1 00:00:00,560 --> 00:00:01,720 Speaker 1: The Michael Barry Joe. 2 00:00:01,880 --> 00:00:04,320 Speaker 2: You know him as the MotorCity mad Man. I know 3 00:00:04,440 --> 00:00:07,640 Speaker 2: him as Uncle Ted, one of our favorite guests of 4 00:00:07,640 --> 00:00:10,680 Speaker 2: all time. Heck, one of our favorite people of all time. 5 00:00:10,760 --> 00:00:14,760 Speaker 2: Leave the music, the hunting, the cooking, the politics, just 6 00:00:15,160 --> 00:00:21,480 Speaker 2: an inspiration in life. Ted Nugent, Welcome to the program, you. 7 00:00:21,440 --> 00:00:23,760 Speaker 1: Know, Mike. I feel welcome and from a favorite people 8 00:00:23,760 --> 00:00:26,159 Speaker 1: to another favorite people. I'm talking to you from a 9 00:00:26,200 --> 00:00:30,120 Speaker 1: beautiful monsoon in Waco, Texas. So happy twenty twenty five 10 00:00:30,160 --> 00:00:30,800 Speaker 1: to you, my friend. 11 00:00:30,920 --> 00:00:32,600 Speaker 2: No got we needed it though, didn't we? 12 00:00:34,479 --> 00:00:34,639 Speaker 3: Oh? 13 00:00:34,680 --> 00:00:36,839 Speaker 1: I love the rain. I love Mother Nature even when 14 00:00:36,840 --> 00:00:39,640 Speaker 1: she gives me the middle finger. I love storms until 15 00:00:39,680 --> 00:00:42,040 Speaker 1: the damage begins. But yeah, I've got a beautiful ranch 16 00:00:42,040 --> 00:00:47,120 Speaker 1: here in Texas and the vegetation the range is lush 17 00:00:47,200 --> 00:00:51,280 Speaker 1: and productive. The wildlife are celebrating. They're growing many new 18 00:00:51,360 --> 00:00:54,040 Speaker 1: backstraps for the fall harvest. So I'm a happy, happy 19 00:00:54,120 --> 00:00:54,720 Speaker 1: rock and roller. 20 00:00:55,360 --> 00:00:58,200 Speaker 2: Well, it's always a blast to have you on because 21 00:00:58,240 --> 00:01:03,760 Speaker 2: you bring such a message hope, inspiration, dedication, commitment, motivation. 22 00:01:04,400 --> 00:01:07,039 Speaker 2: I think happiness is a choice that we make, and 23 00:01:07,120 --> 00:01:11,240 Speaker 2: more than happen is contentment, fulfillment, purpose and by Golly 24 00:01:11,280 --> 00:01:12,600 Speaker 2: you found yours brother. 25 00:01:14,319 --> 00:01:16,959 Speaker 1: Well and Michael backyt Shall. I mean, I'm addicted to 26 00:01:17,000 --> 00:01:19,800 Speaker 1: truth logic and common sense. Not my truth logic and 27 00:01:19,840 --> 00:01:23,720 Speaker 1: common sense, but the evidence drench truth logic and common 28 00:01:23,760 --> 00:01:27,319 Speaker 1: sense that you represent so eloquently, so beautifully and with 29 00:01:27,520 --> 00:01:30,319 Speaker 1: a crowbar when necessary. But I listened to Michael Berry 30 00:01:30,400 --> 00:01:34,640 Speaker 1: Radio and you represent the heartbeat, the spirit, the attitude, 31 00:01:34,680 --> 00:01:37,720 Speaker 1: the energy, the hope, the dreams. I mean, I know 32 00:01:37,760 --> 00:01:39,720 Speaker 1: this gets kind of mushy right now. 33 00:01:39,760 --> 00:01:40,360 Speaker 2: No, not at all. 34 00:01:41,080 --> 00:01:42,160 Speaker 1: We are coming out of. 35 00:01:42,280 --> 00:01:43,399 Speaker 2: Enough about you, more about me. 36 00:01:43,680 --> 00:01:47,400 Speaker 1: We are coming well. We're coming out of a very 37 00:01:47,760 --> 00:01:50,960 Speaker 1: heartbreaking toilet flush by the Deep State Uncle Sam, Joe 38 00:01:51,040 --> 00:01:54,800 Speaker 1: Biden gang, and there is unbelievable hope right now. I'll 39 00:01:54,840 --> 00:01:58,000 Speaker 1: be seventy seven, and I've never been more hopeful. I've 40 00:01:58,000 --> 00:02:00,600 Speaker 1: never been more happy with the direction of our country. 41 00:02:00,640 --> 00:02:02,600 Speaker 1: And plus I just had lunch with a bunch of 42 00:02:02,680 --> 00:02:06,680 Speaker 1: hard work in fellow Texas here and the spirit and 43 00:02:06,720 --> 00:02:10,280 Speaker 1: the work, ethic, godfamily country is now the battle cry 44 00:02:10,639 --> 00:02:14,880 Speaker 1: that as ubiquitous across the land, and my music represents that. 45 00:02:16,040 --> 00:02:18,680 Speaker 1: You and I talking about it represents that. So once again, 46 00:02:18,720 --> 00:02:19,680 Speaker 1: thank you for having me on. 47 00:02:19,840 --> 00:02:21,799 Speaker 2: Let's do something we don't do enough of them. We'll 48 00:02:21,800 --> 00:02:24,600 Speaker 2: get back to politics and culture and life and cooking 49 00:02:24,639 --> 00:02:28,120 Speaker 2: and hunting. Let's talk about your music. The fiftieth anniversary 50 00:02:28,360 --> 00:02:30,960 Speaker 2: of Stranglehold. It's hard to believe. I don't know if 51 00:02:30,960 --> 00:02:33,040 Speaker 2: it's hard for you to believe. It's hard to believe 52 00:02:33,160 --> 00:02:37,200 Speaker 2: fifty years and I know you've got some very exciting 53 00:02:37,320 --> 00:02:41,160 Speaker 2: things for fans planned out for that. Let's discuss that. 54 00:02:43,240 --> 00:02:47,320 Speaker 1: Well, Am, We've talked about this before, that my music 55 00:02:47,440 --> 00:02:51,440 Speaker 1: has power and authority because of the incredible musicians that 56 00:02:51,480 --> 00:02:54,840 Speaker 1: have been at my side for the last sixty five years. 