WEBVTT - Owen Elliot-Kugell

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<v Speaker 1>Welcome, Welcome, Welcome back to the Bob left Setts Podcast.

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<v Speaker 1>My guest today is Owen Elliott Kogle, who has a

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<v Speaker 1>new book, My Mama Cass Owen. Why the book? Why now?

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<v Speaker 2>Well? I wanted to tell my mom's story because she

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<v Speaker 2>didn't live long enough to tell it herself. Why now

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<v Speaker 2>I finished it. I've been working on her off and

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<v Speaker 2>on for about fifteen years. It wasn't really intended to

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<v Speaker 2>come out at any special time or anything like that.

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<v Speaker 2>It's just happened to me when it's finished, and it

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<v Speaker 2>is coinciding with, unfortunately, the fiftieth anniversary in air quotes

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<v Speaker 2>of my mother's passing. So I guess in life there

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<v Speaker 2>aren't any accidents, right.

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<v Speaker 1>So you wrote the book without a publishing deal, and

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<v Speaker 1>when you finished it you got a deal.

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<v Speaker 2>No, I actually did get a publishing deal, and I

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<v Speaker 2>was hooked up with it with a wonderful agent who

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<v Speaker 2>helped me figure out how to put it in some

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<v Speaker 2>kind of a proposal format. And then we then got

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<v Speaker 2>the deal with Hashet, And at that point I hired

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<v Speaker 2>a collaborative editor named Hope Edelman, who wrote a fabulous

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<v Speaker 2>book called Motherless Daughters, enjoying its thirtieth year in publication

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<v Speaker 2>this year, and Hope and I worked together for just

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<v Speaker 2>about half the book, and then I did the second

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<v Speaker 2>half without her, and she and I worked together in

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<v Speaker 2>the fashion that I would write a bunch of stuff

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<v Speaker 2>and it was like a live Google doc, and she

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<v Speaker 2>would correct it like a teacher. It was like going

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<v Speaker 2>back to school. It was great.

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<v Speaker 1>Okay. One of the points you make in the book

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<v Speaker 1>that the rumor that your mother died because she choked

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<v Speaker 1>on a ham sandwich is untrue. What is the true

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<v Speaker 1>story and how did you uncover the truth story?

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<v Speaker 2>Well, the truth is that she had a heart attack.

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<v Speaker 2>That is absolutely what the autopsy report states. I found

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<v Speaker 2>out the truth sort of on the by and by

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<v Speaker 2>because I had been friendly with and kept in touch

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<v Speaker 2>with a few of my mom's friends, and one of

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<v Speaker 2>them was a woman named Sue Cameron, who is a journalist.

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<v Speaker 2>And I was at lunch with Sue in like two thousand,

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<v Speaker 2>I guess, and I remember saying to her, somewhat offhandedly, Gosh,

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<v Speaker 2>you know, I really wish I knew who wrote that

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<v Speaker 2>rumor about my mom. And she stopped eating and put

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<v Speaker 2>her fork and knife down and looked at me and

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<v Speaker 2>she went, I did it? I said what? And she

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<v Speaker 2>told me that when my mom had passed, that she

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<v Speaker 2>had spoken with my mom's manager, who didn't really know

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<v Speaker 2>what to do or what to say, and whose main

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<v Speaker 2>concern was that people weren't going to lump her in

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<v Speaker 2>with so many of her contemporaries who had passed, you know,

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<v Speaker 2>due to drug overdoses, and we didn't know what had happened,

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<v Speaker 2>you know, And it really was about giving the family

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<v Speaker 2>and everybody else a little bit of a moment to

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<v Speaker 2>figure out exactly what had happened, which is that she

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<v Speaker 2>had a heart attack due to some really bad eating

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<v Speaker 2>habits and perhaps, you know, some damage from having a

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<v Speaker 2>lot of fun and partying and questionable substances. I mean,

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<v Speaker 2>it was the sixties and the seventies. You know, it

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<v Speaker 2>would be stupid to think otherwise, So okay.

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<v Speaker 1>Her manager was Alan Carr, who has really kind of

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<v Speaker 1>been forgotten in the sands of time, but was a

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<v Speaker 1>very flamboyant manager movie producer at the time subsequent to

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<v Speaker 1>your mother's death. Did you have any contact with Alan

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<v Speaker 1>Carr discuss any of this.

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<v Speaker 2>I never discussed it with him, although I did meet

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<v Speaker 2>him a couple of times in the mid eighties late eighties,

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<v Speaker 2>when I first came back out to California, I had

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<v Speaker 2>reached out to him and he was, you know, a

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<v Speaker 2>flamboyant man, and I went and hung out with him

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<v Speaker 2>at his house a little bit, and we didn't talk

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<v Speaker 2>about that stuff. Maybe I should have discussed it with him,

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<v Speaker 2>but I was just trying to find my feet and

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<v Speaker 2>meet as many people as I knew, knew my mom,

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<v Speaker 2>and I almost I didn't always have like my questions prepared,

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<v Speaker 2>you know what I mean, But I was trying.

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<v Speaker 1>So in your research for the book, other than the

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<v Speaker 1>ham Sandwich story, what were the most surprising things you

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<v Speaker 1>found out?

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<v Speaker 2>Well, I keep reverting back to the discovery realization that

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<v Speaker 2>my mom had been really fighting a weight problem most

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<v Speaker 2>of her life, and that it had really begun during

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<v Speaker 2>a period of time where she had been staying with

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<v Speaker 2>her grandparents because her new little baby sister was about

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<v Speaker 2>to be born, and my mom had contracted some ringworm

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<v Speaker 2>in some way and that's really really contagious. So she

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<v Speaker 2>was sent to live with her grandparents, who did the

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<v Speaker 2>categoric thing and just fed her all the time, and

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<v Speaker 2>she did what she thought, you know, made them happy,

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<v Speaker 2>and so when she returned home a couple of months later,

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<v Speaker 2>she was noticeably heavier, and her parents did what they

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<v Speaker 2>believed to be the right thing, and it took her

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<v Speaker 2>to the doctor, and in turn, he did what he

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<v Speaker 2>believed to be the right thing, which was put her

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<v Speaker 2>on amphetamine. That discuss was pretty shocking to me, although

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<v Speaker 2>I hesitate to do a lot of blaming, because it's

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<v Speaker 2>all they knew. They didn't have any way of knowing

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<v Speaker 2>that that was going to have a negative effect on someone,

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<v Speaker 2>and I think it did have a negative effect on

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<v Speaker 2>my mom, besides not being able to pay attention in school,

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<v Speaker 2>you know, being like all hyper whatever. It really planted

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<v Speaker 2>the seeds of some really negative stuff. You know, first

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<v Speaker 2>of all, if you're being taken to the doctor, something's

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<v Speaker 2>wrong with you, right, And then to be given this

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<v Speaker 2>message of something's wrong with you. Here, take this pill,

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<v Speaker 2>it's going to fix you. Those are all really super

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<v Speaker 2>dangerous thoughts to be giving an eight year old child.

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<v Speaker 2>So in a nutshell, yeah, that was some of the

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<v Speaker 2>stuff I think that that shocked me, slash surprised me.

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<v Speaker 2>I think the most.

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<v Speaker 1>Okay, I certainly knew your mother's real name was not

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<v Speaker 1>cast but in the book, you explain where can came from?

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<v Speaker 1>Can you tell my audience.

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<v Speaker 2>My grandfather, Philip was the sort of guy who gave

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<v Speaker 2>nicknames to everybody, and he had given my mother the

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<v Speaker 2>nickname Cassandra, after the wild mad Greek goddess Cassandra, So

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<v Speaker 2>he would call her Cassandra all the time, and so

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<v Speaker 2>she adopted that as her stage name and then with

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<v Speaker 2>her as far as her last name was concerned, what

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<v Speaker 2>she told me was that she had that she'd had

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<v Speaker 2>a friend with the last name of Elliott who had

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<v Speaker 2>passed away in a car accident, and that she had

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<v Speaker 2>used that name in order to pay tribute to that person.

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<v Speaker 2>I don't know if that's true or not, but that's

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<v Speaker 2>what that's what she told me.

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<v Speaker 1>Okay, you're born and your last name is Hendrix with

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<v Speaker 1>an icks, not like the guitarist, and explain where that

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<v Speaker 1>came from.

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<v Speaker 2>Well, one of my mom's first groups that she was

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<v Speaker 2>in was a group called the Big Three. And as

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<v Speaker 2>the name would suggest, there were three people in the band,

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<v Speaker 2>two general, two men, and my mom. And uh, this

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<v Speaker 2>was you know, in the early sixties, around the time

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<v Speaker 2>of the draft of the Vietnam War, and they were

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<v Speaker 2>singing together and one of the members, Jim Hendrix, got

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<v Speaker 2>the draft notice and it was at a point where

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<v Speaker 2>single men were the number one that were being being

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<v Speaker 2>drafted and if you were married, you were probably going

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<v Speaker 2>to be okay. And my mom and James Hendrix aka

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<v Speaker 2>Jim Hendrix were married and a platonic It was a

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<v Speaker 2>platonic move, you know, was to keep him out of

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<v Speaker 2>the draft and it you know, Jim says that they

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<v Speaker 2>had a lot of fun with being quote unquote married,

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<v Speaker 2>that they would you know, go places and my mom

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<v Speaker 2>would buy him clothes, and you know that they had

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<v Speaker 2>a great friendship, you know, and remained really really good friends.

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<v Speaker 2>When my mom first came out to California, after the

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<v Speaker 2>moms and papa's had been in the Caribbean Islands and

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<v Speaker 2>really kind of begun to come together, my mom came

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<v Speaker 2>out to California and she stayed with Jim and his

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<v Speaker 2>then wife Vanessa. That's the first place she went, so

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<v Speaker 2>she stayed really close to him. So, yeah, Jim Hendricks,

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<v Speaker 2>I will tell you, growing up with the last name

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<v Speaker 2>of Hendricks, even with the icks ending, the amount of

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<v Speaker 2>times that people would say to me, oh, I bet

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<v Speaker 2>Jimmy Hendricks is your dad, I would go, yeah, see

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<v Speaker 2>the resemblance, right, I mean we look exactly alike. Mean,

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<v Speaker 2>come on, people's stupidity knows no bounds, zero bounds.

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<v Speaker 1>I believe that I deal with the public all day long.

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<v Speaker 1>When did you decide to change your last name? And why.

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<v Speaker 2>I started using the name Elliot as my middle name

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<v Speaker 2>when I got married, because people had a very hard

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<v Speaker 2>time understanding why my last name was different than my mom's.

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<v Speaker 2>So really, purely for ease, I just kind of, you know,

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<v Speaker 2>put it in my on my driver's license and started

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<v Speaker 2>using it so it's not my legal name, which, which

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<v Speaker 2>did you know, prove to have some challenges when I

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<v Speaker 2>went to go get a US passport, because I will

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<v Speaker 2>tell you that my passport does not say Owen Elliott

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<v Speaker 2>Google on it. Thank you US Government. So it was

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<v Speaker 2>for ease. I didn't want to explain every time. Oh, well,

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<v Speaker 2>you know, my mom she married this guy, and you

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<v Speaker 2>know in.

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<v Speaker 1>The derivation of your middle name, Vanessa.

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<v Speaker 2>Jim Hendrix's wife, Vanessa, she she she named me after her.

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<v Speaker 1>Okay, with decades of experience, is it a plus or

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<v Speaker 1>a minus? Being the daughter of Cass Elliott.

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<v Speaker 2>Hmm. I will say that it's a double edged sword,

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<v Speaker 2>that's for sure. I it certainly gets you in the door.

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<v Speaker 2>I know that it's certainly, you know, gotten me places

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<v Speaker 2>that other people probably wouldn't be able to get to

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<v Speaker 2>as easily. But I also know that when you are

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<v Speaker 2>a well, in my case, a second generation performer singer,

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<v Speaker 2>if you choose to go into that same line of

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<v Speaker 2>work that you're that your parent went into, you feel

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<v Speaker 2>a little bit more judged. I think I think you

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<v Speaker 2>that you feel, or I would feel, that you have

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<v Speaker 2>to be as good as your predecessor or even better,

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<v Speaker 2>and then it's almost harder to prove yourself. I think

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<v Speaker 2>so in that way, it's a double ed sort. It

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<v Speaker 2>gets you in the door, but you have to prove

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<v Speaker 2>it even harder. I think.

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<v Speaker 1>So you got in the door. What was your experience

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<v Speaker 1>in terms of proving your talent?

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<v Speaker 2>Well, I didn't have too much time before the before

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<v Speaker 2>MCA was bought out by Panasonomy.

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<v Speaker 1>Not everybody knows the story. Let's roll back a lot

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<v Speaker 1>for it. Let's roll back to the beginning. At what

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<v Speaker 1>point did you realize your mother was cass Elliott and

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<v Speaker 1>she was famous and had fans other than yourself.

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<v Speaker 2>Well, certainly by the time I was four or five,

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<v Speaker 2>and definitely by the time that I described in the

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<v Speaker 2>book of going to the airport to pick her up

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<v Speaker 2>and seeing her coming out of the doors and just

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<v Speaker 2>running really fasting and and see her and she's waiting

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<v Speaker 2>for me, and in between us someone stepped to and

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<v Speaker 2>to ask her for her autograph, and I knew that

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<v Speaker 2>that was my mom's job, and I knew just to

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<v Speaker 2>hang back that, you know, this was part of her job,

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<v Speaker 2>and this was her work, and then if I was

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<v Speaker 2>just patient, it would be my turn. So I guess

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<v Speaker 2>that was one of the first moments that I can remember,

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<v Speaker 2>like really knowing that she had this extraordinary job, you know,

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<v Speaker 2>that required her to you know sometimes, you know, I

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<v Speaker 2>had that that would have to be her priority over

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<v Speaker 2>over us. But we'd get there.

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<v Speaker 1>And of course she was a legendary connector. And you

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<v Speaker 1>write about your experience living in Laurel Canyon. To what

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<v Speaker 1>degree do you remember that experience?

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<v Speaker 2>Honestly, not a whole lot. I mean I remember, I mean,

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<v Speaker 2>if if we remember, remember that I was seven years

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<v Speaker 2>old when my mom passed and had had endured my

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<v Speaker 2>share of you know, I hate to use this work

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<v Speaker 2>because I feel like everybody uses it all the time.

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<v Speaker 2>But there had been some trauma in my early life,

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<v Speaker 2>and U when you have that, some of those levels

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<v Speaker 2>of trauma, your memories become. You know, you don't really

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<v Speaker 2>have very much of them, but the ones I have.

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<v Speaker 2>I remember watching The Wizard of Oz with her. I

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<v Speaker 2>remember watching football with her. I remember asking her why

0:14:36.240 --> 0:14:39.040
<v Speaker 2>her name why my name was different than hers, Like

0:14:39.120 --> 0:14:42.840
<v Speaker 2>I have sort of these, you know, little bits and pieces.

0:14:43.720 --> 0:14:46.040
<v Speaker 2>As far as being in Laurel Canyon. I remember driving

0:14:46.080 --> 0:14:49.880
<v Speaker 2>down Laurel Canyon Boulevard, you know, I remember doing that

0:14:49.920 --> 0:14:52.560
<v Speaker 2>stuff and going into Hollywood with her, and you know,

0:14:52.600 --> 0:14:55.440
<v Speaker 2>being in the back seat and hearing her sing top

0:14:55.480 --> 0:14:57.960
<v Speaker 2>of the world. You know, like those are all really

0:14:58.080 --> 0:15:01.960
<v Speaker 2>strong memories of mine. But it was it was a

0:15:01.960 --> 0:15:04.880
<v Speaker 2>great place to grow up, you know. And and when

0:15:04.880 --> 0:15:07.680
<v Speaker 2>my mom died, I moved in with her sister and

0:15:07.720 --> 0:15:12.240
<v Speaker 2>her sister's husband, russe In Leacunkle, and they lived just

0:15:12.320 --> 0:15:15.320
<v Speaker 2>at the top of Nichols Canyon, so they were we

0:15:15.320 --> 0:15:18.640
<v Speaker 2>were very close in terms of how where we lived.

0:15:20.000 --> 0:15:23.400
<v Speaker 2>And it was adyllic, you know, I mean, it's it's

0:15:23.440 --> 0:15:25.560
<v Speaker 2>like all those memes we see about, you know, kids

0:15:25.600 --> 0:15:28.400
<v Speaker 2>and Generation X. We were out until the street lights

0:15:28.440 --> 0:15:32.760
<v Speaker 2>came on. True, true, you know, riding our dirt bikes

0:15:32.800 --> 0:15:36.680
<v Speaker 2>and getting into trouble. That's what I remember about growing

0:15:36.720 --> 0:15:38.640
<v Speaker 2>up in rural Canyon is just you know, being on

0:15:38.680 --> 0:15:40.080
<v Speaker 2>my dirt bike with my friends.

0:15:47.920 --> 0:15:51.720
<v Speaker 1>Okay, you're talking about trauma at a young age. Obviously

0:15:51.760 --> 0:15:54.840
<v Speaker 1>your mother died, that's the most significant trauma. Were you

0:15:54.960 --> 0:15:56.440
<v Speaker 1>referencing trauma before that?

