WEBVTT - Best Bits (Just The Bits) with Morgan: PART 2

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<v Speaker 1>It's the best Bits of the week with Morgan number two.

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<v Speaker 1>What's up, y'all, it's the best bits Morgan here. This

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<v Speaker 1>is just the bits you heard best Bits Part one,

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<v Speaker 1>the scoop of Steve. But this is just the bits

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<v Speaker 1>where I will intro them and you can hear them

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<v Speaker 1>back in case you missed them this week, or maybe

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<v Speaker 1>you just want to listen again, whatever you like, that's

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<v Speaker 1>what this is here for. So we are diving in.

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<v Speaker 1>Anna Kendrick came on the show for the first time

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<v Speaker 1>and she talked about her brand new movie. But she

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<v Speaker 1>also shared that she doesn't like to watch her own

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<v Speaker 1>movies in public, and I thought that was super interesting

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<v Speaker 1>and she just seems like a really awesome person. So

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<v Speaker 1>here's the interview with Bobby and Anna Kendrick number seven

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<v Speaker 1>on The Bobby Bones Show. Now, Anna Kendrick, Anna, how

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<v Speaker 1>Bobby you can see you? How are you hey? Doing

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<v Speaker 1>pretty good? I have a couple questions for you. When

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<v Speaker 1>I heard what we're going to talk and I was

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<v Speaker 1>reading about this movie how and I because this is

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<v Speaker 1>such a dramatic role, do you have to go in

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<v Speaker 1>that morning already preparing to be sad or angry or

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<v Speaker 1>hurt because you know, I come in, I do the

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<v Speaker 1>show for five hours, and I got to come in

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<v Speaker 1>with some sort of mindset when you're playing a role

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<v Speaker 1>like this, is it different? Yeah, I mean it's it's funny.

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<v Speaker 1>I do think like the idea of coming into work

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<v Speaker 1>and being like, man, I gotta be sad today is

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<v Speaker 1>is like a kind of hilarious and perfect way to

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<v Speaker 1>think about it. But yeah, I think that there were

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<v Speaker 1>there were some scenes that I was a little bit

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<v Speaker 1>like you have to ramp yourself into it, you know.

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<v Speaker 1>It's also it's a weird thing because you are at work,

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<v Speaker 1>you know, Like I think that there's a myth around

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<v Speaker 1>film sets as these perfect artistic bubbles, but they are

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<v Speaker 1>like just an outdoor office at the end of the day.

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<v Speaker 1>So it's a really bizarre thing to like go to

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<v Speaker 1>work at the office and you know, be like good morning,

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<v Speaker 1>good morning, Oh how are you, how is your weekend?

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<v Speaker 1>And then be like, oh, I have to have a

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<v Speaker 1>full blown panic attack in like half an hour, and

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<v Speaker 1>I have to do that all day. So it's definitely

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<v Speaker 1>a strange thing. But um, I actually I remember Mary

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<v Speaker 1>the director, at one point, pulling me aside before we

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<v Speaker 1>started filming and being like, just so you know, if

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<v Speaker 1>there's ever a moment where you know, things feel like

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<v Speaker 1>too intense for you and you need to step off

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<v Speaker 1>set for a while, like just always let me know.

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<v Speaker 1>And uh. And I was like, oh, that's so sweet.

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<v Speaker 1>I don't I'm not really that kind of actor where it,

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<v Speaker 1>you know, kind of gets away from me. But this

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<v Speaker 1>was probably the closest to that, you know, because this is, um,

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<v Speaker 1>this film's very personal to me, and so I think

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<v Speaker 1>that I knew that like living in that and bringing

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<v Speaker 1>up some of those experiences in my body again would

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<v Speaker 1>be tricky. It was exciting, and I also felt like

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<v Speaker 1>the crew was so sensitive to the process because everybody

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<v Speaker 1>that came to work on the movie kind of came

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<v Speaker 1>to work on it because they read the script and

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<v Speaker 1>they had had a similar experience, so they were really understanding.

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<v Speaker 1>And I felt very held by the crew, if that

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<v Speaker 1>makes sense, and that that made it a lot easier.

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<v Speaker 1>You know, when when you feel safe like that, it's

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<v Speaker 1>a lot easier to kind of like get into that mindset.

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<v Speaker 1>You know, you don't have to like push for it.

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<v Speaker 1>It like has permission to come up. Sorry, I'm being

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<v Speaker 1>very Uh, I'm doing a lot of like actors speak,

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<v Speaker 1>which I which is annoying, but um, you know that

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<v Speaker 1>that's how I felt about it. I guess if you're

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<v Speaker 1>crying in a scene that's very emotional, it could be

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<v Speaker 1>either Alice Darling or anything else you're doing. If it's

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<v Speaker 1>very emotional and they go all right, cut, can you

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<v Speaker 1>just go all right, give me a Canoli and I'll

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<v Speaker 1>take a mountain dew? Or again, does it take a

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<v Speaker 1>little bit of time to come out of that because

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<v Speaker 1>you have dedicated yourself? Oh my god? Well, first of all,

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<v Speaker 1>I feel like a Canolian a mountain dew is going

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<v Speaker 1>to be the order for sure. That's so specific? Is that?

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<v Speaker 1>Is that a combination that you're fond of? Sir? I know,

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<v Speaker 1>it just was me going, what sounds fun? What sounds

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<v Speaker 1>the opposite of crying? A Conolian mountain dew? It just

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<v Speaker 1>came out, Yeah, that, Yeah, that is the opposite of crying.

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<v Speaker 1>I mean, yeah, I am pretty much like the Conolean

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<v Speaker 1>the mountain dew or I am now now that I

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<v Speaker 1>know that specifically, I should order that that's what's coming.

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<v Speaker 1>But I think it depends on if you're if you're

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<v Speaker 1>like about to roll into the next one. You know,

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<v Speaker 1>you might just kind of like keep your head down

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<v Speaker 1>and stay in the space. But yeah, like once you've

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<v Speaker 1>moved on from the scene. Also, you're so elated to

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<v Speaker 1>just be done with it, to be like sort of

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<v Speaker 1>done being in that space that you do get this

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<v Speaker 1>like adrenaline afterglow thing. You know that like the hard

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<v Speaker 1>part of the day is over and now all I

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<v Speaker 1>have to do is like walk down a hallway. It's yeah,

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<v Speaker 1>that's the best feeling. You're very polite, although you did

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<v Speaker 1>call me sir. Do I look like I'm sixty or something?

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<v Speaker 1>And I just I'm just I'm now I'm self conscious

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<v Speaker 1>of it. Well because I called you sir, Yeah, like

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<v Speaker 1>I'm really sixty. Yeah, do I like sixty or something?

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<v Speaker 1>But oh, I was I was trying to be adorable, sir. Oh,

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<v Speaker 1>but now I've made your self conscious. I was like, oh, no,

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<v Speaker 1>you think some old man. Okay, ma'am gotta quite maam. Yeah,

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<v Speaker 1>you can call me maam. Love it now. I'm a

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<v Speaker 1>big fan. You're hilarious. You're also able to be extremely

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<v Speaker 1>emotional when you're a kid and you're learning range, Like,

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<v Speaker 1>at what age do you start to learn actual emotional range.

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<v Speaker 1>Do you do it at seven, eight, nine years old

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<v Speaker 1>or is that something you get to do later in life.

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<v Speaker 1>As a kid, I was more in tune with like

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<v Speaker 1>other people's of feelings, So it was like reading people

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<v Speaker 1>was kind of the move when I was a kid,

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<v Speaker 1>and uh, but I was definitely good at figuring out

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<v Speaker 1>like what people kind of wanted, you know, and uh

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<v Speaker 1>and being like the kind of apple polisher if you will.

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<v Speaker 1>Uh So, Uh, it is actually been an interesting few

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<v Speaker 1>years for me because especially after you know, being in

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<v Speaker 1>this really horrible relationship and uh, you know, things kind

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<v Speaker 1>of falling apart, it felt like, oh, maybe it's time

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<v Speaker 1>to sort of investigate what's going on in this direction?

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<v Speaker 1>The range thing. I don't I don't feel like I'm

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<v Speaker 1>not really answering your question, but I don't feel like

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<v Speaker 1>I had like a lot of authentic range when I

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<v Speaker 1>was like seven or eighte But I definitely knew, like

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<v Speaker 1>if I was in like a school play or something,

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<v Speaker 1>I definitely knew what people wanted me to do, and

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<v Speaker 1>I could sort of like fake it and like getting

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<v Speaker 1>to a place where it's, uh, you're you're kind of

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<v Speaker 1>safe enough and comfortable enough to like, oh, God, I'm

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<v Speaker 1>really trying hard not to use phrases like go to

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<v Speaker 1>that place because it's such like actor speak. It sounds

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<v Speaker 1>so horrible and corny. But um, but that's been really again,

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<v Speaker 1>like challenging but really rewarding. Um. Anna Kendrick is on

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<v Speaker 1>with us right now. Do you can you when you

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<v Speaker 1>watch the movie back? First, the quick question is will

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<v Speaker 1>you watch it all the way back in a theater

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<v Speaker 1>that's not like a premiere? Will you just go and

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<v Speaker 1>watch it like out in theater? Yeah, I've ever done that. Um. Yeah,

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<v Speaker 1>people talk about doing stuff like that. I've never done that.

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<v Speaker 1>I think I'm in the way that, Like I don't

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<v Speaker 1>throw myself birthday parties because it's like, oh god, what

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<v Speaker 1>if nobody shows up? Like the idea of going to

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<v Speaker 1>a theater where something's playing and being empty is just

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<v Speaker 1>too heartbreaking. So um, I don't think I've ever done that.

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<v Speaker 1>But I did watch this movie in like a screening

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<v Speaker 1>room before it premiered, but I was sort of it

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<v Speaker 1>was more worky. It was like, you know, making changes

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<v Speaker 1>to the edit and stuff. But I watching it at

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<v Speaker 1>the at the premiere at the Toronto Film Festival was

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<v Speaker 1>was really fun because like hearing the audience fully gasp,

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<v Speaker 1>like hundreds and hundreds of people just like gasping at

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<v Speaker 1>these things that are so small and intimate, and you're

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<v Speaker 1>worried that this is such a small story that it

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<v Speaker 1>won't evoke enough of an emotional reaction. Was really exciting. Oh,

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<v Speaker 1>we have sixty seconds. I want to run through it.

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<v Speaker 1>Just give me a quick answer on these Who is

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<v Speaker 1>the coolest person who watches your story on Instagram? Oh,

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<v Speaker 1>my gosh, who follows me on Instagram? Oh? Well, I

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<v Speaker 1>know that Pete Holmes just followed me on Instagram, so

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<v Speaker 1>maybe you watch the story. Your favorite movie as a

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<v Speaker 1>kid as a little kid was hocus Pocus, and then

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<v Speaker 1>by the time I was twelve, it was The Women,

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<v Speaker 1>Why the forty seven and Anna Kendrick forty seven because

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<v Speaker 1>one time somebody called me Ak forty seven and it's

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<v Speaker 1>a nickname much cooler than I deserve. And the final question,

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<v Speaker 1>who is an actor that you didn't know before that

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<v Speaker 1>you worked with and you thought they were so funny

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<v Speaker 1>that you couldn't get enough of them just being hilarious. Well,

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<v Speaker 1>I just worked with Tony Hale and everybody already knows

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<v Speaker 1>he's hilarious. But I would just like to let the

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<v Speaker 1>world know he's just that funny in person as well.

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<v Speaker 1>And you're awesome. Thank you. We can't wait to see

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<v Speaker 1>the movie and I hope it sells so many tickets

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<v Speaker 1>and I hope the story resonates with so many people.

