 1: treated people in real life, it made me be like,

756
00:37:53,440 --> 00:37:55,839
Speaker 1: this isn't what I want it at all. Like I

757
00:37:55,880 --> 00:37:58,200
Speaker 1: need a friend that if I fuck up, they could

758
00:37:58,239 --> 00:38:00,720
Speaker 1: be like, hey, you fucked up, man, But it's cool,

759
00:38:00,800 --> 00:38:03,640
Speaker 1: Like I don't need a friend. That's like Rod fucked

760
00:38:03,719 --> 00:38:06,399
Speaker 1: up and I'm making a twelve page tweet about it,

761
00:38:06,800 --> 00:38:07,720
Speaker 1: and I want.

762
00:38:07,520 --> 00:38:09,120
Speaker 2: To guess a threat.

763
00:38:09,320 --> 00:38:13,840
Speaker 1: Yes exactly, I'm going live right now, just left Rod's house.

764
00:38:14,080 --> 00:38:18,120
Speaker 1: He fucked up everyone, right, And I think that's, uh,

765
00:38:18,440 --> 00:38:22,600
Speaker 1: that's something that art is missing now, like even and

766
00:38:22,680 --> 00:38:25,440
Speaker 1: I think also because of the buzzwords around it and

767
00:38:25,480 --> 00:38:28,520
Speaker 1: the assumptions that we make to some of these words,

768
00:38:28,520 --> 00:38:30,480
Speaker 1: because like he uses the term cancel culture, he's the

769
00:38:30,560 --> 00:38:33,760
Speaker 1: term politically correct, basically saying people are afraid to express

770
00:38:33,800 --> 00:38:36,279
Speaker 1: opinions and people are taking it into the like Joe

771
00:38:36,400 --> 00:38:38,920
Speaker 1: Rogan level of like this nigga must be. But he

772
00:38:38,960 --> 00:38:42,080
Speaker 1: didn't say any of that, just just that literally, people

773
00:38:42,120 --> 00:38:44,880
Speaker 1: are afraid to And I think if you don't feel

774
00:38:44,920 --> 00:38:47,480
Speaker 1: that as a creative, if you're not being honest about that,

775
00:38:47,600 --> 00:38:51,200
Speaker 1: then you're you're lying. Like if you're if you're putting

776
00:38:51,200 --> 00:38:54,120
Speaker 1: out a podcast, you're thinking about how it's gonna be receive,

777
00:38:54,280 --> 00:38:56,560
Speaker 1: how how it would be taken out of context. You

778
00:38:56,560 --> 00:38:58,719
Speaker 1: put out music, you're thinking that ship, you pick out,

779
00:38:58,960 --> 00:39:01,480
Speaker 1: you do comedy, you're thinking about that shit. It's on

780
00:39:01,600 --> 00:39:03,759
Speaker 1: everyone's mind. He's just one of the few people that

781
00:39:03,920 --> 00:39:08,160
Speaker 1: like is saying it without even like trying and not

782
00:39:08,200 --> 00:39:10,640
Speaker 1: saying it on them, like and that's why I'm with

783
00:39:10,880 --> 00:39:14,080
Speaker 1: the conservative people now, Like it's just like, no, it's

784
00:39:14,160 --> 00:39:16,520
Speaker 1: people are afraid to look wrong or be wrong, or

785
00:39:16,520 --> 00:39:19,320
Speaker 1: look imperfect. And I want to make an album about

786
00:39:19,640 --> 00:39:21,359
Speaker 1: being imperfect but trying to be good.

787
00:39:21,719 --> 00:39:25,040
Speaker 6: Yes, And that's very, very scary for a lot of

788
00:39:25,160 --> 00:39:28,600
Speaker 6: human beings. And nobody wants to be quote unquote on

789
00:39:28,719 --> 00:39:31,120
Speaker 6: the Summer Jam screen and not to get.

790
00:39:31,000 --> 00:39:32,880
Speaker 4: Off topic, and we're still gonna stick to Kenjrick.

791
00:39:32,880 --> 00:39:34,839
Speaker 6: But this is why a lot of people keep coming

792
00:39:34,880 --> 00:39:37,160
Speaker 6: out about Kevin Samuel because it's one of those things

793
00:39:37,160 --> 00:39:40,160
Speaker 6: where they go, a, hey, he was fall but you

794
00:39:40,200 --> 00:39:42,839
Speaker 6: know he did, so you know, don't really talk about him.

795
00:39:42,840 --> 00:39:44,439
Speaker 6: And it's like, well, we have to talk about people

796
00:39:44,480 --> 00:39:47,719
Speaker 6: in their totality and their wholeness in the life that

797
00:39:47,760 --> 00:39:50,560
Speaker 6: they lived. And Kendrick is like, look, this is the

798
00:39:50,600 --> 00:39:52,759
Speaker 6: life that I lived. I'm putting it on display. I'm

799
00:39:52,760 --> 00:39:58,520
Speaker 6: not perfect, and don't put me on this pedestal. And

800
00:39:58,560 --> 00:40:01,239
Speaker 6: then be disappointed. I don't if to your expectations. I

801
00:40:01,239 --> 00:40:04,080
Speaker 6: don't know what your expectations are fan, because you're not

802
00:40:04,160 --> 00:40:04,960
Speaker 6: directly impact.

803
00:40:05,000 --> 00:40:06,239
Speaker 4: You're not directly in my life.

804
00:40:08,080 --> 00:40:13,560
Speaker 2: Yeah, but it was good in Atlanta, was I didn't.

805
00:40:13,600 --> 00:40:16,879
Speaker 1: I haven't seen the episode yet. I heard I'm gonna

806
00:40:16,880 --> 00:40:19,960
Speaker 1: watch it. I heard he was in it, though, but

807
00:40:20,160 --> 00:40:22,240
Speaker 1: I gotta. I gotta watch it before me and BOSSI

808
00:40:22,280 --> 00:40:23,000
Speaker 1: do our recap.

809
00:40:23,640 --> 00:40:25,520
Speaker 2: Yeah, I'm waiting for y'all to talk about it.

810
00:40:25,920 --> 00:40:28,520
Speaker 1: Yeah, I heard it was a while one. It was,

811
00:40:28,640 --> 00:40:30,880
Speaker 1: but it was like one of the White Anthology ones, right.

812
00:40:30,960 --> 00:40:33,640
Speaker 2: I love it might be my favorite one.

813
00:40:33,800 --> 00:40:35,200
Speaker 1: Oh dope, I can't wait to see.

814
00:40:36,600 --> 00:40:39,239
Speaker 2: Yeah, man, we won't talk about that. Yeah.

815
00:40:39,440 --> 00:40:42,200
Speaker 3: I think he's I think he's great, and I just

816
00:40:42,440 --> 00:40:45,520
Speaker 3: love I think Kevin Samuels it was amazing.

817
00:40:49,080 --> 00:40:51,000
Speaker 1: I got all his album I just got this.

818
00:40:51,719 --> 00:40:52,280
Speaker 4: I just got.

819
00:40:54,760 --> 00:40:57,480
Speaker 3: It's fun that, like, you get to talk about something

820
00:40:57,560 --> 00:40:59,680
Speaker 3: like this, a project that comes out with all the

821
00:41:00,080 --> 00:41:02,720
Speaker 3: ship going on in the world, Like to talk about

822
00:41:03,160 --> 00:41:06,200
Speaker 3: a popular artist that that delivers and you want to

823
00:41:06,280 --> 00:41:09,040
Speaker 3: unpack it. I mean, I think that's fun. What's annoying

824
00:41:09,120 --> 00:41:11,840
Speaker 3: is the people that never talk about music. That like

825
00:41:11,960 --> 00:41:15,400
Speaker 3: have their opinion, it's just like this isn't for you.

826
00:41:15,360 --> 00:41:20,440
Speaker 1: You gotta honestly like that's actually like one of the

827
00:41:20,440 --> 00:41:22,480
Speaker 1: things I picked up from the album No I Like

828
00:41:22,640 --> 00:41:25,680
Speaker 1: is just like, all right, then let them do their thing.

829
00:41:26,000 --> 00:41:28,239
Speaker 1: Fuck them. Yeah, you know what I mean. You don't

830
00:41:28,239 --> 00:41:31,040
Speaker 1: act like don't like so much of this album is

831
00:41:31,040 --> 00:41:34,799
Speaker 1: basically like that's fine, Like I put this out like

832
00:41:34,840 --> 00:41:35,640
Speaker 1: that's my new thing.

833
00:41:35,680 --> 00:41:35,920
Speaker 4: I like.

834
00:41:36,000 --> 00:41:38,560
Speaker 1: That's what I actually love about Atlanta this season. The

835
00:41:38,640 --> 00:41:42,440
Speaker 1: anticipation of the criticism and being like, yeah, that's I

836
00:41:42,520 --> 00:41:44,919
Speaker 1: know what y'all gonna say, Like I'm ahead of I'm

837
00:41:44,960 --> 00:41:47,800
Speaker 1: ahead of y'all because I anticipated because I'm smarter than y'all.

838
00:41:48,120 --> 00:41:51,640
Speaker 1: So while while you while you surface level going through

839
00:41:51,640 --> 00:41:53,960
Speaker 1: my ship, let me tell you what the critique you're

840
00:41:53,960 --> 00:41:55,560
Speaker 1: gonna have is. Like I don't know if you've seen

841
00:41:56,280 --> 00:42:00,920
Speaker 1: uh season three Atlanta descriptions of episodes. Yeah, but like

842
00:42:01,080 --> 00:42:03,400
Speaker 1: Donald Glover and them clearly were like, this is what

843
00:42:03,440 --> 00:42:05,640
Speaker 1: the fuck the people that hate us are gonna be

844
00:42:05,640 --> 00:42:09,600
Speaker 1: talking about. And that was actually really fucking smart because

845
00:42:09,600 --> 00:42:11,279
Speaker 1: it does kind of take a little bit of the

846
00:42:11,360 --> 00:42:13,480
Speaker 1: win out of theirselves when you read that and you're like,

847
00:42:13,920 --> 00:42:16,279
Speaker 1: let me guess y'all's critique of this episode is it

848
00:42:16,400 --> 00:42:19,000
Speaker 1: was boring. All they did was walk around Amsterdam. They

849
00:42:19,080 --> 00:42:22,040
Speaker 1: fake deep. Oh well, interesting, because that's what the fuck.

850
00:42:22,120 --> 00:42:23,800
Speaker 1: The description of the episode is.

851
00:42:25,280 --> 00:42:28,240
Speaker 3: I watched that south By Southwest that BOSSI was talking

852
00:42:28,280 --> 00:42:31,600
Speaker 3: about last in the last week's episode, and it was

853
00:42:31,680 --> 00:42:33,520
Speaker 3: really good. It kind of shone a light on them.

854
00:42:33,640 --> 00:42:36,520
Speaker 3: I mean, they weren't like spoiling anything, but just like,

855
00:42:36,560 --> 00:42:38,919
Speaker 3: these are the conversations we have in the writer's room.

856
00:42:39,080 --> 00:42:41,920
Speaker 3: We talk about this, We have this in these threads,

857
00:42:42,239 --> 00:42:46,239
Speaker 3: and we distill it into the show, right, you know,

858
00:42:46,320 --> 00:42:49,319
Speaker 3: like that's that's and they know what they're doing, and

859
00:42:49,360 --> 00:42:51,439
Speaker 3: they've been putting out stuff that they want to see,

860
00:42:51,480 --> 00:42:53,960
Speaker 3: and it's just like, if I like Donald Glover and

861
00:42:54,800 --> 00:42:57,919
Speaker 3: his team, this is what they wanted to put out,

862
00:42:58,320 --> 00:42:59,360
Speaker 3: I'm happy with, you know what.

863
00:42:59,400 --> 00:43:00,720
Speaker 2: I'm like, this is what they wanted.

864
00:43:00,760 --> 00:43:03,239
Speaker 3: They were It was unfiltered in the way, you know,

865
00:43:03,719 --> 00:43:05,480
Speaker 3: they weren't constrained by anything.

866
00:43:05,560 --> 00:43:06,840
Speaker 2: So it was like, this is what they want to

867
00:43:06,880 --> 00:43:09,160
Speaker 2: put out. I'll consume it. If I like it, I

868
00:43:09,239 --> 00:43:09,440
Speaker 2: like it.

869
00:43:09,480 --> 00:43:11,719
Speaker 3: If I don't, I don't, But I know that that's

870
00:43:11,760 --> 00:43:14,080
Speaker 3: what they wanted the message they wanted to put across.

871
00:43:14,120 --> 00:43:15,759
Speaker 2: So I'm good with it, you know.

872
00:43:16,760 --> 00:43:20,080
Speaker 1: So yeah, I think arts having a moment with that,

873
00:43:20,360 --> 00:43:24,000
Speaker 1: you know, and which makes sense because like I feel

874
00:43:24,080 --> 00:43:27,880
Speaker 1: like a lot of art for the last few years

875
00:43:27,920 --> 00:43:31,719
Speaker 1: has been so heavily policed, you know what I mean,

876
00:43:31,760 --> 00:43:35,080
Speaker 1: Because we want, like, especially after the advent of social media,

877
00:43:35,200 --> 00:43:37,319
Speaker 1: we don't just want to listen. We want to like

878
00:43:38,120 --> 00:43:39,839
Speaker 1: control how you are.

879
00:43:40,320 --> 00:43:43,040
Speaker 4: Like, we want artists not free when you do that.

880
00:43:43,160 --> 00:43:45,600
Speaker 1: Yeah, we want to we want you to be right

881
00:43:45,760 --> 00:43:48,760
Speaker 1: about everything, and by right we mean agree with whatever

882
00:43:48,800 --> 00:43:51,600
Speaker 1: we're saying depending on who the listener is, which is

883
00:43:51,640 --> 00:43:55,239
Speaker 1: absolutely impossible. You know. One of my favorite lines on

884
00:43:55,280 --> 00:43:57,120
Speaker 1: the album was when he talks about how he just

885
00:43:57,160 --> 00:44:01,399
Speaker 1: can't please I can't please everybody. So he's like, you know,

886
00:44:01,960 --> 00:44:05,560
Speaker 1: I think he says, can't please everybody, can't even please myself.

887
00:44:06,560 --> 00:44:09,239
Speaker 1: Love gonna get you killed. It's like it's like, yeah,

888
00:44:09,440 --> 00:44:12,120
Speaker 1: it's like it's a certain level of just like, nah, man,

889
00:44:12,160 --> 00:44:14,960
Speaker 1: I have to make the music that for me, and

890
00:44:15,000 --> 00:44:16,920
Speaker 1: then if you fuck with it, you fuck with it.

891
00:44:17,000 --> 00:44:20,080
Speaker 1: And I think podcasting wise, there was something I picked

892
00:44:20,120 --> 00:44:21,680
Speaker 1: up a few years ago too. It's like I just

893
00:44:21,719 --> 00:44:24,400
Speaker 1: need to make a podcast for me and Karen and

894
00:44:24,680 --> 00:44:27,240
Speaker 1: people will relate to it because it will be probably

895
00:44:27,239 --> 00:44:30,680
Speaker 1: the only motherfuckers that are talking that are trying to

896
00:44:30,800 --> 00:44:32,600
Speaker 1: They're trying to be good and be real at the

897
00:44:32,640 --> 00:44:35,400
Speaker 1: same time. Like we're not coming out here trying to

898
00:44:35,400 --> 00:44:39,280
Speaker 1: be controversial when not coming out here trying to pander

899
00:44:39,280 --> 00:44:40,200
Speaker 1: to people or whatever.

900
00:44:40,360 --> 00:44:40,520
Speaker 2: You know.

901
00:44:40,560 --> 00:44:44,880
Speaker 1: I think that's like a big distinction, like because people

902
00:44:45,200 --> 00:44:48,000
Speaker 1: will see what they want to see. So all you

903
00:44:48,080 --> 00:44:52,120
Speaker 1: know is if you're being authentic, And I think authenticity

904
00:44:52,920 --> 00:44:55,400
Speaker 1: is more sustainable because it's real and being able to

905
00:44:55,440 --> 00:44:58,640
Speaker 1: find that that line where you can be like where

906
00:44:58,640 --> 00:45:01,920
Speaker 1: we can like question and maybe Black Lives Matter is

907
00:45:01,920 --> 00:45:04,399
Speaker 1: spending the money. I don't know, like when we can

908
00:45:04,440 --> 00:45:06,719
Speaker 1: say that and not have to be like because we

909
00:45:06,800 --> 00:45:09,040
Speaker 1: want to like go viral off of this moment, or

910
00:45:09,080 --> 00:45:11,440
Speaker 1: we want to like shit on them, or we have

911
00:45:11,560 --> 00:45:13,640
Speaker 1: some personal agenda, but like it's one of the only

912
00:45:13,680 --> 00:45:16,239
Speaker 1: places where I can say that and not feel like,

913
00:45:17,120 --> 00:45:19,759
Speaker 1: you know, I gotta be fake because if I'm being

914
00:45:19,840 --> 00:45:22,160
Speaker 1: fake here, then what's the point of me doing this?

915
00:45:22,280 --> 00:45:22,520
Speaker 2: You know?

916
00:45:22,680 --> 00:45:26,759
Speaker 6: And also for me when it comes to music, and

917
00:45:26,800 --> 00:45:28,839
Speaker 6: this is how I feel and just just a lot

918
00:45:28,880 --> 00:45:32,919
Speaker 6: of art, social media and a lot of people. I've

919
00:45:32,960 --> 00:45:36,040
Speaker 6: realized this and for me it actually gets on my

920
00:45:36,080 --> 00:45:39,800
Speaker 6: nerves because I feel like people aren't being real, well

921
00:45:39,920 --> 00:45:42,880
Speaker 6: rounded human beings. Art is supposed to make you feel.

922
00:45:42,920 --> 00:45:45,560
Speaker 6: That's the whole purpose of art, be it happy, sad, laughter,

923
00:45:45,600 --> 00:45:48,160
Speaker 6: It's supposed to emote any emotion out of you. That's

924
00:45:48,200 --> 00:45:51,160
Speaker 6: the purpose of the art. And when art is presented

925
00:45:51,200 --> 00:45:55,920
Speaker 6: and people start feeling these things these ways, be it triggered,

926
00:45:56,480 --> 00:46:01,759
Speaker 6: be it childhood memories, be it trauma, like when these

927
00:46:01,800 --> 00:46:05,319
Speaker 6: things come up, instead of people accepting the reality that,

928
00:46:05,480 --> 00:46:08,439
Speaker 6: oh this is me, let me figure out why I'm

929
00:46:08,440 --> 00:46:11,200
Speaker 6: feeling this way, they lash out at the art and

930
00:46:11,280 --> 00:46:12,960
Speaker 6: they blame the art and they want to take the

931
00:46:13,080 --> 00:46:14,759
Speaker 6: art down and they act like the art has no

932
00:46:14,880 --> 00:46:18,000
Speaker 6: right to exist because it made them feel a certain way.

933
00:46:18,040 --> 00:46:20,719
Speaker 6: And you was like, no, you actually are stripping the

934
00:46:20,880 --> 00:46:24,480
Speaker 6: art and artists of these things. And the artists might

935
00:46:24,520 --> 00:46:27,080
Speaker 6: have gone through the same thing that you're going through.

936
00:46:27,080 --> 00:46:29,120
Speaker 6: And if you actually take the time to listen, I

937
00:46:29,160 --> 00:46:31,640
Speaker 6: know for me personally, sometimes you actually take the time

938
00:46:31,640 --> 00:46:34,920
Speaker 6: to listen, you can actually heal sometimes from the worst

939
00:46:34,960 --> 00:46:37,600
Speaker 6: that they're saying, because they're actually saying, hey, doll, I've

940
00:46:37,600 --> 00:46:38,200
Speaker 6: been through this.

941
00:46:38,520 --> 00:46:41,400
Speaker 4: I know how you feel like you're not alone. But

942
00:46:41,480 --> 00:46:43,400
Speaker 4: people go, oh, feelings.

943
00:46:43,080 --> 00:46:46,719
Speaker 6: Reject, reject, jump out the boat, reject, reject, and it's like, well,

944
00:46:46,760 --> 00:46:48,960
Speaker 6: then you're never gonna get to the point of healing.

945
00:46:49,000 --> 00:46:51,839
Speaker 6: And every time this thing comes up, you're gonna it's

946
00:46:51,880 --> 00:46:54,919
Speaker 6: gonna your response is gonna be just like.

947
00:46:54,880 --> 00:46:58,000
Speaker 4: It happened yesterday. And that is not a healthy thing.

948
00:46:58,040 --> 00:46:58,680
Speaker 4: And I realized it.

949
00:46:58,840 --> 00:47:01,319
Speaker 6: But also the Internet reward and so that's also why

950
00:47:01,320 --> 00:47:03,560
Speaker 6: people stay stuck like that because they're rewarded for that.

951
00:47:03,560 --> 00:47:06,240
Speaker 4: You're not rewarded for growth. You're not rewarded.

952
00:47:05,840 --> 00:47:08,799
Speaker 1: For for doing certain things and saying here I am,

953
00:47:08,840 --> 00:47:10,000
Speaker 1: I'm fucked up and I'm flout.

954
00:47:10,040 --> 00:47:10,800
Speaker 4: You're not rewarded.

955
00:47:10,840 --> 00:47:13,120
Speaker 6: In fact, you're picked on the things that we used

956
00:47:13,120 --> 00:47:17,560
Speaker 6: to say was good, like love and honesty and having integrity.

957
00:47:17,800 --> 00:47:18,000
Speaker 4: All.

958
00:47:18,040 --> 00:47:21,120
Speaker 6: It's like social media has made the world flip flop,

959
00:47:21,320 --> 00:47:24,120
Speaker 6: where you're rewarded for being grimy and being dirty and

960
00:47:24,160 --> 00:47:26,640
Speaker 6: not being honest and getting over on people like that's

961
00:47:26,680 --> 00:47:28,719
Speaker 6: that's what you're rewarded for. And so that and so

962
00:47:28,800 --> 00:47:31,160
Speaker 6: once people understood that's what they're pumping into the machine.

963
00:47:31,760 --> 00:47:35,000
Speaker 1: Yeah, I think. I think also the thing for at

964
00:47:35,080 --> 00:47:39,600
Speaker 1: least with Kendrick. I always talk about this with Kendrick

965
00:47:39,800 --> 00:47:42,839
Speaker 1: Chants and Kanye, how a lot of their albums are

966
00:47:42,920 --> 00:47:47,120
Speaker 1: just religious albums. But it's just that there's just different perspectives.

967
00:47:47,440 --> 00:47:51,440
Speaker 1: And like Kanye is very much if God loves me,

968
00:47:51,680 --> 00:47:55,440
Speaker 1: it don't matter who else loves me, because anything I

969
00:47:55,560 --> 00:47:59,719
Speaker 1: do is approved by God, and that's where my power is.

970
00:47:59,840 --> 00:48:02,719
Speaker 1: I am God as far like That's how That's how

971
00:48:02,800 --> 00:48:06,719
Speaker 1: much it means to me. And then Chance is very

972
00:48:06,800 --> 00:48:10,440
Speaker 1: much like we need to like it's like the positive

973
00:48:11,480 --> 00:48:15,480
Speaker 1: vibe of the youth pastor almost you know what I mean.

974
00:48:16,239 --> 00:48:19,960
Speaker 3: Yeah, and then he is my friend.

975
00:48:20,760 --> 00:48:21,040
Speaker 4: Yeah.

976
00:48:21,400 --> 00:48:25,040
Speaker 1: And then Kendrick has always been this fire and brimstone

977
00:48:25,440 --> 00:48:28,399
Speaker 1: like dude, and I always wonder where that came from,

978
00:48:28,480 --> 00:48:30,920
Speaker 1: because like a lot of his shit is about like

979
00:48:31,600 --> 00:48:36,080
Speaker 1: punishment and do this or God will punish you. We're

980
00:48:36,120 --> 00:48:40,040
Speaker 1: going to get punished at some point. And it seems

981
00:48:40,080 --> 00:48:42,160
Speaker 1: like a lot of that may have been because he

982
00:48:42,280 --> 00:48:44,759
Speaker 1: was out there doing dirt, you know what I mean,

983
00:48:44,920 --> 00:48:50,200
Speaker 1: like cheating on his girl, uh, you know, feeling like

984
00:48:50,239 --> 00:48:55,360
Speaker 1: a hypocrite obviously survivors guilt of coming from COMPI and

985
00:48:55,440 --> 00:48:57,799
Speaker 1: all his homies dying and shit, and he made it

986
00:48:57,800 --> 00:49:00,960
Speaker 1: out and he's rich and even, and he's seeing the

987
00:49:01,040 --> 00:49:05,080
Speaker 1: limits of what you can do for the hood and

988
00:49:05,320 --> 00:49:08,120
Speaker 1: kind of not wanting to be kind of being like

989
00:49:08,160 --> 00:49:10,880
Speaker 1: a reluctant save your figure. Apparently, you know, like I

990
00:49:10,920 --> 00:49:13,640
Speaker 1: didn't know that until this album. I always thought he

991
00:49:13,800 --> 00:49:16,279
Speaker 1: reveled in like being the guy to be like, y'all

992
00:49:16,320 --> 00:49:18,080
Speaker 1: need to stop doing this and we need to do that.

993
00:49:18,440 --> 00:49:21,600
Speaker 1: And apparently he's been like he's been up there like

994
00:49:21,640 --> 00:49:24,440
Speaker 1: I think I'm supposed to say this, but I don't

995
00:49:24,480 --> 00:49:26,520
Speaker 1: know that this is that. I don't even know that

996
00:49:26,560 --> 00:49:27,920
Speaker 1: I can live up to this standard.

997
00:49:29,000 --> 00:49:31,120
Speaker 2: Were you were you?

998
00:49:31,239 --> 00:49:31,520
Speaker 1: Rod?

999
00:49:31,640 --> 00:49:36,640
Speaker 2: Did we review Good Kid? Mad City? On Where's my

1000
00:49:36,719 --> 00:49:38,200
Speaker 2: forty Acres Together?

1001
00:49:39,160 --> 00:49:40,919
Speaker 1: I want? Man, that's been so long ago.

1002
00:49:41,800 --> 00:49:42,520
Speaker 2: It's been so long.

1003
00:49:42,719 --> 00:49:45,200
Speaker 1: Yeah, I know he did camp. I don't remember if

1004
00:49:45,239 --> 00:49:46,000
Speaker 1: we did Good Kid.

1005
00:49:47,000 --> 00:49:52,600
Speaker 2: Okay, I don't know. I just feel like it's it's.

1006
00:49:52,400 --> 00:49:56,359
Speaker 3: Like that Loupe Fiasco line on Superstar where he talks

1007
00:49:56,400 --> 00:49:58,480
Speaker 3: about like did you improve on the design?