0:15:57.920 --> 0:16:05.120
<v Speaker 2>Yeah? Unfortunately I had suffered some physical abuse from from

0:16:05.160 --> 0:16:08.880
<v Speaker 2>one of the nanny's. I don't have too much of

0:16:08.920 --> 0:16:14.560
<v Speaker 2>a memory of it, but had some pretty wacky dreams

0:16:14.600 --> 0:16:20.359
<v Speaker 2>over my life, That's that's for sure. And it definitely

0:16:20.560 --> 0:16:27.400
<v Speaker 2>I can see now how that that trauma affected me

0:16:27.560 --> 0:16:31.960
<v Speaker 2>even as an adult. You know, she she made a

0:16:31.960 --> 0:16:36.240
<v Speaker 2>real good practice, this particular woman of telling me how

0:16:36.440 --> 0:16:39.320
<v Speaker 2>how what a bad little kid I was, and that

0:16:39.320 --> 0:16:44.040
<v Speaker 2>that stuff sticks. It just does. Unfortunately, now in.

0:16:44.000 --> 0:16:48.480
<v Speaker 1>The book, you reference the bruises on your legs being noticed,

0:16:49.240 --> 0:16:51.720
<v Speaker 1>and that was the turning point with that nanny. Can

0:16:51.720 --> 0:16:53.200
<v Speaker 1>you amplify that story a little bit.

0:16:54.720 --> 0:16:57.480
<v Speaker 2>You know, I don't know too much more about it.

0:16:57.520 --> 0:17:02.280
<v Speaker 2>I mean, all I know is that my aunt Liah

0:17:02.400 --> 0:17:06.880
<v Speaker 2>had been staying up in above my mom's garage. There

0:17:06.920 --> 0:17:11.919
<v Speaker 2>was an apartment up there. I wasn't totally finished, but

0:17:12.480 --> 0:17:15.880
<v Speaker 2>Leah and her new husband Russ were living in this apartment.

0:17:16.000 --> 0:17:19.239
<v Speaker 2>She was pregnant with her son, and she had all

0:17:19.240 --> 0:17:21.280
<v Speaker 2>the windows open because it was really warm, and she

0:17:21.359 --> 0:17:26.520
<v Speaker 2>heard this nanny bringing me home from preschool just be

0:17:26.640 --> 0:17:29.919
<v Speaker 2>rating me, you know, And this story came from Leah.

0:17:29.960 --> 0:17:35.359
<v Speaker 2>Like I said, I don't physically remember this stuff, but

0:17:35.480 --> 0:17:38.080
<v Speaker 2>when Leah told me it, it told me this story

0:17:38.119 --> 0:17:42.119
<v Speaker 2>it definitely and you know, rings a little thing in

0:17:42.160 --> 0:17:44.880
<v Speaker 2>the back of your brain. But this nanny was telling

0:17:44.880 --> 0:17:47.480
<v Speaker 2>me what a terrible kid I was, how bad I was,

0:17:47.520 --> 0:17:49.800
<v Speaker 2>I got my dress dirty, and she was just being

0:17:49.840 --> 0:17:53.680
<v Speaker 2>really nasty and really mean. And so Leah said, oh,

0:17:53.680 --> 0:17:55.440
<v Speaker 2>you know what, you can take an extra day off

0:17:55.440 --> 0:17:58.360
<v Speaker 2>this weekend. So she got the nanny out of there,

0:17:58.920 --> 0:18:03.200
<v Speaker 2>and Leah gave me a bath, and she's the one

0:18:03.200 --> 0:18:07.399
<v Speaker 2>that discovered the bruises. And then I just, you know,

0:18:07.520 --> 0:18:10.639
<v Speaker 2>did what what kids do with in a scenario like that?

0:18:10.760 --> 0:18:15.879
<v Speaker 2>You know, it's nothing I fell, Yeah, I don't think so,

0:18:17.080 --> 0:18:17.360
<v Speaker 2>you know.

0:18:17.480 --> 0:18:22.280
<v Speaker 1>So, okay, you got that story from your aunt Leah

0:18:22.640 --> 0:18:25.280
<v Speaker 1>and you get all these stories. Did the stories tend

0:18:25.359 --> 0:18:27.560
<v Speaker 1>to line up or were their contradictions?

0:18:31.880 --> 0:18:35.720
<v Speaker 2>Well, that particular story, I when I said I had

0:18:35.720 --> 0:18:39.359
<v Speaker 2>a couple of like pretty intense dreams, I should go

0:18:39.400 --> 0:18:42.040
<v Speaker 2>to therapy for some of the dreams, I had hit

0:18:42.119 --> 0:18:44.160
<v Speaker 2>some of the some of the things that I think

0:18:44.200 --> 0:18:48.719
<v Speaker 2>that I worked out in the in those dreams. So

0:18:48.720 --> 0:18:50.640
<v Speaker 2>so in that way, I feel like they did ring

0:18:50.720 --> 0:18:58.080
<v Speaker 2>true and a lot of times, especially with a painful memory,

0:18:59.400 --> 0:19:02.800
<v Speaker 2>when you hear it again, like I make this comment

0:19:02.840 --> 0:19:05.800
<v Speaker 2>about like it like the memory like ringing true in

0:19:05.840 --> 0:19:10.000
<v Speaker 2>the back of your brain. That's that's how I know

0:19:10.160 --> 0:19:14.320
<v Speaker 2>a memory is true if I like have some identification

0:19:14.520 --> 0:19:18.120
<v Speaker 2>with it, you know. And and with that particular memory

0:19:18.160 --> 0:19:25.080
<v Speaker 2>I did, unfortunately, because she also did things like I

0:19:25.160 --> 0:19:28.359
<v Speaker 2>used to suck my thumb a lot, and she wasn't

0:19:28.400 --> 0:19:31.840
<v Speaker 2>having it. So she was putting like tabasco sauce on

0:19:31.880 --> 0:19:35.480
<v Speaker 2>my thoe. But I'm not a dummy, I know, I

0:19:35.920 --> 0:19:38.320
<v Speaker 2>just you know, wash it off in the in the bathroom.

0:19:38.560 --> 0:19:40.879
<v Speaker 2>I remember that, you know.

0:19:40.960 --> 0:19:44.160
<v Speaker 3>So if that was happening, it makes sense that Stuffy

0:19:44.160 --> 0:19:46.800
<v Speaker 3>the other stuff was happening and talking to the other

0:19:47.400 --> 0:19:51.120
<v Speaker 3>members of the mamas and Papa's relatives and friends.

0:19:51.640 --> 0:19:55.200
<v Speaker 1>Was the narrative pretty consistent or do you find one

0:19:55.200 --> 0:19:58.240
<v Speaker 1>person saying one thing and another person saying another thing.

0:19:58.880 --> 0:20:05.360
<v Speaker 2>The narrative was always consistent, always, and not one person

0:20:07.440 --> 0:20:11.000
<v Speaker 2>ever had anything negative to say. I mean, I don't

0:20:11.000 --> 0:20:12.920
<v Speaker 2>know how easy it would be to say something negative

0:20:12.920 --> 0:20:18.040
<v Speaker 2>to somebody's kid. But in spite of that, everybody's memory

0:20:18.080 --> 0:20:23.080
<v Speaker 2>of hers so Christine. And perhaps it's because she was

0:20:23.160 --> 0:20:29.320
<v Speaker 2>thirty two when she passed away. That's still really really young,

0:20:30.640 --> 0:20:36.919
<v Speaker 2>you know. So she kind of died in this on

0:20:36.960 --> 0:20:40.360
<v Speaker 2>this pedestal if you will, you know, it's you're frozen

0:20:40.359 --> 0:20:43.960
<v Speaker 2>in time at a certain age. You know.

0:20:44.160 --> 0:20:48.199
<v Speaker 1>So what with all being her daughter and talking to

0:20:48.240 --> 0:20:51.160
<v Speaker 1>so many people writing the book, what do you think

0:20:51.200 --> 0:20:52.800
<v Speaker 1>your mother's magic was?

0:20:57.119 --> 0:21:00.160
<v Speaker 2>My mother was the great connector. She was sort of

0:21:00.160 --> 0:21:03.680
<v Speaker 2>one of those people that people wanted to be around,

0:21:03.560 --> 0:21:07.359
<v Speaker 2>had a magnetism about her, and she was funny and

0:21:07.400 --> 0:21:10.560
<v Speaker 2>she was smart, and people wanted to be around her.

0:21:10.640 --> 0:21:13.679
<v Speaker 2>So I think that was part of her secret sauce,

0:21:13.800 --> 0:21:16.080
<v Speaker 2>is that, you know, people just wanted to hang out

0:21:16.119 --> 0:21:20.960
<v Speaker 2>with her, you know, and she was relatable, she was approachable,

0:21:21.760 --> 0:21:24.280
<v Speaker 2>you know, and she was honest. She was always honest

0:21:24.320 --> 0:21:28.240
<v Speaker 2>and down to earth and like I said, relatable and approachable.

0:21:29.000 --> 0:21:32.399
<v Speaker 1>Now, something you touched earlier on her weight and is

0:21:32.440 --> 0:21:37.320
<v Speaker 1>also in the book. Conventional wisdom is that she had

0:21:37.359 --> 0:21:41.480
<v Speaker 1>this unrequited love affair with Denny Denny Doherty, one of

0:21:41.480 --> 0:21:45.399
<v Speaker 1>the papas and the mamas and the papas. To your knowledge,

0:21:45.440 --> 0:21:49.359
<v Speaker 1>did she ever have a satisfying love relationship.

0:21:50.040 --> 0:21:53.800
<v Speaker 2>No, no, she didn't. And that's one of the greatest

0:21:53.800 --> 0:21:57.240
<v Speaker 2>tragedies of my mother's life, is that she never got

0:21:57.240 --> 0:22:01.040
<v Speaker 2>to appreciate or be in a relation relationship with another

0:22:01.200 --> 0:22:09.240
<v Speaker 2>human being. That's that's an equal, loving relationship. I just

0:22:09.359 --> 0:22:13.320
<v Speaker 2>I do believe that most of the gentleman callers were

0:22:13.359 --> 0:22:16.840
<v Speaker 2>there for you know, the fame and the money and

0:22:16.880 --> 0:22:20.199
<v Speaker 2>the you know whatever. They weren't there for the for

0:22:20.240 --> 0:22:24.399
<v Speaker 2>the right reasons. And she was. She was lonely, you know,

0:22:24.960 --> 0:22:27.240
<v Speaker 2>Like I wrote in the book, she's here, she is sitting,

0:22:27.320 --> 0:22:30.960
<v Speaker 2>you know, on the on the stage apron at Carnegie Hall,

0:22:31.040 --> 0:22:34.800
<v Speaker 2>with all these people yelling her name, you know, but

0:22:35.160 --> 0:22:39.760
<v Speaker 2>she's checking into her hotel room by herself. Everybody else

0:22:39.800 --> 0:22:43.680
<v Speaker 2>had somebody, but she didn't, you know, And and therein

0:22:43.800 --> 0:22:46.919
<v Speaker 2>lies the reason that she decided to get pregnant and

0:22:47.040 --> 0:22:50.200
<v Speaker 2>have a kid, because I wasn't going to go anywhere,

0:22:51.600 --> 0:22:53.919
<v Speaker 2>you know, she she'd always she would always have me,

0:22:54.160 --> 0:22:57.160
<v Speaker 2>you know, or a baby, whoever that person would have been.

0:22:57.200 --> 0:23:04.080
<v Speaker 1>But so when did you metabolize the fact that your

0:23:04.080 --> 0:23:05.800
<v Speaker 1>mother was not coming back?

0:23:08.480 --> 0:23:13.639
<v Speaker 2>Probably like three or four years after she died. You know,

0:23:14.880 --> 0:23:18.520
<v Speaker 2>I was really really used to her traveling for her

0:23:18.760 --> 0:23:24.760
<v Speaker 2>work because that's what she did, so I kind of

0:23:24.800 --> 0:23:28.199
<v Speaker 2>would console myself, you know those when you're falling asleep

0:23:28.240 --> 0:23:29.720
<v Speaker 2>at night and you have all those thoughts that go

0:23:29.800 --> 0:23:32.560
<v Speaker 2>through your through your brain. One of them for me

0:23:32.720 --> 0:23:35.639
<v Speaker 2>was she'll be home. She'll be home soon, because she

0:23:35.720 --> 0:23:42.880
<v Speaker 2>always is. I guess probably a few years. It sure

0:23:42.960 --> 0:23:45.440
<v Speaker 2>wasn't right away. It's definitely a few years later.

0:23:45.720 --> 0:23:50.800
<v Speaker 1>Okay. You mentioned the fact that your mother had you

0:23:51.280 --> 0:23:57.000
<v Speaker 1>to have a companion, so there wasn't a biological father

0:23:57.160 --> 0:24:00.760
<v Speaker 1>on the scene. Jim Hendrix wasn't on the scene. Then

0:24:00.840 --> 0:24:04.800
<v Speaker 1>he dies. How much anger do you have about all that?

0:24:06.119 --> 0:24:08.280
<v Speaker 2>Then? Who dies my mom? Well?

0:24:08.560 --> 0:24:12.040
<v Speaker 1>The fact that you know, in retrospect, yes, about your mom,

0:24:12.600 --> 0:24:16.479
<v Speaker 1>and then you were ultimately left, you know, alone, I mean,

0:24:16.520 --> 0:24:20.400
<v Speaker 1>you have your aunt and her husband, but you look

0:24:20.480 --> 0:24:23.080
<v Speaker 1>back and you say, well, this was a performer. She

0:24:23.240 --> 0:24:25.520
<v Speaker 1>had me as a companion and that was good for her,

0:24:25.520 --> 0:24:27.239
<v Speaker 1>and now she's gone.

0:24:28.760 --> 0:24:32.560
<v Speaker 2>Well, I guess I never looked at it like that particularly,

0:24:32.760 --> 0:24:38.159
<v Speaker 2>but I do remember feeling very much alone when she

0:24:38.600 --> 0:24:47.760
<v Speaker 2>died because she was my solo only parent. But I mean,

0:24:47.880 --> 0:24:50.600
<v Speaker 2>she was my friend, you know what I mean, Like

0:24:52.640 --> 0:24:56.080
<v Speaker 2>it was just her and I a lot, you know,

0:24:56.320 --> 0:25:04.000
<v Speaker 2>And I do remember feeling very very much like I

0:25:04.080 --> 0:25:06.800
<v Speaker 2>was going to have to just have a whole new life.

0:25:07.400 --> 0:25:11.920
<v Speaker 2>I remember there being a moment at the funeral when

0:25:11.960 --> 0:25:15.000
<v Speaker 2>we were leaving the funeral, remember, and I don't remember

0:25:15.000 --> 0:25:17.320
<v Speaker 2>who it was that asked me with somebody that said, well,

0:25:17.359 --> 0:25:19.639
<v Speaker 2>what car do you want to ride in? You know,

0:25:19.640 --> 0:25:21.720
<v Speaker 2>do you want to ride with your grandmother or do

0:25:21.760 --> 0:25:24.359
<v Speaker 2>you want to ride with your aunt and uncle? And

0:25:24.440 --> 0:25:26.159
<v Speaker 2>I knew that my aunt and uncle were going to

0:25:26.240 --> 0:25:29.879
<v Speaker 2>be my new family. And I remember thinking to myself,

0:25:29.920 --> 0:25:35.200
<v Speaker 2>and let's remember this seven year old kid having this thought, well,

0:25:35.560 --> 0:25:37.000
<v Speaker 2>this is going to be your new family, so you

0:25:37.040 --> 0:25:42.159
<v Speaker 2>better start getting used to it. I mean, what a

0:25:42.680 --> 0:25:47.359
<v Speaker 2>scary thought to realize at that age. And that's really

0:25:47.400 --> 0:25:48.840
<v Speaker 2>truly how I felt.

0:25:49.680 --> 0:25:52.720
<v Speaker 1>You know. So you ultimately go to live with Leah

0:25:52.760 --> 0:25:57.080
<v Speaker 1>and Russ, who end up having their own child. Did

0:25:57.119 --> 0:25:59.480
<v Speaker 1>they feel like your mother and father are in the

0:25:59.480 --> 0:26:01.320
<v Speaker 1>back of them in your mind? Did you always know

0:26:02.240 --> 0:26:04.760
<v Speaker 1>they were rising to the occasion.

0:26:05.760 --> 0:26:08.679
<v Speaker 2>Well, you know what, It's interesting because I had to

0:26:08.840 --> 0:26:11.720
<v Speaker 2>kind of at an early age make a distinction between

0:26:11.760 --> 0:26:15.600
<v Speaker 2>these four individuals. Okay, so stinks about it like that.

0:26:15.680 --> 0:26:20.760
<v Speaker 2>So the mother, the biological mother, and father were my

0:26:20.880 --> 0:26:25.359
<v Speaker 2>mom and the guy who fathered me. So that takes

0:26:25.400 --> 0:26:29.000
<v Speaker 2>what five, ten, fifteen minutes, that's all that takes. And

0:26:29.040 --> 0:26:32.119
<v Speaker 2>then I have a mom and a dad. Leah and

0:26:32.240 --> 0:26:35.160
<v Speaker 2>Russ are my mom and my dad because they did

0:26:35.200 --> 0:26:38.960
<v Speaker 2>the work, they did the job of parenting me.

0:26:40.359 --> 0:26:40.600
<v Speaker 3>You know.

0:26:40.720 --> 0:26:45.200
<v Speaker 2>So I had to really make those those distinctions, you know, mother,

0:26:45.600 --> 0:26:48.600
<v Speaker 2>biological mother, and father and a mom and a dad,

0:26:48.920 --> 0:26:54.960
<v Speaker 2>four completely separate people in my ridiculously complicated family tree.

