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Speaker 1: No wlliod move doctor.

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Speaker 2: Happy Happy Friday, Happy Happy Friday. Happy Happy Friday, Happy

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Speaker 2: happy Friday.

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Speaker 1: You're in a good move.

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Speaker 3: I am in a good mood. I'm in a great move.

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Speaker 2: Next one, Nope, got my balls licked last night in

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Speaker 2: the world.

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Speaker 4: That'll put you in a good move though, No. Man,

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Speaker 4: you know, it's like if you're failing down on your luck,

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Speaker 4: can you get your balls?

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Speaker 2: The nice day out of New York City sunny, it

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Speaker 2: is hot, I mean, Nicks one city, you know, feels

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Speaker 2: like everybody's together.

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Speaker 3: Everybody kind of give each other that chalent head nod today.

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Speaker 4: Yeah, and if you're listening to this on Friday, we're

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Speaker 4: preparing to win game two as well. And if you're

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Speaker 4: listening on Saturday, we up to Oh.

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Speaker 3: Yeah, there you go, speak to the future Rory. Listen.

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Speaker 4: Man, that was one of the most stressful nice in

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Speaker 4: my life.

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Speaker 3: Yeah.

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Speaker 4: I watched with two of my childhood friends because we've

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Speaker 4: all been tortured Knicks fans our entire lives.

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Speaker 3: I ordered a bunch of food.

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Speaker 4: I forgot that they're addicted to prescription pills, so nobody

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Speaker 4: ate except for me or a bunch of food for

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Speaker 4: no reason. No one eats on pharmaceuticals, So that was dumb.

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Speaker 4: But the three of us stood in front of my

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Speaker 4: ad and TV the entire game like this, far away

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Speaker 4: from the TV, tell your hips pacing. It was a

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Speaker 4: stressful night. I can't believe we pulled that show off.

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Speaker 3: Great game, great game, great game.

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Speaker 2: Where did you watch the game? I watched the game

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Speaker 2: my uncle, Earl, Earl of Pearl Monroe.

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Speaker 4: Man.

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Speaker 3: I went to go see him Ko.

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Speaker 4: No moll for ever, never knew he was. You know,

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Speaker 4: his uncle was Earl to Pearl.

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Speaker 2: Yes, man't see uncle in a minute, man. So I've

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Speaker 2: been telling him. I've been, you know, telling my aunt.

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Speaker 2: I was gonna come out and see him for a while.

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Speaker 4: And now we gotta do your twenty three to me.

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Speaker 3: I never do.

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Speaker 2: So I went and watch the game. It's always fun

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Speaker 2: watching the game with like somebody that played. But then

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Speaker 2: somebody that played and was like allegend it.

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Speaker 4: I was about to say he didn't just like play back, and.

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Speaker 2: Then somebody that played and the last time the Knicks one,

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Speaker 2: it was him.

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Speaker 3: He was a big part of it.

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Speaker 2: Yeah, So it was interesting to watch him, you know,

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Speaker 2: just kind of dissect the game and look at how

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Speaker 2: the game is played now, and him being frustrated.

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Speaker 3: He's like, I mean, just threes, that's it. That's all

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Speaker 3: we want to see it.

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Speaker 2: Like he can't understand why Winby just want to come

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Speaker 2: down and shoot threes. Like he's like, if he just

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Speaker 2: stands right there, you know what I mean. But it

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Speaker 2: was it was good to sit down and catch up

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Speaker 2: and watch the game with him, and he was happy

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Speaker 2: the next one and he's he's hoping the Knicks pull

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Speaker 2: us out so they could take the smoke off of

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Speaker 2: the seventy three team back. Like listen, man, let these

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Speaker 2: new guys get one, so.

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Speaker 4: They have to bring that team back to like raise

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Speaker 4: the banner.

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Speaker 3: Yeah, yeah, for sure.

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Speaker 4: I don't believe everything should be content, especially with family,

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Speaker 4: but I would pay for you and Earl the Pearl

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Speaker 4: just put on lab mics and watch Game two. Yeah,

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Speaker 4: and just put a camera in front of you.

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Speaker 3: Yeah. Man, we was told we had a good time.

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Speaker 3: It was good.

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Speaker 1: It was.

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Speaker 3: It was fun watching him, you know, just dissect the

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Speaker 3: new game of basketball.

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Speaker 4: I mean he's I'm sure his basketball IQ is still

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Speaker 4: very sharp.

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Speaker 2: I mean, yeah, one of the best. Man, So shot,

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Speaker 2: I might go I might go back Game two and

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Speaker 2: watch the game with him too. So would set up

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Speaker 2: your phone and you could take our lab mics. Yeah, man,

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Speaker 2: take Ryan with you.

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Speaker 3: Ryan, right?

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Speaker 4: You know is you don't lie like shit.

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Speaker 3: Last night?

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Speaker 4: Read his memoir last night disrespect man. He's twenty three

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Speaker 4: years old.

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Speaker 2: No, yeah, I would be very surprised if Ryan knew

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Speaker 2: who Earl Monroe was.

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Speaker 4: But yeah, well no, that's that's that's good to know

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Speaker 4: that that he's he's cheering for us. Oh, absolutely, DeMars

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Speaker 4: where you got to watch the game?

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Speaker 5: So I tried to go to Lavender Room, but it

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Speaker 5: was packed. And then when I was leaving Lava of

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Speaker 5: the Room, I went to go somewhere else. I was

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Speaker 5: by myself too, and my uber got in a car

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Speaker 5: accident pulling out of the parking spot and I flew

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Speaker 5: from the back seat to the front seat. So and

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Speaker 5: then I just went to fuck home and pay for ESPN.

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Speaker 5: I said, this meant for me to be home.

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Speaker 4: Yeah, yeah, I got invited to Slate. Remember Slate. I

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Speaker 4: think somebody was like to invite to slate some official

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Speaker 4: Knicks TV.

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Speaker 6: Shit.

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Speaker 4: I was like, bro, I do not want to stand

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Speaker 4: around a bunch of casual fans and have to listen

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Speaker 4: to fucking like Fat Joe records during commercials, Like I

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Speaker 4: just I literally know lean Back and I love lean

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Speaker 4: Back and I love Fat Joe's music. I mean that's

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Speaker 4: just like, but I just hate what I'm trying to

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Speaker 4: really watch a game being in those environments, Like I know,

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Speaker 4: I ain't gonna lie Central Park lit the sound stage.

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Speaker 1: Yeah, oh, I didn't know they had anything.

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Speaker 3: That shit looked crazy.

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Speaker 2: They came up, they showed a shot of it, and

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Speaker 2: once the news came on after the game, I was like,

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Speaker 2: I had no idea they was watching, but that makes it.

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Speaker 4: Well, people watching the garden too, right then they had

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Speaker 4: a huge.

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Speaker 1: Watch party in the garden.

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Speaker 5: They had people outside the watch party in the like outside,

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Speaker 5: I'm like, hey, these niggas aren't here like arent Sana

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Speaker 5: to me, Like why are y'all all right?

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Speaker 3: Yeah, the city is here.

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Speaker 2: New Yorker's just like being with New Yorkers. No, only

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Speaker 2: when the Knicks are playing, yes, true, ye only yeah,

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Speaker 2: other than that, you know, we don't do this.

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Speaker 4: For the Jets, but you know, doing this for the

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Speaker 4: Jets would be hilariated.

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Speaker 3: Jets. We don't do this for the Jets, only the

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Speaker 3: Nicks do.

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Speaker 4: We think Mundammie's gonna be courside for Game three?

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Speaker 3: Probably hope not.

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Speaker 4: Nah, he's a man of the people. He's gonna give

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Speaker 4: his ticket away to like an amputee from the Bronx

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Speaker 4: or something. And I hope he's not Rudy Giuliani.

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Speaker 3: He's not. Definitely not.

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Speaker 4: Yeah, he can't put a yeakey head on instand on.

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Speaker 3: Let Mom Donnie nowhere near the garden. Man.

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Speaker 4: He was in the garden last night watching the game,

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Speaker 4: was he?

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Speaker 3: Yeah? Listen, man, whatever we.

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Speaker 4: Never went to the finals.

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Speaker 6: Me.

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Speaker 1: You hate whatever people are like?

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Speaker 3: No, I don't because people like dumb ship, you know,

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Speaker 3: people like them. I like free buses. Are they free?

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Speaker 3: What they are for?

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Speaker 2: You can just get on the bus bus job. It's

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Speaker 2: not gonna tell you to pay like they've been free before,

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Speaker 2: Mom Donnie came to town.

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Speaker 3: Like so well.

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Speaker 4: Either way, we are back sponsored by Boost Unlimited. If

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Speaker 4: you are listening to this on audio, we are also

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Speaker 4: on Netflix International, Netflix.

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Speaker 3: Only International Mall.

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Speaker 2: I'm just gonna I'm gonnaquet like never mind, y'all hate them,

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Speaker 2: but it's so good.

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Speaker 4: Merchants on sale, Patreon, dot com, Ford Slash New Rory

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Speaker 4: Mall go get that. I don't really have any plans

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Speaker 4: this weekend but watching Game two. So I have nothing

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Speaker 4: on that that end unless you guys have some interesting plans.

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Speaker 3: I'm outside, you outside, You got your drinking, your hands,

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Speaker 3: drinking your two steps.

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Speaker 1: It's burgers and bottles weekend.

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Speaker 4: It's burgers and bottle wait in New York. It's burgers

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Speaker 4: and bottles in New York City. Why did you remind us?

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Speaker 4: I thought were we all going as a family?

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Speaker 2: Yo, I need a section for the mob, Yo for

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Speaker 2: the mob seven but tell burgers and bottles. I need

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Speaker 2: a section for the mob tickets. Tickets is so doub

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Speaker 2: and it's raining, and it's.

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Speaker 1: I don't know if you know what I'm saying. It's

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Speaker 1: in Long Island City.

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Speaker 4: The amount outside m hm damn, it's rain this wee

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Speaker 4: can too mall. You know, I'm a pretty humble person.

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Speaker 4: The amount of free fucking promo we have given burgers

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Speaker 4: by this put a.

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Speaker 3: Red carpet out there for me. You have they better

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Speaker 3: let me host. You have a.

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Speaker 5: Ticket as my plus one if you really want to come,

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Speaker 5: but the red carpet.

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Speaker 3: But you have a ticket.

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Speaker 5: The door at the door, who had the door funny

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Speaker 5: as fun New York's New York City Police Department is

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Speaker 5: at the door.

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Speaker 4: It's me, It's me plus group. Yeah, I don't even

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Speaker 4: have a number, it's just a group.

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Speaker 2: Tells the mob is outside.

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Speaker 4: Ticket head count as we walking in.

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Speaker 2: It's me and whoever you know home, me with the

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Speaker 2: Yankee to heat the last one, you know, to the

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Speaker 2: last one raise your hand, Yeah exactly. Yeah, me and

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Speaker 2: the mob were pulling off l C.

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Speaker 5: Yeah, Long Island City. But yeah, I have autually got

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Speaker 5: my parking spot ready.

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Speaker 3: Yeah.

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Speaker 5: My twenty three year old little brother is coming into

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Speaker 5: town in New York City for the first time, so

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Speaker 5: I'm taking him to see the city. I'm gonna take

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Speaker 5: him to bb Hughes and BBQ. He's twenty three and

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Speaker 5: he's from the South, but he's never been to the city.

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Speaker 4: Take that, nigga, he's from the South, and you take

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Speaker 4: him to BBQ, give him a chop for food.

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Speaker 5: I'm taking him for like the drink and like the

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Speaker 5: see Times Square.

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Speaker 2: Number, man, Like, let me show him. Man, he's part

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Speaker 2: of the mob. Now, yeah, let me show him he mob.

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Speaker 2: He don't even know.

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Speaker 5: And then we're gonna go to the Lower East Side

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Speaker 5: and we're gonna bor hop. I'm gonna take him to

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Speaker 5: like last lap and stuff.

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Speaker 4: Last lap boarded up.

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Speaker 1: No, it's not. Stop saying that it is.

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Speaker 4: It's open, Okay, Yeah that another reopened it.

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Speaker 3: Yeah.

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Speaker 1: So I'm gonna just take him around.

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Speaker 3: Give a little bro my number, man, I'll get him right.

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Speaker 1: You don't get me right when I call you, because

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Speaker 1: you your little bro.

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Speaker 3: She's about to have you and BBQs eat and sticky

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Speaker 3: wings and ship.

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Speaker 4: They don't want to do that steroid and faced that

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Speaker 4: big gass corn bread pound cake.

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Speaker 3: They're gonna get you like that. You got to chew

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Speaker 3: for a whole weekend star Lass.

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Speaker 5: I feel like, as somebody who has never been to

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Speaker 5: New York City, even if it's bad, you gotta experience it.

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Speaker 5: Because what I'm gonna do taking the time square and

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Speaker 5: I have them to take a picture with Spider Man, Like, no,

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Speaker 5: I'm gonna get you a handy Colada, Like we're gonna

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Speaker 5: you're gonna experience New York.

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Speaker 4: I want to get him a real honey Colada. Take

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Speaker 4: him to City Island, man, Yeah, who.

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Speaker 1: The fuck is going all the way to City Island?

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Speaker 3: A lot of people every Saturday, I have.

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Speaker 1: Ship to do. I'm not going out the city to city.

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Speaker 2: Only get a good handy Colada take them the seafood.

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Speaker 2: City might get into a little streap to say, maybe

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Speaker 2: get stabbed, but that's the experience. They bolted the chairs

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Speaker 2: down to the floor now, so it's not you can't

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00:09:33,800 --> 00:09:36,199
Speaker 2: you can't say it's a safety hazards.

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Speaker 1: I've never been a city island myself.

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Speaker 3: I actually need to go. I've never been to city island.

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Speaker 3: I gotta take you to city out.

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Speaker 1: You gotta take me. I love seafood.

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Speaker 4: Yes, oh, come on, I gotta take you to the city

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Speaker 4: and get you some clams. Oysters like violence.

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Speaker 1: As when are we going?

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Speaker 3: Well? This weekend is raining, I don't know if you

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Speaker 3: want to be outside.

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Speaker 1: And then the next weekend is what.

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Speaker 3: Next week it's gonna nice, it's gonna be it's gonna

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Speaker 3: be decent.

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Speaker 1: Next week, and then a weekend have to like the

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Speaker 1: weekend after that.

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Speaker 3: We can go. Damn, I can't go, June Team. I'm slammed.

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Speaker 3: I am too, June Team, what do you have going on?

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00:10:10,240 --> 00:10:14,600
Speaker 5: Please enlighten us with your slim I'm going to the

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Speaker 5: UH the.

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Speaker 3: African American Museum and in d C.

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Speaker 5: Really, Yeah, that's it. You're just going to d C

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Speaker 5: just for that. No Rose Bar, no nothing.

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Speaker 3: Rosebars still open? I helpe.

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Speaker 2: So I don't think Rose still open in d C.

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Speaker 2: I think they close. Okay, yeah, I think they closed

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Speaker 2: in DC.

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Speaker 5: I'm always telling me, he gonna take me somewhere. It

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Speaker 5: don't ever take me to City Island. Got to take

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Speaker 5: you've never been.

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Speaker 3: I gotta take your city Island. I gotta give your

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Speaker 3: City Island.

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Speaker 1: Major come.

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Speaker 4: Oh my god, they'll probably be there already.

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Speaker 3: They can, they can definitely come.

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Speaker 2: But it's like we gotta get out of there before

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Speaker 2: sundawn with them too.

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00:10:46,280 --> 00:10:48,520
Speaker 3: Why because it's just.

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Speaker 4: Major might say something to somebody the now. We're just

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Speaker 4: out there just thumping.

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Speaker 3: You know what I'm saying.

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Speaker 1: At least one of us got it on us.

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Speaker 2: Yeah, but we don't. I just want to go get

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Speaker 2: you some fried lobs and tails and go home, right.

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Speaker 2: I don't want to have it on I hear you.

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00:11:00,840 --> 00:11:02,720
Speaker 5: But yes, if either of you guys want to come

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Speaker 5: to B and B this weekend, I have your tickets period.

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00:11:06,360 --> 00:11:07,000
Speaker 1: Just let me know.

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00:11:07,160 --> 00:11:08,559
Speaker 2: You know what I'm saying, r N M at B

291
00:11:08,679 --> 00:11:10,440
Speaker 2: and B. Like the way that sounds. We might have

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00:11:10,480 --> 00:11:14,760
Speaker 2: to do something collab, a little something.

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00:11:14,520 --> 00:11:17,080
Speaker 3: A little live podcast me, a little something live stream,

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00:11:17,360 --> 00:11:18,680
Speaker 3: you know what I mean?

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00:11:18,720 --> 00:11:19,559
Speaker 4: A pot from VP on.

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Speaker 1: That'll be fun.

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00:11:21,320 --> 00:11:22,439
Speaker 3: Burgers and pod.

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00:11:24,200 --> 00:11:27,760
Speaker 2: Pott and burgers, pod and bottles pop a bottle, pot

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00:11:27,840 --> 00:11:28,360
Speaker 2: and bottles.

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Speaker 3: They're gonna have a personal for me.

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00:11:30,400 --> 00:11:30,559
Speaker 4: Yeah.

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00:11:30,600 --> 00:11:32,120
Speaker 3: But what if me and Rory do like burgers and

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00:11:32,160 --> 00:11:33,840
Speaker 3: models the same day as burgers.

304
00:11:33,480 --> 00:11:36,839
Speaker 1: And and models has ears in my eye?

305
00:11:37,080 --> 00:11:38,520
Speaker 3: What if we do that the same day and like

306
00:11:38,600 --> 00:11:39,640
Speaker 3: step on your rollout?

307
00:11:40,320 --> 00:11:41,280
Speaker 1: You can't step on us?

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00:11:41,320 --> 00:11:44,800
Speaker 3: All right? And I only know like one or two models. See,

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00:11:44,840 --> 00:11:46,360
Speaker 3: don't worry, I got you, man, I.

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00:11:46,320 --> 00:11:50,480
Speaker 5: Hate a lion with her. You're a liar. You know

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00:11:50,480 --> 00:11:54,520
Speaker 5: more than one model, more than model chicks. That's say

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00:11:54,520 --> 00:11:56,719
Speaker 5: they model. There's a difference. There is a Different's a

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00:11:56,720 --> 00:11:58,840
Speaker 5: difference between putting model on your bio. If you get

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00:11:58,840 --> 00:12:01,000
Speaker 5: paid to put clothes on your mind motto. Okay, you're

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00:12:01,000 --> 00:12:03,760
Speaker 5: not a super model, you're not a runway model. But

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00:12:03,800 --> 00:12:05,520
Speaker 5: if you get paid the book clothes on you a model,

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00:12:06,120 --> 00:12:08,959
Speaker 5: you getting paid fans model.

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Speaker 4: Five, then.

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00:12:11,720 --> 00:12:12,520
Speaker 3: Number's going.

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00:12:14,240 --> 00:12:16,480
Speaker 4: Five and a half because it's just bikini picks.

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00:12:16,559 --> 00:12:19,360
Speaker 1: Yeah, man, So if me and you beefing? Will you

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00:12:19,360 --> 00:12:20,880
Speaker 1: buy me a bag? If you do some fake ship

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00:12:20,960 --> 00:12:21,160
Speaker 1: to me?

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00:12:21,720 --> 00:12:22,720
Speaker 3: No, who beefing?

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00:12:24,280 --> 00:12:25,680
Speaker 4: I don't buy you a bag when we're not beefing.

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00:12:25,679 --> 00:12:26,400
Speaker 4: Why would I buy you one?

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00:12:27,080 --> 00:12:28,560
Speaker 5: I got surgery. I was asking Worry to buy me

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00:12:28,559 --> 00:12:31,080
Speaker 5: a bag. He said no, he said, like a coin person.

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00:12:32,240 --> 00:12:35,320
Speaker 2: Buy somebody at coin persons a lot who has coins

330
00:12:35,360 --> 00:12:35,880
Speaker 2: on them?

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00:12:36,200 --> 00:12:38,600
Speaker 3: Like who still has coins? Coins?

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00:12:38,800 --> 00:12:39,120
Speaker 7: He said?

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00:12:39,160 --> 00:12:40,760
Speaker 5: What do you mean when I have surgery? I was like,

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00:12:40,800 --> 00:12:42,360
Speaker 5: I mean like you keep sending me food. I'm like cool,

335
00:12:42,360 --> 00:12:43,920
Speaker 5: I fool? Can you buy me a Louis bag? He said,

336
00:12:44,080 --> 00:12:45,119
Speaker 5: maybe like a coin.

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00:12:44,880 --> 00:12:47,040
Speaker 2: Purse, coin person, you know the little zip one. No,

338
00:12:47,160 --> 00:12:48,920
Speaker 2: I know exactly what the coin persons. I just don't

339
00:12:48,920 --> 00:12:50,160
Speaker 2: know who has coins anymore?

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00:12:52,200 --> 00:12:55,640
Speaker 3: What's change? Who has change? People have changed?

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00:12:55,640 --> 00:12:56,959
Speaker 2: They asked me for change the other day. I looked

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00:12:56,960 --> 00:12:58,400
Speaker 2: at him like what are you talking? Like I have

343
00:12:58,440 --> 00:13:00,240
Speaker 2: a credit cards in my pocket, Like what do you

344
00:13:00,280 --> 00:13:01,360
Speaker 2: Who the fuck has changed?

345
00:13:01,400 --> 00:13:01,600
Speaker 3: You know?

346
00:13:01,640 --> 00:13:04,080
Speaker 5: Because of like superstition, I still can't throw change away

347
00:13:04,240 --> 00:13:06,600
Speaker 5: like I keep all my quarters pennies done. I keep

348
00:13:06,640 --> 00:13:09,240
Speaker 5: it because I feel grateful. I take I feel ungrateful

349
00:13:09,280 --> 00:13:09,640
Speaker 5: throwing away?

350
00:13:09,679 --> 00:13:10,720
Speaker 3: Where do you put it.

351
00:13:10,720 --> 00:13:12,240
Speaker 1: It's all in like my desk drawer.

352
00:13:12,440 --> 00:13:14,120
Speaker 4: I have a two big Mason jars and I take

353
00:13:14,160 --> 00:13:14,920
Speaker 4: them ships to Coinstar.

354
00:13:15,640 --> 00:13:16,760
Speaker 3: Oh okay, these.

355
00:13:16,640 --> 00:13:19,840
Speaker 4: Masons dresses like four undred bucks. Yeah, like that adds up.

356
00:13:19,920 --> 00:13:20,520
Speaker 1: I need it all.

357
00:13:21,640 --> 00:13:23,160
Speaker 3: Okay, maybe I should start doing that.

358
00:13:23,280 --> 00:13:25,400
Speaker 1: You should which because you just like you throw cooint

359
00:13:25,440 --> 00:13:26,080
Speaker 1: away like.

360
00:13:26,240 --> 00:13:27,760
Speaker 3: No, everything is on the card now, so I don't

361
00:13:27,760 --> 00:13:29,240
Speaker 3: even get changed back like we do.

362
00:13:29,280 --> 00:13:32,400
Speaker 5: They Well, sometimes I use cash for ship, like laundry.

363
00:13:33,080 --> 00:13:35,800
Speaker 2: You know corner store runs laundry. Yeah, it's a card

364
00:13:35,840 --> 00:13:38,440
Speaker 2: for laundry too. Now things that money don't want on

365
00:13:38,480 --> 00:13:39,199
Speaker 2: the record.

366
00:13:40,760 --> 00:13:43,480
Speaker 1: I do washing fold, so I pay in cash for my.

367
00:13:43,559 --> 00:13:45,920
Speaker 3: Washing fold and they even change.

368
00:13:46,160 --> 00:13:46,640
Speaker 1: Yeah.

369
00:13:46,679 --> 00:13:49,800
Speaker 5: Sometimes it's like forty nine to fifty four O because

370
00:13:49,800 --> 00:13:54,400
Speaker 5: they weigh a laundry. Yeah okay, yeah, and well you

371
00:13:54,400 --> 00:13:56,920
Speaker 5: don't pay. They don't take card all this. No, they

372
00:13:56,920 --> 00:13:59,160
Speaker 5: don't take card. They barely speak English.

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00:13:59,160 --> 00:14:03,360
Speaker 4: More. No, they don't take car change like Nigga's hand

374
00:14:03,360 --> 00:14:03,800
Speaker 4: you change.

375
00:14:03,800 --> 00:14:05,360
Speaker 3: I don't even know what bro.

376
00:14:05,440 --> 00:14:07,559
Speaker 2: The only time I even use cash is for my barber.

377
00:14:09,240 --> 00:14:10,000
Speaker 2: I pay my barber.

378
00:14:10,080 --> 00:14:13,119
Speaker 5: Not a barber should take Apple pay. It's twenty twenty.

379
00:14:12,840 --> 00:14:17,319
Speaker 3: Six, my old school. He still do off the books cash.

380
00:14:17,960 --> 00:14:18,600
Speaker 4: Well, I cash.

381
00:14:18,760 --> 00:14:20,160
Speaker 3: That's the only time I have cash when I'm going

382
00:14:20,200 --> 00:14:20,840
Speaker 3: to the barber shop.

383
00:14:21,000 --> 00:14:24,720
Speaker 4: Ever since our accountant got a woman assistant and a

384
00:14:24,800 --> 00:14:27,960
Speaker 4: woman to do my taxes. Yeah, there's things that I'll

385
00:14:27,960 --> 00:14:30,280
Speaker 4: take cash out because I don't want Yeah, I don't

386
00:14:30,280 --> 00:14:33,000
Speaker 4: want them looking through my chase like that. I can't

387
00:14:33,040 --> 00:14:37,800
Speaker 4: explain that one, that one in particular, because come tax time,

388
00:14:37,880 --> 00:14:40,200
Speaker 4: like they're going to ask me to categorize certain things

389
00:14:40,200 --> 00:14:43,040
Speaker 4: that come up, like hey, quick books, didn't put something

390
00:14:43,080 --> 00:14:45,440
Speaker 4: on here, and then I gotta I gotta talk about it.

391
00:14:45,560 --> 00:14:46,800
Speaker 4: But we see any.

392
00:14:46,720 --> 00:14:48,640
Speaker 5: We talk about sex all the time, So I feel

393
00:14:48,640 --> 00:14:51,200
Speaker 5: like like anything sexual related that you buy, we can

394
00:14:51,240 --> 00:14:53,200
Speaker 5: write off as a tax right off, Like that fuck

395
00:14:53,280 --> 00:14:53,640
Speaker 5: toy that.

396
00:14:53,680 --> 00:14:56,200
Speaker 1: I bought for this podcast, Like I didn't use that,

397
00:14:56,240 --> 00:14:57,680
Speaker 1: Like that was for a sketch.

398
00:14:57,400 --> 00:15:01,480
Speaker 4: And I've written off years ago. I did explain on

399
00:15:01,520 --> 00:15:03,560
Speaker 4: this podcast when Key and I went to the sex store.

400
00:15:04,400 --> 00:15:06,240
Speaker 4: I had to explain that to leyon of what those

401
00:15:06,320 --> 00:15:10,600
Speaker 4: charges were, like an eighth ave, Well, what's this charge.

402
00:15:10,440 --> 00:15:12,440
Speaker 1: That's you should have to cash out for that? Like

403
00:15:12,480 --> 00:15:14,560
Speaker 1: I'm with like for the swing, But.

404
00:15:14,680 --> 00:15:16,280
Speaker 4: We've been drinking and we were in the moment.

405
00:15:16,920 --> 00:15:19,080
Speaker 2: You know, you can't go to eighteen before you go

406
00:15:19,120 --> 00:15:22,120
Speaker 2: to the sex shop. It's just like, because now we're using.

407
00:15:22,000 --> 00:15:23,000
Speaker 4: The A team with the sex shop.

408
00:15:23,880 --> 00:15:25,520
Speaker 1: I was gonna say, because they have one in there.

409
00:15:25,560 --> 00:15:30,840
Speaker 4: And they will steal your data four dollars to take

410
00:15:30,880 --> 00:15:33,880
Speaker 4: your money out and steal your your debit card for sure.

411
00:15:34,520 --> 00:15:37,760
Speaker 4: But all right, so we'll be at burgers and bottles

412
00:15:37,760 --> 00:15:40,960
Speaker 4: and bottles there as special guests. The reason I asked

413
00:15:40,960 --> 00:15:42,960
Speaker 4: for the bag is because currently Lotto and Cardi B.

414
00:15:43,040 --> 00:15:45,960
Speaker 4: It was a segue Lotto and Cardi b our beef

415
00:15:46,000 --> 00:15:48,120
Speaker 4: in grateful that I was sending you food when you

416
00:15:48,160 --> 00:15:49,440
Speaker 4: were recovering there.

417
00:15:49,600 --> 00:15:51,840
Speaker 5: They're beefing right, well, not beefing, but there's kind of

418
00:15:51,840 --> 00:15:53,480
Speaker 5: a spat that's going on right now because a lot

419
00:15:53,520 --> 00:15:56,000
Speaker 5: of those albums come out and is this a little spat.

420
00:15:56,040 --> 00:15:57,680
Speaker 5: I don't think they're beefing. I think they both hurt

421
00:15:57,680 --> 00:16:01,120
Speaker 5: each other's feelings and all sucks. Did you guys remember

422
00:16:01,160 --> 00:16:04,560
Speaker 5: when Cardi B's audio came out where she got calling.

423
00:16:04,920 --> 00:16:07,120
Speaker 5: She was arguing with Ice Spice's manager and she said

424
00:16:07,120 --> 00:16:08,560
Speaker 5: on my pussy ass, Lotto.

425
00:16:08,720 --> 00:16:11,440
Speaker 4: Vaguely vaguely remember Cardi came store.

426
00:16:11,280 --> 00:16:14,560
Speaker 5: That Cardi came out and asked for a burket. Well,

427
00:16:14,600 --> 00:16:16,720
Speaker 5: Cardi came out and apologized and was like, I'm sorry,

428
00:16:16,840 --> 00:16:18,560
Speaker 5: you know, and offered to buy a burken bag.

429
00:16:19,040 --> 00:16:20,520
Speaker 1: We've never seen a response for Lottle.

430
00:16:20,600 --> 00:16:23,120
Speaker 5: So when Lotto's album came out, on her song give

431
00:16:23,160 --> 00:16:25,520
Speaker 5: Me That, she basically was like, be offered to buy

432
00:16:25,560 --> 00:16:27,680
Speaker 5: me a bag, like I got mad bags, my nigga

433
00:16:27,680 --> 00:16:30,280
Speaker 5: buy me bags, like are you talking about fair?

434
00:16:30,560 --> 00:16:33,320
Speaker 4: But in that situation, before we get to the next step,

435
00:16:34,960 --> 00:16:37,040
Speaker 4: maybe I still take the bat as mean not forgive you,

436
00:16:37,120 --> 00:16:38,560
Speaker 4: but I'll take the bag.

437
00:16:39,160 --> 00:16:40,720
Speaker 3: No, but if you take the bag, you gotta.

438
00:16:40,520 --> 00:16:43,600
Speaker 4: Forgive nah as a pride I didn't ask you for

439
00:16:43,600 --> 00:16:45,680
Speaker 4: the bag. You offered it a cool yeah, But if

440
00:16:45,720 --> 00:16:49,400
Speaker 4: you take it, that's an apology. Nah, you offered the bag.

441
00:16:50,680 --> 00:16:52,760
Speaker 5: I feel like as a pride for woman because I'm

442
00:16:52,760 --> 00:16:54,800
Speaker 5: a very pride forul woman with a very big, big

443
00:16:54,840 --> 00:16:58,960
Speaker 5: ego as well, and as much as I love Cardi,

444
00:16:59,000 --> 00:17:00,800
Speaker 5: if somebody and I know, I think that her heart

445
00:17:00,840 --> 00:17:03,480
Speaker 5: was in the right place. But if you, as an artist,

446
00:17:03,960 --> 00:17:06,880
Speaker 5: offered me a bag as a woman, And also there's

447
00:17:06,920 --> 00:17:09,840
Speaker 5: this underlying thing where Carti is one of the biggest

448
00:17:09,840 --> 00:17:13,080
Speaker 5: female rappers of all time, like technically she is not

449
00:17:13,119 --> 00:17:15,880
Speaker 5: technically literally she's more successful than a Lotto. Don't reach

450
00:17:15,920 --> 00:17:17,800
Speaker 5: back and offer me a bag like I'm your side chick,

451
00:17:17,880 --> 00:17:20,080
Speaker 5: and I know that that's not like I'm your side

452
00:17:20,119 --> 00:17:22,199
Speaker 5: chick and you call it like you caught me outside

453
00:17:22,200 --> 00:17:24,440
Speaker 5: with my girlfriend, like it gives charity. And I don't

454
00:17:24,440 --> 00:17:26,520
Speaker 5: think that that at all, that that was Carti's intention,

455
00:17:26,760 --> 00:17:29,119
Speaker 5: but that's what it can come across as. So no,

456
00:17:29,200 --> 00:17:30,800
Speaker 5: I'm not taking a bag. I don't need your charity.

457
00:17:30,880 --> 00:17:32,199
Speaker 5: You called me pussy, you know.

458
00:17:32,320 --> 00:17:35,760
Speaker 4: Maybe that's how Carti accepts apologies. Maybe that's that's her reality.

459
00:17:36,240 --> 00:17:39,919
Speaker 5: Same same, but I can get somebody being offended by it,

460
00:17:40,000 --> 00:17:42,080
Speaker 5: like and Lotto said on the Breakfast Club, she said

461
00:17:42,080 --> 00:17:43,320
Speaker 5: that I put a nasty taste in her mouth. Well,

462
00:17:43,320 --> 00:17:45,040
Speaker 5: I think it would put a nasty taste in anybody's mouth.

463
00:17:45,200 --> 00:17:46,600
Speaker 5: But I think Cardi was just trying to do the

464
00:17:46,600 --> 00:17:49,000
Speaker 5: wrong thing. But like she's Cardi came out and put

465
00:17:49,040 --> 00:17:50,879
Speaker 5: out a statement because Lotto was talking about this on

466
00:17:50,920 --> 00:17:53,480
Speaker 5: the Breakfast Club and said that it put a nasty statement.

467
00:17:53,600 --> 00:17:55,399
Speaker 5: I mean put a nasty taste in her mouth. She

468
00:17:55,440 --> 00:17:58,080
Speaker 5: didn't like it, and she recorded that verse when she

469
00:17:58,119 --> 00:18:00,480
Speaker 5: was in the middle of her pregnancy. Tension was high,

470
00:18:00,600 --> 00:18:03,040
Speaker 5: her emotions were high, and Carti said that phone call

471
00:18:03,119 --> 00:18:05,040
Speaker 5: came out. I mean that phone call happened when she

472
00:18:05,080 --> 00:18:07,240
Speaker 5: was at the height of her pregnancy. So it's a

473
00:18:07,240 --> 00:18:09,680
Speaker 5: lot of emotions, a lot of hormones. But Cardi did

474
00:18:09,720 --> 00:18:12,159
Speaker 5: explain like, hey, I wasn't calling you pussy. I just

475
00:18:12,200 --> 00:18:15,040
Speaker 5: think you're way too forgiven with that situation with Ice Spice,

476
00:18:16,080 --> 00:18:19,120
Speaker 5: and you know, our ideas of making it right looks

477
00:18:19,160 --> 00:18:20,440
Speaker 5: different to each other.