1008
00:49:59,080 --> 00:50:04,440
Speaker 2: Did you do something like and it was just like,

1009
00:50:04,440 --> 00:50:08,680
Speaker 2: like you like we got one of the is it Saint.

1010
00:50:08,120 --> 00:50:13,040
Speaker 3: Toma Black was saying that art pushes a society forward,

1011
00:50:13,719 --> 00:50:16,200
Speaker 3: and I think that's that's what Kendrick's trying to do.

1012
00:50:16,320 --> 00:50:19,600
Speaker 3: I mean, it's like we've kind of heard. I mean,

1013
00:50:19,640 --> 00:50:23,520
Speaker 3: like Auntie Diaries. It reminds me of that record Common

1014
00:50:23,600 --> 00:50:27,160
Speaker 3: did off of Electric Circus that everybody hated that the

1015
00:50:27,239 --> 00:50:29,400
Speaker 3: record was ce Lo where it's like between Me and

1016
00:50:29,440 --> 00:50:33,879
Speaker 3: You and Liberation where he's talking about like a sect

1017
00:50:33,920 --> 00:50:37,239
Speaker 3: of woman who he's sleeping with, who sexually assaulted his

1018
00:50:37,280 --> 00:50:40,400
Speaker 3: aunt at cancer and then his one of his close

1019
00:50:40,440 --> 00:50:44,400
Speaker 3: friends who's gay. But Kendrick just like distilled it into

1020
00:50:44,480 --> 00:50:47,759
Speaker 3: like this is and like the delivery reminds me of

1021
00:50:47,840 --> 00:50:52,440
Speaker 3: Commons too, where it's like it's just like I'm gonna

1022
00:50:52,480 --> 00:50:54,880
Speaker 3: tell you this, and then like the the way, like

1023
00:50:54,920 --> 00:50:57,799
Speaker 3: I said, him being in touch with his instrument and

1024
00:50:57,880 --> 00:51:00,399
Speaker 3: he gets louder and louder when he's talking about she's

1025
00:51:00,440 --> 00:51:01,280
Speaker 3: talking about the past.

1026
00:51:01,600 --> 00:51:03,799
Speaker 2: So it's just like it's fucking beautiful.

1027
00:51:04,000 --> 00:51:08,319
Speaker 1: It's so Auntie Diaries is so good because and it's

1028
00:51:08,360 --> 00:51:11,240
Speaker 1: so funny. I saw this right up and okay, player

1029
00:51:11,280 --> 00:51:14,560
Speaker 1: that was kind of like saying this is why Auntie diaries.

1030
00:51:14,640 --> 00:51:17,760
Speaker 1: It's good, but Kendrick has the way to go before

1031
00:51:17,760 --> 00:51:20,200
Speaker 1: you get a great ally. And I was like, but

1032
00:51:20,280 --> 00:51:24,200
Speaker 1: that's the thing. The point, the point, The point is

1033
00:51:24,280 --> 00:51:28,160
Speaker 1: he's like the imperfect messenger. The point wasn't like he

1034
00:51:28,200 --> 00:51:30,920
Speaker 1: could have wrote the essay the way that would have

1035
00:51:31,000 --> 00:51:33,759
Speaker 1: made it be like, oh he passed, he got all

1036
00:51:33,760 --> 00:51:36,320
Speaker 1: the check marks, but that wouldn't have been his reality.

1037
00:51:36,440 --> 00:51:40,759
Speaker 1: His reality was I was in second grade experiencing this

1038
00:51:41,320 --> 00:51:44,200
Speaker 1: and and and here's how I saw my my aunt

1039
00:51:44,840 --> 00:51:49,680
Speaker 1: who uh uh now you know, uh who who who?

1040
00:51:50,000 --> 00:51:51,799
Speaker 1: And you can see from the perspective with the with

1041
00:51:51,840 --> 00:51:55,120
Speaker 1: the pronouns, it was it was mixed. To me, it

1042
00:51:55,160 --> 00:51:58,160
Speaker 1: was he, it was she sometimes it was people were

1043
00:51:58,200 --> 00:52:01,400
Speaker 1: calling her certain things, and then him. I was seeing

1044
00:52:01,719 --> 00:52:03,840
Speaker 1: him as a him in my eyes as a child.

1045
00:52:04,000 --> 00:52:07,560
Speaker 1: But you know, these things weren't like defined and talked about.

1046
00:52:07,600 --> 00:52:11,480
Speaker 1: And that's so fucking real because right now everything is

1047
00:52:11,920 --> 00:52:15,520
Speaker 1: you need to have the correct language, even if you're

1048
00:52:15,560 --> 00:52:19,720
Speaker 1: saying the wrong shit. And he's like, listen, I'm saying

1049
00:52:19,719 --> 00:52:22,120
Speaker 1: the right thing, but I at that time, I don't

1050
00:52:22,200 --> 00:52:26,160
Speaker 1: necessarily know how to say it. And I love the

1051
00:52:26,239 --> 00:52:29,400
Speaker 1: juxtaposition in the song of like he's his second grader,

1052
00:52:29,800 --> 00:52:32,520
Speaker 1: he has his aunt slash uncle. Have you know my

1053
00:52:32,560 --> 00:52:35,120
Speaker 1: auntie is a man? Blah blah blah, But he didn't.

1054
00:52:35,160 --> 00:52:38,960
Speaker 1: He has his cousin who is about the same age

1055
00:52:38,960 --> 00:52:42,319
Speaker 1: as him, who also is affected by the way that

1056
00:52:42,640 --> 00:52:45,799
Speaker 1: Kendrick and people around Kendrick and the homophobia within the

1057
00:52:45,840 --> 00:52:49,720
Speaker 1: community and a transphobia within the community. And he's talking

1058
00:52:49,760 --> 00:52:53,400
Speaker 1: about how he learned to be some you know, somewhat

1059
00:52:53,400 --> 00:52:56,879
Speaker 1: of an ally. But it wasn't about the check mark

1060
00:52:56,920 --> 00:52:59,320
Speaker 1: of an ally. It wasn't, as he mocks later in

1061
00:52:59,320 --> 00:53:01,759
Speaker 1: the album, it wasn't just making a black screen on

1062
00:53:01,800 --> 00:53:05,320
Speaker 1: your Instagram. It was in real life standing up for

1063
00:53:05,400 --> 00:53:08,359
Speaker 1: somebody that you love. And then you know, of course

1064
00:53:08,400 --> 00:53:12,120
Speaker 1: that final lyric basically being like, yeah, you can say

1065
00:53:12,120 --> 00:53:14,400
Speaker 1: the F word if you let this white girl say nigga,

1066
00:53:14,440 --> 00:53:19,239
Speaker 1: And it's like, oh yeah. And the and the thing

1067
00:53:19,360 --> 00:53:22,440
Speaker 1: is the people that will be reached by that song,

1068
00:53:23,239 --> 00:53:25,759
Speaker 1: it's not the people that are coming down on him,

1069
00:53:25,800 --> 00:53:27,799
Speaker 1: because the people that are coming down on that, they

1070
00:53:27,920 --> 00:53:30,319
Speaker 1: quote unquote already know all that shit. They're better than that.

1071
00:53:30,360 --> 00:53:32,719
Speaker 1: They've been off of that blah blah blah. So you're

1072
00:53:33,320 --> 00:53:34,920
Speaker 1: you don't need to hear that song. But there's a

1073
00:53:35,040 --> 00:53:38,320
Speaker 1: lot of motherfuckers I know who will hear that song

1074
00:53:38,480 --> 00:53:42,960
Speaker 1: and think twice like oh, you know, like oh so okay.

1075
00:53:43,480 --> 00:53:46,359
Speaker 1: And then also with it being Kendrick, they'll be like, well,

1076
00:53:46,360 --> 00:53:50,040
Speaker 1: if he said it, then I can. Then I then

1077
00:53:50,000 --> 00:53:53,120
Speaker 1: these feelings, I have, these thoughts I've had, they I

1078
00:53:53,160 --> 00:53:55,439
Speaker 1: can I can think about that more. I can say

1079
00:53:55,480 --> 00:53:57,760
Speaker 1: that differently. And I thought that was dope.

1080
00:53:57,760 --> 00:53:57,960
Speaker 4: Man.

1081
00:53:58,400 --> 00:54:01,480
Speaker 1: You know, I think the the album just is not

1082
00:54:01,560 --> 00:54:06,000
Speaker 1: necessarily for the Twitterti type of type of crowds.

1083
00:54:07,360 --> 00:54:10,520
Speaker 3: Yeah, you have to be able to accept it for

1084
00:54:10,640 --> 00:54:12,920
Speaker 3: what it is and all other songs not for me.

1085
00:54:12,960 --> 00:54:14,200
Speaker 2: But it's still a beautiful song.

1086
00:54:15,600 --> 00:54:19,080
Speaker 3: I personally didn't need to hear that, but but it's like,

1087
00:54:19,760 --> 00:54:22,719
Speaker 3: but it's gonna touch somebody. It's gonna touch somebody that

1088
00:54:22,800 --> 00:54:26,120
Speaker 3: needs to hear it, and it's a it's a beautiful song.

1089
00:54:26,200 --> 00:54:26,399
Speaker 2: Man.

1090
00:54:26,560 --> 00:54:29,040
Speaker 1: I cry. I cried when I listened to Mother's Sober

1091
00:54:29,680 --> 00:54:32,680
Speaker 1: and then and then Mirror like because I was just like, God,

1092
00:54:33,239 --> 00:54:36,560
Speaker 1: damn like one because he's, like you said, his instrument

1093
00:54:36,840 --> 00:54:41,480
Speaker 1: is just he's fully utilizing it. But then because there

1094
00:54:41,520 --> 00:54:43,880
Speaker 1: were things in the album, I didn't really like. I

1095
00:54:43,920 --> 00:54:46,319
Speaker 1: was like, man, this he's really out there this time.

1096
00:54:46,400 --> 00:54:48,759
Speaker 1: And then he does that part and I'm like, oh,

1097
00:54:49,280 --> 00:54:51,520
Speaker 1: like you could almost listen to the album backwards and

1098
00:54:51,800 --> 00:54:55,480
Speaker 1: see how he got there. But that joint was so

1099
00:54:55,840 --> 00:55:00,799
Speaker 1: like introspective, and I think, like I said, the I'm

1100
00:55:00,800 --> 00:55:02,600
Speaker 1: not sure I would love to see them be interviewed

1101
00:55:02,600 --> 00:55:05,640
Speaker 1: about it. But I really think even the stuff with

1102
00:55:05,719 --> 00:55:09,799
Speaker 1: Kodak Black on the album is a statement of like

1103
00:55:10,239 --> 00:55:15,120
Speaker 1: encapsulated in that mother sober of seeing everyone in this

1104
00:55:15,520 --> 00:55:19,520
Speaker 1: cycle that didn't really start with us, and how do

1105
00:55:19,600 --> 00:55:23,120
Speaker 1: you break that cycle. You gotta forgive yourself. You gotta

1106
00:55:23,160 --> 00:55:29,400
Speaker 1: forgive your mom, you gotta forgive the person that abused you,

1107
00:55:29,400 --> 00:55:32,160
Speaker 1: you gotta forgive all. That's what I took.

1108
00:55:32,000 --> 00:55:33,360
Speaker 4: From that album process.

1109
00:55:33,520 --> 00:55:37,000
Speaker 1: And that is so difficult and damn thear impossible, you

1110
00:55:37,080 --> 00:55:38,960
Speaker 1: know what I mean? And you do not see people

1111
00:55:39,040 --> 00:55:41,719
Speaker 1: do that. Like it's something when you hear people talk

1112
00:55:41,760 --> 00:55:47,160
Speaker 1: about when they talk about like criminal justice reform, and

1113
00:55:47,200 --> 00:55:51,080
Speaker 1: I always say, yeah, it's a fake conversation because the

1114
00:55:51,160 --> 00:55:55,400
Speaker 1: people that propagated it's like more of a like finger

1115
00:55:55,440 --> 00:55:59,359
Speaker 1: wagon thing. But the truth is people aren't ready for that.

1116
00:55:59,480 --> 00:56:03,440
Speaker 1: You know, not to switch subjects again, but you know,

1117
00:56:03,520 --> 00:56:05,920
Speaker 1: there was a shooting in Buffalo, New York where his

1118
00:56:06,040 --> 00:56:10,359
Speaker 1: white supremacist went up there and killed like ten maybe more.

1119
00:56:10,400 --> 00:56:15,160
Speaker 1: At this point black people. He like googled like where

1120
00:56:15,200 --> 00:56:18,520
Speaker 1: the black people stayed the most, and went to the

1121
00:56:18,600 --> 00:56:20,080
Speaker 1: store and just started shooting it.

1122
00:56:21,800 --> 00:56:24,120
Speaker 2: Away exactly.

1123
00:56:24,560 --> 00:56:32,279
Speaker 1: And and I've already seen black people bemoaning why was

1124
00:56:32,320 --> 00:56:36,200
Speaker 1: he taken alive? Like like the cops have you know,

1125
00:56:36,239 --> 00:56:41,960
Speaker 1: they talked him down from shooting himself. He uh, you know,

1126
00:56:42,080 --> 00:56:43,960
Speaker 1: and that people are like dealing Ruth taking a live,

1127
00:56:44,080 --> 00:56:46,800
Speaker 1: such a such, taking a live And I'm like, okay,

1128
00:56:46,880 --> 00:56:49,160
Speaker 1: but what what you're really saying is you wanted them

1129
00:56:49,280 --> 00:56:52,839
Speaker 1: killed by the police. That's what you're really saying. And

1130
00:56:53,040 --> 00:56:56,759
Speaker 1: we're the same people that claim we want you know,

1131
00:56:57,400 --> 00:57:01,240
Speaker 1: we want prison reform, we want the abolished the police,

1132
00:57:01,360 --> 00:57:05,279
Speaker 1: we want abolished prisons, we want everybody let out, we

1133
00:57:05,320 --> 00:57:08,880
Speaker 1: want restorative justice. And I'm like, these are the moments

1134
00:57:08,880 --> 00:57:11,040
Speaker 1: that call us liars, because this is the truth. The

1135
00:57:11,080 --> 00:57:13,839
Speaker 1: real us do want that motherfucker shot? I know, I do.

1136
00:57:14,280 --> 00:57:16,120
Speaker 1: I know when I seen Dylan Ruth, I was like

1137
00:57:16,240 --> 00:57:19,160
Speaker 1: kill him. You know, Mark Laman Hill was talking about

1138
00:57:20,120 --> 00:57:21,840
Speaker 1: I don't never believe in it, deafending and I was like,

1139
00:57:21,840 --> 00:57:23,760
Speaker 1: well that's good for you, bro, because the rest of

1140
00:57:23,840 --> 00:57:25,320
Speaker 1: us do. It's a democracy.

1141
00:57:25,440 --> 00:57:26,160
Speaker 2: We need to die.

1142
00:57:26,920 --> 00:57:29,440
Speaker 1: Yeah, and congratulates gonna being better than me. You know

1143
00:57:29,440 --> 00:57:32,360
Speaker 1: what that gets you nothing? This nigga need to die

1144
00:57:32,480 --> 00:57:34,200
Speaker 1: and I'll do it for you, says you don't want

1145
00:57:34,200 --> 00:57:35,240
Speaker 1: to be the one to do it. You know what

1146
00:57:35,320 --> 00:57:38,680
Speaker 1: I mean. I gotta go, gotta go. But it's just

1147
00:57:38,840 --> 00:57:45,040
Speaker 1: interesting to see how how like these moments call us liars.

1148
00:57:45,040 --> 00:57:48,200
Speaker 1: And I think that was when we see somebody that's

1149
00:57:48,320 --> 00:57:51,840
Speaker 1: actually owned that shit, like that's actually on some like,

1150
00:57:51,960 --> 00:57:58,240
Speaker 1: nah man, I'm gonna do radical forgiveness, radical honesty, radical acceptance,

1151
00:57:59,000 --> 00:58:01,880
Speaker 1: radical whatever. And we when we see that, it's like,

1152
00:58:02,640 --> 00:58:05,120
Speaker 1: I don't want that ship, nigga, that that don't sound good.

1153
00:58:05,560 --> 00:58:08,240
Speaker 1: You I like to fake ship. Just come and tell

1154
00:58:08,320 --> 00:58:11,080
Speaker 1: me the things I already believe and make it rhyme right,

1155
00:58:11,200 --> 00:58:12,120
Speaker 1: you know, the whole.

1156
00:58:11,920 --> 00:58:14,200
Speaker 4: Purpose, And that's what that's what something want.

1157
00:58:14,240 --> 00:58:17,920
Speaker 6: They don't want anything beyond that. And they are rappers

1158
00:58:17,920 --> 00:58:19,800
Speaker 6: their whole career. They've been rapping about the same ship

1159
00:58:19,880 --> 00:58:22,640
Speaker 6: since they started. And they make their money, which is cool,

1160
00:58:23,000 --> 00:58:24,960
Speaker 6: but some people actually won't pick right.

1161
00:58:24,800 --> 00:58:26,360
Speaker 4: And some people do it really really well.

1162
00:58:26,400 --> 00:58:29,120
Speaker 6: But that type of rapping ain't made fair by some people,

1163
00:58:29,160 --> 00:58:31,439
Speaker 6: like Nigga, I want to you grow like you still

1164
00:58:31,480 --> 00:58:33,520
Speaker 6: rapping ten years into the game. You still wrap about

1165
00:58:33,560 --> 00:58:35,360
Speaker 6: the same ship, Nigga, You're not doing none of that.

1166
00:58:36,000 --> 00:58:39,440
Speaker 3: Yeah, Wow, subliminal shots have Push your tea caring Jesus,

1167
00:58:39,680 --> 00:58:42,800
Speaker 3: we just said this podcast.

1168
00:58:42,360 --> 00:58:43,800
Speaker 4: Oh, I know it is.

1169
00:58:43,880 --> 00:58:50,360
Speaker 1: It is funny though I do listen to Push. It's

1170
00:58:50,400 --> 00:58:54,120
Speaker 1: so good, yo. But also it is funny right that.

1171
00:58:54,920 --> 00:58:57,800
Speaker 1: And I think it's because of his fans clearly, but

1172
00:58:57,880 --> 00:59:01,040
Speaker 1: it is funny that like Kendrick is the only dude

1173
00:59:01,200 --> 00:59:04,200
Speaker 1: and rap that people he Kendrick maybe a little j Cole,

1174
00:59:04,280 --> 00:59:07,960
Speaker 1: but people think and oh and and Drake too. Kendrick,

1175
00:59:08,000 --> 00:59:11,360
Speaker 1: J Cole and Jake. People always think they're doing something

1176
00:59:11,400 --> 00:59:15,120
Speaker 1: when they tell us these guys aren't perfect. Like, I

1177
00:59:15,120 --> 00:59:17,360
Speaker 1: don't know why I don't like. I just don't like

1178
00:59:17,360 --> 00:59:19,800
Speaker 1: because they don't do that with anyone else. I've been

1179
00:59:19,840 --> 00:59:23,880
Speaker 1: listening to Roup my whole life, man, my whole life,

1180
00:59:24,400 --> 00:59:27,120
Speaker 1: even like the conscious rappers. I remember being a kid

1181
00:59:27,160 --> 00:59:31,080
Speaker 1: and listening like Jazzy Bell without casts and being like,

1182
00:59:31,160 --> 00:59:34,400
Speaker 1: oh damn, that's they are really going hard on these ladies.

1183
00:59:35,320 --> 00:59:38,800
Speaker 1: You know the same thing with you know Black Star,

1184
00:59:39,080 --> 00:59:42,120
Speaker 1: like brown Skinned Woman is Brown Skinned Lady is such

1185
00:59:42,120 --> 00:59:46,080
Speaker 1: a dope song, but it's also like extremely like, hey, ladies,

1186
00:59:46,160 --> 00:59:51,560
Speaker 1: close your legs mind. Sex are from dead presidents. And

1187
00:59:52,640 --> 00:59:55,400
Speaker 1: I remember trycoll Quest has his line I'll never forget

1188
00:59:55,400 --> 00:59:57,760
Speaker 1: what Q tip, who's been talking about fucking women the

1189
00:59:57,760 --> 01:00:00,600
Speaker 1: whole album is like, ladies, make a form your sexual

1190
01:00:00,720 --> 01:00:03,840
Speaker 1: drive devoted to your lover and make it thrive. I'm like, wait,

1191
01:00:03,920 --> 01:00:07,720
Speaker 1: what you've been talking about fucking like fight Dog, got

1192
01:00:07,720 --> 01:00:09,680
Speaker 1: a got a song or you're just talking about fucking

1193
01:00:09,760 --> 01:00:12,480
Speaker 1: different kinds of chicks in this song in this album.

1194
01:00:12,560 --> 01:00:16,040
Speaker 1: So I think it's always been flawed, but for some reason,

1195
01:00:16,080 --> 01:00:19,880
Speaker 1: people really think they like doing something to tell us

1196
01:00:20,000 --> 01:00:23,120
Speaker 1: this person's flawn. It's like Nigga, y'all listen to Future, y'all,

1197
01:00:23,560 --> 01:00:26,400
Speaker 1: y'all listen to Ship. Half the fucking women I listen

1198
01:00:26,440 --> 01:00:29,320
Speaker 1: to that are rappers I like talking about from fucked

1199
01:00:29,360 --> 01:00:29,720
Speaker 1: up Ship.

1200
01:00:30,360 --> 01:00:33,960
Speaker 3: This is what rap is, and it's guys doing it

1201
01:00:34,600 --> 01:00:36,840
Speaker 3: women talking about it like that. It's just the same

1202
01:00:36,920 --> 01:00:39,800
Speaker 3: to say that you're like, what is it male feminist

1203
01:00:39,880 --> 01:00:43,600
Speaker 3: type thing? Yeah, because it's like the Black Stars album

1204
01:00:43,720 --> 01:00:47,160
Speaker 3: came out a week or two ago and they were

1205
01:00:47,200 --> 01:00:53,280
Speaker 3: like the misogyny of of respiration when common says young

1206
01:00:53,320 --> 01:00:56,120
Speaker 3: girls with weak mind but their butts are strong, right,

1207
01:00:56,320 --> 01:00:59,800
Speaker 3: It's just like yeah, because that's what that's kind of

1208
01:00:59,800 --> 01:01:03,000
Speaker 3: what they do. They're trying to, they say, they be

1209
01:01:03,040 --> 01:01:08,360
Speaker 3: saying they trying to be better, right do we allow us?

1210
01:01:08,400 --> 01:01:10,280
Speaker 1: And I think if people were I think if people

1211
01:01:10,360 --> 01:01:12,760
Speaker 1: were honest, they admit they don't always got it.

1212
01:01:12,720 --> 01:01:16,200
Speaker 6: Either, No, I don't, I don't, I don't know, and

1213
01:01:16,200 --> 01:01:19,040
Speaker 6: and and and it's one of those things where that's

1214
01:01:19,080 --> 01:01:22,600
Speaker 6: the beautiful thing about art because people are complex, and

1215
01:01:22,680 --> 01:01:26,160
Speaker 6: I don't know why people don't think if they're complex

1216
01:01:26,200 --> 01:01:28,080
Speaker 6: in their lives, complex people make music.

1217
01:01:28,560 --> 01:01:32,840
Speaker 4: So I love me some don't stop giddy giddy.

1218
01:01:32,920 --> 01:01:33,400
Speaker 2: I love me.

1219
01:01:33,520 --> 01:01:35,760
Speaker 6: There's some holes in this house, like and I love

1220
01:01:35,840 --> 01:01:38,440
Speaker 6: me that shit too, like you know, and people that

1221
01:01:38,480 --> 01:01:40,680
Speaker 6: that's something wrong with you. And that's why, like we

1222
01:01:40,680 --> 01:01:42,960
Speaker 6: were talking about the critique on the kids today, like

1223
01:01:43,360 --> 01:01:46,000
Speaker 6: who are we to critique them when we listen to

1224
01:01:46,120 --> 01:01:49,640
Speaker 6: some misogynistic shit too? It might be presented in a

1225
01:01:49,640 --> 01:01:52,320
Speaker 6: different manner. It might be a sing SONGI thing versus

1226
01:01:52,360 --> 01:01:53,800
Speaker 6: just coming out and say it. But but it is

1227
01:01:53,800 --> 01:01:54,280
Speaker 6: what it is.

1228
01:01:54,400 --> 01:01:57,680
Speaker 1: I saw one of the critiques of Kendrick I saw

1229
01:01:58,280 --> 01:02:02,520
Speaker 1: what was a god saying, well, when it was Tupac,

1230
01:02:02,640 --> 01:02:04,760
Speaker 1: you know, I was at a certain age, but now

1231
01:02:04,880 --> 01:02:07,439
Speaker 1: I understand this, that and the other, and I find

1232
01:02:07,440 --> 01:02:09,880
Speaker 1: it unacceptable that Kodak Black said, And I'm like, but

1233
01:02:10,920 --> 01:02:12,880
Speaker 1: that when someone was older than us, they thought you

1234
01:02:13,040 --> 01:02:16,560
Speaker 1: liking Tupac was unacceptable, right, and you still like Tupac,

1235
01:02:16,640 --> 01:02:18,520
Speaker 1: Like you didn't take that back, like you didn't go

1236
01:02:19,080 --> 01:02:21,240
Speaker 1: And now I would never listen to a Tupac album,

1237
01:02:21,240 --> 01:02:24,720
Speaker 1: Like no, you still fuck with Tupac, so you know,

1238
01:02:25,240 --> 01:02:29,960
Speaker 1: like you're not being real. And I think that's that,

1239
01:02:30,360 --> 01:02:32,320
Speaker 1: Like there's a level on this album where you know,

1240
01:02:32,400 --> 01:02:35,160
Speaker 1: obviously you hope because he's just he's his own person.

