1 00:00:00,600 --> 00:00:04,559 Speaker 1: Wake up, Wake up, wall you're trying to get it 2 00:00:04,640 --> 00:00:08,799 Speaker 1: off your chest. We want to hear from you on 3 00:00:08,920 --> 00:00:14,760 Speaker 1: the Hello, who's this morning? Hey jazz in right? Yes, 4 00:00:15,200 --> 00:00:17,439 Speaker 1: my u jazz and get it off your chests. Um, 5 00:00:17,480 --> 00:00:21,880 Speaker 1: good morning, Uncle Charlotte, Good morning, pretty girl. Ye, good morning. 6 00:00:22,800 --> 00:00:25,360 Speaker 1: I called you guys, of course, and couldn't get in 7 00:00:25,480 --> 00:00:31,760 Speaker 1: the other day about your scams. Yes, online of course, 8 00:00:31,800 --> 00:00:35,560 Speaker 1: on Instagram, trying to support somebody who told me, okay, 9 00:00:35,640 --> 00:00:38,440 Speaker 1: you know, I'm gonna promo for this person, you know, 10 00:00:38,520 --> 00:00:42,000 Speaker 1: you guys, you know, support and you know, get a 11 00:00:42,000 --> 00:00:45,080 Speaker 1: couple of airplane tickets, you know, And of course there 12 00:00:45,159 --> 00:00:46,960 Speaker 1: was a scam. I tried to reach out to the 13 00:00:47,000 --> 00:00:50,920 Speaker 1: person because they are Instagram famous. Of course their response 14 00:00:51,120 --> 00:00:55,000 Speaker 1: was they got scam too. But what happened? You just 15 00:00:55,000 --> 00:00:57,840 Speaker 1: have to sometimes you have to screen people before you 16 00:00:57,880 --> 00:01:00,800 Speaker 1: start telling people to spend their money them. You know, So, 17 00:01:01,280 --> 00:01:02,800 Speaker 1: how do you scared? What was it? Tell us so 18 00:01:02,840 --> 00:01:06,800 Speaker 1: we don't get scanned. Well, I'm not gonna put any name, 19 00:01:07,120 --> 00:01:09,800 Speaker 1: but it was this guy. He was basically saying, you know, 20 00:01:09,920 --> 00:01:15,200 Speaker 1: he would get discounted tickets or whatever than to the game. No, no, 21 00:01:15,200 --> 00:01:18,160 Speaker 1: no airplane ticket. Oh Okay, I heard this game before. 22 00:01:18,160 --> 00:01:20,400 Speaker 1: I seen somebody get out with this one. Go ahead. Yes. 23 00:01:20,680 --> 00:01:22,880 Speaker 1: So he was like, okay, you know, reach out to 24 00:01:22,920 --> 00:01:25,200 Speaker 1: this lady. You know she'll give these tickets because I 25 00:01:25,319 --> 00:01:29,160 Speaker 1: was going to Vegas for a friend birthday party. Of 26 00:01:29,200 --> 00:01:32,000 Speaker 1: course one side, you know, reached out to the ladies 27 00:01:32,000 --> 00:01:34,480 Speaker 1: putting the money. He didn't hear from her. I reached 28 00:01:34,480 --> 00:01:37,520 Speaker 1: out to the Instagram famous person. They were like, oh, 29 00:01:37,560 --> 00:01:41,360 Speaker 1: it's an older lady, as if there's an age on ammy, 30 00:01:41,600 --> 00:01:44,640 Speaker 1: and that was the end of it. Yeah, you gotta 31 00:01:44,640 --> 00:01:46,240 Speaker 1: be careful with that. I know somebody that got locked 32 00:01:46,280 --> 00:01:48,120 Speaker 1: about the airport. What people usually do is they get 33 00:01:48,120 --> 00:01:50,640 Speaker 1: a stolen credit card and they charge those tickets and 34 00:01:50,680 --> 00:01:52,680 Speaker 1: then you pay them cash and then when you get 35 00:01:52,720 --> 00:01:55,280 Speaker 1: to the airport. It depends on if they you know, 36 00:01:55,320 --> 00:01:57,440 Speaker 1: file that report or not, because you can get locked 37 00:01:57,480 --> 00:01:59,160 Speaker 1: up for that. So just be careful. Toss you out there, 38 00:01:59,240 --> 00:02:01,400 Speaker 1: scam and sometimes cheaper tickets. It's not worth it, and 39 00:02:01,560 --> 00:02:04,000 Speaker 1: is it. You're not gonna just get cheaper tickets like 40 00:02:04,080 --> 00:02:07,560 Speaker 1: that just doesn't happen. And I agree with Parliament. He 41 00:02:07,640 --> 00:02:11,200 Speaker 1: did say, you know that's you're lesson or whatever. So thankfully, 42 00:02:11,400 --> 00:02:14,360 Speaker 1: my boyfriend helped, you know, get the money like back 43 00:02:14,400 --> 00:02:16,799 Speaker 1: so that I could just buy them myself. But I'm 44 00:02:16,919 --> 00:02:19,520 Speaker 1: just like, you know, Instagram famous people, they need to 45 00:02:19,600 --> 00:02:23,520 Speaker 1: really frame the people that you're promoting. Yeah. Absolutely, Now, 46 00:02:23,560 --> 00:02:26,160 Speaker 1: you're absolutely right. You can't just be posting anything. Well 47 00:02:26,160 --> 00:02:28,960 Speaker 1: all you're doing and protecting the person right now? Why 48 00:02:29,000 --> 00:02:31,680 Speaker 1: are you protecting this Instagram famous person right now? Who 49 00:02:31,760 --> 00:02:35,679 Speaker 1: is it? Who it really? Yeah? Yeah, well that just 50 00:02:35,800 --> 00:02:39,280 Speaker 1: knows they getting people we want to protect somebody be 51 00:02:39,320 --> 00:02:43,800 Speaker 1: like Peter Parker's uncle, Well it was his name, I 52 00:02:43,840 --> 00:02:49,320 Speaker 1: think is Okay, I don't know about Instagram. Okay, then 53 00:02:49,360 --> 00:02:51,920 Speaker 1: I guess he ain't popping that much then, And you 54 00:02:51,960 --> 00:02:54,520 Speaker 1: do know you could bloe, you could buy that blue badge, 55 00:02:54,600 --> 00:02:57,040 Speaker 1: you could buy followers and buy likes, know like you 56 00:02:57,040 --> 00:02:58,800 Speaker 1: do know that? Oh no, I didn't know that. But 57 00:02:59,240 --> 00:03:04,160 Speaker 1: he's been pretty popular. But okay, but at least you 58 00:03:04,240 --> 00:03:07,240 Speaker 1: got to Vega's like you were supposed to back the lead. 59 00:03:07,639 --> 00:03:09,920 Speaker 1: All right, mama, that's all don't matter. Y'all have a 60 00:03:09,919 --> 00:03:13,600 Speaker 1: good day, Okay, thank you, Pat you, good morning, Good morning. 61 00:03:14,639 --> 00:03:18,480 Speaker 1: What's up? Patrick? Get off a man agulately? I got 62 00:03:18,480 --> 00:03:19,959 Speaker 1: two things I don't want to get off our chest. 63 00:03:20,200 --> 00:03:23,639 Speaker 1: I'm man this morning. Um well, I've been trying to 64 00:03:23,680 --> 00:03:26,040 Speaker 1: call in and get some relationship advice from me, and 65 00:03:26,160 --> 00:03:28,160 Speaker 1: this my first time I ever been able to get through. 66 00:03:28,600 --> 00:03:32,560 Speaker 1: But man, I took some advice for y'all and try 67 00:03:32,600 --> 00:03:35,000 Speaker 1: to get some couple's counseling for me and my girlfriend. 68 00:03:35,440 --> 00:03:38,240 Speaker 1: And she just blew up on me, pretty much left 69 00:03:38,280 --> 00:03:41,120 Speaker 1: me hanging. I was at work yesterday, I got home. 70 00:03:41,160 --> 00:03:44,200 Speaker 1: She left on my sun Wow, just left walking, Man, 71 00:03:44,440 --> 00:03:47,800 Speaker 1: I did you change that can follow? When she was walking? 72 00:03:48,320 --> 00:03:50,440 Speaker 1: I was at wood man, Like I don't got I 73 00:03:50,560 --> 00:03:52,560 Speaker 1: work two times. Bro, I get up at two thirty 74 00:03:52,600 --> 00:03:55,440 Speaker 1: every morning and I don't get back home until sometimes 75 00:03:55,600 --> 00:03:58,400 Speaker 1: ate thirty at night. You know, I provide everything from 76 00:03:58,440 --> 00:04:00,880 Speaker 1: my family. I took care of every thing. I just 77 00:04:00,920 --> 00:04:02,520 Speaker 1: can't see why I can't come up to a little 78 00:04:02,560 --> 00:04:04,880 Speaker 1: piece in harmony. Well you know what, hold on, hold on, 79 00:04:04,960 --> 00:04:07,600 Speaker 1: We're gonna put your hole and um he help you out, 80 00:04:08,160 --> 00:04:11,600 Speaker 1: all right, don't hang up? Hello? Who's this angel? Hey? Angel? 81 00:04:11,600 --> 00:04:14,160 Speaker 1: Get it off your chests. Good morning, breakfast club. But 82 00:04:14,200 --> 00:04:16,040 Speaker 1: I just want to say I love you guys. Listen 83 00:04:16,080 --> 00:04:18,159 Speaker 1: to you guys every morning, and uh, I want to 84 00:04:18,200 --> 00:04:20,640 Speaker 1: drop a ball from my beautiful white queen at home 85 00:04:21,080 --> 00:04:25,080 Speaker 1: and Angela. Yet every morning I can't get hey fam 86 00:04:25,120 --> 00:04:28,480 Speaker 1: out of my head. I'm sorry, Fam. He said, you're 87 00:04:28,480 --> 00:04:32,080 Speaker 1: beautiful white queen, My beautiful white queen, Jessica. Yes, you 88 00:04:32,160 --> 00:04:40,440 Speaker 1: gotta say Nubian white queen. I'm sorry, my Nubian. All right, 89 00:04:40,440 --> 00:04:43,279 Speaker 1: we got you to thank you. You play all my 90 00:04:43,400 --> 00:04:46,320 Speaker 1: requests every morning. You're welcome to say in the world, 91 00:04:46,480 --> 00:04:48,640 Speaker 1: thank you. Man. All right, get it off your chests 92 00:04:48,640 --> 00:04:51,000 Speaker 1: call us now. It's the breakfast Club. Good morning, the 93 00:04:51,200 --> 00:04:56,679 Speaker 1: breakfast Club. Pick up the mother mother phone and down. 94 00:04:57,200 --> 00:04:58,800 Speaker 1: This is your time to get it off your chest, 95 00:04:58,839 --> 00:05:02,800 Speaker 1: your man, you want to get from you on the 96 00:05:02,800 --> 00:05:07,320 Speaker 1: breakfast lub. You better have the same energy. Hello. Who's this? Hi? 97 00:05:07,440 --> 00:05:10,360 Speaker 1: My name is Kirsty. Hey Kurtsey, getting off your chest? 98 00:05:10,400 --> 00:05:13,440 Speaker 1: Oh my god? Like okay, So, first of all, I 99 00:05:13,480 --> 00:05:15,040 Speaker 1: love you guys. When I love this show, I'll listen 100 00:05:15,080 --> 00:05:17,719 Speaker 1: to it every morning. But um, I just wanted to 101 00:05:17,800 --> 00:05:19,479 Speaker 1: let you guys know that I sent you guys my 102 00:05:19,560 --> 00:05:22,279 Speaker 1: song about a few times and nobody responnding back. And 103 00:05:22,320 --> 00:05:24,159 Speaker 1: I definitely wanted you to check it out. It's in 104 00:05:24,240 --> 00:05:27,160 Speaker 1: your Dams on Instagram. Okay, we gotta look at it. 105 00:05:27,360 --> 00:05:30,600 Speaker 1: It's an idem. What's your what's your name on name? Kirsty, 106 00:05:30,800 --> 00:05:33,400 Speaker 1: k you are c Y. It's underscore. Ka, you are 107 00:05:33,480 --> 00:05:37,360 Speaker 1: c Y Underscore. Thank you, Kursey TI good morning time? Hi, 108 00:05:37,520 --> 00:05:41,520 Speaker 1: good morning now Ty you found out that name? Good morning? Yes, 109 00:05:41,560 --> 00:05:43,920 Speaker 1: I'm here baby. What's happening? You found you found out 110 00:05:43,960 --> 00:05:46,840 Speaker 1: that your husband's cheating on your time? Yeah? I did. 111 00:05:47,080 --> 00:05:49,599 Speaker 1: And it's crazy because I just woke off. I'm taking 112 00:05:49,640 --> 00:05:52,200 Speaker 1: my son to uh, I'm taking my son to get 113 00:05:52,279 --> 00:05:55,039 Speaker 1: dropped off and I'm headed on my way to work, 114 00:05:55,279 --> 00:05:59,040 Speaker 1: and um, you know, like we've been together for almost 115 00:05:59,080 --> 00:06:02,200 Speaker 1: twelve years and I don't know, I really don't sew 116 00:06:02,240 --> 00:06:04,240 Speaker 1: no type of way. Like it's like, you know, he 117 00:06:04,360 --> 00:06:07,400 Speaker 1: said like certain things like the last week that just 118 00:06:07,480 --> 00:06:09,800 Speaker 1: didn't make sense, and I was talking to my girlfriend 119 00:06:10,320 --> 00:06:12,920 Speaker 1: and I'm just like, you know, he was saying things 120 00:06:13,000 --> 00:06:16,479 Speaker 1: like you take the life out of me. You were 121 00:06:16,560 --> 00:06:19,599 Speaker 1: like drama and all this, and then come to find 122 00:06:19,600 --> 00:06:22,920 Speaker 1: out like you were like you probably weren't even talking 123 00:06:23,480 --> 00:06:26,760 Speaker 1: so long because they said that they just met you 124 00:06:27,279 --> 00:06:30,320 Speaker 1: and they didn't even know you were married. So he 125 00:06:30,440 --> 00:06:33,840 Speaker 1: not cheating, cheating. I haven't even said anything to him, 126 00:06:33,880 --> 00:06:36,400 Speaker 1: Like I let him holding while he was sleeping last night, 127 00:06:37,000 --> 00:06:39,120 Speaker 1: didn't say anything to him. So I know he watches 128 00:06:39,200 --> 00:06:41,320 Speaker 1: the Breakfast Club, so I hopeys hope he hears it 129 00:06:41,400 --> 00:06:43,880 Speaker 1: on his way to work this morning. So basically, you 130 00:06:43,880 --> 00:06:46,560 Speaker 1: want him to know that you know that he's cheated. Yeah, Like, 131 00:06:46,839 --> 00:06:49,520 Speaker 1: and cheating doesn't mean like you slept with them, but 132 00:06:49,560 --> 00:06:52,479 Speaker 1: you talked to him, so therefore you stepped out on 133 00:06:52,520 --> 00:06:54,400 Speaker 1: the marriage. No, I need to know what level of 134 00:06:54,520 --> 00:06:56,800 Speaker 1: cheating now, because it's cheating, then it's cheat and cheating 135 00:06:56,839 --> 00:06:58,800 Speaker 1: you know what I'm saying that being it's cheating when 136 00:06:58,839 --> 00:07:01,040 Speaker 1: you couldmit and make a out of God, like you 137 00:07:01,080 --> 00:07:03,240 Speaker 1: don't step out of that. Yeah, but you might have 138 00:07:03,279 --> 00:07:06,560 Speaker 1: just been talking to the girl. Um for what? Why 139 00:07:06,600 --> 00:07:09,680 Speaker 1: aren't you saying anything to him? I'm just curious because 140 00:07:09,720 --> 00:07:12,640 Speaker 1: I found out last night and me, who's gonnah? Okay, 141 00:07:12,640 --> 00:07:15,280 Speaker 1: so you are going to say something to him? Um? 142 00:07:15,320 --> 00:07:17,320 Speaker 1: I mean if he listened to the Breakfast Club this 143 00:07:17,360 --> 00:07:19,040 Speaker 1: morning where I'm short, he will. I think you need 144 00:07:19,040 --> 00:07:20,920 Speaker 1: to make sure you're cheating first before you put him 145 00:07:20,920 --> 00:07:22,320 Speaker 1: on black. The man could have been talking to some 146 00:07:22,360 --> 00:07:24,920 Speaker 1: of your young lady about buying you a president. I've 147 00:07:24,960 --> 00:07:27,640 Speaker 1: already talked to the female. She could be lying. She 148 00:07:27,640 --> 00:07:30,880 Speaker 1: could be lying always, No, they're not lying. Is he black? 149 00:07:30,920 --> 00:07:33,760 Speaker 1: They know what kind of vehicle he drives? So wid 150 00:07:34,600 --> 00:07:36,760 Speaker 1: No black? You know black men don't cheat? Where does 151 00:07:36,800 --> 00:07:38,400 Speaker 1: he have? I bet your license plates say black men 152 00:07:38,440 --> 00:07:41,680 Speaker 1: don't cheat on it? Who can't? Kind of at the 153 00:07:41,760 --> 00:07:43,680 Speaker 1: end of the day, I'm not fresh though, because I'm 154 00:07:43,680 --> 00:07:47,120 Speaker 1: an independent woman and I'm glad I devoted twelve years 155 00:07:47,160 --> 00:07:49,840 Speaker 1: to you, and I'm all always good. It's by the way, 156 00:07:49,880 --> 00:07:51,920 Speaker 1: it's okay. It's okay to be hurt. It is, And 157 00:07:51,960 --> 00:07:53,680 Speaker 1: do your homework, just to make sure, just don't you 158 00:07:53,720 --> 00:07:55,200 Speaker 1: don't jump out the window. Make sure and if you've 159 00:07:55,200 --> 00:07:57,960 Speaker 1: got the evidence and you do, if the number is 160 00:07:58,000 --> 00:08:00,840 Speaker 1: in his phone and that's when he's and it's narrator's nothing. 161 00:08:00,840 --> 00:08:02,560 Speaker 1: I need to make sure. You don't have to pretend 162 00:08:02,600 --> 00:08:04,680 Speaker 1: to be okay if you're really not feeling okay. Just 163 00:08:04,720 --> 00:08:07,800 Speaker 1: so I'm not okay. I'm actually very very hurt. But 164 00:08:07,840 --> 00:08:10,280 Speaker 1: I'm not gonna I'm not going to try to figure 165 00:08:10,280 --> 00:08:12,360 Speaker 1: out what happened, what didn't happen. That kind of makes 166 00:08:12,360 --> 00:08:15,080 Speaker 1: you hurt more, baby, And if he was holding you 167 00:08:15,160 --> 00:08:17,680 Speaker 1: last night, I mean he feels extra guilty. Yeah, and 168 00:08:17,720 --> 00:08:21,280 Speaker 1: that's wrong. You want froel real guilty when it's all 169 00:08:21,280 --> 00:08:23,800 Speaker 1: the way over. I don't want to say, make sure 170 00:08:23,880 --> 00:08:26,480 Speaker 1: he was really cheated. I don't know, to make sure 171 00:08:26,640 --> 00:08:29,200 Speaker 1: he was really cheating. Before you make a permanent decision 172 00:08:29,200 --> 00:08:31,840 Speaker 1: based off temporary feeling, you definitely should have a conversation 173 00:08:31,880 --> 00:08:34,960 Speaker 1: with him. You know, I'll have a conversation with him. 174 00:08:35,000 --> 00:08:37,280 Speaker 1: I just couldn't get to any of my girlfriends this morning, 175 00:08:37,320 --> 00:08:42,800 Speaker 1: so after wrong people to be talking like this, Okay, well, 176 00:08:42,840 --> 00:08:45,160 Speaker 1: good luck, mama talking to him single as girlfriends of 177 00:08:45,200 --> 00:08:49,240 Speaker 1: yours at a time like this. What's your name? What's 178 00:08:49,240 --> 00:08:52,560 Speaker 1: her name? Brian? Brian? Fix up Brian? And that's my 179 00:08:52,559 --> 00:08:56,600 Speaker 1: brothers fix up? All right, boy, all right, thank y'all, 180 00:08:56,640 --> 00:09:00,080 Speaker 1: have a good morning. I mean, he's still sleeping peacefully. 181 00:09:00,160 --> 00:09:01,720 Speaker 1: Why would you want them? Though? Don't give the man 182 00:09:01,760 --> 00:09:04,520 Speaker 1: time to get his lie to ya, right, man, he 183 00:09:04,640 --> 00:09:07,160 Speaker 1: got all day, got out of day. Now get it 184 00:09:07,240 --> 00:09:09,720 Speaker 1: off your chest. Eight hundreive days five one on five 185 00:09:09,760 --> 00:09:10,840 Speaker 1: one if you need to bet and here this now 186 00:09:10,840 --> 00:09:16,520 Speaker 1: it's the breakfast Club. Good morning the Breakfast Club pointing 187 00:09:16,600 --> 00:09:20,839 Speaker 1: everybody's DJ md Angela Yee, Charlomagne the guy. We are 188 00:09:20,960 --> 00:09:23,000 Speaker 1: the Breakfast Club. We got a special guests in the 189 00:09:23,040 --> 00:09:27,480 Speaker 1: building to change. Yes, Yes, let's up, my brother. I'm good. 190 00:09:27,559 --> 00:09:30,440 Speaker 1: Thank you for having album man, one of the most 191 00:09:30,480 --> 00:09:33,960 Speaker 1: consistent artists around. Thank you, I have to say, because 192 00:09:34,320 --> 00:09:37,040 Speaker 1: we love pretty girls like trap music. But this new album, 193 00:09:37,080 --> 00:09:38,800 Speaker 1: I just got it last night, so we were all 194 00:09:38,840 --> 00:09:42,160 Speaker 1: listening to it together and amazing. Let me tell you something, man, 195 00:09:42,200 --> 00:09:44,160 Speaker 1: I've been amazing. I've been You've not been a playing 196 00:09:44,200 --> 00:09:47,240 Speaker 1: Circle fan. I've been with you since the Traffic Valley tapes, Robber, 197 00:09:47,240 --> 00:09:48,880 Speaker 1: with you for a long time. This is your best 198 00:09:48,920 --> 00:09:51,720 Speaker 1: album and it's not even close. Do you feel that way, No, 199 00:09:51,720 --> 00:09:53,480 Speaker 1: no doubt about it. Who gets the credit for this 200 00:09:53,600 --> 00:09:55,319 Speaker 1: being the best body of work? Is it you? Is 201 00:09:55,320 --> 00:09:58,280 Speaker 1: it Tech? Is it Lebron? Is it the team effort? Now? Well, 202 00:09:58,320 --> 00:10:02,000 Speaker 1: you know, uh, Tech just really like answers phone calls. 203 00:10:02,040 --> 00:10:04,520 Speaker 1: I mean he does more than he does more on that, 204 00:10:04,600 --> 00:10:06,480 Speaker 1: but then he asked me what you think about this? 205 00:10:06,640 --> 00:10:08,880 Speaker 1: So he can't take the credit for that. And then 206 00:10:08,920 --> 00:10:13,480 Speaker 1: you know, Lebron obviously getting the Monica or the title 207 00:10:13,480 --> 00:10:16,079 Speaker 1: of A and R. This project was definitely my idea. 208 00:10:16,200 --> 00:10:18,880 Speaker 1: But you know, he went in there turning knobs or anything. 209 00:10:18,920 --> 00:10:20,480 Speaker 1: He didn't have time to like, you know, send me 210 00:10:20,600 --> 00:10:23,200 Speaker 1: beats or anything. It was I brought him on board 211 00:10:23,480 --> 00:10:26,000 Speaker 1: for a couple of different reasons. But but this Ropper 212 00:10:26,040 --> 00:10:28,120 Speaker 1: Go to the League was something that I worked for 213 00:10:28,320 --> 00:10:30,800 Speaker 1: over a year, like you know, pretty good, like trap 214 00:10:30,920 --> 00:10:33,840 Speaker 1: music did very well. We essentially had you know, damn 215 00:10:33,920 --> 00:10:36,679 Speaker 1: Neil statue of Liberty in a pink trap house in Atlanta. 