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Speaker 1: M h. Come in this. I was just pally. Wings

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Speaker 1: will get better. I'm not worrying. We'll be fine. I

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Speaker 1: have known you since the moment your first through breath.

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Speaker 1: You're sad. I can see it. I always know with

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Speaker 1: you and Ima. Is it the boy? The kite boy?

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Speaker 1: It's nothing, so it is him. It's always about the

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Speaker 1: boys with girls of your age. When you have to

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Speaker 1: forget him, he's gone. That's how it is with these people.

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Speaker 1: He's not like that. Well he's not here, is he?

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Speaker 1: I was a girl. I know what it's like. But

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Speaker 1: the street boys, how could it ever be? Here's nothing,

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Speaker 1: here's no one. Your mother wouldn't have wanted this for you.

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Speaker 1: My mother is dead. Do you think she still doesn't

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Speaker 1: watch over you, care for you, guard you. I know

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Speaker 1: he'll come back, he promised. What was that? I thought

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Speaker 1: all the servants had gone when we couldn't pay them anymore?

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Speaker 1: They did? You know they did? Then? What's that? I'd gone? See?

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Speaker 1: It's like we'll go together. M hm. Thieves, it must be.

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Speaker 1: What shall we do? Mh. We need to see what's happening.

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Speaker 1: We need to run. This is my house. I'm not

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Speaker 1: running away. Come on, where the kitchen. We need a knife.

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Speaker 1: Follow me. No, this is madness. Stop. No, come on, father,

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Speaker 1: where's the money? Master? Is it really you welcome home?

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Speaker 1: It doesn't Where is the money? There is none When

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Speaker 1: you went away, they were bills to pay the tradesmen,

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Speaker 1: the city tuk, the servants wages. Even then we couldn't

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Speaker 1: keep them. We didn't know how long way? Father? Are

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Speaker 1: you all right? Do I look like I'm all right?

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Speaker 1: Everything has gone wrong. The gods are against the band,

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Speaker 1: against us. We've lost everything. But you said it was

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Speaker 1: going to be a prosperous voyage and that everything would

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Speaker 1: be I said, said, said. We were attacked at sea,

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Speaker 1: and and that bitch, that that slave woman, she cheated

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Speaker 1: me out of my share and left me fighting for

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Speaker 1: my life on a deserted shore. I did everything for her,

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Speaker 1: and she repaid me. And there's no slaves to sell,

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Speaker 1: no slaves, no ship, no nothing. Please, father six, you

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Speaker 1: look hungry. We haven't bereater of knowledge, chickpeas. Some welcome home, chickpeas.

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Speaker 1: At least we have the house I've borrowed against the house,

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Speaker 1: you fall. How do you think I raised the money

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Speaker 1: that bitch stole from me? You know, once they know

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Speaker 1: I'm back, the creditors will be here like like like

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Speaker 1: hungry rats, and we won't have anything. Think about it, think,

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Speaker 1: think what can we do? There must there must be

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Speaker 1: there always all that away out that has to be.

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Speaker 1: Perhaps we could sell some of the furniture in the market. Ciscopylar.

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Speaker 1: Of course, what a fool fan. You're losing your touch

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Speaker 1: this very day. As soon as it's like, we'll go

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Speaker 1: and see him, we'll draw up an agreement, have it

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Speaker 1: all signed and sealed by the evening, the marriage, your

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Speaker 1: marriage to Ciscopylar. Shame of you'll sell me to him?

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Speaker 1: That monster? Is that a monster? Is a very successful

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Speaker 1: business associate and a family friend. What about me? I'm

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Speaker 1: your daughter exactly, and what I daughter us for making

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Speaker 1: alliances through marriage? Ciscopilar is rich, he won't need a

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Speaker 1: bride price. He'll pay me. But master, look at her?

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Speaker 1: Are you blind? She's a child and he's seventy. You

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Speaker 1: can't father? You are all I have left to sell.

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Speaker 1: Human B Series three, episode six, Fatima by Mike Walker.

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Speaker 1: You know, oh, I'm just starving you. I was just

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Speaker 1: thinking a statue to her, to the alkin gold. It

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Speaker 1: could could be gold here. See it's it's beautiful. But

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Speaker 1: maybe now as things are, you know, perhaps you did

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Speaker 1: me to celebrate her life, what she was. They can

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Speaker 1: all see her, see what was lost. That's your loss,

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Speaker 1: your pain. But life must, life must go on every

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Speaker 1: moment that passes. She's there in my mind, in my heart,

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Speaker 1: and not there beside me, and never will be there again.

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Speaker 1: She is there in you every day, every moment I

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Speaker 1: can see that. Thank you, Harod. A messenger has arrived.