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<v Speaker 1>And thank you very much. It's a big fan. Thank

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<v Speaker 1>you very much, sir, Thank you man. Bye. It's the

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<v Speaker 1>best Bits of the week with Morgan. Number two, Amy's

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<v Speaker 1>son has his own radio show, The Stevenson Show, And

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<v Speaker 1>I should say that lightly. It's not like a full

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<v Speaker 1>blown radio show, but he likes to record things and

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<v Speaker 1>Amy brings it in for us to hear, and they

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<v Speaker 1>are so funny, and this one is no exception. He

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<v Speaker 1>was sharing hygiene advice and he has a very catchy

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<v Speaker 1>phrase that he quoted said, I'm not really sure I

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<v Speaker 1>think it's his own. So basically, if you use this

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<v Speaker 1>quote moving forward, it is a Stevenson original. And I

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<v Speaker 1>hope you enjoyed this as much as we did. Number six,

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<v Speaker 1>Amy's son, Stevenson, now does a mini version of a

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<v Speaker 1>radio show. It's called The Stevenson Show Stevenson Radio Show. Hi,

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<v Speaker 1>it's Stevenson Today. We're talking about hygiene and smelling good.

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<v Speaker 1>Always remember to bush your teeth, take a shower, put

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<v Speaker 1>your door on, and don't forget to splat on some cologne.

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<v Speaker 1>One skirt make the Girl flirt Stevenson Radio show, One

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<v Speaker 1>square makes a Girl flat. That's nice. He got cologne

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<v Speaker 1>for Christmas, so that was the inspiration behind that episode.

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<v Speaker 1>And when he got the cologne, that's what he said.

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<v Speaker 1>One skirt makes a girl flirt. Yeah, that's all him. Wow,

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<v Speaker 1>it's the best bits of the week with Morgan. Number two.

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<v Speaker 1>This week was the iconic Dolly Parton's birthday, and for

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<v Speaker 1>her birthday, in honor of that, we decided to share

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<v Speaker 1>sometimes she's been on the show and some stories that

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<v Speaker 1>she shared with us, and all of them are so

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<v Speaker 1>good and if you haven't heard these, this is my

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<v Speaker 1>favorite because she talked a lot about how she wrote

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<v Speaker 1>two of her hit songs on one day, how she

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<v Speaker 1>didn't know what was going to happen with I Will

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<v Speaker 1>Always Love You, and just there's a lot of cool

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<v Speaker 1>stuff about Dolly partnering here that you may have missed

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<v Speaker 1>before when she was on over the course of like

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<v Speaker 1>the last I don't know seven years. So here's the

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<v Speaker 1>interviews with Dolly Parton, but more importantly, we are celebrating

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<v Speaker 1>the queen. It's basically Dolly parton birthday month. So here

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<v Speaker 1>it is Happy Birthday again Dolly Parton number five, Dolly

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<v Speaker 1>Parton's birthday today. Dolly is timeless. I don't think I

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<v Speaker 1>would know how old she was unless it was in

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<v Speaker 1>front of me, because she seems fifty and ninety at

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<v Speaker 1>the same time. Yeah, like, she seems like she's been

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<v Speaker 1>around forever, but she also has the spunk still that

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<v Speaker 1>I'm like, maybe I'm guessing too old. How old do

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<v Speaker 1>you think Dolly is? Amy? Oh, man, I know timeless.

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<v Speaker 1>Dolly's timeless, right, So I'll go with eighty Eddie seventy

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<v Speaker 1>five lunchbox. I talked about this my wife the other nine,

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<v Speaker 1>and I said, seventy three. She has to be seventy

0:11:45.040 --> 0:11:48.280
<v Speaker 1>three years old. She's seventy seven. Oh oh, Happy birthday,

0:11:48.320 --> 0:11:51.560
<v Speaker 1>Dolly Parton. Dolly Rebecca Parton was born in January nineteenth,

0:11:51.720 --> 0:11:53.840
<v Speaker 1>nineteen forty six, and a one room cabin on the

0:11:53.840 --> 0:11:56.840
<v Speaker 1>banks of the Little Pigeon River in Pittman Center, Tennessee.

0:11:57.080 --> 0:11:59.720
<v Speaker 1>What do you think Dolly's number one streaming song is

0:11:59.720 --> 0:12:02.560
<v Speaker 1>of all time? Amy I Will Always Love You. That

0:12:02.640 --> 0:12:06.839
<v Speaker 1>comes in at number four from nineteen seventy four. I

0:12:06.840 --> 0:12:09.080
<v Speaker 1>Will Always Love You, a song she wrote recorded, did

0:12:09.120 --> 0:12:11.360
<v Speaker 1>not know Whitney had recorded it really until she was

0:12:11.440 --> 0:12:14.679
<v Speaker 1>driving in her car and heard it come on the radio. Awesome.

0:12:14.960 --> 0:12:17.960
<v Speaker 1>She told us that story here on this show Lunchbox.

0:12:18.040 --> 0:12:21.800
<v Speaker 1>Dolly's biggest most streaming song. There's only two options here

0:12:22.080 --> 0:12:24.840
<v Speaker 1>and the number one song is Islands in the Stream.

0:12:25.000 --> 0:12:29.000
<v Speaker 1>Islands in the Stream Number three nineteen eighty two with

0:12:29.080 --> 0:12:31.840
<v Speaker 1>Kenny Rogers also was a pop song, Pick the Wrong

0:12:31.880 --> 0:12:35.679
<v Speaker 1>It was so big, Eddie. There are two songs still, Yeah,

0:12:35.720 --> 0:12:38.720
<v Speaker 1>Dolly's birthday. What is her biggest streaming song? Bones? I

0:12:38.800 --> 0:12:44.360
<v Speaker 1>believe it's going to be Let's go Joelene Number two

0:12:44.440 --> 0:12:51.439
<v Speaker 1>joel That's crazy you guys did that nineteen seventy four.

0:12:52.200 --> 0:12:56.800
<v Speaker 1>Joelene her number one streaming song forever all time nineteen

0:12:56.840 --> 0:13:03.040
<v Speaker 1>eighty nine to five. The one on Top five we

0:13:03.040 --> 0:13:09.400
<v Speaker 1>didn't get to is here You Come Again. Come. So

0:13:09.480 --> 0:13:11.040
<v Speaker 1>here are some things we learned about Dolly over the

0:13:11.120 --> 0:13:13.000
<v Speaker 1>years and our interviews with her or Top five. Here

0:13:14.080 --> 0:13:16.080
<v Speaker 1>at number five, we talked to Dolly and she revealed

0:13:16.120 --> 0:13:19.439
<v Speaker 1>to us what she requires on her tour bus. Here

0:13:19.480 --> 0:13:22.160
<v Speaker 1>you go. They usually just I just need water or

0:13:22.240 --> 0:13:24.880
<v Speaker 1>like fruit, like a fruit plate, like cheese and fruit.

0:13:24.920 --> 0:13:26.680
<v Speaker 1>But that's more for people that come in and out.

0:13:26.720 --> 0:13:29.560
<v Speaker 1>For myself, I just have mostly what I want on

0:13:29.640 --> 0:13:32.319
<v Speaker 1>my bus anyway. At number four, Dolly told us she

0:13:32.360 --> 0:13:35.040
<v Speaker 1>will write songs everywhere, and sometimes they'll come to her

0:13:35.080 --> 0:13:37.440
<v Speaker 1>in a dream. If I'm taking a bath, I always

0:13:37.480 --> 0:13:40.199
<v Speaker 1>got either a little tape recorder or something where none

0:13:40.280 --> 0:13:42.760
<v Speaker 1>wonder if we get that lie, And I'll sometimes dream

0:13:42.840 --> 0:13:45.240
<v Speaker 1>song really wake up and say, you better write it down,

0:13:45.240 --> 0:13:47.720
<v Speaker 1>because I used to think i'd remember, but you don't,

0:13:48.040 --> 0:13:50.400
<v Speaker 1>so it's best to do, you know, to write it. Then.

0:13:51.000 --> 0:13:53.080
<v Speaker 1>Number three, Dolly told us she doesn't like to fly.

0:13:53.320 --> 0:13:56.240
<v Speaker 1>If it's absolutely possible, she travels by bus. I don't

0:13:56.280 --> 0:13:58.640
<v Speaker 1>like to fly. I get motion sickness. I don't like

0:13:58.720 --> 0:14:00.600
<v Speaker 1>that helpless feeling that I can't get out if I

0:14:00.640 --> 0:14:02.959
<v Speaker 1>want to. I traveled by my bus when I can,

0:14:03.120 --> 0:14:05.880
<v Speaker 1>and when I do fly, will usually fly private jet.

0:14:06.160 --> 0:14:08.959
<v Speaker 1>It's really hard doing commercial anymore, just of course it's

0:14:09.000 --> 0:14:11.400
<v Speaker 1>so such a zoo. I just take my bus any

0:14:11.440 --> 0:14:14.920
<v Speaker 1>time I can. Dolly talked about writing Joelene and I

0:14:14.960 --> 0:14:17.600
<v Speaker 1>Will Always Love You on the same exact day in

0:14:17.679 --> 0:14:21.040
<v Speaker 1>nineteen seventy two. I think I wrote it at the

0:14:21.080 --> 0:14:26.320
<v Speaker 1>same time I wrote Joline. It was a good writing day, Yeah,

0:14:26.360 --> 0:14:28.680
<v Speaker 1>I believe. So it was writing that writing period of

0:14:28.720 --> 0:14:31.480
<v Speaker 1>time because I remember all my paperwork and like they

0:14:31.480 --> 0:14:33.760
<v Speaker 1>came out pretty close, you know, at the same time.

0:14:34.120 --> 0:14:36.720
<v Speaker 1>So everybody said, boy, you what was you taking? That

0:14:36.840 --> 0:14:39.640
<v Speaker 1>was a good That was a good writing day. And

0:14:39.720 --> 0:14:41.480
<v Speaker 1>this was what I was talking about earlier. So Dolly was,

0:14:42.360 --> 0:14:45.680
<v Speaker 1>you know, super popular with I'll Always Love You from

0:14:45.720 --> 0:14:48.160
<v Speaker 1>nineteen seventy four, and they had reached out and said, hey,

0:14:48.160 --> 0:14:49.560
<v Speaker 1>coquin Us, I Will Always love you for the movie

0:14:49.600 --> 0:14:51.280
<v Speaker 1>The Bodyguard, and she goes yes, but they shared nothing

0:14:51.320 --> 0:14:53.160
<v Speaker 1>about it. That was just it. She just said yes

0:14:53.240 --> 0:14:56.160
<v Speaker 1>and away they went, and then boom. So I sent

0:14:56.240 --> 0:14:58.720
<v Speaker 1>it and I hadn't heard anything more about it until

0:14:58.840 --> 0:15:02.600
<v Speaker 1>I heard it. Going driving from my office to my

0:15:02.720 --> 0:15:06.040
<v Speaker 1>house in Brentwood. I just heard Whitney saying if I

0:15:06.880 --> 0:15:09.280
<v Speaker 1>didn't the acapella part, and it was just it wasn't ringing,

0:15:09.320 --> 0:15:12.080
<v Speaker 1>traffic was weird. And it was only when she went

0:15:12.120 --> 0:15:14.560
<v Speaker 1>into the course of it that I always lovely that

0:15:14.640 --> 0:15:17.320
<v Speaker 1>I realized what I was listening to, and it was

0:15:17.360 --> 0:15:20.000
<v Speaker 1>so overwhelming I almost rent And I have to honestly

0:15:20.040 --> 0:15:22.040
<v Speaker 1>say that it's one of the biggest thrills and one

0:15:22.080 --> 0:15:25.480
<v Speaker 1>of the most overwhelming feelings I've ever had about anything

0:15:25.480 --> 0:15:28.600
<v Speaker 1>in my life. So cool. It's so cool that Dolly

0:15:28.680 --> 0:15:30.480
<v Speaker 1>comes in about once a year and we just get

0:15:30.520 --> 0:15:32.680
<v Speaker 1>to sit down and do this, and every year we

0:15:32.680 --> 0:15:35.040
<v Speaker 1>celebrated birthday by talking about the coolest things about her.