1241
01:02:35,200 --> 01:02:37,480
Speaker 1: So we'll see when he explains this shit. If he does,

1242
01:02:38,000 --> 01:02:41,920
Speaker 1: you hope it's not some like ridiculous out there hotel

1243
01:02:41,960 --> 01:02:44,280
Speaker 1: Pian type shit. I mean, little Tell, little Tep. He's

1244
01:02:44,320 --> 01:02:47,840
Speaker 1: always been he got he always been a little Tell

1245
01:02:48,040 --> 01:02:49,960
Speaker 1: from day one. He always been a little Tep. But

1246
01:02:50,680 --> 01:02:52,880
Speaker 1: like you hope it's not some deep in ship, but

1247
01:02:53,080 --> 01:02:55,680
Speaker 1: because a lot of this stuff just feel to me,

1248
01:02:55,760 --> 01:02:58,560
Speaker 1: feels like a person being honest for the first like

1249
01:02:58,760 --> 01:03:00,760
Speaker 1: with people in a world in a we people ain't

1250
01:03:00,800 --> 01:03:04,240
Speaker 1: honest man like that. That was just the main thing

1251
01:03:04,240 --> 01:03:06,000
Speaker 1: I took from this was like, these are the things

1252
01:03:06,000 --> 01:03:09,720
Speaker 1: people are afraid to say or and I mean good

1253
01:03:09,800 --> 01:03:13,000
Speaker 1: and bad. It wasn't all bad. It was like, motherfucker's

1254
01:03:13,040 --> 01:03:15,080
Speaker 1: afraid to say. I have trans people in my family

1255
01:03:15,120 --> 01:03:16,840
Speaker 1: and I love them, and I don't like, you know,

1256
01:03:17,040 --> 01:03:20,400
Speaker 1: like I'm not with I maybe and I didn't always

1257
01:03:20,480 --> 01:03:24,040
Speaker 1: understand it, but I love them and I stand up

1258
01:03:24,080 --> 01:03:26,800
Speaker 1: for them, and I don't I might not have the

1259
01:03:26,840 --> 01:03:30,400
Speaker 1: academic words and I shouldn't be talking about it in

1260
01:03:30,440 --> 01:03:33,439
Speaker 1: front of a crowd of people, but here's my song

1261
01:03:33,520 --> 01:03:36,520
Speaker 1: about it and what it means to me. I think

1262
01:03:36,560 --> 01:03:39,160
Speaker 1: that there's like a level of that. You know, we

1263
01:03:39,280 --> 01:03:41,840
Speaker 1: talked about having sex with a white woman for the

1264
01:03:41,880 --> 01:03:45,480
Speaker 1: first time, and you're just like, that is what niggas

1265
01:03:45,520 --> 01:03:48,640
Speaker 1: be thinking, and it's it's like, I don't think it's

1266
01:03:48,680 --> 01:03:52,160
Speaker 1: like some secret. I think people they just don't say it,

1267
01:03:52,400 --> 01:03:54,520
Speaker 1: you know what I mean. And you're like fuck man,

1268
01:03:54,560 --> 01:04:00,320
Speaker 1: he listened to this dude say these things that like

1269
01:04:00,440 --> 01:04:02,960
Speaker 1: instead of taking the lesson of like instead of taking

1270
01:04:03,000 --> 01:04:05,080
Speaker 1: away from it, like and that's why he ain't ship.

1271
01:04:05,400 --> 01:04:07,600
Speaker 1: I think people should have been taken it. And maybe

1272
01:04:07,640 --> 01:04:09,280
Speaker 1: we'll see how they do take it, but I think

1273
01:04:09,280 --> 01:04:11,200
Speaker 1: people should have been taken like damn. He one of

1274
01:04:11,240 --> 01:04:14,760
Speaker 1: the only motherfuckers that will say it and not say

1275
01:04:14,800 --> 01:04:16,640
Speaker 1: it like and that's why I'm the man he said

1276
01:04:16,680 --> 01:04:18,880
Speaker 1: it like, and that's how I know I'm fucked up.

1277
01:04:21,960 --> 01:04:25,240
Speaker 3: I think Kendrick did on this album is like what

1278
01:04:25,320 --> 01:04:28,520
Speaker 3: I try to do with my stand up, Like the vulnerability,

1279
01:04:28,560 --> 01:04:32,040
Speaker 3: the openness, being able to look at yourself and look at.

1280
01:04:31,960 --> 01:04:35,800
Speaker 2: The flaws and and and uh. I mean there's some

1281
01:04:35,800 --> 01:04:38,080
Speaker 2: stuff on field running back that's pretty good.

1282
01:04:38,000 --> 01:04:41,200
Speaker 3: Guys, but it's like when you look at the you

1283
01:04:41,240 --> 01:04:45,080
Speaker 3: try to look within yourself, laugh at yourself, put it

1284
01:04:45,120 --> 01:04:48,439
Speaker 3: out there and make it like there's it's a it's

1285
01:04:48,440 --> 01:04:53,040
Speaker 3: a beautiful thing when those thoughts come out and people

1286
01:04:53,040 --> 01:04:56,040
Speaker 3: are able to do it. I mean, and it's a

1287
01:04:56,720 --> 01:04:59,440
Speaker 3: it's a balancing act, it's a it's a high wire act.

1288
01:04:59,480 --> 01:05:02,760
Speaker 3: And I really think I just think he nailed it

1289
01:05:03,200 --> 01:05:05,880
Speaker 3: and there's stuff. There's a lot of stuff that still

1290
01:05:06,000 --> 01:05:08,919
Speaker 3: you can to unpack. But it's just you know, as

1291
01:05:08,960 --> 01:05:11,200
Speaker 3: it stands right now. You know, maybe four or five

1292
01:05:11,280 --> 01:05:13,400
Speaker 3: listens that it's just like it's great. I like the

1293
01:05:13,440 --> 01:05:16,520
Speaker 3: people are talking about it like it's just something fun

1294
01:05:16,560 --> 01:05:17,160
Speaker 3: to talk about.

1295
01:05:17,320 --> 01:05:19,080
Speaker 1: I mean, when's the last time you wanted to talk

1296
01:05:19,120 --> 01:05:22,560
Speaker 1: about an album with people like this? You know what

1297
01:05:22,640 --> 01:05:24,800
Speaker 1: I mean. We don't do a music show, and we

1298
01:05:25,240 --> 01:05:27,880
Speaker 1: I listened to a lot of music. I don't like

1299
01:05:28,040 --> 01:05:30,880
Speaker 1: talking to people about it necessarily, like, but I woke

1300
01:05:30,960 --> 01:05:32,640
Speaker 1: up this morning. I was excited to have Chris on

1301
01:05:32,640 --> 01:05:34,240
Speaker 1: the show. I was like, oh, somebody I can talk

1302
01:05:34,280 --> 01:05:37,000
Speaker 1: to about this album that I'm still listening to a

1303
01:05:37,120 --> 01:05:39,720
Speaker 1: process and somebody that made it something that dope. My

1304
01:05:39,760 --> 01:05:42,960
Speaker 1: mom texted me the morning and shit dropped like eight

1305
01:05:42,960 --> 01:05:45,520
Speaker 1: in the morning, like new Kendrick out. You know, like

1306
01:05:45,720 --> 01:05:48,560
Speaker 1: this like this ship is a major event for those

1307
01:05:48,600 --> 01:05:51,400
Speaker 1: of us that are, you know, into this kind of music.

1308
01:05:51,520 --> 01:05:56,440
Speaker 6: So yeah, I appreciate and the thing about Kendrick in

1309
01:05:56,600 --> 01:06:00,160
Speaker 6: this album and last album this Nikka loved these Mitt

1310
01:06:00,200 --> 01:06:03,240
Speaker 6: East Coast dropp his nigga, I'm old when you be

1311
01:06:03,320 --> 01:06:05,720
Speaker 6: dropping this ship at midnight. I don't even press play

1312
01:06:05,800 --> 01:06:08,560
Speaker 6: until I go to work the next day because I'm like,

1313
01:06:08,600 --> 01:06:10,880
Speaker 6: if I press play, I will be up to three

1314
01:06:11,000 --> 01:06:12,120
Speaker 6: or four or five in the morning, and then I

1315
01:06:12,200 --> 01:06:12,720
Speaker 6: got to work.

1316
01:06:13,240 --> 01:06:14,760
Speaker 4: So's and I.

1317
01:06:14,720 --> 01:06:17,280
Speaker 6: Feel so sad because it's like you looking at the

1318
01:06:17,320 --> 01:06:19,880
Speaker 6: window with the current look looking watching everybody in your

1319
01:06:19,920 --> 01:06:21,160
Speaker 6: timeline have a good time.

1320
01:06:21,920 --> 01:06:24,120
Speaker 4: Like I got to go to sleepy, I.

1321
01:06:24,080 --> 01:06:24,680
Speaker 1: Went to mad.

1322
01:06:25,640 --> 01:06:29,160
Speaker 3: You didn't really miss it because he crashed iTunes and Spotify.

1323
01:06:29,440 --> 01:06:35,640
Speaker 1: Yeah, okay, luckily I have Luckily I have title once. Yeah,

1324
01:06:35,840 --> 01:06:38,600
Speaker 1: I got them both, but I got them all.

1325
01:06:38,600 --> 01:06:40,760
Speaker 4: Listen, I got them all. Whatever you dropping it on,

1326
01:06:40,800 --> 01:06:41,400
Speaker 4: I'm gonna get it.

1327
01:06:41,440 --> 01:06:45,680
Speaker 1: Okay, listen the game theory check clear. I got them both. Okay,

1328
01:06:45,960 --> 01:06:50,480
Speaker 1: So I was, But anyway, I was listening to a

1329
01:06:50,480 --> 01:06:52,640
Speaker 1: little bit of it than I went to bed, and

1330
01:06:52,680 --> 01:06:54,920
Speaker 1: I woke up there like five in the fucking morning

1331
01:06:55,000 --> 01:06:56,800
Speaker 1: and just went in there and listened to the ship,

1332
01:06:57,160 --> 01:06:59,200
Speaker 1: and I was like, it's like five in the morning.

1333
01:06:59,200 --> 01:07:01,200
Speaker 1: I'm like crying on the couch a little bit, like.

1334
01:07:02,400 --> 01:07:04,520
Speaker 4: That's why you was up because I got up almost like.

1335
01:07:06,680 --> 01:07:07,600
Speaker 1: Agree different.

1336
01:07:08,400 --> 01:07:11,800
Speaker 2: I mean, you start an album off like that, yeah, ok.

1337
01:07:12,320 --> 01:07:15,880
Speaker 1: Yeah, that nigga. He's a he's a beast, man. I'll

1338
01:07:15,960 --> 01:07:18,840
Speaker 1: let I let you know. I'm sure people will be

1339
01:07:18,880 --> 01:07:20,880
Speaker 1: banging on it all week for not being perfect, but

1340
01:07:20,920 --> 01:07:24,080
Speaker 1: honestly those people will go away and the people that

1341
01:07:24,120 --> 01:07:26,800
Speaker 1: appreciate the music will be here and we'll see. I

1342
01:07:26,840 --> 01:07:29,560
Speaker 1: still need to see him perform that motherfucking we cry

1343
01:07:29,600 --> 01:07:32,120
Speaker 1: together on tour. I need to see what that looks

1344
01:07:32,160 --> 01:07:33,560
Speaker 1: like live.

1345
01:07:33,840 --> 01:07:38,560
Speaker 2: Because God figuring one. Yeah, that's as great as my

1346
01:07:38,840 --> 01:07:39,480
Speaker 2: dad was.

1347
01:07:39,680 --> 01:07:43,080
Speaker 3: There were moments that him and I just like sounds

1348
01:07:43,080 --> 01:07:44,040
Speaker 3: like my mom and dad.

1349
01:07:44,080 --> 01:07:44,520
Speaker 2: When I was.

1350
01:07:45,360 --> 01:07:48,960
Speaker 1: Shout the Taylor page, shout the tailor page like.

1351
01:07:49,040 --> 01:07:52,400
Speaker 3: Yeah, it's great, it's it's not it's it's very good,

1352
01:07:52,560 --> 01:07:54,560
Speaker 3: but it's just like, okay, I can skip that.

1353
01:07:54,840 --> 01:07:55,360
Speaker 1: I love it.

1354
01:07:55,440 --> 01:07:57,200
Speaker 4: I love it.

1355
01:07:57,200 --> 01:08:00,360
Speaker 1: It reminds me so much of it reminds see so

1356
01:08:00,440 --> 01:08:02,920
Speaker 1: much of how niggas argue all day on Twitter, like

1357
01:08:03,400 --> 01:08:07,040
Speaker 1: and it's and like, when I saw people listening to

1358
01:08:07,120 --> 01:08:09,560
Speaker 1: it live, It's one of the first times I've ever

1359
01:08:09,560 --> 01:08:12,960
Speaker 1: really seen them people acknowledge they sound like that because like,

1360
01:08:13,040 --> 01:08:15,440
Speaker 1: I'm not into that, Like I'm a big like you

1361
01:08:15,480 --> 01:08:18,519
Speaker 1: know me, man, I love harmony. I don't cherish this

1362
01:08:18,560 --> 01:08:21,439
Speaker 1: ship where like we need to argue with black women

1363
01:08:21,560 --> 01:08:24,599
Speaker 1: and we need to make everybody a macro example of

1364
01:08:24,680 --> 01:08:29,559
Speaker 1: like micro shit or whatever. But nigga, if he didn't nail,

1365
01:08:29,720 --> 01:08:34,400
Speaker 1: what the fuck it be sounding like like? And then

1366
01:08:34,439 --> 01:08:36,960
Speaker 1: the thing that's funny is people being like he said this,

1367
01:08:37,200 --> 01:08:39,000
Speaker 1: like they were cherry picking from lyrics and be like,

1368
01:08:39,160 --> 01:08:41,240
Speaker 1: look at this problematic thing he said. And I'm like,

1369
01:08:41,520 --> 01:08:44,439
Speaker 1: what about the response from Taylor Page, which he also wrote,

1370
01:08:44,479 --> 01:08:48,040
Speaker 1: because she's not a rapper, y'all, She's just performing as

1371
01:08:48,040 --> 01:08:51,519
Speaker 1: part as of the line you dummies. Anyway, let's move on, guys.

1372
01:08:53,720 --> 01:08:55,280
Speaker 2: That's the one thing about it.

1373
01:08:55,400 --> 01:08:58,280
Speaker 3: The greatness of this It's like I gotta go back

1374
01:08:58,280 --> 01:09:00,919
Speaker 3: to to Pimp a Butterfly, and I know there's elements

1375
01:09:00,920 --> 01:09:04,880
Speaker 3: of like the theatrical the theatricality in this one, like

1376
01:09:04,960 --> 01:09:08,439
Speaker 3: comparing it to like like theater wise like and then

1377
01:09:08,560 --> 01:09:13,040
Speaker 3: the cinematic nature of good Kid Man City, the way

1378
01:09:13,080 --> 01:09:15,439
Speaker 3: that he's just able to I don't know, I'm just

1379
01:09:15,479 --> 01:09:19,240
Speaker 3: gushed about it, but I just think it's it's great.

1380
01:09:19,840 --> 01:09:23,680
Speaker 6: It is in that particular album right there, and the

1381
01:09:23,800 --> 01:09:27,840
Speaker 6: first time for me. But like I'm like Roger, like

1382
01:09:28,920 --> 01:09:32,360
Speaker 6: I know that I'm are and I'm an eyeball, Like

1383
01:09:32,880 --> 01:09:34,799
Speaker 6: I can't take that. I don't like that in any

1384
01:09:34,840 --> 01:09:37,000
Speaker 6: of my relationships. If we got to do that, bitch,

1385
01:09:37,040 --> 01:09:39,960
Speaker 6: why we together like that? That's how I personally feel like,

1386
01:09:40,320 --> 01:09:40,960
Speaker 6: I'm not a kid.

1387
01:09:41,080 --> 01:09:43,360
Speaker 4: You not hollered at me. I'm not five, you don't

1388
01:09:43,360 --> 01:09:48,040
Speaker 4: own me. And I think that when.

1389
01:09:47,840 --> 01:09:49,800
Speaker 6: I first heard that, you know what, I thought I

1390
01:09:49,800 --> 01:09:52,559
Speaker 6: was gonna hear a gunshot and so like when I

1391
01:09:52,600 --> 01:09:55,280
Speaker 6: was hitted for the first time, my heart, my heart

1392
01:09:55,479 --> 01:09:59,360
Speaker 6: literally started racing, you know, because it's like it hits

1393
01:09:59,400 --> 01:10:01,360
Speaker 6: your ends when you like, okay, what do we argue in?

1394
01:10:01,400 --> 01:10:03,879
Speaker 6: How is this gonna end? It just gonna end violently?

1395
01:10:04,280 --> 01:10:07,519
Speaker 6: Like I was like, I felt like a I don't

1396
01:10:07,520 --> 01:10:09,400
Speaker 6: want to say a panic attack, but it was like, okay,

1397
01:10:09,400 --> 01:10:12,280
Speaker 6: we'll ever go with this. Okay, somebody don't get sucked up. Okay,

1398
01:10:12,320 --> 01:10:14,320
Speaker 6: you know somebody gonna dive in. Am I gonna hear

1399
01:10:14,360 --> 01:10:16,920
Speaker 6: the ambulamps? Like like that's when my heart started going

1400
01:10:16,960 --> 01:10:18,080
Speaker 6: the first time I heard that.

1401
01:10:18,640 --> 01:10:21,960
Speaker 3: Yeah, it's like they unmuted the beginning of those R

1402
01:10:21,960 --> 01:10:22,960
Speaker 3: and B videos.

1403
01:10:24,000 --> 01:10:27,559
Speaker 1: Yes, and it also you know you you all know

1404
01:10:27,600 --> 01:10:29,800
Speaker 1: what's funny though, The part of the song I do

1405
01:10:29,840 --> 01:10:31,960
Speaker 1: want to skip is when they start getting ready to fuck.

1406
01:10:33,120 --> 01:10:35,120
Speaker 1: I don't know why, but that's the part that I'm like,

1407
01:10:35,200 --> 01:10:37,640
Speaker 1: all right, and it reminds me. It reminds me of

1408
01:10:37,880 --> 01:10:40,560
Speaker 1: when I when I got a video. It reminds me

1409
01:10:40,640 --> 01:10:45,960
Speaker 1: when I got Intros album and my aunt was I

1410
01:10:46,000 --> 01:10:47,519
Speaker 1: was listening to it in the car with my aunt

1411
01:10:47,600 --> 01:10:51,560
Speaker 1: for the first time, the tape and it's like I

1412
01:10:51,720 --> 01:10:55,120
Speaker 1: only heard the radio version of let Me Come Inside,

1413
01:10:55,640 --> 01:11:00,680
Speaker 1: not the one minute and fifty seconds of audio audio

1414
01:11:01,360 --> 01:11:05,280
Speaker 1: intercourse that you let me. Yeah, that ends that song.

1415
01:11:05,800 --> 01:11:08,080
Speaker 1: And now I'm just sitting in the car awkwardly with

1416
01:11:08,120 --> 01:11:12,559
Speaker 1: my aunt and my mom hoping that this like wishing

1417
01:11:12,760 --> 01:11:15,760
Speaker 1: for any amount of just like can we move the

1418
01:11:15,800 --> 01:11:19,880
Speaker 1: fuck on? And the answer was no, that we couldn't

1419
01:11:19,920 --> 01:11:22,880
Speaker 1: move the fuck on. They were taking their sweet ass time.

1420
01:11:23,000 --> 01:11:28,400
Speaker 1: That song is eight minutes long the album version, while

1421
01:11:28,560 --> 01:11:32,439
Speaker 1: like the radio three tops four. Yeah, like the radio

1422
01:11:32,520 --> 01:11:34,640
Speaker 1: version was like two or three, like maybe three or

1423
01:11:34,640 --> 01:11:37,599
Speaker 1: four minutes, but that, like the last thirty is just

1424
01:11:37,640 --> 01:11:41,880
Speaker 1: like fucking It's so like ever since then, I think

1425
01:11:41,920 --> 01:11:45,640
Speaker 1: I've been triggered. I've been traumatized by that. So anytime

1426
01:11:45,680 --> 01:11:48,000
Speaker 1: I hear an album where they start doing some section,

1427
01:11:48,160 --> 01:11:50,000
Speaker 1: I always am like, let me just fast.

1428
01:11:49,800 --> 01:11:52,320
Speaker 2: Forward a little. Yeah, it's just a little weird.

1429
01:11:52,520 --> 01:11:55,960
Speaker 1: Yeah, Biggie had multiple like getting my dick suck sucking

1430
01:11:56,000 --> 01:11:57,080
Speaker 1: in the back of a car.

1431
01:11:58,200 --> 01:12:01,519
Speaker 6: Noriega ask somebody getting it in. But it don't mean

1432
01:12:01,560 --> 01:12:02,520
Speaker 6: I got to listen.

1433
01:12:02,360 --> 01:12:05,479
Speaker 1: On in our n R does a dig sucking part

1434
01:12:05,520 --> 01:12:07,360
Speaker 1: and I'm just like, nope, nope, I don't want to

1435
01:12:07,360 --> 01:12:10,080
Speaker 1: listen to this. Why are you doing this? All right?

1436
01:12:10,439 --> 01:12:16,360
Speaker 1: Speaking of uh, speaking of Taylor, Uh, she's dating Jesse

1437
01:12:16,479 --> 01:12:21,240
Speaker 1: Williams now as an actor. As an actor in plays,

1438
01:12:21,720 --> 01:12:25,000
Speaker 1: how do you feel about the Jesse Williams New Broadway League?

1439
01:12:27,040 --> 01:12:27,360
Speaker 4: Uh?

1440
01:12:27,439 --> 01:12:31,240
Speaker 1: I know Actors Equity Association called it, uh sexual harassment.

1441
01:12:32,160 --> 01:12:34,920
Speaker 1: I've seen a lot of hypocritical black women that you know,

1442
01:12:35,080 --> 01:12:38,960
Speaker 1: claim the uh to be about you know more than

1443
01:12:39,000 --> 01:12:42,200
Speaker 1: this that immediately said fuck that, I'm seeing some dick

1444
01:12:42,800 --> 01:12:46,040
Speaker 1: and uh and I likes it. Uh, And they they

1445
01:12:46,080 --> 01:12:48,800
Speaker 1: became savages. So like, how do you how do you

1446
01:12:48,840 --> 01:12:50,839
Speaker 1: feel about it as a person that's been on stage

1447
01:12:50,920 --> 01:12:52,559
Speaker 1: and and like what does that mean?

1448
01:12:52,920 --> 01:12:53,080
Speaker 6: Uh?

1449
01:12:53,320 --> 01:12:54,360
Speaker 1: You know, like that they.

1450
01:12:54,240 --> 01:12:56,400
Speaker 2: Did that you shouldn't do that.

1451
01:12:56,439 --> 01:13:00,360
Speaker 3: It's supposed to be a sacred space and it's like,

1452
01:13:00,439 --> 01:13:03,960
Speaker 3: you know, for people to be comfortable to share what

1453
01:13:04,000 --> 01:13:08,640
Speaker 3: they want to share, and it's yeah, I think it.

1454
01:13:08,880 --> 01:13:10,400
Speaker 3: I think just get a ticket if you want to

1455
01:13:10,439 --> 01:13:14,439
Speaker 3: see it. Yeah, the support, support the actors, support the

1456
01:13:14,439 --> 01:13:16,480
Speaker 3: people that are performing.

1457
01:13:16,520 --> 01:13:17,439
Speaker 2: And it's a good play.

1458
01:13:17,920 --> 01:13:20,880
Speaker 1: Because wasn't that kid from Harry Potter in a play

1459
01:13:21,000 --> 01:13:23,200
Speaker 1: Equist or something where he had full front of nudity

1460
01:13:23,200 --> 01:13:25,920
Speaker 1: And it seemed like I don't think the news leaked

1461
01:13:25,920 --> 01:13:29,080
Speaker 1: from that, Like it seemed like I mean, maybe they

1462
01:13:29,160 --> 01:13:32,799
Speaker 1: just seen the dick and they just was they couldn't

1463
01:13:32,800 --> 01:13:34,360
Speaker 1: help themselves, like I got to get a picture to

1464
01:13:34,400 --> 01:13:36,519
Speaker 1: share with the world, but it seems like a very

1465
01:13:37,080 --> 01:13:39,120
Speaker 1: fucked up thing to do. It reminds me a lot

1466
01:13:39,120 --> 01:13:42,599
Speaker 1: of when the news would leak and everybody was shaming

1467
01:13:42,680 --> 01:13:45,559
Speaker 1: people when it was the fappening and it was all

1468
01:13:45,600 --> 01:13:49,840
Speaker 1: these women's news in Hollywood, But then like men's news

1469
01:13:49,960 --> 01:13:53,280
Speaker 1: leak and it's like the timeline can't wait to share them,

1470
01:13:53,280 --> 01:13:56,120
Speaker 1: and you're like, y'all ain't shitty either. Stop trying to

1471
01:13:56,120 --> 01:13:58,840
Speaker 1: act like you better than everybody else. Because when it

1472
01:13:58,880 --> 01:14:02,800
Speaker 1: was motherfucking surge Obaca, y'all couldnot wait to put that

1473
01:14:02,880 --> 01:14:06,759
Speaker 1: dick in everyone's face talking about unsolicited nudes. Them. News

1474
01:14:06,880 --> 01:14:09,920
Speaker 1: was was all over the place. Nobody had to solicit them.

1475
01:14:11,400 --> 01:14:12,519
Speaker 4: You know, I've been missing.

1476
01:14:15,200 --> 01:14:17,920
Speaker 3: She was saying that fourth fron duty is an integral

1477
01:14:17,960 --> 01:14:21,200
Speaker 3: part of the story, though I think, I think, yeah, like,

1478
01:14:21,320 --> 01:14:23,280
Speaker 3: and then she says, it's he was doing that.

1479
01:14:23,360 --> 01:14:25,680
Speaker 2: The show's been running for a while now.

1480
01:14:25,840 --> 01:14:27,559
Speaker 3: But it is a part of the story, Like there

1481
01:14:27,640 --> 01:14:30,160
Speaker 3: is a shower scene in the in the play, and.

1482
01:14:30,800 --> 01:14:32,760
Speaker 1: Yeah, but I don't think the amount of time it

1483
01:14:32,800 --> 01:14:36,240
Speaker 1: took the league matters. I think if we're saying somebody, yeah,

1484
01:14:36,320 --> 01:14:40,160
Speaker 1: we're saying somebody, yeah, that's all I would for a

1485
01:14:40,200 --> 01:14:43,920
Speaker 1: woman either exact and well, that's the thing that that's

1486
01:14:43,920 --> 01:14:47,200
Speaker 1: the thing. If it was a woman, it would be reversed,

1487
01:14:47,960 --> 01:14:50,320
Speaker 1: like like, I don't think men or women are better

1488
01:14:50,360 --> 01:14:52,559
Speaker 1: than each other. I just think they're equal opportunity pieces

1489
01:14:52,600 --> 01:14:54,720
Speaker 1: of ship. And this is, of course a very heteronormal

1490
01:14:54,760 --> 01:14:58,040
Speaker 1: conversation we're having, but it just would have been I'm

1491
01:14:58,040 --> 01:15:01,120
Speaker 1: attracted to this person, I'm wanted to share this and

1492
01:15:01,120 --> 01:15:04,799
Speaker 1: it seems fucked up. Regardless of you know how it happens.

1493
01:15:04,800 --> 01:15:07,599
Speaker 1: But a lot of times was wrong.

