1 00:00:07,840 --> 00:00:12,040 Speaker 1: Hey, everybody, it is Tuesday, October the fourteenth, And if 2 00:00:12,080 --> 00:00:17,040 Speaker 1: you like government conspiracies, small town heroes, and one of 3 00:00:17,079 --> 00:00:20,840 Speaker 1: the funniest lines you will ever hear in a horror movie, 4 00:00:21,040 --> 00:00:24,200 Speaker 1: have we got a doozy for you? Everybody? Welcome to 5 00:00:24,360 --> 00:00:28,160 Speaker 1: this number eighteen now as we count down our horror 6 00:00:28,280 --> 00:00:31,640 Speaker 1: hit lists of our favorite horror movies that you probably 7 00:00:31,680 --> 00:00:35,280 Speaker 1: don't even know and rose this. This is a favorite. 8 00:00:35,320 --> 00:00:38,120 Speaker 1: And if you like this is apocalyptic, right. 9 00:00:38,080 --> 00:00:41,159 Speaker 2: Yes, right movie. I love apocalyptic horror movies. This is 10 00:00:42,440 --> 00:00:45,120 Speaker 2: one of my favorite ones, all time favorite ones. It's 11 00:00:45,440 --> 00:00:50,880 Speaker 2: The Crazies. Release date twenty ten, runtime an hour forty 12 00:00:50,920 --> 00:00:54,760 Speaker 2: one and rateed R. It's perfect. It is so much fun. 13 00:00:55,320 --> 00:00:59,520 Speaker 2: It's got just the right amount of gore and horror 14 00:00:59,600 --> 00:01:04,399 Speaker 2: and dissipation. You're rooting so hard for the main couple 15 00:01:04,440 --> 00:01:07,720 Speaker 2: in this, and we love the acting. We love the actors. 16 00:01:07,959 --> 00:01:12,200 Speaker 2: It's just an awesome movie. So the synopsis is this 17 00:01:12,840 --> 00:01:16,959 Speaker 2: anarchy reigns when an unknown toxin turns the peaceful citizens 18 00:01:16,959 --> 00:01:21,399 Speaker 2: of Ogden Marsh into blood thirsty lunatics. In an effort 19 00:01:21,440 --> 00:01:24,520 Speaker 2: to contain the spread of the infection, authorities blockade the 20 00:01:24,560 --> 00:01:27,839 Speaker 2: town and use deadly force to keep anyone from getting 21 00:01:27,880 --> 00:01:32,120 Speaker 2: in or out. Now trapped among killers, Sheriff Dutton and 22 00:01:32,200 --> 00:01:35,280 Speaker 2: his wife and two companions must band together to find 23 00:01:35,319 --> 00:01:38,960 Speaker 2: a way out before madness and death overtake them. 24 00:01:39,319 --> 00:01:40,479 Speaker 1: That's a pretty good synopsis. 25 00:01:40,560 --> 00:01:43,120 Speaker 2: It's a great concept because not only are you afraid 26 00:01:43,240 --> 00:01:48,640 Speaker 2: of your fellow townspeople who are now monstrous, infected, flesh 27 00:01:48,640 --> 00:01:52,640 Speaker 2: eating crazy people, you're also afraid of the US government 28 00:01:52,680 --> 00:01:54,880 Speaker 2: that's trying to take you out because they're afraid you 29 00:01:55,000 --> 00:01:55,840 Speaker 2: might be infected. 30 00:01:56,240 --> 00:01:58,560 Speaker 1: You have no friends in this and it is it's 31 00:01:59,040 --> 00:02:01,400 Speaker 1: I'll get through the some of the details of it, 32 00:02:01,440 --> 00:02:04,040 Speaker 1: but right it's once it starts. This is another one 33 00:02:04,080 --> 00:02:05,480 Speaker 1: that keeps you on the edge of your seat because 34 00:02:05,480 --> 00:02:09,280 Speaker 1: there's no relief at any point this movie. 35 00:02:09,520 --> 00:02:14,840 Speaker 2: And the opening baseball game, oh yeah, If that doesn't 36 00:02:14,880 --> 00:02:17,880 Speaker 2: reel you in that scene, then nothing will. I mean, 37 00:02:17,960 --> 00:02:21,600 Speaker 2: that is such an iconic start to a movie. Every 38 00:02:21,720 --> 00:02:24,359 Speaker 2: time I've watched this movie, we've watched it together at 39 00:02:24,440 --> 00:02:28,400 Speaker 2: least five times probably, and I have watched it countless times, 40 00:02:28,480 --> 00:02:29,600 Speaker 2: and it never gets old. 41 00:02:29,760 --> 00:02:31,760 Speaker 1: This is one why I would say, if you have 42 00:02:31,880 --> 00:02:35,960 Speaker 1: your doubts about it or doubting us give it ten minutes. 