478
00:18:20,800 --> 00:18:23,560
Speaker 3: So nah, but Cardi called Aim pussy. You ain't gonna

479
00:18:23,600 --> 00:18:23,840
Speaker 3: do that.

480
00:18:23,840 --> 00:18:26,000
Speaker 1: I was not, and I'm with that. I can you can't.

481
00:18:26,080 --> 00:18:28,000
Speaker 3: You can't get it, get it, you know what I mean.

482
00:18:28,040 --> 00:18:30,439
Speaker 2: It's like, you know, you don't know being recorded, you

483
00:18:30,480 --> 00:18:33,399
Speaker 2: say some things, but now I hear it. If Rory's

484
00:18:33,440 --> 00:18:35,159
Speaker 2: on a phone call, either I'm pussy ass more like

485
00:18:35,200 --> 00:18:37,480
Speaker 2: you think I'm like you buy you a fitted.

486
00:18:38,520 --> 00:18:43,120
Speaker 3: Well, it was pregnant, so my emotions were going crazy, like.

487
00:18:43,119 --> 00:18:45,040
Speaker 2: Not get the fuck out of here, man, Like, nah,

488
00:18:45,119 --> 00:18:47,800
Speaker 2: it ain't that easy to forgive somebody you looked at

489
00:18:47,800 --> 00:18:50,280
Speaker 2: as a friend on the phone with somebody tomorrow.

490
00:18:50,400 --> 00:18:51,720
Speaker 3: I'm not pussy ass, like.

491
00:18:51,920 --> 00:18:53,879
Speaker 4: Yeah, you think they're friends. They were.

492
00:18:54,000 --> 00:18:56,480
Speaker 1: They both said that they both I don't know.

493
00:18:56,560 --> 00:18:58,320
Speaker 3: A Loto said she considered her friend. She was.

494
00:18:58,680 --> 00:18:59,880
Speaker 1: She was like, it wasn't industry ship.

495
00:18:59,920 --> 00:19:02,680
Speaker 5: We were on like texting basis like, And I think,

496
00:19:03,320 --> 00:19:08,120
Speaker 5: I truly do think that Carti's mouth has been Carti's

497
00:19:08,119 --> 00:19:11,720
Speaker 5: mouth her entire life. I think sometimes when you're so good, pause,

498
00:19:12,000 --> 00:19:14,119
Speaker 5: when you're so good with your mouth, you.

499
00:19:14,200 --> 00:19:15,880
Speaker 1: Know, people curse real good.

500
00:19:16,040 --> 00:19:17,879
Speaker 5: Sometimes when you get in a flow state of just

501
00:19:17,920 --> 00:19:20,520
Speaker 5: going off, you just be saying ship because it comes

502
00:19:20,600 --> 00:19:22,679
Speaker 5: natural to you. I don't think that she actually means that,

503
00:19:22,720 --> 00:19:24,920
Speaker 5: because I can tell from the way she's been apologizing

504
00:19:24,920 --> 00:19:27,879
Speaker 5: and apologizes she really hates that she did that. Like

505
00:19:27,960 --> 00:19:30,680
Speaker 5: me and you, we've had a not with each other,

506
00:19:30,720 --> 00:19:31,320
Speaker 5: but with somebody.

507
00:19:31,400 --> 00:19:32,719
Speaker 3: I hate that she did it or hate that it

508
00:19:32,760 --> 00:19:33,240
Speaker 3: was recorded.

509
00:19:33,320 --> 00:19:35,080
Speaker 1: No, I think I think I think she hates that

510
00:19:35,119 --> 00:19:35,560
Speaker 1: she did it.

511
00:19:35,560 --> 00:19:37,480
Speaker 2: Because if if it never got out, you think she'd

512
00:19:37,480 --> 00:19:40,160
Speaker 2: be like, yo, listen, I had a conversation with nobody.

513
00:19:40,240 --> 00:19:42,760
Speaker 5: I call it, But people do that went out of

514
00:19:42,880 --> 00:19:45,119
Speaker 5: all the time and don't say that they said that.

515
00:19:45,280 --> 00:19:47,040
Speaker 4: My guess is she probably woudn't even remember she said

516
00:19:47,040 --> 00:19:49,600
Speaker 4: it if it wasn't recorded. Yep, like dad said, it

517
00:19:49,640 --> 00:19:51,159
Speaker 4: probably wasn't even that big of a thing that she

518
00:19:51,200 --> 00:19:52,840
Speaker 4: was like, I don't remember saying that.

519
00:19:53,119 --> 00:19:54,880
Speaker 1: Yeah, yeah, I don't.

520
00:19:55,080 --> 00:19:55,360
Speaker 3: I don't.

521
00:19:55,400 --> 00:19:58,400
Speaker 5: I really Because as as much as she keeps apologizing

522
00:19:58,480 --> 00:20:00,239
Speaker 5: and the length of the apology, she says, she out

523
00:20:00,240 --> 00:20:02,159
Speaker 5: to her sister, she reached out to her manager, She

524
00:20:02,200 --> 00:20:04,159
Speaker 5: reached out to her even months after it happened. I

525
00:20:04,160 --> 00:20:06,119
Speaker 5: think she really does feel bad. And I've done some

526
00:20:06,160 --> 00:20:08,560
Speaker 5: shit to a friend where it was like, I hate that.

527
00:20:08,640 --> 00:20:10,679
Speaker 5: I feel corny that I did this. I wasn't in

528
00:20:10,720 --> 00:20:13,480
Speaker 5: my best state of mind. I wasn't my best self

529
00:20:13,520 --> 00:20:15,040
Speaker 5: at the moment, and I hate that that.

530
00:20:15,440 --> 00:20:15,800
Speaker 1: I hate that.

531
00:20:15,800 --> 00:20:17,080
Speaker 5: I don't want to talk about it. I don't want

532
00:20:17,080 --> 00:20:21,680
Speaker 5: to talk about it, but it it hurt somebody that

533
00:20:22,080 --> 00:20:24,679
Speaker 5: I loved and I literally had to call them to

534
00:20:24,680 --> 00:20:26,520
Speaker 5: her and be like, yo, I'm that was fucked up.

535
00:20:26,560 --> 00:20:28,200
Speaker 5: That was some corny ass shit. If you never speak

536
00:20:28,240 --> 00:20:30,480
Speaker 5: to me again, I respect it, but I didn't meet

537
00:20:30,520 --> 00:20:31,000
Speaker 5: it like that.

538
00:20:31,720 --> 00:20:33,280
Speaker 3: How did you mean it?

539
00:20:33,400 --> 00:20:34,960
Speaker 1: I don't talk about it, but it.

540
00:20:34,840 --> 00:20:35,600
Speaker 3: Was that's what I'm saying.

541
00:20:35,600 --> 00:20:38,800
Speaker 2: If you're saying something and it get out like you

542
00:20:38,840 --> 00:20:40,399
Speaker 2: can't be like yo, I didn't mean it like this,

543
00:20:40,560 --> 00:20:41,280
Speaker 2: So how did you mean it?

544
00:20:41,320 --> 00:20:44,640
Speaker 5: You saying you never said something like that, or did

545
00:20:43,400 --> 00:20:47,240
Speaker 5: you know I've never did that jazz nigga or this

546
00:20:47,400 --> 00:20:49,760
Speaker 5: punk ass. I've never done that with nobody I consider

547
00:20:49,760 --> 00:20:52,920
Speaker 5: a friend in any conversation in any room.

548
00:20:53,119 --> 00:20:54,920
Speaker 4: So that's what I'm the same situation she's talking about.

549
00:20:54,960 --> 00:20:56,879
Speaker 4: I also apologized for it, but I didn't say I

550
00:20:56,880 --> 00:20:58,919
Speaker 4: didn't mean it. I said I shouldn't have been joking

551
00:20:59,040 --> 00:21:02,000
Speaker 4: about something like that. Yes, yeah, that's what it was.

552
00:21:02,280 --> 00:21:02,560
Speaker 3: Different.

553
00:21:02,720 --> 00:21:04,960
Speaker 4: I didn't mean it like no, I was joking about

554
00:21:04,960 --> 00:21:06,440
Speaker 4: something I should have been I shouldn't have been joking

555
00:21:06,480 --> 00:21:09,240
Speaker 4: about her personal life. It wasn't anything like bad in

556
00:21:09,240 --> 00:21:12,359
Speaker 4: that regards of making jokes, but it was insensitive and

557
00:21:12,400 --> 00:21:14,120
Speaker 4: it shouldn't have been on a microphone. So I said

558
00:21:14,119 --> 00:21:15,679
Speaker 4: I was. I said I was corny for it, and

559
00:21:15,720 --> 00:21:17,960
Speaker 4: I apologize to understand you may say things sitting on

560
00:21:18,000 --> 00:21:22,720
Speaker 4: this mic that you but and like yo, that's what

561
00:21:22,720 --> 00:21:24,600
Speaker 4: I'm saying. I joked about something that I shouldn't have

562
00:21:24,640 --> 00:21:25,240
Speaker 4: been joking about.

563
00:21:25,359 --> 00:21:27,680
Speaker 2: Okay, that's one thing. Joking about something is one thing.

564
00:21:27,720 --> 00:21:30,160
Speaker 2: Cardi wasn't on that phone joke no at all. So

565
00:21:30,160 --> 00:21:32,800
Speaker 2: this is what I'm saying, So Lotto hers we were

566
00:21:32,840 --> 00:21:35,399
Speaker 2: just being lame. That's what a lot of her something.

567
00:21:36,200 --> 00:21:38,080
Speaker 2: And as she thought, like damn, I thought this was

568
00:21:38,080 --> 00:21:40,840
Speaker 2: my friend. But now I gotta hear you calling me

569
00:21:40,840 --> 00:21:44,359
Speaker 2: pussy on some conversation like you making you making Lotto

570
00:21:45,000 --> 00:21:48,720
Speaker 2: like you're making me a verb like pussy, asked Lotto,

571
00:21:48,840 --> 00:21:49,280
Speaker 2: like what.

572
00:21:49,160 --> 00:21:49,760
Speaker 3: That you mean?

573
00:21:50,200 --> 00:21:52,600
Speaker 2: And I'm just supposed to be my friend, Like, yeah, no,

574
00:21:52,760 --> 00:21:55,040
Speaker 2: it ain't no bad. Gonna just fix that, like I'm

575
00:21:55,119 --> 00:21:55,800
Speaker 2: not you.

576
00:21:56,560 --> 00:21:59,400
Speaker 4: I think I think sincere apologies, I think can eventually

577
00:21:59,400 --> 00:21:59,639
Speaker 4: fix it.

578
00:21:59,720 --> 00:22:00,480
Speaker 3: I think that's.

579
00:22:00,320 --> 00:22:03,040
Speaker 5: What Carti has to understand. Cardi gotta eat it. You

580
00:22:03,040 --> 00:22:05,520
Speaker 5: gotta eat it. Lotto did say she's open to a conversation.

581
00:22:05,920 --> 00:22:08,080
Speaker 5: You know what I'm saying with Carti, But it's never

582
00:22:08,080 --> 00:22:11,320
Speaker 5: gonna be the same because I've now now, even if

583
00:22:11,320 --> 00:22:12,879
Speaker 5: that's not how you really feel, now I feel that

584
00:22:12,880 --> 00:22:15,000
Speaker 5: that's how you really feel about me. So it's never

585
00:22:15,000 --> 00:22:16,719
Speaker 5: gonna be the same. But you gotta eat that if

586
00:22:16,760 --> 00:22:18,359
Speaker 5: you do some fucked up ship to a person you

587
00:22:18,400 --> 00:22:20,840
Speaker 5: care about, you gotta eat it. If they're not ready

588
00:22:20,880 --> 00:22:22,920
Speaker 5: to forgive you or you gotta eat however they react

589
00:22:22,920 --> 00:22:23,080
Speaker 5: to it.

590
00:22:23,119 --> 00:22:25,880
Speaker 1: You gotta eat what you did. And it feels uncomfortable.

591
00:22:25,920 --> 00:22:29,399
Speaker 5: It really does feel uncomfortable, especially if you actually do

592
00:22:29,440 --> 00:22:30,760
Speaker 5: love the person. And that's why I said, I feel

593
00:22:30,800 --> 00:22:31,720
Speaker 5: like she really does love her.

594
00:22:31,800 --> 00:22:34,320
Speaker 2: Don't apologize to me, your man, apologize to you with

595
00:22:34,400 --> 00:22:39,040
Speaker 2: a bag. I catching chet show up with a new burgen.

596
00:22:39,880 --> 00:22:43,040
Speaker 2: That's why I said that. Yeah, put a nasty taste,

597
00:22:43,200 --> 00:22:44,840
Speaker 2: and I like, I funk a lot on and CARDI

598
00:22:44,880 --> 00:22:46,320
Speaker 2: what I'm saying. But I mean, I understand a lot

599
00:22:46,359 --> 00:22:49,000
Speaker 2: of those like stands like nah, I'm cool, it ain't beef.

600
00:22:49,040 --> 00:22:51,840
Speaker 4: But it's like I respect CARDI being humble here with

601
00:22:51,840 --> 00:22:52,960
Speaker 4: the second apology.

602
00:22:53,400 --> 00:22:54,960
Speaker 3: I respect it. Car Do you know she was wrong?

603
00:22:55,160 --> 00:22:55,680
Speaker 3: She know that.

604
00:22:55,720 --> 00:22:59,119
Speaker 4: But I'm saying somebody that that understands when they fucked

605
00:22:59,200 --> 00:23:01,520
Speaker 4: up and will double down again on an apology.

606
00:23:02,040 --> 00:23:03,280
Speaker 3: I respect that I got away with that.

607
00:23:04,040 --> 00:23:06,320
Speaker 4: So I'm no, I think this is it's cool, and

608
00:23:06,359 --> 00:23:09,920
Speaker 4: I think they probably will get on the phone eventually. Yeah,

609
00:23:09,920 --> 00:23:11,399
Speaker 4: I didn't see the lot of clip, but did she

610
00:23:11,480 --> 00:23:13,639
Speaker 4: sound like she was like that upset or more just

611
00:23:13,680 --> 00:23:14,080
Speaker 4: like I thought.

612
00:23:14,760 --> 00:23:15,560
Speaker 1: She was asked about it.

613
00:23:15,560 --> 00:23:16,240
Speaker 4: She didn't pick it up.

614
00:23:16,280 --> 00:23:19,760
Speaker 5: She was asked about it. She laughed, she was She

615
00:23:19,840 --> 00:23:23,199
Speaker 5: was trying to like, yeah, she I feel like she

616
00:23:23,200 --> 00:23:25,399
Speaker 5: also just became a mom. So it's like I just

617
00:23:25,440 --> 00:23:27,320
Speaker 5: released the album. I just became a mom. This happened

618
00:23:27,359 --> 00:23:31,160
Speaker 5: almost a year ago. Like, yeah, I'm open a conversation.

619
00:23:31,320 --> 00:23:32,040
Speaker 3: Yeah, she's not over.

620
00:23:32,080 --> 00:23:34,320
Speaker 1: It's like, I'm open to a conversation.

621
00:23:33,960 --> 00:23:35,080
Speaker 3: The lasting thing on our mind.

622
00:23:35,400 --> 00:23:41,200
Speaker 4: Yeah, but so no, maul I was trying to explain

623
00:23:41,240 --> 00:23:43,560
Speaker 4: to everyone at Root's picnic that you do not have

624
00:23:43,640 --> 00:23:47,040
Speaker 4: to overpay for great wireless. I had service the whole time. Everybody,

625
00:23:47,080 --> 00:23:50,080
Speaker 4: and everybody you're not working. That's because you don't have

626
00:23:50,119 --> 00:23:53,760
Speaker 4: boost Mobile twenty five dollars a month forever unlimited plan.

627
00:23:53,880 --> 00:23:56,879
Speaker 4: It's a permanent price with no contracts or price hikes.

628
00:23:56,920 --> 00:23:59,120
Speaker 4: You keep your phone and your number, but you saved

629
00:23:59,280 --> 00:24:01,880
Speaker 4: up to six dollars a year compared to the other

630
00:24:01,960 --> 00:24:05,480
Speaker 4: major carriers. Stop overpaying and switch to a fair price

631
00:24:05,520 --> 00:24:06,760
Speaker 4: at boostmobile dot com.

632
00:24:06,880 --> 00:24:09,119
Speaker 2: Based on average annual single line payment of AT and

633
00:24:09,160 --> 00:24:11,480
Speaker 2: T Verazin and T Mobile customs compared to twelve months

634
00:24:11,520 --> 00:24:14,120
Speaker 2: on the boost Mobile Unlimited plan as of January twenty

635
00:24:14,119 --> 00:24:22,800
Speaker 2: twenty six. For full off of details, visit boostsmobile dot com.

636
00:24:23,040 --> 00:24:24,720
Speaker 5: I listened to her album I Remember You guys, ask

637
00:24:24,760 --> 00:24:26,840
Speaker 5: me how I like the album. I listened to her album.

638
00:24:26,560 --> 00:24:28,680
Speaker 3: That Doja Cat Joint? Okay, what is it called?

639
00:24:28,720 --> 00:24:30,520
Speaker 1: Okay? I like that one too.

640
00:24:30,880 --> 00:24:31,240
Speaker 3: Fire.

641
00:24:31,760 --> 00:24:33,719
Speaker 1: She she caught a lot of She caught a lot

642
00:24:33,760 --> 00:24:34,480
Speaker 1: of flat.

643
00:24:34,200 --> 00:24:37,360
Speaker 4: Saying, p just crazyops, that's our song.

644
00:24:38,920 --> 00:24:41,520
Speaker 5: She caught a lot of flak because the album is

645
00:24:41,720 --> 00:24:42,480
Speaker 5: very much my.

646
00:24:42,960 --> 00:24:44,560
Speaker 1: Man, my Man, my may and my Man, my Man, Now.

647
00:24:44,600 --> 00:24:47,159
Speaker 5: Sugar the Iced Tea was a little my Ma and

648
00:24:47,200 --> 00:24:48,840
Speaker 5: my Ma and my man too, but it also had

649
00:24:48,920 --> 00:24:50,800
Speaker 5: some shit in there for people to relate to.

650
00:24:51,720 --> 00:24:54,000
Speaker 1: But this entire album, damn nearest, my Man, my Man.

651
00:24:54,080 --> 00:24:56,200
Speaker 4: Okay, but all right, you can't win for losing there.

652
00:24:56,240 --> 00:24:58,399
Speaker 4: And admitiately, I still haven't listen to the album. But

653
00:24:59,760 --> 00:25:01,920
Speaker 4: if she would have came out here and did yo,

654
00:25:02,080 --> 00:25:04,520
Speaker 4: fuck all these guys running through this, and that would

655
00:25:04,520 --> 00:25:07,320
Speaker 4: be like, you're in a relationship with the kid, why

656
00:25:07,320 --> 00:25:08,239
Speaker 4: would you rap about that?

657
00:25:08,280 --> 00:25:08,680
Speaker 3: Exactly?

658
00:25:08,760 --> 00:25:11,200
Speaker 4: She's a rapper. You can't you can't win in the situation.

659
00:25:11,400 --> 00:25:13,240
Speaker 1: Yeah, she's rapping them out, but you can also.

660
00:25:13,119 --> 00:25:15,159
Speaker 4: Yo, we don't want to hear you rapping about your

661
00:25:15,200 --> 00:25:18,040
Speaker 4: pussy you got a man like That's exactly what would

662
00:25:18,080 --> 00:25:18,800
Speaker 4: happen if she did that.

663
00:25:18,840 --> 00:25:21,080
Speaker 5: But but yeah, but here's the thing between the different

664
00:25:21,080 --> 00:25:22,760
Speaker 5: the people who are going to tweet that and the

665
00:25:22,800 --> 00:25:24,800
Speaker 5: people who are going to listen to the music. Right

666
00:25:25,240 --> 00:25:29,119
Speaker 5: to an extent, you do have to play to your audience.

667
00:25:29,880 --> 00:25:32,640
Speaker 5: To an extent, the audience does not want to hear

668
00:25:32,640 --> 00:25:34,200
Speaker 5: my ma and mammy and ma man music. I do

669
00:25:34,440 --> 00:25:35,800
Speaker 5: because when I get a man, I'll.

670
00:25:35,680 --> 00:25:36,640
Speaker 1: Be just like that, right.

671
00:25:36,880 --> 00:25:40,560
Speaker 5: But most people when they listen to pussy rap, they're

672
00:25:40,640 --> 00:25:42,480
Speaker 5: using and I don't want to I want to refer

673
00:25:42,480 --> 00:25:44,679
Speaker 5: to pussy rap. I refer to rap. Women who have

674
00:25:44,720 --> 00:25:47,120
Speaker 5: pussies who rap? That's that's not rap.

675
00:25:47,119 --> 00:25:49,360
Speaker 4: You can't change the definition women who have You can't

676
00:25:49,440 --> 00:25:50,960
Speaker 4: just change the genre you.

677
00:25:51,400 --> 00:25:53,720
Speaker 5: So when you're listening to female rap, there is a

678
00:25:53,880 --> 00:25:57,040
Speaker 5: level of I hate men that you want to hear it. Laura,

679
00:25:57,480 --> 00:26:00,280
Speaker 5: ussy rap, you don't want to hear to send this album, right,

680
00:26:01,560 --> 00:26:01,840
Speaker 5: you don't.

681
00:26:01,880 --> 00:26:02,639
Speaker 1: You don't want to hear that.

682
00:26:03,280 --> 00:26:06,120
Speaker 4: Yeah, So MC light, that's pussy rep shut up anyway.

683
00:26:06,600 --> 00:26:08,680
Speaker 5: They don't want to hear that a lot of So

684
00:26:08,720 --> 00:26:10,639
Speaker 5: she caught a lot of backlash with the Mamy and

685
00:26:10,640 --> 00:26:13,159
Speaker 5: Mammy and Mammy and Ship a lot of pussy. I

686
00:26:13,160 --> 00:26:15,480
Speaker 5: think she's not. But I think with Sugar Honey Iced Tea,

687
00:26:16,119 --> 00:26:17,760
Speaker 5: it was a perfect balance. You know how much I

688
00:26:18,000 --> 00:26:20,160
Speaker 5: advocated from that album. I love that album so much.

689
00:26:20,200 --> 00:26:22,919
Speaker 5: I feel like it was a perfect balance of the

690
00:26:22,960 --> 00:26:25,480
Speaker 5: things that the single girls can listen to and the

691
00:26:25,520 --> 00:26:29,240
Speaker 5: Ma May and my Man sexual shit. This one just

692
00:26:29,320 --> 00:26:31,399
Speaker 5: leaned completely May and my Man. So I understand the

693
00:26:31,400 --> 00:26:32,520
Speaker 5: backlash that she got.

694
00:26:33,600 --> 00:26:37,760
Speaker 3: That's the ship we're gonna look for, Okay.

695
00:26:37,840 --> 00:26:42,000
Speaker 5: But that's the same backlash that Meg Meg got with

696
00:26:42,080 --> 00:26:46,119
Speaker 5: the song that she released. So but now megay. Now

697
00:26:46,160 --> 00:26:48,840
Speaker 5: we're mad that women are living their rhymes. Lotto has

698
00:26:48,880 --> 00:26:50,679
Speaker 5: a man and has a kid, just rapping about it.

699
00:26:51,200 --> 00:26:54,080
Speaker 5: Meg just got out of a relationship and she's in

700
00:26:54,119 --> 00:26:55,120
Speaker 5: the fuck men.

701
00:26:55,880 --> 00:26:56,480
Speaker 3: Uh.

702
00:26:56,600 --> 00:26:59,400
Speaker 4: I don't want to say host stage of a breakup,

703
00:26:59,480 --> 00:27:01,800
Speaker 4: but she's in that I'm outside type of time right now.

704
00:27:02,000 --> 00:27:04,600
Speaker 4: Of course, Megan is gonna wrap fun all that wifey shit.

705
00:27:04,640 --> 00:27:05,000
Speaker 3: It's over.

706
00:27:05,200 --> 00:27:08,160
Speaker 4: Yeah, that's like, that's the six steps to a breakup in.

707
00:27:08,080 --> 00:27:10,480
Speaker 5: The second one happiness people are happy about they were

708
00:27:10,560 --> 00:27:12,520
Speaker 5: upset about my man, my man, my man, my man,

709
00:27:12,520 --> 00:27:13,040
Speaker 5: and my baby.

710
00:27:13,119 --> 00:27:15,760
Speaker 4: Let's let's refer to Lemonade as the eleven stages of

711
00:27:16,040 --> 00:27:19,000
Speaker 4: break up grief. She's at the weekend. What's the weekend song?

712
00:27:19,040 --> 00:27:22,400
Speaker 4: Six in Chields, She's at six in chiels Tom, it's

713
00:27:22,400 --> 00:27:25,760
Speaker 4: fucking yacht. My ass is out, long story short, and

714
00:27:25,800 --> 00:27:27,920
Speaker 4: we men love to going that yacht when they heard, don't.

715
00:27:27,720 --> 00:27:31,560
Speaker 2: They when they trying to recover from that heartbreak?

716
00:27:31,600 --> 00:27:33,520
Speaker 3: They love going on the yacht. Boy, they go right

717
00:27:33,560 --> 00:27:34,080
Speaker 3: to Miami.

718
00:27:34,240 --> 00:27:37,000
Speaker 5: Why would you not want something when your heart is hurt?

719
00:27:37,040 --> 00:27:39,960
Speaker 5: Why would you not want sunshine and water and among

720
00:27:40,000 --> 00:27:40,800
Speaker 5: the elements.

721
00:27:40,560 --> 00:27:42,879
Speaker 2: I want sunshine when I'm hurt, when I'm happy, like

722
00:27:42,960 --> 00:27:43,919
Speaker 2: sunshine and waters.

723
00:27:44,680 --> 00:27:46,719
Speaker 1: She was on a boat with the nigga and now.

724
00:27:48,280 --> 00:27:50,600
Speaker 2: Yeah, but it's something about when a woman is fresh

725
00:27:50,680 --> 00:27:53,720
Speaker 2: out of a relationship, her first little trip on the

726
00:27:53,800 --> 00:27:57,560
Speaker 2: on the yacht with the girls. When that's when a

727
00:27:57,560 --> 00:28:02,159
Speaker 2: lot of women had their first little lesbian experience international waters.

728
00:28:02,160 --> 00:28:04,000
Speaker 2: They can't be you know, they can't. It's not the

729
00:28:04,000 --> 00:28:04,639
Speaker 2: same Chargers.

730
00:28:04,760 --> 00:28:05,959
Speaker 4: Yeah, it's not that. It's not the man.

731
00:28:07,040 --> 00:28:07,959
Speaker 3: Yeah, yeah, you know.

732
00:28:08,160 --> 00:28:10,800
Speaker 5: I love how y'all put like y'all like fantasies on,

733
00:28:10,920 --> 00:28:12,800
Speaker 5: like women like ship that y'all like have wet dreams

734
00:28:12,840 --> 00:28:14,000
Speaker 5: about y'all just like put that out.

735
00:28:14,520 --> 00:28:16,520
Speaker 3: Women tell a lot of pussy.

736
00:28:16,520 --> 00:28:18,560
Speaker 4: I've gotten is because they were coming off a breakup

737
00:28:18,560 --> 00:28:19,080
Speaker 4: in heart broke.

738
00:28:19,880 --> 00:28:21,359
Speaker 3: You're talking about how many women you think I know

739
00:28:21,440 --> 00:28:21,920
Speaker 3: in my life?

740
00:28:22,160 --> 00:28:23,440
Speaker 1: No, I'm sure you know a lot.

741
00:28:23,800 --> 00:28:26,159
Speaker 3: You think you think I'm just pulling out of thing

742
00:28:26,359 --> 00:28:27,320
Speaker 3: you think I'm pulling from.

743
00:28:27,840 --> 00:28:28,840
Speaker 1: Talking about women being her.

744
00:28:28,880 --> 00:28:31,440
Speaker 5: I'm talking about women having their first lesbian experience.

745
00:28:31,680 --> 00:28:33,680
Speaker 3: What happens when they when they fresh out of a breakup.

746
00:28:33,720 --> 00:28:35,320
Speaker 3: I was like a wet dream. No, we don't.

747
00:28:35,320 --> 00:28:36,960
Speaker 2: That sounds like I know a girl that had her

748
00:28:37,000 --> 00:28:39,160
Speaker 2: first lesbian experience after she had a breakup and she

749
00:28:39,240 --> 00:28:40,200
Speaker 2: was on a boat in Miami.

750
00:28:40,400 --> 00:28:40,800
Speaker 3: That's dope.

751
00:28:40,840 --> 00:28:43,000
Speaker 1: I don't think that's just like the regular Like that.

752
00:28:44,040 --> 00:28:48,200
Speaker 2: I said, women love to have their first lesbian experience

753
00:28:48,560 --> 00:28:50,960
Speaker 2: fresh out of a breakup on a boat in Miami.

754
00:28:51,040 --> 00:28:53,400
Speaker 2: That sounds very specific the marriage.

755
00:28:53,400 --> 00:28:56,080
Speaker 4: The sample of the neg song is is fum or.

756
00:28:56,000 --> 00:28:57,520
Speaker 3: What is it?

757
00:28:57,520 --> 00:29:00,520
Speaker 4: It's fun that guy, It's like a lesbian thought that.

758
00:29:00,600 --> 00:29:02,320
Speaker 1: Wifey sh his dad put that ship to bed.

759
00:29:02,640 --> 00:29:05,080
Speaker 4: That wife I'm about to when he wants to head,

760
00:29:05,280 --> 00:29:06,400
Speaker 4: I'm about to stamp on the beats.

761
00:29:06,440 --> 00:29:08,000
Speaker 1: I'm gonna make the beg when I want some head.

762
00:29:08,960 --> 00:29:10,760
Speaker 2: I'm gonna make him beg all she wants head. That

763
00:29:10,880 --> 00:29:12,200
Speaker 2: sounds like lesbian activities.

764
00:29:12,440 --> 00:29:17,840
Speaker 4: Women eat pussy way better than us, are you as

765
00:29:17,840 --> 00:29:20,680
Speaker 4: they should? I'm gonna make him beg when I want

766
00:29:20,720 --> 00:29:23,000
Speaker 4: some head. I don't really understand the bar though.

767
00:29:23,320 --> 00:29:24,800
Speaker 1: Yeah, you want to give me head, I'm gonna make it.

768
00:29:25,040 --> 00:29:25,760
Speaker 4: I want some head.

769
00:29:25,760 --> 00:29:28,200
Speaker 3: I'm not gonna make her beg. Just give me some head.

770
00:29:29,920 --> 00:29:32,760
Speaker 5: Like you don't value you don't value your penis. That's

771
00:29:32,760 --> 00:29:34,520
Speaker 5: you value enough.

772
00:29:36,240 --> 00:29:37,800
Speaker 3: I beg.

773
00:29:39,400 --> 00:29:42,720
Speaker 4: That's not my kink. Yeah something, I don't have that deprecation.

774
00:29:43,160 --> 00:29:44,480
Speaker 4: Deprecation kink is not mine.

775
00:29:44,600 --> 00:29:46,400
Speaker 1: Some people like begging. A lot of a lot of men.

776
00:29:46,400 --> 00:29:48,280
Speaker 4: I know, that's the thing. I noticed that that, But

777
00:29:48,560 --> 00:29:50,280
Speaker 4: that's not me. You don't have to beg. A lot

778
00:29:50,320 --> 00:29:53,360
Speaker 4: of men like begging and began and Meghan.

779
00:29:55,120 --> 00:29:58,120
Speaker 1: This nigga is a fucking a rat, profit, isn't he?

780
00:29:58,200 --> 00:30:00,360
Speaker 3: I mean, I'm just saying this. You know that's all.

781
00:30:00,400 --> 00:30:01,920
Speaker 3: I'm just you know, looking at like.

782
00:30:02,040 --> 00:30:04,600
Speaker 4: Look at his lineage on top of that earl the pearl,

783
00:30:04,600 --> 00:30:05,320
Speaker 4: even his nickname.

784
00:30:05,360 --> 00:30:10,880
Speaker 3: Ryme man, It's not I'm the universe.

785
00:30:10,920 --> 00:30:11,200
Speaker 5: Did this?

786
00:30:11,360 --> 00:30:11,560
Speaker 6: Not me?

787
00:30:11,640 --> 00:30:12,440
Speaker 3: I didn't do this.

788
00:30:12,720 --> 00:30:15,040
Speaker 5: Did you get any phone calls from your family after

789
00:30:15,120 --> 00:30:15,959
Speaker 5: your proclamation?

790
00:30:16,480 --> 00:30:17,640
Speaker 3: What's my ovo nation?

791
00:30:18,280 --> 00:30:19,160
Speaker 4: That did go viral?

792
00:30:19,880 --> 00:30:22,480
Speaker 3: Now I was supposed to shout out to my brother Vaughan.

793
00:30:22,600 --> 00:30:25,040
Speaker 3: Vaughn called me. We had a fun little conversation.

794
00:30:25,640 --> 00:30:26,000
Speaker 1: Mm hmm.

795
00:30:26,440 --> 00:30:27,320
Speaker 3: I'll just leave it at that.

796
00:30:31,680 --> 00:30:34,680
Speaker 4: No, you haven't spoken of Biggs Nice the big yet. Okay,

797
00:30:35,360 --> 00:30:37,800
Speaker 4: we have to speak this weekend. I mean about that's crept.

798
00:30:38,160 --> 00:30:40,880
Speaker 2: Yeah, me and him and Hopper is in uh a

799
00:30:40,920 --> 00:30:44,160
Speaker 2: group checks together though they was putting hosting videos and

800
00:30:44,160 --> 00:30:45,000
Speaker 2: ship in there laughing.

801
00:30:45,640 --> 00:30:46,000
Speaker 3: Mm hm.

802
00:30:46,000 --> 00:30:48,280
Speaker 2: They wouldn't call me by Nobody would call me about that,

803
00:30:48,600 --> 00:30:51,200
Speaker 2: my grown fucking man me anything.

804
00:30:51,720 --> 00:30:52,320
Speaker 1: I just wondering.

805
00:30:52,440 --> 00:30:54,720
Speaker 5: You know, I see Oby and should buy my bag,

806
00:30:54,720 --> 00:30:57,880
Speaker 5: I said, o vo Noel commented on the video of

807
00:30:57,960 --> 00:30:59,400
Speaker 5: me and you flirting. I said, they about to kick

808
00:30:59,480 --> 00:31:07,840
Speaker 5: all out. They think he fucking enemy. That ship had me, boy,

809
00:31:07,920 --> 00:31:10,000
Speaker 5: I was laughing for so long like.

810
00:31:11,680 --> 00:31:14,760
Speaker 2: The pe at it. Yeah, oh yeah, a lot of people.

811
00:31:14,880 --> 00:31:16,239
Speaker 2: I've seen a lot of people like, you, wait, did

812
00:31:16,240 --> 00:31:17,920
Speaker 2: I miss something? I missed a couple of episodes, like

813
00:31:17,920 --> 00:31:20,239
Speaker 2: what the fuck did I miss? Just the pg at

814
00:31:20,240 --> 00:31:20,520
Speaker 2: it though?

