1 00:00:00,440 --> 00:00:03,400 Speaker 1: Did you know Zeke's Pizza Delivers. Get a local handcraft 2 00:00:03,400 --> 00:00:06,920 Speaker 1: and pizza delivered tonight and leave tasteless national chain pizza behind. 3 00:00:07,120 --> 00:00:17,959 Speaker 1: Download the app or visit Zeke's Pizza dot com twenties. Hello, 4 00:00:18,720 --> 00:00:22,280 Speaker 1: Hi there. My name is Seth McElroy and I'm with publishing. 5 00:00:22,360 --> 00:00:28,000 Speaker 1: I'm looking for Clifton. That's that's hey, Hey Clifton. You 6 00:00:28,120 --> 00:00:30,120 Speaker 1: sent us a copy of a children's book called The 7 00:00:30,200 --> 00:00:32,880 Speaker 1: Puppy and and a lot of us here at the 8 00:00:32,920 --> 00:00:36,560 Speaker 1: publishing company fell in love with it. Are you serious? 9 00:00:36,800 --> 00:00:42,320 Speaker 1: I am? Congratulations, man, I think we want to publish it. Oh. Man, 10 00:00:42,520 --> 00:00:45,760 Speaker 1: you know I've been waiting. I've been waiting for this forever. Well, 11 00:00:45,760 --> 00:00:48,279 Speaker 1: we think it could be a big hit. There is 12 00:00:48,479 --> 00:00:50,280 Speaker 1: one thing I wanted to talk with you about, though. 13 00:00:50,920 --> 00:00:54,000 Speaker 1: What's that? Well, if there is any way to put 14 00:00:54,040 --> 00:00:56,200 Speaker 1: a little more death into it, that would be great. 15 00:00:56,960 --> 00:01:01,000 Speaker 1: Did you say death? No? I said death? D E 16 00:01:01,120 --> 00:01:05,199 Speaker 1: A T H Yes, like yes? Like are you talking 17 00:01:05,200 --> 00:01:09,000 Speaker 1: about like as as him being killed? Yeah, that's exactly 18 00:01:09,000 --> 00:01:11,240 Speaker 1: what I'm talking about. We do a lot of customer 19 00:01:11,280 --> 00:01:13,840 Speaker 1: tracking here at our company, and the thought of literary 20 00:01:13,920 --> 00:01:17,640 Speaker 1: death has been trending up big time. With children ages 21 00:01:17,720 --> 00:01:19,200 Speaker 1: four to seven. So if we could get some more 22 00:01:19,280 --> 00:01:22,040 Speaker 1: death in your story, I think it'd be golden. I don't, 23 00:01:22,080 --> 00:01:24,160 Speaker 1: I don't get it. I mean, this is this is 24 00:01:24,560 --> 00:01:29,480 Speaker 1: a fairy tale children's book I'm going to put here. 25 00:01:29,520 --> 00:01:32,280 Speaker 1: I'll give you an example. You have a puppy in 26 00:01:32,280 --> 00:01:37,000 Speaker 1: your story, right, yes, Well at the end when you 27 00:01:37,040 --> 00:01:42,040 Speaker 1: show him rolling around in the grass, embarking and stuff. Yeah, well, 28 00:01:42,080 --> 00:01:45,720 Speaker 1: we would have him do the same thing, just dangerously 29 00:01:45,920 --> 00:01:49,480 Speaker 1: close to an edge of a cliff. No way am 30 00:01:49,480 --> 00:01:51,000 Speaker 1: I gonna make it. This is a I mean a 31 00:01:51,120 --> 00:01:54,000 Speaker 1: children's book. I mean, there's just no way I want 32 00:01:54,000 --> 00:01:57,160 Speaker 1: to make a puppy roll off a cliff. Are you crazy? 33 00:01:57,280 --> 00:02:00,000 Speaker 1: I understand, I understand your concern, but we wouldn't show 34 00:02:00,040 --> 00:02:03,040 Speaker 1: anything graphic. It just puts the thought in your head like, 35 00:02:03,400 --> 00:02:06,080 Speaker 1: oh my gosh, is this puppy gonna die or will 36 00:02:06,120 --> 00:02:09,200 Speaker 1: he live? And that's powerful stuff. You can't deny that. 37 00:02:09,560 --> 00:02:12,560 Speaker 1: What kind of sick thing is this? I mean, you're 38 00:02:12,600 --> 00:02:14,800 Speaker 1: twisting the whole tale. This is supposed to be a 39 00:02:15,240 --> 00:02:17,800 Speaker 1: You know, we don't want to change the essence of 40 00:02:17,840 --> 