43 00:02:36,080 --> 00:02:38,320 Speaker 1: This is one I just please ask, Give this one 44 00:02:38,440 --> 00:02:40,080 Speaker 1: ten minutes and you'll be in. 45 00:02:40,360 --> 00:02:42,160 Speaker 2: Yeah, And it did well at the box office. At 46 00:02:42,160 --> 00:02:45,040 Speaker 2: the time twenty ten, it had a reported twenty million 47 00:02:45,080 --> 00:02:47,960 Speaker 2: dollar budget, but it made fifty four point eight million, 48 00:02:48,080 --> 00:02:50,520 Speaker 2: so it did well. So a lot of folks went 49 00:02:50,520 --> 00:02:52,360 Speaker 2: out to the theaters to see this one. And we 50 00:02:52,480 --> 00:02:58,880 Speaker 2: mentioned the stellar cast. We mentioned the stellar acting Timothy Olafant. Yeah, 51 00:02:58,960 --> 00:03:02,960 Speaker 2: I mean, just a remarkable anytime I see him, and 52 00:03:03,000 --> 00:03:06,120 Speaker 2: he's done it all rom comms. He always plays law enforcement, 53 00:03:06,160 --> 00:03:08,359 Speaker 2: I feel like, and this time it's no different. He's 54 00:03:08,400 --> 00:03:10,800 Speaker 2: a sheriff. He's the sheriff of the small town. Perfectly 55 00:03:11,120 --> 00:03:14,000 Speaker 2: plays it so well. Roda Mitchell. I didn't necessarily know 56 00:03:14,080 --> 00:03:16,880 Speaker 2: her name, but man, do I know her face. Every 57 00:03:16,880 --> 00:03:18,800 Speaker 2: time I see her, I'm like, Oh, this is gonna 58 00:03:18,800 --> 00:03:22,480 Speaker 2: be good. And so they're the couple. She's the town doctor, 59 00:03:22,600 --> 00:03:25,760 Speaker 2: I believe, and he is the town sheriff. And together 60 00:03:25,800 --> 00:03:26,880 Speaker 2: they take on the world. 61 00:03:27,080 --> 00:03:30,000 Speaker 1: And there they make a perfect duo. They make a 62 00:03:30,000 --> 00:03:34,240 Speaker 1: perfect loving duo that you're really because I'm usually sometimes 63 00:03:34,320 --> 00:03:37,240 Speaker 1: not a fan of getting so much into some personal 64 00:03:37,360 --> 00:03:39,880 Speaker 1: family story in a horror movie. This is one I 65 00:03:39,880 --> 00:03:42,480 Speaker 1: really appreciate it because you're rooting for him so hard 66 00:03:42,560 --> 00:03:45,200 Speaker 1: because of what he had to go through to get 67 00:03:45,240 --> 00:03:48,880 Speaker 1: to her. It's a really it's a cool love story 68 00:03:48,880 --> 00:03:49,040 Speaker 1: in the. 69 00:03:49,040 --> 00:03:51,480 Speaker 2: Middle of this thing there is I do appreciate that 70 00:03:51,520 --> 00:03:54,560 Speaker 2: she does end up alone and abandoned quite often, but 71 00:03:54,640 --> 00:03:58,080 Speaker 2: he does usually get there just in a nicked time, 72 00:03:58,080 --> 00:04:02,520 Speaker 2: which we love. Joe Anderson also plays basically he's his 73 00:04:02,720 --> 00:04:05,880 Speaker 2: deputy correct in this Joe Anderson, he's like the sidekick, 74 00:04:05,920 --> 00:04:06,480 Speaker 2: but he's great. 75 00:04:06,600 --> 00:04:08,240 Speaker 1: You know, yeah, you'll know here is another one. You'll 76 00:04:08,240 --> 00:04:10,400 Speaker 1: know the face, but even if you don't know the name. 77 00:04:10,480 --> 00:04:12,320 Speaker 2: So here's something I found out about the movie that 78 00:04:12,400 --> 00:04:15,160 Speaker 2: I did not know having watched it so many times 79 00:04:15,280 --> 00:04:17,800 Speaker 2: feeling like I know this thing backwards and forwards. Did 80 00:04:17,839 --> 00:04:19,839 Speaker 2: you know that this is a remake? I did not 81 00:04:19,960 --> 00:04:23,240 Speaker 2: know that it is, Yes, a remake. So the director, 82 00:04:23,320 --> 00:04:27,880 Speaker 2: Bret Eisner, actually brought in George A. Romero, who wrote 83 00:04:27,960 --> 00:04:30,640 Speaker 2: and directed the original, to have him serve as an 84 00:04:30,680 --> 00:04:33,360 Speaker 2: executive producer on the remake, which is really really cool. 85 00:04:33,400 --> 00:04:35,719 Speaker 2: And so people who were big fans of the original, 86 00:04:35,760 --> 00:04:38,640 Speaker 2: which by the way, was in nineteen seventy three, it 87 00:04:38,680 --> 00:04:42,680 Speaker 2: was listed as an action horror sci fi film. It 88 00:04:42,839 --> 00:04:45,119 Speaker 2: did pretty well. It got sixty eight percent on Rotten 89 00:04:45,120 --> 00:04:48,320 Speaker 2: Tomatoes back in the day in nineteen seventy three. But 90 00:04:48,360 --> 00:04:51,800 Speaker 2: people who loved it, it's pretty cool why they loved 91 00:04:51,839 --> 00:04:54,400 Speaker 2: the remake because there was really a nod to the 92 00:04:54,440 --> 00:04:57,880 Speaker 2: original throughout. People said it didn't have a major departure. 