815
00:31:21,960 --> 00:31:24,680
Speaker 4: I spoke to your your twin and she's fine with

816
00:31:24,720 --> 00:31:25,440
Speaker 4: me being the twin though.

817
00:31:26,600 --> 00:31:27,640
Speaker 3: Okay, y'all look just alike.

818
00:31:29,520 --> 00:31:32,360
Speaker 4: Everyone calls me more anyways, So yeah, I might as well.

819
00:31:32,440 --> 00:31:33,120
Speaker 3: I've been calling.

820
00:31:34,960 --> 00:31:37,680
Speaker 4: Well, okay, so there was no Thanksgiving is gonna be fine.

821
00:31:38,040 --> 00:31:41,200
Speaker 3: Everything is fine, man, Everything is perfectly fine.

822
00:31:42,400 --> 00:31:45,000
Speaker 4: They're gonna lace your food with the space cakes again.

823
00:31:45,600 --> 00:31:47,520
Speaker 2: Nobody doing at the Internet tried to make that a thing,

824
00:31:47,520 --> 00:31:48,760
Speaker 2: and they're calling me Freido.

825
00:31:49,720 --> 00:31:52,360
Speaker 3: You haven't seen the Godfather you're afraid of?

826
00:31:52,520 --> 00:31:52,720
Speaker 4: Now?

827
00:31:52,960 --> 00:31:54,120
Speaker 3: Shut the fuck up?

828
00:31:54,560 --> 00:31:57,920
Speaker 4: You and Cameron fuck y'all, shut the fucks and uptown thing.

829
00:31:58,920 --> 00:32:03,520
Speaker 4: You can't go to Yankees stadium? What what do people.

830
00:32:03,320 --> 00:32:04,120
Speaker 3: We talk about? Man?

831
00:32:04,200 --> 00:32:06,200
Speaker 1: Like they said you canting go to ye stadium?

832
00:32:07,440 --> 00:32:09,400
Speaker 3: What the are y'all talking? People are crazy?

833
00:32:09,480 --> 00:32:12,920
Speaker 4: I heard you got kicked out of Yankee Stadium already

834
00:32:15,160 --> 00:32:16,480
Speaker 4: tell us already.

835
00:32:18,640 --> 00:32:19,920
Speaker 1: Yankee Stadium.

836
00:32:20,320 --> 00:32:20,640
Speaker 5: Uh?

837
00:32:20,680 --> 00:32:23,080
Speaker 4: Well, no, I'm glad that that Everything is is okay.

838
00:32:23,240 --> 00:32:24,280
Speaker 3: Everything is okay, man.

839
00:32:24,280 --> 00:32:26,280
Speaker 2: The Internet just you know, the common section and people

840
00:32:26,320 --> 00:32:28,400
Speaker 2: on the internet that don't know. And you know, I

841
00:32:28,520 --> 00:32:31,200
Speaker 2: don't know my relationships with certain people, are they just

842
00:32:31,280 --> 00:32:31,440
Speaker 2: you know?

843
00:32:31,800 --> 00:32:33,920
Speaker 4: But that's not for people to know. Have you seen

844
00:32:33,960 --> 00:32:37,240
Speaker 4: any of the reactions. We've already talked about Asquino's reaction

845
00:32:37,360 --> 00:32:41,720
Speaker 4: to the freestyle, but since we recorded on Monday, Jaguar

846
00:32:41,720 --> 00:32:42,960
Speaker 4: writers replied.

847
00:32:43,120 --> 00:32:43,440
Speaker 3: She has.

848
00:32:44,880 --> 00:32:49,160
Speaker 4: We spoke with everybody that gives life to everybody for

849
00:32:49,240 --> 00:32:51,800
Speaker 4: at least another year and a half. We'll get to

850
00:32:51,880 --> 00:32:56,120
Speaker 4: Dame's response, but I will say Jaguar right quite possibly

851
00:32:56,160 --> 00:33:00,000
Speaker 4: has the greatest response to anything in history.

852
00:33:00,400 --> 00:33:03,760
Speaker 3: Mm hmm. The first thing she said when they interviewed

853
00:33:03,760 --> 00:33:05,040
Speaker 3: her was, why.

854
00:33:04,880 --> 00:33:06,080
Speaker 4: Would Jay be talking about me?

855
00:33:08,520 --> 00:33:10,920
Speaker 2: Just how to the thin blue air? Jay just said

856
00:33:11,520 --> 00:33:14,840
Speaker 2: Jaguar's name. Yeah, I get it.

857
00:33:15,160 --> 00:33:15,800
Speaker 3: Oh, I don't know.

858
00:33:15,920 --> 00:33:17,560
Speaker 4: For the last five years you've been saying he's been

859
00:33:17,600 --> 00:33:21,040
Speaker 4: running a pedophile ring. Anytime someone puts a mic in

860
00:33:21,080 --> 00:33:23,520
Speaker 4: your face, I don't know. No, she said it like

861
00:33:23,520 --> 00:33:24,720
Speaker 4: with sincerity.

862
00:33:24,800 --> 00:33:25,720
Speaker 3: Why would we confused?

863
00:33:25,760 --> 00:33:26,960
Speaker 4: Why would he be talking about me?

864
00:33:27,120 --> 00:33:28,480
Speaker 3: Yeah? Totally confused?

865
00:33:29,040 --> 00:33:29,800
Speaker 1: What I do?

866
00:33:30,080 --> 00:33:30,320
Speaker 3: Yeah?

867
00:33:30,480 --> 00:33:33,720
Speaker 5: I wish everybody took their meds. The world would be

868
00:33:33,760 --> 00:33:36,280
Speaker 5: a calmer place. If everybody just took the meds that they.

869
00:33:36,160 --> 00:33:41,560
Speaker 2: Need ayahuasca, if people just go to ayahuasca trip, just

870
00:33:41,600 --> 00:33:43,920
Speaker 2: take a trip to Costa Rica, Mexico somewhere and just

871
00:33:44,000 --> 00:33:47,840
Speaker 2: get your ayahuasca ceremony and then come back and let

872
00:33:47,920 --> 00:33:49,440
Speaker 2: us see who you are.

873
00:33:50,120 --> 00:33:52,120
Speaker 3: I think that would change so much about people.

874
00:33:52,320 --> 00:33:54,680
Speaker 4: I still have in my favorite the one in Costa

875
00:33:54,720 --> 00:33:57,080
Speaker 4: Rica that my therapist said, the only thing is it's

876
00:33:57,120 --> 00:33:58,320
Speaker 4: like a whole week and you got to shit in

877
00:33:58,320 --> 00:34:00,000
Speaker 4: a bucket for most of it. And I don't know

878
00:34:00,040 --> 00:34:03,240
Speaker 4: how like in between tripping, how you ship in a bucket?

879
00:34:04,080 --> 00:34:06,200
Speaker 3: That's my only You have to ship in the bucket.

880
00:34:06,240 --> 00:34:07,800
Speaker 3: You're like your own who told you that.

881
00:34:08,640 --> 00:34:10,160
Speaker 4: My my therapist did it with her husband.

882
00:34:10,440 --> 00:34:12,759
Speaker 3: You have to ship in the bucket. Well, they won that.

883
00:34:12,800 --> 00:34:14,200
Speaker 1: They sent him the place that they.

884
00:34:14,320 --> 00:34:15,680
Speaker 3: Why do you have to ship in a bucket?

885
00:34:15,680 --> 00:34:18,359
Speaker 4: Because it's like you're out doors and you have your

886
00:34:18,400 --> 00:34:20,440
Speaker 4: area like they have for the week. They have different

887
00:34:20,440 --> 00:34:22,280
Speaker 4: times where it's like the group iowas because.

888
00:34:22,080 --> 00:34:23,799
Speaker 3: You know, you have a bucket and then you throw up.

889
00:34:24,120 --> 00:34:26,439
Speaker 4: There's that, but there's also a ship bucket. Oh yeah,

890
00:34:26,960 --> 00:34:29,600
Speaker 4: because it's literally out like in the wilderness are the

891
00:34:29,760 --> 00:34:32,880
Speaker 4: same bucket, I think I think it's two different buckets

892
00:34:33,000 --> 00:34:34,600
Speaker 4: for the price. I think they give you two buckets.

893
00:34:34,719 --> 00:34:36,400
Speaker 4: How much is the price. I think it's around ten

894
00:34:36,440 --> 00:34:40,520
Speaker 4: grand for the for the whole week. But yeah, that's

895
00:34:40,600 --> 00:34:43,759
Speaker 4: that's the only thing. Like, if I'm having life revelations,

896
00:34:43,840 --> 00:34:46,160
Speaker 4: I just I don't know if I could also just

897
00:34:46,200 --> 00:34:47,640
Speaker 4: be sitting on a bucket at the same time.

898
00:34:47,800 --> 00:34:49,759
Speaker 3: Yeah, that would scare me. Yeah, it's ten grand. I

899
00:34:49,760 --> 00:34:50,799
Speaker 3: got to have a bathroom though.

900
00:34:52,200 --> 00:34:53,000
Speaker 1: Do I get a WiFi?

901
00:34:54,000 --> 00:34:58,680
Speaker 4: I doubt if they look at the maris one coming off,

902
00:34:58,800 --> 00:35:00,600
Speaker 4: but they don't have don't have plumbing?

903
00:35:00,600 --> 00:35:03,719
Speaker 2: Do they have Wi Fi's coming off of ayahuasca trip?

904
00:35:03,760 --> 00:35:07,080
Speaker 3: I need a timeline during an ayahuasca It's fucking hilarious.

905
00:35:07,120 --> 00:35:08,920
Speaker 5: Now I want to be on the like, but I

906
00:35:08,920 --> 00:35:10,719
Speaker 5: gotta like, you know how like you drunk now, Like

907
00:35:10,800 --> 00:35:14,760
Speaker 5: I gotta like ayahuasca dow like ayahuasca FaceTime.

908
00:35:14,920 --> 00:35:16,719
Speaker 2: All you're gonna do is keep saying I love everybody,

909
00:35:17,719 --> 00:35:20,120
Speaker 2: I love you all life.

910
00:35:20,120 --> 00:35:23,040
Speaker 5: Beautiful, That's why. But you know what, I'm afraid of

911
00:35:23,080 --> 00:35:25,640
Speaker 5: drugs that make you too truthful. You funk around and

912
00:35:25,680 --> 00:35:28,120
Speaker 5: do a drunk call or a drug call and you

913
00:35:28,239 --> 00:35:30,080
Speaker 5: too truthful. You've been told that nigga the truth.

914
00:35:30,160 --> 00:35:32,160
Speaker 3: Yeah, that's when you're on alowed tomorrow, your pussy ass.

915
00:35:32,200 --> 00:35:34,760
Speaker 4: See, I don't think you know the severity of an ayahuasca.

916
00:35:34,800 --> 00:35:37,160
Speaker 4: You're not gonna be able to dial your phone on

917
00:35:37,239 --> 00:35:38,160
Speaker 4: literally planning.

918
00:35:38,840 --> 00:35:40,120
Speaker 3: Yeah, you don't know ayahuasca.

919
00:35:40,360 --> 00:35:44,839
Speaker 5: You're not thinking about playing the mind. I'm gonna find

920
00:35:44,840 --> 00:35:46,560
Speaker 5: it what to call that nigga, you trip tripping.

921
00:35:46,560 --> 00:35:48,839
Speaker 2: Hell Nah, you're gonna be so mad. You haven't even

922
00:35:48,880 --> 00:35:51,920
Speaker 2: met that nigga. Coming off the ayahuasca. You're gonna be like,

923
00:35:52,000 --> 00:35:58,120
Speaker 2: what was I thinking? I cannot believe I gave myself

924
00:35:58,160 --> 00:36:02,799
Speaker 2: to this man. That ayahuasca. That just start revealing everything.

925
00:36:03,680 --> 00:36:07,160
Speaker 2: That shit takes all ego away, every last ounce.

926
00:36:06,920 --> 00:36:07,560
Speaker 3: Of it gone.

927
00:36:08,719 --> 00:36:10,760
Speaker 4: Or maybe she'll realize she was the problem.

928
00:36:11,760 --> 00:36:13,000
Speaker 1: Never realized. No ship like that.

929
00:36:13,600 --> 00:36:14,960
Speaker 3: But that's what the ayahuasca does.

930
00:36:15,000 --> 00:36:15,200
Speaker 6: Though.

931
00:36:15,640 --> 00:36:19,280
Speaker 2: That's ego, See that, that's your ego right there, the ayahuasca.

932
00:36:19,680 --> 00:36:22,120
Speaker 2: It strips all of that. You just are like a

933
00:36:22,200 --> 00:36:24,319
Speaker 2: living being, just happy to be on planet Earth.

934
00:36:25,560 --> 00:36:26,239
Speaker 1: I don't like that.

935
00:36:26,320 --> 00:36:27,640
Speaker 4: If we want to save some money, we could just

936
00:36:27,680 --> 00:36:30,120
Speaker 4: do DMT in my living room and just see where

937
00:36:30,120 --> 00:36:30,359
Speaker 4: it goes.

938
00:36:30,400 --> 00:36:36,319
Speaker 3: Doing DMT in jerseys and then having to go back

939
00:36:36,360 --> 00:36:36,920
Speaker 3: through the tunnel.

940
00:36:38,320 --> 00:36:41,920
Speaker 1: Oh my god, coming down off DMT the tunnel.

941
00:36:42,000 --> 00:36:43,920
Speaker 3: That is the worst idea ever.

942
00:36:44,200 --> 00:36:46,239
Speaker 4: When I did my sound journey and went to like

943
00:36:46,280 --> 00:36:51,000
Speaker 4: a completely another planet, like a whole different universe, getting

944
00:36:51,040 --> 00:36:54,319
Speaker 4: back in my car and sitting in traffic from Williamsburg

945
00:36:54,760 --> 00:36:57,400
Speaker 4: to Jersey was like I felt like I was melting

946
00:36:57,480 --> 00:37:00,319
Speaker 4: in that sit It was. It was the craziest ever.

947
00:37:00,320 --> 00:37:01,800
Speaker 4: I was like, why am I on this planet?

948
00:37:01,800 --> 00:37:03,759
Speaker 1: This would have had to be a sleepover. Sleepover.

949
00:37:04,560 --> 00:37:07,200
Speaker 5: I'm not getting traffic. Yeah, I'm not getting in trafficking.

950
00:37:06,880 --> 00:37:09,799
Speaker 4: When I wasn't right away. They make you stay, it's

951
00:37:09,880 --> 00:37:11,360
Speaker 4: very professional, make you stay for like an hour and

952
00:37:11,400 --> 00:37:13,680
Speaker 4: a half to like really collect. Then they have the

953
00:37:13,719 --> 00:37:16,200
Speaker 4: pow wows and all that ship. But you still feel

954
00:37:16,200 --> 00:37:19,120
Speaker 4: that ship. Oh yeah, I told you. We sitt in

955
00:37:19,200 --> 00:37:22,239
Speaker 4: like a circle and like I will tell you. One

956
00:37:22,239 --> 00:37:24,360
Speaker 4: girl was like I had blimia and now I don't,

957
00:37:24,400 --> 00:37:25,440
Speaker 4: and like everyone's.

958
00:37:25,080 --> 00:37:27,799
Speaker 1: Like she knows she eat an I Yet that's what

959
00:37:27,840 --> 00:37:28,640
Speaker 1: I thought too, was.

960
00:37:31,120 --> 00:37:35,520
Speaker 4: Like we just woke up. Yeah, there was another person.

961
00:37:35,760 --> 00:37:37,920
Speaker 4: I talked to my dead grandmother, finally got closure with

962
00:37:37,960 --> 00:37:41,040
Speaker 4: my family and they got to me because you could pass,

963
00:37:41,040 --> 00:37:42,600
Speaker 4: you don't have to speak, And I passed because I

964
00:37:42,640 --> 00:37:45,720
Speaker 4: was going to say, I found out I'm a horrible person.

965
00:37:47,480 --> 00:37:50,120
Speaker 4: Everybody everyone else had like the best experienced, cured ship

966
00:37:50,239 --> 00:37:52,400
Speaker 4: talk to dead relatives like, I'm not a good person.

967
00:37:54,719 --> 00:37:58,640
Speaker 5: I'm really not good. Did you, like, do you feel

968
00:37:58,640 --> 00:38:00,200
Speaker 5: like you changed since then? Like have you had to

969
00:38:00,239 --> 00:38:00,880
Speaker 5: be a better person?

970
00:38:01,040 --> 00:38:01,279
Speaker 3: Yeah?

971
00:38:01,440 --> 00:38:04,319
Speaker 4: No, all right, not a bad person. I realized with

972
00:38:04,440 --> 00:38:07,800
Speaker 4: the tones, which I've talked about this, that I feel

973
00:38:07,840 --> 00:38:12,680
Speaker 4: really good around dark, dark dark tones and things that

974
00:38:12,760 --> 00:38:15,560
Speaker 4: are too aggressive and bad for me. I was the

975
00:38:15,600 --> 00:38:18,000
Speaker 4: happiest during the sound journey. Then when it got to

976
00:38:18,080 --> 00:38:21,920
Speaker 4: light tones and the four Kuh frequencies that the God

977
00:38:21,960 --> 00:38:25,040
Speaker 4: frequencies and all that, I was super uncomfortable, just waiting

978
00:38:25,080 --> 00:38:28,040
Speaker 4: for us to go back to hell. Like I felt

979
00:38:28,080 --> 00:38:30,520
Speaker 4: way more comfortable there. So yeah, I was like, oh,

980
00:38:30,560 --> 00:38:31,640
Speaker 4: maybe I'm just a shitty person.

981
00:38:31,719 --> 00:38:33,279
Speaker 3: Maybe you are, Lucifer m.

982
00:38:35,200 --> 00:38:38,080
Speaker 4: Yeah, I ne found out. Kanye wrote that whole song today,

983
00:38:38,200 --> 00:38:45,520
Speaker 4: that's the new thing on the on the dimeline, got it, Okay.

984
00:38:43,840 --> 00:38:45,759
Speaker 2: Listen, man, I'm in my I'm in my got it

985
00:38:45,800 --> 00:38:49,080
Speaker 2: all right, Cool, whatever y'all found out, cool, I got.

986
00:38:48,880 --> 00:38:49,759
Speaker 3: It, man, it is what it is.

987
00:38:50,040 --> 00:38:53,200
Speaker 4: But did you guys see the first Art of Dialogue clip.

988
00:38:53,120 --> 00:38:56,479
Speaker 3: That went out of Dame reacting to the free Styles

989
00:38:56,560 --> 00:38:56,839
Speaker 3: I did?

990
00:38:57,680 --> 00:38:59,200
Speaker 4: Listen, Man, I have a lot of respect for Dame.

991
00:39:00,040 --> 00:39:03,080
Speaker 4: This podcast is advocated for Dame for a long time.

992
00:39:03,160 --> 00:39:07,520
Speaker 4: I respect everything he does independently. We've promoted America New

993
00:39:07,600 --> 00:39:11,080
Speaker 4: We've we've been team Dame over here for a while.

994
00:39:11,520 --> 00:39:13,160
Speaker 4: It's getting kind of tough to watch, man. I have

995
00:39:13,200 --> 00:39:18,239
Speaker 4: to be objective in this. I don't know Dame, but

996
00:39:18,280 --> 00:39:20,960
Speaker 4: when I say that's my guy, always looked up to Dame.

997
00:39:21,760 --> 00:39:26,520
Speaker 4: Is this is getting really hard to watch somebody that

998
00:39:26,760 --> 00:39:29,279
Speaker 4: you had such a high respect for of their perspective

999
00:39:30,160 --> 00:39:32,640
Speaker 4: to go this route. I'm not saying he can't reply

1000
00:39:32,719 --> 00:39:34,520
Speaker 4: to what Jay said because Jay was replying to him.

1001
00:39:34,520 --> 00:39:37,200
Speaker 4: Of course you can, but you just and I'm here

1002
00:39:37,200 --> 00:39:38,959
Speaker 4: for the jokes you want to make jokes whatever. Yeah,

1003
00:39:39,120 --> 00:39:42,399
Speaker 4: but like you know, he must be broke, Like all

1004
00:39:42,400 --> 00:39:44,719
Speaker 4: this shit is just it's like it's weird. It's just weird.

1005
00:39:44,760 --> 00:39:46,879
Speaker 4: It's not Dame to me, and I don't know Dame,

1006
00:39:47,000 --> 00:39:49,239
Speaker 4: but it's just not what I've observed of Dame for

1007
00:39:49,239 --> 00:39:54,000
Speaker 4: the last twenty years and how he carries himself. It's

1008
00:39:54,120 --> 00:39:56,399
Speaker 4: been weird the last couple of years, That's all I say.

1009
00:39:56,440 --> 00:39:57,920
Speaker 3: I think it all stems from a place.

1010
00:39:58,040 --> 00:40:02,640
Speaker 2: I mean, obviously have I'm privy to certain things that yeah,

1011
00:40:02,800 --> 00:40:05,799
Speaker 2: most are not. But I think I think we can

1012
00:40:05,840 --> 00:40:08,600
Speaker 2: all watching what we're watching agree that it is just

1013
00:40:08,640 --> 00:40:12,640
Speaker 2: a sense of hurt there and like and I love

1014
00:40:12,640 --> 00:40:15,480
Speaker 2: what Dame said about him, you know, still considering Jay

1015
00:40:15,520 --> 00:40:18,440
Speaker 2: his brother, you know what I'm saying, Like even though

1016
00:40:18,440 --> 00:40:22,719
Speaker 2: they obviously have gone different ways in different paths, but

1017
00:40:22,800 --> 00:40:26,319
Speaker 2: still considers him his brother. So I mean that that

1018
00:40:26,440 --> 00:40:28,799
Speaker 2: right there to me, lets me know, like, you know,

1019
00:40:29,880 --> 00:40:34,040
Speaker 2: Dame is we're talking about DMD Ayahuascar. I would love

1020
00:40:34,840 --> 00:40:38,920
Speaker 2: to see Dame, yeah, coming off of an ayahuasca ceremony

1021
00:40:39,080 --> 00:40:40,800
Speaker 2: and seeing who he is and.

1022
00:40:41,239 --> 00:40:43,200
Speaker 3: Revealing some things because Dame.

1023
00:40:43,239 --> 00:40:46,200
Speaker 2: If you know Dame, Dame's ego is is you know,

1024
00:40:46,480 --> 00:40:50,160
Speaker 2: a lot of his personalities is ego. But that's can

1025
00:40:50,200 --> 00:40:51,960
Speaker 2: be a good thing because you need ego to kind

1026
00:40:51,960 --> 00:40:54,840
Speaker 2: of like believe in yourself, believe in your vision. You

1027
00:40:54,880 --> 00:40:56,480
Speaker 2: got to have a certain amount of ego to kind

1028
00:40:56,480 --> 00:40:59,600
Speaker 2: of you know, be a CEO entrepreneur and and make

1029
00:40:59,640 --> 00:41:03,000
Speaker 2: things happen. Ego can be healthy when you used the

1030
00:41:03,080 --> 00:41:05,600
Speaker 2: right way. But then you know, sometimes you stand on

1031
00:41:05,640 --> 00:41:09,080
Speaker 2: your ego so long and realize that's all you standing

1032
00:41:09,080 --> 00:41:09,800
Speaker 2: on is your ego.

1033
00:41:10,200 --> 00:41:13,440
Speaker 4: Yeah, we talk about ego being good when you balance

1034
00:41:13,480 --> 00:41:16,160
Speaker 4: it correctly. I think Dame in the early days of

1035
00:41:16,160 --> 00:41:19,959
Speaker 4: what we saw, he was balancing his ego for good

1036
00:41:20,120 --> 00:41:23,600
Speaker 4: at that time, like it was positive to protect his

1037
00:41:23,760 --> 00:41:26,879
Speaker 4: label against their partner that may be doing some things

1038
00:41:26,920 --> 00:41:29,160
Speaker 4: that he didn't agree with. The ego was used for

1039
00:41:29,200 --> 00:41:31,520
Speaker 4: good at that time. The bad ego, I feel like

1040
00:41:31,560 --> 00:41:34,520
Speaker 4: it's just taken over at this point, that it's taken

1041
00:41:34,560 --> 00:41:40,000
Speaker 4: away critical thinking and logic from everything. Because even all right,

1042
00:41:40,000 --> 00:41:44,919
Speaker 4: fuck the whole broke thing. You're telling Jay the only

1043
00:41:44,960 --> 00:41:47,720
Speaker 4: reason you'd be up there performing is because you're broke.

1044
00:41:48,480 --> 00:41:50,279
Speaker 4: But then at the end of the clip you're saying,

1045
00:41:50,280 --> 00:41:55,960
Speaker 4: why doesn't Jay do anything creative anymore? Celebrating your thirtieth

1046
00:41:55,960 --> 00:42:00,160
Speaker 4: and twenty fifth anniversary with the show is creativity? So

1047
00:42:00,320 --> 00:42:02,840
Speaker 4: is it Uchi Wally or one mic? Should you do

1048
00:42:02,880 --> 00:42:05,239
Speaker 4: something creative or if you do something creative it means

1049
00:42:05,239 --> 00:42:06,960
Speaker 4: you're broke? Which one is it?

1050
00:42:07,239 --> 00:42:07,479
Speaker 3: Yeah?

1051
00:42:08,840 --> 00:42:12,880
Speaker 4: And on top of that, I would challenge art of

1052
00:42:12,920 --> 00:42:17,360
Speaker 4: Dialogue to ask Dame if the Black Keys, which the

1053
00:42:17,400 --> 00:42:20,480
Speaker 4: album he executive produces, Black Keys, is a great album,

1054
00:42:20,840 --> 00:42:24,480
Speaker 4: if they wanted to honor that on its thirtieth anniversary

1055
00:42:25,040 --> 00:42:28,759
Speaker 4: at Yankee Stadium, would you do it, Dame? Because the

1056
00:42:28,840 --> 00:42:31,799
Speaker 4: answers yes, oh oh, of course, Dame. The album that

1057
00:42:31,840 --> 00:42:33,799
Speaker 4: you just put out with Freeway, which I think is cool.

1058
00:42:34,040 --> 00:42:37,400
Speaker 4: I really wasn't mad at it. If the world wanted

1059
00:42:37,440 --> 00:42:40,880
Speaker 4: to honor that on its twenty fifth anniversary Yankee Stadium,

1060
00:42:40,920 --> 00:42:43,400
Speaker 4: would you go on stage with Freeway or would that

1061
00:42:43,440 --> 00:42:47,200
Speaker 4: mean you're broke? If the Roots wanted Dame dash in

1062
00:42:47,239 --> 00:42:50,920
Speaker 4: Freeway to headline next year, would you do it?

1063
00:42:51,360 --> 00:42:52,280
Speaker 3: Of course he would?

1064
00:42:52,520 --> 00:42:53,440
Speaker 4: Now that means you broke.

1065
00:42:54,440 --> 00:42:57,320
Speaker 1: But you know that Dame don't even believe what he's saying.

1066
00:42:57,760 --> 00:43:02,600
Speaker 5: Like I used to think that, starting to believe he

1067
00:43:02,640 --> 00:43:04,200
Speaker 5: does not believe that JAYC is broke.

1068
00:43:04,320 --> 00:43:05,359
Speaker 1: He does not believe that.

1069
00:43:06,000 --> 00:43:08,719
Speaker 4: He does not believe. I'm starting to think he even

1070
00:43:08,760 --> 00:43:11,680
Speaker 4: Dames troll because you can tell if you know people

1071
00:43:11,680 --> 00:43:14,040
Speaker 4: from Harlem, like when they're really trolling. I think he

1072
00:43:14,120 --> 00:43:15,240
Speaker 4: believes the things he's saying.

1073
00:43:15,040 --> 00:43:17,960
Speaker 2: Though, And no, I think I don't think he believes

1074
00:43:17,960 --> 00:43:21,440
Speaker 2: the things he's saying. I believe I believe that he believed,

1075
00:43:21,480 --> 00:43:25,840
Speaker 2: he believes that he has to say the things that

1076
00:43:25,880 --> 00:43:28,160
Speaker 2: he's saying. I don't think he believes what he's saying though,

1077
00:43:29,000 --> 00:43:31,440
Speaker 2: Like Dame knows, Jay is not broke nowhere near it.

1078
00:43:31,800 --> 00:43:33,839
Speaker 3: You can't be married to Beyonce and be broke.

1079
00:43:33,920 --> 00:43:36,040
Speaker 4: That he's hit the Forbes list.

1080
00:43:36,120 --> 00:43:38,880
Speaker 5: Congratulations to Beyonce. You know we don't celebrate billionaires. She

1081
00:43:39,000 --> 00:43:42,400
Speaker 5: just hit the Forbes list for becoming up another billionaire.

1082
00:43:43,120 --> 00:43:46,719
Speaker 3: Yeah, like you just I mean broke. That's not what

1083
00:43:46,719 --> 00:43:47,520
Speaker 3: that bee stands for.

1084
00:43:48,880 --> 00:43:50,319
Speaker 2: I can promise you that that's not what that Bee

1085
00:43:50,360 --> 00:43:52,200
Speaker 2: stand But again, like I said, man, I think that

1086
00:43:52,760 --> 00:43:55,360
Speaker 2: you know, Dame just is you know, he's he's in

1087
00:43:55,360 --> 00:43:57,840
Speaker 2: the spot where he just has to he has to

1088
00:43:57,880 --> 00:43:59,800
Speaker 2: stand on what he's been standing on, you know what

1089
00:43:59,800 --> 00:44:03,080
Speaker 2: I saying. And sometimes again you end up looking down

1090
00:44:03,120 --> 00:44:05,759
Speaker 2: and realize that that's all you're standing on, and it's

1091
00:44:05,760 --> 00:44:07,400
Speaker 2: like it's okay to just be like yo, you know,

1092
00:44:07,600 --> 00:44:09,839
Speaker 2: I'm hurt. And I think Dame had spoke at him,

1093
00:44:09,880 --> 00:44:12,240
Speaker 2: has heard about everything that happened and how things happened.

1094
00:44:13,040 --> 00:44:14,840
Speaker 2: But a lot of it is is is baked and

1095
00:44:14,960 --> 00:44:18,839
Speaker 2: ego and pride with Damn. Like I said, ego can

1096
00:44:18,960 --> 00:44:21,359
Speaker 2: be a healthy thing if you use the right way,

1097
00:44:21,400 --> 00:44:24,480
Speaker 2: if balanced with you know, reality and humility.

1098
00:44:24,560 --> 00:44:26,200
Speaker 3: You know what I mean. You need you need balance

1099
00:44:26,239 --> 00:44:27,560
Speaker 3: in life. That's what life is. Balanced.

1100
00:44:27,560 --> 00:44:29,640
Speaker 2: It can't just be ego, ego, ego all the time.

1101
00:44:30,239 --> 00:44:32,359
Speaker 2: And I'm right, I'm right, I'm right. It's my way,

1102
00:44:32,400 --> 00:44:34,480
Speaker 2: my way, my way. That just doesn't that's not how

1103
00:44:34,480 --> 00:44:37,680
Speaker 2: the universe is designed. So you know, I mean, I

1104
00:44:37,719 --> 00:44:39,799
Speaker 2: still got a lot of love and respect for Dame,

1105
00:44:39,880 --> 00:44:42,120
Speaker 2: you know what I'm saying. A big part of my

1106
00:44:42,160 --> 00:44:44,759
Speaker 2: growing up being around him and my brothers, A lot

1107
00:44:44,760 --> 00:44:47,040
Speaker 2: of conversations and things that was instilled in me I

1108
00:44:47,080 --> 00:44:50,480
Speaker 2: still hold to this day. But yeah, we all grow

1109
00:44:50,520 --> 00:44:52,600
Speaker 2: as men and get older, and things happen and things

1110
00:44:52,600 --> 00:44:56,840
Speaker 2: go another way, and sometimes it's unfortunate with shit lends.

1111
00:44:56,840 --> 00:44:59,399
Speaker 2: But you know, I still got nothing but but uh

1112
00:44:59,440 --> 00:45:02,480
Speaker 2: but love and respect for Damon And hopefully he's you

1113
00:45:02,520 --> 00:45:04,360
Speaker 2: know which it seems that he's doing everything that he

1114
00:45:04,400 --> 00:45:06,520
Speaker 2: wants to do, and he still has a creative mind

1115
00:45:06,560 --> 00:45:08,279
Speaker 2: and he still has a lot of things that he

1116
00:45:08,320 --> 00:45:10,600
Speaker 2: wants to do and things like that, which is, you know,

1117
00:45:10,680 --> 00:45:12,839
Speaker 2: good things like keep creating, keep doing what you're doing.

1118
00:45:13,239 --> 00:45:16,000
Speaker 2: But I think it is time for another narrative between

1119
00:45:16,160 --> 00:45:18,880
Speaker 2: when it comes to hearing Dame talk about Jay. I

1120
00:45:18,880 --> 00:45:21,640
Speaker 2: think it's time for a different narrative. Like we get it,

1121
00:45:22,239 --> 00:45:24,719
Speaker 2: you know the relationship with Sour, We know that you

1122
00:45:24,760 --> 00:45:27,959
Speaker 2: obviously still your words, look at him as a brother,

1123
00:45:28,040 --> 00:45:29,840
Speaker 2: and things like that, but it's just time for a

1124
00:45:29,840 --> 00:45:32,120
Speaker 2: new narrative when it comes to hearing Dame talk about Jay.

1125
00:45:32,320 --> 00:45:34,080
Speaker 5: It's been too long and I kind of wish Jay

1126
00:45:34,080 --> 00:45:37,920
Speaker 5: wouldn't have. I get why Jay addressed everybody, but I

1127
00:45:37,920 --> 00:45:39,799
Speaker 5: wish he wouldn't have because I felt like maybe it

1128
00:45:39,840 --> 00:45:41,960
Speaker 5: was getting towards the time where people will stop giving

1129
00:45:42,040 --> 00:45:43,279
Speaker 5: Dame a platform and talk about Ja.

1130
00:45:43,360 --> 00:45:45,680
Speaker 1: But Jay just reignited that fire.

1131
00:45:46,000 --> 00:45:50,879
Speaker 4: Don't if the whole Busby thing didn't happen, I don't

1132
00:45:50,920 --> 00:45:54,560
Speaker 4: think we get that. But I think Jay out the

1133
00:45:54,560 --> 00:45:57,399
Speaker 4: gate when the Buzzby thing happened, posting on Instagram and

1134
00:45:57,440 --> 00:46:00,600
Speaker 4: getting in front of that lawsuit right away. That pissed

1135
00:46:00,640 --> 00:46:03,480
Speaker 4: him off so much that he's going to address that.

1136
00:46:03,920 --> 00:46:05,840
Speaker 4: And while I'm at it, I might as well address

1137
00:46:05,880 --> 00:46:07,560
Speaker 4: the rustio. If I'm going to speak, I might as

1138
00:46:07,560 --> 00:46:10,279
Speaker 4: well speak about everyone. If the buzzy shit doesn't happen. No,

1139
00:46:10,360 --> 00:46:11,799
Speaker 4: I don't think he gets up there and talks about

1140
00:46:11,880 --> 00:46:14,680
Speaker 4: Nikki Dame Oskino. I don't think any of that happens.

