1 00:00:00,120 --> 00:00:04,120 Speaker 1: On today's episode, we're talking about new images of the 2 00:00:04,200 --> 00:00:25,640 Speaker 1: latest Lower Croft series and more. It's news News. Hello, 3 00:00:25,680 --> 00:00:29,080 Speaker 1: my name is Jason Stepsion and on Rosday Night and 4 00:00:29,120 --> 00:00:31,160 Speaker 1: welcome back to ext Revision, the podcast where we dive 5 00:00:31,200 --> 00:00:33,200 Speaker 1: deep into your favorite shows, movies, comics, and pop culture. 6 00:00:33,200 --> 00:00:35,440 Speaker 1: We're coming to you from iHeart Podcast. We're reading you 7 00:00:35,520 --> 00:00:38,080 Speaker 1: three episode week plus news. 8 00:00:37,880 --> 00:00:40,000 Speaker 2: Plus news and today is news. 9 00:00:40,159 --> 00:00:42,720 Speaker 3: In today's previously on episode, as always, we're catching up 10 00:00:42,720 --> 00:00:46,000 Speaker 3: from the biggest eek news of the week, including Hey, 11 00:00:46,920 --> 00:00:48,920 Speaker 3: she said that she was going to retire and guess 12 00:00:48,960 --> 00:00:52,560 Speaker 3: what's happening. Kathleen Kennedy is leaving Lucasfilm. We got news 13 00:00:52,640 --> 00:00:56,560 Speaker 3: on the legacy of that role. We also have news 14 00:00:56,600 --> 00:00:59,440 Speaker 3: about kratoscasting in God of War. It's started a few 15 00:00:59,480 --> 00:01:03,200 Speaker 3: conversations in the gaming community. Let's say that and then 16 00:01:03,280 --> 00:01:05,039 Speaker 3: let's get to those headlines. 17 00:01:05,720 --> 00:01:11,080 Speaker 1: First up, God of War on Amazon Prime has its Kratos. 18 00:01:11,480 --> 00:01:15,639 Speaker 1: Ryan Hurst Crazy has been cast. He was the voice 19 00:01:15,720 --> 00:01:20,479 Speaker 1: of Thor in God of War Ragnark wonderful, a wonderful 20 00:01:20,600 --> 00:01:24,279 Speaker 1: role in that particular video game. And he is also 21 00:01:25,080 --> 00:01:28,880 Speaker 1: a cast member of Christopher Nolans The Odyssey and he 22 00:01:28,959 --> 00:01:33,840 Speaker 1: thoughts on Ryan Hursts as Kratos. 23 00:01:33,840 --> 00:01:37,679 Speaker 3: Interestingly, biggest upset I saw her was just people saying 24 00:01:37,760 --> 00:01:41,360 Speaker 3: like they really wanted him to get to play Thor, 25 00:01:42,000 --> 00:01:44,319 Speaker 3: you know, because of what an iconic role that was, 26 00:01:44,400 --> 00:01:46,360 Speaker 3: so people were kind of hoping to see him play that. 27 00:01:46,400 --> 00:01:49,240 Speaker 2: In the series. He's best known probably for being Opie. 28 00:01:49,520 --> 00:01:50,200 Speaker 2: Is he big enough? 29 00:01:51,280 --> 00:01:54,040 Speaker 3: Is he big enough? That's been another question. Now I 30 00:01:54,080 --> 00:01:58,520 Speaker 3: would say this is a great reason to get big Also, 31 00:01:58,680 --> 00:02:02,800 Speaker 3: funny Ryan Hurst half nepo baby. Could you call somebody 32 00:02:02,800 --> 00:02:05,400 Speaker 3: who was the son of Cletus on The Jukes of 33 00:02:05,440 --> 00:02:07,720 Speaker 3: Hazard a Nepo baby? I don't know, but it's for 34 00:02:07,760 --> 00:02:10,920 Speaker 3: a funny fact. He's he's forty nine too, so I 35 00:02:10,919 --> 00:02:13,240 Speaker 3: think this tells us that we're gonna get some kind of. 36 00:02:13,240 --> 00:02:16,760 Speaker 2: Dad Cratos vibes. I mean, I'm just I love these 37 00:02:16,800 --> 00:02:17,640 Speaker 2: games so much. 38 00:02:17,680 --> 00:02:19,480 Speaker 3: I think it's gonna be very hard to adapt, but 39 00:02:19,520 --> 00:02:21,760 Speaker 3: I'm glad somewhere with as much money as Amazon is 40 00:02:21,760 --> 00:02:24,760 Speaker 3: adapting it. So this leaves me neutral on the feeling 41 00:02:24,760 --> 00:02:26,600 Speaker 3: of the show, but I'm interested to see where it 42 00:02:26,600 --> 00:02:26,920 Speaker 3: goes next. 43 00:02:27,000 --> 00:02:29,320 Speaker 1: And whatever the case, they can do the digital abs right, 44 00:02:29,360 --> 00:02:31,880 Speaker 1: they can just like put the with the plastic ab 45 00:02:31,919 --> 00:02:34,760 Speaker 1: piece like over the over the shoulder gauntlet. 