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Speaker 1: Your father, General Corline is returning with an army. They'll

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Speaker 1: behave before sunset. Who is army? My stepfather th govering

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Speaker 1: over she in province, This army that has no loyalty

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Speaker 1: to tumd me. My father took it upon himself to

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Speaker 1: just wasn't doing the right thing. The Balarua coming. We

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Speaker 1: have no army to speak of. We need help, something

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Speaker 1: to set against them. Yes, that's what she would have

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Speaker 1: said it. The messenger said, my mother is with the army. Mother,

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Speaker 1: my stepfather is away on a hunting trip. Apparently a

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Speaker 1: hunting trip is more important than his duty to Tuban Bay.

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Speaker 1: What is it? Something's not right? What do you mean?

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Speaker 1: My stuff father didn't like hunting. He never went hunting anyway.

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Speaker 1: She's with them, she's with the army, she's um with her.

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Speaker 1: You have to you can't look away, not for one moment.

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Speaker 1: And she's coming and we and we have to meet her.

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Speaker 1: A grand reception waits to welcome Coolan and this army

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Speaker 1: he's bringing home. Only it's not very grand. A few chamberlains,

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Speaker 1: a gaggle of palace guards, and are Sultana and her

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Speaker 1: husband like to worry children waiting for who knows what

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Speaker 1: how long? Now I can't see clearly the dust. As

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Speaker 1: they stand there. I see he touches her arm and

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Speaker 1: she brushes her hand against his. How times change? Mother,

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Speaker 1: Welcome to tuban Bay. Hi, pray, pray, boy, just save you,

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Speaker 1: Tuban Bay. Help me down someone? Yeah, that new mother,

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Speaker 1: what he remics you have performed. I did my duty, mother,

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Speaker 1: nothing more. I always knew you would achieve greatness, that

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Speaker 1: you had steal in you, even when you refuse to

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Speaker 1: hold a sword. It's a child. Now look at these hands,

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Speaker 1: the hands of a sultan, mother, my the Sultana, man

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Speaker 1: of the house. Yes, yes, your majesty, it is an

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Speaker 1: honor to share our forces with you. To protect our

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Speaker 1: great and wonderful city of tuman Bay. We in turn

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Speaker 1: offer you are thanks. Her retinue of women makes the

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Speaker 1: few slaves I've been able to gather holding their bowls

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Speaker 1: of rose water look shabby and second. Right now, I

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Speaker 1: would like to change to bathe. Of course I can

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Speaker 1: show you to your and you are Gregor, my lady,

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Speaker 1: master of the palace, guard brother of General Coulan, uncle

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Speaker 1: to the Sultana. Yes, I have heard much about you,

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Speaker 1: and I have you take my horse. Of course, Madam

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Speaker 1: Herod will walk with me. We have so much to

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Speaker 1: talk about. I have an uneasy feeling that a new

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Speaker 1: and dangerous piece has been introduced to the board at

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Speaker 1: a point when we hardly know what the game is,

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Speaker 1: never mind who might win or lose bother it. No,

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Speaker 1: now I grieve for your loss, and I feels shall

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Speaker 1: we father and daughter, who both mourned the same lover.

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Speaker 1: Did she die a well? How tangled the web we weave?

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Speaker 1: She did? And we laid her on a ship and

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Speaker 1: said her ashes out to sea. It seemed in keeping

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Speaker 1: with her life as a traveler. Father, are you all right?

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Speaker 1: We are united in grief, my daughter, as we should

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Speaker 1: be united. In our suspicion of this woman Fatima. She is,

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Speaker 1: without question. The day he's being held for trial, he escaped.

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Speaker 1: I'm afraid how is that possible? Why have you not

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Speaker 1: taken control of the situation here it You must be ruthless.

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Speaker 1: Cut out the poison. Then maybe we will find him

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Speaker 1: and he will pay. I can assure you assurance is

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Speaker 1: a cheap coin. Majesty, who has been assigned this task?

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Speaker 1: I have, my lady. I see well, Gregor, master of

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Speaker 1: the Palace Guard. Your record so far isn't exactly shining.

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Speaker 1: You will have to do better for me. I'll want

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Speaker 1: a full report what Gregor reports to me. Of course,

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Speaker 1: of course, I'm only trying to help my dear. This way,

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Speaker 1: my lady, follow me, and if it pleases you, my lady,

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Speaker 1: are these were the apartments of the chief wife of

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Speaker 1: Sultan Algori, who is strangled here? Yes, I must say

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Speaker 1: your record is becoming more tarnished by the moment. You know,

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Speaker 1: a great deal, a great deal too much for comfort.

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Speaker 1: I am interested in dynasties. Tommba has a troubled history.