93 00:04:57,920 --> 00:05:01,080 Speaker 2: It was changed for more modern time, but all in 94 00:05:01,120 --> 00:05:03,800 Speaker 2: the right ways. So it was that's very rare where 95 00:05:03,839 --> 00:05:07,279 Speaker 2: you have a beloved original. People who loved it also 96 00:05:07,400 --> 00:05:10,679 Speaker 2: loved the remake, and so actually their Rotten Tomato score 97 00:05:10,760 --> 00:05:13,400 Speaker 2: for the One We Love in twenty ten did really well, 98 00:05:13,440 --> 00:05:16,839 Speaker 2: seventy two percent on Rotten Tomatoes. I don't understand the 99 00:05:16,839 --> 00:05:20,960 Speaker 2: audience score fifty seven percent. Wow, how can you explain that? 100 00:05:22,040 --> 00:05:24,360 Speaker 1: Okay, well you look through some of the reviews. How 101 00:05:24,400 --> 00:05:25,920 Speaker 1: do you explain it? How were they what was their 102 00:05:25,960 --> 00:05:26,760 Speaker 1: problem with the movie? 103 00:05:26,760 --> 00:05:29,360 Speaker 2: I guess I think that they just felt like it 104 00:05:29,440 --> 00:05:34,839 Speaker 2: wasn't scary enough. But I actually disagree. I Oh my gosh, 105 00:05:34,920 --> 00:05:39,000 Speaker 2: the tension the pitchfork alone. If you look at the art, 106 00:05:39,040 --> 00:05:42,599 Speaker 2: the cover of this film, The Crazies, anywhere you go 107 00:05:42,680 --> 00:05:45,240 Speaker 2: to stream it, you'll see the pitchfork, and that in 108 00:05:45,279 --> 00:05:47,400 Speaker 2: and of itself is frightening, and then the way it's 109 00:05:47,480 --> 00:05:49,040 Speaker 2: used in the film Hello, the. 110 00:05:49,080 --> 00:05:52,400 Speaker 1: Pitchfork scene might be the most terrifying. Terrifying is the 111 00:05:52,400 --> 00:05:54,600 Speaker 1: word I would use for that scene, because it takes 112 00:05:54,640 --> 00:05:58,400 Speaker 1: so long to build up, and nobody's jumping out at you. 113 00:05:58,440 --> 00:06:01,480 Speaker 1: There's no scare. You see it, you feel it, and you're, oh, well, 114 00:06:01,560 --> 00:06:03,800 Speaker 1: a great scene. So yeah, I don't know. Sometimes people 115 00:06:03,839 --> 00:06:07,480 Speaker 1: in the horror movies expect jump scares they I don't know, 116 00:06:07,520 --> 00:06:09,240 Speaker 1: maybe to each his or her own. 117 00:06:09,360 --> 00:06:12,520 Speaker 2: I often, really, I've said this before, rely a lot 118 00:06:12,560 --> 00:06:15,480 Speaker 2: on audience score versus critics score. But sometimes I am 119 00:06:15,560 --> 00:06:18,520 Speaker 2: baffled by what people expect out of a movie, and 120 00:06:18,560 --> 00:06:21,760 Speaker 2: maybe just I think it's I've noticed it in the 121 00:06:22,000 --> 00:06:26,240 Speaker 2: zombie genre or apocalyptic genre, people have very high expectations. 122 00:06:27,400 --> 00:06:30,599 Speaker 2: It just seems like they hold those movies to a 123 00:06:30,680 --> 00:06:34,160 Speaker 2: higher level of They want it to be extra scary, 124 00:06:34,160 --> 00:06:37,000 Speaker 2: they want the graphics to be beyond reproach, they want 125 00:06:37,000 --> 00:06:40,000 Speaker 2: the zombies to be a certain way, and if it's 126 00:06:40,040 --> 00:06:43,320 Speaker 2: not exactly, if there's too much comedy, if there's maybe 127 00:06:43,360 --> 00:06:45,560 Speaker 2: even too much romance in this one, if there's too 128 00:06:45,600 --> 00:06:48,920 Speaker 2: much of another subplot they get upset, So I'm just 129 00:06:48,920 --> 00:06:51,360 Speaker 2: thinking that could possibly be the reason for the lower 130 00:06:51,960 --> 00:06:55,200 Speaker 2: audience score. Don't out. But the critics consensus, I think 131 00:06:55,320 --> 00:07:02,080 Speaker 2: is perfectly put, tense, nicely shot, and uncommonly intelligent. The 132 00:07:02,160 --> 00:07:07,080 Speaker 2: Crazies is a horror remake that unusually works. 133 00:07:07,160 --> 00:07:09,159 Speaker 1: I thought this was smart. Again, I didn't know it 134 00:07:09,160 --> 00:07:11,000 Speaker 1: was a remake, so when I was first seeing it 135 00:07:11,080 --> 00:07:14,840 Speaker 1: and seeing how right. We've seen a lot of zombie 136 00:07:14,840 --> 00:07:19,600 Speaker 1: and apocalypse stuff, and it's usually something in nature. The 137 00:07:19,640 --> 00:07:22,520 Speaker 1: government was behind this one, and there was I guess 138 00:07:22,560 --> 00:07:25,160 Speaker 1: there was something more practical about, you know what. I 139 00:07:25,200 --> 00:07:29,120 Speaker 1: could see them possibly having something in a lab they're 140 00:07:29,160 --> 00:07:32,600 Speaker 1: developing that gets out and causes all kinds of terrors 141 00:07:32,600 --> 00:07:33,280 Speaker 1: of the community. 