57 00:02:54,840 --> 00:02:58,600 Speaker 1: And we recorded Stranglehold in nineteen seventy five with Rob 58 00:02:58,680 --> 00:03:02,520 Speaker 1: Grange and Cliff Davis and Derek Saint Holmes, my producers, 59 00:03:02,560 --> 00:03:07,960 Speaker 1: Tom Worman and engineer Tony Reality. Everybody just immersed themselves 60 00:03:08,520 --> 00:03:12,239 Speaker 1: into the spirit, the sound, the drum tones, the guitar tones, 61 00:03:12,280 --> 00:03:15,639 Speaker 1: the bass tones, the lyric content, the piss and the vinegar, 62 00:03:15,919 --> 00:03:19,280 Speaker 1: the energy of that song. And people have embraced the 63 00:03:19,320 --> 00:03:25,080 Speaker 1: song Stranglehold fifty years and onward, especially Michael, the Navy 64 00:03:25,120 --> 00:03:27,480 Speaker 1: Seals that call me, the Army Rangers, the Green Beret 65 00:03:27,560 --> 00:03:30,720 Speaker 1: Delta Force that used that song during their training end 66 00:03:31,280 --> 00:03:33,640 Speaker 1: when they're putting their life on the line. And I 67 00:03:33,680 --> 00:03:37,480 Speaker 1: can't imagine a testimonial that gives a guy more confidence 68 00:03:37,520 --> 00:03:40,120 Speaker 1: and happiness than a piece of music represents that to 69 00:03:40,200 --> 00:03:43,680 Speaker 1: those superhuman beings. So yeah, fifty years of straggling. And 70 00:03:43,680 --> 00:03:45,360 Speaker 1: by the way, I played it for a buddy of 71 00:03:45,400 --> 00:03:48,200 Speaker 1: mine and my man Cave Cuckoo's Nest arsenal of Democracy 72 00:03:48,280 --> 00:03:51,960 Speaker 1: this morning, and the hairs on my arm stood up 73 00:03:52,000 --> 00:03:55,120 Speaker 1: fully erect because I still love the spirit of that song. 74 00:03:55,760 --> 00:04:00,280 Speaker 2: Well, it is timeless, it is truly timeless. I don't 75 00:04:00,280 --> 00:04:02,760 Speaker 2: know that we've ever done this. Let's talk about where 76 00:04:02,840 --> 00:04:06,000 Speaker 2: that song came from, because I believe that art floats 77 00:04:06,040 --> 00:04:08,440 Speaker 2: in the ether and you just grab hold of it 78 00:04:08,520 --> 00:04:11,160 Speaker 2: for a moment. But what was going on with you? 79 00:04:11,240 --> 00:04:13,520 Speaker 2: How did you first hear it? Were you noodling on 80 00:04:13,880 --> 00:04:16,240 Speaker 2: the guitar or did you hear it completely? Tell me 81 00:04:16,279 --> 00:04:16,680 Speaker 2: about that. 82 00:04:18,720 --> 00:04:21,440 Speaker 1: Well, I'm always playing. I played my guitar and shoot 83 00:04:21,480 --> 00:04:24,920 Speaker 1: my bow and trained with my firearms literally, Michael, every day. 84 00:04:24,960 --> 00:04:27,159 Speaker 1: It's just it's stuff that I have a passion about. 85 00:04:27,560 --> 00:04:31,359 Speaker 1: They all play a pragmatic and inspirational purpose in my life. 86 00:04:31,720 --> 00:04:34,800 Speaker 1: But in my youth. I was always playing Chuck Berry 87 00:04:34,800 --> 00:04:38,039 Speaker 1: and Bo Diddley and Little Richard and Motown funk Brothers, 88 00:04:38,360 --> 00:04:42,960 Speaker 1: and the right hand on my guitar developed a percussiveness, 89 00:04:43,000 --> 00:04:47,160 Speaker 1: a rhythmical kind of a nugent MotorCity version of Bo 90 00:04:47,279 --> 00:04:50,360 Speaker 1: Diddley's chuck a chuck A chucka. And just one day 91 00:04:50,440 --> 00:04:55,800 Speaker 1: I was tuning my guitar and that happened. That move happened, 92 00:04:56,000 --> 00:04:58,520 Speaker 1: and there was really nothing I could do about it. 93 00:04:57,960 --> 00:05:01,240 Speaker 1: It had a heartbeat of its own, and then the 94 00:05:01,360 --> 00:05:04,880 Speaker 1: lyrics just flowed. The lyrics are defiance against the music 95 00:05:04,960 --> 00:05:08,159 Speaker 1: industry that turned me down for all those years because 96 00:05:08,560 --> 00:05:10,840 Speaker 1: long guitar solos don't make it anymore. We need some 97 00:05:11,080 --> 00:05:13,520 Speaker 1: pop music and disco's coming in. And I said, yeah, 98 00:05:13,600 --> 00:05:16,560 Speaker 1: well listen to this song, kids. So the song is 99 00:05:16,600 --> 00:05:20,000 Speaker 1: one of defiance against an industry that was losing its 100 00:05:20,080 --> 00:05:23,719 Speaker 1: touch with the original black influences of soul music and 101 00:05:23,800 --> 00:05:28,120 Speaker 1: rhythm and blues inspired rock and roll. So like this morning, Michael, 102 00:05:28,440 --> 00:05:30,880 Speaker 1: this morning, I was playing a Gibson Birdland through a 103 00:05:30,920 --> 00:05:33,600 Speaker 1: fender to an app and I'm telling you all these 104 00:05:33,839 --> 00:05:38,880 Speaker 1: new variations kind of a bastardized honky tonk meets boogie woogie, 105 00:05:39,160 --> 00:05:43,360 Speaker 1: and there's always new topography to explore on the guitar neck. 106 00:05:43,400 --> 00:05:47,080 Speaker 1: And because I have such a passion and a dedication 107 00:05:47,200 --> 00:05:49,040 Speaker 1: to trying to be Chuck Berry when I grow up, 108 00:05:49,360 --> 00:05:52,840 Speaker 1: that all these new lick patterns happen. It happens all 109 00:05:52,880 --> 00:05:53,279 Speaker 1: the time. 110 00:05:54,279 --> 00:05:57,640 Speaker 2: You know, you have talked a lot over the years 111 00:05:57,640 --> 00:06:02,040 Speaker 2: in our conversations about Chuck Berry, and I think a 112 00:06:02,080 --> 00:06:03,800 Speaker 2: lot of young folks to say, will have no idea 113 00:06:03,800 --> 00:06:07,760 Speaker 2: how big Chuck Berry was and also how influential Chuck 114 00:06:07,839 --> 00:06:09,960 Speaker 2: Berry was. Why is that for you? 115 00:06:12,160 --> 00:06:16,680 Speaker 1: Well, I think I've summarized it numerous times in interviews, 116 00:06:17,080 --> 00:06:21,960 Speaker 1: and the facts remain that there's not a piece of music. Now. 117 00:06:22,000 --> 00:06:24,880 Speaker 1: It is a bold, expansive statement, which I'm pretty good at, 118 00:06:25,400 --> 00:06:28,600 Speaker 1: but there isn't a piece of music, Michael Berry, that 119 00:06:28,760 --> 00:06:31,000 Speaker 1: you really get a kick out of and want to 120 00:06:31,040 --> 00:06:33,400 Speaker 1: turn up when it