0:15:35.040 --> 0:15:37.840
<v Speaker 1>But she it's like her. I can list them on

0:15:37.920 --> 0:15:44.840
<v Speaker 1>one hand, basically Reba Garth, maybe just those three where

0:15:44.880 --> 0:15:49.400
<v Speaker 1>you meet them and you go, oh, I can't describe it,

0:15:49.960 --> 0:15:52.880
<v Speaker 1>but it makes sense. They're massive superstars. Yeah, obviously have

0:15:52.920 --> 0:15:55.320
<v Speaker 1>to be talented, but it's how they communicate. It's how

0:15:55.360 --> 0:15:58.520
<v Speaker 1>warm they are, it's how approachable they are while still

0:15:58.560 --> 0:16:02.160
<v Speaker 1>being a superstar. And Dolly's the best. It's awesome. It's

0:16:02.200 --> 0:16:03.960
<v Speaker 1>been super cool to get to know Dolly over the years.

0:16:04.120 --> 0:16:08.560
<v Speaker 1>Happy Birthday, Dolly seventy seven. Today it's the best Bits

0:16:08.600 --> 0:16:15.040
<v Speaker 1>of the week with Morgan number two. It finally happened.

0:16:15.360 --> 0:16:18.560
<v Speaker 1>Lunchbox got his roof repaired, and I know that his

0:16:18.640 --> 0:16:20.960
<v Speaker 1>wife and his kids are so excited that they have

0:16:21.000 --> 0:16:24.080
<v Speaker 1>their normal house and they're normal heating back again, so

0:16:24.360 --> 0:16:26.880
<v Speaker 1>this is very exciting. Lunchbox shared the news. He kind

0:16:26.880 --> 0:16:28.440
<v Speaker 1>of dropped the bomb on us, like, I don't know

0:16:28.480 --> 0:16:30.800
<v Speaker 1>where does oh? By the way, so here he has

0:16:30.800 --> 0:16:33.840
<v Speaker 1>given us an update on the roof number four. This

0:16:33.960 --> 0:16:36.800
<v Speaker 1>is from Javier in Austin, Texas. I just wanted to

0:16:36.840 --> 0:16:42.000
<v Speaker 1>see eighty updates on lunchboxes claim roof situation. Also, I

0:16:42.040 --> 0:16:44.840
<v Speaker 1>wanted to say that Lunchbox is the Bend Stiller of

0:16:44.840 --> 0:16:48.040
<v Speaker 1>iHeart Radio and I love his cringe moments. I can't

0:16:48.040 --> 0:16:50.080
<v Speaker 1>stop watching him. Thank you. All I do is when

0:16:50.800 --> 0:16:54.600
<v Speaker 1>he loves you. He loves to cringe. Great call. Yeah,

0:16:54.640 --> 0:16:57.360
<v Speaker 1>and I cringe too, but it's in the best way.

0:16:57.600 --> 0:17:01.000
<v Speaker 1>Like I think it's a positive cringe. People. A lot

0:17:01.040 --> 0:17:02.800
<v Speaker 1>of people attack you. I like people love you. It's

0:17:02.840 --> 0:17:06.720
<v Speaker 1>you're very polarizing, but what you do is awesome for

0:17:06.720 --> 0:17:09.720
<v Speaker 1>the show, right everybody. Yeah, And as much as we fight,

0:17:10.320 --> 0:17:12.440
<v Speaker 1>if we actually didn't like if a Letchbox and Eddie

0:17:12.440 --> 0:17:15.280
<v Speaker 1>didn't actually like each other, neither one of them would

0:17:15.280 --> 0:17:16.760
<v Speaker 1>be or one. I would kill one of them or

0:17:16.800 --> 0:17:18.880
<v Speaker 1>fire one of them because we can't keep that. But

0:17:18.920 --> 0:17:22.800
<v Speaker 1>it would be Eddie because I've been absolutely well, yeah

0:17:22.800 --> 0:17:26.320
<v Speaker 1>I'm more important, Okay, you sure, But so it's all

0:17:26.320 --> 0:17:29.560
<v Speaker 1>even when we fight, it's all like genuine like friendship,

0:17:29.600 --> 0:17:31.399
<v Speaker 1>and we do not get along sometimes, even Eddie, I

0:17:31.400 --> 0:17:33.239
<v Speaker 1>don't even Amy and I I don't get long sometimes. So

0:17:33.280 --> 0:17:35.119
<v Speaker 1>everybody that's like, man, what do you keep him on

0:17:35.160 --> 0:17:38.520
<v Speaker 1>the show? I hate him. I get it. But he

0:17:38.560 --> 0:17:40.800
<v Speaker 1>actually fills that role pretty good. I mean he creates

0:17:40.800 --> 0:17:43.120
<v Speaker 1>the role. It's the cringe role. What do you want

0:17:43.119 --> 0:17:45.040
<v Speaker 1>to say to that crunchy I'd like to say that

0:17:45.080 --> 0:17:49.080
<v Speaker 1>my roof is fixed? It is, yeah, all the way

0:17:49.240 --> 0:17:51.639
<v Speaker 1>breaking news. Yeah we didn't know this well. I mean

0:17:51.680 --> 0:17:53.280
<v Speaker 1>I told you I had a yeah, but he didn't

0:17:53.280 --> 0:17:55.520
<v Speaker 1>tell this was done well over the over the break

0:17:59.000 --> 0:18:01.280
<v Speaker 1>go ahead. So I brought roofers out. I brought three

0:18:01.359 --> 0:18:04.080
<v Speaker 1>or four roofers out, got different estimates because Amy always says,

0:18:04.080 --> 0:18:07.080
<v Speaker 1>don't go with the first one, and they fixed my roof.

0:18:07.240 --> 0:18:08.880
<v Speaker 1>She hadn't say don't go with the first one. She says,

0:18:08.960 --> 0:18:13.239
<v Speaker 1>don't only listen to one, like get a second, go

0:18:13.280 --> 0:18:17.080
<v Speaker 1>with the first one. Oh my god. Okay, Well I

0:18:17.119 --> 0:18:19.560
<v Speaker 1>had three or four come out, got some estiments, and

0:18:19.800 --> 0:18:23.200
<v Speaker 1>boom picked one and it took about two weeks. But

0:18:24.400 --> 0:18:26.480
<v Speaker 1>no holes in the roof. They're shingles on the roof.

0:18:26.640 --> 0:18:29.359
<v Speaker 1>And let me tell you, it's kind of toasty in

0:18:29.440 --> 0:18:32.680
<v Speaker 1>my house now because the heat actually works. Yeah. So

0:18:33.600 --> 0:18:35.320
<v Speaker 1>which one did you go with? One? Two, three or four?

0:18:35.560 --> 0:18:37.960
<v Speaker 1>I was number two? So did number two give a

0:18:37.960 --> 0:18:39.520
<v Speaker 1>better deal than number one? Or did it? Does not

0:18:39.520 --> 0:18:41.439
<v Speaker 1>go with number one? No? Number two just was cheaper

0:18:42.000 --> 0:18:44.239
<v Speaker 1>and do better job. I don't know if they're doing

0:18:44.280 --> 0:18:46.400
<v Speaker 1>it better. How would I know when because I didn't

0:18:46.400 --> 0:18:48.000
<v Speaker 1>have number one to do a job. They were like,

0:18:48.320 --> 0:18:50.919
<v Speaker 1>it doesn't matter, thank you. I'm glad their quote was cheaper.

0:18:51.040 --> 0:18:52.879
<v Speaker 1>So guess what I didn't have to spend all the

0:18:52.880 --> 0:19:02.800
<v Speaker 1>insurance money? Oh boy, hey, I don't. Let's just say, hey,

0:19:02.800 --> 0:19:07.560
<v Speaker 1>thank a little two k in my pocket. Two ko, okay,

0:19:08.280 --> 0:19:11.399
<v Speaker 1>I have nothing to do with this. It's the best

0:19:11.480 --> 0:19:15.880
<v Speaker 1>bits of the week with Morgan number two. You all

0:19:15.920 --> 0:19:19.080
<v Speaker 1>love hearing about the kids of the show members, and

0:19:19.119 --> 0:19:21.639
<v Speaker 1>it's really fun on this one because Eddie shared a

0:19:21.680 --> 0:19:24.200
<v Speaker 1>story about a basketball hoop getting broken at his house,

0:19:24.480 --> 0:19:26.919
<v Speaker 1>and Amy also shared a story about her kids fighting

0:19:26.920 --> 0:19:29.399
<v Speaker 1>over food. So a lot of parents stories and a

0:19:29.440 --> 0:19:31.600
<v Speaker 1>lot of things going on in the households. And if

0:19:31.600 --> 0:19:33.280
<v Speaker 1>you listen to the Best Bits part one, you just

0:19:33.320 --> 0:19:36.160
<v Speaker 1>heard how Scuba Steve has a new kid. They welcomed

0:19:36.359 --> 0:19:39.840
<v Speaker 1>a brand new baby girl in New Year's e Newyar's

0:19:39.880 --> 0:19:41.760
<v Speaker 1>Day around that timeframe. But you can hear all those

0:19:41.800 --> 0:19:43.280
<v Speaker 1>details on there if you want to check that out

0:19:43.280 --> 0:19:45.240
<v Speaker 1>as well. But for right now, this is Eddie and

0:19:45.280 --> 0:19:48.840
<v Speaker 1>Amy sharing some kids stories. Number three. Let's start with

0:19:49.040 --> 0:19:58.240
<v Speaker 1>Eddie the dad. He's got four kids. He's always bringing

0:19:58.240 --> 0:19:59.720
<v Speaker 1>a story of being a dad of four boys, which

0:19:59.720 --> 0:20:02.520
<v Speaker 1>is there's five men, five boys, one woman. It's terrible.

0:20:02.560 --> 0:20:04.920
<v Speaker 1>I'll be terrible for her for sure, Eddie. What's your

0:20:04.960 --> 0:20:07.840
<v Speaker 1>latest story, guys, I need your help is a bad one.

0:20:08.000 --> 0:20:11.040
<v Speaker 1>So our neighborhood, we have about ten kids in there,

0:20:11.080 --> 0:20:14.119
<v Speaker 1>and and they sometimes we go to other people's houses.

0:20:14.160 --> 0:20:16.280
<v Speaker 1>Sometimes they come to our house as well. I look

0:20:16.280 --> 0:20:18.320
<v Speaker 1>in my backyard. There's ten kids back there, the whole

0:20:18.320 --> 0:20:20.680
<v Speaker 1>neighborhoods back there. And we have a little basketball hoop

0:20:21.080 --> 0:20:22.720
<v Speaker 1>and one of the kids I see goes for a

0:20:22.760 --> 0:20:27.240
<v Speaker 1>slam dunk. He pulls the whole thing. The hoops snaps

0:20:27.240 --> 0:20:29.399
<v Speaker 1>like from the base snaps, and they're all like O,

0:20:30.280 --> 0:20:32.919
<v Speaker 1>I walk up there and like what happened? And they're like, oh,

0:20:32.960 --> 0:20:36.000
<v Speaker 1>so and so broke the basketball hoop and he goes, sir, sir,

0:20:36.119 --> 0:20:38.679
<v Speaker 1>I'm so sorry. I'm so sorry. I will give you

0:20:38.680 --> 0:20:40.520
<v Speaker 1>five dollars, fifty dollars. I have fifty dollars in my

0:20:40.520 --> 0:20:43.919
<v Speaker 1>wall right now. Just don't tell my parents, please, And

0:20:44.080 --> 0:20:49.080
<v Speaker 1>I'm like scratching my head. What do I do? So, okay,

0:20:49.359 --> 0:20:52.040
<v Speaker 1>you can't either take the money, you can tell the parents.

0:20:52.440 --> 0:20:54.680
<v Speaker 1>You can do nothing, but then you're out of basketball hoop?

0:20:54.800 --> 0:20:58.240
<v Speaker 1>How old would you say? This boy is just a rando? Yes,

0:20:58.600 --> 0:21:01.240
<v Speaker 1>estimate the gu estimation, and I would say he's ten,

0:21:02.119 --> 0:21:06.199
<v Speaker 1>maybe eleven? So what do you you didn't you haven't done.