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Speaker 1: Some say it's a poisoned throne. Who would want such

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Speaker 1: a seat in such a city. Well, I'm sure my

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Speaker 1: son Herod does and has proved himself worthy to sit

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Speaker 1: beside our Sultana. I'm sure I will leave you to

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Speaker 1: arrange yourself and your women. My guard will ensure your safety.

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Speaker 1: My own guard will take care of that with my son,

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Speaker 1: the palace guard. He doesn't need your army, Excellency, I

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Speaker 1: brought him one of his own. Is there anything else

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Speaker 1: the apartments for your husband? When he arrived, you may go.

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Speaker 1: I will bathe, wash away the dust of the journey. Oh,

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Speaker 1: when you may ask my son to come and see me,

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Speaker 1: we shall consult, of course, my living as you wish,

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Speaker 1: as I Wash'm not her damned messenger. Mm hmm. Mother,

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Speaker 1: you called for me, yes, come, I she was stay No,

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Speaker 1: I say yes, oh yes, m hmm. Sit my dear,

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Speaker 1: m h There have been rumors about your marriage, please mother,

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Speaker 1: So it's true you and your wife have not bed it. Mother.

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Speaker 1: You can't expect to produce children if you don't. So

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Speaker 1: who is this woman? Your wife weeps over her adviser

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Speaker 1: or her lover m hm both. Of course, if you

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Speaker 1: had been more of a man, you could have. But

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Speaker 1: now you're my dear sweet gentle boy and when it counted, Yes,

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Speaker 1: you stood up. She's dead. It doesn't matter anymore. Everything matters,

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Speaker 1: my dear, and all this may be for the best

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Speaker 1: or what you know, everything that happened, it makes your position,

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Speaker 1: our position more solid. That's enough. Now I need to rest.

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Speaker 1: I will leave you. Mother. You may fetch me a tab.

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Speaker 1: Don't look way you're ashamed of your mother. Look at me.

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Speaker 1: We are one flesh. You are eying herod? Am I

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Speaker 1: not still beautiful? Do you like what you see? Yeah?

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Speaker 1: Copy yourself. When you're a boy used to like looking

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Speaker 1: at me. I'm not a boy. More so I see

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Speaker 1: you are a man with the desires of a man

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Speaker 1: that I can see also, So act on it. Demand

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Speaker 1: your rights as a husband. You are destined for greenness.

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Speaker 1: A sultan of Tommy. You will found a great dynasty

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Speaker 1: that will last as long as the city stands. Get

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Speaker 1: that girl with child, she needs a heavy belly. Mhm.

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Speaker 1: There is to be a council meeting this afternoon. Go.

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Speaker 1: I wish to prepare myself. Perhaps you won't be invited

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Speaker 1: With ten thou armed men at my command? Isn't General Coolan,

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Speaker 1: Who's General Coulan? M These projects have been held up

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Speaker 1: awaiting finance and supplies. Herold seems to have taken the

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Speaker 1: trouble to inform himself. Maybe he really will make a difference.

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Speaker 1: Pull Mannell back into things. May I draw the council's

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Speaker 1: attention to the matter of the oldie respective Who are

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Speaker 1: you mother? Who are you the clerk of the town clerk? Right?

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Speaker 1: Are there not more important matters for this council to discuss.

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Speaker 1: I'm sorry my capturing the traitor Gordani the approaching armies

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Speaker 1: of the Ballarak uh so Um. I have heard a

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Speaker 1: message of congratulations from the Ballarak, congratulations for repelling the

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Speaker 1: cool and restoring or. They say they want to protect

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Speaker 1: to man Beer from further troubles and are sending a

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Speaker 1: delegation of advisors, which the Sultana and I considered to

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Speaker 1: be more menace than friendships. They are not noted for

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Speaker 1: their philanthropy. They you expect to be welcomed, and if

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Speaker 1: they are not, they presumably won't be best pleased. Wow,

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Speaker 1: thank you for sharing your experience in foreign affairs, Herod.

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Speaker 1: We must make a stand. I agree with General Coulan.

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Speaker 1: Really a general, now, are you? I was only trying

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Speaker 1: to No, No, Coula my friend. If you don't want

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Speaker 1: to see each you welcome them to the city. You

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Speaker 1: smile to their faces and hang her followers something like that. Yes,

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Speaker 1: victory does not always go to the iron fist, sometimes

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Speaker 1: to the silken noose. My lord, you have a guess

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Speaker 1: waiting in your rooms. I guess, he said, to let

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Speaker 1: you know. Is something wrong theret No, If you excuse me,

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Speaker 1: something I must deal with. I'll be actually m yes, hello,

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Speaker 1: is there anyone here? Sell them the door? God, you

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Speaker 1: may go and somehow you it is you? Who have

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Speaker 1: you been hiding? I thought it best. I am the

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Speaker 1: son of Tumana's greatest traitor. Hey, hey, hey, hey, it's

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Speaker 1: all right. It wasn't your fault. We can't choose who

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Speaker 1: our fathers are. I didn't know where to go. I

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Speaker 1: didn't know what to do. I just knew how to

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Speaker 1: see you. Come on, get up off your knees. We're friends.