142 00:07:33,560 --> 00:07:37,160 Speaker 2: Hello wuhan COVID nineteen. I mean this is well before 143 00:07:37,200 --> 00:07:41,560 Speaker 2: any of obviously our common or our present day or 144 00:07:41,600 --> 00:07:45,200 Speaker 2: our recent pandemic, but man, it did kind of sound 145 00:07:45,240 --> 00:07:47,880 Speaker 2: a little bit like that. Some Here are some of 146 00:07:47,920 --> 00:07:50,400 Speaker 2: the critic reviews, and again most of them are good. 147 00:07:50,400 --> 00:07:52,400 Speaker 2: I've got one bad one in here, just to throw 148 00:07:52,400 --> 00:07:55,960 Speaker 2: it in, But The Crazies is a genuinely good film, 149 00:07:56,000 --> 00:08:00,440 Speaker 2: deserving of its namesake, and bolstered by confident, muscular direction 150 00:08:00,640 --> 00:08:02,960 Speaker 2: and some fine performances from the cast. 151 00:08:03,040 --> 00:08:04,840 Speaker 1: Yes, great cast. Once again, it. 152 00:08:04,760 --> 00:08:07,119 Speaker 2: Was so good all right. While this does have many 153 00:08:07,160 --> 00:08:10,320 Speaker 2: beats that are similar to films in this genre, the 154 00:08:10,440 --> 00:08:13,560 Speaker 2: leads were strong and there was some haunting imagery that 155 00:08:13,680 --> 00:08:17,000 Speaker 2: makes this an interesting watch. The opening baseball scene is 156 00:08:17,200 --> 00:08:17,920 Speaker 2: really effective. 157 00:08:18,080 --> 00:08:18,280 Speaker 1: Yep. 158 00:08:19,160 --> 00:08:21,680 Speaker 2: Yeah, to say the least. That is probably one of 159 00:08:21,720 --> 00:08:24,080 Speaker 2: my favorite opening scenes of any movie. It's got to 160 00:08:24,120 --> 00:08:25,160 Speaker 2: be at least in my top ten. 161 00:08:25,280 --> 00:08:28,760 Speaker 1: And terrifying as well, because it was in broad daylight, 162 00:08:28,920 --> 00:08:31,640 Speaker 1: it was in front of a crowd. Was how long 163 00:08:31,640 --> 00:08:35,280 Speaker 1: did that? Okay? It played out for a little bit. 164 00:08:35,320 --> 00:08:37,880 Speaker 2: That tension was great because it was a scene that 165 00:08:38,040 --> 00:08:41,400 Speaker 2: normally would be nothing but fun and light and wholesome 166 00:08:41,480 --> 00:08:43,920 Speaker 2: and family oriented. And then to have it turn on 167 00:08:43,960 --> 00:08:46,640 Speaker 2: its head the way it does, Oh my goodness, all right. 168 00:08:47,360 --> 00:08:51,760 Speaker 2: Another critic review one of those rare cases where the 169 00:08:51,840 --> 00:08:55,320 Speaker 2: remake lives up to the original, if not exceeds it. 170 00:08:55,840 --> 00:08:57,880 Speaker 2: Nice see, And I thought, again, I thought that was 171 00:08:57,880 --> 00:09:00,720 Speaker 2: so cool. Now here's here's one of the bad reviews. 172 00:09:01,120 --> 00:09:05,480 Speaker 2: Without the rotting ickiness of proper zombies, they just seem 173 00:09:05,600 --> 00:09:09,320 Speaker 2: like methed Out Iowans looking for a fix that's scary, 174 00:09:09,360 --> 00:09:10,440 Speaker 2: but not scary enough. 175 00:09:11,400 --> 00:09:13,520 Speaker 1: That's kind of exactly what it is. These are just 176 00:09:13,640 --> 00:09:16,760 Speaker 1: normal people who they do. They get drugged up on 177 00:09:16,800 --> 00:09:19,960 Speaker 1: something and they absolutely go crazy. So I think that's 178 00:09:20,160 --> 00:09:23,680 Speaker 1: maybe accurate, but it scares me. 179 00:09:24,440 --> 00:09:26,480 Speaker 2: Meth Out Islands, if that's what you want to call it. 180 00:09:26,520 --> 00:09:28,400 Speaker 2: They were pretty damn scary to me, and I don't 181 00:09:28,400 --> 00:09:30,720 Speaker 2: want to be anywhere near anything or anyone that looks 182 00:09:30,800 --> 00:09:33,679 Speaker 2: or acts like that. It was creepy, creepy, creepy, all right, 183 00:09:33,720 --> 00:09:34,040 Speaker 2: and we're. 184 00:09:33,960 --> 00:09:37,520 Speaker 1: I just pointing at you Iolands met Out anything scared 185 00:09:38,040 --> 00:09:38,520 Speaker 1: right right. 186 00:09:38,480 --> 00:09:40,640 Speaker 2: Right right. But when I saw that review, I did 187 00:09:40,720 --> 00:09:42,960 Speaker 2: I did laugh. I thought that was pretty funny for 188 00:09:43,040 --> 00:09:45,160 Speaker 2: a bad review. It was. It got a chuckle out 189 00:09:45,200 --> 00:09:47,440 Speaker 2: of me, all right. The audience some of what they said, 190 00:09:47,480 --> 00:09:49,480 Speaker 2: and some of these were recent ones, because again in 191 00:09:49,520 --> 00:09:51,959 Speaker 2: the streaming world now people are discovering movies that they 192 00:09:52,000 --> 00:09:53,760 Speaker 2: had never even heard of before. That's part of the 193 00:09:53,800 --> 00:09:56,640 Speaker 2: reason why we're doing this series, because there are so 194 00:09:56,920 --> 00:09:59,360 Speaker 2: many good horror flicks out there that you might not 195 00:09:59,440 --> 00:10:01,960 Speaker 2: have heard of that didn't necessarily get the big box 196 00:10:02,000 --> 00:10:04,640 Speaker 2: office splash that some others did so this one reads 197 00:10:05,200 --> 00:10:09,240 Speaker 2: fantastically entertaining flick. Timothy Oliphant will forever be one of 198 00:10:09,280 --> 00:10:12,920 Speaker 2: the greatest Hollywood stars that has been greatly overlooked, and 199 00:10:12,960 --> 00:10:15,800 Speaker 2: he brings his a game as usual, and so does 200 00:10:15,840 --> 00:10:19,360 Speaker 2: the rest of the cast YEP, particularly Joe Anderson as 201 00:10:19,400 --> 00:10:23,840 Speaker 2: Olafan's cohort. The movie has an intriguing start, maniacal middle, 202 00:10:24,080 --> 00:10:28,480 Speaker 2: and an awesome ending. Brilliantly directed, edited, and really well written. 203 00:10:29,320 --> 00:10:30,720 Speaker 2: I thought that was so true. 204 00:10:30,840 --> 00:10:34,960 Speaker 1: And you can't say enough about Timothy Olafant. What was 205 00:10:35,320 --> 00:10:36,760 Speaker 1: What was the show he was just on when he 206 00:10:36,800 --> 00:10:37,360 Speaker 1: was a sheriff? 207 00:10:38,600 --> 00:10:39,280 Speaker 2: Deadwood? 208 00:10:39,679 --> 00:10:43,400 Speaker 1: No, that's not him, this one is. I think it 209 00:10:43,440 --> 00:10:46,200 Speaker 1: was on FX. We're gonna have it in two seconds. 210 00:10:46,200 --> 00:10:48,920 Speaker 1: But he has been in several things. Again I say 211 00:10:48,960 --> 00:10:50,520 Speaker 1: the name. You might not know it off the top 212 00:10:50,559 --> 00:10:54,760 Speaker 1: of your head, but he starred as the bad guy 213 00:10:54,840 --> 00:10:57,720 Speaker 1: in one of the die Hard four livet for your 214 00:10:57,760 --> 00:11:02,040 Speaker 1: die Hard he played and gone in sixty seconds. 215 00:11:02,120 --> 00:11:04,400 Speaker 2: As he wasn't Deadwood by the way, this. 216 00:11:05,520 --> 00:11:08,200 Speaker 1: He was in debt he starting Deadwood? Yeah, Oh, what's 217 00:11:08,240 --> 00:11:10,320 Speaker 1: this other sheriff show? I am bugging. 218 00:11:10,559 --> 00:11:11,840 Speaker 2: I was gonna say, I just I don't know what 219 00:11:11,880 --> 00:11:14,000 Speaker 2: that one is, but I knew he was in Deadwood. 220 00:11:14,760 --> 00:11:18,160 Speaker 1: Oh really, are you doing this now? 221 00:11:18,360 --> 00:11:19,920 Speaker 2: Well, I don't know which one you're referring to. 222 00:11:20,040 --> 00:11:23,359 Speaker 1: Oh my god, I put justified. Jeez, justified. 223 00:11:24,000 --> 00:11:25,959 Speaker 2: He started in Never Seen It? 224 00:11:26,200 --> 00:11:28,320 Speaker 1: Okay, that was there, it is. That's the one I'm 225 00:11:28,360 --> 00:11:31,480 Speaker 1: thinking about about that break. But my point is this 226 00:11:31,520 --> 00:11:33,760 Speaker 1: guy is a face you know and know well. Even 227 00:11:33,800 --> 00:11:36,000 Speaker 1: goes back to uh scream two. 228 00:11:36,000 --> 00:11:37,120 Speaker 2: Oh yes, I loved. 229 00:11:37,760 --> 00:11:39,720 Speaker 1: As well, so you know his face really well. But 230 00:11:39,760 --> 00:11:43,839 Speaker 1: he does everything. He's just such. I don't want to 231 00:11:43,840 --> 00:11:45,960 Speaker 1: say he should be typecast at all. But if you 232 00:11:46,040 --> 00:11:49,520 Speaker 1: need a small town sheriff with heart who's gonna love 233 00:11:49,559 --> 00:11:51,600 Speaker 1: his woman and defend his this is your guy. 234 00:11:53,960 --> 00:11:56,440 Speaker 2: That's awesome, all right this song. I wanted to add 235 00:11:56,440 --> 00:11:58,520 Speaker 2: this little funny review from an audience member because it 236 00:11:58,559 --> 00:12:00,640 Speaker 2: just made me laugh. I remember the name of the movie, 237 00:12:00,760 --> 00:12:04,480 Speaker 2: The Crazies, right. Here's his review, very misleading. When I 238 00:12:04,520 --> 00:12:06,839 Speaker 2: saw the title and watch the movie, I was confused 239 00:12:06,840 --> 00:12:09,120 Speaker 2: that not one of my ex girlfriends were in this 240 00:12:11,920 --> 00:12:15,440 Speaker 2: but an he would ah well, enjoyable movie and definitely 241 00:12:15,480 --> 00:12:17,680 Speaker 2: weren't the watch but it did make me laugh. I 242 00:12:17,679 --> 00:12:20,200 Speaker 2: thought that was very funny. Something else that made me 243 00:12:20,280 --> 00:12:26,080 Speaker 2: laugh was a line from the movie that you anticipated 244 00:12:26,200 --> 00:12:28,680 Speaker 2: right at the exact time it was about to be delivered, 245 00:12:28,720 --> 00:12:30,520 Speaker 2: and I heard it for the first time in a 246 00:12:30,520 --> 00:12:31,439 Speaker 2: way I hadn't before. 