0:26:56.119 --> 0:26:59.280
<v Speaker 1>But ultimately Russ and Leah get divorced.

0:27:00.200 --> 0:27:03.800
<v Speaker 2>I know, Russ and Leah then get divorced seven years later.

0:27:03.960 --> 0:27:06.600
<v Speaker 2>So I have this weird identification with the number seven.

0:27:07.000 --> 0:27:10.480
<v Speaker 2>So the first seven years I'm with my mom, and

0:27:10.480 --> 0:27:14.320
<v Speaker 2>then the second seven years I'm with Leah and Russ,

0:27:15.200 --> 0:27:17.720
<v Speaker 2>and then after that I'm shipped off to boarding school.

0:27:17.760 --> 0:27:19.800
<v Speaker 2>So you know, all that's are off. But yeah, they

0:27:20.200 --> 0:27:22.639
<v Speaker 2>Leah and Russ, we had a we had a good

0:27:22.760 --> 0:27:25.359
<v Speaker 2>you know, a few years. We were all. It was wonderful.

0:27:25.400 --> 0:27:29.240
<v Speaker 2>We were all it was. We were a family. Russ,

0:27:29.280 --> 0:27:31.840
<v Speaker 2>you know, I'm sure you know, is like a rock

0:27:31.880 --> 0:27:36.080
<v Speaker 2>and roll star. I just realized that, like twenty minutes ago.

0:27:36.880 --> 0:27:40.080
<v Speaker 2>He's like one of the best drummers in the world,

0:27:40.119 --> 0:27:42.359
<v Speaker 2>you know. And he was on the road all the

0:27:42.440 --> 0:27:45.400
<v Speaker 2>time in the summers. Like we would finish our our

0:27:45.680 --> 0:27:48.640
<v Speaker 2>you know, school year, and he's gone. He was out

0:27:48.680 --> 0:27:50.880
<v Speaker 2>with Crosby Stills and Nash, He's out with Jackson Brown,

0:27:50.920 --> 0:27:53.440
<v Speaker 2>he's out with James Dale, or he's just gone.

0:27:53.440 --> 0:27:53.639
<v Speaker 3>You know.

0:27:54.280 --> 0:27:58.440
<v Speaker 2>And that's when Leah had found that the farm in

0:27:58.480 --> 0:28:02.080
<v Speaker 2>the Berkshires really close to Tanglewood, So when all those

0:28:02.119 --> 0:28:05.160
<v Speaker 2>tours were coming through Tanglewood, we'd get to go see

0:28:05.200 --> 0:28:08.000
<v Speaker 2>them at Tanglewood like in the summertime. And so I

0:28:08.000 --> 0:28:10.359
<v Speaker 2>have a lot of really great memories of that. So

0:28:10.600 --> 0:28:13.760
<v Speaker 2>it was kind of neat to go from one musical

0:28:13.880 --> 0:28:16.760
<v Speaker 2>household to another, right and get to kind of have

0:28:16.840 --> 0:28:22.240
<v Speaker 2>this pretty rounded experience, you know, it was it was

0:28:22.240 --> 0:28:22.760
<v Speaker 2>really cool.

0:28:22.960 --> 0:28:25.240
<v Speaker 1>So you're living in La.

0:28:24.800 --> 0:28:26.480
<v Speaker 2>Yeah, and then we go to Massachusetts.

0:28:26.640 --> 0:28:29.840
<v Speaker 1>Right, So as a young person, that's traumatic.

0:28:30.800 --> 0:28:35.600
<v Speaker 2>What the move to Massachusetts. Yes, you know, it was

0:28:35.640 --> 0:28:38.600
<v Speaker 2>an adventure. I didn't see it as being traumatic at all.

0:28:38.640 --> 0:28:40.680
<v Speaker 2>I mean, it was really like, this is a new

0:28:40.720 --> 0:28:45.800
<v Speaker 2>adventure for us. And growing up in Los Angeles certainly

0:28:45.920 --> 0:28:49.000
<v Speaker 2>was way different than growing up in Massachusetts, and it

0:28:49.000 --> 0:28:51.920
<v Speaker 2>would give us an opportunity to sort of have a

0:28:51.960 --> 0:28:56.960
<v Speaker 2>semi normal, you know life as opposed to being raised

0:28:57.000 --> 0:29:01.280
<v Speaker 2>in this really you know, privilege overprivileged, you know, LA

0:29:01.520 --> 0:29:05.959
<v Speaker 2>private school scene, which is still just as bad, if

0:29:06.040 --> 0:29:09.600
<v Speaker 2>not worse. I'm grateful that we that we got out

0:29:09.600 --> 0:29:13.040
<v Speaker 2>of got out of Dodge for for four years, you know,

0:29:13.120 --> 0:29:16.920
<v Speaker 2>and I love I love our town in Massachusetts. It's

0:29:16.920 --> 0:29:19.520
<v Speaker 2>still it's still my home. Leah lives there, it's still

0:29:19.560 --> 0:29:22.280
<v Speaker 2>my home. I still have my bedroom there. Well, I

0:29:22.280 --> 0:29:23.840
<v Speaker 2>mean I don't have my stuff there, but you know,

0:29:24.680 --> 0:29:26.200
<v Speaker 2>it's still a big part of who I am. So

0:29:26.240 --> 0:29:29.240
<v Speaker 2>I'm super grateful that that we left. I didn't see

0:29:29.240 --> 0:29:30.960
<v Speaker 2>it as being traumatic at all. I mean, yeah, I

0:29:30.960 --> 0:29:33.640
<v Speaker 2>did leave some of my friends in a in a

0:29:33.680 --> 0:29:39.360
<v Speaker 2>pre internet, you know, really high long distance phone call era.

0:29:41.480 --> 0:29:45.400
<v Speaker 2>It was pretty bad, but you know, I made new friends.

0:29:53.480 --> 0:29:55.600
<v Speaker 1>How do they end up sending you to what you

0:29:55.680 --> 0:29:58.040
<v Speaker 1>call a boarding school, but when you read the book,

0:29:58.040 --> 0:30:00.800
<v Speaker 1>it sounds more like a lot institution.

0:30:01.440 --> 0:30:05.200
<v Speaker 2>Well, it actually wasn't locked, but they did threaten you.

0:30:05.200 --> 0:30:09.880
<v Speaker 2>You know that particular school was. It turns out it

0:30:09.920 --> 0:30:12.040
<v Speaker 2>was actually in the same campus at the school that

0:30:12.640 --> 0:30:15.840
<v Speaker 2>Leah had gone to in the sixties where she'd been

0:30:15.920 --> 0:30:18.560
<v Speaker 2>friends with Arlo Guthrie and Chevy Chase had gone there

0:30:18.600 --> 0:30:21.680
<v Speaker 2>and all these It was this very progressive boarding school

0:30:21.720 --> 0:30:25.240
<v Speaker 2>at that point, and we drove by it and she's like, oh,

0:30:25.640 --> 0:30:31.120
<v Speaker 2>what's this? You know, And I had had a hard time,

0:30:31.760 --> 0:30:35.360
<v Speaker 2>you know, losing my mom was not an easy thing

0:30:35.480 --> 0:30:37.640
<v Speaker 2>for me, and I had a really hard time in school.

0:30:38.400 --> 0:30:41.640
<v Speaker 2>Really didn't like school, really couldn't concentrate in school. I

0:30:41.720 --> 0:30:44.440
<v Speaker 2>was floating out the window. I just wasn't I wasn't

0:30:44.480 --> 0:30:46.880
<v Speaker 2>able to pay attention at all. And I barely got

0:30:46.920 --> 0:30:51.160
<v Speaker 2>through school. And I really in our first year in

0:30:52.600 --> 0:30:57.080
<v Speaker 2>Northampton in Massachusetts, I didn't really attend a lot of

0:30:57.200 --> 0:31:01.000
<v Speaker 2>classes and at the end of the year. Lee was like, yeah, yes,

0:31:01.080 --> 0:31:04.480
<v Speaker 2>some got to change here, and she had been told

0:31:04.560 --> 0:31:07.080
<v Speaker 2>about this school. Turned out it was on the same

0:31:07.160 --> 0:31:12.600
<v Speaker 2>campus this her old school. Haha, isn't that funny? And

0:31:12.760 --> 0:31:18.120
<v Speaker 2>we went up there and she enrolled me. It was

0:31:18.720 --> 0:31:21.160
<v Speaker 2>It was like an institution in a lot of ways,

0:31:21.360 --> 0:31:24.680
<v Speaker 2>although like I said, the doors weren't locked. The consequences

0:31:24.680 --> 0:31:27.000
<v Speaker 2>were so severe if you if you left that they

0:31:27.080 --> 0:31:30.640
<v Speaker 2>might as well have been locked. But you get you

0:31:30.680 --> 0:31:33.560
<v Speaker 2>get into a little bit of a little bit of

0:31:35.320 --> 0:31:37.520
<v Speaker 2>what are they called not munch housing bi proxy when

0:31:37.520 --> 0:31:41.520
<v Speaker 2>you just feel like you're it was cultish. It was

0:31:41.600 --> 0:31:45.600
<v Speaker 2>cultish for sure. It was a very weird uh school.

0:31:45.760 --> 0:31:49.480
<v Speaker 2>And I was there for almost three years. And you

0:31:49.520 --> 0:31:52.959
<v Speaker 2>didn't get to go home. You didn't go home for Christmas,

0:31:53.000 --> 0:31:54.520
<v Speaker 2>you didn't go home for any of those things. So

0:31:55.040 --> 0:31:58.479
<v Speaker 2>you were really like locked down, like he said, in

0:31:58.520 --> 0:32:01.880
<v Speaker 2>that way. And that school stayed opened for quite quite

0:32:01.880 --> 0:32:05.200
<v Speaker 2>a long time. It would fall under the category of

0:32:05.600 --> 0:32:10.880
<v Speaker 2>the trouble teen industry. Now when that one that you know,

0:32:11.680 --> 0:32:14.080
<v Speaker 2>there's schools in Utah, there's schools all over the place

0:32:14.120 --> 0:32:17.400
<v Speaker 2>that are markedly worse than than than the school that

0:32:17.480 --> 0:32:21.800
<v Speaker 2>I went to. There's that there's a show on Netflix

0:32:21.880 --> 0:32:27.440
<v Speaker 2>right now, the program that's pretty close. It's pretty scary

0:32:27.600 --> 0:32:32.240
<v Speaker 2>that that series has been really bothering a lot of people.

0:32:32.280 --> 0:32:34.200
<v Speaker 2>I know, we're all still in touch that went to

0:32:34.200 --> 0:32:35.920
<v Speaker 2>that school, and we're all like, oh my god, that's

0:32:35.960 --> 0:32:40.080
<v Speaker 2>exactly what it was like. But it was it was

0:32:40.160 --> 0:32:42.840
<v Speaker 2>nice not being in a house where I was Leah

0:32:42.880 --> 0:32:44.480
<v Speaker 2>and I had a really hard time when I was

0:32:44.520 --> 0:32:47.600
<v Speaker 2>a teenager. I was probably not the easiest teenager to raise,

0:32:47.960 --> 0:32:49.480
<v Speaker 2>and there was a lot of yelling and a lot

0:32:49.480 --> 0:32:53.320
<v Speaker 2>of screaming and a lot of just bad stuff. And

0:32:53.520 --> 0:32:55.760
<v Speaker 2>I was I was actually really happy to not have

0:32:55.880 --> 0:32:58.920
<v Speaker 2>that anymore, and it and it I got to really

0:32:59.000 --> 0:33:01.480
<v Speaker 2>grow up at that point, and I never really went

0:33:01.760 --> 0:33:03.440
<v Speaker 2>I did go back and live with her for like

0:33:05.080 --> 0:33:06.959
<v Speaker 2>six months, but I mean, really, I left home when

0:33:07.000 --> 0:33:09.120
<v Speaker 2>I was fourteen, if you really want to think about it,

0:33:09.160 --> 0:33:13.600
<v Speaker 2>I was fourteen in boarding school, and when I got out,

0:33:13.640 --> 0:33:14.600
<v Speaker 2>I was almost eighteen.

0:33:15.440 --> 0:33:18.320
<v Speaker 1>And you leave and then you ultimately drop out of

0:33:18.360 --> 0:33:18.920
<v Speaker 1>high school.

0:33:19.840 --> 0:33:23.840
<v Speaker 2>I dropped out of high school, yes, because the school

0:33:24.160 --> 0:33:29.080
<v Speaker 2>that I had then attended for three years was completely unaccredited.

0:33:29.320 --> 0:33:31.880
<v Speaker 2>So every class that I had taken, even though the

0:33:31.880 --> 0:33:34.240
<v Speaker 2>grades had been bad. Every class that I had taken,

0:33:34.600 --> 0:33:38.120
<v Speaker 2>none of them transferred. So I went back to my

0:33:38.240 --> 0:33:41.080
<v Speaker 2>normal high school and they were like, yeah, you got

0:33:41.080 --> 0:33:44.000
<v Speaker 2>to go back to another year, another year of school

0:33:44.000 --> 0:33:46.760
<v Speaker 2>at least. And I was eighteen, and I went, I

0:33:46.800 --> 0:33:50.200
<v Speaker 2>am not doing another year of high schools. I watched

0:33:50.240 --> 0:33:53.520
<v Speaker 2>everybody that I had known getting ready to walk down

0:33:53.800 --> 0:33:56.520
<v Speaker 2>and graduate. I was like, yeah, this is this is

0:33:56.600 --> 0:34:01.360
<v Speaker 2>not happening. And so yeah I did. I went down.

0:34:01.440 --> 0:34:05.920
<v Speaker 2>I signed myself out of high school on my eighteenth birthday.

0:34:07.720 --> 0:34:10.399
<v Speaker 2>Leah wasn't pleased in.

0:34:10.360 --> 0:34:14.680
<v Speaker 1>The ensuing decades not having a high school degree? Is that?

0:34:15.920 --> 0:34:18.000
<v Speaker 1>Have you gotten any penalties as a result of that?

0:34:18.120 --> 0:34:19.040
<v Speaker 1>Any roadblocks?

0:34:19.640 --> 0:34:23.680
<v Speaker 2>No? And they actually let me write a book. I mean,

0:34:24.280 --> 0:34:27.560
<v Speaker 2>I don't know. I mean it's funny because I did

0:34:28.680 --> 0:34:32.480
<v Speaker 2>a book signing last night here in La at Diesel

0:34:32.520 --> 0:34:37.239
<v Speaker 2>Books in West LA and I had my old childhood

0:34:37.239 --> 0:34:40.719
<v Speaker 2>friend moon Zappa come in and interview me, and she

0:34:41.280 --> 0:34:43.680
<v Speaker 2>she had just read the book and she said to me,

0:34:43.960 --> 0:34:48.759
<v Speaker 2>she said, so, when did you know that you were

0:34:48.800 --> 0:34:55.440
<v Speaker 2>a writer? And I went today, It's like this is

0:34:55.520 --> 0:34:58.720
<v Speaker 2>so out of the you know, out of my comfort zone.

0:34:59.120 --> 0:35:03.400
<v Speaker 2>I've you know, it's it's all new to me. You know,

0:35:04.320 --> 0:35:08.239
<v Speaker 2>it's beautiful though, it's so fulfilling. It's just everything that

0:35:08.600 --> 0:35:12.400
<v Speaker 2>you hear people say about writing memoir that it's fulfilling,

0:35:12.560 --> 0:35:16.000
<v Speaker 2>and it's you know, cathartic, and it's all of that.

0:35:16.080 --> 0:35:18.359
<v Speaker 2>It's just it's all of the fields. It really is.

0:35:19.960 --> 0:35:24.680
<v Speaker 1>Okay, you're going to prep school in the eighties, it's

0:35:24.680 --> 0:35:29.440
<v Speaker 1>insanely expensive sixty plus thousand dollars today. It was not

0:35:29.600 --> 0:35:33.280
<v Speaker 1>that expensive back then, but it was far from cheap,

0:35:33.320 --> 0:35:36.000
<v Speaker 1>at least the cost of going to college. Where'd the

0:35:36.040 --> 0:35:38.279
<v Speaker 1>money come from?

0:35:38.440 --> 0:35:41.480
<v Speaker 2>Well, I know my tuition was about a third of

0:35:41.520 --> 0:35:48.040
<v Speaker 2>that sixty if that gives you any indication there there

0:35:48.120 --> 0:35:51.600
<v Speaker 2>began to be smaller amounts of money that came through

0:35:51.719 --> 0:35:56.920
<v Speaker 2>the estate, and Leah was able to pay some of

0:35:56.920 --> 0:36:02.719
<v Speaker 2>it out of her out of her pocket. When this,

0:36:02.800 --> 0:36:08.319
<v Speaker 2>and you'll appreciate this, when the CD was invented and

0:36:09.040 --> 0:36:12.960
<v Speaker 2>labels were forced to have their artists, most of them

0:36:13.400 --> 0:36:18.200
<v Speaker 2>resign agreements because they were new there were new product,

0:36:18.320 --> 0:36:24.279
<v Speaker 2>right that, all of those new CDs that came out,

0:36:24.800 --> 0:36:29.680
<v Speaker 2>they saved my mom's estate because everybody rebought every bit

0:36:29.719 --> 0:36:33.080
<v Speaker 2>of anything they'd ever had because of this new sound,

0:36:33.120 --> 0:36:38.040
<v Speaker 2>everything was so great and CDs just made huge, huge

0:36:38.239 --> 0:36:41.640
<v Speaker 2>leaps and bounds. And because of all that, we were

0:36:41.640 --> 0:36:44.920
<v Speaker 2>able to finally get the estate closed in like nineteen

0:36:44.960 --> 0:36:50.719
<v Speaker 2>eighty seven. So, you know what, I don't know how

0:36:50.760 --> 0:36:52.440
<v Speaker 2>she got the money, but she did it, and she

0:36:52.600 --> 0:36:54.839
<v Speaker 2>made it and she I know, there was a couple

0:36:54.920 --> 0:36:59.319
<v Speaker 2>of years that I had a scholarship, you know, one

0:36:59.320 --> 0:36:59.960
<v Speaker 2>of those things.