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Speaker 1: It wasn't your fault. I mean to be honest. It

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Speaker 1: all turned out rather well for me, Thank god. I

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Speaker 1: was so concerned, but I couldn't do anything. It's that

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Speaker 1: like the whole city was against me, everyone looking for me.

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Speaker 1: I had no one to go to, no one to

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Speaker 1: don't worry. I won't tell anyone. I know what it's

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Speaker 1: like to be alone when I came to human Bey.

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Speaker 1: You are my only friend. I won't ever forget that.

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Speaker 1: But my father he I know you didn't have anything

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Speaker 1: to do with what your father did. He uses people.

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Speaker 1: We are friends and that's all that matters, all right.

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Speaker 1: What are you saying at Umslas Brusthel? You remember? How

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Speaker 1: could I forget? I just had to come and see

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Speaker 1: you to be sure you were all right. Now you're

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Speaker 1: on the council. Well, I'm so glad everything works out

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Speaker 1: for you. Oh they still look at me with narrow

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Speaker 1: eyes and with my mother here, it's you look tired,

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Speaker 1: my dear friend. Yes, well it's been a difficult time.

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Speaker 1: Perhaps you need a plaque so them no, hear me out,

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Speaker 1: because I have found a really amazing place with great people.

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Speaker 1: So then things have changed. I can't do that sort

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Speaker 1: of stuff anymore. Of course, of course I shouldn't have.

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Speaker 1: I shouldn't have spoken out of turn. Now it's fine.

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Speaker 1: I'm sorry. Have responsibilities. So what if if you brought

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Speaker 1: them the head of tuman Bas greatest traitor, my lord

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Speaker 1: the merchant bab I tell them to bring in the

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Speaker 1: tea and gigs now, ciscopular effinthing. How generous of you

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Speaker 1: to invite us, and how good to see you again,

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Speaker 1: old friends, old business rivers. Ah, lovely of course, Mattila

246
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Speaker 1: Ciscopila here always got the better of me, trewdest bargainer

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Speaker 1: in gigs ship's ship, both of you, if you'll forgive me,

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Speaker 1: cisco effinthy. I thought first, you thought making a public

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Speaker 1: display of your support for Tayland. Why it was a

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Speaker 1: good idea. But look where that got you and your

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Speaker 1: latest venture. Ah. Of course, I've only just returned from

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Speaker 1: business across the seat. I heard the was a disaster. No, no,

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Speaker 1: not at all. I just had need my help, my dear, Please,

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Speaker 1: I don't you eat? No? Thank you? Sing you sure cake,

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Speaker 1: honey kick, I'm not hungry, thank you. M hmm. Cast

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Speaker 1: your eyes down, dear when a man looks at you.

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Speaker 1: But she has a good temperament. But I hope you

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Speaker 1: haven't spoilt her. No, no, and she read, of course

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Speaker 1: not good. Your jewels are most becoming, my dear, My

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Speaker 1: mother's they were a gift, a loving gift that she perhaps,

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Speaker 1: if my sweet you were to go into the with

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Speaker 1: your permission, Cisco said, then we could talk the boarding stuff.

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Speaker 1: You know, perhaps your daughter would care to see the

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Speaker 1: fish in the pond? Yes, good show her the fish pond.

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Speaker 1: Mm hmm, she walks. Well, thank you. You're a fortunate

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Speaker 1: man baband to have a daughter who soon market plan,

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Speaker 1: of course, and for such a jewel, I will give

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Speaker 1: you one, assuming the jewels are part of the package.

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Speaker 1: Let's let's don't take too long, because I'm being very

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Speaker 1: generous given your circumstances. Please sit, excellency sir. Is he ready?

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Speaker 1: He's always ready? Then let's not waste time? Are you

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Speaker 1: What does that mean? Am I ready? Does it mean

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Speaker 1: anything at all? Huh? Did I make a mistake? Was

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Speaker 1: it to do with greg Or Herold? What should I do?

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Speaker 1: You know? He cannot tell you what to do? Should

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Speaker 1: I stay in hiding? Should I attempt a reconciliation? Really?

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Speaker 1: With who? You know? He cannot with the Sultana? Why

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Speaker 1: isn't the answering stupid question? With someone in the palace

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Speaker 1: a man, a woman, but not the Sultana, a woman

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Speaker 1: who has no history here? Mistress Fatima? H How can

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Speaker 1: I reach out to her to tell her I've I

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Speaker 1: have so much to offer, so many secrets. Ah, the

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Speaker 1: Golds do they know now, What, excellency, do they know

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Speaker 1: about the other places, the rest of the gold. Ah.