1494
01:15:07,439 --> 01:15:09,880
Speaker 4: With I can make your slap somebody.

1495
01:15:11,040 --> 01:15:12,560
Speaker 1: I think a lot of times that's really what it.

1496
01:15:14,160 --> 01:15:21,560
Speaker 6: Yeah, rest in peace and people that like something was

1497
01:15:21,560 --> 01:15:24,840
Speaker 6: wrong with him for being angry. I'd have been mad, dude, Like, yes,

1498
01:15:24,840 --> 01:15:26,559
Speaker 6: he got the right to be mad because it's not

1499
01:15:26,640 --> 01:15:28,000
Speaker 6: something that he expected to be out.

1500
01:15:28,160 --> 01:15:31,000
Speaker 1: He even said like he's not that upset about it,

1501
01:15:31,160 --> 01:15:36,479
Speaker 1: but he just recognizes that, right, He's like, I'm not

1502
01:15:36,520 --> 01:15:39,360
Speaker 1: that upset about it, but it's but it is fucked up,

1503
01:15:39,400 --> 01:15:42,120
Speaker 1: Like it wasn't like he yeah, he didn't say like

1504
01:15:42,800 --> 01:15:44,599
Speaker 1: I'm not that upset about it. I got a big dick.

1505
01:15:44,640 --> 01:15:46,519
Speaker 1: He was like, nah, it's fucked up.

1506
01:15:50,760 --> 01:15:52,960
Speaker 2: Samuel Will approved right.

1507
01:15:54,640 --> 01:15:57,519
Speaker 1: Speaking of speaking of other light skinned black people.

1508
01:15:58,280 --> 01:15:58,599
Speaker 4: Uh.

1509
01:15:58,800 --> 01:16:03,800
Speaker 1: Allegedly. Sean King dispute what happened? What Karen? Come on?

1510
01:16:04,640 --> 01:16:05,639
Speaker 4: Why not a problem?

1511
01:16:05,680 --> 01:16:08,240
Speaker 1: Because I say, oh, no, grow up over there. Okay, No,

1512
01:16:08,400 --> 01:16:12,120
Speaker 1: I will not. I'm talking about activism, Karen, Okay. Sean

1513
01:16:12,200 --> 01:16:16,639
Speaker 1: King disputes clothing line gets clothingline being called a scam

1514
01:16:16,880 --> 01:16:22,040
Speaker 1: after orders reportedly went unfilled. After it's Shawn King's private

1515
01:16:22,040 --> 01:16:23,920
Speaker 1: clothing brand a real one.

1516
01:16:25,080 --> 01:16:27,479
Speaker 4: Oh, Oh, so, what was the real brand?

1517
01:16:28,360 --> 01:16:30,360
Speaker 1: A real one? He's like, you know, a real.

1518
01:16:30,240 --> 01:16:34,160
Speaker 4: Nigga want to talking about the brand?

1519
01:16:34,160 --> 01:16:36,120
Speaker 1: My bad, the name of the brand is a real one.

1520
01:16:36,320 --> 01:16:37,920
Speaker 2: Oh, that's the name of the brandy.

1521
01:16:38,680 --> 01:16:41,919
Speaker 6: Oh, this is about the internet being on the internet. Statement,

1522
01:16:42,040 --> 01:16:42,439
Speaker 6: My bad.

1523
01:16:42,520 --> 01:16:43,519
Speaker 4: You got to explain to me.

1524
01:16:43,560 --> 01:16:46,599
Speaker 1: I don't be knowing a real one is the name

1525
01:16:46,600 --> 01:16:50,400
Speaker 1: of the brand has been accused of scamming customers after

1526
01:16:50,439 --> 01:16:52,960
Speaker 1: it took to Twitter and Instagram. Many took the Twitter

1527
01:16:53,040 --> 01:16:57,200
Speaker 1: Instagram wondering why they haven't received their orders eight months

1528
01:16:57,200 --> 01:16:58,360
Speaker 1: after the company's launch.

1529
01:16:58,880 --> 01:17:03,719
Speaker 4: Who he think he is? Bowl? Yeah?

1530
01:17:04,120 --> 01:17:10,920
Speaker 1: Almost so? Yeah he And look, I mean if you

1531
01:17:11,080 --> 01:17:14,800
Speaker 1: order some of them, Sean King get this point. I mean,

1532
01:17:16,560 --> 01:17:19,400
Speaker 1: I hate the victim wain, but come on, King, King,

1533
01:17:19,439 --> 01:17:21,840
Speaker 1: who rose into the public eye that started Black Lives

1534
01:17:21,880 --> 01:17:24,960
Speaker 1: Matter movements, started a private clothing brand at lone September

1535
01:17:25,040 --> 01:17:28,080
Speaker 1: twenty twenty one. Yall, I'll tell you this, that man

1536
01:17:28,560 --> 01:17:33,040
Speaker 1: always got a business cooking. Okay, that man starts him

1537
01:17:33,080 --> 01:17:34,160
Speaker 1: a business.

1538
01:17:33,840 --> 01:17:35,920
Speaker 4: In a heartbeat, while the rest of y'all hating.

1539
01:17:36,040 --> 01:17:39,439
Speaker 1: He over here getting them articles and in corporation together.

1540
01:17:40,120 --> 01:17:43,400
Speaker 6: The Clothing King lots of lcs and s corpse happening

1541
01:17:43,439 --> 01:17:44,559
Speaker 6: over there under his name.

1542
01:17:44,760 --> 01:17:47,680
Speaker 1: The King. The Clothing King, advertised on his Instagram, is

1543
01:17:47,680 --> 01:17:51,719
Speaker 1: one organic, black owned from the seed to the shipping

1544
01:17:51,760 --> 01:17:57,320
Speaker 1: and everything in between, deeply purposeful. How black owned shipping?

1545
01:17:58,800 --> 01:18:00,439
Speaker 1: Is there a black owned shipping? Come here?

1546
01:18:00,600 --> 01:18:02,400
Speaker 4: Just it might be I.

1547
01:18:02,360 --> 01:18:03,040
Speaker 1: Don't even know.

1548
01:18:03,760 --> 01:18:04,599
Speaker 4: I don't know.

1549
01:18:04,680 --> 01:18:08,040
Speaker 1: It probably is black owned shipping.

1550
01:18:08,640 --> 01:18:10,240
Speaker 4: You know how big they are, but you know it's

1551
01:18:10,240 --> 01:18:11,320
Speaker 4: somewhere right around here.

1552
01:18:11,520 --> 01:18:17,040
Speaker 1: Okay, you got send me express. Uh, you got a

1553
01:18:17,160 --> 01:18:20,040
Speaker 1: Lucky Find Logistics LLC.

1554
01:18:20,680 --> 01:18:22,360
Speaker 4: Come on through Luckies.

1555
01:18:21,920 --> 01:18:30,000
Speaker 1: Global Principles Logistics. We being everything Owens International ANC Transportation. Okay,

1556
01:18:30,000 --> 01:18:32,280
Speaker 1: so I gets some such Maybe he used one of

1557
01:18:32,320 --> 01:18:36,200
Speaker 1: these I don't know, or maybe you know the ups.

1558
01:18:36,240 --> 01:18:38,800
Speaker 1: Maybe the US stands for us, you know what I mean?

1559
01:18:39,880 --> 01:18:40,040
Speaker 3: Uh?

1560
01:18:40,760 --> 01:18:45,640
Speaker 1: Anyway, he he told news Week in an email that

1561
01:18:45,680 --> 01:18:48,680
Speaker 1: the accusations against the clothing Line being the scammer not true.

1562
01:18:48,880 --> 01:18:51,360
Speaker 1: He said, one we had, they didn't.

1563
01:18:51,400 --> 01:18:52,240
Speaker 4: What are we talking about?

1564
01:18:52,439 --> 01:18:55,160
Speaker 1: He said? We had nearly thirty five hundred orders and

1565
01:18:55,200 --> 01:18:58,559
Speaker 1: shipped every order, all of them, some two to three times.

1566
01:18:58,680 --> 01:19:01,280
Speaker 1: Out of those thirty five hundred orders, about one hundred

1567
01:19:01,280 --> 01:19:03,920
Speaker 1: and fifty people moved or had shipping problems. For those

1568
01:19:03,960 --> 01:19:06,760
Speaker 1: one hundred and fifty people, we resent the orders, We

1569
01:19:06,800 --> 01:19:11,519
Speaker 1: resent the orders or process refunds. Two. We just emailed

1570
01:19:11,520 --> 01:19:14,360
Speaker 1: our entire customer base to ask any customer that might

1571
01:19:14,400 --> 01:19:17,000
Speaker 1: have fallen through the cracks to email us. Two people

1572
01:19:17,040 --> 01:19:19,800
Speaker 1: replied saying they wanted exchanges of refunds for orders they

1573
01:19:19,800 --> 01:19:23,160
Speaker 1: had trouble with. Two. Out of those thirty five hundred,

1574
01:19:23,280 --> 01:19:25,400
Speaker 1: we had about seventy five to one hundred customers who

1575
01:19:25,400 --> 01:19:27,880
Speaker 1: had errors in that email addresses of phone numbers that

1576
01:19:28,000 --> 01:19:30,720
Speaker 1: may be hard for us to reach. When we then

1577
01:19:30,840 --> 01:19:33,439
Speaker 1: run those potential customers with errors up against all the

1578
01:19:33,479 --> 01:19:35,960
Speaker 1: other orders that were delivered, we don't see a single

1579
01:19:36,000 --> 01:19:39,639
Speaker 1: customer left with a contact info error that hasn't received

1580
01:19:39,640 --> 01:19:42,599
Speaker 1: the order. Still, we are standing by to help any

1581
01:19:42,600 --> 01:19:46,479
Speaker 1: customer as a single issue of problem. The website editor

1582
01:19:46,479 --> 01:19:48,559
Speaker 1: advertises t shirts and hoodies that come in a few

1583
01:19:48,600 --> 01:19:51,759
Speaker 1: select colors and designs, one of which depicts a photo

1584
01:19:51,760 --> 01:19:54,599
Speaker 1: of King smoking a joint on the front. The hoodies

1585
01:19:54,640 --> 01:19:57,400
Speaker 1: that with that specific design are sold for one hundred

1586
01:19:57,439 --> 01:20:00,599
Speaker 1: and sixty five dollars. What kind of what is that

1587
01:20:00,640 --> 01:20:01,479
Speaker 1: made that off?

1588
01:20:05,479 --> 01:20:07,760
Speaker 4: That must be that high quality cotton.

1589
01:20:08,120 --> 01:20:10,320
Speaker 3: It's like you said, Rod, at this point, if you're

1590
01:20:10,320 --> 01:20:12,799
Speaker 3: still buying his ship or I mean.

1591
01:20:14,240 --> 01:20:15,840
Speaker 2: Third good partial.

1592
01:20:15,960 --> 01:20:19,679
Speaker 6: That cotton better feel like too, one hundred and fifty dollars,

1593
01:20:19,800 --> 01:20:20,560
Speaker 6: my nigga.

1594
01:20:20,840 --> 01:20:24,920
Speaker 1: Change it entire supply change you can shop. You got

1595
01:20:25,000 --> 01:20:27,919
Speaker 1: the black hoodies? They all say, like a real one

1596
01:20:28,600 --> 01:20:31,880
Speaker 1: you got? Oh man, this picture is naughty. This is

1597
01:20:33,280 --> 01:20:38,000
Speaker 1: oh my god, oh man, who's rocking? I mean I

1598
01:20:38,080 --> 01:20:41,880
Speaker 1: might buy it ironically, like like I think it would

1599
01:20:41,920 --> 01:20:43,960
Speaker 1: be cool to show up with a Sean kinghoody to

1600
01:20:44,120 --> 01:20:44,759
Speaker 1: like black.

1601
01:20:45,200 --> 01:20:46,520
Speaker 2: A bar in Williamsburg.

1602
01:20:46,760 --> 01:20:50,920
Speaker 1: Yeah, now the church very priced high sixty five dollars.

1603
01:20:51,560 --> 01:20:55,360
Speaker 2: What yeah, that's that's is it a beefy t.

1604
01:20:57,320 --> 01:21:01,679
Speaker 1: It's black, it's black on dog. This is ah yeah,

1605
01:21:01,720 --> 01:21:05,280
Speaker 1: this is a real one. On the label it says large.

1606
01:21:05,840 --> 01:21:09,680
Speaker 3: What's the character in Atlanta that they said was supposed to.

1607
01:21:09,640 --> 01:21:13,320
Speaker 1: Be I forget his name, but yeah, the English bloke.

1608
01:21:13,439 --> 01:21:16,360
Speaker 1: He also got some just regular hoodie regular teas with

1609
01:21:16,479 --> 01:21:22,479
Speaker 1: no logo that costs fifty dollars. What bitch? What? Yeah,

1610
01:21:22,760 --> 01:21:23,400
Speaker 1: I don't get that.

1611
01:21:23,560 --> 01:21:24,400
Speaker 4: I don't get that at.

1612
01:21:24,840 --> 01:21:27,400
Speaker 1: By the way, the relaxed T shirt with Sean King

1613
01:21:27,520 --> 01:21:29,280
Speaker 1: organic white prototype sold.

1614
01:21:29,040 --> 01:21:32,960
Speaker 4: Out Hm, who buy it? Did he buy him out?

1615
01:21:33,000 --> 01:21:33,679
Speaker 4: Who bought him?

1616
01:21:34,360 --> 01:21:34,559
Speaker 3: Uh?

1617
01:21:35,560 --> 01:21:40,160
Speaker 1: Caring from being honest, white people, probably probably a lot

1618
01:21:40,160 --> 01:21:42,519
Speaker 1: of a lot of allies, a lot of allies.

1619
01:21:42,800 --> 01:21:44,960
Speaker 4: My bad, My bad, I'm like, who is fine?

1620
01:21:45,840 --> 01:21:47,200
Speaker 1: Well, I mean, this is what I was saying with

1621
01:21:47,240 --> 01:21:51,000
Speaker 1: the Kendrick's and it's just something I've come to realization. Man,

1622
01:21:51,200 --> 01:21:53,080
Speaker 1: I feel like I've always been this way, but I

1623
01:21:53,240 --> 01:21:57,880
Speaker 1: just I'd rather be with somebody that says the right

1624
01:21:57,920 --> 01:22:01,280
Speaker 1: ship the wrong way and somebody that says the right

1625
01:22:01,320 --> 01:22:04,280
Speaker 1: shit and then be doing wrong shit, you know what

1626
01:22:04,320 --> 01:22:07,679
Speaker 1: I mean, Like, like it's easy to fake this shit,

1627
01:22:07,920 --> 01:22:10,200
Speaker 1: Like people keep asking it is, Like at this point

1628
01:22:10,240 --> 01:22:12,960
Speaker 1: I have nothing but respect for Sean King's hustle because like,

1629
01:22:13,160 --> 01:22:14,360
Speaker 1: at this point.

1630
01:22:14,120 --> 01:22:16,599
Speaker 4: It's on fleek, He's able to just say.

1631
01:22:16,439 --> 01:22:19,120
Speaker 1: The right things, and if you're fucking with him, you're

1632
01:22:19,200 --> 01:22:23,120
Speaker 1: just easily fooled by someone saying the right things. Yeah,

1633
01:22:23,160 --> 01:22:25,840
Speaker 1: what can I say, y'all y'all falling for that? It's

1634
01:22:25,880 --> 01:22:26,519
Speaker 1: not my problem.

1635
01:22:26,560 --> 01:22:30,160
Speaker 4: I mean he got a market.

1636
01:22:29,360 --> 01:22:30,639
Speaker 2: Victim blaming this case.

1637
01:22:30,800 --> 01:22:38,000
Speaker 1: Yeah, so yeah, they TV comedian personality Ashley Ray brote, Hello,

1638
01:22:38,040 --> 01:22:40,080
Speaker 1: it's been eight months since Shaun King launched a private

1639
01:22:40,120 --> 01:22:42,439
Speaker 1: clothing line and sold one hundred and sixty five dollar hoodies.

1640
01:22:42,640 --> 01:22:45,040
Speaker 1: Dads have been an update since October, the entire Instagram

1641
01:22:45,040 --> 01:22:47,519
Speaker 1: has been deleted. In the last existing comments where people

1642
01:22:47,600 --> 01:22:53,800
Speaker 1: say they still hadn't gotten their orders. Oh man. She

1643
01:22:53,880 --> 01:22:55,760
Speaker 1: went on to discover that the Instagram account for the

1644
01:22:55,760 --> 01:22:58,439
Speaker 1: brand was still active. Oh so she was lying, but

1645
01:22:58,560 --> 01:23:00,960
Speaker 1: had blocked her from viewing the account. Oh well, maybe

1646
01:23:00,960 --> 01:23:03,200
Speaker 1: she don't know what she's talking about. Laugh, minds How

1647
01:23:03,240 --> 01:23:05,240
Speaker 1: Sean King really blocked me on Instagram on his main

1648
01:23:05,320 --> 01:23:08,679
Speaker 1: account of all the scam side Hust's accounts. That's so thorough.

1649
01:23:09,600 --> 01:23:12,360
Speaker 1: While several users comment that they have received their items,

1650
01:23:12,400 --> 01:23:16,519
Speaker 1: many others claim they hadn't. So I don't know. Sounds

1651
01:23:16,560 --> 01:23:19,800
Speaker 1: like sound like a regular rollout. Some people got it,

1652
01:23:19,840 --> 01:23:24,480
Speaker 1: something didn't. But yeah, I know what I'm getting for Christmas?

1653
01:23:25,120 --> 01:23:25,200
Speaker 4: What?

1654
01:23:26,040 --> 01:23:29,559
Speaker 1: Uh? Sean King hoodie here with his face on.

1655
01:23:29,479 --> 01:23:33,920
Speaker 6: This Not if it takes three trimesters, you gonna miss Christmas.

1656
01:23:36,920 --> 01:23:41,800
Speaker 6: I'm sorry that that'll be a twenty twenty three baby Christmas.

1657
01:23:42,640 --> 01:23:44,519
Speaker 1: I thought I was thought I was gonna be able

1658
01:23:44,520 --> 01:23:47,840
Speaker 1: to do something. All right, let me see how long

1659
01:23:47,880 --> 01:23:50,000
Speaker 1: we've been talking. Oh, our twenty three minutes. All right,

1660
01:23:50,080 --> 01:23:52,120
Speaker 1: let me get into some stuff that Chris wants to

1661
01:23:52,120 --> 01:23:54,920
Speaker 1: get into. Okay, guys, we've been talking for a while,

1662
01:23:55,600 --> 01:23:58,240
Speaker 1: but we really need to get into some uh some

1663
01:23:58,280 --> 01:24:02,960
Speaker 1: white people news. Everyone knows we got somebody that no

1664
01:24:03,080 --> 01:24:06,000
Speaker 1: people presus me and Rochester. We're guessing.

1665
01:24:06,560 --> 01:24:08,240
Speaker 4: I don't know, do you know?

1666
01:24:08,400 --> 01:24:24,559
Speaker 1: We'll find out why?

1667
01:24:25,400 --> 01:24:25,599
Speaker 4: Why?

1668
01:24:29,840 --> 01:24:33,479
Speaker 1: All right, let's talk about these white people news. Alec

1669
01:24:33,560 --> 01:24:41,200
Speaker 1: Baldwin and wife Hilaria enjoy quality time with their children. Okay,

1670
01:24:41,320 --> 01:24:44,120
Speaker 1: we love to see the little white babies as they

1671
01:24:44,160 --> 01:24:47,000
Speaker 1: go for a leisurely strolled as they await the arrival

1672
01:24:47,040 --> 01:24:50,120
Speaker 1: of baby number seven.

1673
01:24:50,520 --> 01:24:52,880
Speaker 4: Don't get nothing about y'all calling out.

1674
01:24:53,400 --> 01:24:53,799
Speaker 1: Listen.

1675
01:24:54,000 --> 01:24:55,400
Speaker 4: Okay, another one.

1676
01:24:56,280 --> 01:24:59,720
Speaker 1: Hen't they pro life over there in their personal relationship?

1677
01:24:59,760 --> 01:25:06,040
Speaker 1: Because cause he is filling it up. Alec Baldwin and

1678
01:25:06,080 --> 01:25:08,439
Speaker 1: his wife Hilaria took the two took two of their

1679
01:25:08,520 --> 01:25:11,000
Speaker 1: children out for a walk in New York City on Friday.

1680
01:25:11,439 --> 01:25:14,360
Speaker 1: The actor sixty four stepped out in a maroon polo

1681
01:25:14,439 --> 01:25:17,040
Speaker 1: shirt and a pair of black slacks. He walked in

1682
01:25:18,280 --> 01:25:20,960
Speaker 1: it's a nice shirt. He walked in black loafers and

1683
01:25:21,040 --> 01:25:24,920
Speaker 1: an expensive looking watch clung to his left wrist. Look

1684
01:25:24,960 --> 01:25:27,880
Speaker 1: at them babies. Okay, no shoes on.

1685
01:25:28,960 --> 01:25:31,160
Speaker 2: Gotta be stressed she do.

1686
01:25:31,360 --> 01:25:36,240
Speaker 6: Look, yeah, lots some of them kids ain't gone.

1687
01:25:36,320 --> 01:25:38,280
Speaker 4: Ain't You're gonna be gone for some of them kids

1688
01:25:38,320 --> 01:25:38,639
Speaker 4: get grown.

1689
01:25:38,680 --> 01:25:43,600
Speaker 1: Sixty four Baldwin's white hair stuck out in several different directions,

1690
01:25:43,640 --> 01:25:45,800
Speaker 1: and a few days worth a stubble set promptly on

1691
01:25:45,840 --> 01:25:49,000
Speaker 1: his face. Thirty rock Stars Better Half thirty eight sported

1692
01:25:49,040 --> 01:25:51,320
Speaker 1: a green flannel over white T shirt. She wore a

1693
01:25:51,360 --> 01:25:56,040
Speaker 1: pair of black leggings and matching slippers. She pulled a

1694
01:25:56,080 --> 01:25:59,599
Speaker 1: black baseball cap that red culture department low over her eyes. Well,

1695
01:25:59,600 --> 01:26:01,880
Speaker 1: she do like other people's culture, so that makes sense.

1696
01:26:02,800 --> 01:26:07,599
Speaker 1: And don a pair of thick sunglasses. Yeah, he always

1697
01:26:07,640 --> 01:26:09,599
Speaker 1: looks stressed out in these pictures, now.

1698
01:26:09,640 --> 01:26:12,920
Speaker 4: Of course he does. He realized that his wife isn't

1699
01:26:12,920 --> 01:26:13,840
Speaker 4: it isn't.

1700
01:26:13,640 --> 01:26:16,120
Speaker 1: As exotic as he thought. Oh, you think that's it.

1701
01:26:16,120 --> 01:26:18,120
Speaker 1: It's not that he's shooting a woman in her face

1702
01:26:18,120 --> 01:26:24,960
Speaker 1: and killing her. I think that's what I think. I

1703
01:26:24,960 --> 01:26:28,040
Speaker 1: think that probably provided a lot of levity in their relationship.

1704
01:26:28,200 --> 01:26:30,599
Speaker 1: Was like, you know what, that's not the worst thing

1705
01:26:30,600 --> 01:26:32,200
Speaker 1: in the world. You faking being Spanish?

1706
01:26:33,160 --> 01:26:33,280
Speaker 9: Uh?

1707
01:26:34,400 --> 01:26:36,880
Speaker 1: Her light brown hair was tucked behind the ears and

1708
01:26:36,880 --> 01:26:39,120
Speaker 1: brushed the tops of her shoulders. The couple pushed two

1709
01:26:39,120 --> 01:26:43,240
Speaker 1: of their kids, the son Eduardo eighteen months, at Lucia

1710
01:26:43,320 --> 01:26:45,320
Speaker 1: thirteen months, in the strollers.

1711
01:26:44,800 --> 01:26:47,840
Speaker 4: As they she's about to have another one, and.

1712
01:26:47,960 --> 01:26:53,040
Speaker 1: Just as they walked through the concrete, Oh did I disappear?

1713
01:26:53,120 --> 01:26:55,559
Speaker 4: Okay, I'm coming back, my bad, Yeah, Chris, what did

1714
01:26:55,560 --> 01:26:55,960
Speaker 4: you say?

1715
01:26:56,680 --> 01:26:57,439
Speaker 2: I was just making sure.

1716
01:26:57,760 --> 01:27:00,200
Speaker 1: Okay, I thought she. I thought she was refreshing ainks

1717
01:27:00,240 --> 01:27:03,519
Speaker 1: for letting her know that their appears out came just

1718
01:27:03,560 --> 01:27:05,600
Speaker 1: a few days after the pair revealed the jender the

1719
01:27:05,680 --> 01:27:09,080
Speaker 1: child they're expecting. They're expecting a baby girl. I wonder

1720
01:27:09,120 --> 01:27:13,439
Speaker 1: what extra extra Mexican name they gonna get this little girl? Wait,

1721
01:27:13,479 --> 01:27:16,599
Speaker 1: what extra Latina name? Because you know, she be going

1722
01:27:16,760 --> 01:27:19,920
Speaker 1: extra hard with the white jeans to be like, this

1723
01:27:19,960 --> 01:27:26,200
Speaker 1: is my son Eduardo Jose Ramirez Baldwin. Where I'm like, okay,

1724
01:27:26,400 --> 01:27:30,920
Speaker 1: all right, all right, ma'am. Oh, yes, Selena, that's a

1725
01:27:30,920 --> 01:27:33,880
Speaker 1: good one. You know what if they let us put

1726
01:27:33,920 --> 01:27:37,719
Speaker 1: odds on names, April, you know what I would invest

1727
01:27:37,760 --> 01:27:39,960
Speaker 1: in Selena. That's a good one that like you might

1728
01:27:40,560 --> 01:27:43,599
Speaker 1: like that might pay out at at at a high rate.

1729
01:27:43,640 --> 01:27:43,880
Speaker 3: You know.

1730
01:27:45,600 --> 01:27:48,200
Speaker 1: But yeah, she revealed the child sex and the sentimental

1731
01:27:48,280 --> 01:27:50,639
Speaker 1: video she posted on her Instagram account with the words

1732
01:27:50,960 --> 01:27:55,320
Speaker 1: I can't wait to meet you my daughter. H Surprised

1733
01:27:55,320 --> 01:27:58,720
Speaker 1: she didn't say it in Spanish. You think she said

1734
01:27:58,720 --> 01:28:01,639
Speaker 1: it with the accent. I can't wait?

1735
01:28:01,760 --> 01:28:05,200
Speaker 4: How do you say?