46 00:02:35,480 --> 00:02:38,480 Speaker 3: Okay, wait wait wait, yes, Aboo wants to know what 47 00:02:38,680 --> 00:02:40,480 Speaker 3: is there to adapt about these games? 48 00:02:40,520 --> 00:02:41,480 Speaker 2: And I love this question. 49 00:02:41,520 --> 00:02:44,760 Speaker 3: If it's already a narrative game, what obviously apart from 50 00:02:44,800 --> 00:02:47,440 Speaker 3: just like making money, Jason, what is your pitch to me? 51 00:02:48,840 --> 00:02:51,200 Speaker 3: I mean, like, like, do you see it like Fallout 52 00:02:51,200 --> 00:02:54,720 Speaker 3: where you're kind of expanding and telling new stories like Aboos, 53 00:02:54,800 --> 00:02:56,919 Speaker 3: like the game is already there, Yeah, but you can 54 00:02:57,040 --> 00:02:57,760 Speaker 3: I understand that. 55 00:02:57,840 --> 00:03:00,640 Speaker 1: I can't just take the game script and then like 56 00:03:00,880 --> 00:03:03,640 Speaker 1: copy paste and then put it like you Actually, somebody 57 00:03:03,639 --> 00:03:07,400 Speaker 1: has to do any everything, and there's you can't rely 58 00:03:07,600 --> 00:03:12,399 Speaker 1: on twenty minute boss fights to like carry the story 59 00:03:12,440 --> 00:03:14,640 Speaker 1: of an episode. It's gonna have to be something else, right, 60 00:03:14,680 --> 00:03:16,480 Speaker 1: So there's gonna have to be writing around it. The 61 00:03:16,560 --> 00:03:20,200 Speaker 1: fights are surely going to be incredible, but creatures have 62 00:03:20,280 --> 00:03:22,240 Speaker 1: The creatures are going to be incredible, but it's not 63 00:03:22,400 --> 00:03:26,639 Speaker 1: gonna be the whole thing. And you know, I would 64 00:03:26,720 --> 00:03:33,160 Speaker 1: expect that, I guess it depends. I would expect the 65 00:03:33,240 --> 00:03:37,240 Speaker 1: actual relationships Creatos and his sons, dead wife. I would 66 00:03:37,280 --> 00:03:41,600 Speaker 1: expect all that stuff to be significantly fleshed out where 67 00:03:42,200 --> 00:03:45,440 Speaker 1: you know in the video game, it's delivered linearly in 68 00:03:45,520 --> 00:03:47,640 Speaker 1: these kind of moments as you're walking to and from 69 00:03:47,760 --> 00:03:50,080 Speaker 1: missions and these cutscenes. That stuff is going to be 70 00:03:50,120 --> 00:03:51,800 Speaker 1: made much more IMMERSI and organic. 71 00:03:52,840 --> 00:03:53,960 Speaker 2: Yeah, I'm really excited. 72 00:03:54,000 --> 00:03:56,280 Speaker 3: I've been playing these games since they came out. It's 73 00:03:56,320 --> 00:03:59,800 Speaker 3: one of the few Triple A game series I always play. Yeah, 74 00:03:59,880 --> 00:04:02,360 Speaker 3: I'm interested to see where it goes. And Prime is 75 00:04:02,400 --> 00:04:05,960 Speaker 3: apparently just like banging out the news. This week, it's 76 00:04:06,000 --> 00:04:07,240 Speaker 3: been a big Prime news week. 77 00:04:08,560 --> 00:04:13,000 Speaker 1: Up next Prime Video in signs further signs of our 78 00:04:14,000 --> 00:04:18,520 Speaker 1: looming Dysobia Green Lights. Fallout Shelter a reality show based 79 00:04:18,560 --> 00:04:22,599 Speaker 1: on the Fallout Shelter, the wonderful and addictive Fallout Shelter 80 00:04:22,680 --> 00:04:27,080 Speaker 1: mobile game. A friend of mine recently saw a casting. 81 00:04:26,760 --> 00:04:28,080 Speaker 2: Notus for this. 82 00:04:30,240 --> 00:04:32,000 Speaker 1: Here is the log line of the show, ten parts 83 00:04:32,040 --> 00:04:33,320 Speaker 1: series based on Fallout Shelter. 84 00:04:34,120 --> 00:04:34,440 Speaker 2: Quote. 85 00:04:34,480 --> 00:04:38,520 Speaker 1: A group of contestants take part in escalating challenges, strategic dilemmas, 86 00:04:38,560 --> 00:04:41,640 Speaker 1: and moral crossroads as they chase a cash prize, which 87 00:04:41,680 --> 00:04:44,800 Speaker 1: is just like what Fallout Shelter is about a cash prize. 