00:02:20,079 Speaker 1: your book. We just want to add a little bit 41 00:02:20,080 --> 00:02:22,919 Speaker 1: of death to it. This is a children's book. Well, 42 00:02:22,919 --> 00:02:24,720 Speaker 1: we're willing to work with you on this. Now. You 43 00:02:24,720 --> 00:02:26,840 Speaker 1: know there's that one part of your book where the 44 00:02:26,880 --> 00:02:30,280 Speaker 1: puppy meets a bear on a path. Yeah, I know 45 00:02:30,440 --> 00:02:33,400 Speaker 1: that part, but you know I don't want him to die. Well, 46 00:02:33,440 --> 00:02:35,720 Speaker 1: I've got a few ideas. Let me just brainstorm with 47 00:02:35,720 --> 00:02:38,120 Speaker 1: you for a second. Let's just say, in the background, 48 00:02:38,639 --> 00:02:41,959 Speaker 1: you see like a runaway bus coming at them. What 49 00:02:42,000 --> 00:02:44,680 Speaker 1: the are you talking about? You know, I do not 50 00:02:44,960 --> 00:02:49,000 Speaker 1: want any animals dying. This is a children's book, for 51 00:02:49,120 --> 00:02:52,959 Speaker 1: God's sake. Well, you won't actually see the animals dying, 52 00:02:53,000 --> 00:02:55,000 Speaker 1: but it just puts the thought in your head. It's 53 00:02:55,600 --> 00:02:59,240 Speaker 1: mysterious and intrigue. It's a crazy man. I you know 54 00:02:59,520 --> 00:03:01,639 Speaker 1: I did us for the right reasons, and you guys 55 00:03:01,680 --> 00:03:04,960 Speaker 1: are twisted. I mean, what if I'm sorry to stop 56 00:03:04,960 --> 00:03:06,640 Speaker 1: you again, but I'm just thinking here, what if the 57 00:03:06,720 --> 00:03:09,880 Speaker 1: bear and the puppy meet on that path and then 58 00:03:09,919 --> 00:03:12,799 Speaker 1: there's one picture of the bear just about to maul 59 00:03:12,960 --> 00:03:15,840 Speaker 1: the puppy. That's it, man, I'm done. I'm not working 60 00:03:15,880 --> 00:03:18,359 Speaker 1: with you. Well, sir, but we really liked your story. 61 00:03:18,360 --> 00:03:19,960 Speaker 1: Why wantn't you want to work with us? We are 62 00:03:20,000 --> 00:03:23,239 Speaker 1: a large publisher because you want all the animals and 63 00:03:23,360 --> 00:03:27,120 Speaker 1: my story to die. That's why they don't have to die? 64 00:03:27,280 --> 00:03:30,120 Speaker 1: Can they Maybe they can just get seriously injured? Oh 65 00:03:30,160 --> 00:03:32,840 Speaker 1: my god, Oh what could have morbid? You know? I 66 00:03:32,919 --> 00:03:35,880 Speaker 1: want out, man, I'm up done, Man, I'm not working 67 00:03:35,880 --> 00:03:38,160 Speaker 1: with you. You can't be done because this is actually 68 00:03:38,240 --> 00:03:43,200 Speaker 1: a prank phone call? Are you what? This is actually 69 00:03:43,320 --> 00:03:45,880 Speaker 1: Jewel from Brook and Jewel in the morning doing a 70 00:03:45,920 --> 00:03:50,680 Speaker 1: phone tap on you. Oh my lord, your wife Patrise 71 00:03:50,760 --> 00:03:53,880 Speaker 1: set you up. Oh god, she said, you submitted a 72 00:03:53,960 --> 00:03:56,400 Speaker 1: kid's book to a bunch of publishers and want to 73 00:03:56,440 --> 00:04:01,680 Speaker 1: me to mess with you. She did. Yeah, I actually 74 00:04:01,720 --> 00:04:04,160 Speaker 1: read your whole book in order to get ready to 75 00:04:04,160 --> 00:04:07,160 Speaker 1: hear this phone call. Did ad you like my book? 76 00:04:07,640 --> 00:04:09,480 Speaker 1: I liked it a lot. I just think it needs 77 00:04:09,480 --> 00:04:11,640 Speaker 1: like a little bit more depth, just like a scouch 78 00:04:11,800 --> 00:04:17,919 Speaker 1: A little pinch of death. Week up every morning with 79 00:04:18,040 --> 00:04:22,240 Speaker 1: Jubal phone taps weekday mornings. On the twenties, ninety two 80 00:04:22,279 --> 00:04:22,760 Speaker 1: point five