1141
00:46:14,840 --> 00:46:18,920
Speaker 4: But while we're up here, yeah, y'all are nuts. Yeah so,

1142
00:46:19,280 --> 00:46:22,439
Speaker 4: But I mean, I think Dame had one great move

1143
00:46:22,520 --> 00:46:27,120
Speaker 4: in that first clip. I personally just think that Jay

1144
00:46:27,200 --> 00:46:32,200
Speaker 4: is going to cut his hair. For reasonable doubt and blueprint,

1145
00:46:33,239 --> 00:46:35,919
Speaker 4: Dame positioned it where he can now say that Jay

1146
00:46:36,000 --> 00:46:37,920
Speaker 4: listened to him and that's why he cut his hair,

1147
00:46:38,280 --> 00:46:40,160
Speaker 4: because through that whole club, he's like, Jay, I need

1148
00:46:40,200 --> 00:46:43,240
Speaker 4: you to cut your hair. Through the Caasar with the Yankees,

1149
00:46:43,360 --> 00:46:44,920
Speaker 4: the ship that we all think Jay is going to

1150
00:46:45,000 --> 00:46:47,279
Speaker 4: do and was probably already going to do. Now Dan

1151
00:46:47,360 --> 00:46:50,200
Speaker 4: could be like, you see you listen to me, Yeah,

1152
00:46:50,239 --> 00:46:52,279
Speaker 4: which isn't the truth. But it was a good move.

1153
00:46:52,560 --> 00:46:54,799
Speaker 3: But in Dame fashion, he's going to take credit for that.

1154
00:46:55,000 --> 00:46:57,680
Speaker 4: Of course he is one thousands that he's going to Jay.

1155
00:46:57,719 --> 00:46:59,520
Speaker 2: I believe Jay is definitely going to cut his hair

1156
00:47:00,040 --> 00:47:00,799
Speaker 2: Yankee Stadium ship.

1157
00:47:00,880 --> 00:47:02,520
Speaker 1: I don't want him to I like the throw.

1158
00:47:03,160 --> 00:47:05,440
Speaker 3: Yeah, the fro's cool, but yeah, but where do you

1159
00:47:05,480 --> 00:47:06,000
Speaker 3: go from the throw?

1160
00:47:06,040 --> 00:47:06,200
Speaker 6: Now?

1161
00:47:06,239 --> 00:47:07,800
Speaker 3: He's not going to get corn rolls.

1162
00:47:08,560 --> 00:47:10,279
Speaker 1: God thought for it.

1163
00:47:10,200 --> 00:47:10,560
Speaker 3: And I don't.

1164
00:47:10,920 --> 00:47:12,640
Speaker 2: I don't see him comb I don't see him combing

1165
00:47:12,640 --> 00:47:15,120
Speaker 2: out his wicks to then retwist and lock his head again.

1166
00:47:15,200 --> 00:47:17,960
Speaker 5: Like, but I mean if he combed out his to

1167
00:47:17,960 --> 00:47:20,000
Speaker 5: cut his hair. No, you don't have to comb out.

1168
00:47:20,040 --> 00:47:21,839
Speaker 5: You don't have to spend four days getting your home.

1169
00:47:21,800 --> 00:47:23,440
Speaker 6: Here about all right?

1170
00:47:23,480 --> 00:47:26,400
Speaker 4: He has the roots picnic was before obviously a reasonable

1171
00:47:26,440 --> 00:47:27,880
Speaker 4: doubt and blueprint. I think he wanted to have the

1172
00:47:27,920 --> 00:47:32,759
Speaker 4: moment of his haircut for that, so in between do that, yeah,

1173
00:47:34,000 --> 00:47:35,480
Speaker 4: I mean I think he did it to cut his hair.

1174
00:47:35,560 --> 00:47:37,760
Speaker 4: It's also a world where he will hit this stage

1175
00:47:37,840 --> 00:47:38,719
Speaker 4: the fro with the throw.

1176
00:47:39,000 --> 00:47:43,640
Speaker 3: Yeah, I'm diued into it. I don't care about it

1177
00:47:43,680 --> 00:47:44,040
Speaker 3: that much.

1178
00:47:44,239 --> 00:47:47,080
Speaker 2: I think aesthetically that it's kind of like what people

1179
00:47:47,120 --> 00:47:49,719
Speaker 2: are leaning too, Like if it's the thirtieth anniversary of

1180
00:47:49,760 --> 00:47:53,120
Speaker 2: Reasonable Doubt, Like, do you go back to that original

1181
00:47:53,200 --> 00:47:56,160
Speaker 2: aesthetic with the with the the low season? You know

1182
00:47:56,200 --> 00:47:58,000
Speaker 2: what I'm saying, Like, do you go back to that aesthetic?

1183
00:47:58,040 --> 00:48:00,759
Speaker 2: I think we can kind of guess that that it's

1184
00:48:01,000 --> 00:48:03,439
Speaker 2: probably the thing, but I don't. There's also a world

1185
00:48:03,440 --> 00:48:05,560
Speaker 2: where he's like, I'm not thinking about it that deeply.

1186
00:48:05,640 --> 00:48:08,839
Speaker 4: Like do you think he dresses to like the way

1187
00:48:09,320 --> 00:48:13,560
Speaker 4: your brother him and Dame on a Recentable Doubt cover,

1188
00:48:13,800 --> 00:48:14,879
Speaker 4: like with those suits.

1189
00:48:14,600 --> 00:48:16,680
Speaker 3: You think he does that. I think he comes out

1190
00:48:16,760 --> 00:48:18,480
Speaker 3: like that, Yeah, but I.

1191
00:48:18,400 --> 00:48:21,399
Speaker 2: Think eventually he goes into a Yankee Jersey and m hmm,

1192
00:48:21,880 --> 00:48:23,400
Speaker 2: kind of like with him and JD did Money and

1193
00:48:23,400 --> 00:48:25,680
Speaker 2: the thing, Yeah, Jersey braves Jersey, Like, I think he

1194
00:48:25,719 --> 00:48:26,840
Speaker 2: goes into that at some point.

1195
00:48:27,200 --> 00:48:30,160
Speaker 3: I hope Derek Jeter Jersey for Blueprint.

1196
00:48:30,239 --> 00:48:33,480
Speaker 4: I hope he goes full two thousand and one, like

1197
00:48:33,560 --> 00:48:35,319
Speaker 4: dressed as stupid as we were all dressing in two

1198
00:48:35,320 --> 00:48:38,080
Speaker 4: thousand one. Yeah, I'd like to see that, Like, let's

1199
00:48:38,080 --> 00:48:40,160
Speaker 4: really he was dressed.

1200
00:48:39,880 --> 00:48:40,360
Speaker 3: To the fashion.

1201
00:48:40,360 --> 00:48:41,080
Speaker 1: It wasn't that.

1202
00:48:41,200 --> 00:48:48,280
Speaker 2: I mean it was rockaware obviously. I mean Batchel baggy.

1203
00:48:48,360 --> 00:48:49,879
Speaker 2: You wanted to go baggy is what you're saying.

1204
00:48:49,880 --> 00:48:54,400
Speaker 4: Oh one, Baggy wasn't too too bad. No, it was

1205
00:48:54,400 --> 00:48:56,359
Speaker 4: more it was more towards like oh four, when things

1206
00:48:56,360 --> 00:48:59,239
Speaker 4: got like really nasty. I guess oh no, oh one

1207
00:48:59,280 --> 00:48:59,719
Speaker 4: wasn't that bad.

1208
00:48:59,760 --> 00:49:01,160
Speaker 3: I think four o five it was really bad.

1209
00:49:01,239 --> 00:49:02,080
Speaker 4: Yeah, it got weird.

1210
00:49:02,520 --> 00:49:03,200
Speaker 3: One wasn't too bad.

1211
00:49:03,239 --> 00:49:05,719
Speaker 4: Yeah, one wasn't wasn't back. It was just but yeah,

1212
00:49:05,800 --> 00:49:08,759
Speaker 4: means which I mean ship now that the jeans now

1213
00:49:08,760 --> 00:49:09,600
Speaker 4: are one jeans.

1214
00:49:09,680 --> 00:49:13,080
Speaker 2: Yeah, so yeah it Ryan hill drag. We never had

1215
00:49:13,120 --> 00:49:14,839
Speaker 2: Hill dragon Ryan. We had big jeans. But if your

1216
00:49:14,880 --> 00:49:15,640
Speaker 2: jeans was dragging on.

1217
00:49:15,640 --> 00:49:18,000
Speaker 3: The floor, you was dragging people and putting on the ball,

1218
00:49:18,239 --> 00:49:19,080
Speaker 3: you looked at its dirty.

1219
00:49:19,080 --> 00:49:20,680
Speaker 2: If your jeans was dragging on the floor back, but

1220
00:49:20,719 --> 00:49:22,440
Speaker 2: we had some big, baggy jeans.

1221
00:49:22,480 --> 00:49:25,520
Speaker 5: I meant to ask you, speaking of Jay's here, you

1222
00:49:25,600 --> 00:49:28,520
Speaker 5: said something on our one of our previous episodes about

1223
00:49:28,560 --> 00:49:31,560
Speaker 5: your conversation with Drake and that has gone viral, like

1224
00:49:31,640 --> 00:49:33,560
Speaker 5: everything you fucking say and connect.

1225
00:49:33,280 --> 00:49:33,759
Speaker 1: You with Drake.

1226
00:49:34,120 --> 00:49:37,239
Speaker 5: Did you get any backlash for that because you kind

1227
00:49:37,239 --> 00:49:40,239
Speaker 5: of set him up to be shut it on I

1228
00:49:40,280 --> 00:49:42,160
Speaker 5: didn't everything. I know you didn't do it on purpose,

1229
00:49:42,200 --> 00:49:43,880
Speaker 5: But what I'm saying, and no matter.

1230
00:49:43,640 --> 00:49:45,920
Speaker 3: What somebody says about Drake, they gonna shot on Drake.

1231
00:49:45,960 --> 00:49:46,319
Speaker 3: We know that.

1232
00:49:46,560 --> 00:49:48,719
Speaker 2: But it wasn't he was. He was kind of thrown

1233
00:49:48,719 --> 00:49:51,120
Speaker 2: off just like everybody else, Like, yo, is that is

1234
00:49:51,160 --> 00:49:53,440
Speaker 2: that a wig? Because the last time we saw.

1235
00:49:53,400 --> 00:49:57,160
Speaker 4: Jay, he had WIX Like yeah, so that was a

1236
00:49:57,239 --> 00:49:59,440
Speaker 4: real reaction, Like, Yo, but what's up with the hell?

1237
00:49:59,520 --> 00:49:59,960
Speaker 3: Like what is he?

1238
00:50:00,400 --> 00:50:01,320
Speaker 1: I just was wondering.

1239
00:50:01,400 --> 00:50:03,680
Speaker 5: I guess in your in your because I know with

1240
00:50:03,800 --> 00:50:05,760
Speaker 5: all of us, not even just with our famous friends,

1241
00:50:05,920 --> 00:50:08,880
Speaker 5: sometimes we're talking about our friends and innocent conversations and

1242
00:50:08,960 --> 00:50:11,959
Speaker 5: things get turned around. So I know sometimes my friends

1243
00:50:11,960 --> 00:50:14,200
Speaker 5: have asked me to stop talking about them on our podcast.

1244
00:50:14,520 --> 00:50:16,880
Speaker 2: Nah, so that's what I mean. Under me, it's not

1245
00:50:16,920 --> 00:50:19,279
Speaker 2: like that, and anybody that knows me knows I'm not.

1246
00:50:19,320 --> 00:50:22,000
Speaker 2: I'm never saying something and trying to paint them in

1247
00:50:22,040 --> 00:50:23,960
Speaker 2: a negative way like the internet is going to do

1248
00:50:24,000 --> 00:50:25,560
Speaker 2: with the internet does no matter what you say, they're

1249
00:50:25,560 --> 00:50:27,719
Speaker 2: gonna paint it how they paint it. But no, it

1250
00:50:27,760 --> 00:50:30,000
Speaker 2: wasn't a negative thing. It was a confused thing. Is

1251
00:50:30,400 --> 00:50:34,520
Speaker 2: everybody was like we were all and obviously that's what

1252
00:50:34,640 --> 00:50:36,319
Speaker 2: Jay wanted. He had the hood on the day before

1253
00:50:36,320 --> 00:50:38,000
Speaker 2: it didn't show. Nobody say he knew what that was

1254
00:50:38,040 --> 00:50:41,520
Speaker 2: gonna do. Like it everybody was like, oh shit, Like

1255
00:50:42,120 --> 00:50:44,839
Speaker 2: so that's what his reaction was, Like, Yo, is that

1256
00:50:45,440 --> 00:50:49,239
Speaker 2: his heir? Is that a wig? Is that like what

1257
00:50:49,440 --> 00:50:51,680
Speaker 2: is that? Nobody under It was all confusion that.

1258
00:50:51,920 --> 00:50:53,520
Speaker 4: I know how the internet works. That's why when you

1259
00:50:53,560 --> 00:50:54,799
Speaker 4: said it, I was like, Oh, they're going to take

1260
00:50:54,840 --> 00:50:56,360
Speaker 4: that and run with it. But then right after that,

1261
00:50:56,400 --> 00:50:59,320
Speaker 4: I said, in Drake's defense, everyone that I was around

1262
00:51:00,120 --> 00:51:03,960
Speaker 4: was coming up with theories during ho Vita of like, oh,

1263
00:51:03,960 --> 00:51:05,560
Speaker 4: he's gonna take it off. It's gonna be the Caesar,

1264
00:51:05,960 --> 00:51:09,640
Speaker 4: Like everyone in real time at the festival thought, Yo,

1265
00:51:09,880 --> 00:51:11,600
Speaker 4: that might be a wig. He's gonna take the ship off.

1266
00:51:12,440 --> 00:51:14,279
Speaker 4: So yeah, I don't think it's a crazy thing to

1267
00:51:14,320 --> 00:51:15,360
Speaker 4: text your friend like yo.

1268
00:51:15,360 --> 00:51:17,279
Speaker 5: No, But when you when you're dealing with someone who

1269
00:51:17,360 --> 00:51:22,120
Speaker 5: has been accused of not being a part of not

1270
00:51:22,120 --> 00:51:27,279
Speaker 5: not understanding their culture and they don't have culture you have,

1271
00:51:29,560 --> 00:51:32,280
Speaker 5: you have a when you when you have someone who's

1272
00:51:32,520 --> 00:51:35,120
Speaker 5: has been accused of that and they're also bi racial,

1273
00:51:35,120 --> 00:51:37,040
Speaker 5: and then you make a comment about black hair.

1274
00:51:37,719 --> 00:51:39,480
Speaker 1: I knew the moment you said that that that was

1275
00:51:39,520 --> 00:51:39,920
Speaker 1: going to be.

1276
00:51:39,960 --> 00:51:42,120
Speaker 2: It wasn't a common about black It was a comment

1277
00:51:42,160 --> 00:51:47,880
Speaker 2: about what's up. Yeah, but that's why I'm speaking to that, Like,

1278
00:51:47,960 --> 00:51:50,440
Speaker 2: it wasn't a common about black hair. It was a

1279
00:51:50,480 --> 00:51:53,400
Speaker 2: comment about jay Z's hair, like what the fuck is

1280
00:51:53,440 --> 00:51:54,080
Speaker 2: that his hair?

1281
00:51:54,160 --> 00:51:54,720
Speaker 3: Is that a wig?

1282
00:51:54,880 --> 00:51:55,040
Speaker 4: Like?

1283
00:51:55,719 --> 00:51:58,360
Speaker 2: People didn't genuinely did not know what it was like,

1284
00:51:58,360 --> 00:52:01,120
Speaker 2: because a lot of people don't, oh that you can

1285
00:52:01,239 --> 00:52:03,400
Speaker 2: comb out your locks, you can comb out your wicks.

1286
00:52:03,640 --> 00:52:05,960
Speaker 2: A lot of people that cut their locks, they just

1287
00:52:06,000 --> 00:52:08,680
Speaker 2: go straight and cut it. They clip the wicks and

1288
00:52:08,880 --> 00:52:11,880
Speaker 2: get a fucking either little fro or a seizon. Nobody

1289
00:52:11,960 --> 00:52:13,560
Speaker 2: ever seen somebody really comb out.

1290
00:52:14,200 --> 00:52:17,040
Speaker 4: I will say I would have never guessed that because

1291
00:52:17,040 --> 00:52:21,680
Speaker 4: I am outside of the fro culture. Jay did it,

1292
00:52:21,719 --> 00:52:23,799
Speaker 4: did what it was supposed to. It's a fucking conversational

1293
00:52:23,800 --> 00:52:27,560
Speaker 4: piece that's not even doing We're still talking about it.

1294
00:52:27,560 --> 00:52:29,959
Speaker 4: Everyone still talking about just seeing lords Martin Vlad talking

1295
00:52:29,960 --> 00:52:32,520
Speaker 4: about if it's possible to do that, like it's very possible.

1296
00:52:32,560 --> 00:52:36,319
Speaker 4: It became a conversational piece completely of his fro where

1297
00:52:36,360 --> 00:52:37,279
Speaker 4: I was just like, oh, that's cool.

1298
00:52:37,280 --> 00:52:37,600
Speaker 6: And then the.

1299
00:52:37,600 --> 00:52:40,080
Speaker 2: Hairstyle of she she spoke about it. Yeah, she said

1300
00:52:40,600 --> 00:52:41,200
Speaker 2: something like that.

1301
00:52:41,920 --> 00:52:44,600
Speaker 5: For day, days, days days, the four bottles of sacred.

1302
00:52:44,600 --> 00:52:46,840
Speaker 5: I guess that was awesome. Four days and full bottles

1303
00:52:46,880 --> 00:52:50,480
Speaker 5: of sacred. That sounded like a new goddamn slogan. Four days,

1304
00:52:50,480 --> 00:52:52,640
Speaker 5: four bottles of sacred you get your edges back.

1305
00:52:53,200 --> 00:52:55,360
Speaker 1: Yeah, it was just very confused. It was it just

1306
00:52:55,400 --> 00:52:56,400
Speaker 1: shows that everybody.

1307
00:52:56,160 --> 00:52:58,560
Speaker 4: Got the best friends. Now ten hours a day for

1308
00:52:58,600 --> 00:52:59,879
Speaker 4: four days, Yeah, that's your best friend.

1309
00:52:59,920 --> 00:53:02,719
Speaker 5: Now everybody does live in their own corners of the world.

1310
00:53:02,800 --> 00:53:06,120
Speaker 5: Because I was flabbergasted to see people be flabbergasted that

1311
00:53:06,200 --> 00:53:08,760
Speaker 5: you could come block so like, to me, that's common,

1312
00:53:08,920 --> 00:53:10,560
Speaker 5: like black hair knowledge.

1313
00:53:10,640 --> 00:53:14,359
Speaker 4: I was confused why everybody was I dredge they cut

1314
00:53:14,360 --> 00:53:17,040
Speaker 4: their dreads. I was the complete opposite. I didn't know

1315
00:53:17,080 --> 00:53:18,080
Speaker 4: that you couldn't do that.

1316
00:53:18,360 --> 00:53:19,480
Speaker 1: You didn't know that you could do that.

1317
00:53:20,280 --> 00:53:22,320
Speaker 4: Everyone's saying you can't do that. I didn't know you couldn't.

1318
00:53:22,600 --> 00:53:25,120
Speaker 4: Oh yeah, like I didn't know that. Yeah, I thought

1319
00:53:25,120 --> 00:53:27,839
Speaker 4: that was possible. I don't know. That's a regular thing

1320
00:53:27,880 --> 00:53:29,440
Speaker 4: people do that. People do that all the time. It's

1321
00:53:29,480 --> 00:53:30,040
Speaker 4: a regular thing.

1322
00:53:30,080 --> 00:53:32,319
Speaker 5: So that's why I was just like, I was like,

1323
00:53:32,360 --> 00:53:35,319
Speaker 5: But then the videos of people doing it started going viral.

1324
00:53:35,440 --> 00:53:38,480
Speaker 5: It was just weird watching like people have discussions on things.

1325
00:53:38,520 --> 00:53:39,360
Speaker 1: That was just like I thought this.

1326
00:53:39,480 --> 00:53:42,120
Speaker 4: And again outside white mind, Like all my friends that

1327
00:53:42,200 --> 00:53:44,359
Speaker 4: did have locks when I was a kid, when they

1328
00:53:44,960 --> 00:53:46,719
Speaker 4: cut them, they did just cut their hair. But I

1329
00:53:46,719 --> 00:53:49,000
Speaker 4: didn't think it's because they couldn't. I just thought they

1330
00:53:49,040 --> 00:53:49,799
Speaker 4: wanted to cut their hair.

1331
00:53:50,080 --> 00:53:52,239
Speaker 1: Well, it's because it takes a long time. It takes

1332
00:53:52,280 --> 00:53:52,759
Speaker 1: a long time.

1333
00:53:52,800 --> 00:53:54,879
Speaker 3: It's a lot of effort, long time, a lot of care.

1334
00:53:55,160 --> 00:53:57,439
Speaker 5: Yeah, yeah, oh yeah, I'm sure it's damage your hair

1335
00:53:57,760 --> 00:53:59,480
Speaker 5: really really slow process.

1336
00:53:59,480 --> 00:54:01,000
Speaker 1: So a lot of people don't do that. They just

1337
00:54:01,000 --> 00:54:03,200
Speaker 1: cut it. But plenty of people that come up.

1338
00:54:03,120 --> 00:54:05,960
Speaker 4: There, and you know, I know Jay's broke, but I'm

1339
00:54:05,960 --> 00:54:07,360
Speaker 4: sure Beyonce paid.

1340
00:54:07,800 --> 00:54:09,480
Speaker 3: In front of him the bottles of sacred that was.

1341
00:54:10,239 --> 00:54:12,680
Speaker 4: I'm sure a billionaire could get that done faster than

1342
00:54:12,680 --> 00:54:14,320
Speaker 4: the average person on the arm that.

1343
00:54:14,880 --> 00:54:16,800
Speaker 5: No, it does not get done faster than the average person,

1344
00:54:17,000 --> 00:54:18,520
Speaker 5: same same amount of time.

1345
00:54:18,800 --> 00:54:21,040
Speaker 3: There's no, there's no unless you're multiple.

1346
00:54:21,080 --> 00:54:22,920
Speaker 4: I was about to say people to do.

1347
00:54:23,040 --> 00:54:26,200
Speaker 5: Yeah, but the but the the stylist didn't say that.

1348
00:54:26,840 --> 00:54:29,719
Speaker 5: I think like two of his styleists came out. But yeah,

1349
00:54:30,560 --> 00:54:32,839
Speaker 5: that's it's a tender, loving care process.

1350
00:54:33,000 --> 00:54:35,799
Speaker 3: Who's a who's hominge from a rage against the machine.

1351
00:54:37,080 --> 00:54:39,560
Speaker 4: Lead singer. I gotta talk to him about the white locks.

1352
00:54:39,800 --> 00:54:41,120
Speaker 4: See how long it takes to get him up?

1353
00:54:41,880 --> 00:54:44,319
Speaker 5: No, your hair will crumble. White people are not even

1354
00:54:44,320 --> 00:54:45,399
Speaker 5: supposed to have locks your hair.

1355
00:54:45,320 --> 00:54:48,919
Speaker 4: Will fuck You don't remember my man from a Rage

1356
00:54:48,960 --> 00:54:52,799
Speaker 4: against He had the dirty white locks, Zach de la Roche.

1357
00:54:55,400 --> 00:54:57,640
Speaker 4: He he coined the dirty white dreads.

1358
00:54:58,440 --> 00:54:59,080
Speaker 1: Is he white?

1359
00:54:59,560 --> 00:55:02,759
Speaker 3: He looked Irasia, Oh, I don't know that.

1360
00:55:02,760 --> 00:55:04,760
Speaker 1: Ain't a white man, Rory, look at you trying.

1361
00:55:04,640 --> 00:55:05,680
Speaker 3: To take him white.

1362
00:55:05,680 --> 00:55:07,360
Speaker 4: They used to call they used to coin his dirty

1363
00:55:07,360 --> 00:55:09,560
Speaker 4: white locks like that was a thing when we were

1364
00:55:09,640 --> 00:55:11,799
Speaker 4: kid called him dirty white locks. That is not a

1365
00:55:11,800 --> 00:55:13,880
Speaker 4: white man in this Okay, Well then everyone called him

1366
00:55:13,880 --> 00:55:16,799
Speaker 4: white and his locks ain't dirty. All right, I'm not

1367
00:55:16,880 --> 00:55:18,480
Speaker 4: making this up. That was a thing.

1368
00:55:19,160 --> 00:55:19,880
Speaker 3: You being racist.

1369
00:55:20,200 --> 00:55:20,920
Speaker 1: You be a racist.

1370
00:55:21,040 --> 00:55:23,800
Speaker 5: His name is Zach de la Rosa. I don't I

1371
00:55:23,800 --> 00:55:25,520
Speaker 5: don't see if him being white.

1372
00:55:26,120 --> 00:55:28,400
Speaker 3: Yeah, he's not a way. Okay.

1373
00:55:28,520 --> 00:55:31,799
Speaker 4: Everyone in the comments, please remind them that everyone called

1374
00:55:31,800 --> 00:55:33,080
Speaker 4: the lead singer of Rage Against the.

1375
00:55:33,400 --> 00:55:36,200
Speaker 3: Everyone in the comments, please remind Rory that he's racist. Yo,

1376
00:55:36,760 --> 00:55:39,160
Speaker 3: you don't need to do that. He'll be there there.

1377
00:55:39,280 --> 00:55:39,440
Speaker 6: Oh.

1378
00:55:39,480 --> 00:55:43,960
Speaker 3: Look, he's Mexican American, Mexican, African, Jewish, German, Irish.

1379
00:55:44,840 --> 00:55:48,800
Speaker 2: I'm not gonna read the first Mexican African, Safari, Jewish,

1380
00:55:48,880 --> 00:55:50,040
Speaker 2: German and Irish.

1381
00:55:49,800 --> 00:55:55,400
Speaker 5: Roots yeah, okay, Yeah, So he's Mexican, there's white Mexicans.

1382
00:55:56,120 --> 00:55:59,240
Speaker 3: That is true, but it's also says African, there's white Africans.

1383
00:55:59,280 --> 00:56:02,279
Speaker 3: Do well, everyone constrom Africa. Come on, remember that?

1384
00:56:02,920 --> 00:56:03,359
Speaker 1: Remember that?

1385
00:56:05,800 --> 00:56:09,880
Speaker 5: How did you feel about the Conway uh first freestyle?

1386
00:56:11,120 --> 00:56:15,759
Speaker 2: Want to make them pay? Shout out to my god,

1387
00:56:15,840 --> 00:56:17,160
Speaker 2: Conway man, that's that's my nigga.

1388
00:56:17,239 --> 00:56:17,439
Speaker 6: Man.

1389
00:56:18,120 --> 00:56:21,160
Speaker 2: I always love when I hear con drop some music,

1390
00:56:21,840 --> 00:56:24,040
Speaker 2: But for some of the things he said, and I

1391
00:56:24,080 --> 00:56:28,520
Speaker 2: was like, ah, it was a little disheartening and a

1392
00:56:28,560 --> 00:56:34,279
Speaker 2: little like you know what specifically, I mean something that

1393
00:56:34,320 --> 00:56:36,879
Speaker 2: I knew for a while but I just never spoke

1394
00:56:36,920 --> 00:56:42,720
Speaker 2: about it publicly. Was the one of the main reasons

1395
00:56:42,760 --> 00:56:45,800
Speaker 2: why it was kind of like a I guess a

1396
00:56:45,920 --> 00:56:50,319
Speaker 2: splitting Griselda is because Gun Westside Gun didn't want to

1397
00:56:50,680 --> 00:56:57,920
Speaker 2: uh give Benny and Conway uh five percent of Griselda,

1398
00:56:58,239 --> 00:57:01,040
Speaker 2: so ten percent and let them split temper, which is

1399
00:57:01,080 --> 00:57:06,320
Speaker 2: something that jay Z had had kind of like suggested

1400
00:57:07,160 --> 00:57:10,800
Speaker 2: in a meeting with them, and Gun said no, he

1401
00:57:10,840 --> 00:57:14,200
Speaker 2: didn't want to do that, which to me was shocking.

1402
00:57:14,239 --> 00:57:17,600
Speaker 2: When I first heard about that, I was like, We're like, now,

1403
00:57:17,640 --> 00:57:20,840
Speaker 2: don't get a twisted gun you know, he he definitely

1404
00:57:20,920 --> 00:57:23,560
Speaker 2: curated the whole Griselda thing. He got it lit, got

1405
00:57:23,560 --> 00:57:27,040
Speaker 2: it popping. But Griselda is not Griselda without the three

1406
00:57:27,040 --> 00:57:27,320
Speaker 2: of them.

1407
00:57:27,840 --> 00:57:28,320
Speaker 6: I agree.

1408
00:57:29,640 --> 00:57:33,320
Speaker 2: So when you say ten percent and we're family for real,

1409
00:57:33,440 --> 00:57:39,160
Speaker 2: like brothers and cousin like, that was a little shocking.

1410
00:57:39,840 --> 00:57:42,760
Speaker 2: And I never spoke on it because obviously that's something

1411
00:57:42,760 --> 00:57:45,400
Speaker 2: that I guess, you know, they didn't want to be

1412
00:57:45,640 --> 00:57:48,640
Speaker 2: public knowledge, so I wasn't going to be the person.

1413
00:57:48,360 --> 00:57:49,800
Speaker 3: To speak about that.

1414
00:57:52,080 --> 00:57:56,200
Speaker 2: But Conway, obviously, you know, put it out there on

1415
00:57:56,240 --> 00:58:00,160
Speaker 2: this freestyle and yeah, so that was something that when

1416
00:58:00,160 --> 00:58:01,520
Speaker 2: I first heard about that, I was kind of.

1417
00:58:01,440 --> 00:58:04,440
Speaker 3: Like, damn, you know, that's a little a little fucked up.

1418
00:58:04,680 --> 00:58:09,200
Speaker 2: But you know, I'm hearing that they've had conversations and

1419
00:58:09,880 --> 00:58:12,120
Speaker 2: are working through things and in a better and a

1420
00:58:12,160 --> 00:58:15,240
Speaker 2: better place right now than they were a while ago,

1421
00:58:15,560 --> 00:58:18,439
Speaker 2: So hopefully they get that right. And then Conway talking

1422
00:58:18,480 --> 00:58:20,840
Speaker 2: about his split with my god Chad, it was managing him.

1423
00:58:23,080 --> 00:58:23,320
Speaker 3: You know.

1424
00:58:23,640 --> 00:58:25,720
Speaker 2: I spoke to Chad a couple of months ago, and

1425
00:58:25,760 --> 00:58:28,080
Speaker 2: he a couple of weeks ago, and he let me

1426
00:58:28,120 --> 00:58:30,000
Speaker 2: know that, you know, him and KHN was was going

1427
00:58:30,040 --> 00:58:30,880
Speaker 2: separate ways.

1428
00:58:31,560 --> 00:58:33,920
Speaker 3: You know, didn't really get into the wise or whatever.

1429
00:58:34,000 --> 00:58:36,640
Speaker 2: It was, just you know, let me know that you know,

1430
00:58:36,680 --> 00:58:39,480
Speaker 2: he wasn't gonna really be around anymore, but you know,

1431
00:58:39,560 --> 00:58:42,120
Speaker 2: want to remain in touch and things like that.

1432
00:58:42,200 --> 00:58:44,520
Speaker 3: I I haven't spoken to Conway yet. I'm gonna call

1433
00:58:44,600 --> 00:58:45,760
Speaker 3: him so we could chop it up.

1434
00:58:46,160 --> 00:58:49,480
Speaker 4: And again that's that's their business. But shout out to Chad,

1435
00:58:49,920 --> 00:58:53,880
Speaker 4: love chat. Whatever they do, that's good to me, not

1436
00:58:53,960 --> 00:58:54,560
Speaker 4: our business.

1437
00:58:55,040 --> 00:58:58,640
Speaker 2: Conway said what he said obviously in regards to the situation,

1438
00:59:00,920 --> 00:59:03,880
Speaker 2: and I've had, you know, a personal conversation with Chad

1439
00:59:03,920 --> 00:59:06,479
Speaker 2: and that will remain personal as well.

1440
00:59:06,520 --> 00:59:10,000
Speaker 3: But same, you know, things happen, man.

1441
00:59:10,040 --> 00:59:12,960
Speaker 2: You know, things sometimes go go sour, go a different

1442
00:59:13,000 --> 00:59:17,600
Speaker 2: way for whatever reason, you know. But change is not

1443
00:59:17,640 --> 00:59:21,240
Speaker 2: always a negative thing. Change can be great for both

1444
00:59:21,280 --> 00:59:23,760
Speaker 2: both sides. Obviously we know a little something about that, Rory.

1445
00:59:24,480 --> 00:59:24,760
Speaker 3: Yeah.

1446
00:59:24,840 --> 00:59:27,720
Speaker 4: And I mean if Knway and Benny were asking for

1447
00:59:27,760 --> 00:59:31,320
Speaker 4: like thirty three percent, I'd be like, you can understand that,

1448
00:59:31,400 --> 00:59:34,200
Speaker 4: Like Wes does he put up a lot of money,

1449
00:59:34,280 --> 00:59:36,640
Speaker 4: like yeah, but a lot of structure comes from that.

1450
00:59:37,000 --> 00:59:40,640
Speaker 4: But if he's splitting five and five dog like yeah.

1451
00:59:40,520 --> 00:59:42,400
Speaker 2: And this is coming from Jay Z's mouth, like, Yo,

1452
00:59:42,440 --> 00:59:45,760
Speaker 2: why don't you just give them ten percent? Let them

1453
00:59:45,800 --> 00:59:48,960
Speaker 2: split ten we do the deal, you know what I mean?

1454
00:59:49,040 --> 00:59:52,240
Speaker 2: Like and weep, keep rocking, and.

1455
00:59:51,640 --> 00:59:55,440
Speaker 4: And I know we we've talked about people's actual business

1456
00:59:55,480 --> 00:59:58,120
Speaker 4: before and this and that, but I mean, I would

1457
00:59:58,200 --> 01:00:00,680
Speaker 4: like to hear west Side because I do sometimes get

1458
01:00:00,760 --> 01:00:04,640
Speaker 4: uncomfortable talking about this because we don't know all the

1459
01:00:04,680 --> 01:00:07,720
Speaker 4: details with everything, because I've even seen it happen with

1460
01:00:08,920 --> 01:00:12,600
Speaker 4: you and I where people are misinformed naturally because they

1461
01:00:12,600 --> 01:00:15,560
Speaker 4: don't have all the details of everything and looked at

1462
01:00:15,600 --> 01:00:17,880
Speaker 4: you and I like we were fucking crazy, and then

1463
01:00:17,880 --> 01:00:20,280
Speaker 4: they got the details and was like, oh no, they're

1464
01:00:20,280 --> 01:00:25,160
Speaker 4: not nuts. So I don't know what those conversations we're

1465
01:00:25,160 --> 01:00:28,240
Speaker 4: here in conwayside, And I'm not calling Conway a liar whatsoever,

1466
01:00:29,040 --> 01:00:29,800
Speaker 4: but I like.