247 00:12:31,480 --> 00:12:32,840 Speaker 1: See, I don't know, I should we I don't know. 248 00:12:32,880 --> 00:12:35,400 Speaker 1: I can't give that line away. You know what, I'm curious. 249 00:12:35,400 --> 00:12:39,160 Speaker 1: We should have folks right in if you watch this movie, 250 00:12:39,240 --> 00:12:42,360 Speaker 1: please reach out because there is a line in this movie. 251 00:12:42,400 --> 00:12:45,480 Speaker 1: I think it's unmistakable as the because not a lot 252 00:12:45,520 --> 00:12:47,520 Speaker 1: of humor in this movie. No, and even when he 253 00:12:47,559 --> 00:12:52,080 Speaker 1: delivers the line, nobody deadpans, right, But it is the 254 00:12:52,120 --> 00:12:55,319 Speaker 1: funniest thing. But yeah, I don't know how I remember 255 00:12:55,360 --> 00:12:57,800 Speaker 1: so much stuff from movies that I love. I know 256 00:12:57,880 --> 00:13:00,600 Speaker 1: it annoys you, Like any scenario that happens in our day. 257 00:13:00,640 --> 00:13:01,840 Speaker 1: How annoying is that day to day? 258 00:13:01,840 --> 00:13:03,760 Speaker 2: I can get Well, mostly it's annoying when you can 259 00:13:03,800 --> 00:13:05,800 Speaker 2: remember exactly what I said and how I said it 260 00:13:05,840 --> 00:13:08,240 Speaker 2: when I remembered it very differently from the day before. 261 00:13:08,360 --> 00:13:10,480 Speaker 1: But I'm just trying to talk about movies. You turned 262 00:13:10,520 --> 00:13:12,240 Speaker 1: into relationship, is all right? 263 00:13:12,280 --> 00:13:13,840 Speaker 2: When we come back, how about we give you the 264 00:13:13,880 --> 00:13:16,560 Speaker 2: line and then we'll talk about why it made our list, 265 00:13:16,600 --> 00:13:19,520 Speaker 2: who it's for, who it's not for, and what's a 266 00:13:19,559 --> 00:13:32,000 Speaker 2: pair with. Welcome back everyone to Amy and TJ. This 267 00:13:32,200 --> 00:13:35,000 Speaker 2: is our deep Cuts, our Halloween horror hit list, and 268 00:13:35,000 --> 00:13:38,840 Speaker 2: we have made it to number eighteen and the craziest 269 00:13:38,880 --> 00:13:44,400 Speaker 2: one of our all time favorite movies. And TJ pointed 270 00:13:44,400 --> 00:13:47,040 Speaker 2: out one of his all time favorite movie lines, there's. 271 00:13:46,880 --> 00:13:49,160 Speaker 1: Not a lot of humor in this movie. I actually 272 00:13:49,160 --> 00:13:54,040 Speaker 1: cannot remember another moment of humor, any moment of levity. 273 00:13:54,240 --> 00:13:57,319 Speaker 2: I didn't remember that there was a moment at all 274 00:13:57,480 --> 00:13:59,880 Speaker 2: until you pointed out. Truly, it went right past me. 275 00:14:00,400 --> 00:14:02,240 Speaker 1: So all this is going on, it's just a moment 276 00:14:02,280 --> 00:14:05,960 Speaker 1: where there's desperation. The authorities are trying to get people 277 00:14:06,480 --> 00:14:09,600 Speaker 1: out of town, and they're separating people who have a fever. 278 00:14:09,760 --> 00:14:12,080 Speaker 1: They put you over there in another group because they 279 00:14:12,080 --> 00:14:15,680 Speaker 1: think maybe you're infected. So Timothy Oliphant, the lead, gets 280 00:14:15,720 --> 00:14:19,640 Speaker 1: separated from his wife and he's desperate to get to her, 281 00:14:19,720 --> 00:14:24,560 Speaker 1: but he's walking along another townsman who's like, dude, don't 282 00:14:24,560 --> 00:14:27,120 Speaker 1: waste your time. He's like, it's a fool's errand to 283 00:14:27,160 --> 00:14:29,800 Speaker 1: even go back and try to get your wife out, 284 00:14:29,800 --> 00:14:32,760 Speaker 1: they're gonna shoot you. They're gonna kill you. Timothy Oliphant's 285 00:14:32,760 --> 00:14:36,320 Speaker 1: asking him about his wife, like this guy seemed perfectly 286 00:14:36,360 --> 00:14:41,600 Speaker 1: fine leaving his wife behind, at which point Timothy Olaphant 287 00:14:41,600 --> 00:14:44,960 Speaker 1: delivers the funniest line of the movie, and he says, 288 00:14:45,320 --> 00:14:48,920 Speaker 1: to the man, tell you what. You don't ask me 289 00:14:48,960 --> 00:14:52,400 Speaker 1: why I can't leave without my wife, I won't ask 290 00:14:52,440 --> 00:14:56,440 Speaker 1: you why you can leave without yours. It was just wonderful. 