0:37:00.840 --> 0:37:04.680
<v Speaker 1>Okay, you talk about the renegotiation. When the music comes

0:37:04.680 --> 0:37:09.040
<v Speaker 1>out on CD, most of the revenue from recording goes

0:37:09.080 --> 0:37:12.920
<v Speaker 1>to the writer, and your mother was not the writer

0:37:13.120 --> 0:37:18.120
<v Speaker 1>of those hits, right, So over these ensuing decades, have

0:37:18.239 --> 0:37:22.560
<v Speaker 1>the royalties been small significant? What are they like?

0:37:23.760 --> 0:37:27.719
<v Speaker 2>The royalties are respectable and they and they've been they've

0:37:27.719 --> 0:37:31.160
<v Speaker 2>been even more respectable in the last couple of years.

0:37:32.480 --> 0:37:36.000
<v Speaker 2>Streaming isn't killing us yet, but it's close, you know.

0:37:37.200 --> 0:37:40.360
<v Speaker 2>It's just streaming is actually the only way that people

0:37:40.360 --> 0:37:43.720
<v Speaker 2>are listening to music nowadays. It's just kind of killer

0:37:44.239 --> 0:37:48.600
<v Speaker 2>streaming and licensing. Licensing is the other thing that is

0:37:48.640 --> 0:37:52.719
<v Speaker 2>our bread and butter commercials, you know, anything that we

0:37:52.760 --> 0:37:55.759
<v Speaker 2>can that we can get. I mean, it's it's kind

0:37:55.760 --> 0:37:59.480
<v Speaker 2>of a it's a bit of a dance, because back

0:37:59.520 --> 0:38:02.000
<v Speaker 2>in the old days, the whole idea that you were

0:38:02.000 --> 0:38:04.800
<v Speaker 2>going to allow your music to be used for commercial

0:38:04.880 --> 0:38:07.879
<v Speaker 2>usage was just like you were selling out. You never

0:38:07.960 --> 0:38:11.400
<v Speaker 2>did that. Now it is absolutely the bread and butter

0:38:11.480 --> 0:38:14.040
<v Speaker 2>of the majority of these legacy artists is you know,

0:38:14.080 --> 0:38:16.480
<v Speaker 2>oh my god, we got a we got an Adobe commercial,

0:38:16.480 --> 0:38:19.560
<v Speaker 2>We've got to you know whatever. So in that way,

0:38:19.719 --> 0:38:24.960
<v Speaker 2>it's it is, it's respectable, it's I mean definitely when

0:38:24.960 --> 0:38:27.880
<v Speaker 2>the CDs came in, that's what started to make everything

0:38:27.920 --> 0:38:31.200
<v Speaker 2>really happen again. And then you know, as as you know,

0:38:31.360 --> 0:38:34.680
<v Speaker 2>formats change, and now with streaming, we had to adapt

0:38:34.719 --> 0:38:38.399
<v Speaker 2>a little bit to that. But you know, they're they're

0:38:38.480 --> 0:38:43.360
<v Speaker 2>sort of paying us on streaming correctly. I get really

0:38:43.400 --> 0:38:46.399
<v Speaker 2>into it. I'm I'm really into the contracts. I'm really

0:38:46.440 --> 0:38:51.120
<v Speaker 2>into the business side of it. I just fight it fascinating.

0:38:51.880 --> 0:38:56.080
<v Speaker 2>It absolutely ruined my attitude about ever being an artist

0:38:56.080 --> 0:38:59.560
<v Speaker 2>because I just went, oh my god, they're doing what

0:38:59.600 --> 0:39:05.480
<v Speaker 2>did they do? Oh my god? So but yeah, pretty good.

0:39:06.040 --> 0:39:10.040
<v Speaker 1>Okay, is there enough money to take care of your bills?

0:39:10.600 --> 0:39:17.480
<v Speaker 2>Yes? Yes, so that's good. I'm really lucky. I'm really lucky.

0:39:17.520 --> 0:39:19.759
<v Speaker 2>I may have suffered a lot of losses in my life.

0:39:20.880 --> 0:39:25.640
<v Speaker 2>Wish I have, but I'm not going to be ashamed

0:39:25.680 --> 0:39:28.759
<v Speaker 2>of the fact that things are okay for me and

0:39:28.840 --> 0:39:32.719
<v Speaker 2>I can live a comfortable life.

0:39:31.680 --> 0:39:36.080
<v Speaker 1>Right right, Okay, we've in the last decade a lot

0:39:36.120 --> 0:39:39.120
<v Speaker 1>of people have sold those rights. You can sell your

0:39:39.200 --> 0:39:44.720
<v Speaker 1>royalty interest. Have you been approached and would you sell?

0:39:47.280 --> 0:39:51.880
<v Speaker 2>I was sort of approached maybe ten years ago, and

0:39:51.920 --> 0:39:54.640
<v Speaker 2>it was and it was at a point in time

0:39:54.680 --> 0:39:59.439
<v Speaker 2>when I was really, really really broke. So the way

0:39:59.800 --> 0:40:01.759
<v Speaker 2>the person that approached me, I think was sort of,

0:40:02.800 --> 0:40:05.280
<v Speaker 2>you know, knowing that, and they I think they offered

0:40:05.320 --> 0:40:08.480
<v Speaker 2>me what when they offered it by the royals, I'm

0:40:08.520 --> 0:40:13.080
<v Speaker 2>asking my my husband over here three times a three

0:40:13.120 --> 0:40:20.319
<v Speaker 2>time multiplier, and we didn't take it, thank God. I

0:40:20.360 --> 0:40:23.040
<v Speaker 2>don't know if I would ever take it. I don't

0:40:23.080 --> 0:40:26.640
<v Speaker 2>think I would. I don't think it would because it's

0:40:26.719 --> 0:40:30.960
<v Speaker 2>everything is so fluid that it's really really hard to

0:40:31.560 --> 0:40:33.759
<v Speaker 2>make it a judgment as to, you know, well, if

0:40:33.800 --> 0:40:36.279
<v Speaker 2>I sell now, is it going to be good? And

0:40:36.320 --> 0:40:38.719
<v Speaker 2>then something really amazing happens in a year and you're like,

0:40:38.920 --> 0:40:42.480
<v Speaker 2>damn it, I sold that. Now we have that lottery

0:40:42.480 --> 0:40:45.600
<v Speaker 2>commercial or whatever. It is that. You know, you go, well,

0:40:45.640 --> 0:40:46.960
<v Speaker 2>I really wish I would have had something to do

0:40:47.000 --> 0:40:49.160
<v Speaker 2>with that, because then you see this, Then you see

0:40:49.160 --> 0:40:53.399
<v Speaker 2>all these artists songs and music that are on commercials

0:40:53.400 --> 0:40:57.160
<v Speaker 2>that you just know that these artists would have never

0:40:57.239 --> 0:41:00.200
<v Speaker 2>agreed to. It's just a lot. There's a lot lot

0:41:00.239 --> 0:41:06.200
<v Speaker 2>of taking advantage of those of those catalogs that I

0:41:06.400 --> 0:41:10.680
<v Speaker 2>just I can't imagine that everyone feels good about. But

0:41:10.760 --> 0:41:12.279
<v Speaker 2>you lose that control when you sell it.

0:41:12.320 --> 0:41:16.799
<v Speaker 1>So you know, your mother made solo albums, some more

0:41:16.880 --> 0:41:20.680
<v Speaker 1>successful than others. Her main success was with the Mom

0:41:20.800 --> 0:41:24.880
<v Speaker 1>is in the Papas. John Phillips wrote most of the songs,

0:41:25.000 --> 0:41:28.440
<v Speaker 1>and that's its own vertical and revenue. But there are

0:41:28.520 --> 0:41:33.160
<v Speaker 1>four people in the act and three of them have

0:41:33.360 --> 0:41:37.920
<v Speaker 1>passed away. So when it comes for a licensing approval,

0:41:38.000 --> 0:41:39.040
<v Speaker 1>how does that work?

0:41:39.840 --> 0:41:42.520
<v Speaker 2>Well, that always goes through the label. That always goes

0:41:42.560 --> 0:41:46.400
<v Speaker 2>through Universal. Universal is the one that approves that stuff

0:41:47.520 --> 0:41:51.839
<v Speaker 2>as far as the songwriters are concerned. You know, for

0:41:51.880 --> 0:41:53.960
<v Speaker 2>a songwriting license, right, I think it's got to be

0:41:54.000 --> 0:41:58.000
<v Speaker 2>licensed by that. For publishing, that gets handled through their

0:41:58.200 --> 0:42:01.200
<v Speaker 2>estate and through their like for instance, John Phillips estate

0:42:01.400 --> 0:42:03.799
<v Speaker 2>has you know they handle things through them. They have

0:42:03.800 --> 0:42:07.920
<v Speaker 2>an attorney that handles things. It's it's a bit complicated,

0:42:07.960 --> 0:42:08.759
<v Speaker 2>but you.

0:42:08.800 --> 0:42:12.359
<v Speaker 1>Know, all these performers have children. How do you get

0:42:12.400 --> 0:42:13.719
<v Speaker 1>along with your generation?

0:42:14.880 --> 0:42:18.600
<v Speaker 2>I all my crazy brothers and sisters, mamas and Papa's

0:42:18.640 --> 0:42:22.400
<v Speaker 2>brothers and sisters. We all get along great. It's you know,

0:42:22.440 --> 0:42:25.360
<v Speaker 2>we all have this really strange background together. You know,

0:42:26.920 --> 0:42:30.400
<v Speaker 2>I'm very close with with with most of them. You know,

0:42:31.360 --> 0:42:35.680
<v Speaker 2>China and Biju were at my book signing last night,

0:42:35.760 --> 0:42:40.279
<v Speaker 2>causing all kinds of trouble in the audience. But yeah,

0:42:40.320 --> 0:42:43.560
<v Speaker 2>we're all. We're all really close, you know, Mackenzie, we're all.

0:42:43.800 --> 0:42:46.040
<v Speaker 2>We're all. We're like I said, we're all part of

0:42:46.040 --> 0:42:48.759
<v Speaker 2>this weird kind of family, you know.

0:42:50.000 --> 0:42:54.880
<v Speaker 1>Okay Mackenzie certainly you know they're different mothers for John

0:42:54.960 --> 0:42:59.560
<v Speaker 1>Phillips's children, but she came out and said some pretty

0:42:59.640 --> 0:43:03.359
<v Speaker 1>horrific fixed stuff. In your research, what's your take on

0:43:03.520 --> 0:43:04.200
<v Speaker 1>Papa John?

0:43:04.719 --> 0:43:08.360
<v Speaker 2>Well, the only research I did on Papa John is

0:43:08.400 --> 0:43:11.719
<v Speaker 2>just the stuff that I knew for myself, and my

0:43:11.840 --> 0:43:15.080
<v Speaker 2>experience with John was that he was he was a

0:43:15.120 --> 0:43:20.279
<v Speaker 2>sweet guy, you know. I you know, I think I

0:43:20.360 --> 0:43:24.200
<v Speaker 2>met John and had conversations with him. I can count

0:43:24.200 --> 0:43:26.800
<v Speaker 2>it on one hand. You know, that's it. I really

0:43:26.840 --> 0:43:34.279
<v Speaker 2>didn't know him very well at all. Mackenzie's assertions or

0:43:34.360 --> 0:43:37.600
<v Speaker 2>McKenzie's assertions, and it's not my business. I don't know

0:43:37.640 --> 0:43:38.359
<v Speaker 2>anything about it.

0:43:39.480 --> 0:43:44.400
<v Speaker 1>You talk a lot about his wife, Michelle, who was

0:43:44.440 --> 0:43:46.359
<v Speaker 1>in the group and of course kicked out and then

0:43:46.400 --> 0:43:48.759
<v Speaker 1>comes back. What's your relationship with Michelle?

0:43:49.400 --> 0:43:51.920
<v Speaker 2>Michelle? Michelle was there last night too. There was a

0:43:51.960 --> 0:43:55.320
<v Speaker 2>great moment when one of the women in the audience

0:43:55.400 --> 0:43:58.600
<v Speaker 2>asked made a comment about the mamas and Papa's not

0:43:58.800 --> 0:44:01.840
<v Speaker 2>knowing that Michelle was sitting right there, and she was

0:44:01.880 --> 0:44:05.200
<v Speaker 2>talking about how you know how great my mom's voice was,

0:44:05.200 --> 0:44:07.520
<v Speaker 2>that was better than anybody else's, and the whole mom

0:44:07.600 --> 0:44:12.600
<v Speaker 2>is in paposita. She's I'm going like this, And then

0:44:12.640 --> 0:44:14.880
<v Speaker 2>as I finished, I went, well, well, I don't know,

0:44:14.920 --> 0:44:17.000
<v Speaker 2>maybe you want to ask her yourself, Michelle, why don't

0:44:17.000 --> 0:44:21.160
<v Speaker 2>you answer that question right now? So she's she is totally,

0:44:21.440 --> 0:44:24.920
<v Speaker 2>she loves it. She's she's enjoying all of it. She's

0:44:25.040 --> 0:44:28.400
<v Speaker 2>kind of like the I mean, yes, she was the youngest,

0:44:28.400 --> 0:44:30.400
<v Speaker 2>so I guess it makes sense that she's the last

0:44:30.400 --> 0:44:33.920
<v Speaker 2>one alive, right, But she's she's now kind of in

0:44:33.960 --> 0:44:39.800
<v Speaker 2>this position where she's she's kind of looking out after

0:44:39.840 --> 0:44:44.960
<v Speaker 2>all of us, you know. I mean, China's obviously her child.

0:44:45.400 --> 0:44:49.320
<v Speaker 2>She's she keeps an eye out on all of the kids,

0:44:50.680 --> 0:44:52.920
<v Speaker 2>and I think that's kind of a neat place for

0:44:53.000 --> 0:44:55.360
<v Speaker 2>her to be at this point in her life. And

0:44:55.440 --> 0:44:58.200
<v Speaker 2>she'll be turning well. I don't know if I should

0:44:58.280 --> 0:45:01.600
<v Speaker 2>say it, but she has a Mileston on birthday coming

0:45:01.719 --> 0:45:06.920
<v Speaker 2>up in the next couple of weeks, and I'm sure

0:45:06.960 --> 0:45:08.920
<v Speaker 2>all of us will be there to help her celebrate it.

0:45:09.400 --> 0:45:12.000
<v Speaker 2>But she she's she's a really good person.

0:45:12.560 --> 0:45:12.920
<v Speaker 1>Michelle.

0:45:13.080 --> 0:45:17.160
<v Speaker 2>Michelle is somebody who's been very, very important to me

0:45:17.320 --> 0:45:19.080
<v Speaker 2>in my life.

0:45:25.000 --> 0:45:28.359
<v Speaker 1>What was your relationship with Denny before he passed? Oh?

0:45:28.400 --> 0:45:33.200
<v Speaker 2>God, I love Denny so much. I Uh, I think

0:45:33.239 --> 0:45:41.120
<v Speaker 2>I was probably the closest to him Denny. Uh. You know,

0:45:41.200 --> 0:45:45.120
<v Speaker 2>Denny had done his play in New York City and

0:45:45.160 --> 0:45:48.120
<v Speaker 2>he had been off Broadway for six months. And when

0:45:48.160 --> 0:45:53.319
<v Speaker 2>he went back to Canada and he got his requisite

0:45:53.400 --> 0:45:58.440
<v Speaker 2>Canadian check up, the doctor went, uh, what have you

0:45:58.520 --> 0:46:02.160
<v Speaker 2>been doing the last six months? He could believe that

0:46:02.160 --> 0:46:05.360
<v Speaker 2>that Denny's Denny. This aneurysm they had found around his

0:46:05.440 --> 0:46:09.520
<v Speaker 2>heart hadn't exploded, Like he couldn't believe the guy was

0:46:09.560 --> 0:46:13.160
<v Speaker 2>like still walking around, you know. And so he had

0:46:13.200 --> 0:46:17.840
<v Speaker 2>surgery and he was recovering, and then they had to

0:46:17.880 --> 0:46:22.640
<v Speaker 2>go back in and he was home recovering and he

0:46:26.400 --> 0:46:30.640
<v Speaker 2>didn't make it. And before he went in for the

0:46:30.680 --> 0:46:34.920
<v Speaker 2>second surgery, I was speaking with him on the phone.

0:46:35.160 --> 0:46:37.920
<v Speaker 2>We talked all the time. We probably talked, you know,

0:46:37.960 --> 0:46:41.400
<v Speaker 2>three or four times a week, anytime anything was going

0:46:41.440 --> 0:46:43.560
<v Speaker 2>on for me, if it was mamas and Papa's related.

0:46:44.120 --> 0:46:48.680
<v Speaker 2>On the phone. I had trouble in my love life.