88 00:04:44,839 --> 00:04:49,920 Speaker 3: I know, I'm worried, Jason, because how far away are 89 00:04:49,960 --> 00:04:53,799 Speaker 3: we from these moral crossroads just becoming like killing someone 90 00:04:53,839 --> 00:04:56,479 Speaker 3: live on TV. We know the Mister Beast show had 91 00:04:56,680 --> 00:05:00,360 Speaker 3: so many bad issues behind the scenes, know that the 92 00:05:00,400 --> 00:05:03,200 Speaker 3: Squid Game reality show ended up being really popular, even 93 00:05:03,240 --> 00:05:06,240 Speaker 3: though that in itself is so fucking bleak and dystopian. 94 00:05:06,640 --> 00:05:09,800 Speaker 3: This feels like another step towards us getting to basically 95 00:05:09,920 --> 00:05:12,760 Speaker 3: like a modern version of like Faces of Death. And 96 00:05:12,800 --> 00:05:15,200 Speaker 3: they're just gonna be showing it like Running Man on TV. 97 00:05:15,440 --> 00:05:17,719 Speaker 3: Like how many of these are they gonna make? It's crazy? 98 00:05:18,839 --> 00:05:22,520 Speaker 1: Next up, The Pit Season two premiere hits five point 99 00:05:22,560 --> 00:05:25,240 Speaker 1: four million viewers in three days. This is up two 100 00:05:25,320 --> 00:05:25,919 Speaker 1: hundred percent. 101 00:05:26,640 --> 00:05:26,760 Speaker 3: Uh. 102 00:05:26,960 --> 00:05:29,960 Speaker 1: This from Variety came out of the show. Second season 103 00:05:30,000 --> 00:05:32,600 Speaker 1: came out on January eighth. In the opening episode hit 104 00:05:32,640 --> 00:05:35,560 Speaker 1: five point four million viewers over three days. How exactly 105 00:05:35,600 --> 00:05:38,120 Speaker 1: do we measure this? Where are these metrics coming from? 106 00:05:38,600 --> 00:05:43,200 Speaker 1: That's always a huge question we don't actually know, but 107 00:05:44,080 --> 00:05:50,160 Speaker 1: huge number and certainly the kind of like anecdotal discussions online. Uh, 108 00:05:50,320 --> 00:05:52,440 Speaker 1: and just conversations I'm having with my friend kind of 109 00:05:52,480 --> 00:05:55,960 Speaker 1: backup that this is a monster show. Although I will 110 00:05:55,960 --> 00:05:58,839 Speaker 1: be honest with you, way too stressful for me currently. 111 00:05:59,680 --> 00:06:03,360 Speaker 1: I was gonna say, Jason, the stress t TV era 112 00:06:03,520 --> 00:06:06,440 Speaker 1: might be over. If you are living somewhere like LA 113 00:06:06,560 --> 00:06:08,520 Speaker 1: or Minnesota, or anywhere in the world where you are 114 00:06:08,520 --> 00:06:11,039 Speaker 1: paying attention to things, you may not be able to 115 00:06:11,120 --> 00:06:13,520 Speaker 1: enjoy this show. I am interested to see how big 116 00:06:14,000 --> 00:06:16,760 Speaker 1: the second episode hits, because literally everyone. 117 00:06:16,400 --> 00:06:19,479 Speaker 2: I know is like, Wow, I love that show. 118 00:06:19,520 --> 00:06:21,440 Speaker 3: It's so well made, And I fucking wish I didn't 119 00:06:21,440 --> 00:06:24,240 Speaker 3: watch that first episode because it's too stressful, and that 120 00:06:24,320 --> 00:06:25,360 Speaker 3: is where I am at right now. 121 00:06:25,480 --> 00:06:28,039 Speaker 1: And the other thing is like I'm watching It's like 122 00:06:28,080 --> 00:06:31,400 Speaker 1: I'm watching them twist along in the open like chest 123 00:06:31,440 --> 00:06:34,720 Speaker 1: of a patient, and I'm horrifying on two levels. One 124 00:06:34,760 --> 00:06:38,680 Speaker 1: It's gory and stressful and disgusting, and secondarily, I'm thinking 125 00:06:38,760 --> 00:06:40,920 Speaker 1: that guy is now bankrupt, that guy and now will lose. 126 00:06:41,120 --> 00:06:43,640 Speaker 2: Yes, exactly that that's the worst thing. 