291 00:14:57,400 --> 00:15:00,880 Speaker 1: Nobody laughed, no deadban and you would the line if 292 00:15:00,880 --> 00:15:02,240 Speaker 1: you weren't paying attention. 293 00:15:02,040 --> 00:15:05,680 Speaker 2: I had up until this. You literally said, here's my 294 00:15:05,720 --> 00:15:07,600 Speaker 2: favorite line, and you pointed to it right before he 295 00:15:07,680 --> 00:15:09,920 Speaker 2: said it, like you knew when he was about to say. 296 00:15:09,800 --> 00:15:13,400 Speaker 1: It was hilarious. But it's again to somebody's point. A. 297 00:15:13,440 --> 00:15:14,680 Speaker 1: Critics said, great writing. 298 00:15:14,720 --> 00:15:17,680 Speaker 2: Yes, yes, yes, yes, So that is one of the 299 00:15:17,680 --> 00:15:20,720 Speaker 2: many reasons why the Crazies made our list. It's well acted, 300 00:15:20,760 --> 00:15:25,240 Speaker 2: an amazing plot that pitchfork and yes, some excellently delivered 301 00:15:25,240 --> 00:15:28,520 Speaker 2: lines by Timothy Oliphant. Amazing. So who is this for? 302 00:15:28,680 --> 00:15:33,960 Speaker 2: If you love as we all do? And apocalyptic style 303 00:15:34,080 --> 00:15:37,920 Speaker 2: horror film, a classic kind of zombie infection, We're all 304 00:15:37,920 --> 00:15:40,680 Speaker 2: gonna die kind of movie. Yes, this is the movie 305 00:15:40,680 --> 00:15:43,680 Speaker 2: for you. I think that is absolutely who this is for. 306 00:15:43,800 --> 00:15:46,120 Speaker 1: Yeah, and it does it well. Some could even think 307 00:15:46,120 --> 00:15:48,400 Speaker 1: it's a it's a tire genre. You don't see a 308 00:15:48,400 --> 00:15:50,640 Speaker 1: lot of new stuff. Yeah, there's new stuff in here. 309 00:15:50,680 --> 00:15:54,120 Speaker 1: And even if it does follow a formula, the leads, 310 00:15:54,240 --> 00:15:58,920 Speaker 1: the characters make this such a compelling watch. Oh yeah, 311 00:15:58,920 --> 00:16:03,360 Speaker 1: but right, I guess we qualify zombies. 312 00:16:03,480 --> 00:16:06,640 Speaker 2: Right, yeah, yeah, yeah, because they have to be they 313 00:16:06,680 --> 00:16:09,240 Speaker 2: have to be killed and like stopped. You have to 314 00:16:09,280 --> 00:16:10,840 Speaker 2: like shoot them in the head. It's not like they're 315 00:16:10,840 --> 00:16:14,000 Speaker 2: going to get better, so yes, they're done. Who is 316 00:16:14,000 --> 00:16:16,920 Speaker 2: this not for? I think if honestly, if you don't 317 00:16:17,600 --> 00:16:20,440 Speaker 2: want to be entertained, if you don't want crazy fun, 318 00:16:20,480 --> 00:16:22,880 Speaker 2: if you don't want NonStop thrills, if you don't want 319 00:16:22,880 --> 00:16:24,960 Speaker 2: to be on the edge of your seat, don't watch 320 00:16:25,000 --> 00:16:27,080 Speaker 2: this movie because you will be all of those things. 321 00:16:27,120 --> 00:16:29,760 Speaker 2: I can't even think of. Who wouldn't like this? Is it? 322 00:16:29,760 --> 00:16:32,320 Speaker 2: It's not that gory. I mean, there's a lot of 323 00:16:32,840 --> 00:16:37,840 Speaker 2: horror anticipation about what might happen, certainly, and obviously there 324 00:16:37,840 --> 00:16:41,760 Speaker 2: are some gruesome deaths, but I don't recall this being 325 00:16:41,840 --> 00:16:42,840 Speaker 2: exceptionally gory. 326 00:16:43,080 --> 00:16:45,480 Speaker 1: No, you're right, I'm trying to think through. No, you're right, 327 00:16:45,520 --> 00:16:48,120 Speaker 1: but look there's blood and guts. Oh, these folks going 328 00:16:48,120 --> 00:16:52,160 Speaker 1: after each other. But nah, again, I wouldn't watch it 329 00:16:52,200 --> 00:16:53,480 Speaker 1: with your middle schooler. 330 00:16:53,520 --> 00:16:57,120 Speaker 2: But no, no, no, no, I would not either. Maybe if 331 00:16:57,120 --> 00:16:59,720 Speaker 2: you're pregnant, you might not want to watch this wow 332 00:17:00,720 --> 00:17:03,200 Speaker 2: because the lead character is. 333 00:17:03,200 --> 00:17:06,440 Speaker 1: Oh yes, that's right. Yes, I thought you were saying 334 00:17:06,480 --> 00:17:08,160 Speaker 1: it wasna not gonna be good for the health. 335 00:17:08,400 --> 00:17:10,359 Speaker 2: Oh no, I just think it might just freak you 336 00:17:10,400 --> 00:17:12,719 Speaker 2: out a little bit, like just how extra vulnerable you 337 00:17:12,760 --> 00:17:15,040 Speaker 2: are as a pregnant woman. But that would just be 338 00:17:15,080 --> 00:17:17,320 Speaker 2: the only thing. Now. In terms of food, drink and pairing, 339 00:17:17,920 --> 00:17:18,920 Speaker 2: maybe skip the water. 