0:46:48.800 --> 0:46:51.719
<v Speaker 2>My boyfriend broke up with me. I was calling him,

0:46:52.080 --> 0:46:54.040
<v Speaker 2>so he was he was that person in my life.

0:46:54.960 --> 0:46:56.839
<v Speaker 2>And so he was gonna have to go back in

0:46:56.880 --> 0:47:00.600
<v Speaker 2>and have the second surgery. And it was the first

0:47:00.600 --> 0:47:05.600
<v Speaker 2>time I'd ever heard any any bit of fear in

0:47:05.640 --> 0:47:08.560
<v Speaker 2>his voice. It's the first time I could ever identify

0:47:08.640 --> 0:47:14.160
<v Speaker 2>any like trepidation. And our relationship sort of shifted in

0:47:14.200 --> 0:47:15.759
<v Speaker 2>that moment, and I sort of realized I was going

0:47:15.800 --> 0:47:18.359
<v Speaker 2>to have to be the grown up, right And I

0:47:18.440 --> 0:47:23.640
<v Speaker 2>was like, don't worry about anything. I'm I'm a young,

0:47:23.719 --> 0:47:26.479
<v Speaker 2>healthy person. I'm going to beat around for a really

0:47:26.480 --> 0:47:28.399
<v Speaker 2>long time. Your kids are not going to be able

0:47:28.400 --> 0:47:31.600
<v Speaker 2>to get rid of me. I will take care of everything.

0:47:32.200 --> 0:47:37.920
<v Speaker 2>Don't worry, you know. And I think that I hope

0:47:37.960 --> 0:47:41.319
<v Speaker 2>that that helped ease his mind a little bit, you know,

0:47:41.360 --> 0:47:43.520
<v Speaker 2>because he has he still had kids that were in

0:47:43.560 --> 0:47:45.399
<v Speaker 2>their twenties. I mean they weren't you know, they weren't

0:47:45.440 --> 0:47:48.680
<v Speaker 2>babies or anything, but they were in their twenties, you know.

0:47:48.880 --> 0:47:53.560
<v Speaker 2>And actually I remember being in Canada and reading your

0:47:53.719 --> 0:47:57.480
<v Speaker 2>post that you wrote about him.

0:47:59.440 --> 0:48:00.000
<v Speaker 1>He was.

0:48:02.000 --> 0:48:06.080
<v Speaker 2>You know that that one hurt. That that one hurt.

0:48:06.520 --> 0:48:11.399
<v Speaker 1>Now musically, after the group broke up, your mother had

0:48:11.440 --> 0:48:13.800
<v Speaker 1>the most success of all four.

0:48:14.400 --> 0:48:16.600
<v Speaker 2>Mm hmm, yeah she did.

0:48:16.800 --> 0:48:19.320
<v Speaker 1>You know, it's tough to be in the spotlight. Ultimately

0:48:19.360 --> 0:48:22.400
<v Speaker 1>Michelle had an acting career, but it's tough to be

0:48:22.480 --> 0:48:26.160
<v Speaker 1>in the spotlight and then you're not Could you feel

0:48:26.200 --> 0:48:31.880
<v Speaker 1>any of that from them.

0:48:30.239 --> 0:48:33.640
<v Speaker 2>Not necessarily, And certainly, like I said, John, I didn't.

0:48:33.680 --> 0:48:35.680
<v Speaker 2>I didn't know him, so I can't even really speak

0:48:35.680 --> 0:48:40.560
<v Speaker 2>to that at all. Denny was Denny. Denny just kind of,

0:48:42.200 --> 0:48:43.960
<v Speaker 2>you know, did his own thing. He had so many

0:48:43.960 --> 0:48:46.279
<v Speaker 2>different projects that he worked on over the years, a

0:48:46.360 --> 0:48:50.560
<v Speaker 2>lot of projects in Canada. He was he worked on

0:48:50.600 --> 0:48:54.040
<v Speaker 2>the show called Theodore Tugboat, the kids show for for

0:48:54.120 --> 0:48:57.799
<v Speaker 2>the Canadian Broadcasting System up there, and and he sent

0:48:57.880 --> 0:48:59.719
<v Speaker 2>me on the hat when I had my little boy,

0:49:00.200 --> 0:49:04.120
<v Speaker 2>he sent me a big box of tugboat tugboat toys.

0:49:04.320 --> 0:49:06.920
<v Speaker 2>I think he was disgrateful for everything that, you know,

0:49:07.000 --> 0:49:09.520
<v Speaker 2>he was able to do. I don't think there was

0:49:09.600 --> 0:49:15.200
<v Speaker 2>any you know, jealousy or bad you know vibes about it.

0:49:15.239 --> 0:49:18.319
<v Speaker 2>I mean, I guess when you're the lead singer in

0:49:18.400 --> 0:49:21.879
<v Speaker 2>a band, it kind of makes sense that you go solo, right,

0:49:22.560 --> 0:49:24.040
<v Speaker 2>isn't that kind of the story of everybody?

0:49:24.520 --> 0:49:28.720
<v Speaker 1>Right? But that was sixty years ago, so these were progenitors,

0:49:28.760 --> 0:49:30.520
<v Speaker 1>whereas everything happens now.

0:49:31.000 --> 0:49:33.680
<v Speaker 2>Well then then then she set the pace.

0:49:33.760 --> 0:49:37.000
<v Speaker 1>What can I say, Well, I mean, you were seven

0:49:37.160 --> 0:49:39.879
<v Speaker 1>years old. One of the things you do in the book,

0:49:39.920 --> 0:49:42.319
<v Speaker 1>which is very interesting, is you go through all the

0:49:42.400 --> 0:49:47.680
<v Speaker 1>TV appearances which not everybody saw. But your mother was

0:49:47.800 --> 0:49:51.040
<v Speaker 1>constantly in the print news. You reference when she lost

0:49:51.040 --> 0:49:53.560
<v Speaker 1>an extreme amount of weight. She would be in the

0:49:53.560 --> 0:49:57.960
<v Speaker 1>people's section of Time magazine. She was someone who continued

0:49:58.000 --> 0:49:59.960
<v Speaker 1>to be in the news where the other three didn't.

0:50:00.120 --> 0:50:04.120
<v Speaker 2>On well, she wanted to continue to have a career,

0:50:04.600 --> 0:50:07.480
<v Speaker 2>you know, and she was also a single parent. She

0:50:07.520 --> 0:50:10.960
<v Speaker 2>had a reason to be out there, you know, trying

0:50:10.960 --> 0:50:13.120
<v Speaker 2>to make a living because there wasn't anybody else that

0:50:13.200 --> 0:50:16.520
<v Speaker 2>was doing it, you know. And by that time she

0:50:16.680 --> 0:50:20.080
<v Speaker 2>was I was a baby, and she knew she had

0:50:20.120 --> 0:50:23.919
<v Speaker 2>to take care of things that needed to be cared for.

0:50:24.120 --> 0:50:26.560
<v Speaker 2>You know. That's when she started doing a lot of

0:50:26.560 --> 0:50:30.480
<v Speaker 2>more television appearances, you know, that would kind of keep

0:50:30.480 --> 0:50:33.960
<v Speaker 2>her close to home. You know, all of the Carol Burnett,

0:50:34.040 --> 0:50:39.160
<v Speaker 2>I mean, she did so much great stick on television.

0:50:39.719 --> 0:50:39.960
<v Speaker 1>You know.

0:50:40.320 --> 0:50:42.919
<v Speaker 2>I love all that stuff. I wish I could say

0:50:42.920 --> 0:50:44.919
<v Speaker 2>I think I've seen all of it, but I'm sure

0:50:44.920 --> 0:50:46.839
<v Speaker 2>there's a couple of things I haven't seen, which is

0:50:47.239 --> 0:50:47.800
<v Speaker 2>very weird.

0:50:47.920 --> 0:50:50.920
<v Speaker 1>But do you listen to your mother's music.

0:50:51.560 --> 0:50:55.840
<v Speaker 2>I do listen to my mother's music. I started to

0:50:55.920 --> 0:51:03.200
<v Speaker 2>really get into the stuff that she recorded after she

0:51:03.440 --> 0:51:09.279
<v Speaker 2>left Dunhill, mostly because this is a brand new deal.

0:51:09.520 --> 0:51:12.040
<v Speaker 2>It was just her. She was going to get to

0:51:12.080 --> 0:51:15.720
<v Speaker 2>pick out everything that really she was being, that really

0:51:15.800 --> 0:51:20.319
<v Speaker 2>she was she was into, and so those records I

0:51:20.360 --> 0:51:23.560
<v Speaker 2>think speak to me a little bit more. When she

0:51:23.640 --> 0:51:25.759
<v Speaker 2>was able to do some more covers, I mean, the

0:51:25.960 --> 0:51:31.960
<v Speaker 2>RCA years were some pretty pretty good, pretty good records.

0:51:32.760 --> 0:51:36.879
<v Speaker 2>At one point. One of the last records my mom

0:51:36.920 --> 0:51:39.279
<v Speaker 2>made for RCA was a record called The Road Is

0:51:39.320 --> 0:51:42.239
<v Speaker 2>No Place for a Lady. And that record was recorded

0:51:42.360 --> 0:51:48.160
<v Speaker 2>in England at Trident Studios, and I remember her taking

0:51:48.200 --> 0:51:50.520
<v Speaker 2>me on that trip. That's when my nanny took me

0:51:50.560 --> 0:51:53.640
<v Speaker 2>to the Buckingham Palace to watch the guards change and

0:51:53.640 --> 0:51:55.359
<v Speaker 2>I'm like, yeah, this is boring, We're out of here.

0:51:55.880 --> 0:51:59.279
<v Speaker 2>So she so she recorded The Road is No Place

0:51:59.320 --> 0:52:03.520
<v Speaker 2>for a Lady in at Trident and the record was

0:52:03.520 --> 0:52:07.040
<v Speaker 2>was mixed over there. And when everybody got back to

0:52:07.080 --> 0:52:10.280
<v Speaker 2>the States and and the Lou Merenstein, who was the producer,

0:52:10.760 --> 0:52:13.000
<v Speaker 2>went to go and play the record for the label.

0:52:13.600 --> 0:52:16.719
<v Speaker 2>He was horrified at at what the mixes sounded like.

0:52:16.960 --> 0:52:21.960
<v Speaker 2>They sounded terrible, and he said, you gotta wait. I

0:52:22.000 --> 0:52:24.799
<v Speaker 2>gotta go back to England. I gotta go remix these

0:52:24.960 --> 0:52:27.560
<v Speaker 2>these songs. The masters are over there. I'll be back

0:52:27.560 --> 0:52:29.839
<v Speaker 2>in a week. Promise me, you're not gonna You're not

0:52:29.880 --> 0:52:33.680
<v Speaker 2>gonna release the record. Okay, we promised. They were. They did.

0:52:33.719 --> 0:52:37.960
<v Speaker 2>They they released the record and it's terrible mixed, or

0:52:38.520 --> 0:52:42.480
<v Speaker 2>you know, terribly mixed fashion. That's what the first pressing

0:52:42.600 --> 0:52:46.960
<v Speaker 2>of that of that record sounded like. And what what

0:52:47.080 --> 0:52:49.840
<v Speaker 2>Berenstein found out when he went back to London is

0:52:49.880 --> 0:52:55.200
<v Speaker 2>that in the interim between the recording of right before

0:52:55.239 --> 0:53:01.120
<v Speaker 2>they started recording the records, that tape head were misaligned

0:53:01.840 --> 0:53:05.600
<v Speaker 2>and they hadn't been adjusted. So the entire record was

0:53:05.640 --> 0:53:10.799
<v Speaker 2>recorded on misaligned tape heads. So that's why it all

0:53:10.840 --> 0:53:15.759
<v Speaker 2>sounds like dog duty. So in two thousand and eight,

0:53:17.680 --> 0:53:20.720
<v Speaker 2>one of a small what's the I forget the label

0:53:20.760 --> 0:53:23.719
<v Speaker 2>that so it was a retro one of the retro stations.

0:53:23.760 --> 0:53:27.839
<v Speaker 2>One of the retro CD companies wanted to put out

0:53:27.960 --> 0:53:31.000
<v Speaker 2>The Road is no Place for a Lady. And I

0:53:31.080 --> 0:53:35.239
<v Speaker 2>had a friend who worked at Sony, and they went

0:53:35.440 --> 0:53:40.800
<v Speaker 2>and looked in their vault. And the Sony vault hasn't

0:53:40.880 --> 0:53:46.759
<v Speaker 2>been moved ever. It's in like some cold storage and

0:53:46.840 --> 0:53:52.440
<v Speaker 2>some mountain in Pennsylvania, right, so all their masters are

0:53:53.440 --> 0:53:56.680
<v Speaker 2>in the best shape they can possibly be. They went

0:53:56.800 --> 0:54:03.480
<v Speaker 2>and found the original masters and they found the finished

0:54:03.520 --> 0:54:08.319
<v Speaker 2>mix that was never put on the record, And when

0:54:08.360 --> 0:54:11.640
<v Speaker 2>we did the remastering for this project in two thousand

0:54:11.640 --> 0:54:16.160
<v Speaker 2>and eight, we fixed it. We took that old crappy

0:54:16.239 --> 0:54:19.719
<v Speaker 2>mix off the first single and replaced it with the

0:54:19.760 --> 0:54:22.800
<v Speaker 2>better mix. So it's almost like it came full circle.

0:54:25.080 --> 0:54:27.280
<v Speaker 2>So it's kind of some of those things that happened

0:54:27.280 --> 0:54:30.200
<v Speaker 2>I think in my life are so cool. What a

0:54:30.200 --> 0:54:34.320
<v Speaker 2>great experience to get to fix what was a colossal mistake.

0:54:36.160 --> 0:54:40.040
<v Speaker 1>You go deeply into your mother's history growing up in

0:54:40.080 --> 0:54:45.080
<v Speaker 1>her family. What do you think was the background such

0:54:45.160 --> 0:54:48.680
<v Speaker 1>that she could have the drive to ultimately get success,

0:54:48.719 --> 0:54:51.080
<v Speaker 1>which was unbelievably difficult.

0:54:51.320 --> 0:54:55.120
<v Speaker 2>Depression I would call it depression, you know, I mean,

0:54:55.120 --> 0:55:00.560
<v Speaker 2>this is a post at World War two, Emily. You know,

0:55:00.640 --> 0:55:06.120
<v Speaker 2>with many many people who have have died overseas. You know,

0:55:06.320 --> 0:55:11.239
<v Speaker 2>my great grandmother's, her entire family, with exception of her

0:55:11.719 --> 0:55:14.960
<v Speaker 2>and one other cousin, one of one of her other sisters,

0:55:15.520 --> 0:55:24.920
<v Speaker 2>everyone died in the Holocaust. She she was, she felt

0:55:25.080 --> 0:55:28.920
<v Speaker 2>very responsible, my great grandmother. She felt as though she

0:55:28.960 --> 0:55:36.799
<v Speaker 2>should have been there. She had. She was severely, severely depressed.

0:55:37.080 --> 0:55:37.400
<v Speaker 3>And.

0:55:39.040 --> 0:55:42.319
<v Speaker 2>That kind of has continued, that that we have generational

0:55:42.400 --> 0:55:48.600
<v Speaker 2>depression in our family and that nothing is a better,

0:55:48.760 --> 0:55:52.640
<v Speaker 2>you know, like thing to get you out on moving

0:55:52.680 --> 0:55:54.600
<v Speaker 2>and doing is when you're depressed, you got to go

0:55:54.640 --> 0:55:57.840
<v Speaker 2>out and do it, you know. And I think that

0:55:57.960 --> 0:55:59.920
<v Speaker 2>was a big part of what caused my mom to

0:56:00.120 --> 0:56:05.080
<v Speaker 2>not want to give up, you know. She was. I

0:56:05.080 --> 0:56:08.400
<v Speaker 2>always liken her to the little engine that could. You know,

0:56:08.440 --> 0:56:11.520
<v Speaker 2>the children's book, I think I can, I think I can,

0:56:11.640 --> 0:56:15.239
<v Speaker 2>I think I can. You know. And the fact that

0:56:15.280 --> 0:56:18.080
<v Speaker 2>she told everyone I'm going to be the most famous

0:56:18.120 --> 0:56:20.759
<v Speaker 2>fact girl that ever lived. That's the best thing I've

0:56:20.760 --> 0:56:23.280
<v Speaker 2>ever heard in my life. I think that's so cool.

0:56:24.400 --> 0:56:25.080
<v Speaker 2>And she was right.

0:56:26.680 --> 0:56:28.600
<v Speaker 1>Now, when you read the book and you lay it

0:56:28.640 --> 0:56:32.480
<v Speaker 1>all out, it almost seems amazing that she made it.

0:56:33.320 --> 0:56:36.160
<v Speaker 1>There were close calls. She made a couple of records

0:56:36.160 --> 0:56:38.799
<v Speaker 1>with the Big Three. They didn't want her in the

0:56:38.880 --> 0:56:43.520
<v Speaker 1>Mamas and the Papas. It's just it's not exactly luck,

0:56:43.640 --> 0:56:45.760
<v Speaker 1>but most people would have given up much sooner.