127 00:06:43,760 --> 00:06:47,200 Speaker 3: You can't stop thinking about the reality. Very depressing, but 128 00:06:47,920 --> 00:06:50,480 Speaker 3: I mean, we know it's a monster show. One five Emmys, 129 00:06:50,520 --> 00:06:53,760 Speaker 3: including Best Drama Series Best Lead Act for Noah Wiley got. 130 00:06:53,560 --> 00:06:55,560 Speaker 2: The same awards at the Golden Globes. It's on a tear. 131 00:06:55,640 --> 00:06:58,839 Speaker 3: It's gonna keep being big, but yes, I will stick 132 00:06:59,080 --> 00:07:01,440 Speaker 3: to my cozy tool boy who likes to eat pastries. 133 00:07:01,480 --> 00:07:04,520 Speaker 2: So dunk the toll for now. That's more my speed. 134 00:07:04,360 --> 00:07:08,880 Speaker 1: Up next And we were right news, Oh shit, right 135 00:07:08,760 --> 00:07:15,720 Speaker 1: right about industry. Lucasfilm leader Kathleen Kennedy is stepping down 136 00:07:15,800 --> 00:07:19,360 Speaker 1: and she is being replaced by Dave Filoni on the 137 00:07:19,400 --> 00:07:24,360 Speaker 1: creative side and lynn Wyn Brennan on the business side. 138 00:07:24,400 --> 00:07:26,400 Speaker 1: And these are your new Star Wars bosses. 139 00:07:26,680 --> 00:07:27,080 Speaker 2: Folks. 140 00:07:27,160 --> 00:07:30,280 Speaker 1: We predicted this in our Stockwatch episode. 141 00:07:30,480 --> 00:07:35,640 Speaker 2: Liter came out yesterday. We were right, we were right. 142 00:07:36,240 --> 00:07:37,000 Speaker 2: Thoughts about this. 143 00:07:37,640 --> 00:07:39,000 Speaker 3: I think you know we talked about it on the 144 00:07:39,000 --> 00:07:41,400 Speaker 3: Stockwatch episode. Go listen to it, Go get your news 145 00:07:41,440 --> 00:07:44,520 Speaker 3: two days before it happens. That's basically what happens on 146 00:07:44,640 --> 00:07:47,320 Speaker 3: X ray Vision apparently in twenty twenty six. I'm happy 147 00:07:47,320 --> 00:07:49,600 Speaker 3: for Kathleen. She's one of the greatest producers of all times. 148 00:07:49,640 --> 00:07:51,440 Speaker 3: She's made her hits. Let her be free, let her 149 00:07:51,440 --> 00:07:53,960 Speaker 3: live away from the Internet, Charles, Dave Filoni knows what 150 00:07:54,000 --> 00:07:56,000 Speaker 3: he's doing. Story Wise, we want more rebels, we want 151 00:07:56,040 --> 00:07:59,280 Speaker 3: more character focus stories that can expand the universe. Lenw 152 00:07:59,320 --> 00:08:01,640 Speaker 3: and Brennan, let's have a business person in that. I'm 153 00:08:01,680 --> 00:08:03,640 Speaker 3: glad they chose another woman. I'm glad they didn't just 154 00:08:03,680 --> 00:08:07,320 Speaker 3: completely replace Kennedy without any acknowledgment of the fact that 155 00:08:07,360 --> 00:08:08,640 Speaker 3: it was a huge deal for had to be there 156 00:08:08,680 --> 00:08:10,600 Speaker 3: as a woman at the head of Lucasfilm And I'm 157 00:08:10,640 --> 00:08:13,200 Speaker 3: excited see what happens next. But make something, guys, we 158 00:08:13,320 --> 00:08:15,800 Speaker 3: got to stop putting some stuff out. So Jason, how 159 00:08:15,840 --> 00:08:17,520 Speaker 3: do you feel about the future of Star Wars? Is 160 00:08:17,560 --> 00:08:19,640 Speaker 3: this you know they'll stop watch vibe? Is it going 161 00:08:19,760 --> 00:08:21,680 Speaker 3: up with the confirmation of this news you buy in 162 00:08:21,720 --> 00:08:23,520 Speaker 3: a little bit more? 163 00:08:22,440 --> 00:08:26,440 Speaker 1: I think it's I would buy the bump right now. 164 00:08:26,560 --> 00:08:29,240 Speaker 1: I think it's a great bump. I think there's a 165 00:08:29,280 --> 00:08:35,640 Speaker 1: lot of steaks in the coming calendar year plus for 166 00:08:35,880 --> 00:08:39,520 Speaker 1: Star Wars, and we wait and see it. 167 00:08:39,559 --> 00:08:39,760 Speaker 3: You know. 168 00:08:39,960 --> 00:08:47,079 Speaker 1: I think the Mando movie many were underwhelmed by the trailer. 