1736
01:28:05,800 --> 01:28:08,600
Speaker 1: The Boston born influencer shared a visual keysake for the

1737
01:28:08,680 --> 01:28:11,759
Speaker 1: unborn child along with her husband Alex and their six children,

1738
01:28:11,920 --> 01:28:17,719
Speaker 1: daughters Lucia, Carmen and Gabriella, sons of Rafael Thomas, Leonardo, Angel,

1739
01:28:17,880 --> 01:28:24,400
Speaker 1: Charles Romeo, Alejandro David and Eduardo Edward Power Lucas.

1740
01:28:24,720 --> 01:28:27,680
Speaker 2: So you gotta kind of feel a little bad for

1741
01:28:27,720 --> 01:28:30,240
Speaker 2: the kid. That's just Raphael tom. Yeah.

1742
01:28:30,760 --> 01:28:35,280
Speaker 1: She was like, I don't I don't know any of Yeah, Rafael,

1743
01:28:35,760 --> 01:28:39,720
Speaker 1: well you know what I said, It's probably like Rafael Tomas, Tomas,

1744
01:28:40,280 --> 01:28:46,599
Speaker 1: even though it's felled Thomas, I guarantee you, she said, Thomas. Yeah.

1745
01:28:46,920 --> 01:28:47,519
Speaker 1: Oh man.

1746
01:28:48,040 --> 01:28:49,160
Speaker 4: They had a good head suit.

1747
01:28:49,240 --> 01:28:53,519
Speaker 1: Sit there, those poor babies. So yeah, they said this

1748
01:28:53,600 --> 01:28:56,639
Speaker 1: is their surprise baby news they might announced in March,

1749
01:28:57,080 --> 01:29:01,040
Speaker 1: five months after his fatal rust shooting. Uh hey, listen,

1750
01:29:01,240 --> 01:29:07,360
Speaker 1: one life is one life against oh no. It has

1751
01:29:07,400 --> 01:29:10,400
Speaker 1: always been both fun and minute. It has always been

1752
01:29:10,400 --> 01:29:12,360
Speaker 1: both fun and meaningful for me to find out what

1753
01:29:12,479 --> 01:29:14,639
Speaker 1: is the sex of my baby. Yet, as I grow

1754
01:29:14,720 --> 01:29:16,639
Speaker 1: and learn, I want to do it a bit differently

1755
01:29:16,680 --> 01:29:19,400
Speaker 1: this time around. What will make our baby a loving,

1756
01:29:19,439 --> 01:29:22,120
Speaker 1: whole person? What matters? What will make them feel seen,

1757
01:29:22,720 --> 01:29:29,439
Speaker 1: free and proud. So there you go, Good luck to them.

1758
01:29:29,840 --> 01:29:31,120
Speaker 1: You know what I'm saying. You love to see it.

1759
01:29:31,160 --> 01:29:36,480
Speaker 1: Look at this beautiful family photo of kids.

1760
01:29:36,479 --> 01:29:39,560
Speaker 2: Looks haggard. Man, he just looks so stressed.

1761
01:29:39,880 --> 01:29:46,040
Speaker 1: Yeah, man, like this is not but look he's still

1762
01:29:46,240 --> 01:29:49,160
Speaker 1: he's still topping her off. I mean he can't be

1763
01:29:49,240 --> 01:29:55,400
Speaker 1: that stressed. Okay, they still got the still kicking. Yeah,

1764
01:29:55,560 --> 01:29:59,120
Speaker 1: they still got that. He's still feeling her. Unh. Let's

1765
01:29:59,160 --> 01:30:11,160
Speaker 1: see Jason. Jason Momoa to the broom. Jason Momoa apologizes. Uh,

1766
01:30:11,320 --> 01:30:13,719
Speaker 1: he said, if you ever felt that I disrespect your culture,

1767
01:30:13,720 --> 01:30:17,200
Speaker 1: it wasn't my attention intention. He apologizes to fans for

1768
01:30:17,280 --> 01:30:23,080
Speaker 1: taking band pictures inside the Vatican City's Sistine Chapel. A man,

1769
01:30:23,880 --> 01:30:27,240
Speaker 1: so he was, uh, he was. He's been in Rome

1770
01:30:28,280 --> 01:30:33,599
Speaker 1: because he's filming Fast and Furious ten fast X and

1771
01:30:33,640 --> 01:30:35,920
Speaker 1: it took some time out with his friends and the

1772
01:30:36,000 --> 01:30:39,360
Speaker 1: crew uh for a private viewing of the chapel. However,

1773
01:30:39,400 --> 01:30:42,960
Speaker 1: after posting pictures from inside the building on Instagram this week,

1774
01:30:43,120 --> 01:30:45,479
Speaker 1: he received critical comments from fans who pointed out the

1775
01:30:45,479 --> 01:30:48,360
Speaker 1: public are not able to take pictures inside, usually with

1776
01:30:48,439 --> 01:30:50,719
Speaker 1: one writing we regular people are not allowed to film

1777
01:30:50,720 --> 01:30:54,240
Speaker 1: inside the Sistine Chapel, prompting him to apologize.

1778
01:30:54,400 --> 01:30:56,760
Speaker 2: You should say, I'm uncle man, bitch right.

1779
01:30:57,439 --> 01:30:59,320
Speaker 1: I don't know if y'all heard, but I'm not a

1780
01:30:59,360 --> 01:31:04,559
Speaker 1: regular member of the public. I'm not regularly you broke bitch.

1781
01:31:05,479 --> 01:31:11,640
Speaker 1: So I'm having sense with Lisa Bonet sad Okay, I

1782
01:31:11,640 --> 01:31:17,600
Speaker 1: can do what I want, he told just Jared, I

1783
01:31:17,720 --> 01:31:19,559
Speaker 1: just want to say, if you ever felt that I

1784
01:31:19,600 --> 01:31:21,320
Speaker 1: dispect your culture, it wasn't my attention.

1785
01:31:22,479 --> 01:31:24,519
Speaker 4: I came here when I was suspecting coachure. It just

1786
01:31:24,520 --> 01:31:25,599
Speaker 4: mad I can't take pictures.

1787
01:31:25,680 --> 01:31:27,639
Speaker 1: I came here when I was nineteen to twenty experience

1788
01:31:27,640 --> 01:31:29,960
Speaker 1: assisting chap I've always wanted to, and now that I can,

1789
01:31:30,040 --> 01:31:32,720
Speaker 1: I gave it wonderful donation to me to bring my

1790
01:31:32,800 --> 01:31:35,680
Speaker 1: friends and crew because we only had a couple of

1791
01:31:35,760 --> 01:31:39,360
Speaker 1: days off to experience these places. And then I found

1792
01:31:39,400 --> 01:31:41,639
Speaker 1: people wanted to take pictures with me, which is very

1793
01:31:41,680 --> 01:31:43,920
Speaker 1: odd during a trip to the Vatican with all this

1794
01:31:44,000 --> 01:31:46,280
Speaker 1: wonder and they want to take pictures with me, which

1795
01:31:46,320 --> 01:31:50,880
Speaker 1: I don't get, but regardless I did. And he went

1796
01:31:50,920 --> 01:31:52,519
Speaker 1: on to say he never wanted to dispect it, but

1797
01:31:52,560 --> 01:31:55,559
Speaker 1: he apologized that it happened. So these are some good

1798
01:31:55,600 --> 01:31:56,240
Speaker 1: pictures to I.

1799
01:31:56,240 --> 01:31:57,520
Speaker 4: Ain't they gorgeous?

1800
01:31:57,840 --> 01:32:03,439
Speaker 1: Right? They hate not letting people take picure like like,

1801
01:32:03,560 --> 01:32:06,559
Speaker 1: imagine you God, And that's what you're mad about, you

1802
01:32:06,600 --> 01:32:09,519
Speaker 1: know what I'm saying, Like all the shit going on,

1803
01:32:09,600 --> 01:32:11,960
Speaker 1: no worry, Like, listen, I don't care that that man

1804
01:32:12,040 --> 01:32:20,040
Speaker 1: shot up to black people in Buffalo, Like that's this

1805
01:32:20,240 --> 01:32:22,000
Speaker 1: nigga taking pictures in my shit?

1806
01:32:22,680 --> 01:32:26,200
Speaker 2: Like, you know, fucking awkward. Man. The movie wasn't even that.

1807
01:32:26,320 --> 01:32:32,120
Speaker 1: Good, right. Sarah Silverman reveals that she shares a toothbrush

1808
01:32:32,200 --> 01:32:35,640
Speaker 1: with her boyfriend Rory Albanese and says, why is that

1809
01:32:35,760 --> 01:32:36,360
Speaker 1: so girls?

1810
01:32:44,439 --> 01:32:44,839
Speaker 2: Uh?

1811
01:32:44,880 --> 01:32:47,840
Speaker 1: She revealed things have gotten shockingly intimate between herself and

1812
01:32:47,880 --> 01:32:52,080
Speaker 1: fellow comedian Rory Albanese on Wednesday, when she admitted that

1813
01:32:52,120 --> 01:32:54,200
Speaker 1: the tooth share the same toothbrush. The fifty one year

1814
01:32:54,200 --> 01:32:56,920
Speaker 1: old comedian left the cause that if you were post

1815
01:32:57,120 --> 01:32:59,640
Speaker 1: before going even further by wondering, allow how sharing the

1816
01:32:59,680 --> 01:33:03,439
Speaker 1: tooth was any less clean than all sex. Sonny, these

1817
01:33:03,479 --> 01:33:06,040
Speaker 1: are the real questions, and I applaud her bravery for

1818
01:33:06,120 --> 01:33:09,240
Speaker 1: asking them, because I often think asked wonder this myself,

1819
01:33:10,000 --> 01:33:13,360
Speaker 1: Like I like when people are like, I would never

1820
01:33:13,439 --> 01:33:17,080
Speaker 1: share a toothbrush. I'll eat your asshole, right, I mean

1821
01:33:17,240 --> 01:33:21,639
Speaker 1: that's reasonable and rational. Okay, listen, Okay, you can throat

1822
01:33:21,640 --> 01:33:24,559
Speaker 1: fuck me, that is fine, put a baby in me

1823
01:33:24,640 --> 01:33:28,640
Speaker 1: even no condom, like whatever you need to do, but

1824
01:33:29,360 --> 01:33:31,799
Speaker 1: use my toothbrush. Are you out of your fucking mind?

1825
01:33:31,880 --> 01:33:34,599
Speaker 1: Like I never understood the difference, but you know whatever,

1826
01:33:35,280 --> 01:33:36,639
Speaker 1: Sonny Holston, go ahead.

1827
01:33:36,640 --> 01:33:39,120
Speaker 2: I'm sorry, Chris, I'm just saying that's weird.

1828
01:33:39,520 --> 01:33:42,599
Speaker 1: Sonny Holston brought up, Wait, which part is weird? Using

1829
01:33:42,600 --> 01:33:46,160
Speaker 1: the toothbrush or eating ass? I don't which are weird?

1830
01:33:47,400 --> 01:33:52,920
Speaker 3: Well, I would just say the toothbrush is something that

1831
01:33:52,960 --> 01:33:53,719
Speaker 3: you don't normally.

1832
01:33:54,080 --> 01:33:58,439
Speaker 2: You know that eating ass is an agreement that the

1833
01:33:58,560 --> 01:34:00,479
Speaker 2: two people have more.

1834
01:34:01,000 --> 01:34:03,479
Speaker 4: So I'm just but the germs are still there.

1835
01:34:03,600 --> 01:34:05,800
Speaker 1: So let me just so let me just set the

1836
01:34:05,800 --> 01:34:09,559
Speaker 1: picture real quick. Okay, y'all, you go on a date

1837
01:34:09,600 --> 01:34:11,519
Speaker 1: with someone you really like him or whatever. Maybe it's

1838
01:34:11,520 --> 01:34:14,240
Speaker 1: the fifth day, maybe even our almost quasi in a relationship.

1839
01:34:14,280 --> 01:34:16,519
Speaker 1: I don't know. This is her boyfriend there after a'all,

1840
01:34:17,920 --> 01:34:22,040
Speaker 1: y'all do the nasty Okay, you just you go to

1841
01:34:22,040 --> 01:34:23,599
Speaker 1: town on each other. This is one of those sessions

1842
01:34:23,600 --> 01:34:26,479
Speaker 1: where it's just like the Lord will never forgive us

1843
01:34:26,479 --> 01:34:27,960
Speaker 1: for this, you know, like you want to go to

1844
01:34:28,040 --> 01:34:29,000
Speaker 1: church the next day.

1845
01:34:29,600 --> 01:34:34,120
Speaker 3: And you want to go to the siste.

1846
01:34:34,560 --> 01:34:39,040
Speaker 1: Yeah, they take pictures the next day, like God need

1847
01:34:39,080 --> 01:34:41,000
Speaker 1: to see this, you need to see me winning. And

1848
01:34:41,080 --> 01:34:46,800
Speaker 1: so you you already you laying in bed, right. She

1849
01:34:46,960 --> 01:34:50,879
Speaker 1: gets up in the morning and she's like, oh, Chris,

1850
01:34:51,720 --> 01:34:54,120
Speaker 1: I left my toothbrush at home. Do you mind if

1851
01:34:54,160 --> 01:34:57,280
Speaker 1: I use your toothbrush? You will be like hell no,

1852
01:34:57,600 --> 01:35:00,000
Speaker 1: are you out of your mind?

1853
01:34:59,360 --> 01:35:00,879
Speaker 4: That to your toothbrush?

1854
01:35:01,200 --> 01:35:01,439
Speaker 1: Is that?

1855
01:35:01,640 --> 01:35:01,880
Speaker 4: I mean?

1856
01:35:02,320 --> 01:35:04,840
Speaker 1: Is that an accurate picture? Like you would say no

1857
01:35:04,960 --> 01:35:06,280
Speaker 1: or would you like let her use it, but you

1858
01:35:06,320 --> 01:35:08,599
Speaker 1: would throw it out after buy a new toothbrush, Like

1859
01:35:09,000 --> 01:35:10,479
Speaker 1: what's the what would you do?

1860
01:35:11,520 --> 01:35:14,519
Speaker 3: I would because you use the toothbrush after you finished

1861
01:35:14,520 --> 01:35:20,080
Speaker 3: that session, right, so I would get another toothbrush, wow,

1862
01:35:22,320 --> 01:35:24,640
Speaker 3: and get I would get I would get her a toothbrush.

1863
01:35:25,479 --> 01:35:28,240
Speaker 1: No, but I mean this is the grip she got

1864
01:35:28,240 --> 01:35:31,360
Speaker 1: fifteen minutes to get the work. She overslept. Can I

1865
01:35:31,439 --> 01:35:32,799
Speaker 1: use your brush toothbrush?

1866
01:35:32,880 --> 01:35:35,240
Speaker 2: She can use that toothbrush. I get rid of it.

1867
01:35:35,320 --> 01:35:38,960
Speaker 1: And then did you buy two toothbrushes?

1868
01:35:39,680 --> 01:35:39,960
Speaker 2: Yes?

1869
01:35:40,520 --> 01:35:43,840
Speaker 1: Wow? Okay, so this is the thing I've heard people

1870
01:35:43,880 --> 01:35:46,960
Speaker 1: may say it's a thing. I guess I'm on Sarah

1871
01:35:47,000 --> 01:35:50,439
Speaker 1: Silman's side. I guess I'm nasty because I feel like

1872
01:35:50,920 --> 01:35:54,960
Speaker 1: if we did all these unspeakable things to each other last night,

1873
01:35:56,320 --> 01:35:58,600
Speaker 1: go ahead, go ahead and use my toothbrush if you

1874
01:35:58,640 --> 01:36:00,240
Speaker 1: got it, like.

1875
01:36:00,080 --> 01:36:02,759
Speaker 2: I would have her own. What's what's the what's the kind?

1876
01:36:03,000 --> 01:36:03,080
Speaker 1: Like?

1877
01:36:03,439 --> 01:36:05,880
Speaker 2: I mean if that was my lady, like, she'd have

1878
01:36:05,920 --> 01:36:06,360
Speaker 2: her own.

1879
01:36:06,400 --> 01:36:08,400
Speaker 3: But you know, if it was like we just got

1880
01:36:08,400 --> 01:36:10,680
Speaker 3: to know each other and we did that, we went

1881
01:36:10,720 --> 01:36:13,240
Speaker 3: to town on each other. She and I didn't have

1882
01:36:13,280 --> 01:36:16,439
Speaker 3: an extra toothbrush, like a spare that I was gonna use.

1883
01:36:16,720 --> 01:36:20,720
Speaker 3: I just give that to her, and then you.

1884
01:36:19,640 --> 01:36:22,960
Speaker 1: You have, you have you have steak breath all day

1885
01:36:23,040 --> 01:36:24,160
Speaker 1: till you get the CBS.

1886
01:36:25,600 --> 01:36:28,160
Speaker 2: I would wear a mask, and I would, you know,

1887
01:36:28,160 --> 01:36:28,639
Speaker 2: I would.

1888
01:36:30,840 --> 01:36:32,720
Speaker 1: I think we have our poll for the show, but

1889
01:36:32,920 --> 01:36:36,480
Speaker 1: that that to me, this sounds crazy. This sounds crazy.

1890
01:36:36,880 --> 01:36:39,799
Speaker 1: I don't think she sounds crazy at all. I've always

1891
01:36:39,920 --> 01:36:40,840
Speaker 1: learned this.

1892
01:36:51,120 --> 01:36:54,200
Speaker 2: My dentity, my dentist is different. Guys.

1893
01:36:57,280 --> 01:36:59,280
Speaker 4: You get t I tea.

1894
01:36:59,320 --> 01:37:05,519
Speaker 1: Different, you get that ginger btis Oh my god, this

1895
01:37:05,600 --> 01:37:10,599
Speaker 1: is the thing apparently ancestras cy Wow, Oh my god.

1896
01:37:11,120 --> 01:37:14,519
Speaker 1: I love how everyone makes up having as fair too,

1897
01:37:14,680 --> 01:37:19,000
Speaker 1: which I'm saying even having us fair. Like if there's

1898
01:37:19,040 --> 01:37:21,840
Speaker 1: been times where I go in my bathroom there's two

1899
01:37:21,840 --> 01:37:25,080
Speaker 1: tooth brushes in there, and Karen's used the one I use,

1900
01:37:25,240 --> 01:37:27,240
Speaker 1: or just brush my teeth, I'm like, I don't think

1901
01:37:27,280 --> 01:37:31,040
Speaker 1: to myself, like, god, damn, pick up a tooth brush. Yeah,

1902
01:37:31,080 --> 01:37:33,000
Speaker 1: we don't. I don't yeah, and I don't care. It

1903
01:37:33,040 --> 01:37:35,960
Speaker 1: doesn't matther me, I did not know this was a thing.

1904
01:37:36,280 --> 01:37:38,080
Speaker 6: Because at the end of the day, it put like this.

1905
01:37:38,200 --> 01:37:39,760
Speaker 6: By the time you've done doubt, I'm throwing out that

1906
01:37:39,840 --> 01:37:42,480
Speaker 6: Nashia ship with them. Whatever they got, you got anyway.

1907
01:37:42,160 --> 01:37:44,479
Speaker 1: Yeah, roder Karen, have you ever shared a tooth brush? Yes,

1908
01:37:45,240 --> 01:37:47,320
Speaker 1: and we have multiple two brushes. It's like five too

1909
01:37:47,360 --> 01:37:49,000
Speaker 1: brushes in here, but I can't keep up with them.

1910
01:37:49,080 --> 01:37:52,080
Speaker 1: Musical chairs. I'm like, just grabbed looking.

1911
01:37:52,320 --> 01:37:53,759
Speaker 4: I click my map.

1912
01:37:54,040 --> 01:37:56,960
Speaker 1: I really didn't know this was a thing. Y'all. Don't

1913
01:37:57,040 --> 01:37:58,599
Speaker 1: y'all don't even want to know the other things we're

1914
01:37:58,640 --> 01:38:04,880
Speaker 1: doing to each other, y'all go to line a tooth brush.

1915
01:38:04,960 --> 01:38:06,360
Speaker 1: I mean, I thought I was.

1916
01:38:07,479 --> 01:38:11,080
Speaker 3: If anybody can find a better definition, I've always considered

1917
01:38:11,080 --> 01:38:12,000
Speaker 3: the two of you.

1918
01:38:12,640 --> 01:38:15,599
Speaker 2: The Eric and Tammy Taylor of podcasting.

1919
01:38:15,760 --> 01:38:18,439
Speaker 3: Now, if you could give me a black equivalent, I'll

1920
01:38:18,439 --> 01:38:18,960
Speaker 3: go with that.

1921
01:38:19,120 --> 01:38:21,000
Speaker 2: But I don't really want to know.

1922
01:38:21,560 --> 01:38:24,080
Speaker 1: Yeah, we got two bathrooms and like three tooth brushes.

1923
01:38:24,120 --> 01:38:26,519
Speaker 1: It's it's a it's musical chairs up here. Who cares.

1924
01:38:26,600 --> 01:38:27,679
Speaker 2: I'm not judging.

1925
01:38:27,680 --> 01:38:29,920
Speaker 1: I just I just wouldn't no, no judge a way.

1926
01:38:29,960 --> 01:38:34,559
Speaker 1: It don't matter to me. What did Kendrick say, Okay, don't.

1927
01:38:35,280 --> 01:38:37,120
Speaker 2: Yeah Kendrick said.

1928
01:38:36,640 --> 01:38:39,080
Speaker 1: Now this one I do, And I think people are

1929
01:38:39,080 --> 01:38:41,360
Speaker 1: gonna fiul that. I think also, we're in a point where,

1930
01:38:41,360 --> 01:38:44,920
Speaker 1: like anytime a white person talks about hygiene, we immediately

1931
01:38:45,640 --> 01:38:47,960
Speaker 1: right like, we got they got four hundred years of

1932
01:38:48,000 --> 01:38:49,840
Speaker 1: this to deal with. We got we got some catching

1933
01:38:49,920 --> 01:38:53,120
Speaker 1: up to do. But I didn't so that one, to me,

1934
01:38:53,280 --> 01:38:55,760
Speaker 1: wasn't that nasty. I was like, that's fine. Who gives

1935
01:38:55,760 --> 01:39:00,520
Speaker 1: a fuck this one? Oh, James Corden said, I'll raise you.

1936
01:39:00,520 --> 01:39:02,800
Speaker 1: He said, I use soap, but I don't wash my hair.

1937
01:39:03,560 --> 01:39:08,560
Speaker 1: He only shampoos his hair once every two months. He

1938
01:39:09,360 --> 01:39:13,439
Speaker 1: was discussing his showering habits because I guess every white

1939
01:39:13,479 --> 01:39:14,679
Speaker 1: person has to tell us.

1940
01:39:15,640 --> 01:39:18,800
Speaker 4: We need to know.

1941
01:39:18,880 --> 01:39:21,240
Speaker 1: For some reason, I feel like it's a secret challenge

1942
01:39:21,240 --> 01:39:23,960
Speaker 1: that celebrity white people are doing it, like go on

1943
01:39:24,000 --> 01:39:29,320
Speaker 1: the show, talk about talk about your showering habits. And

1944
01:39:29,360 --> 01:39:31,280
Speaker 1: that's why we keep finding out, you know, because you

1945
01:39:31,320 --> 01:39:33,400
Speaker 1: got what aston cusher and was like, we don't watch

1946
01:39:33,400 --> 01:39:37,080
Speaker 1: our babies. And then somebody started just always, I don't

1947
01:39:37,120 --> 01:39:39,000
Speaker 1: watch my legs while you gotta watch your legs. Like

1948
01:39:39,880 --> 01:39:42,080
Speaker 1: it feels like white people are daring each other. And

1949
01:39:42,200 --> 01:39:45,800
Speaker 1: his is my hair can have two months of shit

1950
01:39:45,920 --> 01:39:51,880
Speaker 1: in it. Apparently he said he be showering in under

1951
01:39:51,880 --> 01:39:56,040
Speaker 1: five minutes. Under five. I thought I took fast showers

1952
01:39:56,520 --> 01:39:58,439
Speaker 1: as a as a as a as a child with

1953
01:39:58,680 --> 01:40:02,080
Speaker 1: with a brother and family. You know, it's like, hey,

1954
01:40:02,800 --> 01:40:03,920
Speaker 1: I can't be in there all that.

1955
01:40:03,880 --> 01:40:05,639
Speaker 4: And I'm not I take long showers.

1956
01:40:05,720 --> 01:40:09,200
Speaker 2: Yeah, the chat this isn't guess the race yet, guys.

1957
01:40:11,000 --> 01:40:15,799
Speaker 1: Yeah, to calm down on the racism, right, wow, wow, Wow.

1958
01:40:17,120 --> 01:40:18,799
Speaker 1: I'm in and out of there three or four minutes.

1959
01:40:18,840 --> 01:40:20,600
Speaker 1: I use soap, but I don't wash my hair. I

1960
01:40:20,680 --> 01:40:23,200
Speaker 1: wash it every two months. That's the true story. I

1961
01:40:23,240 --> 01:40:28,480
Speaker 1: do not think we are nasty, Okay.

1962
01:40:28,560 --> 01:40:31,560
Speaker 4: I didn't nobody saying you gotta watch it every day.

1963
01:40:31,640 --> 01:40:34,000
Speaker 1: I mean, but all this shit is you are joking me.

1964
01:40:34,120 --> 01:40:36,800
Speaker 1: What if that that is an average? That means there

1965
01:40:36,800 --> 01:40:38,880
Speaker 1: are people in there for twenty minutes. Oh my god.

1966
01:40:38,960 --> 01:40:42,160
Speaker 1: When someone said that they shower the average shower time

1967
01:40:42,280 --> 01:40:46,240
Speaker 1: in LA is ten minutes, He's like, what ten minutes?

1968
01:40:46,320 --> 01:40:47,439
Speaker 1: I can't imagine that.

1969
01:40:48,240 --> 01:40:51,479
Speaker 4: Yeah, I've taken twenty minutes. Yes, I pay for the bill.

1970
01:40:51,840 --> 01:40:55,520
Speaker 1: I take about ten minutes normally, like ten to fifteen minutes.

1971
01:40:55,560 --> 01:40:59,080
Speaker 4: As long as I want to, yeah, Like yeah, I can't.

1972
01:40:59,160 --> 01:41:01,360
Speaker 1: Five minutes is like the shower you take when like

1973
01:41:01,479 --> 01:41:05,680
Speaker 1: that's a whole bath. Yeah, it's like it's like the

1974
01:41:05,720 --> 01:41:08,839
Speaker 1: shower you take when you forgot you got a doctor's appointment,

1975
01:41:08,880 --> 01:41:11,040
Speaker 1: you know what I mean? Like, oh fuck, I don't

1976
01:41:11,040 --> 01:41:14,000
Speaker 1: want to be in that spelling like five minutes, Like

1977
01:41:14,080 --> 01:41:15,240
Speaker 1: oh my god, Like.