0:21:06.240 --> 0:21:08.000
<v Speaker 1>He hadn't made your mind up yet. No, I just said,

0:21:08.040 --> 0:21:11.800
<v Speaker 1>everyone out, everyone out, get out of my backyard, lunch box,

0:21:11.800 --> 0:21:15.080
<v Speaker 1>what would you do? I take that money and say

0:21:15.119 --> 0:21:17.760
<v Speaker 1>you gotta be a little jitler on the goal and

0:21:17.840 --> 0:21:20.239
<v Speaker 1>this is a learning lesson, learning lesson, and don't tell

0:21:20.280 --> 0:21:23.280
<v Speaker 1>your parents. I'm gonna go do you first say that first?

0:21:23.400 --> 0:21:26.080
<v Speaker 1>We'll go right to that as a good answer, lunch box,

0:21:26.680 --> 0:21:29.120
<v Speaker 1>Oh no, do you take the money? Listen, the kid

0:21:29.119 --> 0:21:30.919
<v Speaker 1>has to learn. When you break something, you break it,

0:21:31.000 --> 0:21:32.960
<v Speaker 1>you buy it. You go to an antique store, you

0:21:33.000 --> 0:21:35.240
<v Speaker 1>break it, you bright buy it. They have signs all over.

0:21:35.600 --> 0:21:38.480
<v Speaker 1>And so he came into your house, he broke your antique,

0:21:38.600 --> 0:21:41.800
<v Speaker 1>he pays for it. So you want to take money

0:21:41.880 --> 0:21:44.760
<v Speaker 1>from a ten year old, and that's cool. Hey, a

0:21:44.760 --> 0:21:47.000
<v Speaker 1>ten year old wants a toy, they gotta pay for it, right,

0:21:47.000 --> 0:21:48.840
<v Speaker 1>You called the parent and say, hey, I'm gonna take

0:21:48.840 --> 0:21:50.040
<v Speaker 1>the money from the ten year old. No, you just

0:21:50.040 --> 0:21:52.400
<v Speaker 1>don't tell the parents. That's what he said. Don't tell

0:21:52.480 --> 0:21:54.360
<v Speaker 1>my parents. Yeah that you don't want to get him

0:21:54.359 --> 0:21:56.240
<v Speaker 1>in trouble. It's just weird if he ends up telling

0:21:56.240 --> 0:21:58.720
<v Speaker 1>his head. Yeah, mister Eddie took fifty dollars from me,

0:21:59.000 --> 0:22:00.719
<v Speaker 1>and then they'll come knock on your doorback, why did

0:22:00.760 --> 0:22:04.320
<v Speaker 1>you take my son's money? Well, he broke my basketball goal. Sorry, Amy, No,

0:22:04.440 --> 0:22:07.400
<v Speaker 1>I'm not taking the money at all. I'm either just

0:22:07.840 --> 0:22:10.280
<v Speaker 1>taking it on as my responsibility because it's my goal

0:22:10.320 --> 0:22:12.320
<v Speaker 1>and I had kids over playing. But did you have

0:22:12.400 --> 0:22:14.480
<v Speaker 1>kids over playing, Well, they would just made their way

0:22:14.520 --> 0:22:17.159
<v Speaker 1>back there. That's my point. They came over to his

0:22:17.240 --> 0:22:22.600
<v Speaker 1>yard and didn't broke it. Okay, Oh, well true, Okay,

0:22:22.720 --> 0:22:27.800
<v Speaker 1>well I'm probably still just gonna take the pitch. What

0:22:27.840 --> 0:22:30.960
<v Speaker 1>was this hard? I guess I didn't end up talking

0:22:30.960 --> 0:22:33.640
<v Speaker 1>to the parents, but also not to make them pay

0:22:33.720 --> 0:22:35.600
<v Speaker 1>for it. But hey, if your kids talk to your

0:22:35.640 --> 0:22:37.960
<v Speaker 1>kids about just asking before they come over and play

0:22:38.000 --> 0:22:41.440
<v Speaker 1>with stuff. So no money, yeah, no money, No money,

0:22:41.680 --> 0:22:44.440
<v Speaker 1>especially from a kid. I don't wonder you could always

0:22:44.440 --> 0:22:45.679
<v Speaker 1>call the parent and trying to get the money. No,

0:22:46.040 --> 0:22:48.199
<v Speaker 1>I don't even want to do that. That's what my

0:22:48.240 --> 0:22:51.680
<v Speaker 1>wife wants to do. Oh oh, that's her option. Her options, like,

0:22:51.720 --> 0:22:53.360
<v Speaker 1>I want to talk to the parents and ask them

0:22:53.400 --> 0:22:55.920
<v Speaker 1>to pay for the goal. You can't just take money

0:22:55.920 --> 0:22:57.600
<v Speaker 1>from a kid. I think that is a general rule.

0:22:57.720 --> 0:23:00.000
<v Speaker 1>You can't. You can't say no to that one. Yeah,

0:22:59.840 --> 0:23:02.800
<v Speaker 1>you have to. And I don't know that you call

0:23:02.920 --> 0:23:06.119
<v Speaker 1>the parents because they didn't do anything illegal and they

0:23:06.160 --> 0:23:07.600
<v Speaker 1>were just your kids probably said come over it like

0:23:07.640 --> 0:23:11.200
<v Speaker 1>your kids are an extension of you. Yes, I'm responsible

0:23:11.240 --> 0:23:14.360
<v Speaker 1>for them and their actions. I think you have to

0:23:14.760 --> 0:23:17.160
<v Speaker 1>just be responsible for the broken goal, but you can

0:23:17.200 --> 0:23:20.200
<v Speaker 1>also make your kids responsible because they didn't invite kids

0:23:20.200 --> 0:23:22.280
<v Speaker 1>over without permission and go, well, the goals broken. And

0:23:22.320 --> 0:23:24.439
<v Speaker 1>if you guys want another one. You're gonna need to

0:23:24.480 --> 0:23:26.720
<v Speaker 1>do X, Y and Z to raise make the money

0:23:27.080 --> 0:23:28.880
<v Speaker 1>to get a goal back. I think I go knock

0:23:28.880 --> 0:23:30.840
<v Speaker 1>on that kid. Take that fifty dollars in the kid.

0:23:30.880 --> 0:23:32.560
<v Speaker 1>That's how you earn it. Now, the learning lesson is

0:23:32.600 --> 0:23:35.480
<v Speaker 1>with your kids, not the kid who broke it. Okay,

0:23:35.840 --> 0:23:38.760
<v Speaker 1>but I wouldn't buy him another goal until they do

0:23:38.960 --> 0:23:41.600
<v Speaker 1>enough work to make up the money for that goal.

0:23:41.680 --> 0:23:43.520
<v Speaker 1>So let's say I had these kids over to friend's

0:23:43.560 --> 0:23:46.880
<v Speaker 1>house and breaks the window. No money, the other kid

0:23:46.880 --> 0:23:49.200
<v Speaker 1>has to pay for it. I would say that's a

0:23:49.200 --> 0:23:51.639
<v Speaker 1>little different because the kid was playing basketball. He just

0:23:51.680 --> 0:23:54.520
<v Speaker 1>dunked it hard, which is a basketball move. Yes, it's

0:23:54.520 --> 0:23:56.840
<v Speaker 1>a dunk. People do that, Yes, And a window is

0:23:56.840 --> 0:24:00.200
<v Speaker 1>a complete either accident or being irresponsible. This feels like

0:24:00.240 --> 0:24:04.679
<v Speaker 1>it was just hard basketball, So difference. But even then,

0:24:04.720 --> 0:24:06.960
<v Speaker 1>I don't know that. But this situation only you don't

0:24:07.000 --> 0:24:08.159
<v Speaker 1>take the money from a kid because all of a

0:24:08.160 --> 0:24:09.760
<v Speaker 1>sudden you're the guy that took the money from the kid. Well,

0:24:09.800 --> 0:24:11.840
<v Speaker 1>I didn't take the money from the kids, so I

0:24:11.880 --> 0:24:13.399
<v Speaker 1>think that's too late for that. What am I gonna do?

0:24:13.400 --> 0:24:15.159
<v Speaker 1>Go find them down the street. We'll like, hey, come over, here,

0:24:15.160 --> 0:24:18.720
<v Speaker 1>where's my fifty bucks? Right? Look, that's real bad. Up

0:24:18.760 --> 0:24:20.400
<v Speaker 1>pull up in the car and be like, hey, kick,

0:24:20.400 --> 0:24:24.480
<v Speaker 1>come over here, holdsome candy out the door. They're like, hey, kid,

0:24:24.520 --> 0:24:27.320
<v Speaker 1>come here, I candy for you fifty No, So I

0:24:27.359 --> 0:24:29.840
<v Speaker 1>don't think you tell the parents they were invited over

0:24:29.880 --> 0:24:32.199
<v Speaker 1>by your kids. Okay. I think it's your kids who

0:24:32.240 --> 0:24:33.560
<v Speaker 1>are the ones who have to suffer for this and

0:24:33.600 --> 0:24:35.480
<v Speaker 1>if they want a new goal, they have to raise

0:24:35.560 --> 0:24:37.439
<v Speaker 1>the fifty bucks. How much it really costs? Oh, it's

0:24:37.440 --> 0:24:41.200
<v Speaker 1>probably about two hundred dollars. Yeah, it's maybe one hundred

0:24:41.200 --> 0:24:44.040
<v Speaker 1>and fifty. I have to price it. Oh yeah, that stinks. Okay, well,

0:24:44.080 --> 0:24:45.679
<v Speaker 1>I'm sorry that happened to you. Don't take anything from

0:24:45.680 --> 0:24:53.760
<v Speaker 1>a kid. Yeah, don't do that, Eddie the dad Amy,

0:24:53.760 --> 0:24:55.920
<v Speaker 1>you have two kids. What's happening with your kids? Well,

0:24:55.920 --> 0:24:59.679
<v Speaker 1>now we're labeling food like they own this fridge and

0:24:59.720 --> 0:25:02.040
<v Speaker 1>the their college roommates or they have they put their

0:25:02.080 --> 0:25:04.120
<v Speaker 1>name on their own special foods. Right, but do they

0:25:04.119 --> 0:25:07.600
<v Speaker 1>buy the food? No? I buy the food. But it's

0:25:07.600 --> 0:25:11.359
<v Speaker 1>like now they're territorial over who technically likes the food more,

0:25:11.600 --> 0:25:14.120
<v Speaker 1>and so it runs out faster if the other one

0:25:14.520 --> 0:25:17.960
<v Speaker 1>indulges in it. I mean, so we're starting to label

0:25:18.000 --> 0:25:21.560
<v Speaker 1>food and I started that between those two. Well, I

0:25:21.600 --> 0:25:25.680
<v Speaker 1>think it all started with milk, different types of milk.

0:25:25.960 --> 0:25:27.960
<v Speaker 1>But who was the kid who came up with that

0:25:28.040 --> 0:25:32.719
<v Speaker 1>idea first? Oh, Stashira because he Stevenson drinks too much

0:25:32.720 --> 0:25:36.880
<v Speaker 1>of her milk. Yeah, well yeah, it's it all. Yes,

0:25:36.960 --> 0:25:40.040
<v Speaker 1>it started with milk, but it moved to other categories

0:25:40.080 --> 0:25:43.760
<v Speaker 1>like nutella. So stuff in the pantry is also affective.

0:25:43.760 --> 0:25:45.400
<v Speaker 1>Do you open the door and just say, Steve, you're

0:25:45.400 --> 0:25:48.119
<v Speaker 1>on everything? And then so Shiara has also started to

0:25:48.160 --> 0:25:50.480
<v Speaker 1>just move food to her room because you know, hilarious.