216 00:10:36,720 --> 00:10:39,120 Speaker 1: It was basically the same type of effect as an 217 00:10:39,120 --> 00:10:41,920 Speaker 1: Eiffel Tower. Just as people you know, this is way 218 00:10:41,960 --> 00:10:45,480 Speaker 1: after the album, people still following the campaign, these ideas, 219 00:10:45,800 --> 00:10:48,800 Speaker 1: they just keep going, they keep working, They employed people, 220 00:10:48,880 --> 00:10:50,480 Speaker 1: you know what I mean. And so Woul Rapper Go 221 00:10:50,520 --> 00:10:52,080 Speaker 1: to the League. I had to find a way to 222 00:10:52,080 --> 00:10:54,040 Speaker 1: connect the dots. And that's why you see this yellow 223 00:10:54,040 --> 00:10:57,319 Speaker 1: crate on the album cover, because this was this is 224 00:10:57,360 --> 00:11:00,000 Speaker 1: kind of where I came from, like a low social 225 00:11:00,320 --> 00:11:06,960 Speaker 1: economic Yeah. So basically sometimes it's either a milk crate 226 00:11:07,080 --> 00:11:09,440 Speaker 1: or a bike ram. But basically you're using you know 227 00:11:09,480 --> 00:11:11,640 Speaker 1: what you have to get certain results. You know what 228 00:11:11,679 --> 00:11:14,320 Speaker 1: I'm saying so proud to getting a basketball goal. We 229 00:11:14,400 --> 00:11:16,920 Speaker 1: used to we were hooping things like you know, like this, 230 00:11:17,400 --> 00:11:20,520 Speaker 1: So what about sequencing like putting that sum at Marsha 231 00:11:20,520 --> 00:11:23,840 Speaker 1: Ambro's first How did you guys collaborate on that? Or 232 00:11:23,880 --> 00:11:26,319 Speaker 1: is that that was an idea that actually he had 233 00:11:26,400 --> 00:11:28,160 Speaker 1: for a long time. Like we met out here in 234 00:11:28,200 --> 00:11:30,160 Speaker 1: New York and played some songs, and I had this 235 00:11:30,280 --> 00:11:33,800 Speaker 1: martial song for kind of some time, but it was 236 00:11:33,840 --> 00:11:35,360 Speaker 1: hard for me to put it out, and I didn't 237 00:11:35,360 --> 00:11:36,679 Speaker 1: know where to put it when I put it out, 238 00:11:36,679 --> 00:11:39,120 Speaker 1: because originally I thought maybe this could be an outro, 239 00:11:39,280 --> 00:11:40,920 Speaker 1: but it had so much weight to it, it had 240 00:11:41,000 --> 00:11:43,839 Speaker 1: so much substance, and I said, why not start off 241 00:11:43,920 --> 00:11:46,360 Speaker 1: my album with that kind of emotion. It talks about 242 00:11:46,480 --> 00:11:48,160 Speaker 1: death in the intro, you know what I mean. It 243 00:11:48,160 --> 00:11:52,040 Speaker 1: talks about little Yeah. It talks about my partner little 244 00:11:52,080 --> 00:11:56,040 Speaker 1: fate son passing away. My homie Big, his son passed 245 00:11:56,080 --> 00:11:58,240 Speaker 1: away last year in August. He was about to be 246 00:11:58,320 --> 00:12:01,800 Speaker 1: eighteen in September and he died to gun violence. And 247 00:12:01,840 --> 00:12:03,599 Speaker 1: these are like my friends. I went to school with 248 00:12:03,679 --> 00:12:05,800 Speaker 1: him and then and that the kids are getting killed 249 00:12:05,800 --> 00:12:10,000 Speaker 1: and it's like there's nobody that I know can explain 250 00:12:10,040 --> 00:12:11,760 Speaker 1: that feeling. You know what I'm saying, There's nobody that 251 00:12:11,800 --> 00:12:13,680 Speaker 1: I know can explain that feeling. And I got phone 252 00:12:13,720 --> 00:12:18,160 Speaker 1: calls both times. When your homeboy calls you and that 253 00:12:18,440 --> 00:12:20,640 Speaker 1: child has been taken away from it's some of the 254 00:12:20,640 --> 00:12:23,360 Speaker 1: most harshest pain I've ever I've ever heard or felt 255 00:12:23,400 --> 00:12:26,640 Speaker 1: in my life. So I wanted to get straight into that, 256 00:12:27,080 --> 00:12:29,520 Speaker 1: letting people know, Oh, this is a different album from Change. 257 00:12:29,559 --> 00:12:31,800 Speaker 1: This is a different direction. When when Little Fake calls 258 00:12:31,840 --> 00:12:33,520 Speaker 1: you and says that, how do you even console your 259 00:12:33,559 --> 00:12:36,120 Speaker 1: man in a situation like that? Because you describe how 260 00:12:36,160 --> 00:12:37,880 Speaker 1: you felt, you said he was shaking and all that. 261 00:12:38,040 --> 00:12:40,040 Speaker 1: How do you console your man in the situation? I 262 00:12:40,120 --> 00:12:43,319 Speaker 1: knew like he actually had a kid, like the ninth grade. 263 00:12:43,360 --> 00:12:44,680 Speaker 1: He was popping, you know what I mean. He had 264 00:12:44,679 --> 00:12:46,040 Speaker 1: a kid in the ninth grade, kind of grew up 265 00:12:46,080 --> 00:12:48,680 Speaker 1: with him and he was twenty one. You know, he 266 00:12:48,720 --> 00:12:50,840 Speaker 1: was twenty one years old and somebody shot. I didn't 267 00:12:50,920 --> 00:12:52,840 Speaker 1: kill him. You know, we went to the funeral, and 268 00:12:52,840 --> 00:12:55,360 Speaker 1: it's just it's just it's hard to just relive that. 269 00:12:55,480 --> 00:12:58,280 Speaker 1: Like the last one, Big, that's my man, Big, my partner. 270 00:12:58,280 --> 00:13:01,360 Speaker 1: He's actually um I got him working for TRU my label, 271 00:13:01,440 --> 00:13:03,600 Speaker 1: like doing A and R for some of the upcoming 272 00:13:03,640 --> 00:13:05,840 Speaker 1: artists that I have. But like, one of my other 273 00:13:05,840 --> 00:13:07,760 Speaker 1: friends is blowing my phone up and he tim me, man, 274 00:13:07,800 --> 00:13:11,760 Speaker 1: I heard big son just got killed. And so sixty 275 00:13:11,800 --> 00:13:14,400 Speaker 1: seconds later Big was calling me. So I started praying 276 00:13:14,679 --> 00:13:18,080 Speaker 1: that the information was untrue. And then while I was praying, 277 00:13:18,160 --> 00:13:20,080 Speaker 1: beat the phone hung up, and then he called me back. 278 00:13:20,280 --> 00:13:22,360 Speaker 1: And then when he called me, basic bro, somebody took 279 00:13:22,400 --> 00:13:24,679 Speaker 1: my son away. And that was like I heard this call. 280 00:13:24,800 --> 00:13:27,400 Speaker 1: I heard this call before, I heard this pain, before 281 00:13:27,720 --> 00:13:29,520 Speaker 1: I went straight out there to where he was. You 282 00:13:29,559 --> 00:13:31,959 Speaker 1: know what I'm saying. I still beat myself up about 283 00:13:32,000 --> 00:13:34,400 Speaker 1: it because I talked to him two weeks earlier. It 284 00:13:34,440 --> 00:13:36,000 Speaker 1: was hard for me to connect with him because he 285 00:13:36,040 --> 00:13:38,000 Speaker 1: was old and he was so cool and so like, 286 00:13:38,559 --> 00:13:40,040 Speaker 1: I don't care if you too change, you know what 287 00:13:40,080 --> 00:13:43,120 Speaker 1: I'm saying, And that happens to me not that often, 288 00:13:43,160 --> 00:13:45,600 Speaker 1: you know what I'm saying. I can really this street 289 00:13:45,600 --> 00:13:48,000 Speaker 1: stuff mixed with this psychology. The grim madele to tap 290 00:13:48,040 --> 00:13:50,400 Speaker 1: into a few things, but he had a shield up, 291 00:13:50,679 --> 00:13:53,160 Speaker 1: and I'm like, damn, look when you think you're cooler 292 00:13:53,200 --> 00:13:54,319 Speaker 1: than me, you know what I mean. And then I 293 00:13:54,840 --> 00:13:56,679 Speaker 1: had to kick in the psychology. I remember he used 294 00:13:56,720 --> 00:13:59,400 Speaker 1: to love football. In my studio, it's twenty thousand square feet. 295 00:13:59,640 --> 00:14:02,240 Speaker 1: So we played a little catch, worked on some spirals, 296 00:14:02,240 --> 00:14:03,800 Speaker 1: and then we kind of talked about like what you 297 00:14:03,840 --> 00:14:05,080 Speaker 1: want to do? You know what I'm saying. And the 298 00:14:05,120 --> 00:14:07,320 Speaker 1: common thing that most young people want to do is rap. 299 00:14:07,760 --> 00:14:09,000 Speaker 1: You know, I'm like, what else you want to do? 300 00:14:09,080 --> 00:14:11,680 Speaker 1: Like rap? You know what I'm saying, something like comeback? 301 00:14:11,800 --> 00:14:13,640 Speaker 1: And you know I never The next time I saw him, 302 00:14:13,640 --> 00:14:15,840 Speaker 1: he was he was in a coffin, so that that's 303 00:14:15,840 --> 00:14:17,760 Speaker 1: just this hardness. So I talked about that on the 304 00:14:17,760 --> 00:14:20,120 Speaker 1: first song. I know that's probably not a normal way 305 00:14:20,120 --> 00:14:21,840 Speaker 1: to start off an album, but all right, we got 306 00:14:21,840 --> 00:14:23,960 Speaker 1: more when we come back. This the Breakfast Club, Good morning, 307 00:14:24,000 --> 00:14:28,400 Speaker 1: good morning. Everybody is DJ Envy, Angela Yee, Charlemagne the guy. 308 00:14:28,440 --> 00:14:32,080 Speaker 1: We are the Breakfast Club. Two changes in the building, Charlemagne, 309 00:14:32,480 --> 00:14:35,000 Speaker 1: I said to me, as another reflective record, you refer 310 00:14:35,040 --> 00:14:38,240 Speaker 1: to yourself as a drug dealer, a killer, and a 311 00:14:38,360 --> 00:14:40,560 Speaker 1: real but it seems like you're more than all of 312 00:14:40,560 --> 00:14:43,280 Speaker 1: that at this point. So what are you two change? 313 00:14:43,920 --> 00:14:46,680 Speaker 1: Two changs? I'm a great father, great husband. I'm an entrepreneur, 314 00:14:46,920 --> 00:14:50,320 Speaker 1: I'm a musician. I have a lot of adjectives to 315 00:14:50,360 --> 00:14:54,680 Speaker 1: describe me. Tall, dark, handsome, I'm a virgo. I enjoy 316 00:14:54,800 --> 00:14:58,320 Speaker 1: long walks in the bank doing I'm pretty good. I'm 317 00:14:58,360 --> 00:15:01,320 Speaker 1: all those things and things like the album is very reflective. 318 00:15:01,360 --> 00:15:04,080 Speaker 1: You know, I used past tense a lot of my 319 00:15:04,160 --> 00:15:07,600 Speaker 1: music because I'm obviously not trapping right now, but these 320 00:15:07,600 --> 00:15:09,640 Speaker 1: are some of the things. My kids really listen to 321 00:15:09,680 --> 00:15:11,920 Speaker 1: my music now, Like I just got it. Just got 322 00:15:11,920 --> 00:15:14,520 Speaker 1: the phone with my son. He told me some hey, 323 00:15:14,840 --> 00:15:16,720 Speaker 1: you know Jews because that was on Pretty Girls like 324 00:15:16,760 --> 00:15:19,720 Speaker 1: trapping music, and so they thought it was funny that 325 00:15:20,040 --> 00:15:21,720 Speaker 1: me and him going back on the phone to my hey. 326 00:15:21,840 --> 00:15:24,360 Speaker 1: He's like hey, I'm like hey, and that was like, 327 00:15:24,440 --> 00:15:27,040 Speaker 1: but that's my old album and he three. And so 328 00:15:27,080 --> 00:15:29,160 Speaker 1: it's like when I got my wife the new car. 329 00:15:29,240 --> 00:15:31,640 Speaker 1: I ain't getting no TVs this time on purpose, because 330 00:15:31,680 --> 00:15:34,400 Speaker 1: my kids would watch TV the whole day to school. Hold, 331 00:15:34,480 --> 00:15:35,920 Speaker 1: I'm like, man, they need to look out to one 332 00:15:35,920 --> 00:15:37,920 Speaker 1: of the song. So now they don't want to look 333 00:15:37,920 --> 00:15:39,640 Speaker 1: out the one to still, they just want to hear music, 334 00:15:39,960 --> 00:15:42,280 Speaker 1: and so they're gonna listen to my album, So I 335 00:15:42,320 --> 00:15:45,640 Speaker 1: don't say like can sit and stuff like that too much. 336 00:15:45,760 --> 00:15:47,760 Speaker 1: Like I try to find creative ways to talk about 337 00:15:47,840 --> 00:15:50,080 Speaker 1: even sex and things like that. I'm obviously still do. 338 00:15:50,200 --> 00:15:51,960 Speaker 1: But when you got a ten year old asking me, 339 00:15:52,280 --> 00:15:54,520 Speaker 1: did you just say two girls in the pool kissing? 340 00:15:54,880 --> 00:15:57,880 Speaker 1: And like, did I say two girls in the pool kissing? 341 00:15:58,160 --> 00:16:01,840 Speaker 1: I ain't see what you what you're doing, you know, 342 00:16:01,880 --> 00:16:04,200 Speaker 1: and I can't make them stop listening. They got iPhones 343 00:16:04,240 --> 00:16:06,240 Speaker 1: and stuff. So I'm like, when my daughter asked me 344 00:16:06,320 --> 00:16:08,840 Speaker 1: what a drug dealer was, I told him me because 345 00:16:08,920 --> 00:16:10,960 Speaker 1: obviously I don't live the same way I live before 346 00:16:10,960 --> 00:16:12,840 Speaker 1: they got here? Are you scared to go deep into 347 00:16:12,880 --> 00:16:16,040 Speaker 1: the psyche of of mister Eppstell? Yeah, I got some pain. 348 00:16:16,160 --> 00:16:18,160 Speaker 1: You know, it's some pain, and now I deal with 349 00:16:18,200 --> 00:16:20,000 Speaker 1: it pretty good. You know what I'm saying Some things 350 00:16:20,000 --> 00:16:21,960 Speaker 1: that just so close and deal to me. It's just 351 00:16:22,280 --> 00:16:24,280 Speaker 1: it's just hard to get out, you know what I'm saying, 352 00:16:24,320 --> 00:16:27,360 Speaker 1: Like it's not average, it's not it's not it's not normal. 353 00:16:27,400 --> 00:16:29,360 Speaker 1: It's really savage, you know some of the things. You 354 00:16:29,360 --> 00:16:30,680 Speaker 1: know what I'm saying, Like, I'm not I wan't going 355 00:16:30,680 --> 00:16:33,120 Speaker 1: around killing and robbing people. But some of the things 356 00:16:33,160 --> 00:16:35,760 Speaker 1: I did in my community, like I probably should have 357 00:16:35,760 --> 00:16:37,800 Speaker 1: been ashamed myself, but at the same time, I felt 358 00:16:37,840 --> 00:16:39,600 Speaker 1: like I ain't having no other option. How do you 359 00:16:39,640 --> 00:16:42,320 Speaker 1: how do you navigate through the industry? Could be just 360 00:16:42,360 --> 00:16:44,440 Speaker 1: as evil as the street. Now I don't don't, but 361 00:16:44,520 --> 00:16:46,840 Speaker 1: you know, i'd be by myself. Really, I'm cool with 362 00:16:46,880 --> 00:16:48,680 Speaker 1: everybody in the industry. I'm sure they all did the 363 00:16:48,680 --> 00:16:51,720 Speaker 1: resume background check. I'm sure they all thought about saying 364 00:16:51,720 --> 00:16:53,920 Speaker 1: something crazy and then they're like, bro let let leave 365 00:16:54,000 --> 00:16:56,360 Speaker 1: bro a loan. You know what I'm saying, Just that's smiling, 366 00:16:56,480 --> 00:16:59,440 Speaker 1: all cap and that's not like for no respect and 367 00:16:59,520 --> 00:17:01,160 Speaker 1: nothing like that. It's just like how I moved. I 368 00:17:01,200 --> 00:17:03,720 Speaker 1: respect people. I treat the valet just like I treat 369 00:17:03,760 --> 00:17:05,560 Speaker 1: the CEO. That's how I do it. You know what 370 00:17:05,560 --> 00:17:08,480 Speaker 1: I'm saying on people, I've saw people I've been in 371 00:17:08,480 --> 00:17:10,840 Speaker 1: the game loaner to see people get rich, get broke, 372 00:17:11,280 --> 00:17:13,760 Speaker 1: vice versa. You know what I'm saying, in different attitudes changed, 373 00:17:13,760 --> 00:17:16,480 Speaker 1: I think it's dope. If I get a fat Super 374 00:17:16,480 --> 00:17:19,679 Speaker 1: Bowl check and remain the same, I think that's dope. 375 00:17:19,840 --> 00:17:21,920 Speaker 1: You know what I'm saying, buy a car to I 376 00:17:21,920 --> 00:17:26,040 Speaker 1: ain't ball to nobody, buy some property, opening up another 377 00:17:26,080 --> 00:17:28,840 Speaker 1: business next week, Like I ain't balling nobody. I have 378 00:17:28,880 --> 00:17:31,879 Speaker 1: a restaurant doing well. I'm opening up members only a 379 00:17:31,880 --> 00:17:34,480 Speaker 1: whole another spot in the line them open up Pamper 380 00:17:34,560 --> 00:17:36,240 Speaker 1: Nail Studio. I got a nail shop. I'm goin to 381 00:17:36,320 --> 00:17:38,879 Speaker 1: open up like mine for players, big throne chairs. You're 382 00:17:38,920 --> 00:17:42,080 Speaker 1: coming in, get your foot chopped off or whatever you 383 00:17:42,080 --> 00:17:46,120 Speaker 1: want to do. You know, yeah, you get that bad 384 00:17:46,160 --> 00:17:49,439 Speaker 1: black tool they need to get fore I gotta you know, 385 00:17:49,480 --> 00:17:52,480 Speaker 1: you gotta see black nail on that. You know that 386 00:17:52,560 --> 00:17:55,800 Speaker 1: dude got a black nail under that thing. They got 387 00:17:55,800 --> 00:18:01,080 Speaker 1: commercials to do. So now it's about man. I love 388 00:18:01,160 --> 00:18:03,359 Speaker 1: being different. I love being myself. I gotta go with 389 00:18:03,480 --> 00:18:05,879 Speaker 1: my good you know, my counscious. I really believe in 390 00:18:05,920 --> 00:18:08,679 Speaker 1: that that voice that talks to y'all. I listened to 391 00:18:08,680 --> 00:18:10,160 Speaker 1: that voice. I listened to it all the way home. 392 00:18:10,320 --> 00:18:12,600 Speaker 1: I feel like, yeah, the law of attraction. I feel 393 00:18:12,640 --> 00:18:15,160 Speaker 1: like you believe that for real, for real, man, I've 394 00:18:15,160 --> 00:18:17,200 Speaker 1: done it too many times. Man, Like I could tell 395 00:18:17,240 --> 00:18:19,760 Speaker 1: you now some stuff about to happen really good, Like 396 00:18:19,800 --> 00:18:21,680 Speaker 1: I just all I can tell you where a rapper 397 00:18:21,760 --> 00:18:23,800 Speaker 1: go to the league is out right now to change 398 00:18:23,800 --> 00:18:26,080 Speaker 1: fifth studio album, good to see you again, my brother. 399 00:18:26,320 --> 00:18:32,520 Speaker 1: It's the Breakfast Club. It's topic time because the phone 400 00:18:34,400 --> 00:18:36,200 Speaker 1: called eight hundred and five eight five one oh five 401 00:18:36,240 --> 00:18:38,360 Speaker 1: wanted to join it to the discussion with the Breakfast Club, 402 00:18:38,680 --> 00:18:43,359 Speaker 1: talk about it, pinning everybody is DJ Envy, Angela Yee, 403 00:18:43,440 --> 00:18:46,919 Speaker 1: Charlomagne and God we are the Breakfast Club. Now if 404 00:18:46,920 --> 00:18:49,160 Speaker 1: he just joined us, were talking about b Smith. Now 405 00:18:49,280 --> 00:18:51,120 Speaker 1: for people that just joined us, explain who b Smith 406 00:18:51,160 --> 00:18:53,879 Speaker 1: FISGI and what's going on with that situation. She's a 407 00:18:53,960 --> 00:18:57,120 Speaker 1: style icon, she's a restaurant tour She's been married for 408 00:18:58,440 --> 00:19:02,240 Speaker 1: twenty six years to Danya Asking and she has Alzheimer's. 409 00:19:02,480 --> 00:19:05,800 Speaker 1: So now her husband has moved another woman into the 410 00:19:05,840 --> 00:19:08,879 Speaker 1: house and he has a girlfriend, and so he has 411 00:19:08,880 --> 00:19:11,560 Speaker 1: a new relationship. And like I was saying, Alzheimer's is 412 00:19:11,560 --> 00:19:15,320 Speaker 1: a difficult situation to deal with. They say that seventy 413 00:19:15,359 --> 00:19:18,000 Speaker 1: percent of people who take care of somebody with Alzheimer's 414 00:19:18,080 --> 00:19:20,840 Speaker 1: end end up dying before that person. I'm gonna be 415 00:19:20,880 --> 00:19:23,240 Speaker 1: I don't have a strong opinion on this. I can't 416 00:19:23,320 --> 00:19:25,400 Speaker 1: judge that man unless you're in that situation. I don't 417 00:19:25,400 --> 00:19:27,080 Speaker 1: know what I was doing in that situation. He's taking 418 00:19:27,119 --> 00:19:29,359 Speaker 1: care of his wife. He's living with his wife, but 419 00:19:29,800 --> 00:19:32,480 Speaker 1: he still has desires and that woman would probably keeping 420 00:19:32,520 --> 00:19:35,000 Speaker 1: him alive and keeping him alive as well was keeping 421 00:19:35,119 --> 00:19:36,720 Speaker 1: be alive. So I mean, I don't really have a 422 00:19:36,720 --> 00:19:38,840 Speaker 1: strong opinion on it either way. Now I'm gonna tell 423 00:19:38,880 --> 00:19:40,920 Speaker 1: you what he said about it. He said that when 424 00:19:41,040 --> 00:19:43,199 Speaker 1: we got the diagnosis and Mount Sinai, he said, she 425 00:19:43,200 --> 00:19:44,680 Speaker 1: stopped me, put her hand on my arm, and she 426 00:19:44,720 --> 00:19:46,880 Speaker 1: said to me, I want you to go on. He said, 427 00:19:46,920 --> 00:19:49,040 Speaker 1: I'm not doing anything we didn't discuss, and he said, 428 00:19:49,080 --> 00:19:51,320 Speaker 1: the other side of the coin is the person that 429 00:19:51,359 --> 00:19:53,679 Speaker 1: I'm now involved with his wife. The racial innu window 430 00:19:53,840 --> 00:19:57,320 Speaker 1: is devastating. And I do believe that Bee probably told him, 431 00:19:57,400 --> 00:19:59,760 Speaker 1: y'all keep it moving like you know, don't don't stop 432 00:19:59,840 --> 00:20:02,240 Speaker 1: your life just because mine is at a halt, you know, 433 00:20:02,320 --> 00:20:04,360 Speaker 1: and he's taking care of her like he's a primary. 