169 00:08:47,280 --> 00:08:50,719 Speaker 1: Me included it looked like the show. 170 00:08:50,600 --> 00:08:52,040 Speaker 2: More of a TV vibe. 171 00:08:52,440 --> 00:08:54,360 Speaker 1: And we will see. We have not seen any other 172 00:08:54,440 --> 00:09:00,400 Speaker 1: trailers yet, but I await those and certainly listen, this 173 00:09:00,600 --> 00:09:04,920 Speaker 1: is something Folony in charge that Star Wars fans, many 174 00:09:05,000 --> 00:09:08,880 Speaker 1: Star Wars fans have been clamoring for for fifteen years, 175 00:09:08,880 --> 00:09:12,040 Speaker 1: for a long time, at least a long long time, 176 00:09:12,160 --> 00:09:14,440 Speaker 1: and now we're getting it. I'm eager to see what 177 00:09:14,520 --> 00:09:14,880 Speaker 1: he does. 178 00:09:16,120 --> 00:09:19,200 Speaker 3: Also as well, I will say that Kathleen gave a 179 00:09:19,240 --> 00:09:23,320 Speaker 3: great exit interview at Deadline, and she did say about Brennan, 180 00:09:23,360 --> 00:09:25,600 Speaker 3: who is a bit more of a kind of unknown quantity. 181 00:09:26,040 --> 00:09:29,480 Speaker 3: She has been sixteen years at ILM as the general 182 00:09:29,520 --> 00:09:32,920 Speaker 3: manager and then transitioned into the general manager as Lucasfilm, 183 00:09:33,280 --> 00:09:36,080 Speaker 3: and Kathleen calls her her key financial partner and my 184 00:09:36,120 --> 00:09:39,040 Speaker 3: business partner running the company. This is key because I 185 00:09:39,080 --> 00:09:40,840 Speaker 3: know we always ragged. They haven't been putting out these 186 00:09:40,880 --> 00:09:42,640 Speaker 3: Star Wars movies, but you know what they didn't do. 187 00:09:43,040 --> 00:09:44,640 Speaker 3: They didn't make ten Star. 188 00:09:44,480 --> 00:09:46,439 Speaker 2: Wars movies that all half performed. 189 00:09:46,679 --> 00:09:49,840 Speaker 3: Lucasfilm kept its money in movies in its bag and 190 00:09:49,920 --> 00:09:52,520 Speaker 3: practiced their shit on TV. Had a few TV shows 191 00:09:52,520 --> 00:09:54,320 Speaker 3: that did work didn't work, but they never had that 192 00:09:54,360 --> 00:09:57,880 Speaker 3: financial foll off that the MCU had. So I think 193 00:09:57,880 --> 00:10:01,360 Speaker 3: that bringing her in is very smart. And obviously you 194 00:10:01,400 --> 00:10:05,440 Speaker 3: know Dave Filoni, Pablo Hidalgo, they are the men who 195 00:10:05,520 --> 00:10:07,760 Speaker 3: know all the law and the cannon and everything. So 196 00:10:08,040 --> 00:10:09,880 Speaker 3: together I think this could be very interesting. 197 00:10:10,280 --> 00:10:22,920 Speaker 1: Let's take a quick break when we read that, and 198 00:10:22,960 --> 00:10:28,839 Speaker 1: we're back up next. Ted Surrandos, in turning one hundred 199 00:10:28,880 --> 00:10:32,480 Speaker 1: and eighty degrees around news, has said to The New 200 00:10:32,559 --> 00:10:36,080 Speaker 1: York Times, as reported by Deadline and other places, that 201 00:10:36,200 --> 00:10:40,800 Speaker 1: Netflix will absolutely, despite everything that he's said and stood 202 00:10:40,800 --> 00:10:44,760 Speaker 1: for over the last decade, will commit to a forty 203 00:10:44,800 --> 00:10:52,319 Speaker 1: five day theatrical release window once his purchase of Warner 204 00:10:52,320 --> 00:10:56,520 Speaker 1: Brothers is through. He promises, He pinky swears, He swears 205 00:10:56,559 --> 00:10:58,000 Speaker 1: to God that he's gonna do it. 206 00:10:59,200 --> 00:11:02,000 Speaker 3: I like the that he's like not yet, Like, I'm 207 00:11:02,000 --> 00:11:05,120 Speaker 3: not gonna start doing it Netflix to prove that I'm committed. 208 00:11:05,320 --> 00:11:07,480 Speaker 3: I'm gonna do it if you let me buy this company, 209 00:11:07,520 --> 00:11:09,040 Speaker 3: where then I will be in charge and won't have 210 00:11:09,080 --> 00:11:11,320 Speaker 3: to do it. JAYSI, you know we're living in a 211 00:11:11,320 --> 00:11:15,920 Speaker 3: post heated rivalry time. Multiple people and do not google 212 00:11:15,960 --> 00:11:18,960 Speaker 3: this unless you are over eighteen have been recommending to 213 00:11:19,040 --> 00:11:21,760 Speaker 3: me and my pals a book called The Morning Glory 214 00:11:21,760 --> 00:11:24,720 Speaker 3: Milking Farm. We are in a smart friendly time, Jason, 215 00:11:24,960 --> 00:11:27,320 Speaker 3: We are pro smart. So I would like you to 216 00:11:27,400 --> 00:11:29,400 Speaker 3: give your take on what you feel like. Ted surround 217 00:11:29,480 --> 00:11:30,959 Speaker 3: Us is really saying here that you put in the 218 00:11:30,960 --> 00:11:33,400 Speaker 3: group chat because I was absolutely dying today. 