0:56:47.280 --> 0:56:53.480
<v Speaker 2>Well. She she had this triumph over adversity thing that

0:56:53.560 --> 0:56:58.560
<v Speaker 2>she constantly exhibited. And it's almost like when someone tells

0:56:58.600 --> 0:57:00.560
<v Speaker 2>you no, you almost want to do it more her,

0:57:02.000 --> 0:57:03.960
<v Speaker 2>you know. So I think she probably was of that,

0:57:04.080 --> 0:57:08.720
<v Speaker 2>of that kind of thinking. And I think she also

0:57:08.800 --> 0:57:12.120
<v Speaker 2>really knew what I think she knew what she wanted,

0:57:12.120 --> 0:57:14.319
<v Speaker 2>and she was just and she just went and got it.

0:57:15.120 --> 0:57:17.440
<v Speaker 2>You know, that's that's the kind of person she was.

0:57:18.600 --> 0:57:22.920
<v Speaker 2>You know, I would love to have that kind of kutzba.

0:57:23.440 --> 0:57:25.160
<v Speaker 2>You know, she just she just didn't give up.

0:57:26.520 --> 0:57:28.200
<v Speaker 1>So what did you get from your mother?

0:57:30.880 --> 0:57:36.080
<v Speaker 2>What did I get from my mother? I don't know.

0:57:37.000 --> 0:57:40.960
<v Speaker 2>I'd like to believe that I have some of her

0:57:41.040 --> 0:57:51.040
<v Speaker 2>sense of humor. I know that our voices sound very similar,

0:57:51.120 --> 0:57:54.400
<v Speaker 2>our speaking voices and singing voices, as with a lot

0:57:54.400 --> 0:57:59.000
<v Speaker 2>of our family. So that's something I got from her.

0:57:59.640 --> 0:58:03.280
<v Speaker 2>Is I have that connection to her, And it's a

0:58:03.280 --> 0:58:08.040
<v Speaker 2>beautiful thing. I mean I I I feel very blessed

0:58:08.040 --> 0:58:08.800
<v Speaker 2>by it, for sure.

0:58:10.320 --> 0:58:13.800
<v Speaker 1>Okay, the records were produced by Lou Adler. Do you

0:58:13.920 --> 0:58:16.160
<v Speaker 1>know Lou and have you discussed this with him?

0:58:17.520 --> 0:58:20.640
<v Speaker 2>I do know Lou. I have not discussed the book

0:58:20.680 --> 0:58:27.440
<v Speaker 2>with him. I saw Lou the last time at at

0:58:27.480 --> 0:58:32.160
<v Speaker 2>this the induction, the installation of my mom's star in

0:58:32.200 --> 0:58:34.560
<v Speaker 2>the Hollywood Walk of Fame. He was one of our

0:58:34.960 --> 0:58:38.840
<v Speaker 2>guests that day, and he actually he pulled like the

0:58:38.880 --> 0:58:45.600
<v Speaker 2>perfect Lou Adler move without like barely even trying. We

0:58:45.680 --> 0:58:48.840
<v Speaker 2>had we had assembled like this big list of people

0:58:48.840 --> 0:58:51.919
<v Speaker 2>who had written nice things for us to say at

0:58:51.920 --> 0:58:54.560
<v Speaker 2>the at the ceremony, and we were trying to assign

0:58:54.640 --> 0:58:57.600
<v Speaker 2>and we had all these we had Graham, we had Uh,

0:58:57.880 --> 0:59:01.480
<v Speaker 2>we had Stephen Stills, we had and we had to

0:59:01.680 --> 0:59:05.120
<v Speaker 2>a quote from Crosby. We had quotes from just everybody

0:59:05.200 --> 0:59:08.760
<v Speaker 2>and their mother. And we were trying to figure out, okay,

0:59:08.760 --> 0:59:10.920
<v Speaker 2>well you'll give two of these quotes to Michelle, and

0:59:11.200 --> 0:59:17.600
<v Speaker 2>this person does that, and then Lou Adler goes, why

0:59:17.600 --> 0:59:20.960
<v Speaker 2>don't you just have Stephen Stills read the Crosby and

0:59:21.080 --> 0:59:25.200
<v Speaker 2>Nash and I went, oh my god, that's genius, And

0:59:25.240 --> 0:59:28.240
<v Speaker 2>that's what we did. So Still's got up there and

0:59:28.320 --> 0:59:32.520
<v Speaker 2>read quotes from his whole band, you know, and it

0:59:32.600 --> 0:59:35.240
<v Speaker 2>was just like this genius moment. We would have never

0:59:35.320 --> 0:59:40.160
<v Speaker 2>thought to do that take somebody like Lou Adler to go, oh, well,

0:59:40.160 --> 0:59:41.960
<v Speaker 2>that's really obvious that should go there.

0:59:41.960 --> 0:59:47.200
<v Speaker 1>Like, oh, okay, in the book you say you're very

0:59:47.360 --> 0:59:52.200
<v Speaker 1>tight with Carnie Wilson. How is it? You know, you

0:59:52.280 --> 0:59:54.480
<v Speaker 1>make it sound like it's a club and you're a

0:59:54.600 --> 0:59:58.320
<v Speaker 1>member of it. You know, all the sons and daughters

0:59:58.440 --> 1:00:03.040
<v Speaker 1>of the famous perform Was that just the nature of

1:00:03.080 --> 1:00:05.800
<v Speaker 1>growing up in La was that because you were cass

1:00:05.800 --> 1:00:09.440
<v Speaker 1>Elliott's daughter, was that your personality. How did you end

1:00:09.520 --> 1:00:10.560
<v Speaker 1>up knowing everybody?

1:00:11.000 --> 1:00:13.960
<v Speaker 2>I think it's growing up in LA. It's growing up

1:00:14.000 --> 1:00:19.600
<v Speaker 2>in LA the child of somebody who's well known in

1:00:19.640 --> 1:00:23.240
<v Speaker 2>the entertainment industry. It's all about where you were going

1:00:23.280 --> 1:00:25.480
<v Speaker 2>to school, you know. I mean, I was going to

1:00:25.480 --> 1:00:29.360
<v Speaker 2>school with kids whose whose parents were very well known.

1:00:29.760 --> 1:00:32.160
<v Speaker 2>And also, you know, going to school with the guy

1:00:32.200 --> 1:00:35.360
<v Speaker 2>who wrote the theme song from Law and Order, You

1:00:35.440 --> 1:00:38.200
<v Speaker 2>know what I mean. So we all just knew each

1:00:38.240 --> 1:00:42.760
<v Speaker 2>other because we were going to the same schools, same

1:00:42.800 --> 1:00:43.680
<v Speaker 2>birthday parties.

1:00:45.000 --> 1:00:47.880
<v Speaker 1>Just backing up, you talk about depression in the family.

1:00:47.920 --> 1:00:50.600
<v Speaker 1>Are you depressed? Oh?

1:00:50.680 --> 1:00:55.520
<v Speaker 2>Probably? I don't know. I think it's wearing off a

1:00:55.520 --> 1:01:00.400
<v Speaker 2>little bit generation a generation. Am I prone to it? Probably?

1:01:01.760 --> 1:01:06.000
<v Speaker 2>But I also know that if I have fits of depression,

1:01:06.480 --> 1:01:08.480
<v Speaker 2>you know what I've had. I've had some pretty shitty

1:01:08.480 --> 1:01:11.120
<v Speaker 2>things happen in my life, So I can appreciate that

1:01:11.320 --> 1:01:13.800
<v Speaker 2>and and you know, get myself out of it.

1:01:21.280 --> 1:01:24.560
<v Speaker 1>So you have kids. Was there any doubt about having

1:01:24.640 --> 1:01:28.840
<v Speaker 1>kids because of your upbringing? And to what degree was

1:01:28.880 --> 1:01:33.120
<v Speaker 1>your raising of your kids informs by your growing up experience.

1:01:34.640 --> 1:01:41.120
<v Speaker 2>Well, I never had any trepidations about having children. I

1:01:41.160 --> 1:01:48.560
<v Speaker 2>always knew that I that I wanted to. Uh. It's

1:01:48.680 --> 1:01:51.440
<v Speaker 2>funny because one of the conversations I was having with

1:01:51.520 --> 1:01:54.480
<v Speaker 2>moon Zappa in the last week or so, uh, and

1:01:54.480 --> 1:01:58.000
<v Speaker 2>and also with with Ahmet I did the podcast of them.

1:01:58.000 --> 1:02:01.840
<v Speaker 2>We were talking about, you know, our parents being these

1:02:02.320 --> 1:02:08.920
<v Speaker 2>sixties people, right, they they let us have so much freedom,

1:02:10.400 --> 1:02:15.720
<v Speaker 2>way too much freedom, and all we really ever wanted

1:02:16.400 --> 1:02:20.600
<v Speaker 2>was structure. And they really thought, well, they're doing us

1:02:20.640 --> 1:02:22.800
<v Speaker 2>this great favorite. Let them be free, go out do

1:02:22.920 --> 1:02:27.320
<v Speaker 2>your thing, you know. And it turns out that most

1:02:27.320 --> 1:02:35.600
<v Speaker 2>of us ended up creating completely fifties style homes and

1:02:35.760 --> 1:02:41.720
<v Speaker 2>marriages and children and lives like really super stable, you know, structured,

1:02:41.840 --> 1:02:47.200
<v Speaker 2>scheduled things because we didn't have any of that, you know,

1:02:47.240 --> 1:02:49.160
<v Speaker 2>and they really thought they were, you know, doing the

1:02:49.240 --> 1:02:54.080
<v Speaker 2>right thing. Probably not. Most of us really needed to

1:02:54.440 --> 1:02:57.959
<v Speaker 2>have a little more structure, you know. And that's that's

1:02:58.000 --> 1:03:02.439
<v Speaker 2>one thing that you know, they really, like I said,

1:03:02.480 --> 1:03:04.520
<v Speaker 2>they really thought they were doing the right thing. But

1:03:04.960 --> 1:03:07.120
<v Speaker 2>in the long run, I think it was we probably

1:03:07.120 --> 1:03:08.680
<v Speaker 2>would have done better with more structure.

1:03:09.680 --> 1:03:12.520
<v Speaker 1>So it's kind of like family ties, But what are

1:03:12.560 --> 1:03:14.080
<v Speaker 1>your kids up to these days?

1:03:15.400 --> 1:03:19.640
<v Speaker 2>Well, my daughter is going to graduate from cal State

1:03:19.680 --> 1:03:25.360
<v Speaker 2>Northridge in the winter, just two classes to to take

1:03:25.400 --> 1:03:28.800
<v Speaker 2>and they wouldn't let her walk come on. So they're

1:03:28.800 --> 1:03:30.800
<v Speaker 2>going to make her take two more classes in the winter,

1:03:31.560 --> 1:03:36.360
<v Speaker 2>and she's going to have a degree in education so

1:03:36.440 --> 1:03:38.880
<v Speaker 2>that you know, she can go get a job teaching

1:03:39.040 --> 1:03:47.240
<v Speaker 2>anywhere anytime. Our son is the one kid that got

1:03:47.280 --> 1:03:50.560
<v Speaker 2>bitten by the music business bug. Did I think I

1:03:50.600 --> 1:03:53.520
<v Speaker 2>was going to escape it entirely? I don't know. He

1:03:54.120 --> 1:03:56.360
<v Speaker 2>wants to be a recording engineer. Well, he's actually is

1:03:56.400 --> 1:03:59.640
<v Speaker 2>a recording engineer, and he spends a lot of time

1:04:00.080 --> 1:04:04.000
<v Speaker 2>in his studio. And I raised a studio rat. What

1:04:04.080 --> 1:04:07.640
<v Speaker 2>can I say? One out of two ain't bad, you know,

1:04:08.520 --> 1:04:10.560
<v Speaker 2>but they're great. My son is twenty two and my

1:04:10.640 --> 1:04:13.800
<v Speaker 2>daughter is turning twenty five. I married a guy in

1:04:13.840 --> 1:04:17.880
<v Speaker 2>the music business again, big shocker. My husband is a

1:04:17.920 --> 1:04:21.960
<v Speaker 2>songwriter record producer. He's one of the founding members of SONA.

1:04:22.120 --> 1:04:26.240
<v Speaker 2>If you know who Sona are songwriters of North America.

1:04:28.480 --> 1:04:32.480
<v Speaker 2>He's you know, you marry close to what you know?

1:04:32.680 --> 1:04:36.600
<v Speaker 2>I guess you know. And we all created all of

1:04:36.680 --> 1:04:43.520
<v Speaker 2>us kids, China and Billie Carney and Wendy, we all

1:04:44.040 --> 1:04:51.200
<v Speaker 2>you know, created kind of the homes that we didn't have, right.

1:04:52.400 --> 1:04:57.200
<v Speaker 1>Okay, so you were in the group, which ultimately became

1:04:57.400 --> 1:04:59.960
<v Speaker 1>Wilson Phillips, and then you weren't in the group.

1:05:01.400 --> 1:05:05.560
<v Speaker 2>Yes, that is a pretty accurate statement. The way it

1:05:05.600 --> 1:05:09.440
<v Speaker 2>worked was that when I first came to La we Are,

1:05:09.480 --> 1:05:12.040
<v Speaker 2>the world had just been like that huge record that

1:05:12.040 --> 1:05:15.040
<v Speaker 2>it was, and I thought, Wow, that is so cool.

1:05:15.120 --> 1:05:18.560
<v Speaker 2>You know, people coming together for a common cause. That's

1:05:18.640 --> 1:05:21.960
<v Speaker 2>really cool. And I thought, well, maybe we should, I said.

1:05:22.080 --> 1:05:24.240
<v Speaker 2>I thought to myself, I know all these kids, you know,

1:05:24.280 --> 1:05:26.000
<v Speaker 2>like we were just talking about we all went to

1:05:26.040 --> 1:05:29.080
<v Speaker 2>the same schools. We know all these kids, and maybe

1:05:29.080 --> 1:05:32.960
<v Speaker 2>we could, you know, do a charity record against drugs.

1:05:33.280 --> 1:05:35.920
<v Speaker 2>You know, all these sixties kids talking about drug abuse.

1:05:36.160 --> 1:05:38.800
<v Speaker 2>Let's do that. And I called China and she thought

1:05:38.840 --> 1:05:41.000
<v Speaker 2>it was a pretty good idea. And we called a

1:05:41.000 --> 1:05:44.000
<v Speaker 2>bunch of people and they turned us down. We called

1:05:44.040 --> 1:05:46.920
<v Speaker 2>moon Zappas she turned us down. She doesn't remember. Donovan

1:05:46.960 --> 1:05:50.560
<v Speaker 2>Leitch turned us down. IONI Sky turned us down. And

1:05:50.600 --> 1:05:53.000
<v Speaker 2>the only people that wanted to do anything were Carnie

1:05:53.040 --> 1:05:56.200
<v Speaker 2>and Wendy Wilson, who I had gone to school with

1:05:56.280 --> 1:06:01.320
<v Speaker 2>him at Oakwood when I was still living in and

1:06:01.960 --> 1:06:07.000
<v Speaker 2>so we all started singing together, and we started doing

1:06:07.040 --> 1:06:11.120
<v Speaker 2>some demos for Richard Perry back in the olden days,

1:06:11.560 --> 1:06:17.040
<v Speaker 2>and it just didn't work out. You know, I I

1:06:18.840 --> 1:06:22.960
<v Speaker 2>don't know how to blend. I really sing really loud,

1:06:23.440 --> 1:06:27.640
<v Speaker 2>and I just kind of overpower people and I don't

1:06:27.680 --> 1:06:31.760
<v Speaker 2>think that's a really good thing in a harmony group.

1:06:32.400 --> 1:06:35.320
<v Speaker 2>And so things just didn't work out, and they went

1:06:35.400 --> 1:06:38.640
<v Speaker 2>their merry little way, and of course had the success

1:06:38.680 --> 1:06:43.200
<v Speaker 2>that they had, which was huge. But it came really

1:06:43.200 --> 1:06:46.919
<v Speaker 2>a full circle when they when they made their record California,

1:06:47.000 --> 1:06:51.840
<v Speaker 2>which was oh no, dedicated, sorry, dedicated, which was all

1:06:51.960 --> 1:06:54.840
<v Speaker 2>which was a whole record dedicated to the music of

1:06:55.240 --> 1:06:57.920
<v Speaker 2>the Mamas and Papas and the Beach Boys. And they

1:06:57.960 --> 1:07:01.800
<v Speaker 2>asked me to come in and sing on dedicated and

1:07:01.840 --> 1:07:04.760
<v Speaker 2>saying the part that was kind of known for my mom,

1:07:04.840 --> 1:07:07.320
<v Speaker 2>and so I did, and you know what, it kind

1:07:07.320 --> 1:07:11.360
<v Speaker 2>of it really closed that circle. It really closed into

1:07:11.440 --> 1:07:16.640
<v Speaker 2>a nice full circle moment. And so we're all, it's

1:07:16.680 --> 1:07:19.960
<v Speaker 2>all good, we all, we're all really close.

1:07:20.960 --> 1:07:24.280
<v Speaker 1>Okay, that's thirty five years thirty four. I was there

1:07:24.360 --> 1:07:28.840
<v Speaker 1>at their debut at SBK Records in the Desert. Oh yeah,

1:07:29.400 --> 1:07:33.480
<v Speaker 1>you must have. That must have been very painful to

1:07:33.520 --> 1:07:34.280
<v Speaker 1>be left out.

1:07:34.760 --> 1:07:38.600
<v Speaker 2>Oh my god, I was so upset. I was so upset.