434 00:20:04,400 --> 00:20:06,120 Speaker 1: Can't get it. That's very honorable to me. You can't 435 00:20:06,119 --> 00:20:09,199 Speaker 1: take it has dementia Outshimer that she remember saying that 436 00:20:09,240 --> 00:20:11,840 Speaker 1: it was that a real conversation or she's just saying 437 00:20:11,840 --> 00:20:13,480 Speaker 1: this thing not thinking my mother in law say, she 438 00:20:13,520 --> 00:20:15,280 Speaker 1: just says she doesn't know what she's saying at times, 439 00:20:15,320 --> 00:20:17,800 Speaker 1: so who knows. But my whole thing is is b 440 00:20:17,960 --> 00:20:21,000 Speaker 1: Smith created That's that's her business. Yes he helped, but 441 00:20:21,359 --> 00:20:23,080 Speaker 1: you know she was the breadwinner. She was the one 442 00:20:23,119 --> 00:20:24,879 Speaker 1: that brought in the bucks and was the fashion and 443 00:20:24,920 --> 00:20:27,520 Speaker 1: did the restaurant. That's her bread. I also think it's 444 00:20:27,520 --> 00:20:29,320 Speaker 1: just tacky to put this out there like that. But 445 00:20:29,400 --> 00:20:31,600 Speaker 1: the fact that you know, you're taking pictures with the 446 00:20:31,600 --> 00:20:33,560 Speaker 1: three of them and they're smiling. She doesn't know what's 447 00:20:33,560 --> 00:20:37,159 Speaker 1: going on, the fact that she's leaving, how do we 448 00:20:37,200 --> 00:20:39,240 Speaker 1: know for sure? She don't know what's going on. So 449 00:20:39,240 --> 00:20:41,000 Speaker 1: when you have all time, you don't remember nothing at all. 450 00:20:41,640 --> 00:20:43,320 Speaker 1: Like my mother in law has no short term memory, 451 00:20:43,400 --> 00:20:45,520 Speaker 1: she has long term memory. She remembers something. She doesn't 452 00:20:45,560 --> 00:20:49,840 Speaker 1: recognize her husband, but she doesn't remember that does her husband, 453 00:20:49,880 --> 00:20:51,240 Speaker 1: So she don't even know. She didn't cheat it though 454 00:20:51,480 --> 00:20:56,080 Speaker 1: that doesn't make it right, bro talking about I don't know, man, 455 00:20:56,359 --> 00:20:58,320 Speaker 1: All I'm saying is what are you supposed to do? 456 00:20:58,359 --> 00:21:00,000 Speaker 1: Just take care of her for the rest of his life. 457 00:21:00,359 --> 00:21:02,480 Speaker 1: Just but some people are different. That's how I feel. 458 00:21:02,520 --> 00:21:04,400 Speaker 1: My wife. As I asked Gil last night. I even 459 00:21:04,440 --> 00:21:05,840 Speaker 1: ask my daughter. We wish she was talking. We were 460 00:21:05,880 --> 00:21:08,240 Speaker 1: talking about it. She's seventeen, and they both agree with 461 00:21:08,280 --> 00:21:10,560 Speaker 1: the stiff, like you gotta move on. They think it's okay. 462 00:21:10,600 --> 00:21:13,880 Speaker 1: Like I agree the husband kind of like I don't 463 00:21:14,160 --> 00:21:15,520 Speaker 1: kind of like if you got another I don't want 464 00:21:15,560 --> 00:21:17,159 Speaker 1: to say if you got somebody in prison, because but 465 00:21:17,200 --> 00:21:18,720 Speaker 1: that is kind of the same thing. Yeah. Yeah, the 466 00:21:18,720 --> 00:21:20,439 Speaker 1: person's in prison for the rest of their life, like 467 00:21:20,440 --> 00:21:23,200 Speaker 1: what I'm puposed to, just like Stage stayed committed to them, 468 00:21:23,240 --> 00:21:26,439 Speaker 1: like and he is committed to her. He's the primary caretaker. 469 00:21:26,520 --> 00:21:27,840 Speaker 1: I don't know what more you want from them. He 470 00:21:27,880 --> 00:21:29,560 Speaker 1: did a Facebook post, but he said, no matter how 471 00:21:29,640 --> 00:21:32,120 Speaker 1: much you've learned, I've been exposed to alzheimer'sn't demension. When 472 00:21:32,119 --> 00:21:33,919 Speaker 1: the person you've been married to for what is closing 473 00:21:33,920 --> 00:21:36,440 Speaker 1: in on three decades cause you daddy, and it ain't 474 00:21:36,440 --> 00:21:38,399 Speaker 1: a term of endearment, but the actual belief that you 475 00:21:38,440 --> 00:21:41,000 Speaker 1: are her father, it takes you to your very core. 476 00:21:41,560 --> 00:21:43,080 Speaker 1: I can't judge that man, and I know I know 477 00:21:43,119 --> 00:21:45,080 Speaker 1: it's difficult, right and before we take a car, just 478 00:21:45,119 --> 00:21:47,760 Speaker 1: tell you, um, every year we go on vacations and 479 00:21:47,800 --> 00:21:49,399 Speaker 1: I take my mother in law and people always ask 480 00:21:49,440 --> 00:21:51,080 Speaker 1: why do you take it? Because she don't remember anyway, Like, 481 00:21:51,119 --> 00:21:52,720 Speaker 1: you know, we go to Dubai, we go to Mount These, 482 00:21:52,760 --> 00:21:54,720 Speaker 1: Florida wherever, they say, she don't remember. On the way 483 00:21:54,760 --> 00:21:56,879 Speaker 1: back from Dubai, we were on the plane and I 484 00:21:56,880 --> 00:21:58,840 Speaker 1: guess the air pressure messed with her a little bit, 485 00:21:58,920 --> 00:22:00,400 Speaker 1: so she woke up and she said, oh, I got 486 00:22:00,400 --> 00:22:02,520 Speaker 1: to go to work. So my wife is like, Mom, no, 487 00:22:02,600 --> 00:22:04,239 Speaker 1: you don't have to go to work. She didn't even 488 00:22:04,240 --> 00:22:06,119 Speaker 1: know who my wife was. She was like, who are you? 489 00:22:06,520 --> 00:22:08,920 Speaker 1: And get broke down in tears, like, damn, my mom 490 00:22:08,960 --> 00:22:11,080 Speaker 1: doesn't know who I am. And the crazy part when 491 00:22:11,119 --> 00:22:13,160 Speaker 1: she seen me, she knew who I was, So yes, 492 00:22:13,280 --> 00:22:15,639 Speaker 1: I know it's her. I know it's painful, but we 493 00:22:15,720 --> 00:22:17,800 Speaker 1: gotta Those are the moments that we gotta remember. Damn, 494 00:22:17,800 --> 00:22:20,280 Speaker 1: my mom did everything for me. I don't want to 495 00:22:20,280 --> 00:22:23,080 Speaker 1: disrespect it and do anything that she shouldn't necessarily want 496 00:22:23,080 --> 00:22:24,960 Speaker 1: when she I think some people might feel like that, 497 00:22:25,000 --> 00:22:27,320 Speaker 1: and some people might feel like they can't handle it 498 00:22:27,680 --> 00:22:29,719 Speaker 1: and handle it the way I mean, I don't know, 499 00:22:29,760 --> 00:22:35,440 Speaker 1: because I drive you crazy. Dan Gasby imagine if Dan 500 00:22:35,600 --> 00:22:37,840 Speaker 1: was in this house with this with his wife all 501 00:22:37,920 --> 00:22:40,240 Speaker 1: the time dealing with that. That could drive him crazy. 502 00:22:40,280 --> 00:22:42,600 Speaker 1: So I'm telling you this other woman that's probably keeping 503 00:22:42,680 --> 00:22:46,320 Speaker 1: him company, is probably just keeping him mentally healthy. Right, well, 504 00:22:46,359 --> 00:22:48,680 Speaker 1: let's go to the phones. What do you think, MARKETA. 505 00:22:49,040 --> 00:22:51,879 Speaker 1: I think it's very very triful, and like you said, 506 00:22:52,359 --> 00:22:55,800 Speaker 1: she sacrificed a lot within those twenty years to try 507 00:22:55,840 --> 00:22:59,800 Speaker 1: to make money and make their life better, probably generational wealth. 508 00:22:59,800 --> 00:23:02,760 Speaker 1: And she's nasty, like wait till she passed. That could 509 00:23:02,760 --> 00:23:05,840 Speaker 1: be twenty years from now. Well, and he also was successful. 510 00:23:05,880 --> 00:23:07,520 Speaker 1: It wasn't like he was living off her money. Matter. 511 00:23:07,640 --> 00:23:09,880 Speaker 1: If you want a girlfriend, have a girlfriend on the side, 512 00:23:09,920 --> 00:23:12,280 Speaker 1: but don't even know woman to your wife's house because 513 00:23:12,320 --> 00:23:14,159 Speaker 1: if she was in her white man, he wouldn't do it. 514 00:23:14,280 --> 00:23:16,439 Speaker 1: See now that's the part I think that's disturbing. Now 515 00:23:16,640 --> 00:23:18,720 Speaker 1: you want to do that, thank you, because he was 516 00:23:18,760 --> 00:23:20,480 Speaker 1: gonna do what he's gonna do any me. But moving 517 00:23:20,480 --> 00:23:22,840 Speaker 1: her in the house is next level. I can't judge that, man. 518 00:23:22,880 --> 00:23:24,320 Speaker 1: But I'm gonna tell you something. A lot of us 519 00:23:24,600 --> 00:23:26,439 Speaker 1: and a lot of our listeners were up in age, 520 00:23:26,520 --> 00:23:28,959 Speaker 1: so we're gonna find out soon enough. We're gonna if 521 00:23:28,960 --> 00:23:31,920 Speaker 1: you stay with your woman, A man with all timers. Okay, Eric, 522 00:23:31,920 --> 00:23:38,280 Speaker 1: good morning, Come, what's your opinion? Morning? Honestly, man, I 523 00:23:38,400 --> 00:23:40,800 Speaker 1: kind of gree with Charlemagne. Man. I mean, you can't 524 00:23:40,840 --> 00:23:44,080 Speaker 1: really judge from looking from the outside in. So until 525 00:23:44,119 --> 00:23:46,119 Speaker 1: I go through that situation, I can't really say what 526 00:23:46,160 --> 00:23:49,440 Speaker 1: I would do. But I mean, like moving in the girlfriend, 527 00:23:49,520 --> 00:23:51,960 Speaker 1: it is kind of like a great area to me. 528 00:23:52,080 --> 00:23:55,359 Speaker 1: But whatever works for him, if they're gonna keep him happy, 529 00:23:55,560 --> 00:23:57,000 Speaker 1: then I say, do what you want to do, what 530 00:23:57,000 --> 00:23:58,800 Speaker 1: you're gonna do. You know what I think too. I 531 00:23:58,800 --> 00:24:00,880 Speaker 1: think about like if that happens to one of my parents, 532 00:24:01,640 --> 00:24:03,720 Speaker 1: I would want my other parents to be happy too. 533 00:24:04,119 --> 00:24:05,760 Speaker 1: So I can't say that I went with my mom 534 00:24:05,800 --> 00:24:10,760 Speaker 1: and my dad all morning. Hey, we got to have 535 00:24:10,880 --> 00:24:14,240 Speaker 1: to bring in another woman right now. You may still 536 00:24:14,280 --> 00:24:15,560 Speaker 1: be with us, but I don't know she would have 537 00:24:17,520 --> 00:24:18,879 Speaker 1: I don't know if he can talk Jesus, But I 538 00:24:18,920 --> 00:24:21,080 Speaker 1: do feel like when this does affect you personally, people 539 00:24:21,080 --> 00:24:23,760 Speaker 1: have their own personal stories, you know, watching like a 540 00:24:23,840 --> 00:24:26,600 Speaker 1: parent have to deal with another parent who had Alzheimer's, 541 00:24:26,880 --> 00:24:29,800 Speaker 1: you know, and like if Gia's father had to still 542 00:24:29,880 --> 00:24:32,359 Speaker 1: deal with the mom with your grandma, with her mother. 543 00:24:32,960 --> 00:24:35,080 Speaker 1: Then I'm sure she would want her father to be 544 00:24:35,119 --> 00:24:38,320 Speaker 1: happy and not always have to be a caregiver and 545 00:24:38,440 --> 00:24:40,760 Speaker 1: not have his own happiness because it is stressful. Right, 546 00:24:40,800 --> 00:24:42,840 Speaker 1: And Charlem May made up a good point. Man, he 547 00:24:42,960 --> 00:24:45,159 Speaker 1: made up one. Yeah, he made a good point. We 548 00:24:45,280 --> 00:24:47,560 Speaker 1: all getting old, and I'm forgetting a lot right now. 549 00:24:47,600 --> 00:24:48,960 Speaker 1: So I don't know if I'm going down that line. 550 00:24:48,960 --> 00:24:50,280 Speaker 1: I don't want to make sure that my wife too. 551 00:24:50,400 --> 00:24:52,440 Speaker 1: You see, I've been talking on more. I don't bring 552 00:24:52,440 --> 00:24:55,520 Speaker 1: nobody now sty At least we have you on record, Okay, 553 00:24:55,640 --> 00:24:58,000 Speaker 1: since y'all don't believe be Smith, and y'all don't believe 554 00:24:58,080 --> 00:25:01,359 Speaker 1: Dan when Dan B. Smith said that, y'all don't believe. 555 00:25:01,560 --> 00:25:03,880 Speaker 1: We've heard NVCA. You don't want to no other man 556 00:25:03,920 --> 00:25:06,479 Speaker 1: in his house, and we bur and Charlotte May say 557 00:25:06,520 --> 00:25:08,040 Speaker 1: it's okay with him. He would want his wife to 558 00:25:08,080 --> 00:25:09,840 Speaker 1: move on. I don't see why I would hold a 559 00:25:09,880 --> 00:25:11,760 Speaker 1: hostage like that. I mean, of course I would want 560 00:25:11,760 --> 00:25:13,679 Speaker 1: her to take care of me, but I want her 561 00:25:13,680 --> 00:25:15,159 Speaker 1: to move on with her life. I can't wait to 562 00:25:15,160 --> 00:25:18,360 Speaker 1: see that. You know, it's crazy, a white guy. My wife, 563 00:25:18,600 --> 00:25:20,600 Speaker 1: My wife ain't on she don't. She ain't on social 564 00:25:20,640 --> 00:25:22,280 Speaker 1: media like that. She don't do that. You know what? 565 00:25:22,680 --> 00:25:24,359 Speaker 1: I want to say something. I had an Uber driver 566 00:25:24,520 --> 00:25:26,000 Speaker 1: when I was in Detroit, and he was telling me 567 00:25:26,040 --> 00:25:27,840 Speaker 1: he was having an issue with his wife and taking 568 00:25:27,880 --> 00:25:29,320 Speaker 1: care of her and they went together forever and he 569 00:25:29,400 --> 00:25:31,560 Speaker 1: loved her. But he was like, I'm ready to just 570 00:25:31,640 --> 00:25:33,480 Speaker 1: like live my life a little. Is that wrong that 571 00:25:33,560 --> 00:25:35,800 Speaker 1: I want to be? That's why he was driving Uber, 572 00:25:35,880 --> 00:25:37,440 Speaker 1: just because he wanted to get out of the house. 573 00:25:37,480 --> 00:25:39,679 Speaker 1: He was seventy years old, and he was like, I 574 00:25:39,760 --> 00:25:41,520 Speaker 1: want to like get on these dating apps and go 575 00:25:41,560 --> 00:25:44,280 Speaker 1: on some dates. Do you think that's wrong? I don't know? 576 00:25:44,920 --> 00:25:46,879 Speaker 1: All right, Well, do we have them all to the story? Guys? 577 00:25:47,080 --> 00:25:49,000 Speaker 1: I mean, I'm not really invested in this topic like that. 578 00:25:49,040 --> 00:25:50,479 Speaker 1: I mean I don't have an opinion on it either way. 579 00:25:50,480 --> 00:25:51,880 Speaker 1: I don't feel like this is something I can really 580 00:25:51,920 --> 00:25:53,560 Speaker 1: truly have an opinion on. So I don't know what 581 00:25:53,600 --> 00:25:56,120 Speaker 1: I was doing that situation. That's something that's really kind 582 00:25:56,160 --> 00:25:57,760 Speaker 1: of out of the realm of my understanding. I think 583 00:25:57,760 --> 00:26:00,280 Speaker 1: everybody has their own opinion on if that with you, 584 00:26:00,359 --> 00:26:02,400 Speaker 1: what you would do, But until it happens, who knows 585 00:26:02,600 --> 00:26:04,480 Speaker 1: all right. We got more coming up next with a 586 00:26:04,520 --> 00:26:13,680 Speaker 1: breakfast club. The breakfast Club anyway, there's some history between 587 00:26:13,720 --> 00:26:18,600 Speaker 1: you and Dramas. Everybody is kg Envy, Angela Yee, Charlottagne 588 00:26:18,640 --> 00:26:21,199 Speaker 1: the guy. We are the Breakfast Club special guest in 589 00:26:21,200 --> 00:26:25,280 Speaker 1: the building, and we mean special. Lizzo, Good morning, Lizzo. 590 00:26:25,480 --> 00:26:27,680 Speaker 1: I'm happy to be here. No, you're excited to see 591 00:26:27,680 --> 00:26:32,359 Speaker 1: me here. I feel excited. We got carpet together. Yes, okay, 592 00:26:33,000 --> 00:26:39,840 Speaker 1: remember I didn't remember Heber right, he's a boy. That's right. 593 00:26:41,600 --> 00:26:47,280 Speaker 1: Let me refresh your memory. Let me refresh. It's coming back. 594 00:26:48,880 --> 00:26:50,280 Speaker 1: This is when you had a conversation with our bought 595 00:26:50,280 --> 00:26:53,000 Speaker 1: our drama on this podcast. I have situation ships and 596 00:26:53,080 --> 00:26:55,760 Speaker 1: I deal with boys to deal with people. Let make 597 00:26:55,840 --> 00:27:02,639 Speaker 1: some beating. Um, I don't know you tell me Tommy, 598 00:27:02,680 --> 00:27:07,359 Speaker 1: he'll figure Fanny pass. I had my head blooe. I 599 00:27:07,640 --> 00:27:10,119 Speaker 1: train here first of all because I want for my 600 00:27:10,160 --> 00:27:14,680 Speaker 1: head some way back. So you just answered all the 601 00:27:14,720 --> 00:27:18,480 Speaker 1: questions about wooden. Wow, how can you tell boys with 602 00:27:18,560 --> 00:27:21,360 Speaker 1: the neck and you're good at that, the beard, the 603 00:27:21,359 --> 00:27:26,120 Speaker 1: frost colors. You want to hug you, So I'm good. 604 00:27:26,480 --> 00:27:28,320 Speaker 1: That was that was rude. I'm not gonna lie around 605 00:27:28,400 --> 00:27:32,600 Speaker 1: must that wasn't nice. She had, I forgot hurt. Apology 606 00:27:32,640 --> 00:27:39,239 Speaker 1: that you wanted to shepped up, d'me on now she 607 00:27:39,359 --> 00:27:45,040 Speaker 1: likes boys? She said that was n No boys like me. Okay, 608 00:27:45,960 --> 00:27:47,920 Speaker 1: I'm sick and I travel a lot, and I got money, 609 00:27:48,280 --> 00:27:51,760 Speaker 1: and that is true. There's always a boy trying to 610 00:27:51,760 --> 00:27:53,119 Speaker 1: get with you because you think you got good credit. 611 00:27:53,720 --> 00:28:00,800 Speaker 1: Anything you keep snacks you. The things that online that 612 00:28:00,880 --> 00:28:03,639 Speaker 1: somebody was saying that they don't like girls with box graides. 613 00:28:03,880 --> 00:28:06,760 Speaker 1: Did you see and the girls were going in on 614 00:28:06,880 --> 00:28:11,639 Speaker 1: him because wait, you don't like girls with box always thoughts. 615 00:28:13,000 --> 00:28:14,880 Speaker 1: You're thinking a black girl, you're gonna take the hairstyle 616 00:28:14,880 --> 00:28:17,400 Speaker 1: you get. That's right, you take the hairstyle, you get 617 00:28:17,480 --> 00:28:29,200 Speaker 1: that jet because it might change every single deet you boys. Sorry, sorry, 618 00:28:29,440 --> 00:28:32,760 Speaker 1: you don't talk to me. I'm black. Well, we get 619 00:28:32,840 --> 00:28:35,159 Speaker 1: the box braids. Let listen, we've already covered boys and 620 00:28:35,240 --> 00:28:40,240 Speaker 1: box braids. Just throwing things out there. What about music? Yeah, 621 00:28:40,320 --> 00:28:45,239 Speaker 1: can we talk about Liza doesn't music? I dam him? 622 00:28:45,840 --> 00:28:48,840 Speaker 1: You don't want you off limits because you don't even 623 00:28:48,920 --> 00:28:52,880 Speaker 1: remember me. I got a whole picture what you I 624 00:28:52,960 --> 00:28:55,200 Speaker 1: posted before plugged him and I was like, it's been 625 00:28:55,400 --> 00:28:56,680 Speaker 1: I was like, it's good to see you again. He 626 00:28:56,760 --> 00:28:59,680 Speaker 1: was like, oh, he did that, I see her but 627 00:28:59,680 --> 00:29:01,760 Speaker 1: not so. I was like, I'm so excited Lizzle's coming. 628 00:29:01,760 --> 00:29:03,240 Speaker 1: We've been trying to get it up here for a while. 629 00:29:06,560 --> 00:29:08,200 Speaker 1: Let's start from the beginning. Had a Lizzo start in 630 00:29:08,200 --> 00:29:11,440 Speaker 1: the music industry. Um, the music industry. Well, I've been 631 00:29:11,600 --> 00:29:15,560 Speaker 1: playing flute my whole life, and I get busy flute 632 00:29:15,560 --> 00:29:19,560 Speaker 1: issue listen I brought. I brought the flute too because 633 00:29:19,560 --> 00:29:21,280 Speaker 1: I got more to do later. So if you wanted 634 00:29:21,320 --> 00:29:24,240 Speaker 1: to come out, come out. Um No. I was an 635 00:29:24,240 --> 00:29:27,480 Speaker 1: indie artist, so I was playing a lot of festivals. 