0:25:50.560 --> 0:25:53.639
<v Speaker 1>I got her a mini fridge and well she got

0:25:53.680 --> 0:25:55.800
<v Speaker 1>it one for her birthday, you know, a year or

0:25:55.840 --> 0:25:58.080
<v Speaker 1>two ago. And so now she's starting to store things

0:25:58.080 --> 0:26:00.760
<v Speaker 1>in there. And what are you doing this situation? How

0:26:00.880 --> 0:26:03.400
<v Speaker 1>how do you as a mom? I remove the labels

0:26:03.400 --> 0:26:05.480
<v Speaker 1>and say, hey, no, and where's all the grapes I

0:26:05.520 --> 0:26:08.480
<v Speaker 1>just bought? Like they're up stairs? So I mean, because

0:26:08.520 --> 0:26:11.520
<v Speaker 1>I'm eating this stuff too, So I just set the

0:26:11.520 --> 0:26:14.359
<v Speaker 1>record straight of like who's really buying this stuff? And

0:26:14.359 --> 0:26:16.720
<v Speaker 1>we can all share and guess what if we run out,

0:26:16.920 --> 0:26:19.320
<v Speaker 1>we put it on the grocery list for next week

0:26:19.560 --> 0:26:22.600
<v Speaker 1>and be grateful for that. Yeah, and if they want

0:26:22.640 --> 0:26:25.280
<v Speaker 1>to buy stuff themselves, it's a different story. I think

0:26:25.320 --> 0:26:27.360
<v Speaker 1>you can label if they spend their own money. Yeah,

0:26:27.400 --> 0:26:28.920
<v Speaker 1>Like sometimes I make them from their own money on

0:26:28.960 --> 0:26:32.600
<v Speaker 1>talkie and Fanta. That's their talkie and Phanta then, right,

0:26:32.600 --> 0:26:33.840
<v Speaker 1>And I think that's a good lesson. But then they

0:26:33.840 --> 0:26:36.120
<v Speaker 1>still have to ask permission to eat it. Yeah, they

0:26:36.119 --> 0:26:38.640
<v Speaker 1>buy it, then ask permission so they because listen, they'll

0:26:38.680 --> 0:26:43.879
<v Speaker 1>no'll eat it is well because they get stomach aches

0:26:43.960 --> 0:26:46.159
<v Speaker 1>from it. And then but then they'll eat it and

0:26:46.200 --> 0:26:48.399
<v Speaker 1>they'll now they know what they're doing. They're like, it's okay,

0:26:48.640 --> 0:26:50.879
<v Speaker 1>I have time tomorrow to pay for it, Like I

0:26:50.960 --> 0:26:52.520
<v Speaker 1>need that. I do that with my wife and I'm like,

0:26:52.520 --> 0:26:54.120
<v Speaker 1>it's okay, I can eat the candy. IBB. I don't

0:26:54.160 --> 0:26:56.120
<v Speaker 1>have to work tomorrow. Yes, Saturday, I do that crap

0:26:56.160 --> 0:26:58.720
<v Speaker 1>all the time. Yes, Like actually I have a half

0:26:58.800 --> 0:27:00.520
<v Speaker 1>day at school. We're good. She's like, you know you're

0:27:00.520 --> 0:27:02.080
<v Speaker 1>gonna get sick from eating, my wife. You know you're

0:27:02.080 --> 0:27:04.040
<v Speaker 1>gonna get sick because you're eating all this. And it's like, yeah,

0:27:04.040 --> 0:27:06.560
<v Speaker 1>I don't have to work tomorrow. She's like, is that

0:27:06.640 --> 0:27:08.880
<v Speaker 1>seriously your answer? I'm like, yeah, if I'm in pain,

0:27:08.920 --> 0:27:13.119
<v Speaker 1>I'll just lay in the bed. Yeah, I felt them. Okay,

0:27:13.200 --> 0:27:16.840
<v Speaker 1>I like it though, I like that she is no, okay,

0:27:16.880 --> 0:27:20.440
<v Speaker 1>never mind, I hate it. I hate it. Okay. Well,

0:27:20.480 --> 0:27:23.000
<v Speaker 1>thank you guys for your parenting story. I appreciate that.

0:27:23.640 --> 0:27:27.400
<v Speaker 1>It's the best bits of the week with Morgan. Number two,

0:27:28.560 --> 0:27:30.119
<v Speaker 1>Old Dominion was on the show this week, and I

0:27:30.160 --> 0:27:32.800
<v Speaker 1>always love when they stopped by because they're such great guys,

0:27:32.800 --> 0:27:35.080
<v Speaker 1>and on top of that, they always kill it whenever

0:27:35.119 --> 0:27:37.400
<v Speaker 1>they performed. Not only did they perform their new song,

0:27:37.480 --> 0:27:40.359
<v Speaker 1>memory Lane, but they also performed their first hit and

0:27:40.480 --> 0:27:43.399
<v Speaker 1>their latest hit, and they performed a song that one

0:27:43.440 --> 0:27:45.080
<v Speaker 1>of them co wrote. Because I don't know if y'all

0:27:45.119 --> 0:27:48.120
<v Speaker 1>knew this, but Old Dominion they're all basically bomb songwriters

0:27:48.160 --> 0:27:51.240
<v Speaker 1>for themselves, for the band, and for other people in Nashville.

0:27:51.280 --> 0:27:53.439
<v Speaker 1>So this was a really cool interview for a lot

0:27:53.480 --> 0:27:56.080
<v Speaker 1>of reasons. But more importantly, the performances, which are all

0:27:56.200 --> 0:27:58.960
<v Speaker 1>up on YouTube Bobby Bone Show, you can go watch him,

0:27:59.000 --> 0:28:01.199
<v Speaker 1>because I don't believe we can put them on here,

0:28:01.200 --> 0:28:02.680
<v Speaker 1>So I'm not going to tease him for on here.

0:28:02.880 --> 0:28:04.600
<v Speaker 1>But you can go watching Bobby Bones dot com or

0:28:04.640 --> 0:28:07.240
<v Speaker 1>YouTube and they're all up there for you to enjoy.

0:28:07.440 --> 0:28:09.119
<v Speaker 1>I promise I'll keep them up there as long as

0:28:09.119 --> 0:28:13.200
<v Speaker 1>I can. Number two on the Bobby Bones Show. Now,

0:28:14.400 --> 0:28:17.680
<v Speaker 1>What's Fellow is going to see you guys again as always,

0:28:17.920 --> 0:28:20.600
<v Speaker 1>you know, massive fan of your music, like most of

0:28:20.600 --> 0:28:22.000
<v Speaker 1>you as people. So it's pretty cool to have you

0:28:23.040 --> 0:28:25.200
<v Speaker 1>who don't you like? That's that's that's a whole different

0:28:25.200 --> 0:28:29.040
<v Speaker 1>segment there. I'll tell you guys later. Um, let me

0:28:29.040 --> 0:28:32.879
<v Speaker 1>ask you this question, Matthew, there's five of you and I.

0:28:33.119 --> 0:28:36.320
<v Speaker 1>It's hard for us to get together when it's not

0:28:36.440 --> 0:28:40.200
<v Speaker 1>predetermined by like a month. Sure, if it's ever like, okay, well,

0:28:40.240 --> 0:28:42.920
<v Speaker 1>it's difficult. How do you get everybody together? If it's like, guys,

0:28:42.920 --> 0:28:44.720
<v Speaker 1>we need to get together and do this with five schedules?

0:28:44.760 --> 0:28:46.760
<v Speaker 1>You're all really good at other things as well as

0:28:46.760 --> 0:28:49.479
<v Speaker 1>being an old dominion? Is that difficult? It can be

0:28:49.480 --> 0:28:53.360
<v Speaker 1>difficult most of the time. It's a text thread, I think, yeah, everybody,

0:28:53.560 --> 0:28:56.680
<v Speaker 1>do you have a text thread that is just you

0:28:56.840 --> 0:29:00.520
<v Speaker 1>five with nobody else? It's actually called just the five

0:29:00.560 --> 0:29:02.920
<v Speaker 1>of us? Really? Yeah? Is there a text ide of

0:29:02.960 --> 0:29:06.000
<v Speaker 1>just a four without Jeff maybe and it's like probably

0:29:06.480 --> 0:29:12.560
<v Speaker 1>he doesn't before Yes, yea, every permutation talk about Yeah,

0:29:12.600 --> 0:29:16.120
<v Speaker 1>you gotta be careful on that to switch threats. Well,

0:29:16.160 --> 0:29:19.520
<v Speaker 1>there is a text thread of the entire show without me, yea.

0:29:20.360 --> 0:29:23.440
<v Speaker 1>And I encourage it because I think they can get

0:29:23.640 --> 0:29:27.120
<v Speaker 1>you know, they can share frustrations. Um, you know, I

0:29:27.160 --> 0:29:29.120
<v Speaker 1>have a spy in there. There's a lot of things.

0:29:31.880 --> 0:29:33.400
<v Speaker 1>So but they do have a text or they talk

0:29:33.400 --> 0:29:34.840
<v Speaker 1>about stuff all the time without me in it, and

0:29:34.920 --> 0:29:37.360
<v Speaker 1>I'm cool with that. Is there a four person one

0:29:37.600 --> 0:29:39.280
<v Speaker 1>with one of you not in it that any of

0:29:39.360 --> 0:29:42.040
<v Speaker 1>you know about. No, I'm surprised that there hasn't been

0:29:42.080 --> 0:29:48.720
<v Speaker 1>like a miss uh miss fire. Yeahs is a lot,

0:29:48.960 --> 0:29:52.280
<v Speaker 1>says a lot. Yeah, but yeah, you know you gotta

0:29:52.360 --> 0:29:54.760
<v Speaker 1>you gotta complain about somebody at some point. Well, you

0:29:54.760 --> 0:29:57.800
<v Speaker 1>guys do in the text thread any sort of creative

0:29:57.880 --> 0:30:00.120
<v Speaker 1>like song ideas, will you throw that there as for

0:30:00.160 --> 0:30:03.000
<v Speaker 1>a different place. No, there's never really song. It's always

0:30:03.040 --> 0:30:06.320
<v Speaker 1>the dumbest, most juvenile jokes that you can possibly think of.

0:30:07.120 --> 0:30:12.360
<v Speaker 1>Not naked parts ever do that so good? Never happened

0:30:15.040 --> 0:30:20.480
<v Speaker 1>had this before? Okay, all dominions here, and we have

0:30:20.480 --> 0:30:22.840
<v Speaker 1>a lot to do today, and so if it's cool

0:30:22.880 --> 0:30:25.280
<v Speaker 1>with you guys, I know the new song came out.

0:30:25.320 --> 0:30:27.520
<v Speaker 1>It's great, I love it, Thank you if you wouldn't mind?

0:30:27.640 --> 0:30:30.800
<v Speaker 1>Can you perform that? Are you guys accustomed to playing this?

0:30:30.960 --> 0:30:32.600
<v Speaker 1>We could find out when you walked in was the

0:30:32.640 --> 0:30:34.360
<v Speaker 1>first time? Yeah, this was the second time I've ever

0:30:34.640 --> 0:30:37.880
<v Speaker 1>played in this form. Yea. All I know is that

0:30:37.920 --> 0:30:41.240
<v Speaker 1>when I walked in, Brad was like, shut up, don't

0:30:41.280 --> 0:30:44.920
<v Speaker 1>play that stud not come in. Then I was like, WHOA,

0:30:45.080 --> 0:30:52.920
<v Speaker 1>welcome to being an old demand was so aggressive world

0:30:53.440 --> 0:30:55.680
<v Speaker 1>with Memory Lane, I don't know who has the concept

0:30:55.760 --> 0:30:57.239
<v Speaker 1>written in their phone as a note or does it

0:30:57.280 --> 0:30:59.160
<v Speaker 1>come up as you're just hanging out for the first

0:30:59.200 --> 0:31:01.840
<v Speaker 1>forty five minutes that that one happened to be uh

0:31:01.920 --> 0:31:04.240
<v Speaker 1>in Jesse Joe's phone. I think she had that title

0:31:04.320 --> 0:31:06.080
<v Speaker 1>and he had this little We showed up and he

0:31:06.120 --> 0:31:11.600
<v Speaker 1>was already playing this guitar part, but he had this

0:31:11.680 --> 0:31:15.000
<v Speaker 1>beat going and we knew we were really in love

0:31:15.040 --> 0:31:17.400
<v Speaker 1>with that feel. And then she threw out that title

0:31:17.520 --> 0:31:20.960
<v Speaker 1>and with no kind of direction, and one of us said,

0:31:21.040 --> 0:31:22.920
<v Speaker 1>you know, if I could buy a house on Memory Lane,

0:31:22.920 --> 0:31:25.960
<v Speaker 1>and that immediately sparked everyone everyone got super excited and

0:31:25.960 --> 0:31:29.000
<v Speaker 1>then we just were, you know, following that idea wherever

0:31:29.080 --> 0:31:30.920
<v Speaker 1>we went and just wound up at the end of

0:31:30.920 --> 0:31:32.640
<v Speaker 1>the road. You know. It was it was truly like

0:31:32.680 --> 0:31:34.800
<v Speaker 1>a journey to write it. Is there an unspoken role

0:31:34.840 --> 0:31:37.360
<v Speaker 1>with songwriters that you don't really yell who had this

0:31:37.400 --> 0:31:41.240
<v Speaker 1>idea and that idea? No, I mean sometimes it's it's

0:31:41.280 --> 0:31:44.880
<v Speaker 1>sometimes you remember some we I don't particularly remember. In

0:31:44.960 --> 0:31:47.520
<v Speaker 1>this one, we were just so it was you know, yeah.