1:07:39.240 --> 1:07:41.480
<v Speaker 2>I didn't know what I was going to do. I

1:07:41.600 --> 1:07:48.240
<v Speaker 2>was so mad. I was so upset. But I just

1:07:48.400 --> 1:07:50.880
<v Speaker 2>kind of went, Okay, well, now I got to figure

1:07:50.880 --> 1:07:54.640
<v Speaker 2>out what I'm going to do. And eventually I was

1:07:54.680 --> 1:08:00.640
<v Speaker 2>able to get a demo tape together, and uh, I had.

1:08:00.720 --> 1:08:04.880
<v Speaker 2>I had been managed by a guy named Roy Silver

1:08:05.720 --> 1:08:08.680
<v Speaker 2>who had actually managed my mom back in the Big

1:08:08.760 --> 1:08:12.560
<v Speaker 2>Three Days, and he had he was sure he could

1:08:12.560 --> 1:08:17.680
<v Speaker 2>get me a deal, and he oh, he started to

1:08:17.680 --> 1:08:20.400
<v Speaker 2>be very controlling and like tell me what to where

1:08:20.439 --> 1:08:24.639
<v Speaker 2>and I that was not gonna fly with me. And

1:08:25.080 --> 1:08:27.840
<v Speaker 2>I really didn't like being told what to do very.

1:08:27.760 --> 1:08:28.639
<v Speaker 1>Much at all.

1:08:29.120 --> 1:08:33.439
<v Speaker 2>So I ended up firing him. And then a year later,

1:08:33.680 --> 1:08:37.760
<v Speaker 2>Wilson Phillips comes out and they're a huge success, and

1:08:37.840 --> 1:08:42.400
<v Speaker 2>so he went ahead and without checking with me, sent

1:08:42.439 --> 1:08:47.559
<v Speaker 2>the tape out and got me a deal. I was like, oh, great,

1:08:48.720 --> 1:08:51.240
<v Speaker 2>And so I ended up having a deal with mc

1:08:51.400 --> 1:08:54.839
<v Speaker 2>A well with a production company that was tied to MCA,

1:08:55.479 --> 1:08:58.400
<v Speaker 2>and I made half a record for them, and then

1:08:58.680 --> 1:09:03.240
<v Speaker 2>Matt Sacheetah bought the Panasonic and just cleaned the roster,

1:09:03.600 --> 1:09:07.320
<v Speaker 2>you know, just poured some chlorox on it and cleaned

1:09:07.360 --> 1:09:10.360
<v Speaker 2>it up. And I was part of part of the

1:09:10.400 --> 1:09:12.800
<v Speaker 2>people who they let go. And then I said, you

1:09:12.840 --> 1:09:15.680
<v Speaker 2>know what fun ghoul music business. I don't need this.

1:09:16.840 --> 1:09:20.840
<v Speaker 2>And then I ended up getting married and you know,

1:09:20.960 --> 1:09:24.960
<v Speaker 2>living my life. I figured I'd go back to it

1:09:25.000 --> 1:09:26.160
<v Speaker 2>if it was meant to be right.

1:09:27.280 --> 1:09:33.960
<v Speaker 1>So how hard was it to give up the dream?

1:09:34.040 --> 1:09:37.400
<v Speaker 2>Really hard. I think I probably still have it in

1:09:37.479 --> 1:09:41.400
<v Speaker 2>some ways. You know, I sing like a maniac in

1:09:41.439 --> 1:09:43.720
<v Speaker 2>my car, so I think I get it out that

1:09:43.800 --> 1:09:50.120
<v Speaker 2>way and getting to you know, occasionally perform with the

1:09:50.160 --> 1:09:53.519
<v Speaker 2>girls when they do shows around town. But yeah, it's

1:09:53.560 --> 1:09:57.160
<v Speaker 2>not an easy one, that's for sure. And that was

1:09:57.200 --> 1:10:00.240
<v Speaker 2>a big fear that I would really regret, you know,

1:10:00.760 --> 1:10:05.840
<v Speaker 2>not pushing myself harder. But I also really just wanted

1:10:05.880 --> 1:10:09.360
<v Speaker 2>to have a normal life, you know, and I had

1:10:09.439 --> 1:10:11.919
<v Speaker 2>just gotten married, and I just wanted to have babies

1:10:12.000 --> 1:10:17.040
<v Speaker 2>and be a mom and you know, have that be

1:10:17.160 --> 1:10:18.960
<v Speaker 2>my life for a while. And then I figured if

1:10:19.000 --> 1:10:22.599
<v Speaker 2>it was really something that I was meant to do,

1:10:22.800 --> 1:10:25.040
<v Speaker 2>then you know, there would be a way at some

1:10:25.160 --> 1:10:29.800
<v Speaker 2>point that I'd be able to to sing and love

1:10:29.880 --> 1:10:34.240
<v Speaker 2>doing it, you know, but I get older and it's okay.

1:10:35.800 --> 1:10:42.400
<v Speaker 1>Can we talk any of this up to sexism?

1:10:42.520 --> 1:10:45.960
<v Speaker 2>M I don't think so, because I think if I

1:10:46.000 --> 1:10:48.559
<v Speaker 2>had smelled that I would have I would have lost

1:10:48.600 --> 1:10:52.960
<v Speaker 2>my mind. I'm pretty in tune with that kind of stuff.

1:10:53.520 --> 1:10:56.800
<v Speaker 1>So, now that you've finished the book and your kids

1:10:56.840 --> 1:11:00.320
<v Speaker 1>are on the way, what's the plan for all your time?

1:11:00.640 --> 1:11:02.720
<v Speaker 2>Oh my god, I have no idea. I haven't even

1:11:02.760 --> 1:11:07.800
<v Speaker 2>it's terrifying to even think of. I'm not sure yet.

1:11:08.720 --> 1:11:12.479
<v Speaker 2>We actually had we'd had to put our sixteen year

1:11:12.520 --> 1:11:15.200
<v Speaker 2>old dog down last week because you know, timing is everything,

1:11:16.080 --> 1:11:20.160
<v Speaker 2>and my husband and I realized that we have spent

1:11:20.400 --> 1:11:24.160
<v Speaker 2>the better part of the last thirty two years either

1:11:24.200 --> 1:11:27.000
<v Speaker 2>taking care of a puppy or a baby or somebody

1:11:27.080 --> 1:11:31.519
<v Speaker 2>or something, and we'd like to, you know, go travel,

1:11:31.640 --> 1:11:34.920
<v Speaker 2>we'd like to, you know, go and do some things together.

1:11:35.240 --> 1:11:37.680
<v Speaker 2>Kids are old enough we can kind of get to

1:11:38.160 --> 1:11:40.120
<v Speaker 2>have a moment. So I think that's kind of what

1:11:40.160 --> 1:11:42.160
<v Speaker 2>I'm what I'm going to do in the immediate future.

1:11:43.520 --> 1:11:46.160
<v Speaker 2>And then I don't know, we'll see.

1:11:46.760 --> 1:11:50.599
<v Speaker 1>There's another theme in the book about your biological father.

1:11:50.800 --> 1:11:54.000
<v Speaker 1>Can you tell us something about that Chuck Day.

1:11:56.360 --> 1:11:58.760
<v Speaker 2>Well, he was certainly somebody that I felt like I

1:11:58.800 --> 1:12:02.599
<v Speaker 2>would appreciate more or after he had passed away, which

1:12:02.640 --> 1:12:09.560
<v Speaker 2>actually is the truth. Chuck Day was born in Illinois,

1:12:09.680 --> 1:12:13.880
<v Speaker 2>in Chicago, and he was a blues guy. He had

1:12:13.960 --> 1:12:17.200
<v Speaker 2>he actually had his first record put out when he

1:12:17.280 --> 1:12:21.959
<v Speaker 2>was fifteen years old on a label called Federal Records

1:12:23.200 --> 1:12:26.519
<v Speaker 2>under a name Underheath, his name Bang Day. His real

1:12:26.640 --> 1:12:29.320
<v Speaker 2>name was Chuck Day, but his stage name was Bang Day.

1:12:31.000 --> 1:12:32.840
<v Speaker 2>And he was kind of a little he was kind

1:12:32.880 --> 1:12:35.639
<v Speaker 2>of a you know, protege in in that way, and

1:12:37.880 --> 1:12:42.000
<v Speaker 2>his childhood and his upbringing had their own, you know story,

1:12:42.160 --> 1:12:44.519
<v Speaker 2>and we don't have to get into that now. But

1:12:45.960 --> 1:12:48.400
<v Speaker 2>he had a kind of a rough, a rough beginning,

1:12:48.560 --> 1:12:55.360
<v Speaker 2>and he ended up coming to LA and with I

1:12:55.400 --> 1:12:58.639
<v Speaker 2>think with Johnny Rivers because he was playing with Johnny

1:12:58.760 --> 1:13:02.880
<v Speaker 2>Rivers and he had he says that he wrote the

1:13:02.920 --> 1:13:07.040
<v Speaker 2>opening riff to Secret Agent Man and that he had

1:13:07.040 --> 1:13:09.799
<v Speaker 2>based it on the TV series Tommy, on the Tommy

1:13:09.800 --> 1:13:15.360
<v Speaker 2>gunn Uh TV series. He maintained till till he died

1:13:15.439 --> 1:13:21.680
<v Speaker 2>that he had written that that piece and he had been,

1:13:21.720 --> 1:13:25.040
<v Speaker 2>like I said, working with Johnny Rivers and Johnny Rivers

1:13:25.160 --> 1:13:28.519
<v Speaker 2>had a relationship with Lou Adler in that whole camp,

1:13:28.600 --> 1:13:32.360
<v Speaker 2>and so my biological father ended up playing on some

1:13:32.479 --> 1:13:36.360
<v Speaker 2>Moms and Papa's records, like second Guitar, And when they

1:13:36.439 --> 1:13:40.320
<v Speaker 2>were tapped to do a tour, they chose to take

1:13:40.400 --> 1:13:46.360
<v Speaker 2>him out to play guitar on their tour, and it

1:13:46.520 --> 1:13:51.160
<v Speaker 2>was a one night stand my mom and the bass player. Oh,

1:13:51.200 --> 1:13:53.200
<v Speaker 2>I guess he was playing bass at that point. My

1:13:53.280 --> 1:13:56.679
<v Speaker 2>mom and the bass player went back to her room

1:13:57.080 --> 1:14:01.160
<v Speaker 2>at the hotel and had a lot of Chinese food

1:14:01.360 --> 1:14:05.839
<v Speaker 2>and alcohol. And that was the night I was conceived.

1:14:05.840 --> 1:14:09.759
<v Speaker 2>And I did find that out after I met him finally,

1:14:10.040 --> 1:14:15.639
<v Speaker 2>in I guess it was probably eighty six or eighty seven.

1:14:15.760 --> 1:14:18.559
<v Speaker 2>I met him for the first time, and Michelle Phillips

1:14:18.640 --> 1:14:23.759
<v Speaker 2>was instrumental in me meeting him. I had had dinner

1:14:23.800 --> 1:14:26.840
<v Speaker 2>with Michelle and John and Danny right after I had

1:14:26.880 --> 1:14:31.720
<v Speaker 2>come to California in eighty six, and Michelle drove me

1:14:31.760 --> 1:14:34.160
<v Speaker 2>home that night and I said to her on the

1:14:34.240 --> 1:14:36.880
<v Speaker 2>drive home, g you know, I wish we could find

1:14:36.920 --> 1:14:39.960
<v Speaker 2>out who my real father was because I had always

1:14:40.000 --> 1:14:43.160
<v Speaker 2>wondered because my mom really didn't tell anybody. She took

1:14:43.200 --> 1:14:46.880
<v Speaker 2>that secret right to the grave, or at least I thought,

1:14:47.200 --> 1:14:50.759
<v Speaker 2>because Michelle said that when she and Danny and John

1:14:50.760 --> 1:14:53.799
<v Speaker 2>had been in the car driving to the Imperial Gardens

1:14:53.840 --> 1:14:57.680
<v Speaker 2>in LA that she had said to them, gee, you know,

1:14:57.720 --> 1:15:00.880
<v Speaker 2>we never found out who Owen Vanessa's dad was, and

1:15:00.920 --> 1:15:03.519
<v Speaker 2>that John and Denny like immediately shot each other a

1:15:03.520 --> 1:15:07.639
<v Speaker 2>look of like knowing, like, oh, you don't know, do you?

1:15:08.080 --> 1:15:10.320
<v Speaker 2>She was like, wait a minute, what do you guys know?

1:15:10.680 --> 1:15:15.719
<v Speaker 2>They knew his name? So I asked her to help

1:15:15.800 --> 1:15:21.439
<v Speaker 2>me find him, and she had her secretary put an

1:15:21.479 --> 1:15:26.000
<v Speaker 2>ad in what was Musician magazine at the time, sort

1:15:26.040 --> 1:15:29.559
<v Speaker 2>of this you know, generic ad of you know, Chuck Day,

1:15:30.040 --> 1:15:33.200
<v Speaker 2>old bass player for the Mamas and Papa's call this number.

1:15:33.800 --> 1:15:36.280
<v Speaker 2>Kind of made it seem like there was money or something,

1:15:37.720 --> 1:15:41.000
<v Speaker 2>and like within a day one of his friends was calling, oh,

1:15:41.120 --> 1:15:46.080
<v Speaker 2>is this about the kid? Well, so it turned out

1:15:46.080 --> 1:15:51.200
<v Speaker 2>that he knew about me, and he had met me once,

1:15:54.120 --> 1:15:57.760
<v Speaker 2>and that he had, you know, really adhere to what

1:15:57.800 --> 1:16:02.479
<v Speaker 2>my mother had requested, which was don't come back and

1:16:02.760 --> 1:16:05.280
<v Speaker 2>you're not her father, don't ever tell her that you are.

1:16:08.040 --> 1:16:11.280
<v Speaker 2>I did find out from him after I had met him,

1:16:11.840 --> 1:16:14.280
<v Speaker 2>spoken to him a couple of times that he had

1:16:14.280 --> 1:16:18.599
<v Speaker 2>come to the funeral and that he had stood across

1:16:18.640 --> 1:16:23.799
<v Speaker 2>the street. Oh. I got so mad, because I wondered

1:16:23.800 --> 1:16:29.559
<v Speaker 2>about him for years. He had just had the balls

1:16:29.640 --> 1:16:34.800
<v Speaker 2>to walk across the street, right And by the time

1:16:34.840 --> 1:16:43.640
<v Speaker 2>I met him, he was pretty pretty well into his alcoholism.

1:16:44.640 --> 1:16:51.280
<v Speaker 2>It wasn't pretty. And he had started talking to the

1:16:51.320 --> 1:16:54.280
<v Speaker 2>press up near where he lived. He lived in Fairfax,

1:16:54.439 --> 1:16:58.519
<v Speaker 2>Marine County, and he started telling the newspapers that he'd

1:16:58.560 --> 1:17:02.439
<v Speaker 2>had a child with Mama Cass, Like, dude, don't do that.

1:17:04.479 --> 1:17:06.400
<v Speaker 2>And it was right around the time I was pregnant

1:17:06.439 --> 1:17:08.720
<v Speaker 2>with my daughter, and I just went, I don't. I

1:17:08.760 --> 1:17:11.160
<v Speaker 2>don't really want to have anything to do with him.

1:17:11.479 --> 1:17:13.679
<v Speaker 2>So I cut off contact for a really long time,

1:17:14.160 --> 1:17:16.080
<v Speaker 2>but I did. But I did see him at the end.

1:17:16.320 --> 1:17:21.320
<v Speaker 2>Towards the end of his life, the social worker from

1:17:21.479 --> 1:17:24.839
<v Speaker 2>the hospital he was in reached out to my mom's website,

1:17:24.880 --> 1:17:27.320
<v Speaker 2>and I couldn't help myself. I had to. I had

1:17:27.360 --> 1:17:30.439
<v Speaker 2>to see him one more time, you know, and set

1:17:30.479 --> 1:17:34.160
<v Speaker 2>it straight, you know, And I showed him pictures of

1:17:33.880 --> 1:17:37.040
<v Speaker 2>art of his grandchildren that he was never ever going

1:17:37.080 --> 1:17:39.360
<v Speaker 2>to meet over my dead body, was ever going to

1:17:39.400 --> 1:17:42.840
<v Speaker 2>meet him, but I thought that he deserved at least

1:17:42.840 --> 1:17:46.360
<v Speaker 2>to see them and see pictures. So I mean it

1:17:46.720 --> 1:17:52.000
<v Speaker 2>was I definitely felt like we had, you know, sewn

1:17:52.040 --> 1:17:54.559
<v Speaker 2>it up, you know, that I had I had said

1:17:54.600 --> 1:17:56.719
<v Speaker 2>what I needed to say, and that he had said

1:17:56.720 --> 1:18:00.080
<v Speaker 2>what he needed to say. And but through him, I

1:18:00.080 --> 1:18:02.320
<v Speaker 2>did find out that I had I had more family,

1:18:03.080 --> 1:18:06.280
<v Speaker 2>you know. So I got to have a little relationship

1:18:06.360 --> 1:18:09.760
<v Speaker 2>with a woman who was my older sister, you know.

1:18:09.760 --> 1:18:11.960
<v Speaker 2>I got to know her for a few years. So

1:18:12.080 --> 1:18:15.400
<v Speaker 2>there were some there were some minor gifts, you know,

1:18:15.680 --> 1:18:16.360
<v Speaker 2>along the way.

1:18:16.439 --> 1:18:21.040
<v Speaker 1>But yeah, what a trip, Okay, other than all the

1:18:21.080 --> 1:18:26.280
<v Speaker 1>emotional considerations. Now, when you hear stories similar to this,

1:18:27.000 --> 1:18:31.599
<v Speaker 1>people meet the biological relative and they say, oh I

1:18:31.720 --> 1:18:33.840
<v Speaker 1>look like that, or I yeah like that.