636 00:29:27,520 --> 00:29:29,760 Speaker 1: I was playing a lot of like rock clubs. I 637 00:29:29,920 --> 00:29:33,520 Speaker 1: dropped like two mixtapes, um and I was doing like 638 00:29:33,520 --> 00:29:35,040 Speaker 1: the indie circuit. And then I got signed to at 639 00:29:35,080 --> 00:29:39,400 Speaker 1: Lantic Records in two thousand and fifteen, in December twenty sixteen, 640 00:29:39,760 --> 00:29:41,960 Speaker 1: and ever since then, I've just been, you know, making 641 00:29:42,040 --> 00:29:44,800 Speaker 1: my own lane. We got you on the flute, man. 642 00:29:44,920 --> 00:29:48,000 Speaker 1: I was twelve years old in Houston and banned and 643 00:29:48,320 --> 00:29:50,760 Speaker 1: the woman was like, you play flute, and I just 644 00:29:50,800 --> 00:29:54,840 Speaker 1: happened to be really good. You're gonna play the flute. Yeah, 645 00:29:54,880 --> 00:29:56,920 Speaker 1: she just said you play flute. She said I had 646 00:29:56,920 --> 00:29:58,680 Speaker 1: a good ambusher, So that means I had a good mouth, 647 00:30:00,320 --> 00:30:08,040 Speaker 1: right like this, that's just saving. She has to do 648 00:30:08,120 --> 00:30:13,480 Speaker 1: that too, right red carpet. And he did not care. 649 00:30:13,560 --> 00:30:15,000 Speaker 1: But I say I have a good mouth, and he 650 00:30:19,280 --> 00:30:22,840 Speaker 1: shoulder laning. Not for you, for you as a solo 651 00:30:23,000 --> 00:30:25,000 Speaker 1: artist though, because I know for you at first it 652 00:30:25,120 --> 00:30:27,400 Speaker 1: was intimidating for you to say I'm gonna be who 653 00:30:27,440 --> 00:30:30,400 Speaker 1: I really am. How did that happen for you? Well, 654 00:30:30,440 --> 00:30:33,200 Speaker 1: I was just nervous to be out front and center 655 00:30:33,280 --> 00:30:35,800 Speaker 1: by myself, you know what I'm saying. Like I felt 656 00:30:35,800 --> 00:30:38,920 Speaker 1: like because I looked the way that I looked at, 657 00:30:38,960 --> 00:30:40,720 Speaker 1: people didn't really want to look at just me. So 658 00:30:40,760 --> 00:30:42,719 Speaker 1: I always had like my girlfriends around me, and I 659 00:30:42,760 --> 00:30:44,560 Speaker 1: was like, yeah, we're a girl group. And I was like, 660 00:30:44,720 --> 00:30:46,959 Speaker 1: nobody wants to hear what I have to say. Nobody 661 00:30:46,960 --> 00:30:49,080 Speaker 1: wants to hear my story. But you know, I told God, 662 00:30:49,120 --> 00:30:50,960 Speaker 1: I said, if I'm to be a solo artist, you 663 00:30:50,960 --> 00:30:53,320 Speaker 1: are gonna make it easy for me, and it's gonna 664 00:30:53,320 --> 00:30:56,720 Speaker 1: flow and be natural. And ever since I made that prayer, 665 00:30:56,760 --> 00:30:59,040 Speaker 1: it's been easy for me, Like everything kind of came 666 00:30:59,120 --> 00:31:01,400 Speaker 1: naturally to me. What was your journey like to be 667 00:31:01,440 --> 00:31:04,120 Speaker 1: so power like the power yourself a man? It was 668 00:31:04,200 --> 00:31:07,480 Speaker 1: long and it was hard. Um. Growing up in Houston, 669 00:31:07,760 --> 00:31:11,640 Speaker 1: I was teased a lot in middle school for being 670 00:31:11,720 --> 00:31:16,520 Speaker 1: nerdy or playing the flude. They were like, man nerd, 671 00:31:16,600 --> 00:31:19,360 Speaker 1: I have friends. I have friends. But you know, I 672 00:31:19,400 --> 00:31:21,840 Speaker 1: went through a long process of learning how to love myself. 673 00:31:22,120 --> 00:31:24,480 Speaker 1: And it started with wanting to be somebody else and 674 00:31:24,560 --> 00:31:27,959 Speaker 1: actually not loving myself. And then one day I was like, yo, like, 675 00:31:28,000 --> 00:31:30,080 Speaker 1: I'm gonna be in this body forever. I'm gonna be 676 00:31:30,160 --> 00:31:32,720 Speaker 1: this bitch forever. So it's like you either live your 677 00:31:32,760 --> 00:31:35,600 Speaker 1: life not liking her or you live your life trying 678 00:31:35,640 --> 00:31:37,440 Speaker 1: to love her. So ever since then, I've just been 679 00:31:37,480 --> 00:31:40,080 Speaker 1: working on love with myself and now I'm getting married 680 00:31:40,080 --> 00:31:42,680 Speaker 1: to myself. So let's talk about the album because I 681 00:31:42,720 --> 00:31:45,520 Speaker 1: love you. It's very self reflective. Yes, it makes breaking 682 00:31:45,600 --> 00:31:48,360 Speaker 1: up seemed like fun too. You know how many people say, 683 00:31:48,400 --> 00:31:50,520 Speaker 1: like I wish I was going through a breakup to 684 00:31:50,560 --> 00:31:52,960 Speaker 1: this album. I'm like, guys, nowhere, we all need a 685 00:31:53,000 --> 00:31:55,120 Speaker 1: good breakup song, though, And that's the kind of sound 686 00:31:55,120 --> 00:31:57,640 Speaker 1: that's gonna make you be like man, him, Yeah, but 687 00:31:57,720 --> 00:32:01,000 Speaker 1: it's it's more of like an empowering self and powering album. 688 00:32:01,080 --> 00:32:02,959 Speaker 1: And I think that that's when people need to empower 689 00:32:03,000 --> 00:32:04,840 Speaker 1: themselves and most or when we think we should it 690 00:32:04,920 --> 00:32:06,680 Speaker 1: is when we're breaking up with somebody. We want to 691 00:32:06,680 --> 00:32:08,760 Speaker 1: like be like, how do I get myself back on top? 692 00:32:08,960 --> 00:32:10,560 Speaker 1: How do I get myself back to who I was? 693 00:32:10,760 --> 00:32:12,400 Speaker 1: And then you listen to my songs and you're like, 694 00:32:12,400 --> 00:32:14,720 Speaker 1: I'm one hundred percent that bitch. It's the best way 695 00:32:14,720 --> 00:32:19,560 Speaker 1: to get over a break up another man. There is 696 00:32:19,720 --> 00:32:21,920 Speaker 1: no best way to get over a breakup. There's only 697 00:32:21,960 --> 00:32:24,480 Speaker 1: your way to get over a breakup. You almost got 698 00:32:24,480 --> 00:32:28,560 Speaker 1: me caught up there. You almost got me caught up 699 00:32:28,600 --> 00:32:37,000 Speaker 1: there that I've literally been in the room. And then 700 00:32:37,040 --> 00:32:38,920 Speaker 1: when it's not panning out the way I want, I'll 701 00:32:38,920 --> 00:32:41,800 Speaker 1: be like, I need to call another I said that. 702 00:32:41,880 --> 00:32:44,520 Speaker 1: He was like, what this is? Where this is a conclusion? 703 00:32:44,560 --> 00:32:46,760 Speaker 1: You jump to what could happen to make you think 704 00:32:46,800 --> 00:33:01,120 Speaker 1: that so many things? What is not working out me? 705 00:33:01,160 --> 00:33:03,960 Speaker 1: And oh you don't know now, John, what kind of 706 00:33:03,960 --> 00:33:09,840 Speaker 1: things that you do? What the penis side, penis side 707 00:33:09,880 --> 00:33:11,520 Speaker 1: make things not work out? You can tell he got 708 00:33:11,520 --> 00:33:15,440 Speaker 1: a small penis because a penis size play. I am 709 00:33:15,480 --> 00:33:19,480 Speaker 1: seven eight one is warm out, thank you, congratulations, thank you. No, 710 00:33:19,600 --> 00:33:22,360 Speaker 1: it's a it's an intention, but um, in my mind, 711 00:33:22,400 --> 00:33:24,200 Speaker 1: I kind of already see the future with people, like 712 00:33:24,240 --> 00:33:27,000 Speaker 1: as soon as I meet somebody, I know where this 713 00:33:27,080 --> 00:33:30,960 Speaker 1: is gonna go. And yeah, so if I see it 714 00:33:31,040 --> 00:33:33,440 Speaker 1: not really panning out the way that I wanted and 715 00:33:33,440 --> 00:33:36,600 Speaker 1: my expectations aren't meant, sometimes I will jump to an extreme. 716 00:33:36,720 --> 00:33:38,840 Speaker 1: I'm scared for you when it comes to rejecting people, though, 717 00:33:38,840 --> 00:33:40,720 Speaker 1: because that could be a dangerous situation. You tell a 718 00:33:40,760 --> 00:33:42,880 Speaker 1: guy like, hey, I don't want you here, I want 719 00:33:42,920 --> 00:33:45,880 Speaker 1: another dude, the next dude right now. Yeah, that's kind 720 00:33:45,880 --> 00:33:48,480 Speaker 1: of like impulsively, And I'm learning how to not be 721 00:33:48,520 --> 00:33:50,840 Speaker 1: that way because when I get when I said it, 722 00:33:51,480 --> 00:33:54,720 Speaker 1: and this was recently, goodness, grace, that was like a 723 00:33:54,760 --> 00:33:58,400 Speaker 1: long time the mail, he goes very fragile, is over Hey, 724 00:33:58,520 --> 00:34:01,640 Speaker 1: I've noticed, And when I said it, I was like, damn, 725 00:34:01,720 --> 00:34:03,200 Speaker 1: Like I felt really bad and I was like, you 726 00:34:03,240 --> 00:34:05,640 Speaker 1: know what, I didn't mean that, So let me just 727 00:34:05,720 --> 00:34:08,120 Speaker 1: take it back a step and just say that I'm 728 00:34:08,160 --> 00:34:11,160 Speaker 1: not satisfied with your response. What did the dude say 729 00:34:11,160 --> 00:34:12,759 Speaker 1: when you said, I got another dude coming on his way. 730 00:34:12,760 --> 00:34:14,600 Speaker 1: What did he say, I got another dude coming too, 731 00:34:22,360 --> 00:34:30,560 Speaker 1: you know what? No, I mean that that's what he said. 732 00:34:30,560 --> 00:34:32,840 Speaker 1: He was like, really, that's the conclusion that you jumped to. 733 00:34:33,320 --> 00:34:35,080 Speaker 1: That's really what you say in this time. And I 734 00:34:35,120 --> 00:34:37,840 Speaker 1: was like, I'm sorry, I actually didn't mean that. All right. 735 00:34:37,880 --> 00:34:40,000 Speaker 1: We got more with Lizzo when we come back, don't move. 736 00:34:40,000 --> 00:34:43,560 Speaker 1: It's to Breakfast Club. Good morning morning. Everybody is dj Enzy, 737 00:34:43,719 --> 00:34:46,640 Speaker 1: Angela Yee, Charlemagne the guy. We are to Breakfast Club. 738 00:34:46,680 --> 00:34:50,080 Speaker 1: We're still kicking it with Lizzo. Ye talk about getting 739 00:34:50,080 --> 00:34:51,879 Speaker 1: added to the movie Hustless, because we saw that here 740 00:34:51,920 --> 00:34:54,360 Speaker 1: in that movie. Have you started filming and everything yet? Yeah? 741 00:34:54,400 --> 00:34:58,319 Speaker 1: I'm done? Okay, Um, it was it was late. I'm 742 00:34:58,320 --> 00:35:01,640 Speaker 1: one of the Exotic Dance and I'm in the scene 743 00:35:01,640 --> 00:35:04,439 Speaker 1: with j Low and Cardi and um, you're on the poll, 744 00:35:04,920 --> 00:35:06,560 Speaker 1: I'm on the pole and all of that. You have 745 00:35:06,600 --> 00:35:09,640 Speaker 1: experienced with the pole prior, you know. It's funny. My 746 00:35:09,719 --> 00:35:12,000 Speaker 1: birthday was like three days before and my whole team 747 00:35:12,040 --> 00:35:14,799 Speaker 1: surprised me on tour with private pole dancing lessons and 748 00:35:14,800 --> 00:35:17,000 Speaker 1: they didn't even know. So I had a little bit 749 00:35:17,000 --> 00:35:23,719 Speaker 1: of practice, but I'm surprisingly naturally talented. Yeah, moves later, 750 00:35:23,840 --> 00:35:28,560 Speaker 1: I like, I know, not later, right now? You know 751 00:35:28,680 --> 00:35:30,879 Speaker 1: I can use some things right now. Did they ask 752 00:35:30,920 --> 00:35:33,480 Speaker 1: you to show a lot of skin? Yes? And no, 753 00:35:33,880 --> 00:35:37,239 Speaker 1: like I wanted to show more skin actually like they 754 00:35:37,239 --> 00:35:41,200 Speaker 1: because we were very well styled. Um. And then I 755 00:35:41,239 --> 00:35:43,120 Speaker 1: was like, can I just pull my be out here? 756 00:35:43,120 --> 00:35:44,880 Speaker 1: And they were like, well, you can wear nipple pasties 757 00:35:44,920 --> 00:35:46,879 Speaker 1: if you want or if you don't want it, don't 758 00:35:46,880 --> 00:35:51,160 Speaker 1: give me. But it's not out. But I'm very I'm 759 00:35:51,200 --> 00:35:54,480 Speaker 1: tim I like, you get shot later on in life, 760 00:35:54,560 --> 00:35:58,359 Speaker 1: if your career. I'm finding out now in Playboy. Right now, 761 00:35:58,400 --> 00:36:04,480 Speaker 1: I'm in Playboy, but I'm not I'm I'm super covered up. I'mingerie. 762 00:36:05,239 --> 00:36:07,439 Speaker 1: Did you want to play yourself out a Payboy? No? 763 00:36:07,520 --> 00:36:09,600 Speaker 1: I mean I don't be wanting to pull my d's out. 764 00:36:09,880 --> 00:36:12,120 Speaker 1: But here's the thing, it's not a big deal for 765 00:36:12,200 --> 00:36:15,000 Speaker 1: me to pull out. All about the money now though. Yeah, 766 00:36:15,040 --> 00:36:18,319 Speaker 1: So I'm thinking smarter, not freer, because you know, I'm 767 00:36:18,320 --> 00:36:21,480 Speaker 1: a free spirit. I'm like a hippie, dippy type of girl, 768 00:36:21,640 --> 00:36:24,560 Speaker 1: Like we go skinny dipping in the ocean, and you 769 00:36:24,560 --> 00:36:27,000 Speaker 1: know what I mean, Like I'll be putting twerk videos 770 00:36:27,000 --> 00:36:29,719 Speaker 1: on my Instagram like I'm not. You need to get 771 00:36:29,800 --> 00:36:33,920 Speaker 1: into a way. Yeah, a lot of music. Do you 772 00:36:34,000 --> 00:36:35,880 Speaker 1: know the music cannot work? But yeah, I know a 773 00:36:35,880 --> 00:36:37,440 Speaker 1: lot of music. You don't play none of it though, 774 00:36:37,440 --> 00:36:38,680 Speaker 1: And he's the DJ of the show. I just want 775 00:36:38,680 --> 00:36:40,280 Speaker 1: to throw that out there and not trying to start anything. 776 00:36:40,360 --> 00:36:43,680 Speaker 1: Just my god, you haven't played my music and I'm 777 00:36:43,719 --> 00:36:46,879 Speaker 1: sitting right here, or play something right now. Play let's play. 778 00:36:46,920 --> 00:36:55,600 Speaker 1: Truth had to actually be here, Scott. We're going to 779 00:36:55,600 --> 00:36:58,400 Speaker 1: do truth first. Aead all right, y'all. It's Little AKA 780 00:36:58,400 --> 00:37:00,959 Speaker 1: one hundred percent that bitch and this is my song 781 00:37:01,080 --> 00:37:03,640 Speaker 1: Truth Hurt. I hope you like it. Bring everybody is 782 00:37:03,719 --> 00:37:07,440 Speaker 1: DJ Envy, Angela Yee, Charlemagne the Guy. We are the 783 00:37:07,480 --> 00:37:11,040 Speaker 1: Breakfast Club. We're still kicking it with Lizzo. That hurts. 784 00:37:11,160 --> 00:37:20,239 Speaker 1: Oh my god. I want to cod for truth art. 785 00:37:22,840 --> 00:37:24,600 Speaker 1: But keep it round. The first time you hear that song, 786 00:37:24,640 --> 00:37:26,800 Speaker 1: you know that's a hit, Like immediately, it's one of 787 00:37:26,800 --> 00:37:31,960 Speaker 1: those first time but they would never know. But but 788 00:37:32,080 --> 00:37:35,239 Speaker 1: you know, gass me for the we we just heard 789 00:37:37,080 --> 00:37:40,560 Speaker 1: out of men so positive, you are so positive. I 790 00:37:40,600 --> 00:37:43,719 Speaker 1: love it. Really it's because I tried to be positive. 791 00:37:44,000 --> 00:37:46,120 Speaker 1: I think that I've seen a lot of darkness and 792 00:37:46,120 --> 00:37:47,439 Speaker 1: I've been through a lot of dark times. I don't 793 00:37:47,440 --> 00:37:50,920 Speaker 1: even really realize i've been through until I'm doing interviews 794 00:37:51,200 --> 00:37:52,799 Speaker 1: and then they remind me and they're like and then 795 00:37:52,840 --> 00:37:54,839 Speaker 1: they said you were homeless when you were twenty one, 796 00:37:54,840 --> 00:37:57,200 Speaker 1: and I was like, oh, thanks for reminding me. Like, 797 00:37:57,280 --> 00:37:59,400 Speaker 1: dam I'm gonna tried to block that out. But I 798 00:37:59,440 --> 00:38:02,520 Speaker 1: went through such a dark age in my life. Um 799 00:38:02,560 --> 00:38:05,640 Speaker 1: that I think now is grown ass woman. I work 800 00:38:05,760 --> 00:38:08,560 Speaker 1: really hard on self care and self love and trying 801 00:38:08,600 --> 00:38:11,520 Speaker 1: to be positive. Um, and this shows Yeah, just set 802 00:38:11,560 --> 00:38:14,239 Speaker 1: your intention. My therapist always says, set your intention. Shout 803 00:38:14,239 --> 00:38:16,879 Speaker 1: out therapy. Yeah. I started going to a therapist last 804 00:38:16,920 --> 00:38:22,720 Speaker 1: year because, yeah, it was hard. Industry made you start going. Um, 805 00:38:22,760 --> 00:38:24,839 Speaker 1: I think it was the demands. I think people ask 806 00:38:24,920 --> 00:38:27,640 Speaker 1: a lot of artists, and I'm also I give a lot. 807 00:38:27,800 --> 00:38:29,839 Speaker 1: People think that they can take so much from me. 808 00:38:30,080 --> 00:38:34,239 Speaker 1: So I started to find myself getting siphoned and my 809 00:38:34,400 --> 00:38:37,239 Speaker 1: energy being drained, and I couldn't be good to my 810 00:38:37,280 --> 00:38:39,640 Speaker 1: friends and I couldn't be good to myself. So I 811 00:38:39,719 --> 00:38:42,359 Speaker 1: went to a therapist and I was like, how am 812 00:38:42,360 --> 00:38:44,319 Speaker 1: I going to manage this when it gets more and 813 00:38:44,360 --> 00:38:46,640 Speaker 1: more demanding, Well, you gotta handle on it. You said, 814 00:38:46,680 --> 00:38:49,360 Speaker 1: you know self care, you know, taking time for yourself. 815 00:38:49,360 --> 00:38:51,000 Speaker 1: I think the hardest thing is when this business gets 816 00:38:51,080 --> 00:38:53,480 Speaker 1: over a woman is just the press reset and you know, 817 00:38:53,520 --> 00:38:55,239 Speaker 1: and get back to your center, like it's okay to 818 00:38:55,280 --> 00:39:01,239 Speaker 1: be about just lizzle hit deep. Y'all got deep therapy. 819 00:39:01,520 --> 00:39:03,360 Speaker 1: You gotta press reset, you go because a lot of 820 00:39:03,600 --> 00:39:05,520 Speaker 1: especially in our community, a lot of people say, I 821 00:39:05,560 --> 00:39:08,000 Speaker 1: ain't going into therapist. I'm talking you say, you know what, 822 00:39:08,040 --> 00:39:09,360 Speaker 1: I'm gonna give this a try. I'm gonna give this 823 00:39:09,360 --> 00:39:10,919 Speaker 1: a show. Well, I'm the first person in my family. 824 00:39:10,920 --> 00:39:12,680 Speaker 1: I'm the baby, I'm the youngest, and I'm the first 825 00:39:12,680 --> 00:39:15,080 Speaker 1: person in my family to ever seek therapy and I've 826 00:39:15,080 --> 00:39:17,600 Speaker 1: been trying to It is in the black community, it's 827 00:39:17,880 --> 00:39:21,920 Speaker 1: stigmatized because it's like our therapists would be like that sometimes. 828 00:39:22,320 --> 00:39:28,640 Speaker 1: You know, I got therapists, but um, I think for me, 829 00:39:29,080 --> 00:39:30,959 Speaker 1: I just really had to keep it real with myself 830 00:39:30,960 --> 00:39:33,000 Speaker 1: because I did use a lot of other things like 831 00:39:33,360 --> 00:39:35,120 Speaker 1: I would be like shake it off, or I would 832 00:39:35,120 --> 00:39:37,160 Speaker 1: be like you can handle this, You're strong enough. Off 833 00:39:37,320 --> 00:39:39,439 Speaker 1: pray it off, and a lot of times, my job 834 00:39:39,520 --> 00:39:42,480 Speaker 1: is so amazing, Like I get to I've been touring forever, 835 00:39:42,640 --> 00:39:45,239 Speaker 1: like I've been touring before, I've been selling records, so 836 00:39:45,280 --> 00:39:47,080 Speaker 1: it's like I get to go on stage and just 837 00:39:47,280 --> 00:39:50,120 Speaker 1: dance and sing and people cheer like that's such a 838 00:39:50,160 --> 00:39:52,359 Speaker 1: great job. I was like, let me go on stage 839 00:39:52,400 --> 00:39:55,080 Speaker 1: and just transmute this energy and turn it from something 840 00:39:55,120 --> 00:39:57,719 Speaker 1: negative into something positive. And that always used to work 841 00:39:57,760 --> 00:40:00,680 Speaker 1: for me, um, because performing is a way of my life. 842 00:40:00,680 --> 00:40:02,840 Speaker 1: But that day, it was a show and I was 843 00:40:02,920 --> 00:40:05,440 Speaker 1: so unhappy and I couldn't talk to my friends, like 844 00:40:05,480 --> 00:40:07,840 Speaker 1: I was crying in the bathroom and I physically was 845 00:40:07,880 --> 00:40:11,120 Speaker 1: just like I can't bring them in here. And then um, 846 00:40:11,360 --> 00:40:13,000 Speaker 1: I was going to the stage and I was like, 847 00:40:13,000 --> 00:40:15,359 Speaker 1: I don't want to play the show, and that thought 848 00:40:15,440 --> 00:40:17,279 Speaker 1: has never crossed my mind, like, and then I got 849 00:40:17,320 --> 00:40:19,120 Speaker 1: on stage and I performed, and a lot of people 850 00:40:19,120 --> 00:40:21,080 Speaker 1: were like, I saw you at Santa Barbara and you 851 00:40:21,120 --> 00:40:23,359 Speaker 1: were amazing. I'm like, ah, I was on the version 852 00:40:23,360 --> 00:40:26,120 Speaker 1: of a nervous breakdown. And then I walked off stage 853 00:40:26,120 --> 00:40:28,280 Speaker 1: and I was still crying and I was still sad, 854 00:40:28,320 --> 00:40:30,640 Speaker 1: and that had never happened, and I said, you know what, 855 00:40:30,880 --> 00:40:33,759 Speaker 1: this was gonna get in the way of my my livelihood, 856 00:40:34,239 --> 00:40:37,040 Speaker 1: the thing that makes me the most happy. So I 857 00:40:37,080 --> 00:40:40,959 Speaker 1: was like, I gotta yeah, you gotta pay that money 858 00:40:40,960 --> 00:40:42,479 Speaker 1: to make that money too. I was like, I'm gonna 859 00:40:42,520 --> 00:40:44,880 Speaker 1: invest in this because this is my this is my 860 00:40:44,920 --> 00:40:49,359 Speaker 1: life investment. I love my therapist because she is it's 861 00:40:49,400 --> 00:40:52,200 Speaker 1: the opposite though. She kind of just listens and she 862 00:40:52,280 --> 00:40:54,359 Speaker 1: doesn't like cry or get upset. Like I would tell 863 00:40:54,360 --> 00:40:56,960 Speaker 1: my friends like he I'm depressed today and they'd be like, na, 864 00:40:57,680 --> 00:41:03,160 Speaker 1: you know what I mean, I don't work thereased you know. 865 00:41:03,280 --> 00:41:04,839 Speaker 1: I tell my mom, I'm like, you know, I've been 866 00:41:04,840 --> 00:41:06,600 Speaker 1: crying all day, and she's like, baby, I don't want 867 00:41:06,640 --> 00:41:09,600 Speaker 1: you to cry. I'm like, yo, I need to be sad, right. 