0:31:47.640 --> 0:31:49.920
<v Speaker 1>I mean, honestly, I think I might have said if

0:31:49.920 --> 0:31:52.200
<v Speaker 1>I could buy house some memory life and then actually

0:31:53.240 --> 0:31:59.920
<v Speaker 1>I was, okay. The thing is, I usually can't remember

0:32:00.240 --> 0:32:02.719
<v Speaker 1>anything and just thinking like maybe I think so, well,

0:32:02.720 --> 0:32:04.480
<v Speaker 1>anytime d I write a funny songs like I wrote

0:32:04.520 --> 0:32:09.520
<v Speaker 1>that part all right here is old dominion. This new

0:32:09.520 --> 0:32:11.080
<v Speaker 1>song is that I want you to just turn it on,

0:32:11.160 --> 0:32:12.640
<v Speaker 1>play it when you leave for work today, and just

0:32:12.680 --> 0:32:14.040
<v Speaker 1>let it stream over and over again. You have to

0:32:14.080 --> 0:32:16.200
<v Speaker 1>be there, right because let'll play in your house over

0:32:16.240 --> 0:32:18.320
<v Speaker 1>and over again. If everybody does that, it's a hit.

0:32:21.080 --> 0:32:24.320
<v Speaker 1>And that is that's like right down the middle for

0:32:24.320 --> 0:32:25.800
<v Speaker 1>you guys. That's why I like you guys so much.

0:32:26.160 --> 0:32:29.160
<v Speaker 1>Like there's just like the insertion of my own story

0:32:29.240 --> 0:32:31.040
<v Speaker 1>in that music. You guys do that a lot. You

0:32:31.040 --> 0:32:34.760
<v Speaker 1>write something that is pretty universal, you write it specific.

0:32:35.240 --> 0:32:37.120
<v Speaker 1>But it's like a lot of times you guys write

0:32:37.120 --> 0:32:39.080
<v Speaker 1>such good songs and I go, oh, yeah, I felt that.

0:32:39.160 --> 0:32:41.240
<v Speaker 1>Sometimes I hear a good song, I'm like, oh, that's catchy.

0:32:41.720 --> 0:32:44.040
<v Speaker 1>A big difference. You guys do catchy songs most of

0:32:44.040 --> 0:32:45.240
<v Speaker 1>the time, and I go off. Except for hours on

0:32:45.240 --> 0:32:47.560
<v Speaker 1>a boat. I'm good, I don't need water, I don't

0:32:47.600 --> 0:32:52.600
<v Speaker 1>like the beach, I'm all good. That song whatever, except it, Yeah,

0:32:52.600 --> 0:32:56.720
<v Speaker 1>except for that one. That one's called memory Lane. I

0:32:56.760 --> 0:32:59.760
<v Speaker 1>do want to play a little bit of Ain't gotta worry.

0:32:59.800 --> 0:33:06.280
<v Speaker 1>This is new music from Old Dominion. Here you go

0:33:02.160 --> 0:33:12.200
<v Speaker 1>right now on the Bobby Bones Show. Now, listeners send

0:33:12.280 --> 0:33:14.920
<v Speaker 1>us questions, and we started doing uncomfortable questions from listeners.

0:33:15.240 --> 0:33:18.880
<v Speaker 1>It wasn't initially approached like that, but now they know,

0:33:18.960 --> 0:33:21.400
<v Speaker 1>so they send us questions or sometimes uncomfortable. So let's

0:33:21.400 --> 0:33:23.960
<v Speaker 1>see what we got here, um, and let's answer them honestly.

0:33:24.000 --> 0:33:27.560
<v Speaker 1>Does Old Dominion have any feuds with any other country bands? Yes, yes,

0:33:27.880 --> 0:33:31.640
<v Speaker 1>Catallact three, Well, you outnumber them, so I don't know

0:33:31.640 --> 0:33:33.440
<v Speaker 1>if you guys have ever heard of them? Most people haven't.

0:33:33.560 --> 0:33:39.720
<v Speaker 1>Oh that's true. Yeah, yeah, do they count? Do they count? Um?

0:33:39.760 --> 0:33:41.360
<v Speaker 1>You don't have to say what it is, but who

0:33:41.360 --> 0:33:45.080
<v Speaker 1>in the band has the most expensive car? Not Matthew anymore?

0:33:45.680 --> 0:33:49.440
<v Speaker 1>I have an RV? Does that count anymore? Times? Tough? Yeah?

0:33:49.680 --> 0:33:52.800
<v Speaker 1>I just I just had a little accident. But it

0:33:52.880 --> 0:33:55.560
<v Speaker 1>used to be you before somebody hit you or you

0:33:55.640 --> 0:34:00.360
<v Speaker 1>hit them. I hit a tree by myself. It was

0:34:00.560 --> 0:34:03.760
<v Speaker 1>it was very snowy, and I wasn't gonna push. But

0:34:03.880 --> 0:34:10.359
<v Speaker 1>I hear you, Yeah, that's why I wasn't gonna push.

0:34:10.400 --> 0:34:15.040
<v Speaker 1>I was just like, I'll sit in silence if I'm like,

0:34:15.080 --> 0:34:18.520
<v Speaker 1>how did that not make the news? Um? Final question?

0:34:18.760 --> 0:34:22.879
<v Speaker 1>Why did old Dominion become popular? Good question? I mean,

0:34:22.880 --> 0:34:24.799
<v Speaker 1>we had the motto for years that this is never

0:34:24.840 --> 0:34:27.800
<v Speaker 1>gonna work, and we also look back at some decisions

0:34:27.800 --> 0:34:31.680
<v Speaker 1>that we've made, you know, creatively, like you know, putting

0:34:31.680 --> 0:34:33.920
<v Speaker 1>out an album of meals and things like that, and

0:34:34.040 --> 0:34:39.160
<v Speaker 1>we wonder the same thing. When the Grammys came out

0:34:39.320 --> 0:34:41.440
<v Speaker 1>nominations after that year, you guys were snubbed. That was

0:34:41.440 --> 0:34:43.840
<v Speaker 1>a snub, not even Seem's Grammys. And I felt like

0:34:43.840 --> 0:34:46.600
<v Speaker 1>it was snubbed. Let's go back in time, Let's do

0:34:46.680 --> 0:34:49.719
<v Speaker 1>first hit, last hit. The very first hit in my

0:34:49.760 --> 0:34:52.000
<v Speaker 1>mind is break up with Him? Is that to you guys? Yes,

0:34:52.120 --> 0:34:55.399
<v Speaker 1>like definitely, And I feel like that you guys kind

0:34:55.440 --> 0:34:58.800
<v Speaker 1>of came out of revisionist history, came out of nowhere,

0:34:59.520 --> 0:35:02.640
<v Speaker 1>boom smash hit. I'm sure that's not exactly how it

0:35:02.719 --> 0:35:06.600
<v Speaker 1>happened to the world. Yeah, van and trailer all that stuff.

0:35:06.600 --> 0:35:10.319
<v Speaker 1>When it did hit, were you surprised? Yeah, there's an

0:35:10.320 --> 0:35:12.520
<v Speaker 1>element of it that for sure. I mean there's you know,

0:35:12.960 --> 0:35:15.960
<v Speaker 1>I remember after the number on the way to the

0:35:16.040 --> 0:35:18.560
<v Speaker 1>Number one party for a break up with Him, I

0:35:18.600 --> 0:35:20.560
<v Speaker 1>was riding in the car and my uncle was with

0:35:20.600 --> 0:35:22.480
<v Speaker 1>me and he said, man, did you ever think this

0:35:22.520 --> 0:35:25.640
<v Speaker 1>would happen? And I said, yeah, I had to because

0:35:25.760 --> 0:35:28.000
<v Speaker 1>I would have just quit. But at the same time,

0:35:28.200 --> 0:35:31.319
<v Speaker 1>you have that feeling, but you also have this like

0:35:31.840 --> 0:35:34.279
<v Speaker 1>you can't believe it's a reality thing, right, Yeah, if

0:35:34.280 --> 0:35:36.040
<v Speaker 1>you don't believe in yourself, nobody else. Well, for sure,

0:35:36.400 --> 0:35:38.879
<v Speaker 1>But also when it happened, you're like, a it's crazy, Yeah,

0:35:39.000 --> 0:35:41.120
<v Speaker 1>especially because it takes so long, like you said, all

0:35:41.120 --> 0:35:43.080
<v Speaker 1>those years of just trying to do it and not

0:35:43.160 --> 0:35:45.920
<v Speaker 1>having success, it starts to feel like it's never gonna happen.

0:35:46.080 --> 0:35:47.640
<v Speaker 1>So when it does it, yeah, it is kind of

0:35:47.640 --> 0:35:54.080
<v Speaker 1>a nice surprise. But here's what I like. The greatest

0:35:54.080 --> 0:35:57.640
<v Speaker 1>thing just happened, like the level of oh wow, it

0:35:57.719 --> 0:35:59.640
<v Speaker 1>just happened with Old Dominion because they have so many hits,

0:35:59.680 --> 0:36:02.480
<v Speaker 1>they can't the first. That's what we aspire to do.

0:36:02.800 --> 0:36:05.080
<v Speaker 1>It's like our fans on Twitter all the time are

0:36:05.160 --> 0:36:06.880
<v Speaker 1>like making fun of me all the time for not

0:36:07.000 --> 0:36:09.160
<v Speaker 1>remembering the words. I forget him all the time. Let's

0:36:09.160 --> 0:36:11.560
<v Speaker 1>do the last hits. Okay, hey, you know what I

0:36:11.640 --> 0:36:15.759
<v Speaker 1>like about that? That Trevor that last deal the bo

0:36:16.600 --> 0:36:20.080
<v Speaker 1>do don't when you guys break up with him? I

0:36:20.160 --> 0:36:22.319
<v Speaker 1>felt that good. Thank you? Can you do that with

0:36:22.400 --> 0:36:29.719
<v Speaker 1>no no? Yeah? Oh yeah, you know what it is?

0:36:32.200 --> 0:36:37.319
<v Speaker 1>And then I will say this too. It's I think

0:36:37.360 --> 0:36:39.800
<v Speaker 1>it's very under That's a sample. Somebody should be school

0:36:39.800 --> 0:36:42.239
<v Speaker 1>Boy Cube come out with that and a and then

0:36:42.280 --> 0:36:47.800
<v Speaker 1>also Brad Plain, you're doing solos on acoustic. Yeah, you

0:36:47.800 --> 0:36:49.560
<v Speaker 1>don't have to do it now. I just love an

0:36:49.600 --> 0:36:53.080
<v Speaker 1>acoustic solo because it's it's brave and you nal it. Yeah,

0:36:53.080 --> 0:36:54.719
<v Speaker 1>it's like you got no choice. You gotta you gotta

0:36:54.760 --> 0:37:00.440
<v Speaker 1>do it. You got no choice? Yes, movie, it's like

0:37:00.480 --> 0:37:01.920
<v Speaker 1>we're never gonna make it. But it's like we got

0:37:01.920 --> 0:37:06.080
<v Speaker 1>no choice. Everybody still thinking over that we're never going

0:37:06.120 --> 0:37:09.480
<v Speaker 1>to make it. Mantra, Yeah, what choice do I have?