1467
01:00:30,000 --> 01:00:32,680
Speaker 2: What Conways saying is what it is. Okay, there's no

1468
01:00:33,440 --> 01:00:36,800
Speaker 2: this isn't coming from somebody that wasn't there, that wasn't

1469
01:00:36,840 --> 01:00:38,880
Speaker 2: a part of it. This is somebody that is directly

1470
01:00:38,920 --> 01:00:39,400
Speaker 2: involved in it.

1471
01:00:39,520 --> 01:00:40,680
Speaker 4: No, sure, I gotta get that.

1472
01:00:40,800 --> 01:00:42,880
Speaker 2: This is basically the horse's mouth, you know what I'm saying, Like,

1473
01:00:42,960 --> 01:00:46,600
Speaker 2: it's not coming from a blogger or somebody that may

1474
01:00:46,600 --> 01:00:49,280
Speaker 2: have heard like this is Conway saying the reason why

1475
01:00:49,320 --> 01:00:51,680
Speaker 2: I never spoke on it, and I knew about this

1476
01:00:51,720 --> 01:00:54,840
Speaker 2: for a while, but I did. I wasn't bringing that

1477
01:00:54,920 --> 01:00:57,720
Speaker 2: to the forefront and putting that, you know, out there

1478
01:00:57,760 --> 01:00:59,640
Speaker 2: like that until Yeah, it wasn't. It's not my place

1479
01:00:59,640 --> 01:01:01,000
Speaker 2: to do that, you know what I'm saying. But since

1480
01:01:01,080 --> 01:01:04,800
Speaker 2: Conway put it out there in a verse, here we

1481
01:01:04,840 --> 01:01:05,560
Speaker 2: are talking.

1482
01:01:05,360 --> 01:01:06,240
Speaker 3: About it, you know what I mean.

1483
01:01:06,320 --> 01:01:10,040
Speaker 2: And you know, but again I'm hearing that they've had conversations,

1484
01:01:10,040 --> 01:01:12,520
Speaker 2: and you know, Benny was just here. I told him,

1485
01:01:12,520 --> 01:01:14,040
Speaker 2: I said, yeah, I know, I know this talks and

1486
01:01:14,080 --> 01:01:16,880
Speaker 2: things like that. So hopefully they're in a better place

1487
01:01:16,960 --> 01:01:20,600
Speaker 2: and you know, getting back closer to the Griselda thing,

1488
01:01:20,680 --> 01:01:24,240
Speaker 2: because you know, Griselda is a lot stronger when.

1489
01:01:24,120 --> 01:01:26,040
Speaker 3: All three of those guys are collectively working.

1490
01:01:26,400 --> 01:01:30,520
Speaker 2: When you let West curate the movement and let him

1491
01:01:30,560 --> 01:01:34,160
Speaker 2: curate the music, I think it's undeniable. Like we've seen it,

1492
01:01:34,200 --> 01:01:35,600
Speaker 2: you know what I mean, So we can speak to that,

1493
01:01:36,200 --> 01:01:38,400
Speaker 2: and it's something I think is missing too.

1494
01:01:39,080 --> 01:01:42,440
Speaker 4: Yeah, and I know if they get back together, the

1495
01:01:42,560 --> 01:01:44,600
Speaker 4: natural thought would be, all right, we need the Darringer

1496
01:01:45,040 --> 01:01:49,480
Speaker 4: and Alchemist's executive produced Griselda album, which I agree with,

1497
01:01:49,560 --> 01:01:52,360
Speaker 4: But I would like the version of Griselda that Jay

1498
01:01:52,400 --> 01:01:55,640
Speaker 4: David Black album. I want you all to go to

1499
01:01:55,800 --> 01:01:58,800
Speaker 4: just I want you to go to Swizz. I want

1500
01:01:58,840 --> 01:02:03,000
Speaker 4: you to do Griselda album with some big producers. The

1501
01:02:03,400 --> 01:02:06,040
Speaker 4: core of it should be Darringer, no matter what dangers

1502
01:02:06,080 --> 01:02:09,560
Speaker 4: that got like he helped create that entire Griselda sound,

1503
01:02:09,920 --> 01:02:13,080
Speaker 4: and then obviously Alisau. Yeah, but I want to hear

1504
01:02:13,320 --> 01:02:16,520
Speaker 4: the three of them get their actual shot with some

1505
01:02:16,560 --> 01:02:21,000
Speaker 4: of the bigger producers. As a fan, I feel like

1506
01:02:21,080 --> 01:02:23,480
Speaker 4: hip hop is kind of old. The twelve track Griselda

1507
01:02:23,480 --> 01:02:28,280
Speaker 4: album that so no features either unless it's over nos.

1508
01:02:28,320 --> 01:02:30,440
Speaker 4: I don't want to hear just the three of them

1509
01:02:31,680 --> 01:02:35,120
Speaker 4: unless it's over nas, I don't care. Or three stacks

1510
01:02:36,160 --> 01:02:38,640
Speaker 4: that would be maybe the only other one I would think.

1511
01:02:40,400 --> 01:02:42,280
Speaker 3: I'm mad at that, but it needs to happen.

1512
01:02:43,640 --> 01:02:48,920
Speaker 4: We Chelsea, We're gonna take a quick quick break. Speaking

1513
01:02:48,960 --> 01:02:51,240
Speaker 4: of producers, this is also a producer I would like

1514
01:02:51,240 --> 01:02:54,840
Speaker 4: to hear on that fucking Griselda project. We have the legendary,

1515
01:02:55,040 --> 01:02:59,640
Speaker 4: legendary Bink about to join us and get into some shit.

1516
01:03:00,160 --> 01:03:01,320
Speaker 3: We will see you after the break.

1517
01:03:05,080 --> 01:03:07,520
Speaker 4: Today's show is brought to you by our presenting sponsor,

1518
01:03:07,640 --> 01:03:08,439
Speaker 4: hard Rock Bet.

1519
01:03:08,480 --> 01:03:09,720
Speaker 3: Moll. You know that's Florida Sabole.

1520
01:03:12,160 --> 01:03:18,440
Speaker 4: There here. Sure the pressure, the pressure. I feel like

1521
01:03:18,440 --> 01:03:20,720
Speaker 4: the pressure's on me as a fan, as a New Yorker.

1522
01:03:21,200 --> 01:03:22,160
Speaker 4: It's not even on Brunson.

1523
01:03:22,360 --> 01:03:22,640
Speaker 3: It's me.

1524
01:03:22,680 --> 01:03:24,280
Speaker 4: I have to show up for my gun you carried away.

1525
01:03:25,440 --> 01:03:29,840
Speaker 4: Every every possession can define a legacy. I am nervous,

1526
01:03:29,880 --> 01:03:32,240
Speaker 4: but I'm still betting on my guys. No matter what

1527
01:03:33,000 --> 01:03:35,480
Speaker 4: I do. Think New York will end this drought that

1528
01:03:35,480 --> 01:03:36,640
Speaker 4: we've been going through forever.

1529
01:03:37,640 --> 01:03:38,400
Speaker 3: And we may start.

1530
01:03:38,440 --> 01:03:40,040
Speaker 4: We may start dynasty run, who knows.

1531
01:03:40,800 --> 01:03:42,240
Speaker 3: You see multiple? You see multiple.

1532
01:03:42,400 --> 01:03:44,600
Speaker 4: I think what the Spurs did before is what we

1533
01:03:44,680 --> 01:03:46,800
Speaker 4: about to do. It's just ironic that the Spurs came

1534
01:03:46,840 --> 01:03:49,160
Speaker 4: up here now got you. However, you see it play out,

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1544
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1548
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1549
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1550
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1551
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1552
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1553
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1555
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1556
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1557
01:04:56,160 --> 01:04:59,000
Speaker 4: And we're back. And we are back with one of

1558
01:04:59,000 --> 01:05:03,160
Speaker 4: my favorite producer of all time. Not only that the

1559
01:05:03,160 --> 01:05:05,640
Speaker 4: creator of one of my favorite sounds of all time

1560
01:05:05,880 --> 01:05:09,520
Speaker 4: as well. We are joined by the legendary Bank. Welcome

1561
01:05:09,560 --> 01:05:10,040
Speaker 4: to the show.

1562
01:05:10,160 --> 01:05:14,720
Speaker 3: The Humble Monster. Appreciate you joining us.

1563
01:05:14,760 --> 01:05:19,000
Speaker 4: What's up man, man with the guy perfect perfect timing, man, Yeah,

1564
01:05:19,360 --> 01:05:21,680
Speaker 4: perfect time for you to come to You're in New York, now,

1565
01:05:21,680 --> 01:05:22,200
Speaker 4: it's perfect.

1566
01:05:22,600 --> 01:05:23,720
Speaker 3: This is this is great.

1567
01:05:23,760 --> 01:05:25,880
Speaker 2: When Rory Tommy Bink was coming through, I was like, oh,

1568
01:05:25,960 --> 01:05:28,240
Speaker 2: ship being doing running around?

1569
01:05:28,440 --> 01:05:29,680
Speaker 6: Man, get to it.

1570
01:05:29,800 --> 01:05:33,920
Speaker 2: Yeah, Man, working a little bit, I don't say a

1571
01:05:33,920 --> 01:05:36,120
Speaker 2: little see bing canna say a little bit and then

1572
01:05:36,160 --> 01:05:39,560
Speaker 2: a fucking smasher drop. The next month he had a

1573
01:05:39,600 --> 01:05:41,520
Speaker 2: number one song to just a little bit of work.

1574
01:05:41,520 --> 01:05:42,560
Speaker 3: I'm working a little bit.

1575
01:05:42,600 --> 01:05:44,760
Speaker 6: I mean no, actually the easy stuff just drops.

1576
01:05:44,840 --> 01:05:49,000
Speaker 4: Yeah. The salute to that, salute to that yeah called

1577
01:05:49,000 --> 01:05:50,880
Speaker 4: fresh world up. Yeah.

1578
01:05:51,040 --> 01:05:53,320
Speaker 2: Now, for people that don't know you, Bank, you've worked

1579
01:05:54,120 --> 01:05:58,000
Speaker 2: with everybody from Teddy Riley Black Street all the way.

1580
01:05:57,880 --> 01:06:01,240
Speaker 3: To jay Z and set An Know to Maya.

1581
01:06:01,440 --> 01:06:05,440
Speaker 2: You've worked with a little bit of everybody, and your

1582
01:06:05,520 --> 01:06:08,520
Speaker 2: year is an experience in music and in the industry

1583
01:06:08,680 --> 01:06:13,640
Speaker 2: and dealing with artists today. Twenty twenty six, How how

1584
01:06:13,640 --> 01:06:16,400
Speaker 2: does Bank feel about the state the current state of

1585
01:06:17,160 --> 01:06:18,720
Speaker 2: music in the music business?

1586
01:06:18,880 --> 01:06:20,400
Speaker 6: Horrible, horrible.

1587
01:06:24,240 --> 01:06:27,000
Speaker 8: I just don't meet a lot of kids just actually

1588
01:06:27,040 --> 01:06:32,040
Speaker 8: trying to innovate Okay. Everybody is content with recycling, yeah,

1589
01:06:32,360 --> 01:06:37,040
Speaker 8: or redoing something that they love before, so they staying

1590
01:06:37,080 --> 01:06:37,600
Speaker 8: right there.

1591
01:06:38,280 --> 01:06:39,200
Speaker 6: That's the problem with me.

1592
01:06:39,920 --> 01:06:41,520
Speaker 8: Like nobody's in the house, like ya, I'm fit to

1593
01:06:41,560 --> 01:06:44,000
Speaker 8: fuck these niggas up, like some shit ain't nobody ever

1594
01:06:44,000 --> 01:06:46,000
Speaker 8: heard of? I just found some records from Japan, Like

1595
01:06:46,480 --> 01:06:47,440
Speaker 8: nobody's on that page.

1596
01:06:47,440 --> 01:06:47,760
Speaker 6: No more.

1597
01:06:48,120 --> 01:06:50,200
Speaker 8: It's just everybody like, what's the vibe? Well, that's the vibe,

1598
01:06:50,240 --> 01:06:54,360
Speaker 8: that's what we're on. What's we're doing. That's the temperature now,

1599
01:06:54,400 --> 01:06:56,320
Speaker 8: Like it's nobody's really trying to be over here.

1600
01:06:56,920 --> 01:06:58,920
Speaker 4: There's kids that are doing that. I just don't like

1601
01:06:58,960 --> 01:07:03,920
Speaker 4: their innovation, Like I do think that the Playboy Cardi

1602
01:07:03,960 --> 01:07:06,960
Speaker 4: and his kids and that genre is trying to do that.

1603
01:07:07,040 --> 01:07:08,480
Speaker 3: I just don't like it.

1604
01:07:08,560 --> 01:07:10,920
Speaker 4: So like innovation is happening, right, I just don't know

1605
01:07:11,160 --> 01:07:11,520
Speaker 4: it's good.

1606
01:07:11,760 --> 01:07:14,320
Speaker 8: Most people didn't like barmbs with a bag dad, Well

1607
01:07:14,360 --> 01:07:17,720
Speaker 8: they're stupid, right, But it's ever a time that I

1608
01:07:17,760 --> 01:07:19,959
Speaker 8: was like this is whack. Right, Well, I'm just saying

1609
01:07:20,200 --> 01:07:24,120
Speaker 8: you can't an r or Missy Elliot facts. You can't. Ye,

1610
01:07:24,400 --> 01:07:26,760
Speaker 8: You're just gonna what other records. Give me the records

1611
01:07:26,800 --> 01:07:29,120
Speaker 8: and we're just gonna push it, Yeah, because you can't,

1612
01:07:29,120 --> 01:07:31,200
Speaker 8: you know what I mean. So it's like, there's nothing

1613
01:07:31,240 --> 01:07:35,760
Speaker 8: wrong with that. Not fitting in sounded like something totally different.

1614
01:07:35,840 --> 01:07:39,200
Speaker 3: That used to be the thing a reward.

1615
01:07:39,320 --> 01:07:41,680
Speaker 2: Not fitting in and being totally different and not sounded

1616
01:07:41,720 --> 01:07:44,040
Speaker 2: like it used to be bad if you sounded like somebody.

1617
01:07:43,800 --> 01:07:46,480
Speaker 8: Else that part called out for Now people are engauging

1618
01:07:46,520 --> 01:07:47,800
Speaker 8: where they are according to.

1619
01:07:47,720 --> 01:07:48,800
Speaker 6: How much they sound like.

1620
01:07:49,440 --> 01:07:49,840
Speaker 4: That's the fact.

1621
01:07:49,920 --> 01:07:51,240
Speaker 6: Yeah, so that's the problem.

1622
01:07:51,320 --> 01:07:51,840
Speaker 3: Yeah.

1623
01:07:51,960 --> 01:07:54,880
Speaker 4: So when you say nobody can really A and R Missy,

1624
01:07:55,120 --> 01:07:58,400
Speaker 4: you've worked with Missy multiple times, what is the process

1625
01:07:58,440 --> 01:08:00,320
Speaker 4: even like working with someone like that.

1626
01:08:02,680 --> 01:08:05,160
Speaker 6: Missy ultimately is a producer.

1627
01:08:05,520 --> 01:08:06,320
Speaker 3: Yeah. Absolutely.

1628
01:08:06,640 --> 01:08:08,600
Speaker 8: She knows what she wants, she knows how she wanted

1629
01:08:08,640 --> 01:08:10,520
Speaker 8: to go, and if you bring her something, she's just

1630
01:08:10,600 --> 01:08:13,560
Speaker 8: her vision for it is like she's vivid. Take the

1631
01:08:13,560 --> 01:08:16,000
Speaker 8: biggs out right there, drop the drums like she's that.

1632
01:08:16,280 --> 01:08:18,840
Speaker 6: Yes, you know what I'm saying. So most people aren't that.

1633
01:08:19,600 --> 01:08:23,720
Speaker 8: So, but the way Missy creates she allows whatever the

1634
01:08:23,840 --> 01:08:26,479
Speaker 8: music is doing to take her wherever she's gonna go,

1635
01:08:27,600 --> 01:08:29,639
Speaker 8: like get your freak ons, like come on, like we'll.

1636
01:08:29,520 --> 01:08:32,040
Speaker 6: Be talking about feel me. But she locked right in

1637
01:08:32,040 --> 01:08:34,120
Speaker 6: with that beat, just locked right in.

1638
01:08:34,680 --> 01:08:36,880
Speaker 8: So Her and Buster and people like that, like they

1639
01:08:37,040 --> 01:08:40,519
Speaker 8: just great Luda, they greated doing things like that. That's

1640
01:08:40,520 --> 01:08:43,599
Speaker 8: what I just miss people wanting to be like, you

1641
01:08:43,600 --> 01:08:45,439
Speaker 8: know what, I don't want to sound like Bossman D.

1642
01:08:45,840 --> 01:08:48,479
Speaker 8: I don't want to sound like Glorilla. And now everybody's

1643
01:08:48,520 --> 01:08:50,559
Speaker 8: like every A And I now was like, oh, yeah,

1644
01:08:50,560 --> 01:08:53,519
Speaker 8: you're gonna be Glorilla, You're gonna be the You see

1645
01:08:53,520 --> 01:08:53,960
Speaker 8: what I'm saying.

1646
01:08:54,040 --> 01:08:56,040
Speaker 6: It's like, bro, like what are we doing? Like I

1647
01:08:56,040 --> 01:08:58,160
Speaker 6: can't even tell who's singing what?

1648
01:08:58,240 --> 01:08:58,639
Speaker 3: No more?

1649
01:08:59,479 --> 01:09:01,120
Speaker 8: You know what I'm saying, Like it's this this song

1650
01:09:01,200 --> 01:09:03,040
Speaker 8: sounds good, but everybody sounds like Colne to me.

1651
01:09:03,800 --> 01:09:05,880
Speaker 3: Yeah, you know what I'm saying.

1652
01:09:06,000 --> 01:09:08,679
Speaker 4: Yeah, I mean, so what do you think that outside

1653
01:09:08,680 --> 01:09:12,360
Speaker 4: of the obvious talent difference? But NVA, when Teddy Riley

1654
01:09:12,400 --> 01:09:18,080
Speaker 4: was down there, when it was you Pharrell, not Missy Timberland,

1655
01:09:18,160 --> 01:09:20,680
Speaker 4: like all of you guys in the same area, a

1656
01:09:20,720 --> 01:09:22,400
Speaker 4: small area at that. It's not like you guys were

1657
01:09:22,439 --> 01:09:25,400
Speaker 4: in New York City or LA where it's so spread out.

1658
01:09:25,600 --> 01:09:28,880
Speaker 4: It's a very small area. How did you guys deal

1659
01:09:28,920 --> 01:09:31,680
Speaker 4: with that and not sounding like each other, especially with

1660
01:09:31,880 --> 01:09:34,160
Speaker 4: Teddy kind of leading that whole crew.

1661
01:09:34,920 --> 01:09:39,320
Speaker 8: Virginia is very similar to Cali, meaning most people you

1662
01:09:39,360 --> 01:09:42,280
Speaker 8: mean it Cali ain't from Cali. They want you know

1663
01:09:42,280 --> 01:09:47,560
Speaker 8: what I'm saying, everybody, So Virginia will military base place, So.

1664
01:09:47,400 --> 01:09:49,560
Speaker 4: The whole bush of malices from the Bronx.

1665
01:09:49,400 --> 01:09:50,040
Speaker 6: You know what I'm saying.

1666
01:09:50,040 --> 01:09:51,600
Speaker 8: So it's like all these people come from all these

1667
01:09:51,640 --> 01:09:54,200
Speaker 8: different places, So the influence is coming from a lot

1668
01:09:54,240 --> 01:10:02,080
Speaker 8: of different places. But my story is timbling and Missy

1669
01:10:02,320 --> 01:10:05,160
Speaker 8: and Mad Skills were the first to make it out

1670
01:10:05,200 --> 01:10:08,680
Speaker 8: of Virginia right shout out the Skills. And there was

1671
01:10:08,720 --> 01:10:13,720
Speaker 8: another group called yag Fuu Front that came out way back.

1672
01:10:13,720 --> 01:10:15,200
Speaker 8: I forgot name of the record, but they were like

1673
01:10:15,240 --> 01:10:17,800
Speaker 8: the first people I've seen from Virginia. But a lot

1674
01:10:17,800 --> 01:10:19,240
Speaker 8: of people don't know if you go back and listen

1675
01:10:19,280 --> 01:10:24,599
Speaker 8: to Matt Diary, but Mad Band, Jodensya, you're here, Missy

1676
01:10:24,640 --> 01:10:27,040
Speaker 8: all in the inter lose in like she's righting all

1677
01:10:27,040 --> 01:10:29,439
Speaker 8: through that programming drums through the whole album.

1678
01:10:29,479 --> 01:10:31,720
Speaker 3: So people don't bring up Davante when it comes to

1679
01:10:31,760 --> 01:10:33,400
Speaker 3: that whole that sound.

1680
01:10:33,800 --> 01:10:37,040
Speaker 8: Davante was kind of like a spin off of a Teddy,

1681
01:10:37,320 --> 01:10:39,120
Speaker 8: you know what I mean, Like the influence was Teddy

1682
01:10:39,160 --> 01:10:41,680
Speaker 8: for sure, but he came with the church courts, you

1683
01:10:41,720 --> 01:10:44,599
Speaker 8: know what I'm saying, with that real soulful churchy vibe and.

1684
01:10:45,120 --> 01:10:48,799
Speaker 6: Just took the spouse that part me watching.

1685
01:10:50,120 --> 01:10:50,320
Speaker 3: Uh.

1686
01:10:50,439 --> 01:10:54,120
Speaker 8: Missy, she's in a group called Fhazy at the time,

1687
01:10:54,800 --> 01:10:58,640
Speaker 8: and Davante came and snatched them up Timblin and uh

1688
01:10:58,760 --> 01:11:02,639
Speaker 8: and Missy took them to Buffalo. So once I knew

1689
01:11:02,640 --> 01:11:04,840
Speaker 8: they went with Davante, Like keep in mind, Jodyessy wasn't

1690
01:11:04,880 --> 01:11:08,760
Speaker 8: Jodasy yet like that that crazy, But yeah, when they

1691
01:11:08,840 --> 01:11:11,479
Speaker 8: came out, it was just like damn okay, some people

1692
01:11:11,479 --> 01:11:14,280
Speaker 8: from Pe time, because Portsmen was like ten fifteen minutes

1693
01:11:14,320 --> 01:11:16,439
Speaker 8: from Norfolk, you know what I'm saying. Me and Knots

1694
01:11:16,479 --> 01:11:19,559
Speaker 8: grew up five minutes apart, but we're a lot. I'm

1695
01:11:19,560 --> 01:11:21,560
Speaker 8: like five six years older than him. I went to

1696
01:11:21,560 --> 01:11:23,840
Speaker 8: school with his brothers, okay brothers and stuff, so we

1697
01:11:23,960 --> 01:11:27,200
Speaker 8: all within the same proximity. But you got understand that

1698
01:11:27,320 --> 01:11:31,479
Speaker 8: era of music, you can get shatter or punching your

1699
01:11:31,479 --> 01:11:33,840
Speaker 8: face for copying somebody's shit. Like you couldn't even ask

1700
01:11:33,880 --> 01:11:37,719
Speaker 8: a producery, what's that sample, Like that's like, fuck.

1701
01:11:37,600 --> 01:11:38,080
Speaker 3: You mean.

1702
01:11:40,520 --> 01:11:42,479
Speaker 6: That they would turn the beat off? Like what you mean?

1703
01:11:44,080 --> 01:11:44,280
Speaker 3: Right?

1704
01:11:45,200 --> 01:11:49,120
Speaker 8: Because it's a sample. I can't own somebody else's music.

1705
01:11:49,160 --> 01:11:50,559
Speaker 8: So if you want to go find this sample and

1706
01:11:50,560 --> 01:11:53,400
Speaker 8: do it yourself, you can. I don't own this shit, right,

1707
01:11:53,840 --> 01:11:55,439
Speaker 8: You see what I'm saying. So when you digging, you

1708
01:11:55,479 --> 01:11:57,840
Speaker 8: don't really want nobody knowing when you digging that they

1709
01:11:57,840 --> 01:12:00,280
Speaker 8: can beat you to your own goddamn idea. Once come out,

1710
01:12:00,280 --> 01:12:02,120
Speaker 8: they can put into credits. It's fair game. They gonna

1711
01:12:02,160 --> 01:12:04,080
Speaker 8: see it. They're gonna go down the rabbit hole. Oh

1712
01:12:04,160 --> 01:12:06,720
Speaker 8: Curtis Mayfield, Oh damn, I ain't know he type shit,

1713
01:12:06,840 --> 01:12:09,400
Speaker 8: you know what I mean? But when you're in the grass

1714
01:12:09,479 --> 01:12:10,880
Speaker 8: roofs of it, you're like you're trying to keep that

1715
01:12:10,880 --> 01:12:13,240
Speaker 8: shit quiet, like I am.

1716
01:12:13,280 --> 01:12:15,320
Speaker 4: Anyway, where did that shift happen?

1717
01:12:15,400 --> 01:12:15,719
Speaker 3: You think?

1718
01:12:15,840 --> 01:12:17,400
Speaker 4: Like in Sessions, word became okay to.

1719
01:12:17,400 --> 01:12:20,920
Speaker 8: Ask bro, just just this generation. Bro, It's like it's

1720
01:12:20,960 --> 01:12:23,439
Speaker 8: too much coon by y'all. Shit, It's like everybody is

1721
01:12:23,479 --> 01:12:27,040
Speaker 8: so in a rush to show you their process. Now

1722
01:12:27,160 --> 01:12:29,680
Speaker 8: understanding that your process is your bar code. That's who

1723
01:12:29,760 --> 01:12:31,240
Speaker 8: you are, That's what makes you who you are. Like

1724
01:12:31,240 --> 01:12:33,240
Speaker 8: if you're going around to everybody how to do your podcast?

1725
01:12:33,280 --> 01:12:36,360
Speaker 8: Like your podcast? You know what I'm saying. Like I said,

1726
01:12:36,360 --> 01:12:38,240
Speaker 8: have you ever seen David Blaine show somebody how you

1727
01:12:38,280 --> 01:12:39,080
Speaker 8: cut somebody in half?

1728
01:12:39,640 --> 01:12:41,200
Speaker 6: Fuck? No, why would he?

1729
01:12:41,280 --> 01:12:41,439
Speaker 4: Now?

1730
01:12:41,479 --> 01:12:44,160
Speaker 6: He's not special. Now everybody know I do the shit, So.

1731
01:12:44,120 --> 01:12:47,960
Speaker 8: I gotta keep certain things to keep the mystique for

1732
01:12:48,080 --> 01:12:51,720
Speaker 8: what I created to myself so I can protect my longevity.

1733
01:12:51,760 --> 01:12:54,439
Speaker 8: And you know what I'm saying, this generation thing, he's

1734
01:12:54,479 --> 01:12:57,360
Speaker 8: supposed to share everything. It's like, no, that's the edge

1735
01:12:57,360 --> 01:12:59,559
Speaker 8: and business to have some information that the other company

1736
01:12:59,560 --> 01:13:02,599
Speaker 8: doesn't have to give you an edge, that's what it's about.

1737
01:13:02,600 --> 01:13:04,599
Speaker 6: You be like matter of fact, you ever heard about

1738
01:13:04,680 --> 01:13:07,240
Speaker 6: this new thing? Check this out? Like you're not gonna

1739
01:13:07,240 --> 01:13:08,000
Speaker 6: You're not gonna do that.

1740
01:13:08,120 --> 01:13:09,160
Speaker 3: Yeah, it's almost you.

1741
01:13:08,960 --> 01:13:11,479
Speaker 2: You're considered a weirdow if you're trying to be private

1742
01:13:11,520 --> 01:13:12,120
Speaker 2: these days.

1743
01:13:12,320 --> 01:13:16,040
Speaker 8: They don't understand what signature means or exclusivity.

1744
01:13:16,080 --> 01:13:16,760
Speaker 6: They don't get it.

1745
01:13:17,400 --> 01:13:20,320
Speaker 8: Everything is like Michael Wave, like they want to know

1746
01:13:20,400 --> 01:13:22,120
Speaker 8: something like if we're in the studio right now, we

1747
01:13:22,200 --> 01:13:23,880
Speaker 8: do a dope song, they want to put it on

1748
01:13:23,920 --> 01:13:25,839
Speaker 8: Instagram live right then, Yeah, which.

1749
01:13:25,640 --> 01:13:27,640
Speaker 4: Is crazy, it's nuts, but I mean, how do you

1750
01:13:27,640 --> 01:13:30,320
Speaker 4: bounce that with like when you collab with people like

1751
01:13:30,360 --> 01:13:33,519
Speaker 4: Teddy Riley, Stevie J. Or something like how do you

1752
01:13:33,600 --> 01:13:35,880
Speaker 4: hide the sauce but still collaborate with people?

1753
01:13:36,160 --> 01:13:40,200
Speaker 8: See, it's in that type of setting, bro, It's a

1754
01:13:40,320 --> 01:13:46,280
Speaker 8: real trade off, you know what I'm saying, Because Teddy

1755
01:13:46,360 --> 01:13:47,640
Speaker 8: and Stevie J.

1756
01:13:47,760 --> 01:13:51,920
Speaker 6: Are musicians, yeah, not just producers, Like they're a phenomenal

1757
01:13:51,960 --> 01:13:53,479
Speaker 6: musician like Stevie J.

1758
01:13:54,080 --> 01:13:58,479
Speaker 4: Every you know what I'm saying, prodigy, it's different.

1759
01:13:58,840 --> 01:14:02,840
Speaker 8: So it's like we are exchanging energy as far as music,

1760
01:14:02,880 --> 01:14:04,400
Speaker 8: Like I mean, come with a dual pass Sam and

1761
01:14:04,400 --> 01:14:06,519
Speaker 8: he'd be like, oh here the guitar, Oh yeah, And

1762
01:14:06,560 --> 01:14:06,920
Speaker 8: we just.

1763
01:14:06,880 --> 01:14:08,200
Speaker 6: Feed off each other. That's different.

1764
01:14:08,240 --> 01:14:10,439
Speaker 8: I don't need to be doing a record with for

1765
01:14:10,600 --> 01:14:13,559
Speaker 8: other producers, that's just sample Like what are you doing?

1766
01:14:13,800 --> 01:14:14,440
Speaker 3: Yeah?

1767
01:14:14,600 --> 01:14:15,080
Speaker 6: You feel me?

1768
01:14:15,120 --> 01:14:18,040
Speaker 8: So it's like that's why I'm cool with as long

1769
01:14:18,040 --> 01:14:19,760
Speaker 8: as I'm in the room with somebody that doesn't do

1770
01:14:19,800 --> 01:14:20,160
Speaker 8: what I do.

1771
01:14:20,280 --> 01:14:21,559
Speaker 6: We all compliment each other.

1772
01:14:22,400 --> 01:14:26,480
Speaker 3: Do you prefer to work like when you're building.

1773
01:14:28,080 --> 01:14:31,240
Speaker 2: A sound and a beat, do you prefer to be

1774
01:14:31,320 --> 01:14:33,800
Speaker 2: in a room by yourself or do you prefer to

1775
01:14:33,880 --> 01:14:37,240
Speaker 2: actually be in there with an artist that you're working

1776
01:14:37,280 --> 01:14:39,400
Speaker 2: with and throw ideas back and forth.

1777
01:14:39,600 --> 01:14:43,160
Speaker 8: It's both like, initially, I love to pick the brain

1778
01:14:43,240 --> 01:14:45,559
Speaker 8: of the artist so I can understand really where you're

1779
01:14:45,560 --> 01:14:46,960
Speaker 8: coming from. I don't want you to play with no

1780
01:14:47,040 --> 01:14:48,640
Speaker 8: records and say this is where I am, because I

1781
01:14:48,640 --> 01:14:49,280
Speaker 8: don't want to hear that.

1782
01:14:49,400 --> 01:14:51,160
Speaker 3: Yeah, you see what I'm saying.

1783
01:14:51,200 --> 01:14:52,680
Speaker 8: When most people want to hear it because they want

1784
01:14:52,680 --> 01:14:54,479
Speaker 8: to try to get you they just heard, I don't

1785
01:14:54,520 --> 01:14:56,840
Speaker 8: want nothing to do with that. I just want to

1786
01:14:56,880 --> 01:14:58,720
Speaker 8: make sure I know where you're trying to be as

1787
01:14:58,720 --> 01:15:01,880
Speaker 8: far as sonically, and and then I could temple wise

1788
01:15:01,920 --> 01:15:03,160
Speaker 8: and I pay attention to Temple.

1789
01:15:03,439 --> 01:15:04,639
Speaker 3: Okay.

1790
01:15:04,760 --> 01:15:07,240
Speaker 8: If anything, I listen to a artist, I'm like, okay,

1791
01:15:07,240 --> 01:15:09,280
Speaker 8: you know what he sounds great at, like eighty six

1792
01:15:09,560 --> 01:15:12,240
Speaker 8: beast permitted. Just listen to certain songs. Oh you know,

1793
01:15:12,360 --> 01:15:15,120
Speaker 8: he really caught his you know, his thing on one

1794
01:15:15,200 --> 01:15:16,960
Speaker 8: hundred beasts permitted. So it's like, you got to really

1795
01:15:17,000 --> 01:15:19,720
Speaker 8: study who you're working with so you don't come with

1796
01:15:20,000 --> 01:15:23,280
Speaker 8: something that they're not good at. It's a long, drawing

1797
01:15:23,320 --> 01:15:25,880
Speaker 8: out session because we're trying to figure it out, you

1798
01:15:25,920 --> 01:15:27,800
Speaker 8: know what I'm saying. So it's like knowing how to

1799
01:15:27,880 --> 01:15:30,800
Speaker 8: be creative without deviating from who they.

1800
01:15:30,760 --> 01:15:31,400
Speaker 6: Are too much.

1801
01:15:32,080 --> 01:15:33,599
Speaker 8: You know what I'm saying, Just getting them to try

1802
01:15:33,640 --> 01:15:37,559
Speaker 8: something within themselves. Yeah, but just pushing them a little bit.

1803
01:15:38,040 --> 01:15:38,439
Speaker 3: Not either.

1804
01:15:39,680 --> 01:15:45,400
Speaker 4: With the twenty fifth anniversary of Blueprint coming up in

1805
01:15:46,240 --> 01:15:50,400
Speaker 4: well the show in July, and you being kind of

1806
01:15:50,439 --> 01:15:55,040
Speaker 4: the source and nucleus of that sound and that album,

1807
01:15:55,760 --> 01:15:58,400
Speaker 4: what's your feelings of it being honored and coming into

1808
01:15:58,479 --> 01:16:00,360
Speaker 4: twenty five years.