868 00:41:09,680 --> 00:41:12,239 Speaker 1: And so when I tell my therapist that, she'll be like, okay, 869 00:41:12,480 --> 00:41:15,200 Speaker 1: all right, explain tell me more, or she just she 870 00:41:15,320 --> 00:41:17,799 Speaker 1: stays calm, and I need that. So I think, see, 871 00:41:17,840 --> 00:41:20,520 Speaker 1: what does your therapist do for you the exact same thing, 872 00:41:20,560 --> 00:41:22,560 Speaker 1: And the reason that that works is because I feel 873 00:41:22,600 --> 00:41:25,840 Speaker 1: like any problem you have, you also have a solution, 874 00:41:25,880 --> 00:41:28,280 Speaker 1: and sometimes we just gotta talk it through with ourselves. 875 00:41:28,680 --> 00:41:31,640 Speaker 1: So you're talking talking, talking in the middle of talking, like, oh, 876 00:41:31,640 --> 00:41:33,239 Speaker 1: I know why I feel that way. There you go, 877 00:41:33,360 --> 00:41:35,960 Speaker 1: you know, I know what's bothering. Right. We got the answers, 878 00:41:36,160 --> 00:41:38,640 Speaker 1: but I think sometimes it's nice to have someone outside 879 00:41:38,680 --> 00:41:41,120 Speaker 1: of yourself to help you find those answers, to ask 880 00:41:41,160 --> 00:41:43,680 Speaker 1: the right questions so you can find the answers within yourself. 881 00:41:43,920 --> 00:41:46,520 Speaker 1: We always got the answers to our problems, but we 882 00:41:46,600 --> 00:41:48,919 Speaker 1: never really get to spend enough time with ourselves trying 883 00:41:48,920 --> 00:41:50,760 Speaker 1: to solve them. All right, we got more with Lizzo. 884 00:41:50,840 --> 00:41:54,440 Speaker 1: When we come back, don't move. It's to Breakfast and 885 00:41:55,040 --> 00:41:57,960 Speaker 1: Angela yee, Charlemagne the guy we are to Breakfast Club. 886 00:41:58,000 --> 00:42:01,839 Speaker 1: We're still kicking it with Lizzo. So you've also had 887 00:42:01,880 --> 00:42:04,560 Speaker 1: the opportunity to work with Prince, which I think is 888 00:42:04,600 --> 00:42:08,239 Speaker 1: absolutely amazing. The Prince favorite artists of all time ever. 889 00:42:08,440 --> 00:42:11,719 Speaker 1: I was on his UM album Plectrum Electrum, and I 890 00:42:11,760 --> 00:42:15,640 Speaker 1: was on a song called I lived in Minneapolis, Minnesota 891 00:42:15,640 --> 00:42:18,359 Speaker 1: for five years and UM, me and my best friend 892 00:42:18,400 --> 00:42:21,960 Speaker 1: Sophia Airis, we were in UM a group together and 893 00:42:22,000 --> 00:42:24,760 Speaker 1: we did they did a documentary on like local artists, 894 00:42:24,800 --> 00:42:27,040 Speaker 1: and at the time, Prince had a group called Third 895 00:42:27,080 --> 00:42:29,560 Speaker 1: Eye girl and so we were all included in this 896 00:42:29,640 --> 00:42:32,960 Speaker 1: package and the day it aired, um the radio station 897 00:42:33,200 --> 00:42:36,000 Speaker 1: there got an email from Paisley Park and it was 898 00:42:36,040 --> 00:42:38,040 Speaker 1: like who are those girls? This is Prince I want 899 00:42:38,080 --> 00:42:41,120 Speaker 1: to know, and he was just like, I want you 900 00:42:41,120 --> 00:42:43,239 Speaker 1: guys to come to Paisley Park on Easter Sunday and 901 00:42:43,280 --> 00:42:45,800 Speaker 1: I want you to record a song. Wow. And then 902 00:42:45,840 --> 00:42:48,280 Speaker 1: after that we just had a relationship with Paisley where 903 00:42:48,719 --> 00:42:51,040 Speaker 1: we would just get emails. It was like come and play, 904 00:42:51,360 --> 00:42:53,839 Speaker 1: come and perform. So we were perform at Paisley Park 905 00:42:53,960 --> 00:42:58,000 Speaker 1: for Prince's parties and music. What were those human conversations 906 00:42:58,000 --> 00:43:04,319 Speaker 1: with Prince? There weren't no like so Prince was like 907 00:43:04,400 --> 00:43:07,960 Speaker 1: Charlie from Charlie's Angels. Really yeah, there was like only 908 00:43:07,960 --> 00:43:11,000 Speaker 1: two moments. But did you work with Was he in 909 00:43:11,040 --> 00:43:13,000 Speaker 1: the studio at all? He was not in the studio 910 00:43:13,040 --> 00:43:15,560 Speaker 1: when we made He was in the studio via voice. 911 00:43:16,000 --> 00:43:19,239 Speaker 1: Oh him met him? Not when we were working on 912 00:43:19,239 --> 00:43:21,799 Speaker 1: the albums, were on the song. No, he was just 913 00:43:21,840 --> 00:43:26,319 Speaker 1: like very good and we were like, very good. Did 914 00:43:26,320 --> 00:43:28,279 Speaker 1: you meet him at all? In life? There was a 915 00:43:28,320 --> 00:43:30,960 Speaker 1: moment in passing where he thanked us for coming to 916 00:43:31,000 --> 00:43:34,319 Speaker 1: the show, but we never had conversation a little bit. 917 00:43:34,440 --> 00:43:36,720 Speaker 1: Why why were you home? Was that twenty one? Well, 918 00:43:37,120 --> 00:43:40,000 Speaker 1: a lot had been going on, um between my father 919 00:43:40,040 --> 00:43:43,960 Speaker 1: passing away and my family moving away to Denver. I 920 00:43:44,000 --> 00:43:47,799 Speaker 1: stayed in Houston, and I was pursuing music, and I 921 00:43:47,880 --> 00:43:49,680 Speaker 1: thought I had a handle together. I had a job, 922 00:43:49,680 --> 00:43:51,799 Speaker 1: I had an apartment, I had a car, and then 923 00:43:52,080 --> 00:43:55,080 Speaker 1: one by one those things just started falling away, Like 924 00:43:55,480 --> 00:43:59,280 Speaker 1: first I lost my car, and then I got evicted 925 00:43:59,320 --> 00:44:02,160 Speaker 1: from my apartment, and then when my father passed away, 926 00:44:02,239 --> 00:44:04,799 Speaker 1: I lost my job. Because I remember, I was like, 927 00:44:05,360 --> 00:44:07,200 Speaker 1: they were like leave go and I went to breatheming 928 00:44:07,239 --> 00:44:10,360 Speaker 1: and everything, and flew to Detroit to see him and everything. 929 00:44:10,400 --> 00:44:13,080 Speaker 1: But um, so I looked up and I was like, 930 00:44:13,200 --> 00:44:15,439 Speaker 1: I'm in a band, I'm playing music, but I don't 931 00:44:15,440 --> 00:44:16,799 Speaker 1: have a car, I don't have a house, and I 932 00:44:16,840 --> 00:44:19,680 Speaker 1: don't have a job. And I was like, Okay, what 933 00:44:19,760 --> 00:44:21,600 Speaker 1: do I do? I got to sleep on people's couches, 934 00:44:21,920 --> 00:44:25,480 Speaker 1: So I was sleeping on my drummer's floor. My sister 935 00:44:25,560 --> 00:44:28,440 Speaker 1: gave me her superhu that was like t boned, So 936 00:44:29,600 --> 00:44:31,320 Speaker 1: I swear I've been drawing. I was driving on a 937 00:44:31,360 --> 00:44:35,840 Speaker 1: highway and the police pulled me over, like, oh my god, 938 00:44:35,840 --> 00:44:41,520 Speaker 1: I just kind of it. So she gave me that car, 939 00:44:41,600 --> 00:44:44,120 Speaker 1: and I was sleeping that sometimes, and I slept at 940 00:44:44,160 --> 00:44:46,239 Speaker 1: the studio that my band would rehearse at, which was 941 00:44:46,320 --> 00:44:51,920 Speaker 1: like roaches. And um, so I had spent a year 942 00:44:51,960 --> 00:44:54,279 Speaker 1: and a half of my life showering at twenty four 943 00:44:54,280 --> 00:44:57,840 Speaker 1: hour fitness and you know, living like that. And I 944 00:44:57,880 --> 00:45:00,359 Speaker 1: also know that I made a choice to not go 945 00:45:00,480 --> 00:45:03,960 Speaker 1: home with my family. I really stuck it out for music. 946 00:45:04,080 --> 00:45:05,920 Speaker 1: And I thought that this was something I was supposed 947 00:45:05,960 --> 00:45:07,120 Speaker 1: to do. I thought this was a part of my 948 00:45:07,200 --> 00:45:09,839 Speaker 1: story to go through what I was going through. Um, 949 00:45:09,880 --> 00:45:11,560 Speaker 1: I realized a lot of people do not have a 950 00:45:11,640 --> 00:45:14,920 Speaker 1: choice in the matter and they are subject to homelessness. 951 00:45:14,920 --> 00:45:17,040 Speaker 1: Like not having a home and being homeless, I think 952 00:45:17,040 --> 00:45:20,319 Speaker 1: are two different things. I made a choice for my career, 953 00:45:20,360 --> 00:45:24,279 Speaker 1: but I also was so young and so irresponsible and 954 00:45:24,600 --> 00:45:27,879 Speaker 1: going through so much emotional turmoil because meanwhile, that's also 955 00:45:27,920 --> 00:45:29,480 Speaker 1: the time where I was learning how to love myself. 956 00:45:29,480 --> 00:45:31,799 Speaker 1: So I had all of this like self loathing and 957 00:45:31,840 --> 00:45:34,640 Speaker 1: I wasn't eating and I was like really thin for 958 00:45:34,760 --> 00:45:38,759 Speaker 1: my frame and still get on by what this was, 959 00:45:38,800 --> 00:45:40,959 Speaker 1: Like your face is good He was like, I showed 960 00:45:41,000 --> 00:45:42,520 Speaker 1: your pictures to my friends and they said, your face 961 00:45:42,560 --> 00:45:44,520 Speaker 1: is good, but your body needs work. When I was 962 00:45:44,600 --> 00:45:47,959 Speaker 1: eighty pounds smaller than I am, I was like, y'all 963 00:45:48,200 --> 00:45:50,480 Speaker 1: will never be happy with how I look. How'd you 964 00:45:50,480 --> 00:45:52,719 Speaker 1: get all that way back? Though? Well, it's not how 965 00:45:52,800 --> 00:45:55,440 Speaker 1: did you gain weight? It's just like I have money 966 00:45:55,560 --> 00:46:02,920 Speaker 1: and I can eat meals now I pounds I was 967 00:46:02,960 --> 00:46:07,319 Speaker 1: eighty pounds lighter, back smaller. I mean, yeah, that was 968 00:46:07,360 --> 00:46:10,959 Speaker 1: ten years ago, ten years of being a bad visit. 969 00:46:11,960 --> 00:46:15,480 Speaker 1: That's like, you know what, uh, what's the math on that? 970 00:46:15,560 --> 00:46:18,160 Speaker 1: Eight pounds every year? So even when you went to 971 00:46:18,200 --> 00:46:20,120 Speaker 1: twenty five finish, you was just going to shower, Like, 972 00:46:21,960 --> 00:46:26,399 Speaker 1: I'm just wondering, why would you You got to listen 973 00:46:26,440 --> 00:46:29,480 Speaker 1: to the album? That's the thing. Like I was not 974 00:46:29,760 --> 00:46:33,760 Speaker 1: just smaller because I wasn't eating, but I also had 975 00:46:34,080 --> 00:46:38,680 Speaker 1: a strange addiction to working out and not eating. So yeah, 976 00:46:38,719 --> 00:46:41,160 Speaker 1: that was it was who I was showering at the gymney. 977 00:46:41,280 --> 00:46:43,080 Speaker 1: Did you think you would have such a notable impact? 978 00:46:43,080 --> 00:46:45,080 Speaker 1: Did you say, did you believe that? Did you believe 979 00:46:45,200 --> 00:46:48,800 Speaker 1: little in her form right now would have such a 980 00:46:48,880 --> 00:46:52,880 Speaker 1: notable past? You know what's crazy. I, as a little girl, 981 00:46:53,040 --> 00:46:55,640 Speaker 1: always knew I had to do music, which is why 982 00:46:55,680 --> 00:46:58,680 Speaker 1: when it got hard, I made so many sacrifices because 983 00:46:59,280 --> 00:47:01,600 Speaker 1: from the je I was like, I have to do this. 984 00:47:01,880 --> 00:47:04,319 Speaker 1: And I remember I would get messages. I would go 985 00:47:04,360 --> 00:47:06,480 Speaker 1: to church a lot, and you know, they would have 986 00:47:06,560 --> 00:47:08,160 Speaker 1: like the guests come in and they would do all 987 00:47:08,200 --> 00:47:11,200 Speaker 1: the little like profits to you or prophecies to you 988 00:47:11,280 --> 00:47:13,160 Speaker 1: or whatever. And I had a woman say that to 989 00:47:13,200 --> 00:47:15,400 Speaker 1: me once. She was like, I was in the seventh 990 00:47:15,400 --> 00:47:17,120 Speaker 1: grade and I could talk about it now because here 991 00:47:17,120 --> 00:47:19,560 Speaker 1: we are. But she was like, I swear to y'all. 992 00:47:19,600 --> 00:47:21,480 Speaker 1: I remember, I was like, are you gonna tell me this? 993 00:47:21,520 --> 00:47:23,640 Speaker 1: But she was like, you're gonna try to lose weight, 994 00:47:24,040 --> 00:47:26,200 Speaker 1: but it's not gonna happen, because when you grow up, 995 00:47:26,200 --> 00:47:28,440 Speaker 1: you're gonna be a celebrity and you're gonna help girls 996 00:47:28,480 --> 00:47:31,799 Speaker 1: love themselves look looking the way that you look. And 997 00:47:31,840 --> 00:47:33,880 Speaker 1: I remember I was in the seventh grade, so I 998 00:47:33,880 --> 00:47:35,839 Speaker 1: was so offended because I was literally on the slim 999 00:47:35,880 --> 00:47:41,040 Speaker 1: past side. I was a big bitch and so I've 1000 00:47:41,040 --> 00:47:43,600 Speaker 1: done everything. And then I looked up one day and 1001 00:47:43,239 --> 00:47:46,040 Speaker 1: I was playing a show and girls were coming up 1002 00:47:46,080 --> 00:47:47,359 Speaker 1: to me after the show and they were like, you've 1003 00:47:47,400 --> 00:47:50,759 Speaker 1: helped change the way that I feel about myself. You've 1004 00:47:50,760 --> 00:47:53,200 Speaker 1: helped me get out of a toxic relationship or an 1005 00:47:53,239 --> 00:47:56,480 Speaker 1: abusive relationship. And I was like, whoa, Like it's actually 1006 00:47:56,520 --> 00:47:59,120 Speaker 1: coming true. And so I just feel very blessed. And 1007 00:48:00,239 --> 00:48:02,359 Speaker 1: everybody always says when you see Lizzo, because I saw 1008 00:48:02,360 --> 00:48:05,040 Speaker 1: you perform, and they're like, when you see Lizzo perform, amazing. 1009 00:48:05,080 --> 00:48:06,440 Speaker 1: So we saw you perform and I was like, Oh, 1010 00:48:06,440 --> 00:48:08,319 Speaker 1: she's dope. I gotta go listen to some of her music. 1011 00:48:08,680 --> 00:48:10,680 Speaker 1: And now that you have this album out is really 1012 00:48:10,680 --> 00:48:13,719 Speaker 1: really amazing to hear, like the whole album is so 1013 00:48:13,800 --> 00:48:16,080 Speaker 1: great and the performance is so great, because sometimes those 1014 00:48:16,120 --> 00:48:18,759 Speaker 1: things don't match up, right. I mean, people likes me 1015 00:48:18,920 --> 00:48:21,600 Speaker 1: before they likes my music. That's beautiful though. Yeah, it 1016 00:48:21,680 --> 00:48:23,520 Speaker 1: is a beautiful thing because I want to build a 1017 00:48:23,560 --> 00:48:25,680 Speaker 1: long career. If you are overnight success, so that means 1018 00:48:25,680 --> 00:48:27,799 Speaker 1: you can be an overnight failure, and I just want 1019 00:48:27,800 --> 00:48:29,360 Speaker 1: to be a gradual success because I want to be 1020 00:48:29,400 --> 00:48:31,080 Speaker 1: in this thing for a long time. And that's why 1021 00:48:31,160 --> 00:48:32,919 Speaker 1: people like you are going to continue to win because 1022 00:48:32,960 --> 00:48:34,640 Speaker 1: y'all going to do so much more than music, because 1023 00:48:34,640 --> 00:48:36,560 Speaker 1: people actually like y'all. The same thing with card The 1024 00:48:36,600 --> 00:48:38,880 Speaker 1: people like her in person, but they're like her in 1025 00:48:38,920 --> 00:48:43,080 Speaker 1: any form. She's funny, bro. And I appreciate artists that 1026 00:48:43,160 --> 00:48:45,600 Speaker 1: really work on this show because sometimes people would just 1027 00:48:45,600 --> 00:48:47,560 Speaker 1: walk back and forth across the stage and you're like, well, 1028 00:48:47,640 --> 00:48:50,160 Speaker 1: that was boring. But when you see people that really 1029 00:48:50,239 --> 00:48:52,319 Speaker 1: go hard to work on their videos, work on their 1030 00:48:52,360 --> 00:48:54,880 Speaker 1: show and everything, it's like you can appreciate it as 1031 00:48:54,920 --> 00:48:57,600 Speaker 1: a fan. Oh wow, so you had a good as time. Yes, 1032 00:48:57,840 --> 00:48:59,680 Speaker 1: y'all need to come to the show on playing tonight 1033 00:49:00,040 --> 00:49:03,360 Speaker 1: at Terminal five from the five in the city. I 1034 00:49:03,400 --> 00:49:06,239 Speaker 1: can't make it to the Amy, don't ask. I want, 1035 00:49:06,360 --> 00:49:07,960 Speaker 1: I want to. I want to get another record on. 1036 00:49:08,760 --> 00:49:11,359 Speaker 1: I think we should play tempo featuring Missy Elliots. Hard 1037 00:49:11,400 --> 00:49:14,759 Speaker 1: body can be in my idol on a song together. Okay, 1038 00:49:14,800 --> 00:49:16,080 Speaker 1: all right, well let's get into it now. And we 1039 00:49:16,160 --> 00:49:18,360 Speaker 1: appreciate you for joining us. Yes, and I do. I 1040 00:49:18,400 --> 00:49:20,560 Speaker 1: do remember the twenty sixteen being made. By the way, 1041 00:49:21,120 --> 00:49:23,239 Speaker 1: I'm gonna tell you why. I remember because you was 1042 00:49:23,280 --> 00:49:25,319 Speaker 1: working another part of the carpet and I was working 1043 00:49:25,360 --> 00:49:26,719 Speaker 1: another part of the carpet. And at the end they 1044 00:49:26,719 --> 00:49:31,279 Speaker 1: bought us together. They introduced the show like how most 1045 00:49:31,400 --> 00:49:36,440 Speaker 1: rare carpets? Wow, yeah, who else do we do it with? 1046 00:49:37,480 --> 00:49:41,279 Speaker 1: We're the best calleg Yeah I thought that, but he 1047 00:49:41,280 --> 00:49:42,840 Speaker 1: wasn't with us at the end because they rushed them in. 1048 00:49:42,920 --> 00:49:46,319 Speaker 1: They rushed the member. Right there, you go. Let's get 1049 00:49:46,360 --> 00:49:51,200 Speaker 1: in twenty sixteen. Talk to the hand because this is 1050 00:49:51,239 --> 00:49:55,120 Speaker 1: tempo featured missy Elli, and thank you for joining the 1051 00:49:55,239 --> 00:50:01,320 Speaker 1: Breakfast Coke any time it's tempo. I was born to donkey. 1052 00:50:01,520 --> 00:50:18,239 Speaker 1: This is a Donkey of the Devil Breakfast Club. Yeesh. 