1978
01:41:16,280 --> 01:41:17,680
Speaker 4: What you do? You just jump in there and let

1979
01:41:17,680 --> 01:41:19,519
Speaker 4: the water run on you and jump out? Five minutes?

1980
01:41:19,880 --> 01:41:20,040
Speaker 3: Is that?

1981
01:41:20,600 --> 01:41:20,800
Speaker 8: Yeah?

1982
01:41:20,960 --> 01:41:23,240
Speaker 1: Ten is the average. One means half of people take

1983
01:41:23,280 --> 01:41:25,080
Speaker 1: one shorter than that, half of the people take one

1984
01:41:25,120 --> 01:41:25,800
Speaker 1: longer than that.

1985
01:41:26,880 --> 01:41:29,400
Speaker 4: Yeah, I'm in a long category.

1986
01:41:29,720 --> 01:41:32,120
Speaker 2: Yeah, I don't know like people like that.

1987
01:41:32,200 --> 01:41:34,679
Speaker 3: Like in show business, if you around people you want

1988
01:41:34,680 --> 01:41:36,880
Speaker 3: to you got to make up par and makeup people

1989
01:41:36,920 --> 01:41:39,439
Speaker 3: around you don't want to be all right.

1990
01:41:39,720 --> 01:41:42,840
Speaker 1: Now, I will say this though, there's never a number

1991
01:41:42,920 --> 01:41:46,479
Speaker 1: good enough for black people. And I believe that is

1992
01:41:46,960 --> 01:41:50,679
Speaker 1: because of slavery. Agree, like, it's definitely because of slavery,

1993
01:41:50,760 --> 01:41:53,880
Speaker 1: Like we don't want to admit we're traumatized. Right, so

1994
01:41:54,320 --> 01:41:57,519
Speaker 1: you see people, you know, like like everyone's gonna be

1995
01:41:57,600 --> 01:42:01,080
Speaker 1: dunking on each other. Like when when ever someone says

1996
01:42:01,240 --> 01:42:04,040
Speaker 1: some shit like oh, you know, I take five minute showers, they'd.

1997
01:42:03,840 --> 01:42:07,160
Speaker 4: Be like, oh, you take five, I take five hours.

1998
01:42:07,280 --> 01:42:12,800
Speaker 1: I go to bed in the tub, Okay. I wake

1999
01:42:12,920 --> 01:42:15,240
Speaker 1: up and I don't get out until all my skin

2000
01:42:15,400 --> 01:42:18,280
Speaker 1: is that webby feeling, and then I go to work.

2001
01:42:18,439 --> 01:42:22,680
Speaker 1: I'm like, okay, I soaked myself like a like I'm marinate.

2002
01:42:23,640 --> 01:42:26,840
Speaker 1: I was like, all right, we get it. You the

2003
01:42:26,840 --> 01:42:28,280
Speaker 1: cleanest person in the world, right.

2004
01:42:28,320 --> 01:42:31,320
Speaker 4: And people like all niggas clean and we ain't all clean.

2005
01:42:31,600 --> 01:42:36,920
Speaker 1: Other white people. New Oscar nominated actor James Cromwell glues

2006
01:42:37,000 --> 01:42:38,320
Speaker 1: himself to Starbucks counter.

2007
01:42:39,520 --> 01:42:42,240
Speaker 4: Ah, we gluing ourselves to the counters. Did you give it?

2008
01:42:42,280 --> 01:42:45,240
Speaker 4: Did you give it enough time to seal? Unlike the

2009
01:42:45,320 --> 01:42:49,400
Speaker 4: lady at the did it on the court? They just

2010
01:42:49,439 --> 01:42:51,160
Speaker 4: sl slick slid her hand off.

2011
01:42:51,160 --> 01:42:53,640
Speaker 1: It's like, no, ma'am, this is James Cromwell, which I

2012
01:42:53,760 --> 01:42:55,920
Speaker 1: recognize his face from a lot of stuff.

2013
01:42:56,200 --> 01:42:57,840
Speaker 4: Yes, I do too, Like he.

2014
01:42:57,840 --> 01:43:00,040
Speaker 1: Seems like the white guy that always plays like a

2015
01:43:00,080 --> 01:43:02,320
Speaker 1: corrupt business ceo guy.

2016
01:43:02,520 --> 01:43:03,320
Speaker 4: Yes it does.

2017
01:43:03,479 --> 01:43:06,480
Speaker 1: It's like, actually, Jack Bauer, I'm behind the terrorism.

2018
01:43:06,800 --> 01:43:11,840
Speaker 4: Like, oh shit, I'm mister stone Hard. It's in the name.

2019
01:43:12,600 --> 01:43:17,479
Speaker 2: Yeah yeah.

2020
01:43:17,560 --> 01:43:20,719
Speaker 1: Oscar nominator actor James Conwell superglued himself to the counter

2021
01:43:20,760 --> 01:43:22,920
Speaker 1: of Starbus cafe in New York City on Tuesday, the

2022
01:43:23,000 --> 01:43:26,320
Speaker 1: protests to change policy of charging extra for plant based milk.

2023
01:43:26,360 --> 01:43:28,679
Speaker 6: Would that dude pull some frape on it and slid

2024
01:43:28,680 --> 01:43:30,880
Speaker 6: his hand off, sir, cut your hand off this counter

2025
01:43:31,200 --> 01:43:31,799
Speaker 6: the protest.

2026
01:43:32,920 --> 01:43:34,080
Speaker 1: It's just right.

2027
01:43:35,760 --> 01:43:36,400
Speaker 4: There was like this.

2028
01:43:36,400 --> 01:43:39,320
Speaker 1: There was like this plant based milk will actually easily

2029
01:43:39,400 --> 01:43:42,719
Speaker 1: dissolve this, So we cool now. And while I'm here,

2030
01:43:42,880 --> 01:43:46,000
Speaker 1: I also don't appreciate what's happening with the Sistine chuffle.

2031
01:43:46,240 --> 01:43:50,439
Speaker 1: You can't just go in there taking pictures prostine the

2032
01:43:50,439 --> 01:43:55,040
Speaker 1: protest again at ten am, according to live stream footage

2033
01:43:55,040 --> 01:43:58,840
Speaker 1: which was shared by Facebook by Peter on Tuesday morning,

2034
01:43:58,880 --> 01:44:01,120
Speaker 1: after going himself to the cat fake Count of Cromwell,

2035
01:44:01,479 --> 01:44:05,599
Speaker 1: who has appeared in Babe La Confidential and Secession, read

2036
01:44:05,640 --> 01:44:08,519
Speaker 1: a prepared statement which he the now Starbus Vegan milk

2037
01:44:08,600 --> 01:44:11,880
Speaker 1: up charge, calling it harmful to the environment, discriminatory towards

2038
01:44:11,880 --> 01:44:14,720
Speaker 1: those who stuffer from lactose intolerance, which affects people of

2039
01:44:14,760 --> 01:44:18,240
Speaker 1: color a greater percentage according to the National Institute of Health.

2040
01:44:18,280 --> 01:44:19,719
Speaker 4: And now you're holding up the line.

2041
01:44:20,439 --> 01:44:23,040
Speaker 6: Would I be rude if I'd be like, next, go

2042
01:44:23,040 --> 01:44:24,559
Speaker 6: ahead and reach over him next?

2043
01:44:24,680 --> 01:44:27,320
Speaker 4: What did you want to ma'am? Like, sir, you can't

2044
01:44:27,320 --> 01:44:28,360
Speaker 4: hold up the line?

2045
01:44:29,479 --> 01:44:31,280
Speaker 1: I don't know. I mean he kind of got me

2046
01:44:31,320 --> 01:44:33,800
Speaker 1: with that last line about the.

2047
01:44:35,720 --> 01:44:39,759
Speaker 4: God. Then want took account.

2048
01:44:40,080 --> 01:44:52,760
Speaker 9: The bare minimum.

2049
01:44:52,800 --> 01:44:56,120
Speaker 1: Welcome to the cookout for those of you.

2050
01:44:56,200 --> 01:45:00,960
Speaker 6: That are welcome to the cookout after June going on there.

2051
01:45:01,360 --> 01:45:09,679
Speaker 1: Welcome to the cookout, Welcome to the cookout. Yes, look

2052
01:45:09,680 --> 01:45:10,880
Speaker 1: out for them black stomachs.

2053
01:45:10,920 --> 01:45:13,960
Speaker 10: Okay.

2054
01:45:14,880 --> 01:45:17,599
Speaker 1: I heard that if you go in there and request

2055
01:45:17,680 --> 01:45:20,479
Speaker 1: the vegan milk and say you lacked us in tolerate,

2056
01:45:20,560 --> 01:45:23,240
Speaker 1: they won't charge you the up charge, which kind of

2057
01:45:23,320 --> 01:45:25,479
Speaker 1: does prove that they don't need to charge you the

2058
01:45:25,560 --> 01:45:29,559
Speaker 1: up charge. Like it is probably a conspiracy by big

2059
01:45:29,600 --> 01:45:31,040
Speaker 1: milk to make sure.

2060
01:45:30,880 --> 01:45:35,280
Speaker 4: That, yeah, make it right right by his cow milk.

2061
01:45:35,439 --> 01:45:36,800
Speaker 4: They charge for everything else.

2062
01:45:38,040 --> 01:45:40,839
Speaker 1: So I appreciate him putting on for the for the blacks,

2063
01:45:40,960 --> 01:45:44,800
Speaker 1: unlike it was like Juana. It went over Jawan's head.

2064
01:45:44,920 --> 01:45:53,400
Speaker 1: So he's just he's just gonna let black people. When

2065
01:45:53,439 --> 01:45:56,679
Speaker 1: will you stop raking, raking in huge profits while customers,

2066
01:45:56,680 --> 01:45:59,880
Speaker 1: animals and the environment suffer. He said, when we was

2067
01:46:00,280 --> 01:46:05,800
Speaker 1: penalize people for their ethnicities and their morals, he didn't

2068
01:46:05,840 --> 01:46:08,519
Speaker 1: come to land on Plymouth Rock or something like that.

2069
01:46:08,640 --> 01:46:13,519
Speaker 1: I don't know. We didn't. We didn't land on lactaid rock.

2070
01:46:16,040 --> 01:46:25,880
Speaker 1: My people have been bubble guts. Tommy as run them up.

2071
01:46:25,920 --> 01:46:29,960
Speaker 1: You could keep running uk exactly. That is actually uh,

2072
01:46:30,080 --> 01:46:35,800
Speaker 1: that is actually the same language. Yes, and his is

2073
01:46:35,960 --> 01:46:40,879
Speaker 1: uh the seventy five cent charge. Police officers eventually responded

2074
01:46:40,920 --> 01:46:42,759
Speaker 1: to the scene. I'm not as you gotta call the police.

2075
01:46:43,920 --> 01:46:46,519
Speaker 1: Yeah we got a it's not an emergency, but they.

2076
01:46:46,400 --> 01:46:48,960
Speaker 4: Won't even believe you. Are you sure? Yes, I'm sure?

2077
01:46:49,439 --> 01:46:53,960
Speaker 1: Yeah, like yeah, I just yeah, I just picture that

2078
01:46:53,960 --> 01:47:01,599
Speaker 1: that call being real. Lovestakes, you know nine one one?

2079
01:47:01,600 --> 01:47:02,559
Speaker 1: Can I help you?

2080
01:47:02,640 --> 01:47:04,439
Speaker 10: Yeah, it's I mean when.

2081
01:47:04,280 --> 01:47:08,040
Speaker 1: You get time, like, it's not like the most pressing thing.

2082
01:47:08,320 --> 01:47:13,120
Speaker 1: But we're down here the Starbucks on Broadway and Jans

2083
01:47:13,479 --> 01:47:16,320
Speaker 1: James Cromer. You know him, you know you watch you

2084
01:47:16,360 --> 01:47:19,880
Speaker 1: watch THEE session. You watch THEE session? Okay, the Daddy

2085
01:47:20,080 --> 01:47:21,000
Speaker 1: or what you.

2086
01:47:20,960 --> 01:47:22,760
Speaker 4: Gotta go to the cup to the detail. You know that,

2087
01:47:22,920 --> 01:47:30,320
Speaker 4: you know that one he was up. How about this show?

2088
01:47:30,360 --> 01:47:31,519
Speaker 4: I know you remember him on this.

2089
01:47:31,479 --> 01:47:35,280
Speaker 1: One season four, season four twenty four. Remember when it

2090
01:47:35,360 --> 01:47:38,320
Speaker 1: was an American exspiency, not the mother one the Americans?

2091
01:47:38,800 --> 01:47:41,799
Speaker 1: Okay him right, and he turned.

2092
01:47:41,600 --> 01:47:44,400
Speaker 2: Out to be Did you see The Longest Yard?

2093
01:47:44,720 --> 01:47:48,920
Speaker 1: Yeah, Origin, the new one.

2094
01:47:48,840 --> 01:47:49,400
Speaker 9: The remake?

2095
01:47:49,680 --> 01:47:56,200
Speaker 1: Yeah, okay, remember the Wharden? Remember the Wharden? Okay, like

2096
01:47:56,240 --> 01:47:58,519
Speaker 1: now the police looking at the hold on his page now.

2097
01:47:58,920 --> 01:48:00,759
Speaker 10: Oh yeah, yeah, I know from somewhere.

2098
01:48:01,640 --> 01:48:07,800
Speaker 1: Uh but yeah now you yep, yeah, Jail Covin. They

2099
01:48:07,880 --> 01:48:14,440
Speaker 1: age him up play them in the movie. So yeah,

2100
01:48:14,600 --> 01:48:17,360
Speaker 1: I don't know why. I guess because we outside. But

2101
01:48:18,320 --> 01:48:22,080
Speaker 1: for some reason, this Peter protest is picking up that.

2102
01:48:22,080 --> 01:48:26,320
Speaker 1: But Starbucks been charging the surcharge for years, so I

2103
01:48:26,360 --> 01:48:29,599
Speaker 1: don't know. The news alert go out to white people

2104
01:48:29,680 --> 01:48:34,360
Speaker 1: or something. Uh, here's another one. A Dale confirms she

2105
01:48:34,560 --> 01:48:40,600
Speaker 1: and boyfriend Rich Paul have moved in together. Let's go okay,

2106
01:48:41,280 --> 01:48:45,879
Speaker 1: he is all the way up in there now. Dale's

2107
01:48:45,920 --> 01:48:49,320
Speaker 1: confirmed she moved in with her boyfriend Rich Paul after

2108
01:48:49,520 --> 01:48:52,040
Speaker 1: years of dating, and she shared a snap of them

2109
01:48:52,080 --> 01:48:55,080
Speaker 1: outside their new home. The singer thirty four took their

2110
01:48:55,160 --> 01:48:59,559
Speaker 1: Instagram on Wednesday, shared a series of loved up snaps

2111
01:48:59,560 --> 01:49:02,479
Speaker 1: of the couple, including one where they both held up

2112
01:49:02,520 --> 01:49:08,080
Speaker 1: their keys to the abode. In January, I was it

2113
01:49:08,160 --> 01:49:11,040
Speaker 1: was claimed the Vocal Powerhouse was spending fifty eight million

2114
01:49:11,080 --> 01:49:15,240
Speaker 1: dollars on a fourth property, Sylvester Stallan's Beverly Hills mega mansion,

2115
01:49:15,280 --> 01:49:17,120
Speaker 1: that sat on the market for the better part of

2116
01:49:17,120 --> 01:49:19,599
Speaker 1: the year, and now the home is a real to

2117
01:49:19,640 --> 01:49:23,520
Speaker 1: be a new love nest for the singer and her boyfriend.

2118
01:49:24,000 --> 01:49:24,200
Speaker 4: Yeah.

2119
01:49:24,439 --> 01:49:29,360
Speaker 1: Her caption had time flies, lip kissy emoji, some stars

2120
01:49:29,400 --> 01:49:31,719
Speaker 1: and the black heart not the black heart.

2121
01:49:32,080 --> 01:49:35,080
Speaker 2: Okay, what does a black heart mean?

2122
01:49:35,240 --> 01:49:37,559
Speaker 1: It must mean he holding it down. You know what

2123
01:49:37,560 --> 01:49:41,599
Speaker 1: I'm saying, Love, He must be holding it down. Adele

2124
01:49:41,840 --> 01:49:44,360
Speaker 1: already owned three homes in the Star Study neighborhood of

2125
01:49:44,360 --> 01:49:47,960
Speaker 1: Beverly Hills before Addams Stallone's former abode to a proper

2126
01:49:48,439 --> 01:49:52,000
Speaker 1: her Propertyolio Portfolio in January.

2127
01:49:53,360 --> 01:49:53,920
Speaker 2: Neighborhood.

2128
01:49:54,040 --> 01:49:56,600
Speaker 1: That's what it's saying in a Star Study neighborhood.

2129
01:49:56,680 --> 01:49:56,880
Speaker 4: Yep.

2130
01:49:57,280 --> 01:50:00,479
Speaker 1: The eighteen thousand, five hundred and eighty seven square foot

2131
01:50:00,520 --> 01:50:03,920
Speaker 1: home was designed by Richard Landry and boast eight bedrooms

2132
01:50:03,920 --> 01:50:06,960
Speaker 1: and twelve bathrooms. Let's go, I bet they won't be

2133
01:50:07,040 --> 01:50:11,639
Speaker 1: using the same toothbrush. Nope, they probably got eight eight

2134
01:50:11,680 --> 01:50:14,200
Speaker 1: two brushes a bathroom still.

2135
01:50:14,240 --> 01:50:16,080
Speaker 2: Got that office on.

2136
01:50:17,280 --> 01:50:20,599
Speaker 4: Yeah, She's like they got a convenience stow on that property.

2137
01:50:20,680 --> 01:50:22,840
Speaker 1: I went to the bathroom and the same tooth brush

2138
01:50:22,880 --> 01:50:25,720
Speaker 1: from yesterday was in there. Was that a mistake? Uh,

2139
01:50:27,840 --> 01:50:28,479
Speaker 1: let's say that again.

2140
01:50:28,560 --> 01:50:34,439
Speaker 3: Chris Simon cow.

2141
01:50:34,240 --> 01:50:37,960
Speaker 1: Stallone has Stallon had been working to sell hard, to

2142
01:50:37,960 --> 01:50:40,200
Speaker 1: sell the mega mansion that he purchased in the nineties

2143
01:50:40,200 --> 01:50:42,479
Speaker 1: and initially listed the home for one hundred and ten million,

2144
01:50:42,760 --> 01:50:44,439
Speaker 1: but there were no takers, so he cut it down

2145
01:50:44,479 --> 01:50:47,880
Speaker 1: to eighty five million. That's the first home decrease in

2146
01:50:47,920 --> 01:50:50,840
Speaker 1: property value I've heard of in twenty twenty two.

2147
01:50:51,040 --> 01:50:53,240
Speaker 6: Yeah, homes, And I mean, like I said, quote unquot

2148
01:50:53,240 --> 01:50:55,280
Speaker 6: everybody bying homes would It's getting to the point now

2149
01:50:55,280 --> 01:50:57,240
Speaker 6: where everybody's like, these prices got that drap like.

2150
01:50:58,240 --> 01:51:02,040
Speaker 1: This, So this is the pool. Loot that big ass pool.

2151
01:51:03,000 --> 01:51:06,120
Speaker 1: You're learning a helicopter in that ship. That's gorgeous.

2152
01:51:06,840 --> 01:51:10,360
Speaker 2: Yeah, that's really nice.

2153
01:51:10,600 --> 01:51:12,719
Speaker 1: And this is all These are three of her houses.

2154
01:51:13,400 --> 01:51:18,200
Speaker 1: She oh, so she bought these houses and basically treat

2155
01:51:18,200 --> 01:51:21,960
Speaker 1: them like one property. That's why she owns someone. Look

2156
01:51:22,000 --> 01:51:25,280
Speaker 1: how close to them houses is each other. God damn,

2157
01:51:25,360 --> 01:51:28,960
Speaker 1: what a flex that's a compound. I'm gonna stay in

2158
01:51:29,000 --> 01:51:31,439
Speaker 1: the third house tonight, you know what I'm saying. It's

2159
01:51:31,439 --> 01:51:33,400
Speaker 1: getting a little drafty in the I'm gonna drive up

2160
01:51:33,400 --> 01:51:35,599
Speaker 1: the street to the other house. It's getting a little drafty.

2161
01:51:35,640 --> 01:51:38,320
Speaker 6: And Richie Good anybody else else She's gonna buy them

2162
01:51:38,320 --> 01:51:38,800
Speaker 6: bitches too.

2163
01:51:39,240 --> 01:51:40,840
Speaker 1: They get in the argument. She like why don't you

2164
01:51:40,840 --> 01:51:45,080
Speaker 1: go to the first house then, nigga, damn on my nerves.

2165
01:51:45,520 --> 01:51:50,680
Speaker 1: Fuck you niggas, Fuck you bitch. Yeah, good for her.

2166
01:51:51,000 --> 01:51:54,360
Speaker 2: All that they are house because we air being beated

2167
01:51:54,400 --> 01:51:54,920
Speaker 2: to ushers.

2168
01:51:57,920 --> 01:52:05,400
Speaker 1: Oh man, that they are kissing at the horrible that

2169
01:52:05,439 --> 01:52:08,800
Speaker 1: they are hanging out and matching gray shirts watching the game,

2170
01:52:08,960 --> 01:52:12,800
Speaker 1: not matching shirts. Okay, Rich, I see how Yeah, Rich

2171
01:52:12,840 --> 01:52:13,559
Speaker 1: holding it down.

2172
01:52:15,880 --> 01:52:19,759
Speaker 2: Uh mm hmm. Man, happy album.

2173
01:52:20,040 --> 01:52:22,000
Speaker 1: I know her next album gonna be whack.

2174
01:52:23,560 --> 01:52:26,519
Speaker 3: Yeah, Michael, she used to have a bit about her

2175
01:52:26,680 --> 01:52:29,840
Speaker 3: like it's like she I don't want to butcher the bit.

2176
01:52:30,360 --> 01:52:33,120
Speaker 1: I don't say, oh, look at this dress. It's a

2177
01:52:33,160 --> 01:52:37,160
Speaker 1: fire dress. Oh that's gorgeous.

2178
01:52:36,840 --> 01:52:38,800
Speaker 2: People mad It wasn't black twitter, man, when she had

2179
01:52:38,880 --> 01:52:39,639
Speaker 2: braids or something.

2180
01:52:39,840 --> 01:52:41,240
Speaker 1: Yeah, I mean this early so.

2181
01:52:41,439 --> 01:52:43,920
Speaker 2: But that's why she was being a black guy, right, No.

2182
01:52:44,120 --> 01:52:45,880
Speaker 1: I think that was before well, she wasn't dating a

2183
01:52:45,920 --> 01:52:47,920
Speaker 1: black guy. But that was a skeptic whatever that.

2184
01:52:47,960 --> 01:52:48,680
Speaker 4: Dude's name is.

2185
01:52:48,840 --> 01:52:52,240
Speaker 1: Okay, Yeah, she was, man, she was kicking with some

2186
01:52:52,320 --> 01:52:55,040
Speaker 1: Jamaican dudes and got too comfortable. They you know that.

2187
01:52:55,280 --> 01:52:57,679
Speaker 1: You know, dudes, we don't really we're not really keepers

2188
01:52:57,680 --> 01:53:00,200
Speaker 1: of the code with that ship yeah, like you need

2189
01:53:00,280 --> 01:53:03,360
Speaker 1: some black women around to be like girl, No, no, take.

2190
01:53:03,240 --> 01:53:03,880
Speaker 4: Them out that.

2191
01:53:04,160 --> 01:53:05,679
Speaker 1: Yeah you don't think it looks good?

2192
01:53:06,200 --> 01:53:10,160
Speaker 4: No, no, to save your life.

2193
01:53:10,640 --> 01:53:12,439
Speaker 1: Don't don't you post that? Don't you post that a day?

2194
01:53:12,560 --> 01:53:16,280
Speaker 1: Put the phone down like a dle. Put the phone down.

2195
01:53:16,280 --> 01:53:18,920
Speaker 1: Put the damn phone down. Okay. Now, first of all,

2196
01:53:18,960 --> 01:53:20,600
Speaker 1: you got me in the background. I'm gonna lose my

2197
01:53:20,640 --> 01:53:24,160
Speaker 1: black cart. Okay, it's like what I imagine it is for

2198
01:53:24,240 --> 01:53:26,559
Speaker 1: black women in the Portland area to still get their

2199
01:53:26,560 --> 01:53:28,720
Speaker 1: hair done by bye.

2200
01:53:32,960 --> 01:53:35,440
Speaker 4: Can't let nobody know you.

2201
01:53:35,520 --> 01:53:38,720
Speaker 6: She's right like like she be laying the hell out

2202
01:53:38,760 --> 01:53:40,200
Speaker 6: of my edges. But I ain't gonna tell nobody I

2203
01:53:40,240 --> 01:53:40,439
Speaker 6: go to it.

2204
01:53:40,640 --> 01:53:43,120
Speaker 1: They ain't gonna take no pictures, Okay, like a damn

2205
01:53:43,760 --> 01:53:49,120
Speaker 1: like look, Rachel dollars out, hofucking salon. Got ain't got

2206
01:53:49,120 --> 01:53:51,599
Speaker 1: that picture thing up there with the like the grid,

2207
01:53:51,760 --> 01:53:54,080
Speaker 1: you know talking about like she can't even have that

2208
01:53:54,160 --> 01:53:57,000
Speaker 1: in her shot because it's like, bitch, what you're doing,

2209
01:53:57,120 --> 01:54:00,719
Speaker 1: what you're doing, I'm just going no, your phone down.

2210
01:54:01,439 --> 01:54:03,000
Speaker 1: You play. That's what got you in trouble in the

2211
01:54:03,000 --> 01:54:04,120
Speaker 1: first place. You play too much.

2212
01:54:04,160 --> 01:54:07,640
Speaker 6: Y'm coming there with hoodies, own mask on and my

2213
01:54:08,000 --> 01:54:10,559
Speaker 6: my appointment is at midnight. Why are you putting my

2214
01:54:10,640 --> 01:54:14,840
Speaker 6: appointment is at midnight. Get your ass up and meet

2215
01:54:14,920 --> 01:54:20,559
Speaker 6: me down. No, ain't nobody gonna know you do my health?

2216
01:54:20,720 --> 01:54:24,679
Speaker 1: She getting hair for it was like like like you up.

2217
01:54:28,240 --> 01:54:35,200
Speaker 2: They exchanged messages via carrier Pigeon is what's up?

2218
01:54:35,960 --> 01:54:38,400
Speaker 6: Yeah, like Joe said, you be the back interest you.