1809
01:16:01,320 --> 01:16:03,479
Speaker 8: I mean, first of all, it's a blessing to even

1810
01:16:03,520 --> 01:16:07,800
Speaker 8: be still relevant twenty five years later, you know what

1811
01:16:07,800 --> 01:16:10,439
Speaker 8: I'm saying. That's what these kids don't get. Yeah, you've

1812
01:16:10,479 --> 01:16:12,519
Speaker 8: been getting a couple of checks for three years, but

1813
01:16:13,120 --> 01:16:16,240
Speaker 8: ill let me and tea you know what I'm saying

1814
01:16:16,560 --> 01:16:18,920
Speaker 8: where you at it? Like, I've seen a lot of

1815
01:16:18,920 --> 01:16:21,519
Speaker 8: people come and go in this game because they don't

1816
01:16:21,560 --> 01:16:24,200
Speaker 8: they feel like they can't figure out where the music

1817
01:16:24,280 --> 01:16:27,559
Speaker 8: is going. And the biggest rule to me in music

1818
01:16:27,640 --> 01:16:33,320
Speaker 8: is not the happening. Yeah, that's the biggest No. No,

1819
01:16:33,520 --> 01:16:37,200
Speaker 8: the biggest rule in music is don't happening because you

1820
01:16:37,240 --> 01:16:39,920
Speaker 8: put yourself in a box. You know what I'm saying, Oh,

1821
01:16:40,000 --> 01:16:41,800
Speaker 8: I got a sign and will have to be like this, No,

1822
01:16:42,760 --> 01:16:44,880
Speaker 8: like who forever didn't know he was gonna do grinding

1823
01:16:44,880 --> 01:16:45,200
Speaker 8: with nothing.

1824
01:16:45,280 --> 01:16:47,479
Speaker 6: It was just drums. He had no idea he was

1825
01:16:47,479 --> 01:16:50,760
Speaker 6: gonna do that. Butt it have it, you know what

1826
01:16:50,800 --> 01:16:51,280
Speaker 6: I'm saying.

1827
01:16:51,400 --> 01:16:54,000
Speaker 8: So it's just like you just got to understand music

1828
01:16:54,120 --> 01:16:57,719
Speaker 8: is just a moment and just trying to capture that moment.

1829
01:16:58,360 --> 01:17:00,360
Speaker 8: That's why you see Tupac going off and do still

1830
01:17:00,400 --> 01:17:02,640
Speaker 8: like yo, man, do all that mixing shit later like

1831
01:17:02,800 --> 01:17:05,120
Speaker 8: Nigga turning. You know what I'm saying, Like we ain't

1832
01:17:05,120 --> 01:17:07,400
Speaker 8: got turn for that, Like bro, pull up the next beat,

1833
01:17:07,880 --> 01:17:09,679
Speaker 8: turn the mic on, let's go while be flowing.

1834
01:17:09,880 --> 01:17:10,000
Speaker 4: Right.

1835
01:17:10,280 --> 01:17:13,120
Speaker 8: That's it's that's super dupid and important. Wrong people, Yeah,

1836
01:17:13,160 --> 01:17:14,200
Speaker 8: I think you understand that.

1837
01:17:14,400 --> 01:17:16,960
Speaker 4: It's fun because I've asked you a million questions on

1838
01:17:17,000 --> 01:17:19,080
Speaker 4: the phone, just as a raff fan. I've never asked

1839
01:17:19,120 --> 01:17:21,640
Speaker 4: you this. What September eleventh, two thousand and.

1840
01:17:21,640 --> 01:17:22,880
Speaker 3: One, when you know.

1841
01:17:24,360 --> 01:17:27,680
Speaker 4: You have these joints on a jay Z album and

1842
01:17:27,800 --> 01:17:31,599
Speaker 4: nine to eleven happens the same day that blueprint is dropping,

1843
01:17:32,080 --> 01:17:34,960
Speaker 4: Because I know you was on September tenth, like they

1844
01:17:35,000 --> 01:17:37,800
Speaker 4: about to hear some crazy shit crazy. I was such

1845
01:17:37,800 --> 01:17:40,320
Speaker 4: a huge part of this it was the Leans hit.

1846
01:17:40,240 --> 01:17:42,320
Speaker 8: The flu super leak Out though it was you know,

1847
01:17:42,400 --> 01:17:45,479
Speaker 8: for leak Out, So nobody really knew the real sequence

1848
01:17:45,680 --> 01:17:46,240
Speaker 8: of the album.

1849
01:17:46,320 --> 01:17:47,960
Speaker 6: So everybody's calling like, Yo, which one you do? I'm like,

1850
01:17:48,320 --> 01:17:49,280
Speaker 6: you know which ones you listen to?

1851
01:17:49,360 --> 01:17:52,280
Speaker 4: Like like you know what I mean.

1852
01:17:52,880 --> 01:17:55,760
Speaker 8: I was just waiting here, like y'all. So the sequence

1853
01:17:55,840 --> 01:17:59,479
Speaker 8: changed a lot. But when I found out that Rulers

1854
01:17:59,520 --> 01:18:01,200
Speaker 8: Back was number one?

1855
01:18:01,320 --> 01:18:02,080
Speaker 4: Was the intro?

1856
01:18:02,240 --> 01:18:04,799
Speaker 8: Yeah, I don't think I've ever really been that excited

1857
01:18:04,800 --> 01:18:07,120
Speaker 8: about a drop a.

1858
01:18:07,160 --> 01:18:12,200
Speaker 2: Vowal still one of the greatest rap intros ever, probably ever.

1859
01:18:12,600 --> 01:18:14,400
Speaker 2: I mean, Dreams of Nightmares might have something to say

1860
01:18:14,439 --> 01:18:18,280
Speaker 2: about that. But the Rulers Back, I mean, I remember

1861
01:18:18,280 --> 01:18:23,479
Speaker 2: when Blueprint dropped and that it started with that. I

1862
01:18:23,479 --> 01:18:26,600
Speaker 2: remember everybody looking at each other like yo, that's some

1863
01:18:26,680 --> 01:18:28,000
Speaker 2: of the hardest.

1864
01:18:28,160 --> 01:18:29,240
Speaker 3: Just those drums.

1865
01:18:29,280 --> 01:18:33,759
Speaker 2: And to this day, like I always envisioned Jay coming

1866
01:18:33,840 --> 01:18:36,400
Speaker 2: out to just that like a show starting to show

1867
01:18:36,520 --> 01:18:39,120
Speaker 2: with the Rulers Back, which I think will probably sure

1868
01:18:40,560 --> 01:18:43,719
Speaker 2: show yeah Yankee Stadium, But I mean you're.

1869
01:18:43,560 --> 01:18:47,320
Speaker 4: Gonna start and close with things records for sure. When

1870
01:18:47,320 --> 01:18:50,559
Speaker 4: you were doing uh, Rulers Back, when you when you

1871
01:18:50,600 --> 01:18:54,000
Speaker 4: heard Jay later that did you know as soon as

1872
01:18:54,000 --> 01:18:55,160
Speaker 4: you heard it how special it was.

1873
01:18:57,800 --> 01:19:02,760
Speaker 8: Yeah, but it still wasn't finished yet, So I do

1874
01:19:02,880 --> 01:19:06,400
Speaker 8: so much in the mix. Okay, people don't understand. Ruler's

1875
01:19:06,439 --> 01:19:11,040
Speaker 8: back almost didn't happen. How the day of the mix,

1876
01:19:11,120 --> 01:19:12,920
Speaker 8: I used to mix it sound on sound, which was

1877
01:19:12,920 --> 01:19:16,240
Speaker 8: like damn near back to back to Daddy's house. And

1878
01:19:16,680 --> 01:19:19,320
Speaker 8: I actually did the beat to Rulers. Back in Daddy's house.

1879
01:19:20,080 --> 01:19:22,600
Speaker 8: I was using Puff Records. He used to have just

1880
01:19:22,600 --> 01:19:24,720
Speaker 8: a bunch of records in the studio in the MIDI room.

1881
01:19:24,760 --> 01:19:26,479
Speaker 8: So I just went to the mediaom and just put

1882
01:19:26,560 --> 01:19:28,640
Speaker 8: that record out, went there and did the beat. And

1883
01:19:28,680 --> 01:19:30,840
Speaker 8: then the day I mixed it, which was probably like

1884
01:19:30,920 --> 01:19:32,800
Speaker 8: a year and a half later. After I did the beat,

1885
01:19:33,760 --> 01:19:35,320
Speaker 8: I put the disc in the MP and it said

1886
01:19:35,360 --> 01:19:40,479
Speaker 8: Dadda corrupt it. So I lost the whole beat just halving.

1887
01:19:40,520 --> 01:19:42,200
Speaker 8: My father was in town. We had to walk over.

1888
01:19:43,080 --> 01:19:47,800
Speaker 8: Y Yeah, so I had to walk to Daddy's house,

1889
01:19:48,520 --> 01:19:54,840
Speaker 8: find the record, bring it back to sound on sound,

1890
01:19:55,000 --> 01:19:57,439
Speaker 8: redo the whole and then mix it.

1891
01:19:58,080 --> 01:20:00,920
Speaker 3: Oh my god, all matter and.

1892
01:20:00,920 --> 01:20:02,639
Speaker 6: The crazy shit was hip hop. Came over.

1893
01:20:03,280 --> 01:20:05,400
Speaker 8: He had bought some smoking because he's always come through

1894
01:20:05,400 --> 01:20:08,600
Speaker 8: the sessions, we blow it down the ship and I

1895
01:20:08,720 --> 01:20:10,240
Speaker 8: was just when I put the disc in, they kept

1896
01:20:10,240 --> 01:20:12,800
Speaker 8: saying corrupted. So I was just like not saying that,

1897
01:20:12,920 --> 01:20:15,200
Speaker 8: like yeah, yeah, like we ain't got no more mixus

1898
01:20:15,200 --> 01:20:16,519
Speaker 8: to check them, gonna check on some more mixes.

1899
01:20:19,360 --> 01:20:23,120
Speaker 6: In my mind, I'm like, oh shit, what the fuck

1900
01:20:23,200 --> 01:20:23,879
Speaker 6: is my finish?

1901
01:20:24,320 --> 01:20:27,360
Speaker 8: But I'm not gonna tell this. I'm not losing this placement.

1902
01:20:27,400 --> 01:20:28,560
Speaker 8: I don't give what I got to.

1903
01:20:29,040 --> 01:20:30,599
Speaker 4: You know what I'm saying, His mamas loved me. Done

1904
01:20:30,600 --> 01:20:33,400
Speaker 4: already or no, not yet? Okay, gotcha.

1905
01:20:33,479 --> 01:20:36,680
Speaker 6: But it took me about three hours to find that

1906
01:20:36,720 --> 01:20:37,679
Speaker 6: record at that his house.

1907
01:20:38,640 --> 01:20:40,320
Speaker 4: By the time I finished, I'm not gonna ask what

1908
01:20:40,360 --> 01:20:41,400
Speaker 4: sample it is because I want to.

1909
01:20:41,400 --> 01:20:41,960
Speaker 3: No, No, it was.

1910
01:20:42,000 --> 01:20:46,599
Speaker 8: It was it was uh, I think Margie Joseph if

1911
01:20:47,240 --> 01:20:51,280
Speaker 8: the name of the song. And it took me about

1912
01:20:51,280 --> 01:20:53,599
Speaker 8: three hours because it's just a whole bunch of random

1913
01:20:53,640 --> 01:20:55,760
Speaker 8: records in his house. I had to go through all

1914
01:20:55,840 --> 01:21:00,360
Speaker 8: those fucking records and I found it, and brother, best

1915
01:21:00,360 --> 01:21:01,080
Speaker 8: fund of my life.

1916
01:21:01,120 --> 01:21:03,120
Speaker 6: I came back and I redid the whole ship.

1917
01:21:02,960 --> 01:21:03,200
Speaker 3: All right.

1918
01:21:03,280 --> 01:21:05,599
Speaker 2: So yeah, the rules back is the greatest rap mentro

1919
01:21:05,680 --> 01:21:07,639
Speaker 2: ever because I don't think they had that story about

1920
01:21:07,680 --> 01:21:10,120
Speaker 2: dreams to Nightmare. I don't think they lost it and

1921
01:21:10,120 --> 01:21:12,240
Speaker 2: then had to do it all over again. Like I

1922
01:21:12,280 --> 01:21:13,680
Speaker 2: don't that that just does not s.

1923
01:21:14,040 --> 01:21:15,840
Speaker 4: So it's Hot there when you redid it, and you know.

1924
01:21:16,360 --> 01:21:19,360
Speaker 8: I got I got him out of there. He wanted

1925
01:21:19,360 --> 01:21:22,160
Speaker 8: to start checking on other mixes, but they making the rounds.

1926
01:21:22,160 --> 01:21:23,920
Speaker 8: Everybody mixing, you know what I'm saying. So they just

1927
01:21:23,960 --> 01:21:25,680
Speaker 8: going through listening to the mixes, so like.

1928
01:21:25,640 --> 01:21:26,920
Speaker 6: You go check somebody else, make sure.

1929
01:21:27,880 --> 01:21:30,200
Speaker 4: So once you redid it, did Jay here at first

1930
01:21:30,240 --> 01:21:31,040
Speaker 4: or Hop here first?

1931
01:21:32,000 --> 01:21:34,200
Speaker 8: They heard it together? Okay, I believe you know what

1932
01:21:34,240 --> 01:21:36,400
Speaker 8: I'm saying. I don't know if Jay came back to

1933
01:21:36,439 --> 01:21:38,519
Speaker 8: the studiod. I know Hot came on Jay heard it later,

1934
01:21:38,600 --> 01:21:39,519
Speaker 8: Hop came out to the studard.

1935
01:21:39,520 --> 01:21:39,920
Speaker 6: I heard it.

1936
01:21:40,040 --> 01:21:42,639
Speaker 8: It sounded on sound, then took it to Jay. But

1937
01:21:42,760 --> 01:21:46,720
Speaker 8: Jay always allowed me to do me. He never tried

1938
01:21:46,760 --> 01:21:49,400
Speaker 8: to micro manage. Yeah, mixing the rcord, you got so

1939
01:21:49,400 --> 01:21:51,479
Speaker 8: many artists, but like YO, don't touch like yo. I

1940
01:21:51,520 --> 01:21:54,479
Speaker 8: love how it is, like yo, do you Yeah? Until

1941
01:21:54,520 --> 01:21:57,719
Speaker 8: I hear something, it bothers me. I'm not saying nothing. Yeah,

1942
01:21:57,840 --> 01:21:59,000
Speaker 8: and I appreciate that.

1943
01:21:59,200 --> 01:22:01,400
Speaker 4: Yeah, I mean, I'm to sound you created off the

1944
01:22:01,479 --> 01:22:03,840
Speaker 4: Dynasty album before that, I can see why Jay was like,

1945
01:22:03,880 --> 01:22:04,799
Speaker 4: well just leave him alone.

1946
01:22:04,840 --> 01:22:08,000
Speaker 3: Were cool. It started with Beans.

1947
01:22:08,320 --> 01:22:11,280
Speaker 8: Beans was the first person to notice me my music

1948
01:22:11,600 --> 01:22:14,880
Speaker 8: because I remember the Hauler in My Life tour when

1949
01:22:14,880 --> 01:22:15,240
Speaker 8: they had that.

1950
01:22:15,320 --> 01:22:16,519
Speaker 6: They was in the back of this van.

1951
01:22:16,760 --> 01:22:19,920
Speaker 8: With the jail jumpers on and they you know't come together.

1952
01:22:20,080 --> 01:22:23,040
Speaker 8: They wanted somebody to score it. So Jay Brown was

1953
01:22:23,080 --> 01:22:25,679
Speaker 8: managed me at the time, and he convinced them letting

1954
01:22:25,680 --> 01:22:29,280
Speaker 8: me do it. Going into PRIs Studios in La scored

1955
01:22:29,320 --> 01:22:32,000
Speaker 8: the joint. Do a beat to a sound effects, send

1956
01:22:32,000 --> 01:22:33,800
Speaker 8: it to him. They like, yo, so go, this is dope,

1957
01:22:34,360 --> 01:22:35,400
Speaker 8: So they use it for the show. That was the

1958
01:22:35,439 --> 01:22:38,080
Speaker 8: intro to the show Hold On Life Tour. Beans heard

1959
01:22:38,120 --> 01:22:40,920
Speaker 8: the beat like Yo, what's this? He's like, no, I need,

1960
01:22:41,160 --> 01:22:43,640
Speaker 8: I need this. So he took the beat and he

1961
01:22:43,680 --> 01:22:45,960
Speaker 8: did ride for My Niggas. That's what we got Run

1962
01:22:46,040 --> 01:22:47,760
Speaker 8: from My Niggas. That's the beat from the Hall Life

1963
01:22:47,800 --> 01:22:52,000
Speaker 8: Tour intro actually, and then after that we did raw

1964
01:22:52,000 --> 01:22:53,960
Speaker 8: and Cut and that's when I got the attention to

1965
01:22:54,040 --> 01:22:56,400
Speaker 8: j forroal okay, because that's he jumped on that.

1966
01:22:56,840 --> 01:22:58,519
Speaker 4: So between one nine hundred hustler.

1967
01:23:00,200 --> 01:23:02,080
Speaker 3: You mean him and her? What was the first from

1968
01:23:02,160 --> 01:23:04,160
Speaker 3: dynasty that you did with everybody?

1969
01:23:04,600 --> 01:23:07,080
Speaker 6: Bruh, you me him and her? Baseline.

1970
01:23:07,080 --> 01:23:08,280
Speaker 4: I was the first of all.

1971
01:23:08,320 --> 01:23:10,360
Speaker 3: I was the first craziest fucking beast ever.

1972
01:23:10,479 --> 01:23:15,560
Speaker 8: I was the first person to ever recording baseline.

1973
01:23:15,880 --> 01:23:16,880
Speaker 3: That's wild period.

1974
01:23:17,840 --> 01:23:19,680
Speaker 6: I gave him their first check, like you go to

1975
01:23:19,720 --> 01:23:21,320
Speaker 6: somebody rest dollar on the wall.

1976
01:23:22,320 --> 01:23:24,479
Speaker 8: I gave him their first po from Lecture Records for

1977
01:23:24,560 --> 01:23:27,479
Speaker 8: like twenty grand for thirty days. And I was working

1978
01:23:27,520 --> 01:23:30,080
Speaker 8: with Missy. I was doing Mocha. She had his name

1979
01:23:30,120 --> 01:23:30,760
Speaker 8: Molka at the time.

1980
01:23:30,840 --> 01:23:31,400
Speaker 3: Yeah, yep.

1981
01:23:31,520 --> 01:23:33,800
Speaker 8: I was in b room. A room wasn't finished it.

1982
01:23:33,840 --> 01:23:37,519
Speaker 8: They were still finishing the A room and eventually a

1983
01:23:37,680 --> 01:23:39,360
Speaker 8: room got finished. So I'm in the b room doing

1984
01:23:39,360 --> 01:23:42,519
Speaker 8: my thing, and that beat is playing. I got a

1985
01:23:42,560 --> 01:23:44,800
Speaker 8: lot of shit and I turned around. Jay's in the

1986
01:23:44,880 --> 01:23:48,519
Speaker 8: room and he's walking. When you get him doing that shit,

1987
01:23:48,520 --> 01:23:48,880
Speaker 8: it's over.

1988
01:23:49,000 --> 01:23:49,240
Speaker 3: Yah.

1989
01:23:49,640 --> 01:23:52,320
Speaker 8: When he started rapping to hisself, it's a rap. So

1990
01:23:52,760 --> 01:23:54,479
Speaker 8: I turned the beat up, like yo, don't turn it off,

1991
01:23:54,880 --> 01:23:57,439
Speaker 8: turn it back on. He's like, who bring us in

1992
01:23:57,439 --> 01:23:59,080
Speaker 8: the eight room playboy and walked out.

1993
01:24:00,920 --> 01:24:01,120
Speaker 4: Man.

1994
01:24:01,800 --> 01:24:09,040
Speaker 8: Man, they were like this this is who girl, I say, like.

1995
01:24:11,360 --> 01:24:14,439
Speaker 7: That man saying take that two inch o. Brother, Let's

1996
01:24:14,720 --> 01:24:18,000
Speaker 7: get to this room we talking about you know what

1997
01:24:18,040 --> 01:24:23,080
Speaker 7: I'm saying, so uh this is she ain't hear nothing.

1998
01:24:23,320 --> 01:24:25,040
Speaker 8: He went in there for like maybe an hour and

1999
01:24:25,080 --> 01:24:27,760
Speaker 8: then and later that Lady Ladies verse down and it

2000
01:24:27,880 --> 01:24:31,160
Speaker 8: stayed with Justice verse probably about two months, and then

2001
01:24:31,200 --> 01:24:32,519
Speaker 8: everybody else out of their verses.

2002
01:24:32,840 --> 01:24:36,040
Speaker 4: Yeah, I want to pull the room. Who has the

2003
01:24:36,040 --> 01:24:39,639
Speaker 4: best verse on one nine hundred hustler, we can start

2004
01:24:39,640 --> 01:24:44,519
Speaker 4: with more. I know my answer and it may not

2005
01:24:44,600 --> 01:24:45,479
Speaker 4: be the popular one.

2006
01:24:48,720 --> 01:24:52,439
Speaker 3: I'm gonna go Beans. Okay, I'm gonna go bet you

2007
01:24:52,479 --> 01:24:52,960
Speaker 3: made the beat.

2008
01:24:55,840 --> 01:24:57,600
Speaker 6: I'm gonna go young free.

2009
01:24:59,320 --> 01:25:01,040
Speaker 3: Debarras wasn't they wasn't born.

2010
01:25:01,840 --> 01:25:03,679
Speaker 4: I think Bleak had the best verse on that, and

2011
01:25:04,160 --> 01:25:07,599
Speaker 4: that's on Leak has my favorite verse on One Night.

2012
01:25:09,160 --> 01:25:11,040
Speaker 4: The way his tone comes in on that ship that

2013
01:25:11,040 --> 01:25:11,680
Speaker 4: that's probably my.

2014
01:25:11,640 --> 01:25:12,720
Speaker 3: Favorite Bleak verse ever.

2015
01:25:14,400 --> 01:25:15,000
Speaker 6: That was real.

2016
01:25:15,400 --> 01:25:17,320
Speaker 4: Leak was a standout on that ship to me, like,

2017
01:25:17,360 --> 01:25:19,320
Speaker 4: oh fu Bleak could rap rap.

2018
01:25:20,479 --> 01:25:22,559
Speaker 3: Yeah Beans versus crazy on that.

2019
01:25:22,479 --> 01:25:24,920
Speaker 8: Though, but you expected that a conniverse on on that

2020
01:25:25,000 --> 01:25:26,840
Speaker 8: beings just talking in between.

2021
01:25:26,600 --> 01:25:31,240
Speaker 4: Yeah, no Beans is is, Yeah, there's no yeah, it's

2022
01:25:31,280 --> 01:25:32,120
Speaker 4: it's Jay.

2023
01:25:32,000 --> 01:25:35,120
Speaker 3: Bleak and free with and Freeway. Oh so might be.

2024
01:25:35,040 --> 01:25:38,160
Speaker 4: Freeway free free one nuts. Don't get me wrong, but

2025
01:25:38,200 --> 01:25:39,520
Speaker 4: I really think.

2026
01:25:39,200 --> 01:25:42,040
Speaker 3: First, watch what you said your mouth, you're talking in

2027
01:25:42,120 --> 01:25:42,559
Speaker 3: the presence.

2028
01:25:42,960 --> 01:25:44,680
Speaker 6: He wasn't he supposed to be on that record.

2029
01:25:45,120 --> 01:25:45,760
Speaker 3: Yeah, he wasn't.

2030
01:25:46,240 --> 01:25:47,920
Speaker 4: It was supposed to be Leak. No.

2031
01:25:48,280 --> 01:25:50,760
Speaker 2: The craziest hit was they had to beat now Jay

2032
01:25:50,920 --> 01:25:54,040
Speaker 2: verse was crazy though, Yeah, Like the concept alone was

2033
01:25:54,080 --> 01:25:57,360
Speaker 2: just yeah now that I'm like going through, like the verses,

2034
01:25:57,400 --> 01:25:59,680
Speaker 2: like na Jay might have had the best verse on

2035
01:25:59,720 --> 01:26:00,000
Speaker 2: that ship.

2036
01:26:00,120 --> 01:26:03,240
Speaker 6: They had to beat for months, Yeah, but couldn't figure

2037
01:26:03,240 --> 01:26:04,160
Speaker 6: out how to approach it.

2038
01:26:04,200 --> 01:26:06,599
Speaker 8: So they but it was very adamant about yo, don't

2039
01:26:07,160 --> 01:26:09,599
Speaker 8: sell it like we want it, like for sure, so

2040
01:26:09,720 --> 01:26:11,519
Speaker 8: like for months and months, so I find depth was

2041
01:26:11,560 --> 01:26:14,280
Speaker 8: like listen, bro, the album got to be turned down Monday.

2042
01:26:14,280 --> 01:26:17,479
Speaker 8: I don't give what I got going on. So it

2043
01:26:17,600 --> 01:26:20,880
Speaker 8: was just one night. Everybody's at the studio, like everybody,

2044
01:26:21,560 --> 01:26:23,880
Speaker 8: He's like meeting of the minds. We got to get

2045
01:26:23,880 --> 01:26:26,120
Speaker 8: this done now. And then Beans came up with the

2046
01:26:26,160 --> 01:26:28,160
Speaker 8: concept and then everybody just started building too, and everybody

2047
01:26:28,200 --> 01:26:31,200
Speaker 8: did their versus simultaneously. That night and it was like

2048
01:26:31,439 --> 01:26:36,640
Speaker 8: after Bleaking Jay did a verse, they like, who else

2049
01:26:36,720 --> 01:26:37,439
Speaker 8: gonna get what you got?

2050
01:26:37,479 --> 01:26:41,640
Speaker 6: Young Free? He was like, I got something. Yeah, he

2051
01:26:41,760 --> 01:26:42,960
Speaker 6: was like wasn't playing though?

2052
01:26:43,040 --> 01:26:44,880
Speaker 8: Like he literally went there and one take Jake and

2053
01:26:45,000 --> 01:26:48,240
Speaker 8: was like wow, yeah, and that's what your free.

2054
01:26:48,320 --> 01:26:54,719
Speaker 4: Virtu was crazy on everything and this top ten posse cut.

2055
01:26:55,760 --> 01:26:57,920
Speaker 4: Oh yeah, without a doubt for sure. I know you

2056
01:26:57,960 --> 01:26:59,840
Speaker 4: talked about rulers back and how that came together All

2057
01:26:59,880 --> 01:27:02,840
Speaker 4: I Need and Mama Loves Me? What was the proce

2058
01:27:02,840 --> 01:27:05,360
Speaker 4: becsuse I Jay has always said that they did that

2059
01:27:05,400 --> 01:27:06,200
Speaker 4: ship in like a week.

2060
01:27:08,720 --> 01:27:10,840
Speaker 8: I'm glad you're asking that, because this whole All I

2061
01:27:10,920 --> 01:27:14,240
Speaker 8: Need conversations has been retarded for no reason for over

2062
01:27:14,320 --> 01:27:17,760
Speaker 8: twenty years. I had a group called Nonbrigade signed the

2063
01:27:17,760 --> 01:27:20,720
Speaker 8: electric records back in the day. I cut All I

2064
01:27:20,760 --> 01:27:24,120
Speaker 8: Need on them first, but I also cut Lights Camera

2065
01:27:24,160 --> 01:27:26,000
Speaker 8: Action Beat on them as well.

2066
01:27:26,720 --> 01:27:28,519
Speaker 4: Those were the two sets wold Yeah, I never knew

2067
01:27:28,520 --> 01:27:29,800
Speaker 4: the Lights Camera actra shit right.

2068
01:27:30,160 --> 01:27:32,599
Speaker 8: Both of those records were their their records for yes,

2069
01:27:32,960 --> 01:27:36,360
Speaker 8: But my start guy was murdered the week I was mixing.

2070
01:27:36,600 --> 01:27:38,720
Speaker 8: Now we got a chance to come out the day

2071
01:27:38,760 --> 01:27:42,519
Speaker 8: I played hip hop all I need. The first time

2072
01:27:42,840 --> 01:27:44,519
Speaker 8: he tried to buy it from me from day one

2073
01:27:45,120 --> 01:27:47,920
Speaker 8: and I was like, no, like I need this for

2074
01:27:48,040 --> 01:27:48,439
Speaker 8: my group.

2075
01:27:48,479 --> 01:27:50,120
Speaker 6: So like every time you asked me for it, lets

2076
01:27:50,120 --> 01:27:50,920
Speaker 6: me know I need to keep it.

2077
01:27:51,760 --> 01:27:54,160
Speaker 8: That's exactly my words to him, like you, because he

2078
01:27:54,280 --> 01:27:56,439
Speaker 8: was very adam like yo, what's up.

2079
01:27:56,360 --> 01:27:58,599
Speaker 6: With that record? And I'm like nah no.

2080
01:27:59,240 --> 01:28:00,960
Speaker 8: So when that ship happened, like maybe a year and

2081
01:28:00,960 --> 01:28:03,880
Speaker 8: a half later, I was like, you know, we can

2082
01:28:03,920 --> 01:28:06,679
Speaker 8: probably do something now. But I gave the two guys

2083
01:28:06,680 --> 01:28:10,800
Speaker 8: in the group seven percent apiece I publishing so on

2084
01:28:10,880 --> 01:28:11,720
Speaker 8: the on the.

2085
01:28:11,720 --> 01:28:16,839
Speaker 4: Love and No disc was that was telling that story

2086
01:28:17,320 --> 01:28:19,479
Speaker 4: about how it was throwing. I thought that was odd

2087
01:28:19,479 --> 01:28:24,519
Speaker 4: because the same group minus Recipes, did an interview and

2088
01:28:24,520 --> 01:28:26,960
Speaker 4: they was like, nah that jay. They they gave us

2089
01:28:27,040 --> 01:28:30,120
Speaker 4: the pub on it, like what you talking about? Somebody

2090
01:28:30,160 --> 01:28:31,000
Speaker 4: stole a record.

2091
01:28:30,960 --> 01:28:34,559
Speaker 6: Like like, how can you just take your record? Like

2092
01:28:34,640 --> 01:28:36,559
Speaker 6: how does that happen? You know what I'm saying.

2093
01:28:36,600 --> 01:28:39,760
Speaker 8: So, but it's been because the craziest shit was when

2094
01:28:39,760 --> 01:28:43,240
Speaker 8: the ship first happened, somebody called me on my phone

2095
01:28:43,280 --> 01:28:47,200
Speaker 8: like seven in the morning twenty years ago, accusing me

2096
01:28:47,240 --> 01:28:51,200
Speaker 8: of stealing in their record from now come to foind out.

2097
01:28:51,240 --> 01:28:53,400
Speaker 6: This motherfucker called me from the radio station.

2098
01:28:56,320 --> 01:28:59,519
Speaker 4: More Radio, who been rolling out the bed?

2099
01:29:01,920 --> 01:29:05,559
Speaker 8: Yeah, bro, And I'm just like, y, this is nuts.

2100
01:29:05,880 --> 01:29:08,360
Speaker 8: Like I did not have to include those guys, right,

2101
01:29:08,439 --> 01:29:09,880
Speaker 8: that's the fair. I could have just sold it beat

2102
01:29:09,880 --> 01:29:11,720
Speaker 8: and kept kept me pushing to do that.

2103
01:29:11,840 --> 01:29:14,840
Speaker 2: Yeah, But giving them the pub was a way of like, yeah,

2104
01:29:15,240 --> 01:29:16,600
Speaker 2: he was kind of attached.

2105
01:29:16,200 --> 01:29:16,839
Speaker 3: To this record.

2106
01:29:17,200 --> 01:29:19,120
Speaker 6: You know, let me make this right exact.

2107
01:29:18,880 --> 01:29:21,200
Speaker 3: At least y'all eat off of it, Like yeah, so

2108
01:29:21,240 --> 01:29:21,880
Speaker 3: I understand that.

2109
01:29:21,920 --> 01:29:23,479
Speaker 6: And then for you to let this get out of

2110
01:29:23,520 --> 01:29:25,640
Speaker 6: hand this long, it's nuts. Yeah, because you could have

2111
01:29:25,880 --> 01:29:27,759
Speaker 6: seen the but a long time ago, yeah yourself.

2112
01:29:27,840 --> 01:29:31,439
Speaker 4: Yeah, yeah, I thought that was when Scho said that.

2113
01:29:31,800 --> 01:29:33,600
Speaker 4: I went and looked and found the group saying that

2114
01:29:33,680 --> 01:29:35,800
Speaker 4: never happened. So I was confused by that entire thing.

2115
01:29:35,960 --> 01:29:39,240
Speaker 4: But the group wasn't denying it. That's what gave it life,

2116
01:29:39,360 --> 01:29:42,160
Speaker 4: got it? Okay, they could have set the registrate a

2117
01:29:42,160 --> 01:29:45,840
Speaker 4: long time ago. But clickbait is a drug, yeah you

2118
01:29:45,920 --> 01:29:46,439
Speaker 4: know what I'm saying.

2119
01:29:46,479 --> 01:29:48,599
Speaker 8: So it's like they just kept that ship going for

2120
01:29:48,640 --> 01:29:51,960
Speaker 8: no reason, and it just kept reservicing for something, Just

2121
01:29:51,960 --> 01:29:53,680
Speaker 8: like why does this ship keep coming up, like bro,

2122
01:29:53,800 --> 01:29:56,080
Speaker 8: I get y'all still eating up his record.

2123
01:29:56,320 --> 01:29:59,920
Speaker 4: Years like we're talking about and again, no direspect scho

2124
01:30:00,120 --> 01:30:03,120
Speaker 4: like you wouldn't know about that? That would you not

2125
01:30:03,200 --> 01:30:06,519
Speaker 4: on the song? Like why would you know about the paperwork?

2126
01:30:07,360 --> 01:30:10,120
Speaker 4: I don't everybody knew why the paperwork? Apparently yeah yeah,

2127
01:30:10,160 --> 01:30:10,920
Speaker 4: I mean and.

2128
01:30:11,000 --> 01:30:12,360
Speaker 3: Everybody everybody know everything.

2129
01:30:12,400 --> 01:30:13,600
Speaker 6: Everybody knew how the paper work, but.

2130
01:30:17,560 --> 01:30:21,920
Speaker 4: That fuck Mama loves Me. I feel like it was

2131
01:30:22,000 --> 01:30:26,040
Speaker 4: probably sense volume one, like one of the more vulnerable

2132
01:30:26,400 --> 01:30:30,160
Speaker 4: Jay autros. What what were you there for the session

2133
01:30:30,160 --> 01:30:31,320
Speaker 4: when he did Mama loves Me.

2134
01:30:32,200 --> 01:30:35,920
Speaker 8: She's very rare that you catch Jay do a verse

2135
01:30:35,960 --> 01:30:37,200
Speaker 8: because he he go in.

2136
01:30:37,280 --> 01:30:38,679
Speaker 6: He just go in the morning a lot of times

2137
01:30:38,720 --> 01:30:41,640
Speaker 6: just knocks it out. Yeah, like you've been gave to

2138
01:30:41,680 --> 01:30:42,639
Speaker 6: beat type of thing.