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Speaker 1: I need someone who understands the way the world turns

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Speaker 1: and has it, Gregor, he will be my go between.

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Speaker 1: It can be done a meeting, A meeting, Yes, yes, yess.

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Speaker 1: I begin to see everything is possible to the man

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Speaker 1: who sees the possibility of everything. So this is a

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Speaker 1: stop upon the way. That is all. But the journey

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Speaker 1: is not ended. What what now? Yah? He says, you

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Speaker 1: must not leave the city today. It is not propitious, Lee,

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Speaker 1: I hope only just begun sort of exciting. You know

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00:26:23,880 --> 00:26:28,119
Speaker 1: what is? Come on three here skulking through the streets

295
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Speaker 1: and disguise. I'll miss it. I'm miss being with you. Well,

296
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Speaker 1: once we're settled, and I mean ellis looking after the babies.

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Speaker 1: And it doesn't look very promising. It's just a cafe.

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Speaker 1: He's upstairs. He's been hiding it ever since it's happened.

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Speaker 1: Looks and um, I just thought of something. I mean,

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Speaker 1: here we are, but yeah, I mean I don't even

301
00:27:02,160 --> 00:27:08,080
Speaker 1: have a sword. I do and Herod, we have to

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00:27:08,160 --> 00:27:13,320
Speaker 1: do this. We have to finish what we started. You mean,

303
00:27:13,440 --> 00:27:19,520
Speaker 1: actually cut his head off. He's fat and sick. There

304
00:27:19,520 --> 00:27:23,840
Speaker 1: won't be any trouble. You will be the true and

305
00:27:24,000 --> 00:27:26,359
Speaker 1: only hero of tuman Bab. You have to find a

306
00:27:26,359 --> 00:27:32,040
Speaker 1: college to do this. How are you ready? I'm ready.

307
00:27:36,960 --> 00:27:46,840
Speaker 1: They've probably put on a statue to you. He's sleep.

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00:27:47,160 --> 00:27:54,200
Speaker 1: Come on, herold now, I'll be ready for your drink

309
00:27:54,200 --> 00:27:58,160
Speaker 1: after this. What do they mean? This there so narrow?

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00:28:00,080 --> 00:28:07,800
Speaker 1: M hm h m hm, oh, don't I tell her

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00:28:07,840 --> 00:28:17,960
Speaker 1: the egg dot? I don't understand. Where is he tonight?

312
00:28:18,040 --> 00:28:20,359
Speaker 1: You drink the wine of paradise and dream of paid

313
00:28:20,480 --> 00:28:33,480
Speaker 1: virgins my foot? M hm, I'm sleep. M h I'm sorry.

314
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Speaker 1: I sit in my tower and look down over the city,

315
00:28:48,520 --> 00:28:51,040
Speaker 1: and I feel it's life, like a million lights in

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00:28:51,120 --> 00:28:55,720
Speaker 1: the darkness, so bright, some mere glimmers in the far distance.

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00:28:59,600 --> 00:29:13,719
Speaker 1: M hm m hey, stop, who are you? A cafe

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Speaker 1: of the tree of Sorrows and narrow stairs? Come alone? Day?

319
00:29:23,360 --> 00:29:26,800
Speaker 1: He must be desperate to take such a risk, or

320
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Speaker 1: is this just another move on the board sillium? Father,

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Speaker 1: I did it? What are you talking about? I killed him?

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Speaker 1: M hm, who do you? I thought I thought it

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Speaker 1: would be easy, but horribly. He took so long, so

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00:30:02,600 --> 00:30:09,560
Speaker 1: so much blood. So you stupid, stupid idiot, the idiot

325
00:30:09,680 --> 00:30:12,560
Speaker 1: son of an idiot. Mother. May the gods curse the

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Speaker 1: day I had her, and double curse the day she

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Speaker 1: had you. Do you have any idea of what you

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00:30:18,080 --> 00:30:22,600
Speaker 1: have done? And sent word to Gregor to come here

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Speaker 1: and meet me alone to make a deal. And now

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00:30:27,080 --> 00:30:34,600
Speaker 1: he's going to find this. We we could he came.

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00:30:36,520 --> 00:30:40,120
Speaker 1: The boy has an idea. Let's kill the most dangerous

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00:30:40,160 --> 00:30:46,080
Speaker 1: man in two men by no, no, well, there's only

333
00:30:47,360 --> 00:30:51,240
Speaker 1: one thing to do. What's that? You will do what

334
00:30:51,480 --> 00:30:55,320
Speaker 1: you do? I don't understand you clean things up, So

335
00:30:55,560 --> 00:31:00,440
Speaker 1: clean this up. Let's let's no but nothing do it?