comes on the radio and makes 121 00:06:33,440 --> 00:06:37,400 Speaker 1: your truck go faster that doesn't have an essence of 122 00:06:37,440 --> 00:06:44,960 Speaker 1: what Chuck Berry created cadence wise, rhythmically, upbeat, spirit wise, cocky, 123 00:06:45,520 --> 00:06:51,479 Speaker 1: irreverent fun. There is not a powerful piece of music 124 00:06:51,600 --> 00:06:54,680 Speaker 1: in anyone's life. And I'd be glad to debate this 125 00:06:54,760 --> 00:06:59,440 Speaker 1: for anybody that doesn't have a direct inspiration from Chuck 126 00:06:59,480 --> 00:07:02,080 Speaker 1: Berry's case, I don't care if it's country, I don't 127 00:07:02,080 --> 00:07:04,240 Speaker 1: care if it's blues. I don't care if it's rock 128 00:07:04,279 --> 00:07:07,040 Speaker 1: and roll. Even a lot of pop music they've got 129 00:07:07,080 --> 00:07:10,560 Speaker 1: that Chuck Berry cadence that when you listen to Johnny 130 00:07:10,560 --> 00:07:14,080 Speaker 1: be Good or Carol or roll Over Beethoven or Sweet Sixteen, 131 00:07:14,440 --> 00:07:17,480 Speaker 1: you listen to those original Chuck Berry songs, and it's 132 00:07:17,520 --> 00:07:24,080 Speaker 1: a parent that all moving, authoritative music comes from that genius. 133 00:07:24,120 --> 00:07:27,920 Speaker 1: And Michael I played bass guitar with Chuck Berry, which 134 00:07:27,960 --> 00:07:30,440 Speaker 1: is why I am like I am today. I promise you. 135 00:07:30,760 --> 00:07:35,880 Speaker 2: Well, you know your life experiences. Of course they didn't 136 00:07:35,920 --> 00:07:40,360 Speaker 2: happen by chance. You made them happen. You made your experience. Oh, 137 00:07:40,360 --> 00:07:42,480 Speaker 2: I'm up against prank hold on this moment. Uncle Ted 138 00:07:42,480 --> 00:07:44,480 Speaker 2: Ted Nugent is our guest. You can find out more 139 00:07:44,520 --> 00:07:48,600 Speaker 2: at Ted Nugent dot com, Ted Nugent dot com if 140 00:07:48,640 --> 00:07:51,720 Speaker 2: you are a Nuge fan, he's got some exciting stuff 141 00:07:51,760 --> 00:07:54,560 Speaker 2: coming up at nuge vault dot com nudge vault dot com. 142 00:07:54,600 --> 00:07:55,280 Speaker 2: We'll talk about. 143 00:07:55,120 --> 00:08:01,360 Speaker 3: Us Duck King of ding It and this other Michael Barry. 144 00:08:01,560 --> 00:08:03,360 Speaker 2: This is a kind of guy you like to smacking 145 00:08:03,480 --> 00:08:07,160 Speaker 2: as uncle Ted. Ted Nugent, the Motor City Madman is 146 00:08:07,200 --> 00:08:11,160 Speaker 2: our guest, and normally over the years and it's been 147 00:08:11,200 --> 00:08:14,400 Speaker 2: many that he comes on the show, we talk about politics, 148 00:08:14,400 --> 00:08:16,400 Speaker 2: we talk about culture, We talk about who he's pissed 149 00:08:16,440 --> 00:08:19,600 Speaker 2: off lately, who he he what changes he wants or 150 00:08:19,640 --> 00:08:23,720 Speaker 2: We talk about hunting and food and family and nature 151 00:08:24,360 --> 00:08:27,080 Speaker 2: and faith and these important things. But today is a 152 00:08:27,120 --> 00:08:29,800 Speaker 2: treat for me because I figure he's tired of talking 153 00:08:29,800 --> 00:08:31,880 Speaker 2: about music all the time and there's much more to 154 00:08:31,960 --> 00:08:34,959 Speaker 2: him than that. But today we're getting to talk about 155 00:08:35,000 --> 00:08:38,320 Speaker 2: the music, and that's a treat because I don't normally 156 00:08:38,520 --> 00:08:42,640 Speaker 2: get to uncle Ted. You have something exciting going on 157 00:08:42,800 --> 00:08:46,120 Speaker 2: at the nuge Vault, which is nugevault dot com. Talk 158 00:08:46,160 --> 00:08:46,520 Speaker 2: about that. 159 00:08:46,960 --> 00:08:51,640 Speaker 1: Please well again, Michael, thanks bro letting me share my 160 00:08:52,040 --> 00:08:54,720 Speaker 1: passions and my love of music and the American dream 161 00:08:54,760 --> 00:08:58,760 Speaker 1: with you. I'm just such a lucky guy with all 162 00:08:58,800 --> 00:09:03,000 Speaker 1: these incredible dedication musicians at my side. In twenty twenty five, 163 00:09:03,080 --> 00:09:06,520 Speaker 1: with John Coots on drums and Jason Hartless and Johnny 164 00:09:06,520 --> 00:09:10,200 Speaker 1: Big on bass were playing Kenny Storr in Brenham Dex's 165 00:09:10,240 --> 00:09:13,360 Speaker 1: next weekend, and we've been doing these speakes. He's around 166 00:09:13,400 --> 00:09:17,119 Speaker 1: the state, and I'm telling you, talking about defying gravity. 167 00:09:17,760 --> 00:09:21,240 Speaker 1: I am having more guitar music fun in twenty twenty 168 00:09:21,280 --> 00:09:24,040 Speaker 1: five doing these gigs around my home state of Texas 169 00:09:24,320 --> 00:09:26,640 Speaker 1: than I ever have. In fact, I will be doing 170 00:09:26,679 --> 00:09:30,480 Speaker 1: my seven thousandth concert. And what happened during rehearsals in 171 00:09:30,559 --> 00:09:33,400 Speaker 1: the barn and Michigan is my drummer Jason Hartless saw 172 00:09:33,440 --> 00:09:36,640 Speaker 1: all these vats and all these boxes piled sky high 173 00:09:37,160 --> 00:09:39,960 Speaker 1: around my trucks and my deer blinds, and he said, 174 00:09:40,000 --> 00:09:41,520 Speaker 1: what's all that stuff? And I go, oh, those are 175 00:09:41,559 --> 00:09:44,720 Speaker 1: old tapes of rehearsals and jam sessions and recording sessions. 