2139
01:30:43,400 --> 01:30:46,160
Speaker 8: But uh, I did a lot of stuff to the

2140
01:30:46,160 --> 01:30:49,439
Speaker 8: record after he finished, like kitchen table, Joe, that's me

2141
01:30:49,479 --> 01:30:53,160
Speaker 8: beating on the organ bench the studios like I'm in

2142
01:30:53,200 --> 01:30:55,080
Speaker 8: the school because that's how it was in school, Like

2143
01:30:55,120 --> 01:30:58,080
Speaker 8: literally that was my title in school. Nobody's going to

2144
01:30:58,120 --> 01:31:00,599
Speaker 8: freestyle me beating on the table. They would come get

2145
01:31:00,600 --> 01:31:02,920
Speaker 8: me from wherever I was in the school, like kill

2146
01:31:03,000 --> 01:31:03,840
Speaker 8: somebody about the battle.

2147
01:31:03,880 --> 01:31:07,439
Speaker 6: Y'all come on, like, okay, let's go. Yeah, that's all.

2148
01:31:09,800 --> 01:31:11,320
Speaker 3: Devil on a new dress.

2149
01:31:12,160 --> 01:31:16,559
Speaker 4: I know the story, but how did that entire thing

2150
01:31:16,680 --> 01:31:20,000
Speaker 4: come together with my be of a dark twisted fantasy

2151
01:31:20,120 --> 01:31:23,599
Speaker 4: him being in Hawaii doing everything? Obviously, you and Ya

2152
01:31:23,760 --> 01:31:26,520
Speaker 4: go back to the late nineties.

2153
01:31:26,680 --> 01:31:30,080
Speaker 8: Listen, bro I first met Yeah, Yea always been a

2154
01:31:30,600 --> 01:31:31,360
Speaker 8: huge dreamer.

2155
01:31:31,720 --> 01:31:32,680
Speaker 6: I gotta give him that.

2156
01:31:32,840 --> 01:31:35,880
Speaker 8: Like, so he made me be a firm believer in

2157
01:31:36,040 --> 01:31:37,920
Speaker 8: just speaking things to the universe.

2158
01:31:38,000 --> 01:31:38,720
Speaker 6: I think that's real.

2159
01:31:39,360 --> 01:31:43,000
Speaker 8: I really think that's real shit because Yay had big

2160
01:31:43,080 --> 01:31:45,840
Speaker 8: plans for us so early, you know what I'm saying,

2161
01:31:45,880 --> 01:31:48,960
Speaker 8: And most people don't think that big at all. When

2162
01:31:48,960 --> 01:31:50,880
Speaker 8: you hear people thinking that bit, they sound retarded, they

2163
01:31:50,880 --> 01:31:51,840
Speaker 8: sound crazy, like you just.

2164
01:31:51,760 --> 01:31:52,439
Speaker 6: Do this nuts.

2165
01:31:52,880 --> 01:31:55,840
Speaker 8: But that's a dope way to be, you know what

2166
01:31:55,880 --> 01:31:57,519
Speaker 8: I'm saying. But he you know, he caught the bus

2167
01:31:57,600 --> 01:32:01,280
Speaker 8: of my crib in Jersey and rhyme for me and

2168
01:32:01,320 --> 01:32:02,760
Speaker 8: played with some beats, and that was the first time

2169
01:32:02,760 --> 01:32:05,559
Speaker 8: I heard of my producer. I was like, actually impressed

2170
01:32:05,560 --> 01:32:08,920
Speaker 8: about how they was rapping, Like this dude actually rap,

2171
01:32:09,439 --> 01:32:09,600
Speaker 8: you know.

2172
01:32:09,600 --> 01:32:10,040
Speaker 6: What I'm saying.

2173
01:32:10,040 --> 01:32:11,840
Speaker 8: So he used to ask me, like, you know, advices

2174
01:32:11,880 --> 01:32:15,479
Speaker 8: as far as like as to his music and certain beats.

2175
01:32:15,479 --> 01:32:17,040
Speaker 8: So that's why he ended up with Michael top player

2176
01:32:17,080 --> 01:32:19,599
Speaker 8: on Bonnie and Clyde. And you know what I'm saying,

2177
01:32:19,640 --> 01:32:23,040
Speaker 8: Shit like that all falls down. That's Michael tar player

2178
01:32:23,040 --> 01:32:25,479
Speaker 8: that I put on and ship, you know, the engineer

2179
01:32:26,000 --> 01:32:27,760
Speaker 8: ship like that. So you see, asked me for like

2180
01:32:27,760 --> 01:32:30,960
Speaker 8: a little guyance and ship early on. But his vision

2181
01:32:30,960 --> 01:32:33,559
Speaker 8: has always been his vision, you know what I'm saying.

2182
01:32:33,600 --> 01:32:36,920
Speaker 8: It wouldn't be a Blueprint without Yay because he Jay

2183
01:32:36,960 --> 01:32:42,160
Speaker 8: won the studio on a Saturday with it, Kanye BCD

2184
01:32:42,360 --> 01:32:44,840
Speaker 8: did five songs, Blueprint was born.

2185
01:32:45,080 --> 01:32:47,760
Speaker 6: Yeah, then they just started add other records to it. Yeah.

2186
01:32:47,800 --> 01:32:50,960
Speaker 2: I remember the first time I was at Baseline and

2187
01:32:51,040 --> 01:32:51,639
Speaker 2: met Kanye.

2188
01:32:52,360 --> 01:32:54,679
Speaker 3: I always tell the story. It's just his styles.

2189
01:32:54,800 --> 01:32:58,160
Speaker 2: Fashion was just so different from Howdy Yeah, like and

2190
01:32:58,200 --> 01:33:00,120
Speaker 2: then he had like he was wearing like motorcycle with

2191
01:33:00,200 --> 01:33:04,760
Speaker 2: loather jackets and Durrango boots and jeans, and you know

2192
01:33:04,840 --> 01:33:06,400
Speaker 2: he was like in the in the in the in

2193
01:33:06,439 --> 01:33:09,320
Speaker 2: the front room, in the pool room, and we in

2194
01:33:09,360 --> 01:33:10,760
Speaker 2: the back and we listened to the beasts. I think

2195
01:33:10,760 --> 01:33:13,360
Speaker 2: State Property was probably recording some show. Beans was recording

2196
01:33:13,400 --> 01:33:16,400
Speaker 2: some ship and we listened to him that who that is, like, yo,

2197
01:33:16,439 --> 01:33:17,559
Speaker 2: that's Homie in the front, Like.

2198
01:33:17,520 --> 01:33:21,840
Speaker 3: That's theos on with.

2199
01:33:22,840 --> 01:33:26,080
Speaker 2: That's it, that's ship, Like yeah, now he's from Chicago,

2200
01:33:26,600 --> 01:33:29,120
Speaker 2: he just moved out here. And then I remember we

2201
01:33:29,160 --> 01:33:30,320
Speaker 2: all went in the front and was like, Yo, that

2202
01:33:30,320 --> 01:33:31,800
Speaker 2: ship is all he was like, Yo, good looking and

2203
01:33:31,840 --> 01:33:35,640
Speaker 2: then that's Kanye. Like I viverly remember that moment, like

2204
01:33:36,120 --> 01:33:37,720
Speaker 2: because it was like I just thought this was a guy.

2205
01:33:37,800 --> 01:33:39,599
Speaker 2: I thought he worked that baseline like he was somebody

2206
01:33:39,640 --> 01:33:41,640
Speaker 2: that just worked at the studio. He was and he

2207
01:33:41,760 --> 01:33:43,640
Speaker 2: was like, nah, that's all his ship they playing back there.

2208
01:33:43,640 --> 01:33:48,320
Speaker 4: I was like, what, yeah he did, but he aesthetically

2209
01:33:48,400 --> 01:33:51,519
Speaker 4: how everybody else looked that was at baseline and that

2210
01:33:51,600 --> 01:33:52,840
Speaker 4: was you know, like he might have been a runner

2211
01:33:52,880 --> 01:33:55,120
Speaker 4: to go get food like he just like he literally

2212
01:33:55,200 --> 01:33:57,840
Speaker 4: worked at the studio and they was like, nah, that's

2213
01:33:57,920 --> 01:33:58,920
Speaker 4: him making all this ship.

2214
01:33:58,920 --> 01:34:02,000
Speaker 2: And I was like, yo, he's dope, and it was

2215
01:34:02,000 --> 01:34:03,240
Speaker 2: like and he raps.

2216
01:34:03,439 --> 01:34:04,200
Speaker 6: Yeah that part.

2217
01:34:04,360 --> 01:34:06,479
Speaker 8: But there was always a mutual respect between the two

2218
01:34:06,520 --> 01:34:09,559
Speaker 8: of us. I always respect what do he I love.

2219
01:34:09,640 --> 01:34:12,800
Speaker 8: I love anybody that have their own thing. Yeah, I

2220
01:34:12,840 --> 01:34:16,200
Speaker 8: can't stand by this. You know, this ship out authenticity.

2221
01:34:16,560 --> 01:34:19,519
Speaker 8: I can't stand a copycat. Get the fuck froround me, Like,

2222
01:34:19,720 --> 01:34:22,479
Speaker 8: I don't even want you in my session? Yeah, ship, yeah,

2223
01:34:22,520 --> 01:34:24,439
Speaker 8: because they will take your ship. It's not it's not

2224
01:34:24,479 --> 01:34:27,400
Speaker 8: a question. It's when they're gonna take it.

2225
01:34:27,960 --> 01:34:30,639
Speaker 3: You know that they're gonna take it. When they gonna

2226
01:34:30,640 --> 01:34:30,880
Speaker 3: take it.

2227
01:34:30,920 --> 01:34:32,400
Speaker 6: Yeah, they're gonna ask. They hear a good idea in

2228
01:34:32,439 --> 01:34:33,760
Speaker 6: your spot. Oh, they're gonna get you.

2229
01:34:33,840 --> 01:34:36,479
Speaker 3: Yeah, absolutely didn't see like what's up? Yeah?

2230
01:34:38,120 --> 01:34:41,320
Speaker 6: Yeah a song?

2231
01:34:41,439 --> 01:34:45,000
Speaker 3: That's you mean? When you heard that in my session?

2232
01:34:45,120 --> 01:34:46,120
Speaker 6: Like come on, brother?

2233
01:34:46,240 --> 01:34:48,840
Speaker 4: Yeah? When when you sent Kanye that pack that had

2234
01:34:48,880 --> 01:34:50,840
Speaker 4: Devil and New Dress in it? How many did you

2235
01:34:50,880 --> 01:34:51,439
Speaker 4: send them?

2236
01:34:51,640 --> 01:34:53,679
Speaker 6: Five? I never sent him on the five?

2237
01:34:53,800 --> 01:34:54,160
Speaker 3: Okay?

2238
01:34:54,400 --> 01:34:57,479
Speaker 4: Did any of those five make it? I'm sorry, any

2239
01:34:57,479 --> 01:34:58,400
Speaker 4: of those four make it?

2240
01:34:58,439 --> 01:34:58,919
Speaker 3: Elsewhere?

2241
01:34:59,240 --> 01:35:01,960
Speaker 6: Yeah? The other one went to John Legend who we

2242
01:35:02,000 --> 01:35:02,439
Speaker 6: Think We Are?

2243
01:35:02,600 --> 01:35:04,599
Speaker 4: Okay? Oh okay here.

2244
01:35:04,680 --> 01:35:07,200
Speaker 8: The other one went to Fat Joe Pride and Enjoy Okay,

2245
01:35:08,400 --> 01:35:10,200
Speaker 8: which was supposed to be push a single.

2246
01:35:10,840 --> 01:35:14,760
Speaker 3: Interesting, Wow? Yeah push? What it sounding crazy on that?

2247
01:35:15,439 --> 01:35:15,599
Speaker 4: Yeah?

2248
01:35:15,640 --> 01:35:18,360
Speaker 8: A single that it wouldn't Kanye wouldn't have been on

2249
01:35:18,400 --> 01:35:19,960
Speaker 8: Pride and Joy had it not been for me.

2250
01:35:20,000 --> 01:35:22,840
Speaker 4: Yeah, his ship first.

2251
01:35:22,920 --> 01:35:26,839
Speaker 6: Yeah, had it not been for me, faed.

2252
01:35:26,720 --> 01:35:30,639
Speaker 8: Joe in the Kanye situation would never happened because when

2253
01:35:30,640 --> 01:35:32,759
Speaker 8: they called, I'm like, Yo, they beat.

2254
01:35:32,880 --> 01:35:33,479
Speaker 6: He is gone.

2255
01:35:33,479 --> 01:35:35,439
Speaker 8: They're like what you mean? I'm like, bro, like, y'all

2256
01:35:35,439 --> 01:35:37,360
Speaker 8: had this beat for two years, mother fucker. You know

2257
01:35:37,439 --> 01:35:38,720
Speaker 8: it's gonna be the single. You should have called me

2258
01:35:38,760 --> 01:35:41,360
Speaker 8: and said something. I said, ship gone, Like who got him?

2259
01:35:41,360 --> 01:35:42,280
Speaker 8: Like fat Joe got it?

2260
01:35:42,720 --> 01:35:45,000
Speaker 3: Mm hmm. Call if you want to know, if you want.

2261
01:35:44,800 --> 01:35:48,880
Speaker 6: To sell it. That's a cool so called fed Joe, Like, Yo,

2262
01:35:48,960 --> 01:35:51,320
Speaker 6: tell him, give me a verse I sell it.

2263
01:35:51,800 --> 01:35:52,160
Speaker 3: Mm hmm.

2264
01:35:53,120 --> 01:35:55,360
Speaker 6: Yeah. I told ya Ja like yeah, I'm.

2265
01:35:55,200 --> 01:35:59,920
Speaker 3: Cool, I'm cool cool.

2266
01:36:00,040 --> 01:36:01,000
Speaker 6: Were like cool.

2267
01:36:01,080 --> 01:36:04,160
Speaker 8: So I'm like all right, So I guess they were

2268
01:36:04,200 --> 01:36:06,320
Speaker 8: still planning to push your record studio. They calling back again,

2269
01:36:06,360 --> 01:36:08,800
Speaker 8: like Yo, man, we need that rack it back. Man, listen, Bro,

2270
01:36:08,880 --> 01:36:11,000
Speaker 8: I'm tired of being in the middle. So I'm gonna

2271
01:36:11,040 --> 01:36:13,599
Speaker 8: put put you up from man macho manchu joy at

2272
01:36:13,600 --> 01:36:15,719
Speaker 8: the time, and I said, just put you all together.

2273
01:36:15,800 --> 01:36:18,519
Speaker 8: So the agreement was they gonna meet up whoever got

2274
01:36:18,520 --> 01:36:21,080
Speaker 8: the best version. That's the very they're gonna go with.

2275
01:36:21,360 --> 01:36:23,120
Speaker 8: So that's why pushing them up on the remix and

2276
01:36:23,120 --> 01:36:23,400
Speaker 8: all that.

2277
01:36:23,360 --> 01:36:25,880
Speaker 6: Type of ship. Oh okay, so that's how the whole

2278
01:36:25,880 --> 01:36:26,400
Speaker 6: thing went down.

2279
01:36:26,680 --> 01:36:27,240
Speaker 3: That makes sense.

2280
01:36:27,280 --> 01:36:31,280
Speaker 4: Okay, I can separate. Oh and jay Z interview was

2281
01:36:31,360 --> 01:36:32,800
Speaker 4: up there hip Boy.

2282
01:36:32,720 --> 01:36:35,479
Speaker 3: Hit boy shit Yeah that's yo. Yeah, you smoke that ship.

2283
01:36:36,080 --> 01:36:38,080
Speaker 4: And I love the hip boy said Bink on the

2284
01:36:38,120 --> 01:36:40,080
Speaker 4: beat to begin with, because we all would assume that

2285
01:36:40,120 --> 01:36:41,880
Speaker 4: was a hip boy beat at the tom that was.

2286
01:36:42,000 --> 01:36:46,320
Speaker 4: That was a solid thing that he did his first

2287
01:36:46,360 --> 01:36:47,160
Speaker 4: one off the porch.

2288
01:36:47,400 --> 01:36:49,439
Speaker 3: Oh yeah, but we was all still like, oh, hit

2289
01:36:49,479 --> 01:36:52,120
Speaker 3: boy about to be call he could wrap this way.

2290
01:36:52,439 --> 01:36:55,680
Speaker 4: He just ando. I think hip Boy's gotten better absolutely,

2291
01:36:55,840 --> 01:36:57,240
Speaker 4: like boy is nice.

2292
01:36:57,280 --> 01:36:58,800
Speaker 6: He just hit me the other night. It was like, yo,

2293
01:36:58,880 --> 01:37:00,720
Speaker 6: I got a beat from you in two eleven. It

2294
01:37:00,840 --> 01:37:06,160
Speaker 6: is still available. I'm like he actually was though. Everybody

2295
01:37:06,280 --> 01:37:08,320
Speaker 6: lucky yeah you yeah yeah.

2296
01:37:09,200 --> 01:37:12,600
Speaker 4: I can separate goofy shit uh from music because I

2297
01:37:12,640 --> 01:37:19,439
Speaker 4: care too much about music. Santorini Grease Scientology Rather You

2298
01:37:19,479 --> 01:37:22,080
Speaker 4: Than Me is one of my favorite Ross albums, and

2299
01:37:22,160 --> 01:37:24,719
Speaker 4: I still feel like, even even though I think Ross

2300
01:37:24,800 --> 01:37:29,439
Speaker 4: is a goofy human Being a joint album, I've said,

2301
01:37:29,439 --> 01:37:31,759
Speaker 4: either Justice League or Bank needs to do the joint

2302
01:37:31,880 --> 01:37:36,160
Speaker 4: Ross album. Did the relationship with Ross come from Devil

2303
01:37:36,160 --> 01:37:39,479
Speaker 4: in a New Dress and that whole Kanye era or

2304
01:37:39,560 --> 01:37:41,080
Speaker 4: y'all had a relationship before.

2305
01:37:41,280 --> 01:37:43,160
Speaker 6: I knew Ross, before Ross was Ross.

2306
01:37:43,240 --> 01:37:45,760
Speaker 4: Okay, when he was a correctional.

2307
01:37:45,439 --> 01:37:48,440
Speaker 6: Officer, he was a star of artists on Slipping Slide.

2308
01:37:49,800 --> 01:37:53,200
Speaker 8: Records. You know what I'm saying. I don't think they

2309
01:37:53,200 --> 01:37:55,960
Speaker 8: had any intentions on putting them out at all, you

2310
01:37:55,960 --> 01:37:56,920
Speaker 8: know what I mean. But he was doing a lot

2311
01:37:56,920 --> 01:38:00,320
Speaker 8: of writing for Trina at that time. So I was

2312
01:38:00,320 --> 01:38:04,840
Speaker 8: working with Angie Martinez. We flew out of Miami or

2313
01:38:04,960 --> 01:38:07,360
Speaker 8: were hert and we hire a Ross to write for Angie.

2314
01:38:08,160 --> 01:38:10,160
Speaker 8: So I'm working with Angie. I'm like, dude, this is

2315
01:38:10,240 --> 01:38:12,960
Speaker 8: my fucker dope like he could really you would think

2316
01:38:13,000 --> 01:38:14,960
Speaker 8: of chick wrote this ship like he was really like

2317
01:38:15,200 --> 01:38:15,640
Speaker 8: killing it.

2318
01:38:15,680 --> 01:38:18,719
Speaker 6: So I'm like, yo, that So.

2319
01:38:20,280 --> 01:38:22,920
Speaker 8: That's how I gave my h I gave my info,

2320
01:38:22,960 --> 01:38:24,599
Speaker 8: and you know, we kind of changed them from there.

2321
01:38:24,640 --> 01:38:27,439
Speaker 8: And after that situation, he came out to Jersey him

2322
01:38:27,479 --> 01:38:30,839
Speaker 8: a gun play drove in my crib from Miami twice

2323
01:38:31,080 --> 01:38:34,000
Speaker 8: and he was going to see French. I think Cocaine

2324
01:38:34,040 --> 01:38:39,240
Speaker 8: Cowboys was going at that time. DVD shit yeah and yeah.

2325
01:38:39,280 --> 01:38:42,320
Speaker 8: We did like nine records, bro, and then they called

2326
01:38:42,320 --> 01:38:44,960
Speaker 8: me with hustling and I remember calling the program to

2327
01:38:45,000 --> 01:38:47,240
Speaker 8: write in Virginia on three way and sitting to him

2328
01:38:47,320 --> 01:38:49,559
Speaker 8: email that same conversation, they blasted the record off.

2329
01:38:49,560 --> 01:38:51,880
Speaker 6: From that day on, he got a record. They'll never

2330
01:38:51,880 --> 01:38:52,320
Speaker 6: called me.

2331
01:38:53,720 --> 01:38:54,280
Speaker 3: Ever again.

2332
01:38:55,040 --> 01:38:56,280
Speaker 6: He did a whole album never.

2333
01:38:56,160 --> 01:38:59,439
Speaker 4: Called So then how did y'all reconnect to do rather

2334
01:38:59,560 --> 01:38:59,800
Speaker 4: than me?

2335
01:39:00,600 --> 01:39:00,920
Speaker 6: M hm?

2336
01:39:01,720 --> 01:39:04,800
Speaker 8: After years of the same ship. But he finally came

2337
01:39:04,840 --> 01:39:09,200
Speaker 8: back and that's the first time I actually sat in

2338
01:39:09,280 --> 01:39:11,559
Speaker 8: with him, Like I stayed his crib in Atlanta for

2339
01:39:11,600 --> 01:39:14,479
Speaker 8: like weeks and curated that ship.

2340
01:39:15,200 --> 01:39:16,599
Speaker 6: That's why it sounded like it sounded.

2341
01:39:16,760 --> 01:39:18,800
Speaker 4: I mean, it's one of my favorite ross albums by

2342
01:39:18,920 --> 01:39:20,799
Speaker 4: by far. That's classical.

2343
01:39:21,080 --> 01:39:22,479
Speaker 8: That's where it came out like it came out. But

2344
01:39:23,160 --> 01:39:26,400
Speaker 8: he took off some records. Brother was insane that I did.

2345
01:39:26,840 --> 01:39:33,519
Speaker 6: Which ended up going to Fabulous which joints too late record, Yeah, which.

2346
01:39:33,360 --> 01:39:35,600
Speaker 8: Was the same beat that Biggs was talking about the

2347
01:39:35,720 --> 01:39:36,920
Speaker 8: Jay had for four four four.

2348
01:39:38,720 --> 01:39:40,680
Speaker 4: Wait, so Jay had that for four four four that's

2349
01:39:40,840 --> 01:39:45,000
Speaker 4: late interesting and Roster the record called Knights with we

2350
01:39:45,040 --> 01:39:52,040
Speaker 4: all Gosha.

2351
01:39:52,920 --> 01:39:53,240
Speaker 6: All right.

2352
01:39:53,240 --> 01:39:56,559
Speaker 4: With that said, I don't know if Jay is working

2353
01:39:56,560 --> 01:40:01,360
Speaker 4: on music at all. I can only speculate mall does

2354
01:40:01,400 --> 01:40:04,519
Speaker 4: hold things down. I really don't know. Would you want

2355
01:40:04,520 --> 01:40:07,360
Speaker 4: to work with Jay again or just that whole team

2356
01:40:07,400 --> 01:40:09,559
Speaker 4: at this point? Because I think I think what he

2357
01:40:09,600 --> 01:40:13,200
Speaker 4: did with no Id was incredible, and I think Jay

2358
01:40:13,320 --> 01:40:16,840
Speaker 4: just being around the early sounds makes the most sense

2359
01:40:17,760 --> 01:40:20,160
Speaker 4: for hip hop to age the way it should age

2360
01:40:20,200 --> 01:40:22,599
Speaker 4: with somebody at his where he's at.

2361
01:40:22,479 --> 01:40:22,960
Speaker 3: In his career.

2362
01:40:24,600 --> 01:40:26,400
Speaker 4: Would you sit with Jay and do something now?

2363
01:40:27,240 --> 01:40:27,439
Speaker 1: Right?

2364
01:40:27,640 --> 01:40:27,960
Speaker 3: Okay?

2365
01:40:28,640 --> 01:40:32,559
Speaker 4: Not think you know? I love you to death. I

2366
01:40:32,680 --> 01:40:36,559
Speaker 4: never know what time you're on with everybody over there.

2367
01:40:36,560 --> 01:40:37,479
Speaker 4: I'm a fan.

2368
01:40:37,600 --> 01:40:38,040
Speaker 6: Let me tell you.

2369
01:40:38,200 --> 01:40:40,360
Speaker 8: Let me set the registrate with that ship too. I

2370
01:40:40,400 --> 01:40:43,600
Speaker 8: don't have the energy to just hate people. If I

2371
01:40:43,600 --> 01:40:44,080
Speaker 8: don't like.

2372
01:40:44,080 --> 01:40:47,880
Speaker 6: You, you did something to earn me that to fucking like you. Yeah,

2373
01:40:48,080 --> 01:40:50,160
Speaker 6: I ain't got time just not be liking people. Who

2374
01:40:50,200 --> 01:40:50,479
Speaker 6: the fuck?

2375
01:40:50,520 --> 01:40:53,559
Speaker 8: I don't think about you enough to even allow that

2376
01:40:53,600 --> 01:40:54,960
Speaker 8: you had that type of space in my head, you

2377
01:40:55,000 --> 01:40:56,919
Speaker 8: know what I'm saying. So it's like, I don't give

2378
01:40:56,920 --> 01:40:58,880
Speaker 8: a fuck about you, But if I don't like you,

2379
01:40:58,880 --> 01:41:01,840
Speaker 8: you've done something or that person did something. And every

2380
01:41:01,840 --> 01:41:03,880
Speaker 8: time I told somebody somebody was a piece of shit,

2381
01:41:04,320 --> 01:41:05,479
Speaker 8: they always come back and be.

2382
01:41:05,439 --> 01:41:06,439
Speaker 6: Like, you is right?

2383
01:41:06,520 --> 01:41:07,600
Speaker 3: Oh g m M.

2384
01:41:09,040 --> 01:41:12,400
Speaker 6: Season people always come off to be, uh, what's you called?

2385
01:41:15,479 --> 01:41:16,080
Speaker 6: Just grunt on?

2386
01:41:16,200 --> 01:41:17,920
Speaker 8: That's what they always say. You think, but you've been

2387
01:41:17,960 --> 01:41:21,040
Speaker 8: through everything. It's like a season linebacker. You've seen every play,

2388
01:41:22,280 --> 01:41:23,200
Speaker 8: either play developing.

2389
01:41:23,240 --> 01:41:23,360
Speaker 5: Now.

2390
01:41:23,400 --> 01:41:25,479
Speaker 6: I was like, Bro, I'm come home. Bro, really, you're

2391
01:41:25,479 --> 01:41:27,280
Speaker 6: really gonna try to get me singing Sesson? Don't pay me?

2392
01:41:27,320 --> 01:41:30,519
Speaker 3: Like, come on, I get it. No, Yeah, you know

2393
01:41:30,560 --> 01:41:31,040
Speaker 3: what I'm saying.

2394
01:41:31,120 --> 01:41:34,160
Speaker 8: Like that type of shit, And that's what annoys people,

2395
01:41:34,200 --> 01:41:36,280
Speaker 8: because when you're about your business and you set boundaries,

2396
01:41:36,320 --> 01:41:37,719
Speaker 8: people don't like you set boundaries.

2397
01:41:37,760 --> 01:41:39,960
Speaker 3: Bro, Yeah, I hate that shit. That's the fact.

2398
01:41:40,680 --> 01:41:42,840
Speaker 4: What you think of Jay's freestyle at the Roots, Picnic

2399
01:41:43,600 --> 01:41:46,800
Speaker 4: asked someone that was around for some of the stuff

2400
01:41:46,800 --> 01:41:47,680
Speaker 4: that he was addressing.

2401
01:41:47,840 --> 01:41:49,080
Speaker 3: To the people that he was addressing.

2402
01:41:49,680 --> 01:41:53,200
Speaker 6: I mean, he hit don't want the summer jam Ship.

2403
01:41:53,240 --> 01:41:55,240
Speaker 6: It's the same Jay. He's not gonna give you.

2404
01:41:55,240 --> 01:41:58,719
Speaker 8: A whole song, but he'd absolutely give you a Dumbo

2405
01:41:58,800 --> 01:42:02,760
Speaker 8: verse and throw everybody end up shoot her pad the

2406
01:42:02,760 --> 01:42:06,599
Speaker 8: same time, what time get you out?

2407
01:42:06,600 --> 01:42:09,080
Speaker 6: Of here. Yeah, yeah, that's classic Jake.

2408
01:42:10,160 --> 01:42:11,080
Speaker 4: How you felt about that?

2409
01:42:11,120 --> 01:42:11,920
Speaker 3: The Jay and Dame.

2410
01:42:12,920 --> 01:42:14,240
Speaker 4: I don't want to say back and forth because they

2411
01:42:14,280 --> 01:42:17,479
Speaker 4: only said, you know, half a line in that. But

2412
01:42:18,800 --> 01:42:22,679
Speaker 4: Dame just being on all these interviews the past few years,

2413
01:42:22,880 --> 01:42:25,559
Speaker 4: and I'm asking because you was there, I wasn't there

2414
01:42:26,320 --> 01:42:29,320
Speaker 4: between their relationship and that that fallout.

2415
01:42:29,760 --> 01:42:33,280
Speaker 8: Unfortunately for me, I built a studio on my crib

2416
01:42:33,360 --> 01:42:34,800
Speaker 8: so I wouldn't even have to be in the mix

2417
01:42:34,920 --> 01:42:37,960
Speaker 8: like that. I get it you did, so I missed

2418
01:42:38,000 --> 01:42:39,920
Speaker 8: out on a lot of that bullshit. You thank god,

2419
01:42:40,640 --> 01:42:42,519
Speaker 8: you know what I'm saying. But it's unfortunate to see

2420
01:42:42,520 --> 01:42:47,120
Speaker 8: somebody to build something that big and that amazing. But

2421
01:42:47,280 --> 01:42:50,960
Speaker 8: can't you know, keep it together because obviously it's like

2422
01:42:51,760 --> 01:42:54,840
Speaker 8: Votron and Votron all the pieces, you know what I'm saying.

2423
01:42:55,320 --> 01:42:59,000
Speaker 8: And Dame, whether you like, love him, hate them, whatever

2424
01:42:59,000 --> 01:43:00,519
Speaker 8: I want to say about them, you know what the

2425
01:43:00,560 --> 01:43:01,200
Speaker 8: fuck you're doing.

2426
01:43:01,760 --> 01:43:05,120
Speaker 6: You can't make a Rock and Feller label like and

2427
01:43:05,200 --> 01:43:06,360
Speaker 6: not know what you're doing.

2428
01:43:06,600 --> 01:43:07,720
Speaker 3: Oh I agree, No, I agree with that.

2429
01:43:07,720 --> 01:43:08,200
Speaker 6: You know what I'm saying.

2430
01:43:08,240 --> 01:43:11,040
Speaker 4: You mean that like him like he does an episode

2431
01:43:11,040 --> 01:43:13,599
Speaker 4: of in Critical of Dang for the first time. But

2432
01:43:14,479 --> 01:43:15,679
Speaker 4: you can't do that without Dang.

2433
01:43:15,760 --> 01:43:18,960
Speaker 2: You can't take that from you know what I'm saying, Nobody,

2434
01:43:19,000 --> 01:43:22,160
Speaker 2: nobody ever has, Like even in Jay's rock and Roll

2435
01:43:22,439 --> 01:43:25,960
Speaker 2: induction he I think Dang, he said, even though we've

2436
01:43:25,960 --> 01:43:28,120
Speaker 2: had our differences, Bro, we could never do that without you,

2437
01:43:28,200 --> 01:43:29,200
Speaker 2: Like you can't, you can't.

2438
01:43:29,240 --> 01:43:31,080
Speaker 4: You can't help that with I don't think anyone would

2439
01:43:31,120 --> 01:43:33,640
Speaker 4: ever dispute that. You know that that would happen without Dan,

2440
01:43:33,760 --> 01:43:34,280
Speaker 4: But that's.

2441
01:43:34,120 --> 01:43:36,639
Speaker 6: The very thing people hold on to to discredit them.

2442
01:43:36,680 --> 01:43:38,720
Speaker 3: Yeah, yeah, yeah.

2443
01:43:38,479 --> 01:43:39,200
Speaker 6: That's what I see.

2444
01:43:39,320 --> 01:43:42,800
Speaker 8: It's like people hold on to his character flaws allegedly

2445
01:43:42,880 --> 01:43:46,519
Speaker 8: to keep the hate going for him. But you can't

2446
01:43:46,920 --> 01:43:49,120
Speaker 8: take history from none of us, whether you like it,

2447
01:43:49,160 --> 01:43:50,960
Speaker 8: but love it like he did it.

2448
01:43:50,960 --> 01:43:54,840
Speaker 6: It was done. You can't change it. But you know

2449
01:43:54,840 --> 01:43:56,040
Speaker 6: what I mean type ship.

2450
01:43:56,520 --> 01:44:00,000
Speaker 4: Nah, I hear that? I mean, how do you even

2451
01:44:00,080 --> 01:44:03,840
Speaker 4: look at that era and how everything has changed, even

2452
01:44:03,920 --> 01:44:08,479
Speaker 4: down to like the Rockefeller Tree where everything is falling,

2453
01:44:08,479 --> 01:44:11,280
Speaker 4: even when your brother did the shirts that had everybody

2454
01:44:11,560 --> 01:44:15,840
Speaker 4: through everything, do you look at that and kind of

2455
01:44:15,840 --> 01:44:20,840
Speaker 4: feel like y'all defined everything and specifically even one because

2456
01:44:20,840 --> 01:44:24,400
Speaker 4: that tree and that sound that you yay. And I

2457
01:44:24,439 --> 01:44:30,320
Speaker 4: also say just that thing that like that changed that tree.

2458
01:44:31,080 --> 01:44:33,599
Speaker 4: When you even get down to showing good music everything,

2459
01:44:33,640 --> 01:44:35,920
Speaker 4: I think everything falls on y'all Snares at the end

2460
01:44:35,960 --> 01:44:40,840
Speaker 4: of the day, just the music. Like as much as

2461
01:44:40,920 --> 01:44:44,080
Speaker 4: much as it's it's Jay Biggs dame at the top

2462
01:44:44,120 --> 01:44:46,600
Speaker 4: of that tree. Because I'm a nerd, I would have

2463
01:44:46,680 --> 01:44:48,000
Speaker 4: liked at least the back of the shirt to have

2464
01:44:48,040 --> 01:44:54,439
Speaker 4: the producers like I feel like a lot of y'all.

2465
01:44:54,640 --> 01:44:58,160
Speaker 4: Y'all sound changed, even what Rihanna did, like Rihanna's on

2466
01:44:58,240 --> 01:45:01,880
Speaker 4: that tree. But if you go through Anti, I could

2467
01:45:01,880 --> 01:45:03,559
Speaker 4: find BNK Snares in Anti.