1053 00:50:18,360 --> 00:50:20,839 Speaker 1: Donkey today goes to the human jar of Hellman's man 1054 00:50:20,920 --> 00:50:23,080 Speaker 1: name is commonly known as Taylor Swift. Now, let me 1055 00:50:23,080 --> 00:50:25,799 Speaker 1: tell you something. I'm a grown ass man. So it's 1056 00:50:25,840 --> 00:50:27,920 Speaker 1: not too many things I haven't seen. Okay, a lot 1057 00:50:27,920 --> 00:50:30,120 Speaker 1: of things we see in these streets. It just reruns, 1058 00:50:30,400 --> 00:50:33,080 Speaker 1: all right, No ideas original. It's nothing new under the sun, 1059 00:50:33,239 --> 00:50:35,960 Speaker 1: especially in the world of entertainment. Okay, one thing's for sure, 1060 00:50:36,080 --> 00:50:38,439 Speaker 1: Two things for certain. I grew up in an era 1061 00:50:38,520 --> 00:50:41,279 Speaker 1: where if black people created something, just know, it's only 1062 00:50:41,280 --> 00:50:44,880 Speaker 1: a matter of time before Caucasians create a manage flavored version, 1063 00:50:45,080 --> 00:50:47,160 Speaker 1: all right, and put it on the menu of mainstream 1064 00:50:47,160 --> 00:50:49,959 Speaker 1: America for quadruple the price. All right. In my life, 1065 00:50:49,960 --> 00:50:53,800 Speaker 1: I've seen the kings, the gods, the legends named New Edition, 1066 00:50:54,080 --> 00:50:56,399 Speaker 1: And what did y'all coop cook up the copy New 1067 00:50:56,560 --> 00:51:00,000 Speaker 1: Edition New Kids on the Block? All right? In my life, 1068 00:51:00,000 --> 00:51:02,360 Speaker 1: if I have seen a black god named mc hammer, 1069 00:51:02,480 --> 00:51:04,719 Speaker 1: what did yakhu go to the lab to create the 1070 00:51:04,800 --> 00:51:08,600 Speaker 1: mimic that king? But nill Ice? All right? The mayonnaids 1071 00:51:08,640 --> 00:51:11,560 Speaker 1: that his Mainstream America calls Elvis Presley the king of 1072 00:51:11,640 --> 00:51:13,520 Speaker 1: rock and roll? But how could he be the king 1073 00:51:13,560 --> 00:51:17,719 Speaker 1: of something that Chuck Berry, a black man, invented? All right? See, 1074 00:51:17,719 --> 00:51:19,680 Speaker 1: the ripping off of black music and style by white 1075 00:51:19,719 --> 00:51:21,480 Speaker 1: artists had been going on since the beginning of time. 1076 00:51:21,560 --> 00:51:23,760 Speaker 1: All Right, I want you all to google an article 1077 00:51:24,320 --> 00:51:27,439 Speaker 1: from Slate by Jack Hamilton titled how rock and Roll 1078 00:51:27,520 --> 00:51:30,680 Speaker 1: Became White. It cites an article from the Pulitzer Prize 1079 00:51:30,680 --> 00:51:34,080 Speaker 1: winner Margot Jefferson titled Ripping off Black Music. I'll read 1080 00:51:34,120 --> 00:51:35,960 Speaker 1: you a paragraph from this arto, but you gotta go 1081 00:51:36,000 --> 00:51:38,719 Speaker 1: do your own homework on it, Okay, she says the 1082 00:51:38,880 --> 00:51:42,080 Speaker 1: night Jimmie and Hendricks died, this was the latest step, 1083 00:51:42,280 --> 00:51:44,160 Speaker 1: she thought This was the latest step in a plot 1084 00:51:44,200 --> 00:51:47,160 Speaker 1: being designed to eliminate blacks from rock music so that 1085 00:51:47,239 --> 00:51:49,600 Speaker 1: it may be recorded in history as a creation of 1086 00:51:49,640 --> 00:51:52,880 Speaker 1: white future generations. My dream ran will be taught that 1087 00:51:52,960 --> 00:51:55,360 Speaker 1: while rock may have had his beginnings among blacks, it 1088 00:51:55,480 --> 00:51:58,640 Speaker 1: had his true flowering among whites. The best black artist 1089 00:51:58,800 --> 00:52:04,520 Speaker 1: does be studied as remarked primitives who unconsciously foreshadowed future developments. Well, 1090 00:52:04,840 --> 00:52:07,600 Speaker 1: for a long time this has been true. But then 1091 00:52:07,600 --> 00:52:11,200 Speaker 1: alone came Steve Jobs, Internet, Steve Jobs, iPhone, and social media. 1092 00:52:11,360 --> 00:52:12,960 Speaker 1: And one of the beauties of social media is that 1093 00:52:13,000 --> 00:52:15,080 Speaker 1: when some bas happens in real time, it can be 1094 00:52:15,120 --> 00:52:17,960 Speaker 1: called out. And last night at the MGM Grand Arena, 1095 00:52:18,000 --> 00:52:20,880 Speaker 1: Taylor Swift opened the twenty nineteen Billboard Music Awards with 1096 00:52:21,040 --> 00:52:24,080 Speaker 1: her newest single me Well when she says me, what 1097 00:52:24,200 --> 00:52:27,279 Speaker 1: she actually means is b as in Beyonce, because it 1098 00:52:27,280 --> 00:52:30,480 Speaker 1: seems as if Taylor Swift studied Beyonce's Netflix documentary and 1099 00:52:30,560 --> 00:52:34,200 Speaker 1: decided to do her own unwashed chicken version of Beyonce's 1100 00:52:34,239 --> 00:52:36,759 Speaker 1: Coachella performance. Now, Beyonce is not the first person to 1101 00:52:36,800 --> 00:52:39,080 Speaker 1: perform with a marching band, but if I'm anyone on 1102 00:52:39,120 --> 00:52:43,120 Speaker 1: Taylor Swift team. I'm telling her, you know, you're opening 1103 00:52:43,120 --> 00:52:46,840 Speaker 1: the Billboard Awards. Beyonce just did Coachella last year. She 1104 00:52:46,920 --> 00:52:49,000 Speaker 1: put out a documentary about it. She did the whole 1105 00:52:49,000 --> 00:52:52,280 Speaker 1: marching band thing. Maybe we should come with something else 1106 00:52:52,400 --> 00:52:55,120 Speaker 1: because people will say you're imitating her. That's what I 1107 00:52:55,160 --> 00:52:57,440 Speaker 1: would have said if I was on Team Swift. But 1108 00:52:57,560 --> 00:53:00,840 Speaker 1: that's not how colonization works. Okay, seizes still have to 1109 00:53:00,840 --> 00:53:03,680 Speaker 1: act like they discovered something that was already discovered. And 1110 00:53:03,760 --> 00:53:06,080 Speaker 1: the people on Taylor Swift team should be ashamed of 1111 00:53:06,160 --> 00:53:08,759 Speaker 1: themselves to think that Taylor Swift could come out do 1112 00:53:08,920 --> 00:53:12,640 Speaker 1: this marching band routine and nobody would notice. And this 1113 00:53:12,760 --> 00:53:16,280 Speaker 1: is exactly why you should not trust people who don't 1114 00:53:16,640 --> 00:53:20,640 Speaker 1: wash their chicken. Okay, I'm not spending a lot of 1115 00:53:20,680 --> 00:53:22,680 Speaker 1: time on this because we've been seeing this since the 1116 00:53:22,719 --> 00:53:25,360 Speaker 1: beginning of time. Okay, white people stealing from black artists. 1117 00:53:25,360 --> 00:53:27,600 Speaker 1: But the difference between now and then, as we are 1118 00:53:27,640 --> 00:53:29,239 Speaker 1: able to call it out and we see it, and 1119 00:53:29,239 --> 00:53:31,560 Speaker 1: when things are called out on social media in this way, 1120 00:53:31,719 --> 00:53:34,160 Speaker 1: it makes the next white artists think. You know, we 1121 00:53:34,200 --> 00:53:37,000 Speaker 1: can't just be appropriating culture like we used to. Okay, 1122 00:53:37,040 --> 00:53:40,200 Speaker 1: not only to social media, and amplify the voices calling 1123 00:53:40,440 --> 00:53:43,920 Speaker 1: this cultural identity theft out. But we are able to 1124 00:53:43,960 --> 00:53:46,680 Speaker 1: amplify the voices of our ancestors who came before us. 1125 00:53:46,920 --> 00:53:50,520 Speaker 1: Exhibit a Ray Charles. Y'all know Ray Charles, right, Yes, 1126 00:53:50,800 --> 00:53:53,359 Speaker 1: of course you do, Jamie Foxx when an oscar playing 1127 00:53:53,360 --> 00:53:55,480 Speaker 1: the legend that is Ray Charles. But have you ever 1128 00:53:55,520 --> 00:53:57,920 Speaker 1: seen Ray Charles doing an interview with Bob cost Us 1129 00:53:58,239 --> 00:54:00,719 Speaker 1: and Bob costs Us a white man's Ray Charles a 1130 00:54:00,760 --> 00:54:05,040 Speaker 1: black man about white artists, in particular Elvis stealing black music. 1131 00:54:05,520 --> 00:54:08,400 Speaker 1: Everybody good at Google. This is about two minutes thirty 1132 00:54:08,400 --> 00:54:11,040 Speaker 1: seven seconds long, but I'm gonna play about forty seven 1133 00:54:11,480 --> 00:54:13,640 Speaker 1: or forty seconds of it just to piss off Steve, 1134 00:54:13,680 --> 00:54:16,560 Speaker 1: our cameraman, Stephen the White Demon, all right, because this 1135 00:54:16,600 --> 00:54:21,279 Speaker 1: sums up how I feel about this mayonnaise music at 1136 00:54:21,280 --> 00:54:24,880 Speaker 1: the time, in the fifties early sixties, A resentment of 1137 00:54:25,280 --> 00:54:28,680 Speaker 1: some of the white performers who were copying R and 1138 00:54:28,800 --> 00:54:31,440 Speaker 1: D stuff and selling more records than you and your 1139 00:54:31,800 --> 00:54:35,279 Speaker 1: contemporary work. I just didn't object to it. I just 1140 00:54:35,320 --> 00:54:37,520 Speaker 1: felt that the music just it wasn't that good to 1141 00:54:37,560 --> 00:54:40,759 Speaker 1: care about. I think Elvis, who was a person came 1142 00:54:40,800 --> 00:54:43,200 Speaker 1: along at the right time to hear was a white 1143 00:54:43,280 --> 00:54:45,920 Speaker 1: kid that could do rocket roll or women blue or 1144 00:54:45,920 --> 00:54:48,439 Speaker 1: whatever they want to call it, and the girls could 1145 00:54:48,440 --> 00:54:51,759 Speaker 1: swooned over him. That Cole got in trouble in Alabama 1146 00:54:51,800 --> 00:54:54,480 Speaker 1: when the women swooned over him and black people who 1147 00:54:54,480 --> 00:54:57,439 Speaker 1: are going out of Saguna behind for seconds. And that's 1148 00:54:57,480 --> 00:55:00,520 Speaker 1: all also was doing, was copying that, and he was 1149 00:55:00,600 --> 00:55:06,759 Speaker 1: doing all. Please, let Chelsea Handler gives tell us with 1150 00:55:07,000 --> 00:55:10,799 Speaker 1: the biggest heehaw, heehaw, heehaw. That is way too much 1151 00:55:10,880 --> 00:55:14,440 Speaker 1: Dann Mayonnaise. All right, well, thank you for that donkey 1152 00:55:14,520 --> 00:55:19,200 Speaker 1: to day, sir. Yes, Steve is so red y'all keep 1153 00:55:19,239 --> 00:55:21,120 Speaker 1: telling out Steve. Let me tell you something. These girls 1154 00:55:21,120 --> 00:55:22,920 Speaker 1: and my emails and DM is trying to get a 1155 00:55:23,000 --> 00:55:26,279 Speaker 1: date with him. Really yeah, that elected They don't like 1156 00:55:26,280 --> 00:55:28,120 Speaker 1: when he's read like one of them is gonna send 1157 00:55:28,120 --> 00:55:30,200 Speaker 1: her modeling pictures for him. She said she's a chocolate 1158 00:55:30,239 --> 00:55:39,759 Speaker 1: curvy girl. He's feeling okay, Steve. He loves Elvis are 1159 00:55:41,440 --> 00:55:43,440 Speaker 1: He's highly upset that I think Elton John is in 1160 00:55:43,480 --> 00:55:47,160 Speaker 1: the Beatles. I don't care, Danny. You know what, Let's 1161 00:55:47,200 --> 00:55:49,759 Speaker 1: get some of Steve's music up. Oh, you're gonna play 1162 00:55:49,760 --> 00:55:52,719 Speaker 1: some of Steve's music. Now he's embarrassed. Black man for 1163 00:55:52,840 --> 00:55:56,040 Speaker 1: black man? Is Steve copying? Look, he's so mad. Steve 1164 00:55:56,120 --> 00:55:59,120 Speaker 1: does music, Yes, he does what black man? Are you copying? Steve? 1165 00:56:00,000 --> 00:56:01,880 Speaker 1: We do it behind the scene. No, don't do that. 1166 00:56:02,040 --> 00:56:06,240 Speaker 1: You got something here we go. I hope it's not cursing. 1167 00:56:12,800 --> 00:56:18,040 Speaker 1: That's really see. Yes, that see Steven the White Demon. Yo, 1168 00:56:18,239 --> 00:56:21,160 Speaker 1: you should get a band called the White Demons. Steven 1169 00:56:21,160 --> 00:56:31,520 Speaker 1: in the White Deckmons the room moment. How you gonna 1170 00:56:31,640 --> 00:56:36,040 Speaker 1: do your job and leave the room? Am all right? 1171 00:56:36,360 --> 00:56:39,200 Speaker 1: You're getting a lot of play from the field. All right. 1172 00:56:39,200 --> 00:56:41,479 Speaker 1: We got more coming up next with a breakfast club. 1173 00:56:41,880 --> 00:56:48,680 Speaker 1: The breakfast Club. I want to everybody's DJ Envy Angela Yee, 1174 00:56:48,800 --> 00:56:50,880 Speaker 1: Charlottagne the guy. We are the breakfast club. We got 1175 00:56:50,920 --> 00:56:53,160 Speaker 1: a special guest in the building. Yes, sir, we got 1176 00:56:53,200 --> 00:56:56,800 Speaker 1: the baby. That's right, not just the baby, stunning for Vegas, 1177 00:56:57,600 --> 00:57:02,480 Speaker 1: Vegas as well. Entertainment a baby, entertainment, entertain sturt out 1178 00:57:02,480 --> 00:57:06,880 Speaker 1: the Carolina's any Sarlo Man. Yes, congratulations, I appreciate you 1179 00:57:06,960 --> 00:57:11,040 Speaker 1: real talk outcome. I'm proud of y'all. Man appreciate real solution. 1180 00:57:11,320 --> 00:57:13,960 Speaker 1: Everything you've done over the year, how have you adjusted 1181 00:57:14,000 --> 00:57:16,120 Speaker 1: to the celebrity of it all? Oh man, you know, 1182 00:57:16,240 --> 00:57:18,280 Speaker 1: it ain't the easiest thing in the world, but I 1183 00:57:18,360 --> 00:57:20,560 Speaker 1: just stayed working, you know what I mean, I just 1184 00:57:20,640 --> 00:57:22,560 Speaker 1: let it and it fell into place, tape whatever, cooing 1185 00:57:22,600 --> 00:57:24,320 Speaker 1: with it. You got a number one album though, that's 1186 00:57:24,360 --> 00:57:30,160 Speaker 1: what they saying that it is great fifty this week, 1187 00:57:31,680 --> 00:57:34,280 Speaker 1: we're going for two hundred more than that at okay, 1188 00:57:34,280 --> 00:57:36,960 Speaker 1: say yes, all right, yes, that's got to be a 1189 00:57:36,960 --> 00:57:39,720 Speaker 1: great feeling, absolutely not short of a blessing. And it 1190 00:57:39,840 --> 00:57:42,200 Speaker 1: really liked what we just heard the intro first before 1191 00:57:42,240 --> 00:57:44,480 Speaker 1: the album came out. So is that something that you 1192 00:57:44,480 --> 00:57:47,320 Speaker 1: were like, Okay, I don't want to put out gift, 1193 00:57:47,480 --> 00:57:50,160 Speaker 1: so we just put out the intro that's very personal. Absolutely, 1194 00:57:50,240 --> 00:57:53,640 Speaker 1: and then we gotta wait. Absolutely, you know, Maly made 1195 00:57:53,640 --> 00:57:55,720 Speaker 1: people wait oh fi days after we dropped the intro. 1196 00:57:55,840 --> 00:57:57,720 Speaker 1: But it's definitely how I wanted to set the tone 1197 00:57:57,760 --> 00:57:59,840 Speaker 1: for the album. And just you know, get a fans 1198 00:57:59,840 --> 00:58:01,800 Speaker 1: and listen is a different side of me. Let him 1199 00:58:01,800 --> 00:58:03,680 Speaker 1: really get me personally, you get what I'm saying. Let 1200 00:58:03,760 --> 00:58:06,640 Speaker 1: him know what all and transpired in my personal life 1201 00:58:07,160 --> 00:58:10,080 Speaker 1: during my You know what I mean, breakthrough. Explain Kurt 1202 00:58:10,120 --> 00:58:13,080 Speaker 1: a little bit. Some people don't know that what it 1203 00:58:13,120 --> 00:58:14,640 Speaker 1: means to you, and why you called your album Kurt, 1204 00:58:14,720 --> 00:58:16,360 Speaker 1: oh big weight. You know what I mean, My pops, 1205 00:58:16,400 --> 00:58:18,800 Speaker 1: you know my role model. You get what I'm saying. 1206 00:58:18,880 --> 00:58:20,360 Speaker 1: My role model. You know he don't want to tell me, 1207 00:58:20,400 --> 00:58:22,640 Speaker 1: never said up for less. You know. You the reason why. 1208 00:58:23,000 --> 00:58:25,000 Speaker 1: That's why I get the deep voice from That's why 1209 00:58:25,040 --> 00:58:26,760 Speaker 1: I get it's gone right now because I've been doing 1210 00:58:26,760 --> 00:58:32,800 Speaker 1: shows any day. And then how to fight, Yeah that too, 1211 00:58:31,800 --> 00:58:33,760 Speaker 1: to all that, you know what I mean. So it 1212 00:58:33,880 --> 00:58:36,919 Speaker 1: just you know, the moors and anything I was brought 1213 00:58:36,960 --> 00:58:38,840 Speaker 1: up with, anything to make me me, anything to separate 1214 00:58:38,920 --> 00:58:41,480 Speaker 1: me from the pack that came from him. You get 1215 00:58:41,480 --> 00:58:43,880 Speaker 1: what I'm saying. And for him to you know, go 1216 00:58:44,000 --> 00:58:46,520 Speaker 1: unexpectedly and then I go number one and then I 1217 00:58:46,680 --> 00:58:48,560 Speaker 1: take off out of that like the way I took out. 1218 00:58:48,560 --> 00:58:50,360 Speaker 1: It just crazy, you know what I mean. So I 1219 00:58:50,360 --> 00:58:52,560 Speaker 1: felt like it wouldn't number him, you know, guy at 1220 00:58:52,640 --> 00:58:55,320 Speaker 1: him to see some of that success. Oh for sure 1221 00:58:55,360 --> 00:58:56,720 Speaker 1: he did. He got to see it right one I 1222 00:58:56,800 --> 00:58:58,680 Speaker 1: broke through. You got to see the first breakfast club 1223 00:58:58,720 --> 00:59:01,320 Speaker 1: and at the interviews. He texted me. You know, he 1224 00:59:01,640 --> 00:59:03,680 Speaker 1: texted me critiquing you know what I mean. Yeah, I 1225 00:59:03,720 --> 00:59:05,520 Speaker 1: seen I've seen this question right here where they try 1226 00:59:05,520 --> 00:59:08,080 Speaker 1: to get nice response. Not breakfast clubs, y'all held it 1227 00:59:08,120 --> 00:59:10,600 Speaker 1: down some you know him Yeah, but you know we 1228 00:59:10,640 --> 00:59:12,640 Speaker 1: ain't tripping. But yeah, like he you know, he could 1229 00:59:12,640 --> 00:59:15,160 Speaker 1: tekad thing man and he you know, he give credit 1230 00:59:15,200 --> 00:59:16,760 Speaker 1: when his dude, but he said, all right, what's next? 1231 00:59:16,800 --> 00:59:18,680 Speaker 1: And you really lost him? The same day you hit 1232 00:59:18,800 --> 00:59:22,000 Speaker 1: number at the same time. Not no, it was baby 1233 00:59:22,000 --> 00:59:24,720 Speaker 1: on baby and went like number one. Um, and when 1234 00:59:24,720 --> 00:59:27,720 Speaker 1: I ain't number one on Apple Music iTunes, it was 1235 00:59:27,760 --> 00:59:30,680 Speaker 1: like number seven or something like that. And then I 1236 00:59:30,720 --> 00:59:32,800 Speaker 1: had got the phone call him. My brother wowed me up, 1237 00:59:32,840 --> 00:59:34,160 Speaker 1: be like, hey, call your little brother, my lile brother, 1238 00:59:34,240 --> 00:59:36,280 Speaker 1: my dad. So I call your brody dm me. Oh 1239 00:59:36,320 --> 00:59:38,880 Speaker 1: he woke me up. I'm like, what's up? Pick up 1240 00:59:38,880 --> 00:59:41,280 Speaker 1: the phone. I call him. Yeah, but dah, bro, he 1241 00:59:41,440 --> 00:59:46,640 Speaker 1: did he do what I set up? What same time? Carter? 1242 00:59:47,040 --> 00:59:49,240 Speaker 1: He blowing my phone up, blowing me up, blowing me up, 1243 00:59:49,280 --> 00:59:50,600 Speaker 1: blowing me up, blowing me up. While I'm trying to 1244 00:59:50,600 --> 00:59:52,440 Speaker 1: figure out what's going on, I'm thinking he called him 1245 00:59:52,480 --> 00:59:54,960 Speaker 1: delivered the same news. I clicked over, what's up, bro, 1246 00:59:55,640 --> 00:59:58,960 Speaker 1: we number one? Number one? You did it? Did? I'm like, 1247 00:59:59,360 --> 01:00:02,280 Speaker 1: damn said, I just look at the blunt daddy that 1248 01:00:02,280 --> 01:00:03,960 Speaker 1: I don't care about. Let it, you know what I mean, 1249 01:00:04,320 --> 01:00:06,880 Speaker 1: cut out the phone with him. Flew in the next day, 1250 01:00:07,280 --> 01:00:10,160 Speaker 1: or did my little checks and balances, and it had 1251 01:00:10,200 --> 01:00:11,840 Speaker 1: to go. I had to fly right back out the 1252 01:00:11,920 --> 01:00:14,440 Speaker 1: very next day, my first show on the tour, and 1253 01:00:14,480 --> 01:00:16,680 Speaker 1: then had had a tour day the day after that. 1254 01:00:16,720 --> 01:00:21,200 Speaker 1: I'm on the tour bus. I'm typing on bituaries, finding 1255 01:00:21,280 --> 01:00:24,520 Speaker 1: pictures for it, you know what I mean, organizing travel 1256 01:00:24,600 --> 01:00:27,400 Speaker 1: band for flights I ain't never talked to in my life. 1257 01:00:27,400 --> 01:00:29,040 Speaker 1: You get what I'm saying. And you know, it's just 1258 01:00:29,040 --> 01:00:30,800 Speaker 1: a whole bunch going on. And I'm doing all this 1259 01:00:30,960 --> 01:00:34,200 Speaker 1: while I'm breaking through on tour, when I'm rocking sold 1260 01:00:34,200 --> 01:00:37,560 Speaker 1: out shows. You get what I'm saying. Hell now, they 1261 01:00:37,560 --> 01:00:39,840 Speaker 1: don't one show I missed that with maddest Hell at me, man. 1262 01:00:40,120 --> 01:00:42,560 Speaker 1: I had to do the show I did the night before, 1263 01:00:42,800 --> 01:00:45,200 Speaker 1: hop on the jet, fly in, go to the funeral. 1264 01:00:45,720 --> 01:00:47,440 Speaker 1: After the funeral, I had to fly back out the 1265 01:00:47,520 --> 01:00:49,640 Speaker 1: same night, go to a show you know what I'm 1266 01:00:49,640 --> 01:00:51,440 Speaker 1: saying on the private jet and I didn't even really 1267 01:00:51,520 --> 01:00:53,880 Speaker 1: enjoy that, and hell no, you know what I mean. 1268 01:00:53,880 --> 01:00:56,120 Speaker 1: But it was all good though. It was definitely therapeutic 1269 01:00:56,400 --> 01:00:58,360 Speaker 1: for me to be able to have, you know what 1270 01:00:58,400 --> 01:01:00,680 Speaker 1: I mean, something to just keep me big, you know 1271 01:01:00,720 --> 01:01:02,640 Speaker 1: what I mean in the meantime and really like intro, 1272 01:01:03,040 --> 01:01:04,520 Speaker 1: I didn't even do them the core and for a 1273 01:01:04,520 --> 01:01:08,240 Speaker 1: little minute, and then uh my, DJ he a producer 1274 01:01:08,320 --> 01:01:11,280 Speaker 1: to any engineer, so we got like an DJ kid, 1275 01:01:12,000 --> 01:01:13,920 Speaker 1: DJ kid, let me let me come up slide over there. 1276 01:01:13,960 --> 01:01:17,800 Speaker 1: He produced the intro, so he weighed more than the 1277 01:01:17,880 --> 01:01:19,760 Speaker 1: DJ you know what I'm saying, DJ producing. He he 1278 01:01:19,800 --> 01:01:21,480 Speaker 1: produced the number one song in the world right now, 1279 01:01:21,520 --> 01:01:23,000 Speaker 1: you know what I mean, on the number one album 1280 01:01:23,000 --> 01:01:24,760 Speaker 1: in the world, the intro, you give what I'm saying. 