2219
01:54:38,480 --> 01:54:40,440
Speaker 6: That's one time people people don't mind going to do

2220
01:54:40,520 --> 01:54:41,600
Speaker 6: the back you up.

2221
01:54:43,520 --> 01:54:45,720
Speaker 1: It's three am. I'm gonna need you to get some Uh,

2222
01:54:45,800 --> 01:54:47,400
Speaker 1: I'm gonna need you to go ahead, get these bad

2223
01:54:47,400 --> 01:54:48,200
Speaker 1: too nts work.

2224
01:54:48,440 --> 01:54:50,920
Speaker 4: I bring breakfast. Just get your ass and be there right.

2225
01:54:51,360 --> 01:54:55,720
Speaker 1: Oh man, who us see what else these white people

2226
01:54:55,800 --> 01:54:59,760
Speaker 1: is going on? Gary? Is it Jerry Horner or Gary Horner?

2227
01:55:00,040 --> 01:55:01,640
Speaker 1: E R I?

2228
01:55:01,640 --> 01:55:02,600
Speaker 2: I don't know who it is?

2229
01:55:02,720 --> 01:55:08,800
Speaker 1: All right, Jerry Horner, this is a This is a

2230
01:55:08,840 --> 01:55:12,560
Speaker 1: definitely white woman. Jerry Horner shares a photo of her

2231
01:55:12,640 --> 01:55:17,120
Speaker 1: rarely seen daughter Bluebell, and she celebrates youngster's sixteenth birthday

2232
01:55:17,200 --> 01:55:24,960
Speaker 1: with hilarious throwback snaps like ice cream, Yeah, Bluebell, maybe

2233
01:55:24,960 --> 01:55:26,680
Speaker 1: that's what she ate when she was pregnant?

2234
01:55:27,080 --> 01:55:29,120
Speaker 4: Maybe, uh yeah?

2235
01:55:29,480 --> 01:55:32,920
Speaker 1: Talking to Instagram The Spice Girl forty nine the light.

2236
01:55:32,800 --> 01:55:33,800
Speaker 2: Of her followers.

2237
01:55:34,520 --> 01:55:39,080
Speaker 1: Yeah, Jerry, how well this ed? Oh she must have

2238
01:55:39,120 --> 01:55:41,080
Speaker 1: got Did she get married and change it?

2239
01:55:41,960 --> 01:55:43,360
Speaker 2: I guess she?

2240
01:55:43,720 --> 01:55:44,960
Speaker 4: Uh? She?

2241
01:55:46,160 --> 01:55:48,120
Speaker 1: I wonder if white people listening to this be mad.

2242
01:55:48,200 --> 01:55:50,680
Speaker 1: You think they'd be mad, because I definitely don't know

2243
01:55:50,720 --> 01:55:51,680
Speaker 1: these white people.

2244
01:55:51,720 --> 01:55:55,680
Speaker 4: They like, yes, is how well Chris?

2245
01:55:56,640 --> 01:56:02,320
Speaker 3: Sorry, go ahead, okay, because so she so she married

2246
01:56:02,360 --> 01:56:08,560
Speaker 3: a guy named Christian Horner in twenty fifteen. Oh Hallie,

2247
01:56:08,640 --> 01:56:10,800
Speaker 3: well was her? Okay, now that you mentioned she was

2248
01:56:10,840 --> 01:56:11,400
Speaker 3: a spice girl?

2249
01:56:11,440 --> 01:56:11,880
Speaker 2: Okay, I know.

2250
01:56:12,360 --> 01:56:14,560
Speaker 1: Yeah. I just wonder if white people be mad, like

2251
01:56:14,600 --> 01:56:17,280
Speaker 1: they probably knew when I said Gary, they were like,

2252
01:56:17,320 --> 01:56:23,200
Speaker 1: it's Jerry, bitch, God damn it, right Rid. I hate

2253
01:56:23,200 --> 01:56:24,520
Speaker 1: this segment. I hate it.

2254
01:56:26,880 --> 01:56:29,440
Speaker 2: Sometimes I don't get mad, but I'm like, y'all don't

2255
01:56:29,480 --> 01:56:29,720
Speaker 2: know that.

2256
01:56:31,320 --> 01:56:32,600
Speaker 1: You'll know that's stupid house.

2257
01:56:32,960 --> 01:56:34,080
Speaker 4: I'd be oblivious.

2258
01:56:34,280 --> 01:56:36,680
Speaker 6: And you know, you say do your house, I'm like, oh, okay,

2259
01:56:36,720 --> 01:56:37,800
Speaker 6: but you say their real name.

2260
01:56:37,840 --> 01:56:38,600
Speaker 4: I'm like who.

2261
01:56:38,680 --> 01:56:41,240
Speaker 1: That's how I feel when whatever white people be talking about,

2262
01:56:41,280 --> 01:56:44,360
Speaker 1: like NFL running backs and shit, I think it's uh

2263
01:56:44,560 --> 01:56:49,600
Speaker 1: Tamrius Tomorrow. What I'm like, shut the fuck up, right,

2264
01:56:49,800 --> 01:56:52,600
Speaker 1: racist son, you don't even know it's the Marius Nigga's

2265
01:56:52,680 --> 01:56:56,040
Speaker 1: right there. In the first and most recent selfie, Jerry

2266
01:56:56,280 --> 01:56:59,360
Speaker 1: don her usual all white attire as she smiled next

2267
01:56:59,400 --> 01:57:03,160
Speaker 1: to her look like daughter. All white, so that's her thing.

2268
01:57:03,760 --> 01:57:06,839
Speaker 1: Was she like sugar spice or something? What was salt?

2269
01:57:07,600 --> 01:57:08,120
Speaker 1: Which spice?

2270
01:57:08,200 --> 01:57:09,520
Speaker 2: Was sheer?

2271
01:57:11,160 --> 01:57:14,200
Speaker 1: Ginger spicce? Okay, that's white. She then took to her

2272
01:57:14,240 --> 01:57:17,080
Speaker 1: story and shared her larg's throwback of the doors they

2273
01:57:17,120 --> 01:57:21,840
Speaker 1: posed up for a storm before age against a wintry backdrop,

2274
01:57:21,960 --> 01:57:26,080
Speaker 1: mocking her past fashion choices. Jerry rope fashionistas, as she

2275
01:57:26,240 --> 01:57:29,320
Speaker 1: could be seen in the gray fur coat, bubblegum pink trousers,

2276
01:57:29,360 --> 01:57:33,760
Speaker 1: and hot pink avy at her sunglasses. Ah, this is adorable.

2277
01:57:34,640 --> 01:57:37,360
Speaker 1: She boosted her height with some towering boots and coordinated

2278
01:57:37,400 --> 01:57:41,080
Speaker 1: leg warmers, and little blue Bells stood next to her. Ah,

2279
01:57:41,600 --> 01:57:45,240
Speaker 1: so that's like her throwback picture for a daughter. That's beautiful.

2280
01:57:46,840 --> 01:57:49,440
Speaker 1: It's adorable to see white people just you know, living.

2281
01:57:50,320 --> 01:57:53,120
Speaker 1: And another photo, blue Bell could be seen alongside her

2282
01:57:53,160 --> 01:57:56,160
Speaker 1: mom and her stepdad, Christian Horner forty eight, as they

2283
01:57:56,440 --> 01:57:59,720
Speaker 1: smiled in an old family photo. But he's not really

2284
01:57:59,720 --> 01:58:03,800
Speaker 1: smile on that much. Jerry also included an adorable snap

2285
01:58:03,840 --> 01:58:07,879
Speaker 1: of blue Bell with a why why didn't he smround?

2286
01:58:09,960 --> 01:58:12,120
Speaker 1: A doormal stop of blue Bear with a wild mane

2287
01:58:12,120 --> 01:58:15,600
Speaker 1: of curly locks and a pepper pig hat. Alongside the

2288
01:58:15,600 --> 01:58:18,000
Speaker 1: sup post, she pinned the Happy Birthday blue Bell sixteen.

2289
01:58:18,040 --> 01:58:19,960
Speaker 1: We're so proud of you, the amazing person you are,

2290
01:58:20,240 --> 01:58:22,040
Speaker 1: watching you grow up, it's such a blessing. We love you,

2291
01:58:22,120 --> 01:58:22,560
Speaker 1: blue Bell.

2292
01:58:23,480 --> 01:58:29,160
Speaker 6: Oh this pepper pig pig old apparently sound Probably that's.

2293
01:58:29,040 --> 01:58:34,160
Speaker 1: Probably why she talked like that. So yeah, good for them.

2294
01:58:34,200 --> 01:58:35,680
Speaker 1: What is this her ex husband?

2295
01:58:36,160 --> 01:58:36,320
Speaker 2: Oh?

2296
01:58:36,360 --> 01:58:38,320
Speaker 1: Yeah, this is the ex husband. We don't care about him.

2297
01:58:38,360 --> 01:58:44,400
Speaker 1: It's not about him today, about blue Bell. All right,

2298
01:58:44,520 --> 01:58:46,960
Speaker 1: let's do some fucking with black people and then we'll

2299
01:58:46,960 --> 01:58:47,560
Speaker 1: get out of here.

2300
01:58:47,760 --> 01:59:02,760
Speaker 11: Uh walking with black people, walking with black people, fucking with.

2301
01:59:02,760 --> 01:59:03,640
Speaker 1: Black people.

2302
01:59:07,160 --> 01:59:07,840
Speaker 2: With black people.

2303
01:59:08,600 --> 01:59:11,000
Speaker 1: Oh ship, wait, I said with black people. I may

2304
01:59:11,120 --> 01:59:14,800
Speaker 1: guess the race. God damn it. Sorry, I'm trying to

2305
01:59:14,800 --> 01:59:16,879
Speaker 1: get Chris to be racis. That's my bad, everybody.

2306
01:59:17,000 --> 01:59:28,640
Speaker 2: He was.

2307
01:59:26,560 --> 01:59:27,200
Speaker 4: The race.

2308
01:59:30,360 --> 01:59:38,160
Speaker 1: This time, the race, the race.

2309
01:59:42,560 --> 01:59:46,640
Speaker 6: Well, who you're gonna say, Chris, you're chance, go ahead,

2310
01:59:45,880 --> 01:59:51,120
Speaker 6: you this If I ever get an audition for us.

2311
01:59:48,600 --> 01:59:48,680
Speaker 4: And.

2312
01:59:51,640 --> 01:59:54,600
Speaker 1: They just gonna take this part out of context. Yeah,

2313
01:59:56,080 --> 01:59:59,640
Speaker 1: he thought it was funny.

2314
02:00:00,320 --> 02:00:02,760
Speaker 4: You see the way he laughed at those races.

2315
02:00:02,920 --> 02:00:03,120
Speaker 2: Jill.

2316
02:00:03,360 --> 02:00:06,040
Speaker 1: You know, if you treat these statements like he's saying

2317
02:00:06,120 --> 02:00:12,200
Speaker 1: statements and not jokes, it's actually racist. All right, let's

2318
02:00:12,200 --> 02:00:15,600
Speaker 1: go at the first one. I guess the race woman

2319
02:00:15,640 --> 02:00:19,680
Speaker 1: accused of driving into a crowd at North Vegas North

2320
02:00:19,760 --> 02:00:22,960
Speaker 1: Las Vegas in and Out, I guess she thought it

2321
02:00:23,000 --> 02:00:24,120
Speaker 1: was more like an up and over.

2322
02:00:26,680 --> 02:00:29,400
Speaker 12: A woman who admitted to driving in her car into

2323
02:00:29,480 --> 02:00:31,600
Speaker 12: a crowd of people at an in and out told

2324
02:00:31,680 --> 02:00:35,160
Speaker 12: police they deserved it. Thirty year old Jessica del Falcon

2325
02:00:35,320 --> 02:00:39,240
Speaker 12: faces attempted murder charges police on April thirtieth, she was

2326
02:00:39,360 --> 02:00:41,360
Speaker 12: in line at an in and out and got into

2327
02:00:41,400 --> 02:00:43,360
Speaker 12: an argument with a customer who was ahead of her.

2328
02:00:43,720 --> 02:00:47,280
Speaker 12: According to her arrest report, she accelerated into a crowd

2329
02:00:47,280 --> 02:00:50,600
Speaker 12: of onlookers after they began to record her, hitting two

2330
02:00:50,640 --> 02:00:54,280
Speaker 12: people and a car. She admitted to having anger issues

2331
02:00:54,320 --> 02:00:57,200
Speaker 12: and said she felt bullied by the onlookers. She also

2332
02:00:57,280 --> 02:01:00,600
Speaker 12: admitted to being under the influence during the incident. When

2333
02:01:00,640 --> 02:01:03,600
Speaker 12: police told her no one died, she told them they

2334
02:01:04,040 --> 02:01:05,680
Speaker 12: deserved every bit of it.

2335
02:01:06,480 --> 02:01:15,839
Speaker 1: Mmm, I guess it is, after all a drive through. Uh, Karen,

2336
02:01:15,880 --> 02:01:19,680
Speaker 1: I guess the race of Jessica the falcon White? All right,

2337
02:01:19,760 --> 02:01:27,720
Speaker 1: Chris White, the chat room, says Jennie soprano, white bonnie

2338
02:01:27,720 --> 02:01:36,160
Speaker 1: looking for her Clyde white, unrepented white woman. Shit, she

2339
02:01:36,320 --> 02:01:39,880
Speaker 1: drank that mad dog and hit that gas. White. I

2340
02:01:39,960 --> 02:01:44,800
Speaker 1: didn't know. I couldn't do that. White, white, white crazy

2341
02:01:44,920 --> 02:01:50,600
Speaker 1: TAXI the always a victim edicition. White. The correct answer

2342
02:01:50,720 --> 02:02:09,600
Speaker 1: is white. Y'all got it and go to the jail.

2343
02:02:10,760 --> 02:02:12,640
Speaker 2: Yeah.

2344
02:02:12,720 --> 02:02:16,720
Speaker 1: Yeah, she definitely looks unrepented and.

2345
02:02:17,200 --> 02:02:20,280
Speaker 4: She's not a side. I hope they wanted them to dine.

2346
02:02:20,280 --> 02:02:21,960
Speaker 4: I hope they burning the hell I mean ship. There

2347
02:02:22,040 --> 02:02:22,720
Speaker 4: was no formalise.

2348
02:02:22,800 --> 02:02:25,720
Speaker 1: I could just see her yelling how very high pitch,

2349
02:02:25,760 --> 02:02:29,800
Speaker 1: screaming people to stop filming her as she drove them over. Yes, like,

2350
02:02:30,360 --> 02:02:36,240
Speaker 1: how do you right? Offer some in and out like

2351
02:02:36,400 --> 02:02:38,360
Speaker 1: I don't know, I don't know.

2352
02:02:39,760 --> 02:02:41,040
Speaker 6: No, I don't think we ever had one because they

2353
02:02:41,040 --> 02:02:42,760
Speaker 6: don't have one out here. They don't have them out here.

2354
02:02:43,560 --> 02:02:47,440
Speaker 1: Uh, let's go to the let's go to the next.

2355
02:02:47,520 --> 02:02:47,680
Speaker 2: One.

2356
02:02:48,120 --> 02:02:52,400
Speaker 1: Engineer who designed Sask Bridge that collapsed hours after opening

2357
02:02:52,440 --> 02:02:57,720
Speaker 1: the Faces Disciplinary Hearing Sask Engineering Association allegens that Scott

2358
02:02:57,760 --> 02:03:13,520
Speaker 1: Guliker broke rules when he designed the Dick Memorial Bridge.

2359
02:03:14,720 --> 02:03:19,240
Speaker 4: I wonder how that how that bridge was bending, Like we.

2360
02:03:19,200 --> 02:03:28,520
Speaker 1: Could fix it with a little, a little ed hills.

2361
02:03:24,880 --> 02:03:27,720
Speaker 2: Not the gas station one.

2362
02:03:26,920 --> 02:03:30,920
Speaker 1: That the good one, the one just prescribed. They're gonna

2363
02:03:31,480 --> 02:03:33,360
Speaker 1: they actually said to fix the bridge. Are just gonna

2364
02:03:33,400 --> 02:03:34,720
Speaker 1: have Jesse Williams come out there.

2365
02:03:35,920 --> 02:03:38,760
Speaker 2: Uh.

2366
02:03:38,960 --> 02:03:43,400
Speaker 1: Regina engineer Scott Gooloker will face the disciplinear here next

2367
02:03:43,400 --> 02:03:46,120
Speaker 1: month over allegation that he broke the rules where he

2368
02:03:46,160 --> 02:03:49,800
Speaker 1: designed a bridge, and the rules because Saskatchewan area that

2369
02:03:49,840 --> 02:03:52,240
Speaker 1: collapsed just hours out there was open to the public.

2370
02:03:52,880 --> 02:03:55,800
Speaker 1: Oh man, you didn't even try. It's like when I

2371
02:03:55,880 --> 02:03:59,760
Speaker 1: made a diorama in ninth grade for science class and

2372
02:03:59,760 --> 02:04:01,640
Speaker 1: this it just like by the time I got to school,

2373
02:04:01,760 --> 02:04:02,960
Speaker 1: was like, oh, this is a mistake.

2374
02:04:03,080 --> 02:04:05,800
Speaker 4: What was it made out of? Nobody verified? So that's no,

2375
02:04:06,280 --> 02:04:09,520
Speaker 4: that wasn't a test run. Nobody was. Nobody went up

2376
02:04:09,560 --> 02:04:11,840
Speaker 4: there and poked the hole through the sea. Minute was like,

2377
02:04:11,960 --> 02:04:14,240
Speaker 4: uh no, no calls will be rolling across this. The

2378
02:04:14,240 --> 02:04:14,800
Speaker 4: fuck is this?

2379
02:04:15,640 --> 02:04:17,880
Speaker 1: On the Facebook page the room in that's Pally of

2380
02:04:17,920 --> 02:04:22,000
Speaker 1: Clayton posted the Dick Memorial Bridge is now complete and open.

2381
02:04:23,160 --> 02:04:25,640
Speaker 1: Later that day, say.

2382
02:04:25,480 --> 02:04:26,760
Speaker 4: What, I'm sorry?

2383
02:04:26,480 --> 02:04:30,320
Speaker 1: Nobody nobody died? No, no, no. Later that same day,

2384
02:04:30,360 --> 02:04:33,640
Speaker 1: the bridge collapsed. No one was injured. Well, here's my thing.

2385
02:04:34,400 --> 02:04:37,680
Speaker 1: It was up for two hours, it went down. Why

2386
02:04:37,680 --> 02:04:40,200
Speaker 1: didn't y'all just wait twenty minutes and then drive over?

2387
02:04:44,440 --> 02:04:52,040
Speaker 1: Never mind? Fuck the job. I couldn't even finish. Y'all

2388
02:04:52,040 --> 02:04:58,040
Speaker 1: didn't make it a sandwich or nothing to ask you?

2389
02:04:58,200 --> 02:04:59,520
Speaker 4: Was it ready for bedtime?

2390
02:05:00,320 --> 02:05:01,520
Speaker 1: Y'all? Let it take a nap.

2391
02:05:01,800 --> 02:05:06,920
Speaker 4: Shit, it didn't say so that you done? That's it.

2392
02:05:06,920 --> 02:05:10,760
Speaker 4: It's just one bridge. I hope you guys satisfied, because

2393
02:05:10,800 --> 02:05:11,320
Speaker 4: I'm finished.

2394
02:05:11,920 --> 02:05:14,120
Speaker 1: The worst part is another bridge off in the distance,

2395
02:05:14,160 --> 02:05:20,760
Speaker 1: just watching in aview. Just days after the collapse, the

2396
02:05:21,200 --> 02:05:24,280
Speaker 1: RMS read Dwayne Hicks said that some of the plink

2397
02:05:24,400 --> 02:05:27,760
Speaker 1: pilings of which the bridge were built had collapsed. So

2398
02:05:27,760 --> 02:05:30,680
Speaker 1: something tells me that something underneath the ground happened. I

2399
02:05:30,720 --> 02:05:33,480
Speaker 1: don't know what it was. They don't know what it was.

2400
02:05:33,640 --> 02:05:36,520
Speaker 1: Nobody knows what it was. At the Times, Hick chalked

2401
02:05:36,520 --> 02:05:37,800
Speaker 1: it up to an act of God.

2402
02:05:38,640 --> 02:05:40,200
Speaker 4: Oh no, that's not good.

2403
02:05:40,520 --> 02:05:43,440
Speaker 1: However, there may be another explanation. Hicks also revealed the

2404
02:05:43,520 --> 02:05:46,560
Speaker 1: engineer who designed the bridge, Scott Gullicker, hadn't done geo

2405
02:05:46,600 --> 02:05:50,200
Speaker 1: technical investigation of the river bed before installing the piles.

2406
02:05:50,600 --> 02:05:54,200
Speaker 1: After years of investigation, and the Association of Professional Engineers

2407
02:05:54,200 --> 02:05:57,960
Speaker 1: and Geo Scientists of Saskatchewan posted a notice on Wednesday

2408
02:05:58,080 --> 02:06:02,400
Speaker 1: website on Wednesday saying gillik Her will face disciplinary hearings

2409
02:06:02,440 --> 02:06:06,600
Speaker 1: in the early June. They allege he failed to practice

2410
02:06:06,640 --> 02:06:09,120
Speaker 1: in a careful and diligent manner when he designed the

2411
02:06:09,160 --> 02:06:13,200
Speaker 1: bridge and the screw piles that were supposed to hold

2412
02:06:13,200 --> 02:06:15,920
Speaker 1: it up. They also claim he was offering services or

2413
02:06:15,920 --> 02:06:20,040
Speaker 1: advice in the area outside his professional competence. In addition

2414
02:06:20,120 --> 02:06:22,280
Speaker 1: that alleged he failed to be careful and diligent in

2415
02:06:22,280 --> 02:06:29,280
Speaker 1: his design of bridges and in for other Saskatchewan municipalities,

2416
02:06:29,480 --> 02:06:32,440
Speaker 1: including Scott, Caledonia, Purdue and Mervin.

2417
02:06:32,720 --> 02:06:34,640
Speaker 4: How is he still allowed to make bridges?

2418
02:06:35,600 --> 02:06:37,960
Speaker 1: I don't know. We'll cross that bridge we get to

2419
02:06:37,960 --> 02:06:39,160
Speaker 1: it's probably what he said.

2420
02:06:40,160 --> 02:06:42,160
Speaker 4: But they ain't gonna make it to the other side.

2421
02:06:43,080 --> 02:06:44,920
Speaker 1: He got a lot of burned bridges in his past.

2422
02:06:44,960 --> 02:06:45,680
Speaker 1: He can't get these.

2423
02:06:45,640 --> 02:06:51,400
Speaker 4: Jobs falling bridges. How did he keep getting these jobs?

2424
02:06:52,120 --> 02:06:54,160
Speaker 1: Yeah, it's above him.

2425
02:06:54,440 --> 02:06:56,880
Speaker 4: Apparently, so it might be below him.

2426
02:06:59,680 --> 02:07:02,520
Speaker 1: Are Clayton has Sue Galliker and two companies he and

2427
02:07:02,560 --> 02:07:07,600
Speaker 1: his wife, Control Construct Systems Ltd was described as a

2428
02:07:07,600 --> 02:07:13,120
Speaker 1: bridge construction firm and Inertia Solutions, which is provides engineering services.

2429
02:07:13,320 --> 02:07:16,200
Speaker 4: No wonder, he ain't got no supervisor. He is the supervisor.

2430
02:07:16,440 --> 02:07:22,600
Speaker 2: Right, damn that's wild right? The eight or the government

2431
02:07:22,680 --> 02:07:23,919
Speaker 2: doesn't check.

2432
02:07:23,720 --> 02:07:27,240
Speaker 1: It either, They say, as companies breached their contract because

2433
02:07:27,280 --> 02:07:29,560
Speaker 1: the bridges were supposed to last seventy five years but

2434
02:07:29,600 --> 02:07:32,200
Speaker 1: only stayed up a few hours. That is a pretty

2435
02:07:32,200 --> 02:07:35,160
Speaker 1: big difference. Not gonna lie.

2436
02:07:36,640 --> 02:07:43,839
Speaker 6: Oh my god, Yes put this, Yes, use your warranty.

2437
02:07:43,920 --> 02:07:46,560
Speaker 6: This is a perfect time. This is why you have warrants.

2438
02:07:46,560 --> 02:07:49,040
Speaker 6: Apparently he was like, look, I'll be dead.

2439
02:07:48,840 --> 02:07:53,920
Speaker 1: In seventy five years. I don't give a fuck. Okay,

2440
02:07:55,320 --> 02:07:57,400
Speaker 1: I don't. They kept ever seeing what is that?

2441
02:07:57,400 --> 02:07:59,920
Speaker 4: What what one hundred of a tenth of time?

2442
02:08:00,240 --> 02:08:03,440
Speaker 1: Then it was supposed to he needed not They got out,

2443
02:08:03,480 --> 02:08:04,760
Speaker 1: they got the ninety day receipt.

2444
02:08:05,880 --> 02:08:07,560
Speaker 4: Seventy five years, they came back.

2445
02:08:08,280 --> 02:08:10,360
Speaker 2: You got to receive They came.

2446
02:08:10,200 --> 02:08:13,600
Speaker 1: Back to me, They came back to they came they

2447
02:08:13,640 --> 02:08:15,560
Speaker 1: came back to his office and that she just said

2448
02:08:15,560 --> 02:08:21,480
Speaker 1: all sales are finals on the front, so he.

2449
02:08:23,120 --> 02:08:23,720
Speaker 2: Stopped them.

2450
02:08:23,920 --> 02:08:31,720
Speaker 1: Yeah, look, I give you market price. Okay that bridge.

2451
02:08:31,720 --> 02:08:33,760
Speaker 1: Looking at that bridge right now, it's working about twenty

2452
02:08:33,800 --> 02:08:37,640
Speaker 1: five dollars. Okay, now you can get it in store credit.

2453
02:08:37,720 --> 02:08:40,000
Speaker 1: I gave thirty five dollars off your next bridge, but.

2454
02:08:42,000 --> 02:08:42,760
Speaker 4: On the next one.

2455
02:08:43,200 --> 02:08:46,280
Speaker 1: The lawsuit says no geo technical report was prepared to

2456
02:08:46,280 --> 02:08:49,800
Speaker 1: determine the sub sub surface conditions under the bridge. Can

2457
02:08:49,880 --> 02:08:52,160
Speaker 1: structs bridges are a call for the use of screw

2458
02:08:52,240 --> 02:08:55,120
Speaker 1: piles as opposed to the industry standard driven piles.

2459
02:08:56,240 --> 02:08:56,360
Speaker 6: Uh.