1:18:34.000 --> 1:18:38.160
<v Speaker 2>Oh that happened. That happened the minute, the minute he

1:18:38.240 --> 1:18:43.000
<v Speaker 2>walked in and I looked at him, it's like you

1:18:43.040 --> 1:18:48.040
<v Speaker 2>can feel it's almost like an electrical current. It's it's

1:18:48.120 --> 1:18:53.040
<v Speaker 2>you just know that this DNA is yours. You just

1:18:53.200 --> 1:18:58.679
<v Speaker 2>know it. And I got this nose from him. This

1:18:58.760 --> 1:19:01.800
<v Speaker 2>is not a Jewish nose. This is my nose. It's

1:19:01.840 --> 1:19:03.880
<v Speaker 2>always been my nose. It's not the work of any

1:19:03.920 --> 1:19:08.160
<v Speaker 2>plastic surgeon. It's the work of having a Swedish and

1:19:08.280 --> 1:19:13.679
<v Speaker 2>Scottish birth father, you know. And he had the same nose,

1:19:13.880 --> 1:19:19.799
<v Speaker 2>only larger of course. And my son got this nose.

1:19:21.000 --> 1:19:23.920
<v Speaker 2>Why my daughter didn't get this nose, Why she got

1:19:24.080 --> 1:19:29.320
<v Speaker 2>the requisite Jewish schnas and not this. Never know why

1:19:29.320 --> 1:19:33.680
<v Speaker 2>that choice was made by whomever. But yeah, my sons

1:19:34.080 --> 1:19:38.640
<v Speaker 2>has this, and it's true. You just know. You feel it,

1:19:38.640 --> 1:19:42.759
<v Speaker 2>whether you want to or not. I wasn't really happy

1:19:42.760 --> 1:19:47.880
<v Speaker 2>about feeling like, oh yeah, that you're not the Knight

1:19:47.920 --> 1:19:53.080
<v Speaker 2>in Shining Armor. I had fantasized in my brain, you know,

1:19:54.680 --> 1:19:57.240
<v Speaker 2>a little bit of a disappointment. But like I said,

1:19:57.280 --> 1:20:01.200
<v Speaker 2>there were a little bit of you know, silver linings,

1:20:01.880 --> 1:20:03.800
<v Speaker 2>got to meet some family, got to know a little

1:20:03.800 --> 1:20:04.400
<v Speaker 2>bit of history.

1:20:06.760 --> 1:20:12.680
<v Speaker 1>Talking with you, you seem, despite all of these traumas,

1:20:12.760 --> 1:20:17.160
<v Speaker 1>as you labeled them in ups and downs, pretty well adjusted.

1:20:17.600 --> 1:20:19.719
<v Speaker 1>Would you agree with that or would you say, beneath

1:20:19.720 --> 1:20:21.720
<v Speaker 1>the surface you have no idea what's going on?

1:20:22.320 --> 1:20:24.840
<v Speaker 2>Well, maybe a little bit of both. I had a

1:20:24.960 --> 1:20:30.240
<v Speaker 2>lot of therapy in my life and I can attribute

1:20:30.280 --> 1:20:38.360
<v Speaker 2>a lot of my seeming mental health to that. And yeah,

1:20:38.400 --> 1:20:42.480
<v Speaker 2>I'm also not normal. You know, I can get completely

1:20:43.280 --> 1:20:45.599
<v Speaker 2>when I get mad about something. Oh it's not good,

1:20:47.560 --> 1:20:50.640
<v Speaker 2>but I'm pretty well adjusted and I'm not embarrassed to

1:20:50.640 --> 1:20:50.960
<v Speaker 2>say it.

1:20:52.080 --> 1:20:56.000
<v Speaker 1>You know, Okay, you're in Massachusetts living with your aunt

1:20:56.160 --> 1:21:00.280
<v Speaker 1>and then ultimately going to this school. Yeah, do you

1:21:00.400 --> 1:21:04.000
<v Speaker 1>feel special and you tell people your cass Elliot's daughter

1:21:04.720 --> 1:21:07.040
<v Speaker 1>or you stay silent and all of a sudden the

1:21:07.080 --> 1:21:07.879
<v Speaker 1>word spreads.

1:21:08.720 --> 1:21:12.680
<v Speaker 2>I stay silent. I stay silent. I don't don't. I

1:21:12.680 --> 1:21:17.719
<v Speaker 2>don't usually tell people. Eventually they'll find out, but mostly

1:21:17.720 --> 1:21:19.040
<v Speaker 2>I want to find out if they want to hang

1:21:19.080 --> 1:21:25.640
<v Speaker 2>out with me for me or you know, want to

1:21:25.680 --> 1:21:28.680
<v Speaker 2>know something about my mom, because I had experienced that

1:21:28.760 --> 1:21:33.320
<v Speaker 2>a lot, so and any kid of any celebrity is

1:21:33.320 --> 1:21:39.320
<v Speaker 2>going to feel the same way. You have a almost

1:21:39.360 --> 1:21:42.439
<v Speaker 2>like a sixth sense. You have to sort of develop

1:21:42.479 --> 1:21:46.439
<v Speaker 2>it because you just never know why somebody wants to

1:21:46.479 --> 1:21:51.280
<v Speaker 2>be your friend. So keeping you know, your business to

1:21:51.320 --> 1:21:55.759
<v Speaker 2>yourself is usually the first plan of attack. And eventually

1:21:55.760 --> 1:21:59.160
<v Speaker 2>they're going to find out anyway, But by then I

1:21:59.240 --> 1:22:01.040
<v Speaker 2>might know whether or not, you know, they actually want

1:22:01.080 --> 1:22:04.640
<v Speaker 2>to hang out with me or have some kind of

1:22:04.840 --> 1:22:07.719
<v Speaker 2>you know, weird ulterior motive.

1:22:09.600 --> 1:22:15.559
<v Speaker 1>So how important to you is your mother's legacy and

1:22:15.680 --> 1:22:17.960
<v Speaker 1>she and her music being remembered.

1:22:21.880 --> 1:22:28.680
<v Speaker 2>Oh, it's it's hugely important to me. I think that

1:22:28.960 --> 1:22:32.559
<v Speaker 2>one of the things that most people experience, or a

1:22:32.560 --> 1:22:35.920
<v Speaker 2>lot of people experience when they listen to my mom sing,

1:22:36.600 --> 1:22:39.960
<v Speaker 2>is they they get a little sense of hope. People

1:22:40.000 --> 1:22:44.320
<v Speaker 2>people really get kind of built up, and it gives

1:22:44.360 --> 1:22:47.559
<v Speaker 2>them some kind of you know, faith in humanity because

1:22:47.560 --> 1:22:52.200
<v Speaker 2>she's she's she's she sounds happy. The songs that she

1:22:52.320 --> 1:22:59.240
<v Speaker 2>recorded were really good, positive songs, you know, and I

1:22:59.280 --> 1:23:02.280
<v Speaker 2>think she would want to be remembered like that. And

1:23:02.320 --> 1:23:06.559
<v Speaker 2>I've always felt that it would be my job to

1:23:06.640 --> 1:23:09.320
<v Speaker 2>make sure that that's what she would be remembered for

1:23:10.160 --> 1:23:18.120
<v Speaker 2>and not the sandwich thing, you know, and that she

1:23:18.200 --> 1:23:24.280
<v Speaker 2>will be remembered for, you know, her body positivity stuff,

1:23:24.320 --> 1:23:26.960
<v Speaker 2>even though she didn't all the time feel so positive

1:23:27.000 --> 1:23:30.639
<v Speaker 2>about it. You know, what she'd let other people see

1:23:30.720 --> 1:23:34.439
<v Speaker 2>was that she was totally comfortable in her skin. You know.

1:23:35.920 --> 1:23:39.040
<v Speaker 2>All of these things I think are really important part

1:23:39.040 --> 1:23:41.400
<v Speaker 2>of her legacy and things that it's important to me

1:23:41.479 --> 1:23:42.800
<v Speaker 2>that people remember about her.

1:23:44.520 --> 1:23:49.080
<v Speaker 1>And are you passive in terms of universal does the

1:23:49.120 --> 1:23:53.160
<v Speaker 1>licenses or to what degree do you actively other than

1:23:53.200 --> 1:23:56.040
<v Speaker 1>the book, try to keep her memory and music live.

1:23:57.280 --> 1:24:01.679
<v Speaker 2>Well, we have no rights as the artist. You don't

1:24:01.680 --> 1:24:04.360
<v Speaker 2>have any rights to say yes you can license it

1:24:04.479 --> 1:24:07.400
<v Speaker 2>or no you can't. I mean, sometimes labels are nice.

1:24:07.439 --> 1:24:10.679
<v Speaker 2>If you meet the right person who's running that particular

1:24:10.800 --> 1:24:13.679
<v Speaker 2>department and they want to be nice to you, they

1:24:13.800 --> 1:24:16.679
<v Speaker 2>might tell you what's going on. But you often don't

1:24:16.720 --> 1:24:18.559
<v Speaker 2>really have a choice. You have to sort of trust

1:24:18.560 --> 1:24:21.840
<v Speaker 2>that the that the relationship between the person who's doing

1:24:21.880 --> 1:24:25.120
<v Speaker 2>the licensing and you know that that that they know

1:24:25.320 --> 1:24:29.800
<v Speaker 2>what you guys would want. So unfortunately, we don't really

1:24:29.840 --> 1:24:33.080
<v Speaker 2>get too much control over it, and you just hope

1:24:33.080 --> 1:24:35.439
<v Speaker 2>that they're going to make the right choice on what

1:24:35.479 --> 1:24:39.160
<v Speaker 2>they're gonna, you know, sell the music for I forgot

1:24:39.160 --> 1:24:40.880
<v Speaker 2>the second part of what you asked. I'm so sorry.

1:24:40.960 --> 1:24:44.880
<v Speaker 1>Well, to what degree do you actively try to keep

1:24:44.920 --> 1:24:46.880
<v Speaker 1>her memory alive? Oh?

1:24:46.920 --> 1:24:53.200
<v Speaker 2>God, well, this book, that's the first thing where we've

1:24:53.240 --> 1:24:59.400
<v Speaker 2>just redesigned her website. I really, you know, the book

1:24:59.479 --> 1:25:02.320
<v Speaker 2>is the is the big is the big thing right now?

1:25:02.760 --> 1:25:05.360
<v Speaker 2>Will be you know, probably doing it some form of

1:25:05.400 --> 1:25:09.160
<v Speaker 2>documentary at some point, and maybe down the line there

1:25:09.200 --> 1:25:14.360
<v Speaker 2>there would be you know, some film opportunities. I just

1:25:14.400 --> 1:25:17.240
<v Speaker 2>want to make sure that people know who she was,

1:25:18.160 --> 1:25:20.280
<v Speaker 2>you know, and why she made some of the choices

1:25:20.320 --> 1:25:23.680
<v Speaker 2>that she made. You know, I don't want people to

1:25:23.720 --> 1:25:26.920
<v Speaker 2>remember her just as you know, the fat one from

1:25:26.920 --> 1:25:30.519
<v Speaker 2>the Mamas and Papa's And honestly, I would like people

1:25:30.560 --> 1:25:34.960
<v Speaker 2>to start to remember her by name. You know, people

1:25:35.000 --> 1:25:38.320
<v Speaker 2>don't always remember her by name. It's begun, it's begun

1:25:38.400 --> 1:25:43.040
<v Speaker 2>to kind of fade, you know, into the background. You know,

1:25:43.240 --> 1:25:46.000
<v Speaker 2>if you ask somebody if they know who the mamas

1:25:46.000 --> 1:25:48.200
<v Speaker 2>and papas are, these are young kids. They don't know,

1:25:48.680 --> 1:25:51.120
<v Speaker 2>They have no idea if you ask them if they

1:25:51.240 --> 1:25:54.360
<v Speaker 2>if they know California Dreaming, they will know California Dreaming.

1:25:55.800 --> 1:25:56.040
<v Speaker 1>You know.

1:25:56.200 --> 1:25:59.040
<v Speaker 2>My goal is that they know they know my mom

1:25:59.120 --> 1:26:01.880
<v Speaker 2>for who she was and some of the stuff she

1:26:01.920 --> 1:26:05.240
<v Speaker 2>did after you know, the mamas and papas were. As

1:26:05.240 --> 1:26:11.280
<v Speaker 2>far as the book is concerned, what were they two chapters?

1:26:12.720 --> 1:26:16.920
<v Speaker 2>They weren't they weren't they weren't the whole picture, you know,

1:26:17.120 --> 1:26:19.719
<v Speaker 2>So it's a lot more to the story.

1:26:20.000 --> 1:26:22.240
<v Speaker 1>And you also see in the book that she wanted

1:26:22.280 --> 1:26:24.000
<v Speaker 1>to shed the Moniker Mama.

1:26:24.600 --> 1:26:27.400
<v Speaker 2>Yeah she did, and I do believe had she lived longer,

1:26:27.520 --> 1:26:32.519
<v Speaker 2>she would have. Absolutely, she would have, I really had.

1:26:32.640 --> 1:26:36.120
<v Speaker 2>I had a couple of really rough nights thinking about

1:26:36.720 --> 1:26:39.160
<v Speaker 2>what were we going to put on the Star and

1:26:39.200 --> 1:26:41.800
<v Speaker 2>the Walk of Fame, and I really just wanted to

1:26:41.800 --> 1:26:48.439
<v Speaker 2>put cass Elliott. But I realized that most people know

1:26:48.600 --> 1:26:54.080
<v Speaker 2>her as Mama Cass Elliott. And that's why I agreed

1:26:54.080 --> 1:26:58.200
<v Speaker 2>to do it if we put the quotes around around Mama,

1:26:58.240 --> 1:27:00.200
<v Speaker 2>because that's really what it was. It was. It was

1:27:00.240 --> 1:27:04.120
<v Speaker 2>an assumed little nickname, and I think she would have

1:27:04.200 --> 1:27:06.800
<v Speaker 2>agreed with that, you know. And like I said, had

1:27:06.840 --> 1:27:10.360
<v Speaker 2>she lived longer, we would have known her as Cass Elliott,

1:27:10.920 --> 1:27:12.800
<v Speaker 2>she would have. She would have, you know, had more

1:27:12.880 --> 1:27:17.479
<v Speaker 2>time to define herself as that. You know.

1:27:19.880 --> 1:27:24.800
<v Speaker 1>Okay, Owen, just one more thing. Owen conventionally is a

1:27:24.960 --> 1:27:29.120
<v Speaker 1>male name. How was it growing up with the name Owen?

1:27:31.040 --> 1:27:33.240
<v Speaker 2>Well, I got put in all the boys camps and

1:27:33.320 --> 1:27:35.960
<v Speaker 2>all the boys cabins at camp because they just thought

1:27:35.960 --> 1:27:38.679
<v Speaker 2>they that my parents messed up and checked the wrong box.

1:27:41.439 --> 1:27:45.760
<v Speaker 2>I'm consistently, you know, on paper, mistaken for a man.

1:27:46.360 --> 1:27:47.960
<v Speaker 2>I do have a deep voice, so I guess that

1:27:48.040 --> 1:27:51.960
<v Speaker 2>kind of plays into a little bit. But I would

1:27:52.000 --> 1:27:56.599
<v Speaker 2>tell you my credit card, my American Express card. Every

1:27:56.640 --> 1:28:00.479
<v Speaker 2>time I would give a vendor my card, they would go, ma'am,

1:28:00.520 --> 1:28:05.360
<v Speaker 2>we need your card. I'd be like, this is my card, No, ma'am,

1:28:05.439 --> 1:28:11.200
<v Speaker 2>did you did? So? Finally I called American Express and

1:28:11.240 --> 1:28:16.960
<v Speaker 2>I had them put Missus on the card so people

1:28:16.920 --> 1:28:19.439
<v Speaker 2>wild leave me alone.

1:28:19.720 --> 1:28:25.439
<v Speaker 1>Wow, that's funny. In any event, Owen's book My Mama

1:28:25.520 --> 1:28:29.760
<v Speaker 1>Cass is a very easy quick read. Don't think just

1:28:29.760 --> 1:28:32.719
<v Speaker 1>because it's a book, it's too much for you. And

1:28:32.800 --> 1:28:36.840
<v Speaker 1>despite her saying there's really only two chapters on the

1:28:36.880 --> 1:28:40.759
<v Speaker 1>mamas and the papas, the story of how Mama Cass

1:28:40.840 --> 1:28:45.160
<v Speaker 1>makes it from the DC Baltimore area to LA is

1:28:45.400 --> 1:28:49.200
<v Speaker 1>very well put out and I certainly learned things. So

1:28:49.240 --> 1:28:52.479
<v Speaker 1>I want to thank you Owen for writing the book

1:28:52.800 --> 1:28:54.360
<v Speaker 1>and speaking with my audience.

1:28:55.160 --> 1:28:57.400
<v Speaker 2>Thank you for having me. I'm a big fan. This

1:28:57.560 --> 1:28:58.800
<v Speaker 2>was a really cool thing.

1:29:00.040 --> 1:29:02.920
<v Speaker 1>Well, it's great to finally see you face to face.

1:29:03.520 --> 1:29:06.799
<v Speaker 1>Until next time. This is Bob Left sets

1:29:28.400 --> 1:29:28.439
<v Speaker 2>H