219 00:11:33,600 --> 00:11:36,040 Speaker 1: Well, first, let me read his quote in New York 220 00:11:36,080 --> 00:11:38,560 Speaker 1: Times quote, we will run that business largely like it 221 00:11:38,600 --> 00:11:41,360 Speaker 1: is today, with forty five day windows, largely, by the way, 222 00:11:41,400 --> 00:11:41,839 Speaker 1: doing a. 223 00:11:41,960 --> 00:11:48,200 Speaker 2: Huge amount of carrying of weight fifty one percent. How 224 00:11:48,280 --> 00:11:50,679 Speaker 2: much is largely I'm giving you a hard number. 225 00:11:52,000 --> 00:11:55,160 Speaker 1: Okay, if we're going to be in the theatrical business, 226 00:11:55,200 --> 00:11:57,680 Speaker 1: we want to win. I want to win opening weekend. 227 00:11:57,800 --> 00:12:01,480 Speaker 1: I want to win box office. Now what happens when 228 00:12:01,559 --> 00:12:03,840 Speaker 1: he looks at it and says, well, you know what, 229 00:12:03,880 --> 00:12:07,520 Speaker 1: our internal data tells us that actually, like we try 230 00:12:07,559 --> 00:12:10,360 Speaker 1: the forty five, but like thirty is better or twenty 231 00:12:10,360 --> 00:12:14,200 Speaker 1: five or something. I'll just say this, Ted Sarandos is 232 00:12:15,559 --> 00:12:18,160 Speaker 1: It's one thirty am at the bar, and Ted Sarandos 233 00:12:18,280 --> 00:12:23,280 Speaker 1: is trying to seal the fucking deal. It's hard for 234 00:12:23,320 --> 00:12:26,200 Speaker 1: me not to feel like this guy won't say anything 235 00:12:26,240 --> 00:12:28,400 Speaker 1: to get this deal done right at this moment, What 236 00:12:28,600 --> 00:12:32,040 Speaker 1: exactly are the mechanisms in place that will that will 237 00:12:32,120 --> 00:12:36,200 Speaker 1: keep Ted to his word? What is he if Ted 238 00:12:36,280 --> 00:12:38,280 Speaker 1: goes back on the forty five day, He's gonna be 239 00:12:38,320 --> 00:12:40,560 Speaker 1: the first guy ever to like go back on his word. 240 00:12:40,600 --> 00:12:43,240 Speaker 2: I don't think so, right, I. 241 00:12:43,200 --> 00:12:49,440 Speaker 1: Have I have doubts that Netflix, who has been so 242 00:12:49,880 --> 00:12:54,120 Speaker 1: eager to kill the theatrical experience for for a long 243 00:12:54,200 --> 00:12:57,920 Speaker 1: time now, is suddenly very much a fan of it. 244 00:12:57,960 --> 00:13:00,240 Speaker 2: I have trouble believing that, but we will see. 245 00:13:00,640 --> 00:13:04,640 Speaker 3: Yeah, your thoughts it is hard to believe. I mean, 246 00:13:04,720 --> 00:13:06,960 Speaker 3: my thoughts here are pretty much this is probably his 247 00:13:07,120 --> 00:13:09,280 Speaker 3: version of what happened with Zaslav. I'm guessing a few 248 00:13:09,280 --> 00:13:11,320 Speaker 3: different big directors called him and we're like, hey, don't 249 00:13:11,320 --> 00:13:13,040 Speaker 3: be doing this shit, and he said, yeah, of course 250 00:13:13,160 --> 00:13:18,120 Speaker 3: Steven Spielberg hypothetically, not fact check, just me guessing, uh 251 00:13:18,520 --> 00:13:22,160 Speaker 3: that yeah, Christopher Nolan hypothetically, of course, I would never 252 00:13:22,200 --> 00:13:24,160 Speaker 3: take these movies out of the cinema. Of course I 253 00:13:24,200 --> 00:13:26,240 Speaker 3: want to work with you, like I agree with you. 254 00:13:26,320 --> 00:13:29,600 Speaker 3: It sounds like something he's just saying, especially seeing as 255 00:13:29,600 --> 00:13:31,760 Speaker 3: he still doesn't know how to actually roll out a 256 00:13:31,800 --> 00:13:34,920 Speaker 3: movie now. Luckily, as I have spoken with friends about, 257 00:13:35,160 --> 00:13:37,400 Speaker 3: Warner Brothers has a whole department for doing that. So 258 00:13:37,480 --> 00:13:39,640 Speaker 3: my dream is that Netflix and Warner Brothers, if they 259 00:13:39,640 --> 00:13:42,600 Speaker 3: do combine, could become a more powerhouse space for the cinema. 