336
00:31:01,800 --> 00:31:05,200
Speaker 1: Make it go away, and then go away yourself, and

337
00:31:05,280 --> 00:31:08,200
Speaker 1: then meet me at the water, go to dawn with

338
00:31:08,760 --> 00:31:15,520
Speaker 1: a camel. Do you understand? Yes? Yes, father, yes, father.

339
00:31:29,960 --> 00:31:33,880
Speaker 1: I'm intrigued by this message. Can Dally calls me here?

340
00:31:35,000 --> 00:31:43,719
Speaker 1: And here there is nothing except the faint aroma of blood?

341
00:31:45,600 --> 00:31:52,800
Speaker 1: What has been done in this place? Ah? Sit sit, excellency.

342
00:31:53,320 --> 00:31:57,320
Speaker 1: How can I serve you sweet tea and mint tea, safronteer,

343
00:31:57,360 --> 00:32:01,840
Speaker 1: information and coffee to eat? I think not serve it

344
00:32:01,920 --> 00:32:08,760
Speaker 1: as you would for a funeral, boy, funeral coffee, one said,

345
00:32:12,320 --> 00:32:17,200
Speaker 1: the room at the back up the stairs, excellency, Yeah,

346
00:32:17,440 --> 00:32:21,240
Speaker 1: young fellow and other men are big heavy anyone Else's

347
00:32:21,280 --> 00:32:27,000
Speaker 1: not my business, of course, I just want it good coffee,

348
00:32:27,520 --> 00:32:32,120
Speaker 1: h not too hot. I am known for my funeral

349
00:32:32,160 --> 00:32:36,480
Speaker 1: gold flapper. Do you know whose funeral? Excellency? Perhaps the

350
00:32:36,560 --> 00:32:45,920
Speaker 1: room is your business, after all, this has developed solo.

351
00:32:46,000 --> 00:32:49,200
Speaker 1: The cafe is named after many centuries ago they used

352
00:32:49,240 --> 00:32:52,360
Speaker 1: to be. That doesn't interest me. You said the water

353
00:32:52,480 --> 00:32:54,960
Speaker 1: was foul this morning. Yes, we had to use a

354
00:32:55,040 --> 00:33:02,800
Speaker 1: system at the crossroads. Oh, still doesn't spend so good.

355
00:33:03,800 --> 00:33:06,040
Speaker 1: This is where the young man was seen. No longer

356
00:33:06,160 --> 00:33:09,800
Speaker 1: faint now an odor I know all too well. The

357
00:33:09,920 --> 00:33:15,160
Speaker 1: boy will send him down. He'll need a torch, some animal,

358
00:33:15,440 --> 00:33:17,719
Speaker 1: you think what I'd be wasting my time with an animal?

359
00:33:18,640 --> 00:33:33,760
Speaker 1: No sort, the excellency, the boy why well, what smells bad?

360
00:33:35,320 --> 00:33:42,440
Speaker 1: What he was deady? Of course? No? Stop? Stop? What

361
00:33:42,880 --> 00:33:55,760
Speaker 1: what what is it? Why? Why you what? Look? I

362
00:33:55,880 --> 00:33:59,680
Speaker 1: never knew a head would be as heavy. M hm

363
00:34:00,040 --> 00:34:09,200
Speaker 1: m h. The fury of the bereaved mother has often

364
00:34:09,239 --> 00:34:12,160
Speaker 1: been written about in the great tragedies of ancient times,

365
00:34:13,239 --> 00:34:18,920
Speaker 1: but here she's coming and now my lady, I am

366
00:34:19,640 --> 00:34:28,120
Speaker 1: so later Gregor where is he? Where is my soul? Madame?

367
00:34:28,200 --> 00:34:35,000
Speaker 1: De body was say the condition in pieces, my shock

368
00:34:35,080 --> 00:34:51,319
Speaker 1: in a basket to what she says, Yes, the Sultana

369
00:34:51,440 --> 00:35:06,640
Speaker 1: should I never like this like like but chess stool,

370
00:35:07,680 --> 00:35:16,799
Speaker 1: excellency madame. Yes, we can help me and my assistant yes,

371
00:35:17,840 --> 00:35:24,839
Speaker 1: who I um. We are artists, madam, artists after death.

372
00:35:26,000 --> 00:35:28,759
Speaker 1: What my assistant means is that we make the dead

373
00:35:28,800 --> 00:35:32,520
Speaker 1: look as they were in in life. It's what we do.