340 00:17:20,720 --> 00:17:22,320 Speaker 1: Yeah, there's a reason for that. 341 00:17:22,480 --> 00:17:25,160 Speaker 2: Yeah, maybe don't drink water out of the tap. Drink 342 00:17:25,280 --> 00:17:27,320 Speaker 2: anything you want out of a can or a bottle. 343 00:17:27,760 --> 00:17:29,760 Speaker 2: And I would also say, because it's set in Iowa, 344 00:17:29,840 --> 00:17:34,000 Speaker 2: there's corn fields everywhere, pop some corn, have some popcorn, popcorn, 345 00:17:34,000 --> 00:17:35,400 Speaker 2: and anything but tap water. 346 00:17:35,600 --> 00:17:38,640 Speaker 1: You know what, In our we work together hours upon 347 00:17:38,760 --> 00:17:42,040 Speaker 1: hours every day. I don't see you put any more 348 00:17:42,359 --> 00:17:45,480 Speaker 1: creative effort into anything than you do the food pairings 349 00:17:45,640 --> 00:17:49,120 Speaker 1: on this You actually give some real thought, I really 350 00:17:49,160 --> 00:17:49,679 Speaker 1: appreciate it. 351 00:17:49,720 --> 00:17:51,320 Speaker 2: You know what if you if you'd like to like 352 00:17:51,480 --> 00:17:53,879 Speaker 2: really go all in and theme this out where you 353 00:17:53,920 --> 00:17:56,960 Speaker 2: feel like, yeah, I am watching this movie and I'm 354 00:17:56,960 --> 00:17:58,920 Speaker 2: gonna pair it with this and I'm gonna watch this one. 355 00:17:58,960 --> 00:18:02,480 Speaker 2: You could also watch. There are a lot of daylight 356 00:18:03,160 --> 00:18:07,240 Speaker 2: hours for this. I think the last half it is dark. Yeah, 357 00:18:07,240 --> 00:18:10,560 Speaker 2: probably want to watch it at night, Yeah, definitely. Yeah, 358 00:18:10,560 --> 00:18:12,359 Speaker 2: don't be fooled. The first part of it's in the daytime. 359 00:18:12,359 --> 00:18:14,439 Speaker 2: We're like, oh, I can watch this with the lines 360 00:18:14,520 --> 00:18:16,879 Speaker 2: up and daylight. It starts to get dark and then 361 00:18:16,920 --> 00:18:20,359 Speaker 2: you can't see and it's frustrating. So people are probably 362 00:18:20,440 --> 00:18:22,760 Speaker 2: laughing at us, like, no one has time to watch 363 00:18:23,000 --> 00:18:26,840 Speaker 2: horror movies during the day except for us. Oh, we 364 00:18:26,880 --> 00:18:27,479 Speaker 2: squeeze it in. 365 00:18:27,520 --> 00:18:31,000 Speaker 1: We prioritize Oh, because we usually are done with work 366 00:18:31,040 --> 00:18:32,240 Speaker 1: by the time the sun comes up. 367 00:18:32,359 --> 00:18:33,399 Speaker 2: That's true, that's true. 368 00:18:33,640 --> 00:18:33,960 Speaker 1: We don't. 369 00:18:34,040 --> 00:18:37,000 Speaker 2: Yeah, we're going sleep by seven pm, just when it 370 00:18:37,040 --> 00:18:39,639 Speaker 2: gets dark. So yes, our kids make fun of that constantly. 371 00:18:40,119 --> 00:18:42,960 Speaker 2: Where you can watch this just about anywhere, Stars, Hulu, 372 00:18:43,080 --> 00:18:46,760 Speaker 2: AMC Plus, you stream it. It's there. So this should 373 00:18:46,800 --> 00:18:49,399 Speaker 2: be readily available to anybody who would like to watch this, 374 00:18:49,480 --> 00:18:52,360 Speaker 2: and we highly, highly highly recommend that you do. All right, 375 00:18:52,960 --> 00:18:56,840 Speaker 2: teasing ahead to our next episode, the next movie that 376 00:18:56,880 --> 00:19:01,800 Speaker 2: we'll be making our list tomorrow. If you think marrying 377 00:19:02,000 --> 00:19:04,360 Speaker 2: into the family of your spouse was tough, if you don't, 378 00:19:04,680 --> 00:19:07,000 Speaker 2: if you don't have a great relationship with your in laws, 379 00:19:07,600 --> 00:19:09,520 Speaker 2: this movie is gonna put your experience to shame. 380 00:19:09,640 --> 00:19:13,760 Speaker 1: Yes, oh yes, stop complaining about your in laws. After 381 00:19:13,760 --> 00:19:16,160 Speaker 1: you see this movie, you will for sure that's gonna 382 00:19:16,160 --> 00:19:16,840 Speaker 1: be number seventeen. 383 00:19:17,080 --> 00:19:19,719 Speaker 2: Yeah on our lists. All right, with that, thank you 384 00:19:19,760 --> 00:19:22,359 Speaker 2: for listening. We hope you enjoyed the Crazies as much 385 00:19:22,400 --> 00:19:25,240 Speaker 2: as we did. I may be Robock alongside TJ. Holmes. 386 00:19:25,680 --> 00:19:31,600 Speaker 2: We will talk to you tomorrow. A little final insult 387 00:19:31,680 --> 00:19:39,240 Speaker 2: love that have a good day, everybody,