260 00:13:42,640 --> 00:13:44,240 Speaker 3: But of course we know that that will have to 261 00:13:44,240 --> 00:13:47,680 Speaker 3: be proven by actions and not just like Pully quote. 262 00:13:47,360 --> 00:13:50,520 Speaker 2: That's right, we will see, we will see, we will see. 263 00:13:50,880 --> 00:13:55,319 Speaker 1: It reminds me of you know, the Meatloaf Yes song 264 00:13:55,360 --> 00:13:59,040 Speaker 1: where it's like we were do No No, the one 265 00:13:59,080 --> 00:14:02,120 Speaker 1: that's like uh, you know, like I forget the name 266 00:14:02,160 --> 00:14:04,559 Speaker 1: of it, but you know the guy is trying to 267 00:14:04,559 --> 00:14:07,960 Speaker 1: get ladies like uh, and and the woman is saying 268 00:14:08,400 --> 00:14:10,960 Speaker 1: do you love me? Do you love me forever? And 269 00:14:11,000 --> 00:14:15,120 Speaker 1: the guy is saying, let me sleep on it. I 270 00:14:15,120 --> 00:14:19,040 Speaker 1: think that's like a little bit tis Paradise by the 271 00:14:19,080 --> 00:14:21,640 Speaker 1: dashboard light, Thank you very much. Hair. Yes, it's very 272 00:14:21,720 --> 00:14:23,000 Speaker 1: much like that musician. 273 00:14:23,160 --> 00:14:25,440 Speaker 2: Listen. I just I don't know. 274 00:14:25,760 --> 00:14:29,080 Speaker 1: All of a sudden, Ted believes the exact opposite of. 275 00:14:29,080 --> 00:14:33,920 Speaker 2: What giving is it giving a guy at the bar? 276 00:14:34,240 --> 00:14:38,760 Speaker 3: Yeah, reading like the you know, the the like ethical 277 00:14:38,800 --> 00:14:41,920 Speaker 3: slut talking about his favorite director is great to get 278 00:14:41,920 --> 00:14:42,760 Speaker 3: with the guy behind the bar. 279 00:14:42,880 --> 00:14:44,960 Speaker 2: Yes, it does read like that. I'm not gonna lie, 280 00:14:45,040 --> 00:14:45,800 Speaker 2: but you know what. 281 00:14:45,680 --> 00:14:50,000 Speaker 1: We'll see what happens, we will see. And lastly, we 282 00:14:50,080 --> 00:14:52,040 Speaker 1: have our third tomb Raider. 283 00:14:53,240 --> 00:14:55,800 Speaker 2: I gotta say I was very surprised by how good 284 00:14:55,800 --> 00:14:56,200 Speaker 2: this looks. 285 00:14:56,400 --> 00:14:59,280 Speaker 3: I did not expect Sophie Tanner to be looking this 286 00:14:59,400 --> 00:15:01,880 Speaker 3: good as lark. This feels actually like they put some 287 00:15:01,920 --> 00:15:04,960 Speaker 3: money into it. I was a I'm a Lara Croft fan. 288 00:15:04,920 --> 00:15:05,600 Speaker 2: Of the games. 289 00:15:05,680 --> 00:15:08,520 Speaker 3: Obviously huge game for me, puzzle game. I had a 290 00:15:08,520 --> 00:15:10,720 Speaker 3: PC that I won from a magazine by drawing a 291 00:15:10,720 --> 00:15:15,040 Speaker 3: scary photo, and of course loved that game. And I've 292 00:15:15,160 --> 00:15:18,000 Speaker 3: I really that Angelina Jolie Wan's not good movies, but 293 00:15:18,120 --> 00:15:19,760 Speaker 3: very campy and fun her accent. 