176 00:09:44,880 --> 00:09:50,079 Speaker 1: He started digging, Michael. He has unearthed the jam sessions 177 00:09:50,120 --> 00:09:54,760 Speaker 1: and the songwriting sessions, and the outtakes and the demos 178 00:09:54,800 --> 00:09:59,679 Speaker 1: and the unfinished tapes of all the recordings, thousands of 179 00:10:01,120 --> 00:10:06,360 Speaker 1: and it's just fascinating history of not just Ted Nugent 180 00:10:06,440 --> 00:10:10,000 Speaker 1: rock and roll, but the origins of rock and roll, 181 00:10:10,040 --> 00:10:12,880 Speaker 1: from the founding fathers that Chuck Berry's and the Motown 182 00:10:12,960 --> 00:10:16,559 Speaker 1: Funk Brothers and now at Nuge Vault. It's fascinating a 183 00:10:16,880 --> 00:10:20,920 Speaker 1: place called nuge vault dot com. We've got these subscribers 184 00:10:20,920 --> 00:10:25,199 Speaker 1: that are just doing double backflips because of the outtakes 185 00:10:25,240 --> 00:10:27,640 Speaker 1: and the demos and the jam sessions and a lot 186 00:10:27,720 --> 00:10:30,960 Speaker 1: of my very fun interviews like I do with Michael Berry. 187 00:10:31,240 --> 00:10:34,040 Speaker 1: But all of this is available at nugevault dot com 188 00:10:34,080 --> 00:10:36,560 Speaker 1: and people are just getting having a riot with it, 189 00:10:36,600 --> 00:10:39,199 Speaker 1: and so am I because it's really rekindling a lot 190 00:10:39,200 --> 00:10:43,800 Speaker 1: of the memories of just unbelievable moments where these songs happened, 191 00:10:44,000 --> 00:10:47,280 Speaker 1: and these jam sessions created these new songs, and these 192 00:10:47,320 --> 00:10:53,000 Speaker 1: amazing musicians would collaborate with ideas. So it's nuge vault 193 00:10:53,080 --> 00:10:55,440 Speaker 1: dot com and we'll be exposing a lot of that 194 00:10:55,600 --> 00:10:57,560 Speaker 1: on a bunch of gigs here in Texas and then 195 00:10:57,640 --> 00:10:58,800 Speaker 1: up in Michigan in August. 196 00:10:59,600 --> 00:11:01,480 Speaker 2: You know, and I know that special for you. You're a 197 00:11:01,520 --> 00:11:04,720 Speaker 2: Texan now, through and through, but I know Michigan holds 198 00:11:04,720 --> 00:11:07,400 Speaker 2: a special place in your heart. I had a Sunday 199 00:11:07,400 --> 00:11:10,160 Speaker 2: school teacher say to me twenty five years ago, if 200 00:11:10,200 --> 00:11:11,720 Speaker 2: you want to know who you said to all of 201 00:11:11,760 --> 00:11:12,959 Speaker 2: us in the class, We want to know who you're 202 00:11:13,000 --> 00:11:17,000 Speaker 2: going to be five years from now. Look at your 203 00:11:17,000 --> 00:11:19,800 Speaker 2: closest friends, because they're going to pick you up or 204 00:11:19,800 --> 00:11:22,280 Speaker 2: they're going to drop you down. They're going to take 205 00:11:22,280 --> 00:11:24,400 Speaker 2: you with them where they're going. That's where you're headed. 206 00:11:24,720 --> 00:11:27,439 Speaker 2: And it's interesting. I talk to a lot of musicians. 207 00:11:27,440 --> 00:11:30,120 Speaker 2: I'm passionate about music. I can't make music, but somebody 208 00:11:30,160 --> 00:11:34,720 Speaker 2: has to consume it, right, And I'm really passionate about 209 00:11:34,760 --> 00:11:36,920 Speaker 2: how the art is made and what it means to 210 00:11:36,960 --> 00:11:40,160 Speaker 2: people and these sorts of things. And you talk about collaboration. 211 00:11:40,360 --> 00:11:42,559 Speaker 2: Every time you and I talk and I ask you 212 00:11:42,600 --> 00:11:46,680 Speaker 2: a question about Ted Nugent and what Ted Nugent has done, 213 00:11:47,000 --> 00:11:50,520 Speaker 2: you always go to a Chuck Berry comes up a lot. 214 00:11:50,679 --> 00:11:54,400 Speaker 2: You always go to the influences and the collaboration. And 215 00:11:54,440 --> 00:11:57,040 Speaker 2: I think that's a takeaway whatever you're in. If you're 216 00:11:57,040 --> 00:12:01,520 Speaker 2: a financial advisor, a plant worker, people you surround yourself 217 00:12:01,520 --> 00:12:04,920 Speaker 2: with and bounce off of are gonna make you better 218 00:12:05,040 --> 00:12:07,360 Speaker 2: or worse. And I hear that from you every time 219 00:12:07,360 --> 00:12:10,120 Speaker 2: I talk to you, how playing with other people and 220 00:12:10,160 --> 00:12:13,840 Speaker 2: their influences and those collaborations is a thrill for you 221 00:12:13,920 --> 00:12:15,719 Speaker 2: and has made you who you are. And I think 222 00:12:15,760 --> 00:12:16,520 Speaker 2: that's important. 223 00:12:19,200 --> 00:12:22,000 Speaker 1: I don't think there's anything more important. My dad used 224 00:12:22,000 --> 00:12:24,680 Speaker 1: to say as I was growing up, tell me who 225 00:12:24,720 --> 00:12:27,800 Speaker 1: you hang with, and I'll tell you who you are. Now. 226 00:12:27,920 --> 00:12:31,400 Speaker 1: I dismiss that in my stupidity of youth, but it 227 00:12:31,520 --> 00:12:34,400 Speaker 1: turned out to be true. And I have an inner circle, 228 00:12:34,480 --> 00:12:37,160 Speaker 1: quite an expansive inner circle, Michael, which, by the way, 229 00:12:37,200 --> 00:12:40,800 Speaker 1: you're a member of a good people of the spirit, 230 00:12:40,880 --> 00:12:45,199 Speaker 1: good will and decency, work, ethic, God, family, country. Still 231 00:12:45,320 --> 00:12:47,880 Speaker 1: conduct our lives based on the Constitution, the build rights 232 00:12:47,920 --> 00:12:51,160 Speaker 1: and decoration of independence and commandments, the Golden Rule, law 233 00:12:51,240 --> 00:12:56,120 Speaker 1: and order, good over evil, self defense, freedom of speech, etc. Etc. 234 00:12:56,840 --> 00:13:00,400 Speaker 1: And those are the people that I have accumulated in 235 00:13:00,480 --> 00:13:04,599 Speaker 1: my family, my friends, my band, my crew, my management, 236 00:13:04,920 --> 00:13:08,480 Speaker 1: my hunting buddies. I have a hunting operation called Sunrise Safaris, 237 00:13:08,720 --> 00:13:14,560 Speaker 1: and Michael, I share campfires with hundreds and hundreds of 238 00:13:14,679 --> 00:13:19,160 Speaker 1: families every year. And that's why I salute you, because 239 00:13:19,160 --> 00:13:22,560 Speaker 1: when you talk, you talk just like those families around 240 00:13:22,600 --> 00:13:25,319 Speaker 1: the campfire that put their heart and soul into being 241 00:13:25,360 --> 00:13:27,280 Speaker 1: the best that you can be. And when you put 242 00:13:27,320 --> 00:13:29,760 Speaker 1: your heart and soul into being the best that you 243 00:13:29,800 --> 00:13:33,800 Speaker 1: can be as a musician, great music happens. So I've 244 00:13:33,840 --> 00:13:38,320 Speaker 1: always surrounded myself with the best rhythm section, the best singers, 245 00:13:38,360 --> 00:13:41,680 Speaker 1: the best creators, and you hear that in the music. 