1281 01:01:24,840 --> 01:01:26,800 Speaker 1: So we got like an A one studio set up 1282 01:01:26,800 --> 01:01:28,880 Speaker 1: here where we go up that intro that was recorded 1283 01:01:28,920 --> 01:01:30,480 Speaker 1: like on a on a cruise we was on. I 1284 01:01:30,520 --> 01:01:32,320 Speaker 1: had a show on the way tom as we recorded 1285 01:01:32,360 --> 01:01:36,160 Speaker 1: in the hotel cruise. Yeah, yeah, that's exactly what it was, 1286 01:01:36,200 --> 01:01:37,360 Speaker 1: you know what I mean. Said he was playing around 1287 01:01:37,400 --> 01:01:39,400 Speaker 1: with some beasts and I heard that I'm like, oh you, 1288 01:01:39,640 --> 01:01:42,640 Speaker 1: that's you. He I so load that up. It's just dope, man, 1289 01:01:43,200 --> 01:01:45,320 Speaker 1: to be able to honor my file on the song 1290 01:01:45,480 --> 01:01:48,120 Speaker 1: with somebody else that's with me and day grinding it 1291 01:01:48,120 --> 01:01:50,720 Speaker 1: out with me and then see the success or. It's 1292 01:01:50,760 --> 01:01:52,320 Speaker 1: just a beautiful thing. You get what I'm saying. It 1293 01:01:54,600 --> 01:01:56,840 Speaker 1: wasted no time, like you ain't waiting no time putting 1294 01:01:56,880 --> 01:01:59,240 Speaker 1: people on. Come on his time for that? Who We're 1295 01:01:59,240 --> 01:02:02,240 Speaker 1: gonna do it? You know, that's definitely what we all about. 1296 01:02:02,320 --> 01:02:08,040 Speaker 1: You know, we just did Jimmy fallon last night. Come home, bro, 1297 01:02:05,720 --> 01:02:11,320 Speaker 1: When Jimmy fallon last night, you know that ain't normal 1298 01:02:11,440 --> 01:02:14,680 Speaker 1: at all. You know, I didn't even know what Jimmy fallon? 1299 01:02:14,720 --> 01:02:17,800 Speaker 1: Would I just know? You know, I just noticed, Yeah, 1300 01:02:17,800 --> 01:02:20,160 Speaker 1: a big deal talk show. How's your mother? Because in 1301 01:02:20,240 --> 01:02:22,880 Speaker 1: the entry you speak about her having she heard her down? Man, 1302 01:02:22,920 --> 01:02:26,400 Speaker 1: she she whooped cancer. I love you bo. We hear 1303 01:02:26,480 --> 01:02:28,520 Speaker 1: so many stories of brothers not having a relationship with 1304 01:02:28,520 --> 01:02:30,680 Speaker 1: their pops and religion with their parents. Oh no, he 1305 01:02:30,760 --> 01:02:33,080 Speaker 1: was dumb, you know, queen staying the same I was 1306 01:02:33,120 --> 01:02:34,840 Speaker 1: with my mom and he was a completely different state. 1307 01:02:34,920 --> 01:02:37,000 Speaker 1: But my pops it was different with him, like you know, 1308 01:02:37,040 --> 01:02:39,000 Speaker 1: he was in the army, like early on in my life. 1309 01:02:39,200 --> 01:02:40,920 Speaker 1: So he used to writing letters, you know what I mean. 1310 01:02:40,960 --> 01:02:43,800 Speaker 1: And he was a real big on me and the education. 1311 01:02:43,840 --> 01:02:46,080 Speaker 1: That's what I talked. The way I talked, I tiniculate myself. 1312 01:02:46,080 --> 01:02:50,200 Speaker 1: I'm four or five years old about daddy. What that is? Danny? 1313 01:02:50,200 --> 01:02:52,160 Speaker 1: How you say that? What is that? You get what 1314 01:02:52,160 --> 01:02:54,600 Speaker 1: I'm saying? You know what I mean? He he writing 1315 01:02:54,640 --> 01:02:56,680 Speaker 1: me letters from the army. I'm when I get to write, 1316 01:02:56,680 --> 01:02:59,520 Speaker 1: and I'm like, I six seven years old. I write 1317 01:02:59,560 --> 01:03:01,680 Speaker 1: him a letter here writing, I write one back. This 1318 01:03:01,720 --> 01:03:04,320 Speaker 1: man is sending backwood red ink on it and look 1319 01:03:04,400 --> 01:03:06,280 Speaker 1: like I turned into the English teacher. I swear to 1320 01:03:06,280 --> 01:03:09,560 Speaker 1: God telling me what to do capitalization, punctuation. He really 1321 01:03:09,560 --> 01:03:11,919 Speaker 1: great and like English. I'm like, I'm six seven years 1322 01:03:11,960 --> 01:03:13,680 Speaker 1: old or they turned me to a beast. And when 1323 01:03:13,680 --> 01:03:15,800 Speaker 1: I write him back, I have a thing, you know, 1324 01:03:15,840 --> 01:03:17,640 Speaker 1: and it just got where I was just so polished 1325 01:03:17,760 --> 01:03:19,640 Speaker 1: or like does that mean you text well too? You 1326 01:03:19,640 --> 01:03:21,800 Speaker 1: know how some people? But I don't really I like 1327 01:03:21,880 --> 01:03:23,280 Speaker 1: the text the way I talk, but I do. It 1328 01:03:23,280 --> 01:03:25,040 Speaker 1: depends on who I'm talking to now. When I you know, 1329 01:03:25,080 --> 01:03:26,800 Speaker 1: when I'm having on business, you know, what I I mean. 1330 01:03:26,800 --> 01:03:28,840 Speaker 1: And I encourage like people to text right like I 1331 01:03:29,280 --> 01:03:30,960 Speaker 1: a lot of times like I hate when people text 1332 01:03:31,040 --> 01:03:33,120 Speaker 1: me like spelling a certain way I like, but I 1333 01:03:33,120 --> 01:03:35,240 Speaker 1: don't stop writing like that. I ain't trying to read that. 1334 01:03:35,280 --> 01:03:37,960 Speaker 1: You get what I'm saying. But this is like now 1335 01:03:38,120 --> 01:03:41,440 Speaker 1: I ain't talking about here. You know what I mean? 1336 01:03:42,480 --> 01:03:44,440 Speaker 1: He faced time. You know, dub Baby, you get what 1337 01:03:44,440 --> 01:03:45,920 Speaker 1: I'm saying. I wouldn't be with that, you know what 1338 01:03:45,960 --> 01:03:48,640 Speaker 1: I mean, Like I wouldn't be I wanted to do that, 1339 01:03:48,800 --> 01:03:50,360 Speaker 1: I swear to. Guy asked on it when we when 1340 01:03:50,360 --> 01:03:53,720 Speaker 1: we first switched it, I said, Man, dub Baby, I'm like, Bro, 1341 01:03:53,920 --> 01:03:57,920 Speaker 1: that's I'm like, well that's what you mean. That's why 1342 01:03:58,000 --> 01:04:02,360 Speaker 1: serials talking about DA would be come on, brother. But 1343 01:04:03,040 --> 01:04:04,760 Speaker 1: it worked out. I'm glad we did the baby because 1344 01:04:04,800 --> 01:04:07,080 Speaker 1: I like the I like the text I talk to 1345 01:04:07,200 --> 01:04:08,360 Speaker 1: you know what I mean, so you can feel me, 1346 01:04:08,360 --> 01:04:10,280 Speaker 1: you know what I mean. So it goes either way. 1347 01:04:10,400 --> 01:04:12,640 Speaker 1: But when it comes to like Grandma like writing papers 1348 01:04:12,640 --> 01:04:15,200 Speaker 1: in like the night before the papers do I write 1349 01:04:15,200 --> 01:04:17,520 Speaker 1: the whole thing and it's still you know, you're like 1350 01:04:17,560 --> 01:04:20,880 Speaker 1: an a on it. You know what I'm saying. Absolutely, 1351 01:04:20,920 --> 01:04:24,000 Speaker 1: I'm already like my daughters so smart. It's crazy, you 1352 01:04:24,000 --> 01:04:25,680 Speaker 1: know what I mean. She's so smart, and I wish 1353 01:04:25,720 --> 01:04:28,080 Speaker 1: I could be around him more like I have it 1354 01:04:28,200 --> 01:04:30,320 Speaker 1: even crazier, you know what I mean. But she she's 1355 01:04:30,360 --> 01:04:33,200 Speaker 1: so smart and beautiful like she you know, she she's 1356 01:04:33,440 --> 01:04:36,840 Speaker 1: an imaging me. How much has she changed you? Oh? Man, tremendously, 1357 01:04:36,960 --> 01:04:38,240 Speaker 1: you know what I mean. I ain't give it. Then 1358 01:04:38,280 --> 01:04:39,640 Speaker 1: she gave me something to really live for when I 1359 01:04:39,680 --> 01:04:41,120 Speaker 1: thought I had some of the lives. Give me something 1360 01:04:41,160 --> 01:04:43,880 Speaker 1: really little. We got more with the baby. When we 1361 01:04:43,920 --> 01:04:46,160 Speaker 1: come back, don't move. It's the breakfast Club. Good morning 1362 01:04:46,280 --> 01:04:50,680 Speaker 1: morning everybody. It's DJ Envy Angela Yee. Charlomagne, the guy 1363 01:04:50,720 --> 01:04:53,240 Speaker 1: we all the breakfast club was still kicking it with 1364 01:04:53,320 --> 01:04:56,160 Speaker 1: the baby. I know you love your fans, but do 1365 01:04:56,200 --> 01:04:57,400 Speaker 1: you ever say you know what I got to stop 1366 01:04:57,440 --> 01:04:59,720 Speaker 1: jumping and walking through these crowds, man, I said it 1367 01:04:59,760 --> 01:05:01,600 Speaker 1: for wow. And as soon as I go back in 1368 01:05:01,800 --> 01:05:04,360 Speaker 1: they want fans want to punch me in the back 1369 01:05:04,360 --> 01:05:08,080 Speaker 1: of the head like they would mad at to security. 1370 01:05:08,120 --> 01:05:10,680 Speaker 1: Did you realized that I was a woman? And Charlemagne, 1371 01:05:11,320 --> 01:05:13,680 Speaker 1: but it were like this, see what I'm saying, buddy, 1372 01:05:13,960 --> 01:05:18,600 Speaker 1: Like walker Flocker. I'm took my heart and the plank 1373 01:05:18,640 --> 01:05:21,120 Speaker 1: walker Flocker. So my boy flocked Buddy was end up 1374 01:05:21,160 --> 01:05:24,240 Speaker 1: going crazy, losing it. Buddy punchs like three people and 1375 01:05:24,360 --> 01:05:27,560 Speaker 1: Buddy happened to be old girl. You get what I'm saying. 1376 01:05:27,560 --> 01:05:29,600 Speaker 1: But at the end of the day, you know what 1377 01:05:29,600 --> 01:05:32,120 Speaker 1: he's supposed to do. Let knocked me out. I know 1378 01:05:32,200 --> 01:05:34,040 Speaker 1: how easy it is to get a knife fence so 1379 01:05:34,200 --> 01:05:36,320 Speaker 1: well this and that. You know what I'm saying. That 1380 01:05:36,320 --> 01:05:38,000 Speaker 1: could have been a knife. They could have poked me 1381 01:05:38,040 --> 01:05:41,160 Speaker 1: real quick. People out that because you were successful, because 1382 01:05:41,160 --> 01:05:43,400 Speaker 1: you were a celebrity, that people could do you any 1383 01:05:43,440 --> 01:05:46,360 Speaker 1: kind of hey, without no type of consequences in the law. 1384 01:05:46,480 --> 01:05:49,320 Speaker 1: Really let these people sue you and their thing like 1385 01:05:49,400 --> 01:05:51,439 Speaker 1: they really let people and they let them win too. 1386 01:05:51,800 --> 01:05:54,200 Speaker 1: We watched the video and we got the HD videos, 1387 01:05:54,240 --> 01:05:57,200 Speaker 1: so we got sixteen thousand dollars cameras too, three of 1388 01:05:57,200 --> 01:06:00,520 Speaker 1: them all times. So you know we're under surveillance. Baby. 1389 01:06:00,640 --> 01:06:01,840 Speaker 1: You know if it if it gets to the point 1390 01:06:01,840 --> 01:06:03,040 Speaker 1: of where we got to, we could set the river 1391 01:06:03,120 --> 01:06:07,240 Speaker 1: we were walking off, got followed, got hit boom. They 1392 01:06:07,320 --> 01:06:09,840 Speaker 1: tried to neutralize the situation. That's when somebody else got hit. 1393 01:06:10,040 --> 01:06:12,080 Speaker 1: We continue to walk off, trying to get back to 1394 01:06:12,080 --> 01:06:13,760 Speaker 1: the front of the stage, got hit again, back of 1395 01:06:13,760 --> 01:06:17,040 Speaker 1: the head. Nesta win and neutralize the situation and get 1396 01:06:17,040 --> 01:06:19,480 Speaker 1: what I'm saying, and then we walked off. I try 1397 01:06:19,520 --> 01:06:21,560 Speaker 1: to continue the show. When did y'all realize it was 1398 01:06:21,560 --> 01:06:25,400 Speaker 1: a woman? When when the internet told us after finding out? 1399 01:06:25,440 --> 01:06:28,600 Speaker 1: Did you feel bad because y'alln't hit no women? I 1400 01:06:28,600 --> 01:06:32,360 Speaker 1: ain't feel bad, but you're hitting me when you hitting me, foe, 1401 01:06:32,400 --> 01:06:34,000 Speaker 1: you get what I'm saying. I feel bad about the 1402 01:06:34,040 --> 01:06:35,480 Speaker 1: fact that it had to be a woman. That had 1403 01:06:35,520 --> 01:06:40,120 Speaker 1: happened too. But at the end of the day, like security, right, 1404 01:06:40,320 --> 01:06:42,800 Speaker 1: you know you from Catfish, Yeah, happened to him out 1405 01:06:42,800 --> 01:06:44,520 Speaker 1: of Jake College. No, he was in college and he 1406 01:06:44,560 --> 01:06:46,480 Speaker 1: got into a fight with a woman in a party, 1407 01:06:46,520 --> 01:06:47,880 Speaker 1: but he didn't know it was a woman. It was 1408 01:06:47,880 --> 01:06:50,200 Speaker 1: a Did he win? I don't know if he won, 1409 01:06:50,840 --> 01:06:52,600 Speaker 1: but that would have been a headline of a girl 1410 01:06:52,960 --> 01:06:57,480 Speaker 1: exactly she dropped. I would have knocked you out out. 1411 01:06:58,120 --> 01:07:05,600 Speaker 1: Let me come up and to made dunk of the day. 1412 01:07:05,760 --> 01:07:07,840 Speaker 1: I had the video. I have to see the video. Yeah, man, 1413 01:07:07,880 --> 01:07:09,360 Speaker 1: but I don't even square it up with the girl 1414 01:07:09,400 --> 01:07:15,960 Speaker 1: and it really wasn't. It really was like, where is 1415 01:07:16,000 --> 01:07:18,520 Speaker 1: his security? Why did they allow this to happen? I 1416 01:07:18,560 --> 01:07:20,200 Speaker 1: can't in here though we got we got the baby 1417 01:07:20,200 --> 01:07:21,920 Speaker 1: security change in there, can't come to the mic. Man, 1418 01:07:21,960 --> 01:07:24,080 Speaker 1: I promise I won't hit the Damn you a big 1419 01:07:24,120 --> 01:07:27,680 Speaker 1: mother lord a mercy. I didn't know that was he's 1420 01:07:27,680 --> 01:07:31,720 Speaker 1: too baby talking to the mic. Bro. Yeah, you know 1421 01:07:31,760 --> 01:07:34,040 Speaker 1: what I'm saying. When I follow out it was a 1422 01:07:34,160 --> 01:07:36,480 Speaker 1: girl felt bad. I'm like, damn, I had a girl 1423 01:07:36,520 --> 01:07:39,640 Speaker 1: like that, Like I never punched the girl in my life. Yeah. Yeah, 1424 01:07:39,760 --> 01:07:41,720 Speaker 1: they chopped me up though for that. What was what 1425 01:07:41,840 --> 01:07:43,480 Speaker 1: was your mindset when it happened or what did you 1426 01:07:43,520 --> 01:07:45,640 Speaker 1: see in that moment? All right? So at the moment 1427 01:07:45,640 --> 01:07:48,000 Speaker 1: I see a dude wilding out, right, then the dude 1428 01:07:48,040 --> 01:07:49,480 Speaker 1: hits the baby in the back of the head. I'm 1429 01:07:49,480 --> 01:07:51,360 Speaker 1: not gonna wait for another punch to hit him the 1430 01:07:51,400 --> 01:07:53,520 Speaker 1: back of the head. Yeah, So I got to stop it, 1431 01:07:54,080 --> 01:07:56,200 Speaker 1: and then you know, I did what I did fast 1432 01:07:56,240 --> 01:07:58,400 Speaker 1: For the next day, it's like, that was a dude. 1433 01:07:58,400 --> 01:08:00,840 Speaker 1: I'm like, that's a girl. I was a girl. Yeah, 1434 01:08:00,880 --> 01:08:03,400 Speaker 1: I don't want no girls a dude and said that's 1435 01:08:03,440 --> 01:08:07,000 Speaker 1: a girl. Bro, I'm like, so you feel bad about it. 1436 01:08:07,080 --> 01:08:09,680 Speaker 1: I feel bad for hitting a girl. Like the end 1437 01:08:09,680 --> 01:08:12,000 Speaker 1: of the day, it's like she shouldn't have hit him, 1438 01:08:12,160 --> 01:08:14,200 Speaker 1: you know what I'm saying that. Yeah, And it's a 1439 01:08:14,200 --> 01:08:15,960 Speaker 1: tough situation to be because you know, you even think 1440 01:08:15,960 --> 01:08:17,640 Speaker 1: about be somebody put him in a coma And that 1441 01:08:17,760 --> 01:08:20,360 Speaker 1: was Cap two. Okay, it wasn't an outcoma, but he 1442 01:08:20,479 --> 01:08:23,559 Speaker 1: was on Instagram posting rap videos. Buddy was trying to blow. 1443 01:08:23,800 --> 01:08:26,080 Speaker 1: He was following this to the promoters, saying the promoter like, bro, 1444 01:08:26,240 --> 01:08:27,840 Speaker 1: go ahead on, bro, you do this every artist. Bro. 1445 01:08:27,920 --> 01:08:31,080 Speaker 1: Watch up. He following this from the from the car, 1446 01:08:31,240 --> 01:08:33,120 Speaker 1: all the way into the little backstage to the little grid, 1447 01:08:33,120 --> 01:08:34,880 Speaker 1: from the meat and green area to the green room area. 1448 01:08:35,320 --> 01:08:37,360 Speaker 1: The promoter sent his footage of it. Once Buddy put 1449 01:08:37,360 --> 01:08:40,040 Speaker 1: out the teams and a Buddy following us. Damn And 1450 01:08:40,160 --> 01:08:43,920 Speaker 1: another thing, that club on its security was on strike 1451 01:08:44,000 --> 01:08:46,559 Speaker 1: that night because you weren't paying them. Boys. This man 1452 01:08:46,680 --> 01:08:48,880 Speaker 1: is outside the door, y'all club, y'all letting him sit 1453 01:08:49,000 --> 01:08:51,280 Speaker 1: right here. The second week, come walking in and going 1454 01:08:51,320 --> 01:08:53,880 Speaker 1: to the door, y'all let this man walk right past her. Hey, Hey, 1455 01:08:53,960 --> 01:08:57,080 Speaker 1: let's let me get a you know what I mean, Hey, 1456 01:08:57,120 --> 01:08:59,280 Speaker 1: watch out back up. But I didn't even swing on 1457 01:08:59,400 --> 01:09:01,320 Speaker 1: him at first. He grabbing him. I'm like, hey, get him. 1458 01:09:01,320 --> 01:09:02,760 Speaker 1: I'm like, get your voice? Were going to do the show? 1459 01:09:02,760 --> 01:09:04,120 Speaker 1: I got to Mike in my hand. They like this, 1460 01:09:04,320 --> 01:09:07,479 Speaker 1: Let me just sat back and watch. You know what 1461 01:09:07,520 --> 01:09:11,640 Speaker 1: I'm saying, Stack gonna watch whole time. That's cap. It's 1462 01:09:11,640 --> 01:09:13,560 Speaker 1: just hard to say security goes too far because it 1463 01:09:13,640 --> 01:09:17,800 Speaker 1: might be that time security don't go far enough. Yeah, yeah, yeah, yeah, 1464 01:09:17,840 --> 01:09:20,120 Speaker 1: come on out, you know, especially with with with the 1465 01:09:20,200 --> 01:09:22,599 Speaker 1: current events that it took place. You know, especially when 1466 01:09:22,640 --> 01:09:24,479 Speaker 1: people want to, you know, want to see what's up 1467 01:09:24,520 --> 01:09:26,280 Speaker 1: what you like, they want to see what's up with me? Yeah? 1468 01:09:26,840 --> 01:09:28,960 Speaker 1: Don't you turn that into a nice little or what 1469 01:09:29,200 --> 01:09:31,280 Speaker 1: was that? Um when when you got into the fighting? 1470 01:09:31,680 --> 01:09:36,240 Speaker 1: Was that Louis Stout and I have figures off T shirts? 1471 01:09:37,280 --> 01:09:40,200 Speaker 1: Why people try you so much? Man? Because I'm pretty 1472 01:09:41,360 --> 01:09:43,200 Speaker 1: and my voice? No I told you before, because you 1473 01:09:43,240 --> 01:09:46,960 Speaker 1: don't you in Charlotte and I got done. And the 1474 01:09:47,280 --> 01:09:49,160 Speaker 1: people I think see these videos and they're like, I'm 1475 01:09:49,160 --> 01:09:53,960 Speaker 1: gonna be the one happen. That's just how life go. Period. 1476 01:09:54,000 --> 01:09:55,400 Speaker 1: You know, when you see the person that just feel 1477 01:09:55,400 --> 01:09:57,080 Speaker 1: like and I don't even somebody to feel like I 1478 01:09:57,120 --> 01:09:58,760 Speaker 1: can't be touched. I know I could be touched. That's 1479 01:09:58,800 --> 01:10:01,120 Speaker 1: why I'm you or where what's going on? It's why 1480 01:10:01,160 --> 01:10:03,680 Speaker 1: I'm moved it right way. That's the difference. You get 1481 01:10:03,760 --> 01:10:07,320 Speaker 1: more paranoid or less paranoid about retaliation from your past, 1482 01:10:07,400 --> 01:10:09,400 Speaker 1: and more famous you get I don't trip on none 1483 01:10:09,439 --> 01:10:11,439 Speaker 1: of that. You know I'm out chill, bro I had 1484 01:10:11,479 --> 01:10:13,320 Speaker 1: someone going on before I even wrap. You get what 1485 01:10:13,360 --> 01:10:15,960 Speaker 1: I'm saying. While I'm still so easily accessible then like 1486 01:10:16,479 --> 01:10:18,840 Speaker 1: you know which I'm I'm far more accessible now, but 1487 01:10:19,120 --> 01:10:21,479 Speaker 1: soon I'm very assessible. And now i gotta tell you 1488 01:10:21,560 --> 01:10:23,400 Speaker 1: why I'm at. They know I'm here now when I 1489 01:10:23,479 --> 01:10:26,639 Speaker 1: come outside, baby, baby, baby, you get what I'm saying. 