294 00:15:19,920 --> 00:15:22,120 Speaker 2: Oh, I'm Lara Croft, Darling, I've got to go raid 295 00:15:22,200 --> 00:15:25,000 Speaker 2: some tombs, like very fun. What about I'm a the 296 00:15:25,120 --> 00:15:25,760 Speaker 2: Canda fan. 297 00:15:25,920 --> 00:15:28,600 Speaker 3: I wish that the second Vic Canda movie was had 298 00:15:28,600 --> 00:15:31,640 Speaker 3: actually come out, which was gonna be directed by the 299 00:15:31,680 --> 00:15:34,200 Speaker 3: director of kill List, who I just think is so brilliant, 300 00:15:35,160 --> 00:15:36,920 Speaker 3: So I would have loved to see that. But you 301 00:15:36,960 --> 00:15:39,760 Speaker 3: know what the truth is that I think this actually 302 00:15:39,800 --> 00:15:43,760 Speaker 3: looks interesting. It looks very game coded. We were correcting 303 00:15:43,760 --> 00:15:46,920 Speaker 3: a lot of jokes because it's like so game like. 304 00:15:46,960 --> 00:15:49,520 Speaker 3: It seems so game realistic that now the big joke 305 00:15:49,560 --> 00:15:52,520 Speaker 3: online is like, oh, no triangle boobs. I guess that's woke. 306 00:15:52,920 --> 00:15:54,840 Speaker 3: It's like they're just real boobs. But you know, it 307 00:15:54,880 --> 00:15:57,560 Speaker 3: does feel it feels that real. Jason, how about you 308 00:15:57,600 --> 00:16:00,760 Speaker 3: This is also written by you know Bag. This is 309 00:16:00,760 --> 00:16:03,400 Speaker 3: written by Phoebe waller Bridge. What do you expect from this? 310 00:16:03,520 --> 00:16:07,960 Speaker 1: We've been waiting a long time. I don't think it's 311 00:16:08,400 --> 00:16:11,800 Speaker 1: I don't think it's overly harsh to say Phoebe's post 312 00:16:11,880 --> 00:16:17,400 Speaker 1: Flea Bag output has been underwhelming. Yes, and coming off 313 00:16:17,440 --> 00:16:20,520 Speaker 1: of what I thought was like really a paradigm shifting 314 00:16:22,520 --> 00:16:26,160 Speaker 1: a show in Fleabag, a show that from the writing 315 00:16:26,200 --> 00:16:34,200 Speaker 1: and performing angle was truly brilliant. I don't think that. Again, 316 00:16:34,240 --> 00:16:36,000 Speaker 1: I don't think it's too much to say that it's 317 00:16:36,040 --> 00:16:38,760 Speaker 1: it's been an underwhelming output. In our chat is saying 318 00:16:38,800 --> 00:16:41,320 Speaker 1: that the Indiana Jones movie was very rough, and indeed 319 00:16:41,360 --> 00:16:45,960 Speaker 1: it was so listen I have I have. I have 320 00:16:46,320 --> 00:16:49,080 Speaker 1: immensely high hopes. I think that, like you, I think 321 00:16:49,080 --> 00:16:51,280 Speaker 1: the picture looks good. I'll wait for a trailer, but 322 00:16:51,320 --> 00:16:54,760 Speaker 1: I'm waiting for that kind of I'm waiting for that 323 00:16:56,440 --> 00:17:03,440 Speaker 1: slyly subversive. I need the bite biting edge of Phoebe 324 00:17:03,440 --> 00:17:06,479 Speaker 1: waller Bridge to return in this tune Raider, and I 325 00:17:06,520 --> 00:17:10,000 Speaker 1: hope it does. I've got high host because I have 326 00:17:10,040 --> 00:17:12,760 Speaker 1: been disappointed. Okay, that's it for news. On the next 327 00:17:12,760 --> 00:17:15,399 Speaker 1: week's episodes of X ray Vision were beginning our coverage 328 00:17:15,440 --> 00:17:17,439 Speaker 1: of a Night of the Seven Kingdom stay tuned for that. 329 00:17:17,480 --> 00:17:21,359 Speaker 1: We'll have two episodes coming out as we follow Night 330 00:17:21,400 --> 00:17:23,760 Speaker 1: of the Seven Kingdoms through its debut season, and of 331 00:17:23,800 --> 00:17:26,400 Speaker 1: course we're continuer coverage of Fallout. That's a for news folks. 332 00:17:26,400 --> 00:17:34,800 Speaker 1: Thanks for listening. Bye. X ray Vision is hosted by 333 00:17:34,880 --> 00:17:37,439 Speaker 1: Jason Sepcion and Rosie Knight and is a production of 334 00:17:37,480 --> 00:17:38,480 Speaker 1: iHeart Podcasts. 335 00:17:38,760 --> 00:17:42,360 Speaker 3: Our executive producers are Joe Alminique and Aaron Kolefman. 336 00:17:42,600 --> 00:17:44,920 Speaker 1: Our supervising producer is Abuza. 337 00:17:44,480 --> 00:17:48,960 Speaker 3: Par Our producers are Common Laurent Dean Jonathan and Bay Wag. 338 00:17:49,080 --> 00:17:51,880 Speaker 1: Our theme song is by Brian Vasquez, with alternate theme 339 00:17:51,920 --> 00:17:53,200 Speaker 1: songs by Aaron Kaufman. 340 00:17:53,359 --> 00:17:56,840 Speaker 3: Special thanks to Soul Rubin, Chris Lord, Kenny Goodman. 341 00:17:56,640 --> 00:17:58,680 Speaker 2: And Hide. Our disc called moderate, though