374
00:35:34,400 --> 00:35:43,960
Speaker 1: You can bring him back to life, no no, no no,

375
00:35:44,680 --> 00:35:47,320
Speaker 1: But we can restore everything short of the breath of

376
00:35:47,400 --> 00:35:53,880
Speaker 1: life itself, with tread and wax, baste and powder, and

377
00:35:54,320 --> 00:35:57,279
Speaker 1: then you can send him off on his journey as

378
00:35:57,320 --> 00:36:00,080
Speaker 1: you would wish to see him go. It will be

379
00:36:00,320 --> 00:36:05,040
Speaker 1: as if the sultan head intersparadise in his sleep, well

380
00:36:05,719 --> 00:36:08,200
Speaker 1: more or less, since there are a few bits missing,

381
00:36:08,280 --> 00:36:11,160
Speaker 1: But there's nothing we can't do. We have a pen

382
00:36:11,360 --> 00:36:15,560
Speaker 1: of slaves for anything we might need to add. I

383
00:36:15,719 --> 00:36:18,840
Speaker 1: know some of the grieving like them. Have that gentleman

384
00:36:18,880 --> 00:36:25,239
Speaker 1: a little enhanced, as it were. But do your best work.

385
00:36:26,640 --> 00:36:30,359
Speaker 1: You will be well rewarded, of course. But of course,

386
00:36:31,640 --> 00:36:36,040
Speaker 1: in the end, no matter how old or how far away,

387
00:36:37,000 --> 00:36:41,719
Speaker 1: what does happen between you? Or do you? They are

388
00:36:42,520 --> 00:36:51,680
Speaker 1: your little boy? Put this in aside. Yes he loved

389
00:36:51,760 --> 00:36:55,680
Speaker 1: it as a baby. Let him hold it, but let

390
00:36:55,920 --> 00:37:02,600
Speaker 1: no one see. Of course, m your best work, mind

391
00:37:06,040 --> 00:37:18,120
Speaker 1: my name. I do not accept your explanations. Commander your

392
00:37:18,160 --> 00:37:22,920
Speaker 1: son yet dangerous company, madam? As do you? I am

393
00:37:23,080 --> 00:37:26,320
Speaker 1: used to handling thieves and spies. I wasn't referring to

394
00:37:26,520 --> 00:37:30,880
Speaker 1: thieves and spies, even so I warnt him time and

395
00:37:31,000 --> 00:37:34,520
Speaker 1: time again. The city is a dangerous place at night.

396
00:37:35,560 --> 00:37:40,240
Speaker 1: There are factions, the blues, the yellows. There are the guilds,

397
00:37:40,320 --> 00:37:43,360
Speaker 1: not all of them trades, mora artists. There are darker,

398
00:37:43,440 --> 00:37:46,759
Speaker 1: more dangerous arts. And was it not your job to

399
00:37:46,920 --> 00:37:51,520
Speaker 1: protect your sultan wherever he might be, a silent presence,

400
00:37:52,080 --> 00:37:56,400
Speaker 1: never disturbing, always at hand. Isn't that what people like

401
00:37:56,640 --> 00:38:01,680
Speaker 1: you are supposed to do? What are you standing there for?

402
00:38:02,000 --> 00:38:09,680
Speaker 1: Open the door? I have only now heard the news.

403
00:38:10,520 --> 00:38:12,439
Speaker 1: My heart is with you in this moment of pain

404
00:38:12,640 --> 00:38:15,920
Speaker 1: and sorrow, the whole of I don't want your pity.

405
00:38:16,880 --> 00:38:21,040
Speaker 1: I won't accept it. He saved your life, He saved

406
00:38:21,080 --> 00:38:25,800
Speaker 1: your throne, and you used him, all of you. I

407
00:38:25,920 --> 00:38:30,319
Speaker 1: can assure of nothing. Those who did this, those who

408
00:38:30,680 --> 00:38:35,879
Speaker 1: allowed this to happen, will pay. The city will pay

409
00:38:36,040 --> 00:38:41,520
Speaker 1: for my son's life. It is my loss too. Gregor,

410
00:38:41,680 --> 00:38:46,680
Speaker 1: go find out who Commander Gregor, a man of fearsome reputation,

411
00:38:46,800 --> 00:38:50,760
Speaker 1: Why I dare say in the far provinces, mother's scared

412
00:38:50,840 --> 00:38:56,960
Speaker 1: disobedient children with his name. I can assure you I

413
00:38:57,680 --> 00:39:06,080
Speaker 1: don't want to hear. Indulge me, majesty. Let me tell

414
00:39:06,120 --> 00:39:10,160
Speaker 1: you a story from when I was a child. Of course,

415
00:39:11,440 --> 00:39:14,840
Speaker 1: in the forest around our village there was a terrible ogre.