246 00:13:41,760 --> 00:13:45,880 Speaker 1: The performance that these guys put into my compositions is 247 00:13:46,040 --> 00:13:50,160 Speaker 1: every artist's dream because there's a passion. And by the way, 248 00:13:50,400 --> 00:13:54,240 Speaker 1: we keep mentioning Chuck Berry. Everybody in all of my 249 00:13:54,400 --> 00:13:59,040 Speaker 1: bands and all of my crew, everybody references Chuck Berry. 250 00:13:59,360 --> 00:14:04,400 Speaker 1: So that cadence, that spirit, that energy, that uppiness, that defiance, 251 00:14:04,400 --> 00:14:07,120 Speaker 1: there's a lot of defiance in that music, and that's 252 00:14:07,120 --> 00:14:10,640 Speaker 1: what inspires us. And even though we're old men now, Michael, 253 00:14:11,160 --> 00:14:13,720 Speaker 1: when we get in the barn and start jamming, it's 254 00:14:13,800 --> 00:14:15,920 Speaker 1: like a bunch of kids. It's like a bunch of 255 00:14:16,000 --> 00:14:18,360 Speaker 1: kids that want to play Chuck Berry and Bo Diddley 256 00:14:18,600 --> 00:14:21,680 Speaker 1: and play motown hits. In fact, we do. That's how 257 00:14:21,720 --> 00:14:24,680 Speaker 1: all of our rehearsals start with those classic songs. And 258 00:14:24,760 --> 00:14:28,640 Speaker 1: once you start hitting those rhythms and those movements, all 259 00:14:28,680 --> 00:14:31,320 Speaker 1: of a sudden, it can become your own when you 260 00:14:31,360 --> 00:14:34,440 Speaker 1: create your own chord patterns, your own melodies, your own lyrics, 261 00:14:34,440 --> 00:14:40,640 Speaker 1: and your own arrangements. And that's attributed to these unbelievable 262 00:14:40,800 --> 00:14:44,440 Speaker 1: musicians that are at my side. Again. John kutz On 263 00:14:44,520 --> 00:14:47,800 Speaker 1: drums out of Waco, Texas, Jason Hartless on drums out 264 00:14:47,840 --> 00:14:51,040 Speaker 1: of Nashville, Johnny Big out of Waco here on bass 265 00:14:51,080 --> 00:14:55,040 Speaker 1: and vocals. I hope you can come to Brenham on Saturday, 266 00:14:55,080 --> 00:14:59,440 Speaker 1: the thirty first of May. The music has never been 267 00:14:59,520 --> 00:15:03,280 Speaker 1: more tight. James Brown would hire us as his band. 268 00:15:03,320 --> 00:15:06,080 Speaker 1: We're so tight and so energetic. So these are the 269 00:15:06,080 --> 00:15:09,560 Speaker 1: good old days of my music. I'm telling you, you know. 270 00:15:09,920 --> 00:15:11,960 Speaker 2: The Kinney Store is where he's going to be by 271 00:15:12,000 --> 00:15:14,720 Speaker 2: the Way, which is a great, great venue owned by 272 00:15:14,720 --> 00:15:18,800 Speaker 2: two cops, and they're fantastic people. They have a very 273 00:15:18,880 --> 00:15:20,800 Speaker 2: loyal audience there and get there early. The food is 274 00:15:20,840 --> 00:15:24,400 Speaker 2: actually amazing. Ted Nugent is our guest. You know, you 275 00:15:24,480 --> 00:15:27,520 Speaker 2: inspire me. You talk about your age and in the 276 00:15:27,600 --> 00:15:30,040 Speaker 2: number of years you've done this. Two of the people 277 00:15:30,040 --> 00:15:32,720 Speaker 2: I admire the most in the world for what they 278 00:15:32,840 --> 00:15:35,520 Speaker 2: do and their art and their craft Hank Williams Junior 279 00:15:36,000 --> 00:15:40,080 Speaker 2: and Dan Pastorini, both of whom turned seventy six on 280 00:15:40,240 --> 00:15:43,040 Speaker 2: Tuesday of this week. I got to tell you, I 281 00:15:43,080 --> 00:15:45,280 Speaker 2: bet when you were early in your career, nobody would 282 00:15:45,320 --> 00:15:48,600 Speaker 2: have said that Ted Nugent would be an inspiration for 283 00:15:48,720 --> 00:15:52,720 Speaker 2: longevity and happiness. But by golly, you have been. And 284 00:15:52,720 --> 00:15:55,080 Speaker 2: that's that's in and of itself incredible. 285 00:15:57,120 --> 00:16:01,400 Speaker 1: I'm on a mission from God, Michael. Yeah. Now, it's 286 00:16:01,440 --> 00:16:05,120 Speaker 1: about It's about work ethic. It's about dedication to providing 287 00:16:05,120 --> 00:16:07,400 Speaker 1: for your family and being in the asset column, being 288 00:16:07,440 --> 00:16:12,000 Speaker 1: willing to make risks and sacrifices so that you're again 289 00:16:12,160 --> 00:16:15,200 Speaker 1: there's only two columns. There's the asset column and there's 290 00:16:15,240 --> 00:16:21,680 Speaker 1: a liability column. And my dad, disciplined slash, forced us 291 00:16:22,000 --> 00:16:25,360 Speaker 1: into being in the asset column. The productive members of 292 00:16:25,440 --> 00:16:28,200 Speaker 1: our family, our neighborhood, our community, our great nations, and 293 00:16:28,240 --> 00:16:30,160 Speaker 1: as a sportsman, as a hunter and a trapper and 294 00:16:30,200 --> 00:16:34,080 Speaker 1: a fisherman, an asset to the good earth that provides 295 00:16:34,160 --> 00:16:37,320 Speaker 1: us quality of life. So can you hold mysterious man? 296 00:16:37,640 --> 00:16:38,120 Speaker 2: Can you hold it? 297 00:16:38,160 --> 00:16:38,560 Speaker 1: This moment? 