2468
01:45:05,400 --> 01:45:07,519
Speaker 8: Yeah, I mean working with the number one artist is

2469
01:45:07,520 --> 01:45:10,360
Speaker 8: a blessing the curse because what it does is it

2470
01:45:10,400 --> 01:45:13,479
Speaker 8: makes everybody gun for your sound. Yeah, so what was

2471
01:45:13,520 --> 01:45:17,280
Speaker 8: producer for Drake dressing? Believe every producer across the country's

2472
01:45:17,320 --> 01:45:20,000
Speaker 8: trying to sound like you. That's just how it goes,

2473
01:45:20,280 --> 01:45:26,000
Speaker 8: you know what I'm saying. But at least the producer

2474
01:45:26,080 --> 01:45:29,639
Speaker 8: can know that he's doing. That's the problem. Now these

2475
01:45:29,720 --> 01:45:33,280
Speaker 8: kids are claiming things to be theirs. They belong to

2476
01:45:33,320 --> 01:45:36,360
Speaker 8: somebody else, Like you can't take somebody else's signature anything

2477
01:45:36,400 --> 01:45:39,800
Speaker 8: and make a choice. It doesn't work like that, you

2478
01:45:39,840 --> 01:45:41,680
Speaker 8: know what I'm saying. Once you take that signature, you

2479
01:45:41,800 --> 01:45:44,559
Speaker 8: automatically gonna sound like them. That's what That's what made

2480
01:45:44,560 --> 01:45:46,360
Speaker 8: you love them. Yeah, you know what I'm saying. So

2481
01:45:46,400 --> 01:45:47,880
Speaker 8: why would you take the very thing that made you

2482
01:45:47,920 --> 01:45:50,160
Speaker 8: love him, that made him stick out? And then you

2483
01:45:50,160 --> 01:45:52,800
Speaker 8: can make that choice and that people be like, oh

2484
01:45:52,840 --> 01:45:53,920
Speaker 8: that sound like like because some.

2485
01:45:53,960 --> 01:45:55,280
Speaker 6: Boss man dealo can't come on bro.

2486
01:45:56,040 --> 01:45:57,360
Speaker 3: Yeah, it was.

2487
01:45:57,640 --> 01:45:58,280
Speaker 6: It was a moment.

2488
01:45:58,320 --> 01:45:59,960
Speaker 8: It was different. It changed up the palette for the

2489
01:46:00,040 --> 01:46:02,280
Speaker 8: palette for a minute. I was like, thank god, Oh

2490
01:46:02,400 --> 01:46:06,519
Speaker 8: finally somebody trying something different things GLORIALA saying about Gloria like,

2491
01:46:06,560 --> 01:46:07,000
Speaker 8: oh my.

2492
01:46:06,880 --> 01:46:09,400
Speaker 6: God, thank you. Somebody trying some ship. You know what

2493
01:46:09,400 --> 01:46:14,240
Speaker 6: I'm saying. It's just everybody is just on copy paste.

2494
01:46:14,439 --> 01:46:14,639
Speaker 3: Yeah.

2495
01:46:14,640 --> 01:46:17,519
Speaker 2: Who's some of the producers that you I have hit

2496
01:46:17,600 --> 01:46:22,320
Speaker 2: boy as one of the top four producers right now.

2497
01:46:22,360 --> 01:46:25,799
Speaker 2: To me, I think that his you know, his range

2498
01:46:26,520 --> 01:46:28,920
Speaker 2: type of artists that he can produce for, in the

2499
01:46:28,960 --> 01:46:32,080
Speaker 2: different sounds that he can deliver to each artist. He's

2500
01:46:32,120 --> 01:46:34,559
Speaker 2: one of my all time favorites. But who are some

2501
01:46:34,600 --> 01:46:37,080
Speaker 2: of the guys that you listen to now you like.

2502
01:46:37,160 --> 01:46:38,080
Speaker 2: I like what he's doing.

2503
01:46:41,080 --> 01:46:48,120
Speaker 6: Fuck, it's just this kid that produced on like Your

2504
01:46:48,200 --> 01:46:52,200
Speaker 6: Days Out Open Ship. He did that.

2505
01:46:52,280 --> 01:46:59,599
Speaker 4: Shoe another greatest bro producers, I know, one of them.

2506
01:47:00,000 --> 01:47:02,880
Speaker 4: He also he works with Bruno as well, but I

2507
01:47:02,920 --> 01:47:05,439
Speaker 4: mean he he started well, I started with Lucky, but

2508
01:47:05,479 --> 01:47:08,280
Speaker 4: he's been working with Lucky he said, and say one yeah, yeah,

2509
01:47:08,360 --> 01:47:12,439
Speaker 4: the works with Bruno Demus is he gets it. No,

2510
01:47:12,560 --> 01:47:15,120
Speaker 4: he's one of them, Like he gets it, you.

2511
01:47:15,040 --> 01:47:18,000
Speaker 6: Know what I'm saying. So I love people like that

2512
01:47:18,320 --> 01:47:20,639
Speaker 6: with that type of set. Yeah, you know what I'm saying.

2513
01:47:22,080 --> 01:47:24,559
Speaker 3: I like London on the track to London is far.

2514
01:47:24,720 --> 01:47:25,760
Speaker 6: I like London.

2515
01:47:27,040 --> 01:47:29,840
Speaker 4: And no disrespect to Summer whatsoever. I like her last album.

2516
01:47:29,840 --> 01:47:33,120
Speaker 4: But you see the difference. And I know there's personal

2517
01:47:33,120 --> 01:47:34,920
Speaker 4: stuff there because they stated with it, but you could

2518
01:47:34,920 --> 01:47:37,320
Speaker 4: just see the difference when London is and I mean

2519
01:47:37,400 --> 01:47:39,880
Speaker 4: that in a good way towards both of them.

2520
01:47:39,960 --> 01:47:43,720
Speaker 8: Think about this, bro, any producer, artists, duo you can name,

2521
01:47:44,520 --> 01:47:45,639
Speaker 8: don't fuck with each other.

2522
01:47:45,479 --> 01:47:52,160
Speaker 3: Today producer and all the clips for real.

2523
01:47:52,960 --> 01:47:56,960
Speaker 8: That's how many did you think of though? Before you

2524
01:47:57,000 --> 01:47:58,519
Speaker 8: said that? And they took a break.

2525
01:47:58,880 --> 01:48:01,479
Speaker 6: Yeah, it was a super us with them. Not saying

2526
01:48:01,479 --> 01:48:03,920
Speaker 6: it was beef, but it was a big brick.

2527
01:48:04,080 --> 01:48:06,200
Speaker 3: Yeah. I don't know.

2528
01:48:06,240 --> 01:48:08,759
Speaker 4: Is that just based off being around somebody for thirty

2529
01:48:08,840 --> 01:48:09,920
Speaker 4: years and you just start to get.

2530
01:48:10,040 --> 01:48:11,040
Speaker 6: You know what happened?

2531
01:48:11,080 --> 01:48:12,320
Speaker 4: I do that with my family.

2532
01:48:12,720 --> 01:48:13,519
Speaker 6: For some reason.

2533
01:48:13,560 --> 01:48:17,160
Speaker 8: Bro, artists come out, they're super hungry in the beginning

2534
01:48:17,520 --> 01:48:21,000
Speaker 8: and very show you a lot of gratitude, but once

2535
01:48:21,080 --> 01:48:23,080
Speaker 8: the startom comes in, the fame comes in.

2536
01:48:23,280 --> 01:48:25,200
Speaker 6: Now was fuck you? I did this?

2537
01:48:26,280 --> 01:48:28,720
Speaker 8: So they think they can go to anybody and get

2538
01:48:28,760 --> 01:48:30,960
Speaker 8: the chemistry they was getting with the person that gave

2539
01:48:31,000 --> 01:48:33,680
Speaker 8: them the special shit and you can't do it.

2540
01:48:34,840 --> 01:48:37,559
Speaker 6: You get close, but you there's a reason why y'all

2541
01:48:37,560 --> 01:48:38,360
Speaker 6: did what y'all did.

2542
01:48:39,080 --> 01:48:42,280
Speaker 8: But that's why I love Bro Lim said, I love

2543
01:48:42,400 --> 01:48:46,559
Speaker 8: Future just based on how he does Metro. Bro, that's

2544
01:48:46,560 --> 01:48:52,160
Speaker 8: some rare shit to have a rapper back you in

2545
01:48:52,280 --> 01:48:55,080
Speaker 8: that way. Come on, Bro, they're not gonna do it.

2546
01:48:55,280 --> 01:48:59,000
Speaker 8: The jealousy is too real. I promise you you've never

2547
01:48:59,080 --> 01:49:02,160
Speaker 8: seen that type of port as a art. He went

2548
01:49:02,200 --> 01:49:05,840
Speaker 8: on tour with Metro as a fucking artist. Bro, he

2549
01:49:05,920 --> 01:49:08,599
Speaker 8: didn't fight at one bit, Like Bro, I got you.

2550
01:49:09,040 --> 01:49:12,719
Speaker 8: Whatever you trying to do, they don't that ship is rare. Yeah,

2551
01:49:13,400 --> 01:49:17,280
Speaker 8: that is that you, right, love is rarely reciprocated. Yeah,

2552
01:49:17,520 --> 01:49:20,640
Speaker 8: and Future is special. Like Tip, my future tipped my

2553
01:49:20,680 --> 01:49:23,720
Speaker 8: head to you, like you are a model citizen for

2554
01:49:23,920 --> 01:49:26,320
Speaker 8: artists producer relations.

2555
01:49:26,760 --> 01:49:28,040
Speaker 4: And I'm glad you brought that up because he did

2556
01:49:28,040 --> 01:49:30,919
Speaker 4: the same thing with Esco. His DJ was a great producer.

2557
01:49:31,479 --> 01:49:33,759
Speaker 4: Future in Esco is just as good as Future in Metro.

2558
01:49:33,920 --> 01:49:36,719
Speaker 4: If you get down to the bet stuff and Gucci.

2559
01:49:37,240 --> 01:49:42,719
Speaker 4: Why am I blanking the producer? Oh yeah, uhh yeah,

2560
01:49:42,880 --> 01:49:49,080
Speaker 4: part of my northern brain right now, Like yeah, they've

2561
01:49:49,120 --> 01:49:52,559
Speaker 4: they've always stuck that way. I don't know, but like

2562
01:49:52,600 --> 01:49:55,040
Speaker 4: I feel like even like with Tribe, I don't know,

2563
01:49:55,120 --> 01:49:58,880
Speaker 4: Q Tip and Fife went to fucking middle school together,

2564
01:49:59,040 --> 01:50:02,120
Speaker 4: Like sometimes I think it just like family ship by

2565
01:50:02,160 --> 01:50:02,559
Speaker 4: at the end.

2566
01:50:02,479 --> 01:50:02,800
Speaker 3: Of the day.

2567
01:50:02,920 --> 01:50:05,840
Speaker 8: But according to the documentary, it was like rec fight.

2568
01:50:05,880 --> 01:50:08,759
Speaker 8: But it was like all his input on the curator

2569
01:50:08,800 --> 01:50:10,559
Speaker 8: of the album, like this is that's not what you've

2570
01:50:10,560 --> 01:50:13,960
Speaker 8: been doing right, so now I supposed to just let

2571
01:50:14,040 --> 01:50:17,960
Speaker 8: you do that, like Bro curated Midnight Marauders Chill.

2572
01:50:21,640 --> 01:50:27,200
Speaker 4: Even before A five passed Jerobi to Fife, I'll leave

2573
01:50:27,280 --> 01:50:30,960
Speaker 4: all them even after that, they blame that on Michael

2574
01:50:31,000 --> 01:50:34,160
Speaker 4: Rapp Report, like the way he edited that whole ship. Yeh, yeah,

2575
01:50:34,360 --> 01:50:36,479
Speaker 4: of course they had discrepancies, but the way that ship

2576
01:50:36,520 --> 01:50:38,679
Speaker 4: was edited looked like they really hated each other. Yeah,

2577
01:50:38,880 --> 01:50:40,680
Speaker 4: and it was like, na, that's not really what it

2578
01:50:40,720 --> 01:50:43,720
Speaker 4: is at all. It's just how they like put the

2579
01:50:43,840 --> 01:50:44,320
Speaker 4: edit together.

2580
01:50:44,479 --> 01:50:48,240
Speaker 6: I said, bullshit, Michael Rapp Report, do better.

2581
01:50:48,800 --> 01:50:49,280
Speaker 3: I'm happy.

2582
01:50:49,320 --> 01:50:52,760
Speaker 2: I'm happy that uh Tricky, Trick Tricky and uh the

2583
01:50:52,840 --> 01:50:55,080
Speaker 2: Dream got back together for his next project.

2584
01:50:55,080 --> 01:50:55,719
Speaker 6: You see what I'm saying.

2585
01:50:55,880 --> 01:50:57,679
Speaker 3: Yeah, that was so I was so sad.

2586
01:50:58,160 --> 01:51:00,320
Speaker 8: What happens if they leave you and think they could

2587
01:51:00,360 --> 01:51:03,040
Speaker 8: do with anybody, then you got to get all these ls.

2588
01:51:03,120 --> 01:51:06,000
Speaker 2: Yeah, just to figure out man, damn, let me go

2589
01:51:06,040 --> 01:51:07,840
Speaker 2: back to that new cle just my guy.

2590
01:51:07,960 --> 01:51:08,960
Speaker 6: Yeah, let me fix that.

2591
01:51:09,200 --> 01:51:09,360
Speaker 3: Yeah.

2592
01:51:09,400 --> 01:51:11,600
Speaker 2: It's a real thing though, Like you know, because I

2593
01:51:11,600 --> 01:51:13,960
Speaker 2: think we come to even with how you said with

2594
01:51:14,040 --> 01:51:17,639
Speaker 2: Summer in London. Obviously, you know, they had personal things

2595
01:51:17,640 --> 01:51:21,000
Speaker 2: that caused that, you know, to split, but like Summer's

2596
01:51:21,000 --> 01:51:25,280
Speaker 2: first album was so incredible and obviously London's DNA is

2597
01:51:25,320 --> 01:51:28,439
Speaker 2: a major part of that. So now people are searching

2598
01:51:28,479 --> 01:51:32,320
Speaker 2: for that they broke up, but he still did they

2599
01:51:32,360 --> 01:51:35,160
Speaker 2: broke exactly. So people are still searching for that vibe

2600
01:51:35,160 --> 01:51:37,920
Speaker 2: and that energy and anything that she does moving.

2601
01:51:38,320 --> 01:51:39,840
Speaker 8: So someone you need to go ahead and tell all

2602
01:51:39,880 --> 01:51:43,479
Speaker 8: your new future boyfriends listen, regardless of me and you doing,

2603
01:51:43,720 --> 01:51:45,240
Speaker 8: London is doing my music.

2604
01:51:45,320 --> 01:51:56,920
Speaker 4: Yeah, just called co parents London in colabing. Yeah that's

2605
01:51:57,000 --> 01:52:01,439
Speaker 4: what collab. Collab? Yeah, or think before I let you go?

2606
01:52:02,479 --> 01:52:03,719
Speaker 4: Do you have any of Lea's stories?

2607
01:52:05,040 --> 01:52:08,719
Speaker 8: Liah Man, I did one record to live with MISSI

2608
01:52:11,040 --> 01:52:15,200
Speaker 8: been around the world mm hmm, and now it came out.

2609
01:52:15,360 --> 01:52:16,960
Speaker 6: But man, when I tell you she was.

2610
01:52:17,040 --> 01:52:19,120
Speaker 4: How you can find on YouTube? Huh, I think you

2611
01:52:19,160 --> 01:52:19,680
Speaker 4: can find you.

2612
01:52:20,200 --> 01:52:22,160
Speaker 8: Yeah, I'm gonna look for that ship. But she was

2613
01:52:22,160 --> 01:52:26,120
Speaker 8: a she was a beautiful soul bro Indeed, like real ship.

2614
01:52:26,120 --> 01:52:28,160
Speaker 8: A lot of people don't know. Free was supposed to

2615
01:52:28,160 --> 01:52:30,720
Speaker 8: be on that plane too, mm hmm. That was my

2616
01:52:30,760 --> 01:52:32,960
Speaker 8: girl at the time. Yeah, she was supposed to be

2617
01:52:32,960 --> 01:52:36,920
Speaker 8: in the plane. She asked Free to go, and she didn't.

2618
01:52:36,960 --> 01:52:39,880
Speaker 8: She she didn't go last minute. But her energy was

2619
01:52:39,920 --> 01:52:42,000
Speaker 8: just so crazy, man, she was just she was an

2620
01:52:42,040 --> 01:52:45,240
Speaker 8: angel like real ship, good people, man, like it killed everybody.

2621
01:52:45,360 --> 01:52:48,000
Speaker 8: I remember when it happened. The two ways were out

2622
01:52:48,400 --> 01:52:50,800
Speaker 8: and we were. I think we were in Anaheim doing

2623
01:52:50,880 --> 01:52:53,640
Speaker 8: something and I remember opened my two way and I

2624
01:52:53,720 --> 01:52:56,400
Speaker 8: seen it and I just closed it and I just

2625
01:52:56,479 --> 01:52:58,320
Speaker 8: looked around the room and I just start seeing everybody like.

2626
01:52:59,720 --> 01:53:03,559
Speaker 6: Herry like looking down. I was like a ship. Yeah,

2627
01:53:03,760 --> 01:53:07,880
Speaker 6: it's real. So that's a bad, bad time of music.

2628
01:53:08,000 --> 01:53:08,479
Speaker 3: Ship that was.

2629
01:53:08,520 --> 01:53:09,639
Speaker 6: That was horrible.

2630
01:53:09,760 --> 01:53:12,840
Speaker 3: That was tough. That was we was in. I spoke

2631
01:53:12,880 --> 01:53:13,400
Speaker 3: about this before.

2632
01:53:13,400 --> 01:53:17,320
Speaker 2: We was in the Hamptons at the house that they

2633
01:53:18,240 --> 01:53:20,000
Speaker 2: that my brother Dame and them we used to have

2634
01:53:20,240 --> 01:53:22,840
Speaker 2: every summer and it was crazy because when we was there,

2635
01:53:22,880 --> 01:53:25,040
Speaker 2: it was like a lead was there the weekend or

2636
01:53:25,080 --> 01:53:27,840
Speaker 2: tw weekends before that with Dane, so some of her

2637
01:53:27,880 --> 01:53:31,320
Speaker 2: sneakers was there, taller trees, lotions and everything was in

2638
01:53:31,320 --> 01:53:32,800
Speaker 2: the room. So it was like, you know when we

2639
01:53:32,880 --> 01:53:37,360
Speaker 2: got that call, that was you know, yeah, that was

2640
01:53:37,400 --> 01:53:41,439
Speaker 2: That was one of the craziest, seriest times. Every kind

2641
01:53:41,439 --> 01:53:42,759
Speaker 2: of knocked the air out of everybody.

2642
01:53:42,840 --> 01:53:44,360
Speaker 6: I might have been the only nigga that used to

2643
01:53:44,439 --> 01:53:46,400
Speaker 6: joke dang back back in the day.

2644
01:53:46,520 --> 01:53:49,200
Speaker 8: Yeah, And the last time I seen Dane, he was

2645
01:53:49,439 --> 01:53:51,400
Speaker 8: him and the lead together, Me and Free was together.

2646
01:53:52,080 --> 01:53:54,920
Speaker 8: There's a studio downtown and it was like you ain't

2647
01:53:54,960 --> 01:53:57,040
Speaker 8: gonna joke with your girl like you with your girl.

2648
01:53:57,240 --> 01:53:59,679
Speaker 3: Yeah yeah, all.

2649
01:54:02,439 --> 01:54:04,080
Speaker 6: Right there, but yeah, it was like it was a

2650
01:54:04,080 --> 01:54:04,880
Speaker 6: great time we had.

2651
01:54:06,479 --> 01:54:07,200
Speaker 3: Beautiful man.

2652
01:54:08,000 --> 01:54:11,519
Speaker 4: Think I enjoy this peaceful spirit that you have, right yeah, man, No,

2653
01:54:11,600 --> 01:54:11,800
Speaker 4: I know.

2654
01:54:11,960 --> 01:54:12,639
Speaker 3: I think it's great.

2655
01:54:14,680 --> 01:54:19,120
Speaker 4: People have a miss misconstrued of who you are because

2656
01:54:19,120 --> 01:54:21,120
Speaker 4: you and I speak a lot, and every time people

2657
01:54:21,760 --> 01:54:24,280
Speaker 4: bring you up on the Internet, I'm like, that's not.

2658
01:54:24,200 --> 01:54:25,760
Speaker 3: Who Bink is whatsoever.

2659
01:54:26,120 --> 01:54:29,439
Speaker 6: Yeah, So I'm just I'm not uncle to tell you

2660
01:54:29,439 --> 01:54:29,960
Speaker 6: what it is.

2661
01:54:30,520 --> 01:54:32,120
Speaker 8: If you don't want to know, don't ask me, right,

2662
01:54:32,720 --> 01:54:34,960
Speaker 8: that's wrong with that. Don't ask me if you really

2663
01:54:35,000 --> 01:54:36,600
Speaker 8: don't want to know. You know what I'm saying. But

2664
01:54:36,680 --> 01:54:40,200
Speaker 8: I'm not gonna, you know, yeah, push your foot around

2665
01:54:40,200 --> 01:54:41,760
Speaker 8: for you to make you feel comfortable, like.

2666
01:54:41,800 --> 01:54:42,720
Speaker 6: No, I'm gonna give it to you.

2667
01:54:42,800 --> 01:54:43,040
Speaker 2: Yeah.

2668
01:54:43,240 --> 01:54:45,080
Speaker 6: But other than that, I stay in my lane. I stay.

2669
01:54:45,680 --> 01:54:46,320
Speaker 3: Yeah.

2670
01:54:46,400 --> 01:54:48,920
Speaker 4: And I just think the internet ran with a narrative

2671
01:54:48,920 --> 01:54:51,400
Speaker 4: of you that I've always found completely untrue because I

2672
01:54:51,400 --> 01:54:54,000
Speaker 4: know you for real, like, and it never been that way.

2673
01:54:54,000 --> 01:54:54,720
Speaker 6: And that's another thing.

2674
01:54:54,760 --> 01:54:57,160
Speaker 8: Once you get to this part of your life right here,

2675
01:54:57,720 --> 01:55:00,480
Speaker 8: what people think you, you don't give a fuck, man,

2676
01:55:01,280 --> 01:55:03,440
Speaker 8: It's not my job to correct these whole ass niggas,

2677
01:55:03,440 --> 01:55:05,360
Speaker 8: but you know what I'm saying, So I just let

2678
01:55:05,440 --> 01:55:06,360
Speaker 8: them think what they want to think.

2679
01:55:06,720 --> 01:55:08,400
Speaker 6: I know who I am, and people who fuck with

2680
01:55:08,440 --> 01:55:10,760
Speaker 6: me fuck with me know who I am as well.

2681
01:55:11,320 --> 01:55:11,840
Speaker 6: You know what I'm saying.

2682
01:55:11,840 --> 01:55:13,600
Speaker 8: Other than that, I don't if somebody tell you my

2683
01:55:13,640 --> 01:55:16,200
Speaker 8: ass so I don't like them, it's a great chance

2684
01:55:16,200 --> 01:55:18,240
Speaker 8: of that. I just don't fuck with them, you know

2685
01:55:18,280 --> 01:55:20,600
Speaker 8: what I'm saying. Because if I think you cheerbody like family,

2686
01:55:20,600 --> 01:55:21,400
Speaker 8: what makes it special?

2687
01:55:21,760 --> 01:55:22,240
Speaker 3: Yeah?

2688
01:55:22,320 --> 01:55:24,440
Speaker 4: Because even after like getting to know you, we did

2689
01:55:24,480 --> 01:55:26,240
Speaker 4: business together and I was like, that was the easiest,

2690
01:55:26,520 --> 01:55:27,600
Speaker 4: the easiest fuck.

2691
01:55:28,280 --> 01:55:30,720
Speaker 6: EASi as fuck right Yo, I said it to you

2692
01:55:30,800 --> 01:55:32,960
Speaker 6: like that, Okay, I gotta here's a session.

2693
01:55:33,000 --> 01:55:34,360
Speaker 3: Roy, You're like, okay, but.

2694
01:55:35,840 --> 01:55:37,760
Speaker 4: I just think offics been through the ringing with bullshit.

2695
01:55:38,560 --> 01:55:40,320
Speaker 4: I'm of the belief we could do good. But it's

2696
01:55:40,320 --> 01:55:42,560
Speaker 4: easy to do good business. Listen, it's people that make

2697
01:55:42,600 --> 01:55:45,360
Speaker 4: the shit difficult for no reasons. Here's the money, here's

2698
01:55:45,400 --> 01:55:46,360
Speaker 4: the session, and.

2699
01:55:46,320 --> 01:55:49,680
Speaker 8: We don't rest. And that's the thing. People come to

2700
01:55:49,720 --> 01:55:51,600
Speaker 8: me all the time without them.

2701
01:55:51,440 --> 01:55:53,280
Speaker 6: Bread right right right?

2702
01:55:55,000 --> 01:55:57,040
Speaker 3: What do I supposed to do itgin to me. I

2703
01:55:57,080 --> 01:56:00,960
Speaker 3: would never approach without some bread. You know what I'm saying.

2704
01:56:01,000 --> 01:56:02,520
Speaker 6: You ain't paying nothing to produces yet.

2705
01:56:02,560 --> 01:56:05,600
Speaker 8: Blood, I'm not here representing the rest of producers right right.

2706
01:56:07,400 --> 01:56:09,720
Speaker 6: I won't tell him you, I promise you, I won't

2707
01:56:09,760 --> 01:56:14,000
Speaker 6: tell him you pay me. Yeah, but that's the game. Yeah,

2708
01:56:14,120 --> 01:56:16,600
Speaker 6: as long as you're not asking for you, I.

2709
01:56:16,600 --> 01:56:18,360
Speaker 4: Just don't move. When I have a budget and when

2710
01:56:18,400 --> 01:56:21,600
Speaker 4: i'm co producing producer whatever, I want a big beat,

2711
01:56:21,760 --> 01:56:24,120
Speaker 4: I hit big. I said, this is the price I got,

2712
01:56:24,120 --> 01:56:25,560
Speaker 4: and this is what it is. I'll send it to

2713
01:56:25,600 --> 01:56:28,080
Speaker 4: you right now. Right here we go the way it

2714
01:56:28,120 --> 01:56:28,480
Speaker 4: should go.

2715
01:56:29,440 --> 01:56:31,760
Speaker 8: It was like on the spot form like literally, I

2716
01:56:31,880 --> 01:56:33,920
Speaker 8: curate won't like that in the next few hours and

2717
01:56:33,960 --> 01:56:34,800
Speaker 8: send it back to him.

2718
01:56:34,920 --> 01:56:37,520
Speaker 6: That's the reason, Joan, Yeah.

2719
01:56:36,880 --> 01:56:37,320
Speaker 3: That ship.

2720
01:56:38,000 --> 01:56:41,200
Speaker 4: It was the reason reason heard from me? Since the

2721
01:56:41,360 --> 01:56:43,440
Speaker 4: reason would love a fucking big peop? Would you crazy

2722
01:56:43,600 --> 01:56:43,800
Speaker 4: for you?

2723
01:56:43,840 --> 01:56:44,680
Speaker 3: Since reason? What's up with?

2724
01:56:44,960 --> 01:56:45,120
Speaker 6: Yeah?

2725
01:56:45,240 --> 01:56:49,800
Speaker 4: No reason, just the reason specifically.

2726
01:56:50,680 --> 01:56:52,960
Speaker 8: I mean for it for I am desperately trying to

2727
01:56:52,960 --> 01:56:54,400
Speaker 8: find somebody to doing EP with.

2728
01:56:54,920 --> 01:56:56,880
Speaker 4: Oh, reason would do a EP with you?

2729
01:56:56,920 --> 01:56:58,200
Speaker 2: On the hard I told you I want to do

2730
01:56:58,240 --> 01:57:00,600
Speaker 2: something with with Nick, with Nick Grant told you about

2731
01:57:00,640 --> 01:57:01,000
Speaker 2: that one.

2732
01:57:01,120 --> 01:57:01,600
Speaker 6: Let's talk.

2733
01:57:02,840 --> 01:57:03,480
Speaker 3: I'm open you.

2734
01:57:07,080 --> 01:57:09,520
Speaker 4: Will go fuck it away from you. I was terrified

2735
01:57:09,560 --> 01:57:12,280
Speaker 4: because I just got a not being we were cool.

2736
01:57:12,920 --> 01:57:16,360
Speaker 4: But I had sent with the beat that he did

2737
01:57:16,400 --> 01:57:18,160
Speaker 4: for the reason ship. I sent to my man Coleman

2738
01:57:18,200 --> 01:57:20,280
Speaker 4: because I want the keys on the ship, and you

2739
01:57:20,400 --> 01:57:22,280
Speaker 4: had called me, and I was like, all right, I

2740
01:57:22,360 --> 01:57:24,400
Speaker 4: hit you right back because I thought you was about

2741
01:57:24,440 --> 01:57:26,400
Speaker 4: to curse me out because you text me and say, Yo,

2742
01:57:26,440 --> 01:57:28,280
Speaker 4: who put keys on the ship. I was like, yeah,

2743
01:57:28,360 --> 01:57:30,640
Speaker 4: my man, Coleman, do it. I thought you was gonna

2744
01:57:31,240 --> 01:57:33,320
Speaker 4: scream at me, and you said, Yo, can I sign

2745
01:57:33,360 --> 01:57:33,680
Speaker 4: that kid?

2746
01:57:35,160 --> 01:57:38,720
Speaker 3: Yeah, listen if it's right. I got nothing to say.

2747
01:57:38,760 --> 01:57:40,880
Speaker 3: I'm not a hater, my dude. People trying to make

2748
01:57:40,920 --> 01:57:45,240
Speaker 3: me up. I problem far from you. No, No, I'm.

2749
01:57:45,120 --> 01:57:48,440
Speaker 8: Saying, like, particularly ship this ship. I would have been

2750
01:57:48,480 --> 01:57:50,520
Speaker 8: a dick here to say, yo, take that ship off.

2751
01:57:50,560 --> 01:57:52,960
Speaker 8: That sounding great, It's just sounds amazing.

2752
01:57:53,400 --> 01:57:55,280
Speaker 4: When you sent me those drums that I was like, oh,

2753
01:57:55,320 --> 01:57:57,480
Speaker 4: I need Coleman to just go nuts on it.

2754
01:57:58,360 --> 01:58:00,360
Speaker 8: And I'm like, like, I say, I ain't gonna nothing

2755
01:58:00,360 --> 01:58:02,960
Speaker 8: if it's real. I never liked the breakdown de new

2756
01:58:03,000 --> 01:58:04,800
Speaker 8: dress though, that's honest to god.

2757
01:58:05,200 --> 01:58:06,160
Speaker 4: You don't like that breakdown.

2758
01:58:06,480 --> 01:58:10,600
Speaker 6: Never liked the unseasoned chicken to me, really unseasoned chicken.

2759
01:58:11,200 --> 01:58:12,800
Speaker 4: Well, that that's the lack of melanin. To me, I'm

2760
01:58:12,880 --> 01:58:15,080
Speaker 4: unseason chicken. I like the breakdown.

2761
01:58:16,040 --> 01:58:16,520
Speaker 6: I hate that.

2762
01:58:17,600 --> 01:58:19,879
Speaker 4: I think, well, I think it. Just let the guitar

2763
01:58:20,600 --> 01:58:24,000
Speaker 4: breathe a bit off the breakdown. I finally just like,

2764
01:58:24,000 --> 01:58:25,880
Speaker 4: like when you lower everything, it just let that ship

2765
01:58:26,000 --> 01:58:26,600
Speaker 4: be the top.

2766
01:58:26,720 --> 01:58:28,040
Speaker 6: Matter of fact, this camera right here.

2767
01:58:28,200 --> 01:58:31,320
Speaker 8: Yeah, I got the pro to session to devil a

2768
01:58:31,440 --> 01:58:35,080
Speaker 8: new dress now, and I've finally seen how you butchered

2769
01:58:35,120 --> 01:58:39,160
Speaker 8: my ship, Mike, finally seeing it myself.

2770
01:58:41,760 --> 01:58:42,320
Speaker 6: I don't like.

2771
01:58:46,400 --> 01:58:47,320
Speaker 3: Butcher my ship.

2772
01:58:47,800 --> 01:58:50,240
Speaker 6: I couldn't believe me. I was like, yeah, this is

2773
01:58:50,280 --> 01:58:54,040
Speaker 6: what happened. I got you Yeah, yeah, got the evidence.

2774
01:58:54,080 --> 01:58:56,480
Speaker 2: Now your bank man, I'm looking forward to more music

2775
01:58:56,480 --> 01:58:58,560
Speaker 2: from you, man, one of one of my personal favorite

2776
01:58:58,600 --> 01:58:59,360
Speaker 2: producers ever.

2777
01:58:59,720 --> 01:58:59,880
Speaker 4: Man.

2778
01:59:01,360 --> 01:59:02,960
Speaker 3: Yeah, Man, we send him music.

2779
01:59:03,280 --> 01:59:05,200
Speaker 6: Yeah, I only send him and his brother music.

2780
01:59:05,360 --> 01:59:07,520
Speaker 3: Yeah, I definitely got some music from banking.

2781
01:59:07,760 --> 01:59:09,520
Speaker 6: Is the connection to me and Jay.

2782
01:59:09,800 --> 01:59:15,160
Speaker 4: Somebody sent me the nas Echo original bank beat. I'm

2783
01:59:15,160 --> 01:59:16,480
Speaker 4: not going to say who sent it to him, but

2784
01:59:16,520 --> 01:59:17,920
Speaker 4: I leave that ship. I put that on Twitter.

2785
01:59:21,320 --> 01:59:24,600
Speaker 8: Was that was my way trying to get it nod. Yeah, bro,

2786
01:59:24,760 --> 01:59:26,600
Speaker 8: I couldn't work with Naves back then because of the

2787
01:59:26,680 --> 01:59:28,680
Speaker 8: Ja Ship. Okay, Yeah, I'm like, Yo, I'm not that

2788
01:59:28,720 --> 01:59:30,720
Speaker 8: type of dude. I'm not gonna go do a Naves

2789
01:59:30,760 --> 01:59:31,600
Speaker 8: beat and then come.

2790
01:59:31,480 --> 01:59:31,960
Speaker 3: See what's up.

2791
01:59:32,000 --> 01:59:34,960
Speaker 4: Jake scratched it this thing like I love Echo, but

2792
01:59:35,200 --> 01:59:39,400
Speaker 4: your version of Echo is fucking nuts. Like yeah, your

2793
01:59:39,480 --> 01:59:43,200
Speaker 4: version of Echo is crazy. Sax player, the whole Yeah,

2794
01:59:44,160 --> 01:59:46,760
Speaker 4: Bank the Humble Monster, Yo, Bank, listen, man, we appreciate

2795
01:59:46,800 --> 01:59:47,400
Speaker 4: you pulling up.

2796
01:59:47,720 --> 01:59:49,800
Speaker 2: Next time, you know, come by, talk some more. Shways

2797
01:59:49,800 --> 01:59:53,080
Speaker 2: man always, that's Banked the Humble Monster. I'm that nigga.

2798
01:59:53,120 --> 01:59:54,400
Speaker 3: He's just ginger peace