2460
02:08:56,400 --> 02:08:59,160
Speaker 1: The company agreed. His companies agreed that they hadn't done

2461
02:08:59,160 --> 02:09:02,440
Speaker 1: an investigation, but instead said that was the client's request.

2462
02:09:03,000 --> 02:09:05,680
Speaker 1: They want us to all right, guess the race of

2463
02:09:05,880 --> 02:09:10,640
Speaker 1: Scott Gulicker. White? All right, white, all right, it looks

2464
02:09:10,680 --> 02:09:12,600
Speaker 1: like we've got two whites in the house. To see

2465
02:09:12,640 --> 02:09:15,240
Speaker 1: what the chat room thinks. A lot on his resume

2466
02:09:15,320 --> 02:09:18,240
Speaker 1: to get the job. White didn't stay long and strong.

2467
02:09:18,400 --> 02:09:21,960
Speaker 1: It ain't a Jesse Williams bridge white every white man

2468
02:09:22,160 --> 02:09:25,000
Speaker 1: ever white? Can you just kiss it a little bit? Bridge?

2469
02:09:25,040 --> 02:09:33,920
Speaker 1: White construction not sponsored by Viagra? White that much fail

2470
02:09:33,960 --> 02:09:36,560
Speaker 1: that's the whitest ship. I don't want no one minute bridge.

2471
02:09:36,600 --> 02:09:40,880
Speaker 1: White is the laughing about a minute Greg over the

2472
02:09:40,920 --> 02:09:44,440
Speaker 1: grand closing for real? White? Can't believe it's not infrastructure white?

2473
02:09:44,960 --> 02:10:00,840
Speaker 1: The correct answer is white. Why look like he just

2474
02:10:00,880 --> 02:10:02,280
Speaker 1: said is selling that fridge.

2475
02:10:03,440 --> 02:10:06,400
Speaker 6: He looks like a terrible salesman, Like the salesman to

2476
02:10:06,480 --> 02:10:07,480
Speaker 6: be getting over on you.

2477
02:10:07,560 --> 02:10:10,640
Speaker 1: That picture looked like you just signed off and he went,

2478
02:10:10,760 --> 02:10:11,440
Speaker 1: gotcha bitch.

2479
02:10:13,040 --> 02:10:17,840
Speaker 4: Definitely, he even got the green for the money.

2480
02:10:17,840 --> 02:10:23,400
Speaker 1: Right, yeah, damn man, what a great picture. Like he

2481
02:10:23,480 --> 02:10:28,320
Speaker 1: gonna lose it quick when they just showed this picture like, sir, sir,

2482
02:10:28,680 --> 02:10:31,680
Speaker 1: your honor, I like this exhibit A. Okay, let's just

2483
02:10:31,720 --> 02:10:33,920
Speaker 1: get this over with. This is this picture after we

2484
02:10:33,960 --> 02:10:37,560
Speaker 1: signed the deal. Oh yeah, he knew, he knew. All right,

2485
02:10:38,360 --> 02:10:40,600
Speaker 1: let's go to the bonus round. So far y'all are

2486
02:10:40,640 --> 02:10:41,280
Speaker 1: two for two.

2487
02:10:41,720 --> 02:10:42,840
Speaker 4: Yay?

2488
02:10:44,240 --> 02:10:46,280
Speaker 1: Why I am racist?

2489
02:10:47,280 --> 02:10:51,800
Speaker 6: How can I be racist about old body or old

2490
02:10:52,760 --> 02:10:53,720
Speaker 6: in my life?

2491
02:10:54,360 --> 02:10:56,200
Speaker 2: How can I call them niggas?

2492
02:10:56,520 --> 02:11:01,840
Speaker 4: Just call them niggas?

2493
02:11:01,880 --> 02:11:04,680
Speaker 12: Wearing skinny.

2494
02:11:06,160 --> 02:11:11,680
Speaker 1: Boast, high jumping spirit chucking three hundred and sixty degree

2495
02:11:12,880 --> 02:11:18,560
Speaker 1: All right, woman had missed killing her husband over an

2496
02:11:18,560 --> 02:11:21,680
Speaker 1: affair and then another woman claims to be the victim's

2497
02:11:21,880 --> 02:11:27,720
Speaker 1: real wife. What a murder? A murder allegedly evolved a

2498
02:11:27,800 --> 02:11:31,160
Speaker 1: Texas man, his purported wife, and his girlfriend took an

2499
02:11:31,200 --> 02:11:34,680
Speaker 1: unexpected and confusing turn when a third woman came forward,

2500
02:11:34,720 --> 02:11:36,880
Speaker 1: claiming to be the male victim's real wife.

2501
02:11:37,040 --> 02:11:39,440
Speaker 4: Oh so this has actually got three women involved.

2502
02:11:40,840 --> 02:11:41,880
Speaker 1: It's a love square.

2503
02:11:42,200 --> 02:11:43,920
Speaker 4: Somebody is slanging that thinger lying.

2504
02:11:45,120 --> 02:11:47,600
Speaker 1: Only thing worse than a love triangle a love square.

2505
02:11:48,600 --> 02:11:52,520
Speaker 6: Karen Stewart, his relationship lasts longer than that bridge.

2506
02:11:52,760 --> 02:11:55,720
Speaker 1: Car Stewart, fifty one was if everything lasted longer than

2507
02:11:55,760 --> 02:11:56,280
Speaker 1: that bridge.

2508
02:11:56,440 --> 02:11:57,120
Speaker 4: Yes, it did.

2509
02:11:57,400 --> 02:12:02,000
Speaker 1: Commercials longer than that bridge. Karen Stewart, fifty one was

2510
02:12:02,080 --> 02:12:05,400
Speaker 1: arrested Saturday on a charge of murder when she allegedly

2511
02:12:05,440 --> 02:12:08,200
Speaker 1: confessed to killing a man she identified as her husband,

2512
02:12:08,280 --> 02:12:13,240
Speaker 1: James Hargrove, after he brought home another woman and professed

2513
02:12:13,280 --> 02:12:16,720
Speaker 1: his love to her. The daily shooterent happened just at

2514
02:12:16,720 --> 02:12:20,320
Speaker 1: the two twenty am Harris County pre send four constables

2515
02:12:20,320 --> 02:12:23,520
Speaker 1: who were called to the scene found Hargrove suffering from

2516
02:12:23,600 --> 02:12:26,839
Speaker 1: multiple gunshot wounds. He was rushed to the Houston Northwest Hospital,

2517
02:12:26,840 --> 02:12:30,160
Speaker 1: where he succumbed to his injuries. We questioned my police.

2518
02:12:30,160 --> 02:12:33,000
Speaker 1: Stewart said Hargrove was her husband, that she opened fire

2519
02:12:33,040 --> 02:12:35,200
Speaker 1: on him in a fit of jealous rage when he

2520
02:12:35,240 --> 02:12:38,600
Speaker 1: told her he was in love with another woman. Hargrove's

2521
02:12:38,600 --> 02:12:40,920
Speaker 1: forty one year old lover was at the house when

2522
02:12:40,960 --> 02:12:44,080
Speaker 1: the shooting happened, but escaped unharmed. She has not been named.

2523
02:12:44,600 --> 02:12:47,680
Speaker 1: During Stuart's initial court appearans Monday, a woman who identified

2524
02:12:47,680 --> 02:12:51,280
Speaker 1: herself as Sandra Hargrove told several local news outars that

2525
02:12:51,360 --> 02:12:56,040
Speaker 1: she was James Hargrove's real wife and not Stuart. According

2526
02:12:56,040 --> 02:12:58,160
Speaker 1: to Sandra, she and James had been married since two

2527
02:12:58,240 --> 02:13:01,440
Speaker 1: thousand and nine, but separated in November. Despite the split,

2528
02:13:01,560 --> 02:13:04,040
Speaker 1: she said they remained best friends top daily and even

2529
02:13:04,120 --> 02:13:05,800
Speaker 1: considered a possible reconciliation.

2530
02:13:07,040 --> 02:13:08,839
Speaker 4: She's a lot happening in this story.

2531
02:13:09,040 --> 02:13:12,440
Speaker 1: He's still my husband. I mean, we have grandkids, we

2532
02:13:12,520 --> 02:13:16,320
Speaker 1: have kids, we have nieces and nephews. That's still my husband.

2533
02:13:17,040 --> 02:13:19,640
Speaker 1: Sandra said she did not know that James, who suffered

2534
02:13:19,640 --> 02:13:21,600
Speaker 1: from a launder list of health issues, have been in

2535
02:13:21,600 --> 02:13:25,120
Speaker 1: a romantic relationship with Stuart, let alone a third woman.

2536
02:13:27,080 --> 02:13:29,280
Speaker 1: I just appreciate that he didn't let them health issues

2537
02:13:29,320 --> 02:13:32,560
Speaker 1: stop him from You know, he didn't being in these streets.

2538
02:13:32,600 --> 02:13:34,080
Speaker 4: Health issues. What health issues?

2539
02:13:34,200 --> 02:13:39,240
Speaker 1: Nine bullets to the chess care h got the health issues?

2540
02:13:39,400 --> 02:13:39,760
Speaker 3: Nine.

2541
02:13:40,560 --> 02:13:43,520
Speaker 1: Sheriff's wty said James had been in the relationship with

2542
02:13:43,520 --> 02:13:46,880
Speaker 1: Sting for seven years and they lived together on and off.

2543
02:13:46,920 --> 02:13:51,240
Speaker 1: So that means that means even when he was with

2544
02:13:51,480 --> 02:13:54,640
Speaker 1: his first wife, he was in a serious relationship with

2545
02:13:54,760 --> 02:13:55,600
Speaker 1: this other woman.

2546
02:13:56,480 --> 02:13:58,480
Speaker 4: It didn't have the time to pick up another one.

2547
02:13:58,640 --> 02:14:01,480
Speaker 1: Right, Where did you find the time?

2548
02:14:02,160 --> 02:14:02,440
Speaker 2: Right?

2549
02:14:02,560 --> 02:14:04,560
Speaker 4: It's hard enough to do with just one other person.

2550
02:14:05,720 --> 02:14:08,040
Speaker 1: I mean, I can't even catch up on TV shows.

2551
02:14:08,240 --> 02:14:09,800
Speaker 4: Come on recogniz ask TV.

2552
02:14:12,080 --> 02:14:14,400
Speaker 1: James other girlfriend, who allegedly witnessed the shoot in the

2553
02:14:14,440 --> 02:14:16,200
Speaker 1: flat for her life, told cop she thought that the

2554
02:14:16,280 --> 02:14:18,880
Speaker 1: man and Stuart wearing the open relationship and that he

2555
02:14:18,960 --> 02:14:20,920
Speaker 1: wanted the two women to meet.

2556
02:14:21,160 --> 02:14:23,120
Speaker 4: Oh so he thought. Nobody confirmed this.

2557
02:14:23,640 --> 02:14:26,280
Speaker 1: According to Sandra, James had just recovered from COVID after

2558
02:14:26,320 --> 02:14:27,839
Speaker 1: spending four months in a coma.

2559
02:14:28,000 --> 02:14:29,760
Speaker 4: Oh just recovering from COVID.

2560
02:14:30,280 --> 02:14:32,880
Speaker 1: He was paralyzed for a year, had two heart attacks,

2561
02:14:32,920 --> 02:14:34,400
Speaker 1: a stroke, egg kidney failure.

2562
02:14:34,560 --> 02:14:37,720
Speaker 6: Goddamn, it's still had enough time to pick up another woman.

2563
02:14:37,640 --> 02:14:40,000
Speaker 1: With a vaccine, got the five G in it? Okay,

2564
02:14:40,080 --> 02:14:46,360
Speaker 1: so number one. Wow, my man was out here living. Meanwhile,

2565
02:14:46,360 --> 02:14:48,960
Speaker 1: Stewart remained jail on seventy five thousand dollars bonds. She'd

2566
02:14:49,000 --> 02:14:51,240
Speaker 1: do back in court August seventeen. Court records were telled

2567
02:14:51,280 --> 02:14:53,760
Speaker 1: by ABC thirteen ind case. She was charged with felony

2568
02:14:53,840 --> 02:14:57,560
Speaker 1: battery in twenty sixteen Louisiana after allegedly running over her

2569
02:14:57,640 --> 02:15:01,040
Speaker 1: then husband with a truck and doubts him with lighter fluid.

2570
02:15:01,800 --> 02:15:02,600
Speaker 2: Oh.

2571
02:15:03,000 --> 02:15:05,640
Speaker 1: Stewart later played guilty to a downgraded charge of simple

2572
02:15:05,680 --> 02:15:08,160
Speaker 1: battery in that case. Hey, look, he needed to do

2573
02:15:08,200 --> 02:15:10,120
Speaker 1: some research on her because she wasn't the one.

2574
02:15:10,320 --> 02:15:11,800
Speaker 4: No, she was.

2575
02:15:12,320 --> 02:15:16,000
Speaker 1: Wow, anyway, guess the race?

2576
02:15:17,640 --> 02:15:17,880
Speaker 4: White?

2577
02:15:17,920 --> 02:15:20,360
Speaker 1: What was his name again, Karen Stewart White?

2578
02:15:20,680 --> 02:15:27,760
Speaker 2: All right, Chris, I feel like the husband was black, but.

2579
02:15:28,160 --> 02:15:34,560
Speaker 3: I I'm gonna go with black.

2580
02:15:34,720 --> 02:15:37,879
Speaker 1: All right. Black hair will not call your manager unknown,

2581
02:15:37,880 --> 02:15:41,280
Speaker 1: system wise white, Tyler Perry possents manure marriage and Mayonnaise's

2582
02:15:41,320 --> 02:15:45,080
Speaker 1: white twisted system wise white fifty five percent white. August

2583
02:15:45,080 --> 02:15:48,840
Speaker 1: Wilson played black that a nigga, all of them? What

2584
02:15:48,960 --> 02:15:52,959
Speaker 1: in the exception is this all? This sounds a tense niggerish.

2585
02:15:53,560 --> 02:15:56,280
Speaker 1: This is a white lady. It's not on him, it's

2586
02:15:56,360 --> 02:16:00,560
Speaker 1: in him. Black Karen gonna Karen White and vactually in

2587
02:16:00,600 --> 02:16:03,320
Speaker 1: a bigger miss white. Why do foods fall in love

2588
02:16:03,400 --> 02:16:08,920
Speaker 1: to but white? The correct answer is Chris said black,

2589
02:16:09,040 --> 02:16:13,600
Speaker 1: Karen said white. Someone will be the winner right now, okay,

2590
02:16:13,920 --> 02:16:15,560
Speaker 1: and it is Chris.

2591
02:16:15,560 --> 02:16:29,320
Speaker 10: Oh of course, cared you lost.

2592
02:16:35,920 --> 02:16:37,520
Speaker 4: I got eliminade the last round.

2593
02:16:37,959 --> 02:16:42,119
Speaker 1: Yep, that's her, man. She's even crying. She's still crying.

2594
02:16:42,480 --> 02:16:43,400
Speaker 1: That man hurt her.

2595
02:16:44,760 --> 02:16:45,720
Speaker 4: She was not here for it.

2596
02:16:45,840 --> 02:16:47,279
Speaker 1: She really thought that was her husband.

2597
02:16:47,760 --> 02:16:51,520
Speaker 4: Mm hmm. She's like, look, my edges is gone because

2598
02:16:51,520 --> 02:16:53,720
Speaker 4: of you. You're gonna take these these hot bullets.

2599
02:16:53,959 --> 02:16:54,959
Speaker 1: I was the love of.

2600
02:17:02,080 --> 02:17:03,720
Speaker 4: Every day of the week.

2601
02:17:04,400 --> 02:17:08,040
Speaker 1: Yah, that's that's this old player player ass offer two

2602
02:17:08,120 --> 02:17:13,520
Speaker 1: heart attacks and stroke COVID coma. Niggas in a coma

2603
02:17:13,600 --> 02:17:15,680
Speaker 1: woke up and it was like, I'm back on these streets.

2604
02:17:16,959 --> 02:17:22,280
Speaker 6: Oh my gosh, I'm still on y'all, ass man, but

2605
02:17:22,360 --> 02:17:25,160
Speaker 6: I'm back on the block.

2606
02:17:26,240 --> 02:17:27,520
Speaker 1: Good god man.

2607
02:17:27,760 --> 02:17:30,920
Speaker 6: That yeah, Well, you know what a good point. That's

2608
02:17:30,920 --> 02:17:32,359
Speaker 6: gonna be a snap story.

2609
02:17:33,600 --> 02:17:38,920
Speaker 1: This for my man or this well, now you above

2610
02:17:38,959 --> 02:17:42,920
Speaker 1: this now this is a fatal attraction on TV one.

2611
02:17:43,840 --> 02:17:50,760
Speaker 3: What's the name that that showed Candy on Hulu to Jessica.

2612
02:17:51,000 --> 02:17:52,040
Speaker 1: Do a version with this.

2613
02:17:52,520 --> 02:17:55,560
Speaker 3: I'll be here for but I want to play what's

2614
02:17:55,600 --> 02:17:58,240
Speaker 3: my man? My my dream role is to play the

2615
02:17:58,320 --> 02:18:00,000
Speaker 3: mayor of Detroit.

2616
02:17:59,840 --> 02:18:02,000
Speaker 1: I kromekil Patrick. Yeah, that's a.

2617
02:18:03,480 --> 02:18:03,720
Speaker 2: Dream.

2618
02:18:04,360 --> 02:18:11,360
Speaker 1: You just gotta you got to keep Brian Tyr Henry busy.

2619
02:18:08,560 --> 02:18:15,600
Speaker 3: So got down. They gotta find out. He's gotta do

2620
02:18:15,760 --> 02:18:17,680
Speaker 3: something where he's really busy.

2621
02:18:17,959 --> 02:18:20,920
Speaker 1: Yeah, and they like they sneak it in. He in

2622
02:18:20,959 --> 02:18:22,840
Speaker 1: the Marvel movies and you just get him on them

2623
02:18:22,879 --> 02:18:24,520
Speaker 1: Disney Plus series or some ship.

2624
02:18:24,800 --> 02:18:27,400
Speaker 3: You know, it's not maybe do something together one day.

2625
02:18:27,440 --> 02:18:30,360
Speaker 3: I get big enough him could do something together. Yeah,

2626
02:18:31,200 --> 02:18:32,440
Speaker 3: he's so good in Atlanta.

2627
02:18:32,560 --> 02:18:33,080
Speaker 1: He's so good.

2628
02:18:33,160 --> 02:18:35,000
Speaker 2: I want to I want to hate on him, but

2629
02:18:35,040 --> 02:18:35,360
Speaker 2: I can't.

2630
02:18:35,400 --> 02:18:37,279
Speaker 1: Heble.

2631
02:18:37,360 --> 02:18:40,400
Speaker 3: Let me ask you got this quick thing. What is

2632
02:18:40,440 --> 02:18:44,320
Speaker 3: his equivalent in real life? What is paper boys equivalent

2633
02:18:44,480 --> 02:18:47,440
Speaker 3: to his stardom? What do you think you mean?

2634
02:18:47,520 --> 02:18:47,600
Speaker 4: Like?

2635
02:18:47,680 --> 02:18:49,680
Speaker 1: Who is he as famous ass as a rapper?

2636
02:18:50,120 --> 02:18:50,320
Speaker 2: Yeah?

2637
02:18:51,160 --> 02:18:53,720
Speaker 1: I think because of the way they kind of alluded

2638
02:18:53,760 --> 02:18:55,920
Speaker 1: to it this season, I would say something like asap

2639
02:18:56,000 --> 02:18:59,440
Speaker 1: Rocky because they had all that overseas ship. The people

2640
02:18:59,520 --> 02:19:02,760
Speaker 1: kind of mind hopping them, and even the going to

2641
02:19:02,879 --> 02:19:05,680
Speaker 1: jail part felt like ripped out of the headlines. So

2642
02:19:05,879 --> 02:19:11,360
Speaker 1: it seemed like asap probably like not not like so

2643
02:19:11,760 --> 02:19:14,039
Speaker 1: not like so famous he can't walk down the street,

2644
02:19:14,040 --> 02:19:15,920
Speaker 1: but famous enough he can't walk down the street without

2645
02:19:15,920 --> 02:19:17,920
Speaker 1: people's noticing it him.

2646
02:19:18,160 --> 02:19:20,160
Speaker 4: Oh, being like do I know you? Right?

2647
02:19:20,640 --> 02:19:23,439
Speaker 1: All right, let's go to the final thing, sword ratchetness,

2648
02:19:23,480 --> 02:19:25,440
Speaker 1: and then we'll get out of here. But it's been

2649
02:19:25,520 --> 02:19:26,040
Speaker 1: so fun.

2650
02:19:26,240 --> 02:19:27,560
Speaker 4: It had been fun.

2651
02:19:38,640 --> 02:19:42,320
Speaker 1: Introducing money three sixty First Fidelity Bank offers this in.

2652
02:19:42,360 --> 02:19:47,480
Speaker 6: Tuna shut up.

2653
02:19:48,120 --> 02:19:50,280
Speaker 1: I don't know, so God, I don't know.

2654
02:19:50,640 --> 02:19:52,520
Speaker 4: It's one of those things where it's playing in the background.

2655
02:19:52,560 --> 02:19:53,240
Speaker 4: You don't know which one.

2656
02:19:53,240 --> 02:19:55,280
Speaker 1: I'm trying to shut it up. It was. I was

2657
02:19:55,280 --> 02:19:58,199
Speaker 1: gonna just play the article, but then it just started

2658
02:19:58,200 --> 02:20:01,240
Speaker 1: playing as commercial. There was only three seconds left. Might

2659
02:20:01,240 --> 02:20:05,360
Speaker 1: as well finished the article, right, let me play. That's

2660
02:20:05,480 --> 02:20:06,760
Speaker 1: I'm sorry about that, everybody.

2661
02:20:06,920 --> 02:20:09,879
Speaker 4: You can finally see your finances from three sixty.

2662
02:20:10,400 --> 02:20:12,920
Speaker 8: I told some police say an officer shot and killed

2663
02:20:12,959 --> 02:20:15,440
Speaker 8: a man who was attacking his father with a sword

2664
02:20:15,520 --> 02:20:18,880
Speaker 8: on Sunday. Police say they were responding to a domestic

2665
02:20:18,920 --> 02:20:21,000
Speaker 8: call near Pine and Yale when twenty one year old

2666
02:20:21,080 --> 02:20:23,840
Speaker 8: Luis Torres started attacking his father.

2667
02:20:23,640 --> 02:20:24,280
Speaker 1: With a sword.

2668
02:20:24,640 --> 02:20:27,400
Speaker 8: An officer shot Torres, who died at the scene. That

2669
02:20:27,480 --> 02:20:31,200
Speaker 8: officer is now on leave pending internal and criminal investigations.

2670
02:20:32,480 --> 02:20:37,600
Speaker 1: His own daddy. That is crazy, you know. I guess

2671
02:20:38,280 --> 02:20:42,920
Speaker 1: he hadn't heard father time at times, so I didn't

2672
02:20:42,920 --> 02:20:48,640
Speaker 1: have no appreciation. All right, child, that's it. Appreciate y'all. Chris,

2673
02:20:48,680 --> 02:20:49,879
Speaker 1: tell him what a fine girl.

2674
02:20:50,959 --> 02:20:52,640
Speaker 2: You can find me, Thanks guys for having me.

2675
02:20:52,640 --> 02:20:54,920
Speaker 3: You can find me at Chris Lambert dot com, follow

2676
02:20:54,959 --> 02:20:57,960
Speaker 3: me on Twitter and Instagram at Chris Lambert. My podcast,

2677
02:20:59,040 --> 02:21:01,960
Speaker 3: The Mundane Festival out wherever you listen to podcasts, and

2678
02:21:02,680 --> 02:21:05,480
Speaker 3: hopefully you'll see me doing stand up at some point somewhere.

2679
02:21:05,840 --> 02:21:08,720
Speaker 1: Yes, go check this man out if he's in your area.

2680
02:21:08,800 --> 02:21:10,359
Speaker 4: It's very funny, live.

2681
02:21:10,360 --> 02:21:13,080
Speaker 1: And continue to support check out the Monday Festival. I'm

2682
02:21:13,120 --> 02:21:18,280
Speaker 1: a Patreon listener as well, and we'll be back later

2683
02:21:18,360 --> 02:21:21,560
Speaker 1: in the week that like, if not tomorrow, definitely Tuesday

2684
02:21:21,560 --> 02:21:25,920
Speaker 1: and Wednesday. Wednesday we have Jesse Sparks from Eater dot

2685
02:21:25,959 --> 02:21:29,119
Speaker 1: com as a as a guest, and then next Sunday

2686
02:21:29,680 --> 02:21:33,840
Speaker 1: we have Chale was Sharp and Gosta Almante from Yay

2687
02:21:34,280 --> 02:21:38,840
Speaker 1: the War Report podcast. That's gonna be fun. That's another I'm.

2688
02:21:38,640 --> 02:21:43,400
Speaker 3: Sorry Sharp, when you asked about music like excited about music.

2689
02:21:43,640 --> 02:21:44,440
Speaker 2: CHALEH and I.

2690
02:21:44,520 --> 02:21:46,959
Speaker 3: The only other time I really talked music like in

2691
02:21:47,040 --> 02:21:50,000
Speaker 3: depth like this was with Where's My forty Acres Crew?

2692
02:21:51,120 --> 02:21:53,320
Speaker 2: Chale? When I became cool because we both.

2693
02:21:53,160 --> 02:21:56,959
Speaker 3: Like Saint Vincent and the last album that she did,

2694
02:21:57,480 --> 02:21:59,920
Speaker 3: Daddy's Home that came out last year, we did like

2695
02:22:00,080 --> 02:22:02,800
Speaker 3: a big a podcast where we broke down every track.

2696
02:22:03,120 --> 02:22:05,440
Speaker 3: I don't know if you guys your fan base listens

2697
02:22:05,480 --> 02:22:09,600
Speaker 3: to her like that, listens to thistent like that. But

2698
02:22:09,800 --> 02:22:13,800
Speaker 3: H like she's one of those artists like Kendrick included,

2699
02:22:13,840 --> 02:22:15,800
Speaker 3: where like all I got to know is they putting

2700
02:22:15,840 --> 02:22:18,800
Speaker 3: something out and I'm with it, Yes, Sir, I love

2701
02:22:19,640 --> 02:22:20,080
Speaker 3: was awesome.

2702
02:22:20,240 --> 02:22:20,440
Speaker 4: Yep.

2703
02:22:20,640 --> 02:22:24,120
Speaker 1: Agree. We'll talk to them next Sunday. Until then, I

2704
02:22:24,200 --> 02:22:25,360
Speaker 1: love you. I love you too,