298 00:16:39,080 --> 00:16:41,240 Speaker 2: Ted is our guest Ted Nugent dot com more coming 299 00:16:41,280 --> 00:16:45,000 Speaker 2: on a new project called the nuge Vault. You can 300 00:16:45,000 --> 00:16:47,960 Speaker 2: find it. A nuge Vault dot Com is described as 301 00:16:48,000 --> 00:16:51,760 Speaker 2: your front row seat to submerge yourself in rock and 302 00:16:51,840 --> 00:16:56,280 Speaker 2: roll history like never before. This is occasioned by Ted 303 00:16:56,360 --> 00:17:01,400 Speaker 2: Nugent's celebration of the fiftieth five zero anniversary of his 304 00:17:01,880 --> 00:17:06,439 Speaker 2: iconic rock album. Al it's an anthem album. Sorry, I 305 00:17:06,480 --> 00:17:10,200 Speaker 2: lost my train of thought, stranglehold. He's got a speakeasy 306 00:17:10,480 --> 00:17:13,720 Speaker 2: rockout gig tour going on. He's going to be at 307 00:17:14,400 --> 00:17:18,480 Speaker 2: the Kenney Store this weekend on the thirty first. He's 308 00:17:18,520 --> 00:17:21,000 Speaker 2: got a blank kicker. I'm not allowed to say it, 309 00:17:21,000 --> 00:17:26,040 Speaker 2: but it rhymes with pitt kicker. Speakeasy rockouts in Michigan 310 00:17:26,119 --> 00:17:29,840 Speaker 2: and Texas this spring and summer. Uncle Ted played for 311 00:17:29,920 --> 00:17:31,720 Speaker 2: us at the RCC, and I will tell you a 312 00:17:31,760 --> 00:17:35,120 Speaker 2: couple of takeaways I have from that, folks. Number one 313 00:17:35,400 --> 00:17:38,480 Speaker 2: is people love uncle Ted. We sold out just like that. 314 00:17:38,560 --> 00:17:42,560 Speaker 2: We sold out fast. Number two is we have never 315 00:17:42,680 --> 00:17:45,920 Speaker 2: needed so much sound. It was an entire eighteen wheeler 316 00:17:46,440 --> 00:17:51,400 Speaker 2: of speakers that came in. It was insane, I mean insane. 317 00:17:52,080 --> 00:17:55,640 Speaker 2: Number three, this guy's been doing this for more years 318 00:17:55,680 --> 00:17:59,640 Speaker 2: than I've been alive. And he does not mail it in. 319 00:18:00,119 --> 00:18:03,399 Speaker 2: You pay good money and he gives you everything he's 320 00:18:03,600 --> 00:18:07,320 Speaker 2: got on stage and before and after, and as a 321 00:18:07,480 --> 00:18:10,800 Speaker 2: venue owner, that mattered more to me than anything else. 322 00:18:10,880 --> 00:18:12,840 Speaker 2: And I don't know if I've ever thanked you for that, 323 00:18:13,000 --> 00:18:14,399 Speaker 2: but that was a hell of a night. Brother. 324 00:18:16,440 --> 00:18:19,520 Speaker 1: Every night, Thank you for that, Michael, And you're right. 325 00:18:19,800 --> 00:18:23,040 Speaker 1: There is an energy level that the real music lovers 326 00:18:23,080 --> 00:18:26,080 Speaker 1: bring to me, and the inspiration from the audience is 327 00:18:26,160 --> 00:18:29,440 Speaker 1: actually dangerous. I mean, I sweat so much on stage. 328 00:18:29,560 --> 00:18:32,200 Speaker 1: We have ducks on the limit to come in because 329 00:18:32,240 --> 00:18:34,520 Speaker 1: they expect to flush a mallard from my puddle of 330 00:18:34,560 --> 00:18:38,240 Speaker 1: sweat on stage. Yes, there's a there's a James Brown 331 00:18:38,359 --> 00:18:41,120 Speaker 1: work ethic that we deliver every night. And I tell 332 00:18:41,200 --> 00:18:44,560 Speaker 1: my band before we go on, tonight is the most 333 00:18:44,600 --> 00:18:48,600 Speaker 1: important concert of our life. And we say that every night, 334 00:18:48,640 --> 00:18:52,720 Speaker 1: because every night is the most important concert of our life. 335 00:18:52,760 --> 00:18:56,320 Speaker 1: We want to deliver the beast, the grind, the groove, 336 00:18:56,440 --> 00:18:59,560 Speaker 1: the fun and the spirit, the piss and the vinegar, 337 00:19:00,240 --> 00:19:03,160 Speaker 1: the middle finger against all things evil, which I weave 338 00:19:03,200 --> 00:19:06,359 Speaker 1: into the wonderful, entertaining evening. But yeah, well, thank you 339 00:19:06,440 --> 00:19:09,080 Speaker 1: for that, because the people do rave about our shows. 340 00:19:09,480 --> 00:19:12,360 Speaker 1: Because I've I'm out of control. I mean, I get 341 00:19:12,359 --> 00:19:14,560 Speaker 1: on stage. I can't wait to get on stage and 342 00:19:14,600 --> 00:19:17,720 Speaker 1: play these songs. As a guitar player, I just happen 343 00:19:17,760 --> 00:19:20,160 Speaker 1: to have created some of the most exciting and fun 344 00:19:20,200 --> 00:19:22,960 Speaker 1: guitar leaks to ever play. So I'm still like a 345 00:19:23,040 --> 00:19:26,159 Speaker 1: crazy kid back in Detroit nineteen fifty nine. When I 346 00:19:26,200 --> 00:19:28,040 Speaker 1: get ready to perform every night, and I think the 347 00:19:28,080 --> 00:19:32,320 Speaker 1: people have noticed that. They celebrate that, and their reciprocity 348 00:19:32,320 --> 00:19:36,080 Speaker 1: from audience to stage is like a tsunami of energy. 349 00:19:36,119 --> 00:19:38,760 Speaker 1: So once again, how lucky can I be? 350 00:19:39,640 --> 00:19:39,919 Speaker 4: All Right? 351 00:19:39,920 --> 00:19:41,560 Speaker 2: I'm going to ask you a series of questions, but 352 00:19:41,600 --> 00:19:43,440 Speaker 2: I'm not going to let ted Nugent be ted nugent. 353 00:19:43,480 --> 00:19:46,000 Speaker 2: I just want you to give the shortest, most succinct 354 00:19:46,040 --> 00:19:48,720 Speaker 2: answer you can and without giving it much thought, just 355 00:19:48,720 --> 00:19:49,640 Speaker 2: whatever pops in your brain. 