0:37:10.480 --> 0:37:15.200
<v Speaker 1>I'm being forced to do this? All right? Last hit?

0:37:15.280 --> 0:37:17.560
<v Speaker 1>What would that be? Depending on who you ask? It

0:37:17.640 --> 0:37:26.640
<v Speaker 1>was no hard feelings. I do love no hard feelings xylophone.

0:37:27.480 --> 0:37:28.600
<v Speaker 1>Do you know how to play that for ill? Or

0:37:28.600 --> 0:37:31.040
<v Speaker 1>did you learn that specifically for that song? This was

0:37:31.360 --> 0:37:34.760
<v Speaker 1>this was custom made by our drum tech to only

0:37:34.800 --> 0:37:37.680
<v Speaker 1>have the right notes on it. Can't really mess it up.

0:37:37.719 --> 0:37:39.840
<v Speaker 1>It's like when I play harmonica. Yeah, I get a

0:37:39.880 --> 0:37:41.839
<v Speaker 1>harmonica that is in the exact key, and I just

0:37:42.960 --> 0:37:44.840
<v Speaker 1>it sounds like I know what I'm doing, and the

0:37:44.840 --> 0:37:46.520
<v Speaker 1>audience I was like, why I plays harmonica? Like No,

0:37:46.680 --> 0:37:48.480
<v Speaker 1>I just blow in and out with the same mix

0:37:48.560 --> 0:37:53.440
<v Speaker 1>of music on the Bobby Bones Show. Now, all right,

0:37:53.480 --> 0:37:55.080
<v Speaker 1>old dominions all here, all of them, They're OK, hey,

0:37:55.160 --> 0:37:56.919
<v Speaker 1>let's listen to communicate right here. It's behind the scenes.

0:37:56.920 --> 0:37:59.240
<v Speaker 1>What do you say, Matthew, What what do you communicate

0:37:59.239 --> 0:38:02.200
<v Speaker 1>to him? It was just communicating what at the length

0:38:02.239 --> 0:38:04.479
<v Speaker 1>of the song that we were Yeah, what's the length? First?

0:38:04.480 --> 0:38:06.799
<v Speaker 1>Of course is what love it? I love that I

0:38:06.840 --> 0:38:08.320
<v Speaker 1>liked behind the scenes, It's like when they turned the

0:38:08.360 --> 0:38:10.720
<v Speaker 1>mic up on the quarterback going Blue twenty two a linebacker,

0:38:10.760 --> 0:38:12.920
<v Speaker 1>he's an idiot. You know they should. I'm hearing sometimes

0:38:12.960 --> 0:38:16.719
<v Speaker 1>we often are. We often wished that we recorded our

0:38:16.760 --> 0:38:19.640
<v Speaker 1>talkback mics on stage and are simultaneously glad that no

0:38:19.680 --> 0:38:22.239
<v Speaker 1>one ever hears. Absolutely, okay, sometimes you don't want that

0:38:22.280 --> 0:38:25.719
<v Speaker 1>out at all. That's right, Hey, yes, are you good?

0:38:25.719 --> 0:38:27.480
<v Speaker 1>What do we learned? I'll tell you it's a minor.

0:38:29.600 --> 0:38:31.960
<v Speaker 1>Remember the words, Hey, Jeff, when you you went to

0:38:31.960 --> 0:38:34.440
<v Speaker 1>the roll cup? Yeah, yeah, that's that, and you went

0:38:34.480 --> 0:38:37.319
<v Speaker 1>to what is that? How they say it their guitar

0:38:37.920 --> 0:38:39.799
<v Speaker 1>cutter or very polite, No matter how you said it,

0:38:39.800 --> 0:38:44.240
<v Speaker 1>they would not. Did you feel safe? I did, actually,

0:38:44.280 --> 0:38:46.200
<v Speaker 1>but I was. I was lucky. The first couple of

0:38:46.280 --> 0:38:48.440
<v Speaker 1>days I was with U was with someone that had

0:38:48.520 --> 0:38:53.240
<v Speaker 1>private security, so famous. No, my girlfriend works at McDonald's

0:38:53.239 --> 0:38:55.640
<v Speaker 1>in marketing, so it just like the marketing team has

0:38:55.719 --> 0:39:03.880
<v Speaker 1>and that went really boring. I thought we had secret security.

0:39:04.120 --> 0:39:06.240
<v Speaker 1>Have you ever seen Jason Bourne yet? Well? Mc guy's

0:39:06.280 --> 0:39:09.239
<v Speaker 1>marketing hasn't had chicken nuggets, right, those nuggets? Man, you

0:39:09.239 --> 0:39:14.040
<v Speaker 1>gotta you gotta protect the nugget as it was fun experience.

0:39:14.080 --> 0:39:16.719
<v Speaker 1>It was amazing. It's absolutely amazing. All right, superlatives here.

0:39:16.719 --> 0:39:20.359
<v Speaker 1>Who's the funniest person in the band? Man? Everybody think

0:39:20.360 --> 0:39:23.359
<v Speaker 1>it chakes his day to day? Yeah? Yeah, somebody, That's

0:39:23.360 --> 0:39:25.759
<v Speaker 1>why it's fun to be in this band. Somebody there's

0:39:25.840 --> 0:39:28.799
<v Speaker 1>no funny? Yes, okay. Who I think Wit might take

0:39:29.239 --> 0:39:31.960
<v Speaker 1>on the most consistent? Is it because you don't expect

0:39:31.960 --> 0:39:34.400
<v Speaker 1>it and then wham Wit hits you? Oh it's always

0:39:34.520 --> 0:39:38.000
<v Speaker 1>like a little off kilter. Yeah, okay. Who's the biggest

0:39:38.000 --> 0:39:41.240
<v Speaker 1>perfectionist of the group that sometimes it's annoying? I'd say Brad.

0:39:41.719 --> 0:39:45.760
<v Speaker 1>He's still trying to remix our first album. The Meal

0:39:45.920 --> 0:39:48.560
<v Speaker 1>wasn't perfect, guys, This Meal is a little off key.

0:39:49.120 --> 0:39:52.719
<v Speaker 1>Let's do who's the latest, who's late the most? That's

0:39:52.880 --> 0:39:55.440
<v Speaker 1>that's up for debate. But the rest the debate is

0:39:55.480 --> 0:39:57.839
<v Speaker 1>between all of us against Trevor. We all say he's

0:39:57.840 --> 0:40:00.359
<v Speaker 1>the latest. He says he's not. I'm definitely not. So

0:40:00.400 --> 0:40:02.400
<v Speaker 1>it's Stephane. Here. Here's the thing. I live in Franklin.

0:40:02.440 --> 0:40:04.480
<v Speaker 1>I got like a thirty five forty drive every time,

0:40:05.000 --> 0:40:06.359
<v Speaker 1>but that doesn't make you late. They had to come

0:40:06.400 --> 0:40:07.960
<v Speaker 1>down to a meeting in Franklin the other day and

0:40:07.960 --> 0:40:10.640
<v Speaker 1>they realized that we were on time though one were one.

0:40:10.960 --> 0:40:12.879
<v Speaker 1>You were you were in time. You you had one drive.

0:40:12.920 --> 0:40:15.279
<v Speaker 1>I loved this question thousand. So when there's an act,

0:40:16.200 --> 0:40:19.080
<v Speaker 1>they started fighting. This is the greatest. This is an aldermen.

0:40:19.120 --> 0:40:21.600
<v Speaker 1>You broke up right here on our show. Thanks for

0:40:22.680 --> 0:40:27.440
<v Speaker 1>he less accident. I am stickler. It doesn't have anymore.

0:40:27.440 --> 0:40:29.239
<v Speaker 1>But what did I if we were even one minute late?

0:40:29.280 --> 0:40:33.439
<v Speaker 1>What would happen? It was so annoying. It's your hand.

0:40:33.440 --> 0:40:36.120
<v Speaker 1>If you've ever been sent at home, everybody's been sent

0:40:36.200 --> 0:40:38.880
<v Speaker 1>home like it was stupid. Now, if there was an accident,

0:40:39.080 --> 0:40:42.239
<v Speaker 1>do it on purpose? Though? No, no, no. If they

0:40:42.239 --> 0:40:44.040
<v Speaker 1>had a flat or a kid was sick, that's different.

0:40:44.160 --> 0:40:46.520
<v Speaker 1>But if you're seven minutes late just because you decided

0:40:46.600 --> 0:40:49.160
<v Speaker 1>you yeah, didn't you didn't respect the same everything body,

0:40:49.400 --> 0:40:53.960
<v Speaker 1>So we never decile you low, you know what I mean? Okay, relax, everybody,

0:40:54.160 --> 0:40:59.400
<v Speaker 1>we start fighting too. Who's the most fashionable man? Do

0:40:59.440 --> 0:41:01.759
<v Speaker 1>you have to be? Because you're the front? I guess

0:41:01.800 --> 0:41:05.399
<v Speaker 1>so probably? Finally, who was the most emotional outwardly emotional. Yeah,

0:41:05.400 --> 0:41:09.400
<v Speaker 1>I would say Brad probably is outwardly emotional the most.

0:41:09.560 --> 0:41:12.799
<v Speaker 1>I'm about to freak cut right now? Yeah, So are

0:41:12.840 --> 0:41:14.160
<v Speaker 1>you good on the song you're about to do? I

0:41:14.200 --> 0:41:15.640
<v Speaker 1>are you asking questions? I don't know. I just couldn't

0:41:15.640 --> 0:41:17.600
<v Speaker 1>remember the first line. Okay, So we're gonna do a

0:41:17.680 --> 0:41:21.240
<v Speaker 1>song written by one of you guys that another singer recorded.

0:41:21.280 --> 0:41:22.960
<v Speaker 1>So we're gonna do just a verse in a chorus here.

0:41:23.080 --> 0:41:24.839
<v Speaker 1>What did you guys choose to do and who did it?

0:41:25.520 --> 0:41:29.600
<v Speaker 1>We chose a song called Wild Hearts that me, Jennifer Wayne,

0:41:29.640 --> 0:41:34.080
<v Speaker 1>and Eric Pasley wrote, and then Keith Urban actually rewrote

0:41:34.120 --> 0:41:36.960
<v Speaker 1>the verses and kept our chorus and kind of rewrote

0:41:36.960 --> 0:41:40.360
<v Speaker 1>the song about his own life, and uh yes, it

0:41:40.480 --> 0:41:42.279
<v Speaker 1>was a four of us together. I declared this song

0:41:42.320 --> 0:41:45.120
<v Speaker 1>the most screwed over song in twenty twenty two. Screwed

0:41:45.120 --> 0:41:47.239
<v Speaker 1>over song, yeah, because it should have been a number

0:41:47.320 --> 0:41:50.040
<v Speaker 1>one and it was a number two, and it was

0:41:50.280 --> 0:41:52.400
<v Speaker 1>as good. I mean, it was number one worthy for

0:41:52.520 --> 0:41:55.399
<v Speaker 1>shuret better. So here it is the most screwed over

0:41:55.440 --> 0:41:58.480
<v Speaker 1>song of twenty twenty two. Go ahead, all right, poor Brad,

0:41:59.160 --> 0:42:06.520
<v Speaker 1>It's number two cry out loud right now, does it

0:42:06.560 --> 0:42:08.560
<v Speaker 1>ever happen? Matthew if you get sick and he can

0:42:08.640 --> 0:42:11.480
<v Speaker 1>the other guys fill in, and we've done We've done

0:42:11.520 --> 0:42:14.360
<v Speaker 1>some shows before where I was sick. What if you

0:42:14.440 --> 0:42:16.080
<v Speaker 1>lip sync and they sing though? Yeah, I mean you

0:42:16.080 --> 0:42:18.160
<v Speaker 1>really could pull that off through that. Yeah, but we

0:42:18.239 --> 0:42:19.920
<v Speaker 1>have filled it in because we do have you know,

0:42:19.960 --> 0:42:23.239
<v Speaker 1>we're lucky enough to have hits that you know that

0:42:23.280 --> 0:42:27.000
<v Speaker 1>we've written for other people. So it's definitely been used before.