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00:39:16,320 --> 00:39:19,239
Speaker 1: It was said that once he came roaring out of

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00:39:19,320 --> 00:39:22,200
Speaker 1: the trees and took a whole family and ate them

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00:39:22,719 --> 00:39:27,120
Speaker 1: live stock, and all this happened in the time of

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00:39:27,200 --> 00:39:31,280
Speaker 1: my grandfather's grandfather. And after his terrible meal, the ogre

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00:39:31,360 --> 00:39:33,800
Speaker 1: sat down with his back against a mighty fur and

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00:39:33,880 --> 00:39:37,960
Speaker 1: went to sleep. The villagers all lived in fear of

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00:39:38,160 --> 00:39:43,120
Speaker 1: waking him, so they crept around, never used hammers, built cottages,

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00:39:43,200 --> 00:39:46,960
Speaker 1: held dances, or ran the temple bell or even kept

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00:39:47,120 --> 00:39:56,960
Speaker 1: noisy goats for years and years and years. And then

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00:39:57,040 --> 00:40:02,480
Speaker 1: one day a child running through the forest came upon

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00:40:02,520 --> 00:40:07,000
Speaker 1: the terrible Logo, but she knew nothing about him. And

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00:40:07,160 --> 00:40:11,359
Speaker 1: she approached and reached out a finger and tweaked one

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00:40:11,600 --> 00:40:19,759
Speaker 1: terrible toe, and it crumbled away into dust, as did

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00:40:19,800 --> 00:40:24,839
Speaker 1: the terrible Ogre, because he had rotted away from inside

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00:40:25,760 --> 00:40:33,840
Speaker 1: and was merely a shell, and nothing more like to

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00:40:33,960 --> 00:40:41,560
Speaker 1: mend me. Let us stop playing these games. Power rest

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00:40:41,640 --> 00:40:45,200
Speaker 1: in the hand that holds the hilt and wields the sword.

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00:40:46,080 --> 00:40:49,000
Speaker 1: Ask your father. He will tell you it is true.

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00:40:50,239 --> 00:40:54,359
Speaker 1: And I have ten thousand hands, and ten thousand hills,

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00:40:54,960 --> 00:41:00,360
Speaker 1: and ten thousand swords. And now, if you're most acious

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00:41:00,440 --> 00:41:05,400
Speaker 1: Majesty will allow me, I shall withdraw to mourn for

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00:41:05,520 --> 00:41:17,840
Speaker 1: my son. What happened to my sweet? Why are you crying?

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00:41:17,920 --> 00:41:20,120
Speaker 1: It's all like a slave, not a slave, a wife.

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00:41:20,160 --> 00:41:26,800
Speaker 1: It's an honorable position. Day here, girl, you will obey

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00:41:26,880 --> 00:41:29,640
Speaker 1: me your master, don't. She's only a child. I have

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00:41:29,719 --> 00:41:33,880
Speaker 1: no intention of her together, because I'm valuable kids. You

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00:41:34,360 --> 00:41:37,480
Speaker 1: are a disobedient daughter. You will stay in your room

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00:41:37,640 --> 00:41:41,560
Speaker 1: until you can behave properly. You'll get used to it.

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00:41:42,400 --> 00:41:54,000
Speaker 1: Everyone does. I won't. I won't. I'd rather die. I

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00:41:54,080 --> 00:41:59,640
Speaker 1: can't die. He would look after Emma, help me someone

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00:41:59,719 --> 00:42:09,160
Speaker 1: else me. Their stars have smooth to hurt me. The

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00:42:09,360 --> 00:42:19,480
Speaker 1: sky itself looks down on my suffering. The mountains are distant,

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00:42:20,920 --> 00:42:27,319
Speaker 1: the snow glitters on the summons, But he is ever

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00:42:27,600 --> 00:42:45,920
Speaker 1: denight to me. Oh what, m frock? I told you

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00:42:45,960 --> 00:42:59,560
Speaker 1: I'd come back, didn't I didn't I? Season three, Episode

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00:42:59,640 --> 00:43:04,479
Speaker 1: six of tuman Bay, Fatima, featuring Tara Fitzgerald, Rufus Wright,

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00:43:04,960 --> 00:43:08,800
Speaker 1: Finn Elliott, and Humera Said, was written by Mike Walker,

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00:43:09,400 --> 00:43:12,400
Speaker 1: with music by Sasha Putnam and editing and sound design

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00:43:12,560 --> 00:43:16,759
Speaker 1: by Eloise Whitmore. Tuman Bay is directed by Me, John

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00:43:16,800 --> 00:43:20,480
Speaker 1: Scott Dryden, created by Me and Mike Walker, and produced

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00:43:20,520 --> 00:43:24,280
Speaker 1: by Emma Herne and Nadia Khan. For more details, including

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00:43:24,320 --> 00:43:27,520
Speaker 1: scripts and castle list, visit tumuan Bay dot com