356 00:19:49,680 --> 00:19:52,239 Speaker 1: Okay, you got it. 357 00:19:52,560 --> 00:19:55,199 Speaker 2: You're going to walk out right now and pick up 358 00:19:55,240 --> 00:19:57,879 Speaker 2: a bow and shoot it. It's the bow that's going 359 00:19:57,960 --> 00:20:00,440 Speaker 2: to allow you to be most accurate. What is. 360 00:20:02,359 --> 00:20:06,800 Speaker 1: I'm shooting a new Matthew's Lift lightweight forty eight pound draw. 361 00:20:06,920 --> 00:20:09,320 Speaker 1: The mystical flight of the arrow has never been more 362 00:20:09,359 --> 00:20:12,199 Speaker 1: accurate with this technology. So that's the bow of my 363 00:20:12,320 --> 00:20:13,200 Speaker 1: choice these days? 364 00:20:13,520 --> 00:20:15,560 Speaker 2: Is there an arrow of choice? I don't know a 365 00:20:15,600 --> 00:20:18,240 Speaker 2: lot about archery. You know. 366 00:20:18,320 --> 00:20:20,560 Speaker 1: I'm shooting some gold tip arrows. They've been making the 367 00:20:20,600 --> 00:20:23,080 Speaker 1: ten Neugent Zebra gold tip arrow for years. But I'm 368 00:20:23,080 --> 00:20:26,040 Speaker 1: also experimenting with a bunch of other arrows. That state 369 00:20:26,160 --> 00:20:30,560 Speaker 1: of archery and marksmanship, firearms and optics and AMMO is 370 00:20:30,600 --> 00:20:33,520 Speaker 1: at an all time high. So it's about what you're 371 00:20:33,560 --> 00:20:36,159 Speaker 1: most comfortable with, what feels good to you, And it 372 00:20:36,200 --> 00:20:39,520 Speaker 1: is important that that bow or that gun feels right, 373 00:20:39,600 --> 00:20:41,920 Speaker 1: and that's the one you should shoot, all right? 374 00:20:42,119 --> 00:20:44,840 Speaker 2: Not your favorite. But if I ask you right now 375 00:20:44,880 --> 00:20:46,560 Speaker 2: to lay your hands and it might be on your hip, 376 00:20:46,600 --> 00:20:48,000 Speaker 2: might be in your pocket, it might be on the 377 00:20:48,000 --> 00:20:51,440 Speaker 2: table next to you, on the nearest handgun, what would 378 00:20:51,440 --> 00:20:51,720 Speaker 2: it be? 379 00:20:53,600 --> 00:20:56,399 Speaker 1: It's the same block model twenty ten millimeters this on 380 00:20:56,480 --> 00:20:59,160 Speaker 1: my right hip, along with four magazines on my left hip. 381 00:20:59,240 --> 00:21:03,720 Speaker 1: Every day, everywhere, once Ted Nugent shows up, it is 382 00:21:03,840 --> 00:21:06,399 Speaker 1: no longer a gun free zone. I probably. 383 00:21:07,640 --> 00:21:10,679 Speaker 2: All right? What about what knife you could lay your 384 00:21:10,680 --> 00:21:12,240 Speaker 2: hands on the fastest? Right now? 385 00:21:13,600 --> 00:21:17,200 Speaker 1: I've got my old Victorianox pocket knife in my left pocket, 386 00:21:17,200 --> 00:21:20,159 Speaker 1: and I got a brand new steel Force a folding 387 00:21:20,240 --> 00:21:23,280 Speaker 1: knife on my right pocket, and I have a Leatherman 388 00:21:23,400 --> 00:21:27,320 Speaker 1: tool on my left hip. I'm out like a hardware store. 389 00:21:27,920 --> 00:21:32,800 Speaker 2: What meat did you most enjoy that you ate at 390 00:21:32,800 --> 00:21:35,080 Speaker 2: home that you killed within the last week. 391 00:21:37,359 --> 00:21:40,600 Speaker 1: A beautiful sow pig right here on the North Boski 392 00:21:40,760 --> 00:21:43,119 Speaker 1: River with my bone arrow and she was just about 393 00:21:43,119 --> 00:21:46,160 Speaker 1: seventy five eighty pounds and it was the most delicious 394 00:21:46,280 --> 00:21:49,879 Speaker 1: max strap with garlic and pepper and honey. I swear 395 00:21:49,920 --> 00:21:52,920 Speaker 1: to God, it's the meat of the gods. 396 00:21:53,359 --> 00:21:55,720 Speaker 2: Now, will you make chops and bacon and all that 397 00:21:55,800 --> 00:21:57,320 Speaker 2: out of her? 398 00:21:58,160 --> 00:22:00,959 Speaker 1: Absolutely? Yeah, we use it all man, Good for you. 399 00:22:01,760 --> 00:22:03,560 Speaker 2: What do they say that the ruder to the tutor, 400 00:22:03,720 --> 00:22:05,280 Speaker 2: that's the way to do it, especially with it. 401 00:22:05,800 --> 00:22:11,040 Speaker 1: Well, yeah, that's called the conservation, the wise use of 402 00:22:11,040 --> 00:22:13,520 Speaker 1: a natural resource. And I always say the cuter, the cruter, 403 00:22:13,640 --> 00:22:14,640 Speaker 1: the sweeter the meat. 404 00:22:16,400 --> 00:22:18,520 Speaker 2: Now is that a Is that a culinary reference? 405 00:22:20,480 --> 00:22:22,879 Speaker 1: I think it is. That's why I like lamb chops 406 00:22:22,880 --> 00:22:23,280 Speaker 1: so much. 407 00:22:24,400 --> 00:22:26,720 Speaker 2: I do too. I like the lamb lollipops. I don't 408 00:22:26,760 --> 00:22:29,360 Speaker 2: know why that is, but it's a yes. 409 00:22:29,520 --> 00:22:31,560 Speaker 1: With the bone, you gotta have the ball, right, It's. 410 00:22:31,440 --> 00:22:33,639 Speaker 2: Just like it's it's a built in handle, you know, 411 00:22:33,680 --> 00:22:37,000 Speaker 2: it's like a toothbrush you can eat. I absolutely, absolutely 412 00:22:37,000 --> 00:22:39,159 Speaker 2: love it. All right. Tell me a movie that you 413 00:22:39,240 --> 00:22:41,439 Speaker 2: have watched in the last month. It may not be 414 00:22:41,480 --> 00:22:43,399 Speaker 2: the all time greatest or you're what you want to 415 00:22:43,440 --> 00:22:45,440 Speaker 2: be defined by that you really enjoyed. 416 00:22:47,280 --> 00:22:50,800 Speaker 1: Man on Fire with Denzel Washington. I love. I'm a 417 00:22:50,840 --> 00:22:52,159 Speaker 1: big fan of Revenge. 