0:42:27.040 --> 0:42:28.720
<v Speaker 1>I was like, you guys sing a couple of songs

0:42:28.719 --> 0:42:30.160
<v Speaker 1>so that I can take a break. You guys know

0:42:30.239 --> 0:42:33.680
<v Speaker 1>a massive fan. You're welcome anytime, Thanks for humoring. And

0:42:33.719 --> 0:42:35.400
<v Speaker 1>here's the thing. You brought all your instruments and we

0:42:35.440 --> 0:42:36.919
<v Speaker 1>don't want to come bring all your instrans to play

0:42:36.960 --> 0:42:38.719
<v Speaker 1>one song? Like why all right? Why said all the way?

0:42:38.760 --> 0:42:41.239
<v Speaker 1>I'm just do one song. That's how I feel. So

0:42:41.280 --> 0:42:42.560
<v Speaker 1>and then even after we go off the yere I'm

0:42:42.560 --> 0:42:46.160
<v Speaker 1>gonna keep them playing my person enjoyment. Um. But listen

0:42:46.239 --> 0:42:49.000
<v Speaker 1>old Dominion music on Instagram. I'm a huge fan. New

0:42:49.080 --> 0:42:51.200
<v Speaker 1>music is great and I have the tour here, the

0:42:51.520 --> 0:42:56.040
<v Speaker 1>No Bad Vibes Tour, which is starting the nineteenth. Is

0:42:56.040 --> 0:43:01.120
<v Speaker 1>it starts. It's not restarting, it's starting, Okay. So we

0:43:01.320 --> 0:43:04.759
<v Speaker 1>are Old Dominion dot com and everywhere we are and

0:43:04.800 --> 0:43:07.200
<v Speaker 1>you're listening to this. They're all over from green Bay

0:43:07.239 --> 0:43:13.120
<v Speaker 1>to Evansville in the nineteenth Champaigne, Illinois on the twentieth Ottawa, Toronto, London, Ontario.

0:43:13.239 --> 0:43:15.839
<v Speaker 1>So go check them out. They're awesome, live and all

0:43:15.880 --> 0:43:18.440
<v Speaker 1>the way to June thirtieth. That's it Old Dominion. Everybody

0:43:18.440 --> 0:43:23.160
<v Speaker 1>say bye, thank you, and there they are. It's the

0:43:23.200 --> 0:43:29.520
<v Speaker 1>best bits of the week, with Morgan number two coming

0:43:29.560 --> 0:43:31.760
<v Speaker 1>in at that number one spot. We love when somebody

0:43:31.920 --> 0:43:34.799
<v Speaker 1>is a hero, and Eddie was a hero. Eddie the

0:43:34.920 --> 0:43:37.360
<v Speaker 1>Dad turned Eddie the hero when he broke up a

0:43:37.360 --> 0:43:39.480
<v Speaker 1>fight that happened between some kids as he saw him

0:43:39.480 --> 0:43:42.239
<v Speaker 1>get off a bus and he jumped into action. So

0:43:42.560 --> 0:43:44.600
<v Speaker 1>we think that makes him a pretty cool hero, especially

0:43:44.640 --> 0:43:47.439
<v Speaker 1>after you hear what transpired after he broke off the fight.

0:43:47.560 --> 0:43:50.840
<v Speaker 1>So yeah, maybe you're a hero. Maybe you've done this before.

0:43:50.960 --> 0:43:52.759
<v Speaker 1>But I love hero stories, So if you have one,

0:43:53.040 --> 0:43:54.680
<v Speaker 1>share them with me or call the show and leave

0:43:54.680 --> 0:43:57.520
<v Speaker 1>a voicemail. Either way, we love hero stories. So this

0:43:57.640 --> 0:44:01.439
<v Speaker 1>is Eddie the Hero Number one. Everybody knows Eddie the Dad.

0:44:01.600 --> 0:44:03.839
<v Speaker 1>We love him. His kids even sing the song about

0:44:03.920 --> 0:44:13.120
<v Speaker 1>Eddie the Dad. But what if a dad on a

0:44:13.160 --> 0:44:21.480
<v Speaker 1>moment's notice turns into a hero hero Eddie, I'm not

0:44:21.520 --> 0:44:24.160
<v Speaker 1>a hero, but look that's what a hero says. A

0:44:24.200 --> 0:44:26.600
<v Speaker 1>hero says, I'm not a hero. I was driving home

0:44:26.760 --> 0:44:29.279
<v Speaker 1>and I saw like a group of kids and it

0:44:29.320 --> 0:44:31.440
<v Speaker 1>looked like they had just gotten off the bus. So

0:44:31.480 --> 0:44:34.560
<v Speaker 1>it's like a bus stop or whatever, and something wasn't right,

0:44:34.680 --> 0:44:37.719
<v Speaker 1>and they're all huddled around something. And the closer I

0:44:37.760 --> 0:44:40.000
<v Speaker 1>get I noticed there's a fight going on. So what

0:44:40.040 --> 0:44:42.799
<v Speaker 1>do I do. I pull the car over, I get out.

0:44:42.840 --> 0:44:46.920
<v Speaker 1>I make a big die honk, open the door, slam it. Hey,

0:44:46.920 --> 0:44:49.080
<v Speaker 1>break it up, break it up. You jump out into

0:44:49.080 --> 0:44:51.000
<v Speaker 1>the pilot. Kids, Oh yeah, you wrest your own safety.

0:44:51.080 --> 0:44:53.040
<v Speaker 1>As soon as I said break it up, they all look,

0:44:53.080 --> 0:44:55.600
<v Speaker 1>oh my gosh, and they all scattered like cats. And

0:44:55.719 --> 0:44:58.160
<v Speaker 1>the two that were like on the ground wrestling, I

0:44:58.239 --> 0:45:00.360
<v Speaker 1>was about to grab the guy that was on he

0:45:00.400 --> 0:45:02.880
<v Speaker 1>was definitely winning, and he kind of gets up and like, oh, there,

0:45:02.920 --> 0:45:04.239
<v Speaker 1>we gotta go, we gotta go, we gotta go, and

0:45:04.239 --> 0:45:06.080
<v Speaker 1>they all split and it was just me and the

0:45:06.120 --> 0:45:07.520
<v Speaker 1>one that was kind of on the ground, He's like,

0:45:07.840 --> 0:45:09.880
<v Speaker 1>oh man, oh, thank you, thank you, and then he

0:45:09.880 --> 0:45:11.759
<v Speaker 1>eastern runs off and like are you good? Are you good?

0:45:11.920 --> 0:45:14.120
<v Speaker 1>I'm fine. He runs off, and the guy that was

0:45:14.160 --> 0:45:17.120
<v Speaker 1>beating him up yells, we're not done, bro, you just

0:45:17.160 --> 0:45:20.959
<v Speaker 1>got saved. Oh no, And I saved his life though, yes,

0:45:21.280 --> 0:45:24.239
<v Speaker 1>So I'm like, wow, that was crazy full of adrenaline.

0:45:24.600 --> 0:45:26.400
<v Speaker 1>But then I started thinking like did I ruin it

0:45:26.440 --> 0:45:29.880
<v Speaker 1>for the kid? Like is now the bully or whoever

0:45:29.960 --> 0:45:31.840
<v Speaker 1>was winning that fight gonna find him? Like did he

0:45:32.000 --> 0:45:34.200
<v Speaker 1>did he get beat up? Ten minutes after I left,

0:45:34.840 --> 0:45:36.640
<v Speaker 1>Like I felt like a hero, Like that moment's life.

0:45:36.640 --> 0:45:38.479
<v Speaker 1>I think safe kids laugh, and I like to commend, Wow,

0:45:39.040 --> 0:45:41.440
<v Speaker 1>stole your car, You jumped into action. You risk your

0:45:41.440 --> 0:45:43.840
<v Speaker 1>own safety, which is yeah, you think about it. It It

0:45:43.960 --> 0:45:45.959
<v Speaker 1>was instanct. Guys, when you're a dad and you see

0:45:46.080 --> 0:45:48.000
<v Speaker 1>kids fighting, like you just do what you do. It

0:45:48.080 --> 0:45:50.440
<v Speaker 1>was instinct. I just, you know, felt I had there

0:45:50.440 --> 0:45:52.239
<v Speaker 1>no other adults around. No, It's like they had just

0:45:52.280 --> 0:45:54.360
<v Speaker 1>gotten off the bus. They all had their backpacks on

0:45:54.320 --> 0:45:56.520
<v Speaker 1>one he was just pounding the other kid. Oh yeah,

0:45:56.640 --> 0:45:59.520
<v Speaker 1>like one was definitely winning the fight. Nothing says like,

0:45:59.560 --> 0:46:02.759
<v Speaker 1>you're an old grumpy man, like breaking up a kid's fight.

0:46:02.960 --> 0:46:05.319
<v Speaker 1>You have no relation to these kids. You let them fight,

0:46:05.360 --> 0:46:08.480
<v Speaker 1>you let them handle their business. You don't know what

0:46:08.600 --> 0:46:11.879
<v Speaker 1>adult you should stop two kids. You don't know what

0:46:11.920 --> 0:46:14.080
<v Speaker 1>that kid did to the other kid, Like maybe he's

0:46:14.120 --> 0:46:16.120
<v Speaker 1>spit in his face and so the guy punched him.

0:46:16.440 --> 0:46:18.680
<v Speaker 1>You breaking it up, Get out of here. That is

0:46:18.719 --> 0:46:21.720
<v Speaker 1>none of your business. Drive on by, leave them alone.

0:46:21.840 --> 0:46:26.200
<v Speaker 1>Not a hero, No, I think you're a hero. Look, man,

0:46:26.280 --> 0:46:28.480
<v Speaker 1>I just opposite here. I did what I felt I

0:46:28.520 --> 0:46:31.320
<v Speaker 1>had to do. I'm not a hero, though, Guys, I'm

0:46:31.360 --> 0:46:33.040
<v Speaker 1>just a hero, says though. Look, I'm just a dead

0:46:33.080 --> 0:46:35.920
<v Speaker 1>You're basically like the guy who landed the plane, the

0:46:37.480 --> 0:46:40.920
<v Speaker 1>nineteen year old eighteen year old No, and the Hudson. Oh,

0:46:40.960 --> 0:46:45.239
<v Speaker 1>Captain Sully, You're You're the Sully of the Bobby Bone Show. Wow, God,

0:46:45.719 --> 0:46:54.480
<v Speaker 1>thank you, thank you guys. Wow yeah hero. Wow. It's

0:46:54.560 --> 0:46:58.080
<v Speaker 1>the best Bits of the week with Morgan number two.

0:46:59.200 --> 0:47:01.520
<v Speaker 1>I hope you'll enjoy listening to the best Bits this weekend.

0:47:01.600 --> 0:47:03.319
<v Speaker 1>I know I love hanging out with you guys on

0:47:03.320 --> 0:47:06.360
<v Speaker 1>the weekends. Please feel free to share this tag me

0:47:06.400 --> 0:47:08.920
<v Speaker 1>if you have something to say direct message me, whatever

0:47:08.960 --> 0:47:11.080
<v Speaker 1>it may be. I love talking about all these things

0:47:11.120 --> 0:47:13.799
<v Speaker 1>that we crazily talk about on here, particularly when I

0:47:13.800 --> 0:47:16.080
<v Speaker 1>have guests on in Scuba, and I talked about a

0:47:16.120 --> 0:47:17.920
<v Speaker 1>lot of things, but we geeked out on a lot

0:47:17.920 --> 0:47:19.920
<v Speaker 1>of shows and stuff that are coming out and that

0:47:19.960 --> 0:47:22.759
<v Speaker 1>we've watched. So I do hope it was enjoyable and

0:47:22.800 --> 0:47:28.000
<v Speaker 1>I love doing this every single weekend Saturdays. Am I right? Listen?

0:47:28.040 --> 0:47:30.120
<v Speaker 1>I don't know that everything's getting all blurry in my

0:47:30.160 --> 0:47:32.080
<v Speaker 1>head at this point. So I love you guys. I

0:47:32.080 --> 0:47:36.479
<v Speaker 1>hope you have a fabulous weekend. Byeby show