1490 01:10:26,680 --> 01:10:28,280 Speaker 1: So it's too easy to be touched me at the 1491 01:10:28,360 --> 01:10:29,840 Speaker 1: end of the day, like I walked with God. You 1492 01:10:29,920 --> 01:10:31,479 Speaker 1: get what I'm saying. Can we talk about the album 1493 01:10:31,479 --> 01:10:33,759 Speaker 1: for Let's talk about it. Let's talk about this iPhone 1494 01:10:33,760 --> 01:10:35,960 Speaker 1: with Nicki Minaj trying to stay about y'all. Look at 1495 01:10:36,000 --> 01:10:39,400 Speaker 1: my voicem I'm trying to stay aby my iPhone. I'm 1496 01:10:39,439 --> 01:10:42,599 Speaker 1: just gonna get all of that one did that hurt 1497 01:10:42,720 --> 01:10:46,639 Speaker 1: When Nicki Minaj was talking about we call guys. That's 1498 01:10:46,680 --> 01:10:50,720 Speaker 1: why I'm then be calling up bro I almost, I know, 1499 01:10:50,800 --> 01:10:52,640 Speaker 1: I felt like that's one of them being me like that. 1500 01:10:52,800 --> 01:10:57,200 Speaker 1: The world I got mad was one of them to 1501 01:10:57,400 --> 01:10:59,040 Speaker 1: me like that, I'm gonna find out. But yeah, man, 1502 01:10:59,360 --> 01:11:01,680 Speaker 1: she snapped too, I feel like you bring out the 1503 01:11:01,720 --> 01:11:04,080 Speaker 1: best of Nicki Minaj. Man. I don't know what it is. 1504 01:11:04,880 --> 01:11:07,599 Speaker 1: She did the baby Shug remix y and then even 1505 01:11:07,720 --> 01:11:10,439 Speaker 1: on this is It's something about that energy you bringing 1506 01:11:10,479 --> 01:11:12,800 Speaker 1: that brings out the best of Nikki Showman as dope 1507 01:11:12,880 --> 01:11:14,800 Speaker 1: as dope to that honest a pleasure to be able 1508 01:11:14,840 --> 01:11:16,639 Speaker 1: to do that, to be able to you know, throw 1509 01:11:16,680 --> 01:11:19,320 Speaker 1: the alley oop and watch her finish, watch you know 1510 01:11:19,439 --> 01:11:23,960 Speaker 1: somebody that's just a legend, you know in the game finish. Yeah, 1511 01:11:23,960 --> 01:11:25,600 Speaker 1: guys talk about their side pieces all the time, so 1512 01:11:25,680 --> 01:11:27,120 Speaker 1: it's good to hear the other. And it was good 1513 01:11:27,160 --> 01:11:28,600 Speaker 1: to hear the exactly you know what I mean. And 1514 01:11:28,680 --> 01:11:30,720 Speaker 1: really she thought about changing that part of the song, 1515 01:11:30,800 --> 01:11:36,840 Speaker 1: and I'm like, nah, what you think about I'm just 1516 01:11:36,960 --> 01:11:39,280 Speaker 1: saying no, of course not, but I'm saying it's good 1517 01:11:39,320 --> 01:11:42,840 Speaker 1: to hear. Usually it's guys talking about it, and a 1518 01:11:42,880 --> 01:11:44,360 Speaker 1: lot of times women have to deal with that. But 1519 01:11:44,720 --> 01:11:46,680 Speaker 1: have you ever had an experience with a girl had 1520 01:11:46,680 --> 01:11:48,720 Speaker 1: a side piece or were you the side piece? You 1521 01:11:48,800 --> 01:11:53,320 Speaker 1: seem like side piece material. Yeah, well I'm good material. 1522 01:11:53,479 --> 01:12:05,439 Speaker 1: He light skin. You know what's bro? What im saying? 1523 01:12:08,000 --> 01:12:10,880 Speaker 1: They slick man, But now it's definitely dope to they 1524 01:12:11,000 --> 01:12:13,080 Speaker 1: hit the female perspective on the song. I feel like 1525 01:12:13,640 --> 01:12:15,920 Speaker 1: that's why I'm Megan. The stallion got like the way 1526 01:12:15,960 --> 01:12:19,040 Speaker 1: she got, like she popped. You know everybody, don't you 1527 01:12:19,120 --> 01:12:22,400 Speaker 1: know y'all females better quick. Y'all always be sad, y'all 1528 01:12:22,560 --> 01:12:25,600 Speaker 1: cut throat, right, and I like that worst time you 1529 01:12:25,680 --> 01:12:28,080 Speaker 1: could do is hurt the female feelings. Boy, it's over, 1530 01:12:28,360 --> 01:12:29,760 Speaker 1: you know. And I love the son that you have 1531 01:12:29,800 --> 01:12:31,720 Speaker 1: with Megan. Say, you did some great even before you 1532 01:12:31,760 --> 01:12:34,760 Speaker 1: put this album out, some great apparent guest appearances. Shout 1533 01:12:34,800 --> 01:12:36,800 Speaker 1: out to the team. That's the way we put that together. 1534 01:12:36,840 --> 01:12:39,519 Speaker 1: We orchestrated that like strate yeah for show, just to 1535 01:12:39,680 --> 01:12:42,280 Speaker 1: you know, stay stay in. They faced without dropping new 1536 01:12:42,360 --> 01:12:44,479 Speaker 1: music and let their hits still we put out, you know, 1537 01:12:44,720 --> 01:12:47,120 Speaker 1: blossom into what they were supposed to become. All right, 1538 01:12:47,160 --> 01:12:48,880 Speaker 1: We got more with the Baby when we come back, 1539 01:12:48,920 --> 01:12:52,280 Speaker 1: Dope move. It's the Breakfast Club. Good Morning, the Breakfast 1540 01:12:52,360 --> 01:12:59,400 Speaker 1: Club Morning. Everybody in cdj Envy, Angela Yee, Charloagne, the 1541 01:12:59,439 --> 01:13:02,000 Speaker 1: guy we are the Breakfast Club were still kicking it 1542 01:13:02,040 --> 01:13:04,760 Speaker 1: with the Baby. Charlomagne, your man got a good bund 1543 01:13:04,840 --> 01:13:06,639 Speaker 1: or it seemed like y'all coming up at the same time. Y'all. 1544 01:13:06,800 --> 01:13:09,400 Speaker 1: We definitely can't a game the same time. The way 1545 01:13:09,439 --> 01:13:11,160 Speaker 1: we do the song, it was it was given to me, 1546 01:13:11,200 --> 01:13:12,960 Speaker 1: you know what I mean, from the label and they like, yeah, 1547 01:13:13,200 --> 01:13:15,040 Speaker 1: hop on that. But since them, man, she dope. You 1548 01:13:15,080 --> 01:13:16,759 Speaker 1: know what I mean, she dope. She's a great performer, 1549 01:13:17,040 --> 01:13:18,960 Speaker 1: and with her being on fire the same time, I'm 1550 01:13:18,960 --> 01:13:21,240 Speaker 1: on fire, Like that's probably the artist I run into 1551 01:13:21,320 --> 01:13:23,760 Speaker 1: more than anybody I noticed. You don't when she back 1552 01:13:23,800 --> 01:13:25,439 Speaker 1: it up, you don't always get on it that because 1553 01:13:25,479 --> 01:13:28,360 Speaker 1: she got in I'm I'm yeah, I'm a respectful guy. Okay. 1554 01:13:28,400 --> 01:13:30,400 Speaker 1: I noticed that the other day. I saw y'all somewhere 1555 01:13:30,400 --> 01:13:32,120 Speaker 1: and I was like, why are you so far away 1556 01:13:32,160 --> 01:13:36,960 Speaker 1: from him? I'm just I'm and I cut that out. 1557 01:13:38,640 --> 01:13:43,800 Speaker 1: Oh my god, that was so fun Like that was 1558 01:13:43,880 --> 01:13:45,800 Speaker 1: just too funny. Oh she got off shout out to 1559 01:13:45,840 --> 01:13:47,880 Speaker 1: her as my dog or I wouldn't dell you know 1560 01:13:47,880 --> 01:13:50,000 Speaker 1: what I mean, even talk down on shouty she In 1561 01:13:50,080 --> 01:13:52,439 Speaker 1: all school we had like a we had a class 1562 01:13:52,640 --> 01:13:57,400 Speaker 1: called your book. But no, it was a class called 1563 01:13:57,520 --> 01:13:59,640 Speaker 1: your book. I swear to God, they hold semester. They 1564 01:13:59,720 --> 01:14:02,439 Speaker 1: just they create the year book and I get the 1565 01:14:02,520 --> 01:14:04,320 Speaker 1: year book. And that's what it's saying. Man, she didn't 1566 01:14:04,360 --> 01:14:08,479 Speaker 1: put it on, which you know it's right. He don't know, man, 1567 01:14:08,520 --> 01:14:11,679 Speaker 1: I ain't high talk. I got a wife, my beautiful wife, 1568 01:14:13,840 --> 01:14:15,400 Speaker 1: come home. Man, So I have to ask you. That's 1569 01:14:15,439 --> 01:14:17,839 Speaker 1: my dogs. Let me drive a little silver car and thenything. 1570 01:14:17,920 --> 01:14:19,559 Speaker 1: You get what I'm saying. So it's all a little man. 1571 01:14:19,600 --> 01:14:21,560 Speaker 1: You smoke weed at the house and all that was 1572 01:14:21,640 --> 01:14:24,080 Speaker 1: dope to see. That was cute. That was cute and cute. Yeah, 1573 01:14:24,160 --> 01:14:27,720 Speaker 1: besides them putting my family with that, like that's the 1574 01:14:28,000 --> 01:14:30,439 Speaker 1: like cut that charm. Don't play with my family because 1575 01:14:30,439 --> 01:14:31,840 Speaker 1: I don't want the world think and they can play 1576 01:14:31,840 --> 01:14:34,160 Speaker 1: with my family because you playing with him, because that 1577 01:14:34,200 --> 01:14:35,880 Speaker 1: ain't gonna you know, I don't give a damn about 1578 01:14:35,920 --> 01:14:38,240 Speaker 1: none of this. End of the day, Like, don't don't 1579 01:14:38,280 --> 01:14:40,479 Speaker 1: play with my people though. I caught the talking my 1580 01:14:40,600 --> 01:14:45,559 Speaker 1: daughter other day, so it's up asking Kurt. She like, man, 1581 01:14:47,320 --> 01:14:50,400 Speaker 1: I don't ask. It were funny though, Man, it was 1582 01:14:50,479 --> 01:14:52,120 Speaker 1: funny though. So when you say, tell me my bitch, 1583 01:14:52,120 --> 01:14:53,600 Speaker 1: I'm faithful, but I still got the holes. You're not 1584 01:14:53,720 --> 01:14:57,400 Speaker 1: dry snitch. Got the hook? What you mean dry snitching? 1585 01:14:57,439 --> 01:14:58,800 Speaker 1: Because if you got a girl, you can't say you 1586 01:14:58,840 --> 01:15:00,479 Speaker 1: still got holes. But I don't know he loved me, 1587 01:15:00,560 --> 01:15:11,080 Speaker 1: Charlot game. Yeah, y'all, y'all down, I'm trying to hold hands. 1588 01:15:11,920 --> 01:15:14,680 Speaker 1: I'm trying to make TMZ. No. We know you've been 1589 01:15:14,760 --> 01:15:17,400 Speaker 1: doing a lot of heartbreaks for show. Come on now, 1590 01:15:17,520 --> 01:15:21,519 Speaker 1: listen to my music. Yeah, he's been doing a lot heartbreaks. Man, 1591 01:15:21,560 --> 01:15:24,880 Speaker 1: you know how my life is like, I didn't only 1592 01:15:24,920 --> 01:15:28,439 Speaker 1: have like three girlfriends. Shut out, man, you can try. 1593 01:15:28,520 --> 01:15:37,320 Speaker 1: Somebody lives by the man. I'm just I'm really showing 1594 01:15:37,560 --> 01:15:40,200 Speaker 1: the Gucci jacket. You see what I'm saying. But yeah, no, 1595 01:15:40,439 --> 01:15:41,880 Speaker 1: like you know, I didn't really only have like three 1596 01:15:41,920 --> 01:15:43,760 Speaker 1: four girls. I never really played like that. You give 1597 01:15:43,800 --> 01:15:45,680 Speaker 1: what I'm say. I ain't like skin. What is I'm 1598 01:15:45,760 --> 01:15:48,800 Speaker 1: rich and word? What I mean? Yeah, tell me what 1599 01:15:48,920 --> 01:15:53,679 Speaker 1: that is? Because to me. It means lazy. God damn, 1600 01:15:53,840 --> 01:15:56,800 Speaker 1: there's a lot of risks in the room. Might be 1601 01:15:57,040 --> 01:16:07,639 Speaker 1: I'm married that many turn that way, look out the window. 1602 01:16:08,920 --> 01:16:11,880 Speaker 1: I didn't need to put a little more. That's what 1603 01:16:11,960 --> 01:16:18,200 Speaker 1: I'm saying. It's really like guys are better. They're trying 1604 01:16:18,200 --> 01:16:19,439 Speaker 1: to get in there. They trying to sleep on your 1605 01:16:19,439 --> 01:16:22,880 Speaker 1: got damn couch. They use your car, use your car. 1606 01:16:22,960 --> 01:16:25,040 Speaker 1: You know they gotta they gotta lay it down brow. 1607 01:16:25,120 --> 01:16:27,559 Speaker 1: It's really like, you know it, come with it, come 1608 01:16:27,600 --> 01:16:29,559 Speaker 1: with a lot, it come with benefits, right, And that's 1609 01:16:29,600 --> 01:16:31,040 Speaker 1: about you be lazy in the bad because you figured 1610 01:16:31,080 --> 01:16:39,320 Speaker 1: this other being I work card. It's the fact women 1611 01:16:39,400 --> 01:16:41,479 Speaker 1: talk about that all the time, that more money a 1612 01:16:41,520 --> 01:16:43,920 Speaker 1: guy has usually the worst he is in that we're 1613 01:16:43,960 --> 01:16:49,479 Speaker 1: talking about it. We be tired. See in this room 1614 01:16:49,600 --> 01:16:52,800 Speaker 1: is like damn, got damn much money. I still like 1615 01:16:52,920 --> 01:16:54,960 Speaker 1: to get in there, but we be tied. Man, we 1616 01:16:55,080 --> 01:16:59,519 Speaker 1: get you some cea massah right, I ain't without it, 1617 01:17:10,120 --> 01:17:13,200 Speaker 1: got the VI. I know you as a freak boy. 1618 01:17:14,040 --> 01:17:19,480 Speaker 1: I knew it. Get you right, I got a whole combination. 1619 01:17:20,640 --> 01:17:22,840 Speaker 1: I take them instead of vitam is not get you right, man, 1620 01:17:22,880 --> 01:17:27,720 Speaker 1: I'm gonna get that what do you guys? What do 1621 01:17:27,760 --> 01:17:34,240 Speaker 1: you guys were doing? Fun? Man? We we work outside 1622 01:17:34,240 --> 01:17:36,600 Speaker 1: of work. That's where I found out. I had to 1623 01:17:36,640 --> 01:17:38,120 Speaker 1: find my fun and work. Man. It was the only 1624 01:17:38,160 --> 01:17:39,680 Speaker 1: way that was gonna work out. And you know other 1625 01:17:39,720 --> 01:17:41,280 Speaker 1: than that, like I just like spending time with my 1626 01:17:41,439 --> 01:17:43,640 Speaker 1: daughter standing at a kissing that it took me to it, 1627 01:17:43,800 --> 01:17:46,439 Speaker 1: like DC and give what I'm saying. Yet I ain't 1628 01:17:46,479 --> 01:17:48,320 Speaker 1: take it. I can't go to Carol Win shut man, 1629 01:17:48,520 --> 01:18:00,360 Speaker 1: shut it down. It's like you should. She started singing that. 1630 01:18:02,439 --> 01:18:04,720 Speaker 1: Yet all of them packing the mail of the air thing, 1631 01:18:05,280 --> 01:18:07,080 Speaker 1: you know, all my songs and telling the story of 1632 01:18:07,160 --> 01:18:08,640 Speaker 1: when you when you recorded the ship. I heard the 1633 01:18:08,680 --> 01:18:11,200 Speaker 1: story the other day. I was recorded to the story, man, 1634 01:18:11,400 --> 01:18:14,679 Speaker 1: I asked on eight bros. Been to two three weeks 1635 01:18:14,720 --> 01:18:16,479 Speaker 1: with that check it check from the lake. I want 1636 01:18:16,479 --> 01:18:17,840 Speaker 1: to know it's there. I want to know I'm really 1637 01:18:17,880 --> 01:18:19,200 Speaker 1: living like that you give them. I don't want to 1638 01:18:19,200 --> 01:18:20,840 Speaker 1: put no album out with that chicken. I don't even 1639 01:18:20,840 --> 01:18:22,880 Speaker 1: want to record no more. I'm tired of this. I'm 1640 01:18:22,960 --> 01:18:25,679 Speaker 1: broke as hell, spending all my money on't god damn 1641 01:18:25,760 --> 01:18:28,920 Speaker 1: flights and no tails with that bag. And he said, 1642 01:18:28,960 --> 01:18:30,160 Speaker 1: should be in there. You don't got it. I'm like, 1643 01:18:30,400 --> 01:18:32,200 Speaker 1: you know, ain't you telling me? He said, oh check? 1644 01:18:32,720 --> 01:18:34,280 Speaker 1: Put him at the Aten. We had just love Chris 1645 01:18:34,320 --> 01:18:37,160 Speaker 1: Staceans and la, you've been a crystation my spot right 1646 01:18:37,200 --> 01:18:39,800 Speaker 1: the player and let me come take my shoes. I'll 1647 01:18:39,800 --> 01:18:46,120 Speaker 1: put my feet on the table. But yeah, we had 1648 01:18:46,160 --> 01:18:48,240 Speaker 1: just leve Cris Staceans though, and I told a job 1649 01:18:48,240 --> 01:18:51,040 Speaker 1: on my stop about the Aten real quick, my goal 1650 01:18:51,120 --> 01:18:53,719 Speaker 1: to it this nighttime too. I said, print and balance. 1651 01:18:53,760 --> 01:18:55,120 Speaker 1: I don't even want to see it on the screen. 1652 01:18:55,200 --> 01:18:58,960 Speaker 1: That may be a I don't trust computer. I want 1653 01:18:58,960 --> 01:19:01,120 Speaker 1: to see it printed out on't pay so I can come. Hey, Brad, 1654 01:19:01,160 --> 01:19:03,120 Speaker 1: I said, I had this, where is it? So I 1655 01:19:03,240 --> 01:19:04,760 Speaker 1: printed out boom, I don't even look at it. I 1656 01:19:04,840 --> 01:19:08,240 Speaker 1: pholted up with the probably go out and I saw 1657 01:19:08,320 --> 01:19:10,720 Speaker 1: them got them digit, I got all right, let's go 1658 01:19:10,760 --> 01:19:19,439 Speaker 1: to the yoke. I'm let's see, he says, Carolina. I slip, Carolina, 1659 01:19:20,880 --> 01:19:24,920 Speaker 1: don't you worry about don't everybody that you're gonna get 1660 01:19:24,920 --> 01:19:26,880 Speaker 1: me in trouble? You know what I'm saying. But uh, 1661 01:19:27,360 --> 01:19:28,880 Speaker 1: but yeah, so we went straight to the studio. I 1662 01:19:28,920 --> 01:19:32,040 Speaker 1: remember boy Jesson made my boy Jet. Remember boy Jesson 1663 01:19:32,120 --> 01:19:34,679 Speaker 1: made the uh. He started playing the medal the dunt 1664 01:19:34,760 --> 01:19:38,040 Speaker 1: dunk dun dunk un dunk dun dunk. I like to 1665 01:19:38,080 --> 01:19:40,439 Speaker 1: record outside the booth when I'm in the studio, so 1666 01:19:40,720 --> 01:19:42,080 Speaker 1: he right, you're playing, and b I'm saying right or 1667 01:19:42,120 --> 01:19:44,120 Speaker 1: where you were? And then it didn't Now I heard 1668 01:19:44,120 --> 01:19:46,960 Speaker 1: it before he even added the bass. Did everybody say? 1669 01:19:47,000 --> 01:19:48,160 Speaker 1: You know what I mean? He wrote the song. I'm 1670 01:19:48,400 --> 01:19:51,360 Speaker 1: like in the madis, I'm beside him. He hearing me 1671 01:19:51,439 --> 01:19:52,760 Speaker 1: doing that, you know what I mean? And then I 1672 01:19:52,800 --> 01:19:54,400 Speaker 1: went from that, and then I just started doing whatever. 1673 01:19:54,439 --> 01:19:55,720 Speaker 1: You know what I mean. I'm just voluing doing it. 1674 01:19:55,800 --> 01:19:58,479 Speaker 1: He cast it. I'm like, then Harry up, I'm when 1675 01:19:58,520 --> 01:20:01,080 Speaker 1: he knowing you and add the baseline until we loaded 1676 01:20:01,120 --> 01:20:04,640 Speaker 1: it up sat the host ten fifteen minutes. That's when 1677 01:20:04,680 --> 01:20:06,479 Speaker 1: the best record bag was in. Yeah, I just have 1678 01:20:06,640 --> 01:20:08,640 Speaker 1: a deal on my own. You know, I admit that 1679 01:20:08,840 --> 01:20:11,880 Speaker 1: I love that song too. Yeah. I heard who told 1680 01:20:11,920 --> 01:20:14,519 Speaker 1: me that, Nick Cannon. He said, I just see Sugar 1681 01:20:14,640 --> 01:20:16,720 Speaker 1: and they was talking about the songs. It's an honor 1682 01:20:16,760 --> 01:20:19,160 Speaker 1: to be able to put on people Get my boy 1683 01:20:19,200 --> 01:20:22,280 Speaker 1: Sugar hard time. Yeah, you know, let's play some baby 1684 01:20:22,320 --> 01:20:24,320 Speaker 1: now album Craig, But what's your favorite record? I want 1685 01:20:24,320 --> 01:20:26,280 Speaker 1: to play. Got some joints, but what's yours? I want 1686 01:20:26,320 --> 01:20:28,439 Speaker 1: to play intro? Dudes blay my little brother. DJ K 1687 01:20:28,800 --> 01:20:32,040 Speaker 1: Let's play intro. I want to play probably heard I say, 1688 01:20:34,320 --> 01:20:35,880 Speaker 1: let's do probably her. I don't want to do probably 1689 01:20:35,960 --> 01:20:37,960 Speaker 1: her intro already number one song in the world. And 1690 01:20:38,000 --> 01:20:39,720 Speaker 1: shout out to DJ Clue. He came with the beat. 1691 01:20:39,880 --> 01:20:41,000 Speaker 1: It's you know what I'm saying. We gotta put on 1692 01:20:43,040 --> 01:20:47,200 Speaker 1: I come on. I didn't make it down South banking 1693 01:20:47,280 --> 01:20:49,439 Speaker 1: like that. No, you understand. Playing with me every day, Yo, 1694 01:20:49,720 --> 01:20:52,120 Speaker 1: Sugar is cool, but play my joint every day. I 1695 01:20:52,240 --> 01:20:55,479 Speaker 1: probably heard of director heard the Baby about to bring 1696 01:20:55,560 --> 01:21:04,519 Speaker 1: Clue back. We got the bat forever bringing Clue Black Clue. 1697 01:21:04,600 --> 01:21:07,240 Speaker 1: And if you're watching the video the Vibes, The Vibes 1698 01:21:07,280 --> 01:21:13,360 Speaker 1: official video is out now. Well. Congratulations, appreciate standard from Vegas. 1699 01:21:13,400 --> 01:21:17,880 Speaker 1: It's the Breakfast Club morning. Everybody is DJ Envy Angela Yee, 1700 01:21:18,000 --> 01:21:21,040 Speaker 1: Charlomagne the guy. We are the Breakfast Club. Shout to 1701 01:21:21,040 --> 01:21:22,960 Speaker 1: everybody that picked up tickets to my car show again. 1702 01:21:23,000 --> 01:21:26,360 Speaker 1: I so appreciate it. September seventh is the date and 1703 01:21:26,600 --> 01:21:29,679 Speaker 1: also Charlomagne, you got a positive note. Listen to positive notice. 1704 01:21:29,760 --> 01:21:32,400 Speaker 1: Simply this, man, I want you to remember this this weekend. 1705 01:21:32,760 --> 01:21:35,280 Speaker 1: The only limits you have are the limits you believe 1706 01:21:35,360 --> 01:21:35,560 Speaker 1: you have