418 00:22:52,720 --> 00:22:57,040 Speaker 2: Yes, me too, Vindication very good. Okay, tell me somebody 419 00:22:57,600 --> 00:23:02,040 Speaker 2: that you are good friends with a select from whatever 420 00:23:02,240 --> 00:23:06,359 Speaker 2: field that people would be surprised you're friends with because 421 00:23:06,400 --> 00:23:08,240 Speaker 2: y'all may not share the same political views. 422 00:23:10,400 --> 00:23:13,159 Speaker 1: Well, there's a gentleman who has a band called Rage 423 00:23:13,200 --> 00:23:15,439 Speaker 1: Against the Machine. His name is Tom Morello, and he 424 00:23:15,480 --> 00:23:19,560 Speaker 1: plays guitar and occasion with Bruce Springsteen and Bruce Springsteen 425 00:23:19,600 --> 00:23:21,400 Speaker 1: even though he had his foot in his mouth more 426 00:23:21,400 --> 00:23:25,520 Speaker 1: often than necessary. Bruce and Tom and I were all 427 00:23:25,640 --> 00:23:28,720 Speaker 1: raised on Chuck Berry and Mitch Ryder music, so I 428 00:23:28,760 --> 00:23:32,920 Speaker 1: will overlook the stupid politics and just jam on killer music. 429 00:23:33,000 --> 00:23:34,040 Speaker 1: How's that. 430 00:23:34,320 --> 00:23:36,800 Speaker 2: I love it, and I can appreciate that the art 431 00:23:36,840 --> 00:23:39,520 Speaker 2: at that moment takes precedence. You know, it's really too 432 00:23:39,560 --> 00:23:43,000 Speaker 2: bad because Springsteen has written some really good stuff, and 433 00:23:43,040 --> 00:23:45,159 Speaker 2: I love his hard scrabble story and I love his 434 00:23:45,320 --> 00:23:48,760 Speaker 2: truth in his his how he stayed true to New 435 00:23:48,880 --> 00:23:52,920 Speaker 2: Jersey in the gritty, you know, New Jersey streets. But 436 00:23:53,040 --> 00:23:57,639 Speaker 2: my goodness, his mind is warped. It's absolutely warped. When's 437 00:23:57,640 --> 00:23:59,399 Speaker 2: the last time you spoke to President Trump. I know 438 00:23:59,440 --> 00:24:00,159 Speaker 2: he adores you. 439 00:24:00,840 --> 00:24:01,840 Speaker 1: Just a couple of months ago. 440 00:24:02,320 --> 00:24:05,480 Speaker 3: I'm congratulating him, and I'm bringing a lot of important 441 00:24:05,480 --> 00:24:09,120 Speaker 3: issues to the forefront. Some people who have been illegally 442 00:24:09,920 --> 00:24:14,000 Speaker 3: law fared, like a fellon farmer in Michigan who's never 443 00:24:14,040 --> 00:24:16,480 Speaker 3: been a wrestler or given a speeding ticket, but he's 444 00:24:16,480 --> 00:24:19,760 Speaker 3: now a fellon because he had a bad muffler on 445 00:24:19,840 --> 00:24:21,720 Speaker 3: a tractor according to the Jack. 446 00:24:21,560 --> 00:24:25,320 Speaker 4: Boots Thugs of the Epea. So we're seeking a pardon 447 00:24:25,400 --> 00:24:27,800 Speaker 4: for this good man. Those are the kinds of issues 448 00:24:27,800 --> 00:24:30,080 Speaker 4: that I fight for every day. And the great Donald Trump, 449 00:24:30,200 --> 00:24:33,040 Speaker 4: who's a real commander in chief, he is addressing those. 450 00:24:33,080 --> 00:24:36,520 Speaker 4: We got a sheriff pardoned in West Virginia who was 451 00:24:36,640 --> 00:24:38,080 Speaker 4: law fared, and there's been so. 452 00:24:38,160 --> 00:24:40,800 Speaker 1: Much of that. We have a target rich environment out there. 453 00:24:40,920 --> 00:24:43,240 Speaker 2: Yeah, I think Ed Martin's going to do a great 454 00:24:43,320 --> 00:24:45,240 Speaker 2: job at that. Uncle Ted, I'm up against a break. 455 00:24:45,280 --> 00:24:48,679 Speaker 2: We always appreciate your time, Ted Nugent dot com. You 456 00:24:48,680 --> 00:24:51,400 Speaker 2: can go to the nuge Vault nuge Vault dot com. 457 00:24:51,400 --> 00:24:53,119 Speaker 2: We love you, brother, I. 458 00:24:53,160 --> 00:24:54,560 Speaker 1: Love you back. Michael, godspeed. 459 00:24:54,560 --> 00:24:57,159 Speaker 2: But if you like the Michael Berry Show in podcast 460 00:24:57,480 --> 00:25:02,120 Speaker 2: please tell one friend, and if you're so inclined, write 461 00:25:02,160 --> 00:25:06,720 Speaker 2: a nice review of our podcast. Comments, suggestions, questions, and 462 00:25:07,000 --> 00:25:10,639 Speaker 2: interest in being a corporate sponsor and partner can be 463 00:25:10,720 --> 00:25:15,080 Speaker 2: communicated directly to the show at our email address, Michael 464 00:25:15,720 --> 00:25:19,679 Speaker 2: at Michael Berryshow dot com, or simply by clicking on 465 00:25:19,720 --> 00:25:24,520 Speaker 2: our website Michael Berryshow dot com. The Michael Berry Show 466 00:25:24,640 --> 00:25:28,840 Speaker 2: and Podcast is produced by Ramon Roeblis, the King of Ding. 467 00:25:30,240 --> 00:25:39,760 Speaker 2: Executive producer is Chad Knakanishi. Jim Mudd is the creative director. 468 00:25:40,560 --> 00:25:46,120 Speaker 2: Voices Jingles, Tomfoolery and Shenanigans are provided by Chance McLean. 469 00:25:46,960 --> 00:25:51,440 Speaker 2: Director of Research is Sandy Peterson. Emily Bull is our 470 00:25:51,480 --> 00:25:58,920 Speaker 2: assistant listener and superfan. Contributions are appreciated and often incorporated 471 00:25:59,119 --> 00:26:02,679 Speaker 2: into our production. Where possible, we give credit, where not, 472 00:26:03,200 --> 00:26:06,399 Speaker 2: we take all the credit for ourselves. God bless the 473 00:26:06,440 --> 00:26:12,120 Speaker 2: memory of Rush Limbaugh. Long live Elvis, be a simple 474 00:26:12,160 --> 00:26:18,000 Speaker 2: man like Leonard Skinnard told you, and God bless America. Finally, 475 00:26:18,720 --> 00:26:22,480 Speaker 2: if you know a veteran suffering from PTSD, call Camp 476 00:26:22,520 --> 00:26:28,399 Speaker 2: Hope at eight seven seven seven one seven PTSD and 477 00:26:28,480 --> 00:26:32,800 Speaker 2: a combat veteran will answer the phone to provide free counseling,